Grizzly Musical Instrument H8181 User Manual

MODEL H8180/H8181  
BASS GUITAR KIT  
OWNER'S MANUAL  
H8180  
H8181  
COPYRIGHT © NOVEMBER, 2007 BY GRIZZLY INDUSTRIAL, INC.  
WARNING: NO PORTION OF THIS MANUAL MAY BE REPRODUCED IN ANY SHAPE  
OR FORM WITHOUT THE WRITTEN APPROVAL OF GRIZZLY INDUSTRIAL, INC.  
#BL10143 PRINTED IN KOREA  
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Table of Contents  
SECTION 1: SAFETY....................................................................................................................... 2  
SECTION 2: INTRODUCTION ......................................................................................................... 3  
Foreword .................................................................................................................................... 3  
Contact Info................................................................................................................................ 3  
SECTION 3: PARTS INVENTORY................................................................................................... 4  
Inventory..................................................................................................................................... 4  
Supplies/Tools............................................................................................................................ 5  
Identification ............................................................................................................................... 6  
SECTION 4: ASSEMBLY................................................................................................................. 7  
Shaping Headstock.................................................................................................................... 7  
Sanding Body............................................................................................................................. 8  
Sanding Neck............................................................................................................................. 8  
Finishing Neck............................................................................................................................ 9  
Finishing Body............................................................................................................................ 9  
Mounting Neck ......................................................................................................................... 10  
Positioning Bridge .................................................................................................................... 12  
Mounting Tuners ...................................................................................................................... 13  
Wiring Pickups & Output Jack.................................................................................................. 14  
Installing Bridge & Pickups ..................................................................................................... 15  
Strap Buttons ........................................................................................................................... 16  
Installing Nut ............................................................................................................................ 16  
Truss Rod Cover...................................................................................................................... 17  
Winding Strings........................................................................................................................ 17  
SECTION 5: SETUP....................................................................................................................... 19  
General..................................................................................................................................... 19  
Neck Adjustment...................................................................................................................... 19  
String Height ............................................................................................................................ 20  
Pickup Height........................................................................................................................... 21  
Tuning ...................................................................................................................................... 22  
Setting Intonation ..................................................................................................................... 22  
SECTION 6: REFERENCE INFO ................................................................................................... 23  
Accessories.............................................................................................................................. 23  
Electrical Components ............................................................................................................. 27  
Wiring Diagram ........................................................................................................................ 28  
WARRANTY AND RETURNS........................................................................................................ 33  
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SECTION 1: SAFETY  
Always wear safety glasses or goggles when operating equipment. Everyday glasses or read-  
ing glasses are not safety glasses. Be certain the safety glasses you wear meet the appropri-  
ate standards of the American National Standards Institute (ANSI).  
Because there are various ways to cut and join wood, you can make substitutions for the methods  
stated in this plan. We try to suggest the easiest methods possible. However, only you know your  
skills with each piece of machinery. Never compromise your safety by using a cutting method  
with which you are not comfortable. Instead, find an alternative approach that will yield the same  
result.  
These instructions assume that you are intimately familiar with the safe operation and use of  
woodworking machinery and woodworking tools, and understand the techniques used to build this  
project. If you do not qualify for both of these criteria, STOP building this project for your own  
safety. Read and understand the owners manual for the machinery you intend to use, take a wood-  
working class or visit your local library for more information. Woodworking machinery and tools  
are inherently dangerous because they use sharp edges that can and will cause serious personal  
injury including amputation and death. Do not underestimate the ability of these tools and machin-  
ery to cause injury. Never operate any tool without all guards in place and always wear approved  
safety glasses. For your own safety, please heed this warning.  
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SECTION 2: INTRODUCTION  
Foreword  
Contact Info  
We are proud to offer the Model H8180/H8181  
Bass Guitar Kit. This kit is a part of a growing  
Grizzly family of fine woodworking products.  
When assembled according to the guidelines  
set forth in this manual, you can expect years of  
enjoyment from your guitar.  
If you have any comments regarding this manual,  
please write to us at the address below:  
Grizzly Industrial, Inc.  
C
/
O
Technical Documentation Manager  
P.O. Box 2069  
Bellingham, WA 98227-2069  
Email: manuals@grizzly.com  
The drawings and photographs illustrated in  
this manual represent the Model H8180/H8181  
when the manual was prepared. However, owing  
to Grizzly’s policy of continuous improvement,  
changes may be made at any time with no obliga-  
tion on the part of Grizzly.  
We stand behind our products. If you have any  
service questions or parts requests, please call  
or write us at the location listed below.  
Grizzly Industrial, Inc.  
1203 Lycoming Mall Circle  
Muncy, PA 17756  
Phone: (570) 546-9663  
Fax: (800) 438-5901  
For your convenience, we always keep current  
Grizzly manuals available on our website at  
www.grizzly.com. Any updates to your kit will be  
reflected in these manuals as soon as they are  
complete. Visit our site often to check for the lat-  
est updates to this manual!  
E-Mail: techsupport@grizzly.com  
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SECTION 3: PARTS INVENTORY  
Inventory  
1
2
REF PART#  
DESCRIPTION  
QTY  
1
1
1
1
1
6
6
1
1
1
2
4
1
1
1
2
2
4
1
1
3
3
4
4
4
4
1
1
2
2
6
6
4
4
6
6
8
8
4
4
1
PH8180001 Bass Guitar Body (H8180 )  
PH8181001 Bass Guitar Body (H8181)  
PH8180002 Neck  
PH8180003 Silver Neckplate (H8180)  
PH8181003 Gold Neckplate (H8181)  
PH8180004 Silver Tuning Machine (H8180)  
PH8181004 Gold Tuning Machine (H8181)  
PH8180005 Wiring Harness  
PH8180006 Silver Bridge (H8180)  
PH8181006 Gold Bridge (H8181)  
PH8180007 Pickup  
PH8180008 String  
PH8180009 Control Cover Plate  
2
3
4
5
6
Figure 1. Boxed components.  
7
8
9
3
10 PH8180010 Silver Output Jack (H8180)  
PH8181010 Gold Output Jack (H8181)  
11 PH8180011 Silver Strap Button (H8180)  
PH8181011 Gold Strap Button (H8181)  
12 PH8180012 Compression Spring  
13 PH8180013 String Nut  
4
9
8
7
5
6
14 PH8180014 Truss Rod Cover  
15 PH8180015 Silver Control Knob (H8180)  
PH8181015 Gold Control Knob (H8181)  
16 PH8180016 Silver Hex Nut Bushing 1/2" (H8180)  
PH8181016 Gold Hex Nut Bushing 1/2" (H8181)  
17 PH8180017 Silver Flat Washer 1/2" (H8180)  
PH8181017 Gold Flat Washer 1/2" (H8181)  
18 PAW01.5M Hex Wrench 1.5mm  
Figure 2. Guitar parts.  
24  
25  
23  
22  
21  
19 PAW04M  
Hex Wrench 4mm  
10  
20 PH8180020 Silver Screw #2 x 3/8" (H8180)  
PH8181020 Gold Screw #2 x 3/8" (H8181)  
21 PH8180021 Silver Screw #2 x 1/2" (H8180)  
PH8181021 Gold Screw #2 x 1/2" (H8181)  
22 PH8180022 Silver Screw #2 x 1-3/8 (H8180)  
PH8181022 Gold Screw #2 x 1-3/8 (H8181)  
23 PH8180023 Silver Screw #4 x 1/2" (H8180)  
PH8181023 Gold Screw #4 x 1/2" (H8181)  
24 PH8180024 Silver Screw #4 x 1" (H8180)  
PH8181024 Gold Screw #4 x 1" (H8181)  
11  
20  
19  
12  
13  
18  
14  
17  
15  
16  
Figure 3. More guitar parts.  
25 PH8180025 Silver Screw #10 x 1-3/4" (H8180)  
PH8181025 Gold Screw #10 x 1-3/4" (H8181)  
-4-  
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Masking Tape  
Bandsaw with 1/4" Blade or Coping Saw  
Tack Cloth or Soft Cloth  
Sanding Sealer  
Supplies/Tools  
Most wood components in this kit are fully  
machined at the factory and are ready for assem-  
bly. A small amount of sanding and finishing is  
needed to complete your guitar.  
Assorted Wood Files  
Buffing Compounds  
Oil Wood Finish  
Soldering Iron and Solder  
Peghead Reamer or a Round Rasp File  
Tweezers, Pliers, Wire Cutters  
C-Clamps  
Temporary Wood Handle:  
Approximately 1" x 2" x 16"  
Guitar Capo  
Recommended Tools & Supplies:  
Sharp Pencil  
Carbon Paper  
Drill Press  
Drill Bits: 116", 332", 964", 532", 516", 1132", 14  
Electric/Cordless Drill  
Depth Stop  
"
Feeler Gauge Set  
Spray Primer and Finish (See Note Below)  
18" Metal Straightedge (132" Resolution)  
36" Metal Straightedge  
Steel Ruler (164" Resolution)  
Wood Dowel  
NIOSH Approved Respirator  
ANSI Approved Safety Glasses  
Aluminum-Oxide Sandpaper #150, #220 and  
#320 Grit  
Wet and Dry Sandpaper #400, #600, and  
#1000 Grit  
Wood Blocks: 4" x 4" x 12" (2)  
Flexible Sanding Block  
Wood Glue  
Chisel or Razor Blade  
Note: Use the same type of paint for primer  
and finish—either enamel or lacquer base.  
Do not use different base paints for priming  
or finishing or your results may not be desir-  
able.  
Phillips Screwdriver #1, #2  
1
4" Steel Rod or a Coat Hanger  
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Identification  
Neck Pocket  
Bridge  
Saddle  
Pickups  
Strap  
Button  
Fret  
Tone  
Knob  
Neck  
Volume  
Knobs  
Output  
Jack  
Figure 4. Model H8180/H8181 controls.  
String Slot  
Nut  
Tuner or  
Tuning  
Machine  
Tuning Post  
Truss Rod  
Cover  
Headstock  
Figure 5. Model H8180/H8181 headstock features.  
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SECTION 4: ASSEMBLY  
Note: To determine the string slot (Figure 5)  
Shaping Headstock  
locations, you can place the nut on the draw-  
ing and mark the slots. If the strings cross the  
nut at a sharp angle, this increases friction  
and makes tuning difficult. It also increases  
the risk of the strings pulling out of the nut  
slots.  
The headstock for these models comes unfin-  
ished so you can cut it to your own design. These  
instructions will guide you through designing the  
shape of the headstock and placing pegholes.  
4. Redraw your final headstock shape onto  
the headstock with a pencil or with carbon  
paper.  
Components Needed  
Guitar Neck ....................................................... 1  
Qty  
Tools Needed  
5. Cut the headstock out with a bandsaw or  
coping saw. Be sure to cut only to the outside  
edge of your pencil line.  
Sharp Pencil ......................................................1  
Paper or Carbon Paper........................... Various  
Bandsaw with a 14" Blade or a Coping Saw .....1  
Round Rasp Files.................................. Assorted  
Woodworking Files................................ Assorted  
Drill Press with 1/2" Drill Bit .................................1  
Note: To cut sharp corners, cut several slots  
perpendicular to the corner, then cut out the  
small pieces. This will reduce binding on the  
blade.  
To shape the headstock:  
6. Carefully hand file and sand the headstock to  
1. Trace the headstock on a piece of paper. Test  
various ideas for headstock shapes on paper  
before cutting into the headstock.  
finalize the shape.  
7. Mark the pegholes onto the headstock.  
8. Using a 1/2" bit, drill a hole through the top of  
the headstock for each tuner shaft, making  
sure each hole is perpendicular to the head-  
stock surface, as shown in Figure 7.  
2. Layout pegholes for the tuners. Space the  
centers of the pegholes far enough apart so  
the tuners will not interfere with each other  
3
when turned and are a minimum of 4" from  
the edge of the headstock.  
3. Draw the path of the strings onto the test  
paper to ensure that the strings do not inter-  
fere with each other as shown in Figure 6.  
"  
 
Figure 7. Drilling the pegholes.  
9. Carefully use a round rasp to widen the  
pegholes enough so the tuner shafts fit snug-  
ly in the pegholes.  
Figure 6. Example of string paths and peghole  
locations.  
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6. Repeat Step 4 & 5.  
Sanding Body  
Note: If you want to stain your guitar, the  
stain should be applied now before con-  
tinuing with the next step. Stains cannot be  
applied to the guitar body after the sanding  
sealer is applied.  
The guitar body has been sanded at the factory,  
but it is up to you to do the final sanding before  
the finish is applied. To get a good finish, the  
body should be sanded with a series of sandpa-  
per grits up to #320 grit.  
7. Apply a primer if you plan to paint the guitar  
a solid color. Apply a coat of sanding sealer  
if you stained the guitar. Use the sealer  
or primer according to the manufacturer's  
instructions.  
Components and Hardware Needed:  
Guitar Body ....................................................... 1  
Qty  
To sand the guitar body:  
Note: Make sure the primer or sealer you use  
is compatible with your finish.  
1. Wear a NIOSH-approved respirator and  
ANSI-approved safety glasses when  
sanding wood!  
8. When the sanding sealer or primer is dry, use  
#320 grit sandpaper for final sanding. DO  
NOT sand through to bare wood.  
2. Use a flexible sanding block with #150 grit  
aluminum-oxide sandpaper to sand the gui-  
tar body until there is a consistent scratch  
pattern on the entire surface.  
Sanding Neck  
Note: DO NOT round over the neck pocket  
or the body cavities.  
Like the guitar body, the guitar neck has been  
rough sanded at the factory. Final sanding should  
be done as described in the previous sub-sec-  
tion Sanding Body. Consider applying inlays or  
additional design work on the fretboard and head-  
stock before final sanding.  
When hand sanding, always sand in the  
same direction as the wood grain.  
3. Resand the entire guitar body with #220 grit  
sandpaper and lightly round over the out-  
side edges of the body.  
Note: If you are considering inlays or other  
design work, take time to test your designs in  
scrap wood before performing the work on the  
instrument.  
4. Wipe the guitar body with a damp cloth to  
“raise” the wood grain.  
5. Wait until the wood is dry and resand the  
entire body with #220 grit sandpaper to sand  
the “raised” grain smooth.  
The fretboard requires no sanding. Sanding the  
fretboard will affect the playability of the guitar  
and could lead to irreparable damage.  
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Finishing Neck  
Some of the finishing options include stains, lac-  
quers, varnishes and oil finishes. Traditionally,  
this style of guitar has a clear finish on the neck.  
Depending on the type, finishes can be applied  
with a spray gun, brush, rag, or a spray can.  
Finish materials and books on finishing instru-  
ments can be ordered through Grizzly Industrial  
or numerous luthier supply catalogs.  
Figure 8. Scraping the fretboard.  
7. Let the wood dry naturally and completely.  
8. Use a clean rag to wipe wood finishing oil on  
Components and Hardware Needed:  
Qty  
the dried surface of the fretboard.  
Guitar Neck ....................................................... 1  
To finish the guitar neck:  
Finishing Body  
1. Mask off the surface of the fretboard. Carefully  
press all the masking tape edges securely to  
the fretboard. The finish coat can seep under  
these edges, especially near corners, uneven  
edges, and places where the frets meet the  
fingerboard.  
This guitar looks incredible with a clear finish that  
highlights the wood grain patterns. The surface  
can be stained prior to finishing or a transparent  
pigment can be added to the finish. These instruc-  
tions guide you through a very basic finishing pro-  
cess. Books describing different guitar finishing  
techniques are available through luthier supply  
catalogs, or through your local library. Clear finish  
materials and books on finishing can be ordered  
through Grizzly Industrial. Finishing a guitar is a  
difficult task. If you are unsure of your skills, do  
your research, practice on scrap wood, or take it  
to a professional.  
1
2. Make an "S" shaped hook out of /4" steel  
rod or a coat hanger that has been folded in  
half.  
3. Wipe the entire neck with a tack cloth to  
remove any dust.  
4. Thread the hook through an upper peghole  
and hang the neck in the finishing room.  
Components and Hardware Needed:  
Qty  
Guitar Body ....................................................... 1  
Most finishes are hazard-  
ous to your health. Wear a  
NIOSH/OSHA approved res-  
pirator with particulate and  
gas/vapor filters, safety  
glasses, rubber gloves, and  
work in a well ventilated area  
when finishing.  
To finish the guitar body:  
1. Mask off the neck pocket (Figure 4). Press  
the masking tape tight against the edges of  
the pocket so the finish does not seep under  
the tape.  
2. Screw through the neck pocket screw holes  
into a long piece of wood to use for a handle  
during spraying. Drill a hole in the end of this  
temporary handle for hanging from a hook.  
5. Apply the finish according to Finishing Body,  
Steps 5–10.  
6. Before wet sanding, remove the masking  
tape from the fretboard and carefully scrape  
any excess finish off the fretboard with a  
razor blade or chisel held perpendicular to  
the surface, as shown in Figure 8.  
3. Wipe the entire guitar body with a tack cloth  
to remove all dust.  
4. Thread the hook through the temporary han-  
dle and hang the body in the finish room.  
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5. Apply several thin coats of the finish, follow-  
ing the manufacturer's instructions. Multiple  
thin coats usually produce a better quality  
finish than one heavy coat.  
Mounting Neck  
Components and Hardware Needed:  
Qty  
Guitar Body ....................................................... 1  
Neck .................................................................. 1  
Silver Neckplate ................................................ 1  
Screws #10 x 13/4" ............................................. 4  
6. Sand the entire body with #400 grit wet and  
dry sandpaper after at least three coats of fin-  
ish have been applied. DO NOT sand through  
the finish—be careful on the edges.  
Unless otherwise indicated, we strongly recom-  
mend using a drill press for the majority of drilling  
to obtain the most precise results. However, an  
electric/cordless drill fitted with a depth stop or a  
drill stand can be used if you do not have a drill  
press.  
7. Apply more finish, sanding between coats,  
until the finish is the desired thickness.  
Note: If finishing with a solid color, you may  
wish to apply several coats of a clear finish  
over the top, sanding between coats, to add  
depth to the finish.  
We recommend using a hollow punch (see Page  
23, Accessories) to carve out holes in the finish  
before drilling any holes. Also, a router pad can  
help reduce scratches in the finish.  
8. When the final coat has dried at least a week,  
preferably a month, remove the temporary  
handle and masking.  
To mount the neck to the guitar body:  
9. Wet sand the finish using #600 grit wet and  
dry sandpaper using a sanding block, fol-  
lowed with #1000 grit wet and dry sandpa-  
per.  
1. Insert the neck into the neck pocket, and  
check to make sure the neck and body are  
flush as shown in Figure 9.  
10. Buff the finish by hand or with a buffer, start-  
ing with a medium polish and working up to a  
high gloss polish.  
Note: If using a buffing machine, be careful  
to avoid going through the finish, especially  
on the edges.  
NOTICE  
Dust particles suspended in the air will  
settle on wet finishes, causing less than sat-  
isfactory results. To avoid this problem:  
• Leave the finishing room undisturbed  
for 24 hours before applying the finish.  
Figure 9. Making neck and body flush.  
2. Clamp the neck and body together.  
• Avoid making unnecessary movements  
when entering the finish room.  
3. Set the guitar facedown on top of two 4x4's or  
two 2x4's (cut to 12") for support.  
• Apply the finish to the desired parts and  
immediately leave the room.  
• DO NOT return to the room until the  
specified drying time has elapsed.  
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3
4. Insert a 16" drill bit into each neck hole  
(Figure 10). While pressing down slightly,  
twist the drill bit by hand to make pilot holes  
in the neck.  
Figure 11. Example of using screw tip depth to  
set depth stop.  
Figure 10. Example of making a pilot hole in the  
5. Set the neck fretboard face down on the drill  
press table, and set the depth stop to the  
mark from Step 4.  
neck.  
5. Unclamp the neck from the body.  
To drill mounting holes in the neck:  
To determine neck mounting hole depth:  
9
1. Lower a 964" drill bit over the center of the pilot  
1. Secure a 64" drill bit in the drill press chuck,  
holes and drill the holes to the correct depth.  
raise the table, and set the neck and fretboard  
down on top of a clean piece of scrap wood  
on the table.  
To mount the neck to the body:  
1. Insert the neck into the neck pocket, and  
2. Set the drill press depth stop so the tip of  
the bit will ONLY drive half way through the  
neck.  
place the neckplate on the body.  
Note: Do not glue the neck to the body.  
Note: Correctly set the depth stop or the bit  
may drill through the fretboard!  
2. Align the mounting holes in the neck, body,  
and neckplate.  
Another way to determine neck mounting hole  
depth (Optional):  
3. Fasten the four #10 x 13/4" screws, but do not  
final tighten them (Figure 12).  
1. Insert the neck into the neck pocket.  
2. Place the neckplate on top of the body so a  
mounting hole protrudes beyond the body  
and neck (see Figure 11).  
3. Insert a #10 x 13/4" screw through the plate  
so it hangs down to the side of the neck and  
body.  
4. Gently mark the screw tip depth with a pen-  
cil.  
Figure 12. Example of fastening neck to body.  
Note: You may want to cover the screw tip  
marking location with masking tape to avoid  
scratching the finish.  
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Positioning Bridge  
Nut  
Slot  
The following steps require you to mark the guitar  
body. To avoid damaging the finish, place mask-  
ing tape on the guitar body and gently mark the  
tape.  
Components and Hardware Needed:  
Qty  
Guitar Body and Neck (Assembled).................. 1  
Bridge................................................................ 1  
To position the bridge:  
Figure 14. Example of measuring 34" from nut  
1. Place a 36" long straightedge over the center  
of the fretboard inlays and over the body, so  
it aligns with the strap button hole, then mark  
the center line on the guitar body (Figure  
13).  
along center line.  
Bridge  
Pickup  
Cavity  
Set  
Screw  
134  
"
Bridge Point  
Lower Saddle Adj. Screw  
Strap  
Button  
Hole  
Figure 15. Bridge point, and lower G string  
saddle adjustment screw.  
3. Place the bridge on the body so it is approxi-  
mately 13/4" from the bridge pickup cavity  
and align it with the center line, as shown in  
Figure 15.  
Figure 13. Marking center line.  
—If the strap button hole is not pre-drilled,  
or you do not want to use the strap button  
hole as a center line marker, place a ruler  
across the body at several locations and  
mark the center line.  
4. Using a Phillips head screwdriver, turn the  
G string saddle adjustment screw so the set  
screws shown in Figure 15 are centered over  
the bridge point.  
2. Using the straightedge, measure 34" from  
the fretboard side of the nut slot (Figure  
14) along the center line to the bridge point  
(Figure 15), and mark this location on the  
guitar.  
5. Using a Phillips head screwdriver, turn the  
lower saddle adjustment screw so the set  
screws shown in Figure 15 are centered over  
the bridge point.  
6. Mark the bridge mounting holes.  
7. Using a 3/32" bit, drill the five bridge mounting  
holes 7/8" deep.  
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Mounting Tuners  
Components and Hardware Needed:  
Qty  
Neck .................................................................. 1  
Tuners................................................................ 4  
Screws #2 x 1/2 .................................................. 4  
Hex Nut Bushings 1/2"........................................ 4  
Flat Washers 1/2" ............................................... 4  
To install the tuners:  
1. Place the neck fretboard down on a flat sur-  
face and insert the tuners into the headstock  
holes.  
Figure 17. Drilling tuner mounting holes.  
Note: Drilling the holes deeper than 58" could  
result in drilling out through the top of the  
headstock. Set the correct depth with the  
depth stop on your drill press.  
2. Position the tuners so they are perpendicular  
to the edge of the headstock, and mark the  
mounting holes (Figure 16).  
5. Insert the tuner shafts through the holes in  
the back of the headstock and secure them  
with the #2 x 1/2" screws.  
Mounting  
Hole  
6. Turn the neck face up, slide a washer over  
each tuner post and screw a hex nut bushing  
onto each tuner, as shown in Figure 18.  
Washer  
Figure 16. Tuners positioned.  
3. Remove the tuners.  
—If the neck is attached to the body, remove  
it now.  
Hex Nut  
Bushing  
4. Place a backing board under the headstock  
1
3
and, using a 16" drill bit, drill four 8" deep  
holes into the back of the headstock at the  
marks from Step 2 (Figure 17).  
Figure 18. Tuners installed on headstock.  
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4. Solder the audio jack wires onto the output  
jack, as shown in the Wiring Diagram on  
Page 28 and the Electrical Components on  
Page 27.  
Wiring Pickups &  
Output Jack  
5. Insert the ground wire through the hole in the  
control cavity and through the hole in the top  
of the body. Temporarily secure the end of  
the ground wire with masking tape.  
This guitar comes with a wiring harness that has  
most of the components soldered in place. You  
only need to solder the pickup wires onto the  
volume control pots and the audio jack wire onto  
the output jack. If done incorrectly, the soldering  
can damage the components. If you are unsure  
of your skills, do your research, practice on scrap  
wires, or take it to someone with experience.  
6. Flip the guitar body face up, thread the pickup  
wires through the holes in the pickup cavities  
(Figure 20) and temporarily tape the pickups  
to the body with masking tape.  
Refer to the Wiring Diagram on Page 28 and the  
Electrical Components on Page 27 while wiring  
the pickups and output jack.  
Components and Hardware Needed:  
Qty  
Guitar Body ....................................................... 1  
Wiring Harness.................................................. 1  
Bridge Pickup .................................................... 1  
Neck Pickup ...................................................... 1  
Output Jack ....................................................... 1  
To wire the pickups:  
1. Remove the hex nut and flat washer from  
Location to Insert Pickup Wires  
each control pot on the wiring harness.  
Figure 20. Pickup cavities.  
2. Insert the control pots through the holes in  
the control cavity, and secure the pots on the  
front of the guitar with the hex nuts and wash-  
ers removed in Step 1.  
7. Flip the guitar face down and solder the  
pickup wires onto the volume control pots,  
as shown in the Wiring Diagram on Page  
28 and the Electrical Components on Page  
27.  
3. Insert the output jack into the hole in the end  
of the body (Figure 19) and secure it with the  
included hex nut.  
Bridge  
Pickup  
Wire  
Neck  
Pickup  
Wire  
Ground  
Wire  
Audio  
Jack  
Wire  
Tone  
Control  
Pot  
Volume  
Control  
Pots  
Output  
Jack  
Figure 19. Wires threaded through control  
cavity.  
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Installing Bridge &  
Pickups  
Mounting  
Screw  
To reduce humming in your amp, the ground wire  
must contact the bridge plate.  
Saddle Adj.  
Screw  
Components and Hardware Needed:  
Qty  
Guitar Body ....................................................... 1  
Bridge ................................................................ 1  
Screws #4 x 1" .................................................. 5  
Control Cover Plate........................................... 1  
Screws #4 x 1/2"................................................. 5  
Pickups.............................................................. 2  
Screws #2 x 13/8"............................................... 5  
Compression Springs........................................ 4  
Figure 22. Bridge installed.  
4. Place the control cover plate on the body so  
it completely covers the control cavity, silver  
foil side down, and mark the mounting holes.  
5
5. Using a /64" bit, drill the mounting holes—  
being careful not to break off the cavity  
edges, and secure the control cover plate  
with the #4 x 1/2" screws.  
To install the bridge, control plate, and pick-  
ups:  
1. Remove tape from the end of the ground wire  
and place the exposed portion of the wire  
over the edge of the ground wire cavity, as  
shown in Figure 21.  
6. Remove tape from the pickups, and install  
each pickup into a cavity with the two #2 x  
13/8" screws and compression springs, as  
shown in Figure 23. Install the bridge pickup,  
which has a silver and red wire into the bridge  
cavity; install the neck pickup, which has a  
white and silver wire in the cavity closest to  
the neck.  
Ground Wire  
Neck Pickup  
Bridge Pickup  
Compression  
Spring  
#2 x 13/8  
Screw  
"
Figure 21. Ground wire above cavity.  
Figure 23. Installing pickups.  
2. Place the bridge over the cavity so the plate  
contacts the wire.  
Note: The top of each pickup should be flat  
or even with the body, not angled. You will  
adjust the heights of the pickups later in this  
manual.  
3. Secure the bridge with the #4 x 1" screws, as  
shown in Figure 22, making sure the saddle  
adjustment screw heads point away from the  
neck.  
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Strap Buttons  
Installing Nut  
Components and Hardware Needed:  
Qty  
The strap buttons are positioned on the guitar as  
Guitar Body ....................................................... 1  
Nut ................................................................... 1  
Neck .................................................................. 1  
Neckplate........................................................... 1  
Screws #10 x 13/4" ............................................. 4  
shown in Figure 24.  
Bass  
Horn  
To install the nut:  
1. Use a chisel or razor blade to scrape any fin-  
ish out of the nut slot. DO NOT remove any  
wood from the nut slot.  
2. Slide the nut into the slot.  
Strap  
Buttons  
—If the nut will not fit into the slot, sand one  
side of the nut on a piece of sandpaper  
until it fits snugly into the slot as shown in  
Figure 25. Note: Make sure the large slots  
on the nut are toward the top of the neck.  
Figure 24. Strap button placement.  
Components and Hardware Needed  
Qty  
Guitar Body ....................................................... 1  
Screws #4 x 1" .................................................. 2  
Strap Buttons..................................................... 2  
Large Slot  
To attach the strap buttons to the guitar:  
1. If the strap button holes are not already  
3
1
drilled, use a /32" bit to drill /2" deep holes  
at the end of the guitar—on the center line—  
and on the bass horn (Figure 24).  
Nut  
2. Secure each of the strap buttons to the guitar  
Figure 25. Nut installed.  
body with a #4 x 1" screw.  
3. Remove the nut, spread a thin layer of glue  
in the nut slot, and center the nut in the nut  
slot.  
4. Install the neck onto the body using the #10 x  
13/4" screws and neckplate.  
5. Install the truss rod cover and the strings, as  
described on Page 17, to hold the nut in place  
until the glue dries.  
6. Wipe away the excess glue before it sets up,  
then allow the glue to dry for 24 hours.  
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Truss Rod Cover  
Winding Strings  
Components and Hardware Needed:  
Qty  
The correct position of the guitar strings is shown  
in Figure 27. The thin high "G" string is the "1st"  
(bottom) string and the thick low "E" string is the  
"4th" (top).  
Guitar................................................................. 1  
Truss Rod Cover ............................................... 1  
Screw #2 x 38" ................................................... 1  
To install the truss rod cover:  
Components and Hardware Needed:  
Qty  
Guitar................................................................. 1  
Strings ............................................................... 4  
1. Center the truss rod cover over the hole for  
the truss rod and press it against the nut.  
2. Mark the mounting hole, use a 116" drill bit to  
3
drill a 8" deep hole into the headstock, and  
3
secure the truss rod cover with the #2 x 8  
screw.  
"
Figure 27. Example of correct string locations.  
To install the strings:  
#2 x 38  
screw  
"
1. Thread a string through the hole in the bridge  
(Figure 28) across the saddle, over the nut,  
and through the hole in the corresponding  
tuning post.  
Figure 26. Truss rod cover installed.  
Saddle  
Figure 28. 1st string installed.  
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2. Allow only enough slack in the string for 2-3  
rotations around the tuning post.  
Tuning Post  
String End  
Note: If too much slack is allowed, then the  
string could wind off the tuning post after  
many successive rotations. If not enough  
slack is allowed, then the string may not hold  
the winding tension.  
Slot  
3. Use wire cutters (optional) to cut off excess  
string.  
4. Bend the string at a right angle and insert it  
into the tuning post slot.  
Figure 29. String wrapped around tuning post.  
5. Rotate the tuners until the string just begins  
to hold the winding tension (Figure 29).  
6. Repeat the above process for the remaining  
strings.  
Note: DO NOT tighten the strings beyond the  
initial tensioning at this time. Final tensioning  
should be completed during the string tuning  
process.  
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SECTION 5: SETUP  
2. Place a straightedge between the G and D  
General  
strings, from the 1st fret to the 17th. Measure  
any gaps between the straightedge and the  
frets with the feeler gauge to determine if the  
neck is straight, bowed up or bowed down  
(Figure 30). Figure 31 shows an example of  
a slightly upbowed neck.  
Guitar set up is an art that requires skill, patience  
and experience. If you have the patience, you can  
acquire the skill and experience. If you don't have  
the patience, you may want to have your guitar  
set up by a qualified guitar technician.  
Up Bow  
This section presents an overview of setup prac-  
tices. We highly recommended that you research  
more in-depth methods. Books on setting up  
electric guitars can be ordered through Grizzly  
Industrial, luthier supply catalogs, or may be  
available through your local library.  
Down Bow  
Figure 30. Neck bow.  
Neck Adjustment  
The guitar neck was adjusted perfectly straight  
before it was packaged; however, the moisture  
content of wood acclimates to the humidity of  
the surrounding environment. This characteristic  
results in movement of the wood components  
with regards to alignment. The neck may require  
adjustment several times each year, especially in  
regions where the seasonal climate changes are  
more drastic.  
Bow Curvature  
Figure 31. Slightly up-bowed neck (viewed down  
neck from headstock).  
Components and Hardware Needed:  
Qty  
Guitar with Strings Installed .............................. 1  
—If the neck is flat, or bowed up 0.012" or  
less, it is set up correctly. Continue to the  
next subsection.  
Tools Needed  
Metal Straightedge 18".......................................1  
Hex Wrench 4mm...............................................1  
Feeler Gauge Set...............................................1  
Phillips Head Screwdriver...................................1  
—If the gap is greater than 0.012", or if the  
neck bows down away from the straight-  
edge, continue to Step 3.  
To adjust the bow of the guitar neck:  
Tip: Your playing style will also dictate how  
much action (string height above the frets)  
your bass should have. For fast playing,  
low action, set the neck to bow up less than  
0.012". Heavy-handed players or those who  
use a capo may want to adjust the neck to  
bow up more than 0.012".  
1. Tighten the strings to playing tension.  
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3. Loosen the strings, turn the truss rod cover  
out of the way, and turn the truss rod nut in  
the base of the neck (Figure 32) counter-  
clockwise to release tension on the neck.  
Retighten until the nut begins to grab.  
String Height  
Tools Needed  
Qty  
Hex Wrench 1.5mm............................................1  
Guitar Capo........................................................1  
Metal Straightedge .............................................1  
Steel Ruler (164" Resolution)...............................1  
Correct string height is crucial for maximizing  
the playability of your electric guitar. The action  
or string height is the distance between the top  
face of the fret and the bottom face of the string  
(Figure 33). Adjust the action depending upon  
your playing type. If you play with a light touch, set  
the action low, if you play heavy-handed, set the  
action higher to avoid fret buzz.  
Figure 32. Example of truss rod nut.  
String  
4. To flatten an up-bow, turn the truss rod nut  
a 1/4 turn clockwise—tightening the truss rod.  
To correct a down-bow, turn the nut a 1/4 turn  
counterclockwise—loosening the truss rod.  
String Height  
(Action)  
Fret  
5. Tighten the strings and recheck the neck with  
the straightedge.  
Fingerboard  
—If the neck is correctly adjusted, secure the  
truss rod cover, and go to the next sub-  
section.  
Figure 33. String height measurement.  
To adjust the string height:  
—If the neck is still out of adjustment return  
to Step 3. It may take some trial and error  
to find the right amount of truss rod tension  
and neck bow.  
1. Place a capo on the 1st fret.  
2. Measure the string height at the twelfth fret as  
shown in Figure 34.  
6. Replace the truss rod cover and tighten the  
The 1st (G) string measurement should be  
5/64", the 4th (Low E) string measurement  
should be 6/64". This is a suggested range and  
the strings can be adjusted higher or lower  
depending upon your playing type.  
strings.  
—If the string heights are correct, then con-  
tinue to Pickup Height on Page 21.  
—If the string heights are incorrect at the  
12th fret, then continue to the next step.  
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4th String: 6/64"  
Guitar Body  
Pickup Height  
Pickup height can have a dramatic effect on the  
audio output signal. The closer the strings are  
to the pickup, the higher the audio output signal  
will be. If the strings are too close, distortion is  
caused by magnetic interference from the elec-  
tronic components.  
Tools Needed  
Qty  
Metal Straightedge .............................................1  
Phillips Head Screwdriver...................................1  
1st String:  
5/64"  
12th Fret  
Figure 34. Correct 12th fret string heights.  
To measure the string height at the pickup:  
3. Use the included 1.5mm hex wrench to adjust  
the saddle height setscrews (Figure 35) until  
the string heights are correct.  
1. Measure the height of the 1st (G) and 4th  
(E) strings at the pickup while the strings are  
“fretted” at the 22nd fret (Figure 36).  
—Turn the screws clockwise to raise the  
height of the string saddle, thus increasing  
the string height.  
22nd Fret  
1
/
8
"
—Turn the screws counterclockwise to  
lower the height of the string saddle, thus  
decreasing the string height.  
3/32"  
Figure 36. String heights over the pickup.  
2. With a Phillips head screwdriver, adjust the  
screws on each side of the pickup until the  
3
1st (G) string is /32" above the pickup and  
1
the 4th (E) string is /8" above the pickup.  
This is a suggested range and the pickup can  
be adjusted higher or lower depending upon  
your playing type.  
Figure 35. Adjusting string height.  
4. After setting the correct height for the 1st  
and 4th strings, adjust the middle strings so  
they gradually increase in height from the 1st  
string through the 4th string.  
—Turn the screws counterclockwise to raise  
the height of the pickup, therefore, decreas-  
ing the string height.  
—Turn the screws clockwise to lower the  
height of the pickup, therefore, increasing  
the string height.  
5. Remove the capo.  
3. Repeat Steps 1-2 for the other pickup.  
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Tuning  
Setting Intonation  
Tuning is an important guitar concept. If the guitar  
is not in tune, the resulting sound is unpleasant.  
These instructions explain how to tune by ear.  
You can also tune by using an electronic tuner  
such as the Grizzly H3097 Chromatic Tuner  
shown on Page 23.  
Tools Needed  
Phillips Head Screwdriver...................................1  
Qty  
Setting the intonation adjusts the length of the  
string to correct for flatness/sharpness on each  
string. This is a simple process that takes a lot of  
trial and error.  
To set the intonation:  
1. Lightly touch and then release the 1st string  
directly above the twelfth fret as you pluck  
the string to play a harmonic note.  
2. Now pluck the string while holding it fretted at  
the twelfth fret. If this note is sharper than the  
note played in Step 1, move the saddle away  
from the neck by turning the saddle adjust-  
ment screw (Figure 38) clockwise. If this  
note is flat in comparison, move the saddle  
toward the neck.  
Figure 37. Example of standard tuning.  
To tune the guitar:  
Saddle  
1. Play a Low E pitch on a piano, a tuning fork,  
or an electronic computer file.  
2. Play an open (non-fretted) 4th string and  
adjust the tuner to match the Low E.  
Note: Always tune up. If the string is tuned  
high, loosen the string to lower the pitch,  
then tune the string up to the correct note.  
Adjustment  
Screws  
3. Tune the 3rd string by playing the 4th string  
while it is being pressed (fretted) at the 5th  
fret, and then play the open 3rd string. Adjust  
the 3rd string tuner until the notes match.  
Figure 38. Saddle adjustment screws.  
Note: This can also be done with an elec-  
tronic tuner by tuning the harmonic note to  
be exactly in tune and then adjusting the  
saddle until the note played in Step 2 is also  
in tune.  
4. Tune the 2nd string by playing the 3rd string  
while it is being pressed (fretted) at the 5th  
fret, and then play the open 2nd string. Adjust  
the 2nd string tuner until the notes match.  
3. Repeat Steps 1–2 until the string is in  
tune. Repeat the process for the rest of the  
strings.  
5. Perform the same tuning step on the 1st and  
2nd string.  
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SECTION 6: REFERENCE INFO  
H0818—Fine Prepolishing Paste, 1.85 lb  
Accessories  
H4873—Medium Prepolish Liquid, 1 Qt  
H0821—High Gloss Polishing Liquid, 1 Qt  
Menzerna professional polishing compounds will  
T20501—Face Shield, 4" Crown, Clear  
T20502—Face Shield, 7" Crown, Clear  
T20448—Economy Clear Safety Glasses  
T20452—"Kirova" Anti-Relective Glasses  
T20456—"Dakura" Clear Safety Glasses  
H0736—Shop Fox® Safety Glasses  
remove any fine scratches from the finish and  
give your instrument the incredibly high gloss fin-  
ish that you are looking for.  
These glasses meet ANSI Z87.1-2003 specifica-  
tions. Buy extras for visitors or employees. You  
can't be too careful with shop safety!  
T20448  
T20452  
T20501  
Figure 41. Menzerna polishing compounds.  
G9845—6 Pc. Hollow Punch Set  
Punch perfectly round holes in one easy step.  
3
1
5
T20456  
H0736  
Includes knurl-gripped punches for 16", ⁄4", ⁄16",  
3
7
1
8", ⁄16" and 2" holes. Great for cutting gasket  
Figure 39. Our most popular eye protection.  
material!  
H3097—Chromatic Tuner  
An absolute must for any guitar player, this tuner  
allows you to tune your electric bass guitar dead  
on. Includes 9V battery.  
Figure 42. Model G9845 Punch Set.  
Figure 40. Model H3097 Chromatic Tuner.  
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H5750—Vinyl Washcoat/Sealer, 1Qt  
H5751—Nitrocellulose Lacquer, Gloss, 1 Qt  
H5752—Nitrocellulose Lacquer, Gloss, 1 Gal  
H5753—Nitrocellulose Lacquer, Satin, 1 Qt  
H5754—Nitrocellulose Lacquer, Satin, 1 Gal  
H5755—Retarder for Lacquer, 1 Qt  
H5756—Natural Filler, 1 Pint  
H5757—Mahogany Filler, 1 Pint  
H5759—Filler Reducer, 1Qt  
McFadden's nitrocellulose lacquer is the leading  
lacquer used by custom guitar builders. It sprays  
and buffs really well and is capable of giving you  
a finish that looks "wet."  
H2499—Small Half-Mask Respirator  
H3631—Medium Half-Mask Respirator  
H3632—Large Half-Mask Respirator  
H3633—Disposable Cartridge Filter Pair  
H3635—Disposable Cartridge Filter Pair  
This lightweight elastomeric facepiece has cradle  
suspension, easy adjust headstraps and low  
profile for greater field of vision and compatibility  
with normal use of glasses or goggles. Purchase  
cartridges separately depending upon intended  
application.  
Model H3633 protects against organic vapor,  
sulfur dioxide, hydrogen chloride and chlorine.  
Model H3635 protects against all particulate  
aerosols.  
Figure 43. Model H5750-59 McFadden's  
Lacquers and Fillers.  
G1530—Router Pad  
Figure 45. Half-mask respirator and disposable  
This natural rubber pad eliminates holding or  
clamping work while routing or sanding. It effec-  
tively grips the workpiece for safe non-slip routing.  
Thin pad can be easily rolled up and stored when  
not in use. Pad measures 18" x 24" x 36"  
cartridge filters.  
H6044—Samba® Deluxe Bass Strings-4  
These medium tension longscale round-wound  
stainless steel bass strings include 0.045" G-first,  
0.065" D-second, 0.085" A-third and 0.105" E-  
fourth.  
Figure 46. Model H6044 Bass Strings.  
Figure 44. Model G1530 router pad.  
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Premier Red Mirror Finish Slicon Carbide  
Waterproof Sandpaper  
Light Paper Backed A/0 Sandpaper  
Model G6194—80 Grit, 10 Pack  
Model G6195—100 Grit, 10 Pack  
Model G6196—120 Grit, 10 Pack  
Model G6197—150 Grit, 10 Pack  
Model G6198—180 Grit, 10 Pack  
Model G6199—220 Grit, 10 Pack  
Model H8912—1000 Grit, 50 Pack  
Model H8913—1200 Grit, 50 Pack  
Model H8914—1500 Grit, 50 Pack  
Model H8915—2000 Grit, 50 Pack  
Ideal for producing very fine finishes in wet appli-  
cations. Ultimate flexibility, and environmentally  
stable; resists humidity-caused curling. 50 sheets  
per package.  
Wet/Dry Silicon Carbide Sandpaper  
Model G6200—100 Grit, 10 Pack  
Model G6201—120 Grit, 10 Pack  
Model G6202—180 Grit, 10 Pack  
Model G6203—220 Grit, 10 Pack  
Model G6204—240 Grit, 10 Pack  
Model G6205—320 Grit, 10 Pack  
Model G6206—400 Grit, 10 Pack  
We offer a variety of 9" x 11" sanding sheets  
in convenient 10 packs in 80 - 220 grits for just  
about any requirement.  
Figure 47. Model H8912 Sandpaper.  
H3092—3-Pc Wood Rasp Set  
This 3 piece. Wood rasp set with rubber handles  
includes round rasp, flat rasp and half-round rasp.  
Ideal for wood carvers. Aggressive teeth remove  
wood fast for any wood shaping need. Rasps  
measure 12" overall.  
Figure 49. Assorted sandpaper.  
G2500—16 pc. Long Sanding Drum Set  
H3091—6-Pc Wood Rasp Set  
This kit consists of 5 drums in popular 12" x 12", 34  
"
Sure-grip rubber handles make this six-piece rasp  
file set a pleasure to use. Set includes round rasp  
file, square rasp file, half-round rasp file, triangu-  
lar rasp file, flat rasp file and tapered flat rasp file.  
Rasp files measure 1214" overall.  
x 1", 1"x 1", 112" x 112", and 2" x 112" sizes. Comes  
with 50, 80 and 120 grit sleeve for each drum.  
Figure 50. Model G2500 Sanding Drum Set.  
Figure 48. Model H3091 Rasp Set.  
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H8787—FAQ: Bass Guitar Care And Setup  
A hands-on guide to bass guitar repair. With  
photographs, diagrams, and sketches made by  
the author, John LeVan, and some provided by  
manufacturers. Learn how to: clean and condition  
a guitar, the re-stringing techniques of the profes-  
sionals, adjust the neck, bridge saddle, string nut,  
pickups and intonation; and carve string nuts. 80  
pages.  
H5524—30 Watt Bass Guitar Amplifier  
30 watt output power with luxurious blue  
power LED.  
1 x 10" custom made woofer. Closed back  
cabinet with two air port holes (on speaker  
baffle).  
Simple one input designed to handle both  
active and passive input. Headphone jack.  
Effect send, effect return (rear chassis).  
Volume and presence controls, three band  
passive EQ (low, mid, high).  
Very strong cabinet construction with a closed  
back and metal grill. Premium grade vinyl  
1
covering. Dimensions: 16"W X 12 4"D X 20  
1
2"H. 31 lbs.  
Figure 51. Model H8787 FAQ Book.  
H6226—412” Diagonal Side Cutters  
These drop forged, professional quality wire cut-  
ters make a neat job of trimming off excess string  
lengths. A spring action device automatically  
opens the jaws and cushion grips provide excel-  
lent control. Overall length is 412".  
Figure 53. Model H5524 Bass Guitar Amp.  
Figure 52. Model H6226 String Cutters.  
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Electrical Components  
Ground  
(To Bridge)  
Volume  
Control Pots  
Tone  
Control Pot  
Audio Jack  
Wires  
Output  
Jack  
Figure 54. Control cavity wiring.  
Ground  
Wire  
Neck  
Pickup  
Bridge  
Pickup  
Figure 55. Bridge and pickup wiring.  
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Wiring Diagram  
 
 
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