User’s Manual
Version 1.1 January 2001
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POWERPLAY PRO HA4400
FOREWORD
Dear Customer,
Welcome to the team of POWERPLAY PRO users and thank you very much for expressing your confidence
in BEHRINGER products by purchasing this unit.
It is one of my most pleasant tasks to write this letter to you, because it is the culmination of many months of
hard work delivered by our engineering team to reach a very ambitious goal: making an outstanding device
better still. The POWERPLAY has for quite a long time been a standard tool used by numerous studios and
P.A. rental companies. The task to improve one of our best-selling products certainly meant a great deal of
responsibility, which we assumed by focusing on you, the discerning user and musician. It also meant a lot of
work and night shifts to accomplish this goal. But it was fun, too. Developing a product usually brings a lot of
people together, and what a great feeling it is when everybody who participated in such a project can be proud
of what we’ve achieved.
It is our philosophy to share our joy with you, because you are the most important member of the BEHRINGER
family. With your highly competent suggestions for new products you’ve greatly contributed to shaping our
company and making it successful. In return, we guarantee you uncompromising quality (manufactured under
ISO9000 certified management system) as well as excellent technical and audio properties at an extremely
favorable price. All of this will enable you to fully unfold your creativity without being hampered by budget
constraints.
We are often asked how we can make it to produce such high-grade devices at such unbelievably low prices.
The answer is quite simple: it’s you, our customers! Many satisfied customers means large sales volumes
enabling us to get better conditions of purchase for components, etc. Isn’t it only fair to pass this benefit back
to you? Because we know that your success is our success, too!
I would like to thank all people whose help on “Project POWERPLAY PRO“ has made it all possible. Every-
body has made very personal contributions, starting from the designers of the unit via the many staff members
in our company to you, the user of BEHRINGER products.
My friends, it’s been worth the trouble!
Thank you very much,
Uli Behringer
WARNING!
+
It should be pointed out, that extreme output volumes may damage your ears and/or your
headphone set. Turn down the LEVEL controls before you switch on the unit.
3
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POWERPLAY PRO HA4400
POWERPLAY PRO
Professional, multi-purpose headphone amplifier system for stage and studio applications
s Four totally independent stereo high-power amplifiers in 1 RU package
s Highest sonic quality even with extremely high volume levels
s Four independent input/aux sections provide up to four stereo mixes
s Stereo aux input for each channel allows you to mix in any instrument or sound source
s Output level control for each channel for your needs
s Mono/stereo switch for each channel for more flexibility
s Left/right mute switches for each channel enable you to run two different mixes in mono mode
s One front and two rear output jack connectors for each channel
s Accurate 4-digit LED meter for output level for each channel
s Direct input connector on the front for easy connection of any source
s Paralleled main outputs to chain several headphone amplifiers
s Servo-balanced, gold-plated XLR and 1/4” TRS inputs and outputs
s Ultra-low noise 4580 audio operational amplifiers for outstanding sound performance
s High-quality detented potentiometers and illuminated switches
s High-quality components and exceptionally rugged construction ensures long life and durability
s Internal power supply design for professional applications
s Manufactured under the stringent ISO9000 management system
4
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POWERPLAY PRO HA4400
TABLE OF CONTENT
1. INTRODUCTION.....................................................................................................................6
2. THE DESIGN CONCEPT .......................................................................................................7
2.1 High quality components and design ............................................................................................... 7
2.2 Inputs and outputs .......................................................................................................................... 7
2.2.1 Balanced MAIN inputs .......................................................................................................... 7
3. INSTALLATION .......................................................................................................................7
3.1 Rack mounting................................................................................................................................ 7
3.2 Mains voltage .................................................................................................................................. 7
3.3 Audio connections .......................................................................................................................... 8
4. CONTROLS ............................................................................................................................9
4.1 The front panel control elements ................................................................................................... 10
4.2 The elements of the rear control panel............................................................................................ 11
5. APPLICATION ....................................................................................................................... 11
5.1 Using the main inputs .................................................................................................................... 11
5.2 Using theAUX IN inputs ................................................................................................................. 11
5.2.1 Using the amplifiers as independent power amplifiers.......................................................... 12
5.3 Using the DIRECT IN input ............................................................................................................ 13
5.4Using the mono function ............................................................................................................... 13
5.5 Using the mute function ................................................................................................................ 13
5.5.1 The mute function in mono mode ........................................................................................ 13
5.5.2 The mute function in stereo mode ....................................................................................... 13
5.6 Connecting multiple headphones................................................................................................... 14
6. SPECIFICATIONS..................................................................................................................15
7. WARRANTY ...........................................................................................................................16
5
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POWERPLAY PRO HA4400
1. INTRODUCTION
In purchasing the new POWERPLAY PRO HA4400, you have acquired a headphone amplifier of the high-end
class which meets all the demands and requirements of studio work. Due to its extensive functions and the
new design the POWERPLAY PRO is an extremely efficient and universal headphone amplifier. It has been
designed above all as a reference unit for the sonic evaluation of the final mix as well as a distribution monitor
amplifier for musicians in the studio.
The unit features switching possibilities and a sound quality few headphone amplifiers can offer. Apart from its
extremely powerful amplifiers the unit also offers a ingenious signal distribution system.
Advanced BEHRINGER Technology
Since its announcement of the first POWERPLAY several years ago, it has caused a sensation. This high-end
headphone amplifier is based on our many years of experience and discoveries in the field of professional
studio technology. The POWERPLAY finds widespread application throughout the world, in renowned studios,
sound reinforcement systems as well as in broadcast and TV studios.
The task to improve our famous POWERPLAY was a big challenge. We are very proud that we succeeded.
Compared to its predecessors, the POWERPLAY PRO offers several advanced features and we have suc-
ceeded in dramatically refining the audio qualities. The unit features now additional XLR input and output
connectors and LED displays for each channel, which give you exact information about the output gain.
Moreover, there is an input level meter, which helps you to set up the correct level.
State-of-the-art production processes
For the first time ever, the POWERPLAY PRO is now manufactured with SMD components (Surface Mount
Device). Using these sub-miniature components known from aeronautics does not only ensure extreme pack-
ing densities, but also improves the POWERPLAY PRO’s reliability.
The additional AUX input
In addition to its high-quality amplifiers, the POWERPLAY features a variety of professional switching and
mixing options: each of the four stereo amplifiers is equipped with an independent AUX input, which allows for
adding a further audio signal to the master signal. The musician can therefore control the volume of his/her own
instrument in the master playback signal as desired. This built-in mix function supersedes the external monitor
mixer required up to now.
The BEHRINGER distribution matrix
A extremely interesting feature is the intelligent and clearly arranged distribution matrix which allows each
channel to be switched over from stereo to mono whilst activating the mute function of the left and/or right input
signal source.
In mono mode, two different mixes can be fed into the left and right MAIN inputs on the rear panel. By muting
a channel, the signal of the channel which is not muted will appear on BOTH headphone pads. Thus, two
completely different mixes can be routed to the headphone set in mono mode.
In stereo mode, any muting action in a particular channel automatically mutes the corresponding headphone
output. As a consequence, it is possible to route the playback signal, for instance, to the left channel only, so
that the vocalist can hear his/her voice directly via the right channel of the headphones. So moving the unused
headphone pad away from the ear – uncomfortable but common practice up to now – will be a thing of the past.
MAIN output jacks are available to link several headphone amps, or to control external power amplifiers.
All power amplifiers are equipped with front and rear panel headphone outputs. Even if the unit is permanently
installed in a rack with fixed cabling, additional headphones can be connected without difficulties, which allows
for pre-monitoring the individual mixes for the musicians. Each power amplifier features three parallel output
connectors for the connection of up to three headphone sets per amplifier, or a maximum of 12 headphones per
unit.
The DIRECT IN input
A so-called DIRECT IN connector can be found on the front panel. For instance, it is often necessary to replay
a song for the musicians in the studio via a cassette recorder. This can be done easily and rapidly using the
DIRECT IN connector. When using this input, the master signal applied on the rear panel will be interrupted
automatically.
6
1. INTRODUCTION
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POWERPLAY PRO HA4400
WARNING!
+
+
It should be pointed out, that extreme output volumes may damage your ears and/or your
headphone set. Turn down the LEVEL controls before you switch on the unit.
The following operational manual will introduce you to the BEHRINGER POWERPLAY PRO
and its various functions. After reading the manual carefully, make sure it is always on hand
for future reference.
2. THE DESIGN CONCEPT
2.1 High quality components and design
The philosophy behind BEHRINGER products guarantees a no-compromise circuit design and employs the
best choice of components. The operational amplifiers NJM4580 which are used in the POWERPLAY PRO,
are exceptional. They boast extreme linearity and very low distortion characteristics. To complement this
design the choice of components includes high tolerance resistors and capacitors, detent potentiometers and
several other stringently selected elements.
2.2 Inputs and outputs
2.2.1 Balanced MAIN inputs
As standard, the BEHRINGER POWERPLAY PRO is installed with electronically servo-balanced MAIN
inputs. The new circuit design features automatic hum and noise reduction for balanced signals and thus
allows for trouble-free operation, even at high operating levels. Externally induced mains hum etc. will be
effectively suppressed. The automatic servo-function recognizes the presence of unbalanced connectors and
adjusts the nominal level internally to avoid level differences between the input and output signals (correction
6 dB).
3. INSTALLATION
Your BEHRINGER POWERPLAY PRO was carefully packed in the factory and the packaging was designed
to protect the unit from rough handling. Nevertheless, we recommend that you carefully examine the packaging
and ist contents for any signs of physical damage, which may have occurred in transit.
+
If the unit is damaged, please do not return it to us, but notify your dealer and the shipping
company immediately, otherwise claims for damage or replacement may not be granted.
Shipping claims must be made by the consignee.
3.1 Rack mounting
The BEHRINGER POWERPLAY PRO fits into one standard 19" rack unit of space (1 3/4"). Please allow at
least an additional 4" depth for the connectors on the back panel. Be sure that there is enough air space
around the unit for cooling and please do not place the POWERPLAY PRO on high temperature devices such
as power amplifiers etc. to avoid overheating.
3.2 Mains voltage
Before you connect your POWERPLAY PRO to the mains, please make sure that your local voltage
matches the voltage required by the unit! The fuse holder on the female mains connector has 3 triangular
markers, with two of these triangles opposing each other. Your POWERPLAY PRO is set to the operating
voltage printed next to these markers, and can be set to another voltage by turning the fuse holder by 180°.
CAUTION: this instruction does not apply to export models exclusively designed, e.g. for 115 V
operation!
2. THE DESIGN CONCEPT
7
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POWERPLAY PRO HA4400
3.3 Audio connections
The MAIN inputs on the BEHRINGER POWERPLAY PRO are fully balanced. If possible, connect the unit to
other devices in a balanced configuration to allow for maximum interference immunity.
+
Please ensure that only qualified persons install and operate the POWERPLAY PRO. During
installation and operation the user must have sufficient electrical contact to earth. Electro-
static charges might affect the operation of the POWERPLAY PRO!
Output
Cable
Input
Ground
Positive
Negative
Pin 1
2
1
1
2
Shield
(+) Signal + Hum
(-) Signal + Hum
Pin 2 = (+) Signal
Pin 3 = (-) Signal
(+)Hum + Signal
(-)Hum + Signal
3
3
2 x Signal
= Signal + 6 dB
RFI and Hum
Fig. 3.1: Compensation of interference with balanced connections
Fig. 3.2: Connector for the headphones, AUX IN and DIRECT IN
8
3. INSTALLATION
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POWERPLAY PRO HA4400
Unbalanced use of
Balanced use of
mono 1/4" jack plugs
stereo 1/4" jack plugs
Tip =
Signal
Tip =
hot (+ve)
Ring =
cold (-ve)
Sleeve =
Ground / Shield
Sleeve =
Ground / Shield
Tip
Tip
Ring
Sleeve
Sleeve
Strain relief clamp
Strain relief clamp
For connection of balanced and
unbalanced plugs, ring and sleeve have
to be bridged at the stereo plug.
Balanced use with XLR connectors
2
1
1
2
1 = Ground / Shield
2 = hot (+ve)
3 = cold (-ve)
3
3
Input
Output
For unbalanced use pin 1 and pin 3 have to be bridged
Fig. 3.3: Different plug types
4. CONTROLS
Fig. 4.1: POWERPLAY PRO front panel
The BEHRINGER POWERPLAY PRO has four identical channels and provides 3 illuminated push-button
switches, 2 rotary controls, 2 jacks and 4 LEDs per channel. The common main section contains 1 rotary
control, 1 jack and 4 LEDs.
4. CONTROLS
9
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POWERPLAY PRO HA4400
4.1 The front panel control elements
Fig. 4.2: Controls on the front panel
1
2
3
4
The DIRECT IN stereo input is used to apply the signals coming from an external source. When using
the DIRECT IN input, the MAIN signal applied on the rear panel is interrupted automatically (fig. 3.2).
The INPUT LEVEL control adjusts the level of the input signal inserted via the rear panel MAIN INPUT
or DIRECT IN connectors.
The 4-digit INPUT LEVEL meter informs you about the current input level within a range from -24 dBu
to +6 dBu.
The HEADPHONE OUT is connected in parallel to the rear panel output connectors, and provides an
additional option to monitor the individual channels. When the unit is permanently installed in rack, this
proves to be a useful function.
5
6
7
8
A further input signal can be added to the MAIN and/or DIRECT IN signal via the AUX IN (fig. 3.2).
The L MUTE switch mutes the left input signal.
This R MUTE switch mutes the right input signal.
With the MONO switch each of the amplifiers can be switched between stereo to mono mode, and
vice versa.
9
The BALANCE control determines the ratio level between the MAIN/DIRECT IN signal and the input
signal applied to the AUX IN input.
10
11
The OUTPUT LEVEL control determines the volume of the individual amplifiers and refers to both the left
and right channels.
The 4-digit OUTPUT LEVEL meter informs you about the current output level within a range from
-24 dBu to + 12 dBu. If the CLIP LED lights up, you have to decrease the INPUT GAIN, otherwise
distortion will raise.
10
4. CONTROLS
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POWERPLAY PRO HA4400
4.2 The elements of the rear control panel
Fig. 4.3: The control elements of the rear panel
12
FUSE HOLDER / VOLTAGE SELECTOR. Please make sure that your local voltage matches the volt-
age indicated on the unit, before you attempt to connect and operate the POWERPLAY PRO. Blown
fuses may only be replaced by fuses of the same type and rating.
13
14
15
MAINS CONNECTION. Use the enclosed power cord to connect the unit to the mains. Please also note
the instructions given in the “INSTALLATION” chapter.
AUDIO IN. These are the audio inputs of your POWERPLAY PRO, available both as balanced 1/4" jack
and XLR connectors.
AUDIO OUT. These are the audio outputs of your POWERPLAY PRO. Matching phone jack and XLR
connectors are wired in parallel.
16
17
18
19
HEADPHONE OUT 1. These are the headphone outputs of channel 1.
HEADPHONE OUT 2. These are the headphone outputs of channel 2.
HEADPHONE OUT 3. These are the headphone outputs of channel 3.
HEADPHONE OUT 4. These are the headphone outputs of channel 4.
5. APPLICATION
5.1 Using the main inputs
Connect a program source to the rear panel MAIN inputs and connect the headphone cable to one of the
appropriate outputs. Turn up the INPUT LEVEL and the BALANCE controls to center position. The INPUT
LEVEL control is used to increase or decrease the general volume of all headphones controlled via the MAIN
inputs, while the individual OUTPUT LEVEL controls are used to adjust the desired channel volume.
5.2 Using the AUX IN inputs
Basically, the AUX IN inputs are used to add an additional input signal to the master signal, with the corre-
sponding BALANCE control determining the volume ratio between the two signals. The aux function supercedes
the previously required monitor mixer and allows for an application that is frequently used in practice.
Example: suppose a vocalist wants to record a vocal track that is to be added to already existing instrumental
tracks. Up to now, it has been common practice that the vocalist listens to the playback by pressing a
headphone pad against one ear, while controlling his/her own voice with the other – free – ear.
This kind of application can be achieved much more easily and conveniently with the POWERPLAY PRO.
The playback signal is inserted via the MAIN inputs, and the preamplified vocal signal is applied to the AUX
connector. The associated BALANCE control is adjusted so that the vocalist hears a perfect mix of both
backing tracks and vocals, with the OUTPUT LEVEL control determining the overall volume level.
Owing to the four independent channels of the POWERPLAY PRO, four individual mixes for four musicians can
be achieved. If this is not enough, you can interface and link any number of POWERPLAY PROs using the
MAIN outputs.
5. APPLICATION
11
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POWERPLAY PRO HA4400
Fig. 5.1: Example of a studio playback application
5.2.1 Using the amplifiers as independent power amplifiers
In addition to the joint control of all channels via the MAIN input, each of the four power amplifiers can also be
used independently. The AUX IN inputs in combination with the BALANCE controls serve this purpose.
If the BALANCE control is set to its clockwise stop position (position “AUX“), the MAIN signal is muted; only
the input signals applied to the AUX IN input are routed to the power amplifier. By configuring the amplifiers as
completely independent power amplifiers, you can insert up to four independent stereo programme sources;
thus, four different and individual mixes for up to four musicians can be created. As with a stage monitor
system, you can give each musician a specific configuration of instruments and create a personal mix for him
or her that is musically inspiring. Or you can set up different signal paths for the interpreters in a conference
system.
Configure sub-groups or create pre-mixes using the effects and/or monitor facilities of your mixing console.
Fully turn up the BALANCE control and connect the AUX inputs of the BEHRINGER POWERPLAY PRO to the
corresponding monitor, sub-group or single outputs of the mixer.
Fig. 5.2: Example of monitor inserts in a stage application
12
5. APPLICATION
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POWERPLAY PRO HA4400
5.3 Using the DIRECT IN input
The DIRECT IN connector can be found on the left side of the front panel. For instance, it is often necessary to
replay a song for the musicians in the studio via a cassette recorder. This can be done easily and rapidly using
the DIRECT IN connector. When using this input, the signal applied to the rear panel MAIN INPUT connector
is bypassed automatically.
Fig. 5.3: Playback via the DIRECT IN connector
5.4 Using the mono function
The MONO switch allows for mono operation, i.e., linked operation of the left and right channels, without having
to use a “Y-adapter” or special cables.
In certain monitor applications, especially for live stage operation, a stereo programme may have a confusing
effect, so the conversion into a mono signal leads to better transmission quality. In particular, this negative
effect becomes obvious when the channel separation between the two channels is considerable, i.e., when
they contain different information with differing volume levels.
5.5 Using the mute function
The mute function of the individual input sources is a special feature of the BEHRINGER POWERPLAY PRO.
Depending on the position of the MONO switch, it offers two highly useful routing options:
5.5.1 The mute function in mono mode
When the MONO switch is pressed, the unit operates in mono mode. In this case, the two input signals are
combined and the resulting mono signal is fed into the left and right headphone outputs.
By pressing one of the two MUTE switches, the corresponding input source (left or right input) is muted and the
input signal which is not muted appears on BOTH headphone outputs (left and right). This routing option allows
for the selection of two different programmes which are fed into the left and right input by muting the unwanted
input source.
5.5.2 The mute function in stereo mode
The mute function is also very useful if playback is to be combined with simultaneous recording of a vocal
track. Up to now, vocalists have been forced to move one headphone pad away from the ear while recording, in
order to hear their own voice clearly.
Now, the BEHRINGER POWERPLAY PRO can mute the unused headphone channel in stereo mode. So
moving the unused headphone pad away from the ear – uncomfortable but common practice – will be a thing of
the past.
5. APPLICATION
13
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POWERPLAY PRO HA4400
5.6 Connecting multiple headphones
All of the four stereo amplifiers feature one front and one rear panel headphone output connector. Multiple
headphones can be connected per channel, on condition that the resulting connection impedance does not fall
below 100 Ohms. As the power amplifiers are resistant to temporary short circuits, an impedance drop will not
cause any damage, however, it can affect the quality of reproduction, in terms of long-term damage and
distortion.
Additional headphones can be connected to the front panel headphone outputs, even if the unit is installed in
a rack with fixed cabling. If you wish to connect more than three headphones per amplifier, it is advisable to use
a split box or appropriate “Y“ cables. Please find additional information on how to connect the headphones in
chapter 3, and note that the minimum connection impedance of 100 Ohms is maintained.
14
5. APPLICATION
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POWERPLAY PRO HA4400
6. SPECIFICATIONS
AUDIO INPUT
MAIN input
Connectors
Type
Impedance
Max. input level
CMRR
XLR and 1/4" jack
RF filtered, servo balanced input
50 kOhms balanced, 25 kOhms unbalanced
+21 dBu balanced and unbalanced (unity gain)
typ. 40 dB, >55 dB @ 1 kHz
AUX IN and DIRECT IN input
Connectors
Type
1/4" jack (tip = left, ring = right, sleeve = ground)
unbalanced
Impedance
Max. input level
CMRR
25 kOhms unbalanced
+21 dBu unbalanced (unity gain)
typ. 40 dB, >55 dB @ 1 kHz
AUDIO OUTPUT
Connectors
Type
XLR and 1/4" jack
balanced/unbalanced
Impedance
Max. output level
dependent on input balance
+21 dBu balanced and unbalanced
SYSTEM SPECIFICATIONS
Frequency response
10 Hz to 100 kHz, +/- 3 dB
Noise
THD
>99 dB, unweighted, 22 Hz to 22 kHz
0.005 % typ. @ +4 dBu, 1 kHz, Gain 1
POWERAMPLIFIER
Max. output power
Min. output impedance
Max. gain
+26.5 dBm
100 Ohms
+20 dB
FUNCTION CONTROLS
Input level
variable
Balance per channel
Output level per channel
mix between aux and main signal
variable
FUNCTION SWITCHES
Left mute
mutes the left signal of this channel
mutes the right signal of this channel
switches channel to mono
Right mute
Mono
INDICATORS
Input level
4-digit LED display: -24/-12/0/+6 dBu
4-digit LED display: -24/0/+12 dBu/CLIP
Output level
POWER SUPPLY
Mains voltages
USA/Canada
120 V ~, 60 Hz
U.K./Australia
240 V ~, 50 Hz
Europe
230 V ~, 50 Hz
General export model
40 Watts
100-120 V ~: T 630 mA H
200-240 V ~: T 315 mA H
Standard IEC receptacle
100-120 V ~, 200-240 V ~, 50-60 Hz
Power consumption
Fuse
Mains connection
PHYSICAL
Dimension
Net weight
1 ¾" (44.5 mm) * 19" (482.6 mm) * 8 ½" (217 mm)
approx. 2.7 kg
approx. 3.5 kg
Shipping weight
BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made
from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or shown.
6. SPECIFICATIONS
15
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POWERPLAY PRO HA4400
7. WARRANTY
§ 1 WARRANTY CARD/ONLINE REGISTRATION
To be protected by the extended warranty, the buyer must com-
plete and return the enclosed warranty card within 14 days of
the date of purchase to BEHRINGER Spezielle Studiotechnik
GmbH, in accordance with the conditions stipulated in § 3. Fail-
ure to return the card in due time (date as per postmark) will void
any extended warranty claims.
3. Free inspections and maintenance/repair work are expressly
excluded from this warranty, in particular, if caused by improper
handling of the product by the user.
This also applies to defects caused by normal wear and tear, in
particular, of faders, potentiometers, keys/buttons and similar
parts.
Based on the conditions herein, the buyer may also choose to
use the online registration option via the Internet
4. Damages/defects caused by the following conditions are not
covered by this warranty:
s misuse, neglect or failure to operate the unit in compliance
with the instructions given in BEHRINGER user or service
manuals.
§ 2 WARRANTY
1. BEHRINGER (BEHRINGER Spezielle Studiotechnik GmbH in-
cluding all BEHRINGER subsidiaries listed on the enclosed page,
except BEHRINGER Japan) warrants the mechanical and elec-
tronic components of this product to be free of defects in mate-
rial and workmanship for a period of one (1) year from the
original date of purchase, in accordance with the warranty regu-
lations described below. If the product shows any defects within
the specified warranty period that are not due to normal wear
and tear and/or improper handling by the user, BEHRINGER shall,
at its sole discretion, either repair or replace the product.
s connection or operation of the unit in any way that does not
comply with the technical or safety regulations applicable in
the country where the product is used.
s damages/defects caused by force majeure or any other
condition that is beyond the control of BEHRINGER.
5. Any repair or opening of the unit carried out by unauthorized
personnel (user included) will void the warranty.
6. If an inspection of the product by BEHRINGER shows that the
defect in question is not covered by the warranty, the inspection
costs are payable by the customer.
2. If the warranty claim proves to be justified, the product will be
returned to the user freight prepaid.
3. Warranty claims other than those indicated above are ex-
pressly excluded.
7. Products which do not meet the terms of this warranty will be
repaired exclusively at the buyer’s expense. BEHRINGER will
inform the buyer of any such circumstance. If the buyer fails to
submit a written repair order within 6 weeks after notification,
BEHRINGER will return the unit C.O.D. with a separate invoice
for freight and packing. Such costs will also be invoiced sepa-
rately when the buyer has sent in a written repair order.
§ 3 RETURN AUTHORIZATION NUMBER
1. To obtain warranty service, the buyer (or his authorized dealer)
must call BEHRINGER (see enclosed list) during normal business
hours BEFORE returning the product. All inquiries must be ac-
companied by a description of the problem. BEHRINGER will then
issue a return authorization number.
§ 5 WARRANTY TRANSFERABILITY
2. Subsequently, the product must be returned in its original
shipping carton, together with the return authorization number to
the address indicated by BEHRINGER.
This warranty is extended exclusively to the original buyer (cus-
tomer of retail dealer) and is not transferable to anyone who
may subsequently purchase this product. No other person (re-
tail dealer, etc.) shall be entitled to give any warranty promise on
behalf of BEHRINGER.
3. Shipments without freight prepaid will not be accepted.
§ 4 WARRANTY REGULATIONS
§ 6 CLAIM FOR DAMAGES
1. Warranty services will be furnished only if the product is
accompanied by a copy of the original retail dealer’s invoice.
Any product deemed eligible for repair or replacement by
BEHRINGER under the terms of this warranty will be repaired or
replaced within 30 days of receipt of the product at BEHRINGER.
Failure of BEHRINGER to provide proper warranty service shall
not entitle the buyer to claim (consequential) damages. In no
event shall the liability of BEHRINGER exceed the invoiced value
of the product.
§ 7 OTHER WARRANTY RIGHTS AND NATIONAL LAW
2. If the product needs to be modified or adapted in order to
comply with applicable technical or safety standards on a na-
tional or local level, in any country which is not the country for
which the product was originally developed and manufactured,
this modification/adaptation shall not be considered a defect in
materials or workmanship. The warranty does not cover any
such modification/adaptation, irrespective of whether it was
carried out properly or not. Under the terms of this warranty,
BEHRINGER shall not be held responsible for any cost resulting
from such a modification/adaptation.
1. This warranty does not exclude or limit the buyer’s statutory
rights provided by national law, in particular, any such rights
against the seller that arise from a legally effective purchase
contract.
2. The warranty regulations mentioned herein are applicable
unless they constitute an infringement of national warranty law.
The information contained in this manual is subject to change without notice. No part of this manual may be reproduced or
transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any
purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH.
BEHRINGER is a registered trademark.ALL RIGHTS RESERVED.
© 2001 BEHRINGER Spezielle Studiotechnik GmbH.
BEHRINGER Spezielle Studiotechnik GmbH, Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Münchheide II, Germany
Tel. +49 (0) 21 54 / 92 06-0, Fax +49 (0) 21 54 / 92 06-30
7. WARRANTY
16
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