GB
D S P -A X 2
Natural Sound AV Amplifier
Amplificateur Audio-Video
VOLUME
INPUT
INPUT MODE
NATURAL SOUND AV AMPLIFIER DSP-AX2
STANDBY
/ON
SPEAKERS
EFFECT
A
B
SOURCE
DVD
D-TV/LD
MD/TAPE
CD-R
SILENT
CABLE
SAT
TUNER
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
CD
BASS PROCESSOR
EXTENSION DIRECT
6CH
INPUT
VCR
1
PHONO
VCR 2/DVR
VIDEO AUX
PHONES
VIDEO AUX
BASS
TREBLE
REC OUT
DSP PROGRAM
OWNER'S MANUAL
MODE D'EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
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Contents
Introduction
2
Getting Started.......................................................................................................... 3
Controls and Functions............................................................................................. 4
Preparations
8
Speaker System Configurations ............................................................................... 9
Hookups ................................................................................................................. 10
On-Screen Displays (OSD) .................................................................................... 19
Speaker Placement ................................................................................................. 20
Speaker Settings ..................................................................................................... 21
Speaker Output Levels ........................................................................................... 22
Basic Operation
24
Basic Playback ....................................................................................................... 25
Basic Recording ..................................................................................................... 29
Advanced Operation
30
SET MENU Items .................................................................................................. 31
Remote Control Features........................................................................................ 40
Adjusting the Levels of the Effect Speakers .......................................................... 51
Setting the Sleep Timer .......................................................................................... 51
Additional Information
52
Digital Sound Field Processing (DSP) ................................................................... 53
CINEMA-DSP ....................................................................................................... 55
DSP Parameter ....................................................................................................... 58
Appendix
62
Troubleshooting ..................................................................................................... 63
Specifications ......................................................................................................... 66
1
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Introduction
Welcome to the exciting world of digital home entertainment. This unit is the most complete and
advanced AV amplifier available. Though some of the more advanced features of this unit may not be
familiar to you, they are easy to use. Incorporated state-of-the-art technology such as Dolby Digital and
DTS can bring the same audio experience to your home as they have brought to feature films in quality
theaters around the world. To make the listening experience even more enjoyable, this unit includes a
number of exclusive, digitally created listening environments known as digital sound fields. Choosing a
sound field program is like transporting yourself to such venues as an outdoor arena, a European church,
or a cozy jazz club. Take some time now to read more about these features and enjoy the new
experiences this unit brings to your home theater.
Features
Dolby Digital and DTS decoder
Dolby Digital Matrix 6.1/DTS ES decoder
Digital Sound Fields (DSP)
CINEMA-DSP: Dolby Digital + DSP and DTS + DSP
Virtual CINEMA DSP and HP CINEMA DSP
Multi-function remote control
Built-in 8-channel power amplifier
Getting Started
3
Checking the Package Contents ............................................................................... 3
Installing Batteries in the Remote Control ............................................................... 3
Using the Remote Control ........................................................................................ 3
Controls and Functions
4
Front Panel ............................................................................................................... 4
Display Indicators .................................................................................................... 5
Rear panel................................................................................................................. 6
Remote Control ........................................................................................................ 7
2
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Getting Started
Checking the Package Contents
Check your package to make sure it has the following items.
R
L
Alkaline Batteries (3) (LR6)
Quick Reference Card
Power Cord
Side panel sticker
■ Remote Control
■ TUNER
■ CD button (CD area)
Infrared window
(Europe model only)
POWER
CLEAR
RE-NAME
TRANSMIT
STANDBY
LEARN
MACRO
DISPLA
Y
(Set 10KEY)
MACRO ON/OFF
SEARCH
Skip Search
STOP
SYSTEM POWER
A
button
POWER
PLA
Y
Input buttons
PAUSE (/Stop)
Preset number
1
to
8
Numeric buttons
1
to
9
6CH INPUT
Preset group
A
through
E
from left.
Display
CLEAR
Numeric button +10
Numeric button
Source selector
Preset group A/B/C/D/E
0
LIGHT
DISC +/– (Disc Skip)
Operational buttons
Preset +/–
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
10 KEY/DSP
INDEX
(Set 10KEY)
Sound program selector/
Numeric buttons
MUTE
■ MD/TAPE button (MD area)
■ CD-R button (CD-R area)
Operational buttons
VOLUME +/–
EFFECT
LEVEL
ON SCREEN
PARAMETER/SET MENU
Cursor buttons
REC/PAUSE
POWER
REC/PAUSE
POWER
SLEEP
TEST
DISPLA
Y
DISPLA
Y
SEARCH
SOUND
SEARCH
Skip Search
STOP
Skip Search
Cover
STOP
PLA
Y
PLA
Y
P
AUSE
PAUSE
Numeric buttons
1
to
9
Numeric buttons
1
to
9
Numeric button +10
Numeric button
Numeric button +10
Numeric button
0
0
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
(Set 10KEY)
INDEX
(Set 10KEY)
V655120
Remote Control
Quick Reference Guide
When finding it difficult to fit this unit onto the shelf, remove the side panels after removing the screws tightened on the side panels. Put this
sticker to cover the screw holes after tearing off the back side of the sticker.
Installing Batteries in the Remote Control
Insert the batteries in the correct direction by aligning the + and – marks on the batteries with the polarity illustrations (+ and –) inside the
battery compartment.
Change the batteries periodically. Do not use old batteries together with new ones.
Do not use different types of batteries (such as alkaline and manganese batteries) together. Read the packaging carefully as these different
types of batteries may have the same shape and color.
■ About changing batteries
As the batteries wear out, the operating range of the remote control decreases and
the TRANSMIT indicator does not flash or its light becomes dim. When you
notice any of these conditions, change all of the batteries.
Reset button
Notes:
• If the remote control is without batteries for more than 20 minutes, or if worn out
batteries remain in the unit, the contents of the memory may be cleared.
If the memory is cleared, insert new batteries and reprogram any functions that may have
been cleared.
• After you insert new batteries, be sure to push RESET in the battery compartment using
a ball point pen or similar object before using the remote control. (This does not clear the
contents of the memory.)
Using the Remote Control
The remote control transmits a directional infrared beam. Be sure to aim the remote control directly at the remote control sensor on the main
unit to operate. When the sensor is covered or there is a large object between the remote control and the main unit, the sensor cannot receive
signals. The sensor may not be able to receive signals properly when it is exposed to direct sunlight or a strong artificial light (such as a
fluorescent or strobe light). In this case, change the direction of the light or reposition the main unit to avoid direct lighting.
■ About handling the remote control
VOLUME
INPUT
INPUT MODE
NATURAL SOUND AV AMPLIFIER DSP-AX2
Handle the remote control with care.
STANDBY
/ON
Do not spill water or other liquids on the remote control.
Do not drop the remote control.
SPEAKERS
EFFECT
A
B
SOURCE
VD
MD/TAPE
CD-R
D
D-TV/LD
SILENT
CABLE
TUNER
CD
PHONO INPUT
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
SA
VCR
VCR 2/DVR
VIDEO AUX
REC OUT
T
BASS PROCE
EXTENSION DIRE
6CH
1
PHONES
VIDEO AUX
BASS
TREBLE
DSP PROGRAM
Do not leave or store the remote control in the following types of conditions:
•
•
•
high humidity or temperature such as near a heater, stove or bath; or
dusty places; or
Approximately 6m
(20 feet)
30°
30°
in places subject to extremely low temperatures.
3
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Controls and Functions
Front Panel
When you are not operating the controls behind the front panel door, close the door. To open the door, press gently on the lower part of the
panel.
1
q
0
MEMORY
STEREO
BASS P. DIRECT
4
ZONE
2
SLEEP
2
3
8
7
9
1
2
5
6 3
4
5
VOLUME
INPUT
INPUT MODE
NATURAL SOUND AV AMPLIFIER DSP-AX2
M
EMORY
D-TV/ LD
CABLE
SAT
DVD
MD/ TAP E
CD-R
TUNER
CD
S
TEREO
STANDBY
/ON
VCR
VCR2 DVR
V-AUX
1
/
BASS P. DIRECT
SLEEP
P HONO
SPEAKERS
EFFECT
A
B
SOURCE
DVD
D-TV/LD
MD/TAPE
CD-R
SILENT
CABLE
SAT
TUNER
S VIDEO
VIDEO
L
AUDIO
R
OPTICAL
CD
6CH
INPUT
BASS PROCESSOR
EXTENSION DIRECT
VCR
1
PHONO
VCR 2/DVR
VIDEO AUX
PHONES
VIDEO AUX
DSP PROGRAM
BASS
TREBLE
REC OUT
w e
r y
7
68 9 0
q
t
1 STANDBY/ON
7 SPEAKERS A/B
Turns this unit on (On mode) and off (Standby mode). When
you turn on this unit, you will hear a click and there will be a
four to five second delay before this unit can reproduce sound.
In Standby mode, this unit consumes a small amount of power
to be ready to respond to the remote control.
When SPEAKERS A/B is on, these buttons turn on the set of
Main speakers connected to the A and/or B terminals on the
rear panel.
8 BASS EXTENSION ON/OFF
When BASS EXTENSION is on, this feature boosts the bass
frequency of the left and right Main channels by +6dB (60Hz)
while maintaining overall tonal balance. This boost is useful if
you do not use a subwoofer. However, this boost may not be
noticeable if the Main speakers are set to “SMALL” and the
bass output mode is set to “SWFR.”
2 Remote Control Sensor
3 INPUT MODE
Selects the type of audio signal for the selected source.
4 INPUT selector
9 PROCESSOR DIRECT ON/OFF
When PROCESSOR DIRECT is on, BASS, TREBLE,
BALANCE, and BASS EXTENSION are bypassed,
eliminating any alteration of the original signal.
Selects a source component.
5 VOLUME
Controls the output level of all audio channels. This does not
affect the REC OUT level.
0 BASS
6 PHONES
Adjusts the low frequency response for the left and right Main
speaker channels. Turn the control to the right to increase the
low frequency response and turn the control to the left to
decrease the low frequency response.
Outputs audio signals for private listening using headphones.
When you connect headphones, no signals are output to the
PREOUT jacks or the speakers.
4
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Controls and Functions
q TREBLE
r 6CH INPUT
Adjusts the high frequency response for the left and right Main
Switches between 6CH INPUT mode and normal input modes.
6CH INPUT mode takes priority over the source selected with
the INPUT selector. You cannot use DSP sound field programs
while using an external decoder.
channels. Turn the control to the right to increase the high
frequency response.
w REC OUT
t VIDEO AUX
Selects the source you want to direct to the audio/video
recorder.
Inputs audio and video signals from a portable external source
such as a video camera. To reproduce source signals from these
jacks, select V-AUX as the input source. To direct this source
to the VCR 1 and VCR 2/DVR output jacks, select VIDEO
AUX using REC OUT.
e EFFECT
Switches the effect speakers (Center, Front Effect, Rear and
Rear Center) on and off. If you turn off the output of these
speakers using EFFECT, all DTS and Dolby Digital audio
signals are directed to the Main left and right channels except
for the LFE channel.
y DSP PROGRAM selector
Selects the DSP program.
Display Indicators
1 Processor indicators
6 Input source
When any function of DTS/VIRTUAL/Dolby Digital/Dolby
PROLOGIC/DSP/Dolby Digital Matrix 6.1/DTS ES is
operating, its indicator lights up.
Shows the current input source with the arrow-shaped cursor.
7 BASS
Lights up while the BASS EXTENSION is on.
2 PCM
8 SLEEP
Lights up when this unit is reproducing PCM (Pulse Code
Modulation) digital audio signals.
Lights up while the Sleep Timer is on.
3 SPEAKERS A/B
9 P. DIRECT
Lights up according to which set of Main speakers is selected.
Both indicators light up when both sets of speakers are selected.
Lights up while the PROCESSOR DIRECT is on.
0 STEREO
4 Headphones
Lights up when the AUTO tuning indicator is on and the unit is
receiving a strong signal for an FM stereo broadcast.
Lights up when headphones are connected.
5 Multi-information display
Shows the current DSP program and other information when
adjusting or changing settings.
q MEMORY
Flashes to show a station can be saved.
5
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Controls and Functions
Rear panel
2
5
1
0
7
L
L
R
R
CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
MD/TAPE
OPTICAL
L
R
VOLTAGE SELECTOR
L
R
IMPEDANCE SELECTOR
SET BEFORE POWER ON
FRONT
:
:
:
:
:
:
Ω
SPEAKER
REAR
6 ΩMIN./ SPEAKER
4 ΩMIN./ SPEAKER
4 ΩMIN./ SPEAKER
4 ΩMIN./ SPEAKER
REAR CENTER
CENTER
MAIN
A
OR
B
A
+
B
8
4 ΩMMIINN..// SPEAKER
FRONT
REAR
:
:
:
:
:
:
Ω
SPEAKER
8 ΩMIN./ SPEAKER
8 ΩMIN./ SPEAKER
8 ΩMIN./ SPEAKER
CENTER
REAR CENTER
CENTER
MAIN
A
OR
B
8
8 ΩMMIINN..// SPEAKER
A
+
B
1
6
ΩMIN./ SPEAKER
TUNER
L
R
L
L
R
R
q
8
w
9
4
e
6
(General and China models)
1 Audio component jacks
2 Video component jacks
8 6CH INPUT jacks
9 PRE OUT/MAIN IN jacks
0 AC power cord
Connect to a power outlet.
4 Speaker terminals
5 AC OUTLETS
General, China, and U.K. models cannot disconnect the AC
power cord from the unit.
q GROUND terminal
Use these outlets to supply power to your other audio/video
component.
w RS232C/CTRL OUT
6 IMPEDANCE SELECTOR
These are control expansion terminals for Substitute Custom
Installation use. Consult your dealer for details.
7 DIGITAL OPTICAL/COAXIAL jacks
e q RF (AC-3) input jack
General and China models only.
6
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Controls and Functions
Remote Control
g
9 Operational buttons
Performs the operation selected by input selector.
4
5
1
2
3
y
0
Sound program selector/Numeric buttons
6
Selects the sound program.
u
k
7
q MUTE
Mutes the sound. Press again to restore audio output at the
previous volume level.
8
w VOLUME +/–
i
o
Increases or decreases the volume level.
e EFFECT
h
Switches the effect speakers (Center, Front, Rear, and Rear
Center) on and off.
r PARAMETER/SET MENU
p
9
Selects the PARAMETER mode or SET MENU mode.
0
t Cursor buttons
Selects and adjusts DSP program parameters and SET MENU
items according to the position of PARAMETER/SET MENU.
q
w
e
y STANDBY
Turns off the power.
a
s
r
t
u SYSTEM POWER
Turns on the power.
d
f
i Display
Displays the input or operation status.
j
o Source selector
Selects the source component.
p 10 KEY/DSP
Selects the numeric button mode or DSP program mode.
1 CLEAR
a LEVEL
Erases the content of learning.
Selects the effect speaker channel to be adjusted and sets the
level.
2 RE-NAME
Renames the input name.
s ON SCREEN
Selects the On-Screen Display mode for your video monitor.
3 TRANSMIT
Flashes while the remote control is sending signals.
d SLEEP
Sets the sleep timer.
4 LEARN
Starts the learning function.
f TEST
Outputs the test tone to adjust the speaker levels.
5 MACRO
Makes the MACRO setting.
g Infrared window
6 MACRO ON/OFF
h LIGHT
Turns the macro function on and off.
Turns the light on or off. When you press this button once, the
light turns on for about ten seconds. Press again to turn off the
light.
7 Input buttons
Selects the input source for playback.
j Cover
8 6CH INPUT
Switches to the 6CH INPUT mode when using an external
decoder.
k Å button
Switches the control area.
7
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Preparations
Speaker System Configurations
Hookups
9
10
Connecting Audio Components ............................................................................. 10
Connecting Video Components ............................................................................. 12
Connecting Speakers .............................................................................................. 14
Connecting Subwoofers ......................................................................................... 16
Connecting an External Decoder............................................................................ 17
Connecting External Amplifiers............................................................................. 17
Others ..................................................................................................................... 18
On-Screen Displays (OSD)
19
OSD Modes ............................................................................................................ 19
Selecting the OSD Mode ........................................................................................ 19
Speaker Placement
Speaker Settings
20
21
22
Speaker Output Levels
Before You Begin................................................................................................... 22
Dolby Surround Test .............................................................................................. 22
DSP Test................................................................................................................. 23
8
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Speaker System Configurations
The most complete speaker configuration consists of eight speakers: the left and right Main speakers, a Center speaker, the left and right Rear
speakers, the left and right Front Effect speakers, and a Rear Center speaker. If you do not use eight speakers, you can direct the signals for
speakers that are not in your system to other speakers in your configuration. A Subwoofer can be used with any of these configurations to
produce a fuller sound.
Front Effect Speakers
Rear Speakers
Main Speakers
Center Speaker
Rear Center Speaker
Front Subwoofer
Rear Subwoofer
■ Eight or Seven Speaker Configuration
–Full Cinema DSP–
When you reproduce feature film software, this configuration fully expresses the
powerful and realistic sound qualities of 70 mm multitrack audio. The dialogue is
positioned as if it were coming from directly on the screen, the sound effect is
positioned slightly behind the screen, and the soundtrack music is positioned even
further behind the screen to express the width and depth of the overall presentation.
This configuration makes the most of this unit’s capability.
(
)
The Rear Center speaker is useful for playback of 6-channel Digital Surround.
■ Six Speaker Configuration –Hi Fi DSP–
This configuration is used the most for audio playback with HiFi DSP. It does not
position the dialogue sound as well as a seven or eight speaker configuration.
However, it creates a dynamic DSP (Digital Sound Field Processor) sound field
which adds depth to the sound.
For this speaker configuration, change SET MENU item 1A. CENTER SP to
“NONE” and 1D. REAR CT SP to “NONE”.
■ Five Speaker Configuration –Standard 5.1 Channel–
This configuration does not express the height of the sound field as well as the
seven or eight speaker configuration. However, it positions the dialogue sound as
coming directly from the screen.
For this speaker configuration, change SET MENU item 1F. FRNT EFCT SP to
“NONE” and 1D. REAR CT SP to “NONE”.
■ Four Speaker Configuration
–Minimum Requirement–
In this configuration, the Center speaker signals and Front Effect speaker signals
are directed to the left and right Main speakers.
For this speaker configuration, change SET MENU item 1A. CENTER SP to
“NONE,” item 1F. FRNT EFCT SP to “NONE,” and item 1D. REAR CT SP to
“NONE”.
9
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Hookups
Connecting Audio Components
Before you connect any components, disconnect the power supply to all the components you plan to connect including this unit and
determine which jacks are for the left and right channels and for input and output.
When you connect other YAMAHA audio component (such as a CD player or changer, MD deck, or tape deck), connect to terminals with
the same number labels. Yamaha applies this labelling system to all its products.
In the hookup illustrations on the following pages:
■Connecting to digital jacks
This unit has digital jacks for direct transmission of digital signals through either coaxial or fiber optic cables. You can use the digital jacks
to input PCM, DTS, and Dolby Digital bitstreams. When you connect components to both the COAXIAL and OPTICAL jacks (for CD and
CABLE) priority is given to the input signals from the COAXIAL jack. All digital input jacks are acceptable for 96 kHz/24 bit digital
signals.
■About the dust protection cap
Pull out the cap from the optical jack before you connect the fiber optic cable. Do
not discard the cap. When you are not using the optical jack, be sure to put the cap
back in place. This cap protects the jack from dust.
The OPTICAL jacks on this unit conform to the EIA standard. If you use a fiber
optic cable that does not conform to this standard, this unit may not function
properly.
■Connecting a turntable
These jacks are for connecting a turntable with an MM or high output MC
cartridge. If you have a turntable with a low output MC cartridge, use an inline
boosting transformer or MC-head amplifier when connecting to these jacks.
The GND terminal does not electrically ground the turntable. It simply reduces
noise in the signal. In some cases, you may hear less noise if you do not connect to
the GND terminal.
■Connecting a CD player
• The COAXIAL CD and OPTICAL CD jacks are available for a CD player
which has coaxial or optical digital outputs.
• When you connect a CD player to both the COAXIAL CD and OPTICAL CD
jacks, priority is given to the input signals from the COAXIAL CD jack.
■Connecting an MD or DAT deck
• When you connect a recorder to this unit, keep the deck’s power on while using
this unit. If the power is off, this unit may distort the sound from other
component.
• When you record from source component connected to this unit while this unit’s
power is off, the recorded sound may be distorted. To avoid this problem, turn
on this unit.
• When you connect a CD recorder to both the analog and digital input and output
jacks, priority is given to the digital signals.
10
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Hookups
OPTICAL
INPUT
MD/TAPE
recorder
INPUT
OUTPUT
L
R
L
R
OUTPUT
INPUT
(General and China models)
<Analog>
<Analog>
CD recorder
OPTICAL
INPUT
<Digital>
OPTICAL
OUTPUT
OPTICAL
OUT (REC)
OUT (REC)
<Digital>
<Digital>
OPTICAL
OUTPUT
OPTICAL
OUTPUT
CD player
<Analog>
COAXIAL
OUTPUT
<Digital>
CENTER
OUTPUT
<Analog>
Turntable
to/from External
Amplifier
GROUND
to/from External
Controller
from External
Decoder
11
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Hookups
Connecting Video Components
Before you connect any components, disconnect the power supply to all the components you plan to connect including this unit and
determine which jacks are for the left and right channels and for input and output. After you finish all hookups, check them again to make
sure they are correct.
■About the video jacks
There are three types of video jacks. Video signals input through the VIDEO jacks are the conventional composite video signals. Video
signals input through the S VIDEO jacks are separated into luminance (Y) and color (C) video signals. The S-video signals achieve high
quality color reproduction.
Video signals input through the COMPONENT VIDEO jacks are separated into luminance (Y) and color difference (PB/CB, PR/CR) video
signals. The jacks are also separated into three for each signal. The labels of the component video jacks may be different depending on the
component (e.g. Y, CB, CR / Y, PB, PR / Y, B-Y, R-Y/ etc.). Component video signals provide the best quality in picture reproduction.
If your video component has an S-video output or component video output, you can
Composite VIDEO jack
S VIDEO jack
connect it to this unit. Connect the S-video signal output jack on your video
component to the S-VIDEO jack or connect the component signal output jacks on
your video component to the COMPONENT VIDEO jacks.
Notes:
•
•
•
Each type of video jack works independently. Signals input through the composite video,
S-video, and component jacks are output through the corresponding composite video, S-
video, and component jacks respectively.
COMPONENT VIDEO jacks
Use a commercially available S-video cable when connecting to the S VIDEO jacks, and
commercially available video cables when connecting to the COMPONENT VIDEO
jacks.
When you are using the COMPONENT VIDEO jacks, check the details in the owner’s
manual that came with the component being connected.
12
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Hookups
COMPONENT
OUTPUT
S VIDEO
OPTICAL
OUTPUT
OUTPUT
DVD player
VIDEO
OUTPUT
AUDIO
OUTPUT
L
R
COMPONENT
OUTPUT
<Video>
VIDEO
OUTPUT
S VIDEO
OUTPUT
AUDIO
OUTPUT
OPTICAL
OUT (REC)
OUT (REC)
DTV/LD player
<Analog>
RF
OPTICAL
OUTPUT
<Digital>
<Analog>
SAT OPTICAL
OUTPUT
AUDIO
OUTPUT
<Digital>
OUTPUT
Cable TV/SAT
<Digital>
CABLE COAXIAL
OUTPUT
CENTER
S VIDEO
OUTPUT
VIDEO
OUTPUT
<Video>
<RF>
RF-Signal Output*
(General and China models only)
AUDIO
INPUT
AUDIO
OUTPUT
S VIDEO
INPUT
VIDEO
INPUT
L
R
L
R
S VIDEO
INPUT
S VIDEO
OUTPUT
VIDEO
OUTPUT
Monitor
VCR 1/2
COMPONENT
INPUT
VIDEO
INPUT
* <U.K. and Europe models>
If your LD player has a Dolby Digital RF signal output jack, connect it to this unit through an external RF demodulator.
(You can connect the Dolby Digital RF signal output of your LD player to the COAXIAL jacks using the “I/O ASSIGN” on the SET
MENU.)
13
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Hookups
Connecting Speakers
This section explains how to connect speakers to this unit. After you finish connecting your speakers, use the SET MENU to change the
signal output settings according to the number and size of the speakers in your configuration.
Before connecting any speaker cords, identify which terminals are for the right and left channels and also the + and – polarities. If you
connect speakers with the wrong polarity (+ to –), this unit will not reproduce clear sound.
■Using speaker cords
A speaker cord is actually a pair of insulated cables running side by side. One of
the cables is colored or shaped differently, perhaps with a stripe, groove, or ridge.
To make sure you always connect speakers with the correct polarity, determine the
difference between the cables of your speaker cord, make a note of which cable
you plan to use for which polarity (+ and –), and always connect the speaker cords
consistently.
1
2
3
4
Strip off 9 mm (3/8 in.) of an inch of insulation from the ends of the cables.
Twist the exposed wires of the cable together to prevent short circuits.
Loosen the terminal knob by turning it counterclockwise.
Banana Plug
Insert only the exposed portion of the cable into the slot in the side of the
terminal, and tighten the terminal knob.
Note:
•
If your speaker cords have banana plugs, tighten the terminal knob and insert the
plug into the end of the terminal. (Except for Europe and U.K. models)
Caution:
•
Connect the speaker cords with care to avoid creating a short circuit. If you turn on
the power and there is a short circuit, this unit may be damaged even though the
protection circuit automatically shuts off the power.
(Except for Europe and U.K. models)
■About the q RF (AC-3) signal input jack <For China and General models only.>
If your LD player has an q RF (AC-3) signal output jack, connect it to the q RF (AC-3) input jack on this unit. For this connection,
change SET MENU item 7D. COAXIAL IN (10) to “LD-RF”. If q RF (AC-3) and analog signals are input at the same time, priority is
given to the RF signals. When you want to reproduce q RF (AC-3) signals, set the input mode to “D.D. RF” using INPUT MODE.
Note:
•
q RF (AC-3) signals cannot be output using the REC OUT selector. When you record
sound or images from an LD player, be sure to connect the player to either the DIGITAL
OPTICAL or analog AUDIO jacks.
Caution:
•
Even if you connect an LD player with an q RF (AC-3) output jack to this unit, you
cannot reproduce Dolby Digital sound from all LD discs. You must playback an LD disc
encoded with Dolby Digital signals in order to take advantage of the Dolby Digital
sound.
14
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Hookups
Right Front
Speaker
Left Front
Speaker
Right Rear
Speaker
Left Rear
Speaker
Rear Center
Speaker
(General and China models)
CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
VOLTAGE SELECTOR
To other component
IMPEDANCE SELECTOR
SET BEFORE POWER ON
FRONT
:
:
:
:
:
:
Ω
SPEAKER
REAR
6 ΩMIN./ SPEAKER
4 ΩMIN./ SPEAKER
4 ΩMIN./ SPEAKER
4 ΩMIN./ SPEAKER
8
4 ΩMMIINN..// SPEAKER
REAR CENTER
CENTER
MAIN
A
OR
B
A
+
B
FRONT
REAR
:
:
:
:
:
:
Ω
SPEAKER
8 ΩMIN./ SPEAKER
8 ΩMIN./ SPEAKER
8 ΩMIN./ SPEAKER
REAR CENTER
CENTER
MAIN
A
OR
B
8
8 ΩMMIINN..// SPEAKER
A
+
B
1 6 ΩMIN./ SPEAKER
Center Speaker
Subwoofer
system
Right Main B
Speaker
Left Main B
Speaker
Right Main A
Speaker
Left Main A
Speaker
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Hookups
Connecting Subwoofers
■Connecting a front subwoofer
L
R
Connect the signal input jack on your subwoofer to one of the PRE OUT/
MAIN IN SUBWOOFER jacks.
Notes:
• The SUBWOOFER jacks (output) have a built-in high cut-off filter (90 Hz). When
using a powered subwoofer, set the high cut-off frequency to “MAX” on your
Subwoofer.
CENTER
•
Both SUBWOOFER jacks output the same signal.
L
R
Subwoofer system
■Connecting a rear subwoofer
Subwoofer system
By using both Front and Rear Subwoofers, the CINEMA-DSP sound field
programs can produce realistic movie effects with powerful, dynamic sound. To
take advantage of this dynamic sound, be sure to set the 1C. REAR L/R SP item in
the SET MENU to “LARGE”, and connect your Rear speakers and Subwoofer as
described below.
1
2
3
Connect the right + input terminal on your Subwoofer to the REAR R +
terminal, and the right – input terminal on your Subwoofer to the REAR R –
terminal with speaker cords.
Connect the left + input terminal on your Subwoofer to the REAR L +
terminal, and the left – input terminal on your Subwoofer to the REAR L –
terminal with speaker cords.
Right Rear
Speaker
Left Rear
Speaker
Connect your Rear speakers to the output terminals on the Rear Subwoofer.
Be sure to connect the Rear speakers to the Subwoofer with the correct
polarity.
Note:
L
R
•
Adjust the speaker volume for the Subwoofer with the controls on the Subwoofers,
not on this unit.
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Hookups
Connecting an External Decoder
This unit is equipped with six additional input jacks (left and right MAIN, CENTER, left and right SURROUND and SUBWOOFER) for
discrete multi-channel input from an external decoder, sound processor, or pre-amplifier. Connect the output jacks on your external decoder
to the 6CH INPUT jacks.
Be sure to match the left and right outputs to the left and right input jacks for the main
and surround channels.
To listen to the sound from your external decoder, press 6CH INPUT on this unit or
the remote control.
Notes:
• When you select 6CH INPUT as the input source, this unit automatically turns off the
digital sound field processor, and you cannot listen to DSP programs.
• When you select 6CH INPUT as the input source, changing SPEAKER SET on the SET
MENU is not affected.
Connecting External Amplifiers
If you want to increase the power output to the speakers, or want to use another amplifier, connect an external amplifier to the PRE OUT/
MAIN IN terminals as follows.
L
R
q
w
e
t
r
CENTER
y
L
R
q FRONT jacks
r CENTER jack
Front Effect channel line output jacks.
Center channel line output jack.
w REAR (Surround) jacks
t REAR CENTER jack
Rear channel line output jacks.
Rear Center channel line output jack.
e SUBWOOFER jacks
y MAIN jacks
Main, Center, and Rear channel frequencies below 90 Hz are
output through these jacks. You can also direct DTS and Dolby
Digital LFE signals to this output.
MAIN IN jacks .......... Line input to this unit’s Main channel
amplifiers.
When connecting to these jacks, signals input to the
preamplifier of this unit will not be output from the main
amplifier of this unit.
MAIN OUT jacks ..... Main channel line output jacks.
The signals output through these jacks
are affected by BASS, TREBLE,
BALANCE, and BASS EXTENSION
settings.
Adjust the volume level of the subwoofer with the control on
the subwoofer. Subwoofer volume cannot be adjusted from this
unit.
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Hookups
Others
■IMPEDANCE SELECTOR switch
WARNING
Select the position whose requirements your speaker system meets.
(Upper position)
Do not change the IMPEDANCE
SELECTOR switch setting while the power to
this unit is on, otherwise this unit may be
damaged.
IF THIS UNIT FAILS TO TURN ON
WHEN THE STANDBY/ON SWITCH IS
PRESSED:
The IMPEDANCE SELECTOR switch may
not be set to either end. If so, set the switch to
either end when this unit is in the standby
mode.
FRONT EFFECT:
The impedance of each speaker must be 6Ω or higher.
REAR:
REAR CENTER:
The impedance of the speaker must be 6Ω or higher.
CENTER: The impedance of the speaker must be 4Ω or higher.
The impedance of each speaker must be 6Ω or higher.
MAIN:
If you use one pair of main speakers, the impedance of each speaker
must be 4Ω or higher.
AC Power Cord
(General, China, and U.K. models)
VOLTAGE SELECTOR
If you use two pairs of main speakers, the impedance of each speaker
must be 8Ω or higher.
(General and China models)
(Lower position)
FRONT EFFECT:
G.
VOLTAGE SELECTOR
2 4 0
The impedance of each speaker must be 8Ω or higher.
The impedance of each speaker must be 8Ω or higher.
REAR CENTER:
The impedance of the speaker must be 8Ω or higher.
CENTER: The impedance of the speaker must be 8Ω or higher.
REAR:
IMPEDANCE SELECTOR
SET BEFORE POWER ON
MAIN:
If you use one pair of main speakers, the impedance of each speaker
must be 8Ω or higher.
FRONT
:
:
:
:
:
:
Ω
SPEAKER
REAR
6 ΩMIN./ SPEAKER
6 ΩMIN./ SPEAKER
6 ΩMIN./ SPEAKER
4 ΩMIN./ SPEAKER
REAR CENTER
CENTER
MAIN
A
OR
B
A
+
B
8
4 ΩMMIINN..// SPEAKER
If you use two pairs of main speakers, the impedance of each speaker
must be 16Ω or higher.
FRONT
REAR
:
:
:
:
:
:
Ω
SPEAKER
8 ΩMIN./ SPEAKER
8 ΩMIN./ SPEAKER
8 ΩMIN./ SPEAKER
REAR CENTER
CENTER
MAIN
A
OR
B
8
8 ΩMMIINN..// SPEAKER
ΩMIN./ SPEAKER
A
+
B
1
6
■Connecting the AC power cord
Plug in this unit to a wall outlet when all connections are complete.
Caution:
•
Do not use other AC power cords than the one provided. (Europe model only)
IMPEDANCE SELECTOR switch
■AC OUTLETS
AC Power Cord
(Europe model only)
Use these to connect the power cords from your other components to this unit. The
power to the switched outlets is controlled by this unit’s STANDBY/ON
(SYSTEM POWER or STANDBY on the remote). These outlets will supply
power to any connected unit whenever this unit is turned on. The maximum power
(total power consumption of components) that can be connected to AC OUTLETS
is 100 W.
AC OUTLETS
■Voltage selector (General and China models)
The voltage selector on the rear panel of this unit must be set for your local main
voltage BEFORE plugging into the AC main supply.
R
ER ON
N./ SPEAKER
N./ SPEAKER
N./ SPEAKER
N./ SPEAKER
N./ SPEAKER
N./ SPEAKER
N./ SPEAKER
N./ SPEAKER
N./ SPEAKER
N./ SPEAKER
N./ SPEAKER
IN./ SPEAKER
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On-Screen Displays (OSD)
You can display the operation information for this unit on a video monitor. If you display the SET MENU and DSP sound field program
parameter settings on a screen, it is much easier to see the available options and parameters than it is by reading this information on the front
panel display.
If a video source is being reproduced, the OSD is superimposed over the image.
If a video source is not being reproduced (or the source component is set in the standby mode), you can set the OSD to turn on (blue
background) or off with “14 DISPLAY SET” on the SET MENU.
OSD Modes
You can change the amount of information the OSD shows.
P01 CONCERT HALL
Europe Hall
1
A
≥
Full Display .......... This mode always shows the sound field program parameter
settings on the video monitor.
INIT.DLY…………30ms
ROOM SIZE…………1.0
LIVENESS…………………5
Short Display ........ This mode briefly shows the same contents as the front panel
display at the bottom of the screen, then disappears.
Display Off ........... This mode briefly shows the “DISPLAY OFF” message at the
bottom of the screen, then disappears. Afterwards, no changes to
operations appear on the screen except those of the ON
SCREEN.
Full Display (ex.)
Notes:
• When you choose the Full Display mode, the INPUT selector, VOLUME, and some
other types of operation information are displayed at the bottom of the screen in the same
format as the front panel display.
P01 CONCERT HALL
Europe Hall
1
A
Short Display (ex.)
• The OSD signal is not output through the REC OUT selector, and will not be recorded
with any video signal.
• The SET MENU, TEST DOLBY SUR and TEST DSP appear regardless of the OSD
mode.
Selecting the OSD Mode
ON SCREEN
1
2
When you turn on the power, the video monitor and front panel display shows
the level of the main volume for a few seconds and then switches to show the
current sound field program.
Press ON SCREEN on the remote control repeatedly to change the display
mode.
The OSD mode changes in the following order: Full Display, Short Display,
and Display Off.
Notes:
•
If you choose a video input source that has component connected to both the S
VIDEO IN and composite VIDEO IN jacks, and both the S VIDEO OUT and
composite VIDEO OUT jacks are connected to a video monitor, the video signal is
output to both the S VIDEO OUT and VIDEO OUT jacks. However, the OSD is
carried only on the S-video signal. If no video signal is input, the OSD is carried on
both the S-video and composite video signals.
•
•
If your video monitor is connected only to the COMPONENT VIDEO jacks of this
unit, the OSD is not shown. Make sure to connect your video monitor to the
COMPONENT VIDEO jack and either VIDEO or S VIDEO jacks if you would
like to see the OSD.
Playing back video software that has an anti-copy signal or video signals with a lot
of noise may produce unstable images.
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Speaker Placement
Where you place your speakers has a tremendous effect on how well your system sounds.
■Placing the Main speakers
TV or Video
Main
Speaker
monitor
Main
Speaker
Place the left and right Main speakers an equal distance from the main listening
position.
If you have a TV or video monitor in your system, the distance of each speaker
from each side of the TV or video monitor should be the same.
■Placing the Center speaker
TV or Video
monitor
If you have a TV or video monitor in your system, align the front face of the
Center speaker with the front face of the monitor. Place the speaker as close to the
monitor as possible, such as directly over or under the monitor. If you place the
speaker under the monitor, the Front Effect speakers can adjust the height of the
sound to correspond with the action on the screen (depending on the listener’s
position). If you have a projection screen in your system, place the Center speaker
under the screen. Be sure to align the speaker with the center of the screen.
Center Speaker
1m 0.5~1m 1.5~3m 0.5~1m 1m
(3ft) (1~3ft) (5~15ft) (1~3ft) (3ft)
■Placing the Front Effect, Rear, and Rear Center
speakers
The Front Effect speakers should be placed about 0.5~1m (1~3 feet) outside the
Main speakers and in the front of the room. They should be turned toward the main
listening position. Place the Rear speakers in the back of the room so they face the
main listening position. The Rear speakers can be placed farther apart than the
Front Effect speakers. The Front Effect and Rear speakers should be placed about
1.8m (6 feet) above the floor.
L
C
R
Once you begin listening to programs, continue to adjust the speaker placement
until you obtain a balanced sound from the Main speakers and the Front Effect and
Rear speakers.
■When you use a projection screen
Place the speakers as shown in the illustration.
The Main speakers should be placed about one-quarter of the way up from the
bottom of the screen.
Place the Center speaker in the center and directly under the screen. The Center
speaker provides precise dialogue localization.
1
L
R
1/4
C
When you use a projection screen with your system, the Front Effect speakers
provide better effect quality. The CINEMA-DSP sound field programs raise the
sound from the Center speaker upward and provide natural sound corresponding
with the video images.
Front Effect speakers
Main speakers
■Placing the Subwoofers
Rear speakers
Place the Front Subwoofer near the Main speakers. Turn it slightly toward the
center of the room to reduce wall reflections.
If you use a Rear Subwoofer, place it behind the main listening position. The
placement of the Rear Subwoofer is not critical because of the ultralow frequencies
of the sound being reproduced.
1.8 m (6 feet)
Center
Speaker
By adding a high quality Subwoofer to the speaker system configurations shown
on page 9, you can enjoy more powerful and realistic movie effects, even if your
Main speakers are large.
Front
Subwoofer
Rear Center speaker
Rear Subwoofer
Notes:
•
If you use different brands of speakers (with different tonal qualities) in your
configuration, the tone of a moving human voice and other types of sound may not shift
smoothly. We recommend that you use speakers from the same manufacturer or speakers
with the same tonal quality.
You can also adjust the output levels and equalization of your effect speakers using the
SET MENU.
•
If you are using small speakers, the addition of a Subwoofer will reinforce the sound
effects of movies.
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Speaker Settings
This unit has seven SPEAKER SET items in the SET MENU that you must set according to the number of speakers in your configuration
and their size. The following table summarizes these SPEAKER SET items, and shows the initial settings as well as other possible settings. If
the initial settings are not appropriate for your speaker configuration, change the settings in the SET MENU.
Summary of SPEAKER SET items 1A through 1G
Item
Description
Initial Setting
LRG
1A. CENTER SP
Selects the Center channel output mode according to the size of the Center speaker.
The possible settings are LRG (large), SML (small), and NONE.
1B. MAIN SP
Selects the Main channel output mode according to the size of the Main speakers.
The possible settings are LARGE and SMALL.
LARGE
LRG
1C. REAR L/R SP
1D. REAR CT SP
1E. LFE/BASS OUT
1F. FRNT EFCT SP
1G. MAIN LEVEL
Selects the Rear channel output mode according to the size of the Rear speakers.
The possible settings are LRG (large), SML (small), and NONE.
Selects the Rear Center channel output according to the size of the Rear Center speaker. LRG
The possible settings are LRG (large), SML (small), and NONE.
Selects a speaker for the LFE/Bass signal output.
The possible settings are SWFR (subwoofer), MAIN, and BOTH.
BOTH
Selects the Front Effect signal output mode for the Front Effect signals.
The possible settings are YES and NONE.
YES
Selects the output level for the Main channel signal.
The possible settings are Normal and –10 dB.
Normal
Note:
•
When you adjust the balance of the output level from the Right and Left Main speakers, use “L/R BALANCE” on the SET MENU.
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Speaker Output Levels
This section explains how to set the speaker levels using the test tone. There are two tests; Dolby Surround test and DSP test.
BeforeYou Begin
1
2
Set BASS and TREBLE on the front panel to “0” (the center position) and
turn off BASS EXTENSION.
BASS
TREBLE
Use the remote control for the next three steps. Sit in the main listening
position and set PARAMETER/SET MENU on the remote control to
PARAMETER.
3
4
Set 10 KEY/DSP to DSP and press q/DTS SUR.
Press TEST to select the test to be performed.
Select “TEST DOLBY SUR.” to match the output levels of the Center, Rear
Center and Rear Left and Rear Right speakers to the left and right Main
speakers.
Select “TEST DSP” to match the output levels of the Front Effect speakers to
the Main speakers.
Dolby Surround Test
1
2
After the Dolby Surround test is selected, “TEST DOLBY SUR.” appears in
the video monitor and in the front display.
Adjust VOLUME +/– to hear the test tone for each speaker. Make an
FR
adjustment so that the output level coming from each speaker is same.
FL
L
C
R
• The test tone is produced from the left Main speaker, Center speaker, right
Main speaker, Rear Right speaker, Rear Center speaker, and Rear Left
speaker in order. The tone lasts for 2.5 seconds each time.
• Press and hold h or g to stop the sequence temporarily.
• Press h or g to select the speaker to be tested.
RL
RR
RC
3
When adjusting is complete, press TEST twice to stop the test tone.
TEST DOLBY SUR.
You can increase the output levels of the effect channels (Rear Left, Rear
Right, Rear Center, and Center) to +10dB. If the output level of the Center,
Rear and Rear Center speakers is lower than that from the Main speakers even
after you have increased the sound volume level of the Center, Rear, and Rear
Center speakers up to +10dB, set the 1G. MAIN LEVEL item to this setting
decreases the Main speaker volume level to about one-third the normal level.
After you set the 1G. MAIN LEVEL item in the SET MENU to “–10dB,”
adjust the levels for the Center, Rear, and Rear Center speakers again.
EFFECT
L SUR.
LEVEL
0dB
EFFECT
L SUR.
LEVEL
0dB
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Speaker Output Levels
DSP Test
1
After the dsp test is selected, “TEST DSP” appears on the video monitor and
in the front display.
TEST DSP
MAIN
2
Adjust VOLUME +/– to hear the test tone. Make an adjustment so that the
output level coming from the Front Effect speakers is the same as that of the
Main speakers.
FR
FL
L
C
R
• The test tone is produced alternately from the Front Effect speakers and
Main speakers. The tone is produced for 2.5 seconds each time.
RL
RC
3
Adjust the output level of the Front Effect speakers using + and – so the
output level coming from the Front Effect speakers is the same as that of the
Main speakers.
TEST DSP
• The test tone is automatically produced from the Front Effect speakers
while you are adjusting the level.
EFFECT
FRONT
LEVEL
0dB
Notes:
•
If you cannot hear the test tone, set VOLUME, turn off the power, and check the
speaker cords and hookups.
EFFECT
FRONT
LEVEL
0dB
•
The test tone can be reproduced separately from the left and right Front Effect
speakers. This is useful when you want to check the hookups to these speakers.
Press h to reproduce the test tone from the left speaker, and press g to reproduce
the tone from the right speaker. (The OSD shows which speaker is reproducing the
tone.)
•
•
You cannot adjust the output level of the left and right Front Effect speakers
separately.
You can hear the test tone only from the Right Front Effect speaker by pressing g
and the Left Front Effect speaker by pressing h. You can return to the original
mode by releasing the buttons.
•
•
The tonal quality of the speakers can be adjusted using the 5. CENTER GEQ items
in the SET MENU.
If the sound volume of the Front Effect speakers is lower than that of the Main
speakers, even after you have increased the output level up to +10 dB, set the 1G.
MAIN LEVEL item in the SET MENU to “–10dB.” Setting the 1G. MAIN LEVEL
item to “–10dB” decreases the Main speaker output level to about one-third of the
normal level.
After you set the 1G. MAIN LEVEL item in the SET MENU to “–10dB,” repeat
the TEST DOLBY SUR. procedure on the previous page.
•
•
If you do not use Front Effect speakers, set the 1F FRNT EFCT SP item in the SET
MENU to “NONE”, and the DSP Front Effect signals will be mixed with the Main
channel signals.
When the headphones are connected to this unit, you cannot select the Dolby
Surround test and the dsp test.
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Basic Operation
Basic Playback
25
Power Control ........................................................................................................ 25
Selecting a Source .................................................................................................. 26
Input Modes and Indications .................................................................................. 27
Selecting a Sound Field Program ........................................................................... 28
Basic Recording
29
Preparations ............................................................................................................ 29
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Basic Playback
Playback operation is described with buttons on this unit and the remote control. These button names are noted in the order of “button name
(remote control button name).”
INPUT selector
INPUT MODE
EFFECT
STANDBY
STANDBY/ON
VOLUME
SYSTEM
POWER
VOLUME
INPUT
INPUT MODE
NATURAL SOUND AV AMPLIFIER DSP-AX2
Input
buttons
STANDBY
/ON
SPEAKERS
EFFECT
A
B
SOURCE
DVD
D-TV/LD
MD/TAPE
CD-R
SILENT
CABLE
SAT
TUNER
S
VIDEO
VIDEO
L
AUDIO
R
OPTICAL
CD
6CH
INPUT
BASS PROCESSOR
VCR
1
PHONO
EXTENSION DIRECT
VCR 2/DVR
VIDEO AUX
PHONES
VIDEO AUX
BASS
TREBLE
REC OUT
DSP PROGRAM
VOLUME
EFFECT
Power Control
1
Press STANDBY/ON (or SYSTEM POWER on the remote control) to turn
on the power.
STANDBY
/ON
• The front panel (and the monitor screen) shows the level of the volume for a
few seconds and then switches to show the current sound field program.
2
Press STANDBY/ON (or STANDBY on the remote control) to turn off the
power.
STANDBY
/ON
Note:
•
This unit stores its current operational status in memory before the power is turned
off. By connecting a commercially available timer to this unit, you can easily
playback or record a source at any time you wish.
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Basic Playback
Selecting a Source
INPUT
1
Select the source using the INPUT selector, or press one of the input buttons
on the remote control.
• The current source is indicated on the front panel display with an arrow.
• The current source name and input mode appear on the front panel display
and the video monitor for a few seconds.
The selected source
D-TV/ LD
CABLE
SAT
DVD
Select this source:
To reproduce the signal
from this component.
MD/ TAP E
CD-R
DVD........................................ DVD player
D-TV/LD ................................ LD player/Digital TV or TV
CABLE ................................... Cable TV
VCR
1
TUNER
CD
VCR2 / DVR
V-AUX
P HONO
VCR 1 ..................................... Video deck 1
VCR 2/DVR ........................... Video deck 2 or Digital Video Recorder
V-AUX ................................... Other AV component
PHONO .................................. Turntable
CD ........................................... CD player
TUNER ................................... AM/FM tuner
MD/TAPE ............................... MD recorder/TAPE deck
CD-R ....................................... CD Recorder
SAT ......................................... Satellite tuner
2
3
Start playback (or select a broadcast station) on the source component.
• Refer to the operation instructions for the component.
Adjust VOLUME (or VOLUME +/– on the remote control).
Caution:
VOLUME
•
If the power of the component connected to the VCR 1, VCR 2/DVR, MD/TAPE,
and CD-R OUT jacks is turned off, reproduced sound may be distorted or the
volume may be lowered. In these cases, turn on the component.
■BGV (Back Ground Video) function
The BGV (Back Ground Video) function allows you to combine a video signal
from a video source with a sound signal from an audio source. (For example, you
can listen to classical music while you are watching a video.)
Using the remote control, select a source from the video group, then select a source
from the audio group. Use the input buttons on the remote control to make your
selections. The BGV function does not work if you select the sources using the
INPUT selector on the front panel.
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Basic Playback
Input Modes and Indications
This unit comes with various input jacks. If your external component is connected to more than one type of input jack, you can set the
priority of the input signal. Press INPUT MODE on the front panel or an input button (press it repeatedly) on the remote control to display or
change the input mode.
AUTO: ........... This mode is automatically selected when you turn on the power of
• AUTO
this unit. In this mode, the input signal is automatically selected in the
following order.
1) Dolby Digital or DTS encoded signals
2) Digital (PCM) signals
AUTO:DOLBY D.
AUTO:DTS
3) Analog signals
DTS: .............. In this mode, only digital input signals encoded with DTS are selected
even if other signals are input at the same time.
ANALOG: ..... In this mode, only analog input signals are selected even if digital
signals are input at the same time.
AUTO:PCM
AUTO:ANALOG
AUTO:---
<When LD is selected as the input source> (General and China models only)
AUTO: ........... In this mode, this unit automatically selects the signal in the following
order.
• DTS
1) Dolby Digital RF encoded signals
2) DTS encoded signals
DTS
3) Digital (PCM) signals
4) Analog signals
DTS:---
D.D. RF: ........ This unit only selects Dolby Digital RF signals.
DTS: .............. In this mode, only digital input signals encoded with DTS are selected
even if other signals are input at the same time.
DGTL: ........... This unit only selects digital signals input through the OPTICAL
jacks.
• ANALOG
ANALOG
ANALOG:---
ANALOG: ..... This unit only selects signals input through the ANALOG jacks. This
unit will not select Dolby Digital RF or DTS signals.
Notes:
•
•
If digital signals are input from both the COAXIAL and OPTICAL jacks, the digital signal from the COAXIAL jack is selected.
When AUTO is selected, this unit automatically determines the type of signal. If this unit detects a Dolby Digital or DTS signal, the decoder
automatically switches to the appropriate setting and reproduces 5.1 channel source.
•
The sound output may be interrupted for some LD and DVD players in the following situation: The input mode is set to AUTO. A search is performed
while playing the disc encoded with Dolby Digital or DTS, and then disc playing is restored. The sound output is interrupted for a moment because the
digital signal was selected again.
■Notes on playing a source encoded with a DTS signal
•
If the digital output data of the player has been processed in any way, you may not be able to perform DTS decoding even if you make
a digital connection between this unit and the player.
•
If you play a source encoded with a DTS signal and set the input mode to ANALOG, this unit reproduces the noise of an unprocessed
DTS signal. When you want to play a DTS source, be sure to connect the source to a digital input jack and set the input mode to
AUTO or DTS.
•
•
If you switch the input mode to ANALOG while playing a source encoded with a DTS signal, this unit reproduces no sound.
If you play a source encoded with a DTS signal and set the input mode to AUTO, there will be a moment of noise while the unit
recognizes the DTS signal and turns on the DTS decoder. This is not a malfunction. You can avoid this by setting the input mode to
DTS beforehand.
•
•
If you continue to play a source encoded with a DTS signal with the input mode setting left to AUTO, this unit automatically switches
to the “DTS-decoding” mode to prevent noise from being generated during subsequent operation. (The “t” indicator lights up on
the front panel display.) The “t” indicator will flash immediately after playback of a source encoded with a DTS signal has
finished. Only a source encoded with a DTS signal can be played back while this indicator is flashing. If you want to play a normal
PCM source soon, set the input mode back to AUTO.
The “t” indicator will flash when the input mode is set to AUTO and a search or skip operation is performed while playing back a
source encoded with a DTS signal. If this status continues for 30 or more seconds, the unit will automatically switch from the “DTS-
decoding” mode to PCM digital signal input mode and the “t” indicator will go out.
■Notes on playing an LD or DTS CD source
•
•
•
•
For LD software that does not contain a digital soundtrack, connect the LD player to the analog jacks and set the input mode to AUTO
or ANALOG.
If the LD player is transmitting a signal by a non-standard method, this unit cannot detect the Dolby Digital or DTS signal. In this case,
the decoder automatically switches to PCM or analog.
Some A/V components such as LD players output different audio signals through their analog and digital jacks. Change the input mode
as necessary.
While you are operating the LD player and playing a disc encoded with a Dolby Digital signal, if you switch from the pause or chapter
forwarding function to normal playback, you may hear the PCM or analog sound an instant before the Dolby Digital signal is played.
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Basic Playback
Selecting a Sound Field Program
You can enhance your listening experience by selecting a DSP sound field program. The 25 DSP sound field programs are divided into 12
DSP program groups.
10KEY/DSP
1
2
Set 10KEY/DSP on the remote to DSP.
Press the DSP button on main unit and rotate the Multi jog knob to select the
desired sound field program.
Notes:
•
•
If a DTS or Dolby Digital signal is input when the input mode is set to “AUTO”,
the sound field program automatically switches to the appropriate decoding
program.
Choose a sound field program based on your listening preference, not on the name
of the program. The acoustics of your listening room affect the sound field
program. Minimize the sound reflections in your room to maximize the effect
created by the program.
6.1/ES
If you want to utilize the Rear Center speaker
with a 5.1 channel program source, press 6.1/
ES.
•
•
•
When you select an input source, the main unit automatically selects the last sound
field program used with that source.
When you turn off the main unit, the current source and sound field program are
memorized and are automatically selected when you turn on the power again.
When high rate 96 kHz sampling digital signals are output from source equipment,
the DSP sound field cannot operate on the source sounds. In this case, the sounds
are reproduced as normal 2-channel stereo.
Hi-Fi DSP Programs
Concert Hall 1
Concert Hall 2
Church
Jazz Club
Rock Concert
Stadium
Entertainment
Europe Hall A
Europe Hall B
U.S.A. Hall C
Live Concert
Freiburg
Royaumont
Village Gate
The Bottom Line
Roxy Theatre
Arena
Anaheim
Bowl
Disco
8ch Stereo
CINEMA-DSP Programs
Entertainment
Concert Video
TV Theater
Movie Theater 1
Movie Theater 2
q/DTS SURROUND
Pop/Rock
Classical/Opera
Mono Movie
Variety/Sports
Spectacle
Sci-Fi
Adventure
General
Normal/Matrix 6.1/ES
Enhanced/6.1/ES
Game
■Virtual CINEMA DSP and HP CINEMA DSP
You can experience the virtual CINEMA DSP sound field by setting the 1C. REAR L/R SP item in the SET MENU to “NONE.” The sound
field processing is changed to the Virtual CINEMA DSP mode according to the selected sound field program. The Virtual CINEMA DSP
allows you to enjoy the virtual sound fields without Rear speakers. Signals for Rear channels are output from the Main speakers. You can
also listen to HP (Headphone) CINEMA DSP by connecting your headphones to the PHONES jack while the DSP sound fields are on.
When high rate 96 kHz sampling digital signals are output from source component, the Virtual CINEMA DSP and HP CINEMA DSP cannot
operate on the source sounds.
Note:
•
This unit is not set in the virtual CINEMA DSP mode even if “1C REAR L/R SP” is set to NONE in the following cases:
– when the 8ch Stereo, DOLBY DIGITAL/Normal or DTS/Normal program is selected;
– when the sound effect is turned off;
– when 6CH INPUT is selected as the input source;
– when 96-kHz sampling digital signals are input to this unit;
– when the Dolby Digital KARAOKE source is played;
– when using the test tone; or
– when connecting the headphones.
EFFECT
■Normal stereo reproduction
For normal stereo reproduction, press EFFECT to turn off the effect.
Notes:
EFFECT OFF
•
•
•
When you turn off the effect, no sound is reproduced from the Front Effect, Center, Rear,
and Rear Center speakers.
If you turn off the effect while DTS or Dolby Digital signals are being reproduced, the
dynamic range of the signal is automatically compressed.
The sound volume may be extremely reduced when you turn off the effect or if you
change a SET MENU item. In this case turn on the effect.
28
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Basic Recording
REC OUT allows you to record one source while viewing and/or listening to another source.
Preparations
1
2
Turn on the power to this unit and all connected component.
STANDBY
/ON
SOURCE
Select the source component you want to record using REC OUT.
• To record the current source, set REC OUT to SOURCE.
DVD
D-TV/LD
MD/TAPE
CD-R
CABLE
SAT
TUNER
CD
• To record a source that you do not want to reproduce, set REC OUT to the
source you want to record.
VCR 1
PHONO
VCR 2/DVR
VIDEO AUX
3
4
Start playback (or select a broadcast station) on the source component.
Start recording on the recording component.
REC OUT
• If you want to listen to another source, and REC OUT is not set to
SOURCE, select the source you want to reproduce with the INPUT
selector and adjust the volume.
Notes:
•
•
Do a test recording before you start an actual recording.
When this unit’s power is off, you cannot record between other component
connected to this unit.
•
Operating BASS and TREBLE, BASS EXTENSION, BALANCE, VOLUME,
and DSP programs do not affect the recorded signal.
■ Special considerations when recording DTS
software
The DTS signal is a digital bitstream. Attempting to digitally record the DTS
bitstream will result in noise being recorded. Therefore, if you want to use this unit
to record sources that have DTS signals recorded on them, the following
considerations need to be made.
For DTS encoded LDs, DVDs, and CDs:
Only 2-channel analog audio signals may be recorded as follows:
•
•
LDs:
Set your Laser Disc player’s left and right outputs to the analog soundtrack.
DVDs:
Use the disc menu to set the DVD player’s mixed 2-channel left and right
audio outputs to the PCM or Dolby Digital soundtrack.
•
CDs:
The DTS signal recorded on CDs can only be output as a digital bitstream,
and therefore cannot be recorded.
29
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Advanced Operation
SET MENU Items
31
Operating the SET MENU ..................................................................................... 32
1. SPEAKER SET (1A. CENTER SP to 1G. MAIN LEVEL) .............................. 33
2. LOW FREQ. TEST ............................................................................................ 35
3. L/R BALANCE .................................................................................................. 36
4. HP TONE CTRL (Headphone Tone Control).................................................... 36
5. CENTER GEQ (Center Graphic Equalizer)....................................................... 36
6. INPUT RENAME .............................................................................................. 36
7. I/O ASSIGN ....................................................................................................... 37
8. INPUT MODE ................................................................................................... 37
9. PARAMETER INI (Parameter Initialization) .................................................... 37
10. DOLBY D. SET (Dolby Digital Set) ............................................................... 38
11. DTS SET .......................................................................................................... 38
12. 6.1/ES AUTO ................................................................................................... 38
13. SP DELAY TIME ............................................................................................ 39
14. DISPLAY SET ................................................................................................. 39
15. MEMORY GUARD......................................................................................... 39
Remote Control Features
40
Using the Remote Control ...................................................................................... 40
Each Component Control Area .............................................................................. 42
Setting the Manufacturer Code in the Remote Control .......................................... 45
Programming a New Remote Control Function..................................................... 46
Using the Macro Feature ........................................................................................ 47
Changing the Source Name in the Display Window.............................................. 49
Clearing a Learned Function or Macro .................................................................. 49
Clearing Learned Functions and Setups ................................................................. 50
Adjusting the Levels of the Effect Speakers
Setting the Sleep Timer
51
51
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SET MENU Items
The SET MENU consists of sixteen items including the Speaker Set, Center Graphic Equalizer and Parameter Initialization features.
Choose the appropriate item and adjust or select the values as necessary.
Notes:
•
•
You can adjust the items in the SET MENU while reproducing a source.
We recommend that you adjust the items in the SET MENU while using a video monitor. It is easier to see the video monitor screen than it is to see
the front panel display on this unit while adjusting SET MENU items.
Items
Descriptions
Setting
Page
1. SPEAKER SET
1A. CENTER SP
1B. MAIN SP
1C. REAR L/R SP
1D. REAR CT SP
1E. LFE/BASS OUT
1F. FRNT EFCT SP
1G. MAIN LEVEL
Selects the output mode suitable for your Center speaker.
Selects the output mode suitable for your Main speakers.
Selects the output mode suitable for your Rear speakers.
Selects the output mode suitable for your Rear Center speaker.
Selects the output mode for LFE/BASS signal output.
Selects the output mode suitable for your Front Effect speakers.
Selects the output level for your Main channels.
LRG / SML / NONE
LARGE / SMALL
LRG / SML / NONE
LRG / SML / NONE
SWFR / MAIN / BOTH
YES / NONE
33–35
Normal / –10dB
2. LOW FREQ. TEST
Matches the Subwoofer level with the level of the other speakers.
TEST TONE;
35
OFF / ON
OUTPUT;
MAIN L/R, MAIN L, CENTER, MAIN R, R
SUR, REAR CT, L SUR, SWFR, FRONT
FREQ.;
35Hz—250Hz
(Wide or narrow band)
3. L/R BALANCE
4. HP TONE CTRL
Adjusts the sound balance for Left and Right channels.
Adjusts the tonal balance of the headphones.
L to 0 to R
36
36
BASS; –6dB to +3dB
TRBL; –6dB to +3dB
5. CENTER GEQ
6. INPUT RENAME
7. I/O ASSIGN
Matches the Center speaker tonal quality with the Main speakers.
Changes the name of the inputs.
5-band; –6dB to +6dB
Up to eight characters.
Digital I/O, CMPNT input.
AUTO / LAST
36
36
37
37
37
Assigns the I/O terminals to the designated input sources.
Selects the initial input mode of the sources.
8. INPUT MODE
9. PARAMETER INI
Initializes the parameters of a group of DSP programs.
1 to 12
10. DOLBY D. SET
10A. LFE LEVEL
10B. D-RANGE
Adjusts the output level of the LFE channel for Dolby Digital signals.
Adjusts the dynamic range for Dolby Digital signals.
SP, HP; –20dB to 0dB
SP, HP; MAX / STD / MIN
38
11. DTS SET
Adjusts the output level of the LFE channel for DTS signals.
SP, HP; –10dB to +10dB
38
38
12. 6.1/ES AUTO
Selects the AUTO mode of Dolby Digital Matrix 6.1 and DTS ES
decoding.
ON / OFF
13. SP DELAY TIME
14. DISPLAY SET
Adjusts the delay time for Center and Rear Center speakers.
Selects the display settings.
CENTER; 0ms to 5ms
REAR CNTR; 0ms to 30ms
39
39
BLUE BACK; AUTO/OFF
OSD SHIFT; 0 to 10
DIMMER; –4 to 0
15. MEMORY GUARD
Locks DSP program parameters and other SET MENU settings.
OFF / ON
39
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SET MENU Items
Operating the SET MENU
Adjustment should be performed with the remote control. Some items require extra steps to change to the desired setting.
PARAMETER / SET MENU
Cursor buttons
1
2
Set PARAMETER/SET MENU to SET MENU.
Press h or g repeatedly to select an item from the table of SET MENU, then press + or – to enter the setting of that item.
• The last item you adjusted appears on the display.
• Some items have sub items.
OSD (On Screen Display)
SET MENU 1/4
SPEAKER SET
LOW FREQ.TEST
L/R BALANCE
HP TONE CTRL
Front Panel Display
1
≥
2
2 LOW FREQ.TEST
-/+ : Enter
3
4
3
Press + or – to change the setting of the item.
2
LOW FREQ.TEST
TEST TONE………OFF
≥
OUTPUT…MAIN L/R
FREQ.………………88Hz
2 LOW FREQ.TEST
TEST TONE………OFF
4
Press h or g repeatedly or a DSP program button to exit the SET MENU.
or
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SET MENU Items
1. SPEAKER SET (1A. CENTER SP to 1G. MAIN LEVEL)
Use this feature to select suitable output modes for your speaker configuration. You must set the output mode when you use a subwoofer.
■1A. CENTER SP (Center Speaker Mode)
By adding a Center speaker to your speaker configuration, this unit can provide good dialogue localization for many listeners and superior
synchronization of sound and images. The OSD shows a large, small, or no center speaker depending on how you set this item. The initial
setting is “LRG”.
Select the “LRG” (Large) setting if you have a large Center speaker. The entire range of Center channel signals is sent to the Center
speaker.
Select the “SML” (Small) setting if you have a small Center speaker. Center channel low frequency signals of 90 Hz and below are
directed to the speakers selected with the 1E. LFE/BASS OUT item.
Select the “NONE” setting if you do not have a Center speaker. All of the Center channel signals are directed to the left and right
Main speakers. The “NONE” position provides good dialogue localization for the person sitting in the main listening position.
Large
Small
None
1A CENTER SP
1A CENTER SP
1A CENTER SP
1A CENTER SP
“LRG SML NONE
“LRG SML NONE
LRG “SML NONE
LRG SML “NONE
■1B. MAIN SP (Main Speaker Mode)
The display shows small or large Main speakers depending on how you set this item. The initial setting is “LARGE”.
Select the “LARGE” setting if you have large Main speakers. The entire range of left and right Main channel signals is directed to the
left and right Main speakers.
Select the “SMALL” setting if you have small Main speakers. The Main channel low frequency signals of 90 Hz and below are
directed to the speakers selected with the 1E. LFE/BASS OUT item.
Large
Small
1B MAIN SP
1B MAIN SP
1B MAIN SP
“LARGE SMALL
“LARGE
SMALL
LARGE “SMALL
Note:
•
When you select the “MAIN” setting for the 1E. LFE/BASS OUT item, the Main channel low frequency signals of 90 Hz and below are directed to the
Main speakers even if you select the “SMALL” setting for the Main speaker mode.
■1C. REAR L/R SP (Rear Speaker Mode)
The OSD shows large, small, or no Rear speakers depending on how you set this item. The initial setting is “LRG”.
Select the “LRG” setting if you have large left and right Rear speakers or if you use a Rear Subwoofer. The entire range of Rear
channel signals is sent to the left and right Rear speakers.
Select the “SML” setting if you have small left and right Rear speakers. Rear channel low frequency signals of 90 Hz and below are
directed to the speakers selected with the 1E. LFE/BASS OUT item.
Select the “NONE” setting if you do not have Rear speakers.
• In this case, the Rear Center speaker will automatically be set to “NONE” and the 1D. REAR CT SP item will be skipped.
Large
Small
None
1C REAR L/R SP
1C REAR L/R SP
LRG “SML NONE
1C REAR L/R SP
LRG SML “NONE
1C REAR L/R SP
“LRG SML NONE
“LRG SML NONE
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SET MENU Items
■1D. REAR CT SP (Rear Center Speaker Mode)
By adding a Rear Center speaker to your speaker configuration, this unit can provide more realistic front-to-back and back-to-front
transitions. The initial setting is “LRG”.
Select the “LRG” setting if you have a large Rear Center speaker. The entire range of Rear Center channel signals is sent to the Rear
Center speakers.
Select the “SML” (small) setting if you have a small Rear Center speaker. Rear Center channel low frequency signals of 90 Hz and
below are distributed to speakers selected with the 1E. LFE/BASS OUT item.
Select the “NONE” setting if you do not have a Rear Center speaker. The Rear Center signal is directed to the Rear L/R speakers.
Large
Small
None
1D REAR CT SP
1D REAR CT SP
LRG “SML NONE
1D REAR CT SP
LRG SML “NONE
1D REAR CT SP
“LRG SML NONE
“LRG SML NONE
■1E. LFE/BASS OUT (Bass Output Mode)
LFE signals carry low frequency effects when this unit decodes DTS or Dolby Digital signals. Low frequency signals are defined as
90 Hz and below. The initial setting is “BOTH”.
Select the “SWFR” (Subwoofer) setting if you use a Subwoofer. The LFE signals are directed to the Subwoofer.
Select the “MAIN” setting if you do not use a Subwoofer. The LFE signals are directed to the Main speakers.
Select the “BOTH” setting if you use a Subwoofer and you want to mix the Main channel low frequency sound signals with the LFE
signals.
Subwoofer
Main
Both
1E LFE/BASS OUT
1E LFE/BASS OUT
SWFR“MAIN BOTH
1E LFE/BASS OUT
SWFR MAIN“BOTH
1E LFE/BASS OUT
SWFR MAIN“BOTH
“SWFR MAIN BOTH
Note:
•
The low frequency signals of 90Hz and below from all Main, Center, Rear, and Rear Center channels are directed to the LFE channel when you select
the small speaker setting in items 1A, 1B, 1C, and 1D.
■1F. FRNT EFCT SP (Front Effect Speaker Mode)
This unit uses Front Effect speakers to localize the virtual sound sources of the sound field programs. If you do not use Front Effect
speakers, you can direct the Front Effect signals to the Main speakers.
The OSD shows small or no Front Effect speakers depending on how you set this item. The initial setting is “YES”.
Select the “YES” setting if you use Front Effect speakers.
Select the “NONE” setting if you do not use Front Effect speakers. The Front Effect signals are mixed with the Main channels.
YES
NONE
1F FRNT EFCT SP
“YES NONE
1F FRNT EFCT SP
1F FRNT EFCT SP
“YES NONE
YES “NONE
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SET MENU Items
■1G. MAIN LEVEL
Change this setting if you cannot match the sound volume of the Front, Rear, and Center speakers with the Main speakers because of the
unusually high efficiency performance of the Main speakers. The initial setting is “Normal”.
Select the “Normal” setting if you can match the volume of your effect speakers with the volume of your Main speakers using the
Dolby Surround Test.
Select the “–10dB” setting if you cannot match the volume of your effect speakers with the volume of your Main speakers using the
Dolby Surround Test.
Normal
–10dB
1G MAIN LEVEL
1G MAIN LEVEL
1G MAIN LEVEL
“Normal -10dB
“Normal -10dB
Normal “-10dB
Notes:
•
When 96-kHz sampling digital signals are input to this unit, level adjustments in items 1B and 1E are possible, but those in items 1A, 1C, 1D and 1F
are not affected.
•
When 6CH INPUT is selected as the input source, level adjustments in items 1A through 1F are not affected.
2. LOW FREQ.TEST
Use this feature to adjust the Subwoofer volume so it matches the volume of the other speakers in your configuration. Change the setting
using the remote control while sitting in the main listening position.
1
2
Press + or – to set the TEST TONE to “ON”, and adjust the volume using VOLUME + so you can hear the tone.
Press g repeatedly to go to OUTPUT and press + or – to select the speaker you want to compare with the Subwoofer.
• If “SUBWOOFER” is selected, test tones above 90 Hz will not be output from the Subwoofer. The test tone will not necessarily be
output from the selected speakers. The output mode of the test tone depends on the settings of the 1. SPEAKER SET items in the
SET MENU.
3
Press g repeatedly to go to FREQ. and press + or – to select the frequency you want to use.
2
LOW FREQ.TEST
TEST TONE………OFF
2
LOW FREQ.TEST
2
LOW FREQ.TEST
≥
TEST TONE…………ON
OUTPUT…MAIN L/R
FREQ.………………88Hz
TEST TONE…………ON
OUTPUT…MAIN L/R
FREQ.………………88Hz
OUTPUT…MAIN L/R
FREQ.………………88Hz
≥
≥
2 LOW FREQ.TEST
TEST TONE………OFF
2 LOW FREQ.TEST
FREQ.………………88Hz
2 LOW FREQ.TEST
OUTPUT…MAIN L/R
4
Adjust the Subwoofer volume using the controls on the Subwoofer so it matches the volume of the speaker you are comparing it to.
Notes:
•
•
•
Do not turn up the VOLUME too high.
If no test tone is heard, turn off the power and make sure all the necessary hookups are correct.
When the headphones are connected to this unit, you cannot set the TEST TONE to “ON”.
Digital Generator
(Wide Band Noise Produced)
■ About the test tone
The test tone is produced by the tone generator.
The tone generator produces a narrow band of noise centered at a specified
frequency by the band pass filter.
You can change the center frequency from 35 Hz through 250 Hz in one-sixth
octave steps.
NOISE
You can use the test tone not only for adjusting the subwoofer level, but also for
checking the low frequency characteristics of your listening room. Low frequency
sounds are especially affected by the listener’s position, speaker placement,
subwoofer polarity, and other conditions.
FREQ.
Band Pass Filter
35 Hz~250 Hz
Center freq.
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SET MENU Items
3. L/R BALANCE
Use this feature to adjust the balance of the output level from the right and left main
speakers. Initial setting is the neutral position.
3
L/R BALANCE
L
R
0
3
L
R
0
4. HP TONE CTRL (Headphone Tone Control)
Use this feature to adjust the level of bass and treble when you use your headphones.
The initial Setting is 0 dB for both bass and treble.
4
HP TONE CTRL
__________
4 HP TONE
BASS 0dB
BASS
TRBL
|
|
--------
0dB
Select BASS or TRBL and press + or – to change each level. You can adjust
the level from –6 dB to +3 dB.
-
+
4 HP TONE
TRBL 0dB
5. CENTER GEQ (Center Graphic Equalizer)
Use this feature to adjust the built-in five band graphic equalizer so the Center speaker
tone matches that of the left and right Main speakers. You can select the 100 Hz, 300
Hz, 1 kHz, 3 kHz, or 10 kHz frequencies.
5
CENTER GEQ
_________
≥
100Hz
|
300Hz
1kHz
3kHz
|
|
|
|
5 CENTER
100Hz
1
2
Use g to select a higher frequency and h to select a lower frequency.
10kHz
-------
-
+
Press + or – to adjust the level of that frequency.
Note:
•
You can monitor the Center speaker sound while adjusting this item using the
Dolby Surround test tone generator. Press TEST before starting the procedure
above. “TEST DOLBY SUR.” appears, and the test tone starts alternating among
the speakers. Once you begin the procedure above, the test tone remains at the
Center speaker and you can hear how the sound changes as you adjust the various
frequency levels. To turn off the test tone generator, press TEST repeatedly until
the current DSP program appears.
6. INPUT RENAME
Use this feature to change the name of the input which appears on the OSD or the
front panel display.
6
VCR1 -> VCR1
INPUT RENAME
--------
VCR1 -> VCR1
--------
1
Select the input you want to change the name of by pressing an input button
(or using the INPUT selector).
2
3
Press + or – to blink the underbar for the space or character you want to edit.
Press h or g to select the character you want to use and + or – to move to the
next one.
• Press g to change the character in the following order, or press h to go in
the reverse order.
A~Z, a space, 0~9, a space, a~z, a space, #, *, +, and so on.
• Follow the procedure above to rename other inputs.
4
Press + or – repeatedly to exit the INPUT RENAME mode.
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SET MENU Items
7. I/O ASSIGN
Use this feature to designate the input for the COMPONENT jacks (A and B) and DIGITAL INPUT/OUTPUT jacks (1) to (10)* to any
sources you want. Change the setting when there are not enough digital input jacks depending on the source components you are using.
(*(10) can be selected for General and China models only.) Initial settings are shown on the display.
■7A. For the
■7B. For the
■7C. For the
■7D. For the
COMPONENT
OPTICAL OUTPUT
OPTICAL INPUT
COAXIAL INPUT
VIDEO INPUT jacks jacks (1) and (2)
[A] and [B]
jacks (3) to (7)
jacks (8) to (10)*
7A CMPNT-V INPUT
[A]………… DVD
[B]…………D-TV/LD
7B OPTICAL OUT
7C OPTICAL IN
7D COAXIAL IN
≥
≥
(1)…………MD/TAPE
(2)………… CD-R
(3)…………
CD
(8)…………
CD
(4)………… CD-R
(5)………… DVD
(6)…………D-TV/LD
(7)………… SAT
≥
(9)………… CABLE
(10)……… LD-RF
≥
*
7A CMPNT-V INPT
[A]………… DVD
7B OPTICAL OUT
(1)…………MD/TAPE
7C OPTICAL IN
(5)………… DVD
7D COAXIAL IN
(9)………… CABLE
8. INPUT MODE
Use this feature to designate the input mode for sources connected to DIGITAL
INPUT jacks when you turn on this unit.
8
INPUT MODE
>AUTO LAST
8 INPUT MODE
“AUTO LAST
Select “AUTO” to allow this unit to automatically detect the type of input
signal and select the appropriate input mode.
Select “LAST” to set this unit to automatically select the last input mode used
for that source.
9. PARAMETER INI (Parameter Initialization)
Use this feature to initialize the parameters for each DSP program within a DSP
program group. When you initialize a DSP program group, all of the parameter values
within that group revert to their initial settings.
9 PARAM. INI
*1
9
PARAM. INI
2
3
4
8
*1
2
3
4
8
9 PARAM. INI
5
6
7
5
6
7
Press the DSP program group button on the remote control for the DSP
program you want to initialize.
9
10 11 12
9 PARAM. INI
10 11 12
9
• All of the DSP programs within the selected program group are initialized.
Repeat this step to initialize other DSP program groups.
Notes:
•
•
•
•
The asterisk (*) mark next to a DSP program group number indicates that you have
changed the parameter values in one or more DSP programs within that group.
The parameter values of the DSP programs do not change if you initialize a
program group that does not have the asterisk (*) mark.
When the MEMORY GUARD function is set to “ON”, you cannot initialize any
program groups.
You cannot initialize the individual DSP programs within a group separately.
Caution:
•
Once you initialize a DSP program group, you cannot have this unit revert the
parameter values back to the previous settings automatically.
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SET MENU Items
10. DOLBY D. SET (Dolby Digital Set)
■10A. LFE LEVEL
10A LFE LEVEL
≥
SPEAKER………………0dB
HEADPHONE…………0dB
Use this feature to adjust the output level of the LFE (low frequency effect)
channel when playing back Dolby Digital encoded software. This setting is
effective only when this unit decodes Dolby Digital signals. The LFE signal carries
the low frequency special effect sound which is only added to certain scenes.
10A LFE LEVEL
SP………………0dB
You can adjust the levels from 0 dB to –20 dB.
• Adjust the LFE levels according to the capacity of your subwoofer or
headphones.
■10B. D-RANGE (Dynamic Range)
10B D-RANGE
≥
SP:>MAX STD MIN
HP:>MAX STD MIN
Use this feature to adjust the dynamic range. This setting is effective only when
this unit decodes Dolby Digital signals.
10B D-RANGE
SP:“MAX STD MIN
Select the “MAX” setting for feature films.
Select the “STD” (Standard) setting for general use.
Select the “MIN” setting for listening to sources at extremely low volume
levels.
11. DTS SET
■11. LFE LEVEL
11 LFE LEVEL
SPEAKER………………0dB
HEADPHONE…………0dB
≥
Use this feature to adjust the output level of the LFE (low frequency effect)
channel when playing back DTS encoded software. This setting is effective only
when this unit decodes DTS signals. The LFE signal carries the low frequency
special effect sound which is only added to certain scenes.
11 LFE LEVEL
SP………………0dB
You can adjust the levels from –10 dB to +10 dB.
• Adjust the LFE level according to the capacity of your subwoofer or
headphones.
12. 6.1/ES AUTO
Use this feature to switch the DOLBY Digital Matrix 6.1 and DTS ES AUTO mode
on or off.
12 6.1/ES AUTO
>ON
OFF
12 6.1/ES AUTO
Select “ON” to allow the main unit to automatically turn on the Dolby Digital
Matrix 6.1 or DTS ES decoder when the software with identification signal is
detected.
“ON
OFF
Select “OFF” if you want to control the mode manually by pressing 6.1/ES
on the remote.
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SET MENU Items
13. SP DELAY TIME
Use this feature to adjust the delay of the Center and the Rear Center channel sounds.
This feature works when this unit decodes DTS or Dolby Digital signals. Ideally, the
Center speaker and the Rear Center speaker should be the same distance from the
main listening position as the left and right Main speakers. However, in most home
situations, the Center speaker or the Rear Center speaker is placed in line with the
Main speakers or the Rear speakers. By delaying the sound from the Center speaker
and the Rear Center speaker, the apparent distance from the Center speaker and the
Rear Center speaker to the main listening position can be adjusted to make it seem the
same as the distance between the left and right Main speaker, and the left and right
Rear speakers to the listening position. Adjusting the delay time for the Center
speaker is especially important for giving depth to the dialogue.
13 SP DELAY TIME
CENTER………………0ms
REAR CNTR………3ms
≥
13 SP DLY TIME
CENTER………………0ms
You can adjust the delay time from 0 ms to 5 ms for the Center speaker and
from 0 ms to 30 ms for the Rear Center speaker.
• Increasing the delay 1 ms simulates moving the speakers about 30 cm (one
foot) farther away from the listening position.
14. DISPLAY SET
■ BLUE BACK > AUTO/OFF
14 DISPLAY SET
≥
BLUE BACK………AUTO
OSD SHIFT………………0
DIMMER………………………0
You can set the OSD background to blue if the video source is not being
reproduced (or the power of the source component is off).
14 DISPLAY SET
BLUE BACK……AUTO
■ OSD SHIFT
This setting is used to adjust the vertical position of the OSD.
■ DIMMER
You can adjust the brightness of the front panel display.
15. MEMORY GUARD
Use this feature to prevent accidental changes to DSP program parameter values and
other settings on this unit.
15 MEMORY GUARD
>OFF
ON
15 MEMORY GUARD
“OFF ON
Select “ON” to use MEMORY GUARD to protect the following features:
• DSP program parameters
• All SET MENU items
• Front, Rear Center speaker and Subwoofer levels
• The On-Screen Display mode
Notes:
• When MEMORY GUARD is “ON”, you cannot use any of the test modes.
• When MEMORY GUARD is “ON”, you cannot select any other SET MENU item.
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Remote Control Features
The remote control can operate not only the main unit but also other Yamaha and other manufactures’ audio and video components by using
the Learning function and other manufactures’ code settings. The Macro feature also improves the operability of this unit allowing you to
program a series of operations in sequence onto a single button.
Using the Remote Control
<Main Unit Control Area>
<Component Control Area>
The main unit control area is the shaded area shown below. It is for
controlling this unit. You can use functions within this area no
matter which component control area is selected.
The component control area is the shaded area shown below. Each
component has different functions for operation buttons in the
component control area. The component, which was chosen by
pressing an input button, can be controlled and the display window
shows the corresponding name of the input.
Å button and
input buttons
Å button and input
buttons switch the
control area for
each component
10KEY/DSP
(DSP is selected)
10KEY/DSP
(10KEY is selected)
There are 14 component control areas. You can setup the
manufacturer code and program other remote control functions in
each area (Cannot setup the manufacturer code in the OPTN area).
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Remote Control Features
■ SOURCE SELECT
You can control another component independently from the input you selected by
pressing an input button.
1
Press SOURCE SELECT h or g to choose a component and set the remote
control to be used for it.
2
The display window will show one of the following: V-AUX, TAPE,
PHONO, TUNER, MD, CD, VCR 1, VCR 2, DVD, CD-R, CABLE (Cable
TV), SAT (Satellite TV), A, TV/LD (digital and regular TV/LD player),
OPTN (Option).
■ About OPTN
OPTN is an extra component control area to be programmed with other remote
control functions. (You cannot setup the manufacturer code in this area.)
■ Light up function
The buttons which are active and the display window light up for 10 seconds after
pressing LIGHT.
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Remote Control Features
Each Component Control Area
The general operational buttons are shown for each area. Some of them may not function depending on the component you have.
■TUNER button (Tuner area)
■CD button (CD area)
POWER
DISPLAY
SEARCH
(Set 10KEY)
Skip Search
POWER
STOP
PLAY
PAUSE (/Stop)
Preset number 1 to 8
Numeric buttons 1 to 9
Preset group A through E from left.
Preset group A/B/C/D/E
CLEAR
Numeric button +10
Numeric button 0
DISC +/– (Disc Skip)
Preset +/–
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
INDEX
(Set 10KEY)
■MD/TAPE button (MD area*1)
■CD-R button (CD-R area)
REC/PAUSE
POWER
REC/PAUSE
POWER
DISPLAY
SEARCH
SOUND
DISPLAY
SEARCH
Skip Search
Skip Search
STOP
PLAY
STOP
PLAY
PAUSE
PAUSE
Numeric buttons 1 to 9
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
Numeric button +10
Numeric button 0
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
(Set 10KEY)
INDEX
(Set 10KEY)
*1 When operating a Tape Deck, set the manufacturer code for
TAPE before using the remote control.
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Remote Control Features
■PHONO and V-AUX buttons, and OPTN
■DVD button (DVD area)
area*2
DISPLAY
MENU
TITLE
Menu cursor/ENTER
SOUND
Skip Search
SEARCH
PLAY
PAUSE
STOP
Return
(Set 10KEY)
POWER
(Set 10KEY)
Numeric buttons 1 to 9
CLEAR
Numeric button +10
Numeric button 0
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
Disc Skip
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
*2 Operational buttons do not work without setting the manufacturer
code for the source component.
Title/index
■D-TV/LD button (TV area*3)
■VCR1 and VCR2/DVR button (VCR
areas*4)
REC (Press twice)
POWER
DISPLAY
Rewind/Fast Forward
You can control your VCR, if you
have set up the code for VCR1.
STOP
PLAY
PAUSE
POWER
Numeric buttons 1 to 9
Numeric buttons 1 to 9
Numeric button 10 or 0
Numeric button 10 or 0
CH +/–
CH +/–
TV INPUT
TV MUTE
TV VOL +/–
TV VOL +/–, TV INPUT, and TV
TV/VIDEO
(Set 10KEY)
MUTE function if you have set up
the manufacturer code for the TV
Area.
Enter
(Set 10KEY)
*3 Set the manufacturer code for TV before using the remote
control. When operating a LD player, set the manufacturer code
for LD before using the remote control.
*4 Set the manufacturer code for VCR before using the remote
control.
When LD is selected, TV cannot be operated. Set TV code in
PHONO button if necessary.
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Remote Control Features
■CABLE and SAT buttons (CABLE and
■Å button (ex. LD area*6)
SAT areas*5)
DISPLAY
MENU
POWER
DISPLAY
SEARCH
SOUND
Menu cursor/ENTER
CHAPTER +/– (Chapter Search)
STOP
PLAY
PAUSE
You can control your VCR, if you
have set up the code for VCR1.
Numeric buttons 1 to 9
POWER
Numeric buttons 1 to 9
CLEAR
Numeric button +10
Numeric button 0
Recall
Numeric button 0
CH +/–
TV VOL +/–, TV INPUT, and TV
MUTE function if you have set up
the manufacturer code for the TV
Area.
TV VOL +/–, TV INPUT, and TV
Chapter/Time
(Set 10KEY)
Enter
MUTE function if you have set up
the manufacturer code for the TV
Area.
(Set 10KEY)
*6 You can control other components that are not connected to this
unit. (“Å” cannot be used as an Input selector.)
*5 Set the manufacturer code for Cable TV Tuner and Satellite
Tuner before using the remote control.
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Remote Control Features
Setting the Manufacturer Code in the Remote Control
You can control other components by setting a manufacturer code. A code can be set up in each component control area except for the OPTN
area. The Yamaha code is factory preset for DVD, CD-R, CD, MD, TUNER, and Å (LD code). There is no factory preset code on VCR1,
VCR2/DVR, V-AUX, PHONO, TAPE, CABLE, SAT.
1
2
3
Select the source component you want to preset by using the
input buttons.
Press and hold LEARN for about three seconds using a
ballpoint pen or similar object.
LEARN
Flashes
alternately
Use h/g to select the name of your component’s
manufacturer.
• You will find the names of most audio-video
manufacturers worldwide in alphabetical order on the
display window.
4
5
Press POWER (or any other button) on the remote control
while pointing it at the component to check if you have set
up the code correctly. If the component cannot be controlled
by the remote control, try entering another code for the same
manufacturer.
Press LEARN to confirm the preset.
• If you want to preset another code for another component
immediately, press ENTER and repeat steps 1 to 4.
Note:
•
If you have already programmed a remote control function to a button, the function takes priority over the set up manufacturer code’s function.
■Controlling a different component from the source component (input) you selected
1
Repeat steps 1 and 2 of the procedure in “Setting the
Manufacturer Code in the Remote Control”.
2
Select a Library (component category) by using q/w.
• There are 13 Libraries to set up a manufacturer code;
L:TV, L:CAB (CABLE), L:DBS, L:SAT, L:VCR,
L:DVD, L:LD, L:CD, L:MD, L:TAP (TAPE), L:TUN
(TUNER), L:CDR, *L:AMP.
* L:AMP has four codes; YPC, DSP, NO, and Zone2. “YPC”
should be selected to operate this unit. “DSP” is for operating
Yamaha DSP amplifiers other than this unit. “NO” is to clear
the main unit control area functions. Zone 2 function is not
equipped on this model.
3
Repeat steps 3 and 4 of the procedure in “Setting the
Manufacturer Code in the Remote Control”.
Note:
•
“ERROR” appears in the display window in the following conditions: when pressing a button other than the cursor and ENTER; when pressing more
than one button at once; and when one of MACRO ON/OFF, 10KEY/DSP, PARAMETER/SET MENU is switched to another position.
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Remote Control Features
Programming a New Remote Control Function
If you desire to program functions not included in the basic operations covered by the manufacturer code, or a manufacturer code is not
available, the following procedure needs to be performed. The possible programming area is the same as a component control area, so
buttons are programmable independently for each source component area. It is also possible to program in the main unit control area.
1
Place this remote control and the other remote control about
5 to 10 cm (2 to 4 in.) apart on a flat surface so that their
infrared transmitters are aimed at each other.
2
Select a source component.
5~10 cm (2 to 4 in.)
3
4
Press LEARN using a ball point pen or similar object.
Do not press and hold LEARN longer than three seconds.
Otherwise this unit enters the Setting the Manufacture Code
mode.
Flashes
LEARN
alternately
Press and release the button where you want the new
function to be programmed.
5
Press and hold the button on the other remote control that
has the function you want to program into this remote
control until “OK” appears in the display window.
• “NG” appears in display window when programming is
not done correctly. Repeat step 4 until “OK” appears in
the display.
6
7
Repeat Steps 4 and 5 to program additional functions.
Press LEARN again to exit the Learn mode.
LEARN
Notes:
•
•
If you do not press any button within 30 seconds, the learning process is canceled.
This remote control transmits infrared rays. If the other remote control also uses infrared rays, this remote control can learn most of the other remote
control’s functions. However, you may not be able to program some special signals or extremely long transmissions. (Refer to the operation instructions for
the other remote control.) When the memory is full, “FULL” appears in the display window, and this remote control cannot acquire any more functions.
Clear unnecessary programmed functions to allow the unit to acquire new functions.
•
Even if the batteries in the other remote control have enough power to transmit signals for operation, they may not have enough power to transmit signals to
this remote control.
•
•
•
When the remote controls are either too close together or too far apart, you may not be able to program this remote control.
Direct sunlight interferes with infrared rays.
“ERROR” appears in the display window in the following conditions: when pressing more than one button at once; and when MACRO ON/OFF is
switched to another position.
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Remote Control Features
Using the Macro Feature
The Macro feature makes it possible to perform a series of operations by pressing just one button. For example, when you want to play a CD,
normally you would turn on the components, select the CD input, and press the play button to start playback. Using the Macro feature, you
can perform all those operations by simply pressing the CD macro button. The macro buttons (the input buttons and SYSTEM POWER /
STANDBY) are factory preset with macro programs. You can also program your own macros.
(ex) Press a Macro button
Automatically transmits signals of each button sequentially
(CD Area*3)
Macro button
First
Second
Third
—————
—————
—————
—————
—————
—————
(MD/TAPE Area*3)
(CD-R Area*3)
1
*
—————
—————
(VCR1 Area*3)
(VCR2/DTR Area*3)
(DVD Area*3)
—————
(D-TV Area*2)
—————
—————
*1 In order to turn on some Yamaha components connected to this unit, connect those components to AC OUTLETS on the rear panel.
*2 If the macro you select includes power on/off functions, the component may turn off if it is already on when you press the macro button. For example, if
your TV is on and you press the SYSTEM POWER macro button, the TV turns off.
*3 The components for which playback can be started are any YAMAHA remote control-compatible MD recorders, CD players, CD recorders, and DVD
players. When using macros to operate components other than these or non-YAMAHA components, it is either necessary to learn the PLAY button on the
control area of that component or to setup a manufacturer code.
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Remote Control Features
■Operating the Macro feature
MACRO ON/OFF
1
2
Set MACRO ON/OFF to ON.
Press a Macro button.
Notes:
•
When you are finished using the Macro feature, set MACRO
ON/OFF to OFF.
Macro buttons
•
While the main unit is carrying out a macro program, the main
unit does not receive any other button’s function until the
macro is complete (the TRANSMIT indicator stops flashing).
•
Continue to aim the remote control at the component the macro
is operating until the macro program is complete.
■Programming a Macro
You can use the Macro feature to transmit many remote control commands by pressing a single button.
1
Press MACRO using a ball point pen or similar object.
MACRO
• If you do not initiate the procedure within 30 seconds, the
macro programming process is canceled.
2
Press the macro button on which you want to program the
Macro.
Flashes
• If you want to change the source component, use
SOURCE SELECT h/g or input buttons. When you use
input buttons, input is selected as a Macro step, whereas
SOURCE SELECT h/g only changes the component.
alternately
• The display window shows the button you chose for
programming the macro and the component name in
alternation.
3
Press the buttons of the functions that you want to include in
the macro sequence in order.
indicates the number
of macrosteps you
entered
• You can set up to 10 Macro steps (10 functions).
(ex)
1
Flashes
alternately
1
MCR 1 : DVD input
2
3
2
MCR 2 : DVD y
3
MCR 3 : DVD w
4
Press MACRO again when the sequence you want to
program is complete.
MACRO
• After you set 10 steps, “FULL” is displayed.
Notes:
• “NG” appears in the display window when programming is not done correctly.
• “ERROR” appears in the display window in the following conditions: when pressing more than one button at once; and when MACRO ON/OFF is
switched to another position.
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Remote Control Features
Changing the Source Name in the Display Window
1
Select the source component you want to rename by using
the input buttons.
2
3
Press RE-NAME using a ballpoint pen or similar object.
Use the cursor buttons h/g to select a character.
RE-NAME
• Pressing g changes the character in the following order:
A~Z, a~z, 0~9, space, -(hyphen), /(slash).
4
5
Use the cursor buttons q/w to enter a character or move to
the next cursor postion.
Press RE-NAME to confirm renaming.
RE-NAME
• If you want to rename another source component
immediately, press ENTER and repeat steps 1, 3 and 4.
Clearing a Learned Function or Macro
1
Select the source component that you want to clear on the
window by using input buttons.
2
Press LEARN if you want to clear a learned function, or
press MACRO to clear a programmed macro, using a ball
point pen or similar object.
MACRO
or
or
LEARN
Flashes
alternately
3
Press and hold CLEAR using a ball point pen or similar
object, and at the same time press the button from which you
want to clear the learned function or macro for about 3
seconds.
CLEAR
While pressing
• “C:NG” appears in the display window if the operation is
unsuccessful. Should this occur, try doing step 3 again.
You can clear other learned functions and macros at this
time by continuing to hold down CLEAR and pressing the
other buttons on which those learned functions or macros are
programmed.
Flashes
alternately
4
Press LEARN again to confirm clearing a learned function,
or press MACRO again to confirm clearing a programmed
macro.
MACRO
or
• Once you clear a learned function or macro from a button,
the button reverts to its factory preset function or macro.
LEARN
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Remote Control Features
Clearing Learned Functions and Setups
1
2
Press CLEAR using a ballpoint pen or similar object.
CLEAR
Press h/g to select the mode to be cleared. The mode is
shown in the window in the following order:
(L: name of a component) Clears all learning functions of
the component.
Clears all learning functions of the main unit control area.
Clears all learning functions.
For example, when DVD is selected as
the source component.
Clears all macros.
Clears all renamed displays in the display window.
Clears all programmed functions including manufacturer
code presets. This returns to the factory presets.
3
4
Press and hold CLEAR again for about 3 seconds.
CLEAR
• “C:NG” appears in the display window if the operation is
unsuccessful.
Press CLEAR to confirm clearing.
CLEAR
• Once you clear a learned function or macro from a button,
the button reverts to its factory preset function or macro.
Notes:
• If the remote control is without batteries for more than twenty minutes, or if worn out batteries remain in the unit, the contents of the memory may be
cleared. When the memory is cleared, insert new batteries and program any acquired functions that may have been cleared.
• “ERROR” appears in the display window for the following conditions: when pressing a button other than the cursor and ENTER; when pressing more
than one button at once; and when one of MACRO ON/OFF, 10KEY/DSP, PARAMETER/SET MENU is switched to another position.
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Adjusting the Levels of the Effect Speakers
You can adjust the volume level of each effect speaker (Center, Right Rear, Rear Center, Left Rear, Front Effect, and Subwoofer) while
listening to a music source.
1
2
Set PARAMETER/SET MENU to PARAMETER.
Press LEVEL to select the speaker(s) you want to adjust.
Each time you press this button the selected speaker changes and appears in
the front panel display only as follows: Center, Right Rear, Rear Center, Left
Rear, Front Effect speakers, and Subwoofer
Center
3
Adjust the speaker volume level using the + or – on the remote control.
EFFECT
CENTER
LEVEL
0dB
You can adjust the Center, Right Rear, Rear Center, Left Rear, Front Effect
speakers from +10 dB to –10 dB.
You can adjust the Subwoofer from 0 dB down to –20 dB.
Right Rear
EFFECT
R SUR.
LEVEL
0dB
Notes:
Rear Center
• You cannot adjust the left and right speakers independently.
EFFECT
REAR CT
LEVEL
0dB
• When you adjust the speaker level using LEVEL, the settings you made using the
Dolby Surround Test and DSP Test change.
Left Rear
• When PARAMETER/SET MENU is set to SET MENU, you cannot adjust the
speaker level using LEVEL. However, each time you press LEVEL the current
level setting of each speaker appears. Select the speaker level you want to check
using h or g.
EFFECT
L SUR.
LEVEL
0dB
Front
EFFECT
FRONT
LEVEL
0dB
•
When the headphones are connected to this unit, the levels of the effect speakers
cannot be adjusted.
Subwoofer
EFFECT
SWFR
LEVEL
0dB
Setting the Sleep Timer
Use this feature to automatically turn off the main unit after the amount of time you set. The Sleep Timer is useful when you plan to fall
asleep while the main unit is reproducing or recording a source. The Sleep Timer also automatically turns off external components connected
to AC OUTLETS. The Sleep Timer can only be set using the remote control.
■ To set the sleep timer
1
Select a source using the INPUT selector and start playback (or select a
broadcast station) on the source component.
2
Press SLEEP repeatedly to set the amount of time before the main unit
automatically turns off.
Each time you press SLEEP, the front panel display changes as shown below.
After a few seconds the display returns to the previous indication.
SLEEP 120 min
SLEEP 90 min
SLEEP 60 min
SLEEP OFF SLEEP 30 min
■ To cancel the sleep timer
1
Press SLEEP repeatedly until “SLEEP OFF” appears in the front panel
display.
After a few seconds, the display returns to the previous indication.
Note:
•
The Sleep Timer setting can also be canceled by turning off the main unit using
STANDBY on the remote control (or STANDBY/ON on the front panel) or by
disconnecting the AC Power Cord from the AC outlet.
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Additional Information
Digital Sound Field Processing (DSP)
53
Understanding Sound Fields .................................................................................. 53
Hi-Fi DSP Programs............................................................................................... 54
CINEMA-DSP
55
Sound Design of CINEMA-DSP............................................................................ 55
CINEMA-DSP Programs ....................................................................................... 56
DSP Parameter
58
Changing Parameter Settings ................................................................................. 58
Parameter Descriptions .......................................................................................... 58
Resetting to the Factory Preset Value .................................................................... 61
52
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Digital Sound Field Processing (DSP)
Understanding Sound Fields
A sound field is defined as the “characteristic sound reflections of a particular space.”
In concert halls and other music venues, we hear early reflections and reverberations
as well as the direct sound produced by the artist(s). The variations in the early
reflections and other reverberations among the different music venues is what gives
each venue its special and recognizable sound quality.
Yamaha sent teams of sound engineers all around the world to measure the sound
reflections of famous concert halls and music venues, and collect detailed sound field
information such as the direction, strength, range, and delay time of those reflections.
Then we stored this enormous amount of data in the ROM chips of this unit.
■ Recreating a sound field
Recreating the sound field of a concert hall or an opera house requires localizing the
virtual sound sources in your listening room. The traditional stereo system that uses
only two speakers is not capable of recreating a realistic sound field. Yamaha’s DSP
requires four effect speakers to recreate sound fields based on the measured sound
field data. The processor controls the strength and delay time of the signals output
from the four effect speakers to localize the virtual sound sources in a full circle
around the listener.
FR
FL
The DSP sound field programs can be classified in two types based on the sound field
processing method: programs that use early reflections only and programs that use
both early reflections and reverberation.
RL
RR
■E/R (Early Reflection)
Each sound field is distinguished by the structure of the reflected sound. The increased processing capability of DSP technology enables
Yamaha engineers to incorporate even minute reflections with long delay times into the sound field data.
■4ch REV. (Four Channel Reverberation)
This type of program consists of early reflections and high quality digital reverberation processing. Reverberation is the most important
element for recreating the sound field of a church, for example. To recreate a realistic spatial sound image from reverberation data, Yamaha
has adapted the four-channel-output reverberation technology.
■Illustration of the virtual sound sources and echo patterns
The virtual sound sources and echo patterns for the DSP sound field programs are shown below. The illustration of the virtual sound sources
shows early reflection sound only and the illustration of the echo patterns shows both reflected sound and reverberation.
Virtual Sound Sources
Echo Patterns
Direct sound source
The center of these circles represents the virtual
sound source.
The size of the circle indicates the strength of the
virtual sound source.
Early
reflections
Reverbration
50~80 mSec
The direct sound source
The listening position
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Digital Sound Field Processing (DSP)
Hi-Fi DSP Programs
Concert Hall 1
Program Group 1
■Europe Hall A
■Europe Hall B
This is a large fan-shaped concert hall with approximately 2500
seats. There is relatively little reflection from the walls, and
sound spreads finely and beautifully.
A classic shoe-box type concert hall with approximately 1700
seats. Pillars and ornate carvings create extremely complex
reflections which produce a very full, rich sound.
Concert Hall 2
Program Group 2
■U.S.A. Hall C
■Live Concert
This is a large 2600 seat concert hall in the United States which
features a fairly traditional European design. The middle and
high frequencies are richly and beautifully reinforced.
A large round concert hall with a rich surround effect.
Pronounced reflections from all directions emphasize the
extension of sounds. The sound field has a great deal of presence,
and your virtual seat is near the center, close to the stage.
Church
Program Group 3
■Freiburg
■Royaumont
This program recreates the acoustic environment of a big church
located in south Germany. The reverberation delay is very long
while the early reflections are smaller than with other sound field
programs.
This program features the sound field created by the refectory
(dining hall) of a beautiful medieval Gothic monastery located in
Royaumont on the outskirts of Paris.
Jazz Club
Program Group 4
■Village Gate
■The Bottom Line
This is the sound field at a jazz club in New York. It is in a
basement and has a relatively spacious floor area. The listener’s
virtual seat is at the center left of the hall.
This is the sound field at stage front in “The Bottom Line”, a
famous New York jazz club. The floor can seat 300 people to the
left and right in a sound field offering a real and vibrant sound.
Rock Concert
Program Group 5
■Roxy Theatre
■Arena
The ideal program for lively, dynamic rock music. The data for
this program was recorded at LA’s “hottest” rock club. The
listener’s virtual seat is at the center-left of the hall.
A classic shoe-box type concert hall. This program gives you
long delays between direct sounds and effect sounds, with the
extraordinarily spacious feel of a large arena.
Stadium
Program Group 6
■Bowl
■Anaheim
This program gives you the feel of an outdoor stadium with the
typical bowl-shaped seating arrangement.
This program gives you the long delays and extraordinarily
spacious feel of a stadium that is no less than 990 feet (300
meters) in diameter.
Entertainment
Program Group 7
■Disco
■8ch Stereo
This program recreates the acoustic environment of a lively disco
in the heart of a big city. The sound is dense and highly
concentrated.
This is a sound field suitable for background music at parties
where you can hear the sound directly from the rear as well.
The number of speakers to output depends on SPEAKER SET in
SET MENU.
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CINEMA-DSP
Sound Design of CINEMA-DSP
Filmmakers intend the dialog to be located right on the screen, the effect sound a little farther back, the music spread even farther back, and
the surround sound around the listener. Of course, all of these sounds must be synchronized with the images on the screen.
CINEMA-DSP is an upgraded version of YAMAHA DSP specially designed for movie soundtracks. CINEMA-DSP integrates the DTS,
Dolby Digital, and Dolby Pro Logic surround sound technologies with YAMAHA DSP sound field programs to provide the surround sound
field. It recreates the most complete movie sound design in your audio room. In CINEMA-DSP sound field programs, Yamaha’s exclusive
DSP processing is added to the right and left Main and Center channels, so the listener can enjoy realistic dialogue, depth of sound, smooth
transition between sound sources, and a surround sound field that goes beyond the screen.
When a DTS or Dolby Digital signal is detected, the CINEMA-DSP sound field processor automatically chooses the most suitable sound
field program for that signal.
AV ROOM
L SURROUND SOUND FIELD
PRESENCE SOUND FIELD
DIALOG EFFECT MUSIC
R SURROUND SOUND FIELD
■Movie theater programs
The six-channel soundtracks found on 70 mm film produce precise sound field localization and rich, deep sound without using matrix
processing. This unit’s Movie Theater 70 mm Programs provide the same quality of sound and sound localization that six-channel
soundtracks do. The built-in Dolby Digital decoder brings the professional quality sound designed for movie theaters into your home. With
this unit’s Movie Theater program, you can recreate a dynamic sound that gives you the feeling of being at a public theater in your living
room using the Dolby Digital technology.
Dolby Pro Logic + DSP sound field effect
Presence DSP sound
field
These programs express an immense sound field and a large surround effect. They
also give depth to the sound from the Main speakers to recreate the realistic sound
of a Dolby Stereo theater.
Surround DSP sound
field
Dolby Digital/DTS + DSP sound field effect
Presence DSP
sound field
These programs use Yamaha’s tri-field DSP process on each of the Dolby Digital
or DTS signals for the front, Left surround, and Right surround channels. This
processing enables this unit to reproduce the immense sound field and surround
expression of a Dolby Digital or DTS equipped movie theater without sacrificing
the clear separation of all channels.
Left surround DSP
sound field
Right surround DSP
sound field
Dolby Digital Matrix 6.1/DTS ES + DSP sound field
effect
These programs provide you the maximum experience of the spacious surround
effects since an extra rear center DSP sound field created from the Rear Center
channel is added.
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CINEMA-DSP
CINEMA-DSP Programs
According to the input signal format, this unit automatically chooses the appropriate decoder and DSP sound field pattern.
Table of Program Names for Each Input Format
Input
Stereo
(2ch)
DOLBY DIGITAL
(5.1ch)
DTS
(5.1ch)
DOLBY DIGITAL
(6.1ch)*
DTS ES
(6.1ch)*
Program
Group
7
ENTERTAINMENT
Game
–––––––
–––––––
–––––––
–––––––
–––––––
–––––––
–––––––
–––––––
Classical/Opera
8
CONCERT VIDEO
TV THEATER
Pop/Rock
Mono Movie
Variety/Sports
70 mm Spectacle
70 mm Sci-Fi
70 mm Adventure
70 mm General
Normal
–––––––
–––––––
–––––––
–––––––
–––––––
–––––––
–––––––
–––––––
9
–––––––
–––––––
–––––––
–––––––
DGTL Spectacle
DGTL Sci-Fi
DGTL Adventure
DGTL General
–––––––
DTS Spectacle
DTS Sci-Fi
DTS Adventure
DTS General
–––––––
Spectacle 6.1
Sci-Fi 6.1
Adventure 6.1
General 6.1
–––––––
Spectacle ES
Sci-Fi ES
Adventure ES
General ES
–––––––
10 MOVIE THEATER 1
11 MOVIE THEATER 2
PRO LOGIC
Enhanced
–––––––
–––––––
–––––––
–––––––
–––––––
Normal
–––––––
Matrix 6.1
Enhanced 6.1
–––––––
–––––––
12
DOLBY DIGITAL
DTS DIGITAL SUR
–––––––
Enhanced
–––––––
–––––––
–––––––
–––––––
Normal
ES
–––––––
–––––––
Enhanced
–––––––
Enhanced ES
* The Matrix decoder is ON.
■Program groups 7 (Game)~9
These are sound field programs for audio-video sources.
■Program groups 10~12
Ideal for reproducing a movie program which is encoded with Dolby Surround, Dolby Digital, or DTS. When the newest movie program
encoded with 6-channel Digital Surround is input, you can enjoy the full 6.1 channel reproduction using the internal Matrix decoder.
PRO LOGIC functions when the input signal is analog or PCM audio, or encoded with Dolby Digital in two channels.
DOLBY DIGITAL functions when the input signal is encoded with Dolby Digital in more than two channels.
DTS DIGITAL SUR functions when the input signal is encoded with DTS.
Note:
•
No sound will be output from the Main speakers when a monaural source is played with sound field Program Groups 7 (Game) and 8–12.
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CINEMA-DSP
Entertainment
Program Group 7
■Game
This program adds a deep and spatial feeling to video game
sounds.
Concert Video
Program Group 8
■Classical/Opera
■Pop/Rock
This program provides excellent vocal depth and overall clarity
by restraining excessive reverberation.
This program produces an enthusiastic atmosphere and lets you
feel as if you are at an actual jazz or rock concert.
The surround sound field is relatively moderate but it reproduces
beautiful sound using data collected from a concert hall.
TV Theater
Program Group 9
■Mono Movie
■Variety/Sports
This program is provided for reproducing monaural video
sources (such as old movies). The program produces the
optimum reverberation to create sound depth using only the
presence sound field.
Though the presence sound field is relatively narrow, the
surround sound field employs the sound environment of a large
concert hall. With this program, you can enjoy watching various
TV programs such as news, variety shows, music programs, or
sports programs.
Movie Theater 1
Program Group 10
■Spectacle
■Sci-Fi
This program creates the extremely wide sound field of a 70 mm
movie theater. It precisely reproduces the source sound in detail,
making both the video and the sound fields incredibly real. This
program is ideal for any kind of Dolby Surround video source
(especially large-scale movie productions).
This program clearly reproduces the broad and expansive
cinematic space from the soundtracks of the latest science fiction
films.
Movie Theater 2
Program Group 11
■Adventure
■General
This program is ideal for precisely reproducing the sound design
of the newest 70 mm and multichannel soundtrack films. The
sound field is made to be similar to that of the newest movie
theaters, so the reverberations of the sound field itself are
restrained as much as possible.
This program is for reproducing sounds from 70 mm and
multichannel soundtrack films, and is characterized by a soft and
extensive sound field. The presence sound field is relatively
narrow. It spatially spreads all around and toward the screen,
restraining the effect of conversations without losing clarity.
Dolby/DTS Surround
Program Group 12
■Normal/Matrix 6.1/ES
■Enhanced/6.1/ES
The built-in decoder precisely reproduces sounds and sound
effects from sources. The highly efficient decoding process
improves crosstalk and channel separation and makes sound
positioning smoother and more precise.
This program ideally simulates the multiple surround speaker
systems of 35 mm film theaters. The Dolby Surround decoding
and the digital sound field processing create precise effects
without altering the original sound orientation. The surround
effects produced by this sound field wrap around the viewer
naturally from the back to the left and right and toward the
screen.
In this program, no DSP effect is applied.
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DSP Parameter
You can enjoy good quality sound with the preset parameters. Although you do not have to change the initial settings, you can change some
of the parameters to better suit the input source or your listening room.
Changing Parameter Settings
1
2
3
4
5
Set PARAMETER/SET MENU to PARAMETER on the remote control.
Turn on your video monitor and press ON SCREEN to select the full display.
Select the sound field program you want to adjust.
Program Type (subprogram)
Program Name
Program No.
Press g or h to select the parameter.
Press + or – to change the parameter value.
P05
≥
ROCK CONCERT
When you set the parameter to a value other than the factory preset value, an
asterisk mark appears by the parameter name on the monitor screen.
Roxy Theatre
INIT.DLY…………15ms
LIVENESS…………………5
REV.TIME…………1.6s
REV.DELAY……100ms
REV.LEVEL……………7%
6
Repeat steps 3 through 5 above as necessary to change other program
parameters.
Cursor
Parameters
Example using the ROCK CONCERT program
Parameter Descriptions
You can adjust the values of certain digital sound field parameters so the sound fields are recreated accurately in your listening room. Not all
of the following parameters are found in every program.
INIT. DLY (Initial Delay)
[P. INT. DLY for the presence sound field]
Control Range 1 – 99 msec
Function .............. This parameter changes the apparent distance from the source sound by adjusting the delay between the direct sound
and the first reflection heard by the listener.
Description ......... The smaller the value, the closer the sound source seems to the listener. The larger the value, the farther the apparent
distance seems. For a small room, this parameter would be set to a small value, and for a large room, it would be set to
a large value.
Sound Source
Early
Reflections
Time
Time
Time
INIT.DLY
INIT.DLY
INIT.DLY
Sound Source
Reflection Face
Small value = 1 ms
Large value = 99 ms
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DSP Parameter
ROOM SIZE
[P. ROOM SIZE for the presence sound field]
Control Range 0.1 – 2.0
Function .............. This parameter adjusts the apparent size of the surround sound field. The larger the value, the larger the surround sound
field becomes.
Description ......... As the sound is repeatedly reflected around a room, the larger the hall is, the longer the time between the original
reflected sound and the subsequent reflections. By controlling the time between the reflected sounds, you can change
the apparent size of the virtual venue. Changing this parameter from one to two, doubles the apparent length of the
room.
Sound Source
Early
Reflections
Time
Time
Time
Sound Source
Small value = 0.1
Large value = 2.0
LIVENESS
Control Range 0 – 10
Function .............. This parameter adjusts the reflectivity of the virtual walls in the hall by changing the rate at which the early reflections
decay.
Description ......... The early reflections of a sound source decay much faster in a room with acoustically absorbent wall surfaces than in
one which has highly reflective surfaces. A room with acoustically absorbent surfaces is referred to as “dead,” while a
room with highly reflective surfaces is referred to as “live.” The LIVENESS parameter lets you adjust the early
reflection decay rate, and thus the “liveness” of the room.
Sound Source
Live
Dead
Time
Time
Time
Sound Source
Small Reflected
Large
Sound
Reflected Sound
Small value = 0
Large value =10
S. DELAY (Surround Delay)
Control Range 0 – 49 msec (The range depends on the signal format.)
Function .............. This parameter adjusts the delay between the direct sound and the first reflection in the surround sound field.
S. INIT. DLY (Surround Initial Delay)
Control Range 1 – 49 msec
Function .............. This parameter adjusts the delay between the direct sound and the first reflection on the surround side of the sound
field. You can only adjust this parameter when at least two front channels and two rear channels are used.
S. ROOM SIZE (Surround Room Size)
Control Range 0.1 – 2.0
Function .............. This parameter adjusts the apparent size of the surround sound field.
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DSP Parameter
S. LIVENESS (Surround Liveness)
Control Range 0 –10
Function .............. This parameter adjusts the apparent reflectivity of the virtual walls in the surround sound field.
RC. INIT. DLY (Rear Center Initial Delay)
Control Range 1 – 49 msec
Function .............. This parameter adjusts the delay between the direct sound and the first reflection in the rear center sound field.
RC. ROOM SIZE (Rear Center Room Size)
Control Range 0.1 – 2.0
Function .............. This parameter adjusts the apparent size of the rear center sound field.
RC. LIVENESS (Rear Center Liveness)
Control Range 0 – 10
Function .............. This parameter adjusts the apparent reflectivity of the virtual wall in the rear center sound field.
REV.TIME (Reverberation Time)
Control Range 1.0 – 5.0 sec
Function .............. This parameter adjusts the amount of time it takes for the dense, subsequent reverberation sound to decay by 60 dB (at
1 kHz). This changes the apparent size of the acoustic environment over an extremely wide range.
Description ......... Set a longer reverberation time for “dead” sources and listening room environments, and a shorter time for “live”
sources and listening room environments.
Sound Source
Reverberation
Reverberation
Early Reflections
60 dB
60 dB
60 dB
REV. TIME
Short
REV. TIME
REV. TIME
Long
Reverberation
Sound Source
Reverberation
Small value = 1.0 s
Large value = 5.0 s
REV. DELAY (Reverberation Delay)
Control Range 0 – 250 msec
Function .............. This parameter adjusts the time difference between the beginning of the direct sound and the beginning of the
reverberation sound.
Description ......... The larger the value, the later the reverberation sound begins. A later reverberation sound makes you feel like you are
in a larger acoustic environment.
Sound Source
(dB)
60 dB
Reverberation
Time
REV.
REV TIME
DELAY
60
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DSP Parameter
REV. LEVEL (Reverberation Level)
Control Range 0 – 100 %
Function .............. This parameter adjusts the volume of the reverberation sound.
Description ......... The larger the value, the stronger the reverberation becomes.
Sound Source
REV. LEVEL
Time
CT. DELAY (Center Delay)
Control Range 0 – 50 msec
Control Range 0 – 50 msec
Control Range 0 – 50 msec
Control Range 0 – 50 msec
Control Range 0 – 50 msec
Control Range 0 – 50 msec
Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode.
LS. DELAY (Left Surround Delay)
Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode.
RC. DELAY (Rear Center Delay)
Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode.
RS. DELAY (Right Surround Delay)
Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode.
FL. DELAY (Front Left Delay)
Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode.
FR. DELAY (Front Right Delay)
Function .............. These parameters adjust the sound delay for each channel in 8 channel stereo mode.
Resetting to the Factory Preset Value
■To reset a parameter to the factory preset value
Select the parameter you want to reset. Then, press and hold + or – until the value stops at the factory preset value temporarily. (The
asterisk mark by the parameter name disappears on the video monitor.)
■To reset all of the parameters back to the factory preset values
Use the SET MENU to reset all of the parameter values of all DSP programs within the selected group to the factory preset values. This
operation resets all of the parameter values of all DSP programs within that group to the factory preset values.
Notes:
•
•
The available parameters may be displayed on more than one OSD page for some of the programs. To scroll through pages, press g or h.
When “MEMORY GUARD!” appears on the screen, the Memory Guard function is on, and you cannot change parameter values. Turn off the
Memory Guard function using the SET MENU.
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Appendix
Troubleshooting
Specifications
63
66
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Troubleshooting
Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below or if the
instruction below does not help, turn the power off, disconnect the power cord, and contact your dealer or the nearest Yamaha Audio
Products Service Department.
After this unit is exposed to strong external electric shock (such as lightning and large static electricity) or you mishandle the operation of
this unit, it may not function properly. In these cases, turn the power off, unplug the power cord, plug it back in after 30 seconds, and start
operating.
General
Problem
Possible Cause
What to Do
The unit fails to turn on when
STANDBY/ON is pressed, or
returns to standby mode
suddenly soon after the power is
turned on.
The power cord is not plugged in or is not
completely inserted.
Plug in the power cord securely.
IMPEDANCE SELECTOR on the rear panel
is not set correctly.
Set the switch completely to either position
(depending on your speakers) while this unit is in
standby mode.
The protection circuitry has been activated.
Make sure all speaker wire connections on this unit
and on all speakers are secure and that the wire for
each connection does not touch anything other than
its respective connection.
Hum
There is a faulty cable connection.
Connect the audio plugs securely. If the problem
persists, the cords may be defective.
No connection from the turntable to the GND
terminal.
Connect the grounding cord of your turntable to the
GND terminal of this unit.
No sound or no picture
The volume is turned down.
Turn up the volume.
Faulty or incorrect input or output connection.
Connect the component correctly. If the problem
persists, the cords may be defective.
Incorrect input source.
Select the appropriate input source with the INPUT
selector.
This unit is set to DTS input mode.
Press INPUT MODE to select another input mode
Digital signals other than PCM audio, Dolby
Digital, or DTS encoded signals are input to this
unit by playing a CD-ROM, etc.
Play a source whose signals this unit can reproduce.
No picture
The source component is connected to this unit
using an S-video cable, but there is no S-video
connection between this unit and your video
monitor.
Connect this unit’s S VIDEO MONITOR OUT
terminal to the TV’s S-video input terminal or
disconnect the S-video cable from the source
component.
No sound is coming from one
side.
There is a faulty cable connection.
Connect all cables securely. If the problem persists,
the cords may be defective.
The volume level cannot be
increased very much when
adjusting VOLUME.
MUTE is on.
Turn VOLUME to minimum, press MUTE to
restore audio, and adjust the volume again.
The component connected to the MD/TAPE
OUT or CD-R OUT jacks of this unit is turned
off.
Turn on the power to the component.
The sound suddenly goes off.
The protection circuitry has been activated
because of short circuit etc.
Check that the IMPEDANCE SELECTOR switch
is set to the appropriate position and then turn the
unit back on.
Check that the speaker wires are not touching each
other and then turn the unit back on.
The SLEEP timer came on.
The sound is muted.
Cancel the SLEEP timer function.
Press MUTE or any operation buttons of this unit to
cancel a mute and adjust the volume.
No sound is coming from the
Effect speakers.
The effect is off.
Press EFFECT to turn on the effect sound.
A Dolby Surround or DTS decoding sound field Select another sound field program.
program is being used with material not encoded
with Dolby Surround or DTS.
No OSD on the video monitor.
DISPLAY OFF is selected.
Select “Full Display” or “Short Display”.
Select “AUTO”.
BLUE BACK is OFF at DISPLAY SET.
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Troubleshooting
Problem
Possible Cause
What to Do
No sound is coming from the
Front Effect speakers.
PRO LOGIC/Normal, DOLBY DIGITAL/
Normal or DTS DIGITAL SUR./Normal of DSP
program 12 is selected.
Select another sound field program.
The front level is set to minimum.
Adjust the Front Effect speaker level.
The 1F. FRNT EFCT item in the SET MENU is Select “YES”.
set to “NONE”.
No sound is coming from the
Center speaker.
The 1A. CENTER SP item in the SET MENU is Select the appropriate mode for your Center
set to “NONE”.
speaker.
One of the Hi-Fi DSP sound field programs (1
to 7 (except “Game”)) is selected.
Select another sound field program.
The input signals of a source encoded with
Dolby Digital or DTS do not include center
channel signals.
Refer to the instructions for the source currently
playing.
No sound is coming from the
Rear Effect speakers.
The right and left Rear speaker levels are set to
minimum.
Increase the right and left Rear speaker levels.
Select another sound field program.
Select “SWFR” or “BOTH”.
A monaural source is played with sound field
program 12.
No sound is coming from the
Subwoofer.
The 1E. LFE/BASS OUT item in the SET
MENU is set to “MAIN” when a Dolby Digital
or DTS encoded software is played.
The 1E. LFE/BASS OUT item in the SET
MENU is set to “SWFR” or “MAIN” when 2-
channel encoded software is played.
Select “BOTH”.
Select “MAIN”.
Poor bass reproduction.
The 1E. LFE/BASS OUT item in the SET
MENU is set to “SWFR” or “BOTH” and your
system does not include a subwoofer.
The output mode selection for each channel
(MAIN, CENTER, or REAR) in the SET
MENU does not match your speaker
configuration.
Select the appropriate output mode for each channel
based on the size of the speakers in your
configuration.
The volume level cannot be
increased, or sound is distorted.
The power to the component connected to the
REC OUT jacks of this unit is off.
Turn on the power to the component.
Select “OFF”.
DSP parameters and some other The 15. MEMORY GUARD item in the SET
settings on this unit cannot be
changed.
MENU is set to “ON”.
This unit does not operate
properly.
The internal microcomputer has been frozen by Disconnect the AC power cord from the outlet, then
an external electric shock (such as lightning or
excessive static electricity) or by a power supply
with low voltage.
plug it in again after about one minute.
A source cannot be recorded by The source unit is connected to this unit using
a tape deck or VCR connected to digital jacks only.
this unit.
Make additional connections to the analog jacks.
CHECK SP WIRES!" appears
on the display.
Speaker cables are short circuited.
Make sure all speaker cables are connected
correctly.
There is noise from a nearby TV This unit is too close to the affected component. Move this unit farther away from the affected
or tuner.
component.
The sound is degraded when
listening with the headphones
connected to a CD player or
cassette deck that is connected
to this unit.
The power to this unit is off.
Turn on the power to this unit.
“INPUT DATA ERROR”
appears on the display and no
sound is heard.
A non-standard source is played back, or the
component playing back the source is not
operating correctly.
Check the source, or turn off the source component,
then turn it on again.
64
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Troubleshooting
Remote Control
Problem
Possible Cause
The batteries are dead.
What to Do
The remote control does not
work.
Replace the batteries with new ones and press
RESET inside the battery compartment.
The internal microcomputer has “frozen”.
Wrong distance or angle.
Press RESET inside the battery compartment.
The remote control does not
function properly.
The remote control will function within a maximum
range of 6 m (20 feet), no more than 30 degrees off-
axis from the front panel.
Direct sunlight or lighting (such as an inverter
type of fluorescent lamp) is striking the remote
control sensor of this unit.
Change the position of this unit.
The internal microcomputer has “frozen”.
Press RESET inside the battery compartment.
The remote control does not
“learn” new functions. (The
TRANSMIT indicator does not
light up or flash.)
The batteries of this remote control and/or the
other remote control are too weak.
Replace the batteries (and press RESET inside the
battery compartment).
The distance between the two remote controls is Place the remote controls at the proper distance.
too far or near.
The signal coding or modulation of the other
remote control is not compatible with this
remote control.
Learning is not possible.
Memory capacity is full.
Further learning is not possible without deleting
unnecessary functions.
The internal microcomputer has “frozen”.
The learning process is incomplete.
Press RESET inside the battery compartment.
Continuous functions such as
volume are learned, but operate
only for a moment before
stopping.
Be sure to press and hold the function button on the
other remote control until TRANSMIT begins
flashing slowly.
65
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Specifications
Audio Section
Video Section
Minimum RMS Output Power
Video Signal Type ....................................................................... PAL
[China and General models] ....................................... NTSC/PAL
20 Hz to 20 kHz, 0.02% THD, 8 ohms
Main L/R, Center, Rear L/R, Rear Center ......................100 W
1 kHz, 0.05% THD
Composite Video Signal Level................................. 1 Vp-p/75 ohms
S-Video Signal Level
Front L/R ..........................................................................25 W
Y .......................................................................... 1 Vp-p/75 ohms
C ................................................................... 0.286 Vp-p/75 ohms
<General and China models>
Maximum Output Power (EIAJ)
Component Video Signal Level
1 kHz, 10% THD, 8 ohms
Y .......................................................................... 1 Vp-p/75 ohms
PB/CB, PR/CR ................................................................................. 0.7 Vp-p/75 ohms
Main L/R, Center, Rear L/R, Rear Center ......................135 W
Front L/R ..........................................................................35 W
Signal to Noise Ratio ................................................................. 50 dB
DIN Standard Output Power
1 kHz, 0.7% THD, 4 ohms, Main L/R ................................160 W
Frequency Response (MONITOR OUT)
Composite, S-Video .................................. 5 Hz to 10 MHz –3 dB
Component .................................................. DC to 30 MHz –3 dB
IEC Output Power
1 kHz, 0.015% THD, 8 ohms, Main L/R ............................115 W
Dynamic Power (IHF)
General
8/6/4/2 ohms, Main L/R ................................ 140/170/220/320 W
Power Supply
Damping Factor
[Europe and U.K. models] .................................. AC 230 V/50 Hz
[China and General models] .... AC 110/120/220/240 V, 50/60 Hz
20 Hz to 20 kHz, 8 ohms, Main L/R .......................... 200 or more
Power Band Width
Power Consumption .................................................................480 W
Standby Mode.......................................................................1.2 W
50 W, 0.08% THD, 8 ohms, Main L/R ............... 10 Hz to 50 kHz
Frequency Response
AC Outlets (Total 100 W maximum) ............................. 3 (Switched)
[U.K. model].............................................................. 1 (Switched)
CD to Main L/R..................................... 10 Hz to 100 kHz, –3 dB
Total Harmonic Distortion
Dimension (W x H x D)
20 Hz to 20 kHz, 50 W, 8 ohms, Main L/R ...................... 0.015%
...................... 449 x 191 x 468 mm (17-5/8" x 7-1/2" x 18-7/16")
Signal to Noise Ratio (IHF-A Network)
Weight ....................................................................... 22 kg (48.5 lbs)
CD (250 mV input shorted) to Main L/R, Effect Off ......... 100 dB
PHONO (5 mV input shorted) to Main L/R, Effect Off ...... 86 dB
Accessories ................................................................ Remote Control
Batteries
Quick Reference Guide
Side Panel Sticker
[Europe model] ...................................................... Power Cord
Residual Noise (IHF-A Network)
Main L/R ................................................................ 150 µV or less
Channel Separation (1 kHz/10 kHz)
CD (5.1k terminated) to Main L/R ............................ 60 dB/45 dB
* Specifications are subject to change without notice.
Tone Control (Main L/R)
BASS Boost/Cut ...................................................... ±10 dB/50 Hz
TREBLE Boost/Cut ............................................... ±10 dB/20 kHz
Bass Extension .......................................................... +6 dB/60 Hz
Phones Output .......................................................150 mV/100 ohms
Input Sensitivity
CD etc. ..............................................................150 mV/47 kohms
Phono .................................................................2.5 mV/47 kohms
Main In ....................................................................1 V/47 kohms
Output Level
REC OUT ...........................................................150 mV/1 kohms
PRE OUT ............................................................... 1 V/1.2 kohms
SUB WOOFER ...................................................... 4 V/1.2 kohms
66
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YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Japan
V653430-2
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Quick Reference Card
■ Remote Control
■ TUNER button (TUNER area)
■ CD button (CD area)
Infrared window
POWER
CLEAR
RE-NAME
LEARN
MACRO
DISPLAY
SEARCH
(Set 10KEY)
TRANSMIT
STANDBY
MACRO ON/OFF
Skip Search
SYSTEM POWER
A
button
POWER
STOP
PLAY
PAUSE (/Stop)
Input buttons
Preset number 1 to 8
Numeric buttons 1 to 9
6CH INPUT
Preset group A through E from left.
Preset group A/B/C/D/E
Display
CLEAR
Numeric button +10
Source selector
Numeric button 0
LIGHT
DISC +/– (Disc Skip)
Operational buttons
Preset +/–
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
10 KEY/DSP
INDEX
(Set 10KEY)
Sound program selector/
Numeric buttons
MUTE
■ MD/TAPE button (MD area)
■ CD-R button (CD-R area)
VOLUME +/–
EFFECT
Operational buttons
LEVEL
ON SCREEN
PARAMETER/SET MENU
Cursor buttons
REC/PAUSE
POWER
REC/PAUSE
POWER
SLEEP
TEST
DISPLAY
SEARCH
SOUND
DISPLAY
SEARCH
Skip Search
Skip Search
Cover
STOP
PLAY
PAUSE
STOP
PLAY
PAUSE
Numeric buttons 1 to 9
Numeric buttons 1 to 9
Numeric button +10
Numeric button 0
Numeric button +10
Numeric button 0
TV VOL +/–, TV INPUT, and TV MUTE
TV VOL +/–, TV INPUT, and TV MUTE
(Set 10KEY)
function if you have set up the
function if you have set up the
INDEX
manufacturer code for the TV Area.
manufacturer code for the TV Area.
(Set 10KEY)
V655120
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Quick Reference Card
■
PHONO and V-AUX buttons, and OPTN area
■ D-TV/LD button (TV area)
■
CABLE and SAT buttons (CABLE and SAT areas)
DISPLAY
MENU
Menu cursor/ENTER
DISPLAY
You can control your VCR, if you have
set up the code for VCR1.
You can control your VCR, if you have
set up the code for VCR1.
(Set 10KEY)
POWER
POWER
Numeric buttons 1 to 9
Numeric buttons 1 to 9
Recall
Numeric button 10 or 0
CH +/–
Numeric button 0
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
CH +/–
manufacturer code for the TV Area.
TV INPUT
TV MUTE
TV VOL +/–
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
Enter
(Set 10KEY)
manufacturer code for the TV Area.
Enter
(Set 10KEY)
■ DVD button (DVD area)
■
VCR1 and VCR2/DVR button (VCR areas)
■ A button (ex. LD area)
DISPLAY
MENU
TITLE
REC (Press twice)
POWER
POWER
Menu cursor/ENTER
SOUND
DISPLAY
SEARCH
SOUND
Rewind/Fast Forward
Skip Search
SEARCH
PLAY
CHAPTER +/– (Chapter Search)
STOP
PLAY
PAUSE
STOP
PLAY
PAUSE
PAUSE
STOP
POWER
Return
(Set 10KEY)
Numeric buttons 1 to 9
Numeric buttons 1 to 9
Numeric buttons 1 to 9
CLEAR
Numeric button +10
Numeric button 0
Numeric button 10 or 0
CH +/–
CLEAR
Numeric button +10
Numeric button 0
Disc Skip
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
TV/VIDEO
(Set 10KEY)
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
manufacturer code for the TV Area.
Chapter/Time
(Set 10KEY)
TV VOL +/–, TV INPUT, and TV MUTE
function if you have set up the
manufacturer code for the TV Area.
Title/index
V655120
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