Kodak Printer Accessories E 142 User Manual

January 2003 E-142  
TECHNICAL DATA / COLOR PAPER  
KODAK PROFESSIONAL  
ULTRA III Paper  
FEATURES  
BENEFITS  
—NOTICE—  
• Excellent latent-image  
keeping from 1 minute to  
24 hours  
• Improved processing  
consistency in the lab  
KODAK PROFESSIONAL ULTRA ENDURA Paper replaces  
KODAK PROFESSIONAL ULTRA III Paper. ULTRA ENDURA  
Paper also provides an alternative to KODAK PROFESSIONAL  
Digital III Color Paper  
• Optimized spectral  
sensitivity  
• Better alignment between  
paper, film dyes, video  
analyzer, and printer spectral  
response  
KODAK PROFESSIONAL ULTRA III Paper is a fast,  
resin-coated multilayer paper for optical printing of color  
negatives or internegatives. It provides the higher contrast  
needed for such commercial applications as  
• Improved printing compatibility  
and image quality with KODAK  
PROFESSIONAL Films  
• Elimination of print-out  
and thermal yellowing  
• Longer print life under dark  
storage conditions  
point-of-purchase and trade-show materials and large  
display prints. It offers consistent, high-quality output for  
greater productivity and less waste. It is optimized for  
commercial applications and is designed for printing with  
automatic printers or enlargers.  
STORAGE AND HANDLING  
Store unexposed paper at 13°C (55°F) or lower in the  
original sealed package. High temperatures or high humidity  
may produce unwanted quality changes.  
Use KODAK EKTACOLOR RA Chemicals for Process  
RA-4 to process this paper.  
This paper replaces KODAK EKTACOLOR ULTRA II  
Paper. It is available in sheets and rolls in F (glossy),  
E (fine lustre), and N (smooth lustre) surfaces.  
ULTRA III Paper incorporates a number of technical  
improvements. It provides higher color saturation and more  
accurate colors than EKTACOLOR ULTRA II Paper. Labs  
will benefit from its improved latent-image keeping, reduced  
heat sensitivity, and excellent print consistency due to  
improved reciprocity.  
To avoid moisture condensation on paper that has been  
refrigerated, allow it to warm up to room temperature before  
opening the package. For best results, remove the paper from  
cold storage the day before you use it, or allow the paper to  
warm up for the appropriate time from the following table.  
Warm-Up Times (Hours) to Reach  
Room Temperature of 21°C (70°F)  
From a Storage  
Compared to EKTACOLOR ULTRA II Paper, this paper  
offers these features:  
Temperature of  
Size  
–18°C  
(0°F)  
2°C  
(35°F)  
13°C  
(55°F)  
FEATURES  
BENEFITS  
8 x 10-inch  
(100-sheet box)  
4
3
3
3
2
2
2
2
2
• Improved color  
reproduction  
• More accurate reds, greens,  
and magentas  
16 x 20-inch  
(50-sheet box)  
• Brighter blues and cyans  
• More saturated yellows  
20 x 24-inch  
(50-sheet box)  
• Improved highlight  
reproduction  
Truer reproduction of high-key  
scenes  
8-inch x 575-foot roll  
30-inch x 100-foot roll  
40-inch x 100-foot roll  
10  
8
7
6
7
4
4
5
• Cleaner highlights  
• Improved shadow  
rendition  
• More retention of detail in  
shadows  
9
• Excellent reciprocity  
characteristics  
• Easier matching of color  
balance and saturation in prints  
regardless of the degree of  
enlargement  
Handle paper carefully by the edges. The paper is  
packaged with the emulsion side of all sheets facing in the  
same direction. For complete light and moisture protection,  
use the inner bag and the two-part cardboard box to store the  
paper.  
• Improved first-print yield from  
under- and overexposed  
negatives  
• Easier dodging and burning  
• Faster red printing speed • Higher productivity for  
enlargements  
©Eastman Kodak Company, 2001  
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6. Adjust the exposure for the new filter pack. An exposure  
time that produced a print of satisfactory density may  
not produce an acceptable density when you change the  
filter pack. The following table gives filter factors for  
calculating exposure adjustments when you use  
KODAK CP or CC Filters.  
Tricolor Exposure Method  
Use KODAK WRATTEN Gelatin Filters No. 25 (red),  
No. 99 (green), and No. 47B (blue) to give the paper three  
separate exposures. Do not move the paper or the enlarger  
until you have made all three exposures. Typical exposure  
times for making an enlargement from a normally exposed  
negative are given in the table below.  
Filter Factors for CP Filters  
Times for an Aperture Setting of f/8*  
for PROFESSIONAL ULTRA III Paper  
(6X Enlargement of a KODAK VERICOLOR III  
Filter  
05Y  
10Y  
20Y  
30Y  
40Y  
50Y  
05M  
10M  
20M  
30M  
40M  
50M  
05C  
10C  
20C  
30C  
40C  
50C  
Factor  
1.1  
1.1  
1.1  
1.1  
1.1  
1.1  
1.2  
1.3  
1.5  
1.7  
1.9  
2.1  
1.1  
1.2  
1.3  
1.4  
1.5  
1.6  
Filter  
05R  
10R  
20R  
30R  
40R  
50R  
05G  
10G  
20G  
30G  
40G  
50G  
05B  
10B  
20B  
30B  
40B  
50B  
Factor  
1.2  
1.3  
1.5  
1.7  
1.9  
2.2  
1.1  
1.2  
1.3  
1.4  
1.5  
1.7  
1.1  
1.3  
1.6  
2.0  
2.4  
2.9  
Filter  
Professional Film Negative)  
Red  
3 seconds  
21.8 seconds  
17.5 seconds  
Green  
Blue  
* For an enlarger equipped with a Photo Enlarger Lamp No. 212 or  
No. 302; the setting may vary with other types of lamps.  
Evaluate the test print under light of the same color and  
brightness that you will use to display the final print. (See  
Viewing.)  
Judge the print density first. If necessary, make another  
print by adjusting the exposure as recommended in the table  
below.  
I f yo u r p r i n t i s  
D o t h i s  
O R  
Do this  
Open the lens  
aperture to  
increase the light  
level  
Increase all  
exposure times  
proportionately  
TOO LIGHT  
Close the lens  
aperture to  
decrease the  
light level  
Decrease all  
exposure times  
proportionately  
TOO DARK  
To use the factors, divide the old exposure time by the  
factor for any filter you remove. If you add a filter, multiply  
the time by the factor. If you add or remove two or more  
filters, multiply the individual factors and use the result as  
your factor. You may need to modify these factors for your  
equipment.  
Then judge color balance.  
Subtract time  
from the  
exposure  
through  
these filters  
Add time to the  
exposure  
through  
these filters  
Note: The filter factors listed in the table take into account  
the effects of filter surfaces.  
If your  
print is  
OR  
When you adjust the filtration in equipment that has  
built-in dichroic filters, any noticeable differences in density  
are due to differences in the color density of the print.  
Suppose you have a print with acceptable density, but a  
magenta balance. When you add magenta filtration to correct  
the color balance, the print will become too light, so you  
must use a longer exposure time.  
A rule of thumb for magenta dichroic filtration is to  
change the exposure time by one percent for every unit of  
change in filtration. For example, if you increase the  
magenta filtration by 20M, increase the exposure time by  
20 percent. Changes in yellow dichroic filtration do not  
usually affect the apparent print density. If you use cyan  
dichroic filtration, use the filter factors in the table above as  
starting points for adjusting exposure.  
CYAN  
Red  
Green  
Blue + Green  
Red + Blue  
Red + Green  
Red  
MAGENTA  
YELLOW  
RED  
Blue  
Blue + Green  
Red + Blue  
Red + Green  
GREEN  
BLUE  
Green  
Blue  
KODAK PROFESSIONAL ULTRA III Paper E-142  
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LATENT-IMAGE KEEPING  
RETOUCHING  
This paper features improvements in the stability of the  
latent image. Under normal conditions, you should not  
notice shifts in the latent image with keeping times from  
1 minute to 24 hours. Therefore, you do not need to change  
your printing procedures to compensate for latent-image  
shifts under normal temperature and handling conditions. (If  
shifts do occur, you can minimize them by keeping the time  
between exposure and processing the same for all paper.)  
If possible, do any required retouching on color negatives  
before you make printsespecially if you plan to make more  
than one print from each negative. For information on  
retouching negatives, see KODAK Publication No. E-71,  
Retouching Color Negatives.  
If the negative image is small, you can make corrections  
much more easily by applying dry or liquid dyes to small or  
large areas of the enlarged print. Although youll probably  
do most retouching with dyes, you may sometimes want to  
use black lead, colored pencils, or opaque. Because color  
prints have separate dye layers, you cant use an etching  
knife to reduce density as you can with black-and-white  
materials. For information on retouching prints, see  
KODAK Publication No. E-70, Retouching Prints on  
KODAK EKTACOLOR and EKTACHROME Papers.  
For information on lacquering and other post-process  
treatments, see KODAK Publication No. E-176,  
Post-Processing Treatment of Color Prints—Effects on  
Image Stability, available through our website at  
PROCESSING  
Use KODAK EKTACOLOR RA Chemicals for Process  
RA-4 to process this paper.  
For information on processing this paper in continuous or  
roller-transport processors, see KODAK Publication No.  
Z-130, Using KODAK EKTACOLOR RA Chemicals. For  
information on processing this paper in trays or rotary-tube  
and drum processors, see KODAK Publication No. J-39,  
Tray, Drum, and Rotary-Tube Processing with KODAK  
EKTACOLOR RA Chemicals. Both publications are  
available through our website at  
MOUNTING  
Use a drying temperature below 205°F (96°C). Do not  
ferrotype this paper; the F surface dries to a natural gloss  
without ferrotyping.  
You can mount prints with KODAK Dry Mounting Tissue,  
Type 2. The temperature across the heating platen of the  
mounting press should be between 180 and 200°F (82 and  
93°C). Temperatures above 210°F (99°C) or high pressure  
may cause physical and color changes in prints. Preheat the  
cover sheet that you use over the face of the print to remove  
moisture. Apply pressure for 30 seconds or longer for a thick  
mount.  
VIEWING  
Evaluate prints under light of the same color and brightness  
that you will use to view the final prints. A good average  
viewing condition is a light source with a color temperature  
of 5000 ± 1000 K, a Color Rendering Index (CRI) of 85 to  
100, and an illuminance of at least 50 footcandles (538 lux).  
Fluorescent lamps such as the cool white deluxe (made by  
several manufacturers) meet these conditions. You can also  
use warmer lamps such as the Phillips 5000 K Ultralume, or  
a mixture of incandescent and fluorescent lamps. For each  
pair of 40-watt cool white deluxe fluorescent lamps, use a  
75-watt frosted tungsten bulb.  
You can also use a contact-type adhesive or cement for  
cold-mounting.  
DISPLAYING  
Photographic dyes, like all dyes, can change with time and  
exposure to sunlight, ultraviolet radiation, excessive heat,  
and high humidity. To help prevent changes in photographic  
dyes, follow these guidelines:  
Illuminate prints with tungsten light whenever possible.  
Display prints in the lowest light level consistent with  
your viewing needs.  
If a print is exposed to direct or indirect sunlight or  
fluorescent light, use an ultraviolet-absorbing filter  
(such as glass) between the light source and the print.  
Keep the temperature and humidity as low as possible.  
4
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SIZES AVAILABLE  
KODAK PROFESSIONAL ULTRA III Paper is available in  
a variety of roll and sheet sizes.  
Sizes and catalog numbers may differ from country to  
country. See your dealer who supplies KODAK  
PROFESSIONAL Products.  
Rolls  
in. x ft  
Rolls  
cm x m  
Surface Spec No.  
CAT No.  
5 x 577  
8 x 577  
12.7 x 176  
20.3 x 176  
20.3 x 176  
25.4 x 88  
25.4 x 88  
27.9 x 88  
27.9 x 88  
50.8 x 88  
50.8 x 88  
50.8 x 88  
50.8 x 88  
76.2 x 50  
76.2 x 50  
101.6 x 50  
127 x 50  
F
F
224  
224  
224  
224  
224  
224  
224  
223  
224  
224  
224  
223  
223  
223  
223  
223  
223  
171 5507  
193 9537  
811 1478  
815 6493  
820 0230  
828 3111  
840 0657  
829 4811  
875 9409  
183 9166  
858 0052  
884 5075  
893 8300  
175 6626  
883 9003  
889 5054  
854 9545  
8 x 577  
N
F
10 x 288  
10 x 288  
11 x 288  
11 x 288  
20 x 288  
20 x 288  
20 x 288  
20 x 288  
30 x 164  
30 x 164  
40 x 164  
50 x 164  
50 x 164  
72 x 100  
N
F
Size  
Size  
Sheets Per  
Package  
Surface  
CAT No.  
in. x in.  
cm x cm  
N
N
E
F
8 x 10  
8 x 10  
20.3 x 25.4  
20.3 x 25.4  
F
N
F
100  
100  
50  
50  
50  
50  
50  
50  
50  
50  
50  
25  
50  
848 5260  
181 1306  
175 2724  
801 0944  
873 3099  
876 2155  
899 6191  
843 6644  
875 1448  
807 3983  
834 1919  
179 2720  
194 2953  
812 x 11 21.6 x 27.9  
812 x 11 21.6 x 27.9  
N
N
F
N
F
10 x 10  
11 x 14  
11 x 14  
16 x 20  
16 x 20  
20 x 24  
20 x 24  
30 x 40  
30 x 40  
25.4 x 25.4  
27.9 x 35.6  
27.9 x 35.6  
40.6 x 50.8  
40.6 x 50.8  
50.8 x 61  
N
N
F
N
F
N
F
127 x 50  
N
N
182.9 x 30  
50.8 x 61  
N
F
76.2 x 101.6  
76.2 x 101.6  
N
KODAK PROFESSIONAL ULTRA III Paper E-142  
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CURVES  
Spectral-Dye-Density Curves  
Characteristic Curves  
2.5  
2.0  
4.0  
Process: RA-4  
0.5 sec  
Exposure:  
Process: RA-4, 95°F(35°C) 45 sec  
Densitometry: Status A  
3.0  
2.0  
1.0  
B
G
R
1.5  
1.0  
Cyan  
Yellow  
Magenta  
0.5  
0.0  
0.0  
400  
F002_0341AC  
500  
600  
700  
3.0  
2.0  
1.0  
0.0  
1.0  
F002_0967AC  
WAVELENGTH (nm)  
LOG EXPOSURE (lux-seconds)  
Spectral-Sensitivity Curves  
2.0  
1.0  
0.0  
1.0  
2.0  
Effective Exposure: 0.5 sec  
Process: RA-4  
Yellow-  
Forming  
Layer  
Magenta-  
Forming  
Layer  
Cyan-  
Forming  
Layer  
250 300 350 400 450 500 550 600 650 700 750  
WAVELENGTH (nm)  
*Sensitivity = reciprocal of exposure (ergs/cm2 ) required  
to produce specified density  
F002_0340AC  
NOTICE: The sensitometric curves and data in this publication represent product tested  
under the conditions of exposure and processing specified. They are representative of  
production coatings, and therefore do not apply directly to a particular box or roll of  
photographic material. They do not represent standards or specifications that must be met  
by Eastman Kodak Company. The company reserves the right to change and improve  
product characteristics at any time.  
6
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MORE INFORMATION  
For the latest version of technical support publications for  
KODAK PROFESSIONAL Products, visit Kodak on-line at:  
Kodak has many publications to assist you with information  
on Kodak products, equipment, and materials.  
Additional information is available on the Kodak website  
and through the U.S.A./Canada faxback system.  
The following publications are available from dealers who  
sell Kodak products, or you can contact Kodak in your  
country for more information.  
If you have questions about KODAK PROFESSIONAL  
Products, call Kodak.  
In the U.S.A.:  
1-800-242-2424, Ext 19 MondayFriday  
9 a.m.7 p.m. (Eastern time)  
In Canada:  
1-800-465-6325, MondayFriday  
8 a.m.5 p.m. (Eastern time)  
E-30  
E-70  
Storage and Care of KODAK Photographic  
Materials—Before and After Processing  
Retouching Prints on KODAK EKTACOLOR and  
EKTACHROME Papers  
Note: The Kodak materials described in this publication for  
use with KODAK PROFESSIONAL ULTRA III Paper are  
available from dealers who supply KODAK  
PROFESSIONAL Products. You can use other materials,  
but you may not obtain similar results.  
E-71  
J-39  
Retouching Color Negatives  
Tray, Drum, and Rotary-Tube Processing with  
KODAK EKTACOLOR RA Chemicals  
K-4  
How Safe Is Your Safelight?  
Z-130  
Using KODAK EKTACOLOR RA Chemicals  
KODAK PROFESSIONAL ULTRA III Paper E-142  
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KODAK PROFESSIONAL ULTRA III Paper  
KODAK PROFESSIONAL ULTRA III Paper  
KODAK Publication No. E-142  
Kodak, Kodak Professional, Ektachrome, Ektacolor,  
Gold, Supra, Ultra, Vericolor, and Wratten are trademarks.  
Minor Revision 1-03  
Printed in U.S.A.  
CAT 170 6118  
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