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Owner’s Manual
How to obtain a PDF of the owner’s manual
PDF files of the owner’s manual and supplementary material for this product can be obtained from the
Roland website.
• JUPITER-80 Owner’s Manual (this document)
• Parameter List *
• MIDI Implementation *
* These are not included with the product; you may download them as necessary.
Visit the following URL, choose “owner’s manuals,”and search for the model name “JUPITER-80.”
http://www.roland.com/support/en/
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS”(Owner’s Manual p. 2), “USING
THE UNIT SAFELY”(Owner’s Manual p. 4), and “IMPORTANT NOTES”(Owner’s Manual p. 5). These sections provide important
information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good
grasp of every feature provided by your new unit, Owner’s Manual should be read in its entirety. The manual should be saved
and kept on hand as a convenient reference.
Copyright © 2011 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND
CORPORATION.
Roland, COSM, and SuperNATURAL are either registered trademarks or trademarks of
Roland Corporation in the United States and/or other countries.
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USING THE UNIT SAFETY
About WARNING and CAUTION Notices
About the Symbols
The symbol alerts the user to important instructions or
Used for instructions intended to alert the
user to the risk of death or severe injury
should the unit be used improperly.
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle. In
the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
The symbol alerts the user to items that must never be
carried out (are forbidden).The specific thing that must
not be done is indicated by the design contained within
the circle. In the case of the symbol at left, it means that
the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
The symbol alerts the user to things that must be
carried out.The specific thing that must be done is
indicated by the design contained within the circle. In the
case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
ALWAYS OBSERVE THE FOLLOWING
WARNING
WARNING
WARNING
The unit should be connected to a power
supply only of the type described as
marked on the rear side of unit.
Immediately turn the power off, remove
the power cord from the outlet, and
request servicing by your retailer, the
nearest Roland Service Center, or an
authorized Roland distributor, as listed on
the “Information”page when:
Connect mains plug of this model to a
mains socket outlet with a protective
earthing connection.
Use only the attached power-supply cord.
Also, the supplied power cord must not be
used with any other device.
Do not open or perform any internal
modifications on the unit.
•
The power-supply cord or the plug has
been damaged; or
•
•
If smoke or unusual odor occurs
Do not excessively twist or bend the
power cord, nor place heavy objects on it.
Doing so can damage the cord, producing
severed elements and short circuits.
Do not attempt to repair the unit, or
replace parts within it (except when this
manual provides specific instructions
directing you to do so). Refer all servicing
to your retailer, the nearest Roland Service
Center, or an authorized Roland distribu-
tor, as listed on the “Information”page.
Objects have fallen into, or liquid has
been spilled onto the unit; or
•
•
The unit has been exposed to rain (or
otherwise has become wet); or
Damaged cords are fire and shock hazards!
This unit, either alone or in combination
with an amplifier and headphones or
speakers, may be capable of producing
sound levels that could cause permanent
hearing loss. Do not operate for a long
period of time at a high volume level, or
at a level that is uncomfortable. If you
experience any hearing loss or ringing
in the ears, you should immediately stop
using the unit, and consult an audiologist.
The unit does not appear to operate
normally or exhibits a marked change in
performance.
Never install the unit in any of the
following locations.
In households with small children, an
adult should provide supervision until the
child is capable of following all the rules
essential for the safe operation of the unit.
•
Subject to temperature extremes
(e.g., direct sunlight in an enclosed
vehicle, near a heating duct, on top of
heat-generating equipment); or are
Protect the unit from strong impact.
(Do not drop it!)
•
Damp (e.g., baths, washrooms, on wet
floors); or are
Never allow foreign objects (e.g.,
•
•
•
•
•
•
Exposed to steam or smoke; or are
Subject to salt exposure; or are
Humid; or are
flammable objects, coins, wires) or liquids
(e.g., water or juice) to enter this product.
Doing so may cause short circuits, faulty
operation, or other malfunctions.
Do not force the unit’s power-supply cord
to share an outlet with an unreasonable
number of other devices. Be especially
careful when using extension cords—the
total power used by all devices you have
connected to the extension cord’s outlet
must never exceed the power rating
(watts/amperes) for the extension cord.
Excessive loads can cause the insulation
on the cord to heat up and eventually
melt through.
Exposed to rain; or are
Dusty or sandy; or are
Subject to high levels of vibration and
shakiness.
This unit should be used only with a stand
that is recommended by Roland.
Before using the unit in a foreign country,
consult with your retailer, the nearest
Roland Service Center, or an authorized
Roland distributor, as listed on the
“Information”page.
When using the unit with a stand
recommended by Roland, the stand must
be carefully placed so it is level and sure
to remain stable. If not using a stand, you
still need to make sure that any location
you choose for placing the unit provides a
level surface that will properly support the
unit, and keep it from wobbling.
4
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IMPORTANT NOTES
CAUTION
WARNING
CAUTION
DO NOT play a CD-ROM disc on a
Never climb on top of, nor place heavy
objects on the unit.
The unit should be located so that its
location or position does not interfere
with its proper ventilation.
conventional audio CD player. The result-
ing sound may be of a level that could
cause permanent hearing loss. Damage
to speakers or other system components
may result.
This JUPITER-80 for use only with Roland
stand KS-J8, KS-G8, and KS-18Z. Use with
other stands is capable of resulting in
instability causing possible injury.
Never handle the power cord or its plugs
with wet hands when plugging into, or
unplugging from, an outlet or this unit.
Even if you observe the cautions given
in the owner’s manual, certain types of
handling may allow this product to fall
from the stand, or cause the stand to
overturn. Please be mindful of any safety
issues before using this product.
Before moving the unit, disconnect the
power plug from the outlet, and pull out
all cords from external devices.
Before cleaning the unit, turn off the
power and unplug the power cord from
Always grasp only the plug on the
power-supply cord when plugging into, or
unplugging from, an outlet or this unit.
Whenever you suspect the possibility of
lightning in your area, pull the plug on the
power cord out of the outlet.
At regular intervals, you should unplug
the power plug and clean it by using
a dry cloth to wipe all dust and other
accumulations away from its prongs.
Also, disconnect the power plug from
the power outlet whenever the unit is to
remain unused for an extended period of
time. Any accumulation of dust between
the power plug and the power outlet can
result in poor insulation and lead to fire.
To prevent accidental ingestion of the
parts listed below, always keep them out
of the reach of small children.
•
Removable Parts
Screw for USB memory protector (p. 78)
Try to prevent cords and cables from
becoming entangled. Also, all cords and
cables should be placed so they are out of
the reach of children.
IMPORTANT NOTES
•
This device may interfere with radio and television
•
Do not put anything that contains water on this
unit. Also, avoid the use of insecticides, perfumes,
alcohol, nail polish, spray cans, etc., near the unit.
Swiftly wipe away any liquid that spills on the unit
using a dry, soft cloth.
Power Supply
reception. Do not use this device in the vicinity of
such receivers.
•
Do not connect this unit to same electrical outlet
that is being used by an electrical appliance that
is controlled by an inverter (such as a refrig-
erator, washing machine, microwave oven, or air
conditioner), or that contains a motor. Depending
on the way in which the electrical appliance is
used, power supply noise may cause this unit to
malfunction or may produce audible noise. If it
is not practical to use a separate electrical outlet,
connect a power supply noise filter between this
unit and the electrical outlet.
•
Noise may be produced if wireless communications
devices, such as cell phones, are operated in the
vicinity of this unit. Such noise could occur when
receiving or initiating a call, or while conversing.
Should you experience such problems, you should
relocate such wireless devices so they are at a
greater distance from this unit, or switch them off.
Maintenance
•
For everyday cleaning wipe the unit with a soft,
dry cloth or one that has been slightly dampened
with water. To remove stubborn dirt, use a cloth
impregnated with a mild, non-abrasive detergent.
Afterwards, be sure to wipe the unit thoroughly
with a soft, dry cloth.
•
•
Do not expose the unit to direct sunlight, place
it near devices that radiate heat, leave it inside
an enclosed vehicle, or otherwise subject it to
temperature extremes. Excessive heat can deform
or discolor the unit.
•
•
Before connecting this unit to other devices, turn
off the power to all units. This will help prevent
malfunctions and/or damage to speakers or other
devices.
•
Never use benzine, thinners, alcohol or solvents of
any kind, to avoid the possibility of discoloration
and/or deformation.
When moved from one location to another where
the temperature and/or humidity is very different,
water droplets (condensation) may form inside
the unit. Damage or malfunction may result if you
attempt to use the unit in this condition. Therefore,
before using the unit, you must allow it to stand
for several hours, until the condensation has
completely evaporated.
Although the LCD and LEDs are switched off
when the POWER switch is switched off, this does
not mean that the unit has been completely
disconnected from the source of power. If you need
to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from
the power outlet. For this reason, the outlet into
which you choose to connect the power cord’s plug
should be one that is within easy reach and readily
accessible.
Repairs and Data
•
Please be aware that all data contained in the
unit’s memory may be lost when the unit is sent for
repairs. Important data should always be backed up
USB flash drives, or written down on paper (when
possible). During repairs, due care is taken to avoid
the loss of data. However, in certain cases (such
as when circuitry related to memory itself is out
of order), we regret that it may not be possible to
restore the data, and Roland assumes no liability
concerning such loss of data.
•
•
Do not allow objects to remain on top of the
keyboard. This can be the cause of malfunction,
such as keys ceasing to produce sound.
Depending on the material and temperature of the
surface on which you place the unit, its rubber feet
may discolor or mar the surface.
You can place a piece of felt or cloth under the
rubber feet to prevent this from happening. If you
do so, please make sure that the unit will not slip or
move accidentally.
Placement
•
Using the unit near power amplifiers (or other
equipment containing large power transformers)
may induce hum. To alleviate the problem, change
the orientation of this unit; or move it farther away
from the source of interference.
5
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IMPORTANT NOTES
•
USB flash drives are constructed using precision
components; handle the cards carefully, paying
particular note to the following.
•
Company names and product names appearing
in this document are registered trademarks or
trademarks of their respective owners.
Additional Precautions
•
Please be aware that the contents of memory can
be irretrievably lost as a result of a malfunction,
or the improper operation of the unit. To protect
yourself against the risk of loosing important data,
we recommend that you periodically save a backup
copy of important data you have stored in the unit’s
memory on USB flash drives.
•
To prevent damage to the cards from static
electricity, be sure to discharge any static
electricity from your own body before
handling the cards.
•
•
•
Do not touch or allow metal to come into
contact with the contact portion of the cards.
•
•
Unfortunately, it may be impossible to restore
the contents of data that was stored in the unit’s
memory and USB flash drives once it has been lost.
Roland Corporation assumes no liability concerning
such loss of data.
Do not bend, drop, or subject cards to strong
shock or vibration.
Do not keep cards in direct sunlight, in closed
vehicles, or other such locations.
Use a reasonable amount of care when using the
unit’s buttons, sliders, or other controls; and when
using its jacks and connectors. Rough handling can
lead to malfunctions.
•
•
Do not allow cards to become wet.
Do not disassemble or modify the cards.
•
•
Never strike or apply strong pressure to the display.
Handling CDs / DVDs
When connecting / disconnecting all cables, grasp
the connector itself—never pull on the cable. This
way you will avoid causing shorts, or damage to the
cable’s internal elements.
•
Avoid touching or scratching the shiny underside
(encoded surface) of the disc. Damaged or dirty
DVD discs may not be read properly. Keep your
discs clean using a commercially available DVD
cleaner.
•
•
A small amount of heat will radiate from the unit
during normal operation.
Copyrights
To avoid disturbing your neighbors, try to keep
the unit’s volume at reasonable levels. You may
prefer to use headphones, so you do not need to be
concerned about those around you.
•
Recording, duplication, distribution, sale, lease,
performance, or broadcast of copyrighted material
(musical works, visual works, broadcasts, live
performances, etc.) belonging to a third party in
part or in whole without the permission of the
copyright owner is forbidden by law.
•
•
•
When you need to transport the unit, package it
in the box (including padding) that it came in, if
possible. Otherwise, you will need to use equivalent
packaging materials.
•
•
Do not use this product for purposes that could
infringe on a copyright held by a third party. We
assume no responsibility whatsoever with regard to
any infringements of third-party copyrights arising
through your use of this product.
Use only the specified expression pedal (EV-5; sold
separately). By connecting any other expression
pedals, you risk causing malfunction and/or
damage to the unit.
The copyright of content in this product (the
sound waveform data, style data, accompaniment
patterns, phrase data, audio loops and image data)
is reserved by Roland Corporation and/or Atelier
Vision Corporation.
Some connection cables contain resistors. Do not
use cables that incorporate resistors for connecting
to this unit. The use of such cables can cause the
sound level to be extremely low, or impossible
to hear. For information on cable specifications,
contact the manufacturer of the cable.
•
•
Purchasers of this product are permitted to utilize
said content for the creating, performing, recording
and distributing original musical works.
•
•
The usable range of D Beam controller will become
extremely small when used under strong direct
sunlight. Please be aware of this when using the D
Beam controller outside.
Purchasers of this product are NOT permitted to
extract said content in original or modified form,
for the purpose of distributing recorded medium
of said content or making them available on a
computer network.
The sensitivity of the D Beam controller will change
depending on the amount of light in the vicinity of
the unit. If it does not function as you expect, adjust
the sensitivity as appropriate for the brightness of
your location (p. 84).
Licenses / Trademarks
•
MMP (Moore Microprocessor Portfolio) refers to a
patent portfolio concerned with microprocessor
architecture, which was developed by Technology
Properties Limited (TPL). Roland has licensed this
technology from the TPL Group.
Handling External Memories
•
Carefully insert the USB flash drives all the way
in—until it is firmly in place.
•
•
MPEG Layer-3 audio compression technology
is licensed from Fraunhofer IIS Corporation and
THOMSON Multimedia Corporation.
MatrixQuest™ 2010 TEPCO UQUEST, LTD. All rights
reserved.
•
“JUPITER”is a registered trademark of and is
licensed by K.H.S. MUSICAL INSTRUMENT CO. LTD.
in the United States and other countries.
•
Never touch the terminals of the USB flash drives.
Also, avoid getting the terminals dirty.
•
•
Cakewalk is a registered trademark of Cakewalk,
Inc. in the United States.
SONAR is a trademark of Cakewalk, Inc.
6
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Contents
USING THE UNIT SAFETY 4
IMPORTANT NOTES 5
Part’s Tone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36
Button) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .37
Tones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
Live Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Parts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Registrations. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15
About Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
USB Flash Drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
Percussion) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Drums/SFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Turning Split On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39
Changing the Split Point . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40
Switching Banks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .41
Switching Registration Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42
Top Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Rear Panel Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
Turning the Arpeggiator On . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43
Turning the Power On. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Moving the Cursor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Editing a Value . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25
[SHIFT] Button Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
[MENU] Button Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Assigning a Name. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Controller) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
Lever) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
Registration screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Registration Part screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Live Set screen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32
Tone Blender screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Key Range View screen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
MENU screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Song screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
Visual Control screen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34
buttons / [E1]–[E4] knobs). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
Using Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Controlling the Rotary Effect . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
Controlling Reverb. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49
Transposing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
7
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Contents
Making System Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
Saving the System Settings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
System Parameters. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
Saving a Registration. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .53
Initializing a Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .55
Changing a Live Set’s Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57
Editing the MFX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .59
About MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91
Settings). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .91
Blender) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .61
Saving a Live Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .62
Initializing a Live Set . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
Copying a Layer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .65
Saving a Synth Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
Copying a Partial. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .69
What is Visual Control? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .95
Visual Control Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .96
Playback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .72
Creating a Folder. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .75
Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
Audio Signal Flow. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .78
Flash Drive. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .80
Calibrating the Touch Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .82
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Main Features
The JUPITER-80 is Roland’s flagship synthesizer, delivering powerful, SuperNATURAL sounds and stunning realtime performance. It includes
numerous cutting-edge SuperNATURAL sounds generated by Behavior Modeling Technology, bringing you unprecedentedly natural and rich
expressive possibilities.
What are SuperNATURAL Tones?
Taking advantage of Behavior Modeling Technology, SuperNATURAL is Roland’s exclusive sound set
that achieves a new level of realism and expression that were difficult to realize with previous sound
generators.
Behavior Modeling Technology
Not only physical modeling of the instruments, Roland takes it a step further by modeling the instrument’s distinctive behavior that responds
to how the performer plays, resulting in true-to-life, expressive sounds in realtime.
A world of new sounds possible only with SuperNATURAL
Numerous peerless and powerful SuperNATURAL sounds are built in
SuperNATURAL Acoustic Tones
The JUPITER-80 provides SuperNATURAL Acoustic Tones, which reproduce not merely the sound
of acoustic instruments, but also their performance expression.
A dedicated sound generator suitable for each tone automatically analyzes differences in the
phrases, chords, and melodies played by the musician.
SuperNATURAL Acoustic Tones represent a completely new sound-generating technology, one
which not only reproduces the sounds of acoustic instruments, but also uses Behavior Modeling
Technology to model the way in which each instrument uniquely responds to the performance
expression of the player.
“Expressions”“Operations”
In contrast to the old method of seeking realism merely in the sound’s waveform, this is a major
advance which models the details of how the sound of each individual instrument responds to
the performer’s playing.
Crescendo
While previous physical modeling sound generators model the structure of an instrument
(such as the shape of its resonator, the length of the tube, and the material of the vibrating
parts), Behavior Modeling Technology additionally models the response and movement of each
specific instrument as it reacts to performance techniques such as trills, portamento, vibrato, and
dynamics.
Glissando technique
Vibrato
This goes beyond mere reproduction of the sound—it makes it possible for the expressions and
movements distinctive of an instrument to be expressed on a synthesizer.
For example, the SuperNATURAL Acoustic Tone “Violin”lets you obtain—by playing the
keyboard—an expressive solo violin sound that’s so realistic, you might think a violinist is actually
playing it.
You can also use the pitch bend and modulation lever and the assignable buttons ([S1], [S2]) to
freely reproduce the richly expressive performances that are distinctive of acoustic instruments.
SuperNATURAL Synth Tone
Partial 1
SuperNATURAL Synth Tones
The JUPITER-80 features SuperNATURAL Synth Tones, which realistically deliver everything from
vintage analog synths to digital synths.
OSC
FILTER
FILTER
FILTER
AMP
AMP
AMP
The distinctive behavior of an analog synth’s oscillators and filters has been analyzed in order to
reproduce their unique sound.
Partial 2
OSC
Each Synth Tone provides three sets of OSC, FILTER, AMP, and LFO, allowing powerful synthesis to
be accomplished using just a single tone. The oscillators offer not only analog waveforms based
on vintage synths, but also give you a choice of PCM waveforms containing distinctive digital
synth sounds. Full-screen graphics allow you to intuitively create any type of synth sound, from
analog to digital.
Partial 3
OSC
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Main Features
Live Set
Layer 1
Powerful Live Sets with SuperNATURAL x 4
SuperNATURAL Tone
The JUPITER-80 can handle up to four SuperNATURAL tones layered as a “Live Set,”letting you
perform with awesome and richly expressive sounds.
Layer 2
Layer 3
Layer 4
SuperNATURAL Tone
SuperNATURAL Tone
SuperNATURAL Tone
In addition, you can assign Live Sets to the Upper and Lower Parts to create splits and layers,
making it easy to construct rich-sounding stacks that were difficult to obtain on a single
conventional synthesizer.
Four-part Registrations for Extensive Performance Potential
Registration (Part)
Upper
In addition to the Upper Part and Lower Part that are the core of your performance, the
JUPITER-80 provides a Solo Part that lets you play a melody or solo on the top note, and a
Percussion Part that spices up your performance.
SuperNATURAL Tone x 4
SuperNATURAL Tone x 4
SuperNATURAL Tone x 4
Lower
Solo
All of these together can be instantly called up by pressing a Registration button.
SuperNATURAL Tone x 4
Percussion
or
Tone (Perc) x1
Powerful Sound with a Full Selection of Effects
Upper Part
Lower Part
MFX 1
A Live Set contains four multi-effects (MFX) processors in parallel, each giving you a choice of 76
types of effects that range from standard sounds to effects that powerfully transform your sound.
In addition to this, the Live Set also provides a reverb processor.
By using the Upper Part and Lower Part simultaneously, you can create powerful sounds that use
up to eight effects and two reverbs simultaneously.
MFX 2
MFX 3
MFX 4
The Solo Part and the Percussion Part also have their own independent compressor, EQ, and delay,
and both the Solo Part and Percussion Part also each have their own reverb.
Reverb
Tone Blender
A Live Set features the new Tone Blender function, which lets you simultaneously control multiple
parameters such as the level, pan, cutoff, and MFX send for each of the four tones.
By using a knob or the D Beam to simultaneously control multiple parameters of four tones in the
Live Set, you can easily generate powerful sonic transformations that were impossible on previous
synthesizers (p. 61).
Controllers Optimized for Live Performance
A color-coded panel layout and full-color TFT touch screen (pressure sensitive) ensure that the
status of the sound is instantly comprehensible.
Dedicated buttons are provided for instant access to the functions you need, guaranteeing
intuitive operation during your live performances. In addition, the JUPITER-80 provides four sliders
with LED meters that allow you to directly adjust each Part’s volume at any time, a modulation
lever for expressive dynamics, [S1] and [S2] buttons for switching between performance
techniques, and a D Beam controller for additional performance possibilities—all focused on
realtime playability.
Sturdy Body and a 76-note Weighted Keyboard
The keyboard is the most important factor in your performance, and the JUPITER-80 provides a
weighted 76-note keyboard that gives you superb playing feel for confident performances on
stage.
Coupled with the sturdy aluminum-paneled body, this is a keyboard that expressively responds to
every nuance of your playing.
USB Audio Player/Recorder
USB MIDI/AUDIO Support
The built-in Audio Recorder provides a great way to capture your phrases and inspirations on a
USB flash drive as audio files (WAV). Of course, audio files (WAV, AIFF, MP3) can also be played back
from your USB flash drive, allowing you to use them as backing tracks for your performance.
The JUPITER-80 also provides a USB MIDI/AUDIO connection to your computer. Even when you’re
in your production studio, you’ll enjoy the same familiar setup as when performing live.
11
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Getting Acquainted with the JUPITER-80
How the Sound Generator is Organized
The sound generator is organized into units of sounds called “Registrations,”“Live Sets,”and “tones.”
Audio data flow
Performance data flow
The JUPITER-80’s sound generator
MASTER
EQ
Harmony
Intelligence
Arpeggio
What is a Tone?
Although a Tone is the smallest unit of sound handled by the JUPITER-80, it boasts an extravagantly powerful structure based on SuperNATURAL
sounds. “SuperNATURAL Acoustic Tones”not only reproduce the sounds of an acoustic instrument, but also automatically analyze—in a way
that’s appropriate for each different tone—the differences between the phrases, chords, and melodies played by the performer, and deliver the
responsiveness that is characteristic of that specific acoustic instrument. Starting with the SuperNATURAL piano, each of these sounds brings you the
highest possible level of expressive power that has been developed for the sound engines of earlier Roland products.
“SuperNATURAL Synth Tones”can be combined as elements in a Live Set, and can also be edited in detail for each tone and saved. Since a single Synth
Tone contains three sets of oscillator, filter, amp, and LFO, it packs a formidable amount of synthesis power. The oscillator contains not only analog
waveforms but also PCM waveforms, and you can use the graphic screen to edit them intuitively, creating a nearly infinite range of synth sounds.
What is a Live Set?
In the JUPITER-80’s sound engine, the smallest unit of sound is the “tone”; each tone consists of a SuperNATURAL sound.
Up to four tones can be layered to create impressive and richly expressive sounds.
Such a combination can be saved as a “Live Set,”and a different Live Set can be used for the Upper Part and the Lower Part.
By layering two Live Sets, you can easily create thick, stacked sounds that would have been difficult to create on any previous PCM synthesizer.
The basic method of creating sound on the JUPITER-80 is to edit a Live Set by combining these powerful tones.
What is a Registration?
The combination of sounds assigned to the Upper Part, Lower Part, Solo Part, and Percussion Part, together with settings for the JUPITER-80 itself, can
be saved as a single “Registration.”
A Registration can be called up instantly, allowing you to switch sounds as appropriate for the song you’re playing, or to instantly get the settings you
need for live performance or studio recording.
12
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Getting Acquainted with the JUPITER-80
Tones
The “tone”is the smallest unit of sound that is managed on the JUPITER-80.
There are four types of tones, as shown in the table below. These tones are the elements that make up Registrations (p. 15) and Live Sets (p. 14).
Type
SuperNATURAL Acoustic Tone
Explanation
These are acoustic-type SuperNATURAL sounds.
Many realistic sounds using Behavior Modeling Technology are provided.
You can also use the Live SetTone Modify screen (p. 32, p. 78) to adjust certain parameters that have been selected
as most appropriate for each sound.
These tones can be assigned to a Live Set (Upper Part, Lower Part), to the Solo Part, or to the Percussion Part.
SuperNATURAL Synth Tone
Partial 1
These are synthesizer-type SuperNATURAL sounds.
These tones allow you to freely create original sounds, as on an analog synthesizer (p. 66).
OSC
FILTER
FILTER
FILTER
AMP
AMP
AMP
One tone can produce the sound of three synthesizers, each with an oscillator (OSC), filter (FILTER), and
amplifier (AMP).
Partial 2
OSC
The oscillator (OSC) provides not only the waveforms of a standard analog synthesizer, but also PCM
waveforms.
You can save 2,048 tones you’ve edited (p. 68).
Partial 3
OSC
These tones can be assigned to the Live Set (Upper Part, Lower Part), Solo Part, and Percussion Part.
Manual Percussion
These produce the sounds of percussion instruments or sound effects.
A wide variety of percussion instruments and sound effects will be heard depending on the key (note number)
you play.
Drums/SFX
These tones can be assigned only to the Percussion Part.
You can save 2,048 SuperNATURAL Synth Tones you’ve edited, and call them up when desired.
SuperNATURAL Synth Tone
Partial 1
OSC
FILTER
FILTER
FILTER
AMP
AMP
AMP
Partial 2
OSC
0001–2048
Partial 3
OSC
MEMO
The results of your editing a SuperNATURAL Acoustic Tone, Manual Percussion, and Drums/SFX can be saved as a Registration or as a Live Set.
What are SuperNATURAL Tones?
Taking advantage of Behavior Modeling Technology, SuperNATURAL is Roland’s exclusive sound set
that achieves a new level of realism and expression that were difficult to realize with previous sound
generators.
Behavior Modeling Technology
Not only physical modeling of the instruments, Roland takes it a step further by modeling the instrument’s distinctive behavior that responds
to how the performer plays, resulting in true-to-life, expressive sounds in realtime.
13
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Getting Acquainted with the JUPITER-80
Live Sets
Parts
A Live Set consists of the Tones assigned to the four layers, settings
for four MFX units, and settings for one reverb unit.
The JUPITER-80 has four parts; Solo, Upper, Lower, and Percussion.
You can assign a Tone or Live Set to each Part and play it.
Live Set
Tone 1
Tone 2
Tone 3
Tone 4
MFX 1
MFX 2
MFX 3
MFX 4
Layer 1
Layer 2
Layer 3
Layer 4
Reverb
Solo
You can select a Live Set as the sound for the Upper Part, and
another Live Set as the sound for the Lower Part.
Upper
Lower
You can save 2,560 Live Sets you’ve edited, then call them up when
desired.
Percussion
You can play all Parts from the same keys, or use the Split function
(p. 39) to divide the keyboard and assign the sounds of different Parts
to their own zones.
The Registration screen shows the name of each Part’s sound.
Live Set
0001–2560
Edits you make to the parameters of a Live Set are relative
adjustments that increase or decrease the values of the Tones; they
do not directly modify the Tones themselves.
This shows the split status of the Parts.
This means that even if the same tone is used in other Live Sets, the
other Live Sets will not be affected by your editing.
Not split
Solo
Upper
Lower
Percussion
Split
Solo
Upper
Lower
Percussion
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Getting Acquainted with the JUPITER-80
Registrations
A Registration consists of these four Parts: Solo, Upper, Lower, and Percussion.
Stored within a Registration are the settings for the sound selected for each Part, as well as settings for the Solo Part and Percussion Part.
By switching Registrations, you can change all of these settings at once (except for the system parameters).
Audio data flow
Performance data flow
Registration
Solo Part
Comp
Equalizer
Delay
Reverb
Tone
Upper Part
Live Set
Harmony
Intelligence
Arpeggio
Lower Part
Live Set
Percussion Part
Tone
Comp
Equalizer
Delay
How Registrations are Organized
Registrations are managed in “banks”of eight. In turn, these banks are managed as “sets”of four banks.
Since there are eight sets, 8 Registrations x 4 banks x 8 sets makes a total of 256 Registrations.
Bank 8
Bank 1
Registration (1–8)
Bank
(A–D)
The sounds and settings saved in a Registration can be called up at the touch of a button (p. 41).
15
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Getting Acquainted with the JUPITER-80
About Memory
The area in which sounds and other settings are stored is called “memory.”
Memory is divided into three areas: temporary memory (the temporary area), rewritable memory, and non-rewritable memory.
JUPITER-80
Temporary Area
Select
Select
Write
Non-rewritable Memory
Rewritable Memory
SuperNATURAL
Acoustic Tones
Registrations (256)
Live Sets (2,560)
System
Settings
Manual Percussions
Drums/SFX
SuperNATURAL
Synth Tones (2,048)
Preset Arpeggio Styles
User Arpeggio Styles (128)
Restore
Backup
USB Flash Drive
ROLAND Folder
Registrations (256)
Live Sets (2,560)
System
Settings
SuperNATURAL
Synth Tones (2,048)
User Arpeggio Styles (128)
Temporary Memory (the Temporary
Area)
Non-rewritable Memory
This contains SuperNATURAL Acoustic Tones, Manual Percussion,
Drums/SFX, and preset arpeggio style data.
The data for a sound you select is called into this area.
This data cannot be directly rewritten; however, you are free to save
the edited results in a Registration or Live Set.
When you play the keyboard, the sounds you hear are produced
according to the settings in the temporary area.
When you edit sounds, you’re editing the data that’s in the
temporary area.
USB Flash Drive
Settings in the temporary area are temporary; they will be lost
when you turn off the power or select other settings.
The data saved in rewritable memory can be backed up to a USB
flash drive (p. 79).
If you want to keep the settings of the temporary area, you must
save them to rewritable memory.
A USB flash drive can contain one set of backup data.
MEMO
When you import an SMF (Standard MIDI File) as a user arpeggio
it does not pass through the temporary area.
Rewritable Memory
This is where you can save Registrations, Live Sets, SuperNATURAL
Synth Tones, user arpeggio styles, and system settings (system
parameters).
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Getting Acquainted with the JUPITER-80
USB Memory Song Player/Recorder
The USB Memory Song Player/Recorder plays back audio files (WAV, MP3, AIFF) that you’ve copied from your computer to a USB flash drive.
Copy to a USB Memory
Insert USB Memory
MP3/WAV/AIFF
You can also record the JUPITER-80’s performance and save it on a USB flash drive as a WAV file.
NOTE
Use USB Flash Memory sold by Roland. We cannot guarantee operation if other products are used.
Audio files that can be played
MP3
Format
MPEG-1 audio layer 3
Sampling Frequency 44.1 kHz
Bit Rate
32k, 40k, 48k, 56k, 64k, 80k, 96k, 112k, 128k, 160k, 192k, 224k, 256k, 320 kbps / VBR (Variable Bit Rate)
WAV/AIFF
Sampling Frequency 44.1 kHz, 48 kHz, 96 kHz
Bit
8, 16, 24-bit
MEMO
Use only single-byte alphanumeric characters in file names and folder names.
Audio files that will be saved
WAV
Sampling Frequency 44.1kHz
Bit Rate
16-bit
Data Saved in USB Flash Drive
A USB flash drive can hold audio files, MIDI files that you want to import as user arpeggio styles, and the JUPITER-80’s internal memory data that
you’ve backed up.
USB Flash Drive
This folder is created when you make a backup (p. 79).
This contains the backup file for the JUPITER-80’s internal memory.
ROLAND Folder
WAVE files created by the USB memory song player/recorder and audio files or
MIDI files copied from your computer are saved here.
Audio Files
MIDI Files
:
Copy your audio files (WAV, MP3, AIFF) to the root folder (the top level) of your USB flash drive, or create a folder
on your USB flash drive and copy the files into it.
MEMO
• Use only single-byte alphanumeric characters in file names and folder names.
• A maximum of 200 files can be recognized in a folder.
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Panel Descriptions
Top Panel
3
4
5
6
7
8
1
9
2
11
10
12
13
Number Area
Name
Explanation
Page
USB MEMORY
VOLUME
USB MEMORY connector
Connect USB flash memory (available separately) here.
1
2
Adjusts the volume of the output from the MAIN OUT jacks
and PHONES jack.
[VOLUME] knob
By moving your hand above the D Beam you can apply
various effects to the sound.
D Beam controller
[PITCH] button
If this is on, the D Beam controller will control the pitch.
If this is on, the D Beam controller will control the volume.
D BEAM
3
[VOLUME] button
If this is on, the D Beam controller will control the function
you’ve assigned.
[ASSIGNABLE] button
[HOLD] button
Turns the arpeggiator Hold function on/off.
If this is on, the arpeggiator will apply to the Lower Part.
If this is on, the arpeggiator will apply to the Upper Part.
Accesses the tempo screen.
ARPEGGIO [LOWER ON/OFF] button
ARPEGGIO [UPPER ON/OFF] button
[TEMPO] button
Turns MIDI Visual Control on/off. When you press this button
to turn it on, the setting screen will appear.
[VISUAL CONTROL] button
CONTROL
4
[HARMONY INTELLIGENCE] button
Turns the Harmony Intelligence function on/off.
By holding down the [TRANSPOSE] button and using the
steps.
[TRANSPOSE] button
OCTAVE [DOWN] button
OCTAVE [UP] button
Lowers the key range in steps of one octave.
Raises the key range in steps of one octave.
Adjust the volume of each Part, or the volume of each layer
in the Live Set. For a SuperNATURAL Synth Tone, these adjust
the AMP level of each Partial.
[LEVEL] slider
Turns the Percussion Part, the Live Set layer 1, or a
SuperNATURAL Synth Tone’s Partial 1 on/off.
PART [PERC] button
PART BALANCE
5
6
Turns the Lower Part, the Live Set layer 2, or a SuperNATU-
RAL Synth Tone’s Partial 2 on/off.
PART [LOWER] button
Turns the Upper Part, the Live Set layer 3, or a SuperNATU-
RAL Synth Tone’s Partial 3 on/off.
PART [UPPER] button
PART [SOLO] button
Turns the Solo Part or Live Set layer 4 on/off.
Shows various information for the operation you’re
touching the screen.
Touch screen
[MENU] button
[E1]–[E4] knobs
Accesses the MENU screen.
Display
Edit the values of the parameters shown in the display.
This is used in conjunction with other buttons to access
setting screens related to those buttons.
[SHIFT] button
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Panel Descriptions
Number Area
Name
Explanation
Page
Use these buttons to edit values. To make the change occur
more rapidly, hold down one button and press the opposite
button. You can also make the value change rapidly by
holding down the [SHIFT] button and pressing one of these
buttons.
[DEC]/[INC] buttons
Move the cursor up/down/left/right.
[
][
][
][
] (Cursor) buttons
Use this to edit values. To make the value change rapidly,
operate the value dial while holding down the [SHIFT]
button.
VALUE
7
Value dial
Returns you to the previous screen, or closes the currently
open window. In some screens, this button cancels the
function you were executing.
[EXIT] button
–
Confirms a value or executes an operation. This button also
displays a list of Live Sets or tones.
[ENTER] button
–
Simultaneously turns on/off the output of the Live
Set’s reverb and the reverb shared by the Solo Part and
Percussion Part.
REVERB
REVERB [ON/OFF] button
8
9
[SONG] button
[REC] button
Accesses the Song screen.
Selects recording-standby mode. Next, press the [
button to start recording.
]
Returns to the beginning of the audio file.
[
[
[
[
[
] button
] button
] button
] button
] button
SONG PLAYER/RECORDER
Rewinds the audio file while you hold down the button.
Fast-forwards the audio file while you hold down the button.
Stops audio file playback or recording.
Plays back the audio file.
Turns on/off the rotary effect assigned to the MFX of the
Live Set.
ROTARY SOUND [ON/OFF] button
ROTARY SOUND
10
11
ROTARY SOUND [SLOW/FAST] button
PERCUSSION Tone button
Live Set LOWER button
Switches the speaker rotation speed between Slow and Fast.
Select the Tone for the Percussion Part.
Select the Live Set for the Lower Part.
Live Set UPPER button
Select the Live Set for the Upper Part.
SOLO Tone button
Select the Tone for the Solo Part.
LOWER [ALTERNATE] button
UPPER [ALTERNATE] button
SOLO [ALTERNATE] button
These buttons call up different sounds that are similar to the
sounds of the Part sound buttons.
Selecting tones for Parts
Splits the keyboard. Keys to the left of the Lower Split
Point will play only the sounds of the Lower Part and the
Percussion Part.
[SPLIT] button
Splits the keyboard. Keys to the right of the Solo Split Point
will play only the sound of the Solo Part.
[SOLO SPLIT] button
[S1], [S2] buttons
Convenient performance functions can be assigned to these
buttons.
Controller
12
13
Pitch Bend/Modulation Lever
[WRITE] button
Modifies the pitch, applies vibrato, etc.
Accesses the Registration Write screen.
Calls up the previous Registration or Registration Set.
Select the Registration Bank.
[PREV] button
Registration
Registration Bank buttons ([A]–[D])
Registration buttons ([1]–[8])
[NEXT] button
Select a Registration.
Calls up the next Registration or Registration Set.
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Panel Descriptions
Rear Panel Connections
[POWER] switch
SB COMPUTER connector
MIDI connectors
This turns the power on/off (“Turning
ith a USB cable, you can connect
e JUPITER-80 to your computer
For connecting MIDI device
AC cord
DIGITAL AUDIO OUT (COAX
Connect this to speakers or other device
equipped with a digital input.
This jack outputs the same audio signal
OUT jacks.
Hold jack
CTRL 1, CTRL 2 jacks
Here you can connect a pedal
switch (such as one from the DP
series; sold separately) and use it
Here you can connect an expression pedal (EV-5; sold
separately) and use it to control various parameters or
functions (p. 48).
* Use only the specified expression pedal (EV-5; sold
separately). By connecting any other expression
pedals, you risk causing malfunction and/or
damage to the unit.
NOTE
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before
making any connections.
20
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Panel Descriptions
SUB OUT jacks
MAIN OUT (TRS) jacks
MAIN OUT (XLR) jacks
You can connect speakers here for use as monitors,
or for outputting only the reverb sound. The system
will be output from the SUB OUT jacks.
Connect your speakers here. To employ monaural
output, connect to the L/MONO jack.
These are balanced output jacks for audio signals.
Connect them to your mixer.
* The [VOLUME] knob on the top panel does not
adjust the volume of these jacks.
This instrument is equipped with balanced (XLR/TRS) type jacks. Wiring diagrams for these jacks are
shown below. Make connections after first checking the wiring diagrams of other equipment you
intend to connect.
TIP:
HOT
1: GND
2: HOT
RING: COLD
3: COLD
AUDIO IN (STEREO) jack
Connect your digital audio player or audio playback device here.
Use a stereo mini-plug cable (commercially available) to make the
connection.
The input level is adjusted by the [LEVEL] knob located at the left of the jack.
21
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Placing the JUPITER-80 on a Stand
Be careful not to pinch your fingers when setting up the stand.
If you want to place the JUPITER-80 on a stand, use the Roland KS-J8, KS-G8, or KS-18Z.
Place the instrument on the stand as follows.
KS-J8
Firmly insert the rubber
feet on the bottom of
the keyboard (at its
front, beneath the keys)
into the rubber feet
receptacles on the arms.
KS-G8
Align the front of
the JUPITER-80
with the front of
the stand
Place the JUPITER-80 so
that it’s rubber feet are in
the inner side of the stand
Top view
KS-18Z
Adjust so that
the height does
Adjust the width of the stand
so that the rubber feet of the
JUPITER-80 straddle the stand
Align the front of the
not exceed 1
JUPITER-80 with the
meter (Adjust
front of the stand
the stand to a
level no higher
than the fourth
level from the
bottom)
Top view
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Turning the Power On
Turning the Power On
Once the connections have been completed (p. 20), turn on power to your various devices in the order specified. By turning on devices in the wrong
order, you risk causing malfunction and/or damage to speakers and other devices.
Turning the Power On
* Before switching the power on/off, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound
1. Minimize the volume of the JUPITER-80 and your speakers
2. On the JUPITER-80’s rear panel, turn the [POWER] switch ON
* This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.
3. Turn on the power of your speakers
4. Use the [VOLUME] knob to adjust the volume appropriately
Turning the Power Off
1. Minimize the volume of the JUPITER-80 and your speakers
2. Turn off the power of your speakers
3. Turn the JUPITER-80’s [POWER] switch OFF
If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the “Power Supply”(p. 5).
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Basic Operation
This section explains the basic button and knob operations used to operate the JUPITER-80.
Moving the Cursor
A single screen or window will contain multiple items (parameters) to edit or select. To edit a parameter’s setting, you must first move the cursor to
that parameter’s value.
The value of the selected parameter is highlighted in blue, and the knob or slider is indicated by a green frame.
Touch panel
To move the cursor, simply touch a parameter value, knob, or slider.
Cursor
(highlighted blue)
Cursor
(green frame)
Cursor buttons
You can move the cursor by pressing the [ ] [ ] [ ] [ ] (cursor) buttons.
If you hold down a cursor button, the cursor will continue moving.
If you hold down the cursor button for the desired direction, and then press the opposite cursor button, the cursor will move more quickly.
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Basic Operation
Editing a Value
To edit the value highlighted by the cursor, use either of the following controllers.
• Value dial
• [DEC] [INC] buttons
• Touch panel
Value dial
Turning the value dial toward the right will increase the value, and turning it toward the left will decrease the
value.
If you hold down the [SHIFT] button while turning the value dial, the value will change in larger steps.
[DEC] [INC] buttons
Press the [INC] button to increase the value, or press the [DEC] button to decrease the value.
• If you hold down a button, the value will increase (or decrease) continuously.
• To rapidly increase the value, hold down the [INC] button and press the [DEC] button. Conversely, to rapidly
decrease the value, hold down the [DEC] button and press the [INC] button.
• If you hold down the [SHIFT] button and press the [INC] button or [DEC] button, the value will change in
larger steps.
Touch panel
When you touch the field highlighted by the cursor, a list of the available selections for that item will appear.
Select an item and
touch <Select>.
MEMO
Instead of touching the field highlighted by the cursor, you can press the [ENTER] button to view a list.
If an on-screen knob or slider is enclosed in a green frame (i.e., is selected), you can drag your finger up/down/left/right to edit its value.
Upward or to the right will increase the value, and downward or to the left will decrease the value.
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Basic Operation
[E1]–[E4] knobs
When knob icons are shown in the Lower Part of the screen, the [E1]–[E4] knobs will change the parameter
values of those knob icons.
MEMO
You can assign performance-related functions to knobs [E1]–[E4]. The functions assigned to knobs [E1]–[E4]
can be specified in the Registration Common/Control screen (p. 52).
If you turn an [E1]–[E4] knob while touching the selected knob or slider (i.e., the one enclosed by the green
frame) in the screen, the parameter you touched will be assigned to the knob you turned.
Now you can edit the value by turning the [E1]–[E4] knob.
The parameters assigned to the [E1]–[E4] knobs are indicated by icons E1–E4.
This operation is available in the following screens.
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Basic Operation
Basic Touch Panel Operation
The JUPITER-80’s display is a touch panel; you can perform a variety of operations by directly touching the display.
Here are the basic rules.
Screen indication
Edit
Explanation
Displays an edit screen for Registrations or Live Sets.
Return
Top
Returns you to the previous screen. Pressing the [EXIT] button has the same result.
Accesses the Registration screen.
Saves the Registration (p. 53).
Saves the Live Set (p. 62).
Save
Saves the Tone (p. 68).
Saves the system settings (p. 83).
Tempo
Utility
Accesses the tempo setting screen (p. 43).
Displays a context-sensitive menu for each screen.
Tab
Switch between edit screens.
Drag this up or down to scroll the list.
Scroll bar/Scroll buttons
By pressing the scroll buttons located at the top and bottom of the scroll bar, you can scroll by
one item at a time.
<Cancel> discards the selected content and returns you to the previous screen.
Cancel/Select
Search
<Select> confirms the selected content. (Pressing the panel [ENTER] button has the same result.)
If you touch this icon when a sound list or the like is displayed, a keyboard will appear. By using
the keyboard to enter a key word, you can narrow down the items shown in the list.
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Basic Operation
[SHIFT] Button Operations
By holding down the [SHIFT] button and pressing another button, you can edit the settings of the button you pressed, or access a specific screen
(shortcut).
Shortcut
Description
Page
[SHIFT] + [ASSIGNABLE]
[SHIFT] + [S1] (or [S2])
Accesses the D Beam Assign setting screen.
Accesses the Switch S1 Assign (or Switch S2 Assign) setting screen.
[SHIFT] + [HOLD]
[SHIFT] + ARPEGGIO LOWER [ON/OFF]
[SHIFT] + ARPEGGIO UPPER [ON/OFF]
Accesses the arpeggiator setting screen.
[SHIFT] + [HARMONY INTELLIGENCE]
Accesses the Harmony Type setting screen.
Accesses the Lower Split Point setting screen.
[SHIFT] + [SPLIT]
[SHIFT] + [SOLO SPLIT]
Accesses the Solo Split Point setting screen.
[SHIFT] + LOWER [BASS]
Accesses the Synth Tone Edit screen for layer 1 of the Live Set assigned to the Lower Part.
Accesses the Synth Tone Edit screen for layer 2 of the Live Set assigned to the Lower Part.
Accesses the Synth Tone Edit screen for layer 3 of the Live Set assigned to the Lower Part.
Accesses the Synth Tone Edit screen for layer 4 of the Live Set assigned to the Lower Part.
Accesses the Live Set Common screen of the Lower Part.
[SHIFT] + LOWER [PAD]
[SHIFT] + LOWER [CHOIR]
[SHIFT] + LOWER [STRINGS]
[SHIFT] + LOWER [SYNTH BRASS]
[SHIFT] + LOWER [WOOD WINDS]
[SHIFT] + LOWER [OTHER]
[SHIFT] + UPPER [PIANO]
[SHIFT] + UPPER [E PIANO]
[SHIFT] + UPPER [CLAV]
Accesses the Live Set Layer screen of the Lower Part.
Accesses the Live Set Effects Routing screen of the Lower Part.
Accesses the Synth Tone Edit screen for layer 1 of the Live Set assigned to the Upper Part.
Accesses the Synth Tone Edit screen for layer 2 of the Live Set assigned to the Upper Part.
Accesses the Synth Tone Edit screen for layer 3 of the Live Set assigned to the Upper Part.
Accesses the Synth Tone Edit screen for layer 4 of the Live Set assigned to the Upper Part.
Accesses the Live Set Common screen of the Upper Part.
[SHIFT] + UPPER [COMBO ORGAN]
[SHIFT] + UPPER [VIBES/MARIMBA]
[SHIFT] + UPPER [ACCORDION/HARMONICA]
[SHIFT] + UPPER [OTHER]
[SHIFT] + [PREV]
Accesses the Live Set Layer screen of the Upper Part.
Accesses the Live Set Effects Routing screen of the Upper Part.
Selects the previous Registration Set.
[SHIFT] + [NEXT]
Selects the next Registration Set.
Accesses the Tone Blender screen.
* This function is available in Registration screens and Live Set screens, and requires that Tone
Blender (CC79) be assigned as one of the Knob E1 Assign–Knob E4 Assign settings (Registration
Common/Control screen, p. 52).
[SHIFT] + rotate the [E1]–[E4] knobs
If you hold down the [SHIFT] button while editing a parameter’s value, the value will change in larger steps.
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Basic Operation
[MENU] Button Operations
Assigning a Name
When you press the [MENU] button, the Menu screen will appear in
the display.
The JUPITER-80 lets you assign names to the following items.
• Registration
• Live set
• SuperNATURAL Synth Tone
• User arpeggio style
• Song
Regardless of what you’re naming, the procedure is the same.
Back Space
×
Clear All
Deletes the
character to the left
of the cursor.
Cancels what has
been entered and
closes the screen.
Deletes all
characters that
you’ve entered.
Touch an icon in the screen to select the corresponding menu.
Key
Sel
cha
Shift
<< / >>
Switc
betw
of ch
Moves
(the lo
the ch
be ent
at
Menu
Explanation
Page
Make overall settings for the entire
JUPITER-80.
System
Regist Button Lock
Regist Set Exchange
Lock the Registration buttons.
Exchanges Registration Sets.
Space
Del
Enters a space.
Deletes the character to
the right of the cursor
location.
Backs up the JUPITER-80’s settings to a
USB flash drive.
Backup
Restore
Restores the JUPITER-80’s settings from
a USB flash drive.
Format the USB flash drive that’s
connected to the USB MEMORY
connector.
MEMO
Format USB Memory
You can also use the cursor [ ] [ ] buttons to move the
cursor, and use the value dial or [DEC] [INC] to select the
character that you want to enter.
Touch Screen
Calibration
Calibrates the touch panel.
Resets the JUPITER-80 to its factory
settings.
Factory Reset
MEMO
You can also use the value dial or cursor buttons to select an
icon in the menu screen, and press the [ENTER] button to select
it.
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Navigating Between Screens
On the JUPITER-80, you navigate between screens by touching the enclosed areas or buttons shown in the illustrations below. Here we explain how
to navigate between screens.
For details on each screen, refer to the page indicated by the
symbol.
p. XX
The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may
incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match
what appears in the manual.
Registration screen
This is the main screen that appears when you turn on the power. It shows the name of the currently selected Registration, the sound and volume of
each Part, and the split status.
1
25
3
Tone List screen
Select the Tone for the Solo Part.
5
Live Set screen
View the name and volume of the
7
Registration Part
Select a Registration from a list
View the Registration’s volume, and settings such as the volume and pan of
each Part.
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Navigating Between Screens
Registration Part screen
Here you can view the volume of the Registration, and the volume and pan settings of each Part.
7
2
3
4
9
Registrati
Edit the settings of th
11
en
Registrati
Edit the effect settings for th
Make overall settings for the Registration.
12
Registration Exte
Edit Part settings for an external MIDI device.
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Navigating Between Screens
Live Set Effects Routing screen
Edit the effect settings for the Live Set.
14
24
19
20
Live Set MFX screen
Live Set Reverb screen
Edit the reverb parameters of the Live Set.
Synth Tone Edit (OSC/FILTER/AMP) screen
Edit the oscillator, filter, and amp settings of the SuperNATURAL Synth Tone.
21
22
3
LFO screen
Pro Edit screen
Edit the Tone’s LFO settings.
ake detailed settings for the Tone
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Navigating Between Screens
Tone Blender screen
Song screen
Press the [SONG] button to access the Song screen.
Simultaneously edit multiple parameters of the Live Set.
Here you can operate the USB song player/recorder.
24
Key Range View screen
View the split and key range status.
Visual Control screen
25
The Visual Control screen will appear when you press the [VISUAL
CONTROL] button.
Here you can use the JUPITER-80 to control video equipment that
supports Visual Control.
MENU screen
Press the [MENU] button to access the MENU screen.
From here you can access the JUPITER-80’s settings and numerous
functions.
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Selecting the Sound for Each Part (Selecting Live Sets / Tones)
The JUPITER-80 has four Parts: Solo, Upper, Lower, and Percussion.
You can assign a Tone or Live Set to each Part, and play it.
2. If you press the same Part sound button once again, you’ll
be able to choose sounds from a list
1
Solo Part
Tone
Live Set
Live Set
Tone
Select a sound category.
Upper Part
Lower Part
Percussion Part
2
Select a sound.
You can use the value dial or the [DEC] [INC] buttons to switch the
sound name at the cursor location in the Registration screen (p. 30).
You can also move the cursor to the sound name of each Part and
then touch the sound name again to view a list.
3
Confirm your selection.
Select sounds.
MEMO
You can use the same procedure to select a Tone for the Solo
Part.
REFERENCE
For details on selecting sounds for the Percussion Part, refer to
Sound buttons and sound categories
The sound buttons correspond to the following sound categories.
REFERENCE
Upper Part
For details on operations in this screen, refer to “Basic Touch
Using the Part Sound Buttons to
Switch Live Sets or the Solo Part’s Tone
Button
PIANO
Category
Ac. Piano
Pop Piano
E. Grand Piano
E. Piano 1
E. Piano 2
Clav
Explanation
Acoustic piano
You can use the Part sound buttons to switch Live Sets for the
Upper Part and Lower Part, and to switch the Tone of the Solo Part.
Piano suitable for pop music
Electric grand piano
As an example, here’s how to switch the Live Set of the Upper Part.
E PIANO
Electric piano
Part sound buttons for the Upper Part
CLAV
Clavi
COMBO ORGAN E. Organ
Electric organ
PIPE
Pipe Organ
ORGAN
Pipe organ
THEATER
Pipe Organ
ORGAN
Theater organ
Ac. Guitar
Acoustic guitar
Electric guitar
Distortion guitar
GUITAR
E. Guitar
Dist. Guitar
SYNTH
LEAD
Synth Lead
Mallet
Synth read
VIBES/
MARIMBA
Vibraphone and marimba
Upper
Accordion
Accordion
Harmonica
All sounds
ACCORDION/
HARMONICA
Harmonica
All Categories
The sound of the Upper Part will change.
OTHER
For example, if you press the UPPER [PIANO] button, the Upper Part
will switch to a piano sound.
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Selecting the Sound for Each Part (Selecting Live Sets / Tones)
Lower Part
Instantly Switching the Variation Sounds
(Alternate Button)
By pressing the [ALTERNATE] button, you can select a different
sound of the same type as that of the Part sound button.
The sound that’s selected will be the one that is specified in “LIVE
Button
BASS
Category
Ac. Bass
E. Bass
Explanation
Acoustic bass
Electric bass
Synth bass
Synth Bass
Synth Pad/Strings Synth pads and synth strings
PAD
Synth Bellpad
Vox/Choir
Synth bellpad
MEMO
CHOIR
Human voice and choir
Solo Strings
If the [ALTERNATE] button is turned on, pressing a Part sound
button will display all categories.
Solo Strings
STRINGS
Ensemble Strings String ensembles
Orchestral Orchestral strings
For example, you can also assign sounds of other types (such as
bass) to the [PIANO] button.
SYNTH
STRINGS
Synth Pad/Strings Synth pads and synth strings
Solo Brass
Ensemble Brass
Sax
Brass instruments such as trumpet
Brass instrument ensembles
Sax
Turning Each Part On/Off and
Adjusting its Volume
BRASS/SAX
SYHTH
BRASS
Synth Brass
Synth brass
When the Registration screen is displayed, you can use the panel’s
PART BALANCE area to turn each of the four Parts on/off and adjust
their volume.
Wind
Woodwinds
Flute
WOOD
WINDS
Flute
Recorder
All Categories
Recorder
All sounds
OTHER
Solo Part
Use the sliders to
adjust the volume of
each Part.
Button
VIOLIN
TRUMPET
SAX
Category
Solo Strings
Solo Brass
Sax
Explanation
Solo strings such as violin
The level meter
shows the volume
setting for each Part.
Brass instruments such as trumpet
Sax
FLUTE
OBOE
BELL
Flute
Flute
Wind
Woodwinds such as oboe
Turn each Part
on/off.
Bell
Bell
All sounds
* The SuperNATURAL Acoustic
Tone 0028: TW Organ cannot be
selected.
OTHER
All Categories
MEMO
The sound that is selected when you press a sound button is
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Playing Drum Sounds and Sound Effects (Percussion)
The JUPITER-80 provides a“Percussion”function, which lets you play
a variety of drum sounds and sound effects.
Playing Drum Sounds on the Entire
Keyboard (Drums/SFX)
Playing Percussion Sounds and Voice
You can use the entire keyboard to play various drum and sound
effects (SFX). This function is called “Drums/SFX.”
Phrases (Manual Percussion)
1. Press the [DRUMS/SFX] button
You can use the 15 leftmost keys of the keyboard to play a variety of
percussion instrument sounds and voice phrases.
This function is called “Manual Percussion.”
Percussion instrument sounds (15 keys)
The “Drums/SFX”function will turn on (the button will be lit). Play
the keyboard; each key will play a different drum sound or sound
effect.
MEMO
• Depending on the drums or sound effects, some keys might not
produce sound.
keys as the Lower Part.
1. Press the [MANUAL PERCUSSION] button
2. To turn this off, press the [DRUMS/SFX] button once again
The “Drums/SFX”function will turn off (the button will be unlit.)
Switching the Sounds Played by Manual
The Manual Percussion function will turn on (the button will be lit).
Percussion or Drums/SFX
Play the 15 leftmost keys of the keyboard, and you’ll hear a different
percussion instrument sound or voice phrase for each key.
There are 8 types of Manual Percussion, and 16 types of Drums/SFX
sound sets. You can switch between these as desired.
access a list
Percussion tone name
The Tone List screen will appear.
Percussion instrument sounds
(15 keys)
2. Select the desired sound
1
Select a sound category.
NOTE
• The [MANUAL PERCUSSION] button and [DRUMS/SFX] button
can’t be used simultaneously.
2
Select a sound.
• If Manual Percussion is turned on, the 15 leftmost keys of the
keyboard are used only for the Percussion Part.
2. To turn this off, press the [MANUAL PERCUSSION] button
once again
The Manual Percussion function will turn off (the button will be
unlit).
3
Confirm your selection.
* The available sounds will differ for Manual Percussion and
drums/SFX.
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Split Performance
A “split”is a setup in which the keyboard is divided into zones, each
playing a different Part.
Turning Split On
Lower Part
Upper Part
Solo Part
1. Press the [SPLIT] button or [SOLO SPLIT] button
Split or Solo Split will turn on (the button will light).
The screen will indicate the split status.
Lower Split Point (B3)
Solo Split Point (C6)
Splits can be either “splits,”which divide the keyboard into an Upper
Part and Lower Part, or “Solo Splits,”which divide the keyboard
into a Solo Part and Upper Part. The point at which the keyboard is
divided is called either the “Lower Split Point”or “Solo Split Point.”
If Split is turned on, keys to the right of the Lower Split Point will
play the sound of the Upper Part, and keys to the left will play the
sound of the Lower Part.
The Lower Split Point key itself (B3) is the highest key of the Lower
Part (it is included in the Lower Part).
Lower Split Point
Solo Split Point
If Solo Split is turned on, keys to the right of the Solo Split Point will
play the sound of the Solo Part, and keys to the left will play the
sound of the Upper Part.
The Solo Split Point key itself (C6) is the lowest key of the Solo Part
(it is included in the Solo Part).
Solo Part
Lower Part
Upper Part
MEMO
• You can change the Lower Split Point and the Solo Split Point
• The split settings are saved in the Registration.
2. To turn it off, press the [SPLIT] button or [SOLO SPLIT]
button once again
Split or Solo Split will turn off (the button will go out).
Checking Splits and Key Ranges
Touch the keyboard graphic in the Registration screen to check the split and key range settings (p. 34).
Turns split on/off.
Turns Solo Split on/off.
Turn the Part
on/off.
Specifies the
key range.
Specifies the
type of tone.
Indicates the key range (sound is
produced in the specified region).
Turns layer on/off.
Specifies the
tone.
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Split Performance
How Split and Parts are Related
The following table shows how the split status determines the Parts that are assigned to the keyboard.
[MANUAL
PERCUSSION]
[DRUMS/SFX]
[SPLIT]
[SOLO SPLIT]
Solo
Upper
Lower
Percussion
On
On
On
On
On
On
On
On
On
On
On
On
On
On
On
On
Changing the Split Point
You can change the point (Lower Split Point or Solo Split Point) at which the keyboard is divided when Split or Solo Split are on.
The Lower Split Point is the top key of the Lower Part; you can specify it in the range of E1–F#7.
The Solo Split Point is the bottom key of the Solo Part; you can specify it in the range of F1–G7.
1. Hold down the [SPLIT] button or [SOLO SPLIT] button, and press the key that you want to specify as the split point
Hold down the [SPLIT] button and press a key to specify the Lower Split Point. Hold down the [SOLO SPLIT] button and press a key to specify the Solo
Split Point.
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Switching Registrations
A Registration is used to store the sounds selected for each Part, as
well as various performance-related settings (system parameters
are excepted).
Switching Banks
By switching Registrations, you can instantly change the song’s
sounds while you perform, or change numerous settings with a
single operation.
Each bank contains 8 Registrations. There are 4 banks, A–D,
meaning that 8 Registrations x 4 banks = 32 Registrations are
available.
Here’s how to switch Registrations and verify that the settings have
been changed.
Here’s how to select other Registrations by switching banks.
1. Press a Registration button ([1]–[8]) to select a
Registration
Bank
(A–D)
Registration (1–8)
The Registration will change.
You can select other Registrations by switching banks.
MEMO
• In the Registration screen, you can also switch Registrations by
moving the cursor to the Registration name and using the value
dial or the [DEC] [INC] buttons.
1. Press a bank button ([A]–[D]) to select a bank
Registration buttons so that the settings will not be changed
inadvertently.
The selected bank button ([A]–[D]) and the Registration buttons
([1]–[8]) will blink.
MEMO
If you decide not to switch banks, press the [EXIT] button or the
bank button that’s blinking.
2. Press a Registration button ([1]–[8]) to select a
Registration
The bank and Registration will be changed.
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Switching Registrations
Switching Registration Sets
Switching Registrations
A Registration Set contains 4 banks (A–D). You can create 8
Registration Sets, meaning that 8 Registrations x 4 banks x 8 sets =
256 Registrations are available.
Consecutively
Here’s how to switch Registrations consecutively.
Here’s how to switch the Registration Set so that you can select
other banks.
Set 8
MEMO
If you decide not to switch banks, press the [EXIT] button or the
bank button that’s blinking.
Set 1
2. Press the [NEXT] button or [PREV] button
Bank
(A–D)
Registration (1–8)
Pressing the [NEXT] button steps you through the Registrations in
the following order.
You can use the [NEXT] button and [PREV] button to switch
Registration Sets.
Set 1
MEMO
With the factory settings, Registration Next/Prev Button is set to
“REGISTRATION SET.”
2. Press the [NEXT] button or [PREV] button
S
Pressing the [NEXT] button switches to the next Registration Set;
pressing the [PREV] button switches to the previous Registration
Set.
The display indicates the Registration Set that’s selected.
Registration Set
Set 8
MEMO
MEMO
Pressing the [PREV] button steps you through the Registrations
in the opposite order.
you can also switch Registration Sets by holding down the
[SHIFT] button and pressing the [PREV] button or [NEXT] button.
entire sets of Registrations.
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Using the Arpeggiator
The JUPITER-80 has an arpeggiator that automatically plays
arpeggios. When you press notes on the keyboard, those notes will
be automatically played as an arpeggio.
Holding the Arpeggio (HOLD)
The Hold function allows you to have the arpeggio continue even
after you release your fingers from the keyboard.
Arpeggios can be played in the Lower Part and Upper Part.
MEMO
1. Press the [HOLD] button
Arpeggiator settings are saved in the Registration.
Turning the Arpeggiator On
1. Press the ARPEGGIO [LOWER ON/OFF] button or
ARPEGGIO [UPPER ON/OFF] button
Hold will turn on (the button will light).
2. Play a chord on the keyboard
According to the notes of the chord you press, an arpeggio will
begin playing on the Part for which you turned the arpeggiator on.
If you play a different chord or other keys while Hold is on, the
arpeggio will change accordingly.
3. To turn Hold off, press the [HOLD] button once again
Hold will turn off (the button will go out).
The arpeggiator will turn on (the button will light).
Using a pedal switch
2. Press a chord on the keyboard
The Part whose arpeggiator you turned on will sound an arpeggio
consisting of the notes of the chord you play.
By playing a chord while holding down a pedal
playing even after you release the keyboard.
3. To turn off the arpeggiator, press the ARPEGGIO [LOWER
ON/OFF] button or the ARPEGGIO [UPPER ON/OFF] button
once again
1. Connect a pedal switch (such as one from
the DP series; sold separately) to the HOLD
jack
The arpeggiator will turn off (the button will go out).
2. Press the ARPEGGIO [LOWER ON/OFF] button or the
ARPEGGIO [UPPER ON/OFF] button
Setting the Arpeggiator Tempo
Here’s how to set the tempo of the arpeggiator/rhythm function.
1. Press the [TEMPO] button
3. Hold down the pedal switch, and play a chord
If you play other chords or keys while the arpeggio is being held,
the arpeggio will change accordingly.
The Tempo screen will appear.
2. Set the tempo
MEMO
You can set the tempo by pressing the [TEMPO] button or
touching <Tap Tempo> at the desired timing (Tap Tempo). Press
(or touch) three times or more at quarter-note intervals of the
desired tempo.
3. Touch <Close>
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Using the Arpeggiator
Specifies the range in octaves in which the
arpeggio will be sounded. Choose “0”if you
want only the notes you play to be sounded.
Choose “+1”if you want the notes of the
chord you played as well as the same notes
one octave higher to be sounded. Choose
“-1”if you want the notes of the chord you
played as well as the notes one octave lower
to be sounded.
Editing the Arpeggiator Settings
Here’s how to make detailed arpeggiator settings for the style,
timing, and accent.
Oct Range
Accent
-3–+3
1. Hold down the [SHIFT] button and press the ARPEGGIO
[LOWER ON/OFF] button or ARPEGGIO [UPPER ON/OFF]
button
Modifies the groove of the performance by
adjusting the strength of the accents and
the duration of the notes. The “100%”setting
produces the strongest sense of groove.
0–100%
2. Edit the settings
3. When you’ve finished editing, press the [EXIT] button
Produces a shuffle rhythm by adjusting the
timing of the notes.
With the “50%”setting, notes will be
sounded at equal intervals. As this value is
increased, the result will be more like dotted
notes.
Arpeggio Parameters
Shuffle Rate= 50%
Shuffle Rate
0–100%
Parameter
Value
Explanation
Specifies the basic style of the arpeggio.
50
50
50
50
You can create your own original arpeggio
style by importing an SMF into an arpeggio
style. For details, refer to “Creating an Arpeg-
P001–P128,
U001–U128
Shuffle Rate= 90%
Style
Hold
OFF, ON
1–
Turns the arpeggio hold function on/off.
90 10
90 10
Each arpeggio style provides several
variations (patterns). Here you can select the
variation number. The number of variations
will depend on the arpeggio style.
Shuffle
Resolution
Specifies the timing (as a note value) at
which the notes will be heard.
,
Variation
Choose one of the following to specify the order in which the
notes of the chord you play will be sounded.
The notes will be sounded from the lowest
to the highest note you play.
UP
The notes will be sounded from the highest
to the lowest note you play.
DOWN
The notes will be sounded from the lowest
to the highest note, and then back down to
the lowest note.
UP&DOWN
RANDOM
The notes you play will be sounded in
random order.
The notes you play will be sounded in the
order you played them. You can create a
melody line by playing the notes in the
appropriate order. The order of up to 128
notes can be remembered.
NOTE ORDER
GLISSANDO
Motif
A chromatic glissando will be sounded
upward and then downward repeatedly
between the lowest and highest notes
you played. Play two notes; the lowest and
highest desired notes.
All of the notes you play will sound
simultaneously.
CHORD
AUTO1
The timing at which each note will sound
is assigned automatically, starting at the
lowest note you play.
The timing at which each note will sound
is assigned automatically, starting at the
highest note you play.
AUTO2
Play only one key; a phrase based on the
pitch of that key will be sounded. If you play
more than one key, the last key you play will
take priority.
PHRASE
Specifies the loudness at which the notes
you play will be sounded. If you want the
notes to be sounded at the velocity with
which you actually struck the key, choose
“REAL.”If you want the notes to be sounded
at a fixed velocity regardless of how strongly
you struck the key, specify that value
(1–127).
Velocity
REAL, 1–127
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Using the Arpeggiator
4. Select the SMF that you want to import, and then touch
Creating an Arpeggio Style from a MIDI
File (Import)
<IMPORT>
1
Select the SMF.
You can create your own original arpeggio style by importing an
SMF (Standard MIDI File).
MEMO
• Before you import the SMF, use your computer to copy the SMF
to the root folder (top level) of your USB flash drive, or create a
folder on your USB flash drive and copy the SMF into that folder.
• Use only single-byte alphanumeric characters in the file name
and folder name.
• A maximum of 200 files can be recognized within a folder.
2
Confirm your selection.
1. Hold down the [SHIFT] button and press the ARPEGGIO
[LOWER ON/OFF] or ARPEGGIO [UPPER ON/OFF] button
The Registration Common/Control screen will appear.
5. Assign a name to the arpeggio style
2. Select the import-destination user style (U001–U128)
For details on how to assign a name, refer to ““Assigning a Name”
6. Touch <OK>
The screen will ask “Are you sure?”
7. Touch <OK>
The SMF will be imported into the style number you specified.
* Please note the following points when importing an arpeggio.
• Only SMF Format 0 data is supported. If the format is incorrect,
the screen will indicate “Cannot Import SMF Format 1!”or
“Incorrect File!”
• Only the following data will be imported into the arpeggio: note
messages, control change messages, channel pressure, and
pitch bend.
3. Touch <SMF IMPORT>
• A maximum of 500 note events can be imported, with on/off
counted as a single event.
In addition to note events, a total of up to 500 events of control
change messages, channel pressure, and pitch bend can be
imported. If you try to import more than the allowable number
of events, the message “Too Much Data!”will appear.
MEMO
If you don’t select U001–U128 as the Style number, <SMF
IMPORT> will not be available to touch.
45
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Performing With Added Harmony
The Harmony Intelligence function adds appropriate harmony to
the highest notes of the Upper Part, based on the chords you play
in the Lower Part.
the right keyboard zone will play the sound of the Upper Part, and
the left keyboard zone will play the sound of the Lower Part.
2. Choose the desired Harmony Type
Harmony Type
Explanation
Harmony appropriate for organ sounds will be
produced.
ORGAN
Harmony typical of big band jazz will be produced.
This is appropriate for brass sounds.
BIG BAND
STRINGS
MEMO
Harmony Intelligence settings are saved in the Registration.
Harmony typical of a string ensemble will be
produced. This is appropriate for string sounds.
1. Press the [HARMONY INTELLIGENCE] button
Block chord harmony will be produced.
BLOCK
This is appropriate for piano or mallet sounds.
Harmony appropriate for hymns will be produced.
This is appropriate for choir sounds.
HYMN
Two notes of harmony will be added to the notes
you play.
TRADITIONAL
DUET
Simple duet harmony will be produced. This is
appropriate for brass sounds.
Combination harmony will be produced.
This is appropriate for brass or wind sounds.
Harmony Intelligence will turn on (the button will light).
COMBO
MEMO
Open chord harmony will be produced.
This is appropriate for guitar sounds.
COUNTRY
turn on automatically.
Flamboyant show-type harmony will be produced.
This is appropriate for organ sounds.
BROADWAY
GOSPEL
OCTAVE1
OCTAVE2
1NOTE
2. Press a chord in the Lower Part, and play the keyboard in
Gospel harmony will be produced. This is appropriate
for organ or choir sounds.
the Upper Part
Harmony based on the chord of the Lower Part will be added to the
Upper Part.
The note you play will be layered with a note one
octave lower.
The note you play will be layered with a note two
octaves lower.
MEMO
The harmony is added to the highest note played in the Upper
Part.
One note of harmony will be added to the note you
play.
Two notes of harmony will be added to the note you
play.
3. To turn off the function, press the [HARMONY
2NOTES
3NOTES
4NOTES
INTELLIGENCE] button once again
Three notes of harmony will be added to the note
you play.
Harmony Intelligence will turn off (the button will go out).
MEMO
Four notes of harmony will be added to the note
you play.
Turning off Harmony Intelligence will not automatically turn off
the split function (p. 39).
MEMO
For optimal harmony, select appropriate sounds for the Upper
Part and Lower Part as indicated in the explanation for each
harmony type.
Changing the Harmony Intelligence
Type
3. Press the [EXIT] button
You can choose from 17 types of Harmony Intelligence.
The Harmony Intelligence type will affect the number of harmony
notes and how they are sounded (the number of voices played).
When Harmony Intelligence is on, the name of the chord you
play in the Lower Part is shown in the Registration screen.
1. Hold down the [SHIFT] button and press the [HARMONY
Chord name played in
the Lower Part
INTELLIGENCE] button
Intelligence settings will appear.
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Controlling the Performance
Moving Your Hand to Modify the
Changing the Pitch/Applying Vibrato
Pitch or Volume (D Beam Controller)
(Pitch Bend/Modulation Lever)
You use the D Beam controller simply by moving your hand above
it. By assigning different functions to it, you can control the sound
in various ways.
While playing the keyboard, move the lever toward the left to lower
the pitch, or toward the right to raise the pitch. This is called “pitch
bend.”
MEMO
D Beam controller settings are saved in the Registration.
1. Press the D BEAM [PITCH], [VOLUME], or [ASSIGNABLE]
button to turn the D Beam controller on
Moving the lever away from yourself will apply vibrato.
This is called “modulation.”
Moving the lever away from yourself while also moving it to left or
right will apply both effects simultaneously.
MEMO
For some sounds, the modulation lever will produce a dynamics
effect.
Button
Explanation
The pitch will change as you move your hand
above the D Beam controller.
[PITCH] button
Using the Buttons and Knobs to Modify the
Sound ([S1] [S2] buttons / [E1]–[E4] knobs)
The volume will change, allowing you to add
expression to your performance.
[VOLUME] button
The function assigned to the D Beam
controller will be controlled.
[ASSIGNABLE] button
Performance-related functions are assigned to the [S1] [S2] buttons
and [E1]–[E4] knobs. While you perform, you can operate the [S1]
[S2] buttons or [E1]–[E4] knobs to modify the sound in real time.
MEMO
You can assign a performance-related function to the
[ASSIGNABLE] button. The function assigned to the
[ASSIGNABLE] button is specified by the Registration Common/
Control parameter D Beam (p. 31).
Turning the [S1] [S2] buttons on/off will turn on/off or switch the
assigned function.
2. While playing the keyboard to produce sound, position
your hand above the D Beam controller and slowly move
it up and down
3. To turn off the D Beam controller, once again press the
button you pressed in step 1 (the button will go out)
MEMO
You can assign performance-related functions to the [S1] [S2]
buttons. The [S1] [S2] button assignments are specified by the
Registration Common/Control parameters S1-S2 (p. 31).
Effective range of the D Beam controller
This illustration shows the effective range of the
D Beam controller. No effect will be obtained
if you position your hand outside the effective
range.
If the [E1]–[E4] knobs are shown in the Lower Part of the display,
operating these knobs will control the functions assigned to them.
NOTE
The effective range of the D Beam controller
will change depending on the lighting
conditions. If the D Beam controller does not
work as you expect, readjust the sensitivity.
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Controlling the Performance
MEMO
Using Pedals
You can assign performance-related functions to the [E1]–[E4]
knobs. The [E1]–[E4] knob assignments are specified by the
Registration Common/Control screen (p. 52).
The JUPITER-80 allows you to connect hold pedals (such as one
from the DP series; available separately) and expression pedals (EV-
5; available separately).
If a hold pedal (such as one from the DP series; available separately)
is connected to the rear panel PEDAL HOLD jack, notes will be
sustained (held) while you hold down the pedal even after you take
your hands off the keyboard.
If an expression pedal or pedal switch (EV-5, DP series unit; available
separately) is connected to the rear panel CTRL 1 or CTRL 2 jack,
you can use the pedal to vary the volume or control a variety of
functions.
Sustaining the Notes (Hold Pedal)
While playing the keyboard, step on the pedal switch.
You can hold (sustain) the notes by stepping on the pedal switch.
Adding Expression to Your Performance
(Control Pedal)
While playing the keyboard, raise or lower the expression pedal.
You can make your performance more expressive by varying the
volume.
* You must use the specified expression pedal (EV-5; available
separately). Connecting a product made by another
manufacturer may cause the JUPITER-80 to malfunction.
MEMO
Performance-related functions can be assigned to the pedals
connected to the CTRL 1 and CTRL 2 jacks. The CTRL 1 and
parameters Control Pedal 1 Assign and Control Pedal 2 Assign.
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Controlling the Rotary Effect and Reverb
The rotary effect adds modulation similar to what is produced by
rotary speakers to the sound. Reverb applies the reverberation
that accompanies a sound played in a hall or other acoustic
environment.
Controlling Reverb
The REVERB [ON/OFF] button simultaneously turns on/off the
You can control these effects by using panel buttons.
output of the Live Set’s reverb and of the reverb shared by the Solo
and Percussion Parts.
If you want reverb to always be off, turn off the REVERB [ON/OFF]
button.
Controlling the Rotary Effect
The ROTARY SOUND [ON/OFF] button and [SLOW/FAST] button
allow you to control the effect if a rotary effect is assigned to MFX.
1. First, assign 21: Rotary or 22: VK-Rotary to the MFX of the
2. Press the ROTARY SOUND [ON/OFF] button
The rotary effect will turn on (the button will light).
The illustration below shows how the REVERB [ON/OFF] button
works.
Registration
Solo Part/Percussion Part
Reverb
Upper Part
3. Press the ROTARY SOUND [SLOW/FAST] button
Live set
Reverb
The speed of the rotary effect will change.
Lower Part
Live set
Reverb
REVERB
[ON/OFF]
MEMO
The state of the REVERB [ON/OFF] button is not saved. It will
automatically turn on when you turn on the power.
The rotary effect can be switched between two settings: “SLOW”
and “FAST.”
ROTARY SOUND
[SLOW/FAST]
button
Explanation
The effect produced when the rotary speaker is
turning slowly.
Unlit (SLOW)
Lit (FAST)
The effect produced when the rotary speaker is
turning rapidly.
When you switch the rotary effect from “SLOW”to “FAST,”the
modulation speed will increase; when you switch from “FAST”to
“SLOW,”the modulation speed will decrease.
49
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Changing the Keyboard Settings
Changing the Pitch by Octaves
Transposing
By pressing the OCTAVE [DOWN] button or OCTAVE [UP] button you
can shift the keyboard’s pitch range in steps of an octave.
Transpose is a function that shifts the keyboard’s pitch range in
steps of a semitone.
When using your right hand to play low sounds such as the bass
Part, it will be easier to play if you lower the pitch range by one or
two octaves.
By using this setting, a transposing instrument such as trumpet or
clarinet can be played at the pitches shown in the printed score.
1. Hold down the [TRANSPOSE] button and press the
1. Press the OCTAVE [DOWN] button or OCTAVE [UP] button
OCTAVE [DOWN] button or OCTAVE [UP] button
A message will appear when you press the button.
A message will appear when you press the button. The Registration
screen will show the amount of transposition.
Amount of transposition
• Pressing the OCTAVE [DOWN] button raises the pitch by one
octave; pressing the OCTAVE [UP] button lowers the pitch by
one octave.
• The pitch can be changed in a range of three octaves down (-3)
to three octaves up (+3).
• If the value is anything other than “0,”the OCTAVE [DOWN]
button or OCTAVE [UP] button will light.
• If you press the OCTAVE [DOWN] button and OCTAVE [UP]
button simultaneously, the value will be reset to “0.”
• Specify the amount of transposition in semitone steps (G–F#:
-5 – +6 semitones).
• The octave shift setting is saved in the Registration.
• If the value is anything other than “0,”the [TRANSPOSE] button
will light.
• If you want to change the octave setting of each Part, edit the
the Registration.
• You can use the [TRANSPOSE] button to turn Transpose on/off
(when the Transpose setting is other than 0).
• If you want to change the octave setting of each layer in the
Live Set, edit the Octave setting in <Pitch> of the Live Set Layer
• If you hold down the [TRANSPOSE] button and press
the OCTAVE [DOWN] button and OCTAVE [UP] button
simultaneously, the value will be reset to “0.”
• The octave shift function does not affect the Manual Percussion.
• The split point and solo split point will not change.
• The transpose setting is saved in the Registration.
• The Transpose function does not apply to Drums/SFX or Manual
Percussion.
• The split point and solo split point will not change.
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Editing a Registration
A Registration stores the sounds selected for each Part, as well as
various performance-related settings.
Basic Operation for Registration
Editing
currently selected Registration.
Solo tone name
Registration name
Percussion tone name
<EDIT>
Access the Live
Set screen
Lower Live Set name
Upper Live Set name
The Registration Part screen will appear.
The Registration saves the following parameters.
2. Touch a tab to select the Registration parameters that you
want to edit
Tab
Explanation
Part-related settings
•
•
•
•
Registration Level
PART
The Live Sets assigned to the Upper Part and Lower Part
The Tones assigned to the Solo Part and Percussion Part
Each Part’s octave, pan, volume, etc.
Settings common to the entire Registration
•
•
•
•
•
Registration name
Registration Level
Tempo
Split
COMMON/
CONTROL
D Beam controller, [S1]/[S2] button, and [E1]–[E4] knob
assignments
Tabs
•
•
•
•
Arpeggiator
Harmony Intelligence
MEMO
Control and other data sent to each Part
Octave Shift, Transpose, etc.
If a Registration has been edited, a check mark (red) will appear
at the right of the Registration name.
Settings for the Percussion Part or Solo Part
•
•
•
•
•
•
•
•
•
•
Tone, pan, volume, and reverb send level
Keyboard range
Pitch
Vibrato
PERC PART,
SOLO PART
Offset values for filter and envelope
Velocity
Mono/poly switch
Legato
Voice reserve (guaranteed polyphony)
Control data received by each Part, etc.
EFFECTS
Effects for the Percussion Part and Solo Part
EXT PART
Settings for messages sent to external MIDI devices
Let’s try editing these parameters.
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Editing a Registration
3. Press the blinking Registration button
Saving a Registration
A message will ask “Are you sure?”
MEMO
Edits you make to a Registration are temporary; they will be lost
when you turn off the power or select another Registration. If you
want to keep an edited Registration, you must save it.
You can also save by touching <WRITE> in the Registration Write
screen.
NOTE
4. To write the data, touch <OK>
The message “Completed!”will appear.
The Registration has been saved.
When you execute the Write operation, the existing data at the
write destination will be overwritten.
REFERENCE
NOTE
For details on how a Registration is structured, refer to “How
Never turn off the power while data is being saved.
Cancelling the Save of a Registration
You can cancel the save operation by doing one of the following.
• Press the [EXIT] button
• Press the [WRITE] button
• Touch [x] in the Registration Write screen
The Registration Write screen will appear. The [WRITE] button will
light, and the Registration buttons will blink.
MEMO
You can also perform a save by touching Registration screen’s
<WRITE>.
Naming a Registration
If you want to rename the Registration, touch <RENAME> of
step 2.
The REGISTRATION NAME screen will appear.
2. Move the cursor to Write Destination, and use the
value dial or the [DEC] [INC] buttons to select the write
destination
Registration number
For details on assigning a name, refer to “Assigning a Name”
MEMO
You can also use the bank buttons ([A]–[D]) and Registration
buttons ([1]–[8]) to directly specify the write destination.
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Editing a Registration
2. If you want to specify the Live Set number or
SuperNATURAL Synth Tone number for saving, touch
<SELECT DEST>
If the following display appears when you save
If Live Set parameters or SuperNATURAL Synth Tone parameters
have been edited, the corresponding Live Set or SuperNATURAL
Synth Tone will be highlighted when you save the Registration.
Live Set Select Destination screen will appear.
The Synth Tone has
been edited.
The Live Set has been
edited.
3. Select the write destination
1
2
Select the write destina-
tion for the Live Set.
Select the write destina-
tion for the SuperNATURAL
Synth Tone.
You have the option of saving the edited Live Sets and
SuperNATURAL Synth Tones at the same time that you save the
Registration.
If you want to do this, proceed as follows.
1. Select the Write check box for the Live Sets and
SuperNATURAL Synth Tones that you want to save
3
Confirm selections and
return to the previous screen.
4. Touch <WRITE>
MEMO
• If you specify the same write destination for the Live Sets of the
Upper Part and Lower Part, the message “Cannot Write!”will
appear. Select different write destinations in step 3.
• If you specify the same write destination for the SuperNATURAL
Synth Tones of layers 1–4, the message “Cannot Write!”will
appear. Select different write destinations in step 3.
• If the same Live Set is assigned to the Upper Part and the Lower
Part, and you edit only one Part and then execute this operation,
the edited Live Set will be assigned to the other Part as well.
MEMO
• If the same SuperNATURAL Synth Tone is assigned to layers 1–4,
and you edit only the SuperNATURAL Synth Tone of a specific
layer and then execute this operation, the edited SuperNATURAL
Synth Tone will also be assigned to the other layers.
If you save without selecting these check boxes, only the
Registration will be saved. The Live Sets or SuperNATURAL Synth
Tones you’ve edited will remain in their edited state without
being saved.
If you want to specify a Live Set number or SuperNATURAL Synth
Tone number at which to save the data, proceed to step 2. If you
want to save the data by overwriting the current Live Set number
and SuperNATURAL Synth Tone number, proceed to step 4.
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Editing a Registration
Initializing a Registration
Here’s how to initialize the currently selected Registration.
MEMO
• Initializing the Registration will affect the data in the temporary
When you initialize the Registration, the Live Sets and tones in
the temporary area will also be initialized.
• If you want to return the parameters of all sounds to their
factory-set state, use Factory Reset (p. 87).
Registration Utility Menu screen will appear.
2. Touch <Registration Initialize>, and then touch <Select>
A message will ask “Are you sure?”
3. Touch <OK>
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Editing a Live Set
You can edit a Live Set by switching the Tones in the Live Set, and
by adjusting offset values relative to the value of each tone.
currently selected Live Set.
Tips for editing a Live Set
View the Live Set Effects
Routing screen.
Choose which Parts will be heard
A Registration consists of up to four Parts. Editing will be
easier if you’re listening only to the Parts that are selected for
the Live Set you want to edit (p. 37).
View the Live Set
Common screen.
Level of each
layer.
MEMO
When you edit the parameters of a Live Set, you are specifying
a relative increase or decrease applied to the value of the Tone;
the actual tone itself is not affected.
This means that even if the same tone is used by another Live
Set, you’ll be able to edit without affecting the other Live Set.
Basic Editing Operations for Live Sets
To edit a Live Set, you’ll start from the Live Set screen.
View the Live
Registration
screen.
Tone name
Switch between the Upper
Part and Lower Part
(<COMMON>, <LAYER>, <EFFECTS>) of the parameter
that you want to edit
The following parameters are stored in a Live Set.
Tab
Explanation
Settings common to the entire Live Set
•
•
•
•
Live set name, Live Set category
COMMON
Volume
Filter
Phase lock, etc.
Settings for each layer
•
•
•
•
•
Layer on/off
Volume
LAYER
Pan
2. Touch a tab to select the Live Set parameters that you
Layer audio output destination and send level
Keyboard range, etc.
want to edit
MFX settings
•
•
•
•
•
•
•
Layer audio output destination and send level
Send level to MFX
MFX on/off
EFFECTS
MFX type selection
MFX volume
MFX settings, reverb settings
Send levels from the Tone to reverb, and from MFX to
reverb, etc.
Offset settings for each layer
For a SuperNATURAL
Synth Tone
For a SuperNATURAL
Acoustic Tone
Tabs
•
•
•
•
•
•
Pitch
•
•
Noise level
MODIFY
Filter
Variation, etc.
Amp
In this example, the Upper Part’s Live Set is edited.
LFO
Modulation
Portamento, etc.
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Editing a Live Set
MEMO
Changing a Live Set’s Tones
If a Live Set has been edited, a check mark (red) will appear at
the right of the Live Set name.
Here’s how to change the Tones in a Live Set.
list
MEMO
You can also switch tones by moving the cursor to the tone
name in the Live Set screen, and using the value dial or the
[DEC] [INC] buttons to select a Tone.
Adjusting the Tones
By touching <EDIT> of each layer in the Live Set screen (p. 32),
you can adjust the Tones assigned to each layer (the Live Set
Modify screen will appear).
The Tone List screen will appear. In this example, the Tone for layer 1
of the Live Sets assigned to the Upper Part is changed.
2. Touch the new tone, and then touch <Select>
The left column lists the tone categories, and the right column lists
the Tones in the selected category.
2
Select a category.
For details, refer to “Editing the Tones Assigned to a Layer”
3
Select a Tone.
4
1
Confirm your
selection.
Select the type of tone.
The Tone will change.
MEMO
The SuperNATURAL Acoustic Tone 0028: TW Organ can be
assigned only to layer 1.
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Editing a Live Set
Layer On/Off and Volume Adjustment Switching the MFX (Multi-effects)
To turn a layer on/off, touch its layer number in the Live Set screen
Each Live Set contains four MFX (multi-effects) processors.
To switch the MFX, access the “Live Set Effects Routing”screen.
effect type to access a list
Touch an effect type.
Layer button
Status
Off
On
MEMO
The MFX Type screen will appear. In this example, the effect type for
MFX1 of the Live Set selected for the Upper Part is changed.
In the panel’s PART BALANCE area you can turn the four layers
on/off and adjust their volume.
MEMO
If you move the cursor to the effect type, you’ll also be able to
use the value dial or the [DEC] [INC] buttons to switch the effect
type.
2. Touch the new effect type, and then touch <Select>
1
Select a category.
Use the sliders to adjust
the volume of each
layer.
2
Select an effect type.
The level meters show
the volume setting of
each layer.
3
Confirm your selection.
Turn each layer on/off.
The left column lists the effect type categories, and the right
column lists the effect types in the selected category.
The effect type will change.
MEMO
By holding down the [SHIFT] button and operating the panel’s
PART BALANCE area, you can turn the Parts (Solo, Upper, Lower,
Percussion) on/off and adjust their volume.
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Editing a Live Set
Turning MFX On/Off
Adjusting the Effect Send Levels and
Effect Output Levels
To switch an MFX on/off, touch its MFX button.
You can adjust the level at which the sound of each layer is sent to
MFX, and the output level of the sound that has passed through the
effect.
Set the level of sound sent to
MFX or reverb.
Set the level of sound sent from
MFX to reverb.
MFX button
Status
Off
On
Set the output level
of MFX or reverb.
Set the output destination
and output level of the
selected layer.
Editing the MFX
<EDIT>
In this example, we’ll edit the Multi Tap Delay effect for MFX1 of the
Live Set selected for the Upper Part.
The Live Set MFX screen will appear.
2. Edit the MFX settings
The parameters that can be edited will depend on the effect
type you’ve selected. For details on MFX parameters, refer to the
parameter list in the PDF manual.
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Editing a Live Set
Editing the Tones Assigned to a Layer
Editing a Tone
Here’s how to edit the sound of each layer.
For SuperNATURAL Synth Tones, you can go deeper to create
You’ll be able to edit selected parameters for each sound (Modify
parameters and Offset parameters).
and save your own original tones.
Since the parameters you edit are stored in the Live Set, you can
edit the sound without rewriting the original tones.
Touch <Synth Edit> to access the Synth Tone Edit screen.
The Live Set Tone Modify screen will appear. In this example, layer 1
of the Live Set selected for the Upper Part is edited.
2. Edit the Tone
Example screen for a SuperNATURAL Acoustic Tone
Example screen for a SuperNATURAL Synth Tone
For details on the parameters, refer to the parameter list in the PDF
manual.
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Editing a Live Set
2. Touch <Tone Blender>
Simultaneously Adjusting Multiple
Live Set Parameters (Tone Blender)
The Tone Blender function lets you shift between the initial
values (the currently specified Live Set parameter values) and the
destination values (which you may set freely) by turning just a
single [E4] (Tone Blender Control) knob.
You can use the Tone Blender function to create enormously varied
modifications in the sound simply by turning a knob, and save the
resulting sound as a new Live Set.
Example
Tone Blender
Control value
Parameter
A
Parameter
B
Parameter
C
The Tone Blender screen will appear.
3. Set the values in the lower half of the screen (the
0
-100
60
30
Min
destination values)
100
-50
Max
Indicates the current values.
Value
+100
Current
values
Destination values
Source
values
Specify the destina-
tion values.
Min
Max
Button
Explanation
The destination values can also be assigned randomly by the
JUPITER-80, allowing you to obtain a different sound every time.
Specifies the current values as the new initial values (the
parameters of the Live Set will be updated).
<Set Src>
<Shuffle>
<Reset>
Randomly sets all destination values.
MEMO
Sets the destination values to match the initial values.
The following Live Set parameters can be adjusted by the Tone
Blender: level, pan, cutoff, resonance, attack, delay, release, MFX
1–4 send level, and reverb send level.
MEMO
<LAYER>, <EFFECTS>, or <EDIT>
• If after touching <Shuffle> you then press the [SHIFT] button,
<Shuffle> will change to <Undo Shuffle>. If you touch <Undo
Shuffle>, you will return to the destination value prior to
touching <Shuffle>.
4. Turn the [E4] (Tone Blender Control) knob
All Live Set parameters will move between the source values and
destination values.
MEMO
By saving the Live Set in this state, you can save the initial values
and the destination values.
However, the current values (the sound you’re currently hearing)
will not be saved.
In this example, the Upper Part’s Live Set parameters are adjusted.
If you want to save the sound you’re currently hearing, refer to
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Editing a Live Set
Convenient Ways to Use the Tone Blender
Saving the sound created by the Tone Blender
Saving a Live Set
Edits you make to the Live Set are temporary; they will be lost if you
turn off the power or select another Live Set. If you want to keep
the edited Live Set, you must save it to user memory.
After using the [E4] (Tone Blender Control) knob to get a sound you
like, you can save that state as a Live Set.
NOTE
When you save, the data previously existing in the save
destination will be overwritten.
1. Use the [E4] (Tone Blender Control) knob to get the sound
you like, and then touch <Set Src>
The parameters for the sound produced by the Tone Blender
function will be set as the new initial values of the current Live Set.
The current sound will be saved as a Live Set.
When you call up the saved Live Set, the sound produced by the
Tone Blender will be called up.
Using the D Beam controller to control the Tone
Blender
<Pedal/D Beam>
The Live Set Write screen will appear.
2. Set the D Beam Assign parameter to “CC79 (Tone
2. To select the save-destination user Live Set number, touch
Blender) ”
<Write Destination>
Now you can control the Tone Blender by operating the D Beam
controller.
MEMO
You can also move the cursor to Write Destination and use
the value dial or the [DEC] [INC] buttons to change the write
destination.
3. Touch the save-destination Live Set number, and then
touch <Select>
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Editing a Live Set
4. Touch <WRITE>
If the following display appears when you save
If SuperNATURAL Synth Tone parameters have been edited, the
corresponding Synth Tone(s) will be highlighted when you save the
Live Set.
A message will ask “Are you sure?”
5. To save the Live Set, touch <OK>
The Tone has been
edited.
The screen will indicate “Completed!”
The Live Set has been saved to the save-destination Live Set
number you specified.
You have the option of saving the edited SuperNATURAL Synth
Tones at the same time that you save the Live Set.
NOTE
If you want to do this, proceed as follows.
Never turn off the power while data is being saved.
1. Select the Write check box for the SuperNATURAL Synth
Cancelling the Save of a Live Set
Tones that you want to save
You can cancel the save operation by doing one of the following.
• Press the [EXIT] button
• Touch [x] in the UPPER (or LOWER) Live Set Write screen
Naming a Live Set
If you want to rename the Live Set, touch <RENAME> of step
2.
The LIVE SET NAME screen will appear.
MEMO
If you save without selecting the check box, only the Live Set will
be saved. SuperNATURAL Synth Tones you edited will remain in
their edited state, and will not be saved.
If you want to specify a number at which to save the SuperNATURAL
Synth Tone, proceed to step 2. If you want to overwrite the current
SuperNATURAL Synth Tone number, proceed to step 3.
For details on assigning a name, refer to “Assigning a Name”
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Editing a Live Set
2. Specify the write destination
Initializing a Live Set
Select the write
destination for the
SuperNATURAL Synth
Tone.
Here’s how to initialize the currently selected Live Set.
MEMO
• Initializing the Live Set affects the data in the temporary area
(p. 16). When you initialize the Live Set, the temporary area for the
Tones will also be initialized.
• If you want to return the parameters of all sounds to their
factory-set state, use Factory Reset (p. 87).
3. Touch <WRITE>
MEMO
• If you specify the same write destination for each of the
SuperNATURAL Synth Tones of layers 1–4, the message “Cannot
Write!”will appear. Specify different write destinations in step 2.
• If the same SuperNATURAL Synth Tone is assigned to layers
1–4, and you edit only the SuperNATURAL Synth Tone of a
certain layer and then perform this operation, the edited
SuperNATURAL Synth Tone will also be assigned to the other
layers as well.
The Live Set Initialize screen will appear.
2. Touch <Live Set Initialize>, and then touch <Select>
A message will ask “Are you sure?”
3. Touch <OK>
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Editing a Live Set
Copying a Layer
Here’s how to copy a layer to a different layer.
This is a convenient way to create a variation based on an edited
layer.
The Live Set Utility Menu screen will appear.
2. Touch <Live Set Layer Copy>, and then touch <Select>
3. As the Source, specify the copy-source layer As the
Destination, specify the copy-destination layer
NOTE
When you copy a layer, the sound of the specified Destination
layer will be lost, and overwritten by the sound of the specified
Source layer.
4. Touch <Execute>
A message will ask “Are you sure?”
5. Touch <OK>
The sound of the specified Source layer will be copied to the
specified Destination layer.
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Editing a Synth Tone
You can edit a Synth Tone to create original sounds.
Edit>
MEMO
It’s not possible to edit SuperNATURAL Acoustic Tones, Manual
Percussion, or Drums/SFX.
To edit these tones, refer to “Editing the Tones Assigned to a
Tips for editing Synth Tones
Decide which layers you want to hear
A Live Set consists of up to four tones. Editing will be easier if
you’re listening to only the layer with the Synth Tone that you
want to edit (turn its layer button on) (p. 58).
The Synth Tone Edit screen will appear.
4. Edit the Synth Tone
Turn the effect off
The Live Set may apply an effect to the layer, causing the
Synth Tone to sound different than it otherwise would.
If you turn off the effect, you’ll hear the actual sound of the
Synth Tone itself, and it will be easier to discern the results of
the SuperNATURAL Synth Tone that you want to edit
For details on tone parameters, refer to the parameter list in the PDF
manual.
which the selected Synth Tone is assigned
MEMO
• If you touch <PRO EDIT>, you’ll be able to edit the Synth Tone in
the form of a parameter list.
The Live Set Tone Modify screen will appear. In this example, the
SuperNATURAL Synth Tone that’s selected for layer 1 is edited.
To return to the previous display, touch <ZOOM EDIT>.
• If you touch <LAYER>, the Layer Select screen will appear,
allowing you to switch layers for editing.
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Editing a Synth Tone
• If a Synth Tone has been edited, a check mark (yellow) is shown
at the right of the tone name.
Volume and On/Off Settings for Each
Partial
You can turn a Partial on/off by touching the <Partial SW>.
By touching <Partial SELECT> you can select the Partial that you
want to edit.
<Partial SELECT> Status
<Partial SW>
Lit red
Lit green
Unlit
Selected
–
Unlit
MEMO
• You can select two or more Partials by holding down the [SHIFT]
button and touching <Partial SELECT>.
• When the Synth Tone Edit screen is displayed, you can use the
PART BALANCE area of the panel to turn the three Partials on/off
and adjust their volume.
Controls the AMP level
of each Partial.
The AMP level of each
Partial is shown by the
level meter.
Turns each Partial
on/off.
• By holding down the [SHIFT] button and pressing the PART
[PERC ON/OFF], [LOWER ON/OFF], or [UPPER ON/OFF] buttons,
you can select the Partial that you want to edit.
PART button
Selected Partial
Partial 1
PART [PERC ON/OFF]
PART [LOWER ON/OFF]
PART [UPPER ON/OFF]
Partial 2
Partial 3
• To edit two or more Partials, simultaneously hold down the PART
buttons of the Partials that you want to edit.
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Editing a Synth Tone
4. Touch <WRITE>
Saving a Synth Tone
A Synth Tone you edit is temporary; it will be lost if you turn off
the power or select another tone. If you want to keep a Synth Tone
you’ve edited, you must save it.
NOTE
When you save, the data in the save destination will be
overwritten.
A message will ask “Are you sure?”
5. To save the Tone, touch <OK>
A message will indicate “Completed!”
The Synth Tone has been saved in the save-destination
SuperNATURAL Synth Tone number you specified.
NOTE
Never turn off the power while data is being saved.
The Tone Write screen will appear.
Cancelling the Save of a Tone
2. If you want to select the save-destination SuperNATURAL
You can cancel the save operation by doing one of the following.
• Press the [EXIT] button
Synth Tone number, touch <Write Destination>
MEMO
• Touch [x] in the Tone Write screen
You can also change the write destination by moving the cursor
to Write Destination and using the value dial or the [DEC] [INC]
buttons.
Naming a Tone
If you want to rename the Tone, touch <RENAME> of step 2.
The TONE NAME screen will appear.
3. Touch the save-destination SuperNATURAL Synth Tone
number, and then touch <Select>
For details on assigning a name, refer to “Assigning a Name”
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Editing a Synth Tone
Initializing a SuperNATURAL Synth
Tone/Partial
Copying a Partial
Here’s how to copy the Partial settings from a SuperNATURAL
Synth Tone to the specified Partial of the currently selected
SuperNATURAL Synth Tone.
Here’s how to initialize the currently selected SuperNATURAL Synth
Tone or Partial.
MEMO
• Initializing a SuperNATURAL Synth Tone or Partial will affect the
data in the temporary area (p. 16).
• If you want to return the parameters of all sounds to their
factory-set values, use Factory Reset (p. 87).
The Synth Tone Utility Menu screen will appear.
2. Touch <Partial Copy>, and then touch <Select>
The Synth Tone Utility Menu screen will appear.
2. Touch <Tone Initialize> to initialize a SuperNATURAL
Synth Tone, or touch <Partial Initialize> to initialize a
Partial
If you’re initializing a Partial, first use <Partial SELECT> to turn on
the Partial that you want to initialize (p. 67).
The Synth Tone Partial Copy screen will appear.
3. As the Source, specify the copy-source SuperNATURAL
Synth Tone and Partial; as the Destination, specify the
copy-destination Partial
NOTE
When you copy a Partial, the sound of the specified Destination
Partial will be lost, and overwritten by the sound of the specified
Source Partial.
4. Touch <Execute>
A message will ask “Are you sure?”
3. Touch <Select>
A message will ask “Are you sure?”
5. Touch <OK>
The sound of the specified Source layer will be copied to the
specified Destination layer.
4. To initialize, touch <OK>
MEMO
By holding down the [SHIFT] button and touching a knob or
slider, you can return that parameter to the default value (the
message “Reset Value”will appear).
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MEMO
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Using the USB Memory Song Player/Recorder
The USB Memory Song Player/Recorder lets you
play back audio files (WAV, MP3, AIFF) that you’ve
copied from your computer to a USB flash drive,
or to record your keyboard performance to a USB
Playback
Here’s how to play back audio files saved on the USB flash drive.
flash drive.
NOTE
1. Press the [SONG] button
• Never insert or remove a USB flash drive while this unit’s power
is on. Doing so may corrupt the unit’s data or the data on the
USB flash drive.
• Carefully insert the USB flash drive all the way in-until it is firmly
in place.
• Use USB flash drive available from Roland. Proper operation
cannot be guaranteed if other USB device is used.
The Song screen will appear. A list of the audio files on the USB flash
drive will appear.
• Don’t connect anything other than a USB flash drive to the USB
MEMORY connector.
MEMO
MEMO
If the file name or folder name contains double-byte characters
(e.g., Japanese), they will not be shown correctly in the display.
If the USB flash drive contains a large number of song files, it
may take some time for them to be read.
2. Select an audio file
Touch the audio file that you want to play.
Basic Operations in the Song Screen
MEMO
button.
• To view the files within a folder, select that folder and touch it or
press the [ENTER] button.
• The currently shown folder is indicated by the orange text at
the top of the list. To return to the higher-level folder, touch the
folder button located at the left of the current folder. To return
to the root folder (the top level), touch </>.
In the Song screen you can select the audio file to play back, and
make settings for playback.
Turn loop play on/off,
and make settings for
Adjust the
volume of the
song player.
Currently shown folder
(orange text)
Upper-level folder
</> is the root folder
are listed
Folder
Indicates the
current time of the
audio file.
Set the playback
speed and pitch
Turn center cancel
on/off, and make
settings for it (p. 73).
3. Press the [ ] (PLAY) button
The selected audio file will play.
• Press the [ ] (STOP) button to stop playback.
When you press the [ ] (PLAY) button once again, playback
will resume from where it was stopped.
MEMO
Copy your audio files (WAV, MP3, AIFF) to the root folder (the top
level) of your USB flash drive, or create a folder on your USB flash
drive and copy the files into it. For more about folders in USB
• Press the [
file.
] button to return to the beginning of the audio
• Rewinds the audio file while you hold down the [
] button.
]
• Fast-forwards the audio file while you hold down the [
button.
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Using the USB Memory Song Player/Recorder
Adjusting the Balance of Frequency
Ranges (Equalizer)
Audio files that can be played
MP3
The USB memory song player provides a four-band equalizer. You
can apply an equalizer to the audio file playback and to the sound
being input via the AUDIO IN jack.
Format
MPEG-1 audio layer 3
Sampling Frequency 44.1 kHz
32k, 40k, 48k, 56k, 64k, 80k, 96k, 112k,
Bit Rate
128k, 160k, 192k, 224k, 256k, 320 kbps /
VBR (Variable Bit Rate)
WAV, AIFF
2. Touch <SETUP>, and then touch <Song EQ>
Sampling Frequency 44.1 kHz, 48 kHz, 96 kHz
Bit Rate 8, 16, 24-bit
The Song EQ screen will appear.
Minimizing Sounds in the Center (Center
Cancel)
You can minimize the sounds heard from the center of the playback
(e.g., vocals).
Now you can make equalizer settings.
The Center Cancel function will turn on (the button will light).
Now you can make center cancel settings.
Parameter
Sw
Value
Explanation
OFF, ON
Turns the equalizer on/off.
200, 400
[Hz]
Specifies the fundamental frequency of the
low range.
Parameter
Value
Explanation
Low Freq
Low Gain
Mid1 Freq
Mid1 Gain
Mid1 Q
Minimizes mid-frequency and high-
frequency sounds localized in the center.
MID-HI
-15–+15
[dB]
Adjusts the amount of low range boost/cut.
Center Cancel
Type
Minimizes low-frequency sounds localized
in the center.
LOW
ALL
200–8000
[Hz]
Specifies the fundamental frequency of the
mid range 1.
Minimizes all sounds localized in the center.
-15–+15
[dB]
Adjusts the amount of mid range 1 boost/
cut.
2. To turn off the Center Cancel function, touch <Center
0.5, 1.0, 2.0, Specifies the width of the mid range 1.
4.0, 8.0
Higher values make the width narrower.
Cancel> once again
200–8000
[Hz]
Specifies the fundamental frequency of the
mid range 2.
The Center Cancel function will turn off (the button will be unlit).
Mid2 Freq
Mid2 Gain
Mid2 Q
-15–+15
[dB]
Adjusts the amount of mid range 2 boost/
cut.
Changing the Playback Speed or Pitch
0.5, 1.0, 2.0, Specifies the width of the mid range 2.
4.0, 8.0 Higher values make the width narrower.
You can change the speed or pitch at which an audio file plays back.
2000, 4000, Specifies the fundamental frequency of the
8000 [Hz]
High Freq
high range.
Pitch
-15–+15
[dB]
Adjusts the amount of high range boost/
cut.
High Gain
Level
Parameter
Play Speed
Play Pitch
Value
Explanation
0–127
Adjusts the output volume.
75–125 [%]
30–170 [%]
Changes the speed of playback.
Changes the pitch of playback.
3. To save the settings, touch <SYSTEM WRITE>
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Using the USB Memory Song Player/Recorder
Looping a Specific Region of Time
Playing Audio Files Consecutively (Chain
Play)
You can specify start and end points within an audio file, and make
the playback loop between those points.
Here’s how the audio files in the same folder can be played
consecutively.
Loop playback will turn on (the button will light).
2. Use either of the following methods to specify the start
Chain play will turn on (the button will light).
and end points for loop playback
2. Press the [ ] (PLAY) button
• Use Loop Top Point to specify the start, and Loop End Point to
specify the end.
The value is specified in terms of (hours) : (minutes) : (seconds) .
(1/100th second).
The audio files will begin playing. When a song ends, playback will
continue with the next song.
MEMO
• Carry out playback until you reach the desired loop start or end
point, and then touch <SET LOOP TOP> (start) or <SET LOOP
END> (end).
• Audio files will be played in the order in which they appear in
the audio file list.
The “N ”symbol indicates the song that will be played next.
• During playback, you can change the song that will be played
next simply by touching another audio file (the “N ”symbol will
move).
<Chain Play>
Currently selected
audio file
Audio file that will
be played next
MEMO
When using loop playback with an MP3 file, the time you
specified might shift somewhat forward or backward (loop
playback will occur near the time you specified).
3. To turn chain play off, touch <Chain Play> once again
Chain play will turn off (the button will go out).
3. Press the [ ] (PLAY) button
Playback will loop between the Loop Top Point (start) and Loop End
Point (end).
MEMO
• Chain play will automatically turn off if you press the [ ] (STOP)
button.
4. To turn off loop playback, touch <Loop Switch> once
• If chain play is on, turning <Loop Switch> on will make the
audio files in the folder play repeatedly. When the last audio file
in the folder has finished playing, playback will return to the first
file and continue.
again
Loop playback will turn off (the button will go out).
MEMO
You can’t play back a loop of a specified time if chain play is on.
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Using the USB Memory Song Player/Recorder
Creating a Folder
Deleting an Audio File or Folder
Here’s how to create a new folder inside the currently selected
folder.
Here’s how to delete an unwanted audio file or folder.
NOTE
In this example, we’ll create a new folder inside the audio folder
that you created on your computer.
There is no way to recover a deleted audio file or folder.
MEMO
1. First select the audio folder, and then touch it or press the
You can’t delete a folder that contains files. Before you can
delete a folder, you must delete all the files within that folder.
1. First select the audio file or folder that you want to delete
The Song Utility Menu screen will appear.
3. Touch <Delete Song/Folder>, and then touch <Select>
The message “Are you sure?”will appear.
4. To execute the deletion, touch <OK>
The message “Delete Song/Folder Completed!”will appear; the
audio file or folder has been deleted.
The Song Utility Menu screen will appear.
Renaming an Audio File or Folder
3. Touch <Create Folder>, and then touch <Select>
Here’s how to rename an audio file or folder.
1. First select the audio file or folder that you want to
The Song Utility Menu screen will appear.
3. Touch <Rename Song/Folder>, and then touch <Select>
The RENAME SONG/FOLDER screen will appear.
4. Assign the desired name
The CREATE FOLDER screen will appear.
5. Touch <OK>
The message “Rename Song/Folder Completed!”will appear; the
audio file or folder has been renamed.
4. Assign a name to the folder
5. Touch <OK>
The message “Create Folder Completed!”will appear; the folder has
been created.
MEMO
It’s not possible to create folders eight or more levels deep,
including the root folder.
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Using the USB Memory Song Player/Recorder
Moving an Audio File or Folder
Here’s how to move an audio file or folder to a different folder.
1. First select the audio file or folder that you want to move
The Song Utility Menu screen will appear.
3. Touch <Move Song/Folder>, and then touch <Select>
The Move Folder Select screen will appear.
4. Select the move-destination folder, and touch it or press
MEMO
As the destination of the move, you cannot specify a sub-folder
(folder 2) of the folder you’re moving (folder 1).
/
Root folder
OK
Folder
OK
F
Folder 3
:
5. Touch <Execute>
The message “Are you sure?”will appear.
6. To execute the move, touch <OK>
The message “Move Song/Folder Completed!”will appear; the audio
file or folder has been moved.
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Using the USB Memory Song Player/Recorder
Basic Operations in the Audio Rec Standby Screen
When you press the [REC] button, the Audio Rec Standby screen will appear.
Here you can make settings for recording.
Recording Folder/Recording File
c
SELECT
Indicates the name of the folder and file
in which the recorded result will be saved.
, audio file playback will begin at
moment that recording begins.
Changes the folder in which
the recording will be saved.
which
e saved.
Sound from the keyboard,
the USB COMPUTER port,
the AUDIO IN jack, and
the playback from the USB
memory song player will
be recorded.
Recording Level Knob/
Level Meter
MIX
Use the Recording
Level knob to adjust the
recording level so that the
CLIP indicator of the level
meter does not light.
Sound from the keyboard
KEYBOARD
will be recorded.
Start
Recording will begin.
Click
nt In
Metronome Beat
Switches on/off the click
sound during recording.
this on if you want a two-measure
re recording (the button will light).
Specifies the time signature
of the click sound.
Recording
Your keyboard performance can be recorded to a USB flash drive.
2. Make the recording settings, and then touch <Start>
The audio being input via the JUPITER-80’s AUDIO IN jack and USB
COMPUTER connector can also be recorded.
The [REC] button and [PLAY] button will light, and recording will
begin.
MEMO
MEMO
Sounds for which the Output Assign MAIN OUT check box is
recorded.)
• One minute of recorded data will occupy approximately 10 MB.
• To see how much free space remains on the USB flash drive,
NOTE
3. To stop recording, press the [ ] (STOP) button
While the Audio Rec Standby screen is displayed, you must not
turn off the JUPITER-80’s power, or disconnect or connect your
USB flash drive.
Recording will stop, and the recorded result will be saved on the
USB flash drive.
Also, you must not turn off the JUPITER-80’s power or disconnect
or connect the USB flash drive while recording.
Audio files that will be saved
If you do so, the data might not be written correctly, or the
contents of memory might be destroyed.
WAV
1. Press the [REC] button
Sampling Frequency 44.1 kHz
Bit Rate
16-bit
The Audio Rec Standby screen will appear.
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Using the USB Memory Song Player/Recorder
Audio Signal Flow
JUPITER-80 Sound Generator
(keyboard)
MASTER
EQ
USB COMPUTER
(to computer)
CENTER
CANCEL
USB MEMORY SONG PLAYER
Song Level
MAIN OUT/SUB OUT/
DIGITAL AUDIO OUT
SONG EQ
AUDIO IN
USB COMPUTER (from computer)
USB MEMORY
SONG RECORDER
Recording
Mode
Recording
Level
Using the Included USB Memory Protector
You can use the included USB memory protector to prevent theft of the USB flash drive connected to the JUPITER-80.
NOTE
• You must use the included screws.
• You must use the included Allen wrench to tighten or remove the screws. Using a tool that does not match the screw heads will damage them.
• Be careful not to over-tighten the screws. Doing so may damage the screw’s head, causing the wrench to rotate uselessly.
• To tighten the screws, turn the Allen wrench clockwise. To loosen the screws, turn the Allen wrench counter-clockwise.
loosen
tighten
• Keep the removed screws out of the reach of small children to ensure they are not swallowed accidentally.
• Never allow foreign objects (e.g., coins, wires) to enter the USB memory box.
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Settings and Convenient Functions
Access the MENU screen to select the desired setting or function.
Backing Up All Settings to a USB
Flash Drive
You can back up all of settings in the JUPITER-80 to a USB flash drive
(sold separately), or restore those settings into the JUPITER-80’s
memory.
MEMO
One set of backup data can be saved on a USB flash drive.
NOTE
• When you execute the backup operation, the backup data that
is currently saved on the USB flash drive will be overwritten. If
you want to keep the backup data that’s on the USB flash drive,
copy it to your computer as described in “Backing Up USB Flash
The settings and functions are listed below.
• Never insert or remove a USB flash drive while this unit’s power
is on. Doing so may corrupt the unit’s data or the data on the
USB flash drive.
Menu
Explanation
Page
Make overall settings for the entire
JUPITER-80.
System
• Carefully insert the USB flash drive all the way in-until it is firmly
in place.
Regist Button Lock
Regist Set Exchange
Lock the Registration buttons.
Exchanges Registration Sets.
• Use USB flash drive available from Roland. Proper operation
cannot be guaranteed if other USB device is used.
Backs up the JUPITER-80’s settings to a
USB flash drive.
Backup
Restore
• Don’t connect anything other than a USB flash drive to the USB
MEMORY connector.
Restores the JUPITER-80’s settings from
a USB flash drive.
Format the USB flash drive that’s
connected to the USB MEMORY
connector.
The Backup screen will appear.
Format USB Memory
2. Touch <EXEC>
Touch Screen
Calibration
Calibrates the touch panel.
Resets the JUPITER-80 to its factory
settings.
Factory Reset
A message will ask “Are you sure?”
3. To execute, touch <OK>
NOTE
Never turn off the power while the backup operation is
occurring.
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Settings and Convenient Functions
Restoring Backed-up Settings from a USB
Flash Drive
Backing Up USB Flash Drive Data to a
Computer
Here’s how to back up the data from a USB flash drive to your
computer.
The Restore screen will appear.
1. Turn off the JUPITER-80’s power
2. Touch <EXEC>
2. Disconnect the USB flash drive from the JUPITER-80, and
connect it to your computer
3. On your computer, open the USB flash drive
4. Copy (drag and drop) the entire “ROLAND” folder from the
USB flash drive into a folder on your computer
NOTE
You must copy the entire “ROLAND”folder.
The data will not be backed up correctly if you copy only part of
the files in the “ROLAND”folder.
5. When the copy is completed, unmount (eject) the USB
flash drive from your computer, and then disconnect it
from the computer
A message will ask “Are you sure?”
NOTE
When you execute the Restore operation, all settings currently
saved in the JUPITER-80 will be lost.
Windows 7/ Windows Vista / Windows XP users:
In My Computer (or Computer), right-click the “removable disk”
icon and choose “Eject.”
If you want to keep the current settings, back them up to a
different USB flash drive.
3. To execute, touch <OK>
Mac OS X users:
NOTE
Drag the USB flash drive icon into the Trash.
Never turn off the power while the restore operation is
occurring.
Restoring Backed-up Data from a
Computer to a USB Flash Drive
1. Connect the USB flash drive to your computer, and open
the USB flash drive
2. Copy (drag and drop) the entire backed-up “ROLAND”
folder from your computer into the USB flash drive
NOTE
• When you copy the backed-up data to your USB flash drive, the
data that was previously on the USB flash drive will be lost.
• You must copy the entire “ROLAND”folder. The system will not
operate correctly if you copy only some of the files from the
“ROLAND”folder.
3. Disconnect the USB flash drive from your computer as
described in step 5 of “Backing Up USB Flash Drive Data to
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Settings and Convenient Functions
Initializing a USB Flash Drive
(Format)
Disabling the Registration Buttons
The JUPITER-80’s settings will change if you press a Registration
button unintentionally or switch Registration Sets.
This operation will initialize (format) a USB flash drive.
Use the “Registration Button Lock”function if you don’t want the
Registration buttons to switch Registrations while you perform.
NOTE
When you execute this operation, all data saved on the USB
flash drive will be lost. If the USB flash drive contains important
data, back it up to your computer before initializing the USB
flash drive.
The Registration Button Lock screen will appear.
2. Touch <LOCK>
The Format USB Memory screen will appear.
2. Touch <EXEC>
The Registration buttons will be disabled.
3. Press [EXIT] button
MEMO
A message will ask “Are you sure?”
• To enable the Registration buttons, release Registration Button
Lock (touch <UNLOCK>).
3. To initialize, touch <OK>
• Even when Registration Button Lock is on, you can still switch
Registrations by operating the touch panel or the top panel.
NOTE
• The state of Registration Button Lock is not saved. It will
automatically be UNLOCK when you turn on the power.
Never turn off the power while an USB flash drive is being
formatted.
• When Registration Button Lock is on, a “Lock”symbol is shown
by the Registration name.
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Settings and Convenient Functions
Exchanging Registration Sets
Calibrating the Touch Panel
Here’s how to exchange entire Registration Sets.
Perform this calibration if the touch panel does not operate as you
expect.
The Registration Set Exchange screen will appear.
Calibration>
2. Specify the numbers of the Registration Sets that you
The Touch Screen Calibration screen will appear.
want to exchange
2. Touch the center of the “+” symbol indicated by the
3. Touch <EXEC>
symbol
Touch the symbols in the order of left -> top -> right -> bottom.
Calibration will end when you’ve touched all of the “+”symbols.
NOTE
Never turn off the power while the touch screen is being
calibrated.
A message will ask “Are you sure?”
4. Touch <OK>
When the Registration Sets have been exchanged, the message
“Exchange Completed!”will appear.
NOTE
Never turn off the power while a Registration Set is being
exchanged.
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The JUPITER-80’s System Settings
Making System Settings
System Parameters
These settings apply to the entire JUPITER-80; for example, here you
can set the tuning and specify how MIDI messages will be received.
This section explains what each system parameter does, and how
the parameters are organized.
The System Setup screen will appear.
SETUP
These settings apply to the JUPITER-80 as a whole.
Pedal
Parameter
Value
Explanation
Control Pedal
Specifies whether the functions
controlled by the pedals connected to
the FOOT PEDAL CTRL 1 and 2 jacks will
be determined by the system settings
(SYSTEM) or by the Registration Settings
(REGISTRATION).
Control Pedal 1
Assign Source
SYSTEM,
REGISTRATION
Control Pedal 2
Assign Source
2. Touch the tab that contains the settings you want to
Functions controlled by the pedals connected to the FOOT
PEDAL CTRL 1 and 2 jacks
change
OFF
No function is assigned.
Item
Explanation
Page
CC01–31, CC33–95 Controller number 1–31, 33–95
<SETUP>
Overall settings
AFTERTOUCH
BEND UP
Aftertouch
<LIVE SET/TONE
BUTTONS>
Sound settings for the Part sound
buttons
The same effect as moving the pitch
bend lever to the right.
Control Pedal 1
Assign
View the software version and
space
The same effect as moving the pitch
bend lever to the left.
BEND DOWN
<INFORMATION>
Control Pedal 2
Assign
REGISTRATION UP Select the next-numbered Registration.
REGISTRATION
DOWN
Select the previous-numbered
Registration.
3. Touch the parameter that you want to set, and change its
value
The same effect as pressing the panel
[INC] button.
PANEL INC
The same effect as pressing the panel
[DEC] button.
PANEL DEC
Saving the System Settings
START/STOP
Start/stop the USB memory song player.
System settings will return to their original values when you turn off
the power. If you want the settings you’ve made to be remembered
after the power is turned off, you must save the system settings.
Selects the polarity of the pedals
connected to the CTRL 1 and 2 jacks.
Control Pedal 1
Polarity
Depending on the model of pedal, the
result of depressing or releasing the
pedal might be the opposite of what
you expect. If so, choose the “REVERSE”
setting. If you’re using a Roland pedal
(that has no polarity switch), choose the
“STANDARD”setting.
STANDARD,
REVERSE
1. In the System Setup screen, the System Live Set/Tone
Buttons screen, or the System Information screen, touch
<SYSTEM WRITE>
Control Pedal 2
Polarity
A message will indicate “System Write Completed!”and the settings
will be saved.
Hold Pedal
Selects the polarity of the pedal con-
nected to the FOOT PEDAL HOLD jack.
NOTE
Never turn off the power while settings are being saved.
Depending on the model of pedal, the
result of depressing or releasing the
pedal might be the opposite of what
you expect. If so, choose the “REVERSE”
setting. If you’re using a Roland pedal
(that has no polarity switch), choose the
“STANDARD”setting.
STANDARD,
REVERSE
Hold Pedal Polarity
If this is ON, the HOLD jack will support
half-pedaling. If half-pedaling is enabled,
you can connect a damper pedal (such
as the DP-10; available separately) and
use the pedal to control subtle nuances
of the piano sounds you play.
Continuous Hold
Pedal
OFF, ON
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The JUPITER-80’s System Settings
D Beam/Slider
Sound
Parameter
D Beam
Value
Explanation
Parameter
Sound
Value
Explanation
The higher the value you set for this
parameter, the more sensitive the D
Beam controller becomes.
Specifies whether the controller section
(keyboard, pitch bend/modulation lever,
[S1] [S2] buttons, D Beam controller, pedals,
etc.) will be connected to the internal sound
generator. Normally, this should be left at
“ON.”Turn it “OFF”if you want to use the
JUPITER-80’s controllers only to control an
external sound generator.
D Beam Sens
Slider
0–127
Local Switch
OFF, ON
Specifies how the sliders will operate.
When you move a slider, control data
DIRECT
indicating its position will always be
output.
415.3–466.2 Sets the JUPITER-80’s overall tuning (the
Slider Mode
Master Tune
[Hz]
frequency of the A4 key)
When you move a slider, control data will
start being transmitted only when the
current value of the parameter has been
reached.
Shifts the JUPITER-80’s overall pitch range in
semitone steps.
CATCH
Master Key Shift
-24–+24
Sets the JUPITER-80’s overall volume (except
for the signal from the USB COMPUTER
connector).
Master Level
0–127
Adjusts the JUPITER-80’s overall output
gain (except for the signal from the USB
COMPUTER connector). If you’re playing a
fewer number of voices, boosting this setting
can help you obtain an optimal output level
when recording on an external device.
Keyboard
Output Gain
-12–+12 [dB]
Parameter
Keyboard
Value
Explanation
Sets the volume of the USB memory song
player.
Specifies the velocity transmitted when a key is played.
The transmitted velocity value will
Song Level
0–127
Specifies whether the currently sounding
notes will remain (ON) or not (OFF) when you
select a different sound.
REAL
correspond to the force with which you strike
the key.
Keyboard Velocity
Tone Remain
OFF, ON
The transmitted velocity value will be fixed,
regardless of the force with which you strike
the key.
* In some cases, the effect sound might not
remain.
1–127
The keyboard will have a lighter-feeling
touch. Since you’ll be able to reach fortissimo
(ff) without having to play as strongly as
with the MEDIUM setting, the keyboard will
feel lighter. This setting makes it easier for
people with reduced finger strength to play
the keyboard.
Using the Local Switch setting
LIGHT
If you’re using an external sequencer with the JUPITER-80’s
keyboard controller section and sound generator section,
you should turn the Local Switch OFF. Here’s why.
Keyboard Velocity
Curve
MEDIUM
HEAVY
This is the standard keyboard touch setting.
We need to connect these sections in the following order:
the JUPITER-80’s keyboard external sequencer the
JUPITER-80’s sound generator. Since the JUPITER-80’s
keyboard section and sound generator section are connected
internally, such a connection order would normally be
impossible. However, if the Local Switch is OFF, the JUPITER-
80’s keyboard section and its sound generator section will be
independent, allowing you to use an external sequencer as
shown here in the illustration.
The key will have a heavier-feeling touch.
Since you’ll need to play more strongly than
with the MEDIUM setting in order to reach
fortissimo (ff), the keyboard will feel heavier.
This setting allows you to use your playing
dynamics to add more expression to your
performances.
This is a fine adjustment to the keyboard
sensitivity that’s applied after the Keyboard
Velocity Curve setting. Higher values will
cause a greater velocity value to be transmit-
ted for a key-strike of the same force.
Keyboard Velocity
Sens
-63–+63
0–100
Connections between the JUPITER-80 and the
external sequencer
This specifies the aftertouch sensitiv-
ity. Higher values make it easier to apply
aftertouch. Normally, you can leave this set
at “100.”
Aftertouch Sens
Local Off
JUPITER-80
JUPITER-80 Keyboard
Sound Generator
(External) Sequencer
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The JUPITER-80’s System Settings
Master EQ, Song EQ
MIDI Tx/Rx
Parameter
EQ Switch
Low
Value
Explanation
Parameter
Value
Explanation
OFF, ON
Equalizer (EQ) screen
MIDI Transmit
Transmit Program
Change
OFF, ON
OFF, ON
OFF, ON
Program change message transmission on/off
Bank select message transmission on/off
Active sensing message transmission on/off
Freq
200, 400 [Hz]
-15–+15 [dB]
Center frequency of the low range
Boost/cut for the low range
Transmit Bank
Select
Gain
Mid1, 2
Freq
Transmit Active
Sensing
200–8000 [Hz]
-15–+15 [dB]
Center frequency of the mid range
Boost/cut for the mid range
Specifies whether parameter edits will be
transmitted as system exclusive messages.
Gain
Transmit Edit Data OFF, ON
Width of the mid range
Larger values will make the range
narrower
MIDI Receive
Q
0.5–8.0
Receive Program
OFF, ON
Program change message reception on/off
Change
High
Freq
Receive Bank
OFF, ON
2000, 4000, 8000
[Hz]
Bank select message reception on/off
Center frequency of the high range
Boost/cut for the high range
Select
Receive Exclusive OFF, ON
System exclusive message reception on/off
Gain
-15–+15 [dB]
Output
Level
0–127
Equalizer output volume
Scale Tune
Parameter
Value
Explanation
MIDI
Turn this ON if you want to play in a tuning
other than equal temperament.
Scale Tune Switch OFF, ON
Parameter
MIDI
Value
Explanation
Scale Tune for C–B -64–+63
Specifies the scale tuning.
These are templates that set all of the Scale Tune C–B settings
(the values for each key shown in the screen). After making
your selection, touch <SET>.
If you want to send and receive system exclusive
messages, the device ID numbers of both devices
need to be matched.
Device ID
17–32
EQUAL
Equal temperament
Just intonation (major)
Just intonation (minor)
Pythagorean tuning
Kirnberger (type 3)
Turn this “ON”if you’re using an external MIDI
keyboard instead of the JUPITER-80’s keyboard.
In this case, the MIDI transmit channel of your
external MIDI keyboard does not matter. Normally,
this can be left at “OFF.”
JUST-MAJ
JUST-MIN
PYTHAGORE
KIRNBERGE
MEANTONE
WERCKMEIS
ARABIC
Remote
Keyboard
Switch
Scale Tune Type
OFF, ON
* If you want to control the arpeggiator from an
external MIDI device, turn this “ON.”
Meantone temperament
Werckmeister (type 1, number 3)
Arabic scale
USB MIDI
If this is “ON,”incoming MIDI messages will be
retransmitted from the MIDI OUT connector
without change.
USB-MIDI Thru OFF, ON
Specifies the tonic note for the scale tune
template. After making your selection, touch
<SET>.
Scale Tune Key
C–B
MIDI Channel
Registration
Control
Channel
Specifies the MIDI receive channel on which
Registrations can be switched by an external MIDI
device. Turn this “OFF”if you don’t want to switch
Registrations from a connected MIDI device.
1–16, OFF
1–16
MEMO
Scale Tune has no effect on the SuperNATURAL Acoustic Tone
0028:TW Organ.
Specifies the MIDI receive channel that will play
each of the JUPITER-80’s Parts (PREC, LOWER,
UPPER, SOLO), and the MIDI transmit channel on
which each Part will transmit to an external MIDI
device.
Part Channel
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The JUPITER-80’s System Settings
Output Assign
System Control
Here you can specify which sounds will be sent from each output
jack. Select the desired check boxes for each output jack (MAIN
OUT, SUB OUT).
Parameter
Value
Explanation
Here you can specify the MIDI messages that will be used as
system controls.
Parameter
Upper
Explanation
System controls 1–4 are parameters to which you can assign
MIDI messages such as control change messages.
Upper Part
For example, on the JUPITER-80, if you choose a system control
able to use MIDI messages to control effect parameters.
Lower
Lower Part
Solo
Solo Part
It is convenient to use system controls when you don’t need to
use different MIDI messages for MFX CONTROL of each Live Set,
or if you want to use a specific MIDI message for MFX CONTROL.
Percussion
Reverb Upper
Reverb Lower
Percussion Part
The reverb of the Upper Part
The reverb of the Lower Part
System Control
1–4 Source
SuperNATURAL Acoustic Tones can be controlled using the
MIDI messages that you’ve assigned to system controls 1 and 2,
allowing you to produce effects such as vibrato or dynamics (for
some tones there will be no change).
Reverb Solo/Perc The reverb of the Solo and Percussion Parts
USB Song/Audio The sound from the USB memory song player and the AUDIO
IN
IN jack
OFF
System control will not be used.
Controller 1–95
USB Audio
Metronome
The sound from USB audio
The metronome sound
CC01–31, CC32
(OFF), 33–95
PITCH BEND
Pitch Bend
Aftertouch
AFTERTOUCH
Sync/Metronome
Screen Saver
Parameter
Sync
Value
Explanation
Parameter
Value
Explanation
This selects the synchronization source used by the
JUPITER-80.
Screen Saver
Type
1–10
Selects the type of screen saver.
The JUPITER-80 will be the synchronization
master. Choose this setting if you’re using the
Specifies the time (minutes) until the
screen saver is activated.
JUPITER-80 on its own without synchronizing
it to another device, or if you want the tempo
MASTER
Screen Saver
Time
OFF, 1–60 [min]
Sync Mode
If this is OFF, the screen saver will not
operate.
of an external MIDI device to synchronize
with the JUPITER-80.
The JUPITER-80 will be the synchronization
slave. Choose this setting if you want the
JUPITER-80 to synchronize to MIDI clock
SLAVE
Beep/Misc
messages received from an external device.
If this is ON, MIDI clock messages will be
transmitted to an external MIDI device.
OFF, ON
Parameter
Beep
Value
Explanation
Sync Output
* These messages will not be transmitted if
the Sync Mode is “SLAVE.”
Turns on/off the beep tone that sounds
when you touch the screen.
Beep Switch
Misc
OFF, ON
This specifies whether the JUPITER-80 will synchronize to
tempo data from the MIDI IN connector or to tempo data
from the USB connector when the Sync Mode is SLAVE.
Specifies the operation of the Registration [PREV] and [NEXT]
buttons.
Clock Source
Metronome
Synchronize to tempo data from the MIDI IN
connector.
MIDI
Registration Next/
Prev Button
Switch to the next/previous Registration
Synchronize to tempo data from the USB
COMPUTER connector.
REGISTRATION
USB
REGISTRATION
SET
Switch to the next/previous Registration
Metronome Level 0–10
Specifies the metronome volume.
Choose if controlling a MIDI Visual
Control compatible device.
MVC
Metronome Sound TYPE1–TYPE4 Specifies the metronome type.
Visual Control
Mode
Choose if controlling a V-LINK compat-
ible device.
V-LINK
Startup
Parameter
Value
[01]A-1 – [08]D-8
Explanation
Startup
Registration
Specifies the Registration that will be
selected when you turn on the power.
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The JUPITER-80’s System Settings
LIVE SET/TONE BUTTONS
Restoring the Factory Settings
Here you can specify the sounds (Live Sets or tones) that will be
assigned to the Part sound buttons (Upper, Lower, Solo).
(Factory Reset)
This “Factory Reset”operation will restore all settings of the
JUPITER-80 to their factory-set state.
MEMO
The sounds you specify here will be saved as system parameters
(settings for the entire JUPITER-80). If you specify sounds within
a Registration, the Registration settings will take priority.
NOTE
When you execute the Factory Reset operation, all data in the
JUPITER-80 will be lost. If there is any data that you want to
keep, back it up to a USB flash drive (p. 79).
REFERENCE
The FACTORY RESET screen will appear.
2. Touch <EXEC>
Parameter
SOLO
Explanation
Specifies the sounds that will be assigned to the Solo Part sound
buttons.
Specifies the sounds that will be assigned to the sound buttons
when the Solo Part [ALTERNATE] button is pressed.
SOLO Alternate
UPPER
Specifies the sounds that will be assigned to the Upper Part
sound buttons.
Specifies the sounds that will be assigned to the sound buttons
when the Upper Part [ALTERNATE] button is pressed.
UPPER Alternate
LOWER
Specifies the sounds that will be assigned to the Lower Part
sound buttons.
Specifies the sounds that will be assigned to the sound buttons
when the Lower Part [ALTERNATE] button is pressed.
LOWER Alternate
PERCUSSION
Specifies the sounds that will be assigned to the Percussion Part
sound buttons.
A message will ask “Are you sure?”
3. To execute the factory reset, touch <OK>
NOTE
INFORMATION
The factory reset operation will take several minutes. Never turn
off the power before the factory reset has been completed.
Here you can view information such as the JUPITER-80’s software
version and the amount of free space available on the USB flash
drive.
When the factory reset has been completed, the following screen
will appear.
Version
Shows the JUPITER-80’s software version.
USB Memory
Shows the amount of free space available on the USB flash drive.
4. When the message “Please Power Off!” appears, turn the
JUPITER-80’s power off, then on again
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MEMO
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Connecting to Your Computer via USB
If you use a commercially available USB cable to connect the USB
COMPUTER connector on the JUPITER-80’s rear panel to your
computer’s USB connector, audio or MIDI data played by your MIDI
software (DAW software) can be sounded by the JUPITER-80.
What is the USB driver?
The USB driver is software that transfers data between the
JUPITER-80 and the application (e.g., DAW software) on your
computer when the JUPITER-80 is connected via USB to your
computer.
Computer’s USB connector
Supports USB 2 0 Hi-Speed)
The USB driver sends data from your application to the JUPITER-80,
and data from the JUPITER-80 to your application.
USB audio
Settings for JUPITER-80 computer
If the JUPITER-80 is connected via a USB cable to your computer, the
same sound as from the JUPITER-80’s MAIN OUT can be recorded
into your computer (except for the metronome sound).
USB cable
(Supports USB 2 0 Hi-Speed)
Settings for computer JUPITER-80
USB COMPUTER
port
If the JUPITER-80 is connected via a USB cable to your computer,
sound from your computer can be played from the audio system
connected to the JUPITER-80’s MAIN OUT jacks, or recorded on the
JUPITER-80’s USB memory song player/recorder.
If you want to record this audio using the USB memory song player/
USB MIDI
For details on operating requirements, refer to the Roland website.
If the JUPITER-80 is connected via USB to your computer, your
DAW software can record the JUPITER-80’s performance data (MIDI
data), and performance data (MIDI data) played back by your DAW
software can play the JUPITER-80’s sound generator section.
http://www.roland.com/
NOTE
• For some models of computer, the system might not operate
correctly. Refer to the Roland website for the operating systems
that are supported.
Connecting the JUPITER-80 to Your
Computer
• Before you make connections to other equipment, turn down
the volume and turn off the power off on all equipment in order
to prevent malfunction and/or speaker damage.
• A USB cable is not included. To purchase one, please contact the
dealer where you purchased the JUPITER-80.
1. Install the USB driver on your computer
The USB driver is on the included CD-ROM “JUPITER-80 DRIVER
CD-ROM.”
• Use a USB cable that supports USB 2.0 Hi-Speed.
• Use a computer with a USB connector that supports USB 2.0
Hi-Speed.
Roland web site
• Switch on the JUPITER-80’s power before you start up the DAW
software on your computer. Do not switch the JUPITER-80 on/off
while your DAW software is running.
http://www.roland.com/support/en/
The driver installation procedure will depend on your system, so be
sure to carefully read the “Readme”file on the CD-ROM.
2. Use a USB cable (sold separately) to connect the
JUPITER-80 to your computer
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Connecting an External MIDI Device
About MIDI
Using the JUPITER-80 as a Master
MIDI (Musical Instrument Digital Interface) is a standard
Keyboard (External Part Settings)
specification that allows musical data to be transferred between
electronic musical instruments and computers. If a MIDI cable
is connected between devices equipped with MIDI connectors,
you’ll be able to play multiple devices from a single MIDI keyboard,
perform ensembles using multiple MIDI instruments, program the
settings to change automatically as the song progresses, and more.
You can connect external MIDI devices to the JUPITER-80’s MIDI
OUT connector, and use the JUPITER-80 to control the connected
MIDI devices.
MEMO
External Part settings are saved in the Registration.
About MIDI Connectors
Connection example
The JUPITER-80 is equipped with the following
three types of MIDI connectors, each of which has
the following role.
MIDI sound module
MIDI IN connector
MIDI IN connector
This connector receives MIDI messages that are sent from an
external MIDI device. When the JUPITER-80 receives MIDI messages,
it can respond by playing notes, switching sounds, etc.
MIDI OUT connector
JUPITER-80
MIDI OUT connector
This connector transmits MIDI messages to an external MIDI device.
Use it when you want to control an external MIDI device.
MIDI THRU connector
MIDI messages received at MIDI IN are re-transmitted without
change from this connector to an external MIDI device. Use
this in situations such as when you use multiple MIDI devices
simultaneously.
Enabling the External Part Settings
out Setting to “EXTERNAL ”
The External Part settings will be enabled.
MEMO
• If the MIDI Out Setting is set to INTERNAL, Parts that are turned
on will transmit MIDI messages.
Choose the INTERNAL setting if you want a Part’s performance
data to be recorded on a MIDI sequencer, or if you want to
control the JUPITER-80 from a MIDI sequencer.
• The MIDI channel of each Part is specified by the system
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Connecting an External MIDI Device
Specifying the Transmit Channel
Detailed Settings for External Parts
Set the JUPITER-80’s transmit channel so it matches the channel
your external MIDI device is using for reception.
Here you can make detailed settings for the messages transmitted
to an external MIDI device.
Parameter
KBD
Value
Explanation
to turn it on for the channel that you want to transmit
Specifies whether the perfor-
mance data of the External Part
will be transmitted.
When you play the keyboard, performance data will be transmitted
from the MIDI OUT connector on the channel you specified.
OFF, ON
Specifies the MSB (controller
number 0) of the bank select
number transmitted when you
switch Registrations.
Choose “---”if you don’t want
this to be transmitted.
MEMO
0–127, ---
For details on how to set the receive channel of your external
MIDI device, refer to its owner’s manual.
MSB
* Not transmitted for
Parts whose KBD is off.
Specifies the LSB (controller
number 32) of the bank select
number transmitted when you
switch Registrations.
Choose “---”if you don’t want
this to be transmitted.
Specifying the Sound for Each Channel
0–127, ---
To switch the tones of an external MIDI device, the program
number and the MSB/LSB of the Bank Select message are entered
as numerical values on the JUPITER-80.
LSB
PC
* Not transmitted for
Parts whose KBD is off.
Specifies the program change
number transmitted when you
switch Registrations.
Choose “---”if you don’t want
this to be transmitted.
1. Specify the program change and bank select MSB/LSB
for the channels for which you turned on <KBD> in the
1–128, ---
* Not transmitted for
Parts whose KBD is off.
MEMO
-3–+3
• When this setting is “- - -,”bank select and program change
messages will not be transmitted.
* This parameter is valid
only for Parts whose
KBD is on.
OCT
Specifies the octave shift.
• If the external MIDI sound module transmits a Program number
or a Bank number for which no Tone has been assigned, an
alternate Tone may be selected, or in some cases, there may be
no sound played.
C- –(Key Up)
Specifies the lowest key of the
range that will sound.
* This parameter is valid
only for Parts whose
KBD is on.
Key Lo
Key Up
Velo Lo
Velo Up
(Key Lo)–G9
Specifies the highest key of the
range that will sound.
* This parameter is valid
only for Parts whose
KBD is on.
1–(Velo Up)
Specifies the lowest velocity
value.
* This parameter is valid
only for Parts whose
KBD is on.
(Velo Lo)–127
Specifies the highest velocity
value.
* This parameter is valid
only for Parts whose
KBD is on.
Specifies the volume message
transmitted when you switch
Registrations.
Choose “---”if you don’t want
this to be transmitted.
0–127, ---
Level
Pan
* Not transmitted for
Parts whose KBD is off.
Specifies the pan message
transmitted when you switch
Registrations.
Choose “---”if you don’t want
this to be transmitted.
L64–0–63R, ---
* Not transmitted for
Parts whose KBD is off.
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Connecting an External MIDI Device
Setting the Program Change Receive
Switch
Playing the JUPITER-80 from an
External MIDI Device
Here’s how to turn on the receive switch for program change and
bank select messages. With the factory settings, both are turned
“ON.”
Connection example
MIDI keyboard
MIDI OUT connector
JUPITER-80
MIDI IN connector
Setting the Receive Channel
2. Turn on Receive Program Change and Receive Bank
Select
You’ll need to match your external MIDI device’s transmit channel
with the JUPITER-80’s receive channel.
3. To save the settings, touch <SYSTEM WRITE>
MEMO
• For details on how to set the transmit channel of your external
MIDI device, refer to its owner’s manual.
2. In Part Channel, specify the MIDI channel of each Part
3. To save the settings, touch <SYSTEM WRITE>
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Connecting an External MIDI Device
Synchronizing with an External MIDI
Device
Here’s how to synchronize the JUPITER-80’s tempo to an external
MIDI device.
Connection example
MIDI device
MIDI OUT connector
MIDI IN connector
MIDI OUT
connector
JUPITER-80
MIDI IN
connector
2. Set the Sync Mode, Sync Out, and Sync Source
3. To save the settings, touch <SYSTEM WRITE>
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Controlling Visuals
Video equipment that supports MIDI Visual Control can be controlled from the JUPITER-80.
What is Visual Control?
Visual Control is a function that lets you control video along with your performance.
The JUPITER-80 can control video equipment that supports MIDI Visual Control or V-LINK.
MIDI Visual Control is an internationally-used recommended practice that was added to the MIDI specification so that visual
expression could be linked with musical performance. Video equipment that is compatible with MIDI Visual Control can be
connected to electronic musical instruments via MIDI in order to control video equipment in tandem with a performance.
V-LINK is Roland’s proprietary specification that allows visual expression to be linked with musical performance. Video
equipment that is compatible with V-LINK can be connected to electronic musical instruments via their MIDI ports, making it
easy to enjoy a variety of visual effects that are linked with the performance.
MEMO
You’ll need a MIDI cable (sold separately) to connect the JUPITER-80 to your Visual Control compatible device.
Connection example
Use a MIDI cable to connect the JUPITER-80’s MIDI OUT connector (p. 20) to the Visual Control compatible device’s MIDI IN connector.
NOTE
To prevent malfunction and speaker damage, be sure to minimize the volume on all devices and turn off their power before making connections.
JUPITER-80
MIDI OUT connector
Visual Control
compatible device
DI IN connector
Turning Visual Control On/Off
1. Press the [VISUAL CONTROL] button
Visual Control will turn on.
In this state, playing the JUPITER-80’s keyboard will control the image along with your performance.
Visual Control function
Switch images
Transmitted MIDI message
CC0 (Bank Select): 0–30
Program change: 1–45
JUPITER-80 operation
Play black key
Play white key
2. To turn Visual Control off, press the [VISUAL CONTROL] button once again
Visual Control will turn off.
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Controlling Visuals
Visual Control Settings
1. Press the [VISUAL CONTROL] button
2. Set the following parameters
Parameter
Clip Ch
Value
Explanation
1–16
Specifies the MIDI channel used to switch images.
Effect Ch
1–16
Specifies the MIDI channel used to switch video effects.
OFF, CC01–CC31, CC64–CC95, Bender,
Ch Aftertouch
Playback Speed Ctrl
Specifies the controller used to change the video playback speed.
0.1–1.0–2.0, 0.5–1.0–2.0,
0.0–1.0–4.0, 0.5–1.0–4.0,
0.0–1.0–8.0, 0.5–1.0–8.0,
0.0–1.0–16.0, 0.5–1.0–16.0,
0.0–1.0–32.0, 0.5–1.0–32.0,
0.0–2.0–4.0, 0.0–4.0–8.0,
0.0–8.0–16.0, 0.0–16.0–32.0,
-2.0–1.0–4.0, -6.0–1.0–8.0
Specifies the range in which the video playback speed will change.
The three values specify the playback speed (as a multiple of normal speed) when the
controller selected by Playback Speed Ctrl is at the minimum value, center value, and
maximum value, respectively.
Playback Speed Range
OFF, CC01–CC31, CC64–CC95, Bender,
Ch Aftertouch
Dissolve Time Ctrl
Specifies the controller used to control the dissolve time (video switching time).
Specifies the controller used to control the video effect.
Effect Ctrl 1
Effect Ctrl 2
Effect Ctrl 3
OFF, CC01–CC31, CC64–CC95, Bender,
Ch Aftertouch
Keyboard Range Lower
Keyboard Range Upper
Note Message Enabled
E1–G7
Specifies the range of keys that will switch images.
Turn this Assignable if you want note data to switch images. Normally, program change
messages are used to switch images, so you would leave this OFF.
OFF, Assignable
OFF, ON
Specifies whether the JUPITER-80 will (ON) or will not (OFF) produce sound when you play
notes in the zones specified for Keyboard Range Lower and Keyboard Range Upper.
Local Sw
* The Local Sw setting is not saved. It will automatically be ON when you turn on the
power.
3. To save the settings, touch <SYSTEM WRITE>
MEMO
Use the system setting “Visual Control Mode”(p. 86) to specify whether Visual Control is being used to control a MIDI Visual Control compatible
device or a V-LINK compatible device.
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Error Message List
If an incorrect operation is performed, or if processing could not be performed as you specified, an error message will appear.
Refer to the explanation for the error message that appears, and take the appropriate action.
Message
Meaning
Action
Layer 1, to which the SuperNATURAL Acoustic Tone 0028: TW Organ is
assigned, cannot be copied to another layer.
Change the layer 1 Tone to something other than the SuperNATURAL
Acoustic Tone 0028: TW Organ (p. 57).
Cannot Copy!
The allowable number of folders has been exceeded.
It is not possible to create more than 8 levels of folders.
You attempted to delete a folder that was not empty.
Delete unneeded folders (p. 75).
Cannot Create Folder!
Cannot Delete!
Create the folder at a level higher than the 8th level (p. 75).
Empty the folder before deleting it (p. 75).
Move the file to a different folder, or delete unneeded files before
The allowable number of files has been exceeded.
Cannot Move!
A folder cannot be moved into a folder within itself (i.e., its own
sub-folder) (p. 76).
The folder cannot be moved.
You attempted to move a folder to a level deeper than the 8th level.
Move it to a folder that is higher than the 8th level (p. 76).
When saving Live Sets or SuperNATURAL Synth Tones at the same time
that you save a Registration or Live Set (p. 56, p. 65), the same write
destination was selected.
Select a different write destination for the edited Live Set and
Cannot Write!
Cannot Import SMF
Format 1!
Only SMF data in SMF Format 0 can be imported.
Make sure that the SMF you’re importing is in Format 0 (p. 45).
Specify a different file name (p. 75).
When executing recording, Create Folder, or Rename operations, you
specified a name that was identical to an existing file. When executing
the Move operation, an identically named file existed at the move
destination.
Duplicate File Name!
File Not Selected!
Incorrect File!
No file is selected.
Select a file (p. 72).
This is a file that the JUPITER-80 is unable to play.
Select a file that is supported by the JUPITER-80 (p. 73).
The format of an SMF you intend to import to an arpeggio style must
be Format 0.
Make sure that the SMF you’re importing is in Format 0 (p. 45).
In the Create Folder or Rename operations, the name must not begin
with a “.”(period), and must not contain a character prohibited for file
names (\ / , ; * ? “ < > |) (p. 75).
Incorrect File Name!
The file name is invalid.
An unusually large amount of MIDI data was received, and could not
be processed.
MIDI Buffer Full!
MIDI Offline!
Reduce the amount of MIDI messages that are being transmitted.
Check that there is no problem with the MIDI cable connected to the
JUPITER-80’s MIDI IN, and that the MIDI cable was not disconnected.
The MIDI IN connection was broken.
The operation could not be performed because the read-only attribute
is set for the folder or file.
Permission Denied!
Use your computer to clear the read-only attribute of the file or folder.
The JUPITER-80 was unable to start up.
Use the correct program to perform the update once again.
Program Error!
Read Error!
The program could not be read correctly. Alternatively, the system
update program may be invalid.
If this does not solve the problem, contact your dealer or customer
support.
Also make sure that you’re using a USB flash drive sold by Roland.
Data could not be read from the USB flash drive.
The file is damaged.
Do not use this file.
Registration Button
Locked!
The Registration buttons are locked.
Clear the Regist Button Lock setting (p. 81).
Rotary Effects (MFX)
Not Selected!
Rotary or VK-Rotary are not selected as the Live Set’s MFX Type.
Select Rotary or VK-Rotary as the MFX Type (p. 58).
SuperNATURAL Synth You attempted to access the Synth Tone Edit screen of a layer for which
First assign a SuperNATURAL Synth Tone as the layer’s sound (p. 57).
Execute the factory reset operation (p. 87).
Tone Not Selected!
a SuperNATURAL Synth Tone is not selected.
System Memory
Damaged!
The contents of system memory may be damaged.
If this does not solve the problem, contact your dealer or customer
support.
Reduce the amount of data in the SMF. For details on the amount of
data that can be imported, refer to “Creating an Arpeggio Style from a
There was too much data in the SMF you attempted to import into an
arpeggio style.
Too Much Data!
USB Memory Full!
There is insufficient space on the USB flash drive.
Delete unneeded data (p. 75).
The USB flash drive is not inserted, or is inserted incompletely.
Turn off the power, firmly insert the USB flash drive, and then turn on
USB Memory Not
Ready!
The USB flash drive was removed after you selected data that was on
the USB flash drive.
The format of the USB flash drive is invalid.
Data could not be written to the USB flash drive.
The format of the USB flash drive is invalid.
Use the JUPITER-80 to format the USB flash drive (p. 81).
Also make sure that you’re using a USB flash drive sold by Roland.
Write Error!
Use the JUPITER-80 to format the USB flash drive (p. 81).
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Troubleshooting
Problem
Items to check
Action
Page
Overall problems
Check that the power cord is connected correctly.
Are the included AC adaptor and power cord correctly
connected to an outlet and to the JUPITER-80?
Do not use any AC adaptor or power cord other than the
supplied items.
Power won’t turn on
Doing so will cause malfunctions.
Have the connected amp or speakers been powered up?
Could the volume of a connected device have been lowered?
Turn on the power of the connected amp or speakers.
Adjust the volume of the connected equipment.
Could the [VOLUME] knob be set to the minimum level?
Adjust the [VOLUME] knob.
Could the MASTER EQ’s Level setting be too low?
Check the MASTER EQ’s Level setting.
No sound
Are your amp, speakers, headphones, etc., connected correctly?
Correctly connect your amp, speakers, and headphones.
If you hear sound through your headphones, it may be that there
is a broken connection cable, or that your amp or mixer have
malfunctioned. Check your connection cables and equipment
once again.
Can you connect headphones and hear sound through them?
—
Could you be using a connection cable that contains a resistor?
Use a connection cable that does not contain a resistor.
Problems with the Synthesizer sound
If pressing the keyboard does not produce sound, could the
Turn the Local Switch setting on.
Local switch be turned off?
Check the Registration level, Part level, and the level of the Live
Set layer.
Could the level setting be too low?
Check the effect on/off settings. Also check settings such as the
effect levels.
Are the effect settings correct?
No sound
Could the volume have been lowered by a pedal operation,
a D Beam controller operation, or a MIDI message (volume or
expression) received from an external MIDI device?
Step on the pedal, move your hand above the D Beam controller,
and check settings of the other controllers.
Could the PART [PERC]/[LOWER]/[UPPER]/[SOLO] buttons or
layer buttons be turned off?
Turn on the [PERC]/[LOWER]/[UPPER]/[SOLO] buttons.
No sound from a specific
range of keys
If you don’t hear sound from a specific range of keys, check the
key range settings.
Could a key range be set?
Could you be applying an effect that intentionally distorts the
sound?
If the sound of a specific Part or Live Set layer is distorted, lower
the volume for that Part or Live Set layer.
Sound is distorted
Could the [VOLUME] knob be set too high?
Could the Output Gain be raised excessively?
Could the JUPITER-80’s tuning be incorrect?
If the overall sound is distorted, lower the [VOLUME] knob.
Check the system setting “SOUND”.
Check the system setting “Master Tune”.
Could the pitch have been changed by a pedal operation or by
a pitch bend message received from an external MIDI device?
Pitch is wrong
Check the pedal and the pitch bender.
—
Could the Coarse Tune or Fine Tune parameters be set?
Check the Coarse Tune and Fine Tune settings.
Reduce the number of layers in the Live Set you’re using.
Increase the voice reserve setting for layers in which notes must
not drop out.
Notes will be interrupted if more than 256 notes are sounded
simultaneously.
Notes are broken off
Notes remain sounding
when you play the
keyboard
Could the polarity of the hold pedal be reversed?
Could effects be applied?
Check the system setting “Hold Pedal Polarity”.
Sound is still heard from
the opposite side as well
even when panned all the
way to one side
Since the JUPITER-80’s internal effects are stereo, applying
an insert effect will allow effect sound to be heard from the
opposite side even if the source sound is panned all the way to
one side.
—
When you play high notes on the JUPITER-80, you might hear
notes that fail to sound, whose pitch fails to rise, or a noise that
changes depending on the note you play (a warbling, chirping,
rustling, beeping, etc.)
This is usually because you have exceeded the highest note
that the JUPITER-80 is able to produce, and won’t occur with
the notes you would normally use. This does not indicate a
malfunction.
Notes played in a high
register sound funny
—
Changing the tempo does
not affect the arpeggio
tempo or delay time
Could the system setting “USB Song Sync Mode”have been set
to “SLAVE”?
If “Sync Mode”is set to “SLAVE,”change the tempo of the external
device that is transmitting MIDI clock data.
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Troubleshooting
Problem
Items to check
Action
Page
Problems with the Synthesizer effects
Could the effect switch be off?
Check the on/off setting of each effect.
With the factory settings, the Output Assign of some are not set
to “MFX.”Set the Output Assign to “MFX.”
Is each layer’s Output Assign set to “MFX”?
Effect not applied
The effect won’t be obtained if the send level to that effect is set
at 0. Even if the send levels to the effect is set above 0, the effect
won’t be applied if the multi-effect output level, or reverb level
are set to 0. Check each of these settings.
Check the send level to each effect.
Increase the tempo.
You specified a delay time
value (for example for
multieffect 43: DELAY) as
a note value, but there’s
a limit beyond which the
delay time will not change
Since the delay time has an upper limit, specifying the delay time
as a note value and then slowing down the tempo may reach
this upper limit. The maximum delay time is the highest value
that can be specified numerically (i.e., other than in terms of a
note value).
Check the delay time setting.
Problems with the USB Memory Song Player/Recorder
Format the USB flash drive on the JUPITER-80 (p. 79).
The JUPITER-80 can use USB flash drive that is formatted as FAT.
(Normally, when you purchase USB flash drive, it will be format-
ted as FAT, so you can start using it immediately.) However, the
JUPITER-80 cannot recognize a USB flash drive that is formatted
in a format other than FAT (e.g., NTFS).
USB flash drive is not
detected / Song files are
not displayed
Check the format of your USB flash drive.
The audio file’s file type might not be a file type that can be
played on the JUPITER-80.
Use an audio file of the types listed in “Song files that can be
played”.
—
Audio files on USB flash
drive won’t play
The audio file may be damaged.
Could the level be turned down?
Check the audio file.
Check the [VOLUME] knob setting, the Song Level setting and
the SONG EQ’s Level setting.
USB memory song player
sounds wrong
Could Center Cancel be ON?
Turn off the center cancel function.
Was the input sensitivity appropriate?
Noise and distortion is
heard in the recorded
sound
Raise the Recording Level knob as high as possible without
causing the level meter’s CLIP indicator to light in red.
If the input sensitivity is too high, the recorded sound will be
distorted; if the input sensitivity is too low, the recorded sound
will be buried in noise.
Problems with external MIDI devices
No sound from an external Does the JUPITER-80’s MIDI transmit channel match the
Match the JUPITER-80’s transmit channel and your connected
device’s receive channel.
MIDI device
connected device’s MIDI receive channel?
Exclusive messages are not Does the transmitting unit’s Device ID number match the
Set the Device ID numbers.
received
JUPITER-80’s Device ID number?
When using sequencer
software, operating knobs Some sequencer software does not “soft thru”system exclusive
or other controls does not messages.
If you want to record system exclusive messages, turn off the
Local Switch parameter.
affect the sound
Problems with an external device you’re recording
Could you be using a connection cable that contains a resistor?
Use a connection cable that does not contain a resistor.
—
The volume level of the
instrument connected to
Adjust the volume of your external device to an appropriate
level.
Is the volume of the external device adjusted correctly?
AUDIO IN (STEREO) is too
—
low
Is the [LEVEL] knob adjusted correctly?
Adjust the [LEVEL] knob.
Problems with the USB flash drive
Could you have turned off the power while the USB song
player/recorder was operating?
Data on the USB flash drive Could a strong physical shock have been applied to the USB
Format the USB flash drive on the JUPITER-80.
was damaged
flash drive?
Could the power have been turned off while accessing the USB
flash drive?
Is there sufficient free space on the USB flash drive?
Use an SD card that has sufficient free space.
Format the USB flash drive on the JUPITER-80.
Can’t back up to USB flash
drive
Check the format of the USB flash drive. The JUPITER-80 can use
USB flash drive that are formatted in FAT format.
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Specifications
Others
Roland JUPITER-80: Synthesizer
Preset: 128 styles
User: 128 styles
Arpeggiator
Keyboard
76 keys (with velocity and channel aftertouch)
Sound Generator Section
Harmony
Intelligence
17 types
Maximum
Polyphony
Parts
256 voices (varies according to the sound generator load)
D Beam Controller
4 parts (Upper, Lower, Solo, Percussion)
Pitch Bend/Modulation Lever
Assignable buttons ([S1], [S2])
Assignable knobs ([E1]–[E4])
PART LEVEL sliders (PERC, LOWER, UPPER, SOLO)
Controllers
Display
Registrations: 256
Live Sets: 2,560
Tones
for Live Set (Upper/Lower Part)
Graphic Color LCD 800 x 480 dots (touch screen)
•
Multi-Effects (MFX): 4 units (parallel connection only), 76
types per each Upper/Lower (total: 8 units)
PHONES jack (stereo 1/4-inch phone type)
MAIN OUT jacks (L, R) (XLR type)
•
Reverb: 1 unit, 5 types per each Upper/Lower (total: 2 units)
MAIN OUT jacks (L/MONO, R) (1/4-inch TRS phone type)
SUB OUT jacks (L, R) (1/4-inch phone type)
AUDIO IN jack (Stereo miniature phone type)
DIGITAL AUDIO OUT jack (COAXIAL)
FOOT PEDAL jacks (CTRL 1, CTRL 2, HOLD)
MIDI Connectors (IN, OUT, THRU)
USB COMPUTER port (Audio/MIDI)
USB Memory port
for Solo Part/Percussion Part
Effects
•
Compressor + Equalizer + Delay: 1 set per each Solo/Percus-
sion (total: 2 sets)
Connectors
•
Reverb: 1 unit, 5 types
Master Effects
4-Band Equalizer: 1 unit
USB Memory Song Player/Recorder Section
•
AC IN jack
Tracks
1 stereo track
Power
Consumption
25 W
Playable File
Format
Audio File: WAV, AIFF, MP3
1,230.9 (W) x 439.3 (D) x 139.6 (H) mm
Dimensions
Weight
Recording File
Format
48-1/2 (W) x 17-5/16 (D) x 5-1/2 (H) inches
Audio File: WAV (44.1 kHz, 16-bit Linear, stereo)
17.7 kg
Effects
4-Band Equalizer: 1 unit
39 lbs 1 oz
USB Flash Memory (sold separately)
Owner’s manual
External Memory
* Use USB Flash Memory sold by Roland. We cannot guarantee
operation if other products are used.
CD-ROM (USB Audio/MIDI driver)
DVD-ROM (SONAR LE)
USB MEMORY Protector
Power Cord
Accessories
Keyboard stand: KS-J8, KS-G8, KS-18Z
(When using the KS-18Z, ensure that the height of the unit is
one meter or lower.)
Pedal switch: DP series
Footswitch: BOSS FS-5U
Expression pedal: EV-5
Stereo Headphones
USB Flash Memory
Options (sold
separately)
* In the interest of product improvement, the specifications and/
or appearance of this unit are subject to change without prior
notice.
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MIDI Implementation Chart
Date : Apr. 1, 2011
Version : 1.00
Model JUPITER-80
Transmitted
Recognized
Remarks
Function...
Default
Changed
Basic
Channel
1–16
1–16
1–16
1–16
Default
Message
Altered
Mode 3
Mono, Poly
Mode 3
Mode 3, 4 (M=1)
*2
Mode
**************
0–127
**************
0–127
0–127
Note
Number
: True Voice
Note On
Note O€
o
o
o
o
Velocity
After
Toucn
Key’s
Channel’s
x
o
o
o
*1
*1
Pitch Bend
o
o
*1
o
*1
*1
*1
*1
*1
Bank select
Modulation
Breath type
Foot type
0, 32
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
x
o
1
o
2
o
4
Portamento time
Data entry
o
5
o
6, 38
*1
*1
*1
*1
*1
*1
*1
*1
*1
Volume
o
7
Panpot
o
10
Expression
o
11
General purpose controller 1
General purpose controller 2
General purpose controller 3
General purpose controller 4
Hold 1
o (Tone Modify 1)
16
o (Tone Modify 2)
17
Control Change
o (Tone Modify 3)
18
o (Tone Modify 4)
19
o
o
o
o
o
o
o
o
o
o
o
o
o
o
64
Portamento
65
Sostenuto
66
Soft
67
Legato foot switch
Resonance
68
*1
*1
*1
*1
*1
71
Release time
72
Attack time
73
Cuto€
74
Decay time
75
Vibrato rate
76
Vibrato depth
77
Vibrato delay
78
Tone blender
79
*1
*1
*1
*1
General purpose controller 5
General purpose controller 6
General purpose controller 7
General purpose controller 8
Portamento control
General purpose e€ect 1
General purpose e€ect 3
General purpose controller
Increment, Decrement
NRPN LSB, MSB
RPN LSB, MSB
o (Tone Variation 1)
80
81
o (Tone Variation 2)
o (Tone Variation 3)
82
o (Tone Variation 4)
83
o
84
o (Reverb)
*1
91
x (Chorus)
93
o
x
x
o
x
1–31, 33–95
96, 97
98, 99
100, 101
102, 119
x
x
x
Program
Change
o
*1
o
*1
*1
**************
0–127
: True Number
Program Number 1–128
System Exclusive
o
*3
o
: Song Position
: Song Select
: Tune
x
x
x
x
x
x
System
Common
System
Realtime
o
x
o
x
: Clock
: Commands
: All Sound O€
: Reset All Controllers
: Local On/O€
x
x
x
x
o
x
o
o
Aux
Messages
x
: All Notes O€
o (123–127)
: Active Sensing
: System Reset
o
x
*1 O X is selectable.
*2 Recognized as M=1 even if M 1.
*3 Transmitted only when “Transmitted Edit Data” is ON or RQ1 is received.
Notes
Mode 1: Omni On, Poly
Mode 3: Omni O€, Poly
Mode 2: Omni On, Mono
Mode 4: Omni O€, Mono
o: Yes
x: No
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Index
Incorrect File Name!. . . . . . . . . . . . . . . 98
INFORMATION . . . . . . . . . . . . . . . . . . . . 87
Initializing
MIDI Offline! . . . . . . . . . . . . . . . . . . . . . . 98
MIDI Tx/Rx . . . . . . . . . . . . . . . . . . . . . . . . 85
MIX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77
Modeling . . . . . . . . . . . . . . . . . . . . . . . . . 10
Modify. . . . . . . . . . . . . . . . . . . . . . . . . . . . 60
Moving . . . . . . . . . . . . . . . . . . . . . . . . . . . 76
MSB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Multi-effects . . . . . . . . . . . . . . . . . . . . . . 58
Symbols
D
D BEAM
[PITCH] button . . . . . . . . . . . . . . . . 47
[VOLUME] button . . . . . . . . . . . . . 47
A
Live Set . . . . . . . . . . . . . . . . . . . . . . . 64
Registration. . . . . . . . . . . . . . . . . . . 55
SuperNATURAL Synth Tone . . . . 69
USB Flash Drive . . . . . . . . . . . . . . . 81
AC IN jack. . . . . . . . . . . . . . . . . . . . . . . . . 20
Aftertouch Sens. . . . . . . . . . . . . . . . . . . 84
Alternate . . . . . . . . . . . . . . . . . . . . . . . . . 37
Arpeggio . . . . . . . . . . . . . . . . . . . . . . . . . 43
style . . . . . . . . . . . . . . . . . . . . . . . . . . 45
ARPEGGIO . . . . . . . . . . . . . . . . . . . . . . . . 44
D Beam Sens. . . . . . . . . . . . . . . . . . . . . . 84
Deleting . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Device ID . . . . . . . . . . . . . . . . . . . . . . . . . 85
DIGITAL AUDIO OUT (COAXIAL) jack
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Display . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Dissolve Time Ctrl . . . . . . . . . . . . . . . . . 96
Drum Sounds . . . . . . . . . . . . . . . . . . . . . 38
Duplicate File Name! . . . . . . . . . . . . . . 98
Dynamics Effect. . . . . . . . . . . . . . . . . . . 47
K
Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . 84
KEYBOARD. . . . . . . . . . . . . . . . . . . . . . . . 77
Keyboard Range . . . . . . . . . . . . . . . . . . 96
Keyboard Velocity. . . . . . . . . . . . . . . . . 84
Key Lo/Key Up . . . . . . . . . . . . . . . . . . . . 92
Key Ranges . . . . . . . . . . . . . . . . . . . . . . . 39
KS-J8, KS-G8, KS-18Z . . . . . . . . . . . . . . 22
N
Name. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Non-rewritable Memory. . . . . . . . . . . 16
Note Message Enabled . . . . . . . . . . . . 96
[LOWER ON/OFF] button,
Audio File
Audio files that can be played
Audio files that will be saved
L
O
[LEVEL] slider . . . . . . . . . . . . . . . . . . . . . 18
LFO screen. . . . . . . . . . . . . . . . . . . . . . . . 33
Editing. . . . . . . . . . . . . . . . . . . . . . . . 56
Initializing . . . . . . . . . . . . . . . . . . . . 64
Saving . . . . . . . . . . . . . . . . . . . . . . . . 62
Tones . . . . . . . . . . . . . . . . . . . . . . . . . 57
Live Set Common screen . . . . . . . . . . 32
<Live Set Initialize> . . . . . . . . . . . . . . . 64
<Live Set Layer Copy>. . . . . . . . . . . . . 65
Live Set Layer screen . . . . . . . . . . . . . . 32
Live Set MFX screen . . . . . . . . . . . . . . . 33
Live Set Tone Modify screen . . . . . . . 32
<LIVE SET WRITE>. . . . . . . . . . . . . . . . . 62
Local Sw . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Local Switch . . . . . . . . . . . . . . . . . . . . . . 84
Loop Playback . . . . . . . . . . . . . . . . . . . . 74
LOWER Alternate. . . . . . . . . . . . . . . . . . 87
[LOWER] button. . . . . . . . . . . . . . . . . . . 18
LSB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
OCT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
OCTAVE [DOWN] button. . . . . . . . . . . 18
Octaves. . . . . . . . . . . . . . . . . . . . . . . . . . . 50
OCTAVE [UP] button. . . . . . . . . . . . . . . 18
Offset parameters. . . . . . . . . . . . . . . . . 60
[ON/OFF] button, [SLOW/FAST]
button. . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Output Assign . . . . . . . . . . . . . . . . . . . . 86
Output Gain . . . . . . . . . . . . . . . . . . . . . . 84
Chain Play . . . . . . . . . . . . . . . . . . . . 74
Deleting . . . . . . . . . . . . . . . . . . . . . . 75
Moving . . . . . . . . . . . . . . . . . . . . . . . 76
AUDIO IN (STEREO) jack . . . . . . . . . . . 21
Audio Signal Flow. . . . . . . . . . . . . . . . . 78
E
Editing
Effects . . . . . . . . . . . . . . . . . . . . . . . . 59
MFX . . . . . . . . . . . . . . . . . . . . . . . . . . 59
Effect
Editing. . . . . . . . . . . . . . . . . . . . . . . . 59
Send Level . . . . . . . . . . . . . . . . . . . . 59
Effect Ch. . . . . . . . . . . . . . . . . . . . . . . . . . 96
Effect Ctrl 1–3. . . . . . . . . . . . . . . . . . . . . 96
EQ Switch. . . . . . . . . . . . . . . . . . . . . . . . . 85
Expression Pedal . . . . . . . . . . . . . . . . . . 48
External Part . . . . . . . . . . . . . . . . . . . . . . 91
P
B
Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Partial
Banks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Beep/Misc . . . . . . . . . . . . . . . . . . . . . . . . 86
Beep Switch . . . . . . . . . . . . . . . . . . . . . . 86
Copy. . . . . . . . . . . . . . . . . . . . . . . . . . 69
<Partial Initialize>. . . . . . . . . . . . . . . . . 69
Part Sound Buttons . . . . . . . . . . . . . . . 36
PC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Pedal switch . . . . . . . . . . . . . . . . . . . . . . 43
[PERC] button. . . . . . . . . . . . . . . . . . . . . 18
PHONES jack. . . . . . . . . . . . . . . . . . . . . . 21
Physical Modeling. . . . . . . . . . . . . . . . . 10
Pitch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Playback Speed Ctrl . . . . . . . . . . . . . . . 96
Playback Speed Range . . . . . . . . . . . . 96
Player Sync . . . . . . . . . . . . . . . . . . . . . . . 77
C
Cancel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Cannot Copy! . . . . . . . . . . . . . . . . . . . . . 98
Cannot Create Folder! . . . . . . . . . . . . . 98
Cannot Delete!. . . . . . . . . . . . . . . . . . . . 98
Cannot Import SMF Format 1! . . . . . 98
Cannot Move!. . . . . . . . . . . . . . . . . . . . . 98
Cannot Write! . . . . . . . . . . . . . . . . . . . . . 98
<Center Cancel> . . . . . . . . . . . . . . . . . . 73
Center Cancel Type. . . . . . . . . . . . . . . . 73
Chain Play . . . . . . . . . . . . . . . . . . . . . . . . 74
Chord name . . . . . . . . . . . . . . . . . . . . . . 46
F
Factory Reset . . . . . . . . . . . . . . . . . . . . . 87
Factory-set state . . . . . . . . . . . . . . . . . . 87
File Not Selected! . . . . . . . . . . . . . . . . . 98
Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
Deleting . . . . . . . . . . . . . . . . . . . . . . 75
Moving . . . . . . . . . . . . . . . . . . . . . . . 76
<Format USB Memory> . . . . . . . . . . . 81
M
[MANUAL PERCUSSION] button. . . . 38
Master Keyboard. . . . . . . . . . . . . . . . . . 91
Master Key Shift. . . . . . . . . . . . . . . . . . . 84
Master Level . . . . . . . . . . . . . . . . . . . . . . 84
Memory . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Data Saved in USB Flash Drive . 17
Non-rewritable Memory. . . . . . . 16
Rewritable Memory . . . . . . . . . . . 16
Temporary Memory . . . . . . . . . . . 16
Metronome. . . . . . . . . . . . . . . . . . . . . . . 86
Metronome Level . . . . . . . . . . . . . . . . . 86
Metronome Sound. . . . . . . . . . . . . . . . 86
MFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
MFX On/Off. . . . . . . . . . . . . . . . . . . . . . . 59
MIDI Buffer Full! . . . . . . . . . . . . . . . . . . . 98
G
Playing the JUPITER-80 from an
External MIDI Device . . . . . . . . . . . . . . 93
Connecting the JUPITER-80 to Your
Play Pitch . . . . . . . . . . . . . . . . . . . . . . . . . 73
Play Speed. . . . . . . . . . . . . . . . . . . . . . . . 73
Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Pro Edit screen . . . . . . . . . . . . . . . . . . . . 33
Program Error! . . . . . . . . . . . . . . . . . . . . 98
Connection example . . . . . . . . . . . . . . 93
Continuous Hold Pedal. . . . . . . . . . . . 83
Controlling Visuals . . . . . . . . . . . . . . . . 95
Control Pedal . . . . . . . . . . . . . . . . . . . . . 48
Assign . . . . . . . . . . . . . . . . . . . . . . . . 83
Polarity . . . . . . . . . . . . . . . . . . . . . . . 83
Copying
Layer . . . . . . . . . . . . . . . . . . . . . . . . . 65
Count In . . . . . . . . . . . . . . . . . . . . . . . . . . 77
CTRL 1, CTRL 2 jacks. . . . . . . . . . . . . . . 20
Cursor . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
H
Harmony Intelligence . . . . . . . . . . . . . 46
[HARMONY INTELLIGENCE] button
Harmony Type . . . . . . . . . . . . . . . . . . . . 46
HOLD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
HOLD jack . . . . . . . . . . . . . . . . . . . . . . . . 20
Q
R
I
Read Error!. . . . . . . . . . . . . . . . . . . . . . . . 98
Receive Bank Select . . . . . . . . . . . . . . . 85
Receive Channel . . . . . . . . . . . . . . . . . . 93
103
Import
Incorrect File! . . . . . . . . . . . . . . . . . . . . . 98
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Index
Receive Program Change. . . . . . . . . . 85
Recording Folder. . . . . . . . . . . . . . . . . . 77
Recording Level. . . . . . . . . . . . . . . . . . . 77
Recording Mode . . . . . . . . . . . . . . . . . . 77
<Regist Button Lock> . . . . . . . . . . . . . 81
Common/Control screen . . . . . . 31
Effects Routing screen. . . . . . . . . 31
External Part screen . . . . . . . . . . . 31
List screen . . . . . . . . . . . . . . . . . . . . 30
Part screen. . . . . . . . . . . . . . . . . . . . 30
PERC Part screen . . . . . . . . . . . . . . 31
SOLO Part screen. . . . . . . . . . . . . . 31
Registration Button Locked! . . . . . . . 98
Registration Control Channel . . . . . . 85
<Registration Initialize> . . . . . . . . . . . 55
Registration Next/Prev Button . . . . . 86
Registration Part screen . . . . . . . . . . . 31
Registrations. . . . . . . . . . . . . . . . . . . . . . 41
Button . . . . . . . . . . . . . . . . . . . . . . . . 41
Editing. . . . . . . . . . . . . . . . . . . . . . . . 52
Initializing . . . . . . . . . . . . . . . . . . . . 55
Saving . . . . . . . . . . . . . . . . . . . . . . . . 53
Registration screen. . . . . . . . . . . . . . . . 30
Remote Keyboard Switch. . . . . . . . . . 85
Renaming
<Reset> . . . . . . . . . . . . . . . . . . . . . . . . . . 61
<Restore> . . . . . . . . . . . . . . . . . . . . . . . . 80
Restoring . . . . . . . . . . . . . . . . . . . . . . . . . 80
Reverb Lower . . . . . . . . . . . . . . . . . . . . . 86
Reverb Solo/Perc. . . . . . . . . . . . . . . . . . 86
Rewritable Memory . . . . . . . . . . . . . . . 16
ROLAND Folder . . . . . . . . . . . . . . . . . . . 17
Rotary . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49
ROTARY SOUND
SMF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
SOLO Alternate . . . . . . . . . . . . . . . . . . . 87
[SOLO] button . . . . . . . . . . . . . . . . . . . . 18
Solo Split . . . . . . . . . . . . . . . . . . . . . . . . . 39
Solo Split Point. . . . . . . . . . . . . . . . 39
Song EQ . . . . . . . . . . . . . . . . . . . . . . . . . . 85
Song EQ screen . . . . . . . . . . . . . . . . . . . 73
Song Level. . . . . . . . . . . . . . . . . . . . . . . . 84
Song Player/Recorder . . . . . . . . . . . . . 72
Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Sound Effects . . . . . . . . . . . . . . . . . . . . . 38
Sound generator. . . . . . . . . . . . . . . . . . 12
Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Split Point. . . . . . . . . . . . . . . . . . . . . 40
Split and Parts . . . . . . . . . . . . . . . . . . . . 40
Startup . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Startup Registration. . . . . . . . . . . . . . . 86
SUB OUT jacks . . . . . . . . . . . . . . . . . . . . 21
SuperNATURAL . . . . . . . . . . . . . . . . . . . 10
Initializing a Synth Tone . . . . . . . 69
Transmit
Active Sensing . . . . . . . . . . . . . . . . 85
Bank Select . . . . . . . . . . . . . . . . . . . 85
Edit Data. . . . . . . . . . . . . . . . . . . . . . 85
Program Change . . . . . . . . . . . . . . 85
Transmit Channel . . . . . . . . . . . . . . . . . 92
[TRANSPOSE] button. . . . . . . . . . . . . . 18
U
UPPER Alternate . . . . . . . . . . . . . . . . . . 87
[UPPER] button . . . . . . . . . . . . . . . . . . . 18
USB
Memory Song Player/Recorder
USB flash drive . . . . . . . . . . . . . . . . 16
USB driver . . . . . . . . . . . . . . . . . . . . . . . . 90
Data Saved in USB Flash Drive . 17
Initializing . . . . . . . . . . . . . . . . . . . . 81
Restoring . . . . . . . . . . . . . . . . . . . . . 80
Song Player/Recorder . . . . . . . . . 72
USB Memory. . . . . . . . . . . . . . . . . . . . . . 87
USB MEMORY connector . . . . . . . . . . 18
USB Memory Full! . . . . . . . . . . . . . . . . . 98
USB Memory Not Ready! . . . . . . . . . . 98
USB Memory Protector . . . . . . . . . . . . 78
USB-MIDI Thru . . . . . . . . . . . . . . . . . . . . 85
Using Pedals . . . . . . . . . . . . . . . . . . . . . . 48
<UTILITY>
SuperNATURAL Synth Tone Not
Synchronizing with an External
MIDI Device. . . . . . . . . . . . . . . . . . . . . . . 94
Sync/Metronome . . . . . . . . . . . . . . . . . 86
Sync Mode. . . . . . . . . . . . . . . . . . . . . . . . 86
Sync Output . . . . . . . . . . . . . . . . . . . . . . 86
<Synth Edit>. . . . . . . . . . . . . . . . . . . . . . 66
Synth Tone
Saving . . . . . . . . . . . . . . . . . . . . . . . . 68
Synth Tone Edit screen . . . . . . . . . . . . 33
System
Parameters. . . . . . . . . . . . . . . . . . . . 83
Saving . . . . . . . . . . . . . . . . . . . . . . . . 83
Settings. . . . . . . . . . . . . . . . . . . . . . . 83
System Control 1–4 Source . . . . . . . . 86
System Memory Damaged!. . . . . . . . 98
<SYSTEM WRITE> . . . . . . . . . . . . . . . . . 83
<Create Folder>. . . . . . . . . . . . . . . 75
<Delete Song/Folder>. . . . . . . . . 75
<Live Set Initialize> . . . . . . . . . . . 64
<Live Set Layer Copy>. . . . . . . . . 65
<Move Song/Folder>. . . . . . . . . . 76
<Partial Copy> . . . . . . . . . . . . . . . . 69
<Rename Song/Folder> . . . . . . . 75
<Tone Initialize> . . . . . . . . . . . . . . 69
V
Value . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Variation Sounds. . . . . . . . . . . . . . . . . . 37
Velo Lo/Velo UP . . . . . . . . . . . . . . . . . . . 92
Version . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Vibrato . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
[VISUAL CONTROL] button . . . . . . . . 18
Visual Control Mode. . . . . . . . . . . . . . . 86
[ON/OFF] button, [SLOW/FAST]
S
T
Saving
Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Tempo. . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
[TEMPO] button. . . . . . . . . . . . . . . . . . . 18
Temporary Area. . . . . . . . . . . . . . . . . . . 16
Temporary Memory . . . . . . . . . . . . . . . 16
Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12
Modify. . . . . . . . . . . . . . . . . . . . . . . . 60
Control . . . . . . . . . . . . . . . . . . . . . . . 61
screen . . . . . . . . . . . . . . . . . . . . . . . . 34
<Tone Initialize> . . . . . . . . . . . . . . . . . . 69
Tone Remain. . . . . . . . . . . . . . . . . . . . . . 84
<TONE WRITE>. . . . . . . . . . . . . . . . . . . . 68
Too Much Data! . . . . . . . . . . . . . . . . . . . 98
Touch screen. . . . . . . . . . . . . . . . . . . . . . 18
<Touch Screen Calibration> . . . . . . . 82
Live Set . . . . . . . . . . . . . . . . . . . . . . . 62
Registration. . . . . . . . . . . . . . . . . . . 53
Synth Tone. . . . . . . . . . . . . . . . . . . . 68
System Settings . . . . . . . . . . . . . . . 83
Scale Tune . . . . . . . . . . . . . . . . . . . . . . . . 85
Screens . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Screen Saver . . . . . . . . . . . . . . . . . . . . . . 86
Scroll bar/Scroll buttons. . . . . . . . . . . 27
Search . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Selecting Live Sets . . . . . . . . . . . . . . . . 36
Selecting Tones . . . . . . . . . . . . . . . . . . . 36
Send Levels . . . . . . . . . . . . . . . . . . . . . . . 59
<Set Src> . . . . . . . . . . . . . . . . . . . . . . . . . 61
SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
<Shuffle>. . . . . . . . . . . . . . . . . . . . . . . . . 61
Slider Mode. . . . . . . . . . . . . . . . . . . . . . . 84
[SLOW/FAST] button . . . . . . . . . . . . . . 49
W
104
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When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
Information
TAIWAN
ECUADOR
RUSSIA
OMAN
AFRICA
ROLAND TAIWAN ENTERPRISE
Mas Musika
Roland Music LLC
TALENTZ CENTRE L.L.C.
Malatan House No.1
Al Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
EUROPE
Rumichaca 822 y Zaruma
Guayaquil - ECUADOR
TEL: (593-4) 2302364
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (495) 981-4967
CO., LTD.
9F-5, No. 112 Chung Shan
North Road Sec. 2 Taipei 104,
TAIWAN R.O.C.
EGYPT
BELGIUM/FRANCE/
HOLLAND/
Al Fanny Trading Oꢀce
9, EBN Hagar Al Askalany Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
EL SALVADOR
SERBIA
TEL: (02) 2561 3339
QATAR
LUXEMBOURG
OMNI MUSIC
Music AP Ltd.
THAILAND
75 Avenida Norte y Final Alameda
Juan Pablo II,
Edi¥cio No.4010 San Salvador,
EL SALVADOR
Sutjeska br. 5 XS - 24413 Palic,
SERBIA
TEL: (024) 539 395
AL-EMADI TRADING &
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
Theera Music Co. , Ltd.
100-108 Soi Verng Nakornkasem,
New Road,Sumpantawong,
Bangkok 10100, THAILAND
TEL: (02) 224-8821
CONTRACTING CO.
P.O. Box 62, Doha, QATAR
TEL: 4423-554
TEL: (022)-417-1828
REUNION
TEL: (014) 575811
SLOVAKIA
TEL: 262-0788
MARCEL FO-YAM Sarl
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
CROATIA
DAN Acoustic s.r.o.
Povazská 18.
SAUDI ARABIA
GUATEMALA
ART-CENTAR
aDawliah Universal Electronics
VIET NAM
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala,
GUATEMALA
SK - 940 01 Nové Zámky,
SLOVAKIA
TEL: (035) 6424 330
Degenova 3.
HR - 10000 Zagreb, CROATIA
TEL: (1) 466 8493
APL
VIET THUONG CORPORATION
386 CACH MANG THANG TAM ST.
DIST.3, HO CHI MINH CITY,
VIET NAM
REUNION ISLAND
TEL: (0262) 218-429
Behind Pizza Inn
Prince Turkey Street
aDawliah Building,
PO BOX 2154,
Alkhobar 31952,
SAUDI ARABIA
TEL: (03) 8643601
SPAIN
CZECH REP.
TEL: (502) 599-2888
SOUTH AFRICA
RolandSystems Group EMEA, S.L.
Paseo García Faria, 33-35
08005 Barcelona, SPAIN
TEL: 93 493 91 00
CZECH REPUBLIC DISTRIBUTOR
TEL: (08) 9316540
T.O.M.S. Sound & Music (Pty)Ltd.
2 ASTRON ROAD DENVER
JOHANNESBURG ZA 2195,
SOUTH AFRICA
HONDURAS
s.r.o
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
Voctárova 247/16
180 00 Praha 8, CZECH REP.
TEL: (2) 830 20270
3 Ave.11 Calle S.O
San Pedro Sula, HONDURAS
TEL: (504) 553-2029
SYRIA
TEL: (011) 417 3400
OCEANIA
SWEDEN
Technical Light & Sound Center
PO Box 13520 Bldg No.49
Khaled Abn Alwalid St.
Damascus, SYRIA
Roland Scandinavia A/S
DENMARK
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
SWEDISH SALES OFFICE
Mårbackagatan 31, 4 tr.
SE-123 43 Farsta, SWEDEN
TEL: (0) 8 683 04 30
Roland Scandinavia A/S
Skagerrakvej 7 Postbox 880
DK-2100 Copenhagen,
DENMARK
AUSTRALIA/
MARTINIQUE
NEW ZEALAND
Musique & Son
TEL: (011) 223-5384
Z.I.Les Mangle
Roland Corporation
97232 Le Lamentin,
MARTINIQUE F.W.I.
TEL: 596 596 426860
TURKEY
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099,
AUSTRALIA
TEL: 3916 6200
SWITZERLAND
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.33
Beyoglu, Istanbul, TURKEY
TEL: (0212) 249 85 10
FINLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen, SWITZERLAND
TEL: (061) 975-9987
Roland Scandinavia As, Filial
ASIA
Gigamusic SARL
Finland
10 Rte De La Folie
97200 Fort De France
MARTINIQUE F.W.I.
TEL: 596 596 715222
For Australia
Vanha Nurmijarventie 62
01670 Vantaa, FINLAND
TEL: (0) 9 68 24 020
U.A.E.
TEL: (02) 9982 8266
For New Zealand
TEL: (09) 3098 715
CHINA
UKRAINE
Zak Electronics & Musical
Roland Shanghai Electronics
EURHYTHMICS Ltd.
P.O.Box: 37-a.
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Ground Floor, Dubai,
U.A.E.
Co.,Ltd.
GERMANY/AUSTRIA
MEXICO
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Nedecey Str. 30
UA - 89600 Mukachevo, UKRAINE
TEL: (03131) 414-40
Roland Elektronische
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico D.F.,
MEXICO
Musikinstrumente HmbH.
Oststrasse 96, 22844 Norderstedt,
GERMANY
CENTRAL/LATIN
AMERICA
TEL: (04) 3360715
UNITED KINGDOM
Roland Shanghai Electronics
TEL: (040) 52 60090
Roland (U.K.) Ltd.
TEL: (55) 5668-6699
Co.,Ltd. (BEIJING OFFICE)
3F, Soluxe Fortune Building
63 West Dawang Road, Chaoyang
District, Beijing, CHINA
Atlantic Close, SWANSEA SA7 9FJ,
UNITED KINGDOM
TEL: (01792) 702701
GREECE/CYPRUS
NORTH AMERICA
NICARAGUA
ARGENTINA
STOLLAS S.A.
Bansbach Instrumentos
Instrumentos Musicales S.A.
Av.Santa Fe 2055
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, NICARAGUA
TEL: (505) 277-2557
TEL: (010) 5960-2565
CANADA
(1123) Buenos Aires, ARGENTINA
TEL: (011) 4508-2700
Roland Canada Ltd.
HONG KONG
(Head Oꢀce)
MIDDLE EAST
Tom Lee Music
BARBADOS
5480 Parkwood Way Richmond B.
C., V6V 2M4, CANADA
TEL: (604) 270 6626
11/F Silvercord Tower 1
30 Canton Rd
Tsimshatsui, Kowloon,
HONG KONG
HUNGARY
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, BARBADOS
TEL: (246) 430-1100
Roland East Europe Ltd.
2045. Törökbálint, FSD Park 3. ép.,
HUNGARY
BAHRAIN
PANAMA
Moon Stores
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE PANAMA
TEL: 315-0101
Roland Canada Ltd.
TEL: 852-2737-7688
TEL: (23) 511011
No.1231&1249 Rumaytha
Building Road 3931,
Manama 339, BAHRAIN
TEL: 17 813 942
(Toronto Oꢀce)
170 Admiral Boulevard
Mississauga On L5T 2N6,
CANADA
BRAZIL
IRELAND
Parsons Music Ltd.
Roland Brasil Ltda.
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 852-2333-1863
Roland Ireland
Rua San Jose, 211
E2 Calmount Park, Calmount
Avenue, Dublin 12,
Republic of IRELAND
TEL: (01) 4294444
PARAGUAY
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
TEL: (905) 362 9707
IRAN
Distribuidora De Instrumentos
MOCO INC.
U. S. A.
Musicales
Jadeh Makhsous Karaj (K-9),
Nakhe Zarin Ave.
Jalal Street, Reza Alley No.4
Tehran 1389716791, IRAN
TEL: (021)-44545370-5
INDIA
J.E. Olear y ESQ. Manduvira
Asuncion, PARAGUAY
TEL: (595) 21 492147
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
CHILE
ITALY
Rivera Digitec (India) Pvt. Ltd.
411, Nirman Kendra Mahalaxmi
Flats Compound O¢. Dr. Edwin
Moses Road, Mumbai-400011,
INDIA
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
PERU
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
TEL: (323) 890 3700
Audionet
ISRAEL
Distribuciones Musicales SAC
Juan Fanning 530
Mira©ores
Lima - PERU
TEL: (511) 4461388
TEL: (022) 2493 9051
Halilit P. Greenspoon & Sons
NORWAY
Ltd.
COLOMBIA
INDONESIA
Roland Scandinavia Avd.
8 Retzif Ha'alia Hashnia St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, COLOMBIA
PT. Citra Intirama
Kontor Norge
Ruko Garden Shopping Arcade
Unit 8 CR, Podomoro City
Jl.Letjend. S.Parman Kav.28
Jakarta Barat 11470, INDONESIA
TEL: (021) 5698-5519/5520
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo,
NORWAY
TRINIDAD
TEL: (574) 3812529
JORDAN
AMR Ltd
TEL: 2273 0074
MUSIC HOUSE CO. LTD.
COSTA RICA
Ground Floor
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192, JORDAN
TEL: (06) 5692696
JUAN Bansbach Instrumentos
Maritime Plaza
Barataria TRINIDAD W.I.
TEL: (868) 638 6385
POLAND
KOREA
Musicales
ROLAND POLSKA SP. Z O.O.
ul. Kty Grodziskie 16B
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
03-289 Warszawa, POLAND
TEL: (022) 678 9512
URUGUAY
KUWAIT
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
EASA HUSAIN AL-YOUSIFI &
CURACAO
PORTUGAL
SONS CO.
MALAYSIA/
SINGAPORE
Zeelandia Music Center Inc.
Orionweg 30
RolandSystems Group EMEA, S.L.
Al-Yousi¥ Service Center
P.O.Box 126 (Safat) 13002,
KUWAIT
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
Branch Oꢀce Porto
Edifício Tower Plaza
Rotunda Eng. Edgar Cardoso
23, 9ºG
4400-676 Vila Nova de Gaia,
PORTUGAL
Curacao, Netherland Antilles
TEL: (305) 5926866
Roland Asia Paci‹c Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
TEL: 00 965 802929
DOMINICAN REPUBLIC VENEZUELA
LEBANON
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar import
#7 zona Industrial de Turumo
Caracas, VENEZUELA
Chahine S.A.L.
TEL: (+351) 22 608 00 60
George Zeidan St., Chahine Bldg.,
Achra¥eh, P.O.Box: 16-5857
Beirut, LEBANON
PHILIPPINES
Santo Domingo,
DOMINICAN REPUBLIC
TEL: (809) 683 0305
ROMANIA
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
FBS LINES
TEL: (01) 20-1441
TEL: (212) 244-1122
Piata Libertatii 1,
535500 Gheorgheni, ROMANIA
TEL: (266) 364 609
TEL: (02) 899 9801
As of Feb. 1, 2011 (ROLAND)
105
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For EU Countries
For China
106
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For the USA
DECLARATION OF CONFORMITY
Compliance Information Statement
Model Name :
Type of Equipment :
Responsible Party :
Address :
JUPITER-80
Synthesizer
Roland Corporation U.S.
5100 S. Eastern Avenue Los Angeles, CA 90040-2938
(323) 890-3700
Telephone :
For EU Countries
For the USA
This product complies with the requirements of EMCD 2004/108/EC and LVD 2006/95/EC.
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.
This equipment requires shielded interface cables in order to meet FCC class B limit.
Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s
authority to operate the equipment.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
(
)
For C.A. US Proposition 65
WARNING
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.
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