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Congratulations and special thanks from DigiTech® for choosing the
Expression FactoryTM Pedal.
When you want to express emotion with your guitar, two hands are great,
but two hands and a foot are better.Years ago, pioneering musicians and
engineers developed technology that let your foot alter and enhance your
guitar’s tone while your fingers are busy playing the notes.These pedals
were so revolutionary, they’ve endured and evolved through the years: the
wah pedal, the flanger, the rotary speaker, the pitch bender, the chorus,
and the volume swell.These pedals placed guitarists’ feet on the path to
the future of modern music.
The DigiTech Expression Factory captures seven of the most versatile and
dramatic pedal-controlled effects in guitar equipment history: theVox®
Clyde McCoyWahTM* and the Dunlop® Cry BabyTMWah*, the Leslie®
147 Rotary Speaker*, the A/DATM Flanger*, the Unicord Uni-VibeTM*,
the DigiTech® XP300 Space StationTM Synth SwellTM*, and the DigiTech
Whammy®*.The Expression Factory lets you walk in the shoes of many
mighty guitarists before you, who discovered that with one foot on the
stage or the studio floor, and the other foot on an expression pedal, the
journey through exciting and dramatic guitar tones will never end.
* DigiTech, X-Series, CIT, Flexible Output Mode, DOD,Whammy, Space Station, Synth Swell, Metal Master,
Expression Factory, Johnson Amplification, and Distortion Factory are trademarks of Harman International
Industries, Inc. Other product names modeled in this product are trademarks of their respective companies
that do not endorse and are not associated or affiliated with DigiTech. They are trademarks of other manu-
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facturers and were used merely to identify products whose sounds were reviewed in the creation of this
product.
Included Items
The DigiTech® Expression FactoryTM Pedal includes the following items:
• DigiTech Expression Factory Pedal
• PS0913B Power Supply
•This Owner’s Manual
• DigiTechWarranty Card
• DigiTech Brochure
Please make sure that all of these items have been included before you
get started.
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Setup Directions
Follow these setup directions before use:
1.Turn the volume down on the amplifier/mixer you are connecting to.
2. Connect the pedal output to the amplifier/mixer input.
3. Connect the guitar to the pedal input.
4. Connect the power supply to the pedal.
5.Turn up your amplifier/mixer level to your desired listening level.
6.Turn on the Effect Model by pressing the TOE SWITCH (or turn on
the Effect + Distortion Model by pressing the HEEL SWITCH).
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The Expression FactoryTM Features at a Glance
The Expression FactoryTM has seven Effect Models that you can select
(one at a time) and control with your foot by using the Expression Pedal.
You can also modify each Effect Model’s tone and behavior with three
knobs.
The Expression Factory also has seven selectable Distortion Models that
can only be used (one at a time) in conjunction with any Effect Model.
You can modify each Distortion Model with three knobs.
The Expression Factory has six Cabinet Models (based on the cabinets
of popular amplifiers) which are associated with the seven Distortion
Models.
The Expression Factory can also be used as a volume pedal.
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The Expression FactoryTM outputs can be configured in one of four Out-
put Modes:
1. Mono Mode – Outputs a mono signal through either the OUT 1 (AMP)
jack or the OUT 2 (MIXER) jack.
2. Stereo Mixer Mode – Outputs a stereo signal through both the OUT 1
(AMP) and OUT 2 (MIXER) jacks, suitable for connecting to a mixer or
recording device.
3. Stereo Amp Mode – Outputs a stereo signal through both the OUT 1
(AMP) and OUT 2 (MIXER) jacks, suitable for connecting to an ampli-
fier.
4. Amp + Mixer Mode – Outputs a mono signal through the OUT 1
(AMP) jack suitable for connecting to an amplifier, and also outputs a
mono signal through the OUT 2 (MIXER) jack, suitable for connecting
to a mixer or recording device.
When the Expression Factory is shipped from the factory, the default
modes are Mono Mode and Stereo Mixer Mode. Refer to the Flexible
Output ModeTM Setup section of this manual for more information.
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1. OUT 1 (AMP)*
Connect this output jack to your
guitar amplifier. Refer to the Flex-
ible Output ModeTM Setup sec-
tion for more information.
2. OUT 2 (MIXER)*
This output has been specifically
tailored for use with a full range
audio system and is designed to be
plugged directly into a mixer or
recording device for optimal per-
formance. Refer to the Flexible
Output Mode Setup section for
more information.
3. (Tip) - CONTROL 1
Model dependent. Refer to the Ef-
fect Model Control table for more
information.
(Ring) - DIST LEVEL
Controls distortion level.
* Use only unbalancedTS instrument cables.
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4. INDICATOR LED
7. (Tip) - CONTROL 3
Model dependent. Refer to the Ef-
fect Model Control table for more
information.
This LED indicates the status of
the selected Model or the current
Mode: OFF=bypass, GREEN=Effect
Model on, RED=Effect Model and
Distortion Model on, FLASHING
YELLOW=Distoriton Model Select
mode.
(Ring) - DIST GAIN
Controls distortion gain.
8. MODEL
This knob selects one of the seven
different Effect Models:
5. (Tip) - CONTROL 2
Model dependent. Refer to the Ef-
fect Model Control table for more
information.
1. Dunlop® Cry BabyTM Wah
2.VintageVox® Clyde McCoyTM
Wah
(Ring) - DISTTONE
Controls distortion tone.
3. DigiTech® XP300 Space
StationTM Synth SwellTM
4. DigiTech Whammy®
5. Unicord Uni-VibeTM
6. Leslie® 147 Rotary Speaker
7.A/DATM Flanger
6. POWER SUPPLY JACK
Connect only the included PS0913B
(9V AC) power supply to this jack.
Note that the Expression FactoryTM
is not equipped for battery power.
Refer to the Model Descriptions
section for detailed explanations of
each model’s controls.
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9. INPUT
To enable the HEEL or TOE
Connect your instrument to this
jack.
SWITCHES, press firmly on the
heel or toe of the EXPRESSION
PEDAL. The INDICATOR LED
will change color when the HEEL
or TOE SWITCH is engaged.
10. FOOTSWITCH
Plug in the optional FS3X
footswitch here. Refer to the
Using the Optional FS3X
Footswitch section to see what
the FS3X can do with the Expres-
If the EXPRESSION PEDAL’s
range becomes diminished over
time, it may be necessary to re-cali-
brate the pedal. Refer to the
Calibrating the Expression Ped-
al section for more information.
sion FactoryTM
.
11. EXPRESSION PEDAL
Serves as a variable control for each
of the Effect Models. Also used
for engaging the HEEL and TOE
SWITCHES, which enable the
selected Effect Models and Distor-
tion Models. (Refer to the Effect
Model Control table for more
information about the EXPRES-
SION PEDAL.)
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Selecting and Enabling an Effect Model
1. Use the MODEL KNOB to select an Effect Model. (Refer to the Ef-
fect Model Control table for a list of Effect Models.)
2. Rock the pedal forward and press firmly on the TOE SWITCH.
The INDICATOR LED lights green to show that the Effect Model is
enabled.
3.To bypass the Effect Model, rock the pedal forward and press firmly on
the TOE SWITCH.The INDICATOR LED turns off to show that
the Effect Model is bypassed.
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MODEL DESCRIPTIONS
MODEL 1. Dunlop® Cry BabyTM
As theWah pedal increased in popularity, slight changes were made to the
original design. One of the most popular versions of theWah pedal was
(and is) the Dunlop® Cry BabyTM. By using an Italian-made Fasel inductor
(and making some other design alterations), the Dunlop Cry Baby creates
a slightly thicker tone that is reminiscent of guitar legends of the late 60s
and early 70s.
Control 1 (tip): Frequency Range – Changes the high and low fre-
quency centers of theWah sweep.
Control 2 (tip): Q (Shape) – Changes the bandwidth of the frequency
centers. Lower settings produce a mildWah effect, higher settings pro-
duce extremeWah filtering.
Control 3 (tip): Volume – Boosts or cuts the output level when the
Wah is enabled.
Expression Pedal – Controls theWah effect.
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MODEL 2.Vox® Clyde McCoyTM Wah
In 1966, an L.A. session guitarist and aVox® electrical engineer tinkered
around with an amp’s tone circuit and created an archetype of elec-
tric guitar tone: the original Clyde McCoyTM Wah pedal. Though it was
designed for the guitar,Vox initially thought they’d sell more to trumpet
players; that’s why trumpet player Clyde McCoy’s name graces the pedal
to this day. Few horn players use the pedal today, but countless guitarists
know the unmistakable tone and range acheived by this pedal, thanks to
its active circuit and dinstinctive high peak.
Control 1 (tip): Frequency Range – Changes the high and low fre-
quency centers off theWah sweep.
Control 2 (tip): Q (Shape) – Changes the bandwidth of the frequency
centers. Lower settings produce a mildWah effect, higher settings pro-
duce extremeWah filtering.
Control 3 (tip): Volume – Boosts or cuts the output level when the
Wah is enabled.
Expression Pedal – Controls theWah effect.
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MODEL 3. DigiTech® XP300 Space StationTM
Synth SwellTM
This model recreates the most popular tone on a rare and hard-to-find
pedal. The DigiTech® XP300 Space StationTM Synth SwellTM packs an entire
outer-space string orchestra into your guitar, and lets you create other-
worldly effects and flourishes which you can
Octave Up
control with the Expression Pedal.
5th Up
4th Down
Control 1 (tip): Pitch Shift – Selects one
of the seven different pitch shift intervals for
the swell effect. (See diagram.)
4th Up
5th Down
Detune
Octave Down
Control 2 (tip): Chorus/Pitch Balance –
Pitch Shift Interval Positions
Balances the pitch and chorus effects.
Minimum position has chorus and no pitch shift; maximum position has
pitch shift and no chorus.
Control 3 (tip): Swell AttackTime – Adjusts the volume attack
time. When in the minimum position, Autoswell attack is off (swell is
controlled via the Expression Pedal). The maximum position has over 3
seconds of volume attack.
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Expression Pedal – Controls the input level (volume swell).
MODEL 4. DigiTech Whammy®
Model 4 captures the unmistakable sound of DigiTech®’s legendary pitch-
bender, theWhammy®. You can now command smooth pitch bends, rich
detuning, accurate dive bombs, and fast-tracking harmony shifts, just like
the original.
Octave Up
5th Up
2 Octaves Up
Control 1 (tip):
Whammy Amount –
Adjusts theWhammy pitch
interval. (See diagram.)
2nd Up > M3rd Up
Detune
Octave Down > Octave Up
Reverse 2nd Down
Whammy Amount Interval Positions
Control 2 (tip): Tone –
Adjusts the overall tone of theWhammy effect. Lower settings decrease
high frequencies; higher settings increase high frequencies.
Control 3 (tip):Wet/Dry Mix – Controls the dry level and effect level
mix.
Expression Pedal – Controls theWhammy pitch shift.
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MODEL 5. Unicord Uni-VibeTM
This is the one that set the standard for all chorus pedals. The lush Uni-
cord Uni-VibeTM chorus effect adds depth and dimension to your music
that is both subtle and spectacular. No wonder the Unicord Uni-Vibe was
the choice of so many guitar greats when it was created in the late 60s.
True to the original, this model also offers a vibrato option.
Control 1 (tip): Chorus/Vibrato – Selects either the chorus or the
vibrato effect.Turn the knob all the way to the left to select chorus, or all
the way to the right to select vibrato.
Control 2 (tip): Intensity – Adjusts the amount of the effect.
Control 3 (tip): Volume – Controls the output level of the effect.
Expression Pedal – Controls the modulation speed. Rocking the pedal
all the way back (toe up) bypasses the effect just like the original pedal.
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MODEL 6. Leslie® 147 Rotary Speaker
Long prized by organ players for their rich sound and spine-chilling effects,
rotating Leslie® speakers caught guitarists’ attention after being masterful-
ly applied by experimenting vocalists and guitar virtuosos in the mid and
late 60s. Many stompboxes simulate a rotating speaker effect, but Model
6 approximates the sound of the Leslie 147 rotary speaker specifically,
with all its subtle nuances and characteristics.
Control 1 (tip): Drive – Controls the preamp drive/distortion of the
pedal.
Control 2 (tip): Minimum Speed – Controls the minimum speed
reached when the pedal is rocked back (toe up).
Control 3 (tip): Volume – Controls the output level of the Leslie
effect.
Expression Pedal – Controls the rotary speaker speed.
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MODEL 7.A/DATM Flanger
Model 7 recreates the granddaddy of all flangers: the A/DATM Flanger. This
stompbox set the stage for all flangers that followed in its footsteps. Af-
ficionados recognize its dramatic jet-engine flyby sweep and appreciate its
utter lack of background noise.
Control 1 (tip): Range – Controls the amount of delay time variation
from the Speed control. When Range is set to its minimum position, the
Speed control has no effect on the delay time. When Range is set to its
maximum position, the Speed control sweeps the entire delay time and
the Expression pedal is effectively disabled.
Control 2 (tip): Speed – Controls the LFO speed of the flanger effect
based on the Range setting. When Range is set to its minimum position,
the Speed control is effectively disabled and the flange sweep is controlled
by the Expression Pedal.
Control 3 (tip): Enhance – Controls the amount of feedback in the
flanger effect. Higher settings produce more dramatic comb filtering.
Expression Pedal – Manually controls the sweep of the flanger effect.
The Expression Pedal acts like the Manual knob on the original pedal.
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Effect Model ControlTable
Expression
Effect Model
Control 1
Control 2
Q (shape)
Q (shape)
Control 3
Volume
Pedal
Frequency
Range
Frequency
Range
1
2
3
4
5
6
7
Dunlop Cry Baby
Wah
Vox Clyde McCoy Wah
DigiTech XP300 Synth Swell
DigiTech Whammy
Unicord Univibe
Wah
Volume
Pitch Shift
Speed
Volume
Chorus/Pitch Swell Attack
Balance
Pitch Shift
Time
Wet/Dry
Mix
Whammy
Shift
Chorus/
Vibrato
Tone
Intensity
Volume
Minimum
Speed
Maximum
Speed
Leslie 145 Rotary Speaker
A/DA Flanger
Speed
Drive
Range
Effect
Sweep**
Speed
Enhance
* Volume Pedal Function
When Model 7 is selected and bypassed, the Expression Pedal behaves
as a volume pedal. This volume pedal control is disabled when either
the Effect Model or the Effect + Distortion Model is enabled in
Model 7.
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Settings to GetYou Going
To recreate each Effect Model’s original tone and behavior, set Control
Knobs 1-3 to the 12 o’clock position. And here are a few famous and
familiar settings to get you started.
Cry Baby® –This setup models the stock Cry
Baby® wah tone favored by giants like Page, Slash,
and Hammett. Adjust the Frequency (Control 1)
and Q (Control 2) settings for a customWah.
Vox® Wah – Set the Control knobs in this fashion
to make theWah pedal behave like a tone control
on your guitar. Or set the Control knobs to 12
o’clock to recreate Jimi Hendrix’s and Stevie Ray
Vaughan’s favoriteWah.
XP300 –This setup gives you an octave synth
swell effect very similar to what you hear in
Audioslave’s “I AmThe Highway.”
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WhammyTM –This setup models the octave
WhammyTM shifting made famous by Rage Against
the Machine. Set theWet/Dry Mix (Control 3)
knob to 12 o’clock to create harmony shifting.
Uni-VibeTM – Setting the knobs to this position
and rocking the Expression Pedal just off of the
heel gets that great Gilmour “Breathe” tone. Kick
in the Big Muff® model and rock the pedal forward
a bit for theWoodstock national anthem sound.
Leslie® – Set the knobs in this position to give
you a great rotary speaker tone.This effect added
a subtle aura of mystery to the intro to “Hotel
California” and the guitar solo in “Let It Be.”
Flanger – For that classic jet flange sound, set the
knobs to this position. The setting may remind
you of the unmistakable intro toVan Halen’s
“Unchained.”
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Selecting and Activating a Distortion Model + Effect
Model
The Expression FactoryTM has seven Distortion Models that can be
selected using the MODEL knob. This is done by accessing the Distor-
tion Model Select mode. Once this mode is accessed, the MODEL knob
selects a Distortion Model while the rest of the knobs maintain their
labeled functions. To enter Distortion Model Select mode, follow these
steps:
1. Rock the EXPRESSION PEDAL forward and then press and hold
the TOE SWITCH for three seconds until the INDICATOR LED
begins flashing yellow. If the distortion was already active, it will turn
off first, and then turn back on once Distortion Model Select mode is
active.
2. Once the INDICATOR LED begins flashing yellow, use the MODEL
knob to select between the different Distortion Models. The Effect
Model that was selected prior to entering Distortion Model Select
mode remains active and does not change as the MODEL knob selects
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the different Distortion Models. This lets you audition different Distor-
tion Models with the current Effect Model. Use the three ring knobs
labeled DIST LEVEL, DIST TONE, and DIST GAIN to adjust the
distortion settings.
3. Once a distortion model has been selected, you can exit Distortion
Model Select mode by pressing the TOE SWITCH again. The Expres-
sion Factory will then return to normal operation with both the effect
and distortion bypassed. (The MODEL knob now might be on a dif-
ferent Effect Model than before it was entered; if so, just turn it back to
the desired Effect Model and press the TOE SWITCH to activate it.)
NOTE: Once Distortion Model Select mode has been exited, the Distor-
tion Model that was selected will be saved off with the Effect Model that
was active when the distortion was selected. This lets you select and save
a specific or different Distortion Model to use with each Effect Model.
For a list of Distortion Models, refer to the Distortion and Cabinet
Models section.
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Distortion and Cabinet Models
Each Distortion Model also has CIT™ cabinet modeling associated with
it when using the Out 2 (Mixer) output or when the pedal is in Stereo
Mixer mode (see Flexible Output Mode)*. Here is a list of the cabinet
models for each distortion:
Distortion Model
Cabinet Model
Ibanez® TS-9
DOD® Overdrive/preamp 250
Boss® DS -1TM
Fender® ’65 Deluxe Reverb® 1x12
Marshall® 4x12 w/Celestion® GT-75s
Johnson AmplificationTM 4x12 w/CelestionV30s
Fender Bassman® Blonde 2x12
1
2
3
4
5
6
7
ProCo RatTM
Boss® Metal Zone®
DigiTech® Metal MasterTM
EH® Big Muff® Pi
Johnson Amplification 4x12 w/CelestionV30s
VHT AmplificationTM 4x12 w/CelestionV30s
Marshall 4x12 w/Celestion 25W Greenbacks
* Model 6 already emulates a Leslie® speaker cabinet, so no Cabinet Model is ap-
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plied to the Distortion Model in any output mode.
Flexible Output ModeTM
The Expression FactoryTM has four Flexible Output Modes: Mono, Stereo
Mixer, Stereo Amp, and Amp/Mixer.These modes let you send a mono sig-
nal to an amp or a mixer, or a stereo signal to two amps or two channels
of a mixer, or a mono signal to an amp and a mixer simultaneously.
Mode 1 (MONO) is automatically selected when only one cable is
plugged into either the OUT 1 (AMP) or OUT 2 (MIXER) output. Mode
2 (STEREO MIXER), Mode 3 (STEREO AMP), and Mode 4 (AMP/MIXER)
are enabled when two cables are plugged into both the OUT 1 (AMP)
and OUT 2 (MIXER) outputs. Mode 2 (STEREO MIXER) is the factory
default stereo output mode. Mode 3 (STEREO AMP) and Mode 4 (AMP/
MIXER) can be enabled using the Flexible Output Mode Setup (Modes
2-4 are all selected using the Flexible Output Mode Setup).
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Connections Diagram - Flexible Output Mode 1 (Mono)
PS0913
OR
MIXER
FS3X FOOTSWITCH
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(OPTIONAL)
Connections Diagram - Flexible Output Mode 2
(Stereo Mixer)
PS0913
MIXER
FS3X FOOTSWITCH
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(OPTIONAL)
Connections Diagram - Flexible Output Mode 3
(Stereo Amp)
PS0913
AMPLIFIER
FS3X FOOTSWITCH
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(OPTIONAL)
AMPLIFIER
Connections Diagram - Flexible Output Mode 4
(Amp + Mixer)
PS0913
AND
MIXER
FS3X FOOTSWITCH
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(OPTIONAL)
Flexible Output ModeTM Setup
1. Power up the Expression FactoryTM Pedal.
2. Select Model 7 using the MODEL knob.
3. Press and hold the HEEL SWITCH for three seconds.The INDICA-
TOR LED begins to flash green.
4. Release the HEEL SWITCH.
5. Turn the MODEL knob to Model 5 if you want to use AMP/MIXER
mode (which lets you plug into both an amplifier and a mixer simulta-
neously).
Turn the MODEL knob to Model 6 to select STEREO AMP mode.
Leave the MODEL knob at Model 7 to keep the factory default STE-
REO MIXER mode selected.
6. Press the TOE SWITCH to exit Flexible Output Mode Setup; the
INDICATOR LED turns off and the pedal is bypassed.
NOTE: Selecting any other Models besides 5, 6, or 7 will prevent you
from exiting Flexible Output Mode Setup.
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Calibrating the Expression Pedal
If the Expression Pedal’s range becomes diminished over time, it may be
necessary to re-calibrate the pedal. Here is the procedure for calibration:
1. Begin with the power disconnected from the Expression FactoryTM.
2. Select Model 1 using the MODEL knob.
3. Insert a standard mono (TS) guitar cable into the FOOTSWITCH
jack.
4. Connect the power supply to the Expression Factory. The INDICA-
TOR LED begins flashing green.
5. Rock the EXPRESSION PEDAL forward (toe down).
6. Select Model 2 using the MODEL knob. The INDICATOR LED
begins flashing yellow.
7. Rock the EXPRESSION PEDAL back (toe up).
8. Select Model 3 using the MODEL knob. The INDICATOR LED
should flash green three times if calibration was successful.
If the calibration procedure fails, the INDICATOR LED will flash red
instead of green during step 8 and the unit will not return to normal
operation until the Expression Pedal has been properly calibrated. Select
Model 1 using the MODEL knob at this time and repeat steps 5-8 until
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Expression Pedal calibration is successful.
Using the Optional FS3X Footswitch
The Expression FactoryTM accommodates the optional FS3X 3-button
footswitch.
When an Effect Model or an Effect + Distortion Model is enabled, the
MODE footswitch toggles between Effect Model only (green LED) and
Effect + Distortion Model (red LED), until either the Expression Factory’s
TOE SWITCH (Effect Model) or HEEL SWITCH (Effect Model +
Distortion Model) has been pressed to put the Expression Factory into
bypass.
The DOWN footswitch selects the next model down. Pressing and
holding the DOWN footswitch for three seconds selects Model 1.
The UP footswitch selects the next model up. Pressing and holding the
UP footswitch for three seconds selects Model 7.
NOTE: Use only the stereoTRS cable that ships with the FS3X
Footswitch to connect the Footswitch to the Expression Factory.
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FS3X Footswitch (Optional)
DOWN
Selects the next lower Model.
Hold for three seconds to select
MODEL 1.
MODE
Toggles between Effect Model only
(green LED) and Effect + Distortion
Model (red LED).
UP
Selects the next higher Model.
Hold for three seconds to select
MODEL 7.
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WARRANTY: We at DigiTech® are proud of our products and back up each one with the following war-
ranty:
1.The warranty registration card must be mailed within ten days after purchase date to validate this warranty.
2. DigiTech warrants this product, when used solely within the U.S., to be free from defects in materials and
workmanship under normal use and service.
3. DigiTech liability under this warranty is limited to repairing or replacing defective materials that show
evidence of defect, provided the product is returned to DigiTechWITH RETURN AUTHORIZATION,
where all parts and labor will be covered up to a period of one year (this warranty is extended to a period
of six years when the product has been properly registered by mail or through our website). A Return
Authorization number may be obtained from DigiTech by telephone. The company shall not be liable for any
consequential damage as a result of the product’s use in any circuit or assembly.
4. Proof-of-purchase is considered to be the burden of the consumer.
5. DigiTech reserves the right to make changes in design, or make additions to, or improvements upon this
product without incurring any obligation to install the same on products previously manufactured.
6.The consumer forfeits the benefits of this warranty if the product’s main assembly is opened and tampered
with by anyone other than a certified DigiTech technician or, if the product is used with AC voltages outside
of the range suggested by the manufacturer.
7.The foregoing is in lieu of all other warranties, expressed or implied, and DigiTech neither assumes nor
authorizes any person to assume any obligation or liability in connection with the sale of this product. In
no event shall DigiTech or its dealers be liable for special or consequential damages or from any delay in the
performance of this warranty due to causes beyond their control.
NOTE:The information contained in this manual is subject to change at any time without notification. Some
information contained in this manual may also be inaccurate due to undocumented changes in the product or
operating system since this version of the manual was completed. The information contained in this version of
the owner’s manual supersedes all previous versions.
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Specifications:
• Controls – CONTROL 1/DIST LEVEL, CONTROL 2/DISTTONE,
CONTROL 3/DIST GAIN, MODEL
• Jacks – INPUT, FOOTSWITCH, OUT 1 (AMP), OUT 2 (MIXER)
• Input Impedance – 1M Ohms
• Output Impedance – 200 Ohms
• Power Consumption – 4.5Watts
• Dimensions – 10.14"(L) x 3.84"(W) x 2.47"(H)
• Weight – 3.38 lbs.
• Included Power Supply (one of the following):
PS0913B – 100 (100V ~ 50/60Hz)
PS0913B – 120 (120V ~ 60Hz)
PS0913B – 230 (230V ~ 50Hz)
PS0913B – 240 (240V ~ 60Hz)
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DigiTech®
8760 South Sandy Parkway
Sandy, Utah 84070
PH (801) 566-8800
FAX (801) 566-7005
Manufactured in the U.S.A.
Printed 12/2005
Expression FactoryTM Owner’s Manual 18-0351-A
©2005 Harman International Industries, Incorporated, all rights reserved.
DigiTech, X-Series, CIT, Flexible Output Mode, DOD,Whammy, Space Station, Synth Swell, Metal Master,
Expression Factory, Johnson Amplification, and Distortion Factory are trademarks of Harman International
Industries, Inc. Other product names modeled in this product are trademarks of their respective companies
that do not endorse and are not associated or affiliated with DigiTech. They are trademarks of other
manufacturers and were used merely to identify products whose sounds were reviewed in the
creation of this product.
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