Owner’s Manual
Thank you, and congratulations on your choice of the Roland Digital Piano DP-900.
201a
Before using this unit, carefully read the sections entitled: “USING THE UNIT
SAFELY” and “IMPORTANT NOTES” (p. 2; p. 4). These sections provide
important information concerning the proper operation of the unit.
Additionally, in order to feel assured that you have gained a good grasp of
every feature provided by your new unit, Owner’s manual should be read in its
entirety. The manual should be saved and kept on hand as a convenient
reference.
Assembling the DP-900
Before You Start Playing
Enjoying the Internal Songs
Playing the Keyboard
☞
☞
☞
☞
p. 6
p. 11
p. 15
p. 16
Contents
Index
☞
☞
p. 10
p. 46
202
Copyright © 2004 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without
the written permission of ROLAND CORPORATION.
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USING THE UNIT SAFELY
012b
102c
•
Immediately turn the power off, remove the AC
•
Always grasp only the plug on the AC adaptor
adaptor from the outlet, and request servicing by
your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
“Information” page when:
cord when plugging into, or unplugging from, an
outlet or this unit.
................................................................................................
104
•
Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
• The AC adaptor, the power-supply cord, or the
plug has been damaged; or
• If smoke or unusual odor occurs
................................................................................................
106
•
• Objects have fallen into, or liquid has been
spilled onto the unit; or
Never climb on top of, nor place heavy objects on
the unit.
• The unit has been exposed to rain (or otherwise
has become wet); or
................................................................................................
107c
•
Never handle the AC adaptor or its plugs with wet
hands when plugging into, or unplugging from, an
outlet or this unit.
• The unit does not appear to operate normally or
exhibits a marked change in performance.
................................................................................................
013
................................................................................................
•
In households with small children, an adult should
provide supervision until the child is capable of
following all the rules essential for the safe
operation of the unit.
108d: Selection
•
If you need to move the instrument, take note of the
precautions listed below. At least two persons are
required to safely lift and move the unit. It should
be handled carefully, all the while keeping it level.
Make sure to have a firm grip, to protect yourself
from injury and the instrument from damage.
................................................................................................
014
•
Protect the unit from strong impact.
(Do not drop it!)
................................................................................................
1
• Check to make sure the attachment screws and
stabilizer screw securing the unit to the stand
have not become loose. Fasten them again
securely whenever you notice any loosening.
015
•
Do not force the unit’s power-supply cord to share an
outlet with an unreasonable number of other devices.
Be especially careful when using extension cords—the
total power used by all devices you have connected to
the extension cord’s outlet must never exceed the
power rating (watts/amperes) for the extension cord.
Excessive loads can cause the insulation on the cord to
heat up and eventually melt through.
2
3
5
• Disconnect the power cord.
•
Disconnect all cords coming from external devices.
• Close the lid.
................................................................................................
109b
•
Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet (p. 11).
................................................................................................
016
•
................................................................................................
Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
110b
•
Whenever you suspect the possibility of lightning in
your area, disconnect the AC adaptor from the outlet.
................................................................................................
116
•
Be careful when opening/closing the lid so you do not
get your fingers pinched (p. 13). Adult supervision is
recommended whenever small children use the unit.
................................................................................................
101b
................................................................................................
•
The unit and the AC adaptor should be located so
their location or position does not interfere with
their proper ventilation.
118c
•
Keep any attachment screw, stabilizer screws, and
cord clamp you may remove and the included
attachment screw, stabilizer screws, and cord clamp
in a safe place out of children’s reach, so there is no
chance of them being swallowed accidentally.
................................................................................................
103b
•
At regular intervals, you should unplug the AC
adaptor and clean it by using a dry cloth to wipe all
dust and other accumulations away from its
................................................................................................
119
•
prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain unused
for an extended period of time. Any accumulation
of dust between the power plug and the power
outlet can result in poor insulation and lead to fire.
The rear panel may become hot, so take care to
avoid burns.
................................................................................................
................................................................................................
3
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IMPORTANT NOTES
291a
In addition to the items listed under “USING THE UNIT SAFELY” on page 2, please read and observe the following:
Power Supply
Maintenance
301
401b
•
Do not connect this unit to same electrical outlet that is
being used by an electrical appliance that is controlled by an
inverter (such as a refrigerator, washing machine,
•
To clean the unit, use a dry, soft cloth; or one that is slightly
dampened. Try to wipe the entire surface using an equal
amount of strength, moving the cloth along with the grain of the
wood. Rubbing too hard in the same area can damage the finish.
microwave oven, or air conditioner), or that contains a
motor. Depending on the way in which the electrical
appliance is used, power supply noise may cause this unit to
malfunction or may produce audible noise. If it is not
practical to use a separate electrical outlet, connect a power
supply noise filter between this unit and the electrical outlet.
402
•
Never use benzine, thinners, alcohol or solvents of any kind,
to avoid the possibility of discoloration and/or deformation.
Additional Precautions
552
302
•
Unfortunately, it may be impossible to restore the contents
of data that was stored in the unit’s memory once it has
been lost. Roland Corporation assumes no liability
concerning such loss of data.
•
The AC adaptor will begin to generate heat after long hours of
consecutive use. This is normal, and is not a cause for concern.
307
•
Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/or damage to speakers or other devices.
553
•
Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
Placement
554
•
555
•
Never strike or apply strong pressure to the display.
351
•
Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
A small amount of noise may be heard from the display
during normal operation.
556
•
When connecting / disconnecting all cables, grasp the connector
itself—never pull on the cable. This way you will avoid causing
shorts, or damage to the cable’s internal elements.
352a
•
This device may interfere with radio and television reception.
Do not use this device in the vicinity of such receivers.
558a
352b
•
To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about
those around you (especially when it is late at night).
•
Noise may be produced if wireless communications devices,
such as cell phones, are operated in the vicinity of this unit.
Such noise could occur when receiving or initiating a call, or
while conversing. Should you experience such problems,
you should relocate such wireless devices so they are at a
greater distance from this unit, or switch them off.
559a
•
When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
354b
•
Do not expose the unit to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Also, do not allow lighting devices that normally are used
while their light source is very close to the unit (such as a
piano light), or powerful spotlights to shine upon the same
area of the unit for extended periods of time. Excessive
heat can deform or discolor the unit.
560
•
562
•
Do not apply undue force to the music rest while it is in use.
Use a cable from Roland to make the connection. If using
some other make of connection cable, please note the
following precautions.
• Some connection cables contain resistors. Do not use
cables that incorporate resistors for connecting to this
unit. The use of such cables can cause the sound level to
be extremely low, or impossible to hear. For infor-
mation on cable specifications, contact the manufac-
turer of the cable.
355b
•
When moved from one location to another where the
temperature and/or humidity is very different, water
droplets (condensation) may form inside the unit. Damage
or malfunction may result if you attempt to use the unit in
this condition. Therefore, before using the unit, you must
allow it to stand for several hours, until the condensation
has completely evaporated.
565
•
Before opening or closing the keyboard lid, always make
sure that no pets or other small animals are located on top of
the instrument (in particular, they should be kept away from
the keyboard and its lid). Otherwise, due to the structural
design of this instrument, small pets or other animals could
end up getting trapped inside it. If such a situation is encoun-
tered, you must immediately switch off the power and
disconnect the power cord from the outlet. You should then
consult with the retailer from whom the instrument was
purchased, or contact the nearest Roland Service Center.
356
•
Do not allow rubber, vinyl, or similar materials to remain
on the unit for long periods of time. Such objects can
discolor or otherwise harmfully affect the finish.
358
•
Do not allow objects to remain on top of the keyboard or
pedal board. This can be the cause of malfunction, such as
keys ceasing to produce sound.
359
•
Do not paste stickers, decals, or the like to this instrument.
Peeling such matter off the instrument may damage the
exterior finish.
4
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Introduction
Congratulations on your choice of the Roland Digital Piano DP-900.
In order to enjoy reliable performance of your new keyboard for many years to come, please take the time
to read through this manual in its entirety.
Main Features
Refined Wood Grain, Compact Design
Tones For Use in a Wide Variety of
Musical Genres
The simple design and light wood grain finish is at home both
in the living room as well as in the children’s room. When its
lid (which descends slowly and smoothly) is closed, the
instrument presents a clean, flat look.
The DP-900 offers twenty different onboard tones, including
piano, which can be used for almost every conceivable style of
music.
And at a compact about 300 millimeters deep, it fits in
perfectly with other furniture.
65 Piano Songs Built-In
The 65 internal songs are mainly classical pieces, and include
Authentic Piano Performances
compositions for listening enjoyment as well as for lessons.
High-quality concert grand piano tones, along with the
keyboard which gives more realistic piano touch by providing
a heavier feel in the low end and a lighter feel in the upper
notes, let you enjoy truly authentic piano performances.
The two pedals are securely attached to the piano, ensuring
that they will be stable when operated.
Keyboard Touch Can Be Set to Match
Finger Strength
You can change the keyboard touch so it better suits the finger
strength of the person playing the keyboard.
High-Performance Two-Box Speaker
Construction
The lateral speaker box features two independent left and
right speaker boxes, providing unexpectedly superior volume
and sonic quality.
Practice Functions to Foster Great
Musicianship
In addition to a metronome, the instrument also features a
“Two-Track Recorder,” which lets you record and check what
you practice, along with a variety of other piano lesson
features that are possible only with an electronic piano.
The speakers can also be directed rearward if conditions
require.
Check to see if you have all of the items that normally are supplied with the DP-900.
If any items are missing, please contact the dealer where you purchased this unit.
Cord Clamp x 3
DP-900 (For installing the DP-900, refer to p. 6)
Side Board right
AC Adaptor (DC 9V), Power Cord
Owner’s manual (this document)
Side Board left
Speaker Box
Pedal Board
Stabilizer x 2
Stabilizer screw x 6
Attachment screw x 10
5
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Introduction
Assembling the DP-900
Make sure that another person is on hand to help with the assembly and setup.
To move the piano, lift it carefully-all the while keeping it level. Be very careful, when you assemble and move the
piano, to make sure that you do not drop it on your hands or feet.
Should you remove screws, cord clamps, or stabilizer, make sure to put them in a safe place out of children’s reach,
so there is no chance of them being swallowed accidentally.
■ Check the Parts
Before you begin assembling the DP-900, check that all the
The speaker box can also be installed so that it faces toward
the rear instead of toward the front. Having the speaker box
face out the rear of the instrument allows the speakers to be
directed toward listeners when the back of the instrument
parts were supplied.
You will also need to have a Phillips screwdriver.
fig.st900parts.e
faces the audience.
fig.stsp.e
DP-900
Normal direction
When facing to the rear
Side board
left
Front
Rear
Front
Rear
Speaker box
Speaker
box
Speaker
box
Side board
right
Stabilizer
(left)
■ Assembly Procedure
•
At first, assemble the entire unit in a temporary fashion,
without really tightening the screws. Then, after checking
the overall alignment of the boards (and gently shifting
certain parts where necessary), go around and tightly
fasten each of the screws.
1
Pedal Board
2
3
Stabilizer
(right)
•
Be careful when assembling the DP-900, so as to avoid
scratching the side boards.
1: Attachment screw (M6 x 20mm) x10
2: Stabilizer screw (M4 x 16mm) x6
3: Cord clamp x3
When securing the screws, lay the entire unit sideways
with the rear side of the DP-900 at the bottom.
1. Secure the left side board to the speaker box
with the screws (in two places).
Attach so that the speaker cable at the rear of the speaker
box is directed to the right.
fig.st1.e
Attachment screw
Speaker box
Side board left
6
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Introduction
5. Put the Pedal Board on the stabilizer.
2. Secure the right side board to the speaker box
with the screws (in two places).
When putting the Pedal Board on the stabilizer, first
loosen the screws securing the speaker box to the side
boards.
fig.st2.e
Attachment screw
fig.st5.e
Loosen the screws
(in four places).
Side board right
Pedal Board
3. Set the stabilizer in the holes in the side boards
(in six places).
fig.st3.e
6. Secure the Pedal Board to the side boards with
the attachment screws (in two places).
Retighten the screws loosened in Step 5.
fig.st6.e
Stabilizer
screws
Take care not to attach the left and right stabilizer to the
Attachment
screws
wrong sides.
fig.st900SAP
To stabilize the pedals
Temporarily loosen the screws that fasten the pedal board.
Step on the pedal, and after verifying that the pedal is in firm
contact with the floor, re-tighten the screws firmly.
4. Raise the entire assembly.
When standing the assembled unit up, grasp near the
speaker box and center part of the DP-900, and gently
raise the assembly.
fig.st4
7
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Introduction
7. Lay the DP-900's keyboard onto the stand and
10.As necessary, affix cord clamps as shown in
secure it with the screws (in four places).
the diagram to fasten the pedal cable.
fig.st9.e
Place the keyboard so that it is centered, both front to
back and left to right.
Cord Clamps
*
Take care not to allow your hands to become caught when
holding the keyboard.
fig.st7.e
Pedal Cord
Attachment
screws
When Moving the Instrument
Disconnect the AC cord and cables from the DP-900.
Then lift the piano while keeping it level, and move it with
care, so that you do not drop it on your feet, or get your hands
caught.
Check the stability of the pedal, and make adjustments as
necessary.
8. Connect the speaker cable extending from the
rear of the speaker box to the DP-900’s speaker
connector.
When Disassembling
Disassemble the unit by carrying out assembly Steps 1-10 in
reverse order.
Press the speaker cable completely into the connector so
that it is securely fastened.
When Changing the Orientation of the
Speaker Box
fig.st8.e
DP-900 Rear
Be sure to completely disassemble the unit, change the
speaker box orientation, then reassemble it.
Clip Portion
Speaker Connecter
Speaker cable
Hold and insert the cable so that
the clip portion extends into the
stand and is securely connected.
9. Connect the pedal cables to the Pedal [Damper]
jack and [Soft] jack.
Connect the brown plug to the Damper jack, and the
black plug to the Soft jack.
8
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Panel Descriptions
Front Panel
fig.panel
2
3 4 5 6
7
8
9
1
1
2
3
4
5
[Power] switch
10 [Metronome] button
Turns the power on/off (p. 14).
Activates the built-in metronome (p. 19).
pressing other specified button, you can make settings for
[Volume] knob
Adjusts the volume level (p. 14).
[Brilliance] button
11 [Beat] button
Adjusts the tone brightness (p. 14).
[Transpose] button
12 [Song/Tempo] Button
Plays back the internal songs (p. 15).
Each time you press this button, the song number and the
tempo will be displayed alternately.
[Split] button
allowing you to play a different sound in each area (p.
18).
Recorder
13 [Play] button
6
7
[Reverb] button
Adds reverberation to the sound (p. 21).
Starts and stops playback of internal songs and recorded
performances (p. 15, p. 24).
Tone buttons
They are used to choose the kinds of tones (tone groups)
played by the keyboard (p. 16).
14 [Rec] button
Puts the DP-900 in recording-standby mode (p. 26–p. 30).
8
9
Display
15 [1] [2] buttons
Displays information such as the song number, tempo,
beat, and parameter settings values.
Plays back or records a performance separately for each
hand. (p. 25, p. 28–p. 30).
[+] [-] buttons
This button and the following [2] button are collectively
referred to as the “track buttons.”
Allows you to select the value of various settings. Pressing
both the [+] and [-] buttons simultaneously returns the
setting of a particular item or function to its original value.
16 [Key Touch] button
Modifies the playing feel of the keyboard (p. 23).
Rear Panel
fig.RearPanel
3
4
Input jacks
1
2
3
4
5
These jacks can be connected to another sound generating
device or an audio device, so that the sound of that
device will be output from the DP-900’s speakers (p. 34).
4 Output jacks
1
2
MIDI connectors
Allows you to output the piano’s sound to sound
reinforcement equipment to obtain a more powerful
sound. These can also be connected to a tape recorder or
other recording device to record a performance (p. 34).
Connect to external MIDI devices to exchange
performance data (p. 34).
Pedal connectors
Connect the pedal to this connector (p. 8).
5
5 DC In connector
Connect the supplied AC adaptor to this connector (p. 11).
9
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Main Features..............................................................5
Assembly Procedure.............................................6
Erasing a Song..................................................... 30
Panel Descriptions......................................... 9
Closing the Lid.....................................................13
Turning Off the Power........................................14
(Master Tuning) .................................................. 31
Applying the Damper Pedal to the Left-hand
Preventing the Settings from Changing During
Performance ............................................................. 33
Tone Lock ............................................................ 33
What’s MIDI? ...................................................... 34
Changing the Metronome Sound......................21
Adding Reverberation to the Sound (Reverb) .....21
Changing the Amount of Effect Applied.........21
Transposing the Key of the Keyboard (Transpose)......22
Adjusting the Keyboard Touch (Key Touch) .......23
Easy Operation List..................................43
MIDI Implementation Chart......................44
Main Specifications..................................45
INDEX.........................................................46
10
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Before You Start Playing
927
Connect the AC Adaptor
921
Depending on the circumstances of a particular setup, you
may experience a discomforting sensation, or perceive that the
surface feels gritty to the touch when you touch this device or
the metal portions of other objects connected to it. This is due
to an infinitesimal electrical charge, which is absolutely
harmless. However, if you are concerned about this, connect
the ground terminal (see figure) with an external ground.
When the unit is grounded, a slight hum may occur,
depending on the particulars of your installation. If you are
unsure of the connection method, contact the nearest Roland
Service Center, or an authorized Roland distributor, as listed
on the “Information” page.
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
1. Connect the supplied AC adaptor and AC cord.
fig.00-02.e
AC cord
AC adaptor
2. Connect the AC adaptor to the DC In connector
Unsuitable places for connection
on the rear panel.
•
•
•
Water pipes (may result in shock or electrocution)
Gas pipes (may result in fire or explosion)
Telephone-line ground or lightning rod (may be
dangerous in the event of lightning)
3. As shown in the diagram, loop the AC adaptor
cord around the cord hook to fasten it in place.
fig.00-01.e
Rear panel
Cord hook
ground terminal
4. Plug the AC cord into a power outlet.
As necessary, clamp the AC adaptor cord with the cord
clamps (p. 8).
924
To prevent the inadvertent disruption of power to your unit
(should the plug be pulled out accidentally), and to avoid
applying undue stress to the AC adaptor jack, anchor the
power cord using the cord hook, as shown in the illustration
above.
Even if the cord is fastened, strong tension applied to the cord
may cause it to be damaged or broken. Be careful not to pull
the cord accidentally, or to apply strong pressure to it.
11
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Before You Start Playing
About the Pedals
Connecting Headphones
(Sold Separately)
The DP-900 has two jacks for plugging in headphones. This
For more on connecting the DP-900's pedals, refer to p. 8.
allows two people to listen through headphones
simultaneously, making it very useful for lessons and when
performing piano pieces for four hands. Additionally, this
allows you to play without having to worry about bothering
■ Pedal Functions
fig.pedal.e
others around you, even at night.
fig.00-08
Soft Pedal
Soft Pedal
Damper Pedal
This pedal is used to make the sound softer.
Playing with the soft pedal depressed produces a sound that is
not as strong as when otherwise played with the equivalent
strength.
Connect the headphones to either of the
headphone jacks.
The headphone volume is adjusted by the [Volume] knob
of the DP-900.
This is the same function as the left pedal of an acoustic piano.
Some tones are affected less than others.
Damper Pedal
Use stereo headphones that have a 1/4” phone plug.
Use this pedal to sustain the sound.
While the pedal is depressed, long lingering reverberations
continue to be added to the sound after you release from the
keys.
Some notes on using headphones
•
To prevent damage to the cord, handle the headphones
only by the headset or the plug.
This is the same function as the right pedal of an acoustic
piano.
•
Connecting the headphones when the volume of
connected equipment is turned up may result in damage
to the headphones. Lower the volume on the DP-900
before plugging in the headphones.
•
Listening at excessively high volume levels will not only
damage the headphones, but may also cause hearing loss.
Use the headphones at a moderate volume level.
Unplugging a pedal cord from the unit while the power is on
may cause the pedal’s effect to be applied without stopping.
The power of the DP-900 must be turned off before inserting
or removing a pedal cord.
12
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Before You Start Playing
Opening and Closing the Lid
■ Closing the Lid
1. When closing the lid, be sure to close the music
rest and open the blind.
fig.lidclose1
Always use two hands to open and close the lid.
Although the DP-900's lid is designed to close slowly and
gently when it is released, the lid immediately closes if it has
been opened only slightly. Take care not to allow your fingers
to become pinched by the lid.
Blind
Music Rest
■ Opening the Lid
1. Grasp and lift the lid with both hands.
fig.lidopen1
2. Grasp and gently lower the lid with both hands.
fig.lidclose2
2. Close the blind and open the music rest as
shown in the figure.
fig.lidopen2
Blind
Music Rest
Adult supervision is recommended whenever small children
use the unit.
If you need to move the piano, make sure the lid is closed first
to prevent accidents. In addition, do not hold onto the lid
when moving or setting up the instrument.
When opening and closing the lid, take care not to allow your
fingers to become pinched in the gap.
fig.lidcaution
13
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Before You Start Playing
Turning the Power On and Off Adjusting the Sound’s Volume
and Brilliance
■ Turning On the Power
Turn the [Volume] knob to adjust the overall
941
volume.
Press the [Brilliance] button to adjust the
Once the connections have been completed, turn on power to
brightness of the sound.
your various devices in the order specified. By turning on
Select one of the three available settings to obtain the desired
devices in the wrong order, you risk causing malfunction
brilliance.
and/or damage to speakers and other devices.
[Brilliance]
button’s indicator
Brilliance
Off
Lit in red
Lit in
green
Bright
1. Turn the [Volume] knob completely to the left to
lower the volume to the minimum level.
Medium
Mellow
fig.00-04
fig.00-07.e
2. Push the [Power] switch to turn on the DP-900.
Min
Max
After a few seconds, the unit becomes operable and
playing the keyboard produces sound.
Adjust the volume to obtain the proper volume level.
Raising the volume excessively may cause the sound to
distort. Enjoy the piano at an appropriate volume level.
fig.00-05.e
Lower position
ON
942
This unit is equipped with a protection circuit. A brief interval
(a few seconds) after power up is required before the unit will
operate normally.
■ Turning Off the Power
1. Turn the [Volume] knob completely to the left to
lower the volume to the minimum level.
fig.00-04
2. Push the [Power] switch to turn off the DP-900.
fig.00-06
Upper position
OFF
14
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Enjoying the Internal Songs
Listening to Internal Songs
The DP-900 comes with 65 piano songs onboard.
“Playing Along with the
Internal Songs” (p. 24)
“Internal Song List” (p. 41)
■
Playing Back All Songs Continuously (All Song Play)
The internal songs can be played back consecutively.
fig.panel1-1
1
2
1.
Hold down the [Song/Tempo] button, and press the [Play]
button.
The [Song/Tempo] button’s indicator will light, the [Play] button’s indicator
will blink, and the songs will play back successively, starting with the
currently selected song.
The song number appears in the display.
You can press the [+] or [-] button to select the song that you want to play back.
When all songs have been played, playback will return to the first song and resume.
When you play back an
internal song, the reverb
effect will automatically be
turned on (the button’s
indicator lights).
2.
To stop the performance, press the [Play] button once more.
When an internal song is
played back, the
metronome sounds the
ordinary metronome sound.
■ Choosing the song to play back
fig.panel1-2
2
1 3, 4
1.
Press the [Song/Tempo] button, getting its indicator to light in
red.
The song number appears in the display.
fig.disp-USr
2.
Press the [+] or [-] button to select a song.
About the display for the
internal songs
Holding down the button causes the numbers to change
continuously.
USr (user)…The location
where you can record your
performance. (For details
on recording → p. 27)
Numbers with a “d.”
…internal songs.
3.
4.
Press the [Play] button.
The button’s indicator will light, and the selected song will play.
To stop the performance, press the [Play] button once more.
The button’s indicator goes out, and playback stops.
he next time you press the [Play] button, the song that was stopped is played
from the beginning.
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Playing the Keyboard
Performing with a Variety of Sounds
The DP-900 contains 20 different internal tones. The tones are organized into
five tone groups, which are assigned to the Tone buttons.
fig.panel2-1
1
2
Selecting a tone group
For more details, refer to
“Tone List” (p. 40).
1.
Press any Tone button.
The indicator of the button you pressed will light.
When you play the keyboard, you will hear a sound in the selected tone
group.
Selecting variation tones
2.
Press the [Variation] button.
Four different tones (numbered 1–4) are assigned to each Tone button. Use
the [Variation] button to select among them.
Each time you press the [Variation] button, the button’s indicator will change
color, and the four sounds will be selected successively.
When Dual play is used,
only sound number 1 or 2
can be selected.
Tone number
[Variation] button’s indicator
1
2
Red
3
4
If you use Dual play with a
Tone button for which
tone number 3 or 4 is
selected, tone number 1
will be selected for that
Tone button.
Dark
Green
Orange
Some of the number 3 and 4 tones form pairs, which can be layered and
sounded together.
The tone you’ve selected is heard when you finger the keyboard.
The sound can tend to
distort easily with certain
tones and at certain
volume levels.
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Playing the Keyboard
Playing Two Sounds Together (Dual Play)
Simultaneously playing two tones when one key is pressed is called “Dual
play.”
When Dual play is used,
the [Variation] button’s
indicator will light to
indicate the selection of the
right button of the two
selected tones.
1.
Simultaneously press the two Tone buttons that you want to
play together.
The indicator of the button you pressed will light.
When you play the keyboard, the tones of the two Tone buttons you selected
will sound simultaneously.
To cancel Dual play, press any Tone button.
To change the tone of the right button of the two selected
tones
When Dual play is used,
only sound number 1 or 2
can be selected. If you use
Dual play with a Tone
button for which tone
number 3 or 4 is selected,
tone number 1 will be
selected for that Tone
button.
Press the [Variation] button.
Dual play now features the tone of the left side’s tone button along with the
newly selected tone.
To change the tone of the left button of the two selected
tones
Cancel the Dual play, and then re-select the tone.
■ Adjusting the Volume Balance in Dual Play
You can change the volume balance between the two layered sounds in Dual
play.
fig.panel2-2
1
2
1.
2.
Hold down the [Transpose] button and press the [Split] button.
The indicators of the buttons you pressed will blink.
The current volume balance appears in the display.
When the power is turned
on, this will be set to “8-2”
(volume of the left button
tone - volume of the right
button tone).
Press the [+] or [-] button to change the value.
The volume balance changes.
To return to the original volume balance, press the [+] and [-] buttons
simultaneously.
fig.disp-dualbal.e
Volume of the left button tone
Volume of the right button tone
Press the [Transpose] or [Split] button, and the button’s indicator will return
to the previous state.
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Playing the Keyboard
Playing Different Tones with the Left
and Right Hands (Split Play)
The split point key is
included in the left-hand
keyboard area.
Dividing the keyboard into right-hand and left-hand areas, then playing different
sounds in each is called “Split play.” The boundary key is called the “split point.”
fig.splitpoint.e
Split Point (set to F 3, when the power is turned on.)
If you use Split play with a
Tone button for which
tone numbers 3 or 4
selected, tone number 1
will be selected for that
Tone button.
…
A0 B0 C1 D1 E1 F1 G1 A1 B1 C2
C3
C4
C5
B7 C8
When Split play is used,
only tone numbers 1 or 2
can be selected.
Left-hand Tone
Right-hand Tone
fig.panel2-3
1
1.
Press the [Split] button.
The button’s indicator will light.
When using Dual play,
press the [Split] button
The right hand will play the
tone of the left button of
Dual play, and the left hand
will play a suitable match
for the right-hand tone.
The keyboard is divided into right-hand and left-hand areas.
The tone you were playing before you pressed the [Split] button will be
selected for the right-hand area.
To cancel Split play, press the [Split] button, getting its indicator to go dark.
Changing tone played by the left hand
Press the [Variation] button.
Each time you press the [Variation] button, the button’s indicator will change
color, and the left-hand tone will change.
For information about the
tones that can be selected for
the left hand section, refer to
the “Tone List” (p. 40).
Some tones assign the tone that had been selected before you pressed the
[Split] button to the left hand area of the keyboard.
The selected left hand tone
is remembered for each
Tone button. When you
turn off the power, it will
return to the original
setting.
Changing tone played by the right hand
Press the Tone button.
The tone of the right-hand area will change. A tone that is a suitable match
for the right-hand tone will be selected for the left-hand area.
If you want to change the variation for the right-hand tone, cancel Split play
and then re-select the tone.
keyboard. If you want the
damper pedal to be applied
to the left-hand area, refer
to “Applying the Damper
Pedal to the Left-hand
Keyboard Area” (p. 33)
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Playing the Keyboard
■ Changing the Keyboard’s Split Point
You can change the location where the keyboard is divided (the split point)
within the range of B1 through B6.
The setting is at “F#3” when the piano is powered up.
The split point key is
displayed as follows.
Display
C
C
d_
d
E_
E
1.
While continuing to hold the [Split] button, press the key that
you want to specify as the split point.
Letter
name
D
D
The key you pressed becomes the split point, and belongs to the left-hand
section of the keyboard.
You can also change the setting by pressing the [+] or [-] button while
continuing to hold down the [Split] button.
Display
E
F
F
G
G
b
Letter
name
E
F
F
Display
A_
A
A
A
b_
B
Letter
name
B
If you hold down the [Split] button and simultaneously press the [+] and [-]
buttons, the setting will return to its original value (F#3).
When you continue
holding the [Split] button,
the currently specified
split point will be
displayed.
fig.disp-splitpoint
Using Metronome
■ Sounding the Metronome
The DP-900 features a built-in metronome.
While a song plays back, the metronome will sound at the tempo and time
signature (Beat) of that song.
fig.panel2-4
2, 4 1, 5 3
Sounding the metronome
1.
Press the [Metronome] button.
The metronome will sound.
The button flashes in red and green in time with the beat selected at that time.
The indicator lights in red on the downbeats, and in green on weak beats.
Changing the tempo
2.
Press the [+] or [-] button to adjust the tempo.
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Playing the Keyboard
Changing the beat of metronome
3.
Press the [Beat] button.
The currently selected beat will be displayed.
Press the [+] or [-] button.
4.
It is not possible to change
the beat during song
If you press the [+] or [-] button, the beat will change.
If you press the [+] and [-] buttons simultaneously, the beat will go back to
what it was before you changed it.
playback or recording.
fig.disp-beat
Display
2.2
0.4
2.4
3.4
beat
2/2
Only weak beats
2/4
3/4
4/4
5/4
Display
6.4
7.4
3.8
6.8
beat
6/4
7/4
3/8
6/8
9/8
12/8
Correspondence between
beat and tempo display
4.4
5.4
9.8
12.8
Beat
2/2
Tempo Value
=10–125
Stopping the metronome
x/4
=20–250
x /8
=40–500
5.
Once again press the [Metronome] button, getting its indicator
to go dark.
The metronome will stop.
■ Changing the Metronome Volume
The volume of the metronome can be adjusted, with eight volume levels
available.
This is set to “4” when the
instrument is turned on.
1.
Hold down the [Metronome] button and press the [+] or [-]
button.
The currently specified volume will be displayed.
Continue to hold down the [Metronome] button, and press the [+] or [-]
button to sound the metronome, and change the volume.
When you hold down the
[Metronome] button, the
currently specified
metronome volume will be
displayed.
fig.disp-metrovol
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Playing the Keyboard
■ Changing the Metronome Sound
1.
Hold down the [Beat] button and press the [+] or [-] button.
The currently specified sound number will displayed.
This is set to “t. 1” when the
instrument is turned on.
Continue to hold down the [Beat] button, and press the [+] or [-] button to
sound the metronome, and change the metronome sound.
When you hold down the
[Beat] button, the currently
specified sound number
will be displayed.
fig.disp-metrotone
Display
beat
t. 1
t. 2
t. 3
t. 4
Ordinary metronome sound
Dog and cat cries
A voice counting “1, 2, 3” in English
A voice counting “1, 2, 3” in Japanese
When an internal song is
played back, the metronome
sounds the ordinary
metronome sound.
When a recorded
performance is played
back, the metronome
sounds the sound that was
selected when the
Adding Reverberation to the Sound
(Reverb)
By applying the reverb effect you can produce a pleasant reverberation,
recording was made.
making it sound as though you were performing in a concert hall.
fig.panel2-5
1
1.
Press the [Reverb] button.
The button’s indicator will light, and a reverb effect will be applied to the
The reverb effect setting for
each tone is not remembered.
sound.
To cancel the reverb effect, press the [Reverb] button, getting its indicator to
go dark.
When you play back an
internal song, the reverb
effect will automatically be
turned on (the button’s
indicator lights).
■ Changing the Amount of Effect Applied
The depth of the reverb effect can be adjusted over eight steps.
When the power is turned on, reverb is set to “4.”
1.
Hold down the [Reverb] button and press the [+] or [-] button.
The currently specified value will be displayed.
When you hold down the
[Reverb] button, the currently
specified reverb depth value
will be displayed.
Higher values will produce a deeper effect.
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Playing the Keyboard
Transposing the Key of the Keyboard
(Transpose)
By using the “Transpose function,” you can transpose your performance
without changing the notes you play. For example, even if the song is in a
difficult key with numerous sharps ( ) or flats ( ), you can transpose it to
a key that is easier for you to play.
When accompanying a vocalist, you can easily transpose the pitch to a range
that is comfortable for the singer, while still playing the notes as written (i.e.,
with the same fingering positions).
fig.panel2-6
1
1.
Continue to hold down the [Transpose] button, and press a note
to indicate the tonic of the key to which you want to transpose.
When you hold down the
[Transpose] button, the
currently specified value
will be displayed.
The button’s indicator will light, and the keyboard will be transposed.
You can also transpose by holding down the [Transpose] button and pressing
the [+] or [-] button.
If you hold down the [Transpose] button and press the [+] and [-] buttons
simultaneously, the setting will return to the original value (0).
This can be set in a range of -6–0–5 (semitone steps).
For example, if you want the E pitch to sound when you play the C key, hold
down the [Transpose] button and press the E key.
Counting from C as a reference point, one moves up four keys, including the
black keys, to reach E, thus “4” appears in the display.
fig.trans.e
If you play C E G
It will sound E G#
B
When the transpose value is set to “0,” the button’s indicator will remain dark
even if you press the [Transpose] button.
To cancel the transpose function, press the [Transpose] button, extinguishing
its indicator.
When you press the [Transpose] button once again, getting its indicator to
light, the keyboard will be transposed to the note you specified here.
This setting returns to the
original value (0) when
you turn off the power.
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Playing the Keyboard
Adjusting the Keyboard Touch
(Key Touch)
You can adjust the touch (playing feel) of the keyboard.
fig.panel2-7
1
1.
Press the [Key Touch] button.
The button’s indicator will light, and the feel of the keyboard will change.
Each time you press the [Key Touch] button, the button’s indicator will
change color, and the feel of the keyboard will change.
Indicator
Settings
OFF
Medium
Heavy
This allows you to play using the most natu-
ral touch. This is the closest to the touch of an
acoustic piano.
Red
Fortissimo (ff) cannot be produced unless
you play more strongly than usual, making
the keyboard feel heavier. Dynamic fingering
adds even more feeling to what you play.
Fortissimo (ff) can be produced by playing
less strongly than usual, making the key-
board feel lighter. This setting makes it easy
to play, even for children.
Green
Orange
Light
Fixed
Sounds at a fixed volume, regardless of your
keyboard playing strength.
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Playing Along with the Internal Songs
Here’s how you can play along with the internal songs.
separately.
Before you try playing the song, listen to it several times to get a general feel
for the song.
For details on operation, refer to “Choosing the song to play back” (p. 15).
If you turn on the
metronome while the song
plays back, the metronome
Changing the Tempo
will sound at the beat and
If the song has a rapid tempo, you can slow down the tempo so that you can
practice it more easily. It is effective to gradually raise the tempo as you practice.
tempo of the song.
fig.panel3-1
2
1
1.
Press the [Song/Tempo] button, getting its indicator to light in
green.
Indication of the tempo
during song playback
While the song is playing, the
initial tempo of the song will
continue to be displayed,
regardless of tempo changes
during the song.
The tempo appears in the display.
Each time you press the [Song/Tempo] button, the tempo and the currently
selected song number (prefixed by “d.”) will be displayed alternately.
While the tempo is displayed, the [Song/Tempo] button indicator will light
in green.
While the song number is displayed, it will light in red.
2.
Press the [+] or [-] button to adjust the tempo.
The tempo can be adjusted in a range of =20–250.
You can also change the tempo during playback.
About the display for the
internal songs
Pressing the [+] button once increases the tempo by one unit. Holding down
the button increases the tempo continuously.
Pressing the [-] button once decreases the tempo by one unit. Holding down
the button makes the tempo change (slow down) continuously.
If you press the [+] and [-] buttons simultaneously, you will return to the
basic tempo of the song (the tempo before you modified it).
USr (user) …The location
where you can record your
performance. (For details
on recording → p. 27)
Numbers with a “d.”
…internal songs.
■ Adding a Count-in to Match the Timing (Count-In)
When you’re playing along with a song, you can make sure that your playing
is in time with the song by sounding a count before the song starts playing.
Sounding a “count sound” leading up to playback of a song is called “Count-
In.”
During the count-in, the
count measure is indicated
“-1.”
On the DP-900, if you playback a song while the metronome is sounding, two
measures of lead-in count will be heard at the beginning of the song.
“Sounding the
metronome” (p. 19)
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Playing Along with the Internal Songs
Playing Each Hand Separately
The internal songs allow you to select the performance part that will be
played back.
The left-hand performance of the internal songs is assigned to the [1] button,
while the right-hand performance is assigned to the [2] button. The place
where each part of the performance is held is called a “track,” and the [1] and
[2] buttons are called “track buttons.”
Track buttons
Left-hand Right-hand
Part
Part
fig.trackbuttons.e
Here’s how to practice each hand separately along with the song.
fig.panel3-2
1
2, 3
First select the song that you want to play back (p. 15).
Selecting the part that you yourself will play
1.
Press the [1] or [2] button.
The indicator of the button you’ve pressed goes out, and the sound of the
selected part will no longer be heard.
For example, if you want to practice the right hand, press button [2] and get
its indicator to go dark.
When you play back the song, the right-hand performance will not sound.
Practice your right-hand performance along with the left-hand playback.
Playing back a song
2.
Press the [Play] button.
The song will begin playing back.
The part you selected in step 1 will not sound.
Once again press the button you selected in step 1. The button’s indicator will
light, and the sound will be heard once again.
Even while the song is playing, you can press the track buttons to mute or un-
mute the sound.
Stopping the song
3.
Press the [Play] button.
The song will stop.
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Recording Your Performance
You can easily record your performances.
New Song” (p. 27))
• Recording along with an internal song (→ “Recording Along with a
Song” (p. 28))
• Recording each hand separately (→ “Selecting and Recording the
Track for Each Hand Separately” (p. 29))
■ Notes Regarding Recording
• Recorded performances are erased when the power is turned off. If
you want to keep your performance, you can either record it on an
external audio device, or use an external MIDI device to save the
performance data on a floppy disk. For details, refer to “Connecting
External Devices” (p. 34).
If you see the following...
If you attempt to record using a different internal song when a performance
has already been recorded, the following will appear, and the [Rec] button’s
indicator will blink.
fig.disp-del
If it is OK to erase the performance, press the [Rec] button.
If you do not want to erase the performance, press the [Play] button.
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Recording Your Performance
Recording a New Song
Record only the keyboard performance without playing along with an
internal song.
fig.panel4-1
2
4
1 6, 7, 8 5, 7
3
Recording settings (select “USr”)
1.
Press the [Song/Tempo] button, getting its indicator to light in
red.
The song number appears in the display.
If you layer a newly
2.
the display.
recorded performance
without erasing the
recorded song, the song
tempo and beat will be
stored with the settings
that were recorded first.
Specifying the tone and tempo for recording
3.
4.
Select the tone that you want to play (p. 16).
If necessary, turn on the metronome.
Sound the metronome while you set the tempo and beat of the song (p. 19).
5.
Press the [Rec] button.
The [Rec] button’s indicator will light, the [Play] button’s indicator will blink,
and you will be in recording-standby mode.
About the “USr” display
When you stop recording,
the “
” display will
”.
Start recording
change to “
6.
Recording will start when you either press the [Play] button or
The “.” in the lower right
of the display indicates
that there is already a
recorded performance.
play the keyboard.
The DP-900 counts down two measures, then recording starts.
Note that recording will also begin as soon as you play anything on the
keyboard, even if you do not press the [Play] button. There is no count sound
played when you start in this manner.
When recording begins, the [Play] button and [Rec] button indicators will
light.
Go ahead and perform on the keyboard.
If you record without
specifying the recording
track, the performance will
be recorded to the [1] button.
Stop recording
7.
Press the [Play] or [Rec] button.
separately on separate
recording tracks, refer to
“Selecting and Recording
the Track for Each Hand
Separately” (p. 29).
The indicators for the [Play] and [Rec] buttons will go dark.
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Recording Your Performance
Play back the recorded performance
8.
Press the [Play] button.
When a recorded
You will hear the recorded performance.
Once again press the [Play] button, and playback will stop.
performance is played
back, the metronome
sounds the sound that was
selected when the
Recording Along with a Song
recording was made.
You can record a performance that you play along with an internal song.
Using the [1] or [2] buttons, you can (for example) perform and record just the
righthand part of a song while listening to the left-hand playback of an
internal song.
fig.panel4-2
2
3
1 6, 7, 8 4, 7 5
Selecting the song to record
1.
Press the [Song/Tempo] button, getting its indicator to light in
red.
The display will indicate the song number.
2.
3.
4.
Use the [+] or [-] button to select the song that you want to play.
As necessary, set the metronome and tempo (p. 19).
Press the [Rec] button.
The [Rec] button’s indicator will light.
Selecting the track to record
If “dEL” appears in the
display, refer to p. 26.
5.
Press the [1] or [2] button.
When you want to record the left-hand performance, press the [1] button; to
record that of the right hand, press the [2] button.
The indicators of the button you pressed and of the [Play] button will blink,
and the DP-900 enters recording-standby mode.
Starting to record
6.
Press the [Play] button.
Recording begins after two measures of count sound.
Play along with the song.
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Recording Your Performance
Stop recording
7.
Press the [Play] or [Rec] button.
Recording will stop, and the indicators for the [Play] and [Rec] buttons will
go dark.
The recorded performance is stored in “USr (User).”
Play back the recorded performance
When a recorded
8.
Press the [Play] button.
performance is played
back, the metronome
sounds the ordinary
metronome sound.
You will hear the recorded performance.
Once again press the [Play] button, and playback will stop.
Selecting and Recording the Track
for Each Hand Separately
The recorder of the DP-900 has two recording tracks, allowing you to record
the right and left hands separately. Use the [1] button or [2] button to specify
the recording track.
If you want to re-do the recording, you can re-record just a specific track.
fig.panel4-3
1
4, 5, 6 2, 5
3
As described in steps 1 and 2 of “Recording a New Song” (p. 27), select “USr”
before you continue.
1.
2.
As necessary, turn on the metronome (p. 19).
Press the [Rec] button.
If you go on to record
additional material
without erasing the
recorded song, the song
tempo, beat, and
The [Rec] button’s indicator will light.
The button indicators of tracks that are already recorded will light.
The track button for which you will next be recording will be blinking.
metronome settings of the
original recording will be
used for the new material
as well.
Selecting the track to record
3.
Press the [1] or [2] button to select the track that you want to record.
The indicator of the button you pressed will blink, and the DP-900 enters
recording standby mode.
The track buttons allow
you to record to either the
[1] or the [2] button, one at
a time.
Start recording
4.
Press the [Play] button.
The DP-900 counts down two measures, then recording starts.
Note that recording will also begin as soon as you play anything on the
keyboard, even if you do not press the [Play] button. There is no count sound
played when you start in this manner.
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Recording Your Performance
Stop recording
5.
Press the [Play] or [Rec] button.
Recording will stop, and the indicators for the [Play] and [Rec] buttons will
go dark.
Your performance has been recorded to the specified track button.
If you want to record on the other track, return to step 2 to record your
performance again. You can record while you listen to the previously
recorded performance.
Play back the recorded performance
When a recorded
6.
Press the [Play] button.
performance is played
back, the metronome
sounds the sound that was
selected when the
You will hear the recorded performance.
Press the [Play] button once again, and playback will stop.
recording was made.
Erasing Recorded Performances
You can erase a recorded performance.
■ Erasing a Performance from the Specified Track
You can select a recorded track and erase it.
1.
Hold down either the [1] or [2] button and press the [Rec]
button.
The indicator of the button you pressed will go dark, and the performance of
the selected track will be erased.
■ Erasing a Song
You can erase a song you’ve recorded.
1.
Hold down the [Song/Tempo] button and press the [Rec] button.
The following display will appear, and the [Rec] button’s indicator will blink.
fig.disp-del
2.
Once again press the [Rec] button.
The recorded performance is erased.
If you decide not to erase the performance, press the [Play] or [Song/Tempo]
button.
30
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Changing Various Settings
Changing the Damper Pedal’s
Button
[Piano]
[E. Piano]
[Harpsichord]
[Organ]
Function
Master Tuning
Temperament
Stretch Tuning
Applying the damper
pedal to the left-hand
keyboard area
MIDI send channel
Local Control
Page
p. 31
p. 32
p. 32
p. 33
Resonance
On an acoustic piano, depressing the damper pedal makes the
notes you play resonate with other strings, adding rich
reverberations and fatness to the sound. The damper pedal on
the DP-900 recreates this resonance (sympathetic resonance)
when depressed.
[Strings]
[Variation]
[Play]
p. 35
p. 36
p. 36
Transmitting a recorded
performance
You can select from eight levels of depth for the resonant
sound (resonance level).
For details on each function, refer to the explanations
below.
This is set to “5” when the instrument is turned on.
*
This setting is valid only for some piano tones. It cannot be
made for other tones.
3. Press the [+] or [-] button to change the value.
If you press the [+] and [-] buttons simultaneously, the
value will return to the power-up default setting.
1. Hold down the [Reverb] button and [Split]
button, and press the [-] or [+] button.
The currently specified value will be displayed.
How to exit function mode
Larger values will produce a deeper effect.
fig.disp-reso
4. Press the [Metronome] or [Beat] button.
The button’s indicator will return to the previous state.
■ Tuning to Other Instruments’
Pitches (Master Tuning)
In situations such as when playing ensemble with other
instruments, you can tune the DP-900’s reference pitch to the
refers to the pitch of the note that’s played when you finger
the middle A key. This tuning of all the instruments to a
standard pitch is called “tuning.”
Making Detailed Settings
(Function)
You can make performance-related settings such as tuning
and temperament.
If you press the [Piano] button in step 2 of “Making Detailed
Settings (Function)” (p. 31), a display like the following will
How to enter function mode
1. Hold down the [Metronome] button, and press
appear.
fig.disp-tune
the [Beat] button.
The indicators of the buttons you pressed will blink, and
you will enter function mode.
The display will indicate the value of the currently
selected function.
The last three digits are indicated in the display. “440.0 Hz” is
indicated in the figure above.
Setting the various functions
Value
415.3 Hz-440.0 Hz-466.2 Hz
440.0 Hz
2. Press the button to which the desired function
is assigned.
Power-up default setting
This setting remains in effect until you turn off the power.
The indicator of the button you pressed will blink.
31
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Changing Various Settings
Tonic
■ Changing the Temperament
When playing with tuning other than equal temperament, you
need to specify the keynote for tuning the song to be
performed (that is, the note that corresponds to C for a major
key or to A for a minor key).
You can play classical styles such as Baroque using historic
temperaments (tuning methods).
Today, compositions are generally created with equal
temperament in mind and are played using equal
variety of temperaments were used. Playing a composition
with its original tuning lets you enjoy the sonorities of the
chords that the composer originally intended.
specify the desired tonic key.
The tonic note you specify will be displayed as follows.
fig.Chart-note2.e
Display
C
C
d_
D
d
E_
E
E
E
F
F
F
F
G
G
A_
A
A
A
b_
B
b
If you press the [E.Piano] button in step 2 of “Making
Detailed Settings (Function)” (p. 31), a display like the
Letter
name
D
B
following will appear.
fig.disp-temp.e
If you choose an equal temperament, there’s no need to select
a keynote.
*
*
If you record with a temperament other than equal
temperament selected, and then want to play back that
performance, use this setting to select the same temperament
for playback as the temperament you used when recording.
Temperament Tonic
You can choose from among the seven temperaments
described below.
When performing in ensemble with other instruments, be
aware that depending on the key, there may be some shifting of
the pitch. Tune the DP-900 to the fundamental pitch of the
other instruments.
Dis-
play
1
Temperament
Qualities
Equal
In this tuning, each octave is di-
vided into twelve equal steps.
Every interval produces about
the same amount of slight disso-
nance. This setting is in effect
when you turn on the power.
This tuning, devised by the phi-
losopher Pythagoras, eliminates
dissonance in fourths and fifths.
Dissonance is produced by
■ Setting the Tuning Curve
(Stretch Tuning)
A piano is generally tuned to a pitch with a lower bass range
and a higher treble range than equal temperament. This
special tuning method for pianos is called “Stretch Tuning.”
If you press the [Harpsichord] button in step 2 of “Making
Detailed Settings (Function)” (p. 31), a display like the
2
Pythagorean
third-interval chords, but melo-
dies are euphonious.
following will appear.
3
4
Just Major
Just Minor
This tuning eliminates ambigu-
ities in the fifths and thirds. It is
unsuited to playing melodies
and cannot be transposed, but is
capable of beautiful sonorities.
The Just tunings differ from ma-
jor and minor keys. You can get
the same effect with the minor
scale as with the major scale.
This scale makes some compro-
mises in just intonation, enabling
transposition to other keys.
This temperament combines the
Mean Tone and Pythagorean tun-
ings. Performances are possible
in all keys (first technique, III).
This is an improvement of the
Mean Tone and Just tunings that
provides a high degree of free-
dom of modulation. Performanc-
es are possible in all keys (III).
fig.disp-On
Values
OFF
This is the standard tuning curve. This is the right
choice when using Dual play (p. 17), or when playing
in ensemble with other instruments.
5
6
Mean Tone
On
This tuning curve expands the bass and treble ends
somewhat. It is suitable for performances such as
piano solos. This setting is in effect when you turn on
the power.
Werckmeister
Power-up default setting
On
7
Kirn-berger
→ This effect works only with the piano tones.
Power-up default setting
1 C
32
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Changing Various Settings
■ Applying the Damper Pedal to
■ Disabling Everything Except
When you are using Split play (p. 18), you can apply the
damper pedal effect to the sound played by the left-hand
keyboard range.
The “Panel Lock” function locks the DP-900 in a state where
only piano performance can be used, and all buttons will be
disabled. In the Panel Lock state, only the grand piano sound
can be played.
If you press the [Organ] button in step 2 of “Making Detailed
Settings (Function)” (p. 31), a display like the following will
1. Turn the volume to the minimum, and press the
appear.
fig.disp-Off
[Power] switch to turn off the power.
2. Hold down the [Piano] button and press the
[Power] switch to turn on the power.
Then, continue to hold down these two buttons for a few
seconds.
Values
On
The damper pedal effect will be applied to the sound
of the left and right hand keyboard area.
The following display will appear.
fig.disp—-
OFF
The damper pedal effect will not be applied to the
sound of the left-hand keyboard area.
Power-up default setting
OFF
All buttons are disabled.
Adjust the volume.
Preventing the Settings from
Changing During Performance
When you play the keyboard, the grand piano sound will
be heard.
To defeat the Panel Lock function, turn the volume down
to the minimum, and turn on the power once again.
■ Tone Lock
You can set the instrument so all of its buttons are disabled
(the settings in effect at that time will be maintained). This
prevents the settings from being inadvertently modified even
if children press the buttons accidentally.
1. Hold down the [Brilliance] button and press the
[Key Touch] button.
The song or the metronome sound that is playing will
stop.
The following will appear in the display:
fig.disp—-
All buttons are disabled while the instrument is set like
this.
To cancel the Tone Lock function, once again hold down
the [Brilliance] button while you press the [Key Touch]
button. Alternatively, you can lower the instrument’s
volume all the way and switch its power off. Then, turn it
on again.
33
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Connecting External Devices
Playing the sound of an audio device through the
Connecting to Audio Equipment
You can connect audio devices to play the sound of the DP-
900 through the speakers of your audio system, or to record
your performance on a tape recorder or other recording
device.
speakers of the DP-900
fig.audio2.e
Output R/L
(Line Out, Aux Out)
When connecting, please use an audio cable with a standard
phone plug (sold separately).
DP-900
Connection Examples
921
*
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
●
Use the following procedure when turning on the
power.
1. Turn on the power of the connected device.
2. Turn on the power of the DP-900.
Playing the sound of the DP-900 through the
speakers of an audio system/Recording the
performance of the DP-900 on a recording device
3. Adjust the volume of each device.
fig.audio1.e
Input R/L
(Line In, Aux In)
Turning off the power
1. Set the volume of the DP-900 and of the
connected devices to the minimum position.
2. Turn off the power to the DP-900.
DP-900
3. Turn off the connected equipment.
●
Use the following procedure when turning on the
power.
Connecting MIDI Devices
By connecting an external MIDI device and exchanging
performance data, you can control the performances on one
device from the other. For instance, you can output sound from
the other instrument or switch tones on the other instrument.
1. Turn on the power of the DP-900.
2. Turn on the power of the connected device.
3. Adjust the volume of each device.
When Recording DP-900 Performances on a Recording
Device
■ What’s MIDI?
MIDI stands for Musical Instrument Digital Interface, an
international standard which allows performance information
to be communicated among electronic musical instruments
and computers.
4. Start recording with the connected device.
5. Perform on the DP-900.
6. When the performance ends, stop recording on
The DP-900 provides MIDI connectors, which allow
performance data to be exchanged with external devices. When
these connectors are used to connect the DP-900 to external
the connected equipment.
devices, an even wider range of possibilities becomes available.
984
*
A separate publication titled “MIDI Implementation” is also
available. It provides complete details concerning the way
MIDI has been implemented on this unit. If you should require
this publication (such as when you intend to carry out byte-
level programming), please contact the nearest Roland Service
Center or authorized Roland distributor.
34
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Connecting External Devices
Connection Examples
Making MIDI-related Settings
Here’s how you can set the transmit channel and other MIDI-
921
*
To prevent malfunction and/or damage to speakers or other
devices, always turn down the volume, and turn off the power
on all devices before making any connections.
related settings.
How to enter function mode
Playing the DP-900 from a MIDI sequencer/Recording
an DP-900 performance on a MIDI sequencer
1. Hold down the [Metronome] button and press
fig.midi2.e
the [Beat] button.
The indicators of the buttons you pressed will blink, and
you will enter function mode.
MT Series
* MT-90s has no MIDI Out connector.
The display will indicate the value of the currently
selected function.
Out
MIDI
In
Setting various functions
DP-900
is assigned.
The indicator of the button you pressed will blink.
For details on the contents of each function, refer to the
explanations that follow.
*
Set Local Off if you have connected the DP-900 to a MIDI
sequencer. Refer to “Switching Local Control on and Off” (p.
36). Also set your MIDI sequencer to MIDI Thru mode (so that
messages received at MIDI IN will be re-transmitted without
change from MIDI OUT). For details, refer to the owner’s
manual of your MIDI sequencer.
3. Press the [+] or [-] button to change the value.
If you press the [+] and [-] buttons simultaneously, the
setting will return to the original value.
How to exit function mode
Perform on the DP-900 to play a MIDI sound generator
fig.midi1.e
4. Press either the [Metronome] button or the
[Beat] button.
Sound Module
The button’s indicator will return to the previous state.
MIDI
OUT
THRU
IN
■ MIDI Send Channel Settings
MIDI features sixteen MIDI channels, numbered 1-16. Simply
connecting a cable is not enough for communication to take
channels. Otherwise, no sound will be produced, and no
sounds can be selected.
DP-900
*
*
The DP-900 receives all channels 1-16.
If you are using Dual play (p. 17) or Split play (p. 18) on the
DP-900, only the channel you specify here will be transmitted.
If you press the [Strings] button in step 2 of “Making MIDI-
related settings,” a display like the following will appear.
fig.disp-1
Value
1-16
1
Power-up default setting
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Connecting External Devices
If you press the [Variation] button in step 2 of “Making
■
Switching Local Control on and Off
MIDI-related settings,” a display like the following will
When connecting a MIDI sequencer, set Local Control to
appear.
fig.disp-On
“Off.”
As illustrated, information describing what has been played
on the keyboard is passed to the internal sound generator over
two different routes, (1) and (2). As a result, you hear
overlapping or intermittent sounds. To prevent this from
happening, route (1) must be severed, by setting the unit to
Value
On, OFF
On
Power-up default setting
what is known as “Local Off.”
fig.localcont.e
Local On
(1)
■ Transmitting a Performance You
Sequencer
Memory
Recorded
MIDI
OUT
MIDI
IN
Sound
If you want to transmit a performance recorded on the DP-900
to an external MIDI device or computer, turn this setting
“On.” If this is “Off,” the data will not be transmitted.
If you press the [Play] button in step 2 of “Making MIDI-
Generator
MIDI
OUT
MIDI
IN
related settings,” a display like the following will appear.
fig.disp-OFF
Thru function On
(2)
Each note played
is sounded twice
Local Control ON: The keyboard and the internal sound
generator are in a linked state.
fig.localon.e
Value
On, OFF
OFF
Sound is emitted
Power-up default setting
Sound Generator
Local On
If you wish to save the performance, use the following
MIDI Thru feature to be OFF. For details, refer to the owner’s
manual of your MIDI sequencer.
Local Control OFF: The keyboard and the internal sound
generator are in an unlinked state. No sound will be produced
1. Connect a MIDI sequencer such as the MT
series (p. 34).
by the keyboard when it is played.
fig.localoff.e
2. Record the performance on the DP-900 (p. 27).
3. Set this setting to “On.”
No sound produced
Sound Generator
Local Off
4. Start recording with the connected MIDI device.
5. Start playback of the recorded song on the DP-
900.
6. When playback ends, stop recording with the
*
When a Roland MT series instrument is connected, it is not
necessary to make the Local Off setting. MT units transmit
Local Off messages when their power is switched on. If you
turn on the power in the order of the DP-900 → MT series,
Local Off will be set automatically.
connected MIDI device.
7. Use a connected MIDI sequencer to save the
data on a floppy disk or other media.
36
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Troubleshooting
If you think there’s a problem, read this first.
Case
Cause/Remedy
Song doesn’t
Are the indicator for the Track buttons
([1] and [2] buttons) extinguished? (p.
25)
If the button indicator is out, the music
on that track is not heard. Press the track
button so the indicator is illuminated.
Case
Cause/Remedy
play back/ Only
the sound of a
ment in a song
does not play
The power
doesn’t come on
Is the power cord connected and
plugged in correctly? (p. 11)
The button
doesn’t work
Is the tone or panel locked? (p. 33)
Turn the power off, then back on.
No sound is
heard
Is the volume level of the DP-900
turned all the way down? (p. 14)
Can’t record
Has one of the track buttons for re-
cording been selected? (p. 28–p. 29)
Has a plug remained connected to the
Phones jack?
Tempo of record-
ed song or metro-
nome is off
If you select an internal song in which
the tempo changes during the song,
and then record, the tempo will
When headphones are connected, the
keyboard’s speaker stops playing.
change in the same way for the perfor-
mances. The tempo of the metronome
will also change in the same way.
Is Local Off selected? (p. 36)
Set Local Control to “ON”.
If you record additional material with-
out erasing the previously recorded
song, the song will be recorded at the
first-recorded tempo. Please erase the
previously recorded song before you
re-record (p. 30).
No sound is
Have all devices been switched on?
heard (when a
MIDI instrument
is connected)
Are the MIDI cables connected cor-
rectly?
nected instrument? (p. 35)
The metronome
sound doesn’t
change
When an internal song is played back,
the metronome sounds the ordinary
metronome sound.
Sounds are heard
twice (doubled)
when the key-
Is the DP-900 in Dual play? (p. 17)
When the DP-900 is connected to an
external sequencer, set it to the Local
OFF mode (p. 36).
Alternatively, the sequencer could be
set so its MIDI Thru feature is OFF.
board is played
When a recorded performance is
played back, the metronome sounds
the sound that was selected when the
recording was made.
The tone has
changed in the
Split or Dual play
If you use Dual play or Split play with
a Tone button for which tone number
3 or 4 is selected, tone number 1 will be
The recorded per-
disappeared
Any performance that has been re-
corded is deleted when the power to
the DP-900 is turned off. A perfor-
mance cannot be restored once it’s
Some tones assign the tone that had
been selected before you pressed the
[Split] button to the left hand area of
the keyboard. Please refer to “Tone
List” (p. 40).
Depressing a
pedal has no ef-
fect, or the pedal
effect doesn’t
Is the pedal connected correctly?
Make sure the pedal cord extending
from the stand is securely connected to
the pedal jack on the rear of the unit (p.
12).
Tone doesn’t
change
Is the tone or panel locked? (p. 33)
Turn the power off, then back on.
Reverberation
still audible even
with Reverb
Since the DP-900’s piano sounds faith-
fully reproduce the sense of spacious-
ness and reverberation of an actual
acoustic piano’s sound, a certain
amount of reverberation is still percep-
tible, even with the reverb effect deac-
tivated.
Are the indicators for the [Metronome]
and [Beat] buttons flashing?
Setting of functions is in progress.
Press the [Metronome] or [Beat] but-
ton to exit function mode (p. 31, p. 35).
turned off
Not all played
notes are sound-
ed
The maximum number of notes that the
DP-900 can play simultaneously is 64.
Frequent use of the damper pedal
when playing along with a song may
result in performance data with too
drop out.
The sound is dis-
torted
The sound may distort if the volume is
turned up too much. Adjust the vol-
ume with the [Volume] knob (p. 14).
Also, with certain tones the sound can
seem to be distorted.
The tuning or
pitch of the key-
board or song is
off
Are the settings for the “Tempera-
ment” and “Stretch Tuning” correct?
(p. 32)
Is the setting for the “Master Tuning”
correct? (p. 31)
37
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Troubleshooting
Case
Cause/Remedy
Case
Cause/Remedy
In the upper
On an acoustic piano, notes in the up-
per one and a half octaves of the key-
board continue to sound until they
decay naturally, regardless of the
damper pedal. There is a difference in
the timbre as well. Roland pianos
faithfully simulate such characteristics
of the acoustic piano. On the DP-900,
the range that is unaffected by the
damper pedal will change depending
on the Key Transpose setting.
The bass range
sounds odd, or
there is a vibrat-
ing resonance
If you can’t hear the problem in the
headphones:
range, the sound
changes abrupt-
ly beyond a cer-
tain key
Playing at loud volumes may
cause instruments near the DP-900
to resonate.
Resonation can also occur with
fluorescent light tubes, glass
doors, and other objects. In partic-
ular, this problem occurs more
easily when the bass component is
increased, and when the sound is
played at higher volumes. Use the
following measures to suppress
such resonance.
• Place speakers so they are 10–15
cm from walls and other surfaces.
• Reduce the volume.
• Move the speakers away from any
resonating objects.
A High-pitched
whine is pro-
duced
When listening through headphones:
Some of the more flamboyant and
effervescent piano tones feature an
ample high-end component,
which may make the sound ap-
pear to have metallic reverbera-
tion added. Since this
reverberation becomes particular-
ly audible when supplemented by
heavy reverb, you may be able to
diminish the problem by reducing
the amount of reverb applied to
the sound.
When listening through headphones:
Here, a different cause (such as
resonance produced by the DP-
900) would be suspect. Consult
your Roland dealer or nearest Ro-
land Service Center.
If you can’t hear the problem in the
headphones:
The volume level
of the instrument
connected to In-
put jacks is too
low
Could you be using a connection cable
that contains a resistor?
Use a connection cable that does not
contain a resistor.
Here, a different cause (such as
resonance produced by the DP-
900) would be suspect. Consult
your Roland dealer or nearest Ro-
land Service Center.
926b
38
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Display
Meaning
USr
USr.
d.
User. Stores recorded performances (p. 27).
Internal song number (p. 15).
t.
Metronome sound number (p. 21).
PU
This appears when a song with a pickup (a song that does not start on the first beat) is played
back.
dEL
E.32
E.41
This appears when you attempt to delete a recorded song (p. 26, p. 30).
The amount of performance information is too large, and further recording is not possible.
A problem such as a loose MIDI cable occurred. Make sure the MIDI cables are correctly
hooked up.
*
Error messages are indicated by an “E.” before the number. Press any button, and you can cancel the error message.
39
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Tone List
[Split] Off
[Split] On
[Variation]
Button name
Tone
[Variation] Dark
[Variation] Red
[Variation] Green
Grand Piano1
/Acoustic Bass &
Cymbal
Grand Piano1
/Acoustic Bass
Grand Piano1
/Strings
Dark
Red
Grand Piano1
Grand Piano2
/Acoustic Bass &
Cymbal
Grand Piano2
/Acoustic Bass
Grand Piano2
/Strings
[Piano]
Grand Piano2
Green
Piano + Strings
Piano + Choir
Orange
Electric Piano1
/Electric Bass
Electric Piano1
/Acoustic Bass
Electric Piano1
/Strings
Dark
Red
Electric Piano1
Electric Piano2
Electric Piano2
/Electric Bass
Electric Piano2
/Acoustic Bass
Electric Piano2
/Strings
[E. Piano]
Green
Vibraphone
Orange
Electric Piano+Choir
Harpsichord
/Strings
Harpsichord
/Organ Flute
Harpsichord
Dark
Red
Harpsichord
Organ Flute
/Acoustic Bass
Organ Flute
/Organ Bass
Organ Flute
/Strings
Organ Flute
/Choir
[Harpsi-
chord]
Green
Harpsichord + Strings
Harpsichord + Choir
Orange
Church Organ
/Organ Bass
Church Organ
/Strings
Church Organ
/Choir
Dark
Red
Church Organ
Rotary Organ
Rotary Organ
/Lower Organ
Rotary Organ
/Electric Bass
Jazz Organ
[Organ]
[Strings]
/Rotary Organ
Green
Organ + Strings
Organ + Choir
Orange
Strings
Strings
/Choir
Oboe
Dark
Red
Strings
/Pizzicato
/Strings
Slow Strings
/Pizzicato
Slow Strings
/Choir
Flute
Slow Strings
/Slow Strings
Green
Strings + Choir
Strings + Brass
Orange
*
A+B: simultaneously playing two tones
You can change the volume balance between the two tones, refer to “Adjusting the Volume Balance in Dual Play” (p. 17).
A/B: A, the right-hand tone; and B, the left-hand tone in Split play
40
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Internal Song List
Song
No.
Song Name
Composer
Copyright
d. 1
1ére Arabesque
C. Debussy
© 1995 Roland Corporation
© 2002 Roland Corporation
d. 2
Late Night Chopin
F. Chopin/
Arranged by John Maul
d. 3
Sonate für Klavier No. 15
Fly Free
W. A. Mozart
J. Maul
© 1996 Roland Corporation
© 1998 Roland Corporation
© 2001 Roland Corporation
© 2001 Roland Corporation
© 1997 Roland Corporation
© 2001 Roland Corporation
© 1995 Roland Corporation
© 2001 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1995 Roland Corporation
© 1997 Roland Corporation
© 1995 Roland Corporation
© 1998 Roland Corporation
© 2001 Roland Corporation
© 1995 Roland Corporation
© 1995 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
d. 4
d. 5
Liebesträume III
Étude, op.10-3
F. Liszt
d. 6
F. Chopin
d. 7
Je te veux
E. Satie
d. 8
Valse, op.64-1
F. Chopin
d. 9
Golliwog’s Cake walk
Fantaisie-Impromptu
An der schönen, blauen Donau
Auf Flügeln des Gesanges
Mazurka No.5
C. Debussy
F. Chopin
d. 10
d. 11
d. 12
d. 13
d. 14
d. 15
d. 16
d. 17
d. 18
d. 19
d. 20
d. 21
d. 22
d. 23
d. 24
d. 25
d. 26
d. 27
d. 28
d. 29
d. 30
d. 31
d. 32
d. 33
d. 34
d. 35
d. 36
d. 37
J. Strauss
F. Mendelsshon
F. Chopin
1ère Gymnopédie
Étude, op.25-1
E. Satie
F. Chopin
Clair de Lune
C. Debussy
F. Chopin
Étude, op.10-5
Doctor Gradus ad Parnassum
Grande Valse Brillante
La prière d’une Vierge
Course en Troïka
To The Spring
C. Debussy
F. Chopin
T. Badarzewska
P. Tchaikovsky
E. Grieg
Valse, op.64-2
F. Chopin
Radetzky Marsch
Träumerei
J. Strauss
R. Schumann
F. Schubert
F. Chopin
Moments Musicaux III
Prélude, op.28-15
The harmonious blacksmith
Ungarische Tänze V
Türkischer Marsch (Beethoven)
Nocturne No.2
G. Handel
J. Brahms
L. v. Beethoven
F. Chopin
Frühlingslied
F. Mendelsshon
J. S. Bach
Präludium
Jägerlied
F. Mendelsshon
M. Ravel
Menuet Antique
Für Elise
L. v. Beethoven
W. A. Mozart
Türkischer Marsch (Mozart)
41
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Internal Song List
Song
No.
Song Name
Composer
Copyright
d. 38
d. 39
d. 40
d. 41
d. 42
d. 43
d. 44
d. 45
d. 46
d. 47
d. 48
d. 49
d. 50
d. 51
d. 52
d. 53
d. 54
d. 55
d. 56
d. 57
d. 58
d. 59
d. 60
d. 61
d. 62
d. 63
Ständchen
F. Schubert
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1992 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
Humoreske
Blumenlied
Alpenglöckchen
A. Dvorjak
G. Lange
T. Oesten
Menuett G dur (Beethoven)
Venezianisches Gondellied
Alpenabendröte
L. v. Beethoven
F. Mendelsshon
T. Oesten
Farewell to the Piano
Brautchor
L. v. Beethoven
W. Wagner
W. Anderson
C. Czerny
Battle of Waterloo
Wiener Marsch
Le Coucou
L. C. Daquin
J. S. Bach
Menuett G dur (Bach)
Spinnerlied
A. Ellmenreich
F. Gossec
Gavotte
Heidenröslein
G. Lange
Zigeuner Tanz
H. Lichner
G. Marie
La Cinquantaine
Csikos Post
H. Necke
Dolly’s Dreaming Awakening
La Violette
T. Oesten
L. Streabbog
R. Schumann
M. Clementi
F. Kuhlau
Fröhlicher Landmann
Sonatine op.36-1 (Clementi)
Sonatine op.20-1 (Kuhlau)
Sonatine No.5 (Beethoven)
L. v. Beethoven
Hungarian Rag: Hungarian Dance No. 5
Ragtime Arrangement For Solo Piano
J. Brahms/
Arranged by John Maul
© 1996 Roland Corporation
© 1998 Roland Corporation
© 2000 Roland Corporation
d. 64
d. 65
Paganoogie Variation:
Jazz Variation Based on “Caprice No. 24 in A Minor”
N. Paganini/
Arranged by John Maul
L’éveil del l’amour
Masashi &
Kazuko Hirashita
981a
*
All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.
42
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Easy Operation List
3
4
7
1
2
5
6
2
1
1
3
2
4
No.
You want to
Buttons
Page
Press the [Metronome] and [Beat] buttons simultaneously, and press the [●] button.
p. 31
[Metronome]+ [Beat] → [Piano]
Master Tuning
1
2
3
4
p. 32
Selecting a temperament
Specifying the keynote
[Metronome] + [Beat] → [E. Piano]
→ [E. Piano] + key
[Metronome] + [Beat] → [Harpsichord]
p. 32
p. 33
Stretch tuning
Applying the damper pedal to the left-hand
keyboard area
[Metronome] + [Beat] → [Organ]
[Metronome] + [Beat] → [Strings]
[Metronome] + [Beat] → [Variation]
[Metronome]+ [Beat] → [Play]
p. 35
p. 36
p. 36
MIDI send channel settings
Local Control
5
6
7
Transmitting a recorded performance
Press the [ ] button, and press the [-] or [+] button.
[Beat] → [-] [+]
[Transpose] + [Split] → [-][+]
p. 20
p. 17
Beat of metronome
Dual Balance
1
2
Hold down the [ ] button and press the [-] or [+] button.
[Metronome] + [-] [+]
p. 20
p. 21
Metronome volume
Metronome sound
1
2
[Beat] + [-] [+]
[Reverb] + [-] [+]
p. 21
p. 31
Depth of the Reverb effect
3
4
[Reverb] + [Split] + [-] [+]
Damper pedal’s resonance level
Hold down the [Split] or [Transpose] button and press the key.
[Split] + key
p. 19
p. 22
Split Point
[Transpose] + key
Key Transpose
43
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MIDI Implementation Chart
MIDI Implementation Chart
Digital Piano
Date : Sep. 1, 2003
Version : 1.00
Model DP-900
MIDI Implementation Chart
Transmitted
Recognized
Remarks
Function...
Basic
Channel
Default
Changed
1
1
1–16
1–16
Default
Messages
Altered
Mode 3
x
Mode 3
Mode
**************
Note
Number :
15–113
**************
0–127
15–113
True Voice
Note ON
Note OFF
O
x
O
x
Velocity
8n v=64
After
Touch
Key’s
Ch’s
x
x
x
x
Pitch Bend
x
x
6, 38
O
x
x
O
x
O
O
O
O
Data entry
Volume
Expression
Hold 1
Sostenuto
Soft
7
11
64
66
67
O
O
O
O
O
O
O
*1
*1
*1
*1
*1
Control
Change
91
Effect 1 (Reverb)
RPN LSB, MSB
100, 101
Prog
Change
O (0...117)
**************
O (0–127)
0...119
: True Number
System Exclusive
O
O
: Song Pos
: Song Sel
: Tune
x
x
x
x
x
x
System
Common
System
Real Time
: Clock
: Commands
x
x
x
x
x
x
x
x
O
x
x
: All sound off
O
:
Reset all controllers
Aux
Message
O
: Local Control
: All Notes OFF
: Active Sense
: Reset
O (123–127)
O
x
Notes
Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
O : Yes
X : No
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO
44
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Main Specifications
Keyboard
Keyboard
88 keys (Progressive Hammer-Action keyboard)
Light, Medium, Heavy, Fixed
Touch Sensitivity
Keyboard Modes
Sound Generator
Max. Polyphony
Tones
Whole, Dual (volume balance adjustable), Split (split point adjustable)
64 voices
5 groups 20 variations
Temperament
Stretched Tuning
Master Tuning
Transpose
Effects
7 types, selectable tonic
2 types
415.3 Hz–466.2 Hz (adjustable in increments of 0.1 Hz)
Key Transpose (-6– +5 in units of semitones)
Reverb (8 levels), Chorus (for E. Piano only), Sympathetic Resonance (for Piano only, 8 levels)
Metronome
Beat
2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8
8 levels
Volume
Recorder
Tracks
2 tracks
Song
1 song
Note Storage
Tempo
Approx. 5,000 notes
Quarter note = 20–250
Resolution
Control
96 ticks per quarter note
Play/Stop, Rec, Tempo, All Song Play, Track Select
65 songs
Preset Songs
Others
Rated Power Output
Speakers
7 W x 2
12 cm x 2
Display
7 segment, 3 characters (LED)
Volume, Brilliance (3 levels)
Damper, Soft
Control
Pedals
Other Functions
Connectors
Tone Lock, Panel Lock
Output jacks (L/Mono, R), Input jacks (L/Mono, R), Headphones jack x 2 (Stereo),
MIDI In/MIDI Out connectors, Pedal jack
Power Supply
DC 9 V (AC Adaptor)
23 W
Power Consumption
Dimensions
(lid close)
(including piano stand)
1,398 (W) x 344 (D) x 781 (H) mm
55-1/16 (W) x 13-9/16 (D) x 30-3/4 (H) inches
(lid open)
1,398 (W) x 339 (D) x 974 (H) mm
55-1/16 (W) x 13-3/8 (D) x 38-3/8 (H) inches
Weights
43.5 kg/ 95 lbs 15 oz
(including piano stand)
Accessories
Owner's Manual, AC Adaptor, Power cord
962a
*
In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
45
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A
P
AC Adaptor ........................................................ 11
Assemble ............................................................... 6
Audio Equipment .............................................. 34
Play
All Songs Continuously .............................. 15
B
Beat ...................................................................... 20
C
Along with a Song ....................................... 28
D
Dual Play ............................................................. 17
S
E
Split ...................................................................... 18
Split Play ............................................................. 18
Effects .................................................................. 21
Erase ..................................................................... 30
H
Headphones ........................................................ 12
I
Internal Songs ............................................... 15, 24
T
Tone button ........................................................ 16
K
Key Touch ........................................................... 23
L
M
MIDI ..................................................................... 35
MIDI Channel ..................................................... 35
MIDI Devices ...................................................... 34
MIDI Send Channel ........................................... 35
Music rest ............................................................ 13
Variation tones ................................................... 16
46
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For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
For EU Countries
This product complies with the requirements of European Directive 89/336/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
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Information
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
PHILIPPINES
COSTA RICA
TRINIDAD
ITALY
ISRAEL
AFRICA
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
JUAN Bansbach Instrumentos
AMR Ltd
Roland Italy S. p. A.
Halilit P. Greenspoon & Sons
Ground Floor
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
Musicales
Ltd.
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868)638 6385
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
8 Retzif Ha'aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
TEL: (02) 899 9801
NORWAY
Roland Scandinavia Avd.
Kontor Norge
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
SINGAPORE
Swee Lee Company
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
URUGUAY
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
CURACAO
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland Antilles
TEL:(305)5926866
JORDAN
AMMAN Trading Agency
245 Prince Mohammad St.,
Amman 1118, JORDAN
TEL: (06) 464-1200
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
TEL: 2273 0074
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Abdullah Salem Street,
Safat, KUWAIT
TEL: 243-6399
CRISTOFORI MUSIC PTE LTD
Blk 3014, Bedok Industrial Park E,
#02-2148, SINGAPORE 489980
TEL: 6243-9555
POLAND
MX MUSIC SP.Z.O.O.
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
REUNION ISLAND
TEL: (0262) 218-429
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
SOUTH AFRICA
That Other Music Shop(PTY)Ltd.
11 Melle St., Braamfontein,
Johannesbourg,
SOUTH AFRICA
TEL: (011) 403 4105
import
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
LEBANON
Chahine S.A.L.
Gerge Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 16-
5857
Beirut, LEBANON
TEL: (01) 20-1441
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TEL: (02) 2561 3339
FAX: (011) 403 1234
TEL:(593-4)2302364
EUROPE
THAILAND
Paul Bothner(PTY)Ltd.
17 Werdmuller Centre,
Main Road, Claremont 7708
SOUTH AFRICA
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
Theera Music Co. , Ltd.
330 Verng NakornKasem, Soi 2,
Bangkok 10100, THAILAND
TEL: (02) 2248821
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
QATAR
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
TEL: (021) 674 4030
Austrian Office
VIETNAM
Saigon Music
Suite DP-8
40 Ba Huyen Thanh Quan Street
Hochiminh City, VIETNAM
TEL: (08) 930-1969
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
TEL: (266) 364 609
TEL: 4423-554
TEL: 262-0788
ASIA
RUSSIA
MuTek
3-Bogatyrskaya Str. 1.k.l
107 564 Moscow, RUSSIA
TEL: (095) 169 5043
SAUDI ARABIA
aDawliah Universal
Electronics APL
Corniche Road, Aldossary
Bldg., 1st Floor, Alkhobar,
SAUDI ARABIA
GUATEMALA
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
SPAIN
TEL:(502) 599-2888
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 308 10 00
AUSTRALIA/
NEW ZEALAND
AUSTRALIA/
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
TEL: (014) 575811
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 Anhuaxili
Chaoyang District, Beijing
100011 CHINA
CZECH REP.
K-AUDIO
Kardasovska 626.
CZ-198 00 Praha 9,
CZECH REP.
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
TEL: (2) 666 10529
TEL: (010) 6426-5050
DENMARK
TEL: (011) 223-5384
Roland Shanghai Electronics
Co.,Ltd.
(GUANGZHOU OFFICE)
2/F., No.30 Si You Nan Er Jie
Yi Xiang, Wu Yang Xin Cheng,
Guangzhou 510600, CHINA
TEL: (020) 8736-0428
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
TURKEY
Ant Muzik Aletleri Ithalat Ve
Ihracat Ltd Sti
Siraselviler Caddesi
Siraselviler Pasaji No:74/20
Taksim - Istanbul, TURKEY
TEL: (0212) 2449624
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
TEL: 3916 6200
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
UKRAINE
TIC-TAC
Mira Str. 19/108
P.O. Box 180
295400 Munkachevo,
UKRAINE
TEL: (03131) 414-40
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
CENTRAL/LATIN
AMERICA
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai,
U.A.E.
MEXICO
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
TEL: 2415 0911
TEL: (55) 5668-6699
UNITED KINGDOM
TEL: (04) 3360715
Parsons Music Ltd.
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
NORTH AMERICA
BARBADOS
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
GREECE
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
UNITED KINGDOM
TEL: (01792) 702701
CANADA
Roland Canada Music Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
TEL: (505)277-2557
BRAZIL
Roland Brasil Ltda
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
MIDDLE EAST
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
HUNGARY
BAHRAIN
Moon Stores
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
TEL: 211 005
TEL: (604) 270 6626
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
INDONESIA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
Roland Canada Music Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
TEL: 315-0101
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
TEL: (23) 511011
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
CYPRUS
Radex Sound Equipment Ltd.
17, Diagorou Street, Nicosia,
CYPRUS
TEL: (905) 362 9707
KOREA
U. S. A.
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
TEL: (022) 66-9426
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
IRAN
MOCO, INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
TEL: (323) 890 3700
MALAYSIA
BENTLEY MUSIC SDN BHD
140 & 142, Jalan Bukit Bintang
55100 Kuala
Lumpur,MALAYSIA
TEL: (03) 2144-3333
TEL: (574)3812529
Lima - Peru
TEL: (511) 4461388
TEL: (021) 285-4169
As of August 20, 2004 (ROLAND)
03348278
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