SNY_13156_ALPHA_A4_BRO 24/7/06 10:37 AM Page 1
Sony Consumer Products Group,
Registered Head Office:
Sony United Kingdom Limited,
The Heights, Brooklands,
Weybridge, Surrey, KT13 0XW.
Company No. 2422874.
Registered in England.
Digital SLR Camera
The “ ” symbol is pronounced “Alpha”
‘Sony’, ‘like.no.other’, the
logo, Bionz, Super SteadyShot, Memory Stick, Memory Stick PRO Duo/Memory Stick Duo and their logos are trademarks of Sony Corporation, Japan. All other
trademarks are acknowledged. Whilst the information is true at the point of production, small production changes in the course of the Company's policy of improvement through research and
design might not necessarily be indicated in the specification. Subject to errors, design and technical changes.
Dynamic Range Optimiser Advanced mode uses technology provided by Apical Ltd.
Microsoft®, MS, and Windows® are either registered trademarks or trademarks of Microsoft Corporation in the United States and / or other countries. Windows 2000 Professional is an
abbreviation for Microsoft® Windows® 2000 Professional operating system. WindowsXP Home Edition / Professional is an abbreviation for Microsoft® Windows® XP Home Edition / Professional.
Apple, the Apple logo, Macintosh, iBook, iMac, eMac, iPod, PowerBook, and MacBook are registered trademarks of Apple Computer, Inc. Additional company and product names may be
trademarks or registered trademarks and are hereby acknowledged.
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
Download from Www.Somanuals.com. All Manuals Search And Download.
SNY_13156_ALPHA_A4_BRO 24/7/06 10:37 AM Page 5
Controls and main functions
Lens attachment mark
When attaching a lens, align the
attachment mark on the lens with
this mark and turn the lens
clockwise.
Viewfinder information display
Self-timer lamp
Verify shooting information with the camera held to your eye.
The wide Autofocus area covers the scene with nine separate local focus points,
allowing you to achieve a wide range of different compositional effects. You can
also select a single focus area if preferred.
Lens release button
Wide focus
frame
Remove the lens by holding down
the button and turning the lens
anticlockwise.
Spot metering
circle
Local focus frame
Built-in flash
CCD see page 8
Shutter speed
Aperture value
Integrated flash unit
(GN 12 @ ISO 100, m)
moves up and down manually.
Spot focus
frame
10.2 Megapixel CCD sensor with RGB
primary colour filter. Anti-static sensor coating
reduces build-up of dust particles in
conjunction with CCD vibration feature when
camera is switched off.
Super
SteadyShot
indicator
Focus display
Wireless
flash
Preview button Lens signal contact Lens mount
Camera shake
warning
Eye sensor see page 13
CF card cover see page 20
Flash
adjustments
Continuous shooting
frames remaining counter
AE lock
Infra-red sensor detects when the camera has been
placed to the photographer’s eye to look through the
viewfinder. Looking through the viewfinder activates
the Eye-Start AF system that instantaneously brings
subjects into clear focus.
The 100 accepts Compact Flash Type I and II
(including MicroDrive) media. With the supplied
adaptor it can also be used with Memory Stick
Duo / Memory Stick PRO Duo media.
High-speed synchronisation EV scale
Flash mode
Exposure Adjustment
button/Reduce button
Viewfinder
AEL button/Zoom button
Access lamp
Power switch
Menu button
Press this button to display the
Menu screen on the LCD monitor.
From the Menu screen, you can
select various menus such as the
Shooting or Replay menus.
+ key
Super SteadyShot switch see page 6
Activates Super SteadyShot image stabiliser
system inside camera body to reduce camera
shake during handheld shooting.
Display button
Execute button/
Spot AF button
Remote release
terminal
Changes display mode
DC power in
LCD monitor see page 14
Delete button
Auto/Manual
focus switch
Photos and shooting information are displayed in the
2.5-inch (230,000-dot) high-resolution LCD screen
featuring Clear Photo LCD Plus technology. Choice of
Navigation Display modes makes optimum use of large
information screen that flips automatically to vertical
orientation when camera is rotated.
To delete an image, press this
button and confirm with + key.
LCD screen provides shooting information
Easy-to-view navigation display.
LCD screen
Clear Photo LCD Plus technology for accurate reviewing.
Replay button
Navigation Display shows camera settings. Switch between detailed
display and zoom screens by pressing Display button. If the camera is
held vertically, the screen will automatically switch to vertical display
Switch between Single Frame replay and Index screens during
playback by pressing the Display button. A histogram can be viewed
during single frame replay. Single Frame images can be enlarged or
rotated during replay.
When you press the Replay button,
the photo that you have shot is
displayed on the LCD screen. You
can select other images by using
the + key or the Control dial.
orientation.
Control dial
Shutter button
Colour saturation adjustment
EV scale
Aperture
Exposure Adjustment
Sharpeness adjustment
value and
shutter
speed
Image size
Exposure mode
Flash mode
Image
Quality
Mode
Flash exposure
adjustment
ISO equiv.
setting
Colour mode
Mode dial see page 16
Image size
Folder
number -
file number
Dynamic range
optimiser
Enables one-touch setting
of shooting modes. Turn
dial to select desired
shooting mode.
Image
quality mode
Auto exposure
lock
Battery
Date and
time
Drive mode
Image
capacity
number/
Total images
Frame
counter
Release priority
Focus mode
Focus frame
Metering mode
Function button
Function dial
Drive button
White balance
Protect
DPOF printing
Contrast adjustment
4
5
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
Download from Www.Somanuals.com. All Manuals Search And Download.
SNY_13156_ALPHA_A4_BRO 24/7/06 10:37 AM Page 7
Beautiful, sharp photos with no blurring
Super SteadyShot inside camera body reduces effects of camera shake
Effective with all
system lenses
Since it’s built into the camera body
itself, Super SteadyShot compensates
for camera shake with all
Photo data / 50mm
F1.4 / Handheld at
1/8sec. F2,
interchangeable
system lenses.
The result? Shoot with greater
confidence using all compatible optics
including zooms, telephotos, macros and
wide-angles.
ISO 100 White
balance: Sunlight,
Anti-Shake: ON
Enjoy sharp, blur-free photos… even
with a telephoto or zoom lens at high
magnification.
Super SteadyShot allows handheld
macro shooting with a reduced risk
of camera shake.
The seated subject is
depicted clearly with
no blur. The 1/8 sec.
slow shutter speed
captures the movement
of the waves.
50mm
F2.8 Macro
75-300mm F4.5-5.6
Anti-dust system for flawless photos
Banish spotting, speckling and
imperfections that can ruin even the best
shots when dust enters the camera body
as you’re changing lenses. The 100
features an advanced anti-dust system
to minimise the effects of dust particles
entering the camera body when lenses
are exchanged. The CCD sensor’s anti-
static coating acts as a barrier to dust,
while a CCD vibration function briefly
shakes the sensor every time the 100
is powered off to dislodge dust particles.
There’s also a selectable menu function
that vibrates the sensor more strongly.
ꢀ
ꢀ
ꢀ
Super SteadyShot inside camera body prevents blur by compensating for camera shake
Image stabilisation system operates with all system lenses
Compensation equivalent to 2-3.5 steps in shutter speed
The dark faint blur is dirt
accumulated on the CCD
image sensor.
The 100 combats the effects of
dust entering the camera body when
lenses are exchanged.
Operating Tip
Turn on Super
Anti-Shake switch
on back of camera.
Without Anti-Shake
the whole screen is
blurred due to
SteadyShot using the
switch on the back of
the camera body.
TECHNICAL POINT
Super SteadyShot allows shutter speeds 2–3.5 steps slower than normal
camera shake and
the photo is ruined.
The fraction ‘one over focal length’ offers a useful
OFF
Anti-Shake
ON
calculation of the minimum shutter speed (in
seconds) at which sharp images can be obtained
by handheld shooting. Unlike 35mm cameras, the
actual shooting angle of the 100 is equivalent to
the shooting angle of 1.5 times of the focal length
indicated on the lens. For example, a lens with a
focal length of 50mm would have an equivalent
focal length of 75mm, meaning that a minimum
shutter speed of approx. 1/80 sec. would be
required for sharp images. Since Super
1/80
sec.
1/80
sec.
Super SteadyShot
detects camera
shake and shifts the
position of the CCD
sensor to
Combats camera shake for sharper
handheld shots every time
compensate for
movement of the
camera body, thus
reducing image blur.
1/20
sec.
1/20
sec.
Camera shake is one of the most common reasons for spoiled pictures
– and it’s particularly noticeable with large prints. To reduce the number
of unnecessarily spoiled photos, the 100 features Super SteadyShot
– a sophisticated image stabilisation system that’s built into the camera
body itself. Instead of depending on an anti-shake mechanism within
each lens, Super SteadyShot operates by compensating for small
movements of the CCD image sensor itself. This means that it works
SteadyShot provides compensation equivalent to 2
– 3.5 steps in shutter speed, compensation of 2
steps from 1/80 sec. would allow sharp images to
be taken at 1/20 sec., while 3 steps would allow a
minimum speed of only 1/10 sec.
Indicator and warning icon in the
viewfinder provides immediate
1/10
sec.
1/10
sec.
Shooting with a 50mm F2.8 macro lens
(35mm equivalent of 75mm)
indication of camera shake status.
with all compatible Sony
system lenses – and without the need for
Amount of camera shake is measured on a
scale of 1 to 5 indicator bars. Warning icon
also illuminates whenever the danger of
camera shake is high.
expensive specialist optics that include built-in image stabilisation.
Rough estimate for lowest speed possible without camera shake at 50mm focal length (75mm equivalent with 100) is around 1/80 sec.
The actual compensation effect depends on the selected lens and
shooting conditions, but typically it’s equivalent to between 2 and 3.5
steps in shutter speed. As well as reducing the blur caused by camera
shake, Super SteadyShot also permits handheld shooting in situations
that would normally require a tripod or flash. An indicator in the bottom
right hand corner of the viewfinder also provides real time indication of
the amount of camera shake.
Compensation can be expected
ON
1
1/40
2
1/20
3
1/10
Anti-Shake
1/100
1/80
1/60
1/50
1/30
1/25
1/15
1/13
Small
High danger
of camera
shake
OFF
Risk of blurring becomes larger
camera
shake
6
7
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
Download from Www.Somanuals.com. All Manuals Search And Download.
SNY_13156_ALPHA_A4_BRO 24/7/06 10:37 AM Page 9
High resolution image quality
10.2 Megapixel CCD sensor reveals highest levels of detail
Four image quality modes
ꢀ
ꢀ
Two commonly used types of JPEG formats (fine and standard)
Operating tips
Call up ‘Shooting Menu 1’ using
the menu button on the rear of the
camera and set using the + key.
Two RAW format modes for highest image quality (RAW and RAW+JPEG)
RAW
Without image
compression (processing
using the included
software is required)
Resolution down to the
breadth of a single hair
Sharp representation
of the eyes
Discern clearly every strand
of hair, even in cases such
as all brown hair with no
other colours for contrast.
Crisply portrayed
eyelashes bring out
impact and texture in
deep eyes.
RAW + JPEG
Records two images
simultaneously
Standard
Fine
JPEG format (high
compression ratio =
standard image quality)
JPEG format
(low compression ratio
= high image quality)
The 100 offers four image quality modes and three
image sizes. Choosing the right mode and image size is
all about finding the right balance between quality and
capacity to suit your needs. For a higher image quality
the required storage for each image increases, so the
camera’s removable media will store fewer photographs
for a specific capacity. Smaller image sizes are generally
ideal for the web or e-mailing pictures – and here the
JPEG compression format can be perfect to keep file
sizes down while maintaining good image quality. When
you need to retain the highest possible image quality
however, the RAW format records the image signal
exactly as it’s been captured by the CCD to create
‘digital negatives’. Since the RAW data is uncompressed,
there’s none of the compression artefacts commonly
associated with JPEG images. RAW files also provide
the opportunity to process the image further with
minimum degradation.
Photo data / 50mm F2.8 Macro, F4 Auto (+1 compensation), ISO 100, Manual white
balance, RAW+JPEG
Relationship between number of images that can be stored, dependent on
quality mode/compression ratio/image size
Number of possible photographs remaining
Image quality
mode
Compression
ratio
approx. 10.2
megapixels
approx. 5.6
megapixels
approx. 2.5
megapixels
L
M
S
RAW
No compression
––
CF
Approx. 32
––
––
RAW+JPEG
CF
CF
CF
Approx. 25
Approx. 120
Approx. 188
––
––
Displays the image size
that has been chosen.
Natural, blurred
backgrounds
Smooth skin
expression
Fine
(JPEG format)
Standard compression
(High image quality)
Approx. 208
Approx. 319
Approx. 433
Approx. 630
The APS-C size wide area
CCD blurs backgrounds to
create a melting beauty that
brings out the character of
the subject.
The softness and
freshness of the skin is
always captured
thanks to resolution
that can almost make
out individual pores.
Standard
High compression
Displays the image
quality mode that has
been chosen.
(JPEG format)
(Standard image quality)
The number of possible photographs remaining is the standard calculated value when
using a 512Mb CF card. The number of photographs that can be stored depends on the
camera settings and subject.
Displays the number of possible
photographs remaining.
TECHNICAL POINT Verify shooting information with the camera held to your eye.
Large image sensor provides greater control over image blur for greater creative expression
10.2 effective
Megapixel CCD sensor
A major creative advantage offered by digital SLR photography is
the ability to control the ‘blurring’ of out-of-focus areas in an image
– such as the foreground or background. Blurring of other parts of
the image can make the subject stand out even more, providing a
more three-dimensional feel. The large image sensor inside the
100 makes it possible to exercise greater control over blurring
using wide aperture settings for a wide range of creative effects.
Photo data / 70-200mm, F2.8 G / 1/200sec.
F5.6 ISO 100, Manual white balance
ꢀ
ꢀ
ꢀ
10.2 Megapixel effective resolution for crisp, clear results even at large print sizes
APS-C size sensor offers low noise and wide dynamic range
Sharp eyes, soft skin texture, and resolution down
to a single hair are captured with the realism that
can only be achieved by a large number of pixels
and wide area CCD.
The perfect match for Sony
system lenses and BIONZ image processor
Comparison of the CCD image sensor size (approximately full size)
100
Compact camera
A
100 APS-C size = 15.8mm x 23.6mm (approx.)
More pixels mean more detail. With an outstanding resolution of 10.2
million effective pixels, the Sony-developed CCD sensor inside the 100
offers high sensitivity and exceptionally low noise performance for
stunning prints… even when they’re blown up to A3 size.
The combination of large (APS-C size) CCD sensor, RGB primary colour
filter and BIONZ image processor assures breathtakingly crisp, High
Definition images with superlative detailing, a wide tonal range and the
subtlest colour gradations.
The blurring of out-of-focus areas is the greatest when aperture is open (small
‘f’ value). These photographs were taken using the 100 and a compact
digital camera with an open aperture. Because the background of the 100
image is blurred very gently, the in-focus section stands out more effectively.
Typical compact digital cameras
(1/2.5 inch) = 4.3 x 5.7mm (approx.)
8
9
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
Download from Www.Somanuals.com. All Manuals Search And Download.
SNY_13156_ALPHA_A4_BRO 24/7/06 10:38 AM Page 11
Naturally beautiful
BIONZ image processing engine ensures vivid, beautifully reproduced colours
Beautifully exposed, natural results even in difficult, high-contrast lighting conditions
Great-looking against-the-sun shots with Dynamic Range Optimiser
ꢀ
ꢀ
ꢀ
Automatic analysis and optimisation of ‘difficult’ scenes shot against the sun or with strong contrast
Balanced reproduction of areas of sky and shade in same image
Exposure and tone control prevents shadow and highlight detail loss
Dynamic Range Optimiser
Standard
With the default Standard
setting, the contrast and
exposure of the complete
image are automatically
adjusted and the subject’s
expression is easier to see
compared to the OFF setting.
Dynamic Range Optimiser
OFF
Dynamic Range Optimiser
If the Dynamic Range Optimiser is switched off,
the face of the subject will appear dark in
photographs taken directly against the sun.
Switching it off is appropriate if the intention is
to take a photograph with a silhouette.
Advance
If set to Advance, a higher
degree of compensation
occurs. The photograph
balances with high precision
the strength of the colour of
the background sky, the
brightness of the subject’s
face and the green of
The Dynamic Range Optimiser inside the 100
ensures evenly-balanced reproduction of the
brightest highlights and the deepest shadows...
even when you’re shooting high-contrast
scenes or against the sun. High-contrast or
strongly backlit scenes can lead to loss of
highlight and shadow detail. While normal
exposure compensation retrieves low-light
detail at the expense of burnt out highlights,
Dynamic Range Optimiser assures perfectly
exposed pictures by automatically adjusting
gamma curve and colour balance settings. In
Standard Mode brightness and contrast levels
for the whole image are automatically corrected
in real time. Advanced Mode offers a higher
degree of compensation by analysing and
adjusting tone and colour reproduction for each
area of the image separately – a process that
only takes around 0.5 seconds to achieve.
vegetation.
Photo data/ DT 18~70mm, F3.5-5.6, F11 auto, ISO 100, White balance: Daylight, Vivid image finishing
Raw data from the 10.2 Megapixel CCD sensor is processed by the BIONZ engine to create the highest quality image
Image finishing feature
From retina to brain:
Eight image finishing options allow image settings
to be adjusted according to your personal preference.
1) Standard
2) Vivid
3) Portrait
BIONZ image engine
processes signals from
the camera’s CCD ‘eye’
Fine-tune your image or create powerful, dramatic effects with
eight image finishing modes that select optimum white balance,
contrast, colour saturation and sharpness to suit any scene.
Whether you’re looking for an ultra-sharp look or highly
saturated colours, it’s easy to choose the right image finishing
mode to match the vision that’s inside your head. You can also
adjust individual parameters to suit your personal preference.
4) Landscape
5) Evening Scene
6) Night Scene
7) Monochrome
8) Adobe RGB
Exposure
(CCD image sensor)
ꢀ
ꢀ
ꢀ
Clearer images with reduced noise
Accurate reproduction of rich tones
Realistic textures and vivid colours
Light entering the lens of the
100
A/D conversion
falls on the CCD sensor the instant the
shutter opens, where it’s transformed
into an analogue electrical signal. This
signal is converted with high precision
into 12-bit digital data through the A/D
converter before being sent to the
BIONZ image processing engine.
The newly-developed BIONZ image
engine is a dedicated processor using
a specially developed algorithm that
performs noise reduction, sharpness
processing, dynamic range
optimisation, colour matrixing and
white balance adjustment before
digital data is compressed, encoded
and stored to memory. The result?
Faithful reproduction of vivid, natural
colours with rich tonal graduations and
the sharpest detail.
TECHNICAL POINT
Show your true colours with choice of white balance settings.
The complete Sony 100 system represents a
harmonious, perfectly balanced blend of
10.2 Megapixel CCD sensor and BIONZ image
processing engine.
lens,
A choice of white balance setting modes ensures natural-looking
results under virtually any lighting conditions… or use it as a
creative tool to enhance or suggest a mood. Get the balance right
with a choice of six preset white balance modes – sunlight,
shadow, cloudy, tungsten, fluorescent and flash. There’s an auto
(AWB) mode approximating the human eye that ensures
dependable, fuss-free results with any scene under a wide range
of lighting conditions. You can also customise your own white
balance settings – and if you’re not sure which WB setting is
going to achieve the best results, white balance bracketing
captures the same scene with three different WB settings,
allowing you to select the best-looking result. Fine tuning an
image’s colour balance can turn a great picture into something
really special. Manual colour temperature adjustment features
19-step magenta/green compensation to emulate the effect of
professional colour correction filters.
Electronic
developing process
Auto (AWB)
Cloudy
It’s the job of any digital camera to retain every nuance
of detail entering the lens that’s captured by the
sensor... and translate it faithfully into stunning
pictures. The BIONZ image processing engine inside
the 100 ensures that what’s falling on the camera’s
10 Megapixel CCD sensor accurately represents the
full beauty of every moment without compromise.
Data compression
Temporary memory
(Buffer memory)
Sunlight
Shadow
You can think of the newly-developed BIONZ
processor as the camera’s brain that uses a powerful
image processing algorithm to reduce sensor noise
without lowering resolution. Tones are reproduced
accurately with vivid colouration and excellent
sharpness, creating images with astonishing natural
beauty and depth.
Data recording
(Memory card)
Tungsten
Fluorescent
Flash
10
11
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
Download from Www.Somanuals.com. All Manuals Search And Download.
SNY_13156_ALPHA_A4_BRO 24/7/06 10:38 AM Page 13
Quick response
Grab the moment with quick-response
Eye-Start system
Responsive autofocus and high speed Eye-Start system
Eye-Start AF can also
be deactivated via the
navigation menu.
Infra-red sensor positioned below the
eyepiece detects when the photographer
looks through the viewfinder. The LCD
screen is switched off, and autofocus is
activated automatically.
Whether you opt to use
it is up to your own
personal preferences
and the demands of
each photographic
assignment.
Responding quickly to great picture opportunities depends on more than
autofocus speed and continuous shooting performance alone. The 100
is also equipped with the unique Eye-Start system that ensures focusing
is complete by the time the shutter button has been released. The
camera’s infra-red sensor detects when you look through the viewfinder,
automatically activating autofocus. Coupled with a super-fast response
time of 0.9 seconds from power-on, the 100 is always ready for action.
Focusing is completed when
the camera’s lens is aimed at
the subject – assuring the
fastest possible response.
Four focus modes for complete control
Fast, positive focusing is easy
with four modes to suit any
scene and your creative
preferences. AF-S (Single AF)
mode keeps focus fixed at the
point where it’s been brought
into focus. AF-C (Continuous AF)
mode is ideal for keeping a
moving subject in continuous
focus. AF-A mode selects
automatically between two
modes by assessing the scene.
A DMF (Direct Manual Focus)
mode can also be selected,
allowing you to focus manually
after AF is complete for fine-
tuning any scene to perfection.
AF-S
Single-shot AF
DMF
AF-A
AF-C
Continuous Autofocus
Direct Manual Focus adjustment after AF
Automatic selection of AF-C or AF-S
As with AF-S, AF operation stops
when focusing is complete. In
this mode sharpness can be
'retouched' by manually rotating
the focus ring. Convenient if you
want to make final delicate
Is the subject still or moving?
This mode automatically analyses
the scene and selects either AF-C
or AF-S. This gives the
convenience of not having to
worry about switching AF modes
when taking pictures of children,
pets or general snapshots.
This mode is suitable for sports
photography and other moving
subjects. By pressing the shutter
button halfway down, the subject
can be continuously followed
and kept in focus. Dynamic
prediction control is also active in
this mode.
This mode is ideal for taking
photographs of scenery or still-life
where the subject is stationary.
After focusing with AF, focus stays
fixed at that position. To focus
again, press the shutter button
halfway down once more.
focusing adjustments – for
example in macro photography.
TECHNICAL POINT
ꢀ
ꢀ
High speed continuous advance shooting at up to three frames per second
Capture fast-moving subjects with wide focus frame AF system
Lock on to accurate focusing with those hard-to-capture subjects.
Operating Tip
Halfway and fully pressing the shutter button
Wide focus
area mode
Focus frame
‘Fixed to centre’
Focus frame
‘Local’
The 100 features a high speed autofocus
(AF) with all compatible system lenses.
the viewfinder, making it easier to capture
moving subjects.
‘Halfway’ means lightly touching the shutter button to
activate the camera. ‘Fully’ means pressing the button
all the way in one movement to operate the shutter.
Automatically
selects the
optimum from the
nine focus frames.
Autofocusing is
always performed with the + key and
using only the
centre of the focus
frame.
Easily selected
Continuous advance shooting allows you to
shoot without interruption at up to three frames
per second until the memory card is full* – even
in full-resolution JPEG fine mode – so you can
keep on shooting to your heart's content.
Predictive focus control dynamically predicts
precise focus for moving subjects at the
moment the shutter is released. This makes
the 100 the perfect choice for sports and
action photography. You can also focus on
the centre of the frame only or select manually
from one of nine focus points.
Spot AF button.
1) First, focus lock on the ship.
2) Modify the composition and press
shutter button fully.
White walls and bright blue, cloudless skies can be
tricky subjects for any SLR camera autofocus system.
Alternatively, the subject you’re focusing might be off
at one extremity of the scene and not covered by the
focus frame. These are times when Focus Lock can be
useful, allowing you to ‘freeze’ focus on a particular
point before composing your picture.
AF cannot focus easily on subjects with
no contrast, like a blue sky. First, position
the ship in the centre of the viewfinder
and lock focus in AF-S mode by pressing
the shutter button halfway down.
In ‘Wide focus area’ mode, the 100
automatically selects optimum sections from
the nine individual focus points displayed in
By keeping the button pressed halfway
down, the focus will not change even if
you move the camera to re-frame the
composition. Press the shutter button
fully to take the picture when the
Operating Tips
Set the function dial on
the top of the camera to
‘FOCUS’, call up using
the centre Fn button,
and set with the + key.
composition is just as you want.
*Dependent on removable media capacity and performance. Unlimited continuous advance shooting can only be achieved in
JPEG Fine or Standard quality mode and is not possible with Memory Stick Duo and Memory Stick PRO Duo media.
12
13
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
Download from Www.Somanuals.com. All Manuals Search And Download.
SNY_13156_ALPHA_A4_BRO 24/7/06 10:38 AM Page 15
Large, easy-to-use screen
Navigation Display
Information at a glance
Large 2.5-inch (230,000 pixels) Clear Photo LCD Plus screen
ꢀ
ꢀ
ꢀ
Large 2.5-inch 230,000 pixel LCD screen
Crisp, clear image display even in bright outdoor conditions thanks to AR coating and Clear Processing
One-touch zoom into centre of focus area
Vertical format detailed
display screen
The screen switches to vertical
display automatically.
2.5-inch 230,000 pixel
Clear Photo LCD
Plus Screen
Size, image resolution and
comfortable viewing are
prerequisites for the screen
of any digital SLR camera,
allowing you to critically
assess the composition,
quality and focus of every
shot. Here the large, easy-
to-view 2.5-inch screen of
the 100 helps you see
the big picture in even
more detail. A high 230,000
pixel resolution is teamed
with Clear Photo LCD Plus
technology to reproduce
subtle tones accurately.
The screen’s Anti-
Zoom Screen
Text is large and easy to read.
Horizontal format
detailed display
screen
(Standard display).
A glance at the Navigation Display screen is all that’s needed to confirm
camera settings and shooting information in large, easy-to-read text.
Concentrate on important information in zoom display mode; the display
also automatically flips into vertical orientation if the camera is turned on
its side to take a portrait picture. When the Eye-Start Sensor detects that
you’re looking through the viewfinder, the LCD screen automatically
switches off to prevent light from the screen distracting you whilst framing
a picture, also saving battery power.
Reflective Coating is
a glare-reducing layer that
assures a wide viewing
angle, even in daylight.
It’s teamed with Clear
TECHNICAL POINT
Processing technology
that reproduces colours
more vividly. The screen’s
superb resolution also
makes it easy to zoom in,
judge picture sharpness
and review the finest image
details with greater clarity.
Histogram, Highlights and Shadow Alert
Highlights and Shadow Alert
The histogram shows the distribution of brightness in a graph on
the camera’s display screen. The horizontal axis shows the
brightness reproducible with the digital camera (tone), and the
vertical axis shows the amount of brightness. The far left side of
the horizontal axis shows the darkest part (shadow) that can be
reproduced, while the far right side shows the brightest part
(highlight). A histogram that’s shifted to the right side is an
indication of many light areas in the image. If it’s shifted to the left,
the histogram indicates more dark areas in the scene.
Highlighting is occurring on
the bright parts of the shirt,
and shadowing in the dark
part at the upper right side of
the screen. Out of range
sections are displayed flashing
on the screen to warn of
highlighting and shadowing.
Multi-function display
Histogram
An over-exposed picture will be represented by large areas of
blank space displayed on the left side of the histogram.
Conversely, with an under-exposed image there will be blank
space at the right side of the histogram.
1. One-touch zoom into centre of focus area.
2. Search for the image you need with 16-frame Index Display.
The areas to take notice of are
the edges. If either side is
blank, the exposure may not
be correct due to over or
under exposure.
Useful when you want to
find an image quickly,
Index Display shows
multiple images when the
Change View button is
pressed during replay. You
can also select between
4, 9, or 16 thumbnail
Both the image and data are displayed
simultaneously. But because there is no data text
over the image, it is possible to view the histogram
and entire image at the same time, which is a very
effective way to decide the exposure.
In addition, areas of the image that are outside dynamic range –
either under or over exposed – will blink to provide a warning in
the main image display.
Zoom range for replay
Image
size
Zoom Range
How to read the histogram
Operating Tip
L: 10M Approx. 1.1 to 12x
When a single frame is being
replayed, simply press the up
side of the +key to display the
histogram, and the up side
again to return to the single
frame replay.
images displayed
simultaneously on screen.
M: 5.6M Approx. 1.1 to 9x
S: 2.5M Approx. 1.1 to 9x
3. Explore folder contents quickly with Tab Browse
If a picture is taken
with a selected local
focus frame, pressing
the Zoom button
during instantaneous
replay magnifies the
image with the focus
area which was used
at the centre, allowing
you to check focus
accurately.
Tab Browse allows you to
review the contents of
individual storage folders.
For example, if you’ve
taken a large number of
pictures while on holiday,
it’s easy to track down
pictures taken on a
certain date if they’ve
been classified into
folders according to the
date they were taken.
If the subject is generally white and
bright, the histogram shifts to the
right side, and the graph is far larger
on the right edge.
With a standard subject as in this
photograph, the centre of the
histogram is higher than the edges,
and the left and right sides are
about equal.
If the image is captured at night, or
if a large amount of the subject is
dark, the histogram shifts to the left
side, and the graph is far larger on
the left edge.
14
15
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
Download from Www.Somanuals.com. All Manuals Search And Download.
SNY_13156_ALPHA_A4_BRO 24/7/06 10:38 AM Page 17
Easy to use
Capture exactly the scene you want with a choice of exposure modes and
bright, clear optical viewfinder
Newly developed 40-segment honeycomb pattern metering sensor and three metering
modes for surer, more accurate auto exposure
The 100: it’s automatically the
There’s a choice of three metering modes to
help you pinpoint the perfect exposure settings
with any subject and under all lighting
conditions. Ideal for general shooting, multi-
segment metering mimics the behaviour of the
human eye, assessing light levels from each of
40 individual exposure areas. Centre-weighted
metering accurately measures light values at
the centre of the frame plus surrounding areas,
while spot mode only measures light right in
the central of the frame.
ꢀ
ꢀ
ꢀ
Fuss-free, fully automatic photography by selecting AUTO mode
Six Scene modes to suit your chosen subject
best choice, whether you’re an
experienced photographer or
just having fun. Twist the mode
dial to select the Shooting Mode
that suits you best. Six Scene
modes automatically select
focus and exposure values plus
image finishing settings – like
colour saturation and contrast –
providing the perfect match for
any subject.
Optimised AF, exposure, and image finishing settings to suit any scene
Centre-weighted metering
Spot metering
40-segment honeycomb pattern metering
AUTO Mode
Measures light values at the centre of the
screen and adjacent areas.
Light is only measured in the central ‘spot’
area for accurate exposure calculation, even in
difficult lighting conditions.
Photometric data obtained from all 40 areas is
analysed to obtain the optimum exposure value.
This achieves high accuracy with a fast
response in low and high brightness scenes
alike. This also makes it possible to differentiate
the subject from background, with precise
exposure for the subject that takes into account
background exposure.
Completely automatic –
leaves everything up to
the camera.
Aperture Priority mode:
Select preferred aperture to create exactly the required depth
of field effect: the 100 adjusts shutter speed automatically.
Night Portrait
Night Mode
Portrait Mode
Capture images
with the person
clearly standing
out in front of the
blurred
Four creative Exposure Modes.
With the flash on,
foreground
Shutter Priority
mode:
Four shooting modes make it easier to select exactly
the right combination of shutter speed and aperture
for perfectly-exposed results with any scene without
compromising your creativity.
subjects and the
night background
are both captured
clearly. The use of
a tripod is
Want to freeze fast
moving action or blur
moving water to
create an abstract
effect? Select shutter
speed to suit your
subject and aperture
is adjusted
background.
Telephoto zoom or
telephoto lenses
are highly effective
for this type of
Programme mode:
recommended for
night photography.
Shutter speed and aperture are both determined
automatically, leaving you to concentrate on capturing
the perfect image
photography.
automatically.
without worrying
about exposure
settings. Perfect for
snapshots and
general day-to-day
shooting. PA and PS
shift modes are
Manual mode:
Landscape Mode
Evening Mode
Select shutter speed
and aperture for
absolute control over
manual exposure.
A great choice for wide-open
landscapes that emphasises
the sky’s blue colouration and
the freshness of green grass.
Similar to Scenery
Mode, but emphasises
the red of a dusky sky.
also available.
The
viewfinder’s
bright
spherical
acute matte
screen aids
perfect
Perfectly-focused results with spherical acute matte screen
Accurate framing and focusing depends directly on the quality of the optical viewfinder. The viewfinder
of the 100 features Spherical Acute Matte screen technology that enhances image brightness for
sure, accurate focusing. The viewfinder provides a 95% field of view with 0.83x magnification.
Macro Mode
Sports mode
Ideal for capturing small subjects
like flowers and insects when
using a macro lens. Focus and
aperture are controlled for
Freeze the action:
Continuous AF follows
the movement of the
subject and drive
focusing.
beautiful background blurring that
emphasises the close-up subject.
mode switches to
Continuous shooting.
TECHNICAL POINT
Use Exposure Adjustment to fine-tune image brightness
It’s easy to adjust exposure settings that have been assessed
automatically by the 100.
Press the Exposure Adjustment button and then turn the control dial to
adjust exposure if you want the image to be brighter or darker.
Lithium ion battery enables up to 750 shots from a single charge
Operating tips
It’s a hassle remembering to pack a spare battery when you’re heading off
on a long trip or planning to take lots of pictures. The 100 keeps going for
longer thanks to its ultra-low energy consumption design and high
performance Lithium ion battery pack. Enjoy up to 750 shots from a single
battery charge (CIPA measurement, 50% usage of built-in flash) without
worrying about running out of power. Battery level is displayed as five
indicator bars on the LCD screen.
Set by turning the control
dial after pushing the
Exposure Adjustment
button once.
Positive adjustment
Negative adjustment
Use negative adjustment when
Use positive exposure
adjustment for lighter images – you want a darker image.
ideal when you want to make
white subjects look really white.
16
17
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
Download from Www.Somanuals.com. All Manuals Search And Download.
SNY_13156_ALPHA_A4_BRO 24/7/06 10:38 AM Page 19
From wide-angles, macros and telephotos to zooms and teleconverters
ADI metering for precise flash measurement
A wide range of interchangeable lenses to expand your creative possibilities
Explore the full range of Sony 100
Many Sony 100 system lenses support ADI (Advanced Distance
Integration), incorporating a distance encoder that allows extremely
precise through-the-lens calculation of subject distance. Combined with
pre-flash metering and a sophisticated comparison algorithm, the 100
can ensure correct settings even with high, or low-reflectivity subjects.
This means perfectly-exposed results, even with ‘problem’ subjects like
night scenes, dark clothes, distant backgrounds or white walls that make
conventional flash measurement tricky.
system lenses
One of the most useful features of a D-SLR
camera is the choice of interchangeable lenses.
This means you can choose exactly the right lens
to achieve superb results with any scene – from
portraits and close-up macro photography to
expansive landscapes.
There’s a full range of
system lenses to help
Flash
Pre-exposure flash
you get even more out of the 100, spanning
ultra wide-angle, macro, fixed focal length, zoom,
telephoto and reflex models plus two
teleconverters. And remember: since Super
SteadyShot is incorporated inside the camera
body, you can benefit from superb anti-shake
performance, whichever compatible lens you’re
using with the 100.
Carl Zeiss lenses
From left: DT16-80mm
F3.5-4.5ZA,
135mm F1.8ZA,
85mm F1.4ZA.
Information from camera body
Subject position
AF sensor
information
Metering
sensor
Reflected light
Normal light
All Sony lenses offer superb imaging quality and
geometric accuracy, with specially coated optical
surfaces to reduce flare and ghosting, even with
tricky into-the-sun shots. If you’re looking for
wide apertures and extra-high contrast imaging
with reduced chromatic aberration and distortion,
Sony G lenses offer premium optics and
Subject
Subject
reflectance
brightness
information
Background
reflectance
Background
brightness
advanced design features to meet the needs of
discerning photographers.
Information from lens
Lenses by Carl Zeiss
Distance encoder
information
Whichever
system lens you choose, you can
There’s only one choice when
there can be absolutely no
Subject distance
Calculation
be assured of the highest quality optical
performance and reliability… for exquisite results
that perfectly realise your creative vision.
compromise on performance or
reliability. Drawing on 150 years
of experience in producing
optical instruments of the highest
precision and quality, Carl Zeiss
Planar, Sonnar and Vario-Sonnar
lenses are designed and
Determines flash level guide Number
constructed to the most rigorous
optical and mechanical
standards. The result? Beautifully
engineered lenses that capture
the emotion and atmosphere of
any moment with unparalleled
quality and fidelity.
Flash
Actual flash
Interchangeable lens system
Super wide-angle/wide-angle zone
Wide-angle zone
Standard zone
Medium telephoto zone
* The value in parentheses represents the shooting angle image when the lens is attached to
100. That is approx. 1.5 times that of 35mm.
Medium telephoto zone
Telephoto zone
Telephoto zone
Super telephoto zone
11mm (16mm)
28mm (42mm)
50mm (75mm)
85mm (128mm)
100mm (150mm)
200mm (300mm)
300mm (450mm)
500mm (750mm)
SONY Carl Zeiss Lens
SONY G Lens
Vario-Sonnar T* DT16-80mm F3.5-4.5ZA
Planar T* 85mm F1.4ZA
Sonnar T* 135mm F1.8ZA
SONY Lens
SONY DT Lens
35mm F1.4G
70-200mm F2.8G
300mm F2.8G
24-105mm F3.5-4.5
16mm F2.8 Fisheye
50mm F1.4
75-300mm
F4.5-5.6
500mm
F8 Reflex
20mm
F2.8
28mm F2.8
50mm F2.8 Macro
100mm
F2.8
135mm
F2.8 [T4.5] STF
Macro
Teleconverter
DT11-18mm F4.5-5.6
When attached to the 70-200mm F2.8G or
300mm F2.8G etc, the 1.4x teleconverter
and 2x teleconverter can increase the focal
length by 1.4 times and 2 times respectively.
DT18-70mm F3.5-5.6
2x Teleconverter 1.4x Teleconverter
DT18-200mm F3.5-6.3
11mm
28mm
50mm
85mm
100mm
200mm
300mm
500mm
18
19
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
Download from Www.Somanuals.com. All Manuals Search And Download.
SNY_13156_ALPHA_A4_BRO 24/7/06 10:38 AM Page 21
Accessories that take your creativity to the next level
Extend the possibilities of artistic expression
Simple image editing using supplied software applications
There’s a range of compatible system flashes and lighting systems that’s
designed for perfect results every time – whether you’re a novice or an
experienced photographer. Two external flashes can be used on-body or
sited off-camera for even more natural, professional-looking results.
High-accuracy ADI metering technology* adjusts flash output power
based on subject distance and reflectivity as well as aperture and ISO
settings for perfect exposure every time. Wireless TTL flash mode makes
it simpler than ever to remove unwanted shadows or create natural-
looking fill-in lighting effects. Just add one or more off-camera flash guns
for accurate, perfectly balanced results – with no cables or fiddly
settings. If you are into macro photography there is also a choice of
specialist lighting systems that has been created for the most demanding
still life, nature or scientific close-ups.
Image Data Converter
Easy RAW data processing
Images captured in RAW mode using the 100 can be refined even
further on your PC with a wide range of functions including tone curve
and sharpness. Easy to use – even for beginners.
* With ADI compatible lenses
Recommended system requirements
Computer
OS
Windows
Macintosh
Microsoft Windows 2000 / XP Home / XP Pro
Pentium III 1 GHz or faster
Mac OS X v10.3-10.4
CPU
iMac , eMac, iBook, PowerBook,
Power Mac G4/G5 series
Memory
256MB or more (512MB or more recommended)
700MB or more
256MB or more (512MB or more recommended)
Virtual memory
Display
The HVL-F56AM
flash can be
1024x768 dots or more, High Colour (16 bit colour) or higher 1024x768 dot or more, 32,000 colours or more
rotated up 90˚,
down 10˚, left 180˚
and right 90˚,
allowing you to
bounce light in
any direction.
HVL-F56AM
HVL-F36AM
External flash units for general use are the high power
HVL-F56AM (Guide No. 56, ISO 100) and HVL-F36AM
(Guide No. 36, ISO 100). There’s also a choice of ring
light and twin macro flash systems for photographing
close-up subjects.
Picture Motion Browser
1. Simple storage and management of captured images. 2. Simple image printing and adjustment.
Download images from the 100 to your computer to display, zoom, sort and manage them on-screen.
Recommended system requirements
Computer
Windows
Microsoft Windows 2000 / ME / XP Home / XP Pro
Shooting with external flash attached to camera
Shooting with off-camera flash
OS
An external flash unit
attached to the camera’s
hot shoe provides greater
illumination than the
Light from an external
flash sited off-camera can
remove unwanted
shadows on the subject
or create a feeling of
additional depth.
CPU/Memory
Required software
Hard disk space
Display
Pentium III 500MHz or faster / 128MB or more RAM (Pentium III 800MHz or faster / 256MB or more RAM preferred)
Direct 9.0c or later
camera’s built-in flash.
Disk space required for installation: Approx. 200MB
800x600 resolution minimum, High colour (16 bit) or better
(Picture Motion Browser is not compatible with Macintosh.)
HVL-F56AM
100
100+HVL-F56AM
Accessories
Accessories
Macro Flash and Light
Remote Commander
Case & Strap
Easy wireless flash photography
External flash opens up a new world of creative lighting possibilities,
allowing you to bounce light into places that your camera’s built-in flash
can’t reach. Wireless TTL flash makes it even simpler to remove
LCS-AMA
Soft Carrying Case
unwanted shadows or create natural-looking fill-in lighting effects with no
cables and no fiddly settings. The 100 works it all out for you to assure
beautifully-exposed results every time.
HVL-MT24AM
HVL-RLAM
RM-S1AM
RM-L1AM
Macro Twin Flash Kit
Ring Light
Remote Commander Remote Commander
Finder
Flash
LCS-AMSC30
Soft Carrying Case
Angle Finder
FDA-A1AM
Multi flash cable
FA-MC1AM
Viewfinder accessories
Low-angle and other awkward
shooting positions become more
comfortable with the handy angle
finder. It’s easier to scrutinise close-
up, macro or telephoto shots with the
powerful eyepiece magnifier that
FDA-A1AM
Angle Finder
FDA-M1AM
Magnifier
Eyepiece
Correctors
HVL-F56AM
Flash
HVL-F36AM
Flash
FA-CS1AM
Off-camera Shoe
for Flash
Battery and Charger
enlarges the centre section of the
frame by 2.3x.
LCL-60AM
Lens Case
LCL-90AM
Lens Case
LCL-140AM
Lens Case
Magnifier
FDA-M1AM
Memory Stick PRO Duo (high speed)
STP-SH1AM /
STP-SS1AM
Shoulder Strap
Memory Stick media
NP-FM55H
Rechargeable
Battery Pack
AC-VQ900AM
AC Adaptor/Charger
FA-EC1AM
Extension Cable
for Flash
FA-MC1AM
Multi Flash Cable
FA-CC1AM
Off-camera Cable
for Flash
You’ll appreciate the choice of removable
media options to store your pictures.
Images can be recorded on Memory
Stick PRO Duo or Memory Stick PRO
Duo High Speed using the supplied
Memory Stick CF adaptor. In addition,
the CF slot accepts Type I or Type II
(MicroDrive) removable media directly.
Removable Memory and Storage Devices
Digital Photo Printer
Flash accessories
MSX-M1GN
MSX-M2GN
There’s a full range of flash accessories giving you total control over
creating exactly the lighting effects you want. Connecting cables allow
you to trigger up to three external flash units simultaneously – and
remember with wireless flash there’s no limit on the number of external
flashes you can add. You can also reduce recharging time between
flashes using an external power source (only for HVL-F56AM).
Memory Stick PRO Duo
MSX-M2GN
MSX-M4GS
Memory Stick PRO Duo
HDPS-M10
Hard Disk Photo
Storage Unit
FA-TC1AM
Triple Connector
for Flash
FA-EB1AM
MSXM2GNX MSXM2GSX MSXM256SX
External Battery Adaptor for Flash
DPP-FP55
Digital Photo Printer
MSX-M2GS
MSX-M4GS
MSXM1GNX MSXM1GSX
*HVL-F56AM only
MSXM4GSX MSXM512SX
20
21
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
Download from Www.Somanuals.com. All Manuals Search And Download.
SNY_13156_ALPHA_A4_BRO 24/7/06 10:38 AM Page 23
Specifications
22
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
SNY_13156_ALPHA_A4_BRO
SIZE: 210mm x 297mm
I
C
I
M
I
Y
I
K
I
PANTONE 1655
Download from Www.Somanuals.com. All Manuals Search And Download.
|