CA30D
Acoustic Amplifier
User’s Guide
Download from Www.Somanuals.com. All Manuals Search And Download.
CA30D Acoustic Amplifier
Introduction:
Congratulations!
You are now the proud owner of one of Crate’s latest contributions to
the world of acoustic amplification, the CA30D. This compact amplifier
delivers a strong 30 watts of clear musical power and incorporates two
inputs (each with a gain control), three bands of equalization, plus Crate’s
Contour control for added tonal flexibility. The CA30D features Crate’s
DSP digital reverb and effects, a front panel Insert (effects loop), and a
Line Out jack. An 8” Polypropylene cone coaxial speaker delivers smooth
clear sound with excellent projection and fidelity.
The CA30D features a flip-out locking bar underneath the cabinet
which allows you to tilt the amplifier back for increased coverage and
projection.
Your CA30D was designed by musicians and built using only the best
components. Extensive testing at the hands (and ears) of skilled techni-
cians and musicians insures you that this amplifier is the absolute best it
can be.
In order to get the most out of your new amplifier, we strongly urge
you to go over the information contained in this manual before you begin
playing.
And thank you for choosing CRATE.
To keep this amplifier looking its best, avoid abrasive cleansers.
Wipe the cabinet clean using a slightly dampened cloth. Never use
brass cleaners on the hardware since they could damage their pro-
tective coatings.
3
Download from Www.Somanuals.com. All Manuals Search And Download.
CA30D Acoustic Amplifier
The Front Panel:
1
2
3
4
5
6
7
8
9
10
11
12
13
1: Power. Use this switch to apply power to
the amplifier: the amp is on when the top
of the switch is depressed, off when the
bottom of the switch is depressed. The
switch illuminates when the amp is on.
2: Line Out. Use this jack to connect a high
impedance, unbalanced line level signal
to a house sound board, a recording con-
sole or another amplifier.
3: Insert. Use this jack to add external effects
to the signal. The ring = send (line out),
tip = return (line in), sleeve = ground.
This jack can also be used to “chain” mul-
tiple amplifiers together, since connecting
to this jack does not interrupt the signal
going to the amplifier. (See the illustra-
tions on page 5 for more information.)
4: Effects Level. Use this control to adjust
the amount of digital signal processing
applied to the output signal.
5: Effects Mode. Use this control to select the
type of digital signal processing applied to
the output signal. (See the section entitled
“The DSP Section” on page 6 for more infor-
mation.)
6: High. This serves as the treble control for
both channels. Adjust this control so your
high notes and harmonic overtones are
lively but not overpowering.
7: Contour. Use this control to set the center
point of the mid control. This control
should be set at the frequency which
gives you the most natural midrange
tones.
8: Mid. This serves as the midrange control
for both channels. Adjust this control to
get the best projection and midrange
tones for your instrument. The center
point of the mid control is chosen by the
setting of the contour control (#7).
9: Low. This serves as the bass control for
both channels. Adjust this control to get
the best sounding bass response for your
instrument. Excessive boost of the low
control can cause an unnatural howling
(acoustic feedback from your instrument)
and should be avoided.
11,13: Input 2, Input 1. The signal output from
your acoustic instrument, tape player,
rhythm machine, high-Z microphone or
other source may be connected to either or
both of these jacks by means of a shielded
signal cable. Each of the input jacks is gov-
erned by its corresponding gain control
(#10 for Input 2, #12 for Input 1). The sig-
nals from these two jacks are summed
together after their gain stages.
10,12:Gain 2, Gain 1. Use these controls to set
the input gain level for the corresponding
input jack. These controls set the level of
the input signal and serve as the amplifi-
er’s volume controls.
14: AC Line Cord. (Rear panel, not shown)
The grounded power cord should only be
plugged into a grounded power outlet
that meets all applicable electrical codes
and is compatible with the voltage,
power, and frequency requirements stat-
ed on the rear panel. Do not attempt to
defeat the safety ground connection.
4
Download from Www.Somanuals.com. All Manuals Search And Download.
CA30D Acoustic Amplifier
Connecting to the Insert Jack:
The Insert jack (#3) allows you to patch external effects into the amplifier just prior to
its power amp stage. To connect the effect to the Insert jack use Crate’s STP201, STP202,
or STP203 stereo-to-mono Y-cord, ar an adapter such as Crate’s YPP117 and two shielded
signal cables terminated with 1/4” tip/sleeve connectors as shown below.
For short runs,
For longer runs, use
Crate's YPP117 stereo-
to-mono 1/4" adapter
and two mono 1/4"
signal cables to connect
an effects device to the
Insert jack:
use Crate's STP201,
STP202 or STP203
adapter to connect an
effects device to the
Insert jack:
TIP = RETURN
TIP = RETURN
RING = SEND
RING = SEND
SLEEVE = GROUND
SLEEVE = GROUND
(STP201, 3'
STP202, 6'
STP203, 9')
(YPP117)
(1/4"-TO-1/4"
MONO CABLES)
to
to
to
to
effect
"OUT"
jack
effect
effect
"OUT"
jack
effect
"IN"
jack
"IN"
jack
External Effect
External Effect
“Chaining” Amplifiers:
The Line Out jack (#2) on one CA30D can be connected to the Insert jack of another, to
chain the amps together as shown below. (This frees up the Input jacks of the second
amplifier.) Use a shielded cable terminated with 1/4” tip/sleeve connectors as shown.
AMP 1:
AMP 2:
AMP 1:
AMP 2:
LINE OUT
INSERT
5
Download from Www.Somanuals.com. All Manuals Search And Download.
CA30D Acoustic Amplifier
The DSP Section:
The CA30D features Crate’s DSP Digital Signal Processing. Use the
Effects Mode control (#5) to select which type of effect will be applied to
the amp’s output signal. Use the Effects Level control (#4) to adjust the
level of the effect.
4
5
The chart below lists the names of the effects as they appear on the amli-
fier and a description of their settings:
Effect Name
Bypass
Slap
Description
Signal processing is turned off
Short slapback, without regeneration
Medium slapback, with regeneration
Long delay, with regeneration
Light chorus effect - medium-slow speed
Simulated “Leslie Speaker” tremolo
Light chorus, with moderate reverberation
Moderate reverberation
Delay
Echo
Chorus
Rotary
Cho/Hall
Room
Hall
Heavy reverberation
6
Download from Www.Somanuals.com. All Manuals Search And Download.
CA30D Acoustic Amplifier
The Tilt Back Feature:
There are instances when you may need to tilt the amplifier back to better
project its sound towards your ears (as a near-field monitor) or towards your
audience (for better coverage). The CA15 features a tilt back device underneath
its cabinet for this purpose. To utilize this tilt back feature, refer to the illustration
below and follow these simple steps:
1 Carefully lean the cabinet back - until the front of the cabinet is several
inches off the floor.
2 Pull the tilt back bar down (to unlock it from its holder) and swing it for-
ward until it locks into place.
3 Lower the front of the amplifier until it rests on the tilt back bar.
(To return the bar to its traveling position, reverse these steps)
CAUTIONS:
Avoid trapping your hand under the tilt
back bar.
1
2
Always make sure the bar is securely locked
in place before lowering the amplifier.
Do not sit on or rest your foot on the ampli-
3
fier when it is in the tilt back position.
System Block Diagram:
CH. 1
MODE
INPUT
GAIN
EFFECTS
CH. 2
INPUT
LEVEL
GAIN
LOW
MID CONTOUR HIGH
POWER
AMP
TWEETER
WOOFER
∑
INSERT
LINE
OUT
7
Download from Www.Somanuals.com. All Manuals Search And Download.
CA30D Acoustic Amplifier
Technical Specifications:
Output Power Rating:
High:
30 watts RMS @ 1% distortion
+/-15dB @ 10kHz
Mid:
+/-15dB @ 400–1.2kHz (Contour)
+/-15dB @ 80Hz
Low:
Input Impedance:
Input Sensitivity:
Sens. to Line out:
Max Input Signal:
Insert Jack:
1.5M ohm
20mV RMS
20mV
10v RMS (28v peak to peak)
Line Out .7v RMS, Line In .7v RMS
44k ohm
Insert Jack Input Impedance:
Insert Jack Output Impedance:
Line Out Output Impedance:
Internal Speaker:
2.2k ohm
2.2k ohm (Lo-Z), 2.2k ohm (Hi-Z)
8” Poly cone coaxial with dome tweeter;
4 ohms; 50 watts; 1” voice coil
Power Requirements:
120VAC, 60Hz, 50VA
100/115VAC, 50/60Hz, 50VA
230VAC, 50/60Hz, 50VA
Size and Weight:
13”H x 15”W x 12”D, 30 lbs.
Specifications and information in this manual are subject to change without notice.
Declaration of Conformity
Manufacturer’s Name: SLM Electronics
Corporate Headquarters: 1901 Congressional Drive, St. Louis, Missouri 63146
Primary Production Facility: 700 Hwy 202 W, Yellville, Arkansas, 72687
Product Type: Audio Amplifier
Products meet the regulations for compliance marking under:
ETL standards UL6500 of UL813
CSA standards E60065 or C22.2 No.1-M90
CE safety standard EN60065
CE EMC standards EN55103 or EN55013 and EN61000
FCC standards 47CFR 15.107 and 15.109 Class A
C-tick designation Level 2, ABN #56748810738, ARBN# N222
KETI standard K60065 (limited model approval)
Compliance Support Contact: SLM Electronics, Attn: R&D Compliance Engineer
1901 Congressional Drive, St Louis, Missouri, 63146 • Tel.: 314-569-0141, Fax: 314-569-0175
©2004 SLM Electronics • A Division of St. Louis Music Co.
1400 Ferguson Avenue • St. Louis, MO 63133
47-939-03 • 040504
Download from Www.Somanuals.com. All Manuals Search And Download.
|