FujiFilm Film Camera RVP100 User Manual

AF3-202E  
COLOR REVERSAL FILMS  
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FUJICHROME Velvia 100 Professional RVP100  
3.  
FILM SIZES, EMULSION NUMBER, BASE  
MATERIAL AND THICKNESS  
1.  
FEATURES AND USES  
FUJICHROME Velvia 100 Professional [RVP 100] is a  
daylight-type high-image-quality color reversal film  
with an ISO speed rating of 100. In addition to the world’s  
highest level of color saturation, this film boasts an RMS  
granularity of 8, making it suitable for scenery, nature  
photography and other subjects that demand precisely  
modulated, vibrant color reproduction and high image  
quality.  
Emulsion Base  
Number Material Thickness  
Base  
Sizes  
• Rolls*  
...  
135 36-exp.  
...  
127 µm  
36-exp. (5-roll pack)  
20-roll pack)  
35mm × 30.5 (100 ft.)  
Cellulose  
Triacetate  
...  
...  
...  
120 12-exp.  
12-exp. (5-roll pack)  
220 24-exp. (5-roll pack)  
98 µm  
Features  
#460  
.............  
• ISO 100 Speed  
Easy-to-use ISO 100 rating  
with the world’s highest level  
of color saturation.  
• Sheets*  
4 × 5 in. (10.2 × 12.7 cm)  
...  
...  
10 sheets and 50 sheets  
• Ultrahigh-saturation Attainment of the world’s  
Polyester 175 µm  
8 × 10 in. (20.3 × 25.4 cm)  
Color Reproduction  
highest color saturation level  
equal to that of Velvia (ISO50)  
through the incorporation of  
new cyan, magenta and  
yellow couplers.  
...  
10 sheets  
..  
QuickLoad 4 × 5 in. 20 sheets  
* Some sizes are not available in certain markets.  
..........  
• Super-fine Grain  
RMS granularity of 8, one of  
the finest level.  
4.  
EXPOSURE GUIDE  
...  
• Color Image Storage Color image storage  
Use a meter to determine the exposure setting. If a  
meter is not available, refer to the following table.  
Permanence  
permanence (anti-fading  
characteristics) equal to that  
of RVP 100F as a result of  
new couplers.  
Seashore or Bright  
Hazy Cloudy Cloudy  
Light  
Conditions  
Snow Scenes Sunlight Sunlight Bright Day or  
.........  
under Bright  
Sun  
Open  
Shade  
• Superb Push/Pull  
Processing  
Suitability  
Minimum variation in color and  
gradation during push/pull  
processing over a range from  
–1/2 to +1 stop, providing an  
expanded range of photo-  
taking opportunities, as well  
as facilitating fine adjustments  
in exposure and density during  
processing and allowing an  
increase in speed of up to +2  
stops (equal to EI 400),  
Lens  
Aperture  
f/16  
f/11  
f/8  
f/5.6  
f/4  
(Exposure time: 1/250 sec.)  
NOTES  
• The settings are for 2 hours after sunrise and 2 hours before  
sunset.  
• Provide a lens opening 1/2-stop smaller during the summer  
and 1/2-stop larger during the winter (except for snow scenes).  
• Excessively bright (or dark) or backlighted subjects may require  
plus (or minus) 1-stop lens opening adjustments.  
depending on the scene.  
* RMS stands for “Root Mean Square”, a widely used standard  
method for measuring the degree of grain in photographic film.  
The lower the RMS number, the smaller the apparent grain.  
5.  
EXPOSURE FOR VARIOUS LIGHT  
CONDITIONS  
Daylight  
2.  
SPEED  
Under usual daylight conditions, color balancing filters  
are not necessary. For the following exposure condi-  
tions, however, the indicated filters are recommended.  
• A UV filter No. 2C* (SC-39 or SC-40)** or other ap-  
propriate ultraviolet absorbing filter is recommended  
for scenes that are receiving strong ultraviolet  
light from the sun, such as seaside locations, snow  
scenes, and bright distant views.  
Light Source  
Speed  
Color Balancing Filter  
Daylight  
ISO 100/21°  
None  
Tungsten Lamps  
(3200K)  
No. 80A**  
(LBB-12***)  
ISO 32/16°*  
*
Indicates the effective speed resulting from designated filter use.  
** Wratten Filter  
***Fuji Light Balancing Filter (not available in certain markets.)  
– 1 –  
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FUJICHROME Velvia 100 Professional RVP100 FUJIFILM PRODUCT INFORMATION BULLETIN  
NOTE  
Exposure correction values given above for long and  
Store at a place (cool and dark)  
away from direct sunlight or high  
temperatures and humidity.  
Short-term  
Storage  
multiple exposures are for a reversal film with an aver-  
age emulsion when processed under standard pro-  
cessing conditions. Therefore, use the data only as a  
guide. For exacting work, test exposures are recom-  
mended under actual shooting conditions.  
Long-term  
Storage  
Store at 10°C (50°F) or below  
• New building materials, newly manufactured furni-  
ture, paints and bonding agents may produce gases  
which could affect photographic film. Do not store  
film, lightproof boxes containing film or cameras or  
film holders loaded with film near these materials.  
• Film should be sealed in plastic bags* prior to cold  
storage. When taken out of cold storage, film should  
be allowed to reach room temperature before open-  
ing by letting it stand over 3 hours (for refrigerated  
7.  
EXPOSURE PRECAUTIONS  
• With artificial light, such as electronic flash, photoflood,  
fluorescent, tungsten, high intensity discharge lamp  
(metal halide, sodium, mercury vapor), etc., the lamp  
output and color temperature may be affected by  
such factors as brand, age of equipment and line  
voltage. Reflectors and diffusers can also influence  
light intensity and color temperature.  
• When using an accessory such as a reflector um-  
brella, reflector or diffuser to control light intensity  
or diffuse the light, the color of the light may be  
altered by changes that have occurred in the color  
or composition of the accessory’s materials or  
reflective surface.  
film) or over 6 hours (for frozen film).  
* Polyester, polystyrene, polyethylene, polypropylene, etc.  
9.  
PROCESSING  
This film is designed for processing by Process E-6 or  
its equivalent, as well as Fujifilm Process CR-56.  
8. UNPROCESSED FILM HANDLING / STORAGE  
HANDLING  
10. PROCESSED FILM HANDLING / STORAGE  
Since the purpose of film is to provide a long-term  
record of memorable events, as much effort as possible  
has been made to use materials that exhibit the least  
amount of change over time, but the effects of light,  
heat, atmospheric oxygen, contaminant gases, humidity  
and mold cannot be completely avoided. It is possible,  
however, to minimize change in the photographic  
image or base material by maintaining appropriate  
storage conditions, such as those used by museums  
and art galleries. Temperature and humidity control is  
the most important key to minimizing the change that  
occurs in film. Processed film stored in the dark un-  
der the following conditions may be expected to show  
almost no change over time.  
• Expose film before the expiration date indicated on  
the film package and process as soon as possible  
after exposure.  
• When removing film stored at low temperatures (in a  
refrigerator or freezer, etc.), allow it to reach room  
temperature before opening it. Opening film while it  
is still cold may cause condensation to form on the  
film surface, causing color changes or the emulsion  
to become more susceptible to scratches.  
• Roll film should be loaded and unloaded quickly and  
away from direct sunlight.  
• Film loaded in cameras should be exposed and  
processed promptly.  
• Sheet film must be handled in total darkness and with  
care so as not to touch the emulsion surface.  
• X-rays inspection machines used to inspect checked-  
in baggage at airports can cause fogging of film. Put  
both exposed and unexposed film into carry-on  
baggage (preferably in a transparent plastic bag or  
a net bag that allows the film to be seen). Because of  
the increasing number of airports using strong X-ray  
machines for carry-on baggage, it is recommended  
that you remove film from your carry-on baggage and  
request a visual (manual) inspection of your film.  
• Film fogging may occur near X-ray equipment used  
in hospitals, factories, laboratories and other places  
where radiation is used. Always keep film away from  
sources of radiation.  
Storage Period with  
Temperature  
Relative Humidity  
Almost No Change  
More than 20 years  
1020 years  
Below 10°C  
Below 25°C  
30%50%  
30%50%  
(1) Color reversal film should be mounted inserted into  
sleeves* for storage.  
* Polyester, polystyrene, polyethylene, polypropylene, etc.  
(2) Processed film should be stored at a place as far  
away as possible from high temperatures, direct  
sunlight and other strong light. The following con-  
ditions are not desirable for the storage of film  
and should be avoided in the case of long-term  
storage:  
STORAGE  
• Storage in a closet lying against a wall that is  
exposed to cold, outside air (where condensation  
may form).  
• Storage in an attic or on top of a closet or cabinet  
near the ceiling (where high temperatures may  
occur).  
Storing exposed or unexposed film under hot and  
humid conditions may adversely affect the speed, color  
balance and physical properties of the film. Although it  
is best to store film at a low temperature, for practical  
purposes, film should be stored as follows:  
– 3 –  
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FUJIFILM PRODUCT INFORMATION BULLETIN FUJICHROME Velvia 100 Professional RVP100  
11.  
LIGHT SOURCES FOR VIEWING  
13.  
RETOUCHING AND BLEACHING  
Use a standard transparency viewer. Visual responses  
will differ with light source quality and brightness.  
Therefore, employ a viewer which meets the ISO/ANSI  
Changes in density and color balance can be made  
by using readily available retouching dyes. In regard  
to bleaching, this film is as resistant to color dye fading  
as Velvia 100F, as a result of its improved color image  
stability (anti-fading characteristics).  
standard.*  
* The ISO standard (ISO 3664:2000) specifies an illuminated  
viewer surface with a color temperature derived from a CIE  
illuminant D50 (D:Daylight) with a reciprocal color temperature  
of 5000K, an average brightness of 1270cd/m2 ± 320cd/m2, a  
brightness uniformity of more than 75%, a light diffusion level  
of more than 90% and an average color rendition assessment  
value of more than Ra90. Transparency viewers should meet  
these standards.  
14.  
SHEET FILM CODE NOTCHING  
A notch code identifying this emulsion type is located in  
the upper right-hand corner when the emulsion surface  
is facing toward you. The same notch is provided for  
QuickLoad type films.  
12.  
PRINTS AND DUPLICATES  
This film can produce high-quality prints when used with  
digital printers such as the Fuji Digital Minilab Frontier.  
High-quality duplicates can be made on FUJICHROME  
DUPLICATING FILM CDU TYPE II (CDU II).  
15.  
PACKAGING  
Size  
135  
Item  
Film Box  
Contents  
New Exclusive Design  
Identification Color: Violet Blue  
Plastic Case  
Cartridge  
Same as the current product (Tranparent container with a black cap).  
New Exclusive Design  
Identification Color: Violet Blue  
120  
Film Box  
New Exclusive Design  
Identification Color: Violet Blue  
5 roll pack  
– 4 –  
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FUJICHROME Velvia 100 Professional RVP100 FUJIFILM PRODUCT INFORMATION BULLETIN  
Size  
Item  
Contents  
120  
Envelope  
Backing Paper  
and Seal  
Backing paper: FUJICHROME Exclusive Design  
Seal: Exclusive Design  
Backing Paper  
Top Seal  
End Seal  
220  
Film Box  
New Exclusive Design  
Identification Color: Violet Blue  
5 roll pack  
Envelope  
Backing Paper  
and Seal  
Backing paper: FUJICHROME Exclusive Design  
Seal: Exclusive Design  
Backing Paper  
Top Seal  
End Seal  
Sheet  
Film Box, Label  
and Seal  
New Exclusive Design  
Identification Color: Violet Blue  
– 5 –  
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FUJIFILM PRODUCT INFORMATION BULLETIN FUJICHROME Velvia 100 Professional RVP100  
16. PROCESSED FILM EDGE MARKINGS*  
<Rolls>  
• 135 Size  
• 120 Size  
• 220 Size  
<Sheets>  
• Standard Sheet Film  
• QuickLoad  
NOTES  
* The emulsion is on the opposite side. (Base side facing you)  
** This code represents an identification marking enabling Fujufilm’s manufacturing quality control system to assure  
individual quality.  
– 6 –  
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FUJICHROME Velvia 100 Professional RVP100 FUJIFILM PRODUCT INFORMATION BULLETIN  
17. TECHNOLOGIES INCORPORATED  
IN Velvia 100  
17-1 PSHC (Pure, Stable & High-performance  
dye-forming Coupler) Technology  
17-2 CEL (Color-Extension Layer) Technology  
The Multi-layer Color Correction Layer that enabled  
faithful color hue reproduction in Velvia 100F has been  
adjusted and applied in Velvia 100 as a color-extension  
layer. This layer, together with new-generation couplers  
and adjusted gradation and spectral sensitivity, gives  
Velvia 100 the ability to record the colors of sunrises,  
sunsets, natural greenery and other scenes with a vi-  
brancy beyond that normally perceived by the human  
eye.  
The new-generation couplers used in Velvia 100 provide  
it with high color purity, stability and color formation  
efficiency, making possible color reproduction with un-  
precedented fidelity and excellent image stability.  
This vividness forms the basis for Velvia 100’s ability  
to reproduce colors with ultra-high saturation.  
a) X-Coupler Technology:  
This marks the recent use in color reversal film of  
Fujifilm’s new proprietary cyan coupler.  
17-3 MSSC (Multi-Structured Sigma Crystal)  
Technology  
b) V-Coupler Technology:  
New technologies have been incorporated with the  
V-coupler applied in Velvia 100F.  
c) S-Coupler Technology:  
This technology is incorporated in Velvia 100 to im-  
prove upon the highly acclaimed ultrafine grain emul-  
sion technology used in PROVIA 100F, resulting in a  
greater enhancement in grain quality. With this technol-  
ogy as a basis, Velvia 100 continues to provide ultra-  
high color saturation along with super-fine grain quality  
(RMS=8) and high sensitivity (ISO 100) that exceed  
the levels of the current ISO 50 Velvia.  
In place of the yellow coupler used in FUJICHROME  
films providing these films with Fujifilm’s trademark  
color reproduction and stability, a new-generation  
yellow coupler has been incorporated to further boost  
these characteristics to even higher levels.  
Compared with existing FUJICHROME films, the X,  
V and S couplers have resulted in a drastic reduc-  
tion in auxiliary absorptive components (which cause  
muddiness) and provide high color stability.  
18.  
FILM STRUCTURE  
* These layers become colorless and transparent after processing.  
** The backing layer becomes colorless and transparent after processing, but it is not provided with 135 size film.  
– 7 –  
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FUJIFILM PRODUCT INFORMATION BULLETIN FUJICHROME Velvia 100 Professional RVP100  
......  
20.  
RESOLVING POWER  
19. DIFFUSE RMS GRANULARITY VALUE  
8
Read at a gross diffuse visual density of 1.0, using a 48-  
micrometre aperture.  
Chart Contrast  
Chart Contrast 1000:1.........................160 lines/mm  
1.6:1.......................... 80 lines/mm  
21.  
CHARACTERISTIC CURVES  
22.  
SPECTRAL SENSITIVITY CURVES  
* Sensitivity equals the reciprocal of the exposure  
(J/cm2) required to produce a specified density.  
23.  
MTF CURVE  
24.  
SPECTRAL DYE DENSITY CURVES  
NOTICE The data herein published were derived from materials taken from  
general production runs. However, changes in specifications may occur without  
notice.  
– 8 –  
FUJI PHOTO FILM CO., LTD.  
26-30, Nishiazabu 2-chome, Minato-ku, Tokyo 106-8620, Japan  
(
(
)•  
)
Ref. No. AF3-202E EIGI-05.2-FG HB 5-1 Printed in Japan  
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