Casio Air Conditioner AP 31 User Manual
ES  
USER’S GUIDE  
GUÍA DEL USUARIO  
AP31/33-ES-1  
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IMPORTANT SAFETY INSTRUCTIONS  
“INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK,  
OR INJURY TO PERSONS”  
WARNING – When using electric products,  
basic precautions should always be followed,  
including the following:  
11. Do not defeat the safety purpose of the  
polarized plug. A polarized plug has two  
blades with one wider than the other. The  
wide blade is provided for your safety. If  
the provided plug does not fit into your  
outlet, consult an electrician for replace-  
ment of the obsolete outlet.  
1. Read all the instructions before using the  
product.  
2. Heed all warnings.  
12. Unplug this product during lightning storms  
or when unused for long periods of time.  
3. Follow all instructions.  
4. To reduce the risk of injury, close supervi-  
sion is necessary when a product is used  
near children.  
13. Care should be taken so that objects do  
not fall and liquids are not spilled into the  
enclosure through openings.  
5. Do not use this product near water – for  
example, near a bathtub, washbowl,  
kitchen sink, in a wet basement, or near a  
swimming pool, or the like.  
14. The product should be serviced by quali-  
fied service personnel when:  
A. The power-supply cord or the plug has  
been damaged; or  
6. This product should be used only with a  
stand that is specified by the manufac-  
turer.  
B Objects have fallen, or liquid has been  
spilled into the product; or  
C.The product has been exposed to rain or  
moisture; or  
7. This product, either alone or in combina-  
tion with an amplifier and headphones or  
speakers, may be capable of producing  
sound levels that could cause permanent  
hearing loss. Do not operate for a long  
period of time at a high volume level or at  
a level that is uncomfortable. If you expe-  
rience any hearing loss or ringing in the  
ears, you should consult an audiologist.  
D.The product does not appear to operate  
normally or exhibits a marked change in  
performance; or  
E. The product has been dropped, or the  
enclosure damaged.  
15. Do not attempt to service the product be-  
yond that described in the user - mainte-  
nance instructions. All other servicing  
should be referred to qualified service per-  
sonnel.  
8. The product should be located so that its  
location or position does not interfere with  
its proper ventilation.  
9. The product should be located away from  
heat sources such as radiators, heat reg-  
isters, or other products that produce heat.  
16. Clean only with dry cloth.  
17. Protect the power cord from being walked  
on or pinched particularly at plugs, con-  
venience receptacles, and the point where  
they exit from the product.  
10. The product should be connected to a  
power supply only of the type described in  
the operating instructions or as marked on  
the product.  
18. Only use attachments/accessories speci-  
fied by the manufacturer.  
* 10: applies to the AP-31V/AP-33V  
* 11 : applies to the AP-31/AP-33  
KEEP THESE INSTRUCTIONS  
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NOTICE  
This equipment has been tested and found to comply with the limits for a Class B digital  
device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide  
reasonable protection against harmful interference in a residential installation. This  
equipment generates, uses and can radiate radio frequency energy and, if not installed  
and used in accordance with the instructions, may cause harmful interference to radio  
communications. However, there is no guarantee that interference will not occur in a particular  
installation. If this equipment does cause harmful interference to radio or television reception,  
which can be determined by turning the equipment off and on, the user is encouraged to  
try to correct the interference by one or more of the following measures:  
• Reorient or relocate the receiving antenna.  
• Increase the separation between the equipment and receiver.  
• Connect the equipment into an outlet on a circuit different from that to which the re-  
ceiver is connected.  
• Consult the dealer or an experienced radio/TV technician for help.  
FCC WARNING  
Changes or modifications not expressly approved by the party responsible for compliance  
could void the user’s authority to operate the equipment.  
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, REFER SERVICING TO QUALIFIED  
SERVICE PERSONNEL.  
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Introduction  
Congratulations on your selection of the CASIO Digital Piano. This piano is a sophisticated musical  
instrument that blends the very best of traditional piano feel and sound quality with the latest that  
modern electronics technology has to offer.  
Before using the instrument, be sure to carefully read through the instructions contained in this manual.  
Please keep all information for future reference.  
CAUTION  
RISK OF ELECTRIC SHOCK  
DO NOT OPEN  
CAUTION:  
TO REDUCE THE RISK OF ELECTRIC  
SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER  
-SERVICEABLE PARTS INSIDE. REFER SERVICING TO  
QUALIFIED SERVICE PERSONNEL.  
The lightning flash with arrowhead symbol, within an equilateral  
triangle, is intended to alert the user to the presence of  
uninsulated “dangerous voltage” within the product’s enclosure  
that may be of sufficient magnitude to constitute a risk of electric  
shock to persons.  
The exclamation point within an equilateral triangle is intended to  
alert the user to the presence of important operating and mainte-  
nance (servicing) instructions in the literature accompanying the  
product.  
CASIO ELECTRONICS CO., LTD.  
Unit 6, 1000  
North Circular Road  
London NW2 7JD, U.K.  
This mark applies to the AP-31V/AP-33V only.  
Please keep all information for future reference.  
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Safety Precautions  
Symbols  
Symbol Examples  
Various symbols are used in this user’s guide  
and on the product itself to ensure that the  
product is used safely and correctly, and to  
prevent injury to the user and other persons  
as well as damage to property. Those sym-  
bols along with their meanings are shown  
below.  
This triangle symbol ( ) means  
that the user should be careful.  
(The example at left indicates  
electrical shock caution.)  
This circle with a line through it  
(
) means that the indicated ac-  
tion must not be performed. In-  
dications within or nearby this  
symbol are specifically prohib-  
ited. (The example at left indi-  
cates that disassembly is prohib-  
ited.)  
WARNING  
This indication stipulates matters that have  
the risk of causing death or serious injury  
if the product is operated incorrectly while  
ignoring this indication.  
The black dot ( ) means that the  
indicated action must be per-  
formed. Indications within this  
symbol are actions that are spe-  
cifically instructed to be per-  
formed. (The example at left indi-  
cates that the power plug must be  
unplugged from the electrical  
socket.)  
CAUTION  
This indication stipulates matters that have  
the risk of causing injury as well as mat-  
ters for which there is the likelihood of  
occurrence of physical damage only if the  
product is operated incorrectly while ig-  
noring this indication.  
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* Avoid areas where there are mul-  
tiple layers of carpeting, and  
where cables are running under  
the piano.  
WARNING  
Power Cord  
Improper use of the power cord can  
create the risk of fire and electric  
shock. Always be sure to observe  
the following precautions.  
• Use only the power cord speci-  
fied for this piano.  
• Make sure that the power source  
you are using matches the rating  
marked on the instrument itself.  
• Do not use an extension cord to  
plug multiple devices into the  
same power outlet.  
Always make sure you se-  
cure the piano to the stand  
with the screws that are pro-  
vided. An unsecured piano  
can fall from the stand, cre-  
ating the risk of personal in-  
jury.  
Never climb onto the piano or stand.  
Never climb onto the piano  
or hang from its edges. Doing  
so can cause the piano to fall  
over, creating the risk of per-  
sonal injury. Special care con-  
cerning this point is required  
in households where there are  
small children.  
Power Cord  
Improper use of the power cord can  
create the risk of personal injury,  
material damage, fire and electric  
shock. Always be sure to observe  
the following precautions.  
• Do not place heavy objects on the  
power cord or subject it to heat.  
• Never try to modify the power  
cord or subject it to excessive  
bending.  
• Never twist or pull on the power  
cord.  
• Should the power cord or plug  
become damaged, contact your  
original retailer or an authorized  
CASIO service provider.  
Never dispose of the piano by burning it.  
Never dispose of the piano by burn-  
ing it. Doing so creates the risk of  
fire and personal injury due to ex-  
plosion.  
Do not place containers containing water  
or other liquids on the instrument.  
Do not place the following objects  
on the instrument. Placing such ob-  
jects on the instrument may cause  
fire or electrical shock if they spill  
and get inside the instrument.  
• Containers filled with water or  
other liquids (including vases,  
potted plants, cups, cosmetics and  
medicines)  
• Small metal objects (including  
hairpins, sewing needles and  
coins)  
• Flammable objects  
• Naked flame sources, such as  
lighted candles  
Power Cord  
Do not touch the plug with wet  
hands when it is plugged in. This  
may cause electrical shock.  
Do not locate the piano on an unstable sur-  
face.  
Never locate the piano on a surface  
that is wobbly, tilted, or otherwise  
unstable*. An unstable surface can  
cause the piano to fall over, creat-  
ing the risk of personal injury.  
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Avoid dropping the piano and other strong  
impact.  
In the event a foreign object should  
happen to get inside the instrument,  
please take the following actions:  
1. Turn off power.  
2. Unplug the power cord from the  
wall outlet.  
3. Consult with the dealer where  
you purchased the instrument or  
with an authorized CASIO ser-  
vice provider.  
Continued use of the piano after it  
has been damaged by dropping or  
by other external impact creates the  
risk of fire and electric shock. Im-  
mediately perform the following  
steps whenever the piano is dam-  
aged by impact.  
1. Turn off piano power.  
2. Unplug the piano from its power  
outlet.  
Do not expose this piano to rain or mois-  
ture.  
To reduce the risk of fire or electric  
shock, do not expose this piano to  
rain or moisture.  
3. Contact your original retailer or  
an authorized CASIO service pro-  
vider.  
Do not put plastic bags over your head or  
in your mouth.  
Never try to take the piano apart or modify  
it.  
Never allow the plastic bags that  
the piano and its accessories come  
in to be placed over the head or  
swallowed. Doing so creates the risk  
of suffocation. Special care concern-  
ing this point is required in house-  
holds where there are small chil-  
dren.  
Never try to take the piano apart or  
modify it in any way. Doing so cre-  
ates the risk of electric shock, burn  
injury, or other personal injury.  
Leave all internal inspection, adjust-  
ment, and repair up to your origi-  
nal retailer or an authorized CASIO  
service provider.  
Opening and closing the keyboard cover  
Make sure that the keyboard cover  
is completely opened as far as it will  
go. When closing the keyboard  
cover, hold the front of the cover  
and close it slowly. Pinching your  
fingers between the piano and key-  
board cover creates the risk of per-  
sonal injury.  
Precautions concerning smoke, abnormal  
odor, and other abnormalities  
Continued use of the piano while it  
is emitting smoke or abnormal odor,  
or while it is displaying other ab-  
normalities creates the risk of fire  
and electric shock. Immediately per-  
form the following steps whenever  
you notice any abnormality.  
1. Turn off piano power.  
2. Unplug the piano from its power  
outlet.  
3. Contact your original retailer or  
an authorized CASIO service pro-  
vider.  
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Cleaning  
CAUTION  
Before cleaning the piano, unplug it  
from the power outlet. Failure to do  
so can damage the power cord, cre-  
ating the risk of fire and electric  
shock. It can also cause the piano to  
fall over, creating the risk of per-  
sonal injury.  
Power Cord  
Improper use of the power cord can  
create the risk of fire and electric  
shock. Always be sure to observe  
the following precautions.  
• Never locate the power cord near  
a stove or other source of heat.  
• When unplugging from an out-  
let, never pull on the cord.  
(Always grasp the plug when  
pulling.)  
• After use turn off the power  
switch of the instrument and un-  
plug the power cord from the  
electrical outlet.  
Never climb onto the piano or stand.  
Doing so can cause the piano to fall  
over, creating the risk of personal  
injury. Special care concerning this  
item is required in households  
where there are small children.  
Connector  
Connect only the specified devices  
to the piano's connectors. Connect-  
ing non-specified items creates the  
risk of fire and electric shock.  
Power Plug  
Improper use of the power plug can  
create the risk of fire and electric  
shock. Always be sure to observe  
the following precautions.  
Location  
Avoid locating the piano in the fol-  
lowing types of areas. Subjecting the  
piano to the conditions described  
below creates the risk of fire and  
electric shock.  
• Push the plug fully into the power  
outlet as far as it will go.  
• Unplug from the power outlet  
during lightening storms, and  
when you do not plan to use the  
piano for a long time (such as be-  
fore a long trip).  
• Unplug from the power outlet at  
least once a year and clean any  
dust build up between the prongs  
of the plug.  
• Areas expose to high humidity or  
large amounts of dust  
• Near food preparation areas and  
other areas where it is exposed to  
oil smoke  
• Near a heater, on a heated carpet,  
in direct sunlight, inside a closed  
automobile parked in the sun, and  
any other area subjected to very  
high temperature  
Moving the piano  
Be sure to perform the following  
steps before moving the piano. Fail-  
ure to do so can damage the power  
cord, creating the risk of fire and  
electric shock.  
1. Unplug the piano from its power  
outlet.  
2. Unplug the pedal connecting  
cord, and all cords and other  
items connected to the back of the  
piano.  
Never place the piano directly onto  
furniture or other item that has a  
finished surface. The rubber feet on  
the bottom of the piano can react  
with the paint or other coatings, re-  
sulting in soiling of or damage to  
the finished surface. Be sure to lay  
felt or some other material on the  
finished surface before placing the  
piano on it.  
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Do not place heave objects on the piano.  
Never place heavy objects on top of  
the piano. Doing so can cause the  
stand to tip over and the object to  
fall, creating the risk of personal in-  
jury.  
• Periodically check the screws that  
secure the piano to the stand for  
looseness. If a screw is loose, re-  
tighten it. Loose screws can cause  
the stand to tip over and the pi-  
ano to fall, creating the risk of  
personal injury.  
Volume setting  
Do not play at very loud volumes  
for a long time. This precaution is  
especially important when using the  
headphones. Long-term exposure to  
very loud sound can damage your  
hearing.  
Assemble the stand properly.  
Failure to do so can cause the stand  
to fall over and the piano to fall  
from the stand, creating the risk of  
personal injury.  
Make sure your assemble the stand  
in accordance with the instructions  
that come with it, and ensure that  
all connections are secure. Also  
make sure that you choose an ap-  
propriate location for the stand.  
• When placing the piano onto the  
stand, take care that you do not  
pinch your fingers between the  
piano and the stand.  
• At least two people should  
lift the piano when plac-  
ing it onto the stand or  
moving it. Trying to move  
the piano alone can cause  
the stand to fall over, cre-  
ating the risk of personal  
injury.  
• Do not drag the stand or  
tilt it forward or back  
when placing the piano  
onto the stand or moving  
it. Doing so can cause the  
piano to fall over, creating  
the risk of personal injury.  
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Operational Precautions  
Locating the Unit  
Avoid the following locations.  
• Areas exposed to direct sunlight and high humidity.  
• Areas subjected to very low temperatures.  
• Near a radio, TV, video deck, or tuner (unit can cause interference with audio or video signals)  
Care of the Unit  
• Never use benzene, alcohol, thinner or other such chemicals to clean the exterior of the unit.  
• To clean the keyboard, use a soft cloth dampened with a weak solution of a mild neutral detergent and water. Wring  
out all excess moisture from the cloth before wiping.  
• Severe impact can cause problems.  
When transporting the piano, use soft cloth to pack around the keyboard and buttons to protect them against damage.  
• Never try to repair or modify any part of the piano.  
Any attempt to repair or modify the piano can cause problems with operation.  
• Avoid using this piano near televisions, radios, etc.  
Because this piano uses digital circuitry, it may cause interference with other electronic devices such as televisions,  
radios, etc.  
• In case of a problem, check that buttons and connections are correct, as indicated in this manual. If the piano still  
does not work properly, contact your retailer or a nearby dealer. Never try to repair the piano yourself.  
Lithium Battery  
This unit is equipped with a lithium battery to provide power needed to retain memory contents while unit power is  
turned off. Should the lithium battery go dead, all memory contents will be lost whenever you turn unit power off. The  
normal life of the lithium battery is five years from the time that the battery was installed. Be sure to periodically  
contact your retailer or authorized service provider to have the lithium battery replaced. Note that you will be charged  
separately for lithium battery replacement.  
• Note that CASIO COMPUTER CO., LTD. shall not be held liable for any damages or losses or any claims by third  
parties arising from corruption or loss of data caused by malfunction or repair of the unit, or from battery replace-  
ment.  
You may notice lines in the finish of the case of this piano. These lines are the result of the molding process used to  
shape the plastic of the case. They are not cracks or breaks in the plastic, and are no cause for concern.  
❚ NOTE ❚  
• Unauthorized reproduction of this manual in its entirety or in part is expressly forbidden. All rights reserved.  
• CASIO COMPUTER CO., LTD. shall not be held liable for any damages or losses or any claims by third parties arising from use of this  
product or this manual.  
• The contents of this manual are subject to change without notice.  
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Main Features  
I 8 versatile tones  
• Eight instrument tones including piano and pipe organ provide plenty of performance versatility.  
• Other features include digital effects that control the acoustical characteristic of tones, as well as three pedal effects for all the  
nuances of an acoustic piano.  
I Metronome  
• A simple operation lets you set the tempo and the beat of the metronome to suit the tune you want to play. It’s the perfect  
practice tool for players of all levels.  
I 8 demo tunes  
• Eight demo tunes demonstrate how to use each of the built-in tones.  
I Memory  
• Built-in memory lets you store a performance for later playback.  
You can play along with playback on the keyboard, and even create an ensemble effect by using a keyboard tone that is different  
from the recorded tone.  
I Powerful keyboard setting functions  
• A selection of powerful keyboard setting functions help you get create exactly the musical mood you want.  
Transpose adjusts the key of the keyboard in semitone steps.  
Tuning provides a means to tune with another musical instrument.  
Touch Select adjusts the intensity of the output sound in accordance with the amount of pressure you apply to the keyboard.  
I MIDI terminal  
• Connecting to another MIDI musical instrument lets you play two instruments from the keyboard of your CELVIANO. You can  
also connect to a commercially available MIDI sequencer to increase the number of parts you can play.  
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Contents  
IMPORTANT SAFETY  
INSTRUCTIONS  
Keyboard Settings................... E-19  
Using Touch Select ..................................E-19  
Using Transpose ......................................E-19  
Adjusting the Tuning of the Piano ............E-20  
Introduction ............................... E-1  
Safety Precautions .................... E-2  
Operational Precautions........... E-7  
Main Features ............................ E-8  
Contents..................................... E-9  
MIDI........................................... E-21  
What is MIDI? ..........................................E-21  
What you can do with MIDI......................E-21  
MIDI Connections ....................................E-21  
MIDI Channels .........................................E-21  
Simultaneous Receive Over  
Multiple Channels (Multi-Timbre).............E-21  
Setting the Keyboard Channel .................E-22  
Sending Memory Playback Data .............E-22  
Program Change Number Settings .........E-23  
Turning Local Control On and Off ............E-24  
MIDI Data Notes ......................................E-25  
General Guide.......................... E-10  
Connecting Headphones .........................E-10  
Attachment of the Score Stand................E-11  
Basic Operation....................... E-12  
Using Tones .............................................E-12  
Using the Pedals ......................................E-14  
Using the Metronome ..............................E-15  
Troubleshooting ...................... E-26  
Assembly Instructions............ E-27  
Attachment of the Score Stand................E-29  
Using the Memory ................... E-16  
About the Memory ...................................E-16  
Recording.................................................E-16  
Playback...................................................E-17  
Deleting Memory Contents ......................E-17  
Specifications .......................... E-30  
Appendix/Apéndice...................A-1  
Initial Power On Settings............................A-1  
MIDI Data Format.......................A-2  
Channel Messages ....................................A-2  
System Messages .....................................A-7  
Using Demo Tunes .................. E-18  
MIDI Implementation Chart  
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General Guide  
• Key, button, and other names are indicated in the text of this manual using bold type.  
• See page E-27 for details on the stand.  
Headphones  
IMPORTANT!  
Whenever connecting headphone, first set  
the VOLUME knob of the CELVIANO and  
the volume controller of the external  
equipment to relatively low volume  
settings. You can later adjust volume to  
the level you want after connections are  
complete.  
Headphone Jack  
Connecting Headphones  
Connect commercially available headphones to the CELVIANO’s headphones jack. This cuts off the built-  
in speakers, which means you can practice even late at night without disturbing others. To protect your  
hearing, make sure that you do not set the volume level too high when using headphones.  
GRAND PIANO  
2
PIANO  
2
ELEC PIANO  
1
2
ELEC PIANO VIBRAPHONE  
HARPSICHORD  
REVERB  
STAGE  
PIANO  
1
OFF  
ROOM  
HALL  
1
POEWR  
ON  
/
OFF  
DEMO  
CONTROL  
RECORD  
START/STOP  
METRONOME  
GRAND PIANO  
VOLUME  
MIN  
MAX  
POWER  
ON / OFF  
POWER button  
Front  
DEMO  
CONTROL  
CONTROL button  
RECORD  
RECORD button  
START/STOP  
START/STOP button  
METRONOME  
METRONOME button  
GRAND PIANO  
GRAND PIANO button  
VOLUME knob  
Power Indicator  
VOLUME  
MIN  
MAX  
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Make sure that the cover of the piano is fully open whenever you are playing on the keyboard.  
A partially open cover can suddenly close unexpectedly and pinch your fingers.  
CAUTION  
* With the AP-31 and AP-33, the power cord is hard-wired to the bottom of the instrument.  
Bottom  
Back Panel  
Bottom  
Pedal Connector  
AC Power Jack *  
MIDI Terminals  
MIDI  
OUT  
IN  
GRAND PIANO  
2
PIANO  
2
ELEC PIANO  
1
2
ELEC PIANO VIBRAPHONE  
HARPSICHORD  
REVERB  
STAGE  
CHORUS  
OFF ON  
METRONOME BEA  
3
T
METRONOME VOL  
2
TEMPO  
3
PIANO  
1
OFF  
ROOM  
HALL  
1
HALL  
2
0
2
4
5
6
1
3
120  
0
1
2
4
5
6
7
8
9
POEWR  
ON  
/
OFF  
DEMO  
CONTROL  
RECORD  
START/STOP  
METRONOME  
GRAND PIANO  
VOLUME  
MIN  
MAX  
A value next to a note name indicates the relative position of the note  
on the keyboard as shown below.  
Note Names  
C
D
E
F
G
A
B
C
L
L
L
L
L
L
L
L
(H)  
C1  
C2  
C3  
C4  
C5  
C6  
C7  
C8  
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Basic Operation  
4. Play something on the keyboard.  
Using Tones  
The following procedures describe everything you need to  
know about selecting and using tones.  
• Adjust volume to the level you want as you play.  
5. After you are finished playing, press the POWER  
button to turn off power.  
Selecting a Tone  
Your CELVIANO has a selection of 8 built-in tones.  
Using Digital Effects  
• The names of the tones are marked above the keyboard  
keys to which they are assigned.  
Your CELVIANO provides you with a selection of digital ef-  
fects that you can apply to tones. The following provides  
general descriptions of each effect, but the best way to find  
out how they affect tones is to experiment for yourself.  
Tone Keys  
GRAND PIANO  
Digital Effect Types  
• REVERB  
ꢁ
ꢀ
ꢀ
B 0  
C 1  
E 1  
The REVERB effect gives you a choice of the four varia-  
tions listed below. Each one simulates the acoustics of dif-  
ferent environments.  
GRAND PIANO button  
A0 B0 C1 D1  
ROOM...... Small, intimate live house  
STAGE ..... Small stage  
HALL 1 .... Stage area of a large hall  
HALL 2 .... Audience area of a large hall  
MELLOW PIANO  
GRAND PIANO 2  
ELEC PIANO 1  
STRINGS  
PIPE ORGAN  
HARPSICHORD  
• CHORUS  
ELEC PIANO 2  
The CHORUS effect is most effective for the E.PIANO tone.  
• The GRAND PIANO tone was recorded with stereo sam-  
pling.  
• The names of the settings are marked above the keyboard  
keys to which they are assigned.  
Digital Effect Keys  
To select a tone  
1. Press the POWER button to turn on CELVIANO  
power.  
ꢁ
ꢀ
ꢀ
F
1
A
1
1
B
1
2. Select the tone you want.  
E
1
F
1
G
A1  
• To select GRAND PIANO  
Press the GRAND PIANO button. Note that GRAND  
PIANO is the initial default tone setting whenever  
you turn on power.  
REVERB OFF  
CHORUS ON  
CHORUS OFF  
HALL 2  
ROOM  
STAGE  
• To select one of the other tones  
While holding down the CONTROL button, press the  
keyboard key that corresponds to the tone you want  
to select.  
HALL 1  
* A note does not sound when you press a keyboard  
key while holding down CONTROL.  
3. Use the VOLUME knob to adjust the volume.  
• It is a good idea to set the volume to a relatively low  
level at first.  
• Moving the knob towards MIN decreases volume,  
while moving it towards MAX increases volume.  
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To select a digital effect  
More about tones  
While holding down the CONTROL button, press the  
keyboard key that corresponds to the digital effect  
you want to select.  
Polyphony  
This piano can play up to 64 notes at the same time.  
Also note that some of the tones offer only 32-note polypho-  
ny (GRAND PIANO, MELLOW PIANO, ELEC PIANO 1,  
HARPSICHORD, STRINGS).  
• A note does not sound when you press a keyboard key  
while holding down CONTROL.  
Power on effect settings  
The table below shows the effect settings that are assigned to  
each tone whenever you turn on CELVIANO power.  
Touch Response  
The touch response feature of this piano causes the volume  
of the tones and the sound of the tones themselves to change  
slightly in accordance with how much pressure you apply to  
the keyboard, just like with an acoustic piano. Touch response  
affects the HARPSICHORD tone only slightly, because the  
original musical instrument normally produces the same  
sound, no matter how much pressure is applied.  
Digital Effect Setting  
Tone Name  
REVERB  
HALL 1  
HALL 1  
HALL 1  
HALL 1  
HALL 1  
HALL 1  
HALL 1  
HALL 1  
CHORUS  
OFF  
GRAND PIANO  
MELLOW PIANO  
GRAND PIANO 2  
ELEC PIANO 1  
ELEC PIANO 2  
HARPSICHORD  
PIPE ORGAN  
OFF  
OFF  
Digitally Sampled Tones  
ON  
The tones of this piano are produced using digitally record-  
ed samples of actual musical instruments. Not all of the in-  
struments, however, can produce tones across the entire range  
played by this piano (A0 through C8). In such a case, digital  
recordings are used for the range that actually can be pro-  
duced by the original instrument, and synthesized tones are  
used for notes that cannot be produced naturally. Because of  
this, you may notice very slight differences between natural  
notes and synthesized notes in sound quality and in results  
produced when using effects. These differences are normal  
and do not indicate malfunction.  
ON  
OFF  
OFF  
STRINGS  
ON  
• The above digital effect settings can be changed after you  
turn on power.  
❚ NOTE ❚  
• Selecting a tone automatically selects the digital effects cur-  
rently assigned to it.  
• Changes you make to digital effect settings are assigned to  
the currently selected tone only.  
• Digital effect settings remain in effect until you turn off CELVI-  
ANO power.  
• Demo tunes have their own digital effect settings, which are  
automatically selected whenever you select a demo tune.  
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To assign the sostenuto to the left pedal  
(AP-31 only)  
Using the Pedals  
While holding down the left pedal, turn on CELVIANO pow-  
er. To return left pedal to soft pedal, turn power off and then  
back on again.  
The AP-31 is equipped with the two pedals shown in  
the illustration below. The left pedal normally func-  
tions as a soft pedal.  
❚ NOTE ❚  
• The following shows how pedal effects are applied during dif-  
ferent types of operations.  
Memory playback, demo tune play  
................... Pedal effects applied to notes played on the key-  
board only.  
Damper pedal  
Soft/Sostenuto pedal  
The AP-33 comes equipped with the three pedals  
shown in the illustration below.  
Soft pedal  
Damper pedal  
Sostenuto pedal  
Pedal functions  
• Damper pedal  
Pressing this pedal causes notes to reverberate and to sus-  
tain longer.  
• Soft pedal  
Pressing this pedal dampens notes and slightly reduces  
their volume. Only notes played after the pedal is depressed  
are affected, and any notes played before the pedal is  
pressed sound at their normal volume.  
• Sostenuto pedal  
Like the damper pedal, this pedal causes notes to reverber-  
ate and to sustain longer. The difference between the two  
pedals is the timing when they are pressed. With the soste-  
nuto pedal, you press the pedal after depressing the notes  
you want to sustain. Only the notes whose keyboard keys  
are depressed when the sostenuto pedal is pressed are af-  
fected.  
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• You can also change the tempo setting(beats per  
Using the Metronome  
The metronome provides a reference beat that you can use  
during your performances or practice sessions. You can  
change the beat and the tempo of the metronome.  
minute) by holding down the CONTROL button and  
ꢀ
using keyboard keys B2 through A 3 to input values  
from 0 to 9. You can input a two-digit or three-digit  
tempo value. Note that the tempo value you input is  
applied when you release the CONTROL button. The  
tempo setting does not change if you input a one-digit  
value or a value that is outside of the allowable set-  
ting range.  
• The names of the settings are marked above the keyboard  
keys to which they are assigned.  
Metronome Volume Keys  
• The tempo can be set within the range of 30 to 255  
(beats per minute).  
Beat Keys  
Tempo Keys  
4. When you want to stop the metronome, press  
METRONOME again.  
• Pressing METRONOME again restarts the metronome  
sound using the current beat and tempo setting.  
• If you want to change both the tempo and the beat  
before restarting the metronome, perform the above  
procedure here.  
ꢁ
ꢁ
ꢁ
ꢁ
ꢀ
ꢀ
ꢀ
ꢀ
ꢀ
C
2
2
E
2
F
2
A
2
B
2
C
3
E
3
F
3
A
3
B1  
C
D
2
E
2
F
2
G
2
A
2
B
2
C
3
D
3
E
3
F
3
G3  
❚ NOTE ❚  
• You can change metronome beat and tempo settings at any  
time, even while the metronome is sounding.  
• You can also use the metronome in combination with memory  
play. See the section of this User’s Guide covering the function  
for details.  
Number Input Keys  
Using the Metronome  
❚ PREPARATION ❚  
• Check to make sure that the indicator above the RECORD but-  
ton is off. If the indicator is on, press the RECORD button to  
turn it off.  
• See the section of this User’s Guide covering the memory for  
details on using the metronome in combination with the func-  
tion.  
Adjusting the Metronome Volume  
Use the following procedure to increase and decrease the vol-  
ume of the metronome beat.  
To adjust the metronome volume  
To use the metronome  
While holding down the CONTROL button, press the  
keyboard key that corresponds to the metronome  
volume setting you want to select.  
1. Press METRONOME to start the metronome.  
• This starts the metronome sound.  
• A note does not sound when you press a keyboard key  
while holding down CONTROL.  
• You can set a value from 1 to 3.  
2. Set the beat of the metronome.  
While holding down the CONTROL button, press the  
keyboard key that corresponds to the beat setting you  
want to select.  
❚ NOTE ❚  
The metronome volume is automatically set to 2 whenever you  
turn on piano power.  
• A note does not sound when you press a keyboard  
key while holding down CONTROL.  
• The first value of the beat can be set to a value of 2  
through 6, or 0 (unaccented beat).  
3. Change the tempo setting as described below.  
• A note does not sound when you press a keyboard  
key while holding down CONTROL.  
• While holding down the CONTROL button, press  
ꢀ
ꢀ
keyboard key A 2 (–) to decrease tempo or B 2 (+) to  
increase it. Holding down either keyboard key chang-  
es the setting at high speed. Pressing keyboard key  
A2 (120) changes the tempo setting to 120.  
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Using the Memory  
This section describes how to record keyboard play to mem-  
ory and playback data from memory.  
Recording  
To record notes from the keyboard  
❚ PREPARATION ❚  
About the Memory  
• Select the tone and effects you want to start with.  
• If you want to use the metronome during recording, start the  
metronome. Use the procedure under “Using the Metronome”  
on page E-15 to set the beat and the tempo.  
Memory Capacity  
Memory can hold up to 2,500 notes (one song).  
• Recording stops automatically and the indicator above the  
RECORD button goes out whenever memory becomes full.  
1. Press the RECORD button to put the piano into  
record standby.  
• The indicator above the RECORD button flashes.  
• You can also change the metronome’s beat setting at  
this time.  
• If you want the metronome to sound while you are  
recording, press the METRONOME button here to  
start the metronome.  
Recorded Data  
The following is a list of the data that can be recorded in mem-  
ory once recording starts.  
• Anything you played on the keyboard (Received MIDI data  
is not recorded.)  
• Tone settings and any tone setting changes  
• Beat setting used during recording  
• Pedal operations  
2. Play something on the keyboard to start record-  
ing.  
• When you start recording, the indicator above the  
RECORD button stops flashing and remains lit.  
• What you play sounds from the speakers and is re-  
corded into memory.  
• You can also start recording by pressing the START/  
STOP button. In this case, blank space is inserted in  
memory from the point that you press the START/  
STOP button up to the point you start to play on the  
keyboard.  
Recorded Data Storage  
This piano has a lithium battery to supply power to retain  
memory contents even while power is off.* The life of the  
lithium battery is five years after the date of manufacture of  
the piano. Be sure to contact your CASIO dealer about hav-  
ing the lithium battery replaced every five years.  
* Never turn off CELVIANO power while a record opera-  
tion is in progress.  
3. After you are finished recording, press the START/  
STOP button to stop the record operation.  
IMPORTANT!  
• At this time the indicator above the RECORD button  
goes out.  
• To stop the metronome, press the METRONOME but-  
ton.  
• Here you can press the START/STOP button and play-  
back the data you just recorded.  
• Recording new data to a song memory area automatically  
deletes any data previously stored in that song memory  
area.  
• Turning off power while a record operation is in progress  
deletes anything recorded up to that point.  
• CASIO shall not be held responsible for any losses by you  
or any third party due to loss of data caused by malfunction  
or repair of this piano, or by battery replacement.  
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Playback  
Use the following procedure to play back from memory.  
To playback from memory  
1. If you want the metronome to sound during play-  
back of your recording, hold down the CON-  
TROL button and press keyboard key B3 to turn  
on the metronome.  
Setting Range  
C4  
B3: Metronome ON  
ꢀ
B 3 (black key): Metronome OFF  
• Using the metronome comes in handy, for example,  
when you want to record the left-hand part and then  
practice the right hand-part while playing back.  
2. Press the START/STOP button to start playback.  
• If you turned on the metronome in step 1, the metro-  
nome sounds during playback.  
• You can toggle the playback metronome sound on and  
off by pressing the METRONOME button.  
• Playback stop automatically when the end of the tune  
is reached.  
• To stop part way through, press the START/STOP  
button.  
• To stop the metronome, press the METRONOME but-  
ton.  
❚ NOTE ❚  
• You can change the playback tempo while playing back from  
memory.  
• You cannot change the tone when playing back from memory.  
Deleting Memory Contents  
IMPORTANT!  
The delete operation cannot be undone. Make sure you play  
back memory contents and confirm that you no longer need  
it before performing the following procedure.  
To delete memory contents  
1. Press the RECORD button to put the piano into  
record standby.  
2. Press the START/STOP button twice to delete the  
contents of the selected song area.  
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Using Demo Tunes  
Your CELVIANO comes with eight built-in demo tunes, each  
of which features one of the eight built-in tones.  
To stop demo tune play  
Press the START/STOP button to stop demo tune play.  
To play the demo tunes in sequence  
❚ NOTE ❚  
• You cannot change the tempo or tone, or turn on the metro-  
nome while a demo tune is playing.  
• Playing on the keyboard during demo tune play plays notes  
using the demo tune’s tone.  
While holding down the CONTROL button, press the  
START/STOP button.  
• All the demo tunes play in sequence, starting from the Tune  
• You can adjust volume while demo playback is in progress.  
• Tone, digital effect, transpose, and tuning settings are changed  
automatically when a demo tune is played. These changes are  
temporary, and remain in effect only while the demo tune is play-  
ing.  
• Pedal operations performed during demo tune play are applied  
to notes played on the keyboard only. They are not applied to  
demo tune playback.  
1.  
To play a specific demo tune  
• To play the first of the demo tunes, start sequential demo  
tune play and then press the GRAND PIANO button.  
• To play another of the demo tunes, start sequential demo  
tune play and then hold down the CONTROL button and  
press the keyboard key that corresponds to the tune you  
want to play.  
• Demo tune notes cannot be sent as MIDI data.  
• The tune you select continues to repeat until you stop it.  
Tone Keys  
ꢁ
ꢀ
ꢀ
B 0  
C 1  
E 1  
A0 B0 C1 D1  
MELLOW PIANO  
GRAND PIANO 2  
STRINGS  
PIPE ORGAN  
ELEC PIANO 1  
HARPSICHORD  
ELEC PIANO 2  
Demo Tune List  
Tone (Keyboard Key)  
GRAND PIANO  
MELLOW PIANO  
GRAND PIANO 2  
ELEC PIANO 1  
ELEC PIANO 2  
HARPSICHORD  
PIPE ORGAN  
Title  
Composer  
F.F.Chopin  
R.Schumann  
J.S.Bach  
—
Time  
1’44”  
2’04”  
1’05”  
1’59”  
1’01”  
1’51”  
1’18”  
1’35”  
Etude Op.10-5 “Black Keys”  
Träumerei  
Variatio 30 [Goldberg-Variationen]  
Original  
Original  
—
Praeludium [Partita 1]  
Jesus Bleibet Meine Freude  
Original  
J.S.Bach  
J.S.Bach  
—
STRINGS  
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Keyboard Settings  
Using Touch Select  
Using Transpose  
This setting lets you adjust the touch of the keyboard to suit  
your own playing style. This means you can select a stronger  
touch for those with powerful hands, and a lighter touch for  
beginners and anyone else with less strength.  
Use the keys shown below to change the Touch Select set-  
ting.  
Transpose lets you adjust the pitch of your CELVIANO in  
semitone steps. This means you can change the key of the  
piano to suit the voice of a vocalist or the key of another  
musical instrument, without having to learn to play a piece  
in another key.  
Use the keys shown below to change the transpose setting.  
Setting Range  
Setting Range  
ꢀ
C4  
E 4 (black key)  
D4  
C4  
C5 F5  
F 4 (black key)  
ꢁ
ꢁ
(black key) C 4  
To change the transpose setting  
Touch Select Settings  
C4 .................. <OFF>  
While holding down the CONTROL button, select a  
key by pressing one of the keyboard illustrated below.  
ꢁ
C 4 ................. <LIGHT>  
This setting produces strong output, even when  
light pressure is applied to the keyboard.  
C5: Standard key  
Lower  
Higher  
D4 .................. <MIDDLE>  
This is the standard setting.  
ꢀ
E 4 .................. <HEAVY>  
This setting requires relatively strong keyboard  
pressure to produce normal output.  
ꢁ
(black key) F 4  
F5  
To change the Touch Select setting  
• A note does not sound when you press a keyboard key  
while holding down CONTROL.  
While still holding down the CONTROL button, se-  
lect the key touch by pressing one of the keyboard  
keys illustrated below.  
❚ NOTE ❚  
The transpose value is automatically set to 0 (C) whenever you  
turn on CELVIANO power.  
ꢁ
C 4 (black key): LIGHT  
ꢀ
C4 : OFF  
E 4 (black key): HEAVY  
D4 : MIDDLE  
• A note does not sound when you press a keyboard key  
while holding down CONTROL.  
❚ NOTE ❚  
Touch select is automatically set to MIDDLE whenever you turn  
on CELVIANO power.  
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Adjusting the Tuning of the Piano  
You can adjust the overall tuning of the piano for play along  
with another instrument. You can adjust tuning within a range  
of 50 cents from A4 = 440.0Hz.  
Use the keyboard keys noted below to adjust the tuning of  
the piano.  
Setting Range  
F4: + (raises the pitch)  
C4  
E4: – (lowers the pitch)  
To adjust the tuning of the piano  
Adjust the tuning as described below.  
While holding down the CONTROL button, press  
keyboard key E4 (–) to lower the tuning or F4 (+) to  
raise it. Each press of a key changes the tuning by  
about 0.8 cents (1/128 semitone).  
• A note does not sound when you press a keyboard key  
while holding down CONTROL.  
❚ NOTE ❚  
Holding down the CONTROL button and pressing keyboard keys  
E4 (–) and F4 (+) at the same time returns tuning to the standard  
A4 = 440.0Hz.  
* 100 cents is equivalent to one semitone.  
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MIDI  
*1 Keyboard play and memory playback data can be sent as  
MIDI data. Demo tunes cannot be sent as MIDI data.  
*2 A device that contains memory storage for MIDI data.  
Some MIDI sequencers feature external storage capabili-  
ties, which let you record a virtually unlimited number of  
tunes.  
What is MIDI?  
The letters MIDI stand for Musical Instrument Digital Inter-  
face, which is the name of a worldwide standard for digital  
signals and connectors that makes it possible to exchange  
musical data between musical instruments and computers  
(machines) produced by different manufacturers. MIDI com-  
patible equipment can exchange keyboard key press, key re-  
lease, tone change, and other data as messages.  
MIDI Connections  
Two MIDI cables, one for sending and one for receiving, are  
required for two-way recording and playback capabilities  
with a connected MIDI sequencer or other device.  
Though you do not need any special knowledge about MIDI  
to use your CELVIANO as a stand-alone unit, MIDI opera-  
tions require a bit of specialized knowledge. This section pro-  
vides you with an overview of MIDI that will help to get you  
going.  
MIDI Channels  
What you can do with MIDI  
MIDI allows you to send the data for multiple parts at the  
same time, with each part being sent over a separate MIDI  
channel. There are 16 MIDI channels, numbered 1 through  
16, and MIDI channel data is always included whenever you  
exchange data (key press, pedal operation, etc.).  
Send  
MIDI cable: MK-5  
MIDI  
OUT  
IN  
Both the sending machine and the receiving machine must  
be set to the same channel for the receiving unit to correctly  
receive and play data. If the receiving machine is set to Chan-  
nel 2, for example, it receives only MIDI Channel 2 data, and  
all other channels are ignored.  
Your CELVIANO is equipped with multi-timbre capabilities,  
which means it can receive messages over all 16 MIDI chan-  
nels and play up to 16 parts at the same time.  
Sender  
IN Receiver  
OUT  
MIDI musical instrument  
MIDI sound module  
MIDI sequencer  
G
R
A
N
D
P
I
A
N
O
2
PIANO  
2
ELEC PIANO  
1
2
ELEC PIANO VIBRAPHONE  
HARPSICHORD  
REVERB  
ST GE  
CHORUS  
OFF ON  
METRONOME BEA  
3
T
METRONOME  
2
V
O
L
TEMPO  
3
PIANO  
1
OFF  
ROOM  
A
HALL  
1
HALL  
2
0
2
4
5
6
1
3
120  
0
1
2
4
5
6
7
8
9
POEWR  
ON  
/
OFF  
DEMO  
CONTROL  
RECORD  
START/STOP  
METRONOME  
GRAND PIANO  
VOLUME  
MIN  
MAX  
Other MIDI device  
Keyboard and pedal operations performed on your CELVI-  
ANO are sent out by selecting a MIDI channel (1 to 16) and  
then sending the appropriate message.  
• What you play on the CELVIANO can be sent to the con-  
nected device as MIDI messages*1. The connected device  
sounds notes in accordance with the messages it receives.  
• MIDI messages*1 can be sent from the CELVIANO to a  
commercially available MIDI sequencer*2 for recording.  
Simultaneous Receive Over Multiple  
Channels (Multi-Timbre)  
The Multi-Timbre mode makes it possible to assign the  
CELVIANO’s built-in tones to MIDI channels 1 through 16.  
Then you can simultaneously sound multiple channels to play  
from a commercially available multi-track sequencer.  
Receive  
MIDI  
MIDI cable: MK-5  
OUT  
IN  
Receiver  
OUT  
IN  
Sender  
❚ NOTE ❚  
• See “Assigning Tones to Individual Channels” on page E-22 for  
details on assigning tones to each channel.  
• Up to 16 channels can be received simultaneously (Channel 1  
through channel 16).  
MIDI musical instrument  
MIDI sequencer  
Other MIDI device  
G
R
A
N
D
P
I
A
N
O
2
PIANO  
2
ELEC PIANO  
1
2
ELEC PIANO VIBRAPHONE  
HARPSICHORD  
REVERB  
ST GE  
CHORUS  
OFF ON  
METRONOME BEA  
4
T
METRONOME  
2
V
O
L
TEMPO  
3
PIANO  
1
OFF  
ROOM  
A
HALL  
1
HALL  
2
0
2
3
5
6
1
3
120  
0
1
2
4
5
6
7
8
9
POEWR  
ON  
/
OFF  
DEMO  
CONTRL  
RECORD  
START/STOP  
METRONOME  
GRAND PIANO  
VOLUME  
MIN  
MAX  
• The number of channels to be received simultaneously must  
be predetermined. If it becomes necessary to cancel a chan-  
nel, the cancel operation must be performed on the sending  
side.  
• The CELVIANO can be used to sound notes sent as MIDI  
messages from a connected device.  
• Commercially available MIDI piano data can be sent from  
a MIDI sequencer*2 or MIDI-capable personal computer  
for playback on the CELVIANO. Up to 16 parts can be  
played simultaneously by the CELVIANO.  
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Setting the Keyboard Channel  
This parameter sets the channel for MIDI messages to an ex-  
ternal device. You can set any MIDI channel in the range of 1  
to 16 as the keyboard channel.  
Sending Memory Playback Data  
You can send memory playback as MIDI data. The send chan-  
nel used depends on the Keyboard Channel setting, as shown  
in the table below.  
Keyboard Play  
Memory  
Keyboard Channel  
To set the Keyboard Channel  
Keyboard Channel + 1*  
While still holding down the CONTROL button, se-  
lect the Keyboard channel by pressing one of the key-  
board keys illustrated below.  
* When you have Channel 16 set as the keyboard channel,  
memory playback is send over Channel 1.  
• Pedal effect data recorded to the memory is applied to play-  
back from the memory, and does not affect your perfor-  
mance on the keyboard. Likewise, pedal operations on the  
CELVIANO are applied to the keyboard only, and not to  
playback from the memory.  
Example: Channel 8  
ꢁ
C4  
C 7 (black key)  
B 5 (black key)  
ꢀ
• A note does not sound when you press a keyboard key  
while holding down CONTROL.  
❚ NOTE ❚  
The Keyboard Channel is automatically set to 1 whenever you  
turn on CELVIANO power.  
Assigning Tones to Individual Channels  
You can assign tones to channels using a Program Change mes-  
sage sent from a connected MIDI device. You cannot change the  
tone assigned to each channel from the CELVIANO.  
❚ NOTE ❚  
The tone GRAND PIANO is automatically assigned to all chan-  
nels whenever you turn on CELVIANO power.  
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Program Change Number Settings  
The tones of your CELVIANO have two different sets of program numbers: Type 1 sequential numbers and Type 2 numbers that  
correspond to the General MIDI System (see “General MIDI” on page E-24). The tables below show the program numbers that are  
assigned, depending on whether you select Type 1 or Type 2 using the procedure under “To change the program change number  
type” on page E-24.  
Type 1  
Send  
Bank Select  
Receive  
Bank Select  
Tone Name  
Program  
numbers  
Program  
numbers  
MSB  
LSB  
MSB  
LSB  
GRAND PIANO  
MELLOW PIANO  
GRAND PIANO 2  
ELEC PIANO 1  
ELEC PIANO 2  
HARPSICHORD  
PIPE ORGAN  
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
1
2
3
4
5
6
7
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
1
2
3
4
5
6
7
STRINGS  
Type 2  
Send  
Receive  
Corresponding  
General MIDI Sound  
Tone Name  
Bank Select  
Bank Select  
Program  
numbers  
Program  
numbers  
MSB  
LSB  
MSB  
LSB  
GRAND PIANO  
MELLOW PIANO  
GRAND PIANO 2  
ELEC PIANO 1  
ELEC PIANO 2  
HARPSICHORD  
PIPE ORGAN  
2
3
0
0
0
0
0
0
0
0
0
0
2
3
0
0
0
0
0
0
0
0
0
0
—
—
Acoustic Grand Piano  
—
0
0
0
0
16  
0
4
16  
0
4
4
4
Electric Piano 1  
Harpsichord  
—
0
6
0
6
24  
0
19  
48  
24  
0
19  
48  
STRINGS  
Strings Ensemble 1  
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To change the program change number type  
Turning Local Control On and Off  
This setting effectively determines whether or not the key-  
board and pedals of the CELVIANO are connected to the  
CELVIANO’s sound source, as illustrated below.  
While still holding down the CONTROL button, se-  
lect the Program Change Mode by pressing one of  
the keyboard keys illustrated below.  
MIDI  
IN  
OUT  
ꢀ
A 5 (black key): TYPE 1  
C
4
Keyboard  
Pedals  
A5: TYPE 2  
Sound source  
• A note does not sound when you press a keyboard key  
while holding down CONTROL.  
• See the table on page E-23 for detailed information about  
Type 1 and Type 2.  
ON  
OFF  
Local Control  
General MIDI  
When Local Control is on (the normal setting), anything  
played on the keyboard is sounded by the internal sound  
source and simultaneously output from the MIDI OUT ter-  
minal. When off, anything played on the keyboard is output  
from the MIDI OUT terminal only, without being sounded  
by the sound source.  
Local Control can be turned off when you are using the  
CELVIANO as the sound source of a connected sequencer or  
other device, and you want to guard against sound being  
produced should the CELVIANO keyboard be pressed acci-  
dentally.  
The General MIDI System is a set of specifications for sound  
generating devices agreed upon by world MIDI manufactur-  
ers. These specifications were developed to allow the creation  
of music data that is not limited to specific equipment mak-  
ers and models. Among other things, General MIDI defines  
the tone number sequence and the number of MIDI channels  
that can be used. Any device equipped with a sound source  
that supports General MIDI is able to produce sounds of sim-  
ilar nuances, regardless of the manufacturer or model.  
The Type 2 program change numbers of your CELVIANO as-  
sign program numbers to tones so they comply with the Gen-  
eral MIDI System.  
Type 2 program change numbers make it possible to receive  
General MIDI System data from a connected sequencer or  
other device, and play it using the CELVIANO’s tones. Tone  
switching is performed only when a program number that  
corresponds to any of the CELVIANO’s non-bass tones is re-  
ceived. No tone switching is performed when any other pro-  
gram number is received.  
To turn Local Control on and off  
While still holding down the CONTROL button,  
switch Local Control on and off by pressing one of  
the keyboard keys illustrated below.  
ꢁ
F 5 (black key): OFF  
The table on page E-23 shows the program number assign-  
ments for Type 1 and Type 2.  
C4  
G5: ON  
• A note does not sound when you press a keyboard key  
while holding down CONTROL.  
❚ NOTE ❚  
• Note that no sound will be produced from the CELVIANO’s  
speakers if you press the keyboard while Local Control is turned  
off.  
• Local Control is turned on automatically whenever you turn on  
CELVIANO power or play a demo tune.  
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MIDI Data Notes  
This section provides details about the MIDI data your CELVI-  
ANO sends and receives. You can also find further technical  
information in the “MIDI Data Format” and “MIDI Imple-  
mentation Chart”* at the end of this User’s Guide.  
* The MIDI Implementation Chart is a standard format sum-  
mary of how data is transferred between your CELVIANO  
and a connected MIDI device.  
Keyboard Data (Note On, Note Off, Note  
Number, Velocity)  
The following four types of keyboard data can be sent and  
received.  
Data  
Note On  
Meaning  
Keyboard key is pressed.  
Keyboard key is released.  
Which key is pressed.  
Pressure applied  
Note Off  
Note Number  
Velocity  
Tone Change Data (Program Change)  
Whenever you change the tone on the CELVIANO, tone  
change data (Program Change) is also sent out as MIDI data.  
Conversely, receipt of a Program Change from a connected  
MIDI device causes the CELVIANO to change to the applica-  
ble tone. See “Program Change Number Settings” on page  
E-23 for details.  
Pedal and Effect Operation Data (Control  
Change and Universal System Exclusive  
Message)  
Control Change is used to send and receive data about damp-  
er, soft, and sostenuto pedal* depress and release, as well as  
data about digital effects.  
* AP-31 Users  
The AP-31 is equipped with only two pedals. The left-hand  
pedal can be switched between soft and sostenuto. The  
pedal effect applied by MIDI data depends on whether data  
is being sent or received.  
Send:  
Pressing the left pedal sends data that corresponds  
to the current pedal effect setting (soft or sostenu-  
to).  
Receive: Pedal effect is applied in accordance with the data  
received.  
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Troubleshooting  
Possible Cause  
Action  
Reference  
Symptom  
1. VOLUME knob set to MIN.  
1. Move VOLUME knob more to- Page E-12  
wards the MAX side.  
No sound produced when keyboard  
keys are pressed.  
2. Headphones connected to the pi- 2. Disconnect the headphones from Page E-10  
ano.  
the piano.  
3. Local Control turned off.  
3. Turn on Local control.  
Page E-24  
1. Transpose is set to a value other 1. Change the transpose setting to 0, Page E-19  
Keyboard out of tune.  
than 0.  
or turn CELVIANO power off and  
then back on again.  
2. Incorrect tuning setting  
2. Correct the tuning setting, or turn Page E-20  
CELVIANO power off and then  
back on again.  
Problem with the connection be- Turn off CELVIANO power and then Page E-29  
Pedal effect continues to be applied  
even though pedals are not pressed.  
tween the pedals and piano.  
check to make sure that the pedal plug  
is securely connected to the piano’s  
pedal connector.  
1. VOLUME knob set to MIN.  
1. Move VOLUME knob more to- Page E-12  
wards the MAX side.  
No sound produced by demo tune  
play.  
2. Headphones connected to the pi- 2. Disconnect the headphones from Page E-10  
ano.  
the piano.  
Lithium battery is dead.  
Contact your CASIO Service Provid-  
er for replacement of the lithium bat-  
tery.  
Page E-7  
Memory contents deleted.  
1. CELVIANO Keyboard Channel 1. Change the Keyboard Channel set- Page E-22  
No sound produced by connected ex-  
ternal MIDI sound source when  
CELVIANO keys are pressed.  
does not match the Keyboard  
Channel of the MIDI sound source.  
tings so they are identical.  
2. Volume or expression setting of 2. Change the volume or expression See the doc-  
the external sound source is set to  
0.  
setting of the external sound source umentation  
to an appropriate value.  
that comes  
with the ex-  
ternal sound  
source.  
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Assembly Instructions  
• Illustrations in this User’s Guide shows the AP-31.  
1 Assembling the stand  
Caution  
Refer to Figures 3, 4 and 5 as you assemble the stand accord-  
ing to the following procedure.  
• Take particular care to avoid injury when installing  
legs and pedals, and when mounting the keyboard  
onto the stand.  
• When assembling, make sure that the sliding keyboard  
cover of the piano body is completely closed. If the  
cover is left open during assembly, it may close sud-  
denly causing the fingers to be pinched between the  
piano body and cover.  
Figure 3  
F
I
E
C
I
G
F
J
I
L
D
A
E
I
*
L
*
IMPORTANT!  
• Be sure to assemble the stand on a flat surface.  
• This stand does not include any of the tools required to  
assemble it. You should have a large Phillips head (+)  
screwdriver on hand for assembly.  
H
B
G
3
Figure 1  
B
A
C
x2  
x2  
E
F
Side upright  
Bottom  
x4  
x1  
G
H
4
Crosspiece  
x14  
x2  
I
J
x2  
x2  
K
L
5
D
1.Attach E brackets to side uprights A and B using the I  
screws (Figure 3).  
• When attaching the E bracket to the side upright B, slip  
a J clip onto the I screw before screwing the I screw  
into the upright at point 3.  
• Check the items that come with the unit to make sure that  
everything shown in Figure 1 (A through L) is included.  
All screws are in a plastic bag inside of the packing card-  
board.  
2.Attach angle brackets F to side uprights A and B using  
the four I screws (Figure 3).  
3.Install height adjustment screw H into hole 4 located in  
the center of the back of crosspiece D (Figure 3).  
4.Attach side uprights A and B to crosspiece D using the  
four G screws (Figure 3).  
Figure 2  
1
2
• Make sure that crosspiece D is correctly positioned as  
indicated by 5 in the inset of Figure 3. It should be per-  
pendicular (at a 90-degree angle) to the two side uprights.  
Also make sure that uprights A and B are parallel with  
each other. If the pieces are not positioned correctly, the  
nuts built into crosspiece D will not seat properly with  
the G screws. This can result in stripping of the threads  
and free turning of nuts.  
• Before starting actual assembly of the stand, undo the clip  
at location 1 (Figure 2) where the pedal cable comes out  
the back of crosspiece D. Pull out the coiled cable and re-  
fasten two clips at points 1 and 2 as shown in the illus-  
tration.  
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2 Installing the Keyboard  
Figure 4  
A
onto the Stand  
B
C
J
Caution  
(Back)  
6
Take care that you do not pinch your fingers between  
the keyboard and stand!  
I
J
E
L
Figure 6  
L
F
F
7
K
K
5.Attach back panel C to the E brackets and crosspiece D.  
Note that the back panel C should be installed so it is in  
front of the E brackets (Figure 4). Use the two L screws,  
six I screws to secure the back panel in place (Figures 3  
and 4). Note that you must also install the second J clip at  
this time as shown in the illustration.  
• First, install the topmost L screws on the left and right  
sides of the back panel C. Note that you should slip the  
other J clip onto the I screw at point 6 before you  
screw the I screw in.  
• The back panel C should rest on the feet of side uprights  
A and B as indicated by 7 in the illustration. Press the  
back panel C against crosspiece D while installing the  
L screws.  
Be sure that you securely anchor the keyboard to the stand  
using the K butterfly bolts (Figure 6).  
• Slide the screws on the bottom of the keyboard into the  
slots in the two angle brackets F. Next, secure the keyboard  
to the stand with two butterfly bolts K (Figure 7).  
Figure 5  
Figure 7  
Back  
Front  
H
• The butterfly bolts keep the keyboard from falling from the  
stand. Be sure that you always secure the keyboard with  
the butterfly bolts.  
6.Rotate height adjustment screw H until it supports cross-  
piece D, preventing the crosspiece from bending when you  
press the pedals (Figure 5).  
IMPORTANT!  
Be sure to install adjustment screw H and perform the ad-  
justment procedure described above before depressing the  
pedals. Failure to do so can result in damage to crosspiece  
D.  
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3 Connecting the Pedal  
Caution  
The screws that you use to assemble the stand may be-  
come loose after a long period due to changes in tem-  
perature and humidity, or vibration caused by normal  
use, etc. Periodically check the screws used to fasten the  
stand and the butterfly bolts used to fasten the stand  
and the piano, and tighten them whenever necessary.  
Figure 8  
Attachment of the Score Stand  
Pedal plug  
Install the music stand by inserting its pegs into the holes in  
the top of the piano.  
Clip J  
Position the pedal plug as shown in Figure 8 and insert it  
into the pedal connector on the bottom of the piano. Secure  
the pedal cable to the upright of the stand using the J clips  
that you installed when assembling the stand (Figure 8).  
4 Connecting to a Power Supply  
Figure 9  
Household  
Power cord  
wall outlet  
1.Check to make sure that the piano’s POWER button is in  
the OFF position. If it is ON, press the button to switch it  
OFF.  
2.Attach the power cord that comes with the piano to the  
bottom of the piano.*  
3.Plug the piano’s power cord into a wall outlet (Figure 9).  
* 2: applies to the AP-31V and AP-33V  
IMPORTANT!  
• The shapes of the piano’s power cord and wall outlet  
should be different according to countries or regions. The  
illustrations are examples.  
• With the AP-31 and AP-33, the power cord is hard-wired to  
the bottom of the instrument.  
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Specifications  
All of the items in these specifications apply to the AP-31, AP-31V, AP-33, and AP-33V, unless specifically noted otherwise.  
Models:  
AP-31/AP-31V/AP-33/AP-33V  
88 piano keys (with touch response)  
64 notes, maximum  
Keyboard:  
Polyphony:  
Tones:  
8
Digital Effects:  
Demo Tunes:  
Reverb (4 types), Chorus  
• Number of Tunes: 8  
• Playback: Repeat (all tunes, one tune)  
Memory:  
• Operations: Real-time recording, playback  
• Capacity: Approximately 2,500 notes (one song)  
• Memory Backup: Built-in lithium battery (Battery Life: 5 years)  
Pedals:  
AP-31/AP-31V: Damper, Soft/Sostenuto (Selectable)  
AP-33/AP-33V: Damper, Soft, Sostenuto  
Other Functions:  
• Metronome: Beat (6 types), Tempo ( = 30 to 255)  
• Touch Select: 3 types, off  
ꢁ
• Transpose: 1 octave (F to C to F)  
• Tuning: A4 = 440Hz 50 cents (adjustable)  
MIDI:  
16 multi-timbre receive  
Input/Output:  
• Headphones: Stereo standard jacks × 2  
Output Impedance: 470Ω  
Output Voltage: 18V (RMS) MAX  
• MIDI (OUT) (IN)  
Speakers:  
‡ 12cm × 2 (Output: 20 W + 20 W)  
Power Supply:  
AP-31/AP-33: 120V  
AP-31V/AP-33V: 220-240V  
Power Consumption:  
Dimensions:  
Weight:  
AP-31/AP-33: 60W  
AP-31V/AP-33V: 60W  
• CELVIANO (without stand): 137.0 × 42.5 × 19.0 cm (53 15 16 × 16 3/4 × 7 1/2 inch)  
/
• CELVIANO: 139.0 × 47.0 × 81.0 cm (54 3/4 × 18 1/2 × 31 7/8 inch)  
• CELVIANO (without stand): approximately 34 kg (74.8 lbs)  
• CELVIANO: approximately 44 kg (96.8 lbs) (AP-31/AP-31V)  
approximately 44 kg (96.8 lbs) (AP-33/AP-33V)  
• Design and specifications are subject to change without notice.  
• AP-31 and AP-33 have hardwired power cords.  
• AP-31V and AP-33V have detachable power cords.  
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Appendix/Apéndice  
Initial Power On Settings  
The table below shows the initial settings of the CELVIANO whenever power is turned on.  
Item  
Setting  
GRAND PIANO  
HALL 1 (GRAND PIANO)  
Off (GRAND PIANO)  
MIDDLE  
Item  
Setting  
A4 = 440.0Hz  
Tone  
Tuning  
Reverb  
Chorus  
Keyboard Channel  
Local Control  
Channel 1  
On  
Touch Select  
Transpose  
Program Change Mode  
Type 1  
C
Ajustes iniciales al activarse la alimentación  
La tabla siguiente muestra los ajustes iniciales del CELVIANO siempre que se activa la alimentación.  
Item  
Ajuste  
GRAND PIANO  
HALL 1 (GRAND PIANO)  
Desactivado (GRAND PIANO)  
MIDDLE  
Item  
Afinación  
Ajuste  
A4 = 440,0Hz  
Sonido  
Reverberación  
Coro  
Canal de teclado  
Control local  
Canal 1  
Activado  
Tipo 1  
Selección de toque  
Transposición  
Modo de cambio de programa  
C
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MIDI Data Format  
Items marked “#” are receive only.  
Control Change  
Bank Select  
Format  
Channel Messages  
Note Messages  
Note Off  
Byte 1  
BnH  
Byte 2  
Byte 3  
00H  
20H  
mmH (Bank Select MSB)  
llH (Bank Select LSB)  
BnH  
Recognition  
Format  
n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
mm .. Bank Number MSB = 00H, 02H, 03H, 10H, 18H  
ll....... Bank Number LSB = 00H  
Byte 1  
8nH  
Byte 2  
kkH  
Byte 3  
vvH  
Send  
9nH  
kkH  
00H  
A Bank Select message is sent at the same time when you  
select a tone on the instrument.  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
kk .... Note Number = 00H to 7FH  
vv .... Note Off Velocity = 00H to 7FH  
#
Modulation Wheel  
Format  
Remarks  
Note Off Velocity value is ignored.  
Byte 1  
Byte 2  
Byte 3  
BnH  
01H  
vvH  
Send  
Format  
n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Modulation Depth = 00H to 7FH  
Byte 1  
Byte 2  
Byte 3  
8nH  
kkH  
vvH  
#
Portamento Time  
Format  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
kk .... Note Number = 15H to 6CH  
vv .... Note Off Velocity = 40H  
Byte 1  
Byte 2  
Byte 3  
BnH  
05H  
vvH  
Note On  
n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Portamento Time = 00H to 7FH  
Recognition  
Format  
Data Entry  
Format  
Byte 1  
Byte 2  
Byte 3  
9nH  
kkH  
vvH  
Byte 1  
BnH  
Byte 2  
06H  
Byte 3  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
kk .... Note Number = 00H to 7FH  
vv .... Note Off Velocity = 00H to 7FH  
mmH (Data Entry MSB)  
llH (Data Entry LSB)  
BnH  
26H  
n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
mm .. Data entry MSB value for the parameter that is se-  
lected by RPN and NRPN  
ll....... Data entry LSB value for the parameter that is se-  
lected by RPN and NRPN  
Send  
Format  
Byte 1  
Byte 2  
Byte 3  
9nH  
kkH  
vvH  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
kk .... Note Number = 15H to 6CH  
vv .... Note Off Velocity = 01 to 7FH  
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#
Channel Volume  
Sostenuto  
Format  
Format  
Byte 1  
Byte 2  
Byte 3  
Byte 1  
BnH  
Byte 2  
Byte 3  
BnH  
07H  
vvH  
42H  
vvH  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Volume = 00H to 7FH  
Recognition  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Sostenuto = 00H to 7FH (00H to 3FH:OFF, 40H to  
7FH:ON)  
#
Pan  
Format  
Send  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Sostenuto = 00H, 7FH (00H:OFF, 7FH:ON)  
Byte 1  
Byte 2  
Byte 3  
BnH  
0AH  
vvH  
Soft  
Format  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Pan = 00H (left) to 40H (center) to 7FH (right)  
Byte 1  
Byte 2  
Byte 3  
#
Expression Controller  
Format  
BnH  
43H  
vvH  
Recognition  
Byte 1  
Byte 2  
Byte 3  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Soft = 00H to 7FH (00H to 3FH:OFF, 40H to  
7FH:ON)  
BnH  
0BH  
vvH  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Expression = 00H to 7FH  
Send  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Soft = 00H, 7FH(00H:OFF, 7FH:ON)  
Hold 1 (Damper Pedal)  
Format  
#
Resonance  
Format  
Byte 1  
Byte 2  
Byte 3  
BnH  
40H  
vvH  
Byte 1  
Byte 2  
Byte 3  
Recognition  
BnH  
47H  
vvH  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Hold 1 = 00H to 7FH (00H to 3FH:OFF, 40H to  
7FH:ON)  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Filter Resonance = 00H to 7FH  
Send  
#
Release Time  
Format  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Hold 1 = 00H,7FH(00H:OFF, 7FH:ON)  
Byte 1  
Byte 2  
Byte 3  
#
Portamento  
BnH  
48H  
vvH  
Format  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... AMP Release Time = 00H to 7FH  
Byte 1  
Byte 2  
Byte 3  
BnH  
41H  
vvH  
#
Attack Time  
Format  
Recognition  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Portamento = 00H to 7FH (00H to 3FH:OFF, 40H  
to 7FH:ON)  
Byte 1  
Byte 2  
Byte 3  
BnH  
49H  
vvH  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... AMP Attack Time = 00H to 7FH  
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#
Format  
Brightness  
Format  
Byte 1  
BnH  
Byte 2  
63H  
Byte 3  
pmH (MSB)  
plH (LSB)  
Byte 1  
Byte 2  
Byte 3  
BnH  
62H  
BnH  
4AH  
vvH  
n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
pm ... MSB of NRPN  
pl ..... LSB of NRPN  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Filter Cutoff Frequency = 00H to 7FH  
#
Portamento Control  
Recognition  
• NRPN messages not defined by the instrument can also  
be received, but subsequent data entry values after  
undefined NRPN messages are ignored.  
Format  
Byte 1  
Byte 2  
Byte 3  
• After the NRPN MSB and LSB are received and the  
applicable control parameters settings are made, the  
value is set by receipt of the MSB of the subsequent  
data entry. The data entry LSB is ignored.  
BnH  
54H  
kkH  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
kk .... Source Note Number = 00H to 7FH  
Vibrato Rate  
Effect 1 Depth (Reverb Send Level)  
NRPN MSB = 01H  
NRPN LSB = 08H  
Format  
Data Entry MSB = mmH  
Byte 1  
Byte 2  
Byte 3  
BnH  
5BH  
vvH  
mm .. Vibrato Rate = 00H to 40H to 7FH (-64 to 0 to +63)  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Reverb Send Level = 00H to 7FH  
Recognition  
When the instrument receives this message, the preset  
Vibrato Rate value for the tone is changed to the Vibrato  
Rate value that corresponds to the data entry MSB of the  
received message. There is no change when the value of  
the data entry MSB is 40H(0).  
Effect 3 Depth (Chorus Send Level)  
Format  
Byte 1  
Byte 2  
Byte 3  
Vibrato Depth  
BnH  
5DH  
vvH  
NRPN MSB = 01H  
NRPN LSB = 09H  
Data Entry MSB = mmH  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Chorus Send Level = 00H to 7FH  
mm .. Vibrato Depth = 00H to 40H to 7FH (-64 to 0 to  
+63)  
#
NRPN (Non-Registered Parameter Numbers)  
With the instrument, NRPN are defined as tone editing pa-  
rameters and drawbar parameters. The MSB and LSB of an  
NRPN specify the parameter being controlled, while the spec-  
ified parameter’s value is set in accordance with the subse-  
quent data entry.  
Recognition  
When the instrument receives this message, the preset  
Vibrato Depth value for the tone is changed to the value  
that corresponds to the data entry MSB of the received  
message. There is no change when the value of the data  
entry MSB is 40H(0).  
The following table shows the relationship between parame-  
ters and NRPN as defined by the instrument.  
Vibrato Delay  
NRPN MSB NRPN LSB  
Parameter  
Vibrato Rate  
NRPN MSB = 01H  
NRPN LSB = 0AH  
Data Entry MSB = mmH  
01H  
01H  
01H  
01H  
01H  
01H  
01H  
01H  
08H  
09H  
0AH  
20H  
21H  
63H  
64H  
66H  
Vibrato Depth  
Vibrato Delay  
mm .. Vibrato Delay = 00H to 40H to 7FH (-64 to 0 to +63)  
TVF Cut Off Frequency  
TVF Resonance  
Recognition  
TVF/TVA Envelope Attack Time  
TVF/TVA Envelope Decay Time  
TVF/TVA Envelope Release Time  
When the instrument receives this message, the preset  
Vibrato Delay value for the tone is changed to the value  
that corresponds to the data entry MSB of the received  
message. There is no change when the value of the data  
entry MSB is 40H(0).  
See “Vibrato Rate” through “TVF/TVA Envelope Release  
Time” for the data entry MSB value range and other details.  
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Filter Cut Off Frequency  
Filter/AMP Envelope Release Time  
NRPN MSB = 01H  
NRPN LSB = 20H  
NRPN MSB = 01H  
NRPN LSB = 66H  
Data Entry MSB = mmH  
Data Entry MSB = mmH  
mm .. Cut Off Frequency = 00H to 40H to 7FH (-64 to 0 to  
+63)  
mm .. Filter/AMP Envelope Release Time = 00H to 40H  
to 7FH (-64 to 0 to +63)  
Recognition  
Recognition  
When the instrument receives this message, the preset  
Filter Cut off Frequency value for the tone is changed to  
the value that corresponds to the data entry MSB of the  
received message. There is no change when the value of  
the data entry MSB is 40H(0).  
When the instrument receives this message, the preset  
Filter/AMP Envelope Release Time value for the tone is  
changed to the value that corresponds to the data entry  
MSB of the received message. There is no change when  
the value of the data entry MSB is 40H(0).  
RPN (Registered Parameter Numbers)  
Filter Resonance  
NRPN MSB = 01H  
NRPN LSB = 21H  
On the instrument, RPNs are defined as settings for the fol-  
lowing parameters.  
Data Entry MSB = mmH  
NRPN MSB  
00H  
NRPN LSB  
00H  
Parameter  
Pitch Bend Sensitivity  
Master Fine Tuning  
Master Coarse Tuning  
RPN Null  
mm .. Filter Resonance= 00H to 40H to 7FH (-64 to 0 to  
+63)  
00H  
01H  
Recognition  
00H  
02H  
When the instrument receives this message, the preset  
Filter Resonance value for the tone is changed to the val-  
ue that corresponds to the data entry MSB of the received  
message. There is no change when the value of the data  
entry MSB is 40H(0).  
7FH  
7FH  
The MSB and LSB of an RPN specify the parameter be-  
ing controlled, while the specified parameter’s value is  
set in accordance with the MSB of the subsequent data  
entry.  
See “Pitch Bend Sensitivity” through “RPN Null” for the  
data entry MSB value range and other details.  
Filter/AMP Envelope Attack Time  
NRPN MSB = 01H  
NRPN LSB = 63H  
Data Entry MSB = mmH  
Format  
mm .. Filter/AMP Envelope Attack Time = 00H to 40H  
to 7FH (-64 to 0 to +63)  
Byte 1  
BnH  
Byte 2  
65H  
Byte 3  
qmH (MSB)  
qlH (LSB)  
BnH  
64H  
Recognition  
When the instrument receives this message, the preset  
Filter/AMP Envelope Attack Time value for the tone is  
changed to the value that corresponds to the data entry  
MSB of the received message. There is no change when  
the value of the data entry MSB is 40H(0).  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
qm ... MSB of RPN  
ql ..... LSB of RPN  
Recognition  
• RPN messages not defined by the instrument can also  
be received, but subsequent data entry values after un-  
defined RPN messages are ignored.  
• After the MSB and LSB of an RPN are received and the  
applicable control parameters settings are made, the  
value is set by receipt of the MSB of the subsequent  
data entry. The data entry LSB is ignored.  
Filter/AMP Envelope Decay Time  
NRPN MSB = 01H  
NRPN LSB = 64H  
Data Entry MSB = mmH  
mm .. Filter/AMP Envelope Decay Time = 00H to 40H  
to 7FH (-64 to 0 to +63)  
Send  
Recognition  
An RPN is sent whenever an operation that changes the  
parameter assigned to the RPN is performed.  
When the instrument receives this message, the preset  
Filter/AMP Envelope Decay Time value for the tone is  
changed to the value that corresponds to the data entry  
MSB of the received message. There is no change when  
the value of the data entry MSB is 40H(0).  
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#
Pitch Bend Sensitivity  
#
Pitch Bend Change  
Format  
RPN MSB = 00H  
RPN LSB = 00H  
Data Entry MSB = mmH  
Byte 1  
Byte 2  
Byte 3  
EnH  
llH  
mmH  
mm .. Pitch Bend Sensitivity = 00H to 18H (0 to 24 semi-  
tones)  
n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
ll....... Pitch Bend Change LSB = 00H to 7FH  
mm .. Pitch Bend Change MSB = 00H to 7FH  
Recognition  
The data entry LSB is always ignored.  
Recognition  
Master Fine Tuning  
• The value llH mmH is 00H 00H at the lowest pitch,  
00H 40H at mid-pitch, and 7FH 7FH at the highest pitch.  
• You have to set both the LSB and MSB together to form  
a 14-bit value and make a Pitch Bend Change message  
recognized by the instrument.  
RPN MSB = 00H  
RPN LSB = 01H  
Data Entry MSB = mmH  
Data Entry LSB = llH  
mm ll .... Master Fine Tuning = 00 00H to 40H 00H to 7FH  
7FH (-100 to 0 to +99.99 cents)  
Channel Mode Message  
All Sound Off  
Master Coarse Tuning  
#
RPN MSB = 00H  
RPN LSB = 02H  
Format  
Data Entry MSB = mmH  
Byte 1  
Byte 2  
Byte 3  
BnH  
78H  
00H  
mm .. Master Coarse Tuning = 28H to 40H to 58H (-24 to  
0 to +24 semitones)  
n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
Recognition  
Recognition  
The data entry LSB is always ignored.  
Receipt of this message immediately mutes all tones play-  
ing over the MIDI channels.  
RPN Null  
RPN MSB = 7FH  
RPN LSB = 7FH  
#
Reset All Controller  
Format  
Recognition  
Once an RPN Null is sent, all received data entry MSBs  
and LSBs are ignored until another RPN message other  
than RPN Null or an NRPN message is received.  
Byte 1  
Byte 2  
Byte 3  
BnH  
79H  
00H  
n....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
Recognition  
Program Change  
Format  
Receipt of the Reset All Controller message causes the  
following controllers to be reset.  
Byte 1  
Byte 2  
Controller Name  
Modulation Wheel  
Expression Controller  
Hold 1  
Reset Value  
vvH = 00H  
CnH  
ppH  
vvH = 7FH  
pp .... Program Number = 00H to 7FH  
Send  
vvH = 00H  
Portamento  
Sostenuto  
vvH = 00H  
Program Change messages are sent when you select a  
tone on the instrument.  
vvH = 00H  
Soft  
vvH = 00H  
NRPN  
msb = 7FH, lsb = 7FH  
msb = 7FH, lsb = 7FH  
llH mmH = 00H 40H  
RPN  
Pitch Bend Change  
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#
All Note Off  
Poly Mode On  
Format  
Format  
Byte 1  
Byte 2  
Byte 3  
Byte 1  
Byte 2  
Byte 3  
BnH  
7FH  
00H  
BnH  
7BH  
00H  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
Recognition  
Receive  
Receipt of a Poly Mode On message by the instrument  
sets Channel n to Mode 3 and is processed as if an All  
Sound Off message and All Note Off message were re-  
ceived.  
Receipt of the All Note Off message mutes all tones be-  
ing played by data received over the MIDI channels (note  
off).  
If Hold 1 or Sostenuto is turned on when the All Note  
Off message is received, notes are sustained in accordance  
with the corresponding pedal operation.  
System Messages  
Send  
This message is sent when the CONTROL button is  
pressed and when memory playback is stopped.  
Universal System Exclusive Message  
#
GM System On  
Format  
#
Omni Mode Off  
Format  
F0H 7EH 7FH 09H 01H F7H  
Byte 1  
Byte 2  
Byte 3  
Send  
BnH  
7CH  
00H  
This message cannot be sent.  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
Recognition  
Reverb Type  
Format  
Receipt of an Omni Mode On message does not turn on  
the instrument Omni Mode. Receipt of an Omni Mode  
On message is treated as an All Note Off message.  
F0 7F 7F 04 05 01 01 01 01 01 00 vv F7  
Parameter (vv) Setting  
GM Level 2 Equivalent  
Small Room  
00H  
02H  
03H  
04H  
ROOM  
STAGE  
HALL 1  
HALL 2  
#
Omni Mode On  
Large Room  
Format  
Medium Hall  
Large Hall  
Byte 1  
Byte 2  
Byte 3  
BnH  
7DH  
00H  
Chorus Type  
Format  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
Recognition  
F0 7F 7F 04 05 01 01 01 01 02 00 vv F7  
Receipt of an Omni Mode On message does not turn on  
the instrument Omni Mode. Receipt of an Omni Mode  
On message is treated as an All Note Off message.  
Parameter (vv) Setting  
02H  
GM Level 2 Equivalent  
CHORUS Chorus 3  
#
Mono Mode On  
Format  
Byte 1  
Byte 2  
Byte 3  
BnH  
7EH  
vvH  
n ....... Voice Channel Number = 0H to FH (Ch1 to Ch16)  
vv .... Number of Mono Mode Channels = 00H to 10H  
Recognition  
Receipt of a Mono Mode On message does not turn on  
the instrument Mono Mode. Receipt of a Mono Mode On  
message is treated as an All Sound Off message.  
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Formato de datos MIDI  
Solamente se reciben los ítemes marcados con “#” .  
Cambio de control  
Selección de banco  
Mensajes de canales  
Formato  
Mensajes de nota  
1er. byte  
BnH  
2do. byte  
3r. byte  
00H  
20H  
mmH (MSB de selección de banco)  
llH (LSB de selección de banco)  
Desactivación de nota  
BnH  
Reconocimiento  
Formato  
n....... Número de canal de voz = 0H a FH (canal 1 al 16).  
mm .. MSB de número de banco = 00H, 02H, 03H, 10H,  
18H.  
ll....... LSB de número de banco = 00H.  
1er. byte  
8nH  
2do. byte  
kkH  
3r. byte  
vvH  
Envío  
Un mensaje de selección de banco es enviado al mismo  
tiempo cuando selecciona un sonido en el instrumento.  
9nH  
kkH  
00H  
n ....... Número de canal de voz = 0H a FH (canal 1 al 16).  
kk .... Número de nota = 00H a 7FH.  
vv .... Velocidad de presión = 00H a 7FH.  
#
Perilla de modulación  
Formato  
Observaciones  
1er. byte  
2do. byte  
3r. byte  
El valor de la velocidad de desactivación de nota es  
ignorado.  
BnH  
01H  
vvH  
n....... Número de canal de voz = 0H a FH (canal 1 al 16).  
vv .... Profundidad de modulación = 00H a 7FH.  
Envío  
Formato  
1er. byte  
8nH  
2do. byte  
3r. byte  
#
Tiempo de portamento  
kkH  
vvH  
Formato  
n ....... Número de canal de voz = 0H a FH (canal 1 al 16).  
kk .... Número de nota = 15H a 6CH.  
vv .... Velocidad de desactivación de nota = 40H.  
1er. byte  
2do. byte  
3r. byte  
BnH  
05H  
vvH  
n....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
vv .... Tiempo de portamento = 00H a 7FH.  
Nota activada  
Reconocimiento  
Formato  
Ingreso de datos  
Formato  
1er. byte  
2do. byte  
kkH  
3r. byte  
vvH  
9nH  
1er. byte  
BnH  
2do. byte  
06H  
3r. byte  
n ....... Número de canal de voz = 0H a FH (canal 1 al 16).  
kk .... Número de nota = 00H a 7FH.  
vv .... Velocidad de desactivación de nota = 00H a 7FH.  
mmH (MSB de ingreso de datos)  
llH (LSB de ingreso de datos)  
BnH  
26H  
n....... Número de canal de voz = 0H a FH (canal 1 al 16).  
mm .. Valor MSB de ingreso de datos para el parámetro  
que se selecciona mediante RPN y NRPN.  
Envío  
Formato  
ll....... Valor LSB de ingreso de datos para el parámetro  
que se selecciona mediante RPN y NRPN.  
1er. byte  
9nH  
2do. byte  
kkH  
3r. byte  
vvH  
n ....... Número de canal de voz = 0H a FH (canal 1 al 16).  
kk .... Número de nota = 15H a 6CH.  
vv .... Velocidad de desactivación de nota = 01 a 7FH.  
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#
Volumen de canal  
Sostenuto  
Formato  
Formato  
1er. byte  
2do. byte  
3r. byte  
1er. byte  
2do. byte  
3r. byte  
BnH  
42H  
vvH  
BnH  
07H  
vvH  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
Reconocimiento  
nal 16).  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
vv .... Volumen = 00H a 7FH  
nal 16).  
vv .... Sostenuto = 00H a 7FH (00H a 3FH:OFF, 40H a  
7FH:ON).  
#
Efecto panorámico  
Formato  
Envío  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
vv .... Sostenuto = 00H,7FH (00H:OFF, 7FH:ON).  
1er. byte  
2do. byte  
3r. byte  
BnH  
0AH  
vvH  
Suave  
Formato  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
vv .... Efecto panorámico = 00H (izquierdo) a 40H (cen-  
tro) a 7FH (derecho).  
1er. byte  
2do. byte  
3r. byte  
BnH  
43H  
vvH  
#
Controlador de expresión  
Formato  
Reconocimiento  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
1er. byte  
2do. byte  
3r. byte  
vv .... Suave = 00H a 7FH (00H a 3FH:OFF, 40H a  
7FH:ON).  
BnH  
0BH  
vvH  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
vv .... Expresión = 00H a 7FH.  
Envío  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
vv .... Suave = 00H,7FH (00H:OFF, 7FH:ON).  
Retención 1 (Pedal amortiguador)  
Formato  
#
Resonancia  
Formato  
1er. byte  
2do. byte  
3r. byte  
1er. byte  
BnH  
2do. byte  
3r. byte  
BnH  
40H  
vvH  
47H  
vvH  
Reconocimiento  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
vv .... Filtro de resonancia TVF = 00H a 7FH.  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
vv .... Retención 1 = 00H a 7FH (00H a 3FH:OFF, 40H a  
7FH:ON).  
#
Tiempo de liberación  
Envío  
Formato  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
1er. byte  
2do. byte  
3r. byte  
vv .... Retención 1 = 00H,7FH (00H:OFF, 7FH:ON).  
BnH  
48H  
vvH  
#
Portamento  
Formato  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
vv .... Tiempo de liberación AMP = 00H a 7FH.  
1er. byte  
2do. byte  
3r. byte  
#
Tiempo de ataque  
BnH  
41H  
vvH  
Formato  
Reconocimiento  
1er. byte  
2do. byte  
3r. byte  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
BnH  
49H  
vvH  
nal 16).  
vv .... Portamento = 00H a 7FH (00H a 3FH:OFF, 40H a  
7FH:ON).  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
vv .... Tiempo de ataque de AMP = 00H a 7FH.  
427B-E-073B  
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#
Para la gama de valores de ingreso de datos y otros detalles  
vea “Regimen de vibrato” a “Tiempo de liberacion de en-  
volvente de TVF/TVA”.  
Brillo  
Formato  
1er. byte  
BnH  
2do. byte  
3r. byte  
Formato  
4AH  
vvH  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
vv .... Frecuencia de corte de filtro = 00H a 7FH.  
1er. byte  
BnH  
2do. byte  
63H  
3r. byte  
pmH (MSB)  
plH (LSB)  
BnH  
62H  
#
Control de portamento  
Formato  
n....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
pm ... MSB de NRPN.  
pl ..... LSB de NRPN.  
1er. byte  
2do. byte  
3r. byte  
BnH  
54H  
kkH  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
Reconocimiento  
• Los mensajes NRPN no definidos por el instrumento  
también pueden ser recibidos, pero los valores de in-  
greso de datos subsiguientes después de los mensajes  
NRPN sin definir son ignorados.  
kk .... Número de nota de fuente = 00H a 7FH.  
Profundidad de efecto 1 (Nivel de envío de re-  
verberación)  
Formato  
• Después que se reciben los NRPN MSB y LSB y se  
realizan los ajustes de parámetros de control aplica-  
ble, el valor se ajusta por la recepción del MSB del  
ingreso de datos subsiguientes. El ingreso de datos  
LSB es ignorado.  
1er. byte  
2do. byte  
3r. byte  
BnH  
5BH  
vvH  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
vv .... Nivel de envío de reverberación = 00H a 7FH.  
Régimen de vibrato  
NRPN MSB = 01H  
NRPN LSB = 08H  
MSB de ingreso de datos = mmH  
Profundidad de efecto 3 (Nivel de envío de coro)  
Formato  
mm .. Régimen de vibrato = 00H a 40H a 7FH (-64 a 0 a  
1er. byte  
2do. byte  
3r. byte  
+63).  
BnH  
5DH  
vvH  
Reconocimiento  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
vv .... Nivel de envío de coro = 00H a 7FH.  
Cuando el instrumento recibe este mensaje, el valor de  
régimen de vibrato para el sonido es cambiado al valor  
de régimen de vibrato que corresponde al MSB de in-  
greso de datos del mensaje recibido. No hay cambio cuan-  
do el valor de MSB de ingreso de datos es 40H(0).  
#
NRPN (Números de parámetros sin registrar)  
Con el instrumento, los NRPN son definidos como parámetros  
de edición de sonido y parámetros de barra de arrastre. Los  
MSB y LSB de un NRPN especifican el parámetro que está sien-  
do controlado, mientras el valor del parámetro especificado se  
ajusta de acuerdo con el ingreso de dato subsiguiente.  
La tabla siguiente muestra la relación entre los parámetros y  
NRPN como lo define el instrumento.  
Profundidad de vibrato  
NRPN MSB = 01H  
NRPN LSB = 09H  
MSB de ingreso de datos = mmH  
mm .. Profundidad de vibrato = 00H a 40H a 7FH (-64 a 0  
a +63).  
NRPN MSB NRPN LSB  
Parámetro  
Régimen de vibrato  
01H  
01H  
01H  
01H  
01H  
01H  
08H  
09H  
0AH  
20H  
21H  
63H  
Reconocimiento  
Profundidad de vibrato  
Retardo de vibrato  
Cuando el instrumento recibe este mensaje, el valor de  
profundidad de vibrato para el sonido es cambiado al  
valor que corresponde al MSB de ingreso de datos del  
mensaje recibido. No hay cambio cuando el valor de MSB  
de ingreso de datos es 40H(0).  
Frecuencia de corte de TVF  
Resonancia de TVF  
Tiempo de ataque de envolvente  
TVF/TVA.  
Extinción de vibrato  
01H  
01H  
64H  
66H  
Tiempo de extinción de envol-  
vente TVF/TVA.  
NRPN MSB = 01H  
NRPN LSB = 0AH  
MSB de ingreso de datos = mmH  
Tiempo de liberación de envol-  
vente TVF/TVA.  
mm .. Extinción de vibrato = 00H a 40H a 7FH (-64 a 0 a  
+63).  
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Reconocimiento  
Reconocimiento  
Cuando el instrumento recibe este mensaje, el valor de  
extinción de vibrato preajustado para el sonido es cam-  
biado al valor que corresponde al MSB de ingreso de datos  
del mensaje recibido. No hay cambio cuando el valor de  
MSB de ingreso de datos es 40H(0).  
Cuando el instrumento recibe este mensaje, el valor del  
tiempo de extinción de envolvente de AMP/Filtro para  
el sonido es cambiado al valor que corresponde al MSB  
de ingreso de datos del mensaje recibido. No hay cam-  
bio cuando el valor de MSB de ingreso de datos es 40H(0).  
Frecuencia de corte de filtro  
Tiempo de liberación de envolvente de AMP/Filtro  
NRPN MSB = 01H  
NRPN MSB = 01H  
NRPN LSB = 20H  
NRPN LSB = 66H  
MSB de ingreso de datos = mmH  
MSB de ingreso de datos = mmH  
mm .. Frecuencia de corte = 00H a 40H a 7FH (-64 a 0 a  
+63).  
mm .. Tiempo de liberación de envolvente de AMP/Filtro  
= 00H a 40H a 7FH (-64 a 0 a +63).  
Reconocimiento  
Reconocimiento  
Cuando el instrumento recibe este mensaje, el valor de  
frecuencia de corte de filtro para el sonido es cambiado  
al valor que corresponde al MSB de ingreso de datos del  
mensaje recibido. No hay cambio cuando el valor de MSB  
de ingreso de datos es 40H(0).  
Cuando el instrumento recibe este mensaje, el valor del  
tiempo de liberación de envolvente de AMP/Filtro para  
el sonido es cambiado al valor que corresponde al MSB  
de ingreso de datos del mensaje recibido. No hay cam-  
bio cuando el valor de MSB de ingreso de datos es 40H(0).  
Filtro de resonancia  
RPN (Números de parámetros registrados)  
En el instrumento, los RPN son definidos como ajustes para  
los parámetros siguientes.  
NRPN MSB = 01H  
NRPN LSB = 21H  
MSB de ingreso de datos = mmH  
NRPN MSB  
NRPN LSB  
Parámetros  
mm .. Filtro de resonancia = 00H a 40H a 7FH (-64 a 0 a  
+63).  
Sensibilidad de in-  
flexión de altura tonal  
Afinación fina maestra  
Afinación gruesa maestra  
RPN nulo  
00H  
00H  
Reconocimiento  
00H  
00H  
7FH  
01H  
02H  
7FH  
Cuando el instrumento recibe este mensaje, el valor de  
resonancia de filtro preajustado para el sonido es cam-  
biado al valor que corresponde al MSB de ingreso de datos  
del mensaje recibido. No hay cambio cuando el valor de  
MSB de ingreso de datos es 40H(0).  
Los MSB y LSB de un RPN especifican el parámetro que  
está siendo controlado, mientras el valor de parámetro  
especificado se ajusta de acuerdo con el MSB del ingreso  
de datos subsiguientes.  
Para la gama de valores MSB y otros detalles vea “Sensi-  
bilidad de inflexión de altura tonal” al “RPN nulo”.  
Tiempo de ataque de envolvente de AMP/Filtro  
NRPN MSB = 01H  
NRPN LSB = 63H  
MSB de ingreso de datos = mmH  
Formato  
1er. byte  
mm .. Tiempo de ataque de envolvente de AMP/Filtro =  
00H a 40H a 7FH (-64 a 0 a +63).  
2do. byte  
65H  
3r. byte  
qmH (MSB)  
qlH (LSB)  
BnH  
BnH  
Reconocimiento  
64H  
Cuando el instrumento recibe este mensaje, el valor del  
tiempo de ataque de envolvente AMP/Filtro para el  
sonido es cambiado al valor que corresponde al MSB de  
ingreso de datos del mensaje recibido. No hay cambio  
cuando el valor de MSB de ingreso de datos es 40H(0).  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
pm ... MSB de RPN.  
pl ..... LSB de RPN.  
Tiempo de extinción de envolvente de AMP/Filtro  
Reconocimiento  
NRPN MSB = 01H  
• Los mensajes RPN no definidos por el instrumento tam-  
bién pueden ser recibidos, pero los valores de ingreso  
de datos subsiguientes después de los mensajes RPN  
sin definir son ignorados.  
• Después que se reciben los MSB y LSB de un RPN y se  
realizan los ajustes de parámetros de control aplicable,  
el valor se ajusta mediante la recepción del MSB del  
ingreso de datos subsiguientes. El ingreso de datos LSB  
es ignorado.  
NRPN LSB = 64H  
MSB de ingreso de datos = mmH  
mm .. Tiempo de extinción de envolvente de AMP/Filtro  
= 00H a 40H a 7FH (-64 a 0 a +63).  
427B-E-075B  
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Envío  
Un RPN es enviado siempre que una operación cambia  
n....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
el parámetro asignado al RPN.  
ll....... LSB de cambio de inflexión de altura tonal = 00H a  
7FH.  
#
mm .. MSB de cambio de inflexión de altura tonal = 00H  
Sensibilidad de inflexión de altura tonal  
a 7FH.  
NRPN MSB = 00H  
NRPN LSB = 00H  
MSB de ingreso de datos = mmH  
Reconocimiento  
• El valor 11H mmH es 00H 00H en la altura tonal más  
baja, 00H 40H en la altura tonal media y 7FH 7FH en la  
altura tonal más alta.  
mm .. Sensibilidad de inflexión de altura tonal = 00H a  
18H (0 a 24 semitonos).  
• Para formar un valor de 14 bit para hacer que el men-  
saje de cambio de altura tonal sea reconocido por el  
instrumento, tiene que ajustar LSB y MSB juntos.  
Reconocimiento  
El LSB de ingreso de datos es siempre ignorado.  
Afinación fina maestra  
RPN MSB = 00H  
RPN LSB = 01H  
MSB de ingreso de datos = mmH  
LSB de ingreso de datos = 11H  
Mensaje de modo de canal  
Todos los sonidos desactivados  
#
Formato  
mm ll ... Afinación fina maestra = 00 00H a 40H 00H a  
7FH 7FH (-100 a 0 a +99,99 centésimas).  
1er. byte  
2do. byte  
3r. byte  
BnH  
78H  
00H  
Afinación gruesa maestra  
n....... Número de canal de voz = 0H a FH (canal 1 al ca-  
RPN MSB = 00H  
nal 16).  
RPN LSB = 02H  
MSB de ingreso de datos = mmH  
Reconocimiento  
La recepción de este mensaje silencia inmediatamente  
todos los sonidos que se ejecutan sobre los canales MIDI.  
mm ... Afinación fina maestra = 28H a 40H a 58H (-24 a 0  
a +24 semitonos).  
#
Reconocimiento  
Controlador de reposición completa  
Formato  
El LSB de ingreso de datos siempre es ignorado.  
RPN nulo  
1er. byte  
2do. byte  
3r. byte  
RPN MSB = 7FH  
RPN LSB = 7FH  
BnH  
79H  
00H  
n....... Número de canal de voz = 0H a FH (canal 1 al ca-  
Reconocimiento  
nal 16).  
Una vez que se envía un RPN nulo, todos los MSB y LSB  
de ingreso de datos recibidos son ignorados, hasta que  
se reciba otro mensaje RPN diferente a RPN nulo o un  
mensaje NRPN.  
Reconocimiento  
La recepción del mensaje del controlador de reposición  
completa ocasiona que los controladores siguientes se  
reposicionen.  
Cambio de programa  
Formato  
Nombre de controlador  
Perilla de modulación  
Controlador de expresión  
Retención 1  
Valor de reposición  
vvH = 00H  
vvH = 7FH  
1er. byte  
2do. byte  
vvH = 00H  
CnH  
ppH  
Portamento  
vvH = 00H  
Sostenuto  
vvH = 00H  
pp .... Número de programa = 00H a 7FH  
Envío  
Suave  
vvH = 00H  
NRPN  
msb = 7FH, lsb = 7FH  
msb = 7FH, lsb = 7FH  
Los mensaje de cambio de programa son enviados cuan-  
do selecciona un sonido en el instrumento.  
RPN  
Cambio de inflexión de altura tonal llH mmH = 00H 40H  
#
Cambio de inflexión de altura tonal  
Formato  
1er. byte  
2do. byte  
3r. byte  
EnH  
llH  
mmH  
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n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
Desactivación de nota completa  
Formato  
nal 16).  
vv .... Número de canales del modo monofónico = 00H a  
10H.  
1er. byte  
2do. byte  
3r. byte  
BnH  
7BH  
00H  
Reconocimiento  
La recepción de un mensaje de activación de modo mo-  
nofónico no activa el modo monofónico del instrumen-  
to. La recepción de un mensaje de activación del modo  
monofónico es tratado como un mensaje de desactiva-  
ción de sonido completo.  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
Reconocimiento  
La recepción del mensaje de desactivación de nota com-  
pleta silencia todos los sonidos que están siendo repro-  
ducidos por los datos recibidos sobre los canales MIDI  
(desactivación de nota).  
Si retención 1 o sostenuto es activado cuando se recibe  
el mensaje de desactivación de nota completa, las notas  
son sostenidas de acuerdo con la operación de pedal  
correspondiente.  
#
Activación de modo polifónico  
Formato  
1er. byte  
2do. byte  
3r. byte  
BnH  
7FH  
00H  
Envío  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
Este mensaje es enviado cuando se presiona el botón  
CONTROL y caundo se para la reproducción de la me-  
moria.  
nal 16).  
Recepción  
La recepción de un mensaje de activación de modo polif-  
ónico por el instrumento ajusta el canal n al modo 3, y es  
procesado como si se estuviera recibiendo un mensaje  
de desactivación de sonido completo y mensaje de des-  
activación de nota completa.  
#
Desactivación de modo Omni  
Formato  
1er. byte  
2do. byte  
3r. byte  
BnH  
7CH  
00H  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
Mensajes de sistema  
nal 16).  
Mensaje exclusivo de sistema universal  
Reconocimiento  
#
La recepción del mensaje de activación de modo Omni  
no activa el modo Omni del instrumento. La recepción  
de un mensaje de activación del modo Omni es tratado  
como un mensaje de desactivación de nota completa.  
Activación del sistema GM  
Formato  
F0H 7EH 7FH 09H 01H F7H  
Envío  
#
Activación del modo Omni  
Este mensaje no puede ser enviado.  
Formato  
Tipo de reverberación  
1er. byte  
2do. byte  
3r. byte  
BnH  
7DH  
00H  
Formato  
F0 7F 7F 04 05 01 01 01 01 01 00 vv F7  
n ....... Número de canal de voz = 0H a FH (canal 1 al ca-  
nal 16).  
Parámetro (vv) Ajuste  
Equivalente al nivel GM 2  
Small Room  
00H  
02H  
03H  
04H  
ROOM  
STAGE  
HALL 1  
HALL 2  
Reconocimiento  
La recepción del mensaje de activación de modo Omni  
no activa el modo Omni del instrumento. La recepción  
de un mensaje de activación del modo Omni es tratado  
como un mensaje de desactivación de nota completa.  
Large Room  
Medium Hall  
Large Hall  
Tipo de coro  
Formato  
#
Activación de modo monofónico  
Formato  
F0 7F 7F 04 05 01 01 01 01 02 00 vv F7  
1er. byte  
2do. byte  
3r. byte  
BnH  
7EH  
vvH  
Parámetro (vv) Ajuste  
02H  
Equivalente al nivel GM 2  
CHORUS Chorus 3  
427B-E-077A  
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