Yamaha Stereo Amplifier DSP A595a User Manual

B G

DSP-A595a

Natural sound AV Amplifier

Amplificateur audio-vidéo

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

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• After unpacking, check that the following parts are included.

• Après le déballage, vérifier que les pièces suivantes sont incluses.

• Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.

• Kontrollera efter uppackningen att följande delar finns med.

SUPPLIED ACCESSORIES

ACCESSOIRES FOURNIS

MITGELIEFERTE ZUBEHÖRTEILE

MEDFÖLJANDE TILLBEHÖR

ACCESSORI IN DOTAZIONE

ACCESORIOS INCLUIDOS

BIJGELEVERDE ACCESSOIRES

•

Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.

• Desembalar el aparato y verificar que los siguientes accesorios están en la caja.

• Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.

• Batteries (size AA, R6, UM-3)

• Piles (taille AA, R6, UM-3)

• Remote control

Before using the remote control, install the supplied

batteries. See page 40 for battery installation.

• Télécommande

Avant d’utiliser la télécommande, mettre les piles fournies en

place. Pour la mise en place des piles, voir page 84.

• Fernbedienung

• Batterien (Größe AA, R6, UM-3)

• Batterier (storlek AA, R6, UM-3)

• Batterie (formato AA, R6, UM-3)

• Pilas (tamaño AA, R6, UM-3)

• Batterijen (maat AA, R6, UM-3)

Legen Sie vor Gebrauch der Fernbedienung die

mitgelieferten Batterien ein. Angaben zum Einlegen der

Batterien finden Sie auf Seite 128.

• Fjärrkontroll

Sätt i de medföljande batterierna innan du använder

fjärrkontrollen. Se sidan 172 om hur man sätter i dem.

• Telecomando

Prima di usare il telecomando, installare le batterie in

dotazione. Per l’installazione delle batterie vedere a

pagina 216.

• Control remoto

Antes de utilizar el transmisor de control remoto, instálele

las pilas suministradas. Para instalar las pilas, consulte la

página 260.

• Afstandsbediening

Alvorens u de afstandsbediening gaat gebruiken, moet u de

bijgeleverde batterijen plaatsen. Zie blz. 304 voor het

plaatsen van de batterijen.

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FEATURES

● Automatic Input Balance Control for

5-Channel Power Amplification

Dolby Pro Logic decoding

Minimum RMS Output

(0.04% THD, 20 Hz – 20 kHz)

Main: 65 W + 65 W (8 Ω)

Center: 65 W (8 Ω)

● Test Tone Generator for Easier Speaker

Balance Adjustment

● Speaker Output Mode Selection

Rear: 65 W + 65 W (8 Ω)

● 6-Channel External Decoder Input for

Multi-mode Digital Sound Field Processing

Other Future Formats

● Video Signal Input/Output Capability

● Digital Sound Field Processor (DSP)

● Dolby Digital Decoder

● Dolby Pro Logic Decoder

● DTS Decoder

(Including S Video Connections)

● SLEEP Timer

● Universal Remote Control with Preset

● CINEMA DSP:Theater-like Sound

Experience by the Combination of

YAMAHA DSP Technology and Dolby

Digital, Dolby Pro Logic or DTS

CONTENTS

SUPPLIED ACCESSORIES........................................... 2

FEATURES .................................................................... 3

CAUTION ....................................................................... 4

●Information about DSP

SOUND FIELD PROGRAM ......................................... 28

●Advanced Information

ADJUSTMENTS IN THE “SET MENU” MODE ............ 33

●Introduction

FEATURES OF THE SOUND EFFECTS....................... 5

CONTROLS AND THEIR FUNCTIONS ......................... 8

●Remote control

REMOTE CONTROL ................................................... 35

SETUP CODES ........................................................... 41

●Preparation

SPEAKER SETUP ....................................................... 11

CONNECTIONS........................................................... 12

ADJUSTMENTS BEFORE USING THIS UNIT ............ 18

TROUBLESHOOTING ................................................. 42

SPECIFICATIONS ....................................................... 45

●Basic Operation

BASIC OPERATION .................................................... 23

SETTING THE SLEEP TIMER..................................... 27

LIST OF MANUFACTURERS’ CODES ...................... 310

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CAUTION: READ THIS BEFORE OPERATINGYOUR UNIT.

1. To assure the finest performance, please read this manual

This unit is not disconnected from the AC power source as

carefully. Keep it in a safe place for future reference.

long as it is connected to the wall outlet, even if this unit

2. Install this unit in a cool, dry, clean place – away from

itself is turned off. This state is called the standby mode. In

windows, heat sources, sources of excessive vibration,

this state, this unit is designed to consume a very small

dust, moisture and cold. Avoid sources of humming

quantity of power.

(transformers, motors). To prevent fire or electrical shock,

do not expose the unit to rain or water.

For U.K. customers

3. Never open the cabinet. If something drops into the set,

contact your dealer.

If the socket outlets in the home are not suitable for the plug

supplied with this appliance, it should be cut off and an

appropriate 3 pin plug fitted. For details, refer to the instructions

described below.

Note: The plug severed from the mains lead must be

destroyed, as a plug with bared flexible cord is hazardous if

engaged in a live socket outlet.

4. Do not use force on switches, controls or connection wires.

When moving the unit, first disconnect the power plug and

the wires connected to other equipment. Never pull the

wires themselves.

5. The openings on the cover assure proper ventilation of the

unit. If these openings are obstructed, the temperature

inside the unit will rise rapidly. Therefore, avoid placing

objects against these openings, and install the unit in a

well-ventilated area to prevent fire and damage.

Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

Be sure to allow a space of at least 20 cm behind, 20 cm

on both sides and 30 cm above the top panel of the unit to

prevent fire and damage.

6. The voltage used must be the same as that specified on

this unit. Using this unit with a higher voltage than

specified is dangerous and may result in fire or other

accidents. YAMAHA will not be held responsible for any

damage resulting from the use of this unit with a voltage

other than that specified.

Blue: NEUTRAL

Brown: LIVE

As the colours of the wires in the mains lead of this

apparatus may not correspond with the coloured markings

identifying the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the

terminal which is marked with the letter N or coloured

BLACK. The wire which is coloured BROWN must be

connected to the terminal which is marked with the letter L or

coloured RED.

7. Digital signals generated by this unit may interfere with

other equipment such as tuners, receivers and TVs. Move

this unit farther away from such equipment if interference is

observed.

8. Always set the VOLUME control to “ ” before starting the

audio source play. Increase the volume gradually to an

appropriate level after playback has been started.

Making sure that neither core is connected to the earth

terminal of the three pin plug.

9. Do not attempt to clean the unit with chemical solvents; this

might damage the finish. Use a clean, dry cloth.

10. Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before concluding that

the unit is faulty.

11. When not planning to use this unit for a long period of time

(e.g., a vacation), disconnect the AC power plug from the

wall outlet.

12. To prevent lightning damage, disconnect the AC power

plug and disconnect the antenna cable when there is an

electrical storm.

13. Grounding or polarization – Precautions should be taken so

that the grounding or polarization of the unit is not

defeated.

14. AC outlet

Do not connect audio equipment to the AC outlet on the

rear panel if that equipment requires more power than the

outlet is rated to provide.

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FEATURES OF THE SOUND EFFECTS

Introduction

Welcome to the exciting world of digital home entertainment.

This unit is one of the most complete and advanced AV

amplifiers available. Some of the more advanced features may

not be familiar to you, but they are easy to use. State-of-the-art

technologies such as Dolby Digital and Digital Theater Systems

(DTS) may be new to your home, but you have probably

experienced the amazing realism they bring to feature films in

theaters around the world.

To make the listening experience even more enjoyable, this unit

includes a number of exclusive, digitally created listening

environments known as digital sound fields. Choosing a sound

field program is like transporting yourself to such venues as an

outdoor arena, a European church, or a cozy jazz club. Take

some time now to read more about these features and enjoy

the new experiences this unit brings to your home theater.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced

sound reproduction technology lets you get extremely close to

the sound of a live performance, but the chances are that you’ll

still notice something missing — the acoustic environment of

the live concert hall. Extensive research into the exact nature

of the sonic reflections that create the ambience of a large hall

has made it possible for YAMAHA engineers to bring you this

same sound to your listening room, so you’ll feel all the sound

of a live concert.

Furthermore, our technicians, armed with sophisticated

measuring equipment, have even made it possible to capture

the acoustics of a variety of actual concert halls, theaters, etc.

from around the world, to allow you to accurately re-create any

one of these live performance environments, all in your own

home.

Dolby Pro Logic

Dolby Surround has been used in movie theaters since the mid-

seventies. It has also been available in home entertainment

systems since the late eighties and continues to be a popular

format for home theater systems. It uses four discrete channels

and five speakers to reproduce realistic and dynamic sound

effects: two main channels (left and right), a center channel for

dialog, and a rear channel for special sound effects. The rear

channel reproduces sound within a narrow frequency range.

Most video tapes and laser discs include Dolby Surround

encoding, as do many TV and cable broadcasts. The Dolby Pro

Logic decoder built into this unit employs a digital signal

processing system that stabilizes each channel for even more

accurate sound positioning than is available with standard

analog processors.

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Dolby Digital

Dolby Digital is the next level of the Dolby Surround sound

system that was developed for 35 mm-film movies by

employing low bit-rate audio coding.

By using the built-in Dolby Digital decoder, you can experience

the dramatic realism and impact of Dolby Digital theater sound

in your home.

Dolby Digital is a digital surround sound system that provides

completely independent multi-channel audio to you. Dolby

Digital provides five full-range channels in what is sometimes

referred to as a “3/2” configuration: three front channels (left,

center and right), and two surround channels. A sixth bass-only

effect channel is also provided for output of LFE (low frequency

effect), or low bass effects that are independent of other

channels. (This is called the “LFE channel”.) This channel is

counted as 0.1, thus giving rise to the term 5.1 channels in

total.

The wide dynamic range of sound reproduced by the five full-

range channels and precise sound orientation by digital sound

processing provides listeners with excitement and realism that

have never been experienced before.

Dolby Digital forms 5.1 channels as already mentioned, but it

can also form fewer channels, for example 2-channel stereo

and monaural. You may be able to find some 2-channel stereo

and/or monaural sources encoded with Dolby Digital in the

market.

Compared to Dolby Surround, which is referred to a “3/1”

system (left front, center, right front and just one surround

channel), Dolby Digital features two surround channels, called

stereo or split surrounds, each offering the same full-range

fidelity as the three front channels.

Laser disc and DVD are home audio/video program sources

that could benefit from Dolby Digital. In the near future, Dolby

Digital will also be applied to DBS, CATV and HDTV. The

ongoing release of Dolby Digital theatrical films now underway

will provide an immediate source of Dolby Digital encoded

video software.

Manufactured under license from Dolby Laboratories. “Dolby”,

“Pro Logic” and the double-D symbol are trademarks of Dolby

Laboratories.

DTS Digital Surround

DTS (Digital Theater Systems) was developed to replace

analog soundtracks of movies with six discrete channels of

digital soundtracks, and it is now installed in many theaters

around the world. The DTS digital playback system changed

the way we experienced movies in theaters with six discrete

channels of superb digital audio.

Laser disc, compact disc and DVD are home audio formats by

which DTS can present its high-quality multi-channel audio. (In

addition to movies on laser discs, many exciting new multi-

channel music recordings will also become available in the

form of DTS-encoded compact discs.)

DTS technology, through intense research and development

has made it possible to deliver similar encode/decode discrete

technology to home audio surround-sound entertainment.

DTS Digital Surround is an encode/decode system which

delivers six channels of master-quality, 20-bit audio; technically,

it is 5.1 channels, which means 5 full-range (left, center, right

and two surround) channels, plus a subwoofer (LFE) channel

(as “0.1”). It is compatible with the 5.1 speaker configurations

that are currently available for home theater systems.

Manufactured under license from Digital Theater Systems, Inc.

US Pat. No. 5,451,942 and other world-wide patents issued

and pending. “DTS”, “DTS Digital Surround”, are trademarks of

The DTS Digital Surround algorithm is designed to encode the

six channels of 20-bit audio on to some laser discs, compact

discs and DVDs with considerably less data compression.

By using the DTS decoder built into this unit, you can

experience the dramatic realism and impact of the DTS-

installed theater’s high quality sound in your home.

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CINEMA DSP: Dolby Surround + DSP / DTS + DSP

The Dolby Surround sound and DTS systems show their full

ability in a large movie theater, because movie sounds are

originally designed to be reproduced in a large movie theater

that uses a multitude of speakers. Trying to create a sound

environment similar to that of a movie theater in your home is

difficult because of the room size, material inside the walls, the

number of speakers, and so on. In other words, your listening

room is very different from a movie theater.

However, YAMAHA DSP technology allows you to create nearly

the same sound experience as that of a large movie theater in

your home by compensating for the lack of presence and

dynamics in the listening room with original digital sound fields

combined with Dolby Surround or DTS Digital Surround

sounds.

CINEMA DSP

The YAMAHA “CINEMA DSP” logo indicates those programs

that are created by the combination of YAMAHA DSP

technology and Dolby Surround or DTS.

Dolby Pro Logic + 2 Digital Sound Fields

Digital sound fields are created on the presence side and the

rear surround side of the Dolby Pro Logic-decoded sound

field, respectively. They create a wide acoustic environment

and emphasize the surround effect in the room, letting you

feel as much presence as if you were watching a movie in a

popular Dolby Stereo theater.

Dolby Digital or DTS + 3 Digital Sound Fields

Digital sound fields are created on the presence side and the

independent left and right surround sides of the Dolby Digital-

decoded or DTS-decoded sound field, respectively. They

create a wide acoustic environment and strong surround

effect in the room without losing high-channel separation. With

the wide dynamic range of Dolby Digital or DTS sound, this

sound field combination lets you feel as if you were watching

a movie in the newest Dolby Digital theater or DTS-installed

theater. This is the most ideal home theater sound at the

present time.

Refer to pages 28 to 29 for the DSP program.

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CONTROLS AND THEIR FUNCTIONS

FRONT PANEL

Refer to pages 35 to 40 for the remote control.

1 ^STANDBY/ON

Press this switch to turn on the power of this unit. Press it

again to set this unit in the standby mode.

5 INPUT

Turn this selector to select the input source (VCR, VIDEO AUX,

TV/DBS, DVD/LD, CD, TUNER, PHONO) that you want to

listen to or watch.

The name of the selected input source appears on the display.

Standby mode

In this state, this unit consumes a very small quantity of

power to receive infrared-signals from the remote control.

6 VOLUME

This control is used to raise or lower the volume level.

7 PHONES jack

2 Remote control sensor

When you use headphones, connect the headphones to the

PHONES jack. You can listen to the sound to be output from

the main speakers through the headphones.

When using headphones only, set both SPEAKERS A and B to

the OFF position and switch off the digital sound field processor

(so that no DSP program name appears on the display) by

pressing EFFECT.

This receives signals from the remote control.

3 Display

This shows various information. (Refer to page 10 for details.)

4 TAPE/MD MON / EXT. DECODER

Press this button to play a tape or an MD. The “TAPE/MD

MON” indicator lights up on the display.

When you press the button next, the “TAPE/MD MON” indicator

goes off, “EXT. DECDR” appears on the display and you can

play the signal connected to the EXTERNAL DECODER

INPUT terminals.

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8 SPEAKERS

w BALANCE

Set A or B (or both A and B) to the ON position for the main

speaker system (connected to this unit) that you want to use.

Set the button(s) for the main speaker system you don’t want to

use to the OFF position.

This control is only effective for the sound from the main

speakers.

Turn the control to adjust the balance of the output volume to

the left and right speakers to compensate for sound imbalance

caused by the speaker location or listening room conditions.

9 EFFECT

Press this button once to switch the effect speakers (center and

rear) on or off. If you turn off the effect by using EFFECT, all

Dolby Digital and DTS audio signals are directed to the main

left and right channels. In that case, the left and right channel

signal levels may not match.

e SET MENU

Press this button to select functions in the SET MENU mode.

r TIME/LEVEL

Press this button to select the item in the TIME/LEVEL mode.

0 PROGRAM selector

Press one of these buttons to select a DSP program.

The name of the selected program appears on the display.

t +/–

These buttons are used to adjust the settings of the SET MENU

mode and the TIME/LEVEL mode. In the TIME/LEVEL mode,

press + to increase the delay time or speaker output level.

Press – to decrease the delay time or speaker output level.

q Tone controls

These controls are only effective for the sound from the main

speakers.

y INPUT MODE

This button switches between the DVD/LD and TV/DBS input

signal modes.

BASS

Use this control to increase or decrease the low-frequency

response. The “0” position produces a flat response.

TREBLE

Use this control to increase or decrease the high-frequency

response. The “0” position produces a flat response.

u VIDEO AUX terminals

Connect an auxiliary video or audio input source such as a

camcorder to these terminals. If the connected video unit has

an S video output terminal, connect it to the S VIDEO terminal

to obtain a high-resolution picture. The source connected to

these terminals can be selected by INPUT.

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DISPLAY PANEL

1 Multi-information display

and

” lights up when the built-in Dolby Digital decoder is

on and the signals of the selected source encoded with Dolby

Digital are not in 2-channel. “ ” lights up when the built-in

digital sound field processor is on, and “ ” lights up

when the built-in Dolby Pro Logic decoder is on. Depending on

the selected DSP program, both “ ” and “ ”, or

both “ ” and “ ” will light up.

indicators

This displays various information, for example the name of

selected DSP program and name of selected input source.

“

2 TAPE/MD MON indicator

This lights up when the tape deck (or MD recorder, etc.) is

selected as the input source by pressing TAPE/MD MON / EXT.

DECODER on the front panel or TAPE/MD on the remote control.

indicators

5 SLEEP indicator

This lights up while the built-in SLEEP timer is functioning.

Either “dts” indicator lights up when the built-in DTS decoder is

turned on.

The red “dts” indicator lights up when playing a CD or LD

encoded with DTS.

The orange “dts” indicator lights up when playing a DVD

encoded with DTS.

* An orange “dts” indicator may light up when playing a CD or

LD encoded with DTS after playing a video-CD or DVD on a

DVD/LD combi-player.

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SPEAKER SETUP

SPEAKERS TO BE USED

This unit is designed to provide the best sound-field quality with

a 5-speaker configuration, using main speakers, rear speakers

and a center speaker.

The main speakers are used for the main source sound plus

the effect sounds. They will probably be the speakers from

your present stereo system. The rear speakers are used for

the effect and surround sounds, and the center speaker is for

the center sounds (dialog, vocals, etc.). If for some reason it is

not practical to use a center speaker, you can do without it.

Best results, however, are obtained with the full system.

Use of a subwoofer expands your sound field

It is also possible to further expand your system with the

addition of a subwoofer. The use of a subwoofer is effective

not only for reinforcing bass frequencies from any or all

channels, but also for reproducing the LFE (low frequency

effect) sound with high fidelity when playing back a source that

is Dolby Digital or DTS-decoded. The YAMAHA Active Servo

Processing Subwoofer System is ideal for natural and lively

bass reproduction.

The main speakers should be high-performance models and

have enough power-handling capacity to accept the maximum

output of your audio system.

The other speakers do not have to be equal to the main

speakers. For precise sound localization, however, it is ideal to

use high-performance models that can reproduce sounds over

the full range for the center speaker and the rear speakers.

SPEAKER PLACEMENT

Refer to the following diagram when you place the speakers.

Main:

Rear:

The position of your present stereo speaker

system.

Behind your listening position, facing slightly

inward. Nearly 1.8 m (approx. 6 feet) up from the

floor.

Main

speaker (R)

Center:

Precisely between the main speakers. (To avoid

interference with TV sets, use a magnetically

shielded speaker.)

Subwoofer

Rear

Center speaker

speaker (R)

Subwoofer: The position of the subwoofer is not as critical,

Main

speaker (L)

because low bass tones are not highly directional.

Rear

speaker

(L)

Note: If the center speaker (principally, it reproduces dialog, vocals, etc.) is not used, the sound will be output from the left and

right main speakers. In that case, be sure to select the NONE position for “CNTR” in the SET MENU mode. (See page 18

for details.)

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CONNECTIONS

Never plug in this unit and other components until all connections have been completed.

CONNECTIONS WITH OTHER COMPONENTS

Use RCA-type pin plug cables for connecting audio/video components with the exception described later.

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L

(left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.

* If you have YAMAHA components numbered as !, @, #, $, etc. on the rear panel, connections can be made easily by making

sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

AC OUTLET(S) (SWITCHED)

Europe model......................................................... 2 OUTLETS

U.K. model ................................................................ 1 OUTLET

Use these to connect the power cords from your components to

this unit.

DVD player,

The power to the AC OUTLET(S) is controlled by this unit’s

STANDBY/ON or the provided remote control’s POWER and

STANDBY. These outlets will supply power to any connected

component whenever this unit is turned on.

Turntable

Monitor TV

LD player, etc.

The maximum power (total power consumption of components)

that can be connected to the AC OUTLET(S) is 100 watts.

(Europe model)

To AC outlet

CD player

Tuner

Tape deck,

MD recorder, etc.

TV/DBS tuner

VCR

(Video cassette recorder)

GND terminal (for turntable use)

Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better

results may be obtained with the ground wire disconnected.

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CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS

If your DVD (LD) player, TV/DBS tuner, etc. are equipped with

coaxial or optical digital audio signal output terminals, they can

be connected to this unit’s COAXIAL and/or OPTICAL digital

signal input terminals.

Notes

• When connecting an audio/video unit to both the digital and

analog terminals of this unit, make sure to connect between

both terminals of the same name.

• Be sure to attach the covers when the OPTICAL terminals

are not being used in order to protect them from dust.

• The input signal from the DVD/LD input terminals is selected

in the following order of priority with the input mode set to the

AUTO position:

Digital audio signals are transmitted with less loss than analog

audio signals. In addition, digital audio signal connections are

necessary, especially for an LD player or a DVD player, to send

signals encoded with Dolby Digital or DTS to this unit.

1 COAXIAL terminal

To make a connection between optical digital audio signal

terminals, remove the cover from each terminal, and then

connect them by using a commercially available optical fiber

cable that conforms to EIAJ standards. Other cables might not

function correctly.

2 OPTICAL terminal

3 Analog terminal

• If the DIGITAL OUT data of the player has been processed in

any way, you may not be able to perform DTS playback even

if you make a digital connection between this unit and the

player.

• All digital audio signal input terminals are applicable to

sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz.

Even if you connect an audio/video unit to the COAXIAL (or

OPTICAL) terminal of this unit, you must keep the unit

connected with the same-named analog audio signal terminals

of this unit, because a digital signal cannot be recorded by a

tape deck, MD recorder or VCR connected to this unit. You can

easily switch the selection of input signals between “digital” and

“analog.” (See page 25 for details.)

No sound will be generated when connecting your LD

player’s Dolby Digital RF signal output terminal directly to

this unit’s COAXIAL DVD/LD digital signal input terminal.

DVD or LD player*

* If your LD player has a Dolby Digital RF signal

output terminal, be sure to use the RF

demodulator (separately purchased).

TV/DBS tuner

(Europe model)

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CONNECTING TO S VIDEO TERMINALS

If you have a VCR and a monitor equipped with “S” (high-

resolution) video terminals, those terminals can be connected

to this unit’s S VIDEO terminals. Connect the VCR’s “S” video

input and output terminals to this unit’s S VIDEO VCR OUT and

IN terminals, respectively, and connect the monitor’s “S” video

input terminal to this unit’s S VIDEO MONITOR OUT terminal.

Otherwise, connect the VCR’s composite video terminals to this

unit’s composite video terminals, and connect the monitor’s

composite video input terminal to this unit’s composite

MONITOR OUT terminal.

VCR

In addition, if you have a DVD or LD player equipped with an

“S” video terminal, connect the DVD/LD player’s “S” video

output terminal to this unit’s S VIDEO DVD/LD terminal.

Note

If video signals are sent to both S VIDEO input and com-

posite input terminals, the signals will be sent to their

respective output terminals.

DVD/LD player

Monitor TV

S VIDEO terminals

S VIDEO cable

This unit provides you with S VIDEO terminals in addition

to standard VIDEO terminals.

S VIDEO terminals transmit video signals separated into

luminance (Y) signals and color (C) signals. In comparison

with S VIDEO terminals, standard VIDEO terminals transmit

“composite” video signals.

CONNECTING WITH A MONITOR TV THAT

USES A 21-PIN CONNECTOR FOR INPUT

CONNECTING TO VIDEO AUX TERMINALS

(ON THE FRONT PANEL)

Make a connection as shown below with a commercially

available SCART-plug connector cable.

These terminals are used to connect any video input source

such as a camcorder to this unit.

No connection

Monitor TV

SCART-plug connector cable

Camcorder

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CONNECTING TO AN EXTERNAL DECODER

This unit is equipped with additional 6-channel audio signal

input terminals for inputting signals from an external decoder to

this unit.

Connect the 6-channel audio signal output terminals of the

decoder to the EXTERNAL DECODER INPUT terminals of this

unit.

Notes

• When signals input to these terminals are selected, the digital

sound field processor cannot be used.

• The settings of “CNTR”, “REAR”, “MAIN” and “BASS” in the

SET MENU mode have no effect on the signals input to these

terminals. The setting of “M.LVL” is effective. (Refer to

page 18 for details.)

• Adjustment of the output level of the center speakers, rear

speakers and subwoofer is effective when the signals input to

these terminals are selected as the input source. (Refer to

page 31 for details.)

External decoder with

6-channel discrete

outputs

(Europe model)

IMPEDANCE SELECTOR SWITCH

Select the position whose requirements your speaker system

meets.

WARNING

Do not change the IMPEDANCE SELECTOR switch setting

while the power to this unit is on, otherwise this unit may be

damaged.

(Upper position)

Main: If you use one pair of main speakers, the impedance of

If this unit fails to turn on when the STANDBY/ON switch is

pressed, the IMPEDANCE SELECTOR switch may not be

fully set to either end. If so, set the switch to either end fully

when this unit is in the standby mode.

each speaker must be 4 Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 8 Ω or higher.

Center: The impedance of the speaker must be 6 Ω or higher.

Rear: The impedance of each speaker must be 6 Ω or

higher.

IMPEDANCE SELECTOR

(Europe model)

(Lower position)

Main: If you use one pair of main speakers, the impedance of

each speaker must be 8 Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 16 Ω or higher.

Center: The impedance of the speaker must be 8 Ω or higher.

Rear: The impedance of each speaker must be 8 Ω or

higher.

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CONNECTING SPEAKERS

Main speakers A

Main speakers B

Right

Left

Right

Left

(Europe model)

Rear speakers

Left

Right

Center speaker

Subwoofer system

Subwoofer connection

Note

You may wish to add a subwoofer to reinforce low frequencies

or to output low bass sound from the subwoofer channel.

If you have a subwoofer with built-in amplifier, including the

YAMAHA Active Servo Processing Subwoofer System, connect

the SUBWOOFER OUTPUT terminal of this unit to the input

terminal of the subwoofer system.

Use speakers with the specified impedance shown on the

rear panel of this unit.

Main speaker connections

One or two speaker systems can be connected to this unit. If

you use only one speaker system, connect it to either of the

SPEAKERS A or B terminals.

Rear speaker connections

A rear speaker system can be connected to this unit. Place

them to the rear of your listening position.

Center speaker connection

A center speaker can be connected to this unit. Place it on or

under the TV.

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How to connect

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are

faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –

markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution

Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could

damage the unit and/or speakers.

Connecting to the MAIN SPEAKERS terminals

Connecting to the REAR and CENTER

SPEAKERS terminals

1 Unscrew the knob.

2 Remove approx. 5 mm

(1/4”) of insulation from

each of the speaker

wires and insert one

bare wire into each

terminal.

1 Press the tab.

Red: positive (+)

Black: negative (–)

Red: positive (+)

Black: negative (–)

2 Remove approx. 5 mm

(1/4”) of insulation from

each of the speaker

wires and insert one

bare wire into each

terminal.

3 Tighten the knob to

secure the wire.

3 Release the tab to

secure the wire.

OUTPUT TERMINALS (FOR DRIVING A SPEAKER WITH AN EXTERNAL AMPLIFIER)

The speaker connections described on page 16 are fine for

most applications. If for some reason, however, you wish to

drive main, center and/or rear speakers with your existing

amplifier, etc., the following terminals are available for

connecting an external amplifier(s) to this unit.

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ADJUSTMENTS BEFORE USING THIS UNIT

SELECTING THE OUTPUT MODES

This unit provides you with the following five functions to determine the method of distributing output signals to speakers suitable for

your audio system. When speaker connections have all been completed, select the proper setting for each function to make the

best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 33.)

1. CNTR (CENTER SPEAKER) 2. REAR (REAR SPEAKERS) 3. MAIN (MAIN SPEAKERS)

4. BASS (LFE/BASS OUT)

5. M.LVL (MAIN LEVEL)

DESCRIPTION OF EACH FUNCTION

CNTR (CENTER SPEAKER)

BASS (LFE/BASS OUT)

Choices: LARGE/SMALL/NONE

Preset position: LARGE

Choices: SW/MAIN/BOTH

Preset position: SW

LARGE: Select this position when your center speaker is

approximately the same size as the main speakers.

SMALL: Select this position when you use a center speaker

that is smaller than the main speakers.

MAIN:

Select this position if your system does not include a

subwoofer.

In this position, full-range signals present on the

main channels, signals from the LFE channel and

other low bass signals that are distributed from other

channels are output from the main speakers.

In this position, low bass signals (below 90 Hz) on the

center channel are output from the main speakers (or

the SUBWOOFER OUTPUT terminal if the SMALL

position is selected for “MAIN” and the SW position is

selected for “BASS”).

SW/BOTH:

Select either the SW or BOTH position if your

system includes a subwoofer.

NONE: Select this position when you do not have a center

speaker (four speaker system). The center channel

sound will be output from the left and right main

speakers.

In either position, signals on the LFE channel and

other low bass signals that are distributed from other

channels are output from the SUBWOOFER

OUTPUT terminal.

When the LARGE position is selected for “MAIN”, in

the SW position, no signal is distributed from the

main channels to the SUBWOOFER OUTPUT

terminal; however, in the BOTH position, low bass

signals from the main channels are output to both

the main speakers and the SUBWOOFER OUTPUT

terminal.

REAR (REAR SPEAKERS)

Choices: LARGE/SMALL

Preset position: LARGE

LARGE: Select this position if your rear speakers have high

ability for bass reproduction, or if a subwoofer is

connected in parallel to the rear speaker.

In this position, full-range signals are output from the

rear speakers.

SMALL: Select this position if your rear speakers do not have

high ability for bass reproduction.

M.LVL (MAIN LEVEL)

Choices: NRML (NORMAL)/–10 dB

Preset position: NRML (NORMAL)

In this position, low bass signals (below 90 Hz) on

the rear channels are output from the SUBWOOFER

OUTPUT terminal (or the main speakers if the MAIN

position is selected for “BASS”).

NRML (NORMAL):

Normally select this position.

–10 dB: Select this position if the sound output from the main

speakers is too loud and cannot be balanced with

the sound output from the center and rear speakers.

In this position, the sound output from the main

speakers is attenuated.

MAIN (MAIN SPEAKERS)

Choices: LARGE/SMALL

Preset position: LARGE

Note

LARGE: Select this position if your main speakers have high

ability for bass reproduction.

The settings of “CNTR”, “REAR”, “MAIN” and “BASS” have no

effect on the signals input to the EXTERNAL DECODER

INPUT terminals on the rear of this unit.

In this position, full-range signals present on the

main channels are output from the main speakers.

SMALL: Select this position if your main speakers do not

have high ability for bass reproduction. However, if

your system does not include a subwoofer, do not

select this position.

In this position, low bass signals (below 90 Hz) on

the main channels are output from the

SUBWOOFER OUTPUT terminal if the SW or BOTH

position is selected for “BASS”.

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ADJUSTMENT METHOD

Adjustments should be made while watching the information on this unit’s display.

2 3

When adjusting with the remote control, set the

SELECTOR DIAL to the AMP/TUN or DSP position on the

remote control.

Press + or – once or more to select the setting you

want.

Front panel

Remote control

Turn the power on.

Front panel

Remote control

Press SET MENU once or more to select the function

“CNTR” on the display.

Repeat steps 2 and 3 to change the settings for

“REAR”, “MAIN”, “BASS” and/or “M.LVL” in the same

way.

Front panel

Remote control

* After pressing SET MENU once on the remote control, you

can also select the function by pressing . (Pressing

goes back one selection.)

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SPEAKER BALANCE ADJUSTMENT

This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test

tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from

each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder, the Dolby

Pro Logic decoder and the DTS decoder.

The adjustment of each speaker output level should be done at your listening position with the remote control.

After completing the adjustment of the output level for each speaker, use VOLUME (

listening position to check if the adjustments are satisfactory.

) on the remote control at your

5,9

4 4,7

Set the SELECTOR DIAL to the AMP/TUN or DSP position

on the remote control.

Turn the power on.

Front panel

Remote control

Set VOLUME to the “ ” position.

Front panel

Select the main speakers to be used.

Front panel

* If you use two main speaker systems, press both A and B.

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Set BASS, TREBLE and BALANCE to the “0” position.

Turn up the volume.

Front panel

Remote control

You will hear a test tone (like pink noise) from each

speaker for about two seconds in following order: left main

speaker, center speaker, right main speaker, right rear

speaker and left rear speaker. The display changes as

shown below.

Press TEST so that “TEST LEFT” appears on the

display.

Remote control

Main (L)

Center

Main (R)

Rear (R)

Rear (L)

* If the function “CNTR” in the SET MENU mode is set to

the NONE position, you will hear the center channel test

tone from the left and right main speakers.

Adjust BALANCE so that the sound output level of the

left main speaker and the right main speaker is the

same.

Front panel

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Notes

• Once you have completed these adjustments, you can only

adjust the overall sound level of your audio system by using

Adjust the sound output levels of the center speaker

and the rear speakers so that they become almost the

same as that of the main speakers.

VOLUME (or VOLUME (

) on the remote control).

• If you use external power amplifiers, you may also use their

volume controls to achieve the proper balance.

• If the function “CNTR” in the SET MENU mode is set to the

NONE position, the sound output level of the center speaker

cannot be adjusted in step 8. The center sound is automati-

cally output from the left and right main speakers.

Press TIME/LEVEL once or more to select the speaker

to be adjusted so that “CENTER”, “R SUR.” or “L SUR.”

appears on the display.

Remote control

• If there is insufficient sound output from the center and rear

speakers, you may decrease the main speaker output level

by setting “M.LVL” to “–10 dB”.

* You cannot adjust the delay time while the test tone is

sounding even if “DELAY” appears on the display

after pressing TIME/LEVEL once or more.

Adjust the level.

* Pressing raises and lowers the level.

* While adjusting, the test tone is heard from the

selected speaker.

Remote control

When the adjustment is finished, press TEST again to

stop the test tone.

Remote control

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BASIC OPERATION

TO PLAY A SOURCE

3 1,7

3,4

When using the remote control

• Set the SELECTOR DIAL to the AMP/TUN position on the

remote control.

Select the desired input source by using INPUT.

(Turn on the monitor TV for video sources.)

• To operate the tuner, the CD player, DVD/LD player, tape

deck, MD recorder, or other components with this remote

control, set the SELECTOR DIAL to the component to be

used. (See “SETUP CODES” on page 41.)

Front panel

Remote control

Set VOLUME to the “ ” position.

Front panel

The name of the selected input source will appear on the

display.

To play a tape or an MD

Turn the power on.

Front panel

Press TAPE/MD MON / EXT. DECODER

on the front panel or TAPE/MD on the

remote control so that the “TAPE/MD

MON” indicator lights up on the display.

Front panel

Remote control

To use a decoder connected to the EXTERNAL

DECODER INPUT terminals

Press TAPE/MD MON / EXT. DECODER once or more on

the front panel or EXT. DEC. on the remote control so that

“EXT. DECDR” appears on the display.

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For a DVD/LD or TV/DBS source, the current input

mode is also shown.

If desired, adjust BASS, TREBLE, BALANCE, etc.

and use the digital sound field processor (see pages 28

to 29).

* To change the input mode for the DVD/LD or TV/DBS

source, press INPUT MODE (or the button that you

have pressed to select the input source in step 3 on

the remote control) once or more until the desired

input mode is shown on the display. (See page 25 for

details on switching the input mode.)

BASS:

Turn this control clockwise to increase (or

counterclockwise to decrease) the low-

frequency response.

TREBLE:

Turn this control clockwise to increase (or

counterclockwise to decrease) the high-

frequency response.

Front panel

Remote control

BALANCE: Adjust the balance of the output volume

from the left and right speakers to

compensate for any sound imbalance

caused by the speaker location or

listening room conditions.

Front panel

Input mode

* These controls are only effective for the sound from the

main speakers.

Select the main speakers to be used.

Front panel

Remote control

* If you use two main speaker systems, press both A and B.

Play the source.

Adjust the volume to the desired output level.

When you have finished using this unit

Front panel

Remote control

Press STANDBY/ON on the front panel again or STANDBY on

the remote control to set this unit in the standby mode.

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Notes on input mode selection

Notes on using INPUT

• The input mode for a TV/DBS source is selected with the

function “INPUT” in the SET MENU mode. (See page 34 for

details.)

• Set the input mode to AUTO to play a DVD/LD source

encoded with Dolby Digital.

• Set the input mode to ANALOG to play a normal 2-channel

source with a Dolby Surround program.

• The sound output may be interrupted in some LD and DVD

players in the following situation:

The input mode is set to AUTO. A search is made while

playing the disc encoded with Dolby Digital or DTS, and then

disc playing is restored. The sound output is interrupted for a

moment because the digital input signal was selected again.

• The input mode cannot be changed for the PHONO, TUNER,

TAPE/MD, CD, VCR and VIDEO AUX sources because only

analog signals are used.

• The present input mode appears on the display when the

input source is changed to DVD/LD or TV/DBS, or the input

mode is changed.

• The audio source selected by INPUT will not be played if the

“TAPE/MD MON” indicator lights up or if “EXT. DECDR” is

displayed.

• If you select a video source by INPUT without canceling the

selection of TAPE/MD MON / EXT. DECODER on the front

panel (or TAPE/MD or EXT. DEC. on the remote control), the

play back result will be a video image from the video source

and the sound from the audio source selected by TAPE/MD

MON / EXT. DECODER on the front panel (or TAPE/MD or

EXT. DEC. on the remote control).

• If an audio source is selected by INPUT while watching a

video source, the selected audio source will be played, but

the video image will not be interrupted.

• When you select an input source by INPUT, the DSP

program (or no DSP program) that was being used when the

same input source was selected the last time will be auto-

matically recalled.

• If “DATA ERR” appears on the display while playing a CD or

LD encoded with DTS, stop playback and turn the player off

and then on again.

Notes on playing a source encoded with DTS

If you play a CD or LD encoded with DTS while the AUTO

mode is selected, there will be a short noise at first while the

unit identifies the DTS signal and activates the DTS decoder.

This is not a malfunction, and can be avoided by setting the

input mode to DTS beforehand. In addition, If you continue

to play a CD or LD encoded with DTS with the input mode

setting left at AUTO, this unit automatically switches to the

“DTS-decoding” mode to prevent noise from being gener-

ated during future operation. (The red “dts” indicator lights

up on the display.)

Switching the input mode

(for DVD/LD and TV/DBS)

This unit allows you to switch the input mode for sources that

send two or more types of signal to this unit.

The following three input modes are provided.

AUTO

This mode is automatically selected when you turn on the

power of this unit.

In this mode, the input signal is automatically selected in the

following order of priority:

No sound will be heard if a normal PCM CD or LD is played

in this mode. (The red “dts” indicator will flash.) To play a

normal disk, return the input mode from DTS to AUTO.

1. Digital signal encoded with Dolby Digital or DTS, or normal

digital input signal (PCM)

2. Analog input signal (ANALOG)

* For a DVD/LD source, if digital signals are input from both the

OPTICAL and COAXIAL terminals, the digital signal from the

COAXIAL terminal is selected.

DTS

In this mode, only a digital input signal encoded with DTS is

selected, even though other signals are input at the same time.

ANALOG

In this mode, only an analog input signal is selected, even

though digital signals are input at the same time.

Select this mode when you want to use an analog input signal

instead of digital input signals.

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TO RECORD A SOURCE ON TAPE, MD OR VIDEO CASSETTE

4 1 2

Select the source to be recorded.

When a tape deck or MD recorder is being used for

recording, you can monitor the sounds being recorded

by pressing TAPE/MD MON / EXT. DECODER on the

front panel or TAPE/MD on the remote control so that

the “TAPE/MD MON” indicator lights up on the display.

Front panel

Remote control

Front panel

Remote control

Play the source and then turn up the volume to confirm

the input source.

Notes

• The settings of DSP and VOLUME, BASS,TREBLE and

BALANCE have no effect on the material being recorded.

• Composite video and S video signals pass independently

through this unit’s video circuits. Therefore, when recording

or dubbing video signals, if your video source unit is con-

nected to provide only an S video (or only a composite video)

signal, you can record only an S video (or only a composite

video) signal on your VCR.

Front panel

Remote control

• A source that is connected to this unit only through the digital

terminals cannot be recorded on a tape deck, MD recorder or

VCR connected to this unit.

• A source of signals input to the EXTERNAL DECODER

INPUT terminals of this unit cannot be recorded.

• Please check the copyright laws in your country to record

from records, compact discs, radio, etc. Recording of

Begin recording on the tape deck, MD recorder or VCR

connected to this unit.

If you watch video software that uses scrambled or encoded

signals to prevent it from being dubbed, there may be a case

that the picture itself will be affected by those signals.

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SETTING THE SLEEP TIMER

The SLEEP timer can be used to make this unit automatically switch to the standby mode. When you are going to sleep while

enjoying a broadcast or other desired input source, this timer function is useful. The SLEEP timer can only be controlled with the

remote control.

Notes

• To set the SLEEP timer for this unit, set the SELECTOR DIAL to a position other than the TV position. To set the SLEEP timer for

your TV, set the SELECTOR DIAL to the TV position.

• The components for which the SLEEP timer is effective are the sources connected to the AC OUTLET(S) on the rear panel of

this unit.

To set the SLEEP time

To cancel the selected SLEEP time

Remote control

Play the source which you want to enjoy when you are

going to sleep and press SLEEP once or more to select

the desired SLEEP time.

Remote control

Press SLEEP once or more so that “SLEEP OFF” appears on

the display. (It will soon disappear and the “SLEEP” indicator

will go off from the display.)

Note

The SLEEP time is displayed.

The SLEEP timer setting can also be canceled by setting the

unit in the standby mode with STANDBY/ON on the front panel

(or STANDBY on the remote control) or by disconnecting the

power plug of the unit from the AC outlet.

Flashes

Each time you press SLEEP, the SLEEP time will change as

follows:

(Minutes)

120

The SLEEP timer is off (SLEEP OFF).

(This is the state before SLEEP is

pressed.)

The “SLEEP” indicator soon lights up and the display returns

to the indication before the SLEEP timer was set.

The unit will be switched to the standby mode automati-

cally at the selected SLEEP time.

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SOUND FIELD PROGRAM

This unit incorporates a sophisticated, multi-program digital sound field processor. This processor allows you to electronically

expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in

your listening room. You can create outstanding audio sound by selecting a suitable sound field program (this will, of course,

depend on what you are listening to) and adding any desired adjustments.

The operation of built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) can be controlled by selecting a corresponding DSP

program incorporating the combined operation of YAMAHA DSP and Dolby Surround, Dolby Digital or DTS.

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most

of these are precise digital re-creations of actual acoustic environments.

For movie or audio/video sources

No.

PROGRAM

FEATURES

Normal Program

[1] DOLBY PRO LOGIC (

• Input source : Dolby Surround

The built-in Dolby Pro Logic, Dolby Digital or DTS

decoder precisely reproduces the sound and effect of

the encoded source.

)

2-ch Dolby Digital

The realization of a highly efficient decoding process

improves cross talk and channel separation and makes

sound positioning smoother and more precise.

• Output channel : 4 channels

• DSP : —

[2] DOLBY DIGITAL (

• Input source : Dolby Digital

• Output channel : 5.1 channels

)

• DSP

: —

[3] DTS (

)

• Input source

: DTS

• Output channel : 5.1 channels

• DSP

: —

Enhanced Program

[1] DOLBY PRO LOGIC/Enhanced (

This program ideally simulates the multi-surround

speaker systems of the 35 mm-film movie theater. Each

decoding and digital sound field processing operation is

precisely performed without altering the original sound

orientation.

The surround effect produced by the sound field folds

around the viewer naturally from the rear to the left and

right and toward the screen.

)

• Input source

: Dolby Surround

2-ch Dolby Digital

• Output channel : 4 channels

• DSP : 1 (surround)

[2] DOLBY DIGITAL/Enhanced (

• Input source : Dolby Digital

• Output channel : 5.1 channels

)

• DSP

: 2 (surround L, R)

[3] DTS/Enhanced (

• Input source

)

: DTS

• Output channel : 5.1 channels

• DSP : 2 (surround L, R)

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No.

PROGRAM

CINEMA DSP Program

[1] 70 mm MOVIE THEATER (

• Input source : Dolby Surround

2-ch Dolby Digital

• Output channel : 3 channels

FEATURES

Creates the extremely wide sound field of a movie

theater. It precisely reproduces the source sound in

detail, giving both the video and the sound field

incredible reality. Any kind of video source encoded

with Dolby Digital or DTS (especially large-scale movie

productions) is ideal for use with this program.

)

• DSP

: 2 (presence & surround)

[2] 70 mm MOVIE THEATER – DOLBY D. (

)

• Input source

: Dolby Digital

• Output channel : 5.1 channels

• DSP

: 3 (presence & surround L, R)

[3] 70 mm MOVIE THEATER – DTS (

)

• Input source

: DTS

• Output channel : 5.1 channels

• DSP

: 3 (presence & surround L, R)

MONO MOVIE

This program is designed specifically to enhance

monaural sources. Compared to a strictly mono setting,

the sound image is wider and slightly forward of the

speaker pair, lending an immediacy to the overall

sound.

• Input source

• Output channel : 1

• DSP

: Monaural

: 1

TV SPORTS

This program is furnished with a tight sound field in

which the sound will not spread excessively at the front,

but the rear surround produces dynamic sound

expansion.

• Input source

• Output channel : 2 to 5.1 channels

• DSP : 2 to 3 (presence & surround)

: Audio/Video

For Hi-Fi Audio sources

No.

PROGRAM

FEATURES

Hi-Fi DSP Program

• Input source

: 2-ch PCM/Analog audio

• Output channel : 2 channels

• DSP

: 1

Simulates the acoustics of disco in the heart of a lively

city. The sound is dense and highly concentrated.

[1] DISCO

[2] ROCK CONCERT

[3] CONCERT HALL

Ideally suited for rock music. You will experience a

dynamic and lively sound field.

Creates the expansive ambience of a large concert hall.

Orchestra and opera music are suited to this program.

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PLAYING A SOURCE WITH THE DIGITAL SOUND FIELD PROCESSOR (DSP)

EFFECT

Follow steps 1 to 7 shown in “TO PLAY A SOURCE” on

pages 23 to 24.

TO CANCEL THE SOUND EFFECT

To cancel the sound effect and monitor only the main sound,

press EFFECT or EFCT ON/OFF. Press EFFECT or EFCT

Select the desired DSP program that is suitable for the source.

ON/OFF once more to turn sound effect back on.

Front panel

Remote control

Notes

• You can select a program for each of the input sources.

Once you select a program, it is linked with the input source

selected at that time. So, when you select the input source

next time, the same program is automatically called up.

• When a monaural sound source is being played with DOLBY

PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound

will be heard from the main speakers and the rear speakers.

Sound can only be heard from the center speaker. However,

if the NONE position is selected for “CNTR” in the SET

MENU mode, the main speakers will output the sound of the

center channel.

Press DSP. While the indicator is lit up for about

three seconds, select a DSP program with the

numeric buttons (1 to 8).

* If the SELECTOR DIAL is set to the DSP position, you can

also select a DSP program directly with the numeric

buttons (1 to 8).

• When the source of signals input to the EXTERNAL

DECODER INPUT terminals of this unit is selected, DSP

cannot be used.

• If the sound effect is canceled when signals encoded with

Dolby Digital or DTS are input to this unit, the signals of all

channels are mixed and are output from the main speakers.

• If EFFECT or EFCT ON/OFF is pressed to turn the sound

effects off when Dolby Digital or DTS is decoded, it may

happen that the sound is output faintly or not output normally,

depending on the source. In that case, press EFFECT or

EFCT ON/OFF to turn on the sound effects.

The name of the selected program appears

on the display.

If desired, adjust the delay time and the output level of each

speaker. (See pages 31 and 32 for details.)

The following indicators on the display show you what sound

processing is being undertaken.

If you change the LD (or CD) being played back with DTS

being decoded to another disc that is not encoded with DTS

when the red “dts” indicator lights up, playing back the newly

selected disc will result in no sound output. In this state, the

red “dts” indicator flashes to show that this unit is locked in

the DTS-decoding mode.

This lights up in orange when a DVD source encoded with

DTS is played back and DTS is decoded.

This lights up in red when an LD source or a CD source

encoded with DTS is played back and DTS is decoded.

This lights up when Dolby Digital is being decoded and the

signals of the selected source encoded with Dolby Digital is

not in 2-channel.

To play back the disc normally, change the current DTS-

decoding mode to another mode by INPUT MODE on the

front panel or by INPUT on the remote control so that the red

“dts” indicator goes off.

This lights up when the digital sound field processor is

turned on.

This lights up when Dolby Surround is being decoded by

Dolby Pro Logic.

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ADJUSTING THE DELAY TIME AND SPEAKER OUTPUT LEVELS

When using the digital sound field processor with the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder, you

can adjust the delay time between the main sound and sound effect, and each speaker’s output level as you prefer.

Adjustment method

When adjusting with the remote control, set the

SELECTOR DIAL to the AMP/TUN or DSP position on the

remote control.

Press + or – to adjust the settings for the delay time or

speaker output levels.

Front panel

Remote control

Press TIME/LEVEL once or more until the name of the

item which you want to adjust appears on the display.

Front panel

Remote control

Repeat steps 1 and 2 to adjust the settings of any other

item.

* After pressing TIME/LEVEL once on the remote control,

you can also select the name of item by pressing .

When pressed, the selection changes as follows:

D E L A Y

Delay time

C E N T E R

Center speaker output level

S U R .

Right rear speaker output level

Left rear speaker output level

Subwoofer output level

S W F R

* Pressing on the remote control changes the selection in

the reverse order.

* Depending on the setting in the SET MENU mode, you

may not be able to select all these items.

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Notes

Adjusting the delay time

• Adding too much delay will cause an unnatural effect with

some sources.

• When + or – is pressed, the sound is momentarily inter-

rupted.

You can adjust the time difference between the beginning of the

sound from the main speakers and the beginning of the sound

effect from the rear speakers.

The larger the value, the later the sound effect is generated.

This adjustment can be individually made to all programs.

Control range (ms)

Program

Preset value

15 to 30

0 to 15

15 to 30

0 to 15

15 to 30

1 to 99

1. DOLBY PRO LOGIC

DOLBY DIGITAL

DTS

2. DOLBY PRO LOGIC/Enhanced

DOLBY DIGITAL/Enhanced

DTS/Enhanced

3. 70 mm MOVIE THEATER

70 mm MOVIE THEATER – DOLBY D.

70 mm MOVIE THEATER – DTS

4. MONO MOVIE

5. TV SPORTS

6. DISCO

7. ROCK CONCERT

8. CONCERT HALL

Adjusting the output level of the center, right rear and left rear speakers, and subwoofer

If desired, you can adjust the sound output level of each

speaker even if the output level has already been set in

“SPEAKER BALANCE ADJUSTMENT” on pages 20 to 22.

• If the function “CNTR” in the SET MENU mode is set to the

NONE position, the sound output level of the center speaker

cannot be adjusted. This is because, in this mode, the center

speaker sound is automatically output from the left and right

main speakers.

Notes

• The output level of the center speaker cannot be adjusted

when the DISCO, ROCK CONCERT or CONCERT HALL

program is selected, and the input signal is analog, PCM

audio, or encoded with Dolby Digital in 2-channel.

• Once the output level has been adjusted, the level will be the

same for all digital sound field programs.

Speaker

Control range (dB)

MIN, –20 to +10

Preset value

CENTER

RIGHT REAR

LEFT REAR

SUBWOOFER

MIN, –20 to +10

MIN, –20 to 0

Memory back-up

The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the

power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the latest

values for the delay time and the center/rear/subwoofer output levels that were set will automatically return to the preset values. If

so, they can be re-set by simply following the adjustment method on page 31.

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ADJUSTMENTS IN THE “SET MENU” MODE

The following ten types of functions will maximize the performance of your system and expand your enjoyment for audio listening

and video watching.

1. CNTR (CENTER SPEAKER)

2. REAR (REAR SPEAKERS)

3. MAIN (MAIN SPEAKERS)

4. BASS (LFE/BASS OUT)

5. M.LVL (MAIN LEVEL)

6. D.D.LFE

7. D.RNG (DYNAMIC RANGE)

8. DTS LFE (DTS LFE LEVEL)

9. C.DELAY (CENTER DELAY)

10. GUARD (MEMORY GUARD)

11. INPUT (INPUT MODE)

(DOLBY DIGITAL LFE LEVEL)

However, at the normal level suitable for listening in your room,

the low-level parts of source sound often cannot be heard well

because they will be lost among noise in your environment.

Dolby Digital technology has also made it possible to reduce an

original sound track’s dynamic range for a home audio format

by “compressing” the sound data.

For details on “CNTR”, “REAR”, “MAIN”, “BASS” and “M.LVL”,

see page 18. (Once you have selected the appropriate

settings, you do not have to change any settings unless an

alteration is made in your speaker system.)

D.D.LFE (Adjusting the level of the LFE

channel for Dolby Digital)

MAX:

In this position, a source encoded with Dolby Digital

is reproduced in the original sound track’s wide

dynamic range to provide you with powerful sounds

just like those in a movie theater.

Control range: –20 dB to 0 dB (in 1 dB steps)

Preset value: 0 dB

Selecting this position will be even better if you can

listen to a source at a high output level in a room

specially soundproofed for audio/video enjoyment.

* This adjustment is effective only when Dolby Digital is being

decoded and the signals of the selected source encoded with

Dolby Digital contain LFE signals.

STD (Standard):

In this position, a source encoded with Dolby Digital

is reproduced in the “compressed” dynamic range of

the source that is suitable for low-level listening.

In this position, the dynamic range is more reduced

than in the STD position.

Selecting this position will be effective when you

must listen to a sound source at a low level.

* In this position, it may happen that sound is output

faintly or not output normally depending on the

source. In that case, select the MAX or STD

position.

This adjusts the output level of the LFE channel. If the LFE

signals are mixed with signals of other channels and they are

output from the same speakers, the ratio of the LFE signal level

to the level of the other signals can be adjusted.

MIN:

(See page 6 for details about the LFE channel.)

D.RNG (Adjusting the dynamic range)

Choices: MAX/STD/MIN

Preset position: MAX

DTS LFE (Adjusting the level of the LFE

channel for DTS)

* This adjustment is effective only when Dolby Digital is being

decoded.

Control range: –10 dB to +10 dB (in 1 dB steps)

Preset value: 0 dB

“Dynamic range” is the difference between the maximum level

and the minimum level of sounds.

Sounds on a movie originally designed for movie theaters

feature a very wide dynamic range.

Dolby Digital technology can modify the original sound track

into a home audio format with this wide dynamic range un-

changed.

Powerful sounds of extremely wide dynamic range are not

always suitable for home use. Depending upon the condition of

your listening environment, it may not be possible to increase

the sound output to a level as high as that in a movie theater.

* This adjustment is effective only when DTS is being decoded

and the signals of the selected source encoded with DTS

contain LFE signals.

This adjusts the output level of the LFE channel. If the LFE

signals are mixed with signals of other channels and they are

output from the same speakers, the ratio of the LFE signal level

to the level of the other signals can be adjusted.

(See page 6 for details about the LFE channel.)

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Adjustment method

C.DELAY [Adjusting the delay of

center sounds (dialog, etc.)]

Adjustments should be made while watching the information on

this unit’s display.

Control range: 0 ms to 5 ms (in 1 ms steps)

Preset value: 0 ms

When adjusting with the remote control, set the SELECTOR

DIAL to the AMP/TUN or DSP position on the remote control.

* This adjustment is effective only when Dolby Digital or DTS is

being decoded and the signals of the selected source

encoded with Dolby Digital or DTS contain center-channel

signals.

Press SET MENU once or more so that the function which you

want to change appears on the display.

This adjusts the delay between the main sound (on the main

channels) and dialog, etc. (on the center channel).

The larger the value, the later the dialog, etc. is generated.

Front panel

Remote control

This is for making sounds from the left main, center and right

main speakers reach your listening position at the same time.

This is achieved by delaying the sound from the center speaker

if the distance from the center speaker to your listening position

is shorter than the distance from the left or right main speaker

to your listening position.

* After pressing SET MENU once on the remote control, you

can also select the title by pressing . (Pressing goes back

one selection.)

GUARD (Memory guard)

Choices: ON/OFF

Press + or – to select any desired position or to edit parameters

Preset position: OFF

of the chosen function.

If you wish to prevent accidental alterations to SET MENU and

other adjustments on this unit, select ON. The following

functions on this unit can be locked by this operation:

• Other functions in the SET MENU mode

Front panel

Remote control

• Functions in the TIME/LEVEL mode

• Functions when using TEST

INPUT

Repeat these steps to change or adjust the settings of any

other function.

(Selecting the mode of the TV/DBS input)

Choices: AUTO/LAST

Preset position: AUTO

Memory back-up

The memory back-up circuit prevents the stored data from

being lost when this unit is set in the standby mode. If,

however, the power plug is disconnected from the AC outlet or

the power is cut due to temporary power failure for more than

one week, the settings of the SET MENU mode will automati-

cally return to the factory settings. If so, they can be re-set by

simply following the procedure above.

You can designate the input mode that is automatically selected

when the power of this unit is switched on for only the sources

connected to the TV/DBS input terminals of this unit.

AUTO:

LAST:

In this position, the AUTO input mode is always

selected when the power for this unit is switched on.

In this position, the input mode you selected last time

is memorized and will not be changed when the

power is switched on again.

* See page 25 for details on switching the input mode.

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REMOTE CONTROL

You can use the remote control to control not only this unit but also other components connected to it. The remote control is factory

set to control this unit and most YAMAHA audio components.

To control other brands of components, you must preset the remote control with the manufacturers’ codes listed from

page 310.

Components which can be controlled

There are nine positions that you can select to control connected components with this remote control. When turning the

SELECTOR DIAL, the position changes as follows:

AMP/TUN:

TAPE/MD:

You can perform basic operations of

this unit and control a YAMAHA

tuner with the SELECTOR

DIAL set to this position.

The code for a YAMAHA tape deck is preset.

(Be sure to preset the proper code when operating a YAMAHA

MD recorder.)

CD:

TV:

The code for a YAMAHA CD player is preset.

A television can be

controlled.

DSP:

SELECTOR

DIAL

This unit can be controlled and DSP programs can be selected

directly.

CBL/DBS:

A cable television or

DBS tuner can be

controlled.

DVD/LD & DVD MENU:

An LD player can be controlled by using the DVD/LD position.

A DVD player can be controlled by using the DVD/LD and

DVD MENU positions. The code for a YAMAHA DVD player is

preset. If the remote control will not operate your YAMAHA

DVD player, you need to preset code number “4490.”

VCR:

A VCR can be controlled.

Notes

1. The shaded positions in the diagram above indicate that you can preset the code for the manufacturer of your component.

Note that you can preset only one code for one position. (See “SETUP CODES” on page 41 for details).

2. DVD/LD and DVD MENU positions:

• Be sure that the SELECTOR DIAL is set to the DVD/LD position before presetting the code for a DVD or an LD player. The

code that you preset to the DVD/LD position is also simultaneously preset to the DVD MENU position. You cannot preset the

code for a DVD player when the SELECTOR DIAL is set to the DVD MENU position.

• DVD MENU operations cannot be performed for some DVD players.

3. When using a second (and third) VCR (See “To use a second (and third) VCR” on page 41 for details.):

• If you are not using a CBL/DBS (cable TV or DBS tuner), the second (or third) VCR can be preset by using the CBL/DBS

position.

• If you are not using a DVD player, the second (or third) VCR can be preset by using the DVD MENU position. Note that in

this case you must preset the code for an LD player to the DVD/LD position even if an LD player is not being used.

4. The button functions on the remote control differ depending on the position selected by the SELECTOR DIAL. Refer to the

following pages for details.

Basic operation

Select the position for the component that you want to

control by turning the SELECTOR DIAL.

Note: Turn the SELECTOR DIAL until it stops with a click.

Press the desired operation button.

Note: Press the button with the remote control aimed at

the front panel.

The position name is displayed

in this window.

Indicator

The indicator will flash when the button is

pressed.

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The lightly marked buttons do not function.

■ AMP/TUN

Note: TV POWER and TV VOLUME function if you have preset the code for your TV.

1 POWER

This button turns the unit on.

2 INPUT

Indicator window:

Press one of these buttons to select the required input source.

Indicator:

Displays the names of

components which

can be controlled.

Flashes in red

when the button

is pressed.

3 EXT. DEC.

Press this button when using an external decoder.

SELECTOR DIAL:

Selects the

position for the

component to be

controlled.

4 A/B/C/D/E

Press this button to select a group of preset stations when

using the YAMAHA tuner.

5 DSP

Press this button. While the indicator is lit up for about three

seconds, select a DSP program by using the number buttons (1

to 8). No DSP program can be selected after the indicator goes

off.

6 PRESET (+/–)

Press these buttons to select the preset station number when

using the YAMAHA tuner.

7 VOLUME (

)

TV VOLUME

Press these buttons to adjust the volume level.

8 MUTE

TV POWER

Press this button to mute the sound. To cancel mute, press this

button once more, or press the operation buttons of this unit.

9 SLEEP

Press this button to set the SLEEP timer.

(LEFT), (RIGHT)

These buttons are used to adjust the settings of the SET MENU

mode and the TIME/LEVEL mode.

q TIME/LEVEL

Press this button to set the unit in the TIME/LEVEL mode and to

select the item.

w STANDBY

Press this button to set this unit in the standby mode.

e TEST

Press this button to output a test tone for adjusting the output

level of the speakers.

r EFCT (EFFECT) ON/OFF

■ DSP

Press this button to turn on or off the DSP program which

includes the Dolby Pro Logic decoder, the Dolby Digital

decoder and the DTS decoder.

(NEXT), (BACK)

These buttons are used to advance or back one selection in the

SET MENU mode and TIME/LEVEL mode.

y SET MENU

Press this button to set the unit in the SET MENU mode and to

select functions.

2 DSP program

Press one of these buttons to select the required DSP program

(1 to 8). When you select the input source, set the SELECTOR

DIAL to the AMP/TUN position.

Note: The function of all buttons other than DSP program is

the same as that with the AMP/TUN position.

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The lightly marked buttons do not function. See “AMP/TUN” on page 36 for those buttons which are not described here.

Please refer to the owner’s manual for details of each component.

Notes: • TV POWER and TV VOLUME function if you have preset the code for your TV.

■TAPE/MD

• Be sure to preset the proper code for your MD recorder.

TAPE

1 POWER

This button turns the unit on under factory settings. If another

code for your tape deck whose remote control has a power

This button turns the unit on

if you have preset the code

for the YAMAHA MD

button is preset, the button will turn on the tape deck.

recorder. If another code

for your MD recorder whose

remote control has a power

button is preset, the button

will turn on the MD recorder.

(REC/PAUSE)

Press this button to give a pause in recording on the

tape deck.

DIR A

Press this button to select the playing direction of deck A.

(REC/PAUSE)

(SKIP)

(PLAY)

Press this button to play a tape.

TV VOLUME

POWER

(REWIND)

(PLAY)

Press this button to rewind a tape.

(SEARCH)

7 DECK A/B

Press this button to select deck A or B on the double

cassette tape deck.

6 DISP (DISPLAY)

(PAUSE)

(SKIP)

DIR B

Press this button to select the playing direction of deck B.

(STOP)

Press this button to stop the operation of a tape.

(FAST FORWARD)

(SEARCH)

Press this button to fast forward a tape.

Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV.

■CD

1 POWER

This button turns the unit on under factory settings. If another code for your CD player

whose remote control has a power button is preset, the button will turn on the CD

player.

2 DISC SKIP (+/–) (for a CD player with a CD changer)

Press these buttons to skip to the next or previous CD.

(SKIP)

Press

to skip to the beginning of the next track. Press

to skip to the beginning

of the previous track.

(PLAY)

Press this button to play a CD.

(SEARCH)

TV VOLUME

This button initiates a backward search on the track that is playing to find the point

from which you want to listen.

POWER

DISPLAY

TV INPUT

(PAUSE)

Press this button to give a pause in operation. This button functions as PAUSE/

STOP* for operating YAMAHA CD players under factory settings.

(STOP)

Press this button to stop operation. This button functions as PAUSE/STOP* for

operating YAMAHA CD players under factory settings.

(SEARCH)

This button initiates a fast-forward search on the track that is playing to find the point

from which you want to listen.

* PAUSE/STOP function ... Press the button once to give a pause in operation and once more to stop operation.

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The lightly marked buttons do not function. See “AMP/TUN” on page 36 for those buttons which are not described here.

Please refer to the owner’s manual for details of each component.

■DVD/LD

Note: TV POWER, TVVOLUME and TV INPUT

POWER

function if you have preset the code for your TV.

(DVD) This button turns the unit on under factory

settings. If another code for your DVD player

whose remote control has a power button is

preset, the button will turn on the DVD player.

(LD) This button turns the unit on if you have

preset the code for the YAMAHA LD player. If

another code for your LD player whose remote

control has a power button is preset, the button

will turn on the LD player.

DISC SKIP

TV VOLUME

DISPLAY

TV POWER

TV INPUT

PAUSE

SKIP/SEARCH

PLAY

STOP

ANGLE (DVD)/SEARCH (LD)

AUDIO (DVD)

SUBTITLE (DVD)/SEARCH (LD)

SUBTITLE ON/OFF (DVD)

■DVD MENU

Note: TV POWER, TVVOLUME and TV INPUT

POWER

function if you have preset the code for your TV.

This button turns the unit on under factory

settings. If another code for your DVD player

whose remote control has a power button is

preset, the button will turn on the DVD player.

Numeric buttons

CLEAR

+10

DISC SKIP

TV VOLUME

TITLE/INDEX

TV POWER

TV INPUT

MENU UP

MENU LEFT

MENU RIGHT

MENU DOWN

RETURN

MENU SELECT

SET UP

TITLE

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The lightly marked buttons do not function. See “AMP/TUN” on page 36 for those buttons which are not described here.

Please refer to the owner’s manual for details of each component.

■VCR

■TV

Note: TV POWER, TVVOLUME and TV INPUT function if you

Note: You can only control your VCR if you have preset the

have preset the code for your TV.

code for it.

POWER

CHANNEL

CHANNEL ENTER

TV EFFECT ON/OFF

CHANNEL UP DOWN

TV VOLUME

TV MUTE

TV SLEEP

DISPLAY

TV POWER

DISPLAY

VCR REC

TV POWER

TV INPUT

PAUSE

TV INPUT

Press this button twice

VCR REC

VCR PAUSE

to start recording.

Press this button twice.

PLAY

REWIND

VCR PLAY

VCR STOP

STOP

VCR FAST

FAST FORWARD

VCR REWIND

FORWARD

■CBL/DBS

POWER

Note: TV POWER, TVVOLUME and TV

INPUT function if you have preset

the code for your TV.

CHANNEL

+100

CHANNEL ENTER

CHANNEL UP DOWN

TV VOLUME

DISPLAY

TV POWER

TV INPUT

MENU UP

MENU LEFT

MENU RIGHT

MENU DOWN

MENU SELECT

RECALL

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NOTES ABOUT THE REMOTE CONTROL

Battery installation

Remote control operation range

1. Turn the remote control over and slide the battery compart-

ment cover in the direction of the arrow.

2. Insert the batteries (AA, R6 or UM-3 type) according the

polarity markings on the inside of the battery compartment.

3. Close the battery compartment cover.

Remote control

sensor

Within approximately

6 m (20 feet)

Notes

Battery replacement

• There should be no large obstacles between the remote

control and the unit.

• If the remote control sensor is directly illuminated by strong

lighting (especially from an inverter type of fluorescent lamp),

it might cause the remote control not to work correctly. In this

case, reposition the unit to avoid direct lighting.

If the remote control operates only when it is close to the unit,

the batteries are weak. Replace all the batteries with new

ones.

Be sure to replace the batteries within about two minutes. If

it takes longer than two minutes, the codes preset for the

remote control will return to the factory settings.

Notes

• Use only AA, R6 or UM-3 batteries for replacement.

• Be sure the battery polarity is correct. (See the illustration

inside the battery compartment.)

• Remove the batteries if the remote control will not be used for

an extended period of time.

• If the batteries have leaked, dispose of them immediately.

Avoid touching the leaked material or letting it come into

contact with clothing, etc. Clean the battery compartment

thoroughly before installing new batteries.

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SETUP CODES

Presetting the remote control

Perform the presetting procedure for each component you want to control with the remote control.

Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control that was

supplied with the component.

If you are using the DVD MENU position

To control your components

(MD recorder, DVD player,

TV, etc.)

Returning to the factory-set

codes

for a second (or third) VCR, you must

preset the code for an LD player to the

DVD/LD position.

To return all components to the factory-

set codes, follow these steps.

1. Set the SELECTOR DIAL to a

position other than the AMP/TUN or

DSP position.

1. Turn on the component to be used.

2. Set the SELECTOR DIAL to the

desired position for the component

(TAPE/MD, DVD/LD, TV, etc.).

1. Turn on the VCR to be used.

2. Set the SELECTOR DIAL to the

CBL/DBS or DVD MENU position.

2. Press both VOLUME buttons (

) for about four seconds at the

same time so that the indicator

flashes twice.

3. Enter code number “9987”.

4. Make sure that the indicator flashes

twice.

3. Press both VOLUME buttons (

) for about four seconds at the

same time so that the indicator

flashes twice.

3. Press both VOLUME buttons (

) for about four seconds at the

same time so that the indicator

flashes twice.

To return each component to the factory-

set code, follow these steps.

1. Set the SELECTOR DIAL to the

position for the component to be

returned to the factory-set code.

2. Press both VOLUME buttons (

) for about four seconds at the

same time so that the indicator

flashes twice.

4. Press MUTE.

4. Use the numeric buttons to enter the

four-digit manufacturer’s code for

the component to be used. Make

sure that the indicator flashes twice.

If the indicator does not flash, repeat

step 3 and re-enter the code.

3. Enter code number “9999”.

4. Make sure that the indicator flashes

twice.

5. Use the numeric buttons to enter the

four-digit code for the second (or

third) VCR. Make sure that the

indicator flashes twice. If the

indicator does not flash, repeat

steps 3 and 4, and re-enter the

code.

The following codes are preset as the

factory settings.

Factory-set codes

POSITION Component Code

CBL/DBS DBS tuner 2455

VCR VCR 3072

DVD/LD DVD player 4545 YAMAHA

CD CD player 6187 YAMAHA

0037

5. Press POWER (or any other button)

on the remote control to check if you

have preset the code correctly. If

the component cannot be controlled

with the remote control, try entering

another code for the same manufac-

turer.

TAPE/MD Tape deck 8524 YAMAHA

6. Press POWER (or any other button)

on the remote control to check if you

have preset the code correctly. If

the VCR cannot be controlled with

the remote control, try entering

another code for the same manufac-

turer.

We recommend that you write all the

code numbers you have preset on the

“Quick Reference Card.”

To use a second (and third) VCR

You can use the CBL/DBS and/or DVD

MENU positions to control a second

(and/or third) VCR if a CBL (or DBS) or

DVD player is not being used.

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TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple

measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and

contact your authorized YAMAHA dealer or service center for help.

SYMPTOM

CAUSE

REMEDY

The unit fails to turn on when

The power cord is not plugged in or the

plug is not completely inserted.

Firmly plug in the power cord.

STANDBY/ON is pressed, or set in

the standby mode suddenly soon

after the power has been turned on.

The IMPEDANCE SELECTOR switch

on the rear panel is not fully set to the

upper or lower end.

Set the switch fully to the upper or

lower end when the unit is in the

standby mode.

The unit does not work normally.

The internal microcomputer has been

frozen by an external electric shock

(lightning, excessive static electricity,

etc.) or by a power supply with low

voltage.

Set the unit in the standby mode and

disconnect the AC power cord from the

AC outlet. After about 30 seconds have

passed, connect the power and operate

the unit again.

No sound or no picture.

Incorrect output cord connections.

Connect the cords properly. If the

problem persists, the cords may be

defective.

An appropriate input source has not

been selected.

Select an appropriate input source with

INPUT or TAPE/MD MON / EXT.

DECODER.

SPEAKERS have not been set

Set SPEAKERS corresponding to the

properly.

speakers in use to the ON position.

The speaker connections are not

secure.

Secure the connections.

Digital signals other than PCM audio

and Dolby Digital or DTS encoded

signals which this unit cannot

reproduce are input to this unit by

playing a CD-ROM etc.

Play a source whose signals this unit

can reproduce.

No picture.

There is no S video terminal connection Connect this unit’s S VIDEO MONITOR

between this unit and the TV, although

S video signals are input to this unit.

OUT terminal to the TV’s S video input

terminal.

The sound suddenly goes off.

The protection circuit has been

Set the unit in the standby mode and

activated because of a short circuit, etc. then switch on again to reset the

protection circuit.

The SLEEP timer has functioned.

Turn on the power, and play the source

again.

Only the speakers on one side can

be heard.

Incorrect setting of BALANCE.

Adjust it to the appropriate position.

Incorrect cord connections.

Connect the cords properly. If the

problem persists, the cords may be

defective.

A “humming” sound can be heard.

Incorrect cord connections.

Firmly connect the audio plugs. If the

problem persists, the cords may be

defective.

No connection from the turntable to the

GND terminal.

Make the GND connection between the

turntable and this unit.

The volume level is low while playing The record is being played on a

The turntable should be connected to

the unit through the MC head amplifier.

a record.

turntable with an MC cartridge.

The volume level cannot be

increased, or the sound is distorted.

The component connected to the REC

OUT terminals of this unit is in the

standby mode.

Turn on the power to the component.

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SYMPTOM

CAUSE

REMEDY

No sound from the effect speakers.

The sound effect setting is off.

Press EFFECT on the front panel or

EFCT ON/OFF on the remote control to

turn it on.

A Dolby Surround or DTS decoding

program is being used with material not

encoded with Dolby Surround or DTS.

Use a different sound field program.

No sound from the rear speakers.

No sound from the center speaker.

The sound output level of the rear

speakers is set to minimum.

Raise the sound output level of the rear

speakers.

A monaural sound source is being

played in the DOLBY PRO LOGIC or

DOLBY PRO LOGIC ENHANCED

program.

Select another sound field program

suitable for the monaural sound source.

The sound output level of the center

speaker is set to minimum.

Raise the sound output level of the

center speaker.

The function “CNTR” in the SET MENU

is set to the NONE position.

Select the LARGE or SMALL position.

Incorrect sound field program selection.

Select the appropriate program.

The input signals of the source encoded Refer to the instructions for the source

with Dolby Digital or DTS do not have

center channel signals.

being currently played.

The sound field cannot be recorded.

It is not possible to record the sound

field on a tape deck or MD recorder

connected to the unit’s REC OUT

terminals.

The DVD/LD,TV or DBS source

cannot be recorded on a tape deck,

MD recorder or VCR connected to

this unit.

The DVD/LD player, TV or DBS tuner is

connected to the unit by only the digital

terminals.

Make additional connections between

the analog terminals.

The remote control does not work.

Direct sunlight or lighting (from an

inverter type of fluorescent lamp, etc.) is

striking the remote control sensor of this

unit.

Change the position of this unit.

The manufacturer’s code has not been

set properly.

Set the code again.

The proper manufacturer’s code for the

component to be controlled has not

been set.

Try entering another code for the same

manufacturer.

The component to be controlled has not Set the SELECTOR DIAL to the proper

been selected.

position.

The sound is degraded when

listening with the headphones to a

CD player or tape deck that is

connected to this unit.

This unit is in the standby mode.

Turn on the power of the unit.

There is noise interference from

digital or high-frequency equipment

or the unit.

The unit is too close to the digital or

high-frequency equipment.

Move the unit further away from such

equipment.

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When playing back a source encoded with DTS

SYMPTOM

CAUSE

The player which plays back the source

is not connected to a digital audio signal digital audio signal input terminal of this

REMEDY

A loud hissing noise is heard when you

play back a source encoded with DTS.

The player must be connected to a

input terminal of this unit.

unit besides the analog audio signal

terminal connections.

The ANALOG input mode is selected on Select a proper input mode on this unit

this unit.

to turn on the DTS decoder built into

the unit.

A percussive noise is heard when you

begin playing back a source encoded

with DTS.

If the AUTO input mode is selected,

Set the input mode of the currently

depending on some sources, there may selected input source to DTS.

be a case that a noise is heard while

this unit is identifying the format of the

input signal.

No sound is heard when you play back a The DTS decoder built into this unit

source encoded with DTS, even though does not function because the player

the AUTO input mode is selected on this has a digital volume control and it is set

Set the player’s digital volume control

at the maximum, neutral or ineffective

position.

unit.

at a position other than “maximum,”

“neutral” or “ineffective.”

No sound is heard when you play back

an MD or DAT on to which you have

recorded a source encoded with DTS.

A source encoded with DTS cannot be

recorded on to an MD or DAT.

No sound is heard when you play back a In the AUTO mode, the DTS-decoding

Press INPUT MODE on the front panel

or INPUT (for the currently selected

source) on the remote control so that

AUTO appears on the display.

source (CD, etc.) even though the

mode cannot be automatically changed

to the normal (PCM) digital signal input

mode.

currently selected input mode is AUTO.

Notes

• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must

be connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or

only a D-to-A converter is being used without using a DTS decoder, when you play back the source, only a loud hissing noise will

be heard.

• If you make a search (or skip, etc.) operation while playing back a source encoded with DTS, the “dts” indicator goes out from the

display. This is because this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode

to prevent a noise from being output.

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SPECIFICATIONS

Headphones Jack Rated Output/Impedance

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX input,

AUDIO SECTION

Minimum RMS Output Power

VIDEO SECTION

Video Signal Type

[U.K. and Europe models] ..................... PAL

[China and General models] ....... NTSC/PAL

8 ohms, 20 Hz to 20 kHz, 0.04% THD

MAIN L/R ............................. 65 W + 65 W

CENTER ........................................... 65 W

REAR L/R ............................ 65 W + 65 W

8 ohms, 1 kHz, 0.07% THD

1 kHz, 150 mV, 8 ohms ...... 0.5 V/390 ohms

Frequency Response (20 Hz to 20 kHz)

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX to MAIN L/R SP OUT

Video Signal Level ................ 1 Vp-p/75 ohms

S-Video Signal Level

Y ......................................... 1 Vp-p/75 ohms

C .................................. 0.286 Vp-p/75 ohms

MAIN L/R ............................. 80 W + 80 W

CENTER ........................................... 80 W

REAR L/R ............................ 80 W + 80 W

.................................................... 0±0.5 dB

RIAA Equalization Deviation

Maximum Input Level .......... 1.5 Vp-p or more

Signal-to-Noise Ratio ...............50 dB or more

PHONO MM .................................. 0±0.5 dB

Maximum Power

[China and General models only]

8 ohms, 1 kHz, 10% THD

Total Harmonic Distortion (20 Hz to 20 kHz)

PHONO MM to REC OUT

1 V........................................0.02% or less

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX (EFFECT OFF) to MAIN SP OUT

35 W/8 ohms ...................... 0.025% or less

Monitor Out Frequency Response

MAIN L/R ......................... 105 W + 105 W

CENTER ......................................... 105 W

REAR L/R ........................ 105 W + 105 W

.............................. 5 Hz to 10 MHz, –3 dB

GENERAL

Power Supply

[U.K. and Europe models]

Dynamic Power per Channel

(by IHF Dynamic Headroom measuring

method)

Signal-to-Noise Ratio (IHF-A Network)

PHONO MM to REC OUT

........................................ AC 230 V, 50 Hz

[China model] .................... AC 220 V, 50 Hz

[General model]

MAIN L/R

(5 mV, Input Shorted)

[U.K. and Europe models] ...81 dB or more

[China and General models]

............................................86 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX (EFFECT OFF) to MAIN SP OUT

(150 mV, Input Shorted) ......96 dB or more

8/6/4/2 ohms ................ 90/110/135/160 W

DIN Standard Output Power per Channel

[Europe model only]

.............. AC 110/120/220/240 V, 50/60 Hz

Power Consumption

4 ohms, 1 kHz, 0.7% THD ................. 110 W

[U.K. and Europe models] ................. 300 W

[China and General models] .............. 310 W

IEC Power

[Europe model only]

Residual Noise (IHF-A Network)

Maximum Power Consumption

[General model only]

5-ch, 10% THD .................................. 650 W

8 ohms, 1 kHz, 0.04% THD .... 75 W + 75 W

MAIN L/R SP OUT................ 150 µV or less

Power Band Width

MAIN L/R

Channel Separation

(Vol. –30 dB, EFFECT OFF)

PHONO MM

AC Outlets

3 SWITCHED OUTLETS

8 ohms, 35 W, 0.1% THD 10 Hz to 50 kHz

(Input Shorted, 1 kHz/10 kHz)

.................... 60 dB or more/55 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX

(Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)

.................... 60 dB or more/45 dB or more

Damping Factor (SPEAKER A)

[China and General models]

....................................... 100 W max. total

2 SWITCHED OUTLETS

[Europe model]............... 100 W max. total

1 SWITCHED OUTLET

8 ohms, 20 Hz to 20 kHz ............ 60 or more

Input Sensitivity/Impedance

PHONO MM ................... 2.5 mV/47 k-ohms

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX ................... 150 mV/47 k-ohms

EXT. DECODER

[U.K. model] ........................... 100 W max.

Tone Control Characteristics

Dimensions (W x H x D)

BASS:

Boost/cut ............. ±10 dB (50 Hz)

Turnover Frequency ......... 350 Hz

MAIN L/R .................... 150 mV/47 k-ohms

CENTER/SURROUND L/R/SUBWOOFER

.................................... 150 mV/40 k-ohms

.................................. 435 x 151 x 391 mm

(17-1/8” x 5-15/16” x 15-3/8”)

TREBLE: Boost/cut ........... ±10 dB (20 kHz)

Turnover Frequency ........ 3.5 kHz

Weight .......................... 12.5 kg (27 lbs. 8 oz.)

Maximum Input Signal

Filter Characteristics

Accessories ............................ Remote control

Batteries

PHONO MM

MAIN L/R, REAR L/R (SPEAKER: SMALL)

(H.P.F) ..................... fc = 90 Hz, 12 dB/oct.

SUBWOOFER

1 kHz, 0.1% THD .............100 mV or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX (EFFECT ON)

Specifications are subject to change without

notice.

(L.P.F) ..................... fc = 90 Hz, 18 dB/oct.

1 kHz, 0.5% THD .................2.2 V or more

Output Level/Impedance

REC OUT ..................... 150 mV/1.2 k-ohms

PRE OUT

[U.K. and Europe models only]

....................................... 2.1 V/1.2 k-ohms

SUBWOOFER

(MAIN SP: SMALL) ........ 4.0 V/1.2 k-ohms

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LIST OF MANUFACTURERS’ CODES

LISTES DES CODES FABRICANT

VERZEICHNIS DER HERSTELLER CODES

LISTA ÖVER TILLVERKARKODER

ELENCO DEI CODICI DEL FABBRICANTE

LISTA DE CÓDIGOS DE FABRICANTES

LIJST VAN CODES VAN FABRIKANT

Crystal

Curtis Mathes

Cybertron

Daewoo

Dainichi

Dansai

Dayton

De Graaf

Decca

Dixi

0431

0093

0218

Hypson

ICE

ICeS

ITS

ITT

Imperial

0037, 0282, 0264

0217, 0371, 0264

0218

0371

Abex

0032

0009

0093, 0163, 0213

0217, 0032

0208, 0361

0218, 0264, 0369

0037, 0374, 0009

0218, 0215

Acura

Admiral

Adyson

Akai

Akura

Alaron

Alba

0163, 0361

0370, 0418, 0074, 0076,

0037

0009

0208

0084, 0247

Indiana

Ingelen

Inno Hit

Interbuy

Interfunk

Intervision

0037

0163

0072

0068

0037, 0072

0037, 0009

0336, 0352

0216

0037, 0218, 0371, 0009, 0036, 0235

0294

Dual

Allorgan

Dual Tec

Dumont

Elbe

Elin

Elite

Elta

Emerson

Erres

Expert

Ferguson

0217

0070

0259

0037

0037, 0163, 0247, 0361

Amplivision

Amstrad

Anam

Anitech

Arcam

Asberg

Asuka

Atlantic

Audiosonic

Autovox

BPL

BSR

BTC

Baird

Basic Line

Baur

0217

0037, 0217, 0264,

0371, 0009, 0362, 0369

0102, 0068

0009, 0068

0009, 0068, 0076

Isukai

JVC

KTV

Kaisui

0218

0218, 0320

0371, 0036, 0053, 0190, 0192

0216, 0217

0009

0282, 0213, 0361

0037, 0012

0217

0076

0218

0206

0216, 0217, 0218, 0009, 0282

Kamp

0216

0206, 0163

0216

0037, 0235, 0362

0206

Kapsch

Kawasho

Kendo

Kingsley

Kneissel

Korpel

Koyoda

Leyco

Liesenk & Tter

Lloytron

Loewe

0037, 0109

0206, 0076, 0336

0037, 0109, 0005, 0073, 0190,

0238, 0287, 0335, 0343

0216, 0361

0208, 0346, 0359

0037, 0072, 0070, 0105, 0346

0216, 0217, 0294, 0009,

0321, 0247

0282

0294

0218

0343

Fidelity

Finlandia

Finlux

0216

0259

0037

0009

Firstline

0218, 0009

0037, 0010, 0554, 0349, 0361

0037, 0294, 0072, 0264

Fisher

Flint

Formenti

Frontech

Fujitsu

Funai

GEC

GPM

0370, 0217, 0208, 0303

0455

0037, 0320, 0213

0264, 0431, 0163, 0247

0072, 0206

0037

0032

0075

Beko

Beon

Binatone

Blaupunkt

0370

0037

0217

Luma

Luxor

M Electronic

0206

0554, 0191, 0195, 0200,

0349, 0361

0213, 0327, 0328

0294, 0264, 0303

0282, 0093

0037, 0217, 0072, 0043, 0205

0218

0037, 0217, 0374, 0009,

0109, 0068, 0105, 0163,

0287, 0346

Blue Sky

Blue Star

Bondstec

Boots

0218

0282

0247

0217

MGA

MTC

0150

0216, 0349

0102, 0247

Geloso

Genexxa

GoldStar

0009, 0213

0218, 0163

Brandt 0109, 0196, 0198, 0205, 0333, 0335

Magnadyne

Magnafon

Magnavox

Manesth

Marantz

Mark

Brionvega

Britannia

Bush

0362

0216

0037, 0217, 0109,

0032, 0290

0037, 0217, 0374, 0371, 0072,

0036, 0235, 0317, 0343

0370

0102, 0076, 0213

0036

0217, 0320, 0264, 0235

0037

0037, 0218, 0374, 0371, 0294,

Goodmans

0009, 0282, 0036, 0349

0037, 0217

0074, 0076, 0084, 0247, 0306

CCE

CGE

Gorenje

Gradiente

Graetz

0037

0053

0163, 0361

Matsui

0037, 0217, 0371, 0294,

0009, 0072, 0036, 0035,

0011, 0208, 0235

0250

CS Electronics

CTC

Carrefour

Cascade

Cathay

Centurion

Century

Cimline

Clarivox

Clatronic

Condor

Contec

0216

0247

0036

0009

0037

0213

0009

0037

Granada

0037, 0217, 0072, 0146,

0208, 0339, 0359

0282

0037, 0554, 0070, 0191,

0195, 0205

Matsushita

McMichael

Mediator

Memorex

Memphis

Metz

Midland

Minerva

Minoka

Mitsubishi

Mivar

Motion

Motorola

Multitech

Grandin

Grundig

0043

0037, 0012

0009, 0250, 0150

0337

HCM

Hanseatic

Harley Davidson

Harvard

Hinari

0009, 0282

0037, 0320, 0361

0213, 0367

0032

0554, 0070

0043

0068

0370, 0076, 0247

0370, 0320

0216, 0009, 0036, 0157

0196, 0198,

0205, 0333

0074, 0076, 0084, 0213

0037, 0218, 0009, 0036

0282, 0455

0217, 0036, 0109, 0032, 0043,

0044, 0105, 0163, 0196,

0198, 0225, 0306, 0349

0216, 0374

0369

Hisawa

Hitachi

0036, 0093, 0108, 0150

0216, 0290, 0291, 0292

0076

Continental Edison

Crosley

Crown

0093

0037, 0370, 0418, 0009, 0076

Huanyu

0216, 0217, 0009, 0102, 0076

310

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NEC

NEI

0455, 0036

0037, 0431, 0337

Sanyo

0072, 0036, 0011, 0146, 0157,

0208, 0213, 0339

0361

CABLE

Neckermann 0037, 0554, 0191, 0213, 0349

Nikkai

Schaub Lorenz

Schneider

ABC

1003, 1008, 1014, 1017

0037, 0216, 0218, 0072,

0264, 0035, 0032, 0337

0317

0037, 0218, 0371, 0247,

0303, 0323, 0336, 0352

0146

Birgmingham Cable Communications

1276

Nikko

Nobliko

Nokia

Sears

Sei-Sinudyne

Seleco

Sentra

Sharp

Shorai

Siarem

Siemens

British Telecom

Cabletime

Clyde

Contec

Decsat

Filmnet

France Telecom

GEC

General Instrument

GoldStar

Jerrold

1003, 1105

1161, 1271, 1377

1086

0102, 0076

0010

0361

0206, 0163, 0259, 0362

0035

Nordmende

0109, 0196, 0198,

0213, 0287, 0343

0163, 0215, 0361

0250

1019

1423

1443

1451

1086

1276

1144

0036, 0093, 0157

0294

Oceanic

Optimus

Optonica

Orion

Osaki

Oso

Osume

Otake

Otto Versand

0102, 0213

0093

0037, 0554, 0157, 0191, 0195,

0200, 0213, 0327, 0328

0036

0037, 0294, 0320, 0321, 0235

0217, 0218, 0072, 0264, 0032

0218

Silver

Sinudyne

Solavox

Sonitron

Sonoko

Sonolor

Sontec

0294, 0102, 0213, 0235

0032, 0163

1003, 1276, 1014

1443, 1019

1032

0072, 0032, 0157

0317

0037, 0217, 0320, 0036,

0010, 0554, 0191, 0213,

0343, 0349

MNet

0208

0037, 0009

0163, 0208, 0215

0037

0036, 0010, 0011

0037, 0418

0217, 0218, 0009

0206, 0163, 0259

0294, 0321

Magnavox

Memorex

Movie Time

NSC

1000

1156

1019

1003

1000

Palladium

Panama

Panasonic

0370, 0418

0217, 0264

Sony

Oak

Soundwave

Standard

Stern

PVP Stereo Visual Matrix

Panasonic

Paragon

Pioneer

Pulsar

Runco

STS

Salora

Samsung

Satbox

Scientific Atlanta

Starcom

0250, 0163, 0213, 0214,

0226, 0367

0216, 0320, 0213, 0238

0196, 0198, 0205, 0333

0009

Pathe Cinema

Pathe Marconi

Pausa

Penney

Perdio

Phase

Philco

Philips

Sunkai

1144, 1260

1000

Susumu

Sysline

Tandy

Tashiko

Tatung

0218

0037

1000

1156

1382

1144

0032

0320

0032

0217, 0218, 0072, 0093, 0163

0217, 0036, 0043, 0359

0037, 0217, 0072

0217, 0247

0074, 0076, 0084, 0213, 0247

0037, 0374, 0554, 0012,

0043, 0323

Tec

1375

Technema

Technics

Teknika

Teleavia

Telefunken

0320

0250

0150

1008, 1277, 1017

1003

Phonola

Pioneer

Profex

Proline

Protech

0037, 0012

Tele+1

Teleservice

Toshiba

1443

1281

1000

1286

1003

1250

1105

1000

0109, 0163, 0287

0009, 0076, 0361

0321

0205, 0333, 0343

0109, 0005, 0074, 0084,

0101, 0213, 0262, 0306,

0335, 0343

Tudi

0037, 0217, 0418, 0009, 0264,

0102, 0431, 0247, 0337

0012

United Cable

Videoway

Westminster

Zenith

Telemeister

Teletech

Teleton

Tensai

Texet

0320

0009

Pye

Quasar

Quelle

0250

0217, 0206, 0349

0218, 0294, 0320, 0317

0216, 0218

0109, 0196, 0198, 0205,

0287, 0333, 0343, 0349

0037, 0072, 0035, 0074,

0084, 0190, 0192, 0361

0037, 0010, 0554, 0011, 0070,

0074, 0084, 0200, 0213,

0306, 0327, 0328, 0361

0036

Thomson

DBS TUNER

Questa

R-Line

RBM

0037

0070

0090, 0093

Thorn

AST

Alba

Aldes

2321, 2351

2455, 2421, 2362, 2613

RCA

Thorn-Ferguson

Tomashi

Toshiba

Trical

Triumph

Uher

0343

0282

2288

2333

Radio Shack

Radiola

Rank Arena

Realistic

Rediffusion

Revox

0032

0037, 0012, 0323

0036

Allantide

Amstrad

Ankaro

Anttron

Arcon

Armstrong

Astra

Astro

Avalon

Axis

Barcom

Beko

Best

0036, 0035, 0070, 0243

2080, 2252, 2345, 2461, 2501

2369, 2288, 2220, 2519, 2217

0157

0243

0206, 0320, 0303

0032

0361

0037

2421, 2183

2368

2243

Ultra

0192

0102

Rex

0206, 0264, 0163, 0259

0216

Ultravox

Universum

Vestel

2108, 2539

2520, 2173, 2358, 2501

2396

Rhapsody

Roadstar

SBR

SEG

SEI

0037, 0370, 0264, 0105, 0346

0218, 0418, 0009, 0264

0037, 0012, 0043

0217, 0264, 0036, 0076

0294, 0102, 0213

0109, 0075, 0163, 0196, 0198,

0205, 0213, 0287, 0335, 0343

0238

0009, 0264, 0431, 0011, 0235

0163, 0349, 0359, 0361

0102, 0076, 0213

0032

0037

0053

0247

0217

0036

0320

0163

0217

Victor

2369, 2530

2668

Videosat

Videotechnic

Vidtech

Vision

Voxson

Waltham

Watson

Watt Radio

Wega

2217

2189

2369, 2217

2173

2243, 2513

2332

Saba

Saccs

Saisho

Salora

Sambers

Sampo

Samsung

Blaupunkt

Boca

Brain Wave

Bush

0037, 0320

0102

2067

2520

2344

2362

0036

CNT

0037, 0370, 0217, 0009,

0264, 0032, 0090, 0290

0216

White Westinghouse

Yoko

Zanussi

0037, 0216, 0320

0037, 0217, 0264, 0431

0206

Cambridge

Channel Master

Chaparral

Sandra

2053, 2209

311

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CityCom

Commlink

Connexions

Crown

Cyrus

D-box

DDC

DNT

Diskxpress

Drake

EIF

Echostar

Emanon

FTE

Ferguson

Fidelity

Finlux

2394

2288

2396

2243

2200

2723

2362

Palcom

Palladium

Palsat

Panda

Philips

Phonotrend

Planet

Plasmatic

Polytron

Promax

Prosat

Quadral

RFT

2297

2571

2501

2455

Amstrad

Anitech

Asha

Asuka

Audiovox

Baird

Basic Line

Beaumark

Bell & Howell

Blaupunkt

3000, 3278, 3325, 3332

3072

3240

3037

2455, 2571, 2200, 2292, 2328

3037

2288, 2592

2871

3000, 3041, 3104, 3107

3072, 3020, 3278

3240

2396, 2200

2442

2394

2455

2288

2217

2268

2417

2396, 2871

3104

3034, 3226, 3195, 3003, 3006,

3154, 3162, 3227, 3403

3320, 3187, 3321

2362, 2519

2288, 2220, 2200

2200

2396, 2882

2321, 2351, 2461

2421, 2369, 2539

2417

Brandt

2421

2331

Brandt Electronic

Broksonic

Bush

CCE

CGE

Calix

Capehart

Carver

3041

3209

Radiola

Radix

SAT

SEG

STVI

2183, 2067, 2189, 2336

2252

2455, 2108, 2344, 2397

2871

3072, 3278, 3209, 3352

3072, 3278

3000

3037

3020

3081

Fracarro

Freecom

2421, 2335

Saba

Sabre

2520, 2336

2455

Fuba

2421, 2369, 2396, 2217, 2297, 2417

G-Sat

2183

2288, 2834, 2863

2321

Sagem

Salora

Samsung

SatPartner

2820

2108

2287

Catron

Cimline

Cineral

Citizen

Clatronic

Colt

Combitech

Condor

Craig

3020

3072

3278

Galaxis

Galaxisat

GoldStar

Gooding

Goodmans

Grothusen

Grundig

Harting und Helling

Hinari

Hirschmann

2335

2571

2189

2335

2421, 2332, 2520, 2502,

2335, 2692

2605, 2346

2183, 2328

2346

3037, 3278

3020

3072

3352

Satcom

Satec

2571, 2173, 2189, 2328

Satmaster

Schwaiger

Seemann

Siemens

Skymaster

Star Trak

Strong

Sunstar

TPS

Tantec

TechniSat

Techniland

Telefunken

Teleka

Telesat

Thomson

Tonna

Triad

Triasat

Unitor

Universum

Vector

Ventana

Vortec

Vtech

Wevasat

Winersat

Wisi

3020

3072, 3037, 3047, 3240

3072, 3020, 3278

3041, 3162

3240

2333

2183

2183, 2394, 2504

2396, 2530

2173

2288, 2605, 2519

2421

Crown

2502, 2173, 2573, 2287,

Curtis Mathes

Cybernex

Cyrus

Daewoo

Dansai

Daytron

De Graaf

Decca

Denon

Dual

Dumont

Dynatech

ESC

2333, 2397, 2398

Hitachi

Houston

Huth

2455

2668

3081

3020, 3278, 3045

3072

2421

2513

2820

2243, 2288, 2220, 2346

ITT

2108

2871

2592

2571

2332

3020

InVideo

Intervision

JVC

Johansson

Kathrein

2455, 2297, 2336

2262, 2501

2346

3042, 3166

3000, 3081

3042

2421

2243, 2613

2605

3041

3000, 3081, 3104

3000

2173, 2200, 2092, 2331, 2358,

2394, 2442, 2480, 2504

2331, 2335

2173

Kosmos

Kreiselmeyer

Kyostar

La Sat

Lemon

Lenco

Lennox

Lupus

Luxor

Manhattan

Marantz

Maspro

Matsui

Mediamarkt

Micro Technology

Minerva

Morgan’s

Multistar

Muratto

Navex

Neuhaus

Neusat

Newhaus

Nikko

Nokia

2455

3278, 3240

3038

2668, 2346

2321, 2333, 2335, 2351

2501

Elbe

2421

2520, 2513, 2464

2692

Elcatech

Electrohome

Electrophonic

Emerex

Emerson

3072

3037

3032

2332, 2217

2571, 2173

2333

2421, 2335

2592

3000, 3037, 3278, 3209,

3036, 3043, 3088

3320, 3041, 3107, 3321

3000

3081, 3104

3000, 3081, 3042, 3104

2369

2200

2421

2351

2333

2573, 2108

2455, 2592, 2520

2200

2092, 2328, 2336

2571, 2344

2243

Ferguson

Fidelity

Finlandia

Finlux

Firstline

Fisher

Frontech

Fuji

Funai

GEC

Garrard

General

Go Video

GoldHand

GoldStar

Goodmans

2332

2455, 2396, 2173, 2321,

2351, 2372, 2406, 2407

2889

3072, 3037, 3209, 3045, 3043

3046, 3047, 3054, 3104

3020

2333, 2539

2571

2243, 2513

2331, 2464

2335

2332

2501

2692, 2834

2220

XSat

Xcom Multimedia

Zehnder

2889

2520, 2321, 2331

3033

3000

3048, 3240

3081

3000

3020

3432

VCR

ASA

3037, 3081

3048

Admiral

Adventura

Aiko

Aiwa

Akai

3072

3000

3278

2360

3037, 3038, 3225

3072, 3000, 3020,

3037, 3278, 3403

3000, 3008

2455, 2573, 2108, 2328, 2397, 2873

3000, 3037, 3307, 3348, 3352

3315, 3106, 3041, 3053

3072

Nordmende

Orbitech

Oxford

2362

2501

2344

Gradiente

Graetz

Granada

Grandin

Akiba

Alba

3005, 3041, 3104, 3240

3081, 3046, 3104

3072, 3000, 3037

3072, 3020, 3278, 3209, 3315, 3352

Pace

2455, 2183, 2067, 2328, 2336, 2791

Ambassador

3020

312

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Grundig

3072, 3081, 3347, 3226, 3195,

3003, 3006, 3007, 3207, 3349, 3403

Optimus

Orion

Osaki

Otto Versand

Palladium

Panasonic

Pathe Cinema

Pathe Marconi

Penney

Pentax

Perdio

Philco

Philips

Phonola

Pilot

Pioneer

Portland

Profex

Profitronic

Proline

Protec

Pye

Quarter

Quartz

Quasar

Quelle

3037, 3432, 3048, 3104, 3162

3209, 3004, 3036, 3088, 3348, 3352

3072, 3000, 3037

Sunstar

Suntronic

Sylvania

Symphonic

TMK

Tashiko

Tatung

Teac

3000

3000, 3081, 3043

3000

3036, 3240

3000

3000, 3081, 3041

HCM

HI-Q

Hanseatic

Harley Davidson

Harman/Kardon

Harwood

Headquarter

Hinari

Hitachi

3072

3047

3037

3000

3038

3081

3072, 3037, 3006, 3041

3226, 3162, 3225, 3227

3036

3041

3000, 3041

3020

3226, 3162

3072

3037, 3042, 3038, 3054, 3240

Tec

3046

3072, 3004, 3240, 3352

3000, 3004, 3042, 3041,

3166, 3235, 3240

3072

3106, 3046, 3384, 3005,

3041, 3104, 3240

3037, 3278

3042

3000

3209, 3038

3081, 3384, 3403

Technics

Teknika

Teleavia

Telefunken

Tenosal

Tensai

Thomas

Thomson

Thorn

Toshiba

Totevision

Towada

Uher

Unitech

Universum

3000, 3037

3041

3320, 3384, 3041, 3187, 3321

Hypson

ITT

3081

3037

3072

3322, 3000

3081, 3067, 3162, 3235

3000

ITV

3020

3322

3240

3000

3072

3081

3046

3320, 3384, 3041

3036, 3041, 3104

3081, 3045, 3384, 3041, 3043

3037, 3240

Imperial

Ingersol

Interfunk

JVC

3000

3004

3081

3067, 3384, 3008, 3041,

3206, 3207, 3486

3041

3322

3240

Jensen

KEC

KLH

3037, 3278

3000, 3037, 3081, 3106,

3195, 3006, 3240, 3325

3045

3072

3162

3081

Kaisui

Kendo

Kenwood

Kodak

Korpel

LXI

Lenco

Leyco

LIoyd’s

Loewe

Logik

Vector

3209, 3106

3067, 3384, 3038, 3041

3037

RCA

RFT

Radio Shack

Radiola

Radix

3106, 3042, 3048, 3240

Vector Research

Video Concepts

Videosonic

3038

3045

3240

3403

3000, 3037

3081

3072

3037

3278

3072

Wards

3072, 3000, 3081, 3042,

3048, 3047, 3240

3278

3037

Randex

White Westinghouse

XR-1000

Yamaha

Yamishi

Yokan

Yoko

Realistic 3000, 3037, 3048, 3046, 3047, 3104

Rex

3072, 3000

3038

3072

3020, 3240

3000, 3033, 3034

3000

3384, 3041

3034

3072, 3037, 3278, 3240

3081

3037, 3004, 3081, 3006

3072, 3004, 3240

3106, 3048, 3046, 3043, 3104

Ricoh

Roadstar

SBR

SEG

SEI

Luxor

M Electronic

MGA

3000

3043, 3240

3322, 3240

3004, 3081

Zenith

MGN Technology

MTC

Magnasonic

Magnavox

Magnin

Manesth

Marantz

Marta

3240

3000, 3240

3278

3000, 3081

3240

STS

Saba

3042

DVD PLAYER

3320, 3384, 3041, 3206,

3207, 3297, 3321

3209, 3004, 3036, 3088

3106, 3046, 3043

3432, 3045, 3053, 3240

3048

3000, 3067, 3041

3046, 3047, 3104, 3240

3352

3000, 3005, 3041, 3104

3072, 3000, 3081

3045, 3043

3000, 3037, 3042, 3046,

3047, 3054, 3104

3041

Kenwood

Magnavox

Onkyo

Panasonic

Philips

4534

4503

Saisho

Salora

Samsung

Sanky

Sansui

Sanyo

Saville

Schaub Lorenz

Schneider

Scott

3072, 3045

3081, 3003, 3006

3037

4490

4539, 4503

4525

Pioneer

Sony

Matsui 3209, 3004, 3036, 3088, 3348, 3352

4533

4490

4551

4503

Matsushita

Memorex

3162

Technics

Thomson

Toshiba

Yamaha

Zenith

3000, 3037, 3048,3046, 3047,

3104, 3162, 3240, 3307

Memphis

Metz

3072

3347, 3195, 3003,

3006, 3162, 3227

4490, 4545

4503

Sears

Minerva

Minolta

Mitsubishi

Motorola

Multitech

Murphy

NEC

Neckermann

Nesco

Nikko

3195, 3006

Seleco

Semp

Sentra

Sharp

Shintom

Shogun

Shorai

Siemens

3042

3045

3020

3048

LD PLAYER

3081, 3067, 3048, 3043

3048

3072, 3000

Aiwa

Carver

Cyrus

Denon

Disco Vision

Funai

Hitachi

Magnavox

Marantz

Mitsubishi

NAD

Panasonic

Philips

5203

5064, 5194

5388

5059, 5172

5023

5203

5023

5194, 5217

5064, 5194

5059

3072, 3104

3000

3240

3004

3067, 3038, 3041, 3104

3081

3072

3037

3034

3240

3037, 3081, 3195, 3003,

3006, 3054, 3104

3037

Silva

Nikon

Noblex

Singer

Sinudyne

Solavox

Sonolor

Sontec

Sony

3072, 3045

3004, 3081

Nokia

3106, 3046, 3041, 3104, 3240

3320, 3384, 3041, 3297, 3321

3000, 3041

3020

3046

3037

Nordmende

Oceanic

Okano

5059

5204, 5496

5064, 5388, 5194

5023, 5059

3315, 3348

3000, 3032, 3033, 3034, 3011

3348

Olympus

3226

Sunkai

Pioneer

313

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Quasar

Radiola

Realistic

Salora

Sega

Sharp

5204

5388

5203

5064

5023

Luxman

M Electronic

MCS

Magnavox

Marantz

Matsui

Mclntosh

Memorex

Meridian

Micromega

Mission

Mitsubishi

NAD

6328

6525

6029

MD RECORDER

Kenwood

Sony

Yamaha

7826

7490

7888, 7490

6157, 6038, 6129

6157, 6029, 6038, 6129

6157, 6288, 6307

6287

5001

Sony

5193, 5201

5204, 5496

5059

Technics

Telefunken

Theta Digital

Thorn

6032, 6164

6157

6108, 6156

6000

TAPE DECK

5194

5014

5217

Aiwa

Akai

Arcam

Carver

Denon

Fisher

8029, 8197, 8200

8188, 8189

8076

Yamaha

8029

8076, 8412

8074

NSM

Naim

Nikko

Onkyo

6157

CD PLAYER

6525, 6164

6101, 6102

6000, 6032, 6037, 6536,

6048, 6179, 6196, 6342

6303, 6029, 6367

6157, 6274, 6287

6032

Grundig

Harman/Kardon

JVC

8029

8182

Aiwa

Akai

Alba

Arcam

Audio Research

Audio Ton

Audiolab

Audiomeca

BSR

6124, 6157, 6419

6108, 6156, 6199

6536, 6288, 6334

6157

Optimus

8244, 8273, 8274

8070, 8071, 8092,

8205, 8233, 8234

8029

Kenwood

Panasonic

Philips

Pioneer

Poppy

Proton

QED

Quad

Quasar

RCA

Realistic

Revox

Roadstar

Rotel

SAE

Sansui

Sanyo

Schneider

Scott

Sharp

Sherwood

Siemens

Signature

Sony

6157

6134

6164

6452

6029

Magnavox

Marantz

Memorex

Mitsubishi

Onkyo

8029, 8009

8099, 8101

8189

8136, 8135

8027, 8220

8229

6164

6157

6029

6179

Bestar

Optimus

Panasonic

Philips

Binatone

California Audio Lab

Carver

Condor

Cyrus

DKK

Denon

Dual

Emerson

Fisher

8029

6157, 6179

6134, 6164

6157

6000

6003, 6034

6196

6164, 6179

6157, 6113

6461, 6525, 6527

6157

Pioneer

Revox

Sansui

Sanyo

Sharp

8027, 8099, 8101, 8220

8029

8029, 8009

8074

8205

8170, 8243

8229

8273, 8274

6157

6157, 6202, 6513

6048, 6179, 6342

6134

Sony

Technics

Victor

6164

6048, 6179, 6342

6334

6164

Wards

Yamaha

8027

Genexxa

GoldStar

Goodmans

Grundig

Harman/Kardon

Hitachi

6032, 6164

6525, 6383

6536

6037, 6262, 6265

6114, 6196

6516

8094, 8097, 8205, 8478, 8524

6157

6108

6000, 6490

6378

6108, 6173

6032, 6291

6072

Teac

JVC

Kenwood

Technics

Toshiba

Universum

Victor

Wards

Yamaha

Yorx

6207, 6303, 6029

6481

6037, 6523, 6028,

6048, 6190

6287

6157

6072

Kodak

Krell

Linn

6157

6157, 6108

6036, 6082, 6187, 6712

6461

314

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YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B.

WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia ID

V403430

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Quick Reference Card

AMP/TUN

TAPE/MD

DVD/LD

POWER

STANDBY

POWER

SELECTOR

DIAL

INPUT

DISC SKIP

TV POWER

INPUT

DISC SKIP

TV POWER

EXT. DEC.

TEST

A/B/C/D/E

DSP

EFFECT

ON/OFF

PRESET

UP DOWN

VOLUME

MUTE

TV VOLUME

TV POWER

DISPLAY (MD)

DISPLAY

SLEEP

TV POWER

DISPLAY

REC/PAUSE

DECK A/B (TAPE)

PAUSE (MD)

DIR B (TAPE)

SKIP (MD)

TV INPUT

PAUSE

TV INPUT

PAUSE

DIR A (TAPE)

SKIP (MD)

SKIP

SKIP/SEARCH

PLAY

STOP

REWIND (TAPE)

SEARCH (MD)

SUBTITLE (DVD)

SEARCH (LD)

ANGLE (DVD)

SEARCH (LD)

FAST

FORWARD (TAPE)

SEARCH (MD)

SET MENU

TIME/LEVEL

SUBTITLE

ON/OFF (DVD)

AUDIO (DVD)

DSP

DSP program

V404530

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Quick Reference Card

DVD MENU

VCR

CBL/DBS

POWER

Numeric

buttons

CHANNEL

+100

CLEAR

CHANNEL

ENTER

+10

CHANNEL

ENTER

CHANNEL

ENTER

TV EFFECT

ON/OFF

DISC SKIP

CHANNEL

UP DOWN

CHANNEL

UP DOWN

CHANNEL

UP DOWN

TV VOLUME

DISPLAY

TV MUTE

TV POWER

TV SLEEP

DISPLAY

TITLE/INDEX

DISPLAY

TV POWER

VCR REC (*1)

TV INPUT

MENU UP

TV INPUT

PAUSE

TV INPUT

VCR PAUSE

VCR REC (*1)

MENU UP

MENU LEFT

MENU RIGHT

MENU SELECT

PLAY

MENU SELECT

VCR PLAY

STOP

MENU DOWN

RECALL

MENU DOWN

RETURN

VCR STOP

VCR FAST

FORWARD

SET UP

TITLE

REWIND

FAST FORWARD

VCR REWIND

*1: Press this button twice to start recording.

Premere due volte questo tasto per iniziare la registrazione.

Presione dos veces este botón para empezar a grabar.

Druk tweemaal op deze toets om met opnemen te beginnen.

Appuyer deux fois sur cette touche pour démarrer l’enregistrement.

Diese Taste zweimal drücken, um die Aufnahme zu starten.

Tryck två gånger på denna knapp för att starta inspelningen.

V404530

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