JVC Camcorder GY HM700 User Manual

ProHD Solid State Media Camcorder  
GY-HM700  
The GY-HM700 combines JVC's popular compact shoulder form factor with a new level of  
performance suitable for demanding applications in mainstream production, electronic news-  
gathering and cinematography. Add to that the convenience of solid state recording, the  
economy of widely available SDHC media, and the world's fastest workflow, and it's easy to  
see why the GY-HM700 is today's most complete and versatile professional camcorder.  
Compact Shoulder form factor  
Variable frame rate recording (over crank, under crank)  
New patented 3-CCD optical system provides full HD resolution  
images  
HDSDI output  
Can also provide downconverted SDI output—live or playback.  
Industry standard bayonet lens mount  
JVC offers a wide range of lenses and accessories  
New high performance Canon 14:1 lens included  
Downconverted SD output (DV via IEEE-1394)  
New high resolution (1.22 million pixel) Liquid Crystal on Silicon  
(LCOS) viewfinder  
Wider angle  
Higher resolution  
New large (4.3-inch) flip-out LCD monitor  
Patented Focus Assist function  
Minimal chromatic aberration  
Records to dual hot swappable SDHC memory cards and/or  
optional SxS adapter  
Built-in clip viewer and management system  
Extensive image customization modes (gamma, matrix, knee,  
detail, etc.)  
Pre Rec (retro cache) function prevents "missed shots"  
Professional recording with selectable data rates up to 35Mbps  
1920 x 1080 (1080p24/p25/p30, 1080i60/i50)  
Uncompressed LPCM audio (2ch) recording  
1280 x 720P (p60/p50/p30/p25/p24)  
Manual level controls with audio meter  
XLR inputs with phantom power  
Native file recording—world's fastest shoot-to-edit workflow.  
Native Final Cut Pro format  
Edit immediately without conversion or transcoding  
.MP4 file format  
Available with optional SxS Media Recorder  
Performance  
continuous HD recording. The camera automatically begins record-  
ing on the second card when the first card fills up. When the second  
card fills up, the camera will revert to recording to the first card  
slot, allowing for virtually unlimited recording lengths. Being able  
to quickly switch cards with dual slots is invaluable in a breaking  
news situation where a producer may wish to begin editing while  
the shooter is still capturing footage.  
High Resolution with three 1/3-inch  
Progressive CCDs  
The GY-HM700 utilizes three precisely aligned 1/3-inch  
progressive scan full HD CCDs—one each for red, green and blue  
primary color. JVC engineers have developed a unique 1/3-inch  
optical block with Diagonal Offset and a patented exclusive  
Adaptive Pixel Correlation Technique that produces resolution  
comparable to cameras with larger image sensors.  
*When recording in 19Mbps mode  
Separate flip open covers protect card slots from dust, moisture  
and open separately for each card. If a cover is opened while the  
card is being recorded on, a warning message is displayed on the  
VF/LCD.  
New high performance Canon HD lens  
The GY-HM700U includes a detachable 14x Canon KT14x4.4KRSJ  
HD lens based on the superb optics found in more expensive HD  
lenses. Its supe-  
SDHC cards are economical, highly reliable, and make possible a  
recording system that consumes up to 20% less power than tape  
or HDD based systems. The per-minute cost of SDHC memory is  
comparable to professional video tape. Moreover, SDHC media is  
the first practical solid state solution to physical archive.  
rior MTF pro-  
vides higher  
resolution than  
typical "stock"  
lenses. The lens  
has improved  
lateral and longi-  
tudinal chromatic  
Native File Recording  
The GY-HM700 incorporates JVC's Native File Recording tech-  
nology that stores video in the ready-to-edit file format used by  
Apple's Final Cut Pro™ non-linear editing system. The ".mov" files  
created in the camera can be easily dragged onto the NLE timeline  
without conversion or rewrapping, saving time while keeping the  
recorded material first generation. There is no need to use an inter-  
mediate codec.  
aberration characteristics and is ideal for full 1920 x 1080 imag-  
ing. Canon's internal focusing system minimizes "breathing" com-  
pared with typical focusing systems. Internal focus also makes pos-  
sible a more efficient light blocking lens hood. ENG shooters  
will be pleased with its wider angle (20% wider than the current  
16x 'stock' lens) and consistent brightness from 4.4mm (wide) to  
62mm (telephoto) with no F-drop. Operation is the same as with all  
professional lenses, with mechanical control of focus, and servo or  
manual control of zoom and aperture.  
Optional SxS Media Recorder  
By attaching the optional SxS media recorder, the GY-HM700  
will record in the .MP4 format used by Sony's XDCAM EX™ onto  
high speed SxS memory cards. This compact  
recorder attaches directly to the GY-HM700  
without an adapter, essentially becoming part of  
the camera. Simultaneous recording to SDHC and  
SxS memory is also possible, providing instant  
backup or archival recordings. The compact  
media recorder provides status information on its  
built-in LCD screen as well as on the camera's  
viewfinder. Recorded video on the SxS cards can  
be played back on the camera's LCD monitor or  
viewfinder.  
In addition to the GY-HM700's standard detachable 14x Canon  
lens, numerous lens options are available from JVC including a 13x  
(3.5 mm) wide Fujinon zoom lens, 17x Fujinon zoom lens, 18x  
Fujinon zoom lens, 20x Canon zoom lens, and adapters that allow  
1/2”-in and 2/3" bayonet mount lenses to be used. Add the HZ-  
CA13U film lens mount adapter to the 1/3" bayonet mount, to  
enable mounting of 16mm film camera lenses to the GY-HM700,  
greatly expanding production lens options. The camera features an  
"image flip" function that corrects for the inverted image produced  
by prime lenses.  
Secure Digital High  
Capacity (SDHC)  
memory card recording  
Pre Rec (Retro Cache) Start Mode—  
No more missed shots!  
In this mode, the GY-HM700 continually records a few seconds  
in cache memory. When the trigger is pressed, the live signal is  
appended to the cache recording, giving the shooter a "head start"  
in getting the shot. This feature is invaluable in capturing breaking  
events when the shot would be lost before a traditional camera  
could begin recording. In the 60Hz modes, the cache time is 2.9  
The GY-HM700 records on widely  
available SDHC Class 6 memory cards,  
presently available in capacities up to  
32GB. The camera provides 2 memory card  
slots, for a total of up to 64GB of on board  
storage—enough for more than 6 hours* of  
seconds; in the 50Hz modes, the cache is 3.0 seconds. When Pre  
Rec is activated, a "P" will be displayed in the viewfinder and on  
the LCD monitor.  
35Mbps  
25Mbps  
19Mbps  
1920 x 1080/60i  
1920 x 1080/50i  
1920 x 1080/30p  
1920 x 1080/25p  
1920 x 1080/24p  
1440 x 1080/60i*  
1440 x 1080/50i*  
1280 x 720/60p  
1280 x 720/50p  
1280 x 720/30p  
1280 x 720/25p  
1280 x 720/24p  
1440 x 1080/60i  
1440 x 1080/50i  
1280 x 720/60p  
1280 x 720/50p  
1280 x 720/30p  
1280 x 720/25p  
1280 x 720/24p  
Continuous Clip Mode  
In this mode, the GY-HM700 creates a single clip file from  
multiple trigger presses. This is ideal when "in camera editing"  
is preferred. The complete shot sequence is instantly available as  
a single clip. When recording in the Continuous Clip Mode, time  
code can be either free run or in the REC mode.  
JVC Original 35Mbps MPEG2 Encoder  
*(.mov only)  
Drawing from its experience in developing rack mount encoders  
used by major television stations, JVC developed a proprietary  
codec capable of providing highly efficient compression up to 35  
megabits per second, a bitrate that can support full 1920 x 1080  
sampling. This results in recorded images of  
Variable Frame Rate Recording  
(Over crank, Under crank)  
When recording in the 720p 35Mbps mode, the camera can be  
set to record at a frame rate different that the playback rate. This  
capability makes it possible to record slow or fast motion when the  
recording is played back at 24p or 30p.  
exceptional quality. MPEG2 long GOP is the  
most widely accepted broadcast standard  
compression supported by all popular editing  
systems and broadcast servers. In the HQ  
mode, the encoder operates with a variable bit  
rate average of 35Mbps. The SP mode records  
at a constant bit rate of either 19.7Mbps or  
35  
Operability  
Compact Shoulder Form Factor  
Mbps  
25Mbps to ensure compatibility with a wide range of equipment.  
Weighing only 8 lbs including lens, viewfinder, microphone and  
battery, the GY-HM700 rests comfortably on the right shoulder  
providing stable, steady shots. Unlike some oversized hand held  
models, the GY-HM700 becomes  
part of the shooter similar to  
larger cameras but without  
The GY-HM700 supports all major HD signal formats including  
1920 x 1080, 1440 x 1080 and 1280 x 720.  
the fatigue associated  
with them. The handle  
has been redesigned for  
better carrying balance,  
and to accom-  
modate wear-  
ing gloves in  
cold weather.  
Detailed information is displayed about each clip including  
recording format, resolution, and time code start/stop, user bits,  
and creation date/time. Clips can be protected from accidental  
deletion or deleted if no longer needed. Damaged clips (due to  
improper eject, etc.) may be repaired with the "restore file" func-  
New high resolution LCOS viewfinder  
The GY-HM700 is equipped with a new, rugged high resolution  
viewfinder based on a new .45-inch 1.22 million pixel Liquid  
Crystal on Silicon (LCOS) panel (852 x 480 x 3). This new all-  
digital viewfinder displays images with more than 5 times the  
resolution of typical color viewfinders. Its sturdy reinforced die-  
cast aluminum chassis and LED light source ensure years of  
trouble-free operation. A serial digital interface means there's  
no quality loss, even with razor sharp graphic overlays. The  
viewfinder's native aspect ratio is 16:9. Safe area indications are  
available for popular aspect ratios including 2.35:1. In the record  
mode, audio level indications, battery remaining "fuel gauge"  
(when using digital batteries) and estimated time remaining for  
each memory card are displayed in the viewfinder. The Zebra func-  
tion now offers 2 patterns (selectable.)  
Jumbo size 4.3-inch flip-out LCD panel  
Complementing the new high resolution viewfinder is a large  
LCD flip out monitor that can be used in recording, playback, clip  
management, and menu operation. Cross-key control makes menu  
navigation a breeze. The interface is very intuitive, with up  
down/left-right buttons on the same control disk. Selections are  
made by pressing the center of the disk. When in the camera mode,  
a blue LED lamp outlines the disk. When in the media  
playback/management mode, the color changes to green. A Red  
tion. Though no special formatting is required, memory cards can  
be re-initialized in the GY-HM700 to an empty state even while the  
other card is recording.  
The Quick Review function is available in the record-pause  
mode and allows the videographer to play back the first 5 seconds  
or the last 5 seconds of each clip, or the entire clip. After playback,  
the last image is retained (freeze) until the menu is reactivated. If  
during Quick Review, the record trigger is pressed, playback stops  
and recording begins immediately.  
Spot Exposure Meter  
When shooting very high contrast scenes, the Spot Meter can be  
a very useful tool, letting the videographer monitor the dynamic  
range of an image on the LCD/VF and adjust the exposure of an  
object in the frame. There are 4 modes of spot metering: Max/Min,  
Max, Min, and Manual. In the Max/Min mode, the highest and low-  
est levels of the image are identified with color markers, red (H)  
and white (L), along with the video level (before knee and gamma).  
The same values can be obtained individually with the Max and  
Min settings. Manual lets the videographer set the portion of the  
image to monitor. For example, in a scene with varied illumination,  
the videographer may wish to meter an individual's face, and set  
the exposure accordingly. As the scene changes, the exposure can  
be corrected precisely to the desired subject.  
display indicates that the camera is in the USB or IEEE-1394 (slave)  
mode. (The LED can be turned off with a menu choice.)  
Extensive image customization is available. Thanks to the over-  
size monitor screen, the user see changes to the image as the set-  
ting is being made, eliminating guesswork. Individual user settings  
are stored on an SDHC card and may be restored to any GY-HM700  
camera. It is also possible to add frequently used controls to a  
"favorites" menu (which can be invoked by a user button).  
Patented "FOCUS ASSIST" function  
Achieving exact focus with HD signals is critical. JVC's Focus  
Assist turns focusing into a fast, easy and accurate process. When  
Focus Assist is activated, the picture in the viewfinder becomes  
monochrome and all objects which are in focus take on a colored  
edge. Focus Assist works equally in the viewfinder as well as on the  
LCD panel. The Focus Assist function can be invoked by pressing the  
dedicated button on the control panel, or assigned to the RETURN  
button on the lens.  
Built-in Clip View & Management Functions  
When the camera is switched to the playback mode, a clip view-  
er appears on the large LCD monitor and in the VF. (This signal may  
also be output through the HD/SD SDI connector.) Clips are identi-  
fied by time code and with a user defined filename with numeric  
increments.  
or played back. (Cross converting to another format is not possible.)  
If a downconverted composite signal is desired, the output can be  
switched to provide NTSC (when HD is 24p/30p/60p/i) or PAL (when  
HD is 25p, 50p/i) signals. Downconverted composite signals can be  
especially useful when providing an SD feed for a live webcast  
while simultaneously recording full HD. The composite output can  
also be provided when playing back recorded high definition mate-  
rial.  
Uncompressed Audio with Manual Controls  
The GY-HM700 records 2 channels of uncompressed LPCM (lin-  
ear pulse code modulated) 16 bit audio sampled at 48Khz. Audio  
levels can be controlled manually, or  
automatically using AGC. An audio  
meter is provided in the LCD and VF dis-  
plays to facilitate adjustment. Balanced  
XLR connectors are provided on the  
camera for an external microphone  
and/or wireless receiver. 48V phantom  
power is available for each microphone.  
Versatile input switching allows the  
microphone  
Simultaneous DV/HDV Output via  
IEEE-1394  
Downconverted standard definition DV signals are available  
through the 4-pin IEEE-1394 connector. These signals can be  
recorded on most "Firewire" recorders, including the  
DRHD100GB100 dockable HDD recorder. Again, these signals will  
be in either the NTSC or PAL mode depending on the HD mode  
selected (60Hz or 50Hz) and can be output while recording full  
high definition to the built-in SDHC memory cards, or when play-  
ing back HD material. When an SP high definition mode is select-  
ed (either 19.7Mbps or 25Mbps), the camera can also output an  
HDV transport stream compatible with the DRHD100GB100  
through the IEEE-1394 connector.  
signal to be  
directed to the desired channel. A shot-  
gun microphone is provided with the GY-  
HM700U.  
Connectivity  
HD/SD SDI Output  
For live broadcast applications, or for monitoring, the GY-  
HM700 provides an uncompressed, 4:2:2 full HD signal via its  
HD/SD SDI connector in any HD mode.  
Remote Camera Control Connector  
A 6-pin remote connector provides a TTL interface to an optional  
JVC RM-LP25U, RM-LP57U, or RM-LP55U control unit. Extensive  
control options are available including shading, paint, iris, gamma  
level, knee, gain, shutter and black level. Functions vary with each  
unit.  
The HM700 also allows the camera  
operator to deliver a standard definition  
SDI pool feed or microwave feed while  
recording to the SDHC card in full high  
definition. The SDI signal can come  
from either the live camera or from  
memory playback. When 24p modes are  
selected, the signal will contain  
Varicam™ (720p24 only) flags to facili-  
tate post production. The downconvert-  
ed video may be in either PAL or NTSC depending on the HD mode  
selected: 60Hz (24p, 30p, 60p/i) = NTSC, 50Hz (25p, 50p/i) = PAL.  
It is also possible to output the menus and clip viewer via the  
HD/SD SDI output.  
Component or Composite Video Output  
(selectable)  
Component HD signals can be output via the BNC connectors on  
the camera. The signal will always be in the format being captured  
RM-LP57U  
RM-LP55U  
RM-LP25U  
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