Owner’s Manual
Bass Ampliꢀer CB-60XL CB-120XL
Owner’s Manual
Bedienungsanleitung
Mode d'emploi
Manuale dell'utente
Manual del usuario
Manual do proprietário
Gebruikershandleiding
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WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
product’s enclosure that may be of sufficient magnitude to
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
constitute a risk of electric shock to persons.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
The exclamation point within an equilateral triangle is
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
11. Only use attachments/accessories specified
by the manufacturer.
12. Unplug this apparatus during lightning storms or when
unused for long periods of time.
13. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
For the U.K.
WARNING:
THIS APPARATUS MUST BE EARTHED
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
GREEN-AND-YELLOW: EARTH, BLUE: NEUTRAL, BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured GREEN-AND-YELLOW must be connected to the terminal in the plug which is marked by the
letter E or by the safety earth symbol or coloured GREEN or GREEN-AND-YELLOW.
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
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Owner’s Manual
Bass Amplifier CB-60XL CB-120XL
CUBE-60XL BASS
This superior performance DSP bass amp offers 60 W output, and is equipped with a custom 25 cm (10 inch) two-way coaxial speaker.
CUBE-120XL BASS
This high-powered DSP bass amp delivers 120 W output, and is equipped with a custom 30 cm (12 inch) two-way coaxial speaker.
• Thanks to Roland’s proprietary FFP technology, this unit is able to deliver a sound that’s a lot more powerful than you’d expect, given its small
size.
FFP (Feed Forward Processing) is system control technology that optimizes the performance of the amp, speakers, and cabinet characteristics
according to the signals being input, based on the results of analyses of the operation and behavior of each section of existing amp systems.
Eight different COSM Amp Types (p. 5)
• Offers eight different COSM amp types modeled on some of the renowned, vintage amps of yesteryear, and includes the originals SUPER FLAT
and SUPER LOW. With so many choices, you’re sure to be able to accommodate almost any style of music.
Composite Object Sound Modeling (COSM) is Roland’s innovative and powerful sound modeling technology. COSM analyzes the many factors that
make up the original sound, such as the electrical and physical characteristics of the original, and then produces a digital model that can reproduce the
same sound.
LOOPER function lets you record, play back, and overdub the phrases you perform (p. 14)
• You can record a phrase you play, and then enjoy performing with that phrase as your backing. Maximum recording time is approximately 80
seconds.
The Solo function lets you store the settings for a sound, then call them up later (p. 13)
• Thanks to this feature, you can switch between a backing-use sound, solo-use sound, or other sound during a performance. If you connect a foot
switch (optional), you’ll be able to switch Solo on/off using your foot.
Effects include COMP/DRIVE, EFX and an independent DELAY, REVERB (p. 4, p. 6, p. 7)
• Comes with two kinds of EFX, CHORUS and POLY OCTAVE.
• Foot switch (optional) can be used to switch COMP/DRIVE, EFX, and DELAY/REVERB on and off
Provides an AUX IN jack, which is useful for practice, and a tuner function (p. 10, p. 12)
• If you connect a CD player or digital audio player, you’ll be able to play along while listening to some music.
• The tuner function supports flat tuning, as well as five-string and six-string basses. In addition, it also offers chromatic tuning.
Before using this unit, carefully read the sections entitled:“IMPORTANT SAFETY INSTRUCTIONS”(inside front cover), “USING THE UNIT SAFELY”(p. 2),
and “IMPORTANT NOTES”(p. 3). These sections provide important information concerning the proper operation of the unit. Additionally, in order
to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner’s manual should be read in its entirety. The
manual should be saved and kept on hand as a convenient reference.
Copyright © 2010 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.
Roland, COSM, and POWER SQUEEZER are registered trademarks of Roland Corporation in the United States and/or other countries.
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USING THE UNIT SAFELY
About WARNING and CAUTION Notices
About the Symbols
The symbol alerts the user to important instructions or
Used for instructions intended to alert the
user to the risk of death or severe injury
should the unit be used improperly.
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle. In
the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
The symbol alerts the user to items that must never be
carried out (are forbidden).The specific thing that must
not be done is indicated by the design contained within
the circle. In the case of the symbol at left, it means that
the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
The symbol alerts the user to things that must be
carried out.The specific thing that must be done is
indicated by the design contained within the circle. In the
case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
ALWAYS OBSERVE THE FOLLOWING
WARNING
WARNING
In households with small children, an adult should provide supervision until
the child is capable of following all the rules essential for the safe operation
of the unit.
Connect mains plug of this model to a mains socket outlet with a protective
earthing connection.
Do not open or perform any internal modifications on the unit.
Protect the unit from strong impact.
(Do not drop it!)
Do not attempt to repair the unit, or replace parts within it (except when
this manual provides specific instructions directing you to do so). Refer all
servicing to your retailer, the nearest Roland Service Center, or an authorized
Roland distributor, as listed on the “Information”page.
Do not force the unit’s power-supply cord to share an outlet with an
unreasonable number of other devices. Be especially careful when using
extension cords—the total power used by all devices you have connected
to the extension cord’s outlet must never exceed the power rating (watts/
amperes) for the extension cord. Excessive loads can cause the insulation on
the cord to heat up and eventually melt through.
Never install the unit in any of the following locations.
• Subject to temperature extremes (e.g., direct sunlight in an enclosed
vehicle, near a heating duct, on top of heat-generating equipment); or are
• Damp (e.g., baths, washrooms, on wet floors); or are
• Exposed to steam or smoke; or are
• Subject to salt exposure; or are
• Humid; or are
• Exposed to rain; or are
• Dusty or sandy; or are
Before using the unit in a foreign country, consult with your retailer, the
nearest Roland Service Center, or an authorized Roland distributor, as listed
on the “Information”page.
CAUTION
The unit should be located so that its location or position does not interfere
with its proper ventilation.
• Subject to high levels of vibration and shakiness.
Always grasp only the plug on the power-supply cord when plugging into, or
unplugging from an outlet.
Make sure you always have the unit placed so it is level and sure to remain
stable. Never place it on stands that could wobble, or on inclined surfaces.
At regular intervals, you should unplug the power plug and clean it by using
a dry cloth to wipe all dust and other accumulations away from its prongs.
Also, disconnect the power plug from the power outlet whenever the unit is
to remain unused for an extended period of time. Any accumulation of dust
between the power plug and the power outlet can result in poor insulation
and lead to fire.
The unit should be connected to a power supply only of the type described as
marked on the rear side of unit.
Do not excessively twist or bend the power cord, nor place heavy objects
on it. Doing so can damage the cord, producing severed elements and short
circuits. Damaged cords are fire and shock hazards!
This unit, either alone or in combination with an amplifier and headphones
or speakers, may be capable of producing sound levels that could cause
permanent hearing loss. Do not operate for a long period of time at a high
volume level, or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should immediately stop using the unit, and
consult an audiologist.
Try to prevent cords and cables from becoming entangled. Also, all cords and
cables should be placed so they are out of the reach of children.
Never climb on top of, nor place heavy objects on the unit.
Never handle the power cord or its plug with wet hands when plugging into,
or unplugging from, an outlet.
Do not place containers containing liquid on this product. Never allow foreign
objects (e.g., flammable objects, coins, wires) or liquids (e.g., water or juice)
to enter this product. Doing so may cause short circuits, faulty operation, or
other malfunctions.
Before moving the unit, disconnect the power plug from the outlet, and pull
out all cords from external devices.
Before cleaning the unit, turn off the power and unplug the power cord from
the outlet (p. 7).
Immediately turn the power off, remove the power cord from the outlet, and
request servicing by your retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the “Information”page when:
Whenever you suspect the possibility of lightning in your area, pull the plug
on the power cord out of the outlet.
• The power-supply cord or the plug has been damaged; or
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been spilled onto the unit; or
• The unit has been exposed to rain (or otherwise has become wet); or
Do not remove the speaker grille and speaker by any means. Speaker not user
replaceable. Shock hazardous voltages and currents are present inside the
enclosure.
• The unit does not appear to operate normally or exhibits a marked change
in performance.
2
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IMPORTANT NOTES
Power Supply
Repairs and Data
• Please be aware that unit settings or the contents of the solo function
stored in memory may be lost when the unit is sent for servicing.
Important data should always be written down on paper. Roland
assumes no liability with respect to recovery of any lost data.
• Do not connect this unit to same electrical outlet that is being used
by an electrical appliance that is controlled by an inverter (such as a
refrigerator, washing machine, microwave oven, or air conditioner),
or that contains a motor. Depending on the way in which the
electrical appliance is used, power supply noise may cause this unit to
malfunction or may produce audible noise. If it is not practical to use a
separate electrical outlet, connect a power supply noise filter between
this unit and the electrical outlet.
Additional Precautions
• Please be aware that unit settings or the contents of the solo function
stored in memory can be irretrievably lost as a result of a malfunction
or the improper operation of the unit. To protect yourself against the
risk of losing important data, we recommend that you periodically
write down on paper any important data you have stored in the unit’s
memory.
• Before connecting this unit to other devices, turn off the power to all
units. This will help prevent malfunctions and/or damage to speakers
or other devices.
• Roland Corporation assumes no liability with respect to recovery
of any lost unit settings or contents of the solo function stored in
memory.
• Use a reasonable amount of care when using the unit’s buttons, sliders,
or other controls; and when using its jacks and connectors. Rough
handling can lead to malfunctions.
• When connecting / disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing shorts,
or damage to the cable’s internal elements.
• Although the LEDs are switched off when the POWER switch is
switched off, this does not mean that the unit has been completely
disconnected from the source of power. If you need to turn off the
power completely, first turn off the POWER switch, then unplug the
power cord from the power outlet. For this reason, the outlet into
which you choose to connect the power cord’s plug should be one
that is within easy reach and readily accessible.
Placement
• A small amount of heat will radiate from the unit during normal
operation.
• Using the unit near power amplifiers (or other equipment containing
large power transformers) may induce hum. To alleviate the problem,
change the orientation of this unit; or move it farther away from the
source of interference.
• To avoid disturbing your neighbors, try to keep the unit’s volume at
reasonable levels. You may prefer to use headphones, so you do not
need to be concerned about those around you.
• When you need to transport the unit, package it in the box (including
padding) that it came in, if possible. Otherwise, you will need to use
equivalent packaging materials.
• Some connection cables contain resistors. Do not use cables that
incorporate resistors for connecting to this unit. The use of such cables
can cause the sound level to be extremely low, or impossible to hear.
For information on cable specifications, contact the manufacturer of
the cable.
• This device may interfere with radio and television reception. Do not
use this device in the vicinity of such receivers.
• Noise may be produced if wireless communications devices, such as
cell phones, are operated in the vicinity of this unit. Such noise could
occur when receiving or initiating a call, or while conversing. Should
you experience such problems, you should relocate such wireless
devices so they are at a greater distance from this unit, or switch them
off.
• Do not expose the unit to direct sunlight, place it near devices that
radiate heat, leave it inside an enclosed vehicle, or otherwise subject
it to temperature extremes. Also, do not allow lighting devices that
normally are used while their light source is very close to the unit (such
as a piano light), or powerful spotlights to shine upon the same area
of the unit for extended periods of time. Excessive heat can deform or
discolor the unit.
• When moved from one location to another where the temperature
and/or humidity is very different, water droplets (condensation) may
form inside the unit. Damage or malfunction may result if you attempt
to use the unit in this condition. Therefore, before using the unit, you
must allow it to stand for several hours, until the condensation has
completely evaporated.
• Do not allow rubber, vinyl, or similar materials to remain on this
unit for long periods of time. Such objects can discolor or otherwise
harmfully affect the finish.
• Do not paste stickers, decals, or the like to this instrument. Peeling
such matter off the instrument may damage the exterior finish.
• Depending on the material and temperature of the surface on which
you place the unit, its rubber feet may discolor or mar the surface.
You can place a piece of felt or cloth under the rubber feet to prevent
this from happening. If you do so, please make sure that the unit will
not slip or move accidentally.
• Do not put anything that contains water (e.g., flower vases) on this
unit. Also, avoid the use of insecticides, perfumes, alcohol, nail polish,
spray cans, etc., near the unit. Swiftly wipe away any liquid that spills
on the unit using a dry, soft cloth.
• No sound is output from this unit’s speaker or any external speaker
when the RECORDING OUT/PHONES jack is in use.
• Due to the structural design of this instrument, small pets or other
animals could end up getting trapped inside it. If such a situation
is encountered, you must immediately switch off the power and
disconnect the power cord from the outlet. You should then consult
with the retailer from whom the instrument was purchased, or contact
the nearest Roland Service Center.
• Wrap the power cord around the cord hook when transporting or
storing the unit.
• For CUBE-120XL BASS only
When connecting to an external speaker, make sure the speaker
conforms to the following specifications.
Impedance: 8 ohms or less
Allowable power input: 120 watts or greater
• For CUBE-120XL BASS only
Only use speaker cable to connect the speaker. Do not use any
shielded cable designed for use with guitars.
• Do not insert hands, fingers, etc, into the openings in the unit. In
particular, if the unit is to used in households with small children,
always provide adult supervision to ensure that children keep their
hands and feet out of these openings.
Copyright
• Recording, duplication, distribution, sale, lease, performance, or
broadcast of copyrighted material (musical works, visual works,
broadcasts, live performances, etc.) belonging to a third party in
part or in whole without the permission of the copyright owner is
forbidden by law.
• Do not use this unit for purposes that could infringe on a copyright
held by a third party. We assume no responsibility whatsoever with
regard to any infringements of third-party copyrights arising through
your use of this unit.
Maintenance
• For everyday cleaning wipe the unit with a soft, dry cloth or one that
has been slightly dampened with water. To remove stubborn dirt, use a
cloth impregnated with a mild, non-abrasive detergent. Afterwards, be
sure to wipe the unit thoroughly with a soft, dry cloth.
Trademarks
• Never use benzine, thinners, alcohol or solvents of any kind, to avoid
the possibility of discoloration and/or deformation.
• The product names mentioned in this document are trademarks or
registered trademarks of their respective owners. In this manual, these
names are used because it is the most practical way of describing the
sounds that are simulated using COSM technology.
3
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Panel Descriptions
Control Panel
CUBE-60XL BASS
11
12
15
16
17 18 19 20
21
1
3
4
5
6
7
8
9
10
22
22
CUBE-120XL BASS
11
13
14
15
16
17 18 19 20
1
2
3
4
5
6
7
8
9
10
1. BASS INPUT Jack
Knob Position
COMP
Description
Connect your bass here.
This effect evens out the input signal levels, thus
evening out the sound. Turning the knob to the right
increases the compression effect.
2. [PAD] Switch (CUBE-120XL BASS only)
This adjusts the degree of amplification in the BASS INPUT circuitry
(the input sensitivity).
This effect adds distortion to the sound. Turning the
knob to the right increases the distortion.
DRIVE
Switching this on lowers the input sensitivity (-10 dB).
The COMP/DRIVE indicator lights up when COMP or DRIVE is on, and
goes out when turned off.
Switch this on if distortion occurs in this device’s input section as
the result of using basses with high output signal levels or using
connected devices. We recommend that this be switched off for
ordinary use.
4. [SHAPE] Switch
This effect alters the COSM amps’tonal characteristics. The particular
effect obtained varies according to the amp selected with the Type
switch (6).
3. [COMP/DRIVE] Knob
Turn this knob to COMP (Compression) or DRIVE to switch to that
effect. Turn the knob to adjust the amount of effect applied.
5. [TUNER] Switch
Use this when you want to tune your bass. When you turn on the
switch, it will light red, and you’ll be able to use the Tuner function.
You can also turn COMP/DRIVE on and off using optional foot switches.
For more detailed information, refer to“Using theTuner Function”(p. 12).
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Type
Description
COSM AMPLIFIER
In addition to the wide-range frequency response
that SUPER FLAT offers, this original amp also
provides for the reproduction of heavy, deeply
resounding bass sounds.
6. Type Switch
Use this to select the COSM amp type.
While faithfully reproducing the inherent sound
of the bass you’ve connected, this also provides
for deeply resounding bass sounds. Additionally,
it offers a sufficient amount of clarity, so sounds
don’t get buried by the low-frequency content.
If the Tuner function is on, use this to select the string that you’re
tuning.
SUPER LOW
Type
Description
An original amp featuring a wide-range
frequency response.
[SHAPE] Switch: ON
The well-defined heavy bass sounds are boosted.
This amp type provides faithful reproduction of
the connected bass’s own sound.
* The product names mentioned in this document are trademarks or
registered trademarks of their respective owners. In this manual,
these names are used because it is the most practical way of describ-
ing the sounds that are simulated using COSM technology.
This is a great type for all kinds of connected
instrument.
SUPER FLAT
[SHAPE] Switch: ON
This produces a mild tone with a fat midrange,
providing a sound that is perfect for fretless
basses, including fretless electric and wood
acoustic basses.
7. [GAIN] Knob
This adjusts the preamp section’s input level.
Turning the knob to the right increases the gain.
Models the Ampeg B-15 (1 x 15”). This amp
provided the underpinning for many of the most
famous Motown hits.
HINT
It features a fat sound, while the amp’s compact
cabinet produces a distinct contour.
• Adjust the knob until the value is as high as you can get it without
causing the sound to distort.
FLIP TOP
[SHAPE] Switch: ON
• Using a high gain setting allows you to get an overdrive sound.
8. [VOLUME] Knob
Offers more nuances of your picking expression.
Models the Fender Bassman 100 (4 x 12”).
Adjusts the overall volume.
This amp has been a favorite since the
inception of electric basses. It features the sonic
characteristics of tube amps, whereby increasing
the distortion slightly yields a fatter sound.
* This does not work with respect to DI OUT (p. 9).
B MAN
[SHAPE] Switch: ON
Offers a tone with boosted midrange fatness.
SOLO Function
This lets you save the panel settings for sounds you create (such as
amp type, gain, equalizer, and various effects) and call them up later.
Models the Trace Elliot AH600SMX + 1048 (4 x
10") + 1518 (1 x 15"). This amp was used widely
by rock bands in the 1980s. Its wide range, clear
attack, and other features make it a great amp for
all kinds of performance situations.
On the CUBE-60XL BASS/CUBE-120XL BASS, this function is called
“SOLO.”
T.E
The SOLO function is handy in situations like these:
[SHAPE] Switch: ON
Offers more attack.
• When you want to switch the amp type and effect at the same time.
Models the acoustic 360 (1 x 18”).
• When you want to switch the equalizer settings and volume level at
the same time.
This amp was used in the ’70s not only by jazz
bassists, but by funk and hard rock players as
well. The tone features a warm low end with a
midrange that maintains a clear contour, even
with finger picking.
9. SOLO [ON/OFF] Switch
BASS360
This saves panel settings and calls up it.
10. [VOLUME] Knob
[SHAPE] Switch: ON
Offers more nuances of your picking expression.
This adjusts the volume level for the called-up settings.
Models the SWR SM-400 + Goliath (4 x 10”) +
Big Ben (1 x 18”). This tweeter-equipped amp
is representative of the “L.A. Sound”of the ’80s.
It features a wide-range tone that balances
presence in the low end with a clear, open sound.
* For information on how to use the SOLO function, refer to “Using the
SOLO Function” (p. 13).
SESSION
[SHAPE] Switch: ON
Offers a tight tone with a cut midrange.
Models the Ampeg SVT + 810E (8 x 10”).
This amp typifies the rock sound that relied
heavily on combinations of high-output tube
amp sections and large-sized cabinets.
CONCERT 810
The characteristic sound is one of overwhelming
low-frequency sound pressure.
[SHAPE] Switch: ON
Offers extra heavy bottom sound.
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Knob Position
CHORUS
Description
EQUALIZER
In this effect, a slightly detuned sound is
added to the original sound, giving the
sound greater breadth and fullness.
Turning the knob to the right increases the
rate and deepens the chorus effect.
CUBE-60XL BASS
This adds sound lowered by an octave
to the original sound. Since you can play
chords even when using this effect, you can
use it to fatten the sound of your chordal
playing as well.
POLY OCTAVE
Turning the knob to the right increases the
effect sound.
11. [BASS] Knob
Adjusts the tone quality of the lower range.
DELAY/LOOPER
12. [MIDDLE] Knob
17. [DELAY/LOOPER] Knob
Adjusts the tone quality of the midrange.
15. [TREBLE] Knob
You can switch to DELAY or the LOOPER
function by positioning this knob.
Adjusts the tone quality of the upper range.
When the knob is at DELAY, this functions as
a delay.
CUBE-120XL BASS
When the knob is positioned at LOOPER, this
functions as a looper.
* The scale indications for DELAY and LOOPER are just a general
guide. Be sure to check the actual sound as you adjust the effect.
The indicator lights up when DELAY or LOOPER is on and goes out
when it’s off.
11. [BASS] Knob
To use DELAY
Adjusts the tone quality of the lower range.
17. [DELAY/LOOPER] Knob
13. [LOW-MID] Knob
Set the knob in the position to turn DELAY on. The position of the
knob within this range adjusts the volume of the delay sound.
Adjusts the tone quality of the lower midrange.
14. [HIGH-MID] Knob
You can also switch DELAY on and off using an optional footswitch
pedal.
Adjusts the tone quality of the upper midrange.
18. [REC/PLAY/DUB] Switch
15. [TREBLE] Knob
This will blink in synchronization with the delay time.
Adjusts the tone quality of the upper range.
19. [TAP/STOP] Switch
Use this to set the delay time. When you press the switch twice, the
delay time will be set to the time interval at which you pressed the
switch. The maximum length is 2000 ms.
EFX
16. [EFX] Knob
Turn this knob to CHORUS or POLY OCTAVE
to select the corresponding effect. Turn the
knob to adjust the amount of effect applied.
Setting the Delay Time for Short Delay
If you hold down the switch for one second or longer, the delay time
will be set to 30 ms. Each time you then press the [REC/PLAY/DUB]
switch, the delay time will change over four steps (30 ms/50 ms/
70 ms/90 ms) to a maximum of 90 ms.
The ON indicator lights up when EFX is turned on,
and goes out when EFX is turned off. You can also
turn EFX on and off using optional foot switches.
* The short delay cannot be set using the foot switch.
* Graduations for CHORUS and POLY OCTAVE on
a panel are for reference. Be sure to check the
sound as you adjust the effects.
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To use the LOOPER function
17. [DELAY/LOOPER] Knob
POWER
22. [POWER] Switch
Set the knob in the LOOPER range to turn on the LOOPER function. The
position of the knob within this range specifies the LOOPER function’s
playback volume.
This switches the power on and off.
Switching the Power On and Off
18. [REC/PLAY/DUB] Switch
Use this switch to record, play back, and overdub.
* Turn on power to your various devices in the order specified. By
turning on devices in the wrong order, you risk causing malfunction
and/or damage to speakers and other devices.
19. [TAP/STOP] Switch
This switch stops playback or erases the recording.
1. Make sure that all [VOLUME] knobs on the CUBE-60XL BASS/
If the [DELAY/LOOPER] knob is in the LOOPER range, this switch stops
the LOOPER or erases the recording.
CUBE-120XL BASS and all the connected devices are set to 0.
2. Turn on all the devices connected to the CUBE-60XL BASS/
CUBE-120XL BASS’s input jacks (BASS INPUT jack and AUX IN
jack).
* For details on using the LOOPER function, refer to ”Using the
LOOPER” (p. 14).
* When the knob is positioned at LOOPER, no delay effect is applied.
To use the LOOPER and DELAY simultaneously, refer to ”Using the
LOOPER Function and DELAY at the Same Time” (p. 15).
3. Turn on the CUBE-60XL BASS/CUBE-120XL BASS.
* Always make sure to have the volume level turned down before
switching on power. Even with the volume all the way down, you
may still hear some sound when the power is switched on, but this is
normal, and does not indicate a malfunction.
REVERB
20. [REVERB] Knob
* This unit is equipped with a protection circuit. A brief interval (a
few seconds) after power up is required before the unit will operate
normally.
You can switch between use of two types of reverb by
changing the position of the knob. You can adjust the
intensity of the effect by varying the knob position.
4. Adjust the volume levels for the devices.
The indicator lights up when REVERB is on and goes
out when the effect is off.
5. Before switching off the power, lower the volume on all the
connected devices and then TURN OFF the devices in the
reverse order to which they were switched on.
You can also switch REVERB on and off using an
optional footswitch pedal.
* If you need to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from the power outlet.
Refer to Power Supply (p. 3).
Knob Position
ROOM
Description
This reverb simulates the short reverberant sound
heard within a room. Turning the knob clockwise
makes the effect progressively more intense.
This is a plate reverb.
PLATE
This reverb features high-end sustain. Turning the knob
clockwise makes the effect progressively more intense.
POWER SQUEEZER (CUBE-60XL BASS only)
21. [POWER SQUEEZER] Switch
The switch lights in red when the POWER SQUEEZER
function is on and goes out when the POWER SQUEEZER
is off.
Switching on the POWER SQUEEZER function allows you
to reduce the amp’s output to volume levels that are
suitable for the average home.
Switching this on allows you to produce a sound that preserves the
same tone and balance at volume levels that are suitable for the
average home.
* The POWER SQUEEZER function affects only sounds input through
the BASS INPUT jack. It has no effect on sounds input via the AUX IN
jack.
* The POWER SQUEEZER function will also affect the output from the
LINE OUT and RECORDING OUT/PHONES jacks; this is normal and
does not indicate a malfunction.
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Rear Panel
CUBE-60XL BASS
CD Player
Digital Audio Player etc
Headphones
Settings for momentary-type foot
switches
Mixer, etc.
FS-6
7
8
9
10
B
A
2
6
3
12
FS-5U
RING
TIP
RING
TIP
RING
TIP
TIP
RING
TAP/STOP
DELAY/REC/PLAY/DUB
REVERB
EFX
SOLO
COMP/DRIVE
Recorder, etc.
Foot switches
CUBE-120XL BASS
CD Player
Digital Audio Player etc
Speaker Cable
Headphones
INPUT
External Speaker
4
7
8
9
10
1
5
6
11 12
The pin assignment for the XLR type
connectors is as shown below. Before making
any connections, make sure that this pin
assignment is compatible with that of all your
other devices.
RING
TIP
RING
TIP
RING
TIP
1:GND
1
2
2:HOT
TAP/STOP
DELAY/REC/PLAY/DUB
REVERB
EFX
SOLO
3:COLD
COMP/DRIVE
3
Foot switches
Recorder, etc.
Mixer, etc.
* To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before
making any connections.
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EXT SPEAKER (CUBE-120XL BASS only)
1. EXT SPEAKER Jack
RECORDING OUT/PHONES
7. RECORDING OUT/PHONES Jack
This functions either as an output jack for recording or as a phones
jack.
This features COSM speaker modeling, enabling production of
impressive bass sound.
Adjust the volume using the [VOLUME] knobs for the COSM AMP and
the SOLO function.
This is for connecting an external speaker.
When an external speaker is connected, sound is played both from the
external speaker and from the unit’s built-in speaker.
* When connecting to an external speaker, make sure the speaker
conforms to the following specifications.
Impedance: 8 ohms or less
Allowable power input: 120 watts or greater
* When a plug is connected to this jack, no sound is played from
either the unit or any connected external speaker. This is handy at
night or in other situations when you want to avoid high-volume
sound from the speakers.
* Only use speaker cable to connect the speaker. Do not use any
shielded cable designed for use with guitars.
When using as an output jack for recording
LINE OUT/DI OUT
2. LINE OUT Jack (CUBE-60XL BASS)
Use a monaural 1/4”phone plug to connect a recorder or other
recording device.
This is for connecting a PA system, recorder, or other external
equipment.
This features COSM speaker modeling, enabling production of
impressive bass-amp sound.
When using as a headphones jack
Connect headphones.
FOOT SW
You can use this in conjunction with an external PA system, or to
record your performance via direct line while monitoring the sound
from the CUBE’s speaker.
By connecting a foot switch (BOSS FS-5U or FS-6; sold separately),
you’ll be able to use your foot to turn COMP/DRIVE, EFX, REVERB,
and DELAY on/off, and control the LOOPER function. The connection
diagram at the previous page is a connection example that shows
how to use a momentary-type foot switch (FS-5U, FS-6). For details on
connections and settings when using a latch-type foot switch (BOSS
FS-5L; sold separately), refer to “Using a Latch-type Foot Switch”(p. 11).
* The sound from AUX IN is not output from LINE OUT jack.
3. DI OUT Jack (CUBE-60XL BASS)
Use this to connect to external PAs and other such systems. Signals
input to the BASS INPUT jack are output as is.
8. TIP: DELAY/REC/PLAY/DUB
This professional-grade feature includes a tough, reliable XLR-type
connector and ground lift switch.
RING: TAP/STOP
4. LINE OUT/DI OUT Jack (CUBE-120XL BASS)
Switch
TIP
Description
If the [DELAY/LOOPER] knob is in the DELAY area, the DELAY will
be switched on/off.
If the knob is in the LOOPER area, the foot switch will have the
same function as the panel’s [REC/PLAY/DUB] switch.
Use this to connect to external PAs and other such systems.
This professional-grade feature includes a tough, reliable XLR-type
connector and ground lift switch.
The foot switch will have the same function as the [TAP/STOP]
switch.
5. LINE OUT/DI OUT [SELECT] Switch (CUBE-120XL BASS)
RING
You can switch the sound that is output from the CUBE-120XL BASS’s
LINE OUT/DI OUT to suit the particular application.
* You must use a momentary-type foot switch with the RING (TAP/
STOP) of this jack. It will not work correctly with a latch-type foot
switch (p. 11).
Switch
Description
Signals input to the BASS INPUT jack are output as is. Other
than the PAD switch, none of the CUBE’s knobs affect the
LINE OUT/DI OUT output.
9. TIP: EFX
DI OUT
LINE OUT
RING: REVERB
The sound is changed by the settings of the CUBE’s knobs.
Switch
TIP
Description
The foot switch will turn on/off the effect selected by the [EFX]
knob.
6. [GND LIFT] Switch
Loop hum noise may occur when other external devices are connected
to the CUBE-60XL/CUBE-120XL. In such instances, you may be able
to mitigate the problem by switching the position of the [GND LIFT]
switch. The [GND LIFT] switch should be normally set to OFF.
The foot switch will turn on/off the REVERB set by the [REVERB]
knob.
RING
10. TIP: SOLO
RING: COMP/DRIVE
Switch
ON
Description
Switch
TIP
Description
Pin 1 is disconnected from the CUBE’s ground.
Pin 1 connects to the CUBE’s ground.
The foot switch will turn SOLO on/off.
OFF
The foot switch will turn on/off the compression or drive set by
the [COMP/DRIVE] knob.
RING
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11. [FOOT SW TYPE] Switch (CUBE-120XL BASS only)
This selects the type of foot switch that is connected.
When shipped from the factory, the CUBE-60XL BASS’s FOOT SW TYPE
is set to the momentary type. For details on how to change this setting,
refer to “Using a Latch-type Foot Switch”(p. 11).
TIP
* The CUBE’s FOOT SW (foot switch) jacks are
TRS type jacks, and support plugs of the type
shown in the illustration. Use TRS cables to
connect your foot switch.
RING
AUX IN
12. AUX IN Jack
This lets you connect a CD player, digital audio player, electronic
instrument, or other such device and play it at the same time as the
bass.
This accepts a stereo miniature phone plug. However, the speaker
and RECORDING OUT/PHONES output is monaural. Use a cable (sold
separately) that’s appropriate for the device you’re connecting.
* Determine the volume level by adjusting the volume control of the
connected device.
* When connection cables with resistors are used, the volume level
of equipment connected to the AUX IN jack may be low. If this
happens, use connection cables that do not contain resistors.
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BOSS FS-5L+FS-5U
Using a Latch-type Foot Switch
The CUBE-60XL BASS/CUBE-120XL BASS also support latch-type foot
switches. If you’re using a latch-type foot switch, make the following
settings.
Polarity switch
(RING)
(TIP)
FOOT SW TYPE setting
There are two types of foot switches.
TAP/STOP DELAY/
REC/PLAY/DUB
Type
Operation
Momentary type
(BOSS FS-5U, etc)
This type remains on (or off) while depressed
and switches off (or on) when released.
BOSS FS-6
Set the switches as shown as bellow.
Latch type
(BOSS FS-5L, etc.)
This type switches on or off each time it is
depressed.
B
A
* The BOSS FS-6 can operate as either a momentary or latch-type
pedal switch.
CUBE-60XL BASS
TAP/STOP DELAY/
REC/PLAY/DUB
At the factory settings, the momentary type is selected. You can
change this setting as follows.
•
•
To specify the latch type
* Even if FOOT SW TYPE is set to FS-5L (LATCH), you must always use
a momentary-type foot switch for TAP/STOP. This function will not
work correctly with a latch-type foot switch.
Turn on the power while holding down the [TAP/STOP] switch.
To specify the momentary type
Turn on the power while holding down the [REC/PLAY/DUB] switch.
Important Notes When Using a Latch-type Footswitch Pedal
* The setting you specify is remembered even while the power is
turned off.
The on/off state of the footswitch pedal takes precedence over the
control panel for switching COMP/DRIVE, EFX, DELAY, or REVERB on
and off.
CUBE-120XL BASS
However, the on or off states of COMP/DRIVE, EFX, DELAY, or REVERB
stored in memory using the SOLO function take precedence when
saved SOLO-function panel settings are called up. Such cases may
result in conflicting indicator displays on the control panel and the
footswitch pedal, but this is not a malfunction.
Set the [FOOT SW TYPE] switch on the rear panel
to FS-5L (LATCH).
Foot Switch Settings
Convenient Applications
BOSS FS-5L
You can use either of the following settings to control operation when
the panel settings for COMP/DRIVE, EFX, DELAY, and REVERB are called
up using the SOLO function.
Polarity switch
Foot switch priority mode
Make the on/off state of the footswitch pedal always take priority.
(RING)
(TIP)
To make the setting:
Hold down the [SHAPE] switch and switch on the power.
REVERB EFX
COMP/DRIVE SOLO
Memory priority mode (factory setting)
Make the on/off state saved using the SOLO function take priority.
To make the setting:
Hold down the [TUNER] switch and switch on the power.
BOSS FS-6
Set the switches as shown as bellow.
* The changed setting remains in memory after the power is switched
off.
B
A
REVERB EFX
COMP/DRIVE SOLO
11
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Using the Tuner Function
CUBE-60XL BASS/CUBE-120XL BASS are equipped with a tuner
function. In addition to manual tuning, you can also use it as a
chromatic tuner.
3. Play a single note on the open string that you want to tune.
Tune the string until the green indicator lights.
Flat
Sharp
* Use manual tuning when the strings are substantially out of tune
Pitch is correct
(such as after changing strings).
* When using the tuner function, no sound is played from the speaker,
the REC OUT/PHONES jack, or the LINE OUT jack.
* The sound input to the AUX IN jack is output.
Lights red
Lights green
Lights red
* The red indicator blinks if the pitch is substantially out of tune.
4. When you have finished tuning, press the [TUNER] switch
once again.
Chromatic Tuning
If you hold down the [TUNER] switch for one second or longer, the
[TUNER] switch blinks and the unit becomes usable as a “chromatic
tuner,”which automatically determines the name of the note closest to
the one played.
Manual Tuning
As with manual tuning, chromatic tuning allows you to play a single
note on the string that you want to tune. Tune the string until the
green indicator lights.
1. Press the [TUNER] switch.
The unit enters the Tuner mode and the [TUNER] switch lights up.
2. Use the Type switch to select the string that you want to
tune.
Knob Position
5B
Description
Open fifth string of a five-string bass with an additional
low string (B)
4E
Open fourth string (E)
Open third string (A)
Open second string (D)
Open first string (G)
3A
2D
1G
Open first string of a six-string bass with an additional high
string (C)
1C
A
A
Open third string (semitone down) (A )
Open third string (whole tone down) (G)
* The reference pitch is A=440 Hz. This cannot be changed.
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Using the SOLO Function
You can save and call up the panel settings (those enclosed by the line
in the figure) for sounds you create. On this unit, this function is called
“SOLO.”This is a convenient way to switch between a backing sound
and a solo sound.
Recalling the Saved Sound
1. With SOLO off, press the SOLO [ON/OFF] switch.
With the factory settings, the sample setting “HEAVY BOTTOM”(p. 16) is
saved.
The SOLO indicator will light, and the saved panel settings will be
recalled.
* If you’re using the CUBE for the first time, the factory settings will be
recalled.
CUBE-60XL BASS
Editing the saved settings
1. Press the SOLO [ON/OFF] switch to call up the saved settings.
2. Turn the panel knob for the item you want to change, and
modify the setting.
The SOLO indicator goes out briefly when the position of the knob
coincides with the position stored in memory.
CUBE-120XL BASS
3. Hold down the SOLO [ON/OFF] switch for several seconds.
The indicator will blink. When the panel settings have been saved, the
indicator will change from blinking to lit.
* Never switch off the power while the indicator is blinking.
* Once the new settings have been saved, the previous settings in
effect before the changes cannot be called up again.
* To quit without saving the changes, press the SOLO [ON/OFF]
switch.
Saving the Panel Settings
Note the following if you’ve set FOOT SW
TYPE to FS-5L (LATCH)
1. Set the SOLO [VOLUME] knob to 0.
NOTE
• If a foot switch is connected to the SOLO/COMP/DRIVE jack, the
If the SOLO volume is set high, the
sound may be unexpectedly loud
when the panel settings are saved.
Before saving, lower the volume to 0.
SOLO [ON/OFF] switch will be inoperable.
• If SOLO is on, and a foot switch is connected to the SOLO/COMP/
DRIVE, EFX/REVERB or DELAY/REC/PLAY/DUB/TAP/STOP jack, the
foot switch’s indicator may not match the on/off status of the CUBE’s
COMP/DRIVE, EFX, REVERB, or DELAY. If you want the on/off status
of the CUBE’s COMP/DRIVE, EFX, REVERB, or DELAY to consistently
conform to the foot switch’s indicator, change the setting for the
CUBE-60XL BASS/CUBE-120XL BASS to“Foot Switch Priority Mode. ”
For details, see ”Using a Latch-type Foot Switch”(p. 11).
2. Create a sound.
3. Press and hold the SOLO [ON/OFF] switch on the panel for
several seconds.
The indicator will blink. When the panel settings
have been saved, the indicator will change from
blinking to lit.
• In order to be able to save the panel settings, you first need to
switch on SOLO using the foot switch.
* Never switch off the power while the indicator
is blinking.
Returning to the Factory-default Settings
Hold down the [TAP/STOP] switch and the SOLO [ON/OFF]
switch at the same time and switch on the power. The SOLO
indicator blinks and the settings saved with the SOLO function
are returned to their factory defaults.
4. Use the SOLO [VOLUME] knob to adjust
the volume.
* Saved panel settings remain in memory even after the power is
turned off.
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Using the LOOPER
This function lets you record a phrase you perform, and then play it
back repeatedly. You can also overdub additional phrases onto the
recording.
Playing back the phrase
Pressing the
[TAP/STOP switch
Pressing the [REC/PLAY/DUB] switch
On the CUBE-60XL BASS/CUBE-120XL BASS, this is called the LOOPER
function.
You can also operate the LOOPER function using optional foot
switches.
• • •
Stop
Play
Play
Play
Play
Stop
* The recorded phrase is deleted when the unit is turned off.
1
2
3
phrase operation
Recording a Phrase
1. With the [REC/PLAY/DUB] switch blinking green, press the
Press the [REC/PLAY/DUB] switch to recording a phrase.
[REC/PLAY/DUB] switch.
The basic operation will change as follows according to the state of the
phrase.
* [REC/PLAY/DUB] will be unlit if no phrase has been recorded.
The [REC/PLAY/DUB] switch will light in green, and the phrase will play
repeatedly from the beginning.
Pressing the [REC/PLAY/DUB] switch
Pressing the
[TAP/STOP] switch
2. Use the [DELAY/LOOPER] knob to adjust the volume of the
phrase.
• • •
Stop
Record
Play
Play
Play
Stop
3. Press the [TAP/STOP] switch to stop playback.
The [REC/PLAY/DUB] switch will blink green.
1
2
3
4
phrase operation
Overdubbing the phrase
1. Set the [DELAY/LOOPER] knob at LOOPER.
Set the knob at the maximum setting. With
the knob at the maximum, the phrase will be
played back at the same volume as when it
was recorded.
Pressing the
[TAP/STOP] switch
Pressing the [REC/PLAY/DUB] switch
Stop
Play
Overdub
Play
Overdub
Play
Stop
1
2
3
2
3
4
2. Press the [REC/PLAY/DUB] switch to start recording.
phrase operation
When you press the [REC/PLAY/
DUB] switch it will blink red, and
you’ll enter recording-standby
mode. When you start playing, the
indicator will change from blinking
to steadily lit, and recording will
begin.
Blink red
1. With the [REC/PLAY/DUB] switch blinking green, press the
[REC/PLAY/DUB] switch.
The [REC/PLAY/DUB] switch will light in green, and the phrase will play
repeatedly from the beginning.
2. Press the [REC/PLAY/DUB] switch once again.
The [REC/PLAY/DUB] switch will light in orange, and overdubbing will
begin.
* If instead you depress the REC/
PLAY/DUB footswitch, the [REC/
PLAY/DUB] switch lights in red, and
recording starts immediately. For
details on connecting footswitches,
refer to “FOOT SW” (p. 9)
3. To stop recording, press the [REC/PLAY/DUB] switch.
The [REC/PLAY/DUB] switch will light in green, and the phrase will play
repeatedly from the beginning.
4. Press the [TAP/STOP] switch to stop playback.
The memory of the CUBE-60XL BASS/CUBE-120XL BASS can record a
phrase approximately 80 seconds long. When you reach the maximum
recording time, recording will stop automatically and playback will
start.
The [REC/PLAY/DUB] switch will blink green.
Erasing the phrase
3. Press the [REC/PLAY/DUB] switch to stop recording.
At the same time that you press the [REC/PLAY/DUB] switch, the [REC/
PLAY/DUB] switch lights in green and the recorded phrase will switch
to playback.
1. Hold down the [TAP/STOP] switch for two or more seconds.
The [REC/PLAY/DUB] switch will blink red, and the phrase will be
erased.
The phrase will continue playing repeatedly until you stop it.
* The erased phrase cannot be recovered.
4. To stop playback or overdubbing, press the [TAP/STOP]
switch.
The phrase will stop playing.
If you want to play again, press the [REC/PLAY/DUB] switch.
MEMO
If a phrase has already been recorded, the PLAY indicator will blink
green.
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Using the LOOPER Function and DELAY at the
Same Time
Copyright
* Recording, duplication, distribution, sale, lease, performance,
or broadcast of copyrighted material (musical works, visual
works, broadcasts, live performances, etc.) belonging to a
third party in part or in whole without the permission of the
copyright owner is forbidden by law.
By taking advantage of the SOLO function, you can use the LOOPER
function and the DELAY at the same time.
Normally, you cannot use the DELAY when the [DELAY/LOOPER] knob
is in the LOOPER position. However, if panel settings that use the
DELAY are stored in the SOLO function, and you then turn SOLO on,
you’ll be able to use the DELAY while using the LOOPER function.
* Do not use this unit for purposes that could infringe on a
copyright held by a third party. We assume no responsibility
whatsoever with regard to any infringements of third-party
copyrights arising through your use of this unit.
* Switching the DELAY on or off or changing the delay time is not
possible.
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Sample Settings
HEAVY BOTTOM (SUPER LOW)
CUBE-60XL BASS
CUBE-120XL BASS
[SHAPE] Switch: OFF
[SHAPE] Switch: OFF
In addition to its wide-range frequency response, this original amp also provides for the reproduction of heavy, deeply resounding bass sounds.
You should be able to hear a bass sound with a tone quality that is different than what you would obtain if you simply boosted the bass range using an
equalizer.
The [BASS] knob should be positioned in the center, so that the lower end doesn’t resound too heavily.
If you raise the [TREBLE] knob, thus emphasizing the string friction sound, you will be able to reproduce the finest nuances of instances when the
strings are touched.
By lowering the [MIDDLE] or [LOW-MID] knob, you’ll be able to obtain a sound with an even wider range. Conversely, if you raise the [MIDDLE] knob or
the [LOW-MID] knob, and turn on DRIVE, you’ll be able to create a broad variety of sounds, even aggressive rock sounds.
ALL ROUND (SUPER FLAT)
CUBE-60XL BASS
CUBE-120XL BASS
[SHAPE] Switch: OFF
[SHAPE] Switch: OFF
An original amp featuring a wide-range frequency response.
This amp type enables clear reproduction of your instrument’s sound. This also makes it perfect when connecting bass modeling processors or using
sound modules like bass synth.
In addition, you can exploit the equalizer’s capabilities to create the perfect bass sound for any musical genre from rock to jazz
SLAP BASS (SESSION)
CUBE-60XL BASS
CUBE-120XL BASS
[SHAPE] Switch: ON or OFF
[SHAPE] Switch: ON or OFF
This setting cuts the midrange for a great slap bass sound.
Setting the [SHAPE] switch to ON further boosts the low and high ends.
To get a crisp slap sound, lower the [MIDDLE] knob or the [HIGHT-MID] knob setting and raise the [TREBLE] knob. This emphasizes the brightness of the
string sound, resulting in a slap sound with a lighter pull sound.
To get that attacking sound used in rock music, raise the [BASS] knob and [MIDDLE] knob or [HIGH-MID] knob settings to produce a sound with greater
power. In addition, in the case of the CUBE-120XL BASS, if you lower the [LOW-MID] knob, you can obtain a sound that is deep and heavy, yet has great
definition.
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FINGER & FRETLESS (BASS 360)
CUBE-60XL BASS
CUBE-120XL BASS
Delay time = approx. 300 ms (reference)
Delay time = approx. 300 ms (reference)
[SHAPE] Switch: OFF
[SHAPE] Switch: OFF
This bass sound made its appearance in the ’70s.
This is suited for a Jazz Bass with a rear pickup used. This produces a warm, contoured sound when the bass is fingered near the rear pickup.
In addition, using this setting while playing harmonics in combination with a chorus and a delay enables sounds featuring exquisite reverberation.
ROCK RIFF (CONCERT 810)
CUBE-60XL BASS
CUBE-120XL BASS
[SHAPE] Switch: ON or OFF
[SHAPE] Switch: ON or OFF
This is a drive sound that offers an extreme level of distortion, making it suitable for modern rock.
Raise [TREBLE] knob slightly in order to bring out the edginess of the picking sound.
If you turn on the [SHAPE] switch, the lower end will be emphasized and you’ll obtain a fat, powerful sound.
Additionally, if you raise [MIDDLE] knob or [HIGH-MID] knob, you’ll be able to obtain a deeply distorted sound that still retains a great deal of definition,
even when playing in a band.
MELLOW COMP (FLIP TOP)
CUBE-60XL BASS
CUBE-120XL BASS
[SHAPE] Switch: ON or OFF
[SHAPE] Switch: ON or OFF
This is a sweet sound suitable for finger picking.
By applying compression deeply, and adding a little bit of reverb, you can obtain a sound that sustains well.
Also, if you apply chorus when you play melodies, you’ll get a sound that has lots of presence.
If you’re creating a jazz sound and want it to be warm and smooth, turn ON [SHAPE] switch, and lower [TREBLE] knob so that the picking sound does
not become obtrusive.
17
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CUBE-60XL BASS Block Diagram
AUX IN
POWER
AMP
SPEAKER
AMPLIFIER
EFX
MUTE
POWER
SQUEEZER
DELAY
REVERB
VOLUME
SUPER FLAT
CHORUS
FLIP TOP
B MAN
T.E
BASS 360
SESSION
SOLO
INPUT
LOOPER
VOLUME
LOOPER
EFX
COMP/
DRIVE
POLY
OCTAVE
CONCERT 810
SUPER LOW
RECORDING OUT /
PHONES
CABINET &
SPEAKER
VOLUME
SUPER FLAT
SOLO
FLIP TOP
B MAN
T.E
BASS 360
SESSION
SIMULATOR
TUNER
* No sound is played through the
unit’s speaker while the REC OUT/
CONCERT 810
SUPER LOW
PHONES jack is in use.
LINE OUT
GAIN
EQ
CABINET &
SPEAKER
SIMULATOR
SHAPE
DI OUT
GND LIFT
CUBE-120XL BASS Block Diagram
AUX IN
POWER
AMP
SPEAKER
AMPLIFIER
MUTE
EFX
CHORUS
SOLO
VOLUME
DELAY
REVERB
SUPER FLAT
FLIP TOP
B MAN
T.E
BASS 360
SESSION
INPUT
EXT SPEAKER
LOOPER
VOLUME
LOOPER
EFX
PAD
-10 dB
COMP/
DRIVE
POLY
CONCERT 810
OCTAVE
SUPER LOW
RECORDING OUT /
PHONES
CABINET &
SPEAKER
SIMULATOR
VOLUME
SUPER FLAT
SOLO
FLIP TOP
B MAN
T.E
TUNER
BASS 360
SESSION
CONCERT 810
* No sound is played through the
unit’s speaker while the REC OUT/
PHONES jack is in use.
SUPER LOW
SELECT
GAIN
EQ
LINE OUT/DI OUT
CABINET &
SPEAKER
LINE OUT
SHAPE
SIMULATOR
DI OUT
GND LIFT
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Specifications
CUBE-60XL BASS/CUBE-120XL BASS : Bass Amplifier (CB-60XL/CB-120XL)
CUBE-60XL BASS
CUBE-120XL BASS
Rated Power
Output
60 W
120 W
BASS INPUT: -10 dBu/1 MΩ
AUX IN: -10 dBu
BASS INPUT: -10 dBu/ 1MΩ
AUX IN: -10 dBu
30 cm (12 inches)
[POWER] switch
[SHAPE] switch
[TUNER] switch
—
Nominal Input
Level (@ 1 kHz)
Speaker
25 cm (10 inches)
[POWER] switch
[SHAPE] switch
[TUNER] switch
[POWER SQUEEZER] switch
[COMP/DRIVE] knob
<COSM AMP>
[COMP/DRIVE] knob
<COSM AMP>
Type switch (SUPER FLAT, FLIP TOP, B MAN, T.E, BASS 360, SESSION,
CONCERT 810, SUPER LOW), [GAIN] knob, [VOLUME]knob
Type switch (SUPER FLAT, FLIP TOP, B MAN, T.E, BASS 360, SESSION,
CONCERT 810, SUPER LOW), [GAIN] knob, [VOLUME] knob
<SOLO>
<SOLO>
[SOLO] switch, [VOLUME] knob
[SOLO] switch, [VOLUME] knob
<EQUALIZER>
<EQUALIZER>
[BASS] knob, [MIDDLE] knob, [TREBLE] knob
[BASS] knob, [LOW-MID] knob, [HIGH-MID] knob, [TREBLE] knob
Controls
<EFX>
<EFX>
[EFX] knob (CHORUS, POLY OCTAVE)
[EFX] knob (CHORUS, POLY OCTAVE)
<DELAY/LOOPER>
<DELAY/LOOPER>
[REC/PLAY/DUB] switch
[DELAY/LOOPER] knob
[TAP/STOP] switch
[REC/PLAY/DUB] switch
[DELAY/LOOPER] knob
[TAP/STOP] switch
<REVERB>
<REVERB>
[REVERB] knob (ROOM/PLATE)
[REVERB] knob (ROOM/PLATE)
LINE OUT/DI OUT [SELECT] switch
(LINE OUT/DI OUT)
—
[GND LIFT] switch (ON/OFF)
—
[GND LIFT] switch (ON/OFF)
[FOOT SW TYPE] switch
(FS-5L/FS-5U)
Power, COMP/DRIVE, SOLO, TUNER, EFX, DELAY/LOOPER, REC/PLAY/DUB,
REVERB, POWER SQUEEZER
Power, COMP/DRIVE, SOLO, TUNER, EFX, DELAY/LOOPER, REC/PLAY/DUB,
REVERB
Indicators
BASS INPUT Jack (1/4”phone type),
BASS INPUT Jack (1/4”phone type),
AUX IN Jack (Stereo miniature phone type),
LINE OUT Jack (1/4”phone type),
AUX IN Jack (Stereo miniature phone type),
LINE OUT/DI OUT Jack (XLR type),
DI OUT Jack (XLR type),
RECORDING OUT/PHONES Jack (Stereo 1/4”phone type),
EXT SPEAKER Jack (1/4”phone type),
Connectors
RECORDING OUT/PHONES Jack (Stereo 1/4”phone type),
FOOT SW Jack (SOLO, COMP/DRIVE) (1/4”TRS phone type),
FOOT SW Jack (EFX, REVERB) (1/4”TRS phone type),
FOOT SW Jack (DELAY/REC/PLAY/DUB, TAP/STOP) (1/4”TRS phone type)
FOOT SW Jack (SOLO, COMP/DRIVE) (1/4”TRS phone type),
FOOT SW Jack (EFX, REVERB) (1/4”TRS phone type),
FOOT SW Jack (DELAY/REC/PLAY/DUB, TAP/STOP) (1/4”TRS phone type)
Power
Consumption
25 W
39 W
421 (W) ×325 (D) × 479 (H) mm
462 (W) × 325 (D) × 518 (H) mm
Dimensions
16-5/8 (W) × 12-13/16 (D) × 18-7/8 (H) inches
18-3/16 (W) × 12-13/16 (D) × 20-7/16 (H) inches
Weight
16.2 kg / 35 lbs 12 oz
19.7 kg / 43 lbs 7 oz
Accessory
Options
Owner’s Manual
Owner’s Manual
Foot Switch (BOSS FS-5L, FS-5U, FS-6)
Foot Switch (BOSS FS-5L, FS-5U, FS-6)
* 0 dBu = 0.775 Vrms
* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
19
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When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
Information
PHILIPPINES
CURACAO
URUGUAY
POLAND
JORDAN
AFRICA
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
Zeelandia Music Center Inc.
Orionweg 30
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
ROLAND POLSKA SP. Z O.O.
ul. Kty Grodziskie 16B
MUSIC HOUSE CO. LTD.
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192, JORDAN
TEL: (06) 5692696
Curacao, Netherland Antilles
TEL: (305) 5926866
03-289 Warszawa, POLAND
TEL: (022) 678 9512
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
EGYPT
TEL: (02) 899 9801
Al Fanny Trading Oꢀce
9, EBN Hagar Al Askalany Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
DOMINICAN REPUBLIC
PORTUGAL
MALAYSIA/
SINGAPORE
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Roland Iberia, S.L.
KUWAIT
VENEZUELA
Branch Oꢀce Porto
Edifício Tower Plaza
Rotunda Eng. Edgar Cardoso
23, 9ºG
4400-676 Vila Nova de Gaia,
PORTUGAL
EASA HUSAIN AL-YOUSIFI &
Instrumentos Musicales
TEL: (022)-417-1828
Roland Asia PaciŠc Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
SONS CO.
Santo Domingo,
DOMINICAN REPUBLIC
TEL: (809) 683 0305
Allegro,C.A.
Al-Yousi¥ Service Center
P.O.Box 126 (Safat) 13002,
KUWAIT
REUNION
Av.las industrias edf.Guitar import
#7 zona Industrial de Turumo
Caracas, VENEZUELA
MARCEL FO-YAM Sarl
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
TEL: 00 965 802929
ECUADOR
TEL: (212) 244-1122
TEL: (+351) 22 608 00 60
Mas Musika
TAIWAN
LEBANON
Rumichaca 822 y Zaruma
Guayaquil - ECUADOR
TEL: (593-4) 2302364
ROMANIA
REUNION ISLAND
TEL: (0262) 218-429
ROLAND TAIWAN ENTERPRISE
Chahine S.A.L.
FBS LINES
George Zeidan St., Chahine Bldg.,
Achra¥eh, P.O.Box: 16-5857
Beirut, LEBANON
CO., LTD.
Piata Libertatii 1,
535500 Gheorgheni, ROMANIA
TEL: (266) 364 609
EUROPE
9F-5, No. 112 Chung Shan
North Road Sec. 2 Taipei 104,
TAIWAN R.O.C.
SOUTH AFRICA
EL SALVADOR
T.O.M.S. Sound & Music (Pty)Ltd.
2 ASTRON ROAD DENVER
JOHANNESBURG ZA 2195,
SOUTH AFRICA
TEL: (01) 20-1441
OMNI MUSIC
TEL: (02) 2561 3339
BELGIUM/FRANCE/
HOLLAND/
75 Avenida Norte y Final Alameda
Juan Pablo II,
Edi¥cio No.4010 San Salvador,
EL SALVADOR
RUSSIA
OMAN
Roland Music LLC
THAILAND
TALENTZ CENTRE L.L.C.
Malatan House No.1
Al Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (495) 981-4967
LUXEMBOURG
TEL: (011) 417 3400
Theera Music Co. , Ltd.
100-108 Soi Verng Nakornkasem,
New Road,Sumpantawong,
Bangkok 10100, THAILAND
TEL: (02) 224-8821
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
TEL: 262-0788
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
GUATEMALA
SERBIA
TEL: (014) 575811
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala,
GUATEMALA
Music AP Ltd.
QATAR
Sutjeska br. 5 XS - 24413 Palic,
SERBIA
TEL: (024) 539 395
CROATIA
AL-EMADI TRADING &
ART-CENTAR
CONTRACTING CO.
P.O. Box 62, Doha, QATAR
TEL: 4423-554
Degenova 3.
HR - 10000 Zagreb, CROATIA
TEL: (1) 466 8493
OCEANIA
TEL: (502) 599-2888
SLOVAKIA
ASIA
HONDURAS
DAN Acoustic s.r.o.
Povazská 18.
SAUDI ARABIA
AUSTRALIA/
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
CZECH REP.
aDawliah Universal Electronics
SK - 940 01 Nové Zámky,
SLOVAKIA
TEL: (035) 6424 330
NEW ZEALAND
CZECH REPUBLIC DISTRIBUTOR
APL
CHINA
3 Ave.11 Calle S.O
San Pedro Sula, HONDURAS
TEL: (504) 553-2029
Roland Corporation
s.r.o
Behind Pizza Inn
Prince Turkey Street
aDawliah Building,
PO BOX 2154,
Alkhobar 31952,
SAUDI ARABIA
TEL: (03) 8643601
Roland Shanghai Electronics
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099,
AUSTRALIA
Voctárova 247/16
180 00 Praha 8, CZECH REP.
TEL: (2) 830 20270
Co.,Ltd.
SPAIN
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
MARTINIQUE
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona, SPAIN
TEL: 93 493 91 00
Musique & Son
DENMARK
Z.I.Les Mangle
For Australia
Roland Scandinavia A/S
Skagerrakvej 7 Postbox 880
DK-2100 Copenhagen,
DENMARK
97232 Le Lamantin,
MARTINIQUE F.W.I.
TEL: 596 596 426860
Roland Shanghai Electronics
TEL: (02) 9982 8266
For New Zealand
TEL: (09) 3098 715
Co.,Ltd. (BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011, CHINA
SYRIA
SWEDEN
Technical Light & Sound Center
PO Box 13520 Bldg No.49
Khaled Abn Alwalid St.
Damascus, SYRIA
Roland Scandinavia A/S
TEL: 3916 6200
Gigamusic SARL
SWEDISH SALES OFFICE
Mårbackagatan 31, 4 tr.
SE-123 43 Farsta, SWEDEN
TEL: (0) 8 683 04 30
10 Rte De La Folie
97200 Fort De France
MARTINIQUE F.W.I.
TEL: 596 596 715222
FINLAND
TEL: (010) 6426-5050
Roland Scandinavia As, Filial
CENTRAL/LATIN
AMERICA
TEL: (011) 223-5384
HONG KONG
Finland
Tom Lee Music
TURKEY
Vanha Nurmijarventie 62
01670 Vantaa, FINLAND
TEL: (0) 9 68 24 020
SWITZERLAND
11/F Silvercord Tower 1
30 Canton Rd
Tsimshatsui, Kowloon,
HONG KONG
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.33
Beyoglu, Istanbul, TURKEY
TEL: (0212) 249 85 10
MEXICO
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen, SWITZERLAND
TEL: (061) 975-9987
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico D.F.,
MEXICO
ARGENTINA
GERMANY/AUSTRIA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
TEL: 825-2737-7688
Roland Elektronische
U.A.E.
(1123) Buenos Aires, ARGENTINA
TEL: (011) 4508-2700
Musikinstrumente HmbH.
Oststrasse 96, 22844 Norderstedt,
GERMANY
UKRAINE
TEL: (55) 5668-6699
Zak Electronics & Musical
Parsons Music Ltd.
EURHYTHMICS Ltd.
P.O.Box: 37-a.
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Ground Floor, Dubai,
U.A.E.
NICARAGUA
BARBADOS
TEL: (040) 52 60090
Bansbach Instrumentos
Nedecey Str. 30
UA - 89600 Mukachevo, UKRAINE
TEL: (03131) 414-40
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, BARBADOS
TEL: (246) 430-1100
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, NICARAGUA
TEL: (505) 277-2557
GREECE/CYPRUS
TEL: (04) 3360715
STOLLAS S.A.
INDIA
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
UNITED KINGDOM
Rivera Digitec (India) Pvt. Ltd.
411, Nirman Kendra Mahalaxmi
Flats Compound O¢. Dr. Edwin
Moses Road, Mumbai-400011,
INDIA
Roland (U.K.) Ltd.
BRAZIL
Atlantic Close, Swansea
Enterprise Park, SWANSEA SA7
9FJ, UNITED KINGDOM
TEL: (01792) 702701
Roland Brasil Ltda.
NORTH AMERICA
Rua San Jose, 211
PANAMA
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
HUNGARY
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE PANAMA
TEL: 315-0101
TEL: (022) 2493 9051
Roland East Europe Ltd.
2045 Torokbalint, FSD Park,
building 3., HUNGARY
TEL: (23) 511011
CANADA
Roland Canada Ltd.
INDONESIA
CHILE
(Head Oꢀce)
PT Citra Intirama
Jl. Cideng Timur No. 15J-15O
Jakarta Pusat,
MIDDLE EAST
5480 Parkwood Way Richmond B.
C., V6V 2M4, CANADA
TEL: (604) 270 6626
Comercial Fancy II S.A.
Rut.: 96.919.420-1
PARAGUAY
IRELAND
Distribuidora De Instrumentos
INDONESIA
TEL: (021) 6324170
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
Roland Ireland
Musicales
BAHRAIN
G2 Calmount Park, Calmount
Avenue, Dublin 12,
Republic of IRELAND
TEL: (01) 4294444
J.E. Olear y ESQ. Manduvira
Asuncion, PARAGUAY
TEL: (595) 21 492147
Roland Canada Ltd.
Moon Stores
KOREA
(Toronto Oꢀce)
170 Admiral Boulevard
Mississauga On L5T 2N6,
CANADA
No.1231&1249 Rumaytha
Building Road 3931,
Manama 339, BAHRAIN
TEL: 17 813 942
COLOMBIA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, COLOMBIA
PERU
ITALY
Audionet
TEL: (905) 362 9707
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
Distribuciones Musicales SAC
Juan Fanning 530
Mira©ores
Lima - PERU
TEL: (511) 4461388
TEL: (574) 3812529
IRAN
MALAYSIA
U. S. A.
MOCO INC.
COSTA RICA
Roland Asia PaciŠc Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
NO.16 End of Nike St. Shariaty
Ave, Roberouye Cerah Mirdamad
Teheran, IRAN
JUAN Bansbach Instrumentos
Musicales
NORWAY
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
TEL: (021)-2288-2998
Roland Scandinavia Avd.
TRINIDAD
TEL: (323) 890 3700
Kontor Norge
AMR Ltd
ISRAEL
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo,
NORWAY
VIET NAM
Ground Floor
Halilit P. Greenspoon & Sons
Maritime Plaza
Barataria TRINIDAD W.I.
TEL: (868) 638 6385
VIET THUONG CORPORATION
386 CACH MANG THANG TAM ST.
DIST.3, HO CHI MINH CITY,
VIET NAM
Ltd.
8 Retzif Ha'alia Hashnia St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
TEL: 2273 0074
TEL: (08) 9316540
As of Apr. 1, 2010 (ROLAND)
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For China
For EU Countries
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For EU Countries
For the USA
This product complies with the requirements of EMCD 2004/108/EC and LVD 2006/95/EC.
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
This equipment requires shielded interface cables in order to meet FCC class B limit.
Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
(
)
For C.A. US Proposition 65
WARNING
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.
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MEMO
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