Crate Amplifiers Musical Instrument Amplifier BFX100T User Manual

BFX100T  
Professional,  
Transportable  
Bass Amplifier  
with  
Digital Signal  
Processing  
Congratulations!  
You are now the proud owner of the professional, transportable Crate BFX100T  
Bass Amplifier with Digital Signal Processing. The BFX100T offers a wide selection  
of digital effects designed specifically for the bass guitar, each of which are easily  
accessed with a simple turn of a control knob. The BFX100T features an extended  
range low frequency driver, a dome tweeter, an extremely clean power amp, and  
an 8-band graphic equalizer. The balanced line out jack has a level control for pre-  
cisely matching the signal to a recording console or house PA system, and is selec-  
table for either pre or post EQ. The built-in limiter ensures pure, clean power even  
at its full 100 watts output. An effects loop, a jack for headphones, and a jack for  
an external speaker add to the overall versatility of the amplifier. The compact cab-  
inet features heavy duty recessed side handles, recessed rear wheels, removable  
tilt-back support peg and retractable luggage style roll-around handle.  
Like all Crate products, your BFX100T is designed by musicians, and built  
using only the best components. Extensive testing confirms that this amplifier is the  
absolute best it can be.  
In order to get the most out of your new amplifier, we strongly urge you to read  
the information contained in this manual before you begin playing.  
And thank you for choosing  
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BFX100T Professional, Transportable Bass Amp with DSP  
Using the Transport Handle:  
(1) Squeeze the handle together just below the attachment bracket  
(2) Lift the lower end of the handle up and out in an arcing motion  
(3) Lock the handle into the attachment bracket in its upright position  
(Reverse the steps to put the handle away)  
3
LOCK  
SQUEE  
ZE  
1
2
LIFT  
Using the Tilt-Back Peg:  
(1) Lift the tilt-back peg up and out of its retaining clips  
(2) Screw the threaded end of the tilt-back peg into the fitting on the rear of the cabinet  
The cabinet may now be used as a personal monitor – tilting it back also increases its range of coverage  
(Remove the peg from the fitting and store it in its retaining clips when not in use)  
1
LIFT UP,  
PULL OUT  
SCREW INTO  
FITTING  
2
3
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BFX100T Professional, Transportable Bass Amp with DSP  
The Front Panel:  
INPUT  
CONTOUR  
EQUALIZATION  
MASTER  
9
8
1
2
3
4
5
6
7
1. INPUT: Use this 1/4” jack to connect your guitar to the amplifier by means of a shielded instrument cable.  
2. -15dB/0dB SWITCH: This switch, when depressed, attenuates the level of the input signal by 15dB. If the  
Peak LED (#4) flashes with the Gain control (#3) near fully counter clockwise, depress this switch.  
3. GAIN: Use this control to adjust the input signal level for the amplifier. For the best signal to noise ratio, set  
the Gain control so the Peak LED (#4) flashes only on strong signal peaks.  
4. PEAK LED: This LED illuminates when the input signal level nears clipping. Adjust the Gain control (#3) so  
a strong signal from your instrument causes this LED to flash.  
NOTE: If the Peak LED flashes frequently with the Gain control (#3) at a low setting, depress the -15dB/0dB  
switch to engage the attenuator, then readjust the Gain control.  
5: CONTOUR SHAPE: Use this control to further expand the tonal characteristics of the amplifier. This lets  
you “dial in” the exact sound you’re looking for. The Contour effect cuts the mid frequencies by 12db, while at  
the same time it cuts or boosts the highs – in the counter clockwise position, the mid cut is at 1kHz, and the  
highs are attenuated; in the clockwise position, the mid cut is at 400Hz, and the highs are boosted. This con-  
trol is only active when the Contour Active switch (#6) is depressed.  
6. CONTOUR ACTIVE SWITCH: This switch, when depressed, activates the Contour circuitry. The Contour  
Shape control (#5) is effective only when this switch is depressed.  
7. GRAPHIC EQ: Use these sliders to adjust the output signal to best suit your playing style, to compensate  
for room acoustics, and to achieve the best sound. Each slider control is centered at the frequency listed  
beneath it.  
8. MASTER LEVEL: Use this control to adjust the output level of the amplifier.  
9. LIMIT LED: This LED illuminates when the internal limiter circuit is activated. The limiter circuit prevents the  
power amplifier from clipping at high output levels. Clipping results in distortion that may damage your speakers.  
10. DSP MODE: Use this control to select one of the built-in digital effects. The effects are as follows:  
DELAY: Slapback delay effect  
ECHO: Long delay effect with regeneration  
CHORUS: Chorus effect  
FLANGE: Light flange effect  
FUNK-WAH: Touch-sensitive wah-wah (“T-Wah”) effect  
OCTAVE: Adds a secondary note one octave lower than orignal  
CHO/HALL: Chorus effect combined with large hall reverb effect  
RM: Small room reverb effect  
HALL: Large hall reverb effect  
4
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BFX100T Professional, Transportable Bass Amp with DSP  
DSP  
BFX100T  
ON  
10  
11  
12  
13  
14  
15 16  
17  
11. DSP LEVEL: Use this control to adjust the amount of digital effect: in its full counter clockwise posi-  
tion the signal will be “dry” (without any effect). As you rotate the control clockwise the amount of effect  
increases.  
12. FOOTSWITCH: Use this jack to connect a one-button footswitch (such as the Crate CFP-1) to the  
amplifier for remote on/off control of the DSP effects.  
13. INSERT: Use this jack to connect an external effects device to the amplifier. Use a stereo 1/4” male Y con-  
nector: ring = send, tip = return, sleeve = ground. See the illustration below for additional information.  
14. HEADPHONES: Use this jack to connect a pair of stereo headphones to the amplifier for private listening.  
The internal speaker is disconnected when the headphones jack is used.  
15. SPEAKER: Use this jack to connect the amplifier to an extension speaker cabinet. This jack is wired in  
series with the internal speaker.  
WARNING: TO AVOID POSSIBLE HEARING DAMAGE, DO NOT USE HEADPHONES IN THE SPEAKER JACK!  
16. ON LED: This LED illuminates when power is applied to the amplifier.  
17. POWER: Use this switch to turn the amplifier on and off.  
Stereo-to-mono Y-cord:  
Y-adapter and 2 cables:  
Connecting to the Insert Jack:  
TIP  
RING  
SLEEVE  
RETURN  
TIP  
to Insert  
jack  
to Insert  
jack  
SEND  
RING  
GROUND  
SLEEVE  
The Insert jack (#13) allows you  
to patch an external effects  
(STP201, 3'  
STP202, 6'  
STP203, 9')  
(YPP117)  
device into the amplifier prior to  
its power amp stage. Use Crate’s  
STP201, STP202 or STP203  
stereo-to-mono Y cord or an  
adapter such as Crate’s YPP117  
and two 1/4” mono signal cables  
to connect the effect as shown to  
the immediate right.  
(1/4"-TO-1/4"  
MONO CABLES)  
to  
to  
effect  
"IN"  
to  
to  
effect  
"IN"  
effect  
"OUT"  
jack  
effect  
"OUT"  
jack  
jack  
jack  
External Effect  
External Effect  
5
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BFX100T Professional, Transportable Bass Amp with DSP  
The Rear Panel:  
BALANCED LINE OUT  
PRE  
POST  
LEVEL  
18  
19  
20  
21 22  
18. FUSE: The fuse protects the amplifier from damages caused by a faulty AC power source and/or other  
problems. If the fuse opens, replace it ONLY with the same size and type. If fuses continue to fail, check  
the AC source if the source is okay, contact your Crate dealer for service information.  
19. AC LINE CORD: This grounded power cord is to be plugged into a grounded power outlet, wired to  
current electric codes and compatible with voltage, power, and frequency requirements stated on the rear  
panel. Do not attempt to defeat the safety ground connection.  
20. BALANCED LINE OUT: Use this XLR-type connector to send a balanced preamp signal to a house  
mixing board, recording console or an external amplifier.  
21. PRE/POST SWITCH: Use this switch to select either a pre EQ or a post EQ signal at the Balanced  
Line Out jack (#20). When the switch is depressed, the signal is pre EQ a direct output, not affected by  
the gain, contour, or graphic EQ. With the switch in the out position, the signal is post EQ the settings of  
the aforementioned controls affects the signal.  
22. BALANCED LINE OUT LEVEL: Use this control to adjust the level of the signal at the Balanced Line  
Out jack (#20). This control works independently from the Master Level control (#8).  
6
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BFX100T Professional, Transportable Bass Amp with DSP  
Suggested Starting Tone Settings:  
ROCK:  
CONTOUR  
CONTOUR  
CONTOUR  
CONTOUR  
EQUALIZATION  
EQUALIZATION  
EQUALIZATION  
EQUALIZATION  
MASTER  
MASTER  
MASTER  
MASTER  
OUT  
IN  
JAZZ:  
COUNTRY:  
IN  
FUNK:  
IN  
System Block Diagram:  
INPUT  
R
T
8-BAND  
GRAPHIC  
CONTOUR  
INSERT  
GAIN  
LEVEL  
ON/  
OFF  
SHAPE  
-15dB PAD  
DSP  
POWER  
AMP  
PEAK  
LED  
LEVEL  
POST  
EQ  
EXT.  
BAL.  
LINE  
OUT  
MODE  
SPEAKER  
LIMIT  
LED  
PRE  
EQ  
BAL. LINE  
OUT LEVEL  
FOOT  
SWITCH  
HEAD  
PHONES  
7
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BFX100T Professional, Transportable Bass Amp with DSP  
BFX100T TECHNICAL SPECIFICATIONS:  
Output Power Rating  
100 watts RMS @ 1% THD 4 ohms, 120 VAC  
Speaker Size and Rating  
(1) Custom Design 15, 2voice coil, 150 watts RMS  
(1) LeSon Dome Tweeter  
Graphic Equalizer  
24dB range @ 50Hz, 100Hz, 225Hz, 625Hz,  
1.6kHz, 4kHz, 8kHz, 16kHz  
Input Impedance  
200k ohms  
Maximum Input Signal Level Accepted  
Gain @ 1kHz  
15 volts peak-to-peak  
65dB w/EQ flat, contour off  
Line Output Jack  
2 volts peak-to-peak @ full rated power  
2 volts peak-to-peak @ full rated power w/600load  
Balanced Line Out Jack  
Power Requirements  
120 VAC, 60Hz, 115VA  
100/115VAC, 50/60Hz, 115VA  
230VAC, 50/60Hz,115VA  
Size and Weight  
21.5H x 20W x 16.5D, 67 lbs.  
The BFX100T is covered with a durable black Tolex material: wipe it clean with a lint-free cloth.  
Never spray cleaning agents onto the cabinet. Avoid abrasive cleansers which would damage the finish.  
Crate continually develops new products, as well as improves existing ones. For this reason, the specifications  
and information in this manual are subject to change without notice.  
@2001 SLM Electronics, a division of St. Louis Music, Inc 1400 Ferguson Avenue St. Louis, MO 63301  
47-949-01 05/01  
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