Yamaha Stereo Receiver HTR 5760 User Manual
U
HTR-5760  
AV Receiver  
OWNER’S MANUAL  
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IMPORTANT SAFETY INSTRUCTIONS  
d) If the product does not operate normally by following  
the operating instructions. Adjust only those controls  
that are covered by the operating instructions as an  
improper adjustment of other controls may result in  
damage and will often require extensive work by a  
qualified technician to restore the product to its normal  
operation,  
24 Outdoor Antenna Grounding – If an outside antenna or  
cable system is connected to the product, be sure the antenna  
or cable system is grounded so as to provide some  
protection against voltage surges and built-up static charges.  
Article 810 of the National Electrical Code, ANSI/NFPA 70,  
provides information with regard to proper grounding of the  
mast and supporting structure, grounding of the lead-in wire  
to an antenna discharge unit, size of grounding conductors,  
location of antenna discharge unit, connection to grounding  
electrodes, and requirements for the grounding electrode.  
e) If the product has been dropped or damaged in any  
way, and  
f)  
When the product exhibits a distinct change in perfor-  
mance - this indicates a need for service.  
EXAMPLE OF ANTENNA GROUNDING  
20 Replacement Parts – When replacement parts are required,  
be sure the service technician has used replacement parts  
specified by the manufacturer or have the same  
characteristics as the original part. Unauthorized  
substitutions may result in fire, electric shock, or other  
hazards.  
ANTENNA  
LEAD IN  
WIRE  
MAST  
21 Safety Check – Upon completion of any service or repairs to  
this product, ask the service technician to perform safety  
checks to determine that the product is in proper operating  
condition.  
GROUND  
CLAMP  
ANTENNA  
DISCHARGE UNIT  
(NEC SECTION 810–20)  
22 Wall or Ceiling Mounting – The unit should be mounted  
to a wall or ceiling only as recommended by the  
manufacturer.  
23 Heat – The product should be situated away from heat  
sources such as radiators, heat registers, stoves, or other  
products (including amplifiers) that produce heat.  
ELECTRIC  
SERVICE  
EQUIPMENT  
GROUNDING CONDUCTORS  
(NEC SECTION 810–21)  
GROUND CLAMPS  
POWER SERVICE GROUNDING  
ELECTRODE SYSTEM  
(NEC ART 250. PART H)  
Note to CATV system installer:  
This reminder is provided to call the CATV system installer’s  
attention to Article 820-40 of the NEC that provides  
guidelines for proper grounding and, in particular, specifies  
that the cable ground shall be connected to the grounding  
system of the building, as close to the point of cable entry as  
practical.  
NEC – NATIONAL ELECTRICAL CODE  
FCC INFORMATION (for US customers)  
1
IMPORTANT NOTICE: DO NOT MODIFY THIS  
UNIT!  
Compliance with FCC regulations does not guarantee that  
interference will not occur in all installations. If this  
product is found to be the source of interference, which  
can be determined by turning the unit “OFF” and “ON”,  
please try to eliminate the problem by using one of the  
following measures:  
This product, when installed as indicated in the  
instructions contained in this manual, meets FCC  
requirements. Modifications not expressly approved by  
Yamaha may void your authority, granted by the FCC, to  
use the product.  
IMPORTANT: When connecting this product to  
accessories and/or another product use only high quality  
shielded cables. Cable/s supplied with this product MUST  
be used. Follow all installation instructions. Failure to  
follow instructions could void your FCC authorization to  
use this product in the USA.  
NOTE: This product has been tested and found to comply  
with the requirements listed in FCC Regulations, Part 15  
for Class “B” digital devices. Compliance with these  
requirements provides a reasonable level of assurance that  
your use of this product in a residential environment will  
not result in harmful interference with other electronic  
devices.  
Relocate either this product or the device that is being  
affected by the interference.  
2
3
Utilize power outlets that are on different branch (circuit  
breaker or fuse) circuits or install AC line filter/s.  
In the case of radio or TV interference, relocate/reorient  
the antenna. If the antenna lead-in is 300 ohm ribbon lead,  
change the lead-in to coaxial type cable.  
If these corrective measures do not produce satisfactory  
results, please contact the local retailer authorized to  
distribute this type of product. If you can not locate the  
appropriate retailer, please contact Yamaha Electronics  
Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA  
90620.  
The above statements apply ONLY to those products  
distributed by Yamaha Corporation of America or its  
subsidiaries.  
This equipment generates/uses radio frequencies and, if  
not installed and used according to the instructions found  
in the users manual, may cause interference harmful to the  
operation of other electronic devices.  
ii  
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CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.  
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.  
1
2
To assure the finest performance, please read this  
manual carefully. Keep it in a safe place for future  
reference.  
Install this sound system in a well ventilated, cool,  
dry, clean place — away from direct sunlight, heat  
sources, vibration, dust, moisture, and/or cold.  
Allow ventilation space of at least 30 cm on the top,  
20 cm on the left and right, and 20 cm on the back of  
this unit.  
13 To prevent damage by lightning, disconnect the  
power cord from the wall outlet during an electrical  
storm.  
14 Do not attempt to modify or fix this unit. Contact  
qualified YAMAHA service personnel when any  
service is needed. The cabinet should never be  
opened for any reasons.  
15 When not planning to use this unit for long periods  
of time (i.e. vacation), disconnect the AC power plug  
from the wall outlet.  
16 Be sure to read the “TROUBLESHOOTING” section  
on common operating errors before concluding that  
this unit is faulty.  
3
4
Locate this unit away from other electrical  
appliances, motors, or transformers to avoid  
humming sounds.  
Do not expose this unit to sudden temperature  
changes from cold to hot, and do not locate this unit  
in a environment with high humidity (i.e. a room with  
a humidifier) to prevent condensation inside this  
unit, which may cause an electrical shock, fire,  
damage to this unit, and/or personal injury.  
Avoid installing this unit where foreign object may  
fall onto this unit and/or this unit may be exposed to  
liquid dripping or splashing. On the top of this unit,  
do not place:  
17 Before moving this unit, press STANDBY/ON to set  
this unit in the standby mode, and disconnect the  
AC power plug from the wall outlet.  
WARNING  
5
TO REDUCE THE RISK OF FIRE OR ELECTRIC  
SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN  
OR MOISTURE.  
–
–
–
Other components, as they may cause damage  
and/or discoloration on the surface of this unit.  
Burning objects (i.e. candles), as they may cause  
fire, damage to this unit, and/or personal injury.  
Containers with liquid in them, as they may fall  
and liquid may cause electrical shock to the user  
and/or damage to this unit.  
This unit is not disconnected from the AC power source as  
long as it is connected to the wall outlet, even if this unit itself  
is turned off. This state is called the standby mode. In this  
state, this unit is designed to consume a very small quantity of  
power.  
FOR CANADIAN CUSTOMERS  
To prevent electric shock, match wide blade of plug to  
wide slot and fully insert.  
This Class B digital apparatus complies with Canadian  
ICES-003.  
6
Do not cover this unit with a newspaper, tablecloth,  
curtain, etc. in order not to obstruct heat radiation. If  
the temperature inside this unit rises, it may cause  
fire, damage to this unit, and/or personal injury.  
Do not plug in this unit to a wall outlet until all  
connections are complete.  
Do not operate this unit upside-down. It may  
overheat, possibly causing damage.  
Do not use force on switches, knobs and/or cords.  
7
8
9
IMPORTANT  
Please record the serial number of this unit in the space  
below.  
MODEL:  
10 When disconnecting the power cord from the wall  
outlet, grasp the plug; do not pull the cord.  
Serial No.:  
11 Do not clean this unit with chemical solvents; this  
might damage the finish. Use a clean, dry cloth.  
12 Only voltage specified on this unit must be used.  
Using this unit with a higher voltage than specified  
is dangerous and may cause fire, damage to this  
unit, and/or personal injury. YAMAHA will not be  
held responsible for any damage resulting from use  
of this unit with a voltage other than specified.  
The serial number is located on the rear of the unit.  
Retain this Owner’s Manual in a safe place for future  
reference.  
We Want You Listening For A Lifetime  
YAMAHA and the Electronic Industries Association's Consumer  
Electronics Group want you to get the most out of your  
equipment by playing it at a safe level. One that lets the sound  
come through loud and clear without annoying blaring or  
distortion - and, most importantly, without affecting your  
sensitive hearing.  
Since hearing damage from loud sounds is often  
undetectable until it is too late, YAMAHA and the  
Electronic Industries Association’s Consumer  
Electronics Group recommend you to avoid  
prolonged exposure from excessive volume levels.  
iii  
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CONTENTS  
INTRODUCTION  
SOUND FIELD PROGRAMS  
FEATURES............................................................. 2  
GETTING STARTED............................................ 3  
Supplied accessories.................................................. 3  
Installing batteries in the remote control ................... 3  
CONTROLS AND FUNCTIONS ......................... 4  
Front panel................................................................. 4  
Remote control........................................................... 6  
Using the remote control ........................................... 7  
Front panel display .................................................... 8  
Rear panel................................................................ 10  
SOUND FIELD PROGRAM  
DESCRIPTIONS...............................................44  
For movie/video sources.......................................... 44  
For music sources .................................................... 47  
ADVANCED OPERATION  
ADVANCED OPERATIONS ..............................48  
Selecting the OSD mode.......................................... 48  
Using the sleep timer ............................................... 48  
Manually adjusting speaker levels........................... 49  
Using the test tone ................................................... 50  
SET MENU............................................................51  
Using SET MENU................................................... 52  
1 SOUND MENU.................................................... 53  
2 INPUT MENU...................................................... 57  
3 OPTION MENU................................................... 58  
REMOTE CONTROL FEATURES ...................60  
Control area ............................................................. 60  
Setting manufacturer codes...................................... 61  
Controlling other components ................................. 62  
Clearing setup manufacturer codes.......................... 63  
PREPARATION  
SPEAKER SETUP ............................................... 11  
Speaker placement................................................... 11  
Speaker connections ................................................ 12  
CONNECTIONS .................................................. 15  
Before connecting components................................ 15  
Connecting video components................................. 16  
Connecting audio components................................. 19  
Connecting the antennas.......................................... 21  
Connecting the power supply cord .......................... 22  
Turning on the power............................................... 24  
AUTO SETUP....................................................... 25  
Introduction.............................................................. 25  
Optimizer microphone setup.................................... 25  
Starting the setup ..................................................... 26  
ADDITIONAL INFORMATION  
EDITING SOUND FIELD PARAMETERS ......64  
What is a sound field ............................................... 64  
Changing parameter settings ................................... 64  
SOUND FIELD PARAMETER  
BASIC OPERATION  
DESCRIPTIONS...............................................66  
TROUBLESHOOTING .......................................70  
RESETTING THE FACTORY PRESETS ........75  
GLOSSARY...........................................................76  
Audio formats.......................................................... 76  
Sound field programs............................................... 77  
Audio information ................................................... 77  
Video signal information......................................... 78  
SPECIFICATIONS...............................................79  
PLAYBACK.......................................................... 30  
Basic operations....................................................... 30  
Selecting sound field programs ............................... 32  
Selecting input modes.............................................. 36  
TUNING ................................................................ 38  
Automatic and manual tuning.................................. 38  
Presetting stations.................................................... 39  
Selecting preset stations........................................... 41  
Exchanging preset stations ...................................... 42  
RECORDING ....................................................... 43  
1
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FEATURES  
FEATURES  
Built-in 7-channel power amplifier  
◆ Minimum RMS output power  
(0.06% THD, 20 Hz – 20 kHz, 8Ω)  
Front: 95 W + 95 W  
Other features  
◆ YPAO: YAMAHA Parametric Room Acoustic  
Optimizer for automatic speaker setup  
◆ 192-kHz/24-bit D/A converter  
Center: 95 W  
Surround: 95 W + 95 W  
Surround back: 95 W + 95 W  
◆ A SET MENU which provides you with items for  
optimizing this unit for your audio/video system  
◆ 8 additional input jacks for discrete multi-channel input  
◆ On-screen display function helpful in controlling this  
unit  
◆ S-Video signal input/output capability  
◆ Component video input/output capability  
◆ Video signal conversion (Composite video ↔ S-Video)  
capability for monitor out  
◆ Optical and coaxial digital audio signal jacks  
◆ Sleep timer  
◆ Cinema and music night listening modes  
◆ Remote control with preset manufacturer codes  
Sound field features  
◆ Proprietary YAMAHA technology for the creation of  
sound fields  
◆ Dolby Digital/Dolby Digital EX decoder  
◆ DTS/DTS-ES Matrix 6.1, Discrete 6.1, DTS Neo:6,  
DTS 96/24 decoder  
◆ Dolby Pro Logic/Dolby Pro Logic II/Dolby Pro Logic  
IIx decoder  
◆ Virtual CINEMA DSP  
◆ SILENT CINEMA  
™
Sophisticated AM/FM tuner  
◆ 40-station random access preset tuning  
◆ Automatic preset tuning  
◆ Preset station shifting capability (preset editing)  
• yindicates a tip for your operation.  
• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases when the button  
names differ between the main unit and the remote control, the button name on the remote control is given in parentheses.  
• This manual is printed prior to production. Design and specifications are subject to change in part as a result of improvements, etc. In  
case of differences between the manual and product, the product has priority.  
Manufactured under license from Dolby Laboratories.  
“Dolby”, “Pro Logic”, “Surround EX”, and the double-D symbol  
are trademarks of Dolby Laboratories.  
“DTS”, “DTS-ES”, “Neo:6” and “DTS 96/24” are trademarks of  
Digital Theater Systems, Inc.  
“SILENT CINEMA” is a trademark of YAMAHA  
CORPORATION.  
2
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GETTING STARTED  
GETTING STARTED  
Supplied accessories  
Please check that you received all of the following parts.  
Remote control  
Batteries (4)  
(AAA, R03, UM-4)  
AM loop antenna  
Optimizer microphone  
CODE SET  
TRANSMIT  
SYSTEM  
POWER  
TV  
POWER  
STANDBY  
POWER  
AV  
CD  
MD/CD-R  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
DVD  
DTV/CBL  
VCR  
1
DVR/VCR2  
TV VOL  
TV CH  
VOLUME  
TV MUTE  
TV INPUT  
MUTE  
STEREO  
1
HALL  
2
JAZZ  
3
ROCK  
4
Indoor FM antenna  
(U.S.A., Canada and  
China models)  
Indoor FM antenna  
(Australia and Korea  
models)  
MUSIC ENTERTAIN TV THTR  
MOVIE  
8
5
6
7
q/DTS  
NIGHT  
0
EX/ES  
10  
STRAIGHT  
9
ENTER  
EFFECT  
PRESET/CH  
LEVEL  
TITLE  
SET MENU  
MENU  
A/B/C/D/E  
SELECT  
TEST  
ON SCREEN  
DISPLAY  
RETURN  
REC  
AUDIO  
DISC SKIP  
FREQ/RDS  
MODE PTY SEEK START  
EON  
Notes on batteries  
Installing batteries in the remote  
control  
• Change all of the batteries if you notice the following  
conditions; the operation range of the remote control decreases,  
the indicator does not flash or its light becomes dim.  
• Do not use old batteries together with new ones.  
• Do not use different types of batteries (such as alkaline and  
manganese batteries) together. Read the packaging carefully as  
these different types of batteries may have the same shape and  
color.  
• If the batteries have leaked, dispose of them immediately. Avoid  
touching the leaked material or letting it come into contact with  
clothing, etc. Clean the battery compartment thoroughly before  
installing new batteries.  
2
1
3
If the remote control is without batteries for more than  
2 minutes, or if exhausted batteries remain in the  
remote control, the contents of the memory may be  
cleared. When the memory is cleared, insert new  
batteries, set up the manufacturer code and program  
any acquired functions that may have been cleared.  
1
2
Press the  
compartment cover off.  
part and slide the battery  
Insert four supplied batteries (AAA, R03,  
UM-4) according to the polarity markings  
(+ and –) on the inside of the battery  
compartment.  
3
Slide the cover back until it snaps into place.  
3
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CONTROLS AND FUNCTIONS  
CONTROLS AND FUNCTIONS  
Front panel  
1
2
3 4 5  
6
7
8
9
0
(U.S.A. model)  
VOLUME  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
l
PRESET/TUNING h  
MEMORY  
TUNING MODE  
OPTIMIZER  
MIC  
NEXT  
LEVEL  
MAN'L/AUTO FM  
AUTO/MAN'L MONO  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
A
B
C D  
E
F
G
H
I
J
1 STANDBY/ON  
6 A/B/C/D/E (NEXT)  
Turns on this unit or sets it to the standby mode. When  
you turn on this unit, you will hear a click and there will  
be a 4 to 5-second delay before this unit can reproduce  
sound.  
Selects one of the 5 preset station groups (A to E) when  
the unit is in tuner mode.  
Selects the speaker channel to be adjusted when the unit is  
not in tuner mode.  
7 PRESET/TUNING l/ h(LEVEL –/+)  
Note  
Selects preset station number 1 to 8 when the colon (:) is  
displayed next to the band indication in the front panel  
display when the unit is in tuner mode. Selects the tuning  
frequency when the colon (:) is not displayed.  
In standby mode, this unit consumes a small amount of power in  
order to receive infrared-signals from the remote control.  
2 OPTIMIZER MIC jack  
Adjusts the level of the speaker channel selected using  
A/B/C/D/E (NEXT) when the unit is not in tuner mode.  
Use to connect and input audio signals from the supplied  
microphone for use with the AUTO SETUP function (see  
page 25).  
8 MEMORY (MAN’L/AUTO FM)  
Stores a station in the memory. Hold down this button for  
more than 3 seconds to start automatic preset tuning.  
3 Remote control sensor  
Receives signals from the remote control.  
9 TUNING MODE (AUTO/MAN’L MONO)  
Switches the tuning mode between automatic (AUTO  
indicator on) and manual (AUTO indicator off).  
4 Front panel display  
Shows information about the operational status of this  
unit.  
0 VOLUME  
5 FM/AM  
Controls the output level of all audio channels.  
This does not affect the REC OUT level.  
Switches the reception band between FM and AM.  
4
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CONTROLS AND FUNCTIONS  
A
PHONES (SILENT CINEMA) jack  
Outputs audio signals for private listening with  
headphones. When you connect headphones, no signals  
are output to the OUTPUT jacks or to the speakers.  
All Dolby Digital and DTS audio signals are mixed down  
to the left and right headphone channels.  
B SPEAKERS A/B  
Turns on or off the set of front speakers connected to the A  
and/or B terminals on the rear panel each time the  
corresponding button is pressed.  
C PRESET/TUNING (EDIT)  
Switches the function of PRESET/TUNING l/ h  
(LEVEL –/+) between selecting preset station numbers  
and tuning.  
D STRAIGHT (EFFECT)  
Switches the sound fields off or on. When STRAIGHT is  
selected, input signals (2-channel or multi-channel) are  
output directly from their respective speakers without  
effect processing.  
E PROGRAM  
Use to select sound field programs or adjust the bass/treble  
balance (in conjunction with TONE CONTROL).  
F TONE CONTROL  
Use to adjust the bass/treble balance for the front left and  
right, center, presence and subwoofer channels (see  
page 31).  
G INPUT MODE  
Sets the priority (AUTO, DTS, ANALOG) for the type of  
signals received when one component is connected to two  
or more of this unit’s input jacks (see page 36).  
H INPUT selector  
Selects the input source you want to listen to or watch.  
I MULTI CH INPUT  
Selects the source connected to the MULTI CH INPUT  
jacks. When selected, the MULTI CH INPUT source takes  
priority over the source selected with INPUT (or the input  
selector buttons on the remote control).  
J VIDEO AUX jacks  
Input audio and video signals from a portable external  
source such as a game console. To reproduce source  
signals from these jacks, select V-AUX as the input  
source.  
5
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CONTROLS AND FUNCTIONS  
Remote control  
This section describes the function of each control on the  
remote control used to control this unit. To operate other  
components, see “REMOTE CONTROL FEATURES” on  
page 60.  
3 Input selector buttons  
Select the input source and change the control area.  
4 Sound field program / numeric buttons (1 - 8)  
Use to select sound field programs.  
Use numbers 1 through 8 to select preset stations when the  
unit is in tuner mode.  
1
2
9
CODE SET  
TRANSMIT  
0
A
5 NIGHT  
SYSTEM  
POWER  
POWER  
TV  
POWER  
STANDBY  
Turns on or off the night listening modes (see page 35).  
AV  
CD  
MD/CD-R  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
6 LEVEL  
B
C
Selects the speaker channel to be adjusted and sets the  
level.  
DVD  
DTV/CBL  
3
VCR 1  
DVR/VCR2  
7 Cursor buttons u/ d / j/ i/ SELECT  
Use to select and adjust sound field program parameters or  
SET MENU items.  
D
E
Press u/ dto select preset station numbers when the unit  
is in tuner mode.  
TV VOL  
TV CH  
VOLUME  
TV MUTE  
TV INPUT  
8 TEST (RETURN)  
MUTE  
F
Outputs the test tone to adjust the speaker levels.  
Returns to the previous menu level when adjusting the  
SET MENU parameters.  
STEREO  
HALL  
JAZZ  
ROCK  
1
2
3
4
MUSIC ENTERTAIN TV THTR  
MOVIE  
5
6
7
8
4
9 TRANSMIT indicator  
G
H
q/DTS  
NIGHT  
EX/ES  
STRAIGHT  
Flashes while the remote control is sending signals.  
9
0
10  
ENTER  
EFFECT  
0 STANDBY  
Sets this unit in the standby mode.  
5
6
PRESET/CH  
LEVEL  
TITLE  
SET MENU  
MENU  
I
J
A/B/C/D/E  
A SYSTEM POWER  
Turns on the power of this unit.  
SELECT  
7
8
TEST  
ON SCREEN  
DISPLAY  
RETURN  
B SLEEP  
Sets the sleep timer.  
REC  
AUDIO  
DISC SKIP  
C MULTI CH IN  
FREQ/RDS  
MODE PTY SEEK START  
EON  
Selects MULTI CH INPUT when using an external  
decoder (etc.).  
D AMP  
Selects the AMP mode. You must select the AMP mode to  
control the main unit.  
E VOLUME –/+  
Increases or decreases the volume level.  
F MUTE  
Mutes the sound. Press again to restore the audio output to  
the previous volume level.  
1 Infrared window  
Outputs infrared control signals. Aim this window at the  
component you want to operate.  
G EX/ES  
Switches between 5.1 or 6.1/7.1-channel playback of  
multi-channel software.  
2 CODE SET  
Use to set up manufacturer codes (see page 61).  
6
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CONTROLS AND FUNCTIONS  
H STRAIGHT (EFFECT)  
Using the remote control  
The remote control transmits a directional infrared beam.  
Be sure to aim the remote control directly at the remote  
control sensor on the main unit during operation.  
Switches the sound fields off or on. When STRAIGHT is  
selected, input signals (2-channel or multi-channel) are  
output directly from their respective speakers without  
effect processing.  
I SET MENU (A/B/C/D/E)  
Activates the SET MENU function.  
Selects preset station groups when the unit is in tuner  
mode.  
VOLUME  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
l
PRESET/TUNING  
h
MEMORY  
TUNING MODE  
OPTIMIZER  
MIC  
NEXT  
LEVEL  
MAN'L/AUTO FM  
AUTO/MAN'L MONO  
PROGRAM  
INPUT  
J ON SCREEN  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
Selects the display mode of the on-screen display (OSD)  
this unit sends to your video monitor.  
Approximately 6 m (20 ft)  
30  
30  
C
O
D
E
S
E
T
TRANSMIT  
SYSTEM  
POWER POWER STANDBY POWER  
TV  
AV  
C
D
M
D
/
C
D
-
R
T
U
N
E
R
S
L
E
E
P
DVD DTV/CBL  
VCR  
V-AUX MULTI CH IN  
AMP  
T
V
V
O
L
T
V
C
H
VOLUME  
T
V
M
U
T
E
T
V
I
N
P
U
T
MUTE  
S
T
E
R
E
O
H
A
L
L
JAZZ  
ROCK  
4
1
2
3
MUSIC ENTERTAINTV THTR MOVIE  
5
6
7
8
q/DTS  
NIGHT  
0
EX/ES STRAIGHT  
9
10  
ENTER  
EFFECT  
PRESET/CH  
LEVEL  
TITLE  
SET MENU  
MENU  
A/B/C/D/E  
SELECT  
TEST  
RETURN  
DISPLAY  
REC  
AUDIO  
DISC SKIP  
■ Handling the remote control  
•
Do not spill water or other liquids on the remote  
control.  
•
•
Do not drop the remote control.  
Do not leave or store the remote control in the  
following types of conditions:  
– high humidity such as near a bath  
– high temperature such as near a heater or stove  
– extremely low temperatures  
– dusty places  
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CONTROLS AND FUNCTIONS  
Front panel display  
1
2
3
4
5
6
7 8  
9 0  
A
B
96  
24  
VCR  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
t
SILENT CINEMA  
VIRTUAL  
NIGHT  
AUTO TUNED STEREO MEMORY MUTE VOLUME  
MATRIX DISCRETE  
SP  
OPTIMIZER  
HiFi DSP  
A B  
q
q
q
DIGITAL  
q
SLEEP  
dB  
EX  
PL  
96/24  
L C R  
LFE SL SB SR  
ft  
mS  
dB  
PL  
q
PL x  
PCM  
C
D
E
F
G
H
I
K L M  
N
J
1 Decoder indicators  
0 MEMORY indicator  
When any of this unit’s decoders function, the respective  
indicator lights up.  
Blinks to show that a station can be stored.  
A MUTE indicator  
2 SILENT CINEMA indicator  
Blinks while the MUTE function is on.  
Lights up when headphones are connected and a sound  
field program is selected (see page 31).  
B VOLUME level indication  
Indicates the volume level.  
3 NIGHT indicator  
Lights up when you select night listening mode.  
C PCM indicator  
Lights up when this unit is reproducing PCM (pulse code  
modulation) digital audio signals.  
4 Input source indicators  
A cursor lights to show the current input source.  
D VIRTUAL indicator  
5 Sound field indicators  
Light to indicate the active DSP sound fields.  
Lights up when Virtual CINEMA DSP is active (see  
page 36).  
E Headphones indicator  
Lights up when headphones are connected.  
Presence DSP sound field  
Listening position  
Right surround  
DSP sound field  
Left surround  
DSP sound field  
F SP A B indicators  
Light up according to the set of front speakers selected.  
Both indicators light up when both sets of speakers are  
selected.  
Surround back DSP sound field  
6 CINEMA DSP indicator  
G SLEEP indicator  
Lights up while the sleep timer is on.  
Lights up when you select a CINEMA DSP sound field  
program.  
H HiFi DSP indicator  
7 AUTO indicator  
Lights up when you select a HiFi DSP sound field  
program.  
Lights up when this unit is in automatic tuning mode.  
8 TUNED indicator  
Lights up when this unit is tuned into a station.  
I Multi-information display  
Shows the current sound field program name and other  
information when adjusting or changing settings.  
9 STEREO indicator  
Lights up when this unit is receiving a strong signal for an  
FM stereo broadcast while the AUTO indicator is lit.  
J OPTIMIZER indicator  
Lights up during the auto setup procedure and when the  
auto setup speaker settings are used without any  
modifications.  
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CONTROLS AND FUNCTIONS  
K 96/24 indicator  
Lights up when a DTS 96/24 signal is input to this unit.  
L LFE indicator  
Lights up when the input signal contains the LFE signal.  
M Input channel indicators  
Indicate the channel components of the current digital  
input signal.  
N Presence and surround back speaker  
indicators  
Indicate the connection of presence and/or surround back  
speakers when using the SPEAKER LEVEL setting (see  
page 55).  
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CONTROLS AND FUNCTIONS  
Rear panel  
1
2
3
4
5
6
COMPONENT VIDEO  
TUNER  
PR  
PB  
Y
75Ω UNBAL.  
DVD  
AM  
ANT  
FM  
ANT  
GND  
DTV  
/CBL  
AUDIO  
AUDIO  
VIDEO  
VIDEO  
S VIDEO  
DIGITAL  
INPUT  
MONITOR  
OUT  
CD  
DVD  
DVD  
PRE OUT  
CENTER  
AC OUTLETS  
SWITCHED  
COAXIAL  
IN  
DTV  
/CBL  
(PLAY)  
CD  
MD  
/CD-R  
OPTICAL  
DTV/CBL  
OUT  
IN  
(REC)  
PRESENCE  
VCR  
1
SUB  
SURROUND  
BACK  
FRONT  
SURROUND WOOFER  
SPEAKERS  
DVD  
FRONT  
OUT  
MD/CD-R  
SURROUND  
IN  
A
B
DVR/  
VCR  
SURROUND  
2
SURROUND  
BACK  
OUT  
MD/CD-R  
OPTICAL  
MONITOR OUT  
FRONT  
CENTER  
SURROUND BACK  
SUB  
WOOFER  
VIDEO  
S VIDEO  
CENTER  
DIGITAL  
OUTPUT  
MULTI CH INPUT  
IMPEDANCE SELECTOR  
(U.S.A. model)  
7
8
9
0
A
1 DIGITAL INPUT jacks  
7 DIGITAL OUTPUT jack  
See pages 16, 18 and 19 for details.  
See page 19 for details.  
2 Audio component jacks  
8 MULTI CH INPUT jacks  
See page 19 for connection information.  
See page 17 for connection information.  
3 Video component jacks  
9 PRE OUT jacks  
See pages 16 and 18 for connection information.  
See page 20 for connection information.  
4 Antenna terminals  
0 Speaker terminals  
See page 21 for connection information.  
See page 13 for connection information.  
5 PRESENCE speaker terminals  
A IMPEDANCE SELECTOR switch  
See page 13 for connection information.  
See page 23.  
6 AC OUTLET(S)  
Use to supply power to your other A/V components (see  
page 22).  
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SPEAKER SETUP  
SPEAKER SETUP  
Surround speakers (SR and SL)  
Speaker placement  
The speaker layout below shows the standard ITU-R  
speaker setting. You can use it to enjoy CINEMA DSP and  
multi-channel audio sources.  
The surround speakers are used for effect and surround  
sounds. Place these speakers behind your listening  
position, facing slightly inwards, about 1.8 m (6 ft) above  
the floor.  
Surround back speakers (SBR and SBL)  
The surround back speakers supplement the surround  
speakers and provide for more realistic front-to-back  
transitions. Place these speakers directly behind the  
listening position and at the same height as the surround  
speakers. They should be positioned at least 30 cm (12 in)  
apart. Ideally, they should be positioned at the same width  
as the front speakers.  
PL  
PR  
C
FL  
FR  
30˚  
SL  
SL  
SR  
SR  
Subwoofer  
60˚  
80˚  
The use of a subwoofer, such as the YAMAHA Active  
Servo Processing Subwoofer System, is effective not only  
for reinforcing bass frequencies from any or all channels,  
but also for high fidelity reproduction of the LFE (low-  
frequency effect) channel included in Dolby Digital and  
DTS software. The position of the subwoofer is not so  
critical, because low bass sounds are not highly  
directional. But it is better to place the subwoofer near the  
front speakers. Turn it slightly toward the center of the  
room to reduce wall reflections.  
SBL  
SBR  
more than 30 cm (12 in)  
Presence speakers (PR and PL)  
1.8 m (6 ft)  
Presence speakers supplement the sound from the front  
speakers with extra ambient effects produced by CINEMA  
DSP (see page 44). These effects include sounds that  
filmmakers intend to locate a little farther back behind the  
screen in order to create more theater-like ambience. Place  
these speakers at the front of the room about 0.5 - 1 m  
(1 - 3 ft) outside the front speakers, facing slightly  
inwards, and about 1.8 m (6 ft) above the floor.  
1.8 m (6 ft)  
Front speakers (FR and FL)  
The front speakers are used for the main source sound plus  
effect sounds. Place these speakers an equal distance from  
the ideal listening position. The distance of each speaker  
from each side of the video monitor should be the same.  
Center speaker (C)  
The center speaker is for the center channel sounds  
(dialog, vocals, etc.). If for some reason it is not practical  
to use a center speaker, you can do without it. Best results,  
however, are obtained with the full system. Align the front  
face of the center speaker with the front face of your video  
monitor. Place the speaker centrally between the front  
speakers and as close to the monitor as possible, such as  
directly over or under it.  
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SPEAKER SETUP  
Speaker connections  
5
Tighten the knob to secure the wire.  
Be sure to connect the left channel (L), right channel (R),  
“+” (red) and “–” (black) properly. If the connections are  
faulty, no sound will be heard from the speakers, and if the  
polarity of the speaker connections is incorrect, the sound  
will be unnatural and lack bass.  
3
4
5
CAUTION  
•
If you will use 6 ohm speakers, be sure to set  
this unit’s speaker impedance setting to 6  
ohms before using (see page 23).  
Before connecting the speakers, make sure that the  
power of this unit is off.  
Do not let the bare speaker wires touch each other or do  
not let them touch any metal part of this unit. This  
could damage this unit and/or speakers.  
Red: positive (+)  
Black: negative (–)  
•
•
■ Connecting to PRESENCE speaker  
terminals  
•
Use magnetically shielded speakers. If this type of  
speakers still creates the interference with the monitor,  
place the speakers away from the monitor.  
1
2
A speaker cord is actually a pair of insulated cables  
running side by side. One cable is colored or shaped  
differently, perhaps with a stripe, groove or ridges.  
Connect the striped (grooved, etc.) cable to the “+” (red)  
terminals on this unit and your speaker. Connect the plain  
cable to the “–” (black) terminals.  
3
1
2
Open the tab.  
Insert one bare wire into the hole of each  
terminal.  
10 mm (3/8")  
3
Return the tab to secure the wire.  
1
2
■ Banana plug connections  
First, tighten the knob and then insert the banana plug  
connector into the end of the corresponding terminal.  
1
2
Remove approximately 10 mm (3/8") of  
insulation from the end of each speaker  
cable.  
Twist the exposed wires of the cable together  
to prevent short circuits.  
Banana plug  
3
4
Unscrew the knob.  
Insert one bare wire into the hole in the side  
of each terminal.  
y
You can also use banana plugs with the PRESENCE speaker  
terminals. Open the tab, then insert one banana plug connector  
into the hole of each terminal. Do not attempt to close the tabs  
after connecting the banana plugs.  
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SPEAKER SETUP  
Subwoofer  
system  
Presence speakers  
Surround speakers  
Right Left  
Right  
Left  
1
2
3
4
5
PRE OUT  
CENTER  
PRESENCE  
SUB  
SURROUND  
BACK  
FRONT  
SURROUND WOOFER  
SPEAKERS  
A
B
SURROUND  
FRONT  
CENTER  
SURROUND BACK  
(U.S.A. model)  
6
7
10  
8
9
Front  
speakers  
(B)  
Center  
speaker  
Right  
Left  
Surround back  
speakers  
Right  
Left  
Front speakers (A)  
You can connect both surround back and presence speakers to this unit, but they do not output sound simultaneously.  
• The surround back speakers output the surround back channel included in Dolby Digital EX and DTS-ES software and only  
operate when the Dolby Digital EX or DTS-ES decoder is turned on.  
• The presence speakers output ambient effects created by the DSP sound fields. They do not output sound when other sound fields  
are selected.  
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SPEAKER SETUP  
■ FRONT terminals  
Connect one or two speaker systems to these terminals. If  
you use only one speaker system, connect it to either the  
FRONT A or B terminals.  
Note  
The Canada model cannot output to two separate speaker systems  
simultaneously.  
2
3
6
■ CENTER terminals  
8
Connect a center speaker to these terminals.  
7
1
■ SURROUND terminals  
Connect surround speakers to these terminals.  
4
9
■ SUBWOOFER jack  
10  
5
Connect a subwoofer with built-in amplifier, such as the  
YAMAHA Active Servo Processing Subwoofer System,  
to this jack.  
Speaker layout  
■ SURROUND BACK terminals  
Connect surround back speakers to these terminals. If you  
only connect one surround back speaker, connect it to the  
left (L) terminals.  
■ PRESENCE terminals  
Connect presence speakers to these terminals.  
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CONNECTIONS  
CONNECTIONS  
Dust protection cap  
Before connecting components  
Pull out the cap from the optical jack before you connect  
the fiber optic cable. Do not discard the cap. When you are  
not using the optical jack, be sure to put the cap back in  
place. This cap protects the jack from dust.  
CAUTION  
Do not connect this unit or other components to the mains  
power until all connections between components are  
complete.  
■ Cable indications  
For analog signals  
■ Video jacks  
L
left analog cables  
This unit has three types of video jacks. Connection  
depends on the availability of input jacks on your monitor.  
The signals input through the S VIDEO jacks on this unit  
are automatically converted for output through the VIDEO  
jacks. When V CONV. is set to ON (see page 58), signals  
input through the VIDEO jacks can be output through the  
S VIDEO jacks.  
R
right analog cables  
For digital signals  
optical cables  
O
coaxial cables  
C
For video signals  
COMPONENT VIDEO  
VIDEO  
S VIDEO  
P
R
P
B
Y
video cables  
V
S-Video cables  
S
VIDEO jack  
V
For conventional composite video signals.  
■ Analog jacks  
S VIDEO jack  
You can input analog signals from audio components by  
connecting audio pin cable to the analog jacks on this unit.  
Connect red plugs to the right jacks and white plugs to the  
left jacks.  
For S-Video signals, separated into luminance (Y) and  
color (C) video signals to achieve high-quality color  
reproduction.  
COMPONENT VIDEO jacks  
■ Digital jacks  
For component signals, separated into luminance (Y) and  
color difference (PB, PR) to provide the best quality in  
picture reproduction.  
This unit has digital jacks for direct transmission of digital  
signals through either coaxial or fiber optic cables. You  
can use the digital jacks to input PCM, Dolby Digital and  
DTS bitstreams. When you connect components to both  
the COAXIAL and OPTICAL jacks, priority is given to  
the input signals from the COAXIAL jack. All digital  
input jacks are compatible with 96-kHz sampling digital  
signals.  
Signal flow inside this unit  
Output  
Input  
(MONITOR OUT)  
COMPONENT  
VIDEO  
S VIDEO  
VIDEO  
Note  
This unit handles digital and analog signals independently. Thus  
audio signals input to the analog jacks are only output to the  
analog OUT (REC) jacks. Likewise audio signals input to the  
digital (OPTICAL or COAXIAL) jacks are only output to the  
DIGITAL OUTPUT jack.  
Only when V CONV. is set to ON  
(see page 58).  
Note  
When signals are input through both the S VIDEO and VIDEO  
jacks, signals input through the S VIDEO jack have priority.  
15  
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CONNECTIONS  
Connecting video components  
■ Connections for DVD playback  
Optical out  
Video out  
Coaxial out  
DVD player  
Audio out  
C
R
L
O
COMPONENT VIDEO  
PR PB  
Y
DVD  
AUDIO  
VIDEO  
VIDEO  
S VIDEO  
DIGITAL  
INPUT  
MONITOR  
OUT  
Video in  
Video  
DVD  
DVD  
monitor  
OPTICAL  
DVD  
MONITOR OUT  
VIDEO  
S VIDEO  
(U.S.A. model)  
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CONNECTIONS  
■ Connecting to the MULTI CH INPUT jacks  
This unit is equipped with 8 additional input jacks (left and right FRONT, CENTER, left and right SURROUND, left and  
right SURROUND BACK and SUB WOOFER) for discrete multi-channel input from a multi-format player, external  
decoder, sound processor or pre-amplifier.  
Connect the output jacks on your multi-format player or external decoder to the MULTI CH INPUT jacks. Be sure to  
match the left and right outputs to the left and right input jacks for the front and surround channels.  
For 6-channel input  
(U.S.A. model)  
For 8-channel input  
(U.S.A. model)  
FRONT  
FRONT  
SURROUND  
SURROUND  
SURROUND  
BACK  
SUB  
SUB  
WOOFER  
CENTER  
WOOFER  
CENTER  
MULTI CH INPUT  
MULTI CH INPUT  
Subwoofer  
out  
Subwoofer  
out  
R
L
R
L
R
L
R
L
R
L
Center  
out  
Center  
out  
Multi-format player/  
External decoder  
Multi-format player/ Surround  
External decoder  
back out  
Front  
out  
Front  
out  
Surround  
out  
Surround  
out  
Notes  
• When you select MULTI CH INPUT as the input source, this unit automatically turns off the digital sound field processor, and you  
cannot select sound field programs.  
• This unit does not redirect signals input to the MULTI CH INPUT jacks to accommodate for missing speakers. We recommend that  
you connect at least a 5.1-channel speaker system before using this feature.  
• When headphones are used, only front left and right channels are output.  
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CONNECTIONS  
■ Connections for other video components  
Optical out  
Video out  
Cable TV or  
satellite tuner  
Audio out  
R
L
O
(U.S.A. model)  
COMPONENT VIDEO  
PR  
PB  
Y
DTV  
/CBL  
AUDIO  
VIDEO  
VIDEO  
S VIDEO  
DIGITAL  
INPUT  
DVD  
DTV  
/CBL  
OPTICAL  
DTV/CBL  
IN  
VCR 1  
OUT  
R
L
R
L
Audio in  
Audio out  
Video in  
DVD recorder  
or VCR  
Video out  
VIDEO AUX  
■ VIDEO AUX jacks (on the front panel)  
Use these jacks to connect any video source, such as a  
game console or video camera, to this unit.  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
S
V
O
L
R
Optical out  
Audio out R  
Game  
console or  
video  
camera  
Audio out L  
Video out  
S-Video out  
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CONNECTIONS  
Connecting audio components  
■ Connections for audio components  
(U.S.A. model)  
AUDIO  
DIGITAL  
INPUT  
Audio out  
CD  
IN  
L
CD player  
R
Audio out  
COAXIAL  
(PLAY)  
L
CD  
MD  
/CD-R  
R
L
MD recorder or  
tape deck  
OPTICAL  
OUT  
C
(REC)  
Coaxial out  
R
Audio in  
MD/CD-R  
Optical out  
O
Optical in  
O
MD/CD-R  
OPTICAL  
DIGITAL  
OUTPUT  
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CONNECTIONS  
■ Connecting to an external amplifier  
If you want to increase the power output to the speakers,  
or want to use another amplifier, connect an external  
amplifier to the PRE OUT jacks as follows.  
Notes  
• When audio pin plugs are connected to the PRE OUT jacks for  
output to an external amplifier, do not make connections to the  
corresponding SPEAKERS terminals. Set the volume of the  
amplifier connected to this unit to the maximum.  
• The signals output through the FRONT PRE OUT and  
CENTER PRE OUT jacks are affected by the TONE  
CONTROL settings.  
• If SPEAKERS A is turned off and SP B is set to ZONE B (see  
page 59), signals will only be output from the FRONT PRE  
OUT jacks.  
1
2 3  
4
PRE OUT  
CENTER  
L
R
SURROUND  
BACK  
SUB  
FRONT  
SURROUND  
WOOFER  
5
1 FRONT PRE OUT jacks  
Front channel line output jacks.  
2 SURROUND PRE OUT jacks  
Surround channel line output jacks.  
3 CENTER PRE OUT jack  
Center channel line output jack.  
4 SURROUND BACK PRE OUT jacks  
Surround back or presence channel line output jacks.  
5 SUB WOOFER PRE OUT jack  
Connect a subwoofer with built-in amplifier, such as the  
YAMAHA Active Servo Processing Subwoofer System,  
to this jack.  
Notes  
• Each PRE OUT jack outputs the same channel signals as the  
corresponding speaker terminals.  
• Adjust the volume level of the subwoofer with the control on  
the subwoofer. It is also possible to adjust the volume level  
using the remote control (see “Manually adjusting speaker  
levels” on page 49).  
• Some signals may not be output from the SUB WOOFER PRE  
OUT jack depending on the SPEAKER SET (see page 53) and  
LFE/BASS OUT (see page 54) settings.  
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CONNECTIONS  
Connecting the antennas  
Both AM and FM indoor antennas are included with this  
unit. In general, these antennas should provide sufficient  
signal strength. Connect each antenna correctly to the  
designated terminals.  
Notes  
• The AM loop antenna should be placed away from this unit.  
• The AM loop antenna should always be connected, even if an  
outdoor AM antenna is connected to this unit.  
Indoor FM antenna  
(included)  
AM loop antenna  
(included)  
• A properly installed outdoor antenna provides clearer reception  
than an indoor one. If you experience poor reception quality, an  
outdoor antenna may improve the quality. Consult the nearest  
authorized YAMAHA dealer or service center about outdoor  
antennas.  
■ 75-ohm/300-ohm antenna adapter  
(U.K. model only)  
TUNER  
75Ω UNBAL.  
AM  
ANT  
FM  
ANT  
GND  
1
2
Open the cover of the  
included 75-ohm/300-ohm  
antenna adapter.  
Cut the external sleeve  
11 (7/16)  
of the 75-ohm coaxial  
cable and prepare it for  
connection.  
Unit:  
mm (in)  
8 (5/16)  
6 (1/14)  
Ground (GND terminal)  
For maximum safety and minimum  
interference, connect the antenna GND  
terminal to a good earth ground. A good  
earth ground is a metal stake driven into  
moist earth.  
3
4
Cut the lead wire and  
remove it.  
Lead wire  
■ Connecting the AM loop antenna  
1
Set up the AM loop antenna, then connect it  
to the terminals on this unit.  
Insert the cable  
wire into the slot,  
and clamp it with  
pliers.  
Clamp  
Clamp  
Insert the wire  
into slot.  
5
Snap the cover  
into place.  
2
3
Press and hold the tab to  
insert the AM loop antenna  
lead wires into the AM ANT  
and GND terminals.  
Orient the AM loop antenna  
for the best reception.  
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CONNECTIONS  
Connecting the power supply cord  
■ Connecting the AC power cord  
Plug the power cord into an AC wall outlet.  
■ AC OUTLET(S) (SWITCHED)  
Australia model .............................................. 1 OUTLET  
Korea model ..............................................................None  
Other models .................................................2 OUTLETS  
Use these outlets to connect the power cords from your  
other components to this unit. Power to the AC  
OUTLET(S) is controlled by this unit’s STANDBY/ON  
(or SYSTEM POWER and STANDBY). The outlet(s)  
supply power to any connected component whenever this  
unit is turned on. The maximum power (total power  
consumption of components) that can be connected to the  
AC OUTLET(S) is:  
Korea model ............................................................... N/A  
China model ............................................................. 50 W  
Other models ...........................................................100 W  
■ Memory back-up  
The memory back-up circuit prevents the stored data from  
being lost even if this unit is in the standby mode.  
However if the power cord is disconnected from the AC  
wall outlet, or the power supply is cut for more than one  
week, the stored data will be lost.  
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CONNECTIONS  
■ IMPEDANCE SELECTOR switch  
(U.S.A. model)  
CAUTION  
Do not change the setting of the IMPEDANCE  
SELECTOR switch when the unit power is switched on,  
as doing so may damage the unit.  
If this unit fails to turn on when STANDBY/ON is pressed  
on either the front panel or remote control, the  
IMPEDANCE SELECTOR switch may not be fully slid to  
either position. If this is the case, slide the switch all the  
way to either position when this unit is in standby mode.  
Select the switch position (left or right) according to the  
impedance of the speakers in your system.  
SET BEFORE POWER ON  
IMPEDANCE SELECTOR  
IMPEDANCE SELECTOR switch  
Switch position  
Speaker  
Front  
Impedance level  
If you use one set (A or B), the impedance of each speaker must be  
4 Ω or higher.  
If you use two sets (A and B), the impedance of each speaker must be  
8 Ω or higher.  
Left  
Center, Surround, Surround back,  
Presence  
The impedance of each speaker must be 6 Ω or higher.  
If you use one set (A or B), the impedance of each speaker must be  
8 Ω or higher.  
Front  
If you use two sets (A and B), the impedance of each speaker must be  
Right  
*
16 Ω or higher.  
Center, Surround, Surround back,  
Presence  
The impedance of each speaker must be 8 Ω or higher.  
*
The Canada model cannot use two separate speaker systems (A and B) simultaneously when the switch is set to the right position.  
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CONNECTIONS  
Turning on the power  
When all connections are complete, turn on the power of  
this unit.  
1
(U.S.A. model)  
VOLUME  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
l
PRESET/TUNING  
h
MEMORY  
TUNING MODE  
OPTIMIZER  
MIC  
NEXT  
LEVEL  
MAN'L/AUTO FM  
AUTO/MAN'L MONO  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
CODE SET  
TRANSMIT  
SYSTEM  
POWER  
TV  
POWER  
AV  
STANDBY  
POWER  
1
CD  
MD/CD-R  
DTV/CBL  
DVR/VCR2  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
DVD  
VCR  
1
TV VOL  
TV CH  
VOLUME  
TV MUTE  
TV INPUT  
1
2
Press STANDBY/ON (SYSTEM POWER on the  
remote control) to turn on the power of this  
unit.  
SYSTEM  
POWER  
STANDBY  
/ON  
or  
Front panel  
Remote control  
Turn on the video monitor connected to this  
unit.  
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AUTO SETUP  
AUTO SETUP  
Introduction  
Optimizer microphone setup  
This receiver employs YAMAHA Parametric Room  
Acoustic Optimizer (YPAO) technology which lets you  
avoid troublesome listening-based speaker setup and  
achieves highly accurate sound adjustments. The supplied  
optimizer microphone collects and analyzes the sound  
your speakers produce in your actual listening  
environment.  
1
Connect the supplied optimizer microphone  
to the OPTIMIZER MIC jack on the front  
panel.  
(U.S.A. model)  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
l
PRESET/TUNING  
h
Notes  
OPTIMIZER  
MIC  
NEXT  
LEVEL  
PROGRAM  
• Please be advised that it is normal for loud test tones to be  
output during the auto setup procedure.  
PHNES  
SPEAKERS  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
• If auto setup stops and error messages appear on the screen,  
follow the troubleshooting on page 29.  
SILENT NEMA  
YPAO performs the following checks and makes  
appropriate adjustments to give you the best possible  
sound from your system.  
WIRING/LEVEL:  
Notes  
Checks which speakers are connected and the polarity of  
each speaker. Also checks and adjusts the sound level  
(volume) of each speaker so that the sound level of each  
speaker is the same when heard from the listening  
position.  
• After you have completed the auto setup procedure, be sure to  
disconnect the optimizer microphone.  
• The optimizer microphone is sensitive to heat.  
– Keep it away from direct sunlight.  
– Do not place it on top of this unit.  
DISTANCE/PHASE:  
2
Place the optimizer microphone on a flat  
level surface with the omni-directional  
microphone head upward, at your normal  
listening position.  
Checks the distance of each speaker from the listening  
position and adjusts the delay of each channel so that the  
sound from each speaker reaches the listening position at  
the same time. Also checks the phase of each speaker.  
If possible, use a tripod (etc.) to affix the optimizer  
mic at the same height as your ears would be when  
you are seated in your listening position.  
SIZE:  
Checks the speakers frequency response and sets the  
crossover/high cut frequency for the subwoofer to improve  
the sound relationship between the speakers and the  
subwoofer.  
Optimizer microphone position  
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AUTO SETUP  
Starting the setup  
For best results, make sure the room is as quiet as possible  
during the auto setup procedure (YPAO). If there is too  
much ambient noise, the results may not be satisfactory.  
6
Press u/ dto select SETUP, then press j/ i  
to select the desired setting.  
1 AUTO:MENU  
. SETUP;;;;;;;AUTO  
START  
ꢀꢀꢀꢀ  
ꢀꢀAutomatic  
ꢀꢀprocessing  
ꢀꢀof all items  
[ ]/[ ]:Up/Down  
[<]/[>]:Select  
y
If your subwoofer has adjustable volume and crossover/high cut  
frequency controls, set the volume between 9 and 11 o’clock (as  
viewed on a conventional clockface) and set the crossover/high  
cut frequency to the maximum.  
CROSSOVER/  
HIGH CUT  
VOLUME  
AUTO  
To perform the auto setup procedure  
(YPAO).  
RELOAD  
To reload the last auto setup (YPAO)  
settings to override any manual  
changes.  
MIN  
MAX  
MIN  
MAX  
Subwoofer  
UNDO  
To undo the last auto setup (YPAO) and  
restore the previous settings.  
DEFAULT To restore the factory preset (default)  
1
2
Switch on this unit and your video monitor.  
Make sure the OSD is displayed.  
setup parameters.  
y
You can choose RELOAD or UNDO only if you have  
already performed auto setup.  
Press AMP.  
AMP  
7
Press dto select START, then press SELECT  
to start the setup procedure.  
• If you selected AUTO in step 6, loud test tones will  
be output from each speaker in turn; WAIT appears  
during the auto setup procedure.  
• If you selected DEFAULT, RELOAD or UNDO in  
step 6, no test tones are output.  
3
4
Press SET MENU.  
SET MENU  
MENU  
A/B/C/D/E  
Press u/ dto select AUTO SETUP.  
1 AUTO:MENU  
PRESET/CH  
SET MENU  
ꢀꢀSETUP;;;;;;;AUTO  
.ꢀSTART  
ꢀꢀꢀꢀ  
.ꢀ;AUTOꢀSETUP  
ꢀꢀ;MANUALꢀSETUP  
ꢀꢀAutomatic  
SELECT  
ꢀꢀprocessing  
ꢀꢀof all items  
ꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀ[SELECT]:Start  
ꢀꢀ[ ]/[ ]:Up/Down  
ꢀꢀ[SELECT]:Enter  
The RESULT:WIRING screen appears after all items  
have been measured and set.  
5
Press SELECT to enter AUTO SETUP.  
RESULT:WIRING  
ꢀꢀꢀꢀFRONTꢀL;;;;;;;OK  
PRESET/CH  
SELECT  
ꢀꢀꢀꢀ[<]/[>]:Select  
ꢀꢀꢀꢀ[SELECT]:Return  
• If an ERROR screen appears, see “If an error  
screen appears” on page 27.  
• If a WARNING screen appears, see “If a warning  
screen appears” on page 28.  
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AUTO SETUP  
■ If an error screen appears  
8
Use the cursor buttons to display the results.  
• Press u/ dto display information about  
individual results.  
1
Press SELECT to display detailed  
information about the error.  
• Press j/ ito switch between each result list.  
ERROR  
.ꢀE-5:NOISY  
RESULT:WIRING  
ꢀꢀꢀꢀFRONTꢀL;;;;;;;OK  
ꢀꢀ)RETRYꢀꢀEXIT  
ꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀ[SELECT]:Enter  
ꢀꢀꢀꢀ[<]/[>]:Select  
ꢀꢀꢀꢀ[SELECT]:Return  
2
Press j/ ito switch between error  
messages.  
For details about each message, see page 29.  
9
When finished, press SELECT.  
The RESULT:EXIT screen appears.  
10 Press u/ dto select SET or CANCEL.  
ERROR: E-5  
ꢀꢀ<ꢀNOISYꢀ>  
ꢀꢀKeepꢀSILENT  
RESULT:EXIT  
ꢀꢀNOꢀWARNING  
ꢀꢀRESULTꢀLIST  
ꢀꢀ  
.ꢀ)SETꢀꢀꢀꢀCANCEL  
ꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀ[SELECT]:Enter  
ꢀꢀ[SELECT]:Return  
3
4
When finished, press SELECT to return to  
the main error screen.  
SET  
To apply the auto setup (YPAO)  
settings.  
To cancel the auto setup (YPAO)  
without making any changes.  
CANCEL  
Press u/ dto select RETRY or EXIT, then  
press SELECT.  
11 Press SELECT to set or cancel the auto  
ERROR  
setup settings.  
ꢀꢀE-5:NOISY  
y
If you are not satisfied with the result or want to manually adjust  
each setup parameter, use the manual setup parameters (see  
page 51).  
.ꢀ)RETRYꢀꢀEXIT  
ꢀꢀ[ꢀ]/[ꢀꢀ]:Up/Down  
ꢀꢀ[SELECT]:Enter  
Notes  
RETRY  
EXIT  
To retry the auto setup procedure.  
To exit auto setup.  
• If E-10 appears during testing, restart the procedure from step 3.  
• To cancel the auto setup procedure before completion, press  
SET MENU.  
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AUTO SETUP  
■ If a warning screen appears  
1
Press j/ ito display detailed information  
about each warning.  
For details about each message, see page 29.  
WARNING:W-1  
ꢀꢀ<OUTꢀOFꢀPHASE>  
ꢀꢀReverseꢀChannel  
ꢀꢀFLꢀꢀꢀꢀꢀFR  
ꢀꢀ--  
ꢀꢀ--ꢀꢀꢀꢀꢀ--  
ꢀꢀ--ꢀꢀꢀꢀꢀ--  
ꢀꢀ--ꢀꢀꢀꢀꢀ--  
ꢀꢀ[<]/[>]:Select  
ꢀꢀ[SELECT]:Return  
y
Warnings let you know about potential problems detected  
during auto setup. Warnings will not cancel the auto setup.  
2
3
When you are finished, press SELECT.  
The RESULT:EXIT screen appears.  
Press u/ dto select RESULT LIST, then  
press SELECT.  
RESULT:EXIT  
ꢀꢀWARNINGꢀLIST  
.ꢀRESULTꢀLIST  
ꢀꢀ)SETꢀꢀꢀꢀCANCEL  
ꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀ[SELECT]:Enter  
The RESULT:WIRING screen appears.  
RESULT:WIRING  
ꢀꢀꢀꢀFRONTꢀL;;;;;REV.  
ꢀꢀꢀꢀ[<]/[>]:Select  
ꢀꢀꢀꢀ[SELECT]:Return  
Continue from step 8 on page 27 to display  
each result.  
Notes  
• If you change speakers, speaker positions, or the layout of your  
listening environment, perform auto setup again to re-calibrate  
your system.  
• If SWFR PHASE:REV appears in RESULT:WIRING, the SET  
MENU “SUBWOOFER PHASE” parameter is automatically  
set to REVERSE (see page 55).  
• In the DISTANCE results, the distance displayed may be longer  
than the actual distance depending on the characteristics of your  
subwoofer.  
28  
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AUTO SETUP  
■
Troubleshooting for auto setup procedure  
Before auto setup  
Error message  
Cause  
Remedy  
Optimizer microphone is not connected.  
• Connect the supplied optimizer microphone to the  
OPTIMIZER MIC jack on the front panel.  
Connect MIC!  
Headphones are connected.  
• Unplug the headphones.  
Unplug HP!  
Errors during auto setup  
Press SELECT to display detailed information about individual errors. Press j/ ito switch between error messages.  
Error message  
Cause  
Remedy  
Front L/R channel signal(s) is (are) not  
detected.  
• Select the front speakers with SPEAKER A or B.  
• Check the front left and right speaker connections.  
E-1:NO FRONT SP  
A surround channel signal is not detected.  
A presence channel signal is not detected.  
• Check the surround speaker connections.  
• Check the presence speaker connections.  
E-2:NO SURR.SP  
E-3:NO PRES. SP  
E-4:SBR->SBL  
Only right surround back channel signal is  
detected.  
• Connect the surround back speaker to the LEFT  
SURROUND BACK SPEAKERS terminal if you  
only have one surround back speaker.  
Background noise is too loud.  
• Try the auto setup procedure in a quiet environment.  
• Turn off noisy electric equipment like air conditioners  
(etc.) or move them away from the optimizer  
microphone.  
E-5:NOISY  
Surround back speaker(s) is (are) connected,  
though surround L/R speakers are not.  
• Connect surround speakers when you use (a)  
surround back speaker(s).  
E-6:CHECK SURR.  
E-7:NO MIC  
The optimizer microphone was unplugged  
during the auto setup procedure.  
• Do not touch the optimizer microphone during the  
auto setup procedure.  
The optimizer microphone does not detect test  
tones.  
• Check the microphone setting.  
• Check the speaker connections and placement.  
E-8:NO SIGNAL  
E-9:USER CANCEL  
E-10:OTHER ERROR  
The auto setup procedure was cancelled due to  
user activity.  
• Perform the auto setup procedure again. Do not adjust  
VOLUME (etc.) during the auto setup procedure.  
A DSP communication error or hangup  
occurred.  
• Perform the auto setup procedure again.  
Warnings after auto setup  
Press j/ ito display detailed information about individual warnings.  
Warning message  
Cause  
Remedy  
Speaker polarity is not correct. This message  
may appear depending on the speakers even  
when the speakers are connected correctly.  
• Check the speaker connections for proper polarity  
(+ or –).  
W-1:OUT OF PHASE  
The distance between the speaker and the  
listening position is over 24 m (80 ft).  
• Bring the speaker closer to the listening position.  
W-2:OVER 24m  
(80ft)  
The difference of volume level among speakers • Readjust the speaker installation so that all speakers  
W-3:LEVEL ERROR  
is excessive. (No level correction is made.)  
are set in locations with similar conditions.  
• Check the speaker connections.  
• Use speakers of similar quality and efficiency.  
• Adjust the output volume of the subwoofer.  
• If the ERROR or WARNING screens appears, check the cause of the problem, then perform the auto setup procedure again.  
• If warning W-1 appears, corrections are made, but they may not be optimal.  
• If warning W-2 or W-3 appears, no corrections are made.  
• If error E-10 occurs repeatedly, please contact a qualified YAMAHA service center.  
29  
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PLAYBACK  
PLAYBACK  
Basic operations  
4
Select the input source.  
Use INPUT (or press one of the input selector buttons  
on the remote control) to select the input you desire.  
(U.S.A. model)  
VOLUME  
CD  
MD/CD-R  
DTV/CBL  
DVR/VCR2  
TUNER  
SLEEP  
MULTI CH IN  
AMP  
INPUT  
STANDBY  
/ON  
DVD  
V-AUX  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
l
PRESET/TUNING  
h
MEMORY  
TUNING MODE  
or  
OPTIMIZER  
MIC  
NEXT  
LEVEL  
MAN'L/AUTO FM  
AUTO/MAN'L MONO  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
VCR 1  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
Front panel  
Remote control  
The current input source name and input mode appear  
in the front panel display and video monitor for a few  
seconds.  
1
3
7
4
6
CODE SET  
TRANSMIT  
SYSTEM  
POWER  
TV  
POWER  
STANDBY  
POWER  
1
96  
DVR/VCR2  
SILENT CINEMA  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
AV  
6
7
TV VOL  
TV CH  
VOLUME  
MUTE  
t
24  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY MUTE VOLUME  
CD  
MD/CD-R  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
MATRIX DISCRETE  
SP  
VIRTUAL  
DIGITAL  
A
B
HiFi DSP  
q
q
q
SLEEP  
PS  
PTY RT CT EON  
dB  
R
TV MUTE  
TV INPUT  
EX  
q
PL  
PL  
96/24  
DVD  
DTV/CBL  
L
C
ft  
mS  
dB  
PL  
q
x
LFE SL SB SR  
4
7
PCM  
10DVD D AUTOO00  
STEREO  
1
HALL  
2
JAZZ  
3
ROCK  
4
VCR  
1
DVR/VCR2  
MUSIC ENTERTAIN TV THTR  
MOVIE  
8
5
6
7
Selected input source  
Input mode  
q/DTS  
NIGHT  
0
EX/ES  
10  
STRAIGHT  
TV VOL  
TV CH  
VOLUME  
9
ENTER  
EFFECT  
5
6
Start playback or select a broadcast station  
on the source component.  
Refer to the operating instructions for the component.  
1
Press STANDBY/ON (SYSTEM POWER on the  
remote control) to turn on the power.  
SYSTEM  
POWER  
STANDBY  
Adjust the volume to the desired output level.  
/ON  
or  
VOLUME  
Front panel  
Remote control  
or  
VOLUME  
2
3
Turn on the video monitor connected to this  
unit.  
Front panel  
Remote control  
Press SPEAKERS A or B on the front panel.  
Each press turns the respective speakers on or off.  
SPEAKERS  
A
B
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PLAYBACK  
To adjust the tone  
7
Select a sound field program if desired.  
Use PROGRAM (or press AMP to select the AMP  
mode, then press one of the sound field program  
buttons repeatedly) to select a sound field program.  
See page 44 for details about sound field programs.  
You can adjust the tonal quality  
of your front left and right,  
center, presence and subwoofer  
speakers or headphones (when  
connected).  
TONE CONTROL  
Press TONE CONTROL on the  
front panel repeatedly to select  
TREBLE or BASS, then rotate  
PROGRAM to the right or left to  
increase or decrease.  
PROGRAM  
PROGRAM  
AMP  
or  
•
Select TREBLE to adjust the  
high frequency response.  
Front panel  
STEREO  
HALL  
JAZZ  
ROCK  
•
Select BASS to adjust the low frequency response.  
1
2
3
4
To cancel the tone control, press TONE CONTROL  
repeatedly to select BYPASS.  
MUSIC ENTERTAIN TV THTR  
MOVIE  
5
6
7
8
y
q/DTS  
NIGHT  
EX/ES  
STRAIGHT  
Speaker and headphone adjustments are stored independently.  
9
0
10  
ENTER  
EFFECT  
Note  
Remote control  
TONE CONTROL is not effective with the Direct Stereo program  
(page 35) or MULTI CH INPUT.  
To listen with headphones (SILENT CINEMA)  
“SILENT CINEMA” allows you to enjoy multi-channel  
music or movie sound, including Dolby Digital and DTS  
surround, through ordinary headphones. “SILENT  
CINEMA” activates automatically whenever you connect  
headphones to the PHONES jack while listening to  
CINEMA DSP or HiFi DSP sound field programs. When  
activated, the “SILENT CINEMA” indicator lights up in  
the front panel display.  
To mute the sound  
Press MUTE on the remote control.  
The MUTE indicator blinks in the  
front panel display.  
MUTE  
To resume the audio output, press  
MUTE again (or press VOLUME –/+).  
The MUTE indicator disappears from  
the display.  
Notes  
y
• This unit will not be set to “SILENT CINEMA” when MULTI  
CH INPUT is selected as the input source.  
You can adjust the muting level (see page 56).  
• “SILENT CINEMA” is not effective when the Direct Stereo or  
2ch Stereo program is selected, or in STRAIGHT mode.  
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PLAYBACK  
■ Selecting MULTI CH INPUT  
Press MULTI CH INPUT so that “MULTI CH INPUT”  
appears in the front panel display and video monitor.  
Selecting sound field programs  
■ Front panel operation  
MULTI CH  
INPUT  
MULTI CH IN  
or  
VOLUME  
STANDBY  
/ON  
Front panel  
Remote control  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
l
PRESET/TUNING  
h
MEMORY  
TUNING MODE  
OPTIMIZER  
MIC  
NEXT  
LEVEL  
MAN'L/AUTO FM  
AUTO/MAN'L MONO  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
MULTI CH INPUT  
(U.S.A. model)  
PROGRAM  
Note  
Rotate PROGRAM to select the desired program.  
The name of the selected program appears in the front  
panel display and video monitor.  
When “MULTI CH INPUT” is shown in the front panel display,  
no other source can be played. To select another input source with  
INPUT (or one of the input selector buttons), press MULTI CH  
INPUT to turn off “MULTI CH INPUT” in the front panel  
display.  
PROGRAM  
■ Playing video sources in the  
background  
You can combine a video image from a video source with  
sound from an audio source. For example, you can enjoy  
listening to classical music while viewing beautiful  
scenery from the video source on the video monitor.  
96  
DVR/VCR2  
SILENT CINEMA  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
t
24  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY MUTE VOLUME  
MATRIX DISCRETE  
SP  
A B  
VIRTUAL  
DIGITAL  
HiFi DSP  
q
q
q
SLEEP  
PS  
PTY RT CT EON  
dB  
R
Use the input selector buttons on the remote  
control to select a video source, then select an  
audio source.  
EX  
q
PL  
PL  
96/24  
L
C
ft  
mS  
dB  
PL  
q
x
LFE SL SB SR  
PCM  
10DJAZZACLUBO00  
Program name  
CD  
MD/CD-R  
DTV/CBL  
DVR/VCR1  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
Audio sources  
Video sources  
DVD  
VCR 1  
Note  
If you want to enjoy audio from the MULTI CH INPUT jacks  
together with a video source, first select the video source, then  
press MULTI CH INPUT.  
32  
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PLAYBACK  
■ Remote control operation  
■ Enjoying multi-channel software  
If you connected a surround back speaker, use this feature  
to enjoy 6.1/7.1-channel playback for multi-channel  
sources using the Dolby Pro Logic IIx, Dolby Digital  
Surround EX or DTS-ES decoders.  
CODE SET  
TRANSMIT  
TV VOL  
TV CH  
VOLUME  
MUTE  
SYSTEM  
POWER  
TV  
POWER  
STANDBY  
POWER  
AV  
TV MUTE  
TV INPUT  
CD  
MD/CD-R  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
STEREO  
1
HALL  
2
JAZZ  
ROCK  
4
DVD  
DTV/CBL  
3
Sound  
field  
program  
buttons  
MUSIC ENTERTAIN TV THTR  
MOVIE  
8
Press AMP to select the AMP mode, then press  
EX/ES on the remote control to switch between  
5.1 and 6.1/7.1-channel playback.  
AMP  
VCR  
1
DVR/VCR2  
5
6
7
q/DTS  
NIGHT  
0
EX/ES  
10  
STRAIGHT  
9
ENTER  
EFFECT  
TV VOL  
TV CH  
VOLUME  
PRESET/CH  
LEVEL  
TITLE  
SET MENU  
MENU  
A/B/C/D/E  
TV MUTE  
TV INPUT  
SELECT  
EX/ES  
10  
Press AMP to select the AMP mode, then press  
one of the sound field program buttons  
repeatedly to select the desired program.  
The name of the selected program appears in the front  
panel display.  
To select a decoder, press j/ irepeatedly when  
PLIIxMusic (etc.) is displayed.  
PRESET/CH  
STEREO  
HALL  
JAZZ  
ROCK  
1
2
3
4
AMP  
SELECT  
MUSIC ENTERTAIN TV THTR  
MOVIE  
5
6
7
8
q/DTS  
NIGHT  
EX/ES  
STRAIGHT  
9
0
10  
ENTER  
EFFECT  
AUTO (AUTO)  
When a signal (flag) that can be recognized by the unit is  
input, the unit selects the optimum decoder for playing  
back the signal in 6.1/7.1 channels.  
If the unit cannot recognize the flag or no flag is present in  
the input signal, it cannot automatically be played in 6.1/  
7.1 channels.  
96  
24  
DVR/VCR2  
SILENT CINEMA  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
t
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY MUTE VOLUME  
MATRIX DISCRETE  
SP  
A B  
VIRTUAL  
DIGITAL  
HiFi DSP  
q
q
q
SLEEP  
PS  
PTY RT CT EON  
dB  
R
EX  
q
PL  
PL  
96/24  
L
C
ft  
mS  
dB  
PL  
q
x
LFE SL SB SR  
PCM  
10DJAZZACLUBO00  
Program name  
Decoders (select with j/ i)  
y
You can select from the following decoders depending on  
the format of the software you are playing.  
PLIIxMovie  
For playing back Dolby Digital or DTS signals in 6.1/7.1  
channels using the Pro Logic IIx movie decoder.  
PLIIxMusic  
For playing back Dolby Digital or DTS signals in 6.1/7.1  
channels using the Pro Logic IIx music decoder.  
EX/ES  
For playing back Dolby Digital signals in 6.1/7.1 channels  
using the Dolby Digital Surround EX decoder.  
DTS signals are played back in 6.1/7.1 channels using the  
DTS-ES decoder.  
Choose a sound field program based on your listening preference,  
and not on the name of the program.  
Notes  
• When you select an input source, this unit automatically selects  
the last sound field program used with that source.  
• Sound field programs cannot be selected when MULTI CH  
INPUT is selected.  
• Sampling frequencies higher than 48 kHz (except for DTS 96/  
24 signals) will be sampled down to 48 kHz, then sound field  
programs will be applied.  
EX  
For playing back Dolby Digital or DTS signals in 6.1/7.1  
channels using the Dolby Digital Surround EX decoder.  
OFF (OFF)  
Decoders are not used to create 6.1/7.1 channels.  
y
When “SURR B L/R SP” is set to SMLx1 or LRGx1 (see  
page 54), the surround back channel will be output from the left  
SURROUND BACK speaker terminals.  
33  
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PLAYBACK  
■ Enjoying 2-channel software  
Signals input from 2-channel sources can also be played  
back on multiple channels.  
Notes  
• Some 6.1-channel compatible discs do not have a signal (flag)  
which this unit can automatically detect. When playing these  
kinds of discs with 6.1-channel, select a decoder (PLIIx Movie,  
PLIIx Music, EX/ES or EX) manually.  
• 6.1-channel playback is not possible even if EX/ES is pressed in  
the following cases:  
Press q/DTS on the remote control to select the  
decoder.  
q/DTS  
9
– When “SURR L/R SP” (see page 53) or “SURR B L/R SP”  
(see page 54) is set to NONE.  
– When the source connected to the MULTI CH INPUT jack is  
being played.  
– When the source being played does not contain surround left  
and right channel signals.  
– When a Dolby Digital KARAOKE source is being played.  
– When “2ch Stereo” or Direct Stereo is selected.  
• When the power of this unit is turned off, the input mode will be  
reset to AUTO.  
You can select from the following decoders depending on  
the type of software you are playing and your personal  
preference.  
PRO LOGIC SUR. STANDARD  
Standard processing for Dolby Surround sources.  
PRO LOGIC SUR. ENHANCED  
CINEMA DSP enhanced processing for Dolby Surround  
sources.  
• When the DTS-ES decoder is applied to DTS 96/24 signals, you  
cannot use the DTS 96/24 decoding feature.  
• The Pro Logic IIx decoder is not available when “SURR B L/R  
SP” is set to NONE (see page 54).  
• PLIIxMovie cannot be selected when “SURR B L/R SP” is set  
to SMLx1 or LRGx1 (see page 54).  
*
PRO LOGIC IIx Movie  
Dolby Pro Logic II/IIx processing for movie software.  
*
PRO LOGIC IIx Music  
Dolby Pro Logic II/IIx processing for music software.  
*
PRO LOGIC IIx Game  
Dolby Pro Logic II/IIx processing for game software.  
DTS Neo:6 Cinema  
DTS processing for movie software.  
DTS Neo:6 Music  
DTS processing for music software.  
*
Use the PLII/PLIIx parameter to select the Pro Logic II or Pro  
Logic IIx decoders (see page 69).  
Note  
The Pro Logic IIx decoder is not available when “SURR B L/R  
SP” is set to NONE (see page 54).  
34  
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PLAYBACK  
■ Listening to high fidelity stereo sound  
(Direct Stereo)  
Direct Stereo allows you to bypass this unit’s decoders and  
DSP processors to enjoy pure high fidelity sound from 2-  
channel PCM and analog sources.  
■ Night listening modes  
The night listening modes are designed to improve  
listenability at lower volumes or at night. Choose either  
NIGHT:CINEMA or NIGHT:MUSIC depending on the  
type of material you are playing.  
Press NIGHT on the remote control repeatedly to  
select cinema or music.  
When night listening is selected, the NIGHT indicator in  
the front panel display lights up.  
Rotate PROGRAM (or press AMP to select the  
AMP mode, then press STEREO repeatedly) to  
select “Direct Stereo”.  
PROGRAM  
NIGHT  
AMP  
0
or  
Remote control  
Front panel  
•
Select NIGHT:CINEMA when watching films to  
reduce the dynamic range of film soundtracks and  
make dialog easier to hear at lower volumes.  
Select NIGHT:MUSIC when listening to music sources  
to preserve ease-of-listening for all sounds.  
STEREO  
HALL  
JAZZ  
ROCK  
1
2
3
4
MUSIC NTERTAIN TV THTR  
MOVIE  
5
6
7
8
•
•
q/DTS  
NIGHT  
EX/ES  
STRAIGHT  
9
0
10  
ENTER  
Select OFF if you do not want to use this function.  
EFFECT  
Press j/ ito adjust the effect level while  
NIGHT:CINEMA or NIGHT:MUSIC is displayed.  
This adjusts the level of compression.  
Remote control  
PRESET/CH  
Direct Stereo  
Notes  
SELECT  
• To avoid unexpected noise, do not play DTS-encoded CDs in  
this mode.  
• When multi-channel signals (Dolby Digital and DTS) are input,  
this unit automatically switches to the corresponding analog  
input. (When DTS is selected as an input mode, no sound will  
be heard.)  
Remote control  
Effect.Lvl:MID  
• No sound will be output from the subwoofer.  
• CONTROL (page 31) and SET MENU (page 51) settings are  
not effective.  
•
•
•
Select MIN for minimum compression.  
Select MID for standard compression.  
Select MAX for maximum compression.  
• The front panel display automatically dims.  
y
NIGHT:CINEMA and NIGHT:MUSIC adjustments are stored  
independently.  
Notes  
• You cannot use the night listening modes with the Direct Stereo  
program or MULTI CH INPUT (even though the NIGHT  
indicator lights up when Direct Stereo is selected).  
• The night listening modes may vary in effectiveness depending  
on the input source and surround sound settings you use.  
35  
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PLAYBACK  
■ Downmixing to 2 channels  
You can enjoy 2-channel stereo playback even from multi-  
channel sources.  
Selecting input modes  
This unit comes with a variety of input jacks. Do the  
following to select the type of input signals you want to  
use.  
Rotate PROGRAM (or press STEREO on the  
remote control) to select 2ch Stereo.  
STEREO  
HALL  
JAZZ  
ROCK  
PROGRAM  
1
2
3
4
1
Rotate INPUT to select the input source.  
MUSIC NTERTAIN TV THTR  
MOVIE  
or  
5
6
7
8
INPUT  
q/DTS  
NIGHT  
EX/ES  
STRAIGHT  
9
0
10  
ENTER  
EFFECT  
Front panel  
Remote control  
2
Press INPUT MODE to select an input mode.  
In most cases, use AUTO.  
2ch Stereo  
INPUT MODE  
y
You can use a subwoofer with this program when SWFR or  
BOTH is selected in “BASS OUT”.  
■ Listening to unprocessed input signals  
In STRAIGHT mode, two channel stereo sources are  
output from only the front left and right speakers. Multi-  
channel sources are decoded straight into the appropriate  
channels without any additional effect processing.  
96  
DVR/VCR2  
SILENT CINEMA  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
t
24  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY MUTE VOLUME  
MATRIX DISCRETE  
SP  
A B  
VIRTUAL  
DIGITAL  
HiFi DSP  
q
q
q
SLEEP  
PS  
PTY RT CT EON  
dB  
R
EX  
q
PL  
PL  
96/24  
L
C
ft  
mS  
dB  
PL  
q
x
LFE SL SB SR  
PCM  
10DVD D AUTOO00  
Press STRAIGHT (EFFECT) to select STRAIGHT.  
Input source  
Input mode  
STRAIGHT  
STRAIGHT  
AUTO  
DTS  
Automatically selects input signals in  
the following order:  
ENTER  
or  
EFFECT  
EFFECT  
*
1) Digital signals  
Front panel  
Remote control  
2) Analog signals  
Selects only digital signals encoded in  
DTS. If no DTS signals are input, no  
sound is output.  
ANALOG  
Selects only analog signals. If no  
analog signals are input, no sound is  
output.  
STRAIGHT  
Press STRAIGHT (EFFECT) again so that “STRAIGHT”  
disappears from the display when you want to turn the  
sound effect back on.  
* If this unit detects a Dolby Digital or DTS signal, the  
decoder automatically switches to the appropriate sound  
field program.  
y
■ Virtual CINEMA DSP  
You can adjust the default input mode this unit selects when the  
power is turned on (see page 58).  
Virtual CINEMA DSP allows you to enjoy the CINEMA  
DSP programs without surround speakers. It creates  
virtual speakers to reproduce the natural sound field.  
If you do not connect surround speakers, Virtual CINEMA  
DSP activates automatically whenever you select a  
CINEMA DSP sound field program.  
Note  
Virtual CINEMA DSP will not activate, even when “SURR L/R  
SP” is set to NONE (see page 53) in the following cases:  
– When MULTI CH INPUT is selected as the input source.  
– When headphones are connected to the PHONES jack.  
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PLAYBACK  
Notes  
3
Press u/ dto display the following  
information about the input signal.  
• When you play DTS-encoded CD/LDs with the input mode set  
to AUTO:  
– This unit automatically switches to the DTS decoding mode.  
The unit remains in DTS mode (and the tindicator may  
flash) for up to 30 seconds after playback of the DTS source is  
complete. To manually release the DTS mode, press INPUT  
MODE to reselect AUTO.  
PRESET/CH  
SELECT  
– The DTS decoding mode may be released if search or skip  
operations are performed for more than 30 seconds. To  
prevent this, press INPUT MODE to select DTS.  
• If the digital output data of the player has been processed in any  
way, you may not be able to perform DTS decoding even if you  
make a digital connection between this unit and the player.  
(Format)  
Signal format display. When the unit  
cannot detect a digital signal it  
automatically switches to analog input.  
Number of source channels in the input  
signal. For example, a multi-channel  
soundtrack with 3 front channels, 2  
surround channels and LFE, is  
in  
Displaying information about the input  
source  
You can display the type, format and sampling frequency  
of the current input signal.  
displayed as “3/2/LFE”.  
fs  
Sampling frequency. When the unit is  
unable to detect the sampling  
1
2
Select the input source.  
frequency “Unknown” appears.  
Bit rate. When the unit is unable to  
detect the bit rate “Unknown” appears.  
Flag data encoded with DTS or Dolby  
Digital signals that cue this unit to  
automatically switch decoders.  
CD  
MD/CD-R  
DTV/CBL  
DVR/VCR2  
TUNER  
SLEEP  
MULTI CH IN  
AMP  
rate  
flg  
DVD  
V-AUX  
VCR 1  
Press AMP to select the AMP mode, then  
press STRAIGHT (EFFECT) so that  
“STRAIGHT” appears in the display.  
STRAIGHT  
AMP  
then  
ENTER  
EFFECT  
STRAIGHT  
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TUNING  
TUNING  
Automatic and manual tuning  
There are 2 tuning methods; automatic and manual.  
Automatic tuning is effective when station signals are  
strong and there is no interference.  
3
Press TUNING MODE (AUTO/MAN’L MONO)  
so that the AUTO indicator lights up in the  
front panel display.  
TUNING MODE  
AUTO  
AUTO/MAN'L MONO  
Lights up  
■ Automatic tuning  
(U.S.A. model)  
If a colon (:) appears in the front panel display, tuning  
is not possible. Press PRESET/TUNING (EDIT) to  
turn the colon (:) off.  
VOLUME  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
l
PRESET/TUNING  
h
MEMORY  
TUNING MODE  
PRESET/TUNING  
OPTIMIZER  
MIC  
NEXT  
LEVEL  
MAN'L/AUTO FM  
AUTO/MAN'L MONO  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
EDIT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
R/VCR2  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
PTY HOLD AUTO TUNED STEREO MEM  
TUNER  
3 2  
4
1
3
T
CINEMA  
NIGHT ZONE2  
SP  
TUAL  
A
B
HiFi DSP  
SLEEP  
PS  
PTY RT CT EON  
1A-AAM11440kkHz  
1
2
Rotate INPUT to select TUNER as the input  
source.  
4
Press PRESET/TUNING l/ honce to begin  
automatic tuning.  
Press hto tune into a higher frequency, or press l  
to tune into a lower frequency.  
INPUT  
l
PRESET/TUNING h  
LEVEL  
Press FM/AM to select the reception band.  
“FM” or “AM” appears in the front panel display.  
R/VCR2  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
T
CINEMA  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEM  
FM/AM  
SP  
A B  
TUAL  
HiFi DSP  
SLEEP  
PS  
PTY RT CT EON  
or  
FM  
AM  
1A-AAM11530kkHz  
When tuned into a station, the TUNED indicator  
lights up and the frequency of the received station is  
shown in the front panel display.  
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TUNING  
■ Manual tuning  
Presetting stations  
If the signal from the station you want to select is weak,  
tune into it manually. Manually tuning into an FM station  
will automatically switch the tuner to monaural reception  
to increase the signal quality.  
■ Automatically presetting FM stations  
You can use the automatic preset tuning feature to store  
FM stations. This function enables this unit to  
automatically tune into FM stations with strong signals,  
and to store up to 40 (8 stations in 5 groups, A1 through  
E8) of those stations in order. You can then recall any  
preset station easily by selecting the preset station number.  
1
Select TUNER and the reception band  
following steps 1 and 2 as described in  
“Automatic tuning”.  
(U.S.A. model)  
2
Press TUNING MODE (AUTO/MAN’L MONO)  
so that the AUTO indicator disappears from  
the front panel display.  
VOLUME  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
l
PRESET/TUNING  
h
MEMORY  
TUNING MODE  
OPTIMIZER  
MIC  
NEXT  
LEVEL  
MAN'L/AUTO FM  
AUTO/MAN'L MONO  
TUNING MODE  
PROGRAM  
INPUT  
AUTO  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
AUTO/MAN'L MONO  
Disappears  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
If a colon (:) appears in the front panel display, tuning  
is not possible. Press PRESET/TUNING (EDIT) to  
turn the colon (:) off.  
1
3 2  
1
2
Press FM/AM to select the FM band.  
PRESET/TUNING  
EDIT  
FM/AM  
FM  
R/VCR2  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
PTY HOLD AUTO TUNED STEREO MEM  
TUNER  
T
CINEMA  
NIGHT ZONE2  
SP  
TUAL  
A
B
HiFi DSP  
Press TUNING MODE (AUTO/MAN’L MONO)  
so that the AUTO indicator lights up in the  
front panel display.  
SLEEP  
PS  
PTY RT CT EON  
1A-AAM11440kkHz  
TUNING MODE  
3
Press PRESET/TUNING l/ hto tune into  
the desired station manually.  
Hold down the button to  
AUTO  
AUTO/MAN'L MONO  
Lights up  
l
PRESET/TUNING h  
continue searching.  
If a colon (:) appears in the front panel display, tuning  
is not possible. Press PRESET/TUNING (EDIT) to  
turn the colon (:) off.  
LEVEL  
PRESET/TUNING  
EDIT  
R/VCR2  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
T
CINEMA  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEM  
SP  
TUAL  
A
B
HiFi DSP  
SLEEP  
PS  
PTY RT CT EON  
1A-AAM11440kkHz  
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TUNING  
■ Manually presetting stations  
You can also store up to 40 stations (8 stations in 5 groups,  
A1 through E8) manually.  
3
Press and hold MEMORY (MAN’L/AUTO FM)  
for more than 3 seconds.  
The preset number, the MEMORY and AUTO  
indicators flash. After about 5 seconds, automatic  
presetting starts from the frequency currently  
displayed and proceeds toward the higher  
frequencies.  
(U.S.A. model)  
VOLUME  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
l
PRESET/TUNING  
h
MEMORY  
TUNING MODE  
OPTIMIZER  
MIC  
NEXT  
LEVEL  
MAN'L/AUTO FM  
AUTO/MAN'L MONO  
PROGRAM  
INPUT  
MEMORY  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
MAN'L/AUTO FM  
3 4  
2,5  
96  
DVR/VCR2  
SILENT CINEMA  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
t
24  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY MUTE VOLUME  
MATRIX DISCRETE  
SP  
A B  
VIRTUAL  
DIGITAL  
HiFi DSP  
q
q
q
SLEEP  
PS  
PTY RT CT EON  
dB  
R
EX  
q
PL  
PL  
96/24  
L
C
ft  
mS  
dB  
PL  
q
x
LFE SL SB SR  
PCM  
1
Tune into a station.  
See page 38 for tuning instructions.  
1A1:FM187.5kMHz  
When automatic preset tuning is completed, the front  
panel display shows the frequency of the last preset  
station.  
96  
DVR/VCR2  
SILENT CINEMA  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
t
24  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY MUTE VOLUME  
MATRIX DISCRETE  
SP  
A B  
VIRTUAL  
DIGITAL  
HiFi DSP  
q
q
q
SLEEP  
PS  
PTY RT CT EON  
dB  
R
EX  
q
PL  
PL  
96/24  
L
C
ft  
mS  
dB  
PL  
q
x
LFE SL SB SR  
PCM  
1A1:AM18630kkHz  
Notes  
When tuned into a station, the front panel display  
shows the frequency of the station received.  
• Any stored station data existing under a preset number is  
cleared when you store a new station under that preset number.  
• If the number of the received stations does not reach 40 (E8),  
automatic preset tuning has automatically stopped after  
searching all stations.  
• Only FM stations with sufficient signal strength are stored  
automatically by automatic preset tuning. If the station you  
want to store is weak in signal strength, tune into it manually,  
and store it by following the procedure in “Manually presetting  
stations”.  
2
3
Press MEMORY (MAN’L/AUTO FM).  
The MEMORY indicator flashes for about 5 seconds.  
MEMORY  
MEMORY  
MAN'L/AUTO FM  
Flashes  
Automatic preset tuning options  
You can select the preset number from which this unit will  
store FM stations and/or begin tuning toward lower  
frequencies.  
Press A/B/C/D/E repeatedly to select a preset  
station group (A to E) while the MEMORY  
indicator is flashing.  
After pressing MEMORY in step 3:  
1 Press A/B/C/D/E, then PRESET/TUNING l/ hto  
select the preset number under which the first station  
will be stored. Automatic preset tuning will stop when  
stations have all been stored up to E8.  
The group letter appears. Check that the colon (:)  
appears in the front panel display.  
A/B/C/D/E  
2 Press PRESET/TUNING (EDIT) to turn off the colon  
(:) and then press PRESET/TUNING lto begin  
tuning toward the lower frequencies.  
NEXT  
96  
DVR/VCR2  
SILENT CINEMA  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
Memory back-up  
t
24  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY MUTE VOLUME  
MATRIX DISCRETE  
SP  
A B  
VIRTUAL  
DIGITAL  
HiFi DSP  
q
q
q
SLEEP  
PS  
PTY RT CT EON  
The memory back-up circuit prevents the stored data  
from being lost even if this unit is set in the standby  
mode, the power cord is disconnected from the AC  
outlet, or the power supply is temporarily cut due to  
power failure. However, if the power is cut for more  
than one week, the preset stations may be cleared. If  
so, store the stations again by using the presetting  
station methods.  
dB  
R
EX  
q
PL  
PL  
96/24  
L
C
ft  
mS  
dB  
PL  
q
x
LFE SL SB SR  
PCM  
1C1:AM18630kkHz  
Preset group  
40  
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TUNING  
Selecting preset stations  
You can tune any desired station simply by selecting the  
preset station number under which it was stored.  
4
Press PRESET/TUNING l/ hto select a  
preset station number (1 through 8) while the  
MEMORY indicator is flashing.  
Press hto select a higher preset station number.  
Press lto select a lower preset station number.  
(U.S.A. model)  
VOLUME  
l
PRESET/TUNING h  
STANDBY  
/ON  
LEVEL  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
l
PRESET/TUNING  
h
MEMORY  
TUNING MODE  
OPTIMIZER  
MIC  
NEXT  
LEVEL  
MAN'L/AUTO FM  
AUTO/MAN'L MONO  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
96  
24  
DVR/VCR2  
SILENT CINEMA  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
t
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY MUTE VOLUME  
MATRIX DISCRETE  
SP  
A B  
VIRTUAL  
DIGITAL  
HiFi DSP  
q
q
q
SLEEP  
PS  
PTY RT CT EON  
dB  
R
EX  
q
PL  
PL  
96/24  
L
C
ft  
mS  
dB  
PL  
q
x
LFE SL SB SR  
PCM  
1C3:AM18630kkHz  
1
2
Preset number  
q/DTS  
NIGHT  
EX/ES  
10  
STRAIGHT  
9
0
ENTER  
EFFECT  
PRESET/CH  
SELECT  
LEVEL  
TITLE  
SET MENU  
MENU  
1
2
A/B/C/D/E  
5
Press MEMORY (MAN’L/AUTO FM) on the  
front panel while the MEMORY indicator is  
flashing.  
TEST  
ON SCREEN  
DISPLAY  
RETURN  
REC  
AUDIO  
The station band and  
frequency appear in the front  
panel display with the preset  
group and number you have  
selected.  
When performing this operation with the remote  
control, first press TUNER to set the remote to  
tuner mode.  
MEMORY  
MAN'L/AUTO FM  
1
Press A/B/C/D/E to select the preset station  
group.  
96  
DVR/VCR2  
SILENT CINEMA  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
t
24  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY MUTE VOLUME  
MATRIX DISCRETE  
SP  
A B  
VIRTUAL  
DIGITAL  
HiFi DSP  
q
q
q
SLEEP  
PS  
PTY RT CT EON  
dB  
R
The preset group letter appears in the front panel  
display and changes each time you press the button.  
EX  
q
PL  
PL  
96/24  
L
C
ft  
mS  
dB  
PL  
q
x
LFE SL SB SR  
PCM  
1C3:AM18630kkHz  
SET MENU  
Shows the displayed station has been stored as C3.  
A/B/C/D/E  
MENU  
or  
A/B/C/D/E  
NEXT  
Front panel  
Remote control  
6
Repeat steps 1 to 5 to store other stations.  
Notes  
2
Press PRESET/TUNING l/ h(PRESET/CH  
u/ don the remote control) to select a  
preset station number (1 through 8).  
The preset group and number appear on the front  
panel display along with the station band, frequency  
and the TUNED indicator lights up.  
• Any stored station data existing under a preset number is  
cleared when you store a new station under that preset number.  
• The reception mode (stereo or monaural) is stored along with  
the station frequency.  
PRESET/CH  
l
PRESET/TUNING h  
LEVEL  
or  
SELECT  
Front panel  
Remote control  
DVR/VCR2  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
SILENT CINEMA  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY  
M
9
SP  
VIRTUAL  
A
B
HiFi DSP  
SLEEP  
PS  
PTY RT CT EON  
ft  
mS  
dB  
x
1E1:FM187.5kMHz  
41  
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TUNING  
Exchanging preset stations  
You can exchange the assignment of two preset stations  
with each other. The example below describes the  
procedure for exchanging preset station “E1” with “A5”.  
4
Press PRESET/TUNING (EDIT) again.  
The stations stored at the two preset assignments are  
exchanged.  
PRESET/TUNING  
EDIT  
(U.S.A. model)  
VOLUME  
STANDBY  
/ON  
DVR/VCR2  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
SILENT CINEMA  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY  
M
9
SP  
VIRTUAL  
A
B
HiFi DSP  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
l
PRESET/TUNING  
h
MEMORY  
TUNING MODE  
SLEEP  
PS  
PTY RT CT EON  
OPTIMIZER  
MIC  
NEXT  
LEVEL  
MAN'L/AUTO FM  
AUTO/MAN'L MONO  
ft  
mS  
dB  
x
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
1EEDIT18E1-A5Hz  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
2,4 1,3 1,3  
1
2
Select preset station “E1” using A/B/C/D/E  
and PRESET/TUNING l/ h.  
See “Selecting preset stations”.  
Press and hold PRESET/TUNING (EDIT) for  
more than 3 seconds.  
“E1” and the MEMORY indicator flash in the front  
panel display.  
PRESET/TUNING  
EDIT  
DVR/VCR2  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
SILENT CINEMA  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY  
M
9
SP  
VIRTUAL  
A
B
HiFi DSP  
SLEEP  
PS  
PTY RT CT EON  
ft  
mS  
dB  
x
1E1:FM187.5kMHz  
3
Select preset station “A5” using A/B/C/D/E  
and PRESET/TUNING l/ h.  
“A5” and the MEMORY indicator flash in the front  
panel display.  
l
PRESET/TUNING h  
A/B/C/D/E  
LEVEL  
NEXT  
DVR/VCR2  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
SILENT CINEMA  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY  
M
9
SP  
VIRTUAL  
A
B
HiFi DSP  
SLEEP  
PS  
PTY RT CT EON  
ft  
mS  
dB  
x
1A5:FM190.6kMHz  
42  
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RECORDING  
RECORDING  
Recording adjustments and other operations are  
performed from the recording components. Refer to the  
operating instructions for those components.  
Notes  
• When this unit is set in the standby mode, you cannot record  
between other components connected to this unit.  
• The setting of TONE CONTROL, VOLUME, “SPEAKER  
LEVEL” (page 55) and programs does not affect recorded  
material.  
(U.S.A. model)  
VOLUME  
• A source connected to the MULTI CH INPUT jacks of this unit  
cannot be recorded.  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
l
PRESET/TUNING  
h
MEMORY  
TUNING MODE  
OPTIMIZER  
MIC  
NEXT  
LEVEL  
MAN'L/AUTO FM  
AUTO/MAN'L MONO  
• S-Video and composite video signals pass independently  
through this unit’s video circuits. Therefore, when recording or  
dubbing video signals, if your video source component is  
connected to provide only an S-Video (or only a composite  
video) signal, you can record only an S-Video (or only a  
composite video) signal to your VCR.  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
1
2
• Digital signals input to the DIGITAL INPUT jacks are not  
output to the analog AUDIO OUT (L/R) jacks for recording.  
Likewise, analog signals input to the AUDIO IN (L/R) jacks are  
not output to the DIGITAL OUTPUT jack. Therefore, if your  
source component is connected to provide only digital (or  
analog) signals, you can only record digital (or analog) signals.  
• A given input source is not output on the same REC OUT  
channel. (For example, the signal input from VCR 1 IN is not  
output on VCR 1 OUT.)  
CODE SET  
TRANSMIT  
SYSTEM  
POWER  
POWER  
TV  
POWER  
STANDBY  
AV  
1
CD  
MD/CD-R  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
DVD  
DTV/CBL  
2
VCR  
1
DVR/VCR2  
TV VOL  
TV CH  
VOLUME  
• Check the copyright laws in your country to record from  
records, CDs, radio, etc. Recording of copyrighted material may  
infringe copyright laws.  
TV MUTE  
TV INPUT  
1
Turn on the power of this unit and all  
connected components.  
If you playback a video source that uses scrambled or  
encoded signals to prevent it from being dubbed, the  
picture itself may be disturbed due to those signals.  
2
Select the source component you want to  
record from.  
■ Special considerations when recording  
DTS software  
CD  
MD/CD-R  
DTV/CBL  
DVR/VCR2  
TUNER  
SLEEP  
MULTI CH IN  
AMP  
INPUT  
The DTS signal is a digital bitstream. Attempting to  
digitally record the DTS bitstream will result in noise  
being recorded. Therefore, if you want to use this unit to  
record sources that have DTS signals recorded on them,  
the following considerations and adjustments need to be  
made.  
DVD  
V-AUX  
or  
VCR 1  
Front panel  
Remote control  
For DVDs and CDs encoded with DTS, when your player  
is compatible with the DTS format, follow its operating  
instructions to make a setting so that the analog signal will  
be output from the player.  
3
Start playback (or select a broadcast station)  
on the source component.  
4
Start recording on the recording component.  
y
Do a test recording before you start an actual recording.  
43  
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SOUND FIELD PROGRAM DESCRIPTIONS  
SOUND FIELD PROGRAM DESCRIPTIONS  
This unit is equipped with a variety of precise digital decoders that allow you to enjoy multichannel playback from  
almost any sound source (stereo or multichannel). This unit is also equipped with a YAMAHA digital sound field  
processing (DSP) chip containing several sound field programs which you can use to enhance your playback experience.  
Most of these sound field programs are precise digital recreations of actual acoustic environments found in famous  
concert halls, music venues, and movie theaters.  
y
The YAMAHA CINEMA DSP modes are compatible with all Dolby Digital, DTS, and Dolby Surround sources. Set the input mode to  
AUTO (see page 36) to enable this unit to automatically switch to the appropriate digital decoder according to the input signal.  
Notes  
• This unit’s DSP sound field programs are recreations of real-world acoustic environments made from precise measurements taken in  
the actual hall, etc. Thus you may notice variations in the strength of the reflections coming from the front, back, left and right.  
• Feel free to choose a sound field program based on your listening preference, and not purely on the name of the program itself.  
For movie/video sources  
You can select from the following sound fields when playing movie or video sources. The sound fields marked “MULTI”  
can be used with multi-channel sources, like DVD, digital TV, etc. Those marked “2-CH” can be used with 2-channel  
(stereo) sources like TV programs, video tapes, etc.  
Program  
STEREO:  
2ch Stereo  
Features  
Sources  
Downmixes multi-channel sources to 2 channel (left and right) or plays back 2-channel  
sources as is.  
This program lends an enthusiastic atmosphere to the sound, giving you the feeling you are at  
an actual jazz or rock concert.  
MUSIC VIDEO  
This program adds a deep and spatial feeling to video game sounds.  
ENTERTAINMENT:  
Game  
This program is provided for reproducing monaural video sources (such as old movies). The  
program produces the optimum reverberation to create sound depth using only the presernce  
sound field.  
TV THEATER:  
Mono Movie  
Though the presence sound field is relatively narrow, the surround sound field employs the  
sound environment of a large concert hall. This effect enhances the experience of watching  
various TV programs such as news, variety shows, music programs or sports programs.  
TV THEATER:  
Variety/Sports  
MULTI  
2-CH  
CINEMA DSP processing. This program creates the extremely wide sound field of a 70-mm  
movie theater. It precisely reproduces the source sound in detail, making both the video and the  
sound field incredibly real. This is ideal for any kind of video source encoded with Dolby  
Surround, Dolby Digital or DTS (especially large-scale movie productions).  
MOVIE THEATER:  
Spectacle  
CINEMA DSP processing. This program clearly reproduces dialog and sound effects in the  
latest sound form for science fiction films, thus creating a broad and expansive cinematic space  
amid silence. You can enjoy science fiction films in a virtual-space sound field that includes  
Dolby Surround, Dolby Digital and DTS-encoded software employing the most advanced  
techniques.  
MOVIE THEATER:  
Sci-Fi  
CINEMA DSP processing. This program is ideal for precisely reproducing the sound design of  
the newest 70-mm and multichannel soundtrack films. The sound field is made to be similar to  
that of the newest movie theaters, so the reverberations of the sound field itself are restrained  
as much as possible.  
MOVIE THEATER:  
Adventure  
CINEMA DSP processing. This program is for reproducing sounds from 70-mm and  
multichannel soundtrack films, and is characterized by soft and extensive sound field.  
MOVIE THEATER:  
General  
44  
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SOUND FIELD PROGRAM DESCRIPTIONS  
Program  
Features  
Sources  
Standard 5.1-channel processing for Dolby Digital sources.  
DOLBY DIGITAL:  
SUR. STANDARD  
CINEMA DSP enhanced processing for Dolby Digital sources.  
DOLBY DIGITAL:  
SUR. ENHANCED  
Standard 6.1/7.1-channel processing (Dolby Pro Logic IIx Movie) for Dolby Digital sources.  
q D+PLIIx Movie:  
SUR. STANDARD  
CINEMA DSP enhanced 6.1/7.1-channel processing (Dolby Pro Logic IIx Movie) for Dolby  
Digital sources.  
q D+PLIIx Movie:  
SUR. ENHANCED  
Standard 6.1-channel processing for Dolby Digital sources.  
DOLBY D EX:  
SUR. STANDARD  
CINEMA DSP enhanced 6.1-channel processing (Dolby Digital EX) for Dolby Digital  
sources.  
DOLBY D EX:  
SUR. ENHANCED  
Standard 5.1-channel processing for DTS sources.  
DTS:  
SUR. STANDARD  
Standard 5.1-channel processing for 96-kHz/24-bit DTS sources.  
CINEMA DSP enhanced processing for DTS and 96-kHz/24-bit DTS sources.  
Standard 6.1/7.1-channel processing (Dolby Pro Logic IIx Movie) for DTS sources.  
DTS 96/24:  
SUR. STANDARD  
DTS:  
SUR. ENHANCED  
MULTI  
DTS+PLIIx Movie:  
SUR. STANDARD  
CINEMA DSP enhanced 6.1/7.1-channel processing (Dolby Pro Logic IIx Movie) for DTS  
sources.  
DTS+PLIIx Movie:  
SUR. ENHANCED  
Standard 6.1-channel processing (Dolby Digital EX) for DTS sources.  
CINEMA DSP enhanced 6.1-channel processing (Dolby Digital EX) for DTS sources.  
Standard 6.1-channel processing (DTS-ES Matrix) for DTS sources.  
CINEMA DSP enhanced processing (DTS-ES Matrix) for DTS sources.  
Standard 6.1-channel processing (DTS-ES Discrete) for DTS sources.  
CINEMA DSP enhanced processing (DTS-ES Discrete) for DTS sources.  
DTS+DOLBY EX:  
SUR. STANDARD  
DTS+DOLBY EX:  
SUR. ENHANCED  
DTS ES Mtrx6.1:  
SUR. STANDARD  
DTS ES Mtrx6.1:  
SUR. ENHANCED  
DTS ES Disc6.1:  
SUR. STANDARD  
DTS ES Disc6.1:  
SUR. ENHANCED  
45  
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SOUND FIELD PROGRAM DESCRIPTIONS  
Program  
Features  
Sources  
Standard processing for Dolby Surround sources.  
PRO LOGIC:  
SUR. STANDARD  
CINEMA DSP enhanced processing for Dolby Surround sources.  
PRO LOGIC:  
SUR. ENHANCED  
*
Dolby Pro Logic IIx processing for movie software.  
PRO LOGIC IIx:  
PLIIx Movie  
*
Dolby Pro Logic II processing for movie software.  
PRO LOGIC II:  
PLII Movie  
2-CH  
*
Dolby Pro Logic IIx processing for game software.  
PRO LOGIC IIx:  
PLIIx Game  
*
Dolby Pro Logic II processing for game software.  
PRO LOGIC II:  
PLII Game  
DTS processing for movie software.  
DTS: Neo:6 Cinema  
*
You can select either Pro Logic IIx or Pro Logic II processing using the PLII/PLIIx parameter on page 69.  
46  
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SOUND FIELD PROGRAM DESCRIPTIONS  
For music sources  
You can select from the following sound fields when playing music sources, like CD, FM/AM broadcasting, tapes, etc.  
Program  
Features  
Sources  
HiFi DSP processing. A classic shoe-box type concert hall with approximately 1700 seats.  
Pillars and ornate carvings create extremely complex reflections which produce a very full,  
rich sound.  
CONCERT HALL  
HiFi DSP processing. This is the sound field at stage front in “The Bottom Line”, a famous  
New York jazz club. The floor can seat 300 people to the left and right in a sound field offering  
a real and vibrant sound.  
JAZZ CLUB  
MULTI  
2-CH  
HiFi DSP processing. The ideal program for lively, dynamic rock music. The data for this  
program was recorded at LA’s “hottest” rock club. The listener’s virtual seat is at the center-  
left of the hall.  
ROCK CONCERT  
HiFi DSP processing. This program recreates the acoustic environment of a lively disco in the  
heart of a big city. The sound is dense and highly concentrated. It is also characterized by high-  
energy, “immediate” sound.  
ENTERTAINMENT:  
Disco  
Standard Dolby Digital and Dolby Pro Logic IIx processing for music sources.  
CINEMA DSP enhanced Dolby Digital and Dolby Pro Logic IIx processing for music sources.  
Standard DTS and Dolby Pro Logic IIx processing for music sources.  
CINEMA DSP enhanced DTS and Dolby Pro Logic IIx processing for music sources.  
2-channel (left and right) playback.  
q D+PLIIx Music:  
SUR. STANDARD  
q D+PLIIx Music:  
SUR. ENHANCED  
MULTI  
DTS+PLIIx Music:  
SUR. STANDARD  
DTS+PLIIx Music:  
SUR. ENHANCED  
STEREO:  
2ch Stereo  
Use to output stereo sources to only the front left and right speakers without any processing.  
STEREO:  
Direct Stereo  
Use to increase the output stereo sources (in stereo) from all speakers. This provides a larger  
sound field and is ideal for background music at parties, etc.  
STEREO:  
7ch Stereo  
2-CH  
*
Dolby Pro Logic IIx processing for music software.  
PRO LOGIC IIx:  
PLIIx Music  
*
Dolby Pro Logic II processing for music software.  
PRO LOGIC II:  
PLII Music  
DTS processing for music software.  
DTS: Neo:6 Music  
*
You can select either Pro Logic IIx or Pro Logic II processing using the PLII/PLIIx parameter on page 69.  
47  
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ADVANCED OPERATIONS  
ADVANCED OPERATIONS  
Selecting the OSD mode  
Using the sleep timer  
You can display this unit’s operating information on a  
video monitor. If you display the SET MENU and sound  
field program parameter settings on a monitor, it is much  
easier to see the available options and parameters than it is  
by reading this information on the front panel display.  
Use this feature to automatically set this unit in the  
standby mode after a certain amount of time. The sleep  
timer is useful when you are going to sleep while this unit  
is playing or recording a source. The sleep timer also  
automatically turns off any external components  
connected to the AC OUTLET(S).  
1
2
Turn on the video monitor connected to this  
unit.  
■ Setting the sleep timer  
CODE SET  
TRANSMIT  
SYSTEM  
POWER  
TV  
POWER  
STANDBY  
POWER  
Press ON SCREEN repeatedly to change the  
OSD mode.  
AV  
CD  
MD/CD-R  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
2
DVD  
DTV/CBL  
The OSD mode changes in the  
following order: full display, short  
ON SCREEN  
VCR  
1
DVR/VCR2  
DISPLAY  
display, and display off.  
TV VOL  
TV CH  
VOLUME  
TV MUTE  
TV INPUT  
Full display  
Always shows the sound field program parameter settings  
as well as the contents of the front panel display.  
1
2
Select a source and start playback on the  
source component.  
Short display  
Briefly shows the contents of the front panel display at the  
bottom of the screen each time you operate this unit.  
Press SLEEP repeatedly to set  
SLEEP  
the amount of time.  
Display off  
Only operations performed using ON SCREEN are  
displayed. The OSD is displayed when using SET MENU  
or the test tone feature, settings are displayed, even if the  
OSD mode is set to “Display off”.  
Each time you press SLEEP, the front  
panel display changes as shown  
below. The SLEEP indicator flashes  
while switching the amount of time  
for the sleep timer.  
P08 MOVIE THEATER  
SLEEP 120min  
SLEEP 90min  
SLEEP 60min  
.ꢀꢀꢀꢀꢀGeneral  
ꢀꢀDSPꢀLEVEL;;;;0dB  
ꢀꢀP.INIT.DLY;;15ms  
ꢀꢀP.ROOMꢀSIZE;;1.0  
ꢀꢀS.INIT.DLY;;20ms  
ꢀꢀS.ROOMꢀSIZE;;1.0  
P08ꢀꢀMOVIEꢀTHEATER  
ꢀꢀꢀꢀꢀꢀꢀꢀGeneral  
SLEEP OFF SLEEP 30min  
96  
24  
DVR/VCR2  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
t
SILENT CINEMA  
VIRTUAL  
DIGITAL  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY MUTE VOLUME  
MATRIX DISCRETE  
SP  
A B  
HiFi DSP  
q
q
q
SLEEP  
PS  
PTY RT CT EON  
dB  
R
EX  
q
PL  
PL  
96/24  
L
C
ft  
mS  
dB  
PL  
q
x
LFE SL SB SR  
PCM  
1ESLEEP8120minz  
Full display  
Short display  
The SLEEP indicator lights up in the front panel  
display, and the display returns to the selected sound  
field program.  
Notes  
• The OSD signal is not output to the REC OUT jack, and will  
not be recorded.  
• You can set the OSD to turn on (gray background) or off when a  
video source is not being reproduced (or the source component  
is turned off) by using “DISPLAY SET” (see page 58).  
SLEEP indicator  
96  
DVR/VCR2  
VCR-1  
V-AUX  
DTV/CBL  
DVD  
MD/CD-R  
TUNER  
CD  
t
24  
SILENT CINEMA  
VIRTUAL  
DIGITAL  
NIGHT ZONE2  
PTY HOLD AUTO TUNED STEREO MEMORY MUTE VOLUME  
MATRIX DISCRETE  
SP  
A B  
HiFi DSP  
q
q
q
SLEEP  
PS  
PTY RT CT EON  
dB  
R
EX  
q
PL  
PL  
96/24  
L
C
ft  
mS  
dB  
PL  
q
x
LFE SL SB SR  
PCM  
1ECONCERT2HALLz  
48  
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ADVANCED OPERATIONS  
■ Canceling the sleep timer  
Press SLEEP repeatedly until “SLEEP OFF” appears in  
the front panel display.  
After a few seconds, “SLEEP OFF” disappears, and the  
SLEEP indicator goes off.  
Manually adjusting speaker levels  
You can adjust the output level of each speaker while  
listening to a music source. This is also possible when  
playing sources through the MULTI CH INPUT jacks.  
Please note that this operation will override the level  
adjustments made in “AUTO SETUP” (page 25),  
“SPEAKER LEVEL” (page 55) and “Using the test tone”  
(page 50).  
SLEEP  
SLEEP OFF  
y
The sleep timer setting can also be canceled by pressing  
STANDBY on the remote control (or STANDBY/ON on the front  
panel) to set this unit to the standby mode.  
VCR  
1
DVR/VCR2  
AMP  
1
TV VOL  
TV CH  
VOLUME  
TV MUTE  
TV INPUT  
MUTE  
STEREO  
1
HALL  
2
JAZZ  
3
ROCK  
4
MUSIC ENTERTAIN TV THTR  
MOVIE  
8
5
6
7
q/DTS  
NIGHT  
0
EX/ES  
10  
STRAIGHT  
9
ENTER  
EFFECT  
PRESET/CH  
LEVEL  
TITLE  
SET MENU  
MENU  
2
A/B/C/D/E  
4
3
SELECT  
TEST  
ON SCREEN  
DISPLAY  
RETURN  
REC  
AUDIO  
1
2
Press AMP.  
Press LEVEL repeatedly to select the  
speaker you want to adjust.  
FRONT L  
CENTER  
FRONT R  
SUR.R  
Front left speaker level  
Center speaker level  
Front right speaker level  
Surround right speaker level  
SUR.B.R Surround back right speaker level  
SUR.B.L Surround back left speaker level  
SUR.L  
SWFR  
PRES  
Surround left speaker level  
Subwoofer level  
Presence speaker level  
y
Once you press LEVEL, you can also select the speaker by  
pressing u/ d.  
3
Press j/ ito adjust the speaker output level.  
The control range is from +10 dB to –10 dB.  
4
Press SELECT when you have completed  
your adjustment.  
y
This operation can also be performed using the controls on the  
front panel. Press NEXT repeatedly to select the speaker you  
want to adjust, then press LEVEL –/+ to adjust the output level.  
49  
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ADVANCED OPERATIONS  
■ Outputting the test tone from the  
Using the test tone  
PRESENCE speakers  
You can use the test tone feature to manually balance your  
speaker levels. Please note that this operation will override  
the level adjustments made in “AUTO SETUP” (page 25),  
“SPEAKER LEVEL” (page 55) and “Manually adjusting  
speaker levels” (page 49). Use the test tone to set speaker  
levels so that the volume from each speaker is identical  
when heard from your listening position.  
6
Press u/ drepeatedly to select the speaker  
from which you want to output the test tone.  
TEST FRONT  
Front speakers  
TEST PRESENCE  
TEST PRES L  
TEST PRES R  
Presence speakers  
Left presence speakers  
Right presence speakers  
Note  
7
8
Press j/ ito adjust the presence speaker  
volumes.  
You cannot activate the test tone if headphones are connected to  
the PHONES jack. Remove the headphones from the PHONES  
jack.  
Press TEST when you have completed your  
adjustment.  
The test tone stops.  
VCR  
1
DVR/VCR2  
AMP  
1
TV VOL  
TV CH  
VOLUME  
TV MUTE  
TV INPUT  
MUTE  
STEREO  
1
HALL  
2
JAZZ  
3
ROCK  
4
MUSIC ENTERTAIN TV THTR  
MOVIE  
8
5
6
7
q/DTS  
NIGHT  
0
EX/ES  
10  
STRAIGHT  
9
ENTER  
EFFECT  
PRESET/CH  
LEVEL  
TITLE  
SET MENU  
MENU  
A/B/C/D/E  
SELECT  
TEST  
ON SCREEN  
DISPLAY  
RETURN  
2,5,8  
REC  
AUDIO  
3,4,6,7  
1
2
Press AMP.  
Press TEST.  
The unit outputs a test tone.  
3
Press u/ drepeatedly to select the speaker  
you want to adjust.  
TEST LEFT  
Front left speaker  
TEST CENTER  
TEST RIGHT  
TEST SUR.R  
TEST SUR.B.R  
TEST SUR.B.L  
TEST SUR.L  
Center speaker  
Front right speaker  
Right surround speaker  
Right surround back speaker  
Left surround back speaker  
Left surround speaker  
TEST SUBWOOFER Subwoofer  
4
5
Press j/ ito adjust the speaker volumes.  
Press TEST when you have completed your  
adjustment.  
The test tone stops.  
If PRESENCE SP in “SPEAKER SET” is set to YES,  
you can adjust the presence speaker volumes  
(proceed to step 6).  
50  
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SET MENU  
SET MENU  
You can use the following parameters in SET MENU to adjust a variety of system settings and customize the way this  
unit operates. Change the initial settings (indicated in bold under each parameter) to reflect the needs of your listening  
environment.  
■ AUTO SETUP  
Use to specify which speaker parameters auto setup will adjust, and to activate the auto setup procedure (see page 25).  
■ MANUAL SETUP  
Use to manually adjust speaker and system parameters.  
1 SOUND MENU  
Use to manually adjust any speaker setting, alter the quality and tone of the sound output by the system or compensate for  
video signal processing delays when using LCD monitors or projectors.  
y
Most of the parameters described in SOUND MENU are set automatically when you run auto setup (see page 25). You can use SOUND  
MENU to make further adjustments, but we recommend running auto setup first.  
Item  
Features  
Page  
Selects the size of each speaker, the speakers for low-frequency signal output, and the cross over  
frequency.  
A)SPEAKER SET  
53  
Adjusts the output level of each speaker.  
55  
55  
56  
56  
56  
56  
B)SPEAKER LEVEL  
C)SP DISTANCE  
D)CENTER GEQ  
E)LFE LEVEL  
Adjusts the delay time of each speaker.  
Adjusts the tonal quality of the center speaker.  
Adjusts the output level of the LFE channel for Dolby Digital or DTS signals.  
Adjusts the dynamic range for Dolby Digital or DTS signals.  
Customizes the muting level, audio delay and height of the front and center channel sounds.  
F)DYNAMIC RANGE  
G)AUDIO SET  
Selects priority to either surround back or presence speakers when both sets of speakers are  
connected to this unit.  
57  
H)PR/SB SELECT  
2 INPUT MENU  
Use to reassign digital input/outputs and select the input mode.  
Item  
Features  
Page  
57  
Assigns jacks according to the component to be used.  
Selects the initial input mode of the source.  
A)I/O ASSIGNMENT  
B)INPUT MODE  
58  
3 OPTION MENU  
Use to adjust the optional system parameters.  
Item  
Features  
Page  
58  
Adjusts the brightness of the display and converts video signals.  
Locks sound field program parameters and other SET MENU settings.  
Initializes the parameters of a group of sound field programs.  
A)DISPLAY SET  
B)MEMORY GUARD  
C)PARAM. INI  
D)ZONE SET  
59  
59  
Specifies the location of the speakers connected to the SPEAKERS B terminals.  
59  
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SET MENU  
Using SET MENU  
Use the remote control to access and adjust each  
parameter.  
4
Press SELECT to enter MANUAL SETUP.  
1 SOUND MENU appears on the front panel display.  
PRESET/CH  
;MANUAL SETUP  
VCR  
1
DVR/VCR2  
AMP  
.ꢀ1ꢀSOUNDꢀMENU  
ꢀꢀ2ꢀINPUTꢀMENU  
ꢀꢀ3ꢀOPTIONꢀMENU  
1
SELECT  
TV VOL  
TV CH  
VOLUME  
ꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀ[SELECT]:Enter  
TV MUTE  
TV INPUT  
MUTE  
STEREO  
1
HALL  
2
JAZZ  
3
ROCK  
4
MUSIC ENTERTAIN TV THTR  
MOVIE  
8
5
6
7
q/DTS  
NIGHT  
0
EX/ES  
10  
STRAIGHT  
9
ENTER  
EFFECT  
5
6
Press u/ dto select the desired menu.  
PRESET/CH  
LEVEL  
TITLE  
SET MENU  
MENU  
A/B/C/D/E  
2,8  
3-7  
SELECT  
TEST  
ON SCREEN  
DISPLAY  
RETURN  
Press SELECT to enter the selected menu.  
REC  
AUDIO  
PRESET/CH  
1 SOUND MENU 1/2  
y
You can change SET MENU parameters while the unit is  
ꢀꢀ.ꢀA)SPEAKERꢀSET  
ꢀꢀꢀꢀB)SPEAKERꢀLEVEL  
reproducing sound.  
SELECT  
ꢀꢀꢀꢀC)SPꢀDISTANCE  
ꢀꢀꢀꢀD)CENTERꢀGEQ  
ꢀꢀꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀꢀꢀ[SELECT]:Enter  
Note  
You cannot change some SET MENU parameters while the unit  
is in either cinema or music night listening mode.  
7
Press u/ dto select the item you want to  
adjust, then press j/ ito change the setting  
of the item.  
1
Press AMP.  
AMP  
B)SPEAKER LEVEL  
ꢀꢀꢀꢀꢀꢀꢀ-ꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀ+  
ꢀꢀ.ꢀꢀꢀFR  
ꢀꢀꢀꢀꢀꢀꢀC  
2
3
Press SET MENU.  
SET MENU  
MENU  
ꢀꢀꢀꢀꢀꢀSL  
A/B/C/D/E  
Press u/ dto select MANUAL SETUP.  
Repeat this operation to select and adjust each setting.  
To return to the previous menu level, press RETURN.  
PRESET/CH  
ꢀꢀSET MENU  
ꢀꢀ;AUTOꢀSETUP  
.ꢀ;MANUALꢀSETUP  
SELECT  
8
To exit, press SET MENU when finished.  
ꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀ[SELECT]:Enter  
SET MENU  
MENU  
A/B/C/D/E  
Memory back-up  
The memory back-up circuit prevents the stored data  
from being lost even if this unit is in the standby mode.  
However, if the power cord is disconnected from the  
AC outlet, or the power supply is cut for more than one  
week, the stored data will be lost. If so, adjust the  
items again.  
52  
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SET MENU  
Front speakers FRONT SP  
Choices: SMALL, LARGE  
1 SOUND MENU  
Use to manually adjust any speaker setting or compensate  
for video signal processing delays when using LCD  
monitors or projectors. Most of the SOUND MENU  
parameters are set automatically when you run auto setup  
(see page 25).  
FRONT SP  
ꢀꢀꢀꢀꢀꢀSMALLꢀꢀ)LARGE  
1 SOUND MENU 1/2  
ꢀꢀ.ꢀA)SPEAKERꢀSET  
ꢀꢀꢀꢀB)SPEAKERꢀLEVEL  
ꢀꢀꢀꢀC)SPꢀDISTANCE  
ꢀꢀꢀꢀD)CENTERꢀGEQ  
ꢀꢀꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀꢀꢀ[SELECT]:Enter  
•
•
Select SMALL if you have small front speakers. The  
unit directs the low-frequency signals of the front  
channel to the speakers selected with “LFE/BASS  
OUT”.  
Select LARGE if you have large front speakers. The  
unit directs the entire range of the front left and right  
channel signals to the front left and right speakers.  
■ Speaker set A)SPEAKER SET  
Use to manually adjust any speaker setting.  
Surround left/right speakers SURR L/R SP  
Choices: NONE, SML, LRG  
y
If you are not satisfied with the bass sounds from your speakers,  
you can change these settings according to your preference.  
SURR L/R SP  
Center speaker CENTER SP  
Choices: NONE, SML, LRG  
ꢀꢀꢀꢀꢀNONEꢀ)SMLꢀꢀLRG  
CENTER SP  
•
•
•
Select NONE if you do not have surround speakers.  
This will set the unit to the Virtual CINEMA DSP  
mode (see page 36) and automatically set the surround  
back speaker setting (SURR B L/R SP) to NONE.  
Select SML if you have small surround left and right  
speakers. The low-frequency signals of the surround  
channel are directed to the speakers selected with  
“LFE/BASS OUT”.  
Select LRG if you have large surround left and right  
speakers. The entire range of the surround channel  
signal is directed to the surround left and right  
speakers.  
ꢀꢀꢀꢀꢀNONEꢀ)SMLꢀꢀLRG  
•
•
Select NONE if you do not have a center speaker. The  
unit directs all of the center channel signal to the front  
left and right speakers.  
Select SML if you have a small center speaker. The  
unit directs the low-frequency signals of the center  
channel to the speakers selected with “LFE/BASS  
OUT”.  
Select LRG if you have a large center speaker. The unit  
directs the entire range of the center channel signal to  
the center speaker.  
•
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SET MENU  
Surround back speakers SURR B L/R SP  
Choices: NONE, SMLx1, SMLx2, LRGx1, LRGx2  
Bass out LFE/BASS OUT  
Low-frequency (bass) signals can be directed to the  
subwoofer and/or the front left and right speakers  
according to the characteristics of your system. This  
setting also determines the routing of the LFE (low-  
frequency effect) signals found in Dolby Digital or DTS  
sources.  
SURR B L/R SP  
Choices: SWFR, FRNT, BOTH  
ꢀꢀꢀꢀꢀꢀSMLx1ꢀ)SMLx2  
LFE/BASS OUT  
•
•
Select NONE if you do not have a surround back  
speaker. The unit directs all of the surround back  
channel signal to the surround left and right speakers.  
Select SMLx1 if you have a small surround back  
speaker. The low-frequency signals of the surround  
back channel are directed to the speakers selected with  
“LFE/BASS OUT”, and the rest of the frequency  
signals are directed to the left surround back speaker.  
Select SMLx2 if you have 2 small surround back  
speakers. The low-frequency signals of the surround  
back channels are directed to the speakers selected with  
“LFE/BASS OUT”.  
Select LRGx1 if you have a large surround back  
speaker. The unit directs the entire range of the  
surround back channel signal to the left surround back  
speaker.  
Select LRGx2 if you have 2 large surround back  
speakers. The unit directs the entire range of the  
surround back channel signal to the surround back  
speakers.  
ꢀꢀꢀꢀꢀSWFRꢀFRNT)BOTH  
•
•
Select SWFR if you connect a subwoofer. LFE and  
low-frequency signals from other channels are directed  
to the subwoofer according to the speaker settings.  
Select FRNT if you do not use a subwoofer. LFE and  
low frequency signals from other channels are directed  
to the front speakers according to the speaker settings  
(even if you have previously set front speakers to  
SML).  
Select BOTH if you connect a subwoofer and you want  
to output low-frequency signals from front channels to  
both the front speakers and subwoofer. LFE and low-  
frequency signals from other channels are also directed  
to the subwoofer according to the speaker settings. Use  
this function to reinforce low-frequency signals using  
the subwoofer when playing back sources such as CDs.  
•
•
•
•
Note  
Cross over CROSS OVER  
If you select SMLx1 or LRGx1, connect the speaker to the left  
SURROUND BACK speaker terminals.  
Use this feature to select a cross-over (cut-off) frequency  
for all low-frequency signals. All frequencies below the  
selected frequency will be sent to the subwoofer.  
Choices: 40Hz, 60Hz, 80Hz, 90Hz, 100Hz, 110Hz,  
120Hz, 160Hz, 200Hz  
Presence speakers PRESENCE SP  
Choices: NONE, YES  
PRESENCE SP  
CROSS OVER  
ꢀꢀꢀꢀꢀ)NONEꢀꢀꢀYES  
ꢀꢀꢀꢀFREQ;;;80Hz  
•
•
Select NONE if you do not have presence speakers.  
Select YES if you have presence speakers.  
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SET MENU  
Subwoofer phase SUBWOOFER PHASE  
If bass sounds are lacking or unclear, use this feature to  
switch the phase of your subwoofer.  
■ Speaker distance C)SP DISTANCE  
Use this feature to manually input the distance of each  
speaker and adjust the delay applied to respective channel.  
Ideally, each speaker should be the same distance from the  
main listening position. However, this is not possible in  
most home situations. Thus, a certain amount of delay  
must be applied to the sound from each speaker so that all  
sound will arrive at the listening position at the same time.  
Choices: NORMAL (normal), REVERSE (reverse)  
02ASUBWOOFER PHASE  
ꢀꢀꢀꢀ)NORMALꢀꢀREVERSE  
C)SP DISTANCE  
ꢀꢀ. UNIT;;;;;;meters  
ꢀꢀꢀꢀFRONTꢀL;;;;3.00m  
ꢀꢀꢀꢀFRONTꢀR;;;;3.00m  
ꢀꢀꢀꢀCENTER;;;;;3.00m  
ꢀꢀꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀꢀꢀ[<]/[>]:Adjust  
•
•
Select NORMAL if you do not want to reverse the  
phase of your subwoofer.  
Select REVERSE to reverse the phase of your  
subwoofer.  
■ Speaker level B)SPEAKER LEVEL  
Use these settings to manually balance the speaker levels  
between the front left or surround left speakers and each  
speaker selected in SPEAKER SET (page 53).  
Choices: –10.0 dB to +10.0 dB  
Unit UNIT  
Choices: meters (m), feet (ft)  
Initial setting:  
U.S.A. and Canada models: feet (ft)  
Other models: meters (m)  
•
•
Select meters to input speaker distances in meters.  
Select feet to input speaker distances in feet.  
B)SPEAKER LEVEL  
ꢀꢀꢀꢀꢀꢀꢀ-ꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀ+  
ꢀꢀ.ꢀꢀꢀFR  
ꢀꢀꢀꢀꢀꢀꢀC  
Speaker distances  
Choices: 0.3 to 24.00 m (1 to 80 ft)  
ꢀꢀꢀꢀꢀꢀSL  
•
•
•
•
•
•
•
•
•
•
*
FRONT L adjusts the distance of the front left speaker.  
Initial setting: 3.0 m (10.0 ft)  
FRONT R adjusts the distance of the front right  
speaker. Initial setting: 3.0 m (10.0 ft)  
CENTER adjusts the distance of the center speaker.  
Initial setting: 3.0 m (10.0 ft)  
SURR L adjusts the distance of the surround left  
speaker. Initial setting: 3.0 m (10.0 ft)  
•
•
•
•
•
•
•
•
*
FR adjusts the balance of the front left and front right  
speakers.  
C adjusts the balance of the front left and center  
speakers.  
SL adjusts the balance of the front left and surround  
left speakers.  
SURR R adjusts the distance of the surround right  
speaker. Initial setting: 3.0 m (10.0 ft)  
*
SBL adjusts the balance of the surround left and  
*
SB L adjusts the distance of the surround back left  
surround back left speakers.  
speaker. Initial setting: 2.10 m (7.0 ft)  
*
SBR adjusts the balance of the surround left and  
*
SB R adjusts the distance of the surround back right  
surround back right speakers.  
SR adjusts the balance of the surround left and  
surround right speakers.  
SWFR adjusts the balance of the front left speaker and  
subwoofer.  
PRES adjusts the balance of the front and presence  
speakers.  
speaker. Initial setting: 2.10 m (7.0 ft)  
SWFR adjusts the distance of the subwoofer. Initial  
setting: 3.0 m (10.0 ft)  
PRES L adjusts the distance of the presence left  
speaker. Initial setting: 3.0 m (10.0 ft)  
PRES R adjusts the distance of the presence right  
speaker. Initial setting: 3.0 m (10.0 ft)  
SB will be displayed if you selected only one surround back  
speaker in SURR B L/R SP (page 54).  
SURR B will be displayed if you selected only one surround  
back speaker in SURR B L/R SP (page 54).  
y
To calibrate, use the test tone feature (see page 50).  
55  
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SET MENU  
■ Center graphic equalizer D)CENTER GEQ  
Use this feature to adjust the built-in 5-band graphic  
equalizer for the center channel so that the tonal quality of  
the center speaker matches that of the front speakers.  
You can make adjustments listening to the currently  
selected source component or a test tone.  
You can adjust 5 frequency bands: 100Hz, 300Hz, 1kHz,  
3kHz, 10kHz  
■ Dynamic range F)D.RANGE  
Use to select the amount of dynamic range compression to  
be applied to your speakers or headphones. This setting is  
effective only when the unit is decoding Dolby Digital and  
DTS signals.  
Choices: MIN (minimum), STD (standard), MAX  
(maximum)  
Choices: –6 to +6 dB  
F)DYNAMIC RANGE  
.ꢀSP:ꢀMINꢀSTD)MAX  
ꢀꢀHP:ꢀMINꢀSTD)MAX  
D)CENTER GEQ  
.ꢀTESTꢀꢀ)OFFꢀꢀON  
ꢀꢀꢀꢀꢀꢀꢀ-ꢀꢀꢀꢀꢀꢀ+  
ꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀ[<]/[>]:Select  
ꢀꢀ100Hzꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀ0dB  
ꢀꢀ300Hzꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀ0dB  
ꢀꢀꢀ1kHzꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀ0dB  
ꢀꢀꢀ3kHzꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀ0dB  
ꢀꢀ10kHzꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀ0dB  
ꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀ[<]/[>]:Adjust  
Speaker SP  
Select to adjust the speaker compression.  
•
•
Select ON to output test tones from the front left and  
center speakers, and adjust the tonal quality of the  
center speaker.  
Select OFF to stop the test tone and output the  
currently selected source component.  
Headphone HP  
Select to adjust the headphone compression.  
•
•
•
Select MIN if you regularly listen at low volume levels.  
Select STD for general use.  
Select MAX to preserve the greatest amount of  
dynamic range.  
•
•
Press u/ dto select a frequency band.  
Press j/ ito adjust the selected frequency band.  
■ Low-frequency effect level E)LFE LEVEL  
Use to adjust the output level of the LFE (low-frequency  
effect) channel according to the capacity of your  
subwoofer or headphones. The LFE channel carries low-  
frequency special effects which are only added to certain  
scenes. This setting is effective only when this unit  
decodes Dolby Digital or DTS signals.  
■ Audio set G)AUDIO SET  
Use to customize this units overall audio settings.  
G)AUDIO SET  
ꢀꢀ.ꢀAUDIOꢀMUTE;;MUTE  
ꢀꢀꢀꢀAUDIOꢀDELAY;;0ms  
ꢀꢀꢀꢀDIALG.LIFT;;;OFF  
Choices: –20 to 0 dB  
ꢀꢀꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀꢀꢀ[<]/[>]:Selet  
E)LFE LEVEL  
.ꢀSPEAKER;;;;;;0dB  
ꢀꢀHEADPHONE;;;;0dB  
Audio mute AUDIO MUTE  
Use to adjust how much the mute function reduces the  
output volume.  
ꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀ[<]/[>]:Adjust  
Choices: MUTE, –20 dB  
•
Select MUTE to completely halt all output of sound.  
•
Select –20 dB to reduce the current volume by 20 dB.  
Speaker SPEAKER  
Audio delay AUDIO DELAY  
Select to adjust the speaker LFE level.  
Use to delay the sound output and synchronize it with the  
video image. This may be necessary when using certain  
LCD monitors or projectors.  
Headphone HEADPHONE  
Select to adjust the headphone LFE level.  
Choices: 0 to 160 mS  
Note  
Depending on the settings of “LFE LEVEL”, some signals may  
not be output from the SUB WOOFER OUTPUT jack.  
56  
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SET MENU  
Dialog lift DIALG.LIFT  
2 INPUT MENU  
Use to reassign digital input/outputs and select the input  
mode.  
Use to turn on and off the DIALG.LIFT parameter (see  
page 69). This parameter adjusts the height of the front  
and center channel sounds (dialog, vocals, etc.) by  
assigning some of the front and center channel elements to  
the presence speakers.  
Choices: OFF, ON  
ꢀꢀꢀꢀ  
2ꢀINPUTꢀMENU  
•
Select OFF to turn off DIALG.LIFT effect.  
ꢀꢀ.ꢀA)I/OꢀASSIGNMENT  
ꢀꢀꢀꢀB)INPUTꢀMODE  
•
Select ON to turn on DIALG.LIFT effect.  
ꢀꢀꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀꢀꢀ[SELECT]:Enter  
Note  
“DIALG.LIFT” appears only when “PRESENCE SP” is set  
to YES (see page 54).  
■ Input/output assignment A)I/O  
ASSIGNMENT  
■ Presence/surround back channel select  
H)PR/SB SELECT  
You can assign jacks according to the component to be  
used if this unit’s initial settings do not correspond to your  
needs. Change the following parameters to reassign the  
respective jacks and effectively connect more components.  
Once the inputs have been reassigned, you can select the  
corresponding component by using INPUT on the front  
panel or the input selector buttons on the remote control.  
You can select to prioritize either the surround back or  
presence speakers when playing sources that contain  
surround back channel signals using CINEMA DSP sound  
field programs.  
Choices: PRch, SBch  
ꢀꢀꢀꢀH)PR/SBꢀSELECT  
For COMPONENT VIDEO jacks A and B  
ꢀꢀꢀꢀꢀꢀꢀPRchꢀ)SBch  
Choices: DVD, V-AUX, DTV/CBL, VCR 1, DVR/VCR2  
ꢀꢀꢀꢀ[ꢀ]/[ꢀ]:Select  
ꢀꢀꢀꢀ[SELECT]:Return  
ꢀꢀꢀꢀCMPNT-VꢀINPUT  
ꢀꢀ.ꢀ[A];;;;;ꢀꢀDVD  
ꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀ(ꢀꢀDVDꢀꢀꢀ)  
ꢀꢀꢀꢀ[B];;;;;DTV/CBL  
ꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀꢀ(DTV/CBLꢀ)  
•
•
Select PRch to use presence speakers even when  
surround back channel signals are input. The signals  
for the surround back channel will be output from  
surround speakers.  
Select SBch to use surround back speakers when a  
surround back channel signal is detected in a CINEMA  
DSP program. Presence channel signals will be output  
from front speakers.  
For OPTICAL OUTPUT jack 1  
Choices: MD/CD-R, CD, V-AUX, DTV/CBL, VCR 1,  
DVD, DVR/VCR2  
ꢀꢀꢀꢀOPTICALꢀOUT  
ꢀꢀ.ꢀ(1);;;;;MD/CD-R  
(MD/CD-R )  
For OPTICAL INPUT jacks 2, 3 and 4  
Choices: CD, DTV/CBL, VCR 1, DVD, DVR/VCR2,  
MD/CD-R  
ꢀꢀꢀꢀOPTICALꢀIN  
ꢀꢀ.ꢀ(2);;;;;MD/CD-R  
(MD/CD-Rꢀ)  
(3);;;;; DVD  
ꢀꢀꢀ(ꢀꢀDVD ꢀꢀ)  
(4);;;;;DTV/CBL  
ꢀꢀꢀ(DTV/CBL )  
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SET MENU  
For COAXIAL INPUT jacks 5 and 6  
Choices: CD, V-AUX, DTV/CBL, VCR 1, MD/CD-R,  
DVD, DVR/VCR2  
3 OPTION MENU  
Use to adjust the optional system parameters.  
ꢀꢀꢀꢀCOAXIALꢀIN  
ꢀꢀꢀꢀ  
3ꢀOPTIONꢀMENU1/2  
ꢀꢀ.ꢀ(5);;;;;  
CD  
CD  
(6);;;;; DVD  
ꢀꢀꢀ(ꢀꢀDVD ꢀꢀ)  
ꢀꢀ.ꢀA)DISPLAYꢀSET  
B)MEMORYꢀGUARD  
C)PARAM.ꢀINI  
(
)
D)ZONEꢀSET  
ꢀꢀꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀꢀꢀ[SELECT]:Enter  
Notes  
■ Display set A)DISPLAY SET  
• You cannot select a specific item more than once for the same  
type of jack.  
• When you connect a component to both the COAXIAL and  
OPTICAL jacks, priority is given to the input signals from the  
COAXIAL jack.  
ꢀꢀꢀꢀA)DISPLAYꢀSET  
ꢀꢀ.ꢀDIMMER;;;;;;;;;0  
VꢀCONV;;;;;;;;ON  
OSDꢀSHIFT;;;;;;0  
GRAYꢀBACK;;;AUTO  
ꢀꢀꢀꢀ[ꢀ]/[ꢀ]:Up/Down  
ꢀꢀꢀꢀ[<]/[>]:sELECT  
■ Input mode B)INPUT MODE  
Use this feature to designate the input mode for sources  
connected to the DIGITAL INPUT jacks when you turn on  
this unit (see page 36 for details about the input mode).  
Choices: AUTO, LAST  
Dimmer DIMMER  
Use to adjust the brightness of the front panel display.  
Choices: –4 to 0  
ꢀꢀꢀꢀB)INPUTꢀMODE  
Video conversion V CONV.  
ꢀꢀꢀꢀꢀ)AUTOꢀꢀLAST  
Use this feature to turn on/off conversion of composite  
(VIDEO) signals to S-Video signals. This allows you to  
output converted video signals from the S VIDEO jacks  
when no S-Video signals are input.  
ꢀꢀꢀꢀ[<]/[>]:Select  
ꢀꢀꢀꢀ[SELECT]:Return  
Choices: ON, OFF  
•
•
Select OFF not to convert any signals.  
Select ON to convert composite signals to S-Video  
signals.  
•
•
Select AUTO to allow this unit to automatically detect  
the type of input signal and select the appropriate input  
mode.  
Select LAST to set this unit to automatically select the  
last input mode used for that source.  
Note  
Converted video signals are only output to the MONITOR OUT  
jacks. When recording you must make the same type of video  
connections (i.e., S-Video) between each component.  
Note  
Even if LAST is selected, the last setting for the EX/ES button  
will not be recalled.  
OSD shift OSD SHIFT  
Use to adjust the vertical position of the OSD.  
Choices: +5 (downward) to –5 (upward)  
•
•
Press + to lower the position of the OSD.  
Press – to raise the position of the OSD.  
Gray back GRAY BACK  
Selecting AUTO for the on-screen display setting displays  
a gray background when there’s no video signal input.  
Nothing is displayed if OFF is selected.  
Choices: AUTO, OFF  
Note  
If “GRAY BACK” is set to OFF, no information will be  
displayed on the screen when video signals are not being input.  
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SET MENU  
■ Memory guard B)MEMORY GUARD  
Use this feature to prevent accidental changes to DSP  
program parameter values and other system settings.  
Choices: OFF, ON  
■ Zone set D)ZONE SET  
Use to specify the location of speakers connected to the  
SPEAKERS B terminals.  
ꢀꢀꢀꢀD)ZONEꢀSET  
ꢀꢀꢀꢀSPꢀB;;;;;;FRONT  
ꢀꢀꢀꢀB)MEMORYꢀGUARD  
ꢀꢀꢀꢀꢀꢀꢀ)OFFꢀꢀꢀON  
ꢀꢀꢀꢀ[<]/[>]:Select  
ꢀꢀꢀꢀ[SELECT]:Return  
ꢀꢀꢀꢀ[<]/[>]:Select  
ꢀꢀꢀꢀ[SELECT]:Return  
Speaker B set SP B  
Select ON to protect:  
Use this feature to select the location of the front speakers  
connected to the SPEAKERS B terminals.  
Choices: FRONT, ZONE B  
•
•
•
•
DSP program parameters  
All SET MENU items  
All speaker levels  
•
Select FRONT to turn on/off SPEAKERS A and B  
when the speakers connected to the SPEAKERS B  
terminals are set in the main room.  
The on-screen display (OSD) mode  
Note  
•
Select ZONE B if the speakers connected to the  
SPEAKERS B terminals are set in another room. If  
SPEAKERS A is turned OFF and SPEAKERS B is  
turned ON, all the speakers including the subwoofer in  
the main room are muted and the unit outputs sound  
from SPEAKERS B only.  
When “MEMORY GUARD” is set to ON, you cannot use the test  
tone or select any other SET MENU items.  
■ Parameter initialization C)PARAM. INI  
Use this feature to initialize the parameters for each sound  
field program within a sound field program group. When  
you initialize a sound field program group, all of the  
parameter values within that group revert to their initial  
settings.  
Notes  
• If you connect headphones to the PHONES jack on the unit  
when “SP B” is set to ZONE B, the sound is output from both  
headphones and SPEAKERS B.  
Press the corresponding numeric button for the sound field  
program that you want to initialize.  
An asterisk (*) next to a program number means that the  
parameter values have been changed from their initial  
settings.  
• If a DSP program is selected when “SP B” is set to ZONE B,  
the unit automatically enters the Virtual CINEMA DSP mode.  
ꢀꢀꢀꢀC)PARAM.ꢀINI  
ꢀꢀꢀꢀꢀꢀ1ꢀꢀꢀ2ꢀꢀꢀ3ꢀꢀꢀ4  
ꢀꢀꢀꢀꢀꢀ5ꢀꢀꢀ6ꢀꢀꢀ7ꢀꢀ*8  
ꢀꢀꢀꢀꢀꢀ9  
Notes  
• You cannot automatically revert to the previous parameter  
settings once you initialize a sound field program group.  
• You cannot separately initialize individual sound field  
programs.  
• You cannot initialize any program groups when “MEMORY  
GUARD” is set to ON.  
59  
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REMOTE CONTROL FEATURES  
REMOTE CONTROL FEATURES  
In addition to controlling this unit, the remote control can also operate other A/V components made by YAMAHA and  
other manufacturers. To control other components, you must set up remote control with the appropriate manufacturer  
codes.  
Control area  
■ Controlling this unit  
■
Controlling other components  
The shaded areas below can be used to control this unit  
when the AMP mode is selected. Press AMP to activate  
the AMP mode.  
The shaded areas below can be used to control other  
components. Each button has a different function  
depending on the selected component. Select the  
component you want to control by pressing an input  
selector button.  
CODE SET  
TRANSMIT  
SYSTEM  
POWER  
The buttons in the  
dotted lines  
(SYSTEM  
POWER  
TV  
POWER  
STANDBY  
AV  
CD  
MD/CD-R  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
CODE SET  
TRANSMIT  
The  
button and input  
SYSTEM  
POWER  
POWER,  
DVD  
DTV/CBL  
POWER  
TV  
POWER  
STANDBY  
selector buttons switch the  
function of the component  
control area below.  
*
STANDBY,  
SLEEP, MULTI CH  
IN, VOLUME +/–  
and MUTE)  
function in any  
mode.  
AV  
VCR 1  
DVR/VCR2  
CD  
MD/CD-R  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
DVD  
DTV/CBL  
Use the  
button to  
control other components  
regardless of whether they  
are connected to this unit.  
VCR 1  
DVR/VCR2  
TV VOL  
TV CH  
VOLUME  
TV MUTE  
TV INPUT  
MUTE  
TV VOL  
E  
STEREO  
HALL  
JAZZ  
ROCK  
TV CH  
1
2
3
4
Press AMP  
to control  
this unit.  
MUSIC ENTERTAIN TV THTR  
MOVIE  
5
6
7
8
TV INPUT  
TV MUTE  
S
OCK  
ROCK  
ROCK  
q/DTS  
NIGHT  
EX/ES  
STRAIGHT  
S
S
JAZZ
ROCK  
JAZZ
ROCK  
9
0
10  
ENTER  
HALL
S
S
STEREO
EFFECT  
PRESET/CH  
1
2
3
4
LEVEL  
TITLE  
SET MENU  
MENU  
MUSIC ENTERTAINTVTHTR
5
MOVIE  
A/B/C/D/E  
8
7
6
SELECT  
/ESSTRAIGHT  
ENTER  
Component control  
area  
q/DTS NIGHT EX
TEST  
ON SCREEN  
DISPLAY  
9
0
10  
RETURN  
LEVEL  
EFFECT  
You can control up to 9  
different components by  
setting appropriate  
manufacturer codes (see  
page 61).  
REC  
PRESET/CH  
SET MENU  
MENU  
AUDIO  
TITLE  
DISC SKIP  
A/B/C/D/E  
SELECT  
ON SCREEN  
DISPLAY  
TEST  
REC  
RETURN  
AUDIO  
DISC SKIP  
60  
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REMOTE CONTROL FEATURES  
Setting manufacturer codes  
You can control other components by setting the  
appropriate manufacturer codes. Codes can be set up for  
each input area. For a complete list of available  
manufacturer codes, refer to “LIST OF  
1
Press an input selector button or  
select the component you want to set up.  
to  
CD  
MD/CD-R  
DTV/CBL  
DVR/VCR2  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
DVD  
MANUFACTURER CODES” at the end of this manual.  
VCR 1  
The following table shows the factory preset component  
(Library: component category) and the manufacturer code  
for each area.  
2
3
Press CODE SET using a ballpoint pen or  
similar object.  
The TRANSMIT indicator on the remote control  
flashes twice.  
Component  
category  
(Library)  
Input area  
Manufacturer  
Code  
CD  
CD  
YAMAHA  
0005  
0024  
0003  
0098  
–
MD/CD-R  
TUNER  
DVD  
MD  
YAMAHA  
TRANSMIT  
CODE SET  
TUNER  
YAMAHA  
DVD  
YAMAHA  
DTV/CBL  
V-AUX  
–
–
–
–
–
–
–
–
–
–
Press the numeric buttons to enter the four  
digit manufacturer’s code for the component  
to be used.  
Refer to “LIST OF MANUFACTURER CODES” at  
the end of this manual.  
–
VCR 1  
–
DVR/VCR2  
–
–
STEREO  
HALL  
JAZZ  
ROCK  
Note  
1
2
3
4
You may not be able to operate your YAMAHA component even  
if a YAMAHA manufacturer code is initially set as listed above.  
In this case, try to set other YAMAHA manufacturer code(s).  
MUSIC ENTERTAIN TV THTR  
MOVIE  
5
6
7
8
q/DTS  
NIGHT  
EX/ES  
STRAIGHT  
9
0
10  
ENTER  
EFFECT  
The TRANSMIT indicator on the remote control  
flashes twice.  
Notes  
• If the manufacturer of your component has more than one code,  
try each of them until you find the correct one.  
• If you wait for more than 30 seconds during step 3, the setup  
process is canceled. If this happens, start over from step 2.  
61  
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REMOTE CONTROL FEATURES  
Controlling other components  
Once you set the appropriate manufacturer codes, you can  
use this remote to control your other components. Note  
that some buttons may not correctly operate the selected  
component. Use the input selector buttons to select the  
component you want to operate. The remote control  
automatically switches to the appropriate control mode for  
that component.  
CODE SET  
TRANSMIT  
STEREO  
1
HALL  
2
JAZZ  
3
ROCK  
4
1
2
SYSTEM  
POWER  
POWER  
TV  
POWER  
STANDBY  
AV  
MUSIC ENTERTAIN TV THTR  
MOVIE  
8
7
5
6
7
CD  
MD/CD-R  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
q/DTS  
NIGHT  
0
EX/ES  
10  
STRAIGHT  
9
ENTER  
B
C
DVD  
DTV/CBL  
EFFECT  
PRESET/CH  
LEVEL  
TITLE  
SET MENU  
MENU  
VCR 1  
DVR/VCR2  
8
9
0
A/B/C/D/E  
3
4
SELECT  
TEST  
ON SCREEN  
DISPLAY  
RETURN  
D
TV VOL  
TV CH  
VOLUME  
REC  
AUDIO  
TV MUTE  
TV INPUT  
DISC SKIP  
A
MUTE  
5
6
STEREO  
1
HALL  
2
JAZZ  
3
ROCK  
4
DVD player/  
DVD recorder  
Digital TV/  
Cable TV  
MD/CD  
recorder  
VCR  
CD player  
Tuner  
Power *1  
Power *1  
VCR power *3  
Power *1  
Power *1  
Power *1  
1
2
3
AV POWER  
TV POWER  
TV power *2  
TV power *2  
TV power  
TV power *2  
TV power *2  
TV power *2  
TV channel up *2  
TV channel up *2  
TV channel down *2  
TV volume up *2  
TV volume down *2  
TV mute *2  
TV channel up *2  
TV channel down *2  
TV volume up *2  
TV volume down *2  
TV mute *2  
TV channel up  
TV channel down  
TV volume up  
TV volume down  
TV mute  
TV channel up *2  
TV channel down *2  
TV volume up *2  
TV volume down *2  
TV mute *2  
TV channel up *2  
TV channel down *2  
TV volume up *2  
TV volume down *2  
TV mute *2  
TV CH +  
TV CH –  
TV channel down *2  
TV volume up *2  
TV volume down *2  
TV mute *2  
4
TV VOL +  
TV VOL –  
5
6
7
8
9
TV MUTE  
TV INPUT  
1-9, 0, +10  
TITLE  
TV input *2  
Numeric buttons  
Title  
TV input *2  
TV input  
TV input *2  
TV input *2  
TV input *2  
Numeric buttons  
Numeric buttons  
Numeric buttons  
Numeric buttons  
Preset stations (1-8)  
Up  
VCR channel up  
Preset up  
PRESET/CH u  
PRESET/CH d Down  
PRESET/CH j Right  
PRESET/CH i Left  
VCR channel down  
Preset down  
Return  
0
A
RETURN  
Disc skip (player)  
Rec (recorder)  
REC/DISC  
SKIP  
Rec  
VCR rec *3  
Rec (MD)  
p
Play  
Play  
VCR play *3  
Play  
Play  
VCR search  
backward *3  
w
Search backward  
Search backward  
Search forward  
Search backward  
Search backward  
Search forward  
f
AUDIO  
e
Search forward  
Audio  
VCR search forward *3 Search forward  
Pause  
Pause  
VCR pause *3  
Pause  
Pause  
b
a
s
Skip backward  
Skip forward  
Stop  
Skip backward  
Skip forward  
Stop  
Skip backward  
Skip forward  
Stop  
Stop  
VCR stop *3  
Enter  
Title/Index  
Menu  
Enter  
Index  
Index  
B
C
D
ENTER  
MENU  
A/B/C/D/E  
Display  
Display  
Display  
Display  
DISPLAY  
*1 This button functions only when the original remote control of the component has a POWER button.  
*2 These buttons can operate your TV without switching the input if the manufacturer code is set in DTV/CBL or  
. When the  
manufacturer code for your TV is set up in both the DTV/CBL and  
areas, priority is given to the signal in the DTV/CBL area.  
*3 These buttons can operate your VCR without switching the input to VCR 1 if the manufacturer code is set in VCR 1.  
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REMOTE CONTROL FEATURES  
Clearing setup manufacturer codes  
■ Clearing a setup manufacturer code for  
component control  
1
Press an input selector button or  
select the component control for which you  
want to clear the manufacturer code.  
to  
CD  
MD/CD-R  
DTV/CBL  
DVR/VCR2  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
DVD  
VCR 1  
2
3
Press CODE SET using a ballpoint pen or  
similar object.  
The TRANSMIT indicator on the remote control  
flashes twice.  
TRANSMIT  
CODE SET  
If you do not press any button within 30  
seconds after step 2, the clearing process is  
canceled. If this happens, start over from  
step 1.  
4
Enter the code number “0000”.  
The TRANSMIT indicator on the remote control  
flashes twice, and the manufacturer code for the  
selected component is cleared.  
y
You can clear all setup manufacturer codes at once by entering  
the code number “9990”.  
63  
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EDITING SOUND FIELD PARAMETERS  
EDITING SOUND FIELD PARAMETERS  
What is a sound field  
Changing parameter settings  
What really creates the rich, full tones of a live instrument  
are the multiple reflections from the walls of the room. In  
addition to making the sound “live”, these reflections  
enable us to tell where the player is situated, and the size  
and shape of the room in which we are sitting.  
You can enjoy good quality sound with the factory preset  
parameters. Although you do not have to change the initial  
settings, you can change some of the parameters to better  
suit the input source or your listening room.  
MUTE  
CODE SET  
TRANSMIT  
STEREO  
1
HALL  
2
JAZZ  
3
ROCK  
4
SYSTEM  
POWER  
■ Elements of a sound field  
POWER  
TV  
POWER  
STANDBY  
AV  
MUSIC ENTERTAIN TV THTR  
MOVIE  
8
In any environment, in addition to the direct sound coming  
straight to our ears from the player’s instrument, there are  
two distinct types of sound reflections that combine to  
make up the sound field:  
CD  
MD/CD-R  
TUNER  
V-AUX  
SLEEP  
MULTI CH IN  
AMP  
5
6
7
3
q/DTS  
NIGHT  
0
EX/ES  
10  
STRAIGHT  
DVD  
DTV/CBL  
9
ENTER  
EFFECT  
VCR  
1
DVR/VCR2  
PRESET/CH  
LEVEL  
TITLE  
SET MENU  
MENU  
1
A/B/C/D/E  
SELECT  
TEST  
ON SCREEN  
DISPLAY  
TV VOL  
TV CH  
VOLUME  
2
RETURN  
Early reflections  
REC  
4,5  
AUDIO  
TV MUTE  
TV INPUT  
DISC SKIP  
Reflected sounds reach our ears extremely rapidly (50 ms  
– 100 ms after the direct sound), after reflecting from one  
surface only — for example, from the ceiling or a wall.  
Early reflections actually add clarity to the direct sound.  
1
2
Press AMP.  
AMP  
Reverberations  
These are caused by reflections from more than one  
surface — walls, ceiling, the back of the room — so  
numerous that they merge together to form a continuous  
sonic “afterglow”. They are non-directional, and lessen  
the clarity of the direct sound.  
Turn on the video monitor and  
press ON SCREEN repeatedly  
to select the full display  
mode.  
ON SCREEN  
DISPLAY  
Direct sound, early reflections and subsequent  
reverberation taken together help us to determine the  
subjective size and shape of the room, and it is this  
information that the digital sound field processor  
reproduces in order to create sound fields.  
3
Select the sound field program you want to  
adjust.  
STEREO  
HALL  
JAZZ  
ROCK  
If you could create the appropriate early reflections and  
subsequent reverberations in your listening room, you  
would be able to create your own listening environment.  
The acoustics in your room could be changed to those of a  
concert hall, a dance floor, or virtually any size room at  
all. This ability to create sound fields at will is exactly  
what YAMAHA has done with the digital sound field  
processor.  
1
2
3
4
MUSIC ENTERTAIN TV THTR  
MOVIE  
5
6
7
8
q/DTS  
NIGHT  
EX/ES  
STRAIGHT  
9
0
10  
ENTER  
EFFECT  
Program No.  
Program name  
P08 MOVIE THEATER  
Cursor  
.ꢀꢀꢀꢀꢀGeneral  
ꢀꢀDSPꢀLEVEL;;;;0dB  
ꢀꢀP.INIT.DLY;;15ms  
ꢀꢀP.ROOMꢀSIZE;;1.0  
ꢀꢀS.INIT.DLY;;20ms  
ꢀꢀS.ROOMꢀSIZE;;1.0  
Parameters  
Parameter values  
64  
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EDITING SOUND FIELD PARAMETERS  
4
5
Press u/ dto select  
the parameters.  
PRESET/CH  
SELECT  
Press j/ ito change  
the parameter value.  
When you set a parameter  
to a value other than the  
factory-set value, an  
PRESET/CH  
SELECT  
asterisk mark (*) appears  
by the parameter name on  
the front panel display.  
6
Repeat steps 3 through 5 as necessary to  
change other program parameters.  
Note  
You cannot change parameter values when “MEMORY GUARD”  
is set to ON. If you want to change the parameter values, set  
“MEMORY GUARD” to OFF (see page 59).  
Memory back-up  
The memory back-up circuit prevents the stored data  
from being lost even if this unit is set in the standby  
mode, the power cord is disconnected from the AC  
outlet, or the power supply is temporarily cut due to  
power failure. However, if the power is cut for more  
than one week, the parameter values will return to the  
factory settings. If this happens, edit the parameter  
value again.  
■ Resetting parameters to the factory  
presets  
To reset a certain parameter  
Select the parameter you want to reset, then press j/ i  
repeatedly until the asterisk mark (*) next to the parameter  
name disappears.  
To reset all parameters  
Use PARAM. INI (see page 59).  
65  
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SOUND FIELD PARAMETER DESCRIPTIONS  
SOUND FIELD PARAMETER DESCRIPTIONS  
You can adjust the values of certain digital sound field parameters so the sound fields are recreated accurately in your  
listening room. Not all of the following parameters are found in every program.  
■ DSP LEVEL  
Function:  
This parameter adjusts the level of all the DSP effect sounds within a narrow range.  
Depending on the acoustics of your listening room, you may want to increase or decrease the DSP  
effect level relative to the level of the direct sound.  
Description:  
Control range: –6 dB – +3 dB  
■ INIT. DLY (Initial delay)  
Function:  
This parameter changes the apparent distance from the source sound by adjusting the delay between the  
direct sound and the first reflection heard by the listener.  
Description:  
The smaller the value, the closer the sound source seems to the listener. The larger the value, the farther  
it seems. For a small room, set to a small value. For a large room, set to a large value.  
Control range: 1 – 99 msec  
Source Sound  
Early  
Reflections  
Time  
Time  
Time  
INIT. DLY  
INIT. DLY  
INIT. DLY  
Sound Source  
Reflection Face  
Small value = 1 ms  
Large value = 99 ms  
■ ROOM SIZE/P. ROOM SIZE (Room size)  
Function:  
This parameter adjusts the apparent size of the surround sound field. The larger the value, the larger the  
surround sound field becomes.  
Description:  
As the sound is repeatedly reflected around a room, the larger the hall is, the longer the time between  
the original reflected sound and the subsequent reflections. By controlling the time between the  
reflected sounds, you can change the apparent size of the virtual venue. Changing this parameter from  
one to two, doubles the apparent length of the room.  
Control range: 0.1 – 2.0  
Source Sound  
Early  
Reflections  
Time  
Time  
Time  
Sound Source  
Large value = 2.0  
Small value = 0.1  
66  
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SOUND FIELD PARAMETER DESCRIPTIONS  
■ LIVENESS  
Function:  
This parameter adjusts the reflectivity of the virtual walls in the hall by changing the rate at which the  
early reflections decay.  
Description:  
The early reflections of a sound source decay much faster in a room with acoustically absorbent wall  
surfaces than in one which has highly reflective surfaces. A room with acoustically absorbent surfaces  
is referred to as “dead”, while a room with highly reflective surfaces is referred to as “live”. The  
LIVENESS parameter lets you adjust the early reflection decay rate, and thus the “liveness” of the  
room.  
Control range: 0 – 10  
Source Sound  
Live  
Dead  
Time  
Time  
Time  
Small Reflected  
Sound  
Large Reflected  
Sound  
Small value = 0  
Large value = 10  
■ S. INIT. DLY (Surround initial delay)  
Function:  
This parameter adjusts the delay between the direct sound and the first reflection on the surround side of  
the sound field. You can only adjust this parameter when at least two front channels and two surround  
channels are used.  
Control Range: 1 – 49 msec  
■ S. ROOM SIZE (Surround room size)  
Function:  
This parameter adjusts the apparent size of the surround sound field.  
Control Range: 0.1 – 2.0  
■ S. LIVENESS (Surround liveness)  
Function:  
This parameter adjusts the apparent reflectivity of the virtual walls in the surround sound field.  
Control Range: 0 – 10  
■ SB INIT. DLY (Surround back initial delay)  
Function:  
This parameter adjusts the delay between the direct sound and the first reflection in the surround back  
sound field.  
Control Range: 1 – 49 msec  
■ SB ROOM SIZE (Surround back room size)  
Function:  
This parameter adjusts the apparent size of the surround back sound field.  
Control Range: 0.1 – 2.0  
■ SB LIVENESS (Surround back liveness)  
Function:  
This parameter adjusts the apparent reflectivity of the virtual wall in the surround back sound field.  
Control Range: 0 – 10  
67  
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SOUND FIELD PARAMETER DESCRIPTIONS  
■ REV.TIME (Reverberation time)  
Function:  
This parameter adjusts the amount of time it takes for the dense, subsequent reverberation sound to  
decay by 60 dB (at 1 kHz). This changes the apparent size of the acoustic environment over an  
extremely wide range.  
Description:  
Set a longer reverberation time for “dead” sources and listening room environments, and a shorter time  
for “live” sources and listening room environments.  
Control Range: 1.0 – 5.0 sec  
Reverberation  
Source Sound  
Reverberation  
Early Reflections  
60 dB  
60 dB  
60 dB  
REV.TIME  
REV.TIME  
REV.TIME  
Long  
Reverberation  
Sound Source  
Short  
Reverberation  
Small value = 1.0 s  
Large value = 5.0 s  
■ REV.DELAY (Reverberation delay)  
Function:  
This parameter adjusts the time difference between the beginning of the direct sound and the beginning  
of the reverberation sound.  
Description:  
The larger the value, the later the reverberation sound begins. A later reverberation sound makes you  
feel like you are in a larger acoustic environment.  
Control Range: 0 – 250 msec  
Source Sound  
(dB)  
60 dB  
Reverberation  
Time  
REV.DELAY  
REV.TIME  
■ REV. LEVEL (Reverberation level)  
Function:  
This parameter adjusts the volume of the reverberation sound.  
Description:  
The larger the value, the stronger the reverberation becomes.  
Control Range: 0 – 100%  
Source Sound  
REV. LEVEL  
Time  
68  
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SOUND FIELD PARAMETER DESCRIPTIONS  
■ DIALG.LIFT (Dialog lift)  
Function:  
This parameter adjusts the height of the front and center channel sounds by assigning some of the front  
and center channel elements to the presence speakers.  
Description:  
Choices:  
The larger the parameter, the higher the position of the front and center channel sound.  
0/1/2/3/4/5, initial setting is 3.  
For 7ch Stereo  
Function:  
These parameter adjusts the volume level for each channel in 7-channel stereo mode.  
Control Range: 0 – 100%  
■ CT LEVEL (Center level)  
■ SL LEVEL (Surround left level)  
■ SR LEVEL (Surround right level)  
■ SB LEVEL (Surround back level)  
■ PR LEVEL (Presence level)  
For PRO LOGIC IIx Music and PRO LOGIC II Music  
■ PANORAMA  
Function:  
Extends the front stereo image to include the surround speakers for wraparound effect.  
Choices:  
OFF/ON, initial setting is OFF.  
■ DIMENSION  
Function:  
Gradually adjusts the sound field either towards the front or towards the rear.  
Control range: –3 (towards the rear) to +3 (towards the front), initial setting is STD (standard).  
■ CT WIDTH (Center width)  
Function:  
Adjusts the center image from all three front speakers to varying degrees. A larger value adjusts the  
center image towards the front left and right speakers.  
Control range: 0 (center channel sound is output only from center speaker) to 7 (center channel sound is output only  
from front left and right speakers), initial setting is 3.  
For PRO LOGIC IIx Movie, Music and Game  
■ PLII/PLIIx (Pro Logic II/Pro Logic IIx)  
Function:  
Switches the type of Pro Logic decoding to be used. PLII decoding creates 5.1-channel sound from 2-  
channel sources. PLIIx decoding creates 6.1/7.1-channel sound from 2-channel sources.  
PLII, PLIIx  
Choices:  
For DTS Neo:6 Music  
■ C. IMAGE (Center image)  
Function:  
This parameter adjusts the center image from all three front speakers to varying degrees.  
Control range: 0 – 0.5  
69  
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TROUBLESHOOTING  
TROUBLESHOOTING  
Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below  
or if the instruction below does not help, set this unit to the standby mode, disconnect the power cord, and contact the  
nearest authorized YAMAHA dealer or service center.  
■ General  
Refer to  
page  
Problem  
Cause  
Remedy  
This unit fails to turn  
on when STANDBY/  
ON (or SYSTEM  
POWER) is pressed,  
or enters in the  
standby mode soon  
after the power has  
been turned on.  
The power cord is not connected or the  
plug is not completely inserted.  
Connect the power cord firmly.  
—
The impedance setting is incorrect.  
Set the impedance to match your speakers.  
23  
The protection circuitry has been  
activated.  
Make sure all speaker wire connections on this unit  
and on all speakers are secure and that the wire for  
each connection does not touch anything other than  
its respective connection.  
12-14  
This unit has been exposed to a strong  
external electric shock (such as lightning  
and strong static electricity).  
Set this unit in the standby mode, disconnect the  
power cord, plug it back in after 30 seconds, then use  
it normally.  
—
On-screen display  
does not appear.  
The setting for the on-screen display is set Select the full display or short display mode.  
to “DISPLAY OFF”.  
48  
58  
“GRAY BACK” in SET MENU is set to  
OFF, and no video signal is currently  
being received.  
Set “GRAY BACK” to AUTO to always show the  
OSD.  
No sound  
Incorrect input or output cable  
connections.  
Connect the cables properly. If the problem persists,  
the cables may be defective.  
16-19  
The optimizer microphone is connected.  
Disconnect the optimizer microphone.  
Select AUTO.  
25  
36  
The input mode is set to DTS or  
ANALOG.  
No appropriate input source has been  
selected.  
Select an appropriate input source with INPUT,  
MULTI CH INPUT or the input selector buttons.  
30  
Speaker connections are not secure.  
Secure the connections.  
12  
30  
The front speakers to be used have not  
been selected properly.  
Select the front speakers with SPEAKERS A and/or  
B.  
The volume is turned down.  
The sound is muted.  
Turn up the volume.  
—
31  
Press MUTE or any operation buttons of this unit to  
cancel a mute and adjust the volume.  
The input mode is set to ANALOG while  
playing a source encoded with a DTS  
signal.  
Set the input mode to AUTO or DTS.  
36  
—
58  
The signals this unit cannot reproduce are Play a source whose signals this unit can reproduce.  
being received from a source component  
e.g.: a CD-ROM.  
No picture  
The output and input for the picture are  
connected to different types of video  
jacks.  
Turn on the video conversion function.  
70  
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TROUBLESHOOTING  
Referto  
page  
Problem  
Cause  
Remedy  
The sound suddenly  
goes off.  
The protection circuitry has been activated Check that the impedance selector setting is correct.  
23  
—
because of a short circuit, etc.  
Check that the speaker wires are not touching each  
other and then turn this unit back on.  
The sleep timer has turned the unit off.  
The sound is muted.  
Turn on the power, and play the source again.  
Press MUTE to cancel a mute.  
—
31  
12  
Only the speaker on  
one side can be  
heard.  
Incorrect cable connections.  
Connect the cables properly. If the problem persists,  
the cables may be defective.  
Incorrect balance settings in SET MENU. Adjust the SPEAKER LEVEL settings.  
55  
Only the center  
speaker outputs  
substantial sound.  
When playing a monaural source with a  
CINEMA DSP program, the source signal  
is directed to the center channel, and the  
front and surround speakers output effect  
sounds.  
No sound from the  
effect speakers.  
The sound field programs are turned off.  
Press STRAIGHT (EFFECT) to turn them on.  
Try another sound field program.  
36  
44  
You are using a source or program  
combination that does not output sound  
from all channels.  
No sound from the  
center speaker.  
The output level of the center speaker is  
set to minimum.  
Raise the level of the center speaker.  
55  
53  
44  
55  
53  
—
“CENTER SP” in SET MENU is set to  
NONE.  
Select the appropriate setting for the center speaker.  
Try another sound field program.  
One of the Hi-Fi DSP programs (except  
for 7ch Stereo) has been selected.  
No sound from the  
surround speakers.  
The output level of the surround speakers  
is set to minimum.  
Raise the output level of the surround speakers.  
“SURR L/R SP” in SET MENU is set to  
NONE.  
Select the appropriate setting for the surround left and  
right speakers.  
A monaural source is being played with  
STRAIGHT.  
Press STRAIGHT (EFFECT) to turn on the sound  
fields.  
No sound from the  
surround back  
speakers.  
Presence speakers are selected.  
Select surround back speakers in PR/SB SELECT.  
57  
53  
“SURR L/R SP” in SET MENU is set to  
NONE.  
If the surround left and right speakers are set to  
NONE, the surround back speaker setting is  
automatically set to NONE. Select the appropriate  
setting for the surround speakers.  
“SURR B L/R SP” in SET MENU is set to Select LRGx1 or SMLx1.  
NONE.  
54  
54  
No sound from the  
subwoofer.  
“LFE/BASS OUT” in SET MENU is set  
to FRNT when a Dolby Digital or DTS  
signal is being played.  
Select SWFR or BOTH.  
“LFE/BASS OUT” in SET MENU is set  
to SWFR or FRNT when a 2-channel  
source is being played.  
Select BOTH.  
54  
The source does not contain low bass  
signals.  
71  
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TROUBLESHOOTING  
Referto  
page  
Problem  
Cause  
Remedy  
Dolby Digital or DTS  
sources cannot be  
played. (Dolby Digital  
or DTS indicator on  
the front panel  
The connected component is not set to  
output Dolby Digital or DTS digital  
signals.  
Make an appropriate setting following the operations  
instructions for your component.  
—
The input mode is set to ANALOG.  
Set the input mode to AUTO or DTS.  
36  
display does not light  
up.)  
A “humming” sound  
can be heard.  
Incorrect cable connections.  
Firmly connect the audio plugs. If the problem  
persists, the cables may be defective.  
—
—
The volume level  
cannot be increased,  
or the sound is  
distorted.  
The component connected to the OUT  
(REC) jacks of this unit is turned off.  
Turn on the power to the component.  
The sound effect  
cannot be recorded.  
It is not possible to record the sound effect  
with a recording component.  
A source cannot be  
recorded by a digital  
recording component  
connected to this  
DIGITAL OUTPUT  
jack.  
The source component is not connected to Connect the source component to the DIGITAL  
16-19, 43  
this unit’s DIGITAL INPUT jacks.  
INPUT jacks.  
Some components cannot record the  
Dolby Digital or DTS sources.  
A source cannot be  
recorded by an  
The source component is not connected to Connect the source component to the analog AUDIO  
16-19, 43  
this unit’s analog AUDIO IN jacks.  
IN jacks.  
analog component  
connected to the  
AUDIO OUT jacks.  
The sound field  
“MEMORY GUARD” in SET MENU is  
Select OFF.  
59  
parameters and some set to ON.  
other settings on this  
unit cannot be  
changed.  
This unit does not  
operate properly.  
The internal microcomputer has been  
Disconnect the AC power cord from the outlet and  
then plug it in again after about 30 seconds.  
—
12  
frozen by an external electric shock (such  
as lightning or excessive static electricity)  
or by a power supply with low voltage.  
“CHECK SP WIRES”  
appears in the front  
panel display.  
Speaker cables are short circuited.  
Make sure all speaker cables are connected correctly.  
72  
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TROUBLESHOOTING  
Referto  
page  
Problem  
Cause  
Remedy  
There is noise  
This unit is too close to the digital or high- Move this unit further away from such equipment.  
frequency equipment.  
—
interference from  
digital or high-  
frequency equipment,  
or this unit.  
The picture is  
disturbed.  
The video source uses scrambled or  
encoded signals to prevent dubbing.  
This unit suddenly  
turns into the standby high and the overheat protection circuitry  
The internal temperature becomes too  
Wait about 1 hour for this unit to cool down and then  
turn it back on.  
—
mode.  
has been activated.  
■ Tuner  
Refer  
to page  
Problem  
Cause  
Remedy  
FM stereo reception is  
noisy.  
The characteristics of FM stereo  
broadcasts may cause this problem  
Check the antenna connections.  
Try using a high-quality directional FM  
21  
when the transmitter is too far away or  
the antenna input is poor.  
antenna.  
Use the manual tuning method.  
39  
—
There is distortion, and  
clear reception cannot  
be obtained even with a  
FM good FM antenna.  
There is multipath interference.  
The signal is too weak.  
Adjust the antenna position to eliminate  
multipath interference.  
The desired station  
cannot be tuned in with  
the automatic tuning  
method.  
Use a high-quality directional FM antenna.  
Use the manual tuning method.  
21  
39  
Previously preset  
stations can no longer  
be tuned in.  
This unit has been disconnected for a  
long period.  
Preset the stations again.  
39  
—
The desired station  
cannot be tuned in with  
the automatic tuning  
method.  
The signal is weak or the antenna  
connections are loose.  
Tighten the AM loop antenna connections  
and orient it for best reception.  
Use the manual tuning method.  
39  
—
AM  
There are continuous  
crackling and hissing  
noises.  
Noises result from lightning,  
fluorescent lamps, motors, thermostats  
and other electrical equipment.  
Use an outdoor antenna and a ground wire.  
This will help somewhat, but it is difficult to  
eliminate all noise.  
There are buzzing and  
whining noises.  
A TV set is being used nearby.  
Move this unit away from the TV.  
—
73  
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TROUBLESHOOTING  
■ Remote control  
Referto  
page  
Problem  
Cause  
Remedy  
The remote control  
does not work nor  
function properly.  
Wrong distance or angle.  
The remote control will function within a maximum  
range of 6 m (20 ft) and no more than 30 degrees off-  
axis from the front panel.  
7
Direct sunlight or lighting (from an  
inverter type of fluorescent lamp, etc.) is  
striking the remote control sensor of this  
unit.  
Reposition this unit.  
—
The batteries are weak.  
Replace all batteries.  
3
The manufacturer code was not correctly  
set.  
Set the manufacturer code correctly using the “LIST  
OF MANUFACTURER CODES” at the end of this  
manual.  
61  
Try to set another code for the same manufacturer  
using the “LIST OF MANUFACTURER CODES” at  
the end of this manual.  
61  
Even if the manufacturer code is correctly  
set, there are some models that do not  
respond to the remote control.  
74  
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RESETTING THE FACTORY PRESETS  
RESETTING THE FACTORY PRESETS  
If you want to reset all of your unit’s parameters for any  
reason, do the following. This procedure completely resets  
ALL parameters, including the SET MENU, level, assign  
and tuner presets.  
Be sure this unit is in standby mode.  
(U.S.A. model)  
VOLUME  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
l
PRESET/TUNING  
h
MEMORY  
TUNING MODE  
OPTIMIZER  
MIC  
NEXT  
LEVEL  
MAN'L/AUTO FM  
AUTO/MAN'L MONO  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
STANDBY/ON  
STRAIGHT (EFFECT)  
1
Hold down STRAIGHT (EFFECT) on the front  
panel and press STANDBY/ON.  
“FACTORY PRESET” appears in the front panel  
display.  
y
To cancel the initialization procedure without making any  
changes, press STANDBY/ON.  
2
3
Press STRAIGHT (EFFECT) to select the  
desired setting.  
Reset  
Cancel  
To reset the unit to its factory presets.  
To cancel without making any changes.  
Press STANDBY/ON to confirm your  
selection.  
If you selected “Reset”, the unit is reset to its factory  
presets and switches to standby mode.  
If you selected “Cancel”, the unit switches to standby  
mode and nothing is reset.  
75  
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GLOSSARY  
GLOSSARY  
■ Dolby Surround  
Audio formats  
■ Dolby Digital  
Dolby Surround uses a 4 channel analog recording system  
to reproduce realistic and dynamic sound effects: 2 front  
left and right channels (stereo), a center channel for dialog  
(monaural), and a surround channel for special sound  
effects (monaural). The surround channel reproduces  
sound within a narrow frequency range.  
Dolby Surround is widely used with nearly all video tapes  
and laser discs, and in many TV and cable broadcasts as  
well. The Dolby Pro Logic decoder built into this unit  
employs a digital signal processing system that  
Dolby Digital is a digital surround sound system that gives  
you completely independent multi-channel audio. With 3  
front channels (left, center, and right), and 2 surround  
stereo channels, Dolby Digital provides 5 full-range audio  
channels. With an additional channel especially for bass  
effects, called LFE (low frequency effect), the system has  
a total of 5.1-channels (LFE is counted as 0.1 channel). By  
using 2-channel stereo for the surround speakers, more  
accurate moving sound effects and surround sound  
environment are possible than with Dolby Surround. The  
wide dynamic range (from maximum to minimum  
volume) reproduced by the 5 full-range channels and the  
precise sound orientation generated using digital sound  
processing provide listeners with previously unheard of  
excitement and realism.  
automatically stabilizes the volume on each channel to  
enhance moving sound effects and directionality.  
■ DTS 96/24  
DTS 96/24 offers an unprecedented level of audio quality  
for multi-channel sound on DVD-Video, and is fully  
backward-compatible with all DTS decoders. “96” refers  
to a 96 kHz sampling rate (compared to the typical 48 kHz  
sampling rate). “24” refers to 24-bit word length. DTS 96/  
24 offers sound quality transparent to the original 96/24  
master, and 96/24 5.1-channel sound with full-quality full-  
motion video for music programs and motion picture  
soundtracks on DVD-video.  
With this unit, any sound environment from monaural up  
to a 5.1-channel configuration can be freely selected for  
your enjoyment.  
■ Dolby Digital Surround EX  
Dolby Digital EX creates 6 full-bandwidth output  
channels from 5.1-channel sources. This is done using a  
matrix decoder that derives 3 surround channels from the  
2 in the original recording. For the best results, Dolby  
Digital EX should be used with movie sound tracks  
recorded with Dolby Digital Surround EX. With this  
additional channel, you can experience more dynamic and  
realistic moving sound especially with scenes with  
“flyover” and “fly-around” effects.  
■ DTS (Digital Theater Systems)  
Digital Surround  
DTS digital surround was developed to replace the analog  
soundtracks of movies with a 6-channel digital sound  
track, and is now rapidly gaining popularity in movie  
theaters around the world. Digital Theater Systems Inc.  
has developed a home theater system so that you can enjoy  
the depth of sound and natural spatial representation of  
DTS digital surround in your home. This system produces  
practically distortion-free 6-channel sound (technically, a  
left, right and center channels, 2 surround channels, plus  
an LFE 0.1 channel as a subwoofer, for a total of 5.1-  
channels). The unit incorporates DTS-ES decoder that  
enables 6.1- channel reproduction by adding the surround  
back channel to existing 5.1-channel format.  
■ Dolby Pro Logic II  
Dolby Pro Logic II is an improved technique used to  
decode vast numbers of existing Dolby Surround software.  
This new technology enables a discrete 5-channel  
playback with 2 front left and right channels, 1 center  
channel, and 2 surround left and right channels (instead of  
only 1 surround channel for conventional Pro Logic  
technology). Music and Game modes are also available for  
2-channel sources in addition to the Movie mode.  
■ Neo:6  
Neo:6 decodes the conventional 2-channel sources for 6  
channel playback by the specific decoder. It enables  
playback with the full-range channels with higher  
separation just like digital discrete signal playback. Two  
modes are available; “Music mode” for playing music  
sources and “Cinema mode” for movies.  
■ Dolby Pro Logic IIx  
Dolby Pro Logic IIx is a new technology enabling discrete  
multi-channel playback from 2-channel or multi-channel  
sources. There is a Music mode for music, a Movie mode  
for movies and a Game mode for games.  
76  
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GLOSSARY  
Sound field programs  
Audio information  
■ CINEMA DSP  
■ ITU-R  
Since the Dolby Surround and DTS systems were  
originally designed for use in movie theaters, their effect  
is best felt in a theater having many speakers and designed  
for acoustic effects. Since home conditions, such as room  
size, wall material, number of speakers, and so on, can  
differ so widely, it’s inevitable that there are differences in  
the sound heard as well. Based on a wealth of actually  
measured data, YAMAHA CINEMA DSP uses  
YAMAHA original sound field technology to combine  
Dolby Pro Logic, Dolby Digital and DTS systems to  
provide the visual and audio experience of movie theater  
in the listening room of your own home.  
ITU-R is the radio communication sector of the ITU  
(International Telecommunication Union). ITU-R  
recommends a standard speaker placement which is used  
in many critical listening rooms, especially for mastering  
purposes.  
■ LFE 0.1 channel  
This channel is for the reproduction of low bass signals.  
The frequency range for this channel is 20 Hz to 120 Hz.  
This channel is counted as 0.1 because it only enforces a  
low frequency range compared to the full-range  
reproduced by the other 5/6 channels in Dolby Digital or  
DTS 5.1/6.1-channel systems.  
■ SILENT CINEMA  
YAMAHA has developed a natural, realistic sound effect  
■ PCM (Linear PCM)  
Linear PCM is a signal format under which an analog  
audio signal is digitized, recorded and transmitted without  
using any compression. This is used as a method of  
recording CDs and DVD audio. The PCM system uses a  
technique for sampling the size of the analog signal per  
very small unit of time. Standing for “pulse code  
modulation”, the analog signal is encoded as pulses and  
then modulated for recording.  
DSP algorithm for headphones.  
Parameters for headphones have been set for each sound  
field so that accurate representations of all the sound field  
programs can be enjoyed on headphones.  
■ Virtual CINEMA DSP  
YAMAHA has developed a Virtual CINEMA DSP  
algorithm that allows you to enjoy DSP sound field  
surround effects even without any surround speakers by  
using virtual surround speakers.  
It is even possible to enjoy Virtual CINEMA DSP using a  
minimal two-speaker system that does not include a center  
speaker.  
■ Sampling frequency and number of  
quantized bits  
When digitizing an analog audio signal, the number of  
times the signal is sampled per second is called the  
sampling frequency, while the degree of fineness when  
converting the sound level into a numeric value is called  
the number of quantized bits.  
The range of rates that can be played back is determined  
based on the sampling rate, while the dynamic range  
representing the sound level difference is determined by  
the number of quantized bits. In principle, the higher the  
sampling frequency, the wider the range of frequencies  
that can be played back, and the higher the number of  
quantized bits, the more finely the sound level can be  
reproduced.  
77  
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GLOSSARY  
Video signal information  
■ Component video signal  
With the component video signal system, the video signal  
is separated into the Y signal for the luminance and the PB  
and PR signals for the chrominance. Color can be  
reproduced more faithfully with this system because each  
of these signals is independent. The component signal is  
also called the “color difference signal” because the  
luminance signal is subtracted from the color signal.  
A monitor with component input jacks is required in order  
to use the component signal for output.  
■ Composite video signal  
With the composite video signal system, the video signal  
is composed of three basic elements of a video picture;  
color, brightness and synchronization data. A composite  
video jack on a video component transmits these three  
elements combined.  
■ S-Video signal  
With the S-Video signal system, the video signal normally  
transmitted using a pin cable is separated and transmitted  
as the Y signal for the luminance and the C signal for the  
chrominance through the S-Video cable. Using the  
S VIDEO jack eliminates video signal transmission loss  
and allows recording and playback of even more beautiful  
images.  
78  
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SPECIFICATIONS  
SPECIFICATIONS  
AUDIO SECTION  
• Minimum RMS Output Power for Front, Center, Surround,  
Surround back  
VIDEO SECTION  
• Video Signal Type ...........................................................PAL/NTSC  
• Signal to Noise Ratio ...............................................................50 dB  
20 Hz to 20 kHz, 0.06% THD, 8 Ω .......................................95 W  
• Frequency Response (MONITOR OUT)  
• Maximum Power (EIAJ)  
[China and Korea models]  
Composite, S-Video ..................................5 Hz to 10 MHz, –3 dB  
Component ................................................5 Hz to 60 MHz, –3 dB  
1 kHz, 10% THD, 8 Ω .........................................................135 W  
• Dynamic Power (IHF)  
FM SECTION  
• Tuning Range  
8/6/4/2 Ω .........................................................130/165/195/240 W  
[U.S.A. and Canada models] ............................87.5 to 107.9 MHz  
[Other models] .............................................87.50 to 108.00 MHz  
• Damping Factor (IHF)  
20 Hz to 20 kHz, 8 Ω .................................................. 100 or more  
• Usable Sensitivity (IHF) ........................................1.0 µV (11.2 dBf)  
• Frequency Response  
CD terminal to Front L/R .......................10 Hz to 100 kHz, –3 dB  
• Signal to Noise Ratio (IHF)  
Mono/Stereo ...............................................................76 dB/70 dB  
• Total Harmonic Distortion  
CD, etc. to Front L/R (20 Hz to 20 kHz, 50 W, 8 Ω) .......... 0.06%  
• Harmonic Distortion (1 kHz)  
Mono/Stereo ................................................................. 0.2%/0.3%  
• Signal to Noise Ratio (IHF-A Network)  
CD (250 mV) to Front L/R, Effect Off ...............................100 dB  
• Stereo Separation (1 kHz) ........................................................42 dB  
• Frequency Response ...........................20 Hz to 15 kHz, +0.5, –2 dB  
• Residual Noise (IHF-A Network)  
Front L/R ................................................................ 150 µV or less  
AM SECTION  
• Tuning Range  
• Channel Separation (1 kHz/10 kHz)  
CD (5.1 kΩ terminated) to Front L/R ........................ 60 dB/45 dB  
[U.S.A. and Canada models] ............................... 530 to 1710 kHz  
[Other models] .................................................... 531 to 1611 kHz  
• Tone Control (Front L/R)  
BASS Boost/Cut ........................................................ 6 dB/50 Hz  
BASS Turnover Frequency .................................................350 Hz  
TREBLE Boost/Cut ................................................. 6 dB/20 kHz  
TREBLE Turnover Frequency ...........................................3.5 kHz  
• Usable Sensitivity .............................................................. 300 µV/m  
GENERAL  
• Power Supply  
• Phones Output ........................................................... 150 mV/100 Ω  
[U.S.A. and Canada models] ...............................AC 120 V, 60 Hz  
[Australia model] ................................................AC 240 V, 50 Hz  
[China model] ......................................................AC 220 V, 50 Hz  
[Korea model] .....................................................AC 220 V, 60 Hz  
• Input Sensitivity/Input Impedance  
CD, etc. .................................................................. 200 mV/47 kΩ  
MULTI CH INPUT ................................................ 200 mV/47 kΩ  
• Output Level/Output Impedance  
• Power Consumption  
REC OUT ............................................................. 200 mV/1.2 kΩ  
PRE OUT ......................................................................2 V/1.2 kΩ  
SUB WOOFER .............................................................4 V/1.7 kΩ  
[U.S.A. and Canada models] .................................. 400 W/500 VA  
[Other models] .................................................................... 440 W  
• Standby Power Consumption .................................................. 0.1 W  
• AC Outlets  
[U.S.A. and Canada models] ............... 2 (Total 100 W maximum)  
[Australia model] ................................ 1 (Total 100 W maximum)  
[China model] ........................................ 2 (Total 50 W maximum)  
• Dimension (W x H x D) ...................................435 x 171 x 420 mm  
(17-1/8” x 6-3/4” x 16-1/2”)  
• Weight .............................................................. 12.5 kg (27 lbs 9 oz)  
79  
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LIST OF MANUFACTURER CODES  
DAYTRON  
DECCA  
DIXI  
0941, 1031  
0271, 1001  
0331, 1001, 1071  
0891, 1031  
JBL  
JCB  
JENSEN  
JINXING  
0101  
0951  
0311  
1531, 1541, 1551,  
1561, 1571, 1621,  
1631, 1641, 1651,  
1691, 1731  
NECKERMANN  
1001  
TV  
A TANDY  
ABEX  
ADMIRA  
ADVENTURA 1131  
AIKO  
NEI  
1001  
0941  
1151  
1141  
NIKKAI  
0271, 0431, 1001,  
1151  
DUMONT  
DYNATECH 0881  
ELECTROBAND  
ELECTROHOME  
NIKKO  
0861, 1111, 1121  
0951, 1011  
0941  
NOVABEAM 0721  
1121  
NTC  
1121  
AIWA  
AKAI  
ALBA  
ALLERON  
AMBASSADOR  
AMSTRAD  
ANAM  
1481  
0331, 1101, 1111  
0431  
ELECTRON  
ELIN  
ELTA  
0941  
1001  
0331  
JVC (VICTOR) 0261, 0281, 0641,  
0651, 0661, 0841  
ONWA  
1051  
0551  
0541, 1141  
0831, 1001  
0271, 1151  
OPTIMUS  
OPTONICA  
ORION  
OSAKI  
OTTO VERSAND  
PANASONIC 0101, 0191, 0251,  
0751, 1041, 1311,  
KAWASHO  
KAYPANI  
KENWOOD  
KLOSS  
0901  
1021  
1091  
EMERSON  
0001, 0021, 0061,  
0071, 0081, 0091,  
0111, 0811, 0821,  
0831, 0841, 0851,  
0861, 0871, 0901,  
0921, 0941, 0981,  
1011, 1031, 1051,  
1081, 1091  
1081  
0361, 1031, 1111  
0631, 0721, 1131  
0921, 0941, 1011,  
1051, 1111  
1001  
0481, 1081  
0251, 1041, 1051,  
1061, 1071  
1001  
KTV  
ANAM NATIONAL 1041  
AOC  
LEYCO  
1371, 1431  
1541, 1721  
0361, 1021, 1031,  
1111, 1161  
1161  
LG (GOLDSTAR)  
0031, 0121,  
PANDA  
PENNY  
0351, 0411, 0731,  
0741, 0861, 0941,  
0971, 1001, 1031,  
1111, 1151  
0161, 0361, 0521,  
0531, 0621, 0731,  
0751, 0761, 0781,  
0791, 0861, 0931,  
0941, 1031, 1041,  
1111, 1151, 1161  
1561, 1621  
0361, 0581, 0591,  
0601, 0611, 0631,  
0961, 1031, 1111  
0101, 0401, 1001  
1001  
ARCHER  
AUDIOSONIC 1001  
AUDIOVOX  
BAUER  
BAUR  
BEIJING  
BELCOR  
BELL & HOWELL 0981, 0991  
BEON 1001  
BRADFORD 1051  
BROCKWOOD 1031  
BROKSONIC 1161  
ENVISION  
ERRES  
ETRON  
FERGUSON 1001  
FINLUX  
0361, 1111  
1001  
0331  
1051, 1161  
0441  
1001  
1511, 1551, 1561  
1031  
LIESENK & TTER 1001  
LLOYTRON 0941  
1001  
0171, 0801, 0981  
0441  
1001  
1141  
1091  
1051, 1091, 1501,  
1521  
FISHER  
LOEWE  
LOGIK  
LUXMAN  
LXI  
1001  
PEONY  
PHILCO  
FORMENTI  
FORMONTI  
FORTRESS  
FUJITSU  
FUNAI  
0991, 1771  
0351, 0971  
0101, 0621, 0761,  
0861, 0981  
PHILIPS  
PHONOLA  
PILOT  
MAGNAVOX 0101, 0341, 0391,  
0401, 0411, 0421,  
0941, 1031, 1111  
0511, 0551, 0871  
BUSH  
1001  
FUTURETECH 1051  
0581, 0591, 0601,  
PIONEER  
CANDLE  
0351, 0361, 0961,  
0971, 1111, 1131  
1021  
0101  
1001  
GE  
0131, 0161, 0201,  
0611, 0631, 0661,  
0961, 1111  
0991  
0101, 0221, 0361,  
1001, 1111  
1001  
0271, 0331, 1001  
1001  
PORTLAND 0941, 1031, 1121  
PRICECLUB 0931  
0751, 0761, 0771,  
0781, 0791, 0811,  
0861, 1041  
0271, 1001  
0391  
CAPEHART  
CARVER  
CATHAY  
CELEBRITY 0951  
CENTURION 0411  
CHANGHONG 1541, 1551, 1561,  
1621  
MAJESTIC  
MARANTZ  
PRISM  
0751  
PROSCAN  
PROTECH  
PROTON  
0761  
1001  
0501, 0861, 0941,  
1021, 1161  
0891  
GEC  
GEMINI  
GENEXXA  
GIBRALTER 0891, 1031, 1111  
GOODMANS/TASHIKO  
0271, 0661, 1001  
GRANADA  
GRUNDIG  
MARK  
MATSUI  
MEDIATOR  
0431  
PULSAR  
MEGATRON 0691, 0861, 1161  
MEI 1011  
M-ELECTRONIC  
PULSER  
1031  
CITIZEN  
0351, 0361, 0921,  
0931, 0941, 0961,  
0971, 1111, 1121,  
1131  
QUASAR  
QUELLE  
0251, 0751, 1041  
1001  
1001  
1001  
1781, 1791, 1801,  
1811, 1821, 1831,  
1841, 1851, 1861,  
1871, 1881  
MEMOREX  
0331, 0571, 0861,  
0971, 0981, 0991,  
1771  
1791, 1831, 1891,  
1901, 1911, 1921,  
1931, 1941  
0361, 0561, 0571,  
0861, 1031, 1111  
0751, 0761, 0891,  
0941, 1151  
RADIO SHACK  
0541, 0941,  
1031, 1051,  
1151  
CLAIRTONE 1011  
CLARIVOX 1001  
CONCERTO 0351, 0971  
CONROWA  
CONTEC  
METZ  
RADIOLA  
RCA  
1001  
GUNPY  
1051, 1091  
0051, 0141, 0151,  
0181, 0411, 0491,  
0531, 0761, 0771,  
0871, 1031  
0541, 0861, 0941,  
0971, 0981, 1031,  
1051, 1111, 1151  
1751  
0901, 0911, 1011,  
1051  
0941  
0251, 1051  
0941, 1051  
HARMAN/KARDON 0721  
HALLMARK 0861  
HANSEATIC 1001  
HARVARD  
HINARI  
MGA  
CORANDO  
CRAIG  
CROWN  
1051, 1061  
1001, 1091  
0181, 0351, 0671,  
0681, 0691, 0701,  
0711, 0871, 0941,  
0971, 1351  
1001  
MIDLAND  
REALISTIC  
HITACHI  
MITSUBISHI 0221, 0321, 0561,  
0571, 0661, 0861,  
CURTIS MATHES  
0161, 0361,  
0931, 0941,  
0981, 1111  
RHAPSODY 1011  
1031, 1101, 1381  
R-LINE  
RUNCO  
SAISHO  
SAMPO  
1001  
0891, 1111  
0331, 1081  
0361, 0941, 1021,  
1111, 1151  
MONTGOMERY  
MOTOROLA 1041, 1141  
MTC 0351, 0361, 0881,  
1091  
CXC  
DAEWOO  
1051  
HYPSON  
IMA  
INDIANA  
INFINITY REFERENCE  
0101  
INTERFUNK 1001  
0291, 0301, 0331,  
0721, 0941, 1001,  
1031, 1121, 1191,  
1531, 1581, 1591,  
1601  
1051  
1001  
0931, 0971, 1011,  
1031, 1111  
MULTITECH 0881, 1051  
SAMSUNG  
0331, 0341, 0351,  
0361, 0861, 0931,  
0941, 0971, 1001,  
1031, 1111, 1151  
0941  
NAD  
NEC  
0551, 0621, 0861  
DANSAI  
1001  
ITT  
JANEIL  
0611  
1131  
0241, 0351, 0361,  
0661, 0971, 1031,  
1111, 1321, 1711  
SAMSUX  
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SANYO  
0171, 0231, 0271,  
0661, 0801, 0911,  
0981, 1231, 1251,  
1261  
1001  
1001  
VECTOR RESEARCH  
0361, 1111  
1001  
VIDEO CONCEPT 1101  
PARAGON  
PHILIPS  
0386  
(DBS)  
HITACHI  
MAGNAVOX 0886  
MEMOREX 0886  
PANASONIC 0896  
PHILIPS  
SONY  
STAR CHOICE 0876  
TOSHIBA  
UNIDEN  
0036, 0216, 0306,  
0316, 0326, 0336,  
0346  
0006, 0086  
0846  
0856  
VESTEL  
SBR  
VIDIKRON  
VIDTECH  
VIKING  
0101, 0211  
0861, 1031  
1131  
PIONEER  
PIONEER BR50  
PIONEER BR60/70/80/81/82  
0696  
PIONEER BR90  
PULSAR  
RCA DIGITAL SATELLITE  
SYSTEM  
REALISTIC  
REGENCY/EASTERN0686  
RUNCO  
SAMSUNG  
SCIENTIFIC ATLANTA 175/475  
0576  
SCIENTIFIC ATLANTA 75  
0366, 0586  
SCIENTIFIC ATLANTA 8650  
0566  
SIGNAL  
SL MARX  
SPECTAVISION  
SCHEIDER  
SCIMITSU  
SCOTCH  
SCOTT  
0886  
0906  
1031  
0861  
WARDS  
0101, 0361, 0451,  
0541, 0581, 0591,  
0601, 0611, 0771,  
0781, 0791, 0861,  
0971, 0991, 1031,  
1091, 1111, 1771  
1001  
0831, 0861, 0941,  
1031, 1051, 1091  
0101, 0161, 0171,  
0351, 0481, 0521,  
0621, 0761, 0801,  
0861, 0971, 0981,  
1091  
0556  
0866, 0916  
0886  
0386  
SEARS  
0396, 0406  
0136  
VCR  
A TANDY  
ADVENTURA 0992  
AIKO  
AIWA  
AKAI  
WATSON  
XOGEGO  
0902  
1611, 1621, 1661,  
1741, 1761  
0386  
0276  
SHANGHAI  
SHARP  
1561, 1681  
0982  
0992  
0262, 0942, 0952,  
0962, 0972  
0461, 0471, 0541,  
0661, 0911, 0941,  
1141  
YAMAHA  
YOKO  
0361, 1031, 1111  
1001  
ZENITH  
0011, 0041, 0891,  
0991, 1771  
SHOGUN  
SIGNATURE 0991, 1771  
1031  
AMERICAN HIGH 0932  
AMSTRAD  
ASA  
ZONDA  
1161  
0992  
0002, 0912  
0922  
SIMPSON  
SOLAVOX  
SONOKO  
SONTEC  
SONY  
0581, 0961  
1151  
1001  
0276  
0276  
ASHA  
CABLE TV  
AUDIO DYNAMICS 0202  
AUDIOVOX 0912  
BEAUMARK 0922  
BELL & HOWELL 0902  
BLAUPUNKT 0412  
BROKSONIC 0872, 0882, 0892  
1001  
ABC  
0256, 0376  
0136  
0136, 0286  
0076  
0236  
0371, 0451, 0661,  
0841, 0951, 1281,  
1441  
ANTRONIX  
ARCHER  
BBT  
STANDARD COMPONENTS  
0186  
STARCOM V 0256  
SOUNDESIGN 0861, 0961, 1051,  
1091  
SOUNDWAVE 1001  
SPECTRICON 1161  
SQUAREVIEW 0481  
SSS  
STAR-LITE  
SUPREM  
CABLETIME 0166  
CABLEVISION  
COLOUR VOICE  
COMTRONICS  
STARGATE  
SYLVANIA/TEXSCAN  
0376, 0496  
0176  
0276  
0196  
0306, 0346  
0216, 0276  
BUSH  
0852  
0912  
CALIX  
CANON  
CCE  
CITIZEN  
COLT  
TEKNIKA  
TELESERVICE  
TELEVIEW  
TEXSCAN  
TFC  
0862, 0932  
0852, 0982  
0912, 0982  
0852  
0832, 0842, 0852,  
0912, 0922  
EAGLE COMTRONICS  
0276  
0056  
1031, 1051  
1051  
0951  
0276  
0186, 0376  
0026  
EASTERN  
0066  
ELECTRICORD  
0206  
CRAIG  
SUPRE-MACY 1131  
SURPA  
SYLVANIA  
ELECTUS  
GE  
0266  
0116, 0126  
TOCOM  
0226, 0356  
0351, 0971  
TOCOM 5503A 0526  
TOCOM 5503VIP/5507  
0516  
TOCOM TC56 0506  
TOSHIBA  
TUDI  
CURTIS MATHES  
0662, 0822,  
0932  
0101, 0361, 0441,  
0581, 0591, 0601,  
0611, 0631, 0961,  
1111  
GEC CABLE SYSTEM  
0196  
CYBERNEX 0922  
DAEWOO  
DBX  
DYNATECH 0472, 0992  
ELECTROHOME 0912  
ELECTROPHONIC 0912  
HAMLIN H5 0676  
HAMLIN H6 0666  
HAMLIN H6S 0656  
HAMLIN H8 0646  
HAMLIN H9 0636  
0802, 0812, 0982  
0202  
0386  
0046  
0136  
SYMPHONIC 0481  
SYSLINE  
TANDY  
1001  
UNIKA  
0271, 0431, 1141  
0271, 0881, 1001,  
1041, 1161  
1561, 1631, 1701  
0751  
UNIVERSAL 0136, 0156, 0206,  
0286  
VIDEOWAY  
VIEWSTAR  
ZENITH  
TATUNG  
JERROLD  
0256  
EMEREX  
EMERSON  
0792  
JERROLD 400L  
JERROLD 450L  
JERROLD 550  
0626  
0616  
0606  
0096  
0216  
0246, 0386, 0486  
0072, 0132, 0142,  
0152, 0162, 0172,  
0182, 0192, 0212,  
0702, 0712, 0722,  
0732, 0742, 0752,  
0762, 0772, 0782,  
0872, 0882, 0892,  
0912, 0952, 0992,  
1072  
0002, 0992  
0682, 0692, 0842,  
0902  
0672, 0932  
0992  
TCL  
TECHNICS  
TECHWOOD 0351, 0751, 0971  
TEKNIKA  
JERROLD OSD CATV  
0596  
JERROLD SPRUCER  
0436  
0101, 0351, 0571,  
0931, 0941, 0961,  
0971, 0991, 1031,  
1051, 1091, 1121,  
1131, 1771  
0331  
0501  
1671  
1001  
0351, 0861, 0971,  
1081  
SATELLITE TUNER  
ALPHA STAR 0826  
CHAPARRAL 0756  
ECHOSTAR  
GENERAL INSTRUMENT  
0776, 0876  
HTS  
HUGHES NETWORK SYSTEMS  
0816  
JERROLD  
MAGNAVOX/PHILIPS  
0416, 0426  
0296  
0386  
0836  
TELETECH  
TERA  
THAKRAL  
THORM  
TMK  
MAMM  
MEMOREX  
FINLUX  
FISHER  
MOVIE TIME 0146, 0206  
0836  
NORTHCOAST  
NSC  
OAK  
0016  
FUJI  
0146  
0106  
FUNAI  
GARRARD  
GE  
GO VIDEO  
GOODMANS 0402  
GRADIENTE 0992  
GRANDA  
GRUNDIG  
HARLEY DAVIDSON  
0992  
0776, 0786  
0992  
0662, 0822, 0932  
0642, 0652  
TOSHIBA  
0381, 0521, 0621,  
0661, 0931, 0981,  
1301  
OAK SIGMA 450  
OAK SIGMA 550  
0546  
0536  
PANASONIC 0806  
PRIMESTAR 0776, 0786  
RCA  
SONY  
PANASONIC TZ 120/130  
0476  
PANASONIC TZ 170/180  
0446  
PANASONIC TZ140 0466  
PANASONIC TZ150/160  
0456  
0766  
0796  
TOSONIC  
TOTEVISION 0941  
TRICAL 0911  
UNIVERSAL 0781, 0791  
UNIVERSUM 1001  
1011  
0612, 0902  
0002  
ii  
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HARMAN/KARDON  
0632, 1082  
0752, 0852  
HEADQUARTER 0612  
PROSCAN  
1002, 1012, 1022,  
1032, 1042, 1052,  
1062  
0512  
0612  
0272, 0612  
0382, 0392, 0932  
0912, 0992  
0912  
0912  
0112, 0382, 0392,  
0482, 0592, 0602,  
0662, 0822, 0942  
0402, 0472, 0612,  
0682, 0842, 0902,  
0912, 0922, 0932,  
0992  
YAMAHA  
ZENITH  
0202, 0632  
0042, 0362, 0512,  
0672  
ALPINE  
AUDIO-TECHNICA 0545  
BSR  
CALIFORNIA AUDIO LAB  
0055  
CAPETRONIC 1205  
CARRERA  
CARVER  
CASIO  
CROWN  
CURTIS MATHES  
DENON  
DEUAL (E)  
DYNAMIC BASS (H)  
0555  
EMERSON  
EROICA  
FISHER  
1215, 1305  
HARWOOD  
0245, 0655, 0775  
PULSAR  
QUARTER  
QUARTZ  
QUASAR  
RADIO SHACK  
RADIX  
HI-Q  
HINARI  
HITACHI  
0842  
0852  
0102, 0562, 0572,  
0582, 0592, 0602,  
0992  
DVD PLAYER  
AKAI  
AIWA  
DENON  
HITACHI  
JVC (VICTOR) 0088, 0178  
KENWOOD 0148  
LG (GOLDSTAR)  
MAGNAVOX 0128  
MITSUBISHI 0138  
ONKYO  
0058  
0245  
0285, 1135  
0345  
0218  
0188  
0198  
ITT  
0942  
RANDEX  
RCA  
0185  
JVC (VICTOR) 0202, 0522, 0532,  
0542, 0552  
0345  
0275, 0875, 0885  
0505  
KENWOOD  
0202, 0542, 0612,  
0632, 0902  
0852  
0228  
REALISTIC  
KLH  
KODAK  
0912, 0932  
0068, 0128  
0205, 0325, 1105  
1275  
0095, 0555, 0925,  
1005  
0365  
LG (GOLDSTAR)  
0912  
0082, 0632,  
PANASONIC 0028  
RICOH  
SAISHO  
0352, 0362  
PHILIPS  
PIONEER  
PROSCAN  
RCA  
SAMSUNG  
SHARP  
0098, 0128  
0108, 0118  
0158  
0158  
0078  
0038  
0018  
0028  
0168  
LLOYD  
LOGIK  
LUXOR  
LXI  
0992  
0852  
0942  
0212, 0582, 0722,  
0732, 0742, 0772  
0612, 0762  
0212, 0312, 0922,  
0962  
GARRARD  
GENEXXA  
HARMAN/KARDON 0105, 0175,  
0465, 0995  
SALORA  
SAMSUNG  
0305, 0325, 1105  
0022, 0912  
MAGNAVOX 0002, 0482, 0492,  
0502, 0512, 0932  
SANKY  
SANSUI  
SANYO  
0472, 0512  
SONY  
HITACHI  
0195, 0205, 0505,  
0815  
0115, 0395  
MAGNIN  
0922  
0292, 0542, 0832  
0242, 0612, 0842,  
0902, 0922  
0002, 0282  
0852  
0342, 0712, 0762,  
0872, 0882, 0892  
0302, 0592, 0602,  
0612, 0682, 0692,  
0842, 0902, 0912,  
0932  
0402, 0472  
0852  
0922  
0852  
0032, 0332, 0352,  
0362, 0672, 0792,  
0932  
0602  
0352  
TECHNICS  
THOMSON  
TOSHIBA  
YAMAHA  
ZENITH  
MARANTZ  
0002, 0202, 0402,  
0632, 0932  
0912  
INKEL  
JVC (VICTOR) 0315  
KENWOOD  
0048, 0128  
0008, 0028, 0098  
0128  
MARTA  
SBR  
SCHEIDER  
SCOTT  
0045, 0095, 0405,  
MATSUSHITA 0932  
0585, 0725, 0735,  
0745, 0755, 0895  
0025  
1135, 1225,  
1265, 1335  
MATSUI  
MEI  
0722  
0222, 0932  
KYOCERA  
LG (GOLDSTAR)  
DVD RECORDER  
PANASONIC 0238, 0248, 0258  
PHILIPS  
PIONEER  
TOSHIBA  
YAMAHA  
MEMOREX  
0232, 0242, 0472,  
0512, 0612, 0842,  
0902, 0912, 0922,  
0932, 0992  
SEARS  
0208  
0278, 0288, 0298  
0268  
LUXMAN  
0075, 0425, 0675,  
0705, 0715, 0985  
MGA  
0762, 0952  
SHARP  
MAGNAVOX 0165, 0215, 0645,  
0955  
MARANTZ  
MGA TECHNOLOGY  
0922  
SHINTOM  
SHOGUN  
SINGER  
SONY  
0208  
0215, 0235, 0375,  
0785, 1345  
0355, 1085  
0905, 1315  
0205, 0225, 0235,  
0305, 0325, 1105  
0135  
MINOLTA  
0592, 0602  
LD PLAYER  
AIWA  
DENON  
DISCO VISION0017  
FUNAI 0157  
HITACHI (E) 0017  
KENWOOD  
MAGNAVOX 0027  
MARANTZ  
MITSUBISHI 0137  
NAD 0137  
PANASONIC 0077, 0177  
PHILIPS  
PIONEER  
RCA  
REALISTIC  
SHARP  
SONY  
MITSUBISHI 0452, 0462, 0542,  
0762, 0952, 1082  
MOTOROLA 0472, 0932  
MCINTOSH  
MCS  
MEMOREX  
0157  
0147  
MTC  
0922, 0992  
STS  
SUNPAK  
SYLVANIA  
MULTITECH 0852, 0992  
MGA  
MISSION  
MITSUBISHI 0135, 0445  
MTC  
NAD  
NAD  
NEC  
0442  
0002, 0492, 0502,  
0762, 0932, 0992  
0215  
0122, 0202, 0292,  
0422, 0432, 0542,  
0632  
0087, 0107  
SYMPHONIC 0992  
TANDY  
TASHIKO  
TEAC  
TECHNICS  
TEKNIKA  
1255  
0035, 0615, 0685,  
0695  
0992  
0712, 0992  
0992  
0932  
0322, 0912, 0932,  
0992  
0027  
NIKKO  
0912  
NOBLEX  
OLYMPUS  
OPTIMUS  
OPTONICA  
ORION  
0922  
NAKAMICHI 0125, 0435, 0515  
NEC  
NIKKO  
ONKYO  
0412, 0932  
0442, 0472, 0912  
0402  
0212, 0722, 0742,  
0772  
0255, 0905, 0965  
0545, 1005  
0155, 0455, 0495,  
0805, 1155  
0225, 0245, 0555,  
0595, 0845, 0855,  
0865, 0895, 0935  
0027  
0017, 0037, 0137  
0167  
0157  
0127  
0047, 0057, 0117  
0097  
0007, 0067  
TELEFUNKEN 0252  
TMK  
0212, 0732, 0772,  
0922  
0062, 0302, 0342,  
0622, 0682, 0712,  
0762  
OPTIMUS  
OSAKI  
0912  
PANASONIC 0012, 0052, 0092,  
0222, 0372, 0382,  
TOSHIBA  
VICTOR  
YAMAHA  
PANASONIC 0055, 0825, 1095,  
1125  
0392, 0412, 0932  
PENNY  
0202, 0432, 0602,  
0632, 0692, 0912,  
0922, 0932  
0592, 0602  
0992  
0002, 0932  
0002, 0282, 0402,  
0492, 0932  
0912  
TOTEVISION 0912, 0922  
UNITECH 0922  
VECTOR RESEARCH  
0202, 0432, 0632  
VIDEO CONCEPTS  
0202, 0432, 0632,  
PENNY  
0905  
PHILIPS  
PIONEER  
PROTON  
QUASAR  
RCA  
0165, 0215  
0305, 0935, 1045  
0215, 1185  
0055  
0205, 0915, 1115  
0205, 0225, 0235,  
0325, 0555, 0845  
1175  
CD PLAYER  
ACOUSTIC RESEARCH  
PENTAX  
PERDIO  
PHILCO  
PHILIPS  
1295  
ADC  
0025, 0065  
0952  
ADCOM  
ADS  
0205, 0255, 1015  
0265  
REALISTIC  
WARDS  
0322, 0402, 0472,  
0482, 0602, 0712,  
0842, 0852, 0922,  
0932, 0992  
PILOT  
PIONEER  
AIWA  
0295, 0945, 1035,  
1055  
REVOX  
ROTEL  
SABA TELECOMMANDER (E)  
0505  
0442, 0542  
0215  
AKAI  
0175, 0485, 0535  
iii  
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SAE  
SAMSUNG  
SANSUI  
0215  
1285  
OPTIMUS  
0034, 0064, 0204,  
0334  
0364, 0374  
0094  
0034, 0044, 0064  
0354  
0094, 0344  
0264  
0215, 0625, 0975,  
1025, 1105  
0145, 0555, 0635,  
0765  
0325, 1105  
0345  
ONKYO  
PHILIPS  
PIONEER  
REVOX  
SANSUI  
SHARP  
SANYO  
SCOTT  
SEARS  
SHARP  
0235, 0665, 0895,  
1065, 1075  
SHERWOOD 0334  
SONY  
0054, 0084, 0324  
SHERWOOD 0115, 0235, 0395,  
0475  
SIEMENTS GARRARD  
1245  
TEAC  
0194, 0254  
0074, 0314  
0034  
0004, 0014, 0104,  
0114, 0164, 0174,  
0264  
TECHNICS  
WARDS  
YAMAHA  
SIGNATURE 0175  
SONTEC  
SONY  
1165  
0065, 0565, 0865,  
1145  
1235  
0025  
0215  
STARON  
STS  
SYLVANIA  
SYMPHONIC 0335  
TANDY 0305  
TANGBERG 1195  
TEAC  
0235, 0335, 0385,  
0525, 0795, 0835,  
1355  
TECHNICS  
0055, 0605, 1095  
TECHWOOD 1325  
TELEFUNKEN (E) 0505  
THOMSON (E) 0505  
TOSHIBA  
VECTOR RESEARCH  
0065, 1135  
0175  
0035, 0685  
WARDS  
YAMAHA  
0005, 0015, 0085,  
0415, 0545, 0575,  
1065  
CD RECORDER  
HITACHI  
0474  
JVC (VICTOR) 0504  
MARANTZ  
PHILIPS  
0484, 0494  
0444  
PIONEER  
YAMAHA  
0454, 0464  
0414  
MD RECORDER  
KENWOOD  
PIONEER  
SHARP  
0384  
0424  
0434  
SONY  
0394  
YAMAHA  
0024, 0394, 0404,  
0514  
TAPE DECK  
AIWA  
0094, 0214, 0224  
AKAI  
0184  
CARVER  
DENON  
FISHER  
GARRARD  
0094  
0304  
0144  
0194, 0204  
JVC (VICTOR) 0274, 0284, 0294  
KENWOOD  
0124, 0134, 0154,  
0234, 0244, 0264  
MAGNAVOX 0094  
MARANTZ  
0094, 0344  
MITSUBISHI 0184  
iv  
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© 2004  
All rights reserved.  
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.  
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA  
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY  
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE  
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD18 7GQ, ENGLAND  
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN  
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA  
Printed in Malaysia  
WC85600  
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