32-2003.fm Page 1 Tuesday, March 28, 2000 10:45 AM
MPA-125 100-Watt PA Amplifier
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ˆ Features
Master Volume Control
the overall sound level.
Your RadioShack MPA-125 100-Watt PA
Amplifier gives you the versatility and power
you need in a professional sound system. Its
wide frequency response easily handles am-
plification of voice and music. Use it in meet-
ing halls and auditoriums, at sports events, in
schools, and in the office for paging systems
– anywhere you need to deliver special an-
nouncements with excellent sound.
— lets you adjust
EQ IN/OUT Switch
— lets you connect and
use an equalizer with the amplifier.
Push-Terminal Connectors
ly connect wires directly to the amplifier.
— let you easi-
Five Individual Source Mixing Controls
—
let you mix connected sound sources individ-
ually or all at the same time.
Your amplifier includes these features:
100-Watt Output
output for many types of sound installations.
— provides powerful audio
Feedback Filter
feedback.
— lets you control audio
60–25000 Hz Frequency Response
vides wide-ranging response for true audio
reproduction.
— pro-
Read this manual carefully. It describes vari-
ous speaker connections to help you select
the best arrangement for your amplifier and
connected equipment, and explains how to
use the amplifier.
Lighted VU Meter
— measures the amplifi-
er’s output in decibels.
Two Mounting Options
the amplifier in a standard-sized audio equip-
ment rack or on a desk, shelf, or table.
— you can mount
WARNING:
ard, do not expose this product to rain or moisture.
To reduce the risk of fire or shock haz-
Clipping Indicator
— lights when a sound
CAUTION
source signal exceeds its mixing control set-
ting.
RISK OF ELECTRIC SHOCK.
!
DO NOT OPEN.
CAUTION:
TO REDUCE THE RISK OF
Overload Protection
— automatically inter-
ELECTRIC SHOCK, DO NOT REMOVE
COVER OR BACK. NO USER-SERVICEABLE
PARTS INSIDE. REFER SERVICING TO
QUALIFIED PERSONNEL.
rupts the amplifier’s power and lights an indi-
cator if the amplifier gets too hot due to
power overload.
Four Microphone Input Jacks
connect up to four balanced or unbalanced
microphones to the amplifier.
— you can
This symbol is intended to alert you to
the presence of uninsulated danger-
ous voltage within the product’s enclo-
sure that might be of sufficient
magnitude to constitute a risk of elec-
tric shock. Do not open the product’s
case.
CD/Auxiliary Input Jack
— you can connect
a variety of audio input sources for music
and special effects.
This symbol is intended to inform you
that important operating and mainte-
nance instructions are included in the
Phones Jack
phones so you can hear the mixed audio in
privacy.
— you can connect head-
!
literature accompanying this product.
3
Features
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ˆ Preparation
PRESETTING THE CONTROLS
Before you begin making connections or using your amplifier, preset the audio input source’s
and the amplifier’s controls to avoid over-driving a channel or producing sudden unexpected
loud sounds.
Presetting Audio Input Devices
Set the audio input sources’ controls to these levels:
Audio Device
Control
Setting
Turntable
Tape Deck
Power
Power
Off
Off
CD Player
Power
Off
Amplifier/Receiver
Power Tone
Off Flat
Presetting the Amplifier
Warning:
To prevent possible hearing loss, set the amplifier’s controls to the settings shown
below. After you turn on the amplifier or change the program source, adjust the controls to a
comfortable listening level.
Set the amplifier’s controls to these levels:
Control
POWER
Setting
Out
MIN
MIN
MIC 1 MIC 2 MIC 3 MIC 4/PHONO CD AUX
,
,
,
,
MASTER VOLUME
MIC 1
MIC 3
MIC 2
MIC 4/PHONO
MASTER VOLUME
POWER
CD/AUX
4
Preparation
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MOUNTING THE AMPLIFIER
PLACING THE SPEAKERS
You can mount the amplifier in a standard-
sized audio equipment rack or on a desk,
shelf, or table. Be sure you place it in a loca-
tion with adequate ventilation. Do not put it
on thick carpeting (which can restrict air flow)
or near a heat source such as a heat vent or
radiator (which can cause it to overheat).
Speaker placement depends on your room’s
size and arrangement. We recommend you
play a wide-range recording and experiment
with speaker placement until you find the lo-
cations that result in the best sound. For the
best results, point the speakers in toward the
listeners, especially if you place speakers far
apart so their coverage areas overlap to pre-
vent dead spots (areas not covered by the
speakers’ sound). Position the speakers
slightly above the level of the listeners’
heads (see “Connecting the Speakers” on
Page 8).
ˆ Connections
CONNECTING INPUT SOURCES
You can connect optional components such as microphones, a tuner, a turntable, or a CD play-
er to your amplifier to expand your audio system. To prevent hum and other noise, use low-ca-
pacitance shielded cable. Your local RadioShack store carries a wide selection of audio
components and cable.
POWER
Before you make any connections, be sure
AC power cord is not plugged in.
on the front of the amplifier is out and the
Connecting Microphones
You can connect up to four high- or low-impedance microphones to the microphone inputs on
MIC 1 MIC 2 MIC 3
MIC 4
) has a balanced
the back of the amplifier. Each input (labeled
,
,
, and
and unbalanced jack. You need a microphone cord with a 1/4-inch (6.35-mm) plug to connect to
an unbalanced jack or a microphone cord with a 3-pin XLR plug to connect to a balanced jack.
1
/
4
-Inch Plug
MIC 4
MIC 3 MIC 2
MIC 1
3-Pin XLR Plug
MIC 4 MIC 3 MIC 2
MIC 1
5
Connections
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Notes:
• If your microphone’s cord is longer than 20 feet (6.01 meters), we recommend that you
connect it to a balanced jack to reduce signal hum.
MIC 1 MIC 2 MIC 3
MIC 4
, the microphone
• If you connect a microphone to both jacks for
,
,
, or
you connect to the unbalanced jack has priority.
MIC 4
PHONO/MIC 4
on the back of the
• If you connect a microphone to either
jack, set
MIC 4
amplifier to
.
Connecting a Turntable
Turntable
GND
PHONE/MIC 4
You can connect a low-level audio input source (such as a magnetic cartridge turntable) to the
L PHONO
R PHONO
jacks on the back of the amplifier.
and
PHONO
PHONO/MIC 4
on the back
If you connect a low-level audio input source to the
jacks, set
PHONO
of the amplifier to
.
To avoid a low-frequency hum, connect your turntable’s ground wire (usually black or green) to
GND
the amplifier’s
terminal.
6
Connections
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Connecting an Auxiliary Sound Source
You can connect any high-level sound source, such as a CD player, tape deck, or tuner, to the
CD/AUX
jack on the back of the amplifier.
CD/AUX
Connecting the MIX BUS Jack
You can connect another MPA-125 to this jack to double the size of your PA system. This lets
you use up to eight microphones (or six microphones and two turntables), and two auxiliary
sound sources.
MIX
Use a shielded cable with phono plugs at each end, and connect the cable between the
BUS
jacks on the back of the two amplifiers. For the best results, do not use a cable longer than
6 feet.
MIX BUS Jack
Connecting an Equalizer
EQ IN
EQ OUT
jacks
You can connect an equalizer or other external signal processor to the
on the back of the amplifier.
and
EQ IN/OUT
Note:
EQ OUT
jack for recording.
You can also connect a tape deck to the
7
Connections
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Determine the total impedance of
speakers you want to connect in series
by adding up the individual impedances
of all the connected speakers. For
example, if you want to connect two 8-
ohm speakers in series, add 8 (the
impedance of one speaker) plus 8 (the
impedance of the other speaker) for a
total speaker impedance of 16 ohms
(see “Connecting Two Speakers In
Series” on Page 9).
CONNECTING THE
SPEAKERS
You can connect one or more 4-, 8- or 16-
ohm speakers to the amplifier, with or with-
out transformers. To ensure equal volume
from each speaker, all connected speakers
should have the same impedance rating.
Proper phasing is important when you use
more than one speaker in the same room or
area. Out-of-phase speakers can lose up to
one-half of their potential volume, and can
have a significantly decreased bass effect.
• Speakers are connected in parallel
when all the speakers’ negative termi-
nals are connected together and all their
positive terminals are connected
together.
Most speaker terminals are color-coded or
have a mark that indicates the terminal’s po-
larity. Usually, terminals with positive polarity
are red or have a plus symbol (+), and termi-
nals with negative polarity are black or have
a minus symbol (–). Phasing is correct when
you connect + to + and – to –.
Determine the total impedance of
speakers you want to connect in parallel
by dividing the impedance of one
speaker by the number of speakers. For
example, if you plan to connect two 8-
ohm speakers in parallel, divide 8 (the
impedance of one speaker) by 2 (the
number of speakers) for a total speaker
impedance of 4 ohms (see “Connecting
Two Speakers In Parallel” on Page 10).
Determining Total Speaker
Impedance
Before you connect speakers to the amplifi-
er, you must determine the total speaker im-
pedance.
• If you are connecting more than two
speakers using only series or only paral-
lel connections, the total impedance
might exceed the amplifier’s maximum
impedance (16 ohms) or fall below its
minimum impedance (4 ohms).
Caution:
A total speaker impedance higher
than 16 ohms or lower than 4 ohms can
damage your amplifier or speakers.
In determining the total speaker impedance,
you must first determine if you are connect-
ing the speakers in series, parallel, or a se-
ries/parallel combination.
For example, if you connect four 8-ohm
speakers:
• In series, the total impedance is 32
ohms (8 + 8 + 8 + 8 = 32). This
exceeds the maximum rating.
Note:
For the best results when connecting
speakers (in series or parallel), only use
speakers that have the same impedance.
• In parallel, the total impedance is 2
ohms (8 divided by 4 = 2). This falls
below the minimum rating.
• Speakers are connected in series when
the first speaker’s positive terminal is
connected to the next speaker’s nega-
tive terminal.
8
Connections
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32-2003.fm Page 9 Tuesday, March 28, 2000 10:45 AM
You can achieve a proper total impedance
by combining series and parallel connec-
tions.
Connecting Only One Speaker
Connect the speaker’s negative (–) terminal
COM
to
(common) on the back of the amplifi-
er. Then connect the speaker’s positive (+)
Preparing the Speaker Wire
4
8
terminal to the speaker terminal ( Ω, Ω, or
16
Ω) on the back of the amplifier that match-
Use the shortest length of wire possible to
connect the speakers. After placing the
speakers, use this table to determine the
wire length and choose the appropriate
gauge size:
es the speaker’s impedance.
Wire Length
Wire Gauge
25 feet or less
Over 25 feet
18 gauge
16 gauge
8
Speaker
Ω
Note:
If you connect speakers without trans-
formers, the speaker wire should be no long-
er than 50 feet (see “Connecting Speakers
with Transformers” on Page 11).
Connecting Two Speakers In
Series
Follow these steps to connect speakers in
series.
To prepare the speaker wire, remove about 1
inch of insulation from the end of the speaker
wire you are connecting to the amplifier.
Then twist the exposed wire to secure all of
the wire strands.
To connect speaker wire to the amplifier,
press the push terminal lever on the amplifier
for the connector you want, insert the end of
the wire into the terminal’s hole, then release
the lever to secure the wire.
Left Speaker
Right Speaker
1. Connect the left speaker’s positive (+)
terminal to the right speaker’s negative
(–) terminal.
2. Connect the left speaker’s negative (–)
Terminal Levers
terminal to
amplifier.
COM
on the back of the
3. Connect the right speaker’s positive (+)
4
terminals to the speaker terminal ( Ω,
16
8
Ω, or Ω) on the back of the amplifier
that matches the total speaker imped-
ance.
9
Connections
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Connecting Two Speakers In Parallel
Follow these steps to connect speakers in parallel.
Two 8 Speakers
Ω
8
Ω
___________
2 Speakers
= 4
Ω
8
Ω
8
Ω
Speaker 1
Speaker 2
1. Connect both speaker’s negative (–) terminals to each other, then connect both wires to
COM
the
terminal on the back of the amplifier.
2. Connect both speaker’s positive (+) terminals to each other, then connect both wires to the
4
8
16
speaker terminal ( Ω, Ω, or Ω) on the back of the amplifier that matches the total
speaker impedance.
Connecting Four Speakers In Series/Parallel Combination
Follow these steps to combine series and parallel connections.
8
Ω
8
Ω
of 1 Pair
No. of Pairs
Ω
= Total
Ω
16W
2
8
Ω
8
Ω
= 8
Ω
1. Group the four speakers into two pairs.
2. Connect each pair of speakers in series. If you connected 8-ohm speakers, the total
impedance of each pair is 16 ohms (8 + 8 = 16).
10
Connections
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3. Connect the two pairs of speakers in
parallel. If you connected 8 ohm speak-
ers the total impedance of both pairs is 8
ohms (16 ÷ 2 = 8).
Line transformers have several connectors
called taps.
Note:
If each of the four speakers is 8
ohms, the total speaker impedance of
the combined series/parallel connection
described above is also 8 ohms. Like-
wise, the total speaker impedance is 4
or 16 ohms if the speakers are 4 or 16
ohms, respectively.
Taps
4. Connect the speakers’ negative (–) ter-
The primary taps (on one side of the trans-
former) are the inputs and are rated in watts.
The secondary taps (on the opposite side of
the transformer) are the outputs and are rat-
ed in ohms.
COM
minals to the
of the amplifier.
terminal on the back
5. Connect the speaker’s positive (+) ter-
4
8
minals to the speaker terminal ( Ω, Ω,
16
or Ω) on the back of the amplifier that
matches the total speaker impedance as
calculated in Step 3.
Primary
Taps
Secondary
Taps
Connecting Speakers with Trans-
formers
For the best results when you connect two or
more speakers to your system, use a line
transformer (not supplied) for each speaker.
Cautions:
Transformers offer these advantages:
• Before you connect the speakers, be
sure the total wattage of the primary tap
you intend to use does not exceed the
amplifier’s maximum 100-watt output
power rating.
• You can connect speakers with different
impedances without causing differ-
ences in output between the speakers.
• You can add or remove a speaker from
the system without having to recalculate
the entire system’s impedance.
70V
• Avoid multiple connections to the
RMS
COM
terminals on the back of
and
the amplifier.
• You can reduce signal loss when you
use speaker wire over 50 feet long.
11
Connections
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32-2003.fm Page 12 Tuesday, March 28, 2000 10:45 AM
Follow these steps to connect speakers using a transformer.
70V RMS
Connect a wire from
on the back of
USING YOUR AMPLIFIER
the amplifier to the transformer’s desired pri-
mary tap (10, 5, 2.5, 1.25 or 0.62 watts).
POWER
Press in
to turn on the amplifier.
Start the input sound source.
Note:
Usually, each speaker in a system
uses the same wattage tap. If you want a
particular speaker to have a higher volume
MASTER VOLUME
Rotate
to its mid-position.
70V RMS
level, connect the wire from
to a
MIC 1 MIC 2 MIC 3 MIC
One at a time, adjust
4/PHONO
, and
and balance.
,
,
,
higher wattage tap on the transformer.
CD/AUX
to the desired volume
COM
Connect a wire from
on the back of the
C
amplifier to the
(common) taps on the
Note:
these controls, turn
If you hear feedback after you adjust
transformer’s primary side.
FEEDBACK FILTER
clock-
wise until the noise disappears (see “Using
the Feedback Filter” on Page 14).
Connect a wire from the speaker’s positive
(+) terminal to the transformer’s secondary
tap that matches the speaker’s total imped-
ance (4 ohms, 8 ohms, or 16 ohms).
After you get the desired balance, adjust
MASTER VOLUME
to the desired volume lev-
el.
Connect a wire from the speaker’s negative
C
(–) terminal to the
(common) tap on the
transformer’s secondary side.
CONNECTING POWER
To connect the amplifier to power, plug its
power cord into a standard AC outlet.
Your amplifier’s fuse (located on the amplifi-
er’s back panel) protects the amplifier from
voltage surges. If the PROTECTION indica-
POWER
tor does not light when you press
(see “Using Your Amplifier” and “Safety Indi-
cators” on Page 13), check the fuse. If it is
blown, see “Replacing the Fuse” on Page 17.
12
Connections
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32-2003.fm Page 13 Tuesday, March 28, 2000 10:45 AM
SAFETY INDICATORS
Your amplifier has two indicators that warn you of potential damage to the amplifier.
CLIPPING Indicator
PROTECTION Indicator
The CLIPPING indicator lights when a sound source’s signal exceeds its mixing control setting.
MASTER VOLUME
If this happens, reduce the level of the appropriate mixing control or reduce
until the indicator flickers only at peak volume levels.
The PROTECTION indicator lights if the amplifier gets too hot because of a power overload.
The amplifier’s built-in protection circuit temporarily interrupts the amplifier’s power. If this hap-
POWER
pens, press
to turn off the amplifier, let the amplifier cool for about 15 minutes, and cor-
POWER
rect whatever caused the overload. Then press
again to turn on the amplifier.
Note:
If the power does not immediately come on, turn off the power again, wait about 5 more
POWER
minutes, then press
again.
• Do not listen at extremely high volume
levels. Extended high-volume listening
can lead to permanent hearing loss.
MONITORING THE SOUND
SOURCES
To monitor the sound sources, plug a pair of
mono or stereo headphones (not supplied)
with a 1/4-inch (6.35-mm) plug into the
• Once you set the volume, do not
increase it. Over time, your ears adapt
to the volume level, so a volume level
that does not cause discomfort might
still damage your hearing.
PHONES
jack on the front of the amplifier.
Using headphones lets you easily check and
adjust the sound source’s balance. Your lo-
cal RadioShack store carries a wide selec-
tion of headphones.
USING AN EQUALIZER
EQ/BY-
If you connected an equalizer, set
Listening Safely
PASS
EQ
.
on the back of the amplifier to
To protect your hearing, follow these guide-
lines when you use headphones.
Note:
If the equalizer has a bypass switch,
be sure it is set to OUT or turned off. Other-
wise, the equalizer has no effect on your sys-
tem’s sound.
• Set the volume to the lowest setting
before you begin listening. After you
begin listening, adjust the volume to a
comfortable level.
13
Connections
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32-2003.fm Page 14 Tuesday, March 28, 2000 10:45 AM
USING THE FEEDBACK FILTER
FEEDBACK FILTER
The
control lets you reduce or eliminate squeal and other noise caused by
feedback.
MASTER VOLUME MIC 1 MIC 2 MIC 3 MIC 4/PHONO
CD/AUX
, turn on the
After you adjust
,
,
,
,
, and
FEEDBACK FILTER
amplifier and any connected sound source. If you hear any feedback, turn
clockwise until you reduce or eliminate the feedback.
Note:
FEEDBACK FILTER
control decreases feedback frequencies by up to 12 dB. If it does
The
not eliminate the feedback, try using a frequency equalizer to further decrease the feedback
frequencies.
FEEDBACK FILTER
14
Connections
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ˆ Troubleshooting
We do not expect you to have any problems with your RadioShack MPA-125 100-Watt PA Am-
plifier, but if you do have a problem, this chart might help. If not, take the amplifier to your local
RadioShack store for assistance.
Symptom
No power.
Possible Cause
Suggestion
The fuse might be blown.
Check the amplifier’s fuse and replace it
if necessary (see “Replacing the Fuse”
on Page 17).
Sound source or speakers not con-
nected correctly.
Check all connections.
MASTER VOLUME MIC 1
MASTER VOLUME MIC 1 MIC
No sound.
Amplifier’s
,
,
Adjust
,
,
,
MIC 2 MIC 3 MIC 4/PHONO
CD/
2 MIC 3 MIC 4/PHONO
CD/AUX
,
,
, or
,
, and
.
AUX
controls set to minimum.
Sound source or speakers not con-
nected correctly.
Check all connections.
A microphone or cable might be faulty. Check all microphones and cables.
The speaker’s wiring might be shorted. Check all connections.
The speakers might be the wrong
impedance.
Make sure all connected speakers have
the same impedance rating (see “Con-
necting the Speakers” on Page 8).
The speaker’s wires might be too
small.
Make sure the speaker’s wires are 18-
gauge (for wire lengths up to 25 feet) or
16-gauge (for lengths over 25 feet). For
the best results, use the shortest length
of speaker wire possible.
The amplifier might have shut down.
Turn the amplifier off and let it cool.
Make sure the amplifier is properly venti-
lated, then turn it back on.
FEEDBACK FILTER
adjustment.
Feedback.
might need
Turn the amplifier off and let it cool.
Make sure the amplifier is properly venti-
lated, then turn it back on.
Microphones or speakers are too close Reposition the microphones and speak-
together. ers.
15
Troubleshooting
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ˆ Care and Maintenance
Your RadioShack
is an example of superior design and
MPA-125 100-Watt PA Amplifier
craftsmanship. The following suggestions will help you care for your amplifier so you can en-
joy it for years.
Keep the amplifier dry. If it gets wet, wipe it dry immediately. Liquids might con-
tain minerals that can corrode the electronic circuits.
Use and store the amplifier only in normal temperature environments. Temper-
ature extremes can shorten the life of electronic devices and distort or melt
plastic parts.
Keep the amplifier away from dust and dirt, which can cause premature wear of
parts.
Handle the amplifier gently and carefully. Dropping it can damage circuit boards
and cases and can cause the amplifier to work improperly.
Wipe the amplifier with a damp cloth occasionally to keep it looking new. Do not
use harsh chemicals, cleaning solvents, or strong detergents to clean the am-
plifier.
Modifying or tampering with the amplifier’s internal components can cause a malfunction and
might invalidate its warranty. If your amplifier is not performing as it should, take it to your lo-
cal RadioShack store for assistance.
16
Care and Maintenance
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32-2003.fm Page 17 Tuesday, March 28, 2000 10:45 AM
REPLACING THE FUSE
If the amplifier does not operate, you might
need to replace the fuse on the back of the
amplifier with the supplied (or another) 3-
amp, 250-volt fuse.
Important:
Let the amplifier cool down and
see if it starts again before you assume a
fuse needs to be replaced.
Caution:
Do not use a fuse with ratings other
than those specified. Doing so might damage
your amplifier.
1. Unplug the amplifier.
2. Use a Phillips screwdriver to remove the
fuse holder cap on the back of the ampli-
fier, then pull out the cap to remove the
fuse.
3. If the fuse is blown, replace it.
4. Insert the fuse into the fuse holder’s
socket, press the fuse holder back into
the amplifier, then use a Phillips screw-
driver to replace the fuse holder cap.
THE FCC WANTS YOU TO
KNOW
Your amplifier might cause TV or radio inter-
ference even when it is operating properly.
To determine whether your amplifier is caus-
ing the interference, turn off your amplifier. If
the interference goes away, your amplifier is
causing it. Try to eliminate the interference
by:
• moving your amplifier away from the
receiver
• contacting your local RadioShack store
for help
17
Care and Maintenance
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32-2003.fm Page 18 Tuesday, March 28, 2000 10:45 AM
ˆ Specifications
Output Power at THD 2%, 8 Ohm Load 1 kHz ................................................................................... 100 W
Total Harmonic Distortion (at 70 Watts, 8 ohms, 1 kHz, with Band Pass Filter)
MIC (Phone Jack) ....................................................................................................................... 0.25%
MIC (XLR Jack) .......................................................................................................................... 0.35%
CD/AUX ...................................................................................................................................... 0.20%
PHONO ...................................................................................................................................... 0.25%
Input Sensitivity (at 2% THD, 1 kHz)
MIC (Phone Jack) .................................................................................................................... 1.35 mV
MIC (XLR Jack) ............................................................................................................................ 1 mV
CD/AUX .................................................................................................................................... 150 mV
PHONO ..................................................................................................................................... 2.8 mV
Signal to Noise Ratio (Input Shorted) with WTD
MIC (Phone Jack) ........................................................................................................................ 60 dB
MIC (XLR Jack) ........................................................................................................................... 54 dB
CD/AUX ....................................................................................................................................... 73 dB
PHONO ....................................................................................................................................... 60 dB
Frequency Response (at 1 Watt, +/– 3 dB)
MIC (Phone Jack) ........................................................................................................... 60 Hz–20 kHz
MIC (XLR Jack) .............................................................................................................. 60 Hz–20 kHz
CD/AUX .......................................................................................................................... 60 Hz–20 kHz
PHONO (RIAA 100 Hz/10 kHz) ................................................................................. +12 dB/–12.5 dB
Notch Filter Effect
Range ............................................................................................................................. 300 Hz–3 kHz
Depth ......................................................................................................................................... –12 dB
Noise Level (Input Short) ................................................................................................................. 0.75 mV
Power Requirements ........................................................................................................... 120V AC 60 Hz
Dimensions (HWD) ....................................................................................... 43/16 × 1815/16 × 1115/16 Inches
(10.0 × 48.2 × 27.3 cm)
Weight .............................................................................................................................................. 22.3 lbs
(10.1 kg)
Specifications are typical; individual units might vary. Specifications are subject to change and improve-
ment without notice.
18
Specifications
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ˆ Notes
19
Notes
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Limited One-Year Warranty
This product is warranted by RadioShack against manufacturing defects in material and workman-
ship under normal use for one (1) year from the date of purchase from RadioShack company-owned
stores and authorized RadioShack franchisees and dealers. EXCEPT AS PROVIDED HEREIN, Ra-
dioShack MAKES NO EXPRESS WARRANTIES AND ANY IMPLIED WARRANTIES, INCLUDING
THOSE OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED
IN DURATION TO THE DURATION OF THE WRITTEN LIMITED WARRANTIES CONTAINED
HEREIN. EXCEPT AS PROVIDED HEREIN, RadioShack SHALL HAVE NO LIABILITY OR RE-
SPONSIBILITY TO CUSTOMER OR ANY OTHER PERSON OR ENTITY WITH RESPECT TO ANY
LIABILITY, LOSS OR DAMAGE CAUSED DIRECTLY OR INDIRECTLY BY USE OR PERFOR-
MANCE OF THE PRODUCT OR ARISING OUT OF ANY BREACH OF THIS WARRANTY, IN-
CLUDING, BUT NOT LIMITED TO, ANY DAMAGES RESULTING FROM INCONVENIENCE, LOSS
OF TIME, DATA, PROPERTY, REVENUE, OR PROFIT OR ANY INDIRECT, SPECIAL, INCIDEN-
TAL, OR CONSEQUENTIAL DAMAGES, EVEN IF RadioShack HAS BEEN ADVISED OF THE
POSSIBILITY OF SUCH DAMAGES.
Some states do not allow limitations on how long an implied warranty lasts or the exclusion or limita-
tion of incidental or consequential damages, so the above limitations or exclusions may not apply to
you.
In the event of a product defect during the warranty period, take the product and the RadioShack
sales receipt as proof of purchase date to any RadioShack store. RadioShack will, at its option, un-
less otherwise provided by law: (a) correct the defect by product repair without charge for parts and
labor; (b) replace the product with one of the same or similar design; or (c) refund the purchase
price. All replaced parts and products, and products on which a refund is made, become the prop-
erty of RadioShack. New or reconditioned parts and products may be used in the performance of
warranty service. Repaired or replaced parts and products are warranted for the remainder of the
original warranty period. You will be charged for repair or replacement of the product made after the
expiration of the warranty period.
This warranty does not cover: (a) damage or failure caused by or attributable to acts of God, abuse,
accident, misuse, improper or abnormal usage, failure to follow instructions, improper installation or
maintenance, alteration, lightning or other incidence of excess voltage or current; (b) any repairs
other than those provided by a RadioShack Authorized Service Facility; (c) consumables such as
fuses or batteries; (d) cosmetic damage; (e) transportation, shipping or insurance costs; or (f) costs
of product removal, installation, set-up service adjustment or reinstallation.
This warranty gives you specific legal rights, and you may also have other rights which vary from
state to state.
RadioShack Customer Relations, 200 Taylor Street, 6th Floor, Fort Worth, TX 76102
We Service What We Sell
12/99
RadioShack
A Division of Tandy Corporation
Fort Worth, Texas 76102
32-2003
03A00
Printed in China
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