Hardware Manual
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USING THE UNIT SAFELY
About WARNING and CAUTION Notices
About the Symbols
The symbol alerts the user to important instructions or
Used for instructions intended to alert the
user to the risk of death or severe injury
should the unit be used improperly.
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle. In
the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
The symbol alerts the user to items that must never be
carried out (are forbidden).The specific thing that must
not be done is indicated by the design contained within
the circle. In the case of the symbol at left, it means that
the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
The symbol alerts the user to things that must be
carried out.The specific thing that must be done is
indicated by the design contained within the circle. In the
case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
ALWAYS OBSERVE THE FOLLOWING
•
Do not open (or modify in any way) the unit or
its AC adaptor.
•
Never install the unit in any of the following
locations.
•
Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a
heating duct, on top of heat-generating
equipment); or are
......................................................................................................................
•
Do not attempt to repair the unit, or replace
parts within it (except when this manual
provides specific instructions directing you to
do so). Refer all servicing to your retailer, the
nearest Roland Service Center, or an authorized
Roland distributor, as listed on the “Information”
page.
•
Damp (e.g., baths, washrooms, on wet floors);
or are
•
•
•
•
•
•
Exposed to steam or smoke; or are
Subject to salt exposure; or are
Humid; or are
Exposed to rain; or are
......................................................................................................................
Dusty or sandy; or are
Subject to high levels of vibration and
shakiness.
......................................................................................................................
•
Make sure you always have the unit placed so it
is level and sure to remain stable. Never place it
on stands that could wobble, or on inclined
surfaces.
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3
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USING THE UNIT SAFELY
•
Be sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the
installation matches the input voltage specified
on the AC adaptor's body. Other AC adaptors
may use a different polarity, or be designed for a
different voltage, so their use could result in
damage, malfunction, or electric shock.
•
Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing
by your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page when:
•
The AC adaptor, the power-supply cord, or
the plug has been damaged; or
......................................................................................................................
•
•
If smoke or unusual odor occurs
Objects have fallen into, or liquid has been
spilled onto the unit; or
•
Use only the attached power-supply cord. Also,
the supplied power cord must not be used with
any other device.
•
•
The unit has been exposed to rain (or
otherwise has become wet); or
......................................................................................................................
The unit does not appear to operate
normally or exhibits a marked change in
performance.
•
Do not excessively twist or bend the power
cord, nor place heavy objects on it. Doing so can
damage the cord, producing severed elements
and short circuits. Damaged cords are fire and
shock hazards!
......................................................................................................................
•
In households with small children, an adult
should provide supervision until the child is
capable of following all the rules essential for
the safe operation of the unit.
......................................................................................................................
•
This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate
for a long period of time at a high volume level,
or at a level that is uncomfortable. If you
experience any hearing loss or ringing in the
ears, you should immediately stop using the
unit, and consult an audiologist.
......................................................................................................................
•
Protect the unit from strong impact.
(Do not drop it!)
......................................................................................................................
•
Do not force the unit’s power-supply cord to
share an outlet with an unreasonable number of
other devices. Be especially careful when using
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power
rating (watts/amperes) for the extension cord.
Excessive loads can cause the insulation on the
cord to heat up and eventually melt through.
......................................................................................................................
•
Do not allow any objects (e.g., flammable
material, coins, pins); or liquids of any kind
(water, soft drinks, etc.) to penetrate the unit.
......................................................................................................................
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•
Before using the unit in a foreign country,
consult with your retailer, the nearest Roland
Service Center, or an authorized Roland
distributor, as listed on the “Information” page.
......................................................................................................................
•
DO NOT play a CD-ROM disc on a conventional
audio CD player. The resulting sound may be of
a level that could cause permanent hearing loss.
Damage to speakers or other system
components may result.
......................................................................................................................
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USING THE UNIT SAFELY
•
The unit and the AC adaptor should be located
so their location or position does not interfere
with their proper ventilation.
•
Whenever you suspect the possibility of
lightning in your area, disconnect the AC
adaptor from the outlet.
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......................................................................................................................
•
Always grasp only the plug on the AC adaptor
cord when plugging into, or unplugging from,
an outlet or this unit.
•
Keep any ground terminal screw you may
remove and the included ferrite core in a safe
place out of children's reach, so there is no
chance of them being swallowed accidentally.
......................................................................................................................
......................................................................................................................
•
At regular intervals, you should unplug the AC
adaptor and clean it by using a dry cloth to wipe
all dust and other accumulations away from its
prongs. Also, disconnect the power plug from
the power outlet whenever the unit is to remain
unused for an extended period of time. Any
accumulation of dust between the power plug
and the power outlet can result in poor
•
Always turn the phantom power off when
connecting any device other than condenser
microphones that require phantom power. You
risk causing damage if you mistakenly supply
phantom power to dynamic microphones,
audio playback devices, or other devices that
don’t require such power. Be sure to check the
specifications of any microphone you intend to
use by referring to the manual that came with
it.
insulation and lead to fire.
......................................................................................................................
•
Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
(This instrument’s phantom power: 48 V DC,
5 mA maximum per channel.)
......................................................................................................................
......................................................................................................................
•
Never climb on top of, nor place heavy objects
on the unit.
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•
Never handle the AC adaptor or its plugs with
wet hands when plugging into, or unplugging
from, an outlet or this unit.
......................................................................................................................
•
Before moving the unit, disconnect the AC
adaptor and all cords coming from external
devices.
......................................................................................................................
•
Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet (p. 38).
......................................................................................................................
5
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IMPORTANT NOTES
Power Supply
•
Depending on the material and temperature of the surface on
which you place the unit, its rubber feet may discolor or mar
the surface.
You can place a piece of felt or cloth under the rubber feet to
prevent this from happening. If you do so, please make sure
that the unit will not slip or move accidentally.
•
Do not connect this unit to same electrical outlet that is being
used by an electrical appliance that is controlled by an
inverter (such as a refrigerator, washing machine, microwave
oven, or air conditioner), or that contains a motor. Depending
on the way in which the electrical appliance is used, power
supply noise may cause this unit to malfunction or may
produce audible noise. If it is not practical to use a separate
electrical outlet, connect a power supply noise filter between
this unit and the electrical outlet.
Maintenance
•
For everyday cleaning wipe the unit with a soft, dry cloth or
one that has been slightly dampened with water. To remove
stubborn dirt, use a cloth impregnated with a mild, non-
abrasive detergent. Afterwards, be sure to wipe the unit
thoroughly with a soft, dry cloth.
•
•
The AC adaptor will begin to generate heat after long hours of
consecutive use. This is normal, and is not a cause for concern.
Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions and/or
damage to speakers or other devices.
•
Never use benzine, thinners, alcohol or solvents of any kind, to
avoid the possibility of discoloration and/or deformation.
Placement
Handling CD-ROMs
•
Using the unit near power amplifiers (or other equipment
•
Avoid touching or scratching the shiny underside (encoded
surface) of the disc. Damaged or dirty CD-ROM discs may not
be read properly. Keep your discs clean using a commercially
available CD cleaner.
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
•
•
This device may interfere with radio and television reception.
Do not use this device in the vicinity of such receivers.
Noise may be produced if wireless communications devices,
such as cell phones, are operated in the vicinity of this unit.
Such noise could occur when receiving or initiating a call, or
while conversing. Should you experience such problems, you
should relocate such wireless devices so they are at a greater
distance from this unit, or switch them off.
•
•
Do not expose the unit to direct sunlight, place it near devices
that radiate heat, leave it inside an enclosed vehicle, or
otherwise subject it to temperature extremes. Excessive heat
can deform or discolor the unit.
When moved from one location to another where the
temperature and/or humidity is very different, water droplets
(condensation) may form inside the unit. Damage or
malfunction may result if you attempt to use the unit in this
condition. Therefore, before using the unit, you must allow it
to stand for several hours, until the condensation has
completely evaporated.
6
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IMPORTANT NOTES
Using SD Memory Cards
Copyright
•
Carefully insert the SD memory card all the way in—until it is
firmly in place.
•
Recording, duplication, distribution, sale, lease, performance,
or broadcast of copyrighted material (musical works, visual
works, broadcasts, live performances, etc.) belonging to a
third party in part or in whole without the permission of the
copyright owner is forbidden by law.
•
This product can be used to record or duplicate audio or visual
material without being limited by certain technological copy-
protection measures. This is due to the fact that this product is
intended to be used for the purpose of producing original
music or video material, and is therefore designed so that
material that does not infringe copyrights belonging to others
(for example, your own original works) can be recorded or
duplicated freely.
•
Do not use this unit for purposes that could infringe on a
copyright held by a third party. We assume no responsibility
whatsoever with regard to any infringements of third-party
copyrights arising through your use of this unit.
•
•
Never touch the terminals of the SD memory card. Also, avoid
getting the terminals dirty.
SD memory cards are constructed using precision
components; handle the cards carefully, paying particular
note to the following.
Additional Precautions
•
Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
•
To prevent damage to the cards from static electricity, be
sure to discharge any static electricity from your own body
before handling the cards.
•
•
•
Do not touch or allow metal to come into contact with the
contact portion of the cards.
•
•
Never strike or apply strong pressure to the display.
When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you will
avoid causing shorts, or damage to the cable’s internal
elements.
Do not bend, drop, or subject cards to strong shock or
vibration.
Do not keep cards in direct sunlight, in closed vehicles, or
other such locations (storage temperature: -25 to 85C).
•
•
Do not allow cards to become wet.
•
To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about those
around you (especially when it is late at night).
Do not disassemble or modify the cards.
•
•
When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise, you
will need to use equivalent packaging materials.
Some connection cables contain resistors. Do not use cables
that incorporate resistors for connecting to this unit. The use
of such cables can cause the sound level to be extremely low,
or impossible to hear. For information on cable specifications,
contact the manufacturer of the cable.
7
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Overview of the SONAR V-STUDIO 100............................................................................. 12
System section............................................................................................................18
Control surface screen .............................................................................................19
Channel strip section................................................................................................20
Transport section.......................................................................................................22
VS-100 properties page...........................................................................................24
Using the WAVE recorder....................................................................................................... 26
Recording..........................................................................................................................................29
Playing back a file...........................................................................................................................30
Selecting a file to play back....................................................................................30
Viewing file information..........................................................................................31
Inserting markers.......................................................................................................32
Loop playback (A-B REPEAT)..................................................................................33
Using the metronome ..................................................................................................................34
Recording while playing back a file.........................................................................................35
Deleting a file...................................................................................................................................36
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Connecting computers and audio equipments..................................................................39
Turning the power on.............................................................................................................. 40
Using the compressors and equalizers.............................................................................. 48
Turning on the compressors and equalizers........................................................................48
Setting the equalizers...................................................................................................................49
System settings.......................................................................................................................... 52
Sampling frequency setting.......................................................................................................52
Other settings..................................................................................................................................54
Operations in the system setting screen...........................................................54
Block Diagram ............................................................................................................................ 56
About V-LINK............................................................................................................................... 57
Error Message List ..................................................................................................................... 58
Specifications.............................................................................................................................. 60
Index .............................................................................................................................................. 62
Information.................................................................................................................................. 67
9
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Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT NOTES”
(Hardware manual p. 3; p. 6). These sections provide important information concerning the proper operation of the
unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new
unit, Hardware manual and Getting started should be read in its entirety. The manual should be saved and kept on
hand as a convenient reference.
Copyright © 2009 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of
ROLAND CORPORATION.
*
*
Use of the demo song supplied with this product for any purpose other than private, personal enjoyment without the
permission of the copyright holder is prohibited by law. Additionally, this data must not be copied, nor used in a secondary
copyrighted work without the permission of the copyright holder.
The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however,
that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually
see in the display may not always match what appears in the manual.
*
*
*
*
*
*
*
*
*
Cakewalk is a registered trademark of Cakewalk Inc.
Microsoft, Windows and Windows Vista are registered trademarks of Microsoft Corporation.
The screen shots in this document are used in compliance with the guidelines of the Microsoft Corporation.
Windows® is known officially as: “Microsoft® Windows® operating system.”
Apple, Macintosh and Mac OS are registered trademarks of Apple Inc.
Pentium is a registered trademark of Intel Corporation.
VST is a trademark of Steinberg Media Technologies AG.
All product names mentioned in this document are trademarks or registered trademarks of their respective owners.
MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was
developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group.
10
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Overview of the SONAR V-STUDIO 100
fig.fader.eps
High-end spec audio interface functions
•
•
•
USB 2.0 audio interface supporting 8-in/6-out and 24-bit/96 kHz
Extraneous noise-resistant balanced input/output
Two XLR input jacks with microphone preamps and phantom power
Carefully selected parts are used to ensure transparent sound, ensuring spacious and high-quality recordings
Equipped with a wide variety of input/output terminals that provide connective compatibility with any equipment.
High-impedance (Hi-Z) terminals for directly connecting guitars or basses
Both MIDI input/output and digital input terminals packed onto the compact body
Low latency driver supporting WDM/ASIO 2.0
•
•
Compact control surface
Connection with SONAR provides a comfortable editing environment
•
•
•
Equipped with a 100 mm motor fader
Touch-sensitive capability-smooth operation with great precision
Equipped with an assignable encoder and a multitude of buttons
Intuitive control of mixing parameters with visual feedback on the main unit’s LCD screen
Can be used as a physical controller for other software such as Logic
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Overview of the SONAR V-STUDIO 100
fig.fader.eps
A digital mixer that supports a range of inputs
•
•
•
A digital mixer with 8 channel input
High quality sound design through digital signal processing with internal 40-bit computing
A compressor and a 3-band parametric equalizer for analog input
WAVE recorder function
•
Directly record sample or performance onto an SD card
Connecting to a computer is not necessary. The SONAR V-STUDIO 100 can be used as a standalone WAVE recorder.
Digital recording at up to 24-bit/96kHz
•
*
The WAVE recorder function is available only when the SONAR V-STUDIO 100 is not connected to a computer via USB.
13
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Panel Descriptions
Input/output component
Front panel
fig.front01.eps
1. INPUT 1L/INPUT 2R
[Hi-Z] button
Analog audio signal input jacks with a microphone preamp.
This switch changes the input impedance. Set this switch as
appropriate for the device that you’ve connected to the
INPUT 1L LINE jack.
You can use the [SENS] knob to adjust the input level of
INPUT 1L/INPUT 2R. The level is displayed on the screen. (See
p. 18.)
If you’ve connected a guitar or bass, press this switch inward
to turn it on.
interface function.
If nothing is connected, leave this switch in the off position.
The [Hi-Z] button affects only the LINE jack of INPUT 1L. It
does not change the impedance of the MIC jack for INPUT 1L,
nor of the LINE jack of INPUT 2R.
MIC (XLR balanced input)
This input supports a 48 V phantom power supply and is
compatible with condenser microphones that support a
phantom power supply. If using a phantom-compatible
microphone, turn on the phantom power supply switch. (See
p. 16.)
2. SD card slot
Insert an SD card for the WAVE recorder here. For more
information, see p. 28.
LINE (1/4” TRS balanced input)
3. Headphone output
TRS balanced type line input terminal.
This output delivers the same signal as the MAIN output. To
adjust the headphone volume, use the [VOLUME] knob.
The INPUT 1L jack supports high-impedance input. If you
connect a guitar, turn on the [Hi-Z] button.
You can also connect an unbalanced plug to this input.
14
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Panel Descriptions
Rear panel
fig.rear01.eps
4. Cord hook
10. Grounding terminal
Hook the AC adapter’s cord here, see p. 38.
Depending on the circumstances of a particular setup, you
may experience a discomforting sensation, or perceive that
the surface feels gritty to the touch when you touch this
device, microphones connected to it, or the metal portions of
other objects, such as guitars. This is due to an infinitesimal
electrical charge, which is absolutely harmless. However, if
you are concerned about this, connect the ground terminal
(see figure) with an external ground. When the unit is
grounded, a slight hum may occur, depending on the
particulars of your installation. If you are unsure of the
connection method, contact the nearest Roland Service
Center, or an authorized Roland distributor, as listed on the
“Information” page.
5. Power switch
Turn the power on/off. For more information, see p. 40.
6. DC IN jack
Connect the DC plug of the supplied AC adaptor here.
7. USB connector
Use a USB cable to connect the V-STUDIO 100 to a personal
computer.
8. MIDI connectors (MIDI OUT/V-LINK and MIDI IN)
Unsuitable places for connection
When the SONAR V-STUDIO 100 is connected to a computer,
these connectors work as 1 in/1 out USB MIDI interfaces.
•
•
•
Water pipes (may result in shock or electrocution)
Gas pipes (may result in fire or explosion)
Telephone-line ground or lightning rod (may be
dangerous in the event of lightning)
When the SONAR V-STUDIO 100 is not connected to a
connector for V-LINK.
9. Footswitch connector
Connect a footswitch (sold separately) here.
*
This product is equipped with balanced (XLR/TRS) type
jacks. Wiring diagrams for these jacks are shown below.
Make connections after first checking the wiring
diagrams of other equipment you intend to connect.
You can use a footswitch to control the WAVE recorder
function or start and stop SONAR VS.
For more information about footswitch, see “Connecting
footswitches” (p. 46).
TIP:
RING: COLD
SLEEVE: GND
HOT
2: HOT
1: GND
3: COLD
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Panel Descriptions
INPUT
OUTPUT
fig.rear02.eps
fig.rear03.eps
15. MAIN OUTPUT 1 and 2 (1/4” TRS balanced output)
Analog audio signal output jacks
11. INPUT 3L/MONO and 4R (1/4” TRS balanced input)
These outputs deliver the signals of the MAIN MIX, WAVE
recorder and USB audio playback (OUT 1/2) from the mixer.
Analog audio signal input jacks for line input. If you only plug
into one INPUT 3L/MONO jack, it will function as a mono
input.
16. OUTPUT 3 and 4 (1/4” TRS balanced output)
Analog audio signal output jacks.
These inputs correspond to input 3-4 in the USB audio
interface function.
These outputs deliver the signal from USB audio OUT 3/4.
12. INPUT 5L and 6R (RCA pin input)
17. OUTPUT 5L and 6R (RCA pin output jack)
Analog audio signal output jacks
Analog audio signal input jacks for line input. These inputs
correspond to input 5-6 in the USB audio interface function.
These outputs deliver the signal from the USB audio OUT 5/6.
13. COAXIAL IN (7/8) (coaxial digital input)
This terminal supports 24-bit/96kHz digital signals.
[PLAYBACK] knob
fig.playbackKnob.eps
These inputs correspond to input 7-8 in the USB audio
interface function.
*
If you connect the SONAR V-STUDIO 100 to a computer, you
must match the sampling frequency of the input signal to
that of the SONAR V-STUDIO 100. For more information
about setting the sampling frequency, see “Sampling
frequency setting” (p. 52).
14. Phantom power switch
This switch supplies phantom power to the INPUT 1L and
INPUT 2R XLR terminals.
Use this knob to adjust the volume of the USB audio playback
(OUT 1/2) that is output from the MAIN OUTPUT 1/2 and the
headphone terminal.
*
*
You must only turn on this switch if connecting a
microphone that needs phantom power. Supplying phantom
power to dynamic microphones or audio reproducing
equipment may cause a failure. For more information about
the specifications of your microphone, see its manual.
Phantom power supply of SONAR V-STUDIO 100:
DC 48 V, 5 mA maximum per channel
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Panel Descriptions
Digital mixer component
fig.mixer01.eps
Input section
fig.01.eps
1. [PAN] knob (INPUT 1L/INPUT 2R)
Use this knob to adjust the balance between the right and left channels of the signal that is input from the INPUT 1L/2R.
2. [COMP/EQ] button
Use this button to turn the compressors and equalizers on and off for each channel. For more information, see “Using the
compressors and equalizers” (p. 48).
3. Level knob
Use this knob to adjust the mixing level for each channel.
4. [MAIN MIX] knob
Use this knob to adjust the main volume after mixing.
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Panel Descriptions
System section
fig.02.eps
5. Compressor/equalizer setting button
8. Display screen
Use this button to switch the display on the setting screen
between the compressor and the equalizer when using these
effects.
This screen displays a range of information. When you press
the [DISPLAY] button, the level meter screen is displayed.
Level meter screen
fig.lvl-meter.eps
For more information about using the compressors and
equalizers, see “Using the compressors and equalizers” (p.
48).
6. [THRES/LO]/[R1] knob, [RATIO/MID]/[R2] knob and
[GAIN/HI]/[R3] knob
The functions of these knobs depend on the status of the
1. The input level of each INPUT
INPUT 1/2 shows the level after the signal passes through
the [SENS] knob.
•
•
•
When the equalizer setting screen is displayed
Use these knobs to change each parameter of the equalizer.
2. USB audio (OUT 1/2) playback level
3. WAVE recorder playback level
4. MAIN OUT 1/2 output level
(See “Setting the equalizers” (p. 49).)
When the compressor setting screen is displayed
Use these knobs to change each parameter of the
5. Peak indicator
compressor. (See “Setting the compressors” (p. 50))
Use the level knobs to adjust each level to ensure this
peak indicator is not lit.
When the ACT function is on (only when SONAR is in use: see
“ACT section” (p. 23))
9. [CURSOR/VALUE]/[R4] knob
Use these knobs to control the plug-ins for SONAR and the
ACT function.
Use this knob to move the cursor on the display or change
the value of the parameter. Push the knob ([SELECT] button)
to fix the value.
7. [ACT]/[V-LINK] button
When you are using SONAR, this button is the [ACT] button.
When you press this button, it lights up and you can use the
[R1]–[R4] knobs to control the plug-ins for SONAR and the
ACT function.
for SONAR and the ACT function.
10. [DISPLAY] button
If SONAR V-STUDIO 100 is not connected to a computer, this
button becomes the [V-LINK] button. (See p. 57)
Press this button to display the level meter screen.
Press and hold the [DISPLAY] button for about 1 second to
display the system screen. On this screen you can change the
system settings of SONAR V-STUDIO 100. For more
information, see p. 52.
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Using the control surface component
fig.mixer03.eps
The button is off
Computer
If you connect SONAR V-STUDIO 100 to a computer and turn the power on, the section within the bounding
rectangle in this illustration functions as the control surface for SONAR VS.
Control surface screen
fig.ctrl-disp1.eps
Level meter screen
Control surface screen
When you are using SONAR, pressing the [DISPLAY] button switches between the level meter screen and the control
surface screen. The control surface screen displays information about SONAR and plug-ins that can be controlled
from SONAR V-STUDIO 100.
Control surface screen
1. Name of the parameter controlled by the [R1]–[R4] knobs
When the ACT function is on, turning the [R1]–[R4] knobs switches the display to show the name of the parameter
that is currently being manipulated.
2. Name of the plug-in controlled by the [R1]–[R4] knobs
3. Items (track or bus) that can be controlled in the channel strip section
4. Name of the track or bus currently being controlled in the channel strip section
5. Name of the parameter assigned to the [VALUE] knob
6. Value of the parameter assigned to the [VALUE] knob
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Channel strip section
fig.daw01.eps
This section controls SONAR’s track or bus parameters.
1. Track selection button
Use this button to select the track (or bus) to control.
[SHIFT] + track selection buttons
Press this key combination to switch the current strip between the track and the bus.
Track selection button + [VALUE] knob
2. [ASSIGN] button
Press this button to switch the parameter assigned to the [VALUE] knob.
The assigned parameter will depend on the track (or bus) you’re controlling. For details, refer to SONAR’s
online Help.
The currently assigned parameter is displayed on the screen. (See p. 19.)
[SHIFT] + [ASSIGN] buttons
When you press this key combination, the [ASSIGN] button flashes and you can use the [VALUE] knob to change the
current time (jog/shuttle mode).
To restore the display, press the [ASSIGN] button.
3. [VALUE] knob
Use this knob to change the value of the current parameter.
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4. Channel fader
The channel fader has a touch-sensitive motor fader so it can move in response to the volume of the current strip. It
also moves while playing, according to the automation information.
To record automation information, touch and then release the fader during automation recording.
The motor fader moves very quietly. However, you may want to make it totally silent if you plan to record
with microphones or mix any soft music. To stop the operation of the motor fader, turn on “Disable Fader
Movement” in the VS-100 properties page. For more information about the VS-100 properties page, see
“VS-100 properties page” (p. 24).
For more information about recording automation information, see the SONAR online Help.
5. [MUTE] button
Press this button to turn the mute on or off for the current strip.
When the current strip is muted, the [MUTE] button is lit.
[SHIFT] + [MUTE] buttons
Use this key combination to turn the input monitor on and off for the current strip.
*
When the current strip is the bus, this does not work.
6. [SOLO] button
Press this button to turn the solo on or off for the current strip.
When the current strip is the solo, the [SOLO] button is lit.
[SHIFT] + [SOLO] buttons
Use this key combination to turn the solo on or off for all tracks.
7. [ARM] button
Press this button to turn recording standby on or off for the current strip.
When the current strip is in recording standby mode, the [ARM] button is lit.
*
When the current strip is the bus, this does not work.
[SHIFT] + [ARM] buttons
Use this key combination to bring the current strip to automation recording standby mode.
For more information about recording automation information, see the separate SONAR online Help.
8. [SHIFT] button
Use this button in combination with other buttons.
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Transport section
fig.daw02.eps
5.
6.
7.
Button
Press this button to rewind the current time.
[SHIFT] +
button
Use this key combination to move the current time to
the previous measure.
Button
Press this button to fast-forward the current time.
[SHIFT] +
button
Use this key combination to move the current time to
the next measure.
This section controls playback of SONAR.
1. [LOOP] button
Press this button to turn SONAR’s loop function on or
off.
Button
Press this button to move the current time to the end of
the project.
*
This button is not lit even when SONAR’s loop function is
on.
[SHIFT] +
button
[SHIFT] + [LOOP] buttons
Use this key combination to move the current time to
the next marker.
Use this key combination to set the selected range for
SONAR’s loop function.
*
For more information about selecting the range, see the
separate SONAR online help.
8.
9.
Button
Press this button to stop the transport.
2. [VIEW] button
Press this button to display SONAR’s Track view.
Button
[SHIFT] + [VIEW] buttons
Press this button to start playback.
Use this key combination to display SONAR’s Console
view.
If you press this button during playback, the playback
pauses.
3. [MARKER] button
10.
Button
Press this button to insert a marker at the current time.
Press this button to start recording tracks that are in
recording standby mode.
*
If you press this button while SONAR is paused, the
Marker view is displayed.
If you press this button during playback, you can start
recording tracks that are in recording standby mode
without stopping playback.
4.
Button
Press this button to move the current time to the
beginning of the project.
[SHIFT] +
button
Use this key combination to move the current time to
the previous marker.
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ACT section
fig.daw03.eps
When you press the [ACT] button to turn on the ACT function, the button lights up and you can use the [R1]–[R4]
knobs to control the parameters of plug-ins that support the function.
You cannot control plug-ins that do not support the ACT function.
You can configure the parameters controlled by the four knobs in the VS-100 properties page.
What is ACT?
ACT (Active Controller Technology) is a function for controlling SONAR from external devices such as
MIDI controllers or control surfaces. Plug-in effects and synthesizers that are active on SONAR are
controlled automatically.
For more information, see the SONAR online Help.
Expanded ACT section
If you turn on the system setting “DAW Full Asgn,” you’ll be able to use not only the four knobs of the ACT
section but also the buttons and knobs of the “Input section” (p. 17) to control ACT-compatible plug-ins.
The names of the parameters being controlled are shown in the “VS-100 properties page” (p. 24).
For details on how to turn on the system setting “DAW Full Asgn,” refer to “System settings” (p. 52).
If “DAW Full Asgn” is turned on, you won’t be able to use the input section to control SONAR
V-STUDIO 100’s digital mixer functionality. If you want to adjust the mixer, you’ll need to turn “DAW
Full Asgn” off.
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VS-100 properties page
fig.proppage.eps
The VS-100 properties page displays the names of the parameters
that can be controlled with the [R1]–[R4] knobs.
You can also configure the action of the footswitches or of the
motor fader connected to SONAR V-STUDIO 100.
To display the VS-100 properties page, in SONAR, select “VS-100”
command from “Tools” menu.
key on your computer displays the online Help. For more
information about the VS-100 properties page, see the online Help.
Using DAW software other than SONAR
If you set the system setting “DAW Select” (p. 55) to “Other,” the SONAR V-STUDIO 100 will be recognized as a
Mackie Control from your DAW software, and you’ll be able to use the controllers enclosed by the frame in the
illustration to control your DAW software.
fig.Mackie.eps
By default, no function is assigned to the
,
, [VIEW], and [MARKER] buttons. Use the assign
function of your DAW software to assign the desired function to these buttons.
For details on how to make settings in your DAW, refer to the documentation for your DAW.
For DAW software other than SONAR, you won’t be able to turn on the [ACT] button.
For details on making system settings, refer to “System settings” (p. 52).
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Using the WAVE recorder
fig.mixer04.eps
Button is lit
When you turn on the power of the SONAR V-STUDIO 100 without connecting it to a computer, the [DAW/WAVE
RECORDER] button lights up and you can operate the WAVE recorder.
You can use the WAVE recorder to record signals that have been mixed in the digital mixer section.
If you change the system setting “WAV-Rec Source,” you can also use the WAVE recorder to record only the
signals input to INPUT 1L/INPUT 2R. For more information, see “Parameter list” (p. 55).
Playback sound from the WAVE recorder is output via the MAIN OUTPUT 1/2 and the headphones.
WAVE recorder screen
fig.recorder01.eps
Main screen
Main screen:
The main screen of the WAVE recorder. When you turn the
power on and press the [DAW/WAVE RECORDER] button,
this screen is displayed. This is where you record and
playback songs.
Finder screen:
Press
Use this screen to perform operations such as listing,
selecting or deleting files.
Finder screen
If a different screen is displayed, pressing the
[DAW/WAVE RECORDER] button will return you
to the main screen.
If the SONAR V-STUDIO 100 is connected via
USB to your computer, pressing the [DAW/
WAVE RECORDER] button will not access the
WAVE recorder main screen.
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Using the WAVE recorder
Information displayed on the main screen
fig.recorder02.eps
1. File name
2. Level meter
•
•
Displays the output level
When input signal was detected, displays the
input level
3. Marker view
•
•
Number on the left: the number of the marker that was passed at the point displayed on the time counter
Number on the right: the number of markers contained in the file
4. File length:
•
while recording, this displays the remaining recording time
5. Time counter
•
•
During playback and while paused:
During recording:
displays elapsed time since the beginning of the file
displays elapsed recording time
Basic operation
fig.recorder03.eps
2. Adjust the output level of the WAVE recorder
3. [A<>B] (repeat A-B) button
in the file repeatedly.
Set the A and B marks during playback to repeat
the section between A and B.
For more information, see “Loop playback (A-B
REPEAT)” (p. 33).
4. [METRONOME] button
Turn on the metronome. For more information,
see “Using the metronome” (p. 34).
5. [MARKER] button
Insert a marker at the point displayed on the time counter.
6. Reset the time counter to zero
If markers have been inserted, pressing this button will reset the time counter to the point of the previous marker.
7. Rewind the time counter
8. Fast-forward the time counter
9. Move the time counter to the end of the file
If markers have been inserted, pressing this button will move the time counter to the point of the next marker.
10. Stop
11. Start the playback from the point displayed on the time counter
12. Create a new file and start recording
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Using the WAVE recorder
SD memory card
In SONAR V-STUDIO 100, data is recorded on an SD memory card.
Inserting an SD memory card
fig.sd-ins.eps
NEVER insert or remove an SD memory card when the power of
SONAR V-STUDIO 100 is on. Doing so may result in the loss of
data from the SONAR V-STUDIO 100 or the SD memory card.
1. Turn the power off.
2. Insert the SD card into the SD card slot.
•
Never insert or remove an SD memory card while this unit’s power is on.
Doing so may corrupt the unit’s data or the data on the SD memory card.
•
Carefully insert the SD memory card all the way in—until it is firmly in
place.
3. Turn the power on.
Removing an SD memory card
1. Turn the power off.
The memory card will pop out slightly. Pull the card out.
Formatting an SD memory card
If you use a new SD memory card, or if you use an SD memory card that has been used in other devices such as
personal computers, the card will need to be formatted before it can be used for the SONAR V-STUDIO 100.
“Formatting an SD memory card” (p. 52)
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Using the WAVE recorder
Recording
1. Check the input level.
fig.recorder04.eps
If the peak indicator at the right end of
the level meter (indicated by the arrow
in the illustration) is lit, turn the [MAIN
MIX] knob to the left to reduce the
level.
2. Press the
(Record)
button and start recording.
The time counter starts counting
forward.
3. Press the
(Stop) button to stop recording.
The recorded file will automatically be given a name of “REC_****.WAV”. The “*” field will be a number that
starts with 0001 and increments each time you record.
The recorded file is saved in the root folder of the SD memory card.
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Using the WAVE recorder
Playing back a file
1. Press the
(Playback) button.
2. Use the [PLAYBACK] knob to adjust the playback volume.
If the sampling frequency of the file being played differs from the sampling frequency setting of the SONAR
V-STUDIO 100, you may hear a small amount of noise when the file is playing or stopped. In this case, refer to
“Sampling frequency setting” (p. 52) and set the SONAR V-STUDIO 100’s sampling frequency to match the
sampling frequency of the file you’re playing.
Selecting a file to play back
The SONAR V-STUDIO 100 cannot play back files that are inside a folder. When using a computer to copy
files for playback to SD memory, you must copy them to the root folder.
1. In the main screen, press the [CURSOR/VALUE] knob to open the finder screen (p. 26).
2. In the finder screen, turn the [CURSOR/VALUE] knob to select the file that you want to play back.
fig.finder-screen.eps
3. In the next screen, ensure that “Select” is highlighted and press the [CURSOR/VALUE] knob.
fig.finder-screen2.eps
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Using the WAVE recorder
Viewing file information
The finder screen lets you view the file size and file format.
1. From the main screen, press the [CURSOR/VALUE] knob to open the finder screen (p. 26).
2. In the finder screen, turn the [CURSOR/VALUE] knob to select the desired file, and then press the
[CURSOR/VALUE] knob.
3. Turn the [CURSOR/VALUE] knob to highlight “Information,” and then press the [CURSOR/VALUE]
knob.
fig.finder-screen3.eps
4. The display will show the file size and the file format (sample rate and bit depth).
fig.finder-screen4.eps
5. Press the [DISPLAY] button to return to the previous screen.
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Using the WAVE recorder
Inserting markers
During playback or recording, you can insert markers at any point on the file.
By inserting markers on a file, you can quickly jump to those positions by pressing the
button.
button or
1. Play back the file.
2. When the file reaches the point where you want to insert a mark, press the [MARKER] button.
The number displayed in the marker counter increases.
fig.marker01.eps
Deleting a marker
During playback or recording, you can hold down the [SHIFT] button and press the [MARKER] button to delete the
preceding marker.
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Using the WAVE recorder
Loop playback (A-B REPEAT)
This function allows you to play back any section (A-B) in the file repeatedly. After inserting marks A and B while the
file is playing you can then repeat the section between the two marks.
fig.repeat-a.eps
1. Play back the file.
A
Press the [A <> B] button once during playback.
The [A <> B] button flashes. This point becomes the starting point (A mark) for the
playback loop.
*
After inserting the A mark, pressing the
B mark cancels the A mark.
(Stop) button before setting the
fig.repeat-b.eps
2. Press the [A <> B] button again.
A
B
The [A <> B] button lights up. This point becomes the end point (B mark) for the
playback loop.
The section set in the steps 1 and 2 automatically plays back repeatedly.
fig.repeat-ab.eps
*
After inserting the A mark, if you play back to the end of the file without setting the
B mark, the end of file becomes the B mark.
A
B
Canceling the loop playback
To cancel the loop playback after inserting A and B marks, press the [A <> B] button.
The [A <> B] button turns off and the loop playback is cancelled.
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Using the WAVE recorder
Using the metronome
1. Press the [METRONOME] button.
The metronome function is turned on and the [METRONOME] button flashes.
2. The metronome setting screen is displayed.
Use the [CURSOR/VALUE] knob to adjust the tempo, beat, and volume of the metronome.
fig.metronome01.eps
Parameter
Tempo
Beat
Description
Tempo (BPM)
Beat
Level
Volume (0-127)
3. Press the [WAVE RECORDER] button to return to the main screen.
4. To turn off the metronome, press the [METRONOME] button again.
The light of the [METRONOME] button turns off.
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Using the WAVE recorder
Recording while playing back a file
You can play back a file in the background and record only your playing at the same time.
1. Select the file to play back in the background (See p. 30).
2. Press and hold the [SHIFT] button, and press the [CURSOR/VALUE] knob.
The main screen displays “BG” to the right of the file name. This indicates that the file is selected for background
playback.
fig.bgMark.eps
3. Press the
(Record) button.
Recording starts. At the same time, the file selected for background playback starts.
4. To finish recording, press the
(Stop) button.
5. When you start playback, the recorded file and the background file are played back
simultaneously.
6. To cancel the selection of the background file, press and hold the [SHIFT] button and press the
[CURSOR/VALUE] knob.
If the file for the background playback is selected, rewind and fast-forward operations affect both files.
If the background file is longer than the file being recorded, the play button will blink when the recorded
file has played to its end, and playback will continue to the end of the background file.
To display the name of the file for background playback, press the [SHIFT] button.
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Using the WAVE recorder
Deleting a file
A deleted file cannot be recovered.
1. From the main screen, press the [CURSOR/VALUE] knob to access the finder screen (p. 26).
2. From the finder screen, turn the [CURSOR/VALUE] knob to select the file that you want to delete,
and then press the [CURSOR/VALUE] knob.
3. Turn the [CURSOR/VALUE] knob to highlight “Delete,” and then press the [CURSOR/VALUE] knob.
fig.fileDel0.eps
4. A confirmation screen appears.
To delete the selected file, press the [CURSOR/VALUE] knob once again.
fig.fileDel1.eps
If you decide not to delete the file, press the [DISPLAY] button.
5. When the file has been deleted, you will return to the finder screen.
Press the [DISPLAY] button to return to the previous screen.
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Connections
Connecting the AC adaptor
Connect the included AC adaptor to the SONAR V-STUDIO 100’s DC IN jack.
fig.Connect-ACadpt.eps
AC Adaptor
(included)
Power Cord
(included)
DC IN
to Power Outlet
Indicator
Place the AC adaptor so the side with the indicator (see illustration) faces upwards and the side with textual
information faces downwards.
* The indicator will light when you plug the AC adaptor into an AC outlet.
To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to
avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in
the illustration.
fig.CordHook.j.eps
Cord Hook
AC Adaptor Cord
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Connections
Connecting computers and audio equipments
Before connecting the SONAR V-STUDIO 100 to a computer, read the separate Installation Guide
and install the SONAR V-STUDIO 100 driver on the computer. If the driver is not installed, SONAR
V-STUDIO 100 cannot be operated correctly from the computer.
•
•
Use a USB cable to connect your computer to the SONAR V-STUDIO 100.
Connect your audio output devices such as headphones or speakers to the SONAR V-STUDIO 100.
*
This package does not include audio output devices such as headphones or speakers.
fig.Connect-basic.eps
Monitor amplified speakers
Headphones
USB
Connector
Computer
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Turning the power on
*
*
*
Once the connections have been completed (p. 38), turn on power to your various devices in the order specified. By
turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.
This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit
will operate normally.
Always make sure to have the volume level turned down before switching on power. Even with the volume all the way
down, you may still hear some sound when the power is switched on, but this is normal, and does not indicate a
malfunction.
1. Turn the SONAR V-STUDIO 100’s [MAIN MIX] knob and the Headphone [VOLUME] knob to the
minimum.
fig.Vol-Min.eps
2. If the SONAR V-STUDIO 100 is connected to a computer, turn on the power of your computer.
3. Turn on the power switch of SONAR V-STUDIO 100.
fig.P-ON.eps
4. Turn on the power of the monitor speaker.
*
To protect its circuits, the SONAR V-STUDIO 100 does not operate for a while after you turn the power on.
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Connections and signal flow
Connecting microphones and guitars
fig.Connect-mic-guitar.eps
Guitar/Bass
Microphone
Connect the guitar
or bass to INPUT 1
If you use a phantom power-enable condencer
microphone, set this switch to “+48V”
Hi-Z
Adjust the input level
Adjust the input level
*
*
*
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the
power on all devices before making any connections.
When connection cables with resistors are used, the volume level of equipment connected to the INPUT connectors
may be low. If this happens, use connection cables that do not contain resistors.
Feedback could be produced depending on the location of microphones relative to speakers. This can be remedied by:
1. Changing the orientation of the microphone(s).
2. Relocating microphone(s) at a greater distance from speakers.
3. Lowering volume levels.
*
Do NOT connect anything to input terminals that you are not using.
Adjusting the level
Use the [SENS] knob to adjust the input level. To achieve the best recording quality, display the level meter on the
screen and use the [SENS] knob to increase the level as far as possible without the input level exceeding the normal
level.
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Connections and signal flow
Signal flow when recording with SONAR
fig.routing01.eps
To USB
WAVE IN
1-2
WAVE OUT
1-2
WAVE IN
MAIN
[PLAYBACK]
[MAIN MIX]
[PAN]
[SENS]
1L
INPUT
2R
MAIN OUTPUT 1/2
PHONES output
[LEVEL]
[VOLUME]
MIXER
If you connect the SONAR V-STUDIO 100 to your computer with a USB cable, you can use SONAR to record sounds
input to INPUT 1L/INPUT 2R.
*
The [PAN] knob does not have any effect on USB audio.
Signal flow when recording with the WAVE recorder
fig.routing02.eps
To WAVE RECORDER
[PLAYBACK]
[PAN]
[SENS]
1L
2R
MAIN OUTPUT 1/2
PHONES output
INPUT
[MAIN MIX]
[LEVEL]
[VOLUME]
MIXER
If the SONAR V-STUDIO 100 is not connected to a computer, the WAVE recorder function is available. Press the
Record button to record sounds input to INPUT 1L/INPUT 2R.
To adjust the balance between the sounds input to INPUT 1L and INPUT 2R, use the [PAN] knob.
For more information about using the WAVE recorder function, see “Using the WAVE recorder” (p. 26).
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Connections and signal flow
Connecting audio equipment and synthesizers
fig.Connect-various.eps
Guitar/Bass
Microphone
Synthesizer, etc.
Audio Player, etc.
Monitor amplified
speakers
Effects, etc.
Recorder, Mixer, etc.
*
The sampling frequency of the input signal from digital equipment must be the same as that of the SONAR V-STUDIO
100. For more information about setting the sampling frequency of the SONAR V-STUDIO 100, see “Sampling
frequency setting” (p. 52).
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Connections and signal flow
Signal flow when recording with SONAR
fig.routing03.eps
To USB
WAVE IN
1-2 3-4 5-6 7-8
WAVE OUT
1-2
WAVE IN
MAIN
[PLAYBACK]
[MAIN MIX]
[PAN]
[SENS]
1L
2R
MAIN OUTPUT 1/2
PHONES output
INPUT
[LEVEL]
[VOLUME]
3L/4R
5L/6R
7/8
MIXER
•
•
To control the direct monitor volume for the input signal, use the [MAIN MIX] knob.
To control the SONAR’s playback volume, use the [PLAYBACK] knob.
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Connections and signal flow
Signal flow when recording with the WAVE recorder
fig.routing04.eps
To WAVE RECORDER
[PLAYBACK]
[PAN]
[SENS]
1L
2R
MAIN OUTPUT 1/2
PHONES output
[MAIN MIX]
INPUT
[LEVEL]
[VOLUME]
3L/4R
5L/6R
7/8
MIXER
Signals input to INPUT 1–8 are mixed and recorded on the WAVE recorder.
•
•
To control the recording level of the WAVE recorder, use the [MAIN MIX] knob. The recording level can be checked with
the level meter.
•
•
To control the playback level of the WAVE recorder, use the [PLAYBACK] knob.
If you change the system setting “WAV-Rec Source,” you can also use the WAVE recorder to record only the signals
input to INPUT 1L/INPUT 2R. For more information, see “Parameter list” (p. 55).
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Connections and signal flow
Connecting footswitches
fig.connectFS.eps
TIP
RING
Roland PCS-31
TRS 1/4”phone cable
(commercially available)
White
(TIP)
Red
(RING)
BOSS FS-5U
BOSS FS-6
Footswitch 1 Footswitch 2
Footswitch 2 Footswitch 1
Polarity switch
Set the switches as shown bellow.
B
A
You can use footswitches to control the actions of the WAVE recorder and SONAR.
Function
Footswitch 1
Footswitch 2
Playback
Recording
If you are using SONAR, you can assign functions to footswitches in the VS-100 properties page (See p. 24).
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Using the compressors and equalizers
Each analog input on SONAR V-STUDIO 100 is equipped with a compressor and a 3-band equalizer.
Turning on the compressors and equalizers
fig.compEQ01.eps
When you press the [COMP/EQ] button on each channel, that channel’s compressor and equalizer are turned on.
•
•
•
When the compressor and equalizer are on, the [COMP/EQ] button is lit.
The equalizer setting screen is displayed.
When you press the [COMP/EQ] button of another channel, the equalizer setting screen for that channel is displayed.
Turning off the compressors and equalizers
When you press the [COMP/EQ] button of a channel, the equalizer setting screen for that channel is displayed.
When you press the [COMP/EQ] button again, its compressor and equalizer are turned off.
The equalizer setting screen indicates that the compressor and equalizer have been turned off.
fig.compEQ02.eps
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Using the compressors and equalizers
Setting the compressors and equalizers
fig.compEQ03.eps
Equalizer setting screen
Compressor setting screen
Pressing the compressor/equalizer toggle button switches between the screens for the compressor and the
equalizer.
Setting the equalizers
fig.compEQ04.eps
Meaning
Changing the settings
1
2
3
4
5
6
Channel currently displayed
Equalizer bypass
Press the [COMP/EQ] button for each channel
Use the [CURSOR/VALUE] knob to set the cursor, and then press the knob
Equalizer Q
1. Use the [CURSOR/VALUE] knob to set the cursor
2. Press the [CURSOR/VALUE] knob
3. Use the [CURSOR/VALUE] knob to change the value
4. Press the [CURSOR/VALUE] knob to confirm
Hi band cutoff frequency/gain
MID band center frequency/gain
LO band cutoff frequency/gain
Adjust each of the [LO], [MID] and [HI] knobs
7
Gain of each band
*
The HI and LO bands are shelving type and the MID band is peaking type.
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Using the compressors and equalizers
Setting the compressors
fig.compEQ06.eps
Meaning
Changing the settings
1
2
3
4
Channel currently displayed
Compressor bypass
Threshold
Press the [COMP/EQ] button for each channel
Use the [CURSOR/VALUE] knob to set the cursor, and then press the knob
Adjust each of the [THRES], [RATIO] and [GAIN] knobs
Compression ratio
5
Output gain
6
7
Attack time
1. Use the [CURSOR/VALUE] knob to set the cursor
2. Press the [CURSOR/VALUE] knob
3. Use the [CURSOR/VALUE] knob to change the value
4. Press the [CURSOR/VALUE] knob to confirm
Release time
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System settings
5. Press the [DISPLAY] button to return to the
previous screen.
Formatting an SD memory card
An SD memory card that you have just purchased or an SD
memory card that has been used by a computer or other
device must be formatted as described below before it can
be used with the SONAR V-STUDIO 100.
Sampling frequency setting
If you want to connect the SONAR V-STUDIO 100 to your
computer via USB and use its USB audio interface
functionality, set the V-STUDIO’s sampling frequency to
match your software’s sampling frequency as follows.
When you format an SD memory card, all data on that
card will be erased. Be sure to back up any important
data before you proceed.
1. Hold down the [DISPLAY] button for approximately
one second to access the system setting screen.
If an SD memory card that is not in a state that can be
used by the SONAR V-STUDIO 100 is inserted, the
display will indicate “SD Unformatted.”
2. Turn the [CURSOR/VALUE] knob to move the cursor
to “Sample Freq,” and then press the [CURSOR/
VALUE] knob.
fig.SetSampleFreq1.eps
1. Hold down the [DISPLAY] button for approximately
one second to access the system setting screen.
2. Turn the [CURSOR/VALUE] knob to move the cursor
to “SD Format,” and then press the [CURSOR/
VALUE] knob.
fig.Format1.eps
3. Turn the [CURSOR/VALUE] knob to specify the
desired sampling frequency, and then press the
[CURSOR/VALUE] knob to confirm the change.
fig.SetSampleFreq2.eps
3. A confirmation screen appears.
To begin formatting, turn the [CURSOR/VALUE] knob to
highlight “Yes,” and then press the [CURSOR/VALUE] knob.
fig.Format2.eps
4. Turn the SONAR V-STUDIO 100’s power off and
then on again.
The SONAR V-STUDIO 100’s sampling frequency setting will
not change until the power has been turned off and on again.
If you decide not to format the card, turn the [CURSOR/
VALUE] knob to highlight “No,” and then press the [CURSOR/
VALUE] knob.
If the SONAR V-STUDIO 100’s actual sampling frequency
does not match the setting in the system setting screen,
an “*” symbol is shown by the sampling frequency
value.
*
Do not remove the SD memory card until formatting has
been completed.
4. When formatting has been completed, you will
return to the system setting screen.
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System settings
Reverb settings
Initialization
The digital mixer section provides reverb that can be applied
to the signal from each input.
Initializing the settings
When you execute the system setting “Reverb” (p. 55), the
reverb screen appears, allowing you to specify the reverb
To initialize the settings to their factory-set state, proceed as
follows.
type and adjust the send levels for each input.
fig.SetRev1.eps
The LCD contrast, sampling frequency, digital input
settings, and the data in the SD memory card will not be
initialized.
1. Hold down the [DISPLAY] button for approximately
one second to access the system setting screen.
Parameter
Value
ECHO, ROOM, SMALL HALL,
LARGE HALL
Type
2. Turn the [CURSOR/VALUE] knob to move the cursor
to “Initialize,” and then press the [CURSOR/VALUE]
Adjust the amount of reverb
applied to each channel
SEND LEVEL
knob.
fig.Init1.eps
If reverb is on, the “Rv” icon is shown at the left of the
level meter screen. If reverb is being applied to a
channel, that channel number will be highlighted.
fig.SetRev2.eps
3. A confirmation screen appears.
To execute initialization, turn the [CURSOR/VALUE] knob to
highlight “Yes,” and then press the [CURSOR/VALUE] knob.
fig.Init2.eps
If you decide not to initialize, turn the [CURSOR/VALUE] knob
to highlight “No,” and then press the [CURSOR/VALUE] knob.
4. When initialization is completed, you will return to
the system setting screen.
5. Press the [DISPLAY] button to return to the
previous screen.
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System settings
Initializing the system settings
(Factory Reset)
Other settings
The system setting screen lets you change various settings to
specify how the SONAR V-STUDIO 100 will operate.
To initialize all settings of SONAR V-STUDIO 100 to their
factory-set state, proceed as follows.
Operations in the system setting screen
The data in the SD memory card will not be initialized.
1. Power-off the SONAR V-STUDIO 100.
1. Hold down the [DISPLAY] button for approximately
one second; the system setting (UTILITY) screen
appears.
2. While holding down the [ACT]/[V-LINK] button and
the compressor/equalizer setting button, power-
on the SONAR V-STUDIO 100.
fig.FReset.eps
2. Turn the [CURSOR/VALUE] knob to move the cursor
to the parameter that you want to change.
fig.SetSampleFreq1.eps
3. Press the [CURSOR/VALUE] knob to highlight the
value of that parameter.
fig.SetSampleFreq2.eps
3. When the screen indicates “Factory Reset,” release
the [ACT]/[V-LINK] button and the compressor/
equalizer setting button.
4. Turn the [CURSOR/VALUE] knob to change the
value.
5. Press the [CURSOR/VALUE] knob to confirm the
change.
6. Press the [DISPLAY] button to return to the
previous screen.
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System settings
Parameter list
Parameter
Description
Value
Adjusts the contrast of the display.
Higher values will make the display appear darker.
LCD Contrast
0–19
Specifies the sampling frequency of the SONAR V-STUDIO 100.
For details, refer to “Sampling frequency setting” (p. 52).
44.1, 48.0, 96.0
(kHz)
Sample Freq
Reverb
Accesses the setting screen for the built-in reverb. For details, refer to “Reverb settings” (p.
53).
–
Specifies the file playback mode for the WAVE recorder.
Sgl: Play only the selected file.
WAV-Play Mode
Sgl, Seq
WAV-Play Rept
WAV-Play Mon
Turns repeat playback on/off for files in the WAVE recorder.
OFF, ON
Specifies whether file playback in the WAVE recorder will be stereo or mono.
ST, MONO
Specifies the source when recording into the WAVE recorder.
Mix: Record the mixed signal of INPUT 1–8.
1-2: Record only INPUT 1/2. The INPUT 1 signal will be recorded on the left channel, and
refer to the block diagram (p. 56).
WAV-Rec Source
1:
Record only INPUT 1. The INPUT 1 signal will be recorded as a monaural file.
Specifies the bit depth when recording into the WAVE recorder.
In order to play back a file that was recorded at 24-bit or 32-bit depth, you must use a media
player software that supports those bit depths.
WAV-Rec Bit
DAW Select
16, 24, 32 (bit)
Sonar, Other
Specifies the operating mode of the control surface section.
Normally you should leave this set to SONAR.
software other than SONAR” (p. 24).
Allows the knobs and buttons of the digital mixer section to be used as controllers of the ACT
section. For details, refer to “ACT section” (p. 23).
DAW Full Asgn
Storage
OFF, ON
OFF, ON
–
If this is ON, the SD card slot can be used as a USB mass storage device when connected to a
computer. When this is ON, the USB audio/MIDI interface functionality cannot be used.
* Change this setting while the SONAR V-STUDIO 100 is not USB-connected to a computer.
Formats (initializes) the SD card in the SD card slot.
For the procedure, refer to “Formatting an SD memory card” (p. 52).
SD Format
Turns the INPUT 7-8 (COAXIAL IN) input on/off.
AUTO: The input signal from INPUT 7-8 (COAXIAL IN) will be received. The SONAR V-STUDIO
100 will switch to the same sampling frequency as this digital signal.
OFF: The digital signal will not be received.
Digital IN
AUTO, OFF
Specifies the signal that is sent to the USB audio input (recording).
Post EQ: The signal processed by the internal compressor/equalizer will be sent.
Pre EQ: The signal will be sent before being processed by the internal compressor/
equalizer.
To USB
Post EQ, Pre EQ
–
Initialize
Initializes SONAR V-STUDIO 100 settings. For details, refer to “Initialization” (p. 53).
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About V-LINK
What is V-LINK?
Connection example
V-LINK (
) is functionality that allows you to
This explanation uses the example of a connection with the
EDIROL P-10. Use a MIDI cable to connect the SONAR
V-STUDIO 100’s MIDI OUT connector to the EDIROL P-10’s
perform music and video simultaneously. By connecting
V-LINK compatible devices via MIDI, you can easily enjoy a
variety of video effects that are linked with your performance.
MIDI IN connector.
fig.V-LINKConnection.eps
For example, by using the SONAR V-STUDIO 100 in
conjunction with the EDIROL Visual Sampler P-10, you can
enjoy performing synchronized video from the SONAR
V-STUDIO 100.
MIDI IN
MIDI OUT
In order to enjoy V-LINK between the SONAR V-STUDIO
100 and EDIROL P-10, you’ll need MIDI cables (sold
separately) to make connections.
Turning V-LINK on/off
EDIROL P-10
SONAR V-STUDIO 100
1. Power-on the SONAR V-STUDIO 100 with it
disconnected from your computer.
To avoid malfunctions or speaker damage, lower the
volume of all device and turn off their power before you
make connections.
You can’t use the V-LINK frequency when connected to
a computer via USB.
V-LINK parameters
2. Press the [V-LINK] button to make it light.
V-LINK will turn on, and the “V” icon appears in the left side of
the level meter screen.
fig.VLINK.eps
Controller
TRACK <
TRACK >
ASSIGN
MUTE
V-LINK Control
Transmitted MIDI Message
C0 00
C0 01
C0 02
C0 03
C0 04
C0 05
Image Switching
(Clip Switching)
When V-LINK is on, you’ll be able to control the video image
from the control surface section.
SOLO
ARM
3. Press [V-LINK] button once again to turn V-LINK off.
The V-LINK button will go dark.
Video Control,
Video Bank Select
VALUE
B0 00 00–47
Fader
Video Control
B0 0B 00–7F
(*1)
V-LINK
Mode Switching
*1: Differs depending on whether the power is on or off
ON: F0H 41H 10H 00H 51H 12H 10H 00H 00H 01H 6FH F7H
OFF: F0H 41H 10H 00H 51H 12H 10H 00H 00H 00H 70H F7H
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Error Message List
SD Card Slow/Push Any Key
SD Card Locked
fig.sd-card-slow.eps
fig.sd-card-locked.eps
Recording into the WAVE recorder was halted because
writing to the SD memory card was not fast enough.
The WAVE recorder cannot record because the SD memory
card is set to the Lock state (write protect).
Press any button to clear this message.
Action:
Action:
•
Refer to the owner’s manual of your SD memory card, and
defeat the Lock setting to make the card writable.
•
•
Try formatting the SD memory card (p. 52).
Try recording at a lower sampling frequency or lower bit
depth (p. 55).
SD Card Error!
•
If the error still appears, try using a different SD memory
card.
fig.sd-card-error.eps
SD Unformatted
An error occurred while accessing the SD memory card.
fig.sd-unformat.eps
Action:
•
•
Try formatting the SD memory card (p. 52).
If the error still appears, try using a different SD memory
card.
The WAVE recorder cannot record or play back because an
unrecognizable SD card is inserted.
Action:
File-Sys Error
fig.fsys-err.eps
•
•
Try formatting the SD memory card (p. 52).
If the error still appears, try using a different SD memory
card.
SD Card Full
The WAVE recorder cannot record or play back because an
unrecognizable SD card is inserted.
fig.sd-card-full.eps
Action:
•
•
Try formatting the SD memory card (p. 52).
If the error still appears, try using a different SD memory
card.
Recording into the WAVE recorder was halted because the SD
memory card has insufficient free space.
Action:
•
Delete unneeded files or move files to your computer to
increase the amount of free space on the SD memory card.
•
Use a different SD memory card.
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Error Message List
Improper File
Coaxial Frequency Mismatch
fig.improper-file.eps
fig.coax-freq-mis.eps
The selected file cannot be played because it does not match
the sampling frequency of the digital signal being input to
INPUT 7-8 (COAXIAL IN).
100.
Action:
Action:
•
Use SONAR or other software to convert the file to a format
that can be played by the SONAR V-STUDIO 100.
•
Select a file whose sampling frequency matches. (To check
a file’s sampling frequency, see “Viewing file
information” (p. 31)
For more information about playable formats, see
“Specifications” (p. 60).
•
•
Change the digital signal’s sampling frequency to match
the file.
Turn off the digital input (p. 55).
Recorder Working
fig.rcdr-working.eps
Coaxial In Error/Unsupported Clock
fig.coax-err.eps
The operation cannot be executed because the WAVE
recorder is recording.
A digital signal of a sampling frequency not supported by the
SONAR V-STUDIO 100 is being input to INPUT 7-8 (COAXIAL
IN).
Action:
•
Stop recording on the WAVE recorder, and perform the
operation once again.
Action:
•
Switch your external digital device to a sampling
frequency that is supported by the SONAR V-STUDIO 100,
or switch the V-STUDIO’s sampling frequency to match
that of the digital input signal.
Files Frequency Mismatch
fig.file-freq-mis.eps
•
If the V-STUDIO is connected via USB, match the sampling
frequency of your digital device to the sampling frequency
of the V-STUDIO and your software.
The selected file cannot be played because it does not match
the sampling frequency of the background file.
Action:
•
Select a file whose sampling frequency matches. (To check
a file’s sampling frequency, see “Viewing file
information” (p. 31)
•
Use SONAR or other software to convert the file’s sampling
frequency.
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Specifications
Digital Audio Workstation: SONAR V-STUDIO 100
Audio Interface, Mixer
Number of Input Channels
AD/DA Conversion
8
Sample Rate:
Signal Processing:
44.1/48.0/96.0 kHz
24 bits
Compressor:
Equalizer:
Reverb:
Input Jacks 1–6
Input Jacks 1–6
Input Jacks 1–6 (Echo/Room/Small Hall/Large Hall)
40 bits
DSP processing
Internal:
Number of USB Audio Record/
Playback Channels
Record:
Playback:
10 channels
6 channels (Full duplex)
96.0 kHz:
48.0 kHz:
44.1 kHz:
20 Hz to 40 kHz (+0/-3 dB)
20 Hz to 22 kHz (+0/-3 dB)
20 Hz to 20 kHz (+0/-3 dB)
Frequency Response
Residual Noise Level
(IHF-A, typ.)
- 81 dBu
(MAIN MIX knob = U, CHANNEL VOLUME knobs = U)
AD block:
DA block:
Input Jacks 1–2:
Input Jacks 3–6:
Output Jack 1–2: 112 dB typ.
Output Jack 3–6: 106 dB typ.
104 dB typ. (GAIN: min.)
100 dB typ.
Dynamic Range
Mic Input Jacks 1–2:
Input Jacks 1–2:
Input Jacks 3–4:
Input Jacks 5–6:
-60 to -16 dBu
-40 to +4 dBu
+4 dBu
-10 dBu
Nominal input level + 18 dB
Nominal Input Level:
Input Impedance
* Maximum input level:
Mic Input Jacks 1–2:
Input Jacks 1–4:
Input Jacks 1 (Hi-Z):
Input Jacks 5–6:
1.5 k ohms
15 k ohms
500 k ohms
18 k ohms
Output Jack 1–4:
+4 dBu
Nominal Output Level
Output Impedance
Output Jack 5–6:
* Maximum output level :
-10 dBu
Nominal Output Level + 18 dB
Output Jack 1–4:
Output Jack 5–6:
2 k ohms
1 k ohms
Recommended Load
Impedance
10 k ohms or greater
Mic Input Jacks 1–2:
Output Jacks 1–4:
Output Jacks 5–6:
XLR type (balanced/phantom power +48 V)
1/4 inch TRS phone type (balanced)
RCA pin type
Connectors
MIDI Connectors (Input/Output)
Digital Input Connector:
USB Connector (B type)
Headphones Jack:
Coaxial type
Stereo 1/4 inch phone type
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Specifications
Control Surface
100mm Touch-sensitive Motorized Fader
Assignable Encoder
Assign Button
TRACK Control
Track Select Button:
Track Control Button:
Track Control Button:
Transport
+/-
MUTE/SOLO/ARM/SHIFT
LOOP/TRACK VIEW/MARKER
ACT Button
ACT Encoder:R1–R4
ACT Control
WAVE RECORDER
* WAVE RECORDER does not function when VS-100 is connected to a computer via USB.
Record:
Stereo 1 channel
Channels
Data Type
Playback:
Playback:
Stereo 1 channel (NORMAL MODE)
Stereo 2 channel (REC-ON-PLAY MODE)
Format:
Sampling Frequency:
Bit Depth:
STEREO, WAV
44.1 kHz/48.0 kHz/96.0 kHz
16/24/32-bit
Recording Media
Files
SD(HC) memory card, 512M Byte or more
Up to 2 GB:
512 files
4 GB or more:
1000 files
A-B REPEAT
Metronome
Marker
Controls
REC-ON-PLAY MODE
16 bit/44.1 k Hz stereo:
16 bit/48.0 k Hz stereo:
24 bit/48.0 k Hz stereo:
24 bit/96.0 k Hz stereo:
755 minutes
694 minutes
462 minutes
231 minutes
Recording Time using 8GB
SDHC card
* Recording times are approximate. Actual results may vary somewhat.
* If more than one recorded file exists, the total recordable time will be less than listed.
OTHERS
Power Supply
Current Draw
Phantom Power
DC 9 V (AC adaptor)
1 A
+48 V/5 mA (each input)
282.0 (W) x 180.8 (D) x 70.2 (H) mm
11-1/8 (W) x 7-1/8 (D) x 2-13/16 (H) inches
Dimensions
Weight
1.9 kg/4 lbs 4 oz
Foot Switch:
Dual Foot Switch:
BOSS FS-5U
BOSS FS-6
Options
*
*
0 dBu = 0.775 Vrms
In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
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A
F
AB button .......................................................... 27
AC adaptor ....................................................... 38
ACT button ................................................ 18, 23
Active Controller Technology ................... 23
File
LCD Contrast .................................................... 55
Level knob ........................................................ 17
LO knob ............................................................. 18
LOOP button .................................................... 22
Loop playback ................................................. 33
File length ......................................................... 27
File name ........................................................... 27
Files Frequency Mismatch .......................... 59
Finder screen ................................................... 26
B
Background file ............................................... 35
Beat ..................................................................... 34
MARKER button ....................................... 22, 27
Marker view ...................................................... 27
METRONOME button .................................... 27
Microphone Preamp ..................................... 14
C
Connection ....................................................... 41
Connector
GAIN knob ........................................................ 18
Go beginning button ................................... 22
Grounding terminal ...................................... 15
Footswitch ............................................... 15
MIDI ............................................................ 15
USB ............................................................. 15
Control surface screen ................................. 19
Cord hook ......................................................... 15
CURSOR/VALUE knob ................................... 18
Headphone ...................................................... 14
HI knob .............................................................. 18
Hi-Z button ....................................................... 14
Next marker button ...................................... 22
Next measure button ................................... 22
D
DAW Full Asgn ......................................... 23, 55
DAW Select ....................................................... 55
DAW/WAVE RECORDER button ................ 26
DC IN jack .......................................................... 15
Delete
Initialize ...................................................... 53, 55
INPUT .................................................................. 14
Input
Output
1/4” TRS balanced ................................. 16
Headphone .............................................. 14
Main output ............................................. 16
RCA Pin ...................................................... 16
1/4” balanced .......................................... 16
Coaxial digital ......................................... 16
Guitar/Bass ............................................... 14
Microphone ............................................. 14
RCA Pin ...................................................... 16
File .............................................................. 36
Digital IN ........................................................... 55
DISPLAY button .............................................. 18
E
Equalizer .................................................... 48–49
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P
Play button ................................................ 22, 27
Playback
Screen
UTILITY screen ................................................. 54
SD card slot ...................................................... 14
Select
VIEW button ..................................................... 22
V-LINK button .................................................. 18
VS-100 properties page ............................... 24
Loop ........................................................... 33
Playback button ............................................. 30
PLAYBACK knob ............................................. 16
Power switch ............................................ 15, 40
Previous marker button ............................... 22
Previous measure button ........................... 22
W
WAV-Play Mode .............................................. 55
WAV-Play Mon ................................................ 55
WAV-Play Rept ................................................ 55
WAV-Rec Bit ..................................................... 55
WAV-Rec Source ...................................... 26, 55
R
RATIO knob ...................................................... 18
RCA pin input .................................................. 16
Record button .......................................... 22, 27
Recorder Working .......................................... 59
Recording ......................................................... 29
repeat A-B button .......................................... 27
Reverb ......................................................... 53, 55
Rewind button ......................................... 22, 27
XLR Input ........................................................... 14
File .............................................................. 30
SENS knob ........................................................ 14
SHIFT button .................................................... 21
Signal flow ......................................... 42, 44–45
SOLO button .................................................... 21
Stop button ............................................... 22, 27
Storage .............................................................. 55
System setting screen .................................. 54
T
Tempo ................................................................ 34
THRES knob ...................................................... 18
Time counter ................................................... 27
To USB ................................................................ 55
Track selection button ................................. 20
TRS balanced input ....................................... 16
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For EU Countries
For the USA
This product complies with the requirements of EMC Directive 2004/108/EC.
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
(
)
For C.A. US Proposition 65
WARNING
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.
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For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
For the USA
DECLARATION OF CONFORMITY
Compliance Information Statement
Model Name :
Type of Equipment :
Responsible Party :
VS-100
Digital Audio Workstation
Cakewalk Inc.
Address : 268 Summer Street, Boston, MA 02210
Telephone : (617) 423-9004
For EU Countries
65
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For China
66
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Information
Information
When you need repair service, call your nearest EDIROL/Roland Service Center or authorized
Cakewalk/EDIROL/Roland distributor in your country as shown below.
ASIA
EUROPE
MALAYSIA/
SINGAPORE
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
PORTUGAL
Roland Iberia, S.L.
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Portugal Office
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
U.S.A.
Cakewalk, Inc.
NORTH AMERICA
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
268 Summer Street Boston, MA
02210 U.SA
(617) 423-9004
CANADA
Roland Canada Ltd.
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
(Head Office)
PHILIPPINES
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
TEL: (014) 575811
CROATIA
ART-CENTAR
Degenova 3.
HR - 10000 Zagreb
TEL: (1) 466 8493
TEL: (604) 270 6626
TEL: (266) 364 609
TEL: (02) 899 9801
Roland Canada Ltd.
RUSSIA
MuTek
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (095) 981-4967
(Toronto Office)
TAIWAN
TEL: (010) 6426-5050
EUROPE
EDIROL (Europe) Ltd.
Studio 3.4 114 Power Road
London W4 5PY
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
ROLAND TAIWAN
CZECH REP.
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
VIET NAM
VIET THUONG
CORPORATION
386 CACH MANG THANG
TAM ST. DIST.3,
HO CHI MINH CITY
VIET NAM
CZECH REPUBLIC
DISTRIBUTOR s.r.o
Voctárova 247/16
CZ - 180 00 PRAHA 8,
CZECH REP.
TEL: (905) 362 9707
SLOVAKIA
U. K.
TEL: +44 (0)20 8747 5949
FAX:+44 (0)20 8747 5948
DAN Acoustic s.r.o.
Povazská 18.
TEL: (02) 2561 3339
AFRICA
SK - 940 01 Nové Zámky
TEL: (035) 6424 330
THAILAND
Theera Music Co. , Ltd.
100-108 Soi Verng
Nakornkasem, New
Road,Sumpantawongse,
Bangkok 10100 THAILAND
TEL: (2) 830 20270
DENMARK
SOUTH AFRICA
Paul Bothner(PTY)Ltd.
Deutschland
TEL: 0700 33 47 65 20
TEL: 9316540
SPAIN
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
Italia
TEL: 02 93778329
TEL: (02) 224-8821
TEL: 3916 6200
TEL: (021) 799 4900
SWEDEN
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
TEL: 2415 0911
INDIA
Rivera Digitec (India) Pvt. Ltd.
411, Nirman Kendra
AUSTRALIA/
NEW ZEALAND
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
SWITZERLAND
GREECE/CYPRUS
AUSTRALIA/
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
STOLLAS S.A.
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
SWITZERLAND
TEL: (061)975-9987
INDONESIA
PT Citra IntiRama
Jl. Cideng Timur No. 15J-15O
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
UKRAINE
EURHYTHMICS Ltd.
P.O.Box: 37-a.
Nedecey Str. 30
UA - 89600 Mukachevo,
UKRAINE
HUNGARY
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
KOREA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
TEL: (23) 511011
TEL: (03131) 414-40
NORWAY
Roland Scandinavia Avd.
CENTRAL/LATIN
AMERICA
Kontor Norge
MIDDLE EAST
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha’alia Hashnia St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 211 Parque
Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
TEL: 2273 0074
POLAND
ROLAND POLSKA SP. Z O.O.
ul. Kty Grodziskie 16B
03-289 Warszawa
Tel/Fax: +48 22 678 9512
TEL: (022) 678 9512
TURKEY
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37
Beyoglu - Istanbul / TURKEY
TEL: (0212) 249 85 10
As of Jan. 1, 2009 (Cakewalk)
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