Roland Electronic Keyboard JUPITER 80 User Guide

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Owner’s Manual  
How to obtain a PDF of the owner’s manual  
PDF files of the owner’s manual and supplementary material for this product can be obtained from the  
Roland website.  
• JUPITER-80 Owner’s Manual (this document)  
• Parameter List *  
• MIDI Implementation *  
* These are not included with the product; you may download them as necessary.  
Visit the following URL, choose “owner’s manuals,and search for the model name “JUPITER-80.”  
http://www.roland.com/support/en/  
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS(Owner’s Manual p. 2), “USING  
THE UNIT SAFELY(Owner’s Manual p. 4), and “IMPORTANT NOTES(Owner’s Manual p. 5). These sections provide important  
information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good  
grasp of every feature provided by your new unit, Owner’s Manual should be read in its entirety. The manual should be saved  
and kept on hand as a convenient reference.  
Copyright © 2011 ROLAND CORPORATION  
All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND  
CORPORATION.  
Roland, COSM, and SuperNATURAL are either registered trademarks or trademarks of  
Roland Corporation in the United States and/or other countries.  
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USING THE UNIT SAFETY  
About WARNING and CAUTION Notices  
About the Symbols  
The symbol alerts the user to important instructions or  
Used for instructions intended to alert the  
user to the risk of death or severe injury  
should the unit be used improperly.  
warnings.The specific meaning of the symbol is  
determined by the design contained within the triangle. In  
the case of the symbol at left, it is used for general  
cautions, warnings, or alerts to danger.  
Used for instructions intended to alert the  
user to the risk of injury or material  
damage should the unit be used  
improperly.  
The symbol alerts the user to items that must never be  
carried out (are forbidden).The specific thing that must  
not be done is indicated by the design contained within  
the circle. In the case of the symbol at left, it means that  
the unit must never be disassembled.  
* Material damage refers to damage or  
other adverse effects caused with  
respect to the home and all its  
furnishings, as well to domestic animals  
or pets.  
The symbol alerts the user to things that must be  
carried out.The specific thing that must be done is  
indicated by the design contained within the circle. In the  
case of the symbol at left, it means that the power-cord  
plug must be unplugged from the outlet.  
ALWAYS OBSERVE THE FOLLOWING  
WARNING  
WARNING  
WARNING  
The unit should be connected to a power  
supply only of the type described as  
marked on the rear side of unit.  
Immediately turn the power off, remove  
the power cord from the outlet, and  
request servicing by your retailer, the  
nearest Roland Service Center, or an  
authorized Roland distributor, as listed on  
the “Informationpage when:  
Connect mains plug of this model to a  
mains socket outlet with a protective  
earthing connection.  
Use only the attached power-supply cord.  
Also, the supplied power cord must not be  
used with any other device.  
Do not open or perform any internal  
modifications on the unit.  
The power-supply cord or the plug has  
been damaged; or  
If smoke or unusual odor occurs  
Do not excessively twist or bend the  
power cord, nor place heavy objects on it.  
Doing so can damage the cord, producing  
severed elements and short circuits.  
Do not attempt to repair the unit, or  
replace parts within it (except when this  
manual provides specific instructions  
directing you to do so). Refer all servicing  
to your retailer, the nearest Roland Service  
Center, or an authorized Roland distribu-  
tor, as listed on the “Informationpage.  
Objects have fallen into, or liquid has  
been spilled onto the unit; or  
The unit has been exposed to rain (or  
otherwise has become wet); or  
Damaged cords are fire and shock hazards!  
This unit, either alone or in combination  
with an amplifier and headphones or  
speakers, may be capable of producing  
sound levels that could cause permanent  
hearing loss. Do not operate for a long  
period of time at a high volume level, or  
at a level that is uncomfortable. If you  
experience any hearing loss or ringing  
in the ears, you should immediately stop  
using the unit, and consult an audiologist.  
The unit does not appear to operate  
normally or exhibits a marked change in  
performance.  
Never install the unit in any of the  
following locations.  
In households with small children, an  
adult should provide supervision until the  
child is capable of following all the rules  
essential for the safe operation of the unit.  
Subject to temperature extremes  
(e.g., direct sunlight in an enclosed  
vehicle, near a heating duct, on top of  
heat-generating equipment); or are  
Protect the unit from strong impact.  
(Do not drop it!)  
Damp (e.g., baths, washrooms, on wet  
floors); or are  
Never allow foreign objects (e.g.,  
Exposed to steam or smoke; or are  
Subject to salt exposure; or are  
Humid; or are  
flammable objects, coins, wires) or liquids  
(e.g., water or juice) to enter this product.  
Doing so may cause short circuits, faulty  
operation, or other malfunctions.  
Do not force the unit’s power-supply cord  
to share an outlet with an unreasonable  
number of other devices. Be especially  
careful when using extension cords—the  
total power used by all devices you have  
connected to the extension cord’s outlet  
must never exceed the power rating  
(watts/amperes) for the extension cord.  
Excessive loads can cause the insulation  
on the cord to heat up and eventually  
melt through.  
Exposed to rain; or are  
Dusty or sandy; or are  
Subject to high levels of vibration and  
shakiness.  
This unit should be used only with a stand  
that is recommended by Roland.  
Before using the unit in a foreign country,  
consult with your retailer, the nearest  
Roland Service Center, or an authorized  
Roland distributor, as listed on the  
“Informationpage.  
When using the unit with a stand  
recommended by Roland, the stand must  
be carefully placed so it is level and sure  
to remain stable. If not using a stand, you  
still need to make sure that any location  
you choose for placing the unit provides a  
level surface that will properly support the  
unit, and keep it from wobbling.  
4
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IMPORTANT NOTES  
CAUTION  
WARNING  
CAUTION  
DO NOT play a CD-ROM disc on a  
Never climb on top of, nor place heavy  
objects on the unit.  
The unit should be located so that its  
location or position does not interfere  
with its proper ventilation.  
conventional audio CD player. The result-  
ing sound may be of a level that could  
cause permanent hearing loss. Damage  
to speakers or other system components  
may result.  
This JUPITER-80 for use only with Roland  
stand KS-J8, KS-G8, and KS-18Z. Use with  
other stands is capable of resulting in  
instability causing possible injury.  
Never handle the power cord or its plugs  
with wet hands when plugging into, or  
unplugging from, an outlet or this unit.  
Even if you observe the cautions given  
in the owner’s manual, certain types of  
handling may allow this product to fall  
from the stand, or cause the stand to  
overturn. Please be mindful of any safety  
issues before using this product.  
Before moving the unit, disconnect the  
power plug from the outlet, and pull out  
all cords from external devices.  
Before cleaning the unit, turn off the  
power and unplug the power cord from  
Always grasp only the plug on the  
power-supply cord when plugging into, or  
unplugging from, an outlet or this unit.  
Whenever you suspect the possibility of  
lightning in your area, pull the plug on the  
power cord out of the outlet.  
At regular intervals, you should unplug  
the power plug and clean it by using  
a dry cloth to wipe all dust and other  
accumulations away from its prongs.  
Also, disconnect the power plug from  
the power outlet whenever the unit is to  
remain unused for an extended period of  
time. Any accumulation of dust between  
the power plug and the power outlet can  
result in poor insulation and lead to fire.  
To prevent accidental ingestion of the  
parts listed below, always keep them out  
of the reach of small children.  
Removable Parts  
Screw for USB memory protector (p. 78)  
Try to prevent cords and cables from  
becoming entangled. Also, all cords and  
cables should be placed so they are out of  
the reach of children.  
IMPORTANT NOTES  
This device may interfere with radio and television  
Do not put anything that contains water on this  
unit. Also, avoid the use of insecticides, perfumes,  
alcohol, nail polish, spray cans, etc., near the unit.  
Swiftly wipe away any liquid that spills on the unit  
using a dry, soft cloth.  
Power Supply  
reception. Do not use this device in the vicinity of  
such receivers.  
Do not connect this unit to same electrical outlet  
that is being used by an electrical appliance that  
is controlled by an inverter (such as a refrig-  
erator, washing machine, microwave oven, or air  
conditioner), or that contains a motor. Depending  
on the way in which the electrical appliance is  
used, power supply noise may cause this unit to  
malfunction or may produce audible noise. If it  
is not practical to use a separate electrical outlet,  
connect a power supply noise filter between this  
unit and the electrical outlet.  
Noise may be produced if wireless communications  
devices, such as cell phones, are operated in the  
vicinity of this unit. Such noise could occur when  
receiving or initiating a call, or while conversing.  
Should you experience such problems, you should  
relocate such wireless devices so they are at a  
greater distance from this unit, or switch them off.  
Maintenance  
For everyday cleaning wipe the unit with a soft,  
dry cloth or one that has been slightly dampened  
with water. To remove stubborn dirt, use a cloth  
impregnated with a mild, non-abrasive detergent.  
Afterwards, be sure to wipe the unit thoroughly  
with a soft, dry cloth.  
Do not expose the unit to direct sunlight, place  
it near devices that radiate heat, leave it inside  
an enclosed vehicle, or otherwise subject it to  
temperature extremes. Excessive heat can deform  
or discolor the unit.  
Before connecting this unit to other devices, turn  
off the power to all units. This will help prevent  
malfunctions and/or damage to speakers or other  
devices.  
Never use benzine, thinners, alcohol or solvents of  
any kind, to avoid the possibility of discoloration  
and/or deformation.  
When moved from one location to another where  
the temperature and/or humidity is very different,  
water droplets (condensation) may form inside  
the unit. Damage or malfunction may result if you  
attempt to use the unit in this condition. Therefore,  
before using the unit, you must allow it to stand  
for several hours, until the condensation has  
completely evaporated.  
Although the LCD and LEDs are switched off  
when the POWER switch is switched off, this does  
not mean that the unit has been completely  
disconnected from the source of power. If you need  
to turn off the power completely, first turn off the  
POWER switch, then unplug the power cord from  
the power outlet. For this reason, the outlet into  
which you choose to connect the power cord’s plug  
should be one that is within easy reach and readily  
accessible.  
Repairs and Data  
Please be aware that all data contained in the  
unit’s memory may be lost when the unit is sent for  
repairs. Important data should always be backed up  
USB flash drives, or written down on paper (when  
possible). During repairs, due care is taken to avoid  
the loss of data. However, in certain cases (such  
as when circuitry related to memory itself is out  
of order), we regret that it may not be possible to  
restore the data, and Roland assumes no liability  
concerning such loss of data.  
Do not allow objects to remain on top of the  
keyboard. This can be the cause of malfunction,  
such as keys ceasing to produce sound.  
Depending on the material and temperature of the  
surface on which you place the unit, its rubber feet  
may discolor or mar the surface.  
You can place a piece of felt or cloth under the  
rubber feet to prevent this from happening. If you  
do so, please make sure that the unit will not slip or  
move accidentally.  
Placement  
Using the unit near power amplifiers (or other  
equipment containing large power transformers)  
may induce hum. To alleviate the problem, change  
the orientation of this unit; or move it farther away  
from the source of interference.  
5
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IMPORTANT NOTES  
USB flash drives are constructed using precision  
components; handle the cards carefully, paying  
particular note to the following.  
Company names and product names appearing  
in this document are registered trademarks or  
trademarks of their respective owners.  
Additional Precautions  
Please be aware that the contents of memory can  
be irretrievably lost as a result of a malfunction,  
or the improper operation of the unit. To protect  
yourself against the risk of loosing important data,  
we recommend that you periodically save a backup  
copy of important data you have stored in the unit’s  
memory on USB flash drives.  
To prevent damage to the cards from static  
electricity, be sure to discharge any static  
electricity from your own body before  
handling the cards.  
Do not touch or allow metal to come into  
contact with the contact portion of the cards.  
Unfortunately, it may be impossible to restore  
the contents of data that was stored in the unit’s  
memory and USB flash drives once it has been lost.  
Roland Corporation assumes no liability concerning  
such loss of data.  
Do not bend, drop, or subject cards to strong  
shock or vibration.  
Do not keep cards in direct sunlight, in closed  
vehicles, or other such locations.  
Use a reasonable amount of care when using the  
unit’s buttons, sliders, or other controls; and when  
using its jacks and connectors. Rough handling can  
lead to malfunctions.  
Do not allow cards to become wet.  
Do not disassemble or modify the cards.  
Never strike or apply strong pressure to the display.  
Handling CDs / DVDs  
When connecting / disconnecting all cables, grasp  
the connector itself—never pull on the cable. This  
way you will avoid causing shorts, or damage to the  
cable’s internal elements.  
Avoid touching or scratching the shiny underside  
(encoded surface) of the disc. Damaged or dirty  
DVD discs may not be read properly. Keep your  
discs clean using a commercially available DVD  
cleaner.  
A small amount of heat will radiate from the unit  
during normal operation.  
Copyrights  
To avoid disturbing your neighbors, try to keep  
the unit’s volume at reasonable levels. You may  
prefer to use headphones, so you do not need to be  
concerned about those around you.  
Recording, duplication, distribution, sale, lease,  
performance, or broadcast of copyrighted material  
(musical works, visual works, broadcasts, live  
performances, etc.) belonging to a third party in  
part or in whole without the permission of the  
copyright owner is forbidden by law.  
When you need to transport the unit, package it  
in the box (including padding) that it came in, if  
possible. Otherwise, you will need to use equivalent  
packaging materials.  
Do not use this product for purposes that could  
infringe on a copyright held by a third party. We  
assume no responsibility whatsoever with regard to  
any infringements of third-party copyrights arising  
through your use of this product.  
Use only the specified expression pedal (EV-5; sold  
separately). By connecting any other expression  
pedals, you risk causing malfunction and/or  
damage to the unit.  
The copyright of content in this product (the  
sound waveform data, style data, accompaniment  
patterns, phrase data, audio loops and image data)  
is reserved by Roland Corporation and/or Atelier  
Vision Corporation.  
Some connection cables contain resistors. Do not  
use cables that incorporate resistors for connecting  
to this unit. The use of such cables can cause the  
sound level to be extremely low, or impossible  
to hear. For information on cable specifications,  
contact the manufacturer of the cable.  
Purchasers of this product are permitted to utilize  
said content for the creating, performing, recording  
and distributing original musical works.  
The usable range of D Beam controller will become  
extremely small when used under strong direct  
sunlight. Please be aware of this when using the D  
Beam controller outside.  
Purchasers of this product are NOT permitted to  
extract said content in original or modified form,  
for the purpose of distributing recorded medium  
of said content or making them available on a  
computer network.  
The sensitivity of the D Beam controller will change  
depending on the amount of light in the vicinity of  
the unit. If it does not function as you expect, adjust  
the sensitivity as appropriate for the brightness of  
Licenses / Trademarks  
MMP (Moore Microprocessor Portfolio) refers to a  
patent portfolio concerned with microprocessor  
architecture, which was developed by Technology  
Properties Limited (TPL). Roland has licensed this  
technology from the TPL Group.  
Handling External Memories  
Carefully insert the USB flash drives all the way  
in—until it is firmly in place.  
MPEG Layer-3 audio compression technology  
is licensed from Fraunhofer IIS Corporation and  
THOMSON Multimedia Corporation.  
MatrixQuest™ 2010 TEPCO UQUEST, LTD. All rights  
reserved.  
“JUPITERis a registered trademark of and is  
licensed by K.H.S. MUSICAL INSTRUMENT CO. LTD.  
in the United States and other countries.  
Never touch the terminals of the USB flash drives.  
Also, avoid getting the terminals dirty.  
Cakewalk is a registered trademark of Cakewalk,  
Inc. in the United States.  
SONAR is a trademark of Cakewalk, Inc.  
6
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Contents  
USING THE UNIT SAFETY                                                                                   4  
IMPORTANT NOTES                                                                                             5  
Main Features                                                                                                    10  
Getting Acquainted with the JUPITER-80                                                 12  
Playing Drum Sounds and Sound Effects (Percussion)                         38  
Split Performance                                                                                            39  
Switching Registrations                                                                                  41  
Panel Descriptions                                                                                           18  
Using the Arpeggiator                                                                                    43  
Placing the JUPITER-80 on a Stand                                                             22  
Turning the Power On                                                                                     23  
Basic Operation                                                                                                24  
Performing With Added Harmony                                                              46  
Controlling the Performance                                                                        47  
Navigating Between Screens                                                                        30  
Controlling the Rotary Effect and Reverb                                                 49  
Changing the Keyboard Settings                                                                50  
7
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Contents  
The JUPITER-80’s System Settings                                                              83  
Editing a Registration                                                                                      52  
Editing a Live Set                                                                                              56  
Connecting to Your Computer via USB                                                      90  
Connecting an External MIDI Device                                                          91  
Editing a Synth Tone                                                                                        66  
Controlling Visuals                                                                                           95  
Using the USB Memory Song Player/Recorder                                        72  
Error Message List                                                                                            98  
Troubleshooting                                                                                               99  
Specifications                                                                                                 101  
MIDI Implementation Chart                                                                       102  
Index                                                                                                                 103  
Settings and Convenient Functions                                                            79  
8
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Introduction  
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Main Features  
The JUPITER-80 is Roland’s flagship synthesizer, delivering powerful, SuperNATURAL sounds and stunning realtime performance. It includes  
numerous cutting-edge SuperNATURAL sounds generated by Behavior Modeling Technology, bringing you unprecedentedly natural and rich  
expressive possibilities.  
What are SuperNATURAL Tones?  
Taking advantage of Behavior Modeling Technology, SuperNATURAL is Roland’s exclusive sound set  
that achieves a new level of realism and expression that were difficult to realize with previous sound  
generators.  
Behavior Modeling Technology  
Not only physical modeling of the instruments, Roland takes it a step further by modeling the instrument’s distinctive behavior that responds  
to how the performer plays, resulting in true-to-life, expressive sounds in realtime.  
A world of new sounds possible only with SuperNATURAL  
Numerous peerless and powerful SuperNATURAL sounds are built in  
SuperNATURAL Acoustic Tones  
The JUPITER-80 provides SuperNATURAL Acoustic Tones, which reproduce not merely the sound  
of acoustic instruments, but also their performance expression.  
A dedicated sound generator suitable for each tone automatically analyzes differences in the  
phrases, chords, and melodies played by the musician.  
SuperNATURAL Acoustic Tones represent a completely new sound-generating technology, one  
which not only reproduces the sounds of acoustic instruments, but also uses Behavior Modeling  
Technology to model the way in which each instrument uniquely responds to the performance  
expression of the player.  
“Expressions”“Operations”  
In contrast to the old method of seeking realism merely in the sound’s waveform, this is a major  
advance which models the details of how the sound of each individual instrument responds to  
the performer’s playing.  
Crescendo  
While previous physical modeling sound generators model the structure of an instrument  
(such as the shape of its resonator, the length of the tube, and the material of the vibrating  
parts), Behavior Modeling Technology additionally models the response and movement of each  
specific instrument as it reacts to performance techniques such as trills, portamento, vibrato, and  
dynamics.  
Glissando technique  
Vibrato  
This goes beyond mere reproduction of the sound—it makes it possible for the expressions and  
movements distinctive of an instrument to be expressed on a synthesizer.  
For example, the SuperNATURAL Acoustic Tone “Violinlets you obtain—by playing the  
keyboard—an expressive solo violin sound that’s so realistic, you might think a violinist is actually  
playing it.  
You can also use the pitch bend and modulation lever and the assignable buttons ([S1], [S2]) to  
freely reproduce the richly expressive performances that are distinctive of acoustic instruments.  
SuperNATURAL Synth Tone  
Partial 1  
SuperNATURAL Synth Tones  
The JUPITER-80 features SuperNATURAL Synth Tones, which realistically deliver everything from  
vintage analog synths to digital synths.  
OSC  
FILTER  
FILTER  
FILTER  
AMP  
AMP  
AMP  
The distinctive behavior of an analog synth’s oscillators and filters has been analyzed in order to  
reproduce their unique sound.  
Partial 2  
OSC  
Each Synth Tone provides three sets of OSC, FILTER, AMP, and LFO, allowing powerful synthesis to  
be accomplished using just a single tone. The oscillators offer not only analog waveforms based  
on vintage synths, but also give you a choice of PCM waveforms containing distinctive digital  
synth sounds. Full-screen graphics allow you to intuitively create any type of synth sound, from  
analog to digital.  
Partial 3  
OSC  
10  
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Main Features  
Live Set  
Layer 1  
Powerful Live Sets with SuperNATURAL x 4  
SuperNATURAL Tone  
The JUPITER-80 can handle up to four SuperNATURAL tones layered as a “Live Set,letting you  
perform with awesome and richly expressive sounds.  
Layer 2  
Layer 3  
Layer 4  
SuperNATURAL Tone  
SuperNATURAL Tone  
SuperNATURAL Tone  
In addition, you can assign Live Sets to the Upper and Lower Parts to create splits and layers,  
making it easy to construct rich-sounding stacks that were difficult to obtain on a single  
conventional synthesizer.  
Four-part Registrations for Extensive Performance Potential  
Registration (Part)  
Upper  
In addition to the Upper Part and Lower Part that are the core of your performance, the  
JUPITER-80 provides a Solo Part that lets you play a melody or solo on the top note, and a  
Percussion Part that spices up your performance.  
SuperNATURAL Tone x 4  
SuperNATURAL Tone x 4  
SuperNATURAL Tone x 4  
Lower  
Solo  
All of these together can be instantly called up by pressing a Registration button.  
SuperNATURAL Tone x 4  
Percussion  
or  
Tone (Perc) x1  
Powerful Sound with a Full Selection of Effects  
Upper Part  
Lower Part  
MFX 1  
A Live Set contains four multi-effects (MFX) processors in parallel, each giving you a choice of 76  
types of effects that range from standard sounds to effects that powerfully transform your sound.  
In addition to this, the Live Set also provides a reverb processor.  
By using the Upper Part and Lower Part simultaneously, you can create powerful sounds that use  
up to eight effects and two reverbs simultaneously.  
MFX 2  
MFX 3  
MFX 4  
The Solo Part and the Percussion Part also have their own independent compressor, EQ, and delay,  
and both the Solo Part and Percussion Part also each have their own reverb.  
Reverb  
Tone Blender  
A Live Set features the new Tone Blender function, which lets you simultaneously control multiple  
parameters such as the level, pan, cutoff, and MFX send for each of the four tones.  
By using a knob or the D Beam to simultaneously control multiple parameters of four tones in the  
Live Set, you can easily generate powerful sonic transformations that were impossible on previous  
Controllers Optimized for Live Performance  
A color-coded panel layout and full-color TFT touch screen (pressure sensitive) ensure that the  
status of the sound is instantly comprehensible.  
Dedicated buttons are provided for instant access to the functions you need, guaranteeing  
intuitive operation during your live performances. In addition, the JUPITER-80 provides four sliders  
with LED meters that allow you to directly adjust each Part’s volume at any time, a modulation  
lever for expressive dynamics, [S1] and [S2] buttons for switching between performance  
techniques, and a D Beam controller for additional performance possibilities—all focused on  
realtime playability.  
Sturdy Body and a 76-note Weighted Keyboard  
The keyboard is the most important factor in your performance, and the JUPITER-80 provides a  
weighted 76-note keyboard that gives you superb playing feel for confident performances on  
stage.  
Coupled with the sturdy aluminum-paneled body, this is a keyboard that expressively responds to  
every nuance of your playing.  
USB Audio Player/Recorder  
USB MIDI/AUDIO Support  
The built-in Audio Recorder provides a great way to capture your phrases and inspirations on a  
USB flash drive as audio files (WAV). Of course, audio files (WAV, AIFF, MP3) can also be played back  
from your USB flash drive, allowing you to use them as backing tracks for your performance.  
The JUPITER-80 also provides a USB MIDI/AUDIO connection to your computer. Even when you’re  
in your production studio, you’ll enjoy the same familiar setup as when performing live.  
11  
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Getting Acquainted with the JUPITER-80  
How the Sound Generator is Organized  
The sound generator is organized into units of sounds called “Registrations,“Live Sets,and “tones.”  
Audio data flow  
Performance data flow  
The JUPITER-80’s sound generator  
MASTER  
EQ  
Harmony  
Intelligence  
Arpeggio  
What is a Tone?  
Although a Tone is the smallest unit of sound handled by the JUPITER-80, it boasts an extravagantly powerful structure based on SuperNATURAL  
sounds. “SuperNATURAL Acoustic Tonesnot only reproduce the sounds of an acoustic instrument, but also automatically analyze—in a way  
that’s appropriate for each different tone—the differences between the phrases, chords, and melodies played by the performer, and deliver the  
responsiveness that is characteristic of that specific acoustic instrument. Starting with the SuperNATURAL piano, each of these sounds brings you the  
highest possible level of expressive power that has been developed for the sound engines of earlier Roland products.  
“SuperNATURAL Synth Tonescan be combined as elements in a Live Set, and can also be edited in detail for each tone and saved. Since a single Synth  
Tone contains three sets of oscillator, filter, amp, and LFO, it packs a formidable amount of synthesis power. The oscillator contains not only analog  
waveforms but also PCM waveforms, and you can use the graphic screen to edit them intuitively, creating a nearly infinite range of synth sounds.  
What is a Live Set?  
In the JUPITER-80’s sound engine, the smallest unit of sound is the “tone”; each tone consists of a SuperNATURAL sound.  
Up to four tones can be layered to create impressive and richly expressive sounds.  
Such a combination can be saved as a “Live Set,and a different Live Set can be used for the Upper Part and the Lower Part.  
By layering two Live Sets, you can easily create thick, stacked sounds that would have been difficult to create on any previous PCM synthesizer.  
The basic method of creating sound on the JUPITER-80 is to edit a Live Set by combining these powerful tones.  
What is a Registration?  
The combination of sounds assigned to the Upper Part, Lower Part, Solo Part, and Percussion Part, together with settings for the JUPITER-80 itself, can  
be saved as a single “Registration.”  
A Registration can be called up instantly, allowing you to switch sounds as appropriate for the song you’re playing, or to instantly get the settings you  
need for live performance or studio recording.  
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Getting Acquainted with the JUPITER-80  
Tones  
The “toneis the smallest unit of sound that is managed on the JUPITER-80.  
There are four types of tones, as shown in the table below. These tones are the elements that make up Registrations (p. 15) and Live Sets (p. 14).  
Type  
SuperNATURAL Acoustic Tone  
Explanation  
These are acoustic-type SuperNATURAL sounds.  
Many realistic sounds using Behavior Modeling Technology are provided.  
You can also use the Live SetTone Modify screen (p. 32, p. 78) to adjust certain parameters that have been selected  
as most appropriate for each sound.  
These tones can be assigned to a Live Set (Upper Part, Lower Part), to the Solo Part, or to the Percussion Part.  
SuperNATURAL Synth Tone  
Partial 1  
These are synthesizer-type SuperNATURAL sounds.  
These tones allow you to freely create original sounds, as on an analog synthesizer (p. 66).  
OSC  
FILTER  
FILTER  
FILTER  
AMP  
AMP  
AMP  
One tone can produce the sound of three synthesizers, each with an oscillator (OSC), filter (FILTER), and  
amplifier (AMP).  
Partial 2  
OSC  
The oscillator (OSC) provides not only the waveforms of a standard analog synthesizer, but also PCM  
waveforms.  
You can save 2,048 tones you’ve edited (p. 68).  
Partial 3  
OSC  
These tones can be assigned to the Live Set (Upper Part, Lower Part), Solo Part, and Percussion Part.  
Manual Percussion  
These produce the sounds of percussion instruments or sound effects.  
A wide variety of percussion instruments and sound effects will be heard depending on the key (note number)  
you play.  
Drums/SFX  
These tones can be assigned only to the Percussion Part.  
You can save 2,048 SuperNATURAL Synth Tones you’ve edited, and call them up when desired.  
SuperNATURAL Synth Tone  
Partial 1  
OSC  
FILTER  
FILTER  
FILTER  
AMP  
AMP  
AMP  
Partial 2  
OSC  
0001–2048  
Partial 3  
OSC  
MEMO  
The results of your editing a SuperNATURAL Acoustic Tone, Manual Percussion, and Drums/SFX can be saved as a Registration or as a Live Set.  
What are SuperNATURAL Tones?  
Taking advantage of Behavior Modeling Technology, SuperNATURAL is Roland’s exclusive sound set  
that achieves a new level of realism and expression that were difficult to realize with previous sound  
generators.  
Behavior Modeling Technology  
Not only physical modeling of the instruments, Roland takes it a step further by modeling the instrument’s distinctive behavior that responds  
to how the performer plays, resulting in true-to-life, expressive sounds in realtime.  
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Getting Acquainted with the JUPITER-80  
Live Sets  
Parts  
A Live Set consists of the Tones assigned to the four layers, settings  
for four MFX units, and settings for one reverb unit.  
The JUPITER-80 has four parts; Solo, Upper, Lower, and Percussion.  
You can assign a Tone or Live Set to each Part and play it.  
Live Set  
Tone 1  
Tone 2  
Tone 3  
Tone 4  
MFX 1  
MFX 2  
MFX 3  
MFX 4  
Layer 1  
Layer 2  
Layer 3  
Layer 4  
Reverb  
Solo  
You can select a Live Set as the sound for the Upper Part, and  
another Live Set as the sound for the Lower Part.  
Upper  
Lower  
You can save 2,560 Live Sets you’ve edited, then call them up when  
desired.  
Percussion  
You can play all Parts from the same keys, or use the Split function  
(p. 39) to divide the keyboard and assign the sounds of different Parts  
to their own zones.  
The Registration screen shows the name of each Part’s sound.  
Live Set  
0001–2560  
Edits you make to the parameters of a Live Set are relative  
adjustments that increase or decrease the values of the Tones; they  
do not directly modify the Tones themselves.  
This shows the split status of the Parts.  
This means that even if the same tone is used in other Live Sets, the  
other Live Sets will not be affected by your editing.  
Not split  
Solo  
Upper  
Lower  
Percussion  
Split  
Solo  
Upper  
Lower  
Percussion  
For details on split, refer to “Split Performance(p. 39).  
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Getting Acquainted with the JUPITER-80  
Registrations  
A Registration consists of these four Parts: Solo, Upper, Lower, and Percussion.  
Stored within a Registration are the settings for the sound selected for each Part, as well as settings for the Solo Part and Percussion Part.  
By switching Registrations, you can change all of these settings at once (except for the system parameters).  
Audio data flow  
Performance data flow  
Registration  
Solo Part  
Comp  
Equalizer  
Delay  
Reverb  
Tone  
Upper Part  
Live Set  
Harmony  
Intelligence  
Arpeggio  
Lower Part  
Live Set  
Percussion Part  
Tone  
Comp  
Equalizer  
Delay  
How Registrations are Organized  
Registrations are managed in “banksof eight. In turn, these banks are managed as “setsof four banks.  
Since there are eight sets, 8 Registrations x 4 banks x 8 sets makes a total of 256 Registrations.  
Bank 8  
Bank 1  
Registration (1–8)  
Bank  
(A–D)  
The sounds and settings saved in a Registration can be called up at the touch of a button (p. 41).  
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Getting Acquainted with the JUPITER-80  
About Memory  
The area in which sounds and other settings are stored is called “memory.”  
Memory is divided into three areas: temporary memory (the temporary area), rewritable memory, and non-rewritable memory.  
JUPITER-80  
Temporary Area  
Select  
Select  
Write  
Non-rewritable Memory  
Rewritable Memory  
SuperNATURAL  
Acoustic Tones  
Registrations (256)  
Live Sets (2,560)  
System  
Settings  
Manual Percussions  
Drums/SFX  
SuperNATURAL  
Synth Tones (2,048)  
Preset Arpeggio Styles  
User Arpeggio Styles (128)  
Restore  
Backup  
USB Flash Drive  
ROLAND Folder  
Registrations (256)  
Live Sets (2,560)  
System  
Settings  
SuperNATURAL  
Synth Tones (2,048)  
User Arpeggio Styles (128)  
Temporary Memory (the Temporary  
Area)  
Non-rewritable Memory  
This contains SuperNATURAL Acoustic Tones, Manual Percussion,  
Drums/SFX, and preset arpeggio style data.  
The data for a sound you select is called into this area.  
This data cannot be directly rewritten; however, you are free to save  
the edited results in a Registration or Live Set.  
When you play the keyboard, the sounds you hear are produced  
according to the settings in the temporary area.  
When you edit sounds, you’re editing the data that’s in the  
temporary area.  
USB Flash Drive  
Settings in the temporary area are temporary; they will be lost  
when you turn off the power or select other settings.  
The data saved in rewritable memory can be backed up to a USB  
flash drive (p. 79).  
If you want to keep the settings of the temporary area, you must  
save them to rewritable memory.  
A USB flash drive can contain one set of backup data.  
MEMO  
When you import an SMF (Standard MIDI File) as a user arpeggio  
style (p. 45), the data is imported directly into rewritable memory;  
it does not pass through the temporary area.  
Rewritable Memory  
This is where you can save Registrations, Live Sets, SuperNATURAL  
Synth Tones, user arpeggio styles, and system settings (system  
parameters).  
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Getting Acquainted with the JUPITER-80  
USB Memory Song Player/Recorder  
The USB Memory Song Player/Recorder plays back audio files (WAV, MP3, AIFF) that you’ve copied from your computer to a USB flash drive.  
Copy to a USB Memory  
Insert USB Memory  
MP3/WAV/AIFF  
You can also record the JUPITER-80’s performance and save it on a USB flash drive as a WAV file.  
NOTE  
Use USB Flash Memory sold by Roland. We cannot guarantee operation if other products are used.  
Audio files that can be played  
MP3  
Format  
MPEG-1 audio layer 3  
Sampling Frequency 44.1 kHz  
Bit Rate  
32k, 40k, 48k, 56k, 64k, 80k, 96k, 112k, 128k, 160k, 192k, 224k, 256k, 320 kbps / VBR (Variable Bit Rate)  
WAV/AIFF  
Sampling Frequency 44.1 kHz, 48 kHz, 96 kHz  
Bit  
8, 16, 24-bit  
MEMO  
Use only single-byte alphanumeric characters in file names and folder names.  
Audio files that will be saved  
WAV  
Sampling Frequency 44.1kHz  
Bit Rate  
16-bit  
Data Saved in USB Flash Drive  
A USB flash drive can hold audio files, MIDI files that you want to import as user arpeggio styles, and the JUPITER-80’s internal memory data that  
you’ve backed up.  
USB Flash Drive  
This folder is created when you make a backup (p. 79).  
This contains the backup file for the JUPITER-80’s internal memory.  
ROLAND Folder  
WAVE files created by the USB memory song player/recorder and audio files or  
MIDI files copied from your computer are saved here.  
Audio Files  
MIDI Files  
:
Copy your audio files (WAV, MP3, AIFF) to the root folder (the top level) of your USB flash drive, or create a folder  
on your USB flash drive and copy the files into it.  
MEMO  
• Use only single-byte alphanumeric characters in file names and folder names.  
• A maximum of 200 files can be recognized in a folder.  
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Panel Descriptions  
Top Panel  
3
4
5
6
7
8
1
9
2
11  
10  
12  
13  
Number Area  
Name  
Explanation  
Page  
USB MEMORY  
VOLUME  
USB MEMORY connector  
Connect USB flash memory (available separately) here.  
1
2
Adjusts the volume of the output from the MAIN OUT jacks  
and PHONES jack.  
[VOLUME] knob  
By moving your hand above the D Beam you can apply  
various effects to the sound.  
D Beam controller  
[PITCH] button  
If this is on, the D Beam controller will control the pitch.  
If this is on, the D Beam controller will control the volume.  
D BEAM  
3
[VOLUME] button  
If this is on, the D Beam controller will control the function  
you’ve assigned.  
[ASSIGNABLE] button  
[HOLD] button  
Turns the arpeggiator Hold function on/off.  
If this is on, the arpeggiator will apply to the Lower Part.  
If this is on, the arpeggiator will apply to the Upper Part.  
Accesses the tempo screen.  
ARPEGGIO [LOWER ON/OFF] button  
ARPEGGIO [UPPER ON/OFF] button  
[TEMPO] button  
Turns MIDI Visual Control on/off. When you press this button  
to turn it on, the setting screen will appear.  
[VISUAL CONTROL] button  
CONTROL  
4
[HARMONY INTELLIGENCE] button  
Turns the Harmony Intelligence function on/off.  
By holding down the [TRANSPOSE] button and using the  
[-] [+] buttons, you can transpose the keyboard in semitone p. 50  
steps.  
[TRANSPOSE] button  
OCTAVE [DOWN] button  
OCTAVE [UP] button  
Lowers the key range in steps of one octave.  
Raises the key range in steps of one octave.  
Adjust the volume of each Part, or the volume of each layer  
in the Live Set. For a SuperNATURAL Synth Tone, these adjust  
the AMP level of each Partial.  
[LEVEL] slider  
Turns the Percussion Part, the Live Set layer 1, or a  
SuperNATURAL Synth Tone’s Partial 1 on/off.  
PART [PERC] button  
PART BALANCE  
5
6
Turns the Lower Part, the Live Set layer 2, or a SuperNATU-  
RAL Synth Tone’s Partial 2 on/off.  
PART [LOWER] button  
Turns the Upper Part, the Live Set layer 3, or a SuperNATU-  
RAL Synth Tone’s Partial 3 on/off.  
PART [UPPER] button  
PART [SOLO] button  
Turns the Solo Part or Live Set layer 4 on/off.  
Shows various information for the operation you’re  
performing, and allows you to control parameters by directly p. 27, p. 30–  
touching the screen.  
Touch screen  
[MENU] button  
[E1]–[E4] knobs  
Accesses the MENU screen.  
Display  
Edit the values of the parameters shown in the display.  
This is used in conjunction with other buttons to access  
setting screens related to those buttons.  
[SHIFT] button  
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Panel Descriptions  
Number Area  
Name  
Explanation  
Page  
Use these buttons to edit values. To make the change occur  
more rapidly, hold down one button and press the opposite  
button. You can also make the value change rapidly by  
holding down the [SHIFT] button and pressing one of these  
buttons.  
[DEC]/[INC] buttons  
Move the cursor up/down/left/right.  
[
][  
][  
][  
] (Cursor) buttons  
Use this to edit values. To make the value change rapidly,  
operate the value dial while holding down the [SHIFT]  
button.  
VALUE  
7
Value dial  
Returns you to the previous screen, or closes the currently  
open window. In some screens, this button cancels the  
function you were executing.  
[EXIT] button  
Confirms a value or executes an operation. This button also  
displays a list of Live Sets or tones.  
[ENTER] button  
Simultaneously turns on/off the output of the Live  
Set’s reverb and the reverb shared by the Solo Part and  
Percussion Part.  
REVERB  
REVERB [ON/OFF] button  
8
9
[SONG] button  
[REC] button  
Accesses the Song screen.  
Selects recording-standby mode. Next, press the [  
button to start recording.  
]
Returns to the beginning of the audio file.  
[
[
[
[
[
] button  
] button  
] button  
] button  
] button  
SONG PLAYER/RECORDER  
Rewinds the audio file while you hold down the button.  
Fast-forwards the audio file while you hold down the button.  
Stops audio file playback or recording.  
Plays back the audio file.  
Turns on/off the rotary effect assigned to the MFX of the  
Live Set.  
ROTARY SOUND [ON/OFF] button  
ROTARY SOUND  
10  
11  
ROTARY SOUND [SLOW/FAST] button  
PERCUSSION Tone button  
Live Set LOWER button  
Switches the speaker rotation speed between Slow and Fast.  
Select the Tone for the Percussion Part.  
Select the Live Set for the Lower Part.  
Live Set UPPER button  
Select the Live Set for the Upper Part.  
SOLO Tone button  
Select the Tone for the Solo Part.  
LOWER [ALTERNATE] button  
UPPER [ALTERNATE] button  
SOLO [ALTERNATE] button  
These buttons call up different sounds that are similar to the  
sounds of the Part sound buttons.  
Selecting tones for Parts  
Splits the keyboard. Keys to the left of the Lower Split  
Point will play only the sounds of the Lower Part and the  
Percussion Part.  
[SPLIT] button  
Splits the keyboard. Keys to the right of the Solo Split Point  
will play only the sound of the Solo Part.  
[SOLO SPLIT] button  
[S1], [S2] buttons  
Convenient performance functions can be assigned to these  
buttons.  
Controller  
12  
13  
Pitch Bend/Modulation Lever  
[WRITE] button  
Modifies the pitch, applies vibrato, etc.  
Accesses the Registration Write screen.  
Calls up the previous Registration or Registration Set.  
Select the Registration Bank.  
[PREV] button  
Registration  
Registration Bank buttons ([A]–[D])  
Registration buttons ([1]–[8])  
[NEXT] button  
Select a Registration.  
Calls up the next Registration or Registration Set.  
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Panel Descriptions  
Rear Panel Connections  
[POWER] switch  
SB COMPUTER connector  
MIDI connectors  
This turns the power on/off (“Turning  
ith a USB cable, you can connect  
e JUPITER-80 to your computer  
For connecting MIDI device  
AC cord  
DIGITAL AUDIO OUT (COAX
Connect this to speakers or other device
equipped with a digital input.  
This jack outputs the same audio signal
OUT jacks.  
Hold jack  
CTRL 1, CTRL 2 jacks  
Here you can connect a pedal  
switch (such as one from the DP  
series; sold separately) and use it  
Here you can connect an expression pedal (EV-5; sold  
separately) and use it to control various parameters or  
* Use only the specified expression pedal (EV-5; sold  
separately). By connecting any other expression  
pedals, you risk causing malfunction and/or  
damage to the unit.  
NOTE  
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before  
making any connections.  
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Panel Descriptions  
SUB OUT jacks  
MAIN OUT (TRS) jacks  
MAIN OUT (XLR) jacks  
You can connect speakers here for use as monitors,  
or for outputting only the reverb sound. The system  
will be output from the SUB OUT jacks.  
Connect your speakers here. To employ monaural  
output, connect to the L/MONO jack.  
These are balanced output jacks for audio signals.  
Connect them to your mixer.  
* The [VOLUME] knob on the top panel does not  
adjust the volume of these jacks.  
This instrument is equipped with balanced (XLR/TRS) type jacks. Wiring diagrams for these jacks are  
shown below. Make connections after first checking the wiring diagrams of other equipment you  
intend to connect.  
TIP:  
HOT  
1: GND  
2: HOT  
RING: COLD  
3: COLD  
AUDIO IN (STEREO) jack  
Connect your digital audio player or audio playback device here.  
Use a stereo mini-plug cable (commercially available) to make the  
connection.  
The input level is adjusted by the [LEVEL] knob located at the left of the jack.  
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Placing the JUPITER-80 on a Stand  
Be careful not to pinch your fingers when setting up the stand.  
If you want to place the JUPITER-80 on a stand, use the Roland KS-J8, KS-G8, or KS-18Z.  
Place the instrument on the stand as follows.  
KS-J8  
Firmly insert the rubber  
feet on the bottom of  
the keyboard (at its  
front, beneath the keys)  
into the rubber feet  
receptacles on the arms.  
KS-G8  
Align the front of  
the JUPITER-80  
with the front of  
the stand  
Place the JUPITER-80 so  
that it’s rubber feet are in  
the inner side of the stand  
Top view  
KS-18Z  
Adjust so that  
the height does  
Adjust the width of the stand  
so that the rubber feet of the  
JUPITER-80 straddle the stand  
Align the front of the  
not exceed 1  
JUPITER-80 with the  
meter (Adjust  
front of the stand  
the stand to a  
level no higher  
than the fourth  
level from the  
bottom)  
Top view  
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Turning the Power On  
Turning the Power On  
Once the connections have been completed (p. 20), turn on power to your various devices in the order specified. By turning on devices in the wrong  
order, you risk causing malfunction and/or damage to speakers and other devices.  
Turning the Power On  
* Before switching the power on/off, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound  
when switching the power on/off (p. 5). However, this is normal and does not indicate a malfunction.  
1. Minimize the volume of the JUPITER-80 and your speakers  
2. On the JUPITER-80’s rear panel, turn the [POWER] switch ON  
* This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.  
3. Turn on the power of your speakers  
4. Use the [VOLUME] knob to adjust the volume appropriately  
Turning the Power Off  
1. Minimize the volume of the JUPITER-80 and your speakers  
2. Turn off the power of your speakers  
3. Turn the JUPITER-80’s [POWER] switch OFF  
If you need to turn off the power completely, first turn off the POWER switch, then unplug the power cord from the “Power Supply(p. 5).  
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Basic Operation  
This section explains the basic button and knob operations used to operate the JUPITER-80.  
Moving the Cursor  
A single screen or window will contain multiple items (parameters) to edit or select. To edit a parameter’s setting, you must first move the cursor to  
that parameter’s value.  
The value of the selected parameter is highlighted in blue, and the knob or slider is indicated by a green frame.  
Touch panel  
To move the cursor, simply touch a parameter value, knob, or slider.  
Cursor  
(highlighted blue)  
Cursor  
(green frame)  
Cursor buttons  
You can move the cursor by pressing the [ ] [ ] [ ] [ ] (cursor) buttons.  
If you hold down a cursor button, the cursor will continue moving.  
If you hold down the cursor button for the desired direction, and then press the opposite cursor button, the cursor will move more quickly.  
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Basic Operation  
Editing a Value  
To edit the value highlighted by the cursor, use either of the following controllers.  
• Value dial  
• [DEC] [INC] buttons  
• Touch panel  
Value dial  
Turning the value dial toward the right will increase the value, and turning it toward the left will decrease the  
value.  
If you hold down the [SHIFT] button while turning the value dial, the value will change in larger steps.  
[DEC] [INC] buttons  
Press the [INC] button to increase the value, or press the [DEC] button to decrease the value.  
• If you hold down a button, the value will increase (or decrease) continuously.  
• To rapidly increase the value, hold down the [INC] button and press the [DEC] button. Conversely, to rapidly  
decrease the value, hold down the [DEC] button and press the [INC] button.  
• If you hold down the [SHIFT] button and press the [INC] button or [DEC] button, the value will change in  
larger steps.  
Touch panel  
When you touch the field highlighted by the cursor, a list of the available selections for that item will appear.  
Select an item and  
touch <Select>.  
MEMO  
Instead of touching the field highlighted by the cursor, you can press the [ENTER] button to view a list.  
If an on-screen knob or slider is enclosed in a green frame (i.e., is selected), you can drag your finger up/down/left/right to edit its value.  
Upward or to the right will increase the value, and downward or to the left will decrease the value.  
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Basic Operation  
[E1]–[E4] knobs  
When knob icons are shown in the Lower Part of the screen, the [E1]–[E4] knobs will change the parameter  
values of those knob icons.  
MEMO  
You can assign performance-related functions to knobs [E1]–[E4]. The functions assigned to knobs [E1]–[E4]  
can be specified in the Registration Common/Control screen (p. 52).  
If you turn an [E1]–[E4] knob while touching the selected knob or slider (i.e., the one enclosed by the green  
frame) in the screen, the parameter you touched will be assigned to the knob you turned.  
Now you can edit the value by turning the [E1]–[E4] knob.  
The parameters assigned to the [E1]–[E4] knobs are indicated by icons E1–E4.  
This operation is available in the following screens.  
• Registration Part screen (p. 30)  
• Registration Effects Routing screen (p. 31)  
• Live Set Effects Routing screen (p. 32)  
• Synth Tone Edit screen (p. 33)  
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Basic Operation  
Basic Touch Panel Operation  
The JUPITER-80’s display is a touch panel; you can perform a variety of operations by directly touching the display.  
Here are the basic rules.  
Screen indication  
Edit  
Explanation  
Displays an edit screen for Registrations or Live Sets.  
Return  
Top  
Returns you to the previous screen. Pressing the [EXIT] button has the same result.  
Accesses the Registration screen.  
Saves the Registration (p. 53).  
Saves the Live Set (p. 62).  
Save  
Saves the Tone (p. 68).  
Tempo  
Utility  
Accesses the tempo setting screen (p. 43).  
Displays a context-sensitive menu for each screen.  
Tab  
Switch between edit screens.  
Drag this up or down to scroll the list.  
Scroll bar/Scroll buttons  
By pressing the scroll buttons located at the top and bottom of the scroll bar, you can scroll by  
one item at a time.  
<Cancel> discards the selected content and returns you to the previous screen.  
Cancel/Select  
Search  
<Select> confirms the selected content. (Pressing the panel [ENTER] button has the same result.)  
If you touch this icon when a sound list or the like is displayed, a keyboard will appear. By using  
the keyboard to enter a key word, you can narrow down the items shown in the list.  
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Basic Operation  
[SHIFT] Button Operations  
By holding down the [SHIFT] button and pressing another button, you can edit the settings of the button you pressed, or access a specific screen  
(shortcut).  
Shortcut  
Description  
Page  
[SHIFT] + [ASSIGNABLE]  
[SHIFT] + [S1] (or [S2])  
Accesses the D Beam Assign setting screen.  
Accesses the Switch S1 Assign (or Switch S2 Assign) setting screen.  
[SHIFT] + [HOLD]  
[SHIFT] + ARPEGGIO LOWER [ON/OFF]  
[SHIFT] + ARPEGGIO UPPER [ON/OFF]  
Accesses the arpeggiator setting screen.  
[SHIFT] + [HARMONY INTELLIGENCE]  
Accesses the Harmony Type setting screen.  
Accesses the Lower Split Point setting screen.  
[SHIFT] + [SPLIT]  
[SHIFT] + [SOLO SPLIT]  
Accesses the Solo Split Point setting screen.  
[SHIFT] + LOWER [BASS]  
Accesses the Synth Tone Edit screen for layer 1 of the Live Set assigned to the Lower Part.  
Accesses the Synth Tone Edit screen for layer 2 of the Live Set assigned to the Lower Part.  
Accesses the Synth Tone Edit screen for layer 3 of the Live Set assigned to the Lower Part.  
Accesses the Synth Tone Edit screen for layer 4 of the Live Set assigned to the Lower Part.  
Accesses the Live Set Common screen of the Lower Part.  
[SHIFT] + LOWER [PAD]  
[SHIFT] + LOWER [CHOIR]  
[SHIFT] + LOWER [STRINGS]  
[SHIFT] + LOWER [SYNTH BRASS]  
[SHIFT] + LOWER [WOOD WINDS]  
[SHIFT] + LOWER [OTHER]  
[SHIFT] + UPPER [PIANO]  
[SHIFT] + UPPER [E  PIANO]  
[SHIFT] + UPPER [CLAV]  
Accesses the Live Set Layer screen of the Lower Part.  
Accesses the Live Set Effects Routing screen of the Lower Part.  
Accesses the Synth Tone Edit screen for layer 1 of the Live Set assigned to the Upper Part.  
Accesses the Synth Tone Edit screen for layer 2 of the Live Set assigned to the Upper Part.  
Accesses the Synth Tone Edit screen for layer 3 of the Live Set assigned to the Upper Part.  
Accesses the Synth Tone Edit screen for layer 4 of the Live Set assigned to the Upper Part.  
Accesses the Live Set Common screen of the Upper Part.  
[SHIFT] + UPPER [COMBO ORGAN]  
[SHIFT] + UPPER [VIBES/MARIMBA]  
[SHIFT] + UPPER [ACCORDION/HARMONICA]  
[SHIFT] + UPPER [OTHER]  
[SHIFT] + [PREV]  
Accesses the Live Set Layer screen of the Upper Part.  
Accesses the Live Set Effects Routing screen of the Upper Part.  
Selects the previous Registration Set.  
[SHIFT] + [NEXT]  
Selects the next Registration Set.  
Accesses the Tone Blender screen.  
* This function is available in Registration screens and Live Set screens, and requires that Tone  
Blender (CC79) be assigned as one of the Knob E1 Assign–Knob E4 Assign settings (Registration  
Common/Control screen, p. 52).  
[SHIFT] + rotate the [E1]–[E4] knobs  
If you hold down the [SHIFT] button while editing a parameter’s value, the value will change in larger steps.  
28  
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Basic Operation  
[MENU] Button Operations  
Assigning a Name  
When you press the [MENU] button, the Menu screen will appear in  
the display.  
The JUPITER-80 lets you assign names to the following items.  
• Registration  
• Live set  
• SuperNATURAL Synth Tone  
• User arpeggio style  
• Song  
Regardless of what you’re naming, the procedure is the same.  
Back Space  
×
Clear All  
Deletes the  
character to the left  
of the cursor.  
Cancels what has  
been entered and  
closes the screen.  
Deletes all  
characters that  
you’ve entered.  
Touch an icon in the screen to select the corresponding menu.  
Key
Sel
cha
Shift
<< / >>  
Switc
betw
of ch
Moves
(the lo
the ch
be ent
at  
Menu  
Explanation  
Page  
Make overall settings for the entire  
JUPITER-80.  
System  
Regist Button Lock  
Regist Set Exchange  
Lock the Registration buttons.  
Exchanges Registration Sets.  
Space  
Del  
Enters a space.  
Deletes the character to  
the right of the cursor  
location.  
Backs up the JUPITER-80’s settings to a  
USB flash drive.  
Backup  
Restore  
Restores the JUPITER-80’s settings from  
a USB flash drive.  
Format the USB flash drive that’s  
connected to the USB MEMORY  
connector.  
MEMO  
Format USB Memory  
You can also use the cursor [ ] [ ] buttons to move the  
cursor, and use the value dial or [DEC] [INC] to select the  
character that you want to enter.  
Touch Screen  
Calibration  
Calibrates the touch panel.  
Resets the JUPITER-80 to its factory  
settings.  
Factory Reset  
MEMO  
You can also use the value dial or cursor buttons to select an  
icon in the menu screen, and press the [ENTER] button to select  
it.  
29  
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Navigating Between Screens  
On the JUPITER-80, you navigate between screens by touching the enclosed areas or buttons shown in the illustrations below. Here we explain how  
to navigate between screens.  
For details on each screen, refer to the page indicated by the  
symbol.  
p. XX  
The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may  
incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match  
what appears in the manual.  
Registration screen  
This is the main screen that appears when you turn on the power. It shows the name of the currently selected Registration, the sound and volume of  
each Part, and the split status.  
1
25  
3
Tone List screen  
Select the Tone for the Solo Part.  
5
Live Set screen  
View the name and volume of the
7
Registration Part
Select a Registration from a list  
View the Registration’s volume, and settings such as the volume and pan of  
each Part.  
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Navigating Between Screens  
Registration Part screen  
Here you can view the volume of the Registration, and the volume and pan settings of each Part.  
7
2
3
4
9
Registrati
Edit the settings of th
11  
en  
Registrati
Edit the effect settings for th
Make overall settings for the Registration.  
12  
Registration Exte
Edit Part settings for an external MIDI device.  
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Navigating Between Screens  
Live Set screen  
View the name and volume of the Tones assigned to each layer of the Live Set.  
5
24  
Edit the settings
21  
4  
24  
18  
Live Se
Select a Live Set.  
Make overall settings for the Live Set.  
24  
24  
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Navigating Between Screens  
Live Set Effects Routing screen  
Edit the effect settings for the Live Set.  
14  
24  
19  
20  
Live Set MFX screen  
Live Set Reverb screen  
Edit the reverb parameters of the Live Set.  
Synth Tone Edit (OSC/FILTER/AMP) screen  
Edit the oscillator, filter, and amp settings of the SuperNATURAL Synth Tone.  
21  
22  
3  
LFO screen  
Pro Edit screen  
Edit the Tone’s LFO settings.  
ake detailed settings for the Tone
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Navigating Between Screens  
Tone Blender screen  
Song screen  
Press the [SONG] button to access the Song screen.  
Simultaneously edit multiple parameters of the Live Set.  
Here you can operate the USB song player/recorder.  
24  
Key Range View screen  
View the split and key range status.  
Visual Control screen  
25  
The Visual Control screen will appear when you press the [VISUAL  
CONTROL] button.  
Here you can use the JUPITER-80 to control video equipment that  
supports Visual Control.  
MENU screen  
Press the [MENU] button to access the MENU screen.  
From here you can access the JUPITER-80’s settings and numerous  
functions.  
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Playing Sounds  
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Selecting the Sound for Each Part (Selecting Live Sets / Tones)  
The JUPITER-80 has four Parts: Solo, Upper, Lower, and Percussion.  
You can assign a Tone or Live Set to each Part, and play it.  
2. If you press the same Part sound button once again, you’ll  
be able to choose sounds from a list  
1
Solo Part  
Tone  
Live Set  
Live Set  
Tone  
Select a sound category.  
Upper Part  
Lower Part  
Percussion Part  
2
Select a sound.  
You can use the value dial or the [DEC] [INC] buttons to switch the  
sound name at the cursor location in the Registration screen (p. 30).  
You can also move the cursor to the sound name of each Part and  
then touch the sound name again to view a list.  
3
Confirm your selection.  
Select sounds.  
MEMO  
You can use the same procedure to select a Tone for the Solo  
Part.  
REFERENCE  
For details on selecting sounds for the Percussion Part, refer to  
Sound buttons and sound categories  
The sound buttons correspond to the following sound categories.  
REFERENCE  
Upper Part  
For details on operations in this screen, refer to “Basic Touch  
Using the Part Sound Buttons to  
Switch Live Sets or the Solo Part’s Tone  
Button  
PIANO  
Category  
Ac. Piano  
Pop Piano  
E. Grand Piano  
E. Piano 1  
E. Piano 2  
Clav  
Explanation  
Acoustic piano  
You can use the Part sound buttons to switch Live Sets for the  
Upper Part and Lower Part, and to switch the Tone of the Solo Part.  
Piano suitable for pop music  
Electric grand piano  
As an example, here’s how to switch the Live Set of the Upper Part.  
E  PIANO  
Electric piano  
1. Access the Registration screen (p  30), and press one of the  
Part sound buttons for the Upper Part  
CLAV  
Clavi  
COMBO ORGAN E. Organ  
Electric organ  
PIPE  
Pipe Organ  
ORGAN  
Pipe organ  
THEATER  
Pipe Organ  
ORGAN  
Theater organ  
Ac. Guitar  
Acoustic guitar  
Electric guitar  
Distortion guitar  
GUITAR  
E. Guitar  
Dist. Guitar  
SYNTH  
LEAD  
Synth Lead  
Mallet  
Synth read  
VIBES/  
MARIMBA  
Vibraphone and marimba  
Upper  
Accordion  
Accordion  
Harmonica  
All sounds  
ACCORDION/  
HARMONICA  
Harmonica  
All Categories  
The sound of the Upper Part will change.  
OTHER  
For example, if you press the UPPER [PIANO] button, the Upper Part  
will switch to a piano sound.  
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Selecting the Sound for Each Part (Selecting Live Sets / Tones)  
Lower Part  
Instantly Switching the Variation Sounds  
(Alternate Button)  
By pressing the [ALTERNATE] button, you can select a different  
sound of the same type as that of the Part sound button.  
The sound that’s selected will be the one that is specified in “LIVE  
Button  
BASS  
Category  
Ac. Bass  
E. Bass  
Explanation  
Acoustic bass  
Electric bass  
Synth bass  
Synth Bass  
Synth Pad/Strings Synth pads and synth strings  
PAD  
Synth Bellpad  
Vox/Choir  
Synth bellpad  
MEMO  
CHOIR  
Human voice and choir  
Solo Strings  
If the [ALTERNATE] button is turned on, pressing a Part sound  
button will display all categories.  
Solo Strings  
STRINGS  
Ensemble Strings String ensembles  
Orchestral Orchestral strings  
For example, you can also assign sounds of other types (such as  
bass) to the [PIANO] button.  
SYNTH  
STRINGS  
Synth Pad/Strings Synth pads and synth strings  
Solo Brass  
Ensemble Brass  
Sax  
Brass instruments such as trumpet  
Brass instrument ensembles  
Sax  
Turning Each Part On/Off and  
Adjusting its Volume  
BRASS/SAX  
SYHTH  
BRASS  
Synth Brass  
Synth brass  
When the Registration screen is displayed, you can use the panel’s  
PART BALANCE area to turn each of the four Parts on/off and adjust  
their volume.  
Wind  
Woodwinds  
Flute  
WOOD  
WINDS  
Flute  
Recorder  
All Categories  
Recorder  
All sounds  
OTHER  
Solo Part  
Use the sliders to  
adjust the volume of  
each Part.  
Button  
VIOLIN  
TRUMPET  
SAX  
Category  
Solo Strings  
Solo Brass  
Sax  
Explanation  
Solo strings such as violin  
The level meter  
shows the volume  
setting for each Part.  
Brass instruments such as trumpet  
Sax  
FLUTE  
OBOE  
BELL  
Flute  
Flute  
Wind  
Woodwinds such as oboe  
Turn each Part  
on/off.  
Bell  
Bell  
All sounds  
* The SuperNATURAL Acoustic  
Tone 0028: TW Organ cannot be  
selected.  
OTHER  
All Categories  
MEMO  
The sound that is selected when you press a sound button is  
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Playing Drum Sounds and Sound Effects (Percussion)  
The JUPITER-80 provides aPercussionfunction, which lets you play  
a variety of drum sounds and sound effects.  
Playing Drum Sounds on the Entire  
Keyboard (Drums/SFX)  
Playing Percussion Sounds and Voice  
You can use the entire keyboard to play various drum and sound  
effects (SFX). This function is called “Drums/SFX.”  
Phrases (Manual Percussion)  
1. Press the [DRUMS/SFX] button  
You can use the 15 leftmost keys of the keyboard to play a variety of  
percussion instrument sounds and voice phrases.  
This function is called “Manual Percussion.”  
Percussion instrument sounds (15 keys)  
The “Drums/SFXfunction will turn on (the button will be lit). Play  
the keyboard; each key will play a different drum sound or sound  
effect.  
MEMO  
• Depending on the drums or sound effects, some keys might not  
produce sound.  
• If Split (p. 39) is on, you can play drums/SFX in the same region of  
keys as the Lower Part.  
1. Press the [MANUAL PERCUSSION] button  
2. To turn this off, press the [DRUMS/SFX] button once again  
The “Drums/SFXfunction will turn off (the button will be unlit.)  
Switching the Sounds Played by Manual  
The Manual Percussion function will turn on (the button will be lit).  
Percussion or Drums/SFX  
Play the 15 leftmost keys of the keyboard, and you’ll hear a different  
percussion instrument sound or voice phrase for each key.  
There are 8 types of Manual Percussion, and 16 types of Drums/SFX  
sound sets. You can switch between these as desired.  
1. In the Registration screen (p  30), touch a sound name to  
access a list  
Percussion tone name  
The Tone List screen will appear.  
Percussion instrument sounds  
(15 keys)  
2. Select the desired sound  
1
Select a sound category.  
NOTE  
• The [MANUAL PERCUSSION] button and [DRUMS/SFX] button  
can’t be used simultaneously.  
2
Select a sound.  
• If Manual Percussion is turned on, the 15 leftmost keys of the  
keyboard are used only for the Percussion Part.  
2. To turn this off, press the [MANUAL PERCUSSION] button  
once again  
The Manual Percussion function will turn off (the button will be  
unlit).  
3
Confirm your selection.  
* The available sounds will differ for Manual Percussion and  
drums/SFX.  
38  
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Split Performance  
A “splitis a setup in which the keyboard is divided into zones, each  
playing a different Part.  
Turning Split On  
Lower Part  
Upper Part  
Solo Part  
1. Press the [SPLIT] button or [SOLO SPLIT] button  
Split or Solo Split will turn on (the button will light).  
The screen will indicate the split status.  
Lower Split Point (B3)  
Solo Split Point (C6)  
Splits can be either “splits,which divide the keyboard into an Upper  
Part and Lower Part, or “Solo Splits,which divide the keyboard  
into a Solo Part and Upper Part. The point at which the keyboard is  
divided is called either the “Lower Split Pointor “Solo Split Point.”  
If Split is turned on, keys to the right of the Lower Split Point will  
play the sound of the Upper Part, and keys to the left will play the  
sound of the Lower Part.  
The Lower Split Point key itself (B3) is the highest key of the Lower  
Part (it is included in the Lower Part).  
Lower Split Point  
Solo Split Point  
If Solo Split is turned on, keys to the right of the Solo Split Point will  
play the sound of the Solo Part, and keys to the left will play the  
sound of the Upper Part.  
The Solo Split Point key itself (C6) is the lowest key of the Solo Part  
(it is included in the Solo Part).  
Solo Part  
Lower Part  
Upper Part  
MEMO  
• You can change the Lower Split Point and the Solo Split Point  
• The split settings are saved in the Registration.  
2. To turn it off, press the [SPLIT] button or [SOLO SPLIT]  
• For more about split for the Percussion Part, refer to “How Split  
button once again  
Split or Solo Split will turn off (the button will go out).  
Checking Splits and Key Ranges  
Touch the keyboard graphic in the Registration screen to check the split and key range settings (p. 34).  
Turns split on/off.  
Turns Solo Split on/off.  
Turn the Part  
on/off.  
Specifies the  
key range.  
Specifies the  
type of tone.  
Indicates the key range (sound is  
produced in the specified region).  
Turns layer on/off.  
Specifies the  
tone.  
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Split Performance  
How Split and Parts are Related  
The following table shows how the split status determines the Parts that are assigned to the keyboard.  
[MANUAL  
PERCUSSION]  
[DRUMS/SFX]  
[SPLIT]  
[SOLO SPLIT]  
Solo  
Upper  
Lower  
Percussion  
On  
On  
On  
On  
On  
On  
On  
On  
On  
On  
On  
On  
On  
On  
On  
On  
Changing the Split Point  
You can change the point (Lower Split Point or Solo Split Point) at which the keyboard is divided when Split or Solo Split are on.  
The Lower Split Point is the top key of the Lower Part; you can specify it in the range of E1–F#7.  
The Solo Split Point is the bottom key of the Solo Part; you can specify it in the range of F1–G7.  
1. Hold down the [SPLIT] button or [SOLO SPLIT] button, and press the key that you want to specify as the split point  
Hold down the [SPLIT] button and press a key to specify the Lower Split Point. Hold down the [SOLO SPLIT] button and press a key to specify the Solo  
Split Point.  
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Switching Registrations  
A Registration is used to store the sounds selected for each Part, as  
well as various performance-related settings (system parameters  
are excepted).  
Switching Banks  
By switching Registrations, you can instantly change the song’s  
sounds while you perform, or change numerous settings with a  
single operation.  
Each bank contains 8 Registrations. There are 4 banks, A–D,  
meaning that 8 Registrations x 4 banks = 32 Registrations are  
available.  
Here’s how to switch Registrations and verify that the settings have  
been changed.  
Here’s how to select other Registrations by switching banks.  
1. Press a Registration button ([1]–[8]) to select a  
Registration  
Bank  
(A–D)  
Registration (1–8)  
The Registration will change.  
You can select other Registrations by switching banks.  
MEMO  
• In the Registration screen, you can also switch Registrations by  
moving the cursor to the Registration name and using the value  
dial or the [DEC] [INC] buttons.  
1. Press a bank button ([A]–[D]) to select a bank  
• You can use the “Registration Lockfunction (p. 81) to lock the  
Registration buttons so that the settings will not be changed  
inadvertently.  
The selected bank button ([A]–[D]) and the Registration buttons  
([1]–[8]) will blink.  
MEMO  
If you decide not to switch banks, press the [EXIT] button or the  
bank button that’s blinking.  
2. Press a Registration button ([1]–[8]) to select a  
Registration  
The bank and Registration will be changed.  
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Switching Registrations  
Switching Registration Sets  
Switching Registrations  
A Registration Set contains 4 banks (A–D). You can create 8  
Registration Sets, meaning that 8 Registrations x 4 banks x 8 sets =  
256 Registrations are available.  
Consecutively  
Here’s how to switch Registrations consecutively.  
Here’s how to switch the Registration Set so that you can select  
other banks.  
1. Set the system parameter“Registration Next/Prev Button”  
(p  86) to “REGISTRATION ”  
Set 8  
MEMO  
If you decide not to switch banks, press the [EXIT] button or the  
bank button that’s blinking.  
Set 1  
2. Press the [NEXT] button or [PREV] button  
Bank  
(A–D)  
Registration (1–8)  
Pressing the [NEXT] button steps you through the Registrations in  
the following order.  
You can use the [NEXT] button and [PREV] button to switch  
Registration Sets.  
Set 1  
1. Set the system parameter “Registration Next/Prev Button”  
(p  86) to “REGISTRATION SET ”  
MEMO  
With the factory settings, Registration Next/Prev Button is set to  
“REGISTRATION SET.”  
2. Press the [NEXT] button or [PREV] button  
S
Pressing the [NEXT] button switches to the next Registration Set;  
pressing the [PREV] button switches to the previous Registration  
Set.  
The display indicates the Registration Set that’s selected.  
Registration Set  
Set 8  
MEMO  
MEMO  
Pressing the [PREV] button steps you through the Registrations  
in the opposite order.  
you can also switch Registration Sets by holding down the  
[SHIFT] button and pressing the [PREV] button or [NEXT] button.  
• You can use the “Registration Exchangefunction (p. 82) to swap  
entire sets of Registrations.  
42  
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Using the Arpeggiator  
The JUPITER-80 has an arpeggiator that automatically plays  
arpeggios. When you press notes on the keyboard, those notes will  
be automatically played as an arpeggio.  
Holding the Arpeggio (HOLD)  
The Hold function allows you to have the arpeggio continue even  
after you release your fingers from the keyboard.  
Arpeggios can be played in the Lower Part and Upper Part.  
MEMO  
1. Press the [HOLD] button  
Arpeggiator settings are saved in the Registration.  
Turning the Arpeggiator On  
1. Press the ARPEGGIO [LOWER ON/OFF] button or  
ARPEGGIO [UPPER ON/OFF] button  
Hold will turn on (the button will light).  
2. Play a chord on the keyboard  
According to the notes of the chord you press, an arpeggio will  
begin playing on the Part for which you turned the arpeggiator on.  
If you play a different chord or other keys while Hold is on, the  
arpeggio will change accordingly.  
3. To turn Hold off, press the [HOLD] button once again  
Hold will turn off (the button will go out).  
The arpeggiator will turn on (the button will light).  
Using a pedal switch  
2. Press a chord on the keyboard  
The Part whose arpeggiator you turned on will sound an arpeggio  
consisting of the notes of the chord you play.  
By playing a chord while holding down a pedal  
switch (p. 20), you can make the arpeggio continue  
playing even after you release the keyboard.  
3. To turn off the arpeggiator, press the ARPEGGIO [LOWER  
ON/OFF] button or the ARPEGGIO [UPPER ON/OFF] button  
once again  
1. Connect a pedal switch (such as one from  
the DP series; sold separately) to the HOLD  
jack  
The arpeggiator will turn off (the button will go out).  
2. Press the ARPEGGIO [LOWER ON/OFF] button or the  
ARPEGGIO [UPPER ON/OFF] button  
Setting the Arpeggiator Tempo  
Here’s how to set the tempo of the arpeggiator/rhythm function.  
1. Press the [TEMPO] button  
3. Hold down the pedal switch, and play a chord  
If you play other chords or keys while the arpeggio is being held,  
the arpeggio will change accordingly.  
The Tempo screen will appear.  
2. Set the tempo  
MEMO  
You can set the tempo by pressing the [TEMPO] button or  
touching <Tap Tempo> at the desired timing (Tap Tempo). Press  
(or touch) three times or more at quarter-note intervals of the  
desired tempo.  
3. Touch <Close>  
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Using the Arpeggiator  
Specifies the range in octaves in which the  
arpeggio will be sounded. Choose “0if you  
want only the notes you play to be sounded.  
Choose “+1if you want the notes of the  
chord you played as well as the same notes  
one octave higher to be sounded. Choose  
“-1if you want the notes of the chord you  
played as well as the notes one octave lower  
to be sounded.  
Editing the Arpeggiator Settings  
Here’s how to make detailed arpeggiator settings for the style,  
timing, and accent.  
Oct Range  
Accent  
-3–+3  
1. Hold down the [SHIFT] button and press the ARPEGGIO  
[LOWER ON/OFF] button or ARPEGGIO [UPPER ON/OFF]  
button  
Modifies the groove of the performance by  
adjusting the strength of the accents and  
the duration of the notes. The “100%setting  
produces the strongest sense of groove.  
The Registration Common/Control screen (p. 31) will appear.  
0–100%  
2. Edit the settings  
3. When you’ve finished editing, press the [EXIT] button  
Produces a shuffle rhythm by adjusting the  
timing of the notes.  
With the “50%setting, notes will be  
sounded at equal intervals. As this value is  
increased, the result will be more like dotted  
notes.  
Arpeggio Parameters  
Shuffle Rate= 50%  
Shuffle Rate  
0–100%  
Parameter  
Value  
Explanation  
Specifies the basic style of the arpeggio.  
50  
50  
50  
50  
You can create your own original arpeggio  
style by importing an SMF into an arpeggio  
style. For details, refer to “Creating an Arpeg-  
P001–P128,  
U001–U128  
Shuffle Rate= 90%  
Style  
Hold  
OFF, ON  
1–  
Turns the arpeggio hold function on/off.  
90 10  
90 10  
Each arpeggio style provides several  
variations (patterns). Here you can select the  
variation number. The number of variations  
will depend on the arpeggio style.  
Shuffle  
Resolution  
Specifies the timing (as a note value) at  
which the notes will be heard.  
,
Variation  
Choose one of the following to specify the order in which the  
notes of the chord you play will be sounded.  
The notes will be sounded from the lowest  
to the highest note you play.  
UP  
The notes will be sounded from the highest  
to the lowest note you play.  
DOWN  
The notes will be sounded from the lowest  
to the highest note, and then back down to  
the lowest note.  
UP&DOWN  
RANDOM  
The notes you play will be sounded in  
random order.  
The notes you play will be sounded in the  
order you played them. You can create a  
melody line by playing the notes in the  
appropriate order. The order of up to 128  
notes can be remembered.  
NOTE ORDER  
GLISSANDO  
Motif  
A chromatic glissando will be sounded  
upward and then downward repeatedly  
between the lowest and highest notes  
you played. Play two notes; the lowest and  
highest desired notes.  
All of the notes you play will sound  
simultaneously.  
CHORD  
AUTO1  
The timing at which each note will sound  
is assigned automatically, starting at the  
lowest note you play.  
The timing at which each note will sound  
is assigned automatically, starting at the  
highest note you play.  
AUTO2  
Play only one key; a phrase based on the  
pitch of that key will be sounded. If you play  
more than one key, the last key you play will  
take priority.  
PHRASE  
Specifies the loudness at which the notes  
you play will be sounded. If you want the  
notes to be sounded at the velocity with  
which you actually struck the key, choose  
“REAL.If you want the notes to be sounded  
at a fixed velocity regardless of how strongly  
you struck the key, specify that value  
(1–127).  
Velocity  
REAL, 1–127  
44  
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Using the Arpeggiator  
4. Select the SMF that you want to import, and then touch  
Creating an Arpeggio Style from a MIDI  
File (Import)  
<IMPORT>  
1
Select the SMF.  
You can create your own original arpeggio style by importing an  
SMF (Standard MIDI File).  
MEMO  
• Before you import the SMF, use your computer to copy the SMF  
to the root folder (top level) of your USB flash drive, or create a  
folder on your USB flash drive and copy the SMF into that folder.  
• Use only single-byte alphanumeric characters in the file name  
and folder name.  
• A maximum of 200 files can be recognized within a folder.  
2
Confirm your selection.  
1. Hold down the [SHIFT] button and press the ARPEGGIO  
[LOWER ON/OFF] or ARPEGGIO [UPPER ON/OFF] button  
The Registration Common/Control screen will appear.  
5. Assign a name to the arpeggio style  
2. Select the import-destination user style (U001–U128)  
For details on how to assign a name, refer to ““Assigning a Name”  
6. Touch <OK>  
The screen will ask “Are you sure?”  
7. Touch <OK>  
The SMF will be imported into the style number you specified.  
* Please note the following points when importing an arpeggio.  
• Only SMF Format 0 data is supported. If the format is incorrect,  
the screen will indicate “Cannot Import SMF Format 1!or  
“Incorrect File!”  
• Only the following data will be imported into the arpeggio: note  
messages, control change messages, channel pressure, and  
pitch bend.  
3. Touch <SMF IMPORT>  
• A maximum of 500 note events can be imported, with on/off  
counted as a single event.  
In addition to note events, a total of up to 500 events of control  
change messages, channel pressure, and pitch bend can be  
imported. If you try to import more than the allowable number  
of events, the message “Too Much Data!will appear.  
MEMO  
If you don’t select U001–U128 as the Style number, <SMF  
IMPORT> will not be available to touch.  
45  
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Performing With Added Harmony  
The Harmony Intelligence function adds appropriate harmony to  
the highest notes of the Upper Part, based on the chords you play  
in the Lower Part.  
When you turn Harmony Intelligence on, Split (p. 39) will also turn on;  
the right keyboard zone will play the sound of the Upper Part, and  
the left keyboard zone will play the sound of the Lower Part.  
2. Choose the desired Harmony Type  
Harmony Type  
Explanation  
Harmony appropriate for organ sounds will be  
produced.  
ORGAN  
Harmony typical of big band jazz will be produced.  
This is appropriate for brass sounds.  
BIG BAND  
STRINGS  
MEMO  
Harmony Intelligence settings are saved in the Registration.  
Harmony typical of a string ensemble will be  
produced. This is appropriate for string sounds.  
1. Press the [HARMONY INTELLIGENCE] button  
Block chord harmony will be produced.  
BLOCK  
This is appropriate for piano or mallet sounds.  
Harmony appropriate for hymns will be produced.  
This is appropriate for choir sounds.  
HYMN  
Two notes of harmony will be added to the notes  
you play.  
TRADITIONAL  
DUET  
Simple duet harmony will be produced. This is  
appropriate for brass sounds.  
Combination harmony will be produced.  
This is appropriate for brass or wind sounds.  
Harmony Intelligence will turn on (the button will light).  
COMBO  
MEMO  
Open chord harmony will be produced.  
This is appropriate for guitar sounds.  
COUNTRY  
When you turn on Harmony Intelligence, the split (p. 39) will also  
turn on automatically.  
Flamboyant show-type harmony will be produced.  
This is appropriate for organ sounds.  
BROADWAY  
GOSPEL  
OCTAVE1  
OCTAVE2  
1NOTE  
2. Press a chord in the Lower Part, and play the keyboard in  
Gospel harmony will be produced. This is appropriate  
for organ or choir sounds.  
the Upper Part  
Harmony based on the chord of the Lower Part will be added to the  
Upper Part.  
The note you play will be layered with a note one  
octave lower.  
The note you play will be layered with a note two  
octaves lower.  
MEMO  
The harmony is added to the highest note played in the Upper  
Part.  
One note of harmony will be added to the note you  
play.  
Two notes of harmony will be added to the note you  
play.  
3. To turn off the function, press the [HARMONY  
2NOTES  
3NOTES  
4NOTES  
INTELLIGENCE] button once again  
Three notes of harmony will be added to the note  
you play.  
Harmony Intelligence will turn off (the button will go out).  
MEMO  
Four notes of harmony will be added to the note  
you play.  
Turning off Harmony Intelligence will not automatically turn off  
the split function (p. 39).  
MEMO  
For optimal harmony, select appropriate sounds for the Upper  
Part and Lower Part as indicated in the explanation for each  
harmony type.  
Changing the Harmony Intelligence  
Type  
3. Press the [EXIT] button  
You can choose from 17 types of Harmony Intelligence.  
The Harmony Intelligence type will affect the number of harmony  
notes and how they are sounded (the number of voices played).  
When Harmony Intelligence is on, the name of the chord you  
play in the Lower Part is shown in the Registration screen.  
1. Hold down the [SHIFT] button and press the [HARMONY  
Chord name played in  
the Lower Part  
INTELLIGENCE] button  
The Registration Common/Control screen (p. 31) for Harmony  
Intelligence settings will appear.  
46  
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Controlling the Performance  
Moving Your Hand to Modify the  
Changing the Pitch/Applying Vibrato  
Pitch or Volume (D Beam Controller)  
(Pitch Bend/Modulation Lever)  
You use the D Beam controller simply by moving your hand above  
it. By assigning different functions to it, you can control the sound  
in various ways.  
While playing the keyboard, move the lever toward the left to lower  
the pitch, or toward the right to raise the pitch. This is called “pitch  
bend.”  
MEMO  
D Beam controller settings are saved in the Registration.  
1. Press the D BEAM [PITCH], [VOLUME], or [ASSIGNABLE]  
button to turn the D Beam controller on  
Moving the lever away from yourself will apply vibrato.  
This is called “modulation.”  
Moving the lever away from yourself while also moving it to left or  
right will apply both effects simultaneously.  
MEMO  
For some sounds, the modulation lever will produce a dynamics  
effect.  
Button  
Explanation  
The pitch will change as you move your hand  
above the D Beam controller.  
[PITCH] button  
Using the Buttons and Knobs to Modify the  
Sound ([S1] [S2] buttons / [E1]–[E4] knobs)  
The volume will change, allowing you to add  
expression to your performance.  
[VOLUME] button  
The function assigned to the D Beam  
controller will be controlled.  
[ASSIGNABLE] button  
Performance-related functions are assigned to the [S1] [S2] buttons  
and [E1]–[E4] knobs. While you perform, you can operate the [S1]  
[S2] buttons or [E1]–[E4] knobs to modify the sound in real time.  
MEMO  
You can assign a performance-related function to the  
[ASSIGNABLE] button. The function assigned to the  
[ASSIGNABLE] button is specified by the Registration Common/  
Control parameter D Beam (p. 31).  
Turning the [S1] [S2] buttons on/off will turn on/off or switch the  
assigned function.  
2. While playing the keyboard to produce sound, position  
your hand above the D Beam controller and slowly move  
it up and down  
3. To turn off the D Beam controller, once again press the  
button you pressed in step 1 (the button will go out)  
MEMO  
You can assign performance-related functions to the [S1] [S2]  
buttons. The [S1] [S2] button assignments are specified by the  
Registration Common/Control parameters S1-S2 (p. 31).  
Effective range of the D Beam controller  
This illustration shows the effective range of the  
D Beam controller. No effect will be obtained  
if you position your hand outside the effective  
range.  
If the [E1]–[E4] knobs are shown in the Lower Part of the display,  
operating these knobs will control the functions assigned to them.  
NOTE  
The effective range of the D Beam controller  
will change depending on the lighting  
conditions. If the D Beam controller does not  
work as you expect, readjust the sensitivity.  
For details on readjust the sensitivity, refer to “D Beam Sens(p.  
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Controlling the Performance  
MEMO  
Using Pedals  
You can assign performance-related functions to the [E1]–[E4]  
knobs. The [E1]–[E4] knob assignments are specified by the  
Registration Common/Control screen (p. 52).  
The JUPITER-80 allows you to connect hold pedals (such as one  
from the DP series; available separately) and expression pedals (EV-  
5; available separately).  
If a hold pedal (such as one from the DP series; available separately)  
is connected to the rear panel PEDAL HOLD jack, notes will be  
sustained (held) while you hold down the pedal even after you take  
your hands off the keyboard.  
If an expression pedal or pedal switch (EV-5, DP series unit; available  
separately) is connected to the rear panel CTRL 1 or CTRL 2 jack,  
you can use the pedal to vary the volume or control a variety of  
functions.  
Sustaining the Notes (Hold Pedal)  
While playing the keyboard, step on the pedal switch.  
You can hold (sustain) the notes by stepping on the pedal switch.  
Adding Expression to Your Performance  
(Control Pedal)  
While playing the keyboard, raise or lower the expression pedal.  
You can make your performance more expressive by varying the  
volume.  
* You must use the specified expression pedal (EV-5; available  
separately). Connecting a product made by another  
manufacturer may cause the JUPITER-80 to malfunction.  
MEMO  
Performance-related functions can be assigned to the pedals  
connected to the CTRL 1 and CTRL 2 jacks. The CTRL 1 and  
CTRL 2 assignments are specified by the”Control Pedal(p. 83)  
parameters Control Pedal 1 Assign and Control Pedal 2 Assign.  
48  
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Controlling the Rotary Effect and Reverb  
The rotary effect adds modulation similar to what is produced by  
rotary speakers to the sound. Reverb applies the reverberation  
that accompanies a sound played in a hall or other acoustic  
environment.  
Controlling Reverb  
The REVERB [ON/OFF] button simultaneously turns on/off the  
You can control these effects by using panel buttons.  
output of the Live Set’s reverb and of the reverb shared by the Solo  
and Percussion Parts.  
If you want reverb to always be off, turn off the REVERB [ON/OFF]  
button.  
Controlling the Rotary Effect  
The ROTARY SOUND [ON/OFF] button and [SLOW/FAST] button  
allow you to control the effect if a rotary effect is assigned to MFX.  
1. First, assign 21: Rotary or 22: VK-Rotary to the MFX of the  
Live Set (p  58)  
2. Press the ROTARY SOUND [ON/OFF] button  
The rotary effect will turn on (the button will light).  
The illustration below shows how the REVERB [ON/OFF] button  
works.  
Registration  
Solo Part/Percussion Part  
Reverb  
Upper Part  
3. Press the ROTARY SOUND [SLOW/FAST] button  
Live set  
Reverb  
The speed of the rotary effect will change.  
Lower Part  
Live set  
Reverb  
REVERB  
[ON/OFF]  
MEMO  
The state of the REVERB [ON/OFF] button is not saved. It will  
automatically turn on when you turn on the power.  
The rotary effect can be switched between two settings: “SLOW”  
and “FAST.”  
ROTARY SOUND  
[SLOW/FAST]  
button  
Explanation  
The effect produced when the rotary speaker is  
turning slowly.  
Unlit (SLOW)  
Lit (FAST)  
The effect produced when the rotary speaker is  
turning rapidly.  
When you switch the rotary effect from “SLOWto “FAST,the  
modulation speed will increase; when you switch from “FASTto  
“SLOW,the modulation speed will decrease.  
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Changing the Keyboard Settings  
Changing the Pitch by Octaves  
Transposing  
By pressing the OCTAVE [DOWN] button or OCTAVE [UP] button you  
can shift the keyboard’s pitch range in steps of an octave.  
Transpose is a function that shifts the keyboard’s pitch range in  
steps of a semitone.  
When using your right hand to play low sounds such as the bass  
Part, it will be easier to play if you lower the pitch range by one or  
two octaves.  
By using this setting, a transposing instrument such as trumpet or  
clarinet can be played at the pitches shown in the printed score.  
1. Hold down the [TRANSPOSE] button and press the  
1. Press the OCTAVE [DOWN] button or OCTAVE [UP] button  
OCTAVE [DOWN] button or OCTAVE [UP] button  
A message will appear when you press the button.  
A message will appear when you press the button. The Registration  
screen will show the amount of transposition.  
Amount of transposition  
• Pressing the OCTAVE [DOWN] button raises the pitch by one  
octave; pressing the OCTAVE [UP] button lowers the pitch by  
one octave.  
• The pitch can be changed in a range of three octaves down (-3)  
to three octaves up (+3).  
• If the value is anything other than “0,the OCTAVE [DOWN]  
button or OCTAVE [UP] button will light.  
• If you press the OCTAVE [DOWN] button and OCTAVE [UP]  
button simultaneously, the value will be reset to “0.”  
• Specify the amount of transposition in semitone steps (G–F#:  
-5 – +6 semitones).  
• The octave shift setting is saved in the Registration.  
• If the value is anything other than “0,the [TRANSPOSE] button  
will light.  
• If you want to change the octave setting of each Part, edit the  
Octave setting in the “Registration Part screen(p. 31), and save  
the Registration.  
• You can use the [TRANSPOSE] button to turn Transpose on/off  
(when the Transpose setting is other than 0).  
• If you want to change the octave setting of each layer in the  
Live Set, edit the Octave setting in <Pitch> of the Live Set Layer  
screen (p. 32), and save the Live Set.  
• If you hold down the [TRANSPOSE] button and press  
the OCTAVE [DOWN] button and OCTAVE [UP] button  
simultaneously, the value will be reset to “0.”  
• The octave shift function does not affect the Manual Percussion.  
• The split point and solo split point will not change.  
• The transpose setting is saved in the Registration.  
• The Transpose function does not apply to Drums/SFX or Manual  
Percussion.  
• The split point and solo split point will not change.  
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Editing Sounds  
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Editing a Registration  
A Registration stores the sounds selected for each Part, as well as  
various performance-related settings.  
Basic Operation for Registration  
Editing  
The Registration screen (p. 30) shows basic information about the  
currently selected Registration.  
1. In the Registration screen (p  30), touch Registration’s  
Solo tone name  
Registration name  
Percussion tone name  
<EDIT>  
Access the Live  
Set screen  
Lower Live Set name  
Upper Live Set name  
The Registration Part screen will appear.  
The Registration saves the following parameters.  
2. Touch a tab to select the Registration parameters that you  
want to edit  
Tab  
Explanation  
Part-related settings  
Registration Level  
PART  
The Live Sets assigned to the Upper Part and Lower Part  
The Tones assigned to the Solo Part and Percussion Part  
Each Part’s octave, pan, volume, etc.  
Settings common to the entire Registration  
Registration name  
Registration Level  
Tempo  
Split  
COMMON/  
CONTROL  
D Beam controller, [S1]/[S2] button, and [E1]–[E4] knob  
assignments  
Tabs  
Arpeggiator  
Harmony Intelligence  
MEMO  
Control and other data sent to each Part  
Octave Shift, Transpose, etc.  
If a Registration has been edited, a check mark (red) will appear  
at the right of the Registration name.  
Settings for the Percussion Part or Solo Part  
Tone, pan, volume, and reverb send level  
Keyboard range  
Pitch  
Vibrato  
PERC PART,  
SOLO PART  
Offset values for filter and envelope  
Velocity  
Mono/poly switch  
Legato  
Voice reserve (guaranteed polyphony)  
Control data received by each Part, etc.  
EFFECTS  
Effects for the Percussion Part and Solo Part  
EXT PART  
Settings for messages sent to external MIDI devices  
Let’s try editing these parameters.  
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Editing a Registration  
3. Press the blinking Registration button  
Saving a Registration  
A message will ask “Are you sure?”  
MEMO  
Edits you make to a Registration are temporary; they will be lost  
when you turn off the power or select another Registration. If you  
want to keep an edited Registration, you must save it.  
You can also save by touching <WRITE> in the Registration Write  
screen.  
NOTE  
4. To write the data, touch <OK>  
The message “Completed!will appear.  
The Registration has been saved.  
When you execute the Write operation, the existing data at the  
write destination will be overwritten.  
REFERENCE  
NOTE  
For details on how a Registration is structured, refer to “How  
Never turn off the power while data is being saved.  
1. In the Registration screen (p  30), press the [WRITE] button  
Cancelling the Save of a Registration  
You can cancel the save operation by doing one of the following.  
• Press the [EXIT] button  
• Press the [WRITE] button  
• Touch [x] in the Registration Write screen  
The Registration Write screen will appear. The [WRITE] button will  
light, and the Registration buttons will blink.  
MEMO  
You can also perform a save by touching Registration screen’s  
<WRITE>.  
Naming a Registration  
If you want to rename the Registration, touch <RENAME> of  
step 2.  
The REGISTRATION NAME screen will appear.  
2. Move the cursor to Write Destination, and use the  
value dial or the [DEC] [INC] buttons to select the write  
destination  
Registration number  
For details on assigning a name, refer to “Assigning a Name”  
MEMO  
You can also use the bank buttons ([A]–[D]) and Registration  
buttons ([1]–[8]) to directly specify the write destination.  
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Editing a Registration  
2. If you want to specify the Live Set number or  
SuperNATURAL Synth Tone number for saving, touch  
<SELECT DEST>  
If the following display appears when you save  
If Live Set parameters or SuperNATURAL Synth Tone parameters  
have been edited, the corresponding Live Set or SuperNATURAL  
Synth Tone will be highlighted when you save the Registration.  
Live Set Select Destination screen will appear.  
The Synth Tone has  
been edited.  
The Live Set has been  
edited.  
3. Select the write destination  
1
2
Select the write destina-  
tion for the Live Set.  
Select the write destina-  
tion for the SuperNATURAL  
Synth Tone.  
You have the option of saving the edited Live Sets and  
SuperNATURAL Synth Tones at the same time that you save the  
Registration.  
If you want to do this, proceed as follows.  
1. Select the Write check box for the Live Sets and  
SuperNATURAL Synth Tones that you want to save  
3
Confirm selections and  
return to the previous screen.  
4. Touch <WRITE>  
MEMO  
• If you specify the same write destination for the Live Sets of the  
Upper Part and Lower Part, the message “Cannot Write!will  
appear. Select different write destinations in step 3.  
• If you specify the same write destination for the SuperNATURAL  
Synth Tones of layers 1–4, the message “Cannot Write!will  
appear. Select different write destinations in step 3.  
• If the same Live Set is assigned to the Upper Part and the Lower  
Part, and you edit only one Part and then execute this operation,  
the edited Live Set will be assigned to the other Part as well.  
MEMO  
• If the same SuperNATURAL Synth Tone is assigned to layers 1–4,  
and you edit only the SuperNATURAL Synth Tone of a specific  
layer and then execute this operation, the edited SuperNATURAL  
Synth Tone will also be assigned to the other layers.  
If you save without selecting these check boxes, only the  
Registration will be saved. The Live Sets or SuperNATURAL Synth  
Tones you’ve edited will remain in their edited state without  
being saved.  
If you want to specify a Live Set number or SuperNATURAL Synth  
Tone number at which to save the data, proceed to step 2. If you  
want to save the data by overwriting the current Live Set number  
and SuperNATURAL Synth Tone number, proceed to step 4.  
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Editing a Registration  
Initializing a Registration  
Here’s how to initialize the currently selected Registration.  
MEMO  
• Initializing the Registration will affect the data in the temporary  
When you initialize the Registration, the Live Sets and tones in  
the temporary area will also be initialized.  
• If you want to return the parameters of all sounds to their  
factory-set state, use Factory Reset (p. 87).  
1. In the Registration Part screen (p  31), touch <UTILITY>  
Registration Utility Menu screen will appear.  
2. Touch <Registration Initialize>, and then touch <Select>  
A message will ask “Are you sure?”  
3. Touch <OK>  
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Editing a Live Set  
You can edit a Live Set by switching the Tones in the Live Set, and  
by adjusting offset values relative to the value of each tone.  
The Live Set screen (p. 32) shows basic information about the  
currently selected Live Set.  
Tips for editing a Live Set  
View the Live Set Effects  
Routing screen.  
Choose which Parts will be heard  
A Registration consists of up to four Parts. Editing will be  
easier if you’re listening only to the Parts that are selected for  
the Live Set you want to edit (p. 37).  
View the Live Set  
Common screen.  
Level of each  
layer.  
MEMO  
When you edit the parameters of a Live Set, you are specifying  
a relative increase or decrease applied to the value of the Tone;  
the actual tone itself is not affected.  
This means that even if the same tone is used by another Live  
Set, you’ll be able to edit without affecting the other Live Set.  
Basic Editing Operations for Live Sets  
To edit a Live Set, you’ll start from the Live Set screen.  
View the Live  
Registration  
screen.  
Tone name  
Switch between the Upper  
Part and Lower Part  
1. In the Live Set screen (p  32), touch the button  
(<COMMON>, <LAYER>, <EFFECTS>) of the parameter  
that you want to edit  
The following parameters are stored in a Live Set.  
Tab  
Explanation  
Settings common to the entire Live Set  
Live set name, Live Set category  
COMMON  
Volume  
Filter  
Phase lock, etc.  
Settings for each layer  
Layer on/off  
Volume  
LAYER  
Pan  
2. Touch a tab to select the Live Set parameters that you  
Layer audio output destination and send level  
Keyboard range, etc.  
want to edit  
MFX settings  
Layer audio output destination and send level  
Send level to MFX  
MFX on/off  
EFFECTS  
MFX type selection  
MFX volume  
MFX settings, reverb settings  
Send levels from the Tone to reverb, and from MFX to  
reverb, etc.  
Offset settings for each layer  
For a SuperNATURAL  
Synth Tone  
For a SuperNATURAL  
Acoustic Tone  
Tabs  
Pitch  
Noise level  
MODIFY  
Filter  
Variation, etc.  
Amp  
In this example, the Upper Part’s Live Set is edited.  
LFO  
Modulation  
Portamento, etc.  
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Editing a Live Set  
MEMO  
Changing a Live Set’s Tones  
If a Live Set has been edited, a check mark (red) will appear at  
the right of the Live Set name.  
Here’s how to change the Tones in a Live Set.  
1. In the Live Set screen (p  32), touch a tone name to view a  
list  
MEMO  
You can also switch tones by moving the cursor to the tone  
name in the Live Set screen, and using the value dial or the  
[DEC] [INC] buttons to select a Tone.  
Adjusting the Tones  
By touching <EDIT> of each layer in the Live Set screen (p. 32),  
you can adjust the Tones assigned to each layer (the Live Set  
Modify screen will appear).  
The Tone List screen will appear. In this example, the Tone for layer 1  
of the Live Sets assigned to the Upper Part is changed.  
2. Touch the new tone, and then touch <Select>  
The left column lists the tone categories, and the right column lists  
the Tones in the selected category.  
2
Select a category.  
3
Select a Tone.  
4
1
Confirm your  
selection.  
Select the type of tone.  
The Tone will change.  
MEMO  
The SuperNATURAL Acoustic Tone 0028: TW Organ can be  
assigned only to layer 1.  
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Editing a Live Set  
Layer On/Off and Volume Adjustment Switching the MFX (Multi-effects)  
To turn a layer on/off, touch its layer number in the Live Set screen  
Each Live Set contains four MFX (multi-effects) processors.  
To switch the MFX, access the “Live Set Effects Routingscreen.  
1. In the Live Set Effects Routing screen (p  33), touch the MFX  
effect type to access a list  
Touch an effect type.  
Layer button  
Status  
Off  
On  
MEMO  
The MFX Type screen will appear. In this example, the effect type for  
MFX1 of the Live Set selected for the Upper Part is changed.  
In the panel’s PART BALANCE area you can turn the four layers  
on/off and adjust their volume.  
MEMO  
If you move the cursor to the effect type, you’ll also be able to  
use the value dial or the [DEC] [INC] buttons to switch the effect  
type.  
2. Touch the new effect type, and then touch <Select>  
1
Select a category.  
Use the sliders to adjust  
the volume of each  
layer.  
2
Select an effect type.  
The level meters show  
the volume setting of  
each layer.  
3
Confirm your selection.  
Turn each layer on/off.  
The left column lists the effect type categories, and the right  
column lists the effect types in the selected category.  
The effect type will change.  
MEMO  
By holding down the [SHIFT] button and operating the panel’s  
PART BALANCE area, you can turn the Parts (Solo, Upper, Lower,  
Percussion) on/off and adjust their volume.  
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Editing a Live Set  
Turning MFX On/Off  
Adjusting the Effect Send Levels and  
Effect Output Levels  
To switch an MFX on/off, touch its MFX button.  
You can adjust the level at which the sound of each layer is sent to  
MFX, and the output level of the sound that has passed through the  
effect.  
Set the level of sound sent to  
MFX or reverb.  
Set the level of sound sent from  
MFX to reverb.  
MFX button  
Status  
Off  
On  
Set the output level  
of MFX or reverb.  
Set the output destination  
and output level of the  
selected layer.  
Editing the MFX  
To edit MFX settings, access the “Live Set Effects Routingscreen (p.  
1. In the Live Set Effects Routing screen (p  33), touch MFX’s  
<EDIT>  
In this example, we’ll edit the Multi Tap Delay effect for MFX1 of the  
Live Set selected for the Upper Part.  
The Live Set MFX screen will appear.  
2. Edit the MFX settings  
The parameters that can be edited will depend on the effect  
type you’ve selected. For details on MFX parameters, refer to the  
parameter list in the PDF manual.  
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Editing a Live Set  
Editing the Tones Assigned to a Layer  
Editing a Tone  
Here’s how to edit the sound of each layer.  
For SuperNATURAL Synth Tones, you can go deeper to create  
You’ll be able to edit selected parameters for each sound (Modify  
parameters and Offset parameters).  
and save your own original tones.  
Since the parameters you edit are stored in the Live Set, you can  
edit the sound without rewriting the original tones.  
Touch <Synth Edit> to access the Synth Tone Edit screen.  
1. In the Live set screen (p  32), touch layer’s <EDIT>  
The Live Set Tone Modify screen will appear. In this example, layer 1  
of the Live Set selected for the Upper Part is edited.  
2. Edit the Tone  
Example screen for a SuperNATURAL Acoustic Tone  
Example screen for a SuperNATURAL Synth Tone  
For details on the parameters, refer to the parameter list in the PDF  
manual.  
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Editing a Live Set  
2. Touch <Tone Blender>  
Simultaneously Adjusting Multiple  
Live Set Parameters (Tone Blender)  
The Tone Blender function lets you shift between the initial  
values (the currently specified Live Set parameter values) and the  
destination values (which you may set freely) by turning just a  
single [E4] (Tone Blender Control) knob.  
You can use the Tone Blender function to create enormously varied  
modifications in the sound simply by turning a knob, and save the  
resulting sound as a new Live Set.  
Example  
Tone Blender  
Control value  
Parameter  
A
Parameter  
B
Parameter  
C
The Tone Blender screen will appear.  
3. Set the values in the lower half of the screen (the  
0
-100  
60  
30  
Min  
destination values)  
100  
-50  
Max  
Indicates the current values.  
Value  
+100  
Current  
values  
Destination values  
Source  
values  
Specify the destina-  
tion values.  
Min  
Max  
Button  
Explanation  
The destination values can also be assigned randomly by the  
JUPITER-80, allowing you to obtain a different sound every time.  
Specifies the current values as the new initial values (the  
parameters of the Live Set will be updated).  
<Set Src>  
<Shuffle>  
<Reset>  
Randomly sets all destination values.  
MEMO  
Sets the destination values to match the initial values.  
The following Live Set parameters can be adjusted by the Tone  
Blender: level, pan, cutoff, resonance, attack, delay, release, MFX  
1–4 send level, and reverb send level.  
MEMO  
• For details on using <Set Src>, refer to ”Saving the sound  
1. In the Live Set screen (p  32), touch either <COMMON>,  
<LAYER>, <EFFECTS>, or <EDIT>  
• If after touching <Shuffle> you then press the [SHIFT] button,  
<Shuffle> will change to <Undo Shuffle>. If you touch <Undo  
Shuffle>, you will return to the destination value prior to  
touching <Shuffle>.  
4. Turn the [E4] (Tone Blender Control) knob  
All Live Set parameters will move between the source values and  
destination values.  
MEMO  
By saving the Live Set in this state, you can save the initial values  
and the destination values.  
However, the current values (the sound you’re currently hearing)  
will not be saved.  
In this example, the Upper Part’s Live Set parameters are adjusted.  
If you want to save the sound you’re currently hearing, refer to  
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Editing a Live Set  
Convenient Ways to Use the Tone Blender  
Saving the sound created by the Tone Blender  
Saving a Live Set  
Edits you make to the Live Set are temporary; they will be lost if you  
turn off the power or select another Live Set. If you want to keep  
the edited Live Set, you must save it to user memory.  
After using the [E4] (Tone Blender Control) knob to get a sound you  
like, you can save that state as a Live Set.  
NOTE  
When you save, the data previously existing in the save  
destination will be overwritten.  
1. Use the [E4] (Tone Blender Control) knob to get the sound  
you like, and then touch <Set Src>  
1. In the Live set screen (p  32), touch <LIVE SET WRITE>  
The parameters for the sound produced by the Tone Blender  
function will be set as the new initial values of the current Live Set.  
2. Save the Live Set (p  62)  
The current sound will be saved as a Live Set.  
When you call up the saved Live Set, the sound produced by the  
Tone Blender will be called up.  
Using the D Beam controller to control the Tone  
Blender  
1. In the Registration Common/Control screen (p  31), touch  
<Pedal/D Beam>  
The Live Set Write screen will appear.  
2. Set the D Beam Assign parameter to “CC79 (Tone  
2. To select the save-destination user Live Set number, touch  
Blender) ”  
<Write Destination>  
Now you can control the Tone Blender by operating the D Beam  
controller.  
MEMO  
You can also move the cursor to Write Destination and use  
the value dial or the [DEC] [INC] buttons to change the write  
destination.  
3. Touch the save-destination Live Set number, and then  
touch <Select>  
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Editing a Live Set  
4. Touch <WRITE>  
If the following display appears when you save  
If SuperNATURAL Synth Tone parameters have been edited, the  
corresponding Synth Tone(s) will be highlighted when you save the  
Live Set.  
A message will ask “Are you sure?”  
5. To save the Live Set, touch <OK>  
The Tone has been  
edited.  
The screen will indicate “Completed!”  
The Live Set has been saved to the save-destination Live Set  
number you specified.  
You have the option of saving the edited SuperNATURAL Synth  
Tones at the same time that you save the Live Set.  
NOTE  
If you want to do this, proceed as follows.  
Never turn off the power while data is being saved.  
1. Select the Write check box for the SuperNATURAL Synth  
Cancelling the Save of a Live Set  
Tones that you want to save  
You can cancel the save operation by doing one of the following.  
• Press the [EXIT] button  
• Touch [x] in the UPPER (or LOWER) Live Set Write screen  
Naming a Live Set  
If you want to rename the Live Set, touch <RENAME> of step  
2.  
The LIVE SET NAME screen will appear.  
MEMO  
If you save without selecting the check box, only the Live Set will  
be saved. SuperNATURAL Synth Tones you edited will remain in  
their edited state, and will not be saved.  
If you want to specify a number at which to save the SuperNATURAL  
Synth Tone, proceed to step 2. If you want to overwrite the current  
SuperNATURAL Synth Tone number, proceed to step 3.  
For details on assigning a name, refer to “Assigning a Name”  
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Editing a Live Set  
2. Specify the write destination  
Initializing a Live Set  
Select the write  
destination for the  
SuperNATURAL Synth  
Tone.  
Here’s how to initialize the currently selected Live Set.  
MEMO  
• Initializing the Live Set affects the data in the temporary area  
(p. 16). When you initialize the Live Set, the temporary area for the  
Tones will also be initialized.  
• If you want to return the parameters of all sounds to their  
factory-set state, use Factory Reset (p. 87).  
1. In the Live set screen (p  32), touch <UTILITY>  
3. Touch <WRITE>  
MEMO  
• If you specify the same write destination for each of the  
SuperNATURAL Synth Tones of layers 1–4, the message “Cannot  
Write!will appear. Specify different write destinations in step 2.  
• If the same SuperNATURAL Synth Tone is assigned to layers  
1–4, and you edit only the SuperNATURAL Synth Tone of a  
certain layer and then perform this operation, the edited  
SuperNATURAL Synth Tone will also be assigned to the other  
layers as well.  
The Live Set Initialize screen will appear.  
2. Touch <Live Set Initialize>, and then touch <Select>  
A message will ask “Are you sure?”  
3. Touch <OK>  
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Editing a Live Set  
Copying a Layer  
Here’s how to copy a layer to a different layer.  
This is a convenient way to create a variation based on an edited  
layer.  
1. In the Live set screen (p  32), touch <UTILITY>  
The Live Set Utility Menu screen will appear.  
2. Touch <Live Set Layer Copy>, and then touch <Select>  
3. As the Source, specify the copy-source layer  As the  
Destination, specify the copy-destination layer  
NOTE  
When you copy a layer, the sound of the specified Destination  
layer will be lost, and overwritten by the sound of the specified  
Source layer.  
4. Touch <Execute>  
A message will ask “Are you sure?”  
5. Touch <OK>  
The sound of the specified Source layer will be copied to the  
specified Destination layer.  
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Editing a Synth Tone  
You can edit a Synth Tone to create original sounds.  
3. In the Live Set Tone Modify screen (p  32), touch <Synth  
Edit>  
MEMO  
It’s not possible to edit SuperNATURAL Acoustic Tones, Manual  
Percussion, or Drums/SFX.  
To edit these tones, refer to “Editing the Tones Assigned to a  
Tips for editing Synth Tones  
Decide which layers you want to hear  
A Live Set consists of up to four tones. Editing will be easier if  
you’re listening to only the layer with the Synth Tone that you  
want to edit (turn its layer button on) (p. 58).  
The Synth Tone Edit screen will appear.  
4. Edit the Synth Tone  
Turn the effect off  
The Live Set may apply an effect to the layer, causing the  
Synth Tone to sound different than it otherwise would.  
If you turn off the effect, you’ll hear the actual sound of the  
Synth Tone itself, and it will be easier to discern the results of  
the SuperNATURAL Synth Tone that you want to edit  
For details on tone parameters, refer to the parameter list in the PDF  
manual.  
2. In the Live Set screen (p  32), touch <EDIT> for the layer to  
which the selected Synth Tone is assigned  
MEMO  
• If you touch <PRO EDIT>, you’ll be able to edit the Synth Tone in  
the form of a parameter list.  
The Live Set Tone Modify screen will appear. In this example, the  
SuperNATURAL Synth Tone that’s selected for layer 1 is edited.  
To return to the previous display, touch <ZOOM EDIT>.  
• If you touch <LAYER>, the Layer Select screen will appear,  
allowing you to switch layers for editing.  
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Editing a Synth Tone  
• If a Synth Tone has been edited, a check mark (yellow) is shown  
at the right of the tone name.  
Volume and On/Off Settings for Each  
Partial  
You can turn a Partial on/off by touching the <Partial SW>.  
By touching <Partial SELECT> you can select the Partial that you  
want to edit.  
<Partial SELECT> Status  
<Partial SW>  
Lit red  
Lit green  
Unlit  
Selected  
Unlit  
MEMO  
• You can select two or more Partials by holding down the [SHIFT]  
button and touching <Partial SELECT>.  
• When the Synth Tone Edit screen is displayed, you can use the  
PART BALANCE area of the panel to turn the three Partials on/off  
and adjust their volume.  
Controls the AMP level  
of each Partial.  
The AMP level of each  
Partial is shown by the  
level meter.  
Turns each Partial  
on/off.  
• By holding down the [SHIFT] button and pressing the PART  
[PERC ON/OFF], [LOWER ON/OFF], or [UPPER ON/OFF] buttons,  
you can select the Partial that you want to edit.  
PART button  
Selected Partial  
Partial 1  
PART [PERC ON/OFF]  
PART [LOWER ON/OFF]  
PART [UPPER ON/OFF]  
Partial 2  
Partial 3  
• To edit two or more Partials, simultaneously hold down the PART  
buttons of the Partials that you want to edit.  
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Editing a Synth Tone  
4. Touch <WRITE>  
Saving a Synth Tone  
A Synth Tone you edit is temporary; it will be lost if you turn off  
the power or select another tone. If you want to keep a Synth Tone  
you’ve edited, you must save it.  
NOTE  
When you save, the data in the save destination will be  
overwritten.  
1. In the Synth Tone Edit screen (p  33), touch <TONE WRITE>  
A message will ask “Are you sure?”  
5. To save the Tone, touch <OK>  
A message will indicate “Completed!”  
The Synth Tone has been saved in the save-destination  
SuperNATURAL Synth Tone number you specified.  
NOTE  
Never turn off the power while data is being saved.  
The Tone Write screen will appear.  
Cancelling the Save of a Tone  
2. If you want to select the save-destination SuperNATURAL  
You can cancel the save operation by doing one of the following.  
• Press the [EXIT] button  
Synth Tone number, touch <Write Destination>  
MEMO  
• Touch [x] in the Tone Write screen  
You can also change the write destination by moving the cursor  
to Write Destination and using the value dial or the [DEC] [INC]  
buttons.  
Naming a Tone  
If you want to rename the Tone, touch <RENAME> of step 2.  
The TONE NAME screen will appear.  
3. Touch the save-destination SuperNATURAL Synth Tone  
number, and then touch <Select>  
For details on assigning a name, refer to “Assigning a Name”  
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Editing a Synth Tone  
Initializing a SuperNATURAL Synth  
Tone/Partial  
Copying a Partial  
Here’s how to copy the Partial settings from a SuperNATURAL  
Synth Tone to the specified Partial of the currently selected  
SuperNATURAL Synth Tone.  
Here’s how to initialize the currently selected SuperNATURAL Synth  
Tone or Partial.  
1. In the Synth Tone Edit screen (p  33), touch <UTILITY>  
MEMO  
• Initializing a SuperNATURAL Synth Tone or Partial will affect the  
data in the temporary area (p. 16).  
• If you want to return the parameters of all sounds to their  
factory-set values, use Factory Reset (p. 87).  
1. In the Synth Tone Edit screen (p  33), touch <UTILITY>  
The Synth Tone Utility Menu screen will appear.  
2. Touch <Partial Copy>, and then touch <Select>  
The Synth Tone Utility Menu screen will appear.  
2. Touch <Tone Initialize> to initialize a SuperNATURAL  
Synth Tone, or touch <Partial Initialize> to initialize a  
Partial  
If you’re initializing a Partial, first use <Partial SELECT> to turn on  
the Partial that you want to initialize (p. 67).  
The Synth Tone Partial Copy screen will appear.  
3. As the Source, specify the copy-source SuperNATURAL  
Synth Tone and Partial; as the Destination, specify the  
copy-destination Partial  
NOTE  
When you copy a Partial, the sound of the specified Destination  
Partial will be lost, and overwritten by the sound of the specified  
Source Partial.  
4. Touch <Execute>  
A message will ask “Are you sure?”  
3. Touch <Select>  
A message will ask “Are you sure?”  
5. Touch <OK>  
The sound of the specified Source layer will be copied to the  
specified Destination layer.  
4. To initialize, touch <OK>  
MEMO  
By holding down the [SHIFT] button and touching a knob or  
slider, you can return that parameter to the default value (the  
message “Reset Valuewill appear).  
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MEMO  
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Other Convenient Functions  
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Using the USB Memory Song Player/Recorder  
The USB Memory Song Player/Recorder lets you  
play back audio files (WAV, MP3, AIFF) that you’ve  
copied from your computer to a USB flash drive,  
or to record your keyboard performance to a USB  
Playback  
Here’s how to play back audio files saved on the USB flash drive.  
flash drive.  
NOTE  
1. Press the [SONG] button  
• Never insert or remove a USB flash drive while this unit’s power  
is on. Doing so may corrupt the unit’s data or the data on the  
USB flash drive.  
• Carefully insert the USB flash drive all the way in-until it is firmly  
in place.  
• Use USB flash drive available from Roland. Proper operation  
cannot be guaranteed if other USB device is used.  
The Song screen will appear. A list of the audio files on the USB flash  
drive will appear.  
• Don’t connect anything other than a USB flash drive to the USB  
MEMORY connector.  
MEMO  
MEMO  
If the file name or folder name contains double-byte characters  
(e.g., Japanese), they will not be shown correctly in the display.  
If the USB flash drive contains a large number of song files, it  
may take some time for them to be read.  
2. Select an audio file  
Touch the audio file that you want to play.  
Basic Operations in the Song Screen  
MEMO  
The Song screen (p. 34) will appear when you press the [SONG]  
button.  
• To view the files within a folder, select that folder and touch it or  
press the [ENTER] button.  
• The currently shown folder is indicated by the orange text at  
the top of the list. To return to the higher-level folder, touch the  
folder button located at the left of the current folder. To return  
to the root folder (the top level), touch </>.  
In the Song screen you can select the audio file to play back, and  
make settings for playback.  
Turn loop play on/off,  
and make settings for  
Adjust the  
volume of the  
song player.  
Currently shown folder  
(orange text)  
Upper-level folder  
</> is the root folder  
are listed  
Folder  
Indicates the  
current time of the  
audio file.  
Set the playback  
speed and pitch  
Turn center cancel  
on/off, and make  
3. Press the [ ] (PLAY) button  
The selected audio file will play.  
• Press the [ ] (STOP) button to stop playback.  
When you press the [ ] (PLAY) button once again, playback  
will resume from where it was stopped.  
MEMO  
Copy your audio files (WAV, MP3, AIFF) to the root folder (the top  
level) of your USB flash drive, or create a folder on your USB flash  
drive and copy the files into it. For more about folders in USB  
flash drive, refer to “USB Flash Drive(p. 17).  
• Press the [  
file.  
] button to return to the beginning of the audio  
• Rewinds the audio file while you hold down the [  
] button.  
]
• Fast-forwards the audio file while you hold down the [  
button.  
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Using the USB Memory Song Player/Recorder  
Adjusting the Balance of Frequency  
Ranges (Equalizer)  
Audio files that can be played  
MP3  
The USB memory song player provides a four-band equalizer. You  
can apply an equalizer to the audio file playback and to the sound  
being input via the AUDIO IN jack.  
Format  
MPEG-1 audio layer 3  
Sampling Frequency 44.1 kHz  
32k, 40k, 48k, 56k, 64k, 80k, 96k, 112k,  
Bit Rate  
128k, 160k, 192k, 224k, 256k, 320 kbps /  
VBR (Variable Bit Rate)  
1. In the MENU screen (p  34), touch <System>  
WAV, AIFF  
2. Touch <SETUP>, and then touch <Song EQ>  
Sampling Frequency 44.1 kHz, 48 kHz, 96 kHz  
Bit Rate 8, 16, 24-bit  
The Song EQ screen will appear.  
Minimizing Sounds in the Center (Center  
Cancel)  
You can minimize the sounds heard from the center of the playback  
(e.g., vocals).  
Now you can make equalizer settings.  
1. In the Song screen (p  34), touch <Center Cancel>  
The Center Cancel function will turn on (the button will light).  
Now you can make center cancel settings.  
Parameter  
Sw  
Value  
Explanation  
OFF, ON  
Turns the equalizer on/off.  
200, 400  
[Hz]  
Specifies the fundamental frequency of the  
low range.  
Parameter  
Value  
Explanation  
Low Freq  
Low Gain  
Mid1 Freq  
Mid1 Gain  
Mid1 Q  
Minimizes mid-frequency and high-  
frequency sounds localized in the center.  
MID-HI  
-15–+15  
[dB]  
Adjusts the amount of low range boost/cut.  
Center Cancel  
Type  
Minimizes low-frequency sounds localized  
in the center.  
LOW  
ALL  
200–8000  
[Hz]  
Specifies the fundamental frequency of the  
mid range 1.  
Minimizes all sounds localized in the center.  
-15–+15  
[dB]  
Adjusts the amount of mid range 1 boost/  
cut.  
2. To turn off the Center Cancel function, touch <Center  
0.5, 1.0, 2.0, Specifies the width of the mid range 1.  
4.0, 8.0  
Higher values make the width narrower.  
Cancel> once again  
200–8000  
[Hz]  
Specifies the fundamental frequency of the  
mid range 2.  
The Center Cancel function will turn off (the button will be unlit).  
Mid2 Freq  
Mid2 Gain  
Mid2 Q  
-15–+15  
[dB]  
Adjusts the amount of mid range 2 boost/  
cut.  
Changing the Playback Speed or Pitch  
0.5, 1.0, 2.0, Specifies the width of the mid range 2.  
4.0, 8.0 Higher values make the width narrower.  
You can change the speed or pitch at which an audio file plays back.  
2000, 4000, Specifies the fundamental frequency of the  
8000 [Hz]  
High Freq  
high range.  
1. In the Song screen (p 34), change the Play Speed or the Play  
Pitch  
-15–+15  
[dB]  
Adjusts the amount of high range boost/  
cut.  
High Gain  
Level  
Parameter  
Play Speed  
Play Pitch  
Value  
Explanation  
0–127  
Adjusts the output volume.  
75–125 [%]  
30–170 [%]  
Changes the speed of playback.  
Changes the pitch of playback.  
3. To save the settings, touch <SYSTEM WRITE>  
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Using the USB Memory Song Player/Recorder  
Looping a Specific Region of Time  
Playing Audio Files Consecutively (Chain  
Play)  
You can specify start and end points within an audio file, and make  
the playback loop between those points.  
Here’s how the audio files in the same folder can be played  
consecutively.  
1. In the Song screen (p  34), touch <Loop Switch>  
Loop playback will turn on (the button will light).  
1. In the Song screen (p  34), touch <Chain Play>  
2. Use either of the following methods to specify the start  
Chain play will turn on (the button will light).  
and end points for loop playback  
2. Press the [ ] (PLAY) button  
• Use Loop Top Point to specify the start, and Loop End Point to  
specify the end.  
The value is specified in terms of (hours) : (minutes) : (seconds) .  
(1/100th second).  
The audio files will begin playing. When a song ends, playback will  
continue with the next song.  
MEMO  
• Carry out playback until you reach the desired loop start or end  
point, and then touch <SET LOOP TOP> (start) or <SET LOOP  
END> (end).  
• Audio files will be played in the order in which they appear in  
the audio file list.  
The “N symbol indicates the song that will be played next.  
• During playback, you can change the song that will be played  
next simply by touching another audio file (the “N symbol will  
move).  
<Chain Play>  
Currently selected  
audio file  
Audio file that will  
be played next  
MEMO  
When using loop playback with an MP3 file, the time you  
specified might shift somewhat forward or backward (loop  
playback will occur near the time you specified).  
3. To turn chain play off, touch <Chain Play> once again  
Chain play will turn off (the button will go out).  
3. Press the [ ] (PLAY) button  
Playback will loop between the Loop Top Point (start) and Loop End  
Point (end).  
MEMO  
• Chain play will automatically turn off if you press the [ ] (STOP)  
button.  
4. To turn off loop playback, touch <Loop Switch> once  
• If chain play is on, turning <Loop Switch> on will make the  
audio files in the folder play repeatedly. When the last audio file  
in the folder has finished playing, playback will return to the first  
file and continue.  
again  
Loop playback will turn off (the button will go out).  
MEMO  
You can’t play back a loop of a specified time if chain play is on.  
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Using the USB Memory Song Player/Recorder  
Creating a Folder  
Deleting an Audio File or Folder  
Here’s how to create a new folder inside the currently selected  
folder.  
Here’s how to delete an unwanted audio file or folder.  
NOTE  
In this example, we’ll create a new folder inside the audio folder  
that you created on your computer.  
There is no way to recover a deleted audio file or folder.  
MEMO  
1. First select the audio folder, and then touch it or press the  
You can’t delete a folder that contains files. Before you can  
delete a folder, you must delete all the files within that folder.  
[ENTER] button to view the contents of that folder (p  72)  
2. In the Song screen (p  34), touch <UTILITY>  
1. First select the audio file or folder that you want to delete  
(p  72)  
2. In the Song screen (p  34), touch <UTILITY>  
The Song Utility Menu screen will appear.  
3. Touch <Delete Song/Folder>, and then touch <Select>  
The message “Are you sure?will appear.  
4. To execute the deletion, touch <OK>  
The message “Delete Song/Folder Completed!will appear; the  
audio file or folder has been deleted.  
The Song Utility Menu screen will appear.  
Renaming an Audio File or Folder  
3. Touch <Create Folder>, and then touch <Select>  
Here’s how to rename an audio file or folder.  
1. First select the audio file or folder that you want to  
rename (p  72)  
2. In the Song screen (p  34), touch <UTILITY>  
The Song Utility Menu screen will appear.  
3. Touch <Rename Song/Folder>, and then touch <Select>  
The RENAME SONG/FOLDER screen will appear.  
4. Assign the desired name  
For details on how to assign a name, refer to “Assigning a Name(p.  
The CREATE FOLDER screen will appear.  
5. Touch <OK>  
The message “Rename Song/Folder Completed!will appear; the  
audio file or folder has been renamed.  
4. Assign a name to the folder  
For details on how to assign a name, refer to “Assigning a Name(p.  
5. Touch <OK>  
The message “Create Folder Completed!will appear; the folder has  
been created.  
MEMO  
It’s not possible to create folders eight or more levels deep,  
including the root folder.  
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Using the USB Memory Song Player/Recorder  
Moving an Audio File or Folder  
Here’s how to move an audio file or folder to a different folder.  
1. First select the audio file or folder that you want to move  
(p  72)  
2. In the Song screen (p  34), touch <UTILITY>  
The Song Utility Menu screen will appear.  
3. Touch <Move Song/Folder>, and then touch <Select>  
The Move Folder Select screen will appear.  
4. Select the move-destination folder, and touch it or press  
the [ENTER] button to view the contents of the folder (p 72)  
MEMO  
As the destination of the move, you cannot specify a sub-folder  
(folder 2) of the folder you’re moving (folder 1).  
/
Root folder  
OK  
Folder
OK  
F
Folder 3  
:
5. Touch <Execute>  
The message “Are you sure?will appear.  
6. To execute the move, touch <OK>  
The message “Move Song/Folder Completed!will appear; the audio  
file or folder has been moved.  
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Using the USB Memory Song Player/Recorder  
Basic Operations in the Audio Rec Standby Screen  
When you press the [REC] button, the Audio Rec Standby screen will appear.  
Here you can make settings for recording.  
Recording Folder/Recording File  
c  
SELECT  
Indicates the name of the folder and file  
in which the recorded result will be saved.  
, audio file playback will begin at  
moment that recording begins.  
Changes the folder in which  
the recording will be saved.  
which  
e saved.  
Sound from the keyboard,  
the USB COMPUTER port,  
the AUDIO IN jack, and  
the playback from the USB  
memory song player will  
be recorded.  
Recording Level Knob/  
Level Meter  
MIX  
Use the Recording  
Level knob to adjust the  
recording level so that the  
CLIP indicator of the level  
meter does not light.  
Sound from the keyboard  
KEYBOARD  
will be recorded.  
Start  
Recording will begin.  
Click  
nt In  
Metronome Beat  
Switches on/off the click  
sound during recording.  
this on if you want a two-measure
re recording (the button will light).  
Specifies the time signature  
of the click sound.  
Recording  
Your keyboard performance can be recorded to a USB flash drive.  
2. Make the recording settings, and then touch <Start>  
The audio being input via the JUPITER-80’s AUDIO IN jack and USB  
COMPUTER connector can also be recorded.  
The [REC] button and [PLAY] button will light, and recording will  
begin.  
MEMO  
MEMO  
Sounds for which the Output Assign MAIN OUT check box is  
selected (p. 86) will be recorded. (The metronome sound is not  
recorded.)  
• One minute of recorded data will occupy approximately 10 MB.  
• To see how much free space remains on the USB flash drive,  
NOTE  
3. To stop recording, press the [ ] (STOP) button  
While the Audio Rec Standby screen is displayed, you must not  
turn off the JUPITER-80’s power, or disconnect or connect your  
USB flash drive.  
Recording will stop, and the recorded result will be saved on the  
USB flash drive.  
Also, you must not turn off the JUPITER-80’s power or disconnect  
or connect the USB flash drive while recording.  
Audio files that will be saved  
If you do so, the data might not be written correctly, or the  
contents of memory might be destroyed.  
WAV  
1. Press the [REC] button  
Sampling Frequency 44.1 kHz  
Bit Rate  
16-bit  
The Audio Rec Standby screen will appear.  
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Using the USB Memory Song Player/Recorder  
Audio Signal Flow  
JUPITER-80 Sound Generator  
(keyboard)  
MASTER  
EQ  
USB COMPUTER  
(to computer)  
CENTER  
CANCEL  
USB MEMORY SONG PLAYER  
Song Level  
MAIN OUT/SUB OUT/  
DIGITAL AUDIO OUT  
SONG EQ  
AUDIO IN  
USB COMPUTER (from computer)  
USB MEMORY  
SONG RECORDER  
Recording  
Mode  
Recording  
Level  
Using the Included USB Memory Protector  
You can use the included USB memory protector to prevent theft of the USB flash drive connected to the JUPITER-80.  
NOTE  
• You must use the included screws.  
• You must use the included Allen wrench to tighten or remove the screws. Using a tool that does not match the screw heads will damage them.  
• Be careful not to over-tighten the screws. Doing so may damage the screw’s head, causing the wrench to rotate uselessly.  
• To tighten the screws, turn the Allen wrench clockwise. To loosen the screws, turn the Allen wrench counter-clockwise.  
loosen  
tighten  
• Keep the removed screws out of the reach of small children to ensure they are not swallowed accidentally.  
• Never allow foreign objects (e.g., coins, wires) to enter the USB memory box.  
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Settings and Convenient Functions  
Access the MENU screen to select the desired setting or function.  
Backing Up All Settings to a USB  
Flash Drive  
1. In the MENU screen (p  34), touch the desired function  
You can back up all of settings in the JUPITER-80 to a USB flash drive  
(sold separately), or restore those settings into the JUPITER-80’s  
memory.  
MEMO  
One set of backup data can be saved on a USB flash drive.  
NOTE  
• When you execute the backup operation, the backup data that  
is currently saved on the USB flash drive will be overwritten. If  
you want to keep the backup data that’s on the USB flash drive,  
copy it to your computer as described in “Backing Up USB Flash  
The settings and functions are listed below.  
• Never insert or remove a USB flash drive while this unit’s power  
is on. Doing so may corrupt the unit’s data or the data on the  
USB flash drive.  
Menu  
Explanation  
Page  
Make overall settings for the entire  
JUPITER-80.  
System  
• Carefully insert the USB flash drive all the way in-until it is firmly  
in place.  
Regist Button Lock  
Regist Set Exchange  
Lock the Registration buttons.  
Exchanges Registration Sets.  
• Use USB flash drive available from Roland. Proper operation  
cannot be guaranteed if other USB device is used.  
Backs up the JUPITER-80’s settings to a  
USB flash drive.  
Backup  
Restore  
• Don’t connect anything other than a USB flash drive to the USB  
MEMORY connector.  
Restores the JUPITER-80’s settings from  
a USB flash drive.  
1. In the MENU screen (p  34), touch <Backup>  
Format the USB flash drive that’s  
connected to the USB MEMORY  
connector.  
The Backup screen will appear.  
Format USB Memory  
2. Touch <EXEC>  
Touch Screen  
Calibration  
Calibrates the touch panel.  
Resets the JUPITER-80 to its factory  
settings.  
Factory Reset  
A message will ask “Are you sure?”  
3. To execute, touch <OK>  
NOTE  
Never turn off the power while the backup operation is  
occurring.  
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Settings and Convenient Functions  
Restoring Backed-up Settings from a USB  
Flash Drive  
Backing Up USB Flash Drive Data to a  
Computer  
Here’s how to back up the data from a USB flash drive to your  
computer.  
1. In the MENU screen (p  34), touch <Restore>  
The Restore screen will appear.  
1. Turn off the JUPITER-80’s power  
2. Touch <EXEC>  
2. Disconnect the USB flash drive from the JUPITER-80, and  
connect it to your computer  
3. On your computer, open the USB flash drive  
4. Copy (drag and drop) the entire “ROLAND” folder from the  
USB flash drive into a folder on your computer  
NOTE  
You must copy the entire “ROLANDfolder.  
The data will not be backed up correctly if you copy only part of  
the files in the “ROLANDfolder.  
5. When the copy is completed, unmount (eject) the USB  
flash drive from your computer, and then disconnect it  
from the computer  
A message will ask “Are you sure?”  
NOTE  
When you execute the Restore operation, all settings currently  
saved in the JUPITER-80 will be lost.  
Windows 7/ Windows Vista / Windows XP users:  
In My Computer (or Computer), right-click the “removable disk”  
icon and choose “Eject.”  
If you want to keep the current settings, back them up to a  
different USB flash drive.  
3. To execute, touch <OK>  
Mac OS X users:  
NOTE  
Drag the USB flash drive icon into the Trash.  
Never turn off the power while the restore operation is  
occurring.  
Restoring Backed-up Data from a  
Computer to a USB Flash Drive  
1. Connect the USB flash drive to your computer, and open  
the USB flash drive  
2. Copy (drag and drop) the entire backed-up “ROLAND”  
folder from your computer into the USB flash drive  
NOTE  
• When you copy the backed-up data to your USB flash drive, the  
data that was previously on the USB flash drive will be lost.  
• You must copy the entire “ROLANDfolder. The system will not  
operate correctly if you copy only some of the files from the  
“ROLANDfolder.  
3. Disconnect the USB flash drive from your computer as  
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Settings and Convenient Functions  
Initializing a USB Flash Drive  
(Format)  
Disabling the Registration Buttons  
The JUPITER-80’s settings will change if you press a Registration  
button unintentionally or switch Registration Sets.  
This operation will initialize (format) a USB flash drive.  
Use the “Registration Button Lockfunction if you don’t want the  
Registration buttons to switch Registrations while you perform.  
NOTE  
1. In the MENU screen (p  34), touch <Regist Button Lock>  
When you execute this operation, all data saved on the USB  
flash drive will be lost. If the USB flash drive contains important  
data, back it up to your computer before initializing the USB  
flash drive.  
The Registration Button Lock screen will appear.  
2. Touch <LOCK>  
1. In the MENU screen (p  34), touch <Format USB Memory>  
The Format USB Memory screen will appear.  
2. Touch <EXEC>  
The Registration buttons will be disabled.  
3. Press [EXIT] button  
MEMO  
A message will ask “Are you sure?”  
• To enable the Registration buttons, release Registration Button  
Lock (touch <UNLOCK>).  
3. To initialize, touch <OK>  
• Even when Registration Button Lock is on, you can still switch  
Registrations by operating the touch panel or the top panel.  
NOTE  
• The state of Registration Button Lock is not saved. It will  
automatically be UNLOCK when you turn on the power.  
Never turn off the power while an USB flash drive is being  
formatted.  
• When Registration Button Lock is on, a “Locksymbol is shown  
by the Registration name.  
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Settings and Convenient Functions  
Exchanging Registration Sets  
Calibrating the Touch Panel  
Here’s how to exchange entire Registration Sets.  
Perform this calibration if the touch panel does not operate as you  
expect.  
1. In the MENU screen (p  34), touch <Regist Set Exchange>  
1. In the MENU screen (p  34), touch <Touch Screen  
The Registration Set Exchange screen will appear.  
Calibration>  
2. Specify the numbers of the Registration Sets that you  
The Touch Screen Calibration screen will appear.  
want to exchange  
2. Touch the center of the “+” symbol indicated by the  
3. Touch <EXEC>  
symbol  
Touch the symbols in the order of left -> top -> right -> bottom.  
Calibration will end when you’ve touched all of the “+symbols.  
NOTE  
Never turn off the power while the touch screen is being  
calibrated.  
A message will ask “Are you sure?”  
4. Touch <OK>  
When the Registration Sets have been exchanged, the message  
“Exchange Completed!will appear.  
NOTE  
Never turn off the power while a Registration Set is being  
exchanged.  
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The JUPITER-80’s System Settings  
Making System Settings  
System Parameters  
These settings apply to the entire JUPITER-80; for example, here you  
can set the tuning and specify how MIDI messages will be received.  
This section explains what each system parameter does, and how  
the parameters are organized.  
1. In the MENU screen (p  34), touch <System>  
The System Setup screen will appear.  
SETUP  
These settings apply to the JUPITER-80 as a whole.  
Pedal  
Parameter  
Value  
Explanation  
Control Pedal  
Specifies whether the functions  
controlled by the pedals connected to  
the FOOT PEDAL CTRL 1 and 2 jacks will  
be determined by the system settings  
(SYSTEM) or by the Registration Settings  
(REGISTRATION).  
Control Pedal 1  
Assign Source  
SYSTEM,  
REGISTRATION  
Control Pedal 2  
Assign Source  
2. Touch the tab that contains the settings you want to  
Functions controlled by the pedals connected to the FOOT  
PEDAL CTRL 1 and 2 jacks  
change  
OFF  
No function is assigned.  
Item  
Explanation  
Page  
CC01–31, CC33–95 Controller number 1–31, 33–95  
<SETUP>  
Overall settings  
AFTERTOUCH  
BEND UP  
Aftertouch  
<LIVE SET/TONE  
BUTTONS>  
Sound settings for the Part sound  
buttons  
The same effect as moving the pitch  
bend lever to the right.  
Control Pedal 1  
Assign  
View the software version and  
the USB flash drive’s available free p. 87  
space  
The same effect as moving the pitch  
bend lever to the left.  
BEND DOWN  
<INFORMATION>  
Control Pedal 2  
Assign  
REGISTRATION UP Select the next-numbered Registration.  
REGISTRATION  
DOWN  
Select the previous-numbered  
Registration.  
3. Touch the parameter that you want to set, and change its  
value  
The same effect as pressing the panel  
[INC] button.  
PANEL INC  
The same effect as pressing the panel  
[DEC] button.  
PANEL DEC  
Saving the System Settings  
START/STOP  
Start/stop the USB memory song player.  
System settings will return to their original values when you turn off  
the power. If you want the settings you’ve made to be remembered  
after the power is turned off, you must save the system settings.  
Selects the polarity of the pedals  
connected to the CTRL 1 and 2 jacks.  
Control Pedal 1  
Polarity  
Depending on the model of pedal, the  
result of depressing or releasing the  
pedal might be the opposite of what  
you expect. If so, choose the “REVERSE”  
setting. If you’re using a Roland pedal  
(that has no polarity switch), choose the  
“STANDARDsetting.  
STANDARD,  
REVERSE  
1. In the System Setup screen, the System Live Set/Tone  
Buttons screen, or the System Information screen, touch  
<SYSTEM WRITE>  
Control Pedal 2  
Polarity  
A message will indicate “System Write Completed!and the settings  
will be saved.  
Hold Pedal  
Selects the polarity of the pedal con-  
nected to the FOOT PEDAL HOLD jack.  
NOTE  
Never turn off the power while settings are being saved.  
Depending on the model of pedal, the  
result of depressing or releasing the  
pedal might be the opposite of what  
you expect. If so, choose the “REVERSE”  
setting. If you’re using a Roland pedal  
(that has no polarity switch), choose the  
“STANDARDsetting.  
STANDARD,  
REVERSE  
Hold Pedal Polarity  
If this is ON, the HOLD jack will support  
half-pedaling. If half-pedaling is enabled,  
you can connect a damper pedal (such  
as the DP-10; available separately) and  
use the pedal to control subtle nuances  
of the piano sounds you play.  
Continuous Hold  
Pedal  
OFF, ON  
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The JUPITER-80’s System Settings  
D Beam/Slider  
Sound  
Parameter  
D Beam  
Value  
Explanation  
Parameter  
Sound  
Value  
Explanation  
The higher the value you set for this  
parameter, the more sensitive the D  
Beam controller becomes.  
Specifies whether the controller section  
(keyboard, pitch bend/modulation lever,  
[S1] [S2] buttons, D Beam controller, pedals,  
etc.) will be connected to the internal sound  
generator. Normally, this should be left at  
“ON.Turn it “OFFif you want to use the  
JUPITER-80’s controllers only to control an  
external sound generator.  
D Beam Sens  
Slider  
0–127  
Local Switch  
OFF, ON  
Specifies how the sliders will operate.  
When you move a slider, control data  
DIRECT  
indicating its position will always be  
output.  
415.3–466.2 Sets the JUPITER-80’s overall tuning (the  
Slider Mode  
Master Tune  
[Hz]  
frequency of the A4 key)  
When you move a slider, control data will  
start being transmitted only when the  
current value of the parameter has been  
reached.  
Shifts the JUPITER-80’s overall pitch range in  
semitone steps.  
CATCH  
Master Key Shift  
-24–+24  
Sets the JUPITER-80’s overall volume (except  
for the signal from the USB COMPUTER  
connector).  
Master Level  
0–127  
Adjusts the JUPITER-80’s overall output  
gain (except for the signal from the USB  
COMPUTER connector). If you’re playing a  
fewer number of voices, boosting this setting  
can help you obtain an optimal output level  
when recording on an external device.  
Keyboard  
Output Gain  
-12–+12 [dB]  
Parameter  
Keyboard  
Value  
Explanation  
Sets the volume of the USB memory song  
player.  
Specifies the velocity transmitted when a key is played.  
The transmitted velocity value will  
Song Level  
0–127  
Specifies whether the currently sounding  
notes will remain (ON) or not (OFF) when you  
select a different sound.  
REAL  
correspond to the force with which you strike  
the key.  
Keyboard Velocity  
Tone Remain  
OFF, ON  
The transmitted velocity value will be fixed,  
regardless of the force with which you strike  
the key.  
* In some cases, the effect sound might not  
remain.  
1–127  
The keyboard will have a lighter-feeling  
touch. Since you’ll be able to reach fortissimo  
() without having to play as strongly as  
with the MEDIUM setting, the keyboard will  
feel lighter. This setting makes it easier for  
people with reduced finger strength to play  
the keyboard.  
Using the Local Switch setting  
LIGHT  
If you’re using an external sequencer with the JUPITER-80’s  
keyboard controller section and sound generator section,  
you should turn the Local Switch OFF. Here’s why.  
Keyboard Velocity  
Curve  
MEDIUM  
HEAVY  
This is the standard keyboard touch setting.  
We need to connect these sections in the following order:  
the JUPITER-80’s keyboard external sequencer the  
JUPITER-80’s sound generator. Since the JUPITER-80’s  
keyboard section and sound generator section are connected  
internally, such a connection order would normally be  
impossible. However, if the Local Switch is OFF, the JUPITER-  
80’s keyboard section and its sound generator section will be  
independent, allowing you to use an external sequencer as  
shown here in the illustration.  
The key will have a heavier-feeling touch.  
Since you’ll need to play more strongly than  
with the MEDIUM setting in order to reach  
fortissimo (), the keyboard will feel heavier.  
This setting allows you to use your playing  
dynamics to add more expression to your  
performances.  
This is a fine adjustment to the keyboard  
sensitivity that’s applied after the Keyboard  
Velocity Curve setting. Higher values will  
cause a greater velocity value to be transmit-  
ted for a key-strike of the same force.  
Keyboard Velocity  
Sens  
-63–+63  
0–100  
Connections between the JUPITER-80 and the  
external sequencer  
This specifies the aftertouch sensitiv-  
ity. Higher values make it easier to apply  
aftertouch. Normally, you can leave this set  
at “100.”  
Aftertouch Sens  
Local Off  
JUPITER-80  
JUPITER-80 Keyboard  
Sound Generator  
(External) Sequencer  
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The JUPITER-80’s System Settings  
Master EQ, Song EQ  
MIDI Tx/Rx  
Parameter  
EQ Switch  
Low  
Value  
Explanation  
Parameter  
Value  
Explanation  
OFF, ON  
Equalizer (EQ) screen  
MIDI Transmit  
Transmit Program  
Change  
OFF, ON  
OFF, ON  
OFF, ON  
Program change message transmission on/off  
Bank select message transmission on/off  
Active sensing message transmission on/off  
Freq  
200, 400 [Hz]  
-15–+15 [dB]  
Center frequency of the low range  
Boost/cut for the low range  
Transmit Bank  
Select  
Gain  
Mid1, 2  
Freq  
Transmit Active  
Sensing  
200–8000 [Hz]  
-15–+15 [dB]  
Center frequency of the mid range  
Boost/cut for the mid range  
Specifies whether parameter edits will be  
transmitted as system exclusive messages.  
Gain  
Transmit Edit Data OFF, ON  
Width of the mid range  
Larger values will make the range  
narrower  
MIDI Receive  
Q
0.5–8.0  
Receive Program  
OFF, ON  
Program change message reception on/off  
Change  
High  
Freq  
Receive Bank  
OFF, ON  
2000, 4000, 8000  
[Hz]  
Bank select message reception on/off  
Center frequency of the high range  
Boost/cut for the high range  
Select  
Receive Exclusive OFF, ON  
System exclusive message reception on/off  
Gain  
-15–+15 [dB]  
Output  
Level  
0–127  
Equalizer output volume  
Scale Tune  
Parameter  
Value  
Explanation  
MIDI  
Turn this ON if you want to play in a tuning  
other than equal temperament.  
Scale Tune Switch OFF, ON  
Parameter  
MIDI  
Value  
Explanation  
Scale Tune for C–B -64–+63  
Specifies the scale tuning.  
These are templates that set all of the Scale Tune C–B settings  
(the values for each key shown in the screen). After making  
your selection, touch <SET>.  
If you want to send and receive system exclusive  
messages, the device ID numbers of both devices  
need to be matched.  
Device ID  
17–32  
EQUAL  
Equal temperament  
Just intonation (major)  
Just intonation (minor)  
Pythagorean tuning  
Kirnberger (type 3)  
Turn this “ONif you’re using an external MIDI  
keyboard instead of the JUPITER-80’s keyboard.  
In this case, the MIDI transmit channel of your  
external MIDI keyboard does not matter. Normally,  
this can be left at “OFF.”  
JUST-MAJ  
JUST-MIN  
PYTHAGORE  
KIRNBERGE  
MEANTONE  
WERCKMEIS  
ARABIC  
Remote  
Keyboard  
Switch  
Scale Tune Type  
OFF, ON  
* If you want to control the arpeggiator from an  
external MIDI device, turn this “ON.”  
Meantone temperament  
Werckmeister (type 1, number 3)  
Arabic scale  
USB MIDI  
If this is “ON,incoming MIDI messages will be  
retransmitted from the MIDI OUT connector  
without change.  
USB-MIDI Thru OFF, ON  
Specifies the tonic note for the scale tune  
template. After making your selection, touch  
<SET>.  
Scale Tune Key  
C–B  
MIDI Channel  
Registration  
Control  
Channel  
Specifies the MIDI receive channel on which  
Registrations can be switched by an external MIDI  
device. Turn this “OFFif you don’t want to switch  
Registrations from a connected MIDI device.  
1–16, OFF  
1–16  
MEMO  
Scale Tune has no effect on the SuperNATURAL Acoustic Tone  
0028:TW Organ.  
Specifies the MIDI receive channel that will play  
each of the JUPITER-80’s Parts (PREC, LOWER,  
UPPER, SOLO), and the MIDI transmit channel on  
which each Part will transmit to an external MIDI  
device.  
Part Channel  
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The JUPITER-80’s System Settings  
Output Assign  
System Control  
Here you can specify which sounds will be sent from each output  
jack. Select the desired check boxes for each output jack (MAIN  
OUT, SUB OUT).  
Parameter  
Value  
Explanation  
Here you can specify the MIDI messages that will be used as  
system controls.  
Parameter  
Upper  
Explanation  
System controls 1–4 are parameters to which you can assign  
MIDI messages such as control change messages.  
Upper Part  
For example, on the JUPITER-80, if you choose a system control  
as the MFX CONTROL Source (Live Set MFX screen; p. 33), you’ll be  
able to use MIDI messages to control effect parameters.  
Lower  
Lower Part  
Solo  
Solo Part  
It is convenient to use system controls when you don’t need to  
use different MIDI messages for MFX CONTROL of each Live Set,  
or if you want to use a specific MIDI message for MFX CONTROL.  
Percussion  
Reverb Upper  
Reverb Lower  
Percussion Part  
The reverb of the Upper Part  
The reverb of the Lower Part  
System Control  
1–4 Source  
SuperNATURAL Acoustic Tones can be controlled using the  
MIDI messages that you’ve assigned to system controls 1 and 2,  
allowing you to produce effects such as vibrato or dynamics (for  
some tones there will be no change).  
Reverb Solo/Perc The reverb of the Solo and Percussion Parts  
USB Song/Audio The sound from the USB memory song player and the AUDIO  
IN  
IN jack  
OFF  
System control will not be used.  
Controller 1–95  
USB Audio  
Metronome  
The sound from USB audio  
The metronome sound  
CC01–31, CC32  
(OFF), 33–95  
PITCH BEND  
Pitch Bend  
Aftertouch  
AFTERTOUCH  
Sync/Metronome  
Screen Saver  
Parameter  
Sync  
Value  
Explanation  
Parameter  
Value  
Explanation  
This selects the synchronization source used by the  
JUPITER-80.  
Screen Saver  
Type  
1–10  
Selects the type of screen saver.  
The JUPITER-80 will be the synchronization  
master. Choose this setting if you’re using the  
Specifies the time (minutes) until the  
screen saver is activated.  
JUPITER-80 on its own without synchronizing  
it to another device, or if you want the tempo  
MASTER  
Screen Saver  
Time  
OFF, 1–60 [min]  
Sync Mode  
If this is OFF, the screen saver will not  
operate.  
of an external MIDI device to synchronize  
with the JUPITER-80.  
The JUPITER-80 will be the synchronization  
slave. Choose this setting if you want the  
JUPITER-80 to synchronize to MIDI clock  
SLAVE  
Beep/Misc  
messages received from an external device.  
If this is ON, MIDI clock messages will be  
transmitted to an external MIDI device.  
OFF, ON  
Parameter  
Beep  
Value  
Explanation  
Sync Output  
* These messages will not be transmitted if  
the Sync Mode is “SLAVE.”  
Turns on/off the beep tone that sounds  
when you touch the screen.  
Beep Switch  
Misc  
OFF, ON  
This specifies whether the JUPITER-80 will synchronize to  
tempo data from the MIDI IN connector or to tempo data  
from the USB connector when the Sync Mode is SLAVE.  
Specifies the operation of the Registration [PREV] and [NEXT]  
buttons.  
Clock Source  
Metronome  
Synchronize to tempo data from the MIDI IN  
connector.  
MIDI  
Registration Next/  
Prev Button  
Switch to the next/previous Registration  
Synchronize to tempo data from the USB  
COMPUTER connector.  
REGISTRATION  
USB  
REGISTRATION  
SET  
Switch to the next/previous Registration  
Metronome Level 0–10  
Specifies the metronome volume.  
Choose if controlling a MIDI Visual  
Control compatible device.  
MVC  
Metronome Sound TYPE1–TYPE4 Specifies the metronome type.  
Visual Control  
Mode  
Choose if controlling a V-LINK compat-  
ible device.  
V-LINK  
Startup  
Parameter  
Value  
[01]A-1 – [08]D-8  
Explanation  
Startup  
Registration  
Specifies the Registration that will be  
selected when you turn on the power.  
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The JUPITER-80’s System Settings  
LIVE SET/TONE BUTTONS  
Restoring the Factory Settings  
Here you can specify the sounds (Live Sets or tones) that will be  
assigned to the Part sound buttons (Upper, Lower, Solo).  
(Factory Reset)  
This “Factory Resetoperation will restore all settings of the  
JUPITER-80 to their factory-set state.  
MEMO  
The sounds you specify here will be saved as system parameters  
(settings for the entire JUPITER-80). If you specify sounds within  
a Registration, the Registration settings will take priority.  
NOTE  
When you execute the Factory Reset operation, all data in the  
JUPITER-80 will be lost. If there is any data that you want to  
keep, back it up to a USB flash drive (p. 79).  
REFERENCE  
1. In the MENU screen (p  34), touch <Factory Reset>  
The FACTORY RESET screen will appear.  
2. Touch <EXEC>  
Parameter  
SOLO  
Explanation  
Specifies the sounds that will be assigned to the Solo Part sound  
buttons.  
Specifies the sounds that will be assigned to the sound buttons  
when the Solo Part [ALTERNATE] button is pressed.  
SOLO Alternate  
UPPER  
Specifies the sounds that will be assigned to the Upper Part  
sound buttons.  
Specifies the sounds that will be assigned to the sound buttons  
when the Upper Part [ALTERNATE] button is pressed.  
UPPER Alternate  
LOWER  
Specifies the sounds that will be assigned to the Lower Part  
sound buttons.  
Specifies the sounds that will be assigned to the sound buttons  
when the Lower Part [ALTERNATE] button is pressed.  
LOWER Alternate  
PERCUSSION  
Specifies the sounds that will be assigned to the Percussion Part  
sound buttons.  
A message will ask “Are you sure?”  
3. To execute the factory reset, touch <OK>  
NOTE  
INFORMATION  
The factory reset operation will take several minutes. Never turn  
off the power before the factory reset has been completed.  
Here you can view information such as the JUPITER-80’s software  
version and the amount of free space available on the USB flash  
drive.  
When the factory reset has been completed, the following screen  
will appear.  
Version  
Shows the JUPITER-80’s software version.  
USB Memory  
Shows the amount of free space available on the USB flash drive.  
4. When the message “Please Power Off!” appears, turn the  
JUPITER-80’s power off, then on again  
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MEMO  
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Connecting Other Equipment  
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Connecting to Your Computer via USB  
If you use a commercially available USB cable to connect the USB  
COMPUTER connector on the JUPITER-80’s rear panel to your  
computer’s USB connector, audio or MIDI data played by your MIDI  
software (DAW software) can be sounded by the JUPITER-80.  
What is the USB driver?  
The USB driver is software that transfers data between the  
JUPITER-80 and the application (e.g., DAW software) on your  
computer when the JUPITER-80 is connected via USB to your  
computer.  
Computer’s USB connector  
Supports USB 2 0 Hi-Speed)  
The USB driver sends data from your application to the JUPITER-80,  
and data from the JUPITER-80 to your application.  
USB audio  
Settings for JUPITER-80 computer  
If the JUPITER-80 is connected via a USB cable to your computer, the  
same sound as from the JUPITER-80’s MAIN OUT can be recorded  
into your computer (except for the metronome sound).  
USB cable  
(Supports USB 2 0 Hi-Speed)  
Settings for computer JUPITER-80  
USB COMPUTER  
port  
If the JUPITER-80 is connected via a USB cable to your computer,  
sound from your computer can be played from the audio system  
connected to the JUPITER-80’s MAIN OUT jacks, or recorded on the  
JUPITER-80’s USB memory song player/recorder.  
If you want to record this audio using the USB memory song player/  
recorder, set “Recording Mode(p. 77) to “MIX.”  
USB MIDI  
For details on operating requirements, refer to the Roland website.  
If the JUPITER-80 is connected via USB to your computer, your  
DAW software can record the JUPITER-80’s performance data (MIDI  
data), and performance data (MIDI data) played back by your DAW  
software can play the JUPITER-80’s sound generator section.  
http://www.roland.com/  
NOTE  
• For some models of computer, the system might not operate  
correctly. Refer to the Roland website for the operating systems  
that are supported.  
Connecting the JUPITER-80 to Your  
Computer  
• Before you make connections to other equipment, turn down  
the volume and turn off the power off on all equipment in order  
to prevent malfunction and/or speaker damage.  
• A USB cable is not included. To purchase one, please contact the  
dealer where you purchased the JUPITER-80.  
1. Install the USB driver on your computer  
The USB driver is on the included CD-ROM “JUPITER-80 DRIVER  
CD-ROM.”  
• Use a USB cable that supports USB 2.0 Hi-Speed.  
• Use a computer with a USB connector that supports USB 2.0  
Hi-Speed.  
Roland web site  
• Switch on the JUPITER-80’s power before you start up the DAW  
software on your computer. Do not switch the JUPITER-80 on/off  
while your DAW software is running.  
http://www.roland.com/support/en/  
The driver installation procedure will depend on your system, so be  
sure to carefully read the “Readmele on the CD-ROM.  
2. Use a USB cable (sold separately) to connect the  
JUPITER-80 to your computer  
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Connecting an External MIDI Device  
About MIDI  
Using the JUPITER-80 as a Master  
MIDI (Musical Instrument Digital Interface) is a standard  
Keyboard (External Part Settings)  
specification that allows musical data to be transferred between  
electronic musical instruments and computers. If a MIDI cable  
is connected between devices equipped with MIDI connectors,  
you’ll be able to play multiple devices from a single MIDI keyboard,  
perform ensembles using multiple MIDI instruments, program the  
settings to change automatically as the song progresses, and more.  
You can connect external MIDI devices to the JUPITER-80’s MIDI  
OUT connector, and use the JUPITER-80 to control the connected  
MIDI devices.  
MEMO  
External Part settings are saved in the Registration.  
About MIDI Connectors  
Connection example  
The JUPITER-80 is equipped with the following  
three types of MIDI connectors, each of which has  
the following role.  
MIDI sound module  
MIDI IN connector  
MIDI IN connector  
This connector receives MIDI messages that are sent from an  
external MIDI device. When the JUPITER-80 receives MIDI messages,  
it can respond by playing notes, switching sounds, etc.  
MIDI OUT connector  
JUPITER-80  
MIDI OUT connector  
This connector transmits MIDI messages to an external MIDI device.  
Use it when you want to control an external MIDI device.  
MIDI THRU connector  
MIDI messages received at MIDI IN are re-transmitted without  
change from this connector to an external MIDI device. Use  
this in situations such as when you use multiple MIDI devices  
simultaneously.  
Enabling the External Part Settings  
1. In the Registration External Part screen (p  31), set the MIDI  
out Setting to “EXTERNAL ”  
The External Part settings will be enabled.  
MEMO  
• If the MIDI Out Setting is set to INTERNAL, Parts that are turned  
on will transmit MIDI messages.  
Choose the INTERNAL setting if you want a Part’s performance  
data to be recorded on a MIDI sequencer, or if you want to  
control the JUPITER-80 from a MIDI sequencer.  
• The MIDI channel of each Part is specified by the system  
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Connecting an External MIDI Device  
Specifying the Transmit Channel  
Detailed Settings for External Parts  
Set the JUPITER-80’s transmit channel so it matches the channel  
your external MIDI device is using for reception.  
Here you can make detailed settings for the messages transmitted  
to an external MIDI device.  
1. IntheRegistrationExternalPartscreen(p 31), touch<KBD>  
Parameter  
KBD  
Value  
Explanation  
to turn it on for the channel that you want to transmit  
Specifies whether the perfor-  
mance data of the External Part  
will be transmitted.  
When you play the keyboard, performance data will be transmitted  
from the MIDI OUT connector on the channel you specified.  
OFF, ON  
Specifies the MSB (controller  
number 0) of the bank select  
number transmitted when you  
switch Registrations.  
Choose “---if you don’t want  
this to be transmitted.  
MEMO  
0–127, ---  
For details on how to set the receive channel of your external  
MIDI device, refer to its owner’s manual.  
MSB  
* Not transmitted for  
Parts whose KBD is off.  
Specifies the LSB (controller  
number 32) of the bank select  
number transmitted when you  
switch Registrations.  
Choose “---if you don’t want  
this to be transmitted.  
Specifying the Sound for Each Channel  
0–127, ---  
To switch the tones of an external MIDI device, the program  
number and the MSB/LSB of the Bank Select message are entered  
as numerical values on the JUPITER-80.  
LSB  
PC  
* Not transmitted for  
Parts whose KBD is off.  
Specifies the program change  
number transmitted when you  
switch Registrations.  
Choose “---if you don’t want  
this to be transmitted.  
1. Specify the program change and bank select MSB/LSB  
for the channels for which you turned on <KBD> in the  
Registration External Part screen (p  31)  
1–128, ---  
* Not transmitted for  
Parts whose KBD is off.  
MEMO  
-3–+3  
• When this setting is “- - -,bank select and program change  
messages will not be transmitted.  
* This parameter is valid  
only for Parts whose  
KBD is on.  
OCT  
Specifies the octave shift.  
• If the external MIDI sound module transmits a Program number  
or a Bank number for which no Tone has been assigned, an  
alternate Tone may be selected, or in some cases, there may be  
no sound played.  
C- –(Key Up)  
Specifies the lowest key of the  
range that will sound.  
* This parameter is valid  
only for Parts whose  
KBD is on.  
Key Lo  
Key Up  
Velo Lo  
Velo Up  
(Key Lo)–G9  
Specifies the highest key of the  
range that will sound.  
* This parameter is valid  
only for Parts whose  
KBD is on.  
1–(Velo Up)  
Specifies the lowest velocity  
value.  
* This parameter is valid  
only for Parts whose  
KBD is on.  
(Velo Lo)–127  
Specifies the highest velocity  
value.  
* This parameter is valid  
only for Parts whose  
KBD is on.  
Specifies the volume message  
transmitted when you switch  
Registrations.  
Choose “---if you don’t want  
this to be transmitted.  
0–127, ---  
Level  
Pan  
* Not transmitted for  
Parts whose KBD is off.  
Specifies the pan message  
transmitted when you switch  
Registrations.  
Choose “---if you don’t want  
this to be transmitted.  
L64–0–63R, ---  
* Not transmitted for  
Parts whose KBD is off.  
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Connecting an External MIDI Device  
Setting the Program Change Receive  
Switch  
Playing the JUPITER-80 from an  
External MIDI Device  
Here’s how to turn on the receive switch for program change and  
bank select messages. With the factory settings, both are turned  
“ON.”  
Connection example  
1. In the System Setup screen, touch <MIDI Tx/Rx> (p  85)  
MIDI keyboard  
MIDI OUT connector  
JUPITER-80  
MIDI IN connector  
Setting the Receive Channel  
2. Turn on Receive Program Change and Receive Bank  
Select  
You’ll need to match your external MIDI device’s transmit channel  
with the JUPITER-80’s receive channel.  
3. To save the settings, touch <SYSTEM WRITE>  
1. In the System Setup screen, touch <MIDI> (p  85)  
MEMO  
• For details on these settings, refer to “MIDI Tx/Rx(p. 85).  
• For details on how to set the transmit channel of your external  
MIDI device, refer to its owner’s manual.  
2. In Part Channel, specify the MIDI channel of each Part  
3. To save the settings, touch <SYSTEM WRITE>  
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Connecting an External MIDI Device  
Synchronizing with an External MIDI  
Device  
Here’s how to synchronize the JUPITER-80’s tempo to an external  
MIDI device.  
Connection example  
MIDI device  
MIDI OUT connector  
MIDI IN connector  
MIDI OUT  
connector  
JUPITER-80  
MIDI IN  
connector  
1. In the System Setup screen, touch <Sync/Metronome> (p  
86)  
2. Set the Sync Mode, Sync Out, and Sync Source  
For details on each parameter, refer to “Sync/Metronome(p. 86).  
3. To save the settings, touch <SYSTEM WRITE>  
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Controlling Visuals  
Video equipment that supports MIDI Visual Control can be controlled from the JUPITER-80.  
What is Visual Control?  
Visual Control is a function that lets you control video along with your performance.  
The JUPITER-80 can control video equipment that supports MIDI Visual Control or V-LINK.  
MIDI Visual Control is an internationally-used recommended practice that was added to the MIDI specification so that visual  
expression could be linked with musical performance. Video equipment that is compatible with MIDI Visual Control can be  
connected to electronic musical instruments via MIDI in order to control video equipment in tandem with a performance.  
V-LINK is Roland’s proprietary specification that allows visual expression to be linked with musical performance. Video  
equipment that is compatible with V-LINK can be connected to electronic musical instruments via their MIDI ports, making it  
easy to enjoy a variety of visual effects that are linked with the performance.  
MEMO  
You’ll need a MIDI cable (sold separately) to connect the JUPITER-80 to your Visual Control compatible device.  
Connection example  
Use a MIDI cable to connect the JUPITER-80’s MIDI OUT connector (p. 20) to the Visual Control compatible device’s MIDI IN connector.  
NOTE  
To prevent malfunction and speaker damage, be sure to minimize the volume on all devices and turn off their power before making connections.  
JUPITER-80  
MIDI OUT connector  
Visual Control  
compatible device  
DI IN connector  
Turning Visual Control On/Off  
1. Press the [VISUAL CONTROL] button  
Visual Control will turn on.  
In this state, playing the JUPITER-80’s keyboard will control the image along with your performance.  
Visual Control function  
Switch images  
Transmitted MIDI message  
CC0 (Bank Select): 0–30  
Program change: 1–45  
JUPITER-80 operation  
Play black key  
Play white key  
2. To turn Visual Control off, press the [VISUAL CONTROL] button once again  
Visual Control will turn off.  
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Controlling Visuals  
Visual Control Settings  
1. Press the [VISUAL CONTROL] button  
The Visual Control screen (p. 34) will appear.  
2. Set the following parameters  
Parameter  
Clip Ch  
Value  
Explanation  
1–16  
Specifies the MIDI channel used to switch images.  
Effect Ch  
1–16  
Specifies the MIDI channel used to switch video effects.  
OFF, CC01–CC31, CC64–CC95, Bender,  
Ch Aftertouch  
Playback Speed Ctrl  
Specifies the controller used to change the video playback speed.  
0.1–1.0–2.0, 0.5–1.0–2.0,  
0.0–1.0–4.0, 0.5–1.0–4.0,  
0.0–1.0–8.0, 0.5–1.0–8.0,  
0.0–1.0–16.0, 0.5–1.0–16.0,  
0.0–1.0–32.0, 0.5–1.0–32.0,  
0.0–2.0–4.0, 0.0–4.0–8.0,  
0.0–8.0–16.0, 0.0–16.0–32.0,  
-2.0–1.0–4.0, -6.0–1.0–8.0  
Specifies the range in which the video playback speed will change.  
The three values specify the playback speed (as a multiple of normal speed) when the  
controller selected by Playback Speed Ctrl is at the minimum value, center value, and  
maximum value, respectively.  
Playback Speed Range  
OFF, CC01–CC31, CC64–CC95, Bender,  
Ch Aftertouch  
Dissolve Time Ctrl  
Specifies the controller used to control the dissolve time (video switching time).  
Specifies the controller used to control the video effect.  
Effect Ctrl 1  
Effect Ctrl 2  
Effect Ctrl 3  
OFF, CC01–CC31, CC64–CC95, Bender,  
Ch Aftertouch  
Keyboard Range Lower  
Keyboard Range Upper  
Note Message Enabled  
E1–G7  
Specifies the range of keys that will switch images.  
Turn this Assignable if you want note data to switch images. Normally, program change  
messages are used to switch images, so you would leave this OFF.  
OFF, Assignable  
OFF, ON  
Specifies whether the JUPITER-80 will (ON) or will not (OFF) produce sound when you play  
notes in the zones specified for Keyboard Range Lower and Keyboard Range Upper.  
Local Sw  
* The Local Sw setting is not saved. It will automatically be ON when you turn on the  
power.  
3. To save the settings, touch <SYSTEM WRITE>  
MEMO  
Use the system setting “Visual Control Mode(p. 86) to specify whether Visual Control is being used to control a MIDI Visual Control compatible  
device or a V-LINK compatible device.  
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Appendix  
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Error Message List  
If an incorrect operation is performed, or if processing could not be performed as you specified, an error message will appear.  
Refer to the explanation for the error message that appears, and take the appropriate action.  
Message  
Meaning  
Action  
Layer 1, to which the SuperNATURAL Acoustic Tone 0028: TW Organ is  
assigned, cannot be copied to another layer.  
Change the layer 1 Tone to something other than the SuperNATURAL  
Acoustic Tone 0028: TW Organ (p. 57).  
Cannot Copy!  
The allowable number of folders has been exceeded.  
It is not possible to create more than 8 levels of folders.  
You attempted to delete a folder that was not empty.  
Delete unneeded folders (p. 75).  
Cannot Create Folder!  
Cannot Delete!  
Create the folder at a level higher than the 8th level (p. 75).  
Empty the folder before deleting it (p. 75).  
Move the file to a different folder, or delete unneeded files before  
The allowable number of files has been exceeded.  
Cannot Move!  
A folder cannot be moved into a folder within itself (i.e., its own  
The folder cannot be moved.  
You attempted to move a folder to a level deeper than the 8th level.  
Move it to a folder that is higher than the 8th level (p. 76).  
When saving Live Sets or SuperNATURAL Synth Tones at the same time  
that you save a Registration or Live Set (p. 56, p. 65), the same write  
destination was selected.  
Select a different write destination for the edited Live Set and  
SuperNATURAL Synth Tone (p. 54, p. 63).  
Cannot Write!  
Cannot Import SMF  
Format 1!  
Only SMF data in SMF Format 0 can be imported.  
Make sure that the SMF you’re importing is in Format 0 (p. 45).  
Specify a different file name (p. 75).  
When executing recording, Create Folder, or Rename operations, you  
specified a name that was identical to an existing file. When executing  
the Move operation, an identically named file existed at the move  
destination.  
Duplicate File Name!  
File Not Selected!  
Incorrect File!  
No file is selected.  
This is a file that the JUPITER-80 is unable to play.  
Select a file that is supported by the JUPITER-80 (p. 73).  
The format of an SMF you intend to import to an arpeggio style must  
be Format 0.  
Make sure that the SMF you’re importing is in Format 0 (p. 45).  
In the Create Folder or Rename operations, the name must not begin  
with a .(period), and must not contain a character prohibited for file  
names (\ / , ; * ? “ < > |) (p. 75).  
Incorrect File Name!  
The file name is invalid.  
An unusually large amount of MIDI data was received, and could not  
be processed.  
MIDI Buffer Full!  
MIDI Offline!  
Reduce the amount of MIDI messages that are being transmitted.  
Check that there is no problem with the MIDI cable connected to the  
JUPITER-80’s MIDI IN, and that the MIDI cable was not disconnected.  
The MIDI IN connection was broken.  
The operation could not be performed because the read-only attribute  
is set for the folder or file.  
Permission Denied!  
Use your computer to clear the read-only attribute of the file or folder.  
The JUPITER-80 was unable to start up.  
Use the correct program to perform the update once again.  
Program Error!  
Read Error!  
The program could not be read correctly. Alternatively, the system  
update program may be invalid.  
If this does not solve the problem, contact your dealer or customer  
support.  
Make sure that USB flash drive is correctly connected (p. 6, p. 17).  
Also make sure that you’re using a USB flash drive sold by Roland.  
Data could not be read from the USB flash drive.  
The file is damaged.  
Do not use this file.  
Registration Button  
Locked!  
The Registration buttons are locked.  
Clear the Regist Button Lock setting (p. 81).  
Rotary Effects (MFX)  
Not Selected!  
Rotary or VK-Rotary are not selected as the Live Set’s MFX Type.  
Select Rotary or VK-Rotary as the MFX Type (p. 58).  
SuperNATURAL Synth You attempted to access the Synth Tone Edit screen of a layer for which  
First assign a SuperNATURAL Synth Tone as the layer’s sound (p. 57).  
Execute the factory reset operation (p. 87).  
Tone Not Selected!  
a SuperNATURAL Synth Tone is not selected.  
System Memory  
Damaged!  
The contents of system memory may be damaged.  
If this does not solve the problem, contact your dealer or customer  
support.  
Reduce the amount of data in the SMF. For details on the amount of  
data that can be imported, refer to “Creating an Arpeggio Style from a  
There was too much data in the SMF you attempted to import into an  
arpeggio style.  
Too Much Data!  
USB Memory Full!  
There is insufficient space on the USB flash drive.  
Delete unneeded data (p. 75).  
The USB flash drive is not inserted, or is inserted incompletely.  
Turn off the power, firmly insert the USB flash drive, and then turn on  
USB Memory Not  
Ready!  
The USB flash drive was removed after you selected data that was on  
the USB flash drive.  
The format of the USB flash drive is invalid.  
Data could not be written to the USB flash drive.  
The format of the USB flash drive is invalid.  
Use the JUPITER-80 to format the USB flash drive (p. 81).  
Make sure that USB flash drive is correctly connected (p. 6, p. 17).  
Also make sure that you’re using a USB flash drive sold by Roland.  
Write Error!  
Use the JUPITER-80 to format the USB flash drive (p. 81).  
98  
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Troubleshooting  
Problem  
Items to check  
Action  
Page  
Overall problems  
Check that the power cord is connected correctly.  
Are the included AC adaptor and power cord correctly  
connected to an outlet and to the JUPITER-80?  
Do not use any AC adaptor or power cord other than the  
supplied items.  
Power won’t turn on  
Doing so will cause malfunctions.  
Have the connected amp or speakers been powered up?  
Could the volume of a connected device have been lowered?  
Turn on the power of the connected amp or speakers.  
Adjust the volume of the connected equipment.  
Could the [VOLUME] knob be set to the minimum level?  
Adjust the [VOLUME] knob.  
Could the MASTER EQ’s Level setting be too low?  
Check the MASTER EQ’s Level setting.  
No sound  
Are your amp, speakers, headphones, etc., connected correctly?  
Correctly connect your amp, speakers, and headphones.  
If you hear sound through your headphones, it may be that there  
is a broken connection cable, or that your amp or mixer have  
malfunctioned. Check your connection cables and equipment  
once again.  
Can you connect headphones and hear sound through them?  
Could you be using a connection cable that contains a resistor?  
Use a connection cable that does not contain a resistor.  
Problems with the Synthesizer sound  
If pressing the keyboard does not produce sound, could the  
Turn the Local Switch setting on.  
Local switch be turned off?  
Check the Registration level, Part level, and the level of the Live  
Set layer.  
Could the level setting be too low?  
Check the effect on/off settings. Also check settings such as the  
effect levels.  
Are the effect settings correct?  
No sound  
Could the volume have been lowered by a pedal operation,  
a D Beam controller operation, or a MIDI message (volume or  
expression) received from an external MIDI device?  
Step on the pedal, move your hand above the D Beam controller,  
and check settings of the other controllers.  
Could the PART [PERC]/[LOWER]/[UPPER]/[SOLO] buttons or  
layer buttons be turned off?  
Turn on the [PERC]/[LOWER]/[UPPER]/[SOLO] buttons.  
No sound from a specific  
range of keys  
If you don’t hear sound from a specific range of keys, check the  
key range settings.  
Could a key range be set?  
Could you be applying an effect that intentionally distorts the  
sound?  
If the sound of a specific Part or Live Set layer is distorted, lower  
the volume for that Part or Live Set layer.  
Sound is distorted  
Could the [VOLUME] knob be set too high?  
Could the Output Gain be raised excessively?  
Could the JUPITER-80’s tuning be incorrect?  
If the overall sound is distorted, lower the [VOLUME] knob.  
Check the system setting “SOUND.  
Check the system setting “Master Tune.  
Could the pitch have been changed by a pedal operation or by  
a pitch bend message received from an external MIDI device?  
Pitch is wrong  
Check the pedal and the pitch bender.  
Could the Coarse Tune or Fine Tune parameters be set?  
Check the Coarse Tune and Fine Tune settings.  
Reduce the number of layers in the Live Set you’re using.  
Increase the voice reserve setting for layers in which notes must  
not drop out.  
Notes will be interrupted if more than 256 notes are sounded  
simultaneously.  
Notes are broken off  
Notes remain sounding  
when you play the  
keyboard  
Could the polarity of the hold pedal be reversed?  
Could effects be applied?  
Check the system setting “Hold Pedal Polarity.  
Sound is still heard from  
the opposite side as well  
even when panned all the  
way to one side  
Since the JUPITER-80’s internal effects are stereo, applying  
an insert effect will allow effect sound to be heard from the  
opposite side even if the source sound is panned all the way to  
one side.  
When you play high notes on the JUPITER-80, you might hear  
notes that fail to sound, whose pitch fails to rise, or a noise that  
changes depending on the note you play (a warbling, chirping,  
rustling, beeping, etc.)  
This is usually because you have exceeded the highest note  
that the JUPITER-80 is able to produce, and won’t occur with  
the notes you would normally use. This does not indicate a  
malfunction.  
Notes played in a high  
register sound funny  
Changing the tempo does  
not affect the arpeggio  
tempo or delay time  
Could the system setting “USB Song Sync Modehave been set  
to “SLAVE”?  
If “Sync Modeis set to “SLAVE,change the tempo of the external  
device that is transmitting MIDI clock data.  
99  
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Troubleshooting  
Problem  
Items to check  
Action  
Page  
Problems with the Synthesizer effects  
Could the effect switch be off?  
Check the on/off setting of each effect.  
With the factory settings, the Output Assign of some are not set  
to “MFX.Set the Output Assign to “MFX.”  
Is each layer’s Output Assign set to “MFX”?  
Effect not applied  
The effect won’t be obtained if the send level to that effect is set  
at 0. Even if the send levels to the effect is set above 0, the effect  
won’t be applied if the multi-effect output level, or reverb level  
are set to 0. Check each of these settings.  
Check the send level to each effect.  
Increase the tempo.  
You specified a delay time  
value (for example for  
multieffect 43: DELAY) as  
a note value, but there’s  
a limit beyond which the  
delay time will not change  
Since the delay time has an upper limit, specifying the delay time  
as a note value and then slowing down the tempo may reach  
this upper limit. The maximum delay time is the highest value  
that can be specified numerically (i.e., other than in terms of a  
note value).  
Check the delay time setting.  
Problems with the USB Memory Song Player/Recorder  
Format the USB flash drive on the JUPITER-80 (p. 79).  
The JUPITER-80 can use USB flash drive that is formatted as FAT.  
(Normally, when you purchase USB flash drive, it will be format-  
ted as FAT, so you can start using it immediately.) However, the  
JUPITER-80 cannot recognize a USB flash drive that is formatted  
in a format other than FAT (e.g., NTFS).  
USB flash drive is not  
detected / Song files are  
not displayed  
Check the format of your USB flash drive.  
The audio file’s file type might not be a file type that can be  
played on the JUPITER-80.  
Use an audio file of the types listed in “Song files that can be  
played.  
Audio files on USB flash  
drive won’t play  
The audio file may be damaged.  
Could the level be turned down?  
Check the audio file.  
Check the [VOLUME] knob setting, the Song Level setting and  
the SONG EQ’s Level setting.  
USB memory song player  
sounds wrong  
Could Center Cancel be ON?  
Turn off the center cancel function.  
Was the input sensitivity appropriate?  
Noise and distortion is  
heard in the recorded  
sound  
Raise the Recording Level knob as high as possible without  
causing the level meter’s CLIP indicator to light in red.  
If the input sensitivity is too high, the recorded sound will be  
distorted; if the input sensitivity is too low, the recorded sound  
will be buried in noise.  
Problems with external MIDI devices  
No sound from an external Does the JUPITER-80’s MIDI transmit channel match the  
Match the JUPITER-80’s transmit channel and your connected  
device’s receive channel.  
MIDI device  
connected device’s MIDI receive channel?  
Exclusive messages are not Does the transmitting unit’s Device ID number match the  
Set the Device ID numbers.  
received  
JUPITER-80’s Device ID number?  
When using sequencer  
software, operating knobs Some sequencer software does not “soft thrusystem exclusive  
or other controls does not messages.  
If you want to record system exclusive messages, turn off the  
Local Switch parameter.  
affect the sound  
Problems with an external device you’re recording  
Could you be using a connection cable that contains a resistor?  
Use a connection cable that does not contain a resistor.  
The volume level of the  
instrument connected to  
Adjust the volume of your external device to an appropriate  
level.  
Is the volume of the external device adjusted correctly?  
AUDIO IN (STEREO) is too  
low  
Is the [LEVEL] knob adjusted correctly?  
Adjust the [LEVEL] knob.  
Problems with the USB flash drive  
Could you have turned off the power while the USB song  
player/recorder was operating?  
Data on the USB flash drive Could a strong physical shock have been applied to the USB  
Format the USB flash drive on the JUPITER-80.  
was damaged  
flash drive?  
Could the power have been turned off while accessing the USB  
flash drive?  
Is there sufficient free space on the USB flash drive?  
Use an SD card that has sufficient free space.  
Format the USB flash drive on the JUPITER-80.  
Can’t back up to USB flash  
drive  
Check the format of the USB flash drive. The JUPITER-80 can use  
USB flash drive that are formatted in FAT format.  
100  
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Specifications  
Others  
Roland JUPITER-80: Synthesizer  
Preset: 128 styles  
User: 128 styles  
Arpeggiator  
Keyboard  
76 keys (with velocity and channel aftertouch)  
Sound Generator Section  
Harmony  
Intelligence  
17 types  
Maximum  
Polyphony  
Parts  
256 voices (varies according to the sound generator load)  
D Beam Controller  
4 parts (Upper, Lower, Solo, Percussion)  
Pitch Bend/Modulation Lever  
Assignable buttons ([S1], [S2])  
Assignable knobs ([E1]–[E4])  
PART LEVEL sliders (PERC, LOWER, UPPER, SOLO)  
Controllers  
Display  
Registrations: 256  
Live Sets: 2,560  
Tones  
for Live Set (Upper/Lower Part)  
Graphic Color LCD 800 x 480 dots (touch screen)  
Multi-Effects (MFX): 4 units (parallel connection only), 76  
types per each Upper/Lower (total: 8 units)  
PHONES jack (stereo 1/4-inch phone type)  
MAIN OUT jacks (L, R) (XLR type)  
Reverb: 1 unit, 5 types per each Upper/Lower (total: 2 units)  
MAIN OUT jacks (L/MONO, R) (1/4-inch TRS phone type)  
SUB OUT jacks (L, R) (1/4-inch phone type)  
AUDIO IN jack (Stereo miniature phone type)  
DIGITAL AUDIO OUT jack (COAXIAL)  
FOOT PEDAL jacks (CTRL 1, CTRL 2, HOLD)  
MIDI Connectors (IN, OUT, THRU)  
USB COMPUTER port (Audio/MIDI)  
USB Memory port  
for Solo Part/Percussion Part  
Effects  
Compressor + Equalizer + Delay: 1 set per each Solo/Percus-  
sion (total: 2 sets)  
Connectors  
Reverb: 1 unit, 5 types  
Master Effects  
4-Band Equalizer: 1 unit  
USB Memory Song Player/Recorder Section  
AC IN jack  
Tracks  
1 stereo track  
Power  
Consumption  
25 W  
Playable File  
Format  
Audio File: WAV, AIFF, MP3  
1,230.9 (W) x 439.3 (D) x 139.6 (H) mm  
Dimensions  
Weight  
Recording File  
Format  
48-1/2 (W) x 17-5/16 (D) x 5-1/2 (H) inches  
Audio File: WAV (44.1 kHz, 16-bit Linear, stereo)  
17.7 kg  
Effects  
4-Band Equalizer: 1 unit  
39 lbs 1 oz  
USB Flash Memory (sold separately)  
Owner’s manual  
External Memory  
* Use USB Flash Memory sold by Roland. We cannot guarantee  
operation if other products are used.  
CD-ROM (USB Audio/MIDI driver)  
DVD-ROM (SONAR LE)  
USB MEMORY Protector  
Power Cord  
Accessories  
Keyboard stand: KS-J8, KS-G8, KS-18Z  
(When using the KS-18Z, ensure that the height of the unit is  
one meter or lower.)  
Pedal switch: DP series  
Footswitch: BOSS FS-5U  
Expression pedal: EV-5  
Stereo Headphones  
USB Flash Memory  
Options (sold  
separately)  
* In the interest of product improvement, the specifications and/  
or appearance of this unit are subject to change without prior  
notice.  
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MIDI Implementation Chart  
Date : Apr. 1, 2011  
Version : 1.00  
Model JUPITER-80  
Transmitted  
Recognized  
Remarks  
Function...  
Default  
Changed  
Basic  
Channel  
1–16  
1–16  
1–16  
1–16  
Default  
Message  
Altered  
Mode 3  
Mono, Poly  
Mode 3  
Mode 3, 4 (M=1)  
*2  
Mode  
**************  
0–127  
**************  
0–127  
0–127  
Note  
Number  
: True Voice  
Note On  
Note O€  
o
o
o
o
Velocity  
After  
Toucn  
Key’s  
Channel’s  
x
o
o
o
*1  
*1  
Pitch Bend  
o
o
*1  
o
*1  
*1  
*1  
*1  
*1  
Bank select  
Modulation  
Breath type  
Foot type  
0, 32  
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
o
x
o
1
o
2
o
4
Portamento time  
Data entry  
o
5
o
6, 38  
*1  
*1  
*1  
*1  
*1  
*1  
*1  
*1  
*1  
Volume  
o
7
Panpot  
o
10  
Expression  
o
11  
General purpose controller 1  
General purpose controller 2  
General purpose controller 3  
General purpose controller 4  
Hold 1  
o (Tone Modify 1)  
16  
o (Tone Modify 2)  
17  
Control Change  
o (Tone Modify 3)  
18  
o (Tone Modify 4)  
19  
o
o
o
o
o
o
o
o
o
o
o
o
o
o
64  
Portamento  
65  
Sostenuto  
66  
Soft  
67  
Legato foot switch  
Resonance  
68  
*1  
*1  
*1  
*1  
*1  
71  
Release time  
72  
Attack time  
73  
Cuto€  
74  
Decay time  
75  
Vibrato rate  
76  
Vibrato depth  
77  
Vibrato delay  
78  
Tone blender  
79  
*1  
*1  
*1  
*1  
General purpose controller 5  
General purpose controller 6  
General purpose controller 7  
General purpose controller 8  
Portamento control  
General purpose e€ect 1  
General purpose e€ect 3  
General purpose controller  
Increment, Decrement  
NRPN LSB, MSB  
RPN LSB, MSB  
o (Tone Variation 1)  
80  
81  
o (Tone Variation 2)  
o (Tone Variation 3)  
82  
o (Tone Variation 4)  
83  
o
84  
o (Reverb)  
*1  
91  
x (Chorus)  
93  
o
x
x
o
x
1–31, 33–95  
96, 97  
98, 99  
100, 101  
102, 119  
x
x
x
Program  
Change  
o
*1  
o
*1  
*1  
**************  
0–127  
: True Number  
Program Number 1–128  
System Exclusive  
o
*3  
o
: Song Position  
: Song Select  
: Tune  
x
x
x
x
x
x
System  
Common  
System  
Realtime  
o
x
o
x
: Clock  
: Commands  
: All Sound O€  
: Reset All Controllers  
: Local On/O€  
x
x
x
x
o
x
o
o
Aux  
Messages  
x
: All Notes O€  
o (123–127)  
: Active Sensing  
: System Reset  
o
x
*1 O X is selectable.  
*2 Recognized as M=1 even if M 1.  
*3 Transmitted only when “Transmitted Edit Data” is ON or RQ1 is received.  
Notes  
Mode 1: Omni On, Poly  
Mode 3: Omni O€, Poly  
Mode 2: Omni On, Mono  
Mode 4: Omni O€, Mono  
o: Yes  
x: No  
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Index  
Incorrect File Name!. . . . . . . . . . . . . . . 98  
INFORMATION . . . . . . . . . . . . . . . . . . . . 87  
Initializing  
MIDI connectors . . . . . . . . . . . . . . 20, 91  
MIDI Implementation Chart . . . . . 102  
MIDI Offline! . . . . . . . . . . . . . . . . . . . . . . 98  
MIDI Tx/Rx . . . . . . . . . . . . . . . . . . . . . . . . 85  
MIX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 77  
Modeling . . . . . . . . . . . . . . . . . . . . . . . . . 10  
Modify. . . . . . . . . . . . . . . . . . . . . . . . . . . . 60  
Modulation Lever . . . . . . . . . . . . . 19, 47  
Moving . . . . . . . . . . . . . . . . . . . . . . . . . . . 76  
MP3 . . . . . . . . . . . . . . . . . . . . . . . . . . 17, 73  
MSB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
Multi-effects . . . . . . . . . . . . . . . . . . . . . . 58  
Symbols  
[1]–[8] buttons . . . . . . . . . . . . . . . . 19, 41  
D
D BEAM  
[ASSIGNABLE] button . . . . . . . . . 47  
[PITCH] button . . . . . . . . . . . . . . . . 47  
[VOLUME] button . . . . . . . . . . . . . 47  
A
Live Set . . . . . . . . . . . . . . . . . . . . . . . 64  
Partial . . . . . . . . . . . . . . . . . . . . . . . . 69  
Registration. . . . . . . . . . . . . . . . . . . 55  
SuperNATURAL Synth Tone . . . . 69  
USB Flash Drive . . . . . . . . . . . . . . . 81  
AC IN jack. . . . . . . . . . . . . . . . . . . . . . . . . 20  
[A]–[D] buttons . . . . . . . . . . . . . . . 19, 41  
Aftertouch Sens. . . . . . . . . . . . . . . . . . . 84  
AIFF . . . . . . . . . . . . . . . . . . . . . . . . . . 17, 73  
Alternate . . . . . . . . . . . . . . . . . . . . . . . . . 37  
[ALTERNATE] button. . . . . . . . . . . 19, 37  
Arpeggio . . . . . . . . . . . . . . . . . . . . . . . . . 43  
Import. . . . . . . . . . . . . . . . . . . . . . . . 45  
style . . . . . . . . . . . . . . . . . . . . . . . . . . 45  
ARPEGGIO . . . . . . . . . . . . . . . . . . . . . . . . 44  
D Beam Controller . . . . . . . . . . . . 18, 47  
D Beam Sens. . . . . . . . . . . . . . . . . . . . . . 84  
D Beam/Slider . . . . . . . . . . . . . . . . . . . . 84  
[DEC] button. . . . . . . . . . . . . . . . . . 19, 25  
<Delete Song/Folder> . . . . . . . . . . . . 75  
Deleting . . . . . . . . . . . . . . . . . . . . . . . . . . 75  
Device ID . . . . . . . . . . . . . . . . . . . . . . . . . 85  
DIGITAL AUDIO OUT (COAXIAL) jack  
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20  
Display . . . . . . . . . . . . . . . . . . . . . . . . . . . 18  
Calibrating. . . . . . . . . . . . . . . . . . . . 82  
Dissolve Time Ctrl . . . . . . . . . . . . . . . . . 96  
Drum Sounds . . . . . . . . . . . . . . . . . . . . . 38  
Drums/SFX . . . . . . . . . . . . . . . . . . . 13, 38  
[DRUMS/SFX] button. . . . . . . . . . . . . . 38  
Duplicate File Name! . . . . . . . . . . . . . . 98  
Dynamics Effect. . . . . . . . . . . . . . . . . . . 47  
K
KBD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
Keyboard . . . . . . . . . . . . . . . . . . . . . . . . . 84  
KEYBOARD. . . . . . . . . . . . . . . . . . . . . . . . 77  
Keyboard Range . . . . . . . . . . . . . . . . . . 96  
Keyboard Velocity. . . . . . . . . . . . . . . . . 84  
Key Lo/Key Up . . . . . . . . . . . . . . . . . . . . 92  
Key Ranges . . . . . . . . . . . . . . . . . . . . . . . 39  
KS-J8, KS-G8, KS-18Z . . . . . . . . . . . . . . 22  
N
Name. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29  
[NEXT] button . . . . . . . . . . . . . . . . 19, 42  
Non-rewritable Memory. . . . . . . . . . . 16  
Note Message Enabled . . . . . . . . . . . . 96  
[LOWER ON/OFF] button,  
[UPPER ON/OFF] button 18, 43, 45  
[ASSIGNABLE] button . . . . . . . . . 18, 47  
Audio File  
Audio files that can be played  
. . . . . . . . . . . . . . . . . . . . . . . . . . . 17, 73  
Audio files that will be saved  
. . . . . . . . . . . . . . . . . . . . . . . . . . . 17, 77  
L
O
<LAYER>. . . . . . . . . . . . . . . . . . . . . . 56, 61  
Layer On/O. . . . . . . . . . . . . . . . . . . . . . 58  
Level . . . . . . . . . . . . . . . . . . . . . 73, 85, 92  
[LEVEL] slider . . . . . . . . . . . . . . . . . . . . . 18  
LFO screen. . . . . . . . . . . . . . . . . . . . . . . . 33  
Live Set . . . . . . . . . . . . . . . . . . . 11, 12, 14  
Editing. . . . . . . . . . . . . . . . . . . . . . . . 56  
Initializing . . . . . . . . . . . . . . . . . . . . 64  
Saving . . . . . . . . . . . . . . . . . . . . . . . . 62  
Tones . . . . . . . . . . . . . . . . . . . . . . . . . 57  
Live Set Common screen . . . . . . . . . . 32  
Live Set Effects Routing screen . . . . 33  
<Live Set Initialize> . . . . . . . . . . . . . . . 64  
<Live Set Layer Copy>. . . . . . . . . . . . . 65  
Live Set Layer screen . . . . . . . . . . . . . . 32  
Live Set List screen . . . . . . . . . . . . 30, 32  
Live Set MFX screen . . . . . . . . . . . . . . . 33  
Live Set screen . . . . . . . . . . . . . . . . 30, 32  
LIVE SET/TONE BUTTONS. . . . . . . . . . 87  
Live Set Tone Modify screen . . . . . . . 32  
<LIVE SET WRITE>. . . . . . . . . . . . . . . . . 62  
Local Sw . . . . . . . . . . . . . . . . . . . . . . . . . . 96  
Local Switch . . . . . . . . . . . . . . . . . . . . . . 84  
Loop Playback . . . . . . . . . . . . . . . . . . . . 74  
<Loop Switch> . . . . . . . . . . . . . . . . . . . 74  
Lower . . . . . . . . . . . . . . . . . . . . . . . . 86, 87  
LOWER Alternate. . . . . . . . . . . . . . . . . . 87  
[LOWER] button. . . . . . . . . . . . . . . . . . . 18  
Lower Split Point. . . . . . . . . . . . . . . . . . 39  
LSB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
OCT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
OCTAVE [DOWN] button. . . . . . . . . . . 18  
Octaves. . . . . . . . . . . . . . . . . . . . . . . . . . . 50  
OCTAVE [UP] button. . . . . . . . . . . . . . . 18  
Offset parameters. . . . . . . . . . . . . . . . . 60  
[ON/OFF] button, [SLOW/FAST]  
button. . . . . . . . . . . . . . . . . . . . . . . . . . . . 19  
Output Assign . . . . . . . . . . . . . . . . . . . . 86  
Output Gain . . . . . . . . . . . . . . . . . . . . . . 84  
Chain Play . . . . . . . . . . . . . . . . . . . . 74  
Deleting . . . . . . . . . . . . . . . . . . . . . . 75  
Looping . . . . . . . . . . . . . . . . . . . . . . 74  
Moving . . . . . . . . . . . . . . . . . . . . . . . 76  
Renaming . . . . . . . . . . . . . . . . . . . . 75  
AUDIO IN (STEREO) jack . . . . . . . . . . . 21  
Audio Signal Flow. . . . . . . . . . . . . . . . . 78  
E
[E1]–[E4] knobs . . . . . . . . . . . 18, 26, 47  
<EDIT> . . . . . . . . . . . . . . . . 59, 60, 61, 66  
Editing  
Effects . . . . . . . . . . . . . . . . . . . . . . . . 59  
MFX . . . . . . . . . . . . . . . . . . . . . . . . . . 59  
Tone. . . . . . . . . . . . . . . . . . . . . . . . . . 60  
Effect  
Editing. . . . . . . . . . . . . . . . . . . . . . . . 59  
Send Level . . . . . . . . . . . . . . . . . . . . 59  
Effect Ch. . . . . . . . . . . . . . . . . . . . . . . . . . 96  
Effect Ctrl 1–3. . . . . . . . . . . . . . . . . . . . . 96  
<EFFECTS> . . . . . . . . . . . . . . . . . . . 56, 61  
[ENTER] button . . . . . . . . . . . . . . . . . . . 19  
EQ Switch. . . . . . . . . . . . . . . . . . . . . . . . . 85  
Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . 73  
[EXIT] button . . . . . . . . . . . . . . . . . . . . . 19  
Expression Pedal . . . . . . . . . . . . . . . . . . 48  
External Part . . . . . . . . . . . . . . . . . . . . . . 91  
P
B
Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14  
On/O. . . . . . . . . . . . . . . . . . . . . . . . 37  
Part Channel. . . . . . . . . . . . . . . . . . . . . . 85  
Partial  
Backing Up . . . . . . . . . . . . . . . . . . . 79, 80  
Back Space . . . . . . . . . . . . . . . . . . . . . . . 29  
<Backup> . . . . . . . . . . . . . . . . . . . . . . . . 79  
Banks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41  
Beep/Misc . . . . . . . . . . . . . . . . . . . . . . . . 86  
Beep Switch . . . . . . . . . . . . . . . . . . . . . . 86  
Behavior Modeling Technology 10, 13  
Copy. . . . . . . . . . . . . . . . . . . . . . . . . . 69  
Initialize . . . . . . . . . . . . . . . . . . . . . . 69  
On/O. . . . . . . . . . . . . . . . . . . . . . . . 67  
<Partial Copy>. . . . . . . . . . . . . . . . . . . . 69  
<Partial Initialize>. . . . . . . . . . . . . . . . . 69  
Part Sound Buttons . . . . . . . . . . . . . . . 36  
PC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92  
Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83  
Pedal switch . . . . . . . . . . . . . . . . . . . . . . 43  
[PERC] button. . . . . . . . . . . . . . . . . . . . . 18  
Percussion . . . . . . . . . . . . . . . . . . . . 38, 86  
Permission Denied! . . . . . . . . . . . . . . . 98  
PHONES jack. . . . . . . . . . . . . . . . . . . . . . 21  
Physical Modeling. . . . . . . . . . . . . . . . . 10  
Pitch. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47  
Pitch Bend Lever . . . . . . . . . . . . . . 19, 47  
[PITCH] button . . . . . . . . . . . . . . . . 18, 47  
Playback. . . . . . . . . . . . . . . . . . . . . . . . . . 72  
Playback Speed Ctrl . . . . . . . . . . . . . . . 96  
Playback Speed Range . . . . . . . . . . . . 96  
Player Sync . . . . . . . . . . . . . . . . . . . . . . . 77  
C
Cancel . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27  
Cannot Copy! . . . . . . . . . . . . . . . . . . . . . 98  
Cannot Create Folder! . . . . . . . . . . . . . 98  
Cannot Delete!. . . . . . . . . . . . . . . . . . . . 98  
Cannot Import SMF Format 1! . . . . . 98  
Cannot Move!. . . . . . . . . . . . . . . . . . . . . 98  
Cannot Write! . . . . . . . . . . . . . . . . . . . . . 98  
<Center Cancel> . . . . . . . . . . . . . . . . . . 73  
Center Cancel. . . . . . . . . . . . . . . . . . . . . 73  
Center Cancel Type. . . . . . . . . . . . . . . . 73  
<Chain Play> . . . . . . . . . . . . . . . . . . . . . 74  
Chain Play . . . . . . . . . . . . . . . . . . . . . . . . 74  
Chord name . . . . . . . . . . . . . . . . . . . . . . 46  
Clear All . . . . . . . . . . . . . . . . . . . . . . . . . . 29  
Clip Ch . . . . . . . . . . . . . . . . . . . . . . . . . . . 96  
Clock Source. . . . . . . . . . . . . . . . . . . . . . 86  
<COMMON>. . . . . . . . . . . . . . . . . . 56, 61  
F
Factory Reset . . . . . . . . . . . . . . . . . . . . . 87  
Factory-set state . . . . . . . . . . . . . . . . . . 87  
File Not Selected! . . . . . . . . . . . . . . . . . 98  
Folder . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75  
Deleting . . . . . . . . . . . . . . . . . . . . . . 75  
Moving . . . . . . . . . . . . . . . . . . . . . . . 76  
Renaming . . . . . . . . . . . . . . . . . . . . 75  
FOOT PEDAL jacks . . . . . . . . . . . . . . . . 20  
Format . . . . . . . . . . . . . . . . . . . . . . . . . . . 81  
<Format USB Memory> . . . . . . . . . . . 81  
Freq . . . . . . . . . . . . . . . . . . . . . . . . . . 73, 85  
M
MAIN OUT jacks. . . . . . . . . . . . . . . . . . . 21  
Manual Percussion . . . . . . . . . . . . 13, 38  
[MANUAL PERCUSSION] button. . . . 38  
Master EQ . . . . . . . . . . . . . . . . . . . . . . . . 85  
Master Keyboard. . . . . . . . . . . . . . . . . . 91  
Master Key Shift. . . . . . . . . . . . . . . . . . . 84  
Master Level . . . . . . . . . . . . . . . . . . . . . . 84  
Master Tune . . . . . . . . . . . . . . . . . . . . . . 84  
Memory . . . . . . . . . . . . . . . . . . . . . . . . . . 16  
Data Saved in USB Flash Drive . 17  
Non-rewritable Memory. . . . . . . 16  
Rewritable Memory . . . . . . . . . . . 16  
Temporary Memory . . . . . . . . . . . 16  
[MENU] button. . . . . . . . . . . . . . . . 18, 29  
MENU screen . . . . . . . . . . . . . . . . . 34, 79  
Metronome. . . . . . . . . . . . . . . . . . . . . . . 86  
Metronome Beat. . . . . . . . . . . . . . . . . . 77  
Metronome Level . . . . . . . . . . . . . . . . . 86  
Metronome Sound. . . . . . . . . . . . . . . . 86  
MFX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58  
Edit. . . . . . . . . . . . . . . . . . . . . . . . . . . 59  
MFX On/Off. . . . . . . . . . . . . . . . . . . . . . . 59  
MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . 85, 91  
MIDI Buffer Full! . . . . . . . . . . . . . . . . . . . 98  
G
Playing the JUPITER-80 from an  
External MIDI Device . . . . . . . . . . . . . . 93  
Connecting the JUPITER-80 to Your  
Computer . . . . . . . . . . . . . . . . . . . . . . . . 90  
Gain . . . . . . . . . . . . . . . . . . . . . . . . . . 73, 85  
Play Pitch . . . . . . . . . . . . . . . . . . . . . . . . . 73  
Play Speed. . . . . . . . . . . . . . . . . . . . . . . . 73  
Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23  
[POWER] switch . . . . . . . . . . . . . . . 20, 23  
[PREV] button. . . . . . . . . . . . . . . . . 19, 42  
<PRO EDIT> . . . . . . . . . . . . . . . . . . . . . . 66  
Pro Edit screen . . . . . . . . . . . . . . . . . . . . 33  
Program Error! . . . . . . . . . . . . . . . . . . . . 98  
Connection example . . . . . . . . . . . . . . 93  
Continuous Hold Pedal. . . . . . . . . . . . 83  
Controlling Visuals . . . . . . . . . . . . . . . . 95  
Control Pedal . . . . . . . . . . . . . . . . . . . . . 48  
Assign . . . . . . . . . . . . . . . . . . . . . . . . 83  
Polarity . . . . . . . . . . . . . . . . . . . . . . . 83  
Copying  
Layer . . . . . . . . . . . . . . . . . . . . . . . . . 65  
Partial . . . . . . . . . . . . . . . . . . . . . . . . 69  
Count In . . . . . . . . . . . . . . . . . . . . . . . . . . 77  
<Create Folder> . . . . . . . . . . . . . . . . . . 75  
CTRL 1, CTRL 2 jacks. . . . . . . . . . . . . . . 20  
Cursor . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24  
Cursor buttons. . . . . . . . . . . . . . . . 19, 24  
H
Harmony Intelligence . . . . . . . . . . . . . 46  
[HARMONY INTELLIGENCE] button  
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18, 46  
Harmony Type . . . . . . . . . . . . . . . . . . . . 46  
HOLD. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43  
Arpeggio . . . . . . . . . . . . . . . . . . . . . 43  
[HOLD] button . . . . . . . . . . . . . . . . 18, 43  
HOLD jack . . . . . . . . . . . . . . . . . . . . . . . . 20  
Hold Pedal. . . . . . . . . . . . . . . . . . . . . . . . 48  
Hold Pedal Polarity. . . . . . . . . . . . . . . . 83  
Q
Q . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 73, 85  
R
I
Read Error!. . . . . . . . . . . . . . . . . . . . . . . . 98  
[REC] button . . . . . . . . . . . . . . . . . . 19, 77  
Receive Bank Select . . . . . . . . . . . . . . . 85  
Receive Channel . . . . . . . . . . . . . . . . . . 93  
Receive Exclusive . . . . . . . . . . . . . . . . . 85  
103  
Import  
Arpeggio . . . . . . . . . . . . . . . . . . . . . 45  
[INC] button . . . . . . . . . . . . . . . . . . 19, 25  
Incorrect File! . . . . . . . . . . . . . . . . . . . . . 98  
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Index  
Receive Program Change. . . . . . . . . . 85  
Recording . . . . . . . . . . . . . . . . . . . . . . . . 77  
Recording Folder. . . . . . . . . . . . . . . . . . 77  
Recording Level. . . . . . . . . . . . . . . . . . . 77  
Recording Mode . . . . . . . . . . . . . . . . . . 77  
<Regist Button Lock> . . . . . . . . . . . . . 81  
Registration. . . . . . . . 11, 12, 15, 41, 52  
Bank button . . . . . . . . . . . . . . . . . . 19  
Common/Control screen . . . . . . 31  
Effects Routing screen. . . . . . . . . 31  
External Part screen . . . . . . . . . . . 31  
List screen . . . . . . . . . . . . . . . . . . . . 30  
Part screen. . . . . . . . . . . . . . . . . . . . 30  
PERC Part screen . . . . . . . . . . . . . . 31  
SOLO Part screen. . . . . . . . . . . . . . 31  
Registration Button Locked! . . . . . . . 98  
Registration Control Channel . . . . . . 85  
<Registration Initialize> . . . . . . . . . . . 55  
Registration Next/Prev Button . . . . . 86  
Registration Part screen . . . . . . . . . . . 31  
Registrations. . . . . . . . . . . . . . . . . . . . . . 41  
Bank. . . . . . . . . . . . . . . . . . . . . . . . . . 41  
Button . . . . . . . . . . . . . . . . . . . . . . . . 41  
Button Lock. . . . . . . . . . . . . . . . . . . 81  
Editing. . . . . . . . . . . . . . . . . . . . . . . . 52  
Initializing . . . . . . . . . . . . . . . . . . . . 55  
Number . . . . . . . . . . . . . . . . . . . . . . 53  
Saving . . . . . . . . . . . . . . . . . . . . . . . . 53  
Set . . . . . . . . . . . . . . . . . . . . . . . 42, 82  
Registration screen. . . . . . . . . . . . . . . . 30  
<Regist Set Exchange>. . . . . . . . . . . . 82  
Remote Keyboard Switch. . . . . . . . . . 85  
<Rename Song/Folder>. . . . . . . . . . . 75  
Renaming  
Audio File. . . . . . . . . . . . . . . . . . . . . 75  
Folder . . . . . . . . . . . . . . . . . . . . . . . . 75  
<Reset> . . . . . . . . . . . . . . . . . . . . . . . . . . 61  
<Restore> . . . . . . . . . . . . . . . . . . . . . . . . 80  
Restoring . . . . . . . . . . . . . . . . . . . . . . . . . 80  
Reverb. . . . . . . . . . . . . . . . . . . . . . . . 49, 59  
Reverb Lower . . . . . . . . . . . . . . . . . . . . . 86  
REVERB [ON/OFF] button. . . . . . . . . . 19  
Reverb Solo/Perc. . . . . . . . . . . . . . . . . . 86  
Reverb Upper. . . . . . . . . . . . . . . . . . . . . 86  
Rewritable Memory . . . . . . . . . . . . . . . 16  
ROLAND Folder . . . . . . . . . . . . . . . . . . . 17  
Rotary . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49  
Rotary Effects(MFX) Not Selected! . 98  
ROTARY SOUND  
SMF . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45  
Solo . . . . . . . . . . . . . . . . . . . . . . . . . . 86, 87  
SOLO Alternate . . . . . . . . . . . . . . . . . . . 87  
[SOLO] button . . . . . . . . . . . . . . . . . . . . 18  
Solo Split . . . . . . . . . . . . . . . . . . . . . . . . . 39  
Solo Split Point. . . . . . . . . . . . . . . . 39  
[SOLO SPLIT] button . . . . . . 19, 39, 40  
[SONG] button . . . . . . . . . . . . . . . . 19, 72  
Song EQ . . . . . . . . . . . . . . . . . . . . . . . . . . 85  
Song EQ screen . . . . . . . . . . . . . . . . . . . 73  
Song Level. . . . . . . . . . . . . . . . . . . . . . . . 84  
Song Player/Recorder . . . . . . . . . . . . . 72  
Song screen . . . . . . . . . . . . . . . . . . . . . . 72  
Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84  
Sound Effects . . . . . . . . . . . . . . . . . . . . . 38  
Sound generator. . . . . . . . . . . . . . . . . . 12  
Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . 36  
Specifications. . . . . . . . . . . . . . . . . . . 101  
Split . . . . . . . . . . . . . . . . . . . . . . . . . . 14, 39  
Split Point. . . . . . . . . . . . . . . . . . . . . 40  
Split and Parts . . . . . . . . . . . . . . . . . . . . 40  
[SPLIT] button . . . . . . . . . . . . 19, 39, 40  
Stand. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22  
Startup . . . . . . . . . . . . . . . . . . . . . . . . . . . 86  
Startup Registration. . . . . . . . . . . . . . . 86  
SUB OUT jacks . . . . . . . . . . . . . . . . . . . . 21  
SuperNATURAL . . . . . . . . . . . . . . . . . . . 10  
Acoustic Tone . . . . . . . . . . . . . 10, 13  
Initializing a Synth Tone . . . . . . . 69  
Synth Tone. . . . . . . . . . . . . . . . 10, 13  
Transmit  
Active Sensing . . . . . . . . . . . . . . . . 85  
Bank Select . . . . . . . . . . . . . . . . . . . 85  
Edit Data. . . . . . . . . . . . . . . . . . . . . . 85  
Program Change . . . . . . . . . . . . . . 85  
Transmit Channel . . . . . . . . . . . . . . . . . 92  
Transpose . . . . . . . . . . . . . . . . . . . . . . . . 50  
[TRANSPOSE] button. . . . . . . . . . . . . . 18  
U
Upper . . . . . . . . . . . . . . . . . . . . . . . . 86, 87  
UPPER Alternate . . . . . . . . . . . . . . . . . . 87  
[UPPER] button . . . . . . . . . . . . . . . . . . . 18  
USB  
COMPUTER connector. . . . . 20, 90  
Memory Song Player/Recorder  
. . . . . . . . . . . . . . . . . . . . . . . . . . . 17, 72  
USB flash drive . . . . . . . . . . . . . . . . 16  
USB Audio . . . . . . . . . . . . . . . . . . . . 86, 90  
USB Audio Player/Recorder. . . . . . . . 11  
USB driver . . . . . . . . . . . . . . . . . . . . . . . . 90  
USB flash drive. . . . . . . . . . . . . . . . . . . . 16  
Backing Up . . . . . . . . . . . . . . . . . . . 80  
Data Saved in USB Flash Drive . 17  
Initializing . . . . . . . . . . . . . . . . . . . . 81  
Restoring . . . . . . . . . . . . . . . . . . . . . 80  
Song Player/Recorder . . . . . . . . . 72  
USB Memory. . . . . . . . . . . . . . . . . . . . . . 87  
USB MEMORY connector . . . . . . . . . . 18  
USB Memory Full! . . . . . . . . . . . . . . . . . 98  
USB Memory Not Ready! . . . . . . . . . . 98  
USB Memory Protector . . . . . . . . . . . . 78  
USB MIDI . . . . . . . . . . . . . . . . . . . . . . . . . 90  
USB-MIDI Thru . . . . . . . . . . . . . . . . . . . . 85  
USB Song/Audio IN . . . . . . . . . . . . . . . 86  
Using Pedals . . . . . . . . . . . . . . . . . . . . . . 48  
<UTILITY>  
SuperNATURAL Synth Tone Not  
Selected! . . . . . . . . . . . . . . . . . . . . . . . . . 98  
Synchronizing with an External  
MIDI Device. . . . . . . . . . . . . . . . . . . . . . . 94  
Sync/Metronome . . . . . . . . . . . . . . . . . 86  
Sync Mode. . . . . . . . . . . . . . . . . . . . . . . . 86  
Sync Output . . . . . . . . . . . . . . . . . . . . . . 86  
<Synth Edit>. . . . . . . . . . . . . . . . . . . . . . 66  
Synth Tone  
Editing. . . . . . . . . . . . . . . . . . . . 60, 66  
Saving . . . . . . . . . . . . . . . . . . . . . . . . 68  
Synth Tone Edit screen . . . . . . . . . . . . 33  
<System>. . . . . . . . . . . . . . . . . . . . . 73, 83  
System  
Parameters. . . . . . . . . . . . . . . . . . . . 83  
Restoring the Factory Settings. 87  
Saving . . . . . . . . . . . . . . . . . . . . . . . . 83  
Settings. . . . . . . . . . . . . . . . . . . . . . . 83  
System Control . . . . . . . . . . . . . . . . . . . 86  
System Control 1–4 Source . . . . . . . . 86  
System Memory Damaged!. . . . . . . . 98  
<SYSTEM WRITE> . . . . . . . . . . . . . . . . . 83  
<Create Folder>. . . . . . . . . . . . . . . 75  
<Delete Song/Folder>. . . . . . . . . 75  
<Live Set Initialize> . . . . . . . . . . . 64  
<Live Set Layer Copy>. . . . . . . . . 65  
<Move Song/Folder>. . . . . . . . . . 76  
<Partial Copy> . . . . . . . . . . . . . . . . 69  
<Partial Initialize>. . . . . . . . . . . . . 69  
<Rename Song/Folder> . . . . . . . 75  
<Tone Initialize> . . . . . . . . . . . . . . 69  
V
Value . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25  
Value dial . . . . . . . . . . . . . . . . . . . . . 19, 25  
Variation Sounds. . . . . . . . . . . . . . . . . . 37  
Velo Lo/Velo UP . . . . . . . . . . . . . . . . . . . 92  
Version . . . . . . . . . . . . . . . . . . . . . . . . . . . 87  
Vibrato . . . . . . . . . . . . . . . . . . . . . . . . . . . 47  
Visual Control. . . . . . . . . . . . . . . . . . . . . 95  
[VISUAL CONTROL] button . . . . . . . . 18  
Visual Control Mode. . . . . . . . . . . . . . . 86  
Visual Control screen. . . . . . . . . . . . . . 34  
[VOLUME] button . . . . . . . . . . . . . 18, 47  
[VOLUME] knob. . . . . . . . . . . . . . . 18, 23  
[ON/OFF] button, [SLOW/FAST]  
button. . . . . . . . . . . . . . . . . . . . . . . . 49  
S
T
[S1], [S2] buttons. . . . . . . . . . . . . . 19, 47  
Saving  
Tab . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27  
Tempo. . . . . . . . . . . . . . . . . . . . . . . . . . . . 43  
[TEMPO] button. . . . . . . . . . . . . . . . . . . 18  
Temporary Area. . . . . . . . . . . . . . . . . . . 16  
Temporary Memory . . . . . . . . . . . . . . . 16  
Tone. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12  
Modify. . . . . . . . . . . . . . . . . . . . . . . . 60  
Tone Blender . . . . . . . . . . . . . . . . . . . . . 61  
Control . . . . . . . . . . . . . . . . . . . . . . . 61  
screen . . . . . . . . . . . . . . . . . . . . . . . . 34  
<Tone Initialize> . . . . . . . . . . . . . . . . . . 69  
Tone List screen. . . . . . . . . . . . . . . 30, 32  
Tone Remain. . . . . . . . . . . . . . . . . . . . . . 84  
Tones. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13  
<TONE WRITE>. . . . . . . . . . . . . . . . . . . . 68  
Too Much Data! . . . . . . . . . . . . . . . . . . . 98  
Touch Panel. . . . . . . . . . . . . . . 24, 25, 27  
Calibrating. . . . . . . . . . . . . . . . . . . . 82  
Touch screen. . . . . . . . . . . . . . . . . . . . . . 18  
<Touch Screen Calibration> . . . . . . . 82  
Live Set . . . . . . . . . . . . . . . . . . . . . . . 62  
Registration. . . . . . . . . . . . . . . . . . . 53  
Synth Tone. . . . . . . . . . . . . . . . . . . . 68  
System Settings . . . . . . . . . . . . . . . 83  
Scale Tune . . . . . . . . . . . . . . . . . . . . . . . . 85  
Screens . . . . . . . . . . . . . . . . . . . . . . . . . . . 30  
Screen Saver . . . . . . . . . . . . . . . . . . . . . . 86  
Scroll bar/Scroll buttons. . . . . . . . . . . 27  
Search . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27  
Select . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27  
Selecting Live Sets . . . . . . . . . . . . . . . . 36  
Selecting Tones . . . . . . . . . . . . . . . . . . . 36  
Send Levels . . . . . . . . . . . . . . . . . . . . . . . 59  
<Set Src> . . . . . . . . . . . . . . . . . . . . . . . . . 61  
SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83  
SFX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38  
[SHIFT] button . . . . . . . . . . . . . . . . 18, 28  
<Shuffle>. . . . . . . . . . . . . . . . . . . . . . . . . 61  
Slider Mode. . . . . . . . . . . . . . . . . . . . . . . 84  
[SLOW/FAST] button . . . . . . . . . . . . . . 49  
W
WAV . . . . . . . . . . . . . . . . . . . . . . 17, 73, 77  
<WRITE> . . . . . . . . . . . . . . . . . . . . . . . . . 53  
[WRITE] button . . . . . . . . . . . . . . . 19, 53  
Write Error! . . . . . . . . . . . . . . . . . . . . . . . 98  
104  
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When you need repair service, call your nearest Roland Service Center or authorized Roland  
distributor in your country as shown below.  
Information  
TAIWAN  
ECUADOR  
RUSSIA  
OMAN  
AFRICA  
ROLAND TAIWAN ENTERPRISE  
Mas Musika  
Roland Music LLC  
TALENTZ CENTRE L.L.C.  
Malatan House No.1  
Al Noor Street, Ruwi  
SULTANATE OF OMAN  
TEL: 2478 3443  
EUROPE  
Rumichaca 822 y Zaruma  
Guayaquil - ECUADOR  
TEL: (593-4) 2302364  
Dorozhnaya ul.3,korp.6  
117 545 Moscow, RUSSIA  
TEL: (495) 981-4967  
CO., LTD.  
9F-5, No. 112 Chung Shan  
North Road Sec. 2 Taipei 104,  
TAIWAN R.O.C.  
EGYPT  
BELGIUM/FRANCE/  
HOLLAND/  
Al Fanny Trading Oꢀce  
9, EBN Hagar Al Askalany Street,  
ARD E1 Golf, Heliopolis,  
Cairo 11341, EGYPT  
EL SALVADOR  
SERBIA  
TEL: (02) 2561 3339  
QATAR  
LUXEMBOURG  
OMNI MUSIC  
Music AP Ltd.  
THAILAND  
75 Avenida Norte y Final Alameda  
Juan Pablo II,  
Edi¥cio No.4010 San Salvador,  
EL SALVADOR  
Sutjeska br. 5 XS - 24413 Palic,  
SERBIA  
TEL: (024) 539 395  
AL-EMADI TRADING &  
Roland Central Europe N.V.  
Houtstraat 3, B-2260, Oevel  
(Westerlo) BELGIUM  
Theera Music Co. , Ltd.  
100-108 Soi Verng Nakornkasem,  
New Road,Sumpantawong,  
Bangkok 10100, THAILAND  
TEL: (02) 224-8821  
CONTRACTING CO.  
P.O. Box 62, Doha, QATAR  
TEL: 4423-554  
TEL: (022)-417-1828  
REUNION  
TEL: (014) 575811  
SLOVAKIA  
TEL: 262-0788  
MARCEL FO-YAM Sarl  
25 Rue Jules Hermann,  
Chaudron - BP79 97 491  
Ste Clotilde Cedex,  
CROATIA  
DAN Acoustic s.r.o.  
Povazská 18.  
SAUDI ARABIA  
GUATEMALA  
ART-CENTAR  
aDawliah Universal Electronics  
VIET NAM  
Casa Instrumental  
Calzada Roosevelt 34-01,zona 11  
Ciudad de Guatemala,  
GUATEMALA  
SK - 940 01 Nové Zámky,  
SLOVAKIA  
TEL: (035) 6424 330  
Degenova 3.  
HR - 10000 Zagreb, CROATIA  
TEL: (1) 466 8493  
APL  
VIET THUONG CORPORATION  
386 CACH MANG THANG TAM ST.  
DIST.3, HO CHI MINH CITY,  
VIET NAM  
REUNION ISLAND  
TEL: (0262) 218-429  
Behind Pizza Inn  
Prince Turkey Street  
aDawliah Building,  
PO BOX 2154,  
Alkhobar 31952,  
SAUDI ARABIA  
TEL: (03) 8643601  
SPAIN  
CZECH REP.  
TEL: (502) 599-2888  
SOUTH AFRICA  
RolandSystems Group EMEA, S.L.  
Paseo García Faria, 33-35  
08005 Barcelona, SPAIN  
TEL: 93 493 91 00  
CZECH REPUBLIC DISTRIBUTOR  
TEL: (08) 9316540  
T.O.M.S. Sound & Music (Pty)Ltd.  
2 ASTRON ROAD DENVER  
JOHANNESBURG ZA 2195,  
SOUTH AFRICA  
HONDURAS  
s.r.o  
Almacen Pajaro Azul S.A. de C.V.  
BO.Paz Barahona  
Voctárova 247/16  
180 00 Praha 8, CZECH REP.  
TEL: (2) 830 20270  
3 Ave.11 Calle S.O  
San Pedro Sula, HONDURAS  
TEL: (504) 553-2029  
SYRIA  
TEL: (011) 417 3400  
OCEANIA  
SWEDEN  
Technical Light & Sound Center  
PO Box 13520 Bldg No.49  
Khaled Abn Alwalid St.  
Damascus, SYRIA  
Roland Scandinavia A/S  
DENMARK  
Paul Bothner(PTY)Ltd.  
Royal Cape Park, Unit 24  
Londonderry Road, Ottery 7800  
Cape Town, SOUTH AFRICA  
TEL: (021) 799 4900  
SWEDISH SALES OFFICE  
Mårbackagatan 31, 4 tr.  
SE-123 43 Farsta, SWEDEN  
TEL: (0) 8 683 04 30  
Roland Scandinavia A/S  
Skagerrakvej 7 Postbox 880  
DK-2100 Copenhagen,  
DENMARK  
AUSTRALIA/  
MARTINIQUE  
NEW ZEALAND  
Musique & Son  
TEL: (011) 223-5384  
Z.I.Les Mangle  
Roland Corporation  
97232 Le Lamentin,  
MARTINIQUE F.W.I.  
TEL: 596 596 426860  
TURKEY  
Australia Pty.,Ltd.  
38 Campbell Avenue  
Dee Why West. NSW 2099,  
AUSTRALIA  
TEL: 3916 6200  
SWITZERLAND  
ZUHAL DIS TICARET A.S.  
Galip Dede Cad. No.33  
Beyoglu, Istanbul, TURKEY  
TEL: (0212) 249 85 10  
FINLAND  
Roland (Switzerland) AG  
Landstrasse 5, Postfach,  
CH-4452 Itingen, SWITZERLAND  
TEL: (061) 975-9987  
Roland Scandinavia As, Filial  
ASIA  
Gigamusic SARL  
Finland  
10 Rte De La Folie  
97200 Fort De France  
MARTINIQUE F.W.I.  
TEL: 596 596 715222  
For Australia  
Vanha Nurmijarventie 62  
01670 Vantaa, FINLAND  
TEL: (0) 9 68 24 020  
U.A.E.  
TEL: (02) 9982 8266  
For New Zealand  
TEL: (09) 3098 715  
CHINA  
UKRAINE  
Zak Electronics & Musical  
Roland Shanghai Electronics  
EURHYTHMICS Ltd.  
P.O.Box: 37-a.  
Instruments Co. L.L.C.  
Zabeel Road, Al Sherooq Bldg.,  
No. 14, Ground Floor, Dubai,  
U.A.E.  
Co.,Ltd.  
GERMANY/AUSTRIA  
MEXICO  
5F. No.1500 Pingliang Road  
Shanghai 200090, CHINA  
TEL: (021) 5580-0800  
Nedecey Str. 30  
UA - 89600 Mukachevo, UKRAINE  
TEL: (03131) 414-40  
Roland Elektronische  
Casa Veerkamp, s.a. de c.v.  
Av. Toluca No. 323, Col. Olivar  
de los Padres 01780 Mexico D.F.,  
MEXICO  
Musikinstrumente HmbH.  
Oststrasse 96, 22844 Norderstedt,  
GERMANY  
CENTRAL/LATIN  
AMERICA  
TEL: (04) 3360715  
UNITED KINGDOM  
Roland Shanghai Electronics  
TEL: (040) 52 60090  
Roland (U.K.) Ltd.  
TEL: (55) 5668-6699  
Co.,Ltd. (BEIJING OFFICE)  
3F, Soluxe Fortune Building  
63 West Dawang Road, Chaoyang  
District, Beijing, CHINA  
Atlantic Close, SWANSEA SA7 9FJ,  
UNITED KINGDOM  
TEL: (01792) 702701  
GREECE/CYPRUS  
NORTH AMERICA  
NICARAGUA  
ARGENTINA  
STOLLAS S.A.  
Bansbach Instrumentos  
Instrumentos Musicales S.A.  
Av.Santa Fe 2055  
Music Sound Light  
155, New National Road  
Patras 26442, GREECE  
TEL: 2610 435400  
Musicales Nicaragua  
Altamira D'Este Calle Principal  
de la Farmacia 5ta.Avenida  
1 Cuadra al Lago.#503  
Managua, NICARAGUA  
TEL: (505) 277-2557  
TEL: (010) 5960-2565  
CANADA  
(1123) Buenos Aires, ARGENTINA  
TEL: (011) 4508-2700  
Roland Canada Ltd.  
HONG KONG  
(Head Oꢀce)  
MIDDLE EAST  
Tom Lee Music  
BARBADOS  
5480 Parkwood Way Richmond B.  
C., V6V 2M4, CANADA  
TEL: (604) 270 6626  
11/F Silvercord Tower 1  
30 Canton Rd  
Tsimshatsui, Kowloon,  
HONG KONG  
HUNGARY  
A&B Music Supplies LTD  
12 Webster Industrial Park  
Wildey, St.Michael, BARBADOS  
TEL: (246) 430-1100  
Roland East Europe Ltd.  
2045. Törökbálint, FSD Park 3. ép.,  
HUNGARY  
BAHRAIN  
PANAMA  
Moon Stores  
SUPRO MUNDIAL, S.A.  
Boulevard Andrews, Albrook,  
Panama City, REP. DE PANAMA  
TEL: 315-0101  
Roland Canada Ltd.  
TEL: 852-2737-7688  
TEL: (23) 511011  
No.1231&1249 Rumaytha  
Building Road 3931,  
Manama 339, BAHRAIN  
TEL: 17 813 942  
(Toronto Oꢀce)  
170 Admiral Boulevard  
Mississauga On L5T 2N6,  
CANADA  
BRAZIL  
IRELAND  
Parsons Music Ltd.  
Roland Brasil Ltda.  
8th Floor, Railway Plaza, 39  
Chatham Road South, T.S.T,  
Kowloon, HONG KONG  
TEL: 852-2333-1863  
Roland Ireland  
Rua San Jose, 211  
E2 Calmount Park, Calmount  
Avenue, Dublin 12,  
Republic of IRELAND  
TEL: (01) 4294444  
PARAGUAY  
Parque Industrial San Jose  
Cotia - Sao Paulo - SP, BRAZIL  
TEL: (011) 4615 5666  
TEL: (905) 362 9707  
IRAN  
Distribuidora De Instrumentos  
MOCO INC.  
U. S. A.  
Musicales  
Jadeh Makhsous Karaj (K-9),  
Nakhe Zarin Ave.  
Jalal Street, Reza Alley No.4  
Tehran 1389716791, IRAN  
TEL: (021)-44545370-5  
INDIA  
J.E. Olear y ESQ. Manduvira  
Asuncion, PARAGUAY  
TEL: (595) 21 492147  
Roland Corporation U.S.  
5100 S. Eastern Avenue  
Los Angeles, CA 90040-2938,  
U. S. A.  
CHILE  
ITALY  
Rivera Digitec (India) Pvt. Ltd.  
411, Nirman Kendra Mahalaxmi  
Flats Compound O¢. Dr. Edwin  
Moses Road, Mumbai-400011,  
INDIA  
Comercial Fancy II S.A.  
Rut.: 96.919.420-1  
Roland Italy S. p. A.  
Viale delle Industrie 8,  
20020 Arese, Milano, ITALY  
TEL: (02) 937-78300  
PERU  
Nataniel Cox #739, 4th Floor  
Santiago - Centro, CHILE  
TEL: (02) 688-9540  
TEL: (323) 890 3700  
Audionet  
ISRAEL  
Distribuciones Musicales SAC  
Juan Fanning 530  
Mira©ores  
Lima - PERU  
TEL: (511) 4461388  
TEL: (022) 2493 9051  
Halilit P. Greenspoon & Sons  
NORWAY  
Ltd.  
COLOMBIA  
INDONESIA  
Roland Scandinavia Avd.  
8 Retzif Ha'alia Hashnia St.  
Tel-Aviv-Yafo ISRAEL  
TEL: (03) 6823666  
Centro Musical Ltda.  
Cra 43 B No 25 A 41 Bododega 9  
Medellin, COLOMBIA  
PT. Citra Intirama  
Kontor Norge  
Ruko Garden Shopping Arcade  
Unit 8 CR, Podomoro City  
Jl.Letjend. S.Parman Kav.28  
Jakarta Barat 11470, INDONESIA  
TEL: (021) 5698-5519/5520  
Lilleakerveien 2 Postboks 95  
Lilleaker N-0216 Oslo,  
NORWAY  
TRINIDAD  
TEL: (574) 3812529  
JORDAN  
AMR Ltd  
TEL: 2273 0074  
MUSIC HOUSE CO. LTD.  
COSTA RICA  
Ground Floor  
FREDDY FOR MUSIC  
P. O. Box 922846  
Amman 11192, JORDAN  
TEL: (06) 5692696  
JUAN Bansbach Instrumentos  
Maritime Plaza  
Barataria TRINIDAD W.I.  
TEL: (868) 638 6385  
POLAND  
KOREA  
Musicales  
ROLAND POLSKA SP. Z O.O.  
ul. Kty Grodziskie 16B  
Ave.1. Calle 11, Apartado 10237,  
San Jose, COSTA RICA  
TEL: 258-0211  
Cosmos Corporation  
1461-9, Seocho-Dong,  
Seocho Ku, Seoul, KOREA  
TEL: (02) 3486-8855  
03-289 Warszawa, POLAND  
TEL: (022) 678 9512  
URUGUAY  
KUWAIT  
Todo Musica S.A.  
Francisco Acuna de Figueroa  
1771  
EASA HUSAIN AL-YOUSIFI &  
CURACAO  
PORTUGAL  
SONS CO.  
MALAYSIA/  
SINGAPORE  
Zeelandia Music Center Inc.  
Orionweg 30  
RolandSystems Group EMEA, S.L.  
Al-Yousi¥ Service Center  
P.O.Box 126 (Safat) 13002,  
KUWAIT  
C.P.: 11.800  
Montevideo, URUGUAY  
TEL: (02) 924-2335  
Branch Oꢀce Porto  
Edifício Tower Plaza  
Rotunda Eng. Edgar Cardoso  
23, 9ºG  
4400-676 Vila Nova de Gaia,  
PORTUGAL  
Curacao, Netherland Antilles  
TEL: (305) 5926866  
Roland Asia Paci‹c Sdn. Bhd.  
45-1, Block C2, Jalan PJU 1/39,  
Dataran Prima, 47301 Petaling  
Jaya, Selangor, MALAYSIA  
TEL: (03) 7805-3263  
TEL: 00 965 802929  
DOMINICAN REPUBLIC VENEZUELA  
LEBANON  
Instrumentos Fernando Giraldez  
Calle Proyecto Central No.3  
Ens.La Esperilla  
Instrumentos Musicales  
Allegro,C.A.  
Av.las industrias edf.Guitar import  
#7 zona Industrial de Turumo  
Caracas, VENEZUELA  
Chahine S.A.L.  
TEL: (+351) 22 608 00 60  
George Zeidan St., Chahine Bldg.,  
Achra¥eh, P.O.Box: 16-5857  
Beirut, LEBANON  
PHILIPPINES  
Santo Domingo,  
DOMINICAN REPUBLIC  
TEL: (809) 683 0305  
ROMANIA  
G.A. Yupangco & Co. Inc.  
339 Gil J. Puyat Avenue  
Makati, Metro Manila 1200,  
PHILIPPINES  
FBS LINES  
TEL: (01) 20-1441  
TEL: (212) 244-1122  
Piata Libertatii 1,  
535500 Gheorgheni, ROMANIA  
TEL: (266) 364 609  
TEL: (02) 899 9801  
As of Feb. 1, 2011 (ROLAND)  
105  
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For EU Countries  
For China  
106  
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For the USA  
DECLARATION OF CONFORMITY  
Compliance Information Statement  
Model Name :  
Type of Equipment :  
Responsible Party :  
Address :  
JUPITER-80  
Synthesizer  
Roland Corporation U.S.  
5100 S. Eastern Avenue Los Angeles, CA 90040-2938  
(323) 890-3700  
Telephone :  
For EU Countries  
For the USA  
This product complies with the requirements of EMCD 2004/108/EC and LVD 2006/95/EC.  
FEDERAL COMMUNICATIONS COMMISSION  
RADIO FREQUENCY INTERFERENCE STATEMENT  
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the  
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential  
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in  
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee  
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or  
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the  
interference by one or more of the following measures:  
Reorient or relocate the receiving antenna.  
Increase the separation between the equipment and receiver.  
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.  
Consult the dealer or an experienced radio/TV technician for help.  
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:  
(1) this device may not cause harmful interference, and  
(2) this device must accept any interference received, including interference that may cause undesired operation.  
This equipment requires shielded interface cables in order to meet FCC class B limit.  
Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s  
authority to operate the equipment.  
For Canada  
NOTICE  
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.  
AVIS  
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.  
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For C.A. US Proposition 65  
WARNING  
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.  
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