owner’s manual
monoblock subwoofer amplifier
Thank you for purchasing a JL Audio amplifier for
your automotive sound system.
Your amplifier has been designed and manufactured to exacting
standards in order to ensure years of musical enjoyment in your vehicle.
For maximum performance and extended warranty
coverage, we highly recommend that you have your new amplifier
installed by an authorized JL Audio dealer. Your authorized
dealer has the training, expertise and installation equipment to ensure
optimum performance from this product. Should you
decide to install the amplifier yourself, please take the time
to read this manual thoroughly so as to familiarize yourself
with its installation requirements and setup procedures.
If you have any questions regarding the instructions in this
manual or any aspect of your amplifier’s operation, please contact your
authorized JL Audio dealer for assistance. If you need further assistance,
please call the JL Audio Technical Support Department
at (954) 443-1100 during business hours.
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ProteCt Your Hearing!
installation aPPliCations
We value you as a long-term customer. For
that reason, we urge you to practice restraint in
the operation of this product so as not to damage
your hearing and that of others in your vehicle.
Studies have shown that continuous exposure to
high sound pressure levels can lead to permanent
(irreparable) hearing loss. This and all other
high-power amplifiers are capable of producing
such high sound pressure levels when connected
to a speaker system. Please limit your continuous
exposure to high volume levels.
This amplifier is designed for operation in
vehicles with 12V, negative-ground electrical
systems. Use of this product in vehicles with
positive ground and/or voltages other than 12V
may result in damage to the product and will void
the warranty.
This product is not certified or approved for
use in aircraft.
Do not attempt to “bridge” the outputs of this
amplifier with the outputs of a second amplifier,
including an identical one.
Cooling efficiency Considerations:
Your JL Audio amplifier employs an
If mounting the amplifier under a seat,
make sure there is at least 1 inch (2.5 cm) of
space above the amplifier’s outer shell to permit
proper cooling.
advanced type of heat management, called
RealSink™. This feature takes advantage of
convection and radiation effects to remove
heat from the amplifier circuitry. For optimum
cooling performance, the vertical heat sinks
located at the back of the amplifier should be
exposed to as large a volume of air as possible.
Enclosing the amplifier in a small, poorly
ventilated chamber can lead to excessive heat
build-up and degraded performance. If an
installation calls for an enclosure around the
amplifier, we recommend that this enclosure
be ventilated with the aid of a fan. In normal
applications, fan-cooling is not necessary, but
you still need to follow some basic guidelines:
• Amplifier mounted vertically with heat sink fins
pointing up: Optimum
safety Considerations:
Your amplifier needs to be installed in a dry,
well-ventilated environment and in a manner
which does not interfere with your vehicle’s safety
equipment (air bags, seat belt systems, ABS brake
systems, etc.). You should also take the time to
securely mount the amplifier using appropriate
hardware so that it does not come loose in the
event of a collision or a sudden jolt to the vehicle.
While driving, operate your audio system in
a manner that still allows you to hear necessary
noises to operate your vehicle safely (horns,
sirens, etc.).
Planning Your installation
It is important that you take the time to read
this manual and that you plan out your
installation carefully. The following are some
considerations that you must take into account
when planning your installation.
stupid mistakes to avoid:
serial number
• Check before drilling any holes in your vehicle
to make sure that you will not be drilling
through a gas tank, brake line, wiring harness or
other vital vehicle system.
In the event that your amplifier requires
service or is ever stolen, you will need to
have a record of the product’s serial number.
Please take the time to enter that number in
the space provided below. The serial number
can be found on the bottom panel of the
amplifier and on the amplifier packaging.
• Amplifier mounted horizontally,
right side up: Good
• Amplifier mounted horizontally, but upside
down: Fair (not recommended if there is
less than 1 inch (2.5 cm) clearance above the
amplifier heat sinks)
• Do not run system wiring outside or underneath
the vehicle. This is an extremely dangerous
practice which can result in severe damage to
your vehicle and person.
Serial Number:
• Amplifier mounted vertically with heat sink fins
pointing laterally: Fair
• Amplifier mounted vertically with heat sink fins
pointing down: Poor (not recommended)
• Protect all system wires from sharp metal
edges and wear by carefully routing them,
tying them down and using grommets and
loom where appropriate.
• Do not mount the amplifier in the engine
compartment, under the vehicle, on the roof
or in any other area that will expose the
amplifier circuitry to the elements.
2 | JL Audio - 500/1v2 Owner’s Manual
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ProduCt desCriPtion
Power ConneCtions
The JL Audio 500/1v2 is a monoblock
subwoofer amplifier utilizing proprietary and
patented Class D technology. Its frequency
response is limited to the range below 250 Hz. It
is not designed for driving midrange speakers or
tweeters. Every aspect of its operation has been
optimized for low-frequency amplification.
For detailed specifications, please refer to
Appendix B (page 15).
6) Find a good, solid metal grounding point
close to the amplifier and connect the
negative power wire to it using appropriate
hardware. Use minimum 4 AWG power wire,
no longer than 36 inches (90 cm) from the
amplifier to the ground connection point. In
some vehicles, it may be necessary to upgrade
the battery ground wire. (See page 5 for
important notice).
Before installing the amplifier,
The ground connection should be made
using 4 AWG wire and should be kept as short
as possible, while accessing a solid piece of sheet
metal in the vehicle. The surface of the sheet
metal should be sanded at the contact point
to create a clean, metal-to-metal connection
between the chassis and the termination of
the ground wire. The use of a star washer to
lock down the connection is advisable.
disconnect the negative (ground) wire
from the vehicle’s battery. This will prevent
accidental damage to the system, the vehicle
and your person during installation.
+12VDC Ground Remote
7) Securely mount the amplifier using
appropriate hardware.
8) Connect the positive and negative power
wires to the amplifier. A fuse near the
amplifier is not necessary.
9) Connect the remote turn-on wire
to the amplifier.
10) Connect the RCA input cables
to the amplifier.
11) Connect the speaker wires to the amplifier.
12) Carefully review the amplifier’s control
settings to make sure that they are set
according to the needs of the system.
13) Install power wire fuse (50A for a
single 500/1v2) and reconnect the negative
battery post terminal.
14) Turn on the source unit at a low level
to double-check that the amplifier is
configured correctly. Resist the temptation
to crank it up until you have verified the
control settings.
15) Make necessary adjustments to the input
sensitivity controls to obtain the right
overall output and the desired balance
in the system. See Appendix A (page 14)
for the recommended input sensitivity
setting method.
Any wires run through metal barriers (such as
firewalls), must be protected with a high quality
insulating grommet to prevent damage to the
insulation of the wire. Failure to do so may result
in a dangerous short circuit.
tYPiCal installation sequenCe
The following represents the sequence
for a typical amplifier installation, using an
aftermarket source unit or OEM Interface
processor (like the CleanSweep® CL441dsp).
Additional steps and different procedures may
be required in some applications. If you have
any questions, please contact your authorized
JL Audio dealer for assistance.
500/1v2
Monoblock Subwoofer Amplifier
The 500/1v2’s “+12 VDC” and “Ground”
connections are designed to accept 8 AWG -
4 AWG power wire. 4 AWG is a minimum power
wire size for this amplifier.
If you are installing the 500/1v2 with other
amplifiers and wish to use a single main power
wire, use 2 AWG or 1/0 AWG main power wire
(depending on the overall current demands of
all the amplifiers in the system). This 2 AWG
or 1/0 AWG power wire should terminate into
a distribution block mounted as close to the
amplifiers as possible and should connect to the
500/1v2 with 4 AWG power wire.
IMPORTANT
!
Many vehicles employ small (10 AWG -
6 AWG) wire to ground the battery to the
vehicle chassis and to connect the alternator’s
positive connection to the battery. To prevent
voltage drops, these wires should be upgraded
to 4 AWG (or larger) when installing amplifier
systems with total fuse ratings exceeding 60A.
1) Disconnect the negative battery post
connection and secure the disconnected cable
to prevent accidental re-connection during
installation. This step is not optional!
2) Run power wire (minimum 4 AWG)
from the battery location to the amplifier
mounting location, taking care to
route it in such a way that it will not be
damaged and will not interfere with
vehicle operation. Use 2 AWG or 1/0
Fuse requirements
It is absolutely vital that the main power
lead to the amplifier(s) in the system be fused
within 18 inches (45 cm) of the positive battery
post connection. The fuse value at each power
wire should be high enough for all of the
equipment being run from that power wire.
If only the 500/1v2 is being run from that power
wire, we recommend a 50A fuse be used. AGU
(big glass fuse) or MaxiFuse™ (big plastic-body
fuse) types are recommended.
Note: that smaller AWG numbers mean bigger
wire and vice-versa (1/0 AWG is the largest,
2 AWG is smaller, then 4 AWG, then
8 AWG, etc.).
AWG power wire if additional amplifiers
are being installed with the 500/1v2.
3) Connect power wire to the positive battery
post. Fuse the wire with an appropriate fuse
block (and connectors) within 18 inches (45
cm) wire length of the positive battery post.
This fuse is essential to protect the vehicle. Do
not install the fuse until the power wire has
been connected to the amplifier.
4) Run signal cables (RCA cables) and remote
turn-on wire from the source unit to the
amplifier mounting location.
To connect the power wires to the amplifier,
first back out the set screw on the top of the
amplifier, using the supplied 2.5 mm hex wrench.
Strip 1/2 inch (12 mm) of insulation from the
end of each wire and insert the bare wire into the
receptacle on the front panel of the amplifier,
seating it firmly so that no bare wire is exposed.
While holding the wire in place, tighten the set
screw firmly, taking care not to strip the head
of the screw.
16) Enjoy the fruits of your labor with your
favorite music.
No fuse is required directly before the
amplifier power connection. If one is desired,
we recommend the use of a 50A AGU fuse or
MaxiFuse™ type.
5) Run speaker wire from the speaker systems to
the amplifier mounting location.
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IMPORTANT
!
turn-on oPtions
The 500/1v2 can be turned on and off using
two different methods:
2) Signal Sensing Turn-On Method: A valuable
feature of the 500/1v2 is its ability to be turned
on and off by the presence or lack of signal at
its audio inputs. This allows you to operate the
amplifier without having to locate a remote
turn-on lead at the source unit. This can be
very useful if interfacing the amplifier with
some OEM source units that do not have
conventional turn-on leads.
You cannot use the turn-on output to turn on
processors that are in the signal path before the
500/1v2. (Signal will not pass through most
processors when they are not powered up,
meaning that the amplifier will not turn on
until that processor is active).
The amplifier will operate with only one input
connection (left or right), but will require an
increase in input sensitivity to overcome the loss
of signal. If a mono input signal is to be run, we
recommend that you use a “Y-adaptor” like the
JL Audio ECS model XB-CLRAICY-1F2M to split
the mono signal into both inputs of the amplifier.
1) A conventional +12V remote turn-on lead.
2) A signal sensing turn-on circuit.
+12VDC Ground Remote
amPliFier inPut seCtion
The 500/1v2 employs a differential-balanced
input topology that provides the user with a high
degree of input flexibility while retaining superior
noise rejection. This type of circuit also allows
the 500/1v2 to accept high-voltage inputs from
factory source unit outputs without excessive
distortion or noise problems.
2) Input Voltage Range: A wide range of
signal input voltages can be accommodated
by the 500/1v2’s input section (200mV – 8V).
This wide range is split up into two sub-
ranges, accessible via switches located in the
“Amplifier Input Section” of the amplifier.
The “Low” position on the “Input Voltage”
switch selects an input sensitivity range
between 200mV and 2V. This means that
the “Input Sens.” rotary control will operate
within that voltage window. If you are using
an aftermarket source unit, with conventional
preamp-level outputs, this is most likely the
position that you will use. The “High” position
on the “Input Voltage” switch selects an input
sensitivity range between 800mV and 8V. This
is useful for certain high-output preamp level
signals as well as speaker-level output from
source units and small amplifiers. To use
speaker-level sources, splice the speaker output
wires of the source unit or small amplifier
onto a pair of RCA cables or plugs or use the
JL Audio ECS Speaker Wire to RCA adaptor
(XB-CLRAIC2-SW).
500/1v2
IMPORTANT
!
Monoblock Subwoofer Amplifier
The sensitivity of the signal sensing turn-on
circuit has been designed for high-level
(speaker level) signals, not for low-level
(preamp level) signals. Using this feature with
low-level (preamp level) signals is not
recommended. We do not recommend this
method of turning the amplifier on and off as a
default. Whenever possible, use the
conventional remote turn-on lead method. The
signal sensing circuit is designed to detect
midrange frequency signal presence. If the
signal feeding the amplifier is not full-range
(for example, if there is an active low-pass
crossover in line before the amplifier), this
circuit will not operate properly.
To select between the two modes there is a
switch, marked “Signal Sensing”, located in the
“Amplifier Input Section” of the front panel.
P Filter
Amplifier Input Section
S
Slope
Input Voltage Input Sens. Signal Sensing
|
|
|
1) Conventional Remote Turn-On Method:
uses a conventional +12V remote turn-on
lead, typically controlled by the source unit’s
remote turn-on output. The amplifier will
turn on when +12V is present at its “Remote”
input and turn off when +12V is switched
off. If a source unit does not have a dedicated
remote turn-on output, the amplifier’s turn-
on lead can be connected to +12V via a switch
that derives power from an ignition-switched
circuit. To use this method, select “Off” on
the “Signal Sensing” switch in the “Amplifier
Input Section”. The 500/1v2’s “Remote”
turn-on connector is designed to accept 12
AWG – 8 AWG wire. 12 AWG is more than
adequate for this purpose. To connect the
remote turn-on wire to the amplifier, first back
out the set screw on the top of the amplifier,
using the supplied hex wrench. Strip 1/2
inch (12mm) of wire and insert the bare wire
into the receptacle on the front panel of the
amplifier, seating it firmly so that no bare wire
is exposed. Smaller wire than 12 AWG can be
used, but it may be necessary to strip 1 inch
of insulation from the wire and fold the bare
wire in half prior to insertion. While holding
the wire in the terminal, tighten the set screw
firmly, taking care not to strip the head of the
screw and making sure that the wire is firmly
gripped by the set screw.
B
24dB
Low High
Off On
5
80
100
200
MO
eq. (Hz)
Left Ch.
Right Ch.
1) Input Connections: A standard left/right pair
of RCA type jacks is used for input on
the 500/1v2. You may run a stereo or a mono
signal into the inputs of the amplifier. The
amplifier’s input section automatically sums
stereo signals to mono for the internal
To activate the signal sensing turn-on feature,
place the “Signal Sensing” switch in the “On”
position. This should only be done if there is
no conventional turn-on lead connected to the
amplifier’s “Remote” connector. When in the
“On” position, the signal sensing circuit will
monitor the audio input signal and turn the
amplifier on when signal is present. After about
25 seconds of no signal, the amplifier will shut off.
Turning on other amplifiers in signal sensing
mode: When the signal sensing circuit is turned
on, the “Remote” Connector on the amplifier
may be used as a remote turn-on source for other
amplifiers in the system. +12V will be present
at the connector when the amplifier turns on in
signal sensing mode and will not be present when
the amplifier turns off.
amplifier section and for the “LP” “Filter
Mode” of the “Preamp Output” section.
IMPORTANT
!
The output of the amplifier will decrease
for a given input voltage when the “Input
Range” switch is placed in the “High” position.
Conversely, the output will be higher with
the switch in the “Low” position. While this
may sound counter-intuitive, it is correct
as described.
IMPORTANT
!
If you plan to use the “Preamp Output” in
“Full-Range” or “HP” mode to feed a stereo
amplifier, you must connect a stereo signal to
the input of the amplifier. A mono signal into
the amplifier will result in a mono signal out of
the preamp output. (It’s a great amplifier, but it
doesn’t do magic).
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amPliFier low-Pass Filter
PreamP outPut seCtion
3) Input Sensitivity Adjustment: Located
next to the “Input Voltage” switch, in the
“Amplifier Input Section”, is a rotary control
labeled “Input Sens.”. Once the appropriate
“Input Voltage” range has been selected, this
rotary control can be used to match the source
unit’s output voltage to the input stage of the
amplifier for maximum clean output. Rotating
the control clockwise will result in higher
sensitivity (louder for a given input voltage).
Rotating the control counter-clockwise will
result in lower sensitivity (quieter for a given
input voltage). To properly set the amplifier
for maximum clean output, please refer to
Appendix A (page 14) in this manual. After
using this procedure, you can then adjust
the level of the amplifier by adjusting the
input sensitivity downward, if the amplifier
requires attenuation to achieve the desired
system balance. Do not increase the “Input
Sens.” setting for any amplifier in the system
beyond the maximum level established during
the procedure outlined in Appendix A (page
14). Doing so will result in audible distortion
and possible speaker damage.
The 500/1v2 employs a sophisticated, state-
variable, low-pass active filter for its internal
channel. This feature is designed to attenuate
frequencies above its filter frequency, so that the
system’s subwoofers do not reproduce any audible
midrange content.
2) Precise Frequency Selection: The filter
frequency markings on the front panel of
the amplifier are for reference purposes and
are generally accurate to within 1/3 octave
or better. If you would like to select the filter
frequency with a higher level of precision,
consult Appendix C: Chart A-1 (page 16)
of this manual. This chart gives you a more
accurate frequency for each of the forty
detented positions of the frequency selection
control. This method can be very useful if the
amplifier is mounted in a location where you
can’t see the front panel markings easily.
The 500/1v2 incorporates a flexible preamp
output section, designed to make multiple
amplifier systems easy to set up.
The Preamp output can be configured in three
different “Output Modes”:
Preamp Output Section
(dB)
Amp LP Filter
A
0
Output Mode
Filter Slope
|
Mode Slope
Input Vo
+13
|
|
|
Full Range Amp Filter Out Filter
12dB 24dB
|
|
|
Off 12dB 24dB
Low
H
+15
65
65
Filter Mode
55
45
40
Filter Freq. (Hz)
80
100
200
55
45
40
Filter Freq. (Hz)
80
100
200
nced
rol
|
LP HP
Left Output Right Output
Left C
3) Defeating the Amplifier Filter: The Low-
Pass filter can also be defeated completely,
by switching the “Mode/Slope” switch to the
“Off” position. This is useful if you are using
an external active crossover in the system.
Keep in mind that turning the internal
crossover off also defeats the “Advanced Bass
Control” section processing (see page 9 for
details). With the internal crossover turned off,
the 500/1v2’s upper frequency response limit is
250 Hz, due to its bass-specific Class D design.
1) Filter Operation: The low-pass filter in the
500/1v2 is fully variable between 40 Hz and
200 Hz via the “Filter Freq.” control knob
and features the ability to select between a
moderate “12dB” per octave or a steep “24dB”
per octave slope via the “Mode/Slope” switch.
Depending on the subwoofer system and the
vehicle, different slopes may be required to
produce a smooth transition to the mid-bass
speakers in the system. Experiment to find
the slope which best matches the acoustic
requirements of your system.
1 ) “ F u l l - R a n g e ” : This is a pass-through mode
for the preamp output, delivering the same
signal that is being fed to the “Amplifier Input
Section” (If the input signal is full-range,
the preamp output will be full-range). This
signal is not affected by the “Advanced Bass
Control” processing selected for the amplifier.
2) “Amp Filter”: The preamp output delivers
the same signal that is feeding the 500/1v2’s
amplifier section, including all the processing
induced by the “Amp LP Filter” and
“Advanced Bass Control” sections. This is
primarily used for running additional 500/1v2’s
in a “Slave” configuration from the “Master”
amplifier. For detailed information on
“Master/Slave” configurations, see Appendix
D (page 18). If the “Output Mode” switch is
in the “Amp Filter” position and the “Amp
LP Filter” switch is in the “Off” position, there
will be no output from the preamp output
jacks. The independent output filter controls
(“Filter Slope”, “Filter Freq” and “Filter
Mode”) are inactive in “Amp Filter” mode.
CrossoVer Controls
Crossovers are groups of individual electronic
filters which allow only certain frequency
ranges to pass through them by attenuating
frequencies outside the selected range. These
filters allow the user to specify what frequency
range will be sent out of each channel section
of the amplifier. This, in turn, allows each
speaker system to only reproduce a range of
frequencies it is well-suited for, resulting in
reduced distortion and improved fidelity.
Tuning Hint: A trunk mounted sub whose
output has to "fight" through a rear deck or a
back seat often benefits from the 12 dB/octave
slope which lets more upper bass content
pass through. A sub that fires directly into
the listening environment is more likely
to benefit from a 24 dB/octave slope.
The above hint is not “set-in-stone”…
You should always listen to the system carefully
to determine the best choice as vehicle acoustics
and other factors play a big role in choosing the
most appropriate filter slope.
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3) “Out Filter”: The preamp output is
filtered by a fully variable, active filter
incorporated into the output section
and is not affected by the bass control
processing selected for the amplifier. In
“Out Filter” mode, the user can select:
adVanCed bass Control seCtion
The 500/1v2 includes a versatile bass
processing section consisting of two
primary components: a fully variable,
24 dB per octave infrasonic filter and a
parametric, single-band equalizer.
Subwoofer Output
ensing
On
2) Parametric Bass Equalizer: The parametric
equalizer allows the user to select the center
frequency of the boost band as well as the
bandwidth (“Q”) of the boost band. The “Q"
control selects the bandwidth of the boost
around the center frequency. Lower numbers
pertain to wider bandwidths while higher
number pertain to narrower bandwidths.
The “Center Freq.” control selects the center
frequency of the boost bandwidth within
a range of 20 - 80 Hz. If you would like to
select the filter frequency with a higher level
of precision, consult Appendix C: Chart A-4
(page 17) of this manual. The “Boost” control
determines how much boost (in dB) you are
adding to the bass signal. A range of 0 - 15dB
of boost is available. The “Remote Bass Port”
allows the connection of an optional remote
boost knob (the RBC-1) that can be mounted
in the front of the vehicle. This optional
control takes the place of the “Boost” knob on
the amplifier when connected and bypasses the
“Boost” control on the amplifier.
MONO OUTPUT ONLY
a) High-pass (“HP”) or low-pass (“LP”)
filtering by way of the “Filter Mode” switch.
b) 12 dB/octave or 24 dB/ octave filter slope by
way of the “Filter Slope” switch.
c) A filter cutoff frequency between 40 - 200
Hz for the preamp output signal by way of
the “Filter Control” switch.
Infrasonic Filter
Mode
“Q”
1.6
Center Freq.
40
Boost (dB)
+10
1.1
0.7
0.5
2.7 30
60 +4
75
80
+13
25
subwooFer outPut
|
Off On
4.3 20
0
+15
The 500/1v2 employs JL Audio’s exclusive
Regulated, Intelligent Power Supply (R.I.P.S.)
design. This sophisticated power supply
allows the amplifier to produce its optimum
power (500 watts x 1) over a wide range of
speaker impedances.
Unlike conventional amplifiers that require
a specific impedance to produce optimum
power, the R.I.P.S.-equipped 500/1v2 gives
you the freedom to use a variety of subwoofer
configurations that achieve final nominal
impedances between
30
Bass EQ
22
18
15
Infrasonic Freq. (Hz)
45
55
60
Advanced
Bass
Control
|
Off On
Remote Bass Port
This is completely independent of the
amplifier’s internal filter and allows the user to
match, stagger or overlap the subwoofer low-pass
filter frequency of the amplifier crossover with
the output filter’s frequency for precise control
and optimized midbass performance.
If you would like to select the filter frequency
with a higher level of precision, consult
Appendix C: Chart A-2 (page 16) of this manual.
1) “Infrasonic Filter”: The infrasonic filter is a
24 dB/octave high-pass filter, with a fully
variable cutoff frequency between 15 - 60 Hz.
When set at frequencies lower than 30 Hz, it
conserves amplifier power without audibly
affecting the quality of the sub-bass output. If
set at frequencies higher that 30 Hz, there will
be an audible effect, but one which may be
desirable for SPL competition purposes or curve
shaping of a bottom-heavy system. With ported
enclosures, the use of the infrasonic filter is
highly recommended to protect the speaker(s)
from excessive excursion below box tuning.
With sealed enclosures, the use of the filter is
less necessary, but can still help protect the
speaker system. If you would like to select the
infrasonic filter frequency with a higher level of
precision, consult Appendix C: Chart A-3 (page
17) of this manual. The infrasonic filter can be
completely defeated by selecting the “Off”
position on the “Mode” switch. This bypasses
all signal from flowing through the circuit.
1.5 – 4Ω (without sacrificing power output or
sound quality).
The operation of the R.I.P.S. circuitry is
entirely automatic and adjusts itself every time
the amplifier is turned on according to the lowest
impedance present at the speaker load. There are
no user controls to configure. The system
operates through multiple stages of impedance
optimization, choosing the stage most appropriate
to the actual impedance of the speaker(s) you
connect to it.
IMPORTANT
CAUTION
!
!!
The signal level of the “Preamp Output” is
always low level regardless of the voltage
applied to this amplifier’s inputs and the
setting chosen on this amplifier’s “Input
Range” switch. All “Slave” amplifiers should
have their switches set to “Low”. See Appendix
D (page 18) for details.
The “Advanced Bass Control” section will only
operate when the amplifier’s filter is activated
with the “Amp LP Filter” switch in the “12dB”
or “24dB” position. It will not work with this
switch in the “Off” position. This is to prevent
cascading the processing of multiple amplifiers
when configured in a master/Slave
arrangement as shown in Appendix D (page
18). If you are using an external active
IMPORTANT
!
crossover and would like to use the “Advanced
Bass Control” features, set the “Amp LP Filter”
switch on “12dB” and rotate the frequency
selection knob fully clockwise to the “200 Hz”
position. This will activate the “LF Boost” and
“Infrasonic Filter” controls without
If you connect a load higher than 4Ω nominal
to the 500/1v2, power will drop by half with
every doubling of impedance above 4Ω. If you
connect a load lower than 1.5Ω nominal to the
500/1v2, the amplifier protection circuitry
activates a “safe” mode which reduces amplifier
power to protect the circuitry from failure (the
yellow LED on the top of the amplifier will
light to indicate that this has happened). See
page 12 for details.
significantly affecting the crossover point
selected by the external active crossover.
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status indiCator ligHts /
ProteCtion CirCuitrY
IMPORTANT
!
Speaker loads below 1.5Ω nominal are not
recommended and may cause the amplifier
output to distort excessively.
There are three status indicator lights on the
top of the amplifier. These are as follows:
1) “ Power” (Green): lights to indicate that the
Speaker connections to the 500/1v2 are
straightforward and take place at the far right of
the front panel. You will notice that there are two
“+” positive connections and two “–” negative
connections. This is to facilitate multiple speaker
wiring. The two positive and two negative
connections are connected in parallel inside
the amplifier. Connecting two speakers, each to
one set of positive and negative terminals, will
result in a parallel speaker connection. If only
connecting one pair of speaker wires, it is not
necessary to use both sets of connections.
Do not chassis ground any speakers connected
to this or any other JL Audio amplifier. Doing so
will cause the amplifier to go into protection and
mute the output.
amplifier is turned on and operating normally.
2) “ Thermal” (Red): lights to indicate that
the amplifier has exceeded its safe operating
temperature, putting the amplifier into a self-
protection mode, which reduces the power
output of the amplifier. The red light will shut
off and the amplifier will return to normal,
full-power operating mode if the heat sink
temperature drops back to a safe level.
3) “Low Ω” (Amber): lights to indicate that the
impedance of the speaker load connected
to the amplifier is lower than the optimum
impedance load range for the amplifier. When
this light is on, a protection circuit engages
and reduces the power output of the amplifier.
The amber indicator will also light when a
short-circuit is detected in the speaker wiring
(this can be a short between the positive and
negative speaker wires or between either
speaker wire and the vehicle chassis).
The 500/1v2’s speaker connectors are designed
to accept 12 AWG – 8 AWG wire.
To connect the speaker wires to the amplifier,
first back out the set screws on the top of the
amplifier, using the supplied 2.5 mm hex
wrench. Strip 1/2 inch (12 mm) of insulation
from each wire and insert the bare wire end
into the receptacles on the front panel of the
amplifier, seating them firmly so that no bare
wire is exposed. While holding each wire in place,
tighten each set screw firmly, taking care not to
strip the head of the screw and making sure that
the wire is firmly gripped by the set screw.
There is only one condition that will shut
down an undamaged 500/1v2 completely… If
battery voltage drops below 10 volts, the entire
amplifier will shut itself off. The green “Power”
indicator on the top of the amplifier will turn
off when this occurs. The amplifier will turn
back on when voltage climbs back above 10 volts.
This may happen in a rapid cycle when bass-
heavy program material causes a weak charging
system to dip below 10 volts momentarily. If this
is happening in your system, have your charging
system inspected to make sure it is working
properly.
IMPORTANT
!
Do NOT attempt to “bridge” two 500/1v2’s or
combine their output to a single load in any
manner. Doing so will damage the amplifier(s).
For information on troubleshooting this
amplifier, refer to Appendix E (page 21).
IMPORTANT
!
Before reconnecting the battery ground and
turning the system on, verify that all control
settings on the amplifier are set according to
the needs of the system.
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aPPendix a:
input sensitivity level setting
aPPendix b:
500/1v2 specifications
5) Using the chart on this page, determine the target
voltage for input sensitivity adjustment according
to the nominal impedance of the speaker system
connected to the amplifier outputs.
6) Verify that you have disconnected the speakers
before proceeding. Play a track with an
appropriate sine wave (within the frequency
range to be amplified by the 500/1v2) at 3/4
source unit volume.
7) Connect the AC voltmeter to the speaker output
connectors of the amplifier. If the channel
pair is operating in stereo, it is only necessary
to measure one channel. If bridged, make sure
you test the voltage at the correct connectors
(L+ and R–).
8) Increase the “Input Sens.” control until the
target voltage is observed with the voltmeter.
9) Once you have adjusted the 500/1v2 to
its maximum low-distortion output level,
reconnect the speaker(s). The “Input Sens.”
control can now be adjusted downward if the
amplifier requires attenuation to achieve the
desired system balance.
JL Audio amplifiers utilizing the Regulated
Intelligent Power Supply (R.I.P.S.) allow
delivery of their rated power when connected
to any load impedance from 1.5 - 4Ω per
channel and when connected to a charging
system with any voltage from 11 - 14.5V. This
design is beneficial for many reasons. One of
these reasons is ease of setup. Because each
JL Audio amplifier will always deliver the
same amount of power within its operational
range of impedances and supply voltages, the
maximum, unclipped output is very predictable.
This makes setting the gain structure via the
input sensitivity controls very simple. Following
the directions below will allow the user to adjust
the input sensitivity of the amplifier(s) simply
and easily in just a few minutes using equipment
which is commonly available in installation bays.
general specifications:
Recommended Fuse Value: 50A
Recommended Fuse Type: AFS, AGU or MaxiFuse™
input section:
Input Type: Differential-balanced with RCA jack inputs
Input Range: Switchable from 200mV - 2V RMS to
800mV - 8V RMS
amplifier section:
Amplifier Topology: H-Bridge, Class D Mono
with impedance optimization and patented
discrete drive circuitry
Power Supply: Pulse width modulation-regulated
switching power supply
Rated Power: 500W RMS x 1 @ 1.5 - 4Ω (11 - 14.5V)
THD at Rated Power: <0.05% @ 4Ω, 50 Hz
Signal to Noise Ratio: >95 dB referred to rated power
(A-weighted, 20 Hz - 20 kHz noise bandwidth)
Frequency Response: 5 - 250 Hz (+0, -3 dB)
Damping Factor: >500 @ 4Ω/50 Hz, >250 @ 2Ω/50 Hz
necessary equipment
• Digital AC Voltmeter
• CD with a sine-wave test tone recorded at
0 dB reference level in the frequency range
to be amplified for that set of channels
(50 Hz for subwoofer channels, 1 kHz for
a midrange application). The CleanSweep®
Calibration Disc contains the appropriate
test tones and is available for sale at
http://store.jlaudio.com Do not use attenuated
test tones (-10 dB, -20 dB, etc.).
Crossover section:
IMPORTANT
!
Amplifier Low-Pass Filter: State-variable, 12 dB/octave
Butterworth or 24 dB/octave Linkwitz-Riley with
continuously variable cutoff frequency selection
from 40 - 200 Hz, defeatable
Do not increase any “Input Sens.” setting
for any amplifier channel or channel
pair in the system beyond the maximum
level established during this procedure.
Doing so will result in audible distortion
and possible speaker damage.
Preamp output:
2-Channel, with fully independent, state-variable,
12 dB/octave Butterworth or 24 dB/octave Linkwitz-Riley
filter with continuously variable cutoff frequency selection
from 40 - 200 Hz, defeatable
the nine-step Procedure
1) Disconnect the speaker(s) from the
amplifier’s speaker output connectors.
2) Turn off all processing (bass/treble, loudness,
EQ, etc.) on the source unit, processors (if
used) and amplifier. Set fader control to center
position and subwoofer level control to 3/4 of
maximum (if used to feed the 500/1v2).
3) Switch the “Input Voltage” switch to “Low”
and turn the “Input Sens.” control all the
way down.
It will be necessary to re-adjust the
“Input Sens.” for the affected channels if any
equalizer boost is activated after setting the
“Input Sens.” with this procedure. This applies
to any EQ boost circuit, including source unit
tone controls or EQ circuits. EQ cuts will not
require re-adjustment.
advanced bass Control section:
Parametric EQ: Single-band, fully parametric equalizer
with “Q” adjustment from 0.5 - 4.0, center frequency
adjustment from 20 - 80 Hz, boost adjustment from
0 to +15dB and port for optional remote bass
boost control (RBC-1), defeatable
nom. impedance
target aC Voltage
Infrasonic Filter: Fully variable, 24 dB/octave Butterworth
high-pass filter, cutoff frequency adjustable from 15 - 60
Hz, defeatable
44.7V
38.7V
31.6V
27.4V
4Ω (or higher)
4) Set the source unit volume to 3/4 of full
volume. This will allow for reasonable gain
overlap with moderate clipping at full volume.
3Ω
2Ω
dimensions (lxwxH):
13.4" x 9.25" x 2.27" (340mm x 235mm x 58mm)
1.5Ω
Due to ongoing product development, all specifications are subject to
change without notice.
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aPPendix C:
Precise Frequency selection Chart
CHart a-2
CHart a-3
CHart a-4
CHart a-1
PreamP outPut seCtion
inFrasoniC Filter
Panel
eq Center FrequenCY
amPliFier low-Pass Filter
detent
number
Panel
marking
actual
Freq.
detent
number
actual
Freq.
detent
number
Panel
marking
actual
Freq.
detent
Panel
marking
actual
Freq.
marking
number
Full counter-clockwise: 41
01 . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
02 . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
03 . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
04 . . . . . . . . . . . “40” . . . . . . . . . . . .42
05 . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
06 . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
07 . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
08 . . . . . . . . . . . “45” . . . . . . . . . . . .45
09 . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
10 . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
11 . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
12 . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
13 . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
14 . . . . . . . . . . . “55” . . . . . . . . . . . .54
15 . . . . . . . . . . . . . . . . . . . . . . . . . . . .56
16 . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
17 . . . . . . . . . . . . . . . . . . . . . . . . . . . .60
18 . . . . . . . . . . . . . . . . . . . . . . . . . . . .62
19 . . . . . . . . . . . “65” . . . . . . . . . . . .64
20 . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
21 . . . . . . . . . . . . . . . . . . . . . . . . . . . .69
22 . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
23 . . . . . . . . . . . . . . . . . . . . . . . . . . . .75
24 . . . . . . . . . . . “80” . . . . . . . . . . . .78
25 . . . . . . . . . . . . . . . . . . . . . . . . . . . .82
26 . . . . . . . . . . . . . . . . . . . . . . . . . . . .86
27 . . . . . . . . . . . . . . . . . . . . . . . . . . . .90
28 . . . . . . . . . . . . . . . . . . . . . . . . . . . .95
29 . . . . . . . . . . .“100”. . . . . . . . . . . 100
30 . . . . . . . . . . . . . . . . . . . . . . . . . . . 107
31 . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
32 . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
33 . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
34 . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
35 . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
36 . . . . . . . . . . .“200”. . . . . . . . . . . 169
37 . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
38 . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
39 . . . . . . . . . . . . . . . . . . . . . . . . . . . 197
Full-clockwise : 197
Full counter-clockwise: 14
01 . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
02 . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
03 . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
04 . . . . . . . . . . . “15” . . . . . . . . . . . .14
05 . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
06 . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
07 . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
08 . . . . . . . . . . . “18” . . . . . . . . . . . .17
09 . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
10 . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
11 . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
12 . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
13 . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
14 . . . . . . . . . . . “25” . . . . . . . . . . . .21
15 . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
16 . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
17 . . . . . . . . . . . . . . . . . . . . . . . . . . . .25
18 . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
19 . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
20 . . . . . . . . . . . “30” . . . . . . . . . . . .30
21 . . . . . . . . . . . . . . . . . . . . . . . . . . . .33
22 . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
23 . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
24 . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
25 . . . . . . . . . . . “40” . . . . . . . . . . . .47
26 . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
27 . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
28 . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
29 . . . . . . . . . . . . . . . . . . . . . . . . . . . .56
30 . . . . . . . . . . . . . . . . . . . . . . . . . . . .56
31 . . . . . . . . . . . “50” . . . . . . . . . . . .57
32 . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
33 . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
34 . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
35 . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
36 . . . . . . . . . . . “60” . . . . . . . . . . . .60
37 . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
38 . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
39 . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
Full-clockwise : 61
Full counter-clockwise: 22
01 . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
02 . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
03 . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
04 . . . . . . . . . . . “20” . . . . . . . . . . . .22
05 . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
06 . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
07 . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
08 . . . . . . . . . . . “25” . . . . . . . . . . . .25
09 . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
10 . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
11 . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
12 . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
13 . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
14 . . . . . . . . . . . “30” . . . . . . . . . . . .32
15 . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
16 . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
17 . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
18 . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
19 . . . . . . . . . . . “40” . . . . . . . . . . . .42
20 . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
21 . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
22 . . . . . . . . . . . . . . . . . . . . . . . . . . . .51
23 . . . . . . . . . . . . . . . . . . . . . . . . . . . .56
24 . . . . . . . . . . . “60” . . . . . . . . . . . .61
25 . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
26 . . . . . . . . . . . . . . . . . . . . . . . . . . . .69
27 . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
28 . . . . . . . . . . . . . . . . . . . . . . . . . . . .75
29 . . . . . . . . . . . “75” . . . . . . . . . . . .76
30 . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
31 . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
32 . . . . . . . . . . . . . . . . . . . . . . . . . . . .78
33 . . . . . . . . . . . . . . . . . . . . . . . . . . . .79
34 . . . . . . . . . . . . . . . . . . . . . . . . . . . .80
35 . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
36 . . . . . . . . . . . “80” . . . . . . . . . . . .81
37 . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
38 . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
39 . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
Full-clockwise : 81
Full counter-clockwise: 42
01 . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
02 . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
03 . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
04 . . . . . . . . . . . “40” . . . . . . . . . . . .42
05 . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
06 . . . . . . . . . . . . . . . . . . . . . . . . . . . .44
07 . . . . . . . . . . . . . . . . . . . . . . . . . . . .46
08 . . . . . . . . . . . “45” . . . . . . . . . . . .47
09 . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
10 . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
11 . . . . . . . . . . . . . . . . . . . . . . . . . . . .52
12 . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
13 . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
14 . . . . . . . . . . . “55” . . . . . . . . . . . .57
15 . . . . . . . . . . . . . . . . . . . . . . . . . . . .58
16 . . . . . . . . . . . . . . . . . . . . . . . . . . . .60
17 . . . . . . . . . . . . . . . . . . . . . . . . . . . .63
18 . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
19 . . . . . . . . . . . “65” . . . . . . . . . . . .67
20 . . . . . . . . . . . . . . . . . . . . . . . . . . . .70
21 . . . . . . . . . . . . . . . . . . . . . . . . . . . .73
22 . . . . . . . . . . . . . . . . . . . . . . . . . . . .76
23 . . . . . . . . . . . . . . . . . . . . . . . . . . . .79
24 . . . . . . . . . . . “80” . . . . . . . . . . . .83
25 . . . . . . . . . . . . . . . . . . . . . . . . . . . .87
26 . . . . . . . . . . . . . . . . . . . . . . . . . . . .92
27 . . . . . . . . . . . . . . . . . . . . . . . . . . . .96
28 . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
29 . . . . . . . . . . .“100”. . . . . . . . . . . 108
30 . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
31 . . . . . . . . . . . . . . . . . . . . . . . . . . . 122
32 . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
33 . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
34 . . . . . . . . . . . . . . . . . . . . . . . . . . . 157
35 . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
36 . . . . . . . . . . .“200”. . . . . . . . . . . 193
37 . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
38 . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
39 . . . . . . . . . . . . . . . . . . . . . . . . . . . 198
Full-clockwise : 198
16 | JL Audio - 500/1v2 Owner’s Manual
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aPPendix d:
master/slave Configurations
Here is the procedure for implementing a
“Master/Slave” configuration:
3) The input sensitivity of the two amplifiers
needs to be adjusted independently. To
properly calibrate the amplifiers for
The “Signal Sensing” turn-on feature will not
work on “Slave” amplifiers, but “Slave” amplifiers
can be turned on and off by a “Master” amplifier
operating in signal sensing turn-on mode.
Simply connect the “Master” amplifier’s
“Remote” connection, to the “Slave” amplifier(s)
“Remote” connection(s).
Do not increase the “Input Sens.” setting for
any amplifier in the system beyond the maximum
level established during the procedure outlined
in Appendix A (page 14). Doing so will result in
audible distortion and possible speaker damage.
With the flexible on-board crossovers and
processing incorporated into the 500/1v2, it
is possible to connect multiple 500/1v2’s in a
“Master/Slave” configuration, with each amplifier
driving its own speaker system but controlled by
the processing and filtering of only one amplifier.
This is very useful when driving multiple
subwoofers with multiple amplifiers.
To create a Master/Slave configuration, first
determine which amplifier will be the “Master”
amplifier and connect the main input signal to
that amplifier (from the source unit or from an
outboard processor). This amplifier’s “Amp LP
Filter” section and “Advanced Bass Control”
features will process the signal for the “Slave”
amplifier or amplifiers.
1) Set the “Master” amplifier’s “Output Mode”
switch to the center “Amp Filter” position.
This will send a parallel, mono-summed signal
from the “Master” amplifier’s “Amp LP Filter”
section to its preamp outputs.
maximum, identical, clean output, please
refer to Appendix A (page 14). After using this
procedure, you can then adjust the level of the
amplifiers by adjusting the input sensitivities
downward, if the amplifiers require attenuation
to achieve the desired system balance. If the
input sensitivities are adjusted, the amplifiers
must be recalibrated to ensure identical power
output levels.
2) Connect an RCA cable from the “Master”
amplifier’s preamp outputs to the main input
of the first “Slave” amplifier. Set the “Slave”
amplifier’s “Amp LP Filter” to the “Off”
position. This will defeat the LP filter and the
bass processing of this “Slave” amplifier.
Note: The “Input Range” switch on all “Slave”
amplifiers needs to be set to “Low”, even if
the “Master” amplifier is high voltage and its
switch is set to “High”. All signals passed out
of the preamp outputs of the amplifier are
compatible with the “Low” setting on the “Input
Range” control.
4) If you would like to run a third amplifier in
“Slave” configuration, select the “Full-Range”
position on the “Output Mode” switch of the
first “Slave” amplifier. Then, connect an RCA
cable from the first “Slave” amplifier’s preamp
outputs to the second “Slave” amplifier. As
you did with the first “Slave” amplifier, set the
second “Slave” amplifier’s “Amp LP Filter” to
the “Off” position. Then, calibrate the third
amplifier’s “Input Range” and “Input Sens.”
controls in the same manner as you did for the
second amplifier.
MASTER:
The Master amplifier’s
+12VDC Ground Remote
Preamp Output Section
Infrasonic Filter
Mode
“Q”
1.6
Center Freq.
40
Boost (dB)
+10
Amp LP Filter
Amplifier Input Section
Subwoofer Output
|
Output Mode
Filter Slope
Mode Slope
Input Voltage Input Sens. Signal Sensing
1.1
0.7
0.5
2.7 30
60 +4
75
80
+13
“Advanced Bass Control”section
is active and affects all three
amplifiers equally.
Additional amplifiers may be added to this
“Master/Slave” configuration following the same
procedure as in step 4.
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Full Range Amp Filter Out Filter
12dB 24dB
Off On
Off 12dB 24dB
Low High
Off On
4.3 20
0
+15
65
30
65
Filter Mode
Bass EQ
55
45
40
Filter Freq. (Hz)
80
100
200
22
18
15
Infrasonic Freq. (Hz)
45
55
60
55
45
40
Filter Freq. (Hz)
80
100
200
Advanced
Bass
Control
500/1v2
MONO OUTPUT ONLY
Monoblock Subwoofer Amplifier
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LP HP
Off On
Once you match the input sensitivities of
all the amplifiers, you can use the “Master”
amplifier’s “Amp LP Filter” and “Advanced
Bass Control” features to control the “Slave”
amplifier(s). If the remote bass control (RBC-1) is
used, it need only be connected to the “Master”
amplifier to control all the amplifiers in the
“Master/Slave” chain.
Reference the diagram showing a “Master/
Slave” configuration with one “Master” (top
amplifier) and two “Slave” amplifiers. Switches
and controls that are defeated in the “Slave”
amplifiers are printed in gray.
Left Output Right Output
Remote Bass Port
Left Ch.
Right Ch.
Connect Master 500/1 Input to Signal Source
Connect Master 500/1 Preamp Output to Slave A 500/1 Input
SLAVE (A):
This Slave amplifier’s
+12VDC Ground Remote
Preamp Output Section
Infrasonic Filter
Mode
“Q”
1.6
Center Freq.
40
Boost (dB)
+10
Amp LP Filter
Amplifier Input Section
Subwoofer Output
|
Output Mode
Filter Slope
Mode Slope
Input Voltage Input Sens. Signal Sensing
“Advanced Bass Control”section
and AMP LP Filter are inactive,
but the Full-Range (pass-
through) feature of its“Preamp
Output”feeds the input of the
1.1
0.7
0.5
2.7 30
60 +4
75
80
+13
25
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Full Range Amp Filter Out Filter
12dB 24dB
Off On
Off 12dB 24dB
Low High
Off On
4.3 20
0
+15
65
30
65
Filter Mode
Bass EQ
55
45
40
Filter Freq. (Hz)
80
100
200
22
18
15
Infrasonic Freq. (Hz)
45
55
60
55
45
40
Filter Freq. (Hz)
80
100
200
Advanced
Bass
Control
500/1v2
MONO OUTPUT ONLY
Monoblock Subwoofer Amplifier
|
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LP HP
Off On
next Slave amplifier.
Left Output Right Output
Remote Bass Port
Left Ch.
Right Ch.
Connect Slave A 500/1 Preamp Output to Slave B 500/1 Input
SLAVE (B):
+12VDC Ground Remote
Preamp Output Section
Infrasonic Filter
Mode
“Q”
1.6
Center Freq.
40
Boost (dB)
+10
Amp LP Filter
Amplifier Input Section
Subwoofer Output
The last Slave amplifier’s
“Advanced Bass Control”
section, AMP LP Filter and
“Preamp Output”
|
Output Mode
Filter Slope
Mode Slope
Input Voltage Input Sens. Signal Sensing
1.1
0.7
0.5
2.7 30
60 +4
75
80
+13
25
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Full Range Amp Filter Out Filter
12dB 24dB
Off On
Off 12dB 24dB
Low High
Off On
4.3 20
0
+15
65
30
65
Filter Mode
Bass EQ
55
45
40
Filter Freq. (Hz)
80
100
200
22
18
15
Infrasonic Freq. (Hz)
45
55
60
55
45
40
Filter Freq. (Hz)
80
100
200
are inactive.
Advanced
Bass
Control
500/1v2
MONO OUTPUT ONLY
Monoblock Subwoofer Amplifier
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LP HP
Off On
Left Output Right Output
Remote Bass Port
Left Ch.
Right Ch.
18 | JL Audio - 500/1v2 Owner’s Manual
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aPPendix e: trouble sHooting
“How do i properly set the input sensitivity on my amplifier”
“my amplifier shuts off once in a while, usually at higher volumes”
Check your voltage source and grounding point. The power supply
Please refer to Appendix A (page 14) to set the input sensitivity for
maximum, low-distortion output.
of the 500/1v2 will operate with charging system voltages
down to 10V. Shutdown problems at higher volume levels
can occur when the charging system voltage drops below
10V. These dips can be of very short duration making them
extremely difficult to detect with a common DC voltmeter.
To ensure proper voltage, inspect all wiring and termination
points. It may also be necessary to upgrade the ground
wire connecting the battery to the vehicle’s chassis and the
power wire connecting the alternator to the battery. Many
vehicles employ small (10 AWG - 6 AWG) wire to ground the
battery to the vehicle’s chassis and to connect the alternator to
the battery. To prevent voltage drops, these wires should be
upgraded to 4 AWG when installing amplifier systems with
main fuse ratings above 60A. Grounding problems are the
leading cause of misdiagnosed amplifier “failures.”
“my amplifier doesn’t turn on”
Check the fuse, not just visually, but with a continuity meter. It is
possible for a fuse to have poor internal connections that
cannot be found by visual inspection. It is best to take the
fuse out of the holder for testing. If no problem is found with
the fuse, inspect the fuse-holder.
Check the integrity of the connections made to each of the
“+12VDC”, “Ground”, and “Remote” terminals. Ensure
that no wire insulation is pinched by the terminal set screw
and that each connection is tight.
Check to make sure there is +12V at the “Remote” connection of the
amplifier. In some cases, the turn-on lead from the source unit
is insufficient to turn on multiple devices and the use of a relay
is required. To test for this problem, jump the “+12VDC” wire
to the “Remote” terminal to see if the amplifier turns on.
“my amplifier turns on, but there is no output”
“i get a distorted / attenuated sound coming out of the speaker(s)”
Check the speaker wires for a possible short, either between the
Check the input signal using an AC voltmeter to measure the
voltage from the source unit while an appropriate test tone is
played through the source unit (disconnect the input cables
from the amplifier prior to this test). The frequency used
should be in the range that is to be amplified by the amplifier
(example: 50 Hz for a sub bass application or 1 kHz for a full
range / high-pass application). A steady, sufficient voltage
(between 200mV and 8.0-volts) should be present at the
output of the signal cables.
Check the output of the amplifier. Using the procedure explained in
the previous check item (after plugging the input cables back
into the amplifier) test for output at the speaker outputs of
the amplifier. Unless you enjoy test tones at high levels, it is
a good idea to remove the speaker wires from the amplifier
while doing this. Turn the volume up approximately half
way. 5V or more should be measured at the speaker outputs.
This output level can vary greatly between amplifiers but it
should not be in the millivolt range with the source unit at
half volume. If you are reading sufficient voltage, check your
speaker connections as explained below.
positive and negative leads or between either speaker lead
and the vehicle’s chassis ground. If a short is present, you
will experience distorted and/or attenuated output. The
“Low Ω” light will illuminate in this situation. It may be
helpful to disconnect the speaker wires from the amplifier
and use a different set of wires connected to a test speaker.
Check the nominal load impedance to verify that the amplifier
is driving a load between 1.5 - 4Ω. JL Audio monoblock
amplifiers have two “+” positive connections and two “–”
negative connections. This is to facilitate multiple speaker
wiring. The two positive and two negative connections are
connected in parallel inside the amplifier. Connecting two
speakers, each to one set of positive and negative terminals,
will result in a parallel speaker connection. In this case,
each of the two loads should have a nominal impedance
between 3 - 8Ω.
Check the input signal and input signal cables to make sure signal
is present at the “Amplifier Inputs” and the cables are not
pinched or loose. It may be helpful to try a different set of
cables and/or a different signal source to be sure.
Check to ensure that the speaker wires are making a good
connection with the metal inside the terminal block. The
speaker wire connectors are designed to accept up to 8 AWG
wire. Make sure to strip the wire to allow for a sufficient
connection with the metal inside the terminal block.
“my amplifier’s output fluctuates when i tap on it or hit a bump”
Check the connections to the amplifier. Make sure that the
insulation for all wires has been stripped back far enough to
allow a good contact area inside the terminal block.
Check the input connectors to ensure that they all are making good
contact with the input jacks on the amplifier.
20 | JL Audio - 500/1v2 Owner’s Manual
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installation notes:
Use this diagram to document your amplifier’s switch and control positions.
+12VDC Ground Remote
Preamp Output Section
Infrasonic Filter
Mode
“Q”
1.6
Center Freq.
40
Boost (dB)
+10
Amp LP Filter
Amplifier Input Section
Subwoofer Output
|
Output Mode
Filter Slope
Mode Slope
Input Voltage Input Sens. Signal Sensing
1.1
0.7
0.5
2.7 30
60 +4
75
80
+13
25
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Full Range Amp Filter Out Filter
12dB 24dB
Off On
Off 12dB 24dB
Low High
Off On
4.3 20
0
+15
65
30
65
Filter Mode
Bass EQ
55
45
40
Filter Freq. (Hz)
80
100
200
22
18
15
Infrasonic Freq. (Hz)
45
55
60
55
45
40
Filter Freq. (Hz)
80
100
200
Advanced
Bass
Control
500/1v2
MONO OUTPUT ONLY
Monoblock Subwoofer Amplifier
|
|
LP HP
Off On
Left Output Right Output
Remote Bass Port
Left Ch.
Right Ch.
22 | JL Audio - 500/1v2 Owner’s Manual
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