JVC KY F560U User Manual

COLOR VIDEO CAMERA  
INSTRUCTIONS  
KY-F560  
KY-F560  
A
ER  
M
CA  
EO  
VID  
R
LO  
CO  
*Illustration with optional lens attachment.  
This instruction manual is made from 100%  
recycled paper.  
For Customer Use:  
Enter below the Serial No. which is  
located on the bottom of cabinet. Retain  
this information for future reference.  
Thank you for purchasing this JVC product.  
Before operating this unit, please read the  
instructions carefully to ensure the best  
possible performance.  
Model No.  
Serial No.  
KY-F560U  
LWT0163-001A  
SAFETY PRECAUTIONS  
CAUTION  
ATTENTION  
RISK OF ELECTRIC SHOCK  
DO NOT OPEN  
RISQUE D’ELECTROCUTION  
NE PAS OUVRIR  
ATTENTION: POUR EVITER TOUT RISQUE D’ELECTROCUTION  
NE PAS OUVRIR LE BOITER.  
AUCUNE PIECE INTERIEURE N’EST  
A REGLER PAR L’UTILISATEUR.  
SE REFERER A UN AGENT QUALIFIE EN CAS DE PROBLEME.  
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,  
DO NOT REMOVE COVER (OR BACK).  
NO USER-SERVICEABLE PARTS INSIDE.  
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL  
Le symbole de l’éclair à l’intérieur d’un triangle équila-  
téral est destiné à alerter l’utilisateur sur la présence  
d’une “tension dangereuse” non isolée dans le boîtier  
duproduit. Cettetensionestsuffisantepourprovoquer  
l’électrocution de personnes.  
The lightning flash with arrowhead symbol, within an  
equilateral triangle, is intended to alert the user to the  
presenceofuninsulateddangerousvoltagewithinthe  
product’senclosurethatmaybeofsufficientmagnitude  
to constitute a risk of electric shock to persons.  
Le point d’exclamation à l’intérieur d’un triangle équi-  
latéral est destiné à alerter l’utilisateur sur la présence  
d’opérations d’entretien importantes au sujet desquel-  
les des renseignements se trouvent dans le manuel  
d’instructions.  
The exclamation point within an equilateral triangle is  
intended to alert the user to the presence of important  
operating and maintenance (servicing) instructions in  
the literature accompanying the appliance.  
*Ces symboles ne sont utilisés qu’aux Etats-Unis.  
WARNING:  
AVERTISSEMENT:  
TO REDUCE THE RISK OF FIRE OR  
ELECTRIC SHOCK, DO NOT EXPOSE THIS  
APPLIANCE TO RAIN OR MOISTURE.  
POUR EVITER LES RISQUES D’INCENDIE  
OU D’ELECTROCUTION, NE PAS EXPO-  
SER L’APPAREIL A L’HUMIDITE OU A LA  
PLUIE.  
This unit should be used with 12 V DC only.  
CAUTION:  
Cet appareil ne doit être utilisé sur 12 V en  
courant continu.  
To prevent electric shocks and fire hazards, DO  
NOT use any other power source.  
ATTENTION:  
Afin d’éviter tout resque d’incendie ou  
d’électrocution, ne pas utiliser d’autres sources  
d’alimentation électrique.  
NOTE:  
The rating plate (serial number plate) is on the bottom of the unit.  
INFORMATION  
REMARQUE:  
La plaque d’identification (numéro de série) se  
trouve sur la partie inférieure de l’appareil.  
This equipment has been tested and found to comply with  
the limits for a Class B digital device, pursuant to Part 15  
of the FCC Rules. These limits are designed to provide  
reasonable protection against harmful interference in a  
residential installation. This equipment generates, uses,  
and can radiate radio frequency energy and, if not installed  
and used in accordance with the instructions, may cause  
harmful interference to radio communications. However,  
there is no guarantee that interference will not occur in a  
particular installation.  
If this equipment does cause harmful interference to radio  
or television reception, which can be determined by turning  
the equipment off and on, the user is encouraged to try to  
correct the interference by one or more of the following  
measures:  
Reorient or relocate the receiving antenna.  
Increase the separation between the equipment and receiver.  
Connect the equipment into an outlet on a circuit  
different from that to which the receiver is connected.  
Consult the dealer or an experienced radio/TV  
technician for help.  
CAUTION  
INFORMATION (F0R CANADA)  
RENSEIGNEMENT (POUR CANADA)  
CHANGES OR MODIFICATIONS NOT APPROVED BY  
JVC COULD VOID USER’S AUTHORITY TO OPERATE  
THE EQUIPMENT.  
This Class B digital apparatus complies with  
Canadian ICES-003.  
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC  
RULES. OPERATION IS SUBJECT TO THE FOLLOW-  
ING TWO CONDITIONS: (1) THIS DEVICE MAY NOT  
CAUSE HARMFUL INTERFERENCE, AND (2) THIS  
DEVICE MUST ACCEPT ANY INTERFERENCE  
RECEIVED, INCLUDING INTERFERENCE THAT MAY  
CAUSE UNDESIRED OPERATION.  
Cet appareil numérique de la Class B est  
conforme à la norme NMB-003 du Canada.  
3
Thank you for purchasing this product.  
These instructions are for KY-F560U.  
Contents  
1. Getting Started  
Features ............................................................................................................................................... 6  
Points to Note During Use .................................................................................................................... 7  
Part Names and Functions ................................................................................................................... 8  
Description of Terminals ..................................................................................................................... 11  
2. Preparation Before Shooting  
Basic System ...................................................................................................................................... 12  
Applied System ................................................................................................................................... 13  
Mounting the Lens .............................................................................................................................. 14  
Connecting the Power Supply ............................................................................................................ 15  
Mounting the Camera ......................................................................................................................... 16  
Precautions to Prevent Camera From Falling .................................................................................... 17  
3. Setting and Adjustment During Shooting  
External Monitor Adjustment .............................................................................................................. 18  
Back Focus Adjustment ...................................................................................................................... 19  
White Balance Adjustment ................................................................................................................. 20  
White Shading Adjustment ................................................................................................................. 22  
4. Various Modes of Shooting  
Shooting the Computer Monitor .......................................................................................................... 24  
Output of Negative Image ................................................................................................................... 25  
White Spot Correction ........................................................................................................................ 26  
4
5. Setting Via the Menu Screen  
Flow of Menu Screens ........................................................................................................................ 28  
Setting Procedures ............................................................................................................................. 30  
“EXPOSURE” Screen ......................................................................................................................... 31  
“ADVANCED EXPOSURE” Screen .................................................................................................... 33  
“WHITE BALANCE” Screen................................................................................................................ 34  
“PROCESS (1/2)” Screen ................................................................................................................... 36  
“PROCESS (2/2)” Screen ................................................................................................................... 38  
“MATRIX ADJUST” Screen ................................................................................................................ 40  
“SYSTEM” Screen .............................................................................................................................. 41  
“FILE MANAGE” Screen ..................................................................................................................... 42  
6. Others  
Connecting the Remote Control Unit .................................................................................................. 44  
Connecting Optional Devices ............................................................................................................. 46  
Specifications ..................................................................................................................................... 46  
Notations and Symbols Used in This Manual  
Caution  
Note  
Precautions during operation are stated.  
Restrictions of functions and specifications are stated for reference purposes.  
Indicates the page and item to refer to.  
All product names in this manual are trademarks or registered trademarks of their respective companies.  
Marks such as ™, ® and © are not used in this manual.  
5
1.Getting Started  
Features  
Supersensitive and high-performance camera that realizes a horizontal resolution of 850 lines and F13/  
2000 lx via three and a half inch CCD and 12-bit DSP processing.  
Enables camera control and hence offers a wide range of uses via use of cameras for high resolution  
monitoring, relay, data transmission, weddings and conventions with a swivel base.  
Miniature Camera that Employs Bayonet Mount  
Employment of bayonet mount and 1/2-inch color separation optics, and compact design through high-  
density mounting of the newly developed IC.  
Automatic Switching between Internal Sync/External Sync  
Employs automatic switching between internal/external sync, which is useful for switching between mul-  
tiple cameras or system upgrade via connection with other devices.  
SMPTE-compliant Built-in Color Bars Generator  
Color monitor can be adjusted with ease with the use of SMPTE color bars.  
Variable Scan Shutter  
Eliminates flicker when shooting screen pictures other than NTSC, such as computer screens.  
Equipped with White Shading Function  
Corrects color shading triggered by optical characteristics.  
Black Stretch/Black Compress Feature  
Stretches or compresses the gain of the dark section in an image to adjust the tone of that section.  
Negative  
Used for special purposes such as shooting using films.  
AE (Automatic Exposure)  
5 selectable modes in the AE area that are useful when there is a difference in brightness between the  
object and its surroundings.  
In addition, exposure settings can also be performed according to shooting conditions via selection of AE  
level adjustment or photometry detection.  
Built-in White Spot Correction Feature  
Equipped with Remote Terminal  
Supports remote control via the remote control unit (sold separately).  
Equipped with Expansion Slot  
System upgrade via connection of optional devices (sold separately) is possible.  
6
Points to Note During Use  
For important shootings, perform trials in advance to ensure that they are properly recorded.  
We will not compensate for contents lost due to the malfunction of this unit.  
Characteristic CCD Phenomena  
Smear and Blooming  
When shooting a bright light source, the CCD may induce white streaks (smear) in the vertical direc-  
tion of the light source. When the light source is extremely bright, light of the surroundings may  
expand (blooming).  
Aliasing  
Note that a jagged effect may occur when shooting striped patterns or lines.  
White spot  
Operating this unit under a high temperature may give rise to white spots in the image. Ensure to use  
this unit within the specified range (–5˚C to 40˚C).  
This unit comes with the white spot correction feature that helps to reduce this phenomenon.  
Page 26  
Precautions During Handling  
Strong Electromagnetic Waves or Magnetism  
When placed near radios or TV transmitters, or transformers and monitors that emit strong magne-  
tism, noise or color change may occur in the image. Ensure that this unit is kept away from the above  
during use.  
Compatible Lens Page 14 ‘Mounting the Lens’  
Lens mount of this unit makes use of bayonet mount and there are restrictions on the type of lens to  
be used.  
Pay attention to their performance and dimensions when lenses other than those specified are used.  
Cleaning the Body of this Unit (Turn off the power before cleaning.)  
Wipe using a soft cloth.  
Do not wipe with thinner or benzene. These may corrode or tarnish the surface.  
When it is extremely dirty, wipe using a neutral detergent diluted with water, follow by wiping with a  
dry cloth.  
When not in use, turn off the power of the system to reduce power consumption.  
Do not mount unit at locations that emit radiation, X-rays or corrosive gases.  
7
1. Getting Started (continued)  
Part Names and Functions  
Front / Bottom  
4
1
COLO  
R VIDEO CAM  
ERA  
KY-F
2
3
1 Lens Mounting Ring/Lens Lock  
3 Fastening Screws for Camera  
Lever  
Mounting Bracket  
When dismounting the lens, do so by holding  
the lens and turning the lens lock lever in the  
anti-clockwise direction.  
When mounting the lens, check that the guide  
pins of the lens are aligned, followed by turning  
the lens lock lever in the clockwise direction to  
fasten.  
(M2.6 x 6 mm, 3 pcs)  
Caution  
Make sure to use screws that are supplied with  
this unit.  
Use of screws that are 6 mm or longer in length  
may give rise to malfunction of the unit.  
Page 14 ‘Mounting the Lens’  
4 Camera Mounting Screw Holes  
2 Camera Mounting Bracket  
(1/4-20UNC)  
This is attached to the bottom face of the cam-  
era when supplied. Mount it to the top surface  
according to the conditions of use. Mount the  
fastening screws for the camera mounting  
bracket 3 to the screw holes on the top surface.  
Page 16 ‘Mounting the Camera’  
Use when mounting this unit  
to fixer or swivel bases.  
(Use screws that are 7 mm  
or shorter in length.)  
7mm  
and  
below  
8
Part Names and Functions (continued)  
Back  
5
7
8
6
AW BARS  
MENU  
SET  
REMOTE  
LENS  
VIDEO OUT  
GENLOCK IN  
DC IN  
POWER  
SEE INSTRUCTION MANUAL  
5 [MENU] Menu Button  
7 [AW/ ] Auto White/Down Button  
Press this button for 1-2 seconds. Menu screen  
will be output from the [VIDEO OUT] terminal.  
Press the button for 1-2 seconds again to clear  
the menu screen.  
8 [BARS/ ] Color Bars/Up Button  
When menu screen is displayed  
Press these buttons to move between se-  
lection items on the menu screen.  
Use the [ ] button to move upwards.  
Use the [ ] button to move downwards.  
Used for altering the set values when an item  
is being selected.  
Page 30 ‘Setting Procedures’  
6 [SET] Set Button  
When the menu screen is displayed, use it to  
select a submenu or to confirm a selected item  
or set value.  
When the menu screen is off  
Press the [AW] button to adjust the white  
balance.  
Page 30 ‘Setting Procedures’  
Page 20 ‘White Balance Adjustment’  
Press the [BARS] button to switch be-  
tween the color bars output and camera  
image output.  
Use this button when adjusting the moni-  
tor or when recording color bars signal.  
Page 18 ‘External Monitor Adjustment’  
9
1. Getting Started (continued)  
Part Names and Functions (continued)  
9
Back  
AW BARS  
MENU  
SET  
REMOTE  
LENS  
10  
VIDEO OUT  
GENLOCK IN  
15  
11  
12  
DC IN  
POWER  
SEE INSTRUCTION MANUAL  
14  
13  
9 [REMOTE] Remote Terminal  
# [DC IN] Power Input Terminal  
(Mini DIN 6 Pin, Female)  
(Mini DIN 8 Pin, Female)  
Terminal for connection to remote control unit  
(RM-LP55 or RM-LP57, both sold separately).  
Page 11 ‘Description of Terminals’  
Page 44 ‘Connecting the Remote Control  
Unit’  
Power of this unit (DC 12 V) is supplied through  
this terminal.  
Use an AC adaptor (AA-P700) for the power  
supply.  
Page 11 ‘Description of Terminals’  
Page 15 ‘Connecting the Power Supply’  
0 [LENS] Lens Connection Terminal  
$
[GENLOCK IN] External Sync Signal  
Input Terminal  
Connect the lens cable.  
Page 11 ‘Description of Terminals’  
Page 14 ‘Mounting the Lens’  
Reference signal input terminal for synchroni-  
zation with this unit.  
Inputs composite video signals or black burst  
signals.  
! [VIDEO OUT] Video Signal Output  
Terminal  
Output terminal for composite video signals.  
Connect to video input terminals such as moni-  
tors or switchers.  
% Slot Cover for Option Cards  
Remove the cover to install the option card.  
Page 46 ‘Connecting Optional Devices’  
Please consult your JVC-authorized dealer on  
optional devices.  
@ [POWER] Power Indicator Light  
Lights up when power is supplied to this unit.  
10  
Description of Terminals  
Power Input Terminal (Mini DIN 8 Pin, Remote Terminal (Mini DIN 6 Pin,  
Female)  
Female)  
7
6
5
8
6
3
4
3
5
4
2
1
2
1
Pin No.  
Signal  
Pin No.  
Signal  
1
2
3
4
5
6
7
8
NC  
1
2
3
4
5
6
GND  
GND  
NC  
OPERATE (L:ON)  
GND  
NC  
SID2(TX)  
GND  
SID1(RX)  
+ 12 V Input  
NC  
+ 9 V Output  
Notes  
+ 12 V Input  
Please consult your JVC-authorized dealer on  
connection of remote terminals.  
Ensure to use cables that are shielded.  
Lens Connection Terminal (Metal 12  
Pin, Female)  
10  
9
1
8
2
7
3
6
4
11  
12  
5
Pin No.  
Signal  
1
LENS RET  
NC  
2
3
GND  
4
LENS AUTO  
5
6
IRIS CONTROL  
+ 12 V Output  
IRIS POSITION  
IRIS A/R  
7
8
9~12  
NC  
11  
2. Preparation Before Shooting  
Basic System  
The diagram below illustrates connection of a basic system.  
When connecting  
Perform this when the unit is off.  
Read the instruction manual of the unit before performing it.  
Consult your JVC-authorized dealer on details of the equipment in use of cables with the  
mark.  
PC  
LENS CABLE  
ECE-R22  
ZOOM LENS  
VC-P893  
S17 x 6.6BRM (FUJINON)  
YH16 x 7K12U (CANON)  
RS-232C PC  
CAMERA CONTROL  
MD  
CONTROL  
CABLE  
REMOTE  
CONTROL UNIT  
RM-LP55  
MD ZOOM LENS  
S16 x 7.3BMD (FUJINON)  
YH16 x 7BKTS (CANON)  
RM-LP57  
LENS REMOTE  
CONTROL  
(FUJINON) (CANON)  
RMD-10  
RMD-20  
TCR-101F  
MONITOR  
AW BARS  
MENU  
SET  
REMOTE  
LENS  
Sync Signals  
(Composite Video  
Signals or Black  
Burst Signals)  
BNC CABLE  
VIDEO OUT  
GENLOCK IN  
DC IN  
POWER  
SEE INSTRUCTION MANUAL  
8P  
8P  
AC ADAPTER AA-P700  
POWER  
ON  
POWER CORD (2 m)  
KY-F560  
AC120 V  
OFF  
STANDARD PACKAGE  
AC POWER ADAPTER  
AA-P700  
TRIPOD  
TP-P300  
PAN  
AND  
TILT  
UNIT  
DOLLY  
TP-P205  
12  
Applied System  
The diagram below illustrates connection of an applied system.  
When connecting  
Perform this when the unit is off.  
Read the instruction manual of the unit before performing it.  
Consult your JVC-authorized dealer on details of the equipment in use of cables with the  
mark.  
REMOTE  
CAMERA REMOTE CONTROL UNIT  
CONTROL UNIT  
RM-LP55  
RM-P210  
REMOTE CONTROL UNIT RM-P210  
TALLY  
CALL  
FULL AUTO  
BARS  
F1  
F2  
F3  
MENU/SHUTTER  
GAIN  
PAINT WHITE AUTO  
MASTER BLACK  
IRIS  
POWER  
SHUTTER  
GAIN  
STEP  
HIGH  
W.BAL  
B
I
SHUTTER  
PUSH-ON  
VARIABLE  
PUSH-ON  
MID  
A
AUTO  
MANU  
F4  
MENU  
LOW  
R
B
PRESET  
O
INTERCOM  
LEVEL  
DOWN  
UP  
DOWN  
UP  
CLOSE  
OPEN  
RM-LP57  
VIEWFINDER  
VF-P400  
HEAD SET  
LENS REMOTE CONTROL  
(FUJINON) (CANON)  
RMD-10  
RMD-20  
TCR-101F  
STUDIO KIT  
KA-F5602  
KA-F5603  
COLOR VIDEO CAMERA  
MD ZOOM LENS  
INCOM MIC  
VF  
S16 x 7.3BMD (FUJINON)  
YH16 x 7BKTS (CANON)  
ON  
CARBON  
OFF  
DYNAMIC  
INTERCOM  
COLOR VIDEO CAMERA KY-F560  
INCOM LEVEL  
CALL  
MIN MAX  
8P  
8P  
4P  
POWER CORD (2 m)  
ZOOM LENS  
SDI OUTPUT  
CARD  
(
)
VC-710 5 m  
KY-F560  
STANDARD PACKAGE  
S17 x 6.6BRM (FUJINON)  
YH16 x 7K12U (CANON)  
KA-F5601  
4P  
AC  
BNC CABLE  
ECE-R22  
AC POWER ADAPTER  
AA-P250  
LENS CABLE  
TRIPOD  
TP-P300  
ZOOM SERVO UNIT  
HZ-ZS13B  
DOLLY  
TP-P205  
FOCUS MANUAL UNIT  
HZ-FM13 (FUJINON)  
HZ-FM15 (CANON)  
MONITOR  
13  
2. Preparation Before Shooting (continued)  
Mounting the Lens  
Follow the procedures below when mounting the auto iris lens.  
Refer to the ‘instruction manual’ for the lens and lens remote control as well.  
AW BARS  
MENU  
SET  
Lens  
Pin  
REMOTE  
LENS  
Hole  
1.  
VIDEO OUT  
GENLOCK IN  
DC IN  
POWER  
2.  
SEE INSTRUCTION MANUAL  
3.  
Lock (Male)  
4.  
Lens Cable  
Lever for securing the lens  
Compatible Lens  
Remote Control  
(Fujinon)  
Compatible MD Zoom Lens  
S16 x 7.3 BMD (Fujinon)  
YH16 x 7 BKTS (Canon)  
RMD-10  
RMD-20  
(Canon)  
TCR-101F  
5. Lock (Female)  
Control Cable  
Lens Remote  
Control  
1. Loosen by turning the lens lock lever in the anti-clockwise direction.  
2. Mount upon ensuring that the pin and mounting hole of the lens are aligned.  
3. Fasten by turning the lens lock lever in the clockwise direction.  
4. Plug the lens cable into the [LENS] terminal at the back of the unit and ensure that it is locked.  
5. When connecting to the lens remote control, connect the cable (female) for controlling the lens to the  
remote control.  
Note  
When connecting the manual iris lens or lens remote control to operate the lens iris manually, set the “IRIS  
MODE” item to “MANUAL”.  
Page 31 ‘ “IRIS MODE” Item on “EXPOSURE” Screen’  
Caution  
Perform this when the unit is off.  
Connecting with the power on may give rise to malfunction of the unit.  
When removing the lens mount cap, ensure that no foreign substances are inside the mount.  
Lenses are not supplied with this unit. Make sure to use lenses that are compatible with this unit.  
14  
Connecting the Power Supply  
Connect the [DC IN] terminal at the back of this unit to the [TO CAMERA] terminal of the AC adaptor (AA-  
P700) using the power cable supplied (2 m).  
AW BARS  
MENU  
SET  
AA-P700 AC Adaptor  
REMOTE  
LENS  
DC 12V=OUTPUT  
VIDEO OUTPUT  
AC 100V  
VIDEO OUT  
GENLOCK IN  
S(Y/C) OUTPUT  
TO CAMERA  
DC IN  
POWER  
EITHER  
OUTPUT  
MAX 1.25A  
SEE INST-  
RUCTION  
MANUAL  
SEE INSTRUCTION MANUAL  
[TO CAMERA] Terminal  
[DC IN]  
Terminal  
White Marking  
AC 120 V  
Connect the end with  
white marking to the AC  
adaptor.  
Power Cable (2 m)  
(accessories)  
Insert plug fully, turn ring and ensure that it is fas-  
DC IN  
tened.  
POWER  
Connect the plug in the same way at the AC adaptor's  
end.  
Ring  
Plug  
Caution  
Ensure to make use of AA-P700 for the power supply.  
When connecting, ensure that power switch of AA-P700 is turned OFF. Connecting with the power on may  
give rise to malfunction of the equipment.  
Note  
Allow a 10 second interval after switching off the power before turning on again. If the power switch is turned  
ON and OFF too soon, malfunctioning such as startup failure may occur.  
15  
2. Preparation Before Shooting (continued)  
Mounting the Camera  
<Mounting Procedures>  
Anti-rotation Hole  
Screw Hole for Mounting Camera  
To mount this unit, make use of the screw holes  
for mounting the camera on the camera mounting  
bracket.  
When mounting this unit, make use of the anti-  
rotation hole to prevent it from falling.  
Camera Mounting Bracket  
<Changing the Camera Mounting Bracket>  
Camera Mounting Bracket is mounted to the bottom  
surface of the camera when supplied. To mount it to  
the top surface, do so by removing the 3 fastening  
screws of the camera mounting bracket.  
Caution  
COLOR VIDEO CAMERA  
KY-F56
Make sure to use screws supplied with this unit. Use  
of screws that are 6 mm or longer in length may give  
rise to malfunction of the unit.  
16  
Precautions to Prevent Camera From Falling  
Safety cable to Prevent  
Falling of Equipment  
6 mm  
KY-F560  
Camera Head  
COLOR VIDEO CAMERA  
Caution  
Special attention is required when mounting to the wall or ceiling. Get a  
contractor to perform the work and avoid doing it on your own. Unit may  
fall off and cause injuries or accidents.  
Mount the unit to a secure place using safety cable to prevent it from fall-  
ing. To mount, make use of the bracket fastening screw holes on the face  
without the camera mounting bracket. (M2.6 x 6 mm)  
Pay attention also to the length of the cable.  
Strength of cable to prevent falling of unit shall be at least 10 times greater  
than the total mass of the camera and lens.  
17  
3. Setting and Adjustment During Shooting  
External Monitor Adjustment  
Display the built-in color bars signal at the camera on the monitor to perform color/contrast/brightness  
adjustment.  
1. Connect the color video monitor to the [VIDEO OUT] of this  
2., 9. [BARS] button  
unit.  
2. Press the [BARS] button to output the color bars signal  
(SMPTE-compliant color bars).  
AW BARS  
MENU  
SET  
3. With the color bars displayed, turn [BLUE CHECK] at the moni-  
tor to ON.  
REMOTE  
LENS  
Screen turns into a monochrome of blue and color bars ap-  
pear as blue stripes.  
VIDEO OUT  
GENLOCK IN  
1.  
4. Turn the [CHROMA] adjustment knob on the monitor and ad-  
just color bars 1 and 8, 7 and $ to the same brightness level.  
5. With [BLUE CHECK] in the ON mode, turn the [PHASE] ad-  
justment knob on the monitor to adjust color bars 3 and 0, 5  
and @ to the same brightness level.  
DC IN  
POWER  
SEE INSTRUCTION MANUAL  
6. If brightness of color bars 1and 8, 7 and $ vary upon [PHASE]  
adjustment, repeat chroma adjustment as in step 4..  
7. Turn [BLUE CHECK] at the monitor to OFF and return to the  
normal screen (R, G and B are all displayed).  
8. Adjust using the [BRIGHT] adjustment knob on the monitor  
such that color bars * and ( disappear and ) becomes vis-  
ible.  
9. Upon completing the adjustment, press the [BARS] button again  
to return to the normal screen.  
3.~8.  
1: White  
2: Yellow  
3: Cyan  
4: Green  
5: Magenta  
6: Red  
7: Blue  
8: Blue  
9: Black  
0: Magenta  
!: Black  
@: Cyan  
#: Black  
$: White  
%: Black  
^: White  
&: Black  
1
8
2
9
3
0
4
A
5
B
6
7
D
C
E
F
G
HIJ K  
18  
Back Focus Adjustment  
When the lens is mounted for the first time, adjust back focus of the lens if the focus for telephoto/wide angle  
during zoom is not aligned.  
Check whether the macro ring has been moved before adjustment. If so, restore the macro fixing knob  
to the original position.  
Place the camera at a distance of 3 m or further away from the object.  
The best will be to use the Siemens Star Chart as the object.  
4., 6.  
Zoom Lens  
3.  
5.  
1. Set iris mode switch of lens to M (manual).  
2. Set zoom mode switch to M (manual).  
3. Turn to open the iris ring.  
Adjust illumination to obtain the proper image level.  
4. Turn the zoom lever to adjust lens to the greatest telephoto  
RET  
M
A
position.  
W
T
5. Turn the focus ring and align focus on the object.  
6. Adjust lens to the widest angle position.  
7. Loosen the fastening screw for the back focus ring.  
1.  
8. Focus on the same object and select a position for which focus  
is best aligned, followed by fastening the back focus ring.  
9. Repeat steps 4. ~ 8. for about three times until focus is aligned  
for both telephoto and wide angle.  
10.Tighten fastening screw for back focus ring securely.  
2. 7., 8.,  
10.  
Power Zoom Lens  
There is no manual mode for power zoom lens. Connect the  
lens remote control.  
Adjustment Procedures  
To adjust, follow steps 3. ~10. above.  
For more details, please refer to the instruction manual for the  
lens or lens remote control.  
Siemens Star Chart (Object)  
19  
3. Setting and Adjustment During Shooting (continued)  
White Balance Adjustment  
Color of light (color temperature) may vary with light sources. When light source for illumination of object is  
changed, adjust white balance (AUTO WHITE) again. Do not place strong reflectors such as metals near  
the object. This may cause error in achieving white balance.  
[
/AW]  
[
White balance adjustment includes Auto White, Full-time Auto White  
(FAW), manual and preset.  
]
[MENU]  
[SET]  
Setting procedures for Auto White  
AW BARS  
MENU  
SET  
(“AUTO1”,“AUTO2”)  
REMOTE  
LENS  
1. Press the [MENU] button for 1-2 seconds.  
The “MENU” screen will be displayed.  
VIDEO OUT  
GENLOCK IN  
2. Use the [  
/
] buttons to select “WHITE BALANCE..”, then  
Item  
Set Value  
press the [SET] button.  
The “WHITE BALANCE” screen will be displayed.  
- - -WHI TE BALANCE - - -  
WH I T E BALANCE  
LEVEL ( R )  
AUTO1  
0
3. Use the [  
/
] buttons to select “WHITE BALANCE”, then press  
0
LEVEL ( B )  
the [SET] button.  
S H AD ING  
PRESET  
LEVEL ( R )  
LEVEL ( G )  
LEVEL ( B )  
PAGE BACK  
- - - - - -  
- - - - - -  
- - - - - -  
The set value displayed will start to blink.  
4. Use the [  
/
] buttons to select “AUTO1” or “AUTO2”, then  
press the [SET] button.  
5. Press the [MENU] button for 1-2 seconds.  
“WHITE BALANCE” Screen  
Auto White Operation Area  
The normal screen will be displayed.  
Note  
Upon returning to the normal screen, place a white object with  
the same illumination conditions as the object, zoom in to the  
white portion at the center of the screen (above 80% within the  
area).  
AUTO WH I TE1  
O PERAT I O N  
6. Press the [AW](Auto White) button.  
When auto white is activated, the auto white operation area  
and “AUTO WHITE1 OPERATION” are displayed on the  
monitor.  
Auto White Operation  
Activated  
When white balance is achieved “AUTO WHITE1 OK” will  
be displayed for about 3 seconds before returning to the  
normal screen.  
AUTO WH I TE1  
O
K
Auto White Operation Ends  
20  
White Balance Adjustment (continued)  
Error Display  
When auto white adjustment is not correctly ended, the following  
message will be displayed for about 3 seconds.  
AUTO WH ITE  
NG : OB JECT  
1
“NG:OBJECT” (Object Error)  
Displayed when there is little white color in the object or when  
color temperature is not appropriate.  
Change to a white object and perform procedures again to  
achieve white balance.  
Object Error  
“ERROR:LOW LIGHT” (Insufficient Illumination)  
Displayed when illumination is too dark. Brighten the illumina-  
tion and perform procedures again to achieve white balance.  
AUTO WH ITE  
ERROR : LOW L I GH T  
1
“ERROR:OVER LIGHT” (Excessive Illumination)  
Displayed when illumination is too bright. Darken the illumina-  
tion and perform procedures again to achieve white balance.  
Insufficient Illumination  
AUTO WH ITE  
1
E
ERROR : OV  
R
L I GHT  
Excessive Illumination  
Full-time Auto White (FAW) Function  
Automatic adjustment of white balance according to different illumination conditions.  
This mode is useful when there is no time to readjust white balance or when camera is frequently moved to  
locations with different illumination conditions.  
However, white balance cannot be properly achieved in cases that are beyond the adjustable range of the  
full-time auto white function, such as when there is only one color or little white color in the object.  
Precision of FAW deteriorates when compared with manual white balance.  
When power is turned on in the FAW mode, it takes about 10 seconds for the FAW automatic adjustment  
to end.  
21  
3. Setting and Adjustment During Shooting (continued)  
White Shading Adjustment  
There are cases when white balance is achieved for the center of the screen but not for the upper and lower  
ends, hence causing other colors to appear with green or magenta. This is brought about by the lens  
characteristics. The process of rectifying this is known as white shading.  
[
]
Perform the following setting upon adjusting white balance.  
[
]
Page 20  
[MENU]  
[SET]  
1. Press the [MENU] button for 1-2 seconds.  
The “MENU” screen will be displayed.  
AW BARS  
MENU  
SET  
2. Use the [  
/
] buttons to select “WHITE BALANCE..”, then  
REMOTE  
LENS  
press the [SET] button.  
The “WHITE BALANCE” screen will be displayed.  
VIDEO OUT  
GENLOCK IN  
3. Use the [  
[SET] button.  
The set value starts blinking and adjustment is possible.  
4. Use the [ ] buttons to set value to “MANUAL”, then press  
the [SET] button.  
/
] buttons to select “SHADING”, then press the  
1.  
- - - MENU - - -  
EXPOSURE . .  
WH I T E B ALANCE . .  
PROCESS . .  
/
SYSTEM . .  
F I LE MANAGE . .  
EX I T  
“MENU” Screen  
2.  
- - -WHI TE BALANCE - - -  
WH I T E BALANCE  
LEVEL ( R )  
MANUAL  
0
0
LEVEL ( B )  
S H AD ING  
PRESET  
LEVEL ( R )  
LEVEL ( G )  
LEVEL ( B )  
PAGE BACK  
- - - - - -  
- - - - - -  
- - - - - -  
“WHITE BALANCE” Screen  
3. 4.  
- - -WHI TE BALANCE - - -  
WH I T E BALANCE  
LEVEL ( R )  
MANUAL  
0
0
LEVEL ( B )  
S H AD ING  
LEVEL ( R )  
LEVEL ( G )  
LEVEL ( B )  
MANUAL  
Blinking  
0
0
0
PAGE BACK  
22  
White Shading Adjustment (continued)  
5. Use the [  
/
] buttons to select items for “LEVEL(R)”,  
Blinking  
5. 6.  
“LEVEL(G)” and “LEVEL(B)”, then press the [SET] button.  
The set value starts blinking and adjustment is possible.  
- - -WHI TE BALANCE - - -  
WH I T E BALANCE  
LEVEL ( R )  
LEVEL ( B )  
S H AD ING  
LEVEL ( R )  
LEVEL ( G )  
LEVEL ( B )  
PAGE BACK  
MANUAL  
0
0
6. Refer to the monitor to adjust values for “LEVEL(R)”,  
MANUAL  
“LEVEL(G)” and “LEVEL(B)” using the [  
/
] buttons.  
0
0
0
As each of the set values get bigger, the color at the lower end  
of the screen lightens while that at the upper end darkens.  
{Variable Values: –128 - +127}  
7. Upon changing the set values, press the [SET] button to record  
them in the memory of this unit.  
7.  
8. Press the [MENU] button for 1-2 seconds.  
The normal screen will be displayed.  
- - -WHI TE BALANCE - - -  
WH I T E BALANCE  
LEVEL ( R )  
MANUAL  
0
9. Upon completing white shading adjustment, perform white bal-  
ance adjustment again.  
0
LEVEL ( B )  
S H AD ING  
MANUAL  
LEVEL ( R )  
10  
Page 20 ‘White Balance Adjustment’  
LEVEL ( G )  
LEVEL ( B )  
0
0
PAGE BACK  
23  
4. Various Modes of Shooting  
Shooting the Computer Monitor  
When shooting images of computer monitors or displays, horizontal bands will appear on the screen. To  
eliminate the bands, it will be necessary to align the shutter speed with the scanning frequency of the  
monitor.  
1. Press the [MENU] button for 1-2 seconds.  
The “MENU” screen will be displayed.  
2. Use the [  
/
] buttons to select “EXPOSURE..”, then press  
the [SET] button.  
3. Use the [  
/
] buttons to select “SHUTTER”, then press the  
Band  
[SET] button.  
The set value starts blinking and adjustment is possible.  
4. Use the [  
the [SET] button.  
] buttons to select “LEVEL”, then press the [SET]  
/
] buttons to set value to “V.SCAN”, then press  
Computer Monitor  
5. Use the [  
/
button.  
3. 4.  
6. Use the [  
/
] buttons to adjust the shutter speed. Pay atten-  
- - - EXPOSURE - - -  
tion to the screen  
I R I S MODE  
MANUA L L EVEL  
GA I N  
LEVEL  
SHUTTER  
LEVEL  
AUTO  
- - - - - -  
STEP  
0d B  
STEP  
NORMA L  
If black bands are visible : use the [ ] button to lower the shut-  
ter speed  
If white bands are visible : use the [ ] button to increase the  
shutter speed  
ADVANCED EXPOSURE . .  
PAGE BACK  
7. When bands are decreased to the minimum, press the [SET]  
button. This will be recorded in the memory of the unit.  
“EXPOSURE” Screen  
8. Press the [MENU] button for 1-2 seconds.  
The normal screen will be displayed.  
5. 6.  
- - - EXPOSURE - - -  
I R I S MODE  
AUTO  
MANUA L L EVEL  
GA I N  
- - - - - -  
STEP  
0 dB  
LEVEL  
SHUTTER  
LEVEL  
V. SCAN  
1 / 6 0.1  
ADVANCED EXPOSURE . .  
PAGE BACK  
Note  
Vertical scanning frequency may vary with computer types and there are cases when bands may not be fully  
eliminated. In addition, frequency may also differ depending on the software used.  
24  
Output of Negative Image  
It is possible to convert video signals output from the [VIDEO OUT] terminal of this unit into negative images.  
[
]
1. Press the [MENU] button for 1-2 seconds.  
[
]
The “MENU” screen will be displayed.  
[MENU]  
[SET]  
2. Use the [  
[SET] button.  
The “SYSTEM” screen will be displayed.  
/
] buttons to select “SYSTEM..”, then press the  
AW BARS  
MENU  
SET  
REMOTE  
LENS  
3. Use the [  
/
] buttons to select “NEGATIVE”, then press the  
VIDEO OUT  
GENLOCK IN  
[SET] button.  
The set value starts blinking and adjustment is possible.  
4. Use the [  
/
] buttons to set value to “ON”, then press the  
Blinking  
[SET] button.  
2. 3.  
This will be recorded in the memory of the this unit.  
Output image will be converted to negative images.  
- - - SYSTEM - - -  
ASPECT RAT I O  
NEGAT I VE  
SETUP  
4 : 3  
OFF  
ON  
5. Press the [MENU] button for 1-2 seconds.  
P I XEL COMPEN  
CANCEL  
H
PHASE  
0
0
0
The normal screen will be displayed.  
SC COARSE  
SC F I NE  
PAGE  
BACK  
“SYSTEM” Screen  
4. 5.  
- - - SYSTEM - - -  
ASPECT RAT I O  
NEGAT I VE  
SETUP  
4 : 3  
ON  
ON  
P I XEL COMPEN  
CANCEL  
H
PHASE  
0
0
0
SC COARSE  
SC F I NE  
PAGE  
BACK  
“SYSTEM” Screen  
25  
4. Various Modes of Shooting (continued)  
White Spot Correction  
As a peculiar common characteristic of CCD, white spots may appear on the screen when operated under  
high temperature.  
This unit comes with a white spot correction feature to reduce this phenomenon.  
How To Use  
Detection of White Spots  
The quantity and size of white spots differ with the temperature and shutter speed during use. Before  
using the white spot correction feature, it will thus be necessary to detect the position of the white spots  
under the conditions of use.  
[
]
[
Preparation  
]
[MENU]  
[SET]  
Set the conditions of use (ambient temperature, shutter speed,  
etc.) in this unit.  
Turn on the power of the camera and leave it on for at least 2  
hours.  
AW BARS  
MENU  
SET  
REMOTE  
LENS  
Close the lens iris to ensure that no light enters the CCD.  
VIDEO OUT  
GENLOCK IN  
Operation  
1. Press the [MENU] button for 1-2 seconds.  
2. 3.  
Blinking  
The “MENU” screen will be displayed.  
- - - SYSTEM - - -  
2. Use the [  
[SET] button.  
The “SYSTEM” screen will be displayed.  
/
] buttons to select “SYSTEM..”, then press the  
ASPECT RAT I O  
NEGAT I VE  
4 : 3  
OFF  
ON  
SETUP  
P I XEL COMPEN  
PHASE  
SC COARSE  
SC F I NE  
CANCEL  
H
0
0
0
3. Use the [  
/
] buttons to select “PIXEL COMPEN”, then press  
PAGE  
BACK  
the [SET] button.  
The “CANCEL” value starts blinking and adjustment is pos-  
sible.  
“SYSTEM” Screen  
4. Use the [  
/
] buttons to select “EXECUTE” and press the  
[SET] button to start the white spot detection.  
4. 5.  
Blinking  
Detection process may take a few minutes to complete.  
- - - SYSTEM - - -  
5. Upon completing detection,“Detection Completed” screen will  
ASPECT RAT I O  
NEGAT I VE  
SETUP  
P I XEL COMPEN  
PHASE  
SC COARSE  
SC F I NE  
4 : 3  
OFF  
ON  
be displayed.  
EXECUTE  
6. Turn on the power again.  
H
0
0
0
Allow a 10 seconds interval after switching off the power be-  
fore turning on again.  
PAGE  
BACK  
When power is turned on, white spots will be corrected.  
“SYSTEM” Screen  
26  
White Spot Correction (continued)  
White Spot Correction Messages  
Detecting Screen  
Detection Completed Screen  
PIXEL COMPEN  
EXECUTING  
PIXEL COMPEN  
OK  
TURN POWER OFF  
AND ON AGAIN  
Detection Error Screen  
PIXEL COMPEN  
ERROR : LENS NOT CLOSED?  
PIXEL COMPEN  
ERROR : COUNT OVER  
TURN POWER OFF  
AND ON AGAIN  
Notes  
The white spot correction feature of this unit does not correct all white spots. Detection and correction of  
white spots by this unit is performed under the following conditions. White  
spot correction will not be performed under conditions beyond those  
stated. In cases where conditions are fulfilled, correction may not be suc-  
cessfully performed depending on the nature of the white spots.  
In such case, perform the detection again until white spots are detected.  
Consult your JVC authorized dealer if white spots cannot be corrected.  
Quantity of Detection/Correction: 32 or less  
PIXEL COMPEN  
ERROR : LENS NOT CLOSED?  
The screen on the right may be displayed during detection of white spots  
in cases when light enters the CCD during detection or depending on the  
condition of white spots. In this case, check if there is light entering the  
CCD. If the screen is displayed despite that no light enters the CCD,  
increase the shutter speed by 1 step and perform detection again.  
During white spot correction, pixel data is obtained via interpolation of  
pixel information from the surroundings. Thus data may not be accurate  
for fine images.  
PIXEL COMPEN  
ERROR : COUNT OVER  
TURN POWER OFF  
AND ON AGAIN  
Results of white spot detection will be stored until the next detection is  
performed.  
During white spot detection, operation via the remote control will be dis-  
abled.  
27  
5. Setting Via the Menu Screen  
Flow of Menu Screens  
The menu screen is made up of multiple layers of menu screens as illustrated in the diagram below.  
Select the menu screen for setting at the MAIN MENU screen according to function and usage, and perform  
setting accordingly.  
- - - EXPOSURE - - -  
Page 31  
I R I S MODE  
MANUA L L EVEL  
GA I N  
AUTO  
- - - - - -  
STEP  
0d B  
LEVEL  
SHUTTER  
LEVEL  
ADVANCED EXPOSURE . .  
STEP  
NORMA L  
PAGE BACK  
Cursor  
MAIN MENU  
Page 34  
Page 36  
Page 41  
Page 42  
- - - MENU - - -  
- - -WHI TE BALANCE - - -  
WH I T E BALANCE  
LEVEL ( R )  
LEVEL ( B )  
AUTO1  
0
0
EXPOSURE .  
.
WH I T E B ALANCE . .  
PROCESS . .  
SYSTEM . .  
F I LE MANAGE . .  
EX I T  
S H AD ING  
LEVEL ( R )  
LEVEL ( G )  
PRESET  
- - - - - -  
- - - - - -  
- - - - - -  
LEVEL ( B )  
PAGE BACK  
- - - PROCESS ( 1 / 2 )  
MASTER BLACK  
DETA I L  
LEVEL  
V / H BALANCE  
FREQUENCY  
V. RESOLUT I ON  
WH I TE CL I P  
KNEE  
0
ON  
0
0
LOW  
NORM AL  
1 08%  
AUTO  
- - - - - -  
LEVEL  
NEXT PAGE .  
.
PAGE BACK  
- - - SYSTEM - - -  
ASPECT RAT I O  
NEGAT I VE  
SETUP  
P I XEL COMPEN  
PHASE  
4 : 3  
OFF  
ON  
CANCEL  
0
Normal Screen  
H
SC COARSE  
SC F I NE  
0
0
PAGE  
BACK  
- - - F I LE MANAGE - - -  
LOAD F I LE  
A
LOAD  
STORE F I LE  
STORE  
RESET F I LE  
RESET  
CANCEL  
A
CANCEL  
A
CANCEL  
PAGE BACK  
28  
Flow of Menu Screens (continued)  
Press the [MENU] button for 1-2 seconds.  
The normal screen will be displayed.  
When the remote control is connected, items that  
can be operated via the remote control will be dis-  
played as “REMOTE” on the menu screen. Op-  
eration of these items via the camera unit will be  
disabled.  
- - - ADVANCED EXPOSURE - - -  
Page 33  
ALC L I M I T  
EE I L I M I T  
AE LEVE L  
AE DETECT  
AE AREA . .  
PAGE BACK  
+18dB  
1 / 24 0  
0
NORMA L  
Page 33  
NORMAL  
Page 38  
- - - PROCESS ( 2 / 2 ) - - -  
OFF  
CINEMA  
COLOR MATR I X  
ADJUST . .  
GAMMA  
STANDARD  
MANU AL  
0
LEVEL  
BLACK  
NORM AL  
FLARE  
ON  
MASTER  
FLARE ( R )  
FLARE ( B )  
PAGE BACK  
0
0
0
Page 40  
- - - MATRI X ADJUST - - -  
R
R
G
G
B
B
GA I N  
ROTAT ION  
GA I N  
ROTAT ION  
GA I N  
ROTAT ION  
0
0
0
0
0
0
PAGE BACK  
29  
5. Setting Via the Menu Screen (continued)  
Setting Procedures  
The various functions of this unit can be set using the menu screen. Settings will be stored in the memory of  
this unit and will remain recorded when the power is turned off.  
1. Press the [MENU] button for 1-2 seconds.  
[
]
The “MENU” screen will be displayed.  
[
]
2. Use the [  
/
] buttons to select an item, followed by pressing  
[MENU]  
[SET]  
the [SET] button. The submenu screen will be displayed.  
3. For the submenu screens, similarly, use the [  
/
] buttons to  
AW BARS  
MENU  
SET  
select an item, then press the [SET] button.  
REMOTE  
LENS  
The set value starts blinking and adjustment is possible.  
VIDEO OUT  
4. Use the [  
/
] buttons to alter the set value, followed by press-  
GENLOCK IN  
ing the [SET] button. Set value will be confirmed and recorded  
in the memory of this unit.  
1.  
Note  
If there is a huge difference in the magnitude of value to be set,  
- - - MENU - - -  
EXPOSURE . .  
WH I T E B ALANCE . .  
PROCESS . .  
press and hold the [  
Use this when making a significant change to the set value.  
/
] buttons to speed up the change.  
SYSTEM . .  
F I LE MANAGE . .  
EX I T  
5. Press the [MENU] button for 1-2 seconds.  
The normal screen will be displayed.  
“MENU” Screen  
2.  
- - - EXPOSURE - - -  
I R I S MODE  
MANUA L L EVEL  
GA I N  
LEVEL  
AUTO  
- - - - - -  
STEP  
0d B  
SHUTTER  
STEP  
LEVEL  
NORMA L  
ADVANCED EXPOSURE . .  
PAGE BACK  
“EXPOSURE” Screen (Example)  
(Submenu Screen)  
30  
“EXPOSURE” Screen  
Settings in bold are factory settings  
Item  
“IRIS MODE”  
Function/Variable Values  
Switch according to the lens in use.  
“AUTO”  
“MANUAL”  
: When using auto iris lens  
: When using manual iris lens  
“MANUAL  
LEVEL”  
For setting the iris level when “IRIS MODE” is set to “MANUAL”.  
Increase value : Opens the iris.  
Decrease value : Closes iris.  
{Variable Values : 0 - 128 - 255}  
Note  
“When “IRIS MODE” is set to “AUTO”, “MANUAL LEVEL” item selection will be  
disabled. (Displayed as “- - - - - -”)  
“GAIN”  
For switching the electric sensitivity mode.  
“STEP”  
“V.GAIN”  
“ALC”  
: Gain boost level can be altered using the “LEVEL” item.  
: Gain boost level can be fine-tuned using the “LEVEL” item.  
: Alters gain boost level automatically according to the  
brightness.  
Set the maximum value at the “ALC LIMIT” item. Page 33  
“LEVEL”  
Gain boost level can be altered when gain boost mode is set as “STEP” or “V.GAIN”.  
{Variable “STEP” Values: –3, 0, +3, +6, +9, +12, +15, +18dB, LOLUX}  
{Variable “V.GAIN” Values: –3 - 0 - 18dB 0.2dB Step}  
Note  
“When “GAIN” is set to “ALC”, “LEVEL” item selection will be disabled.  
(Displayed as “- - - - - -”)  
31  
5. Setting Via the Menu Screen (continued)  
“EXPOSURE” Screen (continued)  
Settings in bold are factory settings  
Item  
“SHUTTER”  
Function/Variable Values  
For switching the shutter mode.  
“STEP”  
“V.SCAN”  
: Shutter speed can be altered using the “LEVEL” item.  
: Align scan speed of monitor to eliminate horizontal lines that  
appear when shooting the computer monitor. Shutter can be  
fine-tuned using the “LEVEL” item.  
Page 24 ‘Shooting the Computer Monitor’  
“EEI”  
: Adjusts shutter speed automatically according to brightness  
of object. (Maximum value: 1/960)  
Set the maximum value at the “EEI LIMIT” item. Page 33  
“LEVEL”  
{Variable “STEP” Values : NORMAL (1/60), 1/100, 1/250, 1/500, 1/1000, 1/2000,  
1/4000, 1/10000}  
{“V.SCAN” variable  
: approx. 1/60 ~ approx. 1/10000}  
Notes  
When “SHUTTER” is set to “EEI”, “LEVEL” item selection will be disabled. (Dis-  
played as “- - - - - -”)  
There will be insufficient light intensity if the shutter speed is increased and  
adjustment of lens iris and gain will be necessary. Attention shall be paid to the  
picture quality when gain boost is increased as this increases the sensitivity  
and screen may become grainy as a result.  
“ADVANCED  
EXPOSURE”  
“PAGE BACK”  
Invokes the “ADVANCED EXPOSURE” screen.  
Page 33 ‘“ADVANCED EXPOSURE” Screen’  
Press the [SET] button to return to the “MENU” screen when cursor is at this  
position.  
32  
“ADVANCED EXPOSURE” Screen  
Settings in bold are factory settings  
Function/Variable Values  
Item  
For setting the maximum “ALC” value that triggers automatic switching of gain  
boost level according to the brightness.  
“ALC LIMIT”  
{Variable Values: +9,+12,+15,+18dB}  
For setting the maximum shutter speed when shutter mode is set to “EEI”.  
“EEI LIMIT”  
“AE LEVEL”  
“AE DETECT”  
“1/240”  
“1/480”  
“1/960”  
: Set as 1/240 seconds.  
: Set as 1/480 seconds.  
: Set as 1/960 seconds.  
For adjusting the image level when using auto iris, “ALC” or “EEI”.  
Increase value : Increases level.  
Decrease value : Decreases level.  
{Variable Values : –5 - 0 - +5}  
Selects the detection method of the detection area when auto iris, “ALC” or  
“EEI” is used.  
“NORMAL”  
: Normal Position  
“PEAK”  
: Detects the maximum brightness value (peak level) to  
enhance visibility of objects with high luminance.  
: Detects the average brightness value (average) to  
enhance visibility of objects with high luminance.  
“AVG”  
Invokes the “AE AREA” screen.  
“AE AREA..”  
For selecting the detection area of the image level when using auto iris, “ALC”  
or “EEI”.  
“NORMAL”  
“SQUARE”  
“SPOT”  
“FULL”  
“CIRCLE”  
Detection Area  
Detection Area  
Detection Area  
Detection Area  
Detection Area  
Note  
Auto iris, “ALC” and “EEI” operations stop when the detection area is displayed.  
Press the [SET] button to return to the “EXPOSURE” screen when cursor is at  
this position.  
“PAGE BACK”  
Note  
The “AE LEVEL”, “AE DETECT” and “AE AREA” items cannot be selected when operation of auto iris,  
“ALC” and “EEI” are set as disabled.  
“The “AE LEVEL” and “AE DETECT” items are displayed as “- - - - - -”.  
33  
5. Setting Via the Menu Screen (continued)  
“WHITE BALANCE” Screen  
Settings in bold are factory settings  
Item  
“WHITE  
Function/Variable Values  
For setting the white balance mode.  
BALANCE”  
“AUTO 1”  
“AUTO 2”  
: Set to this to enable automatic adjustment of white balance.  
AUTO 2 Equipped with 2 modes (“AUTO 1” and “AUTO 2”).  
Page 20 ‘White Balance Adjustment’  
“LEVEL(R)” and “LEVEL(B)” items allow fine-tuning of white  
color upon achieving white balance.  
“FAW”  
: Automatic adjustment of white balance according to different  
illumination conditions.  
“MANUAL”  
: Manual adjustment of white balance.  
Can be altered using the “LEVEL(R)” and “LEVEL(B)” items.  
: Fixes white balance at 3200 K.  
“PRESET”  
“LEVEL(R)”  
“LEVEL(B)”  
For adjusting the reddishness of white balance when “WHITE BALANCE” is set to  
“AUTO” or “MANUAL”.  
Increase value : Increases reddishness on screen.  
Decrease value : Decreases reddishness on screen.  
{Variable Values During “AUTO”: –32 - 0 - +31}  
{Variable Values During “MANUAL”: 0 - 128 - 255}  
For adjusting the bluishness of white balance when “WHITE BALANCE” is set to  
“AUTO” or “MANUAL”.  
Increase value : Increases bluishness on screen.  
Decrease value : Decreases bluishness on screen.  
{Variable Values During “AUTO”: –32 - 0 - +31}  
{Variable Values During “MANUAL”: 0 - 128 - 255}  
Note  
Selection of “LEVEL(R)” and “LEVEL(B)” items is disabled when the “WHITE BALANCE” item is set to  
“PRESET”. (Displayed as “- - - - - -”)  
34  
“WHITE BALANCE” Screen (continued)  
Settings in bold are factory settings  
Item  
Function/Variable Values  
“SHADING”  
For setting whether to perform white shading adjustment.  
“PRESET”  
“MANUAL”  
: White shading adjustment disabled.  
: White shading adjustment enabled.  
Page 22 ‘White Shading Adjustment’  
“LEVEL(R)”  
“LEVEL(G)”  
For adjusting reddishness of white shading only when the “SHADING” item is set  
to “MANUAL”.  
Increase value : Decreases reddishness at lower end and increases  
reddishness at upper end of screen.  
Decrease value : Decreases reddishness at upper end and increases  
reddishness at lower end of screen.  
{Variable Values : –128 - 0 - +127}  
For adjusting greenishness of white shading only when the “SHADING” item is set  
to “MANUAL”.  
Increase value : Decreases greenishness at lower end and increases  
greenishness at upper end of screen.  
Decrease value : Decreases greenishness at upper end and increases  
greenishness at lower end of screen.  
{Variable Values : –128 - 0 - +127}  
“LEVEL(B)”  
For adjusting bluishness of white shading only when the “SHADING” item is set to  
“MANUAL”.  
Increase value : Decreases bluishness at lower end and increases bluishness  
at upper end of screen.  
Decrease value : Decreases bluishness at upper end and increases bluishness  
at lower end of screen.  
{Variable Values : –128 - 0 - +127}  
“PAGE BACK”  
Press the [SET] button to return to the “MENU” screen when cursor is at this  
position.  
Note  
Selection of “LEVEL(R)”, “LEVEL(G)” and “LEVEL(B)” items is disabled when the “SHADING” item is set to  
“PRESET”. (Displayed as “- - - - - -”)  
35  
5. Setting Via the Menu Screen (continued)  
“PROCESS (1/2)” Screen  
Settings in bold are factory settings  
Function/Variable Values  
For adjusting the pedestal level (master black), which is based on the black color  
when the lens cap is being put on. To view the black portion, increase the pedes-  
tal level to brighten the entire screen.  
Item  
“MASTER  
BLACK”  
Increase value : Increases pedestal  
Decrease value : Decreases pedestal  
{Variable Values : –10 - 0 - +10}  
For setting whether to highlight the contour (detail).  
“DETAIL”  
“ON”  
: Highlight of contour enabled.  
“OFF”  
: Highlight of contour disabled.  
“LEVEL”, “V/H BALANCE”, “FREQUENCY” items are  
displayed as “- - - - - -”.  
Caution  
When “LOLUX” is activated, the adjustment feature will not work even if the menu  
operation under “DETAIL” item is performed.  
For setting highlight level of contour (detail) when “DETAIL” is set to “ON”.  
Increase value : Sharpens contour.  
“LEVEL”  
Decrease value : Softens contour.  
{Variable Values : –10 - 0 - +10}  
For setting whether to emphasize the horizontal (H) or vertical (V) direction during  
contour highlight (detail) when “DETAIL” is set to “ON”.  
Increase value : Emphasize on H direction.  
“V/H BALANCE”  
Decrease value : Emphasize on V direction.  
{Variable Values : –5 - 0 - +5}  
For altering the frequency for contour highlight (detail) when “DETAIL” is set to  
“ON”. Set this according to the object.  
“FREQUENCY”  
“LOW”  
: Lowers the frequency for contour highlight.  
Use this when shooting objects with large patterns.  
: Sets the frequency for contour highlight to standard.  
: Increases the frequency for contour highlight.  
Use this when shooting objects with fine patterns.  
“MIDDLE”  
“HIGH”  
For increasing the vertical resolution.  
“V.RESOLUTION”  
“NORMAL”  
“V.MAX”  
: Vertical resolution of approx. 380 lines  
: Vertical resolution of approx. 450 lines  
Caution  
In the case of “V.MAX”, colors may be found on the brighter portions of the object  
depending on its color temperature. In addition, there will be more residual im-  
ages.  
36  
“PROCESS (1/2)” Screen (continued)  
Settings in bold are factory settings  
Function/Variable Values  
For setting a white clipping point for video signals of a high luminance level.  
Item  
“WHITE CLIP”  
“108%”  
“100%”  
: Enable white clipping at point where luminance level is 108%.  
: Enable white clipping at point where luminance level is 100%.  
For setting whether to automatically or manually perform the “KNEE” operation,  
which compresses video signals that are beyond a certain level in order to show  
the gradation of the highlighted portion. To double-check gradation of the bright  
portion, set to “MANUAL” and adjust knee point manually.  
“KNEE”  
“AUTO”  
: Adjusts luminance level automatically.  
“MANUAL”  
: Luminance level can be altered using the “LEVEL” item.  
For setting the starting point of knee compression (knee point).  
Increase value : Increases the knee point level.  
Decrease value : Decreases the knee point level.  
The smaller the value, the more readily visible is the gradation of high luminance  
levels.  
“LEVEL”  
{Variable Values: 80, 85, 90, 95, 100%}  
Note  
When in the “AUTO” mode, the “KNEE” item is displayed as “- - - - - -”.  
Press the [SET] button to invoke the “PROCESS (2/2)” screen when the cursor is  
at this position.  
Page 38 ‘PROCESS (2/2) Screen’  
Press the [SET] button to return to the “MENU” screen when cursor is at this  
position.  
“NEXT PAGE”  
“PAGE BACK”  
“KNEE” Function  
When aligning brightness level to the person in front of a high luminance background during shooting, the  
background will blurred with white. In this case, use the knee function to obtain a clear background.  
It will be effective to make use of this function under the following circumstances.  
When shooting a person indoors and view outside the window at the same time  
When shooting a person under a shade on a fine day  
When shooting a high-contrast scene  
Caution  
If the high-luminance section of a fast-moving body such as a car under sunlight is shot, the knee function  
may cause brightness of the entire screen to change according to the motion of the object. In this case, set  
the “KNEE” item to “MANUAL” during shooting.  
37  
5. Setting Via the Menu Screen (continued)  
“PROCESS (2/2)” Screen  
Settings in bold are factory settings  
Function/Variable Values  
: Disabled.  
Item  
“CINEMA”  
“OFF”  
“ON”  
: Switches to a gamma curve that is similar to the screen  
characteristics of movies.  
Color matrix switches to the “CINEMA” mode.  
For setting color matrix.  
“COLOR  
MATRIX”  
“OFF”  
: Disabled.  
“STANDARD” : Sets to standard color matrix.  
“WARM”  
“EXT1-3”  
: Sets to a reddish tone.  
: Sets to a color matrix other than those above.  
Select according to your preference.  
: Sets color matrix to the manual adjustment mode.  
“MANUAL”  
Note  
When the “CINEMA” item is set to “ON”, “(CINEMA)” is displayed and setting is  
disabled. (“EXT2” is equivalent to the “CINEMA” mode.)  
This can be selected only when the “COLOR MATRIX” item is set to “MANUAL”.  
Press the [SET] button to invoke the “MATRIX ADJUST” screen.  
Page 40 ‘MATRIX ADJUST Screen’  
“ADJUST..”  
“GAMMA”  
For adjusting the gamma curve that determines the reproducibility of black color.  
“OFF”  
“MANUAL”  
: Disables gamma curve adjustment.  
: Amount of gamma curve adjustment can be altered using the  
“LEVEL” item.  
“CINEMA”  
: Switches to a gamma curve that is similar to the screen  
characteristics of movies.  
Note  
When the “CINEMA” item is set to “ON”, “(CINEMA)” is displayed and setting is  
disabled.  
Gamma curve adjustment is enabled only when the “GAMMA” item is set to  
“LEVEL”  
“MANUAL”.  
Increase value : Enhances gradation of black. However, gradation of bright  
portions will deteriorate.  
Decrease value : Enhances gradation of bright portions. However, gradation of  
black will deteriorate.  
{Variable Values : –5 - 0 - +5}  
Note  
Displayed as “- - - - - -” when the “GAMMA” item is set to “OFF” or “CINEMA”.  
38  
“PROCESS (2/2)” Screen (continued)  
Settings in bold are factory settings  
Function/Variable Values  
For switching gain of the dark portions. Switch via the video signals to be shot.  
Item  
“BLACK”  
“NORMAL”  
: Standard mode  
“STRETCH”  
: Stretches only the darker portions of the signal, thus  
emphasizing the light and shade of the darker portions.  
“COMPRESS” : Compresses gain of the black portion to add contrast in the  
case when image shot is bright and with little contrast.  
For correcting the black level when light that enters the lens reflects irregularly  
and hence causing flare, where color appears on the black portion.  
“FLARE”  
“OFF”  
“ON”  
: Correction disabled.  
: Correction enabled.  
Performs correction on the entire black level.  
Increase value : Increases black level.  
Decrease value : Reduces black level.  
{Variable Values : –10 - 0 - +10}  
For correcting Rch of black level in accordance with the luminance level when  
light that enters the lens reflects irregularly, hence causing flare that turns the  
entire screen whitish. Perform this together with FLARE(B).  
Increase value : Increases the black level of Rch to enhance the reddishness.  
Decrease value : Decreases the black level of Rch to reduce the reddishness.  
{Variable Values : –10 - 0 - +10}  
“MASTER”  
“FLARE(R)”  
For correcting Bch of black level in accordance with the luminance level when  
light that enters the lens reflects irregularly, hence causing flare that turns the  
entire screen whitish. Perform this together with FLARE(R).  
Increase value : Increases the black level of Bch to enhance the bluishness.  
Decrease value : Decreases the black level of Bch to reduce the bluishness.  
{Variable Values : –10 - 0 - +10}  
“FLARE(B)”  
Press the [SET] button to return to the “PROCESS(1/2)” screen when cursor is at  
this position.  
“PAGE BACK”  
Note  
Selection of “MASTER”, “FLARE(R)” and “FLARE(B)” items is disabled when the “FLARE” item is set to  
“OFF”. (Displayed as “- - - - - -”)  
39  
5. Setting Via the Menu Screen (continued)  
“MATRIX ADJUST” Screen  
Settings in bold are factory settings  
Item  
Function/Variable Values  
“R GAIN”  
For manually adjusting the shading of the R axis of the color matrix (red and  
cyan).  
Increase value : Enhances red and cyan.  
Decrease value : Reduces red and cyan.  
{Variable Values : –3 - 0 - +3}  
“R ROTATION”  
For manually adjusting the color phase of the R axis of the color matrix (red and  
cyan).  
Increase value : Increases yellowishness of red color and bluishness of cyan  
color.  
Decrease value : Increases bluishness of red color and greenishness of cyan  
color.  
{Variable Values : –3 - 0 - +3}  
“G GAIN”  
For manually adjusting the shading of the G axis of the color matrix (green and  
magenta).  
Increase value : Enhances green and magenta.  
Decrease value : Reduces green and magenta.  
{Variable Values : –3 - 0 - +3}  
“G ROTATION”  
For manually adjusting the color phase of the G axis of the color matrix (green and  
magenta).  
Increase value : Increases bluishness of green color and reddishness of  
magenta color.  
Decrease value : Increases yellowishness of green color and bluishness of  
magenta color.  
{Variable Values : –3 - 0 - +3}  
“B GAIN”  
For manually adjusting the shading of the B axis of the color matrix (blue and  
yellow).  
Increase value : Enhances blue and yellow.  
Decrease value : Reduces blue and yellow.  
{Variable Values : –3 - 0 - +3}  
“B ROTATION”  
For manually adjusting the color phase of the B axis of the color matrix (blue and  
yellow).  
Increase value : Increases reddishness of blue color and greenishness of  
yellow color.  
Decrease value : Increases greenishness of blue color and reddishness of  
yellow color.  
{Variable Values : –3 - 0 - +3}  
“PAGE BACK”  
Press the [SET] button to return to the “PROCESS(2/2)” screen when cursor is at  
this position.  
40  
“SYSTEM” Screen  
Settings in bold are factory settings  
Item  
Function/Variable Values  
“ASPECT  
RATIO”  
For setting the screen size for recorded video signals.  
“4:3”  
: Image output at aspect ratio of 4:3.  
: Image output at aspect ratio of 16:9.  
The vertical resolution deteriorates as compared to the  
images of 4:3.  
“16:9”  
“NEGATIVE”  
“SET UP”  
Signals output from the [VIDEO OUT] terminal can be output as negative signals.  
“ON”  
: Outputs negative signals.  
“OFF”  
: Outputs normal video signals.  
For setting whether to add setup signals to the camera images.  
“ON”  
: Add setup signals.  
“OFF”  
: Do not add setup signals.  
“PIXEL  
For setting whether to perform white spot correction.  
COMPEN”  
“CANCEL”  
“EXECUTE”  
: Do not perform white spot correction.  
: Perform white spot correction.  
Page 26 ‘White Spot Correction’  
“H PHASE”  
Adjust the horizontal (H) phase of this unit with respect to signals input to the  
[GENLOCK IN] terminal (external sync signals).  
Increase value : Adjusts horizontal phase back.  
Decrease value : Adjusts horizontal phase ahead.  
{Variable Values : –128 - 0 - +127}  
“SC COARSE”  
“SC FINE”  
Coarse tune the subcarrier (SC) phase of this unit with respect to signals input to  
the [GENLOCK IN] terminal (external sync signals).  
Increase value : Adjusts phase back.  
Decrease value : Adjusts phase ahead.  
{Variable Values : 0˚, 90˚, 180˚, 270˚}  
Fine tune the subcarrier (SC) phase of this unit with respect to signals input to the  
[GENLOCK IN] terminal (external sync signals).  
Increase value : Adjusts phase back.  
Decrease value : Adjusts phase ahead.  
{Variable Values : –128 - 0 - +127}  
“PAGE BACK”  
Press the [SET] button to return to the “MENU” screen when cursor is at this  
position.  
41  
5. Setting Via the Menu Screen (continued)  
“FILE MANAGE” Screen  
The following can be performed on the “FILE MANAGE” screen.  
Saving menu settings in 3 types of files (A, B and C).  
Retrieving stored files (A, B and C).  
Resetting menu settings to factory settings.  
1. 2.  
- - - MENU - - -  
Display the “FILE MANAGE” screen.  
EXPOSURE . .  
WH I T E B ALANCE . .  
PROCESS . .  
SYSTEM . .  
F I LE MANAGE . .  
EX I T  
1. Press the [MENU] button for 1-2 seconds.  
The “MENU” screen will be displayed.  
2. Use the [  
/
] buttons to select “FILE MANAGE..”, then press the  
[SET] button.  
The “FILE MANAGE” screen will be displayed.  
“MENU” Screen  
Save the set value.  
Blinking  
1. 2.  
1. Use the [  
[SET] button.  
The set value displayed will start to blink.  
/
] buttons to select “STORE FILE”, then press the  
- - - F I LE MANAGE - - -  
LOAD F I LE  
LOAD  
STORE F I LE  
STORE  
RESET F I LE  
RESET  
PAGE BACK  
A
CANCEL  
A
CANCEL  
A
2. Use the [  
/
] buttons to select “A”,“B” and “C”, then press the  
CANCEL  
[SET] button.  
3. Use the [  
button.  
“CANCEL” will start to blink.  
/
] buttons to select “STORE”, then press the [SET]  
“FILE MANAGE” Screen  
Blinking  
4. Use the [  
/
] buttons to select “EXECUTE”, followed by pressing  
3.  
the [SET] button to save the menu settings in the selected file des-  
tination.  
- - - F I LE MANAGE - - -  
LOAD F I LE  
LOAD  
STORE F I LE  
STORE  
RESET F I LE  
RESET  
A
CANCEL  
A
CANCEL  
A
5. Press the [MENU] button for 1-2 seconds.  
The normal screen will be displayed.  
CANCEL  
PAGE BACK  
Blinking  
4.  
- - - F I LE MANAGE - - -  
LOAD F I LE  
LOAD  
STORE F I LE  
STORE  
RESET F I LE  
RESET  
A
CANCEL  
A
EXECUTE  
A
CANCEL  
PAGE BACK  
42  
“FILE MANAGE” Screen (continued)  
Retrieve file.  
1. Use the [  
/
] buttons to select “LOAD FILE”, then press the [SET]  
Blinking  
1. 2.  
button.  
- - - F I LE MANAGE - - -  
The set value displayed will start to blink.  
LOAD F I LE  
LOAD  
STORE F I LE  
STORE  
RESET F I LE  
RESET  
A
CANCEL  
A
CANCEL  
A
2. Use the [  
/
] buttons to select “A”,“B” and “C”, then press the  
[SET] button.  
CANCEL  
PAGE BACK  
3. Use the [  
ton.  
“CANCEL” will start to blink.  
/
] buttons to select “LOAD”, then press the [SET] but-  
4. Use the [  
/
] buttons to select “EXECUTE”, followed by pressing  
Blinking  
3. 4.  
the [SET] button to retrieve the menu settings from the selected file  
destination.  
- - - F I LE MANAGE - - -  
LOAD F I LE  
LOAD  
STORE F I LE  
STORE  
RESET F I LE  
RESET  
PAGE BACK  
A
EXECUTE  
A
CANCEL  
A
Reset the set value.  
CANCEL  
1. Use the [  
[SET] button.  
The set value displayed will start to blink.  
/
] buttons to select “RESET FILE”, then press the  
2. Use the [  
/
] buttons to select select a file to reset, then press  
the [SET] button.  
Blinking  
1. 2.  
“A”, “B”, “C”, “CURRENT” (Current Set Value)  
- - - F I LE MANAGE - - -  
LOAD F I LE  
LOAD  
STORE F I LE  
STORE  
RESET F I LE  
RESET  
A
3. Use the [  
button.  
“CANCEL” will start to blink.  
/
] buttons to select “RESET”, then press the [SET]  
CANCEL  
A
CANCEL  
A
CANCEL  
PAGE BACK  
4. Use the [  
/
] buttons to select “EXECUTE” and press the [SET]  
button to reset the set value.  
Note  
Blinking  
3. 4.  
Resetting the stored files (“A”, “B” and “C”) will not reset the current set  
value.  
To reset the current set value, select “CURRENT”.  
- - - F I LE MANAGE - - -  
LOAD F I LE  
LOAD  
STORE F I LE  
STORE  
RESET F I LE  
RESET  
A
CANCEL  
A
CANCEL  
A
EXECUTE  
PAGE BACK  
43  
6. Others  
Connecting the Remote Control Unit  
Menu function of the camera can be set using the remote control unit (RM-LP55 AND RM-LP57). (For  
further details, please refer to the instruction manual of the remote control.)  
RM-LP55  
AW BARS  
MENU  
SET  
RM-LP55  
REMOTE CONTROL UNIT  
REMOTE  
LENS  
FUNC 1  
FUNC 2  
VIDEO OUT  
GENLOCK IN  
GAIN SHUTTER IRIS MANU OPERATE  
W.PAINT  
DC IN  
POWER  
[FUNC2§/]  
ENTER  
/SET  
FUNC  
GAIN  
2
FUNC  
1
MENU  
[MENU§/]  
SEE INSTRUCTION MANUAL  
[ENTER/SET]  
SHUTTER  
W.BAL  
FILE  
FOCUS  
FAR  
NEAR  
FAST  
SLOW  
[FAR]  
ZOOM  
TELE  
WIDE  
When operating the menu function of this unit from RM-LP55  
Set the “CAMERA TYPE” setting no. of RM-LP55 to “3”.  
3. Use the [FUNC2§/] buttons to set the camera  
Connection  
Connect cable of the remote control unit to the  
type setting no. to “3”.  
[REMOTE] terminal of this unit.  
4. Pressing the [ENTER/SET] button returns to the  
normal mode of use after “INITIALIZE” is dis-  
played.  
Operation  
1. Press the [ENTER/SET] and [FAR] buttons at  
the same time when turning the [OPERATE]  
switch to [ON].  
Notes  
In the case when the menu function of this unit is  
identical to the remote control unit, the switch func-  
tion of the remote control will override that of this  
unit.  
Display on LCD screen will be as shown in the  
following diagram.  
AUTO IRIS LEVEL  
ON  
FOCUS and ZOOM cannot be adjusted using the  
remote control unit.  
2. Use the [MENU§/] buttons to display the  
“CAMERA TYPE” setting screen.  
When connected to RM-LP55, even if the  
“V.SCAN” under “SHUTTER” item is set to 1/60.0,  
the camera will operate based on 1/60.1.  
As such, the image level will change if the “STEP”  
mode under “SHUTTER” item is changed from  
NORMAL (1/60) to “V.SCAN”.  
Display on LCD screen will be as shown in the  
following diagram.  
CAMERA TYPE  
1
Camera Type  
Setting No.  
44  
List of Remote Control Unit Functions  
This unit  
Operation From RM-LP55  
Operation From RM-LP57  
Function  
MODE  
CAM,BARS  
BARS, CAM, NEGA  
}
ן
NEGA  
ON (LEVEL) , OFF  
ON (LEVEL) , OFF  
CONTOUR  
GAMMA  
ן
ן
LEVEL  
MASTER BLACK  
IRIS  
AUTO (LEVEL), MANU  
AUTO (LEVEL), MANU  
ן
NORMAL, PEAK, AVG  
IRIS DETECT  
WHITE BALANCE  
AUTO1, AUTO2, FAW,  
AUTO1, AUTO2, FAW  
MANUAL, PRESET  
AUTO1, AUTO2  
AUTO1, AUTO2  
0,6,9,12,18dB,  
ALC/ALC+EEI  
WHITE PAINT  
GAIN  
–3,0,6,9,12,18dB,  
ALC, ALC+EEI,  
LOLUX  
NORMAL,1/100, 1/250,1/500,  
NORMAL,1/100,1/250,1/500,  
SHUTTER  
1/1000, 1/2000,V.SCAN, EEI  
1/1000,1/2000, EEI  
ן
ן
ן
ן
ן
ן
ן
ן
ן
TITLE DISPLAY  
POSITION  
TITLE SETTING  
DATA  
ן
ן
ן
ן
ן
ן
ן
FILE  
ן
ן
D-SUB OUT  
H.PHASE  
SC COARSE  
SC FINE  
LEVEL  
0˚, 90˚, 180˚, 270˚  
0˚, 90˚, 180˚, 270˚  
ן
ן
ן
ן
ן
ן
ן
ZOOM  
FOCUS  
HI-RESO  
WHITE SHADING  
... Function available  
... Equivalent to V.RESOLUTION  
ן
... Function not available  
NORMAL : HI-RESO OFF  
V.MAX: HI-RESO ON  
45  
6. Others (continued)  
Connecting Optional Devices  
This unit comes with an option card slot. System expansion via connection of optional devices (sold separately)  
is possible.  
For further details on connection and setting, please refer to the instruction manual for the corresponding  
optional devices.  
Installation of Option Card  
AW BARS  
MENU  
SET  
ı
Å
ı
1. Remove the 2 ı screws for mounting the slot cover  
REMOTE  
LENS  
Å to remove the slot cover.  
2. Insert the option card into the unit.  
VIDEO OUT  
GENLOCK IN  
3. Use the 2  
ı
screws removed in Step 1. to mount  
the option card to this unit.  
DC IN  
POWER  
Caution  
SEE INSTRUCTION MANUAL  
For mounting of optional devices, please consult your  
JVC-authorized dealer.  
Specifications  
Dimensional Drawing (Unit: mm)  
80  
70  
166.8  
12.4  
1
142.8  
COLOR VIDEO CAMERA KY-F560  
47  
14  
1/4-inch Screw  
46  
Specifications (continued)  
Image Pickup Device  
Scan Mode  
: 1/2" IT CCD x 3  
: Interlace  
Effective Pixel Nos.  
Lens Mount  
: 380,000 Pixels (768 (H) x 494 (V))  
: 1/2" Bayonet Mount  
Color Separation System  
Aspect Ratio  
: F1.4 3-color Separation Prism  
: 4:3  
Horizontal Resolution  
Registration  
: Y: 850 lines and above  
: 0.05 % (or less) of entire zone (exlcuding lens distortion)  
: F13 2000 lx  
Sensitivity  
Practical Minimum Illuminance : 0.7 lx (F1.4, during LOLUX)  
When Gain is 30 dB (calculated value)  
: Composite: 1 V (p-p), 75 ¸  
Output Signal  
Unbalance (BNC)  
Dynamic Range  
S / N  
: 400 % and above  
: 64 dB  
Gain Boost  
: –3/0/+3/+6/+9/+12/+15/+18 dB/ALC/LOLUX  
: STEP : NORMAL(1/60),1/100,1/250,1/500,1/1000, 1/4000,1/10000 s  
: V.SCAN: approx. 1/60 s - approx. 1/10000 s  
: RGB 12 bits each  
Electronic Shutter  
Variable Scan  
Quantization  
Contour Correction System  
Sync System  
: H/V: Effective for both  
: Internal Sync / External Sync (VBS or BB)  
H PHASE and SC PHASE adjustable  
: Switchable between ON/OFF  
CCD White Flaw Correction  
White Balance  
: MANUAL, AUTO1, AUTO2, PRESET, FAW  
Compliance Range: 2300 K- 10000 K  
Temperature Range During Use : –5 ˚C to 40 ˚C (Humidity of 80 % or lower)  
Input Supply Voltage  
Power Consumption  
Dimension  
: DC 12 V (when using AA-P700)  
: 9.6 W (camera unit only)  
: (W)70 mm x (H)80 mm x (D)155.2 mm  
(Does not include connector)  
: 840 g  
Mass  
Accessories and Attachments  
: Power Cord (8P, 2 m) x 1  
Instruction Manual x 1  
Specifications and appearance of this unit are subject to change for further improvement without prior  
notice.  
47  
VICTOR COMPANY OF JAPAN, LIMITED  
® is a registered trademark owned by VICTOR COMPANY OF JAPAN, LTD.  
® is a registered trademark in Japan, the U.S.A., the U.K. and many other countries.  
© 2004 VICTOR COMPANY OF JAPAN, LIMITED  
Printed in Japan  
LWT0163-001A  

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