Sony CineAlta HDW F900R User Manual

TM  
TM  
Sony Digital Camcorder  
HDW-F900R  
New Creative Ways of Movie and TV Program Production  
In 2000, Sony set a groundbreaking milestone in the motion  
picture industry by introducing the HDW-F900 camcorder,  
which enabled high-definition digital images to be recorded  
onto digital tape at 24 frames per second. This totally new  
concept of 24P-based digital recording, together with the  
enabling Sony products, was named “CineAlta”, and has  
since been embraced by an ever-broadening spectrum of  
producers, directors, and cinematographers all over the  
world. The HDW-F900, the first CineAlta camcorder, has  
served as an invaluable tool in movie and television program  
creation, bringing a new, higher level of picture quality,  
efficiency, and flexibility to the production process.  
cinema and television presentation. With these CineAlta  
products using the HDCAMTM and HDCAM-SR formats, Sony  
offers an outstandingly comprehensive range of high-quality  
gears, which allows customers to select most appropriate  
equipment depending on their requirements for picture  
quality, budgets, applications.  
This highly respected HDW-F900 camcorder has now  
evolved into the next-generation HDW-F900R, offering a  
variety of further enhanced functionalities. The HDW-F900R  
camcorder records images in accordance with the CIF  
(Common Image Format) standard, which specifies a  
sampling structure of 1920 x 1080 active pixels (horizontal x  
vertical). Plus, as well as recording at 24P, the HDW-F900R  
camcorder is switchable to record at 25P, 29.97P progressive  
scan, and also at 50 or 59.94 Hz interlaced scan. The  
camcorder also provides a comprehensive range of features  
for creative shooting such as enhanced gamma features and  
colorimetry controls. Plus, the design of the HDW-F900R is  
highly compact and lightweight, giving  
users higher levels of mobility and  
comfort when shooting.  
After the introduction of the HDW-F900 model, Sony has  
been continuously enhancing the CineAlta line by attentively  
listening to the customers’ much diverse requirements. One  
of the most remarkable evolutions of the CineAlta line was  
the introduction of the HDC-F950 RGB 4:4:4 cameras and  
the HDCAM-SR format in addition to the HDW-F900 and its  
companion HDCAM-format VTRs. This new system concept  
was born of the requests of moviemakers working on  
highly exacting special effects sequences and  
producers creating elaborate commercials for  
To further enhance  
the creative and  
operational  
versatility of the  
camcorder, a  
wide range of  
optional  
accessories are  
available. These  
include a picture  
cache board, a  
2-3 Pull-down  
and down  
converter board,  
and a  
slow-shutter board.  
In combination with  
its renowned 24P capability and  
attractive cost efficiency, all of these  
great functionalities make the  
HDW-F900R the perfect solution for  
shooting television series,  
documentaries, commercials, as well  
as motion pictures.  
3
Creative Versatility  
The HDCAM Format  
The 24-frame progressive capability of the  
HDCAM format converges digital and film imaging,  
offering a new and novel creative flexibility for  
prime time television production, commercial  
production, and movie-making. Since Sony  
introduced the HDCAM format in 1997, it has  
been field proven worldwide, as a technology  
that offers highly mobile, compact, and  
exceptional-quality 1080/60i digital acquisition and  
recording solutions. This reliable and robust format  
consistently delivers superb picture quality and is  
efficiently packaged onto 1/2-inch tape.  
Motion-capture for  
Cinematic Image  
Making  
This is the area where film and video have,  
up until now, differed most. Every film camera  
exposes a succession of still images (most  
usually 24 frames per second) that, when  
projected, effectively reproduce motion.  
Because of the time required for a film  
transport to move from frame to frame, half of  
the action is not registered and this gives  
material originated on film its specific  
The state-of-the-art, Sony HDCAM compression  
scheme is a frame-based digital compression  
strategy, where every frame of the signal is treated  
as a single entity. HDCAM maintains exceptionally  
high picture quality and multi-generation  
robustness for both progressive and interlace  
signals.  
footprint. On the other hand, many of digital  
cameras record interlaced images where two  
fields with temporal offset are used to capture  
one frame. This covers almost the entire  
action, giving a smoother motion portrayal  
than film images captured at lower frame rate.  
When an HDW-F900R is set to a 24P frame  
rate and with a shutter speed of 1/48 second,  
it captures moving pictures in precisely the  
same manner as the film camera and produces  
results with the same motion footprint as  
footage shot on film. The overall result is  
comparable to 35 mm film origination.  
As well as a 24P frame rate, the HDW-F900R  
has a unique range of optional frame rates  
available. The progressive CCD sensor is able  
to capture progressive images at frame rates at  
23.98, 24, 25, and 29.97 frames per second.  
Traditional interlace material can also be  
captured when an HDW-F900R is set to field  
rates of 50, and 59.94 Hz interlace. The extent  
of these frame rates provides the ability to  
shoot in both the film and television program  
genres. It also offers the means for some  
creative speed change for special effects (for  
example shoot at 29.97P and playback at 24P  
slow motion).  
Advanced digital pre-filtering and dynamic  
bit-allocation for luminance and chrominance  
components (based on the statistical analysis of  
the picture content) are combined with a mild  
compression ratio of 4.4 to 1 to give a total  
on-tape recorded data rate of a modest 185 Mb/s  
at 60i. This, in turn, provides high-integrity  
camcorder recording in hostile environmental  
conditions.  
The frame rate switchability of the camcorder  
allows 24, 25 or 30 progressive frames per second  
capture as well as a choice of either 50 or 60 Hz  
interlace – all at the push of a button. In the same  
way that a film camera runs longer at a lower  
frame rate, the HDW-F900R records longer runs  
when operating at the lower frame rates.  
Consequently a BCT-40HD cassette, records up to  
40 minutes of 60i or records up to 50 minutes of  
24P, cinema-quality, material. The costs of the  
HDCAM tapes are much less expensive than those  
of film, bringing tremendous cost benefits in  
shooting.  
140  
The Art of Image-making  
New Ergonomics  
The progressive scan CCD sensor at the heart of the  
HDW-F900R marks a significant advance in Sony HAD CCD  
technology. It is a development that now makes possible  
image capture over a range of frame rates, so that their  
quality is at the highest possible level. This progressive scan  
CCD sensor provides a sensitivity of f10 at 2,000 lux (at  
59.94i) providing subjectively noise and grain-free pictures.  
At 24 fps, with a 1/48-second shutter speed (equivalent to a  
180º film camera shutter setting), the exposure index of the  
HDW-F900R is approximately equivalent to 300 ISO*.  
It allows the acquisition of gain-free imagery in deeply  
shadowed areas of a scene.  
As part of Sony’s continuous efforts to make the design of our  
camcorders to be user-friendly and practical, stylish and  
appealing, the design of the new HDW-F900R has been  
greatly refined to increase the comfort and versatility. One  
of the most significant features in the HDW-F900R design is  
the camcorder’s compact size – the length of the camera  
body is 20% shorter compared to the previous model. In  
addition to its compact size, the HDW-F900R provides  
HD-SDI output directly from the camera body, moving from  
analog outputs of the preceding model. The more compact  
nature of the camcorder makes it extremely easy and flexible  
to use when shooting in space-constrained locations, such as  
in a car. The HDW-F900R is also extremely lightweight –  
2.6 kg lighter than the previous model. Even with the  
viewfinder, battery, cassette, microphone, and a small  
variable or fixed-focal length lens, the total weight is only  
approximately 5.4 kg (12 lb). The streamlined design inherits  
the superb weight distribution and balance from the previous  
model, yet provides much higher mobility, making the  
camcorder particularly suitable for hand-held shots. It also  
sits comfortably on the shoulder and can be more easily  
carried.  
Superb CCD highlight-handling  
greatly extends the Exposure  
Latitude of the camera  
allowing directors the  
dramatic freedom to shoot  
and capture extreme  
highlights in otherwise  
low-key scenes.  
Based on Sony’s own measurements.  
*
The HDW-F900R incorporates a B-4 lens mount that  
facilitates quick lens replacement, which is also reinforced to  
support heavy lenses.  
The Mastery of Signal Processing  
Picture Tonal Reproduction is substantially enriched in the  
HDW-F900R by the adoption of an advanced CCD with a  
wide dynamic range and a 12-bit A/D converter that is then  
followed by powerful, high-speed, Advanced Digital Signal  
Processing (ADSP). ADSP allows the active manipulation of  
many picture parameters to expand the use of in-camera  
effects.  
All switches, meters, and indicators are positioned in the  
most logical places for optimum functionality and ease of  
use. It can be readily mounted on a Steadicam™ system or  
mounted on a tripod, geared-head, or motion-control system.  
This compact and lightweight camera opens new possibilities  
for creative camera work, while delivering uncompromising  
picture quality.  
5
Cassette Loading  
Internal Light System  
The cassette loading of the HDW-F900R is fast, simple,  
and reliable. It takes less than 5 seconds* for cassette  
change. This facility and long recording runs (40-50  
minutes depending on the selected frame-rate) offer  
higher levels of efficiency on location. The loading  
mechanism is robust and designed to be dust-, mois-  
ture-, and drip-resistant. The vertical cassette loading  
also helps to minimize the risk of airborne  
A two-pin socket in the HDW-F900R provides up to 50  
watts of power from the attached lithium-ion battery.  
This can be used to power a variety of ancillary  
devices, including a front-light that can  
be mounted on the upper part of  
the handle. The power can be  
switched on and off manually  
or, when in Auto mode,  
contaminants from entering the loading mechanism.  
it can be set to be  
Based on Sony’s own measurements.  
synchronized with the  
operation of the Record  
*
button.  
Safety Zone Marker  
Optical Filter Wheels  
To allow for individual production requirements, the  
HDW-F900R provides a Safety Zone Marker user  
adjustable for any aspect ratio.  
For the optical picture treatment, two independent filter  
wheels (each with four filter positions) are provided on  
the HDW-F900R, one with for Neutral Density (ND)  
and one with Color Correction (CC) filters are installed.  
High Quality Audio Recordings  
The HDW-F900R is equipped with a range of balanced  
audio interfaces; an analog 5-pin XLR connector for  
stereo audio output, two 3-pin XLR connectors with  
selectable MIC/Line level input, and the front  
microphone input. The two 3-pin XLR connectors can  
also be switched to accept four channels of AES/EBU  
digital audio input.  
Simulated image  
Extended Clear Scan  
The Extended Clear Scan function is particularly useful  
when shooting scenes that contain computer or TV  
screens as it minimize the horizontal bars that can  
appear. The ECS shutter speed is continuously variable.  
When the camera is operated at 24P with a 1/48-  
second shutter speed, it exactly emulates the motion  
blur of a film camera operating at 24 fps with a 180º  
shutter.  
6
Creative Versatility  
Dual HD-SDI Outputs  
In response to the strong requirements for convenient  
and high-quality on-set monitoring, two HD-SDI  
outputs have been incorporated into the HDW-F900R  
camera body as standard. This is an enhancement to  
the previous model, which offered HD-SDI output only  
through the use of an external camera adaptor.  
Recording on Sony HDCAM-SR Recorders  
The HDW-F900R can feed camera output signals via its  
HD-SDI connector for recording on external VTRs such  
as Sony SRW-1 HDCAM-SR™ portable recorders.  
LCD Status Panel and Diagnostic System  
All the main operational controls and switches are  
located on the left-hand side of the HDW-F900R  
camcorder. The LCD panel is on the same side, and  
shows a wide range of status and diagnostic displays  
such as Tape Remaining, Battery Level, Audio Levels,  
etc.  
Adjustable Shoulder Pad  
Assignable Button  
The position of the shoulder pad on the HDW-F900R  
can be easily adjusted – both forwards and backwards  
– without using a screwdriver. This means the operator  
can always attain a comfortable and  
well-balanced camera position,  
Viewfinder Return, Record, and other functions can be  
assigned to this switch on the HDW-F900R.  
Microphone Volume Protection  
A protection cover located under the volume knob of  
the front microphone on the HDW-F900R is provided  
to prevent operators from accidentally changing the  
volume.  
even when docked with a  
range of lenses.  
Electronic Shutter  
The electronic shutter on  
the HDW-F900R helps in  
capturing clear images of  
fast-moving objects by  
selectively minimizing  
motion blur.  
7
Contrast Range  
The HDW-F900R can handle a very impressive contrast  
range. For the most challenging of light settings and  
associated scene conditions, several useful operational  
features are available that allow image optimization in  
real-time to help capture the desired mood of a shot.  
The first of these important functions is RGB Gamma  
Balance. By changing gamma balance, it is possible to  
change the color balance of the mid-tones without affecting  
black and white balance. The second feature, Black Gamma,  
allows fine adjustment of tonal reproduction in the shadows  
(black) to be made. This can help to bring out details from  
the dark parts of the picture without affecting mid-tones and  
with the absolute black level remaining unchanged. It is  
particularly helpful for dark scenes when the black has to  
stay black, but there is a requirement to pull out more  
details.  
Standard Gamma  
The range of creative possibilities offered by modifying RGB  
Gamma Balance and changing Black Gamma is quite  
inspiring and, when mastered by a cinematographer, offers a  
great advantage in achieving a desired ‘look’.  
Black Gamma ON  
Simulated images  
184  
Creative Versatility  
Enhanced Gamma Features  
In addition to artistic and skilful lighting, in-camera gamma  
setting plays important role to deal with contrast range and  
to give a specific “look” to the image. In order to meet a  
broad array of customers’ demands, the HDW-F900R offers  
flexible options to faithfully reproduce their desired “look” of  
the image.  
HyperGamma  
Low Light Condition  
HyperGamma is a set of new transfer functions designed to  
provide powerful contrast handling by making maximum  
use of the capacity and wide dynamic range of the Power  
HAD CCD sensor.  
These functions are quickly accessed via the set-up menu,  
and camera operators can select one curve from a choice  
of four that best suits their needs and conditions. For  
example, they can select to enhance natural reproduction  
in low-key areas, to achieve greater flexibility in wide  
dynamic scenes, to obtain best color grading in the digital  
intermediate process, and more.  
High Contrast Scene  
Simulated images  
Furthermore, HyperGamma delivers effective on-set moni-  
toring, and therefore does not require any additional exter-  
nal devices or equipment.  
Output [%]  
120  
100  
80  
60  
40  
Standard  
HyperGamma 1  
HyperGamma 2  
HyperGamma 3  
HyperGamma 4  
20  
0
0
Set-up Menu  
100  
200  
300  
400  
500  
600  
Iutput [%]  
User Gamma Capability  
This is a useful gamma feature for cinematographers who  
demand custom-made gamma curves for their projects. It  
allows them to quickly set up and load the gamma curves  
being edited by the CVP File Editor* gamma creation  
software running on a Microsoft® Windows® PC.  
This software allows the gamma curve to be visually edited  
using an easy-to-use GUI, simply by plotting the x and y  
values of each point of the curve. Once the gamma curve  
has been created, it can be easily loaded into the  
HDW-F900R using a Memory Stick media card.  
For details of the CVP File Editor, please refer to the HDW-F900R Operation Manual.  
*
9
Highlight Handling  
Sony Advanced TruEye™ processing in the HDW-F900R  
allows much improved highlight handling, with faithful color  
reproduction.  
Conventional Video Equipment  
TruEye  
Colorimetry  
The HDW-F900R produces pictures with astonishing color  
reproduction accuracy. Its Multi Matrix function also offers  
unique possibilities for creative intervention by allowing  
selective color enhancement or alteration. Multi Matrix  
allows a particular color to be selected and its hue changed  
over a range of approximately 20 degrees. The level of  
saturation can also be modified. This permits some very  
interesting “in camera” effects – similar to the secondary  
color correction normally reserved for post production  
special effects work – and is performed at the full bit depth.  
Multi Matrix ON  
Simulated images  
10  
Creative Versatility  
Definition – Picture Sharpness  
The HDW-F900R produces extremely delicate pictures with  
fine detail. The CCDs, each with 2.2 million pixels, faithfully  
capture images with natural sharpness. The HDW-F900R also  
incorporates some new and innovative image enhancement  
functions, allowing very precise control of the way the  
picture texture and edges are represented.  
The first of these new features is Soft Focus. The Soft Focus  
adjustment is particularly convenient for those who find  
conventional digital images to be too sharp and allows  
cinematic pictures to be created. In concert with optical  
filtration, this additional digital filtration can add a new  
creative extension to the treatment of image softness – and it  
can be optimized in real-time on the shoot.  
Conventional Video Equipment Ch 2 ON  
The second feature, Adaptive Detail Control (also known as  
Knee Aperture), allows the image detail enhancement in the  
highlight areas to look more natural.  
The third feature is Skin Tone Detail. This controls the detail  
level of objects with specific color tonality. It is particularly  
useful when shooting talents with the intent to creatively alter  
and soften the texture of their facial appearance while the  
remainder of the scene retains its full crispness. Within  
selected areas, details can be enhanced as well as softened.  
This can be a powerful imaging tool not available in film  
shooting. Three sets of such correction parameters can be  
applied simultaneously.  
Adaptive Detail Control  
Ch 1 ON  
Ch 2 ON  
Soft Focus ON  
Simulated images  
11  
Picture Stability  
Stop Motion and Time Lapse  
By its very nature any digital or video camera delivers rock  
steady pictures. The HDW-F900R is no exception. The  
picture stability is particularly relevant for productions  
incorporating multi-layered compositing special effects.  
Image weave, compounded by noise, is the enemy of all  
compression algorithms. The emergence of highly  
With the HKDW-703 Picture Cache Board as standard, the  
HDW-F900R offers a frame-by-frame recording capability  
that provides stop-motion and time-lapse modes of operation  
in-camera. This offers new and innovative creative  
opportunities in both animation and model shooting.  
The tape requires to be pre-striped on its LTC (at the desired frame/field rate) by the HDW-F900R that will be  
*
used in the actual shooting.  
compressed MPEG-based delivery systems, including DVD  
and digital transmission using multiple GOPs (Group of  
Pictures) calls for a high level of picture stability to maintain  
picture quality – and digital acquisition is a major boon.  
Texture  
Because of its very good signal to noise ratio performance,  
the HDW-F900R delivers subjectively noiseless and  
grain-free pictures having the finest, most delicate and almost  
transparent texture. This can exploit the use of subtle  
cosmetics on the human face, as well as superb reproduction  
of fine-textured materials. This is extremely beneficial in  
commercial production. It is also particularly useful when  
working on productions that require multi-layering and  
blue-screen effects. The separation between useful  
Simulated image  
information and unwanted grain or noise is straightforward  
and delivers accurate and spectacular results.  
12  
Creative Versatility  
13  
Optional Accessories  
A full range of optional accessories is available to  
take full advantage of the versatility and  
operational features of the HDW-F900R.  
Down Converter Board (Optional)  
The HKDW-702 Down Converter Board* provides  
down-converted standard-definition (SD) output from the  
1080/59.94i or 1080/50i HD signal with four-channel  
embedded audio. This makes it possible to monitor recording  
on-set using a conventional SD-based monitor. SD-SDI or  
analog composite can be selected via the camcorder’s set-up  
menu.  
14  
Creative Versatility  
Picture Cache Board (Optional)  
Slow Shutter/Image Inverter Board  
The HKDW-703 Picture Cache Board, which was originally  
developed for the HDW-750 series camcorders, is now  
compatible with the HDW-F900R. It provides up to eight  
seconds of loop recording using solid state memory. Thus,  
when the REC start button is pressed, everything that  
happened up to eight seconds before that moment can be  
recorded to tape.  
(Optional)  
The HKDW-905R Slow Shutter and Image Inverter Board**  
powerfully enhances the operational and creative versatility  
of the HDW-F900R camcorder. With the HKDW-905R  
equipped, the camcorder can slow its shutter speed down to  
a 64-frame period*. During such a long frame period,  
electrical charges accumulate on the CCDs, dramatically  
increasing sensitivity. This helps camera operators to shoot in  
extremely dark environments. In addition, because more  
picture blur occurs when shutter speed is reduced, the  
HKDW-905R allows operators to produce creative pictures  
when shooting moving objects, through the intentional use of  
blurred images.  
In addition, time-lapse and frame-by-frame recording  
capabilities, known  
as the interval  
recording function,  
can be provided by  
this option board.  
The image-inversion function of the HKDW-905R board also  
allows the use of a variety of image-inverting lenses, the  
Anamorphic Lens Adaptor, and cinema lenses with 2/3-inch  
adaptors.  
Simulated image  
The slow-shutter function and the image-inversion function cannot be used simultaneously.  
*
The shutter speed can be adjusted to a 1-, 2-, 3-, 4-, 5-, 6-, 7-, 8-, 16-, 32-, or 64-frame period.  
**The HKDW-905R is not compatible with the HDW-750 series camcorders.  
Remote Control Unit – RM-B750  
(Optional)  
The RM-B750 Remote Control Unit has been designed to  
establish a highly mobile and fully controllable camera  
system in the field by integrating control capability  
equivalent to a Master Set-up Unit into a compact unit  
powered from the device to be controlled.  
The RM-B750 can be connected directly to the HDW-F900R.  
Combination of an LCD touch-panel screen and direct push  
buttons enables full parameter adjustment of the camera to  
be controlled. When necessary, basic tape transport  
functions of the camcorder can be controlled. For further  
operational convenience, the RM-B750 has a Memory Stick  
media card slot so that various setup parameters can be  
stored and transferred between camcorders.  
2-3 Pull-down/Down Converter Board  
(Optional)  
In addition to the HKDW-702 board for down-conversion of  
1080/59.94i or 1080/50i HD signals, the HKDW-902R* is  
also available, which down-converts 1080/23.98P HD  
signals to SD signals via 2-3 pull-down circuitry. Thus, it  
allows on-set SD monitoring of 1080/23.98P signals on a  
conventional NTSC monitor. This board also enables SD  
output to the HDW-F900R’s viewfinder or a monitor  
connected to the camcorder during 23.98P recording. With  
this function, users can check images on the viewfinder or  
monitor without the flickers that usually occur from 23.98P  
recording.  
For the down-converted SD signal, SD-SDI or analog  
composite can be selected via the camcorder’s set-up menu.  
Note: when outputting down-converted SD signals, one of the HD-SDI output connectors on the HDW-F900R  
will be utilized.  
RM-B750  
15  
Operational Accessories  
Color Viewfinders – HDVF-C30W  
(Optional)  
The HDVF-C30W, 2.7-inch(viewable area, measured  
diagonally) type HD LCD color viewfinder has been designed  
to provide the optimum visual information with a full-color  
and flicker-free TFT-LCD providing a resolution of 960 pixels  
horizontally x 540 pixels vertically for each R, G, and B  
color component, luminance level of 300 cd/m2 and 200:1  
contrast ratio. In addition, the HDVF-C30W has several  
unique features to improve operability. Gray scale signal can  
be generated for camera operators to easily adjust the  
exposure to the appropriate level. 2x magnification function  
will greatly assist easy focus operation especially when prime  
lenses are used. Detachable eye-piece construction allows  
camera operator for direct viewing. Moreover, its lightweight  
construction and low power consumption characteristic will  
tremendously improve the operability under battery-powered  
mobile applications.  
HDVF-C30W  
LCD panel for direct viewing  
Simulated image  
Optional Digital Cinematography  
Accessories  
Recognizing the acceptance of the original HDW-F900  
camcorder for digital cinematography productions, many  
appropriate film-type accessories have been developed for it  
by film-related manufacturers. Many of these accessories can  
be now used with the new HDW-F900R, giving users a  
broad array of choices. These include special digital  
cinematography zoom and prime lenses, base plates, matte  
boxes, follow focus units, etc. These initiatives have been  
welcomed by crews who principally work with film.  
A range of special lenses optimized for the HDW-F900R are  
also offered by leading manufacturers. A number of these  
lenses are calibrated in T-stops rather than F-stops, have a  
cinematic-style focus ring, include the relevant gear teeth for  
follow focus kits. There is also a range of HD prime lenses  
for 2/3-inch type B-4 mounting.  
16  
Other Options  
Viewfinder Eyepiece  
A-8314-798-A  
(High-performance, x3)  
AC-DN10  
AC Adapter  
Viewfinder Eyepiece  
Memory Stick  
MSH-128  
A-8262-537-A (High magnification)  
A-8262-538-A (Low magnification)  
A-8267-737-A (Standard magnification with  
special compensation for aberrations)  
BP-L60S  
Info Li-Ion Battery  
BC-M150  
Battery Charger  
BP-GL95  
Info Li-Ion Battery  
BP-GL65  
Info Li-Ion Battery  
BC-L70  
Battery Charger  
BC-L500  
Battery Charger  
WRR-855A/855B  
Wireless Microphone Receiver  
WRR-862A/862B  
Dual Diversity Microphone Receiver  
(Adapter required)  
LC-DN7  
Carrying case  
BKW-401  
Viewfinder Rotation Bracket  
ECM-678*  
Electret Condenser Microphone  
RM-B150  
Remote Control Unit  
RM-B750  
Remote Control Unit  
HDVF-20A  
CRT Viewfinder  
VCT-14  
Tripod Adapter  
BCT-22HD/40HD  
HDCAM Video Cassette Tapes (Small)  
Requires the optional K-1502 3-pin to 5-pin conversion cable.  
*
17  
System Configuration  
18  
HDW-F900R Specifications  
General  
Mass  
5.4 kg (11 lb. 14 oz) with typical ENG lens, cassette and BP-GL95 Battery  
DC 12 V (+5.0 V/-1.0 V)  
38 W (With 12 V power supply, REC mode, with HDVF-20A)  
0 °C to +40 °C (+32 °F to +104 °F)  
-20 °C to +60 °C (-4 °F to +140 °F)  
25 % to 85 % (Relative humidity)  
Power requirement  
Power consumption  
Operating temperature  
Storage temperature  
Operating humidity  
Continuous operating time  
Inputs/outputs  
Genlock video input  
Time code input  
Audio CH1/CH2 input  
MIC input  
110 min (With BP-GL95)  
BNC, 1.0 Vp-p 75 Ω  
BNC, 0.5 V to 18 Vp-p, 10 kΩ  
XLR-3-pin type (Female), -60 dBu/-50 dBu /-40 dBu/+4 dBu/AES/EBU  
XLR-5-pin type (Female), -60 dBu/-50 dBu /-40 dBu LPF 14 kHz: -8 dB  
BNC (1), 1.0 Vp-p, 75 Ω, unbalanced  
BNC (2), 0.8 Vp-p, unbalanced  
Test output  
HD-SDI output  
Audio output  
XLR-5-pin type (Male), 0 dBm  
Time code output  
Earphone  
DC input  
BNC, 1.0 Vp-p, 75 Ω  
Mini-jack, 8 Ω, - to –18 dBs variable  
XLR-4-pin type (Male), 11 to 17 V DC  
DC output  
11 to 17 V DC, Max. 100 mA  
Lens  
Remote  
12-pin  
8-pin  
VTR section  
Recording format  
Tape speed  
HDCAM  
Approx. 77.4 mm/s (24P mode)  
Playback/Recording time  
Fast forward/rewind time  
Recommended tape  
Sampling frequency  
Quantization  
40 min (59.94i, 29.97P), 48 min (50i,25P), 50 min (24P, 23.98P), with BCT-40HD  
5 min with BCT-40HD  
Sony BCT-6HD/12HD/22HD/32HD/40HD  
Y: 74.25 MHz, PB/PR: 37.125 MHz  
12 bit/sample of input-output signals (8 bit sample for internal compression process)  
Reed-Solomon code  
Adaptive three dimensional  
Error correction  
Error concealment  
Audio performance (Playback with standard HDW-F500)  
Frequency response  
Dynamic range  
Distortion  
20 Hz to 20 kHz, +0.5 dB/-0.8 dB  
More than 85 dB (Emphasis ON)  
0.08 % Max.  
Cross talk  
-70 dB  
Wow & flutter  
Camera section  
Pickup device  
Picture elements (H x V)  
Optical system  
Built-in filters  
Below measurable limit  
3-chip 2/3-type FIT CCD  
1920 x 1080  
F1.4 prism system  
A: 5600 K B: 3200 K C: 4300 K D: 6300 K  
1: Clear 2: 1/4 ND 3: 1/16 ND 4: 1/64 ND  
1/32, 1/48, 1/50, 1/60, 1/96, 1/125, 1/250, 1/500, 1/1000 (s)  
(ECS) 24 to 7000 Hz (Minimum setting depends on frame rate selected)  
Special bayonet mount  
Shutter speed (1080/24P mode)  
Clear scan  
Lens mount  
Sensitivity  
f10.0 at 2000 lux, 89.9 % reflective, At 24 fps,  
with a 1/48-second shutter speed (equivalent to a 180º film camera shutter setting),  
the exposure index is approximately equivalent to 300 ISO.  
Supplied Accessories  
Optional Accessories  
Microphone, Super cardioid directional, external power supply type (1)  
XLR connector cover (4)  
Shoulder strap (1)  
Operation guide (1)  
Operation manual (1)  
Operation manual CD-ROM (1)  
VCT-14, Tripod Adapter  
Part No. 3-174-683-01, 1/32 ND Filter  
HDVF-C30W, HD LCD Color Viewfinder  
HDVF-20A, CRT B/W Viewfinder  
BP-GL65/GL95/L60S, Info Li-Ion Battery  
BC-M150/L70, BC-L500 Battery Charger  
AC-DN10, AC Adapter  
BCT-6HD/12HD/22HD/32HD/40HD,  
HDCAM Tape Cassette  
BKW-401, Viewfinder Rotation Bracket  
RM-B750, Remote Control Unit  
RM-B150, Remote Control Unit  
ECM-674/678 Microphone  
Part No. 3-174-682-01, Cross Filter  
Part No. 3-186-442-01, Mounting Ring  
Part No. A-8314-798-A, Viewfinder Eyepiece (High  
performance x3, with soft cushion)  
Part No. A-8262-537-A, Viewfinder Eyepiece (High  
magnification)  
Part No. A-8262-538-A, Viewfinder Eyepiece (Low  
magnification)  
Part No. A-8267-737-A, Viewfinder Eyepiece  
(Standard magnification with special compensation for  
aberrations)  
CAC-12 Microphone holder  
CCXA-53 Audio cable  
LC-DN7, Hard Carrying Case  
LC-DS300SFT, Soft Carrying Case  
Maintenance manual  
HKDW-702, Down Converter Board  
HKDW-703, Picture Cache Board  
HKDW-902R, 2-3 Pull-down/Down Converter Board  
HKDW-905R, Slow Shutter/Image Inverter Board  
Part No. 1-547-341-11, Fog-proof Filter  
Part No. 3-174-685-01, 1/8 ND Filter  
19  
©2006 Sony Corporation. All rights reserved.  
Reproduction in whole or in part without written permission is prohibited.  
Features and specifications are subject to change without notice.  
All non-metric weights and measurements are approximate.  
Sony, HDVS, CineAlta, Digital Betacam, HDCAM, Memory Stick, Power HAD, and TruEye are trademarks of Sony.  
All other trademarks are property of their respective owners.  
24P is used as generic name in this literature for industry standard 24 PsF.  
Some of images in this literature are simulated.  
Distributed by  
MSD2006-590(7535V6)EXC00012P.  
Printed in Hong Kong  

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