Owner’s Manual
Keyboard Stand Assembly
For information on assembling the
keyboard stand, refer to the instructions
on page 10 of this manual.
EN
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SPECIAL MESSAGE SECTION
This product utilizes batteries or an external power supply (adapter). DO
Battery Notice:
NOT connect this product to any power supply or adapter other than one
described in the manual, on the name plate, or specifically recom-
mended by Yamaha.
This product MAY contain a small non-rechargeable battery which (if
applicable) is soldered in place. The average life span of this type of bat-
tery is approximately five years.When replacement becomes necessary,
contact a qualified service representative to perform the replacement.
WARNING: Do not place this product in a position where anyone could
walk on, trip over, or roll anything over power or connecting cords of any
kind.The use of an extension cord is not recommended! If you must use
an extension cord, the minimum wire size for a 25’ cord (or less) is 18
AWG. NOTE: The smaller the AWG number, the larger the current han-
dling capacity. For longer extension cords, consult a local electrician.
This product may also use “household” type batteries. Some of these
may be rechargeable. Make sure that the battery being charged is a
rechargeable type and that the charger is intended for the battery being
charged.
When installing batteries, do not mix batteries with new, or with batteries
of a different type. Batteries MUST be installed correctly. Mismatches or
incorrect installation may result in overheating and battery case rupture.
This product should be used only with the components supplied or; a
cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is
used, please observe all safety markings and instructions that accom-
pany the accessory product.
Warning:
Do not attempt to disassemble, or incinerate any battery. Keep all batter-
ies away from children. Dispose of used batteries promptly and as regu-
lated by the laws in your area. Note: Check with any retailer of
household type batteries in your area for battery disposal information.
SPECIFICATIONS SUBJECT TO CHANGE:
The information contained in this manual is believed to be correct at the
time of printing. However,Yamaha reserves the right to change or modify
any of the specifications without notice or obligation to update existing
units.
Disposal Notice:
Should this product become damaged beyond repair, or for some reason
its useful life is considered to be at an end, please observe all local,
state, and federal regulations that relate to the disposal of products that
contain lead, batteries, plastics, etc. If your dealer is unable to assist
you, please contact Yamaha directly.
This product, either alone or in combination with an amplifier and head-
phones or speaker/s, may be capable of producing sound levels that
could cause permanent hearing loss. DO NOT operate for long periods
of time at a high volume level or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the ears, you should consult an
audiologist.
NAME PLATE LOCATION:
IMPORTANT: The louder the sound, the shorter the time period before
damage occurs.
The name plate is located on the bottom of the product. The model num-
ber, serial number, power requirements, etc., are located on this plate.
You should record the model number, serial number, and the date of pur-
chase in the spaces provided below and retain this manual as a perma-
nent record of your purchase.
SomeYamaha products may have benches and / or accessory mounting
fixtures that are either supplied with the product or as optional accesso-
ries. Some of these items are designed to be dealer assembled or
installed. Please make sure that benches are stable and any optional fix-
tures (where applicable) are well secured BEFORE using.
Benches supplied by Yamaha are designed for seating only. No other
uses are recommended.
NOTICE:
Model
Service charges incurred due to a lack of knowledge relating to how a
function or effect works (when the unit is operating as designed) are not
covered by the manufacturer’s warranty, and are therefore the owners
responsibility. Please study this manual carefully and consult your dealer
before requesting service.
Serial No.
Purchase Date
ENVIRONMENTAL ISSUES:
Yamaha strives to produce products that are both user safe and environ-
mentally friendly. We sincerely believe that our products and the produc-
tion methods used to produce them, meet these goals. In keeping with
both the letter and the spirit of the law, we want you to be aware of the
following:
PLEASE KEEP THIS MANUAL
92-BP (bottom)
2
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FCC INFORMATION (U.S.A.)
not guarantee that interference will not occur in all installations. If
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions con-
tained in this manual, meets FCC requirements. Modifications not
expressly approved by Yamaha may void your authority, granted by
the FCC, to use the product.
2. IMPORTANT:When connecting this product to accessories and/
or another product use only high quality shielded cables. Cable/s
supplied with this product MUST be used. Follow all installation
instructions. Failure to follow instructions could void your FCC
authorization to use this product in the USA.
3. NOTE:This product has been tested and found to comply with the
requirements listed in FCC Regulations, Part 15 for Class “B” digital
devices. Compliance with these requirements provides a reason-
able level of assurance that your use of this product in a residential
environment will not result in harmful interference with other elec-
tronic devices. This equipment generates/uses radio frequencies
and, if not installed and used according to the instructions found in
the users manual, may cause interference harmful to the operation
of other electronic devices. Compliance with FCC regulations does
this product is found to be the source of interference, which can be
determined by turning the unit “OFF” and “ON”, please try to elimi-
nate the problem by using one of the following measures:
Relocate either this product or the device that is being affected by
the interference.
Utilize power outlets that are on different branch (circuit breaker or
fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient the
antenna. If the antenna lead-in is 300 ohm ribbon lead, change the
lead-in to co-axial type cable.
If these corrective measures do not produce satisfactory results,
please contact the local retailer authorized to distribute this type of
product. If you can not locate the appropriate retailer, please contact
Yamaha Corporation of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products distributed by
Yamaha Corporation of America or its subsidiaries.
(class B)
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
OBSERVERA!
COMPLIANCE INFORMATION STATEMENT
(DECLARATION OF CONFORMITY PROCEDURE)
Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den
ar ansluten till vägguttaget, även om själva apparaten har stängts av.
ADVARSEL: Netspæendingen til dette apparat er IKKE afbrudt,
sålæenge netledningen siddr i en stikkontakt, som er t endt — også
selvom der or slukket på apparatets afbryder.
Responsible Party : Yamaha Corporation of America
Address : 6600 Orangethorpe Ave., Buena Park, Calif.
90620
VAROITUS: Laitteen toisiopiiriin kytketty käyttökytkin ei irroita koko
laitetta verkosta.
Telephone : 714-522-9011
Type of Equipment : Digital Piano
Model Name : DGX-630/YPG-635
(standby)
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
1) this device may not cause harmful interference, and
2) this device must accept any interference received including
interference that may cause undesired operation.
See user manual instructions if interference to radio reception is
suspected.
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in accor-
dance with the following code:
* This applies only to products distributed by
YAMAHA CORPORATION OF AMERICA.
(FCC DoC)
BLUE
: NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may
not correspond with the coloured makings identifying the terminals
in your plug proceed as follows:
The wire which is coloured BLUE must be connected to the termi-
nal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the ter-
minal which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of
the three pin plug.
• This applies only to products distributed by
Yamaha Music U.K. Ltd.
(2 wires)
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3
PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Water warning
• Only use the voltage specified as correct for the instrument. The required
voltage is printed on the name plate of the instrument.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings. If any liquid such as water seeps into the instrument, turn off the
power immediately and unplug the power cord from the AC outlet. Then have
the instrument inspected by qualified Yamaha service personnel.
• Use the specified adaptor (PA-5D or an equivalent recommended by Yamaha)
only. Using the wrong adaptor can result in damage to the instrument or
overheating.
• Never insert or remove an electric plug with wet hands.
• Check the electric plug periodically and remove any dirt or dust which may have
accumulated on it.
Fire warning
• Do not place the AC adaptor cord near heat sources such as heaters or radiators,
and do not excessively bend or otherwise damage the cord, place heavy objects
on it, or place it in a position where anyone could walk on, trip over, or roll
anything over it.
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
If you notice any abnormality
Do not open
• If the AC adaptor cord or plug becomes frayed or damaged, or if there is a
sudden loss of sound during use of the instrument, or if any unusual smells or
smoke should appear to be caused by it, immediately turn off the power switch,
disconnect the adaptor plug from the outlet, and have the instrument inspected
by qualified Yamaha service personnel.
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If it
should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
• Do not place the instrument in an unstable position where it might accidentally
fall over.
• When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord.
• Before moving the instrument, remove all connected adaptor and other cables.
• When setting up the product, make sure that the AC outlet you are using is
easily accessible. If some trouble or malfunction occurs, immediately turn off
the power switch and disconnect the plug from the outlet. Even when the power
switch is turned off, electricity is still flowing to the product at the minimum
level. When you are not using the product for a long time, make sure to unplug
the power cord from the wall AC outlet.
• Unplug the AC power adaptor when not using the instrument, or during
electrical storms.
• Do not connect the instrument to an electrical outlet using a multiple-connector.
Doing so can result in lower sound quality, or possibly cause overheating in the
outlet.
• Use only the stand specified for the instrument. When attaching the stand or
rack, use the provided screws only. Failure to do so could cause damage to the
internal components or result in the instrument falling over.
Location
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or
heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal
components.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,
mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio
may generate noise.
(3)-11 1/2
4
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Connections
Saving data
• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all
components, set all volume levels to minimum. Also, be sure to set the volumes
of all components at their minimum levels and gradually raise the volume
controls while playing the instrument to set the desired listening level.
Saving and backing up your data
• The panel settings and some other types of data are not retained in memory
when you turn off the power to the instrument. Save data you want to keep to the
Registration Memory (page 90.)
Saved data may be lost due to malfunction or incorrect operation. Save
important data to a USB storage device/or other external device such as a
computer (pages 99, 100, 110).
Maintenance
• When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners,
solvents, cleaning fluids, or chemical-impregnated wiping cloths.
Backing up the USB storage device/external media
• To protect against data loss through media damage, we recommend that you
save your important data onto two USB storage devices/external media.
Handling caution
• Do not insert a finger or hand in any gaps on the instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the panel
or keyboard. If this happens, turn off the power immediately and unplug the
power cord from the AC outlet. Then have the instrument inspected by qualified
Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
• Do not rest your weight on, or place heavy objects on the instrument, and do not
use excessive force on the buttons, switches or connectors.
• Do not use the instrument/device or headphones for a long period of time at a
high or uncomfortable volume level, since this can cause permanent hearing
loss. If you experience any hearing loss or ringing in the ears, consult a
physician.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
Even when the power switch is in the “STANDBY” position, electricity is still flowing to the instrument at the minimum level. When you are not using the instrument for a long
time, make sure you unplug the AC power adaptor from the wall AC outlet.
The illustrations and LCD screens as shown in this manual are for instructional purposes only, and may appear somewhat different from those on your
instrument.
● Trademarks
• The bitmap fonts used in this instrument have been provided by and are the property of Ricoh Co., Ltd.
®
• Windows is a registered trademark of Microsoft Corporation in the United States and other countries.
• The company names and product names in this manual are the trademarks or registered trademarks of their respective companies.
(3)-11 2/2
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5
Copyright Notice
The followings are the titles, credits and copyright notices for three (3) of the songs pre-installed in this
electronic keyboard:
Mona Lisa
Can’t Help Falling In Love
from the Paramount Picture CAPTAIN CAREY, U.S.A.
Words and Music by Jay Livingston and Ray Evans
Copyright © 1949 (Renewed 1976) by Famous Music Corporation
International Copyright Secured All Rights Reserved
from the Paramount Picture BLUE HAWAII
Words and Music by George David Weiss,
Hugo Peretti and Luigi Creatore
Copyright © 1961 ; Renewed 1989 Gladys Music (ASCAP)
Worldwide Rights for Gladys Music Administered by Cherry Lane
Music Publishing Company, Inc.
Composition Title : Against All Odds
Composer’s Name : Collins 0007403
Copyright Owner’s Name : EMI MUSIC PUBLISHING LTD
AND HIT & RUN MUSIC LTD
International Copyright Secured All Rights Reserved
All Rights Reserved, Unauthorized copying, public perfor-
mance and broadcasting are strictly prohibited.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it
has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI
files, WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use
is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE
ILLEGAL COPIES.
Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited
except for your personal use.
Panel Logos
GM System Level 1
“GM System Level 1” is an addition to the MIDI standard which ensures that any GM-compatible music
data can be accurately played by any GM-compatible tone generator, regardless of manufacturer. The GM
mark is affixed to all software and hardware products that support GM System Level.
XGlite
As its name implies, “XGlite” is a simplified version of Yamaha’s high-quality XG tone generation format.
Naturally, you can play back any XG song data using an XGlite tone generator. However, keep in mind that
some songs may play back differently compared to the original data, due to the reduced set of control
parameters and effects.
XF
The Yamaha XF format enhances the SMF (Standard MIDI File) standard with greater functionality and
open-ended expandability for the future. The instrument is capable of displaying lyrics when an XF file con-
taining lyric data is played.
STYLE FILE
The Style File Format is Yamaha’s original style file format which uses a unique conversion system to pro-
vide high-quality automatic accompaniment based on a wide range of chord types.
USB
USB is an abbreviation for Universal Serial Bus. It is a serial interface for connecting a computer with
peripheral Devices. It allows “hot swapping” (connecting peripheral devices while the power to the com-
puter is on).
6
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Congratulations and thank you for purchasing
the Yamaha DGX-630/YPG-635 Portable Grand!
Please read this owner’s manual carefully before using the instrument
in order to take full advantage of its various features.
Make sure to keep this manual in a safe and handy place even after you finish reading,
and refer to it often when you need to better understand an operation or function.
Included Accessories
The DGX-630/YPG-635 package includes the following items. Please check that you have them all.
• Music rest
• Accessory CD-ROM
• Owner’s manual (this book)
• Keyboard stand
• Footswitch
• AC Power Adaptor (PA-5D or an equivalent recommended by Yamaha)
* May not be included depending on your particular area. Please check with your Yamaha dealer.
DGX-630/YPG-635 Owner’s Manual
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Special Features of the DGX-630/YPG-635
Graded Hammer Standard Keyboard
Thanks to our experience as the world’s leading manufacturer of acoustic pianos, we’ve developed a
keyboard with action that’s virtually indistinguishable from the real thing. Just as on a traditional acous-
tic piano, the keys of the lower notes have a heavier touch, while the higher ones are more responsive
to lighter playing. The keyboard’s sensitivity can even be adjusted to match your playing style. This
Graded Hammer technology also enables the DGX-630/YPG-635 to provide authentic touch in a light-
weight instrument.
■ Performance assistant technology
Page 39
Play along with a song on the instrument’s keyboard and produce a perfect
performance every time ... even if you play wrong notes! All you have to do
is play on the keyboard—alternately on the left- and right-hand ranges of the
keyboard, for example—and you’ll sound like a pro as long as you play in
time with the music.
All you need is
one finger!
And if you can’t play with both hands, you can still play the melody simply
by tapping one key.
■ Play a Variety of Instrument Voices
Page 19
With the DGX-630/YPG-635, the instrument voice that sounds when you
play the keyboard can be changed to violin, flute, harp, or any of an extensive
range of voices. You can change the mood of a song written for piano, for
example, by using violin to play it instead. Experience a whole new world of
musical variety.
■ Play Along with Styles
Page 28
Want to play with full accompaniment? Try the auto-accompaniment Styles.
The accompaniment styles provide the equivalent of a full backing band cov-
ering wide variety of styles from waltzes to 8-beat to euro-trance … and
much more. Select a style that matches the music you want to play, or exper-
iment with new styles to expand your musical horizons.
■ Easy Performance with Music Notation Display
Page 37
When you play back a song, the corresponding score will be shown on the
display as the song plays. This is a great way to learn how to read music. If
the song contains lyric and chord data*, the lyrics and chords will also appear
on the score display.
* No lyrics or chords will appear on the display if the song you are using with the score display func-
tion does not contain the appropriate lyric and chord data.
8
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Contents
Play a Style with Chords but No Rhythm
Setting the Number of Beats per Measure,
Saving User Files (Registration Memory) to
CHORD/FREE Type—
CHORD/MELODY—
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9
Setting Up
Keyboard Stand Assembly
CAUTION
Read these cautions carefully before you assemble or use the keyboard stand.
These cautions are to promote safe use of the stand and to prevent injury and damage from occurring to you and oth-
ers. By following these cautions carefully, your keyboard stand will provide you with safe and prolonged use.
• Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the
sequence given below.
• Assembly should be carried out by at least two persons.
• Be sure to use the correct screw size, as indicated below. Use of incorrect screws can cause damage.
• Use the stand after assembly is complete. An uncompleted stand may overturn or the keyboard may drop.
• Always place the stand on a flat, stable surface. Placing the stand on uneven surfaces may cause it to become unstable or overturn,
the keyboard to drop, or injury.
• Do not use the stand for anything other than its designed purpose. Placing other objects on the stand may result in the object drop-
ping or the stand overturning.
• Do not apply excessive force to the keyboard as it may cause the stand to overturn or the keyboard to drop.
• Make sure the stand is sturdy and safe, and all screws have been tight and firm before use. If not, the stand may overturn, the key-
board may drop, or may result in injury to the user.
• To disassemble, reverse the assembly sequence given below.
Have a phillips-head (+) screwdriver of the appropriate size ready.
z The parts shown in the “Assembly Parts” illustration will be used. Follow the assembly
instructions and select the parts as needed.
Assembly Parts
1
Back board
q Joint connectors (4 pcs.)
w 6 x 70 mm roundhead
screws (4 pcs.)
Side
boards
e 6 x 30 mm roundhead
screws (4 pcs.)
Stand
bases
r Support rail
t 4 x 45 mm flathead screws
(6 pcs.)
y 5 x 16 mm roundhead
screws (4 pcs.)
Use the packing sheet to protect both the instrument and
the floor when assembling.
* The sheet is the bag in which the instrument is wrapped.
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Setting Up
x Attach the stand bases.
2
Insert the joint connectors q into the stand boards as
shown. The joint connectors have been installed properly if
you can see the screw head on the connector.
q Joint connectors
NOTE
• If you put the connectors in wrong direction and want to take them out,
tap around the holes on the boards.
Attach the stand bases to the bottom of the side boards,
using the screws w. The left and right stand bases are the
same shape, and there is no difference between their front-
to-back orientation. If you have trouble fastening the
screws, use a screwdriver to rotate the joint connectors so
that the connector holes are aligned with the screw holes
on the stand bases.
w 6 x 70 mm
roundhead screws
c Attach the back board.
e 6 x 30 mm roundhead screw
3
Attach the back board, using the screws e. Check the
back-to-front orientation for the side boards. Make sure the
non-colored surface is facing down.
CAUTION
• Be careful not to drop the back board or touch the sharp metal fit-
tings.
NOTE
• If you have purchased an optional pedal unit, attach the pedal unit
before proceeding to the next step. Refer to the instructions provided
with your pedal unit.
v Attach the support rail.
4
Spread the packing sheet on the floor. Place the instru-
ment on the sheet with the rear panel side on the bottom.
Align the support rail r into the groove on the bottom
of the instrument and attach the rail, using the screws t.
r Support rail
NOTE
t 4 x 45 mm
flathead
screws
• If you don’t have the packing sheet, use a thick blanket or other soft
material to protect the floor and the instrument.
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Setting Up
b Put the keyboard on the stand.
Check the back-to-front orientation for stand, and care-
fully place the keyboard on the side boards. Slowly move
the keyboard so that the holes on the bottom of the key-
board are properly aligned with the holes on the angle
brackets.
5–6
CAUTION
• Be careful not to drop the keyboard or to get your fingers caught
between the keyboard and the stand parts.
n Install the keyboard to the stand.
Fix the keyboard to the angle brackets, using the screws
y.
y 5 x 16 mm
roundhead
screws
■ Post-assembly checklist
Once you’ve assembled the stand, check the fol-
lowing points:
• Are there any parts left over?
➔ If so, read the assembly instructions again and correct
any errors you might have made.
• Is the instrument clear of doors and other movable
fixtures?
➔ If not, move the instrument to an appropriate location.
• Does the instrument make a rattling noise when you
play it or move it?
➔ If so, properly tighten all screws.
• Also, if the keyboard makes a creaking noise or
seems unsteady when you play it, refer carefully to
the assembly instructions and diagrams and
retighten all screws.
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Setting Up
Be sure to do the following operations BEFORE turning on the power.
Power Requirements
ᕡ Make sure that the [STANDBY/ON] switch of the
ᕣ Plug the AC adaptor into an AC outlet.
instrument is set to STANDBY.
CAUTION
• Unplug the AC Power Adaptor when not using the instrument,
or during electrical storms.
WARNING
• Use the specified adaptor (PA-5D or an equivalent recom-
mended byYamaha) only.The use of other adaptors may
result in irreparable damage to both the adaptor and the
instrument.
ᕢ Connect the AC adaptor to the power supply jack.
ᕢ
ᕣ
AC power
AC outlet
adaptor
Make all necessary connections below BEFORE turning the power on.
Connecting Headphones (PHONES/OUTPUT Jack)
WARNING
• Avoid listening with the headphones at high volume for long peri-
ods of time; doing so may not only result in ear fatigue, it may be
damaging to your hearing.
CAUTION
• To prevent damage to the speakers, set the volume of the external
devices at the minimum setting before connecting them. Failure to
observe these cautions may result in electric shock or equipment
damage. Also, be sure to set the volumes of all devices at their
minimum levels and gradually raise the volume controls while
playing the instrument to set the desired listening level.
The instrument speakers are automatically shut off
when a plug is inserted into this jack. The PHONES/
OUTPUT jack also functions as an external output. You
can connect the PHONES/OUTPUT jack to a keyboard
amplifier, stereo system, mixer, tape recorder, or other
line-level audio device to send the instrument’s output
signal to that device.
Connecting a Footswitch (SUSTAIN Jack)
The sustain function lets you produce a natural sustain
as you play by pressing a footswitch. Plug the Yamaha
FC5 footswitch into this jack and use it to switch sustain
on and off.
NOTE
• Make sure that the footswitch plug is properly connected to the SUS-
TAIN jack before turning on the power.
• Do not press the footswitch while turning the power on. Doing this
changes the recognized polarity of the footswitch, resulting in reversed
footswitch operation.
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Setting Up
Connecting a Pedal Unit (PEDAL UNIT jack)
This jack is for connecting an optional LP-7 pedal
unit. When connecting the pedal unit, make sure to
also assemble the unit on the supplied keyboard
stand.
NOTE
• Make sure that power is OFF when connecting or disconnecting
the pedal.
Keyboard
Stand
LP-7
(optional)
Pedal Unit Functions
The optional pedal unit has three foot pedals that produce a range of
expressive effects similar to those produced by the pedals on an acoustic
piano. The pedal unit does not affect the split voice when the keyboard is
in split mode.
Damper (Right) Pedal
The damper pedal functions in the same way as a damper pedal on an
acoustic piano. When the damper pedal is pressed, notes sustain
longer. Releasing the pedal immediately stops (damps) any sustained
notes.
A “half-pedal” effect lets you use the damper pedal to create partial
sustain effects, depending on how far down you press the pedal.
When you press the damper
pedal here, the notes you play
before you release the pedal
have a longer sustain.
* When using both the foot switch and pedal unit, the last effect applied takes
priority.
Sostenuto (Center) Pedal
If you play a note or chord on the keyboard and press the sostenuto
pedal while the note(s) are held, those notes will sustain as long as you
hold the pedal (as if the damper pedal had been pressed) but all subse-
quently played notes will not be sustained. This makes it possible to
sustain a chord, for example, while other notes are played “staccato.”
When you press the sostenuto
pedal here while holding the
note, the note will sustain as
long as you hold the pedal.
Soft (Left) Pedal
The soft pedal reduces the volume and slightly changes the timbre of
notes played while the pedal is pressed. The soft pedal will not affect
notes that are already playing when it is pressed.
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Setting Up
Connecting to a Computer (USB Terminal)
Connect the instrument’s USB terminal to the USB ter-
minal of a computer, and you can transfer performance
the USB data-transfer features you’ll need to do the fol-
lowing:
• First, make sure the POWER switch on the instru-
ment is set to OFF, then use an AB type USB cable
to connect the instrument to the computer. After
making the connections, turn the instrument’s
power on.
• Install the USB-MIDI driver on your computer.
Installation of the USB-MIDI driver is described on
Turning the Power On
Turn down the volume by turning the [MASTER VOL-
UME] control to the left and press the [STANDBY/ON]
switch to turn on the power. Press the [STANDBY/ON]
switch again to turn the power OFF.
Backup data in the flash memory is loaded to the instru-
ment when the power is turned on. If no backup data
exists on flash memory, all instrument settings are
restored to the initial factory defaults when the power is
turned on.
CAUTION
• Even when the switch is in the “STANDBY” position, electricity is
still flowing to the instrument at the minimum level. When you are
not using the instrument for a long time, make sure you unplug the
AC power adaptor from the wall AC outlet.
CAUTION
• Never attempt to turn the power off when a “WRITING!” message
is shown in the display. Doing so can damage the flash memory
and result in a loss of data.
● Music Rest
Insert the music rest into
the slots as shown.
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Panel Controls and Terminals
Front Panel
Song Category List
Style Category List
u
i
o
e
q
y
!
!
r
t
!
w
!
!
!
!
!
!
!
Front Panel
e FILE CONTROL [MENU],
@ [EASY SONG
@ CATEGORY [ ] and [
]
@ Number buttons [0]–[9],
! LESSON [L], [R],
@ REGIST MEMORY
! SONG MEMORY
! [REPEAT & LEARN]/
! [A-B REPEAT]/
! [REW]/
The illustrations next to each key indicate the drum and
percussion instruments assigned to the keys when
“Standard Kit 1” is selected.
! [PAUSE]/
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Changing the Display Language
Quick Guide
This instrument allows you to select English or Japanese as the display
language.The default display language is English, but if you switch to
Japanese the lyrics, file names, demo display, and some messages will be
displayed in Japanese where appropriate.
Press the [FUNCTION] button.
1
2
Press the CATEGORY [ ] and [ ] buttons a number of
times until the “Language” item appears.
The currently selected display language will appear below the “Lan-
guage” item.
When highlighted you can use the [+] and [-] buttons to select the lan-
guage as required.
Language item
The currently selected
language
Select a display language.
3 The [+] button selects English and the [-] button selects Japanese.
The language selection will be stored in the internal flash memory so
that it is retained even when the power is turned off.
Press the [EXIT] button to return to the MAIN display.
4
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Try Playing a Variety of Instrument Voices
In addition to piano, organ, and other “standard” keyboard instruments,
this instrument has a large range of voices that includes guitar, bass,
strings, sax, trumpet, drums and percussion, sound effects … a wide vari-
ety of musical sounds.
Select and Play a Voice—MAIN
This procedure selects the main voice you will play on the keyboard.
Press the [VOICE] button.
1 The main voice selection display will appear.
The currently selected voice number and name will be highlighted.
The currently
selected voice num-
ber and name
Select the voice you want to play.
2 While watching the highlighted voice name rotate the dial. The avail-
able voices will be selected and displayed in sequence. The voice
selected here becomes the main voice.
For this example select the “105 Flute” voice.
Select 105 Flute
Play the keyboard.
3
Adjusts volume.
Try selecting and playing a variety of voices.
Press the [EXIT] button to return to the MAIN display.
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Try Playing a Variety of Instrument Voices
Play Two Voices Simultaneously—DUAL
You can select a second voice which will play in addition to the main voice when you play the keyboard.
The second voice is known as the “dual” voice.
Press the [DUAL ON/OFF] button.
1 The [DUAL ON/OFF] button turns the dual voice on or off.
When turned on the dual voice “DUAL” will appear in the MAIN dis-
play. The currently selected dual voice will sound in addition to the
main voice when you play the keyboard.
Voice Number
Press and hold the [DUAL ON/OFF] button for longer than
a second.
2
The dual voice selection display will appear.
Dual voice selection display
The currently selected dual voice
Hold for longer than a second
Select the desired dual voice.
3 Watch the displayed dual voice and rotate the dial until the voice you
want to use is selected. The voice selected here becomes the dual voice.
For this example try selecting the “123 Vibraphone” voice.
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Try Playing a Variety of Instrument Voices
Play the keyboard.
4
Two voices will sound at the same time.
Try selecting and playing a range of dual voices.
Press the [EXIT] button to return to the MAIN display.
Play Different Voices with the Left and Right Hands—SPLIT
In the split mode you can play different voices to the left and right of the keyboard “split point”. The main
and dual voices can be played to the right of the split point, while the voice played to the left of the split
point is known as the “split voice”. The split point setting can be changed as required (page 82).
Split point
Split voice
Main voice and dual voice
Press the [SPLIT ON/OFF] button.
1 The [SPLIT ON/OFF] button turns the split voice on or off. When
turned on the split voice “SPLIT” will appear in the MAIN display. The
currently selected split voice will sound to the left of the keyboard split
point.
Voice Number
Press and hold the [SPLIT ON/OFF] button for longer than
a second.
2
The split voice selection display will appear.
Split voice selection display
The currently selected split
voice
Hold for longer than a second
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Try Playing a Variety of Instrument Voices
Select the desired split voice.
3 Watch the highlighted split voice and rotate the dial until the voice you
want to use is selected. The voice selected here becomes the split voice
which will play to the left of the keyboard split point. For this example
try selecting the “041 Folk Guitar” voice.
Play the keyboard.
4
Try selecting and playing a range of split voices.
Press the [EXIT] button to return to the MAIN display.
Play the Grand Piano Voice
When you just want to play piano, all you have to do is press one convenient button.
Press the [PORTABLE GRAND] button.
NOTE
The “001 Grand Piano” voice will be selected.
• When you press the [PORTA-
BLE GRAND] button all settings
other than touch sensitivity are
turned off. The dual and split
voices will also be turned off, so
only the Grand Piano voice will
play over the entire keyboard.
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Fun Sounds
This instrument includes a range of drum kits and unique sound effects you can
use for entertainment. Laughter, babbling brooks, jet fly-bys, eerie effects, and
much more.These sounds can be a great way to enhance the mood at parties.
Drum Kits
Drum kits are collections of drum and percussion instruments. When you select a violin or other
normal instrument main voice, for example, all keys produce the sound of the same violin, only at
different pitches. If you select a drum kit as the main voice, however, each key produces the sound
of a different drum or percussion instrument.
1 Press the [VOICE] button.
2 Use the dial to select “131 Standard Kit 1”.
3 Try out each key and enjoy the drum and percussion sounds!
Try out each key and enjoy the drum and percus-
sion sounds! Don’t forget the black keys! You’ll
hear a triangle, maracas, bongos, drums ... a
comprehensive variety of drum and percussion
sounds. For details on the instruments included
in the drum kit voices (voice numbers 131 to
Sound Effects
The sound effects are included in the drum kit voice group (voice numbers 141 and 142). When
either of these voices are selected you will be able to play a range of sound effects on the keyboard.
1 Press the [VOICE] button.
2 Use the dial to select “142 SFX Kit 2”.
3 Try out each key and enjoy the sound effects!
As you try out the various keys you’ll hear the sound of a
submarine, a telephone bell, a creaking door, and many
running water, dogs barking, and others. Some keys do
not have assigned sound effects, and will therefore pro-
duce no sound.
For details on the instruments included in the SFX kit
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The Metronome
The instrument includes a metronome with adjustable tempo
and time signature. Play and set the tempo that is most com-
fortable for you.
Start the Metronome
Turn the metronome on and start it by pressing the [MET-
RONOME ON/OFF] button.
To stop the metronome, press the [METRONOME ON/OFF] button
again.
4/4
Current setting
Adjusting the Metronome Tempo
Press the [TEMPO/TAP] button to call up the tempo set-
ting.
1
Tempo
Use the dial to select a tempo from 5 to 280.
2
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The Metronome
Setting the Number of Beats per Measure, and the Length of Each Beat
In this example we’ll set up a 5/8 time signature.
Press and hold the [METRONOME ON/OFF] button for
longer than a second to select the function “Time Signa-
ture–Numerator”.
1
Numerator
(Number of
beats per
Denominator
(The length of
one beat.)
Hold for longer
measure.)
than a second
NOTE
Use the dial to select the number of beats per measure.
2 The available range is from 1 through 60. Select 5 for this example.
A bell accent will be sounded at the first beat of each measure.
• The metronome time signature
will synchronize to a style or
song that is playing, so these
parameters cannot be changed
while a style or song is playing.
Press the CATEGORY [ ] and [ ] buttons as many times
as necessary to select the beat length function “Time Sig-
nature–Denominator”.
3
Use the dial to select the beat length.
4 Select the required length for each beat: 2, 4, 8, or 16 (half note, quarter
th
note, eighth note, or 16 note). Select 8 for this example.
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The Metronome
Setting the Click bell sound
This allows you to select whether the click sound has a bell accent, or plays only a click sound.
Press the [FUNCTION] button.
1
Use the CATEGORY [ ] and [ ] buttons to select the Bell
item.
2
You can then use the [+] and [-] buttons to turn the bell
sound on or off.
3
Adjusting the Metronome Volume
Press the [FUNCTION] button.
1
Use the CATEGORY [ ] and [ ] buttons to select the Met-
ronome Volume item.
2
Metronome volume
Use the dial to set the metronome volume as required.
3
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Playing Styles
This instrument has an auto accompaniment feature that produces
accompaniment (rhythm + bass + chords) in the style you choose to
match chords you play with your left hand.You can select from 160 dif-
ferent styles covering a range of musical genres and time signatures
In this section we’ll learn how to use the auto accompaniment features.
Select a Style Rhythm
Most styles includes a rhythm part.You can select from a wide variety of rhythmic types—rock, blues, Euro
trance, and many, many more. Let’s begin by listening to just the basic rhythm. The rhythm part is played
using percussion instruments only.
Press the [STYLE] button.
1 The style select display will appear. The currently selected style number
and name will be highlighted.
The currently selected style
Select a style.
2 Use the dial to select the style you want to use.
NOTE
• Style files transferred from a
A list of all the available styles is provided on page 134.
computer or stored on a USB
flash memory device connected
to the instrument can be
selected and used in the same
way as the internal Styles (Style
numbers 161–). File transfer
instructions are provided on
Press the [START/STOP] button.
3 The style rhythm will start playing.
NOTE
• Style numbers 131, 143–160
Press the [START/STOP] button a second time when you want to stop
have no rhythm part and there-
fore no rhythm will play if you
playback.
use them for the above exam-
ple. For these styles first turn
auto accompaniment on as
[START/STOP] button, and the
accompaniment bass and chord
parts will begin playing when
you play a key to the left of the
keyboard split point.
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Playing Styles
Play Along with a Style
You learned how to select a style rhythm on the preceding page.
Here we’ll see how to add bass and chord accompaniment to the basic rhythm to produce a full, rich accom-
paniment that you can play along with.
Press the [STYLE] button and select the desired style.
1
Turn automatic accompaniment on.
2 Press the [ACMP ON/OFF] button.
Pressing this button a second time will turn automatic accompaniment
off.
This icon appears when
automatic accompani-
ment is on.
NOTE
• The keyboard split point can be
changed as required: refer to
● When automatic accompaniment is on ...
The area of the keyboard to the left of the split point (54: F#2) becomes the
“auto accompaniment region” and is used only for specifying the
accompaniment chords.
Split point (54: F#2)
Auto accompaniment region
Turn sync start on.
3 Press the [SYNC START] button to turn the sync start function on.
Flashes when sync start
is on.
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Playing Styles
When sync start is on, the bass and chord accompaniment included in a
style will start playing as soon as you play a note to left of the keyboard
split point. Press the button a second time to turn the sync start function
off.
Play a left-hand chord to start the style.
4 You can still “play” chords even if you don’t actually know any chords.
This instrument will recognize even a single note as a chord. Try play-
ing from one to three notes at the same time to the left of the split point.
The accompaniment will change according to the left-hand notes you
play.
Try this!
examples should help you get a feel for what types of chord progres-
sions sound good with the styles.
Split point
Auto accompaniment region
Play a variety of left-hand chords while playing a melody
with your right hand.
5
Split point
Auto accompaniment region
Press the [START/STOP] button to stop style playback
when you’re done.
6
You can switch style “sections” to add variety to the accompaniment.
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Playing Styles
Styles Are More Fun WhenYou Understand Chords
Chords, created by playing multiple notes at the same time, are the basis for harmonic accompaniment.
In this section we’ll take a look at sequences of different chords played one after another, or “chord
sequences.” Since each chord has it’s own unique “color”—even if it’s different fingerings of the same
chord—the chords you choose to use in your chord progressions have a huge influence on the overall
feel of the music you play.
On page 28 you learned how to play colorful accompaniments using styles. Chord progressions are vital
to creating interesting accompaniments, and with a little chord know-how you should be able to take
your accompaniments to a new level.
On these pages we’ll introduce three easy-to-use chord progressions. Be sure to try them out with the
instrument’s accompaniment styles. The style will respond to the chord progression you play, effectively
creating a complete song.
■Playing the Chord Progressions
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
Play the scores with the left hand.
Before playing the scores follow steps 1 through 3 of “Play Along with a Style” on page 28.
* The scores provided here are not standard song scores, but rather simplified scores that indicate which notes to play to
produce the chord progressions.
Split point
Play to the left of the split point.
Recommended Style
041 Euro Trance
—Dance music with simple chords—
Press the [INTRO/ENDING/rit.] button.
F
C
G
Am
This is a simple-but-effective chord progression. When you play through to the end of the score, start
again from the beginning. When you’re ready to stop playing press the [INTRO/ENDING/rit.] button
and the auto accompaniment function will create a perfect ending.
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Playing Styles
Recommended Style
148 Piano Boogie
—3-chord boogie-woogie—
Press the [INTRO/ENDING/rit.] button.
C
F
C
C
G
F
Press the [INTRO/ENDING/rit.] button.
This progression provides varied harmonic backing with just three chords. When you get a feel for the
progression in the score, try changing the order of the chords!
Recommended Style
096 Bossa Nova
—Bossa nova with jazz-style chords—
Press the [INTRO/ENDING/rit.] button.
Dm
G7
CM7
FM7
5
Am
A7
Bm7
E7
This progression includes jazzy “two-five” (II-V) changes. Try playing it through several times. When
you’re ready to stop playing press the [INTRO/ENDING/rit.] button.
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Playing Styles
Playing Auto-accompaniment Chords
There are two ways of playing auto-accompaniment chords:
● Easy Chords
● Standard Chords
The instrument will automatically recognize the different chord types. The function is called Multi Fingering.
Press the [ACMP ON/OFF] button to turn auto-accompaniment on (page 28). The keyboard to the left of the
split point (default: 54/F#2) becomes the “accompaniment range”. Play the accompaniment chords in this area
of the keyboard.
Split point (default: 54/F#2)
b
b
#
#
b
b
b
#
F
D
E
F
G
B
D
E
C D E F G A B C D E F
Accompaniment
range
Root notes and the corresponding keys
■Easy Chords
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
■Standard Chords
● ● ● ● ● ● ● ● ● ● ● ● ●
This method lets you easily play chords in the
accompaniment range of the keyboard using only
one, two, or three fingers.
This method lets you produce accompaniment by
playing chords using normal fingerings in the
accompaniment range of the keyboard.
● How to play Standard Chords [Example for “C” chords]
C
)
(
9
)
C(9
• To play a major chord
Press the root note of the chord.
C6
C6
C
Cm
(
)
(
)
)
C(b5
9
#11
CM7
CM7
CM7
Caug
Cm6
• To play a minor chord
Press the root note together with the
nearest black key to the left of it.
(
)
b5
C7
CM7
Csus4
CM7aug
Cm7
• To play a seventh chord
Press the root note together with the
nearest white key to the left of it.
(
)
9
Cm
Cm
Cm7
• To play a minor seventh chord
Press the root note together with the
nearest white and black keys to the left
of it (three keys altogether).
(
)
(
)
(
)
9
11
9
Cm7
Cm7
CmM7
Cdim
CmM7
Cdim7
(
)
(
b5
)
b5
Cm7
CmM7
(
)
(
)
(
)
b9
b13
9
C7
C7
C7
C7
(
)
(
)
(
)
(
)
#11
13
#9
b5
C7
C7
C7
C7
C7aug
C7sus4
Csus2
* Notes enclosed in parentheses ( ) are optional; the chords
will be recognized without them.
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Using Songs
With this instrument the term “song” refers the data that makes up a
piece of music.You can simply enjoy listening to the 30 internal songs,
or use them with just about any of the many functions provided—the
performance assistant technology feature, lessons, and more.The
songs are organized by category.
In this section we’ll learn how to select and play songs, and briefly
describe the 30 songs provided.
Song
Listen
Lesson
Record
Select and Listen to a Song
Press the [SONG] button
1 The song selection display will appear.
The currently selected song number and name will be highlighted.
The currently selected song
number and name
NOTE
Select a song.
• You can also play songs you
have recorded yourself (User
Songs) or songs that have been
transferred to the instrument
from a computer in the same
way that you play the internal
songs.
Use the dial to select the song you want to listen to.
The song highlighted here
can be played
001–030
031–035
User Songs (Songs you record yourself).
USB flash memory connected to the instrument (page 96)
036–
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Using Songs
Listen to the song.
3 Press the [START/STOP] button to begin playback of the selected song.
You can stop playback at any time by pressing the [START/STOP] but-
ton again.
Song start!
Song Fast Forward, Fast Reverse, and Pause
These are just like the transport controls on a cassette deck or CD player, letting you fast forward [FF],
rewind [REW] and pause [PAUSE] playback of the song.
REW
FF
PAUSE
Press the fast
reverse button to
rapidly return to an
earlier point in the
song.
Press the fast for-
ward button to rap-
idly skip ahead to
a later point in the
song.
Press the pause
button to pause
playback.
Change the Song Tempo
You can change the song tempo as required. Press the [TEMPO/TAP] button. The tempo display will
appear and you can use the dial, the [+] and [-] buttons, or the [0] to [9] number buttons to set to tempo to
anywhere from 5 and 280 quarter-note beats per minute.
You can return to the original tempo by simultaneously pressing the [+] and [-] buttons.
Press the [EXIT] button to return to the MAIN display.
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Using Songs
Play the Demo Song
Press the [DEMO] button.
The demo song will start playing. Listen to some of the outstanding
instrument voices provided!
The demo song will automatically repeat from the beginning after it has
played all the way through. You can stop demo playback at any time by
pressing the [START/STOP] button.
● Song List
These 30 songs include songs that effectively demonstrate the instrument’s Easy Song Arranger feature,
songs that are ideally suited for use with the performance assistant technology feature, and more. The “Sug-
gested Uses” column provides some ideas as to how the songs can most effectively used.
Category
No.
Name
Suggested Uses
CHORD
1
2
JetSet
The songs in this category have been created to give
you an idea of the advanced capabilities of this
instrument. They’re great for listening, or for use with
the various features.
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
Winter Serenade
Take off
Main Demo
3
4
Live! Grand Demo
These songs features some of the instrument’s many
useful voices. They make maximum use of the
characteristics of each voice, and might serve as
inspiration for your own compositions.
5
Live! Orchestra Demo
Cool! RotorOrgan Demo
Cool! Galaxy Electric Piano Demo
ModernHarp & Sweet Soprano Demo
Hallelujah Chorus
Voice Demo
6
7
8
9
Use these songs to experience some of the
instrument’s advanced features: song number 9 for
the easy song arranger, and songs 10 and 11 for the
performance assistant technology feature.
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
Ave Maria
Function Demo
Piano Solo
Nocturne op.9-2
For Elise
These piano solo pieces are ideally suited for use as
lesson songs.
Maple Leaf Rag
Jeanie with the Light Brown Hair
Amazing Grace
CHORD
CHORD
Mona Lisa (Jay Livingston and Ray Evans)
Piano Concerto No.21 2nd mov.
Scarborough Fair
A selection of piano ensemble songs that are also
well suited for use as lesson songs.
Piano Ensemble
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
CHORD
Old Folks at Home
Ac Ballad (Against All Odds: Collins 0007403)
Ep Ballad
Boogie Woogie
Rock Piano
When you need to practice backing (accompaniment)
patterns, these are the songs to do it with. This is
ability you’ll need if you’re invited to play with a band.
These songs allow you to practice backing parts one
hand at a time, which can be the easiest way to
master this important skill.
Salsa
Piano
Accompaniment
Country Piano
Gospel R&B
Medium Swing
Jazz Waltz
Medium Bossa
SlowRock (Can’t Help Falling In Love: George
David Weiss, Hugo Peretti and Luigi Creatore)
CHORD
30
CHORD
: Includes chord data.
The scores for the internal songs—except for songs 1–11, and song 16, 20 and 30 which is copyrighted, are provided in the Song
Book on the CD-ROM. The scores for songs 9–11 are provided in this manual.
Some of the classic and/or traditional songs have been edited for length or for ease in learning, and may not be exactly the same
as the original.
DGX-630/YPG-635 Owner’s Manual 35
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Using Songs
Types of Songs
The following three types of songs can be used by the DGX-630/YPG-635.
● Preset Songs (the 30 songs built into the instrument)................Song numbers 001–030.
● User Songs (recordings of your own performances) ..................Song numbers 031–035.
● External song files (song data transferred from a computer*) ...Song numbers 036–.
to transfer the songs to the instrument.
The chart below shows the basic processes flow for using the preset songs, user songs, and external song
files from storage to playback.
Computer
Song
USB flash memory
Song
Your own
performance
Connect
Record
Transfer
DGX-630/YPG-635 Song
Storage locations
Preset Songs
(001–030)
User Songs
(031–035)
Flash Memory
Song
USB
(036–)
The 30 songs built
into the instrument.
Song
Song
Save
Play
NOTE
• User songs cannot produce score display as they are. If you convert a user song file
to SMF and save it to USB flash memory, however, it becomes capable of producing
score display and can be used with the lesson features.
NOTE
• Different flash memory areas are used to store user songs and external song files
transferred from a computer. User songs cannot be directly transferred to the exter-
nal song file flash memory area, and vice versa.
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Using Songs
Displaying the Song Score
This instrument is capable of display the scores of songs.
Scores are displayed for the 30 internal preset songs as well as songs in SMF format stored in a USB flash
memory or the instrument’s internal flash memory.
Select a song.
Press the [SCORE] button and a single-staff score will
appear.
2
NOTE
There are two types of score display: single-staff and double-staff.
These are alternately selected each time the [SCORE] button is pressed.
• Both chords and lyrics will be
shown in single-staff score dis-
play of a song that includes
chord and lyric data.
• When there are many lyrics they
may be displayed in two rows a
measure.
• Some lyrics or chords may be
abbreviated if the selected song
has a lot of lyrics.
• Small notes that are hard to
read may be easier to read after
you use the quantize function
Single-staff
Marker
Melody score
Chord
Lyrics
NOTE
Double-staff
• No chords or lyrics are shown
on the double-staff.
Press the [START/STOP] button.
3 The song will begin playing. The triangular will move across the top of
the score to indicate the current location.
Press the [EXIT] button to return to the MAIN display.
4
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Using Songs
Display the Lyrics
If a song contains lyric data, the lyrics can be made to appear on the display.
No lyrics will be displayed for a song that contains no lyric data even if the [LYRICS] button is pressed.
Select a song.
1 Select a song between 16, 20, and 30 by performing steps 1 and 2
NOTE
• Songs downloaded from the
described on page 33.
Internet or commercially avail-
able song files, including XF for-
compatible with the lyrics dis-
play features as long as they are
standard MIDI file format files
Press the [LYRICS] button.
2 The title, lyricist, and composer of the song will appear on the display.
containing lyric data. Lyrics dis-
play may not be possible with
some files.
NOTE
• If the lyrics display shows gar-
bled characters, try changing
the display language (page 18).
Song title, lyricist,
and composer.
Press the [START/STOP] button.
3 The song will play back while the lyrics and chords are shown on the
display.
The lyrics will be highlighted to show the current location in the song.
Lyrics and chord
display
■ Preset Songs That Can be Used For Lyrics Display
Number
016
Name
Mona Lisa (Jay Livingston and Ray Evans)
020
Against All Odds (Collins 0007403)
030
Can’t Help Falling In Love (George David Weiss, Hugo Peretti and Luigi Creatore)
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The Easy Way to Play Piano
This instrument includes a performance assistant technology feature
that lets you play along with a song and sound like a great pianist (even
though you might be making lots of mistakes)! In fact, you can play any
notes and still sound good!You could even just tap one key and the
results would be a beautiful melody. So even if you can’t play piano and
can’t read a note of music, you can have some musical fun.
Performance assistant technology offers four selectable types. Select the type that produces the best results
for you.
● Chord...................... No matter where or what you play, the result will be musical, well-bal-
anced sound. This type offers the greatest freedom, allowing you to play
anything with both your left and right hands.
● Chord/Free........... If you can play simple right-hand melodies but have trouble with left-
hand chords, this is the type for you. The Chord type applies to only the
left-hand section of the keyboard, allowing you to easily play chords to
support the melody you are playing with your right hand.
Split point
Play your own melody with the right hand.
● Melody................... This type lets you play the melody of the selected song by playing any
keys with just one finger. Start playing melodies right away, even if you’ve
never played a keyboard instrument before!
● Chord/Melody.... Play the melody of the selected song with one finger on the right-hand
section of the keyboard, and play chords on the left-hand section of the
keyboard using the Chord type.
Split point
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The Easy Way to Play Piano
CHORD Type—Play with Both Hands
Press the [P.A.T. ON/OFF] button.
1 This turns on the performance assistant technology feature.
The currently selected type is shown in the MAIN display when the per-
formance assistant technology feature is on.
The currently
selected type
Select the CHORD type.
2
Hold for longer than a second
Select Chord
Press and hold the [P.A.T. ON/OFF] button for longer than a second so
that the performance assistant technology type appears. Select the
Chord type by using the dial.
Select a song.
3 Press the [SONG] button, and the Song Select display appears. Select a
NOTE
song by using the dial. For this example try selecting the “010 Ave
Maria”.
When the Chord type is selected, features only available for this song
can be seen in the display!
The song displayed here will
be played.
● What is a Song?
You know the normal meaning of this word, but in this instrument the term
“Song” refers to the data that makes up a complete song. The performance
assistant technology features uses the chord and melody data, and should
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The Easy Way to Play Piano
Press the [START/STOP] button.
4
5
Song playback will begin.
The basic pattern will play repeatedly. Listen to the basic pattern for
four measures while getting a feel for the basic pattern, then begin play-
ing yourself from the fifth measure. The keys you should play will be
shown in the display.
Play on the keyboard.
Before
After
NOTE
Try playing the score on the left with both hands. You can even play the
same keys over and over: C, E, G, C, E, G, C, E. You’ll notice that at
measure five the notes will come out according to the score on the right.
Keep playing, and performance assistant technology Chord type will
continue to “correct” the notes that you play.
• The score for Ave Maria is pro-
This is the performance assistant technology Chord type.
You can stop song playback at any time by pressing the [START/STOP]
button.
Press the [P.A.T. ON/OFF] button to turn the performance
assistant technology feature off.
6
“...” will appear on the display where the performance assistant technol-
ogy type is normally shown.
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The Easy Way to Play Piano
CHORD/FREE Type—Applying the Chord Type to the Left Hand Only
Press the [P.A.T. ON/OFF] button.
1 This turns on the performance assistant technology feature.
The currently selected type is shown in the MAIN display when the per-
formance assistant technology feature is on.
The currently
selected type
Select the CHORD/FREE type.
2
Hold for longer than a second
Select
Chord/Free
Press and hold the [P.A.T. ON/OFF] button for longer than a second so
that the performance assistant technology type appears. Select the
Chord/Free type by using the dial.
Select a song.
3 Press the [SONG] button, and the Song Select display appears. Select a
NOTE
song by using the dial. For this example try selecting the “011 Noc-
turne”.
The song displayed here will
be played.
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The Easy Way to Play Piano
Press the [START/STOP] button.
4
Song playback will begin.
The left-hand keys you should play will be shown on the display.
Play on the keyboard.
5 Play to the right of the split point with your right hand, and to the left of
the split point with your left hand.
Split point
With this type notes played on the
left-hand side of the split point will
actually sound an octave higher.
NOTE
Play the Nocturne melody with your right hand. Continually play an F-
A-C arpeggio with your left hand as indicated by the score shown in the
display. Although you’re repeatedly playing the same notes with your
left hand, the actual notes produced will change to match the music.
This is the performance assistant technology Chord/Free type.
• The score for Nocturne is pro-
Press the [SCORE] button if you want to see the score for the right-hand
part in the display.
You can stop song playback at any time by pressing the [START/STOP]
button.
Press the [P.A.T. ON/OFF] button to turn the performance
assistant technology feature off.
6
“...” will appear on the display where the performance assistant technol-
ogy type is normally shown.
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The Easy Way to Play Piano
MELODY Type—Play with One Finger
Press the [P.A.T. ON/OFF] button.
1 This turns on the performance assistant technology feature.
The currently selected type is shown in the MAIN display when the per-
formance assistant technology feature is on.
The currently
selected type
Select the MELODY type.
2
Select Melody
Hold for longer than a second
Press and hold the [P.A.T. ON/OFF] button for longer than a second so
that the performance assistant technology type appears. Select the Mel-
ody type by using the dial.
Select a song.
3 Press the [SONG] button, and the Song Select display appears. Select a
NOTE
song by using the dial.
The song displayed here will
be played.
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The Easy Way to Play Piano
Press the [START/STOP] button.
4 Song playback will begin.
Because the Melody type has been selected, the song melody will not
sound. You can enjoy playing the melody yourself (step 5).
Song start!
Play on the keyboard.
5 To begin, try to feel the rhythm of the song. Then tap a key with one fin-
ger of your right hand in time with the music. You can play any key. If
you want to play the melody with the melody score, press the [SCORE]
button to call up the melody score in the display.
Sounds like a
melody!
How does it sound? You’ve played the melody using only one finger
thanks to the performance assistant technology Melody type!
You can stop song playback at any time by pressing the [START/STOP]
button.
Press the [P.A.T. ON/OFF] button to turn the performance
assistant technology feature off.
6
“...” will appear on the display where the performance assistant technol-
ogy type is normally shown.
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The Easy Way to Play Piano
CHORD/MELODY—Chord Type with the Left Hand, Melody with the Right
Press the [P.A.T. ON/OFF] button.
1 This turns on the performance assistant technology feature.
The currently selected type is shown in the MAIN display when the per-
formance assistant technology feature is on.
The currently
selected type
Select the CHORD/MELODY type.
2
Hold for longer than a second
Select
Chord/Melody
Press and hold the [P.A.T. ON/OFF] button for longer than a second so
that the performance assistant technology type appears. Select the
Chord/Melody type by using the dial.
Select a song.
3 Press the [SONG] button, and the Song Select display appears. Select a
NOTE
song by using the dial.
The song displayed here will
be played.
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The Easy Way to Play Piano
Press the [START/STOP] button.
4
Song playback will begin.
The basic pattern will repeat. Listen to eight measures while memoriz-
ing the basic pattern. It’s your turn to play the part from the ninth mea-
sure.
Play on the keyboard.
5 Play to the right of the split point with your right hand, and to the left of
the split point with your left hand.
Split point
With this type notes played on the
left-hand side of the split point will
actually sound an octave higher.
Play along with the rhythm of the song melody with your right hand.
You can play any keys as long as you’re playing to the right of the split
point. At the same time play accompaniment-like chords and phrases
with your left hand. No matter what you play, you’ll produce the song
melody with your right hand and beautiful chords and phrases with your
left hand.
This is the performance assistant technology Chord/Melody type.
If you want to play the melody with the melody score, press the
[SCORE] button to call up the melody score in the display.
You can stop song playback at any time by pressing the [START/STOP]
button.
Press the [P.A.T. ON/OFF] button to turn the performance
assistant technology feature off.
6
“...” will appear on the display where the performance assistant technol-
ogy type is normally shown.
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The Easy Way to Play Piano
Use the Performance Assistant to Play Like a Pro!
Here are a few hints for using the Chord type.
If you select Chord/Free or Chord/Melody, the left-hand section of the
keyboard becomes the Chord type section, so use these hints on the left-
hand section of the keyboard.
To begin, try to feel the rhythm of the song. Then, with your hands
spread as shown in the illustration, simply play the keyboard alternately
with your left and right hands (any notes will do).
The chord information
included in the song is
displayed in the lower
area of the MAIN display.
You will get even better
results if you match your
left-hand rhythm to rhythm
of the chord indicator in
the display.
Sounds like you’re
playing the right
notes!
How does it sound? You’ll get acceptable results no matter where you
play thanks to the performance assistant technology Chord type!
Next try the three playing methods illustrated below. Different ways of
playing produce different results.
● Play with the left and right hands
at the same timing—type 1.
● Play with the left and right hands
at the same timing—type 2.
● Play alternately with the left
and right hands—type 3.
Play 3 notes at once
with your right hand.
Play 1 note at a time with your right
Play 3 notes at once
with your right hand.
hand (for example: index finger
middle finger ring finger).
→
→
Once you get a feel for it, try playing chords with your left hand and a
melody with your right ... or any other combination.
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The Easy Way to Play Piano
Make Use of the Score in the Melody Type.
If you want to play the melody with the correct rhythm, use the onscreen
score feature.
Displaying the Score.
The melody score will appear.
Appears when the performance
assistant technology is on
Marker
Chord
Melody
The marker will indicate the current position in the score during playback.
If you play a key each time the marker appears above a note in the score
you will be able to play the melody with the correct “original” rhythm.
Play while watching the
marker
●Songs That Can Be Used With the performance assistant technology.
When the Chord type is selected the performance assistant technology can only be used with songs that
include chord data. When the Melody type is selected the performance assistant technology will only
work with songs that include melody data. In order to find out if a song includes the required data, first
select the song and then press the [SCORE] button. If chords appear on the display when you press the
[SCORE] button you can use the Chord type or any combination type that includes the Chord type. If
melody appear on the display when you press the [SCORE] button you can use the Melody type or any
combination type that includes the Melody type.
●External Songs and the performance assistant technology.
Songs downloaded from the Internet can also be used with the performance assistant technology as
long as they include the required chord and/or melody data.
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Select a Song For a Lesson
Yamaha Education Suite
You can select song you like and use it for a left-hand, right-hand, or
both-hands lesson.You can also use songs (only SMF format 0/1)
transferred to the instrument from a computer. (page 108) During the
lesson you can play as slowly as you like, and you can even play
wrong notes. Song playback will slow down to a speed you can han-
dle. It’s never too late to start learning!
Lesson Flow:
Select a song from the Piano Solo, Piano Ensemble category!
Select the part you
Select the
song you
want to work on
(right hand, left
hand, both hands).
Select lesson
1, 2, or 3.
Lesson
start!
want to learn.
The practice methods:
● Lesson 1 ..............Learn to play the correct notes.
● Lesson 2 ..............Learn to play the correct notes with the correct timing.
● Lesson 3 ..............Learn to play the correct notes at the correct timing along with the song.
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Select a Song For a Lesson
Lesson 1—Waiting
In this lesson, try playing the correct notes. Play the note shown in the display. The song will wait until you
play the right note.
Select a song for your lesson.
1 Press the [SONG] button, and rotate the dial to select the song you want
types.
Press [EXIT] button to return to the MAIN display.
2
Select the part you want to practice.
3 Press the [R] button for a right-hand lesson, [L] button for a left-hand
lesson, or press both the [R] and [L] buttons simultaneously for a both-
hands lesson. The currently selected part is shown in the upper right cor-
ner of the display.
Select R for right-hand lesson.
Select L for left-hand lesson.
Select LR for bothhands lesson.
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Select a Song For a Lesson
Start Lesson 1.
4 Press the LESSON [START] button to select Lesson 1. Each time the
LESSON [START] button is pressed the lesson modes are selected in
sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Lesson 1 ... An
explanation of the selected lesson will appear on the display for a few
seconds before the lesson begins.
In this case the “R1” indicates that right-
hand lesson 1 has been selected.
(Lesson 1)
(Lesson 2)
(Lesson 3)
(Song Lesson off)
Song playback will begin automatically when you select
Lesson 1.
Play the notes shown in the on-screen score. The next note to be played
is indicated by a dot (●) on the appropriate key of the graphic on-screen
keyboard. When you play the correct note the marker will move to the
next key to be played. Playback will pause and wait for you to play the
correct note. The triangular marker (▼) above the score indicates play-
back progress.
▼ Marker
Left-hand part
Right-hand part
● Marker
(In the case of a right-hand lesson)
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Select a Song For a Lesson
● Shifting the keyboard left or right.
The hidden (
) areas of the keyboard can be brought into view by
pressing the [+] or [-] button.
The displayed range (61 keys)
Actual keyboard range (DGX-630/YPG-635 = 88 keys)
61 keys of the keyboard’s range are shown on the display. The DGX-630/
YPG-635 actually have 88 keys. In some songs that include very high or
low notes, those notes may fall outside the displayed range and may not be
shown on the display. In such cases an “over” indicator appear to the left or
right of the graphic keyboard. Use the [+] or [-] button to shift the keyboard
left or right so you can see the notes (the ● marker will appear on the
appropriate key in the display). Notes that actually fall outside the
keyboard’s range cannot be used in the lesson.
Stop the Lesson mode
5 You can stop the Lesson mode at any time by pressing the [START/
STOP] button.
Once you’ve mastered Lesson 1, move on to Lesson 2.
■See HowYou’ve Done
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
When the lesson song has played all the way
through your performance will be evaluated in 4
levels: OK, Good, Very Good, or Excellent.
“Excellent!” is the highest evaluation.
NOTE
After the evaluation display has appeared, the lesson will start again
from the beginning.
• The evaluation feature can be
turned off via the FUNCTION
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Select a Song For a Lesson
Lesson 2—Your Tempo
Learn to play the correct notes with the correct timing. Song playback tempo will vary to match the speed
you are playing at. The song will slow down when you play wrong notes, so you can learn at your own
pace.
Select the song and part you want to practice (steps 1 and
3 on page 51).
1
Start Lesson 2.
2 Each time the LESSON [START] button is pressed the lesson modes are
selected in sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Les-
son 1 ...
In this case the “R2” indicates
that right-hand lesson 2 has
been selected.
Song playback will begin automatically when Lesson 2 is
selected.
The triangular marker will appear in the score display, and will move to
indicate the current note in the song. Try to play the notes at the correct
timing. As you learn to play the right notes at the right timing the tempo
will increase until eventually you’ll be playing at the song’s original
tempo.
Play while following the
score marker
Left-hand part
Right-hand part
(In the case of a right-hand lesson)
Stop the Lesson mode.
3 You can stop the Lesson mode at any time by pressing the [START/
STOP] button.
Once you’ve mastered Lesson 2, move on to Lesson 3.
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Select a Song For a Lesson
Lesson 3—Minus One
Here’s where you can perfect your technique. The song will play at the normal tempo, minus the part you
have chosen to play. Play along while listening to the song.
Select the song and part you want to practice (steps 1 and
3 on page 51).
1
Start Lesson 3.
2 Each time the LESSON [START] button is pressed the lesson modes are
selected in sequence: Lesson 1 → Lesson 2 → Lesson 3 → Off → Les-
son 1 ...
In this case the “R3” indicates
that right-hand lesson 3 has
been selected.
Song playback will begin automatically when Lesson 3 is
selected.
Play along while listening to the song. The score marker and keyboard
marker in the display will indicate the notes to play.
▼ Marker
Left-hand part
Right-hand part
● Marker
(In the case of a right-hand lesson)
Stop the Lesson mode.
3 You can stop the Lesson mode at any time by pressing the [START/
STOP] button.
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Select a Song For a Lesson
Practice Makes Perfect—Repeat and Learn
Use this feature when you want to start again just ahead of a section on which you made a mistake, or to
repeatedly practice a section you find difficult.
Press the [REPEAT & LEARN] button during a lesson.
NOTE
The song location will move back four measures from the point at
• You can change the number of
which you pressed the button, and playback will begin after a one-mea-
measures the Repeat and learn
function jumps back by pressing
a number button [1]–[9] during
repeat playback.
sure count-in. Playback will continue up to the point at which you
pressed the [REPEAT & LEARN] button, and then jump back four mea-
sures and begin again after a count-in. This process will repeat, so all
you have to do is press the [REPEAT & LEARN] button when you
make a mistake in order to repeat practice of that section until you get it
right
e Jump back 4 measures and
repeat playback
q
Song playback
direction
w
Press imme-
diately
Oops!
A mistake!
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Play Using the Music Database
You want to play music in your favorite style, but you’re not sure how to
select the best voice and style for the type of music you want to play ...
simply select the appropriate style from the Music Database.The panel
settings will automatically be adjusted for the ideal combination of
sounds and style!
Press the [MUSIC DATABASE] button.
1
A Music Database list will appear in the display.
Select a Music Database.
NOTE
• Music Database (MDB) files
transferred from a computer or
stored on a USB flash memory
device connected to the instru-
ment can be selected and used
in the same way as the internal
Music Databases (MDB num-
bers 301–). File transfer instruc-
tions are provided on page 108.
the manual, use the dial to select a music database. Select one that
matches the image of the song you intend to play.
For this example select the “158 Patrol”.
Play the chords with your left hand and melody with your
right.
3
The jazz style will start playing when you play a left-hand chord to the
about playing chords.
Split Point
If you press the [EXIT] button to return to the MAIN display at this
point you can check the assigned voice and style.
Press the [START/STOP] button to stop playback.
4
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Change a Song’s Style
In addition to each song’s default style, you can select any other style to
play the song with the Easy Song Arranger feature.This means that you
can play a song that is normally a ballad, for example, as a bossa nova,
as a hip-hop tune, etc.You can create totally different arrangements by
changing the style with which a song is played.
You can also change the song’s melody voice and the keyboard voice for
a complete change of image.
Try Out the Easy Song Arranger
You can try out the Easy Song Arranger feature using the internal Hallelujah Chorus song.
Press the [SONG] button and use the dial to select “009
Hallelujah Chorus.” Press the [START/STOP] button begin
playback of the song. An explanation of the Easy Song
Arranger feature will appear on the display.
NOTE
As the song progresses the styles will change, changing the overall
• The score for Hallelujah Chorus
is provided on page 122.
image of the song.
Keep in mind that you can enjoy using Easy Song Arranger with other
songs as well—any songs that include chord data.
Using the Easy Song Arranger
Press the [EASY SONG ARRANGER] button.
1 The Song Select display will appear. The currently selected song name
and number will be highlighted.
The currently selected song
number and name are dis-
played here.
Select a Song.
2 Use the dial to select the song you want to arrange.
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Change a Song’s Style
Listen to the song.
3 Press the [START/STOP] button to begin playback of the song. Move
NOTE
• When playing song numbers
010, 011, and 020 to 030 while
using the Easy Song Arranger,
melody tracks will be automati-
cally muted and no melody will
sound. In order to hear the mel-
ody tracks you will need to press
the SONG MEMORY buttons [3]
to [5].
on to the next step while the song is playing.
Song start!
Press the [EASY SONG ARRANGER] button.
4 The Style Select display will appear. The currently selected style name
and number will be highlighted.
The currently selected style
number and name are dis-
played here.
Select a style.
5 Rotate the dial and listen to how the song sounds with different styles.
NOTE
• Because the Easy Song
As you select different styles the song will remain the same while only
the styles change.
Arranger uses song data you
can’t specify chords by playing
in the accompaniment range of
the keyboard. The [ACMP ON/
OFF] button will not function.
Select a voice part.
• If the time signature of the song
and style are different, the time
signature of the song will be
used.
6 If you press and hold the [VOICE] button for longer than a second a
voice list will appear. The Melody R and Melody L displays will be
selected alternately each time you press the [VOICE] button.
The Melody R and Melody
L displays will be selected
alternately each time you
press the [VOICE] button.
The currently selected mel-
ody voice will be displayed.
Hold for longer than a second
Select a voice you want to play as a song melody.
NOTE
7 Use the dial to change the melody voice. As you select different melody
• If you press the [INTRO/END-
ING/rit.] button during style play-
back, the style will stop but the
song will continue playing. Use
the [START/STOP] button to
stop playback completely.
voices the song will remain the same while only the melody voice
changes.
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Record Your Own Performance
You can record up to 5 of your own performances and save them as
user songs 031 through 035. Once your performances have been saved
as user songs they can be played in the same way as the internal
songs. User songs can also be saved to a USB flash memory device, as
described on page 100.
■ Recordable Data
NOTE
5 melody tracks and 1 Style (chord) track can be recorded. To record your own
performance, first use the SONG MEMORY [1]–[5] and [A] buttons to spec-
ify the track(s) you want to record on.
• Up to approximately 30,000
notes can be recorded for the
five user songs if you record
only to the melody tracks.
• User songs are saved as SMF
(Standard MIDI File) format 0
mation on SMF files.
● SONG MEMORY (Track) [1]–[5]
Record the melody parts.
● SONG MEMORY (Track) [A]
Records the style pattern and chord parts.
Melody
Chords
Specify track(s)
and record
Track
1
Track
2
Track
3
Track
4
Track
5
Track
A
■ Track Mute
This instrument allows you to choose whether recorded tracks will play back
while you are recording or playing back other tracks (page 89).
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Record Your Own Performance
Recording Procedure
From the MAIN display press the [SONG] button, then use
the dial to select the user song number (031–035) you
want to record to.
1
Rotate the dial to select a
song number between 031
and 035.
Select the track(s) you want to record to and confirm your
selection on the display.
CAUTION
• If you record to track that con-
tains previously-recorded
data the previous data will be
overwritten and lost.
2
◆ Record a Melody Track and the Accompaniment Track
Together
NOTE
Press the melody track button [1]–[5] you want to record to while hold-
ing the [REC] button.
Next, press the [A] button while holding the [REC] button.
The selected tracks will be highlighted in the display.
• Style accompaniment is auto-
matically turned on when you
select the style track [A] for
recording.
• Style accompaniment cannot
turned on or off while recording
is in progress.
Press and hold
◆ Record a Melody track
NOTE
• If style accompaniment is on
and track [A] has not yet been
recorded, the style track [A] will
automatically be selected for
recording when a melody track
is selected. If you only want to
record a melody track, be sure
to turn the style track [A] off.
Press the melody track button [1]–[5] you want to record to while hold-
ing the [REC] button. Select button [1]–[3] if you want to record a dual
voice. Split voices cannot be recorded.
The selected track will be highlighted in the display.
To cancel recording to a selected track, press that track button a sec-
ond time. Style accompaniment cannot be turned on or off while
recording is in progress.
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Record Your Own Performance
Recording will start when you play on the keyboard.
3 You can also start recording by pressing the [START/STOP] button.
NOTE
• If the memory becomes full dur-
ing recording a warning mes-
sage will appear and recording
will stop automatically. Use the
song clear or track clear (page
data and make more room avail-
able for recording, then do the
recording again.
The current measure will be shown on the display during recording.
Current measure
Recording
starts
NOTE
Stop recording by pressing the [START/STOP] or [REC]
button.
• If you press the [INTRO/END-
ING/rit.] button while recording
a style track, an appropriate
ending pattern will play and then
recording will stop.
4
or
When recording stops the current measure number will return to 001
and the recorded track numbers in the display will be shown in a box
border.
Save the song.
CAUTION
5 When recording is stopped a message asking if you want to save
• The recorded Song data will
be lost if you turn the power
to the instrument off without
executing the Save operation.
the song will appear. Press the [+/YES] button to save the song, or
the [-/NO] button if you don’t want to save the song. If saved, the
song will be stored as a MIDI file in song number 031–035.
If you press the [-/NO] button in response to the confirmation message
the song will not be saved as a MIDI file but will remain in the instru-
ment’s memory until the power is turned off, so you have the option of
converting the song to a MIDI file and saving it later. To do this press
and hold the [REC] button until the save confirmation message appears,
then press the [+/YES] button.
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Record Your Own Performance
● To Record Other Tracks
Repeat steps 2 through 5 to record any of the remaining tracks.
By selecting an unrecorded track—SONG MEMORY buttons [1]–[5],
[A]—you can record the new track while listening to previously recorded
tracks (the border around the track number will appear in the display). You
can also mute previously recorded tracks (the border around the track
number disappears in the display) while recording new tracks.
● To Re-record a Track
Simple select the track you want to re-record for recording in the normal
way.
The new material will overwrite the previous data.
When the recording is done ...
6
◆ To Play Back a User Song
User songs are played back in the same way as regular songs (page 33).
1 Press the [SONG] button from the MAIN display.
2 The current song number/name will be highlighted—use the dial
to select the user song (031–035) you want to play.
3 Press the [START/STOP] button to start playback.
● Data that cannot be recorded
• Split voice
• The following items are recorded at the beginning of the track. Changes
made during the song will not be recorded.
Time signature, Style number, Style volume
Song Clear—Deleting User Songs
This function clears an entire user song (all tracks).
NOTE
• If you only want to clear a spe-
cific track from a user song use
the Track Clear function.
From the MAIN display select the user song (031–035) you
want to clear.
1
Press and hold the SONG MEMORY [1] button for longer
than a second while holding the SONG MEMORY [A] button.
2
A confirmation message will appear on the display.
You can cancel the clear operation by pressing the [-] button.
Press and hold
Hold for longer than a second
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Record Your Own Performance
Press the [+] button to clear the song.
3 The clear-in-progress message will appear briefly on the display while
the song is being cleared.
Track Clear—Deleting a Specified Track from a User Song
This function lets you delete a specified track from a user song.
From the MAIN display select the user song (031–035) you
want to clear.
1
Press and hold the SONG MEMORY track button ([1]–[5],
[A]) corresponding to the track you want to clear for
longer than a second.
2
A confirmation message will appear on the display.
You can cancel the clear operation by pressing the [-] button.
Hold for longer than a second
Press the [+] button to clear the track.
3 The clear-in-progress message will appear briefly on the display while
the track is being cleared.
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Backup and Initialization
Backup
The following settings are always backed up, and are maintained even when the power is turned off. If you
want to initialize the settings, use the Initialize operation as explained below.
● The Backup Parameters
• Registration Memory
• FUNCTION Settings: Tuning, Split Point, Touch Sensitivity, Style Volume, Song Volume,
Metronome Volume, Grade, Demo Cancel, Language Selection,
Panel Sustain, Master EQ type, Chord Fingering
Initialization
This function erases all backup data in the instrument’s flash memory and restores the initial default set-
tings. The following initialization procedures are provided.
■Backup Clear
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
To clear data backed up to the internal flash memory—panel user set-
ting, registration memory—turn the power on by pressing the
[STANDBY/ON] switch while holding the highest white key on the
keyboard. The backed up data will be erased and the default values
restored.
■Flash Clear
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
To clear User Songs as well as Song, Style, and Music Database files
that have been transferred to the internal flash memory from a computer,
turn the power on by pressing the [STANDBY/ON] switch while simul-
taneously holding the highest white key on the keyboard and the three
highest black keys.
CAUTION
• When you execute the Flash
Clear operation, data you
have purchased will also be
cleared. Be sure to save data
you want to keep to a com-
puter.
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Basic Operation
Basic Operation
Overall DGX-630/YPG-635 control is based on the following simple operations.
1Press a button to select a basic function.
2Use the dial to select an item or value.
3Start a function.
3Start a function.
1Select a basic function.
2Select an item or value.
Display (pages 68, 69)
● Volume Adjustment
Adjusts the volume of the sound heard via the
instrument’s speakers or a pair of headphones
plugged into the PHONES jack.
Rotate counter-
clockwise to lower
the volume.
Rotate clockwise to
increase the vol-
ume.
1Press a button to select a basic function.
Select a song you want to listen to or a song you want to use for a lesson.
Select an auto-accompaniment style.
Select a voice you want to play on the keyboard.
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Basic Operation
2Use the dial to select an item or value
When you select a basic function, the item corresponding to that function will be listed in the display.
You can then use the dial or the number buttons [0]–[9] to select the desired item.
The currently selected item is high-
lighted in the display. In this example the
[VOICE] button has been pressed.
■Changing Values
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
● Dial
● CATEGORY [ ] and [
]
Rotate the dial clockwise to
increase the value of the selected
item, or counterclockwise to
decrease it’s value. Rotate the dial
continuously to continuously
increase or decrease the value.
buttons
Decrease
Increase
When selecting a song, style, or voice,
you can use these buttons to jump to the
first item in the next or previous cate-
gory.
Jump to the first item
in the next or previ-
ous category.
The CATEGORY [ ] and [ ] buttons are useful for select-
ing categorized items, as in the example below.
● [+] and [-] Buttons
Press the [+] button briefly to incre-
ment the value by 1, or press the [-]
button briefly to decrement the
value by 1. Press and hold either
button to continuously increment or
decrement the value in the corre-
sponding direction.
Example:VOICE SELECT Display
CATEGORY button [ ] mark.
CATEGORY button [ ] mark.
Pressbriefly
to decre-
ment.
Press briefly
to incre-
ment.
Select the category shown
here.
● Number Buttons [0]–[9]
The number buttons can be used to directly enter a song num-
ber or parameter value.
The first voice in the selected
category is selected.
Hundreds or tens digits that are “0” can be omitted (see
below).
In a display in which a category appears, selection is easy if
you first use the CATEGORY [ ] and [ ] buttons to select
the category containing the desired item, then use the dial or
[+] and [-] buttons to select the item. This can be particularly
handy when you have to select from a large number of voices.
Example: Song number “003”
can be entered in three ways.
• [0] → [0] → [3]
• [0] → [3]
(“003” will appear on the dis-
play after a brief delay)
• [3]
(“003” will appear on the dis-
play after a brief delay)
In most procedures described throughout this owner’s
manual the dial is recommended for selection simply
because it is the easiest and most intuitive selection
method. Please note however, that most items or values
that can be selected using the dial can also be selected
using the [+] and [-] buttons.
Press number buttons
[0], [0], [3].
3Start a function.
This is the [START/STOP] button.
Press the [START/STOP] button after pressing the [SONG] or [STYLE]
button to start playback of the selected song or style (rhythm).
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Basic Operation
The Displays
● Display Names
All operations are carried out while watching the display. A number of display types are provided for differ-
ent modes and functions. The name of the current display appears at the top of the display.
● MAIN Display
Title
To Return To the MAIN Display
Most basic operations are carried out from the instrument’s MAIN
display.
You can return to the MAIN display from any other display by pressing the
[EXIT] button near the lower right corner of the display panel.
The FUNCTION display provides access to 50 utility functions.
The FUNCTION display appears when the [FUNCTION] button is pressed. In the FUNCTION display you
can use the CATEGORY [ ] and [ ] buttons (page 67) to select 50 different groups of functions. Press the
CATEGORY button(s) as many times as necessary until the required function appears. You can then use the
dial, the [+] and [-] buttons, or the number [0]–[9] buttons to adjust the value of the function as required.
Function item
Value
The “Press & Hold” Symbol
The “
” symbol that appears next to some buttons indicates that
the button can be pressed and held for longer than a second to call
up a related function. This provides convenient direct access to a
range of functions.
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Basic Operation
MAIN Display Items
The MAIN display shows all of the current basic settings: song, style, voice.
It also includes a range of indicators that show the on/off status of a range of functions.
* Adjust the LCD CONTRAST control on
the rear panel of the instrument for opti-
mum display legibility.
A-B Repeat
Appears when repeat
playback is engaged.
Tempo
Transpose
Measure Number
Function ON/Off Icons
Dual
Appears when the Dual Voice is
Chord
Display
on. When this icon is showing a
second voice is “layered” on and
played with the main voice.
Split
Appears when the Split Voice is
on. When this icon is showing
different voices can be played to
the left and right of the keyboard
split point.
Style (Auto-accompaniment)
Registration Memory
Performance assistant technology
Appears when the [ACMP ON/
OFF] button is pressed to turn
accompaniment on after selecting
a style. When showing the key-
board range to the left of the split
point is used for accompaniment
chord recognition.
Shows the selected bank
number.
Appears when the performance
assistant technology is on.
Shows the memory num-
bers that contain data. A
border appears around
the selected number.
Harmony
Appears when Harmony is on.
When this icon is showing har-
mony notes will be added to the
main voice.
Appears when the synchro-stop
function is engaged.
Song Track Status
File Control
When this icon is showing you
can control file operations.
The style pattern name.
Highlighted during user song
recording.
The track(s) selected for
recording are highlighted dur-
ing user-song recording. Only
tracks that contain data are dis-
played. A border appears
around a selected track that
contains data. No border
appears around a Muted track.
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Reference
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Play with a Variety of Effects
Adding Harmony
This feature adds harmony notes to the main voice.
Press the [HARMONY ON/OFF] button
to turn Harmony feature on.
1
To turn Harmony off, press the [HARMONY
ON/OFF] button again.
Hold for longer than
a second.
The currently selected harmony type
When harmony
is on the har-
mony icon will
appear in the
display.
Use the dial to select a harmony type.
3
information about the available harmony types.
Try playing the keyboard with the harmony
function. The effect and operation of each Har-
mony Type is different-refer to the below section
the Effect Type List for details.
NOTE
• When you press the [HARMONY ON/OFF] button to turn this feature
on, the appropriate harmony type for the currently selected main
voice is automatically selected.
Press and hold the [HARMONY] button
for longer than a second.
2
The currently selected harmony type will be
displayed.
NOTE
• The harmony notes can be added only to the Main Voice, not to Dual
or Split Voices.
• The keys left of the Split Point of the keyboard produce no harmony
notes when the auto accompaniment is on (ACMP ON is lit).
• Harmony type 19 to 22 (Tremolo)
• Harmony type 23 to 26 (Trill)
● How to sound each Harmony Type
• Harmony type 01 to 10, 13
Keep holding
down the keys.
Press the right-hand keys while playing chords in the
auto accompaniment range of the keyboard when the
Auto Accompaniment is on (page 28).
Hold down two
keys.
• Harmony type 15 to 18 (Echo)
You can adjust the Harmony Volume in the Function
Keep holding
down the keys.
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Play with a Variety of Effects
Adding Reverb
Reverb lets you play with a rich concert hall type ambience.
When you select a style or song the optimum reverb type for the voice used is automatically selected. If you
want to select a different reverb type, use the procedure described below. Refer to the Effect Type List on
Press the [FUNCTION] button to call up
the FUNCTION display.
Use the dial to select a reverb type.
1
3
You can check how the selected reverb type
sounds by playing on the keyboard.
Use the CATEGORY [ ] and [ ] but-
tons to select the Reverb Type item.
2
Selected reverb type.
Refer to the Effect Type List on page 138 for
information about the available reverb types.
● Adjusting the Reverb Level
You can individually adjust the amount of reverb
that is applied to the main, dual, and split voices.
(See page 93).
Reverb Type item
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Play with a Variety of Effects
Adding Chorus
The chorus effect creates a thick sound that is similar to many of the same voices being played in unison.
When you select a style or song the optimum chorus type for the voice used is automatically selected. If
you want to select a different chorus type, use the procedure described below.
Press the [FUNCTION] button to call up
the FUNCTION display.
Use the dial to select a chorus type.
1
3
You can check how the selected chorus type
sounds by playing on the keyboard.
Use the CATEGORY [ ] and [ ] but-
tons to select the Chorus Type item.
2
Selected chorus type.
Chorus Type item
● Adjusting the Chorus Level
You can individually adjust the amount of chorus
that is applied to the main, dual, and split voices.
(See page 93).
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Play with a Variety of Effects
Adding DSP
DSP is term of abbreviated form of Digital Signal Processor. The DSP effect can be added to the Main and
Dual Voices. These range from reverb-like ambience effects to distortion and other dynamic processing
tools that let you enhance the sound, or completely transform it.
Use the [DSP ON/OFF] button to turn
the DSP function on.
Use the dial to select a DSP type.
1
3
Refer to the DSP Type List on page 139 for
information about the available DSP types.
The indicator lights when DSP is on.
To turn DSP off, press the [DSP ON/OFF] but-
ton again.
NOTE
• When DSP is turned on, the optimum DSP type for the current Voice
is automatically selected.
• The volume of the currently playing Voice changes when turning
DSP on or off. This is not a malfunction. The amount of change dif-
fers depending on the selected Voice.
• The DSP type is an overall setting–only one type can be selected.
For this reason, when you play a newly loaded Song or Style, for
example, the currently playing Voices may not sound as expected.
This is normal, since the Song or Style has its own DSP type which
replaces any selection you’ve made before loading. A similar phe-
nomenon occurs when you use the [FF], [REW] buttons or A-B
Repeat function during song playback.
Currently selected DSP type.
● Adjusting the DSP Level
You can individually adjust the amount of DSP that
is applied to the main and dual voices.
(See page 93).
Press and hold the [DSP ON/OFF] but-
ton for longer than a second.
2
The currently selected DSP type will be dis-
played.
Hold for longer
than a second
DSP Type
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Play with a Variety of Effects
Panel Sustain
This function adds sustain to the keyboard voices. Use it when you want to add sustain to the voices at all
times, regardless of footswitch operation. The sustain function does not affect split voice.
Press the [FUNCTION] button to call up
the FUNCTION display.
You can then use the [+] and [-] buttons
to turn panel sustain on or off.
1
3
NOTE
• The sustain of some voices may not be markedly affected when the
panel sustain function is turned on.
Use the CATEGORY [ ] and [ ] but-
tons to select the Sustain item.
2
The current setting is displayed.
Pitch Bend
The pitch bend wheel can be used to add smooth pitch variations to notes you play on the keyboard. Roll
the wheel upward to raise the pitch, or downward to lower the pitch.
If you use this feature with a voice such as the “048 Overdriven” guitar voice (page 19), you can produce
remarkably realistic string-bending effects.
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Handy Performance Features
Tap Start
You can start the song/style by simply tapping the [TEMPO/TAP] button at the required tempo—4 times
for time signatures in 4, and three times for time signatures in 3. You can change the tempo during song
playback by pressing the button just twice.
Touch Response Sensitivity
You can adjust the keyboard’s sensitivity to dynamics in three steps.
Press the [FUNCTION] button.
Use the dial to select a touch sensitivity
setting between 1 and 3. Higher values
produce greater (easier) volume varia-
tion in response to keyboard dynamics
—i.e. greater sensitivity.
1
3
The currently selected function will appear in
the display.
A setting of “4” results in a fixed touch
response, or no level change no matter how
hard or how soft you play the keys.
NOTE
• The initial default touch sensitivity setting is “2”.
Use the CATEGORY [ ] and [ ] but-
tons to select the Touch Sensitivity
item.
2
The currently selected touch sensitivity will be
displayed.
Touch Sensitivity item
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Handy Performance Features
One Touch Setting
Sometimes selecting the ideal voice to play with a song or style can be confusing. The One Touch Setting
feature automatically selects a well-balanced voice for you when you select a style or song. Simply select
voice number “000” to activate this feature.
Select voice number “000” (steps 1 to 2
on page 19).
Use the dial to change songs, then play
the keyboard and listen to the voice.
1
4
You should hear a different keyboard voice
than you played in step 3. Watch the display
while changing songs and you will see that dif-
ferent voices are selected for each song.
Use the dial to select
voice number 000.
Select and play back any song (steps 1
to 3 on page 33).
2
3
Play the keyboard and remember the
sound of the voice.
If you have stopped playback at some point
during this procedure press the [START/STOP]
button to start playback again.
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Handy Performance Features
Select an EQ Setting for the Best Sound
Five different master equalizer (EQ) settings are provided to give you the best possible sound when listen-
ing through different reproduction systems—the instrument’s internal speakers, headphones, or an external
speaker system.
Press the [FUNCTION] button.
1
The currently selected function will appear in
the display.
Press the CATEGORY [ ] and [ ] but-
2
tons as many times as necessary to
select the master EQ type function
“Master EQ Type”.
The currently selected EQ type will appear.
The currently selected
master EQ type.
Use the dial to select the desired Master
EQ setting.
3
Five settings are available: 1–5. Settings 1 and
2 are best for listening via the instrument’s
built-in speakers, setting 3 is for headphones,
and settings 4 and 5 are ideal for listening via
external speakers.
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Handy Performance Features
Pitch Controls
◆ Large Pitch Changes (Transpose)
The overall pitch of the instrument can by shifted
up or down by a maximum of 1 octave in semitone
increments.
◆ Small Pitch Changes (Tuning)
The overall tuning of the instrument can by shifted
up or down by a maximum of 100 cents in 1-cent
increments (100 cents = 1 semitone).
Press the [FUNCTION] button.
Press the [FUNCTION] button.
1
1
Use the CATEGORY [ ] and [ ] but-
tons to select the Transpose item.
Use the CATEGORY [ ] and [ ] but-
tons to select the Tuning item.
2
2
Transpose item
Tuning item
Can be set between -12 and +12
Can be set between -100 and +100
Use the dial to set the transpose value
between -12 and +12 as required.
Use the dial to set the tuning value
between -100 and +100 as required.
3
3
NOTE
NOTE
• The pitch of Drum Kits voices cannot be changed.
• The pitch of Drum Kits voices cannot be changed.
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Style (Auto-accompaniment) Functions
Basic operation of the Style (auto-accompaniment) feature is described on page 27 of
the Quick Guide.
Here are some other ways you can play the styles, the style volume adjustment proce-
dure, how you can play chords using the styles, and more.
Pattern Variation (Sections)
The DGX-630/YPG-635 features a wide variety of style “sections” that allow you to vary the arrangement
of the accompaniment to match the song you are playing.
Intro
Main A/B
Ending
Auto fill
● INTRO section
This is used for the beginning of the Song. When the intro finishes playing, accompaniment shifts to the
main section. The length of the intro (in measures) differs depending on the selected Style.
● MAIN section
This is used for playing the main part of the Song. It plays a main accompaniment pattern, and repeats
indefinitely until another section’s button is pressed. There are two variations on the basic pattern (A
and B), and the Style playback sound changes harmonically based on the chords you play with your left
hand.
● Fill-in section
This is automatically added before changing to section A or B.
● ENDING section
This is used for the ending of the Song. When the ending is finished, the auto accompaniment stops
automatically. The length of the ending (in measures) differs depending on the selected Style.
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Style (Auto-accompaniment) Functions
Press the [STYLE] button and then
select a style.
Press the [MAIN/AUTO FILL] button.
1
4
Press the [ACMP ON/OFF] button to
turn auto accompaniment on.
2
The name of the selected sec-
tion—MAIN A or MAIN B—will
be displayed.
Press the [INTRO/ENDING/rit.] button.
5
6
Appears when auto
accompaniment is on.
You’re now ready to play the intro.
As soon as you play a chord with your
left hand, the Intro of the selected Style
starts.
Press the [SYNC START] button to turn
synchro start on.
3
For this example, play a C major chord (as
shown below). For information on how to enter
chords, see “Playing Auto-accompaniment
The indicator will flash when the
synchro start standby mode will
be engaged.
Split point
Accompaniment range
● Synchro Start
When the synchro start standby mode is engaged,
style playback will begin as soon as you play a
chord in the accompaniment range of the
keyboard. You can disengage the synchro-start
standby mode by pressing the [SYNC START]
button again.
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Style (Auto-accompaniment) Functions
Press the [MAIN/AUTO FILL] button.
7
8
When the fill-in is finished, it leads smoothly
into the selected main section A/B.
Press the [INTRO/ENDING/rit.] button.
The style will play
while you are playing
the keys
Style playback will
stop when you
release the keys
This switches to the ending section.
When the ending is finished, the auto accompa-
niment stops automatically. You can have the
ending gradually slow down (ritardando) by
pressing the [INTRO/ENDING/rit.] button
again while the ending is playing back.
● Synchro Stop
When this function is selected the accompaniment
style will only play while you are playing chords
in the accompaniment range of the keyboard.
Style playback will stop when you release the
keys. To turn the function on, press the [SYNC
STOP] button.
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Style (Auto-accompaniment) Functions
Setting the Split Point
The initial default split point is key number 54 (the F#2 key), but you can change it to another key using the
procedure described below.
Press the [FUNCTION] button.
Use the dial to set the split point to any
key from 021(A-1) through 108 (C7).
1
3
Split point (54: F#2)
Main voice
Split voice
NOTE
• When you change the split point the auto-accompaniment split point
also changes.
Use the CATEGORY [ ] and [ ] but-
tons to select the Split point item.
• The split point cannot be changed during a song lesson.
• The split voice sounds when the split-point key is played.
2
NOTE
• You can also access the Split Point item by pressing the [FUNCTION]
button and using the CATEGORY [ ] and [ ] buttons to locate the
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Style (Auto-accompaniment) Functions
Play a Style with Chords but No Rhythm (Stop Accompaniment)
When auto accompaniment is on (the ACMP ON icon is showing) and Synchro Start is off, you can play
chords in the left-hand accompaniment range of the keyboard while the style is stopped and still hear the
accompaniment chords. This is “Stop Accompaniment”, and any of the chord fingerings recognized by the
instrument can be used (page 32).
Press the [ACMP ON/OFF] button to turn
auto accompaniment on after pressing the
[STYLE] button.
Accompaniment range
Appears when auto
accompaniment is
on
Adjusting the Style Volume
Press the [STYLE] button to engage the
style function.
Use the CATEGORY [ ] and [ ] but-
tons to select the Style Volume item.
2
3
Press the [FUNCTION] button.
1
Use the dial to set the style volume
between 000 and 127.
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Style (Auto-accompaniment) Functions
Chord Basics
Two or more notes played together constitute a “chord”.
The most basic chord type is the “triad” consisting of three notes: the
root, third, and fifth degrees of the corresponding scale. A C major triad,
for example, is made up of the notes C (the root), E (the third note of the
C major scale), and G (the fifth note of the C major scale).
3rd
3rd
Root
In the C major triad shown above, the lowest note is the “root” of the
chord (this is the chord’s “root position” ... using other chord notes for
the lowest note results in “inversions”). The root is the central sound of the chord, which supports and
anchors the other chord notes.
The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.
Major third–four half steps (semitones)
Minor third–three half steps (semitones)
The lowest interval in our root-position triad (between the root and the third) determines whether the triad
is a major or minor chord, and we can shift the highest note up or down by a semitone to produce two addi-
tional chords, as shown below.
Major chord
CM
Minor chord
Cm
Augmented chord
Diminished chord
Caug
Cdim
Minor 3rd
Minor 3rd
Major 3rd
Major 3rd
Minor 3rd
Major 3rd
Major 3rd
Minor 3rd
The basic characteristics of the chord sound remain intact even if we change the order of the notes to create
different inversions. Successive chords in a chord progression can be smoothly connected, for example, by
choosing the appropriate inversions (or chord “voicings”).
● Reading Chord Names
Chord names tell you just about everything you need to know about a chord
(other than the inversion/voicing). The chord name tells you what the root of the
Cm
chord is, whether it is a major, minor, or diminished chord, whether it requires a
Root note
Chord type
major or flatted seventh, what alterations or tensions it uses ... all at a glance.
● Some Chord Types (These are just some of the “Standard” chord types recognized by the DGX-630/YPG-635.)
Suspended 4 th
7 th
Minor 7 th
Major 7 th
CM7
Csus4
C7
Cm7
Perfect 5 th
Perfect 4 th
Flatted 7 th
Major chord
Flatted 7 th
Minor chord
Major 7 th
Major chord
Minor/major 7 th
7 th, flatted 5 th
Minor 7 th, flatted 5 th
7 th, suspended 4 th
(
)
(
)
b5
b5
CmM7
C7sus4
C7
Cm7
Major 7 th
Minor chord
Flatted 5 th
7 th chord
Flatted 5 th
Minor 7 th chord
Flatted 7 th
Suspended
4 th chord
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Style (Auto-accompaniment) Functions
■Recognized Standard Chords● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
All chords in the chart are “C-root” chords.
Chord Name/[Abbreviation]
Major [M]
Normal Voicing
1 - 3 - 5
Chord (C)
Display
C
C
)
C(9
Add ninth [(9)]
1 - 2 - 3 - 5
C9
C6
C6
Sixth [6]
1 - (3) - 5 - 6
1 - 2 - 3 - (5) - 6
1 - 3 - (5) - 7
1 - 2 - 3 - (5) - 7
C6
(
)
9
9
Sixth ninth [6(9)]
Major seventh [M7]
Major seventh ninth [M7(9)]
*
C6
CM7
CM7
CM7
(
)
9
9
*
CM7
1 - (2) - 3 - #4 - 5 - 7 or
(
)
#11
#11
Major seventh add sharp eleventh [M7(#11)]
CM7
*
CM7
1 - 2 - 3 - #4 - (5) - 7
C(b5
(
CM7
)
b5
Flatted fifth [(b5)]
1 - 3 - b5
1 - 3 - b5 - 7
1 - 4 - 5
C
*
)
b5
b5
Major seventh flatted fifth [M7b5]
Suspended fourth [sus4]
Augmented [aug]
CM7
*
Csus4
Caug
Csus4
Caug
CM7aug
Cm
1 - 3 - #5
1 - (3) - #5 - 7
1 - b3 - 5
Major seventh augmented [M7aug]
Minor [m]
CM7aug *
Cm
(
)
9
Minor add ninth [m(9)]
1 - 2 - b3 - 5
1 - b3 - 5 - 6
1 - b3 - (5) - b7
1 - 2 - b3 - (5) - b7
1 - (2) - b3 - 4 - 5 - (b7)
1 - b3 - (5) - 7
1 - 2 - b3 - (5) - 7
1 - b3 - b5 - b7
1 - b3 - b5 - 7
1 - b3 - b5
Cm9
Cm
Minor sixth [m6]
Cm6
Cm6
Minor seventh [m7]
Cm7
(
Cm7
)
9
9
Minor seventh ninth [m7(9)]
Minor seventh add eleventh [m7(11)]
Minor major seventh [mM7]
Minor major seventh ninth [mM7(9)]
Minor seventh flatted fifth [m7b5]
Minor major seventh flatted fifth [mM7b5]
Diminished [dim]
Cm7
Cm7
(
)
11
11
Cm7
*
Cm7
CmM7
CmM7
CmM7
(
)
9
9
*
CmM7
(
Cm7
)
b5
b5
Cm7
(
)
b5
b5
CmM7
Cdim
Cdim7
*
CmM7
Cdim
Diminished seventh [dim7]
1 - b3 - b5 - 6
Cdim7
C7
1 - 3 - (5) - b7 or
Seventh [7]
C7
1 - (3) - 5 - b7
(
)
b9
b9
Seventh flatted ninth [7(b9)]
Seventh add flatted thirteenth [7(b13)]
Seventh ninth [7(9)]
1 - b2 - 3 - (5) - b7
1 - 3 - 5 - b6 - b7
1 - 2 - 3 - (5) - b7
C7
C7
(
)
b13
b13
C7
C7
(
)
9
9
C7
C7
1 - (2) - 3 - #4 - 5 - b7 or
(
)
#11
#11
Seventh add sharp eleventh [7(#11)]
C7
C7
1 - 2 - 3 - #4 - (5) - b7
(
)
13
13
Seventh add thirteenth [7(13)]
Seventh sharp ninth [7(#9)]
Seventh flatted fifth [7b5]
Seventh augmented [7aug]
Seventh suspended fourth [7sus4]
Suspended second [sus2]
1 - 3 - (5) - 6 - b7
1 - #2 - 3 - (5) - b7
1 - 3 - b5 - b7
1 - 3 - #5 - b7
1 - 4 - 5 - b7
C7
C7
(
)
#9
#9
C7
C7
b5
C7b5
C7
*
C7aug
C7sus4
Csus2
C7aug
C7sus4
Csus2 *
1 - 2 - 5
* These chords are not shown in the Dictionary function.
NOTE
NOTE
• Notes in parentheses can be omitted.
• Inversion of the m7(11) chords are not recognized if the notes shown in
parentheses are omitted.
• Playing two same root keys in the adjacent octaves produces accompa-
niment based only on the root.
• The auto accompaniment will sometimes not change when related
chords are played in sequence (e.g. some minor chords followed by the
minor seventh).
• A perfect fifth (1 + 5) produces accompaniment based only on the root
and fifth which can be used with both major and minor chords.
• Two-note fingerings will produce a chord based on the previously played
chord.
• The chord fingerings listed are all in “root” position, but other inversions
can be used—with the following exceptions: m7, m7b5, 6, m6, sus4,
aug, dim7, 7b5, 6(9), sus2.
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Style (Auto-accompaniment) Functions
Playing Styles Using the Entire Keyboard
In “Play Along with a Style” on page 28 we described a method of playing styles in which chords were
detected only to the left of the keyboard split point. By making the settings described below, however,
chord detection for style accompaniment occurs over the entire range of the keyboard, allowing for even
more dynamic style performance. In this mode only chords played in the normal way (page 32) can be
detected.
Press and hold the [ACMP ON/OFF] but-
ton for longer than a second to select
the function “Chord Fingering”.
Use the dial to select 2 “FullKeyboard”.
1
2
Hold for longer than a second
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Style (Auto-accompaniment) Functions
Looking Up Chords Using the Chord Dictionary
The Dictionary function is essentially a built-in “chord book” that shows you the individual notes of chords.
It is ideal when you know the name of a certain chord and want to quickly learn how to play it.
Press and hold the LESSON [START]
button for longer than a second.
Press the “M7” (major seventh) key in
the section of the keyboard labeled
“CHORD TYPE”. (The note doesn’t
sound.) The notes you should play for
the specified chord (root note and
chord type) are shown in the display,
both as notation and in the keyboard
diagram.
1
3
Hold for longer than a second
Notation of chord
Chord name (root and type)
As an example, we’ll learn how to play a
GM7 (G major seventh) chord. Press the
“G” key in the section of the keyboard
labeled “ROOT”. (The note doesn’t
sound.) The root note you set is shown
in the display.
2
Individual notes of chord (keyboard)
To call up possible inversions of the chord,
press the [+]/[-] buttons.
NOTE
• About major chords: Simple major chords are usually indicated only
by the root note. For example, “C” refers to C major. However, when
specifying major chords here, make sure to select “M” (major) after
pressing the root note.
• Be aware that the chord types explained here are the left-hand
notes applied to various styles and different from the one for the per-
formance assistant technology feature.
Try playing a chord in the auto accom-
paniment section of the keyboard,
checking the indications in the display.
When you’ve played the chord properly,
a bell sound signals your success and
the chord name in the display flash.
4
Press the [EXIT] button to return to the MAIN
display.
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Song Settings
Song Volume
Press the [FUNCTION] button.
1
2
Song volume item
Can be set between 000 and 127
Use the CATEGORY [ ] and [ ] but-
tons to select the Song Volume item.
Use the dial to set the song volume
between 000 and 127.
3
2
NOTE
• Song volume can be adjusted while a song is selected.
A-B Repeat
You can specify a section of a song—“A” is the
start point and “B” is the end point—for repeat
playback.
Press the [A-B REPEAT] button a sec-
ond time at the end of the section you
want to repeat (the “B” point).
A
B
Play the song (page 33) and press the
[A-B REPEAT] button at the beginning
of the section you want to repeat (the
“A” point).
1
The specified A-B section of the song
will now play repeatedly.
3
You can stop repeat playback at any time by
pressing the [A-B REPEAT] button.
NOTE
• Repeat start and end points cannot be specified within the same
measure While the song is stopped.
• The current measure number is shown in the display during play-
back.
• If you want to set the start point “A” at the very beginning of the song
press the [A-B REPEAT] button before starting playback of the song.
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Song Settings
Muting Independent Song Parts
Each “track” of a song plays a different part of the
song—melody, percussion, accompaniment, etc.
You can mute individual tracks and play the muted
part on the keyboard yourself, or simply mute
tracks other than the ones you want to listen to. To
mute a track, press the appropriate track button
(TRACK [1]–[5], [A]) button. Press the same but-
ton a second time to disengage track muting.
No track number ... no data.
Track number without border
... track contains data but is muted.
Track number with border ... track contains data and is not muted.
Change the Melody Voice
You can change a song’s melody voice to any other voice you prefer.
Press the lesson [L] and [R] buttons simul-
taneously so that “LR” appears in the
upper right corner of the MAIN display.
Select the song and play it.
Use the dial to select the voice.
2
As you select different melody voices, only the
melody voice changes while the song will
remain the same.
Press the [VOICE] button for longer
than a second.
1
The VOICE SELECT (MELODY R or MEL-
ODY L) display will appear so you can select
the Melody R or Melody L voice. Pressing the
[VOICE] button alternates between VOICE
SELECT MELODY R and MELODY L.
Hold for longer
than a second
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Memorize Your Favorite Panel Settings
This instrument has a Registration Memory feature that lets you save your favorite set-
tings for easy recall whenever they’re needed. Up to 16 complete setups can be saved
(8 banks of two setups each).
8 Banks
Up to 16 presets (eight
banks of two each) can
be memorized.
Memory 1
Memory 2
Saving to the Registration Memory
Set the panel controls as required—
select a voice, accompaniment style,
etc.
Press the REGIST MEMORY [1] or [2]
button while holding the [MEMORY/
BANK] button to store the current panel
settings to the specified registration
memory.
1
2
4
Press the [MEMORY/BANK] button. A
bank number will appear in the display
when you release the button.
Press the [EXIT] button to return to the MAIN
display in order to check the bank and registra-
tion memory numbers.
Bank number
Use the dial or the [1]–[8] number but-
tons to select a bank number from 1 to
8.
3
Bank number
NOTE
• You can also save your panel settings memorized to registration
memory button into USB flash memory as the user file or to a com-
puter as the backup file.
NOTE
NOTE
• If you select a Registration Memory number that already contains
data, the previous data is deleted and overwritten by the new data.
• Data cannot be saved to the registration memory during song play-
back.
CAUTION
• Do not turn off the power while saving settings to the registra-
tion memory, otherwise the data may be damaged or lost.
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Memorize Your Favorite Panel Settings
Recalling a Registration Memory
Press the [MEMORY/BANK] button. A
bank number will appear in the display
when you release the button.
1
● Settings That Can be Saved to the Registra-
tion Memory
• Style settings*
Style number, Auto Accompaniment ON/OFF,
Split Point, Style settings (Main A/B),
Style Volume, Tempo, Chord Fingering
• Voice settings
Main Voice setting (Voice number, Volume,
Octave, Pan, Reverb Level, Chorus Level, DSP
Level),
Dual Voice settings (Dual ON/OFF, Voice
number, Volume, Octave, Pan, Reverb Level,
Chorus Level, DSP Level),
Split Voice settings (Split ON/OFF,
Voice number, Volume, Octave, Pan,
Reverb Level, Chorus Level)
Bank number
• Effect settings
Reverb Type, Chorus Type,
Panel Sustain ON/OFF, DSP ON/OFF, DSP Type
Use the dial or the [1]–[8] number but-
tons to select bank you want to recall.
2
3
• Harmony settings
Harmony ON/OFF, Harmony Type,
Harmony Volume
• Other settings
Transpose, Pitch Bend Range
* Style settings are not available for Registration Memory when
using the Song features.
You can check whether the panel settings are
stored in registration memory 1 or 2 by press-
ing the [EXIT] button to return to the MAIN
display.
Press the REGIST MEMORY button, [1]
or [2], containing the settings you want
to recall.The panel controls will be
instantly set accordingly.
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The Functions
The “Functions” provide access to a range of detailed instrument parameters for tun-
ing, setting the split point, and adjusting the voices and effects.Take a look at the func-
tion list starting on the opposite page.There are 50 function parameters in all.
When you locate a function you want to set up, simply select the function’s display
name and adjust as required.
Selecting and Setting Functions
Find the function you want to set in the
list that begins on page 93.
Use the dial, the [+] and [-] buttons, or
the [0]–[9] number buttons to set the
selected function as required.
1
2
4
Press the [FUNCTION] button.
The [+] and [-] buttons are used to make ON/
OFF type settings: [+] = ON, [-] = OFF.
In some cases the [+] button will initiate execu-
tion of the selected function, and the [-] will
cancel the selection.
Direct numeric
entry.
Select a function.
3
• Decrement value by 1.
• OFF
• Increment value by 1.
• ON
Press the CATEGORY [ ] and [ ] buttons as
many times as necessary until the function’s
display name appears in the display.
• Cancel
• Execute
Press simultaneously to
recall the default setting.
Function category
Previous item
Next item
Some Function settings are stored in memory
as soon as they are changed. See “The Backup
function settings that are stored on the instru-
ment.
To restore all initial factor default settings per-
The selected function
Value
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The Functions
● Function Setting List
Category
Function Item
Style Volume
Song Volume
Transpose
Range/Settings
000–127
Description
Determines the volume of the Style.
Determines the volume of the Song.
VOLUME
000–127
-12–+12
Determines the pitch of the instrument by semitone increments.
Sets the pitch of the instrument’s sound in 1-cent increments.
Sets the pitch bend range in semitone increments.
Tuning
-100–+100
01–12
Pitch Bend Range
Determines the highest key for the Split voice and sets the Split “point”—in
other words, the key that separates the Split (lower) and Main (upper)
voices. The Split Point setting and Accompaniment Split Point setting are
automatically set to the same value.
Split Point
021(A-1)–108(C7)
OVERALL
1(Soft), 2(Medium),
3(Hard), 4 (Off)
Touch Sensitivity
Chord Fingering
Determines the sensitivity of the feature.
Sets the chord detection mode. In the Multi Finger mode both normal
chords and simple chords played to the left of the split point are detected. In
the Full Keyboard mode normal chords played anywhere on the keyboard
will be detected, and the notes played will be sound as well.
1(Multi Finger),
2(FullKeyboard)
Main Volume
Main Octave
000–127
-2–+2
Determines the volume of the Main voice.
Determines the octave range for the Main voice.
000 (left)–
64 (center)–
127 (right)
Determines the pan position of the Main voice in the stereo image. The
value “0” results in the sound being panned full left; the value “127” results
in the sound being panned full right.
Main Pan
MAIN VOICE
Determines how much of the Main voice’s signal is sent to the Reverb
effect.
Main Reverb Level
000–127
Determines how much of the Main voice’s signal is sent to the Chorus
effect.
Main Chorus Level 000–127
Main DSP Level
Dual Volume
Dual Octave
000–127
000–127
-2–+2
Determines how much of the Main voice’s signal is sent to the DSP effect.
Determines the volume of the Dual voice.
Determines the octave range for the Dual voice.
000 (left)–
64 (center)–
127 (right)
Determines the pan position of the Dual voice in the stereo image. The
value “0” results in the sound being panned full left; the value “127” results
in the sound being panned full right.
Dual Pan
DUAL VOICE
Determines how much of the Dual voice’s signal is sent to the Reverb
effect.
Dual Reverb Level
Dual Chorus Level
000–127
000–127
Determines how much of the Dual voice’s signal is sent to the Chorus
effect.
Dual DSP Level
Split Volume
Split Octave
000–127
000–127
-2–+2
Determines how much of the Dual voice’s signal is sent to the DSP effect.
Determines the volume of the Split voice.
Determines the octave range for the Split voice.
000 (left)–
64 (center)–
127 (right)
Determines the pan position of the Split voice in the stereo image. The
value “0” results in the sound being panned full left; the value “127” results
in the sound being panned full right.
Split Pan
SPLIT VOICE
Split Reverb Level
Split Chorus Level
000–127
000–127
Determines how much of the Split voice’s signal is sent to the Reverb effect.
Determines how much of the Split voice’s signal is sent to the Chorus
effect.
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The Functions
Category
Function Item
Reverb Type
Chorus Type
DSP Type
Range/Settings
01–30
Description
Determines the Reverb type, including off. (See the list on page 138)
Determines the Chorus type, including off. (See the list on page 138)
Determines the DSP type, including off. (See the list on page 139)
1–25
001–183
Determines whether or not panel sustain is always applied to the MAIN/
DUAL voices. Panel sustain is applied continuously when ON, or not
EFFECT
Sustain
ON/OFF
1(Speaker 1),
2(Speaker 2),
3(Headphones),
4(Line Out 1),
5(Line Out 2)
Sets the equalizer applied to the speaker output for optimum sound in
different listening situations.
Master EQ Type
Harmony Type
01–26
Determines the Harmony type. (See the list on page 137)
Determines the volume of the Harmony effect.
HARMONY
Harmony Volume
000–127
CHORD,
CHORD/FREE,
MELODY,
Determines the performance assistant technology feature type. (See the list
PAT
PC
P.A.T. Type
CHORD/MELODY
PC Mode
Local
PC1/PC2/OFF
ON/OFF
Optimizes the MIDI settings when you connect to a computer (page 106).
Determines whether the instrument’s keyboard controls the internal tone
generator (ON) or not (OFF). (page 106)
Determines whether the instrument synchronizes to the internal clock
(OFF) or an external clock (ON). (page 106)
External Clock
Keyboard Out
Style Out
ON/OFF
ON/OFF
ON/OFF
ON/OFF
YES/NO
01–60
Determines whether keyboard performance data of the instrument is
transmitted (ON) or not (OFF).
MIDI
Determines whether Style data is transmitted (ON) via USB or not (OFF)
during Style playback.
Determines whether User Song is transmitted (ON) via USB or not (OFF)
during Song playback.
Song Out
Lets you send the data of the panel settings to a computer. Press [+] to
send, or press [-] to cancel.
Initial Setup
Time Signature -
Numerator
Determines the time signature of the Metronome.
Sets the length of each metronome beat.
Time Signature -
Denominator
2, 4, 8, 16
ON/OFF
METRONOME
Bell
Determines whether a bell accent will be sounded (ON) or not (OFF).
Determines the volume of the Metronome.
Metronome Volume 000–127
1(1/4 note),
2(1/4 note triplet),
3(1/8 note),
Depending on the song data, you can make the score more readable by
adjusting the timing of the notes.
4(1/8 note triplet),
5(1/16 note),
6(1/16 note triplet),
7(1/32 note),
This determines the minimum timing resolution used in the song. For
example, if there are both quarter notes and eighth notes in the song, you
should set this value to “eighth note”. Any notes or rests shorter than this
value will not be shown in the score.
SCORE
Quantize
8(1/32 note triplet)
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The Functions
Category
Function Item
Range/Settings
Description
Determines the guide track number for your right hand lesson. The setting
is effective for songs in SMF format 0 and 1 transferred from a computer.
Right-Part
GuideTrack 1–16
LESSON
Determines the guide track number for your left hand lesson. The setting is
effective for songs in SMF format 0 and 1 transferred from a computer.
Left-Part
Grade
GuideTrack 1–16
ON/OFF
Determines whether the Grade function is on or off.
Determines whether Demo cancel is enabled or not.When this is set to ON,
the Demo Song will not play, even if the [DEMO] button is pressed.
UTILITY
Demo Cancel
ON/OFF
Determines the display language for the demo displays, song file names,
lyrics and certain display messages. All other messages and names are
displayed in English. When this is set to Japanese, the file names are
displayed in the Japanese font. The lyrics display follows the language
setting originally made in the song data; however, when no such setting
exists, the setting here is used.
LANGUAGE
Language
English/Japanese
* All these settings can be conveniently reset to their initial default values by pressing the [+] and [-] buttons simultaneously.
(The exception to this is Initial Send, which is an operation, not a setting.)
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Saving and Loading Data
USB flash memory is a memory medium used for storing data.
When a USB flash memory is inserted in this instrument’s USB TO DEVICE terminal,
registered settings can be saved from or loaded into the instrument. USB flash mem-
ory can also be used to transfer Song, Style, and Music Database files to the instru-
ment, where they can be selected and used in the same way as the internal data.
In this section we’ll look at the procedures for setting up and formatting USB flash
memory devices, as well as for saving and loading data to and from them.
Before using a USB device, read through the “Precautions when using the USB TO
Connecting a USB Flash Memory
Connect a USB flash memory to the
USB TO DEVICE terminal, being careful
to insert it with the proper orientation.
Check that the file control icon is shown
in the MAIN display.
1
2
Appears while the
memory device is
being mounted.
File Control Icon
You can go to the FILE CONTROL display
from which you can access file operations by
pressing the [MENU] button from this display.
(Do not press this button now, but only when
instructed to in the sections below.)
A message (information or confirmation dialog)
sometimes appears on the display to facilitate
for an explanation of each message.
Menu
Format
Reference Page
User File Save
User Song Save
Load
USB Delete
User Delete
NOTE
• No sound will be produced if you play the keyboard while the FILE
CONTROL display is showing. Also, in this state only buttons related
to file functions will be active.
NOTE
• The FILE CONTROL display will not appear in any of the following
cases:
• During style or song playback.
• During a lesson.
• While data is being loaded from a USB flash memory.
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Saving and Loading Data
■Precautions when using the USB TO DEVICE terminal
This instrument features a built-in USB TO DEVICE terminal. When connecting a USB device to the terminal, be sure to
handle the USB device with care. Follow the important precautions below.
NOTE
• Although CD-R/RW drives can be used to read data to the instrument, they cannot be used for saving data.
● Compatible USB devices
● Using USB Storage Devices
• USB storage devices (flash memory, floppy disk drive)
By connecting the instrument to a USB storage device, you
can save data you’ve created to the connected device, as
well as read data from the connected device.
The instrument does not necessarily support all commer-
cially available USB devices. Yamaha cannot guarantee
operation of USB devices that you purchase. Before pur-
chasing a USB device for use with this instrument, please
visit the following web page:
NOTE
• Although CD-R/RW drives can be used to read data to the instru-
ment, they cannot be used for saving data.
http://music.yamaha.com/download/
The number of USB storage device to be used
Only one USB storage devices can be connected to the
USB TO DEVICE terminal.
NOTE
• Other USB devices such as a computer keyboard or mouse cannot
be used.
Formatting USB storage media
When a USB storage device is connected or media is
inserted, a message may appear prompting you to format
the device/media. If so, execute the Format operation (page
● Connecting USB device
• When connecting a USB device to the USB TO DEVICE
terminal, make sure that the connector on the device is
appropriate and that it is connected in the proper direc-
tion.
CAUTION
• Though the instrument supports the USB 1.1 standard,
you can connect and use a USB 2.0 storage device with
the instrument. However, note that the transfer speed is
that of USB 1.1.
• The format operation overwrites any previously existing data.
Make sure that the media you are formatting does not contain
important data.
To protect your data (write-protect)
To prevent important data from being inadvertently erased,
apply the write-protect provided with each storage device
or media. If you are saving data to the USB storage device,
make sure to disable write-protect.
Connecting/removing USB storage device
Before removing the media from the device, make sure that
the instrument is not accessing data (such as in the Save
and Delete operations).
CAUTION
• Avoid frequently turning the power on/off to the USB storage
device, or connecting/disconnecting the device too often.
Doing so may result in the operation of the instrument “freez-
ing” or hanging up. While the instrument is accessing data
(such as during Save, Delete, Load and Format operations) or
is mounting the USB storage device (shortly after the connec-
tion), do NOT unplug the USB connector, do NOT remove the
media from the device, and do NOT turn the power off to either
device. Doing so may corrupt the data on either or both
devices.
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Saving and Loading Data
Formatting USB Flash Memory
New USB flash memory must be formatted before they can be used by this instrument.
Press the [EXECUTE] button again, or
the [+] button, and the format operation
will begin.
5
CAUTION
• If you format a USB flash memory that already contains data, all of
the data will be erased. Be careful not to erase important data
when using the format function.
CAUTION
• Once the format-in-progress message appears on the display
the format operation cannot be canceled. Never turn off the
power or remove the USB flash memory during this operation.
After connecting the USB flash memory
1
to be formatted to the instrument’s USB
TO DEVICE terminal, check that the
icon is showing in the MAIN display.
A message will appear on the display to
inform you that the operation has fin-
ished.
6
Press the [EXIT] button to return to the MAIN
display.
NOTE
• If the USB flash memory has been write-protected, an appropriate
message will appear on the display and you will not be able to exe-
cute the operation.
Press the FILE CONTROL [MENU] but-
ton.
2
3
Use the CATEGORY [ ] and [ ] but-
tons to select the Format item.
The display prompts you for confirmation.
Press the [EXECUTE] button and the
display prompts you for confirmation.
4
You can press the [-] button at this point to can-
cel the operation.
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Saving and Loading Data
Saving User Files (Registration Memory) to USB Flash Memory
This operation saves a “User File” containing the registration memory data to a USB flash memory device.
The User File name will have a “.usr” extension which will not appear in the instrument’s display.
Make sure that a properly formatted
1
USB flash memory has been properly
connected to the instrument’s USB TO
DEVICE terminal, and that the icon is
showing in the MAIN display.
Press the FILE CONTROL [MENU] button.
2
Cursor left
Delete character
Cursor right
The dial selects
characters
Use the CATEGORY [ ] and [ ] but-
tons to locate the Regist Save item.
3
A default file name will automatically be cre-
ated.
Cursor
Press the [EXECUTE] button.The dis-
play prompts you for confirmation.
You can cancel the save operation at this point
by pressing the [-] button.
6
7
● To Overwrite an Existing File
If you want to overwrite a file that already exists
on the USB flash memory, use the dial or the
[+] and [-] buttons to select the file, then skip
ahead to step 6.
Press the [EXECUTE] button again, or
the [+] button, and the save operation
will begin.
The user song will be stored to the USER FILE
folder in the USB flash memory.
NOTE
• Up to 100 user files can be saved to a single USB flash memory.
• If the USB flash memory has been write-protected, an appropriate
message will appear on the display and you will not be able to exe-
cute the operation.
CAUTION
• Once the save-in-progress message appears on the display the
operation cannot be canceled. Never turn off the power or
remove the USB flash memory during this operation.
• If there is not enough capacity left on the USB flash memory to save
the data an appropriate message will appear on the display and you
will not be able to save the data. Erase unwanted files from the USB
flash memory to make more memory available (page 102), or use a
different USB flash memory.
A message will appear on the display to
inform you that the operation has fin-
ished.
8
that might prevent you from completing the operation.
Press the [EXIT] button to return to the MAIN
display.
Press the [EXECUTE] button. A cursor
will appear below the first character in
the file name.
4
5
NOTE
• If an existing filename is specified the display prompts you for confir-
mation. Press [EXECUTE] or [+] if it is OK to overwrite the file, or [-]
to cancel.
Change the file name as necessary.
• The amount of time it will take to perform the save operation will
depend on the condition of the USB flash memory.
• The [-] button moves the cursor to the left,
and the [0] button moves it to the right.
• Use the dial to select a character for the cur-
rent cursor location.
• The [+] button deletes the character at the
cursor location.
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Saving and Loading Data
Save a User Song to USB Flash Memory
This operation saves a user song (song numbers 031–035) to USB flash memory.
Make sure that a properly formatted
USB flash memory has been properly
connected to the instrument’s USB TO
DEVICE terminal, and that the icon is
showing in the MAIN display.
Change the file name as necessary.
1
7
Refer to “Saving User Files (Registration
for filename entry.
Press the FILE CONTROL [MENU] but-
ton.
2
3
Use the CATEGORY [ ] and [ ] but-
tons to locate the User Song Save item.
The SOURCE FILE—a user song name—will
be highlighted.
The name of the file to
be saved
Cursor
Press the [EXECUTE] button.The dis-
play prompts you for confirmation.
You can cancel the save operation at this point
by pressing the [-] button.
8
9
Press the [EXECUTE] button again, or
the [+] button, and the save operation
will begin.
The user song will be stored to the USER FILE
folder in the USB flash memory.
The source user song name.
CAUTION
• Once the save-in-progress message appears on the display the
operation cannot be canceled. Never turn off the power or
remove the USB flash memory during this operation.
Select the source user song.
You can press the [+] and [-] buttons simulta-
neously to select the first user song.
4
5
A message will appear on the display
to inform you that the operation has
finished.
10
Press the [EXECUTE] button.
The DESTINATION SONG will be high-
lighted, and a default name will automatically
be created.
Press the [EXIT] button to return to the MAIN
display.
NOTE
● To Overwrite an Existing File
• If an existing filename is specified the display prompts you for confir-
mation. Press [EXECUTE] or [+] if it is OK to overwrite the file, or [-]
to cancel.
If you want to overwrite a file that already exists
on the USB flash memory, use the dial or the
[+] and [-] buttons to select the file, then skip
ahead to step 7.
• The amount of time it will take to perform the save operation will
depend on the condition of the USB flash memory.
Press the [EXECUTE] button.
A cursor will appear below the first character in
the file name.
6
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Saving and Loading Data
Loading Files from a USB Flash Memory
User files as well as Style, Song, and Music Database files residing on a USB flash memory can be loaded
into the instrument.
Use the dial to select the file you want
to load.
by the newly loaded data. Save important data to a USB flash
All user files in the USB flash memory will be
memory before loading data that will overwrite it.
4
CAUTION
• If you load a User File registration memory data will be overwritten
displayed first, followed by the style files, song
files and music database files.
Files must be located in the “User Files” folder
in the USB flash memory. Files located outside
of that folder will not be recognized.
With the USB flash memory containing
the file you want to load connected to
the USB TO DEVICE connector, check
1
that the File Control icon is shown in
Press the [EXECUTE] button.The dis-
5
the MAIN display.
play prompts you for confirmation.
You can cancel the load operation at this point
by pressing the [-] button.
Press the [EXECUTE] button again, or
the [+] button, and the load operation
6
Press the FILE CONTROL [MENU] but-
ton.
2
will begin.
CAUTION
Use the CATEGORY [ ] and [ ] but-
3
• Once the load-in-progress message appears on the display the
operation cannot be canceled. Never turn off the power or
remove the USB flash memory during this operation.
tons to locate the Load item.
A message will appear on the display to
inform you that the operation has fin-
ished.
7
Press the [EXIT] button to return to the MAIN
display.
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Saving and Loading Data
Deleting Data from a USB Flash Memory
This procedure deletes User, Style, Song, and Music Database files from a USB flash memory.
Make sure that the USB flash memory
containing the file(s) you want to delete
has been properly connected to the
instrument’s USB TO DEVICE terminal,
and that the icon is showing in the
MAIN display.
Use the dial to select the file you want
to delete.
1
4
All User files in the USB flash memory will be
displayed first, followed by the style files, song
files and music database files.
Files must be located in the “User Files” folder
in the USB flash memory. Files located outside
of that folder will not be recognized.
Press the [EXECUTE] button.The dis-
play prompts you for confirmation.
5
6
You can cancel the delete operation at this
point by pressing the [-] button.
Press the FILE CONTROL [MENU] but-
ton.
2
3
Press the [EXECUTE] button again, or
the [+] button, and the delete operation
will begin.
Use the CATEGORY [ ] and [ ] but-
tons to locate the USB Delete item.
CAUTION
• Once the delete-in-progress message appears on the display
the operation cannot be canceled. Never turn off the power or
remove the USB flash memory during this operation.
A message will appear on the display to
inform you that the operation has fin-
ished.
7
Press the [EXIT] button to return to the MAIN
display.
NOTE
• If the USB flash memory has been write-protected, an appropriate
message will appear on the display and you will not be able to exe-
cute the operation.
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Saving and Loading Data
Delete User Data from the Instrument
This procedure deletes the User Song as well as Style, Song, and Music Database files transferred from an
external device such as a computer. This operation does not erase the preset data.
Press the FILE CONTROL [MENU] button.
All user songs will be displayed first, followed
by the song, style and music database files.
1
2
Use the CATEGORY [ ] and [ ] but-
tons to locate the User Delete item.
Only “User Delete” can be selected if no USB
flash memory is connected to the instrument.
Press the [EXECUTE] button.The dis-
play prompts you for confirmation.
You can cancel the delete operation at this
point by pressing the [-] button.
4
5
Press the [EXECUTE] button again, or
the [+] button, and the delete operation
will begin.
CAUTION
• Once the delete-in-progress message appears on the display
the operation cannot be canceled.
A message will appear on the display to
inform you that the operation has fin-
ished.
6
Press the [EXIT] button to return to the MAIN
display.
Use the dial to select the file you want
to delete.
3
Playing Files Located on a USB Flash Memory
Make sure that the USB flash memory
containing the file you want to play has
been properly connected to the instru-
ment’s USB TO DEVICE terminal, and
that the icon is showing in the MAIN
display.
IMPORTANT
1
• In order to play data copied to a USB flash memory from a com-
puter or other device, the data must be stored either in the USB
flash memory’s root directory or a first-level/second-level folder in
the root directory.
Data stored in third-level-folders created inside a second-level
folder cannot be selected and played by this instrument.
USB flash memory (Root)
Song
File
Song
Can be selected/played.
File
Press the [SONG], [STYLE] or [MUSIC
DATABASE] button. Files of the corre-
sponding type will be displayed.
2
Song
File
Use the dial to select the file you want
to play.
3
4
Song
Cannot be selected/played.
File
Play the selected file in the same way
the internal files are played: press the
[START/STOP] button, or play on the
keyboard.
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Connections
Connectors
q
w
q USB TO DEVICE terminal
w USB TO HOST terminal
This terminal allows connection to USB stor-
age devices. Refer to “Precautions when using
This terminal allows direct connection to a per-
sonal computer. Refer to “Connecting a Per-
information.
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Connections
Connecting a Personal Computer
The following functions become available when this instrument is connected to a computer.
The connection procedure is as follows:
■ Precautions when using the USB TO
HOST terminal
Install the USB-MIDI driver on your com-
When connecting the computer to the USB TO
HOST terminal, make sure to observe the follow-
ing points. Failing to do so risks freezing the com-
puter and corrupting or losing the data. If the
computer or the instrument freezes, restart the
application software or the computer OS, or turn
the power to the instrument off then on again.
1
puter.
The USB-MIDI driver is included on the CD-ROM.
Installation of the USB-MIDI driver is described on
Connect the USB terminal of the computer to
2
the USB terminal on the instrument using an
AB type USB cable (USB cable sold sepa-
rately).
CAUTION
• Use an AB type USB cable of less than about 3 meters.
• Before connecting the computer to the USB TO HOST terminal,
exit from any power-saving mode of the computer (such as sus-
pended, sleep, standby).
The supplied CD-ROM also includes a Musicsoft
Downloader application that allows you to transfer
song files from your computer to the instrument’s
flash memory. For instructions about how to install
Musicsoft Downloader and how to transfer song
files, see pages 108, 115.
• Before turning on the power to the instrument, connect the com-
puter to the USB TO HOST terminal.
• Execute the following before turning the power to the instrument
on/off or plugging/unplugging the USB cable to/from the [USB TO
HOST] terminal.
• Quit any open application software on the computer.
• Make sure that data is not being transmitted from the instru-
ment. (Data is transmitted whenever you play on the keyboard
or play back a song, etc.)
Computer
• While the computer is connected to the instrument, you should
wait for six seconds or more between these operations:
(1) when turning the power of the instrument off then on again, or
(2) when alternately connecting/disconnecting the USB cable.
Instrument
USB cable
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Connections
Transferring Performance Data to and from a Computer
By connecting the instrument to a computer, the instrument’s performance data can be used on the com-
puter, and performance data from the computer can be played on the instrument.
● When the instrument is connected with computer,
it transmits/receives performance data.
USB terminal
USB terminal
Computer
Instrument
USB cable
■MIDI settings
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
These settings pertain to performance data transmission and reception.
Item
Range/Settings
Description
Local control determines whether or not notes played on the instrument are sounded by its internal
tone generator system: the internal tone generator is active when local control is on, and inactive when
local control is off.
Local
ON/OFF
These settings determine whether the instrument is synchronized to its own internal clock (OFF), or to
a clock signal from an external device (ON).
External Clock
Keyboard Out
ON/OFF
ON/OFF
These settings determine whether keyboard performance data of the instrument is transmitted (ON) or
not (OFF).
Style Out
Song Out
ON/OFF
ON/OFF
These settings determine whether Style data is transmitted (ON) or not (OFF) during Style playback.
These settings determine whether User Song is transmitted (ON) or not (OFF) during Song playback.
Press the [FUNCTION] button.
1
CAUTION
• If you can’t get any sound out of the instrument, this most likely
may be caused by Local Control being set to off.
CAUTION
• If External Clock is ON and no clock signal is being received from
an external device, the song, style, and metronome functions will
not start.
Use the CATEGORY [ ] and [ ] buttons
to select the item you want to change its
value.
2
3
Use the dial to select ON or OFF.
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Connections
Press and hold the [DEMO] button for
longer than a second so that the PC
Mode item appears.
■PC Mode
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
1
A number of MIDI settings need to be made when
you want to transfer performance data between the
computer and the instrument. The PC Mode item
can conveniently make multiple settings for you in
one operation. Three settings are available: PC1,
PC2, and OFF.
This setting is not necessary when transferring
song or backup files between the computer and the
instrument.
* Set the PC mode to PC2 when using Digital Music Note-
book.
PC1
OFF
ON
PC2*
OFF
OFF
OFF
OFF
ON
OFF
ON
Local
External Clock
Song Out
OFF
OFF
OFF
ON
OFF
OFF
OFF
Use the dial to select PC1, PC2, or OFF.
2
Style Out
NOTE
Keyboard Out
• When the PC2 setting is selected the instrument’s style, song, demo,
song recording, and lesson features cannot be used.
NOTE
• You can also access the PC Mode item by first pressing the [FUNC-
TION] button and then using the CATEGORY [ ] and [ ] buttons to
Remote Control of MIDI Devices
You can also use this instrument as a remote control device for the Digital Music Notebook application on
your computer (via the USB connection)—controlling playback, stop and transport functions from the
panel.
■Remote control keys
● ● ● ● ● ● ● ● ● ●
NOTE
• Remote control of MIDI devices will function independently of the PC2
mode.
To use the remote control functions, simulta-
neously hold down the lowest two keys on the key-
board (A-1 and A#-1) and press the appropriate
key (shown below).
A#-1
A-1
C7: Fast forward
B6: Start
A6: Stop
G6: Rewind
F6: Top (move to the begin-
ning of the song)
E6: Metronome ON/OFF
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Connections
Initial Send
This function lets you send the panel setup data to a computer. Before you record performance data to a
sequencer application running on your computer, it is a good idea to first send and record the panel setup
data before the actual performance data.
Press the [FUNCTION] button.
Press [+/YES] to send, or press [-/NO]
to cancel.
1
3
Use the CATEGORY [ ] and [ ] buttons
to select the Initial Send item.
2
Transferring Data Between the Computer and Instrument
Songs, styles, or Music Database files residing on a
computer or the supplied CD-ROM, can be trans-
ferred to the instrument. Backup file can also be
transferred from the instrument to the computer
and back.
In order to transfer files between your computer
and the instrument you will need to install the
Musicsoft Downloader application and the USB-
MIDI Driver included on the Accessory CD-ROM
on your computer. Refer to the Accessory CD-
ROM Installation Guide on page 111 for installa-
tion details.
● What is SMF (Standard MIDI File)?
The SMF (Standard MIDI File) format is one
of the most common and widely compatible
sequence formats used for storing sequence
data. There are two variations: Format 0 and
Format 1. A large number of MIDI devices are
compatible with SMF Format 0, and most
commercially available MIDI sequence data is
provided in SMF Format 0.
■With the Musicsoft
DownloaderYou Can.
● ● ● ● ● ● ● ● ●
● Transfer files from the computer to the instru-
● Data that can be transferred from a computer
ment’s flash memory.
to this instrument.
• Data Capacity: 1895KB
502 files total for the Song, Style and Music
Database.
⇒ refer to the procedure described on
page 109.
The procedure for transferring songs included
on the Accessory CD-ROM from your com-
puter to the instrument is given as an example.
• Data Format
Song: .mid SMF format 0/1
Style: .sty
Music Database: .mfd
Backup File: 08PG88G.bup
● Backup file can be transferred from the instru-
ment to a computer and back.
⇒ refer to the procedure described on
page 110.
Use the Musicsoft Downloader application with
Internet Explorer 5.5 or higher.
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Connections
At this point you can select a Style or Music Data-
base file on the computer or CD-ROM and transfer
it to the instrument in the same way as a song file.
■Use Musicsoft Downloader
To Transfer Songs From the
Accessory CD-ROM To the
Instrument’s flash memory
● ● ● ● ●
A copy of the selected MIDI song file
will appear in the “List of files stored
temporarily” at the top of the window.
6
NOTE
• If a song or style is being played, stop playback before proceeding.
The memory medium will also be displayed at
the bottom of the window to specify the desti-
nation for the transfer. Click “Instrument”, and
then “Flash memory”.
Install the Musicsoft Downloader and
1
USB-MIDI driver to your computer, then
connect the computer and the instru-
ment (page 113).
Insert the included CD-ROM into the
CD-ROM drive.
2
3
A start window will appear automatically.
Double-click the Musicsoft Downloader
shortcut icon that is created on the
desktop.
This will launch the Musicsoft Downloader
application and the main window will appear.
NOTE
• The instrument cannot be operated while the Musicsoft Downloader
is running.
Click the “Add File” button and the Add
File window will appear.
4
5
Click the button to the right of “Look in”
and select the CD-ROM drive from the
drop-down menu that appears. Double-
click the “SampleData” Folder on the
window. Select the file from the “Song-
Data” Folder you want to transfer to the
instrument, and click “Open”.
q Click the “Electronic Musical Instruments”,
and then “Flash Memory”
After selecting the file in the “List of
7
files stored temporarily”, click the
downward [Move] button and a confir-
mation message will appear. Click [OK]
and the song will be transferred from
the “List of files stored temporarily” to
the instrument’s memory.
q Click the CD-ROM drive
NOTE
• Files transferred to a USB flash memory root directory using the
Musicsoft Downloader—any location outside the USER FILES folder
on the USB flash memory device—cannot be deleted via the instru-
ment’s file control display. Use the Musicsoft Downloader delete but-
ton to delete such files.
w Double-click “SampleData” Folder ➝ “Song-
Data” Folder, and click a song file.
e Click “Open”
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Connections
Close the window to end the Musicsoft
Downloader.
■Transfer a Backup file from
8
9
the instrument to a computer
● ● ●
NOTE
You can use the Musicsoft Downloader to transfer
“Backup” files containing Registration Memory and
click “Electronic Musical Instruments” in the
Musicsoft Downloader display, and then “System
Drive”, a file named “08PG88G.bup” will appear in
the lower right corner of the Musicsoft Downloader
display. This is the backup file. For details about
how to transfer backup files using the Musicsoft
Downloader application, refer to the Online help
“Transferring Data Between the Computer and
Instrument (for unprotected data)” in the applica-
tion.
• End the Musicsoft Downloader to playback the file transferred from
your computer.
To playback a song stored in flash
memory, press the [SONG] button.
Use the dial to select the song you want
to play, then press the [START/STOP]
button to start playback.
CAUTION
• Do not unplug the USB cable during a data transfer. Not only
will the data not be transferred and saved, but operation of the
memory media may become unstable and its contents may dis-
appear completely when the power is turned on or off.
NOTE
CAUTION
• Preset Song data cannot be transmitted from the instrument.
• Store data can be lost due to equipment malfunction or
improper operation. For safety we recommend that you keep a
copy of all important data stored on your computer.
CAUTION
• The backup file is transmitted/received as a single file. As a result,
all registration memory data will be overwritten every time you
transmit or receive. Keep this in mind when transferring data.
● To Use transferred Songs For Lessons...
In order to use songs (only SMF format 0 and 1)
transferred from a computer for lessons it is
necessary to specify which channels are to be
played back as the right-hand and left-hand parts.
CAUTION
• Do not rename the backup file on the computer. If you do so it will
not be recognized when transferred to the instrument.
1 Press the [SONG] button and select the song
(036–) residing in flash memory for which you
want to set the guide track.
2 Press the [FUNCTION] button.
3 Use the CATEGORY [ ] and [ ] buttons to
select the R-Part or L-Part item.
4
Use the dial to select the channel you want to
play back as the specified right- or left-hand part.
We recommend that you select channel 1 for the
right-hand part and channel 2 for the left-hand part.
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Accessory CD-ROM Installation Guide
SPECIAL NOTICES
• The software and this manual are the exclusive copyrights of Yamaha Corporation.
• Use of the software and this manual is governed by the license agreement which the purchaser fully agrees to upon
breaking the seal of the software packaging. (Please read carefully the Software Licensing Agreement at the end of
this manual before installing the application.)
• Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden
without the written consent of the manufacturer.
• Yamaha makes no representations or warranties with regard to the use of the software and documentation and can-
not be held responsible for the results of the use of this manual and the software.
• This disk containing the software is not meant for use with an audio/visual system (CD player, DVD player, etc.).
Do not attempt to use the disk on equipment other than a computer.
• Future upgrades of application and system software and any changes in specifications and functions will be
announced separately.
• The screen displays as illustrated in this manual are for instructional purposes, and may appear somewhat different
from the screens which appear on your computer.
Important Notices about the CD-ROM
● Data Types
This CD-ROM includes application software. Please refer to page 113 for software installation instructions.
CAUTION
• Do not attempt to play this CD-ROM on any playback device other
than a computer.The resulting high-volume noise may cause hear-
ing damage or damage to the playback device.
● Operating System (OS)
The applications in this CD-ROM are provided in versions for Windows operating systems.
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Accessory CD-ROM Installation Guide
CD-ROM Contents
e
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Folder Name
MSD_
Application / Data Name
Contents
This application can be used to download MIDI song data from the Internet
and transfer it from the computer to the instrument’s memory.
Musicsoft Downloader
q
w
Digital Music Notebook is a combination music learning program and
online service that makes it easy and fun to practice and master your
favorite songs.
You can experience Digital Music Notebook functions with the demo song
after installing Digital Music Notebook.
DMN_
Digital Music Notebook
Digital Music Notebook
Flash Demo
Full motion demo software which introduces all features of the Digital
Music Notebook.
DMN_FlashDemo
SongBook
Includes score data for the 30 internal songs provided on the instrument as
well as 70 MIDI songs provided on the CD-ROM.The exceptions are songs
1–11, 16, 20 and song 30 which is copyrighted. The scores for songs 9–11
are provided in this manual beginning on page 122.
Song Book
e
r
USB-MIDI Driver
(Windows 2000/XP)
USBdrv2k_
This driver software is necessary to connect MIDI devices to your computer
via USB.
USB-MIDI Driver
(Windows Vista/XP x64)
USBdrvVista_
SongData
MIDI 70 songs
These songs, styles, or music database can be transferred to the
instrument and played or used with the instrument functions.
SampleData
StyleData
MDB
5 style files
5 music database files
In order to view PDF scores, you will need to install Adobe Reader in your computer.
You can download the Adobe Reader. Please check the following URL: http://www.adobe.com/
Connect the instrument to the com-
puter.
■Using the CD-ROM
Please read the Software License Agreement on
● ● ● ● ● ● ● ● ● ● ●
4
The connection procedure is described on page
Check the system requirements to
make sure that the software will run on
your computer.
1
Install the software.
5
6
Musicsoft Downloader:
See page 115.
Insert the included CD-ROM into the
CD-ROM drive.
Launch the software.
2
For further software operation refer to the online
help supplied with the software.
The start window should appear automatically.
Install the USB-MIDI driver to the com-
puter.
3
you have trouble with installing the driver.
Refer to “Installing the USB-MIDI Driver” on
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Accessory CD-ROM Installation Guide
System Requirements
Application/Data
OS
CPU
Memory
Hard Disk
Display
233 MHz or higher; Intel®
Pentium®/Celeron®
Processor family
(500 MHz or higher is
recommended)
at least 128 MB of
free space (at least 800 x 600
(256 MB or more 512 MB of free
is recommended) space is
recommended)
Windows 2000/XP Home
Edition/XP Professional/
Vista
64 MB or more
Musicsoft Downloader
HighColor
(16-bit)
* Only 32-bit is supported.
166 MHz or higher; Intel® 32 MB or more
USB Driver for Windows Windows 2000/XP Home
2000/XP Edition/XP Professional
at least 3 MB of free
space
Pentium®/Celeron®
Processor family
(64 MB or more is
recommended)
—
—
800 MHz or higher; Intel®
Pentium® /Celeron®
USB Driver for Windows Windows Vista/XP
at least 3 MB of free
space
512 MB or more
Vista/XP x64
Professional x64 Edition
Processor family or Intel®
64 compatible processor
400 MHz or higher
Windows XP Home/
Professional Edition,
Service Pack 1a (SP1a)
more/Windows Vista
* Only 32-bit is supported.
processor clock speed
(Intel® Pentium®/Celeron®
Processor family, or
compatible processor
recommended)
128 MB or more
(256 MB or more
is recommended)
Digital Music Notebook
1024 x 768
HighColor
(16-bit)
at least 150 MB of
free space
Digital Music Notebook
(Requirements for
playing content with
video included.)
1 GHz or higher; Intel®
Pentium®/Celeron®
Processor family (1.4 GHz
or more is recommended)
Windows 2000/XP Home
Edition/XP Professional/
Vista
256 MB or more
* Only 32-bit is supported.
Software Installation
■
Installing the USB-MIDI Driver● ● ● ●
● Uninstall (Removing the Software)
In order to be able to communicate with and use
MIDI devices connected to your computer, the
appropriate driver software must be properly
installed on your computer.
The USB-MIDI driver allows sequence software
and similar applications on your computer to trans-
mit and receive MIDI data to and from MIDI
devices via a USB cable.
Installed software can be removed from your
computer as follows:
From the Windows Start menu select Start →
Settings → Control panel → Add or Remove
Applications → Install and Uninstall. Select the
item you want to remove and click [Add or
Remove]. Follow the on-screen instructions to
remove the selected software.
NOTE
Computer
• The actual names of the menu items and buttons will depend on
the OS version you are using.
Sequence
software
USB
Cable
MIDI device
Driver
Check the drive name of the CD-ROM drive you
will be using (D:, E:, Q: etc.) The drive name is
displayed beside the CD-ROM icon in your “My
Computer” folder. The root directory of the CD-
ROM drive will be D:\ , E:\ , or Q:\ , respectively.
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Accessory CD-ROM Installation Guide
Installing the driver on Windows 2000
Installing the driver on Windows XP
Start the computer and use the “Adminis-
trator” account to log on to Windows
2000.
Start the computer and use the “Adminis-
trator” account to log on to Windows XP.
1
1
2
Select [Start] ➔ [Control Panel]. If the
control panel appears as “Pick a cate-
gory”, click “Switch to Classic View” in
the upper left of the window. All control
panels and icons will be displayed.
Select [My Computer] ➔ [Control Panel]
2
➔ [System] ➔ [Hardware] ➔ [Driver Sign-
ing] ➔ [File Signature Verification], and
check the radio button to the left of
“Ignore—Install all files, regardless of file
signature” and click [OK].
Go to [System] ➔ [Hardware] ➔ [Driver
Signing Options] and check the radio but-
ton to the left of “Ignore” and click [OK].
3
Insert the supplied CD-ROM into the CD-
ROM drive. A start window will appear
automatically.
3
Click the [OK] button to close System
4
Properties, and then click“X”in the upper
right of the window to close the Control
Panel.
First, make sure the POWER switch on the
4
MIDI device is set to OFF, then use a USB
cable to connect the MIDI device to the
computer. After making the connections,
turn on the power of the MIDI device.The
system automatically launches the Found
New Hardware Wizard. Click [Next]. (Some
computers may take a while to display the
Wizard window.)
Insert the supplied CD-ROM into the CD-
ROM drive. A start window will appear
automatically.
5
First, make sure the POWER switch on the
6
MIDI device is set to OFF, then use a USB
cable to connect the MIDI device to the
computer. After making the connections,
turn on the power of the MIDI device.
The system launches the Found New
Hardware Wizard automatically. Other-
section of the Owner’s Manual. If the sys-
tem displays “Found New Hardware” in
the lower right corner, wait until Wizard
windows is displayed. (Some computers
may take a while to display the window.)
If the Wizard window prompts you to specify
whether or not to connect to Windows Update,
select the radio button for “No, not this time”,
then click [Next].
of the Owner’s Manual.
Select the radio button for “Search for a
suitable driver for my device [recom-
mended]”, then click [Next].
5
Check the “CD-ROM drives” check box,
deselect all other check boxes, then click
[Next].
6
NOTE
• If the system prompts you to insert the Windows CD-ROM during
detection of the drivers, point to the “USBdrv2k_” folder (e.g.,
D:\USBdrv2k_) and continue the installation.
Deselect the “Install one of the other driv-
ers”, then click [Next].
Select the radio button for “Install the
software automatically (recommended)”,
then click [Next].
7
7
NOTE
• If the Wizard panel informs you that “The software you are about to
install does not contain a Microsoft digital signature”, click [Yes].
NOTE
• If during the installation the system displays “...has not passed Win-
dows Logo testing to verify its compatibility with Windows XP”, click
[Continue Anyway].
When the installation is complete, the
8
Wizard displays “Completing the Found
New Hardware Wizard”.
Click [Finish]. (Some computers may take a
while to display the Wizard window.)
When the installation is complete, the
Wizard displays “Completing the Found
New Hardware Wizard”.
Click [Finish]. (Some computers may take a
while to display the Wizard window.)
8
Restart the computer.
The USB-MIDI driver installation is complete.
9
Restart the computer.
9
If the system displays “Found New Hardware” in
the lower right corner, wait until the Wizard win-
dow is displayed. (Some computers may take a
while to display the Wizard window.)
The USB-MIDI driver installation is complete.
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(Some computers may take a while to display the
window.)
NOTE
• This Wizard window will not appear when using Windows XP Profes-
sional x64 Edition. There is no need to restart the computer.
The USB-MIDI driver installation is complete.
When using Windows XP Professional
x64 Edition, the Support Module must
be installed.
10
■Installing the Musicsoft
Downloader and Digital
After installing the USB-MIDI drivers for all the
connected USB devices, select “My Computer”
from the Start menu. Right-click the CD-ROM
icon and select “Open” from the pop-up menu.
Select “USBdrvVista_” →
“XPx64SupportModule” → “Setup.exe” and
launch “Setup.exe.” Follow the onscreen direc-
tions.
Music Notebook Applications● ● ●
IMPORTANT
• You will need to log in with administrator (root) privileges in order
to install Musicsoft Downloader on a computer running Windows
2000, XP or Vista.
• You will need to log in with administrator (root) privileges in order
to install Digital Music Notebook on a computer running Windows
XP or Vista.
IMPORTANT
NOTE
• When installing the Digital Music Notebook, make sure that Inter-
net Explorer 6.0 (with SP1) or higher is installed to your computer.
• Once the Support Module is installed, this step is not necessary,
even if you’ve connected a new USB device or updated the USB-
MIDI driver.
IMPORTANT
• Credit card settlement is required to purchase Digital Music Note-
book content. Credit card processing may not be possible for
some areas, so please check with your local authorities to make
sure that your credit card can be used.
Installing the driver in Windows Vista
Start the computer and use the “Adminis-
trator” account to log on to Windows Vista.
1
NOTE
• Use of the DMN (Digital Music Notebook) is governed by the SIBELIUS
SCORCH LICENSE AGREEMENT, which the purchaser fully agrees to
when using the application. Please read carefully the AGREEMENT at
the end of this manual before using the application.
Insert the included CD-ROM into the CD-
ROM drive. A start window will appear
automatically.
2
First, make sure the POWER switch on the
Insert the Accessory CD-ROM into your
3
1
MIDI device is set to OFF, then use a USB
cable to connect the MIDI device to the
computer. After making the connections,
turn on the power of the MIDI device.The
system automatically launches the“Found
New Hardware” window. Click “Locate and
install driver software (recommended)”.
Otherwise, refer to “Troubleshooting” in the
“Accessory CD-ROM Installation Guide” sec-
tion of the Owner’s Manual. (Some computers
may take a while to display the window.).
computer’s CD-ROM drive.The start win-
dow will appear automatically showing
software applications.
NOTE
• If the start window does not appear automatically, double click your
“My Computer” folder to open it. Right-click the CD-ROM icon and
select “Open” from the pop-up menu. Double click “Start.exe” and
proceed to step 2, below.
Click [Musicsoft Downloader] or [Digital
Music Notebook].
2
3
Click the [install] button, and follow the
on-screen instructions to install the soft-
ware.
NOTE
• If the “User Account Control” window appears, click [Continue].
For Digital Music Notebook operating instruc-
tions see the help menu: launch the Digital Music
Notebook application and click “Help”.
If a message allowing Windows to search
online for driver software appears, click
“Don’t search online.”
4
For Musicsoft Downloader operating instructions
see the Help menu: launch the Musicsoft
Downloader application and click “Help”.
If a message prompting you to insert the
disk that came with your device appears,
click [Next].
5
The system starts the installation.
* You can obtain the latest version of the Musicsoft
Downloader at the following Internet URL.
NOTE
• If the “Windows Security” window appears, confirm this software is
authored by Yamaha Corporation then click [Install].
http://music.yamaha.com/download/
IMPORTANT
• Only Musicsoft Downloader can be used to transfer files between
this instrument and a computer. No other file transfer application
can be used.
When the installation is complete, the
6
system displays the message “The soft-
ware for this device has been success-
fully installed.” Click [Close].
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Accessory CD-ROM Installation Guide
■Troubleshooting
The driver cannot be installed.
When controlling the instrument from
your computer via USB, the instrument
does not operate correctly or no sound
is heard.
• Is the USB cable connected correctly?
Check the USB cable connection. Disconnect the
USB cable, then connect it again.
• Did you install the driver? (page 113)
• Is the USB cable connected correctly?
• Is the USB function enabled on your com-
puter?
When you connect the instrument to the
computer for the first time, if the “Add New
Hardware Wizard” does not appear, the USB
function on the computer may be disabled.
Perform the following steps.
• Are the volume settings of the instrument,
playback device, and application program set
to the appropriate levels?
• Have you selected an appropriate port in the
sequence software?
1 Select [Control Panel]* ➔ [System] ➔
[Hardware] ➔ [Device Manager] (for Win-
dows 2000/XP), or select [Control Panel] ➔
[Device Manager] (for Windows Vista).
* Classic View only in Windows XP.
• Are you using the latest USB-MIDI driver?
The latest driver can be downloaded from the
following web site.
http://music.yamaha.com/download/
2 Make sure that no “!” or “x” marks appear
at “Universal serial bus controller” or
“USB Root Hub”. If you see an “!” or “x”
mark, the USB controller is disabled.
Playback response is delayed.
• Does your computer satisfy the system
requirements?
• Is any unknown device registered?
If driver installation fails, the instrument will be
marked as an “Unknown device”, and you will
not be able to install the driver. Delete the
“Unknown device” by following the steps below.
• Is any other application or device driver run-
ning?
1 Select [Control Panel]* ➔ [System] ➔
[Hardware] ➔ [Device Manager] (for Win-
dows 2000/XP), or select [Control Panel] ➔
[Device Manager] (for Windows Vista).
* Classic View only in Windows XP.
Cannot suspend or resume the com-
puter correctly.
• Do not suspend the computer while the MIDI
application is running.
You may not be able to suspend/resume
normally, depending on the particular
environment (USB Host Controller, etc.). Even
so, simply disconnecting and connecting the
USB cable will allow you to use the instrument
functions again.
2 Look for “Other devices” in the menu
“View devices by type”.
3 If you find “Other devices”, double-click it
to extend the tree to look for “Unknown
device”. If one appears, select it and click
the [Remove] button.
4 Remove the USB cable from the instru-
ment, and make the connection again.
5 Install the driver again.
• Windows 2000 users..... see page 114
• Windows XP users........ see page 114
• Windows Vista users .... see page 115
116 DGX-630/YPG-635 Owner’s Manual
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Accessory CD-ROM Installation Guide
How can I remove the driver?
[Windows 2000/XP/Vista]
1 Start the computer and use the “Adminis-
trator” account to log on Windows.
Close all applications and windows that are
open.
2 Insert the included CD-ROM into the CD-
ROM drive.
3 Select “My Computer” from the Start
menu.
4 Right-click the CD-ROM icon and select
“Open” from the pop-up menu.
5 Select “USBdrvVista_” or “USBdrv2k_”
folder
➔
“uninstall” folder
➔
“uninstall.exe” file and launch
“uninstall.exe.” file.
Follow the on-screen instructions to uninstall
the driver.
NOTE
• When using a 64-bit OS, click “uninstall_x64.exe.” from
“USBdrvVista_” folder.
NOTE
• If the “User Account Control” window appears, click [Continue].
6 A message asking you to restart your
computer in order to complete the
uninstall procedure will appear.
Driver removal will be complete when you
have restarted your computer.
DGX-630/YPG-635 Owner’s Manual 117
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Appendix
Troubleshooting
■ For the Instrument
Problem
Possible Cause and Solution
When the instrument is turned on or off, a popping This is normal and indicates that the instrument is receiving electrical
sound is temporarily produced.
power.
Using a mobile phone in close proximity to the instrument may pro-
duce interference. To prevent this, turn off the mobile phone or use it
further away from the instrument.
When using a mobile phone, noise is produced.
Check that nothing is connected to the PHONES/OUTPUT jack on
the rear panel. When a set of headphones is plugged into this jack,
no sound is output.
There is no sound even when the keyboard is
played or when a song or style is being played
back.
Check the Local Control on/off. (See page 106.)
Is the FILE CONTROL display showing? The instrument’s keyboard,
etc., will not produce any sound while the FILE CONTROL display is
showing. Press the [EXIT] button to return to the MAIN display.
Playing keys in the right hand area of the keyboard When using the Dictionary function (page 87), the keys in the right
does not produce any sound.
hand area are used only for entering the chord root and type.
The style or song does not play back when the
[START/STOP] button is pressed.
Is External Clock set to ON? Make sure External Clock is set to OFF;
refer to “External Clock” on page 106.
level.
Is the split point set at an appropriate key for the chords you are play-
ing? Set the split point at an appropriate key (page 82).
The style does not sound properly.
Is the “ACMP” indicator showing in the display? If it is not showing
press the [ACMP ON/OFF] button so that it does show.
No rhythm accompaniment plays when the
[START/STOP] button is pressed after selecting
style number 131 or a style between 143–160
(Pianist).
This is not a malfunction. Style number 131 and style numbers 143–
160 (Pianist) have no rhythm parts, so no rhythm will play. The other
parts will begin playing when you play a chord in the accompaniment
range of the keyboard if style playback is turned on.
The instrument is polyphonic up to a maximum of 64 notes. If the
Dual voice or Split voice is being used and a style or song is playing
back at the same time, some notes/sounds may be omitted (or “sto-
len”) from the accompaniment or song.
Not all of the voices seem to sound, or the sound
seems to be cut off.
The footswitch (for sustain) seems to produce the
opposite effect. For example, pressing the foot-
switch cuts off the sound and releasing it sustains
the sounds.
The polarity of the footswitch is reversed. Make sure that the foot-
switch plug is properly connected to the SUSTAIN jack before turning
on the power.
This is normal. The AWM tone generation method uses multiple
recordings (samples) of an instrument across the range of the key-
board; thus, the actual sound of the voice may be slightly different
from note to note.
The sound of the voice changes from note to note.
The Demo display is shown in Japanese, and/or
there are Japanese characters in the display mes-
sages.
Make sure the Language setting in the FUNCTION display is set to
English. (See page 18)
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Troubleshooting
Problem
Possible Cause and Solution
The appropriate display does not appear when the
[SONG], [EASY SONG ARRANGER], [STYLE], or
[VOICE] button is pressed.
Is another display showing? Try pressing the [EXIT] button to return
to the MAIN display, and then pressing one of the mentioned buttons.
The wrong notes sound when the keyboard is
played.
Perhaps the performance assistant technology is turned on.
Press the [PERFORMANCE ASSISTANT] button to turn it off.
The ACMP indicator does not appear when the
[ACMP ON/OFF] button is pressed.
Is the [STYLE] button lit? Always press the [STYLE] button first when
you are going to use any style-related function.
The harmony effects (01–26) behave differently according to their
type. Types 01–10, 13 function when style playback is on, chords are
played in the accompaniment range of the keyboard, and a melody is
played in the right-hand range. Types 15–26 will function whether
style playback is on or off. For types 23–26 you need to play two
notes at the same time.
There is no harmony sound.
The “OverCurrent” message is shown in the upper Communication with the USB device has been shut down because of
area of the MAIN display and the USB device
does not respond.
the overcurrent to the USB device. Disconnect the device from the
USB TO DEVICE terminal, then turn on the power of the instrument.
DGX-630/YPG-635 Owner’s Manual 119
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Messages
LCD Message
Comment
Indicates the failure in reading or writing from/to the media or the flash
memory.
Access error!
Displayed while erasing all data in the flash memory. Never turn the power
off during data transmission.
All Memory Clearing...
Are you sure?
Backup Clearing...
Cancel
Confirms whether Song Clear or Track Clear is executed or not.
Displayed while clearing the back-up data in the flash memory.
Displayed when the transmission of Initial Send is cancelled.
Displayed when a track clear error occurs.
Can’t clear TrackA.
Clearing...
Displayed while executing Song Clear or Track Clear of the user songs.
Displayed when the Musicsoft Downloader is started on the PC connected
to the keyboard. This will not be displayed while the instrument is played
back.
Com Mode
Completed
Indicates the specified job completion such as data saving and transmis-
sion.
Create Directory
Data Error!
Delete File
Delete OK ?
Delete Directory
Deleting...
End
Displayed while creating a folder in the Musicsoft Downloader application.
Displayed when the user song contains illegal data.
Displayed while deleting a file in the Musicsoft Downloader.
Confirms whether the Delete job is executed or not.
Displayed while deleting a folder in the Musicsoft Downloader.
Displayed while the delete function is engaged.
Displayed when the transmission of Initial Send has been completed.
Displayed when writing has failed.
Error!
Displayed when the record standby mode is exited because an inappropri-
ate style has been selected during style record standby.
Exit.
Indicates that saving data in the media cannot be executed since the total
number of files have become too many.
“File information area is not large enough.”
File is not found.
Indicates there is no file.
Indicates that loading data cannot be executed since the file data is too
large.
“File too large. Loading is impossible.”
Displayed while clearing the song or style data transmitted to the internal
flash memory.
Flash Clearing...
Format OK ? [EXECUTE]
Formatting...
Confirms whether formatting the media is executed or not.
Displayed while formatting.
Load OK ?
Confirms whether loading is executed or not.
Displayed while loading data.
Loading...
Media is not inserted.
Displayed when accessing the media while it is not inserted.
Displayed when saving data cannot be executed since the media memory
becomes full.
Media capacity is full.
Memory Full
Displayed when the internal memory becomes full during song recording.
Displayed when too much MIDI data was received at one time and failed to
proceed.
“MIDI receive buffer overflow.”
Move File
Displayed while moving a file in the Musicsoft Downloader.
“Now Writing...
(Don’t turn off the power now, otherwise
the data may be damaged.)”
Displayed while writing data in the memory. Never turn the power off while
writing. Doing so may result in data loss.
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Messages
LCD Message
Comment
Communication with the USB device has been shut down because of the
overcurrent to the USB device. Disconnect the device from the USB TO
DEVICE terminal, then turn on the power of the instrument.
OverCurrent
Overwrite ?
Confirms whether overwriting is executed or not.
Displayed when executing the jobs that take some time, such as displaying
scores and lyrics, or stopping recording.
Please Wait...
Rename File
Save OK ?
Displayed while rewriting the file name in the Musicsoft Downloader.
Confirms whether saving is executed or not.
Saved data is not found.
Saving...
Displayed when the data to be saved doesn’t exist.
Displayed while saving data in the memory. Never turn the power off while
saving. Doing so may result in data loss.
Send OK?
Sending...
Confirms whether the data transmission is executed or not.
Displayed while transmitting data.
“Since the media is in use now, this
function is not available.”
Indicates that the file control function is currently unavailable since the
media is being accessed.
Style data is too large to load.
Sure ? [YES/NO]
Indicates that style data cannot be loaded since the style data is too large.
Reconfirms whether each operation is executed or not.
Indicates that saving data cannot be executed since the folder/directory
structure has become too complicated.
“The limit of the media has been reached.”
The media is not formatted.
Indicates the inserted media has not been formatted.
Indicates that the inserted media cannot be written since it is write-pro-
tected. Set to the write-protect switch to the “overwrite” position before use.
“The media is write-protected.”
“The song data is too large to be
converted to notation.”
Indicates that the score cannot be displayed since the song data is too
large.
Indicates that saving data cannot be executed since the total number of files
exceeds the capacity.
There are too many files.
“This function is not available now.”
[nnn] “file name”
Indicates the designated function is not available since the instrument is
executing another job.
Indicates the file name of the currently transmitting. “nnn” indicates the
receiving block.
NOTE
• Not all the messages are listed in the table: the messages neces-
sary to be explained only.
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Scores
DGX-630/YPG-635 Owner’s Manual 123
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Scores
This score is provided with the intent that the pitch will be corrected by the performance assistant technol-
ogy feature. If you play the “Play These Notes” part using the performance assistant technology feature, the
part will be corrected and played so that it matches the backing part.
q
(Function Demo for performance assistant technology)
Song No.
10
=61
Ave Maria
P.A.T.
Type =CHORD
Your Turn.
Repeatedly Play the Same Key.
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Scores
DGX-630/YPG-635 Owner’s Manual 125
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Scores
This score is provided with the intent that the pitch will be corrected by the performance assistant technol-
ogy feature. If you play the “Play These Notes” part using the performance assistant technology feature, the
part will be corrected and played so that it matches the backing part.
q
(Function Demo for performance assistant technology)
Song No.
11
=108
Nocturne op.9-2
P.A.T.
Type =CHORD/FREE
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Scores
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Voice List
■ Maximum Polyphony
● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ● ●
NOTE
The instrument has 64-note maximum polyphony. This means
that it can play a maximum of up to 64 notes at once, regard-
less of what functions are used. Auto accompaniment uses a
number of the available notes, so when auto accompaniment
is used the total number of available notes for playing on the
keyboard is correspondingly reduced. The same applies to the
Split Voice and Song functions. If the maximum polyphony is
exceeded, earlier played notes will be cut off and the most
recent notes have priority (last note priority).
• The Voice List includes MIDI program change numbers for
each voice. Use these program change numbers when
playing the instrument via MIDI from an external device.
• Program change numbers are often specified as numbers
“0–127.” Since this list uses a “1–128” numbering system,
in such cases it is necessary to subtract 1 from the trans-
mitted program change numbers to select the appropriate
sound: e.g. to select No. 2 in the list, transmit program
change number 1.
• Some voices may sound continuously or have a long
decay after the notes have been released while the sus-
tain pedal (footswitch) is held.
● Panel Voice List
Bank Select
MIDI
Bank Select
MIDI
Voice
No.
Program
Change#
(1–128)
Voice
No.
Program
Change#
(1–128)
Voice Name
Voice Name
MSB LSB
(0–127) (0–127)
MSB LSB
(0–127) (0–127)
PIANO
Live! Grand Piano
BASS
Finger Bass
001
002
003
004
005
006
007
008
000
000
000
000
000
000
000
000
113
114
112
112
112
112
112
113
001
001
001
002
007
004
003
003
050
051
052
053
054
055
056
057
000
000
000
000
000
000
000
000
112
112
112
112
112
112
113
113
034
033
035
036
037
039
039
040
Live! Warm Grand Piano
Grand Piano
Bright Piano
Acoustic Bass
Pick Bass
Fretless Bass
Slap Bass
Synth Bass
Hi-Q Bass
Dance Bass
Harpsichord
Honky-tonk Piano
MIDI Grand Piano
CP 80
E.PIANO
STRINGS
009
010
011
012
013
014
015
016
017
018
019
020
000
000
000
000
000
000
000
000
000
000
000
000
114
118
119
120
113
112
112
114
113
114
112
113
005
005
005
005
006
005
006
006
005
008
008
008
Cool! Galaxy Electric Piano
Cool! Suitcase Electric Piano
Cool! Electric Piano
Phase Electric Piano
Hyper Tines
Funky Electric Piano
DX Modern Electric Piano
Venus Electric Piano
Tremolo Electric Piano
E.Clavichord
058
059
060
061
062
063
064
065
066
067
068
069
070
000
000
000
000
000
000
000
000
000
000
000
000
000
116
112
112
113
112
112
112
112
112
112
112
112
112
050
049
050
050
045
051
046
041
043
044
047
106
056
Live! Orchestra
String Ensemble
Chamber Strings
Slow Strings
Tremolo Strings
Synth Strings
Pizzicato Strings
Violin
Cello
Contrabass
Harp
Banjo
Orchestra Hit
Clavi
WahClavi
ORGAN
021
022
023
024
025
026
027
028
029
030
031
032
033
034
000
000
000
000
000
000
000
000
000
000
000
000
000
000
118
117
112
113
112
114
112
116
127
121
120
113
112
112
019
019
017
017
019
019
018
017
019
020
020
020
020
021
Cool! Organ
CHOIR
Cool! Rotor Organ
Jazz Organ 1
Jazz Organ 2
Rock Organ
Purple Organ
Click Organ
Bright Organ
Theater Organ
16'+2' Organ
16'+4' Organ
Chapel Organ
Church Organ
Reed Organ
071
072
073
074
000
000
000
000
112
113
112
112
053
053
055
054
Choir
Vocal Ensemble
Air Choir
Vox Humana
SAXOPHONE
075
076
077
078
079
080
081
082
083
084
085
086
087
000
000
000
000
000
000
000
000
000
000
000
000
000
117
113
114
118
112
112
112
112
114
112
112
112
112
067
065
072
067
067
066
065
068
067
072
069
070
071
Sweet! Tenor Sax
Sweet! Soprano Sax
Sweet! Clarinet
Growl Sax
Tenor Sax
Alto Sax
Soprano Sax
Baritone Sax
Breathy Tenor Sax
Clarinet
Oboe
English Horn
Bassoon
ACCORDION
035
036
037
038
039
000
000
000
000
000
112
113
113
113
112
022
022
024
023
023
Musette Accordion
Traditional Accordion
Bandoneon
Modern Harp
Harmonica
TRUMPET
GUITAR
088
089
090
091
092
093
094
095
096
000
000
000
000
000
000
000
000
000
115
117
114
112
112
113
112
112
112
057
058
060
057
058
058
060
061
059
Sweet! Trumpet
Sweet! Trombone
Sweet! Muted Trumpet
Trumpet
040
041
042
043
044
045
046
047
048
049
000
000
000
000
000
000
000
000
000
000
112
112
112
117
113
112
113
112
112
112
025
026
027
028
026
028
027
029
030
031
Classical Guitar
Folk Guitar
Jazz Guitar
60’s Clean Guitar
12Strings Guitar
Clean Guitar
Octave Guitar
Muted Guitar
Trombone
Trombone Section
Muted Trumpet
French Horn
Tuba
Overdriven Guitar
Distortion Guitar
BRASS
062
097
000
112
Brass Section
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Voice List
Bank Select
MIDI
Program
Change#
(1–128)
062
063
062
Bank Select
MIDI
Program
Change#
(1–128)
006
006
006
006
007
007
007
Voice
No.
Voice
No.
Voice Name
Big Band Brass
Voice Name
Electric Piano 2
Electric Piano 2 KSP
Chorus Electric Piano 2
DX + Analog Electric Piano
Harpsichord
Harpsichord KSP
Harpsichord 2
Clavi
MSB LSB
(0–127) (0–127)
MSB LSB
(0–127) (0–127)
157
158
*159
160
161
162
163
164
165
000
000
000
000
000
000
000
000
000
000
001
032
041
000
001
035
000
001
098
099
100
101
102
000
000
000
000
000
113
113
119
114
112
80’s Brass
Mellow Horns
Techno Brass
Synth Brass
063
063
FLUTE
103
104
105
106
107
108
109
000
000
000
000
000
000
000
114
113
112
112
112
112
112
074
076
074
073
076
075
080
Sweet! Flute
Sweet! Pan Flute
Flute
008
008
Clavi KSP
XG CHROMATIC
Piccolo
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
064
000
001
000
001
064
097
098
000
000
096
097
000
035
096
097
009
010
011
011
012
012
013
013
013
013
013
014
015
015
015
016
016
016
016
Celesta
Pan Flute
Recorder
Ocarina
Glockenspiel
Music Box
Orgel
Vibraphone
Vibraphone KSP
Marimba
Marimba KSP
Sine Marimba
Balimba
Log Drums
Xylophone
Tubular Bells
Church Bells
Carillon
SYNTH LEAD
110
111
112
113
114
115
116
000
000
000
000
000
000
000
112
112
115
119
112
112
112
081
082
082
082
099
086
101
Square Lead
Sawtooth Lead
Analogon
Fargo
Star Dust
Voice Lead
Brightness
SYNTH PAD
117
118
119
120
121
122
000
000
000
000
000
000
118
112
112
112
113
113
089
092
095
089
090
101
SweetHeaven
Xenon Pad
Equinox
Fantasia
Dark Moon
Bell Pad
Dulcimer
Dulcimer 2
Cimbalom
Santur
PERCUSSION
XG ORGAN
123
124
125
126
127
128
129
130
000
000
000
000
000
000
000
000
112
112
112
112
112
112
112
112
012
013
014
115
009
011
015
048
Vibraphone
Marimba
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
032
033
034
035
037
040
064
065
066
067
000
024
032
033
037
000
064
065
066
000
032
035
040
064
065
000
040
000
000
032
000
064
017
017
017
017
017
017
017
017
017
017
017
018
018
018
018
018
019
019
019
019
020
020
020
020
020
020
021
021
022
023
023
024
024
Drawbar Organ
Detuned Drawbar Organ
60’s Drawbar Organ 1
60’s Drawbar Organ 2
70’s Drawbar Organ 1
60’s Drawbar Organ 3
16+2'2/3
Organ Bass
70’s Drawbar Organ 2
Cheezy Organ
Drawbar Organ 2
Percussive Organ
70’s Percussive Organ
Detuned Percussive Organ
Light Organ
Percussive Organ 2
Rock Organ
Rotary Organ
Slow Rotary
Fast Rotary
Church Organ
Church Organ 3
Church Organ 2
Notre Dame
Organ Flute
Tremolo Organ Flute
Reed Organ
Xylophone
Steel Drums
Celesta
Music Box
Tubular Bells
Timpani
DRUM KITS
131
132
133
134
135
136
137
138
139
140
141
142
127
127
127
127
127
127
127
127
127
127
126
126
000
000
000
000
000
000
000
000
000
000
000
000
001
002
009
017
025
026
113
033
041
049
001
002
Standard Kit 1
Standard Kit 2
Room Kit
Rock Kit
Electronic Kit
Analog Kit
Dance Kit
Jazz Kit
Brush Kit
Symphony Kit
SFX Kit 1
SFX Kit 2
● XGlite Voice/XGlite Optional Voice* List
Bank Select
MIDI
Voice
No.
Program
Change#
(1–128)
Voice Name
MSB LSB
(0–127) (0–127)
Puff Organ
Accordion
Harmonica
Harmonica 2
Tango Accordion
Tango Accordion 2
XG PIANO
Grand Piano
143
144
145
146
147
148
149
150
151
152
153
154
155
156
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
001
040
041
000
001
000
001
032
000
001
000
001
032
001
001
001
001
002
002
003
003
003
004
004
005
005
005
Grand Piano KSP
Piano Strings
Dream
Bright Piano
XG GUITAR
Bright Piano KSP
Electric Grand Piano
Electric Grand Piano KSP
Detuned CP80
Honky-tonk Piano
Honky-tonk Piano KSP
Electric Piano 1
218
219
220
221
222
223
224
225
226
000
000
000
000
000
000
000
000
000
000
043
096
000
035
040
041
096
000
025
025
025
026
026
026
026
026
027
Nylon Guitar
Velocity Guitar Harmonics
Ukulele
Steel Guitar
12-string Guitar
Nylon & Steel Guitar
Steel Guitar with Body Sound
Mandolin
Electric Piano 1 KSP
Chorus Electric Piano 1
Jazz Guitar
DGX-630/YPG-635 Owner’s Manual 129
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Voice List
Bank Select
MIDI
Program
Change#
(1–128)
027
028
028
029
029
029
029
030
030
031
031
031
032
032
032
Bank Select
MIDI
Program
Change#
(1–128)
053
053
053
053
054
055
055
055
055
056
056
056
XG BRASS
057
057
058
058
059
060
061
061
061
061
062
062
063
063
064
064
064
Voice
No.
Voice
No.
Voice Name
Voice Name
Choir Aahs
Stereo Choir
Mellow Choir
Choir Strings
Voice Oohs
Synth Voice
Synth Voice 2
Choral
MSB LSB
(0–127) (0–127)
MSB LSB
(0–127) (0–127)
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
032
000
032
000
040
041
045
000
043
000
040
041
000
065
066
Jazz Amp
297
298
299
300
301
302
303
304
305
306
307
308
000
000
000
000
000
000
000
000
000
000
000
000
000
003
032
040
000
000
040
041
064
000
035
064
Clean Guitar
Chorus Guitar
Muted Guitar
Funk Guitar
Muted Steel Guitar
Jazz Man
Overdriven Guitar
Guitar Pinch
Analog Voice
Orchestra Hit
Orchestra Hit 2
Impact
Distortion Guitar
Feedback Guitar
Feedback Guitar 2
Guitar Harmonics
Guitar Feedback
Guitar Harmonics 2
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
032
000
018
000
000
000
006
032
037
000
035
000
020
000
018
041
Trumpet
Warm Trumpet
Trombone
Trombone 2
Tuba
XG BASS
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
*268
269
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
040
045
000
018
040
043
045
065
000
028
000
032
033
034
000
032
000
043
000
040
000
006
012
018
019
040
041
033
033
033
034
034
034
034
034
034
035
035
036
036
036
036
037
037
038
038
039
039
040
040
040
040
040
040
040
Acoustic Bass
Jazz Rhythm
Velocity Crossfade Upright Bass
Finger Bass
Finger Dark
Bass & Distorted Electric Guitar
Finger Slap Bass
Finger Bass 2
Modulated Bass
Pick Bass
Muted Pick Bass
Fretless Bass
Fretless Bass 2
Fretless Bass 3
Fretless Bass 4
Slap Bass 1
Punch Thumb Bass
Slap Bass 2
Velocity Switch Slap
Synth Bass 1
Techno Synth Bass
Synth Bass 2
Mellow Synth Bass
Sequenced Bass
Click Synth Bass
Synth Bass 2 Dark
Modular Synth Bass
DX Bass
Muted Trumpet
French Horn
French Horn Solo
French Horn 2
Horn Orchestra
Brass Section
Trumpet & Trombone Section
Synth Brass 1
Resonant Synth Brass
Synth Brass 2
Soft Brass
Choir Brass
XG REED
326
327
328
329
330
331
332
333
334
335
000
000
000
000
000
000
000
000
000
000
000
000
040
000
040
000
000
000
000
000
065
066
066
067
067
068
069
070
071
072
Soprano Sax
Alto Sax
Sax Section
Tenor Sax
Breathy Tenor Sax
Baritone Sax
Oboe
English Horn
Bassoon
Clarinet
XG PIPE
336
337
338
339
340
341
342
343
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
073
074
075
076
077
078
079
080
Piccolo
Flute
XG STRINGS
Recorder
Pan Flute
Blown Bottle
Shakuhachi
Whistle
270
271
272
273
274
275
276
277
278
279
280
281
000
000
000
000
000
000
000
000
000
000
000
000
000
008
000
000
000
000
008
040
000
000
040
000
041
041
042
043
044
045
045
045
046
047
047
048
Violin
Slow Violin
Viola
Cello
Contrabass
Tremolo Strings
Slow Tremolo Strings
Suspense Strings
Pizzicato Strings
Orchestral Harp
Yang Chin
Ocarina
XG SYNTH LEAD
Square Lead
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
006
008
018
019
064
065
066
000
006
008
018
019
020
096
000
065
000
000
064
000
000
081
081
081
081
081
081
081
081
082
082
082
082
082
082
082
083
083
084
085
085
086
087
Square Lead 2
LM Square
Hollow
Shroud
Mellow
Timpani
XG ENSEMBLE
Solo Sine
Sine Lead
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
003
008
035
040
041
042
045
000
003
008
040
041
000
000
049
049
049
049
049
049
049
049
050
050
050
050
050
051
052
Strings 1
Stereo Strings
Slow Strings
60’s Strings
Sawtooth Lead
Sawtooth Lead 2
Thick Sawtooth
Dynamic Sawtooth
Digital Sawtooth
Big Lead
Sequenced Analog
Calliope Lead
Pure Lead
Orchestra
Orchestra 2
Tremolo Orchestra
Velocity Strings
Strings 2
Stereo Slow Strings
Legato Strings
Warm Strings
Kingdom
Chiff Lead
Charang Lead
Distorted Lead
Voice Lead
Synth Strings 1
Synth Strings 2
Fifths Lead
130 DGX-630/YPG-635 Owner’s Manual
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Voice List
Bank Select
MIDI
Program
Change#
(1–128)
087
088
088
Bank Select
MIDI
Program
Change#
(1–128)
113
113
113
113
114
115
115
115
116
116
117
117
118
118
118
Voice
No.
Voice
No.
Voice Name
Voice Name
MSB LSB
(0–127) (0–127)
MSB LSB
(0–127) (0–127)
366
367
368
369
370
000
000
000
000
000
035
000
016
064
065
Big Five
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
097
098
099
100
000
000
097
098
000
096
000
096
000
064
065
066
000
064
065
000
Altair
Bass & Lead
Big & Low
Fat & Perky
Soft Whirl
Gamelan Gongs
Stereo Gamelan Gongs
Rama Cymbal
Agogo
Steel Drums
Glass Percussion
Thai Bells
Woodblock
Castanets
Taiko Drum
Gran Cassa
088
088
XG SYNTH PAD
371
372
373
374
375
376
377
378
379
380
000
000
000
000
000
000
000
000
000
000
000
064
000
000
000
066
000
000
000
000
089
089
090
091
092
092
093
094
095
096
New Age Pad
Fantasy
Warm Pad
Poly Synth Pad
Choir Pad
Itopia
Bowed Pad
Metallic Pad
Halo Pad
Melodic Tom
Melodic Tom 2
Real Tom
Sweep Pad
118
119
119
119
Rock Tom
XG SYNTH EFFECTS
Synth Drum
Analog Tom
Electronic Percussion
Reverse Cymbal
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
065
066
000
027
000
012
014
018
035
040
041
042
065
070
071
072
000
018
019
040
064
065
066
000
000
064
065
067
068
070
071
096
000
000
097
097
097
098
098
099
099
099
099
099
099
099
099
099
099
099
099
100
100
100
100
100
100
100
101
102
102
102
102
102
102
102
102
103
104
Rain
African Wind
Carib
Sound Track
Prologue
120
XG SOUND EFFECTS
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
000
000
000
000
000
000
000
000
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
064
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
121
122
123
124
125
126
127
128
001
002
004
017
033
034
035
036
037
038
049
050
051
056
065
066
067
068
069
070
071
081
082
083
084
085
086
087
088
089
090
091
097
098
099
100
101
113
114
115
116
Fret Noise
Breath Noise
Seashore
Bird Tweet
Telephone Ring
Helicopter
Applause
Gunshot
Cutting Noise
Cutting Noise 2
String Slap
Flute Key Click
Shower
Crystal
Synth Drum Comp
Popcorn
Tiny Bells
Round Glockenspiel
Glockenspiel Chimes
Clear Bells
Chorus Bells
Soft Crystal
Air Bells
Bell Harp
Gamelimba
Atmosphere
Warm Atmosphere
Hollow Release
Nylon Electric Piano
Nylon Harp
Harp Vox
Atmosphere Pad
Brightness
Goblins
Thunder
Wind
Stream
Bubble
Feed
Dog
Horse
Bird Tweet 2
Maou
Goblins Synth
Creeper
Phone Call
Door Squeak
Door Slam
Scratch Cut
Scratch Split
Wind Chime
Telephone Ring 2
Car Engine Ignition
Car Tires Squeal
Car Passing
Car Crash
Siren
Ritual
To Heaven
Night
Glisten
Bell Choir
Echoes
Sci-Fi
XG WORLD
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
000
032
035
097
000
028
096
097
098
000
000
096
097
000
000
000
000
105
105
105
105
106
106
106
106
106
107
108
108
108
109
110
111
112
Sitar
Detuned Sitar
Sitar 2
Train
Jet Plane
Starship
Tamboura
Banjo
Muted Banjo
Rabab
Gopichant
Oud
Burst
Roller Coaster
Submarine
Laugh
Shamisen
Koto
Scream
Punch
Taisho-kin
Kanoon
Kalimba
Bagpipe
Fiddle
Heartbeat
Footsteps
Machine Gun
Laser Gun
Explosion
Firework
Shanai
XG PERCUSSIVE
The voice number with an asterisk (*) is XGlite optional voice.
433
434
000
000
000
096
113
113
Tinkle Bell
Bonang
DGX-630/YPG-635 Owner’s Manual 131
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Drum Kit List
• “
” indicates that the drum sound is the same as “Standard Kit 1”.
• Each percussion voice uses one note.
• The MIDI Note # and Note are actually one octave lower than keyboard Note # and Note. For example, in
“131: Standard Kit 1”, the “Seq Click H” (Note# 36/Note C1) corresponds to (Note# 24/Note C0).
• Key Off: Keys marked “O” stop sounding the instant they are released.
• Voices with the same Alternate Note Number (*1 ... 4) cannot be played simultaneously. (They are designed
to be played alternately with each other.)
Voice No.
131
132
133
134
135
136
MSB (0–127) / LSB (0–127) / PC (1–128)
127/000/001
127/000/002
127/000/009
127/000/017
127/000/025
127/000/026
Keyboard
Note# Note Note# Note
25 C# 13 C# -1
26 14 -1
MIDI
Key Alternate
Standard Kit 1
Standard Kit 2
Room Kit
Rock Kit
Electronic Kit
Analog Kit
Off
assign
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
5
5
5
5
6
6
6
6
6
6
6
6
3
3
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
C#0
D#0
D
D
D0
27 D#
15 D# -1
E0
F0
28
29
E
F
16
17
E
F
-1
-1
4
4
30 F#
31
32 G#
33
18 F# -1
19 -1
20 G# -1
21 -1
Scratch L
F#0
G#0
A#0
G
G
Finger Snap
Click Noise
Metronome Click
Metronome Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
Brush Tap Swirl
Snare Roll
Castanet
Snare Soft
Sticks
Kick Soft
Open Rim Shot
Kick Tight
Kick
G0
A0
A
A
34 A#
22 A# -1
B0
C1
35
36
B
C
23
24
B
C
-1
0
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
37 C#
25 C#
C#1
D#1
D1
38
D
26
D
O
39 D#
27 D#
E1
F1
40
41
E
F
28
29
E
F
O
O
Reverse Cymbal
Hi Q 2
Reverse Cymbal
Hi Q 2
Snare Roll 2
Snare Soft 2
42 F#
43
44 G#
45
30 F#
31
32 G#
33
F#1
G#1
A#1
G1
A1
G
G
Snare Noisy
Snare Snappy Electro Snare Noisy 4
A
A
Kick Tight 2
Kick 3
Kick Tight 2
46 A#
34 A#
Open Rim Shot H Short
Kick Tight Short
Kick Short
B1
C2
47
48
B
C
35
36
B
C
Kick 2
Kick Gate
Kick Gate
Kick Gate Heavy
Kick Analog Short
Kick Analog
Side Stick Analog
Snare Analog
C#2
D#2
49 C#
37 C#
Side Stick
Snare
D2
50
D
38
D
Snare Short
Snare Snappy
Snare Rock
Snare Noisy 2
51 D#
39 D#
Hand Clap
Snare Tight
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
Crash Cymbal 1
High Tom
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
E2
F2
52
53
E
F
40
41
E
F
Snare Tight H
Snare Tight Snappy Snare Rock Rim
Snare Noisy 3
Tom Electro 1
Snare Analog 2
Tom Analog 1
Hi-Hat Closed Analog
Tom Analog 2
Hi-Hat Closed Analog 2
Tom Analog 3
Hi-Hat Open Analog
Tom Analog 4
Tom Room 1
Tom Room 2
Tom Room 3
Tom Rock 1
Tom Rock 2
Tom Rock 3
F#2
G#2
A#2
54 F#
55
56 G#
57
42 F#
43
44 G#
45
1
1
1
G2
A2
G
G
Tom Electro 2
Tom Electro 3
A
A
58 A#
46 A#
B2
C3
59
60
B
C
47
48
B
C
Tom Room 4
Tom Room 5
Tom Rock 4
Tom Rock 5
Tom Electro 4
Tom Electro 5
Tom Analog 5
Crash Analog
Tom Analog 6
C#3
D#3
61 C#
49 C#
D3
62
D
50
D
Tom Room 6
Tom Rock 6
Tom Electro 6
63 D#
51 D#
E3
F3
64
65
E
F
52
53
E
F
F#3
G#3
A#3
66 F#
67
68 G#
69
54 F#
55
56 G#
57
G3
A3
G
G
Cowbell Analog
A
A
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
70 A#
58 A#
B3
C4
71
72
B
C
59
60
B
C
C#4
D#4
73 C#
61 C#
Bongo L
D4
74
D
62
D
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
Samba Whistle H
Samba Whistle L
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
Triangle Mute
Triangle Open
Shaker
Conga Analog H
Conga Analog M
Conga Analog L
75 D#
63 D#
E4
F4
76
77
E
F
64
65
E
F
F#4
G#4
A#4
78 F#
79
80 G#
81
66 F#
67
68 G#
69
G4
A4
G
G
A
A
82 A#
70 A#
Maracas 2
Claves 2
B4
C5
83
84
B
C
71
72
B
C
O
O
C#5
D#5
85 C#
73 C#
D5
86
D
74
D
O
87 D#
75 D#
E5
F5
88
89
E
F
76
77
E
F
F#5
G#5
A#5
90 F#
91
92 G#
93
78 F#
79
80 G#
81
Scratch H 2
Scratch L 2
Scratch H 2
Scratch L 3
G5
A5
G
G
2
2
A
A
94 A#
82 A#
B5
C6
95
96
B
C
83
84
B
C
Jingle Bells
Bell Tree
C#6
D#6
97 C#
85 C#
D6
98
D
86
D
99 D#
87 D#
E6
F6
100
101
E
F
88
89
E
F
F#6
102 F#
90 F#
G6
103
G
91
G
132 DGX-630/YPG-635 Owner’s Manual
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Drum Kit List
Voice No.
131
137
138
139
140
141
142
MSB (0–127) / LSB (0–127) / PC (1–128)
127/000/001
127/000/113
127/000/033
127/000/041
127/000/049
126/000/001
126/000/002
Keyboard
Note# Note Note# Note
25 C# 13 C# -1
26 14 -1
MIDI
Key Alternate
Standard Kit 1
Dance Kit
Jazz Kit
Brush Kit
Symphony Kit
SFX Kit 1
SFX Kit 2
Off
assign
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
5
5
5
5
6
6
6
6
6
6
6
6
3
3
Surdo Mute
Surdo Open
Hi Q
Whip Slap
Scratch H
C#0
D#0
D
D
D0
27 D#
15 D# -1
E0
F0
28
29
E
F
16
17
E
F
-1
-1
4
4
30 F#
31
32 G#
33
18 F# -1
19 -1
20 G# -1
21 -1
Scratch L
F#0
G#0
A#0
G
G
Finger Snap
Click Noise
Metronome Click
Metronome Bell
Seq Click L
Seq Click H
Brush Tap
Brush Swirl
Brush Slap
Brush Tap Swirl Reverse Cymbal
Snare Roll
Castanet
Snare Soft
Sticks
Kick Soft
Open Rim Shot
Kick Tight
Kick
Side Stick
Snare
Hand Clap
Snare Tight
Floor Tom L
Hi-Hat Closed
Floor Tom H
Hi-Hat Pedal
Low Tom
Hi-Hat Open
Mid Tom L
Mid Tom H
G0
A0
A
A
34 A#
22 A# -1
B0
C1
35
36
B
C
23
24
B
C
-1
0
0
0
0
0
0
0
0
0
0
0
0
1
1
1
1
1
1
1
1
1
1
1
1
2
2
2
2
2
2
2
2
2
2
2
2
3
3
3
3
3
3
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
4
4
4
5
5
5
5
5
5
5
5
37 C#
25 C#
C#1
D#1
D1
38
D
26
D
O
39 D#
27 D#
E1
F1
40
41
E
F
28
29
E
F
O
O
42 F#
43
44 G#
45
30 F#
31
32 G#
33
Hi Q 2
Snare Techno
F#1
G#1
A#1
G1
A1
G
G
Snare Jazz H
Brush Slap 2
Kick Small
A
A
Kick Techno Q
Rim Gate
Kick Techno L
Kick Techno
Side Stick Analog
Snare Clap
Kick Soft 2
46 A#
34 A#
B1
C2
47
48
B
C
35
36
B
C
Gran Cassa
Gran Cassa Mute Cutting Noise
Kick Jazz
Phone Call
C#2
D#2
49 C#
37 C#
Cutting Noise 2 Door Squeak
D2
50
D
38
D
Snare Jazz L
Brush Slap 3 Band Snare
Door Slam
51 D#
39 D#
String Slap
Scratch Cut
Scratch H 3
Wind Chime
Telephone Ring 2
E2
F2
52
53
E
F
40
41
E
F
Snare Dry
Tom Analog 1
Hi-Hat Closed Analog3
Tom Analog 2
Hi-Hat Closed Analog 4
Tom Analog 3
Hi-Hat Open Analog 2
Tom Analog 4
Tom Analog 5
Snare Jazz M
Tom Jazz 1
Brush Tap 2 Band Snare 2
Tom Brush 1 Tom Jazz 1
F#2
G#2
A#2
54 F#
55
56 G#
57
42 F#
43
44 G#
45
1
1
1
G2
A2
G
G
Tom Jazz 2
Tom Jazz 3
Tom Brush 2 Tom Jazz 2
Tom Brush 3 Tom Jazz 3
A
A
58 A#
46 A#
B2
C3
59
60
B
C
47
48
B
C
Tom Jazz 4
Tom Jazz 5
Tom Brush 4 Tom Jazz 4
Tom Brush 5 Tom Jazz 5
Hand Cymbal
C#3
D#3
61 C#
49 C#
Crash Cymbal 1 Crash Analog
High Tom
D3
62
D
50
D
Tom Analog 6
Tom Jazz 6
Tom Brush 6 Tom Jazz 6
63 D#
51 D#
Ride Cymbal 1
Chinese Cymbal
Ride Cymbal Cup
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 2
Vibraslap
Ride Cymbal 2
Bongo H
Hand Cymbal Short
E3
F3
64
65
E
F
52
53
E
F
Flute Key Click Car Engine Ignition
Car Tires Squeal
Car Passing
Car Crash
Siren
Train
Jet Plane
Starship
Burst
Roller Coaster
Submarine
F#3
G#3
A#3
66 F#
67
68 G#
69
54 F#
55
56 G#
57
G3
A3
G
G
Cowbell Analog
A
A
Hand Cymbal 2
70 A#
58 A#
B3
C4
71
72
B
C
59
60
B
C
Hand Cymbal 2 Short
C#4
D#4
73 C#
61 C#
Bongo L
D4
74
D
62
D
Conga H Mute
Conga H Open
Conga L
Timbale H
Timbale L
Agogo H
Agogo L
Cabasa
Maracas
Samba Whistle H
Samba Whistle L
Guiro Short
Guiro Long
Claves
Wood Block H
Wood Block L
Cuica Mute
Cuica Open
Triangle Mute
Triangle Open
Shaker
Conga Analog H
Conga Analog M
Conga Analog L
75 D#
63 D#
E4
F4
76
77
E
F
64
65
E
F
F#4
G#4
A#4
78 F#
79
80 G#
81
66 F#
67
68 G#
69
G4
A4
G
G
Shower
Thunder
Wind
Stream
Bubble
Feed
Laugh
Scream
Punch
Heartbeat
Footsteps
A
A
82 A#
70 A#
Maracas 2
Claves 2
B4
C5
83
84
B
C
71
72
B
C
O
O
C#5
D#5
85 C#
73 C#
D5
86
D
74
D
O
87 D#
75 D#
E5
F5
88
89
E
F
76
77
E
F
F#5
G#5
A#5
90 F#
91
92 G#
93
78 F#
79
80 G#
81
Scratch H 2
Scratch L 3
G5
A5
G
G
2
2
A
A
94 A#
82 A#
B5
C6
95
96
B
C
83
84
B
C
Jingle Bells
Bell Tree
Dog
Horse
Bird Tweet 2
Machine Gun
Laser Gun
Explosion
Firework
C#6
D#6
97 C#
85 C#
D6
98
D
86
D
99 D#
87 D#
E6
F6
100
101
E
F
88
89
E
F
F#6
102 F#
90 F#
G6
103
G
91
G
Maou
DGX-630/YPG-635 Owner’s Manual 133
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Style List
Style No.
Style Name
8BEAT
Style No.
Style Name
SaturdayNight
Style No.
111
Style Name
Quickstep
56
57
58
1
2
ChartPianoPop
BritPopRock
8BeatModern
Cool8Beat
DiscoChocolate
DiscoHands
SWING&JAZZ
TradJazzPiano1
TradJazzPiano2
PianoBarBlues
BigBandFast
BigBandMedium
BigBandBallad
BigBandShuffle
JazzClub
112
Tango
113
Pasodoble
Samba
3
114
4
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
115
ChaChaCha
Rumba
5
Classic8Beat
60’sGuitarPop
8BeatAdria
60’s8Beat
116
6
117
Jive
7
TRADITIONAL
USMarch
8
118
119
120
121
122
123
124
125
126
127
128
9
BubblegumPop
BritPopSwing
OffBeat
6-8March
10
11
12
13
14
15
GermanMarch
PolkaPop
60’sRock
Swing1
OberPolka
Tarantella
HardRock
Swing2
RockShuffle
8BeatRock
16BEAT
OrchestraSwing
Five-Four
Showtune
ChristmasSwing
ChristmasWaltz
ScottishReel
Hawaiian
JazzBallad
Dixieland
16
17
18
19
20
21
22
23
24
16Beat
PianoPopShufle
PopShuffle1
PopShuffle2
GuitarPop
Ragtime
AfroCuban
Charleston
R&B
WALTZ
129
130
131
132
133
134
135
136
137
ItalianWaltz
MariachiWaltz
GuitarSerenade
SwingWaltz
JazzWaltz1
JazzWaltz2
CountryWaltz
OberWaltzer
Musette
16BeatUptempo
KoolShuffle
JazzRock
76
77
78
79
80
81
82
83
84
85
Soul
DetroitPop1
60’sRock&Roll
6-8Soul
HipHopLight
BALLAD
CrocoTwist
Rock&Roll
25
26
27
28
29
30
31
32
33
34
35
36
ChartPianoBld
PopGtrBallad
80’sBallad
DetroitPop2
BoogieWoogie
ComboBoogie
6-8Blues
CHILDREN
Learning2-4
Learning4-4
Learning6-8
Fun 3-4
PianoBallad
LoveSong
138
139
140
141
142
6-8ModernEP
6-8SlowRock
6-8OrchBallad
OrganBallad
PopBallad
COUNTRY
70’sCountry
Country8Beat
CountryPop
CountrySwing
CountryBallad
Country2-4
CowboyBoogie
CountryShuffle
Bluegrass
86
87
88
89
90
91
92
93
94
Fun 4-4
PIANIST
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
Stride
16BeatBallad1
16BeatBallad2
DANCE
PianoBlues1
PianoBlues2
PianoRag
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
ClubBeat
PianoRock&Roll
PianoBoogie
PianoJazzWaltz
PianoJazzBld
Arpeggio
Electronica
FunkyHouse
MellowHipHop
EuroTrance
Ibiza
LATIN
95
96
BrazilianSamba
BossaNova
PopBossa
97
Musical
DreamDance
TechnoPolis
Clubdance
ClubLatin
98
Tijuana
Habanera
99
DiscoLatin
SlowRock
100
101
102
103
104
105
106
Mambo
8BtPianoBallad
PianoMarch
6-8PianoMarch
PianoWaltz
PianoBeguine
PianoSwing
Salsa
Garage
Beguine
UKPop
GuitarRumba
RumbaFlamenco
RumbaIsland
Reggae
HipHopGroove
HipShuffle
HipHopPop
DISCO
BALLROOM
VienneseWaltz
EnglishWaltz
Slowfox
52
53
54
55
70’sDisco1
70’sDisco2
LatinDisco
107
108
109
110
DiscoPhilly
Foxtrot
134 DGX-630/YPG-635 Owner’s Manual
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Music Database List
MDB No.
MDB Name
MDB No.
MDB Name
MDB No.
123
MDB Name
Shouting
MDB No.
MDB Name
MDB No.
243
244
245
246
247
248
249
250
251
252
253
254
255
256
MDB Name
Donald's
MoonWlz
MoulinHt
Sunshine
PieceOf
ALL TIME HITS
62
WatchGrl
COUNTRY
1
Jude Hey
New UK
MyLoving
All OK
POP BALLAD
124
Rock&Rll
183
184
185
186
187
188
189
190
191
192
OnTheRd
Breathe
2
63
64
65
66
67
68
69
70
71
72
WnderLnd
CanIStop
EvryTime
IvoryAnd
TheWorld
LovWoman
Dolannes
Madigan
Paradise
Whisper
125
HonkyTnk
3
OLDIES
InMyMind
ContryHw
GreenGrs
EverNeed
Lonesone
Lucille
4
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
Daydream
Sumertme
Diana's
5
Buttercp
JustCall
GreenSlv
TakeFour
TexRose
ThePolka
Scarboro
Edelweis
AroundWd
Whatever
Yankee's
6
7
CheepChp
Daddy's
Uptown
Apache
IGotIt
8
9
Dance?
HomeRng
Tennesse
LATIN
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
GetBack
GtrWheel
HighTide
IWasBorn
Sailing
Tonight
MyPillow
NoRain
BALLAD
193
194
195
196
197
198
199
200
201
202
203
204
205
Bananabt
DanceMng
DntWorry
Jamaica
FleaSpa
I'mPola
73
74
AllOdds
FInalDance
SlpnLion
Ghetto
AtonalFl
Hero
WORLD
BluJeans
Holiday
75
257
258
259
260
261
262
263
264
265
266
267
268
269
Hawaii
76
Woman
LipsLcky
PrettyWm
TikiGtr
D'amor
Imagine
77
RunToYou
LoveOfAl
CndleWnd
Cavatina
Cherish
ElCondor
GoodbyRm
ILandOn
ItalyBel
LoveMe
78
MamboJm
OneNote
PasoCani
SayNoMor
Beguine
LetItBld
79
TurnThre
Sherry
LdyMdona
YelowSub
Marriage
MovinOut
My Shell
NowNever
DoLoveMe
TcktRide
SeeClear
Masachus
Hard Day
USA Pie
Norway
80
81
DANCE & DISCO
Cucarumb
Puntuali
Cielito
82
ToLoveMe
YouKnow
Evrythng
EyesOfBl
Hello
143
Babylon
Goodbye
Catch22
DISCO
83
144
145
146
147
148
149
150
151
152
153
154
155
156
157
Tijuana
84
Picture
ItalySun
SantaLuc
Trumpetr
VanMass
85
ENTERTAINMENT
86
Survival
TheNavy
DontHide
Celebrat
LondonRU
10,2 Sun
ShakeYou
Believe
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
OnTheHil
Barnacle
Califrag
87
BeThere
FlyAway
LoveYou
NeverLet
JustOnce
IfYouGo
SavingAl
InTheDrk
LovePwr
Vision
88
PIANIST
89
DadClock
DanceLd
DnceFire
BigCntry
Cabaret
OdeToJoy
Mi-Re-Do
MyPrince
Necesary
NoBuiz
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
ItalySun
BeGood
Chaie's
90
91
92
Flower
YesterBd
93
Frenetic
Highwy66
Leaves
MODERN POP
94
BoySumer
I'mSexy
34
35
36
37
38
39
40
41
42
43
44
45
46
Watches
SoundMPH
Hold Us
95
96
StuffHot
Miload
97
Beautifl
SWING & JAZZ
Cabaret
Wonderfl
Submarin
Mi-Re-Do
MoreRhum
NoBuiz
Unfound
NeedSome
PrtTmLvr
MoonShdw
NikitSng
Sure of
98
AllAlone
Opposite
BeHonest
SayYou
158
Patrol
99
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
Charles
NoisyOld
Sleigh
100
101
102
103
104
105
106
107
108
109
110
111
GiveLove
Rhythm
RockBasy
Magnifiq
Magnfcnt
SilentNt
SayNthng
Stranger
OneDay
TheBayou
ThisSong
Distance
ThisWay
LoveGone
Inspirng
TrueColr
LOVE
LeroyBad
Caraban
Misbehav
Safari
BeatifulSn
OhBlah
Off Day
Tell Her
Nabucco
Standing
SummerPl
Christms
Favorite
Tubbie
Charades
Sally's
GirlsMne
NeedLove
Smiling
Nabucco
Spanish
SunnyStr
MistyFln
LdnBridg
GrndClck
Importnc
Snowman
Favorite
SugerSpn
Washngtn
ThisWay
ZipperD
POP CLASSICS
SoWhatIs
TimeGone
TasteHny
Sandman
Tunisian
TwoFoot
MyBaby
R&B
47
Standing
RainLaff
Sunshine
ForNamdo
ThankFor
ManPiano
CoinLane
LovesYou
Tmbourin
Alone
48
49
50
51
52
53
54
55
56
57
58
59
60
61
Turkish
ROCK & ROLL
12OClock
112
ShakenUp
Beethovn
HurryLov
BeCruel
WALTZ & TRADITIONAL
113
114
115
116
117
118
119
120
121
122
233
234
235
236
237
238
239
240
241
242
Blk&Whte
CanCan
175
176
177
178
179
180
181
182
AsPlayed
BabyGrov
Highwy66
SweetCHI
JustU&Me
ManLoves
OurLove
Wish I
Charmain
Musicbox
Clementn
Doodah!
Dreamer
EnterRag
Birthday
Jumping
Countdwn
SuePeggy
Champion
Jailhous
GldField
Raindrop
SultanSw
Life'sWk
TopWorld
BlueShoe
Rockin24
MaryLamb
DGX-630/YPG-635 Owner’s Manual 135
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Songs Provided On the Supplied CD-ROM
File Name
001Nutcr.mid
002Orphe.mid
003Slavo.mid
004Prima.mid
005Medit.mid
006Guill.mid
Song Name
Danse des Mirlitons from “The Nutcracker”
“Orphée aux Enfers” Ouverture
Slavonic Dances op.72-2
La Primavera (from Le Quattro Stagioni)
Méditation (Thaïs)
Composer
P.I. Tchaikovsky
J. Offenbach
A. Dvorˇák
A. Vivaldi
J. Massenet
G. Rossini
Guillaume Tell
007Fruhl.mid
008Ungar.mid
009Fruhl.mid
010Dolly.mid
011Cande.mid
012Arabe.mid
013Pasto.mid
014Petit.mid
015Innoc.mid
016Progr.mid
017Taren.mid
018Cheva.mid
019Etude.mid
020Marci.mid
021Turki.mid
022Valse.mid
023Menue.mid
024Momen.mid
025Enter.mid
026Prelu.mid
027Violl.mid
028Angel.mid
029Saraf.mid
030Ameri.mid
031Brown.mid
032Lomon.mid
033Bonni.mid
034Londo.mid
035Banjo.mid
036Vogle.mid
037Lorel.mid
038Funic.mid
039Turke.mid
040Campt.mid
041Jingl.mid
042Muss.mid
043Liebe.mid
044Jesu.mid
045Joy.mid
Frühlingslied
Ungarische Tänze Nr.5
Frühlingsstimmen
Dolly’s Dreaming and Awakening
La Candeur
Arabesque
Pastorale
Petite Réunion
Innocence
Progrès
Tarentelle
La Chevaleresque
Etude op.10-3 “Chanson de l’adieu”
Marcia alla Turca
Turkish March
Valse op.64-1 “Petit Chien”
Menuett
Moments Musicaux op.94-3
The Entertainer
Prelude (Wohltemperierte Klavier 1-1)
La Viollette
Angels Serenade
Krasnyj Sarafan
America the Beautiful
Little Brown Jug
Loch Lomond
My Bonnie
Londonderry Air
Ring de Banjo
Wenn ich ein Vöglein wär ?
Die Lorelei
Funiculi Funicula
Turkey in the Straw
Camptown Races
Jingle Bells
Muss i denn
Liebesträume Nr.3
Jesu, Joy Of Man’s Desiring
Ode to Joy
F. Mendelssohn
J. Brahms
J. Strauss II
T.Oesten
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
J.F.Burgmüller
F.Chopin
L.v. Beethoven
W.A. Mozart
F.Chopin
L. Boccherini
F. Schubert
S. Joplin
J.S. Bach
L.Streabbog
Traditional
Traditional
S.A. Ward
Traditional
Traditional
Traditional
Traditional
S.C. Foster
Traditional
F. Silcher
L. Denza
Traditional
S.C. Foster
J.S. Pierpont
F. Silcher
F. Liszt
J.S. Bach
L.v. Beethoven
G. Bizet
046Pearl.mid
047Gavot.mid
048Seren.mid
049Menue.mid
050Canon.mid
051Vogel.mid
052Piano.mid
053Surpr.mid
054WildR.mid
055Chans.mid
056Babbi.mid
057RowRo.mid
058Smoky.mid
059WeWis.mid
060ImMai.mid
061Chris.mid
062MaryH.mid
063TenLi.mid
064PopGo.mid
065Twink.mid
066Close.mid
067Cucko.mid
068Augus.mid
069Londo.mid
070Three.mid
Pearl Fisher
Gavotte
Serenade/Haydn
F.J. Gossec
F.J. Haydn
J.S. Bach
J. Pachelbel
W.A. Mozart
L.v. Beethoven
F.J. Haydn
E.A. MacDowell
G. Bizet
Menuett BWV. Anh.114
Canon in D
Der Vogelfänger Bin Ich Ja “Die Zauberflöte”
Piano Sonate No.14 op.27-2 “Mondschein”
The “Surprise” Symphony No.94
To a Wild Rose
Chanson du Toreador
O Mio Babbino Caro
Row Row Row Your Boat (DUET)
On Top of Old Smoky (DUET)
We Wish You A Merry Christmas (DUET)
Im Mai (DUET)
O Christmas Tree (DUET)
Mary Had a Little Lamb (DUET)
Ten Little Indians (DUET)
Pop Goes The Weasel (DUET)
Twinkle Twinkle Little Star (DUET)
Close Your Hands, Open Your Hands (DUET)
The Cuckoo (DUET)
O du lieber Augustin (DUET)
London Bridge (DUET)
Three Blind Mice (DUET)
G. Puccini
Traditional
Traditional
Traditional
Traditional
Traditional
Traditional
S. Winner
Traditional
Traditional
J.J. Rousseau
Traditional
Traditional
Traditional
Traditional
The easy song arranger can only be used with songs that include chord data.
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Harmony Type List
No.
1
Harmony Type
01(Standard Duet)
02(Standard Trio)
03(Full Chord)
Description
2
3
4
04(Rock Duet)
5
05(Country Duet)
06(Country Trio)
6
Harmony types 01–10, 13 are pitch-based and add one-, two- or three-note harmonies to the
single-note melody played in the right hand. These types sound when chords are played in the
auto accompaniment range of the keyboard. These Harmony types will also work when playing
songs that contain chord data.
7
07(Block)
8
08(4-Way Close 1)
09(4-Way Close 2)
10(4-Way Open)
11(1+5)
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
12(Octave)
13(Strum)
14(Multi Assign)
15(Echo 1/4)
16(Echo 1/6)
17(Echo 1/8)
18(Echo 1/12)
19(Tremolo 1/8)
20(Tremolo 1/12)
21(Tremolo 1/16)
22(Tremolo 1/32)
23(Trill 1/12)
Types 15–26 are rhythm-based effects and add embellishments or delayed repeats in time with
the auto accompaniment.These types sound whether the auto accompaniment is on or not;
note values in each type let you synchronize the effect precisely to the rhythm. Triplet settings
are also available: 1/6 = quarter-note triplets, 1/12 = eighth-note triplets, 1/24 = sixteenth-note
triplets.
• The Echo effect Types (15–18) create delayed repeats of each note played.
• The Tremolo effect Types (19–22) repeat all held notes (up to four).
• The Trill effect Types (23–26) create two-note trills (alternating notes) when two notes are
held.
24(Trill 1/16)
25(Trill 1/24)
26(Trill 1/32)
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Effect Type List
● Reverb Types
No.
1
Type
Description
MSB
1
LSB
0
HALL1
2
HALL2
1
16
17
18
1
3
HALL3
1
4
HALL4
Reverb simulating the acoustics of a hall.
1
5
HALL5
1
6
HALL M
HALL L
ROOM1
ROOM2
ROOM3
ROOM4
ROOM5
ROOM6
ROOM7
ROOM S
1
6
7
1
7
8
2
16
17
18
19
0
9
2
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
2
2
2
Reverb simulating the acoustics of a room.
2
1
2
2
2
5
ROOM M
ROOM L
2
6
2
7
STAGE1
3
16
17
0
STAGE2
3
Reverb suitable for a solo instrument.
Reverb simulating a plate reverb unit.
STAGE3
3
STAGE4
3
1
PLATE1
4
16
17
0
PLATE2
4
PLATE3
4
GM PLATE
WHITE ROOM
TUNNEL
CANYON
BASEMENT
NO EFFECT
4
7
A unique short reverb with a bit of initial delay.
Simulates a cylindrical space expanding to left and right.
A hypothetical acoustic space which extends without limit.
A bit of initial delay followed by reverb with a unique resonance.
No effect.
16
17
18
19
0
0
0
0
0
0
● Chorus Types
No.
1
Type
Description
MSB
66
66
66
66
65
65
65
65
65
65
65
65
65
66
66
67
67
67
67
67
67
68
68
66
0
LSB
17
8
CHORUS1
2
CHORUS2
3
CHORUS3
16
1
4
CHORUS4
5
CHORUS5
2
6
CHORUS6
0
7
CHORUS7
Conventional chorus program with rich, warm chorusing.
1
8
CHORUS8
8
9
GM CHORUS1
GM CHORUS2
GM CHORUS3
GM CHORUS4
FB CHORUS
CELESTE1
CELESTE2
FLANGER1
FLANGER2
FLANGER3
FLANGER4
FLANGER5
GM FLANGER
SYMPHONIC1
SYMPHONIC2
ROTARY SP5
NO EFFECT
3
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
4
5
6
7
0
A 3-phase LFO adds modulation and spaciousness to the sound.
Creates a sound reminiscent of a jet airplane.
2
8
16
17
1
0
7
16
0
Adds more stages to the modulation of Celeste.
Simulates a rotary speaker.
No effect.
18
0
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Effect Type List
● DSP Types
No.
Type
Description
MSB
1
LSB
0
1
HALL1
2
HALL2
1
16
17
18
1
3
HALL3
1
4
HALL4
Reverb simulating the acoustics of a hall.
1
5
HALL5
1
6
HALL M
HALL L
1
6
7
1
7
8
ROOM1
ROOM2
ROOM3
ROOM4
ROOM5
ROOM6
ROOM7
ROOM S
ROOM M
ROOM L
STAGE1
STAGE2
STAGE3
STAGE4
PLATE1
2
16
17
18
19
0
9
2
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
2
2
2
Reverb simulating the acoustics of a room.
2
1
2
2
2
5
2
6
2
7
3
16
17
0
3
Reverb suitable for a solo instrument.
Reverb simulating a plate reverb unit.
3
3
1
4
16
17
0
PLATE2
4
PLATE3
4
GM PLATE
WHITE ROOM
TUNNEL
CANYON
BASEMENT
DELAY LCR1
DELAY LCR2
4
7
A unique short reverb with a bit of initial delay.
16
17
18
19
5
0
Simulates a cylindrical space expanding to left and right.
A hypothetical acoustic space which extends without limit.
A bit of initial delay followed by reverb with a unique resonance.
0
0
0
16
0
Produces three delayed sounds: L, R and C (center).
5
Produces two delayed sounds: L and R. Two feedback delays are pro-
vided.
32
33
DELAY LR
ECHO
6
7
0
0
Two delayed sounds (L and R), and independent feedback delays for
L and R.
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
CROSS DELAY
TEMPO DELAY
TEMPO ECHO
TEMPO CROSS
KARAOKE1
KARAOKE2
KARAOKE3
ER1
The feedback of the two delayed sounds is crossed.
Tempo-synchronized delay.
8
0
0
8
0
0
1
2
0
1
0
0
17
8
16
1
2
0
1
8
3
4
5
6
7
0
2
21
21
22
20
20
20
9
Tempo-synchronized echo.
Tempo-synchronized cross delay.
Echo for karaoke.
This effect isolates only the early reflection components of the reverb.
ER2
9
GATE REVERB
REVERS GATE
CHORUS1
Simulation of gated reverb.
10
11
66
66
66
66
65
65
65
65
65
65
65
65
65
66
66
Simulation of gated reverb played back in reverse.
CHORUS2
CHORUS3
CHORUS4
CHORUS5
CHORUS6
CHORUS7
Conventional chorus program with rich, warm chorusing.
CHORUS8
GM CHORUS1
GM CHORUS2
GM CHORUS3
GM CHORUS4
FB CHORUS
CELESTE1
CELESTE2
A 3-phase LFO adds modulation and spaciousness to the sound.
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Effect Type List
No.
Type
Description
MSB
68
LSB
16
0
60
61
SYMPHONIC1
Adds more stages to the modulation of Celeste.
SYMPHONIC2
68
ENS DETUNE
(Ensemble Detune)
Chorus effect without modulation, created by adding a slightly pitch-
shifted sound.
62
87
0
63
64
65
66
67
68
69
70
71
72
73
74
FLANGER1
FLANGER2
FLANGER3
FLANGER4
FLANGER5
GM FLANGER
T_FLANGER
PHASER1
67
67
8
16
17
1
67
Creates a sound reminiscent of a jet airplane.
67
67
0
67
7
107
72
0
0
PHASER2
72
8
EP PHASER2
EP PHASER3
T_PHASER
Cyclically modulates the phase to add modulation to the sound.
72
18
16
0
72
108
DIST HEAVY
(Distortion Heavy)
75
76
77
Heavy distortion.
Stereo distortion.
73
73
73
0
8
ST DIST
(Stereo Distortion)
COMP+DIST1
(Compressor + Distortion1)
16
Since a Compressor is included in the first stage, steady distortion
can be produced regardless of changes in input level.
COMP+DIST2
(Compressor + Distortion2)
78
79
80
73
74
74
1
0
8
OVERDRIVE
Adds mild distortion to the sound.
Stereo Overdrive.
ST OD
(Stereo Overdrive)
DIST HARD
(Distortion Hard)
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
75
75
75
75
75
75
98
98
75
75
75
75
75
75
75
75
95
95
16
22
17
23
18
19
0
Hard-edge distortion.
Soft, warm distortion.
DIST HARD2
(Distortion Hard2)
DIST SOFT
(Distortion Soft)
DIST SOFT2
(Distortion Soft2)
ST DIST HARD
(Stereo Distortion Hard)
Hard-edge stereo distortion.
Soft, warm soft distortion.
ST DIST SOFT
(Stereo Distortion Soft)
V_DIST HARD
(V Distortion Hard)
Distortion which simulates vintage tube and fuzz sounds.
A simulation of a guitar amp.
V_DIST SOFT
(V Distortion Soft)
2
AMP SIM1
(Amp Simulator 1)
0
AMP SIM2
(Amp Simulator 2)
1
ST AMP1
(Stereo Amp Simulator1)
20
21
8
ST AMP2
(Stereo Amp Simulator2)
ST AMP3
(Stereo Amp Simulator3)
Stereo amp simulator.
ST AMP4
(Stereo Amp Simulator4)
24
25
26
16
0
ST AMP5
(Stereo Amp Simulator5)
ST AMP6
(Stereo Amp Simulator6)
DST+DELAY1
(Distortion + Delay1)
Distortion and Delay are connected in series.
DST+DELAY2
(Distortion + Delay2)
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Effect Type List
No.
Type
Description
MSB
LSB
OD+DELAY1
(Overdrive + Delay1)
99
95
17
Overdrive and Delay are connected in series.
OD+DELAY2
(Overdrive + Delay2)
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
95
96
1
16
0
CMP+DST+DLY1
(Compressor + Distortion + Delay1)
Compressor, Distortion and Delay are connected in series.
Compressor, Overdrive and Delay are connected in series.
CMP+DST+DLY2
(Compressor + Distortion + Delay2)
96
CMP+OD+DLY1
(Compressor + Overdrive + Delay1)
96
17
1
CMP+OD+DLY2
(Compressor + Overdrive + Delay2)
96
V_DST H+DLY
(V Distortion Hard + Delay)
V Distortion Hard and Delay are connected in series.
V Distortion Soft and Delay are connected in series.
Distortion and Tempo Delay are connected in series.
Overdrive and Tempo Delay are connected in series.
Compressor, Distortion and Tempo Delay are connected in series.
98
1
V_DST S+DLY
(V Distortion Soft + Delay)
98
3
DST+TDLY
(Distortion + Tempo Delay)
100
100
101
101
101
101
101
101
101
103
103
80
0
OD+TDLY
(Overdrive + Tempo Delay)
1
CMP+DST+TDL
(Compressor + Distortion + Tempo Delay)
0
CMP+OD+TDLY1
(Compressor + Overdrive + Tempo Delay1)
1
CMP+OD+TDLY2
(Compressor + Overdrive + Tempo Delay2)
16
17
18
19
20
0
CMP+OD+TDLY3
(Compressor + Overdrive + Tempo Delay3)
Compressor, Overdrive and Tempo Delay are connected in series.
CMP+OD+TDLY4
(Compressor + Overdrive + Tempo Delay4)
CMP+OD+TDLY5
(Compressor + Overdrive + Tempo Delay5)
CMP+OD+TDLY6
(Compressor + Overdrive + Tempo Delay6)
V_DST H+TDLY
(V Distortion Hard + Tempo Delay)
V Distortion Hard and Tempo Delay are connected in series.
V Distortion Soft and Tempo Delay are connected in series.
V_DST S+TDL1
(V Distortion Soft + Tempo Delay1)
1
PITCH CHG1
(Pitch Change1)
16
0
PITCH CHG2
(Pitch Change2)
Changes the pitch of the input signal.
80
PITCH CHG3
(Pitch Change3)
80
1
121
122
AUTO WAH1
AUTO WAH2
78
78
16
0
Cyclically modulates the center frequency of a wah filter.
The output of an Auto Wah can be distorted by Distortion.
AT WAH+DST1
(Auto Wah + Distortion1)
123
124
125
126
78
78
78
78
17
1
AT WAH+DST2
(Auto Wah + Distortion2)
AT WAH+OD1
(Auto Wah + Overdrive1)
18
2
The output of an Auto Wah can be distorted by Overdrive.
AT WAH+OD2
(Auto Wah + Overdrive2)
127
128
TOUCH WAH1
TOUCH WAH2
82
82
0
8
Changes the center frequency of a wah filter according to the input
level.
TC WAH+DST1
(Touch Wah + Distortion1)
129
130
131
132
133
82
82
82
82
82
16
1
The output of an Touch Wah can be distorted by Distortion.
TC WAH+DST2
(Touch Wah + Distortion2)
TC WAH+OD1
(Touch Wah + Overdrive1)
17
2
The output of an Touch Wah can be distorted by Overdrive.
Clavinet Touch Wah
TC WAH+OD2
(Touch Wah + Overdrive2)
CLAVI TC WAH
(Clavi Touch Wah)
18
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Effect Type List
No.
Type
Description
MSB
LSB
EP TC WAH
(EP Touch Wah)
134
135
136
137
138
139
140
141
142
EP Touch Wah
82
19
WH+DST+DLY1
(Wah + Distortion + Delay1)
97
97
16
0
Wah, Distortion and Delay are connected in series.
Wah, Distortion and Tempo Delay are connected in series.
Wah, Overdrive and Delay are connected in series.
WH+DST+DLY2
(Wah + Distortion + Delay2)
WH+DST+TDLY
(Wah + Distortion + Tempo Delay)
102
97
0
WH+OD+DLY1
(Wah + Overdrive + Delay1)
17
1
WH+OD+DLY2
(Wah + Overdrive + Delay2)
97
WH+OD+TDLY1
(Wah + Overdrive + Tempo Delay1)
102
102
105
1
Wah, Overdrive and Tempo Delay are connected in series.
WH+OD+TDLY2
(Wah + Overdrive + Tempo Delay2)
16
0
Multi-band compressor that allows you to adjust the compression
effect for individual frequency bands.
MBAND COMP
Holds down the output level when a specified input level is exceeded.
A sense of attack can also be added to the sound.
143
144
145
COMPRESSOR
NOISE GATE
83
84
69
0
0
Gates the input when the input signal falls below a specified level.
ROTARY SP1
(Rotary Speaker1)
16
ROTARY SP2
(Rotary Speaker2)
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
71
71
70
66
69
71
86
69
86
69
86
69
86
99
99
17
18
17
18
0
ROTARY SP3
(Rotary Speaker3)
ROTARY SP4
(Rotary Speaker4)
Simulates a rotary speaker.
ROTARY SP5
(Rotary Speaker5)
ROTARY SP6
(Rotary Speaker6)
ROTARY SP7
(Rotary Speaker7)
22
0
2WAY ROT SP
(2way Rotary Speaker)
DST+ROT SP
(Distortion + Rotary Speaker)
Distortion and rotary speaker connected in series.
Distortion and 2-way rotary speaker connected in series.
Overdrive and rotary speaker connected in series.
Overdrive and 2-way rotary speaker connected in series.
Amp simulator and rotary speaker connected in series.
Amp simulator and 2-way rotary speaker connected in series.
1
DST+2ROT SP
(Distortion + 2way Rotary Speaker)
1
OD+ROT SP
(Overdrive + Rotary Speaker)
2
OD+2ROT SP
(Overdrive + 2way Rotary Speaker)
2
AMP+ROT SP
(Amp Simulator + Rotary Speaker)
3
AMP+2ROT SP
(Amp Simulator + 2way Rotary Speaker)
3
DUAL ROT SP1
(Dual Rotor Speaker1)
0
Rotary speaker simulation with speed switching.
DUAL ROT SP2
(Dual Rotor Speaker2)
1
161
162
163
164
TREMOLO1
TREMOLO2
TREMOLO3
EP TREMOLO
70
71
70
70
16
19
0
18
Rich Tremolo effect with both volume and pitch modulation.
GT TREMOLO1
(Guitar Tremolo1)
165
166
71
70
20
19
GT TREMOLO2
(Guitar Tremolo2)
167
168
169
170
AUTO PAN1
AUTO PAN2
EP AUTOPAN
AUTO PAN3
71
71
71
71
16
0
Several panning effects that automatically shift the sound position
(left, right, front, back).
21
1
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Effect Type List
No.
Type
Description
MSB
LSB
Equalizer effect that boosts both high and low frequencies, as is typi-
cal in most disco music.
171
EQ DISCO
EQ TEL
76
16
Equalizer effect that cuts both high and low frequencies, to simulate
the sound heard through a telephone receiver.
172
76
17
173
174
2BAND EQ
A stereo EQ with adjustable LOW and HIGH. Ideal for drum Parts.
A mono EQ with adjustable LOW, MID, and HIGH equalizing.
77
76
0
0
3BAND EQ
HM ENHANCE1
(Harmonic Enhancer1)
175
81
16
Adds new harmonics to the input signal to make the sound stand out.
HM ENHANCE2
(Harmonic Enhancer2)
176
177
178
179
180
81
76
85
88
93
0
18
0
ST 3BAND EQ
An EQ which allows equalization of low, mid and high bands.
Attenuates the vocal part of a CD or other source.
Blurs the stereo positioning of the sound to add spatial width.
Adds a vowel sound to the input signal.
VCE CANCEL
(Voice Cancel)
AMBIENCE
0
TALKING MOD
(Talking Modulation)
0
181
182
183
ISOLATOR
NO EFFECT
THRU
Controls the level of a specified frequency band of the input signal.
No effect.
115
0
0
0
0
Bypass without applying an effect.
64
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MIDI Implementation Chart
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MIDI Data Format
NOTE:
<Reverb Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 00H, mmH,
llH, F7H
• mm : Reverb Type MSB
• ll : Reverb Type LSB
1
By default (factory settings) the instrument ordinarily functions
as a 16-channel multi-timbral tone generator, and incoming
data does not affect the panel voices or panel settings. How-
ever, the MIDI messages listed below do affect the panel
voices, auto accompaniment, and songs.
• MIDI Master Tuning
• System exclusive messages for changing the Reverb Type,
Chorus Type and DSP Type.
<Chorus Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 20H, mmH,
llH, F7H
• mm : Chorus Type MSB
• ll : Chorus Type LSB
2
3
Messages for these control change numbers cannot be trans-
mitted from the instrument itself. However, they may be trans-
mitted when playing the accompaniment, song or using the
Harmony effect.
<DSP Type> F0H, 43H, 1nH, 4CH, 02H, 01H, 40H, mmH, llH,
F7H
• mm: DSP Type MSB
• ll: DSP Type LSB
Exclusive
<GM System ON> F0H, 7EH, 7FH, 09H, 01H, F7H
• This message automatically restores all default settings for
the instrument, with the exception of MIDI Master Tuning.
4
5
When the accompaniment is started, an FAH message is trans-
mitted. When accompaniment is stopped, an FCH message is
transmitted. When the clock is set to External, both FAH
(accompaniment start) and FCH (accompaniment stop) are rec-
ognized.
<MIDI Master Volume> F0H, 7FH, 7FH, 04H, 01H, ll, mm, F7H
• This message allows the volume of all channels to be
changed simultaneously (Universal System Exclusive).
• The values of “mm” is used for MIDI Master Volume. (Values
for “ll” are ignored.)
Local ON/OFF
<Local ON> Bn, 7A, 7F
<Local OFF> Bn, 7A, 00
Value for “n” is ignored.
<XG Master Tuning> F0H, 43H, 1nH, 4CH, 00H, 00H, 00H,
ddH, ddH, ddH, ddH, F7H
• This message simultaneously changes the tuning value of
all channels.
• The values of “dd” are used for XG Master Tuning.
• The default value of “dd” are 00H, 04H, 00H, 00H, respec-
tively.
146 DGX-630/YPG-635 Owner’s Manual
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5. DISCLAIMER OF WARRANTY ON SOFTWARE
ATTENTION
You expressly acknowledge and agree that use of the SOFTWARE is at your
sole risk. The SOFTWARE and related documentation are provided “AS IS”
and without warranty of any kind. NOTWITHSTANDING ANY OTHER
PROVISION OF THIS AGREEMENT, YAMAHA EXPRESSLY DIS-
CLAIMS ALL WARRANTIES AS TO THE SOFTWARE, EXPRESS, AND
IMPLIED, INCLUDING BUT NOT LIMITED TO THE IMPLIED WAR-
RANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR
PURPOSE AND NON-INFRINGEMENT OF THIRD PARTY RIGHTS.
SPECIFICALLY, BUT WITHOUT LIMITING THE FOREGOING,
YAMAHA DOES NOT WARRANT THAT THE SOFTWARE WILL MEET
YOUR REQUIREMENTS, THAT THE OPERATION OF THE SOFTWARE
WILL BE UNINTERRUPTED OR ERROR-FREE, OR THAT DEFECTS IN
THE SOFTWARE WILL BE CORRECTED.
SOFTWARE LICENSE AGREEMENT
PLEASE READ THIS SOFTWARE LICENSE AGREEMENT (“AGREE-
MENT”) CAREFULLY BEFORE USING THIS SOFTWARE. YOU ARE
ONLY PERMITTED TO USE THIS SOFTWARE PURSUANT TO THE
TERMS AND CONDITIONS OF THIS AGREEMENT. THIS AGREEMENT
IS BETWEENYOU (AS AN INDIVIDUAL OR LEGAL ENTITY) AND
YAMAHA CORPORATION (“YAMAHA”).
BY BREAKING THE SEAL OF THIS PACKAGE YOU ARE AGREEING
TO BE BOUND BY THE TERMS OF THIS LICENSE. IFYOU DO NOT
AGREE WITH THE TERMS, DO NOT INSTALL, COPY, OR OTHERWISE
USE THIS SOFTWARE.
1. GRANT OF LICENSE AND COPYRIGHT
6. LIMITATION OF LIABILITY
Yamaha hereby grants you the right to use one copy of the software program(s)
and data (“SOFTWARE”) accompanying this Agreement. The term SOFT-
WARE shall encompass any updates to the accompanying software and data.
The SOFTWARE is owned byYamaha and/orYamaha’s licensor(s), and is pro-
tected by relevant copyright laws and all applicable treaty provisions. While
you are entitled to claim ownership of the data created with the use of SOFT-
WARE, the SOFTWARE will continue to be protected under relevant copy-
rights.
YAMAHA’S ENTIRE OBLIGATION HEREUNDER SHALL BE TO PER-
MIT USE OF THE SOFTWARE UNDER THE TERMS HEREOF. IN NO
EVENT SHALLYAMAHA BE LIABLE TO YOU OR ANY OTHER PER-
SON FOR ANY DAMAGES, INCLUDING, WITHOUT LIMITATION, ANY
DIRECT, INDIRECT, INCIDENTAL OR CONSEQUENTIAL DAMAGES,
EXPENSES, LOST PROFITS, LOST DATA OR OTHER DAMAGES ARIS-
ING OUT OF THE USE, MISUSE OR INABILITY TO USE THE SOFT-
WARE, EVEN IFYAMAHA OR AN AUTHORIZED DEALER HAS BEEN
ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. In no event shall
Yamaha’s total liability to you for all damages, losses and causes of action
(whether in contract, tort or otherwise) exceed the amount paid for the SOFT-
WARE.
• You may use the SOFTWARE on a single computer.
• You may make one copy of the SOFTWARE in machine-readable form for
backup purposes only, if the SOFTWARE is on media where such backup
copy is permitted. On the backup copy, you must reproduceYamaha’s copy-
right notice and any other proprietary legends that were on the original copy
of the SOFTWARE.
7.THIRD PARTY SOFTWARE
• You may permanently transfer to a third party all your rights in the SOFT-
WARE, provided that you do not retain any copies and the recipient reads
and agrees to the terms of this Agreement.
Third party software and data (“THIRD PARTY SOFTWARE”) may be
attached to the SOFTWARE. If, in the written materials or the electronic data
accompanying the Software, Yamaha identifies any software and data as
THIRD PARTY SOFTWARE, you acknowledge and agree that you must abide
by the provisions of any Agreement provided with the THIRD PARTY SOFT-
WARE and that the party providing the THIRD PARTY SOFTWARE is
responsible for any warranty or liability related to or arising from the THIRD
PARTY SOFTWARE. Yamaha is not responsible in any way for the THIRD
PARTY SOFTWARE or your use thereof.
• Yamaha provides no express warranties as to the THIRD PARTY SOFT-
WARE. IN ADDITION, YAMAHA EXPRESSLY DISCLAIMS ALL
IMPLIED WARRANTIES, INCLUDING BUT NOT LIMITED TO THE
IMPLIED WARRANTIES OF MERCHANTABILITYAND FITNESS FOR
A PARTICULAR PURPOSE, as to the THIRD PARTY SOFTWARE.
• Yamaha shall not provide you with any service or maintenance as to the
THIRD PARTY SOFTWARE.
2. RESTRICTIONS
• You may not engage in reverse engineering, disassembly, decompilation or
otherwise deriving a source code form of the SOFTWARE by any method
whatsoever.
• You may not reproduce, modify, change, rent, lease, or distribute the SOFT-
WARE in whole or in part, or create derivative works of the SOFTWARE.
• You may not electronically transmit the SOFTWARE from one computer to
another or share the SOFTWARE in a network with other computers.
• You may not use the SOFTWARE to distribute illegal data or data that vio-
lates public policy.
• You may not initiate services based on the use of the SOFTWARE without
permission byYamaha Corporation.
Copyrighted data, including but not limited to MIDI data for songs, obtained
by means of the SOFTWARE, are subject to the following restrictions which
you must observe.
• Data received by means of the SOFTWARE may not be used for any com-
mercial purposes without permission of the copyright owner.
• Data received by means of the SOFTWARE may not be duplicated, trans-
ferred, or distributed, or played back or performed for listeners in public
without permission of the copyright owner.
• Yamaha is not liable to you or any other person for any damages, including,
without limitation, any direct, indirect, incidental or consequential damages,
expenses, lost profits, lost data or other damages arising out of the use, mis-
use or inability to use the THIRD PARTY SOFTWARE.
8. GENERAL
This Agreement shall be interpreted according to and governed by Japanese
law without reference to principles of conflict of laws. Any dispute or proce-
dure shall be heard before the Tokyo District Court in Japan. If for any reason a
court of competent jurisdiction finds any portion of this Agreement to be unen-
forceable, the remainder of this Agreement shall continue in full force and
effect.
• The encryption of data received by means of the SOFTWARE may not be
removed nor may the electronic watermark be modified without permission
of the copyright owner.
3.TERMINATION
This Agreement becomes effective on the day that you receive the SOFT-
WARE and remains effective until terminated. If any copyright law or provi-
sions of this Agreement is violated, the Agreement shall terminate
automatically and immediately without notice fromYamaha. Upon such termi-
nation, you must immediately destroy the licensed SOFTWARE, any accom-
panying written documents and all copies thereof.
9. COMPLETE AGREEMENT
This Agreement constitutes the entire agreement between the parties with
respect to use of the SOFTWARE and any accompanying written materials and
supersedes all prior or contemporaneous understandings or agreements, writ-
ten or oral, regarding the subject matter of this Agreement. No amendment or
revision of this Agreement will be binding unless in writing and signed by a
fully authorized representative of Yamaha.
4. LIMITED WARRANTY ON MEDIA
As to SOFTWARE sold on tangible media,Yamaha warrants that the tangible
media on which the SOFTWARE is recorded will be free from defects in mate-
rials and workmanship under normal use for a period of fourteen (14) days
from the date of receipt, as evidenced by a copy of the receipt.Yamaha’s entire
liability and your exclusive remedy will be replacement of the defective media
if it is returned toYamaha or an authorizedYamaha dealer within fourteen days
with a copy of the receipt. Yamaha is not responsible for replacing media dam-
aged by accident, abuse or misapplication. TO THE FULLEST EXTENT
PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS ANY
IMPLIED WARRANTIES ON THE TANGIBLE MEDIA, INCLUDING THE
IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR
A PARTICULAR PURPOSE.
DGX-630/YPG-635 Owner’s Manual 147
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SIBELIUS SCORCH LICENSE AGREEMENT
By installing and/or using this Product you (an individual or legal entity) agree with the Licensor to be bound by the terms of this License which
will govern your use of the Product. If you do not accept these terms, do not install or use this Product.
The Product is copyright © 1987-2007 Sibelius Software, a division of Avid Technology, Inc, and its licensors.
1. Definitions
4. Disclaimer of Liability
In this License the following words and expressions have the
following meanings:
“License”: this agreement between you and the Licensor and, if
permitted by the context, the conditional license granted to you in
this agreement.
“Licensor”: Avid Technology, Inc., of Avid Technology Park, One
Park West, Tewksbury, MA 01876 USA, through its division Sibelius
Software, of 20-23 City North, Fonthill Road, London N4 3HF, UK
“Product”: the Software and the Documentation.
“Software”: the Sibelius Scorch web browser plug-in, Opus,
Helsinki, Inkpen2 and Reprise font families, any other programs or
files supplied by the Licensor which are included in or with the
Sibelius Scorch installer, and the Sibelius Scorch installer.
“Documentation”: any documentation in any form relating to the
Software supplied to you with the Software or by the Licensor.
4.1 In consideration of the fact that the Product is licensed
hereunder free of charge, (a) the Licensor disclaims any and all
warranties with respect to the Product, whether expressed or
implied, including without limitation any warranties that the
Product is free from defects, will perform in accordance with
the Documentation, is merchantable, or is fit for any particular
purpose, and (b) the Licensor shall not have or incur any
liability to you for any loss, cost, expense or claim (including
without limitation any liability for loss or corruption of data
and loss of profits, revenue or goodwill and any type of special,
indirect or consequential loss) that may arise out of or in
connection with your installation and use of the Product.
5. Termination
5.1 This License shall terminate automatically upon your
destruction of the Product. In addition, the Licensor may elect
to terminate this License in the event of a material breach by
you of any condition of this License or of any of your
representations, warranties, covenants or obligations hereunder.
Upon notification of such termination by the Licensor, you will
immediately delete the Software from your computer and
destroy the Documentation.
2. License
2.1 The Licensor grants to you a non-exclusive non-transferable
license to use this Software in accordance with the
Documentation on any number of computers. Title to the
Product is not transferred to you. Ownership of the Product
remains vested in the Licensor and its licensors, subject to the
rights granted to you under this License. All other rights are
reserved.
6. Miscellaneous
6.1 No failure to exercise and no delay in exercising on the part of
the Licensor of any right, power or privilege arising hereunder
shall operate as a waiver thereof, nor shall any single or partial
exercise of any right, power or privilege preclude any other or
further exercise thereof or the exercise of any other right, power
or privilege. The rights and remedies of the Licensor in
connection herewith are not exclusive of any rights or remedies
provided by law.
2.2 You may make one printout for your own use of any part of the
Documentation provided in electronic form.You shall not make
or permit any third party to make any further copies of any part
of the Product whether in eye or machine-readable form.
2.3 You shall not, and shall not cause or permit any third party to,
(1) translate, enhance, modify, alter or adapt the Product or any
part of it for any purpose (including without limitation for
the purpose of error correction);
6.2 You may not distribute, loan, lease, sub-license, rent or
otherwise transfer the Product to any third party.
(2) create derivative works based on the Product, or cause the
whole or any part of the Product to be combined with or
incorporated into any other program, file or product, for
any purpose; or
(3) use the Software to create files in any format (other than
temporary files created and required by your computer’s
operating system or web browser), including without
limitation screen capture files, files generated from the
Software’s playback, graphics files and print files, for any
purpose, except for creating MIDI files (if permitted by the
Software) for private non-commercial use.
6.3 You agree to the use of your personal data in accordance with
the Licensor’s privacy policy (available from the Licensor or on
www.sibelius.com), which may change from time to time.
6.4 This License is intended by the parties hereto to be a final
expression of their agreement with respect to the subject matter
hereof and a complete and exclusive statement of the terms of
such agreement. This License supercedes any and all prior
understandings, whether written or oral, between you and the
Licensor relating to the subject matter hereof.
6.5 (This section only applies if you are resident in the European
Union:) This License shall be construed and governed by the
laws of England, and both parties agree to submit to the
exclusive jurisdiction of the English courts.
2.4 You shall not, and shall not cause or permit any third party to,
decompile, decode, disassemble or reverse engineer the
Software in whole or in part for any purpose.
2.5 You shall not, and shall not cause any third party to, translate,
convert, decode or reverse engineer any file capable of being
read by any copy or version of the Software or any data
transmitted to or from any copy or version of the Software, in
whole or in part for any purpose.
6.6 (This section only applies if you are not resident in the
European Union:) This License shall be construed and enforced
in accordance with and governed by the laws of the State of
California. Any suit, action or proceeding arising out of or in
any way related or connected to this License shall be brought
and maintained only in the United States District Court for the
Northern District of California, sitting in the City of San
Francisco. Each party irrevocably submits to the jurisdiction of
such federal court over any such suit, action or proceeding.
Each party knowingly, voluntarily and irrevocably waives trial
by jury in any suit, action or proceeding (including any
counterclaim), whether at law or in equity, arising out of or in
any way related or connected to this License or the subject
matter hereof.
2.6 The Product or any part of it must not be used to infringe any
right of copyright or right of privacy, publicity or personality or
any other right whatsoever of any other person or entity.
3. Copyright
3.1 You acknowledge that copyright in the Product as a whole and
in the components of the Product as between you and the
Licensor belongs to the Licensor or its licensors and is
protected by copyright laws, national and international, and all
other applicable laws.
(License v5.0 (DMN), 30 July 2007)
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Specifications
Keyboards
• 88 Graded Hammer Standard keys (A-1–C7),
with Touch Response.
Song
• 30 Preset Songs + 5 User Songs + Accessory CD-ROM Songs
(70)
• Song Clear, Track Clear
• Song Volume
• Song Control: REPEAT & LEARN, A-B REPEAT, PAUSE,
REW, FF, START/STOP
Display
• 320 x 240 dots LCD display (backlit)
Setup
• STANDBY/ON
• MASTER VOLUME: MIN–MAX
• LCD CONTRAST
Performance assistant technology
• Chord, Chord/Free, Melody, Chord/Melody
Recording
Panel Controls
• Song
• SONG, VOICE, STYLE, EASY SONG ARRANGER,
P.A.T. ON/OFF, LESSON L, LESSON R, LESSON START,
METRONOME ON/OFF, PORTABLE GRAND, DEMO,
FUNCTION, MUSIC DATABASE, HARMONY ON/OFF,
DUAL ON/OFF, SPLIT ON/OFF, TEMPO/TAP, [0]–[9], [+],
[-], CATEGORY, Dial, REPEAT & LEARN (ACMP ON/OFF),
A-B REPEAT (INTRO/ENDING/rit.), PAUSE (SYNC START),
START/STOP, REW (MAIN/AUTO FILL), FF (SYNC STOP),
REGIST MEMORY ([MEMORY/BANK], [1], [2]),
SONG MEMORY (REC, [1]–[5], [A]), File Control [MENU],
File Control [EXECUTE], [EXIT], [LYRICS], [SCORE],
DSP ON/OFF
User Song:
Recording Tracks: 1, 2, 3, 4, 5, STYLE
5 Songs
MIDI
• Local On/Off
• Keyboard Out
• Initial Send
• Style Out
• External Clock
• Song Out
Auxiliary jacks
• PHONES/OUTPUT, DC IN 12V, USB TO HOST,
USB TO DEVICE, SUSTAIN, PEDAL UNIT
Amplifier
• 6W + 6W
Realtime Control
• Pitch Bend Wheel
Speakers
• 12cm x 2 + 3cm x 2
Voice
Power Consumption
• 22W
• 130 panel voices + 12 drum/SFX kits + 361 XGlite voices
• Polyphony: 64
• DUAL
• SPLIT
Power Supply
• Adaptor: PA-5D or an equivalent recommended by Yamaha
Dimensions (W x D x H)
• 1,398 x 457 x 153 mm (55-1/16" x 18" x 6")
with keyboard stand:
Style
• 160 Preset Styles + External files
• Style Control: ACMP ON/OFF, SYNC STOP, SYNC START,
START/STOP, INTRO/ENDING/rit.,
MAIN/AUTO FILL
1,405 x 485 x 773 mm (55-1/3" x 19-1/8" x 30-3/8")
Weight
• 18.0kg (39 lbs. 11 oz.)
with keyboard stand: 25.5kg (56 lbs. 3 oz.)
• Fingering:
• Style Volume
Multi Finger, Full Keyboard
Supplied Accessories
• Music Rest
• Keyboard Stand
• AC Power adaptor (May not be included depending on your par-
ticular area.)
Music Database
• 300 + External files
• Accessory CD-ROM
• Owner’s Manual
• Footswitch FC5
Education Feature
• Dictionary
• Lesson 1–3, Repeat & Learn
Registration Memory
Optional Accessories
• Headphones: HPE-150
• Pedal Unit: LP-7
• 8 banks x 2 types
Function
• VOLUME:
• OVERALL:
Style Volume, Song Volume
Tuning, Transpose, Split Point, Touch Sensitiv-
ity, Pitch Bend Range, Chord Fingering
*
Specifications and descriptions in this owner’s manual are for infor-
mation purposes only. Yamaha Corp. reserves the right to change or
modify products or specifications at any time without prior notice.
Since specifications, equipment or options may not be the same in
every locale, please check with your Yamaha dealer.
• MAIN VOICE: Volume, Octave, Pan, Reverb Level,
Chorus Level, DSP Level
• DUAL VOICE: Volume, Octave, Pan, Reverb Level,
Chorus Level, DSP Level
• SPLIT VOICE: Volume, Octave, Pan, Reverb Level,
Chorus Level
• EFFECT:
Reverb Type, Chorus Type, Master EQ Type,
Sustain, DSP Type
• HARMONY:
Harmony Type, Harmony Volume
• Performance assistant technology:
Performance assistant technology Type
PC Mode
• PC:
• MIDI:
Local On/Off, External Clock, Initial Send,
Keyboard Out, Style Out, Song Out
• METRONOME: Time Signature Numerator, Time Signature
Denominator, Metronome Volume, Bell
• SCORE:
• LESSON:
• UTILITY:
Quantize
Lesson Track (R), Lesson Track (L), Grade
Demo Cancel, Language
Effects
• Reverb: 29 types
• Chorus: 24 types
• DSP:
182 types
• Harmony: 26 types
DGX-630/YPG-635 Owner’s Manual 149
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Index
N
O
P
T
TimeSignature
Q
R
U
V
S
X
DGX-630/YPG-635 Owner’s Manual 151
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Limited Warranty
90 DAYS LABOR
1 YEAR PARTS
Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed
below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models
included in the following series of products:
DGX,YPG SERIES OF Portable Grand ELECTRONIC KEYBOARDS
If during the first 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect
in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor.
If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject
to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the
consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as
warranty replacements.
THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICHYAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY
IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO
THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR
INCIDENTAL OR CONSEQUENTIAL DAMAGES.
Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these
limitations and exclusions may not apply to you.
This warranty gives you specific legal rights. You may also have other rights which vary from state to state.
CONSUMERS RESPONSIBILITIES
If warranty service should be required, it is necessary that the consumer assume certain responsibilities:
1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for
assistance. You may also contact Yamaha directly at the address provided below.
2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or toYamaha with an explanation
of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts
under warranty.
3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely.
*Repaired units will be returned PREPAID if warranty service is required within the first 90 days.
IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has
a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed.
4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and
to follow all safety precautions.
EXCLUSIONS
This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to
failures and/or damages that may occur as a result of:
1. Neglect, abuse, abnormal strain, modification or exposure to extremes in temperature or humidity.
2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an
authorized service center, or an authorized service representative of Yamaha.
3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia,
and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country.
Please record the model and serial number of the product you have purchased in the spaces provided below.
Model___________________________ Serial #________________________________ Sales Slip #________________________________
Purchased from____________________________________________________________ Date______________________________________
(Retailer)
YAMAHA CORPORATION OF AMERICA
Electronic Service Division
6600 Orangethorpe Avenue
Buena Park, CA 90620
KEEP THIS DOCUMENT FORYOUR RECORDS. DO NOT MAIL!
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For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
Para detalles sobre productos, contacte su tiendaYamaha más cercana
o el distribuidor autorizado que se lista debajo.
THE NETHERLANDS/
NORTH AMERICA
ASIA
BELGIUM/LUXEMBOURG
CANADA
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music Central Europe GmbH,
Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Yamaha Music & Electronics (China) Co.,Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Tel: 416-298-1311
Tel: 021-6247-2211
FRANCE
U.S.A.
HONG KONG
Yamaha Musique France
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tom Lee Music Co., Ltd.
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
Tel: 714-522-9011
ITALY
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
CENTRAL & SOUTH AMERICA
MEXICO
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
SPAIN/PORTUGAL
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
Yamaha Música Ibérica, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
KOREA
Yamaha Music Korea Ltd.
8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong,
Kangnam-Gu, Seoul, Korea
Tel: 080-004-0022
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
BRAZIL
Yamaha Musical do Brasil Ltda.
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,
CEP 04534-013 Sao Paulo, SP. BRAZIL
Tel: 011-3704-1377
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1, Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
DENMARK
YS Copenhagen Liaison Office
Generatorvej 6A, DK-2730 Herlev, Denmark
Tel: 44 92 49 00
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
SINGAPORE
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
Tel: +507-269-5311
TAIWAN
NORWAY
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Norsk filial av Yamaha Scandinavia AB
Grini Næringspark 1, N-1345 Østerås, Norway
Tel: 67 16 77 70
EUROPE
THE UNITED KINGDOM
Tel: 02-2511-8688
ICELAND
Skifan HF
Yamaha Music U.K. Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
THAILAND
Siam Music Yamaha Co., Ltd.
891/1 Siam Motors Building, 15-16 floor
Rama 1 road, Wangmai, Pathumwan
Bangkok 10330, Thailand
Skeifan 17 P.O. Box 8120, IS-128 Reykjavik, Iceland
Tel: 525 5000
Tel: 01908-366700
RUSSIA
Yamaha Music (Russia)
Office 4015, entrance 2, 21/5 Kuznetskii
Most street, Moscow, 107996, Russia
Tel: 495 626 0660
IRELAND
Danfay Ltd.
Tel: 02-215-2626
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
GERMANY
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
Tel: +81-53-460-2317
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH,
Branch Switzerland
OCEANIA
AFRICA
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
AUSTRALIA
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
AUSTRIA
Yamaha Music Central Europe GmbH,
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
Tel: 3-9693-5111
Tel: +81-53-460-2312
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH,
Branch Austria, CEE Department
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
Tel: 9-634-0099
COUNTRIES AND TRUST
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
OTHER COUNTRIES
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Naka-ku, Hamamatsu,
Japan 430-8650
Yamaha Music Gulf FZE
LOB 16-513, P.O.Box 17328, Jubel Ali,
Dubai, United Arab Emirates
Tel: +971-4-881-5868
POLAND
Yamaha Music Central Europe GmbH
Sp.z. o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
Tel: +81-53-460-2312
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Naka-ku, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
EKB43
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