Samson Technologies
575 Underhill Blvd.
Syosset, NY 11791-9031
Wint e r/Spring 2 0 0 3
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CAT FLA v6.1
©2003 Samson
P o w e r Am p lifi e r s
P o w e r Am p lifi e r s
S500 Power Amplifier
S1500 Power Amplifier
New to the S Series, the sturdy and reliable S500 is perfect for live sound or fixed installations
where 500 watts is the right amount of power.
Efficient and highly reliable, the S1500 stereo amp provides plenty of power on the road,
in commercial installations and for PA use.
• Heavy-duty dual rack space stereo power amplifier
• 250 watts per channel into 4 ohms, 150 watts into 8 ohms (stereo) and 500 watts into 8 ohms (bridged mono)
• Temperature-sensitive, speed-controlled fan
• Independent front panel input level controls with 41 detents and 3-segment output LED meters
• Overheating and over-current protection circuitry with LED monitoring
• XLR and locking TRS inputs, banana jack outputs and Speakon™ connectors
• Parallel inputs allow several amps to be linked together
• Heavy-duty three rack space stereo power amplifier
• 750 watts into 4 ohms, 500 watts into 8 ohms (stereo) and 1,500 watts into 8 ohms (bridged mono)
• Dual temperature-sensitive, speed-controlled fans
• Independent front panel input level controls with 41 detents and 3-segment output LED meters
• Overheating and over-current protection circuitry with LED monitoring
• XLR inputs and locking TRS inputs, banana jack outputs and Speakon™ connectors
• Parallel intputs allow several amps to be linked together
S700 Power Amplifier
• AC mains: IEC and Neutrik® Powercon connector included
S2000 Power Amplifier
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Exceptionally rugged and reliable, the S700 is a powerful, multi-purpose amplifier.
• Heavy-duty dual rack space stereo power amplifier
• 350 watts into 4 ohms, 220 watts into 8 ohms (stereo) and 700 watts into 8 ohms (bridged mono)
• Dual temperature-sensitive, speed-controlled fans
• Independent front panel input level controls with 41 detents and 3-segment output LED meters
• Overheating and over-current protection circuitry with LED monitoring
• Stable bipolar design
• XLR and locking TRS inputs, banana jack outputs and Speakon™ connectors
• Parallel inputs allow several amps to be linked together
The rugged S2000 stereo amp from Samson delivers awesome power, reliability
and protection for live sound situations, commercial installations and PA applications.
• Heavy-duty three rack space stereo power amplifier
• 1,000 watts into 4 ohms, 650 watts into 8 ohms (stereo) and 2,000 watts into 8 ohms (bridged mono)
• Dual temperature-sensitive, speed-controlled fans
S1000 Power Amplifier
• Independent front panel input level controls with 41 detents and 3-segment output LED meters
• Overheating and over-current protection circuitry with LED monitoring
• XLR inputs and locking TRS inputs, banana jack outputs and Speakon™ connectors
• Parallel intputs allow several amps to be linked together
• AC mains: IEC and Neutrik® Powercon connector included
Serious power for all kinds of live sound projects, commercial installations and PA systems.
• Heavy-duty dual rack space stereo power amplifier
• 500 watts into 4 ohms,330 watts into 8 ohms (stereo) and 1,000 watts into 8 ohms (bridged mono)
• Dual temperature-sensitive, speed-controlled fans
• Independent front panel input level controls with 41 detents and 3-segment output LED meters
• Overheating and over-current protection circuitry with LED monitoring
• Dual protection LEDs and relay-controlled outputs linked to protection LEDs
• XLR inputs and locking TRS inputs, Banana jack outputs with Speakon™ connectors
• Parallel intputs allow several amps to be linked together
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P o w e r Am p lifi e r s
Gr a p h ic Eq u a liz e r s
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F800 Power Amplifier
S•Curve 215 - 2 15 band EQ
Designed and
built for
professionals,
S•Curve EQs
A great, multi-purpose EQ, with all the features and easy-to-read lighted display.
feature easy-to-
read LED displays
and the extra
features
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2/3 octave 15 band stereo graphic equalizer
Constant Q circuitry
Balanced XLR & TRS inputs and outputs
Low cut filter
LED faders and LED bar VU meters
Bypass switch
Single rack space chassis, aluminum extrusion face plate
For applications that require reliable power, but don’t require front panel controls.
Perfect for DJs, and others who need simple, pure power.
• Heavy-duty three rack space stereo power amplifier
• 400 watts into 4 ohms, 250 watts into 8 ohms (stereo) and 800 watts into 8 ohms (bridged mono)
• Bipolar design
• Dual temperature-sensitive, speed-controlled fans
• Balanced 1/4”and RCA input connectors
• Binding post output connectors
• Protection, power and bridging LEDs
• Resettable in-line fuse on rear panel
professionals need.
S•Curve EQs are
also exceptionally
quiet, in fact up
to 15dB lower
than comparable
equalizers.
S•Curve 131 - 31 band EQ
F1200 Power Amplifier
For professionals looking for a full 31 band EQ.
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1/3 octave 31 band graphic equalizer
Constant Q circuitry
LED faders
Switchable 6 or 12 dB filters
Cut Only mode
Variable low cut filter
Single rack space chassis, aluminum extrusion face plate
With its high power and simple, reliable design the F1200 is the ultimate DJ amplifier. It’s also perfect for any application
that requires pure power—and lots of it.
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S•Curve 231 - 2 31 band EQ
• Heavy-duty three rack space stereo power amplifier
• 600 watts into 4 ohms, 400 watts into 8 ohms (stereo) and 1,200 watts into 8 ohms (bridged mono)
• Bipolar design
• Dual temperature-sensitive, speed-controlled fans
• Balanced 1/4”and RCA input connectors
• Binding post output connectors
• Protection, power and bridging LEDs
• Resettable in-line fuse on rear panel
A totally comprehensive, feature-rich dual 31-band EQ for the most demanding applications.
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Dual 31 band graphic equalizer
Constant Q circuitry
LED faders
Low cut/Sub Freuqency Crossover with Subwoofer output
Balanced XLR & TRS inputs and outputs
Boost/cut, and Cut Only modes
Switchable 6 or 12 dB filters
Variable high cut filter
Double rack space chassis, aluminum extrusion face plate
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Sig n a l P r o ce s s in g
Sig n a l P r o ce s s in g
S•Com stereo compressor
S•3-way crossover
S Class Processing
represents a new
perspective on
professional-level
audio processing.
Elegant and
The Stereo/Mono S•3-Way is a versatile 2-way, 3-way and 4-way crossover.
The all-purpose Stereo Compressor/Limiter every studio needs.
Samson Audio
signal processors
are made with an
attention to detail
you can see, hear
and feel.
• Extensive sweeping frequency control options
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2-way, 3-way stereo or 4-way mono operation
Low, mid and high frequency outputs with ±6dB of gain control
Mute and phase switch for each output, delay control for LF output
Variable threshold limiter, a CD function (for constant directivity horns)
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Compressor section includes variable threshold, ratio, attack, release and output
Expander/Gate section includes variable threshold level, release time
SKD (Smart Knee Detector) dynamically adjusts the compression curve
AEG (Auto Envelope Generator) dynamically adjusts attack and release
EFR (Enhanced Frequency Recovery) restores high frequencies lost with heavy compression
Expander/gate, compressor/limiter and enhancer on both channels
A key input and key listen provide for external triggering, or EQ
Balanced Inputs and Outputs
powerful,
S Class processors
combine proven
circuitry,
S•gate 4 Gate/ducker
Not only do we
include all the
tools professionals
are looking for,
our engineers
routinely create
features never
seen before.
innovative
features and
This four channel Gate/Ducker can be operated as four discrete gates or linked into stereo pairs.
S•Com plus Compressor/limiter
ease-of-use in
beautifully
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Ducker for automatic lowering of signal for a channel or stereo pair
Key input and key listen for inserting an external source
Each channel has high and low pass filters, threshold, attack, hold, release and range control
8-segment gain reduction LED monitor
crafted cabinets.
Front panel ducker, link, in/out, filter and key listen switches
This Stereo Compressor/Limiter adds features like De-essing for added control.
S•vox voice channel/input mixer
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Compressor section includes variable threshold, ratio, attack and release
Expander/gate section includes variable threshold level, release time
SKD (Smart Knee Detector) dynamically adjusts the compression curve
AEG (Auto Envelope Generator) dynamically adjusts attack and release
EFR (Enhanced Frequency Recovery) restores high frequencies lost with heavy compression
Built-in de-esser circuitry reduces sibilance
Metering of input/output, gain reduction, de-esser level, gate open/close and limit
Key inputs and outputs for externally processing control voltage
Individual channel bypass, stereo link mode
The S•vox is a sophisticated Stereo Voice Channel/Input Mixer. It provides a host of tools for
cleaning up vocal tracks before they go tape.
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Superior microphone pre-amps and direct inputs for instruments
Phase Reversal switch, volume and pan controls
3-band EQ with sweepable mids and an in/out switch
Built-in optical compressor with selectable threshold
LED input/output meters, 48-Volt phantom power
S/PDIF inputs and outputs, 1/4” TRS balanced mixer outputs
Balanced inputs and outputs
S•Com 4 gate/compressor
S•Phone headphone amp
The S•com 4 provides four channels of high quality dynamics processing with an
Expander/Gate and Compressor/Limiter on each channel.
This Four Channel Headphone Amplifier is loaded with advanced features that provide
tremendous flexibility for monitor and cue mixing.
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Channels operate independently or in stereo pairs
Multi-segment LED metering for input/output and gain reduction
Expander/gate section Includes variable threshold, and a switch for fast/slow release time
Compressor/limiter section includes variable threshold, ratio and output
EFR (Enhanced Frequency Recovery) restores high frequencies lost with heavy compression
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Master Input features an input level and LED meter
Each of the four channels has three headphone outputs with volume control and level meters
Stereo Aux input on each channel with balance control for“More Me”mixing
2-band equalizer on each of the four channels
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Sig n a l P r o ce s s in g
Sig n a l P r o ce s s in g
C•ValVe Tube Preamp
S•Direct
As a regular feature of a club sound system or as a durable
road piece the S•Direct is the only direct box you’ll ever need.
Adds the warmth of analog tubes to digital recordings.
S Class Mini
Introducing an
all-new concept in
studio signal
processing.
A true tube pre-amp that provides pure signal and silky
sound. It features variable gain and variable tube process
saturation for adding harmonics. Regardless of which mic
you use, it will maintain detail and transparency. 48-Volt
phantom power, phase and peak limiter round out the
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Perfect for stage and studio
Processors offer
advanced signal
processing in
incredibly durable,
portable enclosures.
Perfect for home,
on the road,
• Switchable input level handles instrument and speaker levels
• 48 Volt phantom power or 9 volt operation with auto battery shut off
• Switchable ground lift
• 1/4” link output
control set. A large analog VU output meter and a 6-segment LED input meter make it easy to
adjust the gain. Use its insert points along with a C Class Compressor for a direct path to a
gorgeous front end sound. The C•valve provides a digital output as well.
C Class delivers
high-end
C•Com 16 compressor
S•Monitor
processing tools to
desktop recordists
in a friendly,
innovative
A compact, full-featured compressor for the desktop.
An elegant solution for personal monitoring either on stage or
in the studio.
A full-featured Stereo Compressor/Limiter with 16
settings. There are fifteen presets and a manual mode for
more critical adjustments when required. The C•com 16’s
or a quick fix to
a house
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XLR microphone input
XLR microphone Thru, microphone output to send to main mixer
1/4”stereo mix input
1/4”stereo mix Thru for daisy chaining additional units
Microphone volume control
Mix volume control
controls include variable threshold, ratio, attack, decay,
release and output level. An enhancer provides the added character that is lost under heavy
compression. Key output/input for outboard triggering or external filtering of the key signal. A
6-segment LED gain reduction meter and a 6-segment LED input/output meter provides visual
monitoring of the circuit’s affect.
sound system.
package.
Designed to
Two headphone outputs
18 Volt AC adapter included
complement each
other, they also
work great
C•Com opti optical compressor
S•Mix
Adds the magic of optical compression to recordings.
A miniature 5-channel mixer packed with high-end features.
A perfect complement to the computer’s hygienically
clean sound. The C•com opti’s adjustable threshold, ratio,
attack, release and output controls are calibrated to gener-
ate a distinctive soft, rich character while providing mag-
nificent control over dynamics. An enhancer provides the
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5-channel mini mixer
individually.
XLR balanced microphone input with volume control
RCA stereo inputs with volume control
1/4”stereo inputs with volume control
RCA stereo outputs
1/4”stereo outputs
18 Volt AC adapter included
added character lost under heavy compression. Key output/input for outboard triggering or
external filtering of the key signal. Large analog VU meter for output level or gain reduction.
c•control studio matrix
Provides a control room matrix previously
S•Amp
available only on consoles costing thousands.
A 4-channel headphone amplifier ideal for home recording.
A unique solution for studios with multiple moni-
tors, headphone mixes and tape or digital sources.
Provides easy, heretofore impossible to achieve,
instant monitor mixes or dubs. Select from three
pairs of speakers with dim and mute. Use the talkback mic to give instructions to the musicians
in the headphone mix. Push-to-talk also records slates. Includes a headphone amp with level
control.Three sets of stereo ins and outs are included, with dubbing capability to three outputs.
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4-channel headphone amplifier
Four 1/4” stereo headphone outputs
Individual volume control for each headphone output
Stereo 1/4“ input
18 Volt AC adapter included
c•que 8 headphone amp
The perfect compact headphone amp.
S•Convert
Further enhancing your control in the studio is this
A“bump-box”, S•Convert is a problem solver for interfacing and
level matching consumer and professional audio equipment.
Four Channel Headphone Amplifier with eight out-
puts. Independent volume on each channel makes
this a truly versatile headphone amplifier. A 6-seg-
ment LED indicator shows the output for each chan-
nel.There’s a main volume for overall level adjustment. An EQ shape circuit offers tone control of
each channel and listeners can manage their own personalized mixes. Link outputs allow more
than one C•que 8 to be used when needed.
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+4 to –10 audio level converters
RCA –10 inputs with level control, RCA –10 outputs
XLR +4 outputs
XLR +4 inputs with level control
18 Volt AC adapter included
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Mix e r s
Mix e r s
MDR 6 Mixer
MDR 10 Mixer
The MDR 10 stereo mixer packs a lot of professional features into a compact package.
High quality mic preamps, 60mm faders, pan control and our great-sounding 24-bit DSP processor.
The compact MDR 6 is a six input stereo mic/line tabletop mixer in a portable and rugged package. Perfect
for a small studio, the MDR 6 features Hard Disc Record mode for recording with a PC.
Transparent
sound, low noise
and high quality
mic preamps
• Six input stereo mixer
• Low noise op-amps
• 10 channel stereo mixer with 2 + 2 bussing
• Pre amps on each channel
• Low noise op-amps
• Low impedance circuit design
• 24-bit DSP effects
• 60mm faders on each channel and mains
• 3-band EQ with sweepable mids and a low cut filter on
channels 1 thru 6
• 10 XLR inputs with mic preamps
• Mono out with level control
• Dual 12-segment LEDs
• 2 Aux sends with 2 effects returns
• Headphone out with level control
• Phantom power
• 2-track in and out connectors
with send to mix switch
• Low impedance circuit design
• 60mm faders on each channel and mains
• 3-band EQ on each channel
• Hard Disc Mode
• Four XLR inputs with mic preamps
• Mono out with level control
• Dual 5-segment LEDs
• Aux send with effects return
• Headphone out with level control
• Phantom power
were the criteria
when developing
the new MDR
Samson Mixers
give music
professionals
what they need
for every
(Maximum
Dynamic Range)
series of mixers.
MDR mixers have
features found no
where else, like
our exclusive
• In-line power supply
situation.
From rehearsal
room, to studio,
to live
applications—
Samson makes
a mixer that will
do the job.
Hard Disc Mode
(HDM), found on
the MDR 6 and 8,
that eliminates
delay between
instrument and
monitor mix
MDR 8 Mixer
MDR 16 Mixer
The flagship of the series, the MDR 16 is a true 4-bus stereo mixer. Each of the 16 channels feature a high quality
mic preamp, gain control, solo, bus 1-2 and bus 3-4 switches.
The Samson MDR 8 is an eight channel professional stereo mixer with built-in 24-bit DSP. It can handle up
to either eight line ins, four mics and two stereo line ins or six mics all with high quality mic preamps.
• 16 channel stereo 4-bus mixer
• Pre amps on each channel
• Low noise op-amps
• Low impedance circuit design
• 24-bit DSP effects
• 60mm faders on channels, busses and mains
• 3-band EQ with sweepable mids and a low cut filter on channels 1 thru 8
• 16 XLR inputs with mic preamps
• Mono out with level control
• Eight input stereo mixer
• Low noise op-amps
• Low impedance circuit design
• 24-bit DSP effects
• 60mm faders on each channel and mains
• 3-band EQ on each channel
• Hard Disc Mode
• Six XLR inputs with mic preamps
• Mono out with level control
• Dual 6-segment LEDs
when recording
to hard disc.
The larger MDRs
feature great
• Dual 12-segment LEDs
• 2 Aux sends with 2 effects returns
• Headphone out with level control
• Phantom power
• 2-track in and out connectors with
send to mix switches
• 2 Aux sends with 2 effects returns
• Headphone out with level control
• Phantom power
sounding 24-Bit
DSP effects.
• In-line power supply
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Mix e r s
Mix e r s
Mixpad 4 portable mixer
tm500 stereo powered mixer
From its high headroom (+27 dBu output) design to its durable extruded aluminum chassis,
the AC or battery-powered Mixpad 4 is a natural choice for field recording.
The TM500 powered mixer is an all-in-one package designed for small clubs, theater and other applications.
• 10 channel table-top/rack-mountable powered mixer
• 2 stereo channels, 8 mono mic/line channels
• Stereo power amp produces 250 watts per side into 4 ohms
• Dual 7-band graphic EQ on main
• 3-band EQ on mono channels, 2-band EQ on stereo channels
• Built-in DSP section with up to 256 effect variations
• 2 Aux sends per channel
• 2 Aux returns
• Fan-cooled bipolar amp design
• Phantom power
• Ultra-compact 4-channel audio mixer
• 2 mic/line inputs and 1 stereo input (4 channels total)
• Battery operation (three 9V) and external AC power supply included
• Shoulder strap included
• 1 aux send (post fader)
• 1 stereo effects return
• Independent 3-band EQ on each channel with up to 15 dB of boost or cut
• Adjustable mic input trims
• Peak overload LEDs on left and right main output
• Constant-level pan controls (mono channels) and balance control
(stereo channel)
• Balanced stereo output
• Switchable phantom-powered XLR mic input connectors
• 12-hour battery life
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tm300 stereo powered mixer
PA324 powered mixer
Rugged and ready to go, the PA324 dual amp powered mixer with 24-bit DSP handles up to six mic/line inputs
with power to spare.
Offering remarkable versatility for the price, the TM300 powered mixer is ideal for all kinds of live sound reinforcement jobs.
• 6 channel table-top/rack-mountable powered mixer
• 6 mono mic/line channels
• Stereo power amp produces 150 watts per side into 4 ohms
• Dual 7-band graphic EQ on main output
• 3-band EQ on each channel
• 6 channel powered mixer with 6 XLR inputs with mic preamps
• Power amp produces 150 watts per side (stereo) 300 watts (bridged)
• 3-band EQ on each channel , 7-band graphic EQ on mains
• 24-bit DSP effects
• Effects and monitor sends on each channel
• Mono out with level control
• 2-band EQ for stereo channels
• 3 preset DSP effects
• 2 Aux sends per channel
• Dual 7-segment LEDs
• 2 Aux returns
• Phantom power
• Fan-cooled bipolar amp design
• Phantom power
• Carpeted wood cabinet complete with corners and handle
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Ra ck Acce s s o r ie s
Re s o lv St u d io Mo n it o r s
S•Patch Plus Patch Bay
Resolv 50a Active Reference Monitors
Powerful and compact, Resolv 50a monitors sound rich
and accurate, and are ideal for tight spots.
• Dual power amp (50 watts low and 25 watts high)
• 5.25”polypropylene butyl surround woofer
• 1”ferro-fluid filled titanium tweeter
• Active crossover
• 1/4”and RCA inputs
• Ported, tuned cabinet
• Wall mountable (with optional bracket)
The ultimate patch bay. Fully balanced and extremely durable, our 48-point patch bay makes all your connections easy.
Resolv monitoring
systems for studio
applications offer
incredible sound
quality as well as
flexibility.
• Rack mount 3-way front panel mode switches
• Normal, half-normal and through mode operation
• 1/4”TRS connectors
Powerbrite™ Pro power distribution
Resolv 65a and 80a
powered monitors
offer a unique four
position curve
Resolv 65a Active Reference Monitors
Powerful and accurate, it’s like having four different sets of monitors
in your studio thanks to the adjustable midrange control.
• Dual power amp (75 watts low and 25 watts high)
• Four-position midrange contour control
• 6.5”polypropylene butyl surround woofer
• 1”ferro-fluid filled titanium tweeter
• Active crossover
• XLR, 1/4”and RCA inputs
• Ported, tuned cabinet
The ultimate rack accessory. Provides power distribution, metering and lighting.
• Front panel voltmeter and current meter to accurately monitor power conditions
• Adjustable pull-out tray with silent fluorescent lamp, rear panel connection for supplied goose neck lamp
• Pro7 (U.S.) features 6 rear panel AC outlets, Pro9 (E.U.) features 8 rear panel IEC outlets
• Unswitched front panel outlet for constant power applications
• 15 amp circuit breaker
control that allow
the user to listen to
a mix four differ-
ent ways, each
emulating a differ-
ent EQ curve.
• Accepts AC power brick adapters
Also available in a passive version, the Resolv 65,
featuring a custom-designed passive crossover.
Powerbrite rack power distributioN
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Resolv 80a Active Reference Monitors
It’s like having four
sets of monitors in
your studio. Add
the 120a for even
more monitoring
options.
Ideal for mid- to large-sized control rooms where high
volume and serious bass response are required.
• Dual power amp (75 watts low and 25 watts high)
• Four-position midrange contour control
• 8”copolymer butyl surround woofer
• 1”ferro-fluid filled titanium tweeter
• Active crossover
The PowerBrite is a highly practical add-on for live, studio and fixed installations.
• Adjustable pull-out tray with silent fluorescent light
• PB9 (U.S.) features 8 rear panel outlets, PB11 (E.U.) has 10 rear panel IEC outlets
• Unswitched front panel outlet for constant power applications
• 15 amp circuit breaker
• XLR, 1/4”and RCA inputs
• Ported, tuned cabinet
• Accepts AC power brick adapters
PowerSTRIP rack power distributioN
Resolv 120a SUBWOOFER
By taking advantage of the mute switch, you can a/b your mix with
or without a powered subwoofer.
• 120 watt amplifier
• Heavy-duty 10” driver
• 40–180 Hz.
• Active crossover
• Phase switch
PowerStrip supplies eight switched AC outlets on the rear panel along with special noise filters and surge/spike protection.
• PB9 (U.S.) features 8 rear panel outlets, PB11 (E.U.) has 10 rear panel IEC outlets
• Unswitched front panel outlet
• AC noise filtering
• Surge/spike protection
• 15 amp circuit breaker
• Auto sleep mode
• Mute switch jack
• Accepts AC power brick adapters
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P u b lic Ad d r e s s Sy s t e m s
P u b lic Ad d r e s s Sy s t e m s
Expedition Pro XP100
Expedition Express
Passive 2-Way Speaker
Samson’s all-new
Expedition Pro
speakers sound
incredible thanks
to custom designed
Celestion drivers,
new electronics
and new Titanium
high frequency
drivers.
• Custom 12”Celestion driver
• 1”Titanium compression driver
• Scuff resistant textured finish
• Heavy duty steel grill
• Convenient built-in wheels and telescoping handle
• Compact and light weight (28.5 lbs)
• 250W/400W peak power rating
Expedition Express
from Samson.
Two speakers,
one with a built-
in power amp and
mixer,
a microphone and
all the cables. Plus
one important
detail otherportable
PA systems leave
out: Sound quality.
Perfect for any
traveling music or
P.A. application;
ideal for
Great speakers for
public address,
music playback or
floor monitoring.
The portable
Expedition Pro XP200
Powered 2-Way Speaker System
• Custom 12”Celestion driver
• 1”Titanium compression driver
All-inclusive Powered Speaker System
• Built-in Bi-amplification totaling 200 watts
• Speaker overload protection circuitry
• Heavy duty cabinet and steel grill
• Convenient built-in wheels and telescoping handle
• Compact and light weight (42 lbs)
XP300 features
200 watts of
• 250 watt amplifier
• 12" heavy-duty driver
• 1" titanium compression driver with elliptical wave-guide horn
• Built-in mixer with DSP reverb and echo
• Samson microphone, cables and mic clip
• Lightweight, yet heavy-duty, molded resin cabinets
• Built-in handle and wheels
built-in power,
a 4-channel mixer
and DSP effects.
Expedition Pro
speakers are
available in both
passive and active
models.
education and
business
environments.
The Expedition
Express even
Expedition Pro XP300
Powered 2-Way Speaker with 4-Channel mixer and DSP Effects
works out-of-doors
using the RB2030
rechargeable
It takes only minutes to
set up,
• Professional level public address, monitor or
music playback system
• Custom 12”Celestion driver
break down,
and hit the road.
battery.
Other optional
accessories
include a wireless
mic system and
cassette deck.
• 1”Titanium compression driver
• Built-in Bi-amplification totaling 200 Watts
• Built-in 4 channel mixer with 3 mic/4 line inputs
• High-quality digital reverb
• Stereo line out allows for daisy-chaining additional speakers
• Optional cassette deck, wireless mic system and battery available
• Heavy duty cabinet and steel grill
The two speaker cabinets lock easily together,
and all the accessories fit in the back.
• Convenient built-in wheels and telescoping handle
• Compact and light weight (46 lbs)
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P u b lic Ad d r e s s Sy s t e m s
P u b lic Ad d r e s s Sy s t e m s
d
B500a
d
B500
dB500a and dB500
The dB500a powered loudspeaker
dB500 Passive Loud Speaker
Unquestionably
the finest
The passive dB500 has many of the same features as the dB500a, including the same rugged
enclosure and advanced drivers. A natural sounding fixed crossover is built-in, and the back
panel features 1/4" and XLR connectors.
Inside our rigid custom designed cabinet is a 15” driver
designed exclusively for this project. It’s matched with a new
1.75” titanium high frequency driver, aimed through a
1” diameter horn. The dB500a features 500 watts of Class H
power (400 watts low frequency/100 watts high frequency)
and has a crossover designed for high SPL. Our exclusive
Optimax™ signal processing circuitry provides total speaker
protection but won’t cut the low end at high volumes, as
similar speakers with sliding filters do.
sounding large
format PA speaker
available today.
The dB500a
powered speaker,
and its passive
counterpart the
dB500 represent
one of the most
extensive R&D
projects ever
taken on by
21
Samson.
Both dB500 and dB500a speaker cabinets feature an array of mounting options.
Designed with floor monitoring in mind, they are also easily stacked or permanently installed.
A 1 3/8" pole receptacle is built in, and 10 reinforced fly points are available.
The back panel has a built-in mixer-like preamp section with mic
and line inputs, XLR connectors and level controls. Controls for the
selectable low pass filter and Optimax processing are also included.
Ex500 Active Subwoofer
An excellent sub for serious sound reinforcement, and
the perfect match for the dB500a.
Near Field
Far Field
The EX500 provides 500 Watts of power driving a
custom, heavy-duty 15" low frequency driver. It is the
ideal complement to the dB500/dB500a, or our
Expedition Pro speakers.The built-in stereo crossover
lets you use the EX500 in mono or as a common
subwoofer in a stereo system. It also features a steel grill
and rigid corners for durability, as well as an integral
pole mount for conveniently mounting Expedition
cabinets above.
30°
15°
STAGE MONITOR POSITIONS
dB500 and dB500a speakers are also designed to work as floor monitors.The cabinet is designed to provide
two different monitor angles, depending on the application and size of the stage.
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Micr o p h o n e s
Micr o p h o n e s
C01 condenser mic
Q1 condenser mic
Now there is a high-quality studio condenser mic for every-
one. The C01 is accurate and detailed, and adds warmth
and richness to acoustic guitar and vocals.The C01 also
excels as an overhead drum or room mic.
The Q1 condenser microphone brings a high level of accuracy and audio performance to vocal micing applications.
Samson microphones
combine quality
mic capsules and
elegant
• Ideal for live performance vocals, public speaking, project studio vocals
• Accurate, full range audio performance
• Tight cardioid pattern reduces feedback
• Shock mounted element minimizes handling noise
• Phantom power required
• Cardioid pickup pattern
• Large 19mm diaphragm
• Heavy gauge mesh grill
• Withstands high SPLs
• Gold plated XLR connector
• LED indicates 48V phantom power
• Smooth, flat frequency response
• Swivel stand mount
• Linear frequency response
electronics inside
rugged, great
looking cases.
For the road or
the studio: for the
stage or the
• Optional SP01 shock mount available
mic
Q
hypercardioid vocal mic
SP01 shock mount
Fast, highly precise and designed for today’s live sound reinforcement and PA situations.
• Perfect for live performance and public speaking
• Special midrange “peak”at 2 kHz for better vocal reproduction
• Advanced Neodymium element delivers high output
• Hypercardioid pattern allows maximum gain before feedback
• Aluminum humbucking voice coil provides hum rejection
• Multi-axis shock-mount minimizes handling noise
C02 Pencil Condenser Mic
conference room:
Samson has a
microphone
A beautifully crafted pencil-style condenser for use with acoustic instruments, cymbals, percussion, piano and
overhead micing applications. Sold as a stereo pair.
• Gold-plated XLR connector, die-cast zinc casing and anti-dent ring
• Highly-focused cardioid condenser pickup pattern
• Gold-plated XLR connectors
• Carry case and two shock-mount mic clips included
solution at a
23
great price.
Q2 cardioid mic
An effective choice for micing vocals, amplifiers and instruments, and as a multi-purpose mic for project recording.
C03 Multipattern condenser mic
• Advanced Neodymium element delivers high output
• Cardioid polar pattern reduces feedback
• Transformerless design provides extended low frequency reproduction
• Aluminum humbucking voice coil provides hum rejection
• Switchable 10 dB pad for use with high SPL sources
An incredibly flexible and great sounding studio condenser
microphone. Perfect for recording multiple vocals at once,
acoustic instruments room micing and more.
• Switchable cardioid, omni and figure-8 pick up patterns
• Dual 19mm capsule design
• Switchable 12 dB per octave high pass filter helps eliminate rumble
• Multi-axis shock-mount mic reduces handling noise
• Switchable high-pass filter
• Gold-plated XLR connector, die-cast zinc casing and anti-dent ring
• Switchable10 dB pad
• Gold plated XLR connector
• LED indicates 48V phantom power
• Carry case and swivel stand mount included
• Optional SP01 shock mount available
Q3 hypercardioid instrument mic
Designed to excel in kick drum and instrument miking applications, the Q3 provides consistent
output with unmatched sound in high SPL situations.
• Advanced Neodymium element delivers high output
• Hypercardioid pattern reduces feedback
C05 Hand-Held Condenser Mic
The new C05 condeser mic offers Samson condenser technology
in a comfortable to use hand held design.
• Mic rotates 90° for easy positioning
• Transformerless design provides extended low frequency reproduction
• Aluminum humbucking voice coil provides hum rejection
• Switchable 10 dB pad facilitates use with high sound pressure level sources such as bass drums
• Switchable 12 dB per octave high pass filter helps eliminate rumble
• Triple-plated multi-stage windscreen allows close proximity use with minimal noise
• Multi-axis shock-mount mic element enables quiet performance
• Gold-plated XLR connector, die-cast zinc casing and anti-dent ring
• Foam-lined carry case, mic clip and “Euro-metric”mic stand adapter included
• Cardioid pickup pattern
• Smooth, flat frequency response
• Multi-axis shock-mounted element
• Gold-plated XLR connectors
• Carry case and mic clip included
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Micr o p h o n e s
Micr o p h o n e s
3KIT 3-piece Tom Mic set
Q7 Cardioid Dynamic Mic
The finest Neodymium hand-held dynamic microphone we make.The ultimate all-around microphone.
A three pack of our great-sounding rugged tom mics in a sturdy road case.
• Includes three of our rugged Q Tom dynamic drum mics
• High SPL dynamic mic in a rugged casing
Samson’s all-new
Q Series dynamic
drum micro-
• Outstanding vocal mic for stage and studio
• High output, low impedance design
• Neodymium dynamic mic element
• Cardioid pickup pattern
• Carry case and three rim mic clips included
phones are built
to
• Multi-axis shock-mounted element
• Carry case and mic clip included
last. Designed for
high SPL, each of
these dynamic
mics will provide
clean, clear drum
tones in the stu-
dio or on the
road.
Q Snare Dynamic Drum Mic
5KIT 5-piece Drum Mic Set
Designed for high SPL and durability,
the Q Snare is the right choice for stage and studio.
A comprehensive drum mic set up in a sturdy road case.
• Five piece drum mic kit
• One Q Kick kick drum mic with mic stand swivel mount
• One Q Snare snare mic with rim clip
• Three Q Tom tom mics with rim clips
• Road case included
• High SPL dynamic mic in a rugged casing
• Cardioid polar pattern reduces feedback
• Smooth, flat frequency response
• Voiced particularly for snare drum
• Gold-plated XLR connector
• Rigid rim-mount mic clip with cable management included
• Carry case included
25
Q Tom Dynamic Drum Mic
Sold in a three pack, the Q Tom is the perfect complement to the Q Snare.
7KIT 7-piece Drum Mic Set
• High SPL dynamic mic in a rugged casing
• Cardioid polar pattern reduces feedback
• Smooth, flat frequency response
Everything you could want for micing drums. A complete set of our dynamic drum mics and a pair of C02 pencil
condenser mics for overheads or close-micing cymbals.
• Seven piece drum mic kit
• Voiced particularly for toms
• Gold-plated XLR connector
• Rigid rim-mount mic clip with cable management included
• 3KIT Carry case included
• One Q Kick kick drum mic with mic stand swivel mount
• One Q Snare snare mic with rim clip
• Three Q Tom tom mics with rim clips
• Two C02 pencil condenser mics with shock-mount clips
• Road case included
Q Kick Dynamic Drum Mic
An incredibly well-made kick drum mic. Rigid, and featuring a huge diaphragm element, the Q Kick sounds bet-
ter than mics costing hundreds more.
• Large diphragm dynamic element
• Cardioid polar pattern reduces feedback
• Gold-plated XLR connector
• Mic stand swivel mount included
• Carry case included
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Micr o p h o n e s
Micr o p h o n e s
R11 Hypercardioid MIc
S11 Cardioid dynamic mic
Offered in a convenient three-pack, the versatile R11 gives you output and reliable performance for any kind of application.
A durable multi-purpose mic suitable for recording, live sound and PA use.
• Hypercardioid polar pattern
• Neodymium mic element for increased output in high SPL situations
• Transformerless design provides extended low frequency reproduction
• External on/off switch
• Cardioid pickup pattern reduces feedback
• Low impedance output
• Heavy gauge mesh grill with anti-dent ring
• Die-cast zinc casing
• Rugged metal die-cast case and steel mesh windscreen
• Carry case and mic clip included
R21 cardioid dynamic Mic
The R21 features a tight cardioid pickup pattern for maximum gain before feedback.
The R21 is sold in 3-pack.
S12 HyperCardioid dynamic mic
• High output dynamic element
• Unidirectional cardioid polar pattern for maximum gain before feedback
• Withstands high sound pressure levels
• Dual stage windscreen
A Neodymium mic element and a Hypercardioid pattern allow for maximum gain before feedback.
• Excellent for live performance and recording
• Rugged road-proof design
• Gold plated XLR connector
• Advanced Neodymium element delivers high output
• Hypercardioid pattern reduces feedback
• Internal shock mount element reduces handling noise
• Heavy gauge mesh grill with anti-dent ring
• Die-cast zinc casing
• Gold-plated XLR connector
R21S cardioid dynamic Mic
• Mic clip and carry case included
The R21S has all the features of the R21, with the addition of an on/off switch. The R21S is sold individually.
26
27
• High output dynamic element
• Unidirectional cardioid polar pattern for maximum gain before
feedback
• Withstands high sound pressure levels
• Dual stage windscreen
• Excellent for live performance and recording
• Rugged road-proof design
VP1 microphone package
A complete microphone solution, the VP1 combines an R21 dynamic mic and all the
accessories.
• Gold plated XLR connector
• R21 dynamic mic
• Heavy-duty die cast and steel construction tripod mic stand with non-slip easy grab
clutch
• Mic clip with euro adapter
HM40 Horn Condenser Mic
• Low noise high performance 25’mic cable
This mini condenser is designed for horns, rich and clear, focused, with the abilty to handle serious SPL.
• High output miniature condenser mic element
• Surdy clip and flexible goose neck
• Excellent for live performance and recording
• P-3 three-pin mini XLR connector
• PM5 phantom power adapter (P-3 to standard XLR)
• Rugged road case included
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Micr o p h o n e s
He a d p h o n e s
QE Exercise Headset Mic
RH600 Headphones
Top-of-the-line drivers and sophisticated circuitry to provide true“reference quality”audio.
QE
headset mic is light, comfortable and specifically designed for aerobics and fitness training.
• 40mm drivers with Neodymium magnets and ultra thin mylar diaphragms
• Frequency response from 20Hz to 22kHz
• Open-back design
• Advanced moisture-resistant condenser mic element
• Hypercardioid pattern to reduce feedback
• 50 Hz to 18 kHz frequency response for clear, articulate sound
• Lightweight and comfortable
• Heavy-duty cable with a gold mini phone plug and 1/4”gold adapter included
• Self-adjusting head band for comfortable fit
• Special adjustable headband for closer fit
• Adjustable metal gooseneck for easy mic positioning
• Locking detachable P3 connector reduces cable/connection problems
• PM4 phantom power adapter included
RH300 Headphones
An open-back design with acoustic mesh fabric provide an enhanced ambient listening experience.
• High performance drivers with Neodymium magnets
• Open-back design
• Wide dynamic range and flat frequency response of 20Hz to 22kHz
• Heavy-duty cable with a gold mini phone plug and 1/4”gold adapter included
Qv Vocal Headset Mic
RH100 Headphones
The QV headset mic allows drummers, keyboardists and other musicians to perform “hands free”vocals without
affecting their playing technique.
Great for studio and/or home, the RH100 combines professional specs, exceptional comfort and high
quality audio.
• High performance transducers with Neodymium magnets
• Open-back design
• Heavy-duty cable with a gold mini phone plug and 1/4”gold adapter included
• Sophisticated condenser mic element
• Hypercardioid pattern helps eliminate feedback
• 50 Hz to 18 kHz frequency response for a balanced, full-range sound
• Withstands high sound pressure levels
• Lightweight and comfortable design
• Adjustable metal gooseneck for easy mic positioning
• Locking detachable P3 connector reduces cable/connection problems
• PM4 phantom power adapter included
CH700 Headphones
Professional level closed-back model with oversized ear pieces for greater low frequency performance.
28
29
• Oversized earpieces further extend low frequency response
• 40mm drivers with Neodymium magnets and ultra thin Mylar diaphragms
• Frequency response from 20Hz to 22kHz
• Adjustable headband and lightweight design
CH70 Headphones
PM4 Phantom Power Adapter
An excellent all-purpose headphone for situations that require a closed-back design for isolation.
The PM4 provides a phantom power interface between a mixer and condenser lavalier or headset mics.
• 40mm drivers with Neodymium magnets and ultra thin Mylar diaphragms
• Frequency response from 20Hz to 22kHz
• Adjustable headband and lightweight design
• Special interface enables a mixer to provide phantom power to condenser microphones
• Lockable mini-XLR input
• Transformer balanced XLR output
• Durable metal housing
• Belt clip
PH60 Mobile Headphones
Designed to offer great sound in a lightweight,“see-through blue”design for personal stereo listening.
• 34mm Mylar drivers with isotropic ferrite magnets
• Frequency response from 20Hz to 18kHz
• Nickel-plated mini phone plug and 1/4” adapter included
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340 W into 8 Ω per channel
1090 W into 8 Ω bridged
10 Hz to 20 kHz
Powe r Am plifie rs
160, 200, 250, 315, 400, 500, 630, 800,
1 k, 1.25 k, 1.6 k, 2 k, 2.5 k, 3.15 k, 4 k,
5 k, 6.3 k, 8 k, 10 k, 12.5 k, 16 k, 20 k
±6 dB, ±12 dB, -12 dB, -24 dB
<10 Hz to 90 kHz
Net Weight
5.25 lb (2.4kg)
7.5 lb (3.4kg)
Shipping Weight
Frequency Response (-3 dB):
Channel Separation:
Distortion THD:
Servo 120
80 dB, (4 ohm, 125 W, 1 kHz)
< .04%
Rated Output Power (1KHz):
60 W into 4 Ω per channel
52 W into 8 Ω per channel
120 W into 8 Ω bridged
< 10 Hz to 100 kHz
Variable range
S• 3-Wa y
Stereo/ Mono Crossover
Female Balanced XLR
+26dBu balanced
Frequency response (unity)
Distortion THD
Inputs
Dynamic Range:
103 dB
Less than 0.01%
Voltage Gain (4 ohm, 1 kHz):
DC Offset Voltage
Damping Factor
35.2 dB
Max. Input level
Outputs
Frequency Response (-3 dB):
Crosstalk (adj. channels):
Distortion THD:
Low Cut Switch and Frequency knob
Noise (with 20 kHz LPF, all faders flat)
Level Meter
18 dB/ oct swept @ 15Hz to 400 Hz
-85 dB
0 ± 100 mV
80 dB 1 kHz @ rated output
<.05%
Male Balanced XLR
More than 200
8-segment LED
Max. Output Level
Frequency Response
Signal to Noise
+26dBu
Dimensions:
3.5″ (h) x 19″ (w) x 16.75″ (d)
88 mm (h) x 482 mm (w) x 425 mm (d)
36 lb • 16.33 kg
Distortion at rated power:
Input Sensitivity (level control at maximum):
Headphone Output Level:
Power Consumption:
< .05%
Dimensions
1.75″ (h) x 19″ (w) x 10.75″ (d)
44 mm (h) x 482 mm (w) x 273 mm (d)
5.7 lb. • 2.6 kg
<10Hz to >90kHz, +0 / -3dB
+4 dBu
(Ref +4dBu), 22Hz to 22kHz, unweighted
90dB high out, mid 90dB, low 94dB,
all outs >100dB muted.
Weight:
240 mW at 8 Ω (1 kHz)
240 W @ 120 V/ 60 Hz
270 W @ 220 V/ 50 Hz
1.75″ (h) x 17.5″ (w) x 11.5″ (d)
44 mm (h) x 444 mm (w) x 292 mm (d)
15.6 lb • 7 kg
Weight
S1500
S• Curve 231
Dual 31-band graphic EQ
20, 25, 31.5, 40, 50, 63, 80, 100, 125,
160, 200, 250, 315, 400, 500, 630, 800,
1 k, 1.25 k, 1.6 k, 2 k, 2.5 k, 3.15 k, 4 k,
5 k, 6.3 k, 8 k, 10 k, 12.5 k, 16 k, 20 k
±6 dB, ±12 dB, -12 dB, -24 dB
<10 Hz to 90 kHz
CMRR
Min. 50dB, >55dB @ 1 kHz
Linkwitz-Riley, 24dB / Octave
35Hz to 800Hz
Rated Output Power (1 kHz):
780 W into 4 Ω per channel
550 W into 8 Ω per channel
1550 W into 8 Ω bridged
9 Hz to 42 kHz
Dimensions:
Weight:
Center frequencies (Hz)
Crossover Type
Crossover 1 Channel 1
Frequency Response (-3 dB):
Channel Separation:
Distortion THD:
350Hz to 8kHz / with 10X multiplier
18Hz to 400Hz / 4 Way Low Mode
35Hz to 800Hz
82 dB, (4 ohm, 125 W, 1 kHz)
< .021%
Servo 170
Variable range
Rated Output Power (1 kHz):
85 W into 4 Ω per channel
60 W into 8 Ω per channel
<20 Hz to 50 kHz
Frequency response (unity)
Distortion THD
Crossover 1 Channel 2
Crossover 2 Channel 1
Crossover 2 Channel 2
Dynamic Range:
101 dB
Less than 0.01%
350Hz to 8kHz / with 10X multiplier
350Hz to 8kHz
Voltage Gain (4 ohm, 1 kHz):
DC Offset Voltage
Damping Factor
37.3 dB
Frequency Response (-3dB):
Crosstalk (adj. channels):
Distortion THD:
High Cut Switch and Frequency knob
Low Cut/ Sub Frequency Crossover
Sub Controls
18 dB/ oct swept @ 5kHz to 25kHz
Variable Internal 2-way
0 ± 200 mV
85 dB 1kHz @ rated output
<.01%
More than 200
Gain, Frequency, Sub Mono Switch
-85 dB
175Hz to 4kHz / 4 Way Low Mode
350Hz to 8kHz
Dimensions:
5.25″ (h) x 19″ (w) x 16.75″ (d)
133 mm (h) x 482 mm (w) x 425 mm (d)
31 lb • 14.06 kg
Input Sensitivity (level control at maximum):
Power Consumption:
0 dBm
Noise (with 20 kHz LPF, all faders flat)
Level Meter
330 W (115 Vac)
8-segment LED
700Hz to 8kHz / 4 Way Low Mode
-3dB @ 15Hz 3 pole, 18dB / Octave
Weight:
330 W (230/ 240 Vac)
3.5″ (h) x 19″ (w) x 9.5″ (d)
88 mm (h) x 482 mm (w) x 240 mm (d)
13.7 lbs. • 6.2 kg
Dimensions
3.5″ (h) x 19″ (w) x 10.375″ (d)
88.9 mm (h) x 482 mm (w) x 263 mm (d)
5.7 lb. • 2.6 kg
High Pass Filter
Dimensions
Dimensions:
Weight:
1.3/ 4″ (44.5 mm) x 19″ (482.6 mm)
S2000
Weight
x 8.1/ 2″ (217 mm)
Rated Output Power (1 kHz):
1020 W into 4 Ω per channel
685 W into 8 Ω per channel
2025 W into 8 Ω bridged
10 Hz to 50 kHz
Net Weight
6.6 lb (3kg)
Proce s s ors
Servo 260
Shipping Weight
9.4 lb (4.3kg)
Frequency Response (-3 dB):
Channel Separation:
Distortion THD:
Rated Output Power (1 kHz):
130 W into 4 Ω per channel
90 W into 8 Ω per channel
20 Hz to 50 kHz
S• com
Stereo Compressor
85 dB, (4 ohm, 125 W, 1 kHz)
< .016%
Frequency Response
<10Hz to 20kHz +0 / -0.1dB effect out,
-0.4dB @ 100kHz,
S• phone
4
Cha nnel Hea dphone Mixer/ Amp
Frequency Response (-3 dB):
Crosstalk (adj. channels):
Distortion THD:
Input
2 TRS Balanced 1/ 4″ (Left-Right) or (Left mono)
+26dBu balanced
Dynamic Range:
98 dB
85 dB 1 kHz @ rated output
<.03%
<10Hz to 20kHz +0 / -0.1dB effect in,
-3dB @ >100kHz
Max. input level
CMRR:
Voltage Gain (4 ohm, 1 kHz):
DC Offset Voltage
Damping Factor
38.25 dB
0 ± 100 mV
Input Sensitivity (level control at maximum):
Power Consumption:
0 dBm
Min 40dB, >55dB @ 1 kHz
10Hz to 32kHz, +0 / -3dB
> 90dB, unweighted, 22Hz to 22kHz
0.008 % typ. @ +4dBu, 1kHz
140mW at 32ohms, 385mW at 66ohms.
8Ohms
Dynamic range
THD
116dBu, un-weighted, 22Hz to 22kHz
More than 200
490 W (115 Vac)
Frequency response
Noise
0.008 % typ. @ +4 dBu, 1kHz effect out,
0.016% effect in
Dimensions:
5.25″ (h) x 19″ (w) x 16.75″ (d)
133 mm (h) x 482 mm (w) x 425 mm (d)
36 lb • 16.33 kg
490 W (230/ 240 Vac)
3.5″ (h) x 19″ (w) x 9.5″ (d)
88 mm (h) x 482 mm (w) x 240 mm (d)
17.6 lbs. • 8 kg
Dimensions:
Weight:
THD
Weight:
Crosstalk
>95dB, 22Hz to 22kHz
Selectable +4dBu / -10dBV
+21dBu, balanced
Max. output level
Impedance minimum
Dimension
Operating Level
Max. Input Level
CMRR
F800
Rated Output Power (1 kHz):
425 W into 4 Ω per channel
260 W into 8 Ω per channel
830 W into 8 Ω bridged
10 Hz to 60 kHz
Servo 550
1 3/ 4″ (44.5mm) x 19″ (482.6mm)
Min 40dB, >50dB @ 1kHz
+21dBu Balanced
Rated Output Power (1 kHz):
275 W into 4 Ω per channel
235 W into 8 Ω per channel
550 W into 8 Ω bridged
< 10 Hz to 85 kHz
x 8 1/ 2″ (217mm)
Max. Output Level
Dimensions
Net Weight
5.5 lb (2.5kg)
8 lb (3.8kg)
1 3/ 4″ (44.5mm) x 19″ (482.6mm)
Frequency Response (+0dB, -1dB):
Channel Separation:
Distortion THD:
Shipping Weight
x 7 3/ 4″ (197mm)
80 dB, (4 ohm, 125 W, 1 kHz)
< .04%
Frequency Response (-3 dB):
Crosstalk (adj. channels):
Distortion THD:
Net Weight
4.8 lb (2.2kg)
7.5 lb (3.4kgs)
-74 dB, 1 kHz @ rated output
<.06%
S• ga te
4
4
Cha nnel Ga te/ Ducker
Dynamic Range:
105 dB
Shipping Weight
Voltage Gain (4 ohm, 1 kHz):
DC Offset Voltage
33.5 dB
Input
XLR and 1/ 4" TRS jack
Input Sensitivity (level control at maximum):
Power Consumption:
+4 dBu
0 ± 100 mV
Impedance
Max. Input Level
Output
20k Ohm balanced, 10k Ohm unbalanced
+21 dBu, balanced and unbalanced
XLR and 1/ 4" jack
360 W (120 Vac)
S• Com Plus
Stereo Compressor/ Limiter
<10Hz to 20kHz +0 / -0.1dB effect out,
-0.4dB @ 100kHz,
Damping Factor
More than 100
395 W (220 Vac)
Frequency Response
Dimensions:
5.25″ (h) x 19″ (w) x 11.5″ (d)
133 mm (h) x 482 mm (w) x 292 mm (d)
30.5 lb • 13.8 kg
Dimensions:
Weight:
5.2″ (h) x 19″ (w) x 9.2″ (d)
132mm (h) x 482mm (w) x 234mm (d)
32.4 lb • 14.7 kg
Max. Output Level
Fuse
+21 dBu, balanced and unbalanced
100-120 V AC; 250 mA (slow-blow)
200-240 V AC: 125 mA (slow-blow)
5 Watts
<10Hz to 20kHz +0 / -0.1dB effect in,
-3dB @ >100kHz
Weight:
Dynamic range
THD
116dB, un-weighted, 22Hz to 22kHz
F1200
Power Consumption
Power inlet
S500
Rated Output Power (1 kHz):
840 W into 4 Ω per channel
430 W into 8 Ω per channel
1244 W into 8 Ω bridged
10 Hz to 60 kHz
Standard IEC receptacle/ with fuse
1 3/ 4" (h) x 19" (w) x 7 3/ 4"
44.5 mm (h) x 482.6 mm (d) x 196.9 mm (d)
5.25 lbs.• 2.4 kgs
0.008 % typ. @ +4dBu, 1kHz effect out,
0.016% effect in
Rated Output Power, per channel
250 W into 4 Ω per channel
150W into 8 Ω per channel
500 W into 8 Ω bridged
80 dB
Dimensions
Crosstalk
>100dB, 22Hz to 22kHz
Selectable +4dBu / -10dBV
+21dBu, balanced
Frequency Response (+0dB, -1dB):
Channel Separation:
Distortion THD:
Net Weight
Channel Separation (4 ohm, 125 W, 1 kHz)
Frequency Response (0 dB, +0, -.5 dB)
Distortion THD
Operating Level
Max. Input Level
CMRR
80 dB, (4 ohm, 125 W, 1 kHz)
< .04%
Shipping Weight
7.5 lbs.• 3.4 kgs
10 Hz - 20 kHz
0.04%
Min. 40dB, >50dB @ 1kHz
+21dBu, balanced
Dynamic Range:
103 dB
Dynamic Range
105 dB
S• vox
Stereo Voice Cha nnel/ Input Mixer
Max. Output Level
Dimensions
Voltage Gain (4 ohm, 1 kHz):
DC Offset Voltage
35.2 dB
Voltage Gain (4 ohm, 1 kHz)
DC Offset Voltage
33.5 dB
Specifications TBD
0 ± 100 mV
0 ± 100 mV
1 3/ 4″ (44.5mm) x 19″ (482.6mm)
Damping Factor
More than 100
Damping Factor
More than 200
x 7 3/ 4″ (197mm)
C• Valve
Tube Prea mp
Compressor
Dimensions:
5.25″ (h) x 19″ (w) x 11.5″ (d)
133 mm (h) x 482 mm (w) x 292 mm (d)
40.5 lb • 18.4 kg
Dimensions
5.25 (h) x 19 in (w) x 9.75 (d)
133 (h) x 482 mm (w) x 247 (d)
25.7 lb • 11.66 kg
Net Weight
5 lb (2.3kg)
Specifications TBD
Shipping Weight
7.5 lb (3.4kg)
Weight:
Weight:
C• Com 16
Specifications TBD
Equa lize rs
S700
S• com 4
4
Cha nnel Compressor/ Ga te
Rated Output Power (1 kHz):
360 W into 4 Ω per channel
230 W into 8 Ω per channel
720 W into 8 Ω bridged
10 Hz to 20 kHz
C• Com Opti
Optical Compressor
Studio Matrix
S• Curve 215
Dual 15-band graphic EQ
25, 40, 63, 100, 160, 250, 400, 630,
1 k, 1.6 k, 2.5 k, 4 k, 6.3 k, 10 k, 16 k
±6 dB, ±12 dB, -12 dB, -24 dB
<10 Hz to 90 kHz
Frequency Response
<10Hz to 20kHz +0 / -0.1dB effect out,
-0.4dB @ 100kHz,
Specifications TBD
Center frequencies (Hz)
Frequency Response (-3 dB):
Channel Separation:
Distortion THD:
<10Hz to 20kHz +0 / -0.1dB effect in,
-2dB @ >100kHz
C• Control
Variable range
80 dB, (4 ohm, 125 W, 1 kHz)
< .04%
Specifications TBD
Frequency response (unity)
Distortopn THD
Dynamic range
THD
100dBu, un-weighted, 22Hz to 22kHz
Less than 0.01%
Dynamic Range:
105 dB
0.0008 % typ. @ +4dBu, 1kHz effect out,
0.014% effect in
C• Cue 8
Headphone Amp
<10Hz to 20kHz
High pass filter
80 Hz (18 dB/ oct)
Voltage Gain (4 ohm, 1 kHz):
DC Offset Voltage
Damping Factor
33.5 dB
Frequency Response
Dynamic range
THD
Noise (with 20 kHz LPF, all faders flat)
Level Meter
-85 dB
0 ± 100 mV
116dBu, un-weighted, 22 Hz to 22 kHz
0.008 %
Crosstalk
95dB, 22Hz to 22kHz
Selectable +4dBu / -10dBV
+21dBu, balanced
6-segment LED
More than 200
Dimensions
1.75″ (h) x 19″ (w) x 10.75″ (d)
44 mm (h) x 482 mm (w) x 273 mm (d)
5.7 lb. • 2.6 kg
Operating Level
Max. Output Level
Max. Input Level
CMRR
Dimensions:
3.5″ (h) x 19″ (w) x 16.75″ (d)
88 mm (h) x 482 mm (w) x 425 mm (d)
31 lb • 14.06 kg
Crosstalk
>95dB, 22 Hz to 22 kHz
Selectable +4dBu / -10 dBV
+21dBu, balanced
Operating Level
Max. Input Level
CMRR
Weight
Weight:
+21dBu, balanced
Min 40dB, >50dB @ 1kHz
Min 40dB, >50dB @ 1kHz
+21dBu Balanced
S• Curve 131
31-band graphic EQ
S1000
Dimensions
1 3/ 4″ (44.5mm) x 19″ (482.6mm)
Max. Output Level
INPUT
Center frequencies (Hz)
20, 25, 31.5, 40, 50, 63, 80, 100, 125,
Rated Output Power (1 kHz):
545 W into 4 Ω per channel
x 7 3/ 4″ (216mm)
XLR and 1/ 4" TRS jack
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OUTPUT
XLR and 1/ 4" jack
1/ 4" jack
Mid (peaking)
Low (shelving)
Meters
2.5 kHz ± 15 dB
80 Hz ±15 dB
-79dB (EFX OUT) Master level control at maxi
mum all channel level controls at minimum
70dB adjacent input, 70dB input to output
Input Channel Equalization
Rated Output Power
Low frequency amp:
High frequency amp:
Frequency Response:
Low amp:
Key Input Connector
Key Output Connector
Dimensions
50 watts @1K into 4ohms
25 watts @ 10K into 4ohms
1/ 4" jack
6 POINT LED METERS (-20, -12, -6, 0, +6dB and
PEAK)
Crosstalk 1KHz
1.5/ 8" (h) x 8.5/ 8" (w) 7 1/ 4" (d)
41.5 mm (h) x 215 mm (w) x 184 mm (d)
5.5lbs., (2.5 kg)
Internal DSP Effects
24 BIT -8 presets: 1 - Large Hall; 2 Medium Hall,
3 - Large Room; 4 - Vocal Room 1; 5 - Vocal
Room 2; 6 - Chorus + Reverb; 7 - Chorus +
Delay; 8 - Stairwell
HIGH
MID
12KHz shelving (± 15dB Maximum)
2.5KHz peaking (± 12dB Maximum)
80Hz shelving (± 15dB Maximum)
tbd
Net Weight
High amp:
tbd
Shipping Weight
8lbs., (3.6 kg)
LOW
Distortion THD:
Power consumption:
Frequency response:
Driver:
tbd
Meters
7 POINT LED METERS (-20, -10, -7, -4, 0, +3, +6dB)
7 bands (63, 160, 400, 1K, 2.5K, 6.4K, 16KHz)
75 watts
S• Direct
Direct Box
5-35 kHz, -3 dB
Phantom Power
+48V
Graphic Equalizer
Internal DSP Effects
Dimensions
tbd
Frequency Response
Power Consumption
Dimensions (W x D x H)
300W 1/ 8 power, 540W full
3 1/ 2≤ (h) x 11 1/ 2≤ (w) x 11 3/ 4≤ (d)
89 mm (h) x 292mm (w) x 299mm (d)
6.5 lbs. • (3 Kg)
24 BIT -
8
5.25" Woofer Shielded
Noise Level (22-22kHz, Input Shorted)
THD + N (10 Hz -22 kHz)
Input Impedance
-104 dBu
19.25″ (w) x 11.25″ (h x 11.4″ (d)
489mm (w) x 286mm (h) x 289mm (d)
32.3 lbs.• 14.7Kg
Tweeter:
1″ Dome Shielded
0.013% typ. @ 1 VRMS,1 kHz.
(GTR) 1 Meg. Ohm
Dimensions:
tbd
Weight
Weight
Weight:
tbd
(SPK) 10 k Ohm
Max. Input Level (1% THD)
+8.1 dBu ( 9v. Batt.)
+11.3 dBu (48v. Phantom)
1/ 4″ Phone Jack, unbalanced
1/ 4″ Phone Jack, unbalanced
XLR Connector, balanced
24-48 VDC
MDR 10
Powe r Dis t ribut ion & Ra ck Ge a r
Resolv 65a
Specifications TBD
Rated Output Power
Low frequency amp:
High frequency amp:
Frequency Response:
Low amp:
GTR/ SPK Input
OUTPUT/ LINK
BALANCED OUTPUT
Phantom Power
Battery
S Patch Plus
48 Channel, fully Balanced patchbay
48
75 watts @1K into 4ohms
30 watts @ 10K into 4ohms
MDR 16
Channel
Specifications TBD
Switchable configuration modes
Dimensions
Normal, Half-normal and Thru
1 3/ 4″ (h) x 19″ (w) x 3″ (d)
44.45 mm (h) x 482.6 mm (w) x 76.2 (d)
3.8 lbs. • (1.72 Kg)
40hz-3200
3200-50K
9 Volt
Mixpad 4
High amp:
Dimensions
2″ (h) x 5.6″ (w) x 4″ (d)
50.8mm (h) 142mm (w) x 101.6mm (d)
15 oz. • .43 Kg
Mic EIN:
-128 dBu
-111 dBu
Weight
Distortion THD:
Power consumption:
Frequency response:
Driver:
<.05%
Line EIN:
150 watts
Weight
Frequency response:
Total harmonic distortion (with 30 kHz LPF):
EQUALIZATION
High (12 kHz):
Mid (2.5 kHz):
Low (80 Hz):
10 Hz to 54 kHz
.004%
40 Hz to 20 kHz
PowerBrite Pro7/ Pro9
Number of Outlets
Pro7:
6 1/ 2" Woofer Shielded
1″ Dome Shielded
S• Monitor
Personal Monitor
5-channel Mixer
Tweeter:
Specifications TBD
±15 dB
±12 dB
6 switched, 1 unswitched
8 switched, 1 unswitched
Pro7 15 Amps/ Pro9 10 Amps
Pro7 130 Vac/ Pro9 245 Vac
Hot to Neutral, Hot to Ground,
and Neutral to Ground
Dimensions:
13 5/ 8"(H) x 8 1/ 2" (W) x 9 7/ 8" (D)
Pro9:
Weight:
18 lbs. • 8.2 kg
S• Mix
±15 dB
Max. Current:
Specifications TBD
Battery operation:
Dimensions:
Three 9V alkaline
Input Voltage (RMS):
Spike Protection Mode:
Resolv 65
Power Rating:
Impedance:
Frequency response:
Driver:
2.7″ (h) x 6.4″ (w) x 9″ (d)
69 mm x (h) 163 mm (w) x 228 mm (d)
1.85 lbs. • .839 kg.
75 watts
8 ohm
S• Amp
4-channel Headphone Amp
+4 to -10dB/ -10 to +4dB Converter
Specifications TBD
Weight:
Max. Clamping Voltage (@ 50 A):
Response Time:
700 Vac
40 Hz to 20 kHz
1 nanosecond
6 1/ 2″ Woofer Shielded
1″ Dome Shielded
S• Convert
Powe re d Mixe rs
Max. Surge Current:
Max. Spike Energy:
Noise Attenuation:
AC Inlet:
4,500 Amps (8 x 20 ms pulse)
104 Joules
Tweeter:
Specifications TBD
Dimensions:
Weight:
13 5/ 8"(H) x 8 1/ 2" (W) x 9 7/ 8" (D)
TM300
> 20 dB, 1.5 MHz to 200 MHz
PS9 North America/ PS11 IEC
Fluorescent F45CW condenser type FS2
3000 hours 95 Lumens
500 ma T type
13.4 lbs. • 6.1 kg
Mixe rs
MIXER/ PREAMP SECTION
Frequency response (± 1 dB):
Total harmonic distortion:
Graphic Equalizer:
<20 Hz to 20 kHz
< 0.02%
Lamp/ Starter:
Resolv 80a
MDR6
Lamp Life:
Rated Output Power
Low frequency amp:
High frequency amp:
Frequency Response:
Low amp:
Frequency Response
Mic to Main
7 band ±12 dB
+48 V
Starter Fuse (Internal):
Dimensions:
75 watts @1K into 4ohms
25 watts @ 10K into 4ohms
5 Hz - 54 kHz
5 Hz - 54 kHz
5 Hz - 98 kHz
5 Hz - 57 kHz
0.02%
Phantom power
1.75″ (h) x 19″ (w) x 7.5″ (d)
44 (h) x 482 mm (w) x 190 (d)
7 lbs. • 3.2 kg
Line to Main
POWER AMP SECTION
Maximum output power (1 kHz):
Total harmonic distortion:
Signal-to-noise ratio:
Frequency response (± 3 dB):
GENERAL
Aux Return to Main
Line to Aux Send
150 W per channel into 4 Ω
< 0.2%
Weight:
tbd
Conforms:
UL/ CUL/ CE/ LVD
High amp:
tbd
tbd
T.H.D.
>100 dB
Distortion THD:
Power consumption:
Frequency response:
Driver:
Residual Noise (30 kHz LPF, all control Min)
Main
<12 Hz to 20 kHz
PowerBrite PB9/ PB11
Number of Outlets
PB9:
100 watts
-89 dBu
-86 dBu
tbd
Aux Send
Power consumption:
Power requirements:
780 w
115 Vac • 50/ 60 Hz
8 switched, 1 unswitched
10 switched, 1 unswitched
PB9 15 Amps/ PB11 10 Amps
PB9 130 Vac/ PB11 245 Vac
Hot to Neutral, Hot to Ground,
and Neutral to Ground
8" Woofer Shielded
1″ Dome Shielded
Crosstalk (@ 1 kHz w/ 30 kHz LPF)
Ch vs. Ch
PB11:
Tweeter:
75 dB
87.5 dB
230 Vac • 50 Hz
Max. Current:
Input vs. Output
Dimensions:
Weight:
5.5″ (h) x 19.35″ (w) x 13.75″ (d)
139 mm (h) x 349 mm (w) x 491 mm (d)
29.7 lbs. • 13.5 kg
Input Voltage (RMS):
Spike Protection Mode:
Resolv Sub 120
Amp:
Peak LED Sensitivity (before clipping)
CLIP Indicators
5 dB
120watts into 4ohms
Turn on: THD> 0.1%
100 mW
Frequency Response:
Distortion THD:
Power consumption:
Driver:
30hz-150
<.05%
Headphone output (600 ohm load)
Maximum Input Level (1 kHz, ± 3dB)
Mic Input (Mono Ch)
Line Input (Stereo Ch)
Input Channel Equalizer (± 2dB)
High (shelving)
Max. Clamping Voltage (@ 50 A):
Response Time:
700 Vac
TM500
1 nanosecond
210 watts
10.5 dBu
7.6 dBu
MIXER/ PREAMP SECTION
Frequency response (± 1 dB):
Total harmonic distortion:
Graphic Equalizer:
Max. Surge Current:
Max. Spike Energy:
Noise Attenuation:
AC Inlet:
4,500 Amps (8 x 20 ms pulse)
104 Joules
10″ long stroke
14 1/ 2″ (H) x 14 1/ 2″ (W) x 17.5″ (D)
39 lbs. • 17.75 kg
<20 Hz to 20 kHz
< 0.02%
Dimensions:
> 20 dB, 1.5 MHz to 200 MHz
PS9 North America/ PS11 IEC
Fluorescent F45CW condenser type FS2
3000 hours 95 Lumens
500 ma T type
Weight:
12 kHz ±15 dB
2.5 kHz ± 15 dB
7 band ±12 dB
+48 V
Mid (peaking)
Phantom power
Lamp/ Starter:
Expedition Express
Power Rating: (@ 8Ω):
Frequency Response:
Sensitivity:
Low (shelving)
80 Hz ±15 dB
POWER AMP SECTION
Maximum output power (1 kHz):
Total harmonic distortion:
Signal-to-noise ratio:
Frequency response (± 3 dB):
GENERAL
Lamp Life:
250 Watts Program
60 Hz – 15 kHz ± 3 dB
Meters
6 point LED meter (-20, -12, -6, 0, +6dB and PEAK)
+48V
250 W per channel into 4 Ω
< 0.2%
Starter Fuse (Internal):
Dimensions:
Phantom Power
1.75″ (h) x 19″ (w) x 7.5″ (d)
44 (h) x 482 mm (w) x 190 (d)
7 lbs. • 3.2 kg
97 dB SPL @ 1W/ 1m
Power Consumption
Dimensions (W x D x H)
300W 1/ 8 power, 540W full
2.7≤ (h) x 6.4≤ (w) x 9≤ (d)
69 mm (h) x 163 mm (d) x 228 mm (w)
4.5 lbs • 2.04 Kg
>100 dB
Crossover Frequency:
LF Driver:
2.3 kHz (12 dB Per Octave)
12≤ heavy-duty driver ,
2.5≤ voice coil (Kapton Former),
50 oz. barium ferrite magnet
1≤ titanium compression driver
<12 Hz to 20 kHz
Weight:
Conforms:
UL/ CUL/ CE/ LVD
Weight
Power consumption:
Power requirements:
1100 w
115 Vac • 50/ 60 Hz
PowerStrip PS9/ PS11
Number of Outlets
PS9:
HF Driver:
MDR8
230 Vac • 50 Hz
Stereo Mixer Section:
Inputs
Frequency Response (Trim @ Min, unity gain ± 3 dB)
Mic to Main
Dimensions:
Weight:
5.5″ (h) x 19.35″ (w) x 13.75″ (d)
139 mm (h) x 349 mm (w) x 491 mm (d)
36 lbs. • 16.4 kg
8 switched, 1 unswitched
10 switched, 1 unswitched
PS9 15 Amps/ PS11 10 Amps
PS9 130 Vac/ PS11 245 Vac
Hot to Neutral, Hot to Ground,
and Neutral to Ground
700 Vac
2 Mic/ Line XLR/ TRS,
1 Stereo Line w/ Mic XLR
5 Hz - 54 kHz
5 Hz - 54 kHz
5 Hz - 98 kHz
5 Hz - 57 kHz
0.02%
PS11:
Line to Main
Max. Current:
Frequency Response
Crosstalk
10 Hz - 50 kHz
Aux Return to Main
Input Voltage (RMS):
Spike Protection Mode:
70 dB @ 1 kHz
Line to Aux Send
PA324
Equalization Frequencies
Effects
100 Hz (Low), 10 kHz (High)
DSP Reverb with 6 Presets
T.H.D.
Rated Output power
Frequency response
150W/ 4Ω@0.5% THD at 1KHz per amplifier
20Hz~20KHz±0.5dB@1W Output into 8Ω (AMP
OUT)
Residual Noise (30 kHz LPF, all control Min)
Main
Max. Clamping Voltage (@ 50 A):
Response Time:
Mounting:
Integral 1 3/ 8≤ Pole Mount Receptacle, Fly Points
21 1/ 4 (h) x 14 5/ 8 in. (w) x 17 3/ 8 (d)
539 mm (h) x 371 mm (w) x 441 (d)
-89 dBu
-86 dBu
1 nanosecond
Dimensions: EX250m and EX250e
Aux Send
20 Hz~20KHz ±0.5@+4dB Output into 10Ω
(MAIN OUT, MONITOR OUT, EFX SEND)
< 0.1%@20Hz~20KHz, 75W output into4Ω
(AMP OUT)
Max. Surge Current:
Max. Spike Energy:
Noise Attenuation:
AC Inlet:
4,500 Amps (8 x 20 ms pulse)
104 Joules
Crosstalk (@ 1 kHz w/ 30 kHz LPF)
Ch vs. Ch
Weight:
EX250e
EX250m
75 dB
87.5 dB
Total Harmonic Distortion
> 20 dB, 1.5 MHz to 200 MHz
PS9 North America/ PS11 IEC
1.75″ (h) x 19″ (w) x 7.5″ (d)
44 (h) x 482 mm (w) x 190 (d)
7 lbs. • 3.2 kg
28.5 lbs • 12.9 kg
45.0 lbs • 20.4 kg
Input vs. Output
Peak LED Sensitivity (before clipping)
CLIP Indicators
5 dB
Less than 0.1%@20 Hz~20KHz+14dB output into
10KΩ (MAIN OUT, MON OUT, EFX SEND)
-121dB equivalent input noise
Dimensions:
Turn on: THD> 0.1%
100 mW
XP100
Headphone output (600 ohm load)
Maximum Input Level
Mic Input (Mono Ch)
Line Input (Stereo Ch)
Input Channel Equalizer
High (shelving)
Hum & Noise
Weight:
Power Rating:
Frequency Response
Sensitivity
250 Watts Program; 400 Watts Max. Peak
60 Hz – 15 kHz
(1 kHz, ± 3dB)
10.5 dBu
(Average, RS+150Ω)
-100dB residual output noise (MAIN OUT, MONI-
TOR OUT, EFX OUT)
Conforms:
UL/ CUL/ CE/ LVD
97 dB SPL @ 1W/ 1m
7.6 dBu
(with 20Hz~20KHz BPF)
-79dB (MAIN OUT, MONITOR OUT) Master level
control at maximum all channel level control at
minimum.
Audio Equipm e nt
Crossover Frequency
LF Driver
2.3 kHz (24 dB Per Octave)
12″ heavy-duty driver
2.5″ voice coil (Kapton Former)
(± 2dB)
12 kHz ±15 dB
Resolv 50a
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50 oz. barium ferrite magnet
1″ compression driver
Integral 1 3/ 8″ Pole Mount Receptacle, Fly Points
21 1/ 4″ (h) x 14 5/ 8″. (w) x 17 3/ 8″ (d)
539 mm (h) x 371 mm (w) x 441 mm (d)
28.5 lbs • 12.9 kg
Stereo / Mono:
Selects stereo or mono low frequency oper-
ation
Weight:
10.5 oz. • 300g
HF Driver
Mounting
Dimensions
VP1
Enclosure
Construction:
Finish:
Q3
R21 Microphone same as above
Tripod Mic Stand
3/ 4" plywood, carpet covered
Black carpet
Type:
Dynamic
Hypercardioid
Heavy-duty Die Cast and Steel
Non-slip Easy Grab Clutch
Over-sized Rubber Feet
Polar Pattern:
Frequency Response:
Sensitivity:
Weight
Corners:
Casters:
Steel
50 Hz – 15 kHz
Three Inch Heavy Duty
Integral 1 3/ 8" (35mm) Pole Mount
Receptacle,
-71 dB ±3 dB
Mic Clip with Euro Adapter
XP200
Mounting:
Max. SPL:
137 dB
Mic Cable
Type
Power Rating:
Frequency Response
Sensitivity
160 Watts LF; 40 Watts HF
60 Hz – 15 kHz
Output Impedance (@ 1 kHz):
High Pass Range:
Attenuation Range:
Connector:
600 Ω (Lo Z)
XLR-Low Noise High Performance
25′ • 7.62 m
Dimensions:
20” (h) x 24” (w) x 22.75” (d)
508 mm (h) x 610 mm (w) x 578 mm (d)
71 lbs. •
-12 dB/ octave (HP switch ON)
-10 dB/ average (ATT switch ON)
3-pin gold-plated balanced XLR male
7″ • 178 mm overall
15.1 oz. • 431g
Length
97 dB SPL @ 1W/ 1m
Shipping Weight:
8.5 lbs. • 3.85 kg
Crossover Frequency
2.3 kHz (12 dB Per Octave Linkwitz-Riley Constant
Phase)
Weight:
32.25 kg
Dimensions:
Q
E
and QV
LF Driver
12″ heavy-duty driver
Weight:
Generating Element:
Polar Pattern
Back electret cardioid condenser
2.5″ voice coil (Kapton Former)
50 oz. barium ferrite magnet
1″ compression driver
Microphone s
Q7
QV:
Hypercardioid
Bi-directional noise cancelling,
pressure gradient type
HF Driver
Mounting
Dimensions
C01
Type:
Dynamic
Cardioid
QE (water-resistant):
Integral 1 3/ 8″ Pole Mount Receptacle, Fly Points
21 1/ 4″ (h) x 14 5/ 8″. (w) x 17 3/ 8″ (d)
539 mm (h) x 371 mm (w) x 441 mm (d)
42.0 lbs • 19.0 kg
Frequency Response
40~18000 HZ
Polar pattern:
cardioid
Polar pattern:
Connector:
Dimensions:
Weight:
3-pin gold-plated balanced XLR male
7″ • 177 mm overall
13 oz. • 368 g
Mounting system:
Sensitivity
QV:
Adjustable headband and gooseneck
Hyper-
Weight
70 mV @ 114 dB SPL
80 mV @ 114 dB SPL
145 dB
Element type
Diaphragm thickness
Sensitivity
Back condenser type
3 microns
QE:
XP300
Q Snare
Type:
Max.SPL:
Weight:
Power Rating:
Frequency Response
Sensitivity
160 Watts LF; 40 Watts HF
60 Hz – 15 kHz
-33 dB/ Pa
Dynamic
Cardioid
1.92 oz. • 54.4 grams
SPL
136 dB
Polar pattern:
Connector:
97 dB SPL @ 1W/ 1m
Power supply voltage:
Weight
phantom power 36V - 52V
2 lbs. (30.9 kg)
3-pin gold-plated balanced XLR male
PM4 (For use with QE/ QV Headset Mics)
Crossover Frequency
2.3 kHz (12 dB Per Octave Linkwitz-Riley Constant
Phase)
Connectors
Input:
Dimensions
7" (h) x 2.125" (w) x 2.125" (d)
180 mm (h) x 54 mm (w) x 54 mm (d)
2.5 lbs.(1.15 Kg)
Q Tom
TA3M Switchcraft
XLR male
LF Driver
12″ heavy-duty driver
Type:
Dynamic
Cardioid
Output:
2.5″ voice coil (Kapton Former)
50 oz. barium ferrite magnet
1″ compression driver
Shipping Weight
Polar pattern:
Connector:
Operating Voltage:
Dimensions
Length:
12 Vdc through 48 Vdc
3-pin gold-plated balanced XLR male
HF Driver
C02
3.7″ • 93.75mm
0.86″ • 22mm
Stereo Mixer Section
Inputs
Frequency Response
TBD
Q Kick
Diameter:
Weight:
2 Mic/ Line XLR/ TRS
1 Stereo Line w/ Mic TRS/ RCA/ XLR
+4 Balanced XLR
Type:
Dynamic
Cardioid
3 oz. • 85 grams
Polar pattern:
cardioid
condenser-
condenser
Polar pattern:
Connector:
Outputs
3-pin gold-plated balanced XLR male
He a dphone s
Frequency Response
Crosstalk
10 Hz - 50 kHz
Element type
70 dB @ 1 kHz
R11
RH600
Equalization Frequencies
Effects
100 Hz (Low), 10 kHz (High)
DSP Reverb with 6 Presets
C03
Type:
Dynamic
Hypercardioid
Driver Unit:
40mm Diaphragm Drivers with Neodymium
Magnet
Frequency Response
TBD
Polar Pattern:
Frequency Response:
Sensitivity:
Mounting
Integral 1 3/ 8″ Pole Mount Receptacle, Fly Points
21 1/ 4″ (h) x 14 5/ 8″. (w) x 17 3/ 8″ (d)
539 mm (h) x 371 mm (w) x 441 mm (d)
45.0 lbs • 20.4 kg
60 Hz – 18 kHz
-75 dB ±3 dB
Frequency Unit:
Impedance:
20-22,000 Hz
Dimensions
Polar pattern:
figure-8
Switchable cardioid, omni,
40ohm ± 10%
Max. Input Level (1 kHz):
Output Impedance (@ 1 kHz):
Connector:
130 dB SPL
Sensitivity:
115dB SPL at 1kHz ± 3dB
1
Weight
Weight
2 lbs. (30.9 kg)
7" (h) x 2.125" (w) x 2.125" (d)
180 mm (h) x 54 mm (w) x 54 mm (d)
2.5 lbs.(1.15 Kg)
400 ohm (Lo Z)
Input Connector:
Gold-Plated Mini Stereo Plug and ⁄ 4″
Dimensions
3-pin XLR male (pin 2 hot)
6.85″ • 174 mm overall
8.8 oz. • 250 g
Phone Adapter
dB500
Dimensions:
Power Rating:
Frequency Response
Sensitivity
500 Watts Program
60 Hz – 15 kHz ± 3 dB
Shipping Weight
Weight:
RH300
Driver Unit:
40mm Diaphragm Drivers with Neodymium
Magnet
97 dB SPL @ 1W/ 1m
C05
R21
Crossover Frequency
LF Driver
2.3 kHz (24 dB Per Octave)
15″ heavy-duty driver
Frequency Response
TBD
Type
Dynamic
80 Hz - 12 kHz
Frequency Unit:
Impedance:
20-22,000 Hz
Frequency Response
Polar Pattern
Output Impedance
Sensitivity
32ohm ± 10%
2.5″ voice coil (Kapton Former)
50 oz. barium ferrite magnet
1.75" titanium compression driver
Integral 1 3/ 8″ Pole Mount Receptacle
15º wedge monitor position,
30º wedge monitor position, Ten Fly Points
30″ (h) x 19″ (w) x 17″ (d)
Polar pattern:
cardioid
condenser-
condenser
Cardioid
Sensitivity:
106dB SPL at 1kHz ± 3dB
1
Rated at 500Ω
-53 dBV/ pa (1.8 mv/ pa)
Input Connector:
Gold-Plated Mini Stereo Plug and ⁄ 4″
HF Driver
Mounting
Element type
Phone Adapter
Connector
Dimensions
Head length
Main unit length
Total length
Weight
3-pin gold plated balanced XLR male
Q1
RH100
Type:
Condenser
Cardioid
2.125 in. / 53.97 mm
4.56 in. / 115.88 mm
6.85 in. / 169.8 mm
7 oz. / 217 g
Driver Unit:
40mm Diaphragm Drivers with Neodymium
Magnet
Dimensions
Weight
Polar pattern:
Frequency Response:
Sensitivity:
762 mm (h) x 483 mm (w) x 432 mm (d)
50 Hz – 20 kHz
Frequency Unit:
Impedance:
20-22,000 Hz
53.4 lbs • 24.2 kg
-68dB ±3dB
64ohm ± 10%
Max.SPL:
142 dB
Sensitivity:
106dB SPL at 1kHz ± 3dB
1
dB500a
Output Impedance (@ 1 kHz):
Connector:
150 Ω
R21S
Input Connector:
Gold-Plated Mini Stereo Plug and ⁄ 4″
Active Power:
Frequency Response
Sensitivity
400 Watts LF, 100 Watts HF
60 Hz – 15 kHz ± 3 dB
3-pin gold-plated balanced XLR male
Supply Voltage (Phantom) 11 to 52 Vdc
7″ • 176 mm overall
8.5 oz • 240 g
Same as above, with on/ off switch
Phone Adapter
Power Requirements:
Dimensions:
97 dB SPL @ 1W/ 1m
HM40
PH60
Crossover Frequency
LF Driver
2.3 kHz (24 dB Per Octave)
15″ heavy-duty driver
Weight:
Type:
Condenser
Cardioid
Driver Unit:
34mm Mylar Drivers with An-isotropic Ferrite
Magnet
Polar pattern:
Connector:
2.5″ voice coil (Kapton Former)
50 oz. barium ferrite magnet
1.75" titanium compression driver
Integral 1 3/ 8″ Pole Mount Receptacle
15º wedge monitor position,
30º wedge monitor position, Ten Fly Points
30″ (h) x 19″ (w) x 17″ (d)
762 mm (h) x 483 mm (w) x 432 mm (d)
tbd
QMIC
3-pin mini-XLR
Frequency Unit:
Impedance:
20-18,000 Hz
Type:
Dynamic
Hypercardioid
32ohm ± 10%
HF Driver
Mounting
Polar pattern:
Frequency Response:
Sensitivity:
S11
Sensitivity:
101dB SPL at 1kHz ± 3dB
1
20 Hz – 18.5 kHz
-47 dBV @ 94 dB SPL
137 dB
Type:
Dynamic
Unidirectional cardioid
60 Hz – 18 kHz
-74 dB ±3 dB
Input Connector:
Nickel-Plated Mini Stereo Plug and ⁄ 4″
Polar pattern:
Frequency response:
Sensitivity:
Phone Adapter
Max.SPL:
Dimensions
Weight
Output Impedance (@ 1 kHz):
Connector:
150 Ω
CH700
Closed back design
40mm Diaphragm Drivers with Neodymium
Magnet
3-pin gold-plated balanced XLR male
6.75″ • 172 mm overall
8.7 oz. • 250 g
Max. input level (1 kHz):
Output impedance (@ 1 kHz):
Connector:
130 dB SPL
Driver Unit:
Dimensions:
Weight:
600 Ω ±30%
3-pin XLR male
Frequency Unit:
Impedance:
20 Hz–20 kHz
EX500
Dimensions:
6.75″ • 172 mm overall
8.7 oz. • 250 g
64ohms
Transducer:
Amplifier:
15″ Heavy Duty Driver, 3″ voice coil, aluminum former
High-efficiency tracking converter
500 Watts RMS
Weight:
Sensitivity:
108 dB S.P.L. @ 1 kHz ±3dB
1
Q2
Input Connector:
Gold-Plated Mini Stereo Plug and ⁄ 4″
Power Rating:
Frequency response
Sensitivity:
Input
Type:
Dynamic
Cardioid
S12
Phone Adapter
30Hz- 300Hz+/ -3 dB
94dB SPL @ 1 W/ 1m
Balanced
Polar Pattern:
Frequency Response:
Sensitivity:
Type:
Dynamic
Hypercardioid
50 Hz – 15 kHz
Polar Pattern:
Frequency Response:
Sensitivity:
CH700
Closed back design
40mm Diaphragm Drivers with Neodymium
Magnet
-71 dB ±3 dB
60 Hz – 18 kHz
-70 dB ±3 dB
Driver Unit:
Connector:
Output
XLR - FEMALE
Max. SPL:
137 dB
Balanced, high-passed tracking low frequency
crossover point
Output Impedance (@ 1 kHz):
High Pass Range:
Attenuation Range:
Connector:
600 Ω (Lo Z)
Max. Input Level (1 kHz):
Output Impedance (@ 1 kHz):
Connector:
130 dB SPL
Frequency Unit:
Impedance:
20 Hz–20 kHz
-12 dB/ octave (HP switch ON)
-10 dB/ average (ATT switch ON)
3-pin gold-plated balanced XLR male
6″ • 152mm overall
600 Ω ±30%
3-pin XLR male
32ohms
Connector:
XLR - MALE
Sensitivity:
103 dB S.P.L. @ 1 kHz ±3dB
1
Crossover Frequency:
Switch Functions
Variable 30Hz – 200Hz
Dimensions:
6.75″ • 172 mm overall
8.7 oz. • 250 g
Input Connector:
Gold-Plated Mini Stereo Plug and ⁄ 4″
Dimensions:
Weight:
Phone Adapter
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