E
Digital Camera
EX-P700
User’s Guide
Thank you for purchasing this CASIO
product.
• Before using it, be sure to read the
precautions contained in this User’s Guide.
• Keep the User’s Guide in a safe place for
future reference.
• For the most up-to-date information about
this product, visit the official EXILIM
Website at http://www.exilim.com/.
K824PCM1DMX
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INTRODUCTION
24 GETTING READY
Contents
About This Manual ..................................................... 24
General Guide ............................................................ 26
2
INTRODUCTION
Camera
26
Unpacking .................................................................... 2
Features ......................................................................11
Precautions ................................................................ 14
Monitor Screen Contents ........................................... 29
REC modes
PLAY mode
Changing the Contents of the Monitor Screen
29
33
34
General Precautions
14
16
17
17
18
18
18
Indicator Lamps.......................................................... 35
Attaching the Strap .................................................... 36
Power Requirements ................................................. 37
Test for proper operation before using the camera!
Data Error Precautions
Operating conditions
Condensation
Lens and Phase Differential Sensor
Other
Using the Rapid Charger
To load the battery
To remove the battery
Power Supply Precautions
Using AC Power
37
41
42
45
48
50
51
19 QUICK START GUIDE
Turning the Camera On and Off
Configuring Power Saving Settings
First, charge the battery! ............................................ 19
To configure display language and clock settings ..... 21
To record an image .................................................... 22
To view a recorded image .......................................... 23
To delete an image..................................................... 23
Using the On-screen Menus ...................................... 52
Configuring Display Language and Clock Settings ... 54
To configure display language and clock settings
55
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3
INTRODUCTION
Using the Self-timer ................................................... 75
Specifying Image Size ............................................... 77
Specifying Image Quality ........................................... 78
58 BASIC IMAGE RECORDING
Recording an Image ................................................... 58
Specifying the Recording Mode
Aiming the Camera
Recording an Image
Recording Precautions
About Auto Focus
About the REC Mode Monitor Screen
58
59
60
62
63
63
80 OTHER RECORDING FUNCTIONS
Selecting the Focus Mode ......................................... 80
Using Auto Focus
81
84
85
85
87
87
Previewing the Last Image Recorded ....................... 64
To view current preview buffer contents after
Using the Macro Mode
Using the Infinity Mode
Using Manual Focus
Using Pan Focus
recording a single image
To delete preview buffer contents after recording
a single image
64
65
Using Focus Lock
Orientation Sensor ..................................................... 65
Using the Optical Viewfinder...................................... 67
Using Zoom ................................................................ 68
Exposure Compensation (EV Shift) ........................... 88
Adjusting White Balance ............................................ 90
Configuring the White Balance Setting Manually
91
Optical Zoom
Digital Zoom
68
69
Specifying the Exposure Mode .................................. 93
Using Aperture Priority AE
93
94
96
97
98
Using Shutter Speed Priority AE
Setting Exposure Settings Manually
Using Manual Assist On-screen Guidance
Exposure Mode Recording Precautions
Using the Flash .......................................................... 71
Flash Unit Status
Changing the Flash Intensity Setting
Using Flash Assist
72
73
73
74
Flash Precautions
Using Auto Exposure Lock (AE Lock) ....................... 99
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4
INTRODUCTION
Using a Continuous Shutter Mode........................... 100
Recording a Subject onto an Existing
Background Image (Pre-shot)...................................119
Using the Normal Speed Continuous Shutter Mode
Using the High Speed Continuous Shutter Mode
25-shot Stop Action Images
(Using the Multi Continuous Shutter Mode)
Continuous Shutter Precautions
101
102
Recording Images of Business Cards and
Documents (Business Shot) .................................... 121
103
104
To use Business Shot
123
Using the Movie Mode ............................................. 124
Recording Audio ....................................................... 126
Using Auto Bracketing.............................................. 105
Using Auto Bracketing with Exposure Selected
as the Variable (AE Bracketing)
Using Auto Bracketing with White Balance
as the Variable (WB Bracketing)
Using Auto Bracketing with the Focus Distance
as the Variable (Focus Bracketing)
106
107
108
Adding Audio to a Snapshot
Recording Your Voice
126
128
Using the Histogram ................................................ 130
REC Mode Camera Settings ................................... 132
Using Auto Bracketing with Non-configurable
Variables (Multi Bracketing)
Auto Bracketing Precautions
Specifying ISO Sensitivity
133
134
135
136
136
137
137
138
138
139
140
141
143
109
110
Selecting the Auto Focus (AF) Mode
Selecting the Metering Mode
Using the Filter Function
Specifying Outline Sharpness
Specifying Color Saturation
Specifying Contrast
Turning the On-screen Grid On and Off
Turning Image Review On and Off
Using Icon Help
Assigning Functions to the [̇] and [̈] Keys
Specifying Power On Default Settings
Resetting the Camera
Previewing Images Recorded with High Speed
Continuous Shutter or Auto Bracketing .................... 111
To view current preview buffer contents after
recording multiple images
To delete current preview buffer contents after
recording multiple images
111
112
Using the BESTSHOT Mode ....................................113
Creating Your Own BESTSHOT Setup
115
Combining Shots of Two People into a Single
Image (Coupling Shot) ..............................................117
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5
INTRODUCTION
Using the Shortcut Menu (EX Menu) ....................... 143
Using the Card Remote Controller for Recording ... 144
Playing a Movie ........................................................ 164
Displaying the 9-image View ................................... 165
Loading the Battery
145
Selecting a Specific Image in the 9-image View
166
Before Using the Card Remote Controller for
Recording
Using the Card Remote Controller
Displaying the Calendar Screen .............................. 166
Playing a Slideshow ................................................. 167
146
147
To specify the slideshow images
To specify the slideshow time
To set the slideshow interval
169
170
170
Using an External Flash ........................................... 149
External Flash Unit Requirements
Before Using an External Flash Unit
Using an External Flash Unit
External Flash Precautions
149
150
151
152
Rotating the Display Image...................................... 171
Using Image Roulette .............................................. 172
Adding Audio to a Snapshot .................................... 173
Using a Conversion Lens or Filter ........................... 153
Installing a Conversion Lens or Close-up Lens
154
To re-record audio
174
Installing a Filter
156
Playing Back a Voice Recording File ....................... 175
Displaying Camera Images on a TV Screen ........... 176
157 PLAYBACK
Selecting the Video Input System
177
Basic Playback Operation........................................ 157
Playing an Audio Snapshot
158
178 DELETING FILES
Zooming the Display Image ..................................... 159
Resizing an Image ................................................... 160
Cropping an Image................................................... 161
Checking the Focus of a Recorded Image .............. 163
Deleting a Single File ............................................... 178
Deleting All Files ...................................................... 179
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6
INTRODUCTION
Setting the Clock ...................................................... 192
180 FILE MANAGEMENT
To select your Home Time zone
To set the current time and date
Changing the Date Format
192
193
194
Folders ..................................................................... 180
Memory Folders and Files
180
Using World Time ..................................................... 194
Protecting Files ........................................................ 181
To display the World Time screen
To configure World Time settings
To configure summer time (DST) settings
194
195
196
To protect a single file
To protect all files in memory
181
182
Using the FAVORITE Folder .................................... 182
Changing the Display Language ............................. 197
Changing the USB Port Protocol ............................. 197
Formatting Built-in Memory...................................... 198
To copy a file to the FAVORITE folder
To display a file in the FAVORITE folder
To delete a file from the FAVORITE folder
To delete all files from the FAVORITE folder
182
184
185
185
200 USING A MEMORY CARD
186 OTHER SETTINGS
Using a Memory Card .............................................. 201
Configuring Sound Settings ..................................... 186
To insert a memory card into the camera
To remove a memory card from the camera
To format a memory card
201
202
202
203
To configure sound settings
To set the volume level
186
187
Specifying an Image for the Startup Screen ........... 187
Configuring Power Down Image Settings................ 188
Memory Card Precautions
Copying Files ........................................................... 204
To copy all the files in built-in memory to
Specifying the File Name Serial Number
Generation Method .................................................. 190
a memory card
204
To copy a specific file from a memory card
to built-in memory
Using the Alarm ........................................................ 191
205
To set an alarm
Stopping the Alarm
191
192
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7
INTRODUCTION
Image Files Supported by the Camera
Built-in Memory and Memory Card Precautions
230
231
206 PRINTING IMAGES
DPOF........................................................................ 207
To configure print settings for a single image
To configure print settings for all images
208
209
232 USING THE CAMERA WITH A COMPUTER
Using PictBridge or USB DIRECT-PRINT ............... 210
Using the Album Feature ......................................... 232
To print a single image
To print a group of images
Printing Precautions
210
213
214
Creating an album
232
234
234
237
239
240
Selecting an Album Layout
Configuring Detailed Album Settings
Viewing Album Files
Saving an Album
To delete an album
PRINT Image Matching III ............................................ 215
Exif Print ................................................................... 215
Installing the Software from the CD-ROM ............... 240
About the bundled CD-ROM
216 VIEWING IMAGES ON A COMPUTER
(CASIO Digital Camera Software)
240
Computer System Requirements
242
Using the Camera with a Windows Computer ........ 216
USB Connection Precautions
222
Installing Software from the CD-ROM in
Windows ................................................................... 243
Using the Camera with a Macintosh Computer....... 222
Getting Started
244
244
244
245
245
246
246
USB Connection Precautions
226
Selecting a Language
Operations You Can Perform from Your Computer .. 226
Viewing the Contents of the “Read me” File
Installing an Application
Using a Memory Card to Transfer Images to a
Computer.................................................................. 227
Viewing User Documentation (PDF Files)
User Registration
Memory Data ............................................................ 228
Exiting the Menu Application
DCF Protocol
228
Memory Folder Structure
228
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8
INTRODUCTION
Installing Software from the CD-ROM on a
IMPORTANT!
Macintosh ................................................................. 246
• The contents of this manual are subject to change
without notice.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss resulting from
the use of this manual.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any loss or claims by third parties
which may arise through the use of the EX-P700.
• CASIO COMPUTER CO., LTD. shall not be held
liable for any damages or losses suffered by you or
any third party due to the use of Photo Loader and/or
Photohands.
Installing Software
Viewing User Documentation (PDF Files)
246
247
249 APPENDIX
Menu Reference....................................................... 249
Indicator Lamp Reference ....................................... 252
REC modes
PLAY mode
Rapid Charger
252
253
254
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss caused by
deletion of data as a result of malfunction, repairs, or
battery replacement. Be sure to back up all important
data on other media to protect against its loss.
• Note that the example screens and product
illustrations shown in this User’s Guide may differ
somewhat by the screens and configuration of the
actual camera.
Troubleshooting Guide ............................................. 255
If you have problems installing the USB driver...
259
Display Messages
260
Specifications ........................................................... 262
• The SD logo is a registered trademark.
• Windows, Internet Explorer, and DirectX are
registered trademarks of Microsoft Corporation.
• Macintosh is a registered trademark of Apple
Computer, Inc.
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9
INTRODUCTION
MultiMediaCard is a trademark of Infineon
•
I Copyright Restrictions
Technologies AG of Germany, and licensed to the
MultiMediaCard Association (MMCA).
• Adobe and Reader are either registered trademarks
or trademarks of Adobe Systems Incorporated in the
United States and/or other countries.
• Other company, product and service names used
herein may also be trademarks or service marks of
others.
Except for the purpose of your own personal enjoyment,
unauthorized copying of snapshot files, movie files, and
audio files violates copyright laws and international
contracts.
Distribution to third parties of such files over the Internet
without permission of the copyright holder, whether for
profit or for free, violates copyright laws and international
contracts.
• Photo Loader and Photohands are the property of
CASIO COMPUTER CO., LTD. Except as stipulated
above, all copyrights and other related rights to these
applications revert to CASIO COMPUTER CO., LTD.
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10
INTRODUCTION
• Four auto bracketing modes (page 105)
Features
Configurable variables can be set up to record multiple
versions of an image altering the exposure, white
balance, or focus distance setting. Non-configurable
variables create multiple versions of the same image
using various filters and other settings.
• 7.2 million effective pixels
The CCD provides 7.41 million total pixels of very high-
resolution for crisp, clear, prints and display images.
• 2.0-inch TFT color LCD monitor screen
• Ex Finder view (page 32)
• Long battery life
The Ex Finder view provides you with a wealth of
information on the monitor screen as you compose your
images.
A low-power design combines with a large-capacity
battery to provide more recording and playback between
charges.
• Ex Menu (page 143)
Ex Menu gives you short-cut menu access to four
frequently-used settings.
• 16X zoom (page 68)
4X optical zoom, 4X digital zoom
• 8.9MB flash memory
Images can be recorded without using a memory card.
• Multi Auto Focus (page 82)
When “Multi” is selected for the Auto Focus area, the
camera takes simultaneous meter readings at seven
different points and automatically selects the best one.
This avoids unintended auto focusing on the background,
which can cause foreground subject to be out of focus.
• High-speed, high-precision Auto Focus
A phase differential sensor combines with contrast Auto
Focus for faster focusing.
• Three continuous shutter modes (page 100)
In addition to normal continuous shutter operation that
can continually record shots as long as memory is
available, you can also use high-speed continuous
shutter and stop-action continuous shutter, which records
a series of shots in a single image.
• Movable Auto Focus (AF) Area (page 82)
You can move the focus area to the location you want.
• Support for SD memory cards and MMC (MultiMedia
Cards) for memory expansion (page 201)
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11
INTRODUCTION
• Manual Assist (page 97)
• Real-time RGB histogram (page 130)
Follow the on-screen guidance when configuring manual
exposure settings.
An on-screen histogram lets you adjust exposure as you
view the effect on overall image brightness, which makes
shooting under difficult lighting conditions easier than
ever before.
• AE Lock (page 99)
A simple operation locks exposure on a particular subject,
helping to ensure that the image is focused the way you
want.
• World Time (page 194)
A simple operation sets the current time for your current
location. You can select from among 162 cities in 32 time
zones.
• BESTSHOT (page 113)
Simply select the sample scene that matches the type of
image you are trying to record and the camera performs
troublesome setups automatically for beautiful pictures
every time.
• Alarm (page 191)
A built-in alarm helps to keep you on time for important
events, and even can be used in place of an alarm clock.
You can also have a specific image appear, or a movie or
audio file to play when the alarm time is reached.
• Business Shot (page 121)
Business Shot automatically corrects rectangular shapes
when recording the image of a business card, document,
whiteboard, or similar subjects from an angle.
• Album Function (page 232)
HTML files are generated automatically to create an
album of recorded images. Album contents can be viewed
and printed using a standard Web browser. Images can
also be incorporated into Web pages quickly and easily.
• Coupling Shot and Pre-shot (pages 117, 119)
Coupling Shot lets you combine two subjects into a single
image, while Pre-shot lets you add a subject to a
previously recorded background image. This means you
can create images that include you and your friend, even
if you are the only two people around.
• Calendar screen (page 166)
A simple operation displays a full-month calendar on the
camera’s monitor screen. Each day of the full-month
calendar shows a thumbnail of the first image recorded
for that date, which helps to make searching for a
particular image quicker and easier.
• Triple Self-timer (page 75)
The self-timer can be set up to repeat three times,
automatically.
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12
INTRODUCTION
• Audio Snapshot mode (page 126)
Use this mode to record snapshots that also include
audio.
• Digital Print Order Format (DPOF) (page 207)
Images can be printed easily in the sequence you want
using a DPOF compatible printer. DPOF can also be used
when specifying images and quantities for printing by
professional print services.
• Movie + Audio mode (page 124)
• Voice recording (page 128)
Quick and easy recording of voice input.
• PRINT Image Matching III Compatible (page 215)
Images include PRINT Image Matching III data (mode
setting and other camera setup information). A printer that
supports PRINT Image Matching III reads this data and
adjusts the printed image accordingly, so your images
come out just the way you intended when you recorded
them.
• After Recording (page 173)
Use this mode to add audio to snapshots after you record
them.
• Selectable Sound Settings (page 186)
You can configure different sounds to play whenever you
turn on the camera, press the shutter button half-way or
all the way, or perform a key operation.
• USB DIRECT-PRINT and PictBridge support (page 210)
Connect directly to a USB DIRECT-PRINT or PictBridge
compatible printer and you can print images without going
through a computer.
• Card remote controller (page 144)
• External flash connectability (page 149)
• Transfer images to a computer simply by connecting the
camera with a USB cable (page 216).
• Conversion lens/close-up lens support (page 153)
Use of a conversion lens enhances telephoto and wide
angle shots, while the close-up lens enhances macro
shots.
• Connect the camera to a TV with the AV cable and use
the TV screen for image recording and viewing (page
176).
• DCF Data Storage (page 228)
DCF (Design rule for Camera File system) data storage
protocol provides image compatibility between the digital
camera and printers.
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13
INTRODUCTION
• Photo Loader and Photohands (page 241)
Your camera comes bundled with Photo Loader, the
popular application that automatically loads images from
your camera to your PC. It also comes with Photohands,
and application that makes image retouching quick and
easy.
Precautions
General Precautions
Be sure to observe the following important precautions
whenever using the EX-P700.
All references in this manual to “camera” refer to the
CASIO EX-P700 Digital Camera.
• Never try to take pictures or use the built-in display while
operating a motor vehicle or while walking. Doing so
creates the risk of serious accident.
• Never try to open the case of the camera or attempt your
own repairs. High-voltage internal components create the
risk of electric shock when exposed. Always leave
maintenance and repair work up to a CASIO authorized
service center.
• Never look at the sun or any other bright light through the
camera’s viewfinder. Doing so can damage your eyesight.
• Keep the small parts and accessories of this camera out
of the reach of small children. If swallowed accidentally,
contact your physician immediately.
• Never fire the flash in the direction of a person operating
a motor vehicle. Doing so can interfere with the driver’s
vision and create the risk of accident.
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14
INTRODUCTION
• Never fire the flash while it is too close to the subject’s
eyes. Intense light from the flash can cause eye damage
if it is fired too close to the eyes. This is especially true
with young children. When using the flash, the camera
should be at least one meter (3.3´) from the eyes of the
subject.
• Keep the camera away from water and other liquids, and
never let it get wet. Moisture creates the risk of fire and
electric shock. Never use the camera outdoors in the rain
or snow, at the seashore or beach, in the bathroom, etc.
• Should foreign matter or water ever get into the camera,
immediately turn it off. Next, remove the camera’s battery
and/or unplug the AC adaptor power cord from the power
outlet, and contact your dealer or nearest CASIO
authorized service center. Using the camera under these
conditions creates the risk of fire and electric shock.
• Should you ever notice smoke or a strange odor coming
out of the camera, immediately turn it off. Next, taking
care you do not burn your fingers, remove the camera’s
battery and/or unplug the AC adaptor power cord from the
power outlet, and contact your dealer or nearest CASIO
authorized service center. Using the camera under these
conditions creates the risk of fire and electric shock. After
making sure there is no more smoke coming from the
camera, take it to your nearest CASIO authorized service
center for repair. Never attempt your own maintenance.
• Never use the AC adaptor to power any other device
besides this camera. Never use any other AC adaptor
besides the one that comes with this camera.
• Never cover the AC adaptor with a quilt, blanket, or other
cover while it is in use, and do not use it near a heater.
• At least once a year, unplug the AC adaptor power cord
from the power outlet and clean the area around the
prongs of the plug. Dust build up around the prongs can
create the risk of fire.
• If the camera’s case should ever become cracked due to
dropping it or otherwise subjecting it to rough treatment,
immediately turn it off. Next, remove the camera’s battery
and/or unplug the AC adaptor power cord from the power
outlet, and contact your dealer or nearest CASIO
authorized service center.
• Never use the camera inside of an aircraft or in any other
area where its use is prohibited. Doing so creates the risk
of accident.
• Physical damage and malfunction of this camera can
cause the data stored in its memory to be deleted. Always
keep backup copies of data by transferring them to
personal computer memory.
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15
INTRODUCTION
• Never open the battery cover, disconnect the AC adaptor
from the camera, or unplug the AC adaptor from the wall
socket while an image is being recorded. Doing so will not
only make storage of the current image impossible, it can
also corrupt other image data already stored in file
memory.
Test for proper operation before using
the camera!
• Before using the camera to record important images,
make sure you first record a number of test images and
check the results to ensure that the camera is configured
correctly and operating properly (page 19).
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16
INTRODUCTION
Data Error Precautions
Operating conditions
• Your digital camera is manufactured using precision
digital components. Any of the following creates the risk
of corruption of data in file memory.
• This camera is designed for use in temperatures ranging
from 0°C to 40°C (32°F to 104°F).
• Do not use or keep the camera in the following areas.
— Removing the battery or memory card while the
camera is performing a record or memory access
operation
— Removing the battery or memory card while the
operation lamp is still flashing after you turn off the
camera
— Disconnecting the USB cable while a data
communication operation is being performed
— Low battery power
— In areas subject to direct sunlight
— In areas subject to high humidity or dust
— Near air conditioners, heaters, or other areas subject
to temperature extremes
— Inside of a closed vehicle, especially one parked in the
sun
— In areas subject to strong vibration
— Other abnormal operations
Any of the above conditions can cause an error message to
appear on the monitor screen (page 260). Follow the
instructions provided by the message to eliminate the
cause of the error.
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17
INTRODUCTION
Condensation
Lens and Phase Differential Sensor
• When you bring the camera indoors on a cold day or
otherwise expose it to a sudden change of temperature,
there is the possibility that condensation can form on the
exterior or on interior components. Condensation can
cause malfunction of the camera, so you should avoid
exposing it to conditions that might cause condensation.
• To keep condensation from forming, place the camera
into a plastic bag before moving it into a location that is
much warmer or colder than your current location. Leave
it in the plastic bag until the air inside the bag has a
chance to reach the same temperature as the new
location. If condensation does form, remove the battery
from the camera and leave the battery cover open for a
few hours.
• Never apply too much force when cleaning the surface of
the lens and phase differential sensor. Doing so can
scratch the lens and phase differential sensor surface and
cause malfunction.
• Fingerprints, dust, or any other soiling of the lens and
phase differential sensor can interfere with proper image
recording. Never touch the lens and phase differential
sensor with your fingers. You can remove dust particles
from the lens and phase differential sensor surface by
using a lens blower to blow them off. Next, wipe the
surface of the lens and phase differential sensor with a
soft lens cloth.
• When aiming the camera, make sure that your finger
does not block the phase differential sensor.
Other
• The camera may become slightly warm during use. This
does not indicate malfunction.
• If the exterior of the camera needs cleaning, wipe it with a
soft, dry cloth.
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18
QUICK START GUIDE
First, charge the battery!
1
1. Charge the rechargeable litium ion battery (NP-40)
that comes with the camera (page 37).
• Note that the shape of the rapid charger depends on the
area where you purchased the camera.
• It takes about two hours to achieve a full charge.
1
2
[CHARGE] lamp lights red
during charging.
2
[CHARGE] lamp turns
green when charging is
complete.
[CHARGE] lamp lights
red during charging.
[CHARGE] lamp turns
green when charging
is complete.
Power Cord Type
Plug-in Type
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19
QUICK START GUIDE
2. Load the battery into the camera. (page 41).
1
3
2
Stopper
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20
QUICK START GUIDE
To configure display language and clock settings
• Be sure to configure the following settings
before using the camera to record images.
See page 54 for details.
1. Press the power button to turn on the camera.
2. Press [̆] to select the language you want.
1
3. Press [SET] to register the language setting.
4. Use [̆], [̄], [̇], and [̈] to select the geographical
area you want, and then press [SET].
5. Use [̆] and [̄] to select the city you want, and then
press [SET].
6. Use [̆] and [̄] to select the summer time (DST)
2, 3, 4, 5, 6, 7, 8, 9
setting you want, and then press [SET].
7. Use [̆] and [̄] to select the date format setting you
want, and then press [SET].
8. Set the date and the time.
9. Press [SET] to register the clock settings and exit the
setting screen.
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21
QUICK START GUIDE
To record an image
See page 58 for details.
Green
operation lamp
1. Press the power button to turn on the
Snapshot mode icon
camera.
1
2
4
2. Align the mode dial with
mode).
(Snapshot
10
1600 1200N
IN
ISO 80
F2.8
1/1000
04/12/24
3. Point the camera at the subject, use the
monitor screen or viewfinder to compose the
image, and then press the shutter button half
way.
:
12 58
3
Focus frame
• When proper focus is achieved, the focus frame
turns green and the green operation lamp lights.
4. Holding the camera still, gently press the
shutter button all the way down.
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22
QUICK START GUIDE
To view a recorded image
To delete an image
See page 157 for details.
See page 178 for details.
1
2
1
2
3
4, 5, 6
3
1. Press the power button to turn
on the camera.
1. Press the power button to turn on the camera.
2. Align the mode dial with
3. Press [EX ].
(PLAY mode).
2. Align the mode dial with
(PLAY mode).
4. Use [̇] and [̈] to display the image you want to delete.
5. Use [̆] and [̄] to select “Delete”.
3. Use [̇] and [̈] to scroll
through the images.
• To exit the image delete operation without deleting anything, select
“Cancel”.
6. Press [SET] to delete the image.
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23
GETTING READY
This section contains information about things you need to
know about and do before trying to use the camera.
This term as used in
this manual:
Means this:
“a REC mode”
The currently selected recording
mode (Snapshot, BESTSHOT,
Aperture Priority AE, Shutter
Speed Priority AE, Manual
Exposure, Movie, Voice
Recording)
About This Manual
This section contains information about the conventions
used in this manual.
“digital noise”
Tiny flecks or “snow” in a
recorded image or on the
monitor screen, which makes
the image look grainy.
I Terminology
The following table defines the terminology used in this
manual.
This term as used in
Means this:
this manual:
“camera”
The CASIO EX-P700 Digital
Camera
“file memory”
The location where the camera
is currently storing images you
record (page 60)
“battery”
The NP-40 Rechargeable
Lithium Ion Battery
“rapid charger”
The CASIO BC-30L Rapid
Charger
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24
GETTING READY
I Button Operations
I File Memory
Button operations are indicated by the button name inside
of brackets ([ ]).
The term “file memory” in this manual is a general term that
refers to the location where your camera is currently storing
the images you record. File memory can be any one of the
following three locations.
I On-screen Text
• The camera’s built-in flash memory
On-screen text is always enclosed by double quotation
• An SD memory card loaded in the camera
• A MultiMediaCard loaded in the camera
marks (“ ”).
For more information about how the camera stores images,
see page 228.
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25
GETTING READY
General Guide
The following illustrations show the names of each component, button, and switch on the camera.
Camera
I Front
1 Zoom controller
2 Shutter button
3 Power button
0 Lens
A Phase differential sensor
B Microphone
2
3
4
5
1
C
4 Viewfinder
5 Self-timer lamp
6 Remote control signal receiver
7 Speaker
8 External flash sync terminal
9 Lens ring
C Flash
6
D [DC IN](AC adaptor connector)
E [USB/AV](USB/AV port)
F Terminal panel cover
B
7
8
• Be sure to reinstall the lens
ring on the camera lens when
you are not using a conversion
lens. Optical zoom is possible
only up to about 2X while the
lens ring is not installed
properly.
A
9
Open Terminal Panel Cover
0
D
E
F
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26
GETTING READY
I Back
G Viewfinder
H Operation lamp
I [ ](Focus) button
T [EX
U [AE-L](AE Lock) button
V [ BKT] (Continuous Shutter/
Auto Bracketing) button
] (EX/Delete) button
H
I
J
J [
] (Flash / Calendar) button
G
K Mode dial
: PLAY mode
: Snapshot mode
: BESTSHOT mode
: Aperture Priority AE mode
: Shutter Speed Priority AE mode
: Manual Exposure mode
: Movie mode
V
U
K
T
L
M
N
O
REC modes
S
R
Q
: Voice Recording mode
P
L [MENU] button
M Strap ring
N [ ](Self-timer / Remote Controller)
button
O [PREVIEW] button
P [SET] button
Q [̆][̄][̇][̈]
R [DISP] button
S Monitor Screen
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27
GETTING READY
I Bottom
W
X
W Battery cover
X Tripod screw hole
• Use this hole when attaching to a tripod.
Y
Y Stopper
Z Battery compartment
[ Memory card slot
Z
[
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28
GETTING READY
Monitor Screen Contents
The monitor screen uses various indicators and icons to keep you informed of the camera’s status.
• Note that the example screens in this chapter are for illustrative purposes only. They do not exactly match the screen
contents actually produced on the camera.
REC modes
AE Bracketing
AEB
WBB
AFB
1 Flash mode indicator
3 White balance indicator
(page 71)
None Auto
(page 90)
None Auto
WB Bracketing
Focus Bracketing
Multi Bracketing
1234 5 67 8
9
Flash Off
Daylight
Cloudy
Shade
0
A
Flash On
Red Eye Reduction
5 Self-timer/Remote
E
D
•
If the camera detects that
flash is required while auto
flash is selected, the flash on
indicator will appear when
the shutter button is pressed
half way.
controller mode
(pages 75, 146)
None 1 Shot
Fluorescent 1
1
Fluorescent 2
2
Tungsten
Flash
10-second Self-timer
10
s
B
2-second Self-timer
Triple Self-timer
2 Focus mode indicator
Manual
2
s
(page 80)
None Auto Focus
x3
2s
4 Continuous shutter/auto
bracketing mode
(pages 100, 105)
Single Shot
C
Remote controller
Macro
Pan Focus
Infinity
Remote controller and
2-second Self-timer
Manual Focus
High Speed Continuous
Shutter
•
(Pan Focus) appears in
the Movie mode only.
Normal Speed
Continuous Shutter
Multi Continuous Shutter
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GETTING READY
6 Recording mode
(page 58)
9 Memory Capacity
NOTE
(pages 124, 262)
(Remaining number of storable
images)
Movie Recording: Remaining
recording time
• Changing the setting of any one of the following
functions will cause Icon Help text to appear on the
monitor screen. You can turn off Icon Help if you
want (page 139).
Snapshot
BESTSHOT
Aperture Priority AE
Shutter Speed Priority AE
Manual Exposure
Movie
Recording mode, flash mode, focus mode, white
balance, self-timer/remote controller mode, metering
mode
0 Image quality (page 78)
F : FINE
N : NORMAL
E : ECONOMY
T : TIFF
Voice Recording
A Memory indicator
7 Metering mode indicator
(page 201)
(page 135)
Built-in memory selected
for data storage.
Multi
Center Weighted
Spot
Memory card selected for
data storage.
8 Image size (page 77)
B Date and time (page 192)
×
3072 2304 pixels
×
3072 2048 (3:2) pixels
C Battery capacity
×
2304 1728 pixels
(page 45)
×
1600 1200 pixels
×
1280
640
960 pixels
480 pixels
D Histogram (page 130)
×
Movie Recording: recording time
E Focus frame (page 61)
•
•
Focused: Green
Unfocused: Red
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30
GETTING READY
F
I Exposure Panel
The exposure panel is an area in the lower right corner of
the REC modes monitor screen that shows various
adjustable parameters. You can also use the exposure
panel to adjust exposure settings.
G
H
I
J
Exposure Panel
F Digital zoom indicator (page 69)
G ISO sensitivity (page 133)
H Aperture value (pages 93, 96)
• The following explains the items that appear on the
exposure panel. Note that the current REC mode
determines which items appear.
I Shutter speed value (pages 94, 96)
•
An out of range ISO sensitivity, aperture, or shutter speed setting
causes the corresponding monitor screen value to turn amber.
1 Aperture value (pages 93, 96)
Use this item to adjust the aperture.
• The aperture value is displayed in the
J Zoom indicator (page 69)
•
•
Left side indicates optical zoom.
Right side indicates digital zoom.
Aperture value
exposure panel when the mode dial is
set to “A” (aperture priority AE) or “M”
(manual exposure).
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GETTING READY
2 Shutter speed (pages 94, 96)
Use this item to adjust the shutter
speed.
I Ex Finder View
4
6
5
Shutter speed
• The shutter speed is displayed in the
exposure panel when the mode dial is
set to “S” (shutter speed priority AE) or
“M” (manual exposure).
7
8
3
2
1
9
3 EV shift (exposure compensation value)
(page 88)
0
Use this item to adjust the exposure
compensation (EV shift) value.
• The EV shift value is displayed in the
exposure panel when the mode dial is
EV shift
A
B
set to “
” (snapshot), “
”
1 Focus distance scale (page 263)
(BESTSHOT), “A” (aperture priority
AE), or “S” (shutter speed priority AE).
• This scale indicates the focus distance range. Note
that this scale is not intended for precision
measurement. It is provided as a general guide only.
• The focus distance scale may not appear when any
one of the following conditions exists.
— When “Contrast” is selected as the Auto Focus (AF)
mode (page 134)
— When “Hybrid” is selected as the Auto Focus (AF)
4 Manual Focus (MF) setting (page 85)
Use this item for adjust focus manually.
• The manual focus setting item is
displayed in the exposure panel when
manual focus is selected (indicated by
MF setting
“
” on the monitor screen) using [ ].
mode (page 134) and Macro “
” is selected as the
focus mode (page 80)
— Conditions that are so dark or so bright that distance
measurement is impossible
— When “Free” is selected as the Auto Focus Area (AF
Area) mode (page 82)
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32
GETTING READY
2 Focal distance (page 263)
3 White balance indicator (page 90)
4 Flash mode indicator (page 71)
PLAY mode
12
3
5 Focus mode indicator (page 80)
6 ISO sensitivity (page 133)
7 Manual focus icon
4
5
6
7
8
9
0
• This icon is displayed only when “MF (Manual Focus)”
is selected as the focus mode.
F
E
• If you use [̆] and [̄] to move the cursor to “ ” and
then press [̇] or [̈], the Ex Finder view will
disappear and the manual focus position indicator
(page 85) will appear. After a few moments, the Ex
Finder view will reappear.
8 Color change icon
D
C B A
• Use [̆] and [̄] to move the cursor to “ ” and then
press [̇] or [̈] to change the color of the Ex Finder
view.
1 PLAY mode file type
Snapshot
3 Folder number/File
9 Aperture value (pages 93, 96)
0 Shutter speed (pages 94, 96)
number (page 180)
Example : When a file named
CIMG0023.JPG is stored in a
folder named 100CASIO
Movie
• ISO sensitivity, aperture, and shutter speed values
on the monitor screen will turn amber when you
press the shutter button half way if the image is over-
exposed or under-exposed.
Audio Snapshot
Voice Recording
100-0023
2 Image protection
Folder name File name
indicator (page 181)
4 Image quality (page 78)
A EV shift (exposure compensation value) (page 88)
B Histogram (page 130)
F : FINE
N : NORMAL
E : ECONOMY
T : TIFF
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33
GETTING READY
5
Built-in memory selected
for data storage.
Memory card selected for
data storage.
Shade
Changing the Contents of the Monitor
Screen
Each press of [DISP] cycles the contents of the monitor
screen as shown below.
Fluorescent 1
1
2
Fluorescent 2
Tungsten
Flash
(page 201)
6 Image size (page 77)
Manual
I REC modes
×
3072 2304 pixels
×
3072 2048 (3:2) pixels
×
B Flash mode indicator
(page 71)
2304 1728 pixels
×
Indicators on (page 29)
1600 1200 pixels
×
1280
640
960 pixels
480 pixels
Flash On
×
Movie Playback: Elapsed play
time
Flash Off
Ex Finder view on (page 32)
Histogram on (page 29)
Indicators off
Red-eye reduction
7 ISO sensitivity (page 133)
C Recording mode
(page 58)
8 Aperture value
(pages 93, 96)
Snapshot
9 Shutter speed value
BESTSHOT
(pages 94, 96)
Aperture Priority AE
Shutter Speed Priority AE
Manual Exposure
0 Date and time (page 192)
Monitor screen off
A White balance indicator
I PLAY mode
(page 90)
D Battery capacity
Auto
AWB
(page 45)
Daylight
Cloudy
Indicators on (page 33)
Histogram/Details on (page 33)
Indicators off
E Histogram (page 130)
F EV value (page 88)
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34
GETTING READY
IMPORTANT!
Indicator Lamps
• The Ex Finder view cannot be displayed in the
following modes: PLAY, Coupling Shot, Pre-shot,
Movie.
• You cannot turn off the monitor screen in the following
modes: PLAY, BESTSHOT, Movie (standby).
• Pressing [DISP] will not change monitor screen
contents during movie recording, or during standby
or recording of an audio snapshot.
You can find out the operational status of the camera at a
glance by checking the color of the indicator lamps, and
whether a lamp is lit or flashing. For details, see “Indicator
Lamp Reference” on page 252.
Self-timer lamp
• The only display options that appear when you press
[DISP] in the Coupling Shot is “Indicators on” and
“Monitor screen off”.
• Pressing [DISP] in the Voice Recording REC mode
toggles the monitor screen on (“indicators on”) and
off. While a Voice Recording file is displayed in the
PLAY mode, pressing [DISP] toggles between
“indicators on” and “indicators off”.
Green operation lamp
• When playing back the contents of a Voice
Recording file while "indicators off" is selected (Voice
Recording file icon only on the monitor screen), the
monitor screen will go black about two seconds after
you press [SET] to start playback. The Voice
Recording file icon (indicators off) will reappear after
playback is complete.
Red operation lamp
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35
GETTING READY
IMPORTANT!
Attaching the Strap
• To avoid dropping the camera while operating it, be
sure to wear the strap around your wrist. Use the
buckle to ensure that the strap is fastened snugly
around your wrist.
Attach the strap to the strap ring as shown in the
illustration.
• The supplied strap is intended for use with this
camera only. Do not use it for any other purpose.
• Never swing the camera around by the strap.
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36
GETTING READY
I
Loading the Battery into the Rapid Charger
Power Requirements
Making sure that the positive and negative contacts are
aligned correctly, load the battery into the rapid charger.
Note that the battery will not charge properly if it is not
positioned correctly in the rapid charger.
Your camera can operate on either battery power or AC
power.
• Battery
One NP-40 rechargeable lithium ion battery
-
T
The battery is not charged when you purchase the
camera. You need to charge the battery before using
the camera for the first time.
+
• Household AC Power
AC Adaptor: AD-C40 (Option)
Using the Rapid Charger
Contacts
[CHARGE] lamp
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37
GETTING READY
2. Plug the rapid charger into a household
power outlet.
I To charge the battery
1. Correctly positioning the positive and
negative terminals of the battery, load the
battery into the rapid charger.
• This will cause the [CHARGE] lamp to turn red.
• Charging will take about two hours.
• Note that the shape of the rapid charger depends on
the area where you purchased the camera.
[CHARGE] lamp
Rapid Charger
AC power cord
Power Cord Type
Plug-in Type
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38
GETTING READY
NOTE
NOTE
The plug-in type rapid charger is designed for
• The power cord type rapid charger is designed for
operation with any power supply in the range of 100V
to 240V AC. Note, however, that the shape of the AC
power cord plug varies according to country or
geographic area. If you plan to use the rapid charger
in a geographic area where the power receptacle
shape is different from that in your area, replace the
AC power cord with one of the other ones that come
with the camera, or purchase a commercially
available AC power cord that is compatible with the
power outlets in that area.
•
operation on power ranging from 100V AC to 240V
AC. Note, however, that the shape of the power plug
varies according to country or geographic area. When
traveling abroad, it is up to you to find out if the shape
of the rapid charger power plug is compatible with
local power outlets and to purchase any required
adaptors.
3. The [CHARGE] lamp turns green when
charging is complete.
4. After charging is complete, unplug the rapid
charger from the power outlet, and remove
the battery from it.
• Always unplug the rapid charger from the power
outlet and remove the battery whenever you are not
charging.
Plug
[CHARGE] lamp
Rapid Charger
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39
GETTING READY
IMPORTANT!
• Charging the battery may cause interference with TV
and radio reception. If this happens, plug the charger
into an outlet that is further away from the TV or
radio.
• Dirty charger contacts and/or battery terminals can
make proper charging impossible. Be sure to wipe
contacts and terminals occasionally with a dry cloth
to keep them clean.
•
If the battery or rapid charger is very hot or cold when
you start charging or if it becomes hot during charging,
the rapid charger will enter a standby state, which is
indicated when its [CHARGE] lamp is lit amber.
Charging will resume when the temperature returns to
the allowable charging temperature range, which is
indicated when the [CHARGE] lamp turns red.
• Charging the battery while it is still warm immediately
after removing it from the camera can result in only
partial charging. Give the battery time to cool before
charging it.
• Battery discharges slightly even when it is left
without loading it into the camera. Because of this, it
is recommended that you charge the battery
immediately before you need to use it.
• The battery used with this camera is specifically
designed for use with digital cameras. If you want to
try to use it to power another type of device, you
should first check the user documentation that
comes with the device to see if the battery is
compatible.
• Though the actual service life of the battery depends
on the environment under which it is used, you can
expect to be able to recharge it about 500 times
before it needs replacement.
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GETTING READY
2. While pulling the stopper in the direction
indicated by the arrow in the illustration, slide
the battery into the camera.
To load the battery
1. Slide the battery cover on the bottom of the
camera in the direction indicated by the
arrow, and then swing it open.
Stopper
(–) marks
NP-40
• Push the bottom of
the battery, and
make sure that the
stopper securely
locks the battery in
place.
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41
GETTING READY
3. Swing the battery cover closed, and then slide
it in the direction indicated by the arrow.
To remove the battery
1. Open the battery cover.
2. Pull the stopper in the direction indicated by
the arrow.
• This will cause the battery to come part way out of
the slot.
IMPORTANT!
• Use only the special NP-40 rechargeable lithium ion
battery to power this camera. Use of any other type
of battery is not supported.
Stopper
3. Release the stopper and pull the battery from
the camera.
• Take care so you do not drop the battery.
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42
GETTING READY
I If the camera does not work normally
I Battery Life Guidelines
This can mean there is a problem with how the battery is
loaded. Remove the battery from the camera and check the
battery contacts for dirt. If the contacts are dirty, wipe them
clean with a dry cloth.
The battery life guideline values given below indicate the
amount of time under the conditions defined below the
table, until power automatically turns off due to battery
failure. They do not guarantee that the battery will provide
the amount of service indicated. Low temperatures and
continued use reduce battery life.
Operation
Apporoximate Battery Life
200 shots (100 minutes)
Number of Shots (CIPA
Standard)*1 (Operating Time)
Number of Shots, Continuous
440 shots (110 minutes)
Recording*2 (Operating Time)
Continuous Snapshot Playback*3
Continuous Voice Recording*4
220 minutes
210 minutes
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GETTING READY
Supported Battery: NP-40
Storage Medium: SD Memory Card
• The above values are based on a new battery starting
from a full charge. Repeated charging shortens battery
life.
• Battery life is greatly affected by how much you use flash,
zoom and other functions, and how long you leave power
turned on.
*1 Number of Shots (CIPA Standard)
• Temperature: 23°C (73°F)
• Monitor Screen: On
• Zoom operation between full wide to full telephoto
every 30 seconds, during which two images are
recorded, one image with flash; power turned off and
back on every time 10 images are recorded.
I Tips to Make the Battery Last Longer
• If you do not need the flash while recording, select
(flash off) for the flash mode. See page 71 for more
information.
• Enable the Auto Power Off and the Sleep features (page
51) to protect against wasting battery power when you
forget to turn off the camera.
*2 Continuous Recording Conditions
• Temperature: 23°C (73°F)
• Monitor screen: On
• Flash: Off
• Image recorded every 15 seconds, alternating full
wide-angle and full telephoto zoom
• You can also conserve battery power by using the [DISP]
button to turn off the monitor screen.
*3 Continuous Snapshot Playback Conditions
• Temperature: 23°C (73°F)
• Scroll one image about every 10 seconds
*4 Voice recording times are based on continuous
recording.
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GETTING READY
I Low Battery Indicator
Power Supply Precautions
The following shows how the battery capacity indicator on
the monitor screen changes as battery power is used. The
indicator means that remaining battery power is low.
Note that you will not be able to record images while the
Note the following precautions when handling or using the
battery and the rapid charger.
I Battery Handling Precautions
G SAFETY PRECAUTIONS
battery indicator is
. Charge the battery immediately
whenever either of these indicators appears.
Be sure to read the following Safety Precautions before
using the battery for the first time. Keep these safety
precautions and all operating instructions on hand for
future reference.
Battery Level
Indicator
High
Low
NOTE
• The term “battery” in this manual refers to the CASIO
NP-40 Rechargeable Lithium Ion Battery.
• Use only the rapid charger (BC-30L) to charge the
special NP-40 rechargeable lithium ion battery.
Never use any other charging device.
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GETTING READY
• Failure to observe any of the following precautions
while using the battery creates the risk of overheating,
fire, and explosion.
— Never try to use the battery to power any device
other than this camera.
• Should you ever notice any of the following conditions
while using, charging, or storing a battery, immediately
remove it from the camera or rapid charger, and keep it
away from open flame:
— Fluid leaking
— Never use or leave the battery near open flame.
— Never place the battery in a microwave oven, throw
it into fire, or otherwise expose it to intense heat.
— Make sure the battery is oriented correctly when you
load it into the camera or attach it to the rapid
charger.
— Never carry or store the battery together with items
that can conduct electricity (necklaces, pencil lead,
etc.)
— Emission of a strange odor
— Heat emission
— Battery discoloration
— Battery deformation
— Any other battery abnormality
• If the battery does not achieve full charge after the
normal charging time has passed, stop charging.
Continued charging creates the risk of overheating, fire,
and explosion.
— Never try to take the battery apart, modify it in any
way, or expose it to strong impact.
— Do not immerse the battery in fresh water or salt
water.
— Do not use or leave the battery under direct
sunlight, in an automobile parked in the sun, or in
any other area subject to high temperatures.
• Battery fluid can damage your eyes. Should battery
fluid get into your eyes accidentally, immediately rinse
them with clean tap water and then consult a physician.
• If the battery is to be used by young children, make
sure that a responsible adult makes them aware of the
precautions and proper handling instructions and make
sure that they handle the battery correctly.
• Should fluid from the battery accidentally get onto
clothing or your skin, immediately rinse it off with clean
tap water. Prolonged contact with battery fluid can
cause skin irritation.
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46
GETTING READY
G PRECAUTIONS DURING USE
G BATTERY STORAGE PRECAUTIONS
• Charge the battery in a location where the temperature
is in the range of 5°C to 35°C (41°F to 95°F). Charging
outside this temperature range can cause charging to
take longer than normal or even cause charging to fail.
• Very limited operation following a full charge indicates
that the battery has reached the end of its service life.
Replace the battery with a new one.
• Never wipe the battery with thinner, benzene, alcohol,
or other volatile agents or chemically treated rags.
Doing so can cause deformation of the battery and lead
to malfunction.
• Make sure you remove the battery from the camera
when you do not plan to use it for a long time. A battery
left in the camera discharges very small amounts of
power even when power is turned off, which can lead to
a dead battery or the need for longer charging before
the next use.
• Store the battery in a cool, dry place (20°C (68 °F) or
lower).
G USING THE BATTERY
• When transporting a battery, keep it either loaded in
the camera or stored in its case.
• Always make sure that the rapid charger is on a level
surface when using it for charging.
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47
GETTING READY
I Rapid Charger Precautions
Using AC Power
• Never plug the rapid charger into an outlet whose
voltage rating is different from that marked on the rapid
charger. Doing so creates the risk of fire, malfunction,
and electric shock.
You need to purchase the optionally available AC adaptor
(AD-C40) in order to be able to power the camera using AC
power.
• Never plug in or unplug the rapid charger while your
hands are wet. Doing so creates the risk of electric
shock.
1. Connect the AC power cord to the AC
adaptor.
• Do not plug the rapid charger into an outlet or
extension cord that is shared by other devices. Doing
so creates the risk of fire, malfunction, and electric
shock.
• The rapid charger becomes slightly warm during
charging. This is normal and does not indicate
malfunction.
2. Open the camera’s terminal panel cover and
connect the AC adaptor to the port marked
[DC IN].
• Unplug the rapid charger from the power outlet
whenever you are not using it.
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48
GETTING READY
3. Plug the AC power cord into an electrical
outlet.
I Using AC Adaptor In Another Geographic
Area
• The AC adaptor can be used with any power source rated
from 100V to 240V AC. If you plan to use the AC adaptor
in another country, it is up to you to purchase the
applicable AC power cord that matches the configuration
of power receptacles in that country.
[DC IN]
Terminal panel
cover
AC adaptor
Plug
AC power cord
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49
GETTING READY
I AC Adaptor Precautions
• Be sure to turn off power before connecting or
disconnecting the AC adaptor.
• Always turn camera power off before disconnecting the
AC adaptor, even if the camera has a battery installed. If
you don’t, the camera will turn off automatically when you
disconnect the AC adaptor. You also run the risk of
damaging the camera whenever you disconnect the AC
adaptor without first turning power off.
Turning the Camera On and Off
Press the power button to turn the camera on and off.
Pressing the power button to turn on the camera causes
the green operation lamp to flash. Press the power button
again to turn off the camera.
Green operation lamp
• The AC adaptor may become warm to touch after
extended periods of use. This is normal and is not cause
for alarm.
• After using the camera, turn it off and unplug the AC
adaptor from the AC outlet.
• The camera automatically switches over to AC adaptor
powered operation whenever the AC adaptor is plugged
into the camera.
• Always use the AC adaptor to power the camera
whenever it is connected to a computer.
• Never place a blanket or any other cover on the AC
adaptor. Doing so creates the risk of fire.
Power button
IMPORTANT!
• If camera power is turned off by the Auto Power Off
feature, press the power button to turn it back on
again.
• Turning on camera power while the mode dial is set
to a REC mode causes the lens to extend from the
camera. Make sure there is nothing in front of the
camera that can be hit by the lens when you turn on
the camera.
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50
GETTING READY
G See “Using the On-screen Menus” (page 52) for
information about how to use menus.
Configuring Power Saving Settings
You can configure the settings described below to
conserve battery power.
To configure this feature:
Sleep
Select this setting:
Sleep
Sleep
: Automatically turns off the monitor screen
if no operation is performed for a specified
amount of time in a REC mode.
Auto Power Off
Auto Power Off
Performing any button operation causes
the monitor screen to turn back on.
Auto Power Off: Turns off power if you do not perform any
operation for a specified amount of time.
5. Use [̆] and [̄] to change the currently
selected setting, and then press [SET].
• Available Sleep settings are: “30 sec”, “1 min”, “2 min”,
and “Off”.
• Available Auto Power Off settings are: “2 min” and
“5 min”.
1. Turn on the camera.
• Note that the Sleep feature does not operate in the
PLAY mode.
2. Press [MENU].
3. Use [̇] and [̈] to select the “Set Up” tab.
• Pressing any button while the camera is in the Sleep
state immediately turns the monitor screen back on.
4. Use [̆] and [̄] to select the feature whose
setting you want to configure, and then press
[̈].
• The Auto Power Off and Sleep features are disabled
in the following cases.
— While the camera is connected to computer or TV
via its USB/AV port
— While a slideshow is in progress
— While playing back a voice recording file
— While playing back a movie
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51
GETTING READY
Selection cursor
(Indicates the currently
selected item)
2. Press [MENU].
Using the On-screen Menus
Pressing [MENU] displays menus on the monitor screen
that you can use to perform various operations. The menu
that appears depends on whether you are in a REC mode
or the PLAY mode. The following shows an example menu
procedure in the snapshot mode.
Tab
[MENU]
[SET]
1. Turn on the camera,
and then align the
mode dial with
.
[̆][̄][̇][̈]
• If you want to enter the
PLAY mode instead,
you would align the
Settings
mode dial with
.
Mode dial
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52
GETTING READY
G Menu Screen Operations
3. Press [̇] or [̈] to select the tab you want,
and then press [SET] to move the selection
cursor from the tab to the settings.
When you want to do this:
Move between tabs
Do this:
Press [̇] and [̈].
Move from the tab to the
settings
4. Use [̆] and [̄] to
select the feature
whose setting you
want to configure,
and then press [̈].
Press [̄].
Move from the settings to
the tab
Press [̆].
Move between the settings
Press [̆] and [̄].
Display the options
available for a setting
Press [̈] or press [SET].
Press [̆] and [̄].
• Instead of pressing [̈],
you could also press
Example: To select the
[SET].
Select an option
Apply the setting and exit
the menu screen
“Size” item.
Press [SET].
Apply the setting and
return to tab selection
5. Use [̆] and [̄] to change the currently
Press [̇].
selected setting.
Exit the menu screen
Press [MENU].
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53
GETTING READY
6. Perform one of the following operations to
apply the setting you configured.
Configuring Display Language and Clock
Settings
Be sure to configure the following settings before using the
camera to record images.
To do this:
Perform this key operation:
Press [SET].
Apply the setting and exit
the menu screen.
• Display language
• Home city
• Date style
Apply the setting and
return to feature selection
in step 4.
Press [̇].
• Date and time
Apply the setting and
return to tab selection in
step 3.
1. Press [̇].
2. Use [̆] to move back up to
tab selection.
Note that the current date and time settings are used by
the camera to generate the date and time that are stored
along with image data, etc.
• See “Menu Reference” on page 249 for more information
about menus.
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GETTING READY
IMPORTANT!
To configure display language and clock
settings
• Recording images without configuring the clock
settings causes incorrect time information to be
stored with image data. Be sure to configure the
clock settings before using the camera.
1. Press the power button to turn on the camera.
• A built-in backup battery retains the date and time
settings for about two days if the camera is not
supplied with power. The date and time settings will
be cleared when the backup battery goes dead. The
following are the conditions when power is not being
supplied to the camera.
2. Use [̆], [̄], [̇], and
[̈] to select the
language you want,
and then press [SET].
: Japanese
— When the rechargeable battery is dead or
removed from the camera
English
: English
— When using the AC adaptor to power the camera,
disconnecting the AC adaptor
Français : French
Deutsch : German
Español : Spanish
• The date and time setting screen will appear on the
monitor screen the next time you turn on the camera
after the date and time settings have been cleared. If
this happens, reconfigure the date and time settings.
• If you make a mistake when setting the language or
clock with the following procedure, you will need to
use the camera’s menu to individually change the
language (page 197) or clock (page 192) settings.
Italiano
Português : Portuguese
: Chinese (Complex)
: Italian
: Chinese (Simplified)
: Korean
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GETTING READY
3. Use [̆], [̄], [̇], and
[̈] to select the
6. Use [̆] and [̄] to
select the date format
setting you want, and
then press [SET].
geographical area
where you live, and
then press [SET].
Example: December 24, 2004
4. Use [̆] and [̄] to
select the name of the
city where you live,
and then press [SET].
To display the date like this:
04/12/24
Select this format:
YY/MM/DD
DD/MM/YY
MM/DD/YY
24/12/04
12/24/04
5. Use [̆] and [̄] to select the summer time
(DST) setting you want, and then press [SET].
When you want to do this:
Select this setting:
Keep time using summer time
(Daylight Saving Time)
On
Off
Keep time using standard time
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GETTING READY
7. Set the current date
and the time.
To do this:
Do this:
Change the setting at the current
cursor location
Press [̆] and [̄].
Press [̇] and [̈].
Move the cursor between settings
Toggle between 12-hour and 24-
hour timekeeping
Press [DISP].
8. Press [SET] to register the settings and exit
the setting screen.
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57
BASIC IMAGE RECORDING
This section describes the basic procedure for recording an
image.
•
•
(Snapshot mode)
Use this mode to record still images. This is the mode you
should normally use for image recording.
(BESTSHOT mode)
Recording an Image
This mode makes camera setup as easy as selecting the
applicable sample scene. Simply select one of 27 sample
scenes, and the camera will automatically be configured
with the settings required to record a similar image (page
113).
Specifying the Recording Mode
Your CASIO digital camera has seven recording modes,
each of which is described below. Before recording an
image, use the mode dial to select the recording mode that
suits the type of image you are trying to record.
•
•
•
(Aperture Priority AE mode)
In this mode, you select the aperture, and other settings
are adjusted accordingly (page 93).
Snapshot mode
(Shutter Speed Priority AE mode)
In this mode, you select the shutter speed, and other
settings are adjusted accordingly (page 94).
BESTSHOT mode
Aperture Priority AE mode
Shutter Speed Priority AE
mode
(Manual Exposure mode)
This mode gives you total control over aperture and
shutter speed settings (page 96).
Manual Exposure mode
Movie mode
•
•
(Movie mode)
Use this mode to record movies (page 124).
Voice Recording mode
PLAY mode
Mode dial
(Voice Recording mode)
Use this mode to record audio only (page 128).
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58
BASIC IMAGE RECORDING
NOTE
Snapshot mode icon
Aiming the Camera
Use both hands to hold the camera still when shooting an
image. Holding the camera with one hand increases the
chance of movement, which can blur your images.
• The icon of the currently
selected recording mode
10
1600 1200N
IN
(like
for the Snapshot
mode) is displayed on the
monitor screen.
ISO 80
F2.8
1/1000
• Horizontal
Hold the camera
still in both
04/12/24
:
12 58
hands, with your
arms firmly
against your
sides.
• Vertical
When holding
the camera
vertically, make
sure that the
flash is above
the lens. Hold
the camera still
with both hands.
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59
BASIC IMAGE RECORDING
IMPORTANT!
Recording an Image
• Make sure your fingers and the strap do not block
the flash, microphone or lens.
• When aiming the camera, take particular care to
ensure that your finger is not blocking the phase
differential sensor.
Your camera automatically adjusts shutter speed and
aperture values in accordance with the brightness of the
subject. Images you record are stored in the camera’s built-
in memory, or to a memory card if you have one loaded in
the camera.
• When an optionally available SD memory card or
MultiMediaCard (MMC) is loaded in the camera, images
are stored on the card (page 201).
Flash
Microphone
Phase differential
Lens
sensor
1. Press the power
button to turn on the
camera.
• This causes an image or
a message to appear on
NOTE
the monitor screen.
Power button
• Your image will be blurred if you move the camera
when pressing the shutter button. Press the shutter
button carefully, taking care to avoid camera
movement. This is especially important when
available lighting is low, which slows down the
shutter speed.
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60
BASIC IMAGE RECORDING
2. Align the mode dial
with “ ” (Snapshot
mode).
4. Press the shutter button half
way to focus the image.
• When you press the shutter
button half way, the camera’s
Auto Focus feature automatically
focuses the image, and displays
the shutter speed and aperture
values. The ISO sensitivity value
also appears on the display at
this time.
• This enters the Snapshot
mode for image
recording.
Shutter button
Green operation lamp
BKT
Mode dial
3. Compose the image
on the monitor screen
so the main subject is
within the focus
10
1600 1200N
• You can tell whether the
image is focused by
observing the focus frame
and the green operation
lamp.
IN
ISO 80
F2.8
1/1000
frame.
04/12/24
:
12 58
• The focusing range of
the camera depends on
focus mode you are
using (page 80).
Focus frame
• You can compose images using either the monitor
screen or the optical viewfinder (page 67).
• When using the optical viewfinder to compose
images, you can use [DISP] to turn off the monitor
screen and conserve battery power.
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BASIC IMAGE RECORDING
G Operation Lamp and Focus Frame Operation
Recording Precautions
When you see this:
It means this:
• Never open the battery cover while the green operation
lamp is flashing. Doing so not only causes the current
image to be lost, it can also corrupt images already stored
in file memory and even lead to malfunction of the
camera.
Green focus frame
Green operation lamp
The image is in focus.
Red focus frame
Flashing green operation lamp
The image is not in focus.
• Never remove the memory card while an image is being
stored to the memory card.
• Fluorescent lighting actually flickers at a frequency that
cannot be detected by the human eye. When using the
camera indoors under such lighting, you may experience
some brightness or color problems with recorded images.
• When “Auto” is selected for the ISO sensitivity setting
(page 133), the camera automatically adjusts its
sensitivity in accordance with the brightness of the
subject. This can cause some digital noise (graininess) to
appear in images of relatively dark subjects.
• When recording a dimly lit subject while “Auto” is selected
for the ISO sensitivity setting (page 133), the camera
increases sensitivity and uses a slower shutter speed.
Because of this, you need to guard against camera
movement if you have flash turned off (page 71).
• Bright light shining on the lens can cause images to
appear “washed out”. This tends to happen when
recording images outdoors in bright sunlight. To protect
against this, use your free hand to shade the lens from
the light.
5. After making sure that the
image is focused properly,
press the shutter button the
rest of the way down to
record.
Shutter button
• The number of images that can
be stored in memory depends on
the image size and image quality
setting you are using (pages 77,
78, 262).
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62
BASIC IMAGE RECORDING
About Auto Focus
About the REC Mode Monitor Screen
• Auto Focus tends not to work well if the camera is moved
during recording, or when recording the types of subjects
listed below.
— Solid color walls or subjects with little contrast
— Strongly backlit subjects
— Polished metal or other brightly reflective subjects
— Venetian blinds or other horizontally repeating patterns
— Multiple subjects that are varying distances from the
camera
• The image shown on the monitor screen in a REC mode
is a simplified image for composing purposes. The actual
image is recorded in accordance with the image quality
setting currently selected on your camera. The image
saved in file memory has much better resolution and
detail than the REC mode monitor screen image.
• Certain levels of subject brightness can cause the
response of the REC mode monitor screen to slow down,
which causes some digital noise (graininess) in the
monitor screen image.
— Subjects in poorly lit areas
— Moving subjects
• Very bright light inside of an image can cause a vertical
band to appear in the monitor screen image. This is a
CCD phenomenon known as “vertical smear”, and does
not indicate malfunction of the camera. Note that vertical
smear is not recorded with the image in the case of a
snapshot, but it is recorded in the case of a movie (page
124).
• Note that a green operation lamp and focus frame do not
necessarily guarantee that the resulting image will be in
focus.
• If Auto Focus does not produce the results you want for
some reason, try using focus lock (page 87) or manual
focus (page 85).
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63
BASIC IMAGE RECORDING
IMPORTANT!
Previewing the Last Image Recorded
• Preview buffer contents are cleared by the following
operations.
— Turning off the camera
— Changing the mode dial setting
• Nothing is stored in the preview buffer when you
record a movie.
Whenever you record an image, the camera stores a copy
of it in a preview buffer. You can use the procedures
described here to view the contents of the preview buffer,
without exiting a REC mode.
The last recorded image remains in the preview buffer until
you record another image, change to the PLAY mode, or
turn off camera power.
To view current preview buffer contents
after recording a single image
1. In a REC mode, press
[PREVIEW] to display the
current contents of the
preview buffer.
[PREVIEW]
2. Press [PREVIEW] again to return to the REC
mode screen.
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64
BASIC IMAGE RECORDING
To delete preview buffer contents after
recording a single image
Orientation Sensor
The camera has an orientation sensor that detects whether
the camera is being held horizontally (its normal
orientation) or vertically when you record an image.
Information about camera orientation is recorded along with
the image data so the image can be displayed properly.
When you transfer images to a computer using the bundled
Photo Loader application (page 241), Photo Loader also
detects the orientation of each image and displays it
accordingly.
IMPORTANT!
• Note that image deletion cannot be undone. Once
you delete an image, it is gone. Make sure you really
do not need an image anymore before you delete it.
1. In a REC mode, press [PREVIEW] to display
the current contents of the preview buffer.
2. While the preview image is on the display,
press [EX ].
3. In response to the confirmation message that
appears, use [̆] and [̄] to select “Delete”.
• To cancel the delete operation without deleting
anything, select “Cancel”.
4. Press [SET].
• This deletes the image and returns to the REC mode
screen.
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BASIC IMAGE RECORDING
IMPORTANT!
— Miss-operation of the orientation sensor can also
occur if the camera is angled towards the front or
back. A sensor error may occur if the camera is
angled more than about 60 degrees towards the
front or back.
• To ensure proper operation of the orientation sensor,
note the following points.
— Keep the camera still during recording. Moving
the camera while recording can cause miss-
operation of the orientation sensor.
— When recording an image using portrait (vertical)
orientation, make sure the camera is standing
straight up, 90 degrees from horizontal. A sensor
error may occur if the camera is angled more than
about 20 degrees from vertical.
— When positioning the camera vertically, keep the
flash above the lens.
— Note that the orientation sensor does not operate
in the Movie mode.
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66
BASIC IMAGE RECORDING
Using the Optical Viewfinder
You can conserve battery power by turning off the
camera’s monitor screen (page 34) and using the optical
viewfinder to compose images.
Viewfinder
IMPORTANT!
• The visible area framed by the viewfinder shows the
image that would be recorded at a distance of about
one meter (3.3´). When recording a subject that is
closer to you than one meter, the recorded image will
be lower than what you can see inside the viewfinder
area.
Area recorded
at distances
less than one
meter (3.3´)
Area visible in
the viewfinder
BKT
• Since the monitor screen shows exactly what will be
recorded, always use it for composing images in the
Macro and Manual Focus modes.
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67
BASIC IMAGE RECORDING
Using Zoom
Your camera is equipped with two types of zoom: optical
zoom and digital zoom. Normally, the camera automatically
switches over to digital zoom after you reach the maximum
limit for optical zoom. You can, however, configure the
camera to disable digital zoom, if you want.
Zoom out
Zoom in
2. Compose the image, and then press the
shutter button.
Optical Zoom
The optical zoom range is 1X to 4X.
NOTE
1. In a REC mode, shift the
zoom controller to change
the zoom factor.
• The optical zoom factor also affects the lens
aperture.
• Use of a tripod is recommended to protect against
hand movement when using the telephoto setting
(zoom in).
• You can change the digital zoom setting during
movie recording, but not the optical zoom setting.
Make sure you select the optical zoom setting you
want to use before you press the shutter button to
start movie recording.
• Whenever you perform an optical zoom operation
while recording with the Macro mode (page 84) or
manual focus (page 85), a value will appear on the
monitor screen to tell you the focusing range.
Zoom controller
To do this:
Zoom out
Zoom in
Shift this side of the zoom controller:
(Wide Angle)
(Telephoto)
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68
BASIC IMAGE RECORDING
I To record an image using digital zoom
Digital Zoom
Digital zoom digitally enlarges the part of the image at the
center of the image screen. The range of digital zoom is 4X
to 16X (in combination with optical zoom).
Digital zoom indicator
1. In a REC mode, hold
the zoom controller
towards
(telephoto) /
side.
IMPORTANT!
• This causes the zoom
indicator to appear on
the display.
• Digital zoom is disabled whenever the monitor
screen is turned off (page 34).
• When you perform a digital zoom operation, the
camera manipulates the image data to enlarge the
center of the image. Unlike optical zoom, an image
enlarged with digital zoom appears coarser than the
original.
Zoom indicator
2. When the zoom pointer reaches the optical/
digital zoom switch over point, it will stop.
Digital
Zoom range
Optical Zoom range
1X
4X
16X
Zoom pointer
Optical/digital zoom switch over point
• The above shows what the zoom indicator looks like
when digital zoom is turned on. The digital zoom
range is not displayed when digital zoom is turned
off.
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69
BASIC IMAGE RECORDING
3. Release the zoom controller momentarily, and
I To turn digital zoom on and off
then slide it towards
(telephoto) /
side
again to move the zoom pointer into the
digital zoom range.
1. In a REC mode, press [MENU].
2. Use [̇] and [̈] to select the “REC” tab.
• The zoom pointer will also stop when you move the
pointer back to the switch over point to re-enter the
optical zoom range. Release the zoom controller and
3. Use [̆] and [̄] to select “Digital Zoom”, and
then press [̈].
then slide it towards
(wide angle) /
side again
to move into the optical zoom range.
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
4. Compose the image, and then press the
shutter button.
To do this:
Select this setting:
Turn on digital zoom
Turn off digital zoom
On
Off
• Only the optical zoom range is displayed in the zoom
level indicator when digital zoom is turned off.
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70
BASIC IMAGE RECORDING
To do this:
Select this setting:
None
Using the Flash
Have the flash fire automatically when
required (Auto Flash)
Perform the following steps to select the flash mode you
want to use.
• The approximate effective range of the flash is shown
below.
Turn off the flash (Flash Off)
Always fire the flash (Flash On)
Fire a pre-flash followed by image
recording with flash, reducing the
chance of red-eye in the image (Red-
eye reduction)
In this case, the flash fires automatically
when required
Wide Angle: Approximately 0.4 meters to 3.6 meters
(1.3´ to 11.8´) (ISO Sensitivity: Auto)
Telephoto : Approximately 0.4 meters to 2.5 meters
(1.3´ to 8.2´) (ISO Sensitivity: Auto)
1. In a REC mode, press [MENU].
3. Record the image.
IMPORTANT!
2. Press [ ] to select the flash mode.
• Each press of [
] cycles through the flash mode
settings described below on the monitor screen.
• Image recording may not be performed if you press
the shutter button while the flash is charging (which
is indicated by a flashing red operation lamp).
• Using the flash while “Auto” is selected for the ISO
Sensitivity setting increases sensitivity, which can
cause large amounts of digital noise to appear in the
image. You can reduce digital noise by using a lower
ISO Sensitivity setting. Note, however, that this also
has the effect of shortening the flash range (the
range that is covered by the light from the flash)
(page 133).
Flash mode indicator
[
]
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BASIC IMAGE RECORDING
I About Red-eye Reduction
Flash Unit Status
Using the flash to record at night or in a dimly lit room can
cause red spots inside the eyes of people who are in the
image. This happens because the light from the flash
reflects off of the retina of the eye. When red-eye reduction
is selected as the flash mode, the camera performs two
pre-flash operations, one designed to cause the irises in
the eyes of any people in the image to close, and one for
the Auto Focus operation. This is followed by another flash
operation for actual recording of the image.
You can find out the current flash unit status by pressing
the shutter button half way and checking the monitor
screen and red operation lamp.
BKT
The
indicator is also
shown on the monitor
screen when the flash unit
is ready to fire.
IMPORTANT!
Red operation lamp*
Note the following important points when using red-
eye reduction.
* Red operation lamp
• Red-eye reduction does not work unless the people
in the image are looking directly at the camera during
the pre-flash. Before pressing the shutter button, call
out to the subjects so they all look at the camera
while the pre-flash operation is performed.
• Red-eye reduction may not work very well if the
subjects are located far away from the camera.
When the red operation
lamp is this:
It means this:
Flashing
Lit
Flash unit is charging
Flash unit is ready to fire
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72
BASIC IMAGE RECORDING
Changing the Flash Intensity Setting
Using Flash Assist
Perform the following steps to change the flash intensity
setting.
Recording a subject that is outside the flash range can
cause the subject to appear dark in the resulting image,
because not enough of the flash reaches the subject. When
this happens, you can use flash assist to correct the
brightness of the recorded subject, so it appears as if the
flash illumination was sufficient.
1. In a REC mode, press [MENU].
2. Use [̇] and [̈] to select the “REC” tab.
3. Use [̆] and [̄] to select “Flash Intensity”,
and then press [̈].
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To make flash intensity:
Stronger
Select this setting:
Flash assist used
Flash assist not used
+2
+1
0
1. In a REC mode, press [MENU].
Normal
Weaker
–1
–2
2. Use [̇] and [̈] to select the “REC” tab.
3. Use [̆] and [̄] to select “Flash Assist”, and
then press [̈].
NOTE
• Flash intensity may not change if the subject is too
far or too close to the camera.
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73
BASIC IMAGE RECORDING
Flash
4. Use [̆] and [̄] to select “Auto”, and then
Flash Precautions
press [SET].
Take care that your fingers do
not block the flash when you
hold the camera. Covering the
flash with your finger can
greatly reduce its
• Selecting “Off” disables flash assist.
IMPORTANT!
• Flash assist may not produce the desired result for
some types of subjects.
effectiveness.
• Flash assist may have little effect on your image if
you changed any of the following settings when you
recorded it.
— Flash intensity (page 73)
— Exposure compensation (EV shift) (page 88)
— ISO sensitivity (page 133)
• You may not be able to achieve the desired results using
a flash if the subject is too close or too far away.
• The flash takes anywhere from a few seconds to as long
as 10 seconds to attain full charge after being fired. The
actual time required depends on the battery level,
temperature, and other conditions.
— Contrast (page 137)
• The flash does not fire when recording using the following
modes and functions: infinity (
) focus mode (page 85),
continuous shutter (page 100), auto bracketing (page
105), Movie mode (page 124). The
(Flash Off) icon on
the monitor screen indicates that the flash is turned off.
• The flash unit may not be able to charge when battery
power is low. Low battery power is indicated by
Off) on the monitor screen, and when the flash fails to fire
properly resulting in poor image exposure. When these
symptoms occur, charge the camera’s battery as soon as
possible.
(Flash
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74
BASIC IMAGE RECORDING
• When recording with the flash turned off (
) while
Using the Self-timer
available lighting is dim, mount the camera on a tripod.
Recording images under dim lighting without the flash can
cause digital noise, which makes images appear coarse.
The self-timer lets you select either a 2-second or 10-
second delay of the shutter release after you press the
shutter button. A Triple Self-timer feature lets you perform
three consecutive self-timer operations to record three
images.
• When red-eye reduction (
) is selected, flash intensity
is adjusted automatically in accordance with the
exposure. The flash may not fire at all when the subject is
brightly lit.
• Using flash in combination with another light source
(daylight, fluorescent light, etc.) can result in abnormal
image colors.
Self-timer setting
1. In a REC mode, use
[
] to cycle through
the available self-timer
modes.
• Each press of [
]
cycles through the timer
settings on the monitor
screen in the sequence
shown below.
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75
BASIC IMAGE RECORDING
3. After preparation is complete, the indicator “1sec”
appears on the monitor screen, and another
image is recorded one second later.
To do this:
Select this setting:
No icon displayed
Disable the self-timer
Specify a 10-second self-timer
Specify a 2-second self-timer
Specify Triple Self-timer
4. Steps 2 and 3 are repeated once more to record
the third image.
10
s
2s
x3
Self-timer lamp
2. Record the image.
Specify self-timer off for remote
controller operation (page 146)
• When you press the
shutter button, the self-
timer lamp flashes as
the countdown
Specify 2-second self-timer for remote
controller operation (page 146)
2s
progresses, and then
the shutter releases
after the self-timer
reaches the end of its
countdown.
• With the Triple Self-timer, the camera records a series
of three images in the sequence described below.
1. The camera performs a 10-second countdown
and then records the first image.
• You can interrupt an
ongoing self-timer
countdown by pressing
the shutter button while
the self-timer lamp is
flashing.
2. The camera prepares to record the next image.
The amount of time required for preparation
depends on the camera’s current “Size” and
“Quality” settings, the type of memory (built-in or
card) you are using for image storage, and
whether or not the flash is charging.
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76
BASIC IMAGE RECORDING
NOTE
Specifying Image Size
• The “2 sec” self-timer setting is best when shooting
with a slow shutter speed, because it helps to avoid
blurring of images due to hand movement.
• The functions below are not available for use in
combination with the Triple Self-timer.
BULB (pages 95, 96), Continuous Shutter (page
100), Auto Bracketing (page 105), Coupling Shot
(page 117), Pre-shot (page 119)
“Image size” is the size of the image, expressed as the
number of vertical and horizontal pixels. A “pixel” is one of
the many tiny dots that make up the image. More pixels
provide finer detail when an image is printed, but a higher
pixel count also causes the image’s file size of to be larger.
You can select an image size to suit your needs for greater
detail or smaller file size.
1. In a REC mode, press [MENU].
2. Use [̇] and [̈] to select the “REC” tab.
3. Use [̆] and [̄] to select “Size”, and then
press [̈].
4. Use [̆] and [̄] to select the image size (in
pixels) you want, and then press [SET].
• When selecting the image size, the image size value
(pixels) will alternate on the display with a
corresponding print size. The print size indicates the
optimum paper size when you print an image that is
the image size you select.
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77
BASIC IMAGE RECORDING
Image Size:
Print Size:
Specifying Image Quality
×
3072 2304 A3 Print
Larger
Smaller
Compressing an image before storage can cause a
deterioration of its quality. The more an image is
compressed, the greater the loss of quality. The image
quality setting specifies the compression ratio to be used
when an image is stored in memory. You can select an
image quality setting to suit your needs for higher quality or
smaller file size.
×
3072 2048 A3 Print (3:2 horizontal-to-vertical
(3:2) ratio)
2304 1728 A4 Print
×
×
×
1600 1200 5˝ 7˝ Print
×
×
1280 960
3.5˝ 5˝ Print
E-mail (optimum size when
attaching image to e-mail)
×
640 480
1. In a REC mode, press [MENU].
• Indicated sizes are rough approximates only.
2. Use [̇] and [̈] to select the “REC” tab.
• The above print sizes are all approximate values when
printing at a resolution of 200 dpi (dots per inch). Use a
larger setting when you want to print at a higher
3. Use [̆] and [̄] to select “Quality”, and then
press [̈].
resolution or when you plan to produce a larger size print.
×
• Selecting the “3072 2048 (3:2)” image size will record
images with a 3:2 (horizontal : vertical) aspect ratio, which
is optimal for printing on paper with an aspect ratio of 3:2.
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
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78
BASIC IMAGE RECORDING
IMPORTANT!
To get this:
Select this setting:
TIFF
• Actual file size depends on the type of image you
record. This means that the remaining image
capacity noted on the monitor screen may not be
exactly accurate (pages 30, 262).
Image recording without
compression
Higher
Quality
High image quality, large file
size
Fine
• It takes longer to store a TIFF (uncompressed)
image than a JPEG (compressed) image.
• When you record a TIFF image, a JPEG format FINE
version of the same image is also stored. The FINE
version is the one that appears on the camera’s
monitor screen when you display the image in the
PLAY mode.
Normal image quality and
normal file size
Normal
Economy
Low image quality, small file
size
Lower
Quality
• A TIFF image cannot be resized (page 160), cropped
(page 161), or copied (page 204). All of these
operations must be performed on JPEG images.
• You cannot transfer a TIFF image to a computer using
the bundled Photo Loader application (page 241). Use
the procedure under “Viewing Images on a
Computer” (page 216) instead.
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OTHER RECORDING FUNCTIONS
This section describes other powerful features and
functions that are available for recording.
To set up the camera to do this:
Focus automatically (Auto Focus)
Perform close-up focus (Macro)
Fix the focal distance (Pan Focus)
Perform infinity focus (Infinity)
Focus manually (Manual Focus)
Select this setting:
None
*
Selecting the Focus Mode
You can select one of five different focus modes: Auto
Focus, Macro, Infinity, Manual, and Pan Focus.
* The PF (Pan Focus) setting is available in the Movie
mode only.
IMPORTANT!
• Pan Focus can be used in the Movie mode only. You
cannot use Pan Focus in any other REC mode.
[
]
1. In a REC mode, press [ ].
• Each press of [ ] cycles
thorough the focus mode
settings.
Focus mode indicator
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OTHER RECORDING FUNCTIONS
When you see this:
It means this:
Using Auto Focus
Green focus frame
Green operation lamp
As its name suggests, Auto Focus focuses the image
automatically. The automatic focus operation starts when
you press the shutter button down half way. The following
is the Auto Focus range.
The image is focused.
Red focus frame
Flashing green operation lamp
The image is not
focused.
Range: Approximately 40cm to ∞ (1.3´ to ∞)
3. Press the shutter button the rest of the way to
record the image.
1. Press [ ] to cycle through the focus mode
settings until there is no focus mode indicator
on the display.
2. Compose the image
10
1600 1200N
so the main subject is
IN
within the focus
frame, and then press
the shutter button
half way.
ISO 80
F2.8
1/1000
04/12/24
:
12 58
• You can tell whether the
image is focused by
observing the focus
frame and the green
operation lamp.
Focus frame
Green operation lamp
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OTHER RECORDING FUNCTIONS
NOTE
I Specifying the Auto Focus Area
• When “Hybrid” is selected as the Auto Focus mode
(page 134), pressing the shutter button all the way
without pausing at the half-way point will perform
high-speed Auto Focus using the phase differential
sensor only. Note, however, that high-speed Auto
Focus is somewhat less reliable than the Auto Focus
operation performed when you press the shutter
button half way and pause.
You can use the following procedure to change the Auto
Focus area used in the Auto Focus mode and the Macro
mode. Note that the configuration of the focus frame
changes in accordance with the Auto Focus area you
select.
1. In a REC mode, press [MENU].
• Except when you specifically need very fast focusing
and response, it is recommended that you normally
press the shutter button half way and wait for the
Auto Focus operation to complete before pressing
the shutter button the rest of the way down to record.
• When proper focusing is not possible because the
subject is closer than the Auto Focus range, the
camera automatically switches to the Macro mode
range (page 84).
2. On the “REC” tab, select “AF Area”, and then
press [̈].
3. Use [̆] and [̄] to select the Auto Focus area
you want, and then press [SET].
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82
OTHER RECORDING FUNCTIONS
• Spot
• Multi
For this type of Auto Focus area:
Select this:
Spot
Very limited range in the center of the
screen
• This setting works well with focus lock
(page 87).
Automatic selection of the focus area where
the subject closest to the camera is located
• With this setting, a wide focus frame,
which contains seven focus points,
appears on the monitor screen first. When
you press the shutter button half way, the
camera automatically selects the focus
point where the subject closest to the
camera is located, and a focus frame
appears at that point.
Focus frame
Focus frame
Multi
• Free
• This setting works well for group photos.
[SET]
Free movement of the focus point location
you want.
• Selecting this setting initially displays the
focus point in the center of the monitor
screen. Then you can use the [̆], [̄],
[̇], and [̈] keys to move it to the location Free
you want. Finally, press [SET] to select
the current focus point location.
Focus point
Focus frame
• Selecting “Free” also automatically
changes from Auto Focus (AF) to contrast
focus (page 134).
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83
OTHER RECORDING FUNCTIONS
IMPORTANT!
Using the Macro Mode
• Use of the flash along with wide angle zoom or the
Macro mode can cause the light of the flash to
become blocked, which can produce unwanted
shadows in your image.
The Macro mode lets you focus on close up subjects
automatically. The automatic focus operation starts when
you press the shutter button down half way. The following
are the approximate focus ranges in the Macro mode.
Ranges: 10cm to 50cm (3.9˝ to 19.7˝) at wide angle
40cm to 50cm (15.6˝ to 19.7˝) at telephoto
NOTE
• When the Macro mode cannot focus properly
because the subject is too far away, the camera
automatically switches to the Auto Focus range
(page 81).
• Whenever you perform an optical zoom operation
(page 68) while recording with the Macro mode, a
value will appear on the monitor screen as shown
below to tell you the focusing range.
1. Press [ ] to cycle through the focus mode
settings until “ ” is shown as the focus
mode indicator.
2. Record the image.
• The focus and image recording operations are
identical to those in the Auto Focus mode.
Example: 10cm – 50cm
• You can tell whether the image is focused by
observing the focus frame and the green operation
lamp. The indications of the focus frame and green
operation lamp are the same as those in the Auto
Focus mode.
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84
OTHER RECORDING FUNCTIONS
Using the Infinity Mode
Using Manual Focus
The Infinity mode fixes focus at infinity (∞). Use this mode
when recording scenery and other faraway images.
With the Manual Focus mode, you can adjust the focus of
an image manually. The following shows focus ranges in
the Macro mode for two optical zoom factors.
1. Press [ ] to cycle through the focus mode
settings until “ ” is shown as the focus
mode indicator.
Optical Zoom Factor
Approximate Focus Range
10cm (3.9˝) to infinity (∞)
40cm (15.7˝) to infinity (∞)
1X
4X
2. Record the image.
1. Press [ ] to cycle
through the focus
mode settings until
“
” is shown as the
focus mode indicator.
• At this point, a
boundary also appears
on the display,
indicating the part of the
image that will be used
for manual focus.
Boundary
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85
OTHER RECORDING FUNCTIONS
NOTE
2. While watching the
image on the monitor
screen, use [̇] and
[̈] to focus.
• Whenever you perform an optical zoom operation
(page 68) while recording with manual focus, a value
will appear on the monitor screen as shown below to
tell you the focusing range.
Example: MF 10cm – ∞
Manual focus position
To do this:
Do this:
Press [̇].
Press [̈].
Focus in on the subject
Focus out on the subject
• Pressing [̇] or [̈] causes the area inside of the
boundary displayed in step 1 to fill the monitor
screen momentarily to aid in focus. The normal
image reappears a short while later.
3. Press the shutter button to record the image.
IMPORTANT!
• In the Manual Focus mode, the [̇] and [̈] keys
adjust focus, even if you used key customization to
assign other functions to them (page 140).
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86
OTHER RECORDING FUNCTIONS
Using Pan Focus
Using Focus Lock
You can use pan focus in the Movie mode (page 124) to fix
the focus for recording without Auto Focus.
Focus lock is a technique you can use to focus on a subject
that is not located within the focus frame when you record
an image. You can use focus lock in the Auto Focus mode
1. Enter the Movie mode
(page 124).
and the Macro mode (
).
Main subject
• This automatically selects
Pan Focus as the focus
mode, which is indicated
1. Using the monitor
screen, compose the
image so the main
subject is within the
focus frame, and then
press the shutter
10
1600 1200N
by “
” appearing on the
IN
monitor screen.
ISO 80
F2.8
• If another focus mode is selected in the Movie mode,
use [ ] to display the “
1/1000
04/12/24
” (Pan Focus) indicator.
button half way.
:
12 58
2. Press the shutter button to record a movie.
IMPORTANT!
• This locks the focus on
the subject that is
currently within the
focus frame.
Focus frame
• Pan Focus can be used in the Movie mode only. You
cannot use Pan Focus in any other REC mode.
2. Keeping the shutter
button pressed half
way down, re-
10
1600 1200N
IN
ISO 80
F2.8
compose the image
as you like.
1/1000
04/12/24
12 58
:
Main subject
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87
OTHER RECORDING FUNCTIONS
3. When the image is composed the way you
want, press the shutter button the rest of the
way to record it.
Exposure Compensation (EV Shift)
Exposure compensation lets you change the exposure
setting (EV value) manually to adjust for the lighting of your
subject. This feature helps to achieve better results when
recording a backlit subject, a strongly lit subject indoors, or
a subject that is against a dark background.
NOTE
• Locking the focus also locks the exposure.
EV Shift Range: –2.0EV to +2.0EV
Steps: 1/3EV
1. In a REC mode, press [MENU].
2. Select the “REC” tab,
select “EV Shift”, and
then press [̈].
Exposure compensation
value
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88
OTHER RECORDING FUNCTIONS
• To cancel EV Shift, adjust the value until it becomes
0.0.
3. Use [̆] and [̄] to
change the exposure
compensation value,
and then press [SET].
4. Record the image.
IMPORTANT!
• Pressing [SET] registers
the displayed value.
• When shooting under very dark or very bright
conditions, you may not be able to obtain satisfactory
results even after performing exposure
compensation.
EV value
[̆] : Increases the EV value. A higher EV value is best
used for light-colored subjects and backlight
subjects.
NOTE
• Performing an EV shift operation while using multi-
pattern metering (page 135) will cause the metering
mode to switch automatically to center weighted
metering (page 135). Returning the EV shift value to
0.0 causes the metering mode to change back to
multi-pattern metering.
• You can use key customization (page 140) to
configure the camera to perform exposure
compensation whenever you press [̇] or [̈] while in
a REC mode.
[̄] : Decreases the EV value. A lower EV value is best
for dark-color subjects and for shooting outdoors
on a clear day.
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89
OTHER RECORDING FUNCTIONS
3. Use [̆] and [̄] to select the setting you
Adjusting White Balance
want, and then press [SET].
The wavelengths of the light produced by various light
sources (daylight, light bulb, etc.) can affect the color of a
subject when it is recorded. White balance lets you make
adjustments to compensate for different lighting types, so
the colors of an image appear more natural.
When shooting under these conditions:
Normal conditions
Select this setting:
Auto
Outdoor daylight on a clear day
Outdoor daylight on an overcast or rainy
day, in the shade of a tree, etc.
1. In a REC mode, press [MENU].
In the shade of a building or any other
area where the color temperature is high
2. Select the “REC” tab,
select “White
Under white or daylight white fluorescent
light (suppresses color fogging)
1
2
Balance”, and then
press [̈].
Under daylight fluorescent light
(suppresses color fogging)
Under incandescent lighting
Flash
Difficult lighting that requires manual control
(See “Configuring the White Balance
Setting Manually”.)
Manual
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90
OTHER RECORDING FUNCTIONS
NOTE
Configuring the White Balance Setting
Manually
Certain complex light sources or other environmental
conditions can make it impossible to obtain good results
when “Auto” or one of the fixed light source settings is
selected for white balance. Manual white balance lets you
configure the camera for a particular light source and other
conditions.
Note that you must perform manual white balance under
the same conditions you will be shooting under. Have a
sheet of white paper on hand before starting the following
procedure.
• When “Auto” is selected for the white balance
setting, the camera automatically determines the
white point of the subject. Certain subject colors and
light source conditions can cause problems when the
camera tries to determine the white point, which
makes proper white balance adjustment impossible.
When this happens, use daylight, cloudy, or one of
the other fixed white balance settings to specify the
type of lighting available.
• You can use key customization (page 140) to
configure the camera so the white balance setting
changes whenever you press [̇] or [̈] while in a
REC mode.
1. In a REC mode, press [MENU].
2. Select the “REC” tab, select “White Balance”,
and then press [̈].
3. Use [̆] and [̄] to
select “Manual”.
• This causes the object
you last used to adjust
manual white balance to
appear on the monitor
screen.
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91
OTHER RECORDING FUNCTIONS
NOTE
4. Point the camera at a white paper or similar
object under the lighting conditions for which
you want to set the white balance, and then
press the shutter button.
• After you adjust white balance manually, the setting
remains in effect until you change it or until you turn
off the camera.
White paper
• This starts the white balance adjustment procedure.
The message “Complete” appears on the monitor
screen after white balance adjustment is complete.
5. Press [SET].
• This registers the white balance settings and returns
to the currently selected recording mode.
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92
OTHER RECORDING FUNCTIONS
1. Align the mode dial
with “A” (Aperture
Priority).
Specifying the Exposure Mode
You can use the mode dial to select the exposure mode,
which controls the aperture and shutter speed settings
used during image recording.
A mode : Aperture Priority AE
S mode : Shutter Speed Priority AE
M mode : Manual Exposure
Aperture value EV shift
2. Use [̆] and [̄] to select the aperture value in
the exposure panel, and then use [̇] and [̈]
to change the setting.
Using Aperture Priority AE
When A mode (aperture priority AE) is selected as the
exposure mode, the camera adjusts the shutter speed
automatically in accordance with a fixed aperture value
specified by you. A wider aperture (a lower aperture value)
provides a shallow depth of field, while a small aperture (a
higher aperture value) provides a greater depth of field.
Wide
F2.8, 3.2, 3.5, 4.0, 4.5, 5.0, 5.6, 6.3, 7.1, 8.0
Shallow Deep
Small
Aperture value
*
Depth of Field
* The above values are full wide angle optical zoom.
Aperture values are different at other optical zoom
settings.
Wide Aperture
Small Aperture
• You could also use [̆] and [̄] to select “EV Shift”
here, and then use [̇] and [̈] to specify an
exposure compensation value (page 88).
•
If you are using manual focus (page 85), you can also
use [̆] and [̄] to select “FOCUS” (manual focus
adjustment), and then use [̇] and [̈] to focus
manually.
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93
OTHER RECORDING FUNCTIONS
3. Press the shutter button half way.
Using Shutter Speed Priority AE
When S mode (shutter speed priority AE) is selected as the
exposure mode, the camera adjusts the aperture
automatically in accordance with a fixed shutter speed
specified by you. You should specify a shutter speed in
accordance with how much your subject is moving.
• This causes the camera to configure shutter speed
automatically in accordance with the aperture value
you selected. Then it focuses the image.
• The shutter speed and aperture values on the
monitor screen will turn amber when you press the
shutter button half way if the image is over-exposed
or under-exposed.
Slow
Fast
4. When the image is focused, press the shutter
button all the way down to record.
1. Align the mode dial
with “S” (Shutter
Speed Priority).
Shutter speed
EV shift
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94
OTHER RECORDING FUNCTIONS
2. Use [̆] and [̄] to select the shutter speed
value in the exposure panel, and then use [̇]
and [̈] to change the setting.
3. Press the shutter button half way.
• This causes the camera to configure the aperture
value automatically in accordance with the shutter
speed you selected. Then it focuses the image.
Slow
BULB, 60 seconds
Blurred
Fast
Shutter speed
Movement
• The shutter speed and aperture values on the
monitor screen will turn amber when you press the
shutter button half way if the image is over-exposed
or under-exposed.
1/2000 second
Stopped
• You could also use [̆] and [̄] to select “EV Shift”
here, and then use [̇] and [̈] to specify an
exposure compensation value (page 88).
4. When the image is focused, press the shutter
button all the way down to record.
•
If you are using manual focus (page 85), you can also
use [̆] and [̄] to select “FOCUS” (manual focus
adjustment), and then use [̇] and [̈] to focus
manually.
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95
OTHER RECORDING FUNCTIONS
3. Use [̆] and [̄] to select the shutter speed
value in the exposure panel, and then use [̇]
and [̈] to change the setting.
Setting Exposure Settings Manually
In the M mode (manual exposure), you can adjust shutter
speed and aperture manually.
Slow
BULB, 60 seconds
Blurred
Fast
Shutter speed
Movement
1/2000 second
Stopped
1. Align the mode dial
with “M” (Manual).
• If you are using manual focus (page 85), you can
also use [̆] and [̄] to select “FOCUS” (manual
focus adjustment), and then use [̇] and [̈] to focus
manually.
Aperture value
Shutter speed
4. Press the shutter button half way.
•
This causes the camera to adjust focus automatically.
2. Use [̆] and [̄] to select the aperture value in
the exposure panel, and then use [̇] and [̈]
to change the setting.
5. When the image is focused, press the shutter
button all the way down to record.
Wide
F2.8, 3.2, 3.5, 4.0, 4.5, 5.0, 5.6, 6.3, 7.1, 8.0
Shallow Deep
Small
Aperture value*
Depth of Field
* The above values are full wide angle optical zoom.
Aperture values are different at other optical zoom
settings.
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96
OTHER RECORDING FUNCTIONS
IMPORTANT!
Using Manual Assist On-screen Guidance
• The shutter speed displayed in the A mode and the
aperture value displayed in the S mode are rough
approximations only. Because of this, these settings
may be slightly different from the settings that appear
when you press the shutter button half way (which
are more precise).
Pressing [SET] while in the A mode (aperture priority AE),
S mode (shutter speed priority AE), or M mode (manual
exposure) causes on-screen guidance and exposure indicators
(aperture and shutter speed) to appear on the display.
Guidance images
Aperture indicator
Shutter speed indicator
• In the A mode, you can use [̇] and [̈] to change the
aperture value setting. Pressing a button causes the
Guidance images to disappear from the display.
• In the S mode, you can use [̇] and [̈] to change the
shutter speed setting. Pressing a button causes the
Guidance images to disappear from the display.
• In the M mode, you can use [̆] and [̄] to switch the
Guidance images between the aperture value and shutter
speed settings. After displaying the screen you want, you
can use [̇] and [̈] to change the setting.
• If the Guidance images disappear from the monitor
screen, you can display them again by pressing [DISP].
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OTHER RECORDING FUNCTIONS
• At shutter speeds slower than 1 second, the brightness of
the recorded image may not be the same as the
brightness of the image that appears on the monitor
screen.
Exposure Mode Recording Precautions
• You may not be able to achieve the brightness you want
when recording an image that is very dark or very bright.
If this happens, use the M mode (manual exposure) to
adjust the aperture or shutter speed manually.
• You can select the “BULB” setting in the S mode (shutter
speed priority AE) or M mode (manual exposure).
• With the “BULB” setting, exposure continues as long as
you keep the shutter button depressed, for up to 60
seconds.
• Note that when you are using the “BULB” setting, the
record operation with the card remote controller (page
148) is different from the record operation on the camera.
• Using slow shutter speeds can cause digital noise
(graininess) to appear in the image. Because of this, the
camera automatically performs a digital noise reduction
process whenever the shutter speed is 1/8 second or
slower. The slower the shutter speed, the greater the
possibility that digital noise will be generated in an image.
If you notice digital noise in your images at very slow
shutter speeds, try using a shutter speed setting that is
faster than four seconds. Also note that the digital noise
reduction process can cause it to take longer (about
double the shutter speed setting or more) to record each
image.
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OTHER RECORDING FUNCTIONS
2. Press [AE-L].
Using Auto Exposure Lock (AE Lock)
• This fixes the exposure
settings (aperture and
shutter speed), and
displays “AE-L” on the
monitor screen.
The AE Lock feature lets you lock auto exposure at a
particular setting. This feature is separate from the AE lock
that is achieved by pressing the shutter button half way in any
exposure mode besides the M mode (manual exposure).
You can use AE Lock in the following instances.
— To set up exposure on a subject that is different from
the subject selected by Auto Focus
BKT
AE-L
[AE-L]
AE-L
• The AE Lock is released
by pressing [AE-L] again
or by changing to another
mode.
— To setup exposure prior to using the flash for recording
1. In a REC mode, point the camera at the
subject on which you want exposure to be
performed.
3. Record the image.
• AE Lock is released automatically when the image is
recorded.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Using a Continuous Shutter Mode
• If AE Lock is already in effect, you can re-execute it
by pressing [AE-L] once to release AE Lock, and
then pressing [AE-L] again to perform a new AE Lock
operation.
• Continuous shutter recording is always performed
with AE Lock.
• AE Lock can be used before starting movie recording
or while movie recording is in progress (page 124).
• Proper Auto Focus may not be possible if you try to
use AE Lock to record an image in which there is a
very large variation in brightness.
• You can also perform AE Lock by holding down
[AE-L], instead of performing the procedure
described above.
You can configure the camera to record only a single
snapshot each time the shutter button is pressed, or to
keep recording as long as the shutter button remains
depressed (continuous shutter). You can select from
among three different continuous shutter modes.
• Normal speed continuous shutter mode
This mode records images as long as you keep the
shutter button depressed.
• High speed continuous shutter mode
This mode records up to 5 consecutive images, at a
speed of about three images per second, as long as you
keep the shutter button depressed. This mode records
faster than the normal speed continuous shutter mode.
• Multi continuous shutter mode
Pressing the shutter button once records 25 consecutive
stop-action shots at high speed and combines them into a
single image.
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OTHER RECORDING FUNCTIONS
NOTE
Using the Normal Speed Continuous
Shutter Mode
The normal speed continuous shutter mode records
images as long as you keep the shutter button depressed.
• Recording Speed: Depends on image size and image
quality settings.
• You can also select a continuous shutter mode by
holding down [
want with [̆] and [̄], and then releasing [
BKT], selecting the mode you
BKT].
• Number of Shots: Maximum number of shots possible
(based on remaining memory capacity)
1. In a REC mode, press
[
BKT].
2. Use [̆] and [̄] to select “ ”, and then press
[SET].
• This causes “
” to appear on the monitor screen.
3. Press the shutter button to record.
• Recording continues as long as you keep the shutter
button depressed. Release the shutter button to stop
recording.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Using the High Speed Continuous
Shutter Mode
The high speed continuous shutter mode provides higher
speed recording than the normal speed coutinuous shutter
mode.
• Nothing is displayed on the monitor screen while
recording is in progress.
• The camera automatically performs a digital noise
reduction process at shutter speeds slower than 1
second. Because of this, the maximum number of
high-speed continuous shutter mode shots becomes
four (instead of five) at shutter speeds slower than
1 second.
•
Recording Speed: Three images per second (The interval
between shots is longer when shooting at slow shutter
speeds
)
• Maximum Number of Shots: 5
1. In a REC mode, press [
BKT].
H
2. Use [̆] and [̄] to select “ ”, and then press
[SET].
• This causes “
” to appear on the monitor screen.
3. Press the shutter button to record.
•
Recording continues as long as you keep the shutter
button depressed. Release the shutter button to stop
recording.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
25-shot Stop Action Images (Using the
Multi Continuous Shutter Mode)
• Note with the above procedure, you do not need to
keep the shutter button depressed.
Use the following procedure to
record 25 consecutive stop-
action shots at high speed and
combine them into a single
image.
×
• The size of the 25-shot images is 1600 1200
pixels.
1. In a REC mode, press [
BKT].
2. Use [̆] and [̄] to select “ ”, and then press
[SET].
• This causes “ ” to appear on the monitor screen.
3. Press the shutter button once to record.
• After 25 shots are recorded, they are combined into
a single image, which is stored in memory.
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OTHER RECORDING FUNCTIONS
• A continuous shutter operation may stop part way through
if memory capacity runs low.
• Using a slow shutter speed setting causes a longer
interval between images.
Continuous Shutter Precautions
Continuous shutter cannot be used when any one of the
following conditions exists.
— When TIFF is selected for the image resolution (page 78)
— When “BULB” is selected for the shutter speed
(pages 95, 96)
— When using Coupling Shot, Pre-shot, or Soft Focus
(pages 113, 117, 119)
• The flash is disabled while a continuous shutter mode is
being used.
• You cannot use the self-timer in combination with the
normal speed continuous shutter mode. Also, you cannot
use the high speed continuous shutter mode or multi
continuous shutter mode in combination with the Triple
Self-timer (page 75).
• The slowest possible shutter speed setting when using
the multi continuous shutter mode is 1/15 second.
• Starting a continuous shutter operation causes the
exposure and focus settings to be fixed at the levels for
the first image. The same settings are applied to all
subsequent images.
• When using a continuous shutter mode, keep the camera
still until all recording is finished.
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104
OTHER RECORDING FUNCTIONS
I Non-configurable Auto Bracketing Variables
There are six non-configurable auto bracketing variables.
• Filter 1
• Filter 2
Using Auto Bracketing
Auto bracketing lets you select a single particular setting as
a variable, and then record a series of images, each of
which uses a different setting for the variable you selected.
You can then select the image(s) you want to keep.
There are two types of auto bracketing variables:
configurable and non-configurable.
• Portrait
• Sharpness
• Saturation
• Contrast
I Configurable Auto Bracketing Variables
There are three configurable auto bracketing variables.
• Exposure
The shift range of a non-configurable variable and the
number of images recorded are fixed, and cannot be
changed by you.
• White Balance
• Focus distance
With these configurable variables, you can specify how the
setting of the variable changes, and whether three or five
images should be recorded when the shutter button is
pressed.
Three images using exposure as a variable
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OTHER RECORDING FUNCTIONS
3. Use [̆] and [̄] to specify the number of
Using Auto Bracketing with Exposure
Selected as the Variable (AE Bracketing)
With AE bracketing, you can specify recording of three
images or five images each of which is recorded with a
different Auto Exposure setting. You can also specify the
range of change for the exposure value (shift range).
• You can specify the shift range you want for AE
bracketing.
images you want to record.
• You can specify either three images or five images.
4. Use [̇] and [̈] to specify the shift range.
5. When the settings are the way you want,
press [SET].
• This causes the “AEB” indicator to appear on the
monitor screen.
1. In a REC mode, press
[
BKT].
6. Press the shutter button to record.
• Pressing the shutter button once records the number
of images you specified.
NOTE
• The recording speed is the same as that for high
speed continuous shutter mode (page 102).
• You can also select an auto bracketing mode by
2. Use [̆] and [̄] to
select “AEB”, and
then press [̈].
holding down [
BKT], selecting the mode you
BKT].
want with [̆] and [̄], and then releasing [
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OTHER RECORDING FUNCTIONS
4. Use [̇] and [̈] to specify the shift range.
Using Auto Bracketing with White
Balance as the Variable (WB Bracketing)
5. When the settings are the way you want,
press [SET].
With WB bracketing, you can specify recording of three
images or five images, each of which is recorded with a
different white balance setting. As the white balance setting
changes, the image takes on a more reddish or bluish
tinge. You can also specify the range of change for the
white balance setting (shift range).
• This causes the “WBB” indicator to appear on the
monitor screen.
6. Press the shutter button to record.
• Pressing the shutter button once records the number
of images you specified.
• You can specify the shift range you want for WB
bracketing.
1. In a REC mode, press [
BKT].
NOTE
• The recording speed is the same as that for high
speed continuous shutter mode (page 102).
2. Use [̆] and [̄] to
select “WBB”, and
then press [̈].
3. Use [̆] and [̄] to specify the number of
images you want to record.
• You can specify either three images or five images.
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OTHER RECORDING FUNCTIONS
4. Use [̇] and [̈] to specify the shift range.
Using Auto Bracketing with the Focus
Distance as the Variable (Focus
Bracketing)
5. When the settings are the way you want,
press [SET].
With focus bracketing, you can specify recording of three
images or five images, each of which is recorded using a
different focus distance setting. You can also specify the
range of change for the focus distance (shift range). This
comes in handy when performing the hard-to-focus macro
and telephoto recording.
• This causes the “AFB” indicator to appear on the
monitor screen.
6. Press the shutter button to record.
• Pressing the shutter button once records the number
of images you specified.
• You can specify the shift range you want for focus
bracketing
NOTE
1. In a REC mode, press [
BKT].
• The recording speed is the same as that for high
speed continuous shutter mode (page 102).
2. Use [̆] and [̄] to
select “AFB”, and
then press [̈].
3. Use [̆] and [̄] to specify the number of
images you want to record.
• You can specify either three images or five images.
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108
OTHER RECORDING FUNCTIONS
3. Use [̆] and [̄] to select the non-
configurable variable you want, and then
press [SET].
Using Auto Bracketing with Non-
configurable Variables (Multi Bracketing)
There are six non-configurable auto bracketing variables.
• Filter 1 (five images)
• Filter 2 (five images)
• This causes the “MB” indicator to appear on the
monitor screen.
• Portrait (three images)
• Sharpness (five images)
4. Press the shutter button to record.
• Pressing the shutter button once records the image.
After that, the image data is processed internally to
create other versions of the same image in
accordance with the selected auto bracketing
function.
• Saturation (five images)
• Contrast (five images)
The shift range of a non-configurable variable and the
number of images recorded are fixed, and cannot be
changed by you.
I
To use auto bracketing with a non-configurable
variable
1. In a REC mode, press [
BKT].
2. Use [̆] and [̄] to
select “Multi”, and
then press [̈].
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OTHER RECORDING FUNCTIONS
NOTE
Auto Bracketing Precautions
• Auto bracketing cannot be used when any one of the
following conditions exists.
— When TIFF is selected for the image resolution (page 78)
— When “BULB” is selected for the shutter speed
(pages 95, 96)
— During Coupling Shot, Pre-shot, or Soft Focus
recording (pages 113, 117, 119)
• Selecting “Filter 1” records images with the
monochrome, sepia, red, and purple filters.
• Selecting “Filter 2” records images with the green,
blue, yellow, and pink filters.
• Selecting “Portrait” records a normal image, followed
by an image with soft focus and enhanced flesh
tones.
• The flash is disabled while auto bracketing is being used.
• The Triple Self-timer (page 75) cannot be used together
with auto bracketing.
• Take care not to move the camera until all of the shots
(three or five) of the auto bracketing operation are
recorded.
IMPORTANT!
• Note that you can use only one non-configurable
variable at a time. You cannot use them in
combination with each other.
• The camera automatically performs a digital noise
reduction process at shutter speeds slower than 1
second. Because of this, an auto bracketing operation
that normally records five shots records only four shots at
shutter speeds slower than 1 second.
• An auto bracketing operation may stop part way through if
memory capacity or battery power runs low.
• Certain menu settings may be ignored when you use Auto
Bracketing for recording.
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110
OTHER RECORDING FUNCTIONS
• This screen does not appear if the recording
operation recorded only one image.
Previewing Images Recorded with High Speed
Continuous Shutter or Auto Bracketing
You can preview all of the images recorded by a high
speed continuous shutter (page 102) or auto bracketing
(page 105) operation.
2. Use [̆], [̄], [̇], and [̈] to move the
selection boundary to the image you want to
view, and then press [SET] to display it.
• This displays the image with an indicator (like “
that shows the recording method used, along with a
value indicating the image number in the series.
”)
To view current preview buffer contents
after recording multiple images
3. After displaying an image, use [̇] and [̈] to
1. In a REC mode after
recording with high
speed continuous
shutter or auto
scroll between images.
4. Press [PREVIEW] again to return to the REC
mode screen.
bracketing, press
[PREVIEW] to display
[PREVIEW]
the current contents of
the preview buffer.
• This displays all of the
images in the preview
buffer. The currently
selected image is the
one with the selection
boundary around it.
Images recorded using the
high speed continuous
shutter mode
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OTHER RECORDING FUNCTIONS
IMPORTANT!
To delete current preview buffer
contents after recording multiple images
• Pressing [PREVIEW] following normal speed, multi
continuous shutter mode, or snapshot operation
displays the last image recorded only.
• Preview buffer contents are cleared by the following
operations.
— Turning off the camera
— Changing the mode dial setting
— Recording a new image without high speed
continuous shutter or auto bracketing
IMPORTANT!
• Note that image deletion cannot be undone. Once
you delete an image, it is gone. Make sure you really
do not need an image anymore before you delete it.
1. In a REC mode after recording with high
speed continuous shutter or auto bracketing,
press [PREVIEW] to display the current
contents of the preview buffer.
2. Press [EX ].
3. Use [̆] and [̄] to select the delete operation
you want.
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OTHER RECORDING FUNCTIONS
To do this:
Select this option:
All Delete
Using the BESTSHOT Mode
Delete all of the images of the last high
speed continuous shutter or auto
bracketing operation
Selecting one of the 27 BESTSHOT scenes automatically
sets up the camera for recording a similar type of image.
Delete only the image you selected
using [̇] and [̈]
Scene Number
Scene Name
Portrait
Delete
Cancel
1
2
Cancel the delete operation
Scenery
3
Portrait With Scenery
Coupling Shot (page 117)
Pre-shot (page 119)
Soft Focus
4. After the setting is the way you want, press
[SET].
4
5
6
7
Children
IMPORTANT!
8
Sports
• The “All Delete” option is not available when there is
only one image.
9
Candlelight Portrait
Party
10
11
12
13
14
15
16
17
18
19
20
21
22
Pet
Flower
Natural Green
Soft Flowing Water
Splashing Water
Sundown
Night Scene
Night Scene Portrait
Fireworks
Food
Text
Collection
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Scene Number
Scene Name
• BESTSHOT scenes were not recorded using this
camera. They are provided as samples only.
• Due to shooting conditions and other factors, an
image recorded using the setup of a BESTSHOT
scene may not produce exactly the results you
expect.
23
24
25
26
27
Monochrome
Retro
Twilight
Business cards and documents (page 121)
White board,etc. (page 121)
Register User Scene (page 115)
• After selecting a BESTSHOT scene, you can change
to a different one by pressing [SET] and then using
[̇] and [̈] to scroll through available scenes. When
the one you want is displayed, press [SET].
• You can change the camera settings that are made
when you select a BESTSHOT scene. Note,
however, that the BESTSHOT settings revert to their
defaults when you select another BESTSHOT scene,
change the recording mode, or turn off the camera.
• Digital noise reduction processing is performed
automatically when you are recording a night scene,
fireworks, or other image that requires slow shutter
speeds. Because of this, it takes longer to record
images at lower shutter speeds. Make sure that you
do not perform any camera button operations until
the image recording operation is complete.
• When recording the image of a night scene,
fireworks, or some other image using a slow shutter
speed, use of a tripod is recommended to prevent
hand movement.
1. Align the mode dial
with , and then
press [SET].
• This enters the
BESTSHOT mode and
displays a sample
scene.
2. Use [̇] and [̈] to select the sample scene
you want, and then press [SET].
3. Record the image.
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OTHER RECORDING FUNCTIONS
• The slowest possible shutter speed setting when
using the multi continuous shutter mode (page 103)
is 1/15 second. Because of this, images probably will
be underexposed if you use the multi continuous
shutter mode while the fireworks BESTSHOT scene
is selected.
Creating Your Own BESTSHOT Setup
You can use the procedure below to save the setup of an
image you recorded for later recall when you need it again.
Recalling a setup you save automatically sets up the
camera accordingly.
1. Align the mode dial with
[SET].
, and then press
NOTE
• Operation guidance and
the currently selected
BESTSHOT scene
• This enters the BESTSHOT mode and displays a
sample scene.
appear on the display for
about two seconds if the
camera is in the
BESTSHOT mode when
you turn it on.
2. Use [̇] and [̈] to
display “Register
User Scene”.
3. Press [SET].
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OTHER RECORDING FUNCTIONS
NOTE
4. Use [̇] and [̈] to
display the image
whose setup you
• The following are the settings that are included in a
BESTSHOT mode user setup: focus mode, EV shift
value, filter, metering mode, white balance mode,
flash intensity, sharpness, saturation, contrast, flash
mode, ISO sensitivity, Flash Assist, aperture and
shutter speed.
want to register as a
BESTSHOT scene.
• Note that images recorded with this camera only can
be used to create a BESTSHOT user setup.
• You can have up to 999 BESTSHOT user setups in
the camera’s built-in memory at one time.
• You can check the current setup of a scene by
displaying the various setting menus.
5. Use [̆] and [̄] to
select “Save”, and
then press [SET].
• This registers the setup.
• When you register a BESTSHOT user setup, it is
automatically assigned a file name using the format
“UP700nnn.JPE” (n=0 to 9).
• Now you can use the
procedure on page 114
to select your user
setup for recording.
IMPORTANT!
• BESTSHOT user setups are located in the camera’s
built-in memory after the built-in sample scenes.
• Note that formatting the built-in memory (page 198)
deletes all BESTSHOT user setups.
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116
OTHER RECORDING FUNCTIONS
I To delete a BESTSHOT user setup
Combining Shots of Two People into a
Single Image (Coupling Shot)
Coupling Shot lets you record images of two people and
combine them into a single image. This makes it possible
for you to include yourself in group images, even when
there is no one else around to record the image for you.
Coupling Shot is available in the BESTSHOT mode (page
113).
1. Align the mode dial with
[SET].
, and then press
2. Use [̇] and [̈] to display the user setup you
want to delete.
3. Press [EX ] to delete the user setup.
4. Use [̆] and [̄] to select “Delete”.
5. Press [SET] to delete the file.
6. Press [MENU].
• First Image
This is the part
of the image that
does not include
the person who
is recording the
first image.
• Second
Image
Making sure that
the background
of the image is
aligned correctly,
record the image
of the person
who recorded
the first image.
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OTHER RECORDING FUNCTIONS
4. Press the shutter button to record the left
side of the image.
• Combined
Images
• The focus, exposure, white balance, zoom, and flash
settings are fixed for this type of image.
5. Next, align the focus
frame with the
subject you want in
the right side of the
image, taking care to
align the actual
1. Align the mode dial with
[SET].
, and then press
background with the
Semi-transparent
background
semi-transparent
background of the
first image, which is
shown on the monitor
screen.
2. Use [̇] and [̈] to select “Coupling Shot”,
and then press [SET].
3. Align the focus frame
on the monitor screen
with the subject you
want on the left side
of the image.
• Pressing [MENU] any time after step 4 of the above
procedure cancels the first image and returns to step
3.
• While “Coupling Shot” is
selected, the “AF Area”
(page 82) setting
automatically becomes
“Spot”.
Focus frame
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OTHER RECORDING FUNCTIONS
6. When everything is aligned correctly, record
the right side of the image.
Recording a Subject onto an Existing
Background Image (Pre-shot)
Pre-shot helps you get the background you want, even if
you need to ask someone else to record the image for you.
Basically, Pre-shot is a two-step process.
IMPORTANT!
• Coupling Shot temporarily uses file memory to store
data. You may get an error during Coupling Shot
recording if there is not enough file memory available
to store the required data. If this happens, delete
images you no longer need and try again.
1. You compose the background you want and press the
shutter button, which causes a semi-transparent image
of the background to remain on the monitor screen.
2. Ask someone else to record a shot of you against your
original background, telling them to compose the image
by using the semi-transparent monitor screen image as a
guide.
• The camera stores the image produced by step 2 only.
• Depending on how the image is actually composed in
step 2, its background may not be exactly the same as
the one you composed in step 1.
Note that Pre-shot is available in the BESTSHOT mode
only (page 113).
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OTHER RECORDING FUNCTIONS
• Freeze the background on
the monitor screen.
1. Align the mode dial with
[SET].
, and then press
2. Use [̇] and [̈] to select “Pre-shot”, and then
press [SET].
3. Compose the background you want on the
monitor screen, and then press the shutter
button to temporarily record it as a reference
image.
• Record the image, using
the background on the
monitor screen as a guide.
• This operation causes a semi-transparent image of
the background to appear on the monitor screen, but
the displayed image is not actually saved in camera
memory.
• The focus, exposure, white balance, zoom, and flash
settings are fixed for this type of image.
4. Now you can stand in
front of the
• Only the second image
is recorded.
background and ask
someone else to snap
your picture, using
the semi-transparent
background on the
Semi-transparent
background
monitor screen as a
composition guide.
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OTHER RECORDING FUNCTIONS
• You can press [MENU] at this point to clear the
semi-transparent background from the monitor
screen. Then you can repeat step 3 to record a new
background.
Recording Images of Business Cards and
Documents (Business Shot)
Recording a business card, document, white board, or
similarly shaped object from an angle can cause the
subject to appear misshaped in the resulting image.
Business Shot automatically corrects the shape of
rectangular objects to make them appear like the camera
was positioned directly in front of them.
5. After composing the final image (using the
semi-transparent background as a guide), the
person with the camera should press the
shutter button to record.
• Note that the semi-transparent background image
you temporarily record in step 3 is for composition
purposes only. The final image contains only what is
in front of the camera when the shutter button is
pressed in step 5.
Before keystone
correction
After keystone
correction
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OTHER RECORDING FUNCTIONS
NOTE
I Setup Sample Images
• When the camera is at an angle to a business card
or document it is recording, the shape of the
business card or document may appear distorted in
the image. Auto keystone correction corrects for this
distortion, which means that subjects appear normal
even if you record at an angle.
• Business cards and
documents
• White board, etc.
IMPORTANT!
• Before recording, compose the image so outline of
the item you want to record fits entirely within the
monitor screen. The camera will not be able to detect
the shape of the subject correctly unless it is
enclosed entirely within the monitor screen.
• The camera also will be unable to detect the shape
of the subject if it is the same color as the
background. Make sure the subject is against a
background that allows the outline of the subject to
stand out.
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OTHER RECORDING FUNCTIONS
4. Use [̇] and [̈] to select the candidate you
To use Business Shot
want to correct.
1. Align the mode dial with “ ”, and then press
5. Use [̆] and [̄] to
select “Correct”, and
then press [SET].
[SET].
2. Use [̇] and [̈] to select the Business Shot
• Selecting “Cancel” in
place of “Correct” stores
the original image as-is,
without correcting it.
image you want, and then press [SET].
3. Record the image.
• This displays a screen
that shows all of the
objects in the image that
qualify as candidates for
keystone correction.
IMPORTANT!
×
• The maximum Business Shot image size is 1600
1200 pixels, even if the camera is configured for a
larger image size. An image size setting smaller than
• An error message will
appear (page 260) if the
camera is unable to find
any suitable keystone
correction candidate in
the image. After a short
while, the original image
will be stored in memory,
as-is.
×
1600 1200 pixels records images at the specified
size.
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OTHER RECORDING FUNCTIONS
Remaining recording time
1. Align the mode dial
with
Using the Movie Mode
.
You can record movies with audio. A single movie can be
as long as available memory capacity allows.
• File Format: AVI
AVI format conforms to the Motion JPEG format promoted
by the Open DML Group.
×
• Image Size: 320 240 pixels
Recording time
• Movie File Size: Approximately 300KB/second.
Movie recording indicator
2. Point the camera at
the subject and then
press the shutter
button.
• Maximum Movie Length
— One Movie:
As long as available memory capacity allows
— Total Movie Time:
29 seconds with built-in memory; 200 seconds with
64MB SD memory card
• Movie recording
continues as long as
remaining memory
capacity allows, or until
you stop it by pressing
the shutter button
again.
NOTE
• You can play back files recorded in the Movie mode
on your computer using Windows Media Player.
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OTHER RECORDING FUNCTIONS
• The remaining recording time counts down and the
elapsed recording time counts up on the monitor
screen as you record.
IMPORTANT!
• The flash does not fire in the Movie mode.
• This camera also records audio. Note the following
points when recording a movie.
• Starting a movie record operation causes optical
zoom to be disabled. Only digital zoom is available
while a movie record operation is in progress. If you
want to use optical zoom to record a movie, perform
the zoom operation before starting the record
operation.
— Take care that you do
Microphone
not block the
microphone with your
fingers.
— Good recording
results are not
• The focus mode automatically changes to Pan Focus
(page 87) when you enter the Movie mode,
regardless of the mode memory’s (page 141) Focus
setting. You can, however, change to another focus
mode before starting a recording.
possible when the
camera is too far from
the subject.
— Operating camera
buttons during
recording can cause
button noise to be
included in the audio.
3. When movie recording is complete, the movie
file is stored in file memory.
— Movie audio is recorded in monaural.
— The camera focuses automatically whenever you
have Auto Focus or Macro (
) selected as the
focus mode (page 80). Note that the confirmation
tone that sounds during the Auto Focus operation
will be recorded in the audio. If you do not want
confirmation tones in your audio, keep Pan Focus
(
(
) as the focus mode, or select Manual Focus
) and manually focus the image before
starting your recording.
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OTHER RECORDING FUNCTIONS
— Auto Focus is not performed in the case of the
Recording Audio
Pan Focus (
), Manual Focus (
) and Infinity
(
) focus modes, and so no confirmation tone
Adding Audio to a Snapshot
You can add audio to a snapshot after you record it.
sounds. In the case of the Manual Focus mode,
you cannot adjust focus settings while recording
is in progress. Be sure to make all adjustments
before beginning the record operation.
• Certain types of memory cards take longer to record
data, which can cause movie frames to be dropped.
REC
• Image Format: JPEG
JPEG is an image format that provides efficient data
compression.
and
flash on the monitor screen during
The file extension of a JPEG file is “.JPG”.
recording to let you know when a frame has been
dropped.
• Audio Format: WAVE/ADPCM recording format
This is the Windows standard format for audio recording.
The file extension of a WAVE/ADPCM file is “.WAV”.
• Recording Time:
Up to about 30 seconds per image
• Audio File Size:
Approximately 120KB (30-second recording of
approximately 4KB per second)
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OTHER RECORDING FUNCTIONS
NOTE
4. Press the shutter
button to record the
image.
• You can play back an audio file recorded in the
Audio Snapshot mode on your computer using
Windows Media Player.
• Recording audio for a snapshot creates two separate
files: one for the image data and one for the audio
data. Each file is stored in a different folder in
camera memory (page 228).
• After the image is
recorded, the camera
enters audio recording
standby, with the image
you just recorded on
the monitor screen and
Remaining recording time
displays a
indicator.
1. In a REC mode, press [MENU].
• You can cancel audio recording standby by pressing
[MENU].
2. Select the “REC” tab, select “Audio Snap”,
and then press [̈].
5. Press the shutter button to start audio
recording.
3. Use [̆] and [̄] to select “On” and then
• The green operation lamp flashes as recording is
performed.
press [SET].
• This enters the Audio Snapshot mode.
• If you have the monitor screen turned off (page 34),
the monitor screen turns on while you are adding
audio to a snapshot.
• Selecting “Off” enters the Normal Snapshot mode
(no audio).
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OTHER RECORDING FUNCTIONS
6. Recording stops after about 30 seconds or
when you press the shutter button.
Recording Your Voice
The Voice Recording mode provides quick and easy
recording of your voice.
IMPORTANT!
• Audio Format: WAVE/ADPCM recording format
This is the Windows standard format for audio recording.
The file extension of a WAVE/ADPCM file is “.WAV”.
• The Audio Snapshot mode is unavailable during
image recording using any of the following: Triple
Self-timer, continuous shutter, auto bracketing,
Coupling Shot.
• You can also perform “after-recording” to add audio
to a snapshot after recording it, and also change the
audio recorded for an image. See page 173 for more
information.
• Recording Time:
Approximately 38 minutes with built-in memory
• Audio File Size:
Approximately 120KB (30-second recording of
approximately 4KB per second)
NOTE
• You can play back files recorded in the Voice
Recording mode on your computer using Windows
Media Player.
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OTHER RECORDING FUNCTIONS
Recording time
1. Align the mode dial
I Audio Recording Precautions
with “ ”.
Microphone
• Keep the microphone on the
front of the camera pointed
at the source.
• This enters the Voice
Recording mode and
• Take care that you do not
block the microphone with
your fingers.
displays a
indicator.
Remaining recording time
• Good recording results are not possible when the camera
is too far from the subject.
• Pressing the power button or rotating the mode dial stops
recording and stores any audio recorded up to that point.
2. Press the shutter button to start voice
recording.
• The remaining recording time value counts down on
the monitor screen and the green operation lamp
flashes as recording is performed.
• Pressing [DISP] during voice recording turns off the
monitor screen.
• You can insert index marks while recording by
pressing [SET]. See page 175 for information about
jumping to an index mark during playback.
3. Recording stops when you press the shutter
button, when memory becomes full, or when
the battery goes dead.
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OTHER RECORDING FUNCTIONS
• An RGB histogram that shows the distribution of R (red),
G (green), and B (blue) components is also displayed.
This histogram can be used to determine whether there is
too much or too little of each of the color components in
an image.
Using the Histogram
You can use [DISP] to display a histogram on the monitor
screen. The histogram lets you check exposure conditions
as you record images (page 34). You can also display the
histogram of a recorded image in the PLAY mode.
NOTE
• You can use key customization (page 140) to
configure the camera to perform exposure
compensation whenever you press [̇] or [̈] while in
a REC mode. If you do this, you can adjust exposure
compensation while viewing the on-screen histogram
(page 88).
• When the histogram is too far
to the left, it means that there
are too many dark pixels.
This type of histogram results
when the overall image is
dark. A histogram that is too
far to the left may result in
“black out” of the dark areas
of an image.
Histogram
• A histogram is a graph that represents the lightness of an
image in terms of the number of pixels. The vertical axis
indicates the number of pixels, while the horizontal axis
indicates lightness. You can use the histogram to
determine whether an image includes the shadowing (left
side), mid tones (center), and highlighting (right) required
to bring out sufficient image detail. If the histogram
appears too lopsided for some reason, you can use EV
shift (exposure compensation) to move it left or right in
order to achieve better balance. Optimum exposure can
be achieved by correcting exposure so the graph is as
close to the center as possible.
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OTHER RECORDING FUNCTIONS
• When the histogram is too far
to the right, it means that
there are too many light
pixels.
This type of histogram results
when the overall image is
light. A histogram that is too
far to the right may result in
“white out” of the light areas of
an image.
IMPORTANT!
• Note that the above histograms are shown for
illustrative purposes only. You may not be able to
achieve exactly the same shapes for particular
subjects.
• A centered histogram does not necessarily
guarantee optimum exposure. The recorded image
may be over-exposed or under-exposed, even
though its histogram is centered.
• You may not be able to achieve an optimum
histogram configuration due to the limitations of EV
shift.
• Use of the flash as well as certain shooting
conditions can cause the histogram to indicate
exposure that is different from the actual exposure of
the image when it was recorded.
• A centered histogram
indicates that there is good
distribution of light pixels and
dark pixels. This type of
histogram results when the
overall image is at optimal
lightness.
• The RGB (color component) histogram is displayed
for snapshots only. In the Movie mode, only the
luminance distribution histogram appears on the
monitor screen.
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OTHER RECORDING FUNCTIONS
NOTE
REC Mode Camera Settings
• You can also configure the settings listed below. See
the referenced pages for more information.
— Size (page 77)
The following are the settings you can configure before
recording an image using a REC mode.
— Quality (page 78)
— White Balance (page 90)
— AF Area (page 82)
— Audio Snap (page 126)
— Flash Intensity (page 73)
— Flash Assist (page 73)
• ISO sensitivity
• Auto Focus mode (AF mode)
• Metering
• Color filtering
• Sharpness
• Saturation
• Contrast
— Digital Zoom (page 69)
• Grid on/off
• Image Review on/off
• Icon Help
• L/R key setting
• Power on default settings
• Resetting the camera
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Specifying ISO Sensitivity
• Under certain conditions, a high shutter speed in
combination with a high ISO sensitivity setting can
cause digital noise (graininess), which makes an
image appear rough. For clean, good-quality images,
use the lowest ISO sensitivity setting possible.
• Using a high ISO sensitivity setting along with the
flash to shoot a nearby subject may result in
improper illumination of the subject.
You can change the ISO sensitivity setting for better
images in places where lighting is dim or when you are
using faster shutter speeds.
• ISO sensitivity is expressed in terms of values that
originally indicated the sensitivity to light for photographic
film. A larger value indicates higher sensitivity, which is
better for recording when available lighting is dim.
1. In a REC mode, press [MENU].
NOTE
• You can use key customization (page 140) to
configure the camera so the ISO sensitivity setting
changes whenever you press [̇] and [̈] while in a
REC mode.
2. Select the “REC” tab, select “ISO”, and then
press [̈].
3. Use [̆] and [̄] to select the setting you want
and then press [SET].
To get this:
Select this setting:
Auto
Automatic sensitivity selection
Conforms to ISO 80
Conforms to ISO 160
Conforms to ISO 320
Conforms to ISO 640
ISO 80
ISO 160
ISO 320
ISO 640
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Selecting the Auto Focus (AF) Mode
• Use of Continuous AF performs focus non-stop, so
battery power runs down faster than with Hybrid AF.
• Even if “Hybrid” or “Continuous” is selected as the
AF mode, the camera automatically uses the
contrast AF for focusing when “Free” is selected for
the Auto Focus area setting (page 82).
• Be sure to use Contrast AF whenever you have a
telephoto conversion, wide angle conversion, or
close-up lens installed (page 153). Note that
Contrast AF is slower to focus than Hybrid AF.
Use the following procedure to change the AF mode.
1. In a REC mode, press [MENU].
2. Select the “REC” tab, select “AF Mode”, and
then press [̈].
3. Use [̆] and [̄] to select the setting you want,
and then press [SET].
To perform this type of Auto Focus: Select this AF mode
:
Combination of phase difference
and contrast focus
Hybrid
• Normally, you should use this mode.
At normal distance, high-speed
continual focus
Continuous
Contrast type Auto Focus, which
allows Auto Focusing capabilities
even if the phase differential
sensor is blocked
Contrast
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OTHER RECORDING FUNCTIONS
Center Weighted
Selecting the Metering Mode
Center weighted metering measures
light concentrating on the center of the
focus area. Use this metering method
when you want to exert some control
over exposure, without leaving settings
totally up to the camera.
Use the following procedure to specify multi (multi pattern)
metering, spot metering, or center weighted metering as
the metering mode.
1. In a REC mode, press [MENU].
Spot
2. Select the “REC” tab, select “Metering”, and
then press [̈].
Spot metering takes readings at a very
small area. Use this metering method
when you want exposure to be set
according to the brightness of a
particular subject, without it being
affected by surrounding conditions.
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
Multi (Multi pattern)
Multi (Multi pattern) metering divides the
image into sections and measures the
light in each section for a balanced
exposure reading. The camera
automatically determines shooting
conditions according to the measured
lighting pattern, and makes exposure
settings accordingly. This type of
metering provides error-free exposure
settings for a wide range of shooting
conditions.
IMPORTANT!
• When “Multi” is selected as the metering mode,
certain procedures cause the metering mode setting
to change automatically as described below.
• Changing the exposure compensation setting (page
88) to a value other than 0.0 changes the metering
mode setting to “Center Weighted.” The metering
mode changes back to “Multi” when you return the
exposure compensation setting to 0.0.
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OTHER RECORDING FUNCTIONS
Using the Filter Function
Specifying Outline Sharpness
The camera’s filter function lets you alter the tint of an
image when you record it.
Use the following procedure to control the sharpness of
image outlines.
1. In a REC mode, press [MENU].
1. In a REC mode, press [MENU].
2. Select the “REC” tab, select “Filter”, and then
press [̈].
2. Select the “REC” tab, select “Sharpness”, and
then press [̈].
3. Use [̆] and [̄] to select the setting you
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
want, and then press [SET].
• Available filter settings are: Off, B/W, Sepia, Red,
Green, Blue, Yellow, Pink, Purple
To get this:
Select this setting:
High sharpness
+2
+1
0
IMPORTANT!
Normal sharpness
Low sharpness
• Using the camera’s filter feature produces the same
effect as attaching a color filter to the lens.
–1
–2
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OTHER RECORDING FUNCTIONS
Specifying Color Saturation
Specifying Contrast
Use the following procedure to control the intensity of the
image you are recording.
Use this procedure to adjust the relative difference
between the light areas and dark areas of the image you
are recording.
1. In a REC mode, press [MENU].
1. In a REC mode, press [MENU].
2. Select the “REC” tab, select “Saturation”, and
then press [̈].
2. Select the “REC” tab, select “Contrast”, and
then press [̈].
3. Use [̆] and [̄] to select the setting you
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
want, and then press [SET].
To get this:
Select this setting:
To get this:
Select this setting:
High color saturation (intensity)
+2
+1
0
High contrast
+2
+1
0
Normal color saturation (intensity)
Low color saturation (intensity)
Normal contrast
Low contrast
–1
–2
–1
–2
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OTHER RECORDING FUNCTIONS
Turning the On-screen Grid On and Off
Turning Image Review On and Off
You can display gridlines on the monitor screen to help you
compose images and ensure that the camera is straight
when recording.
Image review displays the images you record on the
monitor screen as soon as you record them. Use the
following procedure to turn image review on and off.
1. In a REC mode, press [MENU].
2. Select the “REC” tab, select “Review”, and
then press [̈].
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To do this:
Select this setting:
On
1. In a REC mode, press [MENU].
Display images on the monitor
screen for about one second
immediately after they are recorded
2. Select the “REC” tab, select “Grid”, and then
press [̈].
Do not display images immediately
after they are recorded
Off
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To do this:
Select this setting:
Display the grid
Hide the grid
On
Off
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Using Icon Help
• Selecting one of the following settings causes the
icon and its Icon Help text to appear momentarily on
the monitor screen. The icon and text disappear after
a short while.
Icon Help displays guidance text about an icon when you
select it on the monitor screen while in a REC mode (page
29).
• Icon Help text is displayed for the following functions:
current recording mode, flash mode, focus mode, white
balance, self-timer/remote controller mode, metering
mode.
— Flash mode
— Focus mode
— White balance
(Auto) icon (page 71)
(Auto Focus) icon (page 80)
(Auto) icon (page 90)
AWB
Note, however, that white balance and metering icon help
text appears only when “White Balance” or “Metering” is
assigned to the [̇] and [̈] keys with the key
customization feature (page 140).
1. In a REC mode, press [MENU].
2. Select the “REC” tab, select “Icon Help”, and
then press [̈].
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To do this:
Select this setting:
Display guidance text when you
select an icon on the monitor
screen
On
Off
Turn off Icon Help
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OTHER RECORDING FUNCTIONS
When you want to assign this function to
[̇] and [̈] keys:
Assigning Functions to the [̇] and [̈]
Select this:
EV Shift
Keys
EV shift
A “key customization” feature lets you configure the [̇]
and [̈] keys so they change camera settings whenever
they are pressed in a REC mode. After you configure the
[̇] and [̈] keys, you can change the setting assigned to
them without going through the menu screen.
• [̇] decreases compensation, [̈]
increases compensation (page 88).
White balance setting
• [̇] and [̈] cycle through white
balance settings (page 90).
White Balance
ISO
ISO sensitivity
• [̇] and [̈] cycle through ISO
sensitivity settings (page 133).
1. In a REC mode, press [MENU].
Metering mode
• [̇] and [̈] cycle through metering
modes (page 135).
2. Select the “REC” tab, select “L/R Key”, and
then press [̈].
Metering
AF Area
3. Use [̆] and [̄] to select the setting you
• [̇] and [̈] cycle through AF areas
(page 82).
AF Area
Off
want, and then press [SET].
No function assigned
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140
OTHER RECORDING FUNCTIONS
Function
Flash
Focus*1
On
Off
Auto
Auto
Auto
Auto
Spot
Multi
Off
Specifying Power On Default Settings
The camera’s “mode memory” feature lets you specify the
power on default settings individually for the flash mode,
focus mode, white balance mode, ISO sensitivity, AF Area,
Metering, Self-timer, Cont./BKT, Flash Intensity, digital
zoom mode, manual focus position and zoom position.
Turning on mode memory for a mode tells the camera to
remember the status of that mode when you turn off the
camera, and restore it the next time you turn the camera
back on. When mode memory is turned off, the camera
automatically restores the initial factory default setting for
the applicable mode.
White Balance
ISO
AF Area
Setting when
camera is
turned off
Metering
Self-timer
Cont./BKT
Flash Intensity
Digital Zoom
1 Shot
0
On
The following table shows what happens when you turn
mode memory on or off for each mode.
Last Auto Focus
position that was in
effect before you
switched to manual
focus
MF Position
Zoom Position*2
Wide Angle
*1 The focus mode setting is not remembered for the
Movie mode. PF (Pan Focus) is automatically selected
in the Movie mode.
*2 Only the optical zoom position is remembered.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
1. In a REC mode, press [MENU].
• If you change the BESTSHOT mode sample scene
selection or if you turn off the camera while it is in the
BESTSHOT mode, the camera’s setup (except for
“Zoom Position”) will be configured according to the
BESTSHOT sample scene settings when you turn it
back on again. This is true, regardless of mode
memory on/off settings.
• If you turn the camera off while in the Movie mode,
the flash will be turned off when you turn the camera
back on again, regardless of mode memory on/off
setting for the flash.
2. Use [̇] and [̈] to select the “Memory” tab.
3. Use [̆] and [̄] to select the item you want to
change, and then press [̈].
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To do this:
Select this setting:
On
Turn on mode memory so settings
are restored at power on
Turn off mode memory so settings
are initialized at power on
Off
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OTHER RECORDING FUNCTIONS
Resetting the Camera
Using the Shortcut Menu (EX Menu)
Use the following procedure to reset all of the camera’s
settings to their initial defaults as shown under “Menu
Reference” on page 249.
Pressing [EX
] displays a shortcut menu that you can
use to configure white balance, ISO sensitivity, metering,
and AF area settings.
1. In a REC mode or the PLAY mode, press
[MENU].
1. In a REC mode, press
[EX ].
2. Select the “Set Up” tab, select “Reset”, and
then press [̈].
3. Use [̆] and [̄] to select “Reset”, and then
press [SET].
2. Use [̇] and [̈] to select the item you want,
and then use [̆] and [̄] to scroll through the
available settings.
• To cancel the procedure without resetting, select
“Cancel” and press [SET].
• Refer to the following pages for details about each of
the settings.
— Adjusting the White Balance (page 90)
— Specifying ISO Sensitivity (page 133)
— Specifying the Metering Mode (page 135)
— Specifying the Auto Focus Area (page 82)
3. After configuring the settings you want, press
[SET] to exit the shortcut menu.
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OTHER RECORDING FUNCTIONS
NOTE
Using the Card Remote Controller for Recording
• You can also configure a setting by holding down
You can use the card remote controller (WR-4C) that
comes with the camera when recording. By mounting the
camera on a tripod and using the remote shutter release,
you can eliminate the chance of blurred images due to
accidental hand movement.
[EX
[̈], and then changing the setting with [̆] and [̄].
The setting is applied when you release [EX ].
], selecting the item you want with [̇] and
1
2
3
4
5
7
6
1 Signal emitter
2 Shutter button
3 Zoom button
4 SET button
5 Control buttons
6 DISP button
7 MENU button
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OTHER RECORDING FUNCTIONS
2. Wipe the surfaces of the battery with a soft,
dry cloth, and then place it onto the battery
holder so its positive , side is facing
upwards (so you can see it).
Loading the Battery
You need to load a lithium battery (CR2025) into the card
remote controller before you can use it to control the camera.
1. While pressing point A in the direction
indicated by the arrow, pull the battery holder
from the remote controller.
A
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OTHER RECORDING FUNCTIONS
3. Slide the battery holder back into the remote
controller.
Before Using the Card Remote
Controller for Recording
Be sure to perform the following steps before using the
card remote controller for recording.
IMPORTANT!
• Take care to ensure that the battery is not
accidentally swallowed when it is removed from the
remote controller. Particular care is required where
young children are present.
Remote controller
1. In a REC mode, use
operation enabled
[
] to select the
• Keep this button battery out of the reach of small
children. If swallowed accidentally, contact your
physician immediately.
card remote controller
mode you want to use.
• Enabling the card remote
controller for recording
causes either “ ” or
“
” to appear on the
2s
monitor screen.
: Pressing the remote controller’s shutter button
immediately releases the shutter.
: Pressing the remote controller’s shutter button
2s
releases the shutter about two seconds later
(same as the 2-second self-timer).
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Using the Card Remote Controller
Point the signal emitter on the remote controller at the
camera’s signal receiver (front or side), and perform the
operation you want.
Card remote controller button operations are identical to
those of the corresponding camera buttons.
• The “ ” setting is useful when you want to be part
of the2ismage you are recording. The delay gives you
time to look at the camera after operating the remote
controller.
• The remote controller can be used in the PLAY mode
and the Voice Recording mode, regardless of the
Triple Self-timer setting.
• The range of the card remote controller is normally about
five meters on a straight line between the signal emitter
and front camera signal receiver, and about one meter
from an angle to the right of the front of the camera.
Remote control
signal receivers
Signal emitter
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OTHER RECORDING FUNCTIONS
IMPORTANT!
• When using the card remote controller for “BULB”
recording (pages 95, 96), press the card remote
controller shutter button once to start exposure, and
a second time to stop exposure. This is different from
the operation using the camera’s shutter button,
which you must keep depressed as long as you want
exposure to be performed. Note that card remote
controller shutter button operations are different from
camera shutter button operations.
• Installing a conversion lens on the camera can cause
the signal receiver on the front of the camera to
become blocked. Point the card remote controller at
the signal receiver on the side of the camera in this
case (page 153).
• Any one of the following conditions can reduce the
range for remote controller operations.
— When the card remote controller signal emitter is
at an angle to the camera’s signal receiver
— When the camera is exposed to bright light
— When the card remote controller battery is low
• Unlike the camera’s shutter button, you cannot press
the remote controller shutter button half way.
Pressing the remote controller shutter button causes
the camera to perform an auto focus operation and
then record the image.
• Contrast type Auto Focus, which allows Auto
Focusing capabilities even if the phase differential
sensor is blocked
• When performing a high-speed continuous shutter
mode operation with the card remote controller, keep
the shutter button of the card remote controller
depressed until all of the images (up to five) are
recorded. If you want to stop recording part way
through, release the shutter button.
• A continuous shutter or auto bracketing record
operation may be interrupted part way through if
remote control signal reception is interfered with or if
the card remote controller battery goes low.
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148
OTHER RECORDING FUNCTIONS
IMPORTANT!
Using an External Flash
• Some flash performance may be lost when using a
ring flash or other type of unit with a long flash time.
• The aperture value and ISO sensitivity available with
some flash units may not match the values
supported by your camera. In such a case, make
adjustments in the aperture setting of the external
flash and the camera until proper brightness is
achieved.
Use of a commercially available flash unit makes it possible
to obtain a higher level of brightness (guide number) than
you get when using the built-in flash alone. An external
flash also makes it possible to extend the effective range of
flash photography.
• The guide number of the internal flash is 8 (ISO 80/m).
External Flash Unit Requirements
Any external flash unit you use with this camera must
satisfy the following requirements.
• Variable flash intensity (AUTO)
• Flash Duration: Less than 1/1000 sec.
• Coverage Angle: Coverage of 33mm equivalent 35mm
focal length lens (without wide conversion lens)
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Before Using an External Flash Unit
• Note that the brightness of what you see on the
monitor screen will be different from the brightness of
the image you record. Make sure you check the
settings of your external flash and of the camera
before recording.
• Turning the camera’s external flash setting on and
off not only determines whether or not a connected
external flash fires, it also changes the setup of the
camera. Make sure you always turn the external
flash setting off whenever you are not using an
external flash unit for recording.
Be sure to perform the following steps before using an
external flash unit.
1. In a REC mode, press [MENU].
2. Select the “REC” tab, select “External flash”,
and then press [̈].
3. Use [̆] and [̄] to select “On”, and then
press [SET].
To do this:
Select this setting:
Enables firing of an external flash. On
Disables firing of an external flash. Off
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OTHER RECORDING FUNCTIONS
• When attaching an external flash unit to the camera,
you should also purchase and install a gripped
bracket that can be secured to the camera’s tripod
hole.
Using an External Flash Unit
IMPORTANT!
• Always make sure that the external flash unit is
turned off before attaching it to or detaching it from
the camera. Leaving the flash unit on can cause it to
fire unexpectedly.
2. Turn on camera power and make the required
camera settings.
• Exposure Mode: M (Manual Exposure) mode
• Shutter Speed: Around 1/60 (Actual setting should
be in accordance with aperture setting.)
1. Attach the flash unit’s sync cable to the
camera’s external flash sync terminal.
• For maximum brightness of areas that are not
reached by flash illumination, use the camera’s
maximum aperture opening (F2.8).
External
flash unit
• White Balance:
• Flash Mode:
(Daylight)
(Off)
External flash
sync terminal
Sync cable
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OTHER RECORDING FUNCTIONS
3. Turn on the external flash unit, and set it up
for the camera’s aperture (F) value (pages 93,
96) and sensitivity (ISO 80 equivalent) value.
External Flash Precautions
• The external flash connected to the external flash sync
terminal always fires. To record an image without using
external flash, disconnect the sync cable from the
terminal or turn off external flash unit power.
• After recording an image, check it on the monitor screen.
If it is not what you expected, use the controls on the
external flash unit to adjust flash intensity, and adjust the
aperture and ISO sensitivity settings on the camera. Note
that you cannot control external flash unit intensity using
camera settings.
• Depending on shooting conditions, proper exposure
may not be obtained even if you properly set the auto
aperture (F) value and ISO sensitivity of the flash
unit to match those of the camera. If this happens,
adjust the auto aperture (F) value, ISO sensitivity, or
other settings of the flash unit. Also try adjusting the
aperture of the camera.
• Close up images often tend to be overexposed. If you are
having overexposure problems, try adjusting the aperture
and ISO sensitivity settings of the external flash unit and
the camera. You can also try using the camera’s built in
flash to correct for overexposure.
• Note that the camera’s built in flash fires whenever its
Flash mode setting is something other than
(Off).
• Camera aperture (F) values are based on the widest
optical zoom (1X). Using telephoto can cause slight lens
darkness. Adjust the aperture and ISO sensitivity settings
of the external flash unit and the camera as required
when using optical zoom.
• When using a zoom flash, a coverage angle for a focal
distance of 33mm or less for the flash unit is
recommended.
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OTHER RECORDING FUNCTIONS
G Wide Angle
Focal Distance: 0.7X the focal distance of the camera
Canon Wide Converter WC-DC58N
Using a Conversion Lens or Filter
Installing the optionally available Conversion Lens
Adaptors (LU-60A) on the camera makes it possible to use
a recommended conversion lens or close-up lens, or a
commercially available filter for recording.
Wide Converter (WC-DC58N)
WIDE CONVERTER ADAPTOR
• The Conversion Lens Adaptors (LU-60A) includes a TELE
CONVERTER ADAPTOR and a WIDE CONVERTER
ADAPTOR.
• The Canon Inc. conversion lenses and close-up lenses
described below are recommended for use with this
camera.
G Telephoto
G Macro
Focal Distance: 1.5X the focal distance of the camera
The distance from the surface of the Tele Converter to
the subject can be in the range of one meter to infinity (at
full zoom).
In the Macro mode, the allowable distance from the close
up lens surface to the subject is 6 cm (2.4˝) to 25.1 cm
(9.9˝) (when zoom is set to maximum wide angle).
Canon Close-up Lens 250D (58mm)
Canon Tele Converter TC-DC58
Close-up Lens (250D)
Tele Converter (TC-DC58)
TELE CONVERTER ADAPTOR
TELE CONVERTER ADAPTOR
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OTHER RECORDING FUNCTIONS
3. Install a conversion lens or close-up lens on
the camera.
Installing a Conversion Lens or Close-up
Lens
A conversion lens provides your camera with telephoto or
wide angle capabilities. A close-up lens enables macro
photography.
IMPORTANT!
• Installing a conversion lens or close-up lens can
cause blackening around the edges of the image,
which can interfere with proper operation of the
camera’s phase differential sensor. Before recording
an image, be sure to select “Contrast” for the Auto
Focus mode. See “Selecting the Auto Focus (AF)
Mode” on page 134 for more information.
1. Turn off the camera, and
then remove the lens ring
installed on its lens.
• If you experience difficulty
when trying to remove the
lens ring, try grasping it
NOTE
lightly with the tips of your
• Installing or removing the lens ring while the camera
thumb, forefinger, middle
is turned on will cause it to turn off automatically.
finger, and ring finger when
you rotate it. Grasping the
lens ring strongly with your thumb and forefinger can
put pressure on the ring and camera threads, making
it difficult to rotate the lens ring.
2. Position the camera with the lens facing
straight up. Install either the TELE
CONVERTER ADAPTOR or WIDE
CONVERTER ADAPTOR on the camera.
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OTHER RECORDING FUNCTIONS
• When installing a wide angle conversion lens, be sure to
turn off the camera so the lens is retracted. This protects
against scratching of the lens.
IConversion Lens and Close-up Lens
Precautions
• Be sure to install the TELE CONVERTER ADAPTOR or
WIDE CONVERTER ADAPTOR before installing a
conversion lens or close-up lens.
• Carefully read the user documentation that comes with
the conversion lenses and close-up lens for information
about how to use them properly.
• Be sure to use the monitor screen to compose images
while a conversion lens or close-up lens is installed on
the camera. Do not use the viewfinder, because its image
is not changed by the lens you are using. Also, there will
be darkening around the edges of the image within the
viewfinder.
• When using a wide angle conversion lens, select Auto
Focus or Macro (
) as the focus mode (page 80).
•
The wide angle conversion lens may cause distortion of an
image.
• When using a close-up lens, be sure to set the focus
mode to Macro ( ) (page 80). Proper focus of a close-
up image is not possible with any other focus mode.
•
Installing a conversion lens or close-up lens can interfere
with proper operation of the camera’s built-in flash.
When using a conversion lens or close-up lens, select
(Off) for the flash mode or use an external flash (page 149).
• When using a telephoto conversion lens, select Auto
Focus as the focus mode (page 80).
• Using optical zoom to select wide angle while a telephoto
conversion lens is installed can cause blackening around
the edges of the image. Set optical zoom to telephoto
(page 68).
•
Use of a tripod is recommended to avoid camera movement
during recording with a telephoto conversion lens.
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OTHER RECORDING FUNCTIONS
IOptical Zoom Precautions
Installing a Filter
• Optical zoom is possible only up to about 2X while a wide
converter is installed. This is to prevent damage to the
wide converter by contact with the camera lens as it
extends.
This camera supports use of commercially available 58mm
filters.
IMPORTANT!
• Be sure to install the TELE CONVERTER ADAPTOR
before installing a filter. If you attach a filter directly
to the lens without the TELE CONVERTER
ADAPTOR, the convex surface of the lens will come
into contact with the filter and damage it.
• Carefully read the user documentation that comes
with filters for information about how to use them
properly.
IMPORTANT!
• Be sure to reinstall the lens ring on the camera lens
when you are not using a conversion lens. Optical
zoom is possible only up to about 2X while the lens
ring is not installed properly, even if the camera does
not have the wide converter installed.
• Keep the following points in mind when purchasing a
filter.
— Use of a filter can cause blackening around the
edges of images.
— Use of a filter may interfere with proper operation
of Auto Focus and flash.
— Filters may not deliver the same results as those
obtained with a film camera.
• Do not use multiple filters.
• Use of a commercially available lens hood may
cause blackening around the edges of images.
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156
PLAYBACK
You can use the camera’s built-in monitor screen to view
images after you record them.
3. Use [̈] (forward) or [̇] (back) to scroll
through files on the monitor screen.
Basic Playback Operation
Use the following procedure to scroll through files stored in
the camera’s memory.
NOTE
Power button
1. Press the power
• Holding down [̇] or [̈] scrolls images at high
speed.
button to turn on the
camera.
• In order to allow for faster playback image scrolling,
the image that initially appears on the monitor screen
is a preview image, which is of somewhat lower
quality than the actual display image. The actual
display image appears a short while after the preview
image. This does not apply to images copied from
another digital camera.
• This causes an image or
a message to appear on
the monitor screen.
2. Align the mode dial
with “ ” (PLAY
mode).
• This enters the PLAY
mode.
Mode dial
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PLAYBACK
IMPORTANT!
Playing an Audio Snapshot
Perform the steps below to display an audio snapshot
• Audio volume can be adjusted only when playback is
being performed or is paused.
(indicated by
) and play its audio.
1. In the PLAY mode, use [̇] and [̈] until the
image you want is displayed.
2. Press [SET].
• This plays back the
audio that accompanies
the displayed image.
• You can perform the
following operations
while audio is playing.
To do this:
Do this:
Fast forward or fast reverse
the audio
Hold down [̇] or [̈].
Pause and unpause audio
playback
Press [SET].
Press [̆] or [̄].
Adjust audio volume
Cancel playback
Press [MENU].
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PLAYBACK
3. Use [̆], [̄], [̇], and [̈] to shift the image
Zooming the Display Image
up, down, left, or right.
Perform the following procedure to zoom the image
currently on the monitor screen up to eight times its normal
size.
4. Press [MENU] to return the image to its
original size.
1. In the PLAY mode, use [̇] and [̈] to display
IMPORTANT!
the image you want.
• You cannot zoom a movie image.
• Depending on the original size of the recorded
image, you may not be able to zoom a display image
the full eight times normal size.
2. Shift the zoom
controller towards
to enlarge the image.
• This displays an
indicator that shows the
current zoom factor.
• You can toggle display
of the zoom factor on
Current zoom factor
and off by pressing
[DISP].
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PLAYBACK
4. Use [̆] and [̄] to select the setting you
Resizing an Image
want, and then press [SET].
You can use the following procedure to change a snapshot
image to one of the three sizes.
To do this:
Select this:
×
1600 1200-pixel UXGA size
×
×
Resize to 1600 1200 pixels (UXGA) 1600 1200
×
×
1280
640
960-pixel SXGA size
480-pixel VGA size
×
×
Resize to 1280 960 pixels (SXGA) 1280 960
×
×
Resize to 640 480 pixels (VGA)
640 480
• VGA is the optimum image size for attachment to e-mail
messages or incorporation into Web pages.
Cancel the resizing operation
Cancel
1. In the PLAY mode, press [MENU].
2. Select the “PLAY”
tab, select “Resize”,
and then press [̈].
• Note that this operation
is possible only when a
snapshot image is on
the monitor screen.
3. Use [̇] and [̈] to scroll through images and
display the one you want to resize.
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PLAYBACK
IMPORTANT!
Cropping an Image
• Resizing an image creates a new file that contains
the image in the size you select. The file with the
original image also remains in memory.
Use the following procedure when you want to crop a
portion of an enlarged image and use the remaining part of
the image as an e-mail attachment, Web page image, etc.
×
• Images smaller than 640 480 pixels cannot be
resized.
×
• An image recorded using the 3072 2048 (3:2) pixel
1. In the PLAY mode, use [̇] and [̈] to scroll
through images and display the one you want
to crop.
size cannot be resized.
• Movie images and the voice recording file icon
cannot be resized.
• Note that you can resize snapshots recorded with
this camera only.
2. Press [MENU].
• If the message “This function is not supported for this
file.” appears, it means that the current image cannot
be resized.
• The resize operation cannot be performed if there is
not enough memory to store the resized image.
• When you display a resized image on the camera’s
monitor screen, the date and time that appears when
the image is displayed indicates when the image was
originally recorded, not when the image was resized.
3. Select the “PLAY”
tab, select
“Trimming”, and then
press [̈].
• This causes a cropping
boundary to appear.
• Note that this operation
is possible only when a
snapshot image is on
the monitor screen.
4. Use the zoom controller to make the cropping
boundary larger or smaller.
• The size of the cropping boundary depends on the
size of the image on the display.
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PLAYBACK
IMPORTANT!
5. Use [̆], [̄], [̇], and [̈] to move the
cropping boundary up, down, left, or right
until the area of the image you want to extract
is within the boundary.
• Cropping an image creates a new file that contains
the cropped image. The file with the original image
also remains in memory.
• The smaller the image, the more limited is the size of
the cropping boundary.
• You cannot resize the cropping boundary for an
image that is 640 480 pixels.
• An image recorded using the 3072 2048 (3:2) pixel
size cannot be cropped.
6. Press [SET] to extract the part of the image
enclosed in the cropping boundary.
×
• If you want to cancel the procedure at any point,
press [MENU].
×
• Movie images and the voice recording file icon
cannot be cropped.
• An image recorded using another camera model
cannot be cropped.
• If the message “This function is not supported for this
file.” appears, it means that the current image cannot
be cropped.
• The cropping operation cannot be performed if there
is not enough memory to store the cropped image.
• When you display a cropped image on the camera’s
monitor screen, the date and time that appears when
the image is displayed indicates when the image was
originally recorded, not when the image was
cropped.
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PLAYBACK
IMPORTANT!
Checking the Focus of a Recorded Image
• You can use the above procedure to check the focus
of snapshots and audio snapshots only.
• You cannot check the focus of images recorded by
any other camera model.
You can use the following procedure to enlarge a recorded
image to check its focus.
1. In the PLAY mode,
use [̇] and [̈] to
display the image
whose focus you
want to check.
2. Press [PREVIEW].
• This displays a window that shows an enlargement
of the image, with the point that was focused upon in
the center.
3. Use [̆], [̄], [̇], and [̈] to scroll the image
on the monitor screen.
4. To return the image to its normal size, press
[PREVIEW].
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163
PLAYBACK
IMPORTANT!
Playing a Movie
• You cannot repeat play a movie. To play a movie
more than once, repeat the steps of the above
procedure.
Use the following procedure to play back a movie that was
recorded in the Movie mode.
• Audio volume can be adjusted only when playback is
being performed or is paused.
Movie icon
1. In the PLAY mode,
press [̇] and [̈] to
scroll through images
until the movie you
want to play is
displayed.
2. Press [SET].
• This start playback of the movie.
• You can perform the following operations while a
movie is playing.
To do this:
Do this:
Fast forward or fast reverse the
movie
Hold down [̇]
or [̈].
Pause and unpause movie playback Press [SET].
Skip forward or back one frame
Press [̇] or [̈].
while paused
Cancel playback
Press [MENU].
Adjust audio volume
Press [̆] or [̄].
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PLAYBACK
Example: When there are 20 images in memory, and
Image 1 is displayed first
Displaying the 9-image View
The following procedure displays nine images on the
monitor screen at the same time.
17 18 19
6
9
7
8
15 16 17
18 19 20
20
3
1
4
2
5
10 11
12 13 14
1
2
3
1. In the PLAY mode, shift the zoom controller
towards
.
3. Pressing any button besides [̆], [̄], [̇], or
[̈] displays the full-size version of the image
where the selection boundary is located.
• This displays the 9-image screen with the image that
was on the monitor screen in step 2 in the center,
with a selection boundary around it.
• On the 9-image screen,
indicates a voice
recording file (page 175).
• If there are fewer than nine images in memory, they
are displayed starting from the upper left corner. The
selection boundary is located at the image that was
on the display before you switched to the 9-image
view.
2. Use [̆], [̄], [̇], and [̈] to move the
selection boundary to the image you want.
Pressing [̈] while the selection boundary is
in the right column or [̇] while it is in the left
column scrolls to the next full screen of nine
images.
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165
PLAYBACK
Selecting a Specific Image in the 9-
image View
Displaying the Calendar Screen
Use the following procedure to display a 1-month calendar.
Each day shows the first image recorded on that day,
which makes it easy to find the image you want.
1. Display the 9-image view.
Selection boundary
2. Use [̆], [̄], [̇], and
[̈] to move the
1. In the PLAY mode, press [
].
• You can also display the calendar screen by
pressing [MENU] in the PLAY mode, selecting
“Calendar” on the “PLAY” tab, and then pressing [̈].
selection boundary
up, down, left, or right
until it is located at
the image you want to
view.
2. Use [̆], [̄], [̇], and
[̈] to move the date
selection cursor.
• Use the procedure
under “Changing the
Date Format” on page
194 to specify the date
3. Pressing any button
besides [̆], [̄], [̇],
or [̈] displays the
selected image.
format.
Year/Month
• The image displayed on
• This displays the full-
size version of the
image you selected.
Date selection cursor
the calendar for each
date is the first image
that was recorded on
that date.
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166
PLAYBACK
• Pressing [̆] while the date selection cursor is
located anywhere in the top line of the calendar
causes the previous month to appear.
Playing a Slideshow
A slideshow automatically plays back images in sequence
at a fixed interval.
• Pressing [̄] while the date selection cursor is
located anywhere in the bottom line of the calendar
causes the next month to appear.
• To exit the calendar screen, press [MENU] or [DISP].
• On the calendar screen,
indicates a voice
recording file (page 175).
•
appears in place of the image when the date
contains data that cannot be displayed by this
camera.
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Slideshow”,
and then press [̈].
3. To view the large version of a date’s image,
move the date selection cursor to the date
and then press [SET].
• This displays the first image that was recorded on
the selected date.
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167
PLAYBACK
IMPORTANT!
3. Configure the slideshow settings.
• Note that all buttons are disabled while an image
change is in progress. Wait until an image is stopped
on the monitor screen before performing a button
operation, or hold down the button until the image
stops.
• Pressing [̇] during a slideshow will scroll to the
previous image, while [̈] scrolls to the next image.
• When the slideshow comes to a movie file, it plays
the movie and its audio once and then advances to
the next file.
• See the pages indicated below for more information.
For information about
configuring this setting:
Go here:
“To specify the slideshow
images” on page 169
Images
“To specify the slideshow
time” on page 170
Time
“To set the slideshow
interval” on page 170
Interval
• When the slideshow comes to an audio snapshot or
voice recording file, it plays the audio recording once
and then advances to the next file.
• While audio is playing, you can use [̆] and [̄] to
adjust the volume level.
• To exit the slideshow setting screen and cancel the
slideshow, use [̆] and [̄] to select “Cancel” and
then press [SET].
• Images copied from another digital camera or a
computer may take longer time to appear than the
slideshow interval time you specify.
4. Use [̆] and [̄] to select “Start”, and then
press [SET].
• This starts the slideshow.
5. To stop the slideshow, press [SET].
• The slideshow will also stop automatically after the
amount of time you specified for “Time” elapses.
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PLAYBACK
I Selecting a Single Image for a Slideshow
When you select “One image” as the slideshow type, the
To specify the slideshow images
slideshow displays only one image, without changing it.
1. Use [̆] and [̄] to select “Images”, and then
press [̈].
1. Select “One image”, and then press [̈].
2. Use [̆] and [̄] to select the setting you
want, and then press [SET].
2. Use [̇] and [̈] to scroll through the images
until the one you want to use is on the
monitor screen.
To do this:
Select this setting:
Include all files in file memory in the
slideshow
All images
One Image
3. Press [SET] to
register your
Display a single file
Include all files in the FAVORITE
folder (page 182) in the slideshow
selection and return
to the menu screen.
Favorites
• Pressing [MENU]
instead of [SET] returns
to the menu screen
without registering the
setting.
3. Use [̆] and [̄] to select “Start”, and then
press [SET].
• This starts the slideshow.
• The audio of audio snapshots, movies, and voice
recording files are also played back during a
slideshow.
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PLAYBACK
To specify the slideshow time
To set the slideshow interval
1. Use [̆] and [̄] to select “Time”.
1. Use [̆] and [̄] to select “Interval”.
2. Use [̇] and [̈] to specify the time setting
2. Use [̇] and [̈] to specify the interval setting
you want, and then press [SET].
you want, and then press [SET].
• You can specify a time in the range of 1 to 60
• You can specify “MAX”, or a value in the range of 1
minutes.
to 30 seconds as the interval.
• When the interval setting is in the range of 1 to 30,
the audio of movies, audio snapshots, and voice
recording files are played back to the end, even if the
recording is longer than the specified interval.
3. Use [̆] and [̄] to select “Start”, and then
press [SET].
• This starts the slideshow.
• When “MAX” is specified for the interval, the audio of
movies, audio snapshots, and voice recording files
are not played back.
• When “MAX” is selected for the interval, only the first
frame of movie files is played.
3. Use [̆] and [̄] to select “Start”, and then
press [SET].
• This starts the slideshow.
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PLAYBACK
5. After you are finished configuring settings,
press [MENU] to exit the setting screen.
Rotating the Display Image
Use the following procedure to rotate the image 90 degrees
and register the rotation information along with the image.
After you do this, the image is always displayed in its
rotated orientation.
IMPORTANT!
• You cannot rotate an image that is protected. To
rotate such an image, first unprotect it.
• You may not be able to rotate a digital image that
was recorded with another type of digital camera.
• You cannot rotate movie images or the voice
recording file icon.
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Rotation”, and
then press [̈].
• Note that this operation is possible only when a
snapshot image is on the monitor screen.
3. Use [̇] and [̈] to scroll through images until
the one you want to rotate is on the monitor
screen.
4. Use [̆] and [̄] to
select “Rotate”, and
then press [SET].
• Each press of [SET]
rotates the image 90
degrees.
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PLAYBACK
IMPORTANT!
Using Image Roulette
• Image Roulette does not play movie files or display
the voice recording file icon.
• Image Roulette is disabled when there is only one
snapshot image available.
• Note that Image Roulette works only with images
recorded with this camera. Image Roulette may not
operate properly when other types of images are in
memory.
Image Roulette cycles images like a slot machine on the
display, before stopping at one of them. When you start an
Image Roulette operation, images scroll randomly on the
screen. At first, images scroll at high speed. Then the
scrolling gradually slows down until a single image is
stopped on the screen. The image that finally appears is
random.
• If you do not start another Image Roulette operation
for about one minute after the final image appears,
the camera will automatically cancel Image Roulete
and enter the normal PLAY mode.
1. Align the mode dial with
(PLAY mode).
2. While the camera is turned off, hold down [̇]
as you press the power button to turn it on.
• Keep [̇] held down until images appear on the
monitor screen.
• This starts the Image Roulette operation, scrolling
images on the display, finally stopping at one.
3. Press [̇] or [̈] to restart the Image Roulette
operation.
4. To turn off Image Roulette, align the mode
dial to enter a REC mode or press the power
button to turn off the camera.
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PLAYBACK
1. In the PLAY mode, use [̇] and [̈] to scroll
through snapshots until the one to which you
want to add audio is displayed.
Adding Audio to a Snapshot
The “after-recording” feature lets you add audio to
snapshots after they are recorded. You can also re-record
the auto of an audio snapshot (one with a
icon on it).
2. Press [MENU].
• Audio Format: WAVE/ADPCM recording format
This is the Windows standard format for audio recording.
The file extension of a WAVE/ADPCM file is “.WAV”.
3. Select the “PLAY”
tab, select “Dubbing”,
and then press [̈].
• Recording Time:
Up to about 30 seconds per image
• Audio File Size:
Approximately 120KB (30-second recording of
approximately 4KB per second)
4. Press the shutter button to start audio
recording.
5. Recording stops after about 30 seconds or
when you press the shutter button.
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PLAYBACK
IMPORTANT!
To re-record audio
Microphone
• Keep the microphone
on the front of the
camera pointed at the
subject.
1. In the PLAY mode, use [̇] and [̈] to scroll
through snapshots until the one whose audio
you want to re-record is displayed.
• Take care that you do
not block the
microphone with your
fingers.
• Good recording results
are not possible when
the camera is too far
from the subject.
2. Press [MENU].
3. Select the “PLAY” tab, select “Dubbing”, and
then press [̈].
4. Use [̆] and [̄] to select “Delete”, and then
press [SET].
• Operating camera buttons during recording can
cause button noise to be included in the audio.
• If you merely want to delete the audio without re-
recording, press [MENU] here to complete the
procedure.
• The
(Audio) icon appears on the monitor screen
after audio recording is complete.
• You will not be able to record audio when remaining
memory capacity is low.
• The following types of audio recording are not
supported.
5. Press the shutter button to start audio
recording.
— Adding audio to a movie image
6. Recording stops after about 30 seconds or
when you press the shutter button.
— Adding audio to a protected snapshot (page 181)
• Audio that is re-recorded or deleted cannot be
recovered. Make sure you no longer need audio
before re-recording or deleting it.
• This deletes the existing audio and replaces it with
the new one.
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PLAYBACK
IMPORTANT!
Playing Back a Voice Recording File
• Audio volume can be adjusted only when playback is
being performed or is paused.
Perform the following steps to play back a voice recording
file.
• If your recording has index marks (page 129) inside
it, you can jump to the index mark before or after the
current playback location by pausing playback and
then pressing [̇] or [̈]. Next, press [SET] to
resume playback from the index mark position.
1. In the PLAY mode, use [̇] and [̈] to display
the voice recording file (a file with
you want to play.
on it)
2. Press [SET].
• This starts playback of
the voice recording file
through the camera’s
speaker.
• You can perform the
following operations
while audio is playing.
To do this:
Do this:
Fast forward or fast reverse
the audio
Hold down [̇] or [̈].
Pause and unpause audio
playback
Press [SET].
Adjust audio volume
Cancel playback
Press [̆] or [̄].
Press [MENU].
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PLAYBACK
AV cable
Displaying Camera Images on a TV Screen
You can display recorded images on a TV screen and even
use a TV screen to compose images before you record
them. To display camera images on a TV, you need a
television equipped with a video input terminal, and the AV
cable that comes with the camera.
TV
1. Connect one end the AV cable that comes
with the camera to the camera’s [USB/AV]
port, and the other end to the video input
terminal of the TV.
Video input terminal
[USB/AV] (USB/AV port)
• Connect the yellow plug of the AV cable to the video
input (yellow) terminal of the TV, and the white plug
to the TV’s audio input (white) terminal.
2. Turn on the TV and select its video input
mode.
3. Now when you perform normal image
playback and recording operations on the
camera, the applicable image appears on the
TV screen.
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PLAYBACK
IMPORTANT!
Selecting the Video Input System
You can select either NTSC or PAL for the video output
system to match the system of the TV you are using.
• All icons and indicators that appear on the monitor
screen also appear on the TV screen.
• Note that the audio output is monaural.
• The camera’s monitor screen will go blank during
video output.
• Depending on the size of the TV screen, recorded
images and images during recording may not fill the
entire screen.
1. In a REC mode or the PLAY mode, press
[MENU].
2. Select the “Set Up” tab, select “Video Out”,
and then press [̈].
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
If you are using a TV designed
Select this setting:
for use in this area:
U.S., Japan, and other areas
that use the NTSC system
NTSC
Europe and other areas that
use the PAL system
PAL
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DELETING FILES
You can delete a single file, or you can delete all files
currently in memory.
Deleting a Single File
Perform the following steps when you want to delete a
single file.
IMPORTANT!
• Note that file deletion cannot be undone. Once you
delete a file, it is gone. Make sure you really do not
need a file anymore before you delete it. Especially
when deleting all files, make sure you check all the
files you have stored before proceeding.
1. In the PLAY mode,
press [EX ].
• A protected file cannot be deleted. To delete a
protected file, unprotect it first (page 181).
• Delete cannot be performed when all files in memory
are protected (page 182).
• Deleting an audio snapshot deletes both its image
file and the audio file attached to it.
2. Use [̇] and [̈] to scroll through files and
display the one you want to delete.
• You cannot use the procedures in this section to
delete images from the FAVORITE folder. See the
procedures on page 185 for details about deleting
FAVORITE folder contents.
3. Use [̆] and [̄] to select “Delete”.
• To exit the file delete operation without deleting
anything, select “Cancel”.
4. Press [SET] to delete the file.
• Repeat steps 2 through 4 to delete other files, if you
want.
5. Press [MENU] to exit the menu screen.
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DELETING FILES
IMPORTANT!
Deleting All Files
• If a file cannot be deleted for some reason, the
message “This function is not supported for this file.”
appears when you try to delete it.
The following procedure deletes all unprotected files
currently in memory.
1. In the PLAY mode, press [EX ].
2. Use [̆] and [̄] to select “All Files Delete”,
and then press [SET].
3. Use [̆] and [̄] to select “Yes”.
• To exit the file delete operation without deleting
anything, select “No”.
4. Press [SET] to delete all the files.
• The message “There are no files.” appears on the
screen after all of the files are deleted.
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179
FILE MANAGEMENT
The file management capabilities of the camera make it
easy to keep track of images. You can protect files against
deletion and store the files you want in the camera’s built-in
memory.
Each folder can hold files numbered up to 9,999.
Trying to store the 10,000th file in a folder causes the next
serially numbered folder to be created. File names are
generated as shown below.
Example: Name of the 26th file
Folders
CIMG0026.JPG
Your camera automatically creates folders in its built-in
flash memory or on the memory card.
Extension
Serial number (4 digits)
Memory Folders and Files
• The folder and file names described here appear when
you view folders and files on a computer. See page 33 for
information about how the camera displays folder and file
names.
• The actual number of files you will be able to store on a
memory card depends on the image size and quality, card
capacity, etc.
An image you record is automatically stored in a folder,
whose name is a serial number. You can have up to 900
folders in memory at the same time. Folder names are
generated as shown below.
Example: Name of the 100th folder.
100CASIO
• For details about the folder structure, see “Memory Folder
Structure” on page 228.
Serial number (3 digits)
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FILE MANAGEMENT
4. Use [̆] and [̄] to
select “On”, and then
press [SET].
Protecting Files
Once you protect a file it cannot be deleted (page 178).
You can protect files individually or you can protect all files
in memory with a single operation.
• A file that is protected is
indicated by the
mark.
To protect a single file
• To unprotect a file, select
“Off” in step 4, and then
press [SET].
1. In the PLAY mode, press [MENU].
5. Press [MENU] to exit the menu screen.
2. Select the “PLAY” tab,
select “Protect”, and
then press [̈].
3. Use [̇] and [̈] to scroll through files and
display the one you want to protect.
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FILE MANAGEMENT
To protect all files in memory
Using the FAVORITE Folder
You can copy scenery shots, photos of your family, or other
special images from a file storage folder (page 228) to the
FAVORITE folder in built-in memory (page 228). Images in
the FAVORITE folder are not displayed during normal
playback, so it helps to keep your personal images private
as you carry them around. FAVORITE folder images are
not deleted when you change memory cards, so you can
always keep them on hand.
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Protect”, and
then press [̈].
3. Use [̆] and [̄] to select “All Files : On”, and
then press [SET].
• To unprotect all files, press [SET] in step 3 so the
setting shows “All Files : Off”.
To copy a file to the FAVORITE folder
4. Press [MENU] to exit the menu screen.
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab,
select “Favorites”, and
then press [̈].
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FILE MANAGEMENT
NOTE
3. Use [̆] and [̄] to
select “Save”, and
then press [SET].
• Copying an image file with the above procedure
creates a 320 240-pixel QVGA-size image in the
FAVORITE folder.
×
• This displays the names
of the files in built-in
memory or on the loaded
memory card.
• A file copied into the FAVORITE folder is
automatically assigned a file name that is a serial
number. Though the serial number starts from 0001
and can go as high as 9999, the actual upper end of
the range depends on built-in memory capacity.
Remember that the maximum number of images that
can be stored in built-in memory depends on the size
of each image and other factors.
4. Use [̇] and [̈] to select the file you want to
copy to the FAVORITE folder.
5. Use [̆] and [̄] to select “Save”, and then
press [SET].
IMPORTANT!
• This copies the displayed file to the FAVORITE
• Note that an image that has been copied to the
FAVORITE folder and then resized cannot be
returned to its original size.
• Files in the FAVORITE folder cannot be copied to a
memory card.
folder.
6. After copying all of the files you want, use [̆]
and [̄] to select “Cancel”, and then press
[SET] to exit.
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FILE MANAGEMENT
NOTE
To display a file in the FAVORITE folder
• Holding down [̇] or [̈] scrolls images at high
speed.
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Favorites”, and
then press [̈].
IMPORTANT!
• Note that a FAVORITE folder is created in the
camera’s built-in memory only. No FAVORITE folder
is created on a memory card when you use one. If
you want to view the contents of the FAVORITE
folder on your computer screen, you need to remove
the memory card from the camera (if you are using
one) before connecting the USB cable and starting
data communication (pages 216, 228).
3. Use [̆] and [̄] to select “Show”, and then
press [SET].
• If the FAVORITE folder is empty, the message “No
Favorites file!” appears.
4. Use [̈] (forward) and
File Name
[̇] (back) to scroll
FAVORITE folder icon
through the files in the
FAVORITE folder.
5. After you are finished viewing files, press
[MENU] twice to exit.
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FILE MANAGEMENT
To delete a file from the FAVORITE
folder
To delete all files from the FAVORITE
folder
1. In the PLAY mode, press [MENU].
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Favorites”, and
then press [̈].
2. Select the “PLAY” tab, select “Favorites”, and
then press [̈].
3. Use [̆] and [̄] to select “Show”, and then
3. Use [̆] and [̄] to select “Show”, and then
press [SET].
press [SET].
4. Press [EX ].
4. Press [EX ].
5. Use [̇] and [̈] to select the file you want to
5. Use [̆] and [̄] to select “All Files Delete”,
delete from the FAVORITE folder.
and then press [SET].
6. Use [̆] and [̄] to select “Delete”, and then
IMPORTANT!
press [SET].
• You cannot use the standard delete operations on
page 178 to delete images from the FAVORITE
folder. Performing the memory format operation
(page 198), however, does delete FAVORITE folder
files.
• To exit the file delete operation without deleting
anything, select “Cancel”.
7. After deleting all of the files you want, use [̆]
and [̄] to select “Cancel”, and then press
[SET] to exit.
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185
OTHER SETTINGS
4. Use [̆] and [̄] to change the setting, and
Configuring Sound Settings
then press [SET].
You can configure different sounds to play whenever you
turn on the camera, press the shutter button half-way or all
the way, or perform a key operation.
To do this:
Select this setting:
Sound 1 through Sound 5
Off
Select a built-in sound
Turn off the sound
To configure sound settings
NOTE
1. In a REC mode or the PLAY mode, press
[MENU].
• The default sound setting for all operations is “Sound
1”.
2. Select the “Set Up” tab, select “Sounds”, and
then press [̈].
3. Use [̆] and [̄] to
select the sound
whose setting you
want to configure, and
then press [̈].
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186
OTHER SETTINGS
To set the volume level
Specifying an Image for the Startup Screen
You can specify an image you recorded as the startup
screen image, which causes it to appear on the monitor
screen for about two seconds whenever you turn on the
camera in a REC mode.
1. In a REC mode or the PLAY mode, press
[MENU].
2. Select the “Set Up” tab, select “Sounds”, and
then press [̈].
1. In a REC mode or the PLAY mode, press
[MENU].
3. Use [̆] and [̄] to select “Volume”.
2. Select the “Set Up” tab, select “Startup”, and
then press [̈].
4. Use [̇] and [̈] to specify the volume setting
you want, and then press [SET].
• You can set the volume in the range of 0 (no sound)
to 7 (loudest).
3. Use [̇] and [̈] to display the image you want
to use as the startup image.
NOTE
4. Use [̆] and [̄] to change the setting, and
• The initial default volume setting is 3.
then press [SET].
To do this:
Select this setting:
Use the currently displayed image
as the startup screen image
On
Off
Disable the startup screen
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187
OTHER SETTINGS
IMPORTANT!
Configuring Power Down Image Settings
• You can select any one of the following types of
image as the startup image.
— The camera’s built-in startup image
— A snapshot you recorded with the camera
— An audio snapshot you recorded with the camera
(Audio not played back at startup.)
With the power down image feature, you can configure the
camera so a specific image stored in camera image
memory appears whenever you turn off power. You can
specify a snapshot or a movie as the power down image.
— A movie whose file size is less than the amount of
unused built-in memory still available
I To configure power down image settings
• The snapshot image or movie that you select as the
startup image is stored in the camera’s built-in
memory. Only one image can be stored in startup
image memory at one time. Selecting a new startup
image overwrites anything that is already stored in
startup image memory. Because of this, if you want
to return to a previous startup image, you need to
have a separate copy of that image in the camera’s
standard image memory.
1. Use the USB cable to connect the camera to
your computer (page 216).
2. Move the image data that you want to use for
the power down image to the top (root) folder
of the camera’s built-in Flash memory.
• The file name extension will not be displayed if your
computer is configured to hide file name extensions.
• The startup image is deleted if you format built-in
memory (page 198).
Example: CIMG0001
• If there is a memory card loaded in the camera, be
sure to copy the image to built-in memory before
removing the memory card from the camera.
• If you store an audio snapshot to startup image
memory, the image’s audio is not played when the
image is displayed at startup.
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OTHER SETTINGS
IMPORTANT!
3. Change the name of the file to one of the
following.
• Only a snapshot (JPEG) or movie (AVI) file can be
used as the power down image.
Snapshot Image: ENDING.JPG
Movie Image: ENDING.AVI
• Note that the power down image feature works only
with images recorded with this camera. The power
down image feature may not operate properly when
another type of image is specified as the power down
image.
• You do not need to input the file name extension
(JPG or AVI) if your computer is configured to hide
file name extensions.
• Formatting the camera’s flash memory deletes the
power down image (page 198).
File Name: ENDING
• When both a still image and a movie are present for
the power down image, only the movie is used.
• Note that a power down image display operation
cannot be interrupted once it starts. Because of this,
you should select a relatively short movie when using
a movie file as the power down image.
• Your camera is now configured to display a power
down image. The power down image will appear any
time you press the power button to turn off the
camera. The power down image appears regardless
of whether or not your camera has a memory card
loaded in it.
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189
OTHER SETTINGS
I To cancel power down image settings
Specifying the File Name Serial Number
Generation Method
Use the following procedure to specify the method for
1. Use the USB cable to connect the camera to
your computer (page 216).
generating the serial number used for file names (page 180).
2. Change the name of the current power down
image from ENDING.JPG or ENDING.AVI to
something else, or delete the current power
down image from flash memory.
1. In a REC mode or the PLAY mode, press
[MENU].
2. Select the “Set Up” tab, select “File No.”, and
then press [̈].
3. Use [̆] and [̄] to change the setting, and
then press [SET].
To do this for a newly saved file:
Select this setting:
Continue
Store the last file number used and
increment it, regardless of whether
files are deleted or whether the
memory card is replaced with a new
one
Find the highest file number in the
current folder and increment it
Reset
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190
OTHER SETTINGS
4. Use [̇] and [̈] to select the setting you want
to change, and then use [̆] and [̄] to
change the selected setting.
Using the Alarm
You can configure up to three alarms that cause the
camera to beep and display a specified image at the time
you specify. Specifying a movie or an audio snapshot plays
back the image and the audio at the assigned time.
Specifying a voice recording file plays the audio.
• You can configure up to three alarms, named “Alarm 1”,
“Alarm 2”, and “Alarm 3”.
• You can set an alarm time and configure the alarm to
sound only once (Once) or at the same time
everyday (Daily). You can also turn the alarm on or
off.
5. Press [DISP].
• You could press [SET] in place of [DISP] if you want
to configure the alarm without an image.
To set an alarm
6. Use [̇] and [̈] to select the scene you want
to appear at the alarm time, and then press
[SET].
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Alarm”, and
then press [̈].
7. After all the settings are the way you want,
press [SET].
3. Use [̆] and [̄] to select the alarm (1, 2, or 3)
whose setting you want to configure, and
then press [̈].
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OTHER SETTINGS
Stopping the Alarm
Setting the Clock
When an alarm time is reached while the camera is turned
off, the alarm will sound for about one minute (or until you
stop it), and then the camera will turn on. To stop the alarm
after it starts to sound, press any button.
Use the procedures in this section to select a Home Time
zone, and to change its date and time settings. If you want
to change the time and date setting only without changing
the Home Time Zone, perform the procedure under “To set
the current time and date” (page 193) only.
IMPORTANT!
• Note that the alarm does not sound if the alarm time
is reached when any one of the following conditions
exists.
— While the camera is turned on
— While a USB data communication operation is in
progress
IMPORTANT!
• Make sure you select your Home Time zone (the
zone where you are currently located) before
changing the time and date settings. Otherwise, the
time and date setting will change automatically when
you select another time zone.
To select your Home Time zone
1. In a REC mode or the PLAY mode, press
[MENU].
2. Select the “Set Up” tab, select “World Time”,
and then press [̈].
• This displays the current World Time zone.
3. Use [̆] and [̄] to select “Home”, and then
press [̈].
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192
OTHER SETTINGS
4. Use [̆] and [̄] to select “City”, and then
press [̈].
To set the current time and date
1. In a REC mode or the PLAY mode, press
[MENU].
5. Use [̆], [̄], [̇], and [̈] to select the
geographical area that contains location you
want to select as your Home Time zone, and
then press [SET].
2. Select the “Set Up” tab, select “Adjust”, and
then press [̈].
6. Use [̆] and [̄] to select the city you want,
3. Set the current date and the time.
and then press [SET].
To do this:
Do this:
7. After selecting the city you want, press [SET]
to register its zone as your Home Time zone.
Change the setting at the current
cursor location
Press [̆] or [̄].
Move the cursor between settings Press [̇] or [̈].
Toggle between 12-hour and 24-
hour timekeeping
Press [DISP].
4. When all the settings are the way you want,
press [SET] to register them and exit the
setting screen.
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193
OTHER SETTINGS
Changing the Date Format
Using World Time
You can select from among three different formats for
display of the date.
You can use the World Time screen to select time zone
and instantly change the time setting of the camera’s clock
when you go on a trip, etc. World Time lets you select one
of 162 cities in 32 time zones.
1. In a REC mode or the PLAY mode, press
[MENU].
To display the World Time screen
2. Select the “Set Up” tab, select “Date Style”,
and then press [̈].
1. In a REC mode or the PLAY mode, press
[MENU].
3. Use [̆] and [̄] to change the setting, and
then press [SET].
2. Select the “Set Up” tab, select “World Time”,
and then press [̈].
Example: December 24, 2004
To display the date like this:
04/12/24
Select this format:
YY/MM/DD
• This displays the current World Time zone.
3. Use [̆] and [̄] to select “World”.
24/12/04
DD/MM/YY
12/24/04
MM/DD/YY
To do this:
Select this:
Home
Display the time in your home time zone
Display the time in the zone currently
selected on the World Time screen
World
4. Press [SET] to exit the setting screen.
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194
OTHER SETTINGS
6. Use [̆] and [̄] to
select the city you
want, and then press
[SET].
To configure World Time settings
1. In a REC mode or the PLAY mode, press
[MENU].
• This displays the current
time in the city you
select.
2. Select the “Set Up” tab, select “World Time”,
and then press [̈].
• This displays the current World Time zone.
7. When the setting is the way you want, press
[SET] to apply it and exit the setting screen.
3. Use [̆] and [̄] to select “World”, and then
press [̈].
4. Use [̆] and [̄] to select “City”, and then
press [̈].
5. Use [̆], [̄], [̇], and
[̈] to select the
geographical area you
want, and then press
[SET].
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195
OTHER SETTINGS
4. Use [̆] and [̄] to select “DST”, and then
press [̈].
To configure summer time (DST)
settings
Summer time is used in some geographical areas to
advance the current time setting by one hour during the
summer months.
5. Use [̆] and [̄] to select the summer time
(DST) setting you want.
• Use of summer time depends on the local customs and
laws.
6. After the setting is the way you want, press
[SET].
• This displays the current time in accordance with
your setting.
1. In a REC mode or the PLAY mode, press
[MENU].
7. Press [SET] again to exit the setting screen.
2. Select the “Set Up” tab, select “World Time”,
and then press [̈].
• This displays the current World Time Settings.
3. Use [̆] and [̄] to select “World”, and then
press [̈].
• If you want to configure Home Time settings, select
“Home” instead.
To do this:
Select this:
Advance the current time setting by
one hour
On
Off
Display the current time as-is
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OTHER SETTINGS
Changing the Display Language
Changing the USB Port Protocol
You can use the following procedure to select one of ten
languages as the display language.
You can use the procedure below to change the
communication protocol of the camera’s USB port when
connecting to a computer, printer, or other external device.
Select the protocol that suits the device to which you are
connecting.
1. In a REC mode or the PLAY mode, press
[MENU].
1. In a REC mode or the PLAY mode, press
[MENU].
2. Select the “Set Up” tab, select “Language”,
and then press [̈].
2. Select the “Set Up” tab, select “USB”, and
then press [̈].
3. Use [̆], [̄], [̇], and [̈] to change the
setting, and then press [SET].
: Japanese
3. Use [̆] and [̄] to select the setting you
English
: English
want, and then press [SET].
Français : French
Deutsch : German
Español : Spanish
When connecting to this type of
Select this setting:
device:
Computer or USB DIRECT-
PRINT-compatible printer (page
210)
Mass Storage (USB
DIRECT-PRINT)
Italiano
Português : Portuguese
: Chinese (Complex)
: Italian
PictBridge-compatible printer
(page 210)
PTP (PictBridge)*
: Chinese (Simplified)
: Korean
* “PTP” stands for “Picture Transfer Protocol”.
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OTHER SETTINGS
• Mass Storage (USB DIRECT-PRINT) causes the
camera to see the computer as an external storage
device. Use this setting for normal transfer of images
from the camera to a computer (using the bundled
Photo Loader application).
Formatting Built-in Memory
Formatting built-in memory deletes any data stored in it.
IMPORTANT!
• PTP (PictBridge) simplifies the transfer of image data
to the connected device.
• Note that data deleted by a format operation cannot
be recovered. Check to make sure you do not need
any of the data in memory before you format it.
• Formatting built-in memory deletes all files, including
files in the FAVORITE folder (page 182), protected
files (page 181), and BESTSHOT user setups (page
115).
• The startup screen image (page 187) and the power
down image (page 188) are deleted by formatting
memory.
1. Check to make sure there is no memory card
loaded in the camera.
• If there is a memory card loaded in the camera,
remove it (page 202).
2. In a REC mode or the PLAY mode, press
[MENU].
3. Select the “Set Up” tab, select “Format”, and
then press [̈].
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OTHER SETTINGS
4. Use [̆] and [̄] to select “Format”, and then
press [SET].
• To exit the format operation without formatting,
select “Cancel”.
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USING A MEMORY CARD
You can expand the storage
IMPORTANT!
capabilities of your camera by using
a commercially available memory
card (SD memory card or
MultiMediaCard). You can also
copy files from built-in flash
• Use only an SD memory card or a MultiMediaCard
with this camera. Proper operation is not guaranteed
when any other type of card is used.
• See the instructions that come with the memory card
for information about how to use it.
memory to a memory card and from
a memory card to flash memory.
• Certain types of cards can slow down processing
speeds.
• SD memory cards have a write protect switch, which
you can use to protect against accidental deletion of
image data. Note, however, if you write protect an
SD memory card, you must remove write protection
whenever you want to record to it, format it, or delete
any of its files.
• Normally, files are stored in built-in flash memory. When
you insert a memory card, however, the camera
automatically stores files to the card.
• Note that you cannot save files to built-in memory while a
memory card is installed in the camera.
• Electrostatic charge, digital noise, and other
phenomena can cause data to become corrupted or
even lost. Always maintain backup copies of
important data on other media (CD-R, CD-RW, MO
disc, computer hard disk, etc.)
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USING A MEMORY CARD
2. Positioning the memory
card so its front is facing in
the same direction as the
camera’s monitor screen,
carefully slide it into the
card slot. Slide the card all
the way in until you hear it
click securely into place.
Using a Memory Card
IMPORTANT!
• Make sure you turn off the camera before inserting or
removing a memory card.
• Be sure to orient the card correctly when inserting it.
Never try to force a memory card into the slot when
you feel resistance.
To insert a memory card into the camera
1. Slide the battery cover in
the direction indicated by
the arrow, and then swing it
open.
Front
Back
3. Swing the battery cover
closed, and then slide it in
the direction indicated by
the arrow.
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USING A MEMORY CARD
To remove a memory card from the
camera
To format a memory card
Formatting a memory card deletes any data already stored
on it.
1. Press the memory card into
the camera and then release
it. This will cause the card to
come part way out of the
camera.
IMPORTANT!
• Be sure to use the camera to format a memory card.
Formatting a memory card on a computer and then
using it in the camera can slow down data
processing by the camera. In the case of an SD card,
formatting on a computer can result in non-
conformity with the SD format, causing problems with
compatibility, operation, etc.
• Note that data deleted by a memory card format
operation cannot be recovered. Check to make sure
you do not need any of the data on the memory card
before you format it.
2. Pull the memory card out of the slot.
IMPORTANT!
• Never insert any other object besides a memory card
into the camera’s card slot. Doing so creates the risk
of damage to the camera and card.
• Should water or any foreign object ever get into the
card slot, immediately turn off the camera, remove
the battery, and contact your dealer or nearest
CASIO authorized service center.
• Formatting a memory card that contains files deletes
all the files, even those that are protected (page
181).
• Never remove a card from the camera while the
green operation lamp is flashing. Doing so can cause
the file save operation to fail, and even damage the
memory card.
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USING A MEMORY CARD
1. Load the memory card into the camera.
Memory Card Precautions
• If a memory card starts to behave abnormally, you can
restore normal operation by reformatting it. However, we
recommend that you always take along more than one
memory card whenever using the camera far away from
the home or office.
• We recommend that you format a memory card before
using it for the first time after purchasing it, or whenever
the card you are using seems to be the cause of
abnormal images.
2. Turn on the camera. Next, enter the REC
mode or PLAY mode and press [MENU].
3. Select the “Set Up” tab, select “Format”, and
then press [̈].
4. Use [̆] and [̄] to select “Format”, and then
press [SET].
• As you record data to and delete data from an SD
memory card a number of times, it loses its ability to
retain data. Because of this, periodic re-formatting of an
SD memory card is recommended.
• To exit the format operation without formatting,
select “Cancel”.
• Before starting a format operation, check to make sure
that the battery is fully charged. Power interruption during
the format operation can result in improper formatting,
and even damage the memory card and make it
unusable.
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USING A MEMORY CARD
3. Select the “PLAY” tab,
select “Copy”, and
then press [̈].
Copying Files
Use the procedures below to copy files between built-in
memory and a memory card.
IMPORTANT!
• Only snapshot, movie files, audio snapshot, and
voice recording files recorded with this camera can
be copied. Other files cannot be copied.
• Files in the FAVORITE folder cannot be copied.
• Copying an audio snapshot copies both its image file
and the audio file.
4. Use [̆] and [̄] to select “Built-in
Card”,
and then press [SET].
• This starts the copy operation and displays the
message “Busy.... Please wait...”.
• After the copy operation is complete, the monitor
screen shows the last file in the folder.
To copy all the files in built-in memory to
a memory card
1. Load the memory card into the camera.
2. Turn on the camera. Next, enter the PLAY
mode and press [MENU].
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USING A MEMORY CARD
NOTE
To copy a specific file from a memory
card to built-in memory
• Files are copied to the folder in built-in memory
whose name has the largest number.
1. Perform steps 1 through 3 of the procedure
under “To copy all the files in built-in memory
to a memory card”.
2. Use [̆] and [̄] to select “Card
Built-in”,
and then press [SET].
3. Use [̇] and [̈] to select the file you want to
copy.
4. Use [̆] and [̄] to select “Copy”, and then
press [SET].
• This starts the copy operation and displays the
message “Busy.... Please wait...”.
• The file reappears on the monitor screen after the
copy operation is complete.
• Repeat steps 3 through 4 to copy other images, if
you want.
5. Press [MENU] to exit the copy operation.
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205
PRINTING IMAGES
A digital camera provides you with a variety of different
ways to print the images it records. The three main printing
methods are described below. Use the method that best
suits your needs.
I Printing with a Computer
Windows Users
The camera comes bundled with Photo Loader and
Photohands applications (page 241), which can be installed
on a Windows computer for image transfer, management,
and printing. For more information, see “Viewing Images on
a Computer” (page 216) and “Installing the Software from
the CD-ROM” (page 240).
I Professional Print Service
The camera’s DPOF feature lets you specify which images
you want to print and how many copies of each you want.
For more information, see “DPOF” (page 207).
IMPORTANT!
• Refer to the pages referenced above for information
about how to connect the camera to a computer.
Image management procedures are provided in the
following pages of this section.
I Printing Directly on a Printer Equipped with
a Card Slot, or a Printer that Supports USB
DIRECT-PRINT or PictBridge
After using the camera’s DPOF feature to specify the
images you want to print and how many copies of each
should be printed, you can plug the memory card into a
printer equipped with a card slot, or connect the camera to
a PictBridge or USB DIRECT-PRINT printer for printing.
For more information, see “DPOF” (page 207) and “Using
PictBridge or USB DIRECT-PRINT” (page 210).
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PRINTING IMAGES
Macintosh Users
DPOF
The camera comes bundled with Photo Loader for the
Macintosh, which can be installed for image transfer and
management, but not for printing. Use commercially
available software for printing with a Macintosh. For more
information, see “Viewing Images on a Computer” (page
216) and “Installing the Software from the CD-ROM” (page
240).
The letters “DPOF” stand for “Digital Print
Order Format”, which is a format for
recording on a memory card or other medium
which digital camera images should be
printed and how many copies of the image
should be printed. Then you can print on a
DPOF-compatible printer or at a professional
print service in accordance with the file name
and number of copies settings recorded on
the card.
IMPORTANT!
• Refer to the pages referenced above for information
about how to connect the camera to your Macintosh.
Image management procedures are provided in the
following pages of this section.
With this camera, you can select images by viewing them
on the monitor screen without needing to remember the file
names, their locations in memory, etc.
I DPOF Settings
File Name,
number of copies,
date
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207
PRINTING IMAGES
5. Use [̆] and [̄] to specify the number of
To configure print settings for a single
image
copies.
• You can specify up to 99 for the number of copies.
Specify 00 if you do not want to have the image
printed.
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab,
select “DPOF”, and
then press [̈].
6. To turn on date stamping for the prints, press
12
1
[DISP] so
is displayed.
12
1
•
indicates that date stamping is turned on.
• To turn off date stamping for the prints, press [DISP]
12
1
so
is not displayed.
• Repeat steps 4 through 6 if you want to configure
other images for printing.
3. Use [̆] and [̄] to select “Select images”,
and then press [̈].
7. After all the settings are the way you want,
press [SET] to apply them.
4. Use [̇] and [̈] to
display the image you
want.
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PRINTING IMAGES
5. To turn on date stamping for the prints, press
To configure print settings for all images
12
1
[DISP] so
is displayed.
12
1
•
indicates that date stamping is turned on.
1. In the PLAY mode, press [MENU].
• To turn off date stamping for the prints, press [DISP]
so
12
1
2. Select the “PLAY” tab, select “DPOF”, and
then press [̈].
is not displayed.
6. After all the settings are the way you want,
press [SET] to apply them.
3. Use [̆] and [̄] to select “All images”, and
then press [̈].
IMPORTANT!
4. Use [̆] and [̄] to
specify the number of
copies.
• If you take a memory card to a professional print
service, be sure to tell them that it includes DPOF
settings for the images to be printed and the number
of copies. If you don’t, they may print all images on
the card, including the ones you do not want printed.
• Note that some professional print services do not
support DPOF printing. Check with your service
before ordering prints.
• You can specify up to 99
for the number of copies.
Specify 00 if you do not
want to have the image
printed.
• Some printers may have settings that disable date
stamp and/or DPOF printing. See the user
documentation that comes with your printer for
details about how to enable these features.
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PRINTING IMAGES
To print a single image
Using PictBridge or USB DIRECT-PRINT
You can connect the camera
directly to a printer that supports
PictBridge or USB DIRECT-PRINT,
and perform image selection and
printing using the camera monitor
screen and controls. DPOF support
(page 207) also lets you specify
which images you want to print and
how many copies of each should be
printed.
1. Press [MENU].
2. Select the “Set Up” tab, select “USB”, and
then press [̈].
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
When connecting to this type of
Select this setting:
device:
• PictBridge is a standard
Computer or USB DIRECT-
PRINT-compatible printer
Mass Storage (USB
DIRECT-PRINT)
established by the Camera and
Imaging Products Association
(CIPA).
PictBridge-compatible printer
PTP (PictBridge)
• USB DIRECT-PRINT is a
standard proposed by Seiko
Epson Corporation.
• Mass Storage (USB DIRECT-PRINT) causes the
camera to see the computer as an external storage
device. Use this setting for normal transfer of images
from the camera to a computer (using the bundled
Photo Loader application).
IMPORTANT!
• Use of the optional AC adaptor (AD-C40) is
recommended when printing with PictBridge or USB
DIRECT-PRINT.
• PTP (PictBridge) simplifies the transfer of image data
to the connected device.
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210
PRINTING IMAGES
4. Connect the optionally available AC adaptor
to the camera.
5. Use the USB cable that comes with the
camera to connect the camera to a printer.
• If you are using battery to power the camera, check
to make sure that the battery is fully charged.
6. Turn on the printer.
• Note that the camera does not draw any power over
the USB cable.
7. Load paper for printing the images into the
printer.
8. Press the camera’s
USB/AV
power button.
• This displays the print
menu on the camera’s
monitor screen.
USB
9. Use [̆] and [̄] to select “Paper Size”, and
then press [̈].
AC adaptor
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PRINTING IMAGES
10. Use [̆] and [̄] to select the paper size you
11. On the print menu,
use [̆] and [̄] to
select “1 Image”, and
then press [SET].
want to use for printing, and then press [SET].
• The following are the print sizes that are available.
×
3.5˝ 5˝
×
×
• You can use [̇] and [̈]
to select the image you
want to print.
5˝ 7˝
4˝ 6˝
A4
×
8.5˝ 11˝
• You can toggle date
stamping of the image
on and off by pressing
By Printer
• Selecting “By Printer” prints using the paper size
selected on the printer.
12
1
[DISP]. The
icon
indicates that date
stamping is turned on.
• Available paper size settings depend on the
connected printer. For full details, see the
instructions that come with your printer.
12. On the camera’s monitor screen, use [̆] and
[̄] to select “Print”, and then press [SET].
• This starts printing and displays the message
“Busy.... Please wait...” on the monitor screen. The
message will disappear after a short while, even
though printing is still being performed. Pressing any
of the camera’s buttons while printing is in progress
will cause the message to reappear.
• The print menu will appear when printing is
complete.
• To print again, repeat this step.
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PRINTING IMAGES
13. The camera will turn off automatically when
printing is complete. After this happens,
disconnect the USB cable from the camera.
To print a group of images
1. Use the DPOF procedure on page 207 to
specify the images in file memory that you
want to print.
2. Perform steps 1 through 10 of the procedure
under “To print a single image” on page 210.
3. On the print menu, use [̆] and [̄] to select
“DPOF”, and then press [SET].
4. On the camera’s monitor screen, use [̆] and
[̄] to select “Print”, and then press [SET].
• This starts printing and displays the message
“Busy.... Please wait...” on the monitor screen. The
message will disappear after a short while, even
though printing is still being performed. Pressing any
of the camera’s buttons while printing is in progress
will cause the message to reappear.
• The print menu will appear when printing is
complete.
• This automatically starts printing of the images you
specified with the DPOF procedure.
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PRINTING IMAGES
5. To print again, repeat the above from step 3.
Printing Precautions
• A message appears on the monitor screen, followed
by the DPOF setting screen (page 208), if there are
no DPOF settings currently configured on the
camera to control the printing operation. If this
happens, configure the required DPOF settings and
then try printing again.
• See the documentation that comes with your printer for
information about print quality and paper settings.
• Contact your printer manufacturer for information about
models that support PictBridge and USB DIRECT-PRINT,
upgrades, etc.
• Never disconnect the USB cable, or perform any camera
operation while printing is in progress. Doing so causes a
printer error.
6. The camera will turn off automatically when
printing is complete. After this happens,
disconnect the USB cable from the camera.
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PRINTING IMAGES
PRINT Image Matching III
Exif Print
Images include PRINT Image Matching
III data (mode setting and other camera
setup information). A printer that
supports PRINT Image Matching III
reads this data and adjusts the printed
image accordingly, so your images
come out just the way you intended
when you recorded them.
Exif Print is an
internationally supported,
open standard file format
that makes it possible to
capture and display vibrant
digital images with accurate
colors. With Exif 2.2, files
include a wide range of
shooting condition
information that can be
interpreted by an Exif Print
printer to produce better-
looking prints.
• Seiko Epson Corporation holds the copyright for PRINT
Image Matching and PRINT Image Matching III.
IMPORTANT!
• Information about the availability of Exif Print
compatible printer models can be obtained from each
printer manufacturer.
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215
VIEWING IMAGES ON A COMPUTER
After using the USB cable to establish a USB connection
Using the Camera with a Windows
between the camera and your computer, you can use your
computer to view images in file memory and copy images
to your computer’s hard disk or other storage media. In
order to do this, you first need to install the USB driver
located on the CD-ROM that comes bundled with the
camera onto your computer.
Note that the procedure you need to perform depends on
whether you are using computer running under Windows
(see below) or a Macintosh (see page 222).
Computer
The following are the general steps for viewing and copying
files from a computer running under Windows. You can find
details about each operation in the procedures that follow
below. Note that you should also refer to the
documentation that comes with your computer for other
information about USB connections, etc.
1. If you are running Windows 98, Me, or 2000, install
the USB driver onto your computer.
• You need to perform this step only once, the first
time you connect to your computer.
• If you are running Windows XP, you do not need to
install the USB driver.
2. Use the USB cable to establish a connection between
the camera and computer.
3. View and copy the images you want.
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VIEWING IMAGES ON A COMPUTER
IMPORTANT!
1. What you should do first depends on whether
your computer is running under Windows 98,
Me, 2000, or XP.
• Low battery power can cause the camera to power
down suddenly during data communication. Use of
the special AC adaptor is recommended to power the
camera during data communication.
I Windows 98/Me/2000 Users
• If you want to transfer files from the camera’s built-in
memory to a computer, make sure there is no
memory card loaded in the camera before you
connect the USB cable.
• Start from step 2 to install the USB driver.
• Note that the example installation presented here
uses Windows 98.
I Windows XP Users
Do not try to establish a connection between the
camera and computer before installing the USB
driver onto the computer. If you do, the computer will
not be able to recognize the camera.
• USB driver installation is required in the case of
Windows 98, Me, and 2000. Do not connect the
camera to a computer running one of the above
operating systems without installing the USB driver
first.
• Installation of the USB driver is not required, so jump
directly to step 6.
2. Set the bundled CD-ROM (CASIO Digital
Camera Software) into the CD-ROM drive of
your computer.
3. On the menu screen that appears, click
“English”.
• USB driver installation is not required in the case of
Windows XP.
4. Click [USB driver] and then [Install].
• This starts installation.
• The following steps show installation under the
English version of Windows.
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VIEWING IMAGES ON A COMPUTER
5. On the screen that appears after installation
is complete, select the “Yes, I want to restart
my computer now.” check box and then click
[Finish] to restart your computer.
6. Connect the optional AC adaptor to the [DC IN]
connector of the camera, and then plug it in
to a household power outlet.
• If you are using battery to power the camera, check
to make sure that the battery is fully charged.
• Note that you should leave the bundled CD-ROM in
your computer’s CD-ROM drive when you restart.
[DC IN]
Terminal panel
cover
AC adaptor
Plug
AC power cord
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VIEWING IMAGES ON A COMPUTER
7. Turn on the camera, and then press [MENU].
10. Turn off the camera, and connect the USB
cable that comes bundled with the camera to
the camera’s [USB/AV] port and your
computer’s USB port.
• It makes no difference whether the camera is in a
REC mode or the PLAY mode.
8. Select the “Set Up” tab, select “USB”, and
USB cable (bundled)
USB port
then press [̈].
9
.
Use [̆] and [̄] to select “Mass Storage (USB
DIRECT-PRINT)”, and then press [SET].
[USB/AV]
USB/AV
Connector (A)
• Take care when connecting the USB cable to the
camera or your computer. USB ports and cable plugs
are shaped for proper positioning.
• Plug the USB cable plugs into the ports securely, as
far as they will go. Proper operation is not possible if
connections are not correct.
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VIEWING IMAGES ON A COMPUTER
11. Turn on the camera.
12. On your computer, double-click “My
Computer”.
• This will cause the “New Hardware...” dialog box to
appear on the computer screen as the computer
automatically detects the camera’s file memory. After
you install the USB driver, “New Hardware...” dialog
box will no longer appear when you perform the
above steps to establish a USB connection.
• If you are running Windows XP, click [Start] and then
[My Computer].
13. Double-click “Removable Disk”.
• Your computer sees the camera’s file memory as a
removable disk.
• The camera’s green operation lamp lights (page 252).
Green operation lamp
14. Double-click the “Dcim” folder.
15. Double-click the folder that contains the
image you want.
BKT
16. Double-click the file that contains the image
you want to view.
• For information about file names, see “Memory
Folder Structure” on page 228.
• At this point, some operating systems will display a
“Removable Disk” dialog box. If your operating
system does, close the dialog box.
17. Depending on your operating system, perform
one of the following procedures to save the
files, if you want.
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I Windows 98, 2000, Me
IMPORTANT!
1. In the camera’s file memory (Removable Disk), right-
click the “Dcim” folder.
• Never use your computer to edit, delete, move, or
rename images stored in the camera’s file memory.
Doing so can cause problems with the image
management data used by the camera, which may
make it impossible to display images on the camera
or it may cause large error in the number of images
value displayed by the camera. Always copy images
to your computer before performing any edit, delete,
move, or rename operation.
2. On the shortcut menu that appears, click [Copy].
3. Double click [My Documents] to open it.
4. On the My Documents [Edit] menu, click [Paste].
• This copies the “Dcim” folder (which contains the
image files) to your “My Documents” folder.
I Windows XP
18. Depending on the version of Windows you are
running, use one of the following procedures
to terminate the USB connection.
1. In the camera’s file memory (Removable Disk), right-
click the “Dcim” folder.
2. On the shortcut menu that appears, click [Copy].
3. Click [Start] and then [My Documents].
I Windows Me/98/XP Users
• Press the camera’s power button. After making sure
that the camera’s green operation lamp is not lit,
disconnect the camera from the computer.
4. On the My Documents [Edit] menu, click [Paste].
• This copies the “Dcim” folder (which contains the
image files) to your “My Documents” folder.
I Windows 2000 Users
• Click card services in the task tray on your computer
screen, and disable the drive number assigned to the
camera. Next, disconnect the USB cable from the
camera, and then turn off the camera.
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VIEWING IMAGES ON A COMPUTER
USB Connection Precautions
• Do not leave the same image displayed on your computer
screen for a long time. Doing so can cause the image to
“burn in” on the screen.
Using the Camera with a Macintosh
Computer
The following are the general steps for viewing and copying
files from a Macintosh.
• Never disconnect the USB cable, or perform any camera
operation while data communication is in progress. Doing
so can cause data to become corrupted.
You can find details about each operation in the
procedures that follow below. Note that you should also
refer to the documentation that comes with your Macintosh
for other information about USB connections, etc.
IMPORTANT!
•
This camera does not support operation on a
computer running Mac OS 8.6 or lower, or Mac OS X
10.0. If you have a Macintosh running Mac OS 9 or
OS X (10.1, 10.2, or 10.3), use the standard USB
driver that comes with your OS.
1. Use the USB cable to establish a connection between
the camera and your Macintosh.
2. View and copy the images you want.
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VIEWING IMAGES ON A COMPUTER
IMPORTANT!
1. Connect the optional AC adaptor to the [DC IN]
connector of the camera, and then plug it in
to a household power outlet.
• Low battery power can cause the camera to power
down suddenly during data communication. Use the
optional AC adaptor is recommended to power the
camera during data communication with a computer.
• If you want to transfer files from the camera’s built-in
memory to a computer, make sure there is no
memory card loaded in the camera before you
connect the USB cable.
• If you are using battery to power the camera, check
to make sure that the battery is fully charged.
[DC IN]
Terminal panel
cover
AC adaptor
Plug
AC power cord
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VIEWING IMAGES ON A COMPUTER
2. Turn on the camera, and then press [MENU].
5. Turn off the camera, and connect the USB
cable that comes bundled with the camera to
the camera’s [USB/AV] port and your
computer’s USB port.
• It makes no difference whether the camera is in a
REC mode or the PLAY mode.
3. Select the “Set Up” tab, select “USB”, and
USB cable
then press [̈].
(bundled)
USB port
4. Use [̆] and [̄] to select “Mass Storage (USB
DIRECT-PRINT)”, and then press [SET].
[USB/AV]
Connector (A)
USB/AV
• Take care when connecting the USB cable to the
camera or your computer. USB ports and cable plugs
are shaped for proper positioning.
• Plug the USB cable plugs into the ports securely, as
far as they will go. Proper operation is not possible if
connections are not correct.
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VIEWING IMAGES ON A COMPUTER
6. Turn on the camera.
9. To copy all the files in file memory to your
Macintosh hard disk, drag the “DCIM” folder
to the folder to which you want to copy it.
• Your Macintosh will see the camera’s file memory as
a drive.
• The appearance of the drive icon depends on the
Mac OS version you are using.
IMPORTANT!
• Never use your computer to edit, delete, move, or
rename images stored in the camera’s file memory.
Doing so can cause problems with the image
management data used by the camera, which may
make it impossible to display images on the camera
or it may cause large error in the number of images
value displayed by the camera. Always copy images
to your computer before performing any edit, delete,
move, or rename operation.
• After installing the USB driver, your Macintosh will
see the camera’s file memory as a drive whenever
you establish a USB connection between them.
7. Double-click the drive icon for the camera’s
file memory, the “DCIM” folder, and then the
folder that contains the image you want.
8. Double-click the file that contains the image
you want to view.
10. To terminate the USB connection, drag the
drive icon that represents the camera to
Trash. Next, disconnect the USB cable from
the camera, and then turn off the camera.
• For information about file names, see “Memory
Folder Structure” on page 228.
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VIEWING IMAGES ON A COMPUTER
USB Connection Precautions
• Do not leave the same image displayed on your computer
screen for a long time. Doing so can cause the image to
“burn in” on the screen.
• Never disconnect the USB cable, or perform any camera
operation while data communication is in progress. Doing
so can cause data to become corrupted.
Operations You Can Perform from Your
Computer
The following are the operations you can perform while
there is a USB connection between your camera and
computer. See the referenced pages for more information
about each operation.
• View images in album format
.... See “Using the Album Feature” on page 232.
• Print images in album format
.... See “Using the Album Feature” on page 232.
• Automatically transfer images to your computer and
manage images
.... See “Installing the Software from the CD-ROM” on
page 240 for information about installing Photo
Loader.
• Retouch images
.... See “Installing the Software from the CD-ROM” on
page 240 for information about installing Photohands.
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VIEWING IMAGES ON A COMPUTER
Using a Commercially Available SD Memory Card
Reader/Writer
See the user documentation that comes with the SD
Using a Memory Card to Transfer Images
to a Computer
The procedures in this section describe how to transfer
images from the camera to your computer using a memory
card.
memory card reader/writer for details about how to use it.
Using a Computer with a Built-in SD Memory Card Slot
Insert the SD memory card directly into the slot.
Using a Computer with a Built-in PC Card Slot
Use a commercially available PC card adaptor (for an SD
memory card or MMC). For full details, see the user
documentation that comes with the PC card adaptor and
your computer.
Using a Commercially Available PC Card Reader/Writer
and PC Card Adaptor (for an SD memory card or MMC)
See the user documentation that comes with the PC card
reader/writer and PC card adaptor (for an SD memory card
or MMC) for details about how to use them.
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VIEWING IMAGES ON A COMPUTER
Memory Folder Structure
Memory Data
Images recorded with this camera and other data are
stored in memory using DCF (Design rule for Camera File
system) protocol. DCF protocol is designed to make it
easier to exchange image and other data between digital
cameras and other devices.
I Folder Structure
DCIM
(DCIM Folder)
100CASIO
CIMG0001.JPG
(Storage folder)
(Image file)
(Movie file)
(Audio file)
(Audio snapshot image file)
(Audio snapshot audio file)
CIMG0002.AVI
CIMG0003.WAV
CIMG0004.JPG
CIMG0004.WAV
DCF Protocol
101CASIO
102CASIO
(Storage folder)
(Storage folder)
DCF devices (digital cameras, printers, etc.) can exchange
images with each other. DCF protocol defines a format for
image file data and the folder structure for file memory, so
images can be viewed using another manufacturer’s DCF
camera or printed on a DCF printer.
ALBUM
(Album folder)
(Album HTML file)
INDEX.HTM
FAVORITE*
(FAVORITE folder)
CIMG0001.JPG
CIMG0002.JPG
(Storage file)
(Storage file)
MISC
(DPOF file folder)
(DPOF file)
AUTPRINT.MRK
TIFF
(TIFF Data Folder)
100CASIO
(TIFF Image Folder)
(TIFF Image File)
CIMG0001.TIF
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VIEWING IMAGES ON A COMPUTER
SCENE
(BESTSHOT folder)
*
I Folder and File Contents
• DCIM folder
UP700001. JPE
UP700002. JPE
(User setup file)
(User setup file)
Folder that stores all of the digital camera files
• Storage folder
* These folders are created in built-in memory only.
Folder for storing files created by the digital camera
• Image file
File that contains an image recorded with the digital
camera (File Name Extension: JPG)
• Movie file
File that contains a movie recorded with the digital
camera (File Name Extension: AVI)
• Audio file
File that contains an audio recording (File Name
Extension: WAV)
• Audio snapshot image file
File that contains the image part of an audio snapshot
(File Name Extension: JPG)
• Audio snapshot audio file
File that contains the audio part of an audio snapshot
(File Name Extension: WAV)
• Album folder
Folder that contains files used by the album function
• Album HTML file
File used by the album function
(File Name Extension: HTM)
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VIEWING IMAGES ON A COMPUTER
• FAVORITE folder
Folder that contains Favorites image files
(Image Size: 320 240 pixels)
Image Files Supported by the Camera
• Image files recorded with this camera
• DCF protocol image files
×
• DPOF file folder
Folder that contains DPOF files
Certain DCF functions may not be supported. When
displaying an image recorded on another camera model, it
may take a long time for the image to appear on the
display.
• TIFF Data Folder
Folder that contains All TIFF format image related files
• TIFF Image Folder
Folder that contains TIFF format image files
• TIFF Image File
File that contains a TIFF format image (File Name
Extension: TIF)
• BESTSHOT folder (Built-in memory only)
Folder that contains BESTSHOT user setup files
• User setup files (Built-in memory only)
Files that contain BESTSHOT user setups
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VIEWING IMAGES ON A COMPUTER
Built-in Memory and Memory Card
Precautions
• Note that the folder named “DCIM” is the parent (top)
folder of all the files in memory. When transferring
memory contents to a hard disk, CD-R, MO disk, or other
external storage, treat all the contents inside a DCIM
folder as a set and always keep them together. You can
change the name of the DCIM folder on your computer.
Changing the name to a date is a good way to keep track
of multiple DCIM folders. However, if you even want to
copy the folders back to the camera’s file memory, be
sure you change the name of the DCIM folder back to
“DCIM” first. The camera does not recognize any folder
name other than DCIM.
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USING THE CAMERA WITH A COMPUTER
The album feature of the camera creates files that make it
possible for you to view images on your computer in a
photo album layout. You can also use the applications
contained on the CD-ROM that comes bundled with the
camera to automate image transfer and to retouch images.
• You can use the Web browser shown below to view or
print the contents of an album. Note that to view a movie
on a computer running Windows 2000 or 98, you need to
install DirectX from the bundled CD-ROM.
Microsoft Internet Explorer Ver 5.5 or later
Using the Album Feature
Creating an album
The album feature creates an HTML photo album layout
that displays your images. You can use the HTML layout to
post your images on a Web page, or for printing the
images.
IMPORTANT!
• Remember that creating an “ALBUM” folder (page
228) causes different size versions of each image to
be created in memory. If there is an “ALBUM” folder
in image memory when you specify printing of all
images by a professional print service or on a printer,
you may end up with unwanted multiple prints of the
same image. To avoid this problem, use the
procedure under “To delete an album” on page 240
to delete the ALBUM folder.
Album
Index
Info
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USING THE CAMERA WITH A COMPUTER
1. In the PLAY mode, press [MENU].
IMPORTANT!
• Never open the battery cover or remove the memory
card from the camera while an album is being
created. Doing so not only runs the risk of certain
album files being skipped, it can also result in image
data and other data in memory being corrupted.
• If memory becomes full while an album is being
created, the message “Memory Full” appears on the
monitor screen and album creation is terminated.
• Album creation will not be performed properly if the
battery goes dead while album creation is in
progress.
2. Select the “PLAY”
tab, select “Create
Album”, and then
press [̈].
Sample layout
• Pressing [SET] in step 3 of the above procedure
creates an album regardless of whether auto album
creation is turned on or off (page 236).
• Images in the “ALBUM” folder (page 228) cannot be
viewed on the camera’s monitor screen.
3. Use [̆] and [̄] to select “Create”, and then
press [SET].
• This starts creation of the album, and causes the
message “Busy.... Please wait...”. to appear on the
monitor screen.
• The PLAY mode screen reappears after creation of
the album is complete.
• Creating an album causes a file folder named
“ALBUM”, which contains a file named “INDEX.HTM”
plus other files to be created in camera memory or
on the memory card.
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USING THE CAMERA WITH A COMPUTER
Selecting an Album Layout
Configuring Detailed Album Settings
You can select from among 10 different display layouts for
an album.
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Create
Album”, and then press [̈].
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Create
Album”, and then press [̈].
3. Use [̆] and [̄] to select “Set Up”, and then
press [̈].
3. Use [̆] and [̄] to select “Layout”.
4. Use [̆] and [̄] to
select the item whose
setting you want to
change, and then press
[̈].
4. Use [̇] and [̈] to select the layout you want.
• When you select a layout, the corresponding layout
sample appears on the right side of the screen.
• Details about each of the
settings are provided in
the following sections.
IMPORTANT!
• The sample layout shows the arrangement of items
and the background color only. It does not reflect any
of the detailed album settings you configure in the
following section.
5. Use [̆] and [̄] to change the setting, and
then press [SET].
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USING THE CAMERA WITH A COMPUTER
I Background Color
I Image Use
You can specify white, black, or gray as the color of the
album background using the procedure under “Configuring
Detailed Album Settings”.
This setting lets you select from among three different
image uses, as described below. Select the image use that
best suits the way you plan to use the image.
Select this
I Album Type
For this purpose:
setting:
There are two album types: “Normal” and “Index/Info”.
Smaller images for album browsing, Website
thumbnails, or archiving on a CD-R or other
media, with the full-size image displayed
when a thumbnail is clicked
• This setting can be used for browsing with
“Normal” Type : This type of album displays images in
accordance with the currently selected
layout.
View
“Index/Info” Type : In addition to the normal album screen,
this type of album also includes
the thumbnails. Clicking a thumbnail
displays a larger version for viewing or
printing.
thumbnails of images and detailed
information about each image.
Small image files only for album browsing, or
uploading to a Website, etc.
• This option displays only the small-file
images (located in the camera’s “ALBUM”
folder). Smaller files upload to the Internet
faster.
WEB
• You cannot enlarge images by clicking a
thumbnail or play movies while this image is
selected.
Printing (high resolution)
• High-resolution images take longer to
display on your computer screen.
• You cannot enlarge images by clicking a
thumbnail or play movies while this image is
selected.
Print
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USING THE CAMERA WITH A COMPUTER
NOTE
I Auto Album Creation On/Off
• Depending on the number of images in memory, it
can take quite a bit of time to complete auto album
creation when you turn off the camera. If you do not
plan to use the album feature, we suggest that you
keep auto album creation turned off, which shortens
the amount of time the camera takes to power down
completely.
This setting controls whether an album is created
automatically whenever you turn off the camera.
To do this:
Select this option:
Turn on auto album creation On
Turn off auto album creation Off
• When auto album creation is turned on, an album is
created automatically in built-in memory or on the
memory card whenever you turn off the camera.
IMPORTANT!
• When you turn off the camera while auto album
creation is turned on, the monitor screen turns off,
but the green operation lamp continues to flash for a
few seconds to indicate that the album creation
process is being performed. Never open the battery
cover or remove the memory card while the green
operation lamp is flashing.
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USING THE CAMERA WITH A COMPUTER
4. If you created the album after selecting
“Index/Info” as the album type under
“Configuring Detailed Album Settings” on
page 234, you can click one of the following
display options.
Viewing Album Files
You can view and print album files using your computer’s
Web browser application.
1. Use your computer to access the data in built-
in memory or on the memory card, or access
a memory card with your computer (pages
216, 227).
Album: Displays an album created by the camera.
Index : Displays a list of images stored in a folder.
Info : Displays information about each image.
• If “View” is selected for “Use” (page 235), you can
double-click an image on your computer screen to
display the full-size version.
2. Open the built-in memory “ALBUM” folder or
the memory card “ALBUM” folder, which is
located inside the folder named “DCIM”.
Index/Info Album Type
3. Use your computer’s
Web browser to open
the file named
“INDEX.HTM”.
• This displays a list of
folders in built-in memory
or on the memory card.
Image
File Name
Album
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USING THE CAMERA WITH A COMPUTER
• The following describes the information that appears
on the Info Screen.
This Info Screen item:
File Size
Shows this:
Image file size
Resolution
Resolution
Quality
Quality
Recording mode
AE
Recording mode
Exposure mode
Drive mode
Index
Drive mode
Light metering
Shutter speed
Aperture stop
Exposure comp
Focusing mode
AF Area
Metering mode
Shutter speed
Aperture stop
EV shift
Focusing mode
Auto Focus area
Flash mode
Sharpness
Flash mode
Sharpness
Saturation
Saturation
Contrast
Contrast
Info
White balance
Sensitivity
White balance
Sensitivity
Filter
Filter setting
Enhancement setting
Flash intensity
Enhancement
Flash intensity
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USING THE CAMERA WITH A COMPUTER
This Info Screen item:
Digital zoom
World
Shows this:
Saving an Album
Digital zoom setting
Location
• To save an album, copy the “DCIM” folder from camera
memory or the memory card to your computer’s hard disk,
a CD-R, an MO disk, or some other storage medium.
Note that copying only the “ALBUM” folder, does not copy
image data and other necessary files.
Date
Recording date and time
Camera model name
Model
• After copying the “DCIM” folder, do not change or delete
any of the files inside of it. Adding new images or deleting
existing images may lead to abnormal album display.
• If you plan to use a memory card again after saving its
album, first delete all of its files or format it before loading
it into the camera.
NOTE
• When printing an album page, you should set up
your Web browser as described below.
— Select the browser frame where the images are
located.
• When you have “WEB” selected for the “Use” setting, the
album shows only the smaller image files stored in the
“ALBUM” folder. Such images can be uploaded to the
Internet more quickly.
— Set margins to the lowest possible values.
— Set the background color to a printable color.
• See the user documentation that came with your
Web browser application for details about printing
and configuring settings for printing.
• Album contents (titles, comments, etc.) cannot be
edited on the camera. Use a commercially available
HTML file editor to edit album contents.
5. After you are finished viewing the album, exit
your Web browser application.
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USING THE CAMERA WITH A COMPUTER
To delete an album
Installing the Software from the CD-ROM
Your digital camera comes bundled with useful applications
for using it in combination with a computer. Install the
applications you need on your computer.
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Create Album”,
and then press [̈].
About the bundled CD-ROM (CASIO
Digital Camera Software)
The CD-ROM (CASIO Digital Camera Software) that
comes bundled with the camera contains the applications
described below. Installation of these applications is
optional, and you should install only the ones you want to
use.
3. Use [̆] and [̄] to select “Delete”, and then
press [SET].
• This deletes the album and returns to the PLAY
mode screen.
USB Driver for Mass Storage (for Windows)
This is the software that makes it possible for the camera
to “talk” to your personal computer over a USB connection.
If you are using Windows XP, do not install the USB driver
from the CD-ROM. With Windows XP, you will be able to
perform USB communication simply by connecting the
camera to your computer with the USB cable.
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USING THE CAMERA WITH A COMPUTER
Photo Loader (for Windows/Macintosh)
DirectX (for Windows)
This application automatically transfers image, audio
snapshot, and voice recording WAV files from the camera
to your computer. Photo Loader automatically stores
transferred files in folders named using the current date
(year, month, day) and generates HTML files that make it
possible to view images using a web browser. Photo
Loader (Windows version only) also includes a feature that
simplifies the task of attaching images to e-mail.
This software provides an extended tool set including a
codec that allows Windows 98 and 2000 to handle movie
files recorded using a digital camera. You do not need to
install DirectX if you are running Windows XP or Me.
Adobe Reader (for Windows)
This is an application that lets you read PDF files. Use it to
read the user documentation for the camera, Photo Loader,
and Photohands, all of which is included on the bundled
CD-ROM.
• See the user documentation file (PDF) on the bundled
“CASIO Digital Camera Software” CD-ROM for details
about using Photo Loader.
• See the user documentation files (PDF) on the bundled
CD-ROM for details about using Photo Loader and
Photohands. See “Viewing User Documentation (PDF
files)” on page 245 (Windows) and page 247 (Macintosh)
of this manual for more information.
Photohands (for Windows)
Photohands includes retouching tools for adjusting image
color, contrast, and brightness, for resizing images, and for
changing image orientation. You can also use Photohands
for printing images and for adding a date stamp to printed
images.
• See the user documentation file (PDF) on the bundled
“CASIO Digital Camera Software” CD-ROM for details
about using Photohands.
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USING THE CAMERA WITH A COMPUTER
Macintosh
Computer System Requirements
Computer system requirements depend on each of the
applications, as described below.
Photo Loader
9
OS
Memory
HD
At least 32MB
At least 3MB
Windows
USB Driver*1
XP*2/2000/Me/
Photo Loader
Photohands
• USB connection is supported on a Macintosh running OS 9, 10.1,
10.2, or 10.3. Operation is supported using the standard USB
driver that comes with the operating system, so all you need to do
is connect the camera to your Macintosh using the USB cable.
OS
XP/2000/Me/98
XP/2000/Me/98
98
Memory
HD
–
–
At least 16MB
At least 7MB
At least 64MB
At least 10MB
*1 In the case of Windows 2000, you need to install a data file that
enables use of the operating system’s standard USB driver. You
do not need to install a special USB driver. Proper operation is
not guaranteed on a computer that has been upgraded from
Windows 95 or 3.1 to Windows Me or 98, or from Windows 95 or
NT to Windows 2000.
*2 With Windows XP, use the USB driver that comes with the
operating system. You do not need to install the USB driver that
comes with the camera.
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USING THE CAMERA WITH A COMPUTER
IMPORTANT!
Installing Software from the CD-ROM in
Windows
Use the procedures in this section to install the software
from the bundled CD-ROM (CASIO Digital Camera
Software) to your computer.
• For details about Windows minimum system
requirements, see the “Readme” file on the CD-ROM
(CASIO Digital Camera Software) that comes
bundled with the camera.
• For details about Macintosh minimum system
requirements, use a Web browser application to read
the contents of the “readme” file on the CD-ROM
(CASIO Digital Camera Software) that comes
bundled with the camera.
• The software on the CD-ROM (CASIO Digital
Camera Software) that comes bundled with the
camera does not support operation under Mac OS X
(10.0).
NOTE
• If you already have one of the bundled applications
installed on your computer, check its version. If the
bundled version is newer than the one you have,
uninstall the old version and then install the newer
version.
The CD-ROM (CASIO Digital Camera Software) includes
the software and user documentation for various
languages. Check the CD-ROM menu screen to see if
applications and user documentation are available for a
particular language.
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USING THE CAMERA WITH A COMPUTER
Getting Started
Viewing the Contents of the “Read me”
File
Start up your computer and insert the CD-ROM into its CD-
ROM drive. This will automatically launch the menu
application, which displays a menu screen on your
computer.
You should always read the “Read me” file for any
application before installing it. The “Read me” file contains
information you need to know when installing the
application.
• The menu application may not start up automatically on
some computers. If this happens, navigate to the CD-
ROM and double-click “menu.exe” to launch the menu
application.
1. Click the “Read me” button for the application
you are going to install.
IMPORTANT!
Selecting a Language
• Before upgrading or reinstalling Photo Loader, or
before installing it onto another computer, be sure to
read the “Read me” file for information about
retaining existing libraries.
First select a language. Note that some software is not
available in all languages.
1. On the menu screen, click the tab for the
language you want.
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USING THE CAMERA WITH A COMPUTER
Installing an Application
Viewing User Documentation (PDF Files)
1. Click the “Install” button for the application
1. In the “Manual” area, click the name of the
you want to install.
manual you want to read.
2. Follow the instructions that appear on your
computer screen.
IMPORTANT!
• You need to have Adobe Reader installed on your
computer to read user documentation files. If you do
not already have Adobe Reader installed, you can
install it from the bundled CD-ROM.
IMPORTANT!
• Be sure to follow the instructions carefully and
completely. If you make a mistake when installing
Photo Loader, you may not be able to browse your
existing library information and HTML files that are
created automatically by Photo Loader. In some
cases, image files may be lost.
• When using an operating system other than
Windows XP, never connect the camera to your
computer without installing the USB driver from the
CD-ROM first.
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USING THE CAMERA WITH A COMPUTER
User Registration
You can perform user registration over the Internet. To do
so, of course, you need to be able to connect to the
Internet with your computer.
Installing Software from the CD-ROM on a
Macintosh
Use the procedures in this section to install the software
from the bundled CD-ROM (CASIO Digital Camera
Software) to your computer.
1. Click the “Register” button.
• This starts up your Web browser and accesses the
user registration website. Follow the instructions that
appear on your computer screen to register.
Installing Software
Use the following procedures to install the software.
Exiting the Menu Application
1. On the menu screen, click “Exit” to exit the
menu.
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USING THE CAMERA WITH A COMPUTER
I To install Photo Loader
Viewing User Documentation (PDF Files)
To perform the following procedures, you must have Adobe
Reader installed on your Macintosh. You can download the
latest version of Adobe Reader by visiting the Adobe
Systems website.
1. Open the folder named “Photo Loader”.
2. Open the folder named “English”, and then
open the file named “Important”.
I To view the camera user’s guide
3. Open the folder named “Installer”, and then
open the file named “readme”.
1. On the CD-ROM, open the “Manual” folder.
4. Follow the instructions in the “readme” file to
2. Open the “Digital Camera” folder, and then
open the folder for the language whose user’s
guide you want to view.
install Photo Loader.
IMPORTANT!
• If you are upgrading to the new version of Photo
Loader from a previous version and you want to use
library management data and HTML files created
using the old version of Photo Loader, be sure to
read the “Important” file in the “Photo Loader” folder.
Follow the instructions in the file to use your existing
library management files. Failure to follow this
procedure correctly can result in loss or corruption of
your existing files.
3. Open the file named “camera_xx.pdf”.
• “xx” is the language code (Example: camera_e.pdf is
for English, camera_g.pdf is for German, etc.).
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USING THE CAMERA WITH A COMPUTER
I To view the Photo Loader user’s guide
1. On the CD-ROM, open the “Manual” folder.
2. Open the “Photo Loader” folder and then
open the “English” folder.
3. Open “PhotoLoader_english”.
I To register as a camera user
Internet registration only is supported. Visit the following
CASIO website to register:
http://world.casio.com/qv/register/
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APPENDIX
Filter
Off / B/W / Sepia / Red / Green / Blue /
Yellow / Pink / Purple
+2 / +1 / 0 / –1 / –2
+2 / +1 / 0 / –1 / –2
+2 / +1 / 0 / –1 / –2
+2 / +1 / 0 / –1 / –2
Auto / Off
Menu Reference
The following shows lists of menus that appear in REC
modes and the PLAY mode, and their settings.
• The settings that are underlined in the following table are
initial defaults.
Sharpness
Saturation
Contrast
Flash Intensity
Flash Assist
External flash
Grid
I REC modes
On / Off
On / Off
G REC tab menu
Digital Zoom
Review
On / Off
On / Off
×
×
Size
3072 2304 / 3072 2048 (3:2) /
Icon Help
L/R Key
On / Off
×
×
×
2304 1728 / 1600 1200 / 1280 960 /
EV shift / White Balance / ISO / Metering /
AF Area / Off
×
640 480
Quality
Fine / Normal / Economy / TIFF
EV Shift
–2.0 / –1.7 / –1.3 / –1.0 / –0.7 / –0.3 / 0.0 /
+0.3 / +0.7 / +1.0 / +1.3 / +1.7 / +2.0
White Balance
Auto /
(Daylight) /
(Cloudy) /
1
(Shade) /
(Fluorescent 1) /
(Tungsten) /
2
(Fluorescent 2) /
(Flash) / Manual
ISO
Auto / ISO 80 / ISO 160 / ISO 320 / ISO 640
Hybrid / Continuous / Contrast
Spot / Multi / Free
AF Mode
AF Area
Metering
Audio Snap
Multi / Center weighted / Spot
On / Off
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APPENDIX
G Set Up tab menu
G Memory tab menu
Flash
On / Off
Sounds
Startup / Half Shutter /Shutter / Operation /
Focus
On / Off
On / Off
On / Off
On / Off
On / Off
On / Off
On / Off
On / Off
On / Off
On / Off
On / Off
Volume
White Balance
ISO
Startup
On (Selectable image) / Off
Continue / Reset
File No.
AF Area
World Time
Home / World
Metering
Home Time setup (city, DST, etc.)
World Time setup (city, DST, etc.)
YY/MM/DD / DD/MM/YY / MM/DD/YY
Time setting
Self-timer
Cont. / BKT
Flash Intensity
Digital Zoom
MF Position
Zoom Position
Date Style
Adjust
Language
/ English / Français / Deutsch /
Español / Italiano / Português /
/
/
Sleep
30 sec / 1 min / 2 min / Off
2 min / 5 min
Auto Power Off
USB
Mass Storage (USB DIRECT- PRINT) /
PTP (PictBridge)
Video Out
Format
Reset
NTSC / PAL
Format / Cancel
Reset / Cancel
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APPENDIX
G Set Up tab menu
I PLAY mode
Sounds
Startup / Half Shutter /Shutter / Operation /
G PLAY tab menu
Volume
Slideshow
Calendar
Favorites
DPOF
Start / Images / Time / Interval / Cancel
–
Startup
On (Selectable image) / Off
Continue / Reset
File No.
Show / Save / Cancel
Select images / All images / Cancel
On / All Files : On / Cancel
Rotate / Cancel
World Time
Home / World
Home Time setup (city, DST, etc.)
World Time setup (city, DST, etc.)
YY/MM/DD / DD/MM/YY / MM/DD/YY
Time setting
Protect
Rotation
Resize
Date Style
Adjust
×
×
×
1600 1200 / 1280 960 / 640 480 /
Cancel
Language
/ English / Français / Deutsch /
Español / Italiano / Português /
/
Trimming
Create Album
Dubbing
Alarm
–
/
Create / Delete / Layout / Set Up / Cancel
–
Sleep
30 sec / 1 min / 2 min / Off
2 min / 5 min
Alarm setups
Auto Power Off
USB
Copy
Built-in
Card / Card
Built-in / Cancel
Mass Storage (USB DIRECT- PRINT) /
PTP (PictBridge)
Video Out
Format
Reset
NTSC / PAL
Format / Cancel
Reset / Cancel
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APPENDIX
REC modes
Indicator Lamp Reference
The camera has three indicator lamps: a green operation
lamp, a red operation lamp, and a self-timer lamp. These
lamps light and flash to indicate the current operational
status of the camera.
Self-timer
Lamp
Operation Lamp
Meaning
Green
Lit
Red
Red
Operational (Power on, recording
enabled)
Green operation lamp
Self-timer lamp
Pattern 3
Lit
Flash is charging.
Flash charging is complete.
Auto Focus operation was successful.
Cannot Auto Focus.
Lit
Pattern 3
Lit
Monitor screen is off.
Storing image
BKT
Pattern 2
AE-L
Storing movie data / processing
image data
Pattern 1
Red operation lamp
Self-timer countdown
(10 to 3 seconds)
Pattern 1
Pattern 2
* There are three lamp flash patterns. Pattern 1 flashes once per
second, Pattern 2 flashes twice per second, and Pattern 3 flashes
four times per second. The table below explains what each flash
pattern indicates.
Self-timer countdown
(3 to 0 seconds)
Pattern 1
Pattern 2
Cannot charge flash.
Memory card problem / Memory
card is unformatted. / BESTSHOT
setup cannot be registered.
Memory card is locked. / Cannot
create folder. / Memory is full. /
Write error
Lit
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APPENDIX
PLAY mode
Self-timer
Lamp
Operation Lamp
Meaning
Low battery alert
Green
Red
Red
Self-timer
Lamp
Operation Lamp
Pattern 3
Meaning
Green
Lit
Red
Red
Pattern 3
Pattern 3
Formatting card
Powering down
Operational (Power on, recording
enabled)
One of the following operations is
being performed: delete, DPOF,
image protect, copy, album creation,
format, power down
IMPORTANT!
• When you are using a memory card, never remove
the card from the camera while the green operation
lamp is flashing. Doing so will cause recorded
images to be lost.
Pattern 3
Memory card problem / Memory
card is unformatted.
Pattern 2
Memory card is locked. / Cannot
create folder. / Memory is full.
Low battery alert
Lit
Pattern 3
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APPENDIX
Rapid Charger
The rapid charger has a [CHARGE] lamp that lights or
flashes in accordance with the rapid charger operation that
is being performed.
[CHARGE] lamp
[CHARGE] lamp
[CHARGE] Lamp
Meaning
Color
Red
Status
Lit
Charging
Green
Red
Lit
Charging complete
Flashing Rapid charger or battery abnormality
Charge standby state (Ambient temperature is
Amber
Lit
too high or too low.)
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APPENDIX
Troubleshooting Guide
Symptom
Possible Cause
Action
Power does not turn on.
1) The battery is not oriented correctly.
2) The battery is dead.
1) Orient the battery correctly (page 41).
2) Charge the battery (page 37). If the battery goes
dead soon after being charged, it means the
battery has reached the end of its life and needs
to be replaced. Purchase a separately available
NP-40 rechargeable lithium ion battery.
Camera suddenly powers
down.
1) Auto Power Off activated (page 51).
2) The battery is dead.
1) Turn power back on.
2) Charge the battery (page 37).
Image is not recorded
when the shutter button is
pressed.
1) The camera is in the PLAY mode.
1) Use the mode dial to select the currently
selected recording mode (page 58).
2) Wait until the flash unit finishes charging.
3) Transfer files you want to keep to your
computer and then delete files from image
memory, or use a different memory card.
2) Flash unit is being charged.
3) Memory is full.
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APPENDIX
Symptom
Possible Cause
1) The lens is dirty.
2) The phase differential sensor is dirty.
3) You are blocking the phase differential sensor
with your finger.
Action
Auto Focus does not focus
properly
1) Clean the lens.
2) Clean the phase differential sensor.
3) Move your finger so it does not block the phase
differential sensor.
4) The subject is not located in the center of the
focus frame when you compose the image.
5) The subject you are shooting is a type that is
not compatible with Auto Focus operation (page
63).
4) Make sure the subject is centered in the focus
frame when composing the image.
5) Use manual focus (page 85).
6) You are moving the camera.
6) Mount the camera on a tripod.
7) Change the Auto Focus mode setting to
“Contrast” (page 134).
7) An Auto Focus mode other than “Contrast” is
selected while a conversion lens is installed on
the camera (page 134).
The subject is out of focus
in the recorded image.
The image is not focused properly.
When composing the image, make sure the
subject on which you want to focus is located
inside the focus frame.
The flash does not fire.
1)
(flash off) is selected as the flash mode.
1) Select a different flash mode (page 71).
2) Charge the battery (page 37).
2) The battery is dead.
3) The camera is in the Movie mode.
3) Select a different REC mode.
4) A scene that selects
mode is selected in the BESTSHOT mode.
(flash off) as the flash
4) Select a different flash mode (page 71) or
BESTSHOT scene (page 113).
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APPENDIX
Symptom
Possible Cause
The battery is dead.
Action
Camera powers down
during self-timer
countdown.
Charge the battery (page 37).
Monitor screen image is
out of focus.
1) You are using the Manual Focus mode and
have not focused the image.
1) Focus the image (page 85).
2) You are trying to use the Macro mode (
when shooting a scenery or portrait shot.
3) You are trying to use Auto Focus or the Infinity
)
2) Use Auto Focus for scenery and portrait shots.
3) Use the Macro mode (
) for close-ups.
mode (
) when shooting a close-up shot.
Recorded images are not
saved in memory.
1) Camera powers down before the save
operation is complete.
2) Removing the memory card before the save
operation is complete.
1) When the battery indicator shows
, charge
the battery as soon as possible (page 37).
2) Do not remove the memory card before the
save operation is complete.
The images produced by
an auto bracketing
operation look the same.
1) The subject you are recording is a type for
which the different settings do not produce
much of a difference in appearance.
2) The image is drastically under-exposed or
over-exposed.
1) Shoot a different subject.
2) Adjust the exposure.
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APPENDIX
Symptom
Possible Cause
Action
Color of the playback
image is different from the
image on the monitor
screen during recording.
Sunlight or light from another source is shining
directly into the lens during recording.
Position the camera so sunlight does not shine
directly into the lens.
Images are not displayed.
A memory card with non-DCF images recorded
with another camera is loaded in the camera.
Use a different card. This camera cannot display
non-DCF images recorded onto a memory card
using another digital camera.
All buttons and switches
are disabled.
Circuit problem caused by electrostatic charge,
impact, etc. while the camera was connected to
another device.
Remove the battery from the camera, reinsert it,
and then try again.
Monitor screen is off.
1) USB communication is in progress.
1) After confirming that the computer is not
accessing camera memory, disconnect the USB
cable.
2) The monitor screen is turned off (in a REC
2) Press [DISP] to turn on the monitor screen.
mode).
3) The camera is connected to a TV for image
output.
3) Unplug the AV cable.
Cannot transfer files over a
USB connection.
1) USB cable is not connected securely.
2) USB driver is not installed.
1) Check all connections.
2) Install the USB driver on your computer (page
216).
3) Camera is turned off.
3) Turn on the camera.
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APPENDIX
If you have problems installing the USB driver...
You may not be able to install the USB driver properly if you use the USB cable to connect the camera to a computer running
Windows 98 before installing the USB driver from the bundled CD-ROM (CASIO Digital Camera Software), or if you have
another type of driver installed. This will make it impossible for the computer to recognize the digital camera when it is
connected. If this happens, you will need to re-install the camera’s USB driver. For information about how to re-install the USB
driver, see the USB driver’s “Read me” file on “CASIO Digital Camera Software” CD-ROM that comes bundled with the
camera.
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APPENDIX
Display Messages
Alarm setting
complete.
This message appears after you change the alarm
setting.
Check connections! You are trying to print on the printer over an
incompatible USB connection.
Battery is low.
The battery is dead.
File could not be
saved because
battery is low.
The battery is dead, so the recorded image could
not be saved.
Cannot correct
image!
Keystone correction cannot be performed for some
reason. The image will be stored as-is, without
correction (page 121).
Folder cannot be
created.
This message appears when you try to record an
image while there are 9,999 files stored in the
999th folder. If you want to record more files,
delete files you no longer need (page 178).
Can not find the file. The camera cannot find an image specified by the
slideshow “Images” setting. Specify another image
(page 169).
LENS ERROR
If the lens comes into contact with some obstacle
while it is extending, this message appears, the
lens retracts, and the camera turns off. Take action
to remove the obstacle, and try turning on power
again.
Cannot register any • You are attempting to save a BESTSHOT user
more files.
setup when the “SCENE” folder already contains
999 setups (page 116).
• You are attempting to copy a FAVORITE file
when the “FAVORITE” folder already contains
9999 files (page 182).
Load paper!
Memory Full
The camera is in the Printer mode, and the printer
is out of paper.
Card ERROR
Some problem occurred with the memory card.
Turn off the camera, and remove and then reinsert
the memory card. If the same message appears,
format the memory card (page 202).
Memory is full. If you want to record more files,
delete files you no longer need (page 178).
No Favorites file!
Printing Error
There is no FAVORITE file.
IMPORTANT!
Formatting the memory card deletes all files on
the memory card. Before formatting, try
transferring recoverable files to a computer or
some other storage device.
One of the following problems occurred during
printing.
• Printer power off
• Printer internal error
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APPENDIX
Record Error
Image compression could not be performed during
image data storage for some reason. Record the
image again.
This card is not
formatted.
The memory card loaded in the camera is not
formatted. Format the memory card (page 202).
This file cannot be
played.
The image file or audio file is corrupted, or is a
type that cannot be displayed by this camera.
Replenish ink!
The camera is in the Printer mode, and the printer
is running low on ink or is out of ink.
This function cannot You attempted to copy files from built-in memory to
SYSTEM ERROR
The card is locked.
Your camera system is corrupted. Contact your
retailer or a CASIO service center.
be used.
a memory card loaded in the camera while there is
no memory card in the camera (page 204).
The LOCK switch of the SD memory card is
locked. You cannot store images to or delete
images from a memory card that is locked.
This function is not The function you are trying to perform is not
supported for this
file.
supported for the file on which you are trying to
perform it.
There are no files.
There are no files in built-in memory or on the
memory card.
There are no printing There are no DPOF settings specifying images and
images.
the number of copies of each for printing.
Set up DPOF.
Configure the required DPOF settings (page 207).
There is no image to You are trying to save an invalid image as a
register.
BESTSHOT user setup, or as an original startup
image.
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APPENDIX
Approximate Memory Capacity and File sizes:
Specifications
• Snapshots
File Size
(pixels)
Approximate
Image File Size memory 8.9MB Card* 64MB
Built-in flash
SD Memory
Product ............................... Digital Camera
Model .................................. EX-P700
Quality
×
3072 2304
Fine
Normal
Economy
TIFF
4.4MB
2.2MB
1.1MB
20.3MB
3.9MB
2.0MB
1.0MB
18.0MB
1.95MB
1.53MB
800KB
11.4MB
1.05MB
710KB
370KB
5.5MB
680KB
460KB
250KB
3.5MB
190KB
140KB
90KB
2 shots
3 shots
7 shots
0 shot
13 shots
26 shots
51 shots
2 shots
I Camera Functions
×
3072 2048
Fine
2 shots
4 shots
8 shots
0 shot
15 shots
29 shots
56 shots
2 shots
Image Files Format
(3:2)
Normal
Economy
TIFF
Snapshots ....................... JPEG (Exif Ver.2.2); TIFF; DCF
(Design rule for Camera File system)
1.0 standard; DPOF compliant
Movies ............................. AVI (Motion JPEG)
Audio ............................... WAV
×
2304 1728
Fine
4 shots
5 shots
10 shots
0 shot
30 shots
37 shots
68 shots
4 shots
Normal
Economy
TIFF
Recording Media ............... 8.9MB built-in flash memory
SD Memory Card
×
1600 1200
Fine
7 shots
11 shots
22 shots
1 shot
53 shots
79 shots
154 shots
9 shots
MultimediaCard
(UXGA)
Normal
Economy
TIFF
Image Size
×
Snapshots ...................... 3072 2304 pixels
×
3072 2048 (3:2) pixels
×
1280 960
Fine
12 shots
18 shots
32 shots
2 shots
42 shots
56 shots
90 shots
8 shots
82 shots
126 shots
221 shots
14 shots
294 shots
386 shots
618 shots
55 shots
×
2304 1728 pixels
(SXGA)
Normal
Economy
TIFF
×
1600 1200 pixels
×
×
×
1280
640
960 pixels
480 pixels
240 pixels
×
640 480
Fine
Movies ............................ 320
(VGA)
Normal
Economy
TIFF
900KB
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262
APPENDIX
×
• Movies (320 240 pixels)
Approximate Focus Range (from lens surface)
Normal ............................. 40cm to ∞ (1.3´ to ∞)
Macro .............................. Approximately 10cm to 50cm
(3.9˝ to 19.7˝) at wide angle
Data Size
300KB/second max.
*
*
Based on Matsushita Electric Industrial Co., Ltd. products. Capacity
depends on card manufacturer.
To determine the number of images that can be stored on a memory card of a
Approximately 40cm to 50cm
(15.6˝ to 19.7˝) at telephoto
different capacity, multiply the capacities in the table by the appropriate value.
Exposure Control
Light Metering ................. Multi-pattern by CCD
Exposure ......................... Program AE, Aperture priority AE,
Shutter speed priority AE, Manual
exposure
Delete .................................. Single-file, all files (with protection)
Effective Pixels .................. 7.2 million
Imaging Element................ 1/1.8-inch square pixel color CCD
Exposure Compensation ..... –2EV to +2EV (1/3EV units)
(Total pixels: 7.41 million)
Shutter ................................ CCD electronic shutter; mechanical
shutter,
Lens/Focal Distance ......... Eight lenses in seven groups, including
an aspherical lens
Snapshot mode, BESTSHOT mode :
1/8 to 1/2000 second
Aperture Priority AE mode : 1 to
F2.8 (W) to 4 (T); f=7.1 (W) to 28.4mm
(T) (equivalent to approximately 33
(W) to 132 (T) for 35mm film)
1/2000 second
Shutter Speed Priority AE mode,
Manual Exposure mode : BULB, 60 to
1/2000 second
• Shutter speed is different for the
following BESTSHOT scenes.
Night Scene: 4 to 1/2000 second
Fireworks: BULB, 60 to 1/2000
second
Zoom ................................... 4X optical zoom; 4X digital zoom
(16X in combination with optical zoom)
Focusing ............................. Combination phase differential sensor
and contrast Auto Focus (AF) mode
(AF Area: Spot, Multi, or Free); Macro
mode; Infinity mode; Manual Focus;
focus lock
Aperture .............................. F2.8, 3.2, 3.5, 4.0, 4.5, 5.0, 5.6, 6.3,
7.1, 8.0
• Using optical zoom causes the
aperture to change.
• An aperture setting from F2.8 to 5.6
is possible in the Snapshot mode
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263
APPENDIX
White Balance .................... Automatic, fixed (7 modes), manual
Monitor Screen .................. 2.0-inch TFT color LCD
×
switching
115,200 pixels (480 240)
Sensitivity........................... Auto, ISO 80, ISO 160, ISO 320, ISO
Viewfinder .......................... Monitor screen and optical viewfinder
640
Timekeeping Functions .... Built-in digital quartz clock
Date and Time ................ Recorded with image data
Auto Calendar ................. To 2049
Self-timer ............................ 10 seconds, 2 seconds, Triple Self-
timer, Remote controller, Remote
controller and 2-second Self-timer
World Time ...................... City; Date; Time; Summer time;
162 cities in 32 time zones
Built-in Flash
Flash Modes.................... AUTO, ON, OFF, Red eye reduction
Flash Range .................... Wide Angle Optical Zoom: 0.4 to 3.6
meters (1.3´ to 11.8´)
Input/Output Terminals .... AC adaptor connector (DC IN); USB /
AV port (Special mini port, NTSC/
PAL); External flash sync terminal
Telephoto Optical Zoom: 0.4 to 2.5
meters (1.3´ to 8.2´)
(ISO Sensitivity: “Auto”)
Microphone ........................ Monaural
Speaker ............................... Monaural
Recording Functions ........ Audio snapshot; Macro; self-timer;
Aperture priority AE; Shutter speed
priority AE; Manual exposure;
BESTSHOT; Continuous shutter; Auto
Bracketing; Movie with audio; voice
recording
* Audio recording is monaural.
Audio Recording Time
Audio Snapshot............... Approximately 30 seconds maximum
per image
Voice Recording.............. Approximately 38 minutes with built-in
memory
After Recording ............... Approximately 30 seconds maximum
per image
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264
APPENDIX
*2 Continuous Recording Conditions
I Power Requirements
•
•
•
•
Temperature: 23°C (73°F)
Monitor screen: On
Flash: Off
Image recorded every 15 seconds, alternating full wide-angle and full
telephoto zoom
Power Requirements ........ Rechargeable lithium ion battery
×
(NP-40)
AC adaptor (AD-C40)
1
Approximate Battery Life:
*3 Continuous Snapshot Playback Conditions
The values below indicate the amount of time under the conditions defined
below, until power automatically turns off due to battery failure. They do not
guarantee that you will be able to achieve this level of operation. Low
temperatures shorten battery life.
•
•
Temperature: 23°C (73°F)
Scroll one image about every 10 seconds
*4 Voice recording times are based on continuous recording.
Power Consumption ......... 4.5V DC Approximately 5.5W
Operation
Number of Shots (CIPA Standard)*1
(Operating Time)
Number of Shots, Continuous Recording*2
Approximate Battery Life
200 shots (100 minutes)
×
×
Dimensions ........................ 97.5(W) 67.5(H) 45.1(D) mm
×
×
(3.8˝(W) 2.7˝(H) 1.8˝(D))
(excluding projections; 26.1mm (1.0˝)
at thinnest part)
440 shots (110 minutes)
(Operating Time)
Continuous Snapshot Playback*3
Continuous Voice Recording*4
220 minutes
210 minutes
Weight ................................. Approximately 225 g (7.9 oz)
(excluding battery and accessories)
Supported Battery: NP-40 (Rated Capacitance: 1230mAh)
Storage Medium: SD Memory Card
Bundled Accessories........ Rechargeable lithium ion battery (NP-
40); Rapid charger (BC-30L); Card
Remote Controller (WR-4C); lithium
battery (CR2025); AC power cord;
*1 Number of Shots (CIPA Standard)
•
•
•
Temperature: 23°C (73°F)
Monitor Screen: On
Zoom operation between full wide to full telephoto every 30 seconds,
during which two images are recorded, one image with flash; power
turned off and back on every time 10 images are recorded.
USB cable; AV cable; Strap; CD-ROM;
Basic Reference
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265
APPENDIX
I Rechargeable Lithium Ion Battery (NP-40)
Rated Voltage .................... 3.7 V
I Rapid Carger (BC-30L) : Plug-in Type
Power Requirement .......... 100 to 240V AC, 0.13A, 50/60Hz
Output ................................. 4.2V DC, 900 mA
Rated Capacitance ............ 1230 mAh
Charging Temperature ..... 5°C to 35°C (41°F to 95°F)
Chargeable Battery type... Rechargeable lithium ion battery (NP-40)
Full Charge Times ............. Approximately 2 hours
Operating Temperature
Range .................................. 0°C to 40°C (32°F to 104°F)
×
×
Dimensions ........................ 38.5(W) 38.0(H) 9.3(D) mm
×
×
(1.5˝(W) 1.5˝(H) 0.37˝(D))
×
×
Dimensions ........................ 80 (W) 55 (H) 25 (D) mm
Weight ................................. Approximately 34 g (1.20 oz)
×
×
(3.1˝(W) 2.2˝(H) 0.98˝(D))
(excluding projections)
Weight ................................. Approximately 63 g (2.2 oz)
I Rapid Charger (BC-30L) : Power Cord Type
Power Requirement .......... 100 to 240V AC, 0.13A, 50/60Hz
Output ................................. 4.2V DC, 900 mA
Charging Temperature ..... 5°C to 35°C (41°F to 95°F)
Chargeable Battery type... Rechargeable lithium ion battery (NP-40)
Full Charge Times ............. Approximately 2 hours
×
×
Dimensions ........................ 80 (W) 55 (H) 30 (D) mm
×
×
(3.1˝(W) 2.2˝(H) 1.2˝(D))
(excluding projections)
Weight ................................. Approximately 60 g (2.1 oz)
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266
APPENDIX
Power Supply
I Card Remote Controller (WR-4C)
• Use only the special NP-40 rechargeable lithium ion battery to power this
camera. Use of any other type of battery is not supported.
• This camera does not have a separate battery for the clock. The date and
time settings of the camera are cleared whenever power is totally cut off
(from both the battery and AC adaptor). Be sure to reconfigure these
settings after power is interrupted (page 54).
×
Power Requirements ........ Lithium battery (CR2025)
1
Approximate Battery Life ... 20,000 button operations
• One button operation is defined as
depressing a button for one second,
and then releasing it for one second.
LCD Panel
Operating Temperature .... 0°C to 40°C (32°F to 104 °F)
• The LCD panel is a product of the latest LCD manufacturing technology that
provides a pixel yield of 99.99%. This means that less than 0.01% of the
total pixels are defective (they do not turn on or always remain turned on).
×
×
Dimensions ........................ 35.0 (W) 56.6 (H) 6.5 (D) mm
×
×
(1.38˝ (W) 2.23˝ (H) 0.26˝ (D))
Lens
•
Weight ................................. Approximately 11 g (0.39 oz)
You may sometimes notice some distortion in certain types of images, such
as a slight bend in lines that should be straight. This is due to the
characteristics of lens, and does not indicate malfunction of the camera.
(including battery)
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267
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