MODEL H8180/H8181
BASS GUITAR KIT
OWNER'S MANUAL
H8180
H8181
COPYRIGHT © NOVEMBER, 2007 BY GRIZZLY INDUSTRIAL, INC.
WARNING: NO PORTION OF THIS MANUAL MAY BE REPRODUCED IN ANY SHAPE
OR FORM WITHOUT THE WRITTEN APPROVAL OF GRIZZLY INDUSTRIAL, INC.
#BL10143 PRINTED IN KOREA
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Table of Contents
SECTION 1: SAFETY....................................................................................................................... 2
SECTION 2: INTRODUCTION ......................................................................................................... 3
Foreword .................................................................................................................................... 3
Contact Info................................................................................................................................ 3
SECTION 3: PARTS INVENTORY................................................................................................... 4
Inventory..................................................................................................................................... 4
Supplies/Tools............................................................................................................................ 5
Identification ............................................................................................................................... 6
SECTION 4: ASSEMBLY................................................................................................................. 7
Shaping Headstock.................................................................................................................... 7
Sanding Body............................................................................................................................. 8
Sanding Neck............................................................................................................................. 8
Finishing Neck............................................................................................................................ 9
Finishing Body............................................................................................................................ 9
Mounting Neck ......................................................................................................................... 10
Positioning Bridge .................................................................................................................... 12
Mounting Tuners ...................................................................................................................... 13
Wiring Pickups & Output Jack.................................................................................................. 14
Installing Bridge & Pickups ..................................................................................................... 15
Strap Buttons ........................................................................................................................... 16
Installing Nut ............................................................................................................................ 16
Truss Rod Cover...................................................................................................................... 17
Winding Strings........................................................................................................................ 17
SECTION 5: SETUP....................................................................................................................... 19
General..................................................................................................................................... 19
Neck Adjustment...................................................................................................................... 19
String Height ............................................................................................................................ 20
Pickup Height........................................................................................................................... 21
Tuning ...................................................................................................................................... 22
Setting Intonation ..................................................................................................................... 22
SECTION 6: REFERENCE INFO ................................................................................................... 23
Accessories.............................................................................................................................. 23
Electrical Components ............................................................................................................. 27
Wiring Diagram ........................................................................................................................ 28
WARRANTY AND RETURNS........................................................................................................ 33
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SECTION 1: SAFETY
Always wear safety glasses or goggles when operating equipment. Everyday glasses or read-
ing glasses are not safety glasses. Be certain the safety glasses you wear meet the appropri-
ate standards of the American National Standards Institute (ANSI).
Because there are various ways to cut and join wood, you can make substitutions for the methods
stated in this plan. We try to suggest the easiest methods possible. However, only you know your
skills with each piece of machinery. Never compromise your safety by using a cutting method
with which you are not comfortable. Instead, find an alternative approach that will yield the same
result.
These instructions assume that you are intimately familiar with the safe operation and use of
woodworking machinery and woodworking tools, and understand the techniques used to build this
project. If you do not qualify for both of these criteria, STOP building this project for your own
safety. Read and understand the owners manual for the machinery you intend to use, take a wood-
working class or visit your local library for more information. Woodworking machinery and tools
are inherently dangerous because they use sharp edges that can and will cause serious personal
injury including amputation and death. Do not underestimate the ability of these tools and machin-
ery to cause injury. Never operate any tool without all guards in place and always wear approved
safety glasses. For your own safety, please heed this warning.
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SECTION 2: INTRODUCTION
Foreword
Contact Info
We are proud to offer the Model H8180/H8181
Bass Guitar Kit. This kit is a part of a growing
Grizzly family of fine woodworking products.
When assembled according to the guidelines
set forth in this manual, you can expect years of
enjoyment from your guitar.
If you have any comments regarding this manual,
please write to us at the address below:
Grizzly Industrial, Inc.
C
/
O
Technical Documentation Manager
P.O. Box 2069
Bellingham, WA 98227-2069
Email: manuals@grizzly.com
The drawings and photographs illustrated in
this manual represent the Model H8180/H8181
when the manual was prepared. However, owing
to Grizzly’s policy of continuous improvement,
changes may be made at any time with no obliga-
tion on the part of Grizzly.
We stand behind our products. If you have any
service questions or parts requests, please call
or write us at the location listed below.
Grizzly Industrial, Inc.
1203 Lycoming Mall Circle
Muncy, PA 17756
Phone: (570) 546-9663
Fax: (800) 438-5901
For your convenience, we always keep current
Grizzly manuals available on our website at
www.grizzly.com. Any updates to your kit will be
reflected in these manuals as soon as they are
complete. Visit our site often to check for the lat-
est updates to this manual!
E-Mail: techsupport@grizzly.com
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SECTION 3: PARTS INVENTORY
Inventory
1
2
REF PART#
DESCRIPTION
QTY
1
1
1
1
1
6
6
1
1
1
2
4
1
1
1
2
2
4
1
1
3
3
4
4
4
4
1
1
2
2
6
6
4
4
6
6
8
8
4
4
1
PH8180001 Bass Guitar Body (H8180 )
PH8181001 Bass Guitar Body (H8181)
PH8180002 Neck
PH8180003 Silver Neckplate (H8180)
PH8181003 Gold Neckplate (H8181)
PH8180004 Silver Tuning Machine (H8180)
PH8181004 Gold Tuning Machine (H8181)
PH8180005 Wiring Harness
PH8180006 Silver Bridge (H8180)
PH8181006 Gold Bridge (H8181)
PH8180007 Pickup
PH8180008 String
PH8180009 Control Cover Plate
2
3
4
5
6
Figure 1. Boxed components.
7
8
9
3
10 PH8180010 Silver Output Jack (H8180)
PH8181010 Gold Output Jack (H8181)
11 PH8180011 Silver Strap Button (H8180)
PH8181011 Gold Strap Button (H8181)
12 PH8180012 Compression Spring
13 PH8180013 String Nut
4
9
8
7
5
6
14 PH8180014 Truss Rod Cover
15 PH8180015 Silver Control Knob (H8180)
PH8181015 Gold Control Knob (H8181)
16 PH8180016 Silver Hex Nut Bushing 1/2" (H8180)
PH8181016 Gold Hex Nut Bushing 1/2" (H8181)
17 PH8180017 Silver Flat Washer 1/2" (H8180)
PH8181017 Gold Flat Washer 1/2" (H8181)
18 PAW01.5M Hex Wrench 1.5mm
Figure 2. Guitar parts.
24
25
23
22
21
19 PAW04M
Hex Wrench 4mm
10
20 PH8180020 Silver Screw #2 x 3/8" (H8180)
PH8181020 Gold Screw #2 x 3/8" (H8181)
21 PH8180021 Silver Screw #2 x 1/2" (H8180)
PH8181021 Gold Screw #2 x 1/2" (H8181)
22 PH8180022 Silver Screw #2 x 1-3/8 (H8180)
PH8181022 Gold Screw #2 x 1-3/8 (H8181)
23 PH8180023 Silver Screw #4 x 1/2" (H8180)
PH8181023 Gold Screw #4 x 1/2" (H8181)
24 PH8180024 Silver Screw #4 x 1" (H8180)
PH8181024 Gold Screw #4 x 1" (H8181)
11
20
19
12
13
18
14
17
15
16
Figure 3. More guitar parts.
25 PH8180025 Silver Screw #10 x 1-3/4" (H8180)
PH8181025 Gold Screw #10 x 1-3/4" (H8181)
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•
•
•
•
•
•
•
•
•
•
•
•
Masking Tape
Bandsaw with 1/4" Blade or Coping Saw
Tack Cloth or Soft Cloth
Sanding Sealer
Supplies/Tools
Most wood components in this kit are fully
machined at the factory and are ready for assem-
bly. A small amount of sanding and finishing is
needed to complete your guitar.
Assorted Wood Files
Buffing Compounds
Oil Wood Finish
Soldering Iron and Solder
Peghead Reamer or a Round Rasp File
Tweezers, Pliers, Wire Cutters
C-Clamps
Temporary Wood Handle:
Approximately 1" x 2" x 16"
Guitar Capo
Recommended Tools & Supplies:
•
•
•
•
•
•
•
•
•
Sharp Pencil
Carbon Paper
Drill Press
Drill Bits: 1⁄16", 3⁄32", 9⁄64", 5⁄32", 5⁄16", 11⁄32", 1⁄4
Electric/Cordless Drill
Depth Stop
"
•
•
•
•
•
•
•
•
Feeler Gauge Set
Spray Primer and Finish (See Note Below)
18" Metal Straightedge (1⁄32" Resolution)
36" Metal Straightedge
Steel Ruler (1⁄64" Resolution)
Wood Dowel
NIOSH Approved Respirator
ANSI Approved Safety Glasses
Aluminum-Oxide Sandpaper #150, #220 and
#320 Grit
Wet and Dry Sandpaper #400, #600, and
#1000 Grit
•
Wood Blocks: 4" x 4" x 12" (2)
•
•
•
•
•
Flexible Sanding Block
Wood Glue
Chisel or Razor Blade
Note: Use the same type of paint for primer
and finish—either enamel or lacquer base.
Do not use different base paints for priming
or finishing or your results may not be desir-
able.
Phillips Screwdriver #1, #2
1
⁄4" Steel Rod or a Coat Hanger
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Identification
Neck Pocket
Bridge
Saddle
Pickups
Strap
Button
Fret
Tone
Knob
Neck
Volume
Knobs
Output
Jack
Figure 4. Model H8180/H8181 controls.
String Slot
Nut
Tuner or
Tuning
Machine
Tuning Post
Truss Rod
Cover
Headstock
Figure 5. Model H8180/H8181 headstock features.
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SECTION 4: ASSEMBLY
Note: To determine the string slot (Figure 5)
Shaping Headstock
locations, you can place the nut on the draw-
ing and mark the slots. If the strings cross the
nut at a sharp angle, this increases friction
and makes tuning difficult. It also increases
the risk of the strings pulling out of the nut
slots.
The headstock for these models comes unfin-
ished so you can cut it to your own design. These
instructions will guide you through designing the
shape of the headstock and placing pegholes.
4. Redraw your final headstock shape onto
the headstock with a pencil or with carbon
paper.
Components Needed
Guitar Neck ....................................................... 1
Qty
Tools Needed
5. Cut the headstock out with a bandsaw or
coping saw. Be sure to cut only to the outside
edge of your pencil line.
Sharp Pencil ......................................................1
Paper or Carbon Paper........................... Various
Bandsaw with a 1⁄4" Blade or a Coping Saw .....1
Round Rasp Files.................................. Assorted
Woodworking Files................................ Assorted
Drill Press with 1/2" Drill Bit .................................1
Note: To cut sharp corners, cut several slots
perpendicular to the corner, then cut out the
small pieces. This will reduce binding on the
blade.
To shape the headstock:
6. Carefully hand file and sand the headstock to
1. Trace the headstock on a piece of paper. Test
various ideas for headstock shapes on paper
before cutting into the headstock.
finalize the shape.
7. Mark the pegholes onto the headstock.
8. Using a 1/2" bit, drill a hole through the top of
the headstock for each tuner shaft, making
sure each hole is perpendicular to the head-
stock surface, as shown in Figure 7.
2. Layout pegholes for the tuners. Space the
centers of the pegholes far enough apart so
the tuners will not interfere with each other
3
when turned and are a minimum of ⁄4" from
the edge of the headstock.
3. Draw the path of the strings onto the test
paper to ensure that the strings do not inter-
fere with each other as shown in Figure 6.
���"
����
Figure 7. Drilling the pegholes.
9. Carefully use a round rasp to widen the
pegholes enough so the tuner shafts fit snug-
ly in the pegholes.
Figure 6. Example of string paths and peghole
locations.
-7-
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6. Repeat Step 4 & 5.
Sanding Body
Note: If you want to stain your guitar, the
stain should be applied now before con-
tinuing with the next step. Stains cannot be
applied to the guitar body after the sanding
sealer is applied.
The guitar body has been sanded at the factory,
but it is up to you to do the final sanding before
the finish is applied. To get a good finish, the
body should be sanded with a series of sandpa-
per grits up to #320 grit.
7. Apply a primer if you plan to paint the guitar
a solid color. Apply a coat of sanding sealer
if you stained the guitar. Use the sealer
or primer according to the manufacturer's
instructions.
Components and Hardware Needed:
Guitar Body ....................................................... 1
Qty
To sand the guitar body:
Note: Make sure the primer or sealer you use
is compatible with your finish.
1. Wear a NIOSH-approved respirator and
ANSI-approved safety glasses when
sanding wood!
8. When the sanding sealer or primer is dry, use
#320 grit sandpaper for final sanding. DO
NOT sand through to bare wood.
2. Use a flexible sanding block with #150 grit
aluminum-oxide sandpaper to sand the gui-
tar body until there is a consistent scratch
pattern on the entire surface.
Sanding Neck
Note: DO NOT round over the neck pocket
or the body cavities.
Like the guitar body, the guitar neck has been
rough sanded at the factory. Final sanding should
be done as described in the previous sub-sec-
tion Sanding Body. Consider applying inlays or
additional design work on the fretboard and head-
stock before final sanding.
When hand sanding, always sand in the
same direction as the wood grain.
3. Resand the entire guitar body with #220 grit
sandpaper and lightly round over the out-
side edges of the body.
Note: If you are considering inlays or other
design work, take time to test your designs in
scrap wood before performing the work on the
instrument.
4. Wipe the guitar body with a damp cloth to
“raise” the wood grain.
5. Wait until the wood is dry and resand the
entire body with #220 grit sandpaper to sand
the “raised” grain smooth.
The fretboard requires no sanding. Sanding the
fretboard will affect the playability of the guitar
and could lead to irreparable damage.
-8-
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Finishing Neck
Some of the finishing options include stains, lac-
quers, varnishes and oil finishes. Traditionally,
this style of guitar has a clear finish on the neck.
Depending on the type, finishes can be applied
with a spray gun, brush, rag, or a spray can.
Finish materials and books on finishing instru-
ments can be ordered through Grizzly Industrial
or numerous luthier supply catalogs.
Figure 8. Scraping the fretboard.
7. Let the wood dry naturally and completely.
8. Use a clean rag to wipe wood finishing oil on
Components and Hardware Needed:
Qty
the dried surface of the fretboard.
Guitar Neck ....................................................... 1
To finish the guitar neck:
Finishing Body
1. Mask off the surface of the fretboard. Carefully
press all the masking tape edges securely to
the fretboard. The finish coat can seep under
these edges, especially near corners, uneven
edges, and places where the frets meet the
fingerboard.
This guitar looks incredible with a clear finish that
highlights the wood grain patterns. The surface
can be stained prior to finishing or a transparent
pigment can be added to the finish. These instruc-
tions guide you through a very basic finishing pro-
cess. Books describing different guitar finishing
techniques are available through luthier supply
catalogs, or through your local library. Clear finish
materials and books on finishing can be ordered
through Grizzly Industrial. Finishing a guitar is a
difficult task. If you are unsure of your skills, do
your research, practice on scrap wood, or take it
to a professional.
1
2. Make an "S" shaped hook out of /4" steel
rod or a coat hanger that has been folded in
half.
3. Wipe the entire neck with a tack cloth to
remove any dust.
4. Thread the hook through an upper peghole
and hang the neck in the finishing room.
Components and Hardware Needed:
Qty
Guitar Body ....................................................... 1
Most finishes are hazard-
ous to your health. Wear a
NIOSH/OSHA approved res-
pirator with particulate and
gas/vapor filters, safety
glasses, rubber gloves, and
work in a well ventilated area
when finishing.
To finish the guitar body:
1. Mask off the neck pocket (Figure 4). Press
the masking tape tight against the edges of
the pocket so the finish does not seep under
the tape.
2. Screw through the neck pocket screw holes
into a long piece of wood to use for a handle
during spraying. Drill a hole in the end of this
temporary handle for hanging from a hook.
5. Apply the finish according to Finishing Body,
Steps 5–10.
6. Before wet sanding, remove the masking
tape from the fretboard and carefully scrape
any excess finish off the fretboard with a
razor blade or chisel held perpendicular to
the surface, as shown in Figure 8.
3. Wipe the entire guitar body with a tack cloth
to remove all dust.
4. Thread the hook through the temporary han-
dle and hang the body in the finish room.
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5. Apply several thin coats of the finish, follow-
ing the manufacturer's instructions. Multiple
thin coats usually produce a better quality
finish than one heavy coat.
Mounting Neck
Components and Hardware Needed:
Qty
Guitar Body ....................................................... 1
Neck .................................................................. 1
Silver Neckplate ................................................ 1
Screws #10 x 13/4" ............................................. 4
6. Sand the entire body with #400 grit wet and
dry sandpaper after at least three coats of fin-
ish have been applied. DO NOT sand through
the finish—be careful on the edges.
Unless otherwise indicated, we strongly recom-
mend using a drill press for the majority of drilling
to obtain the most precise results. However, an
electric/cordless drill fitted with a depth stop or a
drill stand can be used if you do not have a drill
press.
7. Apply more finish, sanding between coats,
until the finish is the desired thickness.
Note: If finishing with a solid color, you may
wish to apply several coats of a clear finish
over the top, sanding between coats, to add
depth to the finish.
We recommend using a hollow punch (see Page
23, Accessories) to carve out holes in the finish
before drilling any holes. Also, a router pad can
help reduce scratches in the finish.
8. When the final coat has dried at least a week,
preferably a month, remove the temporary
handle and masking.
To mount the neck to the guitar body:
9. Wet sand the finish using #600 grit wet and
dry sandpaper using a sanding block, fol-
lowed with #1000 grit wet and dry sandpa-
per.
1. Insert the neck into the neck pocket, and
check to make sure the neck and body are
flush as shown in Figure 9.
10. Buff the finish by hand or with a buffer, start-
ing with a medium polish and working up to a
high gloss polish.
Note: If using a buffing machine, be careful
to avoid going through the finish, especially
on the edges.
NOTICE
Dust particles suspended in the air will
settle on wet finishes, causing less than sat-
isfactory results. To avoid this problem:
• Leave the finishing room undisturbed
for 24 hours before applying the finish.
Figure 9. Making neck and body flush.
2. Clamp the neck and body together.
• Avoid making unnecessary movements
when entering the finish room.
3. Set the guitar facedown on top of two 4x4's or
two 2x4's (cut to 12") for support.
• Apply the finish to the desired parts and
immediately leave the room.
• DO NOT return to the room until the
specified drying time has elapsed.
-10-
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3
4. Insert a ⁄16" drill bit into each neck hole
(Figure 10). While pressing down slightly,
twist the drill bit by hand to make pilot holes
in the neck.
Figure 11. Example of using screw tip depth to
set depth stop.
Figure 10. Example of making a pilot hole in the
5. Set the neck fretboard face down on the drill
press table, and set the depth stop to the
mark from Step 4.
neck.
5. Unclamp the neck from the body.
To drill mounting holes in the neck:
To determine neck mounting hole depth:
9
1. Lower a 9⁄64" drill bit over the center of the pilot
1. Secure a ⁄64" drill bit in the drill press chuck,
holes and drill the holes to the correct depth.
raise the table, and set the neck and fretboard
down on top of a clean piece of scrap wood
on the table.
To mount the neck to the body:
1. Insert the neck into the neck pocket, and
2. Set the drill press depth stop so the tip of
the bit will ONLY drive half way through the
neck.
place the neckplate on the body.
Note: Do not glue the neck to the body.
Note: Correctly set the depth stop or the bit
may drill through the fretboard!
2. Align the mounting holes in the neck, body,
and neckplate.
Another way to determine neck mounting hole
depth (Optional):
3. Fasten the four #10 x 13/4" screws, but do not
final tighten them (Figure 12).
1. Insert the neck into the neck pocket.
2. Place the neckplate on top of the body so a
mounting hole protrudes beyond the body
and neck (see Figure 11).
3. Insert a #10 x 13/4" screw through the plate
so it hangs down to the side of the neck and
body.
4. Gently mark the screw tip depth with a pen-
cil.
Figure 12. Example of fastening neck to body.
Note: You may want to cover the screw tip
marking location with masking tape to avoid
scratching the finish.
-11-
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Positioning Bridge
Nut
Slot
The following steps require you to mark the guitar
body. To avoid damaging the finish, place mask-
ing tape on the guitar body and gently mark the
tape.
Components and Hardware Needed:
Qty
Guitar Body and Neck (Assembled).................. 1
Bridge................................................................ 1
To position the bridge:
Figure 14. Example of measuring 34" from nut
1. Place a 36" long straightedge over the center
of the fretboard inlays and over the body, so
it aligns with the strap button hole, then mark
the center line on the guitar body (Figure
13).
along center line.
Bridge
Pickup
Cavity
Set
Screw
13⁄4
"
Bridge Point
Lower Saddle Adj. Screw
Strap
Button
Hole
Figure 15. Bridge point, and lower G string
saddle adjustment screw.
3. Place the bridge on the body so it is approxi-
mately 13/4" from the bridge pickup cavity
and align it with the center line, as shown in
Figure 15.
Figure 13. Marking center line.
—If the strap button hole is not pre-drilled,
or you do not want to use the strap button
hole as a center line marker, place a ruler
across the body at several locations and
mark the center line.
4. Using a Phillips head screwdriver, turn the
G string saddle adjustment screw so the set
screws shown in Figure 15 are centered over
the bridge point.
2. Using the straightedge, measure 34" from
the fretboard side of the nut slot (Figure
14) along the center line to the bridge point
(Figure 15), and mark this location on the
guitar.
5. Using a Phillips head screwdriver, turn the
lower saddle adjustment screw so the set
screws shown in Figure 15 are centered over
the bridge point.
6. Mark the bridge mounting holes.
7. Using a 3/32" bit, drill the five bridge mounting
holes 7/8" deep.
-12-
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Mounting Tuners
Components and Hardware Needed:
Qty
Neck .................................................................. 1
Tuners................................................................ 4
Screws #2 x 1/2 .................................................. 4
Hex Nut Bushings 1/2"........................................ 4
Flat Washers 1/2" ............................................... 4
To install the tuners:
1. Place the neck fretboard down on a flat sur-
face and insert the tuners into the headstock
holes.
Figure 17. Drilling tuner mounting holes.
Note: Drilling the holes deeper than 5⁄8" could
result in drilling out through the top of the
headstock. Set the correct depth with the
depth stop on your drill press.
2. Position the tuners so they are perpendicular
to the edge of the headstock, and mark the
mounting holes (Figure 16).
5. Insert the tuner shafts through the holes in
the back of the headstock and secure them
with the #2 x 1/2" screws.
Mounting
Hole
6. Turn the neck face up, slide a washer over
each tuner post and screw a hex nut bushing
onto each tuner, as shown in Figure 18.
Washer
Figure 16. Tuners positioned.
3. Remove the tuners.
—If the neck is attached to the body, remove
it now.
Hex Nut
Bushing
4. Place a backing board under the headstock
1
3
and, using a ⁄16" drill bit, drill four ⁄8" deep
holes into the back of the headstock at the
marks from Step 2 (Figure 17).
Figure 18. Tuners installed on headstock.
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4. Solder the audio jack wires onto the output
jack, as shown in the Wiring Diagram on
Page 28 and the Electrical Components on
Page 27.
Wiring Pickups &
Output Jack
5. Insert the ground wire through the hole in the
control cavity and through the hole in the top
of the body. Temporarily secure the end of
the ground wire with masking tape.
This guitar comes with a wiring harness that has
most of the components soldered in place. You
only need to solder the pickup wires onto the
volume control pots and the audio jack wire onto
the output jack. If done incorrectly, the soldering
can damage the components. If you are unsure
of your skills, do your research, practice on scrap
wires, or take it to someone with experience.
6. Flip the guitar body face up, thread the pickup
wires through the holes in the pickup cavities
(Figure 20) and temporarily tape the pickups
to the body with masking tape.
Refer to the Wiring Diagram on Page 28 and the
Electrical Components on Page 27 while wiring
the pickups and output jack.
Components and Hardware Needed:
Qty
Guitar Body ....................................................... 1
Wiring Harness.................................................. 1
Bridge Pickup .................................................... 1
Neck Pickup ...................................................... 1
Output Jack ....................................................... 1
To wire the pickups:
1. Remove the hex nut and flat washer from
Location to Insert Pickup Wires
each control pot on the wiring harness.
Figure 20. Pickup cavities.
2. Insert the control pots through the holes in
the control cavity, and secure the pots on the
front of the guitar with the hex nuts and wash-
ers removed in Step 1.
7. Flip the guitar face down and solder the
pickup wires onto the volume control pots,
as shown in the Wiring Diagram on Page
28 and the Electrical Components on Page
27.
3. Insert the output jack into the hole in the end
of the body (Figure 19) and secure it with the
included hex nut.
Bridge
Pickup
Wire
Neck
Pickup
Wire
Ground
Wire
Audio
Jack
Wire
Tone
Control
Pot
Volume
Control
Pots
Output
Jack
Figure 19. Wires threaded through control
cavity.
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Installing Bridge &
Pickups
Mounting
Screw
To reduce humming in your amp, the ground wire
must contact the bridge plate.
Saddle Adj.
Screw
Components and Hardware Needed:
Qty
Guitar Body ....................................................... 1
Bridge ................................................................ 1
Screws #4 x 1" .................................................. 5
Control Cover Plate........................................... 1
Screws #4 x 1/2"................................................. 5
Pickups.............................................................. 2
Screws #2 x 13/8"............................................... 5
Compression Springs........................................ 4
Figure 22. Bridge installed.
4. Place the control cover plate on the body so
it completely covers the control cavity, silver
foil side down, and mark the mounting holes.
5
5. Using a /64" bit, drill the mounting holes—
being careful not to break off the cavity
edges, and secure the control cover plate
with the #4 x 1/2" screws.
To install the bridge, control plate, and pick-
ups:
1. Remove tape from the end of the ground wire
and place the exposed portion of the wire
over the edge of the ground wire cavity, as
shown in Figure 21.
6. Remove tape from the pickups, and install
each pickup into a cavity with the two #2 x
13/8" screws and compression springs, as
shown in Figure 23. Install the bridge pickup,
which has a silver and red wire into the bridge
cavity; install the neck pickup, which has a
white and silver wire in the cavity closest to
the neck.
Ground Wire
Neck Pickup
Bridge Pickup
Compression
Spring
#2 x 13/8
Screw
"
Figure 21. Ground wire above cavity.
Figure 23. Installing pickups.
2. Place the bridge over the cavity so the plate
contacts the wire.
Note: The top of each pickup should be flat
or even with the body, not angled. You will
adjust the heights of the pickups later in this
manual.
3. Secure the bridge with the #4 x 1" screws, as
shown in Figure 22, making sure the saddle
adjustment screw heads point away from the
neck.
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Strap Buttons
Installing Nut
Components and Hardware Needed:
Qty
The strap buttons are positioned on the guitar as
Guitar Body ....................................................... 1
Nut ................................................................... 1
Neck .................................................................. 1
Neckplate........................................................... 1
Screws #10 x 13/4" ............................................. 4
shown in Figure 24.
Bass
Horn
To install the nut:
1. Use a chisel or razor blade to scrape any fin-
ish out of the nut slot. DO NOT remove any
wood from the nut slot.
2. Slide the nut into the slot.
Strap
Buttons
—If the nut will not fit into the slot, sand one
side of the nut on a piece of sandpaper
until it fits snugly into the slot as shown in
Figure 25. Note: Make sure the large slots
on the nut are toward the top of the neck.
Figure 24. Strap button placement.
Components and Hardware Needed
Qty
Guitar Body ....................................................... 1
Screws #4 x 1" .................................................. 2
Strap Buttons..................................................... 2
Large Slot
To attach the strap buttons to the guitar:
1. If the strap button holes are not already
3
1
drilled, use a /32" bit to drill /2" deep holes
at the end of the guitar—on the center line—
and on the bass horn (Figure 24).
Nut
2. Secure each of the strap buttons to the guitar
Figure 25. Nut installed.
body with a #4 x 1" screw.
3. Remove the nut, spread a thin layer of glue
in the nut slot, and center the nut in the nut
slot.
4. Install the neck onto the body using the #10 x
13/4" screws and neckplate.
5. Install the truss rod cover and the strings, as
described on Page 17, to hold the nut in place
until the glue dries.
6. Wipe away the excess glue before it sets up,
then allow the glue to dry for 24 hours.
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Truss Rod Cover
Winding Strings
Components and Hardware Needed:
Qty
The correct position of the guitar strings is shown
in Figure 27. The thin high "G" string is the "1st"
(bottom) string and the thick low "E" string is the
"4th" (top).
Guitar................................................................. 1
Truss Rod Cover ............................................... 1
Screw #2 x 3⁄8" ................................................... 1
To install the truss rod cover:
Components and Hardware Needed:
Qty
Guitar................................................................. 1
Strings ............................................................... 4
1. Center the truss rod cover over the hole for
the truss rod and press it against the nut.
2. Mark the mounting hole, use a 1⁄16" drill bit to
3
drill a ⁄8" deep hole into the headstock, and
3
secure the truss rod cover with the #2 x ⁄8
screw.
"
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�
�
�
�
�
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Figure 27. Example of correct string locations.
To install the strings:
#2 x 3⁄8
screw
"
1. Thread a string through the hole in the bridge
(Figure 28) across the saddle, over the nut,
and through the hole in the corresponding
tuning post.
Figure 26. Truss rod cover installed.
Saddle
Figure 28. 1st string installed.
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2. Allow only enough slack in the string for 2-3
rotations around the tuning post.
Tuning Post
String End
Note: If too much slack is allowed, then the
string could wind off the tuning post after
many successive rotations. If not enough
slack is allowed, then the string may not hold
the winding tension.
Slot
3. Use wire cutters (optional) to cut off excess
string.
4. Bend the string at a right angle and insert it
into the tuning post slot.
Figure 29. String wrapped around tuning post.
5. Rotate the tuners until the string just begins
to hold the winding tension (Figure 29).
6. Repeat the above process for the remaining
strings.
Note: DO NOT tighten the strings beyond the
initial tensioning at this time. Final tensioning
should be completed during the string tuning
process.
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SECTION 5: SETUP
2. Place a straightedge between the G and D
General
strings, from the 1st fret to the 17th. Measure
any gaps between the straightedge and the
frets with the feeler gauge to determine if the
neck is straight, bowed up or bowed down
(Figure 30). Figure 31 shows an example of
a slightly upbowed neck.
Guitar set up is an art that requires skill, patience
and experience. If you have the patience, you can
acquire the skill and experience. If you don't have
the patience, you may want to have your guitar
set up by a qualified guitar technician.
Up Bow
This section presents an overview of setup prac-
tices. We highly recommended that you research
more in-depth methods. Books on setting up
electric guitars can be ordered through Grizzly
Industrial, luthier supply catalogs, or may be
available through your local library.
Down Bow
Figure 30. Neck bow.
Neck Adjustment
The guitar neck was adjusted perfectly straight
before it was packaged; however, the moisture
content of wood acclimates to the humidity of
the surrounding environment. This characteristic
results in movement of the wood components
with regards to alignment. The neck may require
adjustment several times each year, especially in
regions where the seasonal climate changes are
more drastic.
Bow Curvature
Figure 31. Slightly up-bowed neck (viewed down
neck from headstock).
Components and Hardware Needed:
Qty
Guitar with Strings Installed .............................. 1
—If the neck is flat, or bowed up 0.012" or
less, it is set up correctly. Continue to the
next subsection.
Tools Needed
Metal Straightedge 18".......................................1
Hex Wrench 4mm...............................................1
Feeler Gauge Set...............................................1
Phillips Head Screwdriver...................................1
—If the gap is greater than 0.012", or if the
neck bows down away from the straight-
edge, continue to Step 3.
To adjust the bow of the guitar neck:
Tip: Your playing style will also dictate how
much action (string height above the frets)
your bass should have. For fast playing,
low action, set the neck to bow up less than
0.012". Heavy-handed players or those who
use a capo may want to adjust the neck to
bow up more than 0.012".
1. Tighten the strings to playing tension.
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3. Loosen the strings, turn the truss rod cover
out of the way, and turn the truss rod nut in
the base of the neck (Figure 32) counter-
clockwise to release tension on the neck.
Retighten until the nut begins to grab.
String Height
Tools Needed
Qty
Hex Wrench 1.5mm............................................1
Guitar Capo........................................................1
Metal Straightedge .............................................1
Steel Ruler (1⁄64" Resolution)...............................1
Correct string height is crucial for maximizing
the playability of your electric guitar. The action
or string height is the distance between the top
face of the fret and the bottom face of the string
(Figure 33). Adjust the action depending upon
your playing type. If you play with a light touch, set
the action low, if you play heavy-handed, set the
action higher to avoid fret buzz.
Figure 32. Example of truss rod nut.
String
4. To flatten an up-bow, turn the truss rod nut
a 1/4 turn clockwise—tightening the truss rod.
To correct a down-bow, turn the nut a 1/4 turn
counterclockwise—loosening the truss rod.
String Height
(Action)
Fret
5. Tighten the strings and recheck the neck with
the straightedge.
Fingerboard
—If the neck is correctly adjusted, secure the
truss rod cover, and go to the next sub-
section.
Figure 33. String height measurement.
To adjust the string height:
—If the neck is still out of adjustment return
to Step 3. It may take some trial and error
to find the right amount of truss rod tension
and neck bow.
1. Place a capo on the 1st fret.
2. Measure the string height at the twelfth fret as
shown in Figure 34.
6. Replace the truss rod cover and tighten the
The 1st (G) string measurement should be
5/64", the 4th (Low E) string measurement
should be 6/64". This is a suggested range and
the strings can be adjusted higher or lower
depending upon your playing type.
strings.
—If the string heights are correct, then con-
tinue to Pickup Height on Page 21.
—If the string heights are incorrect at the
12th fret, then continue to the next step.
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4th String: 6/64"
Guitar Body
Pickup Height
Pickup height can have a dramatic effect on the
audio output signal. The closer the strings are
to the pickup, the higher the audio output signal
will be. If the strings are too close, distortion is
caused by magnetic interference from the elec-
tronic components.
�
�
�
�
�
�
�
�
Tools Needed
Qty
Metal Straightedge .............................................1
Phillips Head Screwdriver...................................1
1st String:
5/64"
12th Fret
Figure 34. Correct 12th fret string heights.
To measure the string height at the pickup:
3. Use the included 1.5mm hex wrench to adjust
the saddle height setscrews (Figure 35) until
the string heights are correct.
1. Measure the height of the 1st (G) and 4th
(E) strings at the pickup while the strings are
“fretted” at the 22nd fret (Figure 36).
—Turn the screws clockwise to raise the
height of the string saddle, thus increasing
the string height.
22nd Fret
1
/
8
"
—Turn the screws counterclockwise to
lower the height of the string saddle, thus
decreasing the string height.
�
�
�
�
�
�
�
�
3/32"
Figure 36. String heights over the pickup.
2. With a Phillips head screwdriver, adjust the
screws on each side of the pickup until the
3
1st (G) string is /32" above the pickup and
1
the 4th (E) string is /8" above the pickup.
This is a suggested range and the pickup can
be adjusted higher or lower depending upon
your playing type.
Figure 35. Adjusting string height.
4. After setting the correct height for the 1st
and 4th strings, adjust the middle strings so
they gradually increase in height from the 1st
string through the 4th string.
—Turn the screws counterclockwise to raise
the height of the pickup, therefore, decreas-
ing the string height.
—Turn the screws clockwise to lower the
height of the pickup, therefore, increasing
the string height.
5. Remove the capo.
3. Repeat Steps 1-2 for the other pickup.
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Tuning
Setting Intonation
Tuning is an important guitar concept. If the guitar
is not in tune, the resulting sound is unpleasant.
These instructions explain how to tune by ear.
You can also tune by using an electronic tuner
such as the Grizzly H3097 Chromatic Tuner
shown on Page 23.
Tools Needed
Phillips Head Screwdriver...................................1
Qty
Setting the intonation adjusts the length of the
string to correct for flatness/sharpness on each
string. This is a simple process that takes a lot of
trial and error.
To set the intonation:
�
�
1. Lightly touch and then release the 1st string
directly above the twelfth fret as you pluck
the string to play a harmonic note.
�
�
�
�
�
�
2. Now pluck the string while holding it fretted at
the twelfth fret. If this note is sharper than the
note played in Step 1, move the saddle away
from the neck by turning the saddle adjust-
ment screw (Figure 38) clockwise. If this
note is flat in comparison, move the saddle
toward the neck.
Figure 37. Example of standard tuning.
To tune the guitar:
Saddle
1. Play a Low E pitch on a piano, a tuning fork,
or an electronic computer file.
2. Play an open (non-fretted) 4th string and
adjust the tuner to match the Low E.
Note: Always tune up. If the string is tuned
high, loosen the string to lower the pitch,
then tune the string up to the correct note.
Adjustment
Screws
3. Tune the 3rd string by playing the 4th string
while it is being pressed (fretted) at the 5th
fret, and then play the open 3rd string. Adjust
the 3rd string tuner until the notes match.
Figure 38. Saddle adjustment screws.
Note: This can also be done with an elec-
tronic tuner by tuning the harmonic note to
be exactly in tune and then adjusting the
saddle until the note played in Step 2 is also
in tune.
4. Tune the 2nd string by playing the 3rd string
while it is being pressed (fretted) at the 5th
fret, and then play the open 2nd string. Adjust
the 2nd string tuner until the notes match.
3. Repeat Steps 1–2 until the string is in
tune. Repeat the process for the rest of the
strings.
5. Perform the same tuning step on the 1st and
2nd string.
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SECTION 6: REFERENCE INFO
H0818—Fine Prepolishing Paste, 1.85 lb
Accessories
H4873—Medium Prepolish Liquid, 1 Qt
H0821—High Gloss Polishing Liquid, 1 Qt
Menzerna professional polishing compounds will
T20501—Face Shield, 4" Crown, Clear
T20502—Face Shield, 7" Crown, Clear
T20448—Economy Clear Safety Glasses
T20452—"Kirova" Anti-Relective Glasses
T20456—"Dakura" Clear Safety Glasses
H0736—Shop Fox® Safety Glasses
remove any fine scratches from the finish and
give your instrument the incredibly high gloss fin-
ish that you are looking for.
These glasses meet ANSI Z87.1-2003 specifica-
tions. Buy extras for visitors or employees. You
can't be too careful with shop safety!
T20448
T20452
T20501
Figure 41. Menzerna polishing compounds.
G9845—6 Pc. Hollow Punch Set
Punch perfectly round holes in one easy step.
3
1
5
T20456
H0736
Includes knurl-gripped punches for ⁄16", ⁄4", ⁄16",
3
7
1
⁄
8", ⁄16" and ⁄2" holes. Great for cutting gasket
Figure 39. Our most popular eye protection.
material!
H3097—Chromatic Tuner
An absolute must for any guitar player, this tuner
allows you to tune your electric bass guitar dead
on. Includes 9V battery.
Figure 42. Model G9845 Punch Set.
Figure 40. Model H3097 Chromatic Tuner.
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H5750—Vinyl Washcoat/Sealer, 1Qt
H5751—Nitrocellulose Lacquer, Gloss, 1 Qt
H5752—Nitrocellulose Lacquer, Gloss, 1 Gal
H5753—Nitrocellulose Lacquer, Satin, 1 Qt
H5754—Nitrocellulose Lacquer, Satin, 1 Gal
H5755—Retarder for Lacquer, 1 Qt
H5756—Natural Filler, 1 Pint
H5757—Mahogany Filler, 1 Pint
H5759—Filler Reducer, 1Qt
McFadden's nitrocellulose lacquer is the leading
lacquer used by custom guitar builders. It sprays
and buffs really well and is capable of giving you
a finish that looks "wet."
H2499—Small Half-Mask Respirator
H3631—Medium Half-Mask Respirator
H3632—Large Half-Mask Respirator
H3633—Disposable Cartridge Filter Pair
H3635—Disposable Cartridge Filter Pair
This lightweight elastomeric facepiece has cradle
suspension, easy adjust headstraps and low
profile for greater field of vision and compatibility
with normal use of glasses or goggles. Purchase
cartridges separately depending upon intended
application.
Model H3633 protects against organic vapor,
sulfur dioxide, hydrogen chloride and chlorine.
Model H3635 protects against all particulate
aerosols.
Figure 43. Model H5750-59 McFadden's
Lacquers and Fillers.
G1530—Router Pad
Figure 45. Half-mask respirator and disposable
This natural rubber pad eliminates holding or
clamping work while routing or sanding. It effec-
tively grips the workpiece for safe non-slip routing.
Thin pad can be easily rolled up and stored when
not in use. Pad measures 1⁄8" x 24" x 36"
cartridge filters.
H6044—Samba® Deluxe Bass Strings-4
These medium tension longscale round-wound
stainless steel bass strings include 0.045" G-first,
0.065" D-second, 0.085" A-third and 0.105" E-
fourth.
Figure 46. Model H6044 Bass Strings.
Figure 44. Model G1530 router pad.
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Premier Red Mirror Finish Slicon Carbide
Waterproof Sandpaper
Light Paper Backed A/0 Sandpaper
Model G6194—80 Grit, 10 Pack
Model G6195—100 Grit, 10 Pack
Model G6196—120 Grit, 10 Pack
Model G6197—150 Grit, 10 Pack
Model G6198—180 Grit, 10 Pack
Model G6199—220 Grit, 10 Pack
Model H8912—1000 Grit, 50 Pack
Model H8913—1200 Grit, 50 Pack
Model H8914—1500 Grit, 50 Pack
Model H8915—2000 Grit, 50 Pack
Ideal for producing very fine finishes in wet appli-
cations. Ultimate flexibility, and environmentally
stable; resists humidity-caused curling. 50 sheets
per package.
Wet/Dry Silicon Carbide Sandpaper
Model G6200—100 Grit, 10 Pack
Model G6201—120 Grit, 10 Pack
Model G6202—180 Grit, 10 Pack
Model G6203—220 Grit, 10 Pack
Model G6204—240 Grit, 10 Pack
Model G6205—320 Grit, 10 Pack
Model G6206—400 Grit, 10 Pack
We offer a variety of 9" x 11" sanding sheets
in convenient 10 packs in 80 - 220 grits for just
about any requirement.
Figure 47. Model H8912 Sandpaper.
H3092—3-Pc Wood Rasp Set
This 3 piece. Wood rasp set with rubber handles
includes round rasp, flat rasp and half-round rasp.
Ideal for wood carvers. Aggressive teeth remove
wood fast for any wood shaping need. Rasps
measure 12" overall.
Figure 49. Assorted sandpaper.
G2500—16 pc. Long Sanding Drum Set
H3091—6-Pc Wood Rasp Set
This kit consists of 5 drums in popular 1⁄2" x 1⁄2", 3⁄4
"
Sure-grip rubber handles make this six-piece rasp
file set a pleasure to use. Set includes round rasp
file, square rasp file, half-round rasp file, triangu-
lar rasp file, flat rasp file and tapered flat rasp file.
Rasp files measure 121⁄4" overall.
x 1", 1"x 1", 11⁄2" x 11⁄2", and 2" x 11⁄2" sizes. Comes
with 50, 80 and 120 grit sleeve for each drum.
Figure 50. Model G2500 Sanding Drum Set.
Figure 48. Model H3091 Rasp Set.
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H8787—FAQ: Bass Guitar Care And Setup
A hands-on guide to bass guitar repair. With
photographs, diagrams, and sketches made by
the author, John LeVan, and some provided by
manufacturers. Learn how to: clean and condition
a guitar, the re-stringing techniques of the profes-
sionals, adjust the neck, bridge saddle, string nut,
pickups and intonation; and carve string nuts. 80
pages.
H5524—30 Watt Bass Guitar Amplifier
•
30 watt output power with luxurious blue
power LED.
•
1 x 10" custom made woofer. Closed back
cabinet with two air port holes (on speaker
baffle).
•
Simple one input designed to handle both
active and passive input. Headphone jack.
Effect send, effect return (rear chassis).
•
•
Volume and presence controls, three band
passive EQ (low, mid, high).
Very strong cabinet construction with a closed
back and metal grill. Premium grade vinyl
1
covering. Dimensions: 16"W X 12 ⁄4"D X 20
1
⁄2"H. 31 lbs.
Figure 51. Model H8787 FAQ Book.
H6226—41⁄2” Diagonal Side Cutters
These drop forged, professional quality wire cut-
ters make a neat job of trimming off excess string
lengths. A spring action device automatically
opens the jaws and cushion grips provide excel-
lent control. Overall length is 41⁄2".
Figure 53. Model H5524 Bass Guitar Amp.
Figure 52. Model H6226 String Cutters.
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Electrical Components
Ground
(To Bridge)
Volume
Control Pots
Tone
Control Pot
Audio Jack
Wires
Output
Jack
Figure 54. Control cavity wiring.
Ground
Wire
Neck
Pickup
Bridge
Pickup
Figure 55. Bridge and pickup wiring.
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Wiring Diagram
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Figure 56. Model H8180/H8181 wiring diagram.
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