Numark Industries DJ Equipment EM360 User Manual

Professional Disc Jockey Products  
EM360  
PROFESSIONAL DJ EFFECTS MIXER  
With KAOSS* Pad Multi-effects Processor  
Owner’s Manual  
*KAOSS technology under license from KORG  
©2000  
Industries  
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EM360  
EM360 PROFESSIONAL DJ EFFECTS MIXER  
With KAOSS PAD Multi-effects Processor  
CONGRATULATIONS!  
You have purchased the EM360 Stereo Effects Mixer by  
completely interactive, real-time effects processor. This one of a kind DJ product boasts all of the qualities that  
you have come to expect from a mixer plus, it features a built in KAOSS PAD*. This piece of  
. It is the first DJ mixer with a  
equipment literally puts effects processing at the DJ’s fingertips. The EM360 is easily suited for mobile or  
installation use. Special features found on this product are six line inputs, balanced outputs, and fader start.  
The fader start feature is designed to work with  
’s Fader Start CD players as well as its other popular  
CD players. The KAOSS Pad* effects processing unit lets the DJ control his choice of up to sixty effects  
programs in real-time. The effects unit allows for sampling functions, parameter controls, and MIDI  
compatibility.  
Thank you for purchasing NUMARK products!  
Mixer Features:  
KAOSS PAD* Features:  
• Six line, three phono, one mic input  
• Front panel NeutrikTM mic input with:  
Bass, Treble and Talk-over control  
• Master with Balanced outputs  
• 3-band EQ and Pan control  
• Completely assignable and replaceable cross-fader  
• Fader start  
• Real-time effects processing  
• X-Y touch sensitive pad  
• Separate parameter controls  
• Sixty “effects programs”  
• Hold switch to lock in settings  
• Sampler (5 seconds at 48 kHz)  
• MIDI compatibility  
• Zone outputs  
• 100% digital processing  
• Split/blend headphone cueing  
*KAOSS technology under license from KORG  
Table of Contents  
Safety Measures  
Introduction  
2
KAOSS Effects  
MIDI Implementation  
Specifications  
8
3
3
4
7
9
Registration  
10  
11  
12  
Description of the Features  
Quick Setup Diagram  
Bock Diagram  
Warranty  
Product Registration  
Please record the serial number of your unit as shown on the back of the chassis as well as the name of the  
dealer from whom you purchased the unit. Retain this information and your original purchase receipt for  
your records. Please return the enclosed warranty card to register your unit with us.  
MODEL: __________________________  
SERIAL NUMBER:__________________  
PURCHASED FROM:_________________________  
DATE OF PURCHASE:________________________  
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EM360  
MIXER FEATURES  
27  
6
17  
1
22  
14  
23  
24  
15  
26  
5
13  
2
25  
28  
4
3
1
12  
21  
7
20  
19  
18  
16  
10  
8
9
11  
INPUTS  
1. Input faders - control individual source levels in the mix.  
10. Split/Blend Cue – controls how PFL and Program audio are  
sent to your headphones. In split mode, the PFL audio can be  
heard in your left ear and PGM audio can be heard in your right  
ear. In blend mode, both PFL and PGM can be heard in both  
ears.  
Note: Never use spray cleaners on the slide controls. Residues  
cause excessive dirt build-up and this will void your warranty.  
In normal use slide controls can last for many years. If they  
malfunction (usually because of a dirty or dusty environment)  
consult a professional technician.  
11. Headphone output – for your 1/4” or 1/8” headphones.  
2. Input Toggle Switches - select which source will be live to that  
channel based on what you have connected to the rear panel  
input section.  
OUTPUTS  
12. Master Fader – controls the overall output level.  
13. Stereo/Mono toggle - adjusts the Master output for stereo or  
MICROPHONE  
mono operation.  
3. Mic Gain Control – controls the DJ Mic volume for the  
14. Panning – adjusts the balance of right to left audio.  
Neutrik™ “Combo” connector on the front panel.  
15. 3-Band Stereo Equalizer (EQ) - compensates for differences in  
source material sound quality. In ultra-compact mobile systems  
this EQ can be used to tailor the sound to the acoustical  
requirements of the room.  
4. Treble and Bass Controls – for fine-tuning the tone of your  
voice through the sound system. The controls are detented for  
setting tone "flat".  
5. Mic Off/On/Talkover Switch – controls DJ Mic. Talkover  
turns down the input level of your music –12dB for easy  
understanding of announcements.  
16. Booth/Zone Fader - controls speaker volume for a remote zone  
or booth monitors.  
NOTE: This can also be used to supply line level audio to a  
lighting controller or to lights that are sound activated.  
6. Neutrik™ “Combo” connector - allows connection of either a  
1/4” jack or an XLR jack. This is ideal for connecting an XLR  
gooseneck directly into the mixer.  
17. Stereo Auto Peak Hold Level Indicator- quickly and  
accurately tracks level of audio output. The red LEDs for +3dB,  
+5dB and +8dB hold program peaks for a second or two. With  
peak metering, it's OK to be "in the red" as long as +5dB or  
+8dB aren't constantly lit. When using as a master output  
meter, set the crossover, equalizer and power amp inputs to  
avoid distortion at each step in the audio chain. Proper attention  
to the peak meter results in the punchiest possible sound without  
audible distortion.  
HEADPHONE CUEING  
7. Channel Cue Assign - are used to route Pre Fader Level (PFL)  
channel audio to the Monitor Section. The channel faders do  
not control the Cue volume.  
8. Headphone Mix - controls the mix of PFL and PGM signals to  
your headphones. When the slider is moved to the left, all you  
will hear is the cue source. When the slider is all the way to the  
right, you will hear what is playing through the master output.  
By blending, beats can be matched exactly and segues can be  
smooth when a song is cued.  
9. Headphone Level – adjusts cue volume.  
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EM360  
CROSSFADER  
19. Crossfader Assign Knob - determines which input channel will  
be heard when the crossfader is moved towards the knob. With  
the crossfader centered, both assigned channels are live. Use the  
crossfader for fast and seamless segues from one selected  
channel to the other.  
18. Replaceable Crossfader - achieves clean segues between the  
two input channels selected by the Crossfader Assign.  
Note: The crossfader is a user replaceable item and subject to  
wear. Excessive force can wear out the fader quickly. This is  
not a warranted item. In case of failure. Simply unscrew the two  
large screws that hold it in place, lift it out and disconnect its  
cable. Re-attach the new crossfader and screw the mounting  
plate back onto the unit - you’re back in business!  
20. Fader Start – activates the crossfader to send play and cue  
commands to your auto-start Numark CD player or other  
popular brand. For fader start, attach your mixer to a remote  
start CD player using industry standard 1/8”(3.5mm) cables.  
When you move the crossfader toward the active channel, the  
attached CD player will start. When it is moved away, that side  
will cue (similar to pressing the cue button).  
KAOSS PAD*  
21. Process buttons – send post channel fader audio to the KAOSS  
28. EFX ON/OFF / Sample Record switch- This can be used to  
switch between the effect sound and the direct (unprocessed)  
sound, or to record a sample.  
PAD for processing.  
22. Process Blend Control – mixes processed (efx)-wet audio with  
unprocessed (src)-dry audio. Use this in conjunction with the  
KOASS pad to reach desired effects.  
When sampling this button lets you record a phrase that you  
hear and then play it back by operating the touch panel.  
23. Preset Program keys (1–6)- You can assign programs to keys  
1–6 for convenient selection.  
Program assignment:  
Use the following procedure to record and playback samples.  
a) Press one of the PROGRAM MAP keys.  
Using the PROGRAM knob or the PROGRAM MAP keys,  
select a sample/play effect (program numbers 51–60). The  
REC switch LED will blink, and the KAOSS PAD will be in record-ready  
mode. At this time, the sound will be output without anychange.  
b) Use the PROGRAM knob to select the program that  
you wish to assign. If you wish to memorize the  
HOLD setting, turn the HOLD switch to ON after  
selecting the program, and touch the touch panel to  
specify the position.  
Press the REC switch to begin recording.  
c) Press and hold the PROGRAM MAP key you pressed  
in step 1 for approximately two seconds.  
Press the REC switch once again to stop recording. The REC  
switch LED will light. Even if you do not press the REC  
switch, recording will end automatically when the maximum  
recording time has elapsed. (The maximum recording time  
will depend on the program.)  
24. Touch panel- You can control the sound by using your finger to  
rub or tap (strike lightly) this panel. Never press down too  
hard on the touch panel, or place a heavy object on it. Rough  
handling can cause it to crack or break. Rubbing or pressing  
the touch panel with a sharp object can scratch it, so only use  
your finger to operate it. If cleaning is necessary, wipe only  
with a soft dry cloth. Using solvents such as thinner may melt  
the surface of the touch panel. Note: Affix the included  
protective label to extend product life.  
Operate the touch panel to playback the recorded phrase. The  
sound will change depending on the position where you  
touch the panel. The way in which the sound changes will  
depend on the program.  
To re-record, press the REC switch again. The previously  
recorded phrase will be erased, and a new phrase will be  
recorded.  
25. Hold Switch- When this switch is ON, the current state of the  
effect will be maintained even if you remove your finger from  
the touch panel.  
26. Program Knob- Use this knob to select programs (1–60).  
Please see page for a complete listing of effects.  
If you change programs to a non-sample program, the  
recorded phrase will be erased.  
27. Program/Location Display- This shows either the currently  
selected program number or the location of the point that you  
touched on the touch panel, depending upon mode.  
When selecting a program: the program number (1–60) will  
be displayed.  
When operating the touch panel: the position you touched  
(1.1–9.9) with 5.5 being the center) will be displayed.  
Example display: 3.8  
vertical position is (3) / horizontal position is (8)  
If you select a program that has a Hold On setting, the  
program number will be displayed, and then the position  
that is being held will be displayed.  
*KAOSS technology under license from KORG  
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EM360  
REAR PANEL FEATURES  
4
6
4
4
11  
12  
5
2
1
10 9  
8
7
3
6
3
6
3
1. Power Switch – To turn unit on after you have turned on  
all input devices and before you turn on any devices  
attached to the output.  
7. MIDI Output – Attach Midi output to external  
processors to be controlled by the KAOSS Pad. See page  
9 for details on signal output.  
2. Power Supply Input - To plug your power adapter in  
before switching on power. See safety precautions on  
page 3 for proper treatment of power.  
8. Record Outputs – Unbalanced output used to send the  
output of the program to any connected recording device.  
9. Zone/Booth Output - Unbalanced output controlled by  
Zone Level control on the face panel for extra speakers,  
lighting, or recording your mix.  
3. Phono/Auxiliary Inputs – Plug your turntables or line  
device in here. Select the AUX/PHONO switch (6) to the  
desired input.  
10. Unbalanced Main Outputs – Unbalanced program  
4. Phono/Auxiliary switch – Select the appropriate position  
for your input device. With phono selected the input  
signal is fed directly to the PRO SM-1's high-quality  
RIAA phono pre-amplifiers so use this input only for  
turntables. Line level sources will overload the sensitive  
phono pre-amps. Switch this over to the AUX position  
for line devices such as CD players and Tape decks.  
output controlled by the Master fader knob.  
11. Balanced Outputs - These XLR Stereo Main Outputs are  
reliable Balanced connectors controlled by the Master  
fader knob. Power transformers and other devices, which  
cause magnetic fields, can induce hum in audio cables.  
This can be best resolved by using balanced lines where  
inputs and outputs permit. Balanced lines are also the  
most effective means of reducing or eliminating RF or  
radio frequency" interference.  
5. Ground lug - Use these connections with your turntables’  
grounding cable to avoid signal hum.  
6. Line Inputs - To connect stereo audio from HiFi VCRs,  
cassette and reel-to-reel tape decks, DAT machines, CD  
players, laser discs, tuners, even synthesizers or other  
mixing consoles.  
12. Fader Start Connector – to attach your mixer to a  
remote start equipped Numark CD player using industry  
standard 1/8”(3.5mm) cables.  
NOTE: Plug mono audio sources into both Left and  
Right inputs using a “Y" cable connector.  
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EM360  
QUICK SETUP DIAGRAM  
VERY IMPORTANT: Please read this entire manual before connecting this unit to your system  
For optimum performance:  
Always make sure that AC power is OFF while making any connections.  
Use appropriate cables throughout your system. Do not use excessively long cables (i.e. over 50ft/14m) Be sure plugs and jacks are tightly  
mated. Loose connections can cause hum, noise or intermittence that could easily damage your speakers. Make the input and output  
connections with readily available low-capacitance stereo cables. Quality cable makes a big difference in audio fidelity and punch. See  
your Numark dealer or an electronics or audio specialist store if you are not sure which cables to get.  
ALWAYS remember: “TURN AMPS ON LAST AND OFF FIRST”. Begin with master faders or volume controls on minimum and the  
amplifier gain/input control(s) down. Wait 8 to 10 seconds before turning up the volume. This prevents transients, which may cause severe  
speaker damage.  
Use restraint when operating controls. Try to move them slowly. Rapid adjustments could damage speakers due to amplifier clipping.  
Avoid amplifier “clipping” at all costs: this occurs when the red LEDs (usually on the front panel of most professional power amplifiers)  
start flashing. “Clipping” is when the power amplifier is distorting and working beyond it’s limits. Amplifier distortion is THE major cause  
of speaker failure.  
Study this setup diagram. Make sure all faders are at "zero" and all devices are off. First, connect all  
input sources and processors. Next, connect your microphone and monitor headphones. Finally, connect the  
stereo outputs to the power amplifier(s) and/or audio receivers such as tape decks. Plug your mixer into AC  
power. Now you are ready to switch everything on.  
IMPORTANT: Always switch on your audio input sources such as turntables or CD players first, then your  
mixer, and finally any amplifiers. When turning off, always reverse this operation by turning off amplifiers,  
then your mixer, and then input devices.  
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EM360  
KAOSS PROGRAM EFFECTS  
Effect program control parameter list  
NO.  
1
2
3
4
5
6
7
8
EFFECT  
X (horizontal position)  
FREQ  
Y [-Y, +Y] (vertical position)  
DI/FX BALANCE, RESONANCE  
RESONANCE  
DI/FX BALANCE, LFO DEPTH  
DIST GAIN  
DIST GAIN  
RESONANCE  
FREQ  
FX BALANCE, DIST GAIN  
NO ASSIGN  
LEVEL  
DI/FX BALANCE, RESONANCE  
FREQ (MANUAL)  
FX BALANCE  
MOD STEP  
Comment  
Rub slowly  
Rub slowly  
Rub slowly  
Rub fast with beat  
Rub fast with beat  
Good for voice (Mic)  
Rub (1.1 <–> 9.9)  
Rub fast with beat  
For “Bass Cut”  
For “HOLD” use  
Rub slowly  
LOW PASS FILTER  
LOW PASS FILTER  
WAH FILTER  
DIST+VOICE FILTER  
DIST+L.P FILTER  
DIST+L.P FILTER  
PAN+FILTER  
FREQ  
FREQ  
FREQ  
FREQ  
FREQ  
PAN  
FREQ  
FREQ  
DIST+FILTER  
ISOLATOR TYPE FILTER  
9
10 DISTORTION  
11 PHASER  
12 PHASER  
13 LFO WAH  
14 STEP PHASER  
15 DIST+PHASER  
16 MANUAL FLANGER  
17 MANUAL FLANGER  
18 PITCH SHIFT  
19 TREMOLO  
20 STEP PHASER  
21 TAPE ECHO  
22 DELAY  
GAIN  
FREQ (MANUAL)  
LFO SPEED  
LFO SPEED  
LFO SPEED  
LFO SPEED  
DELAY TIME  
DELAY TIME  
Lch PITCH  
LFO SPEED  
LFO SPEED  
TIME  
TIME  
TIME  
TIME  
FEEDBACK  
FEEDBACK  
FEEDBACK  
FILTER FREQ  
FREQ  
Rub slowly  
Rub fast with beat  
Rub slowly  
DIST GAIN  
Rub slowly  
RESONANCE  
RESONANCE  
Rch PITCH  
Rub very slowly (L <–> R)  
Rub very slowly (L <–> R)  
Rub  
Rub  
Rub slowly  
Rub (Bottom <–> Top)  
Tap with snare drum  
Rub  
Rub or tap  
Rub fast  
LFO DEPTH  
RESONANCE  
FX LEVEL, FEEDBACK  
FX LEVEL  
FX LEVEL, FEEDBACK  
FREQ  
FX LEVEL  
FX LEVEL  
FX LEVEL  
DELAY LEVEL  
DELAY LEVEL  
FREQ  
FX LEVEL  
FX LEVEL  
FX LEVEL  
FX LEVEL  
REVERB LEVEL  
FX LEVEL  
FX LEVEL  
23 DELAY  
24 STEREO TAPE ECHO  
25 MEDIUM DELAY  
26 LONG DELAY  
Rub fast  
Rub or tap  
Rub with beat  
Rub with beat  
27 X DELAY  
28 TALK FILTER+DELAY  
29 DIST+FILTER+DELAY  
30 DELAY+FILTER FOR DUB  
31 REVERB (HALL)  
32 GATE REVERB (HALL)  
33 REVERB (PLATE)  
34 GATE REVERB (ROOM)  
35 DELAY+REVERB  
36 DELAY+REVERB  
37 TALK FILTER+REVERB  
38 DIST+FILTER+REVERB  
39 REVERB+PAN  
TIME  
Rub or tap  
LOW CUT  
LOW CUT  
LOW CUT  
LOW CUT  
DELAY LEVEL  
DELAY TIME  
FILTER FREQ  
FILTER FREQ  
PAN  
REVERB TIME  
MOD DEPTH  
RING FREQ  
MOD SPEED  
TIME  
Tap with snare drum  
Tap with snare drum  
Tap with snare drum  
Tap with snare drum  
For “HOLD” use  
For “HOLD” use  
Rub fast with beat  
Tap with snare drum  
Rub for panning  
For “HOLD” use  
Rub slowly  
Tap at random  
As you like  
Rub at random  
Rub at random  
Rub in circle  
REV LEVEL+RESONANCE  
FX LEVEL  
FX LEVEL  
FX LEVEL  
FILTER FREQ  
RING FREQ  
40 REVERB  
41 STEP MODULATION  
42 RING MOD+FILTER  
43 RING+TALK MOD  
44 SPECIAL ECHO  
45 RING+DELAY  
46 DELAY+TREMOLO  
47 3D PAN  
48 VIBRATE  
49 STEP FLANGER  
50 STEP PHASER  
51 SAMPLE/PLAY1  
52 SAMPLE/PLAY2  
53 SAMPLE/PLAY3  
54 SAMPLE/PLAY1 (*AUTO REC)  
55 SAMPLE/PLAY2 (*AUTO REC)  
56 SAMPLE/PLAY3 (*AUTO REC)  
57 SAMPLE/PLAY1 (DIRECT MIX TYPE)  
58 SAMPLE/PLAY2 (DIRECT MIX TYPE)  
59 SAMPLE/PLAY1+PAN  
60 SAMPLE/PLAY2+PAN  
FX LEVEL  
TIME  
RING+DELAY BALANCE  
DLY+TREM X-FADE  
NEAR/FAR  
FX BALANCE  
FEEDBACK  
FX LEVEL  
FX LEVEL  
FX LEVEL  
FX LEVEL  
FX LEVEL  
FX LEVEL  
FX LEVEL  
FX LEVEL  
FX LEVEL  
LOOP TIME  
FORWARD/REVERSE  
TIME+LFO SPEED  
PAN (L/R)  
SPEED+DEPTH  
FREQ (MANUAL)  
LFO SPEED  
LOOP TIME  
FORWARD/REVERSE  
TIME STRETCH  
LOOP TIME  
FORWARD/REVERSE  
TIME STRETCH  
LOOP TIME  
FORWARD/REVERSE  
PAN  
Rub for panning  
Rub (Bottom <–> Top)  
Rub slowly  
Rub slowly  
Tap for playback  
Rub like scratch  
Rub for “TIME STRETCH”  
Tap for playback  
Rub like scratch  
Rub for “TIME STRETCH”  
Tap for playback  
Rub like scratch  
Tap (L <->R)  
PAN  
Tap (L <->R)  
*(AUTO REC): After you press the REC switch, recording will begin automatically when sound is input. When you press the REC switch once  
again, recording will end. (This is convenient when recording your voice from a mic.)  
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EM360  
MIDI FUNCTIONS  
With the factory settings, each operation will transmit the following MIDI messages.  
Operation  
MIDI messages transmitted  
Transmission on/off  
PROGRAM MAP1  
PROGRAM MAP5  
PROGRAM MAP2  
PROGRAM MAP3  
Pitch bend messages  
En 00 00–En 7F 7F  
Bn 0C 00–Bn 0C 7F  
Bn 01 00–Bn 01 7F  
Bn 02 00–Bn 02 7F  
Touch panel X-axis  
Effect Control 1 message (CC#12)*  
Modulation 1 Depth message (CC#1) Y = 5–9  
Modulation 2 Depth message (CC#2) Y = 5–1  
Touch panel Y-axis  
Touch panel  
Effect 3 Depth message (CC#93)*  
Bn 5D 00–Bn 5D 7F  
PROGRAM MAP4  
X+Y axis (diagonal)  
Touch panel on/off  
FX ON/OFF  
Effect 2 Depth message (CC#92)*  
Effect 4 Depth message (CC#94)*  
Program Change message (1–60)  
Bn 5C 7F/Bn 5C 00  
Bn 5E 7F/Bn 5E 00  
Cn 00–Cn 38  
HOLD switch  
FX ON/OFF  
Change Program  
*The MIDI messages that are transmitted can be selected in the range of CC#1–CC#31 and CC#64–CC#95. In MIDI Edit mode (  
“MIDI transmission settings”) you can hold down the corresponding switch and rotate the PROGRAM knob to select the desired  
control number.  
A control number that has already been assigned cannot be selected in duplicate.  
MIDI transmission settings  
When you press the six PROGRAM MAP keys simultaneously, you will enter MIDI Edit mode. If you then perform no operation for  
approximately 10 seconds or if you touch the touch panel, you will return to normal mode.  
In MIDI Edit mode, you can use the following operations to change the MIDI transmission settings.  
• PROGRAM knob: Set the MIDI transmission channel (1–16)  
• PROGRAM MAP keys, FX ON/OFF, HOLD switches: Turn transmission on/off for each type of MIDI message (refer to  
“Transmission on/off” in the above table).  
Precautions with the KAOSS PAD  
Usage -Never press down too hard on the touch panel, or place a heavy object on it. Rough handling can  
cause it to crack or break. Rubbing or pressing the touch panel with a sharp object can scratch it, so only  
use your finger to operate it. If cleaning is necessary, wipe only with a soft dry cloth. Using solvents such as  
thinner may melt the surface of the touch panel. Note: Affix the included protective label to extend product  
life.  
Location -Using the unit in the following locations can result in a malfunction.  
• In direct sunlight  
• Locations of extreme temperature or humidity  
• Excessively dusty or dirty locations  
• Locations of excessive vibration  
Interference with other electrical devices -This product contains a microcomputer. Radios and televisions placed  
nearby may experience reception interference. Operate this unit at a suitable distance from radios and  
televisions.  
Handling -To avoid breakage, do not apply excessive force to the switches or controls.  
Care -If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use liquid cleaners such as benzene or  
thinner, or cleaning compounds or flammable polishes.  
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EM360  
SPECIFICATIONS  
INPUTS:  
Line:  
10Kohm input impedance  
110mV rms sensitivity (for 1.22V output)  
10Kohm input impedance unbalanced  
1.6 mV rms sensitivity (for 1.22V output)  
500mV rms max input  
Mic:  
Phono:  
47Kohm input impedance  
1.8mV rms sensitivity @ 1 KHz (for 1.22V output)  
OUTPUTS:  
Line:  
9V rms max  
Headphone Amp: 1V rms watt into 16ohm  
Distortion: less than 0.01%  
SIGNAL TO NOISE RATIOS* (vs. maximum output):  
Line:  
Mic:  
Phono:  
Better than 90 dB  
Better than 77 dB  
Better than 85 dB  
*JIS - weighted  
FREQUENCY RESPONSE:  
Line:  
Line:  
20 Hz- 22k Hz ±0.5 dB  
20 Hz- 20k Hz ±0.5 dB  
Phono:  
±1 dB except for controlled attenuation of -3 dB  
@ 20 Hz to reduce rumble and feedback  
EQUALIZER:  
±12dB @ 100Hz  
±6dB @ 500Hz  
±12dB @ 10KHz  
KOASS PAD:  
Programs:  
60  
Sampling length: 5 Seconds  
POWER CONSUMPTION:  
10 Watt typical  
15 watt with full headphone output  
DIMENSIONS:  
480mm(W) x 220mm(H) x 95mm(D)  
19” (W) x 8 3/4” (H) x 4 (D)  
WEIGHT:  
4 kgs, 8.5 lbs  
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PRO SM-3  
BLOCK DIAGRAM  
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Professional Disc Jockey Products  
LIMITED PRODUCT WARRANTY  
What is covered and for how long?  
1.  
NUMARK INDUSTRIES LCC ("NUMARK") warrants to the original purchaser that NUMARK products; including but not limited to DJ mixers, amplifiers, CD players, CD Mix  
Stations, turntables, preamplifiers, beatkeepers, equalizers, microphones, headphones, cartridges, and all other accessories; are to be free from defects in material and  
workmanship under normal use and service for the period commencing upon the date of purchase from an authorized NUMARK dealer for a period of (1) Year.  
What is not covered? This Limited Warranty is conditioned upon proper use of the product by the purchaser.  
2.  
This Limited Warranty does not cover: (a) defects or damage resulting from accident, misuse, abuse, neglect, unusual physical or electrical stress, modification of any part of the  
product, or cosmetic damage; (b) equipment that has the serial number removed or made illegible; (c) all plastic surfaces and other externally exposed parts that are scratched or  
damaged due to normal use; (d) defects or damage from improper testing, operation, maintenance, installation, adjustment, or service of the mixers; (e) crossfaders.  
What are NUMARK'S obligations? During the applicable warranty period, NUMARK will repair or replace, at NUMARK'S sole discretion, without charge to the purchaser, any  
defective component part of the mixer. To obtain service under this Limited Warranty, purchaser must first contact NUMARK and obtain a return authorization number ("RA#").  
Purchaser must then return the mixer to NUMARK in an adequate container for shipping, accompanied by purchaser's sales receipt or comparable proof of sale showing the date  
of purchase, the serial number of the product, and the seller's name and address. To obtain an RA# and assistance on where to return the mixer, contact NUMARK customer  
service at 401-295 9000. Upon receipt, NUMARK will repair or replace the defective products. NUMARK may, at NUMARK'S sole discretion, use rebuilt, reconditioned, or new  
parts or components when repairing any product or replace a product with a rebuilt, reconditioned or new product. Repaired mixers will be warranted for a period equal to the  
remainder of the original Limited Warranty on the original mixer or for (90) days, whichever is longer. All replaced parts, components, boards and equipment become the property  
of NUMARK. If NUMARK determines that any mixer is not covered by this Limited Warranty, purchaser must pay all parts, shipping, and labor charges for the repair or return of  
such mixer.  
3.  
4.  
What are the limits on NUMARK'S liabilities? THE WARRANTIES GIVEN IN THIS LIMITED WARRANTY, TOGETHER WITH ANY IMPLIED WARRANTIES COVERING  
NUMARK MIXERS, INCLUDING WITHOUT LIMITATION ANY WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE, ARE LIMITED TO THE  
DURATION OF THIS LIMITED WARRANTY. EXCEPT TO THE EXTENT PROHIBITED BY APPLICABLE LAW, NUMARK SHALL NOT BE LIABLE FOR ANY SPECIAL,  
INCIDENTAL, CONSEQUENTIAL, INDIRECT OR SIMILAR DAMAGES, LOSS OF PROFITS, DAMAGES TO PURCHASER'S PROPERTY, OR INJURY TO PURCHASER OR  
OTHERS ARISING OUT OF THE USE, MISUSE OR INABILITY TO USE ANY NUMARK MIXER, BREACH OF WARRANTY, OR NEGLIGENCE, INCLUDING BUT NOT  
LIMITED TO NUMARK'S OWN NEGLIGENCE, EVEN IF NUMARK OR ITS AGENT HAS BEEN ADVISED OF SUCH DAMAGES, OR FOR ANY CLAIM BROUGHT AGAINST  
PURCHASER BY ANY OTHER PARTY. THIS LIMITED WARRANTY IS THE COMPLETE WARRANTY FOR NUMARK'S MIXERS, AND IS GIVEN IN LIEU OF ALL OTHER  
EXPRESS WARRANTIES. THIS LIMITED WARRANTY SHALL NOT EXTEND TO ANYONE OTHER THAN THE ORIGINAL PURCHASER OF THIS PRODUCT AND STATES  
PURCHASER'S EXCLUSIVE REMEDY. IF ANY PORTION OF THIS LIMITED WARRANTY IS ILLEGAL OR UNENFORCEABLE BY REASON OF ANY LAW, SUCH PARTIAL  
ILLEGALITY OR UNENFORCEABILTY SHALL NOT AFFECT THE ENFORCEABILITY OF THE REMAINDER OF THIS LIMITED WARRANTY WHICH PURCHASER  
ACKNOWLEDGES IS AND WILL ALWAYS BE CONSTRUED TO BE LIMITED BY ITS TERMS OR AS LIMITED AS THE LAW PERMITS.  
5.  
6.  
This Limited Warranty allocates risk of product failure between purchaser and NUMARK, and NUMARK'S product pricing reflects this allocation of risk and the limitations of liability  
contained in this Limited Warranty. The agents, employees, distributors, and dealers of NUMARK are not authorized to make modifications to this Limited Warranty, or make  
additional warranties binding on NUMARK. Accordingly, additional statements such as dealer advertising or presentation, whether oral or written, do not constitute warranties by  
NUMARK and should not be relied upon.  
How does state law apply to this warranty? SOME STATES DO NOT ALLOW THE EXCLUSION OR LIMITATIONS OF INCIDENTAL OR CONSEQUENTIAL DAMAGES OR  
HOW LONG AN IMPLIED WARRANTY LASTS, SO THE ABOVE LIMITATIONS OR EXCLUSIONS MAY NOT APPLY TO PURCHASER.  
7. This Limited Warranty gives you specific legal rights. You may also have other rights, which vary from one jurisdiction to another.  
RETURN INFORMATION  
a)  
b)  
c)  
d)  
A Return Authorization number must be obtained from Numark through the address or phone numbers below.  
A copy of the original sales receipt must also be included for the equipment to be repaired under warranty.  
The faulty equipment must be packed in its original packaging.  
One additional outer layer of packaging must be included to ensure product safety. Failure to do so may inadequately protect the equipment in transit and, therefore,  
jeopardize the customer’s warranty.  
e)  
f)  
Numark will not accept COD shipments and no call tags will be issued for merchandise return.  
Numark will not return repaired merchandise to customers by priority service, unless by written request at the customer’s cost. Requests must be submitted in writing  
with merchandise returned.  
g)  
The defective Numark equipment should be sent, FREIGHT PREPAID with Return Authorization number clearly printed on the outer packaging and original sales  
receipt enclosed to:  
INDUSTRIES  
Attention: Service Department  
11 Helmsman Avenue  
Phone: +1 (401) 295-9000  
Fax::  
Web:  
+1 (401) 295-5200  
North Kingstown, RI 02852 USA  
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