D01219420B
DP-32SD
Digital Multitrack Recorder
OWNER'S MANUAL
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IMPORTANT SAFETY INSTRUCTIONS
1 Read these instructions.
2 Keep these instructions.
3 Heed all warnings.
The apparatus draws nominal non-operating power
from the AC outlet with its POWER or STANDBY/ON
switch not in the ON position.
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The mains plug is used as the disconnect device, the
disconnect device shall remain readily operable.
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4 Follow all instructions.
Caution should be taken when using earphones or
headphones with the product because excessive sound
pressure (volume) from earphones or headphones can
cause hearing loss.
5 Do not use this apparatus near water.
6 Clean only with dry cloth.
If you are experiencing problems with this product,
contact TEAC for a service referral. Do not use the prod-
uct until it has been repaired.
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7 Do not block any ventilation openings. Install in
accordance with the manufacturer's instructions.
8 Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
CAUTION
Do not expose this apparatus to drips or splashes.
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Do not place any objects filled with liquids, such as
vases, on the apparatus.
9 Do not defeat the safety purpose of the polarized
or grounding-type plug. A polarized plug has two
blades with one wider than the other. A grounding
type plug has two blades and a third grounding
prong. The wide blade or the third prong are
provided for your safety. If the provided plug does
not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
Do not install this apparatus in a confined space such
as a book case or similar unit.
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The apparatus should be located close enough to the
AC outlet so that you can easily grasp the power cord
plug at any time.
If the product uses batteries (including a battery pack
or installed batteries), they should not be exposed to
sunshine, fire or excessive heat.
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10 Protect the power cord from being walked on
or pinched particularly at plugs, convenience
receptacles, and the point where they exit from the
apparatus.
CAUTION for products that use replaceable lithium
batteries: there is danger of explosion if a battery is
replaced with an incorrect type of battery. Replace
only with the same or equivalent type.
11 Only use attachments/accessories specified by the
manufacturer.
12 Use only with the cart, stand, tripod, bracket, or
table specified by the manufacturer, or sold with the
apparatus. When a cart is used, use caution when
moving the cart/apparatus combination to avoid
injury from tip-over.
13 Unplug this apparatus during lightning storms or
when unused for long periods of time.
14 Refer all servicing to qualified service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.
TASCAM DP-32SD
3
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Safety Information
CAUTIONS ABOUT BATTERIES
For European Customers
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This product uses batteries. Misuse of batteries could
cause a leak, rupture or other trouble. Always abide by
the following precautions when using batteries.
Disposal of electrical and electronic equipment
(a) All electrical and electronic equipment should be
disposed of separately from the municipal waste
stream via designated collection facilities appointed
by the government or the local authorities.
Never recharge non-rechargeable batteries. The
batteries could rupture or leak, causing fire or injury.
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(b) By disposing of the electrical and electronic
equipment correctly, you will help save valuable
resources and prevent any potential negative effects
on human health and the environment.
(c) Improper disposal of waste equipment can have
serious effects on the environment and human health
as a result of the presence of hazardous substances in
electrical and electronic equipment.
(d) The crossed out wheeled dust bin symbol indicates
that electrical and electronic equipment must be
collected and disposed of separately from household
waste.
When installing batteries, pay attention to the
polarity indications (plus/minus (+/–) orientation), and
install them correctly in the battery compartment as
indicated. Putting them in backward could make the
batteries rupture or leak, causing fire, injury or stains
around them.
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When you store or dispose batteries, isolate their terminals
with insulation tape or something like that to prevent
them from contacting other batteries or metallic objects.
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When throwing used batteries away, follow the
disposal instructions indicated on the batteries and the
local disposal laws.
Do not use batteries other than those specified. Do not
mix and use new and old batteries or different types of
batteries together. The batteries could rupture or leak,
causing fire, injury or stains around them.
(e) The return and collection systems are available to
the end users. For more detailed information about
disposal of old electrical and electronic equipment,
please contact your city office, waste disposal service
or the shop where you purchased the equipment.
Do not carry or store batteries together with small
metal objects. The batteries could short, causing leak,
rupture or other trouble.
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Do not heat or disassemble batteries. Do not put them
in fire or water. Batteries could rupture or leak, causing
fire, injury or stains around them.
For China
ª
“環境保護使用年限”
If the battery fluid leaks, wipe away any fluid on
the battery case before inserting new batteries. If
the battery fluid gets in an eye, it could cause loss
of eyesight. If fluid does enter an eye, wash it out
thoroughly with clean water without rubbing the eye
and then consult a doctor immediately. If the fluid
gets on a person’s body or clothing, it could cause skin
injuries or burns. If this should happen, wash it off with
clean water and then consult a doctor immediately.
产品有毒有害物质或元素的名称及含量
机种 : DP-32SD 有毒有害物质或元素
铅
汞
镉 六价铬 多溴联苯 多溴二苯醚
品名
(Pb) (Hg) (Cd) (Cr6+) (PBB)
(PBDE)
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1 CHASSIS部份
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2 PCB Assy部份 ×
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3 线材部份
4 附属品部份
5 SEAL部份
6 包装部份
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×
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The unit power should be off when you install and
replace batteries.
○：表示该有毒有害物质在该部件所有均质材料中的含有量
均在 SJ/T11363-2006 标准规定的限量要求以下。
×：表示该有毒有害物质至少在该部件的某一均质材料中的
含量超出 SJ/T11363-2006 标准规定的限量要求。
（针对现在代替技术困难的电子部品及合金中的铅)
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Remove the batteries if you do not plan to use the unit
for a long time. Batteries could rupture or leak, causing
fire, injury or stains around them. If the battery fluid
leaks, wipe away any fluid on the battery compartment
before inserting new batteries.
Do not disassemble a battery. The acid inside the
battery could harm skin or clothing.
•
4
TASCAM DP-32SD
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Contents
Note for customers using both DP-32SD and
1 – Introduction ..............................................7
DP-24 units..................................................................................... 28
Editing names............................................................................... 28
Loading a song............................................................................. 28
Creating a new song................................................................... 29
Saving a song................................................................................ 29
Viewing song information........................................................ 30
Copying songs.............................................................................. 30
Erasing songs ................................................................................ 30
Protecting songs.......................................................................... 31
Deleting unnecessary audio data from a song................. 31
Changing a song name ............................................................. 32
Features..............................................................................................7
Items included with the product..............................................7
Conventions used in this manual .............................................7
Trademarks........................................................................................8
Precautions for placement and use .........................................8
Beware of condensation ..............................................................8
Cleaning the unit............................................................................8
About SD cards................................................................................8
Precautions for use.................................................................8
User registration..............................................................................8
2 - Quick Guide................................................9
6 - Basic Recording........................................33
Playback and mixing .....................................................................9
Preparation................................................................................9
Listening to the demo song............................................. 10
Recording and mastering......................................................... 10
Creating a new song........................................................... 11
Connecting and setting the input sources................. 11
Selecting the input sources ..................................................... 33
Assigning inputs .......................................................................... 33
Setting the track type......................................................... 33
Assigning inputs to mono tracks.................................... 33
Assigning inputs to stereo tracks................................... 33
Assigning inputs to a stereo bus .................................... 33
Checking assignments....................................................... 34
Canceling assignments...................................................... 34
Using phantom power............................................................... 34
Monitoring..................................................................................... 34
Monitor selection................................................................. 34
OL indicators and level meters ............................................... 34
Peak hold display ................................................................. 35
Mixer screen settings ................................................................. 35
Using the input equalizer.................................................. 35
DIGITAL TRIM setting (track only)................................... 36
Sending signals to internal/external effects .............. 36
Enabling insert effects........................................................ 36
Setting the stereo position............................................... 37
Changing the signal phase............................................... 37
Checking the fader level.................................................... 37
Setting levels sent to stereo buses ................................ 37
Solo................................................................................................... 37
Muting tracks ................................................................................ 37
Rehearsing a recording ............................................................. 38
Making the first recording........................................................ 38
Multitrack recording................................................................... 38
Arming tracks for recording ............................................. 38
Adjusting track pan and level settings......................... 38
Input selection and assignment..................................... 38
Setting input levels.............................................................. 39
Recording................................................................................ 39
Undoing an operation ............................................................... 39
Undo feature settings......................................................... 39
Undoing the last operation (single undo)................... 39
Undoing older operations (multiple undo)................ 40
Setting the guitar as the recording source for
TRACK 1 ................................................................................... 12
Adjusting and monitoring the input level.................. 12
Recording a guitar to TRACK 1 ........................................ 12
Playing back the recording............................................... 12
Recording a guitar to TRACK 2 ........................................ 13
Recording a vocal to TRACK 3.......................................... 13
Mixing the tracks.................................................................. 14
Mastering a recording........................................................ 15
Shutting down.............................................................................. 16
3 – Names and Functions of Parts ...............17
Top panel........................................................................................ 17
Display area............................................................................ 18
Operation buttons............................................................... 19
Front panel..................................................................................... 20
Rear panel....................................................................................... 21
Home screen ................................................................................. 21
Menu structure............................................................................. 22
Navigating screens...................................................................... 23
Function button assignments ......................................... 23
Navigation examples.......................................................... 23
4 – Preparation..............................................24
Inserting and removing SD cards .......................................... 24
Inserting an SD card............................................................ 24
Removing the card .............................................................. 24
About write-protected SD cards..................................... 24
Powering the unit........................................................................ 24
Starting up & shutting down................................................... 25
Starting up the unit............................................................. 25
Shutting down ...................................................................... 25
Setting the date and time......................................................... 26
Preparing an SD card for use................................................... 26
Recorder modes........................................................................... 26
Connecting other equipment................................................. 27
Front panel ............................................................................. 27
Rear panel............................................................................... 27
Adjusting the display ................................................................. 27
7 - Recorder Functions..................................41
Punching in and out................................................................... 41
Using a footswitch to punch in/out .............................. 41
Setting the footswitch........................................................ 41
Bouncing tracks............................................................................ 41
Using the bounce function............................................... 42
Checking the bounce result............................................. 42
Direct location function ............................................................ 42
Locating a specified time directly.................................. 42
5 - Song Management ..................................28
TASCAM DP-32SD
5
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Contents
Locating a specified bar/beat directly.......................... 43
Track equalizer ...................................................................... 54
Send effects............................................................................ 55
Creating a master file ................................................................. 55
Setting the start and end points .................................... 55
Creating a master file.......................................................... 55
Exiting Mixdown mode...................................................... 56
Checking the master file ........................................................... 56
Ending master file checking............................................. 56
Using the mastering tools ........................................................ 56
Mastering procedures ........................................................ 56
Using the mastering equalizer........................................ 57
Using mastering compression ........................................ 57
Using normalize.................................................................... 58
Exiting Mastering mode .................................................... 58
Location marks ............................................................................. 43
Setting a location mark...................................................... 43
Skipping to location marks............................................... 43
Deleting a location mark................................................... 43
Returning to zero or the last recording position.............. 43
Fast forwarding and rewinding .............................................. 43
Cueing with the JOG/DATA dial.............................................. 43
Jogging while viewing a waveform .............................. 43
Jogging while listening to audio.................................... 44
Repeat playback........................................................................... 44
Setting IN/OUT points........................................................ 44
Using repeat playback........................................................ 44
Jumpback playback.................................................................... 44
Previewing cue points ............................................................... 45
Automatic punching in and out............................................. 45
Setting punch-in/out points............................................ 45
Checking punch-in/out points........................................ 46
Rehearsing with automatic punching.......................... 46
Recording with automatic punching............................ 46
Checking takes...................................................................... 47
Virtual tracks.................................................................................. 47
Recording to virtual tracks................................................ 47
Assigning virtual tracks...................................................... 47
11 - Various Other Functions........................59
Metronome.................................................................................... 59
Tuner function .............................................................................. 59
PREFERENCE menu settings .................................................... 60
Setting automatic power saving .................................... 60
Setting automatic monitoring ........................................ 60
Setting the song name format........................................ 61
Restoring the initial preference settings............................. 61
Viewing information................................................................... 61
12 - SD Card Management............................62
8 - Track Editing ............................................48
Quick formatting an SD card ................................................... 62
Full formatting an SD card........................................................ 63
Overview of track editing ......................................................... 48
Editing points ........................................................................ 48
Basic editing procedures................................................... 48
Explanation of items ........................................................... 48
COPY/PASTE................................................................................... 49
COPY/INSERT................................................................................. 49
MOVE/PASTE.................................................................................. 50
MOVE/INSERT................................................................................ 50
OPEN (Insert Silence).................................................................. 50
CUT (Remove Part) ...................................................................... 50
SILENCE (Erase Part).................................................................... 51
CLONE TRACK (duplicate track) .............................................. 51
CLEAN OUT (delete track)......................................................... 51
13 - Exchanging Data with a Computer.......64
Operating system requirements ............................................ 64
Connecting to a computer....................................................... 64
Disconnecting....................................................................... 65
Track import and export ........................................................... 65
Importing tracks................................................................... 65
Exporting tracks.................................................................... 66
Deleting files from the AudioDepot folder ........................ 66
14 – Troubleshooting....................................67
15 – Messages ...............................................68
9 - Using Internal Effects ..............................52
General messages........................................................................ 68
Dynamic effects............................................................................ 52
Inserting a dynamic effect................................................ 52
Adjusting dynamic effects................................................ 52
Guitar effects................................................................................. 52
Inserting a guitar effect ..................................................... 52
Adjusting guitar effects ..................................................... 53
Loading guitar effect settings ......................................... 53
Saving guitar effects in the library................................. 53
Send effects ................................................................................... 53
Using send effects................................................................ 53
Adjusting send effects........................................................ 53
Loading send effect settings............................................ 53
Saving send effects in the library................................... 53
16 – Specifications ........................................71
Ratings............................................................................................. 71
Input/output ratings .................................................................. 71
Analog audio input/output ratings............................... 71
Control input/output ratings........................................... 71
Audio performance..................................................................... 71
Operating requirements ........................................................... 71
Dimensional drawings............................................................... 72
General............................................................................................ 72
Block diagram ............................................................................... 73
Level diagram................................................................................ 74
10 - Mixing Down and Mastering Songs .....54
Mixing down tracks..................................................................... 54
Levels and balance .............................................................. 54
Fader group............................................................................ 54
Stereo position (panning)................................................. 54
6
TASCAM DP-32SD
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1 – Introduction
Thank you very much for purchasing the TASCAM DP-32SD
Digital Multitrack Recorder.
Items included with the product
Before connecting and using the unit, please take time to read
this manual thoroughly to ensure you understand how to
properly set up and connect the unit, as well as the operation
of its many useful and convenient functions. After you have
finished reading this manual, please keep it in a safe place for
future reference.
The DP-32SD package contains the following items.
Take care when opening the package not to damage the items.
Keep the package materials for transportation in the future.
Please contact the store where you purchased this unit if any
of these items are missing or have been damaged during
transportation.
You can also download the Owner's Manual from the TEAC
Global Site (http://teac-global.com/).
Main unit........................................................................................ 1
AC adaptor (GPE248-120200-Z).............................................. 1
SD memory card (inserted into the unit) ........................... 1
Owner's Manual (this manual)................................................ 1
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Features
This unit uses SD cards for multitrack recording of up to 8 tracks
and playback of up to 32 tracks simultaneously. Multiple tracks
can be mixed down to a stereo master file using the built-in
mixer functions. Master files created this way can be transferred
to a computer connected by USB. Moreover, since transferring
data between the unit and a computer is possible, you can copy
tracks and master files, and back up song files to a computer.
The warranty is included at the end of this manual.
CAUTION
Always use the included GPE248-120200-Z AC adaptor
with this unit. Moreover, do not use the included AC
adaptor with other equipment. Doing so could cause
malfunction, fire or electric shock.
32-track Digital Multitrack Recorder that uses SD cards as
recording media
Supports SDHC standard for high-capacity SD cards of up to
32GB
Multitrack recorder functions include simultaneous 8-track
recording and 32-track playback (44.1/48kHz, 16/24-bit)
Stereo/mono track type selection function makes changing
track allocation easy
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Conventions used in this manual
Conventions used in this manual are as follows.
Names of buttons, controls, etc. of this unit appear like this:
MENU.
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Text displayed on the LCD display appears like this: MENU
.
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20 track faders and 1 master fader for level adjustment (all 45
mm)
The four buttons beneath the LCD display (F1 to F4) are
function buttons. The functions displayed at the bottom of
each screen are sometimes shown after the button names in
parentheses.
Each track has independent SELECT and REC buttons
+48V phantom power supported mic input
8 balanced mic/line inputs (XLR/TRS combo jacks)
INPUT H supports high-impedance guitar input (6.3mm (1/4")
phone jack)
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Example: F1 (TIMELINE) button, F4 (t) button.
"SD memory card" is abbreviated as "SD card".
Text displayed on a computer monitor appears like this: OK.
Additional information is introduced in the following styles
when needed: TIP, NOTE, and CAUTION.
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Large TFT color display with excellent visibility (3.5-inch)
Independent 3-band equalizers for each input and playback
track
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TIP
Mixing down to a dedicated master file possible
Mastering effects that can be used during mix downs of
master files
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Useful hints when using the unit.
NOTE
Reverb and various other effects that can be adjusted
independently for each playback track
Explanation of actions in special situations, supplementary
explanations, etc.
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Automatic punch in/out
Track bouncing
COPY INSERT, COPY PASTE, MOVE INSERT, MOVE PASTE, OPEN,
CUT, SILENCE, CLONE TRACK and CLEAN OUT track editing
functions
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CAUTION
Instructions that should be followed to avoid injury,
damage to the unit or other equipment, and loss of
data.
Undo and redo functions, including 10-level history setting
option
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Location to marks
Tuner and metronome
Song data and WAVE files can be copied and backed up to a
computer connected by USB 2.0
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Punch in/out and other functions can be assigned to and
controlled by a TASCAM RC-3F footswitch (sold separately)
•
TASCAM DP-32SD
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1 – Introduction
Trademarks
Beware of condensation
TASCAM and PORTASTUDIO are trademarks of TEAC
Corporation, registered in the U.S. and other countries.
SDHC Logo is a trademark of SD-3C, LLC.
If the unit is moved from a cold to a warm place, or used after a
sudden temperature change, there is a danger of condensation;
vapor in the air could condense on the internal mechanism,
making correct operation impossible. To prevent this, or if this
occurs, let the unit sit for one or two hours at the new room
temperature before using.
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Microsoft, Windows, Windows XP, Windows Vista, Windows
7 and Windows 8 are either registered trademarks or
trademarks of Microsoft Corporation in the United States
and/or other countries.
Apple, Macintosh, iMac, Mac OS and Mac OS X are trademarks
of Apple Inc.
Pentium and Intel are trademarks of Intel Corporation in the
U.S. and/or other countries.
Other company names, product names and logos in this
document are the trademarks or registered trademarks of
their respective owners.
Cleaning the unit
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Use a dry soft cloth to wipe the unit clean. Do not clean the unit
with a chemically treated cloth or substances such as thinner
and alcohol. This could damage the surface or change the color
of the unit.
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About SD cards
This unit uses SD cards for recording and playback.
SD and SDHC cards that are at least 512 MB in size can be used.
Any data, including, but not limited to information, described
herein are intended only as illustrations of such data and/or
information and not as the specifications for such data and/
or information. TEAC Corporation disclaims any warranty that
any use of such data and/or information shall be free from
infringement of any third party's intellectual property rights
or other proprietary rights, and further, assumes no liability
of whatsoever nature in the event of any such infringement,
or arising from or connected with or related to the use of
such data and/or information.
A list of SD cards that have been tested with this unit can be
of cards that have not been verified for use with this unit could
result in the unit not functioning properly.
Precautions for use
SD cards are delicate media. In order to avoid damaging a card
or the card slot, please take the following precautions when
handling them.
Do not leave them in extremely hot or cold places.
Do not leave them in extremely humid places.
Do not let them get wet.
Do not put things on top of them or twist them.
Do not hit them.
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This product is designed to help you record and reproduce
sound works to which you own the copyright, or where you
have obtained permission from the copyright holder or the
rightful licensor. Please use the product appropriately.
Under no circumstances will TEAC Corporation be
responsible for the consequences of any illegal copying
performed using the recorder.
Do not remove or insert an SD card when the power is ON.
Using the TEAC Global Site
Precautions for placement and use
You can download the Owner’s Manual necessary for this unit
from the TEAC Global Site (http://teac-global.com/).
The operating temperature should be between 5°C and 35°C
(41°F and 95°F).
Do not install in the following types of places. Doing so could
degrade the sound quality and/or cause malfunctions.
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1. Open the TEAC Global Site (http://teac-global.com/).
2. In the TASCAM Downloads section, click the desired
language to open the Downloads website page for that
language.
Places with significant vibrations or that are otherwise
unstable
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NOTE
Near windows or other places exposed to direct sunlight
Near heaters or other extremely hot places
Extremely cold places
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If the desired language does not appear, click Other Languages.
3. Click the product name in the “Search by Model Name”
section to open the Downloads page for that product.
Places with bad ventilation or high humidity
Very dusty locations
4. Select and download the Owner’s Manual that are needed.
Make sure that the unit is mounted in a level position for
correct operation.
Do not place any object on the unit for heat dissipation.
Avoid installing this unit on top of any heat-generating
electrical device such as a power amplifier.
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User registration
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Customers in the USA, please visit the TASCAM website (http://
tascam.com/) to register as a user online.
8
TASCAM DP-32SD
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2 - Quick Guide
4. Press and hold the STANDBY/ON button for a few seconds
on the rear panel to turn the power ON. When the unit starts,
the Home screen opens on the display.
Playback and mixing
In this section, we will play back the demo song on the included
SD card.
When this unit is purchased new, an SD card with the demo
song on it is already inserted in the unit, but we will start by
explaining how to insert an SD card using the procedures below.
Preparation
1. Insert the included SD card into the SD card slot on the rear
panel. Be careful not to forcibly insert the card in the wrong
direction. Doing so could damage the SD card slot or the SD
card.
Start-up screen
2. Connect the supplied AC adaptor (GPE248-120200-Z) to the
DC IN 12V jack on the rear panel.
Home screen
AC outlet
CAUTION
Do not remove or insert an SD card when the power is
ON. Always turn the power off (put in standby) before
removing or inserting an SD card.
When the power is ON, do not disconnect the power cord
or otherwise interrupt the power to the unit. Doing so will
cause all settings made since the last time you saved to be
lost. If the power is interrupted while an SD card is being
accessed, all recorded songs and data on the card could be
damaged beyond recovery.
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DC plug
Before turning the power ON, minimize the headphones
volume and the volume on any monitoring system
connected to this unit.
•
CAUTION
Always use the included GPE248-120200-Z AC adaptor.
Use of a different adapter could cause malfunction, fire
or electric shock.
TIP
By connecting an amplifier or powered speakers to the MONITOR
OUT jacks, you can monitor using speakers.
3. Connect headphones to the PHONES jack on the front
panel.
Headphones
TASCAM DP-32SD
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2 - Quick Guide
6. Press the F2 (YES) button to load the demo song.
Listening to the demo song
The included SD card in the unit contains a demo song. We
will use this demo song to practice listening to and mixing a
recording.
The demo song is loaded and the window closes, but the
SONGLISTscreen remains open.
1. Press the HOME button to open the Home screen.
7. Press the HOME button to return to the Home screen.
8. Press the PLAY (t) button, and raise the levels of the track
and STEREO faders and the MONITOR LEVEL knob to listen
to the demo song.
2. When the recorder is stopped, press the MENU button to
open the MENUscreen.
The STEREO fader adjusts the overall volume of the mixer
output. When the STEREO fader is at 0dB the overall level is
neither increased nor decreased.
Use the track faders to adjust the balance of the tracks.
Use the MONITOR LEVEL knob to adjust the final
monitoring volume.
9. Press the MIXER button to open the Mixerscreen.
3. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) SONG, and then press the
F4 (t) button.
The SONGLISTscreen opens.
10. Press a SOURCE buttons to select an input (A-H) or press a
SELECT button to select a track to be set. Then use the PAN
knob to set the stereo position of that input or track. Repeat
for other inputs and tracks.
TIP
Press the STOP (8) and REW (m) buttons at the same time
to use the TO ZERO function to return to the beginning of the
song (ZERO point).
If you press the wrong button and open a different screen, you
can press the HOME button to return to the Home screen at any
time.
•
•
4. Use the JOG/DATA dial or the CURSOR (5/b) buttons to
select DEMOSONG, and then press the F4 (t) button to
open a menu list.
Recording and mastering
In this section we will practice multitrack recording.
Here we will explain how to connect electric guitars to INPUT H
and external microphones to INPUT B.
5. Use the JOG/DATA dial or the CURSOR (5/b) buttons to
select LOAD, and then press the F4 (t) button.
The SONGLOADpop-up window appears.
In the following example, we will explain how to record an
electric guitar rhythm part to track 1 and a lead guitar part to
track 2. Then, we will use an external microphone to record
vocals to track 3. Finally, we will mix down the tracks to stereo.
We will assume that you have already followed the instructions
in the previous section, and that you have connected
headphones or other monitoring equipment, started the unit
and inserted an SD card.
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2 - Quick Guide
7. Press the F2 (YES) button.
Creating a new song
1. When the recorder is stopped, press the MENU button to
The currently loaded song is saved and a new song is
created.
open the MENUscreen.
8. Press the HOME button to return to the Home screen.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) SONG, and then press the
Connecting and setting the input sources
F4 (t) button.
The SONGLISTscreen opens.
1. Connect an electric guitar to the MIC/LINE INPUTS H jack
on the rear panel.
3. Press the F4 (t) button to open the menu list and then use
Guitar
the JOG/DATA dial or the CURSOR (5/b) buttons to select
CREATE
.
2. Set the LINE-GUITAR switch on the rear panel to GUITAR.
4. Press the F4 (t) button to open the SONGCREATEpop-
up window.
The GUITAR indicator lights.
GUITAR indicator
The created song is given the name SONG_0002
.
5. Change the name (title) of the song if necessary in the Name
6. Use the CURSOR (5/b) buttons to move the cursor
(highlighted blue) to select Bit(bit rate) or Hz(sampling
frequency), and then use the JOG/DATA dial to set it as
desired.
Now the guitar is the input source for INPUT H.
TIP
When connecting an electric-acoustic guitar with a built-in preamp
or an active-type electric guitar, or when using an effects pedal, for
example, between the guitar and this unit, set the LINE-GUITAR
switch to LINE on the rear panel.
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2 - Quick Guide
3. Use the TRIM knob for INPUT H to adjust the guitar input
level. Set the TRIM knob so that the OL indicator for INPUT
H does not light even when the loudest sound to be
recorded is input.
Setting the guitar as the recording source
for TRACK 1
When you press the ASSIGN button to open the Assign screen,
the default screen setting for the recording source is A(INPUT
A) for TRACK 1, B(INPUT B) for TRACK 2, C(INPUT C) for TRACK
page 33.)
If the OL indicator continues to light even when the TRIM
knob is turned down, the guitar signal itself is too loud. In
this case, lower the output level on the guitar.
OL indicator
Since initially INPUT H is set only as the recording source for
TRACK 8, you must change the TRACK 1 recording source.
Follow these procedures to change the recording source of
TRACK 1.
1. Press the ASSIGN button to open the Assign screen.
When you play the guitar, level meter 1(TRACK 1) shows the
input level on the display.
2. Use the CURSOR (5/b/g/t) buttons or press the
SELECT button for TRACK 1 to move the cursor (frame) on
the Assign screen with TRACK1
3. Use the JOG/DATA dial or the SOURCE button for INPUT H
to set the recording source of TRACK 1 to H
.
When you raise the fader for TRACK 1, the STEREO fader
and the MONITOR LEVEL knob, you will be able hear the
sound of the guitar through the headphones (or monitoring
system), and the Land Rlevel meters will move.
.
NOTE
You can use the PAN knob for TRACK 1 on the Mixer screen to set
the stereo position for monitoring.
If the REC button for TRACK 1 is not lit, you will not be able to
hear the guitar sound that is being input.
•
•
Recording a guitar to TRACK 1
Adjusting and monitoring the input level
1. Press the HOME button to return to the Home screen.
1. Press the RECORD (0) button to start recording and play
the guitar.
The REC button for TRACK 1 stops flashing and lights steadily
when recording.
2. After you finish your performance, press the STOP (8)
button to stop recording.
The recorded file is saved in the folder of the currently
loaded song.
3. Press the REC button for TRACK 1 so the REC button
becomes unlit.
2. Press the REC button for TRACK 1.
The REC button flashes and the unit enters recording
standby.
Playing back the recording
1. To return to the beginning of the song (ZERO point), press
and hold the STOP (8) button and press the REW (m) (TO
ZERO) button.
2. Press the PLAY (t) button to play back the recording on
TRACK 1.
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3. Use the fader for TRACK 1 and the STEREO fader to adjust
the playback monitoring level. Use the MONITOR LEVEL
knob to adjust the final monitoring volume.
5. Return to the beginning of the song (ZERO point) and start
playback of the recorded rhythm guitar to practice the lead
guitar part along with the recording.
Raise the fader for TRACK 2 to hear the input guitar signal
along with the TRACK 1 playback signal through your
headphones or monitoring system.
TIP
Use the PAN knob for TRACK 1 on the Mixer screen to set the stereo
position of the track signal.
6. As necessary, use the TRACK 1, 2 and STEREO faders and
MONITOR LEVEL knob to adjust the monitoring level and
balance and the PAN knob to adjust the stereo positions.
Recording a guitar to TRACK 2
Next, you can listen to the rhythm guitar on TRACK 1 as you play
the lead guitar part and record it on TRACK 2.
7. Return to the beginning of the song, press the RECORD (0)
button to start recording, and play the lead guitar part.
Follow these procedures to change the recording source of
TRACK 2.
The RECORD (0) button lights red and the REC indicator for
TRACK 2 stops flashing and stays lit while recording.
1. Press the ASSIGN button to open the Assign screen.
8. After you finish your performance, press the STOP (8)
button to stop recording.
The recorded file is saved in the folder of the currently
loaded song.
9. Press the REC button for TRACK 2 so the REC button
becomes unlit.
Recording a vocal to TRACK 3
1. Press the ASSIGN button to open the Assign screen.
We want to record the lead guitar sound from INPUT H to
TRACK 2, but INPUT B is assigned to TRACK 2 by default.
2. Use the CURSOR (5/b/g/t) buttons or press the
SELECT button for TRACK 2 to move the cursor (frame) on
the Assign screen to TRACK2
Use the JOG/DATA dial or press the SOURCE button for
INPUT H to set the TRACK 2 recording source to H
.
.
2. Use the CURSOR (5/b/g/t) buttons or press the
SELECT button for TRACK 3 to move the cursor (frame) on
the Assign screen to TRACK3
Use the JOG/DATA dial or press the SOURCE button for
INPUT B to set the TRACK 3 recording source to B
.
.
3. Press the HOME button to return to the Home screen.
3. Press the HOME button to return to the Home screen.
4. Press the REC button for TRACK 2.
Its REC indicator blinks and the unit enters recording
standby.
When you play the guitar, the input level is shown by the 2
level meter (TRACK 2).
4. Press the REC button for TRACK 3.
The REC indicator blinks and the unit enters recording
standby.
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5. Use the TRIM knob for INPUT B to adjust the input level
suitably for the mic. Set the TRIM knob so that the OL
indicator for INPUT B does not light even when the loudest
sound to be recorded is input.
Mixing the tracks
Once you have finished your recording, you are ready to mix
down and create a master file.
1. Use the faders for TRACKS 1 to 3 to balance their levels. Use
OL indicator
the STEREO fader to adjust the overall level.
2. Press the MIXER button to open the Mixer screen.
Press the SELECT buttons for TRACKS 1 to 3 to select the
track to be adjusted and then use the PAN knob to set its
stereo position.
When you input a sound through an external microphone,
the input level is shown by the 3level meter.
3. Set the IN point.
The interval from the IN point to the OUT point will be used
for the master file.
Play back the song, press and hold the MARK SET button
and press the IN button at the point where you want to start
the master file.
When you raise the fader for TRACK 3, the STEREO fader and
the MONITOR LEVEL knob, you can hear the sound of the
mic input through the headphones.
The position where you press the button is set as the IN
point, which is where the mix down will start.
NOTE
If the OL indicator continues to light even when the TRIM knob is
turned down, the mic signal itself is too loud. In this case, move the
mic further away from the sound source or lower the volume of the
sound source.
4. Set the OUT point.
Play back the song, press and hold the MARK SET button
and press the OUT button where you want to end the
master file.
6. Return to the beginning of the song, start playback of the
recorded rhythm and lead guitar parts, and practice singing
along with the recording.
The position where you press the button is set as the OUT
point, which is where the mix down will end.
TIP
You can hear the playback of the recorded guitar parts on
tracks 1 and 2 along with the vocal on your headphones.
You can also press and hold the MARK SET button and press the IN
or OUT button to set the IN or OUT point when playback is stopped.
7. As necessary, use the TRACK 1, 2, 3 and STEREO faders and
the MONITOR LEVEL knob to adjust the monitoring level
and balance and the PAN knob to adjust the stereo positions.
5. Press the MIXDOWN/MASTERING button.
The recorder switches to Mixdownmode and the display
returns to the Home screen.
8. Return to the beginning of the song, press the RECORD
(0) button to start recording, and then sing along with the
recording.
The RECORD (0) button lights red, and the REC indicator
for TRACK 3 stops flashing and stays lit while recording.
9. After you finish your performance, press the STOP (8)
button to stop recording.
The recorded file is saved in the folder of the currently
loaded song.
10. Press the REC button for TRACK 3 so that the REC button
NOTE
becomes unlit.
When in Mixdown mode, Mixdownappears in the upper left of
the Home screen.
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6. Press the RECORD (0) button.
Applying equalization
In this example, we will use the equalizer on the master file to
reduce high frequencies and increase low frequencies slightly.
ª
Master file recording starts.
Recording stops automatically when the OUT point is
reached.
1. When in Masteringmode, press the F1 (EQ) button to
open the EQUALIZERscreen.
NOTE
The IN and OUT points must be at least 4 seconds apart.
If the interval is shorter than 4 seconds, the message I/
OTooShortwill appear and the Recorder mode cannot
switch to Mixdownmode.
•
During recording, you can use the track faders to adjust the
levels of the tracks and the overall level.
You can also use the equalizer or reverb effect while recording
•
•
2. Turn the EQ HIGH GAIN knob left to lower the HIGHGAIN
knob on the screen to "-2dB". This reduces the high
frequencies.
You can mute unwanted tracks so that they are not recorded to
•
3. Next turn the EQ MID GAIN knob left to lower the
Mastering a recording
You can adjust the sound or the master file to your liking. This
process is called mastering.
MIDGAINto "-2dB". This reduces the mid frequencies.
4. Next, turn the EQ LOW GAIN knob right to raise the
LOWGAINknob on the screen to "+6dB". This increase the
low frequencies.
Checking the master file
1. When in Mixdownmode, press the MIXDOWN/
5. Press the ON/OFF button to the right of the LOW knobs to
turn the equalizer ON.
ª
MASTERING button to open the Masteringscreen.
The recorder switches to Masteringmode and the
display returns to the Home screen.
6. Press the F1 (g) button to return to the Mastering
screen.
7. Press the PLAY (t) button to listen to the master file with
equalization.
NOTE
When in Mastering mode, Masteringappears on the upper
left corner of the Home screen.
If a master file does not exist, the recorder mode cannot switch
to Masteringmode.
If the recorder is in MultiTrackmode, press the
MIXDOWN/MASTERING button to switch to Mixdownmode,
and then press the MIXDOWN/MASTERING button again to
switch to Masteringmode.
•
•
•
Applying compression
Use the compressor on the master file to adjust the dynamics
and loudness of the entire song.
ª
1. When in Masteringmode, press the F2 (COMP) button to
open the COMPMULTIscreen.
2. In this mode, press the PLAY (t) button to listen to the
master file that you have created.
NOTE
Confirm that both the EQand COMPitems are set to OFF
.
•
•
If either is set to ON, the sound heard will be affected by the
equalizer and/or compressor. (See “Using the mastering
page 57.)
In Masteringmode, the STEREO fader cannot be used to
adjust the level.
2. Press the F3 (LIBRARY) button to open the library list.
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3. Use the JOG/DATA dial to select (highlight blue) an item in
Shutting down
the list and then press the F4 (t) button to load a suitable
setting from the library.
Turn the unit off when you are done using it.
The library list closes.
1. Press the HOME button to open the Home screen.
TIP
You can also adjust the parameters on the COMPMULTIscreen
4. Press the F4 (ON) button to turn the compressor on.
The OFFicon changes to ON
.
2. Press and hold the STANDBY/ON button on the rear panel
until DIGITALPORTASTUDIOappears on the display.
5. Press the F1 (g) button to return to the Mastering
screen.
6. Press the PLAY (t) button on the Masteringscreen to
listen to the master file with compression.
When the unit completes its automatic shutdown procedure,
which includes keeping a record of various information
about operations that have been performed until now, the
power turns off (enters standby mode).
NOTE
If the EQitem is set to ONon the EQUALIZERscreen, the effect of
the equalizer on the sound will also be heard.
Always use the procedure above to turn the power off
properly.
Normalizing
Normalizing maximizes the volume of the master file without
changing the dynamic range.
ª
CAUTION
When the power is ON, do not disconnect the power
cord or otherwise interrupt the power to the unit. Doing
so will cause all settings made since the last time you
saved to be lost. If the power is interrupted while an SD
card is being accessed, all recorded songs and data on
the card could be damaged beyond recovery.
1. When in Masteringmode, press the F4 (NORM) button to
open the NORMALIZEscreen.
2. Press the F2 (YES) button to perform the normalization.
3. Press the F1 (g) button to return to the Mastering
screen.
Re-recording the master file
ª
Re-record the master file with equalization and compression
applied to create a new master file.
1. When in Masteringmode, press the RECORD (0)
button.
2. This will record over the master file and create a new master
file with equalization and compression applied.
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3 – Names and Functions of Parts
Top panel
Supplying phantom power to some types of ribbon
microphones could break them. Do not supply phantom
power to a ribbon microphone if you are in doubt.
•
1 GUITAR indicator
This indicator lights when the LINE-GUITAR switch on the
rear panel is set to GUITAR.
4 OL indicators (A-H)
2 Display area
These indicators light when the input source signal is too
loud.
While viewing the screen, use the JOG/DATA dial or the
CURSOR (5/b/g/t) buttons to, for example, return
to the Home screen, open the MENUscreen, assign input
signals to tracks and change parameters for each input and
5 TRIM knobs (A-H)
Use these knobs to adjust input levels. (See “Making the first
3 PHANTOM (+48V) buttons/indicators
6 SOURCE buttons/indicators
Use these buttons to turn phantom power on/off for MIC/
LINE INPUTS A-D and E-H on the rear panel.
When you press one of these buttons, the corresponding
input (INPUT A to H) is selected as the input source (and its
button lights).
The PHANTOM indicators light when phantom power is
turned on for each set of inputs.
Operation of mixer controls and other functions affect the
selected input.
When the GUITAR indicator is lit, even if phantom (+48V)
power is ON (indicator lit) for E-H, INPUT H will not receive
phantom power.
These buttons are also used to assign input sources to tracks.
7 MUTE (solo) indicators
CAUTION
These indicators light when a track is muted or soloed. When
the SOLO button is not lit, it indicates the track is muted.
When the SOLO button is lit, it indicates the track is soloed.
Use the STEREO fader to lower the output volume of the
unit before turning phantom power on or off. Depending
on the microphone, a loud noise could occur, possibly
damaging equipment and harming people's hearing.
•
Do not connect or disconnect a microphone when phantom
power is turned on.
Turn phantom power on only when using a condenser
microphone that requires phantom power.
Do not supply phantom power to an unbalanced dynamic
microphone.
•
•
•
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3 – Names and Functions of Parts
8 REC buttons/indicators
u STOP (8) button
Use these buttons to enable (arm) or disable recording for
each track.
Use this button to stop playback, recording and fast-
forwarding/rewinding. Press at the same time as you press
the REW (m) (TO ZERO) button or F FWD (,) (TO
LAST REC) button to locate the beginning of the song
(00:00:00:00= ZERO point) or the last recording
position (LAST REC point). (See “Returning to zero or the last
To monitor a track's input sound through headphones
or a monitoring system, press the REC button for the
corresponding track.
When recording is enabled for a track, the REC button
flashes when the recorder is stopped, and lights during
i PLAY (t) button/indicator
Press to start playback.
During recording, press to stop recording and start playback
(punch out).
9 SELECT buttons/indicators
When you press one of these buttons, the corresponding
track (1 to 31/32) is selected as the current channel (its
button lights).
During playback or recording, the PLAY (t) button lights.
o RECORD (0) button/indicator
The mixer and other functions affect the current channel.
These buttons are also used for the following purposes.
Press to start recording.
This button lights during recording. During playback, if
you press this button when a track REC button is flashing,
recording to that track will begin (punch in). (See “Automatic
To assign an input source to a track (See “Assigning
•
•
•
Display area
To select tracks in a fader group
0 TRACK faders (1–31/32)
Use these faders to adjust the monitoring level of each
track's playback signal or input signal assigned to the track.
q Operation buttons
Use these buttons to activate/deactivate functions or make
w FADER GROUP button/indicator
Press to set a fader group.
54.)
e STEREO SELECT button/indicator
When the Assign screen is open, you can press to move the
cursor from the TRACKdisplay area to the STEREOBUS
display area, and set the input for the stereo bus. (See
p Color display
This 3.5-inch TFT display with 320x240 resolution shows
various types of information.
r STEREO fader
NOTE
Use this fader to adjust the stereo signal level output from
the STEREO OUT jacks and PHONES jack. Use this fader also
to adjust the recording level when bouncing or mixing down
tracks.
The display is produced with extremely high-precision
manufacturing technologies. More than 99.99% of the pixels
operate to specification. Less than 0.01% of the pixels may
occasionally misfire or appear as red or black dots. This is not a
malfunction.
t REW (m) (TO ZERO) button
When stopped or playing back, press and hold this button to
rewind. Rewinding is at a fixed 10x speed.
a GAIN (HIGH/MID/LOW) knobs
Use these knobs to adjust the equalizer gain of each band.
Press briefly to jump to the previous mark.
Press and hold the STOP (8) button and press to locate the
beginning of the song (00:00:00:00= ZERO point). (See
43.)
s FREQ (HIGH/MID/LOW) knobs
Use these knobs to adjust the center frequency of each
35.)
y F FWD (,) (TO LAST REC) button
d Q knob
When stopped or playing back, press and hold this button to
fast-forward. Fast-forwarding is at a fixed 10x speed.
Use this knob to adjust the width of the MID equalizer band.
Press briefly to jump to the next mark.
f EQUALIZER ON/OFF button
Press and hold the STOP (8) button and press to locate the
last recording position (LAST REC point). (See “Returning to
Use this button to turn the equalizer on and off. (See “Using
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3 – Names and Functions of Parts
g JOG/DATA dial
Operation buttons
When the Home screen is open, you can use this dial for
transport jog operations. (See “Cueing with the JOG/DATA
Use this dial to change parameter values and select items
when using menus.
h ASSIGN button/indicator
Use this button to set the track type for tracks 9/10–31/32
and set (assign) the input (INPUT A to H) for each track.
When you press this button, the Assign screen opens. The
input signal of the assigned input source becomes the
j MIXER button/indicator
Press to open the Mixer screen.
On this screen, you can adjust the settings for the selected
input (INPUT A to H) or track (including GROUP) that is
, SOLO button/indicator
Press to switch to Solo mode (the button lights). (See “Solo”
k DYNAMICS button/indicator
. MUTE button/indicator
Pressing this button opens a screen to adjust the settings
for the effects applied to the inputs (INPUT A to H). (See
Press to switch to Mute mode (the button lights). (See
/ TRACK EDIT button
l EFFECT button/indicator
Pressing this button opens a screen to make adjustments
! VIRTUAL TRACK button/indicator
; MENU button
@ BOUNCE button/indicator
page 22.)
Press to switch to Bounce recording mode (the button
z HOME button
21.)
# MIXDOWN/MASTERING button/indicator
Press to cycle through the MultiTrack, Mixdownand
Masteringmodes. Mastering mode is only available
x F1 to F4 (function) buttons
The functions of these buttons depend on the currently
open screen. The functions currently assigned to the F1 to
F4 buttons are shown at the bottom of the screen.
c PAN knob
Use this knob to adjust the stereo position of the track's
playback signal or the input signal assigned to that track. (See
NOTE
The current mode is shown on the Home screen.
$ METRONOME button/indicator
v SEND EFF 1/EFF 2 knobs
Press to set the metronome.
Use these knobs to adjust the amount of track signal output
to the EFFECT SENDS jacks.
The button flashes in time with the set tempo. (See
Use the SEND EFF 1 knob also to adjust the amount of track
signal sent to the internal effects. (See “Sending signals to
% UNDO/REDO button/indicator
Press to undo the immediately previous action (single
undo) or to cancel the last undo (redo). (See “Undoing an
b SEND MASTER 1/MASTER 2 knobs
Use these knobs to adjust the amount of master track signal
output to the EFFECT SENDS jacks.
After a single or multiple undo, the UNDO/REDO button
lights, showing that an operation has been undone.
Use the SEND MASTER 1 knob also to adjust the amount of
master track signal sent to the internal effects. (See “Sending
^ MONITOR SELECT button
Press to open the MONITORSELECTpop-up window on
n CURSOR (5/b/g/t) buttons
Use these buttons to move the cursor on the screen.
& MONITOR LEVEL knob
Use this knob to adjust the level of the signals output from
the MONITOR OUT jacks.
m JOG PLAY button
Press to switch to Search mode.
* MARK SET button
During recording or playback, press to set a mark manually.
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3 – Names and Functions of Parts
( AUTO PUNCH button/indicator
W OUT button
Press to turn automatic punching on and off.
Press to locate the OUT point.
When auto punch is on, AutoPunchappears on the Home
Press and hold the MARK SET button and press to set the
OUT point.
Press and hold the JUMPBACK (PREVIEW) button and press
this to start post-roll playback from the current position for a
set amount of time, then return to the current position and
) IN button
Press to locate the IN point.
Press and hold the MARK SET button and press to set the IN
point.
E REPEAT button/indicator
Press and hold the JUMPBACK (PREVIEW) button and press
this to start pre-roll playback up to the current position
Press to this button to turn Repeat Playback mode on and
R JUMPBACK (PREVIEW) button
Q REHEARSE button/indicator
Press to rewind a set number of seconds from the current
page 44.)
Use this button to turn Rehearse mode on and off. In
addition to auto punch in/out, you can also use the Rehearse
mode for ordinary recording. (See “Rehearsing a recording”
T REC SAFE button
Press to disable recording on all tracks.
Front panel
Y PHONES jack
U REMOTE jack (2.5mm TRS)
Use this standard stereo jack to connect stereo headphones.
Connect a TASCAM RC-3F footswitch (sold separately) here to
remotely control a variety of operations, including punching
in and out (starting and stopping recording).
Use the MONITOR LEVEL knob on the top panel to adjust
the volume output from this jack.
CAUTION
Before connecting headphones, use the MONITOR
LEVEL knob on the top panel to set to the volume to
minimum. A loud noise could occur, which might result
in damage to equipment and people's hearing.
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3 – Names and Functions of Parts
Rear panel
I STANDBY/ON button
D MONITOR OUT jacks (standard balanced TRS)
These jacks output the signal selected using the MONITOR
SELECT button on the top panel. These are standard
balanced jacks.
When the power is OFF (in standby), press and hold this to
turn the power on. When the power is ON, press and hold
this button to turn the power off (put in standby). (See
F EFFECT SENDS jacks (standard unbalanced TS)
These jacks output the signal for effect sends 1 and 2.
O SD card slot
Insert an SD card into this slot.
G STEREO OUT jacks (unbalanced RCA)
These jacks output the stereo bus signal.
P USB port
Use the USB cable to connect with a USB port on a computer.
H LINE-GUITAR switch
Set this switch according to the input source of the MIC/LINE
INPUT H. When connecting an electric guitar, electric bass or
similar instrument directly, set this switch to GUITAR. When
connecting a digital instrument or other audio equipment,
set it to LINE.
CAUTION
Always connect the unit directly to a computer. Do not
use a USB hub.
A Kensington lock attachment hole
J MIC/LINE INPUTS A-H jacks (balanced)
These are balanced analog XLR/TRS combo jacks for
microphone and line level input.
S DC IN 12V jack
Connect the supplied GPE248-120200-Z AC adaptor.
XLR (1: GND, 2: HOT, 3: COLD)
•
•
TRS (Tip: HOT, Ring: COLD, Sleeve: GND)
Home screen
3 REMAIN time
Shows the remaining recordable time (hours: minutes) on
the SD card.
4 Repeat playback icon
When the unit is in Repeat Playback mode, the
appears.
icon
5 Playback position
Shows the current playback position.
6 Recorder mode
Shows the current recorder mode: MultiTrack
,
Bounce, Mixdownor Mastering
.
The following items are also shown here: Rehearsal
,
AutoPunchand Search
.
7 INPUT A to H overload indicators
If the input signal of any INPUT A to H source is too loud, the
corresponding indicator lights.
Home screen with track level meters
1 Counter mode
Shows the currently selected time counter mode: ABSor
BAR
.
2 Recorder time counter
Shows the elapsed time from the start of the song.
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3 – Names and Functions of Parts
8 Track section
Menu structure
Level meters
When level meters appear, they show input signal levels
during recording and playback signal levels during playback.
Press the MENU button to open the MENUscreen.
The menu contains the following items.
Menu item
Function
Reference
Song loading, saving and
creation, and other song-
related operations
SONG
AUDIODEPOT
INFORMATION
Import and export WAV files
View information about songs,
files, and the system
TUNER
USB
Tune instruments
Make USB settings
Format SD cards
Auto Power Save setting
Contrast (LCD adjustment)
Brightness (LCD adjustment)
Backlight(LCD adjustment)
Foot SW Right assignment
Foot SW Center assignment
Foot SW Left assignment
Undo History(Switch between
Level 1 and Level 10)
Auto Monitor setting
Preview Time setting
Peak Hold setting
Home screen with timeline
Timeline
FORMAT
When the timeline appears, it shows the current playback
position and which tracks have recordings.
9 Song name
Shows the song name during playback.
0 IN/OUT point time
Press and hold the MARK SET button and press the IN or
OUT button to display the set IN or OUT point.
q Stereo level meters
Shows the signal level output from the STEREO OUT jacks.
PREFERENCE
w TIMELINE/METER function
When the level meters are shown in the track section, press
the F1 (TIMELINE) button to shown the timeline.
When the timeline is shown in the track section, press the F1
(METER) button to shown the level meters.
Song Name Type (switch
between DATE and WORD)
Date/Time (system time
setting)
Initialize (restore default
settings)
e SAVE function
Press the F2 (SAVE) button to open the SONGSAVEpop-
up window.
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3 – Names and Functions of Parts
Navigation examples
Navigating screens
After using the MENU button or a dedicated button to open a
screen, follow the guidelines below to use the functions on the
screen.
These examples show basic operation procedures, but the actual
assignments of the function buttons (F1 to F4 buttons) depend
on the screen.
Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) the desired item.
•
In this menu, use the JOG/DATA dial or the CURSOR (5/b)
buttons to select LOAD, and then press the F4 (t) button to
load the song.
This example shows the MENUscreen with the SONGitem
selected.
When the cursor (highlighted blue) is on a setting value, use
the JOG/DATA dial to change the value.
•
To select an item, use the CURSOR (5/b) buttons.
This example shows the PREFERENCEscreen.
This is an example of the MENU screen. The SONG item is
selected on this screen.
Function button assignments
The assignments of the function buttons (F1 to F4) are shown at
the bottom of the screen above the buttons themselves.
Use the JOG/DATA dial to change the value.
Move the cursor (highlighted blue) up or down.
To move left or right, use the CURSOR (g/t) buttons.
•
F2
F3
F4
Press the HOME button to return to the Home Screen.
“4”above the F2 button shows that “4”is assigned to the F2
button when using this screen.
•
In this manual, the function assigned to a function button is
shown in parentheses, for example, “F2 (4) button”.
In this way, “INFO”is assigned to the F3 button, and “t”is
assigned to the F4 button.
When an item has a menu, “t”appears on the right side, and
the F4 (t) button is used to open it.
In the menu, you can press the F1 (g) button to return to the
previous screen.
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4 – Preparation
Inserting and removing SD cards
Powering the unit
As shown in the illustration, connect the included GPE248-
120200-Z AC adaptor to the DC IN 12V jack.
Inserting an SD card
Insert the SD card into the SD card slot on the rear panel as
shown in the illustration until it clicks into place.
AC outlet
DC plug
NOTE
An SD card is already in the SD card slot when the unit is shipped
from the factory. If you want to use this card to record and play
tracks, there is no need to reinsert it.
CAUTION
Always use the included GPE248-120200-Z AC adaptor.
Use of a different adapter could cause malfunction, fire or
electric shock.
Be sure to use the included GPE248-120200-Z AC adaptor
to supply power to this unit. Power cannot be supplied to
this unit by USB.
•
•
Removing the card
Push the loaded card in gently to eject it.
CAUTION
Always turn the power off (put in standby) before removing
an SD card.
If you remove or insert an SD card when the power is on,
recorded data could be lost permanently.
SD and SDHC cards that are at least 512 MB in size can be
used.
A list of SD cards that have been confirmed to work with
global.com/).
•
•
•
•
About write-protected SD cards
SD cards have write-protect (lock) switches.
Unprotected
Protected
When the protect switch is in the LOCK position, files cannot be
recorded or edited on the card. Slide the switch away from the
LOCK position if you want to record, erase or otherwise change
files on a card.
24
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4 – Preparation
Shutting down
Make the following preparations before shutting down the unit.
Starting up & shutting down
CAUTION
Stop the recorder. (The unit cannot be shut down during
recording and other operations.)
Return to the Home screen.
If the unit is connected to a computer, disconnect the USB
cable after performing the necessary procedure on the
computer to disconnect the unit.
•
Turn down the volume of any sound monitoring system
connected to the unit before starting up or shutting down
the unit.
Do not use headphones when starting up or shutting
down the unit. A loud noise could cause damage to your
headphones or your ears.
•
•
•
•
After making these preparations, press and hold the STANDBY/
ON button on the rear panel until the following screen opens.
Starting up the unit
Press and hold the STANDBY/ON button on the rear panel for a
few seconds.
When the unit starts, the startup screen opens briefly followed
by the Home screen.
The power turns off (enters standby) after the unit completes its
shutdown process, which includes saving various information
from your session.
CAUTION
When the power is ON, do not disconnect the power
cord or otherwise interrupt the power to the unit. Doing
so will cause all settings made since the last time you
saved it to be lost. If the power is interrupted while an
SD card is being accessed, all recorded songs and data
on the card could be damaged beyond recovery.
Start-up screen
NOTE
When the power is turned off (put in standby), the currently loaded
song is saved. When the power is turned on again, the last song
used is reloaded in the same state it was when the power was
turned off (put in standby). You can even undo and redo previous
operations.
Home screen
When the unit starts up, it defaults to multitrack mode,
regardless of the mode used last before shutting down.
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4 – Preparation
Setting the date and time
Preparing an SD card for use
Using its internal clock, this unit remembers the date and time
when a song or file is recorded.
In order to use an SD card in this unit, you must format it first.
CAUTION
1. When the recorder is stopped, press the MENU button to
The included SD card is already formatted, so formatting
it is not necessary. Formatting the supplied SD card will
erase the demo song stored on it.
open the MENUscreen.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) PREFERENCE, and then
1. Confirm that the SD card is loaded and turn the power on.
press the F4 (t)button.
2. An “Invalid Card”pop-up warning appears when a new SD
card or an SD card formatted for use with another device is
inserted in the unit.
The PREFERENCEscreen opens.
3. You can also reformat a card in this unit at any time. (See
To close the pop-up message, press the F1 button.
Recorder modes
3. Use the CURSOR (5/b) buttons to select (highlight blue)
Date/Time, and then press the F4 (t) button.
The DATE/TIMEscreen opens.
This unit has four modes.
Multi Track
Use to operate the unit as a multitrack recorder.
Bounce
Mixdown
Mastering
4. Use the CURSOR (g/t) buttons to move the cursor
(highlighted blue) to the desire item, and then use the JOG/
DATA dial to change the value.
Use to play back the master files that you have created and
apply effects and tailor them to suit your preferences (mastering).
5. After making the settings, press the F2 (YES) button to
return to the Home screen.
NOTE
When the unit starts up, it defaults to multitrack mode,
regardless of the mode used last before shutting down.
The time indication stops while the time is being set.
You can automatically add the date to file names by setting the
SongNameTypeto DATEin the PREFERENCEmenu.
•
•
When in any mode other than multitrack mode, many of the
onscreen operations are unavailable.
In this manual, explanations are given for multitrack mode
unless otherwise noted.
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4 – Preparation
CAUTION
Connecting other equipment
Do not connect a dynamic microphone using an
unbalanced connection when phantom power is on. Doing
so could break it.
Do not connect or disconnect a microphone when phantom
power is on. Doing so could cause a loud noise and damage
the equipment.
Before turning phantom power on or off, turn down the
output volume using the MONITOR LEVEL knob, STEREO
fader and external monitor monitoring system. Depending
on the microphone, a loud noise could occur, resulting in
harm to equipment and hearing.
•
•
•
This section shows examples of how to connect other devices to
this unit.
Precautions before making connections
Turn off (put in standby) this unit and all devices that you will
connect beforehand.
Supply power to all the devices from the same line. When
using a power strip, for example, use one with a cable that
has a high electric current capacity in order to minimize
power voltage variations.
•
•
NOTE
Front panel
Before producing any sound, minimize the output volume using
the MONITOR LEVEL knob and external monitoring system.
Loud noise could occur, resulting in harm to equipment and
hearing.
Recorder functions cannot be used when the unit is connected to
a computer via USB.
•
•
TIP
When connecting an electric-acoustic guitar with a built-in preamp
or an active-type electric guitar, or when using an effects pedal, for
example, between the guitar and this unit, set the LINE-GUITAR
switch on the rear panel to LINE.
TASCAM RC-3F Footswitch
(Optional)
Headphones
Adjusting the display
Rear panel
You can adjust the contrast, brightness and backlight level of the
display.
AC outlet
Follow these procedures to adjust the contrast.
Computer
1. When the recorder is stopped, press the MENU button to
open the MENUscreen.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
DC plug
buttons to select (highlight green) PREFERENCE, and then
Mini-B USB pulg
press the F4 (t) button.
The PREFERENCEscreen opens.
Connect microphones
to INPUTS A to H
Power speakers
or amplifier and
speakers
3. Use the CURSOR (5/b) buttons to select Contrast, and
then use the JOG/DATA dial to adjust it.
Contrastrange: 1– 25(default: 5
Brightnessrange: 1– 25(default: 13
Backlightrange: 1– 25(default: 25
)
Connect electronic keyboards to
INPUTS A to H
)
)
External effect
4. After making the settings, press the HOME button to return
to the Home screen.
External recorder
Connect a guitar/
bass to INPUT H
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5 - Song Management
This unit manages data in units called "songs". Ordinarily, each
project should have its own "song" file. The first step is to load an
existing song that you want to use or create a new song.
Loading a song
Follow these procedures to load the song you want.
The audio data for the recorded multitrack (TRACKS 1 to 31/32)
and the master file are saved in the song.
1. When the recorder is stopped, press the MENU button to
open the MENUscreen.
This chapter covers basic operations, including procedures
for loading songs and creating new songs, as well as explains
various song management functions.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) SONG, and then press the
F4 (t) button.
The SONGLISTscreen opens.
Note for customers using both DP-
32SD and DP-24 units
Before using a song created on a DP-24 with a DP-32SD, always
backup the song data or copy the song. When a song created on
a DP-24 is loaded on a DP-32SD, the song data is overwritten in
DP-32 format, making it unusable by a DP-24.
DP-24 firmware update that enables compatibility with DP-32
format songs.
NOTE
The 0 icon appears next to the currently loaded song.
A lock icon appears next to any protected song.
•
•
3. Use the JOG/DATA dial or the CURSOR (5/b) buttons to
select the desired song, and then press the F4 (t) button to
open the menu.
Editing names
You can edit the name of a song in a pop-up window when
creating (SONGCREATE), saving (SONGSAVE) and copying
(SONGCOPY) the song. You can also edit the name of a song by
opening the SONGNAMEEDITpop-up window.
4. Use the JOG/DATA dial or the CURSOR (5/b) buttons to
select LOAD, and then press the F4 (t) button again.
The SONGLOADpop-up window appears.
SONG NAME EDIT screen
Use the following controls to edit names.
Use the CURSOR (g/t) buttons to move the cursor. The
character at the cursor position (underlined) is the one that
can be edited.
•
Use the JOG/DATA dial to change the characters at the
cursor (underline) position. You can input a maximum of 15
characters, including ordinary symbols, numerals and English
upper and lower case letters.
•
5. Press the F2 (YES) button to load the selected song.
After inputting or editing the name, press the F2 (YES
)
•
button to save the edited name.
NOTE
If you press the F1 (NO) button, the pop-up window disappears
from the SONGLISTscreen.
6. Once the song is loaded, the pop-up window disappears
from the SONGLISTscreen.
7. Press the HOME button to return to the Home screen.
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5 - Song Management
Creating a new song
Saving a song
Follow these procedures to create a new song.
This unit automatically saves the current song during shutdown
and when loading another song. You can also save a song at any
time using the following procedure.
1. When the recorder is stopped, press the MENU button to
open the MENUscreen.
1. When the recorder is stopped, press the MENU button to
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
open the MENUscreen.
buttons to select (highlight green) SONG, and then press the
F4 (t) button.
The SONGLISTscreen opens.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) SONG, and then press the
F4 (t) button.
The SONGLISTscreen opens.
3. Press the F4 (t) button to open the menu.
Use the JOG/DATA dial or the CURSOR (5/b) buttons to
select CREATEfrom the menu, and then press the F4 (t)
button.
3. Press the F4 (t) button to open the menu.
Use the JOG/DATA dial or the CURSOR (5/b) buttons
to select SAVEfrom the menu, and then press the F4 (t)
button.
4. Press the F4 (t) button to open the SONGCREATEpop-
up window.
4. Press the F4 (t) button to open the SONGSAVEpop-up
window.
The created song will automatically be given a name
according to the SongNameTypesetting in the
PREFERENCEmenu.
5. Change the song name in the SongNameitem if you want.
5. Change the song name in the Nameitem if you want. (See
To save without changing the name, just press the F2 (YES
)
button.
TIP
6. Once the song is saved, the pop-up window disappears from
You can edit the name of a song later by selecting NAMEEDIT
from the SONGscreen. You can also edit the song name when
saving the song.
the SONGLISTscreen.
7. Press the HOME button to return to the Home screen.
6. Align the cursor with Bitand turn the JOG/DATA dial to set
TIP
the bit rate. (Default: 16bit)
The SAVEitem, which is one of the SONGLISTmenu items, can
also be selected using the F2 (SAVE) button on the Home screen.
7. Align the cursor with Hzand turn the JOG/DATA dial to set
the sampling frequency. (Default: 44.1kHz)
8. Press the F2 (YES) button to save the currently loaded song
and create a new song.
NOTE
If you press the F1 (NO) button, the pop-up window disappears
from the SONGLISTscreen.
9. Once the song is created, the pop-up window disappears
from the SONGLISTscreen.
10. Press the HOME button to return to the Home screen.
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5 - Song Management
Viewing song information
Erasing songs
You can check the song file format, song name (title), time/date,
and song size.
You can erase a single song or multiple songs at once. You might
want to erase unneeded songs if the SD card starts to run out of
space.
1. Press the MENU button to open the MENUscreen.
1. When the recorder is stopped, press the MENU button to
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
open the MENUscreen.
buttons to select (highlight green) SONG, and then press the
F4 (t) button.
The SONGLISTscreen opens.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) SONG, and then press the
F4 (t) button.
The SONGLISTscreen opens.
3. Select (highlight blue) the song you want to erase and then
press the F2 (4) button. To erase multiple songs, check all
the songs you want to erase.
3. Press the F3 (INFO) button to cycle through the song
information shown in the following order: SIZE
,
SAMPLERATE, SAMPLEBIT, and DATE
.
Copying songs
NOTE
To remove a check 4 from a box, press the F2 (4) button again
while the song is selected (highlighted blue).
You can copy songs.
1. When the recorder is stopped, press the MENU button to
4. Next, press the F4 (t) button to open the menu. Use the
JOG/DATA dial or the CURSOR (5/b) buttons to select
ERASEfrom the menu, and then press the F4 (t) button.
open the MENUscreen.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) SONG, and then press the
A confirmation pop-up message appears.
F4 (t) button.
The SONGLISTscreen opens.
3. Select (highlight blue) a song you want to copy.
5. Press the F2 (YES) button to perform the erase.
NOTE
To cancel erasing a song, press the F1 (NO) button instead of the F2
(YES) button.
4. Next, press the F4 (t) button to open the menu. Use the
JOG/DATA dial or the CURSOR (5/b) buttons to select
COPYfrom the menu, and then press the F4 (t) button.
6. When erasing a song completes, the pop-up window
A confirmation pop-up message appears.
disappears from the SONGLISTscreen.
NOTE
The MUSIC folder must always have at least one song in it.
Therefore, one song will be automatically created when you insert
or format a card.
5. Change the song name as you want and press the F2 (YES
)
button.
NOTE
To cancel copying, press the F1 (NO) button instead of the F2 (YES
)
button.
6. When copying completes, the pop-up window disappears
from the SONGLISTscreen.
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5 - Song Management
Protecting songs
Deleting unnecessary audio data
from a song
If you protect a song, editing, recording and erasing that song
will be prevented.
In addition to audio data for a track, a song may also contain
"unused" audio data. When a track is overwritten in this unit, the
overwritten audio data is not erased, but remains on the SD card.
Audio data that has been completely overwritten is "unused"
audio data.
1. When the recorder is stopped, press the MENU button to
open the MENUscreen.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) SONG, and then press the
F4 (t) button.
The SONGLISTscreen opens.
As shown in the illustration, if old audio data is not completely
overwritten by new audio data, old audio data cannot be
deleted.
3. Select (highlight blue) the song you want to protect and
then press the F2 (4) button. To protect multiple songs,
select all songs you want to protect.
New guitar solo overwrites old one
Old guitar solo (deleted)
NOTE
To remove a check 4 from a box, press the F2 (4) button again
while the song is selected (highlighted blue).
New guitar solo overwrites old one
Old guitar solo (not deleted)
4. Next, press the F4 (t) button to open the menu. Use the
JOG/DATA dial or the CURSOR (5/b) buttons to select
the PROTECTitem from the menu, and then press the F4
(t) button.
New guitar solo overwrites old one
Old guitar solo (not deleted)
The song protect function is enabled for the selected song.
"Unused" old audio data in any virtual track that has not been
assigned to a physical track can also be deleted. (See “Virtual
Follow these procedures to delete "unused" audio data and
create room on the SD card for additional storage (this operation
cannot be undone).
1. When the recorder is stopped, press the MENU button to
5. When protecting a song completes, the pop-up window
open the MENUscreen.
disappears from the SONGLISTscreen.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
NOTE
buttons to select (highlight green) SONG, and then press the
In a song list used to copy, erase or perform other functions, lock
icons will appear next to protected songs.
If you try to perform a prohibited operation (edit, record or
erase) on a protected song, a SongProtectedmessage will
appear and the operation will be prevented.
•
•
F4 (t) button.
The SONGLISTscreen opens.
3. Select (highlight blue) the song that contains unnecessary
audio data and then press the F2 (4) button. To erase
multiple songs, select all songs you want to erase.
To remove protection from a song, follow the same procedure
above, unchecking songs that you want to unlock in step 3.
•
NOTE
To remove a check 4 from a box, press the F2 (4) button again
while the song is selected (highlighted blue).
4. Next, press the F4 (t) button to open the menu. Use the
JOG/DATA dial or the CURSOR (5/b) buttons to select
DELETEUNUSEDfrom the menu, and then press the F4
(t) button.
A confirmation message appears.
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5 - Song Management
5. Press the F2 (YES) button.
Changing a song name
The unnecessary audio data is deleted from the song(s).
When the deletion of unnecessary data completes, the pop-
up window disappears from the SONGLISTscreen.
1. When the recorder is stopped, press the MENU button to
open the MENUscreen.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
NOTE
buttons to select (highlight green) SONG, and then press the
To cancel the deletion of unnecessary data, press the F1 (NO
button instead of the F2 (YES) button.
)
F4 (t) button.
The SONGLISTscreen opens.
CAUTION
3. Select (highlight blue) the song with the name that you want
to change.
This operation deletes all unused audio data from the
selected songs and cannot be undone. Therefore, if you
think you might use this audio data later, back up the
data to a computer before using the DELETEUNUSED
command. (See “Connecting to a computer” on page
64.)
4. Next, press the F4 (t) button to open the menu. Use the
JOG/DATA dial or the CURSOR (5/b) buttons to select
NAMEEDITfrom the menu, and then press the F4 (t)
button.
Now you can change the song name.
5. Change the song name as you want and press the F2 (YES
)
button.
NOTE
To cancel changing a song name, press the F1 (NO) button instead
of the F2 (YES) button.
6. Once the song name is changed, the pop-up window
disappears from the SONGLISTscreen.
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6 - Basic Recording
6. Press the F2 (YES) button to change all the tracks at once.
Selecting the input sources
CAUTION
When the track type is changed, the audio for that track
is cleared, so the track will have no audio signal. If you
make a mistake, however, you can undo this operation
to restore the track type and audio on it. (See “Undoing
This unit is equipped with eight inputs (INPUTS A to H), and
each of them has a standard XLR/TRS combo jack.
In addition to microphones and line level instruments, you can
connect guitars to the INPUT H jack. When connecting a guitar,
set the LINE-GUITAR switch on the rear panel to GUITAR.
NOTE
TIP
When the track type is changed, the input assignment is cleared,
so you should make assignments now.
If you set track 9/10 as a mono track, it will become track 9, for
example. Likewise, if 31/32 is set to mono, it will become track
31. (The even numbered track is skipped.)
•
•
When connecting an electric-acoustic guitar with a built-
in preamp or an active-type electric guitar, or when using an
effects pedal, for example, between the guitar and this unit, set
the LINE-GUITAR switch on the rear panel to LINE.
Assigning inputs
Assigning inputs to mono tracks
1. When the recorder is stopped, press the ASSIGN button to
When using this unit, "assigning inputs" means setting the
recording source for each track to INPUT A to H on the Assign
screen.
open the Assign screen.
2. Use the SELECT button of each track or the CURSOR (5/
b/g/t) buttons to move the cursor to the mono track to
which you want to assign a recording source.
3. Press the SOURCE button of the desired input (A to H) or
turn the JOG/DATA dial to set the input source of each
mono track.
4. After making the settings, press the ASSIGN button or the
HOME button to return to the Home screen.
Assigning inputs to stereo tracks
Assign screen
Stereo tracks are always recorded simultaneously. You cannot
record to a single track of a stereo track pair.
NOTE
By default, the recording sources of tracks 1to 8are assigned to
inputs A to H, in that order.
Assignments are saved when you save a song or turn the unit off.
Likewise, assignments are loaded when you load a song.
•
•
1. When the recorder is stopped, press the ASSIGN button to
open the Assign screen.
2. Use the SELECT button of each track or the CURSOR (5/
b/g/t) buttons to move the cursor to the stereo track to
which you want to assign a recording source.
This unit can simultaneously record a maximum of eight
tracks. You can assign one input source to multiple tracks
simultaneously, but you cannot assign multiple input sources to
the same track. You can also assign an input source to a direct
stereo bus.
3. Press the SOURCE button of the desired input (A to H) or
turn the JOG/DATA dial to set the input source of each
stereo track.
Options: A/A, A/B, B/B, C/C, C/D, D/D, E/E, E/F
,
F/F, G/G, G/H, and H/H
Setting the track type
You can set tracks 9/10–31/32 to be used as either stereo or
mono tracks. By default, they are all stereo tracks. Change these
settings on the Assign screen.
4. After making the settings, press the ASSIGN button or the
HOME button to return to the Home screen.
NOTE
You can assign a single input source to multiple tracks by
keeping the SOURCE button of the desired input (A to H)
1. When the recorder is stopped, press the ASSIGN button to
•
open the Assign screen.
pressed and pressing the SELECT buttons of multiple tracks.
However, you cannot assign multiple input sources to the same
track.
2. Use the STEREO SELECT button of each track or the
•
CURSOR (5/b/g/t) buttons to move the cursor to a
track that you want to change.
3. Press the F3 (ST/MONO) button to change the type of the
Assigning inputs to a stereo bus
selected track.
4. If you want to change the type of other tracks, repeat steps 2
and 3.
To use an external effect device, assign the inputs (A to H) that
are connected to the outputs of the effect (EFFECT RETURN) to a
stereo bus to return the effect signal to that stereo bus. You can
also assign inputs to stereo buses during mixdown, allowing you
to mix up to 8 input signals with the playback tracks.
5. After selecting all the tracks that you want to change, press
the F4 (t) button.
A “Erase selected tracks. Are you sure?”pop-up message
appears.
1. When the recorder is stopped, press the ASSIGN button to
open the Assign screen.
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Do not supply phantom power to an unbalanced dynamic
microphone. Doing so could cause a malfunction.
Supplying phantom power to some types of ribbon
microphones could cause a malfunction. Do not supply
phantom power to a ribbon microphone if you are in
doubt.
2. Use the STEREO SELECT button or the CURSOR (5/b/g/
t) buttons to move the cursor to the STEREOBUSdisplay
area.
•
•
3. Use the CURSOR (g/t) buttons to move the cursor to the
stereo bus to which you want to assign the input source.
4. Press the SOURCE button of the desired input (INPUT A to
H) or turn the JOG/DATA dial to set the input source to the
stereo bus.
Monitoring
5. After making the settings, press the ASSIGN button or the
HOME button to return to the Home screen.
Monitoring is an important element in the recording and
mastering process. You can use an external monitoring system
(such as a self-powered monitor speakers, an amplifier equipped
with speakers) or headphones to monitor the sound of this unit.
Checking assignments
You can check the current assignment on the Assign screen.
Use the MONITOR LEVEL knob to adjust the level of the
monitoring system.
The assigned input source name (Ato H) is shown on the level
meter display area of each track on the Home screen.
NOTE
Monitor selection
Besides the stereo bus, this unit allows you to monitor the
1 or 2.
When the power is turned off, the current song is saved and all
song-related settings are stored (except when the song protection
function is enabled).
The next time you turn the power on, all stored settings will be
restored.
With Effect Send monitoring, you can monitor the signal being
sent to an effect.
1. When the Home screen is open, press the MONITOR SELECT
Canceling assignments
button to open the MONITORSELECTmenu.
When the Assign screen is open, pressing the F1 (DEFAULT
)
button restores the default track type and assignment settings.
On this screen, pressing the F2 (ALLCLEAR) button clears all
assignment settings.
Using phantom power
When connecting a condenser microphone that requires
phantom power, press the PHANTOM (+48V) for INPUTS A to D
or INPUTS E to H when the recorder is stopped to turn phantom
power on or off.
2. Use the JOG/DATA dial or the CURSOR (5/b) buttons to
select the signal to monitor.
STEREO (default)
When you turn phantom power on, the PHANTOM (+48V)
button lights and phantom power is supplied to the XLR jacks of
INPUTS A to D and/or INPUTS E to H.
Select to monitor the stereo signal of the stereo bus.
BOUNCE
Select to monitor the stereo signal of the bounce bus.
When the GUITAR indicator is lit, however, INPUT H will not
receive phantom power even if phantom (+48V) power is on
(indicator lit) for E-H.
EFFECT SEND 1
Select to monitor the mono signal of Effect Send 1.
EFFECT SEND 2
Select to monitor the mono signal of Effect Send 2.
3. After selecting the signal source to monitor, press the
MONITOR SELECT button to return to the Home screen.
OL indicators and level meters
CAUTION
You can check the audio signal levels of this unit with the OL
indicators and the onscreen level meters for INPUTS A to H.
Turn the STEREO fader down before turning phantom
power on or off. Depending on the microphone, a loud
noise could occur, resulting in harm to the equipment and
hearing.
Do not connect or disconnect a microphone when
phantom power is on. This could cause a loud noise that
might damage the equipment.
•
The level meters allow the signal levels to be observed and can
be used to confirm whether signals are being input into the unit.
For example, if the level meters assigned to inputs Ato Hon the
Home screen are moving, this means that signals are being input
into the unit even if you cannot hear anything when monitoring.
•
•
As shown below, if a red line
appears at the top of a level
Turn phantom power on only when using a condenser
microphone that requires phantom power.
meter, the level is too high (it stays on screen for a while before
automatically disappearing). If the level is too loud, the sound
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6 - Basic Recording
might be distorted, so lower the level until the red line
appearing.
stops
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select PREFERENCE, and then press the F4 (t)
button.
If an OL indicator lights, the signal from the input source might
be too loud and/or the TRIM knob might be set too high.
If the OL indicator lights even though the TRIM knob is set to
the LINE position, the input source signal is too loud, so lower
the volume of the input source.
Overload indicator
3. Use the CURSOR (5/b) buttons to select the
PeakHolditem, and then use the JOG/DATA dial to
change the setting.
Option
Function
OFF(default) Peak value is not shown.
Overload indicators (A to H)
ª
1 Sec
Peak value is shown for about one second.
The overload indicators for inputs Ato Hon the display show
In mastering mode, the peak value is cleared
when you locate a new time.
In all other modes, press the F3 [PEAK
CLEAR] button to clear the peak value.
input level (A to H) overloads.
KEEP
Use the TRIM knobs of INPUTS A to H or the output volume
controls of the input sources to reduce their input levels if
overloads occur.
4. After making the settings, press the HOME button to return
to the Home screen.
Track level meters (1 to 31/32)
ª
TIP
These level meters show either the playback signal levels or
the input signal levels of the corresponding tracks. The signal
levels shown by the track level meters depend on the operating
conditions as shown below.
When you are unable to monitor the meters continuously (when
playing, for example), use the KEEPsetting to check the highest
level so far.
REC button
Unlit
Transport status
Level meters
Mixer screen settings
Show playback signal
levels
Playback
Press the SOURCE button for an input or press the SELECT
button for a track to adjust its EQ and other settings.
Playback (Automatic Show track playback
monitoring ON) signal levels
Playback (Automatic Show input and
Flashing
(recording
standby)
monitoring OFF)
playback signal levels
Using the input equalizer
INPUTS A to H and tracks 1 to 31/32 have independent 3-band
Flashing
(recording
standby)
Show input signal
levels
Stopped
EQs (equalizers).
CAUTION
Show input signal
levels
Lit (recording)
Recording
The effect of the input equalizer will be recorded. If you
plan to make EQ adjustments during mixdown, turn
input equalizers OFF and turn track equalizers ON.
NOTE
When playback signal levels are shown, they cannot be adjusted
because they are the levels of the recorded signals. When input
signal levels are shown, you can adjust the levels with the TRIM
knobs of INPUT A to H.
•
Adjust the equalizer settings on the Mixer screen.
1. Press the MIXER button to open the Mixer screen.
Stereo level meter (L, R)
ª
This meter shows the output level of this unit's stereo bus.
Adjust this level with the STEREO fader.
Peak hold display
Using the peak hold function , you can set how long peak levels
are shown on the level meters on the Home Screen and other
screens.
2. Press the SOURCE button of an INPUT (A to H) or the
SELECT button of a track to open the Mixer screen with the
corresponding equalizer.
1. When the recorder is stopped, press the MENU button to
open the MENUscreen.
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3. Press the EQUALIZER ON/OFF button to the right of the
Sending signals to internal/external
effects
This unit has two external effect sends (EFF 1 and EFF 2) and a
send for the internal effects (INSERT EFFECT).
LOW FREQ knob to turn the equalizer on/off.
The equalizer parameters are as follows.
GAIN
FREQ
Setting range: 12 Setting range: 1.7 kHz to
You can adjust send levels for each track. For details about the
HIGH
MID
dB
18 kHz
(Default: 0 dB)
(Default: 10 kHz)
Follow these procedures to enable use of these effects.
Setting range: 12 Setting range: 32 Hz to
dB
18 kHz
(Default: 1.0 kHz)
1. Use the CURSOR (5/b/g/t) buttons to move the cursor
(Default: 0 dB)
to the SENDEFF1/EFF2area.
Setting range: 12 Setting range: 32 Hz to
LOW
dB
1.6 kHz
(Default: 0 dB)
(Default: 100 Hz)
Use track SELECT buttons to select desired tracks.
Use INPUT SOURCE buttons to select desired inputs.
Use HIGH, MID and LOW GAIN knobs to adjust the gain of
each band.
Effect sends
Use the HIGH, MID and LOW FREQ knobs to adjust the
center frequency of each band.
2. Turn the JOG/DATA dial to enable the effect.
Options: OFF(default), PRE, POST
PRE
Use the MID Q knob to set the resonance (width) of the MID
FREQ band.
Setting range: 0.25to 16(Default: 0.5
)
This sends the track pre-fader signal to the effect send
bus. The effect send signal level is not affected by the track
fader.
NOTE
The "Q" value is the center frequency of the equalizer divided by
the bandwidth. A high Q value reduces the range of the cut or
boost applied to the frequencies. Depending on the equalizer
setting, the graph at the top of the screen changes.
If you press the F1 (EQFLAT) button, all the settings shown on
the open Mixer screen will be restored to their default values.
•
•
POST
This sends the track post-fader signal to the effect send
bus. The effect send signal level is affected by the track
fader.
3. Use the SEND EFF 1/EFF 2 knobs to adjust the external send
3. After making the settings, press the HOME button to return
levels.
to the Home screen.
Setting range: 0to 127(Default: 0
)
4. Use the SEND MASTER 1/MASTER 2 knobs to adjust the
DIGITAL TRIM setting (track only)
internal send levels.
Depending on the playback sound, EQ boosting could cause
distortion (digital clipping). If this happens, use the DIGITAL TRIM
to lower the playback level before the EQ.
Setting range: 0to 127(Default: 0
)
Enabling insert effects
This unit has dynamic and guitar effects that can be used as
insert effects. For details about these effects, see “Dynamic
1. Use the CURSOR (5/b/g/t) buttons to move the cursor
to the DIGITALTRIMdisplay area.
1. Use the CURSOR (5/b/g/t) buttons to move the cursor
to the INSERTEFFECTarea.
Digital trim
2. Turn the JOG/DATA dial to set the value.
Insert effect
indicator
Setting range: -42dBto +6dB(Default: 0dB
)
2. Turn the JOG/DATA dial to enable/disable the insert effect.
Options
OFF: INSERTEFFECTindicator unlit (default)
ON: INSERTEFFECTindicator lit
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6 - Basic Recording
Setting the stereo position
Setting levels sent to stereo buses
Use the PAN parameter to set the stereo position.
You can adjust the levels sent to stereo buses independently for
each input (INPUT A to H).
The full left value is L63, and the full right value is R63. The
center position is shown by C
.
1. Use the CURSOR (5/b/g/t) buttons to move the cursor
to the LEVELarea.
PAN
Fader level indicator
Turn the PAN knob to adjust the stereo position.
Setting range: L63to Cto R63(Default: C
2. Turn the JOG/DATA dial to adjust the level.
)
Setting range: infto +6.0dB
Changing the signal phase
When the phase is inverted due to mic wiring or another reason,
use the PHASEØ item to correct the phase.
Solo
Press the SOLO button to enable Solo mode. The SOLO button
lights when this mode is active.
1. Use the CURSOR (5/b/g/t) buttons to move the cursor
to the PHASEØ area.
In Solo mode, the REC button of each track works as a SOLO
button, so you can monitor the signal of the desired track.
When Solo mode is active, only tracks that have lit REC buttons
can be heard. All other tracks are muted.
1. When the Home screen is open, press the SOLO button to
Phase
enable Solo mode.
In Solo mode, the SOLO button is lit.
2. Press the REC button for the track you want to solo. (You can
solo multiple tracks at the same time.)
2. Turn the JOG/DATA dial to change the signal phase.
When Solo mode is activated, the MUTE indicator of the
track whose REC button was pressed lights.
Options:
PHASEØ unlit (default): Normal phase
PHASEØ lit: Inverted phase
To cancel soloing
ª
In Solo mode, press the SOLO button or the REC button of the
soloed track.
Checking the fader level
You can check the level of a track with the LEVELitem of the
Mixer screen. You cannot, however, select this item and adjust
the level of a track directly on this display.
When Solo mode is deactivated, the MUTE indicators of soloed
tracks turn off.
NOTE
Muting tracks
The fader level indicator shows the actual fader level. When playing
back a track, by default, the positions of the faders (physical faders)
on the top panel and the fader level indicators match, but control
using a fader group could cause them to differ. In this case, when
you move a physical fader, the fader level indicator will respond
to and match the physical fader value, and thereafter the physical
fader will control the level again.
1. Press the MUTE button to enter Mute setting mode.
In Mute setting mode, the MUTE button lights.
2. Press the REC button for a track that you want to turn
muting on/off.
When muted, the MUTE indicator of that track lights.
CAUTION
To cancel muting
Press the MUTE button to enter Mute setting mode.
ª
In such cases, a sudden level change could occur.
Press the REC button of a muted track to unmute it (and turn its
MUTE/SOLO indicator off).
NOTE
If you solo a muted track, you can hear its sound, but its muted
status is retained. So, it will be muted again when you end soloing.
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7. Press the RECORD (0) button.
Rehearsing a recording
Recording starts, and the RECORD (0) and PLAY (t)
buttons light.
This unit has a recording rehearsal function, so you can rehearse
without actually recording.
The REC buttons of the tracks being recorded stop flashing
and stay lit.
The rehearsal function is especially useful for auto punch
recording and other recording operations. (See “Automatic
8. After finishing your recording, press the STOP (8) button.
9. If you want to check part of a recording, use the REW (m)
(TO ZERO) button, for example, to move (locate) to it.
In a rehearsal mode, monitoring and other recording operations
are the same as during actual recording, but input signals are
not recorded.
TIP
Use the TO LAST REC function to move to the last recording
position and the TO ZERO function to return to the start of the
song (00:00:00). For more information about the rewind/fast-
forward and locate functions, see “Returning to zero or the last
To rehearse, press the REHEARSE button so that the button
lights.
When you record in Rehearsal mode, the RECORD (0) button
flashes instead of becoming lit.
After finishing your rehearsal, press the REHEARSE button to
cancel Rehearsal mode.
10. Press the PLAY (t) button to play back the recorded tracks.
Use the track and STEREO faders to adjust the playback
level.
Use the MONITOR LEVEL knob or the volume control on
your monitoring system to set the final monitoring volume.
Making the first recording
Use the PAN knob on the Mixer screen to set the stereo
position of each track.
Before beginning the following recording procedures, connect
a recording source (such as a microphone or guitar) to an input,
assign that input as the recording source for the track, and
prepare your monitoring equipment.
NOTE
For each track, the PAN knob on the Mixer screen and the track
fader control the recorded track's playback output signal or the
monitoring sound of the input signal. They do not control the
signal being recorded to the track.
If you are not satisfied with the recorded sound, repeat the
procedure above from the beginning.
•
•
1. Press the REC button of the track that you want to record on.
The REC button flashes red and the unit enters recording
standby.
A maximum of eight tracks can be recorded simultaneously.
When the REC buttons of eight tracks are flashing, the other
REC buttons become inoperative.
2. Set the recording level.
Multitrack recording
Use the TRIM knobs of INPUTS A to H to adjust the input
level.
You can record new audio to different tracks while playing back
already recorded tracks.
When doing this, adjust the levels appropriately by checking
the OL indicators above and to the left of the TRIM knobs.
At the same time, confirm that the sound heard from the
headphones or monitoring system is not distorted, and that
no effects have been applied to the sound unintentionally.
Arming tracks for recording
Press the REC buttons of the already recorded tracks to turn
off their REC buttons if they are lit.
Press the REC buttons of the tracks on which you want to
record to put them into recording standby (the REC buttons
start flashing).
•
•
NOTE
The level meter of tracks that have input sources assigned to them
show input levels after the application of INPUT equalizer.
OL indicators light if inputs are too loud.
Adjusting track pan and level settings
If an OL indicator stays lit even when you lower the TRIM knob
for that input, lower the input source signal level.
Use the track faders and PAN knobs on the Mixer screen of the
already recorded tracks to adjust their levels and stereo positions
that will be used when monitoring their playback signals while
making the new recording.
3. Press the REHEARSE button to activate Rehearsal mode.
In Rehearsal mode, Rehearsalappears in the upper left
corner of the Home screen.
4. Press the RECORD (0) button.
Input selection and assignment
Use the procedures described earlier in this chapter to assign
Rehearsal starts, the RECORD (0) button flashes, and the
PLAY (t) button lights.
input sources to the recording tracks.
The REC button of tracks set to be recorded keep flashing
because they are not being recorded.
5. After rehearsing your recording, press the STOP (8) button.
6. Press the REHEARSE button to exit Rehearsal mode.
Rehearsaldisappears from the upper left corner of the
Home screen.
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6 - Basic Recording
Setting input levels
Undo feature settings
1. When the recorder is stopped, press the MENU button to
After making the settings, press the PLAY (t) button to start
playback.
open the MENUscreen.
Just as though you were recording, you can monitor the sound
of the already recorded tracks being played back and the input
sources on the tracks for recording, allowing you to check the
monitoring balance and volume.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) PREFERENCE, and then
press the F4 (t) button.
Recording
Press the RECORD (0) button to start recording to another
track while monitoring the playback signal.
Undoing an operation
The PREFERENCEmenu screen opens.
This unit allows you to undo an operation or recording that
was not successful or satisfactory. Many ordinary operations,
including editing and recording, can be canceled (undone).
3. Use the CURSOR (5/b) buttons to select (highlight blue)
UndoHistory
.
This unit has two types of undo functions. Single undo can
be performed by a simple button press, while multiple undo
allows you to return to a specific past operation and undo the
operations that occurred after it.
You can use the undo functions for the following types of
operations.
Track editing (functions described in this chapter)
Recording (including track bouncing)
Automatic punching in/out
•
•
•
•
4. Set the undo level.
LEVEL 1 (Default)
Track type setting
The HISTORYLISTis not displayed when you press the
UNDO/REDO button. In other words, this returns the unit to
the state before the last operation (single undo). (To cancel
an undo, press the UNDO/REDO button again.)
All these operations are stored on the SD card as song
information. Even when you turn the unit off (put it in standby),
the previous operations are stored and can be undone when
you turn the unit on again.
LEVEL 10
When listening to a part that you replaced in your last recording,
for example, you might find that the previous take was better.
In such a case, you can use the undo function to easily get your
previous take back.
When you press the UNDO/REDO button, the
HISTORYLISTappears and you can return to the state to
10 operations earlier.
NOTE
NOTE
Even when you change from LEVEL10to LEVEL 1, the history
for a maximum of 10 actions remains stored. The position of the
cursor in the HISTORY LIST shows the current undo position.
The UNDO/REDO button lights when a single undo or multiple
undo has been performed.
•
•
When you change the track type, the assignment is turned OFF
and any recorded track is deleted. If you undo this, the recorded
track will be restored and the track type changed back, but the
assignment setting will not be restored. (See “Setting the track
Undoing the last operation (single undo)
Press the UNDO/REDO button to return to the state before the
last operation.
After doing this, the UNDO/REDO button lights, showing that
redo (see below) is possible.
Canceling an undo operation (redo)
Press the UNDO/REDO button when it is lit.
ª
The undone operation is redone, restoring the state before the
undo, and the UNDO/REDO button becomes unlit.
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6 - Basic Recording
CAUTION
Undoing older operations (multiple
undo)
To use the multiple undo function, first you must set the
UndoHistoryon the PREFERENCEmenu to LEVEL10
When saving a song, a maximum of 10 operation events
can be saved in the history with the song data. If the
number of history events exceeds 10, the oldest events in it
are erased. These erased events cannot be restored.
When the UNDO/REDO button is lit after a multiple undo,
if you perform a new operation that is added to the history,
the history of events after the multiple undo will be erased,
and you will not be able to redo any of these undone
events.
•
•
.
1. Set UndoHistoryin the PREFERENCEmenu to
LEVEL10
.
NOTE
Since the history is stored with the song information, even when the
power is turned off (put in standby), the previous operation remains
stored, so undo operations will be possible the next time the power
is turned on.
2. When the Home screen is open, press the UNDO/REDO
button to display the HISTORYLIST
.
The maximum number of operations in the undo history
is 10. In other words, a maximum of 10 operations can be
undone.
This operation is called "multiple undo" because it allows
you to undo multiple events at once and return to an earlier
state.
3. Use the JOG/DATA dial to select (highlight blue) the event
that you want to return to (all operations after the selected
event will be undone).
4. Press the F4 (t) button.
The multiple undo is executed and the song is restored to
the state just after the selected event was performed.
In this state, the UNDO/REDO button lights.
The record of operations undone by a multiple undo is not
immediately erased. The unit has simply been returned to a
previous state.
On the HISTORYLISTscreen, the 0 icon appears next
to the last event not undone. If the most recent event in the
HISTORYLISTis selected, pressing the F4 (t) button
returns to the state before the multiple undo was executed.
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7 - Recorder Functions
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
Punching in and out
buttons to select (highlight green) PREFERENCE, and then
press the F4 (t) button.
Punching in/out is a technique used to replace a part of an
already recorded track.
Start playback and when you reach the part that you want
to replace, switch to record (punch in), then switch back to
playback (or stop) when you finish replacing the part that you
want (punch out).
1. Decide what part of the track you plan to re-record.
Choose a point to begin where the new recording can sit
well with the existing recording.
The PREFERENCEscreen opens.
2. Press the REC buttons of the tracks that you want to partially
re-record to put them into recording standby (REC buttons
start flashing).
3. Use the CURSOR (5/b) buttons to select (highlight blue)
FootSWRight
.
3. Start playback before the part you want to replace.
4. When the part you want to replace is reached, press the
RECORD (0) button and start your performance.
Recording starts (punch in).
5. When you finish the replacement recording, press the PLAY
(t) button.
Playback resumes (punch out).
4. Use the JOG/DATA dial to select the function that you want
TIP
to assign to the right pedal of the TASCAM RC-3F footswitch.
You can also press the STOP (8) button to punch out at the end of
the replacement recording.
Options: PLAY, REC, STOP, FF, REW, PUNCHIN/
OUT, PLAY/STOP(right pedal default), CUELOCATE
5. In the same way, set FootSWCenterfor the function of
Using a footswitch to punch in/out
the center pedal and FootSWLeftfor the left pedal.
You can connect a TASCAM RC-3F footswitch (sold separately) to
the REMOTE jack on the front panel and use it to punch in and
out.
Options: PLAY, REC, STOP, FF, REW, PUNCHIN/
OUT(center pedal default), PLAY/STOP
,
CUELOCATE(left pedal default)
6. After making the settings, press the HOME button to return
In step 4 above, step on the footswitch instead of pressing the
RECORD (0) button, and in step 5, step on the footswitch again
instead of pressing the PLAY (t) button.
to the Home screen.
Footswitch function list
ª
Function
Description
PLAY
Same as unit's PLAY (t) button
Same as unit's RECORD (0) button
Same as unit's STOP (8) button
REC
STOP
TASCAM RC-3F footswitch
(sold separately)
Same as unit's F FWD (,) (TO LAST REC)
button
FF
REW
Same as unit's REW (m) (TO ZERO) button
NOTE
PUNCH IN/
OUT
Punches in when pressed during playback,
punches out when pressed during recording.
Step on the switch (pedal) that you have set to PUNCHIN/OUT
in the footswitch settings. By default, the center pedal is set to
PUNCHIN/OUT. (See "Setting the footswitch" below.)
Starts playback when stopped, stops in other
states.
PLAY/STOP
CUE LOCATE Locates last point where playback started.
Setting the footswitch
Set the footswitch on the PREFERENCEscreen.
1. When the recorder is stopped, press the MENU button to
Bouncing tracks
open the MENUscreen.
Like many multitrack recorders, this unit allows you to bounce
tracks (ping-pong recording). Track bouncing allows you to
combine the signals of multiple tracks and use them to create
new mono or stereo recordings. In this way, you can virtually
record more than 32 tracks. Note, however, that the original
tracks cannot be separated again, so save them if they are
important to you.
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7 - Recorder Functions
In Bounce mode, the recording source track signals pass through
the mixer tracks via the bounce bus, and they are sent to the
bounce tracks.
4. Locate to the point where you want to start the bounce and
press the RECORD (0) button to start bouncing.
Press the STOP (8) button at the position where you want
to end the bounce.
If you make a mistake, you can use the undo function of this unit
page 39.)
Checking the bounce result
Mute the bounce source tracks and play back the song. (See
Using the bounce function
1. When in MultiTrackmode and the recorder is stopped,
If you are not satisfied with the result because you think the
balance between the instruments or the pan settings are not
good, for example, undo the operation. (See “Undoing an
press the BOUNCE button.
The Recorder switches to Bouncemode.
If you are satisfied with the result, press the BOUNCE button to
return to MultiTrackmode.
Once the track bounce completes, you can make new recordings
over (overwrite) the other tracks.
TIP
If it is possible that you might need the original tracks at some time
later, copy or back up song data to a computer before bouncing
NOTE
In Bounce mode, Bounceappears in the upper left of the Home
screen.
NOTE
2. Press the REC button(s) of the track(s) on which you want
to record the bounce. The REC button for the bounce target
track starts flashing.
To hear the audio recorded to the bounce target track(s), set the
monitor destination to BOUNCEso that you can monitor the
bounce bus signal.
When bouncing in stereo, press the REC buttons for two
mono tracks or one stereo track. The button or buttons start
flashing.
Direct location function
When bouncing in mono, press the REC button for one
You can specify a time or measure/beat to be located without
using marks. On the Home screen, use the JOG/DATA dial to
specify the location point.
mono track (1 to 8). The button starts flashing.
You should also set the fader of the bounce target track to 0
dB.
The Home screen counter has two display modes: ABS(absolute
time) and BAR(bar/beat).
NOTE
Though the track fader and STEREO fader settings of the bounce
destination affect the monitoring volume, they do not affect the
recording level. If you want the monitoring level to be the same as
the recording level, set the bounce target track and STEREO faders
to 0 dB.
The BARdisplay is based on the metronome setting.
In BARmode, you can locate a position in beat units. The current
position of the recorder is shown as a time (measure-beat) at the
top of the Home screen. The tempo is also displayed.
The ABSdisplay is based on the absolute time. In ABSmode,
you can locate a position in frame units. The current position of
the recorder is shown as a time (hours: minutes: seconds: frames)
at the top of the Home screen (30 frames per second).
3. Press the SELECT button to specify the bounce source.
You can select any tracks except the bounce target tracks
and any inputs as bounce sources. To set an input as a
bounce source, assign it to a stereo bus and press its
SOURCE button.
You can specify a time in this time display area and move the
transport to that point.
Use the track faders and the PAN knobs on the Mixer screen
to adjust the signals of tracks to be bounced.
Locating a specified time directly
In ABSmode, you can locate a specified time directly using the
following procedure. Direct location this way is not possible
when recording.
When bouncing in stereo, the lower numbered track
becomes the left channel.
When bouncing in mono, set the PAN knobs on the Mixer
screen of tracks that will be bounced completely to the left.
1. Press the HOME button to open the Home screen.
To adjust the bounce master level when in Bounce mode,
press the F4 (BOUNCEMASTER) button to show a fader.
Use the JOG/DATA dial to adjust it.
2. ABSappears to the left of the counter on the Home screen.
If ABSdoes not appear, press the METRONOME button to
open the METRONOMEscreen.
CAUTION
Use the CURSOR (5/b) buttons to select the BARDISP
item, and then use the JOG/DATA dial to set it to OFF. This
will cause ABSto appear on the Home screen.
If a bounce source is selected before selecting a
destination, the audio signals of the bounce sources
will not be output from the STEREO OUT or MONITOR
OUT jacks until you select the bounce destination.
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7 - Recorder Functions
3. Turn the JOG/DATA dial to change the time (the speed that
the time changes corresponds to the speed that the dial is
turned).
Therefore, MARK05could appear before MARK01in a song,
for example.
4. After setting the desired time value, press the PLAY (t)
Skipping to location marks
Press the F FWD (,) or REW (m) button to skip to the next
or previous mark.
button to start playback from that time.
Locating a specified bar/beat directly
NOTE
In BAR mode, in the same way that you can locate a specified
time directly in ABS mode, you can locate a position by
specifying a time in bars and beats using the following
procedure. Direct location this way is not possible when
recording.
Marks are skipped to in time order, not in numerical order.
Deleting a location mark
You can delete marks when the recorder is stopped.
1. Press the HOME button to open the Home screen.
1. Press the F FWD (,) or REW (m) button to move to the
2. BARappears to the left of the counter of the Home screen.
mark that you want to delete.
If BARdoes not appear, press the METRONOME button to
open the METRONOMEscreen..
2. Press the MARK SET button to delete the location mark.
NOTE
Use the CURSOR (5/b) buttons to select the BARDISP
item, and then use the JOG/DATA dial to set it to ON. This
will cause BARto appear on the Home screen.
This operation cannot be undone. Make sure you want to execute it.
3. The value cycles automatically when they reach the highest
or lowest value in a field.
Returning to zero or the last
recording position
When set to 4/4, if the beat field exceeds 04, for example,
the bar value will increase by one, and the beat field will
return to 01
.
You can easily jump to the beginning of a song (00:00:00:00 =
ZERO point) or to the last recording position (LAST REC point) by
using two buttons at once.
In the same way, when you turn the JOG/DATA dial to lower
a value and the beat value passes through 01, the bar value
will decrease and the total value will change in succession.
When set to 4/4, for example, if the value drops below 01
when the cursor is located under the beat field, the bar value
To return to the beginning of a song (00:00:00:00 = ZERO point),
press and hold the STOP (8) button and press the REW (m)
(TO ZERO) button.
will decrease by one, and the beat field will return to 04
.
To return to the last recording position (LAST REC point), press
4. After setting the desired measure/beat, press the PLAY (t)
and hold the STOP (8) button and press the F FWD (,) (TO
LAST REC) button. This function is useful when you want to
record again after finishing recording.
button to start playback from that beat.
Location marks
Fast forwarding and rewinding
This unit allows you to set up to 99 location marks in each song.
For example, you could mark the intro, vocal entry points and
the starts of verses.
During playback or when stopped, press the REW (m) or F
FWD (,) button to rewind or fast-forward while the button is
pressed. The rewind and fast-forward speed is fixed at 10 times
normal speed.
Setting a location mark
When stopped, recording or playing back, press the MARK SET
button at a point where you want a location mark.
Cueing with the JOG/DATA dial
A mark number (MARKxx) appears on the Home screen (xxis
the mark number).
You can use the JOG/DATA dial to jog to a precise playback
position. There are two ways to cue by jogging: while viewing a
track's waveform and while listening to the audio of tracks.
The displayed mark number is the mark at the current position
or the mark that is placed closes before the current position. A
flag icon is also shown above the timeline.
Jogging while viewing a waveform
1. Use the transport buttons or other locate functions to move
the playback position near the position where you want to
cue playback.
2. Press the JOG PLAY button to enter jog mode.
If in timeline display mode, press the F1 key to switch to
waveform display.
3. Press the SELECT button for the track that you want to view.
NOTE
The waveform of the selected track appears.
The marks are numbered in the order that you enter them. They
are not numbered according to their positions in the song.
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7 - Recorder Functions
If a stereo track is selected, the displayed track (odd or even)
changes each time the SELECT button is pressed, and you
can monitor only the displayed track.
NOTE
The IN and OUT points cannot be set or edited in the following
modes: repeat playback, auto punch and mastering.
4. Use the CURSOR (g/t) buttons to increase/decrease the
Adding IN/OUT points
horizontal zoom (time) as necessary.
ª
Regardless of whether the unit is stopped, playing back or
recording, when the recorder is at the desired position, press
and hold the MARK SET button and press the IN or OUT button.
Press the CURSOR g button to decrease the horizontal
zoom (time), or the CURSOR t button to increase it.
You can also use the CURSOR (5/b) buttons to increase/
decrease the vertical zoom (audio level).
The position where you pressed the IN/OUT button is set as the
IN/OUT point and the time is shown on the Home screen.
Press the CURSOR 5 button to increase the vertical zoom
(audio level), or the CURSOR b button to decrease it.
Increasing the zoom makes it easier to cue precisely.
Locating IN/OUT points
When stopped or playing back, press the IN or OUT button.
ª
5. Use the JOG/DATA dial to locate the cue point.
6. After you find the cue point, press the JOG PLAY button to
Using repeat playback
return to the Home screen.
1. Set the IN point and OUT points as the start and end points
of the repeat playback interval, and then return to the Home
screen.
Jogging while listening to audio
1. Use the transport buttons or other locate functions to move
the playback position near the position where you want to
cue playback.
2. Press the REPEAT button.
The
icon appears on the Home screen, and repeat
playback starts.
2. Press the JOG PLAY button to enter jog mode.
If in waveform display mode, press the F1 key to switch to
Repeat icon
timeline display.
3. Use the CURSOR (g/t) buttons to increase/decrease the
horizontal zoom (time) as necessary.
Press the CURSOR (g) button to decrease the horizontal
zoom (time), or the CURSOR (t) button to increase it.
Increasing the zoom makes it easier to cue precisely.
The jogging sound, which is the sound of a short increment
being repeated, can be heard.
After starting from the IN point, when playback reaches the
OUT point, it returns to the IN point and continues.
4. While listening to the jog sound, use the JOG/DATA dial to
Playback continues to repeat between the IN and OUT
points.
locate the cue point.
5. After you find the cue point, press the JOG PLAY button to
3. To end repeat playback, press the REPEAT button, so that
return to the Home screen.
the
icon disappears from the Home screen.
NOTE
The transport buttons can be used even in jog mode. However,
when the timeline is displayed, pressing the PLAY button switches
between normal playback and jog playback, and pressing the
STOP button activates jog playback.
Jumpback playback
Press the JUMPBACK (PREVIEW) button during playback to
move back a set number of seconds and restart playback.
When in jog mode, you can move in 1/10 frame (1/300 seconds)
units. You can also set IN and OUT points with 1/10 frame precision.
If you want to hear a passage again during playback, press the
JUMPBACK (PREVIEW) button to go back the set number of
seconds and replay that passage.
Repeat playback
1. When the recorder is stopped, press the MENU button to
open the MENUscreen.
Use the repeat playback function to play the same part again
and again.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) PREFERENCE, and then
The repeat playback interval is the audio between the IN and
OUT points.
press the F4 (t) button.
Setting IN/OUT points
In addition to setting the repeat playback interval, the IN and
OUT points are also used to set track editing intervals and as the
punch-in and punch-out points when automatically punching
in and out. Moreover, these points are used as the start and end
points of the mixed-down master file when creating a master file.
The PREFERENCEscreen opens.
You can set these points when the unit is recording, playing back
or stopped.
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7 - Recorder Functions
While playback is stopped, hold the PREVIEW button and
press the IN button to skip back the preview time and then
play to the current time and stop.
3. Use the CURSOR (5/b) buttons to select (highlight
blue) JumpBack, then use the JOG/DATA dial to set the
jumpback time.
Options: 1Secto 10Sec, 20Sec, 30Sec(default:
3Sec
)
Automatic punching in and out
You can use the punch in/out function to automatically record
between punch-in and punch-out points set in advance.
When using auto punch in/out recording, playback starts from
the pre-roll point before the punch-in point where recording
starts. Once the punch-out point is reached, recording ends, but
playback continues for the post-roll time and then stops.
In automatic punch in/out recording, monitoring of the
recording tracks changes as follows.
4. After making the setting, press the HOME button to return
to the Home screen.
Pre-roll period: Track playback signal + input source signal
Punch in–out interval: Input source signal
•
•
•
5. Press the JUMPBACK button during playback to move back
by the time set in step 3.
Post-roll period: Track playback signal + input source signal
Tracks not armed for recording can be monitored the entire
time.
Previewing cue points
When using this auto punch in/out function, the above
monitoring changes occur not only during actual recording, but
also in the Rehearsal mode.
You can preview playback to check whether it is cued correctly.
This function can be used to preview audio both before and
after the current playback position.
In Rehearsal mode, you can simulate auto punch in/out
recording, so you can rehearse your performance and also check
whether the IN and OUT points are set correctly.
1. When the recorder is stopped, press the MENU button to
open the MENUscreen.
You can also use punch in/out in with the repeat function. By
using these functions together, you can repeatedly rehearse
punch in/out recording, or record multiple takes of the same
section, letting the unit work automatically. After recording
multiple takes, you can choose the best one.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) PREFERENCE, and then
press the F4 (t) button.
Setting punch-in/out points
There are two ways to set the punch-in/out points.
LAST REC:
This option sets the starting and ending points of the last
recording (or rehearsal) as the punch in and out points.
The PREFERENCEscreen opens.
IN - OUT:
3. Use the CURSOR (5/b) buttons to select (highlight blue)
PreviewTime, then use the JOG/DATA dial to set the
preview playback time.
This option sets the IN and OUT points as the punch-in/out
points. The first of these points will be used as the punch-in
point and the second as the punch-out point.
Preview Time: 1Secto 10Sec(default: 4Sec
)
1. When the recorder is stopped, press the HOME button to
open the Home screen.
2. Press the REC button for the track(s) on which you want to
automatically punch in and out.
3. Press the AUTO PUNCH button to open the AUTOPUNCH
screen.
4. After making the setting, press the HOME button to return
to the Home screen.
5. Preview playback before or after the cue point.
To preview after the cue point:
While playback is stopped, hold the PREVIEW button and
press the OUT button to play from the current point for the
preview time, and then return to the current point and stop.
To preview before the cue point:
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7 - Recorder Functions
4. Use the CURSOR (5/b) buttons to select (highlight blue)
2. Press the RECORD (0) button.
MODE, PREROLLor POSTROLL, and then use the JOG/
Automatic punch in/out rehearsal starts.
DATA dial to set the value.
Playback starts from the pre-roll point. You can monitor
both the track playback and input source signals during
the pre-roll.
•
•
•
•
MODE: LASTRECor IN-OUT
PREROLL: 1.0to 9.9sec
POSTROLL: 1.0to 9.9sec
When the punch-in point is reached, monitoring changes
to only the input source signal, and the RECORD (0)
button starts flashing (indicating that this is a rehearsal).
After setting MODE, PREROLLand POSTROLL, press the
F4 (t) button to return to the Home screen. AutoPunch
appears at the top of the screen when automatic punching
is enabled.
When the punch-out point is reached, monitoring of both
the track playback and input source signals resumes, and
the RECORD (0) button becomes unlit.
You can also press the AUTO PUNCH button again to return
to the Home screen without enabling automatic punching.
Playback stops at the post-roll point.
Before starting a rehearsal, you can press the REPEAT button
to repeat rehearsal of the auto-punch interval until you
press the STOP (8) button. (AUTO PUNCH, REHEARSE and
REPEAT buttons all light in this case.)
NOTE
You can press the AUTO PUNCH button before putting any tracks
into recording standby. Press the REC button of any track to put it
into recording standby after enabling automatic punching.
Recording with automatic punching
After rehearsing, record with auto punch in/out.
Checking punch-in/out points
When punch-in/out points are set, you can confirm the setting
by pressing the PLAY (t) button.
The playback starts from the pre-roll point and continues to the
post-roll point. When the punch-in point is reached, on tracks
armed for recording, already recorded audio will be muted and
only input signals will be heard. When the punch-out point is
reached, already recorded audio and input signals will both be
heard.
1. If necessary, press the REHEARSE button so that it becomes
unlit.
2. Press the RECORD (0) button.
Playback starts from the pre-roll point. You can monitor
both the track playback and input source signals during
the pre-roll.
•
•
•
•
When the punch-in point is reached, monitoring changes
to only the input source signal, and the RECORD (0)
button starts flashing (indicating that this is a rehearsal).
If you want to change the punch-in/out points, locate the
desired points and set them again.
If there are no problems with the punch-in/out points and pre-
roll and post-roll times rehearse recording, as described below.
When the punch-out point is reached, monitoring of both
the track playback and input source signals resumes, and
the RECORD (0) button becomes unlit.
Playback stops at the post-roll point.
Rehearsing with automatic punching
You can rehearse before punch in/out recording. During
rehearsal, monitoring operates the same way as in actual
recording, but no recording occurs.
Before starting punch in/out recording, you can press the
REPEAT button so that it lights. Then, you can repeat automatic
punch in/out recording up to 8 times (takes). This uses the
recorder's virtual track feature.
1. When the AUTO PUNCH button is lit and at least one of the
After recording, you can choose your favorite take from one of
the 8 takes recorded on virtual tracks. (See "Checking takes"
below.)
tracks is in recording standby, press the REHEARSE button.
The REHEARSE button lights.
NOTE
You can undo auto punch in/out operations.
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7 - Recorder Functions
Checking takes
Assigning virtual tracks
After recording one or more takes, follow these procedures to
Follow these procedures to assign a virtual track to a physical
check them.
track.
After punch in/out recording completes, the VIRTUAL TRACK
screen opens, as shown below.
1. Press the SELECT button of a track you want to assign a
virtual track to when the Home screen is open, and then
press the VIRTUAL TRACK button.
(You can also press the VIRTUAL TRACK button first, and
then select the track.)
The VIRTUALTRACKscreen opens.
1. Use the JOG/DATA dial or the CURSOR (5/b) buttons to
select (highlight blue) a take in the list.
2. Press F4 (LOAD) to assign that virtual track to the physical
track.
Playback the take to check it.
NOTE
Repeat steps 1 and 2 to check other takes.
When creating a song, Virtual Track #1 is assigned to each
physical track.
Recording, playback, and editing is only possible on virtual
tracks assigned to physical tracks.
You can assign an already recorded virtual track to a physical
track and record over it.
•
•
•
3. If you are satisfied with the result, press the VIRTUAL TRACK
button to close this screen.
To end Auto Punch mode, press the AUTO PUNCH button.
If you are not satisfied with the result, press the RECORD (0)
button again and record another take.
2. Use the JOG/DATA dial to select the virtual track that you
want to assign.
3. Press the F4 (LOAD) button to assign the virtual track to the
Virtual tracks
physical track.
This unit has 8 virtual tracks for each track.
The virtual track assigned to the physical track is marked
with an icon on the screen.
Since there are 8 virtual tracks for each track, you can record
multiple takes of lead vocals and improvised solos, for example,
and then choose the best takes afterwards.
NOTE
To delete a virtual track, press the F3 (CLEAR) button in step 3
above.
A virtual track assigned to a physical track cannot be deleted.
If you assign an unused virtual track, the physical track becomes
empty.
•
After recording, assign an unused virtual track to the physical
track, and then record another take. By repeating this process,
you can use multiple virtual tracks for different takes.
•
•
Recording to virtual tracks
Follow these procedures to record a virtual track.
1. Select the track.
2. Press the VIRTUAL TRACK button.
3. Select UNUSED
.
4. Press the F4 (LOAD) button to assign the virtual track to be
recorded to.
5. Once you have completed the setting, press the HOME
button to return to the Home Screen.
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8 - Track Editing
In the past, editing recordings made on tape recorders required
advanced techniques, but with this unit editing is easy and
accurate.
Basic editing procedures
1. When the recorder is stopped, press the TRACK EDIT button
to open the TRACKEDITmenu.
Moreover, unlike with a tape recorder when an editing error
could not be undone, this unit uses non-destructive editing,
which means you can edit without altering the original data
so the undo function can be used to correct an edit easily. (See
Overview of track editing
This unit has the following track editing functions.
2. Use the JOG/DATA dial or the CURSOR (5/b) buttons to
COPY/PASTE
•
•
•
•
•
•
•
•
•
select (highlight blue) the desired track editing function, and
COPY/INSERT
then press the F4 (t) button.
The corresponding function window opens.
MOVE/PASTE
MOVE/INSERT
OPEN (insert silence)
CUT (remove part)
SILENCE (erase part)
CLONE TRACK (duplicate track)
CLEAN OUT (delete track)
Editing points
The IN, OUT and TO points are used as editing points for the
COPY/PASTE, COPY/ INSERT, MOVE/PASTE and MOVE/INSERT
functions.
window
COPYPASTE
3. Select the setting item value.
If there are multiple setting items, use the CURSOR (5/b)
buttons to select one, and then use the JOG/DATA dial to set
the value.
The IN and OUT points are used as editing points for the OPEN,
CUT, and SILENCE functions.
4. Press the F2 (YES) button to execute the function.
These are the same IN and OUT points used for repeat playback.
NOTE
IN point
ª
Press the F1 (NO) button to close the COPYPASTEwindow
without executing the function.
The IN point is the start point for the part of the track to be
edited.
Press and hold the MARK SET button and press the IN button to
set the IN point at the current position.
Explanation of items
SOURCE
ª
OUT point
ª
This is the track to be edited.
The OUT point is the end point for the part of the track to be
edited.
The choices available depend on the editing function.
Press and hold the MARK SET button and press the OUT button
to set the OUT point at the current position.
1to 12: Single track
13/14to 31/32: Stereo track
You can also use track SELECT buttons to set this.
•
•
TO point
ª
ALL: Every track from 1 to 32
•
The TO point is the current playback position.
NOTE
If you press the JOG PLAY button to enable jog mode, you can set
IN and OUT points with subframe (1/10 frame) precision.
COPY PASTE window
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8 - Track Editing
IN/OUT/TO
ª
COPY/INSERT
To change the IN/OUT/TO points, exit the TRACK EDITscreen,
and set them again as necessary.
IN
OUT
TO
TO
TARGET Track
ª
This is the track that is edited. In the case of OPEN, CUT, SILENCE
and CLEAN OUT, the source track itself is the target track.
IN
OUT
The options depend on what you have set for the
SOURCEtrack
.
When the SOURCEtrackis ALL(all tracks) , the
TARGETtrackmust also be ALL(all tracks).
TIMES
ª
Set the number of times that the copied section will be pasted
between 1and 99
.
This function copies the audio data from between the IN and
OUT points on the source track, and inserts it on the target track
starting from the TO point. This operation does not change the
source track between the IN and OUT points.
COPY/PASTE
IN
OUT
OUT
TO
TO
This operation inserts recorded data into the target track. The
recorded data on the target track after the TO point is offset by
the amount of time used by the inserted audio data. Therefore,
the target track becomes longer.
IN
You can make multiple copies in a single operation. In other
words, you can insert a designated number of repetitions of the
data into the target track from the TO point.
The following parameters are used in this operation.
SOURCE Track
IN/OUT/TO
TARGET
•
•
•
•
TIMES
This function copies the audio data from between the IN and
OUT points on the source track, and pastes it on the target track
starting from the TO point. This operation does not change the
source track between the IN and OUT points.
This operation overwrites recorded data on the target track.
Therefore, the length of the target track is not changed.
You can make multiple copies in a single operation.
In other words, you can overwrite the target track from the TO
point with a designated number of repetitions of the source
data.
The following parameters are used in this operation.
SOURCE Track
IN/OUT/TO
TARGET
•
•
•
•
TIMES
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8 - Track Editing
MOVE/PASTE
OPEN (Insert Silence)
IN
OUT
TO
TO
IN
OUT
IN
OUT
IN
OUT
This function inserts silence between the IN and OUT points on
the selected track.
The audio data between the IN and OUT points on the source
track is removed and pasted on the target track from the TO
point. This operation leaves a silence between the IN and OUT
points on the source track.
This function splits the track at the IN point and shifts the
recorded data after the IN point to after the OUT point.
Therefore, the track becomes longer.
This operation overwrites recorded data on the target track.
Therefore, the length of the target track is not changed.
The following parameters are used in this operation.
The following parameters are used in this operation.
TARGET Track
IN/OUT
•
•
SOURCE Track
•
IN/OUT/TO
TARGET Track
•
•
CUT (Remove Part)
MOVE/INSERT
IN
OUT
IN
OUT
TO
TO
IN
IN
OUT
This function cuts (deletes) the audio data between the IN and
OUT points on the selected track, and shifts the remaining
recording after the OUT point forward to the IN point. Therefore,
the track becomes shorter.
The audio data between the IN and OUT points on the source
track is removed and inserted in the target track starting from
the TO point. This operation leaves a silence between the IN and
OUT points on the source track.
The following parameters are used in this operation.
TARGET Track
IN/OUT
•
•
This operation inserts recorded data into the target track starting
from the TO point. Therefore, the target track becomes longer.
The following parameters are used in this operation.
SOURCE Track
IN/OUT/TO
TARGET Track
•
•
•
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8 - Track Editing
SILENCE (Erase Part)
CLEAN OUT (delete track)
IN
OUT
IN
OUT
Use this function to completely erase the selected track.
This function cuts (deletes) the audio data between the IN and
OUT points on the selected track.
This deletes the entire track, so the IN, OUT and TO points have
no effect.
This creates silence between the IN and OUT points, as though
there had been no recording.
The following parameter is used in this operation.
TARGET Track
•
This operation does not change the length of the track.
The following parameters are used in this operation.
TARGET Track
IN/OUT
•
•
TIP
You can use this function to delete short noises, for example.
CLONE TRACK (duplicate track)
Use this function to duplicate a mono or stereo track to a
different track.
This copies the entire track, so the IN, OUT and TO points have
no effect.
The following parameters are used in this operation.
SOURCE Track
TARGET Track
•
•
NOTE
If you choose the same track for both the SOURCEand the
TARGETtrack, a SameTracknotification appears and the
operation will not be executed.
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9 - Using Internal Effects
This chapter explains the dynamic effects, guitar effects, and
send effects that can be applied to individual mic and guitar
inputs.
Guitar effects
This unit has multi-effects for guitar. You can insert and use these
effects on tracks.
You can select one of four types of dynamic effects
(COMPRESSOR, NOISE SUPPRESSOR, DE-ESSER, EXCITER) for use
with all inputs (A to H).
The library settings of guitar and send effects can be used for
other songs.
Even when parameter settings are not stored in the library, effect
assignments and parameters are always stored as part of a song.
Dynamic effects
When you press the DYNAMICS button, the inserted effect for
the last selected input (INPUT A to H) is displayed.
Inserting a guitar effect
Press the EFFECT button to open the GUITAREFFECT/
You can select one of the four types of effects (COMPRESSOR,
NOISE SUPPRESSOR, DE-ESSER, EXCITER) and apply it to all
inputs (A to H) (simultaneous application has some limitations).
SENDEFFECTscreen (the last displayed effect appears).
If the SENDEFFECTscreen is open, press the F1 (GUITAR
button to open the GUITAREFFECTscreen.
)
You cannot use multiple types of dynamic effects simultaneously.
If there is any effect already inserted on a track, the SELECT
button lights and the track number appears in the upper right
corner of the screen.
If no effect has been inserted, the SELECT button is unlit, and
TRACK--appears in the upper right corner of the screen.
Press the SELECT button of a track to insert the effect on it.
You can also align the cursor with INSERTEFFECTon the
Mixer screen and use the JOG/DATA dial to turn the effect on/
off.
CAUTION
NOTE
When using a guitar effect together with a dynamic
effect, the dynamic effect can be inserted on a
maximum of 2 channels.
A guitar effect has a mono input and a mono output, but when
inserted on a stereo track, it can have a stereo output and some
types will have a stereo effect.
The selected input (A to H) and on/off state are shown on the
screen.
CAUTION
Since guitar effects are mono, when they are inserted
on stereo tracks, the effect is sent only to the odd-
numbered track. (See the illustration below.)
Inserting a dynamic effect
For example, when inputs G and H are assigned to stereo
•
Press the DYNAMICS button to open the DYNAMICSscreen.
Press the SOURCE button to select the input (A to H) where you
want to insert the dynamic effect.
track 9/10 and you insert a guitar effect, the effected sound
will be recorded on track 9 (input G).
Since some effects work in stereo, we recommend that you
set the track type to stereo, and then assign the same input
to both odd and even numbers. (For example, assign input
H/H to tracks 9/10.)
•
Press the F3 (SELECT) button to select the effect that you want
to insert. Press the F4 (ON/OFF) button to set the selected
effect to ONand insert it.
You can also align the cursor with INSERTEFFECTon the
Mixer screen and use the JOG/DATA dial to turn the effect on/
Mono input
Stereo input
off.
Odd track
Odd track
EFFECT
Even track
Even track
Adjusting dynamic effects
You can edit the parameters of the selected dynamic effect. The
parameters differ depending on the effect type.
Use the CURSOR (5/b/g/t) buttons to select the parameter
that you want to change, and then use the JOG/DATA dial to set
the value.
NOTE
There is no preset or library function for dynamic effects.
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9 - Using Internal Effects
Adjusting guitar effects
Using send effects
You can edit the parameters of the selected guitar effect. The
parameters differ depending on the effect type.
You can send input channel or track signals to the send effects.
Set channel signal send levels and whether the signal is pre or
post fader on the Mixer screen. (See “Sending signals to internal/
Press the F3 (SELECT) button to select the effect that you want
to edit.
The return signal from this effect is sent to the stereo bus.
In Bounce mode, however, it is sent to the bounce bus. (See
Use the CURSOR (5/b/g/t) buttons to select the parameter
that you want to change, and then use the JOG/DATA dial to set
the value.
Select whether to apply the effect during recording or during
playback with the POSITIONparameter on the Guitar Effect
screen.
Adjusting send effects
Adjust parameters on the EFFECTscreen.
Press the EFFECT button to open the EFFECTscreen. If the
Guitar Effect is shown, press the F1 (SEND) button to switch to
the Send Effect screen.
Loading guitar effect settings
1. On the Guitar Effect screen, press the F2 (LIBRARY) button
to open the library list.
Press the F3 (SELECT) button to select the effect type (REVERB,
DELAY or CHORUS).
2. Use the JOG/DATA dial to select the effect setting that you
want to load, and then press the F4 (t) button.
3. The setting is loaded and the library list closes, but the Guitar
Effect screen stays open.
Use the CURSOR (5/b/g/t) buttons to select the parameter
that you want to change, and then use the JOG/DATA dial to set
the value.
Press the F1 (g) button to return to the Guitar Effect screen
without loading a setting.
Loading send effect settings
1. On the Send Effect screen, press the F2 (LIBRARY) button
NOTE
to open the library list.
Factory preset settings are stored in the PRESETcategory, and
user settings are stored in the USERcategory.
2. Use the JOG/DATA dial to select the effect setting that you
want to load, and then press the F4 (t) button.
3. The setting is loaded and the library list closes, but the Send
Effect screen stays open.
Saving guitar effects in the library
You can save adjusted effect settings as a user setting in the
library.
Press the F1 (g) button to return to the Send Effect screen
without loading a setting.
1. When the Guitar Effect screen is open, press the F2
(LIBRARY) button to open the PRESET/USER library list.
Saving send effects in the library
You can save adjusted effect settings as a user setting in the
library.
Use the JOG/DATA dial to select the USER area, and then
press the F3 (SAVE) button.
NOTE
1. When the Send Effect screen is open, press the F2
The library list has a PRESETcategory and a USERcategory.
PRESET area data cannot be overwritten.
(LIBRARY) button to open the PRESET/USER library list.
Use the JOG/DATA dial to select the USER area, and then
press the F3 (SAVE) button.
2. Enter a name, if necessary.
Names in the PRESET library cannot be changed.
NOTE
The library list has a PRESETcategory and a USERcategory.
PRESET area data cannot be overwritten.
Send effects
2. Enter a name if necessary.
The internal send effect can be applied to signals sent to Send
Effect 1.
Names in the PRESET library cannot be changed.
You can use one of the three types of send effects (REVERB,
DELAY and CHORUS) available. You cannot use multiple types of
effects simultaneously.
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10 - Mixing Down and Mastering Songs
CAUTION
Mixing down tracks
After ungrouping tracks, the positions of the physical
faders and the actual levels (values shown onscreen)
might not match. In such a case, when you move a
physical fader, the actual level will change to match the
physical fader value, and thereafter the physical fader
will controls the level. This might cause a sudden level
change and loud noise, so turn the stereo fader down
beforehand.
Mixing down tracks is the process of adjusting the volumes and
stereo positions of each recorded track and combining them
into a well-balanced stereo track.
Including recorded tracks (32 maximum) and inputs (8
maximum), you can mix down up to 40 total tracks.
Levels and balance
Use the track faders to balance the relative levels of the tracks.
NOTE
After grouping tracks, if the group master fader changes because
the lowest numbered track is ungrouped or a lower numbered track
is added to the group, the track levels are reset to their physical
fader values.
Then, use the STEREO fader to adjust the overall level. Watching
the stereo level meters on the display, adjust the level until it is
suitable.
If the level is too loud, the sound will become distorted.
NOTE
Stereo position (panning)
Use the PAN knobs on the Mixer screen of each mono track to
The track meters on the display show the recorded signal levels of
the tracks. Therefore, these meters do not change when the TRACK
faders are adjusted.
set the stereo position of the track signal.
For stereo tracks, instead of panning, adjust the balance (BAL)
between left and right channels.
TIP
You do not need to keep the entire song at the same volume. For
example, you could gradually increase the volume during a guitar solo.
Track equalizer
Each track has a 3-band equalizer that can be adjusted on the
Mixer screen.
Fader group
You can group multiple faders to control them simultaneously
with a single fader.
1. Press the MIXER button to open the Mixer screen.
Group and ungroup tracks while the GROUP button is lit.
Grouping tracks
ª
1. Press the GROUP button.
2. Adjust the level and balance between tracks you want to
control.
3. Press the SELECT buttons of tracks to control.
2. Adjust the track equalizer.
A lit SELECT button indicates a track in the group.
The equalizer parameters are as follows.
The track fader with the smallest number will be the master
fader, and faders in the group can be controlled by it. When
a fader other than the master fader is moved, the SELECT
button of the master fader blinks and the movement will
have no effect.
GAIN
FREQ
Setting range: 12 dB Setting range: 1.7 kHz to 18 kHz
HIGH
MID
(Default: 0 dB)
Setting range: 12 dB Setting range: 32 Hz to 18 kHz
(Default: 0 dB) (Default: 1.0 kHz)
Setting range: 12 dB Setting range: 32 Hz to 1.6 kHz
(Default: 10 kHz)
This fader group internally retains the relative level
differences from the master fader that it had when it was set.
The relationship between physical faders is not retained.
LOW
(Default: 0 dB)
(Default: 100 Hz)
Use track SELECT buttons to select desired tracks.
NOTE
Use HIGH, MID and LOW GAIN knobs to adjust the gain of each
band.
After tracks have been grouped, they will not be ungrouped when
you press the GROUP button. (The GROUP button will blink.)In this
case, if the group master fader is moved, the SELECT buttons of
tracks in the group will light during operation.
Use the HIGH, MID and LOW FREQ knobs to adjust the center
frequency of each band.
Use the MID Q knob to set the resonance (width) of the MID
FREQ band.
If another fader is moved, the SELECT button of the master fader
will blink and the movement will have no effect.
Setting range: 0.25to 16(Default: 0.5
)
Ungrouping tracks
1. Press all the SELECT buttons of tracks in the group to turn
ª
Press the EQUALIZER ON/OFF button to turn the equalizer on
or off.
them off.
Use INPUT SOURCE (A–H) buttons to select inputs to set the
2. Press the GROUP button.
If you press the GROUP button before turning off all the
buttons (a button is still lit), the GROUP button will blink,
indicating that tracks are still grouped.
3. After making the settings, press the HOME button to return
to the Home screen.
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10 - Mixing Down and Mastering Songs
Send effects
Setting the start and end points
This unit has three types of send effects.
Before creating a master file, set the start and end points to be
used for the mixed down master file. The range between the
song's IN and OUT points will be recorded as the master file.
Adjust the level of the signal sent to the effect from each track
by using their SEND EFF 1/EFF 2 knobs.
Usually, you will probably want to set the beginning of the song
as the IN point and the end of the song as the OUT point.
NOTE
Adjust the RETURNLEVELon the Send Effect screen.
Press and hold the MARK SET button and press the IN button
where you want to set the IN (start) point of the master file, and
press and hold the MARK SET button and press the OUT button
where you want to set the OUT (end) point.
1. Press the EFFECT button to open the Effect screen.
For more information about how to correct the IN/OUT points,
Creating a master file
After setting the IN and OUT points, you are ready to create the
master file.
2. Select and adjust the send effect.
1. When in MultiTrackmode, press the MIXDOWN/
Press the EFFECT button to open the Effect screen where
the last operation was performed. Press the F3 (SELECT
button to select one of the three available types (REVERB
DELAYor CHORUS). You cannot use multiple types of
MASTERING button.
)
The recorder switches to Mixdownmode and the Home
screen reopens.
,
effects simultaneously.
Align the cursor with the parameter that you want to adjust,
and then use the JOG/DATA dial to adjust it.
The return from the send effect is mixed with the stereo
signal.
3. After making the send effect setting, press the HOME button
to return to the Home screen.
4. Use the SEND EFF 1 knob to adjust the level of the signal
If you play or record, you can hear the signal of the mixed
tracks (the signal to be recorded) through headphones or a
monitoring system.
sent to the send effect of each track.
TIP
When using an external effect, connect the output of the external
effect (EFFECT RETURN) to INPUT A to H. By assigning the
connected input to the stereo bus, you can return the effect sound
to the stereo bus. (See “Assigning inputs to a stereo bus” on page
33.)
NOTE
In Mixdown mode, Mixdownappears on the upper left corner
of the Home screen.
If the interval between the IN and OUT points is shorter than 4
seconds, when you start to record, TrkTooShortappears
and the mixdown recording will not be performed.
•
•
When in Mixdownmode, some playback functions
do not work. If you try to use one of these functions,
InMixdownModeappears.
•
Creating a master file
When you are satisfied with your mix, this unit can create a
stereo master file by recording the mixed down tracks.
2. Press the RECORD (0) button.
Master files created by this unit are saved with their songs.
The mixdown starts and the RECORD (0) button lights.
Regardless of the recorder's current position, the mixdown
starts from the IN point.
A master file can be recorded by an external stereo recorder and
can also be converted by the unit into a WAV file and stored with
the same name as the song in the song's folder on the SD card.
If necessary, adjust the track faders or the Mixer screen's
PAN knobs while mixing down the tracks to stereo. These
adjustments will be reflected in the master file.
CAUTION
Only one master file (“[song name].wav”) can be created
in each song. (When mastering, another file besides the
“[song name].wav” master file is created, but it is only
for use by the unit. Do not erase it.)
When the recorder reaches the OUT point, recording
automatically stops.
3. If you want to redo the creation of the stereo master track,
press the RECORD (0) button.
A new master file will be created, and the previous master
file will be overwritten.
NOTE
After recording the master file, you can play back the master file to
check it. (See “Checking the master file” in the following section.)
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10 - Mixing Down and Mastering Songs
NOTE
Exiting Mixdown mode
Press the MIXDOWN/MASTERING button twice to return to
To listen to a master file recorded in a saved song, load the song,
change the recorder to Masteringmode, and then press the
PLAY (t) button to start playback.
MultiTrackmode.
Ending master file checking
After checking the master file, press the MIXDOWN/
Checking the master file
MASTERING button to return to MultiTrackmode.
Follow these procedures to listen to a master file after you have
completed recording it.
1. When in Mixdownmode, press the MIXDOWN/
Using the mastering tools
MASTERING button.
The recorder switches to Masteringmode and the
Masteringscreen opens.
This unit has specialized tools for enhancing the sound of
the master file. Use the equalizer, compressor, and normalize
functions to adjust the overall volume and sound quality.
Switch to Masteringmode and use the mastering tools to
enhance the master file.
Mastering procedures
Follow the steps below to master the file that has been mixed
down.
NOTE
Step 1 - Enter Mastering mode.
When in Mixdownmode, press the MIXDOWN/MASTERING
button.
ª
In Mastering mode, Masteringappears in the upper left of
the Home screen.
When in MultiTrackmode, press the MIXDOWN/
MASTERING button to switch to Mixdownmode, and then
press the MIXDOWN/MASTERING button again to switch to
Masteringmode.
•
•
The recorder switches to Masteringmode and the
Masteringscreen opens.
You cannot switch to Masteringmode if there is no master
file.
•
2. In this state, press the PLAY (t) button to play back the
master file that you have created.
CAUTION
Confirm that both the EQand COMPitems are set to OFF
If either is set to ON, the playback sound of the master
file will be affected by the equalizer and/or compressor.
.
NOTE
When in MultiTrackmode, press the MIXDOWN/
•
MASTERING button to switch to Mixdownmode, and then
press the MIXDOWN/MASTERING button again to switch to
Masteringmode.
You cannot switch to Masteringmode if there is no master
file.
3. When in Masteringmode, the transport buttons work as
follows.
•
Press the PLAY (t) button to play back the master file
from the current position until its end.
•
Step 2 - Use the mastering tools to adjust
the sound.
Use the REW (m) button and the F FWD (,) button
to rewind and fast-forward in the same way as in ordinary
recorder mode.
•
ª
You can use the following mastering tools: EQUALIZER (F1 (EQ
)
Press the STOP (8) button to stop playback.
Track recording is not possible.
•
•
•
button), COMPRESSOR (F2 (COMP) button) and NORMALIZE (F4
(NORM) button).
Repeat playback and location mark functions cannot be
used.
You can also switch between a multi-band and single-band type
compressor on the COMPMULTIscreen by pressing the F2
button.
Since the master file playback signal is output from the
STEREO OUT jack, you can record the output to an external
stereo recorder.
When using the multi-band compressor, the parameter display
on the COMPMULTIscreen is split into LOW BAND, MID BAND
and HIGH BAND areas, allowing separate adjustments for each
band.
If you are not satisfied with this master file, you can perform
a new mixdown.
Make the necessary settings for each tool. (For further
details, see "Using the mastering equalizer," "Using mastering
compression" and "Using normalize," below.)
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10 - Mixing Down and Mastering Songs
Use the MID Q knob to set the resonance (width) of the MID
FREQ band.
When in Masteringmode, you can use the PLAY (t),
STOP (8), REW (m) and F FWD (,) transport buttons to
monitor the playback signal as you adjust settings.
Setting range: 0.25to 16(Default: 0.5
)
Press the EQUALIZER ON/OFF button to turn the equalizer
on or off.
Step 3 - Record a new master file using the
mastering tools.
ª
After adjusting the mastering tool settings, press the RECORD
(0) button to start recording.
The recording starts and the PLAY (t) and RECORD (0)
buttons light.
Recording always starts from 00:00:00:00regardless of the
current position.
Recording in Masteringmode overwrites the previous
master file.
NOTE
At the end of the master file, recording finishes automatically
The "Q" value is the center frequency of the equalizer divided by the
bandwidth. A high Q value reduces the range of the cut or boost
applied to the frequencies. Depending on the equalizer setting, the
graph at the top of the screen changes.
and the position returns to 00:00:00:00
.
NOTE
If you stop the recording in the middle, a new master file will be
created until the time when you stopped the unit.
3. After making the settings, press the F1 (g) button to return
to the Masteringscreen.
Step 4 - Check your recording.
Turn the equalizer and compressor off before playing back the
master file to check the mastering results.
ª
4. On the Masteringscreen, the EQis shown as either ONor
OFF
.
Single undo and redo can be used, so you can compare the
sound before and after using the mastering tools.
If you are not satisfied with the result
ª
Undo the operation to return the master file to mixdown state,
and apply the mastering tools again from step 1.
NOTE
Multiple undo and redo cannot be used when the recorder is in
Masteringmode.
Using mastering compression
You can choose between single band and multi-band
compressors.
Using the mastering equalizer
Multi-band compressors allow independent settings for the
low, mid and high frequency ranges, so you can adjust the
overall level balance. By using compression, you can also reduce
unwanted peaks and increase the overall gain to make the song
louder, creating a mastered sound with greater impact.
1. When the Masteringscreen is open, press the F1 (EQ
)
button to open the EQUALIZERscreen.
1. When the Masteringscreen is open, press the F2 (COMP
)
button to open the COMPMULTIscreen.
2. Adjust mastering equalization on this screen.
The equalizer parameters are as follows.
GAIN
FREQ
Setting range: 12 dB Setting range: 1.7 kHz to
HIGH
MID
(Default: 0 dB)
18 kHz (Default: 10 kHz)
Setting range: 12 dB Setting range: 32 Hz to 18
(Default: 0 dB) kHz (Default: 1.0 kHz)
Setting range: 12 dB Setting range: 32 Hz to 1.6
(Default: 0 dB) kHz (Default: 100 Hz)
LOW
Use the HIGH, MID and LOW GAIN knobs to adjust the gain
of each band.
Use the HIGH, MID and LOW FREQ knobs to adjust the
center frequency of each band.
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10 - Mixing Down and Mastering Songs
2. Press the F3 (LIBRARY) button to open the library list.
6. When using the multi-band compressor, move the cursor to
CROSSOVERand then use the JOG/DATA dial to adjust the
frequency range of each band.
3. Use the JOG/DATA dial or the CURSOR (5/b) buttons to
select (highlight blue) the desired preset, and then press the
7. Press the F4 (ON/OFF) button to turn the compressor on
or off. The ON or OFF state is shown on the Mastering
screen.
F4 (t) button.
After the preset is loaded, the library list closes, but the
COMPMULTIscreen stays open.
8. After setting the parameters, press the F1 (g) button to
4. When using the multi-band compressor, move the cursor
to the band display area, use the JOG/DATA dial to switch
among the bands, and then set the parameter for each band
as desired.
return to the Masteringscreen.
Compressor
ON/OFF
Using normalize
Multiband compressor
Use the normalize function to automatically adjust the volume.
This function detects the highest volume level and raises the
overall volume until the highest level reaches the maximum
limit.
CAUTION
If you use equalization or compression after normalizing
the track, distortion might occur. Use the normalize
function after adjusting the sound with equalization
and compression.
Single band compressor
At this time, the selected band is shown in the upper left.
1. When the Masteringscreen is open, press the F4 (NORM
)
5. Use the CURSOR (5/b/g/t) buttons to select the
parameter to adjust, and then use the JOG/DATA dial to set
button to open the NORMALIZEscreen.
it.
THRESHOLD
The threshold value determines when the compressor
becomes active.
RATIO
Sets how much compression is applied after the level
exceeds the threshold.
KNEE
2. Press the F2 (YES) button to normalize the master track.
Sets the transition curve.
3. Once normalization completes, the Masteringscreen
GAIN
reopens.
Adjusts the output level.
ATTACK
Exiting Mastering mode
To exit Masteringmode and return to MultiTrackmode,
press the MIXDOWN/MASTERING button.
Adjusts how fast the compressor responds after the level
exceeds the threshold.
RELEASE
Adjusts how fast the compressor disengages after the
level drops below the threshold.
AUTO MAKE
This feature automatically adjusts the volume to prevent it
from being reduced by the compressor.
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11 - Various Other Functions
NOTE
Metronome
When the metronome is working, you can monitor the sound
of the metronome through connected external speakers. Note,
however, in this case that the metronome sound could also be
recorded if you are using a microphone to record in the same
room.
When the metronome is running, you can adjust the LEVEL
item on the METRONOMEscreen, but other items cannot be
changed.
You can use the metronome as a click track to help keep time
when recording rhythm guitar or bass, for example, as the first
tracks of a song.
If you want to use the metronome alone for practice, you can
either turn each track's fader all the way down during playback
or play a song that does not have any recordings.
•
This unit has a built-in metronome that can be used when the
recorder is running.
You can set it to work during both playback and recording or
only during recording.
•
•
•
1. When the recorder is stopped, press the METRONOME
button to open the METRONOMEscreen.
Tuner function
2. Set the following items.
Use the CURSOR (5/b) buttons to select the desired item,
You can use the built-in chromatic tuner to tune guitars.
and then use the JOG/DATA dial to set its value.
1. Connect a guitar or bass to the MIC/LINE INPUT H.
MODE
Tuning cannot be performed with instruments connected to
MIC/LINE INPUTS A to G.
You can select from the following modes.
Mode
OFF
Description
2. Set the LINE-GUITAR switch on the rear panel to GUITAR.
Default, metronome off
Active during recording and
playback
Active only during recording
3. When the recorder is stopped, press the MENU button to
REC&PLAY
REC
open the MENUscreen.
4. Use the JOG/DATA dial to select the TUNERmenu item and
then press the F4 (t) button.
LEVEL
Set the metronome volume.
The setting range is from 0to 127. (Default: 60
TEMPO
Set the speed.
The TUNERscreen opens.
)
The setting range is from 20to 250(BPM). (Default: 120
)
SIGNATURE
Set the time signature to 4/4, 3/4, etc.
The setting range is from 1/1to 12/8. (Default: 4/4
)
BAR DISP
5. Use the JOG/DATA dial or the CURSOR (5/b) buttons to
Set the BARdisplay to ONor OFF. (Default: OFF
3. After making the settings, press the HOME button to return
)
set the standard frequency of A4.
The setting range is from 435Hzto 445Hz. (Default:
to the Home screen.
440Hz
)
The metronome works according to the MODEsetting made
in step 2 above.
6. Play the instrument and begin tuning.
The pitch name closest to the string appears above the
meter.
When enabled, the METRONOME button flashes in time
with the metronome tempo.
Tune the instrument so that the target pitch name appears
and the center of the tuning meter lights.
The metronome signal is not recorded even if set to work
during recording.
A bar appears to the left or right of the center if the sound
is lower or higher than the target pitch. The bar becomes
longer as the sound shifts away from the target pitch.
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11 - Various Other Functions
When the pitch played matches the note shown, the center
, t and g icons light green.
3. On the PREFERENCEscreen, use the CURSOR (5/b)
buttons to select a parameter, and then use the JOG/DATA
dial to change its setting.
Menu item
Function
Reference
Set automatic power
saving
Auto Power
Save
Contrast
Adjust display contrast
Adjust display brightness
Adjust display backlight
Brightness
Backlight
Set right footswitch pedal
assignment
Set center footswitch pedal
assignment
Foot SW
Right
7. After tuning the instrument, press the HOME button to
Foot SW
Center
return to the Home screen.
Set left footswitch pedal
assignment
Set peak hold time
Foot SW Left
PREFERENCE menu settings
Undo History
Jump Back
Use the PREFERENCEmenu to change various settings to
optimize the unit for your use conditions and requirements, as
well as to restore the factory settings.
Auto Monitor
Preview Time
Peak Hold
Follow these steps to open the PREFERENCEmenu.
Song Name
Type
1. When the recorder is stopped, press the MENU button to
Set file name format
open the MENUscreen.
Date/Time
Set date and time
Restore default settings
Initialize
Setting automatic power saving
Use the AutoPowerSaveitem to set the amount of time
until the unit power turns off after the last user operation or
function completes.
The options and default value are as follows.
Options: OFF, 3 min, 5 min, 10 min, 30 min (default)
NOTE
The Auto Power Save function is disabled under the following
conditions.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select PREFERENCE, and then press the F4 (t)
button.
The PREFERENCEscreen opens.
(1) During recording or playback
(2) When the metronome is in use
(3) When the record function is ON
(4) When a signal is output from the STEREO OUT
CAUTION
By default, this is set to turn the unit off automatically
after 30 minutes. Set this to “OFF” if you do not want the
unit to turn off automatically.
Setting automatic monitoring
Input monitoring is possible when recording is enabled and the
transport is stopped.
If automatic monitoring is ON, when playback starts, input
sounds are muted, and only playback sounds can be monitored.
Use the AUTOMONITORitem to set this function.
OFF (default):
Input sounds are not muted even when playback starts.
When recording is enabled, input and playback sounds are
mixed.
ON:
When playback starts, input sounds are muted.
When recording is enabled, only playback sounds can be
heard.
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11 - Various Other Functions
NOTE
Setting the song name format
Use the SongNameTypeitem to set the format used for song
names created by this unit to WORD(default) or DATE
If you want to cancel the initialization, press the F1 (NO) button.
6. After making the settings, press the HOME button to return
.
to the Home screen.
WORD: The characters set are used for the beginning
of the song name.
Example (set to “TASCAM”): “TASCAM0001”
DATE: The date is used for the beginning of the song
name.
Viewing information
You can view information about the current song (currently
loaded song), the SD card and the firmware.
Example (created on July 10, 2012): “201207100001”
1. When the recorder is stopped, press the MENU button to
Setting the WORD
ª
open the MENUscreen.
When the SongNameTypeon the PREFERENCEscreen is
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
set to WORD, press the F4 (t) button to open the setting screen.
buttons to select (highlight green) INFORMATION, and
The length of the word is limited to XX single-byte alphanumeric
then press the F4 (t) button.
Restoring the initial preference
settings
You can restore the PREFERENCEscreen settings to their initial
values (factory defaults). This operation is called initialization.
1. When the recorder is stopped, press the MENU button to
The INFORMATIONscreen opens.
open the MENUscreen.
The following information is shown on the INFORMATION
screen.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) PREFERENCE, and then
press the F4 (t) button.
CURRENT SONG
NAME
FORMAT
DATE
The PREFERENCEscreen opens.
3. Use the CURSOR (5/b) buttons to select Initialize
,
and then press the F4 (t) button.
SIZE
INFO
TOTAL SONG
TOTAL SIZE
REMAIN SIZE
SYSTEM VERSION
4. When the confirmation message appears, press the F2 (YES
)
button to confirm.
5. Once initialization completes, the messages closes, but the
PREFERENCEscreen remains open.
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12 - SD Card Management
The recording files are stored on SD cards.
Quick formatting an SD card
Depending on the capacity of the SD card, the card is formatted
using the FAT16 or FAT32 file system.
Use the QUICKFORMATitem to quickly format an SD
card. Using QUICK FORMAT erases all files on the card and
automatically creates new MUSIC, UTILITY and AudioDepot
folders, as well as the dp-24.sys file that is necessary to use the
card with this unit.
SD card capacity
File system
512 MB to 2 GB
Above 2 GB
FAT16
FAT32
Moreover, this unit is compatible with SD card write-protection,
so you can write-protect your cards to prevent accidental
deletion by formatting them. (See “About write-protected SD
CAUTION
This operation erases all data from the SD card and
cannot be undone. Confirm that you will not lose
important data before quick formatting a card.
When an SD card is inserted, the unit mounts the card and
enables it for use. At this time, if the inserted SD card has not
been formatted by this unit, a message appears prompting you
to format it.
1. When the recorder is stopped, press the MENU button to
open the MENUscreen.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
If the inserted SD card has no setup file on it, a message appears
prompting you to create a setup file.
buttons to select (highlight green) FORMAT, and then press
the F4 (t) button.
When an SD card is ejected, the unit unmounts it and then a No
Card message appears.
CAUTION
Ejection during recording is not supported.
Formatting cannot be undone.
•
•
NOTE
The FAT (File Allocation Table) format is a file system format that
can be read by a computer.
SD and SDHC cards that are at least 512MB in size can be used.
A list of SD cards that have been confirmed to work with this unit
can be found on the TEAC Global Site (http://teac-global.com/).
•
•
The format screen where you can choose Quick Format or
Full Format opens.
3. Use the JOG/DATA dial to select QUICKFORMATand press
the F4 (t) button.
A QUICKFORMATconfirmation message appears.
4. Press the F2 (YES) button to execute the quick format. If you
want to cancel the quick format, press the F1 (NO) button.
5. Once the quick format completes, the message closes, but
the FORMATscreen remains open.
NOTE
When a card is formatted, one song is automatically created in the
MUSIC folder.
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12 - SD Card Management
Full formatting an SD card
Use the FULLFORMATitem to completely format an SD card.
Using FULL FORMAT erases all files on the card and automatically
creates new MUSIC, UTILITY and AudioDepot folders, as well as
the dp-24.sys file that is necessary to use the card with this unit.
Using Full Format, memory errors are checked during formatting.
A full format takes longer than a quick format.
CAUTION
This operation erases all the data from the SD card. This
operation cannot be undone. Confirm that you will not
lose important data before full formatting a card.
Follow these procedures to fully format an SD card.
1. When the recorder is stopped, press the MENU button to
open the MENUscreen.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) FORMAT, and then press
the F4 (t) button.
The format screen where you can choose Quick Format or
Full Format opens.
3. Use the JOG/DATA dial to select FULLFORMATand press
the F4 (t) button.
A FULLFORMATconfirmation message appears.
4. Press the F2 (YES) button to execute the full format. If you
want to cancel the full format, press the F1 (NO) button.
5. Once the full format completes, the message closes, but the
FORMATscreen remains open.
NOTE
When a card is formatted, one song is automatically created in the
MUSIC folder.
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13 - Exchanging Data with a Computer
By connecting this unit to a computer using the USB cable, you
Mac OS X
ª
can backup song data from an SD card in the unit to a computer
and restore backed-up song data from a computer to the card.
In addition, you can export track files and stereo master files
from songs to the computer, as well as import audio files from
the computer to the unit.
Mac OS X Mavericks (10.9)
Mac OS X Mountain Lion (10.8)
Mac OS X Lion (10.7)
Mac OS X Snow Leopard (10.6)
Backed-up data can be restored to a different DP-32SD unit
than the one that created it. In other words, files can be freely
exchanged between DP-32SD units, making it easy to add
additional recordings or mix existing recordings in different
location.
When this unit is connected to a computer, the computer
recognizes it as a removable disk. There is no need for a special
driver.
NOTE
CAUTION
Data transfer between this unit and a computer occurs at USB 2.0
speed (maximum). Data can still be transferred if the computer
connection is USB 1.1, but it will be slower. In addition, to assure
USB 2.0 speed, use a cable that meets USB 2.0 standards.
If you want to remove an SD card from this unit and
back up its data on a computer using a card reader,
always turn off the unit's power before removing the
card.
NOTE
Connecting to a computer
In this chapter, "computer" refers to a Windows or Macintosh
personal computer connected to this unit. (See "Operating system
requirements" in the following section.)
When connected to a computer via USB, this unit's record,
playback and other recorder functions cannot be used.
The following types of data can be transferred from this unit to a
computer.
To connect with a computer, use a mini-B-type USB 2.0 cable to
connect the USB port on the rear panel of the unit with a USB
port on the computer.
Entire songs
ª
It does not matter whether you turn the unit's power ON before
or after the USB connection is made.
You can transfer the data for an entire song from the unit's
MUSIC folder to a computer. This operation is called "backing up".
In addition, data backed up on a computer can be transferred to
the MUSIC folder, and then restored as a song file. This operation
is called "restoring".
When this unit is ON, enable the USB connection with the USB
item of the MENUscreen.
The currently loaded song is saved before the USB connection
becomes effective. When connected, the following screen
appears on the display.
WAV format tracks
ª
Export specified track files as WAV files to the AudioDepot folder
of the SD card. In addition, you can import specified track files
by storing WAV files from a computer in the AudioDepot folder
beforehand.
In other words, data transfer between the computer and track
files is carried out through the AudioDepot folder.
Master file
ª
A master file created on this unit can be transferred to a
computer as a stereo WAV file (from the "Song name" folder
inside the MUSIC folder).
After making a USB connection, you must turn the power on and
enable the USB connection in the USBitem of the MENUscreen.
This unit appears as an external drive named DP-32SD on the
computer's display.
Only export of the master file is possible.
Clicking on the DP-32SD drive will display the MUSIC, UTILITY,
and AudioDepot folders.
Operating system requirements
CAUTION
You can connect this unit to computers with the following
operating systems.
Be sure to use the included GPE248-120200-Z AC adaptor
to supply power to this unit. Power cannot be supplied to
this unit via USB.
Do not disconnect the AC adaptor or otherwise cut the
power to the unit during data transfer. Doing so will cause
all the data to be lost beyond recovery.
•
•
•
Windows
Windows 8 (including 8.1)
Windows 7
ª
Do not change the names of folders inside the DP-32SD.
Windows Vista
Windows XP
NOTE
The UTILITY folder is used, for example, to update the system
software used by the unit. In addition, do not delete or change the
names of individual files in the Song subfolder inside the MUSIC
folder. You can, however, delete an entire Song folder if you no
longer need that song.
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13 - Exchanging Data with a Computer
You can import both mono and stereo files, and export mono
files.
Disconnecting
Follow these procedures to disconnect the USB connection
correctly.
If you want to import an audio file of a different format into this
unit, you must convert it to a WAV file first.
CAUTION
When transferring data, do not disconnect the unit or remove
the USB cable. Doing so could cause data on the computer or
this unit to be damaged.
Importing tracks
NOTE
2. Use the computer to copy WAV files to the AudioDepot folder
When disconnecting from a computer, the procedure on the
computer might be called “eject”, “unmount”or “remove”.
on the SD card in this unit.
NOTE
The files to be copied must have single-byte alphanumeric character
names. If you try to copy a file with double-byte characters, it
cannot be imported because the file name will not appear on the
display in step 6 below,.
Disconnecting from Windows computers
When using Windows 8 (including 8.1), Windows 7, Windows
Vista or Windows XP, follow the procedures below to disconnect.
ª
A PC card icon and arrow appear in the taskbar (usually at the
bottom right of the screen).
3. Disconnect the unit properly from the computer, and then
4. Press the MENU button to open the MENUscreen.
5. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) AUDIODEPOT, and
then press the F4 (t) button.
1. Left click on this icon to open a pop-up bar. Click on this
pop-up bar to disconnect this unit from the computer.
2. After a message appears on the computer screen saying that
the unit can be disconnected, press the applicable function
key to disconnect it from the computer. After that, unplug
the USB cable.
The Home screen opens on the display.
WAV files that can be imported appear.
CAUTION
If a message appears on the computer screen saying
that this unit cannot be disconnected safely, do not
disconnect the USB cable.
Close all the computer programs and windows that are
accessing files on this unit, and then try the operation
again.
Disconnecting from Macintosh computers
1. Drag the DP-32SD icon that represents this unit to the Trash,
or use Command + E to eject the DP-32SD.
ª
6. Use the JOG/DATA dial or the CURSOR (5/b) buttons to
select the WAV file that you want to import, and then press
the F1 (IMPORT) button.
Empty tracks that can be imported appear.
TIP
Depending on the OS version and settings you might also be able
to eject the DP-32SD icon by clicking on an eject icon next to it in a
Finder window or by using a control key.
2. After the DP-32SD icon disappears from the display, press
the function key to disconnect this unit and the computer.
After that, unplug the USB cable.
The Home screen opens on the display.
NOTE
Track import and export
If you are trying to import a WAV file with attributes that do not
match the current song, an error pop-up message appears. For
example, this occurs if the current song is 44.1 kHz and you try to
import a 48 kHz WAV file. If there is no file that can be imported,
FILENOTFOUNDappears.
•
•
You can import and export individual tracks between a
computer and this unit using the AudioDepot folder.
Files must be WAV files (with the “.WAV”extension) to be
imported/exported as tracks.
When the file name is short, spaces appear after the file name,
but those spaces are not included in the actual file name.
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13 - Exchanging Data with a Computer
By checking multiple boxes (4), you can export more than
one track at once.
7. Use the JOG/DATA dial or the CURSOR (5/b) buttons to
select the track to be imported, and then press the F4 (t)
button.
NOTE
A confirmation message appears.
To remove a check mark 4 from a box, press the F2 (4) button
again while the track is selected (highlighted blue).
5. After you finish putting checks (4) next to the tracks you
want to export, press the F4 (t) button.
A confirmation message appears.
NOTE
If the WAV file to be imported is stereo, you must select a track pair.
8. Press the F2 (YES) button to start importing the file.
NOTE
6. Press the F2 (YES) button to export the selected track to the
If there is not enough space or the file format is wrong, an error
message appears.
•
•
AudioDepot folder.
The beginning of the file is set at the start of the song
(00:00:00:00). In the same way as with other recording
tracks, you can edit a track with an imported file. (See “Overview
NOTE
When a track file with the same name already exists in the
AudioDepot folder, a number is added to the file name end, so the
existing track is not overwritten.
To import a stereo WAV file, an empty stereo track is necessary.
9. Once importing completes, a pop-up window appears and
•
7. After a pop-up message appears, the AudioDepotscreen
reopens.
then the AudioDepotscreen reopens.
8. Press the HOME button to return to the Home screen.
10. Press the HOME button to return to the Home screen.
Exporting tracks
1. When the recorder is stopped, press the MENU button to
10. Operate the computer to copy track files from the
AudioDepot folder of the SD card to the computer.
11. After exporting track files to the computer, disconnect the
unit from the computer using the proper procedures, and
65.)
open the MENUscreen.
2. Use the JOG/DATA dial or the CURSOR (5/b/g/t)
buttons to select (highlight green) AUDIODEPOT, and
then press the F4 (t) button.
3. Press the F2 (EXPORT) button.
The EXPORTscreen opens showing a list of tracks that
contain audio data.
Deleting files from the AudioDepot
folder
1. When the file list is displayed, use the JOG/DATA dial or the
CURSOR (5/b) buttons to select the files that you want to
delete.
2. Press the F3 (DELETE) button to open a confirmation
message.
NOTE
Song tracks that do not have audio data are not displayed in the file list.
4. Use the JOG/DATA dial to select (highlight blue) the track
that you want to export, and then press the F2 (4) button.
A check mark 4 appears in the box next to the selected
track.
3. Press the F2 (YES) button to confirm deletion.
If you want to delete multiple files, repeat the procedure
above.
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14 – Troubleshooting
When working with this unit, if something is not working as you expect it should or if you experience any other difficulties, please refer
to this troubleshooting section first. It contains the most common troubles, their probable causes and corrective measures. In addition,
see the "Messages" chapter starting on page 68 for the meaning of messages that may appear on the display. Consult this table if a
message appears when an operation cannot be completed by the unit.
The unit turns off.
The SD card is not recognized.
Confirm that the SD card is completely inserted.
This product is compliant with the European ErP standby
power regulations. In order to comply with these regulations,
the automatic power saving function is set to 30 minutes
when the unit is shipped from the factory. So, by default,
the unit will turn off automatically after 30 minutes elapse
without any operation. Change the automatic power saving
function setting if you want to disable it. (See "Setting
•
•
Why can't I hear any sound when I play back?
Are the track faders of the tracks set to a proper level?
Is the STEREO fader set to a proper level?
Have you connected the PHONES or MONITOR OUT jacks to
your headphones or monitoring system properly?
•
•
•
Is your monitoring system set up correctly?
Is the MONITOR LEVEL knob set to a proper level? (PHONES
jack only)
•
The sound I am trying to record sounds distorted.
Are the INPUT A to H TRIM knobs on the top of the unit set
too high?
•
Is the input source too loud?
Is the monitoring system distorted because the monitoring
level is too high?
•
Why can't I record?
You must have at least one track in recording standby (REC
indicator flashing) before you can start recording by pressing
the RECORD (0).
•
Are input sources assigned to tracks? (See “Assigning inputs”
•
Noise occurs if I connect a passive guitar or bass directly.
Connecting another device to the unit's STEREO OUT jacks
might reduce the noise.
•
This might be caused by interference from another device.
If there is a power amplifier or other device that uses a
large transformer, a fluorescent light or something similar
nearby, you might be able to reduce the noise by changing
the distance and orientation of this unit in relation to such
equipment.
•
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15 – Messages
General messages
The following list shows messages that could appear during the use of this unit.
These messages alert you to conditions that might arise while you are using the unit. Consult the table below if you see something you
do not understand or if you want to know how to solve a problem.
Message
Description and remedy
This pop-up appears when the sample frequency or bit rate of the selected file in the AUDIO DEPOT
IMPORT menu differs from the current song.
CannotImport
Cannot Clear
Current
The current track cannot be deleted.
A virtual track assigned to a physical track cannot be deleted.
CardError
CardFull
The card could not be recognized properly. Replace the card.
The card has no remaining capacity. Erase unnecessary files or move them to your computer to make
open space.
You tried to export a track that does not contain any recording data.
This pop-up appears if you try to export a song track that does not contain a recording. (See “Exporting
EmptyExport Track
ExportFile TooBig
Export a song track that has a recording.
The track to be exported exceeds the available capacity on the SD card.
You have tried to export a track to the AudioDepot folder, but the size is too large for the remaining
space on the SD card.
Delete unnecessary songs or files from the AudioDepot folder to create more space on the SD card, then
try to export the track again.
The file to be imported could not be found.
You tried to import a WAV file from the AudioDepot folder, but there are no WAV files in it. (See
FileNotFound
Connect the unit to a computer and transfer files that you want to import from the computer to the
AudioDepot folder of the unit.
The formatting of the card is abnormal or corrupted. This message also appears if you used a computer
connected via USB to format the card in FAT format and if an unformatted card is inserted in the unit.
Always use the DP-32SD to format cards to be used with it. Replace the card or format it using the
FORMAT menu.
FormatError
FormatCARD
FAT formatting erases all data currently on the card.
The interval between IN and OUT points is too short.
You tried to use repeat mode, but the time between the IN and OUT points is too short.
I/OTooShort
ImportFailed
ExportFailed
Importing or exporting failed.
The size of file to be imported is too large.
You tried to import a WAV file from the AudioDepot folder that is too large for the remaining space on
the SD card. Free up some space in the AudioDepot folder by deleting unnecessary songs, and try again.
ImportFile
TooLarge
Bounce mode is active.
InBounceMode
InMasterMode
InPunchMode
InRepeatMode
InvalidCard
You tried to perform an action that is not possible while in Bounce mode.
Mastering mode is active.
You tried to perform an action that is not possible while in Mastering mode.
Auto punch mode is active.
You tried to perform an action that is not possible while in auto punch mode.
Repeat playback mode is active.
You tried to perform an action that is not possible while in repeat playback mode.
The inserted SD card is in a format the cannot be used by this unit.
Insert another SD card after turning off the unit, or format the card using FORMAT on the MENU screen.
InvalidCard
ChangeCard
Something might be wrong with the card. Replace the card.
It is not possible to add more location marks.
Delete some location marks and try again.
MarkFull
A master file could not be found.
This message appears if you try to enter Mastering mode, but you have not made any mixdown
recording yet. First make a mixdown recording.
MasterFile
NotFound
The master file is too large.
You tried to create a master file that is larger than the remaining open space on the SD card.
transfer (and then delete) files.
MasterTrack
TooLarge
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15 – Messages
Message
Description and remedy
The formatting of the card is abnormal or corrupted.
MBRError InitCARD
NoCard
Replace the card or format the card using the FORMAT menu.
Formatting erases all data currently on the card.
No SD card is in the unit. Load a recordable SD card.
There is no track in recording standby (armed).
You tried to enter auto punch mode or pressed the RECORD button when no tracks were in recording
Put a track into recording standby before pressing RECORD or activating auto punch.
NoArmedTrack
There is no undo history.
NoUndoHistory
NotStopped
The recorder transport is not stopped.
When the recorder is not stopped, this message appears if you press a button, such as UNDO/REDO, that
works only when the recorder is stopped.
The unit is recording.
This message appears when you try to operate a menu while the unit is recording.
Some other operations are also not allowed during recording.
NowRecording
OUTpointmust
besetafter
theINpoint.
You cannot set the OUT point before the IN point.
Set the OUT point after the IN point.
The inserted SD card is write-protected.
To record or edit, turn off the unit and unlock the write-protection on the SD card.
ProtectedCard
When trying to use the export function, no recordings were found on the current song's tracks.
No tracks have been recorded in the current song, or virtual tracks with recordings have not been
assigned to physical tracks.
Select a recorded song, assign the track you want to export to a physical track, and then export it. (See
RecordedTrack
NotFound
Revertto
discardchanges.
Edits and changes made since the song was loaded will be cleared, and the song will be reset to status it
had when loaded. Proceed only when you are sure you wish to discard all changes.
The same track has been specified.
This message appears when using the clone track function if the source track is also set as the
destination track.
SameTrack
The song is protected.
SongProtected
StereoTrackFull
Unprotect the song.
All the stereo tracks already have recordings.
This message appears if you try to import a stereo file when all the stereo tracks in the song already have
recordings, even if some mono tracks are still open.
All the tracks already have recordings.
This message appears if you try to import a file when all tracks in the song already have recordings. (See
TrackFull
Track editing failed.
TrkEditFail
TrkTooShort
Save the song, turn the unit off and on again, and then try the track edit one more time.
The track is too short.
You are trying to record in mixdown mode, but the time between the IN and OUT points is too short. The
TurnofftheGuitar
Effectorusetwo
orlessDynamic
Effects.
While using a guitar effect, the use of dynamic effects is limited to one or two channels. To use dynamic
effects on three or more channels, turn the guitar effect OFF.
The working memory is full.
Even if the SD card has enough remaining space, this error could occur if you perform many editing
operations. You may be able to continue to work after executing the DELETEUNUSEDitem in the
39.)
WorkMemoryFull
VirutalTrackhas
differentTrack
Type
Since a virtual track has been recorded, the track type cannot be changed. If you want to change it, clear
the recorded virtual track.
TASCAM DP-32SD
69
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15 – Messages
Message
Description and remedy
AudioRstFail
DeviceError
FileError
NotContinued
RemoteCmd
RemoteRx
SysRomErr
SystemErr50
SystemError1
If any of these errors occur, turn the unit's power off and restart it.
If these error messages continue to appear, please contact a TEAC Service Center.
SystemError2
SystemError3
SystemError4
SystemError5
SystemError6
SystemError7
SystemError8
SystemError9
WritingFailed
70
TASCAM DP-32SD
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16 – Specifications
Control input/output ratings
Ratings
USB port
Connector: USB 4-pin mini-B type
Recording media
SD card (512 MB to 2 GB)
SDHC card (4 GB to 32 GB)
Format: Mass Storage Class USB 2.0 HIGH SPEED
REMOTE jack
File system
Connector: 2.5 mm TRS jack
SD card (512 MB to 2 GB): FAT16
SDHC card (4 GB to 32 GB): FAT32
Audio performance
Input/output ratings
Frequency response
INPUT (MIC/LINE) q STEREO OUT/EFFECT SENDS/MONITOR
OUT: 20 Hz to 20 kHz, +1 dB/–1 dB
Analog audio input/output ratings
Distortion
INPUT A to H jack
INPUT (MIC/LINE) q STEREO OUT/EFFECT SENDS/MONITOR
OUT: 0.01% or less
XLR type (Balanced)
•
Connector: XLR-3-31 (1: GND, 2: HOT, 3: COLD)
S/N ratio
Input impedance: 2.4 kΩ
INPUT (MIC/LINE) q STEREO OUT/EFFECT SENDS/MONITOR
OUT: 90 dB or more
Rated input level: –14 dBu
Maximum input level: +2 dBu
Standard jack type (Balanced)
Connector: 6.3 mm (1/4") TRS standard jack
•
Operating requirements
Input impedance:
Above 22 kΩ
information about OS compatibility.
1 MΩ (INPUT H only, when LINE-GUITAR switch is set to
GUITAR)
Windows
Pentium 300 MHz or faster
128 MB or more memory
USB port (USB 2.0 recommended)
Rated input level: +4 dBu
Maximum input level: +20 dBu
STEREO OUT jack
Macintosh
Connector: RCA pin jack
Rated output level: –10 dBV
Maximum output level: +6 dBV
Output impedance: 200 Ω
Power PC, iMac, G3, G4 266 MHz or faster
64 MB or more memory
USB port (USB 2.0 recommended)
Recommended USB host controller
EFFECT SENDS jack
Intel chipset
Connector: 6.3 mm (1/4") TS standard jack
Rated output level: –10 dBV
Maximum output level: +6 dBV
Output impedance: 200 Ω
Supported OS
Windows:
Windows 8 (including 8.1)
Windows 7
MONITOR OUT jack
Windows Vista
Windows XP
Connector: 6.3 mm (1/4") TRS standard jack
Rated output level: –2 dBu
Maximum output level: +14 dBu
Output impedance: 200 Ω
Macintosh:
Mac OS X Mavericks (10.9)
Mac OS X Mountain Lion (10.8)
Mac OS X Lion (10.7)
PHONES jack
Connector: 6.3 mm stereo jack
Maximum output level: 70 mW+70 mW or more
(THD+N 0.1% or less, 32 Ω load)
Mac OS X Snow Leopard (10.6)
TASCAM DP-32SD
71
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16 – Specifications
General
Power supply
AC adaptor (GPE248-120200-Z)
Power consumption
12 W (Phantom power ON)
Dimensions
514 x 100.4 x 336.9 mm (Width x Height x Depth, excluding projections)
Weight
6.2 kg/13.67 lb
Operating temperature range
5 to 35ºC/41 to 95ºF
Dimensional drawings
514mm
100.4mm
* Illustrations in this manual may differ from the actual product.
* In order to improve the product, specifications and appearance could be changed without prior notice.
72
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16 – Specifications
Block diagram
TASCAM DP-32SD
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16 – Specifications
Level diagram
74
TASCAM DP-32SD
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✂
WARRANTY
< In the United States >
WHAT WE WILL PAY FOR
< Europe >
We will pay all labor and material expenses for items covered by the
warranty. Payment of shipping charges is discussed in the next section
of this warranty.
This warranty gives you specific legal rights and you may also have
other rights which vary from state to state. This warranty is only valid
within the country the unit was originally purchased.
This product is subject to the legal warranty regulations of the country
of purchase. In case of a defect or a problem, please contact the dealer
where you bought the product.
HOW YOU CAN GET WARRANTY SERVICE
Ce produit est sujet aux réglementations concernant la garantie
légale dans le pays d’achat. En cas de défaut ou de problème, veuillez
contacter le revendeur chez qui vous avez acheté le produit.
WHAT IS AND IS NOT COVERED
Your unit must be serviced by an authorized TASCAM service station in
the United States. (This warranty is not enforceable outside the U.S.) If
you are unable to locate an authorized TASCAM service station in your
area, please contact us. We either will refer you to an authorized service
station or instruct you to return the unit to the factory. Whenever
warranty service is required, you must present a copy of the original
dated sales receipt from an Authorized TASCAM Dealer.
Except as specified below, this warranty covers all defects in materials
and workmanship in this product. The following are not covered by the
warranty:
D i e s e s G e r ä t u n t e r l i e g t d e n g e s e t z l i c h e n
Gewährleistungsbestimmungen des Landes, in dem es erworben
wurde. Bitte wenden Sie sich im Gewährleistungsfall an den Händler,
bei dem sie das Gerät erworben haben.
1. Damage to or deterioration of the external cabinet.
2. Damages resulting from accident, misuse, abuse or neglect.
3. Damage resulting from failure to perform basic daily
maintenance and/or calibration or otherwise resulting from
failure to follow instructions contained in your owner’s
manual.
4. Damage occurring during shipment of the product. (Claims
must be presented to the carrier)
5. Damage resulting from repair or attempted repair by
anyone other than TEAC or an authorized TASCAM service
station.
Questo apparecchio è conforme alle norme sulla garanzia vigenti nel
rispettivo Paese in cui esso è stato acquistato. Si prega di rivolgersi al
proprio commerciante, presso il quale è stato acquistato l’apparecchio,
nel caso in cui si voglia richiedere una prestazione in garanzia.
You must pay any shipping charges if it is necessary to ship the product to
service. However, if the necessary repairs are covered by the warranty, we will
pay return surface shipping charges to any destination within the United States.
LIMITATION OF IMPLIED WARRANTIES
Las condiciones de garantía de este aparato están sujetas a las disposiciones
legales sobre garantía del país en el que ha sido adquirido. En caso de
garantía, debe dirigirse al establecimiento donde adquirió el aparato.
Any implied warranties, INCLUDING WARRANTIES OF MERCHANTABILITY
AND FITNESS FOR A PARTICULAR PURPOSE, are limited in duration to the
length of this warranty.
6. Damage resulting from causes other than product defects,
including lack of technical skill, competence, or experience
of the user.
7. Damage to any unit which has been altered or on which the
serial number has been defaced, modified or is missing.
< In other countries/areas >
EXCLUSION OF DAMAGES
TEAC’s liability for any defective product is limited to repair or
replacement of the product, at TEAC’s option. TEAC shall not be liable for:
1. Damages based upon inconvenience, loss of use of the product,
loss of time interrupted operation or commercial loss; or
2. Any other damages, whether incidental, consequential or
otherwise.
Some states do not allow limitations on how long an implied warranty lasts
and/or do not allow the exclusion or limitation of incidental or consequential
damages, so the above limitations and exclusions may not apply to you.
This warranty gives you specific legal rights, and you may also have
other rights that vary by country, state or province.
If you have a warranty claim or request, please contact the dealer where
you bought the product.
WHO MAY ENFORCE THE WARRANTY
This warranty may be enforced only by the original purchaser.
该保证书赋予了顾客
州或省等地域的不同，顾客可能拥有其他权利。如需
申请或要求保修，请与购买本产品的销售店进行联系。
特定的合法权利，并且因国家，
LENGTH OF WARRANTY
All parts except heads and disk drives are warranted for one (1) year
from the date of original purchase. Heads and disk drives are warranted
to ninety (90) days from date of original purchase. Labor is warranted for
ninety (90) days from date of original purchase.
If you require repair services for your TASCAM equipment, please
contact the dealer where the product was purchased from or the
TASCAM Distributor in your country. A list of TASCAM Distributors
can be found on our website at: http://teac-global.com/
To locate an Authorized Service Center in Your Area
CALL 1-800-447-8322
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TEAC CORPORATION
Printed in China
Phone: +81-42-356-9143
1-47 Ochiai, Tama-shi, Tokyo 206-8530 Japan
TEAC AMERICA, INC.
Phone: +1-323-726-0303
1834 Gage Road, Montebello, California 90640 USA
TEAC MEXICO, S.A. de C.V.
Phone: +52-55-5010-6000
Río Churubusco 364, Colonia Del Carmen, Delegación Coyoacán, CP 04100, México DF, México
TEAC UK LIMITED
Phone: +44-8451-302511
Meridien House, Ground Floor,69 - 71, Clarendon Road, Watford, Hertfordshire, WD17 1DS, UK
TEAC EUROPE GmbH
Phone: +49-611-71580
Bahnstrasse 12, 65205 Wiesbaden-Erbenheim, Germany
TEAC SALES & TRADING(SHENZHEN) CO., LTD
Phone: +86-755-88311561~2
Room 817, Block A, Hailrun Complex, 6021 Shennan Blvd., Futian District, Shenzhen 518040, China
✂
WARRANTY
ModelModèle/Modell
Owner’s name/Nom du possesseur/Name des Eigentümers
Nome del proprietario/Nombre del propietario/顾客姓名
Mode/Modelo/型号
DP-32SD
Serial No./No de Série/Seriennummer
Address/Adresse/Adresse
Indirizzo/Dirección/顾客地址
Numero di serie/Número de serie/序列号
Date of purchase/Date de l’achat/Datum des Kaufs
Data dell’acquisto/Fecha de compra/购买日期
Dealer’s name/Nom du détaillant/Name des Händlers
Nome del commerciante/Nombre del establecimiento/销售店名
Dealer’s address/Adresse du détaillant/Adresse des Händlers
Indirizzo del commerciante/Dirección del establecimiento/销售店地址
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