TOUR SERIES
LOUDSPEAKER SYSTEMS
From Fender Pro Audio
Owner's Manual for
2912(c), 2915(c)
P/N 050757
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TOUR SERIES 2912(c) / 2915(c)
PROFESSIONAL LOUDSPEAKER
SYSTEM
INTRODUCTION
Thank you for purchasing a Tour Series 2912(c) /
2915(c) Loudspeaker System from Fender® Pro Audio.
We are sure you will find it both a unique and effective
sound reinforcement product, providing years of
trouble-free service.
13-Ply Baltic Birch Cabinet
Controlled Dispersion™ (60˚ or 90˚) Constant
Directivity Horn
4-pole Speakon™ Connectors and High
Current 1/4” Phone Jacks
The 2912(c) /2915(c) is a professional, full-range, two-
way, compact loudspeaker designed for the most
demanding concert sound and sound contracting
requirements. With a scientifically derived trapezoidal
shape and equipped with fly-points for use with the
Fender RigSafe™ rigging and flying hardware (except
"c" versions), the speakers are designed for use as a
single unit or as part of a larger loudspeaker array. The
RigSafe system is compatible with both the JBL
S.A.F.E.™ and the ATM Flyware™ components.
Built-in passive 4th Order Linkwitz-Riley
crossover
Cast Frame Woofer
B & C 1" (2.55cm) Exit Compression Driver
Featuring a passive Linkwitz-Riley crossover, bi-amp
capability, high power handling and variable horizontal
coverage patterns, the 2912(c) /2915(c) is designed
to form the basis of anything from a P.A. system for a
band to a full-size concert sound tour system. After
moisture sealing, the 2912 / 2915 cabinets are painted
with an environmentally friendly tough black finish for
long life and lasting looks. The 2912c / 2915c are
covered in a rugged black carpet with the addition of
metal corners and feet. These speakers are ideal for
use as a two-way system or as the mid / high pack in
a three-way set-up incorporating a 118s(c) or 215s(c)
subwoofer loudspeaker system.
Reinforced for Flying Applications
(except "c" versions)
CAUTION: Almost all speakers produce strong
magnetic fields which may interfere with the
normal operation of nearby electronic devices,
including televisions and computer video
monitors. To reduce or eliminate interference,
increase the distance between this product and
other nearby electronic devices.
3
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CONNECTIONS
SETUP SUGGESTIONS
In normal operation (using the passive internal The placement of any speaker can dramatically affect
crossover), the 1/4" jacks and the Speakon™ its sound. Thus, there are several considerations to
Connectors are wired in parallel allowing any one of review when placing loudspeakers.
the connectors to be used as an input and any other
as an output. This allows "daisy chaining" of multiple First, the range of the horizontal coverage should be
loudspeakers, eliminating the need for several long, determined. If the speaker will be used as a single unit,
cumbersome runs of speaker cable. During normal as part of a pair, or as part of a group of widely spaced
mode, the connections are as follows:
enclosures, then maximum horizontal coverage will be
desired. Examples of these types of setups are
shown. No changes to the speaker are needed using
these configurations. The horn in this configuration
Polarity
Phone Jack
Speakon™
Positive (+)
Negative (-)
Tip
Sleeve
1+ and/or 2+ has a horizontal coverage angle of 90º and a vertical
1- and/or 2-
coverage of 40º.
When the switch on the back of the speaker is in the
bi-amp mode, the internal crossover and high
frequency attenuator are disabled. Thus, an external
crossover must be used with the speaker and two
channels of power amplification will be required: one
for the low frequencies and another for the high
frequencies. In bi-amp mode, the connections are as
follows:
Stage
2 9 1 5
2 9 1 5
Audience
Phone Jacks
Left
Frequency
Polarity
Right
Speakon
Two speakers arranged as a mono or stereo
pair requiring maximum horizontal coverage
N/A
Lows
Lows
Highs
Highs
Positive (+)
Negative (-)
Positive (+)
Negative (-)
Tip
1+
1-
2+
2-
N/A
Sleeve
N/A
30º
Tip
Sleeve
N/A
2 9 1 2
2 9 1 2
IMPORTANT: If the crossover switch is set to
external, DO NOT plug a full range signal into the
High Frequency input. Doing so will destroy the
compression driver.
Two speakers in a "loose pack" array
requiring maximum horizontal
coverage
If the speaker is part of a tightly packed array (see figure
below), the coverage pattern should be modified to
reduceoverlappingradiatingpatternsofmultipledrivers.
(See the section on "Horn Inserts" for more information.)
2 9 1 2
2 9 1 2
2 9 1 2
A "tight-pack" array requiring a 60º
horizonal dispersion pattern
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A second consideration is for feedback and bass
performance. If the speaker is placed near a large, flat
wall,thebassoutputwillbeincreasedbyapproximately
6 dB. Placing the speaker near a wall can cause
feedback. If this occurs, the speaker must be moved.
In general, placing speakers near a wall works best if
the sources feeding the speaker are line level items.
HORN INSERTS
To change the dispersion pattern from 90º to 60º, first
removethegrillefromthespeaker. Usingasmallscrew
driver, gently pry the grille away from the top and
bottom cleat. Next, gently pull outward at the center
of the grille; it should bend and pull out from under the
sides. If your insert has a plug on it, you may wish to
remove it for easier installation. To do so, carefully
cut it off with a razor blade. To attach the two horn
inserts, first place the wider end of the insert under the
front lip of the horn. Next, guide the smaller end of the
insert under the ribs near the throat of the horn. The
insert is secured in place by the 3 ridges.
A third consideration is to what degree the speaker
should be "heard and not seen", especially in
permanent installations. Flying (hanging the speakers
from the ceiling) is one option whereby the 2912 / 2915
can be integrated with a 118s subwoofer. In this
configuration, the speakers can be arranged in any
array of up to three rows (tiers), loose or tight pack,
with or without downward angling (splaying).
2915
2912
2915
2912
118s
118s
Installing the 2912(c) / 2915(c) horn insert
Reinstall the grille by placing one side of the grille under
the side cleat, then gripping the grille on the top and
bottom, bend the other end under the cleat at the
opposite end of the cabinet. With the inserts installed,
the horizontal coverage angle is reduced to 60º.
The high frequency driver for all enclosures is a
compression driver using high technology polymer
materials to handle large amounts of power. This
compression driver is mated to an innovative
Controlled Dispersion™ horn that allows a single horn
to be used for a number of applications. The quick
placement or removal of the horn inserts can change
the horizontal coverage pattern from 60º to 90º. When
both inserts are installed, a 60º coverage pattern is
achieved. This is useful in multi-cabinet tight pack
arrays where a narrower consistent coverage pattern
is required. With the horn inserts removed, a 90º
coverage pattern is attained offering a wider horizontal
dispersion pattern.
Flying speakers with the Fender RIGSAFE™ system
The Fender RigSafe™ system is designed into both
speakercabinetsmodelstosafelyaccommodatesuch
practices. ThissystemiscompatiblewithboththeJBL
S.A.F.E.™ and the ATM Flyware™ rigging systems.
Nonetheless, flying loudspeakers above crowds is
dangerous and should only be undertaken by
experienced and insured riggers. Formoreinformation
on safe rigging practices, please refer to the "Flying
with Fender RigSafe™" brochure (p/n 049646) or
contact ATM FlyWare at (310) 834-5914.
5
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NORMAL vs. BI-AMP OPERATION
UNPOWERED MIXER
MONITOR
OUT
MAIN
OUT
Hours of testing and listening are used to determine
the crossover point and filter slopes for each speaker.
This information is then used to design the built-in
passive crossover. For versatility and increased
headroom, some users may wish to use an active
electronic crossover / processor, such as the Fender
PCN-2 or PCN-4, with the system. This electronic
crossoverorprocessorwilltaketheplaceoftheinternal
crossover of the speaker system. The "Normal / Bi-
Amp" switch on the back of the cabinet must be set
to the "Bi-Amp" position. A typical set-up of a bi-amp
configuration is shown at right.
IN
PCN-2 ELECTRONIC CROSSOVER
HIGH
OUT
LOW
OUT
For those situations requiring a subwoofer, the 2912(c)
/ 2915(c) can still be amplified if a three-way electronic
crossover is used. An example of this configuration is
shown on the next page.
B In
A In
It is strongly recommended that a fourth-order
"Linkwitz-Riley" or a digital FIR fourth-order active
crossover be used. The crossover frequency, for both
the 2912(c) / 2915(c), should be set at approximately
2000 Hz. Since the output sensitivity of the
compression driver is higher than that of the woofer,
the high frequency output of the system must be
decreased at either the crossover (if such a control is
provided) or at the power amplifier(s) that are used for
the high frequencies.
A Out
B Out
SPA-13000 POWER AMP
Hi
Hi
SWITCHES
SET TO
2912(c)
2912(c)
EXTERNAL
CROSSOVER
or
or
2915(c)
2915(c)
Low
Low
CAUTION: Be sure to connect the high frequencies
and low frequencies to their correct inputs
indicated on the back of the speaker cabinets.
Speakers operated in a bi-amp configuration
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UNPOWERED MIXER
MONITOR
OUT
MAIN
OUT
INPUT
HIGH
OUT
MID
OUT
LOW
OUT
PCN-4 ELECTRONIC CROSSOVER
A In
B In
A Out B Out
SPA-13000 POWER AMP
Hi
Hi
SWITCHES SET
TO EXTERNAL
CROSSOVER
2912(c)
or
2915(c)
2912(c)
or
2915(c)
Low
Low
A In
Bridge Out
SPA-13000 POWER AMP
Bridge Mono Mode
118s(c)
Speakers operated in a bi-amp configuration with
a subwoofer (tri-amping)
7
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SPECIFICATIONS
MODEL
2912(c)
2915(c)
PART NUMBER
2912: 071-1330-000
2912(c): 071-1330-100
2915: 071-1340-000
2915(c): 071-1340-100
MAXIMUM dB SPL
OUTPUT LONG TERM
120 dB
121 dB
CABINET
3/4" (1.9 cm) 13-ply Baltic birch 3/4" (1.9 cm) 13-ply Baltic birch
CROSSOVERS
2000 Hz 4 pole low pass
2000 Hz 4 pole low pass
with phase compensation network
with phase compensation network
2000 Hz 4 pole high pass
2000 Hz 4 pole high pass
CONNECTIONS
(2) 1/4" Phone Jacks
(2) 4-pole Speakon Jacks
(2) 1/4" Phone Jacks
(2) 4-pole Speakon Jacks
DRIVER
Low:
High:
12" (30.5 cm) cast frame woofer 15" (38.1 cm) cast frame woofer
2.5" (6.4 cm) voice coil
80 ounce (2.3 kg) magnet
8Ω nominal impedance
3" (7.6 cm) voice coil
80 ounce (2.3 kg) magnet
8Ω nominal impedance
1" Exit Throat
1" Exit Throat
Polymer Diaphragm
Polymer Diaphragm
2" (5 cm) voice coil
38 ounce (1.1 kg) magnet
16Ω nominal impedance
2" (5 cm) voice coil
38 ounce (1.1 kg) magnet
16Ω nominal impedance
FREQUENCY
RESPONSE
Axial +/- 3 dB:
SPL @ 1W/1m:
60 Hz to 18 kHz
56 Hz to 18 kHz
AXIAL
SENSITIVITY
97 dB
98 dB
POWER
HANDLING
EIA RS 426-A Noise: 150W for 8 hours
200W for 8 hours
400W
800W
Program:
Peak:
300W
600W
Nominal Impedance: 8Ω
8Ω
Woofer:
Compression:
300W program
80W program
400W program
80W program
DIMENSIONS
Weight
Height
Width (front)
Width (rear)
Depth
73 lbs.
25.6"
21.9"
9"
(33 kg)
(65 cm)
(55.6 cm)
(22.8 cm)
(50 cm)
75 lbs.
26.8"
21.9"
9"
(34.1 kg)
(68 cm)
(55.6 cm)
(22.8 cm)
(50 cm)
19.5"
19.5"
WARNING: (2912 / 2915 only) The length of the useful life of these cabinets will depend in substantial part upon how they
are treated in use. The user of this cabinet must periodically have this cabinet inspected to ensure that continued use has
not weakened the cabinet's structure, including the various joints which are fastened with glue and/or screws. Because
this cabinet is in some instances, suspended from heights in use and could cause serious injuries or fatalities if it falls, this
determination is important and must be attended to by the user.
For questions concerning flying your 2912 or 2915, please refer to the "Flying with Fender RigSafe™" booklet (P/N 049646)
or contact ATM FlyWare at (310) 834-5914.
A PRODUCT OF:
FENDER MUSICAL INSTRUMENTS CORP.
CORONA, CA 91720 USA
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