E
Digital Camera
EX-Z500
User’s Guide
Thank you for purchasing this CASIO
product.
• Before using it, be sure to read the
precautions contained in this User’s Guide.
• Keep the User’s Guide in a safe place for
future reference.
• For the most up-to-date information about
this product, visit the official EXILIM
Website at http://www.exilim.com/.
K806FCM1DMX
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INTRODUCTION
Monitor Screen Contents ........................................... 26
Contents
REC Mode
26
28
30
PLAY Mode
Changing the Contents of the Monitor Screen
2
INTRODUCTION
Attaching the Strap .................................................... 31
Power Requirements ................................................. 32
Unpacking .................................................................... 2
Features ....................................................................... 9
Precautions ................................................................ 12
Loading the Rechargeable Battery
To charge the battery
To replace the battery
Power Supply Precautions
Turning the Camera On and Off
Configuring Power Saving Settings
32
33
38
39
42
44
18 QUICK START GUIDE
Using the On-screen Menus ...................................... 45
Configuring Display Language and Clock Settings ... 48
First, charge the battery! ............................................ 18
To configure display language and clock settings ..... 19
To record an image .................................................... 20
To view a recorded image .......................................... 21
To delete an image..................................................... 21
To configure display language and clock settings
49
51 BASIC IMAGE RECORDING
Recording an Image ................................................... 51
Aiming the Camera
Recording an Image
51
52
22 GETTING READY
Using Zoom ................................................................ 58
About This Manual ..................................................... 22
General Guide ............................................................ 23
Optical Zoom
Digital Zoom
58
60
Camera
23
25
Using the Flash .......................................................... 62
USB Cradle
Flash Unit Status
Changing the Flash Intensity Setting
Using Flash Assist
64
65
65
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3
INTRODUCTION
Using the Self-timer ................................................... 67
Specifying Image Size ............................................... 70
Specifying Image Quality ........................................... 71
Recording a Movie ..................................................... 95
Specifying Movie Image Quality
Recording a Movie
96
97
Recording Audio ......................................................... 99
Adding Audio to a Snapshot
Recording Your Voice
99
100
72 OTHER RECORDING FUNCTIONS
Using the Histogram ................................................ 102
REC Mode Camera Settings ................................... 105
Selecting the Focus Mode ......................................... 72
Using Auto Focus
Using the Macro Mode
Using Pan Focus
Using the Infinity Mode
Using Manual Focus
Using Focus Lock
73
76
77
77
78
79
Assigning Functions to the [̇] and [̈] Keys
Turning the On-screen Grid On and Off
Turning Image Review On and Off
Specifying Power On Default Settings
Specifying ISO Sensitivity
Selecting the Metering Mode
Using the Filter Function
Specifying Outline Sharpness
Specifying Color Saturation
106
107
107
108
110
111
112
113
113
114
114
Exposure Compensation (EV Shift) ........................... 80
Adjusting White Balance ............................................ 82
Configuring the White Balance Setting Manually
83
Specifying Contrast
Resetting the Camera
Recording Consecutive Images
(Continuous Shutter Mode)........................................ 85
Using the BEST SHOT Mode .................................... 86
Displaying Sample Scenes Individually
Creating Your Own BEST SHOT Setup
To delete a BEST SHOT user setup
88
89
90
Reducing the Effects of Hand or Subject Movement 91
Shooting with High Sensitivity ................................... 92
Recording Images of Business Cards and
Documents (Business Shot) ...................................... 93
To use Business Shot
94
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4
INTRODUCTION
115 PLAYBACK
140 DELETING FILES
Basic Playback Operation.........................................115
Deleting a Single File ............................................... 140
Deleting All Files ...................................................... 141
Playing an Audio Snapshot
116
Zooming the Display Image ......................................117
Resizing an Image ....................................................118
Cropping an Image....................................................119
Playing and Editing a Movie .................................... 121
142 FILE MANAGEMENT
Folders ..................................................................... 142
Memory Folders and Files
142
Playing a Movie
Editing a Movie
121
122
Protecting Files ........................................................ 143
Capturing a Still Image from a Movie
(MOTION PRINT)
To protect a single file
To protect all files in memory
143
144
126
Displaying the 9-image View ................................... 127
Displaying the Calendar Screen .............................. 128
Playing a Slideshow ................................................. 129
Using the FAVORITE Folder .................................... 144
To copy a file to the FAVORITE folder
To display a file in the FAVORITE folder
To delete a file from the FAVORITE folder
To delete all files from the FAVORITE folder
144
146
147
147
Using the Photo Stand Feature
132
Rotating the Display Image...................................... 133
Adding Audio to a Snapshot .................................... 134
To re-record audio
135
Playing Back a Voice Recording File ....................... 136
Displaying Camera Images on a TV Screen ........... 137
Selecting the Video Output System
138
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5
INTRODUCTION
148 OTHER SETTINGS
159 USING A MEMORY CARD
Configuring Sound Settings ..................................... 148
Using a Memory Card .............................................. 160
To configure sound settings
148
148
To insert a memory card into the camera
To replace the memory card
Formatting a Memory Card
160
161
162
To set the confirmation tone volume level
To set the audio volume level for movie and audio
snapshot playback
149
Copying Files ........................................................... 163
To copy all the files in built-in memory to a
Specifying an Image for the Startup Screen ........... 149
memory card
164
Specifying the File Name Serial Number
Generation Method .................................................. 150
To copy a specific file from a memory card to
built-in memory
164
Setting the Clock ...................................................... 151
To select your Home Time zone
To set the current time and date
Changing the Date Format
151
152
152
166 PRINTING IMAGES
DPOF........................................................................ 167
Using World Time ..................................................... 153
To configure print settings for a single image
To configure print settings for all images
168
169
To display the World Time screen
To configure World Time settings
153
153
Using PictBridge or USB DIRECT-PRINT ............... 170
Changing the Display Language ............................. 154
Changing the Brightness of the Monitor Screen ..... 155
Changing the USB Port Protocol ............................. 155
Date Printing
174
PRINT Image Matching III ............................................ 175
Exif Print ................................................................... 175
Configuring [
] (REC) and [
] (PLAY)
Power On/Off Functions........................................... 156
Formatting Built-in Memory...................................... 157
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6
INTRODUCTION
Using the Camera with a Macintosh Computer....... 203
176 VIEWING IMAGES ON A COMPUTER
About the bundled CD-ROM
Computer System Requirements
Managing Images on a Macintosh
Playing a Movie
203
204
205
206
206
207
Using the Camera with a Windows Computer ........ 176
Using the Camera with a Macintosh Computer....... 184
Viewing User Documentation (PDF Files)
To register as a camera user
Using a Memory Card to Transfer Images to a
Computer.................................................................. 188
Memory Data ............................................................ 189
208 APPENDIX
DCF Protocol
189
190
191
Memory Folder Structure
Image Files Supported by the Camera
Menu Reference....................................................... 208
Indicator Lamp Reference ........................................211
Troubleshooting Guide ............................................. 214
193 USING THE CAMERA WITH A COMPUTER
If you have problems installing the USB driver...
Display Messages
219
220
Using the Camera with a Windows Computer ........ 193
About the bundled CD-ROM
Computer System Requirements
Managing Images on a PC
Retouching, Reorienting, and Printing a Snapshot
Playing a Movie
Viewing User Documentation (PDF Files)
User Registration
Exiting the Menu Application
193
195
196
199
201
202
202
202
Specifications ........................................................... 222
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7
INTRODUCTION
IMPORTANT!
• Macintosh and QuickTime are trademarks of Apple
Computer, Inc.
• The contents of this manual are subject to change
without notice.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss resulting from
the use of this manual.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any loss or claims by third parties
which may arise due to the use or malfunction of the
EX-Z500.
• CASIO COMPUTER CO., LTD. shall not be held
liable for any damages or losses suffered by you or
any third party due to the use of Photo Loader and/or
Photohands.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss caused by
deletion of data as a result of malfunction, repairs, or
battery replacement. Be sure to back up all important
data on other media to protect against its loss.
• Note that the example screens and product
illustrations shown in this User’s Guide may differ
somewhat by the screens and configuration of the
actual camera.
•
MultiMediaCard is a trademark of Infineon
Technologies AG of Germany, and licensed to the
MultiMediaCard Association (MMCA).
• Adobe and Reader are either registered trademarks
or trademarks of Adobe Systems Incorporated in the
United States and/or other countries.
• Other company, product and service names used
herein may also be trademarks or service marks of
others.
• Photo Loader and Photohands are the property of
CASIO COMPUTER CO., LTD. Except as stipulated
above, all copyrights and other related rights to these
applications revert to CASIO COMPUTER CO., LTD.
• The SD logo is a registered trademark.
• Windows, Internet Explorer, Windows Media, and
DirectX are registered trademarks of Microsoft
Corporation.
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8
INTRODUCTION
I LCD Panel
Features
The LCD panel is a product of the latest LCD
manufacturing technology that provides a pixel yield of
99.99%. This means that less than 0.01% of the total pixels
are defective (they do not turn on or always remain turned
on).
• 5.0 million effective pixels
The CCD provides 5.25 million total pixels for images of
outstanding resolution and detail.
• 2.7-inch TFT color LCD monitor screen
• 8.7MB built-in memory
Images can be recorded without using a memory card.
I Copyright Restrictions
Except for the purposes of your own personal enjoyment,
unauthorized copying of snapshot files, movie files, and
audio files violates copyright laws and international
contracts.
Distribution to third parties of such files over the Internet
without permission of the copyright holder, whether for
profit or for free, violates copyright laws and international
contracts.
• Bundled with a USB Cradle
The bundled USB cradle can be used to charge the
camera’s battery (page 33), to view images on a TV
screen (page 137), and to transfer images to a computer
(page 176). A Photo Stand feature lets you view images
while the camera is on the cradle (page 132).
• REC mode or PLAY mode power up (page 156)
Press [
] (REC) or [
] (PLAY) to turn on the camera
and enter the mode you want to use.
• AF assist light (page 65)
Improves auto focus accuracy when shooting under dim
lighting.
• 12X zoom (page 58)
3X optical zoom, 4X digital zoom
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9
INTRODUCTION
• Triple Self-timer (page 67)
The self-timer can be set up to repeat three times,
automatically.
• Business Shot (page 93)
Business Shot automatically corrects rectangular shapes
when recording the image of a business card, document,
whiteboard, or similar subjects from an angle.
• Quick Shutter (page 74)
When you press the shutter button all the way down
without pausing, the camera immediately records the
image without waiting for Auto Focus to be performed.
This helps to avoid missing a special moment while you
wait for the camera to Auto Focus.
• Movie recording with audio (page 95)
VGA size, 30 fps, Motion JPEG format
• MOTION PRINT (page 126)
Capture frames from a movie and create still images that
are suitable for printing.
• Auto Focus Area Selection (page 75)
• Audio Snapshot mode (page 99)
Use this mode to record snapshots that also include
audio.
When “
Multi” is selected for the Auto Focus area, the
camera takes simultaneous meter readings at nine
different points and automatically selects the best one.
• Voice Recording (page 100)
Quick and easy recording of voice input.
• BEST SHOT (page 86)
Simply select the sample scene that matches the type of
image you are trying to record and the camera performs
troublesome setups automatically for beautiful images
every time. New BEST SHOT sample scenes include
setups for High Sensitivity and Anti Shake.
• Real-time RGB histogram (page 102)
An on-screen histogram lets you adjust exposure as you
view the effect on overall image brightness, which makes
shooting under difficult lighting conditions easier than
ever before.
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10
INTRODUCTION
• Calendar screen (page 128)
• Digital Print Order Format (DPOF) (page 167)
Images can be printed easily in the sequence you want
using a DPOF compatible printer. DPOF can also be used
when specifying images and quantities for printing by
professional print services.
A simple operation displays a full-month calendar on the
camera’s monitor screen. Each day of the full-month
calendar shows a thumbnail of the first file recorded for
that date, which helps to make searching for a particular
file quicker and easier.
• PictBridge and USB DIRECT-PRINT support (page
170)
• After Recording (page 134)
Use this mode to add audio to snapshots after you record
them.
Connect directly to a PictBridge or USB DIRECT-PRINT
compatible printer and you can print images without going
through a computer.
• Selectable Sound Settings (page 148)
You can configure different sounds to play whenever you
turn on the camera, press the shutter button half-way or
all the way, or perform a key operation.
• PRINT Image Matching III Compatible (page 175)
III
Images include PRINT Image Matching
setting and other camera setup information). A printer that
III
data (mode
supports PRINT Image Matching
reads this data and
• World Time (page 153)
adjusts the printed image accordingly, so your images
come out just the way you intended when you recorded
them.
A simple operation sets the current time for your current
location. You can select from among 162 cities in 32 time
zones.
• DCF Data Storage (page 189)
• Support for SD memory cards and MMC (MultiMedia
Cards) for memory expansion (page 159)
DCF (Design rule for Camera File system) data storage
protocol provides image compatibility between the digital
camera and printers.
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11
INTRODUCTION
• Bundled with Photo Loader and Photohands
(pages 196, 199, 205)
Precautions
Your camera comes bundled with Photo Loader, the
popular application that automatically loads images from
your camera to your PC. It also comes with Photohands,
and application that makes image retouching quick and
easy.
I General Precautions
Be sure to observe the following important precautions
whenever using the EX-Z500.
All references in this manual to “camera” refer to the
CASIO EX-Z500 Digital Camera.
• Never try to take pictures or use the built-in display while
operating a motor vehicle or while walking. Doing so
creates the risk of serious accident.
• Never try to open the case of the camera or attempt your
own repairs. High-voltage internal components create the
risk of electric shock when exposed. Always leave
maintenance and repair work up to a CASIO authorized
service center.
• Keep the small parts and accessories of this camera out
of the reach of small children. If swallowed accidentally,
contact your physician immediately.
• Never fire the flash in the direction of a person operating
a motor vehicle. Doing so can interfere with the driver’s
vision and create the risk of accident.
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12
INTRODUCTION
• Never fire the flash while it is too close to the subject’s
eyes. Intense light from the flash can cause eye damage
if it is fired too close to the eyes. This is especially true
with young children. When using the flash, the camera
should be at least one meter (3.3´) from the eyes of the
subject.
• Keep the camera away from water and other liquids, and
never let it get wet. Moisture creates the risk of fire and
electric shock. Never use the camera outdoors in the rain
or snow, at the seashore or beach, in the bathroom, etc.
• Should foreign matter or water ever get into the camera,
immediately turn it off. Next, remove the camera’s battery
and/or unplug the AC adaptor power cord from the power
outlet, and contact your dealer or nearest CASIO
authorized service center. Using the camera under these
conditions creates the risk of fire and electric shock.
• Should you ever notice smoke or a strange odor coming
out of the camera, immediately turn it off. Next, taking
care you do not burn your fingers, remove the camera’s
battery and/or unplug the AC adaptor power cord from the
power outlet, and contact your dealer or nearest CASIO
authorized service center. Using the camera under these
conditions creates the risk of fire and electric shock. After
making sure there is no more smoke coming from the
camera, take it to your nearest CASIO authorized service
center for repair. Never attempt your own maintenance.
• Never use the AC adaptor to power any other device
besides this camera. Never use any other AC adaptor
besides the one that comes with this camera.
• Never cover the AC adaptor with a quilt, blanket, or other
cover while it is in use, and do not use it near a heater.
• At least once a year, unplug the AC adaptor power cord
from the power outlet and clean the area around the
prongs of the plug. Dust build up around the prongs can
create the risk of fire.
• If the camera’s case should ever become cracked due to
dropping it or otherwise subjecting it to rough treatment,
immediately turn it off. Next, remove the camera’s battery
and/or unplug the AC adaptor power cord from the power
outlet, and contact your dealer or nearest CASIO
authorized service center.
• Never use the camera inside of an aircraft or in any other
area where its use is prohibited. Doing so creates the risk
of accident.
• Physical damage and malfunction of this camera can
cause the data stored in its memory to be deleted. Always
keep backup copies of data by transferring them to
personal computer memory.
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13
INTRODUCTION
• Never open the battery cover, disconnect the AC adaptor
from the camera, or unplug the AC adaptor from the wall
socket while an image is being recorded. Doing so will not
only make storage of the current image impossible, it can
also corrupt other image data already stored in file
memory.
I Test for proper operation before using the
camera!
Before using the camera to record important images, make
sure you first record a number of test images and check the
results to ensure that the camera is configured correctly
and operating properly.
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14
INTRODUCTION
I Data Error Precautions
I Operating conditions
• Your digital camera is manufactured using precision
digital components. Any of the following creates the risk
of corruption of data in file memory.
• This camera is designed for use in temperatures ranging
from 0°C to 40°C (32°F to 104°F).
• Do not use or keep the camera in the following areas.
— Removing the battery or memory card, or setting the
camera onto the USB cradle while the camera is
performing a record or memory access operation
— Removing the battery, removing the memory card, or
placing the camera onto the USB cradle while the
operation lamp is still flashing green after you turn off
the camera
— In areas subject to direct sunlight
— In areas subject to high humidity or dust
— Near air conditioners, heaters, or other areas subject
to temperature extremes
— Inside of a closed vehicle, especially one parked in the
sun
— In areas subject to strong vibration
— Disconnecting the USB cable, removing the camera
from the USB cradle, or disconnecting the AC adaptor
from the USB cradle while a data communication
operation is being performed
— Low battery power
— Other abnormal operations
Any of the above conditions can cause an error message to
appear on the monitor screen (page 220). Follow the
instructions provided by the message to eliminate the
cause of the error.
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15
INTRODUCTION
I Condensation
I Power Supply
• When you bring the camera indoors on a cold day or
otherwise expose it to a sudden change of temperature,
there is the possibility that condensation can form on the
exterior or on interior components. Condensation can
cause malfunction of the camera, so you should avoid
exposing it to conditions that might cause condensation.
• To keep condensation from forming, place the camera
into a plastic bag before moving it into a location that is
much warmer or colder than your current location. Leave
it in the plastic bag until the air inside the bag has a
chance to reach the same temperature as the new
location. If condensation does form, remove the battery
from the camera and leave the battery cover open for a
few hours.
• Use only the special NP-40 rechargeable lithium ion
battery to power this camera. Use of any other type of
battery is not supported.
• This camera does not have a separate battery for the
clock. The date and time will reset whenever the camera
is not supplied power by the battery and/or the USB
cradle for about 30 hours. Be sure to reconfigure these
settings after power is interrupted (page 151).
I Lens
• Never apply too much force when cleaning the surface of
the lens. Doing so can scratch the lens surface and cause
malfunction.
• You may sometimes notice some distortion in certain
types of images, such as a slight bend in lines that should
be straight. This is due to the characteristics of lens, and
does not indicate malfunction of the camera.
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16
INTRODUCTION
I Caring for your camera
• Fingerprints, dust, or any other soiling of the lens can
interfere with proper image recording. Never touch the
lens with your fingers. You can remove dust particles
from the lens surface by using a lens blower to blow them
off. Next, wipe the surface of the lens with a soft lens
cloth.
• Fingerprints, dirt, and other foreign matter on the flash
can interfere with proper operation of the camera. Avoid
touching the flash. If the flash becomes dirty, wipe it clean
with a soft, dry cloth.
• If the exterior of the camera needs cleaning, wipe it with a
soft, dry cloth.
I Other
• The camera may become slightly warm during use. This
does not indicate malfunction.
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17
QUICK START GUIDE
First, charge the battery!
1. Load the battery into the camera
(page 32).
2. Place the camera onto the USB cradle to charge the
battery (page 33).
• Note that the shape of the AC adaptor depends on the area where
you purchased the camera.
• It takes about 180 minutes to achieve a full charge.
1
1 Inlet Type
2
2
Stopper
[CHARGE] lamp
Charging: Lights red
1 Plug-in Type
Charging Complete: Lights green
3
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18
QUICK START GUIDE
To configure display language and clock settings
• Be sure to configure the following settings
before using the camera to record images.
See page 48 for details.
1. Press the power button to turn on the camera.
2. Use [̆], [̄], [̇], and [̈] to select the language you
1
want.
3. Press [SET] to register the language setting.
4. Use [̆], [̄], [̇], and [̈] to select the geographical area
you want, and then press [SET].
5. Use [̆] and [̄] to select the city you want, and then
press [SET].
2, 3, 4, 5, 6, 7, 8, 9
6. Use [̆] and [̄] to select the summer time (DST) setting
you want, and then press [SET].
DISP
[̆]
[̇]
[̄]
7. Use [̆] and [̄] to select the date format setting you
SET
[̈]
want, and then press [SET].
[SET]
8. Set the date and the time.
9. Press [SET] to register the clock settings and exit the
setting screen.
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19
QUICK START GUIDE
To record an image
See page 52 for details.
Auto recording icon
1. Press [ ] (REC).
• This enters the REC (recording) mode.
2
2. Point the camera at the subject, use the monitor
screen to compose the image, and then press
the shutter button half way.
3
1
• When the camera finishes its Auto Focus operation, the
focus frame will turn green and the operation lamp lights
green.
Focus frame
3. Holding the camera still, gently press the shutter
button all the way down.
Operation lamp
Before using a commercially available memory
card, be sure to first format it using the camera’s
formatting procedure. For details about formatting
a memory card, see page 162.
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20
QUICK START GUIDE
To view a recorded image
To delete an image
See page 115 for details.
See page 140 for details.
1
1
2, 3, 4, 5
2
1. Press [ ] (PLAY).
1. Press [ ] (PLAY).
2. Press [̄] ( ).
• This enters the PLAY (playback) mode.
2. Use [̇] and [̈] to scroll through the
3. Use [̇] and [̈] to display the image you want to
images.
delete.
4. Use [̆] and [̄] to select “Delete”.
• To exit the image delete operation without deleting anything,
select “Cancel”.
5. Press [SET] to delete the image.
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21
GETTING READY
This section contains information about things you need to
know about and do before trying to use the camera.
This term as used in this
manual:
Means this:
“digital noise”
Tiny flecks or “snow” in a
recorded image or on the
monitor screen, which makes
the image look grainy.
About This Manual
This section contains information about the conventions
used in this manual.
I Button Operations
Button operations are indicated by the button name inside
of brackets ([ ]).
I Terminology
The following table defines the terminology used in this
manual.
I On-screen Text
On-screen text is always enclosed by double quotation
marks (“ ”).
This term as used in this
Means this:
manual:
“camera”
The CASIO EX-Z500 Digital
Camera
I Supplementary Information
“file memory”
The location where the
camera is currently storing
images you record (page 53)
•
IMPORTANT!
indicates very important
information you need to know in order to use the camera
correctly.
NOTE
operating the camera.
“battery”
“charger”
The NP-40 Rechargeable
Lithium Ion Battery
•
indicates information that is useful when
The optionally available CASIO
BC-30L charger
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22
GETTING READY
I File Memory
General Guide
The term “file memory” in this manual is a general term that
refers to the location where your camera is currently storing
the images you record. File memory can be any one of the
following three locations.
The following illustrations show the names of each
component, button, and switch on the camera.
Camera
• The camera’s built-in memory
• An SD memory card loaded in the camera
• A MultiMediaCard loaded in the camera
I Front
For more information about how the camera stores images,
see page 189.
2
3
4
5
1
1 Zoom controller
2 Shutter button
3 Power button
7
6
4 Microphone
5 AF assist light/
self-timer lamp
6 Lens
7 Flash
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23
GETTING READY
I Back
I Bottom
G Stopper
8
9
0
H Memory card slot
I Battery compartment
J Battery cover
K Tripod screw hole
* Use this hole when attaching to a tripod.
L Connector
A
B
DISP
M Speaker
[̆]
[̇]
[̄]
G
SET
[̈]
C
F
[SET]
E
D
8 Operation lamp
9 [ ] (PLAY mode) button
0 [ ] (REC mode) button
A [BS] (BEST SHOT) button
B Strap ring
C [̆][̄][̇][̈]
D [SET] button
E [MENU] button
F Monitor Screen
M LK J I
H
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24
GETTING READY
I Front
USB Cradle
Simply placing your CASIO digital camera onto the USB
cradle lets you perform the following tasks.
1 Camera connector
2 [USB] lamp
3 [USB] button
4 [PHOTO] button
5 [CHARGE] lamp
1
• Battery charging (page 33)
• Viewing of images using the Photo Stand slideshow
feature (page 131).
• TV connectability for viewing of images on a television
screen (page 137).
• Direct connection to a printer for printing (page 170)
• Automatic transfer of images to a computer (page 176)
5
4
3
2
IMPORTANT!
• Use only the USB cradle (CA-29) that comes with the
camera. Other USB cradles are not supported.
I Back
6 [DC IN 5.3V]
(AC adaptor connector)
7 [AV OUT]
(AV output port)
8 [ ] (USB port)
8
7
6
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25
GETTING READY
Monitor Screen Contents
The monitor screen uses various indicators and icons to keep you informed of the camera’s status.
• Note that the example screens in this chapter are for illustrative purposes only. They do not exactly match the screen
contents actually produced on the camera.
REC Mode
1 Flash mode indicator
(page 62)
5 Self-timer (page 67)
I Screen Indicators
•
appears momentarily
when you select auto focus,
and then disappears.
None 1-Image
1234567 8 9
Auto
Self-timer 10 sec
10s
3 White balance indicator
Flash Off
Self-timer 2 sec
Triple self-timer
2
s
(page 82)
Flash On
0
I
H
x3
Auto
Red-eye reduction
AWB
Daylight
Cloudy
Shade
•
•
appears momentarily
when you select Auto as the
flash mode, and then
A
B
C
D
6 Recording types
G
Auto recording
BEST SHOT
Movie
disappears.
If the camera detects that
flash is required while auto
flash is selected, the flash on
indicator will appear when the
shutter button is pressed half
way.
Day White
Daylight
Voice Recording
F
E
Tungsten
Manual
7 Metering mode indicator
(page 111)
2 Focus mode indicator
(page 72)
Auto Focus
•
appears momentarily
AWB
Multi
when you select auto white
balance, and then
disappears.
Center Weighted
Spot
Macro
4 Continuous Shutter
Pan Focus
mode (page 85)
Infinity
None Single shot
Manual Focus
Continuous shutter
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26
GETTING READY
8 • Snapshots: Image size
D Date and time
NOTE
(page 70)
(page 151)
• An out of range aperture, shutter speed, or ISO
sensitivity setting causes the corresponding monitor
screen value to turn amber.
• Changing the setting of any one of the following
functions will cause Icon Help text to appear on the
monitor screen.
9 • Snapshots: Memory capacity
E EV value (page 80)
(pages 54, 222)
• Movies:
Remaining recording time
(page 97)
F Battery capacity
(page 38)
0 • Snapshots: Image quality
(page 71)
G Histogram (page 102)
Flash mode, Focus mode, White balance, Self-timer,
Recording type, EV shift
F : Fine
N : Normal
E : Economy
H Anti Shake indicator
(page 91)
• Movies: Image quality
(page 96)
I Focus frame
(page 53)
HQ
NORMAL : Normal
LP : Long Play
: High Quality
•
•
Focusing complete: Green
Focusing failed: Red
A ISO sensitivity
(page 110)
B Aperture value (page 54)
C Shutter speed value
(page 54)
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27
GETTING READY
PLAY Mode
K
12
3
4
F
E
5
6
7
8
9
L
D
C
B A 0
K Digital zoom indicator (page 60)
L Zoom indicator (page 60)
1 PLAY mode file type
Snapshot
3 Folder name/File name
(page 142)
Example : When a file named
CIMG0023.JPG is stored in a folder
named 100CASIO
Movie
•
•
Left side indicates optical zoom.
Right side indicates digital zoom.
Audio Snapshot
Voice Recording
100-0023
Folder name File name
2 Image protection
indicator (page 143)
4 • Snapshots: Image quality
(page 71)
F : Fine
N : Normal
E : Economy
• Movies: Recording time (page 97)
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28
GETTING READY
5 • Snapshots: Image Size
A White balance indicator
IMPORTANT!
(page 70)
(page 82)
• Some information may not display properly if you
display an image that was recorded using a different
digital camera model.
• Movies: Image quality
(page 96)
Auto
AWB
HQ
NORMAL : Normal
LP : Long Play
: High Quality
Daylight
Cloudy
Shade
6 ISO sensitivity (page 110)
Day White
Daylight
7 Aperture value
(page 54)
Tungsten
Manual
8 Shutter speed value
(page 54)
B Flash mode indicator
(page 62)
9 Date and time
(page 151)
Flash On
0 Metering mode indicator
Flash Off
(page 111)
Red-eye reduction
Multi
Center Weighted
Spot
C Recording types
Auto recording
BEST SHOT
D Battery capacity
(page 38)
E Histogram (page 102)
F EV value (page 80)
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29
GETTING READY
I PLAY Mode
Changing the Contents of the Monitor
Screen
Each press of [̆] (DISP) changes the contents of the
monitor screen as shown below.
I REC Mode
Indicators on
Histogram/Details on
Indicators on
Histogram on
Indicators off
Indicators off
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GETTING READY
IMPORTANT!
Attaching the Strap
• Pressing [̆] (DISP) will not change monitor screen
contents during standby or recording of an audio
snapshot.
Attach the strap to the strap ring as shown in the
illustration.
• You can use [̆] (DISP) to turn off the monitor screen
only when voice recording in the REC mode. You
cannot turn off the monitor screen for any other
recording function.
Strap ring
• Pressing [̆] (DISP) in the Voice Recording REC
mode toggles the monitor screen on (“indicators on”)
and off. While a Voice Recording file is displayed in
the PLAY mode, pressing [̆] (DISP) toggles
between “indicators on” and “indicators off”.
• When playing back the content of a Voice Recording
file while “indicators off” is selected (Voice Recording
file icon only on the monitor screen), the monitor
screen will go black about two seconds after you
press [SET] to start playback. The Voice Recording
file icon (indicators off) will reappear after playback is
complete.
IMPORTANT!
• Be sure to keep the strap around your wrist when
using the camera to protect against accidentally
dropping it.
• The supplied strap is intended for use with this
camera only. Do not use it for any other purpose.
• Never swing the camera around by the strap.
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31
GETTING READY
2. While pulling the stopper in the direction
indicated by the arrow in the illustration, align
the arrow mark on the battery with the arrow
mark on the camera and slide the battery into
the camera.
Power Requirements
Your camera is powered by a rechargeable lithium ion
battery (NP-40).
Loading the Rechargeable Battery
Stopper
1. Slide the battery cover in the direction
indicated by the arrow, and then swing it
open.
Arrow marks
Camera:
Battery:
NP-40
• Push the bottom of the battery, and make sure that
the stopper securely locks the battery in place.
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32
GETTING READY
3. Swing the battery cover closed, and then slide
it in the direction indicated by the arrow.
To charge the battery
1. Connect the bundled AC adaptor to the [DC IN
5.3V] connector of the USB cradle, and then
plug it in to a household power outlet.
• Note the shape of the AC adaptor depends on the
area where you purchased the camera.
USB Cradle
[DC IN 5.3V]
IMPORTANT!
• Use only the special NP-40 rechargeable lithium ion
battery to power this camera. Use of any other type
of battery is not supported.
AC Adaptor
The battery is not fully charged when you use the
camera for the first time after purchasing it. You need
to charge the battery before using the camera for the
first time.
AC power cord
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33
GETTING READY
NOTE
NOTE
• The bundled AC adaptor is designed for operation
with any power supply in the range of 100V to 240V
AC. Note, however, that the shape of the AC power
cord plug varies according to country or geographic
area. If you plan to use the AC adaptor in a
geographic area where the power receptacle shape
is different from that in your area, replace the AC
power cord with one of the other ones that comes
with the camera, or purchase a commercially
available AC power cord that is compatible with the
power outlets in that area.
• The AC adaptor is designed for operation on power
ranging from 100V AC to 240V AC. Note, however,
that the shape of the power cord plug varies
according to country or geographic area. It is up to
you to find out if the shape of the AC adaptor power
cord plug is compatible with local power outlets when
traveling abroad.
• Never use the AC adaptor with a voltage converter.
2. Turn off the camera.
• Never use the AC adaptor with a voltage converter.
3. With the camera
positioned with the
monitor screen
facing forward as
shown in the
illustration, place it
onto the USB cradle.
USB Cradle
AC Adaptor
• Do not place the camera
onto the USB cradle
while it is turned on.
[CHARGE] lamp
[DC IN 5.3V]
• The [CHARGE] lamp on the USB cradle should turn
red, indicating that charging has started. When
charging is complete, the [CHARGE] lamp will turn
green.
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GETTING READY
• It takes about 180 minutes to achieve a full charge.
Actual charging time depends on current battery
capacity and charging conditions.
• The [CHARGE] lamp may remain amber colored and
the charge operation may not start right away if you
try to charge immediately after using the camera
(which causes battery to become warm) or when it is
too hot or too cold where you are performing the
charge operation. If this happens, simply wait until
the battery reaches normal temperature. The
[CHARGE] lamp will turn red and charging will start
when the battery temperature returns to the
allowable charging temperature range.
• If the [CHARGE] lamp starts flashing red, it means
that an error occurs while charging. An error can be
caused by any of the following: a problem with the
USB cradle, a problem with the camera, or a problem
with the battery or how it is loaded. Remove the
camera from the USB cradle and see if it works
normally.
4. After charging is complete, remove the
camera from the USB cradle.
IMPORTANT!
• Use only the USB cradle (CA-29) that comes with the
camera or the optionally available charger (BC-30L)
to charge the special NP-40 rechargeable lithium ion
battery. Never use any other charging device.
• Use only the bundled AC adaptor. Never use any
other type of AC adaptor. Do not use optionally
available AD-C30, AD-C40, AD-C620 and AD-C630
AC adaptors with this camera.
• Make sure that the camera connector of the USB
cradle is securely inserted into the camera’s
connector as far as it will go.
• The only operations that can be performed while the
camera is on the USB cradle are: battery charging,
Photo Stand, image output to a TV, and USB data
communication.
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GETTING READY
IIf the camera does not work normally
I Battery Life Guidelines
This can mean there is a problem with how the battery is
loaded. Perform the following steps.
The battery life guideline values given below indicate the
amount of time under the conditions defined below the
table, until power automatically turns off due to battery
failure. They do not guarantee that the battery will provide
the amount of service indicated. Low temperatures and
continued use reduce battery life.
1. Remove the battery from the camera and
check the battery contacts for dirt. If the
contacts are dirty, wipe them clean with a dry
cloth.
Operation
Apporoximate Battery Life
500 shots (250 minutes)
Number of Shots (CIPA
Standard)*1 (Operating Time)
2. Check to make sure that the AC adaptor’s
power cord is connected securely to the
power outlet and USB cradle.
Number of Shots, Continuous
Recording*2 (Operating Time)
1330 shots (270 minutes)
Continuous Snapshot Playback*3
Continuous Movie Recording*4
Continuous Voice Recording*5
470 minutes
220 minutes
460 minutes
• If the same symptoms occur again when you place
the camera on the USB cradle after taking the above
steps, contact a CASIO authorized service center.
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36
GETTING READY
Supported Battery: NP-40 (Rated Capacitance: 1300mAh)
Storage Medium: SD Memory Card
• The above values are based on a new battery starting
from a full charge. Repeated charging shortens battery
life.
• Battery life is greatly affected by how much you use flash,
zoom and auto focus, and how long you leave power
turned on.
*1 Number of Shots (CIPA Standard)
• Temperature: 23°C (73°F)
• Monitor Screen: On
• Zoom operation between full wide to full telephoto
every 30 seconds, during which two images are
recorded, one image with flash; power turned off and
back on every time 10 images are recorded.
ITips to Make the Battery Last Longer
• If you do not need the flash while recording, select
(flash off) for the flash mode. See page 62 for more
information.
• Enable the Auto Power Off and the Sleep features (page
44) to protect against wasting battery power when you
forget to turn off the camera.
*2 Continuous Recording Conditions
• Temperature: 23°C (73°F)
• Monitor screen: On
• Flash: Off
• Image recorded every 12 seconds, alternating full
wide-angle and full telephoto zoom
*3 Continuous Snapshot Playback Conditions
• Temperature: 23°C (73°F)
• Scroll one image about every 10 seconds
*4 Approximate time for continuous movie recording,
without using zoom.
*5 Voice recording times are based on continuous
recording.
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37
GETTING READY
ꢀ Low Battery Indicator
To replace the battery
The following shows how the battery capacity indicator on
the monitor screen changes as battery power is used. The
indicator means that remaining battery power is low.
Note that you will not be able to record images while the
1. Open the battery cover.
2. Pull the stopper in the direction indicated by
the arrow.
battery indicator is
. Charge the battery immediately
whenever either of these indicators appears.
• This will cause the battery to come part way out of
the slot.
Battery Level
Indicator
High
Low
Stopper
3. Release the stopper and pull the battery from
the camera.
• Take care so you do not drop the battery.
4. Load a new battery into the camera (page 32).
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GETTING READY
• Failure to observe any of the following precautions
while using the battery creates the risk of overheating,
fire, and explosion.
— Never use any other type of charger except the
optional charger specified for the battery.
— Never try to use the battery to power any device
other than this camera.
— Never use or leave the battery near open flame.
— Never place the battery in a microwave oven, throw
it into fire, or otherwise expose it to intense heat.
— Make sure the battery is oriented correctly when you
load it into the camera or attach it to the optional
charger.
— Never carry or store the battery together with items
that can conduct electricity (necklaces, pencil lead,
etc.)
Power Supply Precautions
Note the following precautions when handling or using the
battery and the optional charger.
I Battery Handling Precautions
G SAFETY PRECAUTIONS
Be sure to read the following Safety Precautions before
using the battery for the first time.
NOTE
• The term “battery” in this manual refers to the CASIO
NP-40 Rechargeable Lithium Ion Battery.
• Use only the USB cradle (CA-29) that comes with the
camera or the optionally available charger (BC-30L)
to charge the special NP-40 rechargeable lithium ion
battery. Never use any other charging device.
— Never try to take the battery apart, modify it in any
way, or expose it to strong impact.
— Do not immerse the battery in fresh water or salt
water.
— Do not use or leave the battery under direct
sunlight, in an automobile parked in the sun, or in
any other area subject to high temperatures.
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GETTING READY
• Should you ever notice any of the following conditions
while using, charging, or storing a battery, immediately
remove it from the camera or charger, and keep it away
from open flame:
— Fluid leaking
— Emission of a strange odor
— Heat emission
— Battery discoloration
— Battery deformation
— Any other battery abnormality
• If the battery does not achieve full charge after the
normal charging time has passed, stop charging.
Continued charging creates the risk of overheating, fire,
and explosion.
• Battery fluid can damage your eyes. Should battery
fluid get into your eyes accidentally, immediately rinse
them with clean tap water and then consult a physician.
• Be sure to read page 33 of this User’s Guide and the
instructions that come with the optional charger before
using or charging the battery.
G PRECAUTIONS DURING USE
• The battery is designed for use with this CASIO digital
camera only.
• Use only the USB cradle that comes with the camera or
the specified optional charger to charge the battery.
Never use any other type of charger for charging.
• Use of a battery in cold environments shortens the
operating time you can expect on a full charge. Charge
the battery in a location where the temperature is in the
range of 10°C to 35°C (50°F to 95°F). Charging outside
this temperature range can cause charging to take
longer than normal or even cause charging to fail.
• Very limited operation following a full charge indicates
that the battery has reached the end of its service life.
Replace the battery with a new one.
• Never wipe the battery with thinner, benzene, alcohol,
or other volatile agents or chemically treated rags.
Doing so can cause deformation of the battery and lead
to malfunction.
• If the battery is to be used by young children, make
sure that a responsible adult makes them aware of the
precautions and proper handling instructions and make
sure that they handle the battery correctly.
• Should fluid from the battery accidentally get onto
clothing or your skin, immediately rinse it off with clean
tap water. Prolonged contact with battery fluid can
cause skin irritation.
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40
GETTING READY
G BATTERY STORAGE PRECAUTIONS
I USB Cradle and AC Adaptor Precautions
• Make sure you remove the battery from the camera
when you do not plan to use it for a long time. A battery
left in the camera discharges very small amounts of
power even when power is turned off, which can lead to
a dead battery or the need for longer charging before
the next use.
• Never use an electrical outlet whose voltage
is outside the rating marked on the AC
adaptor. Doing so can create the risk of fire or
electric shock. Use only the AC adaptor
bundled with this camera.
• Do not allow the AC adaptor cord to become
cut or damaged, do not place heavy objects
on it, and keep it away from heat. A damaged
power cord creates the risk of fire and electric
shock.
• Store the battery in a cool, dry place (20°C (68 °F) or
lower).
G USING THE BATTERY
• Never try to modify the AC adaptor cord, or
subject it to severe bending, twisting, or
pulling. Doing so creates the risk of fire and
• See page 33 of this manual or the instructions that
come with the optional charger for information about
charging procedures and charging times.
• When transporting a battery, keep it either loaded in
the camera or stored in its case.
Caution!
electric shock.
• Never touch the AC adaptor while your hands
are wet. Doing so creates the risk of electric
shock.
• Do not overload extension cords or wall
outlets. Doing so creates the risk of fire and
electric shock.
• Should the cord of the AC adaptor become
damaged (exposed internal wiring), contact
your dealer or nearest CASIO authorized
service center. A damaged AC adaptor cord
creates the risk of fire or electric shock.
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41
GETTING READY
• Use the AC adaptor where it will not be
Turning the Camera On and Off
splashed with water. Water creates the risk of
fire and electric shock.
I To turn on the camera
• Do not place a vase or any other container
filled with liquid on top of the AC adaptor.
Water creates the risk of fire and electric
shock.
Press the power button, [
] (REC) or [
] (PLAY). The
Caution!
operation lamp will light green momentarily, and then
power will turn on. The mode the camera enters depends
on which button you pressed to turn it on.
• Make sure you always remove the camera from the USB
cradle before connecting or disconnecting the AC
adaptor.
To enter this mode at
Press this button to turn on the camera:
startup:
• Charging, USB data communication, and using the Photo
Stand feature can cause the AC adaptor to become
warm. This is normal and does not indicate malfunction.
• Unplug the AC power cord from the power outlet
whenever you are not using it.
REC
Power button or [
[ ] (PLAY)
] (REC)
PLAY
Power button
Operation lamp
• Never place a blanket or any other cover on the AC
adaptor. Doing so creates the risk of fire.
ON/OFF
[
] (PLAY)
] (REC)
[
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42
GETTING READY
NOTE
I To turn off the camera
• Pressing [
the REC mode, while pressing [
] (REC) to turn on the camera enters
] (PLAY) enters
Press the power button to turn off the camera.
the PLAY mode.
NOTE
• Pressing [
] (PLAY) while in the REC mode
• You can setup the camera so it does not turn on
switches to the PLAY mode. The lens retracts about
10 seconds after switching modes.
when you press [
turn off when you press [
For details, see “Configuring [
] (REC) or [
] (PLAY), or to
] (REC) or [ ] (PLAY).
] (REC) and [
]
IMPORTANT!
(PLAY) Power On/Off Functions” on page 156.
• If camera power is turned off by the Auto Power Off
feature, press the power button, [
(PLAY) to turn it back on again.
• Pressing the power button or [
] (REC) or [
]
] (REC) to turn on
the camera also causes the lens to extend. Take
care to avoid any interference with the lens operation
or allowing anything to strike the lens when it is
extended.
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43
GETTING READY
G See “Using the On-screen Menus” (page 45) for
information about how to use menus.
Configuring Power Saving Settings
You can configure the settings described below to
conserve battery power.
To configure this feature:
Sleep
Select this setting:
Sleep
Sleep
: Automatically turns off the monitor
screen if no operation is performed for a
specified amount of time in the REC
mode. Performing any button operation
causes the monitor screen to turn back
on.
Auto Power Off
Auto Power Off
5. Use [̆] and [̄] to change the currently
selected setting, and then press [SET].
• Available Sleep settings are: “30 sec”, “1 min”, “2 min”,
and “Off”.
Auto Power Off : Turns off power if you do not perform
any operation for a specified amount of
time.
• Available Auto Power Off settings are: “2 min” and
“5 min”.
• Note that the Sleep feature does not operate in the
PLAY mode.
1. Turn on the camera.
2. Press [MENU].
• Pressing any button while the camera is in the Sleep
state immediately turns the monitor screen back on.
3. Use [̇] and [̈] to select the “Set Up” tab.
4. Use [̆] and [̄] to select the feature whose
setting you want to configure, and then press
[̈].
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GETTING READY
• The Auto Power Off and Sleep features are disabled
in the following cases.
Using the On-screen Menus
Pressing [MENU] displays menus on the monitor screen
that you can use to perform various operations. The menu
that appears depends on whether you are in the REC
mode or the PLAY mode. The following shows an example
menu procedure in the REC mode.
— When the camera is connected to a computer or
some other device through the USB cradle
— While a slideshow is in progress
— While playing back a voice recording file
— While a movie is being recorded
— While playing back a movie
Power button
1. Press the power
button or [ ] (REC).
• If you want to enter the
PLAY mode instead,
ON/OFF
press [
] (PLAY).
[
] [
]
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GETTING READY
Selection cursor (indicates
the currently selected item)
G Menu Screen Operations
2. Press [MENU].
When you want to do this:
Move between tabs
Do this:
[MENU]
Tab
Press [̇] and [̈].
MENU BS
DISP
Move from the tab to the
settings
Press [̄].
[̆]
[̈]
Move from the settings to
the tab
Press [̆].
[̇]
SET
[̄]
Move between the settings
Press [̆] and [̄].
Display the options
available for a setting
Press [̈] or press [SET].
Press [̆] and [̄].
Select an option
[SET]
Settings
Apply the setting and exit
the menu screen
Press [SET].
Apply the setting and
return to tab selection
Press [̇].
Exit the menu screen
Press [MENU].
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46
GETTING READY
3. Press [̇] or [̈] to select the tab you want,
and then press [SET] to move the selection
cursor from the tab to the settings.
6. Perform one of the following operations to
apply the setting you configured.
To do this:
Perform this key operation:
Press [SET].
Apply the setting and exit
the menu screen.
4. Use [̆] and [̄] to
select the feature
whose setting you
want to configure,
and then press [̈].
Apply the setting and
return to feature selection
in step 4.
Press [̇].
Apply the setting and
return to tab selection in
step 3.
1. Press [̇].
2. Use [̆] to move back up to
tab selection.
• Instead of pressing [̈],
you could also press
Example: To select the
[SET].
“Focus” item.
• See “Menu Reference” on page 208 for more
information about menus.
5. Use [̆] and [̄] to change the currently
selected setting.
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47
GETTING READY
• A built-in backup battery retains the date and time
settings of the camera for about 30 hours if the
camera is not supplied with power. Date and time
settings will be cleared when the backup battery
goes dead. The following are the conditions when
power is not being supplied to the camera.
— When the rechargeable battery is dead or
removed from the camera
Configuring Display Language and Clock
Settings
Be sure to configure the following settings before using the
camera to record images.
• Display language
• Home city
• Date Style
— When power is not being supplied to the camera
from the USB cradle while the rechargeable
battery is dead or removed from the camera
• The date and time setting screen will appear on the
monitor screen the next time you turn on the camera
after the date and time settings have been cleared. If
this happens, reconfigure the date and time settings.
• If you make a mistake when setting the language or
clock with the following procedure, you will need to
use the camera’s menu to individually change the
language (page 154) or clock (page 151) settings.
• You will not be able to edit time data stored with
images that are recorded while the camera’s time
setting is wrong.
• Date and time
Note that the current date and time settings are used by
the camera to generate the date and time that are stored
along with image data, etc.
IMPORTANT!
• Recording images without configuring the clock
settings causes incorrect time information to be
registered. Be sure to configure the clock settings
before using the camera.
• Even if you configure date and time settings, the
date and time are not stamped into the images
themselves. Note, however, that you can specify
inclusion of the date inside of an image when printing
(page 174).
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48
GETTING READY
3. Use [̆], [̄], [̇], and
[̈] to select the
To configure display language and clock
settings
geographical area
where you live, and
then press [SET].
1. Press the power button, [ ] (REC) or
[
] (PLAY) to turn on the camera.
2. Use [̆], [̄], [̇], and
[̈] to select the
4. Use [̆] and [̄] to
select the name of the
city where you live,
and then press [SET].
language you want,
and then press [SET].
: Japanese
English
: English
Français : French
Deutsch : German
Español : Spanish
5. Use [̆] and [̄] to select the summer time
(DST) setting you want, and then press [SET].
Italiano
Português : Portuguese
: Chinese (Complex)
: Italian
When you want to do this:
Select this setting:
Keep time using summer time
(Daylight Saving Time)
On
Off
: Chinese (Simplified)
: Korean
Keep time using standard time
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49
GETTING READY
6. Use [̆] and [̄] to
select the date format
setting you want, and
then press [SET].
7. Set the current date
and the time.
Example: December 24, 2005
To do this:
Do this:
Change the setting at the current
cursor location
To display the date like this:
05/12/24
Select this format:
Press [̆] and [̄].
Press [̇] and [̈].
YY/MM/DD
DD/MM/YY
MM/DD/YY
Move the cursor between settings
24/12/05
Toggle between 12-hour and 24-
hour timekeeping
Press [BS].
12/24/05
8. Press [SET] to register the settings and exit
the setting screen.
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50
BASIC IMAGE RECORDING
This section describes the basic procedure for recording an
image.
IMPORTANT!
• Make sure your fingers and the strap do not block
the flash, microphone, AF assist light/self-timer lamp
or lens.
Recording an Image
Aiming the Camera
Flash
Microphone
Use both hands to hold the camera still when shooting an
image. Holding the camera with one hand increases the
chance of movement, which can blur your images.
AF assist light/
self-timer lamp
• Horizontal
Hold the camera
still in both
hands, with your
arms firmly
Lens
against your
sides.
• Vertical
When holding
the camera
vertically, make
sure that the
flash is above
the lens. Hold
the camera still
with both hands.
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51
BASIC IMAGE RECORDING
• There is a speaker on the bottom of the camera. The
operation sound and other sounds can become
difficult to hear if you cover the speaker with your
hand while holding it.
Recording an Image
Your camera automatically adjusts shutter speed in
accordance with the brightness of the subject. Images you
record are stored in the camera’s built-in memory, or to a
memory card if you have one loaded in the camera.
• When an optionally available SD memory card or
MultiMediaCard (MMC) is loaded in the camera, images
are stored on the card (page 159).
After purchasing a memory card, be sure to load it into
the camera and format it before trying to use it (page
162).
Speaker
NOTE
• Moving the camera as you press the shutter button
or while the Auto Focus operation is being performed
(when you press the shutter button half way) can
cause blurring of the image. Press the shutter button
carefully, taking care to avoid camera movement.
This is especially important when available lighting is
low, which slows down the shutter speed.
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52
BASIC IMAGE RECORDING
Auto recording icon
1. Press the power button or [ ] (REC) to turn
on the camera.
2. Compose the image
on the monitor screen
so the main subject is
within the focus
Power button
[
]
frame.
• The focusing range of
the camera depends on
focus mode you are
using (page 72).
ON/OFF
Focus frame
• This causes the image and the auto recording icon
) to appear on the monitor screen, and then
enters the currently selected recording mode. If the
auto recording icon ( ) is not displayed, use the
(
procedure on page 86 to select the “Auto” scene.
This should cause the auto recording icon to appear.
• If the camera is in the PLAY mode when it turns on,
the message “There are no files.” will appear if you
do not have any images stored in memory yet. In
addition, the
display. If this happens, press [
the currently selected recording mode.
icon will be visible at the top of the
] (REC) to enter
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53
BASIC IMAGE RECORDING
G Operation Lamp and Focus Frame Operation
3. Press the shutter button half
way to focus the image.
When you see this:
It means this:
• When you press the shutter
button half way, the camera’s
Auto Focus feature automatically
focuses the image, and displays
the shutter speed value, the
aperture value, and the ISO
sensitivity.
Green focus frame
Green operation lamp
The image is in focus.
Red focus frame
Flashing green operation lamp
The image is not in focus.
Shutter button
Operation lamp
• The monitor screen uses various indicators and
icons to keep you informed of the camera’s status.
• You can tell whether
the image is focused
by observing the
focus frame and the
operation lamp.
Continuous
Shutter mode
Self-timer
Recording types
Metering mode indicator
White balance
Focus mode
Memory capacity
(Snapshots)
Flash
mode
Image quality
(Snapshots)
Image size
(Snapshots)
Date and time
EV shift
ISO sensitivity
Aperture value*1
Shutter speed value*2
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BASIC IMAGE RECORDING
*1 The size of the opening (aperture) that allows light
passing through the lens to reach the CCD. A larger
aperture value indicates a smaller opening for light to
pass through. The camera adjusts this setting
automatically.
*2 The amount of time the shutter remains open, allowing
light passing through the lens to reach the CCD. A
larger shutter speed value indicates that the shutter
remains open longer, which means more light reaches
the CCD. The camera adjusts this setting automatically.
IMPORTANT!
• When the “REC” tab’s “Quick Shutter” setting is
turned on (page 74), the camera immediately records
the image without waiting for Auto Focus to be
performed when you press the shutter release all the
way down without pausing. This helps to ensure that
you are able to capture exactly the moment you
want.
AF assist light/
self-timer lamp
I About AF Assist Light
The AF assist light/self-timer
4. After making sure that the
image is focused properly,
press the shutter button the
rest of the way down to
record.
lamp operates automatically
to assist the Auto Focus
operation whenever you are
shooting where lighting is dim.
Shutter button
• The number of images you can
record depends on the image
size and the image quality setting
you are using
(pages 70, 71, 222).
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55
BASIC IMAGE RECORDING
You can turn the AF assist light on or off. It is
recommended that you turn off the AF assist light when
recording images of nearby people, etc.
I Recording Precautions
• Never open the battery cover or place the camera onto
the USB cradle while the operation lamp is flashing
green. Doing so not only causes the current image to be
lost, it can also corrupt images already stored in file
memory and even lead to malfunction of the camera.
• Never remove the memory card while an image is being
recorded to the memory card.
1. In the REC mode, press [MENU].
2. Use [̇] and [̈] to select the “REC” tab.
• Fluorescent lighting actually flickers at a frequency that
cannot be detected by the human eye. When using the
camera indoors under such lighting, you may experience
some brightness or color problems with recorded images.
• When “Auto” is selected for the ISO sensitivity setting
(page 110), the camera automatically adjusts its
sensitivity in accordance with the brightness of the
subject. This can cause some digital noise (graininess) to
appear in images of relatively dark subjects.
3. Use [̆] and [̄] to select “AF Assist Light”,
and then press [̈].
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To do this:
Select this setting:
Turn on the AF assist light
Turn off the AF assist light
On
Off
IMPORTANT!
• Do not look directly at the AF assist light/self-timer
lamp or point it directly at the subject’s eyes.
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56
BASIC IMAGE RECORDING
• When recording a dimly lit subject while “Auto” is selected
for the ISO sensitivity setting (page 110), the camera
increases sensitivity and uses a faster shutter speed.
Because of this, you need to guard against camera
I About Auto Focus
• Proper focus may be difficult or even impossible when
shooting the following types of subjects.
— Solid color walls or subjects with little contrast
— Strongly backlit subjects
movement if you have flash turned off
(page 62).
• Bright light shining on the lens can cause images to
appear “washed out”. This tends to happen when
recording images outdoors in bright sunlight. To protect
against this, use your free hand to shade the lens from
the light.
— Very shiny objects
— Venetian blinds or other horizontally repeating patterns
— Multiple subjects that are varying distances from the
camera
— Subjects in poorly lit areas
— Moving subjects
— Subjects outside the shooting range of the camera
• Note that a green operation lamp and focus frame do not
necessarily guarantee that the resulting image will be in
focus.
• If Auto Focus does not produce the results you want for
some reason, try using focus lock (page 79) or manual
focus (page 78).
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57
BASIC IMAGE RECORDING
I About the REC Mode Monitor Screen
Using Zoom
• The image shown on the monitor screen in the REC
mode is a simplified image for composing purposes. The
actual image is recorded in accordance with the image
quality setting currently selected on your camera. The
image saved in file memory has much better resolution
and detail than the REC mode monitor screen image.
• Certain levels of subject brightness can cause the
response of the REC mode monitor screen to slow down,
which causes some digital noise (graininess) in the
monitor screen image.
Your camera is equipped with two types of zoom: optical
zoom and digital zoom. Normally, the camera automatically
switches over to digital zoom after you reach the maximum
limit for optical zoom. You can, however, configure the
camera to disable digital zoom, if you want.
Optical Zoom
The optical zoom range is 1X to 3X.
• Very bright light inside of an image can cause a vertical
band to appear in the monitor screen image. This is a
CCD phenomenon known as “vertical smear”, and does
not indicate malfunction of the camera. Note that vertical
smear is not recorded with the image in the case of a
snapshot, but it is recorded in the case of a movie (page
95).
Zoom controller
1. In the REC mode, move
the zoom controller left or
right to zoom.
• Moving the zoom controller
ON/OFF
as far as it goes in either
direction will zoom at high
speed.
Move the zoom
To do this:
controller in this
direction:
Zoom out for a wider view
(main subject becomes smaller)
(Wide Angle)
(Telephoto)
Zoom in for a closer view (main
subject becomes larger)
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58
BASIC IMAGE RECORDING
NOTE
• The optical zoom factor also affects the lens
aperture.
• Use of a tripod is recommended to protect against
hand movement when using the telephoto setting
(zoom in).
• Whenever you perform an optical zoom operation
while recording with the Auto Focus mode, Macro
mode or manual focus, a value will appear on the
monitor screen to tell you the focusing range (pages
74, 76, 79).
Zoom out
Zoom in
2. Compose the image, and then press the
shutter button.
• Optical zoom is disabled during movie recording.
Digital zoom only is available. Make sure you select
the optical zoom setting you want to use before you
press the shutter button to start movie recording
(page 95).
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59
BASIC IMAGE RECORDING
I To record an image using digital zoom
Digital Zoom
Digital zoom digitally enlarges the part of the image at the
center of the image screen. The range of digital zoom is 3X
to 12X (in combination with optical zoom).
Digital zoom indicator
1. In the REC mode,
hold the zoom
controller towards
(telephoto) side.
IMPORTANT!
• This causes the zoom
indicator to appear on
the display.
• When you perform a digital zoom operation, the
camera manipulates the image data to enlarge the
center of the image. Unlike optical zoom, an image
enlarged with digital zoom appears coarser than the
original.
Zoom indicator
2. When the zoom pointer reaches the optical/
digital zoom switch over point, it will stop.
Digital
Zoom range
Optical Zoom range
1X
3X
12X
Zoom pointer
Optical/digital zoom switch over point
• The above shows what the zoom indicator looks like
when digital zoom is turned on (page 61). The digital
zoom range is not displayed when digital zoom is
turned off.
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60
BASIC IMAGE RECORDING
3. Release the zoom controller momentarily, and
I To turn digital zoom on and off
then slide it towards
(telephoto) side again
to move the zoom pointer into the digital
zoom range.
1. In the REC mode, press [MENU].
2. Use [̇] and [̈] to select the “REC” tab.
• The zoom pointer will also stop when you move the
pointer back to the switch over point to re-enter the
optical zoom range. Release the zoom controller and
3. Use [̆] and [̄] to select “Digital Zoom”, and
then press [̈].
then slide it towards
(wide angle) side again to
move into the optical zoom range.
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
4. Compose the image, and then press the
shutter button.
To do this:
Select this setting:
Turn on digital zoom
Turn off digital zoom
On
Off
• Only the optical zoom range is displayed in the zoom
indicator when digital zoom is turned off.
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61
BASIC IMAGE RECORDING
To do this:
Select this setting:
Using the Flash
Have the flash fire automatically when
required (Auto Flash)*
Perform the following steps to select the flash mode you
want to use.
• The approximate effective range of the flash is shown
below.
Turn off the flash (Flash Off)
Always fire the flash (Flash On)
Fire a pre-flash followed by image
recording with flash, reducing the
chance of red-eye in the image (Red-
eye reduction)
In this case, the flash fires automatically
when required
Wide Angle Optical Zoom:
Approximately 0.4 to 2.4 meters
(1.3´ to 7.9´) (ISO Sensitivity: Auto)
Telephoto Optical Zoom:
Approximately 0.4 to 1.3 meters
(1.3´ to 5.6´) (ISO Sensitivity: Auto)
* Depends on zoom factor.
*
appears momentarily when you select Auto as
the flash mode, and then disappears.
1. In the REC mode, press [̄] (
).
2. Press the shutter button to record the image.
• Each press of [̄] (
) cycles through the flash
mode settings described below on the monitor
screen.
Flash mode indicator
MENU BS
DISP
SET
[̄] (
)
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62
BASIC IMAGE RECORDING
IMPORTANT!
I Flash On
• The flash unit of this camera fires a number of times
when you record an image. The initial flashes are
pre-flashes, which the camera uses to obtain
information that it uses for exposure settings. The
final flash is for recording. Make sure that you keep
the camera still until the shutter releases.
Select
(Flash On) as the flash mode when backlighting
causes your subject to appear dark, even though there is
enough light to keep the flash from firing automatically.
This will cause the flash to fire and illuminate your subject
whenever you press the shutter button (daylight synchro
flash).
• Using the flash while “Auto” is selected for the ISO
Sensitivity setting increases sensitivity, which can
cause large amounts of digital noise to appear in the
image. You can reduce digital noise by using a lower
ISO Sensitivity setting. Note, however, that this also
has the effect of shortening the flash range (the
range that is covered by the light from the flash)
(page 110).
I About Red-eye Reduction
Using the flash to record at night or in a dimly lit room can
cause red spots inside the eyes of people who are in the
image. This happens because the light from the flash
reflects off of the retina of the eye.
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63
BASIC IMAGE RECORDING
IMPORTANT!
Flash Unit Status
You can find out the current flash unit status by pressing
the shutter button half way and checking the monitor
screen and operation lamp.
Note the following important points when using red-
eye reduction.
• Red-eye reduction does not work unless the people
in the image are looking directly at the camera during
the pre-flash. Before pressing the shutter button, call
out to the subjects so they all look at the camera
while the pre-flash operation is performed.
• Red-eye reduction may not work very well if the
subjects are located far away from the camera.
Operation lamp*
The
indicator is also shown
on the monitor screen when the
flash unit is ready to fire.
* Operation lamp
When the operation
lamp is this:
It means this:
Flashing amber
Flash unit is charging
Lit or flashing green *1
Flash unit is ready to fire
*1 Flashes green when the image is not focused while
using the Auto Focus mode or Macro mode.
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64
BASIC IMAGE RECORDING
Changing the Flash Intensity Setting
Using Flash Assist
Perform the following steps to change the flash intensity
setting.
Recording a subject that is outside the flash range can
cause the subject to appear dark in the resulting image,
because not enough of the flash reaches the subject. When
this happens, you can use flash assist to correct the
brightness of the recorded subject, so it appears as if the
flash illumination was sufficient.
1. In the REC mode, press [MENU].
2. Use [̇] and [̈] to select the “Quality” tab.
3. Use [̆] and [̄] to select “Flash Intensity”,
and then press [̈].
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To make flash intensity:
Stronger
Select this setting:
Flash assist used
Flash assist not used
+2
+1
0
1. In the REC mode, press [MENU].
Normal
–1
–2
2. Use [̇] and [̈] to select the “Quality” tab.
Weaker
3. Use [̆] and [̄] to select “Flash Assist”, and
then press [̈].
IMPORTANT!
• Flash intensity may not change if the subject is too
far or too close to the camera.
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65
BASIC IMAGE RECORDING
Flash
4. Use [̆] and [̄] to select “Auto”, and then
I Flash Precautions
press [SET].
• Take care that your fingers
do not block the flash when
you hold the camera.
• Selecting “Off” disables flash assist.
Covering the flash with your
finger can greatly reduce its
effectiveness.
IMPORTANT!
• Flash assist may not produce the desired result for
some types of subjects.
• Flash assist may have little effect on your image if
you changed any of the following settings when you
recorded it.
— Flash intensity (page 65)
— Exposure compensation (EV shift) (page 80)
— ISO sensitivity (page 110)
— Contrast (page 114)
• Using flash assist can cause an increase of digital
noise in recorded images.
• You may not be able to achieve the desired results using
the flash if the subject is too close or too far away.
• The flash takes anywhere from a few seconds to as long
as 5 seconds to attain full charge after being fired. The
actual time required depends on the battery level,
temperature, and other conditions.
• The flash does not fire during movie recording.
• The flash unit may not be able to charge when camera
battery power is low. If this happens, the flash will not fire
properly and you will not be able to obtain the desired
exposure. Be sure to charge the camera’s battery as soon
as possible when power goes low.
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66
BASIC IMAGE RECORDING
• When the flash is turned off (
), mount the camera on a
Using the Self-timer
tripod to record images in an area where available lighting
is dim. Recording images under dim lighting without the
flash can cause digital noise, which makes images
appear coarse.
The self-timer lets you select either a 2-second or 10-
second delay of the shutter release after you press the
shutter button. A Triple Self-timer feature lets you perform
three consecutive self-timer operations to record three
images.
• When red-eye reduction (
) is selected, flash intensity
is adjusted automatically in accordance with the
exposure. The flash may not fire at all when the subject is
brightly lit.
• Using flash in combination with another light source
(daylight, fluorescent light, etc.) can result in abnormal
image colors.
1. In the REC mode, press [MENU].
2. Use [̇] and [̈] to select the “REC” tab.
3. Use [̆] and [̄] to select “Self-timer”, and
then press [̈].
4. Use [̆] and [̄] to select the self-timer type
you want to use, and then press [SET].
• Selecting “Off” in step 4 disables the self-timer.
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67
BASIC IMAGE RECORDING
1. The camera performs a 10-second countdown
and then records the first image.
To do this:
Select this setting:
10 sec
Specify a 10-second self-timer
Specify a 2-second self-timer
Specify Triple Self-timer
Disable the self-timer
10
s
2. The camera prepares to record the next image.
The amount of time required for preparation
depends on the camera’s current “Size” and
“Quality” settings, the type of memory (built-in or
card) you are using for image storage, and
whether or not the flash is charging.
2 sec
X3
2
s
x3
Off
3. After preparation is complete, the indicator “1sec”
appears on the monitor screen, and another
image is recorded one second later.
• This causes an
indicator identifying the
selected self-timer type
to appear on the
4. Steps 2 and 3 are repeated once more to record
the third image.
monitor screen.
• With the Triple Self-timer,
the camera records a
series of three images in
the sequence described
below.
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68
BASIC IMAGE RECORDING
AF assist light/
self-timer lamp
NOTE
5. Press the shutter
button to record the
image.
• The “2 sec” self-timer setting is best when shooting
with a slow shutter speed, because it helps to avoid
blurring of images due to hand movement.
• The following functions are not available for use in
combination with the Triple Self-timer.
• When you press the
shutter button, the AF
assist light/self-timer
lamp flashes and the
shutter releases after the
self-timer reaches the
end of its countdown
(about 10 seconds or two
seconds).
Business Shot, movie recording functions
• You can interrupt an ongoing self-timer countdown
by pressing the shutter button while the AF assist
light/self-timer lamp is flashing.
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69
BASIC IMAGE RECORDING
Image Size
Print Size
Specifying Image Size
×
5M*
2560 1920 A3 Print
Larger
“Image size” is the size of the image, expressed as the
number of vertical and horizontal pixels. A “pixel” is one of
the many tiny dots that make up the image. More pixels
provide finer detail when an image is printed, but a higher
pixel count also causes the image’s file size to be larger.
You can select an image size to suit your needs for greater
detail or smaller file size.
×
5M
(3:2) (3:2)
2560 1712 A3 Print (3:2 horizontal-to-
vertical ratio)
2304 1728 A4 Print
×
4M
3M
2M
×
2048 1536 A4 Print
×
1600 × 1200 3.5˝ 5˝ Print
E-mail (optimum size when
attaching image to e-mail)
×
VGA 640 480
Smaller
• Note that this setting is valid for snapshots only. For
information about movie image size, see page 96.
* “M” stands for “Mega.”
1. In the REC mode, press [MENU].
• The above print sizes are all approximate values when
printing at a resolution of 200 dpi (dots per inch). Use a
larger setting when you want to print at a higher
resolution or when you plan to produce a larger size print.
• Selecting the “2560 × 1712 (3:2)” image size records
images with a 3:2 (horizontal:vertical) aspect ratio, which
is optimal for printing on photographic paper with an
aspect ratio of 3:2.
2. Use [̇] and [̈] to select the “Quality” tab.
3. Use [̆] and [̄] to select “Size”, and then
press [̈].
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
• When selecting the image size, the image size value
(pixels) will alternate on the display with a
corresponding print size. The print size indicates the
optimum paper size when you print an image that is
the image size you select.
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70
BASIC IMAGE RECORDING
To get this:
Select this setting:
Fine
Specifying Image Quality
High image quality, large file
size
Higher
Quality
Compressing an image before storage can cause a
deterioration of its quality. The more an image is
compressed, the greater the loss of quality. The image
quality setting specifies the compression ratio to be used
when an image is stored in memory. You can select an
image quality setting to suit your needs for higher quality or
smaller file size.
Normal image quality and
normal file size
Normal
Low image quality, small file
size
Lower
Quality
Economy
IMPORTANT!
• Note that this setting is valid for snapshots only. For
information about movie image quality, see page 96.
• Actual file size depends on the type of image you
record. This means that the remaining image
capacity noted on the monitor screen may not be
exactly accurate (pages 27, 222).
1. In the REC mode, press [MENU].
2. Use [̇] and [̈] to select the “Quality” tab.
3. Use [̆] and [̄] to select “
then press [̈].
Quality”, and
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
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71
OTHER RECORDING FUNCTIONS
Focus mode indicator
• The exposure compensation
value is displayed on the
monitor screen.
Selecting the Focus Mode
You can select one of five different focus modes: Auto
Focus, Macro, Pan Focus, Infinity, and Manual Focus.
1. In the REC mode, press [MENU].
2. Select the “REC” tab, select “Focus”, and
then press [̈].
IMPORTANT!
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
• You can use the key customization feature (page
106) to switch the focus mode whenever you press
[̇] or [̈] while recording a snapshot or movie.
To do this:
Select this setting:
(Auto Focus)
Adjusts focus automatically
• Auto Focus cannot be selected
during movie recording.
Close-up recording
• During movie recording, Macro
mode uses fixed focus that is
optimized for macro recording.
Macro (Close-up)
(Pan Focus)
Focus adjusted on a certain
subject distance
Infinity recording
(Infinity)
Manual focus recording
(Manual Focus)
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OTHER RECORDING FUNCTIONS
Operation lamp
Using Auto Focus
As its name suggests, Auto Focus focuses the image
automatically. The automatic focus operation starts when
you press the shutter button down half way. The following
is the Auto Focus range.
Range: 40cm to ∞ (1.3´ to ∞)
• Using optical zoom causes the above range to change.
Focus frame
When you see this:
It means this:
1. In the REC mode, press [MENU].
Green focus frame
Green operation lamp
The image is focused.
2. Select the “REC” tab, select “Focus”, and
then press [̈].
Red focus frame
Flashing green operation lamp
The image is not
focused.
3. Use [̆] and [̄] to select “ ”.
5. Press the shutter button the rest of the way to
record the image.
4. Compose the image so the main subject is
within the focus frame, and then press the
shutter button half way.
• You can tell whether the image is focused by
observing the focus frame and the operation lamp.
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OTHER RECORDING FUNCTIONS
NOTE
I Quick Shutter
• When proper focusing is not possible because the
subject is closer than the Auto Focus range, the
camera automatically switches to the Macro mode
range (page 76).
• Whenever you perform an optical zoom operation
(page 58) while recording with Auto Focus, a value
will appear on the monitor screen as shown below to
tell you the focusing range.
When Quick Shutter is turned on, the camera immediately
records the image without waiting for Auto Focus to be
performed when you press the shutter release all the way
down. This helps to avoid missing a special moment while
you wait for the camera to Auto Focus.
1. In the REC mode, press [MENU].
Example: AF ȚȚcm - ∞
2. Select the “REC” tab, select “Quick Shutter”,
and then press [̈].
* ȚȚ will be replaced by the actual focusing range value.
• Auto Focus cannot be selected during movie
recording.
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To do this:
Select this setting:
Turn on Quick Shutter
Turn off Quick Shutter
On
Off
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OTHER RECORDING FUNCTIONS
I Specifying the Auto Focus Area
For this type of Auto Focus area:
Select this:
Spot
Very limited range in the center of the
screen
• This setting works well with focus lock
(page 79).
You can use the following procedure to change the Auto
Focus area used in the Auto Focus mode and the Macro
mode. Note that the configuration of the focus frame
changes in accordance with the Auto Focus area you
select.
Automatic selection of the focus area where
the subject closest to the camera is located
• With this setting, a wide focus frame,
which contains nine focus points, appears
on the monitor screen first. When you
press the shutter button half way, the
camera automatically selects the focus
point where the subject closest to the
camera is located, and a focus frame
appears at that point.
1. In the REC mode, press [MENU].
Multi
2. On the “REC” tab, select “AF Area”, and then
press [̈].
3. Use [̆] and [̄] to select the Auto Focus area
• This setting works well for group photos.
you want, and then press [SET].
•
Spot
•
Multi
Focus frame
Focus frame
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OTHER RECORDING FUNCTIONS
NOTE
Using the Macro Mode
• When the Macro mode cannot focus properly
because the subject is too far away, the camera
automatically switches to the Auto Focus range
(page 73).
Use the Macro mode when you need to focus on close up
subjects. The following shows the approximate focus range
in the Macro mode.
Range: 17cm to 50cm (6.7˝ to 19.7˝)
• Using optical zoom causes the above range to change.
• Whenever you perform an optical zoom operation
(page 58) while recording with the Macro mode, a
value will appear on the monitor screen as shown
below to tell you the focusing range.
1. In the REC mode, press [MENU].
Example: ȚȚcm - ȚȚcm
* ȚȚ will be replaced by the actual focusing range value.
2. Select the “REC” tab, select “Focus”, and
then press [̈].
IMPORTANT!
• Use of the flash along with the Macro mode can
cause the light of the flash to become blocked, which
can produce unwanted lens shadows in your image.
• During movie recording, Macro mode uses fixed
focus that is optimized for macro recording.
3. Use [̆] and [̄] to select “
Macro”.
4. Press the shutter button to record the image.
• The focus and image recording operations are
identical to those in the Auto Focus mode.
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OTHER RECORDING FUNCTIONS
Using Pan Focus
Using the Infinity Mode
Pan Focus comes in handy when recording under
conditions where Auto Focus is difficult for some reason, or
in cases where Auto Focus operation noise is too
noticeable in the movie audio.
The Infinity mode fixes focus at infinity (∞). Use this mode
when recording scenery and other faraway images.
1. In the REC mode, press [MENU].
1. In the REC mode, press [MENU].
2. Select the “REC” tab, select “Focus”, and
then press [̈].
2. Select the “REC” tab, select “Focus”, and
then press [̈].
3. Use [̆] and [̄] to select “ ”.
3. Use [̆] and [̄] to select “ ”.
4. Press the shutter button to record the image.
4. Press the shutter button to record the image.
NOTE
• If you press the shutter button half way, the focus
distance will appear on the monitor screen.
Example: ȚȚm - ȚȚm
* ȚȚ will be replaced by the actual focusing range value.
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OTHER RECORDING FUNCTIONS
4. Press [SET].
Using Manual Focus
With the Manual Focus mode, you can adjust the focus of
an image manually. The following shows focus range in the
Manual Focus mode.
5. While watching the
image on the monitor
screen, use [̇] and
[̈] to focus.
Optical Zoom Factor
Approximate Focus Range
17cm (6.7˝) to infinity (∞)
40cm (15.7˝) to infinity (∞)
1X
3X
• Using optical zoom causes the above range to change.
Manual focus position
Do this:
To do this:
1. In the REC mode, press [MENU].
Focus in on the subject
Focus out on the subject
Press [̇].
Press [̈].
2. Select the “REC” tab, select “Focus”, and
then press [̈].
• Pressing [̇] or [̈] causes the area inside of the
boundary displayed in step 1 to fill the monitor
screen momentarily to aid in focus. The normal
image will reappear a short while later.
3. Use [̆] and [̄] to
select “ ”.
• At this point, a
boundary also appears
on the display,
6. Press the shutter button to record the image.
indicating the part of the
image that will be used
for manual focus.
Boundary
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OTHER RECORDING FUNCTIONS
NOTE
Using Focus Lock
Focus lock is a technique you can use to focus on a subject
that is not located within the focus frame when you record
an image. You can use focus lock in the Auto Focus mode
• Whenever you perform an optical zoom operation
(page 58) while recording with manual focus, a value
will appear on the monitor screen as shown below to
tell you the focusing range.
Example: MF ȚȚcm - ∞
* ȚȚ will be replaced by the actual focusing range value.
and the Macro mode (
).
Main subject
1. Using the monitor
screen, compose the
image so the main
subject is within the
focus frame, and then
press the shutter
button half way.
• This locks the focus on
the subject that is
currently within the
focus frame.
Focus frame
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OTHER RECORDING FUNCTIONS
2. Keeping the shutter
button pressed half
way down, re-
Exposure Compensation (EV Shift)
Exposure compensation lets you change the exposure
setting (EV value) manually to adjust for the lighting of your
subject. This feature helps to achieve better results when
recording a backlit subject, a strongly lit subject indoors, or
a subject that is against a dark background.
compose the image
as you like.
EV Shift Range: –2.0EV to +2.0EV
Steps: 1/3EV
Main subject
3. When the image is composed the way you
want, press the shutter button the rest of the
way to record it.
1. In the REC mode, press [MENU].
• The focus and image recording operations are
identical to those in the Auto Focus mode.
2. Select the “Quality”
tab, select “EV Shift”,
and then press [̈].
NOTE
• Locking the focus also locks the exposure.
Exposure compensation
value
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OTHER RECORDING FUNCTIONS
• To cancel EV Shift, adjust the value until it becomes
0.0.
3. Use [̆] and [̄] to
change the exposure
compensation value,
and then press [SET].
4. Press the shutter button to record the image.
IMPORTANT!
• Pressing [SET] registers
the displayed value.
• When shooting under very dark or very bright
conditions, you may not be able to obtain satisfactory
results even after performing exposure
compensation.
EV value
[̆] : Increases the EV value. A higher EV value is best
used for light-colored subjects and backlight
subjects.
NOTE
• Performing an EV shift operation while using multi-
pattern metering (page 111) will cause the metering
mode to switch automatically to center weighted
metering. Returning the EV shift value to 0.0 causes
the metering mode to change back to multi-pattern
metering.
• You can use key customization (page 106) to
configure the camera to perform exposure
compensation whenever you press [̇] or [̈] while in
the REC mode. This comes in handy when adjusting
exposure compensation while viewing the on-screen
histogram (page 102).
[̄] : Decreases the EV value. A lower EV value is best
for dark-color subjects and for shooting outdoors
on a clear day.
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OTHER RECORDING FUNCTIONS
3. Use [̆] and [̄] to select the setting you
Adjusting White Balance
want, and then press [SET].
The wavelengths of the light produced by various light
sources (daylight, light bulb, etc.) can affect the color of a
subject when it is recorded. White balance lets you make
adjustments to compensate for different lighting types, so
the colors of an image appear more natural.
When shooting under these conditions: Select this setting:
Normal conditions
Auto
Outdoor daylight on a clear day
Outdoor daylight on an overcast or
rainy day, in the shade of a tree, etc.
1. In the REC mode, press [MENU].
In the shade of a building or any other
area where the color temperature is
high
2. Select the “Quality”
tab, select “White
Balance”, and then
press [̈].
Under white or daylight white
fluorescent light
(suppresses color fogging)
N
D
Under daylight fluorescent light
(suppresses color fogging)
Under incandescent lighting
Difficult lighting that requires manual
control (See “Configuring the White
Balance Setting Manually” (page 83).)
Manual
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OTHER RECORDING FUNCTIONS
NOTE
Configuring the White Balance Setting
Manually
Certain complex light sources or other environmental
conditions can make it impossible to obtain good results
when “Auto” or one of the fixed light source settings is
selected for white balance. Manual white balance lets you
configure the camera for a particular light source and other
conditions.
Note that you must perform manual white balance under
the same conditions you will be shooting under. Have a
sheet of white paper on hand before starting the following
procedure.
• When “Auto” is selected for the white balance
setting, the camera automatically determines the
white point of the subject. Certain subject colors and
light source conditions can cause problems when the
camera tries to determine the white point, which
makes proper white balance adjustment impossible.
When this happens, use daylight, cloudy, or one of
the other fixed white balance settings to specify the
type of lighting available.
• You can use the key customization feature (page
106) to configure the camera so the white balance
setting changes whenever you press [̇] or [̈] while
in the REC mode.
• If you have key customization configured to control
1. In the REC mode, press [MENU].
white balance, select “
Auto WB” to change the
AWB
white balance mode to auto.
2. Select a “Quality” tab, select “White
Balance”, and then press [̈].
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OTHER RECORDING FUNCTIONS
• This starts the white balance adjustment procedure.
The message “Complete” appears on the monitor
screen after white balance adjustment is complete.
3. Use [̆] and [̄] to
select “Manual”.
• This causes the object
you last used to adjust
manual white balance to
appear on the monitor
screen. If you want to use
the same settings you
configured during a
5. Press [SET].
• This registers the white balance settings and returns
to the currently selected recording mode.
NOTE
previous manual white
balance setting
operation, skip step 4
and perform step 5.
• After you adjust white balance manually, the setting
remains in effect until you change it or until you turn
off the camera.
4. Point the camera at a white paper or similar
object under the lighting conditions for which
you want to set the white balance, and then
press the shutter button.
White paper
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Recording Consecutive Images
(Continuous Shutter Mode)
You can configure the camera to record only a single
snapshot each time the shutter button is pressed, or to
keep recording as long as the shutter button remains
depressed (and there is enough memory available to store
the images).
• The speed of continuous shutter recording depends
on the type of memory card loaded in the camera.
When recording to built-in memory, continuous
shutter recording is relatively slow.
1. In the REC mode, press [MENU].
2. Select the “REC” tab, select “Continuous”,
and then press [̈].
3. Use [̆] and [̄] to select “On”, and then
press [SET].
• This causes “
” to appear on the monitor screen.
• With “Off”, the snapshots are recorded one at a time.
4. Press the shutter button to record.
• Recording continues as long as you keep the shutter
button depressed. Release the shutter button to stop
recording.
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OTHER RECORDING FUNCTIONS
1. In the REC mode,
press [BS] (BEST
SHOT).
Using the BEST SHOT Mode
Selecting one of the BEST SHOT sample scenes
automatically sets up the camera for recording a similar
type of image.
• This enters the BEST
SHOT mode and displays
all 12 of the BEST SHOT
scenes.
I Example Sample Scene
• In addition to the snapshot scenes, there is one
movie scene and one voice record scene.
• Portrait
• Scenery
• Sample scenes are arranged in sequence, starting
from the upper left corner.
2. Use [̆], [̄], [̇], and [̈] to select the sample
scene you want, and then press [SET].
• Pressing [MENU] causes the selection boundary to
jump to the first sample scene (“Auto”).
• Night Scene
• Night Scene Portrait
• Use [̆], [̄], [̇], and [̈] to move the selection
boundary around the display. Scrolling past the last
or the first scene scrolls to the next screen of 12-
sample scenes.
• If you want to check which sample scene is currently
selected or if you want to change to a different
scene, press [BS].
• Selecting the “Auto” scene changes the recording
type to snapshot auto recording (“
” displayed)
(page 53).
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OTHER RECORDING FUNCTIONS
NOTE
3. Press the shutter button to record the image.
• Operation guidance and the currently selected BEST
SHOT scene appear on the display for about two
seconds if the camera is in the BEST SHOT mode
when you turn it on.
• While the “Movie” scene is recorded, pressing the
shutter button starts and stops movie recording
(page 95).
IMPORTANT!
• BEST SHOT scenes were not recorded using this
camera. They are provided as samples only.
• Due to shooting conditions and other factors, an
image recorded using the setup of a BEST SHOT
scene may not produce exactly the results you expect.
• You can change the camera settings that are made
when you select a BEST SHOT scene. Note,
however, that the BEST SHOT settings revert to their
defaults when you select another BEST SHOT scene
or turn off the camera. If you want to save your
settings for later use, save them as a BEST SHOT
user setup.
• Digital noise reduction processing is performed
automatically when you are recording a night scene,
fireworks, or other image that requires slow shutter
speeds. Because of this, it takes longer to record
images at lower shutter speeds. Make sure that you
do not perform any camera button operations until
the image recording operation is complete.
• When recording the image of a night scene,
fireworks, or some other image using a slow shutter
speed, use of a tripod is recommended to prevent
hand movement.
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OTHER RECORDING FUNCTIONS
3. Use [̇] and [̈] to select the sample scene
Displaying Sample Scenes Individually
You can use the following procedure to display BEST
SHOT sample scenes individually, so you can view the
explanation about each scene’s settings.
you want, and then press [SET].
• Pressing [MENU] jumps to the first sample scene
(“Auto”).
4. Press the shutter button to record the image.
1. In the REC mode, press [BS] (BEST SHOT).
2. Move the zoom
controller in the
direction of
(telephoto) or
angle).
(wide
• This displays the
sample scene that was
selected on the 12-
scene screen.
• To return to the 12-sample scene screen, move the
zoom controller in the direction of
(wide angle).
(telephoto) or
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Creating Your Own BEST SHOT Setup
• BEST SHOT user setups are located in the camera’s
built-in memory following the built-in sample scenes.
• Selecting a user snapshot setup displays the
indicator “SU” in the upper right corner of the monitor
screen, followed by a number (that indicates the
setup number).
You can use the procedure below to save the setup of an
snapshot you recorded as a BEST SHOT scene. After that,
you can recall the setup whenever you want to use it.
1. In the REC mode, press [BS] (BEST SHOT).
• Note that formatting built-in memory (page 157)
deletes all BEST SHOT user setups.
2. Use [̆], [̄], [̇], and [̈] to select “Register
User Scene”, and then press [SET].
3. Use [̇] and [̈] to
display the snapshots
whose setup you
want to register as a
BEST SHOT scene.
4. Use [̆] and [̄] to select “Save”, and then
press [SET].
• This registers the setup. Now you can use the
procedure on page 88 to select your user setup for
recording.
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OTHER RECORDING FUNCTIONS
NOTE
To delete a BEST SHOT user setup
• The following are the settings that are included in a
snapshot setup: focus mode, EV shift value, white
balance mode, flash mode, ISO sensitivity, Metering,
Flash Intensity, Flash Assist, Filter, Sharpness,
Saturation, and Contrast.
• Note that snapshots recorded with this camera only
can be used to create a BEST SHOT user setup.
• You can have up to 999 BEST SHOT user setups in
the camera’s built-in memory at one time.
1. In the REC mode, press [BS] (BEST SHOT).
2. Move the zoom controller in the direction of
(telephoto) or
(wide angle) to scroll
through the available sample scenes.
3. Use [̇] and [̈] to display the user setup you
want to delete.
• You can check the current setup of a scene by
displaying the various setting menus.
4. Press [̄] (
) to delete the user setup.
• BEST SHOT snapshot user setups are stored in
camera built-in memory in the folder named
“SCENE”. File names are assigned automatically
using the format “UZ500nnn.JPE”, where “nnn” is a
value from 000 through 999.
5. Use [̆] and [̄] to select “Delete”.
6. Press [SET] to delete the file.
7. Select another scene, and then press [SET].
• This returns to the recording state.
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B
OTHER RECORDING FUNCTIONS
IMPORTANT!
Reducing the Effects of Hand or Subject
Movement
You can reduce the effects of subject movement, and for
hand movement that tends to occur when shooting a far-
away subject using telephoto, a fast-moving subject, or
under dim lighting conditions.
• Anti Shake is disabled automatically when any
setting other than “Auto” is selected for ISO
sensitivity. If you want Anti Shake to be operational
after turning it on, be sure to change the ISO
sensitivity setting to “Auto” (page 110).
• Recording with Anti Shake can cause an image to
appear somewhat coarser than normal and can
cause slight deterioration of image resolution.
• The Anti Shake feature may not be able to eliminate
the effects of hand or subject movement when
shaking is severe.
1. Perform one of the procedures below to
enable Anti Shake.
Using the BEST SHOT mode
• Anti Shake is disabled during movie recording.
• The Anti Shake feature may not work when using a
very low shutter speed. If this happens, use a tripod
to stabilize the camera.
1. In the REC mode, press [BS] (BEST SHOT).
2. Use [̆], [̄], [̇], and [̈] to select the “Anti Shake”
scene, and then press [SET].
Using the Menu Screen
1. In the REC mode, press [MENU].
2. Select the “REC” tab, select “Anti Shake”, and then
press [̈].
3. Use [̆] and [̄] to select “On”, and then press [SET].
•
(Anti Shake indicator) is displayed on the
monitor screen while Anti Shake is turned on.
2. Press the shutter button to record the image.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Shooting with High Sensitivity
• Recording with high sensitivity can cause an image
to appear somewhat coarser than normal and can
cause slight deterioration of image resolution.
• A desirable level of image brightness may not be
possible under very dark conditions.
Higher sensitivity makes it possible to record brighter
images when there is not enough lighting available to
obtain normal exposure.
• When shooting with slow shutter speeds, use a
tripod to protect against the effects of hand
movement.
• High Sensitivity is disabled automatically when any
setting other than “Auto” is selected for ISO
sensitivity. If you want High Sensitivity to be
operational after turning it on, be sure to change the
ISO sensitivity setting to “Auto” (page 110).
1. In the REC mode, press [BS] (BEST SHOT).
2. Use [̆], [̄], [̇], and [̈] to select the “High
Sensitivity” scene, and then press [SET].
3. Press the shutter button to record the image.
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OTHER RECORDING FUNCTIONS
I Setup Sample Images
Recording Images of Business Cards and
Documents (Business Shot)
Recording a business card, document, whiteboard, or
similarly shaped object from an angle can cause the
subject to appear misshaped in the resulting image.
Business Shot automatically corrects the shape of
rectangular objects to make them appear like the camera
was positioned directly in front of them.
• Business cards and
documents
• White board, etc.
IMPORTANT!
• Before recording, compose the image so outline of
the item you want to record fits entirely within the
monitor screen. The camera will not be able to detect
the shape of the subject correctly unless it is
enclosed entirely within the monitor screen.
• The camera also will be unable to detect the shape
of the subject if it is the same color as the
background. Make sure the subject is against a
background that allows the outline of the subject to
stand out.
Before keystone
correction
After keystone
correction
• Digital zoom is disabled while recording with
Business Shot. However, you can use optical zoom.
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OTHER RECORDING FUNCTIONS
NOTE
To use Business Shot
• When the camera is at an angle to a business card
or document it is recording, the shape of the
business card or document may appear distorted in
the image. Auto keystone correction corrects for this
distortion, which means that subjects appear normal
even if you record at an angle.
1. In the REC mode, press [BS] (BEST SHOT).
2. Use [̆], [̄], [̇] and [̈] to select the
Business Shot image you want, and then
press [SET].
3. Press the shutter
button to record the
image.
• This displays a screen
that shows all of the
objects in the image that
qualify as candidates for
keystone correction. An
error message will
appear (page 220) if the
camera is unable to find
any suitable keystone
correction candidate in
the image. After a short
while, the original image
will be stored in memory,
as-is.
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OTHER RECORDING FUNCTIONS
4. Use [̇] and [̈] to select the candidate you
Recording a Movie
want to correct.
You can record movies with audio. Movie length is limited
only by the amount of memory available for storage. You
can select a resolution setting to suit your needs.
5. Use [̆] and [̄] to
select “Correct”, and
then press [SET].
• File Format: Motion JPEG AVI format
• Selecting “Cancel” in
place of “Correct” stores
the original image as-is,
without correcting it.
• Maximum Movie Length
— The length of a movie is limited only by the amount of
memory available to store it.
IMPORTANT!
×
• The maximum Business Shot image size is 1600
1200 pixels, even if the camera is configured for a
larger image size. An image size setting smaller than
×
1600 1200 pixels records images at the specified
size.
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OTHER RECORDING FUNCTIONS
Approximate
Data Rate
Specifying Movie Image Quality
Setting
Frame Rate
The image quality setting determines how much the
camera compresses movie images before storing them.
Image quality is expressed as image size in pixels. A
“pixel” is one of the many tiny dots that make up an image.
More pixels (a larger image size) provide finer detail and
higher image quality when a movie is played back.
Before recording a movie, select the image quality setting
that suits your needs.
Higher HQ
10.2 megabits
30 frames/
second
×
Quality (640 480 pixels) per second
Normal 6.1 megabits
(640 480 pixels) per second
Lower LP 2.45 megabits
Quality (320 240 pixels) per second
30 frames/
second
×
15 frames/
second
×
1. In the REC mode, press [MENU].
2. Use [̇] and [̈] to select the “Quality” tab.
3. Use [̆] and [̄] to select “
then press [̈].
Quality” , and
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
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OTHER RECORDING FUNCTIONS
• Movie recording continues as long as remaining
memory capacity allows.
Recording a Movie
• Pan Focus (page 77) is selected automatically as the
focus mode in the Movie Mode regardless of the
Mode Memory “Focus” setting (page 108) and the
snapshot focus mode setting. You can switch to
another focus mode before you start recording, but
remember that you cannot select the Auto Focus
mode for movie recording.
1. In the REC mode, press [BS] (BEST SHOT).
2. Use [̇] and [̈] to select the “ ” (movie)
scene, and then press [SET].
• Selecting the “
” (movie) scene causes “
” to
appear on the monitor screen.
Remaining recording time
3. Point the camera at
the subject and then
press the shutter
button.
4. To stop movie recording, press the shutter
button again.
• When movie recording is complete, the movie file is
stored in file memory.
• This starts movie
recording.
• This starts movie
recording, which is
REC
indicated by “
the monitor screen.
” on
Recording time
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97
OTHER RECORDING FUNCTIONS
• Very bright light inside of an image can cause a vertical
band to appear in the monitor screen image. This is a
CCD phenomenon known as “vertical smear”, and does
not indicate malfunction of the camera. Note that vertical
smear is not recorded with the image in the case of a
snapshot, but it is recorded in the case of a movie.
• Certain types of memory cards take longer to record data,
I Movie Recording Precautions
• The flash does not fire during movie recording
• This camera also records audio. Note the following points
when recording a movie.
— Take care that you do not
block the microphone
with your fingers.
— Good recording results
are not possible when the
camera is too far from the
ON/OFF
which can cause movie frames to be dropped.
and
REC
flash on the monitor screen during recording to let
you know when a frame has been dropped. Use of an SD
memory card with a maximum transfer speed of at least
10MB per second is recommended.
subject.
Microphone
— Operating camera
buttons during recording
can cause button noise to
be included in the audio.
— Movie audio is recorded
in monaural.
• Optical zoom is disabled during movie recording. Digital
zoom only is available. Make sure you select the optical
zoom setting you want to use before you press the
shutter button to start movie recording (page 58).
• The effects of camera movement in an image become
more pronounced when you record close ups or recording
with a large zoom factor. Because of this, use of a tripod
is recommended when recording close ups or recording
with a large zoom factor.
• Images may be out of focus if the subject is outside the
shooting range of the camera.
• Macro uses fixed focus that is optimized for macro
recording.
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98
OTHER RECORDING FUNCTIONS
1. In the REC mode, press [MENU].
Recording Audio
2. Select the “REC” tab, select “Audio Snap”,
and then press [̈].
Adding Audio to a Snapshot
You can add audio to a snapshot after you record it.
3. Use [̆] and [̄] to select “On” and then press
• Image Format: JPEG
JPEG is an image format that provides efficient data
compression.
[SET].
• This enters the Audio Snapshot mode.
• Selecting “Off” enters the Normal Snapshot mode
(no audio).
The file extension of a JPEG file is “.JPG”.
• Audio Format: WAVE/ADPCM recording format
This is the Windows standard format for audio recording.
The file extension of a WAVE/ADPCM file is “.WAV”.
4. Press the shutter
button to record the
image.
• Recording Time:
Up to about 30 seconds per image
• After the image is
recorded, the camera
enters audio recording
standby, with the image
• Audio File Size:
Approximately 165KB (30-second recording of
approximately 5.5KB per second)
you just recorded on the
Remaining recording time
monitor screen and
displays a
indicator.
NOTE
• You can cancel audio recording standby by pressing
[MENU].
• You can play back an audio file recorded in the
Audio Snapshot mode on your computer using
Windows Media Player.
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OTHER RECORDING FUNCTIONS
5. Press the shutter button to start audio
recording.
Recording Your Voice
Voice Recording provides quick and easy recording of your
voice.
• The operation lamp will flash green while recording is
in progress.
• Audio Format: WAVE/ADPCM recording format
This is the Windows standard format for audio recording.
The file extension of a WAVE/ADPCM file is “.WAV”.
6. Recording stops after about 30 seconds or
when you press the shutter button.
• Recording Time:
Approximately 27 minutes with built-in memory
IMPORTANT!
• Audio snapshot recording is not supported (audio
cannot be recorded) for the following types of
recording: “X3” self-timer recording (Triple Self-
timer), snapshot recording during movie recording.
• Audio File Size:
Approximately 165KB (30-second recording of
approximately 5.5KB per second)
NOTE
• You can play back files recorded with Voice
Recording on your computer using Windows Media
Player.
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100
B
OTHER RECORDING FUNCTIONS
1. In the REC mode, press [BS] (BEST SHOT).
4. Recording stops when you press the shutter
button, when memory becomes full, or when
the battery goes dead.
Recording time
2. Use [̆], [̄], [̇] and
[̈] to select the “Voice
Recording” scene, and
then press [SET].
• Selecting the “Voice
Recording” scene causes
“
” to appear on the
monitor screen.
Remaining recording time
3. Press the shutter button to start voice
recording.
• The remaining recording time value counts down on
the monitor screen and the operation lamp flashes
green as recording is performed.
• Pressing [̆] (DISP) during voice recording turns off
the monitor screen.
• You can insert index marks while recording by
pressing [SET]. See page 136 for information about
jumping to an index mark during playback.
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OTHER RECORDING FUNCTIONS
I Audio Recording Precautions
Using the Histogram
• Take care that you do not
block the microphone with
your fingers.
You can use [̆] (DISP) to display a histogram on the
monitor screen (page 30). The histogram lets you check
exposure conditions as you record images. You can also
display the histogram of a recorded image in the PLAY
mode.
ON/OFF
Microphone
• Good recording results are not possible when the camera
is too far from the subject.
• Pressing the power button or pressing [
] (PLAY) stops
recording and stores any audio recorded up to that point.
• You can also perform “after-recording” to add audio to a
snapshot after recording it, and also change the audio
recorded for an image. See page 134 for more
information.
Histogram
• A histogram is a graph that represents the lightness of an
image in terms of the number of pixels. The vertical axis
indicates the number of pixels, while the horizontal axis
indicates lightness. You can use the histogram to
determine whether an image includes the shadowing (left
side), mid tones (center), and highlighting (right) required
to bring out sufficient image detail. If the histogram
appears too lopsided for some reason, you can use EV
shift (exposure compensation) to move it left or right in
order to achieve better balance. Optimum exposure can
be achieved by correcting exposure so the graph is as
close to the center as possible.
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OTHER RECORDING FUNCTIONS
• An RGB histogram that shows the distribution of R (red),
G (green), and B (blue) components is also displayed.
This histogram can be used to determine whether there is
too much or too little of each of the color components in
an image.
• When the histogram is too far
to the left, it means that there
are too many dark pixels.
This type of histogram results
when the overall image is
dark. A histogram that is too
far to the left may result in
“black out” of the dark areas
of an image.
NOTE
• You can use key customization (page 106) to
configure the camera to perform exposure
compensation whenever you press [̇] or [̈] while in
the REC mode. If you do this, you can adjust
exposure compensation while viewing the on-screen
histogram (page 80).
• When the histogram is too far
to the right, it means that
there are too many light
pixels.
This type of histogram results
when the overall image is
light. A histogram that is too
far to the right may result in
“white out” of the light areas of
an image.
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OTHER RECORDING FUNCTIONS
• A centered histogram
indicates that there is good
distribution of light pixels and
dark pixels. This type of
histogram results when the
overall image is at optimal
lightness.
IMPORTANT!
• Note that the above histograms are shown for
illustrative purposes only. You may not be able to
achieve exactly the same shapes for particular
subjects.
• A centered histogram does not necessarily
guarantee optimum exposure. The recorded image
may be over-exposed or under-exposed, even
though its histogram is centered.
• You may not be able to achieve an optimum
histogram configuration due to the limitations of EV
shift.
• Use of the flash as well as certain shooting
conditions can cause the histogram to indicate
exposure that is different from the actual exposure of
the image when it was recorded.
• The RGB (color component) histogram is displayed
for snapshots only.
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104
OTHER RECORDING FUNCTIONS
NOTE
REC Mode Camera Settings
• You can also configure the settings listed below. See
the referenced pages for more information.
The following are the settings you can configure before
recording an image using the REC mode.
— Continuous (page 85)
— AF Area (page 75)
• L/R key setting (key customization)
• Grid on/off
• Image Review on/off
• Power on default settings
• ISO sensitivity
• Metering
• Filter
• Sharpness
• Saturation
• Contrast
— Anti Shake (page 91)
— Quick Shutter (page 74)
— Audio Snap (page 99)
— Digital Zoom (page 61)
— Size (page 70)
— Quality (Snapshots) (page 71)
— Quality (Movies) (page 96)
— White Balance (page 82)
— Flash Intensity (page 65)
— Flash Assist (page 65)
• Resetting the camera
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105
OTHER RECORDING FUNCTIONS
IMPORTANT!
Assigning Functions to the [̇] and [̈]
• While recording a snapshot or movie, you can use
[̇] and [̈] to set the functions assigned to them.
However, you cannot set the self-timer during movie
recording.
Keys
A “key customization” feature lets you configure the [̇]
and [̈] keys so they change camera settings whenever
they are pressed in the REC mode. After you configure the
[̇] and [̈] keys, you can change the setting assigned to
them without going through the menu screen.
1. In the REC mode, press [MENU].
2. Select the “REC” tab, select “L/R Key”, and
then press [̈].
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
• After you assign a function, you can change its
setting simply by pressing the [̇] and [̈] keys.
— Focus (page 72)
— EV Shift (page 80)
— White Balance (page 82)
— ISO (page 110)
— Self-timer (page 67)
— Off: No function assigned
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106
OTHER RECORDING FUNCTIONS
Turning the On-screen Grid On and Off
Turning Image Review On and Off
You can display gridlines on the monitor screen to help you
compose images and ensure that the camera is straight
when recording.
Image review displays the images you record on the
monitor screen as soon as you record them. Use the
following procedure to turn image review on and off.
1. In the REC mode, press [MENU].
2. Select the “REC” tab, select “Review”, and
then press [̈].
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
1. In the REC mode, press [MENU].
To do this:
Select this setting:
On
Display images on the monitor
screen for about one second
immediately after they are recorded
2. Select the “REC” tab, select “Grid”, and then
press [̈].
Do not display images immediately
after they are recorded
Off
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To do this:
Select this setting:
Display the grid
Hide the grid
On
Off
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107
OTHER RECORDING FUNCTIONS
Function
On
Off
Specifying Power On Default Settings
BEST
BEST SHOT status
cancel
The camera’s “mode memory” feature lets you specify the
power on default settings individually for the BEST SHOT
mode, flash mode, focus mode, white balance mode, ISO
sensitivity, AF Area, metering, self-timer, flash intensity,
digital zoom mode, manual focus position and zoom
position. Turning on mode memory for a mode tells the
camera to remember the status of that mode when you turn
off the camera, and restore it the next time you turn the
camera back on. When mode memory is turned off, the
camera automatically restores the initial factory default
setting for the applicable mode.
SHOT*1
Flash
Focus
Auto
Auto
Auto
Auto
Spot
Multi
Off
White Balance
ISO
AF Area
Setting when
camera is
turned off
Metering
Self-timer
Flash Intensity
Digital Zoom
0
— The following table shows what happens when you turn
mode memory on or off for each mode.
On
Last Auto Focus
position that was in
effect before you
switched to manual
focus
MF Position
Zoom Position*2
Wide
*1 Specifies whether startup is performed with BEST
SHOT scene selection as-is. When on, starts up
with the last used BEST SHOT scene but turning off
starts up with auto status.
*2 Only the optical zoom position is remembered.
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108
OTHER RECORDING FUNCTIONS
IMPORTANT!
1. In the REC mode, press [MENU].
• Note that BEST SHOT mode settings take priority
over mode memory settings. If you turn the camera
off while in the BEST SHOT mode, all settings
except for “Zoom Position” will be configured
according to the BEST SHOT sample scene when
you turn it back on again, regardless of mode
memory on/off settings.
2. Select the “REC” tab, select “Memory”, and
then press [̈].
3. Use [̆] and [̄] to select the item you want to
change, and then press [̈].
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To do this:
Select this setting:
On
Turn on mode memory so settings
are restored at power on
Turn off mode memory so settings
are initialized at power on
Off
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109
OTHER RECORDING FUNCTIONS
IMPORTANT!
Specifying ISO Sensitivity
• Under certain conditions, a high shutter speed in
combination with a high ISO sensitivity setting can
cause digital noise (graininess), which makes an
image appear rough. For clean, good-quality images,
use the lowest ISO sensitivity setting possible.
• Using a high ISO sensitivity setting along with the
flash to shoot a nearby subject may result in
improper illumination of the subject.
You can change the ISO sensitivity setting for better
images in places where lighting is dim or when you are
using faster shutter speeds.
• ISO sensitivity is expressed in terms of values that
originally indicated the sensitivity to light for photographic
film. A larger value indicates higher sensitivity, which is
better for recording when available lighting is dim.
• “Auto” ISO sensitivity always is used for movie
recording, regardless of the current ISO sensitivity
setting.
1. In the REC mode, press [MENU].
2. Select the “Quality” tab, select “ISO”, and
then press [̈].
NOTE
• You can use the key customization feature (page
106) to configure the camera so the ISO sensitivity
setting changes whenever you press [̇] and [̈]
while in the REC mode.
3. Use [̆] and [̄] to select the setting you want
and then press [SET].
To get this:
Select this setting:
Auto
Automatic sensitivity selection
Lower sensitivity
ISO 50
ISO 100
ISO 200
Higher sensitivity
ISO 400
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110
OTHER RECORDING FUNCTIONS
Multi (Multi pattern)
Selecting the Metering Mode
Multi (Multi pattern) metering divides the
image into sections and measures the
light in each section for a balanced
exposure reading. The camera
automatically determines shooting
conditions according to the measured
lighting pattern, and makes exposure
settings accordingly. This type of
metering provides error-free exposure
settings for a wide range of shooting
conditions.
The metering mode determines what part of the subject is
metered for exposure. You can use the following procedure
to change the camera’s metering mode.
1. In the REC mode, press [MENU].
2. Select the “Quality” tab, select “Metering”,
and then press [̈].
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
Center Weighted
Center weighted metering measures
light concentrating on the center of the
focus area. Use this metering method
when you want to exert some control
over exposure, without leaving settings
totally up to the camera.
Spot
Spot metering takes readings at a very
small area. Use this metering method
when you want exposure to be set
according to the brightness of a
particular subject, without it being
affected by surrounding conditions.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Using the Filter Function
• When “Multi” is selected as the metering mode,
certain procedures cause the metering mode setting
to change automatically as described below.
• Changing the exposure compensation setting (page
80) to a value other than 0.0 changes the metering
mode setting to “Center Weighted.” The metering
mode changes back to “Multi” when you return the
exposure compensation setting to 0.0.
The camera’s filter function lets you alter the tint of an
image when you record it.
1. In the REC mode, press [MENU].
2. Select the “Quality” tab, select “Filter”, and
then press [̈].
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
• Available filter settings are: Off, B/W, Sepia, Red,
Green, Blue, Yellow, Pink, Purple
IMPORTANT!
• Using the camera’s filter feature produces the same
effect as attaching a color filter to the lens.
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112
OTHER RECORDING FUNCTIONS
Specifying Outline Sharpness
Specifying Color Saturation
Use the following procedure to control the sharpness of
image outlines.
Use the following procedure to control the intensity of the
image you are recording.
1. In the REC mode, press [MENU].
1. In the REC mode, press [MENU].
2. Select the “Quality” tab, select “Sharpness”,
and then press [̈].
2. Select the “Quality” tab, select “Saturation”,
and then press [̈].
3. Use [̆] and [̄] to select the setting you
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
want, and then press [SET].
To get this:
Select this setting:
To get this:
Select this setting:
High sharpness
+2
+1
0
High color saturation (intensity)
+2
+1
0
Normal sharpness
Low sharpness
Normal color saturation (intensity)
Low color saturation (intensity)
–1
–2
–1
–2
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113
OTHER RECORDING FUNCTIONS
Specifying Contrast
Resetting the Camera
Use this procedure to adjust the relative difference
between the light areas and dark areas of the image you
are recording.
Use the following procedure to reset all of the camera’s
settings to their initial defaults as shown under “Menu
Reference” on page 208.
1. In the REC mode, press [MENU].
1. Press [MENU].
2. Select the “Quality” tab, select “Contrast”,
and then press [̈].
2. Select the “Set Up” tab, select “Reset”, and
then press [̈].
3. Use [̆] and [̄] to select the setting you
3. Use [̆] and [̄] to select “Reset”, and then
want, and then press [SET].
press [SET].
• To cancel the procedure without resetting, select
“Cancel” and press [SET].
To get this:
Select this setting:
High contrast
+2
+1
0
Normal contrast
Low contrast
–1
–2
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114
PLAYBACK
You can use the camera’s built-in monitor screen to view
images after you record them.
2. Use [̈] (forward) or [̇] (back) to scroll
through files on the monitor screen.
Basic Playback Operation
Use the following procedure to scroll through files stored in
the camera’s memory.
NOTE
[
]
1. Press [ ] (PLAY) to turn
on the camera.
• Holding down [̇] or [̈] scrolls images at high
speed.
• In order to allow for faster playback image scrolling,
the image that initially appears on the monitor screen
is a preview image, which is of somewhat lower
quality than the actual display image. The actual
display image appears a short while after the preview
image. This does not apply to images copied from
another digital camera.
• This enters the PLAY mode
and causes an image or a
message to appear on the
monitor screen.
PLAY mode file type Folder name/ File name
Image quality
Image size
Date and time
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115
PLAYBACK
IMPORTANT!
Playing an Audio Snapshot
• Audio volume can be adjusted only when playback is
being performed or is paused.
Perform the steps below to display an audio snapshot
(indicated by
) and play its audio.
1. In the PLAY mode, use [̇] and [̈] until the
image you want is displayed.
2. Press [SET].
• This plays back the
audio that accompanies
the displayed image.
• You can perform the
following operations
while audio is playing.
To do this:
Do this:
Fast forward or fast reverse
the audio
Hold down [̇] or [̈].
Pause and unpause audio
playback
Press [SET].
Press [̄] and then use [̆]
and [̄].
Adjust audio volume
Changing display contents
Cancel playback
Press [̆] (DISP).
Press [MENU].
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116
PLAYBACK
3. Use [̆], [̄], [̇], and [̈] to shift the image
Zooming the Display Image
up, down, left, or right.
Perform the following procedure to zoom the image
currently on the monitor screen up to eight times its normal
size.
4. Press [MENU] to return the image to its
original size.
1. In the PLAY mode, use [̇] and [̈] to display
IMPORTANT!
the image you want.
• Depending on the original size of the recorded
image, you may not be able to zoom a display image
the full eight times normal size.
Current zoom factor
2. Shift the zoom
controller towards
Original image
(
) to enlarge the
image.
• This zooms the image.
• An indicator appears in
the lower right corner,
that shows what part of
the original image is
currently displayed on
the monitor screen.
Displayed part
• You can toggle display
of the zoom factor on
and off by pressing
[BS].
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117
PLAYBACK
4. Use [̆] and [̄] to select the setting you
Resizing an Image
want, and then press [SET].
You can resize a recorded image to one of three sizes.
• When selecting the image size, the image size value
(pixels) will alternate on the display with a
corresponding print size. The print size indicates the
optimum paper size when you print an image that is
the image size you select.
1. In the PLAY mode, press [MENU].
2. Select the “PLAY”
tab, select “Resize”,
and then press [̈].
Image Size
Print Size
×
3M
2M
2048 1536 A4 Print
Larger
• Note that this operation is
possible only when a
snapshot image is on the
monitor screen.
×
1600 × 1200 3.5˝ 5˝ Print
E-mail (optimum size when
attaching image to e-mail)
×
VGA 640 480
Smaller
* “M” stands for “Mega.”
3. Use [̇] and [̈] to scroll through images and
• To cancel the resize operation, select “Cancel”.
display the one you want to resize.
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118
PLAYBACK
IMPORTANT!
Cropping an Image
• Resizing an image creates a new file that contains
the image in the size you select. The file with the
original image also remains in memory.
• Note that you cannot resize the following types of
images.
You can use the following procedure to crop a portion of an
enlarged image.
1. In the PLAY mode, use [̇] and [̈] to scroll
through images and display the one you want
to crop.
×
— 640 480 pixel and smaller images
— Movie images and the voice recording file icon
— Images created with MOTION PRINT
— Images recorded with another camera
• The resize operation cannot be performed when
there is not enough memory to store the resized
image.
• When you display a resized image on the camera’s
monitor screen, the date and time that appear when
the image is displayed indicate when the image was
originally recorded, not when the image was resized.
2. Press [MENU].
Current zoom factor
3. Select the “PLAY”
tab, select
Original image
“Trimming”, and then
press [̈].
• An indicator appears in
the lower right corner,
that shows what part of
the original image is
currently displayed on
the monitor screen.
Displayed part
• Note that this operation
is possible only when a
snapshot image is on
the monitor screen.
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119
PLAYBACK
IMPORTANT!
4. Move the zoom controller left and right to
zoom the image.
• Trimming an image causes the original (pre-trimmed)
image and the new (trimmed) version to be stored as
separate files.
• Note that you cannot crop the following types of
images.
— Movie images and the voice recording file icon
— Images created with MOTION PRINT
— Images recorded with another camera
• The cropping operation cannot be performed when
there is not enough memory to store the cropped
image.
• When you display a cropped image on the camera’s
monitor screen, the date and time that appear when
the image is displayed indicate when the image was
originally recorded, not when the image was
cropped.
• The part of the image displayed on the monitor
screen is the cropped part.
5. Use [̆], [̄], [̇], and [̈] to to scroll the part
to be cropped up, down, left, and right.
6. Press [SET] to extract the part of the image
enclosed in the cropping boundary.
• If you want to cancel the procedure at any point,
press [MENU].
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120
PLAYBACK
To do this:
Do this:
Playing and Editing a Movie
Playing a Movie
Use the following procedure to play a movie you recorded
with this camera.
Fast forward or fast reverse
playback
• Each press increases the speed
one more step.
Press [̇] or [̈].
Return fast forward or fast
reverse movie playback to normal Press [SET].
speed
Elapsed recording time
1. In the PLAY mode,
Pause movie playback
Press [SET].
Movie icon
use [̇] and [̈] to
Scroll paused playback one
frame
Press [̇] or [̈].
scroll through movies
on the monitor screen
and display the one
you want.
Stop movie playback
Press [MENU].
Adjust the movie audio volume
level
Press [̄] and then use
[̆] and [̄].
Toggle monitor screen indicators
on and off
Press [̆] (DISP).
Move the zoom
Zoom the movie image
controller towards
Image quality
(
).
Scroll a zoomed movie image on
the monitor screen
Use [̆], [̄], [̇], [̈].
2. Press [SET].
• This starts playback of the movie.
• You can perform the following operations while a
movie is playing.
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IMPORTANT!
Editing a Movie
Use the procedure in this section to edit and delete movies.
Editing operations let you cut everything before or after a
specific frame, or to cut everything between two frames.
• You can adjust the volume level of movie audio
during movie playback only.
• You can zoom a movie up to 3.5 times normal size.
• Playback may not be possible for movies not
recorded with this camera.
IMPORTANT!
• Cut operations cannot be undone. Make sure you
really want to cut the part of the movie you are
specifying before executing the cut operation.
• Movie editing is not possible for movies not recorded
with this camera.
• A movie that is shorter than five seconds cannot be
edited.
• The cut operation can take considerable time. This is
normal and does not indicate malfunction.
• You will not be able to perform the cut operation if
the amount of memory available is less than the size
of the movie file you are cutting. If this happens,
delete any files you no longer need to free up more
memory.
• Splicing of two different movies into a single movie or
cutting one movie into multiple parts are not
supported by camera operations.
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4. Display the frame where you want the cut to
be located.
I To cut everything before or after a specific
frame
To do this:
Do this:
1. While the movie you
are editing is playing,
press [SET].
Fast forward or fast reverse
playback
Press [̇] or [̈].
Pause or unpause movie
playback
Press [SET].
• This will pause movie
playback.
Scroll paused playback one
frame
Press [̇] or [̈].
Cancel the cut operation
Press [MENU].
2. Press [̄].
• The red portion of the
indicator bar shows
what part will be cut.
• You can also display the same screen while in the
PLAY mode, by pressing [MENU], selecting the
“PLAY” tab, selecting “Movie Editing”, and then
pressing [̈].
3. Use [̆] and [̄] to select the operation you
want to perform.
To do this:
Select this setting:
Cut
Cut everything before a
specific frame
Cut everything after a specific
frame
Cut
Exit the cut mode
Cancel
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5. When the frame you
want is displayed,
press [̄].
I To cut everything between two specific
frames
1. While the movie is
playing, press [SET].
• This will pause movie
playback.
6. Use [̆] and [̄] to select “Yes,” and then
press [SET].
2. Press [̄].
• The message “Busy.... Please wait...” will remain on
the display as the cut operation is performed. Cutting
is complete when the message disappears.
• You can also display the same screen while in the
PLAY mode, by pressing [MENU], selecting the
“PLAY” tab, selecting “Movie Editing”, and then
pressing [̈].
• Select “No” to exit the cut mode.
3. Use [̆] and [̄] to select “
Cut”, and
then press [SET].
• Select “Cancel” to exit the cut mode.
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4. Display the starting frame where you want the
first cut to be located.
6. Referring to step 4,
search for the cut end
screen. When the cut
end screen is
To do this:
Do this:
Fast forward or fast reverse
playback
displayed, press [̄].
Press [̇] or [̈].
• The red portion of the
indicator bar shows what
part will be cut.
Pause or unpause movie
playback
Press [SET].
Scroll paused playback one
frame
Press [̇] or [̈].
7. Use [̆] and [̄] to select “Yes”, and then
Cancel the cut operation
Press [MENU].
press [SET].
• The message “Busy.... Please wait...” will remain on
the display as the cut operation is performed. Cutting
is complete when the message disappears.
5. When the frame you
want is displayed,
press [̄].
• Select “No” to exit the cut mode.
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I To capture a still image from a movie
Capturing a Still Image from a Movie
(MOTION PRINT)
The MOTION PRINT feature lets you capture a frame from
an existing movie and create a still image that is suitable
for printing. There are two layouts you can use when
capturing an image, and the layout you select determines
the final image size.
1. In the PLAY mode, use [̇] and [̈] to scroll
through movies on the monitor screen and
display the one that contains the frames you
want.
2. Press [MENU].
×
• 9 frames (1600 1200-pixel
final image size)
3. Select the “PLAY” tab, select “MOTION
PRINT”, and then press [̈].
4. Use [̆] and [̄] to
select the layout (“1
frame” or “9 frames”)
you want to use.
Background images
Selected main image
• Select “Cancel” to exit
the MOTION PRINT
mode.
×
• 1 frame (640 480-pixel final
data size)
Selected main image
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5. Use [̇] and [̈] to display the frame that you
Displaying the 9-image View
want to use as the main image.
The following procedure displays nine images on the
monitor screen at the same time.
• Holding down either button scrolls at high speed.
6. After selecting the
frame you want, press
[SET].
1. In the PLAY mode, shift the zoom controller
towards ( ).
• This displays the 9-image screen with the image that
was on the monitor screen in step 2 in the center,
with a selection boundary around it.
• This displays the
resulting still image.
• If you selected “9
frames” for the layout,
the frame you selected
in step 4 will be the
main image, and the
frames on either side of
it will be used as the
background frames.
• If there are fewer than nine images in memory, they
are displayed starting from the upper left corner. The
selection boundary is located at the image that was
on the display before you switched to the 9-image
view.
• On the 9-image screen,
recording file (page 100).
indicates a voice
• If you selected “1 frame” in step 4, an image of the
frame you selected in step 6 appears here.
IMPORTANT!
• MOTION PRINT is not possible for movies not
recorded with this camera.
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Selection boundary
2. Use [̆], [̄], [̇], and
[̈] to move the
Displaying the Calendar Screen
Use the following procedure to display a 1-month calendar.
Each day shows the first file recorded on that day, which
makes it easy to find the file you want.
selection boundary to
the image you want.
Pressing [̈] while the
selection boundary is
in the right column or
[̇] while it is in the left
column scrolls to the
next full screen of nine
images.
1. In the PLAY mode,
move the zoom
controller towards (
twice.
)
• You can also display
the calendar by
Example: When there are 20 images in memory, and
Image 1 is displayed first
pressing [MENU],
selecting the “PLAY”
tab, selecting
“Calendar,” and then
pressing [̈] to display
the calendar.
Year/Month
Date selection cursor
17 18 19
6
9
7
8
15 16 17
18 19 20
20
3
1
4
2
5
10 11
12 13 14
1
2
3
• Use the procedure
under “Changing the
Date Format” on page
152 to specify the date
format.
3. Pressing any button besides [̆], [̄], [̇], or
[̈] displays the full-size version of the image
where the selection boundary is located.
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• The file displayed on the calendar for each date is
the first file that was recorded on that date.
Playing a Slideshow
A slideshow automatically plays back images in sequence
at a fixed interval.
• To exit the calendar screen, press [MENU] or [BS].
• On the calendar screen,
recording file (page 100).
indicates a voice
•
appears in place of the image when the date
contains data that cannot be displayed by this
camera.
2. Use [̆], [̄], [̇], and [̈] to move the
selection boundary to the date you want, and
then press [SET].
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Slideshow”,
and then press [̈].
• This displays an image of the first file that was
recorded on the selected date.
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3. Use the screen that appears to configure the
image, time, interval, and effect settings.
• Pattern 1, 2, 3
Applies a preset effect when transitioning from
one image to another.
• Random
• All Images
Displays all images in camera memory.
Effect
Randomly applies the preset patterns (1, 2,
and 3).
• OFF
Effects turned off.
•
•
OnIy
This icon appears only in the case of
snapshots and audio snapshots.
OnIy
Images
This icon appears only in the case of movies.
• One Image
Displays a particular image.
• Favorites
Displays all images in the FAVORITE folder.
4. Use [̆] and [̄] to select “Start”, and then
press [SET].
• This starts the slideshow.
5. To stop the slideshow, press [SET].
Use [̇] and [̈] to specify the playback time you
want (1 to 5 minutes, or 10, 15, 30, or 60
minutes).
Time
• The slideshow will also stop automatically after the
amount of time you specified for “Time” elapses.
Use [̇] and [̈] to specify the interval you want
(MAX, or 1 to 30 seconds).
Interval
• When playback reaches a movie file while
“MAX” is selected as the interval, only the first
frame of the movie is displayed.
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IMPORTANT!
• Note that effect settings are disabled when the
slideshow “Images” setting is “Favorites” or “
Only”, or when the slideshow “Interval” setting is
“MAX”, “1 sec”, or “2 sec”.
• Images copied from another digital camera or a
computer may take longer time to appear than the
slideshow interval time you specify.
• If there are indicators on the display, you can clear
them by pressing [̆] (DISP) (page 30).
• When the slideshow reaches a movie while “One
Image” is selected for “Images”, the movie will repeat
playback for the time specified by for “Time”.
• Note that all buttons are disabled while an image
change is in progress. Wait until an image is stopped
on the monitor screen before performing a button
operation, or hold down the button until the image
stops.
• Pressing [̇] during a slideshow will scroll to the
previous image, while [̈] scrolls to the next image.
• When the slideshow comes to a movie file, it plays
the movie and its audio once.
• When the slideshow comes to a voice recording file
or an audio snapshot, it plays the audio once.
• The audio of movies, audio snapshots, and voice
recording files is not played when “MAX” is specified
for the slideshow “Interval” setting. With all other
“Interval” settings, movies and all audio (movies,
audio snapshots, voice recording files) are played
back, regardless of their length.
• During audio playback, you can adjust volume by
pressing [̄] and then using [̇] and [̈].
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• Pressing [MENU] displays a screen for configuring
slideshow settings. To restart the slideshow, press
[MENU] while the menu screen is displayed, or
select “Start” and then press [SET].
Using the Photo Stand Feature
The “Photo Stand” feature lets you specify what should
appear on the camera’s monitor screen while the camera is
on its USB cradle. You can play a Photo Stand slideshow
without worrying about remaining battery power, or you can
specify display of a particular image. Photo Stand feature
operations are performed in accordance with slideshow
setting. See page 129 for information about configuring
slideshow settings to suit your needs.
• During audio playback, you can adjust volume by
pressing [̄] and then using [̇] and [̈].
4. To stop the Phot Stand slideshow, press
[PHOTO] again.
IMPORTANT!
1. Turn off the camera.
• The battery is not charged while a Photo Stand
slideshow is in progress. To charge the battery, stop
the slideshow.
2. Set the camera onto the USB cradle.
3. Press the USB
cradle’s [PHOTO]
button.
• This starts the Photo
Stand slideshow with
the images or image
you specified.
[PHOTO]
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4. Use [̆] and [̄] to
select “Rotate”, and
then press [SET].
Rotating the Display Image
Use the following procedure to rotate the image 90 degrees
and register the rotation information along with the image.
After you do this, the image is always displayed in its
rotated orientation.
• Each press of [SET]
rotates the image 90
degrees.
1. In the PLAY mode, press [MENU].
5. After you are finished configuring settings,
press [MENU] to exit the setting screen.
2. Select the “PLAY” tab, select “Rotation”, and
then press [̈].
IMPORTANT!
• Note that this operation is possible only when a
snapshot image is on the monitor screen.
• You cannot rotate an image that is protected. To
rotate such an image, first unprotect it.
• You may not be able to rotate a digital image that
was recorded with another type of digital camera.
• You cannot rotate the following types of images.
— Movie images and the voice recording file icon
— Zoomed images
3. Use [̇] and [̈] to scroll through images until
the one you want to rotate is on the monitor
screen.
— Images created with MOTION PRINT
• Image rotation is supported for single image only.
You cannot rotate a 9-image screen or an image on
the calendar screen.
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