Mackie Music Mixer LM 3204 User Manual

2/6/98  
3 2 x2 x2 STEREO LINE MIXER  
XLR input switchable phan-  
tom microphone powering, a  
preamplifier gain control and  
a balanced line-level output.  
2. POWER SUPPLY. All  
necessary operating volt-  
ages for the mixer shall be  
provided by an internal  
shielded power supply.  
1. GENERAL CONFIGURA-  
TION. The audio mixer shall  
have a rack-mountable  
frame which accommodates  
16 stereo input channels, 2  
main output channels and 2  
3. INPUT CHANNEL CON-  
NECTIONS. Each mixer  
input channel shall have a  
MORE INFORMATION  
left and a right electroni-  
alternate output channels.  
cally balanced line-level  
Each input channel shall be  
THESE SPECIFICATIONS  
ARE AVAILABLE ON 3.5"  
PC & MAC FORMAT DISK IN  
POPULAR WORD  
input, accommodating a  
capable of accepting either  
nominal line level of be-  
stereo or monaural signals,  
tween –10 dBV and +4  
and shall be fitted with  
PROCESSOR FORMATS  
dBu, and appearing on the  
stereo level, equalization,  
1
rear panel as 4" TRS  
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FAX 425/487-4337  
OUTSIDE THE U.S., CALL  
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balance, solo, muting and  
auxiliary send controls,  
phone jacks (tip hot, ring  
cold). The jacks shall be fit-  
level-indicating (-20) LEDs  
ted with internal switches  
and overload (O/ L) LEDs.  
to accommodate monaural  
Input channels 1 through 4  
configuration. Additionally,  
shall each be fitted with left  
input channels 1 through 4  
and right insert jacks. The  
shall offer left and right  
main output channels shall  
each have a level control, an  
unbalanced insert connec-  
tions, appearing on the rear  
electronic level meter and a  
1
panel as 4" TRS phone  
shelving equalizer with the  
knee set at 80 Hz and a  
range of ±15 dB; a mid-  
frequency peaking equalizer  
centered at 2.5 kHz featur-  
ing a bandwidth of 2 oc-  
taves and a range of ±12  
dB; and a high-frequency  
shelving equalizer with the  
knee set at 12 kHz and a  
range of ±15 dB.  
bus insert jack.  
jacks (tip send, ring return).  
Additionally, the mixer shall  
include a solo function, a  
monitor switching and  
control function, 4 stereo  
4. INPUT CHANNEL LEVEL  
AND ASSIGNMENT CON-  
TROLS AND INDICATORS.  
Each mixer input channel  
effects return inputs with  
shall be equipped with a  
alternate routing switching,  
rotary dual gain control, a  
2 stereo pairs effects send  
solo switch, a mute switch  
outputs, 2 monaural effects  
which also functions as an  
send outputs, 1 stereo pair  
assignment switch to the  
control room output, 1  
alternate output channels,  
stereo headphone output,  
6. INPUT CHANNEL AUXIL-  
IARY SENDS. Each mixer  
input channel shall have 1  
stereo auxiliary send control  
and 1 monaural auxiliary  
send control. The auxiliary  
send controls shall be  
and a stereo balance control.  
1 set of stereo tape re-  
5. INPUT CHANNEL  
EQUALIZATION. Each mixer  
input channel shall be  
equipped with a stereo  
equalization function. The  
equalizer shall have three  
sections: a low-frequency  
corder RCA outputs, and 1  
set of stereo tape monitor  
RCA inputs. The mixer shall  
also include 2 independent  
patchable microphone pre-  
amplifiers, each fitted with  
an electronically balanced  
switchable between 2 sets  
of auxiliary send buses,  
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Impedances. Mic preamp  
input, 2.5 k. All other in-  
puts, 10 k. All outputs,  
120 k.  
21. INPUT CHANNEL  
CONNECTIONS. Each  
expander input channel  
shall have a left and a right  
electronically balanced line-  
level input, accommodating  
a nominal line level of  
between the mixer and the  
optional expander unit(s), if  
used; and which shall be  
designed to mate with the  
connectors on the expander  
ribbon cable provided with  
each Expander unit.  
Equalization. Lo EQ Shelv-  
ing @ 80 Hz, ±15 dB. Mid  
EQ Peak @ 2.5 kHz,  
±12 dB. Hi EQ Shelving @  
between –10dBV and  
12 kHz, ±15 dB.  
+4dBu, and appearing on  
1
Microphone Preamp. E.I.N. the rear panel as /4" TRS  
(150 terminated, maxi-  
mum gain), –129 dBm.  
phone jacks (tip hot, ring  
cold). The jacks shall be  
fitted with internal switches  
to accommodate monaural  
configuration. Additionally,  
input channels 1 through 4  
shall offer left and right  
16. PHYSICAL CONFIGU-  
RATION. The mixer shall  
have a steel chassis frame  
painted grey-black and  
designed to mount in a  
standart 19" relay rack. The  
mixers dimensions shall be  
8.73" high (5 rack units) by  
19.00" wide (rack ears are  
built-in) by 9.66" deep.  
18. DESIGNATION. The  
audio mixer shall be a  
Mackie Designs LM-3204.  
unbalanced insert connec-  
tions, appearing on the rear  
LM-3204E Expander  
1
panel as /4" TRS phone  
jacks (tip send, ring return).  
17. OVERALL MINIMUM  
SPECIFICATIONS. In ad-  
dition to specifications  
previously cited, the  
mixer shall meet or  
exceed the following  
22. INPUT CHANNEL LEVEL  
AND ASSIGNMENT CON-  
TROLS AND INDICATORS.  
Each expander input chan-  
nel shall be equipped with a  
rotary dual gain control, a  
solo switch, a mute switch  
which also functions as an  
assignment switch to the  
alternate output channels,  
and a stereo balance  
control. Additionally, any  
soloed channel(s) shall have  
their 20 and O/ L LEDs light  
steadily, to indicate a solo  
condition.  
performance criteria:  
19. GENERAL  
Noise. (20 Hz–20 kHz  
bandwidth, Line inputs to  
Main L/ R outputs, all chan-  
nels assigned.) Master  
fader down, Channel gains  
down, –104.2 dBu. Master  
fader unity, Channel gains  
down (Mix Noise), –86.6  
dBu. Master fader unity,  
Channels gains unity,  
–84.0 dBu.  
Total Harmonic Distortion.  
(1 kHz @ +14 dBu,  
20 Hz–20 kHz.) Channel  
input to any output, below  
.0025% typical.  
Attenuation (1 kHz @  
0 dBu. 20 Hz–20 kHz  
bandwidth, Channel in, to  
Main Left outputs.) Chan-  
nel gain down, –73 dBu.  
Channel muted, –81 dBu.  
Frequency Response.  
(Any input to Main out-  
put.) 20 Hz to 60 kHz,  
+0 dB/ 1 dB. 10 Hz to  
100 kHz, +0 dB/ 3 dB.  
Maximum Levels. Mic  
preamp input, +14 dBu. All  
other inputs, +22 dBu. All  
outputs, +22 dBu.  
CONFIGURATION. The  
expander unit shall not be  
designed to operate alone,  
but in conjunction with a  
Mackie Designs LM-3204  
Line Mixer. The expander  
shall have a rack-mount-  
able frame which accom-  
modates 16 stereo input  
channels. Each input  
channel shall be capable of  
accepting either stereo or  
monaural signals, and shall  
be fitted with stereo level,  
equalization, balance, solo,  
muting and auxiliary send  
controls, level-indicating  
(–20) LEDs and overload  
(O/ L) LEDs. Input channels  
1 through 4 shall each be  
fitted with left and right  
insert jacks.  
23. INPUT CHANNEL  
EQUALIZATION. Each  
expander input channel shall  
be equipped with a stereo  
equalization function. The  
equalizer shall have three  
sections: a low-frequency  
shelving equalizer with the  
knee set at 80Hz and a range  
of ±15dB; a mid-frequency  
peaking equalizer centered  
at 2.5kHz featuring a band-  
width of 2 octaves and a  
range of ±12dB; and a high-  
frequency shelving equalizer  
with the knee set at 12kHz  
and a range of ±15dB.  
Additionally, the expander  
shall include 4 stereo  
effects return inputs.  
20. POWER SUPPLY. All  
necessary operating voltages  
for the expander shall be  
provided by an internal  
shielded power supply.  
24. INPUT CHANNEL  
AUXILIARY SENDS. Each  
expander input channel  
shall have one stereo  
3
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4
auxiliary send control and  
one monaural auxiliary  
send control. The auxiliary  
send controls shall be  
switchable between 2 sets  
of auxiliary send buses,  
which shall be a 20 pin  
IDC-type connector and  
shall be designed to mate  
with the connectors on the  
expander ribbon cable pro-  
vided with the each Ex-  
accommodating a total of 2 pander unit. The expander  
stereo auxiliary send buses  
and 2 monaural auxiliary  
send buses.  
output connector shall carry  
all audio and control sig-  
nals between the expander  
and the mixer (or next  
downstream expander).  
The expander input connec-  
tor shall carry all audio and  
control signals between the  
expander and the next up-  
stream expander, if used.  
25. AUXILIARY RETURN  
CONNECTIONS. The ex-  
pander shall include 4 ste-  
reo auxiliary return inputs.  
Each auxiliary return shall  
have a left and a right un-  
balanced line-level input,  
accommodating a nominal  
line level of between  
28. PHYSICAL CONFIGU-  
RATION. The expander shall  
have a steel chassis frame  
painted grey-black and  
designed to mount in a  
standard 19" relay rack. The  
–10dBV and +4dBu, and  
shall appear on the rear  
1
panel as 4" phone TRS  
phone jacks. The jacks  
shall be fitted with internal expanders dimensions  
switches to accommodate shall be 8.73" high (5 rack  
monaural configuration, by units) by 19.00" wide (rack  
using only the left jack(s).  
ears are built-in) by 9.66"  
deep.  
26. AUXILIARY RETURN  
CONTROLS AND  
SWITCHES. The expander  
29. OVERALL MINIMUM  
SPECIFICATIONS. When  
properly interfaced and  
used with the LM-3204  
Stereo Line Mixer, the total  
system (mixer plus expander)  
specifications remain the  
same as the mixer specifica-  
tions cited in paragraph 17.  
shall include 4 dual-  
channel auxiliary return  
gain controls, each feeding  
the main stereo buses.  
27. EXPANDER FUNCTION.  
The expander shall be fitted  
with an “expander output”  
connector and an ex-  
pander input” connector  
mounted on the rear of the  
expander frame, each of  
30. The mixer expander  
shall be a Mackie Designs  
LM-3204E.  
Because Mackie Designs constantly endeavors  
to improve its products with new components  
and manufacturing methods, all specifications  
are subject to change without notice. Rev 1.2  
©1995-1998 Mackie Designs.  
“Mackie.is a registered trademark of Mackie  
Designs Inc.  
®
MACKIE DESIGNS INC. • 16220 WOOD-RED RD. N.E.  
WOODINVILLE • WA • USA • PHONE TOLLFREE 800/ 258-6883  
FAX 425/487-4337 • OUTSIDE THE U.S., PHONE 425/487-4333  
4
1006 9/ 95  
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