TV-60 • TV-120
TV-6210•TV-6212
GUITAR AMPLIFIER
Owner’s Manual
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TV-60/120/6210/6212 GUITAR AMPLIFIERS
INTRODUCTION:
The TV-60, TV-120, TV-6210 and TV-6212 are feature-packed professional stage performer’s ampli-
fiers. Rugged construction, reliable American craftsmanship and two powerful channels of pure tube power
are some of the trademarks of these new and impressive pieces of musician's equipment. All four ampli-
fiers feature two distinctly different 12AX7 tube-driven channels: one with classic tube rhythm sounds and
one offering you some of the finest lead and overdrive sounds of any stock amplifier.
Each channel features an all-tube preamp section with three bands of equalization for total tone con-
trol. The master Presence control lets you custom tailor the sound of your guitar to suit your particular
needs.
The Line Out signal is tapped directly from the speaker outputs, then attenuated and frequency-com-
pensated to replicate the sound of a miked speaker cabinet. Two speaker output jacks along with an
impedance selector switch provide easy impedance matching to a wide variety of cabinet configurations.
The TV-60, TV-6210 and TV-6212 deliver a solid 60 watts of musical output power, while the TV-120 deliv-
ers a full 100 watts.
FEATURES:
Here's a quick overview of the Turbo Valve’s features and controls. Additional information can
be found on the pages indicated.
• Patented Channel Switching Circuitry: Achieves maximum use of each preamp tube - so unique
it's patented!
• Boost Control: Like adding a third channel to your amp. Gives a big boost to the midrange fre-
quencies and the overall gain of Channel Two via the front panel switch or a footswitch (page 4).
• Adjustable Presence Control: Fully adjustable upper harmonics level for changing the "presence"
of both channels (page 4).
• Auto-Biasing Circuitry: Want to change your sound? Change your tubes! Internal circuitry allows
the use of either 6L6 or EL34 power tubes with no manual bias adjusting (page 7).
• D.C. filament supply for first two stages: eliminates the need for a “hum balance” control.
• Effects Loop: For noiseless patching of external effects, or use as a preamp out/power amp in con-
nection (page 5).
• Balanced Out Jack: Taken directly from the speaker output signal, this electronically balanced and
frequency compensated output lets you patch into house sound boards, recording consoles, etc. with
ultimate sonic fidelity (page 5).
• Footswitch Jacks: Two separate jacks – one for channel selection and boost control and one for
reverb on/off control – allow use of a two or three-button footswitch for total control (page 5).
• Speaker Jacks: Speaker connector / impedance switch combination allows a variety of cabinet con-
figurations (page 5).
• High Cosmetic Appeal and Stage Presence: The unique cosmetics of the Turbo Valve amplifiers
serve as a tribute to your good taste in musical equipment.
• Musician Made in the U.S.A.
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TV-60/120/6210/6212 GUITAR AMPLIFIERS
THE FRONT PANEL:
1.INPUT: Connect your guitar or wire-
less receiver into this standard 1/4"
jack using a shielded instrument cable.
CHANNEL TWO:
MASTER:
8.GAIN: Adjust the overdrive (distor- 14. REVERB: Adjust the amount of
tion) level with this control. With the reverberation with this control: at the
control towards “0” (to the left) the sig- "0" position the signal is "dry" (no
nal is relatively clean. As you bring the reverb). As you bring the control up,
control towards “5” (center position) the amount of reverb increases.
CHANNEL ONE:
2.VOLUME: Set the output volume
level of Channel One with this control.
3.LOW: Adjust the bottom end
response with this control. The low
control covers a range of 16dB at
100Hz.
the distortion increases, along with the
overall output level. Keep turning the
15. PRESENCE: Increase the level of
upper harmonics with this control. The
control towards “10” and you’ll
presence control allows a boost of up
increase the distortion even more.
to 5dB at 10kHz.
9.BOOST: Add a third channel (sort-
16. STANDBY: This switch activates
4.MID: Adjust the midrange response
with this control. The mid control cov-
ers a range of 20dB at 700Hz.
of) by pressing this pushbutton switch
the amplifier (providing the On/Off
in. The boost switch adds 8dB at 1kHz.
switch, #17, is at the ON position), and
10. LOW: Adjust the bottom end should always be turned on last. The
response with this control. The low switch is ON in the up position. The
control covers a range of 8dB at amp should be left in the Standby
5. BRIGHT: Add a biting edge to your
sound by pressing this pushbutton
switch in. The bright switch adds 5dB
at 5kHz.
100Hz.
mode (switch down) during set breaks.
11. MID: Adjust the midrange response NOTE: When you first power up this
with this control. The mid control covers amplifier, leave the Standby switch
6.HIGH: Adjust the high end response
with this control. The high control cov-
ers a range of 20dB at 10kHz.
a range of 12dB at 1kHz.
OFF for at least 20 seconds. This
gives the power tubes a chance to pre-
pare themselves for action.
12. HIGH: Adjust the high end
response with this control. The high
7.CHANNEL: Switch between chan-
nels with this pushbutton switch. The
adjacent green LED glows when
Channel One is selected (switch "out"),
the red LED glows when Channel Two
is selected (switch "in"). When a
footswitch is used for channel switch-
ing, this switch is disabled.
control covers a range of 14dB at 17. ON/OFF: This switch applies AC
10kHz.
voltage to the amplifier in the UP posi-
tion, and should always be turned on
first. The Active Lamp (#18) lights up
when the AC power is on.
13. LEVEL: Set the output signal level
of Channel Two with this control. At the
"0" position (full left) very little or no
signal will be heard; as you bring the 18. ACTIVE LAMP: This domed lamp
control up (towards center) the output lights when the amplifier is powered
level of Channel Two increases. Use up, indicating it is ready to be played.
this control along with your guitar's vol- (The lamp stays on regardless of the
ume and the Gain control (#8) to pro- setting of the Standby switch, #16.)
duce a wide variety of sounds.
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TV-60/120/6210/6212 GUITAR AMPLIFIERS
THE REAR PANEL:
19. FUSE: This fuse protects the 22. REVERB FOOTSWITCH JACK: 26. SPEAKER JACKS: Use these
amplifier against damages caused by Connect a mono 1/4” plug (tip/sleeve) jacks to connect the amplifier to your
overload conditions in the unit. If the here from either a one or three button speaker cabinet(s). Use the “Main” jack
fuse blows, replace it only with the footswitch for reverb on/off control.
first; never use the “Ext” jack if nothing
is connected to the “Main” jack!
Always keep the impedance at 4 or 8
ohms, with the Impedance Selector
switch (#27) at the proper setting.
same size and type as indicated on the
23. EFFECTS LOOP SEND: When
rear panel. If the fuse blows continual-
using an external effects device, use
ly, the line voltage may be incorrect, or
this jack to send the signal from your
the amp may need servicing.
amp to the effect. Connect a shielded
IMPORTANT NOTE ABOUT CERTAIN
EXPORT UNITS: In some areas 1/4”
jacks are not acceptable for use on
amplifiers capable of high output power
levels. For this reason the 1/4” speaker
jacks on your amplifier may be factory
sealed. In this case, use the Speakon®
jack to connect the amplifier to your
speaker cabinet(s) using cables rated
for high power, terminated with the
appropriate connectors.
20. AC LINE IN: Firmly plug the instrument patch cord from the send
female end of the supplied power cord jack to the input jack of the effect.
into this socket, pushing it in until it is
The send jack also doubles as a
fully seated. Plug the male end of the
"preamp out" jack, to feed a post-eq
cord into a properly grounded AC out-
signal to a mixing board, recording
let of the correct voltage. DO NOT
console or external amplifier.
DEFEAT THE GROUND PIN OF THE
24. EFFECTS LOOP RETURN: Use
this jack to return the signal from an
external effects device back to your
amplifier. Connect a shielded instru-
ment patch cord from the output jack
of the effect to the return jack.
AC PLUG! Use only the supplied
power cord. If the amplifier is to be
used outside of the United States, see
your authorized Crate dealer for infor-
mation about alternate line cords and
power converters if needed.
27. IMPEDANCE SELECTOR: For the
best performance and least strain on
your amplifier, you MUST properly
match the impedance of your amplifier
to that of your speaker cabinet(s). Set
the selector switch to the 4 or 8 ohm
position, depending on the total
impedance of your speaker cabinet(s).
The chart below can help you deter-
mine that impedance based on the fol-
lowing combinations of speakers con-
nected in parallel.
The return jack also doubles as a
"power amp in" jack, to feed a line-
level signal directly into the internal
power amp. This is useful when "slav-
ing" two amplifiers together.
21. CHANNEL SELECT/BOOST
FOOTSWITCH JACK: Connect a
stereo 1/4" plug (tip/ring/sleeve) here
from either a two or three button
footswitch (such as the Crate CFP-2 or
CFP-3) for control of channel switch-
ing. The tip of the jack is for channel
switching; the ring is for boost control.
When a footswitch is connected here,
the front panel channel select and
boost switches (#7 and #9) are dis-
abled.
25. BALANCED OUT JACK: This XLR
connector supplies a balanced output
signal from the power amp for patching
into a mixing board, recording console
or external amplifier. The signal is elec-
tronically compensated to simulate the
sound of a "miked" cabinet.
CABINET
NUMBER OF
TOTAL
IMPEDANCE
CABINETS IMPEDANCE
8 OHMS
16 OHMS
16 OHMS
2
2
4
4 OHMS
8 OHMS
4 OHMS
Speakon® is a registered trademark of Neutrik USA
5
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TV-60/120/6210/6212 GUITAR AMPLIFIERS
SOME SUGGESTED SETTINGS:
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TV-60/120/6210/6212 GUITAR AMPLIFIERS
A WORD ABOUT TUBES:
Vacuum tubes can only last so long. Allowing your amp to cool down before moving it will help prolong
the life of the tubes. Even so, after about a year (or sooner if you're on tour or jammin' more frequently
than most) you may notice the output of your amp just isn't as "alive" as it used to be. If the sound from
your amplifier starts to grow weak, lacks punch, fades up and down, loses highs and lows, gets "funny"
(clanking sounds, etc.), it's very likely that the power tubes are worn out and need replacing. Since power
tubes work together in an amplifier, it is important that they all be replaced at the same time with a matched
set of tubes.
If you're looking to change the sound of your amp, you can replace the stock 6L6 power tubes with
EL34's. 6L6 tubes tend to give you more of the "American" sound, with lots of solid power, even up to their
full output, with a lot of dynamic headroom. EL34 tubes tend to give you that "English/British" sound: they
distort sooner and provide a more controllable and less penetrating distortion effect when overdriven.
Either way, your amplifier has been engineered to facilitate power tube replacement, with automatic bias-
ing when changing tube types. IF YOU DON'T CONSIDER YOURSELF ADEPT WITH A SCREWDRIV-
ER, REFER POWER TUBE REPLACEMENT TO A QUALIFIED SERVICE CENTER. Otherwise, unplug
your amp, allow it to cool for at least thirty minutes, and proceed as follows:
•Turn the amp so you're looking at its rear panel.
•Unscrew and remove the wooden rear cover.
•Remove the power tubes one at a time by slightly spreading the wire tube clamps with one hand
and gently pulling the tube out of the socket with the other hand.
•When inserting new power tubes, carefully align the tab in the tube's plastic base with the slot in the
socket and press the tube gently but firmly into place.
•Replace the rear cover piece and tighten the screws. (Avoid overtightening.)
•Power up the amplifier and let it sit for at least twenty minutes before playing.
If the amp starts to squeal, gets noisy, loses gain or starts to hum, the preamp tubes may be bad.
Since removal of the tubes may expose extremely hazardous voltage levels, always refer replace-
ment of the preamp tubes to a qualified service center. Insist upon using only the highest quality, low-
microphonic tubes!
SYSTEM BLOCK DIAGRAM:
Speakon® is a registered trademark of Neutrik USA
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TV-60/120/6210/6212 GUITAR AMPLIFIERS
TECHNICAL SPECIFICATIONS:
Output Power Rating
TV-60, TV-6210, TV-6212
TV-120
60 watts RMS nominal @ 5% THD
100 watts RMS nominal @ 5% THD
Input Impedance
1M ohm
Ch. 1
Ch. 2
System Gain
74dB
87dB
Tone Controls
Low
Mid
High
16dB range @ 100Hz
20dB range @ 700Hz
20dB range @ 10kHz
5dB boost @ 5kHz
Low
Mid
High
Boost
8dB range @ 100Hz
12dB range @ 1kHz
14dB range @ 10kHz
8dB boost @ 1kHz
Bright
Presence Control
5dB boost @ 10kHz
Effects Send/Return Level
Balanced Out Level
Tube Complement
0.7V RMS nominal
0.4V RMS nominal, unloaded
12AX7 (4), 12AU7 (1), 6L6 GT/5881 (2)
Internal Speaker(s)
Size and Type
Magnet
TV-60
12” Crate 60W (1)
38 oz.
TV-120
12” Crate 60W (2)
38 oz.
TV-6210
10” Crate 30W (2)
30 oz.
TV-6212
12” Crate 60W (2)
30 oz.
Voice Coil
1 3/4”
1 3/4”
1 3/4”
1 3/4”
Impedance
8 ohm
16 ohm
16 ohm
16 ohm
Power Requirements
TV-60, TV-6210, TV-6212
120VAC, 60Hz, 110VA
TV-120
120VAC, 60Hz, 280VA
100/115VAC, 50/60Hz, 110VA
230VAC, 50/60Hz, 110VA
100/115VAC, 50/60Hz, 280VA
230VAC, 50/60Hz, 280VA
Size and Weight
H x W x D, Inches
TV-60
TV-120
TV-6210
TV-6212
18-3/4 x 22-1/4 x 11-1/8 20-1/4 x 26 x 10-1/2
50 lbs. 70 lbs.
18-3/4 x 22-1/4 x 11-1/8 20-1/4 x 26 x 10-1/2
52 lbs.
62 lbs.
Crate continually develops new products, as well as improves existing ones. For this reason, the specifications and information in this manual are subject to change without notice.
The TV-60, 120, 6210 and 6212 are covered with high-quality, durable Tolex®. To keep them looking their best, avoid
abrasive cleansers. Wipe the cabinets clean using a slightly dampened soft cloth. Do not spray cleaners directly into
the amplifier. Never use brass cleaners on the hardware since they could damage their protective coatings.
©1997 SLM ELECTRONICS
A DIVISION OF ST. LOUIS MUSIC
1400 FERGUSON AVENUE • ST. LOUIS, MO 63133
P/N 47-584-03 • 07/97
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