Crate Amplifiers Musical Instrument Amplifier GFX 120T User Manual

GFX-212T  
GFX-120T  
Owner’s Manual  
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GFX-120T/212T Guitar Amps with DSP & ChannelTracking  
The Digital Signal Processor:  
Crate’s Digital Signal Processing offers 16 exciting digital effects, accessible through the DSP  
Mode control. The effects are described below.  
1
2
REV 1  
REV 2  
REV 3  
REV 4  
DLY 1  
DLY 2  
DLY 3  
small room reverb  
medium room reverb  
3
large room reverb  
4
concert hall reverb  
5
short slapback + small room reverb  
medium delay + plate reverb  
long delay + large room reverb  
6
7
8
FLNG 1 slow deep flange + reverb  
FLNG 2 flange + reverb + delay  
CHO 1 slow tremolo chorus + reverb  
CHO 2 chorus + reverb + delay  
9
10  
11  
12  
RTRY  
simulated rotating speaker effect  
13 OCTV DN adds a signal one octave lower than input  
14  
15  
16  
T-WAH touch sensitive wah-wah effect  
I-WAH  
DBLR  
inverse wah-wah effect  
simulated second track, slightly out-of-sync  
Channel Tracking:  
Your Crate GFX-120T/212T gives you the power of Channel Tracking! Once you select a DSP  
setting for each channel, Channel Tracking recalls those DSP settings automatically – without  
changing the DSP controls! For example:  
Select the Clean channel. Set the DSP Mode to “FLNG 1” (slow deep flange + reverb)  
Select the Overdrive channel, Gain 1. Set the DSP Mode to “CHO 1” (slow tremolo chorus + reverb)  
(the setting for the Clean channel is now saved to memory)  
Select the Overdrive channel, Gain 2. Set the DSP Mode to “T-WAH000” (touch sensitive wah-wah)  
(the setting for the Overdrive channel, Gain 1 is now saved to memory)  
• Reselect the Clean channel (the setting for the Overdrive channel, Gain 2 is now saved to memory)  
Now when you go back to the Clean channel, even though the DSP Mode was last set to “T-WAH,”  
Channel Tracking automatically recalls the last setting for the Clean channel – in this example,  
“FLNG 1.” Change to the Overdrive channel, Gain 1, and “CHO 1” is recalled. Change to the  
Overdrive channel, Gain 2, and “T-WAH” is recalled. That’s the power of Channel Tracking!  
(Note: Even when the power is turned off, Channel Tracking still retains the settings – until you change them!)  
3
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GFX-120T/212T Guitar Amps with DSP & ChannelTracking  
The Front Panel:  
1
2
3
4
5
6
7
8
9
10  
11  
12  
13  
14  
15  
16  
17  
18 19  
1: INPUT: Use this 1/4” jack to connect your guitar to the amplifier by means of a shielded instrument cable.  
OVERDRIVE CHANNEL: A high gain channel giving you sounds from a slight edge to serious overdrive.  
2: GAIN 1: Use this control to adjust the amount of light distortion for the Overdrive channel. Gain 1 pro-  
duces less intense distortion than Gain 2 (#3) and is active when the Gain switch (#5) is in the out position.  
3: GAIN 2: Use this control to adjust the amount of heavy distortion for the Overdrive channel. Gain 2 pro-  
duces more intense distortion than Gain 1 (#2) and is active when the Gain switch (#5) is depressed.  
4: SHAPE: Use this control to “dial in” the tone for the Overdrive channel when Gain 2 is selected. Rotating  
the control counterclockwise enhances the mid frequencies, while rotating the control clockwise enhances  
the low and high frequencies. This control is active only when Gain 2 is selected.  
5: GAIN SELECT: Use this switch to select which gain control is active for the Overdrive channel. With the  
switch in the out position, Gain 1 is selected. When the switch is depressed, Gain 2 is selected.  
6: LOW: Use this control to adjust the low frequency level of the Overdrive channel.  
7: HIGH: Use this control to adjust the high frequency level of the Overdrive channel.  
8: LEVEL: Use this control to adjust the output level of the Overdrive channel.  
9: CHANNEL SWITCH: Use this switch to select either channel. With the switch in the out position, the  
Clean channel is selected. When the switch is depressed, the Overdrive channel is selected.  
CLEAN CHANNEL: A normal gain channel designed to give you crystal clear sounds to medium distortion.  
10: LEVEL: Use this control to adjust the output level of the Clean channel.  
11: LOW: Use this control to adjust the low frequency level of the Clean channel.  
12: MID: Use this control to adjust the midrange frequency level of the Clean channel.  
13: HIGH: Use this control to adjust the high frequency level of the Clean channel.  
14: DSP LEVEL: Use this control to adjust the amount of digital effect: in its fully counterclockwise posi-  
tion the signal will be “dry” (without any effect). As you rotate the control clockwise the amount of effect  
increases.  
15: DSP MODE: Use this control to select one of the 16 built-in digital effects. The effects available are list-  
ed on page 3 of this manual.  
16: INSERT: Use this jack to connect an external effects device to the amplifier. Use a stereo 1/4” male Y  
connector: ring = send, tip = return, sleeve = ground. (Refer to the illustration at the bottom of page 5.)  
17: EXTERNAL SPEAKER: Use this jack to connect the amplifier to an external speaker. This jack is wired  
in series with the internal speaker, which remains active even when an external speaker is connected.  
18: ON LED: This LED will illuminate when power is applied to the amplifier.  
19: POWER: Use this switch to turn the amplifier on (top of the switch depressed) and off (bottom of the  
switch depressed).  
4
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GFX-120T/212T Guitar Amps with DSP & ChannelTracking  
The Electronic Tuner:  
20  
20. ELECTRONIC TUNER (top panel): The electronic tuner is active whenever the amplifier is turned on,  
providing constant, “real-time” tuning. The bottom row of LEDs indicate which note (string) is being tuned.  
The top row of LEDs provides directional queues to facilitate quick and precise tuning of your instrument.  
The indicated note (string) is properly tuned when only the center LED is illuminated.  
The Rear Panel (not shown):  
21: AC LINE CORD: This grounded power cord is to be plugged into a grounded power outlet, wired  
to current electrical codes and compatible with the voltage, power, and frequency requirements stated  
on the rear panel. Do not attempt to defeat the safety ground connection.  
21: FUSE: The fuse protects the amplifier from damages caused by a faulty AC power source and/or  
other problems. If the fuse opens, replace it ONLY with the same size and type. If fuses continue to fail,  
check the AC source – if the source is okay, contact your Crate dealer for service information.  
22: CHANNEL SELECT / GAIN FOOTSWITCH JACK: Use this jack to connect the stereo 1/4” plug of  
the supplied three-button footswitch for remote control of channel selection and gain selection.  
23: REVERB FOOTSWITCH JACK: Use this jack to connect the mono 1/4” plug of the supplied three-  
button footswitch for remote control of DSP on and off.  
CONNECTING TO THE INSERT JACK:  
Stereo-to-mono Y-cord:  
Y-adapter and 2 cables:  
TIP  
RING  
SLEEVE  
RETURN  
TIP  
to Insert  
jack  
to Insert  
jack  
SEND  
RING  
The Insert jack (#16) allows  
you to patch an external  
GROUND  
SLEEVE  
(STP201, 3'  
STP202, 6'  
STP203, 9')  
effects device into the amplifier  
prior to its power amp stage.  
Use Crate’s STP201, STP202  
or STP203 stereo-to-mono Y  
cord or an adapter such as  
Crate’s YPP117 and two 1/4”  
mono signal cables to connect  
the effect as shown to the  
immediate right.  
(YPP117)  
(1/4"-TO-1/4"  
MONO SHIELDED  
CABLES)  
to  
to  
effect  
"IN"  
to  
to  
effect  
"IN"  
effect  
"OUT"  
jack  
effect  
"OUT"  
jack  
jack  
jack  
External Effect  
External Effect  
5
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GFX-120T/212T Guitar Amps with DSP & ChannelTracking  
Suggested Settings:  
6
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GFX-120T/212T Guitar Amps with DSP & ChannelTracking  
System Block Diagram:  
TUNER  
A BC D EF G  
CLEAN  
CHANNEL  
CHANNEL  
SELECT  
BUFFER  
INPUT  
LEVEL LOW MID HIGH  
FLEX WAVE  
STAGE  
EQ  
OVERDRIVE  
CHANNEL  
SHAPE  
ACTIVE  
GAIN  
LOW HIGH LEVEL  
GAIN  
SHAPE  
MIX  
AMP  
DSP  
INSERT  
LEVEL  
POWER  
AMP  
SPEAKER  
MODE  
DAMPING  
CIRCUIT  
EXT.  
SPEAKER  
7
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GFX-120T/212T Guitar Amps with DSP & ChannelTracking  
GFX-120/212T TECHNICAL SPECIFICATIONS:  
Output Power Rating  
120W RMS @ 5% THD, 4, 120 VAC  
Speaker Size and Rating  
GFX-120T  
GFX-212T  
(1) Custom Design 12”, 4Ω  
(2) Custom Design 12”, 8Ω  
Input Impedance  
Total System Gain  
470kΩ  
Overdrive Ch  
Clean Ch  
Gain 1: 88dB, all controls @10; Gain 2: 110dB  
58dB, all controls @10  
Maximum Input Signal Accepted  
7 volts peak-to-peak  
Overdrive Channel  
Low Control  
Shape Control  
High Control  
11dB range @ 80Hz  
Proprietary Circuit  
10dB range @10kHz  
Clean Channel  
Low Control  
Mid Control  
High Control  
22dB range @ 80Hz  
14dB range @ 600Hz  
28dB range @ 10kHz  
Power Requirements  
Size and Weight  
120 VAC, 60Hz, 95VA; 100/115VAC, 50/60Hz, 95VA;  
100/115VAC, 50/60Hz, 95VA  
GFX-120T  
GFX-212T  
17-1/2” H x 19-1/4” W x 9-3/4” D, 44 lbs.  
21” H x 26-1/2” W x 11” D, 50 lbs.  
The GFX-120T/212T is covered with a durable charcoal gray Tolex material: wipe it clean with a lint-free cloth.  
Never spray cleaning agents onto the cabinet. Avoid abrasive cleansers which would damage the finish.  
Crate continually develops new products, as well as improves existing ones. For this reason, the specifications  
and information in this manual are subject to change without notice.  
Declaration Of Conformity  
#34, Effective 01-01-2001  
Manufacturer’s Name:  
Production Facility:  
Production Facility:  
Shipping Facility:  
Office Facility:  
SLM Electronics  
11880 Borman Drive, St. Louis, MO 63146, USA  
700 Hwy 202 W, Yellville, AR 72687, USA  
1400 Ferguson Ave., St. Louis, MO 63133, USA  
1400 Ferguson Ave., St. Louis, MO 63133, USA  
Product Type:  
Audio Amplifier  
Complies with Standards:  
LVD:  
92/31/EEC, 93/68/EEC, & 73/23/EWG  
EN60065  
EN55013, EN55020, EN55022, EN61000-3-2,  
& EN61000-3-3  
Safety:  
EMC:  
Supplementary information provided by your local Sales & Services Office or:  
SLM Electronics - R & D Engineering  
1901 Congressional Drive, St Louis, MO 63146, USA  
Tel.: 314-569-0141, Fax: 314-569-0175  
@2001 SLM Electronics, a division of St. Louis Music, Inc • 1400 Ferguson Avenue • St. Louis, MO 63133  
47-476-06 • 013003  
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