Yamaha Musical Instrument CLP 157 User Manual

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SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

duce products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

products may have either labels similar to the graphics

shown below or molded/stamped facsimiles of these

graphics on the enclosure. The explanation of these graph-

ics appears on this page. Please observe all cautions indi-

cated on this page and those indicated in the safety in-

struction section.

Battery Notice: This product MAY contain a small non-

rechargable battery which (if applicable) is soldered in

place. The average life span of this type of battery is ap-

proximately five years. When replacement becomes nec-

essary, contact a qualified service representative to per-

form the replacement.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away

from children. Dispose of used batteries promptly and as

regulated by applicable laws. Note: In some areas, the

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

dispose of these parts for you.

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

See bottom of Keyboard enclosure for graphic symbol markings

The exclamation point within the equi-

lateral triangle is intended to alert the

user to the presence of important oper-

ating and maintenance (servicing) in-

structions in the literature accompany-

ing the product.

Disposal Notice: Should this product become damaged

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products

that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowl-

edge relating to how a function or effect works (when the

unit is operating as designed) are not covered by the

manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and con-

sult your dealer before requesting service.

The lightning flash with arrowhead

symbol, within the equilateral triangle,

is intended to alert the user to the pres-

ence of uninsulated “dangerous volt-

age” within the product’s enclosure that

may be of sufficient magnitude to con-

stitute a risk of electrical shock.

NAME PLATE LOCATION: The graphic below indi-

cates the location of the name plate. The model number,

serial number, power requirements, etc., are located on

this plate. You should record the model number, serial

number, and the date of purchase in the spaces provided

below and retain this manual as a permanent record of

your purchase.

IMPORTANT NOTICE: All Yamaha electronic prod-

ucts are tested and approved by an independent safety

testing laboratory in order that you may be sure that when

it is properly installed and used in its normal and custom-

ary manner, all foreseeable risks have been eliminated.

DO NOT modify this unit or commission others to do so

unless specifically authorized by Yamaha. Product per-

formance and/or safety standards may be diminished.

Claims filed under the expressed warranty may be denied

if the unit is/has been modified. Implied warranties may

also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The

information contained in this manual is believed to be

correct at the time of printing. However, Yamaha reserves

the right to change or modify any of the specifications

without notice or obligation to update existing units.

Model _____________________________________

Serial No. __________________________________

Purchase Date ______________________________

92-469 1

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IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic prod-

uct, basic precautions should always be followed. These pre-

cautions include, but are not limited to, the following:

This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain. Exam-

ples of wet/damp locations are; near a swimming pool, spa, tub,

sink, or wet basement.

Read all Safety Instructions, Installation Instructions,

Special Message Section items, and any Assembly Instructions

found in this manual BEFORE marking any connections, in-

cluding connection to the main supply.

This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the

manufacturer. If a cart, rack, or stand is used, please observe all

safety markings and instructions that accompany the accessory

product.

Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area

where they are to be sold. If you should move, or if any doubt

exists about the supply voltage in your area, please contact

your dealer for supply voltage verification and (if applicable)

instructions. The required supply voltage is printed on the

name plate. For name plate location, please refer to the graphic

found in the Special Message Section of this manual.

10.

The power supply cord (plug) should be disconnected from

the outlet when electronic products are to be left unused for ex-

tended periods of time. Cords should also be disconnected when

there is a high probability of lightening and/or electrical storm

activity.

11.

Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

This product may be equipped with a polarized plug

(one blade wider than the other). If you are unable to insert the

plug into the outlet, turn the plug over and try again. If the

problem persists, contact an electrician to have the obsolete

outlet replaced. Do NOT defeat the safety purpose of the plug.

12.

Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or

c. The product has been exposed to rain: or

d. The product dose not operate, exhibits a marked change

in performance; or

Some electronic products utilize external power sup-

plies or adapters. Do NOT connect this type of product to any

power supply or adapter other than one described in the owners

manual, on the name plate, or specifically recommended by

Yamaha.

e. The product has been dropped, or the enclosure of the

product has been damaged.

WARNING: Do not place this product or any other

objects on the power cord or place it in a position where any-

one could walk on, trip over, or roll anything over power or

connecting cords of any kind. The use of an extension cord is

not recommended! If you must use an extension cord, the

minimum wire size for a 25' cord (or less) is 18 AWG. NOTE:

The smaller the AWG number, the larger the current handling

capacity. For longer extension cords, consult a local electri-

cian.

13.

Do not attempt to service this product beyond that de-

scribed in the user-maintenance instructions. All other servicing

should be referred to qualified service personnel.

14.

This product, either alone or in combination with an ampli-

fier and headphones or speaker/s, may be capable of producing

sound levels that could cause permanent hearing loss. DO NOT

operate for a long period of time at a high volume level or at a

level that is uncomfortable. If you experience any hearing loss or

ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

Ventilation: Electronic products, unless specifically

designed for enclosed installations, should be placed in loca-

tions that do not interfere with proper ventilation. If instruc-

tions for enclosed installations are not provided, it must be

assumed that unobstructed ventilation is required.

15.

Some Yamaha products may have benches and/or acces-

sory mounting fixtures that are either supplied as a part of the

product or as optional accessories. Some of these items are de-

signed to be dealer assembled or installed Please make sure that

benches are stable and any optional fixtures (where applicable) are

well secured BEFORE using. Benches supplied by Yamaha are

designed for seating only. No other uses are recommended.

Temperature considerations: Electronic products

should be installed in locations that do not significantly con-

tribute to their operating temperature. Placement of this prod-

uct close to heat sources such as; radiators, heat registers and

other devices that produce heat should be avoided.

PLEASE KEEP THIS MANUAL

92-469-2

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Introduction

Thank you for choosing a Yamaha CLP-157 Clavinova. Your Clavinova is a fine musical instru-

ment that employs advanced Yamaha music technology. With the proper care, your Clavinova

will give you many years of musical pleasure.

● Stereo sampling of the acoustic piano voices offers unmatched realism and expressive power, while

the AWM (Advanced Wave Memory) tone generator system offers rich, realistic reproductions of all

other voices.

● Piano-like touch response — adjustable in 4 stages — provides extensive expressive control and out-

standing playability.

● Dual play mode allows 2 voices to be played simultaneously.

● A number of built-in effects for wide-ranging sonic versatility.

● Unique Clavinova Tone voice provides a fresh sound for new musical expression.

● Damper pedal includes natural resonance effect for the piano voices, simulating the string and sound-

board resonance of acoustic pianos.

● Metronome feature with variable tempo facilitates practice.

● 2-track digital recorder lets you record and play back anything you play on the keyboard (up to ap-

proximately 4,200 notes).

● MIDI compatibility and a range of MIDI functions make the Clavinova useful in a range of advanced

MIDI music systems.

In order to make the most of your Clavinova’s performance potential and features, we urge you

to read this Owner’s Manual thoroughly, and keep it in a safe place for later reference.

Taking Care Of Your Clavinova

Your Clavinova is a fine musical instrument, and deserves the most careful treatment.

Observe the following points and your Clavinova will sound and look great for many years.

1 Never open the case and touch or tamper with the inter-

4 Never place any vinyl products on your Clavinova. Con-

tact with vinyl can cause irreversible damage to the

finish.

nal circuitry.

2 Always turn the POWER switch OFF after use, and

close the key cover to protect the keyboard.

5 Install your Clavinova in a place that is away from di-

rect sunlight, excessive humidity or heat.

3 Clean the cabinet and keys of your Clavinova only with

a clean, slightly damp cloth. A neutral cleanser may be

used if desired. Never use abrasive cleansers, waxes,

solvents or chemical dust cloths since these can dull or

damage the finish.

6 Never apply excessive force to the controls, connectors

or other parts of your Clavinova, and avoid scratching

or bumping it with hard objects.

● Name Plate Location

The CLP-157 name plate is located on the bottom panel.

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CLP 15 7

Owner’s Manual

English

Deutsch

Français

Español

Bedienungsanleitung

Mode d’emploi

Manual de instrucciones

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Contents

The Control Panel ............................................................2

Connections ......................................................................4

Using the Recorder .......................................................14

● Recording...................................................................14

● Changing the Initial Settings ..................................15

● Erasing a Single Track ..........................................15

● Playback ....................................................................15

● Fast Forward Playback ..........................................15

Selecting & Playing Voices ...........................................5

● Playing the Demonstration Tunes ................................6

The Dual Mode..................................................................7

● Adjusting the Balance Between the Dual-mode

Individual Key Tuning...................................................16

● To Turn the Individual Key Tune Mode ON ...........16

● To Lower the Pitch of a Single Key .......................16

● To Raise the Pitch of a Single Key ........................16

● To Restore Standard Tuning For A Single Key .....17

Voices ......................................................................7

● Shifting a Dual-mode Voice Up One Octave ...........7

● Slow-attack Strings ..................................................7

● Memorizing the Balance, Strings Type, & Octave

Shift Settings ...........................................................8

Factory Preset Recall ...................................................17

Brilliance ............................................................................8

● Memorizing the Brilliance Setting ............................8

MIDI Functions ...............................................................18

● A Brief Introduction to MIDI ...................................18

Reverb.................................................................................9

● Adjusting Reverb Depth ..........................................9

● Memorizing the Reverb Type & Depth Settings ......9

● MIDI “Messages” Transmitted & Received by the

Clavinova ...............................................................18

● MIDI Transmit & Receive Channel Selection ........19

● MIDI Transmit Transpose ......................................19

● Other MIDI Functions .................................................20

● Local Control ON/OFF ...........................................20

● Program Change ON/OFF ....................................20

● Control Change ON/OFF.......................................21

● The Multi-Timbre Mode .........................................21

● The MIDI Split & Left Local OFF Mode .................21

● The MIDI Split & Right Local Off Mode .................22

● Transmitting the Panel Settings ............................22

● Bulk Data Dump ....................................................22

Effects...............................................................................10

● Memorizing Effects for Each Voice .......................10

The Pedals .......................................................................10

● Soft (Left) Pedal ....................................................10

● Sostenuto (Center) Pedal ......................................10

● Damper (Right) Pedal ............................................10

Touch Sensitivity ...........................................................11

● Memorizing the Touch Sensitivity Setting .............11

Transposition..................................................................11

Troubleshooting.............................................................23

Options & Expander Modules ....................................23

Pitch Control ...................................................................12

● Tuning Up ..............................................................12

● Tuning Down .........................................................12

● To Restore Standard Pitch ....................................12

● The Pitch Display ..................................................12

● Memorizing the Pitch Control Setting ....................12

Keyboard Stand Assembly ............................................ i

MIDI Data Format ........................................................... vii

MIDI Implementation Chart .......................................... ix

Specifications ................................................................... x

The Metronome & Tempo Control.............................13

● The Metronome..........................................................13

● Metronome Volume ...............................................13

● Metronome Time Signature ...................................13

● Tempo Control ...........................................................13

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The Control Panel

TOUCH

SENSITIVITY

BRILLIANCE

REVERB

EFFECT

120

TEMPO

ROOM

MELLOW

NORMAL

BRIGHT

HALL 1

HALL 2

COSMIC

DETUNE

CHORUS

TREMOLO

HARD

MEDIUM

SOFT

MASTER VOLUME

MIDI/

TRANSPOSE

CLAVINOVA

TONE

HARPSI-

CHORD

MIN

MAX

PIANO 1

PIANO 2

PIANO 3

E. PIANO 1 E. PIANO 2

VIBES

STRINGS

ORGAN

METRONOME

●

RECORDER

TOUCH

SENSITIVITY

BRILLIANCE

REVERB

ROOM

EFFECT

MELLOW

NORMAL

BRIGHT

HALL

COSMIC

DETUNE

CHORUS

TREMOLO

HARD

MEDIUM

SOFT

MASTER VOLUME

MIN

MIDI/

TRANSPOSE

CLAVINOVA

TONE

HARPSI-

CHORD

TEMPO

MAX

PIANO

E. PIANO

VIBES

STRINGS

ORGAN

METRONOME

PLAY

REC

DEMO

●

POWER

A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4

Pitch control keys

(See page 12)

Transpose keys

(See page 11)

Balance/Depth keys (See page 7, 9)

PHONES Jacks

(Bottom Panel)

Left voice shift up key

(See page 7)

1 [POWER] Switch

Press the [POWER] switch once to turn the power ON,

a second time to turn the power OFF. When the power

is initially turned ON, the [PIANO 1] voice selector

LED will light, and the power indicator located below

the left end of the keyboard will light.

Soft pedal

Sostenuto pedal

Damper pedal

2 [MASTER VOLUME] Control

The [MASTER VOLUME] control adjusts the volume

(level) of sound produced by the Clavinova’s internal

stereo sound system. The [MASTER VOLUME] con-

trol also adjusts headphone volume when a pair of

headphones is plugged into the PHONES jack (page 4).

● The Music Stand

3 [BRILLIANCE] Button

This button can be used to change the tonality or “tim-

bre” of the selected voice. See page 8 for details.

4 [REVERB] Button

If you will be using sheet music with your

Clavinova, raise the music stand using both hands,

then lower the raised stand so that the hole in the

lower edge of the stand engages with the bracket.

To lower the stand, lift it up with both hands then

gently lower it backward to the horizontal position.

The [REVERB] button selects a number of digital

reverb effects that you can use for extra depth and ex-

pressive power. See page 9 for details.

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8 Voice Selectors

The CLP-157 has ten voice selectors. Simply press any

of the voice selectors to select the corresponding voice.

The voice selector LED will light to indicate which

voice is currently selected.

RECORDER

The CLP-157 also has a DUAL mode in which two

voices can be played simultaneously across the full

range of the keyboard — see page 7 for details.

PLAY

REC

DEMO

• The PIANO 1 voice is automatically selected

whenever the [POWER] switch is initially turned

NOTE

ON.

9 [METRONOME] Button

Turns the metronome sound on and off. The TEMPO

[s] and [t] buttons, below, are used to set the tempo

of the metronome sound — see page 13 for details.

STEREO

0 TEMPO [t] and [s] Buttons

These buttons adjust the tempo of the CLP-157 metro-

nome function as well as the playback tempo of the

recorder function. The tempo range is from 32 to 280

quarter-note beats per minute.

B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7

! TEMPO Display

This 3-digit LED display normally shows the current

tempo in quarter-note beats per minute. When the Met-

ronome or Recorder record or play functions are in

operation it displays the current measure number.

Right voice shift up key

(See page 7)

Memory key

(See page 8, 9, 10, 11, 12)

5 [EFFECT] Button

@ RECORDER [PLAY] and [REC] Buttons

These buttons control the CLP-157 2-track recorder,

letting you record and play back just about anything

you play on the keyboard — up to a maximum of about

4,200 notes. See page 14 for details.

The [EFFECT] button selects a range of three effects

— detune, chorus, and tremolo — that you can use in

addition to the REVERB effects. See page 10 for de-

tails.

# [DEMO] Button

6 [TOUCH SENSITIVITY] Button

Activates the demo playback mode in which you can

select playback of different demonstration sequences

for each of the Clavinova’s voices. See page 6 for de-

tails.

The [TOUCH SENSITIVITY] button selects four

different types of keyboard touch sensitivity — HARD,

MEDIUM, SOFT or FIXED— to match different play-

ing styles and preferences. See page 11 for details.

$ Pedals

7 [MIDI/TRANSPOSE] Button

The CLP-157’s soft (left), sostenuto (center), and

damper (right) pedals provide a range of expressive

control capabilities similar to the pedal functions on an

acoustic piano. See page 10 for details.

The [MIDI/TRANSPOSE] button allows access to the

Clavinova’s TRANSPOSE function (to shift the pitch

of the entire keyboard up or down) and MIDI functions.

For details refer to the “TRANSPOSITION” and

“MIDI FUNCTIONS” sections on pages 11 and 18,

respectively.

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Connections

1 2

AUX IN

AUX OUT

L/L+R

MIDI

OUT

THRU

These jacks are intended for use with an external tone generator module

such as the Yamaha DOU-10 Disk Orchestra Unit. The stereo outputs from

the external tone generator module are connected to the AUX IN L and R

jacks, allowing the sound of the tone generator to be reproduced via the

Clavinova’s internal sound system and speakers.

1 AUX IN L and R Jacks

AUX IN

DOU-10

• The input signal from the AUX IN jacks is delivered to the AUX OUT

jacks, but is not affected by the Clavinova’s volume control or reverb

NOTE

effect.

2 AUX OUT L/L+R and R Jacks

The AUX OUT L/L+R and R jacks deliver the output of the Clavinova

for connection to an instrument amplifier, mixing console, PA system, or

recording equipment. If you will be connecting the Clavinova to a monaural

sound system, use only the L/L+R jack. When a plug is inserted into the L/

L+R jack only, the left- and right-channel signals are combined and deliv-

ered via the L/L+R jack so you don’t lose any of the Clavinova’s sound.

AUX OUT

L/L+R

The Internal Amplifier & Speaker System

The CLP-157 features a powerful stereo amplifier delivering 50 watts per channel,

driving a speaker system that puts out exceptionally rich sound with natural re-

sponse from powerful lows to shimmering highs. The speaker system includes two

18-centimeter, two 5-centimeter, and two 5 x 9-centimeter oval speaker units.

Stereo System

• The AUX OUT jack signal must never be returned to the AUX IN jacks,

either directly or through external equipment.

NOTE

The MIDI IN connector receives MIDI data from an external MIDI de-

vice (such as the DOU-10 Disk Orchestra Unit) which can be used to con-

trol the Clavinova. The MIDI THRU connector re-transmits any data re-

ceived at the MIDI IN connector, allowing “chaining” of several MIDI in-

struments or other devices. The MIDI OUT connector transmits MIDI data

generated by the Clavinova (e.g. note and velocity data produced by playing

the Clavinova keyboard).

3 MIDI IN, THRU and OUT

Connectors

MIDI

OUT

THRU

More details on MIDI are given in “MIDI FUNCTIONS” on page 18.

Tone Generator

DOU-10

Two pairs of standard pair of stereo headphones can be plugged in here

for private practice or late-night playing. The internal speaker system is

automatically shut off when a pair of headphones is plugged into either of

the PHONES jacks.

● PHONES Jacks (Bottom Panel)

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Selecting & Playing Voices

ZTurn Power On

After making sure that the Clavinova’s AC plug is properly inserted into

a convenient AC wall outlet, press the [POWER] switch located to the left

of the keyboard to turn the power ON.

POWER

When the power is turned ON, the [PIANO 1] voice selector LED will

light (the PIANO 1 voice is automatically selected whenever the power is

turned ON).

Initially set the [MASTER VOLUME] control about half way between

the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the

[MASTER VOLUME] control for the most comfortable listening level.

XSet the Volume

MASTER VOLUME

MIN

MAX

Select the desired voice by pressing one of the voice selectors.

CSelect a Voice

CLAVINOVA

TONE

HARPSI-

CHORD

PIANO 1

PIANO 2

PIANO 3

E. PIANO 1 E. PIANO 2

VIBES

STRINGS

ORGAN

The Clavinova also offers keyboard touch response, so the volume and

timbre of notes played can be controlled according to how “hard” you play

the keys. The amount of variation available depends on the selected voice.

VPlay

You can also change the overall tone or add reverb and/or effects as de-

sired by using the [BRILLIANCE], [REVERB] and [EFFECT] buttons

(see page 8 for [BRILLIANCE] button operation, “Reverb” on page 9, and

“Effects” on page 10).

BAdjust Tone & Add Effects

As Required

BRILLIANCE

REVERB

EFFECT

ROOM

MELLOW

NORMAL

BRIGHT

HALL 1

HALL 2

COSMIC

DETUNE

CHORUS

TREMOLO

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Selecting & Playing Voices

Playing the Demonstration Tunes

The CLP-157 features 10 demonstration tunes that effectively demonstrate it’s sound

capabilities. Here’s how you can select and play the demo tunes.

ZEngage the Demo Mode

Press the [DEMO] button to engage the demo mode — the voice selec-

tors will flash in sequence.

DEMO

The 10 demo tunes are selected via the voice selectors. Press a selector to

start playback of the corresponding tune, featuring the voice normally se-

lected by that voice selector button. The demo tunes will play in sequence

until stopped, starting with the selected tune. The voice selector indicator

will flash during demo playback.

XSelect a Demo Tune

CLAVINOVA

TONE

HARPSI-

CHORD

PIANO 1

PIANO 2

PIANO 3

E. PIANO 1 E. PIANO 2

VIBES

STRINGS

ORGAN

CSet the Volume

Use the [MASTER VOLUME] control to adjust the volume.

MASTER VOLUME

• The TEMPO buttons do not affect demo playback (“_ _ _” appears on

MIN

MAX

NOTE

the TEMPO display).

You can start playback of any other demo tune during playback by sim-

ply pressing the corresponding voice selector. Playback will stop and the

playback-ready mode described in step 2, above, will be re-engaged if you

press the voice selector of the demo that is currently playing.

VPlay a Different Demo

Press the [DEMO] button when you want to stop demo playback and

return to the normal play mode.

BStop the Demo

DEMO

The Demo Tunes

[PIANO 1] button: Etude op. 10-5 “Black Keys” by F. F. Chopin

[PIANO 2] button: “Le Rhône” by K. Hattori

[PIANO 3] button: “Maple Leaf Rag” by S. Joplin

[CLAVINOVA TONE] button: “Pavane pour une infante défunte” by M. J. Ravel

[HARPSICHORD] button: “Le Coucou” by L. C. Daquin

[VIBES] button: “Schmetterling (Papilions)” op. 43 by E. H. Grieg

[STRINGS] button: “Charmaine” by L. Polladk

[ORGAN] button: “Jesu, Joy Of Man’s Desiring” (Chorale from Cantata No. 147) by J. S. Bach

• The demonstration pieces listed above are short excerpts from the original compositions. All

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The Dual Mode

The DUAL mode makes it possible to play two voices simultaneously across the entire range of the key-

board. To activate the DUAL mode simply press two voice selectors at the same time (or press one voice

selector while holding another). The voice indicators of both selected voices will light when the DUAL mode

is active. To return to the normal single-voice play mode, press any single voice selector.

The volume levels of the two voices combined in the DUAL mode are

● Adjusting the Balance Be-

tween the Dual-mode Voices

normally set automatically to produce a pleasing balance (see “Default Set-

tings” below). The balance can be adjusted manually by using the C2

through C4 keys on the keyboard or the TEMPO [s] and [t] buttons

while pressing the two voice selectors corresponding to the voices to be

combined in the DUAL mode. The selected balance value (1 … 15) will be

shown on the TEMPO display until the voice selectors are released.

When using the keyboard, the C3 keys produces equal balance between

the two voices (a setting of “8”), while keys to the left of C3 increase the

volume of the left voice in relation to the right voice, and keys to the right

of C3 increase the volume of the right voice in relation to the left voice. By

“left” and “right” voices we refer to the relative positions of the voice selec-

tors — i.e. in a STRINGS/ORGAN combination STRINGS is the left voice

and ORGAN is the right voice.

HARPSI-

CHORD

IANO 1 E. PIANO 2

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15

Left voice

maximum.

Equal

balance.

Right voice

maximum.

When using the TEMPO buttons the first time either button is pressed

the current balance appears on the TEMPO display, then pressing the [t]

button increases the volume of the left voice in relation to the right while

the [s] button has the opposite effect. Press both the [s] and [t] buttons

simultaneously to instantly recall the equal-volume (“8”) setting.

TEMPO

●

● A setting of “1” sets the volume of the left voice to maximum and the

volume of the right voice to minimum.

● A setting of “8” sets both voices to the same volume.

● A setting of “15” sets the volume of the right voice to maximum and the

volume of the left voice to minimum.

• Hold either the TEMPO [s] or [t] button for continuous scrolling in the

NOTE

specified direction.

Depending on which voices you combine using the DUAL mode, the

combination may sound better if one of the voices is shifted up an octave.

To shift the right voice, press the C5 key while pressing the two voice se-

lectors corresponding to the voices to be combined in the DUAL mode.

Press C5 again to shift the voice back to its normal range. Use the C1 key

in the same way to shift the left voice.

● Shifting a Dual-mode Voice

Up One Octave

HARPSI-

O 1 E. PIANO 2

CHORD

Default octave settings are provided for all voice combinations, as listed

in the “Default Settings” chart, below.

Right voice

shift up.

Left voice

shift up.

● Slow-attack Strings

In a DUAL mode voice combination using STRINGS and any other

voice, it is possible to switch the STRINGS voice to a slow-attack variation

when initially selecting the voices by pressing the [STRINGS] selector

twice while holding the other voice selector. Repeat this operation to return

to the normal STRINGS voice attack.

PIANO 1

PIANO 2

PIA

STRINGS

ORGAN

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The Dual Mode

● Memorizing the Balance,

Strings Type, & Octave Shift

Settings

Press the C7 key while holding any two voice selectors to memorize all

balance, STRINGS voice attack variation, and octave shift settings made

since the power was turned on. The memorized settings will be retained in

memory for about one week after the power is turned off, then the default

settings will be restored. To keep the memorized settings for longer periods,

turn the power on briefly at least once a week.

HARPSI-

CHORD

E. PIANO 2

If these settings are not memorized as described above, they are retained

in memory only until the Clavinova is turned off.

Default Settings

Balance

CLAVINOVA

TONE

HARPSI-

CHORD

PIANO 1 PIANO 2 PIANO 3

E. PIANO 1 E. PIANO 2

VIBES

STRINGS ORGAN

PIANO 1

PIANO 2

PIANO 3

8 (C3)

6 (A2)

8 (C3)

4 (F2)

7 (B2)

3 (E2)

4 (F2)

3 (E2)

4 (F2)

5 (G2)

7 (B2)

8 (C3)

CLAVINOVA TONE

E. PIANO 1

E. PIANO 2

HARPSICHORD

VIBES

STRINGS

ORGAN

C2 … C4: Balance keys

0: Normal octave L: Left voice up one octave

R: Right voice up one octave

Brilliance

The [BRILLIANCE] button makes it possible to change the tonality or “timbre” of the selected

voice to suit your musical requirements. Three settings are provided: MELLOW, NORMAL, and

BRIGHT. To select one of these settings, press the [BRILLIANCE] button a few times until the

indicator corresponding to the desired setting lights.

NORMAL .....This setting produces the “normal” tone of the selected voice.

BRIGHT .......This setting creates a brighter, sharper tone.

MELLOW .....The MELLOW setting produces a rounder, softer tone.

Press the C7 key while holding the [BRILLIANCE] button to memorize

the current brilliance setting. The memorized setting will be retained in

memory for about one week after the power is turned off, then the default

setting (NORMAL) will be restored. To keep the memorized setting for

longer periods, turn the power on briefly at least once a week.

If this setting is not memorized as described above, it is retained in

memory only until the Clavinova is turned off.

● Memorizing the Brilliance

Setting

BRILLIANCE

MELLOW

NORMAL

BRIGHT

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Reverb

The [REVERB] button selects a number of digital reverb effects that you can use for

extra depth and expressive power.

To select a reverb type press the [REVERB] button a few times until the indicator

corresponding to the desired type lights (the indicators light in sequence each time the

[REVERB] button is pressed). No reverb is produced when all indicators are off.

ROOM ........This setting add a continuous reverb effect to the sound that is similar to the type of

acoustic reverberation you would hear in a medium-size room.

HALL 1 ......For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates the natu-

ral reverberation of a medium-size concert hall.

HALL 2 ......For a really spacious reverb sound, use the HALL 2 setting. This effect simulates the

natural reverberation of a large concert hall.

COSMIC ....The COSMIC reverb effect produces an echo-plus-reverb sound that can add life and

animation to your music.

The depth of the selected reverb effect can be adjusted for the current

voice (separate settings can be made for each voice) by using the C2

through C4 keys on the keyboard or the TEMPO [s] and [t] buttons

while holding the [REVERB] button. The selected reverb depth value (0 …

15) will be shown on the TEMPO display until the [REVERB] button is

released. The default reverb depth settings are given in the “Default Set-

tings” chart below.

● Adjusting Reverb Depth

REVERB

ROOM

HALL 1

HALL 2

COSMIC

When using the keyboard, the C3 keys sets the “normal” depth (a setting

of “8”). Keys to the left of C3 decrease the reverb depth, and keys to the

right of C3 increase the reverb depth.

When using the TEMPO buttons the first time either button is pressed

the current depth setting appears on the TEMPO display, then pressing the

[s] button increases the reverb depth while the [t] button decreases the

reverb depth. Press both the [s] and [t] buttons simultaneously to in-

stantly recall the normal (“8”) setting.

0 2 3 4 5 6 7 8 9 10 11 12 13 14 15

Decrease

depth.

Normal

depth.

Increase

depth.

● A setting of “0” sets the minimum reverb depth (no reverb).

● A setting of “8” sets medium “normal” reverb depth.

● A setting of “15” sets the maximum reverb depth.

TEMPO

●

• Hold either the TEMPO [s] or [t] button for continuous scrolling in the

NOTE

specified direction.

• A setting of “1” cannot be entered via the keyboard.

Default Settings

ROOM

8 (C3)

HALL 1

8 (C3)

HALL 2

11 (F3)

COSMIC

10 (E3)

STRINGS, ORGAN

* All effect types set to C3 for all other voices.

* The default reverb type is ROOM.

Press the C7 key while holding the [REVERB] button to memorize the

current effect type and all depth settings made since the power was turned

on. The memorized settings will be retained in memory for about one week

after the power is turned off, then the default settings will be restored. To

keep the memorized settings for longer periods, turn the power on briefly at

least once a week.

● Memorizing the Reverb

Type & Depth Settings

REVERB

ROOM

HALL 1

HALL 2

COSMIC

If these settings are not memorized as described above, they are retained

in memory only until the Clavinova is turned off.

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Effects

The [EFFECT] button selects a range of three effects that you can use in addition to the

REVERB effects.

To select an effect press the [EFFECT] button a few times until the indicator correspond-

ing to the desired effect lights (the indicators light in sequence each time the [EFFECT]

button is pressed). No effect is produced when all indicators are off.

DETUNE ......DETUNE delivers a thick, multi-instrument sound by producing two notes of

slightly different pitch for every single note you play on the keyboard — i.e.

the two notes are slightly “detuned.”

CHORUS .....This produces an animated “shimmering” effect that both thickens the sound

and gives it a more lively feel.

TREMOLO ...TREMOLO is a gentle variation in volume that gives the sound a more dy-

namic feel. The tremolo speed is independently preset for each voice.

● Memorizing Effects for Each

The CLP-157 allows different effects to be set for each voice so that the

appropriate effect is automatically recalled whenever a voice is selected.

The initial effect assignments when the CLP-157 power is turned on are

given in the chart below.

These settings can be changed by selecting the desired voice and effects,

and then pressing the C7 key while holding the [EFFECT] button. All set-

tings made since the power was turned on are memorized. The memorized

settings will be retained in memory for about one week after the power is

turned off, then the default settings will be restored. To keep the memorized

settings for longer periods, turn the power on briefly at least once a week.

If these settings are not memorized as described above, they are retained

in memory only until the Clavinova is turned off.

Voice

EFFECT

DETUNE

CHORUS

TREMOLO

CLAVINOVA

HARPSI-

CHORD

PIANO 1

OFF

PIANO 2

OFF

PIANO 3

OFF

E. PIANO 1 E. PIANO 2

OFF CHORUS

VIBES

STRINGS

OFF

ORGAN

OFF

Voice

TONE

Power-on

Effect

OFF

TREMOLO

The Pedals

The CLP-157 has three foot pedals that produce a range of expressive effects similar to

those produced by the pedals on an acoustic piano.

Pressing the soft pedal reduces the volume and slightly changes the timbre of notes played.

The soft pedal actually functions in eight levels, depending on how hard it is pressed.

● Soft (Left) Pedal

If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s)

are held, those notes will be sustained as long as the pedal is held (as if the damper pedal had

been pressed) but all subsequently played notes will not be sustained. This makes it possible

to sustain a chord, for example, while other notes are played “staccato.”

● Sostenuto (Center)

Pedal

The damper pedal functions in the same way as a damper pedal on an acoustic piano. When

the damper pedal is pressed notes played have a long sustain. When a piano voice is selected

the damper pedal also produces a special “resonance” that simulates the ring of the strings and

the sound board of an acoustic piano. Releasing the pedal immediately stops (damps) any sus-

tained notes. The CLP-157 damper pedal additionally features continuous damping. This al-

lows you to create shorter effects by pressing the damper pedal down only part of the way.

● Damper (Right)

Pedal

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Touch Sensitivity

The [TOUCH SENSITIVITY] button selects four different types of keyboard touch sensitivity —

HARD, MEDIUM, SOFT or FIXED — to match different playing styles and preferences. The different

touch sensitivity settings are selected by using the [TOUCH SENSITIVITY] button.

HARD............................ The HARD setting requires the keys to be played quite hard to produce maximum loudness.

MEDIUM ....................... The MEDIUM setting produces a fairly “standard” keyboard response. This is the initial

factory default setting.

SOFT ............................ The SOFT setting allows maximum loudness to be produced with relatively light key

pressure.

FIXED (No indicator lit) ... All notes are produced at the same volume no matter how hard the keyboard is played.

This is an ideal setting for voices which normally have no keyboard sensitivity (i.e.

harpsichord and organ).

● Memorizing the Touch

Press the C7 key while holding the [TOUCH SENSITIVITY] button to memo-

rize the current touch sensitivity setting. The memorized setting will be retained in

memory for about one week after the power is turned off, then the default setting

will be restored. To keep the memorized setting for longer periods, turn the power

on briefly at least once a week.

Sensitivity Setting

TOUCH

SENSITIVITY

HARD

MEDIUM

SOFT

If this settings is not memorized as described above, it is retained in memory

only until the Clavinova is turned off.

Transposition

The Clavinova’s TRANSPOSE function makes it possible to shift the pitch of the entire key-

board up or down in semitone intervals up to a maximum of six semitones. “Transposing” the

pitch of the Clavinova keyboard facilitates playing in difficult key signatures, and you can easily

match the pitch of the keyboard to the range of a singer or other instrumentalist.

The [MIDI/TRANSPOSE] button and keys F#2 through F#3 on the keyboard, or the TEMPO [s] and [t] buttons, are

used for transposition.

ZPress and hold the [MIDI/TRANSPOSE] button. The current transpose setting

will appear on the TEMPO display (“-6” semitones through “0” through “6”

F#2

F#3

semitones).

MIDI/

TRANSPOSE

-6 -4 -2

+1 +3

XPress a key between F#2 and F#3 according to the desired amount of transposi-

tion*, or use the TEMPO [s] and [t] buttons to set the required transposition

value. The “0” default setting can be instantly recalled by simultaneously press-

ing the TEMPO [s] and [t] buttons.

-5 -3 -1 0 +2 +4 +5

Transpose Transpose

down.

up.

Normal

pitch.

CRelease the [MIDI/TRANSPOSE] button.

* Pressing the C3 key produces normal keyboard pitch. Pressing the key to the left

of C3 (B2) transposes the pitch of the keyboard down a semitone, the next key to

the left (Bb2) transposes down a whole tone (two semitones), etc., down to the

F#2 key which transposes down 6 semitones. Upward transposition is accom-

plished in the same way using the keys to the right of C3, up to F#3 which trans-

poses up 6 semitones.

-1

TEMPO

●

• Hold either the TEMPO [s] or [t] button for continuous scrolling in the specified

NOTE

direction.

• Notes below and above the A-1 — C7 of the Clavinova sound one octave higher

and lower, respectively.

• If the VIBES indicator lights when the [MIDI/TRANSPOSE] button is pressed, the

Individual Key Tuning mode is ON (see page 16) and the transposition function

cannot be used.

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Pitch Control

Pitch control makes it possible to tune the Clavinova over a ±50-cent range (approximate) in ap-

proximately 1.2-cent or 1-hertz intervals. A hundred “cents” equals one semitone, so the tuning range

provided allows fine tuning of overall pitch over a range of approximately a semitone. Pitch control is

useful for tuning the Clavinova to match other instruments or recorded music.

● Tuning Up

Z To tune up (raise pitch), hold the A-1 and B-1 keys simultaneously

(A-1 and B-1 are the two lowest white keys on the keyboard) and press

any key between C3 and B3. Each time a key in this range is pressed the

pitch is raised by approximately 1.2 cents, up to a maximum of about 50

cents above standard pitch. To raise the pitch in 1-hertz increments press

the TEMPO [s] button instead of the C3-B3 keys. The TEMPO [t]

button can also be used to tune down while the A-1 and B-1 keys are held.

-1

B-1

TEMPO

●

X Release the A-1 and B-1 keys.

● Tuning Down

To tune down (lower pitch), hold the A-1 and A#-1 keys simultane-

ously and press any key between C3 and B3. Each time a key in this range

is pressed the pitch is lowered by approximately 1.2 cents, up to a maxi-

mum of about 50 cents below standard pitch. To lower the pitch in 1-hertz

increments press the TEMPO [t] button instead of the C3-B3 keys. The

TEMPO [s] button can also be used to tune up while the A-1 and A#-1

keys are held.

-1

TEMPO

●

XRelease the A-1 and A#-1 keys.

ZTo restore the default pitch (A3 = 440 Hz), hold the A-1, A#-1, and B-1

keys simultaneously and press any key between C3 and B3, or simultane-

ously press the TEMPO [s] and [t] buttons.

● To Restore Standard Pitch

-1

XRelease the A-1, A#-1 and B-1 keys.

• Hold either the TEMPO [s] or [t] button for continuous scrolling in the

NOTE

specified direction.

TEMPO

●

• The PITCH CONTROL function has no effect when LOCAL OFF is active

(see “MIDI FUNCTIONS,” page 20).

● The Pitch Display

The approximate pitch of A3 is shown on the TEMPO display in Hertz

while the pitch control function is in operation. The total display range is from

approximately 427 hertz (-50 cents) to 453 hertz (+50 cents).

The dots to the right of each figure in the display are used to provide a

general idea of fractional pitches.

Example:

442 442.0 .........442.24

42 442.25 .......442.49

2 442.5 .........442.74

442 442.75 .......442.99

● Memorizing the Pitch Con-

Press the C7 key while holding the A-1/B-1, A-1/A#-1, or A-1/A#-1/B-1 key

combination to memorize the current pitch control setting. The memorized

setting will be retained in memory for about one week after the power is

turned off, then the standard pitch will be restored. To keep the memorized

setting for longer periods, turn the power on briefly at least once a week.

If this setting is not memorized as described above, it is retained in memory

only until the Clavinova is turned off.

trol Setting

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The Metronome & Tempo Control

The CLP-157 built-in metronome is a convenient feature for practice, and it can also provide

a solid rhythmic guide when recording using the Recorder feature, described below.

The Metronome

The metronome sound is turned on and off via the [METRONOME] button.

METRONOME

Press the [METRONOME] button so that its indicator lights to turn the metro-

nome on and then again so that the indicator goes out to turn the metronome off.

When the metronome is on the current measure number is shown on the TEMPO

display.

The volume of the metronome sound can be independently adjusted by using the

● Metronome Volume

TEMPO [s] and [t] buttons while holding the [METRONOME] button. The

first time either button is pressed the current volume setting appears on the

TEMPO display, then pressing the [s] button increases the volume while the [t]

button decreases the volume. Press both the [s] and [t] buttons simultaneously to

instantly recall the default (“8”) setting.

TEMPO

METRONOME

●

● A setting of “1” sets the minimum metronome volume.

● A setting of “8” sets the default metronome volume.

● A setting of “15” sets the maximum metronome volume.

• Hold either the TEMPO [s] or [t] button for continuous scrolling in the specified

NOTE

direction.

The time signature of the metronome sound can be set by pressing the appropri-

ate voice selector button while holding the [METRONOME] button, as follows:

● Metronome Time Signature

CLAVINOVA

TONE

PIANO 1

PIANO 2

PIANO 3

E. PIANO 1

METRONOME

[METRONOME] + [PIANO 1]

[METRONOME] + [PIANO 2]

[METRONOME] + [PIANO 3]

[METRONOME] + [CLAVINOVA TONE]

[METRONOME] + [E. PIANO 1]

No accent (default)

2 time

3 time

4 time

6 time

120

3 time

Beat Indicator

No accent/

The dots on the TEMPO display flash to indicate the current beat

within the current measure, as shown to the left.

4 time

2 time

6 time

1st Beat

2nd Beat

3rd Beat

4th Beat

5th Beat

6th Beat

Tempo Control

The tempo of the Metronome and Recorder playback functions can be adjusted

from 32 to 280 quarter-note beats per minute via the TEMPO [s] and [t] but-

tons. The current tempo normally appears on the TEMPO display. Although the

TEMPO display shows the current measure number during Metronome or Re-

corder operation, the tempo value is displayed when either of the TEMPO buttons

are pressed, and remains on the display for about one second after the TEMPO

buttons are released.

120

TEMPO

●

The default tempo of 120 beats per minute is automatically set when the power

is initially turned on. Press the TEMPO [s] and [t] buttons simultaneously to

instantly recall the default tempo (120) at any time. The tempo value in the Re-

corder memory is recalled if the TEMPO [s] and [t] buttons are pressed simul-

taneously during recorder playback or when a green track indicator is lit.

• Hold either the TEMPO [s] or [t] button for continuous scrolling in the specified

NOTE

direction.

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Using the Recorder

The CLP-157 features a two-track recorder that lets you record what you play on the keyboard and then

play it back. Since you have two tracks, you can “overdub” one part on top of another, using a different

voice if you like, to create complex, rich-sounding recordings. The recorder feature is a useful adjunct to

any keyboard study program, since it lets you hear exactly how you sound from the listener’s perspective.

It can also be just plain fun.

The recorder actually records the following data:

Parameters Recorded for Each track

Parameters Recorded for the Entire Song

● Reverb type ● Reverb depth

● Tempo (initial setting only)

● Notes played

● Voice selection ● Dual mode voices

● Damper pedal ● Soft pedal

● Dual balance

● Sostenuto pedal (not recorded as an initial setting)

● Brilliance ● Effect

Recording

Press the RECORDER [REC] button to engage the record ready mode

(recording does not actually start yet). The [REC] button indicator will

light and the rightmost beat indicator dot will flash at the current tempo.

Engage the Record Ready

Mode

RECORDER

• You can record up to a maximum of about 4,200 notes (26 kilobytes)

depending on pedal usage and other factors. The [REC] button and

record track indicators will begin to flash when the recorder memory is

almost full (“FUL” will appear on the TEMPO display) and recording will

stop automatically.

NOTE

PLAY

REC

• The amount of remaining memory is displayed in kilobytes (approximate)

when the [REC] button is released, or when a record track button is

pressed as in step 2, below.

X Select the Record Track

When the record mode is engaged in the previous step, the last-recorded

track will automatically be selected for recording and its indicator — i.e.

the [1] or [2] button indicator — will glow red. If you want to record on a

different track, press the appropriate track button so that its indicator glows

red.

RECORDER

PLAY

REC

• The track button indicators of tracks which contain previously recorded

data will glow green (unless the track is turned off as described below).

The previously-recorded data on the non-record track will normally be

played back as you record, so you can play along with a previously-

recorded track. If you don’t want to hear the previously recorded track as

you record, press the playback track button before pressing the [REC]

button (step 1, above) so that its indicator goes out.

NOTE

• Recording on a track which already contains data will erase all previous

data on that track.

Make All Necessary Initial

Settings

Before actually beginning to record, select the voice you want to record

with (or voices if you will be using the dual mode). You might also want to

set the volume and tempo controls.

CLAVINOVA

PIANO 1

PIANO 2

PIANO 3

TONE

E. PIA

V Start Recording

Recording will begin automatically as soon as you play a note on the

keyboard or press the [PLAY] button. The current measure number will

appear on the TEMPO display during recording.

• If the metronome was on when you started recording, you’ll be able to

keep time with the metronome while recording, but the metronome

sound will not be recorded.

NOTE

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Press either the RECORDER [REC] or [PLAY] button to stop recording. The

indicator of the recorded track will glow green to indicate that it now contains data.

BStop Recording

RECORDER

PLAY

REC

● Changing the Initial

The initial voice (including dual mode and dual balance setting), damper pedal, soft

pedal, tempo, reverb type, reverb depth, effect, and brilliance settings made in step 3 of

the recording procedure are actually recorded by the CLP-157. These initial settings

can be changed after the recording is finished by pressing the [REC] button to engage

the record ready mode, pressing the appropriate track button, making the required

changes, and then pressing the [REC] button again to exit from the record ready mode

and register the changes. If you do this, be careful not to press the [PLAY] button or a

key on the keyboard, either of which will start recording and erase all previous re-

corded data on the selected track. If you start this procedure but decide to cancel, sim-

ply select a different track then press the [REC] button a second time.

Settings

All data can be erased from either of the recorder’s tracks by engaging the record

mode, selecting the track you want to erase, and then pressing the [PLAY] button twice

without recording any data.

● Erasing a Single Track

Playback

To play back what you’ve recorded, first make sure that the green track indicators of

the tracks you want to play are lit. If not, press the corresponding track button(s) so that

they are lit. Then press the RECORDER [PLAY] button. Playback starts from the

beginning of the recorded data, and will stop automatically at the end of the recorded

data. The current measure number will appear on the TEMPO display during playback.

You can also stop playback at any time by pressing the [PLAY] button. To mute a

track so that it doesn’t play back, press the corresponding track button so that its indi-

cator goes out (press again to turn the track back on).

RECORDER

PLAY

REC

• All recorder data will be retained in memory for about one week after the power is

turned off. If you want to keep your recorded data for longer periods, turn the power on

briefly at least once a week. It is also possible to store it to an external MIDI storage

device such as the Yamaha DOU-10 Disk Orchestra Unit by using the Bulk Dump

function described on page 22.

NOTE

• The track indicators will not light automatically when the power is turned on even if the

recorder contains data. It is therefore necessary to press the track buttons so that the

corresponding green indicators light before starting RECORDER playback. It is also a

good idea to press the track buttons to check if the tracks contain data before record-

ing. If the green indicator lights when the corresponding track button is pressed, that

track contains data which will be erased and replaced by the newly-recorded data.

• If the metronome is being used during playback, the metronome will stop when play-

back is stopped.

• The playback data is not transmitted via the MIDI OUT connector.

When you want to locate a specific point in a recording you can quickly move for-

ward through the recording while monitoring the sound by pressing the [REC] button

while holding the [MIDI/TRANSPOSE] button.

● Fast Forward Playback

RECORDER

MIDI/

TRANSPOSE

PLAY

REC

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Individual Key Tuning

The individual key tuning feature makes it possible to individually tune each key on the CLP-157

keyboard in oder to match different tuning standards. The pitch of each key can be raised or lowered

by a maximum of 50 cents (approximately) from the standard pitch.

● To Turn the Individual Key

Tune Mode ON

The individual key tuning settings described below can be turned on or

off (normal tuning) while retaining the settings in memory. Individual key

tuning is always turned off when the power is initially turned on, but any

previous settings are retained in memory and can be recalled if the power

has not been off for longer than about a week. To keep the memorized set-

tings for longer periods, turn the power on briefly at least once a week.

MIDI/

TRANSPOSE

HARPSI-

CHORD

VIBES

STRINGS

ZHold the [MIDI/TRANSPOSE] button.

XPress the [VIBES] voice selector to turn the Individual Key Tune mode

ON (VIBES indicator on; “F” will appear on the TEMPO display) or

OFF (VIBES indicator off).

CRelease the [MIDI/TRANSPOSE] button.

• If the VIBES indicator does not light when the [MIDI/TRANSPOSE]

button is pressed, the Individual Key Tuning mode is OFF and the Trans-

pose function (page 11) will be engaged. Make sure that Individual Key

Tuning is turned ON before proceeding.

NOTE

● To Lower the Pitch of a Single

ZHold the [MIDI/TRANSPOSE] button.

Key

XPress the TEMPO [t] button. “d” will appear on the TEMPO display.

CWhile still holding the [MIDI/TRANSPOSE] button, press the desired

key as many times as necessary to lower its pitch by the required

amount (each press lowers pitch by approximately 1.2 cents). The first

time the key is pressed the current value will appear on the TEMPO

display. Subsequent presses on the key change the tuning value (“44”

… “-44”).

MIDI/

TRANSPOSE

TEMPO

●

VRelease the [MIDI/TRANSPOSE] button.

• The ±50-cent tuning range is shown on the TEMPO display in steps

ranging from “-44” to “44”.

NOTE

ZHold the [MIDI/TRANSPOSE] button.

● To Raise the Pitch of a Single

Key

XPress the TEMPO [s] button. “U” will appear on the TEMPO display.

CWhile still holding the [MIDI/TRANSPOSE] button, press the desired

key as many times as necessary to raise its pitch by the required amount

(each press raises pitch by approximately 1.2 cents). The first time the

key is pressed the current value will appear on the TEMPO display.

Subsequent presses on the key change the tuning value (“-44” … “44”).

MIDI/

TRANSPOSE

TEMPO

●

VRelease the [MIDI/TRANSPOSE] button.

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● To Restore Standard Tuning

ZHold the [MIDI/TRANSPOSE] button.

For A Single Key

XPress the TEMPO [s] and [t] buttons simultaneously. “F” will ap-

pear on the TEMPO display.

CWhile still holding the [MIDI/TRANSPOSE] button, press the key you

want to restore to normal pitch. The first time the key is pressed the

current value will appear on the TEMPO display. The second press

restores the tuning value to “0”.

MIDI/

TRANSPOSE

TEMPO

●

VRelease the [MIDI/TRANSPOSE] button.

• If you switch between any of the tuning modes (“d”, “U”, or “F”) while still

holding the [MIDI/TRANSPOSE] button and then tune the same key, the

tuning will change from the first time the key is pressed.

NOTE

Factory Preset Recall

All dual mode, reverb, brilliance, effect, touch sensitivity, pitch control,

and individyal key tune settings can be restored to their original factory

preset (default) values by holding the C7 key while turning the [POWER]

switch ON. This also erases all recorder data.

POWER

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MIDI Functions

● A Brief Introduction to MIDI

MIDI, the Musical Instrument Digital Interface, is a world-standard com-

munication interface that allows MIDI-compatible musical instruments and

equipment to share musical information and control one another. This

makes it possible to create “systems” of MIDI instruments and equipment

that offer far greater versatility and control than is available with isolated

instruments. For example, most MIDI keyboards (including the Clavinova,

of course) transmit note and velocity (touch response) information via the

MIDI OUT connector whenever a note is played on the keyboard. If the

MIDI OUT connector is connected to the MIDI IN connector of a second

keyboard (synthesizer, etc.) or a tone generator (essentially a synthesizer

with no keyboard), the second keyboard or tone generator will respond

precisely to notes played on the original transmitting keyboard. The result is

that you can effectively play two instruments at once, providing thick multi-

instrument sounds.

MIDI Cable

MIDI OUT

MIDI IN

DOU-10

Clavinova

Data Being Recorded

Playback Data

This same type of musical information transfer is used for MIDI se-

quence recording. A sequence recorder can be used to “record” MIDI data

received from a Clavinova, for example. When the recorded data is played

back, the Clavinova automatically “plays” the recorded performance in

precise detail.

MIDI OUT

MIDI IN

MIDI OUT

MIDI IN

DOU-10

The examples given above really only scratch the surface. MIDI can do

much, much more. The CLP-157 offers a number of MIDI functions that

allows it to be used in fairly sophisticated MIDI systems.

Clavinova

• Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN

terminals. Never use MIDI cables longer than about 15 feet, since cables

longer than this can pick up noise which can cause data errors.

NOTE

The MIDI information (messages) transmitted and received by the CLP-

157 Clavinova are as follows:

● MIDI “Messages” Transmitted

& Received by the Clavinova

Note and Velocity Data

This information tells the receiving keyboard or tone generator to play a certain note (specified by the MIDI

note number) at a certain dynamic level (specified by the MIDI velocity value). Note and velocity data is trans-

mitted by the Clavinova whenever a key is pressed, and the Clavinova’s internal AWM tone generator will

“play” the corresponding note(s) whenever note and velocity data is received from an external MIDI device.

Program Change Numbers

The CLP-157 transmits a MIDI program change number between 0 and 9 when one of its voice selectors is

pressed. This normally causes the correspondingly numbered voice to be selected on a receiving MIDI device.

The Clavinova will respond in the same way, automatically selecting the appropriate voice when a MIDI pro-

gram change number is received. See “Program Change ON/OFF” on page 20 for information on turning pro-

gram change number reception and transmission ON or OFF.

Control Change Numbers

Control Change data representing Damper pedal operation is transmitted by the Clavinova whenever one of

these pedals is used. If the receiving device is a tone generator or another keyboard, it will respond in the same

way as the Clavinova’s internal tone generator when one of the pedals is used. The Clavinova also receives and

responds to the appropriate control change data. See “Control Change ON/OFF” on page 21 for information on

turning control change number reception and transmission ON or OFF.

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● MIDI Transmit & Receive

The MIDI system allows transmission and reception of MIDI data on 16

different channels. Multiple channels have been implemented to allow se-

lective control of certain instruments or devices connected in series. For

example, a single MIDI sequence recorder could be used to “play” two

different instruments or tone generators. One of the instruments or tone

generators could be set to receive only on channel 1, while the other is set

to receive on channel 2. In this situation the first instrument or tone genera-

tor will respond only to channel-1 information transmitted by the sequence

recorder, while the second instrument or tone generator will respond only to

channel-2 information. This allows the sequence recorder to “play” two

completely different parts on the receiving instruments or tone generators.

Channel Selection

MIDI OUT MIDI IN

Tone Generator

DOU-10

MIDI THRU

(Set to receive on MIDI

channel 2)

MIDI IN

Clavinova

(Set to receive on MIDI channel 1)

In any MIDI control setup, the MIDI channels of the transmitting and

receiving equipment must be matched for proper data transfer. An “OMNI”

receive mode is also available, which allows reception on all 16 MIDI chan-

nels. In the OMNI mode it is not necessary to match the receive channel of

the receiving device to the transmit channel of the transmitting device (ex-

cept when receiving mode messages).

MIDI/

TRANSPOSE

Setting the Clavinova MIDI Channels

ZPress and hold the [MIDI/TRANSPOSE] button.

XPress the key on the keyboard corresponding to the desired MIDI trans-

mit or receive channel.* (the selected channel number is shown on the

TEMPO display — the OMNI ON receive mode is indicated by

“ALL” on the display).

D#2

14 16

10 12 13 15

CRelease the [MIDI/TRANSPOSE] button.

For setting the transmit

channel. (C1 ~ D#2)

For setting the receive

channel. (C4 ~ D#5)

* Keys C1 through D#2 on the keyboard are used to set the MIDI transmit

channel, and keys C4 through D#5 are used to turn the OMNI mode OFF

and set the MIDI receive channel as shown in the illustration to the left.

The E5 key sets the OMNI receive mode and basic receive channel 1.

For OMNI mode

S 1 ......... S16

Send channel

• When the power is initially turned ON, MIDI receive is set to the OMNI

mode, the basic receive channel is set to 1, and the transmit channel is

set to 1.

NOTE

r 1 ......... r16

Receive channel

• If the VIBES indicator lights when the [MIDI/TRANSPOSE] button is

pressed, the Individual Key Tuning mode is ON (see page 16) and the

MIDI Channel Selection cannot be used.

ALL

OMNI ON

This function allows the MIDI note data transmitted by the Clavinova to

be transposed up or down in semitone increments by up to plus or minus 6

semitones. The pitch of the Clavinova itself is not affected.

● MIDI Transmit Transpose

F#5

F#6

MIDI/

TRANSPOSE

-6 -4 -2

-5 -3 -1

+1 +3

Setting the MIDI Transpose Function

+2 +4 +5

ZPress and hold the [MIDI/TRANSPOSE] button.

Display Transposition

XPress the key on the keyboard corresponding to the desired degree of

transposition.* The amount of transposition selected is shown on the

TEMPO display.

t-6

t-5

t-4

t-3

t-2

t-1

t 0

t 1

t 2

t 3

t 4

t 5

t 6

-6 semitones

-5 semitones

-4 semitones

-3 semitones

-2 semitones

-1 semitone

Normal

+1 semitone

+2 semitones

+3 semitones

+4 semitones

+5 semitones

+6 semitones

CRelease the [MIDI/TRANSPOSE] button.

* Keys F#5 through F#6 on the keyboard are used to set the MIDI transmit

transpose function as shown in the illustration to the left.

• When the power is turned ON, MIDI transmit transpose is set to 0 (no

NOTE

transposition).

• If the VIBES indicator lights when the [MIDI/TRANSPOSE] button is

pressed, the Individual Key Tuning mode is ON (see page 16) and the

MIDI Transmit Transpose cannot be used.

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MIDI Functions

Other MIDI Functions

MIDI FUNCTION CHART

The MIDI functions listed to the right are engaged by

holding down the [MIDI/TRANSPOSE] button and press-

ing the corresponding voice selector. Full details are given

in the following pages.

Function

CLP-157 Voice Selector

[PIANO 1]

Local Control ON/OFF

Program Change ON/OFF

Control Change ON/OFF

Multi-Timbre Mode

[PIANO 2]

[PIANO 3]

[CLAVINOVA TONE ]

[E.PIANO 1]

MIDI Split & Left Local OFF

MIDI Split & Right Local OFF

Panel Data Transmit

[E.PIANO 2]

[HARPSICHORD]

● Local Control ON/OFF

“Local Control” refers to the fact that, normally, the Clavinova keyboard controls its internal tone generator,

allowing the internal voices to be played directly from the keyboard. This situation is “Local Control ON” since

the internal tone generator is controlled locally by its own keyboard.

Local control can be turned OFF, however, so that the Clavinova keyboard does not play the internal voices,

but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on

the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI

IN connector.

When using the DOU-10 Disk Orchestra Unit with the Clavinova, for example, Local Control should be

turned OFF when recording using the DOU-10 voices only, and ON when recording the Clavinova voices while

listening to playback of the DOU-10 voices.

MIDI/

TRANSPOSE

PIANO 1

PIANO 2

PIANO

ZHold down the [MIDI/TRANSPOSE] button.

XPress the [PIANO 1] voice selector. If the PIANO 1 LED is lit when

the [PIANO 1] voice selector is pressed, you have turned local control

OFF. If the PIANO 1 LED is not lit when the [PIANO 1] voice selector

is pressed, you have turned local control ON.

PIANO 1

= Local Control OFF

= Local Control ON

CRelease the [MIDI/TRANSPOSE] button.

● Program Change ON/OFF

Normally the Clavinova will respond to MIDI program change numbers received from an external keyboard

or other MIDI device, causing the correspondingly numbered Clavinova voice to be selected. The Clavinova

will normally also send a MIDI program change number whenever one of its voices is selected, causing the

correspondingly numbered voice or program to be selected on the external MIDI device if the device is set up to

receive and respond to MIDI program change numbers.

This function makes it possible to cancel program change number reception and transmission so that voices

can be selected on the Clavinova without affecting the external MIDI device, and vice versa.

MIDI/

TRANSPOSE

PIANO 1

PIANO 2

PIANO

ZHold down the [MIDI/TRANSPOSE] button.

XPress the [PIANO 2] voice selector. If the PIANO 2 LED is lit when

the [PIANO 2] voice selector is pressed, you have turned program

change reception/transmission OFF. If the PIANO 2 LED is not lit

when the [PIANO 2] voice selector is pressed, you have turned pro-

gram change reception/transmission ON.

PIANO 2

= Program Change OFF

= Program Change ON

CRelease the [MIDI/TRANSPOSE] button.

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● Control Change ON/OFF

Normally the Clavinova will respond to MIDI control change data received from an external MIDI device or

keyboard, causing the selected Clavinova voice to be affected by pedal and other “control” settings received

from the controlling device. The Clavinova also transmits MIDI control change information when one of its

pedals are operated.

This function makes it possible to cancel control change data reception and transmission if you do not want

the Clavinova voices to be affected by control change data received from an external device or vice versa.

ZHold down the [MIDI/TRANSPOSE] button.

CLAVINOVA

TONE

MIDI/

TRANSPOSE

ANO 2

PIANO 3

XPress the [PIANO 3] voice selector. If the PIANO 3 LED is lit when

the [PIANO 3] voice selector is pressed, you have turned control

change reception/transmission OFF. If the PIANO 3 LED is not lit

when the [PIANO 3] voice selector is pressed, you have turned control

change reception/transmission ON.

PIANO 3

= Control Change OFF

= Control Change ON

CRelease the [MIDI/TRANSPOSE] button.

The Multi-Timbre mode is a special mode in which the Clavinova voices

can be independently controlled on different MIDI channel numbers by an

external MIDI device. The Multi-Timbre mode can be activated as follows:

● The Multi-Timbre Mode

ZHold down the [MIDI/TRANSPOSE] button.

CLAVINOVA

TONE

MIDI/

TRANSPOSE

ANO 3

E. PIANO 1

XPress the [CLAVINOVA TONE] voice selector. If the CLAVINOVA

TONE LED is lit when the [CLAVINOVA TONE] voice selector is

pressed, you have turned the Multi-Timbre mode ON. If the

CLAVINOVA TONE LED is not lit when the [CLAVINOVA TONE]

voice selector is pressed, you have turned the Multi-Timbre mode OFF.

CLAVINOVA

TONE

= Multi-Timbre Mode ON

= Multi-Timbre Mode OFF

CLAVINOVA

TONE

CRelease the [MIDI/TRANSPOSE] button.

● The MIDI Split & Left Local OFF Mode

In the MIDI split mode one section of the Clavinova keyboard is used to play a Clavinova voice in the normal

way, while the remaining section is used to play a second MIDI keyboard or tone generator such as the Yamaha

DOU-10 Disk Orchestra Unit. In this mode the right-hand section of the keyboard is used to play an internal

Clavinova voice, while the left-hand section of the keyboard plays the external keyboard or tone generator.

Playing the left-hand section of the keyboard produces no sound from the Clavinova. The “split point,” or the

key that divides the left- and right-hand sections of the keyboard can be set at any desired key.

The MIDI split mode is useful if, for example, you want to play a piano

(Clavinova) voice with the right hand while playing a synthesizer bass line

or string section with the left hand.

AUX IN

OUT PUT

MIDI

MIDI OUT

When the MIDI split mode is activated, notes played on the left-hand

section are transmitted via the Clavinova MIDI OUT connector on MIDI

channel 2. Notes played on the right-hand section are transmitted on the

“basic channel” (i.e. the channel set using the MIDI channel selection func-

tion described previously).

DOU-10

(Set to receive on

MIDI channel 2)

Clavinova

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MIDI Functions

INOVA

ONE

ZPress the [E.PIANO 1] voice selector while holding down the [MIDI/

TRANSPOSE] button. The E.PIANO 1 LED will flash.

E. PIANO 1 E. PIANO 2

XWhile still holding the [MIDI/TRANSPOSE] button, press the key on

the keyboard at which you want to set the split point. The E.PIANO 1

LED will light continuously. The split-point becomes the first key of

the left-hand section.

MIDI/

TRANSPOSE

CRelease the [MIDI/TRANSPOSE] button.

VTo return to the normal full-keyboard mode, hold the [MIDI/TRANS-

POSE] button and press the [E.PIANO 1] voice selector, then release

both buttons.

SPLIT POINT

●

• When the power is turned ON the default split point key — F#2 — will be

NOTE

automatically selected. If a new split point is selected it remains active

until the power is turned OFF or a different split point is selected.

Left-hand section plays

a DOU-10 bass voice.

Right-hand section plays a

Clavinova piano voice.

● The MIDI Split & Right Local Off Mode

In the CLP-157 either the right- or left-hand section of the keyboard can be assigned to control an external

keyboard or tone generator. Assigning the left-hand section to external tone generator control was described in

the previous section. To assign the right-hand section to external tone generator control while playing the

Clavinova voices with the left hand, press the [E.PIANO 2] voice selector instead of the [E.PIANO 1] voice

selector when activating the Split mode (see the preceding section). All other operations are exactly the same as

described in the previous section.

● Transmitting the Panel Settings

This function causes all the current Clavinova control settings (selected voice, etc) to be transmitted via the

MIDI OUT terminal. This is particularly useful if you will be recording performances to a MIDI sequence re-

corder which will be used to control the Clavinova on playback. By transmitting the Clavinova panel settings

and recording them on the MIDI sequence recorder prior to the actual performance data, the Clavinova will be

automatically restored to the same settings when the performance is played back.

ZHold down the [MIDI/TRANSPOSE] button.

HARPSI-

CHORD

MIDI/

TRANSPOSE

ANO 2

VIBES

XPress the [HARPSICHORD] voice selector.

CRelease the [MIDI/TRANSPOSE] button.

• See page viii for list of the panel settings transmitted by this function.

NOTE

This function is used to transmit all data stored in the Recorder memory

to a MIDI data storage device such as the Yamaha DOU-10 Disk Orchestra

Unit, other sequence recorders, or MIDI compatible computers.

● Bulk Data Dump

RECORDER

ZHold [MIDI/TRANSPOSE] and press the [PLAY] button. Transmis-

MIDI/

TRANSPOSE

PLAY

REC

sion will begin.

XRelease the buttons.

• Bulk dump will not function when the metronome is on or when the re-

NOTE

corder is in operation.

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Troubleshooting

If you encounter what appears to be a malfunction, please check the following

points before assuming that your Clavinova is faulty.

1. No Sound When the Power is Turned ON

Is the AC plug properly connected to an AC wall outlet? Check the AC connection carefully. Is the MASTER

VOLUME control turned up to a reasonable listening level?

2. The Clavinova Reproduces Radio or TV Sound

This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer.

3. Intermittent Static Noise

This is usually due to turning ON or OFF a household appliance or other electronic equipment which is fed by the

same AC mains line as your Clavinova.

4. Interference Appears On Radio or TV Sets Located Near the Clavinova

The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to move the

Clavinova further away from the affected equipment, or vice versa.

5. Distorted Sound When the Clavinova is Connected to An External Amplifier/Speaker System

If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted, reduce the set-

ting of the Clavinova volume control to a level at which the distortion ceases.

Options & Expander Modules

● Options

BC-8 Bench

A comfortable bench styled to match your Yamaha Clavinova.

HPE-160 Stereo Headphones

High-performance lightweight dynamic headphones with extra-soft ear pads.

● Expander Modules

DOU-10

Disk Orchestra Unit

A range of MIDI recording and playback functions, plus Yamaha Disk Orchestra

Collection, Disklavier PianoSoft™, General MIDI, and Standard MIDI File disk

playback capability.

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5 x 40 mm long gold screws

Lange goldene Schrauben (5 x 40 mm)

Vis longues dorées de 5 x 40 mm

Tornillos dorados largo de 5 x 40 mm

x 6

6 x 18 mm round-head screws

Halbrundschrauben (6 x 18 mm)

Vis à tête ronde de 6 x 18 mm

Tornillos de cabeza redonda de 6 x 18 mm

x 4

x 2

x 4

x 2

4 x 6 mm small black screws

Kleine schwarze Schrauben (4 x 6 mm)

Petites vis noires de 4 x 6 mm

Tornillos negros pequeños de 4 x 6 mm

6 x 18 mm flat head screws

Senkschrauben (6 x 18 mm)

Vis à tête plate de 6 x 18 mm

Tornillos de cabeza plana de 6 x 18 mm

6 x 30 mm long black screws

Lange schwarze Schrauben (6 x 30 mm)

Vis longues noires de 6 x 30 mm

Tornillos negros largos de 6 x 30 mm

Keyboard Stand Assembly

Zusammenbau und Aufstellung

HINWEIS

• We do not recommend attempting to assemble the

Clavinova alone. The job can be easily accom-

plished, however, with only two people.

• Wir raten davon ab, das Clavinova alleine zusammen-

zubauen und aufzustellen. Zwei Personen können

diese Arbeit jedoch problemlos ausführen.

NOTE

• Use only the screws provided or replacements of

exactly the specified size. Using screws of the wrong

size can result in damage to the instrument.

• Verwenden Sie ausschließlich die mitgelieferten

Schrauben oder Ersatzschrauben identischer Größe.

Die Verwendung von Schrauben mit abweichenden

Maßen kann eine Beschädigung des Instruments zur

Folge haben.

Z Open the box and remove all the parts.

On opening the box you should find the parts shown in

the illustration. Check to make sure that all the required

parts are provided.

Öffnen Sie den Karton und nehmen Sie

alle Teile heraus.

Im Karton sollten die oben abgebildeten Teile enthalten

sein. Prüfen Sie zunächst bitte, ob alle Teile vollständig vor-

handen sind.

Assemble the side panels (E) and feet

(F).

Schrauben Sie die Seitenwände (E) und

die Füße (F) zusammen.

Machen Sie die Füße (F) mit den vier langen goldenen

Schrauben (5 x 40 mm) 1(jeweils 3 Schrauben) so an den

Seitenwänden fest, daß der Ausschnitt am jeweiligen Fuß

unter dem Winkelblech an der Seitenwand zu liegen kommt.

Secure the feet (F) to the side panels (E) with the 5 x 40

millimeter long gold-colored screws 1(3 each), making

sure that the cutouts on the feet face the bracket side of the

side panels.

Attach the side panels (E) to the pedal

box (C).

Befestigen Sie die Seitenwände (E) am

Pedalkasten (C).

Before installing the pedal box, untie and straighten out

the bundled cord attached to the bottom of the pedal box.

Place the pedal box on top of the brackets attached to the

side panels (E), and attach using the four 6 x 18 millimeter

round-head screws 2— two screws on each side. Make

sure the pedals extend in the same direction as the feet.

Bevor Sie den Pedalkasten montieren, nehmen Sie zu-

nächst das gebündelte Kabel aus dem Pedalkasten, entfernen

den Kabelbinder und ziehen das Kabel dann gerade aus.

Setzen Sie den Pedalkasten auf die Winkelbleche der bei-

den Seitenwänden (D), und schrauben Sie ihn dann mit den

vier Halbrundschrauben (6 x 18 mm) 2fest (jeweils zwei

Schrauben links und rechts). Achten Sie dabei darauf, daß

die Pedale in dieselbe Richtung weisen wie die vor-

springenden Teile der Füße.

V Install the metal brace (D).

Place the long metal brace on top of the upper brackets

at the front (pedal side) of the side panels, with the flanged

edges of the brace facing upward. Attach the brace with

one 4 x 6 millimeter small black screw 3at each end.

V Schrauben Sie die Metallstrebe (D) fest.

Legen Sie die Metallstrebe (D) mit der flachen Seite nach

unten auf die beiden Winkelbleche an der vorderen Seite

(Pedalseite) der Seitenwände. Schrauben Sie die Strebe mit

jeweils einer kleinen schwarzen Schraube (4 x 6 mm) 3an

beiden Enden fest.

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4 x 6 mm small black screws 3

Kleine schwarze Schrauben (4 x 6 mm) 3

Petites vis noires de 4 x 6 mm 3

Tornillos negros pequeños de 4 x 6 mm 3

6 x 18 mm round-head screws 2

Halbrundschrauben (6 x 18 mm) 2

Vis à tête ronde de 6 x 18 mm 2

5 x 40 mm long gold screws 1

Lange goldene Schrauben (5 x 40 mm) 1

Vis longues dorées de 5 x 40 mm 1

Tornillos dorados largo de 5 x 40 mm 1

Tornillos de cabeza redonda de 6 x 18 mm 2

Assemblage du support de clavier

Conjunto del soporte del teclado

REMARQUE

• Nous ne vous conseillons pas d’essayer d’assembler

le Clavinova seul. Toutefois, ce travail peut être

facilement exécuté par deux personnes.

NOTA

• No le recomendamos que intente montar la

Clavinova usted solo. El trabajo puede ser realizado

fácilmente entre dos personas.

• Utilice sólo los tornillos suministrados o reemplazos

del exacto tamaño especificado. El empleo de torni-

llos de un tamaño erróneo puede dañar el instru-

mento.

• N’utilisez que les vis fournies ou des vis ayant exac-

tement les mêmes dimensions. L’utilisation de vis

de dimensions incorrectes pourrait endommager

l’instrument.

Z Abra la caja y extraiga todas las partes.

Al abrir la caja deberá encontrar todas las partes mostra-

das en la ilustración. Compruebe para asegurarse que se

proporcionan todas las partes necesarias.

Ouvrez le carton et retirez toutes les

pièces

Les pièces indiquées sur l’illustration devraient toutes se

trouver dans le carton. Vérifiez qu’il n’en manque aucune.

Monte los paneles laterales (E) y las pa-

tas (F).

Montez les panneaux latéraux (E) sur

les supports inférieurs (F)

Asegure las patas (F) en los paneles laterales (E) con los

tornillos dorados largos de 5 x 40 mm 1(3 cada uno),

asegurándose de que los cortes de las patas quedan encara-

dos con el lado de la ménsula de los paneles laterales.

Fixez les supports inférieurs (F) aux panneaux latéraux

(E) à l’aide des vis longues dorées de 5 x 40 millimètres

1(3 chacun) et veillez à ce que le bord découpé de cha-

que support soit dirigé vers le côté ferrure des panneaux

latéraux.

Acople los paneles laterales (E) en la

caja de pedales (C).

Fixez les panneaux latéraux (E) au pé-

dalier (C)

Antes de instalar la caja de pedales, desate y enderezca

el cable plegado unido a la parte inferior de la caja de pe-

dales.

Avant de poser le pédalier, détacher le cordon de la par-

tie inférieure du pédalier et le dérouler.

Ponga la caja de pedales en la parte superior de las

ménsulas acopladas a los paneles laterales (D), y acople

empleando los cuatro tornillos de cabeza redonda de 6 x 18

mm 2; dos tornillos en cada lado. Asegúrese de que el

pedal se extiende en la misma dirección que la pata.

Placez le pédalier sur les ferrures fixées aux panneaux

latéraux (D) et fixez-le à l’aide des quatre vis à tête ronde

de 6 x 18 millimètres 2: deux vis de chaque côté. Veillez

à ce que les pédales soient dirigées dans le même sens que

les supports inférieurs.

V Instale la abrazadera metálica (D).

V Posez la traverse métallique (D)

Coloque la abrazadera metálica larga en la parte superior

de las ménsulas superiores de la parte frontal (lado de los

pedales) de los paneles laterales con los rebordes de brida

de la abrazadera encarados hacia arriba. Acople la

abrazadera con un tornillo negro pequeño de 4 x 6 mm 3

en cada extremo.

Placez la traverse métallique sur les ferrures supérieures

à l’avant (côté pédales) des panneaux latéraux, avec les

bords recourbés dirigés vers le haut. Fixez la traverse mé-

tallique à chaque extrémité à l’aide d’une petite vis noire

de 4 x 6 millimètres 3.

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Speaker cord

Lautsprecherkabel

Cordon des haut-parleurs

Cable de los altavoces

(a)

Speaker box installed.

Lautsprecherkasten in

Einbaulage

Haut-parleurs installés

Caja de los altavoces

instalada.

6 x 18 mm flat head screws 4

Senkschrauben (6 x 18 mm) 4

Vis à tête plate de 6 x 18 mm 4

Tornillos de cabeza plana de 6 x 18 mm 4

Attach the speaker box (B) to the side

panels (E).

Befestigen Sie den Lautsprecherkasten

(B) an den Seitenwänden (E).

Entfernen Sie vor dem Einpassen des

Before attaching the speaker box, remove the speaker

grille (the speaker grille is attached by “magic tape” and

can be easily pulled away from the speaker box). Lower

the speaker box (B) into place between the tops of the side

panels (E), center the speaker box to produce equal clear-

ance on the right and left sides, then attach each side (from

below) using two 6 x 18 millimeter flat head screws 4.

The grille side of the speaker box must be installed facing

the same direction as the pedals on the pedal box (C).

Make sure that the speaker cord rests in the appropriate

grooves and extends over the back of the speaker box, as

shown in illustration “a”.

Lautsprecherkastens den Lautsprechergrill (der Grill wird

von Klettband gehalten und kann einfach abgezogen

werden). Setzen Sie den Lautsprecherkasten (B) danach

von oben her zwischen den Seitenwänden (E) auf die

beiden Winkelbleche, und richten Sie den Kasten dann

mittig zwischen den beiden Seitenwänden aus, bevor Sie

ihn mit jeweils einer Senkschraube (6 x 18 mm) 4 unten

an beiden Enden festschrauben. Die Seite mit den

Lautsprechern muß dabei in dieselbe Richtung weisen wie

die Pedale am Pedalkasten (C).

Achten Sie darauf, daß das Lautsprecherkabel in der

zugehörigen Nut liegt und hinten über den

Lautsprecherkasten hinaushängt, wie in Detailzeichnung

“a” gezeigt.

CAUTION!: Be careful not to catch your fingers between

the speaker box and stand assembly when lowering the

speaker box into place!

VORSICHT! Klemmen Sie beim Einpassen des

Lautsprecherkastens zwischen den beiden Seitenwänden

nicht Ihre Finger ein!

N Install the main unit (A).

Rest the rear edge of the main unit (A) on the front

edges of the cutouts in the side panels (E), then slide the

main unit backward firmly until it stops (so that there is no

clearance between the main unit side panels and the stand,

as shown in the illustration “b”). WATCH YOUR FIN-

GERS WHILE DOING THIS!!

There is slight horizontal play between the main unit and

side panels, so center the main unit, as shown in the illus-

tration “c”, then attach the main unit with two 6 x 30

millimeter long black screws 5in front and 6 x 18

millimeter two flat head screws 4in back. After the

screws have been properly installed, re-attach the speaker

grille to the speaker box with the recessed corners facing

upwards (push it into place).

N Montieren Sie die Tastatureinheit (A).

Setzen Sie die Hinterkante der Tastatureinheit (A) auf

die ausgeschnittenen Ecken der beiden Seitenwände (E),

und schieben Sie die Tastatureinheit dann bis zum

Anschlag nach hinten (zwischen der Tastatureinheit und

den Seitenwänden darf an dem in Abbildung “b” gezeigten

Punkt kein Zwischenraum verbleiben). KLEMMEN SIE

IHRE FINGER DABEI NICHT EIN!!

Die Tastatureinheit hat zwischen den beiden

Seitenwänden etwas Spiel. Richten Sie die Tastatureinheit

gemäß Abbildung “c” mittig aus, und machen Sie sie dann

vorn mit zwei langen schwarzen Schrauben (6 x 30 mm)

5 und hinten mit zwei Senkschrauben (6 x 18 mm) 4

fest. Nach Montieren der Tastatureinheit bringen Sie dann

den Lautsprechergrill wieder mit den beiden

ausgeschnittenen Ecken nach oben am Lautsprecherkasten

an (der Grill wird einfach angesetzt und festgedrückt).

iii

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(b)

(c)

6 x 30 mm long black screws 5

Lange schwarze Schrauben (6 x 30 mm) 5

Vis longues noires de 6 x 30 mm 5

Tornillos negros largos de 6 x 30 mm 5

6 x 18 mm flat head screws 4

Senkschrauben (6 x 18 mm) 4

Vis à tête plate de 6 x 18 mm 4

Tornillos de cabeza plana de 6 x 18 mm 4

Fixez les haut-parleurs (B) aux

panneaux latéraux (E)

Acople la caja de los altavoces (B) en

los paneles laterales (E).

Antes de acoplar la caja de los altavoces, extraiga la

rejilla de los altavoces (la rejilla de los altavoces está

coplada por medio de “cinta mágica” y puede ser separada

fácilmente de la caja de los altavoces). Baje la caja de los

altavoces (B) en su lugar entre las partes superiores de los

paneles laterales (E), centre la caja de los altavoces para

producir una holgura igual en los lados derecho e

izquierdo, después acople cada lado (desde abajo) usando

dos tornillos de cabeza plana de 6 x 18 mm 4. El lado de

la rejilla de la caja de los altavoces debe instalarse

encarado hacia la misma dirección que los pedales de la

caja de pedales (C).

Avant de poser les haut-parleurs, enlevez la grille

frontale (celle-ci est fixée à l’aide de ruban adhésif et peut

être séparée facilement des haut-parleurs). Abaissez les

haut-parleurs (B) entre les panneaux latéraux (E) et centrez

les haut-parleurs de manière à obtenir un jeu égal du côté

gauche et du côté droit puis fixez de chaque côté (à partir

du dessous) à l’aide de deux vis à tête plate de 6 x 18

millimètres 4. Le côté grille des haut-parleurs doit être

dirigé dans le même sens que les pédales sur le pédalier

(C).

Veillez à ce que le cordon des haut-parleurs soit bien

placé dans la rainure et dépasse de l’arrière des haut-

parleurs, comme montré sur l’illustration “a”.

Asegúrese de que los cables de los altavoces reposan en

las ranuras apropiadas y se extienden por la parte posterior

de la caja de los altervoces, como se muestra en la

ilustración “a”.

ATTENTION: En abaissant les haut-parleurs, faites atten-

tion de ne pas vous prendre les doigts entre les haut-

parleurs et la traverse métallique.

PRECAUCION: ¡Tenga cuidado de no atrapar sus dedos

entre la caja de altavoces y el conjunto del soporte

cuando baje la caja de los altavoces en su lugar!

N Posez le clavier (A)

Placez le bord arrière du clavier (A) sur le bord avant des

découpes des panneaux latéraux (E), puis faites glisser le

clavier vers l’arrière jusqu’à ce qu’il vienne en butée (de

sorte qu’il n’y ait aucun jeu entre les panneaux latéraux du

clavier et le support, comme montré sur l’illustration “b”).

FAITES ATTENTION A VOS DOIGTS EN

N Instale la unidad principal (A).

Apoye el reborde posterior de la unidad principal (A) en

los rebordes frontales de los cortes de los paneles laterales

(E), después deslice la unidad principal hacia atrás

firmemente hasta que se pare (de forma que no haya

holgura entre los paneles laterales de la unidad principal y

el soporte, como se muestra en la ilustración “b”).

¡TENGA CUIDADO CON SUS DEDOS MIENTRAS

LO HACE!

EXECUTANT CETTE OPERATION!!

Du fait qu’il y a un jeu horizontal très léger entre le

clavier et les panneaux latéraux, vous devez d’abord

centrer le clavier comme montré sur l’illustration “c” et le

fixer ensuite à l’aide de deux vis longues noires de 6 x 30

millimètres 5à l’avant et à l’aide de vis à tête plate de 6 x

18 millimètres 4 à l’arrière. Une fois que les vis sont en

place, reposez la grille frontale des haut-parleurs avec les

coins en creux dirigés vers le haut (la pousser pour la

mettre en place).

Existe un ligero juego horizontal entre la unidad princi-

pal y los paneles laterales, por eso centre la unidad princi-

pal como se muestra en la ilustración “c”, después acople la

unidad principal con dos tornillos negros largos de 6 x 30

mm 5en la parte frontal y dos tornillos de cabeza plana

de 6 x 18 mm 4en la parte posterior. Después de haber

instalado correctamente los tornillos, vuelva a acoplar la

rejilla de los altavoces en la caja de altavoces con las

esquinas con huecos encaradas hacia arriba (presionando

en su lugar).

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Cord holder

Kabelhalter

Support de cordon

Soporte del cable

M Connect the cords.

M Schließen Sie die Kabel an.

The pedal and speaker cord plugs must be plugged into

the corresponding connectors in the main unit. Make sure

that the pedal cord is clipped into the cord holders pro-

vided before plugging them into the main unit connectors.

The pedal and speaker cord plugs only go in one way (the

lugs on the connectors should face the rear of the unit, as

shown in the illustration), so don’t try to force them in the

wrong way around.

Die Stecker von Pedal- und Lautsprecherkabel müssen

an die zugehörigen Buchsen an der Tastatureinheit

angeschlossen werden. Führen Sie das Pedalkabel vor dem

Anschluß durch die dafür vorgesehenen Kabelhalter. Die

Stecker des Pedalkabels und des Lautsprecherkabels sind

mit einer Führungsnase versehen, die beim Einstecken zur

Rückseite des Instruments weisen muß (siehe Abbildung).

Drücken Sie die Stecker nicht mit Gewalt falsch herum in

die Buchsen.

< Be sure to set the adjuster.

Justieren Sie schließlich noch den

Höhenversteller.

For stability, an adjuster is provided on the bottom of

the pedal box (C). Rotate the adjuster until it comes in firm

contact with the floor surface. The adjuster ensures stable

pedal operation and facilitates pedal effect control. If the

adjuster is not in firm contact with the floor surface, dis-

torted sound may result.

Zur Stabilisierung ist an der Unterseite des Pedalkastens

Höhenversteller heraus, bis er fest auf dem Fußboden steht.

Der Höhenversteller sorgt für stabile Pedalbetätigung und

ermöglicht eine präzise Regelung des Betätigungshubs.

Wenn er nicht fest auf dem Boden steht, können beim

Treten der Pedale Klangverzerrungen auftreten.

IMPORTANT

• After assembling the Clavinova, check once more to

make sure that all screws have been securely fas-

tened.

WICHTIG

• Vergewissern Sie sich nach Zusammenbau und

Aufstellung des Clavinova noch einmal davon, daß

alle Schrauben fest angezogen sind.

• If the stand leans to the side, makes unusual noises,

or otherwise seems unstable during use, check and

tighten all screws while following the assembly in-

structions given above.

• Wenn der Ständer schief steht, komische Geräusch

erzeugt oder sich beim Spielen wackelig anfühlt,

prüfen Sie gemäß den unter “Zusammenbau und

Aufstellung” gegebenen Anweisungen, ob der Stän-

der richtig zusammengebaut wurde, und ziehen

dabei die einzelnen Schrauben noch einmal nach.

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M Connectez les cordons

M Conecte los cables.

Les prises du cordon du pédalier et du cordon des haut-

parleurs doivent être branchées aux connecteurs

correspondants du clavier. Veillez à ce que le cordon du

pédalier soient correctement attachés à l’aide des serre-

câbles fournis avant de les brancher aux connecteurs du

clavier. Les prises du cordon du pédalier et du cordon des

haut-parleurs ne peuvent être branchées que dans un seul

sens (la languette de la prise doit être dirigée vers l’arrière

du clavier, eomme montré sur l’illustration) et vous ne

devez donc pas essayer de les forcer pour les mettre en

place du mauvais côté.

Las clavijas de los cables de pedales y altavoces deben

enchufarse en los conectores correspondientes de la unidad

principal. Asegúrese de que los cables de los pedales están

fijados en los fijadores incorporados antes de enchufarlos a

los conectores de la unidad principal. Las clavijas del

cable de pedales y altavoces se enchufan en una dirección

(las lengüetas de los conectores deben estar encaradas

hacia la parte posterior de la unidad, como se muestra en la

ilustración), por eso no trate de forzarlos en la dirección

errónea.

< Asegúrese de ajustar el ajustador.

N’oubliez pas de régler la hauteur du

Para la estabilidad del aparato, se proporciona un

ajustador en la parte inferior de la caja de pedales (C).

Gire el ajustador hasta que contacte firmemente con el

suelo. El ajustador asegura una operación estable de los

pedales y facilita el control del efecto de los pedales. Si el

ajustador no contacta firmemente con el suelo, puede

resultar en sonido distorsionado.

pédalier

Pour assurer la stabilité du pédalier (C), un dispositif de

réglage a été prévu à sa partie inférieure. Tournez ce

dispositif jusqu’à ce qu’il soit en contact ferme avec la

surface du sol. Ce dispositif assure la stabilité du pédalier

lors de son utilisation et facilite la commande au pied des

effets. Si ce dispositif n’est pas en contact ferme avec le

sol, il pourra se produire une distorsion du son.

IMPORTANTE

• Después de montar la Clavinova, compruebe otra

vez para asegurarse de que todos los tornillos se

han apretado bien.

IMPORTANT

• Après avoir assemblé le Clavinova, vérifiez une fois

de plus que toutes les vis sont bien serrées.

• Si el soporte se inclina hacia un lado, hace ruidos

anormales, o parece inestable durante la utilización,

compruebe y apriete todos los tornillos mientras

sigue las instrucciones de montaje de arriba.

• Si le support du clavier penche d’un côté, fait du bruit

ou semble instable lorsque vous utilisez l’instrument,

vérifiez de nouveau et resserrez toutes les vis en

suivant les instructions d’assemblage données ci-

dessus.

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MIDI Data Format/MIDI-Datenformat

Format des donnees MIDI/Formato de datos MIDI

If you’re already very familiar with MIDI, or are using a computer to control your music hardware with computer-gener-

ated MIDI messages, the data provided in this section can help you to control the Clavinova.

Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Erzeugung von MIDI-Steuermeldungen für die

Instrumente verwenden, können Sie sich zur Steuerung des Clavinovas nach den im folgenden Abschnitt aufgeführten

Spezifikationen richten.

Si vous êtes très familier avec l’interface MIDI ou si vous utilisez un ordinateur pour commander votre matériel de

musique au moyen de messages MIDI générés par ordinateur, les données suivantes vous seront utiles et vous aideront

à commander le Clavinova.

SI usted está ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos musicales con

mensajes MIDI generados por computadora, los datos proporcionados en esta sección le ayudarán a controlar la

Clavinova.

1. NOTE ON/OFF

3. PROGRAM CHANGE

Data format: [9nH] -> [kk] -> [vv]

Data format: [CnH] -> [pp]

9nH = Note ON/OFF event (n = channel number)

kk = Note number (Transmit: 15 ~ 114 = D#-1 ~ F#7 /

Receive: 21 ~ 108 = A-1 ~ C7)

CnH = program event (n = channel number)

pp = Program number

vv = Velocity (Key ON = 1 ~ 127. Key OFF = 0)

VOICE NAME

PIANO 1

PIANO 2

PIANO 3

CLAVINOVA TONE

E. PIANO 1

E. PIANO 2

HARPSICHORD

Data format: [8nH] -> [kk] -> [vv]

8nH = Note OFF event (n = channel number)

kk = Note number (Transmit: 15 ~ 114 = D#-1 ~ F#7 /

Receive: 21 ~ 108 = A-1 ~ C7)

vv = Velocity (Key OFF = 0 ~ 127)

VIBES

STRINGS

ORGAN

* Note OFF event format [8nH] -> [kk] also recognized (recep-

tion only).

STRINGS SLOW ATTACK (reception only)

2. CONTROL CHANGE & MODE MESSAGES

Data format: [BnH] -> [cc] -> [vv]

4. SYSTEM REALTIME MESSAGES

BnH = Control event (n = channel number)

cc = Control number

vv = Control value

[rrH]

F8H: Timing clock

FAH: Start

FCH: Stop

FEH: Active sensing

07H

CONTROL

Volume

(reception only)

VALUE [vv]

00000000 : -∞

01101111 : -3dB

01111111 : ±0dB

00H ~ 17H LEFT

18H ~ 1FH

20H ~ 27H

28H ~ 2FH

30H ~ 37H

38H ~ 3FH

40H ~ 47H CENTER

48H ~ 4FH SCALING PAN

50H ~ 57H RIGHT 1

58H ~ 5FH

60H ~ 67H

68H ~ 6FH

70H ~ 77H

78H ~ 7FH

Data Transmission

Reception

F8H

Transmitted every Received as 96-clock tempo timing

0AH

Pan Pot

(reception only)

96 clocks

when MIDI clock is set to External

Recorder start

FAH

Recorder start

FCH Recorder stop

FEH

Recorder stop

Transmitted every All notes are turned off if no data is

200 milliseconds

received for more than 400

milliseconds

* Caution: If an overrun framing error occurs the Damper, Sostenuto, and

Soft effects for all channels are turned off and an All Note Off occurs.

5. SYSTEM EXCLUSIVE MESSAGES

0BH

Expression

(reception only)

00000000 : -∞

01101111 : -3dB

01111111 : ±0dB

00H ~ 7FH : eight levels

00H ~ 3FH : OFF

40H ~ 7FH : ON

00H ~ 7FH, eight levels

00H ~ 7FH

(1) YAMAHA MIDI Format

Data format: [F0H] -> [43H] -> [xn] -> [ff] . . . [F7H]

40H

42H

Damper Pedal

Sostenuto Pedal

43H : Yamaha

xn : Substatus + channel number.

ff : Format number.

43H

5BH

78H

Soft Pedal

Reverb Depth

Information

All Sound OFF

(reception only)

Reset All Controller

(reception only)

Local Control ON/OFF

(reception only)

All Notes OFF

(reception only)

Omni OFF/All Notes OFF 00H

(reception only)

00H

7CH Panel data receive.

7CH Panel Data Send occurs when this data received.

7DH Name Data Send occurs when this data received.

79H

7AH

7BH

7CH

7DH

00H

(2) Clavinova MIDI Format

00H : OFF

7FH : ON

00H

Data format: [F0H] -> [43H] -> [73H] -> [38H] -> [yy] ->

[F7H]

43H : Yamaha ID

73H : Clavinova ID

38H : CLP-157 ID

yy : Substatus

Omni ON/All Notes OFF 00H

(reception only)

vii

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yy Information

02H Internal MIDI clock

03H External MIDI clock

13H Multi-timbre mode OFF.

15H Multi-timbre mode ON.

61H MIDI FA cancel ON.

(5) Beat, Tempo, LED ON/OFF

Data format: [F0H] -> [43H] -> [73H] -> [xx]

-> [11H] -> [4FH] -> [cc] -> [dd] -> [F7H]

43H : Yamaha ID

73H : Clavinova ID

xx : 38H (CLP-157 ID) or common 01H

11H : Clavinova special control

4FH : Control MIDI change

ccH : 00H= Beat lamp

ddH= 00H: On

62H MIDI FA cancel OFF.

7cH All notes OFF; receive channel = c+1; omni OFF.

(3) Special Control

Data format: [F0H] -> [43H] -> [73H] -> [38H] -> [11H] ->

[0nH] -> [cc] -> [vv] -> [F7H]

7FH: Off

ccH : 01H= Tempo lamp

43H : Yamaha ID

ddH= 00H: On

73H : Clavinova ID

7FH: Off

38H : CLP-157 ID

11H : Clavinova special control

0nH : Control MIDI change + channel number

cc : Control number

vv : Value

PANEL DATA FORMAT

F0H, 43H, 0nH, 7CH, 00H, 1BH (n: channel number)

53H, 4BH, 20H, 20H

43H, 4CH, 50H, 27H, 39H, 34H (CLP ’94)

(SK)

cc Control

Value [vv]

3xH, 3yH

(x, y: version number)

08H Dual Balance

00H : Left Voice Max.

7FH : Right Voice Max.

00H : Off

01H : On

00H : Medium

01H : Soft

02H : Hard

03H : Off

00H : Off

01H : Detune

02H : Chorus

03H : Tremolo

00H : Normal

01H : Mellow

02H : Bright

00H : Off

01H : Room

02H : Hall-1

03H : Hall-2

04H : Cosmic

00H : Dual Off

01H : Dual On (Normal)

02H : Dual On (Left voice 1 octave up)

03H : Dual On (Right voice 1 octave up)

00H : Off

01H : Detune

02H : Chorus

03H : Tremolo

[vv] : Dual Voice

[PANEL DATA]

[CHECK SUM (1byte)] = 0-(53H+4BH+20H+......+Data end)

F7H

1BH Metronome Mode

(reception only)

26H Touch Sensitivity

• Panel Data Contents

(1) VOICE

(2) DUAL VOICE

(3) DUAL ON/OFF

(4) DUAL BALANCE

(5) BRILLIANCE

27H 2nd Voice Effect

(6) EFFECT

(7) DUAL VOICE EFFECT

(8) REVERB NUMBER

(9) REVERB DEPTH

(10) TOUCH SENSITIVITY

(11) 0

58H Brilliance

59H Reverb

(12) SPLIT POINT

(13) INDIVIDUAL KEY TUNE MODE ON/OFF

(14) Absolute tempo low byte

(15) Absolute tempo high byte

5AH Dual Mode

5BH Effect

INDIVIDUAL KEY TUNING DATA BULK DUMP FORMAT

F0H, 43H, 73H

38H

06H

00H

(CLP-157 ID)

(Bulk ID)

(Bulk number)

00H, 00H, 0BH, 00H: (Data length= wxyzH 88*2 bytes)

[BULK DATA] (low:A-1, high:A-1.........low:C7, high:C7)

[CHECK SUM (1byte)] = 0-sum (Bulk data)

F7H

5CH Dual Voice

5EH Individual Key Pitch [vv] : Key number

vv = 1: Individual key tune mode off

vv = 2: Individual key tune mode on

5FH Individual Key Pitch [vv] : Pitch Data

NAME DATA SEND FORMAT

F0H, 43H, 0nH, 7DH, 00H, 10H (n: channel number)

53H, 4BH, 20H, 20H

(SK)

(4) Absolute Tempo

43H, 4CH, 50H, 27H, 39H, 34H (CLP ’94)

3xH, 3yH, 20H, 20H, 20H, 20H (x, y: version number)

[CHECK SUM (1byte)] = 0-(53H+4BH+20H+......+20H)

F7H

Data format: [F0H] -> [43H] -> [73H] -> [xx]

-> [11H] -> [1nH] -> [cc] -> [dd] -> [F7H]

43H : Yamaha ID

73H : Clavinova ID

xx : 38H (CLP-157 ID)

BULK DUMP FORMAT

F0H, 43H, 73H

11H : Clavinova special control

1nH : Control MIDI change

(Transmit: n=control channel number)

(Receive: any channel OK)

ccH : Absolute tempo low byte

38H

06H

02H

(Product ID: CLP-157)

(Bulk ID)

(Bulk number)

0DH, 00H, 07H, 0CH (Data length= wxyzH 0x683e*2 bytes)

[BULK DATA] (Sequence data)

[CHECK SUM (1byte)] = 0-sum (BULK DATA)

F7H

ddH : Absolute tempo hight byte

Tempo=dd*128+cc

viii

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MIDI Implementation Chart

Not available.

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Specifications/Technische Daten/Caractéristiques techniques/Especificaciones

CLP-157

KEYBOARD

88 KEYS (A-1 ~ C7)

32 NOTES

POLYPHONY

VOICE SELECTORS

PIANO1, PIANO2, PIANO 3, CLAVINOVA TONE, E. PIANO 1, E. PIANO 2,

HARPSICHORD, VIBES, STRINGS, ORGAN

BRILLIANCE

MELLOW, NORMAL, BRIGHT

REVERB

ROOM, HALL 1, HALL 2, COSMIC

EFFECT

DETUNE, CHORUS, TREMOLO

TOUCH SENSITIVITY

RECORDER

HARD, MEDIUM, SOFT, FIXED

1, 2, PLAY, REC

PEDAL CONTROLS

OTHER CONTROLS

JACKS/CONNECTORS

SOFT, SOSTENUTO, DAMPER

MASTER VOLUME, MIDI/TRANSPOSE, METRONOME, TEMPO [s]/[t], DEMO

PHONES x 2, AUX OUT R & L/L+R, AUX IN R & L, MIDI IN/OUT/THRU

INPUT & OUTPUT

LEVEL/IMPEDANCE

AUX OUT: Output impedance 600 Ω

AUX IN: Input impedance 10 kΩ / Input sensitivity -10 dBm

MAIN AMPLIFIERS

SPEAKERS

50W x 2

18 cm x 2, 5 cm x 2, 5x9 cm x 2

DIMENTIONS Music stand down 1436.8 x 513.0 x 905.3 mm (56-1/2" x 20-1/4" x 35-5/8")

(W x D x H)

Music stand up

1436.8 x 513.0 x 1024.6 mm (56-1/2" x 20-1/4" x 40-3/8")

WEIGHT

69.5 kg (153.2 lbs.)

* Specifications subject to change without notice.

* Änderungen ohne Vorankündigung vorbehalten.

* Sous toute réserve de modification des caractéristiques sans préavis.

* Especificaciones sujetas a cambios sin previo aviso.

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FCC INFORMATION (U.S.A.)

with FCC regulations does not guarantee that interference will not

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions con-

tained in this manual, meets FCC requirements. Modifications not

expressly approved by Yamaha may void your authority, granted

by the FCC, to use the product.

occur in all installations. If this product is found to be the source

of interference, which can be determined by turning the unit

“OFF” and “ON”, please try to eliminate the problem by using one

of the following measures:

Relocate either this product or the device that is being affected by

the interference.

Utilize power outlets that are on different branch (circuit breaker

or fuse) circuits or install AC line filter/s.

2. IMPORTANT: When connecting this product to accessories and/

or another product use only high quality shielded cables. Cable/s

supplied with this product MUST be used. Follow all installation

instructions. Failure to follow instructions could void your FCC

authorization to use this product in the USA.

In the case of radio or TV interference, relocate/reorient the an-

tenna. If the antenna lead-in is 300 ohm ribbon lead, change the

lead-in to co-axial type cable.

3. NOTE: This product has been tested and found to comply with

the requirements listed in FCC Regulations, Part 15 for Class “B”

digital devices. Compliance with these requirements provides a

reasonable level of assurance that your use of this product in a

residential environment will not result in harmful interference with

other electronic devices. This equipment generates/uses radio

frequencies and, if not installed and used according to the

instructions found in the users manual, may cause interference

harmful to the operation of other electronic devices. Compliance

If these corrective measures do not produce satisfactory results,

please contact the local retailer authorized to distribute this type

of product. If you can not locate the appropriate retailer, please

contact Yamaha Corporation of America, Electronic Service

Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed

by Yamaha Corporation of America or its subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

Wichtiger Hinweis für die Benutzung in der Bundesrepublik

Deutschland.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Bescheinigung des Importeurs

Hiermit wird bescheinigt, daß der/die/das

Electronic Piano Typ: CLP-157

Connecting the Plug and Cord

IMPORTANT. The wires in this mains lead are coloured in accor-

dance with the following code:

BLUE

: NEUTRAL

(Gerät, Typ, Bezeichnung)

in Übereinstimmung mit den Bestimmungen der

VERFÜGUNG 1046/84

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus may

not correspond with the coloured makings identifying the terminals

in your plug proceed as follows:

The wire which is coloured BLUE must be connected to the termi-

nal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal of

the three pin plug.

(Amtsblattverfügung)

funk-entstört ist.

Der Deutschen Bundespost wurde das Inverkehrbringen

dieses Gerätes angezeigt und die Berechtigung zur Überprüfung

der Serie auf Einhaltung der Bestimmungen eingeräumt.

Yamaha Europa GmbH

Name des Importeurs

• Dies bezicht sich nur auf die von der Yamaha Europa GmbH vertriebenen

Produkte.

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

Dit produkt is gefabriceerd in overeenstemming met de

radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/

EEG).

ΑΥΤΗ Η ΣΥΣΚΕΥΗ ΑΝΤΑΠΟΚΡΙΝΕΤΑΙ ΣΤΙΣ ΑΠΑΙΤΗΣΕΙΣ ΤΩΝ

Ο∆ΗΓΙΩΝ ΤΗΣ ΕΥΡΩΠΑΙΚΗΣ ΟΙΚΟΝΟΜΙΚΗΣ ΚΟΙΝΟΤΗΤΑΣ 82/

499/Ε.Ο.Κ..

Este produto está de acordo com o radio de interferencia frequente

requiridos do Conselho Diretivo 82/499/EEC.

Dette apparat overholder det gaeldende EF-direktiv vedrørende

radiostøj.

Cet appareil est conforme aux prescriptions de la directive

communautaire 87/308/CEE.

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS B”

LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARA-

TUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF

THE CANADIAN DEPARTMENT OF COMMUNICATIONS.

LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE BRUITS

RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES

AUX APPAREILS NUMERIQUES DE LA “CLASSE B” PRESCRITES

DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRI-

QUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU

CANADA.

Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/oder

87/308/EWG.

This product complies with the radio frequency interference require-

ments of the Council Directive 82/499/EEC and/or 87/308/EEC.

Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva

CEE/87/308) sulla soppressione dei radiodisturbi.

Este producto está de acuerdo con los requisitos sobre

interferencias de radio frequencia fijados por el Consejo Directivo

87/308/CEE.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE

BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,

INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA

BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU

FOND.

YAMAHA CORPORATION

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

VP38900 410POCP8.2-02B0 Printed in Japan

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