Casio Digital Camera EX FH25 User Manual

E
Digital Camera  
User’s Guide  
Thank you for purchasing this CASIO product.  
• Before using it, be sure to read the precautions contained in this User’s Guide.  
• Keep the User’s Guide in a safe place for future reference.  
• For the most up-to-date information about this product, visit the official EXILIM  
Website at http://www.exilim.com/  
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Read this first!  
• The contents of this manual are subject to change without notice.  
• The contents of this manual have been checked at each step of the production  
process. Feel free to contact us if you notice anything that is questionable,  
erroneous, etc.  
• Any copying of the contents of this User’s Guide, either in part or its entirety, is  
forbidden. Except for your own personal use, any other use of the contents of this  
manual without the permission of CASIO COMPUTER CO., LTD. is forbidden  
under copyright laws.  
• CASIO COMPUTER CO., LTD. shall not be held liable for any damages or lost  
profits suffered by you or any third party due to the use or malfunction of this  
product.  
• CASIO COMPUTER CO., LTD. shall not be held liable for any damages, lost  
profits, or claims by third parties arising out of the use of YouTube Uploader for  
CASIO.  
• CASIO COMPUTER CO., LTD. shall not be held liable for any damages or lost  
profits caused by loss of memory contents due to malfunction, repair, or any other  
reason.  
• Note that the example screens and product illustrations shown in this User’s Guide  
may differ somewhat from the screens and configuration of the actual camera.  
LCD Panel  
The liquid crystal panel used for the monitor screen and viewfinder employs high-  
precision technology that provides a pixel yield of 99.99%. This means that some  
very small number of pixels may not light or may remain lit at all times. This is due to  
the characteristics of the liquid crystal panel, and does not indicate malfunction.  
Take test shots  
Before shooting your final image, shoot a test shot to ensure that the camera is  
recording correctly.  
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3
 
Contents  
Contents  
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4
Shooting with High Speed Night Scene  
Digitally Correcting for Overexposure  
Configuring the Camera to Help You Better Time  
Shooting an Image in Accordance with  
Configuring the Continuous Shutter Image  
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Contents  
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6
Using DPOF to Specify Images to be Printed  
Transferring Images Automatically and Managing Them  
Selecting the Screen Aspect Ratio  
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Contents  
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8
General Guide  
The numbers in parentheses indicate the pages where each item is explained.  
. Camera  
Front  
Back  
cl cm cn co cp cq  
123456  
7
8
ck  
bt  
bs  
br  
9
bk  
bl  
bm  
cr  
bn  
bo  
dk ct cs  
bq  
bp  
Shutter button (page 26)  
[ON/OFF] (Power)  
(page 24)  
[AEL] button (page 55)  
[BS] button (page 73)  
Memory card slot cover  
(page 22)  
1
2
bn  
cp  
cq  
bo@ (Focus) button  
(page 52)  
Front lamp  
(pages 94, 95)  
Mode dial  
Speaker  
Microphone (page 66)  
Flash (page 46)  
Strap ring (page 16)  
Lens  
Zoom controller  
(pages 27, 49, 109)  
Monitor screen  
Viewfinder  
[EVF/LCD] button  
(page 158)  
Diopter dial (page 26)  
[p] (PLAY) button  
(pages 24, 29)  
Back lamp  
[r] (REC) button  
(pages 24, 26)  
Memory card slot  
Control button  
([8] [2] [4] [6])  
[SET] button (page 35)  
[MENU] button  
(page 92)  
3
4
bp  
cr  
bq  
cs  
br  
5
6
7
8
bs  
ct  
dk  
bt  
9ð (Flash up) button  
(page 46)  
ck  
cl  
Terminal cover  
[DC IN 9V] AC adaptor  
connector (page 170)  
[USB/AV] port  
bk  
cm  
bl  
cn  
bm  
[DISP] button  
(page 158)  
co  
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9
 
Bottom  
Battery compartment (pages 17, 167)  
Tripod hole  
Use this hole when attaching to a tripod.  
Lock (page 17)  
dl  
dm  
dl dm  
dn  
do  
Battery cover (pages 17, 167)  
do  
dn  
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10  
Monitor Screen Contents  
The monitor screen uses various indicators, icons, and values to keep you informed  
of the camera’s status.  
• The sample screens in this section are intended to show you the locations of all the  
indicators and figures that can appear on the monitor screen in various modes.  
They do not represent screens that actually appear on the camera.  
. Snapshot Recording  
Snapshot image size/Quality (pages 38, 101)  
ISO sensitivity (page 42)  
bk  
123456789  
bl  
bk  
White balance setting (page 43)  
Exposure compensation (page 44)  
AF area (page 45)  
Not displayed in this mode/Continuous  
shutter (CS) speed (Flash CS mode, High  
Speed CS mode) (pages 56, 60)  
Flash (page 46)/Flash continuous shutter  
(CS) images (Flash CS mode)/Max CS shots  
(High Speed CS mode) (pages 56, 60)  
Date/Time (page 48)  
cr  
cq  
cp  
bm  
bn  
bo  
bp  
bl  
bm  
bn  
bo  
bp  
bq  
co  
bq  
br  
cn  
cmclckbtbsbr  
AE/AF Lock (page 55)  
1
2
3
4
5
Focus mode (page 52)  
Metering mode (page 102)  
Self-timer mode (page 94)  
Image deterioration indicator  
(page 50)  
Recording mode (pages 26, 33)  
Zoom disabled (page 72)  
Number of recordable CS  
images (pages 61, 85)  
Remaining snapshot memory  
capacity (pages 61, 85)  
Exposure mode (page 36)  
Prerecord CS shots (High Speed CS mode)  
(page 60)  
ISO sensitivity (pages 27, 42)  
Timestamp indicator (page 151)  
Aperture value (pages 27, 36)  
Shutter speed (pages 27, 37)  
Focus frame (pages 27, 45)  
Battery level indicator (page 18)  
Histogram (page 158)  
Focal distance (Converted to 35 mm film  
format.) (page 50)  
bs  
bt  
ck  
cl  
cm  
cn  
co  
cp  
6
7
8
Anti Shake (page 95)  
Face Detection (page 96)  
9
cq  
cr  
NOTE  
• If the current aperture, shutter speed, ISO sensitivity, or Auto Exposure is not  
correct, the setting will turn orange when you half-press the shutter button.  
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11  
 
. Movie Recording  
Recording mode (page 65)  
Record: Off (page 72)  
Remaining movie memory capacity (page 65)  
Movie quality (HD/STD movie) (pages 65, 67)/  
Recording speed (high speed movie)  
(page 68)  
Current movie fps indicator (page 68)  
Optical zoom (page 72)  
Prerecord Movie (page 69)  
YouTube (page 71)  
1
2
3
4
123  
4
5
6
7
8
5
6
7
8
. Snapshot Viewing  
File type  
1
2
3
4
5
6
7
8
9
bk  
bl  
bm  
bn  
bo  
bp  
bq  
br  
bs  
123 4  
Protect indicator (page 119)  
Snapshot image size (page 38)  
Folder name/file name (page 145)  
Snapshot image quality (page 101)  
ISO sensitivity (pages 27, 42)  
Aperture value (pages 27, 36)  
Shutter speed (pages 27, 37)  
Date/time (page 48)  
Exposure compensation (page 44)  
Metering mode (page 102)  
White balance setting (page 117)  
Flash (page 46)  
Battery level indicator (page 18)  
Recording mode (pages 26, 33)  
Histogram (page 158)  
Exposure mode (page 36)  
Focal distance (Converted to 35 mm film  
format.) (page 50)  
5
bs  
br  
bq  
6
7
8
9
bp  
bo bnbmblbk  
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12  
   
. Movie Playback  
File type  
1
2
3
4
5
6
7
8
9
12 3  
Protect indicator (page 119)  
Folder name/file name (page 145)  
Movie recording time (page 104)  
Movie quality/speed (pages 65, 68)  
Prerecord (Movie) (page 69)  
YouTube (page 71)  
4
5
6
7
Date/time (page 48)  
Battery level indicator (page 18)  
9
8
. CS Image Viewing  
Current image number/number of images in  
the group (page 105)  
1
1
2
CS group icon (page 105)  
Playback guide (page 105)  
CS speed (page 105)  
2
3
4
4
3
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13  
 
Quick Start Basics  
What is a digital camera?  
A digital camera stores images on a memory card, so you can record and  
delete them a countless number of times.  
Record  
Delete  
Play  
You can use the images you record in a variety of different ways.  
Store images on your  
computer.  
Print images.  
Attach images to e-mail.  
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14  
   
What you can do with your CASIO camera  
Your CASIO camera is packed with a powerful selection of features and functions to  
make recording of digital images easier, including the following three main functions.  
High Speed CS/Prerecord CS  
Now you can shoot up to 30 continuous high-  
resolution images at the amazing speed of  
40 images per second (maximum). Prerecord CS  
pre-records images to ensure you are almost never  
too late with the shutter button.  
See page 58 for more information.  
High Speed Movie  
Movies can be recorded at up to 1000 frames per  
second. This makes it possible to clearly view  
phenomena that are invisible to the human eye, in  
slow motion.  
See page 68 for more information.  
HD Movie Recording  
You can record movies in high-quality HD.  
x
(1280 720 pixels 30 fps)  
1280x720 pixels  
See page 67 for more information.  
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15  
 
Attaching the Lens Cap and Strap  
Be sure to attach the lens cap and strap to the camera before using it.  
. Attaching the Lens Cap  
Always keep the lens cap on the  
lens whenever you are not using  
the camera. Always leave the lens  
cap on the lens when the camera is  
Large loop  
turned off and the lens is retracted.  
• Attach the lens cap holder to the  
strap or the strap ring. This  
Lens cap  
protects against accidental loss  
of the lens cap.  
Cap holder  
• Never turn on camera power with  
the lens cap affixed to the lens.  
Small loop  
. Attaching the strap  
• Attach either end of the strap to the two strap rings on the  
sides of the camera as shown in the illustration.  
• After you are finished pull on the strap to test it and to  
make sure it does not come loose.  
To load the batteries  
Use one of the following battery types.  
• Four AA-size alkaline batteries: LR6  
Recommended  
– Panasonic LR6 (Panasonic Corporation)  
– DURACELL ULTRA (MX1500) (DURACELL, div of P&G Inc.)  
• Four AA-size rechargeable Ni-MH (nickel-metal hydride) batteries: HR6  
Recommended  
– SANYO eneloop (SANYO Electric Co., Ltd.)  
– DURACELL RECHARGEABLE (DURACELL, div of P&G Inc.)  
– ENERGIZER RECHARGEABLE (Energizer Holdings, Inc.)  
* Proper operation cannot be guaranteed if you use any battery type other than those  
specified above.  
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IMPORTANT!  
• When being powered by AA-size alkaline batteries (LR6), the camera may not  
operate at all at temperatures of 5°C (41°F) or lower.  
• When charging rechargeable batteries, use only the charger specified for each  
battery type.  
• Do not use manganese batteries to power this camera. Use only the specified  
types of AA-size batteries.  
1. Open the battery cover.  
Lock  
Slide the lock in the direction indicated by the arrow  
and the battery cover will open.  
2. Load the batteries.  
Be sure to keep all four batteries together as a set at  
all times, for both charging and powering the camera.  
Mixing batteries from different sets can shorten  
overall battery life and cause malfunction of the  
camera.  
3. Close the battery cover.  
• For information about how to replace the batteries,  
see page 167.  
IMPORTANT!  
• Before using the camera, you must specify the type of  
battery type (alkaline, Ni-MH) you are using. Specifying  
the wrong battery type setting will shorten the life of the batteries you are using.  
Make sure you specify the battery type setting correctly (page 19) whenever you  
change from one battery type to another.  
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About rechargeable batteries  
Use only the rechargeable Ni-MH batteries that are specifically recommended for this  
camera (page 16). Proper camera operation is not guaranteed when other  
rechargeable batteries are used.  
IMPORTANT!  
• Batteries cannot be charged while they are loaded in the camera.  
Checking Remaining Battery Power  
As battery power is consumed, a battery indicator on the monitor screen indicates  
remaining power as shown below.  
Remaining Power  
Battery Indicator  
Indicator Color  
High  
Low  
*
*
*
*
Cyan  
*
Amber  
Red  
*
Red  
The flash will take longer than normal to charge if it is being used when the battery  
level indicator is showing  
Type” setting (page 19).  
or  
while “Alkaline” is selected for the “Battery  
indicates that the flash is disabled. Replace batteries as soon as possible.  
• The level shown by the battery indicator may change when you switch between the  
REC mode and PLAY mode.  
• Leaving the camera for about one day with no power supplied while the batteries  
are dead will cause its date and time settings to be cleared. You will have to  
re-configure the settings after power is restored.  
• See page 190 for information about battery life and memory capacity.  
• Certain camera operating conditions and battery types can cause the battery level  
indicator to indicate the battery level incorrectly. In this case, the camera may  
suddenly shut down without retracting the lens. If this happens, replace or charge  
the batteries and configure the correct “Battery Type” setting.  
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18  
 
Battery Power Conservation Tips  
• When you do not need to use the flash, select ? (Flash Off) for the flash setting  
• Enable the Auto Power Off and the Sleep features to protect against wasting  
battery power when you forget to turn off the camera (pages 153, 153).  
• Select “Off” for “Continuous AF” (page 97).  
• Turn off the LCD monitor screen and use the viewfinder (page 158).  
• Avoid unnecessary optical zoom operations.  
Specifying the Battery Type  
Your camera is designed to optimize its operation in accordance with the type of  
batteries you are using to power it. Specifying the wrong battery type, can cause  
power to turn off without retracting the lens and incorrect indication of remaining  
battery power. Proper operation of the camera is not guaranteed when the wrong  
battery type is specified.  
1. Press [ON/OFF] to turn on the camera.  
2. Press [MENU].  
3. Use [4] and [6] to select the “Set Up” tab.  
4. Use [8] and [2] to select “Battery Type” and then press [6].  
5. Use [8] and [2] to select the type of batteries you are using, and then  
press [SET].  
Alkaline  
Ni-MH  
AA-size alkaline (LR6)  
AA-size rechargeable Ni-MH (nickel metal hydride) (HR6)  
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19  
   
Configuring Basic Settings the First Time You Turn On the  
Camera  
The first time you load batteries into the camera, a screen appears for configuring the  
display language, date, and time settings. Failure to set the date and time correctly  
will cause the wrong date and time data to be recorded with images.  
IMPORTANT!  
• A screen for language selection will not appear in step 2 of the procedure below if  
you purchased a camera intended for the Japanese market. To change the display  
language from Japanese in this case, use the procedure under “Specifying the  
Display Language (Language)” (page 152). Note that a version of this manual in  
the language you select may not be included with a camera intended for the  
Japanese market.  
1. Press [ON/OFF] to turn on the camera.  
[ON/OFF]  
(Power)  
2. Use [8], [2], [4], and [6] to select the  
language you want and then press  
[SET].  
3. Use [8] and [2] to select a date style  
and then press [SET].  
Example: July 10, 2012  
YY/MM/DD * 12/7/10  
DD/MM/YY * 10/7/12  
MM/DD/YY * 7/10/12  
4. Set the date and the time.  
Use [4] and [6] to select the setting you want to  
change and then use [8] and [2] to change it.  
To switch between 12-hour and 24-hour format, press  
[BS].  
5. After setting the date and time, use [4] and [6]  
to select “Apply” and then press [SET].  
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If you make a mistake configuring display language, date, or time settings with the  
above procedure, refer to the following pages for information about how to correct  
the settings.  
– Display language: Page 152  
NOTE  
• Each country controls its local time offset and the use of summer time, and so they  
are subject to change.  
• Removing the batteries from the camera too soon after configuring time and date  
settings for the first time can cause the settings to be reset to their factory defaults.  
Do not remove the batteries for at least 24 hours after configuring settings.  
Preparing a Memory Card  
Though the camera has built-in memory that can be used to store images and  
movies, you probably will want to purchase a commercially available memory card for  
greater capacity. The camera does not come with a memory card. Images recorded  
while a memory card is loaded are saved to the memory card. When no memory card  
is loaded, images are saved to built-in memory.  
• For information about memory card capacities, see page 183.  
Supported Memory Cards  
– SD Memory Card  
– SDHC Memory Card  
Use one of the above types of memory card.  
• Use only SD cards that are compliant with the SD Card  
Association specification.  
. Memory Card Handling Precautions  
Certain types of cards can slow down processing speeds, and even can make it  
impossible to store High Quality movies correctly. Also, use of certain types of  
memory cards slows down data transfer and increases the time it takes to record  
movie data, which can result in movie frames being dropped. The Y indicator on the  
monitor screen turns yellow to indicate that frames are being dropped. In order to  
avoid problems such as these, use of an Ultra High Speed Type SD memory card is  
recommended. Note, however that CASIO makes no guarantees about the operation  
of any Ultra High Speed Type SD memory card used with this camera.  
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21  
     
To load a memory card  
1. Press [ON/OFF] to turn off the camera and then  
open the memory card slot cover.  
Pressing the memory card slot cover, slide it in the  
direction indicated by the arrow.  
1
2
2. Load a memory card.  
Positioning the memory card  
so its back is facing in the  
same direction as the monitor  
screen side of the camera,  
Front  
Back  
slide it into the card slot as far  
as it will go, until you hear it  
click securely into place.  
3. Close the memory card slot cover.  
Pressing the memory card slot cover against the camera,  
slide it closed.  
• For information about how to replace the memory card,  
see page 171.  
2
1
IMPORTANT!  
• Never insert anything besides a supported memory card (page 21) into the memory  
card slot.  
• Should water or any foreign object ever get into the card slot, immediately turn off  
the camera, remove the batteries, and contact your retailer or nearest CASIO  
authorized service center.  
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22  
 
To format (initialize) a new memory card  
You need to format a new memory card before using it for the first time.  
1. Turn on the camera and press [MENU].  
2. On the “Set Up” tab, select “Format” and then press [6].  
3. Use [8] and [2] to select “Format” and then press [SET].  
IMPORTANT!  
• Formatting a memory card that already has snapshots or other files on it, will delete  
its contents. Normally you do not need to format a memory card again. However, if  
storing to a card has slowed down or if you notice any other abnormality, re-format  
the card.  
• Be sure to use the camera to format a memory card. Formatting a memory card on  
a computer and then using it in the camera can slow down data processing by the  
camera. In the case of an SD or SDHC memory card, formatting on a computer can  
result in non-conformity with the SD format, causing problems with compatibility,  
operation, etc.  
• Before formatting a new Eye-Fi card to use it for the first time, copy the Eye-Fi  
Manager install files to your computer. Do this before formatting the card.  
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23  
 
Turning the Camera On and Off  
To turn power on  
To enter the REC mode, press [ON/OFF] (Power)  
or [r] (REC). To enter the PLAY mode, press  
[p] (PLAY).  
[ON/OFF] (Power)  
Back lamp  
The back lamp will light (green) momentarily and  
the camera will turn on. If you are entering the  
REC mode, the lens will extend from the camera  
at this time.  
• Take care to ensure that nothing is restricting or  
coming into contact with the lens as it extends.  
Holding the lens with your hand so it cannot  
extend creates the risk of malfunction.  
• Pressing [p] (PLAY) while in the REC mode  
switches to the PLAY mode.  
[p] (PLAY)  
[r] (REC)  
• The Sleep function or Auto Power Off (pages 153, 153) will turn off power  
automatically if you do not perform any operation for a preset amount of time.  
To turn off the camera  
Press [ON/OFF] (Power).  
• You can configure the camera so power does not turn on when you press [r]  
(REC) or [p] (PLAY). You also can configure the camera to turn off when you  
press [r] (REC) or [p] (PLAY) (page 154).  
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24  
     
Holding the Camera Correctly  
Your images will not come out clearly if you  
move the camera when you press the  
shutter button. When pressing the shutter  
button, be sure to hold the camera as shown  
in the illustration near by, and keep it still by  
pressing your arms firmly against your sides  
as you shoot.  
Vertical  
Horizontal  
Holding the camera still, carefully press the  
shutter button and take care to avoid all  
movement as the shutter releases and for a  
few moments after it releases. This is especially important when available lighting is  
low, which slows down the shutter speed.  
IMPORTANT!  
• Never touch the lens-barrel unit, except for cleaning. Never hold the camera by the  
lens when aiming it or transporting it.  
NOTE  
• Take care that your fingers and the strap  
do not cover any of the areas indicated in  
Strap  
the illustration.  
• To protect against accidentally dropping  
Microphone  
the camera, attach the strap and make sure  
it is around your neck while you are  
operating the camera.  
• Never swing the camera around by its  
strap.  
Flash  
• The supplied strap is intended for use with  
this camera only. Never use it for any other  
purpose.  
• When the “Auto Rotate” setting is turned  
Lens  
Front lamp  
on, the camera will detect whether it is  
being held vertically or horizontally when a snapshot image is shot. When you  
display an image shot with the camera held vertically, the image is rotated  
automatically 90 degrees when displayed on the monitor screen (page 148).  
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25  
 
To shoot a snapshot  
Diopter dial  
[r] (REC)  
Shutter button  
[EVF/LCD]  
Mode dial  
Viewfinder  
[SET]  
Monitor screen  
[8] [2] [4] [6]  
The following procedure describes how to shoot a single snapshot. For information  
about shooting a series of shots (Continuous Shutter), see page 56.  
1. Remove the lens cap and then press [r] (REC) to turn on the camera.  
2. Set the mode dial to t (Single Shot).  
3. Press [8].  
4. Use [8] and [2] to select the top option in the  
control panel (Exposure mode).  
5. Use [4] and [6] to select t (Auto) and then  
Snapshot mode icon  
press [SET].  
• You can use either monitor screen or viewfinder to  
compose the image. Each press of the [EVF/LCD]  
button cycles through the available monitor screen  
and viewfinder on/off settings (page 158). If the  
image in the viewfinder appears blurry, use the  
diopter dial to adjust it.  
Remaining snapshot  
memory capacity  
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26  
 
6. Point the camera at  
Zoom controller  
the subject.  
You can zoom the  
image, if you want.  
z Telephoto  
w Wide Angle  
7. Half-press the shutter button to focus the image.  
When focus is complete, the camera will beep, the back lamp will light green, and  
the focus frame will turn green.  
• If the current aperture, shutter speed, ISO sensitivity, or Auto Exposure is not  
correct, the setting will turn orange when you half-press the shutter button.  
Focus frame  
Back lamp  
ISO sensitivity  
Aperture value  
Shutter speed  
When you half-press the shutter button, the  
camera automatically adjusts exposure and  
Half-press  
Press lightly  
focuses on the subject it is currently pointed  
at. Mastering how much pressure is required  
for a half-press and a full-press of the shutter  
button is an important technique for good-  
looking images.  
until the button  
stops.  
Beep, beep (Image is in focus.)  
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8. Continuing to keep the camera still,  
press the shutter button the rest of the  
way down.  
Full-press  
This records the snapshot.  
Snap (Image is recorded.)  
. Using Quick Shutter  
Fully pressing the shutting button without waiting for Auto Focus to operate will record  
using Quick Shutter (page 99).  
• With Quick Shutter, the camera focuses faster than normal Auto Focus, which  
means you can capture quick moving action more easily. Note, however, that some  
images may be out of focus when Quick Shutter is used.  
• Whenever possible, take a little extra time to half-press the shutter button in order  
to ensure proper focus.  
. If the image does not focus...  
If the focus frame stays red and the back lamp is flashing green, it means that the  
image is not in focus (because the subject is too close, etc.). Point the camera at the  
subject and try to focus again.  
. If the subject is not in the center of the frame...  
“Focus lock” (page 54) is a technique you can use when you want to shoot an image  
in which the subject to be focused on is not within the focus frame in the center of the  
screen.  
Shooting a Movie  
Refer to the following for details about movie recording.  
Standard movie (STD movie) * page 65  
High-definition movie (HD movie) * page 67  
High speed movie (HS movie) * page 68  
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Viewing Snapshots  
Use the following procedure to view snapshots on the camera’s monitor screen.  
• For information about how to play back movies, see page 104.  
• For information about images recorded using continuous shutter (CS), see page  
1. Press [p] (PLAY) to enter  
[p] (PLAY)  
the PLAY mode.  
• This will display one of the  
snapshots currently stored in  
memory.  
• Information about the  
displayed snapshot also is  
included (page 12).  
• You also can clear the information to view only the snapshot (page 158).  
• You can zoom in on the image by sliding the zoom controller towards z (page  
109). If you are recording a snapshot that is very important to you, it is  
recommended that you zoom the image and check its details after recording it.  
2. Use [4] and [6] to scroll between images.  
• Holding down either button scrolls at high speed.  
[6]  
[6]  
[4]  
[4]  
NOTE  
• Half-pressing the shutter button while in the PLAY mode or while a menu screen is  
displayed will switch directly to the REC mode.  
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Deleting Images  
If memory becomes full, you can delete images you no longer need in order to free up  
storage and record more images.  
IMPORTANT!  
• Remember that a file (image) delete operation cannot be undone.  
• For information about images recorded using continuous shutter (CS), see page  
To delete a single file  
1. Press [p] (PLAY) to enter the PLAY mode and then press  
[2] (  
).  
2. Use [4] and [6] to scroll through the files until the one you want to  
delete is displayed.  
3. Use [8] and [2] to select “Delete” and then press [SET].  
• To delete other files, repeat steps 2 and 3.  
• To exit the delete operation, press [MENU].  
• If a CS group (page 105) is displayed when you perform the above procedure,  
all of the images in the currently display CS group will be deleted.  
To delete all files  
1. Press [p] (PLAY) to enter the PLAY mode and then press [2] (  
2. Use [8] and [2] to select “Delete All Files” and then press [SET].  
).  
3. Use [8] and [2] to select “Yes” and then press [SET] to delete all files.  
This will cause the message “There are no files” to appear.  
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Snapshot Shooting Precautions  
Operation  
• Never open the battery cover while the back lamp is flashing green. Doing so can  
result in the image you just shot being saved incorrectly, damage to other images  
stored in memory, malfunction of the camera, etc.  
• If unwanted light is shining directly onto the lens, shade the lens with your hand.  
Monitor Screen when Shooting Snapshots  
• Subject brightness conditions can cause monitor screen response to slow and can  
cause digital noise in the monitor screen image.  
• The image that appears on the monitor screen is for image composition. The actual  
image will be recorded at the quality set for the image quality setting (page 101).  
Shooting Indoors under Fluorescent Lighting  
• Minute flickering of fluorescent lighting can affect the brightness or color of an  
image.  
Other Precautions  
• Due to the characteristics of the camera’s semiconductor, slow shutter speeds can  
cause digital noise in images. The camera performs an automatic noise reduction  
process whenever the shutter speed is 1 second or slower. Storage of images shot  
at slower shutter speeds takes longer because of the time required for noise  
reduction. Do not perform any key operation while the image storage operation is in  
progress.  
• A noise reduction process is performed when ISO sensitivity is set to a high value.  
This can cause the camera to take relatively longer to be ready to shoot again after  
you press the shutter button. Do not perform any key operation while the image  
recording operation is in progress.  
• Due to the characteristics of the imaging element used by the camera, very fast  
moving objects in an image may appear distorted.  
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Auto Focus Restrictions  
• Any of the following can make proper focus impossible.  
– Solid color wall or other very low contrast subject  
– Strongly back lit subject  
– Very shiny subject  
– Blinds or other subject with a repeating horizontal pattern  
– Multiple subjects at varying distances from the camera  
– Subject in a dark location  
– Subject that is too far away for light from the AF assist light to reach  
– Camera movement while shooting  
– Fast-moving subject  
– Subjects outside the focus range of the camera  
• If you cannot focus properly, try using focus lock (page 54) or Manual Focus (page  
52).  
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Snapshot Tutorial  
Selecting a Recording Mode  
Your camera has a variety of  
different recording modes. Before  
shooting, use the mode dial to  
select the recording mode that suits  
the type of subject you are trying to  
record.  
Mode dial  
Snapshot Modes  
Movie Modes  
ª
Flash CS  
This mode will record consecutive images while firing the flash. See page 56 for  
details.  
Õ
Normal Speed CS/High Speed CS (Prerecord CS)  
With Normal Speed CS, the number of consecutive images you can shoot is  
theoretically unlimited, as long as there is memory available to store them. Also  
note that the maximum shooting speed of Normal Speed CS is limited by the  
type of memory card you are using and the camera setup. See page 57 for  
details.  
With High Speed CS, the camera continues to shoot images as long as you  
keep the shutter button depressed, and you can change the shooting speed  
while recording is in progress. You can record up to 30 images. In this mode,  
half-pressing the shutter button starts continual pre-recording of images to a  
temporary buffer. Then when you press the shutter button the rest of the way  
down, the camera saves the buffer contents and perform real-time continuous  
shutter recording of new images until you release the shutter button. See page  
58 for details.  
• Note that even if the mode dial is set to Õ (High Speed CS), High Speed CS  
image recording is not possible while “Normal Speed CS” is selected for the  
“CS” setting (pages 57, 58).  
t
Single Shot  
Continuous shutter recording is disabled when this mode is selected. Each  
press of the shutter button records a single image. See page 26 for details.  
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©
³
HS  
This mode records high speed movies. See page 68 for details.  
HD/STD  
This more records HD or standard movies. See page 67 for details.  
IMPORTANT!  
• When you use a BEST SHOT scene, the camera’s mode changes in accordance  
with specific setup (Single Shot, Continuous Shutter, High Speed Movie, etc.) for  
that scene. The recording mode selected by the mode dial is ignored.  
• Due to the characteristics of the imaging element used by the camera, very fast  
moving objects in an image may appear distorted.  
• Depending on the shutter speed setting and the recording mode you used, the  
brightness of what appears on the monitor screen when you record the image may  
be different from the brightness of the recorded image.  
• When recording with some modes, light source flicker can cause horizontal bands  
to appear in the image.  
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Using the Control Panel  
The control panel can be used to configure camera settings.  
1. In the REC mode, press [8].  
[8] [2] [4] [6]  
[SET]  
2. Use [8] and [2] to select the setting you want to change.  
This will select one of the control panel icons and display its settings.*1  
Exposure mode (page 36)  
Image size/Quality*2 (pages 38, 101)  
ISO sensitivity (page 42)  
White balance (page 43)  
EV shift (page 44)  
AF area (page 45)  
Not displayed in this mode  
Flash (page 46)  
Control panel  
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
Date/Time (page 48)  
*1 Items displayed in the control panel depend on the recording mode.  
*2 Image quality cannot be changed using the control panel.  
3. Use [4] and [6] to change the setting.  
4. If you want to configure another setting, repeat steps 2 and 3.  
5. After all of the settings are the way you want, press [SET].  
This will apply the settings and return to the REC mode.  
NOTE  
• You also can use on-screen menus to configure settings other than those listed  
above (page 92).  
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Selecting the Exposure Mode  
Your camera has a variety of different exposure modes. Before shooting an image,  
select the exposure mode that suits the type of subject you are shooting.  
1. In the REC mode, press [8].  
2. Use [8] and [2] to select the top option in the control panel (Exposure  
mode).  
3. Use [4] and [6] to select the setting you want and then press [SET].  
t
Auto  
Use this setting for easy image recording. This is the mode you normally should  
use (page 26).  
b
BEST SHOT  
Simply select one of a collection of built-in sample scenes and the camera sets  
up automatically for beautiful images every time (page 73).  
A A (Aperture Priority) mode  
In this mode, you select the aperture and other settings  
are adjusted accordingly.  
Use [4] and [6] to select the desired aperture value.  
• The ISO sensitivity, shutter speed and aperture  
value on the monitor screen will turn orange when  
you half-press the shutter button if the image is over-  
exposed or under-exposed.  
• If you are using manual focus (page 53), you also  
can press [SET], select “FOCUS”, and then use [4]  
and [6] to focus manually.  
Aperture value  
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S S (Shutter Speed Priority) mode  
In this mode, you select the shutter speed and other  
settings are adjusted accordingly.  
Use [4] and [6] to select the desired shutter speed.  
• The ISO sensitivity, shutter speed and aperture value  
on the monitor screen will turn orange when you half-  
press the shutter button if the image is over-exposed  
or under-exposed.  
• If you are using manual focus (page 53), you also  
can press [SET], select “FOCUS”, and then use [4]  
and [6] to focus manually.  
Shutter speed  
M M (Manual Exposure) mode  
This mode gives you total control over aperture and  
shutter speed settings.  
Press [SET], select the aperture setting, and then  
use [4] and [6] to change it.  
1
Press [SET], select the shutter speed setting, and  
then use [4] and [6] to change it.  
2
• If you are using manual focus (page 53), you also  
can press [SET], select “FOCUS”, and then use [4]  
and [6] to focus manually.  
Aperture value  
Shutter speed  
IMPORTANT!  
• You may not be able to achieve the brightness you want when shooting an image  
that is very dark or very bright. If this happens, use the M mode to adjust the  
aperture or shutter speed manually.  
• “S Image AS” (page 95) does not work in the S mode and M mode. You can,  
A
however, turn on “  
Camera AS”, if you like.  
• While A, S, or M is selected for the exposure mode, the flash will not fire if > (Auto  
Flash) or ¥ (Red Eye Reduction) is selected as the flash mode. If you want the  
flash to fire, select < (Flash On) as the flash mode.  
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Changing the Image Size (Size)  
. Pixels  
A digital camera image is a collection of small  
dots called “pixels”. The more pixels there are  
in an image, the more detail there will be.  
However, you generally can do with fewer  
pixels when printing an image (L size)  
through a print service, attaching an image to  
e-mail, when viewing the image on a  
computer, etc.  
Pixel  
. About image sizes  
The size of an image indicates how many pixels it contains, and is expressed as  
x
horizontal pixels vertical pixels.  
x
10M (3648 2736) size image =  
3648*  
Approximately 10 million pixels  
x
VGA (640 480) size image =  
640*  
Approximately 300,000 pixels  
* Unit: pixels  
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Image Size Selection Tips  
Note that larger images have more pixels, so they take up more memory space.  
More detail, but takes up more memory. Best  
when you plan to print large-size prints (such  
as A3 size).  
Large Number  
of Pixels  
Small Number Less detail, but takes up less memory. Best  
of Pixels  
when you want to send images by e-mail, etc.  
• For information about image size, image quality, and number of images that can be  
stored, see page 183.  
• For information about movie image size, see page 65.  
• For information about resizing existing snapshots, see page 121.  
. To select the image size  
1. In the REC mode, press [8].  
2. Use [8] and [2] to select the second control panel option from the top  
(Image Size).  
3. Use [4] and [6] to select an image size and then press [SET].  
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Suggested  
Print Size and Description  
Application  
Image Size  
(Pixels)  
Saves the image as both normal JPEG data and  
RAW image data. A 10M size image is stored for  
the JPEG data. RAW image data is unprocessed  
data output by the image sensor and is saved in  
DNG (digital negative) format. Though the image  
of such data is virtually undeteriorated, it cannot  
be viewed on the camera’s monitor screen or  
printed. After transferring RAW image data to your  
computer, you can use software that supports the  
general-purpose DNG format to process the image  
and convert it to image data that suits your  
RAW+JPEG  
(Select when  
you want to  
process image  
data yourself.)  
RAW+  
particular needs. Since both RAW image data and  
JPEG data are saved by the camera, you can view  
the JPEG version on the camera’s monitor screen.  
10M  
(3648 2736)  
Poster Print  
Poster Print  
HDTV  
x
3:2  
Good detail for better clarity even for images  
cropped (page 122) from the original  
x
(3648 2432)  
16:9  
(3648 2048)  
x
9M  
A3 Print  
x
(3456 2592)  
7M  
A3 Print  
Good detail  
x
(3072 2304)  
4M  
A4 Print  
x
(2304 1728)  
2M  
Best when preserving memory capacity is  
relatively more important than image quality.  
x
3.5" 5" Print  
x
(1600 1200)  
Image files are smaller, which is better when  
attaching images to e-mail. However, images are  
relatively coarser.  
VGA  
(640 480)  
E Mail  
x
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• The initial factory default image size setting is 10M (10 million pixels).  
• Selecting 3:2 records images with an aspect ratio of 3:2, which matches the  
standard aspect ratio of print paper.  
• The letters “HDTV” stand for “High Definition Television”. An HDTV screen has an  
aspect ratio of 16:9, which makes them wider than the usual 4:3 aspect ratio of  
television screens of the past. Your camera can record images that are compatible  
with the aspect ratio an HDTV screen.  
• You should regard the print paper sizes suggested here as guidelines only (200 dpi  
print resolution).  
• You can shoot directly to RAW image data only while the t (Single Shot) is  
selected with the Mode dial and “RAW+” is selected as the image size.  
• Available image sizes are limited for some functions as noted below.  
This option cannot be selected in the High Speed CS, Normal Speed CS,  
or Flash CS modes, or when using a BEST SHOT scene. Switching to  
the High Speed CS, Normal Speed CS, or Flash CS mode, or selecting a  
BEST SHOT scene while “RAW+” is selected will cause the image size  
RAW+  
setting to change to “9M” in the case of High Speed CS, Flash CS, and a  
BEST SHOT scene, or “10M” in the case of Normal Speed CS.  
This option cannot be selected in the High Speed CS or Flash CS  
10M,  
3:2,  
16:9  
modes, or when using some BEST SHOT scenes.* Switching to the High  
Speed CS or Flash CS mode, or selecting some BEST SHOT scenes*  
while the “10M”, “3:2”, or “16:9” image size is selected will cause the  
image size setting to change to “9M” automatically.  
This option can be selected in the High Speed CS or Flash CS modes, or  
only when using some BEST SHOT scenes.* Switching to another mode  
from the High Speed CS or Flash CS mode, or selecting some BEST  
SHOT scenes* while the “9M” image size is selected will cause the  
image size setting to change to “10M” automatically.  
9M  
* Applicable BEST SHOT scenes: “Move In CS”, “Move Out CS”, “High Speed  
Anti Shake”, “High Speed Night Scene”, “High Speed Night Scene and Portrait”,  
“Multi-motion Image”, “High Speed Best Selection”, “Lag Correction”, “High  
Speed Lighting”, “Expression CS”, “Baby CS”, “Child CS”, “Pet CS”, “Sports CS”  
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Specifying ISO Sensitivity (ISO)  
ISO sensitivity is a measure of sensitivity to light.  
1. In the REC mode, press [8].  
2. Use [8] and [2] to select the third control panel option from the top  
(ISO Sensitivity).  
3. Use [4] and [6] to select the setting you want and then press [SET].  
AUTO  
Adjusts sensitivity automatically according to conditions.  
Lower  
sensitivity  
Slow shutter speed  
Less noise  
ISO 100  
ISO 200  
ISO 400  
ISO 800  
ISO 1600  
Fast shutter speed (Set  
for shooting in dimly lit  
areas.)  
Some coarseness  
(increased digital  
noise)  
Higher  
ISO 3200 sensitivity  
• The current ISO sensitivity setting is used when shooting a high speed movie  
in the M (manual exposure) mode. For all other types of movies, “AUTO” is  
used as the ISO sensitivity setting.  
• “S Image AS” (page 95) can be used only when the ISO sensitivity setting is  
“AUTO”.  
• An ISO setting of ISO 400 or greater is not supported when the “Image Size”  
setting is “RAW+”. If the ISO setting is “ISO 400” or greater when you change  
the “Image Size” setting to “RAW+”, an ISO setting of “ISO 200” will be used for  
recording.  
• Higher ISO sensitivity values tend to result in digital noise in images.  
• Since higher ISO sensitivity values tend to result in digital noise in images, the  
camera performs a noise filtering process. Because of this, it may take  
relatively longer for the camera to finish recording an image after it is shot. You  
will not be able to perform any key operation while image recording is in  
progress.  
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Adjusting White Balance (White Balance)  
You can adjust white balance to match the source of light available where you are  
shooting and avoid the blue cast that results when shooting outdoors when it is  
cloudy, and the green cast that results when shooting under fluorescent lighting.  
1. In the REC mode, press [8].  
2. Use [8] and [2] to select the fourth control panel option from the top  
(White Balance).  
3. Use [4] and [6] to select the shooting condition you want and then  
press [SET].  
¤
Auto WB  
Daylight  
Configures the camera to adjust white balance automatically.  
For shooting outdoors on a clear day  
For shooting outdoors on an overcast rainy day, in the shade,  
etc.  
'
Overcast  
Shade  
For shooting on a clear day in the shade of trees or buildings  
For shooting under white or day white fluorescent lighting  
Day White  
Fluorescent  
Daylight  
Fluorescent  
For shooting under daylight fluorescent lighting  
For shooting under light bulb lighting  
«
·
Tungsten  
For configuring the camera manually to suit a particular light  
source  
Select “· Manual WB”.  
Blank white paper  
1
2
Under the lighting conditions you plan  
to use when shooting, point the camera  
at a blank white piece of paper so it fills  
the entire monitor screen and then  
press the shutter button.  
Manual WB  
Press [SET].  
3
The white balance setting is retained even if you turn off the  
camera.  
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• When Auto WB” is selected for the white balance setting, the camera  
automatically determines the white point of the subject. Certain subject colors  
and light source conditions can cause problems when the camera tries to  
determine the white point, which makes proper white balance adjustment  
impossible. If this happens, select the white balance setting that matches your  
shooting conditions (Daylight, Overcast, etc.).  
Correcting Image Brightness (EV Shift)  
You can manually adjust an image’s exposure value (EV value) before shooting it.  
• Exposure Compensation Range: –2.0 EV to +2.0 EV  
• Unit: 1/3EV  
1. In the REC mode, press [8].  
2. Use [8] and [2] to select the fifth control panel option from the top (EV  
Shift).  
3. Use [4] and [6] to adjust the exposure compensation value.  
[6] : Increases the EV value. A higher EV  
value is best for light-colored subjects  
and backlit subjects.  
[4] : Decreases the EV value. A lower EV  
value is best for dark-color subjects  
and for shooting outdoors on a clear  
day.  
To cancel exposure compensation, change  
the EV value to 0.0.  
Exposure compensation value  
4. Press [SET].  
This applies the exposure compensation value. The exposure compensation  
value you set remains in effect until you change it or turn off the camera (which  
causes it to revert to “0.0”).  
NOTE  
• When shooting under very dark or very bright conditions, you may not be able to  
obtain satisfactory results even after performing exposure compensation.  
• EV shift is disabled while the “High Speed Lighting” BEST SHOT scene is being  
use.  
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44  
   
Specifying the Auto Focus Area (AF Area)  
You can use the following procedure to change the Auto Focus metering area for  
shooting snapshots.  
U
• When recording movies, the AF metering area is always “  
Spot”.  
1. In the REC mode, press [8].  
2. Use [8] and [2] to select the fourth control panel option from the  
bottom (AF Area).  
3. Use [4] and [6] to select the setting you want and then press [SET].  
This mode takes readings of a small area in the center of the  
image. This setting works well with focus lock (page 54).  
U
Spot  
You can move the focus frame by using [8], [2], [4], and [6] to  
move the focus point and then pressing [SET]. To change the focus  
point position, select “Free” again and then use [8], [2], [4]  
and [6] to select the position you want.  
O
Free  
When you half-press the shutter button while this setting is  
Tracking selected, the focus frame will follow the movement of the subject.  
U
O
Spot” or “  
Tracking”  
Focus frame  
Free”  
*
[SET]  
Focus frame  
Tracking” cannot be used in combination with the following features.  
Focus point  
O
“  
Prerecord CS, some BEST SHOT scenes (Move Out CS, Move In CS, Multi-  
motion Image, Lag Correction, Expression CS, Baby CS, Child CS, Pet CS,  
Sports CS)  
• “Free” cannot be selected for the AF area while Face Detection is enabled.  
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Using Flash (Flash)  
1. Press ð (Flash up) to open the  
Flash  
flash unit.  
• The flash will not fire if the flash unit  
is not open.  
2. In the REC mode, press [2] (  
)
once.  
[2] (  
)
ð (Flash up)  
3. Use [4] and [6] to select the  
flash setting you want and then press [SET].  
Flash fires automatically in accordance with exposure  
(amount of light and brightness) conditions.  
>
?
Auto Flash  
Flash Off  
Flash does not fire.  
Flash always fires. This setting can be used to brighten a  
subject that normally comes out dark due to daylight or  
backlight (daylight synchro flash).  
<
Flash On  
¥
Reduction  
Red Eye  
Flash fires automatically. This type of flash can be used to  
reduce the chance of redness in the subject’s eyes.  
4. Press the shutter button to shoot.  
Back lamp  
Flashes red while the flash is charging to indicate that  
image recording is disabled.  
N
< indicates the flash will fire.  
• Note that the flash unit does not close automatically. After  
you are finished using it, you need to close it by hand.  
• For information about Flash Range, see page 188.  
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IMPORTANT!  
• The camera will not release the shutter unless the flash unit is raised when any one  
of the following conditions exists. Be sure to raise the flash unit whenever shooting  
with flash is required.  
– When shooting with Flash CS, which requires the flash to fire  
– When < (Flash On) is selected for the flash mode  
– When > (Auto Flash) or ¥ (Red-Eye Reduction) is selected for the flash mode  
and the camera judges that flash is required  
NOTE  
• Take care to ensure nothing is close to or in contact with the flash unit when it fires.  
Also make sure that the flash unit and the area around it is not dirty. Objects, dust,  
or dirt near the flash unit can be burned when the flash fires.  
• Take care so your fingers and the strap do not block the flash.  
• The desired effect may not be obtained when the subject is too far away or too  
close.  
• Flash charging time depends on operating conditions (battery condition, ambient  
temperature, etc.). With new batteries it takes about 5 seconds.  
• Flash charging time and operation are affected by the remaining battery capacity.  
The flash will take longer than normal to charge if it is being used when the battery  
level indicator is showing  
Type” setting (page 19).  
or  
while “Alkaline” is selected for the “Battery  
indicates that the flash is disabled. Replace batteries as soon as possible.  
• Shooting with flash turned off when lighting is dim results in a slow shutter speed,  
which can cause image blur due to camera movement. Under such conditions,  
secure the camera with a tripod, etc.  
• With red eye reduction, the flash is fired automatically in accordance with  
exposure. It does not fire in areas where lighting is bright.  
• The presence of outdoor sunlight, fluorescent lighting, or some other light source  
can cause abnormal image colors.  
?
• Select  
(Flash Off) for the flash setting when shooting in areas where flash  
photography is prohibited.  
• While A, S, or M is selected for the exposure mode, the flash will not fire if > (Auto  
Flash) or ¥ (Red Eye Reduction) is selected as the flash mode. If you want the  
flash to fire, select < (Flash On) as the flash mode.  
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Red-eye Reduction  
Using the flash to shoot at night or in a dimly lit room can cause red spots inside the  
eyes of people who are in the image. This is caused when the light from the flash  
reflects off of the retina of the eye. When ¥ (Red-Eye Reduction) is selected as the  
flash mode, the camera fires a pre-flash to cause the irises in the eyes of any people  
in the image to close, which reduces the chance of red eye.  
Note the following important points when using red-eye reduction.  
• Red-eye reduction does not work unless the people in the image are looking  
directly at the camera (flash).  
• Red-eye reduction may not work very well if the subjects are located far away from  
the camera.  
Other Useful Flash Features  
• Changing the flash intensity (page 103)  
Changing the Control Panel Date/Time Style  
1. In the REC mode, press [8].  
2. Use [8] and [2] to select the bottom control panel option (Date/Time).  
You can use [4] and [6] to select date or time display.  
NOTE  
• You can select either of two display styles (page 152) for the date: Month/Day or  
Day/Month.  
• The time is displayed using 24-hour format.  
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Shooting with Zoom  
Your camera provides you with 20X optical zoom (that changes the lens focal  
distance), which can be used in combination with digital zoom (that digitally  
processes the center portion of the image to enlarge it) for total zoom capabilities of  
20X to 318.8X. The image deterioration point depends on the image size (page 51).  
1. In the REC mode, slide the zoom controller to zoom.  
Zoom controller  
z Telephoto  
w Wide Angle  
z (Telephoto) : Enlarges the subject and narrows the range.  
w (Wide Angle) : Reduces the size of the subject and broadens the range.  
• Sliding the zoom controller as far as it will go in either direction will zoom at  
high speed.  
2. Press the shutter button to shoot the image.  
NOTE  
• The higher the digital zoom factor, the coarser the recorded image. Note that the  
camera also has a function that lets you record using digital zoom without image  
deterioration (page 50).  
• Use of a tripod is recommended to protect against image blur due to camera  
movement when shooting with telephoto.  
• Performing a zoom operation changes the lens aperture.  
• Digital zoom is disabled while “RAW+” is selected for the “Image Size” setting  
• Both optical zoom and digital zoom are disabled during high speed movie  
recording.  
• Both optical zoom and digital zoom are disabled when Á (Super Macro) is  
selected as the focus mode.  
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Optical Zoom/Digital Zoom Switch Point  
If you hold the zoom controller towards z (Telephoto), the zoom operation will stop  
when the optical zoom factor reaches its maximum. Momentarily releasing the zoom  
controller and then holding it again towards z (Telephoto) will switch to digital  
zoom, which you can use to set an even higher zoom factor.  
• If you do want to use digital zoom, change the “Digital Zoom” setting to “On” (page  
98).  
• During zoom, a zoom bar on the monitor screen shows the current zoom setting.  
Focal distance  
(Converted to 35 mm film format.)  
Image deterioration indicator  
Focusing range  
(Displayed for Auto Focus, Macro Focus, and Manual  
Focus.)  
* Products marketed in some geographic areas display  
inches and feet.  
Zoom bar  
Undeteriorated digital zoom  
Undeteriorated image  
quality range  
Deteriorated image  
quality range  
1X  
20X to 114X  
80X to 318.8X  
Zoom pointer (Indicates current zoom.)  
Optical/digital zoom switch point  
* 20X optical zoom point  
Deterioration point  
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• The deterioration point depends on  
the current image size setting (page  
38). The smaller the image size  
setting, the higher the zoom factor  
you can use before reaching the  
image deterioration point.  
Image  
Size  
Maximum  
Zoom Factor  
Deterioration  
Point  
10M  
3:2  
80X  
80X  
20X  
20X  
16:9  
9M  
80X  
20X  
• Though digital zoom generally  
causes a deterioration of image  
quality, some digital zoom without  
image deterioration is possible with  
image sizes of “7M” and smaller. The  
range in which you can use digital  
zoom without image deterioration is  
indicated on the display. The  
80X  
20X  
7M  
95X  
23.8X  
31.6X  
45.6X  
114X  
4M  
126.6X  
182X  
318.8X  
2M  
VGA  
deterioration point depends on the  
image size.  
• The maximum zoom factor using optical zoom (page 72) and digital in combination  
when “HD/STD” is selected as the movie mode is 318.8X.  
• When HD/STD” is selected as the movie mode, minimal deterioration up to a  
zoom factor of 114X is possible only for STD shooting.  
• The zoom bar is not displayed while movie recording is in progress.  
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Selecting a Focus Mode (Focus)  
@
Each press of  
mode settings.  
(Focus) will cycle through the available focus  
• Whenever you change to another focus mode, the previous  
focus point is saved, so you can use Auto Focus for initial  
focus, and then switch to Manual Focus to make fine  
adjustments.  
@
(Focus)  
Focus Mode  
Approximate Focus Range*  
Snapshot Movies  
Type of  
Shot  
Settings  
Snapshot Movies  
Q Auto  
Focus  
General  
recording  
12 cm to 9 (infinity)  
(4.7" to 9)  
Automatic  
Automatic  
Automatic  
´ Macro  
Focus  
12 cm to 50 cm  
(4.7" to 19.7")  
Close ups  
Á Super  
Macro  
Extreme  
close ups  
1 cm to 12 cm  
(0.4" to 4.7")  
12 cm to 9 (infinity)  
When you  
(4.7" to 9)  
W Manual want to  
(Zoom focal distance at 57 mm  
when converted to 35 mm film  
format is approximately 1 cm to  
9 (0.4" to 9).)  
Manual  
Focus  
focus  
manually  
• Range is affected by optical zoom.  
* The focus range is the distance from the lens surface.  
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To focus with manual focus  
1. On the monitor screen, compose the image so  
the subject you want to focus on is within the  
yellow boundary.  
2. Watching the image on the monitor screen use  
[4] and [6] to adjust focus.  
• At this time the image that is within the boundary will  
enlarge and fill the monitor screen, which aids in  
focusing. If you do not perform any operation for two  
seconds while the enlarged image is displayed, the  
screen in step 1 will re-appear.  
Yellow boundary  
• When the exposure mode setting is A, S, or M, you need to press [SET] and  
then select “FOCUS” before performing this procedure.  
NOTE  
• When proper focusing is not possible because the subject is closer than the Auto  
Focus range, the camera will switch to the Macro Focus range (which does not  
include the Super Macro range) automatically (Auto Macro).  
• When proper focusing is not possible because the subject is further than the macro  
range (which does not include the Super Macro range), the camera will switch to  
the Auto Focus range automatically (Auto Macro).  
• Auto Macro can be used when shooting snapshots and movies.  
• Use of the flash together with Macro Focus can cause the light of the flash to  
become blocked, which may result in unwanted lens shadows in your image.  
• Whenever you perform an optical zoom operation while shooting with Auto Focus,  
Macro Focus, or Manual Focus, a value will appear on the monitor screen to tell  
you the focus range, as shown below. Note that the focus range is displayed  
including the Auto Macro range only when shooting with Auto Focus.  
Example: oo cm to 9  
* oo is the actual focusing range value.  
* Products marketed in some geographic areas display inches and feet.  
• Always be sure to select Auto Focus (AF) as the focus mode whenever using face  
detection (page 96).  
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• The following functions are disabled when shooting with Super Macro.  
– Zoom (both optical and digital)  
– Auto Macro  
– Flash  
– Flash CS  
• The large zoom factor capabilities of this camera can result in images being out of  
focus if the camera is moved while shooting with fixed focus. Whenever possible,  
mount the camera on a tripod or secure it using some other means before  
focusing. If the image is out of focus, either refocus or change to manual focus  
(MF) to adjust focus as required.  
Using Focus Lock  
“Focus lock” is a technique you can use when you want  
to compose an image in which the subject you want to  
focus on is not within the focus frame in the center of the  
screen.  
Subject to be focused on  
• To use focus lock, select “U Spot” or “O Tracking”  
for the Auto Focus area (page 45).  
1. Align the monitor screen’s focus frame with  
the subject you want to focus on and then  
half-press the shutter button.  
Focus frame  
2. Keeping the shutter button half-pressed  
(which maintains the focus setting), move the  
camera to compose the image.  
• When O Tracking” is selected as the Auto Focus  
area, the focus frame will move automatically and  
follow the subject.  
3. When you are ready to shoot the image, press the shutter button the  
rest of the way down.  
NOTE  
• Focus lock also locks exposure (AE).  
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Locking the Auto Exposure and Auto Focus Setting  
Pressing [AEL] temporarily locks the current exposure and/or  
focus settings. Press [AEL] again to unlock the settings.  
• Pressing [AEL] while the shutter button is half-pressed will  
lock the current exposure or focus setting.  
[AEL]  
Specifying the [AEL] button Operation  
Use the following procedure to specify the operation that the [AEL] button performs.  
1. In the REC mode, press [MENU].  
2. Use [4] and [6] to select the “REC” tab.  
3. Use [8] and [2] to select “AE/AF Lock” and then press [6].  
4. Use [8] and [2] to change the setting, and then press [SET] to apply it.  
AE Lock  
Exposure lock  
AF Lock  
Focus lock  
AE/AF Lock  
Exposure and focus lock  
NOTE  
O
• AE Lock and AF Lock are not supported while “  
Area” setting.  
Tracking” is selected for the “AF  
• Performing an EV shift operation while AE Lock is in effect will cause Auto  
Exposure to be unlocked.  
• Performing a zoom operation while AF Lock and AE Lock are in effect will cause  
both of them to become unlocked.  
• AE Lock and AF Lock are not supported during movie recording.  
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Using Continuous Shutter  
To use Continuous Shutter (CS), use  
the mode dial to enter the Continuous  
Shutter mode.  
Flash CS (page 56)  
Normal Speed CS (page 57),  
High Speed CS (page 58)  
Using Flash Continuous Shutter  
This mode will record consecutive images while firing the  
flash.  
• You can select a CS speed of 1 image, 3 images, or  
5 images per second.  
• In this mode, you can specify consecutive recording of  
three to 10 images. Recording will stop if you release  
the shutter button.  
Flash  
1. Set the mode dial to ª (Flash CS).  
2. Press ð (Flash up) to open the flash unit.  
3. Use [8] and [2] to select the third control panel option from the  
bottom (Flash CS fps).  
4. Use [4] and [6] to select the continuous  
Flash Unit CS Speeds  
shutter (CS) speed you want and then press  
[SET].  
* fps (frames per second) is a unit of measurement  
indicating the number of images recorded or played back per second.  
5. Use [8] and [2] to select the second control panel option from the  
bottom (Flash CS Images).  
6. Use [4] and [6] to select the number of flash  
continuous shutter (CS) images you want to shoot  
and then press [SET].  
You can select any one of the following values: 3, 5, 7, or 10.  
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7. Press the shutter button to shoot.  
8. If you keep the shutter button depressed, the camera will shoot the  
number of images you specified. Recording will stop if you release the  
shutter button before the specified number of images is reached.  
9. Save the CS images (page 62).  
IMPORTANT!  
• You cannot use the Triple Self-timer in combination with Flash CS.  
NOTE  
• The back lamp flashes red while the flash is charging. You will not be able to  
perform further Flash CS shooting until charging is complete, which is indicated  
when the back lamp stops flashing and goes out.  
• When shooting with Flash CS, there may be times when a message appears telling  
you to wait, because you have reached the limit of the flash. This is to protect the  
flash from damage. You will be able to resume using flash after the message  
disappears.  
Using Normal Speed Continuous Shutter  
The number of consecutive images you can shoot is theoretically unlimited, as long  
as there is memory available to store them. Also note that the maximum shooting  
speed of Normal Speed CS is limited by the type of memory card you are using and  
the camera setup.  
1. In the REC mode, press [MENU].  
2. Use [4] and [6] to select the “REC” tab.  
3. Use [8] and [2] to select “CS” and then press [6].  
4. Use [8] and [2] to select “Normal Speed CS”, and then press [SET].  
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5. Set the mode dial to Õ (High Speed CS).  
• This will display Z (Normal Speed CS).  
Normal Speed CS icon  
6. Hold down the shutter button to shoot.  
Images continue to be shot as long as you keep the  
shutter button depressed and there is memory  
available to store them. Releasing the shutter button  
stops shooting.  
IMPORTANT!  
• Combining Normal Speed CS images into a CS group (page 105) manually on the  
playback screen is not supported.  
• You cannot specify the number of images shot per second (fps) with Normal Speed  
CS.  
• The number of images per second (fps) of Normal Speed CS varies slightly  
depending on the type of memory card you are using and its current condition  
(remaining capacity, fragmentation state, etc.).  
• You cannot use Normal Speed CS in combination with Prerecord CS.  
• You cannot use the flash with Normal Speed CS.  
• You cannot use the Triple Self-timer in combination with Normal Speed CS.  
Using High Speed CS and Prerecord CS  
With High Speed CS, you can configure the camera to shoot at a speed of 1, 3, 5, 10,  
15, 30, or 40 images per second, as long as you keep the shutter button and there is  
memory available to store the images. With Prerecord CS, half-pressing the shutter  
button starts continual pre-recording of images to a temporary buffer. Then when you  
press the shutter button the rest of the way down, the camera stores what is currently  
in the buffer and starts real-time continuous shutter recording of new images. Real-  
time recording continues until you release the shutter button or until a total of up to 30  
images (buffer images plus new images) are recorded. You can configure Prerecord  
CS to specify how many of the 30 images are recorded in the buffer and how many  
are recorded after you fully press the shutter button. Use Prerecord CS when you  
want to make sure you do not miss fast-moving action.  
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Shutter button half-press  
Shutter button full-press  
Shutter button release  
Recorded images (up to 30 images)  
Continuous recording of images until shutter  
button released*  
Pre-recorded images  
* You can record up to 30 images (pre-recorded buffer images plus real-time images) for  
each Prerecord CS operation.  
• You can specify 5, 10, 20, or 30 as the maximum number of shots for each  
continuous shutter operation.  
• You can specify anywhere from 0.75 seconds up to 30 seconds as the continuous  
shutter shooting time, which is the amount of time of the pre-record buffer plus the  
amount of time that continuous shutter recording is performed after the shutter  
button is pressed all the way. The maximum shooting time depends on the  
selected CS speed. You can select a CS speed in the range of 1 to 40 fps.  
40 images per second  
You can shoot up to 30 images in 0.75 seconds.  
(40 fps)  
One image per second  
You can shoot up to 30 images in 30 seconds.  
(1 fps)  
• You can configure the mode so up to 29 images are pre-recorded to the buffer until  
you fully press the shutter button.  
• The minimum number of pre-recorded buffer images you can specify is one. Total  
recording time depends on the current continuous shutter frames-per-second (fps)  
setting.  
• Specifying zero for the number of pre-recorded images disables Prerecord CS and  
performs High Speed CS only (without pre-recording).  
1. In the REC mode, press [MENU].  
2. Use [4] and [6] to select the “REC” tab.  
3. Use [8] and [2] to select “CS” and then press [6].  
4. Use [8] and [2] to select “High Speed CS”, and then press [SET].  
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5. Set the mode dial to Õ (High Speed CS).  
• This will display Š (High Speed CS).  
High Speed CS icon  
6. Press [SET].  
7. Use [8] and [2] to select the third control  
panel option from the bottom (High Speed CS  
fps).  
8. Use [4] and [6] to select the continuous shutter  
CS speed  
(CS) speed you want and then press [SET].  
Enables specification of the number of  
1 to 40 fps  
CS images recorded per second.  
9. Use [8] and [2] to select the second control  
panel option from the bottom (Max CS shots).  
10. Use [4] and [6] to select the maximum number of shots for each  
continuous shutter operation and then press [SET].  
11. Use [8] and [2] to select the bottom control panel option (Prerecord  
CS shots).  
12. Use [4] and [6] to specify how many of the 30 images and for how  
long images should be pre-recorded in the buffer.  
• Prerecord CS shooting is not performed when the number of buffer images and  
the recording time are both zero.  
Shutter button full-press  
Number of pre-record  
images and pre-record  
time  
Number of remaining images  
and remaining recording time  
after the shutter button full-press  
• You can configure the mode so up to 29 images are pre-recorded to the buffer  
until you fully press the shutter button.  
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13. Press [SET].  
• The approximate number of recordable CS images will appear on the monitor  
screen.  
Number of recordable CS images (If you are not performing Prerecord  
CS, the allowable continuous shutter time also is displayed.)  
Remaining snapshot memory capacity  
14. Half-press the shutter button.  
This will cause the camera to start pre-recording images.  
• The camera will not emit a shutter sound when you half-press the shutter  
button while Prerecord CS is selected.  
• If you release the half-pressed shutter button before pressing it the rest of the  
way down, all of the pre-recorded images currently in the buffer will be deleted.  
15. When you are ready to shoot, press the shutter button the rest of the  
way down.  
This will record the images in the pre-record buffer and start recording new  
images in real-time. Images continue to be shot as long as you keep the shutter  
button depressed.  
16. Real-time shooting will stop when you release the shutter button or  
after the maximum number of shots is reached.  
17. Save the CS images (page 62).  
IMPORTANT!  
• You cannot use the Triple Self-timer in combination with High Speed CS.  
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NOTE  
• Note the following when selecting a High Speed CS speed (fps) setting.  
– Use a higher High Speed CS speed (fps) setting when shooting a fast-moving  
subject.  
– Use a slower High Speed CS speed (fps) setting when shooting a slower-moving  
subject.  
• Note the following when selecting a High Speed CS maximum number of shots  
setting.  
– The greater the number of shots, the longer it takes to save them after shooting  
is complete.  
• Note the following when specifying a Prerecord CS shots setting.  
– A setting that results in a Prerecord CS operation that takes at least 0.3 seconds  
is recommended because there is a minimal lag from about 0.1 seconds to 0.3  
seconds between the point you decide to shoot and the point that the shutter  
button is fully depressed.  
Specifying the Method for Saving Continuous Shutter Images  
You can specify the method to use for saving images recorded with the following  
continuous shutter (CS) modes.  
Flash CS, High Speed CS  
1. In the REC mode, press [MENU].  
2. Use [4] and [6] to select the “REC” tab.  
3. Use [8] and [2] to select “Save CS Images”, and then press [6].  
4. Use [8] and [2] to change the setting.  
Normal (Batch)  
All images that were shot are saved after the continuous shutter operation is  
finished.  
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Select & Save  
After continuous shutter shooting is finished, the shot images are played back  
at slow speed so you can select the images you want to save.  
• When shooting with Prerecord CS, the first image saved when you press the  
shutter all the way is indicated by an “S” mark so you can tell where the  
continuous shutter operation started.  
While the shot images are playing back and an image  
appears that you want to save, press the shutter  
button. Each image that you select by pressing the  
shutter button will have a mark appended to it.  
After selecting all of the images you want to save,  
press [MENU].  
Mark  
1
2
Buttons Used for Image Selection  
During playback, these buttons change the playback direction  
and playback speed.  
[4] [6]  
While playback is paused, these buttons scroll forward or back.  
[SET]  
Toggles between pause and play.  
Shutter  
button  
Press all the way down to select an image for saving.  
Saves the selected images and exits the image select  
operation.  
[MENU]  
Use [8] and [2] to select the save method you want and then press [SET].  
3
Save All  
Save Selected : Saves selected images.  
Back : Returns to image selection.  
Cancel Save : Does not save any of the images.  
: Saves all the images.  
Always Ask  
After continuous shutter shooting is finished, a prompt appears allowing you to  
select Normal (Batch) or Select & Save.  
Select the save method you want to use and then press [SET].  
Save Selected : Saves selected images.  
Save All  
: Saves all the images.  
Cancel Save : Does not save any of the images.  
5. Press [SET] to apply the setting.  
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Continuous Shutter Precautions  
• If there is not enough available capacity on the memory card, you may not be able  
to record the number of CS images indicated on the monitor screen. Make sure  
your memory card has sufficient remaining capacity before shooting with using  
continuous shutter.  
• With continuous shutter, exposure and focus for the first image are applied for  
successive images as well.  
• When using a continuous shutter mode, keep the camera still until shooting is  
finished.  
• In the Continuous Shutter mode except the Flash CS mode, the flash setting  
automatically becomes ? (Flash Off).  
• Zoom is disabled during continuous shutter operations.  
• The following image sizes cannot be selected while shooting with High Speed CS  
or Flash CS: “RAW+”, “10M”, “3:2”, “16:9”. Entering the High Speed CS or Flash  
CS mode while any one of these image sizes is selected will cause the image size  
setting to change to “9M” automatically.  
• The “RAW+” image size setting cannot be selected while shooting with Normal  
Speed CS. Entering the Normal Speed CS mode while the “RAW+” image size is  
selected will cause the image size setting to change to “10M”.  
• The maximum number of images that can be recorded during each High Speed CS  
or Flash CS session is limited, regardless of how much memory card storage  
capacity is available.  
High Speed CS  
Up to 30 images  
Flash CS with flash  
Up to 3 to 10 images  
The number of images will be restricted even further or shooting may be impossible  
when remaining memory card capacity is less than the allowable number of images  
for a particular CS mode.  
• The Triple Self-timer cannot be used in the Normal Speed CS, High Speed CS, and  
Flash CS.  
• The Self-timer cannot be used in the Prerecord CS mode.  
• When the flash is fired for Flash CS, the greater the number of images setting, the  
smaller the flash range (shooting range).  
• With some BEST SHOT scenes, the current mode dial setting is ignored.  
• When using Prerecord CS, if you release the half-pressed shutter button before  
pressing it the rest of the way down, all of the pre-recorded images currently in the  
buffer will be deleted.  
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Recording Movies  
To record a movie  
The following procedure explains how to record a  
standard (STD) movie.  
Mode dial  
See the pages indicated below for more information  
about movies.  
High-definition movie (HD movie): page 67  
High speed movie (HS movie): page 68  
Shutter button  
1. Set the mode dial to ³ (HD/STD).  
2. Press [8].  
3. Use [8] and [2] to select the second control panel option from the top  
(HD/STD switching).  
4. Use [4] and [6] to select “STD” (Standard), and then press [SET].  
x
• Recording is performed with an aspect ratio of 4:3, an image size of 640 480  
pixels, and a frame rate of 30 frames per second (STD Movie). Image size  
setting cannot be changed.  
5. Press the shutter button.  
Remaining recording time  
This will start recording and display Y on the  
monitor screen.  
Movie recording includes monaural audio.  
6. Press the shutter button again to stop  
recording.  
• Each movie can be up to 10 minutes long. Movie  
recording stops automatically after 10 minutes of  
recording. Movie recording also will stop  
Recording time  
automatically if memory becomes full before you  
stop movie recording by pressing the shutter button.  
Minimizing the Effects of Camera Movement during Movie Recording  
You can configure the camera to minimize the effects of camera movement during  
HD and STD movie recording (page 95). Note, however, that this does not prevent  
image blur due to subject movement.  
Recording Movies  
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Audio  
Your camera has a built-in microphone that can be used to record audio (monaural)  
during movie recording.  
. Recording Precautions  
Microphone  
The camera also records audio. Note the following points  
when shooting a movie.  
– Take care that the microphone is not blocked by your  
fingers, etc.  
– Good audio recording results are not possible when the  
camera is too far away from what you are trying to record.  
– Operating camera buttons while shooting can cause button noise to be picked  
up in the audio.  
• When HD/STD” is selected as the movie mode, turning optical zoom on or off also  
turns audio recording on or off. Audio recording is turned off while optical zoom is  
turned on, and turned on while optical zoom is turned off. The optical zoom on/off  
operation is performed using the control panel. Note that lens operation noise may  
be picked up in audio recordings.  
• When shooting with the “HS” movie mode at a frame rate setting of “30-120 fps” or  
“30-240 fps”, audio is recorded only while the camera is shooting at 30 fps. Audio is  
not recorded at any other frame rates.  
NOTE  
• Continuous Auto Focus is performed during movie recording when optical zoom is  
turned on while “HD/STD” is selected as the movie mode, regardless of the current  
Continuous AF setting. If optical zoom is turned off, continuous Auto Focus is not  
performed during movie recording, regardless of the current Continuous AF setting.  
• When HD/STD” is selected as the movie mode and optical zoom is turned off, you  
can readjust focus while movie recording is in progress by half pressing the shutter  
button. Note, however, that noise produced by the lens operation will be picked up  
in the audio recording.  
• Focus is fixed during movie recording when “HS” is selected as the movie mode.  
• Spending a long time using movie recording will cause the camera to become  
slightly warm to the touch. This is normal and does not indicate malfunction.  
• The zoom bar is not displayed while movie recording is in progress.  
• Use of certain types of memory cards slows down data transfer and increases the  
time it takes to record movie data, which can result in movie frames being dropped.  
The Y indicator on the monitor screen turns yellow to indicate that frames are  
being dropped. In order to avoid problems such as these, use of an Ultra High  
Speed Type SD memory card is recommended. Note, however that CASIO makes  
no guarantees about the operation of any Ultra High Speed Type SD memory card  
used with this camera.  
Recording Movies  
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• The effects of camera movement in an image become more pronounced when you  
shoot close up or with a large zoom factor. Because of this, use of a tripod is  
recommended under these conditions.  
• Face Detection is disabled during movie recording.  
• The exposure mode changes to t (Auto) automatically whenever you shoot a  
movie with the “STD” or “HD” movie mode (pages 65, 67).  
• The aperture, shutter speed, and ISO sensitivity settings (M mode only) configured  
with the snapshot A mode, S mode, or M mode are used when shooting a movie  
with the “HS” movie mode (page 68). Note, however, that the shutter speed range  
is limited in accordance with the frame rate specified for the high speed movie.  
• The [AEL] button is disabled (AE lock and AF lock do not function) while “HS” or  
HD/STD” is selected as the movie mode.  
Recording a High-definition Movie  
This camera supports recording of high-definition (HD) movies. The aspect ratio of an  
x
HD movie is 16:9, the image size is 1280 720 pixels, and the frame rate is 30 fps.  
Image quality and image size settings cannot be changed.  
1. Set the mode dial to ³ (HD/STD).  
2. Press [8].  
3. Use [8] and [2] to select the second control panel option from the top  
(HD/STD switching).  
4. Use [4] and [6] to select “HD”, and then press [SET].  
5. Record the movie the same way as you would a normal movie (page  
65).  
Press the shutter button to start and stop recording.  
Recording Movies  
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Recording a High Speed Movie  
This camera supports recording of high speed movies at a maximum speed of  
1000 fps. The aspect ratio of movies recorded with this mode depends on the frame  
rate (recording speed).  
• When shooting with the “HS” movie mode at a frame rate setting of “30-120 fps” or  
“30-240 fps”, audio is recorded only while the camera is shooting at 30 fps. Audio is  
not recorded at any other frame rates.  
1. Set the mode dial to © (HS).  
2. Press [8].  
3. Use [8] and [2] to select the second control panel option from the top  
(HS Speed).  
4. Use [4] and [6] to select the frame rate (recording speed) you want  
and then press [SET].  
A fast frame rate (such as 1000 fps) will result in a smaller image size.  
Frame Rate  
120 fps  
Image Size (Pixels)  
x
640 480  
x
448 336  
240 fps  
x
224 168  
420 fps  
* fps (frames per second) is  
a unit of measurement  
indicating the number of  
images recorded or  
x
224 64  
1000 fps  
30-120 fps  
30-240 fps  
x
640 480  
x
448 336  
played back per second.  
5. Record the movie the same way as you would a normal movie (page  
65).  
Press the shutter button to start and stop recording.  
• When “30-120 fps” or “30-240 fps” is selected as the frame rate, recording  
always starts with a frame rate of 30 fps. You can switch the frame rate  
between 30 fps and 120 fps or between 30 fps and 240 fps only while recording  
is in progress. Audio is recorded only while shooting at a 30 fps. Use [4] and  
[6] or press [SET] to switch speeds.  
Recording Movies  
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NOTE  
• The higher the frame rate (speed), the more lighting is required when shooting.  
When shooting a high speed movie, shoot in a well-lit environment.  
• When recording certain types of movies, the image that appears on the monitor  
screen may be smaller than normal. When recording a high speed movie, there are  
black bands along the top, bottom, left, and right of the screen.  
• When recording a high speed movie, light source flicker can cause horizontal  
bands to appear in the image. This does not indicate malfunction of the camera.  
• During high speed movie recording, Auto Focus and exposure remain fixed at the  
levels they were when you initially started recording. Zoom and monitor screen  
content switching are all disabled.  
• To focus the image, half-press the shutter button for Auto Focus or focus manually  
before starting the high speed movie recording operation.  
• When recording a high speed movie, you can record movies with the A (Aperture  
Priority) mode, S (Shutter Speed Priority) mode, or M (Manual Exposure) mode  
(page 36). Note, however, that you cannot set a shutter speed that is slower than  
the high speed movie frame rate.  
Using Prerecord Movie (Prerecord (Movie))  
With this feature, the camera pre-records up to five seconds of whatever is happening  
in front of the lens in a buffer that is continually updated. Pressing [0] saves the  
pre-recorded action (buffer contents) followed by real-time recording. Real-time  
recording continues until you stop it. Prerecord Movie can be used when shooting a  
standard (STD) movie, a high-definition (HD) movie, or a high speed (HS) movie.  
• When using Prerecord Movie in combination with high speed movie, the buffer will  
store two seconds of pre-recording instead of the usual five.  
[0]  
[0]  
Movie  
Real-time recording start  
Real-time recording end  
5-second prerecorded part (from the buffer)  
* Approximately two seconds for high speed movie  
Recording Movies  
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. To set up the camera to shoot with Prerecord Movie  
1. In the REC mode, set the mode dial to ³ (HD/STD) or © (HS).  
Select the movie mode you want to use.  
2. Press [8].  
3. Use [8] and [2] to select the third control panel option from the  
bottom (Prerecord (Movie)).  
4. Use [4] and [6] to select “Prerecord (Movie): On” and then press  
[SET].  
This causes (Prerecord (Movie)) to appear on the monitor screen, indicating  
that the camera is prerecording to its buffer.  
To turn off Prerecord (Movie), select “Prerecord (Movie): Off”.  
. To shoot a Prerecord Movie  
1. With the camera pointed at the subject, half-press and hold the shutter  
button.  
Movie images will be pre-recorded to the five-second buffer only while the shutter  
button is maintained in the half-press position.  
• When using Prerecord Movie in combination with high speed movie, the buffer  
will store two seconds of pre-recording instead of the usual five.  
• If you release the half-pressed shutter button before pressing it the rest of the  
way down, all of the pre-recorded images currently in the buffer will be deleted.  
2. When you are ready to start real-time recording, press the shutter  
button the rest of the way down.  
3. Press the shutter button again to stop recording.  
• When shooting with the high speed movie “30-120 fps” and “30-240 fps”  
setting, you cannot change the speed (fps) setting when recording while the  
shutter button is half-pressed (while recording to the buffer). You can change  
the speed (fps) setting after you press the shutter button all the way down to  
start real-time recording.  
NOTE  
• Focus is locked while the shutter button is half-pressed when Prerecord (Movie) is  
turned on and optical zoom is turned off, or when Prerecord (Movie) is turned off.  
Recording Movies  
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Recording a Movie for YouTube (YouTube)  
The YouTube mode records movies in a format that is optimal for uploading to the  
YouTube movie site, which is operated by YouTube, LLC. “YouTube” can be used  
when shooting a standard (STD) movie, a high-definition (HD) movie, or a high speed  
(HS) movie.  
³
1. Set the mode dial to  
(HD/STD) or © (HS).  
Select the movie mode you want to use.  
2. Press [8].  
3. Use [8] and [2] to select the second control panel option from the  
bottom (YouTube).  
4. Use [4] and [6] to select “YouTube: On” and then press [SET].  
5. Record the movie.  
The movie file will be stored in a camera folder named “100YOUTB”.  
• Installing YouTube Uploader for CASIO from the CD-ROM that comes with  
your camera simplifies uploading of movie files you recorded with the YouTube  
Mode to YouTube (page 137).  
NOTE  
• Movies recorded with the YouTube mode are stored in a special folder to make  
them easy to locate for uploading (page 146). “YouTube” movies are shot using the  
image size, recording speed, and quality settings configured in the Movie Mode  
• To focus before starting to record a movie with the “YouTube” mode, use manual  
focus. After focusing, start recording.  
Recording Movies  
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Turning Optical Zoom On or Off (Optical Zoom)  
You can use the following procedure to turn optical zoom (page 50) on or off while  
HD/STD” is selected as the movie mode.  
³
1. Set the mode dial to  
2. Press [8].  
(HD/STD).  
3. Use [8] and [2] to select the fourth control panel option from the  
bottom (Optical Zoom).  
4. Use [4] and [6] to select the setting you want and then press [SET].  
Optical Zoom: On/Record: Off  
Enables optical zoom and disables audio recording. Continuous AF is  
always performed during recording.  
Optical Zoom: Off/Record: On  
Disables optical zoom and enables audio recording. Continuous AF is  
never performed during recording. You can readjust focus while recording  
is in progress by half pressing the shutter button, but doing so will cause  
noise produced by the lens operation to be picked up in the audio.  
• The Ú (Zoom Disabled) icon is displayed while this setting is selected.  
NOTE  
• Optical zoom operation while recording is disabled when “HS” is selected as the  
movie mode.  
• Regardless of the above setting, optical zoom operation prior to recording is  
supported when either “HS” or “HD/STD” is selected as the movie mode.  
• Optical zoom is disabled when Á (Super Macro) is selected as the focus mode.  
• The zoom bar is not displayed while movie recording is in progress.  
Recording Movies  
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Using BEST SHOT  
What is BEST SHOT?  
BEST SHOT provides you with a collection of sample “scenes” that show a variety of  
different types of shooting conditions. When you need to change the setup of the  
camera, simply find the scene that matches what you are trying to achieve, and the  
camera sets up for it automatically. This helps to minimize the chance of ruined  
images due to poor exposure and shutter speed settings.  
Some Sample Scenes  
High Speed  
Night Scene  
High Speed Night  
Scene and Portrait  
Portrait  
Scenery  
To shoot with BEST SHOT  
1. In the REC mode, press [BS].  
Currently selected scene  
(with boundary)  
This will display a menu of BEST  
SHOT scenes.  
2. Use [8], [2], [4], and [6] to  
move the boundary to the  
scene you want to select.  
• The scene menu has multiple  
pages. Use [8] and [2] to  
scroll between menu pages.  
• You can access information  
about the currently selected  
scene. See page 74 for details.  
[BS]  
Scene name  
Scene number  
3. Press [SET] to configure the camera with the settings for the currently  
selected scene.  
This returns to the REC mode.  
• The settings of the scene you selected remain in effect until you select a  
different scene.  
• To select a different BEST SHOT scene, repeat the above procedure from  
step 1.  
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4. Press the shutter button to start shooting.  
. Using the Scene Information Screen  
To find out more about a scene, select it with the boundary  
on the scene menu and then slide the zoom controller in  
either direction.  
• To return to the scene menu, slide the zoom controller  
again.  
• To scroll between scenes, use [4] and [6].  
• To configure the camera with the settings for the currently  
selected scene, press [SET]. Pressing [BS] again will display text that explains the  
settings configured by the selected scene.  
. BEST SHOT Precautions  
• BEST SHOT scene images were not shot using this camera.  
• Images shot using a BEST SHOT scene may not produce the results you expected  
due to shooting conditions and other factors.  
• You can modify the camera settings that are configured after you select a BEST  
SHOT scene. Note, however, that the BEST SHOT settings revert to their defaults  
when you select another BEST SHOT scene or turn off the camera.  
• The mode dial’s settings are ignored when some BEST SHOT scenes are  
selected.  
• The “RAW+”, “10M”, “3:2”, “16:9” image sizes cannot be selected while shooting  
with some BEST SHOT scenes.* Selecting some BEST SHOT scenes* while any  
one of these image sizes is selected will cause the image size setting to change to  
“9M” automatically.  
* “High Speed Anti Shake”, “High Speed Night Scene”, “High Speed Night Scene  
and Portrait”, “Move Out CS”, “Move In CS”, “Multi-motion Image”, “High Speed  
Best Selection”, “Lag Correction”, “High Speed Lighting”, “Expression CS”,  
“Baby CS”, “Child CS”, “Pet CS”, “Sports CS”  
• The self-timer is disabled when some BEST SHOT scenes are being used.  
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Creating Your Own BEST SHOT Setups  
You can save up to 999 camera setups as user BEST SHOT scenes for instant recall  
whenever you need them.  
1. On the BEST SHOT scene menu, select the scene named BEST SHOT  
(Register User Scene).  
2. Use [4] and [6] to select the snapshot whose setup you want to save.  
3. Use [8] and [2] to select “Save”, and then press [SET].  
Your BEST SHOT scene will be assigned the name “Recall User Scene”, along  
with a scene number.  
NOTE  
• You can create BEST SHOT setup for snapshots only. You cannot create a movie  
BEST SHOT setup.  
• You can check the settings of the currently selected BEST SHOT scene by  
displaying the camera’s setting menus and looking at its settings.  
• User snapshot scenes are assigned numbers in the sequence: U1, U2, and so on.  
• The following are the settings that are saved for each user snapshot BEST SHOT  
scene.  
Face Detection, Focus, EV Shift, White Balance, Flash, ISO, Metering, Lighting,  
Flash Intensity, Color Filter, Sharpness, Saturation, Contrast  
• User BEST SHOT scenes are stored in built-in memory (page 146) in the SCENE  
folder (snapshots).  
• Formatting the camera’s built-in memory (page 157) deletes all user BEST SHOT  
scenes.  
• Use the following procedure when you want to delete a user BEST SHOT scene.  
Display the information screen (page 74) of the user BEST SHOT scene you  
want to delete.  
1
Press [2] (  
), select “Delete”, and then press [SET].  
2
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75  
 
Shooting with High Speed Night Scene  
(High Speed Night Scene/High Speed Night Scene and  
Portrait)  
With High Speed Night Scene and High Speed Night Scene and Portrait, the camera  
detects automatically whether it is being hand-held or on a tripod. If the camera  
detects it is being hand-held, pressing the shutter button will record a series of  
images and combine them in a way that minimizes image blur due to low light  
conditions. If the camera detects it is on a tripod, it will shoot a single image using a  
longer exposure time (instead of shooting and combining multiple images), which  
results in an even clearer image. The flash is always disabled while “High Speed  
Night Scene” is selected. If the night scene image you are shooting includes people,  
use the “High Speed Night Scene and Portrait” BEST SHOT scene. The flash mode  
setting becomes > (Auto Flash) when shooting with “High Speed Night Scene and  
Portrait”.  
1. In the REC mode, press [BS].  
2. Select “High Speed Night Scene” or “High Speed Night Scene and  
Portrait” and then press [SET].  
3. When you are ready to shoot, press the shutter button.  
• After you press the shutter button, the message “Busy... Please wait...” will  
appear on the monitor screen to indicate that recording is in progress. Keep the  
camera still while this message is displayed. The recording process takes  
some time to complete after the message appears.  
NOTE  
• When holding the camera by hand while shooting with these BEST SHOT scenes,  
make sure that the subjects remain as still as possible as the camera shoots the  
series of images.  
• The current mode dial setting is ignored when recording with this BEST SHOT  
scene.  
• Shooting with this BEST SHOT scene makes the shooting range narrower than  
normal.  
• Movement while the camera is mounted on a tripod may cause the camera to  
erroneously judge it is being hand held.  
• For handheld shooting under very dark conditions, this BEST SHOT scene may not  
be able to produce the exposure level required for a clear image. Use of a tripod  
under very dark conditions is recommended.  
• When shooting with these BEST SHOT scenes, the “ISO Sensitivity” setting is fixed  
at “AUTO”.  
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76  
 
Shooting with High Speed Anti Shake  
(High Speed Anti Shake)  
When you press the shutter button while High Speed Anti Shake is enabled, the  
camera records multiple images and automatically combines them in a way that  
produces a final image with minimal blur. You can shoot with this feature to minimize  
the effects of camera movement when shooting with optical anti shake does not  
produce the desired results.  
1. In the REC mode, press [BS].  
2. Select “High Speed Anti Shake” and then press [SET].  
3. When you are ready to shoot, press the shutter button.  
• After you press the shutter button, the message “Busy... Please wait...” will  
appear on the monitor screen to indicate that recording is in progress. Keep the  
camera still while this message is displayed. The recording process takes  
some time to complete after the message appears.  
NOTE  
• The current mode dial setting is ignored when recording with this BEST SHOT  
scene.  
• With this BEST SHOT scene, the flash setting automatically becomes ? (Flash  
Off).  
• Shooting with this BEST SHOT scene makes the shooting range narrower than  
normal.  
• High Speed Anti Shake will not operate correctly while the camera is mounted on a  
tripod.  
• High Speed Anti Shake may not operate properly resulting in blurred images if the  
camera is moved more than the allowable range or if the subject moves during  
shooting.  
• When shooting with this BEST SHOT scene, the “ISO Sensitivity” setting is fixed at  
“AUTO”.  
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Digitally Correcting for Overexposure and Underexposure  
(High Speed Lighting)  
This BEST SHOT scene shoots a series of CS images using different exposure  
settings and combines them into a final image to correct for overexposure or  
underexposure of subjects of differing brightness.  
1. In the REC mode, press [BS].  
2. Select “High Speed Lighting” and then press [SET].  
3. Press the shutter button to shoot.  
After you press the shutter button, the message “Busy... Please wait...” will  
appear on the monitor screen to indicate that recording is in progress. Keep the  
camera still while this message is displayed. The recording process takes some  
time to complete after the message appears.  
NOTE  
• The current mode dial setting is ignored when recording with this BEST SHOT  
scene.  
?
• With this BEST SHOT scene, the flash setting automatically becomes  
Off).  
(Flash  
• Shooting with this BEST SHOT scene makes the shooting range narrower than  
normal.  
• With this BEST SHOT scene, proper image combination will not be possible if a  
subject is moving during shooting.  
• With this BEST SHOT scene, the current Lighting setting (page 102) is ignored.  
• When shooting with this BEST SHOT scene, you will not be able to change the EV  
shift (exposure compensation) setting.  
• Depending on shooting conditions and image composition, this BEST SHOT scene  
may not be able to produce the desired result.  
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78  
 
Configuring the Camera to Help You Better Time Your Shots  
(Lag Correction)  
There always is some unavoidable time lag between the point you press the shutter  
button and the point that the image is actually recorded. The “Lag Correction” feature  
lets you configure the camera to lessen or even eliminate this lag to help you better  
time your shots and get exactly the moment you want. With “Lag Correction”, you  
half-press the shutter button and compose the image you want to shoot. Then when  
you full-press the shutter button, the camera pre-records a total of five images,  
including four images of action that happened before you fully pressed the shutter  
button. After that, you can view the images on the monitor screen and select the one  
you want to keep.  
1. In the REC mode, press [BS].  
2. Select “Lag Correction” and then press [SET].  
3. With the camera pointed at the subject, half-press and hold the shutter  
button.  
The camera will start pre-recording images at this time.  
• If you release the half-pressed shutter button before pressing it the rest of the  
way down, all of the pre-recorded images currently in the buffer will be deleted.  
4. When you are ready to shoot, press the shutter button all the way  
down.  
After pre-recording is complete, one of the five images will appear on the monitor  
screen for about three seconds.  
5. If you want to view all five of the pre-recorded images, press [SET]  
within about three seconds after a recorded image appears on the  
monitor screen.  
• If you do not press [SET] within three seconds, the image displayed in step 4  
will be saved automatically as the final image.  
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6. Use [4] and [6] to scroll through the pre-recorded images on the  
monitor screen.  
Use [4] and [6] to scroll through the pre-recorded images. Each image appears,  
along with an indication of the timing when it was pre-recorded.  
–0.4 sec.  
–0.3 sec.  
–0.2 sec.  
–0.1 sec.  
SHUTTER  
(Full-press)  
(0.4*)  
(0.3*)  
(0.2*)  
(0.1*)  
* Seconds prior to full-press of shutter button.  
• The timing of the image you select here will be the timing of the image  
displayed first in step 4 the next time you perform the above procedure. If you  
select the image that was pre-recorded 0.3 seconds prior to full-press of the  
shutter button, for example, the –0.3-second image will be displayed in step 4  
the next time you perform the above procedure.  
7. To save the currently displayed image as the final images, press [SET].  
NOTE  
• The current mode dial setting is ignored when recording with this BEST SHOT  
scene.  
?
• With this BEST SHOT scene, the flash setting automatically becomes  
Off).  
(Flash  
• Shooting with this BEST SHOT scene makes the shooting range narrower than  
normal.  
• The Self-timer cannot be used with this BEST SHOT scene.  
• With this BEST SHOT scene, half-pressing the shutter button fixes focus and  
exposure at their current levels.  
• With this BEST SHOT scene, image recording will not be successful if you  
full-press the shutter button without allowing enough time (at least 0.4 seconds)  
after half-pressing it.  
• Pay close attention to the subject when shooting. Failure to do so can cause  
considerable lag from the instant you want to shoot until you actually full-press the  
shutter button. This can cause image recording to be too late, even if you use this  
function.  
• The current “Review” setting (page 100) is ignored when shooting with this  
function. Immediately after you full-press the shutter button, one of the five  
pre-recorded images will appear on the display as in step 4 of the above  
procedure.  
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80  
Isolating Moving Subjects (Multi-motion image)  
Multi-motion image can be used to isolate a moving subject  
within a series of multiple images and place them against a  
stationary background. Use a tripod or some other means to  
make sure that the camera is not moving or shaking when  
shooting with Multi-motion image.  
Basic Multi-motion image Procedure  
1. In the REC mode, press [BS].  
2. Select “Multi-motion Image” and then press [SET].  
3. Hold down the shutter button to record.  
4. Release the shutter button.  
Continuous Shutter shooting will stop and the resulting composite image will  
appear on the monitor screen.  
• The above procedure shoots multiple images and combines them  
automatically into a final image. Do not move the camera until shooting is  
complete.  
• You can configure the maximum number of CS shots, the CS fps, and  
Prerecord CS shots settings the same way as you configure the High Speed  
CS setting (page 58). Note, however, that the maximum number of CS shots  
for “Multi-motion Image” is 28 instead of 30.  
NOTE  
• The current mode dial setting is ignored when recording with this BEST SHOT  
scene.  
• With this BEST SHOT scene, the flash setting automatically becomes ? (Flash  
Off).  
• Shooting with this BEST SHOT scene makes the shooting range narrower than  
normal.  
• The Self-timer cannot be used with this BEST SHOT scene.  
• Shooting with “Multi-motion Image” assumes that the subject is moving and  
changing positions. Trying to use it to shoot a subject that is moving while  
maintaining the same location (such as a golf swing, a baseball swing, etc.) will  
cause an error message to appear on the monitor screen and failure of image  
recording, or will produce an image in which the shots of the subject are arranged  
incorrectly.  
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• Multi-motion will not operate correctly if you shake or move the camera along with  
the movement of the subject.  
• If an error message appears on the monitor screen, either secure the camera so it  
does not move or shoot against a different type of background.  
• If not enough CS images are recorded, an error will be displayed before the  
camera starts to place the isolated subject onto the stationary background. This  
can be caused if you release the shutter button too soon when recording the  
moving subject. Keep the shutter button fully depressed long enough to allow  
recording of more images.  
• Choose a shooting angle so the colors, shapes, and patterns of the moving subject  
and the background are as different as possible.  
• Avoid a shooting angle where the background is monotone or mono-pattern (such  
as a clear blue sky).  
• The camera may not be able to compose the final image if the intervals between  
movements are so narrow the subject shots overlap. If this happens, increase the  
interval by using the control panel to select a slower “High Speed CS fps” setting  
Shooting with Priority on Subject Faces  
(High Speed Best Selection)  
With High Speed Best Selection, the camera automatically shoots a series of images,  
and selects the best one based on facial image blur, and facial expression (whether  
the subject is smiling or blinking).  
1. In the REC mode, press [BS].  
2. Select “High Speed Best Selection” and then press [SET].  
3. Press the shutter button to shoot.  
• This will cause the message “Busy... Please wait...” to appear. Do not move  
the camera while this message is displayed. The recording process takes  
some time to complete after the message appears.  
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NOTE  
• The current mode dial setting is ignored when recording with this BEST SHOT  
scene.  
?
• With this BEST SHOT scene, the flash setting automatically becomes  
Off).  
(Flash  
• Shooting with this BEST SHOT scene makes the shooting range narrower than  
normal.  
• The triple Self-timer cannot be used with this BEST SHOT scene.  
• This BEST SHOT scene saves only a single final image.  
• If one or more of the faces are blurred in all of the images that are shot, they will be  
blurred in the final image as well.  
• The following conditions may make it impossible for the camera to determine if the  
subject is blinking or smiling. This may result in a final image in which the subject is  
blinking or not smiling.  
– Faces that are partially or completely darkened by shadows, etc.  
– Hair that is hiding or near the eyes  
– Eye glasses  
– Small faces  
– Faces that are not looking directly at the camera  
• Shooting a large group of people will cause processing of the image after shooting  
to take longer.  
Shooting an Image in Accordance with Subject Movement  
(Move Out CS/Move In CS)  
You can use these features to shoot an image automatically whenever the subject  
moves into or moves out of a frame on the monitor screen. You also can configure the  
camera to record images of what happened immediately before and after the subject  
moves.  
Automatically records what happened immediately before and  
Move Out CS  
Move In CS  
after the subject moves outside of a boundary on the monitor  
screen.  
Automatically records what happened immediately before and  
after the subject moves into a boundary on the monitor screen.  
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. To setup the camera  
1. In the REC mode, press [BS].  
2. Select “Move Out CS” or “Move In CS” and then press [SET].  
3. Press [SET].  
4. Configure the boundary location and size  
settings.  
[8] [2] [4] [6] Moves the boundary.  
Zoom controller Resizes the boundary.  
5. Press [SET].  
Boundary  
• If you want to reconfigure the settings, start again  
from step 3.  
6. Press [2].  
7. Use [8] and [2] to select the third control panel option from the  
bottom (High Speed CS fps).  
8. Use [4] and [6] to select the continuous shutter  
CS speed  
(CS) speed you want and then press [SET].  
Enables specification of the number of  
1 to 40 fps  
CS images recorded per second.  
9. Use [8] and [2] to select the second control  
panel option from the bottom (Max CS shots).  
10. Use [4] and [6] to select the maximum number of shots for each  
continuous shutter operation and then press [SET].  
11. Use [8] and [2] to select the bottom control panel option (Prerecord  
CS shots).  
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12. Use [4] and [6] to specify how many of the 30 images and for how  
long images should be pre-recorded in the buffer.  
• You cannot set a value of “0” for the number of Prerecord CS buffer images.  
Shutter button full-press  
Number of pre-record  
images and pre-record  
time  
Number of remaining images  
and remaining recording time  
after the shutter button full-press  
13. Press [SET].  
Number of recordable CS  
images  
• The approximate number of recordable  
CS images will appear on the monitor  
screen.  
Remaining snapshot  
memory capacity  
14. Use [8] and [2] to select the fourth control panel option from the  
bottom (Trigger Sense).  
15. Use [4] and [6] to select the subject movement sensitivity, and then  
press [SET].  
• You can select any one of three sensitivity levels: “High”, “Normal”, or “Low”.  
• Move Out CS Setting Guide  
High : For a subject that moves out of the boundary quickly  
Low : For a subject that moves out of the boundary slowly  
• Move In CS Setting Guide  
High : For a subject that moves into the boundary quickly or for a small subject  
(relative to the boundary)  
Low : For a subject that moves into the boundary slowly or for a large subject  
(relative to the boundary)  
. To shoot using Move Out CS  
1. Compose the image so the subject is within the boundary on the  
monitor screen.  
2. Half-press the shutter button.  
• The camera will adjust exposure and focus automatically.  
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3. When the boundary on the monitor screen turns  
green, press the shutter button the rest of the  
way down.  
At this time the camera will go into recording standby  
and start pre-recording images and storing them in a  
buffer, in accordance with the Prerecord CS shots  
setting you configured in step 11 under “To setup the  
camera” on page 84. After the buffer becomes full, new images keep being added  
while older images are continually being deleted.  
The camera will start saving images automatically the moment it detects that the  
subject has moved out of the boundary.  
• “0 AUTO” flashes on the monitor screen during recording standby and auto  
recording.  
4. Image recording will continue until the end of the recording time is  
reached.  
• While the camera is in Move Out CS recording standby, you can cancel  
standby by pressing the shutter button all the way down. You then will be able  
to shoot images normally.  
• To stop an ongoing real-time recording operation, press [SET].  
5. Save the CS images (page 62).  
. To shoot using Move In CS  
1. Compose the image at a location where you expect the subject to enter  
the boundary on the monitor screen.  
2. Half-press the shutter button.  
• The camera will adjust exposure and focus automatically.  
• In this case, use of manual focus (page 53) to preset a fixed focus is  
recommended.  
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3. When the boundary on the monitor screen turns  
green, press the shutter button the rest of the  
way down.  
At this time the camera will go into recording standby  
and start pre-recording images and storing them in a  
buffer, in accordance with the Prerecord CS shots  
setting you configured in step 11 under “To setup the  
camera” on page 84. After the buffer becomes full, new  
images keep being added while older images are  
continually being deleted.  
Boundary  
The camera will start saving images to memory automatically the moment it  
detects the subject has moved into the area within the boundary.  
• “0 AUTO” flashes on the monitor screen during recording standby and auto  
recording.  
4. Image recording will continue until the end of the recording time is  
reached.  
• While the camera is in Move In CS recording standby, you can cancel standby  
by pressing the shutter button all the way down. You then will be able to shoot  
images normally.  
• To stop an ongoing real-time recording operation, press [SET].  
5. Save the CS images (page 62).  
NOTE  
• Compose the image so the entire subject and its background are within the  
boundary. Recording may not be performed correctly if there is little difference  
between the subject and the part of the background enclosed by the boundary.  
Also, Move Out CS may not record correctly if the subject is not in the center of the  
boundary.  
• Move In CS and Move Out CS do not operate correctly if you press the shutter  
button all the way down. Be sure to half-press the shutter button. After images are  
pre-recorded, press the shutter button the rest of the way down.  
• After pressing the shutter button all the way to put the camera into record standby,  
keep the camera still. Recording may not be performed correctly if you move the  
camera during record standby.  
• The current mode dial settings are ignored when shooting with this BEST SHOT  
scene.  
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• The sleep mode and Auto Power Off are disabled while the camera is in record  
standby.  
• The camera may not start recording automatically or camera power may turn off  
when battery power is low. Always make sure that the batteries are sufficiently  
charged or use the optional AC adaptor before using these features.  
• To save all of the continuous shutter images, select “Save All” (page 62) as the  
continuous shutter image save method. If you do, make sure that the memory card  
loaded in the camera has enough free space to store them.  
• Zoom is disabled, and focus and exposure are fixed while the camera is in  
recording standby.  
• The Self-timer cannot be used with this BEST SHOT scene.  
Using the Situation-specific CS Scenes  
The High Speed CS capabilities provide you with a variety of BEST SHOT options to  
suite exactly the type of image you are trying to record. Images continue to be shot as  
long as you keep the shutter button depressed, with the shooting speed optimized  
according to the BEST SHOT scene you are using.  
Prerecord CS (page 58) pre-records images when you half-press the shutter button.  
Then when you press the shutter button the rest of the way down, the camera stores  
what is currently in the buffer and starts real-time continuous shutter shooting of new  
images. Shooting continues until you release the shutter button or until a total of up to  
30 images (buffer images plus new images) are shot. Some of the 30 images are of  
action that occurred before you full-pressed the shutter button and some are after.  
This helps to ensure you capture exactly the moment you want, even if your timing is  
slightly off.  
Shutter button release  
Shutter button full-press  
Shutter button half-press  
Recorded images (up to 30 images)  
Continuous recording of images until shutter  
button released*  
Pre-recorded images  
* You can record up to 30 images (pre-recorded buffer images plus real-time images) for  
each Prerecord CS operation.  
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1. In the REC mode, press [BS].  
2. Select the BEST SHOT scene you want to use and then press [SET].  
The following are the settings for each BEST SHOT scene.  
Scene Name  
Expression CS  
Baby CS  
CS fps  
3 fps  
Maximum CS Shots Pre-recorded Shots  
10 (3.3 seconds)  
10 (2 seconds)  
20 (2 seconds)  
30 (2 seconds)  
30 (1 second)  
3 (1 second)  
3 (0.6 seconds)  
5 (0.5 seconds)  
5 (0.3 seconds)  
10 (0.3 seconds)  
5 fps  
Child CS  
10 fps  
15 fps  
30 fps  
Pet CS  
Sports CS  
* You can change the above settings if you want. See page 58 for details.  
Selecting one of these BEST SHOT scenes will enable High Speed CS as the  
initial default. Though you could change the CS setting to Normal Speed CS, it  
is recommended that you leave it set as High Speed CS.  
3. Half-press and hold the shutter button to start pre-recording of images.  
A preset number of images are pre-recorded. The pre-recorded images are  
continually updated until you full-press the shutter button.  
• If you release the half-pressed shutter button before pressing it the rest of the  
way down, all of the pre-recorded images currently in the buffer will be deleted.  
• The camera will not emit shutter sounds as it pre-records images.  
4. Press the shutter button the rest of the way down.  
This will save the pre-recorded images and start shooting new images in real-  
time. Images continue to be shot as long as you keep the shutter button  
depressed.  
5. Shooting will stop when you release the shutter button or after the  
maximum number of shots is reached.  
6. Save the CS images (page 62).  
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NOTE  
C
• Except for  
(Flash CS), the current mode dial setting is ignored and the camera  
enters the CS mode when shooting with these BEST SHOT scenes. The Flash CS  
C
mode is enabled only when the mode dial is set to  
(Flash CS). In this case, the  
camera uses the “Flash CS fps” and “Flash CS Images” settings that were  
configured for the Flash CS settings before the BEST SHOT scene was selected  
(page 56). Note, however, that the A, S, and M exposure modes cannot be used.  
• The current “CS” setting (“High Speed CS” or “Normal Speed CS”) is applied.  
Precautions and control panel operations are the same as those that apply to High  
Speed CS (page 58) and Normal Speed CS (page 57).  
• When using High Speed CS, Prerecord CS (pre-recording of images before the  
shutter button is full-pressed) is not performed if you full-press the shutter button  
without half-pressing first. Whenever possible, be sure to half-press the shutter  
button, compose the image, and then full-press the shutter button.  
Using the Situation-specific High Speed Movie Scenes  
The High Speed Movie capabilities of the camera provide you with a variety of BEST  
SHOT options to suite exactly the type of image you are trying to record.  
1. In the REC mode, press [BS].  
2. Select the BEST SHOT scene you want to use and then press [SET].  
Scene Name  
Frame Rate  
120 fps  
Child High Speed Movie  
Pet High Speed Movie  
Sports High Speed Movie  
240 fps  
420 fps  
• You also can change the frame rate, if you want (page 68).  
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3. Record the movie the same way as you would a normal movie (page  
65).  
Press the shutter button to start and stop recording.  
• When “30-120 fps” or “30-240 fps” is selected as the frame rate, recording  
always starts with a frame rate of 30 fps. You can switch the frame rate  
between 30 fps and 120 fps or between 30 fps and 240 fps only while recording  
is in progress. Audio is recorded only while shooting at a 30 fps. Use [4] and  
[6] or press [SET] to switch speeds.  
NOTE  
• The current mode dial setting is ignored and the camera enters the High Speed  
Movie mode when shooting with these BEST SHOT scenes. Precautions and the  
shooting procedure are the same as those for High Speed Movie recording (page  
68), except that the following functions are disabled.  
A, S, M exposure mode settings  
– Prerecord Movie  
– YouTube movie recording  
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Advanced Settings  
The following are menu operations you can use to configure various camera settings.  
Using On-screen Menus  
. Example Menu Screen Operation  
Press [MENU] to display the menu screen.  
• Menu contents are different in the REC mode and PLAY mode.  
Example: REC mode menu  
[8] [2] [4] [6]  
[MENU]  
Menu Screen Operation Buttons  
[SET]  
Selects tabs. [6] is also used to display the options available for a  
setting.  
[4] [6]  
[8] [2]  
[SET]  
Selects a setting option.  
Registers the selected setting.  
Exits the menu screen.  
[MENU]  
1. In the REC mode, press [MENU].  
This will display the menu screen.  
2. Use [4] and [6] to select the tab where the item you want to configure  
is located.  
Advanced Settings  
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3. Use [8] and [2] to select the menu item you  
want, and then press [6].  
Example:  
When “Self-timer” is  
selected on the “REC” tab  
4. Use [8] and [2] to change the setting.  
Tabs  
5. After the setting is the way you want, press  
[SET].  
• Pressing [4] registers the selected setting and  
returns to the menu.  
• To configure settings on another tab after  
pressing [4] to return to the menu, use [8] to  
move the highlighting up to the tabs, and then  
use [4] and [6] to select the tab you want.  
Items  
. Menu Operations in This Manual  
Menu operations are represented in this manual as shown below. The following  
operation is the same as the one described under “Example Menu Screen Operation”  
Use [4] and [6] to select the “REC” tab.  
Procedure  
[r] (REC)  
*
[MENU]  
*
REC Tab  
*
Self-timer  
Press  
[r] (REC).  
Press  
[MENU].  
Use [8] and [2] to select “Self-timer” and  
then press [6].  
Advanced Settings  
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REC Mode Settings (REC)  
Using the Self-timer (Self-timer)  
Procedure  
[r] (REC) *[MENU] * REC Tab * Self-timer  
With the Self-timer, pressing the shutter button starts a timer. The shutter is released  
and the image is shot after a fixed amount of time.  
10 sec 10-second Self-timer  
2-second Self-timer  
• When shooting under conditions that slow down the shutter speed,  
you can use this setting to prevent image blur due to camera  
movement.  
2 sec  
Shoots three images: one image 10 seconds after the shutter button  
is pressed, and the next two images as soon as the camera is ready  
after shooting the previous image. How long it takes for the camera to  
get ready to shoot depends on the image size and quality settings,  
whether or not a memory card is loaded in the camera, and the flash  
charge condition.  
(Triple  
Self-timer)  
X3  
Off  
Self-timer is disabled.  
• The front lamp flashes while the Self-timer countdown is  
in progress.  
Front lamp  
• You can interrupt an ongoing Self-timer countdown by  
pressing [SET].  
NOTE  
• The Self-timer cannot be used together with the following features.  
High Speed CS with Prerecord CS, movie recording with Prerecord (Movie), some  
BEST SHOT scenes (Move Out CS, Move In CS, Multi-motion Image, Lag  
Correction)  
• The Triple Self-timer cannot be used together with the following features.  
High Speed CS, Normal Speed CS, Flash CS, Movie, some BEST SHOT scenes  
(Expression CS, Baby CS, Child CS, Pet CS, Sports CS, High Speed Best  
Selection)  
Advanced Settings  
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Using the Auto Focus Assist Light (AF Assist Light)  
Procedure  
[r] (REC) * [MENU] * REC Tab * AF Assist Light  
Half-pressing the shutter button while this setting is  
selected causes the front lamp to light, which provides  
illumination for focusing in areas where lighting is dim.  
Leaving this function turned off is recommended when  
shooting portraits from short distances, etc.  
Front lamp  
IMPORTANT!  
• Never look directly into the front lamp while it is lit.  
• Make sure your finger is not covering the front lamp.  
Reducing the Effects of Camera and Subject Movement  
(Anti Shake)  
Procedure  
[r] (REC) * [MENU] * REC Tab * Anti Shake  
You can turn on the camera’s Anti Shake feature to reduce image blur due to subject  
movement or camera movement when shooting a moving subject using telephoto,  
when shooting a fast-moving subject, or when shooting under dim lighting conditions.  
D
A
S
Auto  
Minimizes the effects of camera and subject movement.  
Minimizes the effects of camera movement only.  
Minimizes the effects of subject movement only.  
Camera AS  
Image AS  
A
Half-pressing the shutter button demonstrates the effect of “  
Camera AS”. However, the image is not recorded.  
F
DEMO  
Off  
Turns off all Anti Shake settings.  
Advanced Settings  
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NOTE  
A
• “  
Camera AS” only can be selected while recording with High Definition (HD)  
and Standard (STD) movie.  
• The ISO sensitivity setting (page 42) must be “AUTO” for “S Image AS” to work.  
• Anti Shake is not supported while recording with High Speed Movie.  
• Shooting while “D Auto” or “S Image AS” is selected can cause an image to  
appear somewhat coarser than normal and can cause slight deterioration of image  
resolution.  
• Anti Shake may not be able to eliminate the effects of camera or subject movement  
when movement is severe.  
A
• “  
Camera AS” may not work properly when the camera is mounted on a tripod.  
Either turn off Anti Shake or select “S Image AS”.  
• When the image size setting is “RAW+” (page 39), this setting becomes “A  
Camera AS” when the Anti Shake setting is “D Auto”, and “Off” when the Anti  
Shake setting is “S Image AS”.  
• You can configure different Anti Shake settings for snapshots and movies (except  
for High Speed Movie).  
Shooting with Face Detection (Face Detection)  
Procedure  
[r] (REC) * [MENU] * REC Tab * Face Detection  
When shooting people, the face detection feature detects the faces of up to ten  
individuals and adjusts focus and brightness accordingly.  
1. Use [8] and [2] to select “On” and then press [SET].  
2. Point the camera at the subject(s).  
The camera will detect human faces and display a  
frame around each one.  
3. Half-press the shutter button.  
The camera will focus and the frames around the  
faces it focuses on will turn green.  
4. Press the shutter button the rest of the way down.  
Advanced Settings  
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Tips for Best Face Detection Results  
• The camera performs center focus if it cannot detect a face.  
• Always make sure that Auto Focus (AF) is selected as the focus mode when  
shooting with face detection.  
• Detection of the following types of faces is not supported.  
– A face that is obstructed by hair, sunglasses, a hat, etc., or a face in dark shade  
– A profile or a face that is at an angle  
– A face that is very far away and small, or very close and large  
– A face in an area that is very dark  
– A face of a pet or some other non-human subject  
IMPORTANT!  
• Face detection cannot be used in combination with any of the following features.  
– Some BEST SHOT scenes (Move Out CS, Move In CS, Multi-motion Image)  
– Movie Mode (Including some BEST SHOT scenes that support High Speed  
Movie recording)  
– High Speed CS with Prerecord CS (Including some BEST SHOT scenes that  
support High Speed CS recording)  
• “Face Detection” works only when Auto Focus is selected as the focus mode. It is  
disabled in all other focus modes selected with @ (Focus).  
Shooting with Continuous Auto Focus (Continuous AF)  
Procedure  
[r] (REC) * [MENU] * REC Tab * Continuous AF  
When shooting a snapshot while “On” is selected for Continuous AF, Auto Focus is  
performed and focusing is continually updated until you half-press the shutter button.  
• Continuous Auto Focus is performed during movie recording when optical zoom is  
turned on while “HD/STD” is selected as the movie mode, regardless of the current  
Continuous AF setting. If optical zoom is turned off, continuous Auto Focus is not  
performed during movie recording, regardless of the current Continuous AF setting.  
• Before you half-press the shutter button, the camera focuses at the center of the  
screen. If “Free” is selected for the “AF Area” setting (page 45) when you half-  
press the shutter button, focusing is performed for the area specified by “Free”.  
If “Face Detection” is turned on, focusing is performed in the area where a face is  
detected.  
Advanced Settings  
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Specifying the [AEL] button Operation (AE/AF Lock)  
Procedure  
[r] (REC) * [MENU] * REC Tab * AE/AF Lock  
See page 55 for details.  
Configuring the Continuous Shutter Image Save Method  
(Save CS Images)  
Procedure  
[r] (REC) * [MENU] * REC Tab * Save CS Images  
See page 62 for details.  
Changing the Continuous Shutter Mode (CS)  
Procedure  
[r] (REC) * [MENU] * REC Tab * CS  
Perform the following steps to change the continuous shutter mode.  
Š
High  
Enables shooting of up to 30 continuous shutter images at faster  
speeds than Normal Speed CS. See page 58 for details.  
Speed CS  
The number of consecutive images you can shoot is theoretically  
unlimited, as long as there is memory available to store them. Also  
note that the maximum shooting speed of Normal Speed CS is  
limited by the type of memory card you are using and the camera  
setup. See page 57 for details.  
Z
Normal  
Speed CS  
Turning Digital Zoom On or Off (Digital Zoom)  
Procedure  
[r] (REC) * [MENU] * REC Tab * Digital Zoom  
Select “On” when you want to use digital zoom (page 50).  
• Digital zoom is disabled while shooting with the following features.  
– High speed movie recording  
Á (Super Macro) selected for the focus mode  
– “RAW+” image size  
Advanced Settings  
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98  
         
Assigning Functions to the [4] and [6] Keys (L/R Key)  
Procedure  
[r] (REC) * [MENU] * REC Tab * L/R Key  
You can assign one of the three functions listed below to the [4] and [6] keys.  
Setting  
[4]/[6] key operation  
Metering  
Self-timer  
Face Detection  
Off  
Changes the Metering Mode (page 102).  
Sets the self-timer time (page 94).  
Turns face detection on and off (page 96).  
Cancels [4] and [6] key assignments.  
Shooting with Quick Shutter (Quick Shutter)  
Procedure  
[r] (REC) * [MENU] * REC Tab * Quick Shutter  
When Quick Shutter is turned on, you can press the shutter button all the way without  
waiting for Auto Focus. This will record the image using a high speed focus operation  
that is much faster than Auto Focus.  
Turns on Quick Shutter.  
• Some images may be out of focus when Quick Shutter is used.  
On  
Turns off Quick Shutter so focus is performed using normal Auto Focus  
before the image is recorded.  
• If you fully press the shutter button while Quick Shutter is turned off,  
images will continue to be shot without focusing.  
Off  
• Whenever possible, take a little extra time to half-press the shutter  
button in order to ensure proper focus.  
NOTE  
• Quick Shutter is disabled when the zoom factor is greater. Recording is performed  
using Auto Focus at this time.  
Advanced Settings  
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99  
   
Turning on Image Review (Review)  
Procedure  
[r] (REC) * [MENU] * REC Tab * Review  
While Review is turned on, the camera will display a image for about one second  
immediately after you press the shutter button to record it.  
• Image review is available only when shooting single images. It does not work with  
continuous shutter.  
Displaying the On-screen Grid (Grid)  
Procedure  
[r] (REC) * [MENU] * REC Tab * Grid  
The on-screen grid can be displayed on the REC mode  
monitor screen for easy vertical and horizontal alignment  
when composing images.  
Using Icon Help (Icon Help)  
Procedure  
[r] (REC) * [MENU] * REC Tab * Icon Help  
While Icon Help is turned on, a textual description will appear on the display for  
certain icons when you switch between REC functions.  
Function Supported by Icon Help  
• REC Mode  
• Available options for the “L/R Key” setting  
Advanced Settings  
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100  
     
Configuring Power On Default Settings (Memory)  
Procedure  
[r] (REC) * [MENU] * REC Tab * Memory  
This setting lets you specify which camera settings should be remembered by the  
camera when it is turned off, and restored the next time the camera is turned on. To  
have the camera remember a setting, you should enable the setting’s memory. Any  
setting whose memory is disabled will be reset to its initial default any time the  
camera is turned off.  
Setting  
Disabled (Initial Default Setting)  
Enabled  
Flash  
Auto  
Self-timer  
Off  
Flash Intensity  
Digital Zoom  
MF Position  
Zoom Position*  
0
Setting at  
power off  
On  
Position before manual focus was selected.  
Full wide  
* Optical zoom setting only  
Image Quality Settings (Quality)  
Specifying Snapshot Image Quality (T Quality (Snapshot))  
Procedure  
[r] (REC) * [MENU] * Quality Tab * T Quality (Snapshot)  
Fine  
Gives image quality priority.  
Normal  
Normal  
Economy  
Gives the number of images priority.  
• The “Fine” setting helps to bring out details when shooting dense tree branches or  
leaves, a complex pattern, etc.  
• Memory capacity (the number of images you can record) will be affected by the  
quality settings you configure (page 183).  
Advanced Settings  
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101  
     
Specifying the Metering Mode (Metering)  
Procedure  
[r] (REC) * [MENU] * Quality Tab * Metering  
The metering mode determines what part of the subject is metered for exposure.  
Multi-pattern metering divides the image into sections and measures  
the light in each section for a balanced exposure reading. This type  
of metering provides error-free exposure settings for a wide range of  
shooting conditions.  
B
Multi  
Center weighted metering concentrates on the center of the focus  
area to measure light. This type of metering is best when you want  
some level of control over contrast.  
N
Weighted  
Center  
Spot metering takes readings at a very small area. Use this metering  
method when you want exposure to be set according to the  
brightness of a particular subject, without being affected by  
surrounding conditions.  
˜
Spot  
Optimizing Image Brightness (Lighting)  
Procedure  
[r] (REC) * [MENU] * Quality Tab * Lighting  
You can use this setting to optimize the balance between bright areas and dark areas  
when shooting images.  
On  
Off  
Performs brightness correction.  
Does not perform brightness correction.  
Advanced Settings  
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102  
     
Specifying Flash Intensity (Flash Intensity)  
Procedure  
[r] (REC) * [MENU] * Quality Tab * Flash Intensity  
You can specify flash intensity to one of 13 levels from +2 (brightest flash) to –2 (least  
bright flash).  
• Flash intensity may not change when the subject is too far away or too close.  
Using Built-in Color Filters (Color Filter)  
Procedure  
[r] (REC) * [MENU] * Quality Tab * Color Filter  
Settings: Off, B/W, Sepia, Red, Green, Blue, Yellow, Pink, and Purple  
Controlling Image Sharpness (Sharpness)  
Procedure  
[r] (REC) * [MENU] * Quality Tab * Sharpness  
You can specify one of five sharpness settings from +2 (sharpest) to –2 (least sharp).  
Controlling Color Saturation (Saturation)  
Procedure  
[r] (REC) * [MENU] * Quality Tab * Saturation  
You can specify one of five saturation settings from +2 (most saturated) to –2 (least  
saturated).  
Adjusting Image Contrast (Contrast)  
Procedure  
[r] (REC) * [MENU] * Quality Tab * Contrast  
You can specify one of five contrast settings from +2 (most contrast between light and  
dark) to –2 (least contrast between light and dark).  
Advanced Settings  
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103  
         
Viewing Snapshots and Movies  
Viewing Snapshots  
See page 29 for the procedure for viewing snapshots.  
Viewing a Movie  
1. Press [p] (PLAY) and then use [4] and [6] to display the movie you  
want to view.  
2. Press [SET] to start playback.  
Movie icon: »  
Recording time  
Image quality  
Movie Playback Controls  
[4] [6] (Playback in progress)  
Fast forward/fast  
reverse  
• Each press of either button increases the speed of the  
fast forward or fast reverse operation.  
• To return to normal playback speed, press [2].  
Play/pause  
[SET]  
1 frame forward/  
back  
[4] [6] (Playback paused.)  
• Holding down either button scrolls continuously.  
[8] [2]  
Volume adjustment  
• Volume can be adjusted only while movie playback is in  
progress.  
Information display  
on/off  
[DISP]  
Slide the zoom controller in the direction of z ([).  
• You can use [8], [2], [4], and [6] to scroll the zoomed  
image on the monitor screen. You can zoom a movie  
image up to 4.5 times normal size.  
Zoom  
Stop playback  
[MENU]  
• Playback may not be possible for movies not recorded with this camera.  
Viewing Snapshots and Movies  
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104  
       
Viewing Continuous Shutter Images  
Each time you perform a continuous shutter (CS) operation, the camera creates a CS  
group that includes all of the images for that particular CS session. You can use the  
following procedure to play back the images in a particular CS group.  
1. Press [p] (PLAY) and then use [4] and [6] to display the CS group  
whose images you want to view.  
Number of image files in  
the CS group  
CS group icon  
First image in the CS group  
2. About one second after you select a CS group, high speed playback of  
its images will start automatically.  
• After playback of a CS Group is complete, the first image of the group will be  
displayed on the monitor screen.  
• Pressing [SET] will pause playback. While playback is paused, you can adjust  
the playback speed, specify the playback direction, scroll forward or back,  
zoom images, and delete images.  
Current image number/  
number of images in the  
group  
Playback guide  
CS speed  
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105  
   
The following are operations that are supported after you press [SET] to  
start image playback.  
During playback, changes the playback direction and playback speed.  
While playback is paused, scrolls forward or back.  
• Playback speed cannot be adjusted while the displayed image is  
[4] [6]  
zoomed.  
[SET]  
Toggles between pause and play.  
Zooms the image.  
• You can use [8], [2], [4], and [6] to scroll the zoomed image on  
the monitor screen.  
Zoom  
controller  
[MENU]  
[DISP]  
[2]  
Exits CS group playback.  
Cycles through information display formats.  
Displays the “CS Frame Edit” menu.  
NOTE  
• Multiple images shot using normal speed continuous shutter are stored individually  
and are not grouped. This means they can be displayed individually (page 29) but  
not as a CS group.  
Deleting Continuous Shutter Images  
You can use the following procedures to delete images while playback is in progress  
or paused.  
. Deleting a Specific CS Group File  
1. While CS image playback is in progress or paused (toggle by pressing  
[SET]), press [2].  
This will display the “CS Frame Edit” menu.  
2. Use [8] and [2] to select “Delete” and then press [SET].  
3. Use [4] and [6] to display the image you want to delete.  
4. Use [8] and [2] to select “Delete” and then press [SET].  
• To delete other files, repeat steps 3 and 4.  
• To exit the delete operation, press [MENU].  
Viewing Snapshots and Movies  
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106  
   
. Deleting All Files in a CS Group  
1. While CS image playback is in progress or paused (toggle by pressing  
[SET]), press [2].  
This will display the “CS Frame Edit” menu.  
2. Use [8] and [2] to select “Delete” and then press [SET].  
3. Use [8] and [2] to select “Del Group Images” and then press [SET].  
4. Use [8] and [2] to select “Yes”, and then press [SET].  
NOTE  
• Either of the following methods is recommended when you want to keep only one  
of the images in a CS group and delete all of the others.  
– Copy the image you want to keep to a file located outside of the CS group and  
then delete the CS group.  
– Protect the image you want to keep and then delete the CS group.  
Dividing Up a CS Group  
Use the following to divide up a CS Group into individual images.  
. Dividing Up a Specific CS Group  
1. While a CS group is displayed or while the images of a CS group are  
scrolling on the monitor screen, press [MENU].  
2. Use [4] and [6] to select the “PLAY” tab.  
3. Use [8] and [2] to select “Divide Group” and then press [6].  
4. Use [4] and [6] to display the CS group you want to divide up.  
5. Use [8] and [2] to select “Divide” and then press [SET].  
• To divide up other CS group files, repeat steps 4 and 5.  
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. Dividing Up All CS Groups  
IMPORTANT!  
• Once a CS group is divided, it cannot be regrouped.  
1. While a CS group is displayed or while the images of a CS group are  
scrolling on the monitor screen, press [MENU].  
2. Use [4] and [6] to select the “PLAY” tab.  
3. Use [8] and [2] to select “Divide Group” and then press [6].  
4. Use [8] and [2] to select “Divide All Groups” and then press [SET].  
5. Use [8] and [2] to select “Yes”, and then press [SET].  
Copying a CS Group Image  
Use the following procedure to copy an image in a CS group to a location outside of  
the group.  
1. While CS image playback is in progress or paused (toggle by pressing  
[SET]), press [2].  
This will display the “CS Frame Edit” menu.  
2. Use [8] and [2] to select “Copy”, and then press [SET].  
3. Use [4] and [6] to display the image you want to copy.  
4. Use [8] and [2] to select “Copy”, and then press [SET].  
NOTE  
• The functions below cannot be performed on snapshots inside a CS group. Before  
using either of these functions, perform the above procedure to copy the image  
first.  
White Balance, Brightness, Trimming, Rotation, Resize  
Viewing Snapshots and Movies  
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Zooming an On-screen Image  
1. In the PLAY mode, use [4] and [6] to scroll through the images until  
the one you want is displayed.  
2. Slide the zoom controller towards z ([) to  
Zoom factor  
zoom.  
Image area  
You can use [8], [2], [4], and [6] to scroll the  
zoomed image on the monitor screen. Slide the zoom  
controller towards w to unzoom the image.  
– When monitor screen contents are turned on, a  
graphic in the lower right corner of the screen  
shows what part of the zoomed image is currently  
displayed.  
– To exit the zoom screen, press [MENU].  
– Though the maximum image zoom factor is 8X,  
certain image sizes may not allow zooming up to  
the full 8X.  
Current display area  
• Pressing [SET] will lock the current zoom factor for the on-screen image. You  
can then use [4] and [6] to scroll between images, using the same zoom  
factor. Pressing [SET] again will unlock the zoom factor and allow you to use  
[8], [2], [4] and [6] to move around the currently displayed images. This  
function cannot be used while viewing CS group images or movies. Also, CS  
group images and movies will not appear when you are scrolling images with  
[4] and [6].  
Displaying the Image Menu  
1. In the PLAY mode, slide the zoom controller  
Boundary  
towards w (]).  
Use [8], [2], [4] and [6] to move the selection  
boundary around the image menu.  
To view a particular image, use [8], [2], [4], or [6] to  
move the selection boundary to the image you want  
and then press [SET].  
• In the case of a movie or a continuous shutter (CS)  
file, the first frame of the file will be displayed.  
Viewing Snapshots and Movies  
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Viewing Snapshots and Movies on a TV Screen  
1. Use the AV cable that comes with the camera to connect it to the TV.  
AV cable (bundled)  
Yellow  
White  
USB/AV port  
Video  
Audio  
TV  
AUDIO IN jack (white)  
VIDEO IN jack (yellow)  
Making sure that the 6 mark on the  
camera is aligned with the 4 mark of the  
AV cable connector, connect the cable to  
the camera.  
Terminal cover  
• Make sure that you insert the cable connector into the USB/AV port until you  
feel it click securely into place. Failure to insert the connector fully can result in  
poor communication or malfunction.  
• Note that even while the connector is fully inserted, you still will  
be able to see the metal part of the connector as shown in the  
illustration.  
• Make sure that the camera is turned off before plugging in or  
unplugging the cable. Check the user documentation that  
comes with the TV for information about requirements before  
plugging into or unplugging from the TV.  
2. Turn on the TV and select its video input mode.  
If the TV has more than one video input, select the one where the camera is  
connected.  
3. Press [p] (PLAY) to turn on the camera.  
This will cause an image to appear on the TV screen, without anything appearing  
on the camera’s monitor screen.  
• Pressing [ON/OFF] or [r] (REC) will not turn on the camera while the AV  
cable is connected.  
• You also can change the aspect ratio of the screen and the video output  
system (page 155).  
4. Now you can display images and play back movies as you normally do.  
Viewing Snapshots and Movies  
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IMPORTANT!  
• Output to a TV is not supported while the camera is in the REC mode.  
• When the camera is connected to a TV for movie playback, only movie images are  
displayed on the TV screen. The camera’s monitor screen will show on-screen  
information only (without any movie image).  
• Before connecting to a TV to display images, be sure to configure the camera’s  
[r] (REC) and [p] (PLAY) buttons for “Power On” or “Power On/Off” (page 154).  
• Audio is initially output by the camera at maximum volume. When you first start  
displaying images, set the TV volume control at a relatively low level and then  
adjust it as required.  
NOTE  
• Audio is monaural.  
• Some TVs may not be able to output images and/or audio correctly.  
• All icons and indicators that appear on the monitor screen also appear on the TV  
screen. You can use [DISP] to change the display contents.  
Recording Camera Images to a DVD Recorder or Video Deck  
Use the following method to connect the camera to the recording device using the  
camera’s bundled AV cable.  
– DVD recorder or video deck: Connect the AV cable to the VIDEO IN and AUDIO IN  
terminals.  
– Camera: Connect the AV cable to the USB/AV port  
You can play a slideshow of snapshots and movies on the camera and record it on a  
DVD or video tape. You can record movies by selecting “» Only” for the slideshow  
“Images” setting (page 112).  
For information about connecting a monitor to the recording device and about how to  
record, see the user documentation that comes with the recording device you are  
using.  
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Other Playback Functions (PLAY)  
This section explains menu items that you can use to configure settings and perform  
other playback operations.  
For information about menu operations, see page 92.  
Playing a Slideshow on the Camera (Slideshow)  
Procedure  
[p] (PLAY) * [MENU] * PLAY Tab * Slideshow  
Start  
Starts the slideshow.  
Images  
Specifies the type of images to be included in the slideshow.  
All images: Snapshots, movies, continuous shutter images  
Z
All images except  
: All non-continuous shutter (CS) images  
T
Only: Snapshots only  
» Only: Movies only  
One Image: One single selected image (selected using [4] and [6])  
Time  
Time from the start to the end of the slideshow  
1 to 5 minutes, 10 minutes, 15 minutes, 30 minutes, 60 minutes  
Interval  
Amount of time each image remains displayed  
Use [4] and [6] to select a value from 1 to 30 seconds, or “MAX”.  
If you specify a value from 1 to 30 seconds, movies play from beginning to end.  
When the slideshow reaches a movie file while “MAX” is selected, only the first  
frame of the movie will displayed.  
Other Playback Functions (PLAY)  
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Effect  
Select the effect you want.  
Pattern 1 to 5: Plays background music and applies an image change effect.  
• Patterns 2 through 4 have different background music, but they all use the  
same image change effect.  
• Pattern 5 can be used for playback of snapshots only (except for those that  
are part of a CS group), and the “Interval” setting is ignored.  
• The currently selected image change effect setting is disabled automatically  
in following cases.  
– When playing a slideshow for which “» Only” or “One Image” is selected  
for the “Images” setting  
– When the interval setting is “MAX”, 1 second, or 2 seconds  
– Before and after playback of a movie  
– During CS group playback (Except the Pattern 1 effect)  
Off: No image change effect or background music  
• To stop the slideshow, press [SET] or [MENU]. Pressing [MENU] stops the  
slideshow and returns to the menu screen.  
• Adjust audio volume by pressing [8] or [2] during playback.  
• All button operations are disabled while the slideshow is transitioning from one  
image to another.  
• The time required for transition from one image to another may be longer in the  
case of an image that was not recorded with this camera.  
Transferring Music from Your Computer to Camera Memory  
You can replace the built-in slideshow background music with other music from your  
computer.  
Supported File Types:  
• PCM format (16-bit, monaural) WAV files  
• Sampling Frequencies: 11.025 kHz/22.05 kHz/44.1 kHz  
* Even if a file is recorded in stereo, playback will be monaural.  
Number of Files: 9  
File names: SSBGM001.WAV to SSBGM009.WAV  
• Create the music files on your computer using the above names.  
• Regardless of which effect pattern you select, the music files you store in camera  
memory are played back in name sequence.  
Other Playback Functions (PLAY)  
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1. Connect the camera to your computer (pages 133, 140).  
If you plan to save the music files to the camera’s memory card, make sure the  
card is loaded in the camera.  
2. Perform one of the following operations to open the memory card or  
built-in memory.  
This will cause the camera to be recognized by your computer as a Removable  
Disk (Drive).  
• Windows  
Windows 7/Vista: Start * Computer  
Windows XP: Start * My Computer  
1
Windows 2000: Double-click “My Computer”.  
Double-click “Removable Disk”.  
• Macintosh  
2
Double-click the camera’s drive icon.  
1
3. Create a folder named “SSBGM”.  
4. Double-click the “SSBGM” folder you created and copy the  
background music file to it.  
• See the user documentation that comes with your computer for information  
about moving, copying, and deleting files.  
• If there are background music files both in built-in memory and on the memory  
card loaded in the camera, the files on the memory card take priority.  
• See page 146 for information about camera folders.  
5. Disconnect the camera from the computer (pages 135, 141).  
Other Playback Functions (PLAY)  
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Creating a Snapshot of Movie Frames (MOTION PRINT)  
Procedure  
[p] (PLAY) * Movie Screen * [MENU] * PLAY Tab *  
MOTION PRINT  
1. Use [4] and [6] to scroll  
through the movie frames  
and display the one you  
want to use as the image of  
the MOTION PRINT image.  
Holding down [4] or [6] scrolls  
at high speed.  
9 frames  
1 frame  
2. Use [8] and [2] to select either “9 frames” or “1 frame” and then  
press [SET].  
• When “9 frames” is selected, the frame you select in step 1 will be in the center  
of the MOTION PRINT image.  
• Only the frames of movies recorded on this camera can be used in a MOTION  
PRINT image.  
Editing a Movie on the Camera (Movie Editing)  
Procedure  
[p] (PLAY) * Movie Screen of Movie to be Edited * [MENU] *  
PLAY Tab * Movie Editing  
The Movie Editing feature lets you use one of the following procedures to edit out a  
specific part of a movie.  
}
Cut  
(To-Point Cut)  
Cuts everything from the beginning of the movie up to the  
current location.  
~
Cut  
(Point-To-Point Cut)  
Cuts everything between two points.  
¡
(From-Point Cut)  
Cut  
Cuts everything from the current location to the end of the  
movie.  
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1. Use [8] and [2] to select the editing method you want to use and then  
press [SET].  
2. Use the following operations to select the frame  
(point) from which or to which you want to cut  
the movie (the cut point).  
During playback, changes the playback  
[4] [6] direction and playback speed. While  
playback is paused, scrolls forward or back.  
Cut range (yellow)  
[SET]  
Toggles between pause and play.  
3. Press [2] to display the editing menu and specify one or two cut  
points.  
}
Cut  
While the frame you want the cut to be up to is  
(To-Point Cut)  
displayed, press [2].  
While the frame you want the first (From) cut to be is  
displayed, press [2].  
1
~
(Point-To-Point Cut)  
Cut  
Select another frame.  
While the frame you want the second (To) cut to be  
is displayed, press [2].  
2
3
¡
Cut  
(From-Point Cut)  
While the frame you want the cut to be from is  
displayed, press [2].  
4. Use [8] and [2] to select “Yes” and then press [SET].  
The selected cut operation will take considerable time to complete. Don’t try to  
perform any camera operation until the “Busy... Please wait...” message  
disappears from the monitor screen. Note that a cut operation can take a long  
time if the movie being edited is long.  
IMPORTANT!  
• When you edit a movie, only the result is saved. The original movie is not retained.  
An editing operation cannot be undone.  
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NOTE  
• A movie that is shorter than five seconds cannot be edited.  
• Editing of movies recorded with a different type of camera is not supported.  
• You will not be able to edit a movie if the amount of remaining memory capacity is  
less than the size of the movie file you want to edit. If there is not enough memory  
available, delete files you no longer need to free up more.  
• Splitting of a movie into two movies and splicing of two different movies into a  
single movie are not supported.  
• You also can start a movie editing operation while the movie you want to edit is  
playing back. When playback reaches a frame where you want a cut point to be,  
press [SET] to pause playback. Next, press [2] to display the menu of editing  
options. Perform editing using the same procedures as described above.  
Adjusting White Balance (White Balance)  
Procedure  
[p] (PLAY) * Snapshot Screen * [MENU] * PLAY Tab *  
White Balance  
You can use the white balance setting to select a light source type for a recorded  
image, which will affect the colors of the image.  
¤
'
Daylight  
Overcast  
Shade  
Outdoors, fair weather  
Outdoors, cloudy to rain, in tree shade, etc.  
Very high temperature light, such as building shade, etc.  
Day White  
Fluorescent  
White or day white fluorescent lighting, without suppressing  
color cast  
Daylight  
Fluorescent  
Daylight fluorescent lighting, while suppressing color cast  
«
Tungsten  
Suppressing of the appearance of light bulb lighting  
No white balance adjustment  
Cancel  
Other Playback Functions (PLAY)  
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117  
   
NOTE  
• You also can adjust the white balance when recording images (page 43).  
• The original snapshot is retained in memory and not deleted.  
• When you display an altered image on the camera’s monitor screen, the date and  
time indicates when the image was originally recorded, not when the image was  
altered.  
Adjusting the Brightness of an Existing Snapshot  
(Brightness)  
Procedure  
[p] (PLAY) * Snapshot Screen * [MENU] * PLAY Tab *  
Brightness  
You can select one of five brightness levels, from +2 (brightest) to –2 (least bright).  
NOTE  
• The original snapshot is retained in memory and not deleted.  
• When you display an altered image on the camera’s monitor screen, the date and  
time indicates when the image was originally recorded, not when the image was  
altered.  
Selecting Images for Printing (DPOF Printing)  
Procedure  
[p] (PLAY) * Snapshot Screen * [MENU] * PLAY Tab *  
DPOF Printing  
See page 127 for details.  
Other Playback Functions (PLAY)  
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118  
   
Protecting a File Against Deletion (Protect)  
Procedure  
[p] (PLAY) * [MENU] * PLAY Tab * Protect  
Protects specific files.  
Use [4] and [6] to scroll through the files  
until the one you want to protect is displayed.  
1
Use [8] and [2] to select “On” and then  
press [SET].  
2
On  
An image that is protected is indicated by the  
icon.  
To protect other files, repeat steps 1 and 2.  
To exit the protect operation, press [MENU]. To unprotect a file, select  
“Off” instead of “On” in step 2 above.  
3
Protects all files.  
Use [8] and [2] to select “All Files: On” and then press [SET].  
Press [MENU].  
To unprotect all files, select “All Files: Off” instead of “All Files: On” in  
step 1 above.  
1
2
All Files:  
On  
IMPORTANT!  
• Note that even if a file is protected, it will be deleted if you perform the format  
operation (page 157).  
NOTE  
• Performing the above procedure while a CS group is displayed will protect all the  
images in the CS group. You can protect individual images in a CS group by  
performing the above procedure while the image is displayed.  
. To protect a specific image in a CS group  
1. While CS image playback is in progress or paused (toggle by pressing  
[SET]), press [2].  
This will display the “CS Frame Edit” menu.  
Other Playback Functions (PLAY)  
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119  
     
2. Use [8] and [2] to select “Protect” and then press [SET].  
3. Use [4] and [6] to scroll through images until one you want to protect  
is displayed.  
4. Use [8] and [2] to select “On” and then press [SET].  
This will protect the image and display the icon.  
• To unprotect an image, select “Off” in step 4 and then press [SET].  
5. After you are finished, select “Cancel” and then press [SET] to exit this  
operation.  
NOTE  
• Note that even if a file is protected, it will be deleted if you perform the format  
operation (page 157).  
. To protect all the images in a CS group  
1. While a CS group is displayed or while the images of a CS group are  
scrolling on the monitor screen, press [MENU].  
2. Use [4] and [6] to select the “PLAY” tab.  
3. Use [8] and [2] to select “Protect” and then press [SET].  
4. Use [4] and [6] to display the CS group you want to protect.  
5. Use [8] and [2] to select “On” and then press [SET].  
This will protect all the images in the group and display the icon.  
• To unprotect all of the images in the group, select “Off” in step 5 and then press  
[SET].  
6. Press [MENU].  
NOTE  
• Note that even if a file is protected, it will be deleted if you perform the format  
operation (page 157).  
Other Playback Functions (PLAY)  
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Rotating an Image (Rotation)  
Procedure  
[p] (PLAY) * Snapshot Screen * [MENU] * PLAY Tab * Rotation  
1. Use [8] and [2] to select “Rotation” and then press [SET].  
Each press of [SET] will rotate the displayed image 90 degrees left.  
2. When the displayed image is at the orientation you want, press  
[MENU].  
NOTE  
• Rotating a CS image causes all of the images in the CS group to be rotated. You  
cannot rotate individual component image in a CS group.  
• Rotation of movie images is not supported.  
• Note that this procedure does not actually change the image data. It simply alters  
how the image is displayed on the camera’s monitor screen.  
• An image that has been protected or zoomed cannot be rotated.  
• The original (unrotated) version of the image will be displayed on the image menu  
screen.  
Resizing a Snapshot (Resize)  
Procedure  
[p] (PLAY) * Snapshot Screen * [MENU] * PLAY Tab * Resize  
You can reduce the size of a snapshot and save the result as a separate snapshot.  
The original snapshot is also retained. You can resize an image to one of three sizes:  
5M, 2M, VGA.  
• Resizing a 3:2 or 16:9 size snapshot will create an image with an aspect ratio of  
4:3, with both sides cut off.  
• The recording date of the resized version of the snapshot will be the same as the  
recording date of the original snapshot.  
Other Playback Functions (PLAY)  
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Cropping a Snapshot (Trimming)  
Procedure  
[p] (PLAY) * Snapshot Screen * [MENU] * PLAY Tab * Trimming  
You can crop a snapshot to trim parts you do not need,  
and save the result in a separate file. The original  
snapshot is also retained.  
Zoom factor  
Represents  
snapshot area  
Use the zoom controller to zoom the image to the size you  
want, use [8], [2], [4], and [6] to display the portion of  
the image you want to cut out, and then press [SET].  
• The image produced by cropping a 3:2 or 16:9 image  
will have an aspect ratio of 4:3.  
• The recording date of the cropped image will be the  
same as the recording date of the original snapshot.  
Part of snapshot that is  
currently displayed  
Copying Files (Copy)  
Procedure  
[p] (PLAY) * Snapshot Screen * [MENU] * PLAY Tab * Copy  
Files can be copied from the camera’s built-in memory to a memory card or from a  
memory card to built-in memory.  
Copies all files from built-in camera memory to a memory card.  
This option copies all the files in built-in camera memory. It cannot  
be used to copy a single file.  
Built-in *  
Card  
Copies a single file on the memory card to camera built-in camera  
memory. Files are copied to the folder in built-in memory whose  
name has the largest serial number.  
• You cannot copy a continuous shutter (CS) group image (page  
108).  
Card *  
Built-in  
Use [4] and [6] to select the file you want to copy.  
Use [8] and [2] to select “Copy” and then press [SET].  
1
2
NOTE  
• You can copy snapshots or movies you recorded with this camera.  
Other Playback Functions (PLAY)  
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Dividing Up a Continuous Shutter Group (Divide Group)  
Procedure  
[p] (PLAY) * [MENU] * PLAY Tab * Divide Group  
See page 107 for details.  
Combining CS Images into a Single Still Image  
(CS Multi Print)  
Procedure  
[p] (PLAY) * Display CS group. * [MENU] * PLAY Tab *  
CS Multi Print  
1. Use [8] and [2] to select “Create”.  
• You can use [4] and [6] to select a different CS group, if you want.  
2. Press [SET].  
x
This converts the CS group to a 10M (3648 2736) image with up to 30 CS  
x
frames (5 vertical 6 horizontal).  
• This camera may not be able to correctly convert a CS group image with  
another camera.  
• The recording date of the converted image will be the same as the recording  
date of the original CS group.  
• When converting a CS group whose images have been rotated by the  
“Rotation” or “Auto Rotate” feature to a CS Multi Print image, the arrangement  
of the images in the CS Multi Print will be different from that of normal  
(unrotated) CS images.  
Editing a CS Image (CS Frame Edit)  
Procedure  
[p] (PLAY) * [MENU] * PLAY Tab * CS Frame Edit  
See the following pages for details.  
DPOF Printing: page 128  
Other Playback Functions (PLAY)  
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123  
     
Printing  
Printing Snapshots  
Professional Print Service  
You can take a memory card that contains the images you want  
to print to a professional print service and have them printed.  
Printing on a Home Printer  
Printing Images on a Printer with Memory Card Slot  
You can use a printer equipped with a memory card slot to print  
images directly from a memory card. For details, see the user  
documentation that comes with your printer.  
Connecting Directly to a PictBridge Compatible  
Printer  
You can print on a printer that supports PictBridge (page  
Printing with a Computer  
After transferring the images to your computer, use  
commercially available software to print.  
• You can specify which images you want to print, the number of copies, and date  
stamp settings before printing (page 127).  
Connecting Directly to a PictBridge Compatible Printer  
You can connect the camera directly to a printer that supports PictBridge and print  
images without going through a computer.  
. To set up the camera before connecting to a printer  
1. Turn on the camera and press [MENU].  
Printing  
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124  
       
2. On the “Set Up” tab, select “USB” and then press [6].  
3. Use [8] and [2] to select “PTP (PictBridge)”, and then press [SET].  
. Connecting the Camera to a Printer  
Use the USB cable that comes bundled with the camera to connect the camera to  
your printer’s USB port.  
USB cable  
Large  
connector  
USB/AV port  
USB  
Small connector  
USB port  
Making sure that the 6 mark on the camera is  
aligned with the 4 mark of the USB cable  
connector, connect the cable to the camera.  
Terminal cover  
• The camera does not draw power over the USB cable. Check the battery level  
before connecting and make sure it is not too low.  
• Make sure that you insert the cable connector into the USB/AV port until you feel it  
click securely into place. Failure to insert the connector fully can result in poor  
communication or malfunction.  
• Note that even while the connector is fully inserted, you still will be  
able to see the metal part of the connector as shown in the  
illustration.  
• When connecting the USB cable to a USB port, make sure you  
align the connector correctly with the port.  
• Make sure that the camera is turned off before plugging in or unplugging the cable.  
Check the user documentation that comes with the printer for information about  
requirements before plugging into or unplugging from the printer.  
Printing  
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. To print  
1. Turn on the printer and load paper.  
2. Turn on the camera.  
This will display the print menu screen.  
3. Use [8] and [2] to select “Paper Size”, and then press [6].  
4. Use [8] and [2] to select a paper size and then press [SET].  
• The following are the available paper sizes.  
x
x
x
x
3.5" 5", 5" 7", 4" 6", A4, 8.5" 11", By Printer  
• Selecting “By Printer” prints using a paper size selected on the printer.  
• See the documentation that comes with your printer for information about  
paper settings.  
5. Use [8] and [2] to specify the print option you want.  
1 Image  
: Prints one image. Select and then press [SET]. Next, use [4]  
and [6] to select the image you want to print.  
DPOF Printing : Prints multiple images. Select and then press [SET]. With this  
option, images will be printed in accordance with DPOF settings  
• To toggle date stamping on and off, press [BS]. The date stamp will be printed  
when “On” is indicated on the monitor screen.  
6. Use [8] and [2] to select “Print” and then press [SET].  
Printing will start and the message “Busy... Please wait...” will appear on the  
monitor screen. The message will disappear after a short while, even though  
printing is still being performed. Pressing any camera button will cause the  
printing status to re-appear. The print menu screen will re-appear when printing is  
complete.  
• If you selected “1 Image”, you can repeat the procedure from step 5, if you  
want.  
7. After printing is complete, turn off the camera and disconnect the USB  
cable from the printer and camera.  
Printing  
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Using DPOF to Specify Images to be Printed and the Number  
of Copies  
. Digital Print Order Format (DPOF)  
DPOF is a standard that allows you to include image type, number of copy,  
and time stamp on/off information on the memory card with the images.  
After configuring settings, you can use the memory card to print on a home  
printer that supports DPOF or take the memory card to a professional print  
service.  
• Whether or not you will be able to use DPOF settings for printing depends on the  
printer you are using.  
• Some professional print services may not support DPOF.  
. Configuring DPOF Settings Individually for Each Image  
Procedure  
[p] (PLAY) * Snapshot Screen * [MENU] * PLAY Tab *  
DPOF Printing * Select images  
1. Use [4] and [6] to scroll through the files until the image you want to  
print is displayed.  
2. Use [8] and [2] to specify the number of copies.  
You can specify a value up to 99. Specify 00 if you do not want to print the image.  
• If you want to include the date in the images, press [BS] so “On” is shown for  
date stamping.  
• Repeat steps 1 and 2 to configure settings for other images, if you want.  
3. Press [SET].  
Printing  
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. Configuring the Same DPOF Settings for All the Images  
Procedure  
[p] (PLAY) * Snapshot Screen * [MENU] * PLAY Tab *  
DPOF Printing * All images  
1. Use [8] and [2] to specify the number of copies.  
You can specify a value up to 99. Specify 00 if you do not want to print the image.  
• Note that the specified number of copies will be printed for all of the images in  
any CS group included with the images.  
• If you want to include the date in the images, press [BS] so “On” is shown for  
date stamping.  
2. Press [SET].  
NOTE  
• You can specify the number of copies for a specific image (page 128) or for all of  
the images in a CS group (page 129) by performing the above procedure while an  
image in the group is displayed.  
. To specify the number of copies for a specific image in a CS group  
1. While CS image playback is in progress or paused (toggle by pressing  
[SET]), press [2].  
This will display the “CS Frame Edit” menu.  
2. Use [8] and [2] to select “DPOF Printing” and then press [SET].  
3. Use [8] and [2] to select “Select images” and then press [SET].  
4. Use [4] and [6] to scroll through images until one you want to print is  
displayed.  
5. Use [8] and [2] to specify the number of copies.  
You can specify a value up to 99. Specify 00 if you do not want to print the image.  
• If you want to include the date in the images, press [BS] to select “On” for date  
stamping.  
• Repeat steps 4 and 5 to configure settings for other images, if you want.  
6. Press [SET].  
Printing  
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128  
 
. To configure the same DPOF settings for all the images in a CS  
group  
1. While CS image playback is in progress or paused (toggle by pressing  
[SET]), press [2].  
This will display the “CS Frame Edit” menu.  
2. Use [8] and [2] to select “DPOF Printing” and then press [SET].  
3. Use [8] and [2] to select “Frame all” and then press [SET].  
4. Use [8] and [2] to specify the number of copies.  
You can specify a value up to 99. Specify 00 if you do not want to print the image.  
• If you want to include the date in the images, press [BS] to select “On” for date  
stamping.  
5. Press [SET].  
DPOF settings are not cleared automatically after printing is complete.  
The next DPOF print operation you execute will be performed using the last DPOF  
settings you configured for the images. To clear DPOF settings, specify “00” for the  
number of copies of all images.  
Tell your print service about your DPOF settings!  
If you take a memory card to a professional print service, be sure to tell them that it  
includes DPOF settings for the images to be printed and the number of copies. If you  
don’t, the print service may print all the images without regard to your DPOF settings,  
or they may ignore your date stamp setting.  
Printing  
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. Date Stamping  
You can use one of the following three methods to include the recording date in the  
printout of an image.  
Configuring camera settings  
Configure DPOF settings (page 127).  
You can turn date stamping on and off each time you print. You can configure  
settings so some images include the date stamp and some don’t.  
Configure the Camera’s Timestamp setting (page 151).  
• The camera’s Timestamp setting imprints the date into a snapshot when you  
shoot it, so the date is always included when you print. It cannot be deleted.  
• Do not turn on DPOF date stamping for an image that includes a date  
stamped with the camera’s Timestamp function. Doing so can cause the two  
stamps to be overprinted.  
Configuring computer settings  
You can use commercially available image management software to date  
stamp images.  
Professional print service  
Request date stamping when ordering prints from a professional print service.  
. Standards Supported by the Camera  
• PictBridge  
This is a standard of the Camera and Imaging Products Association  
(CIPA). You can connect the camera directly to a printer that supports  
PictBridge, and perform image selection and printing using the  
camera monitor screen and controls.  
• PRINT Image Matching III  
Using image editing software and printing on a printer that supports  
PRINT Image Matching III makes it possible to use information about  
shooting conditions that is recorded with the image, and produce  
exactly the type of image you want. PRINT Image Matching and  
PRINT Image Matching III are trademarks of Seiko Epson Corporation.  
• Exif Print  
Printing on a printer that supports Exif Print (Exif 2.2) uses  
information about shooting conditions recorded with the image to  
enhance printed image quality. Contact your printer manufacturer  
for information about models that support Exif Print, printer upgrades, etc.  
Printing  
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Using the Camera with a Computer  
Things you can do using a computer...  
You can perform the operations described below while the camera is connected to a  
computer.  
Save images to a  
computer and view  
them there  
• Save images and view them manually  
(USB connection) (pages 133, 139).  
• Transfer images to a computer  
automatically over a wireless LAN for  
viewing (Eye-Fi) (page 143).  
Play back and edit  
movies  
• You can play back movies (pages 136,  
• To edit movies, use commercially  
available software as required.  
The procedures you need to perform when using the camera with your computer and  
when using the bundled software are different for Windows and the Macintosh.  
• Macintosh users should refer to “Using the Camera with a Macintosh” on page  
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Using the Camera with a Windows Computer  
Install the required software in accordance with the version of Windows you are  
running and what you want to do.  
When you want to Operating  
See  
page:  
Install this software:  
do this:  
System Version  
Save images to a  
computer and view  
them there manually  
7 / Vista / XP /  
2000  
Installation not required.  
Installation not required.  
• Windows Media Player, which  
is already installed on most  
computers, can be used for  
playback.  
• If your computer is running  
Windows 2000 and does not  
have DirectX 9.0c or higher  
installed, download DirectX  
from the Microsoft DirectX site  
and install it on your computer.  
7 / Vista / XP /  
2000  
Play movies  
Edit movies  
7 / Vista / XP /  
2000  
• Use commercial software as  
required.  
7 / Vista /  
XP (SP2) /  
2000 (SP4)  
Upload movie files  
to YouTube  
YouTube Uploader for CASIO*  
View the User’s  
Guide  
Vista / XP (SP2) / Adobe Reader 8  
2000 (SP4) (Not required if already installed.)  
* YouTube Uploader for CASIO will not run under 64-bit versions of Windows OS.  
. Computer System Requirements for Bundled Software  
Computer system requirements are different for each of the applications. See the  
“Read me” file that comes with each application for details. Information about  
computer system requirements also can be found under “Computer System  
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. Precautions for Windows Users  
• Except for Adobe Reader, the bundled software requires Administrator privileges to  
run.  
• Operation on a self-made computer is not supported.  
• Operation may not be possible under certain computer environments.  
Viewing and Storing Images on a Computer  
You can connect the camera to your computer in order to view and store images  
(snapshot and movie files).  
. To connect the camera to your computer and save files  
1. Turn on the camera and press [MENU].  
2. On the “Set Up” tab, select “USB” and then press [6].  
3. Use [8] and [2] to select “Mass Storage”, and then press [SET].  
4. Turn off the camera and then use the USB cable that comes with the  
camera to connect it to your computer.  
USB port  
USB cable  
USB/AV port  
Large connector  
Small connector  
Making sure that the 6 mark on the camera is  
Terminal cover  
aligned with the 4 mark of the USB cable  
connector, connect the cable to the camera.  
• The camera does not draw power over the USB cable. Check the battery level  
before connecting and make sure it is not too low.  
• Make sure that you insert the cable connector into the USB/AV port until you  
feel it click securely into place. Failure to insert the connector fully can result in  
poor communication or malfunction.  
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• Note that even while the connector is fully inserted, you still will  
be able to see the metal part of the connector as shown in the  
illustration.  
• When connecting the USB cable to a USB port, make sure you  
align the connector correctly with the port.  
• Your computer may not be able to recognize the camera if you connect via a  
USB hub. Always connect directly to the computer’s USB port.  
5. Turn on the camera.  
6. Windows 7/Vista users: Click “Start” and then “Computer”.  
Windows XP users: Click “Start” and then “My Computer”.  
Windows 2000 users: Doubleclick “My Computer”.  
7. Double-click “Removable Disk”.  
• Your computer recognizes the memory card loaded in the camera (or built-in  
memory if there is no card) as a removable disk.  
8. Right-click the “DCIM” folder.  
9. On the shortcut menu that appears, click “Copy”.  
10. Windows 7/Vista users: Click “Start” and then “Documents”.  
Windows XP users: Click “Start” and then “My Documents”.  
Windows 2000 users: Doubleclick “My Documents” to open it.  
• If you already have a “DCIM” folder in “Documents” (Windows 7/Vista) or “My  
Documents” (Windows XP/2000), the next step will overwrite it. If you want to  
keep the existing “DCIM” folder, you need to change its name or move it to a  
different location before performing the next step.  
11. Windows 7 users: On the “Documents” “Organize” menu, select  
“Paste”.  
Windows Vista users: On the “Documents” “Edit” menu, select  
“Paste”.  
Windows XP/2000 users: On the “My Documents” “Edit” menu, select  
“Paste”.  
This will paste the “DCIM” folder (and all the image files it contains) into your  
“Documents” (Windows 7/Vista) or “My Documents” (Windows XP/2000) folder.  
You now have a copy of the files that are in camera memory on your computer.  
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12. After you finish copying images, disconnect the camera from the  
computer.  
Windows 7, Windows Vista, Windows XP  
On the camera, press [ON/OFF] to turn off the camera. After making sure that the  
back lamp is unlit, disconnect the camera from the computer.  
Windows 2000  
Click card services in the task tray on your computer screen, and disable the  
drive number assigned to the camera. Next, after making sure that the back lamp  
is unlit, press the camera’s [ON/OFF] button to turn off the camera and  
disconnect the camera from your computer.  
. To view images you copied to your computer  
1. Double-click the copied “DCIM” folder to open it.  
2. Double-click the folder that contains the images you want to view.  
3. Double-click the image file you want to view.  
• For information about file names, see “Memory Folder Structure” on page 146.  
• An image that was rotated on the camera will be displayed on your computer  
screen in its original (unrotated) orientation.  
• Viewing a CS image on a computer will individually display the component  
images in the CS group. A CS group cannot be viewed as a CS image on a  
computer.  
Never use your computer to modify, delete, move, or rename any image files  
that are in the camera’s built-in memory or on its memory card.  
Doing so can cause problems with the camera’s image management data, which  
will make it impossible to play back images on the camera and can drastically alter  
remaining memory capacity. Whenever you want to modify, delete, move, or  
rename an image, do so only on images that are stored on your computer.  
IMPORTANT!  
• Never unplug the USB cable, or operate the camera while viewing or storing  
images. Doing so can cause data to become corrupted.  
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Playing Movies  
Windows Media Player, which is already installed on most computers, can be used  
for movie playback. To play back a movie, first copy the movie to your computer and  
then double-click the movie file.  
. Minimum Computer System Requirements for Movie Playback  
The minimum system requirements described below are necessary to play back  
movies recorded with this camera on a computer.  
Operating System : Windows 7 / Vista / XP / 2000  
CPU  
: Pentium 4 3.2 GHz or higher  
Required Software : Windows Media Player, DirectX 9.0c or higher  
• The above are recommended system environments. Configuring one of these  
environments does not guarantee proper operation.  
• Certain settings and other installed software may interfere with proper playback of  
movies.  
. Movie Playback Precautions  
• Be sure to move the movie data to the hard disk of your computer before trying to  
play it. Proper movie playback may not be possible for data accessed over a  
network, from a memory card, etc.  
• Proper movie playback may not be possible on some computers. If you experience  
problems, try the following.  
– Try recording movies with a quality setting of “STD”.  
– Try upgrading Windows Media Player to the latest version.  
– Quit any other applications you have running, and stop resident applications.  
Even if proper playback is not possible on the computer, you can use the AV cable  
that comes bundled with the camera to connect to the video input terminal of a TV or  
computer and play back movies that way.  
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Uploading Movie Files to YouTube  
Installing YouTube Uploader for CASIO from the CD-ROM that comes with your  
camera simplifies uploading of movie files you recorded with the YouTube mode to  
YouTube.  
. What is YouTube?  
YouTube is a movie sharing site managed by YouTube, LLC where you can upload  
movies and view movies uploaded by others.  
. To install YouTube Uploader for CASIO  
1. On the CD-ROM menu screen, select “YouTube Uploader for CASIO”.  
2. After reading the information about installation conditions and system  
requirements for installation in the “Read me” file, install YouTube  
Uploader for CASIO.  
. To upload a movie file to YouTube  
• Before you can use YouTube Uploader for CASIO, you need to go to the YouTube  
website (http://www.youtube.com/) and register as a user there.  
• Do not upload any video that is copyrighted (including neighboring copyrights)  
unless you yourself own the copyright or you have obtained the permission of the  
applicable copyright holder(s).  
• The maximum file size for each upload is 1024MB or 10 minutes of playing time.  
1. Record the movie you want to upload using the YouTube mode (page  
71).  
2. If it isn’t already, connect your computer to the Internet.  
3. Connect the camera to your computer (page 133).  
4. Turn on the camera.  
YouTube Uploader for CASIO will start up automatically.  
• If this is the first time you are using the application, configure the YouTube user  
ID and network environment settings, and then click the [OK] button.  
5. The left side of the display will have an area for inputting a title,  
category, and other information required for uploading to YouTube.  
Enter the required information.  
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6. The right side of the display shows a list of movie files in camera  
memory. Select the check box next to the movie file you want to  
upload.  
7. When everything is ready, click the [Upload] button.  
This will upload the movie file(s) to YouTube.  
• After uploading is complete, click the [Exit] button to exit the application.  
Viewing User Documentation (PDF Files)  
1. Start up your computer, and place the bundled CD-ROM into its CD-  
ROM drive.  
Normally, this should cause the menu screen to appear automatically. If your  
computer does not display the menu screen automatically, navigate to the CD-  
ROM on your computer and then double-click the “AutoMenu.exe” file.  
2. On the menu screen, click the “Language” down arrow button and then  
select the language you want.  
3. Click “Manual” to select it and then click “Digital Camera”.  
IMPORTANT!  
• You must have Adobe Reader or Adobe Acrobat Reader installed on your  
computer in order to view the contents of a PDF file. If you do not already have  
Adobe Reader or Adobe Acrobat Reader installed, install Adobe Reader from the  
bundled CD-ROM.  
User Registration  
You can perform user registration over the Internet. To do so, of course, you need to  
be able to connect to the Internet with your computer.  
1. On the CD-ROM menu screen, click the “Register” button.  
• This starts up your Web browser and accesses the user registration website.  
Follow the instructions that appear on your computer screen to register.  
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Using the Camera with a Macintosh  
Install the required software in accordance with what version of the Macintosh OS  
you are running and what you want to do.  
Operating  
System  
Version  
When you want to  
do this:  
See  
page:  
Install this software:  
Save images to your  
Macintosh and view  
them there manually  
OS 9  
OS X  
Installation not required.  
Save images to your OS 9  
Macintosh  
automatically/  
Use commercially available software.  
Use iPhoto, which comes bundled  
with some Macintosh products.  
OS X  
Manage images  
You can playback with QuickTime,  
Play movies  
OS 9 / OS X which comes bundled with your  
operating system.  
Connecting the Camera to Your Computer and Saving Files  
IMPORTANT!  
• The camera does not support operation with Mac OS 8.6 or earlier, or Mac OS X  
10.0. Operation is supported with Mac OS 9, X (10.1, 10.2, 10.3, 10.4, 10.5) only.  
Use the standard USB driver that comes with your supported operating system.  
. To connect the camera to your computer and save files  
1. Turn on the camera and press [MENU].  
2. On the “Set Up” tab, select “USB” and then press [6].  
3. Use [8] and [2] to select “Mass Storage”, and then press [SET].  
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4. Turn off the camera and then use the USB cable that comes with the  
camera to connect it to your Macintosh.  
USB port  
USB cable  
USB/AV port  
Large connector  
Small connector  
Making sure that the 6 mark on the camera is  
Terminal cover  
aligned with the 4 mark of the USB cable  
connector, connect the cable to the camera.  
• The camera does not draw power over the USB cable. Check the battery level  
before connecting and make sure it is not too low.  
• Make sure that you insert the cable connector into the USB/AV port until you  
feel it click securely into place. Failure to insert the connector fully can result in  
poor communication or malfunction.  
• Note that even while the connector is fully inserted, you still will  
be able to see the metal part of the connector as shown in the  
illustration.  
• When connecting the USB cable to a USB port, make sure you  
align the connector correctly with the port.  
• Your computer may not be able to recognize the camera if you connect via a  
USB hub. Always connect directly to the computer’s USB port.  
5. Turn on the camera.  
The camera’s back lamp will light green at this time. In this mode, your Macintosh  
recognizes the memory card loaded in the camera (or the camera’s built-in  
memory if it does not have a memory card loaded) as a drive. The appearance of  
the drive icon depends on the Mac OS version you are using.  
6. Double-click the camera’s drive icon.  
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7. Drag the “DCIM” folder to the folder to which you want to copy it.  
8. After the copy operation is complete, drag the drive icon to Trash.  
9. On the camera, press [ON/OFF] to turn off the camera. After making  
sure that the green back lamp is unlit, disconnect the camera from the  
computer.  
. To view copied images  
1. Double-click the camera’s drive icon.  
2. Double-click the “DCIM” folder to open it.  
3. Double-click the folder that contains the images you want to view.  
4. Double-click the image file you want to view.  
• For information about file names, see “Memory Folder Structure” on page 146.  
• An image that was rotated on the camera will be displayed on your Macintosh  
screen in its original (unrotated) orientation.  
• Viewing a CS image on a computer will individually display the component  
images in the CS group. A CS group cannot be viewed as a CS image on a  
computer.  
Never use your computer to modify, delete, move, or rename any image files  
that are in the camera’s built-in memory or on its memory card.  
Doing so can cause problems with the camera’s image management data, which  
will make it impossible to play back images on the camera and can drastically alter  
remaining memory capacity. Whenever you want to modify, delete, move, or  
rename an image, do so only on images that are stored on your computer.  
IMPORTANT!  
• Never unplug the USB cable, or operate the camera while viewing or storing  
images. Doing so can cause data to become corrupted.  
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Transferring Images Automatically and Managing Them on  
Your Macintosh  
If you are running Mac OS X, you can manage snapshots using iPhoto, which comes  
bundled with some Macintosh products. If you are running Mac OS 9, you will need to  
use commercially available software.  
Playing a Movie  
You can use QuickTime, which comes bundled with your operating system, to play  
back movies on a Macintosh. To play back a movie, first copy it to your Macintosh  
and then double-click the movie file.  
. Minimum Computer System Requirements for Movie Playback  
The minimum system requirements described below are necessary to play back  
movies recorded with this camera on a computer.  
Operating System : Mac OS X 10.3.9 or higher  
Required Software : QuickTime 7 or higher  
• The above are recommended system environments. Configuring one of these  
environments does not guarantee proper operation.  
• Certain settings and other installed software may interfere with proper playback of  
movies.  
. Movie Playback Precautions  
Proper movie playback may not be possible on some Macintosh models. If you  
experience problems, try the following.  
– Change the movie image quality setting to “STD”.  
– Upgrade to the latest version of QuickTime.  
– Shut down other applications that are running.  
Even if proper playback is not possible on your Macintosh, you can use the AV cable  
that comes bundled with the camera to connect to the video input terminal of a TV or  
Macintosh and play back movies that way.  
IMPORTANT!  
• Be sure to move the movie data to the hard disk of your Macintosh before trying to  
play it. Proper movie playback may not be possible for data accessed over a  
network, from a memory card, etc.  
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Viewing User Documentation (PDF Files)  
You must have Adobe Reader or Adobe Acrobat Reader installed on your computer  
in order to view the contents of a PDF file. If you don’t, go to the Adobe Systems  
Incorporated website and install Acrobat Reader.  
1. On the CD-ROM, open the “Manual” folder.  
2. Open the “Digital Camera” folder and then open the folder for the  
language whose user’s guide you want to view.  
3. Open the file named “camera_xx.pdf”.  
• “xx” is the language code (Example: camera_e.pdf is for English.)  
User Registration  
Internet registration only is supported. Visit the following CASIO website to register:  
http://world.casio.com/qv/register/  
Using an Eye-Fi Wireless SD Memory Card to Transfer Images  
(Eye-Fi)  
Shooting with an Eye-Fi wireless SD memory card loaded in the camera makes it  
possible to transfer image data automatically to a computer via wireless LAN.  
1. Configure LAN access point, transfer destination and other settings for  
the Eye-Fi card in accordance with the instructions that come with the  
Eye-Fi card.  
2. After configuring settings, load the Eye-Fi card into the camera and  
record.  
Images you record are sent by wireless LAN to your computer, etc.  
• For full details, see the user documentation that comes with the Eye-Fi card.  
• Before formatting a new Eye-Fi card to use it for the first time, copy the Eye-Fi  
Manager install files to your computer. Do this before formatting the card.  
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IMPORTANT!  
• Recorded images are transferred over wireless LAN. Do not use the Eye-Fi card or  
turn off Eye-Fi card communication (page 148) when on an aircraft or in any other  
location where use of wireless communication is limited or prohibited.  
• Loading an Eye-Fi card will cause the Eye-Fi indicator  
to  
appear on the monitor screen. Its transparent or not transparent  
appearance indicates the communication status as shown below.  
Access point cannot be found or no transferable  
image data exists.  
Transparent  
Not transparent Image transfer in progress  
• A communication icon  
will appear on the monitor screen while image data  
transfer is in progress.  
• The camera’s Auto Power Off (page 153) function is disabled while image data  
transfer is in progress.  
• A confirmation message will appear on the monitor screen if you try to turn off the  
camera while image data transfer is in progress. Follow the instructions in the  
messages (page 180).  
• Transfer of a large number of images can take some time to complete.  
• The original images remain on the Eye-Fi card after the image data transfer.  
• Recording a movie to an Eye-Fi card may result in movie frames being dropped.  
• Proper Eye-Fi card data communication may not be possible due to camera  
settings, battery level, or operating conditions.  
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Files and Folders  
The camera creates a file each time you shoot a snapshot, record a movie, or  
perform any other operation that stores data. Files are grouped by storing them in  
folders. Each file and folder has its own unique name.  
• For details about how folders are organized in memory, see “Memory Folder  
Name and Maximum Number Allowed  
Example  
File  
Each folder can contain up to 9999 files named 26th file name:  
CIMG0001 through CIMG9999. The extension  
CIMG0026.JPG  
on the file name depends on the file type.  
Serial number Extension  
(4 digits)  
Folders  
Folders are named from 100CASIO to  
100th folder name:  
999CASIO  
100CASIO  
There can be up to 900 folders in memory.  
• Images recorded with the YouTube mode are  
stored in a folder named “100YOUTB”.  
Serial number (3 digits)  
• You can view folder and file names on your computer. For details about how file  
names are displayed on the camera’s monitor screen, see pages 12 and 13.  
• The total number of folders and files allowed depends on the image size and  
quality, and capacity of the memory card being used for storage.  
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Memory Card Data  
The camera stores images you shoot in accordance with the Design Rule for Camera  
File System (DCF).  
. About DCF  
DCF is a standard that makes it possible to view and print images recorded on one  
manufacturer’s camera on DCF-compliant devices produced by other manufacturers.  
You can transfer DCF-compliant images recorded with another camera to this  
camera and view them on this camera’s monitor screen.  
. Memory Folder Structure  
DCIM  
DCIM Folder  
1
*
100CASIO  
Recording Folder  
CIMG0001.JPG Image File  
CIMG0002.AVI  
Movie File  
1
*
101CASIO  
102CASIO  
Recording Folder  
Recording Folder  
1
*
MISC  
AUTPRINT.MRK  
DPOF File Folder  
DPOF File  
RAW  
RAW Image Folder  
RAW Image Record Folder  
RAW Image File  
3
*
100CASIO  
3
*
CIMG001.DNG  
2
*
SCENE  
Snapshot BEST SHOT User Setup Folder  
Background Music Folder  
Background Music File  
Background Music File  
SSBGM  
SSBGM001.WAV  
SSBGM002.WAV  
2
*
Startup Image File  
STARTING.JPG  
*1 The YouTube mode can be used to record movies are optimized for uploading to  
YouTube. Images recorded with the YouTube mode are stored in a folder named  
“100YOUTB”.  
*2 This folder or file can be created in built-in memory only.  
*3 RAW image data is stored with the same file name in a folder with the same folder  
name as the corresponding JPEG memory that is recorded at the same time.  
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. Supported Image Files  
• Image files shot with this camera  
• DCF-compliant image files  
This camera may not be able to display an image, even if it is DCF-compliant. When  
displaying an image recorded on another camera, it may take a long time for the  
image to appear on this camera’s monitor screen.  
. Built-in Memory and Memory Card Data Handling Precautions  
• Whenever copying memory contents to your computer, you should copy the DCIM  
folder and all of its contents. A good way to keep track of multiple DCIM folders it to  
change their names to dates or something similar after you copy them to your  
computer. If you later decided to return a DCIM folder to the camera, however, be  
sure to change its name back to DCIM. The camera is designed to recognize only a  
root file with the name DCIM. Note the camera also will not be able to recognize the  
folders inside the DCIM folder unless they have the names they originally had  
when you copied them from the camera to your computer.  
• Folders and files must be stored in accordance with the “Memory Folder Structure”  
shown on page 146 in order for the camera to be able to recognize them correctly.  
• You also can use a PC card adapter or a memory card reader/writer to access  
camera files directly from the camera’s memory card.  
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Other Settings (Set Up)  
This section explains menu items that you can use to configure settings and perform  
other operations in both the REC mode and PLAY mode.  
For information about menu operations, see page 92.  
Adjusting Monitor Screen Brightness (Screen)  
Procedure  
[MENU] * Set Up Tab * Screen  
With this setting, the camera detects available light levels and  
Auto 2/  
Auto 1  
automatically adjusts the brightness of the monitor screen accordingly.  
“Auto 2” changes monitor screen brightness relatively more quickly than  
“Auto 1” when surrounding light is bright.  
Brightness that is greater than +1, which makes the screen easier to  
view. This setting consumes more power.  
+2  
+1  
0
Bright setting for outdoor use, etc. Brightness that is greater than 0.  
Normal monitor screen brightness for indoor use, etc.  
Turning off Eye-Fi Card Communication (Eye-Fi)  
Procedure  
[MENU] * Set Up Tab * Eye-Fi  
Select “Off” to disable Eye-Fi card communication (page 143).  
Auto Image Orientation Detection and Rotation (Auto Rotate)  
Procedure  
[MENU] * Set Up Tab * Auto Rotate  
Automatically rotates snapshots shot with the camera held vertically 90  
degrees.  
On  
Off  
Images not rotated automatically.  
The camera automatically detects whether a snapshot image was shot in portrait or  
landscape orientation and displays it accordingly. Auto rotation is not performed for  
movies.  
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Adjusting Viewfinder Brightness (EVF Brightness)  
Procedure  
[MENU] * Set Up Tab * EVF Brightness  
You can use the above procedure to change the brightness of the viewfinder. You  
can select one of three levels from +2 (brightest) to 0 (normal).  
Configuring Camera Sound Settings (Sounds)  
Procedure  
[MENU] * Set Up Tab * Sounds  
Startup  
Specifies the startup sound.  
Sound 1 - 5: Built-in sounds (1 through 5)  
Off: Sound off  
Half Shutter  
Shutter  
Operation  
Specifies the sound volume. This setting is also used as the  
audio level during video output (page 110).  
Operation  
Play  
=
=
Specifies the volume of movie audio output. This volume  
setting is not used during video output (from the USB/AV port)  
• Setting a volume level of 0 mutes output.  
Configuring World Time Settings (World Time)  
Procedure  
[MENU] * Set Up Tab * World Time  
You can use the World Time screen to view the current time in a zone that is different  
from your Home City when you go on a trip, etc. World Time displays the current time  
in 162 cities in 32 time zones around the globe.  
1. Use [8] and [2] to select “World” and then press [6].  
• To change the geographic area and city for the time where you normally use  
the camera, select “Home”.  
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2. Use [8] and [2] to select “City” and then press [6].  
• To change the “World” setting to summer time, use [8] and [2] to select  
“DST” and then select “On”. Summer time is used in some geographical areas  
to advance the current time setting by one hour during the summer months.  
3. Use [8], [2], [4], and [6] to select the geographic area you want and  
then press [SET].  
4. Use [8] and [2] to select the city you want and then press [SET].  
5. Press [SET].  
IMPORTANT!  
• Before configuring World Time settings, make sure that the Home City setting is  
the place where you live or normally use the camera. If it isn’t, select “Home” on the  
screen in step 1 and configure the Home City, date, and time settings as required  
Specifying the File Name Serial Number Generation Rule  
(File No.)  
Procedure  
[MENU] * Set Up Tab * File No.  
Use the following procedure to specify the rule that governs generation of the serial  
number used in file names (page 145).  
Tells the camera to remember the last used file number. A new file will  
be named using the next sequential number, even if files are deleted or  
if a blank memory card is loaded. If a memory card is loaded and that  
Continue card already has files stored on it and the largest sequential number in  
the existing file names is greater than the largest sequential number  
remembered by the camera, numbering of new files will start from the  
largest sequential number in the memory card file names plus 1.  
Restarts the serial number from 0001 whenever all files are deleted or  
when the memory card is replaced with a blank one. If a memory card  
Reset  
is loaded and that card already has files stored on it, numbering of new  
files will start from the largest sequential number in the memory card  
file names plus 1.  
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Time Stamping Snapshots (Timestamp)  
Procedure  
[MENU] * Set Up Tab * Timestamp  
You can configure the camera to stamp the recording date only, or date and time in  
the lower right corner of each snapshot.  
• Once date and time information is stamped into a snapshot, it cannot be edited or  
deleted.  
Example: July 10, 2012, 1:25 p.m.  
Date  
2012/7/10  
Date&Time  
Off  
2012/7/10 1:25pm  
No stamping of date and/or time  
• Even if you do not stamp the date and/or time with Timestamp, you can do so later  
using the DPOF function or some printing application (page 130).  
• Stamping is performed in accordance with the date and time settings (page 151)  
and the display style settings (page 152).  
Setting the Camera’s Clock (Adjust)  
Procedure  
[MENU] * Set Up Tab * Adjust  
[8] [2] Change the setting at the cursor location.  
[4] [6] Move the cursor between settings.  
[BS]  
Toggles between 12-hour and 24-hour format.  
When the date and time settings are what you want, select “Apply” and then press  
[SET] to apply them.  
• You can specify a date from 2001 to 2049.  
• Be sure to select your Home City (page 149) before setting the time and date. If  
you set the time and date while the wrong city is selected for your Home City, the  
times and dates of all of the World Time cities (page 149) will be wrong.  
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Specifying the Date Style (Date Style)  
Procedure  
[MENU] * Set Up Tab * Date Style  
You can select from among three different styles for the date.  
Example: July 10, 2012  
YY/MM/DD  
DD/MM/YY  
MM/DD/YY  
12/7/10  
10/7/12  
7/10/12  
• This setting also affects the control panel date format as shown below (page 35).  
YY/MM/DD or MM/DD/YY: MM/DD  
DD/MM/YY: DD/MM  
Specifying the Display Language (Language)  
Procedure  
[MENU] * Set Up Tab * Language  
. Specify the display language you want.  
Select the tab on the right.  
Select “Language”.  
Select the language you want.  
1
1
2
3
23  
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Configuring Sleep State Settings (Sleep)  
Procedure  
[MENU] * Set Up Tab * Sleep  
This feature turns off the monitor screen whenever no camera operation is performed  
for a preset amount of time. Press any button to turn the monitor screen back on.  
Trigger Time Settings: 30 sec, 1 min, 2 min, Off (Sleep is disabled while “Off” is  
selected.)  
• Sleep is disabled under any of the following conditions.  
– In the PLAY mode  
– While the camera is connected to a computer or other device  
– During a slideshow  
– During movie recording and playback  
– During Move Out CS or Move In CS auto record standby  
• When both sleep and Auto Power Off are turned on, Auto Power Off takes priority.  
Configuring Auto Power Off Settings (Auto Power Off)  
Procedure  
[MENU] * Set Up Tab * Auto Power Off  
Auto Power Off turns off the camera whenever no camera operation is performed for  
a preset amount of time.  
Trigger Time Settings: 2 min, 5 min, 10 min (The trigger time is always 5 minutes in  
the PLAY mode.)  
• Auto Power Off is disabled under any of the following conditions.  
– While the camera is connected to a computer or other device  
– During a slideshow  
– During CS group playback  
– During movie recording and playback  
– During Move Out CS or Move In CS auto record standby  
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Configuring [r] and [p] Settings (REC/PLAY)  
Procedure  
[MENU] * Set Up Tab * REC/PLAY  
Camera turns on whenever [r] (REC) or [p] (PLAY) is  
pressed.  
Power On  
Camera turns on or off whenever [r] (REC) or [p] (PLAY) is  
pressed.  
Power On/Off  
Camera does not turn on or off when [r] (REC) or [p] (PLAY)  
is pressed.  
Disable  
• With “Power On/Off”, the camera turns off when you press [r] (REC) in the REC  
mode or [p] (PLAY) in the PLAY mode.  
• Change this setting to “Power On” or “Power On/Off” before connecting to a TV for  
image viewing.  
Controlling Monitor Screen Priority (LCD Priority)  
Procedure  
[MENU] * Set Up Tab * LCD Priority  
You can use this setting to control when the monitor screen turns on.  
With this setting, the viewfinder display turns off and the monitor screen  
turns on, regardless of the monitor screen/viewfinder setting selected  
using the [EVF/LCD] button (page 158), during playback, menu display,  
On  
and BEST SHOT scene selection.  
With this setting, the monitor screen/viewfinder operation (page 158) is  
always in accordance with the setting selection with the [EVF/LCD] button.  
Off  
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Configuring USB Protocol Settings (USB)  
Procedure  
[MENU] * Set Up Tab * USB  
You can use the procedure below to select the USB communication protocol, which is  
used when exchanging data with a computer, printer, or other external device.  
Select this setting when connecting to a computer (pages 133, 139).  
Mass  
Storage  
With this setting, the computer sees the camera as an external  
storage device. Use this setting for normal transfer of images from  
the camera to a computer.  
PTP  
Select this setting when connecting to a printer that supports  
(PictBridge) PictBridge (page 124).  
Selecting the Screen Aspect Ratio and Video Output System  
(Video Out)  
Procedure  
[MENU] * Set Up Tab * Video Out  
You can use the procedure in this section to select either NTSC or PAL as the video  
output system. You can also specify an aspect ratio of 4:3 or 16:9.  
NTSC  
PAL  
Video system used in Japan, the U.S., and other countries  
Video system used in Europe and other areas  
4:3  
Normal TV screen aspect ratio  
Wide screen aspect ratio  
16:9  
• Output to a TV is not supported while the camera is in the REC mode.  
• When the camera is connected to a TV for movie playback, only movie images are  
displayed on the TV screen. The camera’s monitor screen will show on-screen  
information only (without any movie image).  
• Select the aspect ratio (4:3 or 16:9) that matches the type of TV you plan to use.  
Images will not display correctly if you select the wrong aspect ratio.  
• Images will not display correctly unless the camera’s video signal output setting  
matches the video signal system of the TV or other video equipment.  
• Images cannot be displayed correctly on a TV or video equipment that is not NTSC  
or PAL.  
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Specifying the Battery Type (Battery Type)  
Procedure  
[MENU] * Set Up Tab * Battery Type  
See page 19 for details.  
Configuring a Startup Image (Startup)  
Procedure  
[MENU] * Set Up Tab * Startup  
Display the image you want to use as your startup image and then select “On”.  
• The startup image does not appear when you turn on the camera by pressing [p]  
(PLAY).  
• You can specify a snapshot you recorded as the startup image, or you can use the  
special startup image provided in the camera’s built-in memory.  
• Formatting built-in memory (page 157) will delete the current startup image setting.  
• You can select the first snapshot of a CS group as the startup image. If you want to  
select another image within a CS group, you need to first divide up the CS group or  
use the CS Frame Edit feature to make a copy of the image outside of the CS  
group.  
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Formatting Built-in Memory or a Memory Card (Format)  
Procedure  
[MENU] * Set Up Tab * Format  
If a memory card is loaded in the camera, this operation will format the memory card.  
It will format built-in memory if no memory card is loaded.  
• The format operation will delete all contents on the memory card or in built-in  
memory. It cannot be undone. Make sure you do not need any data currently on  
the card or in built-in memory before you format it.  
• Formatting built-in memory will delete the following data.  
– Protected images  
– BEST SHOT user setups  
– Startup screen  
• Formatting a memory card will delete the following data.  
– Protected images  
• Check the battery level before starting a format operation and make sure it is not  
too low. Formatting may not be performed correctly and the camera may stop  
operating normally if the camera powers down while formatting is in progress.  
• Never open the battery cover while formatting is in progress. Doing so can cause  
the camera to stop operating normally.  
Resetting the Camera to Factory Defaults (Reset)  
Procedure  
[MENU] * Set Up Tab * Reset  
See page 174 for details about the camera’s factory default settings.  
The settings below are not reset.  
World Time settings, clock settings, date style, screen language, video output,  
Battery Type  
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Configuring Monitor Screen Settings  
[
Turning Display Information On and Off (Info)  
Each press of [DISP] will cycle through display settings that display or hide on-screen  
information and the control panel. You can configure separate settings for the REC  
mode and PLAY mode.  
Information on,  
Displays setting information and the control panel.  
control panel on  
Displays setting information and the  
control panel, and a histogram (page 158)  
on the left side of the display.  
Information on,  
control panel on,  
histogram on  
Histogram  
Information off,  
Hides setting information and the control panel.  
control panel off  
• The control panel is not displayed and display information settings cannot be  
changed during movie recording.  
Selecting Monitor Screen and Viewfinder Settings  
Each press of the [EVF/LCD] button cycles through the  
available monitor screen and viewfinder on/off settings.  
• Both the monitor screen and viewfinder cannot be  
turned on at the same time.  
[EVF/LCD]  
Viewfinder  
Monitor screen  
Using the On-screen Histogram to Check Exposure  
(+Histogram)  
Displays a histogram on the monitor screen which you can use to  
check the exposure of an image before you shoot it. You also can  
display the histogram in the PLAY mode for information about the  
exposure levels of images.  
Histogram  
Configuring Monitor Screen Settings  
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NOTE  
• A centered histogram does not necessarily guarantee optimum exposure. The  
recorded image may be over-exposed or under-exposed, even though its  
histogram is centered.  
• Due to the limitations of exposure compensation, you may not be able to achieve  
an optimum histogram configuration.  
• Use of the flash and certain shooting conditions can cause the histogram to  
indicate exposure that is different from the actual exposure of the image when it is  
shot.  
• The histogram cannot be displayed during high speed movie recording.  
How to Use the Histogram  
A histogram is a graph that represents the lightness of an image in terms of the  
number of pixels. The vertical axis indicates the number of pixels, while the horizontal  
axis indicates lightness. If the histogram appears too lopsided for some reason, you  
can use EV shift to move it left or right in order to achieve better balance. Optimum  
exposure can be achieved by EV shifting so the graph is as close to the center as  
possible. For snapshots, you can even display individual histograms for R (red), G  
(green), and B (blue).  
Example Histograms  
A histogram towards the left side results when the  
overall image is dark. A histogram that is too far to  
the left may result in “black out” of the dark areas  
of an image.  
A histogram towards the right side results when  
the overall image is light. A histogram that is too  
far to the right may result in “white out” of the light  
areas of an image.  
An overall well-balanced histogram results when  
the overall image is at optimal lightness.  
Configuring Monitor Screen Settings  
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159  
 
Appendix  
Precautions during Use  
. Avoid Use While In Motion  
• Never use the camera to record or play back images while operating an automobile  
or other vehicle, or while walking. Looking at the monitor while in motion creates  
the risk of serious accident.  
. Directly Viewing the Sun or Bright Light  
• Never look at the sun or any other bright light through the cameras viewfinder.  
Doing so can damage your eyesight.  
. Flash  
• Never use the flash unit in areas where flammable or explosive gas may be  
present. Such conditions create the risk of fire and explosion.  
• Never fire the flash in the direction of a person operating a motor vehicle. Doing so  
can interfere with the driver’s vision and creates the risk of accident.  
• Never fire the flash too close to the eyes of the subject. Doing so creates the risk of  
loss of eyesight.  
. Display Panel  
• Do not apply strong pressure to the LCD panel surface or subject it to strong  
impact. Doing so can cause the display panel glass to crack.  
• Should the display panel ever become cracked, never touch any of the liquid inside  
the panel. Doing so creates the risk of skin inflammation.  
• Should display panel liquid ever get into your mouth, immediately rinse your mouth  
out and contact your physician.  
• Should display panel liquid ever get into your eyes or onto your skin, immediately  
rinse with clean water for at least 15 minutes and contact your physician.  
. Connections  
• Never plug any devices that are not specified for use with this camera into  
connectors. Connecting a non-specified device creates the risk of fire and electric  
shock.  
. Transport  
• Never operate the camera inside of an aircraft or anywhere else where operation of  
such devices is restricted. Improper use creates the risk of serious accident.  
Appendix  
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. Smoke, abnormal odor, overheating, and other abnormalities  
• Continued use of the camera while it is emitting smoke or strange odor, or while it  
is overheating creates the risk of fire and electric shock. Immediately perform the  
following steps whenever any of the above symptoms are present.  
1. Turn off the camera.  
2. Remove the batteries from the camera, taking care to protect yourself against  
burn injury.  
3. Contact your dealer or nearest CASIO authorized service center.  
. Water and Foreign Matter  
• Water, other liquids, or foreign matter (especially metal) getting inside the camera  
creates the risk of fire and electric shock. Immediately perform the following steps  
whenever any of the above symptoms are present. Particular care is required when  
using the camera where it is raining or snowing, near the ocean or other body of  
water, or in a bathroom.  
1. Turn off the camera.  
2. Remove the batteries from the camera.  
3. Contact your dealer or nearest CASIO authorized service center.  
. Dropping and Rough Treatment  
• Continued use of the camera after it is damaged by dropping or other rough  
treatment creates the risk of fire and electric shock. Immediately perform the  
following steps whenever any of the above symptoms are present.  
1. Turn off the camera.  
2. Remove the batteries from the camera.  
3. Contact your dealer or nearest CASIO authorized service center.  
. Keep Away From Fire  
• Never expose the camera to fire, which can cause it to explode and creates the risk  
of fire and electric shock.  
. Disassembly and Modification  
• Never try to take the camera apart or modify it in any way. Doing so creates the risk  
of electric shock, burn injury, and other personal injury. Be sure to leave all internal  
inspection, maintenance, and repair up to your dealer or nearest CASIO authorized  
service center.  
Appendix  
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. Locations To Be Avoided  
• Never leave the camera in any of the following types of locations. Doing so creates  
the risk of fire and electric shock.  
– Areas subject to large amounts of humidity or dust  
– Food preparation areas or other locations where oil smoke is present  
– Near heaters, on a heated carpet, in areas exposed to direct sunlight, in a closed  
vehicle parked in the sun, or other areas subject to very high temperatures  
• Never place the camera on an unstable surface, on a high shelf, etc. Doing so can  
cause the camera to fall, creating the risk of personal injury.  
. Backing Up Important Data  
• Always keep backup copies of important data in camera memory by transferring it  
to a computer or other storage device. Note that data can be deleted in the case of  
camera malfunction, repair, etc.  
. Memory Protection  
• Whenever replacing the batteries, be sure to follow the correct procedure as  
described in the documentation that comes with the camera. Incorrectly replacing  
the batteries can result in corruption or loss of data in camera memory.  
. Batteries  
• Misuse of batteries can cause them to leak, which damages and corrodes the area  
around the batteries and creates the risk of fire and personal injury. Make sure you  
observe the following precautions when using batteries.  
– Never try to take batteries apart and never allow them to become shorted.  
– Do not expose batteries to heat or fire.  
– Never mix new batteries with old ones.  
– Never mix batteries of different types.  
– Do not charge non-rechargeable batteries.  
– When loading batteries, make sure their positive (+) and negative (–) ends are  
facing correctly.  
– When using rechargeable batteries, be sure to read the Safety Precautions  
section of the user documentation that comes with them.  
– Use only the batteries that are specified for this camera.  
– If you do not plan to use the camera for a long time, remove its batteries.  
Appendix  
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. Alkaline Batteries  
• Should liquid from an alkaline battery ever get into your eyes, take the following  
steps.  
1. Immediately rinse your eyes with clean water. Do not rub!  
2. See a physician as soon as possible.  
Failure to clean alkaline battery fluid from the eyes creates the risk of loss of sight.  
. Rechargeable Batteries  
• Should you ever notice any of the following conditions while using, charging, or  
storing batteries, immediately remove them from the camera, and keep them away  
from open flame:  
– Fluid leaking  
– Emission of a strange odor  
– Heat emission  
– Battery discoloration  
– Battery deformation  
– Any other battery abnormality  
• Failure to observe any of the following precautions while using batteries creates  
the risk of overheating, fire, and explosion.  
– Never use or leave batteries near open flame.  
– Never place batteries in a microwave oven, throw them into fire, or otherwise  
expose them to intense heat.  
– Make sure batteries are oriented correctly when you load them into the camera.  
– Never carry or store batteries together with items that can conduct electricity  
(necklaces, pencil lead, etc.).  
– Never try to take batteries apart, modify them in any way, or expose them to  
strong impact.  
– Do not immerse batteries in fresh water or salt water.  
– Do not use or leave batteries under direct sunlight, in an automobile parked in  
the sun, or in any other area subject to high temperatures.  
• Battery fluid can damage your eyes. Should battery fluid get into your eyes  
accidentally, immediately rinse them with clean tap water and then consult a  
physician.  
• If batteries are to be used by young children, make sure that a responsible adult  
makes them aware of the precautions and proper handling instructions, and make  
sure that they handle batteries correctly.  
• Should fluid from batteries accidentally get onto clothing or your skin, immediately  
rinse it off with clean tap water. Prolonged contact with battery fluid can cause skin  
irritation.  
Appendix  
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. Battery Life  
• The battery lives noted in the User’s Guide are approximate values until power  
fails, based on use of batteries of recommended brands at temperature 23°C  
(73°F), and do not guarantee you will be able to achieve operation for the life  
noted. Actual battery life is greatly affected by the battery brand, battery production  
date, and ambient temperature.  
• Leaving the camera on can run down batteries and cause the low battery warning  
to appear. Turn off the camera whenever you are not using it.  
• Sometimes, the camera may shutdown after the low battery warning appears. If  
this happens, immediately replace both of the batteries. Leaving low or dead  
batteries in the camera can lead to battery leakage and data corruption.  
• Though you could use alkaline batteries when there are no other types of batteries  
available, note that the life of alkaline batteries will be very short. Use of  
rechargeable Ni-MH batteries is recommended.  
. Data Error Precautions  
Your digital camera is manufactured using precision digital components. Any of the  
following creates the risk of corruption of data in camera memory and camera  
malfunction.  
– Removing the batteries or memory card while the camera is performing some  
operation  
– Removing the batteries or memory card while the back lamp is flashing green after  
turning off the camera  
– Disconnecting the USB cable while communication is in progress  
– Low battery power  
* Note that continued use of weak batteries can lead to malfunction of the camera.  
Replace the batteries with new ones as soon as possible after signs of low  
power appear  
– Other abnormal operations  
Any of the above conditions can cause an error message to appear on the monitor  
screen (page 180). Perform the action indicated by the message that appears.  
. Operating Environment  
• Operating Temperature: 0 to 40°C (32 to 104°F)  
• Operating Humidity: 10 to 85% (non condensation)  
• Do not place the camera in any of the following locations.  
– In an area exposed to direct sunlight, or large amounts of moisture, dust, or sand  
– Near an air conditioner or in other areas subjected to extreme temperature or  
humidity  
– Inside of a motor vehicle on a hot day, or in an area subjected to strong vibration  
Appendix  
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164  
. Condensation  
Sudden and extreme temperature changes, such as when the camera is moved from  
the outdoors on a cold winter day into a warm room, can cause water droplets called  
“condensation” to form on the interior and the exterior of the camera, which creates  
the risk of malfunction. To prevent condensation from forming seal the camera in a  
plastic bag before changing locations. Then leave the bag sealed to allow the air  
inside to naturally change to the same temperature as the air in the new location.  
After that, remove the camera from the bag and open the battery cover for a few  
hours.  
. Lens  
• Never apply too much force when cleaning the surface of the lens. Doing so can  
scratch the lens surface and cause malfunction.  
• You may sometimes notice some distortion in certain types of images, such as a  
slight bend in lines that should be straight. This is due to the characteristics of  
lenses, and does not indicate malfunction of the camera.  
. Caring for your camera  
• Never touch the lens or flash window with your fingers. Finger smudges, dirt, and  
other foreign matter on the lens or flash window can interfere with proper operation  
of the camera. Use a blower or other means to keep the lens and flash window free  
of dirt and dust, and wipe gently with a soft, dry cloth.  
• To clean the camera, wipe it with a soft, dry cloth.  
. Old Battery Handling Precautions  
• Insulate the positive and negative terminals with tape, etc.  
• Do not peel the covering off of a battery.  
• Do not try to take a battery apart.  
. Other Precautions  
The camera becomes slightly warm during use. This is normal and does not indicate  
malfunction.  
Appendix  
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165  
 
. Copyrights  
Except for your own personal enjoyment, unauthorized use of use of snapshots or  
movies of images whose rights belong to others, without the permission of the right  
holder, is forbidden by copyright laws. In some cases, shooting of public  
performances, shows, exhibitions, etc. may be restricted entirely, even if it is for your  
own personal enjoyment. Regardless of whether such files are purchased by you or  
obtained for free, posting them on a website, a file sharing site, or any other Internet  
site, or otherwise distributing them to third parties without the permission of the  
copyright holder is strictly prohibited by copyright laws and international treaties. For  
example, uploading or distributing on the Internet images of TV programs, live  
concerts, music videos, etc. that were photographed or recorded by you may infringe  
upon the rights of others. Note that CASIO COMPUTER CO., LTD. shall not be held  
liable for use of this product in any way that infringes on the copyrights of others or  
that violates copyright laws.  
The following terms, which are used in this manual, are registered trademarks or  
trademarks of their respective owners.  
Note that trademark and registered trademark ® are not used within the text of this  
manual.  
• The SDHC logo is a trademark.  
• Microsoft, Windows, Internet Explorer, Windows Media, Windows Vista,  
Windows 7, and DirectX are registered trademarks or trademarks of Microsoft  
Corporation in the United States and other countries.  
• Macintosh, Mac OS, QuickTime, and iPhoto are trademarks of Apple Inc.  
• Adobe and Reader are trademarks or registered trademarks of Adobe Systems  
Incorporated in the United States and other countries.  
• YouTube, the YouTube logo, and “Broadcast Yourself” are trademarks or  
registered trademarks of YouTube, LLC.  
• EXILIM, and YouTube Uploader for CASIO are registered trademarks or  
trademarks of CASIO COMPUTER CO., LTD.  
• All other company or product names mentioned herein may be registered  
trademarks or trademarks of their respective companies.  
Appendix  
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Any and all unauthorized commercial copying, distribution, and copying of the  
bundled software over a network are prohibited.  
This product contains PrKERNELv4 Real-time OS of eSOL  
Co., Ltd. Copyright© 2007 eSOL Co., Ltd.  
PrKERNELv4 is a registered trademark of eSOL Co., Ltd. in  
Japan.  
This product’s YouTube upload functionality is included under license from YouTube,  
LLC. The presence of YouTube upload functionality in this product is not an  
endorsement or recommendation of the product by YouTube, LLC.  
Power Supply  
To replace the batteries  
1. Open the battery cover and remove the  
current batteries.  
2. Load a full set of new batteries.  
• If the new batteries are a different type from the  
ones you removed, use “Battery Type” (page  
19) to specify the type of the news batteries you  
are loading.  
Battery Precautions  
. Precautions during Use  
• Operation provided by batteries under cold conditions is always less than operation  
under normal temperatures. This is due to the characteristics of the batteries, not  
the camera.  
• Batteries may become warm to the touch when power is low. This is normal and  
does not indicate malfunction.  
• Do not tear or remove the outer label of a battery.  
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. Storage Precautions  
• Always remove the batteries from the camera when you are not using it. Leaving  
batteries in the camera can cause it to discharge and go dead, which will lead to  
malfunction of the camera.  
• Remove batteries from the camera if you do not plan to use it for about two weeks  
or more.  
• Store batteries in a cool, dry place (20°C (68°F) or lower).  
. Battery Handling Precautions  
Misuse of batteries can cause them to leak or explode, which damages and corrodes  
the area around the batteries and creates the risk of fire and personal injury. Make  
sure you observe the following precautions when using batteries.  
• When loading batteries, make sure their positive + and negative - ends are  
facing correctly.  
• Never mix new batteries with old ones.  
• Never mix batteries of different brands.  
• Use only the batteries that are specified for this camera.  
• Never try to take batteries apart and always take care to avoid conditions where  
their two ends can become connected to each other (shorting). Never expose  
batteries to heat or throw them into fire.  
• Dead batteries are susceptible to leakage, which can cause serious damage to  
your camera. Remove batteries from the camera as soon as you notice they are  
dead.  
• Remove batteries from the camera if you do not plan to use it for more than two  
weeks.  
• The batteries that power the camera normally become warm as you use them.  
• Use of these battery types is not supported.  
A bare battery whose label (insulation) is partially or wholly  
peeled off.  
A battery whose negative - pole has a raised area or a battery  
whole negative pole is not covered by a label (insulation).  
A battery whose positive + pole is flat.  
Appendix  
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168  
. Alkaline Battery Life  
The actual life of alkaline batteries is affected by a variety of factors, including the  
battery manufacturer, the amount of time the batteries spend in storage before you  
use them, temperature while you are recording, and photographic conditions. As a  
rule, we recommend the use of rechargeable Ni-MH batteries, which have longer  
lives than alkaline batteries.  
• When using alkaline batteries, use of the camera in cold temperatures can shorten  
the life of the batteries.  
• The PLAY mode requires less power than the REC mode. If you experience a  
problem turning on the camera in a REC mode, try switching to the PLAY mode.  
. Using Rechargeable Batteries  
In the case of rechargeable batteries, use of one of the rechargeable Ni-MH (nickel  
metal hydride) batteries (HR6) listed below is recommended.  
• SANYO eneloop (SANYO Electric Co., Ltd.)  
• DURACELL RECHARGEABLE (DURACELL, div of P&G Inc.)  
• ENERGIZER RECHARGEABLE (Energizer Holdings, Inc.)  
IMPORTANT!  
• Never mix four batteries of different brands, ages, or charge levels. Doing so  
creates the risk of shortened battery life and can even damage the camera.  
• Batteries cannot be recharged while they are loaded in the camera.  
. Refreshing Rechargeable Batteries  
Batteries can start to lose their ability to retain a charge if you do not use them for a  
long time or when you charge them repeatedly without allowing their current charge  
to be used up completely. If this happens, you may be able to restore battery capacity  
by performing the following “battery refresh” operation to fully discharge the batteries.  
1. Load the chargeable batteries into the camera.  
2. While holding down [MENU], press the power button. This should cause the  
firmware version screen to flash on the monitor screen.  
3. Leave the camera on until the batteries run out of power and the camera turns off.  
• The battery refresh operation can take as long as 10 hours. The actual amount  
of time required depends on battery conditions.  
4. After the camera turns off, remove the batteries and charge them.  
Appendix  
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169  
IMPORTANT!  
• Performing the battery refresh operation reduces the battery charge level to almost  
zero. Never load refreshed batteries into the camera without charging them first.  
Though you may be able to momentarily turn on the camera while refreshed  
uncharged batteries are loaded, power may suddenly fail, leaving the lens  
extended, or some other misoperation may occur.  
• You do not need to perform the above operation each time you charge the  
batteries. Only use it if you notice that you are getting less operation between  
charges. Note that you may eventually reach the point when even the above  
operation will not refresh batteries. If this happens, it means that the rechargeable  
batteries have reached the end of their service life and that you will need to  
purchase new rechargeable batteries.  
• The above notes are all based on use of a recommended type of rechargeable  
Ni-MH batteries.  
Using Household Power  
You need to purchase the optionally available AC adaptor (AD-C100) in order to be  
able to power the camera using a household power supply.  
1. Connect the power cord to the AC adaptor.  
2. Open the camera’s terminal cover and connect the AC adaptor to the  
terminal marked [  
].  
3. Plug the power cord into a power outlet.  
[
]
Power cord  
Terminal  
cover  
AC adaptor  
Power plug  
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170  
   
. Using Power in Other Countries  
• The AC adaptor is designed for operation with any power supply in the range of  
100 V to 240 V AC, 50/60 Hz. Note, however, that the shape of the power cord plug  
depends on each country or geographic area. Before taking the camera and AC  
adaptor along on a trip, check with travel agent about the power supply  
requirements in your destination(s).  
• Do not connect the AC adaptor to a power supply through a voltage converter or  
similar device. Doing so can lead to malfunction.  
. Precautions when Using the AC Adaptor  
• Connecting the AC adaptor to the camera does not charge the batteries.  
• Make sure that the camera is turned off before connecting or disconnecting the AC  
adaptor.  
• If you are connecting the AC adaptor to the camera while it has batteries loaded,  
never connect or disconnect the AC adaptor while the camera is turned on.  
• The AC adaptor will become warm after long use. This is normal and does not  
indicate malfunction.  
• Unplug the AC adaptor from the power outlet whenever you are not using it.  
• When the AC adaptor is connected to the camera while the batteries are loaded,  
the AC adaptor power is given priority.  
• Use of the AC adaptor to power the camera is recommended when connected to a  
computer.  
• Never cover the AC adaptor with a blanket, etc. Doing so creates the risk of fire.  
Using a Memory Card  
See page 21 for information about supported memory cards and how to load a  
memory card.  
To replace the memory card  
Press the memory card and then release it. This will  
cause it to pop out of the memory card slot slightly. Pull  
the card out the rest of the way and then insert another  
one.  
• Never remove a card from the camera while the back  
lamp is flashing green. Doing so can cause the image  
save operation to fail and even damage the memory  
card.  
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. Using a Memory Card  
• SD memory cards and SDHC memory cards have a  
write protect switch. Use the switch when you need to  
guard against accidentally deleting data. Note,  
however, if you write protect an SD memory card you  
must then turn write protection off whenever you want  
to record to it, format it, or delete any of its images.  
• If a memory card starts to behave abnormally during  
image playback, you can restore normal operation by  
Write enabled  
Write disabled  
reformatting it (page 157). However, it is recommended that you always take along  
multiple memory cards whenever using the camera far away from the home or  
office.  
• As you record data to and delete data from a memory card a number of times, it  
loses its ability to retain data. Because of this, periodic re-formatting of a memory  
card is recommended.  
• Electrostatic charge, electrical noise, and other phenomena can cause data to  
become corrupted or even lost. Make sure that you always back up important data  
on other media (CD-R, CD-RW, hard disk, etc.).  
. Discarding or Transferring Ownership of a Memory Card or the  
Camera  
The format and delete functions of the camera do not actually delete files from the  
memory card. The original data remains on the card. Note that responsibility for the  
data on a memory card lies with you. The following procedures are recommended  
whenever you discard a memory card or the camera, or if you transfer ownership to  
another party.  
• When discarding a memory card, either physically destroy the memory card or use  
commercially available data delete software to completely delete the data on the  
memory card.  
• When transferring ownership of a memory card to another party, use commercially  
available data deletion software to completely delete the data on it.  
• Use the format function (page 157) to completely delete the data in built-in memory  
before discarding or transferring ownership of the camera.  
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172  
Computer System Requirements for Bundled Software  
Computer system requirements are different for each of the applications. Be sure to  
check the requirements for the particular application you are trying to use. Note that  
the values provided here are minimum requirements for running each application.  
Actual requirements are greater, depending on the number of images and the sizes of  
the images being handled.  
0Windows  
YouTube Uploader for CASIO  
Operating System : Windows 7 / Vista / XP (SP2/SP3) / 2000 (SP4)  
Other  
: Sufficient memory to run the operating system  
Computer configuration that enables playback of movies on the  
YouTube site  
Computer configuration that enables upload of movies to the  
YouTube site  
Adobe Reader 8  
Operating System  
CPU  
: Windows Vista / XP (SP2/SP3) / 2000 (SP4)  
: Pentium III Class  
Memory  
: At least 128MB  
Hard Disk Drive Space : At least 180MB  
Other  
: Internet Explorer 6.0 or higher installed  
For details about the minimum system requirements for each software application,  
see the “Read me” files on the CASIO Digital Camera Software CD-ROM that comes  
bundled with the camera.  
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Reset Initial Default Settings  
The tables in this section show the initial default settings that are configured for menu  
items (displayed when you press [MENU]) after you reset the camera (page 157).  
Menu items depend on whether the camera is in the REC mode or PLAY mode.  
• A dash (–) indicates an item whose setting is not reset or an item for which there is  
no reset setting.  
. REC Mode  
“REC” Tab  
Self-timer  
Off  
L/R Key  
Quick Shutter  
Review  
Off  
Off  
On  
Off  
On  
AF Assist Light On  
Anti Shake  
A Camera AS  
Face Detection Off  
Continuous AF Off  
Grid  
Icon Help  
AE/AF Lock  
AE Lock  
Flash: On /  
Self-timer: Off /  
Save CS  
Images  
Normal (Batch)  
Flash Intensity: Off /  
Digital Zoom: On /  
MF Position: Off /  
Zoom Position: Off  
Memory  
CS  
High Speed CS  
On  
Digital Zoom  
“Quality” Tab  
T
Quality  
Color Filter  
Sharpness  
Saturation  
Contrast  
Off  
0
Normal  
(Snapshots)  
B
Off  
0
Metering  
Multi  
0
Lighting  
0
Flash Intensity  
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“Set Up” Tab  
Screen  
Auto 2  
On  
Adjust  
Eye-Fi  
Date Style  
Language  
Sleep  
Auto Rotate  
On  
EVF  
Brightness  
1 min  
0
Auto Power Off 5 min  
Startup: Sound 1 /  
Half Shutter:  
Sound 1 /  
Shutter: Sound 1 /  
Operation: Sound 1 /  
= Operation:  
REC/PLAY  
LCD Priority  
USB  
Power On  
Off  
Mass Storage  
Sounds  
Video Out  
Battery Type  
Startup  
...////  
/
= Play: ...////  
Off  
World Time  
File No.  
Home  
Continue  
Off  
Format  
Reset  
Timestamp  
. PLAY Mode  
“PLAY” Tab  
Images: All images /  
Time: 30 min /  
Interval: 3 sec /  
Effect: Pattern 1  
Protect  
Rotation  
Slideshow  
Resize  
Trimming  
Copy  
MOTION  
PRINT  
9 frames  
Movie Editing  
White Balance  
Brightness  
Divide Group  
CS Multi Print  
CS Frame Edit  
DPOF Printing  
“Set Up” Tab  
• The contents of the “Set Up” tab are the same in the REC mode and PLAY mode.  
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When things don’t go right...  
Troubleshooting  
Problem  
Possible Cause and Recommended Action  
Power Supply  
Power does not  
turn on.  
1)The batteries may not be loaded correctly (page 16).  
2)The batteries may be dead.  
The camera  
suddenly powers  
down.  
1)Auto Power Off may have activated (page 153). Turn power  
back on.  
2)The batteries may be dead.  
3)The camera’s protection function may have activated  
because camera temperature is too high. Turn off the camera  
and wait until it cools down before trying to use it again.  
Power will not turn Remove the batteries from the camera and then reload them.  
off. Nothing  
happens when a  
button is pressed.  
Image Recording  
r
] (REC) to enter  
Image is not  
1)If the camera is in the PLAY mode, press [  
the REC mode.  
recorded when the  
shutter button is  
pressed.  
2)If the flash is charging, wait until the charge operation  
finishes.  
3)If the message “Memory Full” appears, transfer images to  
your computer, delete images you no longer need, or use a  
different memory card.  
4)Flash is required but the flash unit is closed. Press ð (Flash  
up) to open the flash unit.  
Auto Focus does  
1)If the lens is dirty, clean it off.  
not focus properly. 2)The subject may not be in the center of the focus frame when  
you compose the image.  
3)The subject you are shooting may not be a type that is  
compatible with Auto Focus (page 32). Use manual focus  
(page 52).  
4)You may be moving the camera when shooting (page 95). Try  
shooting with Anti Shake or use a tripod.  
5)You may be pressing the shutter button all the way without  
waiting for Auto Focus. Half-press the shutter button and  
allow enough time for Auto Focus to focus.  
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Problem  
Possible Cause and Recommended Action  
The subject is out  
of focus in the  
The image may not be focused properly. When composing the  
image, make sure the subject is located inside the focus frame.  
recorded image.  
?
The flash does not 1)If  
(Flash Off) is selected as the flash mode, change to  
fire.  
another mode (page 46).  
2)If battery power is low, replace the batteries with a full set of  
new ones.  
?
3)If a BEST SHOT scene that uses  
(Flash Off) is selected,  
change to a different flash mode (page 46) or select a  
different BEST SHOT scene (page 73).  
Camera powers  
down during Self-  
timer countdown.  
The batteries may be dead.  
The monitor screen 1)You may be using Manual Focus and have not focused the  
image is out of  
focus.  
image. Focus the image (page 52).  
´
2)You may be using  
(Macro) or Á (Super Macro) for  
scenery or portraits. Use Auto Focus for scenery and portrait  
shots (page 52).  
3)You may be trying to use Auto Focus when shooting a close-  
´
up shot. Use the  
ups (page 52).  
(Macro) or Á (Super Macro) for close  
There is digital  
noise in images.  
1)Sensitivity may have been increased automatically for a dark  
subject, which increases the chance of digital noise. Use a  
light or some other means to illuminate the subject.  
?
2)You may be attempting to shoot in a dark location with  
(Flash Off) selected, which can increase digital noise and  
make images appear coarse. In this case, turn on flash (page  
46) or use lights for illumination.  
3)Lighting (page 102) may be enabled for snapshots, which can  
cause an increase in digital noise. Use a light or some other  
means to illuminate the subject.  
A recorded image  
was not saved.  
1)Camera power may have been turned off before the save  
operation was complete, which will result in the image not  
being saved. If the battery indicator shows  
, replace  
batteries (alkaline) or charge batteries (Ni-MH) as soon as  
possible.  
2)You may have removed the memory card from the camera  
before the save operation was complete, which will result in  
the image not being saved. Do not remove the memory card  
before the save operation is complete.  
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Problem  
Possible Cause and Recommended Action  
Though available  
lighting is bright,  
Not enough light is reaching the subjects. Change the flash  
<
mode setting to  
(Flash On) for daylight synchro flash (page  
the faces of people 46), or adjust EV shift to the + side (page 44).  
in the image are  
dark.  
Night shots come  
out bad.  
Use the following BEST SHOT scenes (page 73) when shooting  
at night.  
• High Speed Night Scene (for shooting night scenery only)  
• High Speed Night Scene and Portrait (for shooting people  
against night scenery)  
Subjects are too  
Sunlight reflected by water, sand, or snow, can cause  
<
dark when shooting underexposure of images. Change the flash mode setting to  
images in a  
seashore or ski  
area.  
(Flash On) for daylight synchro flash (page 46), or adjust EV  
shift to the + side (page 44).  
Digital zoom will  
not go up to the  
maximum value.  
The digital zoom setting may be turned off. Turn on digital zoom  
(page 98).  
The image is out of 1)Focusing may not be possible because the subject is outside  
focus during movie  
recording.  
the focus range. Shoot within the allowable range.  
2)The lens may be dirty. Clean the lens (page 165).  
3)Continuous Auto Focus is not performed during movie  
recording when optical zoom is turned on while “HD/STD” is  
selected as the movie mode, regardless of the current  
Continuous AF setting. You can readjust focus while movie  
recording is in progress by half pressing the shutter button,  
but doing so will cause noise produced by the lens operation  
to be picked up in the audio recording.  
4)Focus is fixed during movie recording when “HS” is selected  
as the movie mode.  
Playback  
The color of the  
playback image is  
Sunlight or light from another source may be shining directly  
into the lens when you are shooting. Position the camera so  
different from what sunlight does not shine directly into the lens.  
appears on the  
monitor screen  
when shooting.  
Images are not  
displayed.  
This camera cannot display non-DCF images recorded onto a  
memory card using another digital camera.  
Images cannot be  
edited (with White  
Balance,  
Note that you cannot edit the following types of snapshots.  
• Snapshots created using MOTION PRINT  
• CS group snapshots  
Brightness, Resize, • Movies  
Trimming,  
Rotation).  
• Snapshots recorded with another camera  
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Problem  
Other  
Possible Cause and Recommended Action  
The wrong date  
and time are  
The date and time setting is off. Set the correct date and time  
(page 151).  
displayed, or the  
wrong date and  
time are being  
stored along with  
image data.  
The messages on  
the display are in  
the wrong  
The wrong display language is selected. Change the display  
language setting (page 152).  
language.  
Images cannot be  
transferred over a  
USB connection.  
1)The USB cable may not be connected securely. Check all  
connections.  
2)The wrong USB communication protocol is selected. Select  
the correct USB communication protocol in accordance with  
the type of device you are connecting (pages 133, 139).  
3)If the camera is not turned on, turn it on.  
4)Your computer may not be able to recognize the camera if  
you connect via a USB hub. Always connect directly to the  
computer’s USB port.  
Languageselection 1)You did not configure initial settings after purchasing the  
screen appears  
when the camera is  
turned on.  
camera or the camera may have been left with dead batteries.  
Configure the correct settings (pages 20, 152).  
2)There may be a problem with the camera’s memory data. If  
this is the case, perform the reset operation to initialize the  
camera’s setup (page 157). After that, configure each setting.  
If the language selection screen does not re-appear when you  
turn the camera on, it means that the camera’s memory  
management data has been restored.  
If the same message appears after you turn power back on,  
contact your retailer or a CASIO authorized service center.  
The time and date Load the camera’s batteries and reconfigure the time and date  
settings configured settings (page 20). Do not remove the batteries from the  
the first time after  
purchasing the  
camera for at least 24 hours after configuring time and date  
settings. After that, the settings will not be reset if you remove  
camera are reset to the batteries.  
their factory  
• If the time and date are reset to their factory default settings  
defaults when I  
remove the  
camera’s batteries.  
when you remove the batteries after they have been loaded  
for more than 24 hours, it could mean that the camera’s  
setting memory is defective. Contact your retailer or a CASIO  
authorized service center.  
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Problem  
Possible Cause and Recommended Action  
The lens-barrel unit A lubricating agent is used to ensure that the lens operates  
is dirty or looks  
scratched.  
smoothly. When the lens is extended, the lubricating agent can  
make it appear as if the lens-barrel unit is scratched. You can  
use a soft, dry cloth to wipe the lubricating agent off, if you want.  
When wiping off the lens-barrel unit, wipe gently taking care you  
do not twist the unit, or push it in, or pull it out. Note that the  
lubricating agent is not harmful to humans.  
Display Messages  
The camera’s protection function may have activated  
because camera temperature is too high. Turn off the  
camera and wait until it cools down before trying to use it  
again.  
ALERT  
Battery is low.  
Battery power is low.  
The camera could not go into auto record standby for some  
reason during a Move Out CS or Move In CS operation.  
Compose the image again with the boundary aligned  
correctly (page 83).  
Camera not in  
standby.  
Re-frame the image.  
The image you specified with the slideshow “Images”  
Cannot find the file. setting cannot be found. Change the “Images” setting (page  
112) and try again.  
You are attempting to save a user BEST SHOT scene in  
the “SCENE” folder when the folder already contains 999  
user scenes.  
Cannot register any  
more files.  
There is something wrong with the memory card. Turn off  
the camera, remove the memory card and then reload it  
into the camera. If this message re-appears when you turn  
the camera back on, format the memory card (page 157).  
Card ERROR  
IMPORTANT!  
• Formatting a memory card deletes all its files. Before  
formatting, try transferring recoverable files to a  
computer or some other storage device.  
You are attempting to connect the camera to a printer while  
Check connections! the camera’s USB settings are not compatible with the USB  
system of the printer (page 124).  
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Files could not be  
saved because  
battery is low.  
Battery power is low, so an image file could not be saved.  
The flash is disabled for a short while to protect the flash  
unit after consecutive operations during Flash CS. You will  
be able to resume using the flash after this message  
disappears.  
Flash cool down...  
The flash needs to be fired by the flash unit is not open.  
Press ð (Flash up) to open the flash unit.  
Open the flash unit.  
Flash not possible.  
Battery power is too low to fire the flash. Replace or charge  
the batteries as soon as possible.  
You are trying to record a file while there are already 9999  
files stored in the 999th folder. If you want to record more,  
delete files you no longer need (page 30).  
Folder cannot be  
created.  
Images are being  
transferred.  
Stop transfer and  
turn off power?  
You are attempting to turn off power while image data is  
being transferred using the Eye-Fi card (page 143).  
This message appears and the camera turns off whenever  
the lens performs some unexpected operation. If the same  
message appears after you turn power back on, contact a  
CASIO authorized service center or your original retailer.  
LENS ERROR  
The Anti Shake unit of the camera may be malfunctioning.  
If the same message appears after you turn power back on,  
contact your retailer or a CASIO service center.  
LENS ERROR 2  
Load paper!  
The printer ran out of paper while printing.  
Memory is full with images you recorded and/or files saved  
by editing operations. When shooting with Prerecord CS,  
this message indicates that there is not enough memory  
capacity to record all of the pre-recorded images. Delete  
files you no longer need (page 30).  
Memory Full  
An error occurred while printing.  
• The printer is turned off.  
Printing Error  
• The printer generated an error, etc.  
Image compression could not be performed for some  
reason during image data storage. Shoot the image again.  
Record Error  
Your camera system is corrupted. Contact your retailer or  
an authorized CASIO authorized service center.  
SYSTEM ERROR  
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The LOCK switch of the SD or SDHC memory  
card loaded in the camera is in the locked  
position. You cannot store images to or delete  
images from a memory card that is locked.  
LOCK  
The card is locked.  
There are no files.  
There are no files in built-in memory or on the memory  
card.  
There are no  
printing images.  
Set up DPOF.  
There are currently no files specified for printing. Configure  
the required DPOF settings (page 127).  
There is no image to The setup you are trying to save is for an image that cannot  
register.  
be saved as a user BEST SHOT scene.  
This card is not  
formatted.  
The memory card loaded in the camera is not formatted.  
Format the memory card (page 157).  
This file cannot be  
played.  
The file you are trying to access is corrupted or is a type  
that cannot be displayed by this camera.  
• You attempted to copy images from built-in memory to a  
memory card while there is no memory card loaded in  
the camera (page 122).  
• You attempted to divide up a CS group while a file that is  
not a CS group is displayed (page 107).  
This function cannot  
be used.  
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Number of Snapshots/Movie Recording Time  
Snapshot  
Built-in Memory  
SD Memory Card  
(1GB*2) Snapshot  
Recording  
Image Size  
(Pixels)  
Approximate  
Image File Size  
(Approx. 85.9MB*1  
Snapshot  
)
Image Quality  
Recording Capacity  
Capacity  
RAW+  
(10M:  
3648 2736)  
Fine  
Normal  
Economy  
Fine  
21.8 MB  
18.8 MB  
17.7 MB  
6.4 MB  
3.38 MB  
2.27 MB  
5.6 MB  
2.97 MB  
2.0 MB  
4.59 MB  
2.46 MB  
1.67 MB  
5.66 MB  
3.0 MB  
2.02 MB  
4.3 MB  
2.31 MB  
1.67 MB  
2.5 MB  
1.4 MB  
1.0 MB  
1.36 MB  
890 KB  
570 KB  
430 KB  
290 KB  
240 KB  
4
5
47  
56  
*3  
x
5
60  
10M  
(3648 2736)  
13  
25  
38  
15  
29  
43  
19  
35  
52  
15  
29  
43  
20  
37  
52  
35  
62  
87  
64  
98  
153  
204  
302  
365  
151  
286  
426  
172  
325  
483  
210  
393  
579  
170  
322  
478  
224  
418  
579  
386  
690  
967  
711  
1086  
1696  
2249  
3335  
4029  
x
Normal  
Economy  
Fine  
3:2  
x
(3648 2432)  
Normal  
Economy  
Fine  
16:9  
(3648 2048)  
x
Normal  
Economy  
Fine  
9M  
x
(3456 2592)  
Normal  
Economy  
Fine  
7M  
x
(3072 2304)  
Normal  
Economy  
Fine  
4M  
x
(2304 1728)  
Normal  
Economy  
Fine  
2M  
x
(1600 1200)  
Normal  
Economy  
Fine  
VGA  
x
(640 480)  
Normal  
Economy  
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Movies  
Built-in Memory  
(Approx. 85.9MB*1  
Movie Recording  
Capacity  
SD Memory Card  
(1GB*2) Movie  
Recording  
File Size of  
1-minute  
Movie  
Movie  
Mode  
Image Quality  
(Pixels) / (Audio)  
Approximate Data  
Rate (Frame Rate)  
)
Capacity  
x
HD (1280 720)  
30 Megabits/second  
(30 frames/second)  
4 minutes  
22 seconds  
23 seconds  
23 seconds  
225 MB  
225 MB  
75 MB  
(Monaural)  
x
HD (1280 720)  
30 Megabits/second  
(30 frames/second)  
4 minutes  
24 seconds  
(No audio)  
HD/STD  
x
STD (640 480)  
10 Megabits/second  
(30 frames/second)  
1 minute  
10 seconds  
12 minutes  
57 seconds  
(Monaural)  
x
STD (640 480)  
10 Megabits/second  
(30 frames/second)  
1 minute  
11 seconds  
13 minutes  
11 seconds  
75 MB  
(No audio)  
x
120 fps (640 480)  
(No audio)  
50 Megabits/second  
(120 frames/second)  
2 minutes  
38 seconds  
14 seconds  
14 seconds  
14 seconds  
28 seconds  
375 MB  
375 MB  
375 MB  
187.5 MB  
x
240 fps (448 336)  
50 Megabits/second  
(240 frames/second)  
2 minutes  
38 seconds  
(No audio)  
x
420 fps (224 168)  
50 Megabits/second  
(420 frames/second)  
2 minutes  
38 seconds  
(No audio)  
x
1000 fps (224 64)  
25 Megabits/second  
(1000 frames/second)  
5 minutes  
14 seconds  
(No audio)  
HS  
12.5 Megabits/second  
(30 frames/second)  
50 Megabits/second  
(120 frames/second)  
x
30-120 fps (640 480)  
10 minutes  
(Audio recording at  
30 fps only)  
56 seconds*4  
93.7 MB*4  
46.8 MB*4  
24 seconds*4  
6.25 Megabits/second  
(30 frames/second)  
50 Megabits/second  
(240 frames/second)  
x
30-240 fps (448 336)  
1 minute  
20 minutes  
(Audio recording at  
30 fps only)  
51 seconds*4  
30 seconds*4  
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Built-in Memory  
(Approx. 85.9MB*1  
Movie Recording  
Capacity  
SD Memory Card  
(Maximum  
recording time  
per recording)  
Movie  
Mode  
Image Quality  
(Pixels) / (Audio)  
Maximum  
File Size  
Approximate Data  
Rate (Frame Rate)  
)
YouTube (HS120)  
(640 480)  
(No audio)  
50 Megabits/second  
(120 frames/second)  
2 minutes  
30 seconds  
x
14 seconds  
14 seconds  
14 seconds  
18 seconds  
YouTube (HS240)  
50 Megabits/second  
(240 frames/second)  
1 minute  
15 seconds  
x
(448 336)  
(No audio)  
YouTube (HS420)  
50 Megabits/second  
(420 frames/second)  
x
(224 168)  
42 seconds  
18 seconds  
(No audio)  
YouTube (HS1000)  
25 Megabits/second  
(1000 frames/second)  
x
(224 64)  
(No audio)  
YouTube (HS30-120)  
(640 480)  
(Audio recording at  
30 fps only)  
12.5 Megabits/second  
(30 frames/second)  
50 Megabits/second  
(120 frames/second)  
x
Maximum  
Movie  
Size:  
56 seconds*4  
10 minutes*4  
10 minutes*4  
YouTube  
Capture  
Mode  
1024 MB  
(or 10  
minutes)  
YouTube (HS30-240)  
(448 336)  
(Audio recording at  
30 fps only)  
6.25 Megabits/second  
(30 frames/second)  
50 Megabits/second  
(240 frames/second)  
x
1 minute  
51 seconds*4  
YouTube (HD)  
(1280 720)  
(Monaural)  
30 Megabits/second  
(30 frames/second)  
4 minute  
22 seconds  
x
23 seconds  
23 seconds  
YouTube (HD)  
30 Megabits/second  
(30 frames/second)  
4 minute  
24 seconds  
x
(1280 720)  
(No audio)  
YouTube (STD)  
(640 480)  
(Monaural)  
10 Megabits/second  
(30 frames/second)  
1 minute  
10 seconds  
x
10 minutes  
10 minutes  
YouTube (STD)  
(640 480)  
(No audio)  
10 Megabits/second  
(30 frames/second)  
1 minute  
11 seconds  
x
Appendix  
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185  
*1 Built-in memory capacity after formatting  
*2 The above values are based on use of a PRO HIGH SPEED SD memory card  
(Panasonic Corporation). The number of images you can save depends on the type of  
memory card you are using.  
x
*3 RAW+ is the total file size of the RAW file and 10M (3648 2736) JPEG file. The image  
quality setting applies to the JPEG file only.  
*4 Recordable time when the entire movie is recorded at 30 fps. Recording time is shorter  
if the 30 fps frame rate is switched to 120 fps or 240 fps during recording.  
• Snapshot and movie recording capacity values are approximate and intended for  
reference only. Actual capacity depends on image contents.  
• File size and data rate values are approximate and intended for reference only. Actual  
values depend on the type of image being shot.  
• When using a memory card with a different capacity, calculate the number of images as a  
percentage of 1GB.  
• The time it takes to play back a high speed movie will be different from the time it takes to  
record it. If you record a 240 fps high speed movie for 10 seconds, for example, it will  
take 80 seconds to play it back.  
• Each movie can be up to 10 minutes long. Movie recording stops automatically after  
10 minutes of recording.  
Appendix  
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186  
Specifications  
File Format  
Snapshots:  
RAW (DNG*), JPEG (Exif Version 2.2); DCF 1.0 standard;  
DPOF compliant  
* DNG file format is one type of RAW image file, and it is  
recommended by Adobe Systems for use as a standard  
image file format.  
Movies:  
Motion JPEG AVI, IMA-ADPCM audio (monaural)  
Recording Media  
Built-in Memory (Image Storage Area: 85.9MB)  
SD/SDHC  
Recorded Image Sizes Snapshot:  
RAW, 10M (3648 2736), 3:2 (3648 2432),  
x
x
x
x
x
16:9 (3648 2048), 9M (3456 2592), 7M (3072 2304),  
x
x
x
4M (2304 1728), 2M (1600 1200), VGA (640 480)  
Movies:  
HD (1280 720 30 fps), HS120 (640 480 120 fps),  
x
x
x
x
HS240 (448 336 240 fps), HS420 (224 168 420 fps),  
HS1000 (224 64 1000 fps), HS30-120 (640 480 30-120 fps  
x
x
x
switchable), HS30-240 (448 336 30-240 fps switchable),  
x
STD (640 480 30 fps)  
Image Deletion  
1 file; all files  
CS group, Individual images within a CS group  
(with memory protection feature)  
Effective Pixels  
Imaging Element  
10.1 Megapixels  
Size: 1/2.3-inch square pixel high speed CMOS  
Total Pixels: 10.62 Megapixels  
Lens/Focal Distance  
(Snapshot)  
F2.8 (W) to 4.5 (T) f= 4.6 to 92.0 mm  
(equivalent to 26 to 520 mm in 35 mm format)  
14 lenses in 11 groups, including aspherical lens.  
Zoom  
20X optical zoom, 4X digital zoom (80X in combination with  
optical zoom)  
114X maximum HD Zoom (in combination with optical zoom,  
VGA size)  
Focusing  
Contrast Detection Auto Focus  
• Focus Modes:  
Auto Focus, Macro Focus, Super Macro Focus, Manual Focus  
• AF Area:  
Spot, Free, Tracking; with AF assist light  
9
9
) (Wide Angle)  
Approximate Focus  
Range (Snapshot)  
(From Lens Surface)  
Auto Focus: 12 cm to  
(4.7" to  
Macro Focus: 12 cm to 50 cm (4.7" to 19.7") (Wide Angle)  
Super Macro Focus: 1 cm to 12 cm (0.4" to 4.7")  
9
9
) (Wide Angle) (Zoom  
Manual Focus: 12 cm to  
(4.7" to  
focal distance at 57 mm when converted to 35 mm film format is  
9
9
).)  
approximately 1 cm to  
(0.4" to  
* Range is affected by optical zoom.  
Metering  
Multi-pattern, center weighted, and spot by imaging element  
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187  
 
Exposure Control  
Program AE, Aperture Priority AE, Shutter Speed Priority AE,  
Manual Exposure  
Exposure  
–2.0 EV to +2.0 EV (in 1/3EV steps)  
Compensation  
Shutter  
CMOS electronic shutter, mechanical shutter  
Shutter Speed  
Snapshot (Auto): 1 to 1/2000 second  
Snapshot (Aperture Priority AE): 1 to 1/2000 second  
Snapshot (Shutter Speed Priority AE): 30 to 1/2000 second  
Snapshot (Manual Exposure): 30 to 1/2000 second  
* May differ due to the camera setup.  
* 1/40000-second shutter speed is possible only with High  
speed Continuous Shutter, shutter speed priority AE or  
manual exposure.  
Aperture Value  
White Balance  
F2.8 (W) to F7.9 (W); aperture changed by optical zoom or  
recording mode  
Auto, Daylight, Overcast, Shade, Day White Fluorescent,  
Daylight Fluorescent, Tungsten, Manual WB  
Sensitivity  
Snapshots:  
(Standard Output  
Sensitivity)  
Auto, ISO 100, ISO 200, ISO 400, ISO 800, ISO 1600,  
ISO 3200 equivalent  
Movies:  
Auto (High Speed Movie when Manual Exposure mode:  
ISO 100, ISO 200, ISO 400, ISO 800, ISO 1600, ISO 3200)  
Self-timer  
Approximate Trigger Times:  
10 seconds, 2 seconds, Triple Self-timer  
(Trigger time setting depends on CS mode being used.  
Available settings depend on the REC mode being used.)  
Flash Modes  
Auto, Off, On, Red-eye reduction  
Flash Range  
Normal:  
(ISO Sensitivity: Auto)  
0.4 m to 7.0 m (1.3' to 23.0') (Wide Angle)  
1.3 m to 4.4 m (4.3' to 14.4') (Telephoto)  
Flash Continuous Shutter (5 flash CS images):  
0.6 m to 2.3 m (2.0' to 7.5') (Wide Angle)  
1.3 m to 1.4 m (4.3' to 4.6') (Telephoto)  
* Range is affected by optical zoom.  
Flash Intensity  
Adjustment  
–2.0 EV to +2.0 EV (in 1/3EV steps)  
Flash Charging Time Approximately 5 seconds maximum  
Movie Recording  
18 lx (HD/STD movie)  
Minimum Illumination  
Recording  
Snapshot, Normal Speed Continuous Shutter, High Speed  
Continuous Shutter, Prerecord (Continuous Shutter), Flash  
Continuous Shutter, BEST SHOT, Face Detection, High Speed  
Movie (For “30-120 fps” and “30-240 fps”, audio recording  
supported during 30 fps recording only), HD Movie, STD Movie,  
Prerecord (Movie), YouTube Capture Mode, CMOS shift image  
stabilization  
Appendix  
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188  
 
Monitor Screen  
Viewfinder  
3.0-inch TFT color LCD (Super Clear LCD)  
230,400 (960 240) dots  
x
LCD monitor/Electronic View Finder  
(0.2-inch, Equal to 201,600 dots)  
Timekeeping  
Functions  
Built-in quartz digital clock  
Date and Time: Recorded with image data  
Auto Calendar: To 2049  
World Time  
162 cities in 32 time zones  
City name, date, time, summer time  
Input/Output  
Terminals  
USB/AV port, Hi-Speed USB compatible  
AC adaptor connector (DC-IN)  
Microphone  
Speaker  
Monaural  
Monaural  
x
Power Requirements AA-size alkaline battery  
4
x
AA-size rechargeable Ni-MH battery  
4
AC adaptor (AD-C100) (optional accessory)  
Appendix  
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189  
Approximate Battery Life  
All of the values provided below represent the approximate amount of time under normal  
temperature (23°C (73°F)) before the camera turns off. These values are not guaranteed.  
Low temperatures shorten battery life.  
Number of Shots  
(CIPA)  
Continuous  
Playback  
Approximate  
continuous movie  
Operation  
1
2
3
(Operating Time)  
*
(Snapshots)  
*
recording time  
*
ALKALINE BATTERIES LR6  
3 hours  
10 minutes  
Panasonic  
340 shots  
320 shots  
5 hours  
4 hours  
20 minutes  
2 hours  
50 minutes  
DURACELL ULTRA  
RECHARGEABLE Ni-MH BATTERIES  
6 hours  
10 minutes  
4 hours  
30 minutes  
eneloop  
490 shots  
500 shots  
470 shots  
6 hours  
30 minutes  
5 hours  
20 minutes  
ENERGIZER  
DURACELL  
RECHARGEABLE  
6 hours  
30 minutes  
5 hours  
40 minutes  
• The above guidelines are based on the following battery types:  
ALKALINE BATTERIES LR6  
Panasonic LR6 (XW) (Panasonic Corporation)  
DURACELL ULTRA (MX1500) (DURACELL, div of P&G Inc.)  
RECHARGEABLE Ni-MH BATTERIES  
SANYO eneloop (HR-3UTG) (SANYO Electric Co., Ltd.)  
Capacity: Min.1900 mAh  
ENERGIZER RECHARGEABLE (NH15-2500) (Energizer Holdings, Inc.)  
Capacity: 2500 mAh  
DURACELL RECHARGEABLE (DC1500) (DURACELL, div of P&G Inc.)  
Capacity: 2650 mAh  
* Battery life varies with brand.  
Appendix  
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190  
 
• Recording Medium: 1GB SD memory card (PRO HIGH SPEED (Panasonic Corporation))  
• Measurement Conditions  
*1 Approximate number of shots (CIPA) (Operating Time)  
In accordance with CIPA standards  
Normal temperature (23°C (73°F)), monitor on, zoom operation between full wide and  
full telephoto every 30 seconds, during which two images are shot with flash; power  
turned off and back on every time 10 images are shot.  
*2 Approximate playback time  
Standard temperature (23°C (73°F)), one-image scroll approximately every 10 seconds  
*3 Approximate time using a 16GB SDHC memory card for a repeated cycle of 10 minutes  
recording followed by deletion of the recorded file.  
• The above values are based on a set of new batteries.  
• Frequency of flash, zoom, High Speed Continuous Shutter, and Auto Focus usage, and  
the time the camera is on greatly affects recording time and number of shots values.  
• The speed at which the battery indicator changes depends on the type of batteries being  
used.  
Power Consumption  
Dimensions  
6.0 V DC, Approximately 8.5 W  
x
x
122.6 (W) 81.4 (H) 84.5 (D) mm  
x
x
(4.8" (W) 3.2" (H) 3.3" (D))  
Weight  
577 g (20.3 oz) (including batteries and memory card)  
483 g (17.0 oz) (excluding batteries and memory card)  
Appendix  
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191  
CASIO COMPUTER CO.,LTD.  
6-2, Hon-machi 1-chome  
Shibuya-ku, Tokyo 151-8543, Japan  
M10  
MA1001-B  
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