Yamaha Musical Instrument CLP 820S User Manual

IMPORTANT

Check your power supply

Make sure that your local AC mains voltage matches the volt-

age specified on the name plate on the bottom panel. In some

areas a voltage selector may be provided on the bottom panel

of the main keyboard unit near the power cord. Make sure that

the voltage selector is set for the voltage in your area. The

voltage selector is set at 240V when the unit is initially

shipped. To change the setting use a “minus” screwdriver to

rotate the selector dial so that the correct voltage appears next

to the pointer on the panel.

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PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING

* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock,

short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:

• Do not open the instrument or attempt to disassemble the internal parts or

modify them in any way. The instrument contains no user-serviceable parts.

If it should appear to be malfunctioning, discontinue use immediately and

have it inspected by qualified Yamaha service personnel.

switch, disconnect the electric plug from the outlet, and have the instrument

inspected by qualified Yamaha service personnel.

• Only use the voltage specified as correct for the instrument. The required

voltage is printed on the name plate of the instrument.

• Do not expose the instrument to rain, use it near water or in damp or wet

conditions, or place containers on it containing liquids which might spill

into any openings.

• Before cleaning the instrument, always remove the electric plug from the

outlet. Never insert or remove an electric plug with wet hands.

• Check the electric plug periodically and remove any dirt or dust which may

have accumulated on it.

• If the power cord or plug becomes frayed or damaged, or if there is a sudden

loss of sound during use of the instrument, or if any unusual smells or

smoke should appear to be caused by it, immediately turn off the power

CAUTION

Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the

instrument or other property. These precautions include, but are not limited to, the following:

• Do not place the power cord near heat sources such as heaters or radiators,

and do not excessively bend or otherwise damage the cord, place heavy

objects on it, or place it in a position where anyone could walk on, trip over,

or roll anything over it.

• (For instruments with a key cover) Take care that the key cover does not

pinch your fingers, and do not insert a finger or hand in the key cover gap.

• (For instruments with a key cover) Never insert or drop paper or metallic or

other objects between the slits of the key cover and the keyboard. If this

happens, immediately turn off the power and remove the electric plug from

the outlet and have the instrument inspected by qualified Yamaha service

personnel.

• When removing the electric plug from the instrument or an outlet, always

hold the plug itself and not the cord. Pulling by the cord can damage it.

• Do not connect the instrument to an electrical outlet using a multiple-con-

nector. Doing so can result in lower sound quality, or possibly cause over-

heating in the outlet.

• Do not place the instrument against a wall (allow at least 3 cm/one-inch

from the wall), since this can cause inadequate air circulation, and possi-

bly result in the instrument overheating.

• Remove the electric plug from the outlet when the instrument is not to be

used for extended periods of time, or during electrical storms.

• Read carefully the attached documentation explaining the assembly pro-

cess. Failure to assemble the instrument in the proper sequence might

result in damage to the instrument or even injury.

•

Before connecting the instrument to other electronic components, turn off the

power for all components. Before turning the power on or off for all compo-

nents, set all volume levels to minimum. Also, be sure to set the volumes of

all components at their minimum levels and gradually raise the volume con-

trols while playing the instrument to set the desired listening level.

• Do not operate the instrument for a long period of time at a high or un-

comfortable volume level, since this can cause permanent hearing loss. If

you experience any hearing loss or ringing in the ears, consult a physi-

cian.

• Do not expose the instrument to excessive dust or vibrations, or extreme

cold or heat (such as in direct sunlight, near a heater, or in a car during the

day) to prevent the possibility of panel disfiguration or damage to the inter-

nal components.

■USING THE BENCH (if included)

• Do not play carelessly with or stand on the bench. Using it as a tool or

step-ladder or for any other purpose might result in accident or injury.

• Do not use the instrument near other electrical products such as televisions,

radios, or speakers, since this might cause interference which can affect

proper operation of the other products.

• Only one person should sit on the bench at a time, in order to prevent the

possibility of accident or injury.

• (For height-adjustable benches) Do not attempt to adjust the bench height

while sitting on the bench, since this can cause excessive force to be im-

posed on the adjustment mechanism, possibly resulting in damage to the

mechanism or even injury.

• Do not place the instrument in an unstable position where it might acciden-

tally fall over.

• Before moving the instrument, remove all connected cables.

• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,

solvents, cleaning fluids, or chemical-impregnated wiping cloths. Also, do

not place vinyl, plastic or rubber objects on the instrument, since this might

discolor the panel or keyboard.

• If the bench screws become loose due to extensive long-term use, tighten

them periodically using the included tool.

■SAVING USER DATA

• Save all data to an external device such as the Yamaha MIDI Data Filer MDF3,

in order to help prevent the loss of important data due to a malfunction or

user operating error.

•

On the CLP-880PE, gently remove dust and dirt with a soft cloth. Do not wipe

too hard since small particles of dirt can scratch the instrument’s finish.

• On the CLP-880PE, bumping the surface of the instrument with metal, porce-

lain, or other hard objects can cause the finish to crack or peel. Use caution.

Yamaha cannot be held responsible for damage caused by improper use or modi-

fications to the instrument, or data that is lost or destroyed.

• Do not rest your weight on, or place heavy objects on the instrument, and do

not use excessive force on the buttons, switches or connectors.

Always turn the power off when the instrument is not in use.

CLP-880/860/840/820/820S

(1)B-6vari.

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Introduction

Thank you for choosing a Yamaha Clavinova. Your Clavinova is a fine musical instrument that employs

advanced Yamaha music technology. With the proper care, your Clavinova will give you many years of

musical pleasure.

■ Stereo sampling of the acoustic piano voices offers unmatched realism and expressive

power, while the AWM (Advanced Wave Memory) tone generator system offers rich,

realistic reproductions of all other voices.

■ Piano-like touch response — adjustable in 4 stages — provides extensive expressive

control and outstanding playability.

■ Dual mode allows 2 voices to be played simultaneously.

■ Split mode (CLP-880/860) allows different voices to be played by the left and right

hands.

■ On the CLP-880/860, damper pedal includes natural resonance effect for the piano

voices, simulating the string and sound-board resonance of acoustic pianos.

■ Metronome feature with variable tempo facilitates practice.

■ 2-track digital recorder lets you record and play back anything you play on the key-

board.

■ MIDI compatibility and a range of MIDI functions make the Clavinova useful in a range

of advanced MIDI music systems.

■ Built-in computer interface for direct connection to personal computers running ad-

vanced music software.

In order to make the most of your Clavinova’s performance potential and features, we urge you to read

this Owner’s Manual thoroughly, and keep it in a safe place for later reference.

The models CLP-880M, CLP-880PE and CLP-860M will be referred to as the CLP-880 and CLP-860 in this

Owner’s Manual.

Included Accessories

■ Owner’s Manual

■ Bench (included or optional depending on locale)

■ Dust Cover (CLP-820S only)

CLP-880/860/840/820/820S

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Contents

The Control Panel .......................................................... 6

F3.4: 2nd Voice Octave Shift................................ 29

F3.5: 1st Voice Effect Depth (CLP-880/860/840) ........ 30

F3.6: 2nd Voice Effect Depth (CLP-880/860/840) ....... 30

F3.5: Reset (CLP-820/820S) ..................................... 30

F3.7: Reset (CLP-880/860/840) .................................. 30

F4: CLP-880/860 Split Mode Functions ................. 30

F4.1: Split Point .................................................... 30

F4.2: Split Balance ............................................... 30

F4.3: Right Voice Octave Shift ............................. 31

F4.4: Left Voice Octave Shift................................ 31

F4.5: Right Voice Effect Depth ............................. 31

F4.6: Left Voice Effect Depth ............................... 31

F4.7: Damper Range............................................ 31

F4.8: Reset........................................................... 31

Key Cover & Music Stand .............................................. 8

Connections ................................................................. 10

Selecting & Playing Voices ...........................................11

Playing the Demonstration Tunes ................................ 12

■

Voice Demo.............................................................. 12

■

Piano Song .............................................................. 13

■

Piano Song A-B Repeat .......................................... 14

■

Piano Song Part Cancel ......................................... 15

■

Synchro Start ..................................................... 15

■

Left Pedal Start/Stop ......................................... 15

The Dual Mode ............................................................ 16

■

Other Dual Mode Functions............................... 16

The Split Mode (CLP-880/860) ........................................ 17

■

F4: CLP-840/820/820S Left Pedal Mode ................ 32

F5: CLP-880/860 Pedal Functions ......................... 32

F5.1: Left Pedal Mode .......................................... 32

■

Selecting the Right and Left Voices ................... 17

■

Setting the Split Point ........................................ 17

F5.2: Damper Mode ............................................. 32

F5.3: Soundboard Depth ...................................... 32

■

Other Split Mode Functions ............................... 17

Reverb ........................................................................ 18

■

F5: CLP-840/820/820S Metronome Volume........... 33

F6: CLP-880/860 Metronome Volume .................... 33

Adjusting Reverb Depth ..................................... 18

The Effect (CLP-880/860/840) .......................................... 19

■

F6: CLP-840/820/820S Piano Song Part Cancel Volume .. 33

F7: CLP-880/860 Piano Song Part Cancel Volume....... 33

■

Adjusting Effect Depth ....................................... 19

Brilliance (CLP-880/860/840) ........................................... 19

The Pedals................................................................... 20

■

F7: CLP-840/820/820S MIDI Functions .................. 34

F8: CLP-880/860 MIDI Functions ........................... 34

■

Damper (Right) Pedal ........................................ 20

Sostenuto (Center) Pedal (except for CLP-820S) ..... 20

Soft (Left) Pedal................................................. 20

■

A Brief Introduction to MIDI................................ 34

■

F7.1/F8.1: MIDI Transmit Channel Selection ....... 34

F7.2/F8.2: MIDI Receive Channel Selection ........ 34

F7.3/F8.3: Local Control ON/OFF ........................ 35

F7.4/F8.4: Program Change ON/OFF .................. 35

F7.5/F8.5: Control Change ON/OFF .................... 36

F7.6/F8.6: MIDI Transmit Transpose.................... 36

F7.7/F8.7: Panel/Status Transmit......................... 36

F7.8/F8.8: Bulk Data Dump.................................. 36

■

Touch Sensitivity ......................................................... 21

Transposition............................................................... 21

Tuning ......................................................................... 22

■

Tuning Up .......................................................... 22

Tuning Down...................................................... 22

To Restore Standard Pitch................................. 22

■

F8: CLP-840/820/820S Backup Functions............. 37

F9: CLP-880/860 Backup Functions ...................... 37

F8.1/F9.1: Voice ................................................... 37

The Metronome & Tempo Control ................................ 23

■

The Metronome ....................................................... 23

■

Metronome Time Signature ............................... 23

Metronome Volume Function............................. 23

F8.2/F9.2: MIDI .................................................... 37

F8.3/F9.3: Tuning ................................................. 37

F8.4/F9.4: Pedal................................................... 37

■

Tempo Control......................................................... 23

Using the Recorder ...................................................... 24

Connecting to a Personal Computer ............................. 38

■

Recording ................................................................ 24

Connecting to an Apple Macintosh Series Computer .... 38

■

Changing the Initial Settings .............................. 25

■

Connecting to an IBM-PC/AT Series Computer ........ 39

■

Erasing a Single Track....................................... 25

Factory Preset Recall .................................................. 40

Troubleshooting ........................................................... 40

Options & Expander Modules ...................................... 40

■

Playback .................................................................. 26

■

Synchro Start ..................................................... 26

Left Pedal Start/Stop ......................................... 26

■

The Function Mode ...................................................... 27

■

To Select a Function … ..................................... 27

■

Demo Song List .................................................................. 41

Factory Setting List............................................................ 42

MIDI Data Format................................................................ 43

MIDI Implementation Chart................................................ 47

CLP-880: Keyboard Stand Assembly ............................... 48

CLP-860/840/820: Keyboard Stand Assembly ................. 56

CLP-820S: Keyboard Stand Assembly............................. 62

Specifications ..................................................................... 68

F1: Tuning ................................................................ 28

F2: Scale .................................................................. 28

F2.1: Scale ........................................................... 28

F2.2: Base Note ................................................... 28

F3: Dual Mode Functions ....................................... 29

■

F3.1: Dual Balance............................................... 29

F3.2: Dual Detune ................................................ 29

F3.3: 1st Voice Octave Shift ................................. 29

CLP-880/860/840/820/820S

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The Control Panel

CLP-820/820S

! #

MASTER VOLUME

RECORDER

METRO-

NOME FUNCTION

PIANO

SONG

DEMO

MAX

ROOM

HALL 1

HALL 2

STAGE

HARD

MEDIUM

SOFT

SONG

SELECT

GRAND

PIANO

HARPSI-

CHORD

PIPE

ORGAN

START/

STOP

E. PIANO

STRINGS

VARIATION

TEMPO

REC

TRANSPOSE

REVERB

TOUCH

MIN

FUNCTION

–

YES

6 8

CLP-840

MASTER

VOLUME

! #

BRILLIANCE

RECORDER

METRO-

PIANO

SONG

NOME FUNCTION

DEMO

MAX

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

DELAY

5^TRANSPOSE

HARD

MEDIUM

SOFT

SONG

SELECT

GRAND

PIANO

CLASSICAL

PIANO

HARPSI-

CHORD

PIPE

ORGAN

START/

STOP

E. PIANO 1 E. PIANO 2

STRINGS

VARIATION

TEMPO

REC

REVERB

EFFECT

TOUCH

MIN

MELLOW

FUNCTION

–

6 7 8

CLP-860

MASTER

VOLUME

! #

BRILLIANCE

RECORDER

METRO-

GRAND

PIANO

CLASSICAL

PIANO

JAZZ

PIANO

ROCK

PIANO

SONG

E. PIANO 1

BASS

NOME FUNCTION

DEMO

MAX

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

DELAY

5^TRANSPOSE

HARD

MEDIUM

SOFT

SONG

SELECT

HARPSI-

CHORD

PIPE

ORGAN

START/

STOP

STRINGS

TEMPO

REC

REVERB

EFFECT

TOUCH

E. PIANO 2

VARIATION

SPLIT

MIN

MELLOW

FUNCTION

–

6 7 8

CLP-880

MASTER

VOLUME

! #

FUNCTION

BRILLIANCE

RECORDER

METRO-

PIANO

SONG

GRAND

PIANO

CLASSICAL

PIANO

JAZZ

PIANO

ROCK

PIANO

E. PIANO 1 E. PIANO 2

NOME

DEMO

MAX

BRIGHT

ROOM

HALL 1

HALL 2

STAGE

CHORUS

SYMPHONIC

TREMOLO

DELAY

HARD

MEDIUM

SOFT

SONG

SELECT

HARPSI-

CHORD

PIPE

ORGAN

CHURCH

ORGAN

JAZZ

ORGAN

START/

STOP

REC

REVERB

EFFECT

TOUCH

STRINGS

BASS

VARIATION

SPLIT

TEMPO

TRANSPOSE

MIN

MELLOW

FUNCTION

–

6 7 8

MASTER

VOLUME

BRILLIANCE

RECORDER

CLASSICAL

PIANO

JAZZ

ROCK

METRO-

NOME

PIANO

SONG

GRAND

PIANO

E. PIANO

BASS

FUNCTION

DEMO

MAX

BRIGHT

ROOM

CHORUS

SYMPHONIC

TREMOLO

DELAY

HALL

HARD

MEDIUM

SOFT

STAGE

HARPSI-

CHORD

PIPE

ORGAN

CHURCH

ORGAN

JAZZ

ORGAN

SONG

SELECT

START/

STOP

TRANSPOSE

REVERB

EFFECT

TOUCH

STRINGS

VARIATION

SPLIT

TEMPO

REC

MIN

MELLOW

FUNCTION

–

YES

STEREO SAMPLING CLP-880

POWER

A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7

CLP-880

Tuning keys (See page 22)

PHONES Jacks (Bottom panel) (See page 10)

1 [POWER] Switch

Press the [POWER] switch once to turn the

when a pair of headphones is plugged into the

PHONES jack (page 10).

power ON, a second time to turn the power OFF.

When the power is initially turned ON, a voice

selector LED will light, and the power indicator

located below the left end of the keyboard will light

(except for CLP-820S).

3 [BRILLIANCE] Control (CLP-880/860/840)

The [BRILLIANCE] Control adjusts the tonality

or “timbre” of the output sound from a mellow tone

to a bright tone.

4 [DEMO] Button

2 [MASTER VOLUME] Control

Activates the demo playback mode in which you

can select playback of different demonstration

sequences for each of the Clavinova’s voices. See

page 12 for details.

The [MASTER VOLUME] control adjusts the

volume (level) of sound produced by the Clavinova’s

internal stereo sound system. The [MASTER

VOLUME] control also adjusts headphone volume

CLP-880/860/840/820/820S

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The Control Panel

5 [TRANSPOSE] Button

corder function. The tempo range is from 32 to 280

beats per minute — page 23. These same buttons are

also used to select functions — page 27.

The [TRANSPOSE] button allows access to the

Clavinova’s TRANSPOSE function (to shift the

pitch of the entire keyboard up or down in semitone

intervals).

# [FUNCTION] Button

This button accesses a range of utility functions

— including the MIDI functions — that significantly

enhance versatility and playability. See page 27 for

details.

6 [REVERB] Button

The [REVERB] button selects a number of

digital reverb effects that you can use for extra depth

and expressive power. See page 18 for details.

$ [PIANO SONG] Button

7 [EFFECT] Button (CLP-880/860/840)

This button selects a number of effects which can

give your sound greater depth and animation.

This button enters the Piano Song Mode. While

in this mode you can use the [SONG SELECT ■/

■] buttons to select from 50 songs.

8 [TOUCH] Button

% [SONG SELECT ■/■] (–/NO, +/YES) Buttons

These buttons select a piano song number for

playback, and are also used to adjust a range of other

parameters (i.e. their “–/NO” and “+/YES” func-

tions).

The [TOUCH] button makes it easy to adjust the

touch response of the Clavinova to match your

playing style. See page 21 for details.

9 Voice Selectors & [VARIATION] Button

Simply press any of the voice selectors to select

the corresponding voice. The voice selector LED

will light to indicate which voice is currently se-

lected. Press the [VARIATION] button so that its

indicator lights to select a variation of the currently

selected voice.

^ RECORDER [START/STOP] and [REC] But-

tons

These buttons control the Clavinova’s recorder,

letting you record and play back just about anything

you play on the keyboard.

There is also a dual mode in which two voices

can be played simultaneously across the full range of

the keyboard (see page 16 for details), and a split

mode on the CLP-880/860 which allows different

voices to be played by the left and right hands (see

page 17 for details).

& RECORDER [1] and [2] Buttons

The Clavinova has a 2-track recorder, and these

buttons are used to select the track(s) to be recorded

or played back. See page 24 for details.

* Pedals

The soft (left), sostenuto (center) and damper

(right) pedals (soft/sostenuto [left] and damper

[right] in the case of the CLP-820S) provide a range

of expressive control capabilities similar to the pedal

functions on an acoustic piano. See page 20 for

details.

0 [SPLIT] Button (CLP-880/860)

Engages the split mode, in which different voices

can be played on the left- and right-hand sections of

the keyboard. See page 17 for details.

! [METRONOME] Button

Turns the metronome sound on and off. The

[TEMPO ■/■] buttons, below, are used to set the

tempo of the metronome sound. The [–/NO] and [+/

YES] buttons are used to change the time signature

(beat) of the metronome if used while the [METRO-

NOME] button is held — page 23.

CLP-880/860/840/820

CLP-820S

Soft pedal

@ [TEMPO ■/■] (FUNCTION </>) Buttons

These buttons adjust the tempo of the metronome

function as well as the playback tempo of the re-

Damper pedal

Sostenuto pedal

Damper pedal

Soft/Sostenuto pedal

CLP-880/860/840/820/820S

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Key Cover & Music Stand

Key Cover (except for CLP-820S)

■ CLP-880 .........................................................................

To open the key cover:

Gently lift the cover until it is fully open.

To close the key cover:

Gently lower the cover over the keys.

Be careful to avoid catching your

fingers when opening or closing

the cover.

■ CLP-860/840/820 ...........................................................

To open the key cover:

ZLift the cover slightly (not too much).

XSlide the cover open.

Be careful to avoid catching your

fingers when opening or closing

the cover.

To close the key cover:

ZSlide the cover toward you.

XGently lower the cover over the keys.

• Hold the cover with both hands when moving it, and do not release it until it is fully opened or

closed. Be careful to avoid catching fingers (yours or others) between the cover and main unit.

• Do not place objects on top of the key cover. Small objects placed on the key cover may fall inside

the main unit when the cover is opened and may not be able to be removed. This could cause

electric shock, short circuit, fire or other serious damage to the instrument.

CLP-880/860/840/820/820S

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Key Cover & Music Stand

Music Stand

To raise the music stand:

ZPull the stand up and toward yourself as far as it will go.

XFlip down the two metal supports at the left and the right on the rear

of the music stand.

CLower the music stand so that it rests on the metal supports.

As shown in the illustration, the angle of the music stand can be set in one

of three positions, according to the position of the metal supports. Set the left

and right metal supports to the same position.

To lower the music stand:

ZPull the music stand toward yourself as far as it will go.

XRaise the two metal supports (at the rear of the stand).

CGently lower the music stand backward until it is all the way down.

• Do not try to use the music stand in a half-raised position.

When lowering the stand, do not release your hands from the music stand

until it is all the way down.

CLP-880/860/840/820/820S

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Connections

MIDI

OUT

THRU

AUX IN

AUX OUT

L/L+R

PEDAL

HOST SELECT

PC-2 PC-1

TO HOST

MIDI

Mac

1 AUX IN L/L+R and R Jacks

AUX IN

L/L+R

These jacks are intended for use with an external tone generator module

such as the Yamaha DOU-10 Disk Orchestra Unit. The stereo outputs from

the external tone generator module are connected to the AUX IN L/L+R

and R jacks, allowing the sound of the tone generator to be reproduced via

the Clavinova’s internal sound system and speakers. A line-level mono

source can be connected to the L/L+R jack.

DOU-10

• The input signal from the AUX IN jacks is controlled by the Clavinova’s volume

and brilliance (CLP-880/860/840) controls. Reverb and effect (CLP-880/860/

840) functions will have no affect.

• The input signal from the AUX IN jacks is delivered to the AUX OUT jacks.

AUX OUT

L/L+R

2 AUX OUT L/L+R and R Jacks

The AUX OUT L/L+R and R jacks deliver the output of the Clavinova for

connection to an instrument amplifier, mixing console, PA system, or recording

equipment. If you will be connecting the Clavinova to a monaural sound

system, use only the L/L+R jack. When a plug is inserted into the L/L+R jack

only, the left- and right-channel signals are combined and delivered via the L/

L+R jack so you don’t lose any of the Clavinova’s sound.

Stereo System

• The AUX OUT jack signal must never be returned to the AUX IN jacks, either

directly or through external equipment.

• The AUX OUT jack signal is not controlled by the Clavinova’s volume control.

Use the volume control on the external audio equipment to adjust the level.

3 PEDAL Jack

This terminal is for connecting the pedal cord from the pedal box (refer

to the “Keyboard Stand Assembly” on pages 48-67).

MIDI

OUT

THRU

4 MIDI IN, THRU and OUT Connectors

The MIDI IN connector receives MIDI data from an external MIDI

device (such as the DOU-10 Disk Orchestra Unit) which can be used to

control the Clavinova. The MIDI THRU connector re-transmits any data

received at the MIDI IN connector, allowing “chaining” of several MIDI

instruments or other devices. The MIDI OUT connector transmits MIDI

data generated by the Clavinova (e.g. note and velocity data produced by

playing the Clavinova keyboard).

Tone Generator

DOU-10

More details on MIDI are given in “MIDI Functions” on page 34.

HOST SELECT

PC-2 PC-1

TO HOST

MIDI

Mac

5 TO HOST Connector & HOST SELECT Switch

This jack and selector switch allow direct connection to a personal

computer for sequencing and other music applications — without the need

for a separate MIDI interface. See page 38 for details.

Personal Computer

■ PHONES Jacks (Bottom Panel)

Two sets of standard stereo headphones can be plugged in here for

private practice or late-night playing. The internal speaker system is auto-

matically shut off when a pair of headphones is plugged into either of the

PHONES jacks.

CLP-880/860/840/820/820S

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Selecting & Playing Voices

Turn Power On ..................................................................................................

After making sure that the Clavinova’s AC cord is properly plugged

into the Clavinova itself and plugged into a convenient AC wall outlet,

press the [POWER] switch located to the right of the keyboard to turn

the power ON. In some areas a plug adaptor may be provided to match

the pin configuration of the AC wall outlets in your area.

POWER

When the power is turned ON, one of the voice selector LEDs will

light, and the power indicator located below the left end of the key-

board will light (except for CLP-820S).

MASTER

VOLUME

Set the Volume..................................................................................................

MAX

Initially set the [MASTER VOLUME] control about half way

between the “MIN” and “MAX” settings. Then, when you start playing,

re-adjust the [MASTER VOLUME] control for the most comfortable

listening level.

MIN

Select a Voice.....................................................................................................

Select the desired voice by pressing one of the voice selectors. Use

the [VARIATION] button to select a variation of the current voice, as

required.

CLP-880

CLASSICAL

PIANO

JAZZ

PIANO

ROCK

PIANO

GRAND

PIANO

E. PIANO 1 E. PIANO 2

HARPSI-

CHORD

PIPE

ORGAN

CHURCH

ORGAN

JAZZ

ORGAN

STRINGS

BASS

VARIATION

Play................................................................................................................................

The Clavinova also offers keyboard touch response, so the volume

and timbre of notes played can be controlled according to how “hard”

you play the keys. The amount of variation available depends on the

selected voice.

BRILLIANCE

Add Effects As Required .......................................................................

BRIGHT

ROOM

CHORUS

SYMPHONIC

TREMOLO

DELAY

You can add or change reverb, effects (CLP-880/860/840) and

brilliance (CLP-880/860/840) as desired by using the [REVERB]

button (page 18), [EFFECT] button (page 19) and the [BRIL-

LIANCE] control (page 19).

HALL 1

HALL 2

STAGE

REVERB

EFFECT

MELLOW

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Playing the Demonstration Tunes

Demonstration tunes are provided that effectively demonstrate each of the

Clavinova’s voices. There are also 50 piano songs that you can play individually,

all in sequence, or in random order. Here’s how you can select and play the

demo tunes.

NOTE

• The demo or piano song mode cannot be engaged while the recorder (page 24) is in use.

• No MIDI reception occurs in the demo/piano song mode.

• The demo/piano song data is not transmitted via the MIDI connectors.

* See page 41 for a complete listing of the demo tunes.

Voice Demo

Engage the Demo Mode .........................................................................

DEMO

Press the [DEMO] button to engage the demo mode — the voice

selector indicators will flash in sequence.

Play a Voice Demo.........................................................................................

Press one of the voice selectors to start playback of all songs starting

from the corresponding voice demo tune — featuring the voice nor-

mally selected by that voice selector button. (If you press the [START/

STOP] button instead of a voice selector button, the GRAND PIANO

demo tune will begin playback.) The indicator of the selected voice

selector button will flash during playback, and “- - -” will appear on the

LED display. You can start playback of any other voice demo tune

during playback by simply pressing the corresponding voice selector.

You can stop playback at any time by pressing the [START/STOP]

button or the voice selector of the currently playing demo.

CLP-880

CLASSICAL

PIANO

JAZZ

ROCK

GRAND

PIANO

E. PIANO 1 E. PIANO 2

HARPSI-

CHORD

PIPE

ORGAN

CHURCH

ORGAN

JAZZ

ORGAN

STRINGS

BASS

NOTE

• Use the [MASTER VOLUME] control to adjust the volume and the

[BRILLIANCE] control (CLP-880/860/840) to adjust the brilliance (page

19).

Exit From the Demo Mode....................................................................

DEMO

Press the [DEMO] button to exit from the demo mode and return to

the normal play mode.

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Playing the Demonstration Tunes

Piano Song

Engage the Piano Song Mode .........................................................

PIANO

SONG

Press the [PIANO SONG] button to engage the piano song mode —

the [PIANO SONG], [1] and [2] indicators will light.

Play a Piano Song.........................................................................................

To play any of the 50 piano songs provided, use the [SONG SE-

LECT ■/■] buttons to select the number of the tune you want to play

(the number will appear on the LED display), then press the [START/

STOP] button. Playback will stop automatically when playback of the

selected piano song has finished.

SONG

SELECT

–

+/YES

Select “ALL” instead of a number to play all piano songs in se-

quence, or select “rnd” to continuously play all piano songs in ran-

dom order. Press the [START/STOP] button to stop playback.

START

STOP

• Use the [MASTER VOLUME] control to adjust the volume.

• You can use the [TEMPO ■/■] buttons to adjust the playback tempo as

required. This produces a relative tempo variation, with a range from “-

50” through “- - -” to “50” at maximum; the range will differ depending on

the selected song.

• The default tempo “- - -” is automatically selected whenever a new piano

song is selected, or playback of a new piano song begins during “ALL” or

“rnd” playback.

• You can play the keyboard along with the piano song playback. The voice

playing on the keyboard can be changed.

• You can change the Brilliance control (CLP-880/860/840) and Reverb

type that is applied to the voice you play on the keyboard and for the

piano song playback. You can change the Effect type (CLP-880/860/840)

and Touch sensitivity that is applied to the voice you play on the key-

board. When a new piano song is selected or a new piano song is

automatically started in continuous play, the HALL 1 reverb type will

automatically be selected.

Exit From the Piano Song Mode....................................................

PIANO

SONG

Press the [PIANO SONG] button to exit from the piano song mode,

the indicator will go off, and return to the normal play mode.

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Playing the Demonstration Tunes

Piano Song A-B Repeat

The A-B Repeat function can be used to continuously repeat a

specified phrase within a piano song. Combined with the Part Cancel

function described below, this provides an excellent way to practice

difficult phrases.

Specify the Beginning (A) of the Phrase..............................

FUNCTION

Select and play a piano song, then press the [FUNCTION] button at

the beginning of the phrase you want to repeat. This sets the “A” point

(“A-” will appear on the display).

To set the “A” point at the very beginning of the song, press the

[FUNCTION] button before starting playback.

Specify the End (B) of the Phrase ...............................................

FUNCTION

Press the [FUNCTION] button a second time at the end of the

phrase. This sets the “B” point (“A-b” will appear on the display). At

this point repeat playback will begin between the specified A and B

points.

Stop Playback....................................................................................................

RECORDER

Press the [START/STOP] button to stop playback while retaining

the specified A and B points. A-B repeat playback will resume if the

[START/STOP] button is then pressed again.

START

STOP

REC

To cancel the A and B points press the [FUNCTION] button once.

NOTE

• The A and B points are automatically canceled when a new song is

selected.

• The A-B Repeat function cannot be used during “ALL” or “rnd” play-

back.

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Playing the Demonstration Tunes

Piano Song Part Cancel

The 50 piano songs have separate left- and right-hand parts that can

be turned on and off as required so you can practice the corresponding

part on the keyboard. The right-hand part is played by the recorder’s [1]

track, and the left-hand part is played by recorder’s [2] track. (Some of

the songs are arrangements for four-hands, tracks [1] and [2] corre-

spond to primo and secondo parts of the arrangement.)

Turn the Desired Part Off ......................................................................

RECORDER

Press the RECORDER [1] or [2] button to turn the corresponding

part off — the corresponding indicator will go out (these buttons

alternately toggle the corresponding part on and off).

START

STOP

REC

NOTE

• The parts can be turned on or off even during playback.

• The Piano Song Part Cancel function cannot be used during “ALL” or

“rnd” playback.

• The “Piano Song Part Cancel Volume” function described on page 33 can

be used to set the canceled part so that it plays at a volume from “0” (no

sound) to “20”. The default setting is “5”.

• Both parts are automatically turned ON whenever a new song is selected.

RECORDER

Start/Stop Playback.....................................................................................

Press the [START/STOP] button to start and stop playback as

START

REC

STOP

required.

Synchro Start .....................................................................................................

When the Synchro Start function is engaged, playback of the se-

lected piano song will begin automatically as soon as you start playing

on the keyboard.

RECORDER

To engage the Synchro Start function press the [START/STOP]

button while holding the part button corresponding to the part which is

ON. A dot will appear in the lower right corner of the display. (Repeat

the previous operation to disengage the Syncro Start function.)

Playback will then start as soon as you begin playing on the key-

board.

START

REC

STOP

NOTE

• If you hold a track button which is OFF while pressing the [START/STOP]

button, that track will be turned ON and the Synchro Start mode will be

engaged.

Left Pedal Start/Stop ..................................................................................

The left pedal can be assigned to start and stop piano song playback

via the “Left Pedal Mode” function described on page 32.

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The Dual Mode

The dual mode makes it possible to play two voices simultaneously across

the entire range of the keyboard.

To activate the dual mode simply press two voice selectors at the

JAZZ

IANO

ROCK

PIANO

E. PIANO 1 E. PIAN

same time (or press one voice selector while holding another). The

voice indicators of both selected voices will light when the dual mode

is active. To return to the normal single-voice play mode, press any

single voice selector.

According to the voice numbering priority as shown in the diagram

on the left, lower valued voice numbers will be designated as the 1st

Voice (the other voice will be designated as the 2nd Voice).

The [STRINGS] [VARIATION] voice has a slow attack. This

voice can sometimes be used with another voice in the Dual Mode to

produce a better “blend”.

Voice numbering priority

CLASSICAL

PIANO

JAZZ

PIANO

ROCK

PIANO

GRAND

PIANO

E. PIANO 1 E. PIANO 2

HARPSI-

CHORD

PIPE

ORGAN

CHURCH

ORGAN

JAZZ

ORGAN

STRINGS

BASS

NOTE

• The dual and split modes (CLP-880/860) cannot be engaged at the same

time.

• The [VARIATION] button indicator will light if the variation is engaged for

either or both of the dual-mode voices. While the dual mode is engaged

the [VARIATION] button can be used to turn the variation for both voices

on or off. To use the variation for only one of the voices the setting must

be made prior to engaging the dual mode.

• [EFFECT] in the Dual Mode

Depending upon the conditions one effect type will take priority over the

other. Depth will be decided according to the depth default value of the

voice combination. However, using function F3 (see page 29) you can

change the depth value for each voice as you like.

Effect depth setting via the panel controls (i.e. pressing the [-/NO] or [+/

YES] buttons while holding the [EFFECT] button — see page 19) will be

applied to the 1st Voice only.

• [REVERB] in the Dual Mode

The reverb type assigned to the 1st Voice will take priority over the other.

(If the reverb is set to OFF, the 2nd Voice’s reverb type will be in affect.)

Reverb depth setting via the panel controls (i.e. pressing the [-/NO] or [+/

YES] buttons while holding the [REVERB] button — see page 18) will be

applied to the 1st Voice only.

Other Dual Mode Functions ...............................................................

The Clavinova Function mode provides access to a number of other

dual-mode functions, listed below. See the corresponding pages for

details.

• Dual Balance ................................................. 29

• Dual Detune .................................................. 29

• 1st Voice Octave Shift ................................... 29

• 2nd Voice Octave Shift .................................. 29

• 1st Voice Effect Depth ................................... 30

• 2nd Voice Effect Depth .................................. 30

• Reset ............................................................. 30

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The Split Mode (CLP-880/860)

The split mode makes it possible to play two different voices on the keyboard

— one with the left hand and another with the right hand. The Left Voice is

played on all keys to the left of (and including) a specified “split point” key, while

the Right Voice is played on all keys to the right of the split point key.

To activate the split mode simply press the [SPLIT] button so thats

indicator lights. The split mode can be turned off at any time by pressing the

SPLIT

[SPLIT] button again so that its indicator goes out.

NOTE

• The dual and split modes cannot be engaged at the same time.

Selecting the Right and Left Voices ....................................................

The voice that was selected before the split mode was engaged becomes

the Right Voice in the split mode. (The Right Voice can also be changed while

in the split mode, by simply pressing the corresponding voice selector.)

To select a Left Voice press the corresponding voice selector while

holding the [SPLIT] button (default: [BASS]). The indicator of the Left

Voice selector will light while the [SPLIT] button is pressed, then only the

Right Voice selector and [SPLIT] button indicators will remain lit.

ANO

ROCK

PIANO

E. PIA

SPLIT

NOTE

• The variation can be individually turned on and off for the split mode voices.

Normally the voice indicator of the Right Voice lights in the split mode. The

[VARIATION] can be used to turn the variation for the Right Voice on or off as

required. While the [SPLIT] button is held, however, the voice indicator of the

Left Voice lights, and in this state the [VARIATION] button can be used to turn

the variation for the Left Voice on or off as required.

• [EFFECT] in the Split Mode

Depending upon the conditions, one effect type will take priority over the other.

Depth will be decided according to the depth default value of the voice

combination. However, using function F4 (see page 30) you can change the

depth value for each voice as you like.

Effect depth setting via the panel controls (i.e. pressing the [-/NO] or [+/YES]

buttons while holding the [EFFECT] button — see page 19) will be applied to

the Right Voice only.

• [REVERB] in the Split Mode

The reverb type assigned to the Right Voice will take priority over the other. (If

the reverb is set to OFF, the Left Voice’s reverb type will be in affect.)

Reverb depth setting via the panel controls (i.e. pressing the [-/NO] or [+/YES]

buttons while holding the [REVERB] button — see page 18) will be applied to

the Right Voice only.

SPLIT

Setting the Split Point.........................................................................................

The split point is initially set at the F#2 key by default. You can change

the split point to any other key by pressing the key while holding the

[SPLIT] button (the name of the current split-point key appears on the LED

display while the [SPLIT] button is held). The split point can also be set via

the Function mode (see below).

Example:

A-1 b=1 C 2 F~2

Other Split Mode Functions .........................................................................

A-1

Bb-1

F#2

The Clavinova Function mode provides access to a number of other

split-mode functions, listed below. See the corresponding pages for details.

• “b” is indicated with a lower “_”.

• “#” is indicated with an upper “~”.

• Split Point ...................................................... 30

• Split Balance ................................................. 30

• Right Voice Octave Shift ............................... 31

• Left Voice Octave Shift .................................. 31

• Right Voice Effect Depth ............................... 31

• Left Voice Effect Depth .................................. 31

• Damper Range .............................................. 31

• Reset ............................................................. 31

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Reverb

The [REVERB] button selects a number of digital reverb effects that you can

use for extra depth and expressive power.

To select a reverb type press the [REVERB] button a few times

ROOM

HALL 1

HALL 2

STAGE

until the indicator corresponding to the desired type lights (the indica-

tors light in sequence each time the [REVERB] button is pressed). No

reverb is produced when all indicators are off.

REVERB

OFF

No reverb effect is selected when no REVERB indicator is lit.

ROOM

This setting add a continuous reverb effect to the sound that is similar

to the type of acoustic reverberation you would hear in a room.

HALL 1

For a “bigger” reverb sound, use the HALL 1 setting. This effect

simulates the natural reverberation of a small-size concert hall.

HALL 2

For a really spacious reverb sound, use the HALL 2 setting. This effect

simulates the natural reverberation of a large concert hall.

STAGE

A simulation of the type of reverb produced in a stage environment.

NOTE

• The default reverb type (including OFF) and depth settings are different

for each voice.

Adjusting Reverb Depth.........................................................................

ROOM

HALL 1

HALL 2

STAGE

Adjust the reverb depth for the selected voice by using the [–/NO]

and [+/YES] buttons while holding the [REVERB] button. The depth

range is from 0 through 20 (the current depth setting appears on the

LED display while the [REVERB] button is held). A setting of “0”

produces no effect, while a setting of “20” produces maximum reverb

depth. Press the [–/NO] and [+/YES] buttons simultaneously while

holding the [REVERB] button to recall the default setting for the

current voice (default depth settings are different for each voice).

SONG

SELECT

REVERB

–

+/YES

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The Effect (CLP-880/860/840)

The [EFFECT] button allows you to select one of the effects that can give

your sound greater depth and animation.

To select an effect type press the [EFFECT] button a few times

until the indicator corresponding to the desired type lights (the indica-

tors light in sequence each time the [EFFECT] button is pressed). No

CHORUS

SYMPHONIC

TREMOLO

DELAY

EFFECT

effect is produced when all indicators are off.

OFF

No effect is selected when no EFFECT indicator is lit.

CHORUS

Shimmering, broadening effect

SYMPHONIC

Adds a deep, symphonic backdrop

TREMOLO

Tremolo effect

DELAY

Echo effect

NOTE

• The default effect type (including OFF) and depth settings are different for

each voice.

Adjusting Effect Depth.............................................................................

CHORUS

SYMPHONIC

TREMOLO

DELAY

Effect depth can be individually adjusted for the selected voice by

using the [–/NO] and [+/YES] buttons while holding the [EFFECT]

button. The depth range is from 0 through 20 (the current depth setting

appears on the LED display while the [EFFECT] button is held). A

setting of “0” produces no effect, while a setting of “20” produces

maximum effect depth. Press the [–/NO] and [+/YES] buttons simulta-

neously while holding the [EFFECT] button to recall the default

setting for the current voice (the default depth settings are different for

each voice).

SONG

SELECT

EFFECT

–

+/YES

Brilliance (CLP-880/860/840)

This control can be used to change the tonality or “timbre” of the sound

output. The control range is from MELLOW to BRIGHT.

BRILLIANCE

For a brighter or “sharper” tone, slide the control towards the

BRIGHT

BRIGHT position. For a “rounder” more mellow tone, slide the control

towards the MELLOW position.

NOTE

• When the BRILLIANCE is set to BRIGHT, the overall sound will be

slightly louder. If the MASTER VOLUME is set at a high level the sound

may become distorted. If so, lower the MASTER VOLUME level.

MELLOW

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The Pedals

The CLP-820 has two and other models have three foot pedals that

produce a range of expressive effects similar to those produced by the

pedals on an acoustic piano.

Damper (Right) Pedal ................................................................................

CLP-880/860/840/820

The damper pedal functions in the same way as a damper pedal on

an acoustic piano. When the damper pedal is pressed notes played have

a long sustain. Releasing the pedal immediately stops (damps) any

sustained notes.

On the CLP-880/860, when GRAND PIANO, CLASSICAL PI-

ANO, or JAZZ PIANO is selected the damper pedal also produces a

special “resonance” that simulates the ring of the strings and the sound

board of an acoustic piano.

Soft pedal

Damper pedal

Sostenuto pedal

The CLP-880/860 damper pedal additionally features continuous

damping. This allows you to create shorter effects by pressing the

damper pedal down only part of the way.

CLP-820S

NOTE

• On the CLP-880/860, soundboard depth and damper pedal mode (switch/

continuous) settings can be changed using the “Pedal Functions” (page

32) in the function mode.

Damper pedal

Sostenuto (Center) Pedal (except for CLP-820S) .....................

Soft/Sostenuto pedal

If you play a note or chord on the keyboard and press the sostenuto

pedal while the note(s) are held, those notes will be sustained as long as

the pedal is held (as if the damper pedal had been pressed) but all

subsequently played notes will not be sustained. This makes it possible

to sustain a chord, for example, while other notes are played “staccato.”

NOTE

• Organ and string voices will continue to sound for as long as the soste-

nuto pedal is depressed.

Soft (Left) Pedal...............................................................................................

The soft pedal reduces the volume and slightly changes the timbre of

notes played while the pedal is pressed. The soft pedal will not affect

notes which are already playing when it is pressed.

The left pedal can also be assigned to song start/stop operation (or

sostenuto in the case of the CLP-820S) via the “Left Pedal Mode”

described on page 32.

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Touch Sensitivity

Four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT

or FIXED — can be selected to match different playing styles and preferences.

To select a touch sensitivity type press the [TOUCH] button a few

HARD

MEDIUM

SOFT

times until the indicator corresponding to the desired type lights (the

indicators light in sequence each time the [TOUCH] button is pressed).

TOUCH

HARD

The HARD setting requires the keys to be played quite hard to

produce maximum loudness.

MEDIUM

The MEDIUM setting produces a fairly “standard” keyboard response.

This is the initial factory default setting.

SOFT

The SOFT setting allows maximum loudness to be produced with

relatively light key pressure.

FIXED (no indicator lit)

All notes are produced at the same volume no matter how hard the

keyboard is played.

When the FIXED type is selected, the volume of notes played in the

FIXED mode can be set by using the [–/NO] and [+/YES] buttons

while the [TOUCH] button is held (the current volume level appears on

the display). The volume range is from 1 through 127. The default

setting is 64.

NOTE

• This setting does not change the weight of the keyboard.

• The touch sensitivity type and volume set in the FIXED mode will become

the common setting for all voices.

Transposition

The Clavinova’s TRANSPOSE function makes it possible to shift the pitch of

the entire keyboard up or down in semitone intervals up to a maximum of 12

semitones (i.e. a maximum of one octave up or down). “Transposing” the pitch

of the Clavinova keyboard facilitates playing in difficult key signatures, and you

can easily match the pitch of the keyboard to the range of a singer or other

instrumentalist.

Use the [–/NO] or [+/YES] button while holding the [TRANS-

SONG

SELECT

TRANSPOSE

POSE] button to transpose down or up as required. The transposition

–

+/YES

range is from “–12” (down one octave) through “0” (normal pitch) to

“12” (up one octave). The amount of transposition appears on the LED

display while the [TRANSPOSE] button is held. The default transpose

setting is “0”.

NOTE

• The [TRANSPOSE] button indicator remains lit when a transpose setting

other than “0” is selected.

• Notes below and above the A-1 … C7 range of the Clavinova sound one

octave higher and lower, respectively.

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Tuning

Tuning makes it possible to adjust the pitch of the Clavinova over a 427.0 Hz

… 453.0 Hz (corresponding to the A3 note’s Hz) range in approximately 0.2

Hertz intervals. Pitch control is useful for tuning the Clavinova to match other

instruments or recorded music.

Tuning Up ...............................................................................................................

-1

B-1

ZTo tune up (raise pitch), hold the A-1 and B-1 keys simultaneously.

XPress any key between C3 and B3. Each time a key in this range is

pressed the pitch is increased by approximately 0.2 Hz.

The [–/NO] and [+/YES] buttons can also be used to tune down or up,

respectively, in approximately 1 Hz increments. Press the [–/NO] and

[+/YES] buttons simultaneously to recall standard tuning (A3 = 440

Hz).

SONG

SELECT

–

+/YES

CRelease the A-1 and B-1 keys.

-1

Tuning Down.......................................................................................................

ZTo tune down (lower pitch), hold the A-1 and A#-1 keys simulta-

neously.

XPress any key between C3 and B3. Each time a key in this range is

pressed the pitch is decreased by approximately 0.2 Hz.

The [–/NO] and [+/YES] buttons can also be used to tune down or up,

respectively, in approximately 1 Hz increments. Press the [–/NO] and

[+/YES] buttons simultaneously to recall standard tuning (A3 = 440

Hz).

SONG

SELECT

–

+/YES

CRelease the A-1 and A#-1 keys.

-1

To Restore Standard Pitch...................................................................

ZTo restore the default pitch (A3 = 440 Hz), hold the A-1, A#-1 and

B-1 keys simultaneously.

XPress any key between C3 and B3.

CRelease the A-1, A#-1 and B-1 keys.

In terms of “Hertz”, the overall tuning range is from 427.0 Hz to 453.0

Hz. The current tuning setting is shown on the LED display while the tuning

is being adjusted. Tenths of a Hertz are indicated on the LED display by the

appearance and position of one or two dots, as in the following example:

Display

440

Value

440.0

440.2

440.4

440.6

440.8

440

NOTE

• An alternative tuning method is available in the Function mode — page 28.

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The Metronome & Tempo Control

The Clavinova built-in metronome is a convenient feature for practice, and it

can also provide a solid rhythmic guide when recording using the Recorder

feature, described in the next section.

The Metronome

METRO-

NOME

The metronome sound is alternately turned on and off by pressing

the [METRONOME] button. When on, the beat indicator flashes at the

current tempo.

Beat indicator

Metronome Time Signature ................................................................

The time signature (beat) of the metronome can be set by using the

[–/NO] and [+/YES] buttons while holding the [METRONOME]

button. You can set the beat to 0, 2, 3, 4 or 6 (the current setting appears

on the LED display while the [METRONOME] button is held). Press

the [–/NO] and [+/YES] buttons simultaneously while holding the

[METRONOME] button to recall the default setting “0” (no accent).

METRO-

NOME

SONG

SELECT

–

+/YES

Metronome Volume Function ...........................................................

The volume of the metronome sound can be adjusted via the Metro-

nome Volume function in the Function mode—page 33.

Tempo Control

The tempo of the metronome and recorder playback (the recorder is

described in the next section) can be set from 32 to 280 beats per

minute by using the [TEMPO t/s] buttons. The selected tempo will

appear on the LED display while in the normal play mode and while the

[TEMPO t/s] buttons are being used to adjust the tempo in the

recording/playback mode. The default tempo (120 or the recorded song

tempo when the recorder contains data and the playback track indicator

is lit) can be recalled by simultaneously pressing the [t] and [s]

buttons.

SONG

SELECT

–

+/YES

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Using the Recorder

The Clavinova features a two-track recorder that let you record what you play

on the keyboard and then play it back. Two tracks mean that you can “overdub”

one part on top of another, using a different voice if you like. The recorder feature

is a useful adjunct to any keyboard study program, since it lets you hear exactly

how you sound from the listener’s perspective. It can also be just plain fun.

The recorder actually records the following data:

■ Entire Song

■ Tempo ■ Time signature (beat) ■ Reverb type (including OFF)

■ Effect type (CLP-880/860/840)

■ Individual Tracks

■ Notes played

■ Voice selection

■ Voice variation

■ Dual mode voices

■ Damper pedal

■ Split mode voices (CLP-880/860)

■ Soft pedal

■ Sostenuto pedal (not recorded as an initial setting)

■ Effect depth (CLP-880/860/840)

■ Reverb depth

■ Dual balance (F3)

■ Dual detune (F3)

■ Dual octave shift (F3)

■ Split balance (F4: CLP-880/860) ■ Split octave shift (F4: CLP-880/860)

Recording

Make All Necessary Initial Settings............................................

CLASSICAL

PIANO

JAZZ

PIANO

ROCK

PIANO

GRAND

PIANO

E. PIA

Before actually beginning to record, select the voice you want to

record with (or voices if you will be using the dual or split mode). You

might also want to set the volume and tempo controls.

Engage the Record Ready Mode ..................................................

RECORDER

Press the RECORDER [REC] button to engage the record ready mode

(recording does not actually start yet). The record ready mode can be

disengaged before recording by pressing the [REC] button a second time.

START

STOP

REC

• The record ready mode cannot be engaged while the demo/piano song

mode is engaged.

Select the Record Track .........................................................................

RECORDER

When the record mode is engaged in the previous step, the last-

recorded track will automatically be selected for recording and its indica-

tor — i.e. the [1] or [2] button indicator — will glow red. If you want to

record on a different track, press the appropriate track button so that its

indicator glows red.

START

STOP

REC

• The track button indicators of tracks which contain previously recorded data

will glow green (unless the track is turned off as described below). The

previously-recorded data on the non-record track will normally be played

back as you record, so you can play along with a previously-recorded track.

If you don’t want to hear the previously recorded track as you record (when

you want to record a song different from what you recorded on the previous

track etc.,), press the playback track button before pressing the [REC]

button (step 1, above) so that its indicator goes out.

• Recording on a track which already contains data will erase all previous

data on that track.

CLP-880/860

• When the record mode is engaged the amount of memory available for

recording will be shown on the LED display in approximate kilobytes

(starting at “50” on the CLP-880/860 and “25” on the CLP-840/820/820S),

and the rightmost dot on the LED display will flash at the current METRO-

NOME tempo setting.

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Using the Recorder

Start Recording................................................................................................

Recording will begin automatically as soon as you play a note on the

keyboard or press the [START/STOP] button. The current measure

number will appear on the display while recording.

• The left pedal can be assigned to start and stop recording via the “Left

Pedal Mode” function described on page 32.

RECORDER

• If the metronome was on when you started recording, you’ll be able to

keep time with the metronome while recording, but the metronome sound

will not be recorded.

START

REC

STOP

• You can record up to a maximum of about 10,000 notes on the CLP-880/

860 or 5,000 notes on the CLP-840/820/820S, depending on pedal usage

and other factors. The record track indicator will begin to flash when

recorder memory is almost full. If the memory becomes full during

recording, “ FUL” will appear on the display and recording will stop

automatically. (All recorded data up to that point will be retained.)

RECORDER

Stop Recording................................................................................................

Press either the RECORDER [REC] or [START/STOP] button to

stop recording.

The indicator of the recorded track will glow green to indicate that it

now contains data.

START

REC

STOP

Changing the Initial Settings.............................................................

RECORDER

The initial voice, tempo, reverb type, reverb depth, and effect settings

made in step 1 of the recording procedure are actually recorded by the

Clavinova.

These initial settings can be changed after the recording is finished by

pressing the [REC] button to engage the record ready mode, pressing the

appropriate track button, making the required changes, and then pressing

the [REC] button again to exit from the record ready mode and register

the changes.

START

STOP

REC

If you do this, be careful not to press the [START/STOP] button or a

key on the keyboard, either of which will start recording and erase all

previous recorded data on the selected track.

It is possible to cancel the operation even after changes have been

made: change tracks and then press the [REC] button to exit from the

record mode (this also cancels data for the entire song).

• The following data for initial settings cannot be changed: “Dual balance

(F3)”, “Dual detune (F3)”, “Dual octave shift (F3)”, “Split balance (F4:CLP-

880/860)” or “Split octave shift (F4:CLP-880/860)”.

RECORDER

Erasing a Single Track .............................................................................

All data can be erased from either of the recorder’s tracks by engag-

ing the record mode, selecting the track you want to erase, and then

pressing the [START/STOP] button twice without recording any data.

START

REC

STOP

Press twice.

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Using the Recorder

Playback

To play back what you’ve recorded, first make sure that the green track

indicators of the tracks you want to play are lit. If not, press the corresponding

track button(s) so that they are lit. Then press the RECORDER [START/

STOP] button. Playback starts from the beginning of the recorded data, and

will stop automatically at the end of the recorded data. You can also stop

playback at any time by pressing the [START/STOP] button.

RECORDER

START

REC

STOP

To mute a track so that it doesn’t play back, press the corresponding track

button so that its indicator goes out (press again to turn the track back on).

The current measure number appears on the display during playback.

• It is possible to play along on the keyboard during playback. In this case, the

playback voice and the voice you play on the keyboard are not the same. The

playback voice is the voice that was set when the data was recorded. The voice

you play on the keyboard is the voice that is selected on the panel.

• The playback volume and tempo can be adjusted by using the [MASTER VOL-

UME] control and [TEMPO ■/■] buttons (press both [TEMPO ■/■] buttons

simultaneously to recall the default tempo).

• All recorder data will be retained in memory for about one week after the power is

turned off. If you want to keep your recorded data for longer periods, turn the power

on for a few minutes at least once a week. It is also possible to store it to an

external MIDI storage device such as the Yamaha MIDI Data Filer MDF3 by using

the Bulk Data Dump function described on page 36.

• The track indicators will not light automatically when the power is turned on even if

the recorder contains data. It is therefore necessary to press the track buttons so

that the corresponding green indicators light before starting RECORDER playback.

It is also a good idea to press the track buttons to check if the tracks contain data

before recording. If the green indicator lights when the corresponding track button

is pressed, that track contains data which will be erased and replaced by the

newly-recorded data.

• If the metronome is being used during playback, the metronome will automatically

stop when playback is stopped.

• During recorder playback, the volume of a track which is turned off will always be

“0” (i.e. the “Piano Song Part Cancel Volume” function — page 33 — only affects

piano song playback.

• The playback data is not transmitted via the MIDI OUT connector.

• Playback cannot be started when the demo/piano song mode is engaged.

• Playback cannot be started when the recorder contains no data, or when both track

buttons are off.

• When using REVERB or EFFECT during playback, depending upon the conditions

one reverb type and one effect type will take priority.

RECORDER

Synchro Start ....................................................................................................................

When the Synchro Start function is engaged, recorder playback will begin

automatically as soon as you start playing on the keyboard.

START

To engage the Synchro Start function press the [START/STOP] button

while holding a track button which is ON. The rightmost dot on the display will

flash at the current tempo. (Repeat the previous operation to disengage the

Syncro Start function.) Playback will then start as soon as you begin playing on

the keyboard.

REC

STOP

If you hold a track button which is OFF while pressing the [START/STOP]

button, that track will be turned ON and the Synchro Start mode will be engaged.

Left Pedal Start/Stop .................................................................................................

The left pedal can be assigned to start and stop recorder playback via the

“Left Pedal Mode” function described on page 32. This is convenient for

starting playback of the recorded part anytime after you have started playing.

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The Function Mode

The [FUNCTION] button provides access to a range of functions that give the

Clavinova extraordinary versatility. The functions are categorized in groups as

follows:

CLP-840/ CLP-880/

820/820S 860

–

F1 Tuning ............................................................. 28

F2 Scale ............................................................... 28

F3 Dual Mode Functions .................................... 29

F4 Split Mode Functions .................................... 30

–

Left Pedal Mode ............................................. 32

F5 Pedal Functions ............................................. 32

F6 Metronome Volume........................................ 33

F7 Piano Song Part Cancel Volume .................. 33

F8 MIDI Functions ............................................... 34

F9 Backup Functions.......................................... 37

To Select a Function … ...........................................................................

FUNCTION

ZPress the [FUNCTION] button so that its indicator lights.

NOTE

• Functions cannot be selected during demo/piano song playback or when

the recorder is in operation.

XUse the FUNCTION [<] and [>] buttons to select the desired

function: F1 through F8 on the CLP-840/820/820S; F1 through F9

on the CLP-880/860.

TEMPO

FUNCTION

CIn the case of the Scale (F2), Dual Mode (F3), Split Mode (F4:

CLP-880/860), Pedal Functions (F5: CLP-880/860), MIDI (F7:

CLP-840/820/820S, F8: CLP-880/860), and Backup (F8: CLP-840/

820/820S, F9: CLP-880/860) functions, you will have to press the

[+/YES] button once to enter the respective sub-mode after the

function has been selected, and then use the FUNCTION [<] and

[>] buttons again to select the desired sub-function.

■ Operation Example

Press [+/YES]

(sub-mode)

Use FUNCTION [<], [>]

NOTE

• The Dual or Split (CLP-880/860) mode must be engaged before the F3

and F4 functions can be selected, respectively. If the corresponding mode

is not engaged, “F3-” or “F4-” will appear on the display and the

corresponding sub-mode will not be available.

Press [–/NO] or [+/YES]

once

• The Dual mode can be engaged while in the Function mode, but the

Function mode must be exited before the Split mode (CLP-880/860) can

be engaged.

Use [–/NO], [+/YES]

VSet the function as required by using the [–/NO] and [+/YES]

buttons (see the individual function descriptions, below).

NOTE

• After selecting the function, the current setting will be displayed when the

[–/NO] or [+/YES] button is pressed for the first time.

BPress the [FUNCTION] button so that its indicator goes out to exit

from the function mode.

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The Function Mode

Tuning

In addition to the tuning method described on page 22, overall tuning can also be accom-

plished via the F1 function.

After selecting “F1”, use the [–/NO] and [+/YES] buttons to lower or raise the pitch in

approximately 0.2 Hz increments (the first time the [–/NO] or [+/YES] button is pressed

simply switches to the tuning value display without actually changing the tuning). The overall

tuning range is from 427.0 Hz to 453.0 Hz (corresponding to the A3 note’s Hz). Press the

[–/NO] and [+/YES] buttons simultaneously to recall the default value “440 Hz”.

Tenths of a Hertz are indicated on the LED display by the appearance and position of one

or two dots, as in the following example:

Display

440

Value

440.0

440.2

440.4

440.6

440.8

440

Scale

After selecting “F2Y”, press the [+/YES] button to engage the scale function sub-mode,

then use the FUNCTION [<] and [>] buttons to select the desired scale function, as listed

below.

F2.1: Scale..........................................................................................................................................................

In addition to the standard Equal Temperament tuning, the Clavinova includes 6 classic

tunings that you can select and use to play music of the corresponding period, or experiment

with in a more modern context. The tunings are:

1: Equal Temperament

2: Pure Major

3: Pure Minor

5: Mean Tone

6: Werckmeister

7: Kirnberger

4: Pythagorean

Use the [–/NO] and [+/YES] buttons to select the number of the desired tuning. Press the

[–/NO] and [+/YES] buttons simultaneously to recall the default settings (Equal Temperament

tuning).

F2.2: Base Note.............................................................................................................................................

Unlike Equal Temperament tuning, these classic tunings must be tuned to a specific key.

Use the [–/NO] and [+/YES] buttons to select the key you want the previously selected tuning

to be based. The selected key will appear on the display, followed by a low bar if flat (e.g.

“A_”) or a high bar if sharp (e.g. “F~”).

Press the [–/NO] and [+/YES] buttons simultaneously to recall the default settings “C”.

NOTE

• The base note setting is effective for tunings other than the Equal Temperament tuning.

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The Function Mode

Dual Mode Functions

After selecting “F3Y”, press the [+/YES] button to engage the dual-mode function sub-

mode, then use the FUNCTION [<] and [>] buttons to select the desired dual mode func-

tion, as listed below.

If the Dual mode is not engaged “F3-” will appear instead of “F3Y” and the Dual mode

functions cannot be selected. If this happens engage the Dual mode and proceed.

■ SHORTCUT: You can jump directly to the dual-mode functions (F3) by pressing the

[FUNCTION] button while holding the two dual-mode voice selectors.

NOTE

• Dual mode function settings are set individually for each voice combination.

F3.1: Dual Balance.....................................................................................................................................

The volume levels of the two voices combined in the dual mode can be adjusted as re-

quired by using this function. Use the [–/NO] and [+/YES] buttons to adjust the balance as

required. The balance range is from 0 through 20. A setting of “10” produces equal balance

between the two dual-mode voices. Settings below “10” increase the volume of the 2nd Voice

in relation to the 1st Voice, and settings above “10” increase the volume of the 1st Voice in

relation to the 2nd Voice (“1st” and “2nd” is explained on page 16). Press the [–/NO] and [+/

YES] buttons simultaneously to recall the default setting (different for each voice combina-

tion).

You can set one voice as the main voice, and another voice as a softer, mixed voice.

F3.2: Dual Detune .......................................................................................................................................

This function makes it possible to detune the 1st and 2nd dual-mode Voices to create a

thicker sound. Use the [–/NO] and [+/YES] buttons to set the amount of detuning as required.

The detune range is from –10 through 10. A setting of “0” sets both voices to the same pitch.

Settings below “0” increase the pitch of the 2nd Voice in relation to the 1st Voice, and settings

above “0” increase the pitch of the 1st Voice in relation to the 2nd Voice (“1st” and “2nd” is

explained on page 16). Press the [–/NO] and [+/YES] buttons simultaneously to recall the

default setting (different for each voice combination).

F3.3: 1st Voice Octave Shift ............................................................................................................

F3.4: 2nd Voice Octave Shift ..........................................................................................................

Depending on which voices you combine using the dual mode, the combination may sound

better if one of the voices is shifted up or down an octave. Use the [–/NO] and [+/YES]

buttons to set the octave of the 1st or 2nd Voice as required (“1st” and “2nd” is explained on

page 16). The available settings are “0” for normal pitch, “–1” to shift the pitch down one

octave, and “1” to shift the pitch up one octave. Press the [–/NO] and [+/YES] buttons simul-

taneously to recall the default setting (different for each voice combination).

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The Function Mode

F3.5: 1st Voice Effect Depth (CLP-880/860/840) ....................................................................

F3.6: 2nd Voice Effect Depth (CLP-880/860/840) ..................................................................

These functions make it possible to individually set the depth of the effect for the 1st and

2nd dual-mode Voices (“1st” and “2nd” is explained on page 16). Use the [–/NO] and [+/

YES] buttons to set the effect depth for the corresponding voice as required. The depth range

is from 0 through 20. A setting of “0” produces no effect, while a setting of “20” produces

maximum effect depth. Press the [–/NO] and [+/YES] buttons simultaneously to recall the

default setting (different for each voice combination).

NOTE

• The effect depth settings cannot be changed unless the EFFECT is ON. The Function mode must be

exited before EFFECT can be turned ON.

F3.5: Reset (CLP-820/820S) .......................................................................................................................

F3.7: Reset (CLP-880/860/840) .................................................................................................................

This function resets all dual-mode functions to their default values. Press the [+/YES]

button to reset the values. “End” will appear on the display when all functions have been

reset.

CLP-880/860 Split Mode Functions

After selecting “F4Y”, press the [+/YES] button to engage the split-mode function sub-

mode, then use the FUNCTION [<] and [>] buttons to select the desired split mode func-

tion, as listed below.

If the Split mode is not engaged “F4-” will appear instead of “F4Y” and the Split mode

functions cannot be selected. Also note that you must exit from the Function mode before the

Split mode can be engaged.

■ SHORTCUT: You can jump directly to the split-mode functions (F4) by pressing the

[FUNCTION] button while holding the [SPLIT] button.

NOTE

• Split mode function settings are set individually for each voice combination.

F4.1: Split Point ............................................................................................................................................

In addition to the split point setting method described on page 17, the split point can be set

via this function. Use the [–/NO] and [+/YES] buttons to set the split point as required, or

simply press the appropriate key on the keyboard: from “A-1” to “C7”. Press the [–/NO] and

[+/YES] buttons simultaneously to recall the default setting “F#2”.

F4.2: Split Balance.....................................................................................................................................

The volume levels of the two voices combined in the split mode can be adjusted as re-

quired by using this function. Use the [–/NO] and [+/YES] buttons to adjust the balance as

required. The balance range is from 0 through 20. A setting of “10” produces equal balance

between the two split-mode voices. Settings below “10” increase the volume of the Left Voice

in relation to the Right Voice, and settings above “10” increase the volume of the Right Voice

in relation to the Left Voice. Press the [–/NO] and [+/YES] buttons simultaneously to recall

the default setting (different for each voice combination).

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The Function Mode

F4.3: Right Voice Octave Shift......................................................................................................

F4.4: Left Voice Octave Shift..........................................................................................................

Depending on which voices you combine using the split mode, the combination may sound

better if one of the voices is shifted up or down an octave. Use the [–/NO] and [+/YES]

buttons to set the octave of the Left or Right Voice as required. The available settings are “0”

for normal pitch, “–1” to shift the pitch down one octave, and “1” to shift the pitch up one

octave. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting

(different for each voice combination).

Set according to the pitch extent for the song you want to play.

F4.5: Right Voice Effect Depth......................................................................................................

F4.6: Left Voice Effect Depth..........................................................................................................

These functions make it possible to individually set the depth of the effect for the Left and

Right split-mode Voices. Use the [–/NO] and [+/YES] buttons to set the effect depth for the

corresponding voice as required. The depth range is from 0 through 20. A setting of “0”

produces no effect, while a setting of “20” produces maximum effect depth. Press the [–/NO]

and [+/YES] buttons simultaneously to recall the default setting (different for each voice

combination).

NOTE

• The effect depth settings cannot be changed unless the EFFECT is ON. The Function mode must be

exited before EFFECT can be turned ON.

F4.7: Damper Range................................................................................................................................

The Damper Range function determines whether the damper pedal affects the Right Voice,

the Left Voice, or both the Left and Right Voices in the split mode. Use the [–/NO] and [+/

YES] buttons to select “2” for the Left Voice, “1” for the Right Voice, or “ALL” for both

voices. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting

“ALL”.

F4.8: Reset .........................................................................................................................................................

This function resets all split-mode functions to their default values. Press the [+/YES]

button to reset the values. “End” will appear on the display when all functions have been

reset.

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The Function Mode

CLP-840/820/820S Left Pedal Mode

This function sets the left pedal for normal soft-pedal operation, for song start/stop opera-

tion, or for sostenuto (CLP-820S only) operation. Use the [–/NO] and [+/YES] buttons to

select the desired left-pedal mode. “1” is the normal soft-pedal mode, “2” is the start/stop

mode, and “3” is the sostenuto mode (CLP-820S only). When the start/stop mode is selected,

the left pedal functions in the same way as the panel [START/STOP] button. Press the

[–/NO] and [+/YES] buttons simultaneously to recall the default setting “1”.

CLP-880/860 Pedal Functions

After selecting “F5Y”, press the [+/YES] button to engage the pedal functions sub-mode,

then use the FUNCTION [<] and [>] buttons to select the desired pedal functions, as listed

below.

F5.1: Left Pedal Mode ............................................................................................................................

This function conveniently lets you set the left pedal for normal soft pedal operation, or for

song start/stop operation. Use the [–/NO] and [+/YES] buttons to select the desired left-

pedal mode. Press the [–/NO] and [+/YES] buttons simultaneously to recall the default

setting “1”.

1: Soft

The left pedal functions as the soft pedal.

2: Start/Stop

The left pedal functions in the same manner as the [START/STOP] button.

F5.2: Damper Mode...................................................................................................................................

This function lets you set how the damper pedal affects the sustain sound. There are two

modes for pedal operation.

1: Switch

In this mode the pedal acts as a simple on/off switch for sustain.

2: Continuous

In this mode the pedal continuously changes the amount of sustain (in eight-

step gradations) i.e., the further down you press the pedal the longer the sound

sustains.

Use the [–/NO] and [+/YES] buttons to select the desired damper mode. Press the [–/NO]

and [+/YES] buttons simultaneously to recall the default setting “2”.

F5.3: Soundboard Depth.....................................................................................................................

Certain piano voices (GRAND PIANO, CLASSICAL PIANO, and JAZZ PIANO) feature

a special effect which recreates the ring of the strings and the soundboard resonance of an

actual acoustic piano when the damper pedal is pressed. This function lets you adjust the

depth of this effect. Use the [–/NO] and [+/YES] buttons to set the effect depth as required.

The effect depth range is from 0 through 20. A setting of “0” produces no effect, while a

setting of “20” produces maximum effect depth. Press the [–/NO] and [+/YES] buttons

simultaneously to recall the default setting “12”.

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The Function Mode

CLP-840/820/820S Metronome Volume

CLP-880/860 Metronome Volume

■ SHORTCUT: You can jump directly to the metronome functions by pressing the [FUNC-

TION] button while holding the [METRONOME] button.

The volume of the metronome sound can be changed. After selecting “F5” or “F6”, use

the [–/NO] and [+/YES] buttons to set the metronome volume as required. The volume range

is from 1 through 20. A setting of “1” produces minimum sound, while a setting of “20”

produces maximum metronome volume. Press the [–/NO] and [+/YES] buttons simulta-

neously to recall the default setting “10”.

CLP-840/820/820S Piano Song Part Cancel Volume

CLP-880/860 Piano Song Part Cancel Volume

This function sets the volume at which a “canceled” part is played during piano song

playback (see page 15 for information on the “part-cancel” function). Use the [–/NO] and [+/

YES] buttons to set the volume as required. The volume range is from 0 through 20. A setting

of “0” produces no sound, while a setting of “20” produces maximum volume. Press the [–/

NO] and [+/YES] buttons simultaneously to recall the default setting “5”.

Adjust the part volume to a comfortable level to use the “canceled” part as a guide to play

along with. Set to “0” if you don’t want to hear the part.

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The Function Mode

CLP-840/820/820S MIDI Functions

CLP-880/860 MIDI Functions

■ A Brief Introduction to MIDI

MIDI, the Musical Instrument Digital Interface, is a world-

standard communication interface that allows MIDI-compatible

musical instruments and equipment to share musical information and

control one another. This makes it possible to create “systems” of

MIDI instruments and equipment that offer far greater versatility and

control than is available with isolated instruments. For example,

most MIDI keyboards (including the Clavinova, of course) transmit

MIDI Cable

MIDI OUT

MIDI IN

DOU-10

Clavinova

note and velocity (touch response) information via the MIDI OUT connector whenever a note is played on the

keyboard. If the MIDI OUT connector is connected to the MIDI IN connector of a second keyboard (synthesizer,

etc.) or a tone generator (essentially a synthesizer with no keyboard), the second keyboard or tone generator will

respond precisely to notes played on the original transmitting keyboard. The result is that you can effectively

play two instruments at once, providing thick multi-instrument sounds.

This same type of musical information transfer is used for MIDI

Data Being Recorded

Playback Data

sequence recording. A sequence recorder can be used to “record”

MIDI data received from a Clavinova, for example. When the

recorded data is played back, the Clavinova automatically “plays”

the recorded performance in precise detail.

MIDI OUT

MIDI IN

MIDI OUT

MIDI IN

DOU-10

The examples given above really only scratch the surface. MIDI

can do much, much more. The Clavinova MIDI functions allow it to

be used in fairly sophisticated MIDI systems.

Clavinova

After selecting “F7Y” or “F8Y”, press the [+/YES] button to engage the MIDI function sub-

mode, then use the FUNCTION [<] and [>] buttons to select the desired MIDI function, as listed

below.

NOTE

• The rear-panel HOST SELECT switch must be set to “MIDI” in order to use the MIDI connectors. When you use

the TO HOST connector, set the HOST SELECT switch to the appropriate position for the type of computer you

are using (see page 38). In this situation, all MIDI settings described below will have affect on the MIDI signal in

and out of the TO HOST connector.

• Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN terminals. Never use MIDI cables longer

than about 15 meters, since cables longer than this can pick up noise which can cause data errors.

F7.1/F8.1: MIDI Transmit Channel Selection .............................................................................

F7.2/F8.2: MIDI Receive Channel Selection................................................................................

The MIDI system allows transmission

MIDI OUT

MIDI IN

MIDI THRU

and reception of MIDI data on 16 differ-

ent channels. Multiple channels have

been implemented to allow selective

control of certain instruments or devices

connected in series. For example, a single

DOU-10

Tone Generator

(Set to receive on MIDI

channel 2)

Clavinova

(Set to receive on MIDI channel 1)

MIDI sequence recorder could be used to “play” two different instruments or tone generators. One of

the instruments or tone generators could be set to receive only on channel 1, while the other is set to

receive on channel 2. In this situation the first instrument or tone generator will respond only to

channel-1 information transmitted by the sequence recorder, while the second instrument or tone

generator will respond only to channel-2 information. This allows the sequence recorder to “play”

two completely different parts on the receiving instruments or tone generators.

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The Function Mode

In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must

be matched for proper data transfer. A “Multi-timbre” receive mode is also available, which allows

simultaneous reception of different parts on all 16 MIDI channels, allowing the Clavinova to play

multi-channel song data received from a music computer or sequencer. There’s also a “1-2” mode

which allows simultaneous reception on channels 1 and 2.

Use the [–/NO] and [+/YES] buttons to select the desired transmit or receive channel. The

transmit channel parameter can also be turned “OFF” if you don’t want the Clavinova to transmit

any MIDI data. To select the multi-timbre receive mode, set the receive channel to “ALL”. Select

“1-2” for multi-timbre reception on channels 1 and 2 only.

Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting: transmit = “1”;

receive = “ALL”.

NOTE

• In the dual mode first voice data is transmitted on its set channel, and in the split mode right voice data is

transmitted on its set channel. In the dual mode second voice data is transmitted on the next greater channel

number of the set channel, and in the split mode left voice data is transmitted on the next greater channel

number of the set channel. In either mode, no data is transmitted if the transmit channel is set to “OFF”.

• Demo/piano song data and recorder playback data are not transmitted via MIDI.

• No MIDI reception occurs when the demo/piano song mode is engaged.

• Program change and other like channel messages received will not affect the Clavinova’s panel settings or

what is being played on the keyboard.

F7.3/F8.3: Local Control ON/OFF...........................................................................................................

“Local Control” refers to the fact that, normally, the

AUX IN

OUT PUT

MIDI

Clavinova keyboard controls its internal tone generator,

allowing the internal voices to be played directly from

the keyboard. This situation is “Local Control On”

since the internal tone generator is controlled locally by

its own keyboard.

MIDI OUT

DOU-10

Clavinova

Local control can be turned OFF, however, so that the Clavinova keyboard does not play the

internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connec-

tor when notes are played on the keyboard. At the same time, the internal tone generator responds to

MIDI information received via the MIDI IN connector.

When using the DOU-10 Disk Orchestra Unit with the Clavinova, for example, Local Control

should be turned OFF when recording using the DOU-10 voices only, and ON when recording the

Clavinova voices while listening to playback of the DOU-10 voices.

Use the [–/NO] and [+/YES] buttons to turn local control “On” or “OFF”.

Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “On”.

F7.4/F8.4: Program Change ON/OFF .................................................................................................

Normally the Clavinova will respond to MIDI program change numbers received from an exter-

nal keyboard or other MIDI device, causing the correspondingly numbered voice to be selected on

the corresponding channel (the keyboard voice does not change). The Clavinova will normally also

send a MIDI program change number whenever one of its voices is selected, causing the correspond-

ingly numbered voice or program to be selected on the external MIDI device if the device is set up to

receive and respond to MIDI program change numbers.

This function makes it possible to cancel program change number reception and transmission so

that voices can be selected on the Clavinova without affecting the external MIDI device.

Use the [–/NO] and [+/YES] buttons to turn program change transmission and reception “On” or

“OFF”.

Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “On”.

NOTE

• For information on program change numbers for each of the Clavinova’s voices, refer to page 44 in the MIDI

Data Format section.

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The Function Mode

F7.5/F8.5: Control Change ON/OFF ........................................................................................

Normally the Clavinova will respond to MIDI control change data received from an

external MIDI device or keyboard, causing the voice on the corresponding channel to be

affected by pedal and other “control” settings received from the controlling device (the key-

board voice is not affected). The Clavinova also transmits MIDI control change information

when one of its pedals or other appropriate controls are operated.

This function makes it possible to cancel control change data reception and transmission so

that, for example, the Clavinova pedals and other controls can be operated without affecting

an external MIDI device.

Use the [–/NO] and [+/YES] buttons to turn control change transmission and reception

“On” or “OFF”.

Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “On”.

NOTE

• For information on control changes that can be used with the Clavinova, refer to the MIDI Data

Format on page 43.

F7.6/F8.6: MIDI Transmit Transpose.......................................................................................

This function allows the MIDI note data transmitted by the Clavinova to be transposed up

or down in semitone increments by up to plus or minus 12 semitones. The pitch of the

Clavinova itself is not affected.

Use the [–/NO] and [+/YES] buttons to set the desired amount of MIDI transmit transposi-

tion. The range is from “–12” (down one octave) through “0” (no transposition) to “12” (up

one octave).

Press the [–/NO] and [+/YES] buttons simultaneously to recall the default setting “0”.

F7.7/F8.7: Panel/Status Transmit...............................................................................................

This function causes all the current Clavinova panel settings (selected voice, etc.) to be

transmitted via the MIDI OUT terminal. This is particularly useful if you will be recording

performances to a MIDI sequence recorder such as the Yamaha MIDI Data Filer MDF3 which

will be used to control the Clavinova on playback. By transmitting the Clavinova panel set-

tings and recording them on the MIDI sequence recorder prior to the actual performance data,

the Clavinova will be automatically restored to the same settings when the performance is

played back.

Press the [+/YES] button to transmit the panel/status data. “End” will appear on the LED

display when the data has been successfully transmitted.

NOTE

• See page 44 for list of the “Panel Data Contents” transmitted by this function.

• Panel setting data that is transmitted to an external device can only be reloaded on a model of the

same type. Panel setting data can also be directly transferred to or from instruments of the same

model type.

F7.8/F8.8: Bulk Data Dump...............................................................................................................

This function is used to transmit all data stored in the Recorder memory to a MIDI data

storage device such as the Yamaha MIDI Data Filer MDF3, other sequence recorders, or MIDI

compatible computers.

Press the [+/YES] button to begin bulk transmission. “End” will appear on the LED

display when the data has been successfully transmitted.

NOTE

• Bulk data dump will not function when the recorder is in operation.

• Recorder data that is transmitted to an external device can only be reloaded on a model of the same

type. Recorder data can also be directly transferred to or from instruments of the same model type.

• The reload operation cannot be executed when the Recorder is in operation or the Function mode is

engaged.

•

No MIDI note/panel data transmission or data reception occurs during a bulk data dump transmit operation.

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The Function Mode

CLP-840/820/820S Backup Functions

CLP-880/860 Backup Functions

After selecting “F8Y” or “F9Y”, press the [+/YES] button to engage the backup function

sub-mode, then use the FUNCTION [<] and [>] buttons to select the desired backup func-

tion, as listed below.

NOTE

• The backup settings themselves, and the contents of the recorder memory, are always backed up.

• Even if the Backup is turned on, factory presets can be recalled at any time (see page 40). The

factory setting list is found on page 42.

Even if backup is turned on via one of the functions described below, the data will only be

retained in memory for about 1 week if the power is not turned on during this time. If the

backup period is exceeded, all settings will be reset to their default values. If you want to

retain the backup settings for longer periods, be sure to turn the power switch on for a few

minutes at least once a week.

F8.1/F9.1: Voice.............................................................................................................................................

Turns backup of the voice functions listed below on or off. Use the [–/NO] and [+/YES]

buttons to turn backup “On” or “OFF”.

The default backup mode is “OFF”.

• Voice (Keyboard, Dual, and Split)

• Dual (ON/OFF, Voice, and Dual Functions for each voice combination)

• Split (ON/OFF, Voice, and Split Functions for each voice combination : CLP-880/860)

• Reverb (ON/OFF, Type, and Depth for each voice)

• Effect (ON/OFF, Type, and Depth for each voice : CLP-880/860/840)

• Variation (for each voice)

• Touch Sensitivity (including the FIXED volume)

• Metronome (Beat, Volume)

• Piano Song Part Cancel Volume

F8.2/F9.2: MIDI................................................................................................................................................

Turns backup of the MIDI functions listed below on or off. Use the [–/NO] and [+/YES]

buttons to turn backup “On” or “OFF”.

The default backup mode is “OFF”.

• Channel (Transmit, Receive)

• Program Change ON/OFF

• MIDI Transmit Transpose

• Local ON/OFF

• Control Change ON/OFF

F8.3/F9.3: Tuning.........................................................................................................................................

Turns backup of the tuning functions listed below on or off. Use the [–/NO] and [+/YES]

buttons to turn backup “On” or “OFF”.

The default backup mode is “OFF”.

• Transpose • Tuning • Scale (including base note)

F8.4/F9.4: Pedal ............................................................................................................................................

Turns backup of the pedal functions listed below on or off. Use the [–/NO] and [+/YES]

buttons to turn backup “On” or “OFF”.

The default backup mode is “OFF”.

• Left Pedal Mode • Damper Mode (CLP-880/860)

• Soundboard Depth (CLP-880/860)

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Connecting to a Personal Computer

Although the Clavinova can be connected to a personal computer via the

MIDI IN/OUT connectors and a MIDI interface, the TO HOST connector and

HOST SELECT switch allow direct connection to Apple Macintosh or IBM-PC/AT

personal computers for sequencing and other music applications without the

need for a separate MIDI interface.

Connecting to an Apple Macintosh Series

Computer^{................................................................................................................}

Connect the TO HOST connector of the Clavinova to the modem or

printer port on your Macintosh, depending on which port your MIDI

HOST SELECT

TO HOST

PC-2

PC-1

Mac

MIDI

software is using for MIDI data communication, using a standard

Macintosh 8-pin system peripheral cable. Set the HOST SELECT

switch to the “Mac” position.

Set to the “Mac”

You may also have to make other MIDI interface settings on the

position.

computer side, depending on the type of software you use (refer to your

software owner’s manual). In any case the clock speed should be set to

Apple Macintosh

Series Computer

1 MHz.

■ “Mac” Cable Connections

2 (HSK i)

1 (HSK 0)

5 (RxD-)

4 GND

MINI DIN

8-PIN

MINI DIN

8-PIN

3 (TxD-)

8 (RxD+)

7 (GP i)

6 (TxD+)

• 8-pin system peripheral cable.

• Data transfer rate: 31,250 bps.

NOTE

• When using the [TO HOST] terminal of the Clavinova, first turn the power off on both the Clavinova and the

computer before connecting the cable. After connecting the cable, turn the power of the computer on first, then the

Clavinova.

• When not using the [TO HOST] terminal of the Clavinova, make sure the cable is disconnected from the [TO HOST]

terminal. If the cable is left connected, the Clavinova may not function properly.

• “ HS(” will appear in the display if the host computer is not turned on, the connecting cable is not properly con-

nected, the HOST SELECT switch is not in the proper position, or the MIDI driver or MIDI application is not active. In

this case, turn the power off on both the Clavinova and the computer, and check the cable connection and the

position of the HOST SELECT switch. Once the connection and HOST SELECT switch position is verified, turn the

power of the computer on first, then the Clavinova, to check if the MIDI driver and MIDI application function properly.

• When the HOST SELECT switch is set to “Mac”, “PC-1”, or “PC-2, no data transfer occurs via the MIDI connectors.

To use the MIDI connectors for connection via a standard MIDI interface, set the HOST SELECT switch to “MIDI”.

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Connecting to a Personal Computer

Connecting to an IBM-PC/AT Series Computer............

Connect the TO HOST connector of the Clavinova to the RS-232C port

on your IBM computer, using a standard 8-pin MINI DIN → 9-pin D-SUB

cross cable. Set the HOST SELECT switch to the “PC-2” position.

Refer to your software owner’s manual for information on any

settings you might have to make on the computer side.

HOST SELECT

TO HOST

PC-2

PC-1

Mac

MIDI

Set to the “PC-2”

position.

■ “PC-2” Cable Connections

IBM-PC/AT

Series Computer

MINI DIN

8-PIN

8 (CTS)

7 (RST)

2 (RxD)

5 (GND)

D-SUB

9-PIN

3 (TxD)

→

• 8-pin mini DIN

9-pin D-SUB cable.

• Data transfer rate: 38,400 bps.

NOTE

• If your system doesn’t work properly with the connections and settings listed above, your software may require

different settings. Check your software operation manual and if it requires a 31,250 bps. data transfer rate, set the

HOST SELECT switch to “PC-1”.

• When using the TO HOST terminal to connect to a personal computer using Windows, a Yamaha MIDI driver must

be installed in the personal computer. The Yamaha MIDI driver can be obtained at Yamaha’s home page on the

World Wide Web, <http://www.yamaha.co.jp/english/xg/>.

■ Connector Pin Numbers

MINI DIN 8-PIN

3 4

7 8

■ Trademarks

• Apple and Macintosh are trademarks of Apple Computer, Inc.

• IBM-PC/AT is a trademark of International Business Machines Corporation.

• Windows is the registered trademark of Microsoft® Corporation.

D-SUB 9-PIN

All other trademarks are the property of their respective holders.

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Factory Preset Recall

All dual mode, split mode, reverb, effect, touch sensitivity, tuning

settings, and the settings affected by the Backup Functions can be

restored to their original factory preset values by holding the C7 key

(rightmost key on the keyboard) while turning the [POWER] switch

ON. This also erases all recorder data, and sets all Backup on/off

settings (F8: CLP-840/820/820S, F9: CLP-880/860) to “OFF”.

POWER

NOTE

• The factory setting list is found on page 42.

Troubleshooting

If you encounter what appears to be a malfunction, please check the following points before assuming

that your Clavinova is faulty.

1. No Sound When the Power is Turned ON

Is the AC plug properly connected to the Clavinova

and an AC wall outlet? Check the AC connection

carefully. Is the MASTER VOLUME control turned

up to a reasonable listening level?

4. Intermittent Static Noise

This is usually due to turning ON or OFF a house-

hold appliance or other electronic equipment which

is fed by the same AC mains line as your Clavinova.

5. Interference Appears On Radio or TV Sets

Located Near the Clavinova

Also make sure that a pair of headphones is not

plugged into the PHONES jack, and that the Local

Control (page 35) is ON.

The Clavinova contains digital circuitry which can

generate radio-frequency noise. The solution is to

move the Clavinova further away from the affected

equipment, or vice versa.

2. The Damper Pedal Doesn’t Work

If the damper pedal doesn’t work, or notes are

sustained even when the pedal is not pressed, make

sure that the pedal cord is properly plugged into the

main unit (page 66: CLP-820S, page 60: CLP-860/

840/820, page 52: CLP-880).

6. Distorted Sound When the Clavinova is

Connected to An External Amplifier/Speaker

System

If the Clavinova is connected to a stereo system or

instrument amplifier and the sound is distorted,

reduce the volume of the external equipment to a

level at which the distortion ceases.

3. The Clavinova Reproduces Radio or TV

Sound

This can occur if there is a high-power transmitter in

your vicinity. Contact your Yamaha dealer.

■ If “Scn” appears on the display an internal malfunction has occurred. In this case, contact your

Yamaha dealer.

Options & Expander Modules

■ Options

■ Expander Modules

BC-8 Bench

DOU-10 Disk Orchestra Unit

A comfortable bench styled to match your Yamaha

Clavinova.

A range of MIDI recording and playback func-

tions, plus Yamaha DOC software, Disklavier

PianoSoft™, and General MIDI/Standard MIDI File

disk playback capability.

HPE-160 Stereo Headphones

High-performance lightweight dynamic headphones

with extra-soft ear pads.

KC-883 Key Cover (for the CLP-820S only)

A convenient way to keep your keyboard clean and

dust-free.

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Demo Song List/Verzeichnis der Demo-Songs/

Liste des morceaux de démonstration/

Lista de canciones de demostración

Voice Demo Tune Titles

Voice Name

GRAND PIANO

CLASSICAL PIANO

JAZZ PIANO

ROCK PIANO

E.PIANO 1*

CLP-880 CLP-860 CLP-840 CLP-820/820S

Title

Composer

–

Fantaisie Impromptu

Für Elise

F.F.Chopin

L.v.Beethoven

–

Original

–

Original

–

Original

–

E.PIANO 2

Original

–

HARPSICHORD

STRINGS

–

Gavotte (French Suite)

Eine Kleine Nachtmusik 3rd Mov.

Trio Sonata 2

Noël 3

J.S.Bach

W.A.Mozart

J.S.Bach

L.C.d’Aquin

–

PIPE OPRGAN

CHURCH ORGAN

JAZZ ORGAN

BASS

–

Original

–

Original

–

* Indicated as E. PIANO on the CLP-820/820S

•

Some of the demonstration pieces listed above are short excerpts from the

YAMAHA CORPORATION).

•

Certains morceaux de démonstration énumérés ci-dessus sont de courts

extraits des compositions originales. Les morceaux originaux sont protégés par

Bei manchen der oben aufgeführten Demo-Stücke handelt es sich um kurze

Auszüge aus den Originalkompositionen. Originalkompositionen sind

Algunas de las piezas de demostración arriba mencionadas son pasajes cortos

de las composiciones originales. Las canciones originales tienen derechos

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Factory Setting List/Liste der Vorgabeeinstellungen/

Liste des réglages/Lista de ajustes de fábrica

Backup Group

CLP-880/860

CLP-840/820/820S

CLP-880/860

CLP-840/820/820S

Voice

GRAND PIANO

Dual Mode

OFF

Split Mode

OFF

—

Split Mode Left Voice

Reverb Type

BASS

—

Preset for each voice

F9.1

F8.1

Reverb Depth

Effect Type

Preset for each voice

Effect Depth

Preset for each voice

Touch Sensitivity

Volume in the FIXED Mode

Metronome

MEDIUM

OFF

—

F9.1

—

F8.1

—

Metronome Time Signature

Tempo

0 (no accent)

120

Transpose

F9.3

F8.3

“—”: Not memorized

Function

Backup Group

CLP-880/860

CLP-840

CLP-820/820S Function

Default

CLP-880/860

CLP-840/820/820S

Tuning

A3=440Hz

F2.1

F2.2

F3.1

F3.2

F2.1

F2.2

F3.1

F3.2

F2.1

F2.2

F3.1

F3.2

Scale

1 (Equal Temperament)

F9.3

F8.3

Base Note

Dual Balance

Dual Detune

Preset for each voice combination

F3.3, F3.4 F3.3, F3.4 F3.3, F3.4 Dual Octave Shift

Preset for each voice combination

F3.5, F.3.6 F3.5, F.3.6

—

Dual Effect Depth

Preset for each voice combination

F4.1

F4.2

—

Split Point

F#2

F9.1

F8.1

—

Split Balance

Preset for each voice combination

F4.3, F4.4

F4.5, F4.6

F4.7

—

Split Octave Shift

Preset for each voice combination

—

Split Effect Depth

Preset for each voice combination

—

Damper Range

ALL

F5.1

Left Pedal Mode

1 (soft pedal)

F5.2

—

Damper Mode

2 (continuous)

F9.4

F9.1

F8.4

F8.1

F5.3

—

Soundboard Depth

Metronome Volume

Piano Song Part Cancel Volume

MIDI Transmit Channel

MIDI Receive Channel

Local Control

F8.1

F7.1

F7.2

F7.3

F7.4

F7.5

F7.6

F7.1

F7.2

F7.3

F7.4

F7.5

F7.6

F8.2

ALL

F8.3

F9.2

F8.2

F8.4

Program Change Send & Receive

Control Change Send & Receive

MIDI Transmit Transpose

Backup

F8.5

F8.6

All OFF

Always backed up

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MIDI Data Format/MIDI-Datenformat/

Format des données MIDI/Formato de datos MIDI

If you’re already very familiar with MIDI, or are using a

computer to control your music hardware with computer-

generated MIDI messages, the data provided in this section

can help you to control the Clavinova.

Si vous êtes très familier avec l’interface MIDI ou si vous

utilisez un ordinateur pour commander votre matériel de

musique au moyen de messages MIDI générés par

ordinateur, les données suivantes vous seront utiles et vous

aideront à commander le Clavinova.

Falls Sie bereits mit MIDI vertraut sind oder einen Compu-

ter zur Erzeugung von MIDI-Steuermeldungen für die

Instrumente verwenden, können Sie sich zur Steuerung des

Clavinovas nach den im folgenden Abschnitt aufgeführten

Spezifikationen richten.

SI usted está ya familiarizado con MIDI, o si emplea una

computadora para controlar sus aparatos musicales con

mensajes MIDI generados por computadora, los datos

proporcionados en esta sección le ayudarán a controlar la

Clavinova.

1. NOTE ON/OFF

3 MODE MESSAGES

Data format: [BnH] -> [cc] -> [vv]

Data format: [9nH] -> [kk] -> [vv]

BnH = Control event (n = channel number)

cc = Control number

vv = Data Range

9nH = Note ON/OFF event (n = channel number)

kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 /

Receive: 00H ~ 7FH = C-2 ~ G8)*

vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)

(1) All Sound Off

ccH

78H

Parameter

Data Range (vvH)

00H

Data format: [8nH] -> [kk] -> [vv] (reception only)

All Sound Off

8nH = Note OFF event (n = channel number)

kk = Note number: 00H ~ 7FH = C-2 ~ G8

vv = Velocity

Switches off all sound from the channel. Does not reset Note On

and Hold On conditions established by Channel Messages.

(2) Reset All Controllers

* If received value exceeds the supported range for the selected

voice, the note is adjusted by the necessary number of octaves.

ccH

79H

Parameter

Reset All Controllers 00H

Data Range (vvH)

2. CONTROL CHANGE

Resets controllers as follows.

Data format: [BnH] -> [cc] -> [vv]

Controller

Value

Expression

Damper Pedal

Sostenuto

127 (max)

0 (off)

BnH = Control change (n = channel number)

cc = Control number

vv = Data Range

Soft Pedal

0 (off)

(1) Bank Select

(3) Local Control (reception only)

ccH

00H

20H

Parameter

Bank Select MSB 00H:Normal

Bank Select LSB 00H...7FH

Data Range (vvH)

ccH

Parameter

Local Control

Data Range (vvH)

00H (off), 7FH (on)

7AH

(4) All Notes Off

Bank selection processing does not occur until receipt of next

Program Change message.

ccH

Parameter

All Notes Off

Data Range (vvH)

00H

7BH

(2) Main Volume (reception only)

Switches OFF all the notes that are currently ON on the specified

channel. Any notes being held by the damper or sostenuto pedal

will continue to sound until the pedal is released.

ccH

07H

Parameter

Volume MSB

Data Range (vvH)

00H...7FH

(3) Expression

(5) Omni Off (reception only)

ccH

7CH

Parameter

Omni Off

Data Range (vvH)

00H

ccH

0BH

Parameter

Expression MSB 00H...7FH

Data Range (vvH)

Same processing as for All Notes Off.

(4) Damper

(6) Omni On (reception only)

ccH

40H

Parameter

Damper MSB

Data Range (vvH)

00H...7FH

ccH

Parameter

Omni On

Data Range (vvH)

00H

7DH

(5) Sostenuto

Same processing as for All Notes Off.

ccH

42H

Parameter

Sostenuto

Data Range (vvH)

00H-3FH:off, 40H-7FH:on

(7) Mono (reception only)

ccH

7EH

Parameter

Mono

Data Range (vvH)

00H

(6) Soft Pedal

ccH

43H

Parameter

Soft Pedal

Data Range (vvH)

00H-3FH:off, 40H-7FH:on

Same processing as for All Sound Off.

(8) Poly (reception only)

(7) Effect1 Depth ( Reverb Send Level )

ccH

7FH

Parameter

Poly

Data Range (vvH)

00H

ccH

Parameter

Effect1 Depth

Data Range (vvH)

00H...7FH

5BH

Same processing as for All Sound Off.

Adjusts the reverb send level.

• When control change reception is turned OFF in the Function

mode, control change data will not be transmitted or received

except for Bank Select and Mode messages.

(8) Effect4 Depth ( Variation Effect Send Level )

(CLP-880/860/840)

• Local on/off, OMNI on/off are not transmitted. (The appropriate

note off number is supplied with “All Note Off” transmission).

• When a voice bank MSB/LSB is received, the number is stored

in the internal buffer regardless of the received order, then the

stored value is used to select the appropriate voice when a

program change message is received.

ccH

5EH

Parameter

Effect4 Depth

Data Range (vvH)

00H...7FH

• The Multi-timbre and Poly modes are always active. No change

occurs when OMNI ON, OMNI OFF, MONO, or POLY mode

messages are received.

CLP-880/860/840/820/820S

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MIDI Data Format/MIDI-Datenformat/Format des données MIDI/Formato de datos MIDI

4. PROGRAM CHANGE

• Panel Data Contents

Data format: [CnH] -> [ppH]

CLP-880/860

CLP-840

CLP-820/820S

(1) 1'st Voice

CnH = Program event (n = channel number)

ppH = Program change number

(2) Dual On/Off

P.C.#=Program Change number

(3) Dual Voice

CLP-880

Normal Voice VARIATION Voice

CLP-860

(4) Dual Balance

Normal Voice VARIATION Voice

(5) Dual Detune

MSB LSB P.C.# MSB LSB P.C.# MSB LSB P.C.# MSB LSB P.C.#

(6) Dual Voice1 Octave

(7) Dual Voice2 Octave

(8) Dual Voice1 Effect Depth

(9) Dual Voice2 Effect Depth

(10) Split On/Off

GRAND PIANO

CLASSICAL PIANO

JAZZ PIANO

ROCK PIANO

E.PIANO 1

112

114

112

114

112

115

112

113

115

113

115

112

118

115

113

114

113

114

112

114

112

114

112

113

115

113

115

112

118

115

113

E.PIANO 2

HARPSICHORD

STRINGS

(11) Split Voice

(12) Split Point

PIPE ORGAN

CHURCH ORGAN

JAZZ ORGAN

BASS

(13) Split Balance

(14) Split Voice1 Octave

(15) Split Voice2 Octave

(16) Split Voice1 Effect Depth

(17) Split Voice2 Effect Depth

(18) Split Dumper Mode

(19) Reverb Type 1

(20) Reverb Type 2

(21) Reverb Depth1

(22) Reverb Depth2

(23) Effect Type 1

112

114

CLP-840

CLP-820/820S

Normal Voice VARIATION Voice

MSB LSB P.C.# MSB LSB P.C.# MSB LSB P.C.# MSB LSB P.C.#

Normal Voice

VARIATION Voice

GRAND PIANO

CLSSICAL PIANO

E.PIANO 1*

112

114

112

113

115

112

118

115

113

112

113

88 112

112

E.PIANO 2

HARPSICHORD

STRINGS

112

115

113

49 112

19 112

PIPE ORGAN

(24) Effect Type 2

* Indicated as E. PIANO on the CLP-820/820S

(25) Effect Depth

• When program change reception is turned OFF in the Function

mode, no program change data is transmitted or received.

Also, Bank MSB/LSB is not transmitted or received.

(26) Variation 1 On/Off

(27) Variation 2 On/Off

(28) Touch Sensitivity

(29) Fixed Data

5. SYSTEM REALTIME MESSAGES

(30) Left Pedal Function

(31) Absolute tempo low byte

(32) Absolute tempo high byte

[rrH]

F8H: Timing clock

FAH: Start

FCH: Stop

• “X” indicates no affect.

FEH: Active sensing

• Panel data send requests cannot be received.

Data Transmission

Reception

7. SYSTEM EXCLUSIVE MESSAGES

(Universal System Exclusive)

F8H

Transmitted every Received as 96-clock tempo timing

96 clocks

when MIDI clock is set to External

(1) Universal Realtime Message

FAH

Recorder start

Data format: [F0H] -> [7FH] -> [XnH] -> [04H] -> [01H] ->

Not received when the MIDI clock

is set to Internal.

[llH] -> [mmH] -> [F7H]

FCH Recorder stop

Recorder stop

Not received when the MIDI clock

is set to Internal.

MIDI Master Volume

• Simultaneously changes the volume of all channels.

• When a MIDI master volume message is received, the volume

only has affect on the MIDI receive channel, not the panel

master volume.

FEH

Transmitted every If a signal is not received via MIDI

200 milliseconds

for more than 400 milliseconds, the

same processing will take place for

All Sound Off, All Notes Off and

Reset All Controllers as when those

signals are received.

F0H

7FH

04H

01H

llH

= Exclusive status

= Universal Realtime

= ID of target device

= Sub-ID #1=Device Control Message

= Sub-ID #2=Master Volume

= Volume LSB

• Caution: If an error occurs during MIDI reception, the Damper, Sostenuto,

and Soft effects for all channels are turned off and an All Note Off occurs.

mmH = Volume MSB

F7H

= End of Exclusive

6. SYSTEM EXCLUSIVE MESSAGES

(Yamaha MIDI Format)

F0H

7FH

XnH

= Exclusive status

= Universal Realtime

= When n is received n=0~F, whichever is received.

X = don’t care

= Sub-ID #1=Device Control Message

= Sub-ID #2=Master Volume

= Volume LSB

Panel Data Transmit

Data format: [F0H] -> [43H] -> [0nH] -> [7CH] -> ... ->

[F7H]

04H

01H

llH

mmH = Volume MSB

F7H = End of Exclusive

F0H, 43H, 0nH, 7CH

00H, 2CH

43H, 4CH, 20H, 20H

(n: channel number)

data length

(CL)

(

)

43H, 4CH, 50H, 27H, 39H, 38H (CLP-880/860/840/820/820S)

30H, 30H

(version x, y)

[PANEL DATA]

[CHECK SUM (1byte)] = 0-(43H+4CH+20H+......+Data end)

F7H

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(2) Universal Non-Realtime Message (GM 0n)

General MIDI Mode On

9. SYSTEM EXCLUSIVE MESSAGES

(Clavinova MIDI Format)

Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [nnH] ->

[F7H]

Data format: [F0H] -> [7EH] -> [XnH] -> [09H] -> [01H] ->

[F7H]

F0H

43H

73H

xxH

= Exclusive status

F0H

7EH

7FH

09H

01H

F7H

= Exclusive status

= Universal Non-Realtime

= ID of target device

= Sub-ID #1=General MIDI Message

= Sub-ID #2=General MIDI On

= End of Exclusive

= Yamaha ID

= Clavinova ID

= Product ID (CLP-880/860/840/820/820S common ID:

50H or CLP common ID: 01H)

= Substatus

Control

02H Internal MIDI clock

03H External MIDI clock

06H Bulk Data (the bulk data follows 06H)

= End of Exclusive

* When nn=02H or 03H, Clavinova common ID (01H) is

recognized as well as 50H.

nnH

F0H

7EH

XnH

= Exclusive status

= Universal Non-Realtime

= When received, n=0~F.

X = don’t care

= Sub-ID #1=General MIDI Message

= Sub-ID #2=General MIDI On

= End of Exclusive

F7H

09H

01H

F7H

BULK DUMP FORMAT

F0H, 43H, 73H

xxH

When the General MIDI mode ON message is received, the MIDI

system will be reset to its default settings.

This message requires approximately 50ms to execute, so suffi-

cient time should be allowed before the next message is sent.

=Product ID (CLP-880: 56H, CLP-860:

54H, CLP-840: 53H, CLP-820/820S:

52H)

=Bulk ID

=Sequence data

06H

05H

0nH, 0nH, 0nH, 0nH, 0nH, 0nH, 0nH, 0nH =Data length

8. SYSTEM EXCLUSIVE MESSAGES (XG Standard)

(1) XG Native Parameter Change

[BULK DATA]

[CHECK SUM (1byte)] = 0-sum (BULK DATA)

F7H = End of Exclusive

Data format: [F0H] -> [43H] -> [1nH] -> [4CH] -> [hhH] ->

[mmH] -> [llH] -> [ddH] -> [F7H]

10. SYSTEM EXCLUSIVE MESSAGES (Special Control)

F0H

43H

1nH

= Exclusive status

= YAMAHA ID

= When received, n=0~F.

When transmitted, n=0.

= Model ID of XG

= Address High

Data format: [F0H] -> [43H] -> [73H] -> [xxH] -> [11H] ->

[0nH] -> [ccH] -> [vvH] -> [F7H]

F0H

43H

73H

50H

11H

0nH

= Exclusive status

= Yamaha ID

= Clavinova ID

4CH

hhH

mmH = Address Mid

CLP-880/860/840/820/820S common ID

llH

ddH

= Address Low

= Data

= Clavinova special control

= Control MIDI change (n=channel number)

= Control number

F7H

= End of Exclusive

F7H

= Value

= End of Exclusive

Data size must match parameter size (2 or 4 bytes).

When the XG System On message is received, the MIDI system

will be reset to its default settings.

The message requires approximately 50ms to execute, so suffi-

cient time should be allowed before the next message is sent.

Control

Split Point

ccH vvH

Always 00H

14H 14H : Split Key Number

(CLP-880/860)

1BH 00H : off

01H : –

Metronome

Always 00H

02H : 2/4

03H : 3/4

04H : 4/4

(2) XG Native Bulk Data (reception only)

Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] ->

[bbH] -> [hhH] -> [mmH] -> [llH] ->

06H : 6/4

7FH : No accent

Damper Level

ch: 00H-0FH 3DH (Sets the Damper Level

for each channel)

[ddH] ->...-> [ccH] -> [F7H]

F0H

43H

0nH

Exclusive status

YAMAHA ID

When received, n=0~F.

When transmitted, n=0.

Model ID of XG

ByteCount

00H-7FH

Channel Detune ch: 00H-0FH 43H (Sets the Detune value for

each channel)

00H-7FH

ch: 00H-0FH 45H 00H : Reserve off

7FH : on*

4CH

aaH

bbH

hhH

Voice Reserve

ByteCount

Address High

* When Volume, Expression is received for Reserve On, they will

be effective from the next Key On. Reserve Off is normal.

mmH Address Mid

llH

ddH

Address Low

Data

11. SYSTEM EXCLUSIVE MESSAGES (Others)

Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] ->

[00H] -> [00H] -> [mmH] -> [llH] -> [ccH] ->

[F7H]

ccH

F7H

Check sum

End of Exclusive

Master Tuning (XG and last message priority) simultaneously

changes the pitch of all channels.

• Receipt of the XG SYSTEM ON message causes reinitialization

of relevant parameters and Control Change values. Allow suffi-

cient time for processing to execute (about 50 msec) before

sending the Clavinova another message.

• XG Native Parameter Change message may contain two or four

bytes of parameter data (depending on the parameter size).

• For information about the Address and Byte Count values, refer

to Table 1 below. Note that the table’s Total Size value gives the

size of a bulk block. Only the top address of the block (00H, 00H,

00H) is valid as a bulk data address.

F0H

43H

1nH

27H

30H

00H

= Exclusive Status

= Yamaha ID

= Transmission from n=CLP is always 0. 0-F is received.

= Model ID of TG100

= Sub ID

mmH = Master Tune MSB

llH

ccH

F7H

= Master Tune LSB

= don’t care (under 7FH)

= End of Exclusive

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MIDI Data Format/MIDI-Datenformat/Format des données MIDI/Formato de datos MIDI

MIDI Parameter Change table ( SYSTEM )

Address (H)

Size (H)

Data (H)

Parameter

Description

Default value (H)

00 04 00 00

400

00 00 00

020C - 05F4(*1) MASTER TUNE

-50 - +50[cent]

1st bit 3 - 0 → bit 15 - 12

2nd bit 3 - 0 → bit 11 - 8

3rd bit 3 - 0 → bit 7 - 4

4th bit 3 - 0 → bit 3 - 0

0 - 127

00 - 7F

MASTER VOLUME

—

TRANSPOSE

XG SYSTEM ON

RESET ALL PARAMETERS

—

34 - 4C(*2)

-12 - +12[semitones]

00=XG sytem ON

00=ON (receive only)

TOTAL SIZE

*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents.

*2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12.

MIDI Parameter Change table ( EFFECT 1)

Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers.

Address (H)

02 01 00

Size (H)

Data (H)

00-7F

Parameter

REVERB TYPE MSB

REVERB TYPE LSB

Description

Refer to Effect MIDI Map

00 : basic type

Default value (H)

01(=HALL1)

02 01 40

00-7F

VARIATION TYPE MSB

VARIATION TYPE LSB

Refer to Effect MIDI Map

00 : basic type

00(=Effect off) (CLP-880/860/840)

00 (CLP-880/860/840)

• “VARIATION” refers to the EFFECT on the panel.

MIDI Parameter Change table ( MULTI PART )

Address (H)

08 nn 11

Size (H)

Data (H)

00 - 7F

Parameter

DRY LEVEL

Description

0 - 127

Default value (H)

7F (CLP-880/860/840)

nn = Part Number

● Effect MIDI Map

REVERB

MSB

02H

01H

03H

LSB

10H

11H

10H

ROOM

HALL 1

HALL 2

STAGE

EFFECT (CLP-880/860/840)

MSB

LSB

10H

CHORUS

42H

SYMPHONIC 44H

TREMOLO

DELAY

46H

05H

CLP-880/860/840/820/820S

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YAMAHA [Clavinova]

Date: 1/21, 1998

Version: 1.1

Model: CLP-880/860/840/820/820S

MIDI Implementation Chart

Function

Transmitted

Recognized

Remarks

Basic

Default

Channel Changed

1~16

Default

Poly Mode only

Mode

Note

Messages

Altered

*****************

9~120

0~127

Number : True voice

*****************

21~108

Velocity Note on

Note off

O 9nH, v=1~127

X 9nH, v=0

O v=1~127

After

Touch

key’s

Ch’s

Pitch Bender

Control Change

0, 32

Bank Select

Volume

Expression

Damper

Sostenuto

Soft pedal

Reverb Depth

Effect Depth

120

121

All sounds off

Reset All Controllers

Program

Change : True #

*****************

System Exclusive

System : Song Position

: Song Select

Common : Tune

System : Clock

Real Time: Commands

Aux

: Local ON/OFF

: All Notes Off

O (123~127)

Messages: Active Sense

: Reset

Notes : *1 = Recieve Mode is always multi timbre and Poly mode.

Mode 1: OMNI ON, POLY

Mode 3: OMNI OFF, POLY

Mode 2: OMNI ON, MONO

Mode 4: OMNI OFF, MONO

O: Yes

X: No

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x 6

5 x 40 mm long gold screws

x 4

x 8

6 x 20 mm round-head screws

4 x 12 mm round-head screws

4 x 20 mm tapping screws

x 4

Bundled pedal cord inside

6 x 16 mm flat-head screws

G Cord holders x 2

G AC power cord

G B and C are already attached on the CLP-880PE. The 5 x 40 mm long gold screws are not supplied with the CLP-880PE.

CLP-880: Keyboard Stand Assembly

•

Be careful not to confuse parts, and be sure to install all parts in the

correct direction. Please assemble in accordance with the sequence

given below.

•

Assembly should be carried out by at least two persons.

Be sure to use the correct screw size, as indicated above. Use of

incorrect screws can cause damage.

•

Be sure to tighten up all screws upon completing assembly of each

unit.

To disassemble, reverse the assembly sequence given below.

Have a Phillips-head (+) screwdriver ready.

Open the box and remove all the parts.

On opening the box you should find the parts shown in the

illustration. Check to make sure that all the required parts are

provided.

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G If applicable, align the

cut corner of the bracket

with the corresponding

cutouts on the feet.

6 x 20 mm round-head screws 2

5 x 40 mm long gold screws 1

G It is not necessary to perform this procedure on the CLP-880PE.

Assemble the side panels (B) and feet (C).

Secure the feet (C) to the side panels (B) with the 5 x 40

millimeter long gold-colored screws 1 (3 each).

Depending on the unit type, the feet (C) may or may not have

cutouts. If the feet have cutouts, make sure that the cutouts on the

feet face the bracket side of the side panels.

G It is not necessary to perform this procedure on the CLP-880PE.

Attach the side panels (B) to the pedal box

(D).

Before installing the pedal box, untie and straighten out the

bundled cord attached to the bottom of the pedal box.

Place the pedal box on top of the brackets attached to the side

panels (B), and attach using the four 6 x 20 millimeter round-head

screws 2 — two screws on each side. Make sure the pedals extend

in the same direction as the feet.

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15 cm

10 cm

G Be sure to place your hands at least 10 centimeters from

either end of the main unit and position the unit so that it

rests 15 centimeters from the front end of the side panels.

4 x 12 mm round-head screws 3

Attach the front panel (E).

The front panel attaches to the front end of the pedal box and

side panels. Fit the front panel into position and eliminate any

gaps between the front and side panels. Align the small hole in

each six brackets and attach the front panel using the six 4 x 12

millimeter round-head screws 3.

Install the main unit (A).

Rest the rear edge of the main unit (A) on the front edges of

the cutouts in the side panels (B), then slide the main unit back-

ward firmly until it stops (so that there is no clearance between

the main unit side panels and the stand, as shown in illustration

“a”). WATCH YOUR FINGERS WHILE DOING THIS!!

There is slight horizontal play between the main unit and side

panels, so center the main unit, as shown in illustration “b”, then

use the four 6 x 16 millimeter flat-head screws 5 to attach the

main unit. Two screws can be attached from the front side and

two screws from the rear.

•

Do not hold the keyboard in any position other than the position

shown in the above illustration.

Fingers can become pinched between the main unit and the front or

side panels, be extra careful so as not to drop the main unit.

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(a)

(b)

G Before connecting the speaker cord, remove the two tapes at-

taching the speaker cord to the speaker box.

6 x 16 mm flat-head screws 5

Connect the speaker cord.

The speaker cord from the speaker box must be plugged into

the corresponding connector in the main unit. The plug only

goes in one way (the lug on the connector should face the rear of

the main unit, as shown in the illustration), so don’t try to force

it in the wrong way around.

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4 x 12 mm round-head screws 3

4 x 20 mm tapping screws 4

Attach the rear panel (F).

With the rear panel slightly angled as shown in the illustration,

lower it onto the feet’s protruding edge at the rear of the pedal

box. Then, secure the top of the rear panel to the side panel

brackets using two 4 x 12 mm round-head screws 3. Finally,

secure the bottom of the rear panel to the pedal box using four 4 x

20 mm tapping screws 4.

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Cord holder

G A voltage selector is provided in some areas.

2 4 0

127

Connect the pedal cord.

The pedal cord from the pedal box must be plugged into the

PEDAL connector on the rear of the main unit. Once connected,

attach the cord holders to the rear panel as shown, then clip the

cord into the holders.

Voltage Selector

Before connecting the AC power cord, check the setting of the

voltage selector which is provided in some areas. To set the

selector for 110V, 127V, 220V or 240V main voltages, use a

“minus” screwdriver to rotate the selector dial so that the correct

voltage for your region appears next to the pointer on the panel.

The voltage selector is set at 240V when the unit is initially

shipped.

After the proper voltage has been selected connect the AC

power cord. A plug adaptor may be also provided in some areas

to match the pin configuration of the AC wall outlets in your

area.

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Set the adjuster.

For stability, an adjuster is provided on the bottom of the

pedal box (D). Rotate the adjuster until it comes in firm contact

with the floor surface. The adjuster ensures stable pedal operation

and facilitates pedal effect control. If the adjuster is not in firm

contact with the floor surface, distorted sound may result.

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•

When moving the instrument after assembly, always hold

the lower surface of the main unit, NEVER the top portion or

keyboard cover. Improper handling can result in damage to

the instrument or personal injury.

G After completing the assembly, please

check the following.

• Are there any parts left over?

Review the assembly procedure and correct any

errors.

• Is the Clavinova clear of doors and other movable fix-

tures?

Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when you

shake it?

Tighten all screws.

• Does the pedal box rattle or give way when you step on

the pedals?

Turn the adjuster so that it is set firmly against the

floor.

• Are the pedal and power cords inserted securely into the

sockets?

Check the connection.

• If the main unit creaks or is otherwise unsteady when

you play on the keyboard, refer to the assembly dia-

grams and retighten all screws.

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5 x 40 mm long gold screws

x 6

6 x 20 mm round-head screws

4 x 12 mm round-head screws

x 4

x 2

4 x 20 mm tapping screws

6 x 16 mm flat-head screws

x 4

Bundled pedal cord inside

G Cord holders x 2

G AC power cord

CLP-860/840/820:

Keyboard Stand Assembly

The CLP-860/840/820 all require the same assembly

procedures. Illustrations use the CLP-860 for reference.

•

Be careful not to confuse parts, and be sure to install all parts in the

correct direction. Please assemble in accordance with the sequence

given below.

•

Assembly should be carried out by at least two persons.

Be sure to use the correct screw size, as indicated above. Use of

incorrect screws can cause damage.

•

Be sure to tighten up all screws upon completing assembly of each

unit.

To disassemble, reverse the assembly sequence given below.

Have a Phillips-head (+) screwdriver ready.

Open the box and remove all the parts.

On opening the box you should find the parts shown in the

illustration. Check to make sure that all the required parts are

provided.

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G If applicable, align the

cut corner of the

bracket with the corre-

sponding cutouts on

the feet.

6 x 20 mm round-head screws 2

5 x 40 mm long gold screws 1

Assemble the side panels (D) and feet (E).

Secure the feet (E) to the side panels (D) with the 5 x 40

millimeter long gold-colored screws 1 (3 each).

Depending on the unit type, the feet (E) may or may not have

cutouts. If the feet have cutouts, make sure that the cutouts on the

feet face the bracket side of the side panels.

Attach the side panels (D) to the pedal box

(C).

Before installing the pedal box, untie and straighten out the

bundled cord attached to the bottom of the pedal box. Don’t dis-

card the vinyl tie, you’ll need it later in step N.

Place the pedal box on top of the brackets attached to the side

panels (D), and attach using the four 6 x 20 millimeter round-

head screws 2 — two screws on each side. Make sure the pedals

extend in the same direction as the feet.

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4 x 12 mm round-head screws 3

4 x 20 mm tapping screws 4

Attach the rear panel (B).

With the rear panel slightly angled as shown in the illustration,

lower it onto the feet’s protruding edge at the rear of the pedal

box. Then, while eliminating any gaps between the rear and side

panels, secure the top of the rear panel to the side panel brackets

using two 4 x 12 mm round-head screws 3. Finally, secure the

bottom of the rear panel to the pedal box using four 4 x 20 mm

tapping screws 4.

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6 x 16 mm flat-head screws 5

10 cm

G Be sure to place your

hands at least 10

centimeters from either

end of the main unit

when positioning it.

Install the main unit (A).

Place the main unit (A) on the side panels (D) with the screws

on its bottom panel (toward the rear of the main unit) just behind

the grooves in the brackets located at the top of the side panels.

Then slide the main unit forward until it stops. WATCH YOUR

FINGERS WHEN DOING THIS!!

Align the holes on the bottom panel of the main unit with the

holes in the brackets on the side panels (also center the main unit

to produce equal clearance on the left and right sides, as shown in

the illustration), then use the four 6 x 16 millimeter flat-head

screws 5 to attach the main unit. Two screws can be attached

from the front side and two screws from the rear.

•

Do not hold the keyboard in any position other than the position

shown in the above illustration.

Fingers can become pinched between the main unit and the rear or

side panels, be extra careful so as not to drop the main unit.

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Cord holder

G A voltage selector is provided in some areas.

2 4 0

G Use the vinyl tie that was removed from the bundled pedal cord in

step to tie up any slack in the pedal cord.

127

Connect the pedal cord.

The pedal cord from the pedal box must be plugged into the

PEDAL connector on the rear of the main unit. Once con-

nected, attach the cord holders to the rear panel as shown, then

clip the cord into the holders.

Voltage Selector

Before connecting the AC power cord, check the setting of

the voltage selector which is provided in some areas. To set the

selector for 110V, 127V, 220V or 240V main voltages, use a

“minus” screwdriver to rotate the selector dial so that the cor-

rect voltage for your region appears next to the pointer on the

panel. The voltage selector is set at 240V when the unit is

initially shipped.

After the proper voltage has been selected connect the AC

power cord. A plug adaptor may be also provided in some

areas to match the pin configuration of the AC wall outlets in

your area.

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•

When moving the instrument after as-

sembly, always hold the lower surface of

the main unit, NEVER the top portion or

keyboard cover. Improper handling can

result in damage to the instrument or

personal injury.

Set the adjuster.

For stability, an adjuster is provided on the bottom of the

pedal box (C). Rotate the adjuster until it comes in firm contact

with the floor surface. The adjuster ensures stable pedal operation

and facilitates pedal effect control. If the adjuster is not in firm

contact with the floor surface, distorted sound may result.

G After completing the assembly, please

check the following.

• Are there any parts left over?

Review the assembly procedure and correct any errors.

• Is the Clavinova clear of doors and other movable fixtures?

Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when you shake it?

Tighten all screws.

• Does the pedal box rattle or give way when you step on the ped-

als?

Turn the adjuster so that it is set firmly against the floor.

• Are the pedal and power cords inserted securely into the sockets?

Check the connection.

• If the main unit creaks or is otherwise unsteady when you play on

the keyboard, refer to the assembly diagrams and retighten all

screws.

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5 x 40 mm long gold screws

x 6

6 x 20 mm round-head screws

6 x 16 mm flat-head screws

x 4

x 8

Bundled pedal cord inside

G AC power cord

CLP-820S:

Keyboard Stand Assembly

•

Be careful not to confuse parts, and be sure to install all parts in the

correct direction. Please assemble in accordance with the sequence

given below.

•

Assembly should be carried out by at least two persons.

Be sure to use the correct screw size, as indicated above. Use of

incorrect screws can cause damage.

•

Be sure to tighten up all screws upon completing assembly of each

unit.

To disassemble, reverse the assembly sequence given below.

Have a Phillips-head (+) screwdriver ready.

Open the box and remove all the parts.

On opening the box you should find the parts shown in the

illustration. Check to make sure that all the required parts are

provided.

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G If applicable, align the

cut corner of the

bracket with the corre-

sponding cutouts on

the feet.

6 x 20 mm round-head screws 2

5 x 40 mm long gold screws 1

Assemble the side panels (D) and feet (E).

Secure the feet (E) to the side panels (D) with the 5 x 40

millimeter long gold-colored screws 1 (3 each).

Depending on the unit type, the feet (E) may or may not have

cutouts. If the feet have cutouts, make sure that the cutouts on the

feet face the bracket side of the side panels.

Attach the side panels (D) to the pedal box

(C).

Before installing the pedal box, untie and straighten out the

bundled cord attached to the bottom of the pedal box. Don’t dis-

card the vinyl tie, you’ll need it later in step N.

Place the pedal box on top of the brackets attached to the side

panels (D), and attach using the four 6 x 20 millimeter round-

head screws 2 — two screws on each side. Make sure the pedals

extend in the same direction as the feet.

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6 x 16 mm flat-head screws 3

Attach the center panel (B) to the side pan-

els (D).

The center panel (B) is installed between the side panels (D)

with the brackets on each end toward the rear of the stand assem-

bly. Place the square holes in the center-panel brackets over the

lugs extending from the side panels, then slide down. Each side

of the center panel is attached using two 6 x 16 flat-head screws

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10 cm

G Be sure to place your hands at

least 10 centimeters from either

end of the main unit when posi-

tioning it.

10 cm

6 x 16 mm flat-head screws 3

Install the main unit (A).

Place the main unit (A) on the side panels (D) with the screws

on its bottom panel (toward the rear of the main unit) just behind

the grooves in the brackets located at the top of the side panels.

Then slide the main unit forward until it stops. WATCH YOUR

FINGERS WHEN DOING THIS!!

Align the holes on the bottom panel of the main unit with the

holes in the brackets on the side panels (also center the main unit

to produce equal clearance on the left and right sides, as shown in

the illustration), then use the four 6 x 16 millimeter flat-head

screws 3 to attach the main unit. Two screws can be attached

from the front side and two screws from the rear.

•

Do not hold the keyboard in any position other than the position

shown in the above illustration.

Fingers can become pinched between the main unit and the side

panels, be extra careful so as not to drop the main unit.

CLP-880/860/840/820/820S

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Cord holder

G A voltage selector is provided in some areas.

2 4 0

G Use the vinyl tie that was removed from the bundled pedal cord in

step to tie up any slack in the pedal cord.

127

Connect the pedal cord.

Pass the pedal cord through the two cord holders on the side

panel. Plug the free end of the cord into the PEDAL connector

on the rear of the main unit.

Voltage Selector

Before connecting the AC power cord, check the setting of

the voltage selector which is provided in some areas. To set the

selector for 110V, 127V, 220V or 240V main voltages, use a

“minus” screwdriver to rotate the selector dial so that the cor-

rect voltage for your region appears next to the pointer on the

panel. The voltage selector is set at 240V when the unit is

initially shipped.

After the proper voltage has been selected connect the AC

power cord. A plug adaptor may be also provided in some

areas to match the pin configuration of the AC wall outlets in

your area.

CLP-880/860/840/820/820S

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•

When moving the instrument after as-

sembly, always hold the lower surface of

the main unit, NEVER the top portion.

Improper handling can result in damage

to the instrument or personal injury.

Set the adjuster.

For stability, an adjuster is provided on the bottom of the

pedal box (C). Rotate the adjuster until it comes in firm contact

with the floor surface. The adjuster ensures stable pedal operation

and facilitates pedal effect control. If the adjuster is not in firm

contact with the floor surface, distorted sound may result.

G After completing the assembly, please

check the following.

• Are there any parts left over?

Review the assembly procedure and correct any errors.

• Is the Clavinova clear of doors and other movable fixtures?

Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when you shake it?

Tighten all screws.

• Does the pedal box rattle or give way when you step on the ped-

als?

Turn the adjuster so that it is set firmly against the floor.

• Are the pedal and power cords inserted securely into the sockets?

Check the connection.

• If the main unit creaks or is otherwise unsteady when you play on

the keyboard, refer to the assembly diagrams and retighten all

screws.

CLP-880/860/840/820/820S

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Specifications/Technische Daten/Caractéristiques techniques/Especificaciones

CLP-880

CLP-860

CLP-840

CLP-820

CLP-820S

88 KEYS (A-1 ~ C7)

KEYBOARD

64 NOTES MAX.

32 NOTES MAX.

POLYPHONY

12 voices +

10 voices +

7 voices +

5 voices +

Variation for each voice

VOICE SELECTORS

Variation for each voice Variation for each voice Variation for each voice

REVERB

ROOM, HALL 1, HALL 2, STAGE

EFFECT

CHORUS, SYMPHONIC, TREMOLO, DELAY

HARD, MEDIUM, SOFT, FIXED

—

TOUCH SENSITIVITY

RECORDER

1, 2, START/STOP, REC

PEDAL CONTROLS

SOFT, SOSTENUTO, DAMPER

SOFT/SOSTENUTO,

DAMPER

OTHER CONTROLS

MASTER VOLUME, BRILLIANCE (CLP-880/860/840), DEMO, TRANSPOSE, SPLIT (CLP-880/860),

METRONOME, TEMPO [s]/[t], FUNCTION, PIANO SONG, SONG SELECT [s]/[t], LED Display

JACKS/CONNECTORS

PHONES x 2, AUX OUT R & L/L+R, AUX IN R & L/L+R,

MIDI IN/OUT/THRU, HOST SELECT, TO HOST, PEDAL

INPUT & OUTPUT

LEVEL/IMPEDANCE

AUX OUT: Output impedance 600 Ω

AUX IN: Input impedance 10 kΩ / Input sensitivity -10 dBm

MAIN AMPLIFIERS

SPEAKERS

120W (60W x 2)

80W (40W x 2)

14 cm x 2, 5 cm x 2

40W (20W x 2)

16 cm x 2

14 cm x 2, 3 cm (dome type) x 2

1427 x 506 x 969 mm

1414 x 512 x 887 mm

1397 x 515 x 870 mm

1397 x 515 x 871 mm

1379 x 515 x 851 mm

Music stand down

DIMENTIONS

(W x D x H)

(56-3/16" x 19-15/16" x 38-1/8") (55-11/16" x 20-1/8" x 34-15/16")

(55" x 20-1/4" x 34-1/2")

(55" x 20-1/4" x 34-5/16")

(55" x 20-1/4" x 33-1/2")

1427 x 506 x 1132 mm

1414 x 512 x 1051 mm

1397 x 515 x 1033 mm

1397 x 515 x 1037 mm

1379 x 515 x 1017 mm

Music stand up

(56-3/16" x 19-15/16" x 44-9/16") (55-11/16" x 20-1/8" x 41-3/8")

(55" x 20-1/4" x 40-11/16")

(55" x 20-1/4" x 40-13/16")

(55" x 20-1/4" x 40-1/16")

CLP-880

70.0 kg (154.3 lbs.)

WEIGHT

56.0 kg (123.4 lbs.)

53.0 kg (116.8 lbs.)

48.0 kg (105.8 lbs.)

CLP-880PE

82.0 kg (180.8 lbs.)

•

Specifications and descriptions in this owner’s manual are for information purposes only.

Yamaha Corp. reserves the right to change or modify products or specifications at any time

without prior notice. Since specifications, equipment or options may not be the same in

every locale, please check with your Yamaha dealer.

•

Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que

pour information. Yamaha Corp. se réserve le droit de changer ou modifier les produits et

leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les

caractéristiques techniques, les équipements et les options peuvent différer d’un pays à

l’autre, adressez-vous au distributeur Yamaha le plus proche.

Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der

Information. Yamaha Corp. behält sich das Recht vor, Produkte oder deren technische

Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die

technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind,

setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung.

Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito

de servir como información. Yamaha Corp. se reserva el derecho a efectuar cambios o

modificaciones en los productos o especificaciones en cualquier momento sin previo aviso.

Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos

los mercados, solicite información a su distribuidor Yamaha.

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IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic prod-

uct, basic precautions should always be followed. These pre-

cautions include, but are not limited to, the following:

This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain. Exam-

ples of wet/damp locations are; near a swimming pool, spa, tub,

sink, or wet basement.

Read all Safety Instructions, Installation Instructions,

Special Message Section items, and any Assembly Instructions

found in this manual BEFORE marking any connections, in-

cluding connection to the main supply.

This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the

manufacturer. If a cart, rack, or stand is used, please observe all

safety markings and instructions that accompany the accessory

product.

Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area

where they are to be sold. If you should move, or if any doubt

exists about the supply voltage in your area, please contact

your dealer for supply voltage verification and (if applicable)

instructions. The required supply voltage is printed on the

name plate. For name plate location, please refer to the graphic

found in the Special Message Section of this manual.

10.

The power supply cord (plug) should be disconnected from

the outlet when electronic products are to be left unused for ex-

tended periods of time. Cords should also be disconnected when

there is a high probability of lightning and/or electrical storm

activity.

11.

Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

This product may be equipped with a polarized plug

(one blade wider than the other). If you are unable to insert the

plug into the outlet, turn the plug over and try again. If the

problem persists, contact an electrician to have the obsolete

outlet replaced. Do NOT defeat the safety purpose of the plug.

12.

Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or

c. The product has been exposed to rain: or

d. The product dose not operate, exhibits a marked change

in performance; or

Some electronic products utilize external power sup-

plies or adapters. Do NOT connect this type of product to any

power supply or adapter other than one described in the owners

manual, on the name plate, or specifically recommended by

Yamaha.

e. The product has been dropped, or the enclosure of the

product has been damaged.

WARNING: Do not place this product or any other

objects on the power cord or place it in a position where any-

one could walk on, trip over, or roll anything over power or

connecting cords of any kind. The use of an extension cord is

not recommended! If you must use an extension cord, the

minimum wire size for a 25' cord (or less) is 18 AWG. NOTE:

The smaller the AWG number, the larger the current handling

capacity. For longer extension cords, consult a local electri-

cian.

13.

Do not attempt to service this product beyond that de-

scribed in the user-maintenance instructions. All other servicing

should be referred to qualified service personnel.

14.

This product, either alone or in combination with an ampli-

fier and headphones or speaker/s, may be capable of producing

sound levels that could cause permanent hearing loss. DO NOT

operate for a long period of time at a high volume level or at a

level that is uncomfortable. If you experience any hearing loss or

ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

Ventilation: Electronic products, unless specifically

designed for enclosed installations, should be placed in loca-

tions that do not interfere with proper ventilation. If instruc-

tions for enclosed installations are not provided, it must be

assumed that unobstructed ventilation is required.

15.

Some Yamaha products may have benches and/or acces-

sory mounting fixtures that are either supplied as a part of the

product or as optional accessories. Some of these items are de-

signed to be dealer assembled or installed Please make sure that

benches are stable and any optional fixtures (where applicable) are

well secured BEFORE using. Benches supplied by Yamaha are

designed for seating only. No other uses are recommended.

Temperature considerations: Electronic products

should be installed in locations that do not significantly con-

tribute to their operating temperature. Placement of this prod-

uct close to heat sources such as; radiators, heat registers and

other devices that produce heat should be avoided.

PLEASE KEEP THIS MANUAL

92-469-2

CLP-880/860/840/820/820S

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FCC INFORMATION (U.S.A.)

regulations does not guarantee that interference will not occur in

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modifications not

expressly approved by Yamaha may void your authority, granted

by the FCC, to use the product.

all installations. If this product is found to be the source of inter-

ference, which can be determined by turning the unit “OFF” and

“ON”, please try to eliminate the problem by using one of the

following measures:

Relocate either this product or the device that is being affected by

the interference.

2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with

the requirements listed in FCC Regulations, Part 15 for Class “B”

digital devices. Compliance with these requirements provides a

reasonable level of assurance that your use of this product in a

residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio

frequencies and, if not installed and used according to the instruc-

tions found in the users manual, may cause interference harmful

to the operation of other electronic devices. Compliance with FCC

Utilize power outlets that are on different branch (circuit breaker

or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the an-

tenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type

of product. If you can not locate the appropriate retailer, please

contact Yamaha Corporation of America, Electronic Service Divi-

sion, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed

by Yamaha Corporation of America or its subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

(class B)

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accor-

dance with the following code:

BLUE

: NEUTRAL

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured makings identifying the terminals

in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the termi-

nal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of

the three pin plug.

(2 wires)

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE

BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,

INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA

BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU

FOND.

(polarity)

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

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For details of products, please contact your nearest Yamaha or the

authorized distributor listed below.

Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten

Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen

Bestimmungsländern erhältlich.

Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou

au distributeur le plus proche de vous ﬁgurant dans la liste suivante.

Para detalles sobre productos, contacte su tiendaYamaha más cercana

o el distribuidor autorizado que se lista debajo.

FRANCE

Yamaha Musique France,

Division Claviers

BP 70-77312 Marne-la-Vallée Cedex 2, France

Tel: 01-64-61-4000

NORTH AMERICA

ASIA

CANADA

HONG KONG

Yamaha Canada Music Ltd.

135 Milner Avenue, Scarborough, Ontario,

M1S 3R1, Canada

Tom Lee Music Co., Ltd.

11/F., Silvercord Tower 1, 30 Canton Road,

Tsimshatsui, Kowloon, Hong Kong

Tel: 2737-7688

ITALY

Yamaha Musica Italia S.P.A.,

Home Keyboard Division

Viale Italia 88, 20020 Lainate (Milano), Italy

Tel: 02-935-771

Tel: 416-298-1311

U.S.A.

INDONESIA

Yamaha Corporation of America,

Keyboard Division

6600 Orangethorpe Ave., Buena Park, Calif. 90620,

U.S.A.

Tel: 714-522-9011

PT. Yamaha Music Indonesia (Distributor)

PT. Nusantik

Gedung Yamaha Music Center, Jalan Jend. Gatot

Subroto Kav. 4, Jakarta 12930, Indonesia

Tel: 21-520-2577

SPAIN/PORTUGAL

Yamaha-Hazen Electronica Musical, S.A.

Jorge Juan 30, 28001, Madrid, Spain

Tel: 91-577-7270

KOREA

CENTRAL & SOUTH AMERICA

Cosmos Corporation

1461-9, Seocho Dong, Seocho Gu, Seoul, Korea

Tel: 02-3486-0011

GREECE

Philippe Nakas S.A.

Navarinou Street 13, P.Code 10680, Athens, Greece

Tel: 01-364-7111

MEXICO

Yamaha de Mexico S.A. De C.V.,

Departamento de ventas

Javier Rojo Gomez No.1149, Col. Gpe Del

Moral, Deleg. Iztapalapa, 09300 Mexico, D.F.

Tel: 686-00-33

MALAYSIA

Yamaha Music Malaysia, Sdn., Bhd.

Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,

Petaling Jaya, Selangor, Malaysia

Tel: 3-703-0900

SWEDEN

Yamaha Scandinavia AB

J. A. Wettergrens Gata 1

Box 30053

S-400 43 Göteborg, Sweden

Tel: 031 89 34 00

BRAZIL

PHILIPPINES

Yamaha Musical do Brasil LTDA.

Av. Rebouças 2636, São Paulo, Brasil

Tel: 011-853-1377

Yupangco Music Corporation

339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,

Makati, Metro Manila, Philippines

Tel: 819-7551

DENMARK

YS Copenhagen Liaison Ofﬁce

Generatorvej 8B

DK-2730 Herlev, Denmark

Tel: 44 92 49 00

ARGENTINA

Yamaha Music Argentina S.A.

Viamonte 1145 Piso2-B 1053,

Buenos Aires, Argentina

Tel: 1-371-7021

SINGAPORE

Yamaha Music Asia Pte., Ltd.

11 Ubi Road #06-00, Meiban Industrial Building,

Singapore

FINLAND

F-Musiikki Oy

Kluuvikatu 6, P.O. Box 260,

SF-00101 Helsinki, Finland

Tel: 09 618511

PANAMA AND OTHER LATIN

AMERICAN COUNTRIES/

CARIBBEAN COUNTRIES

Tel: 65-747-4374

TAIWAN

Yamaha KHS Music Co., Ltd.

10F, 150, Tun-Hwa Northroad,

Taipei, Taiwan, R.O.C.

Yamaha de Panama S.A.

Torre Banco General, Piso 7, Urbanización Marbella,

Calle 47 y Aquilino de la Guardia,

Ciudad de Panamá, Panamá

NORWAY

Norsk ﬁlial av Yamaha Scandinavia AB

Grini Næringspark 1

N-1345 Østerås, Norway

Tel: 67 16 77 70

Tel: 02-2713-8999

Tel: 507-269-5311

THAILAND

Siam Music Yamaha Co., Ltd.

121/60-61 RS Tower 17th Floor,

Ratchadaphisek RD., Dindaeng,

Bangkok 10320, Thailand

Tel: 02-641-2951

EUROPE

ICELAND

Skifan HF

Skeifan 17 P.O. Box 8120

IS-128 Reykjavik, Iceland

Tel: 525 5000

THE UNITED KINGDOM

Yamaha-Kemble Music (U.K.) Ltd.

Sherbourne Drive, Tilbrook, Milton Keynes,

MK7 8BL, England

THE PEOPLE’S REPUBLIC OF CHINA

AND OTHER ASIAN COUNTRIES

Yamaha Corporation,

International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2317

Tel: 01908-366700

OTHER EUROPEAN COUNTRIES

IRELAND

Danfay Ltd.

61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin

Tel: 01-2859177

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,

F.R. of Germany

Tel: 04101-3030

GERMANY/SWITZERLAND

OCEANIA

AFRICA

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,

F.R. of Germany

AUSTRALIA

Yamaha Corporation,

International Marketing Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2312

Yamaha Music Australia Pty. Ltd.

17-33 Market Street, South Melbourne, Vic. 3205,

Australia

Tel: 04101-3030

AUSTRIA

Yamaha Music Austria

Schleiergasse 20, A-1100 Wien Austria

Tel: 01-60203900

Tel: 3-699-2388

MIDDLE EAST

NEW ZEALAND

Music Houses of N.Z. Ltd.

146/148 Captain Springs Road, Te Papapa,

Auckland, New Zealand

TURKEY/CYPRUS

THE NETHERLANDS

Yamaha Music Nederland

Kanaalweg 18G, 3526KL, Utrecht, The Netherlands

Tel: 030-2828411

Yamaha Europa GmbH.

Siemensstraße 22-34, 25462 Rellingen,

F.R. of Germany

Tel: 9-634-0099

COUNTRIES AND TRUST

TERRITORIES IN PACIFIC OCEAN

Yamaha Corporation,

International Marketing Group

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-2312

Tel: 04101-3030

OTHER COUNTRIES

BELGIUM

Yamaha Music Belgium

Keiberg Imperiastraat 8, 1930 Zaventem, Belgium

Tel: 02-7258220

Yamaha Music Gulf FZE

LB21-128 Jebel Ali Freezone

P.O.Box 17328, Dubai, U.A.E.

Tel: 971-4-81-5868

HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division

Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650

Tel: 053-460-3273

[CL] 19

Download from Www.Somanuals.com. All Manuals Search And Download.

M.D.G., EMI Division, Yamaha Corporation

V320140 911POCP2.3-07D0 Printed in Japan

This document is printed on chlorine free (ECF) paper.

Download from Www.Somanuals.com. All Manuals Search And Download.

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