THE BROADCAST QUALITY
DIGITAL CAMCORDER
3 CCD Pixel Shift Technology for Super-High Resolution
Three Different Shooting Modes
for All Your Recording Needs
Normal Movie Mode
By merging Canon’s superior lens quality with
3 CCD’s, the XL1s delivers stunning resolution and
color reproduction - some of the best images outside
of a TV studio. This mode records video in the
standard interlaced fashion similar to conventional
camcorders. Normal Movie Mode is ideal for
recording video, which appears smooth and natural
during playback on a TV or video editing computer.
3 CCD
The XL1s maximises the capability of the DV format
by using a 3 CCD system assigning a separate CCD to
each primary color (red, green, blue). A beam-
splitting prism precisely separates the light passing
through the lens into individual color components,
and each is sent to its own CCD. This process
achieves outstanding detail with highly accurate
color reproduction suitable for the demands of the
high-end production field – wide dynamic range, low
color noise, natural color resolution and low aliasing.
Digital Photo Mode with Self Timer
Take almost 700 brilliantly clear still pictures on
a single tape (in SP mode). The photo mode further
distinguishes the XL1s by capturing extremely high
resolution still images. The camera records the still
pictures for approximately 6 seconds, as well as
recording the sound for your verbal notes or
narration. You can search through the recorded tape
for your photos using the supplied remote control.
Pixel Shift
Canon solves common shooting dilemmas by using
a signal processing technique called Pixel Shift,
which has been used in professional grade video
cameras for many years. It achieves wider dynamic
range, brighter video in low light, reduced vertical
smearing and sharper digital photos.
Frame Movie Mode
This mode captures video in a unique non-interlaced
method allowing the XL1s to record 25 frames of
video per second. Similar to a motor drive on
a 35 mm camera, Frame Movie Mode performs like
a Digital Motor Drive. You’ll capture every gesture
and expression of your subject with spectacular
clarity. It’s perfect for users who choose to grab high
quality still images from video for making prints,
video for website content, or even sending
emotionally charged images over the internet. The
non-interlaced method popularised by Canon’s XL1s
has even been acknowledged by users for its
cinematic-like appearance.
High Resolution Even In Low Light
The XL1s incorporates three CCD image sensors
specifically designed for freedom when shooting under
extremely low light conditions. The size of each pixel is
72 square microns. That’s 150% larger than the pixel-
size on comparable models. The result is approximately
an overall 14 dB improvement in sensitivity.
Interchangeable Lens for Increased Flexibility and Creativity in Shooting
FS-72U Filter Set
Includes neutral density (ND 8), polarizing and
ultraviolet filters.
1.6x Extender
Attach this extender between the XL1s camera and
the Optical Image Stabilizer 16x Zoom Lens or the
Manual 16x Zoom Lens to increase the focal length
magnification by 1.6x.
EOS Adapter for Image Magnification
The EF adapter allows you to attach Canon EOS
35 mm camera lenses to the XL1s. This is especially
helpful for subjects such as sports, wildlife,
surveillance and astronomy because the image
magnification of any 35 mm lens is increased 7.2x
when mounted onto the XL1s.
The Choice Is Yours…
The XL1s maximises your options via the XL mount
system for a focal length range from 24 to 2,160 mm.
This super-flexible system with unbeatable range is
made possible though the use of Canon’s XL and EF
35 mm camera lenses.
Optical Image Stabilizer 16x Zoom Lens
This lens resolves over 600 TV lines to deliver an
extraordinarily sharp image. By exceeding the DV
standard of 500 TV lines, it provides greater visual
“sharpness” through the critical 100 to 250 TV line
resolution area. This lens also includes Canon
SuperRange Optical Image Stabilizer for stable and
shake free recordings without image “float”. The lens
also features a ND filter, manual focus and zoom
rings and
a
Push AF button.
button.
Manual 16x Zoom Lens
Perfect for the video application that requires precise
manual lens control, this lens provides focus, zoom
and aperture scales. Even more, it includes a powered
zoom, automatic iris and two built-in ND filters.
3x Extra Wide-Angle Zoom
The 3x zoom lens provides the world’s widest field-
of-view on any DV camcorder. The focal length is
3.4 mm to 10.2 mm (35 mm equivalent 24 mm to
72 mm) and the resolution exceeds 600 TV lines.
Keep It Steady
SuperRange Optical Image Stabilizer -
The Most Advanced System Available
Until now, Optical Image Stabilizers have used solely
a gyro sensor to detect camcorder vibration (the data
from which controls
a
vari-angle prism that
continuously corrects the path of the incoming light).
SuperRange goes one step further by examining the
image after it is received by the CCD, and detecting
any low-frequency vibrations missed by the gyro. This
data is fed-back to accelerate and refine the movement
of the vari-angle prism. This greatly improves
performance for low frequency vibration, resulting in
the most advanced Optical Image Stabilizer available
today. This feature is found only on Canon’s Optical
Image Stabilizer 16x zoom lens.
3x wide
3x telephoto
16x wide
16x telephoto
32x digital zoom
32x with 1.6x Extender
0 mm
200 mm
400 mm
600 mm
800 mm
1.000 mm
8.500 mm
Extra Wide-Angle Lens XL 3.4-10.2 mm
16x Manual Zoom Lens
16x Zoom Lens
With Extender XL 1.6x
EF SERIES
Focal range expressed as 35 mm equivalents
1
2
3
4
5
6
7
8
9
Stereo microphone
Viewfinder focusing ring
Viewfinder
10 POWER dial
11 EJECT button
12 Focusing ring
Eye cup
13 Zooming ring
Shoulder strap attachment bar
ND FILTER switch
STABILIZER switch
LIGHT button
14 Auto/Manual Focus switch
15 PUSH AF button
16 EXP. LOCK button
17 LENS RELEASE switch
18 GAIN dial
AUDIO MONITOR button
1
2
3
4
5
41
42
6
7
8
9
10 11
38
40
39
23
12
13
14 15 16 17
18
19 20 21
22
35 36 37
34
36 User Preset Select Button
44 Audio 1 RCA Jacks
45 S-Video terminal
37 User Preset (ON/OFF) Button
38 L/R dials (AUDIO 2)
39 LEVEL dial (AUDIO 1)
40 BALANCE dial (AUDIO 1)
41 AE Shift dial
46 Video terminal
47 RECORD SEARCH + button
48 EVF DISPLAY button
49 D. EFFECT on/off button
50 SHUTTER up key
42 Audio LCD panel
43 DC out terminal
51 SHUTTER down key
19 White balance selector knob
20 WHITE BALANCE set button
21 STANDBY button
27 Accessory shoe
28 Headphones terminal
29 PHONES LEVEL dial
30 Tally lamp
22 Socket for Shoulder Pad SP-100,
Microphone Adapter/ Shoulder MA-100
23 Shoulder Pad SP-100
31 Remote sensor
32 Handle Zoom Control
33 PHOTO Button
34 Custom Key 1
24 EYE POINT SELECT switch
25 START/STOP button
26 LOCK lever
35 Custom Key 2
27
26
25
32
24
33
59
55
54
56
58
57
53
31
30
29
28
47
52
48
50
44
43
44
46
45
51
49
52 RECORD SEARCH - / (record review) button
53 AV insert button
54 FF button
55 REW button
56 Audio DUB button
57 REC button
58 PLAY / PAUSE button
59 STOP button
Four Audio Channels
Headphone terminal
M: Frequency Response
Four Channel Digital Audio for
Recording Versatility
10.0
10.0
/Div
The XL1s records digital stereo sound. You can
record 16 bit audio (2 channels, 48 KHz) or 12 bit
audio (4 channels, 32 KHz). Audio level can be fully
automatic or manually controlled and monitored by
an illuminated VU meter. The XL1s also accepts Line
or Mic level audio sources to ensure an accurate
impedance match.
dB
-70.0
Fxd Y 20
Log Hz
20k
High Frequency Microphone
The XL1s comes complete with a high quality
microphone that gives excellent performance in
terms of frequency response.
Headphone Terminal
You can monitor the level and quality of the audio
you are recording, to ensure the best quality.
XLR Audio Inputs
The optional MA-200 Microphone Adapter/Shoulder
Pad is equipped with 4 XLR connectors for use with
professional audio equipment and a BNC video
connector. This unit also allows you to attach an
optional, commercially available, wireless micro-
phone receiver. Plus, it functions as a shoulder pad
for advanced handling and control.
MA-200 Microphone Adapter/
Shoulder Pad
You can attach
4
mics with XLR-connector
simultaneously and have the video signal by the
BNC-connector.
MA-200 Microphone Adapter/Shoulder Pad
Transfer your DV Footage to Film
16:9 Aspect Ratio
The XL1s is equipped with two 16:9 aspect
ratio methods.
16:9 Guides
The 16:9 guides are thin white lines, which appear in
the viewfinder only. They let you view a 16:9 wide
screen composition while in the standard 4:3 aspect
ratio, which is especially helpful if you’re planning to
transfer your DV footage to film.
16:9 Recording Mode
The XL1s includes a 16:9 recording mode, which
applies an electronic anamorphic stretch allowing
you to fill the frame of a 16:9 wide screen TV.
Please note that the XL1s digitally simulates 16:9 aspect ratio when in 16:9 Recording Mode.
Maximum picture quality is only attained in 4:3 format. Therefore, video captured in 16:9 Recording
Mode may not be suitable for some broadcast wide-screen applications.
Programmed AE for Advanced Recording Techniques
Spotlight
Designed to be used when subjects are illuminated by
intense light sources, such as under spotlights on
a dark stage. This mode is designed to prevent the
subject from being grossly over-exposed, against
a dark background.
Shutter-priority/Aperture-priority
(Tv/Av)
The Tv and Av modes permit easy operation while
retaining the creative image controls commonly
found on Canon’s 35mm SLR cameras. In the Tv
mode, you select the shutter speed from 1/6 to
1/16000 of a second and the XL1s will automatically
set a matching aperture. In the Av mode, you select
the aperture from f/1.6 to f/16 and the XL1s
automatically sets a matching shutter speed.
Ensures great results in various shooting conditions.
There are six programs in all, giving you the balanced
control that you have come to expect from Canon.
Full Auto
Also called the “Green Zone” and identified by the
green rectangle on the Command Dial, this is the
ideal selection for general shooting.
Auto mode
Similar to Full Auto, Auto mode handles all camera
settings automatically, but also allows the user to
select manual functions
Tv Mode
Manual Mode
If you want to make all the decisions, this is the mode
to use. You can choose any combination of shutter
speeds and lens apertures.
Av Mode
Complete Versatility
Hue
Four Different Picture
Adjustment Modes
Up to three picture adjustment settings can be stored,
allowing you quick, creative control.
Zebra Pattern
Color Gain
Adjust the saturation of the color between off to
oversaturated. This adjustment allows you to shoot in
black and white.
AE Shift with Three Slow Shutter
Settings
By adjusting the AE Shift Control you can lighten or
darken the image to precisely control the exposure
level of the Program AE modes.
Hue
Adjust the Color Phase toward red or green for
exact control.
Digital Effects
The XL1s is equipped with a 2x Digital Zoom to
electronically increase the magnification of the image
plus a Fade Trigger feature, which applies a black
fade to the beginning or end of a scene.
Camera Sharpness
Adjust the range of picture sharpness to your
preference before recording. Softer may compliment
the subject while sharper will make details clearer.
1 Fader
Setup Level
Use the fader to start or end scenes with a fade to or
from black.
Adjust the black level of the video signal for the
best shadow detail. (Focus, exposure, white balance,
for example).
2 Effects
Give variety to your images during recording by adding
Black and White, Slim, Stretch or Strobe motion.
Clear Scan
The XL1s can be adjusted to match the frequency of
a CRT monitor, allowing you to record the monitor
without rolling black bars.
Gain Creative Control
As well as automatic gain, the XL1s has settings for
–3 dB, 0 dB, +6 dB, +12 dB, +18 dB, and +30 dB for
creative control in any shooting condition.
EBU Colour Bars
The XL1s generates EBU colour bars for accurate
matching to your monitor or edit suite.
Zebra Pattern Avoids Overexposure
Reveal areas of overexposure, using these diagonal
stripes to guide you when setting the aperture and
shutter speed. Select from five levels: 80, 85, 90, 95,
and 100%.
White Balance for Any
Lighting Condition
White Balance can be set for Automatic, preset
Indoors, preset Outdoors and three Set memories, for
any lighting condition.
Interval Timer
With the interval timer, you can record for a selected
time with selected interval. This function is
convenient for nature observation such as flowers,
sunsets, etc. You can select the interval time from
30 sec., 1 min., 5 min. and 10 min., and the recording
time from 0.5 sec., 1 sec., 1.5 sec. and 2 sec.
VCR Stop
You can turn the recorder section off leaving the
camera section turned on, so you can adjust the
camera section without worrying about the
Automatic shut-off (5-minute timer).
Slow Shutter Settings
Camera Sharpness
Whether your aim is a “streaming” background when
panning or brighter recording in low light, you can
choose from three slow shutter settings –1/30,
1/15 and 1/8 of a second.
Custom Keys
DV Control
You can assign frequently used functions to the keys
(camera mode and VCR mode independently) to
customise the camera to your shooting preferences or
environment. You can assign the following functions
to the Custom Keys.
You can control the record and pause of equipment that
conforms to the AV/C protocol connected to the XL1s
using the DV terminal. For example, record to a
miniDV tape and FireWire Hard drive simultaneously.
Time Code
Camera Mode
This precisely identifies each recording down to the
individual frame, showing the hour, minute, second
and frame in the display. The XL1s uses a “drop-
frame” system that is frame accurate.
• Index Write • Zebra pattern • VCR stop • TV
screen • Audio 1 in • Audio 2 in • Zoom grip speed
• Zoom handle speed • No function assigned
VCR Mode
• TV screen • Data code • Audio 1 in • Audio 2 in
• No function assigned
Data Code
Data code, which is recorded separately from the
video signal, lets you display or hide data such as
date, time, exposure etc. as required. This data can
also be permanently “burned in” over the video for
verification or surveillance purposes.
Composite/S-Video In & Out
The XL1s can be connected to any monitor by
a composite (RCA) cable or by an S-Video cable. The
same video terminals also accept video signals for
recording from external sources such as a TV, VCR or
another camcorder. The MA-200 adaptor has a BNC
connector for connection to professional equipment.
Index Recording
You can mark “the best take” when you are shooting,
for easy access when playing back in the VCR mode.
AV Insert and Audio Dubbing
Ergonomics and Magnesium Body
Add a new scene into your video from another source
such as a camcorder or VCR. (Your video must be
recorded in SP mode.) You can also add a new stereo
audio track onto your video such as a voice over or
background music. (Your audio must be recorded in
the 12 bit mode.)
The XL1s camcorder is designed to support extensive
field use. Its chassis is mounted on a single, durable
magnesium alloy frame to provide overall strength
and protection from external shock – blending
twenty times the durability of ordinary camcorder
bodies, with countless times the style. The layout and
design of the controls and functions makes the XL1s
ergonomically and practically a joy to use.
Top Grip with Recording Controls
In addition to the normal side grip, the XL1s features
a carrying handle complete with a duplicate set of
recording and zoom controls to better meet your
individual recording style, as well as being ideal for
low-angle recording.
Durable, magnesium alloy frame
Photo Search/ Date Search/
Index Search
The wireless controller included with the XL1s allows
you to quickly locate still photos on a recorded
cassette. Video can be searched based on the date
recorded or by the index mark.
ZR-1000 Zoom Remote Controller
CH-910 Dual Battery Charger/Holder
Three Zoom Speeds
The XL1s features three zoom speed options: Variable
(pressure controlled) or Low, Medium and Fast.
These apply to the zoom rockers on the handgrip and
the top grip.
Wireless Remote Control
The XL1s kit includes a full function wireless remote
control to manage features during recording and
playback hands free.
420EX/550EX Speedlite Flash
FU-1000 Monochrome CRT Viewfinder Unit
LANC Terminal
The LANC terminal permits easy connection of
compatible controllers or the Canon ZR-1000
Remote Control.
Optional Creative Shooting Accessories
Building on the modular design of the XL1s, Canon
has a complete range of optional accessories to
enhance every shooting situation.
Plug and Play!
ZR-1000 Remote Control
IEEE 1394 DV Terminal
This optional wired remote control connects to the
LANC terminal to operate the zoom speed, focus,
recording, data display and other features, and
attaches to most tripod handles.
The XL1s is equipped with a DV IN/OUT terminal
that conforms to IEEE 1394. It takes just a single
digital cable to transfer or copy your videos in pure
digital form to your DV compatible computer or
another Canon DV camcorder. Once you’ve
transferred video images to your computer, you can
edit your movies, stream them over the Internet or
post them on your Web site. Also, you can print them
out on a Canon color printer, transfer them back to
your Canon camcorder and archive them on a Mini
DV cassette, or create a dubbing master.
CH-910 Dual Battery Charger/Holder
Holds two battery packs. Charges them consecutively
and connects directly to the MA-200 adapter for
longer recording time and better balance.
SLR-Style Flash Photography for
Correct Exposure
Attach a Canon Speedlite E-TTL flash (420EX or
550EX) using the optional FA-200 Flash Adapter to
use the XL1s for flash photography, just like you
would with a SLR camera. The camera sets the flash
duration, sending out a pre-exposure flash to ensure
correct exposure before the main flash is sent out.
• XL1s Camcorder Body
The Canon XL1s
• Zoom Lens 16x 5.5-
KIT
88 mm IS
• BP-930 Battery Pack
• CA-910 Compact Power
Adapter
• DC-900 DC Coupler
• S-150 S-Video Cable
• SS-1000 Shoulder Strap
• WL-D3000 Wireless
Controller
FU-1000 Monochrome
CRT Viewfinder Unit
With this monochrome CRT viewfinder unit, you can
get more precise focus or detailed information.
• SP-100 Shoulder Pad
• MA 200/100
• FS-72U Filter Set
• 3x Extra Wide-Angle Zoom Lens
• Manual 16x Zoom Lens
• 1.6x Extender
• EOS Adapter
• S-150 S-Video Cable
XL1s Specifications
General
Viewfinder
Power Supply Voltage 7.2 VDC
Power Consumption Approx. 8.7 W (using autofocus during recording)
Operating Temperature 0°C to 40°C
Type Electronic colour viewfinder
Image Display 0.7-inch TFT colour LCD, approx. 180,000 pixels
Eyepoint 2 positions: 23 mm (at eye)
Dimensions (W x H x D) Approx. 223 mm x 214 mm x 415 mm
Weight (camera only) Approx. 1,700 g
Weight (fully equipped) Approx. 2,860 g
Continuous Recording Time Approx. 1 h 55 min. with BP-930 battery pack
Approx. 2 h 55 min. with BP-945 battery pack
Approx. 68 mm (with sports viewfinder)
Adjustment Diopter: +2.0 to 5.0 diopter (at eye)
Brightness control: Bright volume of EVF
Colour control: Menu adjustment
Display On / Partly Off / Off
Approx. 5 h 50 min. with CH-910 and 2x BP-945 battery pack
Chassis Magnesium Alloy Casing
Recording Section General
Format MiniDV
Recording Method Consumer digital DVC (SD specifications)
PAL format (625 lines, 50 fields)
Camera section Camera
Imaging Device 3 x 1/3-inch CCD (3 CCD Pixel Shift)
Pixel Count (per CCD) Total 320,000 pixels
Effective 300,000 pixels
Tape Speed Approx. 18.83 mm/sec. (SP mode)
Approx. 12.57 mm/sec. (LP mode)
Colour Separation Prism and dicroic filter
Digital Quantization 8-bits A/D
Signal Composition PAL standard colour video signal
Scan Method 625 lines, 50 fields/25 frames
Auto Exposure Modes Full auto, auto, spotlight, TV (shutter-priority), AV (aperture-priority),
Manual
Tape ⁄-inch miniDV
Cassette Size 66.0 x 48.0 x 12.2 mm
Recording Time 80 min. with 80 min. tape (SP mode)
120 min. with 80 min. tape (LP mode)
FF/REW Time Approx. 2 min. 20 sec. (using 60-min. tape)
A/V Insert The tape-recorded with SP mode
Time code Auto
Shooting Modes Field Movie Mode
Frame Movie Mode
Audio
Photo (Still) Mode
Sampling Frequency 48 kHz/16 bit: 2-ch
32 kHz/12 bit: 4-ch synchro recording is available
Maximum Sensitivity -71 dBv
Moving image shooting
Self-timer 10 sec. / Remote control 2 sec.
Interval timer 4 modes
Signal Level -59 dBv
Clear scan TV mode, M mode: 57.7-200 Hz
Microphone High-performance MS system stereo electric capacitor
Recording level and balance Auto / Manual
Audio dubbing 12-bit ST1 mode
Photo (Still) image shooting
Recording time 6.5 sec.
XLR audio input 4-channel: MA-200 (optional)
2-channel: MA-100 (optional)
Flash Speedlite 380EX, 420EX, 550EX (with optional FA-200 flash adapter)
Self-timer 10 sec. / Remote control 2 sec.
Picture quality adjustment Colour Gain, Hue, Sharpness, Set-up
Custom Preset Up to 3 types
Custom Key 2 items can be registered among 9 items
Light Metering Method Lower center weighted + peak average light metering
Evaluation 56-zone evaluation metering: Spotlight mode
Minimum Illumination Approx. 2 lux (with XL 5.5-88 mm IS II, and 1/6 sec. Slow shutter)
Shutter Speed (Tv mode) 30 steps 1/6 to 1/16,000 sec.
Slow Shutter 3 levels 1/30, 1/15, 1/8
Signal Input
DV In Signal IEEE1394-AV/C protocol
Video In Signal level 1 VP-p 75 ohms (composite)
S-Video In C: 0.3 VP-p/75 ohm
Y: 1.0 VP-p/75 ohm
Audio In -11dBv/47 k ohm (LINE),
-35 dBv/600 ohm (MIC ATT)
-55 dBv/600 ohm (MIC), unbalanced
Aperture (Av mode) 28 steps F1.6 to F16 and Close (depending on lens used)
Gain 7 steps –3 dB, 0 dB, +6 dB, +12 dB, +18 dB, +30 dB, Auto
AE Level Shifting 13 steps Center 6 levels -2.0, -1.5, -0.75, -0.5, -0.25, 0, +0.25, +0.5,
+0.75, +1.0, +1.5, +2.0
Signal Output
DV Out Signal IEEE1394-AV/C protocol
Video Out Signal level 1 VP-p 75 ohm (composite)
S-Video Out C: 0.3 VP-p/75 ohm
AE lock AE lock Button
White Balance TTL 64-Zone new white detection method
Auto, Manual Set (3 positions), Preset (5600 k, 3200 k)
16:9 ratio Area marker display: Displaying an area maker for 16:9 ratio on the
4:3 ratio screen. Recording mode: Vertical extension mode
Digital Effect Colour bar (EBU), 2x Digital zoom
Digital Fade Black auto fade
Y: 1.0 VP-p/75 ohm
Audio Out 4 dBm (47 kohm load)/3 k ohms or less, unbalanced
Others
DV Input/Output Terminal Special 4-pin (IEEE1394 compatible)
Audio Input Terminals RCA terminal jack (L/R) 2 systems
S-Video Signal Terminal 4-pin mini-DIN
Video Input/Output Terminals RCA pin jack
Audio Input/Output Terminals RCA terminal jack (L/R) 2 systems
External Mic Terminal 3.5 mm dia. Stereo mini-jack
Headphone Jack 3.5 mm dia. Stereo mini-jack
Mic Power Terminal 2.5 mm mini
Zebra pattern Variable levels 80%, 85%, 90%, 95%, 100%
Character Recording Year, Month, Day, Hour, Minute, Second.
Search Photo search, Date search, Index search
Index recording Recorded on tape.
Power Save Shut-off / VCR stop
Lens
Flash Terminal Special 6-pin
Lens Mount Method Bayonet mount (XL mount system)
EF Lens (with optional EF adopter XL)
Edit Terminal LANC compatible
Focal length increases 7.2x for EF-Lens
Zooming Speed
Handle zoom XL 5.5-88 mm IS II: Variable speed and Constant speed
(3 speed H/M/L)
Grip zoom XL 5.5-88 mm IS II: Constant speed (3 speed H/M/L)
Built-in Filter XL 5.5-88 mm IS II: ND-filterTransmission factor 3.1% (1/32, 5 aperture)
On - Off
Image Stabilizer Super range Optical Image Stabilizer system
Filter Diameter 72 mm
AF (Auto focus) TTL-video signal detection type AF
AF Operating Range Close-up to infinity (depending on lens used)
(2 cm to infinity using XL 5.5-88 mm IS II)
MF (Manual Focus) By using lens focus ring when AF is off
Focus Override Temporary Focus Override without turning the AF off
One Push AF By pressing one pus AF button when AF is off
* Weight and dimensions shown are approximate. Specifications are subject to change without notice.
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Canon Australia Pty. Ltd.
1, Thomas Holt Drive, North Ryde,
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Free-call: 1800 816 001
www.canon.com.au
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Fred Thomas Drive, Takapuna,
Auckland, New Zealand
Telephone No: +64 (0)9489-0300
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