Roland Electronic Keyboard HP505 User Guide

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Adjust

Your Piano

page 21

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Adjust the keyboard touch

You can adjust the touch sensitivity of the keyboard to match your own playing style.

page 20

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Add reverberation to the sound

You can add reverberation (ambience) to create the sensation of performing in a

concert hall.

page 20

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Adjust the brightness of the sound

You can adjust the tone quality of the sound, ranging from a brilliant timbre to a

mellow tone.

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Convenient

Functions

page 23

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Transpose the pitch of the keyboard or song

The Transpose function lets you shift the pitch of the keyboard or a song so that you

can perform more conveniently.

page 44

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Disable the buttons

The Panel Lock function lets you prevent sounds or settings from being changed when

buttons are pressed inadvertently.

page 46

Adjust the resonance of chords

You can modify the resonance of chords by changing the way in which the piano’s

soundboard vibrates.

page 45

Switch the temperament

You can switch between various temperaments, such as historic temperaments used

during the Baroque era.

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Environmentally Friendly

Energy-Eﬃcient

Design

page 41

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The power will turn oﬀ after a speciﬁed time has elapsed

When thirty minutes have elapsed since you last played or operated the unit, the power will turn oﬀ automatically.

* If you don’t want the power to turn oﬀ automatically, change the “Auto Oﬀ” setting (p. 41).

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Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY”(p. 58), and “IMPORTANT NOTES”(p. 60). These

sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that

you have gained a good grasp of every feature provided by your new unit, Owner’s Manual should be read in its entirety. The

manual should be saved and kept on hand as a convenient reference.

Roland, GS, and SuperNATURAL are either registered trademarks or trademarks of Roland Corporation in the United States and/or other

countries.

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Contents

Initializing the Memory (Format Media). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43

Disabling the Buttons (Panel Lock). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .44

Look What You Can Do ! 2

Operation Guide 6

Various Settings (Function Mode ) 45

Panel Descriptions 10

Adjusting the Dual Play Volume Balance (Dual Balance) . . . . . . . . . . . . . . . . . . .45

Rear Panel and Bottom Panel (HP505) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11

Rear Panel and Bottom Panel (HP503) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12

Matching the Pitch with Other Instruments (Master Tuning ). . . . . . . . . . . . . . .45

Changing the Tuning Method (Temperament) . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

Specifying a Song’s Tonic (Temperament Key). . . . . . . . . . . . . . . . . . . . . . . . . . . . .45

Using a Piano’s Unique Tuning (Stretch Tuning) . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Producing Sympathetic Resonance When You Press the Damper Pedal

(Damper Resonance). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Before Y o u Play 13

Setting Up the Music Rest (HP505). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

Setting Up the Music Rest (HP503). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13

Opening/Closing the Lid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14

Turning the Power On/O ﬀ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15

Producing the Resonance of the Strings When the Keys Are Played

(String Resonance). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Playing Sounds When the Keys Are Released (Key Oﬀ Resonance) . . . . . . . . .46

Adjusting the Sympathetic Resonance of the Grand Piano Body

(Cabinet Resonance) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Adjusting the Clarity of Individual Notes in a Chord

(SoundBoard Behavior) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .46

Adjusting the Volume of an Audio Playback Device (Input Volume) . . . . . . . .46

Performing 16

Performing with Various Sounds. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Switching Tones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16

Performing with Two Layered Tones (Dual Play) . . . . . . . . . . . . . . . . . . . . . . . . . . .17

Playing Diﬀerent Tones with the Right and Left Hands (Split Play). . . . . . . . . .18

Adjusting the Sound to Your Taste . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20

Adding Reverberation to the Sound (Ambience) . . . . . . . . . . . . . . . . . . . . . . . . . .20

Adjusting the Brightness of the Sound (Brilliance). . . . . . . . . . . . . . . . . . . . . . . . .20

Adjusting the Keyboard Response (Key Touch ). . . . . . . . . . . . . . . . . . . . . . . . . . . .21

Dividing the Keyboard for Two-person Performance (Twin Piano). . . . . . .22

Shifting the Pitch (Transpose) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23

Playing Back an Audio File with Its Central Sound Minimized (Center

Cancel) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Transposing an Audio File (Audio Transpose). . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47

Specifying What the Transpose will Aﬀect (Transpose Mode) . . . . . . . . . . . . . .47

Changing the Pitch of the Tone in Octave Steps (Octave Shift) . . . . . . . . . . . . .47

Selecting the Format for Recording (Recording Mode) . . . . . . . . . . . . . . . . . . . .47

Changing How the Pedal Eﬀects Are Applied (Damper Pedal Part) . . . . . . . . .47

Changing How the Pedals Work (Center Pedal). . . . . . . . . . . . . . . . . . . . . . . . . . . .48

Practicing 24

Practicing with the Metronome . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Changing the Tempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Changing the Time Signature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24

Adjusting the Metronome’s Volume . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25

Adding a Count-in to Synchronize Your Performance. . . . . . . . . . . . . . . . . . . . . .25

Preventing Doubled Notes When Connected to a Sequencer (Local

Control) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48

MIDI Transmit Channel Settings (MIDI Transmit Channel) . . . . . . . . . . . . . . . . . .48

Setting the Type of CD To be Played Back (CD/Audio Type) . . . . . . . . . . . . . . . .48

Renaming a Song (Save Song) (p. 40) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Copying a Saved Song (Copy Song) (p. 42) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Deleting a Saved Song (Delete Song) (p. 43) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Initializing the Memory (Format Media) (p. 43) . . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Changing the USB Driver Settings (USB Driver). . . . . . . . . . . . . . . . . . . . . . . . . . . .49

Changing the USB ﬂash drive Setting (USB Memory Mode ). . . . . . . . . . . . . . . .49

Controlling Video Equipment (Visual Control Mode) . . . . . . . . . . . . . . . . . . . . . .49

Specifying the Visual Control Channel (Visual Control Channel). . . . . . . . . . . .50

Changing the Language Displayed in the Screen (Language ). . . . . . . . . . . . . .50

Making the Power Automatically Turn Oﬀ After a Time (Auto O ﬀ ) (p. 41) . . .50

Storing Your Settings (Memory Backup) (p. 41 ). . . . . . . . . . . . . . . . . . . . . . . . . . . .50

Restoring the Factory Settings (Factory Reset) (p. 42). . . . . . . . . . . . . . . . . . . . . .50

Practicing with a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Selecting and Playing a Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26

Playing Songs Consecutively (All Songs Play) . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

Adjusting the Volume Balance of the Song and the Keyboard

Performance (Song Balance) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27

Adjusting a Song’s Tempo for Easier Practicing . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Practicing One Hand at a Time (Part Mute) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28

Repeatedly Practicing a Portion of a Song (AB Repeat) . . . . . . . . . . . . . . . . . . . .30

Recording the Song You’re Practicing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31

SMF Recording . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31

Overdubbing a Recorded Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .32

Converting a Song Recorded as an SMF to Audio . . . . . . . . . . . . . . . . . . . . . . . . .35

Audio Recording. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .36

Transposing a Song for Easier Performance (Audio Transpose ). . . . . . . . . . . . .37

Enjoying Karaoke with an Audio File (Center Cancel) . . . . . . . . . . . . . . . . . . . . . .37

Burning an Audio Recording of a Song (WAV ﬁle) to a CD. . . . . . . . . . . . . . . . . .38

Saving a Song with the Name You Specify . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .39

Renaming a Son g . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .40

Troubleshooting 51

Error Messages 53

Tone List 54

Internal Song List 55

Main Speciﬁcations 56

USING THE UNIT SAFELY 58

IMPORTANT NOTES 60

About the Ivory Feel Keyboard 61

Assembling 62

Index 64

Convenient Functions 41

Making the Power Automatically Turn Oﬀ After a Time (Auto O ﬀ ). . . . . . .41

Retaining the Settings Even After Power-oﬀ (Memory Backup) . . . . . . . . .41

Restoring the Factory Settings (Factory Reset) . . . . . . . . . . . . . . . . . . . . . . . . .42

Copying a Saved Song (Copy Song). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .42

Deleting a Saved Song (Delete Song) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .43

Press one of the enclosed buttons.

How to read the explanatory illustrations

Press two buttons.

Numerals indicate the sequence of steps.

While holding down a button, press another button.

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Operation Guide

Adding Reverberation (Ambience)

Adjusting the Brightness of the Sound (Brilliance)

You can add a pleasant reverberation to the sounds,

producing the impression that you are performing in

a concert hall.

You can adjust the brightness of the sound you play

page 20

from the keyboard or the sounds of a song you play

back.

To turn ambience on

To turn brilliance on

Press the [Ambience] button so it’s lit.

Press the [Brilliance] button so it’s lit.

To adjust the ambience

To adjust the brilliance

While holding down the [Ambience] button, press the [–] [+]

buttons.

While holding down the [Brilliance] button, press the [–] [+]

buttons.

Adjusting the Overall Volume

Adjust the volume.

page 15

Min

Max

Adjusting the Song Volume

Adjusting the Keyboard Touch

Transposing Your Performance

(Song Balance)

(Key Touch)

(Transpose)

By modifying the

You can adjust the way

in which the keyboard

responds to your playing.

Transposes the keyboard

and/or song.

page 27

page 21

page 23

playback volume of the

song, you can adjust the balance

between the song and your keyboard

performance.

To turn transpose on

To turn key touch on

Press the [Transpose] button so it’s lit.

Press the [Key Touch] button so it’s lit.

To turn song balance on

Press the [Song Balance] button so it’s lit.

To adjust the amount of transposition

To adjust the key touch

While holding down the [Transpose]

button, press the [–] [+] buttons.

While holding down the [Key Touch]

button, press the [–] [+] buttons.

To adjust the song balance

While holding down the [Song Balance]

button, press the [–] [+] buttons.

Retaining the settings even after power-oﬀ (memory backup)

The unit allows you to adjust numerous settings, but these settings will return to their default values as soon as you turn oﬀ the

power.

page 41

However, by using the Memory Backup feature, you can have the changes you’ve made in settings be retained.

1. While holding down the [Key Touch]

2. Use the [ ] [ ] (Slow/Fast) buttons to select

button, press the [Transpose] button

“Memory Backup ”

3. Press the [Song] button

4. Use the [ ] (Fast) button to select “Y ”

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Operation Guide

Tone Buttons

To select a single tone

page 16

To layer two tones (dual play)

page 17

Press one of the tone buttons, and then use the [–] [+] buttons.

Press two tone buttons.

Press two

Press one

To change the tones

Tone 1

Tone 2

Press the [–] [+] buttons.

Hold down the right-most of the lit tone button, and then use

the [–] [+] buttons.

Dividing the Keyboard for Two-person Performance (Twin Piano)

Playing Diﬀerent Tones with the Right and Left Hands (Split Play)

This function divides the keyboard into left and right, allowing two

people to play the same range of pitches.

This function divides the keyboard into left and right zones,

allowing you to play a diﬀerent tone in each zone.

page 18

page 22

To turn twin piano on

To turn split on

Press the [Twin Piano] button so it’s lit.

While holding down the [Transpose] button, press the [Twin Piano]

button.

To change how the sounds are heard

While holding down the [Twin Piano] button, press the [–] [+]

buttons.

To change the tones

The sound of the right-hand keyboard zone will be heard more

loudly from the right speaker than from the left speaker.

1. Press a tone button.

Right-hand Tone

The sound of the left-hand keyboard zone will be heard more

loudly from the left speaker than from the right speaker.

2. Press the [–] [+] buttons.

1. While holding down the [Transpose] button and

The sound of the right-hand keyboard zone will be heard only

[Twin Piano] button, press a tone button.

from the right speaker.

Left-hand Tone

2. While holding down the [Transpose] button and

The sound of the left-hand keyboard zone will be heard only

[Twin Piano] button, use the [–] [+] buttons.

from the left speaker.

Changing the keyboard’s split point

While holding down the [Transpose] button and [Twin Piano]

button, play the key that you want to specify as the split point.

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Operation Guide

Using the Metronome

Changing the Tempo or Time Signature

Here’s how to sound the metronome.

You can adjust the tempo of the metronome or

song.

page 24

To turn the metronome on

To change the tempo

Press the [Metronome] button so it’s lit.

Use the [ ] [ ] (Slow/Fast) buttons.

To adjust the metronome’s volume

To change the time signature

While holding down the [Metronome] button, use the [–] [+]

buttons.

While holding down the [Metronome] button, use the [ ] [

(Slow/Fast) buttons.

]

Display

Selecting a Song

This shows various information such as tone names, song names,

and the values of settings.

You can select songs.

page 26

To select a song

1. Press the [Song] button

Song Name

Tone Number Tone Name

Song Number

Category

* If an audio ﬁle is selected, a “.”(dot) is displayed following the song number.

3. Use the [–] [+] buttons to select a song

MEMO

Use the following operations to select a song from a folder.

• To move to a diﬀerent folder, use the [–] [+] buttons to select that folder, and then press the [

• To select a song within a folder, use the [–] [+] buttons.

] (Play/Stop) button.

• To exit a folder, use the [–] button to select “Fld. UP,”and then press the [

] (Play/Stop) button.

* If one folder contains more than 500 ﬁles or folder, some of the ﬁles or folders might not be displayed.

4. Press the [

] (Play/Stop) button

When the song has played to its end, playback will stop.

To pause the playback, press the [

The next time you press the [

] (Play/Stop) button once again.

] (Play/Stop) button, playback will resume from where you paused.

Button operations

Returns you to the beginning of the song.

[

] (Reset) button

] (Play/Stop) button

] (Rec) button

Plays/stops the song.

Starts/stops recording.

[

Enter recording – standby mode.

Rewinds the song.

[

] (Bwd) button

] (Fwd) button

Fast-forwards the song.

MEMO

When the song number is displayed, you can press the [Song] button to see the song playback position (the measure number or the time). Press

the [Song] button once again to return to the song number indication.

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Practicing

Song formats that can be played by the unit

The unit can play back data in the following formats.

•SMF formats 0/1

•Roland Piano Digital format (i-format)

•Audio ﬁles: WAV format, 44.1 kHz, 16-bit linear

Playing Songs Consecutively (All Songs Play)

You can consecutively play back the built-in songs or the songs saved in the internal memory or on the USB ﬂash drive repetitively.

This function is called “All Songs Play.”

1. While holding down the [Song] button, use the [–] [+] buttons to select the category

2. While holding down the [Song] button, press the [

] (Play/Stop) button

] (Play/Stop) button will blink.

All Songs Play will be selected, and the [

* All Song Play will be cancelled if you stop playback or turn oﬀ the power.

Adjusting the Volume Balance of the Song and the Keyboard Performance (Song Balance)

You can adjust the balance between the song and your keyboard performance by changing the volume of the song.

1. Press the [Song Balance] button

The [Song Balance] button will light.

2. While holding down the [Song Balance] button, press the [–] [+] buttons

The display will show the song balance.

Screen

Value

Explanation

The song’s volume decreases the more you lower this value, and at the same time the keyboard performance

will take on more prominence.

0–9

The song’s volume increases the more you raise this value, and at the same time the keyboard performance

will become less prominent.

(default: 5)

3. To cancel the Song Balance function, press the [Song Balance] button once again

The [Song Balance] button will go out.

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Practicing

Adjusting a Song’s Tempo for Easier Practicing

You can change the tempo at which a song plays back.

When you’re practicing along with a song, this allows you to slow down the tempo of a diﬃcult song in order to play it more comfortably.

1. Press the [ ] [ ] (Slow/Fast) buttons

The tempo will be indicated.

MEMO

If an audio ﬁle is selected, you can adjust the tempo in the range of 75–100–125%.

2. To return the tempo to its original setting, press the [ ] (Slow)

and[ ] (Fast) buttons simultaneously

Playing back at a ﬁxed tempo (tempo mute)

With some of the internal songs, the tempo will change during the song. If desired, you can make these songs play back at a ﬁxed, unchanging tempo.

1. With the tempo displayed, holding down the [

] (Play/Stop) button and press the [ ] [ ] (Slow/Fast) buttons to adjust

the tempo

The screen will show the tempo and “.”(dot). This “.”indicates that the tempo is muted.

2. To cancel tempo mute, once again hold down the [

] (Play/Stop) button and press the [ ] [ ] (Slow/Fast) buttons

Practicing One Hand at a Time (Part Mute)

Here’s how to have only the selected part play back. This allows you to practice playing the left or right-hand part of a song while listening to the

other hand played automatically.

Part button

Part

Each part is assigned to the part buttons as shown in the

illustration.

Muting

You can “mute”a speciﬁc part so that it will not be heard.

* If you’ve selected a song that does not contain an

accompaniment, the [Accomp] button will not light even if

you press it.

Left-hand

part

Right-hand

part

Accompaniment part

1. Press the part button for the part that you don’t want to be played

The light for the button you pressed will go out, and the selected part will not be heard.

MEMO

• If the accompaniment part is muted, playback will skip the introduction.

• The mute setting will be cancelled when you switch songs.

• Although the Part Mute function cannot be used with respect to the playback of an audio ﬁle, you can reduce the volume during playback of

sounds that are localized at the center of the sound ﬁeld, such as vocals or bass. Refer to “Center Cancel”(p. 37).

2. To un-mute the sound, press the part button once again so it’s lit

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Practicing

Using the sound of a speciﬁc part as a “guide” (mute volume)

If desired, you can specify that the sound of a part will play at a reduced volume rather than going completely silent when you press a part button

and turn oﬀ its indicator.

This setting lets you play a speciﬁc part at a reduced volume and use it as a “guide”for your playing.

1. While holding down the part button, press the [–] [+] buttons

Screen

Value

Explanation

0–10

Higher values make the sound louder.

(default: 0)

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Practicing

Repeatedly Practicing a Portion of a Song (AB Repeat)

Here’s how you can repeatedly play back a speciﬁed portion of the song. You can use this function to repeatedly practice that portion.

Section to repeat

Time

B (Repeat End)

A (Repeat Start)

1. Press the [

] (Play/Stop) button

The song will play back.

2. Press the [AB Repeat] button at the point where you want to start repeating (point A)

The [AB Repeat] button will blink.

3. Press the [AB Repeat] button at the point where you want to stop repeating (point B)

The [AB Repeat] button will light, and playback will begin repeating.

4. To cancel the repeat function, press the [AB Repeat] button once again

The [AB Repeat] button will go out, the repeat points you speciﬁed will be cleared.

MEMO

• The repeat points can be set at the beginning of each measure for an SMF song, or in 1/100th of a second for audio.

• Instead of playing back the song, you can also specify the portion to repeat by using the [

] [

] buttons.

Moving the portion to repeat forward or backward

When AB Repeat is on, you can move the repeated portion forward or backward.

Section to repeat

Time

B (Repeat Start)

A (Repeat Start)

1. While holding down the [AB Repeat] button, press the [–] [+] buttons

The repeated portion will be moved without its length being changed.

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Practicing

Recording the Song You’re Practicing

It’s easy to record your own performances.

You can play back a recorded performance to check your playing, or perform along with a recorded performance.

The unit lets you record in the following ways.

Type of recording

SMF recording

Explanation

Parts will be separate.

You can re-record a speciﬁc portion of the song.

You can overdub.

* Normally, you should use SMF recording.

Your performance will be recorded as audio data. The recorded song can be used on your computer.

* In order to use audio recording, you must connect a USB ﬂash drive (sold separately) to the USB memory port (p. 10).

HP505 only

Audio recording

Thanks to its multiple number of speakers, each of which can be used to play a diﬀerent portion of the overall sound, the HP505 is capable of

producing piano sounds that possess great depth and seem to have three-dimensional presence.

Such eﬀects are produced when you play something on the keyboard, or when you play back a song that's been recorded as an SMF.

However, when you make an audio recording, the song will consist of two channels (stereo), and such eﬀects cannot be reproduced.

* SMFs (Standard MIDI Files) use a standard format for music ﬁle that was formulated so that ﬁles containing music ﬁle could be widely compatible,

regardless of the manufacturer of the listening device. An enormous variety of music is available, whether it be for listening, for practicing musical

instruments, for Karaoke, etc.

SMF Recording

To record a new song, proceed as follows.

This method is convenient when you simply want to record your performance as easily as possible.

Getting ready to record

1. ^{Select the tone that you want to use for performing (p 16)}

2. Press the [ ] (Rec) button

The [ ] (Rec) button will light, the [

recording-standby mode.

] (Play/Stop) button will blink, and the unit will enter

If you decide not to record, press the [ ] (Rec) button once again.

3. If desired, sound the metronome (p 24)

MEMO

If you change the metronome’s tempo and time signature, they will be recorded with the song, allowing the metronome to sound correctly during

playback.

Starting/stopping recording

1. ^{Press the [}

] (Play/Stop) button

A two-measure count will be heard (the measure number will be shown as “-2”

then “-1”in the lower right of the display), and then recording will start.

When recording starts, the [ ] (Rec) button and [

will light.

] (Play/Stop) button

MEMO

You can also initiate recording by simply playing the keyboard. If you initiate recording by playing the keyboard, a count will not be sounded.

2. Press the [

] (Play/Stop) button

Recording will stop, and a message will ask whether you want to save your performance.

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Practicing

Saving a performance you’ve recorded

* If you want to save to the USB ﬂash drive (sold separately), connect your USB ﬂash drive to the USB memory port before you continue.

1. Press the [ ] (Fast) button to select “Y ”

Saving will begin.

The recorded performance is saved at the earliest vacant song number.

The song is automatically given a name in this format: “Song nnn,”where “nnn”is the song number.

NOTE

Never turn oﬀ the power while the screen indicates “Working...”

Saving to a speciﬁc memory, song number, or song name

If you press the [Song] button instead of the [ ] (Fast) button, you’ll be able to specify the save-destination memory, song number, and song

name used for saving.

For details on the procedure, refer to “Saving a Song with the Name You Specify ”(p. 39).

Erasing a performance you’ve recorded

1. Use the [ ] (Slow) button to select “N ”

A message will ask you to conﬁrm that you want to erase the song.

2. Press the [ ] (Fast) button to erase the song

Listening to a performance you’ve recorded

1. Press the [

] (Play/Stop) button

Playback will start from the beginning of the recorded performance.

Overdubbing a Recorded Song

When recording an SMF, you can overdub each part separately. For example, you can record the left-hand and right-hand parts separately, or record

along with a song.

Recording each hand separately

You can separately record your left-hand performance to the [Left] button and your right-hand performance to the [Right] button. You can also

separately re-record each hand afterward.

Getting ready to record

1. ^{Select the tone that you want to use for performing (p 16)}

2. Press the [ ] (Rec) button

The [ ] (Rec) button will light, the [

standby mode.

] (Play/Stop) button will blink, and the unit will enter recording-

If you decide not to record, press the [ ] (Rec) button once again.

3. If desired, sound the metronome (p 24)

MEMO

If you change the metronome’s tempo and time signature, they will be recorded with the song, allowing the metronome to sound correctly during

playback.

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Practicing

Recording the left hand

1. ^{Press the [Right] button and the [Accomp] button so}

their illumination is turned oﬀ

The [Left] button alone will start blinking, meaning that the unit

is ready to record to the [Left] button.

* If you don’t specify a part at this time, the recorded performance will be recorded in this order: [Right] button [Left] button [Accomp] button.

* If you’re using Twin Piano or Split Play, the left side or left-hand tone will be recorded to the [Left] button, and the right side or right-hand tone will

be recorded to the [Right] button.

2. Press the [

] (Play/Stop) button

A two-measure count will sound (the measure number in the lower right of the display will indicate “-2,”then “-1”), and then recording will start.

When recording starts, the [ ] (Rec) button and [

] (Play/Stop) button will light.

MEMO

You can also initiate recording by playing the keyboard. In this case, the count will not sound.

3. Press the [

] (Play/Stop) button

Recording will stop, and a conﬁrmation message will ask whether you want to save the recording.

4. Either save the performance or erase it (p 32)

Overdubbing the right hand

1. ^{Press the [}] (Rec) button

The [ ] (Rec) button will light, and

the unit will enter recording-standby

mode.

At this time, New Song will be selected.

If you decide not to record, press the [

(Rec) button once again.

]

2. Reselect the song you saved earlier by pressing the [+] button

MEMO

The song’s tempo and time signature will be as they were when you recorded the left hand.

3. Press the [Right] button so it’s blinking

In this state, the right-hand performance will be recorded to the [Right] button. Leave the [Left] button lit.

NOTE

If you select a previously recorded part and then record, your new performance will overwrite that part; the previously recorded performance will

be lost.

4. Press the [

] (Play/Stop) button

A two-measure count will be heard (the measure number will be shown as “-2”then “-1”in the lower right of the display), and then recording will start.

The previously recorded performance for the left hand will be played back, so you can listen to it while you play the right-hand part.

When recording starts, the [ ] (Rec) button and [

] (Play/Stop) button will light.

MEMO

You can also initiate recording by playing the keyboard. In this case, the count will not sound.

5. Press the [

] (Play/Stop) button

Recording will stop, and a conﬁrmation message will ask whether you want to save the recording.

6. Either save the performance or erase it (p 32)

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Practicing

Recording a performance you play along with a song

Here’s how you can record a performance that you play along with a song.

Getting ready to record

1. ^{Select the tone that you want record (p 16)}

2. Select the song to be dubbed (p 26)

3. Press the [ ] (Rec) button

The [ ] (Rec) button will light, and the unit will enter recording-standby mode.

At this time, New Song will be selected.

If you decide not to record, press the [ ] (Rec) button once again.

4. Reselect the song selected in step 2 by pressing the [+] button

MEMO

The song’s tempo and time signature will be according to the settings of the song you selected.

5. Press the part button of the part that you want to record, so it’s blinking

Parts whose buttons are lit will play back during recording.

Starting/stopping recording

1. ^{Press the [}

] (Play/Stop) button

A two-measure count will be heard (the measure number will be shown as “-2”

then “-1”in the lower right of the display), and then recording will start.

When recording starts, the [ ] (Rec) button and [

will light.

] (Play/Stop) button

MEMO

You can also initiate recording by simply playing the keyboard. If you initiate recording by playing the keyboard, a count will not be sounded.

2. Press the [

] (Play/Stop) button

Recording will stop, and a conﬁrmation message will ask whether you want to save the recording.

3. Either save the performance or erase it (p 32)

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Practicing

Converting a Song Recorded as an SMF to Audio

By converting a song recorded in the form of an SMF to audio, you’ll be able to listen to it on your computer. You can also use your computer to burn

the song to a music CD, or upload it to the Internet.

page 38

Copying an audio recording of a song to your computer

If you save an audio recording of a song on the

USB ﬂash drive, you'll be able to listen to it on your

computer.

In order for an SMF song recording to be used on your

computer, you’ll need to convert it to audio (WAV ﬁle).

WAV

Audio recordings of songs are saved as WAVE ﬁles

(16-bit, 44.1 kHz).

Use computer software (such as

iTunes) to burn the song to a CD.

A song recorded on the unit can be

copied to your computer by means of a

USB ﬂash drive.

You can use your computer to burn them to a music

CD or upload them to the Internet.

1. Connect a USB ﬂash drive (sold separately) to the USB memory

port (p 10)

* Audio data cannot be saved in the unit itself.

2. Select the song that you want to convert to audio (p 26)

3. While holding down the [ ] (Rec) button, press the [–] [+] buttons

to select “Audio ”

4. Press the [ ] (Rec) button

The [ ] (Rec) button will light, and the [

At this time, New Song will be selected.

] (Play/Stop) button will blink; the unit will enter converting-standby mode.

If you decide not to convert, press the [ ] (Rec) button once again.

5. Reselect the song selected in step 2 by pressing the [+] button

6. Press the [

] (Play/Stop) button

The song will play back, and the conversion will begin.

MEMO

If, during conversion, you play the keyboard, input something via the MIDI connector, or on the HP505, input sound via the Input jacks, all sound

including those sounds will be converted. Muted parts will not be converted.

NOTE

• Never turn oﬀ the power or disconnect the USB ﬂash drive during conversion.

• For some SMF recordings, it might not be possible to perfectly convert the recording in its original form.

7. Press the [

] (Play/Stop) button

Song playback will stop, and the section that was played back will be converted. A conﬁrmation message will ask whether you want to save the ﬁle.

8. Either save the performance or erase it (p 32)

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Practicing

Audio Recording

Here’s how to record what you play on the unit as audio data. The recorded song can be used on your computer.

HP505 only

*Thanks to its multiple number of speakers, each of which can be used to play a diﬀerent portion of the overall sound, the unit is capable of

producing piano sounds that possess great depth and seem to have three-dimensional presence.

Such eﬀects are produced when you play something on the keyboard, or when you play back a song that’s been recorded as an SMF.

However, when you make an audio recording, the song will consist of two channels (stereo), and such eﬀects cannot be reproduced.

Preparing to record

1. ^{Connect a USB ﬂash drive (sold separately) to the}

USB memory port (p 10)

* Audio data cannot be saved in the unit itself.

2. Select the tone that you want perform (p 16)

3. While holding down the [ ] (Rec) button, press the [–] [+] buttons to select “Audio ”

4. Press the [ ] (Rec) button

The [ ] (Rec) button will light, the [

] (Play/Stop) button will blink, and the unit will enter recording-standby mode.

If you decide not to record, press the [ ] (Rec) button once again.

5. If desired, sound the metronome (p 24)

Starting/stopping recording

1. ^{Press the [}

] (Play/Stop) button

Recording will start.

When recording starts, the [ ] (Rec) button and [

will light.

] (Play/Stop) button

NOTE

Never turn oﬀ the power or disconnect the USB ﬂash drive during recording.

2. Press the [

] (Play/Stop) button

Recording will stop, and a conﬁrmation message will ask whether you want to save the recording.

3. Either save the performance or erase it (p 32)

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Practicing

Transposing a Song for Easier Performance (Audio Transpose)

You can change the key when playing back an audio ﬁle. You can play the keyboard while listening to the transposed sound.

HP505 only

•Transposition will be applied to both to the selected audio ﬁle and to the sound from the digital audio player connected to the Input jack.

•You can also use the Function mode’s “Audio Transpose”setting to change the amount of transposition (p. 47).

1. Press the [Transpose] button

The [Transpose] button will light.

2. While holding down the [Transpose] button, press the [–] [+] buttons

The display will indicate the amount of transposition.

Screen

Value

Explanation

-6–0–5

(semitone units)

Positive (+) values raise the pitch in semitone steps, and negative (-) values lower the pitch in semitone steps.

(default: 1)

MEMO

With the factory settings, both the audio ﬁle (on the HP505, this includes the sound from the Input jacks) and the keyboard will be transposed.

If you want transposition to aﬀect only the keyboard or only the audio ﬁle, make the appropriate setting as described in ”Specifying What the

Transpose will Aﬀect (Transpose Mode)”(p. 47).

* If you select a diﬀerent song, the audio transposition setting will be canceled.

3. To cancel the transposition, press the [Transpose] button once again

The [Transpose] button will go out.

Enjoying Karaoke with an Audio File (Center Cancel)

When playing back an audio ﬁle, you can minimize the sounds that are heard from the center. For example, this allows you to minimize the melody or

vocal on a music CD, so that you can play or sing that part instead.

* For some songs, it might not be possible to completely eliminate the melody sound.

HP505 only

•The Center Cancel eﬀect is applied to both to the sound of the selected audio ﬁle and to the sound of the digital audio player connected to

the Input jack.

•You can also use the Function mode’s “Center Cancel”setting to turn this oﬀ (p. 47).

1. Press the [Right] button

The [Right] button will go out, and the melody sound will be minimized.

* The Center Cancel setting will turn oﬀ if you select a diﬀerent song.

2. When you want the sound to be heard, press the [Right] button once again

The [Right] button will light.

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Practicing

Burning an Audio Recording of a Song (WAV ﬁle) to a CD

After an audio recording of a song has been saved to

the USB ﬂash drive, you can copy it to your computer

and burn it to a CD. If you want to burn a CD from

a song that you recorded as an SMF, you must ﬁrst

convert it to audio (WAV ﬁle) (p. 35).

WAV

In order to burn a CD on your computer, you’ll need

software such as “iTunes.”

Use computer software (such as

iTunes) to burn the song to a CD.

A song recorded on the unit can be

copied to your computer by means of a

USB ﬂash drive.

For details, refer to the owner’s manual or the online

help of your software.

Copy the recorded song to your computer

3. Copy the song (WAV ﬁle) that you want to burn to CD to

your computer’s desktop or another location where you

can easily ﬁnd it

1. Connect the USB ﬂash drive

containing the song to your

computer

If you’re using Windows, a

“Removable disk”icon will appear in “Computer.”If you’re using

Mac OS X, a “NO NAME”icon will appear on the desktop.

Copy to desktop

2. Double-click the icon that appeared

The contents of the USB ﬂash drive will be displayed.

The audio recording of the song (WAV ﬁle) will be among the

contents.

Use iTunes to burn the song to CD

The following explanation uses iTunes 10 for Windows. If you’re

using a diﬀerent version or other software, refer to its online help

or owner’s manual.

5. Select the playlist that you created in step 2, and in the

[File] menu, click [Burn playlist to Disc]

1. From the Start menu, click [All Programs] - [iTunes]

2. From the iTunes [File] menu, click [New Playlist] to create

a playlist

Newly created

playlist

6. Make the appropriate settings in the disc creation dialog

box, and then click the [Burn] button

3. From the desktop (or other location) where you copied

it, drag and drop the song (WAV ﬁle) to add it to the

playlist you created in step 2

Drag & drop

4. Insert a blank CD-R into your computer

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Practicing

Saving a Song with the Name You Specify

Immediately after you’ve ﬁnished recording, you can save the song to the memory, song number, and song name that you specify.

* If you want to save to the USB ﬂash drive (sold separately), connect your USB ﬂash drive to the USB memory port before you continue.

1. Make sure that you’ve ﬁnished recording, and that the screen shown at the right is displayed

2. Press the [Song] button

The media select screen will appear.

3. Use the [–] [+] buttons to select the save-destination media

* If a USB ﬂash drive (sold separately) is not connected, you won’t be able to select “USB Memory.”

4. Press the [ ] (Fast) button

A screen will appear, allowing you to select the song number of save destination.

5. Use the [–] [+] buttons to select the song number of save destination

No song has been saved in song numbers shown as (Empty) in the song name column.

Choose a song number in which no song has been saved.

If you want to save your song by overwriting an existing song you no longer need, select the song number of that unwanted song.

6. Press the [ ] (Fast) button

A screen will appear, allowing you to specify a name for your song.

7. Edit the name using the buttons shown in the illustration below

Use the [ ] (Fast) button to select the position at which you

want to specify a character.

Use the [–] [+] buttons to change the character.

Change the character

Select the character to change

8. Press the [Song] button to save the song

If you decide not to save the song, press the [Metronome] button.

NOTE

Never turn oﬀ the power or disconnect the USB ﬂash drive while the screen indicates “Working...”

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Practicing

Renaming a Song

Here’s how rename a song you’re saved.

1. Select the song that you want to rename (p 26)

2. While holding down the [Key Touch] button, press the [Transpose] button

The [Key Touch] button and [Transpose] button will light, and the unit will enter Function mode.

3. Use the [ ] [ ] (Slow/Fast) buttons to select “SaveSong ”

4. Press the [Song] button

The media select screen will appear.

If you decide not to rename the song, press the [Metronome] button.

5. Use the [–] [+] buttons to select the save-destination media

6. Press the [ ] (Fast) button

A screen will appear, allowing you to select the song number of save destination.

7. Use the [–] [+] buttons to select the song number of save destination

No song has been saved in song numbers shown as (Empty) in the song name column.

Choose a song number in which no song has been saved.

If you want to save your song by overwriting an existing song you no longer need, select the song number of that unwanted song.

8. Press the [ ] (Fast) button

A screen will appear, allowing you to specify the song name.

9. Edit the song name using the buttons shown in the illustration below

Use the [ ] button to select the position at which you want to

specify a character.

Use the [–] [+] buttons to change the character.

Change the character

Select the character to change

10. Press the [Song] button to save the song

If you decide not to rename the song, press the [Metronome] button.

When the song has been renamed, you will return to the screen of step 3.

NOTE

Never turn oﬀ the power or disconnect the USB ﬂash drive while the screen indicates “Working...”

11. Press the [Key Touch] button or the [Transpose] button to ﬁnish the procedure

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& &

Convenient Functions

Parameters Stored in Memory Backup

Ambience (on/oﬀ, depth)

Brilliance (on/oﬀ, depth)

Split Point

Page

Making the Power Automatically

Turn Oﬀ After a Time (Auto Oﬀ)

With the factory settings, the unit’s power will automatically be

switched oﬀ 30 minutes after you stop playing or operating the

unit.

Twin Piano mode

Key Touch (on/oﬀ, value)

Soundboard Behavior

Damper Resonance

String Resonance

Key Oﬀ Resonance

Cabinet Resonance

Master Tuning

If you don’t need the power to turn oﬀ automatically, set “Auto Oﬀ”

to the “OFF”setting as described below.

1. While holding down the [Key Touch] button, press the

[Transpose] button

2. Use the [ ] [ ] (Slow/Fast) buttons to select “Auto Oﬀ ”

Temperament

Temperament Key

Stretch Tuning

Language

3. Use the [–] [+] buttons to change the setting

Dual Balance

Transpose Mode

Value

OFF

Explanation

Damper Pedal Part

MIDI Transmit Channel

Visual Control Channel

The power will not turn oﬀ automatically.

The power will automatically turn oﬀ if no

operation is performed for 10 minutes.

The power will automatically turn oﬀ if no

operation is performed for 30 minutes.

30 (default)

1. While holding down the [Key Touch] button, press the

The power will automatically turn oﬀ if no opera-

tion is performed for 240 minutes (4 hours).

240

[Transpose] button

2. Use the [ ] [ ] (Slow/Fast) buttons to select “Backup ”

* This setting is automatically stored in the unit.

4. Press the [Key Touch] button or the [Transpose] button to

ﬁnish the procedure

NOTE

When turning the unit’s power back on after it has been shut

down due to the Auto Oﬀ function, always make sure to allow

at least ﬁve seconds to pass after the power has been shut oﬀ

before you turn the power back on. If you turn it back on too

rapidly, the Auto Oﬀ function will not have had enough time to

reset itself, and you may not be able to turn on the power in the

normal way.

3. Press the [Song] button

A screen will appear, allowing you to execute the backup.

Retaining the Settings Even After

Power-oﬀ (Memory Backup)

4. Press the [ ] (Fast) button to select “Y ”

Memory backup will begin.

If you decide to cancel without executing, press the [ ] (Slow)

button to select “N.”

The settings of the unit will return to their factory-set state when

you turn oﬀ the power. However, you can store the settings so that

they will be retained even after the power is turned oﬀ.

When the memory backup has been completed, the screen of step

2 will appear.

This is called the “memory backup”function.

NOTE

Never turn oﬀ the power while the screen indicates “Working...”

5. Press the [Key Touch] button or the [Transpose] button to

ﬁnish the procedure

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Convenient Functions

2. Press the [ ] [ ] (Slow/Fast) button to choose “Copy

Song ”

Restoring the Factory Settings

(Factory Reset)

Settings that you’ve stored using the Memory Backup function (p. 41)

can be returned to their factory-set state. This is called the “factory

reset”function.

3. Press the [Song] button

NOTE

A screen will appear, allowing you to select the copy-source and

destination memory locations.

When you execute “Factory Reset,”all stored settings will be

erased and returned to the factory settings.

MEMO

This function will not erase the songs from the internal memory

or the USB ﬂash drive (sold separately).

If you want to erase the internal memory or the USB ﬂash drive,

“Initializing the Memory (Format Media)”(p. 43).

If you decide not to copy the song, press the [Metronome] button.

1. While holding down the [Key Touch] button, press the

4. Use the [–] [+] buttons to select the copy-source and copy-

[Transpose] button

destination memory locations

2. Use the [ ] [ ] (Slow/Fast) buttons to select “FctReset ”

5. Press the [ ] (Fast) button

3. Press the [Song] button

6. Press the [–] [+] button to select the song that you want

A screen will appear, allowing you to execute factory reset.

to copy

MEMO

If you choose “ALL,”all songs except for audio ﬁles in the copy-

source memory will be copied.

7. Press the [ ] (Fast) button

4. Press the [ ] (Fast) button to select “Y ”

Factory reset will begin.

If you decide to cancel without executing, press the [ ] (Slow)

button to select “N.”

When the factory reset has been completed, the screen will indicate

“END.”

8. Use the [–] [+] buttons to select the copy-destination

number

No song has been saved at song numbers for which (Empty) is

shown as the song name.

NOTE

Never turn oﬀ the power while the screen indicates “Working...”

Select a song number at which no song has been saved.

If you want to delete an unwanted song and replace it with the

song you’re copying, select the unwanted song number.

5. Turn the power oﬀ, then on again (p 15)

9. Press the [Song] button to copy the song

Copying a Saved Song (Copy Song)

If you decide not to copy, press the [Metronome] button.

Once the song has been copied, you’ll be returned to the screen of

step 2.

Songs that have been saved in the internal memory can be copied

to USB ﬂash drive (sold separately). Alternatively, songs stored on

the USB ﬂash drive can be copied to the internal memory.

NOTE

* Audio ﬁles cannot be copied.

Never turn oﬀ the power or disconnect the USB ﬂash drive while

the screen indicates “Working...”

* If a USB ﬂash drive (sold separately) is not connected, you won’t

be able to perform this operation.

10. Press the [Key Touch] button or the [Transpose] button to

1. While holding down the [Key Touch] button, press the

ﬁnish the procedure

[Transpose] button

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Convenient Functions

Deleting a Saved Song (Delete Song)

Initializing the Memory

Here’s how to delete a song that you saved on the internal memory

or the USB ﬂash drive (sold separately).

(Format Media)

Here’s how you can completely erase all songs that were

saved in the internal memory or the USB ﬂash drive (sold

separately).

MEMO

If you want to delete all songs that have been saved to the

internal memory, initialize the memory.

NOTE

* If you want to delete a song on the USB ﬂash drive (sold

separately), connect your USB ﬂash drive to the USB memory

port before you continue.

• Once an initialization is performed, all songs that

have been saved in the internal memory or the USB

ﬂash drive will be erased. The erased data cannot

be recovered, so we recommend that you check the

contents of memory before you proceed.

1. While holding down the [Key Touch] button, press the

[Transpose] button

• If you’re using new USB ﬂash drive (sold separately) with the unit

for the ﬁrst time, you’ll need to initialize (format) the USB ﬂash

drive before using it. The unit can’t use USB ﬂash drive that has

not been initialized.

2. Use the [ ] [ ] (Slow/Fast) buttons to select “Del Song ”

If you want to format USB ﬂash drive, connect the USB ﬂash drive to

the USB memory port (p. 10).

3. Press the [Song] button

1. While holding down the [Key Touch] button, press the

[Transpose] button

A screen will appear, allowing you to select the memory location

that contains the song you want to delete.

2. Use the [ ] [ ] (Slow/Fast) buttons to select “Format ”

If you decide not to delete the song, press the [Metronome] button.

3. Press the [Song] button

4. Use the [–] [+] buttons to select the memory location that

A screen will appear, allowing you to proceed with the format.

contains the song you want to delete

5. Press the [ ] (Fast) button

If you decide not to proceed with the format, press the

[Metronome] button.

6. Use the [–] [+] buttons to select the song that you want to

4. Use the [–] [+] buttons to select the memory that you

delete

want to initialize

7. Press the [Song] button

5. Press the [Song] button

A conﬁrmation message will appear.

8. Press the [ ] (Fast) button to select “Y “

Deletion of the song will begin.

6. Press the [ ] (Fast) button to select “Y “

Formatting of the media will begin.

If you decide not to delete, press the [ ] (Slow) button.

If you decide not to initialize, press the [ ] (Slow) button.

Once the song is deleted, you’ll be returned to the screen you were

in at step 2.

Once the initialization is ﬁnished, you’ll be returned to the screen

you were in at step 2.

NOTE

7. Press the [Key Touch] button or the [Transpose] button to

Never turn oﬀ the power or disconnect the USB ﬂash drive while

the screen indicates “Working...”

ﬁnish the procedure

9. Press the [Key Touch] button or the [Transpose] button to

ﬁnish the procedure

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Convenient Functions

Disabling the Buttons (Panel Lock)

Caution when initializing the memory

• Never turn oﬀ the power while “Working...”is shown in the

display.

When you activate Panel Lock, all buttons will be disabled.

This prevents the tones or settings from being changed if you

inadvertently press a button.

• If the screen indicates “Error,”please refer to “Error Messages”

(p. 53).

1. Hold down the [AB Repeat] button until the following

• Initializing the unit’s internal memory will not initialize

settings other than the contents of the internal memory. If

you want to return settings other than the contents of the

internal memory to their factory-set condition, execute the

Factory Reset operation (p. 42).

display appears

Panel Lock will be activated.

All button operations will be disabled.

• Don’t disconnect the USB ﬂash drive until USB ﬂash drive

initialization has been completed.

2. To cancel Panel Lock, once again hold down the [AB

Repeat] button for a while

Panel Lock will also be cancelled when you turn oﬀ the power.

* If you activate Panel Lock while a song is playing, playback will

stop.

* You can’t activate Panel Lock during recording, while in Function

mode (p. 45), or during Tone Demo (p. 16).

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& &

Various Settings (Function Mode)

The same procedure is used for all settings in Function mode.

3. Press the [–] [+] button to edit the value of the setting

1. While holding down the [Key Touch] button, press the

4. Press the [Key Touch] button or the [Transpose] button to

[Transpose] button

exit Function mode

The [Key Touch] button and [Transpose] button will light; the unit

will be in Function mode.

2. Press the [ ] [ ] (Slow/Fast) buttons to select the

function setting that you want to change

Indication

Dual Bal

Value

Explanation

Adjusting the Dual Play Volume Balance (Dual Balance)

When using Dual Play, you can adjust the volume balance between tone 1 and tone 2.

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 41).

9-1 (tone 1 is louder)–9-9 (same volume)–1-9 (tone 2 is louder)

Matching the Pitch with Other Instruments (Master Tuning)

When playing ensemble with other instruments and in other such instances, you can match

the standard pitch to another instrument.

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 41).

Tuning

The standard pitch generally refers to the pitch of the note that’s played when you ﬁnger the

middle A key (A4). For a cleaner ensemble sound while performing with one or more other

instruments, ensure that each instrument’s standard pitch is in tune with that of the other

instruments. This tuning of all the instruments to a standard pitch is called “master tuning.”

415 3 Hz–440 0 Hz–466 2 Hz

Changing the Tuning Method (Temperament)

You can play classical styles such as Baroque using historic temperaments (tuning methods).

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 41).

Most modern songs are composed for and played in equal temperament, the most common

tuning in use today. But at one time, there were a wide variety of other tuning systems in

existence. By playing in the temperament that was in use when a composition was created,

you can experience the sonorities of chords originally intended for that song.

Screen

EQU

Explanation Qualities

In this tuning, each octave is divided into twelve equal steps. Every interval produces about the same amount of

slight dissonance.

Equal

This tuning eliminates ambiguities in the ﬁfths and thirds. It is unsuited to playing melodies and cannot be

transposed, but is capable of beautiful sonorities.

Temprmnt

MAJ

MIN

Just Major

Just Minor

The Just tunings diﬀer from major and minor keys. You can get the same eﬀect with the minor scale as with the major

scale.

This tuning, devised by the philosopher Pythagoras, eliminates dissonance in fourths and ﬁfths.

Dissonance is produced by third-interval chords, but melodies are euphonious.

PYTH

Pythagorean

This is an improvement of the Meantone and Just tunings that provides a high degree of freedom of modulation.

Performances are possible in all keys (III).

KIRN

MEAN

WERC

ARB

Kirnberger

Meantone

Werckmeister

Arabic

This scale makes some compromises in just intonation, enabling transposition to other keys.

This temperament combines the Meantone and Pythagorean tunings. Performances are possible in all keys (ﬁrst

technique, III).

This tuning is suitable for the music of Arabia.

Specifying a Song’s Tonic (Temperament Key)

When playing with tuning other than equal temperament, you need to specify the

temperament key for tuning the song to be performed (that is, the note that corresponds to

C for a major key or to A for a minor key).

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 41).

Tmpr Key

If you choose an equal temperament, there’s no need to select a temperament key.

C, C , D, E , E, F, F ,G, A , A, B , B

* In the display, a quotation mark (“) signiﬁes a sharp (#).

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Various Settings (Function Mode)

Indication

Value

Explanation

Using a Piano’s Unique Tuning (Stretch Tuning)

This lets you specify the amount of “stretch tuning,”a tuning method speciﬁcally for pianos, in

which the high range is tuned slightly sharper, and the low range is tuned slightly ﬂatter.

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 41).

Stretch

If you select “ON,”a standard tuning curve created for the unit will be used.

OFF, ON

Producing Sympathetic Resonance When You Press the Damper Pedal

(Damper Resonance)

This adjusts the damper resonance of the acoustic piano sound (the sympathetic vibration

Dmpr Res

How to save your settings?

produced in strings other than those actually played when you press the damper pedal).

Save your settings as described in “Memory

Backup”(p. 41).

Higher settings will make the sympathetic vibration louder.

OFF, 1–10

Producing the Resonance of the Strings When the Keys Are Played

(String Resonance)

This adjusts the string resonance of the acoustic piano sound (the sympathetic vibrations of

Strg Res

strings for previously played notes that occur when you play another note).

How to save your settings?

Higher settings will make the sympathetic vibration louder.

Save your settings as described in “Memory

Backup”(p. 41).

OFF, 1–10

Playing Sounds When the Keys Are Released (Key Oﬀ Resonance)

This adjusts sympathetic vibrations such as an acoustic piano’s key-oﬀ sound (the subtle

sound that occurs when you release a note).

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 41).

KOﬀ Res

Higher settings will make the sympathetic vibration louder.

OFF, 1–10

Adjusting the Sympathetic Resonance of the Grand Piano Body

(Cabinet Resonance)

Adjusts the body resonance of the grand piano itself.

Cabinet

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 41).

Higher values will produce a larger body resonance.

OFF, 1–10

Adjusting the Clarity of Individual Notes in a Chord

(SoundBoard Behavior)

When you play a chord, this setting improves the clarity of the individual notes in the chord,

SoundBrd

How to save your settings?

creating a more beautiful resonance.

Save your settings as described in “Memory

Backup”(p. 41).

Higher settings produce a clearer resonance.

OFF, 1–10

Adjusting the Volume of an Audio Playback Device (Input Volume)

InputVol

You can adjust the volume of an audio playback device that’s connected to the Input jacks.

HP505 only

0–10

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Various Settings (Function Mode)

Indication

Value

Explanation

Playing Back an Audio File with Its Central Sound Minimized

(Center Cancel)

You can minimize the sounds that are heard from the center when playing back an audio ﬁle. For example, you can minimize the melody or vocal,

and then play or sing that part yourself.

C Cancel

* For some songs, sounds located in the center might not disappear completely, or the tone quality of the sound might be aﬀected.

HP505 only

* The Center Cancel eﬀect is applied to both to the sound of the selected audio ﬁle and to the sound of the digital audio player connected to the

Input jack.

MEMO

You can also turn the Center Cancel function on/oﬀ by pressing the [Right] button.

Sound at center reduced during playback.

Normal playback.

OFF

Transposing an Audio File (Audio Transpose)

You can shift the playback key of an audio ﬁle. You can also play along on the keyboard.

* For some songs, an audio transpose setting other than 0 may aﬀect the tone quality of the sound.

AudTrans

* Transposition will be applied to both to the selected audio ﬁle and to the sound from the digital audio player connected to the Input jack.

HP505 only

MEMO

You can also change this setting by holding down the [Transpose] button and using the [–] [+] buttons.

-6–0–5

(semitone units)

Positive (+) values raise the pitch in semitone steps, and negative (-) values lower the pitch in semitone steps.

Specifying What the Transpose will Aﬀect (Transpose Mode)

This setting speciﬁes what the transpose will aﬀect. You can use the transpose to change the

pitch of both the song and the keyboard, only the pitch of the song, or only the pitch of the

keyboard.

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 41).

Trnspose

KBD

The sound of the keyboard

SONG

BOTH

The song being played back (on the HP505, the sound being input via the Input jacks)

The sound of the keyboard and the song being played back (on the HP505, the sound being input via the Input jacks)

Changing the Pitch of the Tone in Octave Steps (Octave Shift)

You can change the pitch of the Tone 2 in Dual Play (p. 17) and Lower tone in Split Play (p. 18) an octave at a time.

Oct Shft

Altering the pitch in one-octave units in this way is called “Octave Shift.”

For example, you can raise the pitch of the Lower Tone to the same pitch of the Upper Tone in Split Play.

-2–0–+2 (octave)

Selecting the Format for Recording (Recording Mode)

You can choose whether to record as SMF or as audio.

Rec Mode

MEMO

You can also switch the recording mode by holding down the [

] (Rec) button and using the [–] [+] buttons.

SMF

SMF parts will be recorded separately. This allows you to re-record just a single part, or to overdub diﬀerent parts.

The recording will be made as audio data. The recorded song can be used in your computer.

Audio

Changing How the Pedal Eﬀects Are Applied (Damper Pedal Part)

When you press the damper pedal during Dual play or Split play, the pedal eﬀect is normally

applied to both tones, but you can also select the tone to which the eﬀect is to be applied.

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 41).

DPdl Prt

R+L

All enabled

Applied only to the Tone 1 (in dual mode)/Right-hand Tone (in split mode)

Applied only to the Tone 2 (in dual mode)/Left-hand Tone (in split mode)

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Various Settings (Function Mode)

Indication

Value

Explanation

Changing How the Pedals Work (Center Pedal)

When you turn on the power, the center pedal functions as the sostenuto pedal (p. 10).

You can change the function of the pedal to a variety of other operations.

SOST

PLAY

Sets function to sostenuto pedal.

CPdl Fnc

The pedal will have the same function as the [

] (Play/Stop) button.

Pressing the pedal will layer on Tone 2, used for Dual play.

LAYR

OCT

* The Layer function can be applied only when using Dual play.

Pressing the pedal will layer on a sound one octave higher.

* The Octave function cannot be applied while using Twin Piano, Dual play, or Split play.

Preventing Doubled Notes When Connected to a Sequencer

(Local Control)

Local Control

When you have a MIDI sequencer connected, set this parameter to Local Oﬀ.

MIDI

Sequencer

MIDI

Since most sequencers have their Thru function turned on, notes you play on the

keyboard may be sounded in duplicate, or get dropped. To prevent this, you can

Sound Generator

enable the “Local Oﬀ”setting so that the keyboard and internal sound generator will be

disconnected.

LocalCtl

MIDI

Out

Local Control is oﬀ.

OFF

The keyboard and composer are disconnected from the internal sound generator. Playing the keyboard will not produce sound.

Local Control is on.

The keyboard and composer are connected to the internal sound generator.

MIDI Transmit Channel Settings (MIDI Transmit Channel)

This setting speciﬁes the MIDI channel on which the unit will transmit.

How to save your settings?

Save your settings as described in “Memory

Backup”(p. 41).

MIDI uses sixteen “MIDI channels,”which are numbered 1 through 16. By connecting MIDI

devices and specifying the appropriate MIDI channel for each device, you can play or select

sounds on those devices.

MIDI Ch

The unit will receive all sixteen channels (1–16).

OFF, 1–16

Setting the Type of CD To be Played Back (CD/Audio Type)

The unit may be unable to correctly recognize the type of CD being used. In such instances, you can specify the type of CD manually.

When the unit left the factory, this was set to “STRO”(Stereo). Normally, there is no need to make this setting.

CD/A Typ

MEMO

This setting is automatically saved in the unit.

AUTO, A, B, STRO

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Various Settings (Function Mode)

Indication

SaveSong

Value

Explanation

Renaming a Song (Save Song) (p. 40)

Here’s how to rename a song you’ve saved.

Copying a Saved Song (Copy Song) (p. 42)

CopySong

A song you’ve saved to the internal memory can be copied to the USB ﬂash drive. Alternatively, a song saved to the USB ﬂash drive can be copied to

the internal memory.

Deleting a Saved Song (Delete Song) (p. 43)

Del Song

Format

You can delete a saved song from the internal memory or the USB ﬂash drive.

Initializing the Memory (Format Media) (p. 43)

You can delete all songs from the internal memory or a separately sold USB ﬂash drive.

Changing the USB Driver Settings (USB Driver)

Normally, you don’t need to install a driver in order to connect the unit to your computer. However, if some problem occurs, or if

the performance is poor, using the Roland original driver may solve the problem.

In this case, setting “USB Drv”to “ORG”on the unit, install the driver on your personal computer.

After changing this setting, you need to turn oﬀ the unit, then turn it back on again.

MEMO

USB Drv

This setting is automatically saved in the unit.

For details on downloading and installing the Roland original driver, refer to the Roland website.

Roland website:

http://www.roland.com/

GEN

ORG

Choose this if you want to use the generic USB driver that was included with your computer. Normally, you should use this mode.

Choose this if you want to use a USB driver downloaded from the Roland website.

Changing the USB ﬂash drive Setting (USB Memory Mode)

In some cases, when USB ﬂash drive is connected to the USB memory port, it may take longer for data to be loaded, or data may fail to be loaded

successfully. If this occurs, you may be able to solve the problem by changing the USB ﬂash drive setting.

USB Mode

When the unit left the factory, this was set to “2”Normally, there is no need to make this setting.

MEMO

This setting is automatically saved in the unit.

1, 2

Controlling Video Equipment (Visual Control Mode)

Visual Control is a function that lets you control images along with your performance. If you’ve set Visual Control mode to MVC or VLNK, playing the

keyboard of unit will control the images produced by the Visual Control device connected to unit using a MIDI cable.

VC Mode

OFF

Visual Control is oﬀ.

MVC

VLNK

MIDI Visual Control mode is selected.

V-LINK mode is selected.

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Various Settings (Function Mode)

Indication

Value

Explanation

Specifying the Visual Control Channel (Visual Control Channel)

Here’s how to specify the channel on which messages used to control video will be sent.

(Visual Control Channel).

How to save your settings?

VC Ch

Save your settings as described in “Memory

Backup”(p. 41).

1–16

Speciﬁes the MIDI channel used to transmit MIDI messages to the Visual Control device.

What is MIDI Visual Control?

MIDI Visual Control is an internationally-used recommended practice that was added to the MIDI speciﬁcation so that visual

expression could be linked with musical performance. Video equipment that is compatible with MIDI Visual Control can be

connected to electronic musical instruments via MIDI in order to control video equipment in tandem with a performance.

What is V-LINK?

V-LINK is Roland’s proprietary speciﬁcation that allows visual expression to be linked with musical performance.

Video equipment that is compatible with V-LINK can be connected to electronic musical instruments via their MIDI

ports, making it easy to enjoy a variety of visual eﬀects that are linked with the performance.

Connection examples

Connect a MIDI cable from this unit’s MIDI Out connector (p. 11, p . 12) to the MIDI In connector of your Visual Control compatible device.

* You’ll need a MIDI cable (sold separately) in order to connect this unit to a device that supports Visual Control.

Visual control function chart

Playing the lowest 12 keys of this unit (A0–G#1) will transmit the following MIDI messages.

Visual Control

function

Transmitted MIDI message Unit’s operation

MIDI Out connector

CC 0 (Bank Select): 0–4

Program Change: 1–7

Play black keys

Play white keys

MIDI In connector

Switch images

Visual Control

compatible video

equipment

Changing the Language Displayed in the Screen (Language)

You can change the language that is displayed in the screen.

How to save your settings?

Language

Save your settings as described in “Memory

Backup”(p. 41).

ENG, JPN

Making the Power Automatically Turn Oﬀ After a Time (Auto Oﬀ) (p. 41)

With the factory settings, the unit’s power will automatically be switched oﬀ 30 minutes after you stop playing or operating the unit.

If you don’t want the power to turn oﬀ automatically, change the “Auto Oﬀ”setting to “OFF”as follows.

Auto Oﬀ

MEMO

This setting is automatically saved in the unit.

Storing Your Settings (Memory Backup) (p. 41)

Backup

The unit’s settings will return to their default settings when you turn oﬀ the power, but you can store these settings so that they will retain the

changes you made even after the power is turned oﬀ, then on again.

Restoring the Factory Settings (Factory Reset) (p. 42)

FctReset

When you execute the “Factory Reset”function, the settings you’ve edited in Function mode will be restored to their factory-set state.

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Troubleshooting

Symptom

Cause/Action

Page

The unit uses a hammer action keyboard in order to simulate an acoustic piano’s playing touch as realistically as possible. For

this reason, you’ll hear the hammers thump when you play the keyboard, just as you would when playing an acoustic piano.

Since this unit allows you to adjust its volume, you might notice the sound of the hammers in certain situations, but this does

not indicate a malfunction. If vibration transmitted to the ﬂoor or walls is a concern, you may be able to minimize the vibration

by moving the piano away from the wall, or by laying down a commercially available anti-vibration mat designed for use with

pianos.

Even though you’re using

headphones and the sound

is muted, a thumping sound

is heard when you play the

keyboard

–

When 30 minutes have elapsed since you last played or operated this unit, the power will turn oﬀ automatically. (This is the

factory setting).

If you don’t need the power to turn oﬀ automatically, turn the “Auto Oﬀ”setting “OFF.”

Power turns oﬀ on its own

Power does not turn on

p. 41

Is the AC adaptor connected correctly?

p. 62

–

Could you have turned the power on again immediately after turning the power oﬀ?

Allow an interval of at least ﬁve seconds before turning the power on again.

Screen display is irregular when

power is turned on/oﬀ

Since the unit uses a liquid-crystal display, you may ﬁnd that it is unable to display letters or other things in environments where

temperatures go below 0 degrees Celsius (32 degrees Fahrenheit).

–

Is the pedal connected correctly?

Plug the cable ﬁrmly into the pedal connector.

p. 62

If you disconnect the pedal cord from the unit while the power is on, the pedal eﬀect may remain “stuck”in the On condition.

You must power-oﬀ the unit before connecting or disconnecting the pedal cord.

Could you have changed how the pedal eﬀect is applied?

p. 47

If the damper pedal part is set to “R,”the pedal will apply only to the right tone; if it is set to “L,”the pedal will apply only to the left

tone.

Pedal does not work, or is “stuck”

Could Twin Piano be turned on?

p. 22

p. 48

If Twin Piano is on, the right pedal will aﬀect only the right-hand keyboard zone and the left pedal will aﬀect only the left-hand

keyboard zone.

Could you have changed the function of the pedal?

If you’ve reassigned the function of the center pedal, this pedal will not operate as the sostenuto pedal.

Are you using (optional) Roland USB ﬂash drive?

Reliable performance cannot be guaranteed if you use non-Roland USB ﬂash drive products.

–

p. 49

–

Unable to read from/write to USB

ﬂash drive

If you are unable to read or write USB ﬂash drive successfully, change the USB memory mode.

Are the external devices connected to more than one AC power outlet?

If you connect external devices, be sure to connect them to the same AC outlet.

“Buzz” is heard from external

devices

p. 46

–

HP505 only

Could the Input volume be set to “0”?

The volume level of the

instrument connected to Input

jacks is too low

Raise the volume of the connected device.

Could you be using a connection cable that contains a resistor?

Use a connection cable that does not contain a resistor.

–

If turn oﬀ the unit, or the power is disrupted due to a power failure while you’re connected to a MIDI device, the settings of

that MIDI device may be altered. If this occurs, power-oﬀ the unit and your MIDI device. Then power-on the unit ﬁrst, and next

power-on your MIDI device.

Connected MIDI device does not

operate correctly

–

No sound

Could the unit’s volume or the volume of the connected equipment be turned down?

p. 15

Could headphones be connected?

Could there be a plug inserted in a headphone jack?

The speakers will not produce sound if headphones or plug are connected to the headphone jacks.

p. 11

p. 12

Has Local Control been set to “OFF”?

When Local Control is set to “OFF,”no sound is produced by playing the keyboard. Set Local Control to “ON.”

p. 48

p. 22

No sound

HP505 only

Could Twin Piano mode be set to “2”?

If headphones are connected when Twin Piano is ON and the mode is set to “2,”notes played in the left-hand keyboard zone will

not be heard from the headphones connected to the right Phones jack. Similarly, notes played in the right-hand keyboard zone

will not be heard from the headphones connected to the left Phones jack.

Has Local Control been set to “OFF”?

When Local Control is set to “OFF,”no sound is produced by playing the song. Set Local Control to “ON.”

p. 48

p. 27

No sound when you play back

a song

Could the song volume be set to “0”?

Could the Visual Control mode be set to “MVC”or”VLNK”?

No sound from the left most

notes of the keyboard

p. 49

–

If the Visual Control mode is set to “MVC”or “VLNK,”the lowest 12 keys of the keyboard (A0–G#1) are used to control images; they

will not produce sound.

Are all devices powered on?

No sound (when a MIDI device is

connected)

p. 11

p. 12

Are the MIDI cables connected correctly?

Do the MIDI channels of the unit and the connected device match?

p. 48

Notes don’t sound right

p. 23

p. 37

Could you have made Transpose settings?

Is the Master Tune setting appropriate?

p. 45

Pitch of the keyboard or song is

incorrect

Is the setting for the Temperament correct?

If stretch tuning is "ON," the piano will be tuned in a unique way; notes in the piano's upper range will be tuned slightly sharper,

while notes in the lower range will be tuned slightly lower. For this reason, certain pitches may seem to be oﬀ, but this is actually

the way that an acoustic piano should sound.

p. 46

–

The maximum simultaneous polyphony is 128 voices. If you are playing along with a song and making heavy use of the damper

pedal, the number of notes the unit is attempting to produce may exceed the maximum polyphony, meaning that some of the

notes will drop out.

Not all the notes you play are

sounded

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Troubleshooting

Symptom

Cause/Action

Page

p. 17

Is the unit in Dual play?

Sounds are heard twice (doubled)

when the keyboard is played

When the unit is connected to an external sequencer, set the Local Control to oﬀ. Alternatively, the sequencer could be set so its

Soft Thru feature is Oﬀ.

p. 48

Tone buttons [E. Piano] [Strings] [Other] also operate as buttons that select “Recommended Tones.”

The wrong instrument is selected

when you press the [E Piano],

[Strings], or [Other] button

Connecting a commercially-available CD-ROM drive to the USB ﬂash drive connector and selecting a song from a CD-ROM

produced for the VIMA (VIMA TUNES) will automatically cause sounds appropriate for that song to be assigned to the [E. Piano],

[Strings], and [Other] Tone buttons, so that you can select “recommended”sounds by pressing one of these buttons.

p. 16

When you are using Dual play or Split play, and diﬀerent eﬀects are speciﬁed for the two selected tones, the eﬀect will not be

applied to Tone 2 (when using Dual play) or the left-hand tone (when using Split play).

Eﬀect does not apply

–

The unit’s piano sound faithfully simulates the depth and resonance of an acoustic piano, and this may give the impression of

reverberation even if you’ve defeated the Ambience eﬀect.

Also, you may be able to eliminate some reverberation by reducing the value set for “Cabinet Resonance.”

Reverberation remains even if You

defeat the Ambience eﬀect

p. 46

On an acoustic piano, the approximately one and a half octaves of notes at the top of the keyboard will continue sounding

regardless of the damper pedal. These notes also have a somewhat diﬀerent tonal character. The unit faithfully simulate this

characteristic of acoustic pianos. On the unit, the range that is unaﬀected by the damper pedal will change according to the key

transpose setting.

The sound of the higher notes

suddenly changes from a certain

key

–

If you hear this in headphones:

Piano sounds that have a brilliant and crisp character contain substantial high-frequency components that may sound as though

a metallic ringing has been added. This is because the character of an actual piano is being faithfully reproduced, and is not a

malfunction.

This sound can be adjusted by modifying the following settings.

High-pitched ringing is heard

•

String Resonance (p. 46)

Ambience (p. 20)

If you don’t hear this in headphones:

It is likely that there is some other reason (such as resonances within the unit). Please contact your dealer or a nearby Roland

service center.

If you set the volume to the maximum setting, the sound may be distorted depending on how you perform.

If this occurs, turn down the volume.

–

If you don’t hear this in headphones:

Performing at high volumes may cause the speakers or objects near the unit to resonate. Fluorescent lights or glass doors may

also resonate sympathetically. In particular, this is more likely to occur for lower notes and higher volumes. You can take the

following measures to minimize resonances.

Low notes sound wrong, or are

buzzy

•

Locate the speakers 10–15 cm (4–6 inch) away from walls or other surfaces.

Keep the volume down.

Move away from the objects that are resonating.

If you hear this in headphones:

It is likely that there is some other reason. Please contact your dealer or a nearby Roland service center.

Song does not play correctly

Only the sound of a particular

instrument in a song does not

play

Could a part be muted?

p. 28

p. 29

p. 27

If the button indicator is out, the music on that part is not heard. Press the part button so the indicator is illuminated.

Could the part mute volume be set to other than “0”?

If you set this to “0,”the sound of a muted part will be completely inaudible.

Sound is heard from a muted part

Song volume is low

/ Volume diﬀers between

recording and playback

Could the Song Balance volume be lowered?

Could the Audio ﬁles of the format be played?

Audio ﬁles of the following format can be played back.

p. 27

–

•

File extension “.WAV”

16-bit linear

“44.1 kHz”sampling rate

Can’t play back a song saved in

USB ﬂash drive

Is the ﬁlename extension “MID”?

Files with other ﬁlename extensions cannot be handled as song data.

Song tempo becomes unstable

When playing a song from USB ﬂash drive, the tempo may become unstable if there is an excessive amount of performance data.

The song name will not be shown if the song information in the ﬁle is empty or consists only of spaces.

–

Is the ﬁlename extension “MID”?

Files with other ﬁlename extensions cannot be handled as song data.

Song name in USB ﬂash drive is

not shown

–

Song names can consist only of English letters, numerals, certain symbols, and single-byte characters from the Japanese

syllabary; the unit is unable to correctly display the name if other characters are used.

Can’t record / play back

Can’t record SMF

Has one of the part buttons for recording been selected?

Is a USB ﬂash drive connected to the USB memory port?

p. 31

–

Can’t record audio

Thanks to its multiple number of speakers, each of which can be used to play a diﬀerent portion of the overall sound, the unit is

capable of producing piano sounds that possess great depth and seem to have three-dimensional presence.

Such eﬀects are produced when you play something on the keyboard, or when you play back a song that's been recorded as an

SMF. However, when you make an audio recording, the song will consist of two channels (stereo), and such eﬀects cannot be

reproduced.

Tone quality of the piano sound

changes when you record a

performance as audio

–

Your recorded performance will disappear if you switch oﬀ the unit’s power or select a song.

There is no way to recover the lost performance. Before you turn oﬀ the power, save your recorded performance in the internal

memory or the USB ﬂash drive.

The recorded performance

disappeared

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Troubleshooting

Limitations regarding audio ﬁles

•

Ambience (p. 20)

Saving to internal memory (p. 32)

Playback (muting) of individual parts (p. 28)

Copy Song (p. 42)

Save Song (p. 40)

& &

Error Messages

Indication

Error 1

Meaning

You can only read the music ﬁle. It can not be saved.

An error occurred during writing. The external media may be corrupted.

Insert other external media and try again. Alternatively, you can initialize the external media.

The external media’s protect tab may be in the “Protect”(writing prohibited) position may not yet be initialized.

Error 2

Error 10

Error 11

No external media is inserted. Insert the external media and try again.

There is not suﬃcient free memory in the save destination.

Either insert other external media or delete unneeded ﬁles and try again.

An error occurred during reading. The external media may be corrupted.

Insert other external media and try again. Alternatively, you can initialize the external media.

The ﬁle is unreadable. The data format is not compatible with the unit.

Error 14

Error 15

Error 16

Data was not called up in time for playback of the song. After waiting several seconds, you may be able to play back the song by pressing the [

(Play/Stop) button again.

]

This audio format is not supported.

Error 18

Error 30

Error 40

Please use 44.1 kHz 16-bit linear WAV format audio ﬁles.

The internal memory capacity of the unit is full.

The unit cannot deal with the excessive MIDI data sent from the external MIDI device.

Reduce the amount of MIDI data sent to the unit.

Error 41

Error 43

A MIDI cable has been disconnected. Connect it properly and securely.

A MIDI transmission error has occurred. Check the MIDI cable and connected MIDI device.

There may be a problem with the system. Repeat the procedure from the beginning. If it is not solved after you have tried several times, contact the Roland

service center.

Error 51

Error 65

The USB ﬂash drive connector was subjected to excessive current. Make sure that there is no problem with the external media, then turn the power oﬀ, then

on again.

External Media: USB ﬂash drive, CD-ROM, etc.

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Tone List

Piano–Grand

Tone Name

Explanation

The sound of a splendid concert grand piano. This piano sound has our highest recommendation, and can be used for any style of

music.

Concert

Ballade

A mellow grand piano sound, recommended for quiet songs.

A brilliant grand piano sound, recommended when you want the piano to stand out in an ensemble.

A charming sound that layers synth bells with Concert.

Strings layered with Concert.

Bright

Magical

Pno+Str

Pno+Pad

Pno+Cho

Pure Pno

Rock Pno

Ragtime

A pad layered with Concert.

A choir layered with Concert.

A grand piano sound notable for its clarity.

A robust piano sound, recommended for boogie-woogie playing.

A honky-tonk piano sound, recommended for ragtime playing.

Piano–Early

Tone Name

Explanation

FortePno

MlwForte

BrtForte

Dolcechd

Harpsi

An early type of piano with a distinctive sound that’s somewhat diﬀerent than today’s pianos.

A mellow FortePno (Forte Piano) sound.

A brilliant FortePno (Forte Piano) sound.

A dream-like sound that can sound like a piano or a harpsichord.

A type of keyboard instrument widely used in Baroque music, producing a delicate sound.

The sound of a harpsichord layered with sound an higher octave.

Hpsd 8+4

E. Piano

Strings

Other

Tone Name

Vib

Tone Name

Thum Vo

Gspl Spn

Full Stp

Tone Name

SymphStr

Epic Str

Rich Str

Orch Str

Orchstra

Cham Win

Harp

Trem EP

Pop EP

Vint EP

FM EP

Celesta

Jz Scat

SymphCho

Pipe Org

Nasn Flt

Jazz Org

Balad Or

Soft Pad

Harpvox

Nylon Gt

Steel Gt

Melw Bar

Lite Org

Lowr Org

'60s Org

Glas Pad

Lunr Str

Dcy C.Pd *

Jazz Gt

EP Belle

'60s EP

Clav.

Stg Phsr

'70s EP

E.Grand

Violin

Velo Str

Flute

Cello

Ac. Bass

Bass+Cym

Fingr Bs

Brs Sect

Alto Sax

Ten Sax

Orch Brs

Pizz Str

Decy Str *

Marimba

Mlt Isle

Mrng Lit

Balad Bl

Acordion

Church 1

Church 2

Aerl Cho

Angl Cho

Beau Vox

Fem Aahs

Male Aah

Decy Cho *

* Tones indicated by “*”are suitable for

playing layered with a piano tone.

* Tones numbered 43 and higher are

accompaniment-use GM2 tones.

* In the tone group “Other”when you

hold down the [–] [+] buttons to switch

tone in succession, the tones will stop

changing at number 43 and number

52.

* To select the next sound, release the [–]

[+] buttons, then press it again.

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Internal Song List

Song Title

Composer

Song Title

Composer

MASTERPIECE

a 055 Menuett G dur

a 056 Venezianisches Gondellied

a 057 Alpenabendröte

a 058 Farewell to the Piano

a 059 Brautchor

Ludwig van Beethoven

Felix Mendelssohn

Theodor Oesten

a 001 Barcarolle

Fryderyk Franciszek Chopin

Mikhail Ivanovich Glinka, Arranged by

Mily Alexeyevich Balakirev

a 002 Zhavoronok

Ludwig van Beethoven

Wilhelm Richard Wagner

Heinrich Lichner

a 003 Floral Pursuits *

John Maul

a 004 Sonate für Klavier Nr.23 1

a 005 Sonate für Klavier Nr.23 2

a 006 Sonate für Klavier Nr.23 3

a 007 Valse, op.34-1

Ludwig van Beethoven

Fryderyk Franciszek Chopin

a 060 Forget-Me-Not

a 061 Wiener Marsch

a 062 Le Coucou

Carl Czerny

Louis Claude Daquin

Johann Sebastian Bach

Albert Ellmenreich

François Joseph Gossec

Gustav Lange

a 063 Menuett G dur

a 064 Spinnerlied

a 008 Polonaise op.53

a 009 Nocturne No.20

a 065 Gavotte

Franz Peter Schubert, Arranged by

Franz Liszt

a 010 Die Forelle

a 066 Heidenröslein

a 067 Zigeuner Tanz

a 068 La Cinquantaine

a 069 Csikos Post

Heinrich Lichner

a 011 Reﬂets dans l’Eau

a 012 La Fille aux Cheveux de Lin

a 013 La Campanella

a 014 Scherzo No.2

Claude Achille Debussy

Franz Liszt

Gabriel Marie

Hermann Necke

a 070 Dolly’s Dreaming Awakening

a 071 La Violette

Theodor Oesten

Fryderyk Franciszek Chopin

Wolfgang Amadeus Mozart

Franz Liszt

Louis Streabbog

a 015 Étude, op.10-12

a 016 Sonate No.15

a 072 Fröhlicher Landmann

a 073 Sonatine op.36-1

a 074 Sonatine op.20-1

a 075 Sonatine No.5

CZERNY 100

Robert Alexander Schumann

Muzio Clementi

a 017 Liebesträume 3

a 018 Étude, op.10-3

a 019 Je te veux

Friedrich Kuhlau

Fryderyk Franciszek Chopin

Erik Satie

Ludwig van Beethoven

a 020 Valse, op.64-1

Fryderyk Franciszek Chopin

Claude Achille Debussy

Fryderyk Franciszek Chopin

Claude Achille Debussy

Johann Strauss, Sohn

Felix Mendelssohn

b 001

a 021 Golliwog’s Cakewalk

a 022 Fantaisie-Impromptu

a 023 Arabesque 1

Czerny 100

–b 100

Carl Czerny

HANON

C 001

Hanon 1–20

–C 020

Charles Hanon

a 024 An der schönen, blauen Donau

a 025 Auf Flügeln des Gesanges

a 026 Mazurka No.5

private, personal enjoyment is a violation of applicable laws.

Fryderyk Franciszek Chopin

Erik Satie

a 027 Gymnopédie 1

a 028 Étude, op.25-1

a 029 Clair de Lune

* No data for the music that is played will be output from MIDI Out and USB port.

Fryderyk Franciszek Chopin

Claude Achille Debussy

Fryderyk Franciszek Chopin

Claude Achille Debussy

Fryderyk Franciszek Chopin

Tekla Badarzewska

* Songs marked by an asterisk (*) are original songs composed for the Roland

Corporation. The copyrights to these songs are owned by the Roland Corporation.

* MASTERPIECE 1–2, 4–15 are piano solos. They have no accompaniment.

a 030 Étude, op.10-5

a 031 Dr. Gradus ad Parnassum

a 032 Grande Valse Brillante

a 033 La prière d’une Vierge

a 034 Course en Troïka

a 035 To The Spring

Peter Ilyich Tchaikovsky

Edvard Hagerup Grieg

Fryderyk Franciszek Chopin

Johann Baptist Strauss

Robert Alexander Schumann

Franz Peter Schubert

Fryderyk Franciszek Chopin

Georg Friedrich Händel

Johannes Brahms

a 036 Valse, op.64-2

a 037 Radetzky Marsch

a 038 Träumerei

a 039 Moments Musicaux 3

a 040 Prélude, op.28-15

a 041 Harmonious Blacksmith

a 042 Ungarische Tänze 5

a 043 Türkischer Marsch

a 044 Nocturne No.2

a 045 Frühlingslied

Ludwig van Beethoven

Fryderyk Franciszek Chopin

Felix Mendelssohn

a 046 Präludium

Johann Sebastian Bach

Felix Mendelssohn

a 047 Jägerlied

a 048 Passepied

Claude Achille Debussy

Ludwig van Beethoven

Wolfgang Amadeus Mozart

Franz Peter Schubert

Antonín Dvořák

a 049 Für Elise

a 050 Türkischer Marsch

a 051 Ständchen

a 052 Humoreske

a 053 Blumenlied

Gustav Lange

a 054 Alpenglöckchen

Theodor Oesten

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& &

Main Speciﬁcations

Roland HP505: Digital Piano

Keyboard

External Memory

External Storage

Keyboard

88 keys (PHA III Ivory Feel Keyboard with Escapement)

USB Flash Memory

Touch Sensitivity

Key Touch: 5 levels, Fixed Touch

Standard MIDI Files (Format 0/1)

Roland Original Format (i-Format)

Audio File (WAV 44.1 kHz/16-bit linear format)

Audio CDs (CD-DA) (when using optional CD drive)

Whole

Playable Song Format

Dual (volume balance adjustable)

Split (split point adjustable)

Twin Piano

Keyboard Modes

Pedals

Standard MIDI Files (Format 0)

Audio File (WAV 44.1 kHz/16-bit linear format)

Song Save Format

Other

Damper (Progressive Damper Action Pedal, capable of

continuous detection)

Piano Masterpieces: 75 songs

Selections: 10 songs or greater

Czerny #100: 100 songs

Hanon: 20 songs

Pedals

Soft (capable of continuous detection)

Sostenuto (function assignable)

Internal Songs

Sound Generator

Piano Sound

30 W x 2

5 W x 2

Rated Power Output

Volume Level (SPL)

SuperNATURAL Piano Sound

Conforms to GM2/GS/XG Lite

128 voices

107 dB

Sound Generator

Max Polyphony

* This ﬁgure was measured according to the method that is

based on Roland’s technical standard.

Grand Piano: 10 tones

Early Piano: 6 tones

E. Piano: 10 tones

Strings: 14 tones

Other: 307 tones (including 8 drum sets, 1 SFX set)

Cabinet Speakers: 12 cm x 2

Spatial/Nearﬁeld Speakers: 5 cm x 2

Custom LCD

Speakers

Tones

Display

Language

Control

English

Temperaments

8 types, selectable temperament key

Volume (Slider)

Stretched Tuning

Panel Lock

MIDI Visual Control

Oﬀ

Other Functions

Master Tuning

Transpose

415.3 Hz–466.2 Hz (adjustable in increments of 0.1 Hz)

DC In jack

Pedal connector

Input jacks (L/Mono, R): RCA phono type

Output jacks (L/Mono, R): 1/4-inch phone type

USB COMPUTER port

Key Transpose: -6–+5 (in semitones)

Playback Transpose: -6–+5 (in semitones)

Ambience (Oﬀ, 10 levels)

Brilliance (Oﬀ, -10–0–+10)

Connectors

USB MEMORY port

MIDI connectors (In, Out)

Phones jack (Stereo, with Twin Piano Individual Mode) x 2:

Stereo 1/4-inch phone type

Only for Piano Tones:

Soundboard Behavior (Oﬀ, 10 levels)

Cabinet Resonance (Oﬀ, 10 levels)

Damper Resonance (Oﬀ, 10 levels)

String Resonance (Oﬀ, 10 levels)

Key Oﬀ Resonance (Oﬀ, 10 levels)

Eﬀects

11 W (10 W to 36 W)

11 W: Average power consumption while piano is played

with volume at center position

Only for Organ Tones:

Power Consumption

10 W: Power consumption immediately after power-up;

nothing being played

Rotary Speaker Eﬀect (Slow/Fast)

Metronome

Tempo

36 W: Rated power consumption

Quarter note = 10 to 500

(With Music Rest)

1,387 (W) x 430 (D) x 1,072 (H) mm

54-5/8 (W) x 16-15/16 (D) x 42-1/4 (H) inches

Beat

2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8

11 levels

Volume

Dimensions

(including piano stand)

SMF Recorder

Tracks

(When folding down the Music Rest)

1,387 (W) x 458 (D) x 899 (H) mm

54-5/8 (W) x 18-1/16 (D) x 35-7/16 (H) inches

3 tracks

Song Save Format

Standard MIDI Files (Format 0)

HP505-RW, HP505-SB: 55.5 kg/122 lbs 6 oz

HP505-PE: 57.5 kg/126 lbs 13 oz

Weight

(including piano stand)

Recorder section: 1 song

Internal Memory: Max. 99 songs

Songs

Owner’s Manual

Roland 60 Classical Piano Masterpieces

AC Adaptor

Power Cord (for AC Adaptor)

Headphone Hook (*1)

*1 Supplied with the stand.

Note Storage

Approx. 30,000 notes

Song Select, Play/Stop, Rec, Rewinding, Fast-forwarding,

Previous song, Next song, Part Mute, Mute Volume, Tempo,

Tempo Mute, All Songs Play, Count-in, Song Balance, AB Repeat

Accessories

Controls

Tempo

Quarter note= 10 to 500

120 ticks per quarter note

Resolution

Audio/Audio CDs

USB Flash Memory (*2)

USB CD Drive (CD-01A)

Options

(sold separately)

*2 Use USB Flash memory sold by Roland. We cannot guarantee

operation if other products are used.

File Format: Audio File (WAV 44.1 kHz/16-bit linear format)

Audio CDs (CD-DA) (when using optional CD drive)

Playback

(with Keyboard, SMF data, Audio from Input jacks)

File Format: Audio File (WAV 44.1 kHz/16-bit linear format)

Recording

* In the interest of product improvement, the speciﬁcations and/

or appearance of this unit are subject to change without prior

notice.

Playback Transpose (with Audio from Input jacks):

-6–+5 (in semitones)

Transpose

Tempo

Audio Playback Speed: 75–125 %

Song Select, Play/Stop, Rec, Rewinding, Fast-forwarding,

Previous song, Next song, Tempo, All Songs Play, Song Balance,

AB Repeat, Center Cancel (with Audio from Input jacks)

Controls

Internal Memory

Song Save Format

Songs

Standard MIDI Files (Format 0)

Max. 99 songs

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Main Speciﬁcations

Roland HP503: Digital Piano

Keyboard

External Memory

External Storage

Keyboard

88 keys (Ivory Feel-S Keyboard with Escapement)

USB Flash Memory

Touch Sensitivity

Key Touch: 5 levels, Fixed Touch

Standard MIDI Files (Format 0/1)

Roland Original Format (i-Format)

Audio File (WAV 44.1 kHz/16-bit linear format)

Audio CDs (CD-DA) (when using optional CD drive)

Whole

Playable Song Format

Dual (volume balance adjustable)

Split (split point adjustable)

Twin Piano

Keyboard Modes

Pedals

Standard MIDI Files (Format 0)

Audio File (WAV 44.1 kHz/16-bit linear format)

Song Save Format

Other

Damper (Progressive Damper Action Pedal, capable of

continuous detection)

Piano Masterpieces: 75 songs

Selections: 10 songs or greater

Czerny #100: 100 songs

Hanon: 20 songs

Pedals

Soft (capable of continuous detection)

Sostenuto (function assignable)

Internal Songs

Sound Generator

Piano Sound

Rated Power Output

Volume Level (SPL)

12 W x 2

105 dB

SuperNATURAL Piano Sound

Conforms to GM2/GS/XG Lite

128 voices

Sound Generator

Max Polyphony

* This ﬁgure was measured according to the method that is

based on Roland’s technical standard.

Grand Piano: 10 tones

Early Piano: 6 tones

E. Piano: 10 tones

Strings: 14 tones

Speakers

Display

12 cm x 2

Custom LCD

English

Tones

Language

Control

Other: 307 tones (including 8 drum sets, 1 SFX set)

Volume (Slider)

Temperaments

Stretched Tuning

Master Tuning

8 types, selectable temperament key

On, Oﬀ

Panel Lock

MIDI Visual Control

Other Functions

Connectors

DC In jack

Pedal connector

Input jack: Stereo miniature phone type

Output jacks (L/Mono, R): 1/4-inch phone type

USB COMPUTER port

415.3 Hz–466.2 Hz (adjustable in increments of 0.1 Hz)

Key Transpose: -6–+5 (in semitones)

Playback Transpose: -6–+5 (in semitones)

Transpose

Ambience (Oﬀ, 10 levels)

Brilliance (Oﬀ, -10–0–+10)

USB MEMORY port

MIDI connectors (In, Out)

Phones jack x 2: Stereo 1/4-inch phone type

Only for Piano Tones:

Soundboard Behavior (Oﬀ, 10 levels)

Cabinet Resonance (Oﬀ, 10 levels)

Damper Resonance (Oﬀ, 10 levels)

String Resonance (Oﬀ, 10 levels)

Key Oﬀ Resonance (Oﬀ, 10 levels)

8 W (5 W to 32 W)

Eﬀects

8 W: Average power consumption while piano is played

with volume at center position

Power Consumption

5 W: Power consumption immediately after power-up;

nothing being played

Only for Organ Tones:

Rotary Speaker Eﬀect (Slow/Fast)

36 W: Rated power consumption

Metronome

Tempo

(With Music Rest)

1,387 (W) x 429 (D) x 1,036 (H) mm

54-5/8 (W) x 16-15/16 (D) x 40-13/16 (H) inches

Quarter note = 10 to 500

Dimensions

(including piano stand)

Beat

2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8

11 levels

(Without Music Rest)

1,387 (W) x 429 (D) x 860 (H) mm

54-5/8 (W) x 16-15/16 (D) x 33-7/8 (H) inches

Volume

SMF Recorder

Tracks

3 tracks

Weight

(including piano stand)

52.5 kg/115 lbs 12 oz

Song Save Format

Standard MIDI Files (Format 0)

Recorder section: 1 song

Internal Memory: Max. 99 songs

Owner’s Manual

Roland 60 Classical Piano Masterpieces

AC Adaptor

Power Cord (for AC Adaptor)

Headphone Hook (*1)

*1 Supplied with the stand.

Songs

Note Storage

Approx. 30,000 notes

Accessories

Song Select, Play/Stop, Rec, Rewinding, Fast-forwarding,

Previous song, Next song, Part Mute, Mute Volume, Tempo,

Tempo Mute, All Songs Play, Count-in, Song Balance, AB Repeat

Controls

USB Flash Memory (*2)

USB CD Drive (CD-01A)

Tempo

Quarter note= 10 to 500

120 ticks per quarter note

Options

(sold separately)

Resolution

Audio/Audio CDs

*2 Use USB Flash memory sold by Roland. We cannot guarantee

operation if other products are used.

File Format: Audio File (WAV 44.1 kHz/16-bit linear format)

Audio CDs (CD-DA) (when using optional CD drive)

Playback

* In the interest of product improvement, the speciﬁcations and/

or appearance of this unit are subject to change without prior

notice.

(with Keyboard, SMF data)

File Format: Audio File (WAV 44.1 kHz/16-bit linear format)

Recording

Transpose

Tempo

Playback Transpose: -6–+5 (in semitones)

Audio Playback Speed: 75–125 %

Song Select, Play/Stop, Rec, Rewinding, Fast-forwarding,

Previous song, Next song, Tempo, All Songs Play, Song Balance,

AB Repeat, Center Cancel

Controls

Internal Memory

Song Save Format

Songs

Standard MIDI Files (Format 0)

Max. 99 songs

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USING THE UNIT SAFELY

About WARNING and CAUTION Notices

About the Symbols

The symbol alerts the user to important instructions or

Used for instructions intended to alert the

user to the risk of death or severe injury

should the unit be used improperly.

warnings.The specific meaning of the symbol is

determined by the design contained within the triangle. In

the case of the symbol at left, it is used for general

cautions, warnings, or alerts to danger.

Used for instructions intended to alert the

user to the risk of injury or material

damage should the unit be used

improperly.

The symbol alerts the user to items that must never be

carried out (are forbidden).The specific thing that must

not be done is indicated by the design contained within

the circle. In the case of the symbol at left, it means that

the unit must never be disassembled.

* Material damage refers to damage or

other adverse effects caused with

respect to the home and all its

furnishings, as well to domestic animals

or pets.

The symbol alerts the user to things that must be

carried out.The specific thing that must be done is

indicated by the design contained within the circle. In the

case of the symbol at left, it means that the power-cord

plug must be unplugged from the outlet.

ALWAYS OBSERVE THE FOLLOWING

WARNING

Do not drop or subject to strong impact

Protect the unit from strong impact.

(Do not drop it!)

Do not bend the power cord or place heavy objects

on it

Do not disassemble or modify by yourself

Do not open (or modify in any way) the

unit or its AC adaptor.

Do not excessively twist or bend the

power cord, nor place heavy objects on it.

Doing so can damage the cord, producing

severed elements and short circuits.

Do not repair or replace parts by yourself

Do not share an outlet with an unreasonable number

of other devices

Damaged cords are ﬁre and shock hazards!

Do not attempt to repair the unit, or

replace parts within it (except when this

manual provides speciﬁc instructions

directing you to do so). Refer all servicing

to your retailer, the nearest Roland

Service Center, or an authorized Roland

distributor, as listed on the “Information”

page.

Do not force the unit’s power-supply cord

to share an outlet with an unreasonable

number of other devices. Be especially

careful when using extension cords—the

total power used by all devices you have

connected to the extension cord’s outlet

must never exceed the power rating

(watts/amperes) for the extension cord.

Excessive loads can cause the insulation

on the cord to heat up and eventually

melt through.

Avoid extended use at high volume

This unit, either alone or in combination

with an ampliﬁer and headphones or

speakers, may be capable of producing

sound levels that could cause permanent

hearing loss. Do not operate for a long

period of time at a high volume level, or

at a level that is uncomfortable. If you

experience any hearing loss or ringing

in the ears, you should immediately stop

using the unit, and consult an audiologist.

Do not use or store in the following types of locations

•

Subject to temperature extremes (e.g.,

direct sunlight in an enclosed vehicle,

near a heating duct, on top of heat-

generating equipment); or are

Damp (e.g., baths, washrooms, on wet

ﬂoors); or are

Exposed to steam or smoke; or are

Subject to salt exposure; or are

Humid; or are

Exposed to rain; or are

Dusty or sandy; or are

Subject to high levels of vibration and

shakiness.

Do not use overseas

Don’t allow foreign objects or liquids to enter unit;

never place containers with liquid on unit

•

Before using the unit in a foreign country,

consult with your retailer, the nearest

Roland Service Center, or an authorized

Roland distributor, as listed on the

“Information”page.

Do not place containers containing liquid

(e.g., ﬂower vases) on this product. Never

allow foreign objects (e.g., ﬂammable

objects, coins, wires) or liquids (e.g., water

or juice) to enter this product. Doing so

may cause short circuits, faulty operation,

or other malfunctions.

•

Do not place in an unstable location

Turn oﬀ the unit if an abnormality or malfunction

occurs

Immediately turn the unit oﬀ, remove the

AC adaptor from the outlet, and request

servicing by your retailer, the nearest

Roland Service Center, or an authorized

Roland distributor, as listed on the

“Information”page when:

Make sure you always have the unit

placed so it is level and sure to remain

stable. Never place it on stands that could

wobble, or on inclined surfaces.

Use only the included AC adaptor and the correct

voltage

•

The AC adaptor, the power-supply cord,

or the plug has been damaged; or

If smoke or unusual odor occurs; or

Objects have fallen into, or liquid has

been spilled onto the unit; or

The unit has been exposed to rain (or

otherwise has become wet); or

Be sure to use only the AC adaptor

included with the unit. Also, make sure

the line voltage at the installation matches

the input voltage speciﬁed on the AC

adaptor’s body. Other AC adaptors may

use a diﬀerent polarity, or be designed

for a diﬀerent voltage, so their use could

result in damage, malfunction, or electric

shock.

•

The unit does not appear to operate

normally or exhibits a marked change in

performance.

Use only the included power cord

Use only the attached power-supply cord.

Also, the included power cord must not be

used with any other device.

Adults must provide supervision in places where

children are present

When using the unit in locations where

children are present, be careful so no

mishandling of the unit can take place. An

adult should always be on hand to provide

supervision and guidance.

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USING THE UNIT SAFELY

CAUTION

If there is a possibility of lightning strike, disconnect

the AC adaptor from the outlet

Place in a well ventilated location

The unit and the AC adaptor should be

located so their location or position does

not interfere with their proper ventilation.

Whenever you suspect the possibility of

lightning in your area, disconnect the AC

adaptor from the outlet.

Grasp the plug when connecting or disconnecting the

AC adaptor

Take care so as not to get ﬁngers pinched by lid

Always grasp only the plug on the AC

adaptor cord when plugging into, or

unplugging from, an outlet or this unit.

Be careful when opening/closing the lid

so you do not get your ﬁngers pinched

(p. 14). Adult supervision is recommended

whenever small children use the unit.

Periodically clean the AC adaptor’s plug

Keep small items out of the reach of children

To prevent accidental ingestion of the

parts listed below, always keep them out

of the reach of small children.

At regular intervals, you should unplug

the AC adaptor and clean it by using

a dry cloth to wipe all dust and other

accumulations away from its prongs.

Also, disconnect the power plug from

the power outlet whenever the unit is to

remain unused for an extended period of

time. Any accumulation of dust between

the power plug and the power outlet can

result in poor insulation and lead to ﬁre.

Included Parts / Removable Parts:

•

Stereo 1/4”plug adaptor (p. 11,p . 12)

Screws for stand assembly (p. 62)

Handle the ground terminal carefully

If you remove the screw from the ground

terminal, be sure to replace it; don’t leave

it lying around where it could accidently

be swallowed by small children. When

refastening the screw, make that it is ﬁrmly

fastened, so it won’t come loose.

Manage cables for safety

Try to prevent cords and cables from

becoming entangled. Also, all cords and

cables should be placed so they are out of

the reach of children.

Take care not to get burned (HP503)

Avoid climbing on top of the unit, or placing heavy

objects on it

The area shown in the illustration may

become hot, so take care to avoid burns.

Never climb on top of, nor place heavy

objects on the unit.

Do not connect or disconnect the AC adaptor with wet

hands

Never handle the AC adaptor or its plugs

with wet hands when plugging into, or

unplugging from, an outlet or this unit.

Cautions when moving this unit

If you need to move the instrument, take

note of the precautions listed below. At

least two persons are required to safely lift

and move the unit. It should be handled

carefully, all the while keeping it level.

Make sure to have a ﬁrm grip, to protect

yourself from injury and the instrument

from damage.

•

Check to make sure the screws securing

the unit to the stand have not become

loose. Fasten them again securely

whenever you notice any loosening.

•

Disconnect the power cord.

Disconnect all cords coming from

external devices.

•

Raise the adjusters on the stand (p. 62).

Close the lid.

Remove the music stand (HP503).

Fold down the music stand (HP505).

Unplug the AC adaptor from the outlet before

cleaning

Before cleaning the unit, turn it oﬀ and

unplug the AC adaptor from the outlet

(p. 62).

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IMPORTANT NOTES

•

About piano polishing liquid

•

Do not put anything that contains water on this unit.

Power Supply

Also, avoid the use of insecticides, perfumes, alcohol,

nail polish, spray cans, etc., near the unit. Swiftly

wipe away any liquid that spills on the unit using a

dry, soft cloth.

•

Use polishing liquid as directed by the instructions

for the product.

•

Do not connect this unit to same electrical outlet

that is being used by an electrical appliance that

is controlled by an inverter or a motor (such as a

refrigerator, washing machine, microwave oven, or

air conditioner). Depending on the way in which

the electrical appliance is used, power supply noise

may cause this unit to malfunction or may produce

audible noise. If it is not practical to use a separate

electrical outlet, connect a power supply noise ﬁlter

between this unit and the electrical outlet.

•

Use only polishing liquid that is intended for use on

polished-ﬁnish pianos. Using any other polishing

liquid may cause scratches, deformation, or

discoloration. To purchase polishing liquid, contact

your nearby musical instrument dealer.

Maintenance

•

To clean the unit, use a dry, soft cloth; or one that

is slightly dampened. Try to wipe the entire surface

using an equal amount of strength, moving the cloth

along with the grain of the wood. Rubbing too hard

in the same area can damage the ﬁnish.

•

Use the polishing liquid only on the polished

surfaces of the cabinet. Always wipe the surface

with the grain using straight, even strokes. Do

not repeatedly wipe the same places using too

much pressure, since that might result in the loss

of luster.

Be sure to keep the polishing liquid out of the

reach of small children. If the polishing liquid is

accidentally swallowed, ﬁrst get them to vomit,

then take them to a doctor.

•

The AC adaptor will begin to generate heat after

long hours of consecutive use. This is normal, and is

not a cause for concern.

•

Never use benzine, thinners, alcohol or solvents of

any kind, to avoid the possibility of discoloration

and/or deformation.

To prevent malfunction and equipment failure,

always make sure to turn oﬀ the power on all your

equipment before you make any connections.

The pedals of this unit are made of brass.

Brass eventually darkens as the result of the natural

oxidization process. If the brass becomes tarnished,

polish it using commercially available metal polisher.

Repairs and Data

With the factory settings, the HP505 or HP503 will

automatically be switched oﬀ 30 minutes after you

stop playing or operating the unit. If the unit’s power

has been turned oﬀ automatically, you can use the

[Power] switch to turn the unit back on again. If

you don’t want the unit to turn oﬀ automatically,

change the “Auto Oﬀ”setting to “Oﬀ”as described

on “Making the Power Automatically Turn Oﬀ After a

Time (Auto O ﬀ )”(p. 41).

•

Please be aware that all data contained in the

unit’s memory may be lost when the unit is sent for

repairs. Important data should always be backed up

USB ﬂash drives, or written down on paper (when

possible). During repairs, due care is taken to avoid

the loss of data. However, in certain cases (such

as when circuitry related to memory itself is out

of order), we regret that it may not be possible to

restore the data, and Roland assumes no liability

concerning such loss of data.

Since wood will expand and contract depending

on how it is used and the environment in which it is

located, products made of wood may experience a

gradual loosening of the screws over time.

To ensure that your piano remains in safe, optimal

condition, you should regularly check the tightness of

the screws in the locations shown in the illustration. If

you ﬁnd that any screws are loose, use a screwdriver to

tighten them.

NOTE

The settings you were editing will be lost when the

unit is turned oﬀ. If you want to keep your settings,

you must save your settings before turning the unit

oﬀ.

Additional Precautions

•

Please be aware that the contents of memory can

be irretrievably lost as a result of a malfunction,

or the improper operation of the unit. To protect

yourself against the risk of loosing important data,

we recommend that you periodically save a backup

copy of important data you have stored in the unit’s

memory on a USB ﬂash drive.

Placement

•

Using the unit near power ampliﬁers (or other

equipment containing large power transformers)

may induce hum. To alleviate the problem, change

the orientation of this unit; or move it farther away

from the source of interference.

•

Unfortunately, it may be impossible to restore

the contents of data that was stored in the unit’s

memory, USB ﬂash drives once it has been lost.

Roland Corporation assumes no liability concerning

such loss of data.

•

This device may interfere with radio and television

reception. Do not use this device in the vicinity of

such receivers.

Noise may be produced if wireless communications

devices, such as cell phones, are operated in the

vicinity of this unit. Such noise could occur when

receiving or initiating a call, or while conversing.

Should you experience such problems, you should

relocate such wireless devices so they are at a greater

distance from this unit, or switch them oﬀ.

Use a reasonable amount of care when using the

unit’s buttons, sliders, or other controls; and when

using its jacks and connectors. Rough handling can

lead to malfunctions.

•

Never strike or apply strong pressure to the display.

When disconnecting all cables, grasp the connector

itself—never pull on the cable. This way you will

avoid causing shorts, or damage to the cable’s

internal elements.

Maintenance of polished-ﬁnish pianos

(Only for HP505-PE)

•

Do not expose the unit to direct sunlight, place

it near devices that radiate heat, leave it inside

an enclosed vehicle, or otherwise subject it to

temperature extremes. Also, do not allow lighting

devices that normally are used while their light

source is very close to the unit (such as a piano light),

or powerful spotlights to shine upon the same area

of the unit for extended periods of time. Excessive

heat can deform or discolor the unit.

•

Since your piano has a polished ﬁnish that is as

delicate as that found on ﬁnely crafted wooden

furniture, it needs careful, periodic care. A few

important suggestions concerning the proper care

of the unit follow. For dusting, using a soft, clean

cloth and/or piano-use feather duster. Be sure to

wipe gently. Even the tiniest grains of sand or grit

can leave scratches on the surface if too much force

is applied while wiping. Do not use any cleaners or

detergents, since they might deteriorate the surface

of the cabinet, and produce cracks.

•

To avoid disturbing others nearby, try to keep the

unit’s volume at reasonable levels. You may prefer

to use headphones, so you do not need to be

concerned about those around you.

The sound of keys being struck and vibrations

produced by playing an instrument can be

transmitted through a ﬂoor or wall to an unexpected

extent. Please take care not to cause annoyance to

others nearby.

•

When moved from one location to another where

the temperature and/or humidity is very diﬀerent,

water droplets (condensation) may form inside

the unit. Damage or malfunction may result if you

attempt to use the unit in this condition. Therefore,

before using the unit, you must allow it to stand for

several hours, until the condensation has completely

evaporated.

If the cabinet’s surface loses its luster, wipe it

thoroughly with a soft cloth dampened with a little

of the polishing liquid. Do not use any cleaners or

detergents, since they might deteriorate the surface

of the cabinet, and produce cracks. Do not use

dusting cloths that contain chemicals.

•

When you need to transport the unit, package it

in the box (including padding) that it came in, if

possible. Otherwise, you will need to use equivalent

packaging materials.

Do not allow rubber, vinyl, or similar materials to

remain on this unit for long periods of time. Such

objects can discolor or otherwise harmfully aﬀect

the ﬁnish.

•

Do not apply undue force to the music stand while

it is in use.

Some connection cables contain resistors. Do not

use cables that incorporate resistors for connecting

to this unit. The use of such cables can cause the

sound level to be extremely low, or impossible to

hear. For information on cable speciﬁcations, contact

the manufacturer of the cable.

•

Do not allow objects to remain on top of the

keyboard. This can be the cause of malfunction, such

as keys ceasing to produce sound.

Do not paste stickers, decals, or the like to this

instrument. Peeling such matter oﬀ the instrument

may damage the exterior ﬁnish.

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IMPORTANT NOTES

•

It is forbidden by law to make an audio recording,

video recording, copy or revision of a third party’s

copyrighted work (musical work, video work,

broadcast, live performance, or other work), whether

in whole or in part, and distribute, sell, lease,

perform, or broadcast it without the permission of

the copyright owner.

•

Before opening or closing the keyboard lid, always

make sure that no pets or other small animals are

located on top of the instrument (in particular, they

should be kept away from the keyboard and its

lid). Otherwise, due to the structural design of this

instrument, small pets or other animals could end

up getting trapped inside it. If such a situation is

encountered, you must immediately turn oﬀ the unit

and disconnect the power cord from the outlet. You

should then consult with the retailer from whom the

instrument was purchased, or contact the nearest

Roland Service Center.

•

Never touch the terminals of the USB ﬂash drives.

Also, avoid getting the terminals dirty.

USB ﬂash drives are constructed using precision

components; handle the USB ﬂash drives carefully,

paying particular note to the following.

•

To prevent damage to the USB ﬂash drives from

static electricity, be sure to discharge any static

electricity from your own body before handling

the USB ﬂash drives.

•

Do not use this product for purposes that could

infringe on a copyright held by a third party. We

assume no responsibility whatsoever with regard to

any infringements of third-party copyrights arising

through your use of this product.

•

Do not touch or allow metal to come into contact

with the contact portion of the USB ﬂash drives.

Do not bend, drop, or subject USB ﬂash drives to

strong shock or vibration.

•

When opening/closing the lid or raising/folding

down the music rest, please be careful not to get

your ﬁngers pinched between the movable part and

the panel. In places where small children are present,

make sure that an adult provides supervision and

guidance.

The copyright of content in this product (the sound

waveform data, style data, accompaniment patterns,

phrase data, audio loops and image data) is reserved

by Roland Corporation.

Do not keep USB ﬂash drives in direct sunlight, in

closed vehicles, or other such locations.

•

Do not allow USB ﬂash drives to become wet.

•

Purchasers of this product are permitted to utilize

said content for the creating, performing, recording

and distributing original musical works.

Do not disassemble or modify the USB ﬂash drives.

Before Using USB Memories

(Using Optional USB ﬂash drive)

Purchasers of this product are NOT permitted to

extract said content in original or modiﬁed form, for

the purpose of distributing recorded medium of said

content or making them available on a computer

network.

•

Do not connect or disconnect USB ﬂash drive while

it is being read from, or written to (i.e., while the USB

ﬂash drive access indicator will blink).

Carefully insert the USB ﬂash drive all the way in—

until it is ﬁrmly in place.

•

MMP (Moore Microprocessor Portfolio) refers to a

patent portfolio concerned with microprocessor

architecture, which was developed by Technology

Properties Limited (TPL). Roland has licensed this

technology from the TPL Group.

•

XG (

Yamaha Corporation.

) is a registered trademark or a trademark of

XGlite (

) is a registered trademark or a trademark

of Yamaha Corporation.

•

Company names and product names appearing

in this document are registered trademarks or

trademarks of their respective owners.

& &

About the Ivory Feel Keyboard

Features of an ivory feel keyboard

Traditional piano keys are made from the best materials-ivory (for white keys) and ebony (for black keys). The Ivory Feel keyboard uses the latest

in technology to reproduce the touch and feel of these materials.

An Ivory Feel keyboard oﬀers the following features.

• We’re sure you’ll develop a fondness for the distinctive texture of these keys, which feels better the more you play them.

• Surfaces incorporate stripes of moisture-absorbing material for improved touch and playability.

• The keys feature subtle gloss and understated coloring, enhancing the look and elegance.

• The white keys are ﬁnished with a slight yellowish tinge for the look of real ivory.

Handling

• Do not write on the keyboard with any pen or other implement, and do not stamp or place any marking on the instrument. Ink will seep

into the surface lines and become unremovable.

• Do not aﬃx stickers on the keyboard. You may be unable to remove stickers that use strong adhesives, and the adhesive may cause

discoloration.

Care and maintenance

Please note the following points. Failure to do so may result in scratches on the surface ﬁnish, damaged gloss, or other discoloration or

deformation.

• To remove dirt, use a soft cloth.

Using a moistened and tightly wrung-out cloth, gently wipe oﬀ any dirt.

Do not rub the surface vigorously.

• To remove stubborn dirt, use a commercially available keyboard cleaner that does not contain abrasives.

Start by wiping lightly. If the dirt does not come oﬀ, wipe using gradually increasing amounts of pressure while taking care not to scratch

the keys.

• Do not use benzene, paint thinner, or alcohol on the instrument.

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Assembling

•

To assure that assembly is carried out properly, make sure to read these instructions before you begin the assembly. Please keep these instructions

close at hand, so you can refer to them whenever you need.

•

To move the piano, lift it carefully—all the while keeping it level.

Be careful not to pinch your hands or drop this unit on your foot during assembly or transport.

Make sure to enlist the help of at least one other person when assembling this unit and moving it to a diﬀerent location.

Make sure to keep screws and any other small parts in a safe location that is out of the reach of small children, so such small parts won’t accidentally get swallowed.

All screws should be tightened provisionally ﬁrst, then tightened later. To tighten a screw provisionally, screw it in until about half of its length is no longer visible. Do not use

an electric screwdriver when tightly securing the screws. Otherwise, you risk stripping the threads.

* The screwdriver needed to perform the assembly is not supplied. You’ll need to have ready a Phillips screwdriver that matches the size of the screws.

* After ﬁrmly tightening all the screws, place the unit at a location that is level and sure to remain stable. The unit must never be placed on top of deep-pile carpet. Otherwise, you risk

causing damage to the pedals due to instability and unnecessary movement.

* The surface of the piano unit and the stand are very delicate; handle with care to avoid scratching them.

* Do not place the piano unit directly on the ﬂoor. Doing so will damage the bottom panel case and the connectors and holders on the bottom of the piano.

Parts Check

Side Board (left)

Side Board (right)

Pedal Board

Screw (M5 × 40 mm) x 4

Screw (M5 × 20 mm) x 6

Screw (M4 × 16 mm) x 2

Headphone Hook x 1

Rear Board

* You will also need to have a Phillips screwdriver (size: #2).

3. With the help of another person, raise the left and right side

1. Assembly Procedure

boards to an upright position

Take care that the pedal boards are not twisted

At ﬁrst, assemble the entire stand in a temporary fashion, without really

tightening the screws Then, after checking the overall alignment of the

boards (and gently shifting certain parts where necessary), go around and

tightly fasten each of the screws

If necessary, spread out a blanket or similar material to prevent the stand or

ﬂoor from being scratched during assembly

Be careful not to pinch the pedal cord during assembly

1. As shown in the illustration, place the left and right side

boards on the pedal board so that the metal brackets are on

the inside, and fasten them provisionally using screws

(M5 x 40 mm)

2. Firmly tighten the screws

(four locations) that you

4. Loosen the screws attached to the left and right side boards

approximately three turns, so that they protrude about

5 mm, as shown in the illustration

tightened provisionally in step 1

When attaching the pedal board, do not allow any gap to remain between the

side board and pedal board when the pieces are assembled

Side board

Space

5 mm

Side

board

Don’t allow

a gap!

Screw

x 2

Leave the pedal

cord extended

Screw

x 2

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5. Hook the metal brackets of the rear board over the screws

4. Fasten the headphone hook

using screws

(M4 x

you loosened, as shown in the illustration

16 mm)

6. Use four screws

(M5 x 20 mm) to provisionally fasten the

pedal board

7. Securely tighten the two side board screws and four pedal

board screws

When attaching the rear board, before tightening the screws, adjust things as

necessary at all the points where there are screws so as to assure that the rear

board is aligned in parallel with the pedal board

Rear view

Screw

x 2

5. Connect the supplied AC adaptor and power cord

Power cord

To AC outlet

Screws you loosened in step 4 x 2

Screws

x 4

Place the AC adaptor so the side with the indicator faces upwards and

the side with textual information faces downwards. The indicator will

light when you plug the AC adaptor into an AC outlet.

2. Install the Piano onto the Stand

1. Align the screws on the bottom of the piano (one each at left

and right) with the metal brackets on the side boards Then,

while lifting the front of the piano one or two centimeters,

pull it toward yourself so that the screws engage the metal

brackets

6. Adjust the Adjuster

Turn the adjuster to lower it until the adjuster is in ﬁrm contact with

the ﬂoor. In particular, when you’ve placed the piano on carpet, you

must turn the adjuster until it is pressing ﬁrmly against the ﬂoor.

When handling the piano, ﬁrmly grasp it Be careful, so you do not get your

ﬁngers pinched

Adjuster

2. Fasten the piano to the stand with the screw

(M5×20 mm)

The pedal may be damaged if there is a gap between the adjuster and the

ﬂoor

Pull the piano

toward yourself

while keeping

the front slightly

raised

About ground terminal

Depending on the circumstances of a particular setup, you may experience a

discomforting sensation, or perceive that the surface feels gritty to the touch

when you touch this device. This is due to an inﬁnitesimal electrical charge,

which is absolutely harmless. However, if you are concerned about this,

connect the ground terminal (see ﬁgure) with an external ground. When the

unit is grounded, a slight hum may occur, depending on the particulars of your

installation. If you are unsure of the connection method, contact the nearest

Roland Service Center, or an authorized Roland distributor.

HP505 rear panel

Please don’t

get your ﬁngers

Screw

pinched

HP503 rear panel

3. ^{Connect the AC adaptor to the DC In jack on the back of the}

piano, and connect the pedal cord to the Pedal connector

As needed, use the coated clip on the bottom of the piano to

fasten the power cord and the pedal cord

Unsuitable places for connection

•Water pipes (may result in shock or electrocution)

•Gas pipes (may result in ﬁre or explosion)

•Telephone-line ground or lightning rod (may be dangerous in the event of

lightning)

Coated clip

When Moving the Piano

When you need to move the unit, you should ﬁrst close the keyboard cover,

disconnect the AC adaptor, and raise the adjusters of the stand. When moving

the unit, at least two people should work together and lift the unit carefully, all

the while keeping it level, and being very careful so as not to pinch your hands

or drop the unit on your feet.

AC adaptor

Pedal cord

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Index

a . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

A . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

AB Repeat . . . . . . . . . . . . . . . . . . . . . 9, 30

Accompaniment part . . . . . . . . . . . . 28

All Songs Play. . . . . . . . . . . . . . . . . . . . 27

Ambience . . . . . . . . . . . . . . . . . . . . . 6, 20

[Ambience] button. . . . . . . . . . . . . . . 20

Assembling . . . . . . . . . . . . . . . . . . . . . . 62

Audio Recording . . . . . . . . . . . . . . . . . 36

Audio Transpose . . . . . . . . . . . . . 37, 47

AudTrans . . . . . . . . . . . . . . . . . . . . . . . . 47

Auto Oﬀ . . . . . . . . . . . . . . . . . . . . . 41, 50

Eﬀects . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

[E. Piano] button . . . . . . . . . . . . . . . . . 16

Erasing . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Panel Lock . . . . . . . . . . . . . . . . . . . . . 9, 44

Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Part Mute. . . . . . . . . . . . . . . . . . . . . . . . 28

Pedal connector . . . . . . . . . . . . . 11, 12

Phones jacks. . . . . . . . . . . . . . . . . 11, 12

Piano [Early] button . . . . . . . . . . . . . . 16

Piano [Grand] button. . . . . . . . . . . . . 16

Temperament Key . . . . . . . . . . . . . . . 45

Tempo. . . . . . . . . . . . . . . . . . . . . 8, 24, 28

Tempo Mute . . . . . . . . . . . . . . . . . . . . . 28

Temprmnt . . . . . . . . . . . . . . . . . . . . . . . 45

Time Signature. . . . . . . . . . . . . . . . . 8, 24

Tmpr Key . . . . . . . . . . . . . . . . . . . . . . . . 45

Factory Reset . . . . . . . . . . . . . . . . 42, 50

[

] (Fast) button . . . . . . . . . . . . . . . . 24

Tone Buttons . . . . . . . . . . . . . . . . . . . . .

FctReset . . . . . . . . . . . . . . . . . . . . . . . . . 50

Format . . . . . . . . . . . . . . . . . . . . . . . . . . 49

Format Media. . . . . . . . . . . . . . . . 43, 49

Function Mode . . . . . . . . . . . . . . . . . . 45

Playback. . . . . . . . . . . . . . . . . . . . . . . . . .

Playing a Song . . . . . . . . . . . . . . . . . . . 26

] (Play/Stop) button . . . . 26

Tone Demo . . . . . . . . . . . . . . . . . . . . . . 16

Tone groups . . . . . . . . . . . . . . . . . . . . . 16

Tone List. . . . . . . . . . . . . . . . . . . . . . . . . 54

Transpose . . . . . . . . . . . . . . . . . . . . . 6, 23

[Transpose] button. . . . . . . . . . . . . . . 23

Transpose Mode . . . . . . . . . . . . . . . . . 47

Trnspose. . . . . . . . . . . . . . . . . . . . . . . . . 47

Tuning. . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Twin Piano. . . . . . . . . . . . . . . . . . . . . 7, 22

[Twin Piano] button . . . . . . . . . . . . . . 22

Twin Piano Mode . . . . . . . . . . . . . . . . 22

[

Power On/Oﬀ . . . . . . . . . . . . . . . . . . . . 15

[Power] switch . . . . . . . . . . . . . . . . . . . 10

[

] (Fwd) button . . . . . . . . . . . . 26

Headphone hook . . . . . . . . . . . . . . . . 10

b . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Backup . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Brilliance . . . . . . . . . . . . . . . . . . . . . . 6, 20

[Brilliance] button. . . . . . . . . . . . . . . . 20

[

] (Rec) button. . . . . . . . . . . . . . . . 26

Rec Mode. . . . . . . . . . . . . . . . . . . . . . . . 47

Recording . . . . . . . . . . . . . . . . . . . . . 9, 31

Recording Mode . . . . . . . . . . . . . . . . . 47

Renaming a Song . . . . . . . . . . . . . . . . 40

Input Jacks . . . . . . . . . . . . . . . . . . 11, 12

InputVol . . . . . . . . . . . . . . . . . . . . . . . . . 46

Input Volume . . . . . . . . . . . . . . . . . . . . 46

Internal Song List . . . . . . . . . . . . . . . . 55

Ivory Feel Keyboard . . . . . . . . . . . . . . 61

[

] (Bwd) button . . . . . . . . . . . . 26

[

] (Reset) button . . . . . . . . . . . . . 26

Right-hand part. . . . . . . . . . . . . . . . . . 28

Rotary eﬀect . . . . . . . . . . . . . . . . . . . . . 16

U . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

USB Driver . . . . . . . . . . . . . . . . . . . . . . . 49

USB Drv . . . . . . . . . . . . . . . . . . . . . . . . . 49

USB Memory Mode . . . . . . . . . . . . . . 49

USB memory port. . . . . . . . . . . . . . . . 10

USB Mode . . . . . . . . . . . . . . . . . . . . . . . 49

USB port. . . . . . . . . . . . . . . . . . . . . . . . . 10

c . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

Cabinet. . . . . . . . . . . . . . . . . . . . . . . . . . 46

Cabinet Resonance . . . . . . . . . . . . . . 46

C Cancel . . . . . . . . . . . . . . . . . . . . . . . . . 47

CD/A Typ . . . . . . . . . . . . . . . . . . . . . . . . 48

CD/Audio Type. . . . . . . . . . . . . . . . . . . 48

CD Drive. . . . . . . . . . . . . . . . . . . . . . . . . 14

Center Cancel. . . . . . . . . . . . . . . . 37, 47

Center Pedal . . . . . . . . . . . . . . . . . . . . . 48

Converting a Song . . . . . . . . . . . . . . . 35

Copy Song. . . . . . . . . . . . . . . . . . . 42, 49

CopySong . . . . . . . . . . . . . . . . . . . . . . . 49

Count-in . . . . . . . . . . . . . . . . . . . . . . . . . 25

CPdl Fnc . . . . . . . . . . . . . . . . . . . . . . . . . 48

Key Oﬀ Resonance . . . . . . . . . . . . . . . 46

Key Touch . . . . . . . . . . . . . . . . . . . . . 6, 21

KOﬀ Res . . . . . . . . . . . . . . . . . . . . . . . . . 46

S . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26

SaveSong. . . . . . . . . . . . . . . . . . . . . . . . 49

Saving . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

Selecting a Song . . . . . . . . . . . . . . . 8, 26

[

] (Slow) button . . . . . . . . . . . . . . . 24

Language. . . . . . . . . . . . . . . . . . . . . . . . 50

Left-hand part . . . . . . . . . . . . . . . . . . . 28

Lid. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13

Local Control . . . . . . . . . . . . . . . . . . . . 48

LocalCtl. . . . . . . . . . . . . . . . . . . . . . . . . . 48

SMF Recording. . . . . . . . . . . . . . . . . . . 31

Soft Pedal. . . . . . . . . . . . . . . . . . . . . . . . 10

Song Balance . . . . . . . . . . . . . . . . . . 6, 27

[Song Balance] button . . . . . . . . . . . 27

[Song] button. . . . . . . . . . . . . . . . . . . . 26

Sostenuto Pedal . . . . . . . . . . . . . . . . . 10

SoundBoard Behavior . . . . . . . . . . . . 46

SoundBrd. . . . . . . . . . . . . . . . . . . . . . . . 46

Split Play. . . . . . . . . . . . . . . . . . . . . . . 7, 18

Split Point . . . . . . . . . . . . . . . . . . . . . . . 19

Stretch . . . . . . . . . . . . . . . . . . . . . . . . . . 46

Stretch Tuning . . . . . . . . . . . . . . . . . . . 46

Strg Res. . . . . . . . . . . . . . . . . . . . . . . . . . 46

String Resonance . . . . . . . . . . . . . . . . 46

[Strings] button . . . . . . . . . . . . . . . . . . 16

VC Ch. . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

VC Mode. . . . . . . . . . . . . . . . . . . . . . . . . 49

VIMA TUNES . . . . . . . . . . . . . . . . . . . . . 16

Visual Control Channel . . . . . . . . . . . 50

Visual Control Function Chart . . . . 50

Visual Control Mode. . . . . . . . . . . . . . 49

V-LINK . . . . . . . . . . . . . . . . . . . . . . . . . . . 50

Master Tuning . . . . . . . . . . . . . . . . . . . 45

Memory Backup . . . . . . . . . . . 6, 41, 50

Metronome. . . . . . . . . . . . . . . . . . . . 8, 24

[Metronome] button . . . . . . . . . . . . . 24

Metronome’s Volume . . . . . . . . . . . . 25

MIDI Ch. . . . . . . . . . . . . . . . . . . . . . . . . . 48

MIDI Connectors . . . . . . . . . . . . . . . . . 12

MIDI Transmit Channel . . . . . . . . . . . 48

MIDI Visual Control. . . . . . . . . . . . . . . 50

Mute Volume . . . . . . . . . . . . . . . . . . . . 29

Muting . . . . . . . . . . . . . . . . . . . . . . . . . . 28

Damper Pedal . . . . . . . . . . . . . . . . . . . 10

Damper Pedal Part . . . . . . . . . . . . . . . 47

Damper Resonance . . . . . . . . . . . . . . 46

DC In Jack . . . . . . . . . . . . . . . . . . . 11, 12

Delete Song . . . . . . . . . . . . . . . . . 43, 49

Del Song. . . . . . . . . . . . . . . . . . . . . . . . . 49

Display . . . . . . . . . . . . . . . . . . . . . . . . . . .

Dmpr Res . . . . . . . . . . . . . . . . . . . . . . . . 46

DPdl Prt . . . . . . . . . . . . . . . . . . . . . . . . . 47

Dual Bal . . . . . . . . . . . . . . . . . . . . . . . . . 45

Dual Balance. . . . . . . . . . . . . . . . . . . . . 45

Dual Play . . . . . . . . . . . . . . . . . . . . . . . . 17

Octave Shift . . . . . . . . . . . . . . . . . . . . . 47

Oct Shft . . . . . . . . . . . . . . . . . . . . . . . . . 47

[Other] button . . . . . . . . . . . . . . . . . . . 16

Output Jacks. . . . . . . . . . . . . . . . . 11, 12

Overdubbing . . . . . . . . . . . . . . . . . . . . 32

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For EU Countries

For China

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For the U.K.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE:

NEUTRAL

BROWN: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

For EU Countries

This product complies with the requirements of EMC Directive 2004/108/EC.

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the

FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential

installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in

accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee

that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or

television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the

interference by one or more of the following measures:

–

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and receiver.

Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) this device may not cause harmful interference, and

(2) this device must accept any interference received, including interference that may cause undesired operation.

This equipment requires shielded interface cables in order to meet FCC class B limit.

Any unauthorized changes or modifications not expressly approved by the party responsible for compliance could void the user’s

authority to operate the equipment.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

(

)

For C.A. US Proposition 65

WARNING

This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.

For the USA

DECLARATION OF CONFORMITY

Compliance Information Statement

HP505, HP503

Model Name :

Type of Equipment :

Responsible Party :

Address :

Digital Piano

Roland Corporation U.S.

5100 S. Eastern Avenue, Los Angeles, CA 90040-2938

(323) 890-3700

Telephone :

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When you need repair service, call your nearest Roland Service Center or authorized Roland

distributor in your country as shown below.

Information

TAIWAN

ECUADOR

RUSSIA

OMAN

AFRICA

ROLAND TAIWAN ENTERPRISE

Mas Musika

Roland Music LLC

TALENTZ CENTRE L.L.C.

Malatan House No.1

Al Noor Street, Ruwi

SULTANATE OF OMAN

TEL: 2478 3443

EUROPE

Rumichaca 822 y Zaruma

Guayaquil - ECUADOR

TEL: (593-4) 2302364

Dorozhnaya ul.3,korp.6

117 545 Moscow, RUSSIA

TEL: (495) 981-4967

CO., LTD.

9F-5, No. 112 Chung Shan

North Road Sec. 2 Taipei 104,

TAIWAN R.O.C.

EGYPT

BELGIUM/FRANCE/

HOLLAND/

Al Fanny Trading Oꢀce

9, EBN Hagar Al Askalany Street,

ARD E1 Golf, Heliopolis,

Cairo 11341, EGYPT

EL SALVADOR

SERBIA

TEL: (02) 2561 3339

QATAR

LUXEMBOURG

OMNI MUSIC

Music AP Ltd.

THAILAND

75 Avenida Norte y Final Alameda

Juan Pablo II,

Edi¥cio No.4010 San Salvador,

EL SALVADOR

Sutjeska br. 5 XS - 24413 Palic,

SERBIA

TEL: (024) 539 395

AL-EMADI TRADING &

Roland Central Europe N.V.

Houtstraat 3, B-2260, Oevel

(Westerlo) BELGIUM

Theera Music Co. , Ltd.

100-108 Soi Verng Nakornkasem,

New Road,Sumpantawong,

Bangkok 10100, THAILAND

TEL: (02) 224-8821

CONTRACTING CO.

P.O. Box 62, Doha, QATAR

TEL: 4423-554

TEL: (022)-417-1828

REUNION

TEL: (014) 575811

SLOVAKIA

TEL: 262-0788

MARCEL FO-YAM Sarl

25 Rue Jules Hermann,

Chaudron - BP79 97 491

Ste Clotilde Cedex,

CROATIA

DAN Acoustic s.r.o.

Povazská 18.

SAUDI ARABIA

GUATEMALA

ART-CENTAR

aDawliah Universal Electronics

VIET NAM

Casa Instrumental

Calzada Roosevelt 34-01,zona 11

Ciudad de Guatemala,

GUATEMALA

SK - 940 01 Nové Zámky,

SLOVAKIA

TEL: (035) 6424 330

Degenova 3.

HR - 10000 Zagreb, CROATIA

TEL: (1) 466 8493

APL

VIET THUONG CORPORATION

386 CACH MANG THANG TAM ST.

DIST.3, HO CHI MINH CITY,

VIET NAM

REUNION ISLAND

TEL: (0262) 218-429

Behind Pizza Inn

Prince Turkey Street

aDawliah Building,

PO BOX 2154,

Alkhobar 31952,

SAUDI ARABIA

TEL: (03) 8643601

SPAIN

CZECH REP.

TEL: (502) 599-2888

SOUTH AFRICA

RolandSystems Group EMEA, S.L.

Paseo García Faria, 33-35

08005 Barcelona, SPAIN

TEL: 93 493 91 00

CZECH REPUBLIC DISTRIBUTOR

TEL: (08) 9316540

T.O.M.S. Sound & Music (Pty)Ltd.

2 ASTRON ROAD DENVER

JOHANNESBURG ZA 2195,

SOUTH AFRICA

HONDURAS

s.r.o

Almacen Pajaro Azul S.A. de C.V.

BO.Paz Barahona

Voctárova 247/16

180 00 Praha 8, CZECH REP.

TEL: (2) 830 20270

3 Ave.11 Calle S.O

San Pedro Sula, HONDURAS

TEL: (504) 553-2029

SYRIA

TEL: (011) 417 3400

OCEANIA

SWEDEN

Technical Light & Sound Center

PO Box 13520 Bldg No.49

Khaled Abn Alwalid St.

Damascus, SYRIA

Roland Scandinavia A/S

DENMARK

Paul Bothner(PTY)Ltd.

Royal Cape Park, Unit 24

Londonderry Road, Ottery 7800

Cape Town, SOUTH AFRICA

TEL: (021) 799 4900

SWEDISH SALES OFFICE

Mårbackagatan 31, 4 tr.

SE-123 43 Farsta, SWEDEN

TEL: (0) 8 683 04 30

Roland Scandinavia A/S

Skagerrakvej 7 Postbox 880

DK-2100 Copenhagen,

DENMARK

AUSTRALIA/

MARTINIQUE

NEW ZEALAND

Musique & Son

TEL: (011) 223-5384

Z.I.Les Mangle

Roland Corporation

97232 Le Lamentin,

MARTINIQUE F.W.I.

TEL: 596 596 426860

TURKEY

Australia Pty.,Ltd.

38 Campbell Avenue

Dee Why West. NSW 2099,

AUSTRALIA

TEL: 3916 6200

SWITZERLAND

ZUHAL DIS TICARET A.S.

Galip Dede Cad. No.33

Beyoglu, Istanbul, TURKEY

TEL: (0212) 249 85 10

FINLAND

Roland (Switzerland) AG

Landstrasse 5, Postfach,

CH-4452 Itingen, SWITZERLAND

TEL: (061) 975-9987

Roland Scandinavia As, Filial

ASIA

Gigamusic SARL

Finland

10 Rte De La Folie

97200 Fort De France

MARTINIQUE F.W.I.

TEL: 596 596 715222

For Australia

Vanha Nurmijarventie 62

01670 Vantaa, FINLAND

TEL: (0) 9 68 24 020

U.A.E.

TEL: (02) 9982 8266

For New Zealand

TEL: (09) 3098 715

CHINA

UKRAINE

Zak Electronics & Musical

Roland Shanghai Electronics

EURHYTHMICS Ltd.

P.O.Box: 37-a.

Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg.,

No. 14, Ground Floor, Dubai,

U.A.E.

Co.,Ltd.

GERMANY/AUSTRIA

MEXICO

5F. No.1500 Pingliang Road

Shanghai 200090, CHINA

TEL: (021) 5580-0800

Nedecey Str. 30

UA - 89600 Mukachevo, UKRAINE

TEL: (03131) 414-40

Roland Elektronische

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar

de los Padres 01780 Mexico D.F.,

MEXICO

Musikinstrumente HmbH.

Oststrasse 96, 22844 Norderstedt,

GERMANY

CENTRAL/LATIN

AMERICA

TEL: (04) 3360715

UNITED KINGDOM

Roland Shanghai Electronics

TEL: (040) 52 60090

Roland (U.K.) Ltd.

TEL: (55) 5668-6699

Co.,Ltd. (BEIJING OFFICE)

3F, Soluxe Fortune Building

63 West Dawang Road, Chaoyang

District, Beijing, CHINA

Atlantic Close, SWANSEA SA7 9FJ,

UNITED KINGDOM

TEL: (01792) 702701

GREECE/CYPRUS

NORTH AMERICA

NICARAGUA

ARGENTINA

STOLLAS S.A.

Bansbach Instrumentos

Instrumentos Musicales S.A.

Av.Santa Fe 2055

Music Sound Light

155, New National Road

Patras 26442, GREECE

TEL: 2610 435400

Musicales Nicaragua

Altamira D'Este Calle Principal

de la Farmacia 5ta.Avenida

1 Cuadra al Lago.#503

Managua, NICARAGUA

TEL: (505) 277-2557

TEL: (010) 5960-2565

CANADA

(1123) Buenos Aires, ARGENTINA

TEL: (011) 4508-2700

Roland Canada Ltd.

HONG KONG

(Head Oꢀce)

MIDDLE EAST

Tom Lee Music

BARBADOS

5480 Parkwood Way Richmond B.

C., V6V 2M4, CANADA

TEL: (604) 270 6626

11/F Silvercord Tower 1

30 Canton Rd

Tsimshatsui, Kowloon,

HONG KONG

HUNGARY

A&B Music Supplies LTD

12 Webster Industrial Park

Wildey, St.Michael, BARBADOS

TEL: (246) 430-1100

Roland East Europe Ltd.

2045. Törökbálint, FSD Park 3. ép.,

HUNGARY

BAHRAIN

PANAMA

Moon Stores

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook,

Panama City, REP. DE PANAMA

TEL: 315-0101

Roland Canada Ltd.

TEL: 852-2737-7688

TEL: (23) 511011

No.1231&1249 Rumaytha

Building Road 3931,

Manama 339, BAHRAIN

TEL: 17 813 942

(Toronto Oꢀce)

170 Admiral Boulevard

Mississauga On L5T 2N6,

CANADA

BRAZIL

IRELAND

Parsons Music Ltd.

Roland Brasil Ltda.

8th Floor, Railway Plaza, 39

Chatham Road South, T.S.T,

Kowloon, HONG KONG

TEL: 852-2333-1863

Roland Ireland

Rua San Jose, 211

E2 Calmount Park, Calmount

Avenue, Dublin 12,

Republic of IRELAND

TEL: (01) 4294444

PARAGUAY

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL: (011) 4615 5666

TEL: (905) 362 9707

IRAN

Distribuidora De Instrumentos

MOCO INC.

U. S. A.

Musicales

Jadeh Makhsous Karaj (K-9),

Nakhe Zarin Ave.

Jalal Street, Reza Alley No.4

Tehran 1389716791, IRAN

TEL: (021)-44545370-5

INDIA

J.E. Olear y ESQ. Manduvira

Asuncion, PARAGUAY

TEL: (595) 21 492147

Roland Corporation U.S.

5100 S. Eastern Avenue

Los Angeles, CA 90040-2938,

U. S. A.

CHILE

ITALY

Rivera Digitec (India) Pvt. Ltd.

411, Nirman Kendra Mahalaxmi

Flats Compound O¢. Dr. Edwin

Moses Road, Mumbai-400011,

INDIA

Comercial Fancy II S.A.

Rut.: 96.919.420-1

Roland Italy S. p. A.

Viale delle Industrie 8,

20020 Arese, Milano, ITALY

TEL: (02) 937-78300

PERU

Nataniel Cox #739, 4th Floor

Santiago - Centro, CHILE

TEL: (02) 688-9540

TEL: (323) 890 3700

Audionet

ISRAEL

Distribuciones Musicales SAC

Juan Fanning 530

Mira©ores

Lima - PERU

TEL: (511) 4461388

TEL: (022) 2493 9051

Halilit P. Greenspoon & Sons

NORWAY

Ltd.

COLOMBIA

INDONESIA

Roland Scandinavia Avd.

8 Retzif Ha'alia Hashnia St.

Tel-Aviv-Yafo ISRAEL

TEL: (03) 6823666

Centro Musical Ltda.

Cra 43 B No 25 A 41 Bododega 9

Medellin, COLOMBIA

PT. Citra Intirama

Kontor Norge

Ruko Garden Shopping Arcade

Unit 8 CR, Podomoro City

Jl.Letjend. S.Parman Kav.28

Jakarta Barat 11470, INDONESIA

TEL: (021) 5698-5519/5520

Lilleakerveien 2 Postboks 95

Lilleaker N-0216 Oslo,

NORWAY

TRINIDAD

TEL: (574) 3812529

JORDAN

AMR Ltd

TEL: 2273 0074

MUSIC HOUSE CO. LTD.

COSTA RICA

Ground Floor

FREDDY FOR MUSIC

P. O. Box 922846

Amman 11192, JORDAN

TEL: (06) 5692696

JUAN Bansbach Instrumentos

Maritime Plaza

Barataria TRINIDAD W.I.

TEL: (868) 638 6385

POLAND

KOREA

Musicales

ROLAND POLSKA SP. Z O.O.

ul. Kty Grodziskie 16B

Ave.1. Calle 11, Apartado 10237,

San Jose, COSTA RICA

TEL: 258-0211

Cosmos Corporation

1461-9, Seocho-Dong,

Seocho Ku, Seoul, KOREA

TEL: (02) 3486-8855

03-289 Warszawa, POLAND

TEL: (022) 678 9512

URUGUAY

KUWAIT

Todo Musica S.A.

Francisco Acuna de Figueroa

1771

EASA HUSAIN AL-YOUSIFI &

CURACAO

PORTUGAL

SONS CO.

MALAYSIA/

SINGAPORE

Zeelandia Music Center Inc.

Orionweg 30

RolandSystems Group EMEA, S.L.

Al-Yousi¥ Service Center

P.O.Box 126 (Safat) 13002,

KUWAIT

C.P.: 11.800

Montevideo, URUGUAY

TEL: (02) 924-2335

Branch Oꢀce Porto

Edifício Tower Plaza

Rotunda Eng. Edgar Cardoso

23, 9ºG

4400-676 Vila Nova de Gaia,

PORTUGAL

Curacao, Netherland Antilles

TEL: (305) 5926866

Roland Asia Paci‹c Sdn. Bhd.

45-1, Block C2, Jalan PJU 1/39,

Dataran Prima, 47301 Petaling

Jaya, Selangor, MALAYSIA

TEL: (03) 7805-3263

TEL: 00 965 802929

VENEZUELA

DOMINICAN REPUBLIC

LEBANON

Instrumentos Fernando Giraldez

Calle Proyecto Central No.3

Ens.La Esperilla

Instrumentos Musicales

Chahine S.A.L.

Allegro,C.A.

TEL: (+351) 22 608 00 60

George Zeidan St., Chahine Bldg.,

Achra¥eh, P.O.Box: 16-5857

Beirut, LEBANON

Av.las industrias edf.Guitar import

#7 zona Industrial de Turumo

Caracas, VENEZUELA

PHILIPPINES

Santo Domingo,

DOMINICAN REPUBLIC

TEL: (809) 683 0305

ROMANIA

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

Makati, Metro Manila 1200,

PHILIPPINES

FBS LINES

TEL: (01) 20-1441

TEL: (212) 244-1122

Piata Libertatii 1,

535500 Gheorgheni, ROMANIA

TEL: (266) 364 609

TEL: (02) 899 9801

As of Feb. 1, 2011 (ROLAND)

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