Samson Headphones Power Amplifiers User Guide

Samson Technologies

575 Underhill Blvd.

Syosset, NY 11791-9031

Wint e r/Spring 2 0 0 3

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www.s a m s ont e ch.com

CAT FLA v6.1

P o w e r Am p liﬁ e r s

S500 Power Ampliﬁer

S1500 Power Ampliﬁer

New to the S Series, the sturdy and reliable S500 is perfect for live sound or ﬁxed installations

where 500 watts is the right amount of power.

Efﬁcient and highly reliable, the S1500 stereo amp provides plenty of power on the road,

in commercial installations and for PA use.

• Heavy-duty dual rack space stereo power ampliﬁer

• 250 watts per channel into 4 ohms, 150 watts into 8 ohms (stereo) and 500 watts into 8 ohms (bridged mono)

• Temperature-sensitive, speed-controlled fan

• Independent front panel input level controls with 41 detents and 3-segment output LED meters

• Overheating and over-current protection circuitry with LED monitoring

• XLR and locking TRS inputs, banana jack outputs and Speakon™ connectors

• Parallel inputs allow several amps to be linked together

• Heavy-duty three rack space stereo power ampliﬁer

• 750 watts into 4 ohms, 500 watts into 8 ohms (stereo) and 1,500 watts into 8 ohms (bridged mono)

• Dual temperature-sensitive, speed-controlled fans

• Independent front panel input level controls with 41 detents and 3-segment output LED meters

• Overheating and over-current protection circuitry with LED monitoring

• XLR inputs and locking TRS inputs, banana jack outputs and Speakon™ connectors

• Parallel intputs allow several amps to be linked together

S700 Power Ampliﬁer

• AC mains: IEC and Neutrik^®Powercon connector included

S2000 Power Ampliﬁer

Exceptionally rugged and reliable, the S700 is a powerful, multi-purpose ampliﬁer.

• Heavy-duty dual rack space stereo power ampliﬁer

• 350 watts into 4 ohms, 220 watts into 8 ohms (stereo) and 700 watts into 8 ohms (bridged mono)

• Dual temperature-sensitive, speed-controlled fans

• Independent front panel input level controls with 41 detents and 3-segment output LED meters

• Overheating and over-current protection circuitry with LED monitoring

• Stable bipolar design

• XLR and locking TRS inputs, banana jack outputs and Speakon™ connectors

• Parallel inputs allow several amps to be linked together

The rugged S2000 stereo amp from Samson delivers awesome power, reliability

and protection for live sound situations, commercial installations and PA applications.

• Heavy-duty three rack space stereo power ampliﬁer

• 1,000 watts into 4 ohms, 650 watts into 8 ohms (stereo) and 2,000 watts into 8 ohms (bridged mono)

• Dual temperature-sensitive, speed-controlled fans

S1000 Power Ampliﬁer

• Independent front panel input level controls with 41 detents and 3-segment output LED meters

• Overheating and over-current protection circuitry with LED monitoring

• XLR inputs and locking TRS inputs, banana jack outputs and Speakon™ connectors

• Parallel intputs allow several amps to be linked together

• AC mains: IEC and Neutrik^®Powercon connector included

Serious power for all kinds of live sound projects, commercial installations and PA systems.

• Heavy-duty dual rack space stereo power ampliﬁer

• 500 watts into 4 ohms,330 watts into 8 ohms (stereo) and 1,000 watts into 8 ohms (bridged mono)

• Dual temperature-sensitive, speed-controlled fans

• Independent front panel input level controls with 41 detents and 3-segment output LED meters

• Overheating and over-current protection circuitry with LED monitoring

• Dual protection LEDs and relay-controlled outputs linked to protection LEDs

• XLR inputs and locking TRS inputs, Banana jack outputs with Speakon™ connectors

• Parallel intputs allow several amps to be linked together

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P o w e r Am p liﬁ e r s

Gr a p h ic Eq u a liz e r s

F800 Power Ampliﬁer

S•Curve 215 - 2 15 band EQ

Designed and

built for

professionals,

S•Curve EQs

A great, multi-purpose EQ, with all the features and easy-to-read lighted display.

feature easy-to-

read LED displays

and the extra

features

•

2/3 octave 15 band stereo graphic equalizer

Constant Q circuitry

Balanced XLR & TRS inputs and outputs

Low cut ﬁlter

LED faders and LED bar VU meters

Bypass switch

Single rack space chassis, aluminum extrusion face plate

For applications that require reliable power, but don’t require front panel controls.

Perfect for DJs, and others who need simple, pure power.

• Heavy-duty three rack space stereo power ampliﬁer

• 400 watts into 4 ohms, 250 watts into 8 ohms (stereo) and 800 watts into 8 ohms (bridged mono)

• Bipolar design

• Dual temperature-sensitive, speed-controlled fans

• Balanced 1/4”and RCA input connectors

• Binding post output connectors

• Protection, power and bridging LEDs

• Resettable in-line fuse on rear panel

professionals need.

S•Curve EQs are

also exceptionally

quiet, in fact up

to 15dB lower

than comparable

equalizers.

S•Curve 131 - 31 band EQ

F1200 Power Ampliﬁer

For professionals looking for a full 31 band EQ.

•

1/3 octave 31 band graphic equalizer

Constant Q circuitry

LED faders

Switchable 6 or 12 dB ﬁlters

Cut Only mode

Variable low cut ﬁlter

Single rack space chassis, aluminum extrusion face plate

With its high power and simple, reliable design the F1200 is the ultimate DJ ampliﬁer. It’s also perfect for any application

that requires pure power—and lots of it.

S•Curve 231 - 2 31 band EQ

• Heavy-duty three rack space stereo power ampliﬁer

• 600 watts into 4 ohms, 400 watts into 8 ohms (stereo) and 1,200 watts into 8 ohms (bridged mono)

• Bipolar design

• Dual temperature-sensitive, speed-controlled fans

• Balanced 1/4”and RCA input connectors

• Binding post output connectors

• Protection, power and bridging LEDs

• Resettable in-line fuse on rear panel

A totally comprehensive, feature-rich dual 31-band EQ for the most demanding applications.

•

Dual 31 band graphic equalizer

Constant Q circuitry

LED faders

Low cut/Sub Freuqency Crossover with Subwoofer output

Balanced XLR & TRS inputs and outputs

Boost/cut, and Cut Only modes

Switchable 6 or 12 dB ﬁlters

Variable high cut ﬁlter

Double rack space chassis, aluminum extrusion face plate

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Sig n a l P r o ce s s in g

S•Com stereo compressor

S•3-way crossover

S Class Processing

represents a new

perspective on

professional-level

audio processing.

Elegant and

The Stereo/Mono S•3-Way is a versatile 2-way, 3-way and 4-way crossover.

The all-purpose Stereo Compressor/Limiter every studio needs.

Samson Audio

signal processors

are made with an

attention to detail

you can see, hear

and feel.

• Extensive sweeping frequency control options

•

2-way, 3-way stereo or 4-way mono operation

Low, mid and high frequency outputs with ±6dB of gain control

Mute and phase switch for each output, delay control for LF output

Variable threshold limiter, a CD function (for constant directivity horns)

•

Compressor section includes variable threshold, ratio, attack, release and output

Expander/Gate section includes variable threshold level, release time

SKD (Smart Knee Detector) dynamically adjusts the compression curve

AEG (Auto Envelope Generator) dynamically adjusts attack and release

EFR (Enhanced Frequency Recovery) restores high frequencies lost with heavy compression

Expander/gate, compressor/limiter and enhancer on both channels

A key input and key listen provide for external triggering, or EQ

Balanced Inputs and Outputs

powerful,

S Class processors

combine proven

circuitry,

S•gate 4 Gate/ducker

Not only do we

include all the

tools professionals

are looking for,

our engineers

routinely create

features never

seen before.

innovative

features and

This four channel Gate/Ducker can be operated as four discrete gates or linked into stereo pairs.

S•Com plus Compressor/limiter

ease-of-use in

beautifully

•

Ducker for automatic lowering of signal for a channel or stereo pair

Key input and key listen for inserting an external source

Each channel has high and low pass ﬁlters, threshold, attack, hold, release and range control

8-segment gain reduction LED monitor

crafted cabinets.

Front panel ducker, link, in/out, ﬁlter and key listen switches

This Stereo Compressor/Limiter adds features like De-essing for added control.

S•vox voice channel/input mixer

•

Compressor section includes variable threshold, ratio, attack and release

Expander/gate section includes variable threshold level, release time

SKD (Smart Knee Detector) dynamically adjusts the compression curve

AEG (Auto Envelope Generator) dynamically adjusts attack and release

EFR (Enhanced Frequency Recovery) restores high frequencies lost with heavy compression

Built-in de-esser circuitry reduces sibilance

Metering of input/output, gain reduction, de-esser level, gate open/close and limit

Key inputs and outputs for externally processing control voltage

Individual channel bypass, stereo link mode

The S•vox is a sophisticated Stereo Voice Channel/Input Mixer. It provides a host of tools for

cleaning up vocal tracks before they go tape.

•

Superior microphone pre-amps and direct inputs for instruments

Phase Reversal switch, volume and pan controls

3-band EQ with sweepable mids and an in/out switch

Built-in optical compressor with selectable threshold

LED input/output meters, 48-Volt phantom power

S/PDIF inputs and outputs, 1/4” TRS balanced mixer outputs

Balanced inputs and outputs

S•Com 4 gate/compressor

S•Phone headphone amp

The S•com 4 provides four channels of high quality dynamics processing with an

Expander/Gate and Compressor/Limiter on each channel.

This Four Channel Headphone Ampliﬁer is loaded with advanced features that provide

tremendous ﬂexibility for monitor and cue mixing.

•

Channels operate independently or in stereo pairs

Multi-segment LED metering for input/output and gain reduction

Expander/gate section Includes variable threshold, and a switch for fast/slow release time

Compressor/limiter section includes variable threshold, ratio and output

EFR (Enhanced Frequency Recovery) restores high frequencies lost with heavy compression

•

Master Input features an input level and LED meter

Each of the four channels has three headphone outputs with volume control and level meters

Stereo Aux input on each channel with balance control for“More Me”mixing

2-band equalizer on each of the four channels

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Sig n a l P r o ce s s in g

C•ValVe Tube Preamp

S•Direct

As a regular feature of a club sound system or as a durable

road piece the S•Direct is the only direct box you’ll ever need.

Adds the warmth of analog tubes to digital recordings.

S Class Mini

Introducing an

all-new concept in

studio signal

processing.

A true tube pre-amp that provides pure signal and silky

sound. It features variable gain and variable tube process

saturation for adding harmonics. Regardless of which mic

you use, it will maintain detail and transparency. 48-Volt

phantom power, phase and peak limiter round out the

•

Perfect for stage and studio

Processors offer

advanced signal

processing in

incredibly durable,

portable enclosures.

Perfect for home,

on the road,

• Switchable input level handles instrument and speaker levels

• 48 Volt phantom power or 9 volt operation with auto battery shut off

• Switchable ground lift

• 1/4” link output

control set. A large analog VU output meter and a 6-segment LED input meter make it easy to

adjust the gain. Use its insert points along with a C Class Compressor for a direct path to a

gorgeous front end sound. The C•valve provides a digital output as well.

C Class delivers

high-end

C•Com 16 compressor

S•Monitor

processing tools to

desktop recordists

in a friendly,

innovative

A compact, full-featured compressor for the desktop.

An elegant solution for personal monitoring either on stage or

in the studio.

A full-featured Stereo Compressor/Limiter with 16

settings. There are ﬁfteen presets and a manual mode for

more critical adjustments when required. The C•com 16’s

or a quick ﬁx to

a house

•

XLR microphone input

XLR microphone Thru, microphone output to send to main mixer

1/4”stereo mix input

1/4”stereo mix Thru for daisy chaining additional units

Microphone volume control

Mix volume control

controls include variable threshold, ratio, attack, decay,

release and output level. An enhancer provides the added character that is lost under heavy

compression. Key output/input for outboard triggering or external ﬁltering of the key signal. A

6-segment LED gain reduction meter and a 6-segment LED input/output meter provides visual

monitoring of the circuit’s affect.

sound system.

package.

Designed to

Two headphone outputs

18 Volt AC adapter included

complement each

other, they also

work great

C•Com opti optical compressor

S•Mix

Adds the magic of optical compression to recordings.

A miniature 5-channel mixer packed with high-end features.

A perfect complement to the computer’s hygienically

clean sound. The C•com opti’s adjustable threshold, ratio,

attack, release and output controls are calibrated to gener-

ate a distinctive soft, rich character while providing mag-

niﬁcent control over dynamics. An enhancer provides the

•

5-channel mini mixer

individually.

XLR balanced microphone input with volume control

RCA stereo inputs with volume control

1/4”stereo inputs with volume control

RCA stereo outputs

1/4”stereo outputs

18 Volt AC adapter included

added character lost under heavy compression. Key output/input for outboard triggering or

external ﬁltering of the key signal. Large analog VU meter for output level or gain reduction.

c•control studio matrix

Provides a control room matrix previously

S•Amp

available only on consoles costing thousands.

A 4-channel headphone ampliﬁer ideal for home recording.

A unique solution for studios with multiple moni-

tors, headphone mixes and tape or digital sources.

Provides easy, heretofore impossible to achieve,

instant monitor mixes or dubs. Select from three

pairs of speakers with dim and mute. Use the talkback mic to give instructions to the musicians

in the headphone mix. Push-to-talk also records slates. Includes a headphone amp with level

control.Three sets of stereo ins and outs are included, with dubbing capability to three outputs.

•

4-channel headphone ampliﬁer

Four 1/4” stereo headphone outputs

Individual volume control for each headphone output

Stereo 1/4“ input

18 Volt AC adapter included

c•que 8 headphone amp

The perfect compact headphone amp.

S•Convert

Further enhancing your control in the studio is this

A“bump-box”, S•Convert is a problem solver for interfacing and

level matching consumer and professional audio equipment.

Four Channel Headphone Ampliﬁer with eight out-

puts. Independent volume on each channel makes

this a truly versatile headphone ampliﬁer. A 6-seg-

ment LED indicator shows the output for each chan-

nel.There’s a main volume for overall level adjustment. An EQ shape circuit offers tone control of

each channel and listeners can manage their own personalized mixes. Link outputs allow more

than one C•que 8 to be used when needed.

•

+4 to –10 audio level converters

RCA –10 inputs with level control, RCA –10 outputs

XLR +4 outputs

XLR +4 inputs with level control

18 Volt AC adapter included

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Mix e r s

MDR 6 Mixer

MDR 10 Mixer

The MDR 10 stereo mixer packs a lot of professional features into a compact package.

High quality mic preamps, 60mm faders, pan control and our great-sounding 24-bit DSP processor.

The compact MDR 6 is a six input stereo mic/line tabletop mixer in a portable and rugged package. Perfect

for a small studio, the MDR 6 features Hard Disc Record mode for recording with a PC.

Transparent

sound, low noise

and high quality

mic preamps

• Six input stereo mixer

• Low noise op-amps

• 10 channel stereo mixer with 2 + 2 bussing

• Pre amps on each channel

• Low noise op-amps

• Low impedance circuit design

• 24-bit DSP effects

• 60mm faders on each channel and mains

• 3-band EQ with sweepable mids and a low cut ﬁlter on

channels 1 thru 6

• 10 XLR inputs with mic preamps

• Mono out with level control

• Dual 12-segment LEDs

• 2 Aux sends with 2 effects returns

• Headphone out with level control

• Phantom power

• 2-track in and out connectors

with send to mix switch

• Low impedance circuit design

• 60mm faders on each channel and mains

• 3-band EQ on each channel

• Hard Disc Mode

• Four XLR inputs with mic preamps

• Mono out with level control

• Dual 5-segment LEDs

• Aux send with effects return

• Headphone out with level control

• Phantom power

were the criteria

when developing

the new MDR

Samson Mixers

give music

professionals

what they need

for every

(Maximum

Dynamic Range)

series of mixers.

MDR mixers have

features found no

where else, like

our exclusive

• In-line power supply

situation.

From rehearsal

room, to studio,

to live

applications—

Samson makes

a mixer that will

do the job.

Hard Disc Mode

(HDM), found on

the MDR 6 and 8,

that eliminates

delay between

instrument and

monitor mix

MDR 8 Mixer

MDR 16 Mixer

The ﬂagship of the series, the MDR 16 is a true 4-bus stereo mixer. Each of the 16 channels feature a high quality

mic preamp, gain control, solo, bus 1-2 and bus 3-4 switches.

The Samson MDR 8 is an eight channel professional stereo mixer with built-in 24-bit DSP. It can handle up

to either eight line ins, four mics and two stereo line ins or six mics all with high quality mic preamps.

• 16 channel stereo 4-bus mixer

• Pre amps on each channel

• Low noise op-amps

• Low impedance circuit design

• 24-bit DSP effects

• 60mm faders on channels, busses and mains

• 3-band EQ with sweepable mids and a low cut ﬁlter on channels 1 thru 8

• 16 XLR inputs with mic preamps

• Mono out with level control

• Eight input stereo mixer

• Low noise op-amps

• Low impedance circuit design

• 24-bit DSP effects

• 60mm faders on each channel and mains

• 3-band EQ on each channel

• Hard Disc Mode

• Six XLR inputs with mic preamps

• Mono out with level control

• Dual 6-segment LEDs

when recording

to hard disc.

The larger MDRs

feature great

• Dual 12-segment LEDs

• 2 Aux sends with 2 effects returns

• Headphone out with level control

• Phantom power

• 2-track in and out connectors with

send to mix switches

• 2 Aux sends with 2 effects returns

• Headphone out with level control

• Phantom power

sounding 24-Bit

DSP effects.

• In-line power supply

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Mix e r s

Mixpad 4 portable mixer

tm500 stereo powered mixer

From its high headroom (+27 dBu output) design to its durable extruded aluminum chassis,

the AC or battery-powered Mixpad 4 is a natural choice for ﬁeld recording.

The TM500 powered mixer is an all-in-one package designed for small clubs, theater and other applications.

• 10 channel table-top/rack-mountable powered mixer

• 2 stereo channels, 8 mono mic/line channels

• Stereo power amp produces 250 watts per side into 4 ohms

• Dual 7-band graphic EQ on main

• 3-band EQ on mono channels, 2-band EQ on stereo channels

• Built-in DSP section with up to 256 effect variations

• 2 Aux sends per channel

• 2 Aux returns

• Fan-cooled bipolar amp design

• Phantom power

• Ultra-compact 4-channel audio mixer

• 2 mic/line inputs and 1 stereo input (4 channels total)

• Battery operation (three 9V) and external AC power supply included

• Shoulder strap included

• 1 aux send (post fader)

• 1 stereo effects return

• Independent 3-band EQ on each channel with up to 15 dB of boost or cut

• Adjustable mic input trims

• Peak overload LEDs on left and right main output

• Constant-level pan controls (mono channels) and balance control

(stereo channel)

• Balanced stereo output

• Switchable phantom-powered XLR mic input connectors

• 12-hour battery life

tm300 stereo powered mixer

PA324 powered mixer

Rugged and ready to go, the PA324 dual amp powered mixer with 24-bit DSP handles up to six mic/line inputs

with power to spare.

Offering remarkable versatility for the price, the TM300 powered mixer is ideal for all kinds of live sound reinforcement jobs.

• 6 channel table-top/rack-mountable powered mixer

• 6 mono mic/line channels

• Stereo power amp produces 150 watts per side into 4 ohms

• Dual 7-band graphic EQ on main output

• 3-band EQ on each channel

• 6 channel powered mixer with 6 XLR inputs with mic preamps

• Power amp produces 150 watts per side (stereo) 300 watts (bridged)

• 3-band EQ on each channel , 7-band graphic EQ on mains

• 24-bit DSP effects

• Effects and monitor sends on each channel

• Mono out with level control

• 2-band EQ for stereo channels

• 3 preset DSP effects

• 2 Aux sends per channel

• Dual 7-segment LEDs

• 2 Aux returns

• Phantom power

• Fan-cooled bipolar amp design

• Phantom power

• Carpeted wood cabinet complete with corners and handle

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Ra ck Acce s s o r ie s

Re s o lv St u d io Mo n it o r s

S•Patch Plus Patch Bay

Resolv 50a Active Reference Monitors

Powerful and compact, Resolv 50a monitors sound rich

and accurate, and are ideal for tight spots.

• Dual power amp (50 watts low and 25 watts high)

• 5.25”polypropylene butyl surround woofer

• 1”ferro-ﬂuid ﬁlled titanium tweeter

• Active crossover

• 1/4”and RCA inputs

• Ported, tuned cabinet

• Wall mountable (with optional bracket)

The ultimate patch bay. Fully balanced and extremely durable, our 48-point patch bay makes all your connections easy.

Resolv monitoring

systems for studio

applications offer

incredible sound

quality as well as

ﬂexibility.

• Rack mount 3-way front panel mode switches

• Normal, half-normal and through mode operation

• 1/4”TRS connectors

Powerbrite™ Pro power distribution

Resolv 65a and 80a

powered monitors

offer a unique four

position curve

Resolv 65a Active Reference Monitors

Powerful and accurate, it’s like having four different sets of monitors

in your studio thanks to the adjustable midrange control.

• Dual power amp (75 watts low and 25 watts high)

• Four-position midrange contour control

• 6.5”polypropylene butyl surround woofer

• 1”ferro-ﬂuid ﬁlled titanium tweeter

• Active crossover

• XLR, 1/4”and RCA inputs

• Ported, tuned cabinet

The ultimate rack accessory. Provides power distribution, metering and lighting.

• Front panel voltmeter and current meter to accurately monitor power conditions

• Adjustable pull-out tray with silent ﬂuorescent lamp, rear panel connection for supplied goose neck lamp

• Pro7 (U.S.) features 6 rear panel AC outlets, Pro9 (E.U.) features 8 rear panel IEC outlets

• Unswitched front panel outlet for constant power applications

• 15 amp circuit breaker

control that allow

the user to listen to

a mix four differ-

ent ways, each

emulating a differ-

ent EQ curve.

• Accepts AC power brick adapters

Also available in a passive version, the Resolv 65,

featuring a custom-designed passive crossover.

Powerbrite rack power distributioN

Resolv 80a Active Reference Monitors

It’s like having four

sets of monitors in

your studio. Add

the 120a for even

more monitoring

options.

Ideal for mid- to large-sized control rooms where high

volume and serious bass response are required.

• Dual power amp (75 watts low and 25 watts high)

• Four-position midrange contour control

• 8”copolymer butyl surround woofer

• 1”ferro-ﬂuid ﬁlled titanium tweeter

• Active crossover

The PowerBrite is a highly practical add-on for live, studio and ﬁxed installations.

• Adjustable pull-out tray with silent ﬂuorescent light

• PB9 (U.S.) features 8 rear panel outlets, PB11 (E.U.) has 10 rear panel IEC outlets

• Unswitched front panel outlet for constant power applications

• 15 amp circuit breaker

• XLR, 1/4”and RCA inputs

• Ported, tuned cabinet

• Accepts AC power brick adapters

PowerSTRIP rack power distributioN

Resolv 120a SUBWOOFER

By taking advantage of the mute switch, you can a/b your mix with

or without a powered subwoofer.

• 120 watt ampliﬁer

• Heavy-duty 10” driver

• 40–180 Hz.

• Active crossover

• Phase switch

PowerStrip supplies eight switched AC outlets on the rear panel along with special noise ﬁlters and surge/spike protection.

• PB9 (U.S.) features 8 rear panel outlets, PB11 (E.U.) has 10 rear panel IEC outlets

• Unswitched front panel outlet

• AC noise ﬁltering

• Surge/spike protection

• 15 amp circuit breaker

• Auto sleep mode

• Mute switch jack

• Accepts AC power brick adapters

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P u b lic Ad d r e s s Sy s t e m s

Expedition Pro XP100

Expedition Express

Passive 2-Way Speaker

Samson’s all-new

Expedition Pro

speakers sound

incredible thanks

to custom designed

Celestion drivers,

new electronics

and new Titanium

high frequency

drivers.

• Custom 12”Celestion driver

• 1”Titanium compression driver

• Scuff resistant textured ﬁnish

• Heavy duty steel grill

• Convenient built-in wheels and telescoping handle

• Compact and light weight (28.5 lbs)

• 250W/400W peak power rating

Expedition Express

from Samson.

Two speakers,

one with a built-

in power amp and

mixer,

a microphone and

all the cables. Plus

one important

detail otherportable

PA systems leave

out: Sound quality.

Perfect for any

traveling music or

P.A. application;

ideal for

Great speakers for

public address,

music playback or

ﬂoor monitoring.

The portable

Expedition Pro XP200

Powered 2-Way Speaker System

• Custom 12”Celestion driver

• 1”Titanium compression driver

All-inclusive Powered Speaker System

• Built-in Bi-ampliﬁcation totaling 200 watts

• Speaker overload protection circuitry

• Heavy duty cabinet and steel grill

• Convenient built-in wheels and telescoping handle

• Compact and light weight (42 lbs)

XP300 features

200 watts of

• 250 watt ampliﬁer

• 12" heavy-duty driver

• 1" titanium compression driver with elliptical wave-guide horn

• Built-in mixer with DSP reverb and echo

• Samson microphone, cables and mic clip

• Lightweight, yet heavy-duty, molded resin cabinets

• Built-in handle and wheels

built-in power,

a 4-channel mixer

and DSP effects.

Expedition Pro

speakers are

available in both

passive and active

models.

education and

business

environments.

The Expedition

Express even

Expedition Pro XP300

Powered 2-Way Speaker with 4-Channel mixer and DSP Effects

works out-of-doors

using the RB2030

rechargeable

It takes only minutes to

set up,

• Professional level public address, monitor or

music playback system

• Custom 12”Celestion driver

break down,

and hit the road.

battery.

Other optional

accessories

include a wireless

mic system and

cassette deck.

• 1”Titanium compression driver

• Built-in Bi-ampliﬁcation totaling 200 Watts

• Built-in 4 channel mixer with 3 mic/4 line inputs

• High-quality digital reverb

• Stereo line out allows for daisy-chaining additional speakers

• Optional cassette deck, wireless mic system and battery available

• Heavy duty cabinet and steel grill

The two speaker cabinets lock easily together,

and all the accessories ﬁt in the back.

• Convenient built-in wheels and telescoping handle

• Compact and light weight (46 lbs)

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P u b lic Ad d r e s s Sy s t e m s

B500a

B500

dB500a and dB500

The dB500a powered loudspeaker

dB500 Passive Loud Speaker

Unquestionably

the ﬁnest

The passive dB500 has many of the same features as the dB500a, including the same rugged

enclosure and advanced drivers. A natural sounding ﬁxed crossover is built-in, and the back

panel features 1/4" and XLR connectors.

Inside our rigid custom designed cabinet is a 15” driver

designed exclusively for this project. It’s matched with a new

1.75” titanium high frequency driver, aimed through a

1” diameter horn. The dB500a features 500 watts of Class H

power (400 watts low frequency/100 watts high frequency)

and has a crossover designed for high SPL. Our exclusive

Optimax™ signal processing circuitry provides total speaker

protection but won’t cut the low end at high volumes, as

similar speakers with sliding filters do.

sounding large

format PA speaker

available today.

The dB500a

powered speaker,

and its passive

counterpart the

dB500 represent

one of the most

extensive R&D

projects ever

taken on by

Samson.

Both dB500 and dB500a speaker cabinets feature an array of mounting options.

Designed with ﬂoor monitoring in mind, they are also easily stacked or permanently installed.

A 1 3/8" pole receptacle is built in, and 10 reinforced ﬂy points are available.

The back panel has a built-in mixer-like preamp section with mic

and line inputs, XLR connectors and level controls. Controls for the

selectable low pass ﬁlter and Optimax processing are also included.

Ex500 Active Subwoofer

An excellent sub for serious sound reinforcement, and

the perfect match for the dB500a.

Near Field

Far Field

The EX500 provides 500 Watts of power driving a

custom, heavy-duty 15" low frequency driver. It is the

ideal complement to the dB500/dB500a, or our

Expedition Pro speakers.The built-in stereo crossover

lets you use the EX500 in mono or as a common

subwoofer in a stereo system. It also features a steel grill

and rigid corners for durability, as well as an integral

pole mount for conveniently mounting Expedition

cabinets above.

30°

15°

STAGE MONITOR POSITIONS

dB500 and dB500a speakers are also designed to work as ﬂoor monitors.The cabinet is designed to provide

two different monitor angles, depending on the application and size of the stage.

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Micr o p h o n e s

C01 condenser mic

Q1 condenser mic

Now there is a high-quality studio condenser mic for every-

one. The C01 is accurate and detailed, and adds warmth

and richness to acoustic guitar and vocals.The C01 also

excels as an overhead drum or room mic.

The Q1 condenser microphone brings a high level of accuracy and audio performance to vocal micing applications.

Samson microphones

combine quality

mic capsules and

elegant

• Ideal for live performance vocals, public speaking, project studio vocals

• Accurate, full range audio performance

• Tight cardioid pattern reduces feedback

• Shock mounted element minimizes handling noise

• Phantom power required

• Cardioid pickup pattern

• Large 19mm diaphragm

• Heavy gauge mesh grill

• Withstands high SPLs

• Gold plated XLR connector

• LED indicates 48V phantom power

• Smooth, ﬂat frequency response

• Swivel stand mount

• Linear frequency response

electronics inside

rugged, great

looking cases.

For the road or

the studio: for the

stage or the

• Optional SP01 shock mount available

mic

hypercardioid vocal mic

SP01 shock mount

Fast, highly precise and designed for today’s live sound reinforcement and PA situations.

• Perfect for live performance and public speaking

• Special midrange “peak”at 2 kHz for better vocal reproduction

• Advanced Neodymium element delivers high output

• Hypercardioid pattern allows maximum gain before feedback

• Aluminum humbucking voice coil provides hum rejection

• Multi-axis shock-mount minimizes handling noise

C02 Pencil Condenser Mic

conference room:

Samson has a

microphone

A beautifully crafted pencil-style condenser for use with acoustic instruments, cymbals, percussion, piano and

overhead micing applications. Sold as a stereo pair.

• Gold-plated XLR connector, die-cast zinc casing and anti-dent ring

• Highly-focused cardioid condenser pickup pattern

• Gold-plated XLR connectors

• Carry case and two shock-mount mic clips included

solution at a

great price.

Q2 cardioid mic

An effective choice for micing vocals, ampliﬁers and instruments, and as a multi-purpose mic for project recording.

C03 Multipattern condenser mic

• Advanced Neodymium element delivers high output

• Cardioid polar pattern reduces feedback

• Transformerless design provides extended low frequency reproduction

• Aluminum humbucking voice coil provides hum rejection

• Switchable 10 dB pad for use with high SPL sources

An incredibly ﬂexible and great sounding studio condenser

microphone. Perfect for recording multiple vocals at once,

acoustic instruments room micing and more.

• Switchable cardioid, omni and ﬁgure-8 pick up patterns

• Dual 19mm capsule design

• Switchable 12 dB per octave high pass ﬁlter helps eliminate rumble

• Multi-axis shock-mount mic reduces handling noise

• Switchable high-pass ﬁlter

• Gold-plated XLR connector, die-cast zinc casing and anti-dent ring

• Switchable10 dB pad

• Gold plated XLR connector

• LED indicates 48V phantom power

• Carry case and swivel stand mount included

• Optional SP01 shock mount available

Q3 hypercardioid instrument mic

Designed to excel in kick drum and instrument miking applications, the Q3 provides consistent

output with unmatched sound in high SPL situations.

• Advanced Neodymium element delivers high output

• Hypercardioid pattern reduces feedback

C05 Hand-Held Condenser Mic

The new C05 condeser mic offers Samson condenser technology

in a comfortable to use hand held design.

• Mic rotates 90° for easy positioning

• Transformerless design provides extended low frequency reproduction

• Aluminum humbucking voice coil provides hum rejection

• Switchable 10 dB pad facilitates use with high sound pressure level sources such as bass drums

• Switchable 12 dB per octave high pass ﬁlter helps eliminate rumble

• Triple-plated multi-stage windscreen allows close proximity use with minimal noise

• Multi-axis shock-mount mic element enables quiet performance

• Gold-plated XLR connector, die-cast zinc casing and anti-dent ring

• Foam-lined carry case, mic clip and “Euro-metric”mic stand adapter included

• Cardioid pickup pattern

• Smooth, ﬂat frequency response

• Multi-axis shock-mounted element

• Gold-plated XLR connectors

• Carry case and mic clip included

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Micr o p h o n e s

3KIT 3-piece Tom Mic set

Q7 Cardioid Dynamic Mic

The ﬁnest Neodymium hand-held dynamic microphone we make.The ultimate all-around microphone.

A three pack of our great-sounding rugged tom mics in a sturdy road case.

• Includes three of our rugged Q Tom dynamic drum mics

• High SPL dynamic mic in a rugged casing

Samson’s all-new

Q Series dynamic

drum micro-

• Outstanding vocal mic for stage and studio

• High output, low impedance design

• Neodymium dynamic mic element

• Cardioid pickup pattern

• Carry case and three rim mic clips included

phones are built

• Multi-axis shock-mounted element

• Carry case and mic clip included

last. Designed for

high SPL, each of

these dynamic

mics will provide

clean, clear drum

tones in the stu-

dio or on the

road.

Q Snare Dynamic Drum Mic

5KIT 5-piece Drum Mic Set

Designed for high SPL and durability,

the Q Snare is the right choice for stage and studio.

A comprehensive drum mic set up in a sturdy road case.

• Five piece drum mic kit

• One Q Kick kick drum mic with mic stand swivel mount

• One Q Snare snare mic with rim clip

• Three Q Tom tom mics with rim clips

• Road case included

• High SPL dynamic mic in a rugged casing

• Cardioid polar pattern reduces feedback

• Smooth, ﬂat frequency response

• Voiced particularly for snare drum

• Gold-plated XLR connector

• Rigid rim-mount mic clip with cable management included

• Carry case included

Q Tom Dynamic Drum Mic

Sold in a three pack, the Q Tom is the perfect complement to the Q Snare.

7KIT 7-piece Drum Mic Set

• High SPL dynamic mic in a rugged casing

• Cardioid polar pattern reduces feedback

• Smooth, ﬂat frequency response

Everything you could want for micing drums. A complete set of our dynamic drum mics and a pair of C02 pencil

condenser mics for overheads or close-micing cymbals.

• Seven piece drum mic kit

• Voiced particularly for toms

• Gold-plated XLR connector

• Rigid rim-mount mic clip with cable management included

• 3KIT Carry case included

• One Q Kick kick drum mic with mic stand swivel mount

• One Q Snare snare mic with rim clip

• Three Q Tom tom mics with rim clips

• Two C02 pencil condenser mics with shock-mount clips

• Road case included

Q Kick Dynamic Drum Mic

An incredibly well-made kick drum mic. Rigid, and featuring a huge diaphragm element, the Q Kick sounds bet-

ter than mics costing hundreds more.

• Large diphragm dynamic element

• Cardioid polar pattern reduces feedback

• Gold-plated XLR connector

• Mic stand swivel mount included

• Carry case included

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Micr o p h o n e s

R11 Hypercardioid MIc

S11 Cardioid dynamic mic

Offered in a convenient three-pack, the versatile R11 gives you output and reliable performance for any kind of application.

A durable multi-purpose mic suitable for recording, live sound and PA use.

• Hypercardioid polar pattern

• Neodymium mic element for increased output in high SPL situations

• Transformerless design provides extended low frequency reproduction

• External on/off switch

• Cardioid pickup pattern reduces feedback

• Low impedance output

• Heavy gauge mesh grill with anti-dent ring

• Die-cast zinc casing

• Rugged metal die-cast case and steel mesh windscreen

• Carry case and mic clip included

R21 cardioid dynamic Mic

The R21 features a tight cardioid pickup pattern for maximum gain before feedback.

The R21 is sold in 3-pack.

S12 HyperCardioid dynamic mic

• High output dynamic element

• Unidirectional cardioid polar pattern for maximum gain before feedback

• Withstands high sound pressure levels

• Dual stage windscreen

A Neodymium mic element and a Hypercardioid pattern allow for maximum gain before feedback.

• Excellent for live performance and recording

• Rugged road-proof design

• Gold plated XLR connector

• Advanced Neodymium element delivers high output

• Hypercardioid pattern reduces feedback

• Internal shock mount element reduces handling noise

• Heavy gauge mesh grill with anti-dent ring

• Die-cast zinc casing

• Gold-plated XLR connector

R21S cardioid dynamic Mic

• Mic clip and carry case included

The R21S has all the features of the R21, with the addition of an on/off switch. The R21S is sold individually.

• High output dynamic element

• Unidirectional cardioid polar pattern for maximum gain before

feedback

• Withstands high sound pressure levels

• Dual stage windscreen

• Excellent for live performance and recording

• Rugged road-proof design

VP1 microphone package

A complete microphone solution, the VP1 combines an R21 dynamic mic and all the

accessories.

• Gold plated XLR connector

• R21 dynamic mic

• Heavy-duty die cast and steel construction tripod mic stand with non-slip easy grab

clutch

• Mic clip with euro adapter

HM40 Horn Condenser Mic

• Low noise high performance 25’mic cable

This mini condenser is designed for horns, rich and clear, focused, with the abilty to handle serious SPL.

• High output miniature condenser mic element

• Surdy clip and ﬂexible goose neck

• Excellent for live performance and recording

• P-3 three-pin mini XLR connector

• PM5 phantom power adapter (P-3 to standard XLR)

• Rugged road case included

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Micr o p h o n e s

He a d p h o n e s

QE Exercise Headset Mic

RH600 Headphones

Top-of-the-line drivers and sophisticated circuitry to provide true“reference quality”audio.

headset mic is light, comfortable and speciﬁcally designed for aerobics and ﬁtness training.

• 40mm drivers with Neodymium magnets and ultra thin mylar diaphragms

• Frequency response from 20Hz to 22kHz

• Open-back design

• Advanced moisture-resistant condenser mic element

• Hypercardioid pattern to reduce feedback

• 50 Hz to 18 kHz frequency response for clear, articulate sound

• Lightweight and comfortable

• Heavy-duty cable with a gold mini phone plug and 1/4”gold adapter included

• Self-adjusting head band for comfortable ﬁt

• Special adjustable headband for closer ﬁt

• Adjustable metal gooseneck for easy mic positioning

• Locking detachable P3 connector reduces cable/connection problems

• PM4 phantom power adapter included

RH300 Headphones

An open-back design with acoustic mesh fabric provide an enhanced ambient listening experience.

• High performance drivers with Neodymium magnets

• Open-back design

• Wide dynamic range and ﬂat frequency response of 20Hz to 22kHz

• Heavy-duty cable with a gold mini phone plug and 1/4”gold adapter included

Qv Vocal Headset Mic

RH100 Headphones

The QV headset mic allows drummers, keyboardists and other musicians to perform “hands free”vocals without

affecting their playing technique.

Great for studio and/or home, the RH100 combines professional specs, exceptional comfort and high

quality audio.

• High performance transducers with Neodymium magnets

• Open-back design

• Heavy-duty cable with a gold mini phone plug and 1/4”gold adapter included

• Sophisticated condenser mic element

• Hypercardioid pattern helps eliminate feedback

• 50 Hz to 18 kHz frequency response for a balanced, full-range sound

• Withstands high sound pressure levels

• Lightweight and comfortable design

• Adjustable metal gooseneck for easy mic positioning

• Locking detachable P3 connector reduces cable/connection problems

• PM4 phantom power adapter included

CH700 Headphones

Professional level closed-back model with oversized ear pieces for greater low frequency performance.

• Oversized earpieces further extend low frequency response

• 40mm drivers with Neodymium magnets and ultra thin Mylar diaphragms

• Frequency response from 20Hz to 22kHz

• Adjustable headband and lightweight design

CH70 Headphones

PM4 Phantom Power Adapter

An excellent all-purpose headphone for situations that require a closed-back design for isolation.

The PM4 provides a phantom power interface between a mixer and condenser lavalier or headset mics.

• 40mm drivers with Neodymium magnets and ultra thin Mylar diaphragms

• Frequency response from 20Hz to 22kHz

• Adjustable headband and lightweight design

• Special interface enables a mixer to provide phantom power to condenser microphones

• Lockable mini-XLR input

• Transformer balanced XLR output

• Durable metal housing

• Belt clip

PH60 Mobile Headphones

Designed to offer great sound in a lightweight,“see-through blue”design for personal stereo listening.

• 34mm Mylar drivers with isotropic ferrite magnets

• Frequency response from 20Hz to 18kHz

• Nickel-plated mini phone plug and 1/4” adapter included

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340 W into 8 Ω per channel

1090 W into 8 Ω bridged

10 Hz to 20 kHz

Powe r Am pliﬁe rs

160, 200, 250, 315, 400, 500, 630, 800,

1 k, 1.25 k, 1.6 k, 2 k, 2.5 k, 3.15 k, 4 k,

5 k, 6.3 k, 8 k, 10 k, 12.5 k, 16 k, 20 k

±6 dB, ±12 dB, -12 dB, -24 dB

<10 Hz to 90 kHz

Net Weight

5.25 lb (2.4kg)

7.5 lb (3.4kg)

Shipping Weight

Frequency Response (-3 dB):

Channel Separation:

Distortion THD:

Servo 120

80 dB, (4 ohm, 125 W, 1 kHz)

< .04%

Rated Output Power (1KHz):

60 W into 4 Ω per channel

52 W into 8 Ω per channel

120 W into 8 Ω bridged

< 10 Hz to 100 kHz

Variable range

S• 3-Wa y

Stereo/ Mono Crossover

Female Balanced XLR

+26dBu balanced

Frequency response (unity)

Distortion THD

Inputs

Dynamic Range:

103 dB

Less than 0.01%

Voltage Gain (4 ohm, 1 kHz):

DC Offset Voltage

Damping Factor

35.2 dB

Max. Input level

Outputs

Frequency Response (-3 dB):

Crosstalk (adj. channels):

Distortion THD:

Low Cut Switch and Frequency knob

Noise (with 20 kHz LPF, all faders ﬂat)

Level Meter

18 dB/ oct swept @ 15Hz to 400 Hz

-85 dB

0 ± 100 mV

80 dB 1 kHz @ rated output

<.05%

Male Balanced XLR

More than 200

8-segment LED

Max. Output Level

Frequency Response

Signal to Noise

+26dBu

Dimensions:

3.5″ (h) x 19″ (w) x 16.75″ (d)

88 mm (h) x 482 mm (w) x 425 mm (d)

36 lb • 16.33 kg

Distortion at rated power:

Input Sensitivity (level control at maximum):

Headphone Output Level:

Power Consumption:

< .05%

Dimensions

1.75″ (h) x 19″ (w) x 10.75″ (d)

44 mm (h) x 482 mm (w) x 273 mm (d)

5.7 lb. • 2.6 kg

<10Hz to >90kHz, +0 / -3dB

+4 dBu

(Ref +4dBu), 22Hz to 22kHz, unweighted

90dB high out, mid 90dB, low 94dB,

all outs >100dB muted.

Weight:

240 mW at 8 Ω (1 kHz)

240 W @ 120 V/ 60 Hz

270 W @ 220 V/ 50 Hz

1.75″ (h) x 17.5″ (w) x 11.5″ (d)

44 mm (h) x 444 mm (w) x 292 mm (d)

15.6 lb • 7 kg

Weight

S1500

S• Curve 231

Dual 31-band graphic EQ

20, 25, 31.5, 40, 50, 63, 80, 100, 125,

160, 200, 250, 315, 400, 500, 630, 800,

1 k, 1.25 k, 1.6 k, 2 k, 2.5 k, 3.15 k, 4 k,

5 k, 6.3 k, 8 k, 10 k, 12.5 k, 16 k, 20 k

±6 dB, ±12 dB, -12 dB, -24 dB

<10 Hz to 90 kHz

CMRR

Min. 50dB, >55dB @ 1 kHz

Linkwitz-Riley, 24dB / Octave

35Hz to 800Hz

Rated Output Power (1 kHz):

780 W into 4 Ω per channel

550 W into 8 Ω per channel

1550 W into 8 Ω bridged

9 Hz to 42 kHz

Dimensions:

Weight:

Center frequencies (Hz)

Crossover Type

Crossover 1 Channel 1

Frequency Response (-3 dB):

Channel Separation:

Distortion THD:

350Hz to 8kHz / with 10X multiplier

18Hz to 400Hz / 4 Way Low Mode

35Hz to 800Hz

82 dB, (4 ohm, 125 W, 1 kHz)

< .021%

Servo 170

Variable range

Rated Output Power (1 kHz):

85 W into 4 Ω per channel

60 W into 8 Ω per channel

<20 Hz to 50 kHz

Frequency response (unity)

Distortion THD

Crossover 1 Channel 2

Crossover 2 Channel 1

Crossover 2 Channel 2

Dynamic Range:

101 dB

Less than 0.01%

350Hz to 8kHz / with 10X multiplier

350Hz to 8kHz

Voltage Gain (4 ohm, 1 kHz):

DC Offset Voltage

Damping Factor

37.3 dB

Frequency Response (-3dB):

Crosstalk (adj. channels):

Distortion THD:

High Cut Switch and Frequency knob

Low Cut/ Sub Frequency Crossover

Sub Controls

18 dB/ oct swept @ 5kHz to 25kHz

Variable Internal 2-way

0 ± 200 mV

85 dB 1kHz @ rated output

<.01%

More than 200

Gain, Frequency, Sub Mono Switch

-85 dB

175Hz to 4kHz / 4 Way Low Mode

350Hz to 8kHz

Dimensions:

5.25″ (h) x 19″ (w) x 16.75″ (d)

133 mm (h) x 482 mm (w) x 425 mm (d)

31 lb • 14.06 kg

Input Sensitivity (level control at maximum):

Power Consumption:

0 dBm

Noise (with 20 kHz LPF, all faders ﬂat)

Level Meter

330 W (115 Vac)

8-segment LED

700Hz to 8kHz / 4 Way Low Mode

-3dB @ 15Hz 3 pole, 18dB / Octave

Weight:

330 W (230/ 240 Vac)

3.5″ (h) x 19″ (w) x 9.5″ (d)

88 mm (h) x 482 mm (w) x 240 mm (d)

13.7 lbs. • 6.2 kg

Dimensions

3.5″ (h) x 19″ (w) x 10.375″ (d)

88.9 mm (h) x 482 mm (w) x 263 mm (d)

5.7 lb. • 2.6 kg

High Pass Filter

Dimensions

Dimensions:

Weight:

1.3/ 4″ (44.5 mm) x 19″ (482.6 mm)

S2000

Weight

x 8.1/ 2″ (217 mm)

Rated Output Power (1 kHz):

1020 W into 4 Ω per channel

685 W into 8 Ω per channel

2025 W into 8 Ω bridged

10 Hz to 50 kHz

Net Weight

6.6 lb (3kg)

Proce s s ors

Servo 260

Shipping Weight

9.4 lb (4.3kg)

Frequency Response (-3 dB):

Channel Separation:

Distortion THD:

Rated Output Power (1 kHz):

130 W into 4 Ω per channel

90 W into 8 Ω per channel

20 Hz to 50 kHz

S• com

Stereo Compressor

85 dB, (4 ohm, 125 W, 1 kHz)

< .016%

Frequency Response

<10Hz to 20kHz +0 / -0.1dB effect out,

-0.4dB @ 100kHz,

S• phone

Cha nnel Hea dphone Mixer/ Amp

Frequency Response (-3 dB):

Crosstalk (adj. channels):

Distortion THD:

Input

2 TRS Balanced 1/ 4″ (Left-Right) or (Left mono)

+26dBu balanced

Dynamic Range:

98 dB

85 dB 1 kHz @ rated output

<.03%

<10Hz to 20kHz +0 / -0.1dB effect in,

-3dB @ >100kHz

Max. input level

CMRR:

Voltage Gain (4 ohm, 1 kHz):

DC Offset Voltage

Damping Factor

38.25 dB

0 ± 100 mV

Input Sensitivity (level control at maximum):

Power Consumption:

0 dBm

Min 40dB, >55dB @ 1 kHz

10Hz to 32kHz, +0 / -3dB

> 90dB, unweighted, 22Hz to 22kHz

0.008 % typ. @ +4dBu, 1kHz

140mW at 32ohms, 385mW at 66ohms.

8Ohms

Dynamic range

THD

116dBu, un-weighted, 22Hz to 22kHz

More than 200

490 W (115 Vac)

Frequency response

Noise

0.008 % typ. @ +4 dBu, 1kHz effect out,

0.016% effect in

Dimensions:

5.25″ (h) x 19″ (w) x 16.75″ (d)

133 mm (h) x 482 mm (w) x 425 mm (d)

36 lb • 16.33 kg

490 W (230/ 240 Vac)

3.5″ (h) x 19″ (w) x 9.5″ (d)

88 mm (h) x 482 mm (w) x 240 mm (d)

17.6 lbs. • 8 kg

Dimensions:

Weight:

THD

Weight:

Crosstalk

>95dB, 22Hz to 22kHz

Selectable +4dBu / -10dBV

+21dBu, balanced

Max. output level

Impedance minimum

Dimension

Operating Level

Max. Input Level

CMRR

F800

Rated Output Power (1 kHz):

425 W into 4 Ω per channel

260 W into 8 Ω per channel

830 W into 8 Ω bridged

10 Hz to 60 kHz

Servo 550

1 3/ 4″ (44.5mm) x 19″ (482.6mm)

Min 40dB, >50dB @ 1kHz

+21dBu Balanced

Rated Output Power (1 kHz):

275 W into 4 Ω per channel

235 W into 8 Ω per channel

550 W into 8 Ω bridged

< 10 Hz to 85 kHz

x 8 1/ 2″ (217mm)

Max. Output Level

Dimensions

Net Weight

5.5 lb (2.5kg)

8 lb (3.8kg)

1 3/ 4″ (44.5mm) x 19″ (482.6mm)

Frequency Response (+0dB, -1dB):

Channel Separation:

Distortion THD:

Shipping Weight

x 7 3/ 4″ (197mm)

80 dB, (4 ohm, 125 W, 1 kHz)

< .04%

Frequency Response (-3 dB):

Crosstalk (adj. channels):

Distortion THD:

Net Weight

4.8 lb (2.2kg)

7.5 lb (3.4kgs)

-74 dB, 1 kHz @ rated output

<.06%

S• ga te

Cha nnel Ga te/ Ducker

Dynamic Range:

105 dB

Shipping Weight

Voltage Gain (4 ohm, 1 kHz):

DC Offset Voltage

33.5 dB

Input

XLR and 1/ 4" TRS jack

Input Sensitivity (level control at maximum):

Power Consumption:

+4 dBu

0 ± 100 mV

Impedance

Max. Input Level

Output

20k Ohm balanced, 10k Ohm unbalanced

+21 dBu, balanced and unbalanced

XLR and 1/ 4" jack

360 W (120 Vac)

S• Com Plus

Stereo Compressor/ Limiter

<10Hz to 20kHz +0 / -0.1dB effect out,

-0.4dB @ 100kHz,

Damping Factor

More than 100

395 W (220 Vac)

Frequency Response

Dimensions:

5.25″ (h) x 19″ (w) x 11.5″ (d)

133 mm (h) x 482 mm (w) x 292 mm (d)

30.5 lb • 13.8 kg

Dimensions:

Weight:

5.2″ (h) x 19″ (w) x 9.2″ (d)

132mm (h) x 482mm (w) x 234mm (d)

32.4 lb • 14.7 kg

Max. Output Level

Fuse

+21 dBu, balanced and unbalanced

100-120 V AC; 250 mA (slow-blow)

200-240 V AC: 125 mA (slow-blow)

5 Watts

<10Hz to 20kHz +0 / -0.1dB effect in,

-3dB @ >100kHz

Weight:

Dynamic range

THD

116dB, un-weighted, 22Hz to 22kHz

F1200

Power Consumption

Power inlet

S500

Rated Output Power (1 kHz):

840 W into 4 Ω per channel

430 W into 8 Ω per channel

1244 W into 8 Ω bridged

10 Hz to 60 kHz

Standard IEC receptacle/ with fuse

1 3/ 4" (h) x 19" (w) x 7 3/ 4"

44.5 mm (h) x 482.6 mm (d) x 196.9 mm (d)

5.25 lbs.• 2.4 kgs

0.008 % typ. @ +4dBu, 1kHz effect out,

0.016% effect in

Rated Output Power, per channel

250 W into 4 Ω per channel

150W into 8 Ω per channel

500 W into 8 Ω bridged

80 dB

Dimensions

Crosstalk

>100dB, 22Hz to 22kHz

Selectable +4dBu / -10dBV

+21dBu, balanced

Frequency Response (+0dB, -1dB):

Channel Separation:

Distortion THD:

Net Weight

Channel Separation (4 ohm, 125 W, 1 kHz)

Frequency Response (0 dB, +0, -.5 dB)

Distortion THD

Operating Level

Max. Input Level

CMRR

80 dB, (4 ohm, 125 W, 1 kHz)

< .04%

Shipping Weight

7.5 lbs.• 3.4 kgs

10 Hz - 20 kHz

0.04%

Min. 40dB, >50dB @ 1kHz

+21dBu, balanced

Dynamic Range:

103 dB

Dynamic Range

105 dB

S• vox

Stereo Voice Cha nnel/ Input Mixer

Max. Output Level

Dimensions

Voltage Gain (4 ohm, 1 kHz):

DC Offset Voltage

35.2 dB

Voltage Gain (4 ohm, 1 kHz)

DC Offset Voltage

33.5 dB

Speciﬁcations TBD

0 ± 100 mV

1 3/ 4″ (44.5mm) x 19″ (482.6mm)

Damping Factor

More than 100

Damping Factor

More than 200

x 7 3/ 4″ (197mm)

C• Valve

Tube Prea mp

Compressor

Dimensions:

5.25″ (h) x 19″ (w) x 11.5″ (d)

133 mm (h) x 482 mm (w) x 292 mm (d)

40.5 lb • 18.4 kg

Dimensions

5.25 (h) x 19 in (w) x 9.75 (d)

133 (h) x 482 mm (w) x 247 (d)

25.7 lb • 11.66 kg

Net Weight

5 lb (2.3kg)

Speciﬁcations TBD

Shipping Weight

7.5 lb (3.4kg)

Weight:

C• Com 16

Speciﬁcations TBD

Equa lize rs

S700

S• com 4

Cha nnel Compressor/ Ga te

Rated Output Power (1 kHz):

360 W into 4 Ω per channel

230 W into 8 Ω per channel

720 W into 8 Ω bridged

10 Hz to 20 kHz

C• Com Opti

Optical Compressor

Studio Matrix

S• Curve 215

Dual 15-band graphic EQ

25, 40, 63, 100, 160, 250, 400, 630,

1 k, 1.6 k, 2.5 k, 4 k, 6.3 k, 10 k, 16 k

±6 dB, ±12 dB, -12 dB, -24 dB

<10 Hz to 90 kHz

Frequency Response

<10Hz to 20kHz +0 / -0.1dB effect out,

-0.4dB @ 100kHz,

Speciﬁcations TBD

Center frequencies (Hz)

Frequency Response (-3 dB):

Channel Separation:

Distortion THD:

<10Hz to 20kHz +0 / -0.1dB effect in,

-2dB @ >100kHz

C• Control

Variable range

80 dB, (4 ohm, 125 W, 1 kHz)

< .04%

Speciﬁcations TBD

Frequency response (unity)

Distortopn THD

Dynamic range

THD

100dBu, un-weighted, 22Hz to 22kHz

Less than 0.01%

Dynamic Range:

105 dB

0.0008 % typ. @ +4dBu, 1kHz effect out,

0.014% effect in

C• Cue 8

Headphone Amp

<10Hz to 20kHz

High pass ﬁlter

80 Hz (18 dB/ oct)

Voltage Gain (4 ohm, 1 kHz):

DC Offset Voltage

Damping Factor

33.5 dB

Frequency Response

Dynamic range

THD

Noise (with 20 kHz LPF, all faders ﬂat)

Level Meter

-85 dB

0 ± 100 mV

116dBu, un-weighted, 22 Hz to 22 kHz

0.008 %

Crosstalk

95dB, 22Hz to 22kHz

Selectable +4dBu / -10dBV

+21dBu, balanced

6-segment LED

More than 200

Dimensions

1.75″ (h) x 19″ (w) x 10.75″ (d)

44 mm (h) x 482 mm (w) x 273 mm (d)

5.7 lb. • 2.6 kg

Operating Level

Max. Output Level

Max. Input Level

CMRR

Dimensions:

3.5″ (h) x 19″ (w) x 16.75″ (d)

88 mm (h) x 482 mm (w) x 425 mm (d)

31 lb • 14.06 kg

Crosstalk

>95dB, 22 Hz to 22 kHz

Selectable +4dBu / -10 dBV

+21dBu, balanced

Operating Level

Max. Input Level

CMRR

Weight

Weight:

+21dBu, balanced

Min 40dB, >50dB @ 1kHz

+21dBu Balanced

S• Curve 131

31-band graphic EQ

S1000

Dimensions

1 3/ 4″ (44.5mm) x 19″ (482.6mm)

Max. Output Level

INPUT

Center frequencies (Hz)

20, 25, 31.5, 40, 50, 63, 80, 100, 125,

Rated Output Power (1 kHz):

545 W into 4 Ω per channel

x 7 3/ 4″ (216mm)

XLR and 1/ 4" TRS jack

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OUTPUT

XLR and 1/ 4" jack

1/ 4" jack

Mid (peaking)

Low (shelving)

Meters

2.5 kHz ± 15 dB

80 Hz ±15 dB

-79dB (EFX OUT) Master level control at maxi

mum all channel level controls at minimum

70dB adjacent input, 70dB input to output

Input Channel Equalization

Rated Output Power

Low frequency amp:

High frequency amp:

Frequency Response:

Low amp:

Key Input Connector

Key Output Connector

Dimensions

50 watts @1K into 4ohms

25 watts @ 10K into 4ohms

1/ 4" jack

6 POINT LED METERS (-20, -12, -6, 0, +6dB and

PEAK)

Crosstalk 1KHz

1.5/ 8" (h) x 8.5/ 8" (w) 7 1/ 4" (d)

41.5 mm (h) x 215 mm (w) x 184 mm (d)

5.5lbs., (2.5 kg)

Internal DSP Effects

24 BIT -8 presets: 1 - Large Hall; 2 Medium Hall,

3 - Large Room; 4 - Vocal Room 1; 5 - Vocal

Room 2; 6 - Chorus + Reverb; 7 - Chorus +

Delay; 8 - Stairwell

HIGH

MID

12KHz shelving (± 15dB Maximum)

2.5KHz peaking (± 12dB Maximum)

80Hz shelving (± 15dB Maximum)

tbd

Net Weight

High amp:

tbd

Shipping Weight

8lbs., (3.6 kg)

LOW

Distortion THD:

Power consumption:

Frequency response:

Driver:

tbd

Meters

7 POINT LED METERS (-20, -10, -7, -4, 0, +3, +6dB)

7 bands (63, 160, 400, 1K, 2.5K, 6.4K, 16KHz)

75 watts

S• Direct

Direct Box

5-35 kHz, -3 dB

Phantom Power

+48V

Graphic Equalizer

Internal DSP Effects

Dimensions

tbd

Frequency Response

Power Consumption

Dimensions (W x D x H)

300W 1/ 8 power, 540W full

3 1/ 2≤ (h) x 11 1/ 2≤ (w) x 11 3/ 4≤ (d)

89 mm (h) x 292mm (w) x 299mm (d)

6.5 lbs. • (3 Kg)

24 BIT -

5.25" Woofer Shielded

Noise Level (22-22kHz, Input Shorted)

THD + N (10 Hz -22 kHz)

Input Impedance

-104 dBu

19.25″ (w) x 11.25″ (h x 11.4″ (d)

489mm (w) x 286mm (h) x 289mm (d)

32.3 lbs.• 14.7Kg

Tweeter:

1″ Dome Shielded

0.013% typ. @ 1 VRMS,1 kHz.

(GTR) 1 Meg. Ohm

Dimensions:

tbd

Weight

Weight:

tbd

(SPK) 10 k Ohm

Max. Input Level (1% THD)

+8.1 dBu ( 9v. Batt.)

+11.3 dBu (48v. Phantom)

1/ 4″ Phone Jack, unbalanced

XLR Connector, balanced

24-48 VDC

MDR 10

Powe r Dis t ribut ion & Ra ck Ge a r

Resolv 65a

Speciﬁcations TBD

Rated Output Power

Low frequency amp:

High frequency amp:

Frequency Response:

Low amp:

GTR/ SPK Input

OUTPUT/ LINK

BALANCED OUTPUT

Phantom Power

Battery

S Patch Plus

48 Channel, fully Balanced patchbay

75 watts @1K into 4ohms

30 watts @ 10K into 4ohms

MDR 16

Channel

Speciﬁcations TBD

Switchable conﬁguration modes

Dimensions

Normal, Half-normal and Thru

1 3/ 4″ (h) x 19″ (w) x 3″ (d)

44.45 mm (h) x 482.6 mm (w) x 76.2 (d)

3.8 lbs. • (1.72 Kg)

40hz-3200

3200-50K

9 Volt

Mixpad 4

High amp:

Dimensions

2″ (h) x 5.6″ (w) x 4″ (d)

50.8mm (h) 142mm (w) x 101.6mm (d)

15 oz. • .43 Kg

Mic EIN:

-128 dBu

-111 dBu

Weight

Distortion THD:

Power consumption:

Frequency response:

Driver:

<.05%

Line EIN:

150 watts

Weight

Frequency response:

Total harmonic distortion (with 30 kHz LPF):

EQUALIZATION

High (12 kHz):

Mid (2.5 kHz):

Low (80 Hz):

10 Hz to 54 kHz

.004%

40 Hz to 20 kHz

PowerBrite Pro7/ Pro9

Number of Outlets

Pro7:

6 1/ 2" Woofer Shielded

1″ Dome Shielded

S• Monitor

Personal Monitor

5-channel Mixer

Tweeter:

Speciﬁcations TBD

±15 dB

±12 dB

6 switched, 1 unswitched

8 switched, 1 unswitched

Pro7 15 Amps/ Pro9 10 Amps

Pro7 130 Vac/ Pro9 245 Vac

Hot to Neutral, Hot to Ground,

and Neutral to Ground

Dimensions:

13 5/ 8"(H) x 8 1/ 2" (W) x 9 7/ 8" (D)

Pro9:

Weight:

18 lbs. • 8.2 kg

S• Mix

±15 dB

Max. Current:

Speciﬁcations TBD

Battery operation:

Dimensions:

Three 9V alkaline

Input Voltage (RMS):

Spike Protection Mode:

Resolv 65

Power Rating:

Impedance:

Frequency response:

Driver:

2.7″ (h) x 6.4″ (w) x 9″ (d)

69 mm x (h) 163 mm (w) x 228 mm (d)

1.85 lbs. • .839 kg.

75 watts

8 ohm

S• Amp

4-channel Headphone Amp

+4 to -10dB/ -10 to +4dB Converter

Speciﬁcations TBD

Weight:

Max. Clamping Voltage (@ 50 A):

Response Time:

700 Vac

40 Hz to 20 kHz

1 nanosecond

6 1/ 2″ Woofer Shielded

1″ Dome Shielded

S• Convert

Powe re d Mixe rs

Max. Surge Current:

Max. Spike Energy:

Noise Attenuation:

AC Inlet:

4,500 Amps (8 x 20 ms pulse)

104 Joules

Tweeter:

Speciﬁcations TBD

Dimensions:

Weight:

13 5/ 8"(H) x 8 1/ 2" (W) x 9 7/ 8" (D)

TM300

> 20 dB, 1.5 MHz to 200 MHz

PS9 North America/ PS11 IEC

Fluorescent F45CW condenser type FS2

3000 hours 95 Lumens

500 ma T type

13.4 lbs. • 6.1 kg

Mixe rs

MIXER/ PREAMP SECTION

Frequency response (± 1 dB):

Total harmonic distortion:

Graphic Equalizer:

<20 Hz to 20 kHz

< 0.02%

Lamp/ Starter:

Resolv 80a

MDR6

Lamp Life:

Rated Output Power

Low frequency amp:

High frequency amp:

Frequency Response:

Low amp:

Frequency Response

Mic to Main

7 band ±12 dB

+48 V

Starter Fuse (Internal):

Dimensions:

75 watts @1K into 4ohms

25 watts @ 10K into 4ohms

5 Hz - 54 kHz

5 Hz - 98 kHz

5 Hz - 57 kHz

0.02%

Phantom power

1.75″ (h) x 19″ (w) x 7.5″ (d)

44 (h) x 482 mm (w) x 190 (d)

7 lbs. • 3.2 kg

Line to Main

POWER AMP SECTION

Maximum output power (1 kHz):

Total harmonic distortion:

Signal-to-noise ratio:

Frequency response (± 3 dB):

GENERAL

Aux Return to Main

Line to Aux Send

150 W per channel into 4 Ω

< 0.2%

Weight:

tbd

Conforms:

UL/ CUL/ CE/ LVD

High amp:

tbd

T.H.D.

>100 dB

Distortion THD:

Power consumption:

Frequency response:

Driver:

Residual Noise (30 kHz LPF, all control Min)

Main

<12 Hz to 20 kHz

PowerBrite PB9/ PB11

Number of Outlets

PB9:

100 watts

-89 dBu

-86 dBu

tbd

Aux Send

Power consumption:

Power requirements:

780 w

115 Vac • 50/ 60 Hz

8 switched, 1 unswitched

10 switched, 1 unswitched

PB9 15 Amps/ PB11 10 Amps

PB9 130 Vac/ PB11 245 Vac

Hot to Neutral, Hot to Ground,

and Neutral to Ground

8" Woofer Shielded

1″ Dome Shielded

Crosstalk (@ 1 kHz w/ 30 kHz LPF)

Ch vs. Ch

PB11:

Tweeter:

75 dB

87.5 dB

230 Vac • 50 Hz

Max. Current:

Input vs. Output

Dimensions:

Weight:

5.5″ (h) x 19.35″ (w) x 13.75″ (d)

139 mm (h) x 349 mm (w) x 491 mm (d)

29.7 lbs. • 13.5 kg

Input Voltage (RMS):

Spike Protection Mode:

Resolv Sub 120

Amp:

Peak LED Sensitivity (before clipping)

CLIP Indicators

5 dB

120watts into 4ohms

Turn on: THD> 0.1%

100 mW

Frequency Response:

Distortion THD:

Power consumption:

Driver:

30hz-150

<.05%

Headphone output (600 ohm load)

Maximum Input Level (1 kHz, ± 3dB)

Mic Input (Mono Ch)

Line Input (Stereo Ch)

Input Channel Equalizer (± 2dB)

High (shelving)

Max. Clamping Voltage (@ 50 A):

Response Time:

700 Vac

TM500

1 nanosecond

210 watts

10.5 dBu

7.6 dBu

MIXER/ PREAMP SECTION

Frequency response (± 1 dB):

Total harmonic distortion:

Graphic Equalizer:

Max. Surge Current:

Max. Spike Energy:

Noise Attenuation:

AC Inlet:

4,500 Amps (8 x 20 ms pulse)

104 Joules

10″ long stroke

14 1/ 2″ (H) x 14 1/ 2″ (W) x 17.5″ (D)

39 lbs. • 17.75 kg

<20 Hz to 20 kHz

< 0.02%

Dimensions:

> 20 dB, 1.5 MHz to 200 MHz

PS9 North America/ PS11 IEC

Fluorescent F45CW condenser type FS2

3000 hours 95 Lumens

500 ma T type

Weight:

12 kHz ±15 dB

2.5 kHz ± 15 dB

7 band ±12 dB

+48 V

Mid (peaking)

Phantom power

Lamp/ Starter:

Expedition Express

Power Rating: (@ 8Ω):

Frequency Response:

Sensitivity:

Low (shelving)

80 Hz ±15 dB

POWER AMP SECTION

Maximum output power (1 kHz):

Total harmonic distortion:

Signal-to-noise ratio:

Frequency response (± 3 dB):

GENERAL

Lamp Life:

250 Watts Program

60 Hz – 15 kHz ± 3 dB

Meters

6 point LED meter (-20, -12, -6, 0, +6dB and PEAK)

+48V

250 W per channel into 4 Ω

< 0.2%

Starter Fuse (Internal):

Dimensions:

Phantom Power

1.75″ (h) x 19″ (w) x 7.5″ (d)

44 (h) x 482 mm (w) x 190 (d)

7 lbs. • 3.2 kg

97 dB SPL @ 1W/ 1m

Power Consumption

Dimensions (W x D x H)

300W 1/ 8 power, 540W full

2.7≤ (h) x 6.4≤ (w) x 9≤ (d)

69 mm (h) x 163 mm (d) x 228 mm (w)

4.5 lbs • 2.04 Kg

>100 dB

Crossover Frequency:

LF Driver:

2.3 kHz (12 dB Per Octave)

12≤ heavy-duty driver ,

2.5≤ voice coil (Kapton Former),

50 oz. barium ferrite magnet

1≤ titanium compression driver

<12 Hz to 20 kHz

Weight:

Conforms:

UL/ CUL/ CE/ LVD

Weight

Power consumption:

Power requirements:

1100 w

115 Vac • 50/ 60 Hz

PowerStrip PS9/ PS11

Number of Outlets

PS9:

HF Driver:

MDR8

230 Vac • 50 Hz

Stereo Mixer Section:

Inputs

Frequency Response (Trim @ Min, unity gain ± 3 dB)

Mic to Main

Dimensions:

Weight:

5.5″ (h) x 19.35″ (w) x 13.75″ (d)

139 mm (h) x 349 mm (w) x 491 mm (d)

36 lbs. • 16.4 kg

8 switched, 1 unswitched

10 switched, 1 unswitched

PS9 15 Amps/ PS11 10 Amps

PS9 130 Vac/ PS11 245 Vac

Hot to Neutral, Hot to Ground,

and Neutral to Ground

700 Vac

2 Mic/ Line XLR/ TRS,

1 Stereo Line w/ Mic XLR

5 Hz - 54 kHz

5 Hz - 98 kHz

5 Hz - 57 kHz

0.02%

PS11:

Line to Main

Max. Current:

Frequency Response

Crosstalk

10 Hz - 50 kHz

Aux Return to Main

Input Voltage (RMS):

Spike Protection Mode:

70 dB @ 1 kHz

Line to Aux Send

PA324

Equalization Frequencies

Effects

100 Hz (Low), 10 kHz (High)

DSP Reverb with 6 Presets

T.H.D.

Rated Output power

Frequency response

150W/ 4Ω@0.5% THD at 1KHz per ampliﬁer

20Hz~20KHz±0.5dB@1W Output into 8Ω (AMP

OUT)

Residual Noise (30 kHz LPF, all control Min)

Main

Max. Clamping Voltage (@ 50 A):

Response Time:

Mounting:

Integral 1 3/ 8≤ Pole Mount Receptacle, Fly Points

21 1/ 4 (h) x 14 5/ 8 in. (w) x 17 3/ 8 (d)

539 mm (h) x 371 mm (w) x 441 (d)

-89 dBu

-86 dBu

1 nanosecond

Dimensions: EX250m and EX250e

Aux Send

20 Hz~20KHz ±0.5@+4dB Output into 10Ω

(MAIN OUT, MONITOR OUT, EFX SEND)

< 0.1%@20Hz~20KHz, 75W output into4Ω

(AMP OUT)

Max. Surge Current:

Max. Spike Energy:

Noise Attenuation:

AC Inlet:

4,500 Amps (8 x 20 ms pulse)

104 Joules

Crosstalk (@ 1 kHz w/ 30 kHz LPF)

Ch vs. Ch

Weight:

EX250e

EX250m

75 dB

87.5 dB

Total Harmonic Distortion

> 20 dB, 1.5 MHz to 200 MHz

PS9 North America/ PS11 IEC

1.75″ (h) x 19″ (w) x 7.5″ (d)

44 (h) x 482 mm (w) x 190 (d)

7 lbs. • 3.2 kg

28.5 lbs • 12.9 kg

45.0 lbs • 20.4 kg

Input vs. Output

Peak LED Sensitivity (before clipping)

CLIP Indicators

5 dB

Less than 0.1%@20 Hz~20KHz+14dB output into

10KΩ (MAIN OUT, MON OUT, EFX SEND)

-121dB equivalent input noise

Dimensions:

Turn on: THD> 0.1%

100 mW

XP100

Headphone output (600 ohm load)

Maximum Input Level

Mic Input (Mono Ch)

Line Input (Stereo Ch)

Input Channel Equalizer

High (shelving)

Hum & Noise

Weight:

Power Rating:

Frequency Response

Sensitivity

250 Watts Program; 400 Watts Max. Peak

60 Hz – 15 kHz

(1 kHz, ± 3dB)

10.5 dBu

(Average, RS+150Ω)

-100dB residual output noise (MAIN OUT, MONI-

TOR OUT, EFX OUT)

Conforms:

UL/ CUL/ CE/ LVD

97 dB SPL @ 1W/ 1m

7.6 dBu

(with 20Hz~20KHz BPF)

-79dB (MAIN OUT, MONITOR OUT) Master level

control at maximum all channel level control at

minimum.

Audio Equipm e nt

Crossover Frequency

LF Driver

2.3 kHz (24 dB Per Octave)

12″ heavy-duty driver

2.5″ voice coil (Kapton Former)

(± 2dB)

12 kHz ±15 dB

Resolv 50a

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50 oz. barium ferrite magnet

1″ compression driver

Integral 1 3/ 8″ Pole Mount Receptacle, Fly Points

21 1/ 4″ (h) x 14 5/ 8″. (w) x 17 3/ 8″ (d)

539 mm (h) x 371 mm (w) x 441 mm (d)

28.5 lbs • 12.9 kg

Stereo / Mono:

Selects stereo or mono low frequency oper-

ation

Weight:

10.5 oz. • 300g

HF Driver

Mounting

Dimensions

VP1

Enclosure

Construction:

Finish:

R21 Microphone same as above

Tripod Mic Stand

3/ 4" plywood, carpet covered

Black carpet

Type:

Dynamic

Hypercardioid

Heavy-duty Die Cast and Steel

Non-slip Easy Grab Clutch

Over-sized Rubber Feet

Polar Pattern:

Frequency Response:

Sensitivity:

Weight

Corners:

Casters:

Steel

50 Hz – 15 kHz

Three Inch Heavy Duty

Integral 1 3/ 8" (35mm) Pole Mount

Receptacle,

-71 dB ±3 dB

Mic Clip with Euro Adapter

XP200

Mounting:

Max. SPL:

137 dB

Mic Cable

Type

Power Rating:

Frequency Response

Sensitivity

160 Watts LF; 40 Watts HF

60 Hz – 15 kHz

Output Impedance (@ 1 kHz):

High Pass Range:

Attenuation Range:

Connector:

600 Ω (Lo Z)

XLR-Low Noise High Performance

25′ • 7.62 m

Dimensions:

20” (h) x 24” (w) x 22.75” (d)

508 mm (h) x 610 mm (w) x 578 mm (d)

71 lbs. •

-12 dB/ octave (HP switch ON)

-10 dB/ average (ATT switch ON)

3-pin gold-plated balanced XLR male

7″ • 178 mm overall

15.1 oz. • 431g

Length

97 dB SPL @ 1W/ 1m

Shipping Weight:

8.5 lbs. • 3.85 kg

Crossover Frequency

2.3 kHz (12 dB Per Octave Linkwitz-Riley Constant

Phase)

Weight:

32.25 kg

Dimensions:

and QV

LF Driver

12″ heavy-duty driver

Weight:

Generating Element:

Polar Pattern

Back electret cardioid condenser

2.5″ voice coil (Kapton Former)

50 oz. barium ferrite magnet

1″ compression driver

Microphone s

Q^V:

Hypercardioid

Bi-directional noise cancelling,

pressure gradient type

HF Driver

Mounting

Dimensions

C01

Type:

Dynamic

Cardioid

Q^E(water-resistant):

Integral 1 3/ 8″ Pole Mount Receptacle, Fly Points

21 1/ 4″ (h) x 14 5/ 8″. (w) x 17 3/ 8″ (d)

539 mm (h) x 371 mm (w) x 441 mm (d)

42.0 lbs • 19.0 kg

Frequency Response

40~18000 HZ

Polar pattern:

cardioid

Polar pattern:

Connector:

Dimensions:

Weight:

3-pin gold-plated balanced XLR male

7″ • 177 mm overall

13 oz. • 368 g

Mounting system:

Sensitivity

Q^V:

Adjustable headband and gooseneck

Hyper-

Weight

70 mV @ 114 dB SPL

80 mV @ 114 dB SPL

145 dB

Element type

Diaphragm thickness

Sensitivity

Back condenser type

3 microns

Q^E:

XP300

Q Snare

Type:

Max.SPL:

Weight:

Power Rating:

Frequency Response

Sensitivity

160 Watts LF; 40 Watts HF

60 Hz – 15 kHz

-33 dB/ Pa

Dynamic

Cardioid

1.92 oz. • 54.4 grams

SPL

136 dB

Polar pattern:

Connector:

97 dB SPL @ 1W/ 1m

Power supply voltage:

Weight

phantom power 36V - 52V

2 lbs. (30.9 kg)

3-pin gold-plated balanced XLR male

PM4 (For use with QE/ QV Headset Mics)

Crossover Frequency

2.3 kHz (12 dB Per Octave Linkwitz-Riley Constant

Phase)

Connectors

Input:

Dimensions

7" (h) x 2.125" (w) x 2.125" (d)

180 mm (h) x 54 mm (w) x 54 mm (d)

2.5 lbs.(1.15 Kg)

Q Tom

TA3M Switchcraft

XLR male

LF Driver

12″ heavy-duty driver

Type:

Dynamic

Cardioid

Output:

2.5″ voice coil (Kapton Former)

50 oz. barium ferrite magnet

1″ compression driver

Shipping Weight

Polar pattern:

Connector:

Operating Voltage:

Dimensions

Length:

12 Vdc through 48 Vdc

3-pin gold-plated balanced XLR male

HF Driver

C02

3.7″ • 93.75mm

0.86″ • 22mm

Stereo Mixer Section

Inputs

Frequency Response

TBD

Q Kick

Diameter:

Weight:

2 Mic/ Line XLR/ TRS

1 Stereo Line w/ Mic TRS/ RCA/ XLR

+4 Balanced XLR

Type:

Dynamic

Cardioid

3 oz. • 85 grams

Polar pattern:

cardioid

condenser-

condenser

Polar pattern:

Connector:

Outputs

3-pin gold-plated balanced XLR male

He a dphone s

Frequency Response

Crosstalk

10 Hz - 50 kHz

Element type

70 dB @ 1 kHz

R11

RH600

Equalization Frequencies

Effects

100 Hz (Low), 10 kHz (High)

DSP Reverb with 6 Presets

C03

Type:

Dynamic

Hypercardioid

Driver Unit:

40mm Diaphragm Drivers with Neodymium

Magnet

Frequency Response

TBD

Polar Pattern:

Frequency Response:

Sensitivity:

Mounting

Integral 1 3/ 8″ Pole Mount Receptacle, Fly Points

21 1/ 4″ (h) x 14 5/ 8″. (w) x 17 3/ 8″ (d)

539 mm (h) x 371 mm (w) x 441 mm (d)

45.0 lbs • 20.4 kg

60 Hz – 18 kHz

-75 dB ±3 dB

Frequency Unit:

Impedance:

20-22,000 Hz

Dimensions

Polar pattern:

ﬁgure-8

Switchable cardioid, omni,

40ohm ± 10%

Max. Input Level (1 kHz):

Output Impedance (@ 1 kHz):

Connector:

130 dB SPL

Sensitivity:

115dB SPL at 1kHz ± 3dB

Weight

2 lbs. (30.9 kg)

7" (h) x 2.125" (w) x 2.125" (d)

180 mm (h) x 54 mm (w) x 54 mm (d)

2.5 lbs.(1.15 Kg)

400 ohm (Lo Z)

Input Connector:

Gold-Plated Mini Stereo Plug and ^{⁄ 4}″

Dimensions

3-pin XLR male (pin 2 hot)

6.85″ • 174 mm overall

8.8 oz. • 250 g

Phone Adapter

dB500

Dimensions:

Power Rating:

Frequency Response

Sensitivity

500 Watts Program

60 Hz – 15 kHz ± 3 dB

Shipping Weight

Weight:

RH300

Driver Unit:

40mm Diaphragm Drivers with Neodymium

Magnet

97 dB SPL @ 1W/ 1m

C05

R21

Crossover Frequency

LF Driver

2.3 kHz (24 dB Per Octave)

15″ heavy-duty driver

Frequency Response

TBD

Type

Dynamic

80 Hz - 12 kHz

Frequency Unit:

Impedance:

20-22,000 Hz

Frequency Response

Polar Pattern

Output Impedance

Sensitivity

32ohm ± 10%

2.5″ voice coil (Kapton Former)

50 oz. barium ferrite magnet

1.75" titanium compression driver

Integral 1 3/ 8″ Pole Mount Receptacle

15º wedge monitor position,

30º wedge monitor position, Ten Fly Points

30″ (h) x 19″ (w) x 17″ (d)

Polar pattern:

cardioid

condenser-

condenser

Cardioid

Sensitivity:

106dB SPL at 1kHz ± 3dB

Rated at 500Ω

-53 dBV/ pa (1.8 mv/ pa)

Input Connector:

Gold-Plated Mini Stereo Plug and ^{⁄ 4}″

HF Driver

Mounting

Element type

Phone Adapter

Connector

Dimensions

Head length

Main unit length

Total length

Weight

3-pin gold plated balanced XLR male

RH100

Type:

Condenser

Cardioid

2.125 in. / 53.97 mm

4.56 in. / 115.88 mm

6.85 in. / 169.8 mm

7 oz. / 217 g

Driver Unit:

40mm Diaphragm Drivers with Neodymium

Magnet

Dimensions

Weight

Polar pattern:

Frequency Response:

Sensitivity:

762 mm (h) x 483 mm (w) x 432 mm (d)

50 Hz – 20 kHz

Frequency Unit:

Impedance:

20-22,000 Hz

53.4 lbs • 24.2 kg

-68dB ±3dB

64ohm ± 10%

Max.SPL:

142 dB

Sensitivity:

106dB SPL at 1kHz ± 3dB

dB500a

Output Impedance (@ 1 kHz):

Connector:

150 Ω

R21S

Input Connector:

Gold-Plated Mini Stereo Plug and ^{⁄ 4}″

Active Power:

Frequency Response

Sensitivity

400 Watts LF, 100 Watts HF

60 Hz – 15 kHz ± 3 dB

3-pin gold-plated balanced XLR male

Supply Voltage (Phantom) 11 to 52 Vdc

7″ • 176 mm overall

8.5 oz • 240 g

Same as above, with on/ off switch

Phone Adapter

Power Requirements:

Dimensions:

97 dB SPL @ 1W/ 1m

HM40

PH60

Crossover Frequency

LF Driver

2.3 kHz (24 dB Per Octave)

15″ heavy-duty driver

Weight:

Type:

Condenser

Cardioid

Driver Unit:

34mm Mylar Drivers with An-isotropic Ferrite

Magnet

Polar pattern:

Connector:

2.5″ voice coil (Kapton Former)

50 oz. barium ferrite magnet

1.75" titanium compression driver

Integral 1 3/ 8″ Pole Mount Receptacle

15º wedge monitor position,

30º wedge monitor position, Ten Fly Points

30″ (h) x 19″ (w) x 17″ (d)

762 mm (h) x 483 mm (w) x 432 mm (d)

tbd

QMIC

3-pin mini-XLR

Frequency Unit:

Impedance:

20-18,000 Hz

Type:

Dynamic

Hypercardioid

32ohm ± 10%

HF Driver

Mounting

Polar pattern:

Frequency Response:

Sensitivity:

S11

Sensitivity:

101dB SPL at 1kHz ± 3dB

20 Hz – 18.5 kHz

-47 dBV @ 94 dB SPL

137 dB

Type:

Dynamic

Unidirectional cardioid

60 Hz – 18 kHz

-74 dB ±3 dB

Input Connector:

Nickel-Plated Mini Stereo Plug and ^{⁄ 4}″

Polar pattern:

Frequency response:

Sensitivity:

Phone Adapter

Max.SPL:

Dimensions

Weight

Output Impedance (@ 1 kHz):

Connector:

150 Ω

CH700

Closed back design

40mm Diaphragm Drivers with Neodymium

Magnet

3-pin gold-plated balanced XLR male

6.75″ • 172 mm overall

8.7 oz. • 250 g

Max. input level (1 kHz):

Output impedance (@ 1 kHz):

Connector:

130 dB SPL

Driver Unit:

Dimensions:

Weight:

600 Ω ±30%

3-pin XLR male

Frequency Unit:

Impedance:

20 Hz–20 kHz

EX500

Dimensions:

6.75″ • 172 mm overall

8.7 oz. • 250 g

64ohms

Transducer:

Ampliﬁer:

15″ Heavy Duty Driver, 3″ voice coil, aluminum former

High-efﬁciency tracking converter

500 Watts RMS

Weight:

Sensitivity:

108 dB S.P.L. @ 1 kHz ±3dB

Input Connector:

Gold-Plated Mini Stereo Plug and ^{⁄ 4}″

Power Rating:

Frequency response

Sensitivity:

Input

Type:

Dynamic

Cardioid

S12

Phone Adapter

30Hz- 300Hz+/ -3 dB

94dB SPL @ 1 W/ 1m

Balanced

Polar Pattern:

Frequency Response:

Sensitivity:

Type:

Dynamic

Hypercardioid

50 Hz – 15 kHz

Polar Pattern:

Frequency Response:

Sensitivity:

CH700

Closed back design

40mm Diaphragm Drivers with Neodymium

Magnet

-71 dB ±3 dB

60 Hz – 18 kHz

-70 dB ±3 dB

Driver Unit:

Connector:

Output

XLR - FEMALE

Max. SPL:

137 dB

Balanced, high-passed tracking low frequency

crossover point

Output Impedance (@ 1 kHz):

High Pass Range:

Attenuation Range:

Connector:

600 Ω (Lo Z)

Max. Input Level (1 kHz):

Output Impedance (@ 1 kHz):

Connector:

130 dB SPL

Frequency Unit:

Impedance:

20 Hz–20 kHz

-12 dB/ octave (HP switch ON)

-10 dB/ average (ATT switch ON)

3-pin gold-plated balanced XLR male

6″ • 152mm overall

600 Ω ±30%

3-pin XLR male

32ohms

Connector:

XLR - MALE

Sensitivity:

103 dB S.P.L. @ 1 kHz ±3dB

Crossover Frequency:

Switch Functions

Variable 30Hz – 200Hz

Dimensions:

6.75″ • 172 mm overall

8.7 oz. • 250 g

Input Connector:

Gold-Plated Mini Stereo Plug and ^{⁄ 4}″

Dimensions:

Weight:

Phone Adapter

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