Pioneer CD Player DEH 3850MPH User Manual

Black plate (1,1)  
Operation Manual  
(ªꢀø  
High power CD/MP3/WMA player with FM/AM tuner  
6FM/AM¿çhKØŸCD/MP3/WMA->_  
DEH-3850MPH  
<YRD5055-A/U>1  
Black plate (4,1)  
Section  
01  
Before You Start  
MP3 file playback  
About this unit  
You can play back MP3 files recorded on CD-  
ROM/CD-R/CD-RW (ISO9660 Level 1/Level 2  
standard recordings).  
CAUTION  
!
Do not allow this unit to come into contact  
with liquids. Electrical shock could result.  
Also, this unit damage, smoke, and overheat  
could result from contact with liquids.  
Keep this manual handy as a reference for op-  
erating procedures and precautions.  
Always keep the volume low enough so that  
you can hear sounds from outside the vehicle.  
Protect this unit from moisture.  
!
Supply of this product only conveys a li-  
cense for private, non-commercial use and  
does not convey a license nor imply any  
right to use this product in any commercial  
(i.e. revenue-generating) real time broad-  
casting (terrestrial, satellite, cable and/or  
any other media), broadcasting/streaming  
via internet, intranets and/or other net-  
works or in other electronic content distri-  
bution systems, such as pay-audio or  
audio-on-demand applications. An inde-  
pendent license for such use is required.  
For details, please visit  
!
!
!
!
If the battery is disconnected or discharged,  
the preset memory will be erased and must be  
reprogrammed.  
!
If this unit does not operate properly, contact  
your dealer or nearest authorized Pioneer Ser-  
vice Station.  
http://www.mp3licensing.com.  
WMA file playback  
You can play back WMA files recorded on CD-  
ROM/CD-R/CD-RW (ISO9660 Level 1/Level 2  
standard recordings).  
About this manual  
This unit features a number of sophisticated  
functions ensuring superior reception and op-  
eration. All the functions have been designed  
for the easiest possible use, but many are not  
self-explanatory. This operation manual will  
help you benefit fully from this units potential  
and to maximize your listening enjoyment.  
We recommend that you familiarize yourself  
with the functions and their operation by read-  
ing through the manual before you begin  
using this unit. It is especially important that  
you read and observe WARNINGs and CAU-  
TIONs in this manual.  
WAV file playback  
You can play back WAV files recorded on CD-  
ROM/CD-R/CD-RW (ISO9660 Level 1/Level 2  
standard recordings).  
About WMA  
The Windows Media" logo printed on the box  
indicates that this unit can play back WMA  
data.  
Features  
CD playback  
Music CD/CD-R/CD-RW playback is possible.  
4
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Black plate (5,1)  
Section  
Before You Start  
01  
WMA is short for Windows Media" Audio  
and refers to an audio compression technol-  
ogy that is developed by Microsoft Corpora-  
tion. WMA data can be encoded by using  
Windows Media Player version 7 or later.  
Windows Media and the Windows logo are tra-  
demarks or registered trademarks of Microsoft  
Corporation in the United States and/or other  
countries.  
CAUTION  
!
!
Use only one CR2025 (3 V) lithium battery.  
Remove the battery if the remote control is not  
used for a month or longer.  
Do not recharge, disassemble, heat or dispose  
of the battery in fire.  
Do not handle the battery with metallic tools.  
Do not store the battery with metallic materi-  
als.  
!
!
!
!
!
In the event of battery leakage, wipe the re-  
mote control completely clean and install a  
new battery.  
When disposing of used batteries, please  
comply with governmental regulations or en-  
vironmental public institutionsrules that  
apply in your country/area.  
Notes  
!
!
This unit may not operate correctly depending  
on the application used to encode WMA files.  
Depending on the version of Windows Media  
Player used to encode WMA files, album  
names and other text information may not be  
correctly displayed.  
!
There may be a slight delay when starting  
playback of WMA files encoded with image  
data.  
Using the remote control  
Point the remote control in the direction of the  
front panel to operate.  
Important  
Use andcare of the remote  
control  
Installing the battery  
Slide the tray out on the back of the remote  
control and insert the battery with the plus (+)  
and minus () poles pointing in the proper di-  
rection.  
!
!
!
Do not store the remote control in high tem-  
peratures or direct sunlight.  
The remote control may not function properly  
in direct sunlight.  
Do not let the remote control fall onto the  
floor, where it may become jammed under the  
brake or accelerator pedal.  
Protecting your unit from  
theft  
The front panel can be detached from the  
head unit and stored in the provided protective  
case to prevent theft.  
WARNING  
Keep the battery out of the reach of children.  
Should the battery be swallowed, immediately  
consult a doctor.  
5
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Black plate (6,1)  
Section  
01  
Before You Start  
Important  
!
Never use force or grip the display and the  
buttons too tightly when removing or attach-  
ing.  
!
!
Avoid subjecting the front panel to excessive  
shocks.  
Keep the front panel out of direct sunlight and  
high temperatures.  
Removing the front panel  
1
Press DETACH to release the front  
panel.  
Press DETACH and the right side of the panel  
is released from the head unit.  
2
Grab the front panel and remove.  
Grab the right side of the front panel and pull  
away to the left. The front panel will be de-  
tached from the head unit.  
3
Put the front panel into provided pro-  
tective case for safe keeping.  
Attaching the front panel  
1
Place the front panel flat against the  
head unit.  
2
Press the front panel into the face of  
the head unit until it is firmly seated.  
6
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Black plate (7,1)  
Section  
Whats What  
02  
1 2 3  
4 5  
6 7  
d
c
b
a
9 8  
9 SW button  
Headunit  
1 CLOCK button  
Press to select the subwoofer setting menu.  
Press and hold to select the bass boost set-  
ting menu.  
Press to change to the clock display.  
2 AUDIO button  
Press to select various sound quality con-  
trols.  
a 16 buttons  
Press for preset tuning.  
b BAND button  
3 FUNCTION button  
Press to select functions.  
Press to select among three FM bands and  
one AM band and to cancel the control  
mode of functions.  
4 EQ button  
Press to select various equalizer curves.  
c SOURCE button, VOLUME  
This unit is turned on by selecting a source.  
Press to cycle through all the available  
sources.  
5 CD loading slot  
Insert a disc to play.  
Rotate it to increase or decrease the vo-  
lume.  
6 EJECT button  
Press to eject a CD from your built-in CD  
player.  
d a/b/c/d buttons  
Press to perform manual seek tuning, fast  
forward, reverse and track search controls.  
Also used for controlling functions.  
7 DISPLAY button  
Press to select different displays.  
8 DETACH button  
Press to remove the front panel from the  
head unit.  
Remote control  
Operation is the same as when using the but-  
tons on the head unit.  
7
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Black plate (8,1)  
Section  
02  
Whats What  
e
f
b
d
3
h
2
7
g
e VOLUME button  
Press to increase or decrease the volume.  
f ATT button  
Press to quickly lower the volume level, by  
about 90%. Press once more to return to the  
original volume level.  
g PAUSE button  
Press to turn pause on or off.  
h SOURCE button  
This unit is turned on by selecting a source.  
Press to cycle through all the available  
sources.  
8
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Black plate (9,1)  
Section  
Power ON/OFF  
03  
Turning the unit on  
%
Press SOURCE to turn the unit on.  
When you select a source, the unit is turned  
on.  
Selecting a source  
You can select a source you want to listen to.  
To switch to the built-in CD player, load a disc  
in the unit (refer to page 13).  
%
Press SOURCE to select a source.  
Press SOURCE repeatedly to switch between  
the following sources:  
TunerBuilt-in CD player  
Notes  
!
!
When no disc has been set in the unit, the  
source will not switch to the built-in CD player.  
When this units blue/white lead is connected  
to the vehicles auto-antenna relay control  
terminal, the vehicles antenna extends when  
this units source is turned on. To retract the  
antenna, turn the source off.  
Turning the unit off  
%
Press SOURCE and hold until the unit  
turns off.  
9
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Black plate (10,1)  
Section  
04  
Tuner  
4
To perform manual tuning, briefly press  
Listening to the radio  
c or d.  
The frequencies move up or down step by  
step.  
5
To perform seektuning, press and hold  
c or d for about one second and release.  
The tuner will scan the frequencies until a  
broadcast strong enough for good reception is  
found.  
1
2
3
4
These are the basic steps necessary to operate  
the radio. More advanced tuner operation is  
explained starting on the next page.  
#
You can cancel seek tuning by briefly pressing  
c or d.  
#
If you press and hold c or d you can skip sta-  
tions. Seek tuning starts as soon as you release  
the button.  
Important  
If you are using this unit in North, Central or  
South America, reset the AM tuning step (see  
1 Band indicator  
Shows which band the radio is tuned to, AM  
or FM.  
2 Frequency indicator  
Shows the frequency to which the tuner is  
tuned.  
3 Stereo (5) indicator  
Shows when the selected frequency is  
being broadcast in stereo.  
4 Preset number indicator  
Shows which preset has been selected.  
1
Press SOURCE to select the tuner.  
Press SOURCE until you see TUNER dis-  
played.  
2
Use VOLUME to adjust the sound level.  
Rotate it to increase or decrease the volume.  
3
Press BAND to select a band.  
Press BAND until the desired band (F1, F2, F3  
for FM or AM) is displayed.  
10  
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Black plate (11,1)  
Section  
Tuner  
04  
%
When you find a frequency that you  
Introduction of advanced  
tuner operation  
want to store in memory, press one of pre-  
set tuning buttons 16 and hold until the  
preset number stops flashing.  
The number you have pressed will flash in the  
preset number indicator and then remain lit.  
The selected radio station frequency has been  
stored in memory.  
The next time you press the same preset tun-  
ing button the radio station frequency is re-  
called from memory.  
1
2
1 Function display  
Shows the function status.  
Notes  
2 LOC indicator  
Shows when local seek tuning is on.  
!
!
Up to 18 FM stations, six for each of the three  
FM bands, and six AM stations can be stored  
in memory.  
You can also use a and b to recall radio sta-  
tion frequencies assigned to preset tuning  
buttons 16.  
%
Press FUNCTION to display the function  
names.  
Press FUNCTION repeatedly to switch be-  
tween the following functions:  
BSM (best stations memory)LOCAL (local  
seek tuning)  
#
To return to the frequency display, press  
Tuning in strong signals  
BAND.  
Local seek tuning lets you tune in only those  
radio stations with sufficiently strong signals  
for good reception.  
Note  
If you do not operate the function within about 30  
seconds, the display is automatically returned to  
the frequency display.  
1
Press FUNCTION to select LOCAL.  
Press FUNCTION until LOCAL appears in the  
display.  
2
Press a to turn local seektuning on.  
Storing andrecalling  
broadcast frequencies  
Local seek sensitivity (e.g., LOCAL 2) appears  
in the display.  
If you press any of the preset tuning buttons  
16 you can easily store up to six broadcast  
frequencies for later recall with the touch of a  
button.  
3
Press c or d to set the sensitivity.  
There are four levels of sensitivity for FM and  
two levels for AM:  
FM: LOCAL 1LOCAL 2LOCAL 3ꢂ  
LOCAL 4  
AM: LOCAL 1LOCAL 2  
11  
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Black plate (12,1)  
Section  
04  
Tuner  
The LOCAL 4 setting allows reception of only  
the strongest stations, while lower settings let  
you receive progressively weaker stations.  
4
When you want to return to normal  
seektuning, press b to turn local seektun-  
ing off.  
LOCAL :OFF appears in the display.  
Storing the strongest  
broadcast frequencies  
BSM (best stations memory) lets you automa-  
tically store the six strongest broadcast fre-  
quencies under preset tuning buttons 16.  
Once stored you can tune in to those frequen-  
cies with the touch of button.  
1
Press FUNCTION to select BSM.  
Press FUNCTION until BSM appears in the  
display.  
2
Press a to turn BSM on.  
BSM begins to flash. While BSM is flashing  
the six strongest broadcast frequencies will be  
stored under preset tuning buttons 16 in the  
order of their signal strength. When finished,  
BSM stops flashing.  
#
To cancel the storage process, press b.  
Note  
Storing broadcast frequencies with BSM may re-  
place broadcast frequencies you have saved  
using buttons 16.  
12  
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Black plate (13,1)  
Section  
Built-in CD Player  
Playing a CD  
05  
Notes  
!
The built-in CD player plays one standard, 12-  
cm or 8-cm CD at a time. Do not use an adap-  
ter when playing 8-cm CDs.  
!
!
Do not insert anything other than a CD into  
the CD loading slot.  
1
2
If you cannot insert a disc completely or if  
after you insert a disc the disc does not play,  
check that the label side of the disc is up.  
Press EJECT to eject the disc, and check the  
disc for damage before inserting it again.  
If an error message such as ERROR-11 is dis-  
These are the basic steps necessary to play a  
CD with your built-in CD player. More ad-  
vanced CD operation is explained starting on  
!
!
1 Play time indicator  
Shows the elapsed playing time of the cur-  
rent track.  
When a CD TEXT disc is inserted, the disc and  
track titles begin to scroll to the left auto-  
matically.  
2 Tracknumber indicator  
Shows the track currently playing.  
1
Insert a CD into the CD loading slot.  
Playback will automatically start.  
After a CD has been inserted, press SOURCE  
to select the built-in CD player.  
#
#
You can eject a CD by pressing EJECT.  
2
Use VOLUME to adjust the sound level.  
Rotate it to increase or decrease the volume.  
3
To perform fast forward or reverse,  
press and hold c or d.  
If you select ROUGH, pressing and holding c  
#
or d enables you to search every 10 tracks in the  
current disc. (Refer to Selecting the search meth-  
4
To skip back or forward to another  
track, press c or d.  
Pressing d skips to the start of the next track.  
Pressing c once skips to the start of the cur-  
rent track. Pressing again will skip to the pre-  
vious track.  
13  
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Black plate (14,1)  
Section  
05  
Built-in CD Player  
!
!
RPT:DSC Repeat the current disc  
RPT:TRK Repeat just the current track  
Introduction of advanced  
built-in CD player operation  
Note  
If you perform track search or fast forward/re-  
verse during RPT:TRK, the repeat play range  
changes to RPT:DSC.  
1 2  
1 Function display  
Shows the function status.  
Playing tracks in random order  
Random play lets you play back tracks on the  
CD in a random order.  
2 RPT indicator  
Shows when repeat play is turned on.  
1
Press FUNCTION to select RDM.  
%
Press FUNCTION to display the function  
Press FUNCTION until RDM appears in the  
display.  
names.  
Press FUNCTION repeatedly to switch be-  
tween the following functions:  
RPT (repeat play)RDM (random play)  
SCAN (scan play)PAUSE (pause)COMP  
(compression and BMX)FF/REV (search  
method)  
2
Press a to turn random play on.  
RDM :ON appears in the display. Tracks will  
play in a random order.  
3
Press b to turn random play off.  
#
To return to the playback display, press BAND.  
RDM :OFF appears in the display. Tracks will  
continue to play in order.  
Note  
If you do not operate the function within about 30  
seconds, the display is automatically returned to  
the playback display.  
Scanning tracks of a CD  
Scan play lets you hear the first 10 seconds of  
each track on the CD.  
1
Press FUNCTION to select SCAN.  
Repeating play  
Repeat play lets you hear the same track or  
disc over again.  
Press FUNCTION until SCAN appears in the  
display.  
2
Press a to turn scan play on.  
1
Press FUNCTION to select RPT.  
SCAN :ON appears in the display. The first 10  
seconds of each track is played.  
Press FUNCTION until RPT appears in the dis-  
play.  
2
Press c or d to select the repeat range.  
This switches you to the selected setting.  
14  
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Black plate (15,1)  
Section  
Built-in CD Player  
05  
3
When you find the desired trackpress  
enhances the playback of the track or CD that  
you are listening to.  
b to turn scan play off.  
SCAN :OFF appears in the display. The track  
will continue to play.  
1
Press FUNCTION to select COMP.  
#
If the display has automatically returned to  
Press FUNCTION until COMP appears in the  
the playback display, select SCAN again by press-  
display.  
ing FUNCTION.  
2
Press a or b to select your favorite set-  
ting.  
Note  
Press a or b repeatedly to switch between the  
following settings:  
COMP OFFCOMP 1COMP 2ꢂ  
COMP OFFBMX 1BMX 2  
After scanning of a CD is finished, normal play-  
back of the tracks will begin again.  
Pausing CD playback  
Pause lets you temporarily stop playback of  
the CD.  
Selecting the search method  
You can switch the search method between  
fast forward/reverse and searching every 10  
tracks.  
1
Press FUNCTION to select PAUSE.  
Press FUNCTION until PAUSE appears in the  
display.  
1
Press FUNCTION to select FF/REV.  
Press FUNCTION until FF/REV appears in the  
display.  
2
Press a to turn pause on.  
PAUSE:ON appears in the display. Play of the  
current track pauses.  
#
If the search method ROUGH has been pre-  
viously selected, ROUGH will be displayed.  
3
Press b to turn pause off.  
2
od.  
Press c or d to select the search meth-  
PAUSE:OFF appears in the display. Play will re-  
sume at the same point that you turned pause  
on.  
Press c or d until the desired search method  
appears in the display.  
!
!
FF/REV Fast forward and reverse  
ROUGH Searching every 10 tracks  
Using compression andBMX  
Using the COMP (compression) and BMX  
functions let you adjust the sound playback  
quality of this player. Each of the functions has  
a two-step adjustment. The COMP function  
balances the output of louder and softer  
sounds at higher volumes. BMX controls  
sound reverberations to give playback a fuller  
sound. Listen to each of the effects as you se-  
lect through them and use the one that best  
15  
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Black plate (16,1)  
Section  
05  
Built-in CD Player  
Displaying text information on  
CD TEXT discs  
Searching every 10 tracks in  
the current disc  
If a disc contains over 10 tracks, you can  
search every 10 tracks. When a disc contains  
many tracks, you can roughly search for the  
track you want to play.  
%
Press DISPLAY.  
Press DISPLAY repeatedly to switch between  
the following settings:  
Play timeDISC TTL (disc title)DISC ART  
(disc artist name)TRK TTL (track title)  
TRK ART (track artist name)  
1
Select the search method ROUGH.  
#
If specific information has not been recorded  
on a CD TEXT disc, NO XXXX will be displayed  
(e.g., NO T-TTL).  
2
Press and hold c or d to search every  
10 tracks on a disc.  
If a disc contains less than 10 tracks, pressing  
Scrolling text information in  
the display  
This unit can display the first 8 letters only of  
DISC TTL, DISC ART, TRK TTL and TRK ART.  
When the recorded information is longer than  
8 letters, you can scroll the text to the left so  
that the rest of the title can be seen.  
#
and holding d recalls the last track of the disc.  
Also, if the remaining number of tracks after  
searching every 10 tracks is less than 10, press-  
ing and holding d recalls the last track of the  
disc.  
#
If a disc contains less than 10 tracks, pressing  
and holding c recalls the first track of the disc.  
Also, if the remaining number of tracks after  
searching every 10 tracks is less than 10, press-  
ing and holding c recalls the first track of the  
disc.  
%
Press DISPLAY and hold until the title  
begins to scroll to the left.  
The rest of the title will appear in the dis-  
play.  
Using CD TEXT functions  
Some discs have certain information encoded  
on the disc during manufacture. These discs  
may contain such information as the CD title,  
track title, artists name and playback time  
and are called CD TEXT discs. Only these spe-  
cially encoded CD TEXT discs support the  
functions listed below.  
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Black plate (17,1)  
Section  
MP3/WMA/WAV Player  
Playing MP3/WMA/WAV  
06  
3
#
Press a or b to select a folder.  
You cannot select a folder that does not have  
an MP3/WMA/WAV file recorded in it.  
To return to folder 01 (ROOT), press and hold  
#
BAND. However, if folder 01 (ROOT) contains no  
files, playback commences with folder 02.  
1 2 3  
4
5
4
To perform fast forward or reverse,  
press and hold c or d.  
If you select ROUGH, pressing and holding c  
These are the basic steps necessary to play an  
MP3/WMA/WAV with your built-in CD player.  
More advanced MP3/WMA/WAV operation is  
explained starting on the next page.  
#
or d enables you to search every 10 tracks in the  
current folder. (Refer to Selecting the search meth-  
1 Folder number indicator  
Shows the number of folder currently play-  
ing.  
5
To skip back or forward to another  
track, press c or d.  
Pressing d skips to the start of the next track.  
Pressing c once skips to the start of the cur-  
rent track. Pressing again will skip to the pre-  
vious track.  
2 MP3 indicator  
Shows when an MP3 file is playing.  
3 WMA indicator  
Shows when a WMA file is playing.  
Notes  
!
When playing discs with MP3/WMA/WAV files  
and audio data (CD-DA) such as CD-EXTRA  
and MIXED-MODE CDs, both types can be  
played only by switching mode between MP3/  
WMA/WAV and CD-DA with BAND.  
If you have switched between playback of  
MP3/WMA/WAV files and audio data (CD-DA),  
playback starts at the first track on the disc.  
The built-in CD player can play back an MP3/  
WMA/WAV file recorded on CD-ROM. (Refer  
to page 30 for files that can be played back.)  
Do not insert anything other than a CD into  
the CD loading slot.  
There is sometimes a delay between starting  
up CD playback and the sound being issued.  
When being read, FRMTREAD is displayed.  
If you cannot insert a disc completely or if  
after you insert a disc the disc does not play,  
check that the label side of the disc is up.  
Press EJECT to eject the disc, and check the  
disc for damage before inserting it again.  
4 Play time indicator  
Shows the elapsed playing time of the cur-  
rent track (file).  
5 Tracknumber indicator  
Shows the track (file) currently playing.  
!
!
!
If a track number 100 to 199 is selected,  
d on the left of the track number indica-  
tor will light.  
!
If a track number 200 or more is selected,  
d on the left of the track number indica-  
tor will blink.  
!
!
1
Insert a CD-ROM into the CD loading  
slot.  
Playback will automatically start.  
!
#
After a CD-ROM has been inserted, press  
SOURCE to select the built-in CD player.  
#
You can eject a CD-ROM by pressing EJECT.  
2
Use VOLUME to adjust the sound level.  
Rotate it to increase or decrease the volume.  
17  
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Black plate (18,1)  
Section  
06  
MP3/WMA/WAV Player  
!
!
Playback is carried out in order of file number.  
Folders are skipped if they contain no files. (If  
folder 01 (ROOT) contains no files, playback  
commences with folder 02.)  
When playing back files recorded as VBR  
(variable bit rate) files, the play time will not be  
correctly displayed if fast forward or reverse  
operations are used.  
Introduction of advanced  
built-in CD player (MP3/  
WMA/WAV) operation  
!
!
If the inserted disc contains no files that can  
be played back, NO AUDIO is displayed.  
If the inserted disc contains WMA files that  
are protected by digital rights management  
(DRM) , SKIPPED is displayed while the pro-  
tected file is skipped.  
1 2  
1 Function display  
Shows the function status.  
!
If all the files on the inserted disc are secured  
by DRM, PROTECT is displayed.  
There is no sound on fast forward or reverse.  
If an error message such as ERROR-11 is dis-  
When an MP3/WMA/WAV disc is inserted,  
folder name and file name begin to scroll to  
the left automatically.  
2 RPT indicator  
Shows when repeat range is selected to cur-  
rent track (file).  
!
!
%
Press FUNCTION to display the function  
names.  
!
Press FUNCTION repeatedly to switch be-  
tween the following functions:  
RPT (repeat play)RDM (random play)  
SCAN (scan play)PAUSE (pause)COMP  
(compression and BMX)FF/REV (search  
method)  
#
To return to the playback display, press BAND.  
Note  
If you do not operate the function within about 30  
seconds, the display is automatically returned to  
the playback display.  
Repeating play  
For MP3/WMA/WAV playback, there are three  
repeat play ranges: RPT:FLD (folder repeat),  
RPT:TRK (one-track repeat) and RPT:DSC (re-  
peat all tracks).  
1
Press FUNCTION to select RPT.  
Press FUNCTION until RPT appears in the dis-  
play.  
18  
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Section  
MP3/WMA/WAV Player  
06  
2
Press c or d to select the repeat range.  
Note  
Press c or d until the desired repeat range ap-  
If you turn random play on during RPT:FLD and  
then return to the playback display, FRDM ap-  
pears in the display.  
pears in the display.  
!
!
!
RPT:DSC Repeat all tracks  
RPT:TRK Repeat just the current track  
RPT:FLD Repeat the current folder  
Notes  
Scanning folders and tracks  
!
!
If you select another folder during repeat play,  
the repeat play range changes to RPT:DSC.  
If you perform track search or fast forward/re-  
verse during RPT:TRK, the repeat play range  
changes to RPT:FLD.  
While you are using RPT:FLD, the beginning  
of each track in the selected folder plays for  
about 10 seconds. When you are using  
RPT:DSC, the beginning of the first track of  
each folder is played for about 10 seconds.  
!
!
When RPT:FLD is selected, it is not possible  
to play back a subfolder of that folder.  
If you select RPT:FLD and then return to the  
playback display, FRPT appears in the dis-  
play.  
1
Select the repeat range.  
2
Press FUNCTION to select SCAN.  
Press FUNCTION until SCAN appears in the  
display.  
Playing tracks in random order  
Random play lets you play back tracks in a  
random order within the repeat range,  
RPT:FLD and RPT:DSC.  
3
Press a to turn scan play on.  
SCAN :ON appears in the display. The first 10  
seconds of each track of the current folder (or  
the first track of each folder) is played.  
4
When you find the desired track(or  
1
Select the repeat range.  
folder) press b to turn scan play off.  
SCAN :OFF appears in the display. The track  
(or folder) will continue to play.  
2
Press FUNCTION to select RDM.  
#
If the display has automatically returned to  
Press FUNCTION until RDM appears in the  
display.  
the playback display, select SCAN again by press-  
ing FUNCTION.  
3
Press a to turn random play on.  
RDM :ON appears in the display. Tracks will  
play in a random order within the previously  
selected RPT:FLD or RPT:DSC ranges.  
Notes  
!
!
After track or folder scanning is finished, nor-  
mal playback of the tracks will begin again.  
If you turn scan play on during RPT:FLD and  
then return to the playback display, FSCN ap-  
pears in the display.  
4
Press b to turn random play off.  
RDM :OFF appears in the display. Tracks will  
continue to play in order.  
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Section  
06  
MP3/WMA/WAV Player  
Pausing MP3/WMA/WAV  
playback  
Pause lets you temporarily stop playback of  
the MP3/WMA/WAV.  
Selecting the search method  
You can switch the search method between  
fast forward/reverse and searching every 10  
tracks.  
1
Press FUNCTION to select FF/REV.  
1
Press FUNCTION to select PAUSE.  
Press FUNCTION until FF/REV appears in the  
display.  
#
Press FUNCTION until PAUSE appears in the  
display.  
If the search method ROUGH has been pre-  
viously selected, ROUGH will be displayed.  
2
Press a to turn pause on.  
PAUSE:ON appears in the display. Play of the  
current track pauses.  
2
od.  
Press c or d to select the search meth-  
Press c or d until the desired search method  
appears in the display.  
3
Press b to turn pause off.  
PAUSE:OFF appears in the display. Play will re-  
sume at the same point that you turned pause  
on.  
!
!
FF/REV Fast forward and reverse  
ROUGH Searching every 10 tracks  
Searching every 10 tracks in  
the current folder  
If the current folder contains over 10 tracks,  
you can search every 10 tracks. When one  
folder contains a lot of tracks, you can roughly  
search for the track you want to play.  
Using compression andBMX  
Using the COMP (compression) and BMX  
functions let you adjust the sound playback  
quality of this player. Each of the functions has  
a two-step adjustment. The COMP function  
balances the output of louder and softer  
sounds at higher volumes. BMX controls  
sound reverberations to give playback a fuller  
sound. Listen to each of the effects as you se-  
lect through them and use the one that best  
enhances the playback of the track or CD that  
you are listening to.  
1
Select the search method ROUGH.  
2
Press and hold c or d to search every  
10 tracks in the current folder.  
# If the current folder contains less than 10  
1
Press FUNCTION to select COMP.  
Press FUNCTION until COMP appears in the  
display.  
tracks, pressing and holding d recalls the last  
track of the folder. Also, if the remaining number  
of tracks after searching every 10 tracks is less  
than 10, pressing and holding d recalls the last  
track of the folder.  
2
Press a or b to select your favorite set-  
ting.  
Press a or b repeatedly to switch between the  
following settings:  
COMP OFFCOMP 1COMP 2ꢂ  
COMP OFFBMX 1BMX 2  
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Section  
MP3/WMA/WAV Player  
06  
#
If the current folder contains less than 10  
When playing back a WAV disc  
tracks, pressing and holding c recalls the first  
track of the folder. Also, if the remaining number  
of tracks after searching every 10 tracks is less  
than 10, pressing and holding c recalls the first  
track of the folder.  
%
Press DISPLAY.  
Press DISPLAY repeatedly to switch between  
the following settings:  
Play timeFOLDER (folder name)FILE (file  
name)Sampling frequency  
#
If specific information has not been recorded  
on a WAV disc, NO XXXX will be displayed (e.g.,  
NO NAME).  
Displaying text information  
on MP3/WMA/WAV disc  
Text information recorded on an MP3/WMA/  
WAV disc can be displayed.  
#
You can only play back WAV files in the fre-  
quencies 16, 22.05, 24, 32, 44.1 and 48 kHz  
(LPCM), or 22.05 and 44.1 kHz (MS ADPCM). The  
sampling frequency shown in the display may be  
rounded.  
When playing back an MP3/  
WMA disc  
Scrolling text information  
in the display  
This unit can display the first 8 letters only of  
FOLDER, FILE, TRK TTL, ARTIST, ALBUM and  
COMMENT. When the recorded information  
is longer than 8 letters, you can scroll the text  
to the left so that the rest of the text informa-  
tion can be seen.  
%
Press DISPLAY.  
Press DISPLAY repeatedly to switch between  
the following settings:  
Play timeFOLDER (folder name)FILE (file  
name)TRK TTL (track title)ARTIST (artist  
name)ALBUM (album title)COMMENT  
(comment)Bit rate  
#
When playing back MP3 files recorded as VBR  
(variable bit rate) files, the bit rate value is not dis-  
played even after switching to bit rate. (VBR will  
be displayed.)  
%
Press DISPLAY and hold until the text  
information begins to scroll to the left.  
The rest of the text information will appear in  
the display.  
#
When playing back WMA files recorded as  
VBR (variable bit rate) files, the average bit rate  
value is displayed.  
#
If specific information has not been recorded  
Note  
on an MP3/WMA disc, NO XXXX will be dis-  
Unlike MP3 and WMA file format, WAV files dis-  
play only FOLDER and FILE.  
played (e.g., NO NAME).  
#
Depending on the version of iTunes® used to  
write MP3 files onto a disc, comment information  
may not be correctly displayed.  
#
iTunes® is a trademark of Apple Computer,  
Inc., registered in the U.S. and other countries.  
#
Depending on the version of Windows Media  
Player used to encode WMA files, album names  
and other text information may not be correctly  
displayed.  
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Section  
07  
Audio Adjustments  
#
You can select the 80 : 0 only when subwoofer  
Introduction of audio  
adjustments  
output is turned on in SUB.W.  
When the rear output setting is R-SP :S/W,  
you cannnot select F.I.E. function.  
When selecting the FM tuner as the source,  
you cannot switch to SLA.  
To return to the display of each source, press  
BAND.  
#
#
#
1 2  
3 4 5  
6
Note  
1 Audio display  
If you do not operate the audio function within  
about 30 seconds, the display is automatically re-  
turned to the source display.  
Shows the audio adjustment status.  
2 FIE indicator  
Shows when the front image enhancer is  
turned on.  
Using balance adjustment  
You can select a fader/balance setting that  
provides an ideal listening environment in all  
occupied seats.  
3 Loudness indicator  
Appears in the display when loudness is  
turned on.  
4 BASS indicator  
Shows when the bass boost is in effect.  
1
Press AUDIO to select FAD.  
Press AUDIO until FAD appears in the display.  
If the balance setting has been previously ad-  
justed, BAL will be displayed.  
#
5 SW indicator  
Shows when the subwoofer output is turned  
on.  
2
Press a or b to adjust front/rear speak-  
er balance.  
6 CUSTOM indicator  
Each press of a or b moves the front/rear  
speaker balance towards the front or the rear.  
FAD :F15 FAD :R15 is displayed as the front/  
rear speaker balance moves from front to rear.  
Shows when custom equalizer curve is cur-  
rently selected.  
%
Press AUDIO to display the audio func-  
tion names.  
Press AUDIO repeatedly to switch between  
the following audio functions:  
#
FAD : 0 is the proper setting when only two  
speakers are used.  
When the rear output setting is R-SP :S/W,  
#
you cannot adjust front/rear speaker balance.  
FAD (balance adjustment)EQ (equalizer  
curve adjustment)LOUD (loudness)  
SUB.W (subwoofer on/off setting)80 : 0  
(subwoofer setting)HPF (high pass filter)  
BASS (bass boost)FIE (front image enhan-  
cer)SLA (source level adjustment)  
3
Press c or d to adjust left/right speaker  
balance.  
When you press c or d, BAL : 0 is displayed.  
Each press of c or d moves the left/right  
speaker balance towards the left or the right.  
#
When the subwoofer controller setting is  
P/O :FUL, you cannot switch to SUB.W. (Refer to  
22  
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Black plate (23,1)  
Section  
Audio Adjustments  
07  
BAL : L15 BAL : R15 is displayed as the left/  
right speaker balance moves from left to  
right.  
Adjusting equalizer curves  
You can adjust the currently selected equalizer  
curve setting as desired. Adjusted equalizer  
curve settings are memorized in CUSTOM.  
1
Press AUDIO to select EQ.  
Using the equalizer  
Press AUDIO until EQ appears in the display.  
The equalizer lets you adjust the equalization  
to match car interior acoustic characteristics  
as desired.  
2
Press c or d to select the equalizer  
band to adjust.  
Each press of c or d selects equalizer bands  
in the following order:  
EQ-L (low)EQ-M (mid)EQ-H (high)  
Recalling equalizer curves  
There are six stored equalizer curves which  
you can easily recall at any time. Here is a list  
of the equalizer curves:  
3
Press a or b to adjust the level of the  
equalizer band.  
Each press of a or b increases or decreases  
the level of the equalization band.  
+6 6 is displayed as the level is increased  
or decreased.  
Display  
Equalizer curve  
SPR-BASS  
Super bass  
POWERFUL Powerful  
#
You can then select another band and adjust  
NATURAL  
VOCAL  
Natural  
Vocal  
the level.  
Note  
CUSTOM  
EQ FLAT  
Custom  
Flat  
If you make adjustments, CUSTOM curve is up-  
dated.  
!
!
CUSTOM is an adjusted equalizer curve  
that you create.  
When EQ FLAT is selected no supplement  
or correction is made to the sound. This is  
useful to check the effect of the equalizer  
curves by switching alternatively between  
EQ FLAT and a set equalizer curve.  
%
Press EQ to select the equalizer.  
Press EQ repeatedly to switch between the fol-  
lowing equalizers:  
SPR-BASSPOWERFULNATURALꢂ  
VOCALCUSTOMEQ FLAT  
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Black plate (24,1)  
Section  
07  
Audio Adjustments  
Fine-adjusting equalizer curve  
You can adjust the center frequency and the Q  
factor (curve characteristics) of each currently  
selected curve band (EQ-L/EQ-M/EQ-H).  
Adjusting loudness  
Loudness compensates for deficiencies in the  
low- and high-sound ranges at low volume.  
1
Press AUDIO to select LOUD.  
Press AUDIO until LOUD appears in the dis-  
play.  
Level (dB)  
Q=2W  
Q=2N  
2
Press a to turn loudness on.  
Loudness level (e.g., LOUD :MID) appears in  
the display.  
Center frequency  
Frequency (Hz)  
3
Press c or d to select a desired level.  
1
Press AUDIO and hold until frequency  
Each press of c or d selects level in the fol-  
lowing order:  
LOW (low)MID (mid)HI (high)  
and the Q factor (e.g., F- 80:Q1W) appears  
in the display.  
2
Press AUDIO to select the band for ad-  
4
Press b to turn loudness off.  
justment from among low, mid and high.  
Press AUDIO repeatedly to switch between  
the following functions:  
LOUD :OFF appears in the display.  
LowMidHigh  
3
Press c or d to select the desired fre-  
Using subwoofer output  
This unit is equipped with a subwoofer output  
which can be turned on or off.  
quency.  
Press c or d until the desired frequency ap-  
pears in the display.  
Low: 4080100160 (Hz)  
Mid: 2005001k2k (Hz)  
High: 3k8k10k12k (Hz)  
1
Press AUDIO to select SUB.W.  
Press AUDIO until SUB.W appears in the dis-  
play.  
#
You can also select the subwoofer setting  
menu by pressing SW on the unit.  
When the subwoofer controller setting is  
P/O :FUL, you cannot select SUB.W.  
4
Press a or b to select the desired Q fac-  
tor.  
#
Press a or b until the desired Q factor ap-  
pears in the display.  
2N1N1W2W  
2
Press a to turn subwoofer output on.  
SUB.W:NOR appears in the display. Subwoo-  
fer output is now on.  
Note  
#
If the subwoofer output phase has been set to  
If you make adjustments, CUSTOM curve is up-  
dated.  
the reverse, SUB.W:REV will be displayed.  
#
To turn subwoofer output off, press b.  
24  
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Black plate (25,1)  
Section  
Audio Adjustments  
07  
3
Press c or d to select the phase of sub-  
HPF (high pass filter). Only frequencies higher  
than those in the selected range are outputted  
from the front or rear speakers.  
woofer output.  
Press c to select reverse phase and REV ap-  
pears in the display. Press d to select normal  
phase and NOR appears in the display.  
1
Press AUDIO to select HPF.  
Press AUDIO until HPF appears in the display.  
2
Press a to turn high pass filter on.  
Adjusting subwoofer settings  
When the subwoofer output is on, you can ad-  
just the cut-off frequency and the output level  
of the subwoofer.  
80 appears in the display. High pass filter is  
now on.  
#
If the high pass filter has been previously ad-  
justed, the frequency of that previously selected  
will be displayed instead of 80.  
1
Press AUDIO to select 80 : 0.  
#
To turn high pass filter off, press b.  
Press AUDIO until 80 : 0 appears in the dis-  
play.  
3
Press c or d to select cut-off frequency.  
#
You can also select the subwoofer setting  
menu by pressing SW on the unit.  
When the subwoofer output is on, you can se-  
lect 80 : 0.  
Each press of c or d selects cut-off frequen-  
cies in the following order:  
506380100125 (Hz)  
Only frequencies higher than those in the se-  
lected range are outputted from the front or  
rear speakers.  
#
#
If the subwoofer setting has been previously  
adjusted, the frequency of that previously se-  
lected will be displayed instead of 80.  
2
Press c or d to select cut-off frequency.  
Each press of c or d selects cut-off frequen-  
cies in the following order:  
506380100125 (Hz)  
Only frequencies lower than those in the se-  
lected range are outputted from the subwoo-  
fer.  
Front image enhancer (F.I.E.)  
The F.I.E. (Front Image Enhancer) function is a  
simple method of enhancing front imaging by  
cutting mid- and high-range frequency output  
from the rear speakers, limiting their output to  
low-range frequencies. You can select the fre-  
quency you want to cut.  
3
Press a or b to adjust the output level  
of the subwoofer.  
Each press of a or b increases or decreases  
the level of the subwoofer. +6 24 is dis-  
played as the level is increased or  
decreased.  
Precaution  
When the F.I.E. function is deactivated, the rear  
speakers output sound of all frequencies, not just  
bass sounds. Reduce the volume before disenga-  
ging F.I.E. to prevent a sudden increase in vo-  
lume.  
Using the high pass filter  
When you do not want low sounds from the  
subwoofer output frequency range to play  
from the front or rear speakers, turn on the  
1
Press AUDIO to select FIE.  
Press AUDIO until FIE appears in the display.  
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Black plate (26,1)  
Section  
07  
Audio Adjustments  
#
When the rear output setting is R-SP :S/W,  
Adjusting source levels  
you cannnot select F.I.E. function.  
SLA (source level adjustment) lets you adjust  
the volume level of each source to prevent ra-  
dical changes in volume when switching be-  
tween sources.  
2
#
Press a to turn F.I.E. on.  
To turn F.I.E. off, press b.  
!
Settings are based on the FM tuner volume  
level, which remains unchanged.  
3
Press c or d to select a desired fre-  
quency.  
Each press of c or d selects frequency in the  
following order:  
100160250 (Hz)  
1
Compare the FM tuner volume level  
with the level of the source you wish to ad-  
just.  
Notes  
2
Press AUDIO to select SLA.  
Press AUDIO until SLA appears in the display.  
!
!
After turning the F.I.E. function on, use the bal-  
ance adjustment (refer to page 22) and adjust  
front and rear speaker volume levels until they  
are balanced.  
Turn the F.I.E. function off when using a 2-  
speaker system.  
3
Press a or b to adjust the source vo-  
lume.  
Each press of a or b increases or decreases  
the source volume.  
SLA : +4 SLA : 4 is displayed as the source  
volume is increased or decreased.  
Note  
Boosting the bass  
Bass boost function boosts the bass level of  
sound lower than 100 Hz. The more the bass  
level is increased, the more the bass sound is  
emphasized and the entire sound becomes  
powerful. When using this function with the  
subwoofer, the sound under the cut-off fre-  
quency is boosted.  
The AM tuner volume level can also be adjusted  
with source level adjustments.  
1
Press AUDIO to select BASS.  
Press AUDIO until BASS appears in the dis-  
play.  
#
You can also select the bass boost setting by  
pressing and holding SW.  
2
Press a or b to select a desired level.  
0 6 is displayed as the level is increased or  
decreased.  
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Section  
Initial Settings  
08  
2
Press c or d to select the segment of  
Adjusting initial settings  
the clockdisplay you wish to set.  
Pressing c or d will select one segment of the  
clock display:  
HourMinute  
As you select segments of the clock display  
the segment selected will blink.  
1
Using the initial settings, you can customize  
various system settings to achieve optimal per-  
formance from this unit.  
3
Press a or b to set the clock.  
1 Function display  
Shows the function status.  
Pressing a will increase the selected hour or  
minute. Pressing b will decrease the selected  
hour or minute.  
1
Press SOURCE and hold until the unit  
turns off.  
Turning the clock display on or off  
You can turn the clock display on or off.  
2
Press SOURCE and hold until the clock  
appears in the display.  
%
Press CLOCK to turn the clockdisplay  
3
Press FUNCTION to select one of the in-  
on or off.  
itial settings.  
Each press of CLOCK turns the clock display  
on or off.  
#
when you perform other operations, but the clock  
display appears again after 25 seconds.  
Press FUNCTION repeatedly to switch be-  
tween the following settings:  
ClockFM (FM tuning step)AM (AM tuning  
step)R-SP (rear output and subwoofer con-  
troller)  
The clock display disappears temporarily  
Use the following instructions to operate each  
particular setting.  
Note  
#
#
To cancel initial settings, press BAND.  
You can also cancel initial settings by holding  
Even when the sources are off, the clock display  
appears on the display. Pressing CLOCK turns  
the clock display on or off.  
down SOURCE until the unit turns off.  
Setting the clock  
Use these instructions to set the clock.  
Setting the FM tuning step  
The FM tuning step employed by seek tuning  
can be switched between 100 kHz, the preset  
step, and 50 kHz.  
1
Press FUNCTION to select clock.  
Press FUNCTION repeatedly until clock ap-  
pears in the display.  
1
Press FUNCTION to select FM.  
Press FUNCTION repeatedly until FM appears  
in the display.  
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Black plate (28,1)  
Section  
08  
Initial Settings  
2
Press c or d to select the FM tuning  
Initially, the unit is set for rear full-range speak-  
er connection (R-SP :FUL). When rear output is  
connected to full range speakers (when  
R-SP :FUL is selected), you can connect other  
full range speakers (P/O :FUL) or a subwoofer  
(P/O :S/W) to the RCA rear output.  
step.  
Pressing c or d will switch the FM tuning  
step between 100 kHz and 50 kHz. The se-  
lected FM tuning step will appear in the dis-  
play.  
1
Press FUNCTION to select R-SP.  
Note  
Press FUNCTION repeatedly until R-SP ap-  
If seek tuning is performed in 50 kHz steps, sta-  
tions may be tuned in imprecisely. Tune in the sta-  
tions with manual tuning or use seek tuning  
again.  
pears in the display.  
2
Press a or b to switch the rear output  
setting.  
Pressing a or b will switch between  
R-SP :FUL (full-range speaker) and R-SP :S/W  
(subwoofer) and that status will be displayed.  
Setting the AM tuning step  
#
When no subwoofer is connected to the rear  
output, select R-SP :FUL.  
When a subwoofer is connected to the rear  
output, set for subwoofer R-SP :S/W.  
When the rear output setting is R-SP :S/W,  
you cannot operate the following procedure.  
The AM tuning step can be switched between  
9 kHz, the preset step, and 10 kHz. When  
using the tuner in North, Central or South  
America, reset the tuning step from 9 kHz (531  
1 602 kHz allowable) to 10 kHz (530 1 640  
kHz allowable).  
#
#
3
Press c or d to switch the subwoofer  
1
Press FUNCTION to select AM.  
output or rear output.  
Press FUNCTION repeatedly until AM appears  
in the display.  
Pressing c or d will switch between P/O :S/W  
and P/O :FUL and that status will be displayed.  
2
Press c or d to select the AM tuning  
Notes  
step.  
!
!
Even if you change this setting, there is no  
output unless you turn the subwoofer output  
If you change this setting, subwoofer output  
in the audio menu return to the factory  
settings.  
Pressing c or d will switch the AM tuning  
step between 9 kHz and 10 kHz. The selected  
AM tuning step will appear in the display.  
Setting the rear output and  
subwoofer controller  
This units rear output (rear speaker leads out-  
put and RCA rear output) can be used for full-  
range speaker (R-SP :FUL) or subwoofer  
(R-SP :S/W) connection. If you switch the rear  
output setting to R-SP :S/W, you can connect  
a rear speaker lead directly to a subwoofer  
without using an auxiliary amp.  
28  
En  
<YRD5055-A/U>28  
 
Black plate (29,1)  
Appendix  
Additional Information  
Understanding built-in CD  
player error messages  
When you contact your dealer or your nearest  
Pioneer Service Center, be sure to record the  
error message.  
CD player andcare  
!
Use only CDs that have either of the two  
Compact Disc Digital Audio marks as  
shown below.  
Message  
Cause  
Action  
ERROR-11, 12, Dirty disc  
Clean disc.  
17, 30  
ERROR-11, 12, Scratched disc  
Replace disc.  
17, 30  
ERROR-15  
The inserted disc Replace disc.  
does not contain  
any data  
!
Use only normal, round CDs. If you insert ir-  
regular, non-round, shaped CDs they may  
jam in the CD player or not play properly.  
ERROR-10, 11, Electrical or me- Turn the ignition  
12, 15, 17, 30, chanical  
A0  
ON and OFF, or  
switch to a differ-  
ent source, then  
back to the CD  
player.  
ERROR-22, 23 The CD format  
cannot be played  
back  
Replace disc.  
!
!
Check all CDs for cracks, scratches or  
warping before playing. CDs that have  
cracks, scratches or are warped may not  
play properly. Do not use such discs.  
Avoid touching the recorded (non-printed)  
surface when handling the disc.  
Store discs in their cases when not in use.  
Keep discs out of direct sunlight and do  
not expose the discs to high temperatures.  
Do not attach labels, write on or apply che-  
micals to the surface of the discs.  
NO AUDIO  
PROTECT  
SKIPPED  
The inserted disc Replace disc.  
does not contain  
any files that can  
be played back  
All the files on  
the inserted disc  
are secured by  
DRM  
Replace disc.  
!
!
!
!
The inserted disc Replace disc.  
contains WMA  
To clean a CD, wipe the disc with a soft  
cloth outward from the center.  
files that are pro-  
tected by DRM  
29  
En  
<YRD5055-A/U>29  
 
Black plate (30,1)  
Appendix  
Additional Information  
!
If the heater is used in cold weather, moist-  
ure may form on components inside the  
CD player. Condensation may cause the CD  
player to malfunction. If you think that con-  
densation is a problem turn off the CD  
player for an hour or so to allow it to dry  
out and wipe any damp discs with a soft  
cloth to remove the moisture.  
!
WMA is short for Windows Media" Audio  
and refers to an audio compression tech-  
nology that is developed by Microsoft Cor-  
poration. WMA data can be encoded by  
using Windows Media Player version 7 or  
later.  
!
!
WAV is short for waveform. It is a standard  
audio file format for Windows®.  
!
Road shocks may interrupt CD playback.  
This unit may not operate correctly depend-  
ing on the application used to encode  
WMA files.  
!
Depending on the version of Windows  
Media Player used to encode WMA files,  
album names and other text information  
may not be correctly displayed.  
There may be a slight delay when starting  
playback of WMA files encoded with image  
data.  
This unit allows playback of MP3/WMA/  
WAV files on CD-ROM, CD-R and CD-RW  
discs. Disc recordings compatible with  
level 1 and level 2 of ISO9660 and with the  
Romeo and Joliet file system can be played  
back.  
It is possible to play back multi-session  
compatible recorded discs.  
MP3/WMA/WAV files are not compatible  
with packet write data transfer.  
The maximum number of characters which  
can be displayed for a file name, including  
the extension (.mp3, .wma or .wav), is 64,  
from the first character.  
The maximum number of characters which  
can be displayed for a folder name is 64.  
In case of files recorded according to the  
Romeo file system, only the first 64 charac-  
ters can be displayed.  
CD-R/CD-RW discs  
!
When CD-R/CD-RW discs are used, play-  
back is possible only for discs which have  
been finalized.  
!
!
!
It may not be possible to play back CD-R/  
CD-RW discs recorded on a music CD re-  
corder or a personal computer because of  
disc characteristics, scratches or dirt on  
the disc, or dirt, condensation, etc., on the  
lens of this unit.  
!
Playback of discs recorded on a personal  
computer may not be possible, depending  
on the application settings and the environ-  
ment. Please record with the correct for-  
mat. (For details, contact the manufacturer  
of the application.)  
!
!
!
!
!
!
Playback of CD-R/CD-RW discs may be-  
come impossible in case of direct exposure  
to sunlight, high temperatures, or the sto-  
rage conditions in the vehicle.  
Titles and other text information recorded  
on a CD-R/CD-RW disc may not be dis-  
played by this unit (in the case of audio  
data (CD-DA)).  
!
!
Read the precautions with CD-R/CD-RW  
discs before using them.  
!
When playing discs with MP3/WMA/WAV  
files and audio data (CD-DA) such as CD-  
EXTRA and MIXED-MODE CDs, both types  
can be played only by switching mode be-  
tween MP3/WMA/WAV and CD-DA.  
MP3, WMA andWAV files  
!
MP3 is short for MPEG Audio Layer 3 and  
refers to an audio compression technology  
standard.  
30  
En  
<YRD5055-A/U>30  
 
Black plate (31,1)  
Appendix  
Additional Information  
!
!
The folder selection sequence for playback  
and other operations becomes the writing  
sequence used by the writing software. For  
this reason, the expected sequence at the  
time of playback may not coincide with the  
actual playback sequence. However, there  
also is some writing software which per-  
mits setting of the playback order.  
Some audio CDs contain tracks that merge  
into one another without a pause. When  
these discs are converted to MP3/WMA/  
WAV files and burned to a CD-R/CD-RW/  
CD-ROM, the files will be played back on  
this player with a short pause between  
each one, regardless of the length of the  
pause between tracks on the original audio  
CD.  
!
The sound quality of MP3 files generally be-  
comes better with an increased bit rate.  
This unit can play recordings with bit rates  
from 8 kbps to 320 kbps, but in order to be  
able to enjoy sound of a certain quality, we  
recommend using only discs recorded with  
a bit rate of at least 128 kbps.  
WMA additional information  
!
This unit plays back WMA files encoded by  
Windows Media Player version 7, 7.1, 8, 9  
and 10.  
You can only play back WMA files in the fre-  
quencies 32, 44.1 and 48 kHz.  
The sound quality of WMA files generally  
becomes better with an increased bit rate.  
This unit can play recordings with bit rates  
from 48 kbps to 320 kbps (CBR) or from 48  
kbps to 384 kbps (VBR), but in order to be  
able to enjoy sound of a certain quality, we  
recommend using discs recorded with a  
higher bit rate.  
This unit doesnt support the following for-  
mats.  
Windows Media Audio 9 Professional  
(5.1ch)  
Windows Media Audio 9 Lossless  
Windows Media Audio 9 Voice  
!
!
Important  
!
!
When naming an MP3/WMA/WAV file, add  
the corresponding filename extension (.mp3,  
.wma or.wav).  
This unit plays back files with the filename ex-  
tension (.mp3, .wma or .wav) as an MP3/  
WMA/WAV file. To prevent noise and malfunc-  
tions, do not use these extensions for files  
other than MP3/WMA/WAV files.  
!
MP3 additional information  
!
Files are compatible with the ID3 Tag Ver.  
1.0, 1.1, 2.2, 2.3 and 2.4 formats for display  
of album (disc title), track (track title), artist  
(track artist) and comments. Ver. 2.x of ID3  
Tag is given priority when both Ver. 1.x and  
Ver. 2.x exist.  
The emphasis function is valid only when  
MP3 files of 32, 44.1 and 48 kHz frequen-  
cies are played back. (16, 22.05, 24, 32,  
44.1, 48 kHz sampling frequencies can be  
played back.)  
WAV additional information  
!
This unit plays back WAV files encoded in  
Linear PCM (LPCM) format or MS ADPCM  
format.  
!
You can only play back WAV files in the fre-  
quencies 16, 22.05, 24, 32, 44.1 and 48 kHz  
(LPCM), or 22.05 and 44.1 kHz (MS  
ADPCM). The sampling frequency shown  
in the display may be rounded.  
!
!
!
There is no m3u playlist compatibility.  
There is no compatibility with the MP3i  
(MP3 interactive) or mp3 PRO formats.  
31  
En  
<YRD5055-A/U>31  
 
Black plate (32,1)  
Appendix  
Additional Information  
!
The sound quality of WAV files generally be-  
comes better with a larger number of quan-  
tization bits. This unit can play recordings  
with 8 and 16 (LPCM) or 4 (MS ADPCM)  
quantization bits, but in order to be able to  
enjoy sound of a certain quality, we recom-  
mend using discs recorded with the larger  
number of quantization bits.  
2 Second level  
3 Third level  
Notes  
!
!
This unit assigns folder numbers. The user  
cannot assign folder numbers.  
It is not possible to check folders that do not  
include MP3/WMA/WAV files. (These folders  
will be skipped without displaying the folder  
number.)  
About folders and MP3/  
WMA/WAV files  
!
!
MP3/WMA/WAV files in up to 8 tiers of folders  
can be played back. However, there is a delay  
in the start of playback on discs with numer-  
ous tiers. For this reason we recommend  
creating discs with no more than 2 tiers.  
It is possible to play back up to 99 folders on  
one disc.  
!
An outline of a CD-ROM with MP3/WMA/  
WAV files on it is shown below. Subfolders  
are shown as folders in the folder currently  
selected.  
1 First level  
32  
En  
<YRD5055-A/U>32  
 
Black plate (33,1)  
Appendix  
Additional Information  
Terms  
Linear PCM (LPCM)/Pulse code  
modulation  
This stands for linear pulse code modulation,  
which is the signal recording system used for  
music CDs and DVDs.  
Bit rate  
This expresses data volume per second, or bps  
(bits per second) units. The higher the rate,  
the more information is available to reproduce  
the sound. Using the same encoding method  
(such as MP3), the higher the rate, the better  
the sound.  
m3u  
Playlists created using the WINAMPsoft-  
ware have a playlist file extension (.m3u).  
ID3 tag  
MP3  
This is a method of embedding track-related  
information in an MP3 file. This embedded in-  
formation can include the track title, the ar-  
tists name, the album title, the music genre,  
the year of production, comments and other  
data. The contents can be freely edited using  
software with ID3 Tag editing functions.  
Although the tags are restricted as to the num-  
ber of characters, the information can be  
viewed when the track is played back.  
MP3 is short for MPEG Audio Layer 3. It is an  
audio compression standard set by a working  
group (MPEG) of the ISO (International Stan-  
dards Organization). MP3 is able to compress  
audio data to about 1/10th the level of a con-  
ventional disc.  
MS ADPCM  
This stands for Microsoft adaptive differential  
pulse code modulation, which is the signal re-  
cording system used for the multimedia soft-  
ware of Microsoft Corporation.  
ISO9660 format  
This is the international standard for the for-  
mat logic of CD-ROM folders and files. For the  
ISO9660 format, there are regulations for the  
following two levels.  
Multi-session  
Multi-session is a recording method that al-  
lows additional data to be recorded later.  
When recording data on a CD-ROM, CD-R or  
CD-RW, etc., all data from beginning to end is  
treated as a single unit or session. Multi-ses-  
sion is a method of recording more than 2 ses-  
sions on one disc.  
Level 1:  
The file name is in 8.3 format (the name con-  
sists of up to 8 characters, half-byte English  
capital letters and half-byte numerals and the  
_sign, with a file-extension of three charac-  
ters).  
Level 2:  
Number of quantization bits  
The file name can have up to 31 characters (in-  
cluding the separation mark .and a file ex-  
tension). Each folder contains less than 8  
hierarchies.  
Extended formats  
Joliet:  
The number of quantization bits is one factor  
in the overall sound quality; the higher the  
bit-depth, the better the sound quality. How-  
ever, increasing the bit-depth also increases  
the amount of data and therefore storage  
space required.  
File names can have up to 64 characters.  
Romeo:  
File names can have up to 128 characters.  
33  
En  
<YRD5055-A/U>33  
 
Black plate (34,1)  
Appendix  
Additional Information  
Packet write  
This is a general term for a method of writing  
on CD-R, etc., at the time required for a file,  
just as is done with files on floppy or hard  
discs.  
VBR  
VBR is short for variable bit rate. Generally  
speaking CBR (constant bit rate) is more  
widely used. But by flexibly adjusting the bit  
rate according to the needs of audio compres-  
sion, it is possible to achieve compression-  
priority sound quality.  
WAV  
WAV is short for waveform. It is a standard  
audio file format for Windows®.  
WMA  
WMA is short for Windows Media" Audio  
and refers to an audio compression technol-  
ogy that is developed by Microsoft Corpora-  
tion. WMA data can be encoded by using  
Windows Media Player version 7 or later.  
Windows Media and the Windows logo are tra-  
demarks or registered trademarks of Microsoft  
Corporation in the United States and/or other  
countries.  
34  
En  
<YRD5055-A/U>34  
Black plate (35,1)  
Appendix  
Additional Information  
Specifications  
Slope .................................... 12 dB/oct  
Subwoofer (mono):  
Frequency .......................... 50/63/80/100/125 Hz  
Slope .................................... 18 dB/oct  
Gain ...................................... +6 ꢀ ꢀ24 dB  
Phase .................................. Normal/Reverse  
Bass boost:  
General  
Rated power source ............... 14.4 V DC  
(allowable voltage range:  
12.0 14.4 V DC)  
Grounding system ................... Negative type  
Max. current consumption  
..................................................... 10.0 A  
Dimensions (W × H× D):  
DIN  
Gain ...................................... +12 0 dB  
CD player  
System .......................................... Compact disc audio system  
Usable discs .............................. Compact disc  
Signal format:  
Chassis ..................... 178 × 50 × 157 mm  
Nose ........................... 188 × 58 × 19 mm  
D
Sampling frequency ..... 44.1 kHz  
Number of quantization bits  
........................................... 16; linear  
Chassis ..................... 178 × 50 × 162 mm  
Nose ........................... 170 × 48 × 14 mm  
Weight .......................................... 1.3 kg  
Frequency characteristics ... 5 20 000 Hz (±1 dB)  
Signal-to-noise ratio ............... 94 dB (1 kHz) (IEC-A net-  
work)  
Dynamic range ......................... 92 dB (1 kHz)  
Number of channels .............. 2 (stereo)  
MP3 decoding format ........... MPEG-1 & 2 Audio Layer 3  
WMA decoding format ......... Ver. 7, 7.1, 8, 9, 10 (2ch  
audio)  
Audio  
Maximum power output ....... 50 W × 4  
50 W × 2/4 W + 70 W × 1/2  
W (for subwoofer)  
Continuous power output ... 22 W × 4 (50 15 000 Hz,  
5% THD, 4 W load, both  
channels driven)  
(Windows Media Player)  
WAV signal format .................. Linear PCM & MS ADPCM  
Load impedance ...................... 4 8 W × 4  
4 8 W × 2 + 2 W × 1  
Preout max output level/output impedance  
..................................................... 2.2 V/1 kW  
Equalizer (3-Band Parametric Equalizer):  
Low  
FM tuner  
Frequency range ...................... 87.5 108.0 MHz  
Usable sensitivity ..................... 8 dBf (0.7 µV/75 W, mono,  
S/N: 30 dB)  
50 dB quieting sensitivity ..... 10 dBf (0.9 µV/75 W, mono)  
Signal-to-noise ratio ............... 75 dB (IEC-A network)  
Distortion ..................................... 0.3 % (at 65 dBf, 1 kHz,  
stereo)  
0.1 % (at 65 dBf, 1 kHz,  
mono)  
Frequency response ............... 30 15 000 Hz (±3 dB)  
Stereo separation .................... 45 dB (at 65 dBf, 1 kHz)  
Frequency ................ 40/80/100/160 Hz  
Q Factor .................... 0.35/0.59/0.95/1.15 (+6 dB  
when boosted)  
Gain ............................ ±12dB  
Mid  
Frequency ................ 200/500/1k/2k Hz  
Q Factor .................... 0.35/0.59/0.95/1.15 (+6 dB  
when boosted)  
Gain ............................ ±12dB  
High  
AM tuner  
Frequency range ...................... 531 1 602 kHz (9 kHz)  
530 1 640 kHz (10 kHz)  
Frequency ................ 3.15k/8k/10k/12.5k Hz  
Q Factor .................... 0.35/0.59/0.95/1.15 (+6 dB  
when boosted)  
Usable sensitivity ..................... 18 µV (S/N: 20 dB)  
Signal-to-noise ratio ............... 65 dB (IEC-A network)  
Gain ............................ ±12dB  
Loudness contour:  
Infrared remote control  
Wavelength ................................. 940 nm ±50 nm  
Output ........................................... typ; 12 mw/sr per Infrared  
LED  
Low ....................................... +3.5 dB (100 Hz), +3 dB (10  
kHz)  
Mid ....................................... +10 dB (100 Hz), +6.5 dB  
(10 kHz)  
High ..................................... +11 dB (100 Hz), +11 dB  
(10 kHz)  
Note  
(volume: 30 dB)  
Specifications and the design are subject to pos-  
sible modifications without notice due to im-  
provements.  
HPF:  
Frequency .......................... 50/63/80/100/125 Hz  
35  
En  
<YRD5055-A/U>35  
 
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©IEC-A ‰UBð« WJ³ý® qO³"¹œ ∂µ ÆÆÆÆÆÆÆÆ ¡U{uCë vÃ≈ …—Uýù« W³"½  
´ ¨©eðd¼ ∞∞® qO³"¹œ ´ ÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆÆ wÃUŽ  
©eðd¼ uKO ∞® qO³"¹œ  
WEŠöÄ  
.5"ײë ÷«dž_ —UFý« ÊËbÐ dOOG²Kà W{dŽ rOLB²Ã«Ë UHd«u*«  
©qO³"¹œ ≥∞≠ ∫ uBë Èu²"Ä®  
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wÄ“— VðU  
¨U¼dOžË CD-R W½«uDÝ« vKŽ WÐU²Jë WI¹dDà ÂUŽ `KDBÄ «c¼  
vKŽ UHK*« qO−"ð r²¹ UL ¨nKÄ qO−"²Ã WÄ“öë …b*« fHMÐ  
ÆjIꢀ XÐU¦Ã« dðuO³LJë ’dÁ Ë√ ’«dÁ_«  
VBR  
—UB²šô« ÊSꢀ UÄuLŽ ÆdOG²*« XO³Ã« ‰bF* —UB²š« w¼ VBR WLK  
sJÃË Æ«bg²Ýô« wꢀ UŽuOý d¦Â_« u¼ ©dI²"Ä XOÐ ‰bFÄ® CBR  
sJL*« sÄ ÊUꢀ ¨ uBë jG{ WłU( UIꢀË W½Ëd0 XO³Ã« ‰bFÄ j³Cà  
Æ uBë …œu' jG{ W¹uÃË√ vKŽ ‰uB(«  
WAV  
UHKÄ ÂUE½ u¼Ë ¨waveform `KDB* —UB²š« w¼ WAV WLK  
ÆWindows® ÂUEMÐ WdUš WOÝUOÁ WOðud  
WMA  
Windows Media`KDB* —UB²š« w¼ WMA WLK  
q³Á sÄ —uÞ w²Ã«Ë uBë jG{ WOMIð vÃ≈ œuFð w¼Ë Audio  
«bg²ÝUÐ WMA U½UOÐ dOHAð sJ1 ÆXꢀuÝËdJOÄ WÂdý  
ÆUNMÄ ÀbŠ_«Ë WgWindows Media Player  
ÊU²¹—U& ÊU²ÄöŽ UL¼ Windows —UFAÃ«Ë Windows Media  
Ë√/Ë …bײ*« U¹ôuë wꢀ XꢀuÝËdJOÄ WÂdAà ÊU²K−"Ä ÊU²ÄöŽ Ë√  
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U×KDBÄ  
wC³Më/wD)« PCM (LPCM) ÂU7Á√ eÄ—  
…—Uý≈ ÂUE½ u¼ ÍcÃ«Ë ¨wC³Më wD)« ÂU"Á« eÄdÐ ’Uš «c¼  
u¹bOHë U½«uDÝ«Ë CD U½«uDÝô« wꢀ Âbg²"*« qO−"²Ã«  
ÆWOIOÝu*« WOLÁdë  
XO³Ã« ‰bFÄ  
bps «bŠË Ë√ ¨WO½U¦Ã« wꢀ U½UO³Ã« WÂdŠ r−Š ‰bF*« «c¼ `{u¹  
UÄuKFÄ „UM¼ błuOÝ ¨ vKŽ√ ‰bF*« ÊU ULK ƩWO½U¦Ã« wꢀ XOЮ  
dOHA²Ã« WI¹dÞ fH½ Âbg²Ý« Æ uBë ÃU²½« …œUŽù …dꢀu²Ä d¦Â√  
ÆqCꢀ√ uBë ÊU ¨vKŽ√ ‰bF*« ÊU ULK ©MP3 q¦Ä®  
m3u  
WINAMPZÄU½dР«bg²ÝUÐ UNzUA½« - w²Ã« ŸUL²Ýô« WLzUÁ  
Æ©.m3u® ŸUL²Ýô« WLzUÁ nKÄ rÝ« …bz«“ UNà ÊuJ¹  
ID3 WIŠöë  
WOKLŽ MP3 nKÄ wꢀ WOMž_UÐ oKF²ð UÄuKFÄ ZÄbà WI¹dÞ Ác¼  
Ê«uMŽ ¨wMG*« rÝ« ¨WOMž_« Ê«uMŽ vKŽ qL²Að Ác¼ UÄuKF*« ZÄœ  
Æ U½UO³Ã« sÄ U¼dOžË UIOKFð ¨ÃU²½ô« WMÝ ¨vIOÝu*« Ÿu½ ¨Âu³Kë  
vKŽ qL²A¹ ZÄU½dР«bg²Ý« WDÝ«uÐ WÃuN"РU¹u²;« dOOGð sJ1  
œbFÐ …bOIÄ WIŠöë Ê√ sÄ rždë vKŽË ID3 WIŠöë d¹d% WHOþË  
ÆWOMžúà ŸUL²Ýô« …œUŽ≈ bMŽ UÄuKF*« …b¼UAÄ sJ1 ¨·dŠ_«  
MP3  
ÂUE½ w¼Ë ÆMPEG Audio Layer 3 —UB²š« w¼ MP3 WLK  
WFÐU²Ã« ©MPEG® WŽuL−Ä q³Á sÄ l{Ë uBë jGCKà wÝUOÁ  
jG{ MP3 ÂUEMKà sJ1 ©ISO® fO¹UILKà WOÃËbë WOFL−Kà  
ÆW¹bOKI²Ã« U½«uDÝô« Èu²"Ä Ø ∞ wëu( uBë  
MS ADPCM ÂUE½  
¨ ËUH²*« wC³Më dOHA²Ã« nOOJ²Ã XꢀuÝËdJOÄ ÂUE½ wMF¹ «c¼  
…œbF²*« jzUÝuë ZÄ«dÐ wꢀ Âbg²"*« qO−"²Ã« …—Uý« ÂUE½ u¼ ÍcÃ«Ë  
ÆXꢀuÝËdJOÄ WÂdý q³Á sÄ  
ISO9660 WžUOꢀ  
UHK*«Ë UEꢀU(UР’U)« pOłuKë ÂUEMà wÃËbë ”UOI*« u¼ «c¼  
„UM¼ błu¹ ¨ISO9660 ÂUE½ ÆCD-ROM U½«uDÝ« wꢀ …bł«u²*«  
Æ5OÃU²Ã« 5¹u²"*UÐ WdUš rOEMð ŸU{Ë«  
…œbF²Ä «—Ëœ  
wꢀU{« qO−"²Ð `L"¹ qO−"ð ÂUE½ u¼ …œbF²*« «—Ëbë ÂUE½  
W½«uDÝ« vKŽ U½UOÐ qO−"ð bMŽ ÆWIŠô WKŠdÄ wꢀ U½UO³Kà  
q lÄ qÄUF²Ã« r²¹ YOŠ ¨aë CD-RW Ë√ CD-R ¨CD-ROM  
Æ…œdHMÄ …—Ëœ Ê√ …bŠË WÐU¦0 UN²¹UN½ v²Š UN²¹«bÐ sÄ U½UO³Ã«  
W½«uDÝ« vKŽ 5ð—Ëœ sÄ d¦Â√ qO−"²Ã WI¹dÞ w¼ …œbF²*« «—Ëbë  
Æ …bŠ«Ë  
Èu²7*«  
·dŠ√ ∏ sÄ rÝô« ÊuJ²¹ YOŠ® ∏[≥ WžUOBÃUÐ nK*« rÝ« ÊuJ¹  
XOÐ nB½Ë XOÐ nB½ ÊuJð UOKFë W¹eOK$_« ·dŠ_« ¨vBÁ√ b×  
Æ©·dŠ√ ÀöŁ sÄ nKÄ rÝ« …bz«eë lÄË ¨_WÄöFÃ«Ë œ«bŽ_«  
∫≤ Èu²7*«  
o¹dH²Ã« WÄöŽ vKŽ qL²A¹® UꢀdŠ ≥ vë qB¹ Ê√ nK*« rÝô sJ1  
ÆqÝöÝ ∏ sÄ qÁ√ vKŽ Íu²% WEꢀUŠ q ƩnK*« rÝ« …bz«“Ë .”  
X³Ã« —«bIÄ œbŽ  
ULKJꢀ ¨ uBKà WOKJë …œu'« wꢀ bŠ«Ë qÄUŽ u¼ XO³Ã« œbŽ —«bIÄ  
vKŽË ÆqCꢀ√ uBë …œuł X½U ULK ¨d³Â√ ßßXO³Ã« oLŽßß ÊU  
…œU¹“ vKŽ UC¹« qLFOÝ XO³Ã« oLŽ …œU¹“ ÊSꢀ ¨pÖ sÄ rždë  
Æs¹eg²Kà d³Â√ Už«dꢀ dÄ_« VKD²¹ pÃcÃË U½UO³Ã« —«bIÄ  
…bz«eë WžUOꢀ  
Joliet  
ÆUꢀdŠ ∂¥ vë qB¹ Ê√ nK*« rÝô sJ1  
Romeo  
ÆUꢀdŠ ≤∏ vë qB¹ Ê√ nK*« rÝô sJ1  
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œbŽ lÄ qCꢀ√ WAV UHKÄ ud …œuł `³Bð …œUFë wꢀ  
œbŽ lÄ “UN'« «c¼ wꢀ öO−"²Kà ŸUL²Ýô« sJ1 Æd³Â√ XOÐ  
sJÃË ¨(MS ADPCM) ¥ Ë« (LPCM) ∂ Ë« ∏ XOÐ  
wdu½ UM½Uꢀ ¨…bOÂ√ …œu−ÐË d³Â√ ud WF²Ä vKŽ ‰uB×Kà  
.XO³Ã« sÄ œbŽ —«bIÄ d³ÂQÐ WK−"Ä U½«uDÝ« ‰ULF²ÝUÐ  
UEŠöÄ  
b¹b% Âbg²"LKÃ sJ1 ô ULMOÐ ÆWEꢀU(« rÁ— “UN'« «c¼ œb×¹  
ÆWEꢀU(« rÁ—  
UHKÄ vKŽ Íu²% ô w²Ã« «bK:« h×ꢀ sJL*« sÄ fOà  
ÊËbÐ «bK:« pKð wDgð r²OÝ® ÆWAV/WMA/MP3  
©ÆWEꢀU(« rÁ— ÷dŽ  
Íu²% WAV/WMA/MP3 UHK* ŸUL²Ýô« …œUŽ≈ sJ1  
wꢀ dOšQð „UM¼ pÖ sÄ rždë vKŽË Æ UEꢀUŠ «—UÞ« ∏ v²ŠË  
«—UÞ≈ vKŽ Íu²% w²Ã« U½«uDÝúà ŸUL²Ýô« …œUŽ≈ ¡bÐ  
vKŽ Íu²% ô U½«uDÝ« ¡UA½SÐ `BM½ V³"ë «cNà ƅœbF²Ä  
Æs¹—UÞ≈ sÄ d¦Â√  
WAV/WMA/MP3 U?HKÄË UE U(« ‰uŠ  
W¹u²×Ä CD-ROM W½«uDÝ« ÁU½œ√ w×O{u²Ã« qJAë 5³¹  
«bK:« `O{uð - UNOꢀ ÆWAV/WMA/MP3 UHKÄ vKŽ  
Æ«dšRÄ U¼—UO²š« - w²Ã« WEꢀU(« wꢀ UEꢀUŠ WÐU¦0 WOŽdHë  
W½«uDÝô« vKŽ WEꢀUŠ ππ v²ŠË ŸUL²Ýô« …œUŽ≈ pMJ1  
Æ…bŠ«uë  
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…œU¹“ lÄ qCꢀ« MP3 UHKÄ ud …œuł `³Bð …œUFë wꢀ  
ôbF0 öO−"²Ã ŸUL²Ýô« “UN'« «cNà sJ1 ÆXO³Ã« ‰bFÄ  
¨WO½U¦Ã«ØXOÐ uKO ≥≤∞ vÃ≈ WO½U¦Ã«ØXOÐ uKO ∏ sÄ XOÐ  
`BM¹ ¨WMOFÄ ud …œu−Ð ŸUL²Ýô« pMJ1 wJà sJÃË  
uKO ≤∏ qÁ_« vKŽ XOÐ ‰bF0 WK−"Ä U½«uDÝ« «bg²ÝUÐ  
ÆjIꢀ WO½U¦Ã«ØXOÐ  
UHKÄ vKŽ Íu²% U½«uDÝ« vÃ≈ ŸUL²Ýô« bMŽ  
q¦Ä ©CD-DA® WOðud U½UOÐË WAV/WMA/MP3  
sJ1 ¨MIXED-MODE Ë CD-EXTRA U½«uDÝ«  
5Ð q¹uײÃUÐ jIꢀ U½«uDÝô« wŽu½ öJà ŸUL²Ýô«  
ÆCD-DA Ë WAV/WMA/MP3 wF{Ë  
UOKLŽË ŸUL²Ýô« …œUŽù WEꢀU(« —UO²š« VOðdð `³B¹  
ÆWÐU²Jë ZÄU½dÐ WDÝ«uÐ »u²J*« VOðd²Kà UIꢀË Èdš_« qOGA²Ã«  
…œUŽ≈ XÁË wꢀ lÁu²*« VOðd²Ã« oH²¹ ô bÁ ¨V³"ë «cNà  
rždë vKŽË ÆwKFHë ŸUL²Ýô« …œUŽ≈ XÁË VOðdð lÄ ŸUL²Ýô«  
…œUŽ≈ VOðdð j³CÐ `L"ð WÐU²Â ZÄ«dÐ UC¹« „UM¼ ¨pÖ sÄ  
ÆŸUL²Ýô«  
lÄ W−ÄbMÄ w½Už√ vKŽ WOðuBë CD U½«uDÝô« iFÐ Íu²%  
pKð q¹u% bMŽ ÆUNMOÐ XÁRÄ nÁuð œułË ÊËbÐ iF³Ã« UNCFÐ  
vKŽ UNKO−"ðË WAV/WMA/MP3 UHKÄ vÃ≈ U½«uDÝô«  
r²OÝ CD-ROM/CD-RW/CD-R Ÿ«u½_« sÄ U½«uDÝ«  
…dOBÁ nÁuð …d²ꢀ œułuÐ “UN'« «c¼ WDÝ«uРUHKLKà ŸUL²Ýô«  
vKŽ w½Už_« 5Ð nÁu²Ã« ‰uÞ sŽ dEMë iGÐ ¨…bŠ«Ë q 5Ð  
ÆWOKd_« WOðuBë W−Äb*« W½«uDÝô«  
WMA U?HK* WO U{≈ UÄuKFÄ  
«bg²ÝUÐ …dHA*« WMA UHK* ŸUL²Ýô« “UN'« «c¼ bOF¹  
9 ¨ 8 ¨ 7.1 ¨ 7 Wg"Më sÄ Windows Media Player  
Æ10 Ë  
¨ ≥≤ «œœd²Ð WMA UHK* ŸUL²Ýô« …œUŽ≈ pMJLOÝ  
ÆjIꢀ eðd¼ uKOÂ ¥∏ ¨ ¥¥[  
…œU¹“ lÄ qCꢀ« WMA UHKÄ ud …œuł `³Bð …œUFë wꢀ  
ôbF0 öO−"²Ã ŸUL²Ýô« “UN'« «cNà sJ1 ÆXO³Ã« ‰bFÄ  
WO½U¦Ã« ØXOÐ uKO ≥≤∞ Ë WO½U¦Ã« ØXOÐ uKO ¥∏ sÄ XOÐ  
uKO ≥∏¥ Ë WO½U¦Ã« ØXOÐ uKO ¥∏ sÄ Ë√ ©CBR ÂUE½®  
ŸUL²Ýô« pMJ1 wJà sJÃË ¨©VBR ÂUE½® WO½U¦Ã« ØXOÐ  
‰bF0 WK−"Ä U½«uDÝ« «bg²ÝUÐ `BM¹ ¨WMOFÄ ud …œu−Ð  
ÆvKŽ√ XOÐ  
ÂU¼  
.WOÃU²Ã« mOBë lÄ oꢀ«u²¹ ô “UN'« «c¼  
nK*« rÝô …bz«eë n{« WAV/WMA/MP3 WOL"ð bMŽ  
ÆUNà ©.wav Ë√ .wma ¨.mp3® oꢀ«u*«  
¨.mp3® nK*« rÝ« …bz«“ lÄ UHK* ŸUL²Ýô« “UN'« «c¼ bOF¹  
ÆWAV/WMA/MP3 UHKÄ WÐU¦0 ©.wav Ë√ .wma  
bz«Ëeë Ác¼ «bg²Ý« ÂbŽ V−¹ ¨‰UDŽ√Ë ¡U{u{ ÀËbŠ VM−²Ã  
ÆWAV/WMA/MP3 UHKÄ dOž Èdš√ UHKÄ lÄ  
Windows Media Audio 9 Professional —  
©5.1ch®  
Windows Media Audio 9 Lossless —  
Windows Media Audio 9 Voice —  
WAV U?HK* WO U{≈ UÄuKFÄ  
PCM ÂUEMÐ …dHA*« WAV UHK* ŸUL²Ýô« “UN'« «c¼ bOF¹  
MP3 U?HK* WO U{≈ UÄuKFÄ  
ÆMS ADPCM ÂUE½ Ë√ ©LPCM® wD)«  
1.0 Wg"Më sÄ ID3 WIŠöë —«bd≈ ÂUE½ lÄ WIꢀ«u²*« UHK*«  
©W½«uDÝô« Ê«uMŽ® Âu³Ãô« ÷dFà 2.4 ¨ 2.3 ¨ 2.2 ¨ 1.1 ¨  
Æ UEŠö*«Ë ©WOMž_« wMGÄ® wMG*« ¨©WOMž_« Ê«uMŽ® WOMž_«  
œułË bMŽ ID3 WIŠöà 2.x Wg"MKà qOGA²Ã« W¹uÃË√ wDFð  
Æ2.x Ë 1.x —«bdô«  
MP3 UHK* ŸUL²Ýô« …œUŽ≈ bMŽ WÃUFꢀ e¹eF²Ã« WHOþË ÊuJ²Ý  
…œUŽ≈ pMJLOÝ® ÆjIꢀ eðd¼ uKO ¥∏ ¨ ¥¥[ ¨ ≥≤ «œœd²Ð  
¨ ≥≤ ¨ ≤¥ ¨ ≤≤[∞µ ¨ ∂ WM¹UF*« «œœd²Ã« vÃ≈ ŸUL²Ýô«  
©.eðd¼ uKOÂ ¥∏ ¨ ¥¥[  
≤≤[∞µ ¨ ∂ «œœd²Ð WAV UHK* ŸUL²Ýô« …œUŽ≈ pMJ1  
Ë√ ©LPCM ÂUE½® eðd¼ uKO ¥∏ Ë ¥¥[ ¨ ≥≤ ¨ ≤¥ ¨  
¨jIꢀ ©MS ADPCM ÂUE½® eðd¼ uKOÂ ¥¥[ Ë ≤≤[∞µ  
qJAÐ W{—UFë wꢀ W{ËdF*« WM¹UF*« «œœd²Ã« dNEð bÁ  
Æ`O×d  
Æm3u ÂUEMÐ ŸUL²Ýô« WLzUÁ lÄ oꢀ«uð błu¹ ô  
WžUOBÐ Ë√ ©qŽUH²*« MP3® MP3i ÂUEMë lÄ oꢀ«uð błu¹ ô  
Æmp3 PRO  
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vKŽ ÈbMë ÊuJ²¹ bÁ ¨œ—U³Ã« u'« wꢀ …Qꢀb*« «bg²Ý« bMŽ  
wꢀ n¦J²Ã« V³"²¹ bÁ ¨CD W½«uDÝô« qGAÄ qš«œ U½uJ*«  
«–≈ ÆW×O×d …—uBÐ CD U½«uDÝô« qGAÄ qLŽ ÂbŽ  
W½«uDÝô« qGAÄ qOGAð nÁË√ WKJAÄ n¦J²Ã« ÊQРbI²Ž«  
Í√ `"Ä«Ë n−¹ w pÃ–Ë UNNÐUý UÄ Ë√ WŽUÝ …b* CD  
ÆWÐuÞdë Wë“ù WLŽU½ ‘ULÁ WFDIÐ WÃuK³Ä U½«uDÝ«  
ŸUL²Ýô« oOFð bÁ ‚dDë vKŽ …œUOIë sŽ W&UMë «“«e²¼ô«  
ÆCD W½«uDÝúà  
WAV Ë WMA ¨MP3 U?HK*«  
MPEG Audio Layer 3 `KDBLKà —UB²š« u¼ MP3 WLK  
ÆWOÝUOIë uBë jG{ WOMIð vÃ≈ Ác¼ lłdðË  
Windows Media`KDB* —UB²š« w¼ WMA WLK  
sÄ —uÞ w²Ã« uBë jG{ WOMIð vÃ≈ œuFð w¼Ë Audio  
«bg²ÝUÐ WMA U½UOÐ dOHAð sJ1 ÆXꢀuÝËdJOÄ WÂdý q³Á  
ÆUNMÄ ÀbŠ_«Ë ∑ WgWindows Media Player  
ÂUE½ u¼Ë Æwaveform `KDB* —UB²š« w¼ WAV WLK  
ÆWindows® ÂUEMÐ WdUš WOÝUOÁ WOðud UHKÄ  
wIO³D²Ã« ZÄU½d³Kà UF³ð `O×d qJAÐ “UN'« «c¼ qLF¹ ô bÁ  
ÆWMA UHKÄ dOHAð wꢀ Âbg²"*«  
Âbg²"*« Windows Media Player —«bd≈ vÃ≈ «œUM²Ý«  
UÄu³Ã_« ¡ULÝ√ dNEð ô bÁ ¨WMA UHKÄ dOHAð wꢀ  
Æ`O×d qJAÐ Èdš_« ’uBMë U½UOÐË  
WMA UHK* ŸUL²Ýô« ¡bÐ bMŽ nOHÞ dOšQð Àb×¹ bÁ  
Æ—ud U½UO³Ð …dHA*«  
CD-RW/CD-R U½«uDÝô«  
pMJLOꢀ ¨CD-RW/CD-R U½«uDÝ« «bg²Ý« bMŽ  
ÆU¼eON& - w²Ã« U½«uDÝúà jIꢀ ŸUL²Ýô«  
WK−"*« CD-RW/CD-R U½«uDÝô ŸUL²Ýô« sJ1 ô bÁ  
WDÝ«uÐ WK−"*« v²Š Ë√ CD U½«uDÝô« q−"Ä WIOÝuÄ vKŽ  
Ë√ W½«uDÝô« pKð hzUBš V³"Ð pÃ–Ë wBgAë dðuO³LJë  
¨nO¦J²Ã« ¨ŒUÝË_« Ë√ ¨W½«uDÝô« vKŽ ŒUÝË√ Ë√ ‘Ëbš œułuà  
Æ“UN'« «c¼ WÝbŽ vKŽ ¨aë  
wBgAë dðuO³LJë WDÝ«uРU½«uDÝöà ŸUL²Ýô« sJ1 ô bÁ  
sÄ bÂQð ÆW¾O³Ã«Ë WOIO³D²Ã« ZÄ«d³Ã« U¾ONð V³"Ð pÃ–Ë  
‰uB×Kà l½UBÃUÐ ‰UBðôUÐ rÁ® ÆW×O×d WI¹dDÐ qO−"²Ã«  
©ÆwIO³D²Ã« ZÄU½d³Ã«« sŽ qOdUH²Ã« sÄ b¹eÄ vKŽ  
U½«uDÝöà ŸUL²Ýô« qOײ"*« sÄ `³B¹ bÁ  
WAV/WMA/MP3 UHKÄ vë ŸUL²ÝôUÐ “UN'« «c¼ `L"¹  
ÆCD-RW¨CD-R ¨CD-ROM U½«uDÝ« vKŽ WK−"*«  
lÄ UNKO−"ð oꢀ«u²¹ Ícë U½«uDÝúà ŸUL²Ýô« …œUŽ≈ sJ1  
UHKÄ ÂUE½ lÄË ISO9660 ÂUE½ sÄ ≤ Èu²"*«Ë Èu²"*«  
ÆJoliet Ë Romeo  
ÂUE½ qO−"ð lÄ oꢀ«u²ð U½«uDÝô ŸUL²Ýô« …œUŽ≈ sJ1  
Æ…œbF²*« «—Ëbë  
‰u×Ä lÄ WIꢀ«u²Ä WAV/WMA/MP3 UHKÄ ÊuJð ô  
ÆwÄ“dë U½UO³Ã« VðU  
fLAë WFý« vë X{dFð UÄ «–« «–≈ CD-RW/CD-R  
wꢀ s¹eg²Ã« ·ËdEà Ë√ WOÃUFë …—«d(« Uł—œ Ë√ …dýU³*«  
Æ…—UO"ë  
¨nK*« rÝô UN{dŽ sJ1 w²Ã« ·dŠ_« œbFà vBÁ_« b(«  
∂¥ u¼ ©.wav Ë√ .wma ¨.mp3® …bz«eë vKŽ qL²Að w²Ã«Ë  
ƉË_« ·dŠ_« sÄ UꢀdŠ  
u¼ WEꢀU(« rÝô UN{dŽ sJ1 w²Ã« ·dŠ_« œbFà vBÁ_« b(«  
ÆUꢀdŠ ∂¥  
U½«uDÝ« vKŽ WK−"*« Èdš_« ’uBMë UÄuKFÄË s¹ËUMFë  
“UN'« «c¼ ‰ULF²ÝUÐ UN{dŽ r²¹ ô√ sJ1 CD-RW/CD-R  
Æ©(CD-DA) WOðuBë U½UO³Ã« WÃUŠ wꢀ®  
U½«uDÝ« lÄ WIꢀd*« WOÞUO²Šô« UNO³M²Ã« √dÁ√  
sJLOÝ ¨Romeo UHKÄ ÂUEMÃ UIꢀË WK−"*« UHK*« WÃUŠ wꢀ  
ÆjIꢀ rÝô« sÄ UꢀdŠ ∂¥ ‰Ë√ ÷dŽ  
ÆUNÄ«bg²Ý« q³Á CD-RW/CD-R  
Ar  
≥∞  
7/29</0Y5,R12D:054055-A> 71  
YRD5055A_Ara(22-35)  
30  
”dNHë  
WO U{≈ UÄuKFÄ  
tÐ W¹UMFÃ«Ë CD U?½«uDÝô« qGAÄ  
q?GA0 WꢀU)« QD)« qzUÝ— rN  
w?Kš«bë CD U½«uDÝô«  
WÄöŽ qL% w²Ã« CD U½«uDÝô« wŽu½ sÄ U¹√ Âbg²Ý«  
ÆWOðuBë WOLÁdë W−Äb*« U½«uDÝô«  
dO½u¹UÐ W½UOd UÄbš eÂdÄ »dÁ√ Ë√ vK;« pKOÂË WFł«dÄ bMŽ  
.W{ËdF*« QD)« WÃUÝ— sŽ r¼—U³š≈ sÄ bÂQð ¨p¹bà  
ÃöFë  
.W½«uDÝô« nE½  
.W½«uDÝô« ‰b³²Ý«  
.W½«uDÝô« ‰b³²Ý«  
V³7ë  
WÃUÝdë  
Wg"²Ä W½«uDÝô« ERROR-11,12,17,30  
WýËbgÄ W½«uDÝô« ERROR-11,12,17,30  
- w²Ã« W½«uDÝô«  
U½UOÐ vKŽ Íu²% ô UNÃUšœ«  
ERROR-15  
‰UFýô« “UNł …—«œUÐ rÁ  
¨OFFË ON l{uë vKŽ  
5Ð q¹uײÃUÐ rÁ Ë√  
bŽ rŁ ¨WHK²gÄ —œUBÄ  
W½«uDÝô« qGAÄ vë  
ÆCD  
wJO½UJOÄ qDŽ Ë√ ¡UÐdNJë ERROR-10,11,12,15,  
ÆjIꢀ …d¹b²"*« W¹œUFë CD U½«uDÝô« ÈuÝ qLF²"ð ô  
dOžË WLE²MÄ dOž ‰UJý√ «– W−ÄbÄ U½«uDÝ« XKšœ√ «–≈  
qLFð ô Ë√ CD U½«uDÝô« qGAÄ wꢀ qÁdF²ð bIꢀ …d¹b²"Ä  
ÆW×O×d …—uBÐ  
17,30,A0  
.W½«uDÝô« ‰b³²Ý«  
CD W½«uDÝô« WžUOd -  
ERROR-22,23  
NO AUDIO  
UNOë ŸUL²Ýô« sJ1 ô WI¹dDÐ  
.W½«uDÝô« ‰b³²Ý« ô UNÃUšœ« - w²Ã« W½«uDÝô«  
sJ1 UHKÄ Í« vKŽ Íu²%  
UNOë ŸUL²Ýô«  
sŽ U¦×Ð ¨UNOÃ≈ ŸUL²Ýô« q³Á W−Äb*« U½«uDÝô« q h×ꢀ«  
ÆW×O×d dOž …—uBÐ W¹u²K*« U½«uDÝô« Ë√ ‘Ëbš ¨‚uIý  
ô bÁ W¹u²K*« Ë« ‘Ëbš ¨‚uIý UNÐ w²Ã« W−Äb*« U½«uDÝôUꢀ  
pKð q¦Ä «bg²Ý« ÂbŽ V−¹ .W×O×d …—uBÐ qLFð  
Æ U½«uDÝô«  
ÆW½«uDÝô« ‰b³²Ý«  
wꢀ UHK*« lOLł W¹ULŠ -  
UNÃUšœ« - w²Ã« W½«uDÝô«  
DRM WDÝ«uÐ  
UNÃUšœ« - w²Ã« W½«uDÝô«  
WMA UHKÄ vKŽ Íu²%  
DRM WDÝ«uÐ WOL;«Ë  
PROTECT  
SKIPPED  
.W½«uDÝô« ‰b³²Ý«  
WÃËUMÄ bMŽ ©tOKŽ Ÿu³D*« dOGë tłuë® q−"*« `DÝ f* VM&  
ÆW½«uDÝ_«  
ÆUNÄ«bg²Ý« ÂbŽ bMŽ UN³KŽ wꢀ U½«uDÝô« s¹eg²Ð rÁ  
fLAë WFý_ W{dF*« sÂUÄ_« sŽ «bOFРU½«uDÝô« kHŠ«  
ÆWOÃUŽ …—«dŠ Uł—œ vë U½«uDÝô« ÷dFð ôË …dýU³*«  
œ«uÄ Í√ «bg²Ý« Ë√ UNOKŽ WÐU²Jë Ë√ ‚«—Ë√ ‚UBÃ≈ V−¹ ô  
Æ
U½«uDÝô« `DÝ√ vKŽ W¹ËULO  
‘ULÁ WFDÁ WDÝ«uÐ W½«uDÝô« `"Ä« ¨CD W½«uDÝô« nOEM²Ã  
ÆW½«uDÝô« nB²MÄ sÄ Ã—U)« ÁU&UÐ WLŽU½  
≤π  
Ar  
<YRD5055-A> 72  
7/29/05, 12:04  
YRD5055A_Ara(22-35)  
29  
r7Ië  
wzb³*« j³Cë  
∞∏  
UŽUL"ë sÄ WKÄU WŽuL−Ä öOdu²Ð “UN'« j³{ r²¹ ¨UOzb³Ä  
wHK)« Ãd)« qOduð r²¹ UÄbMŽ Æ©R-SP :FUL® WOHK)«  
¨©R-SP :FUL —UO²š« bMŽ® UŽUL"ë sÄ WKÄUJë WŽuL:UÐ  
UŽUL"ë sÄ Èdš√ WKÄU WŽuL−Ä qOduð pMJ1  
©P/O :S/W® WCOH)« «œœd²Ã« —UN−Ä Ë√ ©P/O :FUL®  
ÆwHK)« RCA ÃdgÐ  
WHëuÄ Wł—œ l{Ë —UO²šô 3 Ë√ 2 —eë jG{«  
ÆFM « ·« WłuÄ  
uKO ∞∞ 5Ð q¹uײë vë ÍœROÝ 3 Ë√ 2 —eë vKŽ jGCë  
vKŽ …—U²<« FM WHëu*« dNEð ·uÝË ¨eðd¼ uKO µ∞ Ë eðd¼  
ÆWýUAë  
WEŠöÄ  
ÆR-SP —UO²šô FUNCTION jG{«  
vKŽ R-SP dNEð v²Š —dJ²Ä qJAÐ FUNCTION jG{«  
ÆWýUAë  
WHëuÄ r²¹ ô bÁ ¨eðd¼ uKO µ∞ WHëuÄ Wł—œ sŽ Y׳ë bMŽ  
sŽ Y׳ë «bg²ÝUÐ Ë≈ U¹Ëb¹ UD;« WHëu0 pOKŽ ÆWÁbРUD;«  
ÆÈdš√ …dÄ WHëu*«  
Ãdš W¾ONð 5Ð q¹uײKà Ë√ 5 —eë jG{«  
ÆwHK)«  
WŽuL−Ä® R-SP :FUL 5Ð ‰uײOÝ Ë√ 5 —eë jG{  
«œœd²Ã« —UN−Ä® R-SP :S/W Ë © UŽUL"ë sÄ WKÄU  
ÆWýUAë vKŽ WÃU(« Ác¼ dNEð ·uÝË ©WCOH)«  
AM Â√ t?¹√ W?łuÄ WHëuÄ Wł—œ j³{  
u¹œ«dKà AM Â√ t¹√ WłuÄ wꢀ WÄbg²"*« j³Cë Wł—œ dOOGð sJ1  
bMŽ Æeðd¼ uKO ∞ Ë ¨ UND³{ o³"*« Wł—bë ¨eðd¼ uKO π 5Ð  
bŽ√ ¨WOÐuM'« Ë√ vDÝuë Ë√ WOÃULAë UJ¹dÄ« wꢀ u¹œ«dë «bg²Ý«  
eðd¼ uKO ∂∞≤ - µ≥ ® eðd¼ uKO π 5Ð WHëu*« Wł—œ j³{  
eðd¼ uKO ∂¥∞ - µ≥∞® eðd¼ uKO ∞ vÃ≈ ©UNÐ ÕuL"*«  
Æ©UNÐ ÕuL"*«  
¨wHK)« Ãd)UÐ WCOH)« «œœd²Ã« —UN−Ä qOduð ÂbŽ WÃUŠ wꢀ   
ÆR-SP :FUL —UO²šUÐ rÁ  
—UN−Ä W¾ON²Ð rÁ ¨WCOH)« «œœd²Ã« —UN−Ä qOduð WÃUŠ wꢀ ꢀ  
ÆR-SP :S/W WCOH)« «œœd²Ã«  
pMJ1 sà ¨R-SP :S/W wHK)« Ãd)« W¾ONð ÊuJð UÄbMŽ ꢀ  
ÆwÃU²Ã« ¡«dłù« qOGAð  
ÆAM l{uë —UO²šô FUNCTION jG{«  
vKŽ AM dNEð v²Š —dJ²Ä qJAÐ FUNCTION jG{«  
ÆWýUAë  
—UN−Ä Ãdš 5Ð q¹uײKà 3 Ë√ 2 —eë jG{«  
.wHK)« Ãd)« Ë√ WCOH)« «œœd²Ã«  
P/O :FUL Ë P/O :S/W 5Ð q¹uײKà 3 Ë√ 2 —eë jG{«  
ÆWýUAë vKŽ WÃU(« Ác¼ dNEð ·uÝË  
ÆAM WHëuÄ Wł—œ —UO²šô 3 Ë√ 2 —eë jG{«  
eðd¼ uKO π sÄ AM WHëuÄ Wł—œ q¹uײà 3 Ë√ 2 —eë jG{«  
ÆWýUAë vKŽ AM WHëuÄ Wł—œ dNE²Ý .eðd¼ uKO ∞ vÃ≈  
UEŠöÄ  
rà UÄ Ãdš „UM¼ ÊuJ¹ sà ¨W¾ON²Ã« Ác¼ dOOGð WÃUŠ wꢀ v²Š  
Ãdš «bg²Ý« lł«—® WCOH)« «œœd²Ã« —UN−Ä Ãdš qOGAð r²¹  
Æ©≤¥ W×HBÐ WCOH)« «œœ«d²Ã« —UN−Ä  
—U?N−Ä rEMÄË wHK)« Ãd)« j³{  
«œœd²Ã« —UN−Ä Ãdš œuF¹ ·uÝ ¨W¾ON²Ã« Ác¼ dOOGð WÃUŠ wꢀ  
ÆlMB*« W¾ONð vÃ≈ uBë WLzUIÐ WCOH)«  
WCOH)« «œœd²Ã«  
wHK)« Ãd)«Ë WOHK)« WŽUL"ë® “UN−Kà wHK)« Ãd)« «bg²Ý« sJ1  
UŽUL"ë sÄ WKÄU WŽuL−Ä qOdu²Ã ©RCA  
WCOH)« «œœd²Ã« —UN−Ä öOduð Ë√ ©R-SP :FUL®  
vÃ≈ wHK)« Ãd)« W¾ONð q¹uײРXLÁ «–≈ Æ©R-SP :S/W®  
—UN−0 WOHK)« WŽUL"ë pKÝ qOduð pMJ1 ¨R-SP :S/W  
ud rgCÄ Â«bg²Ýô WłU(« ÊËœ …dýU³Ä WCOH)« «œœd²Ã«  
ÆwꢀU{≈  
Ar  
≤∏  
<YRD5055-A> 73  
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28  
r7Ië  
wzb³*« j³Cë  
∞∏  
w Vždð Ícë ¡e'« —UO²šô 3 Ë√ 2 —eë jG{«  
w?zb³*« j³Cë ŸU{Ë√ j³{  
ÆWŽU7ë ÷dŽ sÄ tD³{  
∫ WŽU"ë ÷dŽ sÄ ¡eł —UO²š« vKŽ qLFOÝ 3 Ë√ 2 —eë jG{  
WIOÁbëWŽU"ë  
ÆiOÄuÃUÐ ¡e'« «c¼ √b³OÝ WŽU"ë ÷dŽ sÄ ¡eł —U²gð UÄbMŽ  
1
ŸU{Ë_« hOBgð pMJ1 ¨WOzb³*« j³Cë UOKLŽ «bg²ÝUÐ  
Æ“UN'« «cNà wł–u/ ¡«œ_ ôudË ÂUEMKà WHK²<«  
.WŽU7ë j³Cà Ë√ 5 —eë jG{«  
WHOþuë ÷dŽ 1  
ÆnzUþuë WÃUŠ 5³¹  
—eë jG{ ÆozUÁbë Ë√ UŽU"ë sÄ b¹eOÝ 5 —eë jG{  
Æ…—U²<« ozUÁbë Ë√ UŽU"ë sÄ iHgOÝ  
r²¹ v²Š jGCë w dL²Ý«Ë SOURCE jG{«  
Æ“UN'« qOGAð ·UI¹≈  
Ë√ q?O?GA²Ã« wF{Ë 5Ð WŽU7ë ÷dŽ q¹u%  
·UI¹ù«  
dNEð v²Š jGCë w dL²Ý«Ë SOURCE jG{«  
ÆWŽU"ë ÷dŽ qOGAð ·UI¹≈Ë qOGAð pMJ1  
ÆWýUAë vKŽ WŽU7ë  
wF{Ë 5Ð WŽU7ë ÷dŽ q¹uײà CLOCK jG{«  
j³Cë ŸU{Ë√ bŠ√ —UO²šô FUNCTION jG{«  
Æ·UI¹ù« Ë√ qOGA²Ã«  
5Ð WŽU"ë ÷dŽ q¹u% vKŽ qLF²Ý CLOCK —eKà WDG{ q  
Æ·UI¹ù« Ë√ qOGA²Ã« wF{Ë  
ÆWOzb³*«  
ŸU{Ë_« 5Ð q¹uײKà —dJ²Ä qJAÐ FUNCTION jG{«  
∫WOÃU²Ã«  
nëuÄ Wł—œ® AM©FM « ·« nëuÄ Wł—œ® FMWŽU"ë  
«œœd²Ã« —UN−0 rJ%Ë wHK)« Ãd)«® R-SP©AM « t¹√  
©WCOH)«  
Æ5FÄ j³{ l{Ë q qOGA²Ã WOÃU²Ã« «œUý—ù« Âbg²Ý«  
ÆBAND jG{« ¨wzb³*« j³Cë l{Ë ¡UGÃù ꢀ  
¡UIÐ≈ o¹dÞ sŽ wzb³*« j³Cë l{Ë ¡UGÃ≈ UC¹√ pMJ1 ꢀ  
Æ“UN'« qOGAð ·UI¹≈ r²¹ v²Š qHÝúà UÞuGCÄ SOURCE  
UOKLŽ ¡«dł≈ bMŽ W²ÁRÄ …—uBÐ WŽU"ë ÷dŽ wH²gꢀ  
ÆWO½UŁ ≤µ bFÐ Èdš√ …dÄ —uNEKà œuF¹Ë ¨Èdš_« qOGA²Ã«  
WEŠöÄ  
.WýUAë vKŽ dNEð WŽU"ë ÊSꢀ ¨—œUB*« WꢀU ‚öž≈ bMŽ v²Š  
5Ð WŽU"ë ÷dŽ q¹u% vKŽ qLF²Ý CLOCK vKŽ jGCë  
Æ·UI¹ù« Ë√ qOGA²Ã« wF{Ë  
FM Â√ ·√ W?łu?Ä WHëuÄ Wł—œ j³{  
WŽU7ë j³{  
.WŽU"ë j³Cà«œUý—ù« Ác¼ Âbg²Ý«  
Y׳ÃUÐ j³Cë WHOþË wꢀ WÄbg²"*« j³Cë Wł—œ dOOGð sJ1  
Ë ¨ UND³{ o³"*« Wł—bë ¨eðd¼uKO ∞∞ 5Ð UÄ FM Â√ ·√ l{uà  
Æeðd¼uKOÂ µ∞  
ÆWŽU7ë l{Ë —UO²šô FUNCTION jG{«  
vKŽ WŽU"ë dNEð v²Š —dJ²Ä qJAÐ FUNCTION jG{«  
ÆWýUAë  
ÆFM l{uë —UO²šô FUNCTION jG{«  
vKŽ FM dNEð v²Š —dJ²Ä qJAÐ FUNCTION jG{«  
ÆWýUAë  
Ar  
<YRD5055-A> 74  
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27  
r7Ië  
uBë j³{  
∞∑  
d?ON'« uBë e¹eFð  
WEŠöÄ  
Èu²"Ä j³{ lÄ AM u¹œ«dë WłuÄ Èu²"Ä j³{ pÃc sJ1  
∞∞ sÄ qÁ_« dON'« Èu²"Ä “eFð dON'« uBë e¹eFð WHOþË  
Â√ uBë ÊU ULK ¨dON'« uBë Èu²"Ä œ«“ ULKÂË Æeðd¼  
lÄ WHOþuë Ác¼ «bg²Ý« bMŽ ÆÂUŽ qJAÐ …uIÃUРuBë eO9Ë UðU³Ł  
ÆlDIë œœdð sŽ "UMë uBë e¹eFð r²¹ WCOH)« «œœd²Ã« —UN−Ä  
Æ—bB*« ud  
ÆBASS —UO²šô AUDIO jG{«  
ÆWýUAë vKŽ BASS dNEð v²Š AUDIO jG{«  
—«dL²Ýô«Ë jGCÃUÐ dON'« uBë e¹eFð l{Ë —UO²š« sJ1 UL ꢀ  
ÆSW vKŽ jGCÃUÐ  
Èu²7*« —UO²šô Ë√ 5 —eë vKŽ jG{«  
.»užd*«  
ÆiHg½≈ Ë√ uBë Èu²"Ä lHð—« ULK WýUAë vKŽ 0 6 dNEð  
—b?B*« U¹u²7Ä j³{  
Èu²"Ä j³CÐ ©—bB*« Èu²"Ä j³{® SLA WHOþuë pà `L"ð  
uBë Èu²"Ä wꢀ W¹—c'« «dOG²Ã« lM* —bBÄ qJàuBë r−Š  
Æ—œUB*« 5Ð dOOG²Ã« bMŽ  
« ·√ YÐ nëuÄ ud Èu²"Ä vKŽ WMO³*« j³Cë ŸU{Ë√  
ÆdOOGð ÊËbÐ vI³¹ ÍcÃ«Ë ¨FM  
FM Â√ ·√ YÐ nëuÄ uꢀ Èu²7Ä Ê—UÁ  
ÆtD³{ w Vždð Ícë —bB*« Èu²7Ä  
ÆSLA —UO²šô AUDIO jG{«  
ÆWýUAë vKŽ SLA dNE¹ v²Š AUDIO jG{«  
.—bB*« uꢀ Èu²7Ä j³Cà Ë√ 5 —eë jG{«  
Èu²"Ä sÄ iHgð Ë√ lꢀdð ·uÝ Ë√ 5 —eë vKŽ WDG{ q Ê≈  
Æ—bB*« ud  
lHð—« ULK WýUAë vKŽ SLA : +4 SLA : 4 dNEð ·uÝ  
ÆiHg½≈ Ë√ uBë Èu²"Ä  
Ar  
≤∂  
<YRD5055-A> 75  
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26  
r7Ië  
uBë j³{  
∞∑  
—UN−Ä Ãdš Èu²7Ä j³Cà Ë√ 5 —eë jG{«  
WOÞUO²Š« UNO³Mð  
.WCOH)« «œœd²Ã«  
Èu²"Ä sÄ qKIð Ë√ b¹eð ·uÝ Ë√ 5 —eë vKŽ WDG{ q Ê≈  
ULK WýUAë vKŽ +6 24 dNEOÝË ÆWCOH)« «œœd²Ã« —UN−Ä  
ÆiHg½≈ Ë√ Èu²"*« œ«“  
rCOÝ WOHK)« UŽUL"ë Ãdš ÊSꢀ ¨F.I.E. WHOþuë ·UI¹≈ bMŽ  
pOKŽ ÆjIꢀ …dON'« «ud_« fOÃË «œœd²Ã« WꢀU «ud√  
…œU¹“ ÍœUH²Ã F.I.E. WHOþuë ·UI¹≈ q³Á uBë Èu²"Ä iOHg²Ð  
ÆTłUHÄ qJAРuBë Èu²"Ä  
ÆFIE —UO²šô AUDIO jG{«  
ÆWýUAë vKŽ FIE dNE¹ v²Š AUDIO jG{«  
l{uë wꢀ WOHK)« WŽUL"ë "U½ ÊuJ¹ UÄbMŽ ꢀ  
ÆF.I.E. WHOþuë —UO²š« pMJ1 ¨R-SP :S/W  
u?BKà WOÃUFë WOIM²Ã« «bj²Ý«  
œœdð Èb0 …œułu*« WHOFCë «udÃËdš lMÄ wꢀ Vždð XM «–≈  
¨WOHK)« Ë√ WOÄUÄ_« UŽUL"ë sÄ WCOH)« «œœd²Ã« —UN−Ä Ãdš  
vÃ≈ jIꢀ lL²"²ÝË Æ© uBKà WOÃUFë WOMI²Ã«® HPF qOGA²Ð rÁ  
sÄ Wł—U)«Ë —U²<« Èb*UÐ …œułu*« pKð sÄ vKŽ_« «œœd²Ã«  
ÆWOHK)« Ë√ WOÄUÄ_« UŽUL"ë  
ÆF.I.E. WHOþuë qOGA²Ã 5 jG{«  
ÆjG{« ¨F.I.E. WHOþuë ·UI¹ù ꢀ  
.»užd*« œœd²Ã« —UO²šô 3 Ë√ 2 —eë jG{«  
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WAV UHKÄ ÊSꢀ ¨WMA Ë MP3 UHKÄ qJý sÄ fJFë vKŽ  
ÆjIꢀ FILE nKÄ Ë FOLDER bK−Ä dNEð  
WMA/ U½«uDÝ« vKŽ WMOFÄ U½UOÐ qO−/ð r²¹ rà «–≈ ꢀ  
błu¹ ô ö¦Ä® WýUAë vKŽ NO XXXX ÷dFë dNEOÝ ¨MP3  
Æ©NO NAME wMG*« rÝ«  
UHKÄ a/½ wꢀ WÄb`²/*« iTunes® «—«b\≈ iF³Ã UI³Þ ꢀ  
vKŽ W×O×\ oOKF²Ã« U½UOÐ dNEð ô bÁ ¨W½«uDÝô« vKŽ MP3  
ÆWýUAë  
dðuO³LJë …eNł_ qÐ√ WÂdAà W¹—U& WÄöŽ w¼ iTunes®  
.Èdš_« ‰ËbÃ«Ë …bײ*« U¹ôuÃUÐ WK−/*«  
Windows Media “ËbM¹uë jzUÝË qGAÄ —«b\ù UI³ÞË ꢀ  
¡ULÝ√ ÊSꢀ ¨WMA UHKÄ dOHAð wꢀ Âb`²/*« Player  
vKŽ W×O×\ dNEð ô bÁ Èdš_« ’uBMë U½UOÐË UÄu³Ã_«  
ÆWýUAë  
Ar  
<YRD5055-A> 80  
7/29/05, 12:02  
YRD5055A_Ara(13-21)  
21  
rꢀIë  
WAV/WMA/MP3 U?HKÄ U½«uDÝ« qGAÄ  
∞∂  
Y?׳ë WI¹dÞ —UO²š«  
U?HK* ŸUL²Ýô« ·UI¹≈  
U²ÁRÄ WAV/WMA/MP3  
lOłd²Ã«Øl¹d/ë .bI²Ã« ŸU{Ë√ 5Ð UÄ Y׳ë WI¹dÞ q¹u% pMJ1  
Æw½Už√ dAŽ qJà Y×³Ã«Ë  
UHK* ŸUL²Ýô« ·UI¹SÐ XÁR*« ·UI¹ù« WHOþË pà `L/ð  
ÆW²ÁRÄ …—uBÐ WAV/WMA/MP3  
ÆFF/REV —UO²šô FUNCTION jG{«  
ÆWýUAë vKŽ FF/REV dNEð v²Š FUNCTION jG{«  
·uÝ ¨q³Á sÄ dO²š« bÁ ROUGH Y׳ë WI¹dÞ X½U «–≈ ꢀ  
ÆWýUAë vKŽ ROUGH WLK dNEð  
ÆPAUSE l{uë —UO²šô FUNCTION jG{«  
ÆWýUAë vKŽ PAUSE dNEð v²Š FUNCTION jG{«  
.XÁR*« ·UI¹ù« WHOþË qOGA²Ã 5 jG{«  
.Y׳ë WI¹dÞ —UO²šô 3 Ë√ 2 jG{«  
WOMž_« vë ŸUL²Ýù« nÁu²¹ .WýUAë vKŽ PAUSE:ON dNEð  
ÆWýUAë vKŽ WÐužd*« Y׳ë WI¹dÞ dNEð v²Š 3 Ë√ 2 jG{«  
ÆU²ÁRÄ WOÃU(«  
l¹d/ë lOłd²Ã«Ø.bI²Ã« FF/REV  
w½Už√ dAŽ qJà Y׳ë ROUGH  
.XÁR*« ·UI¹ù« WHOþË ·UI¹ù jG{«  
vë ŸUL²Ýù« n½Q²/¹Ë .WýUAë vKŽ PAUSE:OFF dNEð  
ÆXÁR*« ·UI¹ù« WDI½ fH½ sÄ WOMž_«  
w?ÃU?(« nK*« vKŽ w½Už√ dAŽ qJà Y׳ë  
pMJLOÝ ¨w½Už√ ∞ sÄ d¦Â√ vKŽ Íu²×¹ wÃU(« bK:« ÊU «–≈  
w½Už√ vKŽ Íu²% WEꢀU(« ÊuJð UÄbMŽ Æw½Už√ dAŽ qJà Y׳ë  
wꢀ Vždð w²Ã« WOMž_« sŽ Y׳ë VFBë sÄ ÊuJOÝ ¨…dO¦Â  
ÆUNOÃ≈ ŸUL²Ýô«  
BMX Ë u?Bë jG{ «bL²Ý«  
WOŽu½ wꢀ rJײÃUÐ BMX Ë UHK*« jG{ nzUþË pà `L/ð  
sÄ ÊU²ÃUŠ WHOþË qJÃË Æ“UN'« «c¼ U¼—bB¹ w²Ã« «u\_«  
bMŽ WCH`M*«Ë WOÃUFë «u\_« 5Ð jGCë WHOþË Ê“«uð Æj³Cë  
«“«e²¼« lML²ꢀ BMX rJ% «Ëœ√ UÄ√ ¨WOÃUFë uBë U¹u²/Ä  
Ác¼ sÄ qJà lL²Ý« Æ ULGMë qÄU Uðu\ “UN'« wDFOàuBë  
5/ײà UNMÄ VÝUM*« Âb`²Ý«Ë UNMOÐ sÄ —UO²šô« bMŽ «dOŁQ²Ã«  
ÆWOÃU(« W½«uDÝô« Ë√ WOMžúà ŸUL²Ýô« Wł—œ  
ÆROUGH l{uë vKŽ Y׳ë WI¹dÞ d²š«  
ÆW×HBë Ác¼ wꢀ …œułu*« Y׳ë WI¹dÞ —UO²š« r/Á lł«—  
—UO²šô 3 Ë√ 2 —eë jG{ w3 dL²Ý«Ë jG{«  
ÆbK:« vKŽ w½Už√ dAŽ qJà Y׳ë l{Ë  
ÊSꢀ ¨w½Už√ ∞ sÄ qÁ√ vKŽ Íu²% WOÃU(« WEꢀU(« X½U «–≈ ꢀ  
vKŽ WOMž√ dš√ wŽb²/OÝ 3 —eë jG{ wꢀ —«dL²Ýù«Ë jG{  
dAŽ qJà Y׳ë bFÐ WOI³²*« w½Už_« œbŽ ÊU «–≈ ¨pÃc ÆWEꢀU(«  
3 —eë jG{ wꢀ —«dL²Ý«Ë jG{ ÊSꢀ ¨ ∞ sÄ qÁ√ w½Už√  
ÆWEꢀU(« vKŽ WOMž√ dš√ wŽb²/OÝ  
ÆCOMP —UO²šô FUNCTION jG{«  
ÆWýUAë vKŽ COMP dNE¹ v²Š FUNCTION jG{«  
.p¹bà qCH*« l{uë —UO²šô Ë√ 5 jG{«  
∫WOÃU²Ã« nzUþuë 5Ð q¹uײKà —dJ²Ä qJAÐ Ë√ 5 jG{«  
COMP 2COMP 1COMP OFF  
BMX 2BMX 1COMP OFF  
Ar  
≤∞  
7/29</0Y5,R12D:052055-A> 81  
YRD5055A_Ara(13-21)  
20  
rꢀIë  
WAV/WMA/MP3 U?HKÄ U½«uDÝ« qGAÄ  
∞∂  
ÆRPT —UO²šô FUNCTION jG{«  
ÆWýUAë vKŽ RPT dNEð v²Š FUNCTION jG{«  
WEŠöÄ  
vÃ≈ …œuFë rŁ RPT :FLD ‰öš wz«uAFë ŸUL²Ýô« qOGAð bMŽ  
.—«dJ²Ã« ÈbÄ —UO²šô 3 Ë√ 2 jG{«  
ÆWýUAë vKŽ FRDM dNE¹ ·uÝ ¨ŸUL²Ýô« WýUý  
ÆWýUAë vKŽ »užd*« —«dJ²Ã« ÈbÄ dNE¹ v²Š 3 Ë√ 2 jG{«  
w½Už_« WꢀUÂ —«dJð RPT :DSC  
WOÃU(« WOMž_« jIꢀ —«dJð RPT :TRK  
wÃU(« bK:« —«dJð RPT :FLD  
w?½Už_«Ë «bK:« `ꢀÄ  
q W¹«b³Ã ŸUL²Ýô« r²OÝ RPT :FLD l{uë ‰ULF²Ý« r²¹ ULMOÐ  
‰ULF²Ý« bMŽ ¨Ê«uŁ ∞ wëuŠ …b* —U²<« bK:« vKŽ WOMž√  
bK−Ä q vKŽ WOMž√ ‰Ë√ W¹«b³Ã ŸUL²Ýô« r²OÝ ¨RPT :DSC  
ÆÊ«uŁ ∞ wëuŠ …b*  
UEŠöÄ  
dOG²OÝ ¨—dJ²*« ŸUL²Ýô« ¡UMŁ√ dš√ bK−Ä —UO²šUÐ XLÁ «–≈  
ÆRPT :DSC l{uë vÃ≈ —dJ²*« ŸUL²Ýô« ÈbÄ  
lOłd²Ã«Ø.bI²Ã« Ë√ WOMž√ sŽ Y׳ë ¡«dłSÐ ÂuIð XM «–≈  
ŸUL²Ýô« ÈbÄ dOG²OÝ ¨RPT :TRK l{uë ¡UMŁ√ l¹d/ë  
ÆRPT :FLD l{uë vÃ≈ —dJ²*«  
bK: ŸUL²Ýô« sJ1 sà RPT :FLD l{uë —UO²š« bMŽ  
ÆbK:« pÖ wꢀ œułu*« sÄ wŽdꢀ  
÷dFà …œuFë rŁ sÄË RPT :FLD l{uë —UO²šUÐ XLÁ «–«  
ÆWýUAë vKŽ FRPT l{uë dNEO/ꢀ ¨ŸUL²Ýô«  
.—«dJ²Ã« ÈbÄ —UO²š«  
ÆWIÐU/ë W×HBÃUÐ —dJ²*« ŸUL²Ýô« lł«—  
ÆSCAN l{uë —UO²šù FUNCTION jG{«  
ÆWýUAë vKŽ SCAN dNE¹ v²Š FUNCTION jG{«  
.`ꢀ*UÐ ŸUL²Ýô« qOGA²Ã 5 jG{«  
WOMž√ q W¹«b³Ã ŸUL²Ýô« r²¹ .WýUAë vKŽ SCAN :ON dNE¹  
wëuŠ …b* ©bK−Ä q vKŽ WOMž√ ‰Ë√ W¹«b³Ã Ë√® wÃU(« bK:« vKŽ  
ÆÊ«uŁ ∞  
w?z«uAŽ VOðd²Ð w½Užúà ŸUL²Ýô«  
jG{« ¨»užd*« ©bK:« Ë√® WOMžô« œU−¹≈ bMŽ  
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.`ꢀ*UÐ ŸUL²Ýô« WHOþË qOGAð ·UI¹ù  
Ë√® WOMžúà ŸUL²Ýô« dL²/¹ .WýUAë vKŽ SCAN :OFF dNE¹  
Æ©bK:«  
SCAN d²š« ¨ŸUL²Ýô« WýUý vÃ≈ UOzUIKð WýUAë XÃu% «–≈ ꢀ  
ÆFUNCTION vKŽ jGCÃUÐ «œb−Ä  
UOMžúà ŸUL²Ýô« …œUŽ≈ WO½UJÄ≈ wz«uAFë ŸUL²Ýô« `L/¹  
Æ—«dJ²Ã« ÈbÄ sL{ wz«uAŽ VOðd²Ð  
RPT :DSC Ë RPT :FLD  
.—«dJ²Ã« ÈbÄ —UO²š«  
ÆWIÐU/ë W×HBÃUÐ —dJ²*« ŸUL²Ýô« lł«—  
ÆRDM —UO²šô FUNCTION jG{«  
UEŠöÄ  
ÆWýUAë vKŽ RDM dNEð v²Š FUNCTION jG{«  
ÍœUFë ŸUL²Ýô« √b³¹ ·uÝ ¨bK−Ä Ë√ WOMž√ `/Ä ¡UN²½« bFÐ  
Æ«œb−Ä w½UžúÃ  
…œuFÃ«Ë RPT :FLD ¡UMŁ√ `/*UÐ ŸUL²Ýô« qOGAð bMŽ  
ÆWýUAë vKŽ FSCN dNE¹ ·uÝ ¨ŸUL²Ýô« WýUAà  
.wz«uAFë ŸUL²Ýô« qOGA²Ã 5 jG{«  
qJAÐ w½Užúà ŸUL²Ýô« r²OÝ ÆWýUAë vKŽ RDM :ON dNEð  
sÄ qJà UI³/Ä Á—UO²š« - Ícë Èb*« ‰öš wz«uAŽ  
ÆRPT :DSC Ë√ RPT :FLD  
.wz«uAFë ŸUL²Ýô« ·UI¹ù jG{«  
¥
w½Užúà ŸUL²Ýô« dL²/OÝ .WýUAë vKŽ RDM :OFF dNEð  
.VOðd²ÃUÐ  
π
Ar  
7/29/05, <12Y:0R2D5055-A> 82  
YRD5055A_Ara(13-21)  
19  
rꢀIë  
WAV/WMA/MP3 U?HKÄ U½«uDÝ« qGAÄ  
∞∂  
r²OÝ Æ UHK*« rÁ— VOðd²Ð ŸUL²Ýô« …œUŽ≈ WOKLŽ cOHMð r²OÝ  
Èu²% rà «–≈® Æ UHKÄ Í√ vKŽ Íu²% w²Ã« UEꢀU(« wD`ð  
WOKLŽ √b³²Ý nKÄ Í√ vKŽ ©ROOT® 01 rÁ— WEꢀU(«  
©Æ02 rÁ— WEꢀU(« sÄ ŸUL²Ýô«  
‰bFÄ® VBR UHKÄ ÂUEMÐ WK−/Ä UHKÄ vÃ≈ ŸUL²Ýô« bMŽ  
«–≈ WIOÁœ …—uBÐ ŸUL²Ýô« XÁË ÷dŽ r²¹ sà ¨©dOG²*« XO³Ã«  
Æl¹d/ë lOłd²Ã«Ø.bI²Ã« WHOþË Â«b`²Ý« -  
sJ1 UHKÄ Í√ vKŽ Íu²% ô WKšb*« W½«uDÝô« X½U «–≈  
vKŽ NO AUDIO —UDšù« dNEOÝ ¨UNOÃ≈ ŸUL²Ýô«  
ÆWýUAë  
WOL×Ä WMA UHKÄ vKŽ Íu²% WKšb*« W½«uDÝô« X½U «–≈  
÷dŽ r²OÝ ¨©DRM® WOLÁdë dAMë ‚uIŠ W¹ULŠ …—«œ≈ ÂUEMÐ  
wL;« nK*« wD`ð r²¹ ULMOÐ W{—UFë vKŽ SKIPPED  
ÆÁdA½ ‚uIŠ  
vKŽ Íu²% WKšb*« W½«uDÝô« wꢀ …œułu*« UHK*« q X½U «–≈  
PROTECT ÷dŽ r²OÝ ¨DRM ÂUEMÐ WOL×Ä UHKÄ  
ÆW{—UFë vKŽ  
Æl¹d/ë lOłd²Ã«Ø.bI²Ã« wF{Ë wꢀ u\ Í√ —bB¹ sà  
lł—√ ¨WýUAë vKŽ ERROR-11 ö¦Ä QDš WÃUÝ— dNþ «–≈  
CD U½«uDÝô« qGA0 W\U)« QD)« qzUÝ— rNꢀ r/Á vÃ≈  
Æ≤π W×H\ wꢀ wKš«bë  
·uÝ ¨WAV/WMA/MP3 UHKÄ UNÐ W½«uDÝ« l{Ë bMŽ  
Æ—U/Oë vÃ≈ UOzUIKð „dײë wꢀ nK*« rÝ«Ë bK:« rÝ« √b³¹  
q?GA* ÂbI²*« qOGA²Ã« ‰uŠ WÄbIÄ  
U?HK* wKš«bë CD U½«uDÝô«  
©WAV/WMA/MP3®  
1 2  
nzUþuë WýUý 1  
ÆWHOþuë WÃUŠ 5³¹  
RPT dýR*« 2  
.©nK*«® WOÃU(« WOMžöà —«dJ²Ã« ‚UD½ —UO²š« dNE¹  
.nzUþuë ¡ULÝ√ ÷dFà FUNCTION jG{« ꢁ  
nzUþuë 5Ð q¹uײKà —dJ²Ä qJAÐ FUNCTION jG{«  
∫WOÃU²Ã«  
©wz«uAŽ ŸUL²Ý«® RDM©—dJ²Ä ŸUL²Ý«® RPT  
©XÁRÄ ·UI¹≈® PAUSE©w×/Ä ŸUL²Ý«® SCAN  
©Y׳ë WI¹dÞ® FF/REV©BMX Ë UHKÄ jG{® COMP  
ÆŸUL²Ýô« WýUý vÃ≈ …œuFKà BAND jG{« ꢀ  
WEŠöÄ  
UOzUIKð WýUAë ‰uײ²Ý ¨WO½UŁ ≥∞ ‰öš WHOþuë qOGAð r²¹ rà «–≈  
ÆŸUL²Ýô« WýUý vÃ≈  
—dJ²*« ŸUL²Ýô«  
„UM¼ ¨WAV/WMA/MP3 UHK* ŸUL²Ýô« …œUŽ≈ l{uà W³/MÃUÐ  
¨©bK:« —«dJð® RPT :FLD ∫—dJ²*« ŸUL²ÝöàUÁUD½ ÀöŁ  
—«dJð® RPT :DSC Ë ©…bŠ«Ë WOMž_ —«dJð®RPT :TRK  
.©w½Už_« WꢀUÂ  
Ar  
7/29</0Y5,R12D:052055-A> 83  
YRD5055A_Ara(13-21)  
18  
rꢀIë  
WAV/WMA/MP3 U?HKÄ U½«uDÝ« qGAÄ  
∞∂  
wꢀ dL²Ý«Ë jG{« ¨©ROOT® 01 rÁ— WEꢀU(« vÃ≈ …œuFKàꢀ  
01 rÁ— WEꢀU(« X½U «–≈ pÖ sÄ rždë vKŽË ÆBAND jG{  
…œUŽ≈ WOKLŽ √b³²Ý ¨UNOꢀ UHKÄ Í√ vKŽ Íu²% ô ©ROOT®  
. 02 rÁ— WEꢀU(« sÄ ŸUL²Ýô«  
WAV/WMA/MP3 U?HK* ŸUL²Ýô«  
jG{« ¨l¹dꢀë lOłd²Ã«Ø.bI²Ã« WOKLŽ ¡«dłù  
¥
Æ3 Ë√ 2 —eë vKŽ jGCë w3 dL²Ý«Ë  
—«dL²Ýù«Ë jG{ pà `L/OÝ ¨ROUGH l{uë d²š« «–≈ ꢀ  
WEꢀU(« wꢀ w½Už√ ∞ qJà Y׳ÃUÐ 3 Ë√ 2 —eë jG{ wꢀ  
Æ©≤∞ W×HBÐ Y׳ë WI¹dÞ —UO²š« r/Á vÃ≈ lł—«® ÆWOÃU(«  
1 2 3  
4
5
UHKÄ qOGA²Ã W¹—Ëd{ WOÝUÝ√ «uDš „UM¼  
œułu*« wKš«bë CD U½«uDÝô« qGA0 WAV/WMA/MP3  
UHK* ÂbI²*« qOGA²Kà UŠdý WOÃU²Ã« W×HBë sLC²ðË Æp¹bà  
ÆWAV/WMA/MP3  
WOMž√ vÃ≈ .bI²Ã« Ë√ ŸułdÃUÐ ¡«uÝ WOMž√ wDL²Ã  
µ
Æ3 Ë√ 2 —eë jG{√ ¨Èdš√  
ÆWOÃU²Ã« WOMž_« vÃ≈ wD`²Ã« vKŽ qLFOÝ 3 —eë jG{  
WOMž_« W¹«b³Ã wD`²Ã« vKŽ qLFOÝ …bŠ«Ë …dÄ 2 —eë jG{  
WOMž_« vÃ≈ wD`²Ã« vKŽ qLFOÝ Èdš√ …dÄ tDG{ ÆWOÃU(«  
ÆWIÐU/ë  
bK:« rÁ— dýRÄ 1  
ÆUOÃUŠ UNOÃ≈ ŸUL²Ýô« r²¹ w²Ã« bK:« rÁ— 5³¹  
MP3 dýR*« 2  
.MP3 nKÄ vë ŸUL²Ýù« r²¹ v²Ä 5³¹  
WMA dýR*« 3  
.WMA nKÄ vë ŸUL²Ýù« r²¹ v²Ä 5³¹  
UEŠöÄ  
UHKÄ vKŽ Íu²% U½«uDÝ« vë ŸUL²Ýô« bMŽ  
q¦Ä ©CD-DA® WOðu\ U½UOÐË WAV/WMA/MP3  
¨MIXED-MODE U½«uDÝ«Ë CD-EXTRA U½«uDÝ«  
wF{Ë 5Ð q¹uײÃUРU½«uDÝô« wŽu½ öJà ŸUL²Ýô« sJLOÝ  
WDÝ«uÐ jIꢀ CD-DA U½«uDÝ«Ë WAV/WMA/MP3  
ÆBAND  
ŸUL²Ýô« XÁË dýRÄ 4  
ÆwÃU(« ©nK*«® WOMž_« sÄ“ sÄ wCIM*« XÁuë 5³¹  
WOMž_« rÁ— dýRÄ 5  
ÆUOÃUŠ UNKOGAð r²¹ Ícë ©nK*«® WOMž_« 5³¹  
·uÝ 3 ¨ ππ Ë ∞∞ 5Ð ÕË«d²¹ rÁ— —UO²š« WÃUŠ wꢀ  
Æ—U/Oë vKŽ WOMž_« rÁ— dýRÄ ¡wC¹  
dýRÄ iÄu¹ ·uÝ 3∫d¦Â√ Ë√ ≤∞∞ rÁ— —UO²š« WÃUŠ wꢀ  
Æ—U/Oë vKŽ WOMž_« rÁ—  
WAV/ UHK* ŸUL²Ýô« 5Ð UÄ q¹uײÃUÐ XLÁ bÁ XM «–≈  
WOKLŽ √b³²Ý ¨©CD-DA® WOðu\ U½UOÐË WMA/MP3  
ÆW½«uDÝô« vKŽ vÃË_« WOMž_« sÄ ŸUL²Ýô« …œUŽ≈  
vÃ≈ wKš«bë CD W½«uDÝô« qGAÄ WDÝ«uÐ ŸUL²Ýô« sJ1  
W½«uDÝ« vKŽ WK−/Ä WAV/WMA/MP3 UHKÄ  
UHK*« Ÿ«u½√ vKŽ ·dF²Kà ≥∞ W×H\ vÃ≈ lł—≈® ÆCD-ROM  
©ÆUNOÃ≈ ŸUL²Ýô« sJ1 w²Ã«  
qOL% Wײ3 w3 CD-ROM W½«uDÝ« qšœ«  
ÆCD W½«uDÝô«  
ÆUOzUIKð ŸUL²Ýô« √b³OÝ  
SOURCE jG{« ¨CD-ROM W½«uDÝô« ‰Ušœ≈ bFРꢀ  
ÆwKš«bë CD U½«uDÝ_« qGAÄ l{Ë —UO²šô  
Wײꢀ vÃ≈ CD W½«uDÝô« dOž dš√ Tý Í√ ‰Ušœ≈ ÂbŽ V−¹  
ÆCD U½«uDÝô« qOL%  
ÆEJECT jGCÐ CD-ROM W½«uDÝô« ëdš≈ pMJ1 ꢀ  
…œUŽ≈ ¡bÐ wꢀ dOšQð UNOꢀ Àb×¹ Ícë UÁË_« iFÐ „UM¼  
¨UNð¡«dÁ r²¹ UÄbMŽ Æ uBë —Ëb\Ë CD W½«uDÝúà ŸUL²Ýô«  
ÆWýUAë vKŽ FRMTREAD ÷dFë dNEOÝ  
UNÃUšœ≈ - Ë√ qÄU qJAÐ W½«uDÝ« ‰Ušœ≈ sÄ sJL²ð rà «–≈  
ÆvKŽúà t−²Ä WÁUD³Ã« tOKŽ œułu*« V½U'« sÄ bÂQð ¨qLFð rÃË  
Í√ sŽ U¦×Ð UNB×ꢀ«Ë W½«uDÝô« ëdšù EJECT jG{«  
Æ«œb−Ä UNKšœ« rŁ UNÐ —d{  
Æ uBë Èu²ꢀÄ j³Cà VOLUME ÂbL²Ý«  
Æ uBë Èu²/Ä iHš Ë√ lꢀdà —eë —œ√  
ÆbK−Ä —UO²šô Ë√ 5 —eë jG{«  
ÂUEMÐ q−/Ä nKÄ vKŽ Íu²% ô WEꢀUŠ —UO²š« pMJ1 sàꢀ  
ÆUNOꢀ WAV/WMA/MP3  
Ar  
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17  
rꢀIë  
wKš«bë CD W?½«uDÝô« qGAÄ  
∞µ  
v?KŽ …œułu*« ’uBMë UÄuKFÄ ÷dŽ  
CD TEXT W?½«uDÝô« ’uB½ ’«dÁ√  
W?½«uDÝô« vKŽ w½Už√ dAŽ qJà Y׳ë  
WOÃU(«  
ÆDISPLAY jG{≈ ꢁ  
j³Cë ŸU{Ë√ 5Ð ‰uײKà …—dJ²Ä …—uBÐ DISPLAY jG{≈  
∫WOÃU²Ã«  
pMJLOÝ ¨w½Už√ ∞ sÄ d¦Â√ vKŽ Íu²% W½«uDÝô« X½U «–≈  
w½Už√ vKŽ Íu²% W½«uDÝô« ÊuJð UÄbMŽ ¨w½Už√ dAŽ qJà Y׳ë  
ŸUL²Ýô« wꢀ Vždð w²Ã« WOMž_« sŽ Y׳ë WOKLŽ ÊuJ²/ꢀ ¨…dO¦Â  
Æw³¹dIð qJAÐ UNOÃ≈  
DISC©W½«uDÝô« Ê«uMŽ® DISC TTLŸUL²Ýô« XÁË  
©WOMžô« rÝ«® TRK TTL©W½«uDÝô« wMGÄ rÝ«® ART  
Æ©WOMž_« wMGÄ rÝ«® TRK ART  
ÆROUGH Y׳ë WI¹dÞ d²š«  
W×HBë Ác¼ wꢀ œułu*« Y׳ë WI¹dÞ —UO²š« r/Á vÃ≈ lł—«  
ÆWIÐU/ë  
vKŽ W¹u²;« W½«uDÝô« vKŽ WMOFÄ U½UOÐ qO−/ð r²¹ rà «–≈ ꢀ  
÷dFë dNEOÝ ¨CD TEXT ’uB½  
W½«uDÝ« Ê«uMŽ błu¹ ô ö¦Ä® WýUAë vKŽ NO XXXX  
Æ©NO T-TTL  
—UO²šô 3 Ë√ 2 —eë jG{ w3 dL²Ý«Ë jG{«  
ÆW½«uDÝ« vKŽ w½Už√ dAŽ qJà Y׳ë l{Ë  
ÊSꢀ ¨w½Už√ ∞ sÄ qÁ√ vKŽ Íu²% W½«uDÝô« X½U «–≈ ꢀ  
vKŽ WOMž√ dš√ wŽb²/OÝ 3 —eë jG{ wꢀ —«dL²Ýù«Ë jGCë  
qJà Y׳ë bFÐ WOI³²*« w½Už_« œbŽ ÊU «–≈ ¨pÃc ÆW½«uDÝô«  
3 —eë jG{ wꢀ —«dL²Ýù«Ë jG{ ÊSꢀ ¨ ∞ sÄ qÁ√ w½Už√ dAŽ  
ÆW½«uDÝ_« vKŽ WOMž√ dš√ wŽb²/¹  
ÊSꢀ ¨w½Už√ ∞ sÄ qÁ√ vKŽ Íu²% W½«uDÝô« X½U «–≈ ꢀ  
vKŽ WOMž√ ‰Ë√ vŽb²/OÝ 2 —eë jG{ wꢀ —«dL²Ýù«Ë jGCë  
qJà Y׳ë bFÐ WOI³²*« w½Už_« œbŽ ÊU «–≈ ¨pÃc ÆW½«uDÝ_«  
2 —eë jG{ wꢀ —«dL²Ýù«Ë jGCë ÊSꢀ ¨ ∞ sÄ qÁ√ w½Už√ dAŽ  
ÆW½«uDÝ_« vKŽ WOMž√ ‰Ë√ wŽb²/OÝ  
v?KŽ ’uBMë UÄuKF* wD)« p¹dײë  
WýUAë  
DISC sÄ jIꢀ vÃË_« WO½UL¦Ã« ·Ëd(« ÷dŽ “UN'« «cNà sJ1  
ÆTRK ART Ë TRK TTL ¨DISC ART ¨TTL  
p¹d% pMJ1 ¨·ËdŠ WO½ULŁ sÄ d¦Â√ WK−/*« U½UO³Ã« X½U «–≈  
Æ·Ëd(« WOIÐ W¹ƒdà —U/Oë vÃ≈ hMë  
√b³¹ v²Š jGCë w3 dL²Ý«Ë DISPLAY jG{« ꢁ  
.«—Uꢀ¹ „dײë w3 Ê«uMFë  
ÆWýUAë vKŽ Ê«uMFë WOIÐ dNEð ·uÝ  
W?½«uDÝô« ’uB½ nzUþË Â«bL²Ý«  
CD TEXT  
U½«uDÝô« vKŽ XK−Ý WMOFÄ UÄuKFÄ UNàU½«uDÝô« iFÐ  
q¦Ä UÄuKFÄ vKŽ U½«uDÝô« pKð Íu²% bÁ ÆUN²ŽUM\ ¡UMŁ√  
…œUŽ≈ XÁËË wMG*« rÝ« ¨w½Už_« s¹ËUMŽ ¨CD U½«uDÝô« s¹ËUMŽ  
CD ’uB½ vKŽ W¹u²×Ä W−ÄbÄ U½«uDÝ« wŽbð w¼Ë ŸUL²Ýô«  
W\Uš …dHý vKŽ W¹u²×Ä hš_UРU½«uDÝô« Ác¼ ÊuJð ÆTEXT  
w²Ã« w¼ CD TEXT ’uB½ vKŽ W¹u²;« W−Äb*« U½«uDÝôUÐ  
ÆjIꢀ ÁU½œ√ …—uÂc*« nzUþuÃUÐ qLFð  
Ar  
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16  
rꢀIë  
wKš«bë CD W?½«uDÝô« qGAÄ  
∞µ  
.p¹bà qCH*« l{uë —UO²šô Ë√ 5 jG{«  
·UI¹ù jG{« ¨WÐužd*« WOMž_« b& UÄbMŽ  
∫WOÃU²Ã« ŸU{Ë_« 5Ð q¹uײKà —dJ²Ä qJAÐ Ë√ 5 jG{«  
COMP 2COMP 1COMP OFF  
BMX 2BMX 1COMP OFF  
.`ꢀ*UÐ ŸUL²Ýô« WHOþË  
vÃ≈ ŸUL²Ýô« dL²/¹Ë ÆWýUAë vKŽ SCAN :OFF dNE¹  
ÆWOMž_«  
rÁ ¨ŸUL²Ýô« …œUŽ≈ WýUý vÃ≈ UOzUIKð WýUAë œUŽ «–≈ ꢀ  
ÆFUNCTION vKŽ jGCÃUÐ «œb−Ä SCAN —UO²šUÐ  
Y?׳ë WI¹dÞ —UO²š«  
WEŠöÄ  
Y×³Ã«Ë lOłd²Ã«Øl¹d/ë .bI²Ã« ŸU{Ë√ 5Ð UÄ Y׳ë q¹u% pMJ1  
Æw½Už√ dAŽ qJÃ  
w½Užúà ͜UFë ŸUL²Ýô« √b³OÝ ¨CD W½«uDÝô« `/Ä ¡UN²½« bFÐ  
Æ«œb−Ä  
ÆFF/REV —UO²šô FUNCTION jG{«  
ÆWýUAë vKŽ FF/REV dNE¹ v²Š FUNCTION jG{«  
¨q³Á sÄ dO²š« bÁ ROUGH Y׳ë WI¹dÞ X½U «–≈ ꢀ  
ÆWýUAë vKŽ ROUGH WLK dNE²Ý  
CD W?½«uDÝ_ ŸUL²Ýöà XÁR*« ·UI¹ù«  
…—uBÐ CD W½«uDÝô ŸUL²Ýô« ·UI¹SÐ WHOþuë Ác¼ pà `L/ð  
.Y׳ë WI¹dÞ —UO²šô 3 Ë√ 2 jG{«  
ÆW²ÁRÄ  
ÆWýUAë vKŽ Y׳ë WI¹dÞ dNEð v²Š 3 Ë√ 2 jG{«  
ÆPAUSE —UO²šô FUNCTION jG{«  
ÆWýUAë vKŽ PAUSE dNE¹ v²Š FUNCTION jG{«  
l¹d/ë lOłd²Ã«Ø.bI²Ã« FF/REV  
w½Už√ dAŽ qJà Y׳ë ROUGH  
ÆXÁR*« ·UI¹ù« WHOþË qOGA²Ã 5 jG{«  
Ícë wÃU(« —U/LKà ŸUL²Ýô« .WýUAë vKŽ PAUSE:ON dNEð  
ÆU²ÁRÄ tꢀUI¹« -  
ÆXÁR*« ·UI¹ù« WHOþË ·UI¹ù jG{«  
vë ŸUL²Ýô« n½Q²/OÝ .WýUAë vKŽ PAUSE:OFF dNEð  
.U¼bMŽ XÁR*« ·UI¹ô« qOGA²Ð XLÁ w²Ã« WDIMë fH½  
BMX Ë u?Bë jG{ «bL²Ý«  
u\ WOŽu½ j³{ WO½UJÄ≈ BMX Ë UHK*« jG{ WHOþË pà `O²ð  
Æ5ðuDš vKŽ WHOþË q j³{ r²¹ Æ«c¼ «u\_« qGA0 w½Už_«  
bMŽ WCH`M*«Ë WOÃUFë «u\_« WÃœUFÄ WHOþuë Ác¼ ‰öš sÄ r²¹Ë  
«“«e²¼« wꢀ rJײÃUРBMX ÂuI¹Ë ÆWOÃUFë uBë U¹u²/Ä  
Ác¼ sÄ qJà lL²Ý« ÆWLGMë qÄU uBà ŸUL²Ýöà«u\_«  
e¹eF²Ã WLzöÄ qCꢀ_« d²š«Ë UNMOÐ sÄ —UO²šô« bMŽ «dOŁQ²Ã«  
ÆUNOÃ≈ lL²/ð w²Ã« W½«uDÝô« Ë√ WOMžúà ŸUL²Ýô«  
ÆCOMP —UO²šô FUNCTION jG{«  
ÆWýUAë vKŽ COMP dNE¹ v²Š FUNCTION jG{«  
µ
Ar  
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15  
rꢀIë  
wKš«bë CD W?½«uDÝô« qGAÄ  
∞µ  
q?GA* ÂbI²*« qOGA²Ã« ‰uŠ WÄbIÄ  
WEŠöÄ  
w?Kš«bë CD U½«uDÝô«  
l¹d/ë lOłd²Ã«Ø.bI²Ã« «b`²Ý« Ë√ WOMž√ sŽ Y׳ÃUÐ ÂUOIë bMŽ  
vë —dJ²*« ŸUL²Ýô« ‚UD½ dOG²OÝ ¨RPT :TRK ¡UMŁ√  
ÆRPT :DSC  
1 2  
w?z«uAŽ VOðd²Ð w½Užúà ŸUL²Ýô«  
W½«uDÝô« w½Už_ ŸUL²Ýô« wz«uAFë ŸUL²Ýô« WHOþË pà `L/ð  
WHOþuë WýUý 1  
.WHOþuë WÃUŠ dNEð  
ÆUOz«uAŽ CD  
ÆRDM —UO²šô FUNCTION jG{«  
ÆWýUAë vKŽ RDM dNEð v²Š FUNCTION jG{«  
RPT dýR*« 2  
Æ…œUŽù« WHOþË qOGAð r²¹ UÄbMŽ dNE¹  
.wz«uAFë ŸUL²Ýô« WHOþË qOGA²Ã 5 jG{«  
.nzUþuë ¡ULÝ√ ÷dFà FUNCTION jG{« ꢁ  
nzUþuë 5Ð q¹uײKà —dJ²Ä qJAÐ FUNCTION jG{«  
∫WOÃU²Ã«  
qLFë wꢀ W½«uDÝô« dL²/²ÝË .WýUAë vKŽ RDM :ON dNEð  
.UOz«uAŽ  
©wz«uAFë ŸUL²Ýô«® RDM©ŸUL²Ýô« …œUŽ≈® RPT  
©XÁRÄ ·UI¹≈® PAUSE©ŸUL²Ýô« `/Ä® SCAN  
©Y׳ë WI¹dÞ® FF/REV©BMX Ë jGCë® COMP  
ÆBAND jG{« ¨ŸUL²Ýù« WýUý vë …œuFKàꢀ  
.wz«uAFë ŸUL²Ýô« WHOþË ·UI¹ù jG{«  
qLFë wꢀ W½«uDÝô« dL²/ðË ÆWýUAë vKŽ RDM :OFF dNEð  
ÆVOðd²ÃUÐ  
WEŠöÄ  
CD W?½«uDÝô« w½Už√ `ꢀÄ  
œuF²Ý WýUAë ÊSꢀ ¨WO½UŁ ≥∞ ‰öš WHOþuë qOGA²Ð rIð rà «–≈  
ÆŸUL²Ýô« …œUŽ≈ WýUý vÃ≈ UOzUIKð  
q sÄ Ê«uŁ ∞ ‰Ë_ ŸUL²ÝôUÐ `/*UÐ ŸUL²Ýô« WHOþË `L/ð  
ÆCD W½«uDÝô« vKŽ …œułuÄ WOMž√  
ÆSCAN —UO²šô FUNCTION jG{«  
ÆWýUAë vKŽ SCAN dNEð v²Š FUNCTION jG{«  
—dJ²*« ŸUL²Ýô«  
.`ꢀ*UÐ ŸUL²Ýô« WHOþË qOGA²Ã 5 jG{«  
Ë√ WOMž_« fH½ ŸULÝ WO½UJÄ≈ —dJ²*« ŸUL²Ýô« WHOþË pà `L/ð  
w½«uŁ dAŽ ‰Ë_ ŸUL²Ýô« r²¹ ÆWýUAë vKŽ SCAN :ON dNE¹  
Æ…—dJ²Ä …—uBÐ W½«uDÝô«  
ÆWOMž√ q sÄ  
ÆRPT —UO²šô FUNCTION jG{«  
ÆWýUAë vKŽ RPT dNEð v²Š FUNCTION jG{«  
.—«dJ²Ã« ÈbÄ —UO²šô 3 Ë√ 2 jG{«  
Æ…—U²<« W¾ON²Ã« vÃ≈ pK¹uײà «c¼  
WOÃU(« W½«uDÝô« —dÂRPT :DSC  
jIꢀ WOÃU(« WOMž_« —dÂRPT :TRK  
Ar  
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14  
rꢀIë  
wKš«bë CD W?½«uDÝô« qGAÄ  
∞µ  
CD W?½«uDÝô ŸUL²Ýô«  
UEŠöÄ  
vÃ≈ wKš«bë CD U½«uDÝô« qGAÄ WDÝ«uÐ ŸUL²Ýô« r²¹  
wꢀ rÝ ∏ Ë√ rÝ ≤ r−Š ©…œdHÄ® …bŠ«Ë WOÝUOÁ U½«uDÝ«  
W½«uDÝ« vÃ≈ ŸUL²Ýô« bMŽ QONÄ Â«b`²Ý« ÂbŽ V−¹ Æ…dÄ q  
ÆrÝ ∏ r−Š CD  
1
2
Wײꢀ vÃ≈ CD U½«uDÝô« dOž dš√ Tý Í√ ‰Ušœ≈ ÂbŽ V−¹  
ÆCD U½«uDÝô« qOL%  
qGA0 CD W½«uDÝ« qOGA²Ã W¹—Ëd{ WOÝUÝ√ «uDš „UM¼  
«b¹eÄ WOÃU²Ã« U×HBë sLC²²ÝË ¨p¹bà wKš«bë CD U½«uDÝô«  
ÆCD W½«uDÝöà ÂbI²*« qOGA²Kà `O{u²Ã« sÄ  
qLFð rà «–≈ Ë√ ¨qÄU qJAÐ W½«uDÝô« ‰Ušœ≈ lD²/ð rà «–≈  
ÁU&UÐ WÁUDÐ qL×¹ Ícë tłuë Ê√ bÂQð ¨UNÃUšœ≈ bFÐ W½«uDÝô«  
UÄ Y×Ð«Ë ¨W½«uDÝ_« ëdšù EJECT —eë jG{« .vKŽ_«  
Æ«œb−Ä UNÃUšœ≈ q³Á UNÐ —d{ „UM¼ ÊU «–≈  
qzUÝ— rNꢀ lł«— ¨ERROR-11 q¦Ä QDš WÃUÝ— dNþ «–≈  
Æ≤π W×HBРwKš«bë CD U½«uDÝô« qGA0 W\U)« QD)«  
W½«uDÝô« s¹ËUMŽ √b³ð ¨CD TEXT W½«uDÝ« ‰Ušœ≈ bMŽ  
ÆUOzUIKð d/¹_« V½U'« vKŽ —uNEë wꢀ WOMž_«Ë  
ŸUL²Ýô« XÁË dýRÄ 1  
ÆWOÃU(« WOMžúà ŸUL²Ýô« wꢀ wCIM*« XÁuë 5³¹  
WOMž_« rÁ— dýRÄ 2  
ÆUOÃUŠ UNOÃ≈ ŸUL²Ýô« r²¹ w²Ã« WOMžô« 5³¹  
U½«uDÝô« qOL% Wײ3 w3 CD W½«uDÝ« qšœ«  
ÆCD  
.UOzUIKð ŸUL²Ýô« √b³OÝ  
—UO²šô SOURCE —eë jG{« ¨CD W½«uDÝ« ‰Ušœ« bFРꢀ  
ÆwKš«bë CD W½«uDÝô« qGAÄ l{Ë  
ÆEJECT —eë jGCÐ CD W½«uDÝô« ëdš≈ pMJ1 ꢀ  
. uBë Èu²ꢀÄ j³Cà VOLUME —eë ÂbL²Ý«  
Æ uBë Èu²/Ä iHš Ë√ lꢀdà —eë —œ√  
jG{« ¨lOłd²Ã« Ë√ l¹dꢀë .bI²Ã« WOKLŽ ¡«dłù  
Æ3 Ë√ 2 —eë  
wꢀ —«dL²Ýô«Ë jGCë ÊSꢀ ¨ROUGH l{uë d²š« «–≈ ꢀ  
wꢀ w½Už√ ∞ qJà Y׳ÃUÐ pà `L/OÝ 3 Ë√ 2 —eë jG{  
W×H\ wꢀ Y׳ë WI¹dÞ —UO²š« r/Á vÃ≈ lł—«® ÆWOÃU(« W½«uDÝô«  
Æ© µ  
¨Èdš√ WOMž√ vÃ≈ ÂUÄ_« Ë√ nK)« vÃ≈ wDL²Kà  
¥
Æ3 Ë√ 2 —eë jG{√  
—eë jG{ .WOÃU²Ã« WOMž_« vÃ≈ wD`²Ã« vKŽ qLFOÝ 3 —eë jG{  
jGCë ÆWOÃU(« WOMž_« W¹«b³Ã wD`²Ã« vKŽ qLFOÝ …bŠ«Ë …dÄ 2  
ÆWIÐU/ë WOMž_« vÃ≈ wD`²Ã« vKŽ qLFOÝ Èdš√ …dÄ  
Ar  
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13  
rꢀIë  
nëu*«  
∞¥  
ULMOÐ ¨jIꢁ W¹uIë UD;« ‰U³I²ÝUÐ LOCAL 4 l{uë `Lꢀ¹  
ÆnF{_« UD;« ‰U³I²ÝUÐ qÁ_« ŸU{Ë_« pà `Lꢀð  
¨ÍœUFë Y׳ë WHëuÄ vÃ≈ …œuFë œ—√ «–≈  
¥
ÆwK;« Y׳ë WHëuÄ qOGAð ·UI¹ù jG{«  
.WýUAë vKŽ LOCAL :OFF dNEð  
W?¹uIë WOŽ«–ù« «œœd²Ã« s¹e2ð  
W²Ý ÈuÁ_ wzUIK²Ã« s¹e1²ÃUÐ BSM W¹uIë UD;« …d«– pà `O²ð  
¨s¹e1²Ã« sÄ ¡UN²½ù« bMŽË Æ1–6 WI³ꢀ*« WHëu*« —«—“QР«œœdð  
Æ—eë vKŽ …bŠ«Ë WꢀLKР«œœd²Ã« pKð vÃ≈ ‰uײë sJ1  
ÆBSM —UO²šô FUNCTION jG{«  
ÆWýUAë vKŽ BSM dNEð v²Š FUNCTION jG{«  
ÆBSM qOGA²Ã 5 jG{«  
s¹e1ð r²¹ BSM iOÄË ¡UMŁ√Ë ÆiOÄuë wꢁ BSM …d«cë √b³ð  
…uÁ VꢀŠ VOðd²ÃUÐ 1–6 WI³ꢀ*« WHëu*« —«—“QР«œœdð W²Ý ÈuÁ√  
ÆBSM iOÄË nÁu²¹ ¨¡UN²½ù« bMŽË ÆY³Ã«  
Æ—eë jG{« ¨s¹e1²Ã« WOKLŽ ¡UGÃô   
WEŠöÄ  
«œœd²Ã« q×Ä q% bÁ BSM lÄ W¹uIë WOŽ«–ù« «œœd²Ã« Ê≈  
Æ1–6 —«—“_« «b1²ÝUÐ UNM¹e1²Ð XLÁ w²Ã« WOŽ«–ù«  
Ar  
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YRD5055A_Ara(2-12)  
12  
rꢀIë  
nëu*«  
∞¥  
∞µ ∞¥  
Âb?I²*« qOGA²Ã« WOKLŽ ‰uŠ WÄbIÄ  
u¹œ«dKà  
UEŠöÄ  
qJà UD×Ä ∂ ¨FM « ·« WD×Ä ∏ v²ŠË s¹e1ð pMJ1  
« t¹√ UD×Ä ∂ Ë Àö¦Ã« FM « ·« UD×Ä sÄ WD×Ä  
Æ…d«cë wꢁ AM  
UÐcЖ ¡UŽb²Ýô Ë 5 s¹—eë «b1²Ý« UC¹« pMJ1  
Æ16 —«—“_« vKŽ W½e<« u¹œ«dë UD×Ä  
1
2
WHOþuë ÷dŽ 1  
.WHOþuë WÃUŠ vë dOAð  
W?¹uIë «—Uýù« WHëuÄ  
UD×Ä WHëu0 WOK;« UD;« sŽ Y׳ÃUÐ WIꢁ«u*« pà `Lꢀð  
ÆjIꢁ bOł ‰U³I²Ýô WOꢁU …—uBÐ W¹uIë «—Uýù« «– u¹œ«dë  
LOC dýR*« 2  
ÆwK;« Y׳ë WHëuÄ WHOþË qOGAð 5³¹  
ÆLOCAL —UO²šô FUNCTION jG{«  
ÆWýUAë vKŽ LOCAL dNEð v²Š FUNCTION jG{«  
.nzUþuë ¡ULÝ√ ÷dFà FUNCTION jG{« ꢁ  
nzUþuë 5Ð ‰uײKà —dJ²Ä qJAÐ FUNCTION jG{«  
∫WOÃU²Ã«  
ÆwK;« Y׳ë nOÃuð qOGA²Ã 5 jG{«  
ÆWýUAë vKŽ ©LOCAL 2 ∫ö¦Ä® wK;« Y׳ë WOÝUꢀŠ dNEð  
Y׳ë WHëuÄ® LOCAL© UD;« qCꢁ√ …d«–® BSM  
©wK;«  
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œœd²Kà ÊU¹u²ꢀÄË FM œœd²Kà WOÝUꢀ×KàU¹u²ꢀÄ WFЗ√ błuð  
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LOCAL 2LOCAL 1 AM « t¹«  
Y?³Ã« UD×Ä UÐcЖ ¡UŽb²Ý«Ë s¹e2ð  
¨16 UND³{ o³ꢀ*« WHëu*« —«—“√ sÄ Í√ jGCÐ XLÁ «–≈  
bFÐ ULOꢁ UNzUŽb²Ýô YРUÐcЖ ∂ v²ŠË s¹e1ð WÃuNꢀÐ pMJLOÝ  
ÆbŠ«Ë —“ WDGCÐ  
wJ UNM¹e2ð b¹dð WÐcЖ vKŽ —u¦Fë bMŽ  
UND³{ o³ꢀ*« WHëu*« —«—“√ sÄ —“ jG{« ¨…d«cë  
rÁ— —“ iOÄË nÁu²¹ v²Š jGCë wJ dL²Ý«Ë 16  
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UND³{ o³ꢀ*« WHëu*« rÁ— dýRÄ wꢁ t²DG{ Ícë rÁdë iÄuOÝ  
sÄ u¹œ«dë WD×Ä WÐcЖ s¹e1ð - bÁ ÊuJ¹ pÃcÐ ÆU¾OCÄ vI³OÝË  
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«œœdð ÊUꢁ tD³{ o³ꢀ*« WHëu*« —“ jGCð UÄbMŽ WÄœUIë …d*« wꢁ  
.…d«cë sÄ U¼ƒUŽb²Ý« r²¹ u¹œ«dë WD×Ä  
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ÆbOł ‰U³I²Ý« vKŽ ‰uB×Kà WOꢁU  
3 Ë√ 2 —eë vKŽ jGCÃUÐ Y׳ë nëuÄ ¡UGë pMJ1 ꢀ  
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pMJLOÝ 3 Ë√ 2 —eë jG{ wꢁ X¹dL²Ý«Ë XDG{ «–≈ ꢀ  
Æ—eë d¹d% œd−0 Y׳ÃUÐ WHëu*« √b³²Ý ÆYРUD×Ä wD1ð  
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sLC²ð Æu¹œ«dë qOGA²Ã W¹—ËdCë WOÝUÝ_« «uD)« wK¹ ULOꢁ  
Æu¹œ«dë “UN' ÂbI²*« qOGA²Kà `O{u²Ã« sÄ «b¹eÄ WOÃU²Ã« W×HBë  
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Ë√ vDÝuë Ë√ WOÃULAë UJ¹dÄ« wꢁ u¹œ«dë «c¼ «b1²Ý« bMŽ  
Wł—œ j³{ rꢀÁ lł«—® AM « t¹√ WłuÄ Wł—œ j³{ bŽ√ ¨WOÐuM'«  
Æ©≤∏ W×Hs vKŽ AM Â√ t¹√ WłuÄ WHëuÄ  
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.Á—UO²š« - Ícë o³ꢀ*« j³Cë rÁ— 5³¹  
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Ar  
7/29</0Y5,R12D:051055-A> 91  
YRD5055A_Ara(2-12)  
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—bBÄ —UO²š«  
qGAÄ vÃ≈ ‰uײKà ÆtOÃ≈ ŸUL²Ýô« œuð Ícë —bB*« —UO²š« pMJ1  
W×Hs lł«—® “UN'« wꢁ W½«uDÝ« l{ ¨wKš«bë CD U½«uDÝô«  
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vÃ≈ —bB*« ‰uײ¹ sà ¨…bŠuë wꢁ W½«uDÝ« l{Ë ÂbŽ bMŽ •  
ÆwKš«bë CD W½«uDÝô« qGAÄ  
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Æ“UN'« qOGAð ·UI¹≈ r²¹  
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Ar  
<YRD5055-A> 92  
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YRD5055A_Ara(2-12)  
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Ar  
<YRD5055-A> 93  
7/29/05, 12:01  
YRD5055A_Ara(2-12)  
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ÆqOGA²Ã« —bB* „—UO²š« bMŽ “UN'« «c¼ qOGAð r²OÝ  
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CD U½«uDÝô« qGAÄ sÄ CD W½«uDÝ_« ëdšù tDG{«  
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wꢁ rJײKà UC¹« Âb1²ꢀð ¨w½Už_« sŽ Y׳ë jЫu{Ë  
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ÆWOꢀOzdë …bŠuë —«—“√ UNÐ Âb1²ꢀð w²Ã« WI¹dDë fHMÐ Âb1²ꢀ¹  
Ar  
<YRD5055-A> 94  
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7
rꢀIë  
“U?N'« «c¼ «b2²Ý« q³Á  
ÂU¼  
bMŽ —«—“_«Ë W{—UFë vKŽ …uIÐ jGCë Ë√ „UꢀÄù« ÂbŽ V−¹  
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Æ…b¹bý «“«e²¼ô WOÄUÄ_« WŠuKë i¹dFð VM&  
…dýU³*« fLAë WFý_ WOÄUÄ_« WŠuKë i¹dFð ÂbŽ vKŽ kꢁUŠ  
ÆWOÃUŽ …—«dŠ Uł—œ Ë√  
W?OÄUÄ_« WŠuKë Ÿe½  
ÆWOÄUÄ_« WŠuKë d¹dײà DETACH —eë jG{«  
sŽ WŠuKë sÄ s1_« V½U'« d¹d% r²OÝË DETACH —eë jG{«  
ÆWOꢀOzdë …bŠuë  
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ÆWOꢀOzdë …bŠuë sŽ WOÄUÄ_« WŠuKë qBꢁ r²OÝ  
WIJd*« W¹UL(« W³KŽ wJ WOÄUÄ_« WŠuKë l{  
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W?OÄUÄ_« WŠuKë VOÂdð  
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ÆWLJ×Ä …—uBÐ UN½UJÄ wJ X³¦ð v²Š  
Ar  
<YRD5055-A> 95  
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YRD5055A_Ara(2-12)  
6
rꢀIë  
“U?N'« «c¼ «b2²Ý« q³Á  
“ËbM¹uKà WOðus WKOÝË `KDB* —UB²š« w¼ WMA WLK  
w²Ã«Ë uBë jG{ WOMIð vÃ≈ œuFð w¼Ë Windows Media™  
U½UOÐ dOHAð r²¹ ¨Microsoft Corporation q³Á sÄ —uÞ  
W1ꢀ½ Windows Media Player qGAÄ Â«b1²ÝUÐ WMA  
ÆÀbŠ_«Ë  
Ë√ W¹—U& UÄöŽ UL¼ Windows eÄdÃ«Ë Windows Media  
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ÆÈdš√ ‰Ëœ Ë√ØË …bײ*« U¹ôuë  
tO³Mð  
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hK1²Ã« Ë√ UNMO1ꢀ²Ð ÂUOIë Ë√ UNJJHð Ë√ W¹—UD³Ã« s×Að ô  
.—UMë wꢁ UNzUIÃSÐ UNMÄ  
.WO½bFÄ «ËœQРW¹—UD³Ã« lÄ qÄUF²ð ô  
.WO½bFÄ œ«uÄ lÄ W¹—UD³Ã« s¹e1²Ð rIð ô  
bFÐ sŽ rJײë …bŠË `ꢀÄ« ¨W¹—UD³ÃUÐ »dꢀð ÀËbŠ bMŽ  
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`z«uKÃUР«e²Ãô« ułd½ ¨WKLF²ꢀ*« U¹—UD³Ã« sÄ hK1²Ã« bMŽ  
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’uBMë UÄuKFÄ sÄ U¼dOžË UÄu³Ã« ¡ULÝ√ ÷dŽ r²¹ ô bÁ  
Windows qGAÄ «—bs« iF³Ã UF³ð W×O×s …—uBÐ  
ÆWMA UHK*« dOHA²Ã WÄb1²ꢀ*« Media  
WMA UHK* ŸUL²Ýô« …œUŽ≈ W¹«bÐ bMŽ nOHÞ dOšQð √dD¹ bÁ  
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bÁ U2 ¨÷—_« vKŽ bFÐ sŽ rJײë …bŠË ◊uIꢀÐ `Lꢀð ô  
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W³ÃUꢀë WO³DIÃ«Ë ©+® W³łu*« WO³DIë …UŽ«dÄ lÄ W¹—UD³Ã« qšœ«Ë  
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µ
Ar  
<YRD5055-A> 96  
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YRD5055A_Ara(2-12)  
5
rꢀIë  
“U?N'« «c¼ «b2²Ý« q³Á  
MP3 n?K* ŸUL²Ýô« …œUŽ≈  
U½«uDÝ« vKŽ WK−ꢀ*« MP3 UHK* ŸUL²Ýô« …œUŽ≈ sJ1  
Èu²ꢀ*« sÄ WOÝUOÁ öO−ꢀð® CD-RW/CD-R/CD-ROM  
Æ©ISO9660 ÂUEMÃ ≤ Èu²ꢀ*«Ø  
“U?N'« «c¼ ‰uŠ  
tO³Mð  
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dýU³*« Y³Ã« ‰ULŽúà «b1²Ýô« wꢁ oŠ Ë√ WBš— «c¼ vDF¹  
Í√ Ë√ØË ö³Jë ¨WOŽUMBë —ULÁ_« ¨WO{—_« UD×Ä®  
UNz«—Ë sÄ wM& w²Ã« ‰ULŽ_« ö¦Ä® W¹—U−²Ã« ©Èdš√ jzUÝË  
WOKš«bë UJ³Aë ¨X½d²½_« d³Ž ‰UÝ—ù«ØY³Ã« ¨ ©ÕUЗ√ W¹√  
U¹u²×Ä l¹“uð WLE½√ Í√ Ë√ W¹—U−²Ã« ‰ULŽ_« UJ³ý Ë√ØË  
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WKI²ꢀÄ WBš— vKŽ ‰uB(« V−¹ ¨VKDÃUÐ WOðuBë UD;«  
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lÁu*« …—U¹“ vłd¹ ¨qOsUH²Ã«  
bÁ YOŠ Æ“UN'« «c¼ vKŽ qz«uꢀë »UJꢀ½UÐ ÕULꢀë ÂbŽ V−¹  
sŽ Z²M¹ bÁ UL ÆWOzUÐdN WÄbBÐ WÐUsù« vÃ≈ «c¼ ÍœR¹  
Wł—œ ŸUHð—«Ë ÊUšœ ÀUF³½« ¨“UN'« qDFð qz«uꢀë »UJꢀ½«  
Æ…bz«“ …—uBÐ tð—«dŠ  
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ÆUN²−ÄdÐ …œUŽ≈ V−¹Ë o³ꢀ*« j³Cë  
ÆX½d²½ù« vKŽ http://www.mp3licensing.com  
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ÆdO½u¹U³Ã bL²FÄ W½UOs UÄbš WD×Ä »dÁ√ Ë√  
WMA n?K* ŸUL²Ýô« …œUŽ≈  
U½«uDÝ« vKŽ WK−ꢀ*« WMA UHK* ŸUL²Ýô« …œUŽ≈ sJ1  
sÄ WOÝUOÁ öO−ꢀð® CD-RW/CD-R/CD-ROM  
Æ©ISO9660 ÂUEMÃ ≤ Èu²ꢀ*« Ø Èu²ꢀ*«  
V?O²Jë «c¼ ‰uŠ  
WAV n?K* ŸUL²Ýô« …œUŽ≈  
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sÄ WOÝUOÁ öO−ꢀð® CD-RW/CD-R/CD-ROM  
Æ©ISO9660 ÂUEMÃ ≤ Èu²ꢀ*« Ø Èu²ꢀ*«  
‰U³I²Ý« ÊULCà WÄbI²*« nzUþuë sÄ «œbŽ “UN'« «c¼ sLC²¹  
ÊULCà nzUþuë Ác¼ WꢁU rOLBð - bÁË .‰UŽ Èu²ꢀÄ Í– qOGAðË  
.WÃuNꢀÐ tLNꢁ sJ1 ô UNMÄ dO¦Jë Ê√ ô≈ ¨sJ2 «b1²Ý« qNÝ√  
sÄ WKÄUJë …œUH²Ýô« oOI% vKŽ VO²Jë «c¼ „bŽUꢀ¹ ·uÝË  
wsu½ ¨«cà .tOÃ≈ ŸUL²Ýô« sÄ WKÄUJë WF²*«Ë “UN'« UO½UJÄ≈  
VO²Jë «c¼ vKŽ ŸöÞùUÐ UNKOGAðË nzUþuë Ác¼ vKŽ ·dF²ÃUÐ  
…«¡«dÁ WsUš WHBÐ rN*« sÄË .“UN'« qOGA²Ð ¡b³Ã« q³Á  
WMA n?KÄ ‰uŠ  
.UNР«e²Ãô«Ë VO²Jë «cNÐ …œ—«uë UNO³M²Ã«Ë «d¹cײë  
U¹«e*«  
CD W?½«uDÝô ŸUL²Ýô« …œUŽ≈  
WOIOÝu*« U½«uDÝöàŸUL²Ýô« …œUŽ≈ sJL*« sÄ  
ÆCD-RW/CD-R/CD  
vKŽ Ÿu³D*« Windows Media“ËbM¹Ë U¹bOÄ eÄ— dOA¹  
ÆWMA U½UO³Kà ŸUL²Ýô« …œUŽ≈ tMJ1 Z²M*« Ác¼ ÊQÐ ‚ËbMBë  
Ar  
¥
<YRD5055-A> 97  
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U¹u²;«  
≤µ uBKàWOÃUFë WOIM²Ã« «b1²Ý«  
≤µ ©F.I.E.® …—uBKÃ wÄUÄ_« “eF*«  
≤∂ dON'« uBë e¹eFð  
≤∂ —bB*« U¹u²ꢀÄ j³{  
wzb³*« j³Cë ∞∏  
≤∑ wzb³*« j³Cë ŸU{Ë√ j³{  
≤∑ WŽUꢀë j³{  
qOGA²Ã« wF{Ë 5Ð WŽUꢀë ÷dŽ q¹u% ≠  
≤∑ ·UI¹ù« Ë√  
≤∑ FM Â√ ·√ WłuÄ WHëuÄ Wł—œ j³{  
≤∏ AM Â√ t¹√ WłuÄ WHëuÄ Wł—œ j³{  
≤∏ WCOH)« «œœd²Ã« —UN−Ä rEMÄË wHK)« Ãd)« j³{  
WOJU{≈ UÄuKFÄ  
CD U½«uDÝô« qGA0 WsU)« QD)« qzUÝ— rNꢁ  
≤π wKš«bë  
≤π tРW¹UMFÃ«Ë CD U½«uDÝô« qGAÄ  
≥∞ CD-RW/CD-R U½«uDÝô«  
≥∞ WAV Ë WMA ¨MP3 UHK*«  
MP3 UHK* WOꢁU{≈ UÄuKFÄ ≠  
WMA UHK* WOꢁU{≈ UÄuKFÄ ≠  
WAV UHK* WOꢁU{≈ UÄuKFÄ ≠  
≥≤ WAV/WMA/MP3 UHKÄË UEꢁU(« ‰uŠ  
≥≥ U×KDBÄ  
≥µ UHs«u*«  
Ar  
<YRD5055-A> 98  
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YRD5055A_Ara(2-12)  
3
U¹u²;«  
ÆdO½u¹UÐ sÄ “UN'« «cNÃ rJz«dý vKŽ rÂdJA½  
Ác¼ …¡«dÁ sÄ ¡UN²½ù« bFÐ ÆW×O×s …—uBÐ „“UNł qOGAð WOHO vKŽ ·dF²Kà Ác¼ qOGA²Ã« ULOKFð …¡«dÁ vłd¹  
Æq³I²ꢀ*« wꢁ UNOÃ≈ ŸułdKà sĬ ÊUJÄ wꢁ UNEHŠ√ ¨ ULOKF²Ã«  
µ Y׳ë WI¹dÞ —UO²š«  
∂ WOÃU(« W½«uDÝô« vKŽ w½Už√ dAŽ qJà Y׳ë  
CD TEXT W½«uDÝô« ’uB½ nzUþË Â«b1²Ý«  
’uB½ ’«dÁ√ vKŽ …œułu*« ’uBMë UÄuKFÄ ÷dŽ ≠  
CD TEXT W½«uDÝô«  
“UN'« «c¼ «b2²Ý« q³Á ∞  
¥ “UN'« «c¼ ‰uŠ  
¥ VO²Jë «c¼ ‰uŠ  
¥ U¹«e*«  
¥ WMA nKÄ ‰uŠ  
∂ WýUAë vKŽ ’uBMë UÄuKF* wD)« p¹dײë ≠  
µ UNРW¹UMFÃ«Ë bFÐ sŽ rJײë …bŠË «b1²Ý«  
µ
U¹—UD³Ã« VOÂdð ≠  
WAV/WMA/MP3 UHKÄ U½«uDÝ« qGAÄ ∞∂  
WAV/WMA/MP3 UHK* ŸUL²Ýô«  
wKš«bë CD U½«uDÝô« qGA* ÂbI²*« qOGA²Ã« ‰uŠ WÄbIÄ  
∏ ©WAV/WMA/MP3® UHK*  
µ bFРsŽ rJײë …bŠË ‰ULF²Ý« ≠  
µ WÁdꢀë b{ „“UNł W¹UL(  
∂ WOÄUÄ_« WŠuKë Ÿe½ ≠  
∂ WOÄUÄ_« WŠuKë VOÂdð ≠  
∏ —dJ²*« ŸUL²Ýô«  
π wz«uAŽ VOðd²Ð w½Užúà ŸUL²Ýô«  
¡«eł_UÐ n¹dF²Ã« ∞≤  
∑ WOꢀOzdë …bŠuë  
∑ bFРsŽ rJײë …bŠË  
π w½Už_«Ë «bK:« `ꢀÄ  
≤∞ U²ÁRÄ WAV/WMA/MP3 UHK* ŸUL²Ýô« ·UI¹≈  
≤∞ BMX Ë uBë jG{ «b1²Ý«  
OFFØON WÁUDë ·UI¹≈/qOGAð ∞≥  
π “UN'« qOGAð  
≤∞ Y׳ë WI¹dÞ —UO²š«  
≤∞ wÃU(« nK*« vKŽ w½Už√ dAŽ qJà Y׳ë  
W½«uDÝ« vKŽ …œułu*« ’uBMë U½UOÐ ÷dŽ  
π —bBÄ —UO²š«  
π “UN'« qOGAð ·UI¹≈  
WAV/WMA/MP3  
WMA/MP3 W½«uDÝô ŸUL²Ýô« bMŽ ≠  
WAV W½«uDÝô ŸUL²Ýô« bMŽ ≠  
WýUAë vKŽ ’uBMë UÄuKF* wD)« p¹dײë  
nëu*« ∞¥  
∞ u¹œ«dKàŸUL²Ýô«  
u¹œ«dKà ÂbI²*« qOGA²Ã« WOKLŽ ‰uŠ WÄbIÄ  
Y³Ã« UD×Ä UÐcЖ ¡UŽb²Ý«Ë s¹e1ð  
W¹uIë «—Uýù« WHëuÄ  
uBë j³{ ∞∑  
≤≤ uBë j³{ UOKLŽ ‰uŠ WÄbIÄ  
≤≤ uBë Ê“«uð j³{ Âb1²Ý«  
≤ W¹uIë WOŽ«–ù« «œœd²Ã« s¹e1ð  
≤≥ uBë Ê“«uÄ Â«b1²Ý«  
wKš«bë CD W½«uDÝ_« qGAÄ ∞µ  
CD W½«uDÝô ŸUL²Ýô«  
≤≥ uBë Ê“«uÄ UOM×MÄ ¡UŽb²Ý« ≠  
≤≥ uBë Ê“«uÄ UOM×MÄ j³{ ≠  
≤≥ uBë Ê“«uÄ vM×M* oOÁbë j³Cë ≠  
≤¥ wÃUFë uBë j³{  
CD U½«uDÝô« qGA* ÂbI²*« qOGA²Ã« ‰uŠ WÄbIÄ  
¥ wKš«bë  
¥ —dJ²*« ŸUL²Ýô«  
≤¥ WCOH)« «œœ«d²Ã« —UN−Ä Ã«b1²Ý«  
≤¥ WCOH)« «œœd²Ã« —UN−Ä U¾ONð j³{ ≠  
¥ wz«uAŽ VOðd²Ð w½Užúà ŸUL²Ýô«  
¥ CD W½«uDÝô« w½Už√ `ꢀÄ  
µ CD W½«uDÝ_ ŸUL²Ýöà XÁR*« ·UI¹ù«  
µ BMX Ë uBë jG{ «b1²Ý«  
Ar  
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Black plate (64,1)  
PIONEER CORPORATION  
4-1, MEGURO 1-CHOME, MEGURO-KU, TOKYO 153-8654, JAPAN  
PIONEERELECTRONICS (USA) INC.  
P.O. Box 1540, Long Beach, California 90801-1540, U.S.A.  
TEL: (800) 421-1404  
PIONEEREUROPE NV  
Haven 1087, Keetberglaan 1, B-9120 Melsele, Belgium  
TEL: (0) 3/570.05.11  
PIONEER ELECTRONICS ASIACENTRE PTE. LTD.  
253 Alexandra Road, #04-01, Singapore 159936  
TEL: 65-6472-7555  
PIONEER ELECTRONICS AUSTRALIA PTY. LTD.  
178-184 Boundary Road, Braeside, Victoria 3195, Australia  
TEL: (03) 9586-6300  
PIONEERELECTRONICS OF CANADA, INC.  
300 Allstate Parkway, Markham, Ontario L3ROP2, Canada  
TEL: 1-877-283-5901  
PIONEERELECTRONICS DE MEXICO, S.A. de C.V.  
Blvd.Manuel Avila Camacho 138 10 piso  
Col.Lomas de Chapultepec, Mexico, D.F. 11000  
TEL: 55-9178-4270  
HÒ¡ýÉPlø  
=lø : ðꢀÂ-q44_13  
ûq : (02) 2521-3588  
Published by Pioneer Corporation.  
Copyright © 2005 by Pioneer Corporation.  
All rights reserved.  
HÒûPÈ/ÉÉPlø  
/]w/ÎLFm-à  
9901-6¤  
HÒløúHÂHÒlø © 2005 HÂ  
H@ÉÂ  
ûq : (0852) 2848-6488  
Printed in China  
-p7  
<KMMZX> <05H00000>  
<YRD5055-A/U> GS  
<YRD5055-A/U> 100  

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