Canon Camcorder XH A1S User Manual

switches (

Lens hood ( 22)

Lens hood locking screw (

switches ( 51)

52)

(card/tape) switch (

114)

VIDEO 2 terminal (

81)

22)

HD/SD SDI terminal* (

79)

46)

MIC (external microphone) terminal (

switches ( 50)

only.

GENLOCK terminal* (

CH1 input terminal (

CH2 input terminal (

50)

TIME CODE terminal* (

49)

Cassette compartment (

TIME CODE switch* (

25)

46)

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Front view

Back view

External microphone holder (

50)

Dioptric ad ustment lever (

19)

Tally lamp (

External sensor for the Instant AF (

Grip belt ( 22)

Attachment sockets for the optional TA-100 Tripod

Adapter ( 148) or the supplied tripod adapter base

Microphone lock screw ( 21)

102)

VIEWFINDER COMPONENT OUT terminal (

terminal

80)

37)

A/V1 terminal (

HDV indicator

79)

HDV/DV terminal (

81, 86 , 88)

(headphones) terminal

Remote sensor (

Tripod socket

Viewfinder (

24, 111)

HD/SD COMPONENT OUT terminal (

80)

START/STOP button (

Memory card slot (

30)

26)

19)

OPEN (open the battery co

CARD access indicator (

mpartment) switch (

11 4)

16)

Battery attachment unit (

BATT. RELEASE latch (

16)

Battery/memory card compartment (

16)

Using tripods

Do not use tripods with mounting screws longer than 5.5 mm (0.2 in.) as this may cause damage to the camcorder. To use tripods featuring

3/8" mounting screws, attach first the supplied tripod adapter base and attach the tripod to the adapter base.

About the

(LANC) stands for Local Application Control Bus System. The

only devices with the mark to the terminal.

Operation cannot be guaranteed for connections with devices not bearing the

Terminal

terminal allows you to connect and control connected devices. Connect

mark.

Some buttons of connected devices may not operate or may operate differently than the buttons on the camcorder.

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Top view

(pause) button (

DRIVE MODE button (

(stop) button ( 107) /

(metering mode) button (

(rewind) button ( 107) /

107) /

PHOTO button (

Zoom speed adjustment dial (

RESET button

114)/MAGN. button (

39)

117)

118)

Speaker (

MIC ATT. switch (

WHITE BAL. PRESET switch (

END SEARCH button ( 34)

108)

51)

– button (

120)

107) /

120)

(fast forward) button (

+ button ( 120)

65)

(play) button (

SLIDESHOW button (

Strap mount (

Microphone (

Strap mount (

Hot shoe (

22)

49)

22)

107) /

REC (record) button (

START/STOP button (

86)

30)

119)

Handle zoom lever (

PHOTO button (

114)/MAGN. button (

LOCK switch (

OPEN/EJECT

Grip zoom lever (

switch (

LCD panel (

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WL-D5000 Wireless Controller

PHOTO button (

START/STOP button (

MENU button ( 27)

TV SCREEN button (

SLIDESHOW button (

DATA CODE button (

INDEX WRITE button (

114)

REMOTE SET button (

111)

30)

74)

120)

110)

74)

AV DV button (

Zoom buttons (

87)

Menu selection buttons (

SET button (

CARD – button (

CARD + button (

120)

AUDIO MONITOR button (

END SEARCH button (

SEARCH SELECT button (

83)

MIX BALANCE buttons (

83)

109 , 110)

107)

34)

PLAY

buttons (

button (

109 , 110)

REC PAUSE button (

REW button (

ZERO SET MEMORY button (

button ( 107)

PAUSE button (

86)

107)

button (

107)

button (

109)

STOP

button (

SLOW

107)

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Preparations

Preparing the Power Supply

Charging the Battery Pack

Disconnect the DC coupler from the compact power adapter before charging. Remove the terminal

cover of the battery pack.

1. Connect the power cord to the compact

power adapter.

2. Plug the power cord into a power outlet.

3. Attach the battery pack to the compact

power adapter.

• Press lightly and slide the battery pack in the

direction of the arrow until it clicks.

• The charge indicator starts flashing. The indicator

will stay on when the charging is completed.

4. When the charging is completed, remove

Charge indicator

the battery pack from the compact power

adapter.

5. Unplug the power cord from the power outlet and disconnect it from the compact

power adapter.

Attaching the Battery Pack

1. Turn the

dial to OFF.

2. Push the OPEN switch in the direction of

the arrow to open the battery compartment

cover.

3. Insert the battery all the way into the

compartment and press gently until it

clicks.

4. Close the battery compartment cover.

To Remove the Battery

1. Turn the

dial to OFF.

2. Push the OPEN switch in the direction of

the arrow to open the battery compartment cover.

3. Press the BATT.RELEASE latch left and pull out the battery.

4. Close the battery compartment cover.

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Using a Household Power Outlet

1. Turn the

dial to OFF.

2. Attach the DC coupler to the camcorder.

Open the battery compartment cover and slide the

DC coupler all the way into the compartment and

press gently until it clicks.

3. Connect the power cord to the power

adapter.

4. Plug the power cord into a power outlet.

5. Connect the DC coupler to the adapter.

6. Pass the cable through the special slot

and close battery compartment cover.

7. Detach the DC coupler after use.

Open the battery compartment cover, press the

BATT.RELEASE latch left and pull out the DC

coupler.

About the Built-in Rechargeable Lithium Battery

This camcorder has a built-in rechargeable lithium battery to retain the date, time and other settings.

The built-in battery is recharged every time you use the camcorder. However, when you use the

camcorder for only short periods or do not use it for a period of over 3 months, it will discharge

completely. In that case, recharge the built-in battery by powering the camcorder from a power outlet

and leaving it with the

dial set to OFF for at least 24 hours.

Disconnect the DC coupler from the compact power adapter when charging a battery pack.

Turn off the camcorder before connecting or disconnecting the compact power adapter.

If the compact power adapter is used close to a TV, it may cause picture interference. Move the

compact power adapter away from the TV or the antenna cable.

Do not connect to the compact power adapter any products not expressly recommended for use

with this camcorder.

If you connect a faulty compact power adapter or battery pack, the charge indicator turns off and

charging will stop.

The charge indicator serves also as an indication about the charge status.

0-50%:

50-75%:

Flashes once per second

Flashes twice per second

More than 75%: Flashes 3 times per second

100%: Continuously on

We recommend charging the battery pack in temperatures between 10 °C and 30 °C (50 °F and

86 °F). The charging time will vary depending on the surrounding temperature and the battery’s

initial charge condition.

In cold places the effective usage time of the battery will decrease.

We recommend that you prepare battery packs 2 to 3 times longer than you think you might need.

To conserve battery power, turn off the camcorder instead of leaving it in record pause mode.

USA and Canada only: The Lithium ion/polymer battery that powers the product is

recyclable. Please call 1-800-8-BATTERY for information on how to recycle this

battery.

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Charging, Recording and Playback Times

The following times are approximate and vary according to the charging, recording and playback

conditions.

Battery Pack

BP-930

BP-945

BP-950G

BP-970G

Charging Time with the CA-920 Compact Power Adapter

145 min.

220 min.

235 min.

320 min.

Recording and Playback Times

BP-930

150 min.

145 min.

140 min.

90 min.

85 min.

160 min.

BP-930

165 min.

160 min.

155 min.

95 min.

90 min.

175 min.

BP-945

220 min.

215 min.

210 min.

135 min.

130 min.

125 min.

240 min.

BP-945

245 min.

240 min.

230 min.

145 min.

140 min.

265 min.

BP-950G

315 min.

305 min.

295 min.

190 min.

185 min.

175 min.

335 min.

BP-950G

345 min.

340 min.

335 min.

325 min.

205 min.

200 min.

195 min.

370 min.

BP-970G

430 min.

420 min.

260 min.

255 min.

245 min.

475 min.

BP-970G

490 min.

485 min.

475 min.

460 min.

295 min.

275 min.

280 min.

530 min.

HDV

Maximum Recording Time

Typical Recording Time*

Playback Time

Viewfinder [NORMAL]

Viewfinder [BRIGHT]

LCD screen [NORMAL]

LCD screen [BRIGHT]

Viewfinder [NORMAL]

Viewfinder [BRIGHT]

LCD screen [NORMAL]

LCD screen [BRIGHT]

LCD screen [NORMAL]

Recording and Playback Times

Maximum Recording Time

Typical Recording Time*

Playback Time

Viewfinder [NORMAL]

Viewfinder [BRIGHT]

LCD screen [NORMAL]

LCD screen [BRIGHT]

Viewfinder [NORMAL]

Viewfinder [BRIGHT]

LCD screen [NORMAL]

LCD screen [BRIGHT]

LCD screen [NORMAL]

Recording and Playback Times

BP-930

155 min.

150 min.

145 min.

95 min.

BP-945

230 min.

225 min.

215 min.

140 min.

135 min.

250 min.

BP-945

255 min.

245 min.

240 min.

155 min.

150 min.

145 min.

275 min.

BP-950G

325 min.

315 min.

305 min.

200 min.

195 min.

190 min.

350 min.

BP-950G

360 min.

355 min.

350 min.

335 min.

225 min.

220 min.

215 min.

205 min.

390 min.

BP-970G

465 min.

460 min.

445 min.

430 min.

285 min.

275 min.

260 min.

505 min.

BP-970G

515 min.

510 min.

495 min.

485 min.

315 min.

305 min.

295 min.

565 min.

HDV

Maximum Recording Time

Viewfinder [NORMAL]

Viewfinder [BRIGHT]

LCD screen [NORMAL]

LCD screen [BRIGHT]

Viewfinder [NORMAL]

Viewfinder [BRIGHT]

LCD screen [NORMAL]

LCD screen [BRIGHT]

LCD screen [NORMAL]

Typical Recording Time*

Playback Time

95 min.

90 min.

165 min.

BP-930

170 min.

165 min.

160 min.

105 min.

100 min.

95 min.

Recording and Playback Times

Maximum Recording Time

Typical Recording Time*

Playback Time

Viewfinder [NORMAL]

Viewfinder [BRIGHT]

LCD screen [NORMAL]

LCD screen [BRIGHT]

Viewfinder [NORMAL]

Viewfinder [BRIGHT]

LCD screen [NORMAL]

LCD screen [BRIGHT]

LCD screen [NORMAL]

185 min.

* Approximate times for recording with repeated operations such as start/stop, zooming, power on/off.

Actual time may be shorter.

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Preparing the Camcorder

Attaching and Detaching the Eye Cup

Attaching the Eye Cup

Attach the eye cup so that it covers the rubber portion of viewfinder unit.

• The dioptric adjustment lever can be operated even with the eye cup attached.

• For left eye use, attach the eye cup so that the protruding portion faces the opposite side.

Viewfinder

unit

Detaching the Eye Cup

Detach the eye cup as shown in the

illustration.

Dioptric Adjustment

Turn on the camcorder and adjust the

dioptric adjustment lever.

Do not let the viewfinder be exposed to direct sunlight or other strong light sources. The viewfinder

LCD may become damaged due to concentration of the light by the lens. Pay special attention when

mounting the camcorder on a tripod, or during its transportation.

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Using the LCD Display

1. Slide the

OPEN switch in the direction

of the arrow to unlock the LCD panel.

2. Pull out the LCD panel.

3. Rotate the LCD panel and adjust it to the

desired position.

You can change the LCD display to black & white ( 21).

By default, the viewfinder display is turned off while you use the LCD panel. However, you can

change the settings to be able to use both displays simultaneously ( 21).

Adjusting the Viewfinder/LCD Display

You can adjust the brightness, contrast, color, sharpness and backlight* of the viewfinder/LCD display.

These adjustments will not affect your recording.

* The default value is [BRIGHT] while using the power adapter.

DISPLAY SETUP/

CVF SETUP

LCD SETUP

BRIGHTNESS•••0

CONTRAST•••••0

COLOR••••••••0

SHARPNESS••••2

BACKLIGHT••••NORMAL

1. Press the MENU button.

2. Turn the SELECT/SET dial to select [DISPLAY SETUP/ ] and press the dial.

3. Select [CVF SETUP] (to adjust the viewfinder) or [LCD SETUP] (to adjust the LCD

display), and then select [BRIGHTNESS], [CONTRAST], [COLOR], [SHARPNESS] or

[BACKLIGHT].

4. Adjust the setting with the SELECT/SET dial and press the dial.

After the adjustment you will return to the previous submenu. Change additional settings in the same way

as necessary.

5. Press the MENU button to close the menu.

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Using the Viewfinder and the LCD Display Simultaneously

By default, the viewfinder display is turned off while you use the LCD display. Follow the procedure

below to use both of them simultaneously.

DISPLAY SETUP/

CVF+LCD ON•••OFF

1. Press the MENU button.

2. Turn the SELECT/SET dial to select [DISPLAY SETUP/ ] and press the dial.

3. Select [CVF+LCD ON], set it to [ON] and press the dial.

4. Press the MENU button to close the menu.

Changing the Viewfinder and the LCD Display to Black & White Display

The LCD display and the viewfinder are both color displays. Follow the procedure below to turn both of

them to black & white display mode.

DISPLAY SETUP/

CVF+LCD BW•••OFF

1. Press the MENU button.

2. Turn the SELECT/SET dial to select [DISPLAY SETUP/ ] and press the dial.

3. Select [CVF+LCD BW], set it to [ON] and press the dial.

4. Press the MENU button to close the menu.

Attaching an External Microphone

1. Loosen the microphone lock screw on the

viewfinder unit, open the microphone

holder and insert the microphone.

2. Tighten the lock screw.

3. Plug the microphone cable to the

camcorder’s XLR terminal or MIC terminal.

MIC terminal

The microphone must have a diameter of 25 mm or less.

To use an external microphone with a diameter too small for the microphone holder to close

securely, attach first the supplied adjustment band to the microphone holder and then insert the

microphone.

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Fastening the Grip Belt

Adjust the grip belt so that you can reach the

zoom lever with your index and middle finger,

and the START/STOP button with your thumb.

Attaching the Shoulder Strap

Pass the ends through the strap mount and

adjust the length of the strap.

Be careful not to drop the camcorder when adjusting the strap or the grip belt.

Attaching the Lens Hood

Attach the lens hood to protect the lens and shade it from stray light.

1. Place the lens hood on the front of the lens

so that the window for the external Instant

AF sensor faces down and turn it 90

degrees clockwise.

• Be careful not to deform the lens hood.

• Make sure that the lens hood is aligned with the

thread.

2. Tighten the locking screw.

Window for Instant AF

sensor

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Opening and Closing the Terminal Covers

Open the covers for the following terminals in order to access them.

HD/SD SDI terminal*

GENLOCK terminal*

HD/SD COMPONENT OUT terminal

A/V1 and terminals

TIME CODE terminal*

VIEWFINDER COMPONENT OUT terminal

HDV/DV and (headphones) terminals

VIDEO 2 terminal

only.

Opening the Terminal Covers

1. Open the terminal cover and pull it out.

2. Grasp the strip connecting the cover to

the camcorder and pull.

This step is not necessary for the HD/SD SDI

terminal and VIDEO 2 terminal.

Closing the Terminal Covers

Insert into the opening the strip connecting

the cover to the camcorder and close the

terminal.

If the connecting strip is difficult to grasp, use a pair of tweezers or similar tool.

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Using the Wireless Controller

When you press the buttons on the wireless

controller, point it at the camcorder’s remote

sensor.

Inserting the Batteries

The wireless controller operates with two AA (R6)

batteries.

1. Open the battery cover.

2. Insert the batteries following the + and –

markings.

3. Close the battery cover.

The camcorder and wireless controller are equipped with 2 remote sensor modes ( 111). If the

wireless controller does not work, verify that the camcorder and wireless controller are set to the

same mode.

When the camcorder cannot be operated with the wireless controller, or when it can only be

operated at very close range, replace the batteries. Make sure to replace both batteries at the

same time.

The wireless controller may not work properly when the remote sensor is located under strong

light sources or direct sunlight.

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Loading/Removing a Cassette

Use only videocassettes marked with the

videocassettes designed for HDV recording.

logo. For recording in HDV we recommend you use

1. Slide the OPEN/EJECT

switch to open

the cassette compartment cover.

The cassette compartment opens automatically.

2. Load/remove the cassette.

• Insert the cassette straight, fully into the

compartment with the window facing out.

• Remove the cassette by pulling it straight out.

3. Close the cassette compartment by

pressing on the

mark on the cover.

The cassette compartment will retract automatically.

4. Close the cassette compartment cover.

Do not interfere with the cassette compartment while it is opening or closing automatically.

Be careful not to get your fingers caught in the cassette compartment.

If the camcorder is connected to a power source, cassettes can be loaded/removed even if the

dial is set to OFF.

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Inserting/Removing a Memory Card

You can use only

SDHC (SD High Capacity) memory cards,

SD memory cards or MultiMedia

Cards (MMC) with this camcorder.

Inserting the Card

1. Set the

dial to OFF.

2. Push the OPEN switch in the direction of

the arrow to open the battery/memory card

compartment cover.

3. Insert the memory card straight, all the way

into the memory card slot.

4. Close the compartment.

Do not force the cover closed if the card is not

correctly inserted.

Removing the Card

Do not forcefully remove the memory card without first pushing it in to release it.

1. Make sure that the CARD access indicator

CARD access

indicator

is not flashing and set the

OFF.

dial to

2. Push the OPEN switch in the direction of

the arrow to open the battery/memory card

compartment cover.

3. Push the memory card once to release it

and then remove the memory card.

4. Close the compartment.

If you use memory cards other than the supplied one, make sure to initialize them with the

camcorder ( 124).

Turn off the camcorder before inserting or removing the memory card. Inserting/removing the

memory card with the camcorder on may result in permanent data loss.

SDHC and SD memory cards have a write-protect switch to prevent their accidental erasure.

When this switch is set to the LOCK position, images cannot be recorded on or deleted from the

memory card.

Proper operation cannot be guaranteed for all memory cards.

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Changing Settings with the MENU Button

Many of the camcorder’s functions can be changed from the on-screen menu.

Selecting Menus and Settings

1. Press the MENU button to open the

menu.

2. Turn the SELECT/SET dial to select a

submenu and press the dial.

3. Turn the SELECT/SET dial to select a

menu item and press the dial.

4. Turn the SELECT/SET dial to select a

setting option and press the dial.

5. Press the MENU button to close the

menu.

MENU button

SELECT/SET

dial

The

and

icons displayed at the bottom of the screen will give you additional

indications about the function of these controls in specific situations.

You may find it more convenient to use the wireless controller to operate the menu. Press the

MENU button on the wireless controller to open or close the menu. Use the menu selection

buttons

of the wireless controller instead of the SELECT/SET dial, and press the SET button

on the wireless controller to save the settings or make a selection.

Unavailable items will appear grayed out.

Pressing the MENU button at any time closes the menu.

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Language and Date/Time Settings

Changing the Display Language

The default language for displays and menu items is English. The language can be changed to German,

Spanish, French, Italian, Polish, Russian, simplified Chinese or Japanese.

DISPLAY SETUP/

LANGUAGE

•••ENGLISH

To change the display language, open the menu and select [DISPLAY SETUP/ ]. Select

[LANGUAGE ], select a language and close the menu.

If you have mistakenly changed the language, follow the

mark next to the menu item to change

the setting.

The displays

and

at the bottom of the screen refer to the names of buttons on the

camcorder and will not change regardless of the language selected.

Setting the Time Zone/Daylight Saving Time

Set the time zone, date and time when you first start using your camcorder, or if the built-in

rechargeable battery has discharged completely.

SYSTEM SETUP/

D/TIME SET

T.ZONE/DST•••NEW YORK

1. Press the MENU button.

2. Turn the SELECT/SET dial to select [SYSTEM SETUP/

3. Select [D/TIME SET

] and press the dial.

] and then select [T.ZONE/DST] and press the dial.

The time zone setting appears. The default setting is New York.

4. Turn the SELECT/SET dial to select the setting option that matches your time zone

and press the dial.

To adjust for daylight saving time, select the time zone marked with a

Setting the Date and Time

DATE/TIME••• JAN.1,2008

12:00 AM

SYSTEM SETUP/

D/TIME SET

5. Select [DATE/TIME] and press the dial.

The year display starts flashing.

6. Turn the SELECT/SET dial to select the year, and press the dial.

• The month starts flashing.

• Set the rest of the date and time in the same way.

7. Press the MENU button to close the menu and start the clock.

If you do not use the camcorder for a period of approximately 3 months, the built-in rechargeable

battery will discharge completely and the date and time settings will be lost. In that case, recharge

the built-in battery ( 17) and set the time zone, date and time again.

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Displaying the Date and Time while Recording

You can display the date and time in the lower left corner of the screen.

DISPLAY SETUP/

GUIDE INFO•••OFF

Open the menu and select [DISPLAY SETUP/ ]. Select [GUIDE INFO], set it to

[D/T DISPLAY] and close the menu.

Changing the Date Format

You can select between three date formats: [JAN. 1, 2008], [1. JAN. 2008] and [2008. 1. 1].

SYSTEM SETUP/

D/TIME SET

DATE FORMAT •• JAN. 1,2008

Open the menu and select [SYSTEM SETUP/

]. Select the [D/TIME SET

] submenu

and then select [DATE FORMAT]. Select a date format and close the menu.

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Recording

Before You Begin Recording

Make a test recording first to check if the camcorder operates correctly. If necessary, clean the video heads ( 143).

The default recording standard is HDV. About the audio recording, refer to the relevant chapter ( 49).

Recording

1. Remove the lens cap.

switch

2. Move the

(card/tape) switch to

3. Press the lock button and set the

dial to a recording program.

4. Press the START/STOP button to begin

recording.

• The tally lamp lights up and the recording

indicator

appears on the screen.

• Press the START/STOP button again to pause

recording.

Tally lamp

When You Have Finished Recording

1. Set the

dial to OFF.

2. Replace the lens cap.

3. Remove the cassette.

4. Disconnect the power source.

The end search, date search and index search functions may not work correctly if you mix recordings

in HDV and DV standards on the same tape. We recommend not mixing recordings in different

standards on the same tape.

After inserting a cassette, wait until the tape counter stops completely before you start recording.

Turn the

dial to OFF if you do not intend to use the camcorder for a long time.

If you do not remove the cassette, you can record the next scene without any noise or blank

sections between recordings even if you turn the camcorder off.

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Low-angle Recording

The carrying handle is equipped with a duplicate set

of recording and zoom controls, ideal for low-angle

recording. Slide the LOCK switch in the direction of

Zoom lever

the arrow

to prevent the accidental operation of

these controls.

LOCK switch

Power Saving Mechanisms

Power Save Function

In order to protect the tape and video heads, the camcorder will enter the power save mode (VCR stop) after

4 minutes 30 seconds (in low temperatures, this may be 3 minutes) in record pause mode. If left 30 more

seconds without any operation, the camcorder will automatically shut off (when a battery pack is being

used). Turn off the power save function with [SYSTEM SETUP/

]

[POWER SAVE] setting ( 130) if you

wish to make adjustments without worrying about losing your settings as a result of the automatic shut-off.

Once the camcorder entered the power save mode, press the START/STOP button to start recording or

press one of the custom keys ( 73) to which the [VCR STOP] function was assigned, to return to record

pause mode. If the camcorder automatically shut off (after 5 minutes), turn the

back to one of the recording programs.

dial to OFF and then

VCR Stop Function

You can assign the [VCR STOP] function to either custom key ( 73). In VCR stop mode the camcorder is

only partially turned off: The camera section is powered normally while the recorder section is shut off. When

you press the assigned custom key, you can make adjustments to the camera section as long as necessary

without worrying about the 5-minute shut-off timer of the power save function. To return to record pause

mode, press the assigned custom key again.

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Screen Displays while Recording

Time code

You can select between drop frame or non-drop frame time

code ( 44).

Remaining tape

Indicates the remaining time on the tape in minutes.

“

END” will appear when the tape reaches the end.

•When the time left is less than 15 seconds, the remaining tape

time may not appear.

•Depending on the type of tape, the remaining time displayed may

not be accurate. In any case, you will be able to record on the tape

the number of minutes that appears on the cassette’s label (for

example, 85 minutes).

Remaining battery charge

Selecting the On-Screen Displays

You can select the amount of information shown on

the screen from full, partial or no display. Repeatedly

pressing the DISP. button will cycle through the

options in the following sequence.

Level 1 : All screen displays

Level 2: Customized displays ( 103), date/time

Level 3 : Markers, safety zone guides, date/time

Level 4: No displays

¹This level cannot be selected if [SYSTEM SETUP/

²If [DISPLAY SETUP/

[GUIDE INFO] is set to [D/T DISPLAY], the date and time will be displayed; if it is

]

[ALL DISPLAY] is set to [DISABLE].

]

set to [CUSTOM KEYS], the functions currently assigned to the custom keys will be displayed instead.

³This level cannot be selected if [DISPLAY SETUP/

all set [OFF].

]

[MARKERS], [SAFETY ZONE] and [GUIDE INFO] are

The camcorder’s on-screen displays will also appear on a connected external TV or monitor.

Reviewing the Recording

In record pause mode, this function allows you to review

the last few seconds of your recording.

Press and release the

button.

(record review)

The camcorder rewinds the tape, plays back the last few

seconds, and returns to record pause mode.

If the current video signal standard is different from the signal standard in which the tape was

recorded, the recording will not be played back correctly.

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Selecting the Signal Standard and Aspect

Ratio

You can select the signal standard of your recording (high definition or standard definition) and, for

standard definition recordings, also the aspect ratio of the recording. Since the displays on the

camcorder have an aspect ratio of 16:9, when you select [SD4:3] the picture will appear in the center of

the screen with black sidebars.

Open the menu and select [SIGNAL SETUP]. Select [SIGNAL STD], select a setting

option and select [YES] to confirm the selection and close the menu.

• [HD]: To record on the tape in HDV standard or to use the camcorder as a high-definition (HD) camera.

• [SD16:9], [SD4:3]: To record on the tape in DV standard or to use the camcorder as a standard-definition

(SD) camera. Select the aspect ratio as desired.

When you play back 16:9 recordings, the TV set will switch automatically to widescreen mode if it

is compatible with the Video ID-1 system. Otherwise, change the aspect ratio of the TV manually.

To play back on a standard TV set with 4:3 aspect ratio, set [SIGNAL SETUP] [LETTERBOX] to

[ON] ( 126).

Locating the End of the Last Scene

You can use this function to locate the end of the last recorded scene.

Press the END SEARCH button.

•

appears.

• The camcorder rewinds/fast forwards the tape, plays

back the last few seconds of the recording and stops

the tape.

• Pressing the button again cancels the search.

END

SEARCH button

The end search function cannot be used once you remove the cassette.

The end search function may not work correctly if there is a blank section between recordings or if

you mixed recordings in HDV and DV standards on the same tape.

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Zooming

You can operate the zoom using the zoom lever on the side grip or the one on the carrying handle. You

can also use the zoom ring on the lens or the zoom buttons on the wireless controller. With the

customized functions ( 97) you can change the direction and response sensitivity of adjustment when

the zoom ring is used, change the zoom speed and select the zoom indicator (graphic or numeric).

Zoom lever

Zoom buttons

Zoom ring

Zoom lever

Zoom speed adjustment dial

ZOOM SPEED switch

Move the zoom lever toward W to zoom out (wide-angle). Move it toward T to zoom in

(telephoto).

Zoom Speed

Zoom lever on the side grip:

When the ZOOM SPEED switch is set to C (constant), the zoom speed will be constant at one of 16 zoom

speed levels (the current zoom speed level will appear next to the zoom indicator). Turn the zoom speed

adjustment dial in the direction of the arrow (FAST

) to select a faster zoom speed level (higher number);

turn it the other way to select a slower zoom speed level (lower number).

When the ZOOM SPEED switch is set to VAR (variable), the zoom speed will depend on how you operate the

zoom lever: press gently for a slower zoom; press harder for faster zooms.

Approximate zoom speeds:

Custom function [ZOOM SPEED] setting

ZOOM SPEED switch

C (constant)

VAR (variable)

Zoom speed level

[SLOW]

5 min.

[NORMAL]

3 min.

[FAST]

Level 1

Level 16

–

1 min.

4.5 sec.

2.5 sec.

1.4 sec.

4.5 sec. to 5 min.

2.5 sec. to 3 min.

1.4 sec. to 1 min.

Default setting when recording movies in

setting is [FAST].

When the zoom speed is too fast (less than 2 seconds end-to-end), the camcorder will have more trouble

focusing automatically while zooming.

Easy Recording mode. When recording still images, the default

Zoom ring: The zoom speed depends on how fast you turn the zoom ring.

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Zoom buttons on the carrying handle: The zoom speed is constant and can be set to one of 16

zoom speed levels. Set the ZOOM SPEED switch to C (constant) and change the zoom speed level as

described previously.

Zoom buttons on the supplied wireless controller: The zoom speed is constant and cannot be

adjusted.

Zoom Preset

This function enables any given zoom position to be memorized. Later, you can return to the preset

zoom position instantly.

Presetting the Zoom

1. Set the POSITION PRESET switch to

ZOOM.

2. Move the POSITION PRESET ON/SET

switch to SET.

The preset zoom position appears in yellow on the

zoom indicator.

Returning to the Preset Zoom Position

Move the POSITION PRESET ON/SET switch to ON.

The camcorder returns to the preset zoom position.

To return to the preset zoom position the camcorder uses the speed set for the constant zoom speed

(when the ZOOM SPEED switch is set to C (constant)).

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Adjusting the Focus

The camcorder can be set to Autofocus or Manual Focus.

Autofocus

The autofocus can be set to Normal AF or Instant AF*. The camcorder has also a Push AF function to

allow for a temporary autofocus while focusing manually.

Manual Focus

With the customized functions ( 97) you can change the direction and response sensitivity of adjustment

when the focus ring is used. To make it easier to focus manually, you can also make use of the Peaking

and Magnifying functions ( 39).

* The Instant AF function can also be used combined with the Push AF function so you can obtain a very fast

initial automatic focus even while focusing manually.

Autofocus

The autofocus is activated when the focus mode

switch is set to AF. The camcorder uses the TTL

autofocus system with a focusing range of 2 cm

(0.8 in.) (at full wide-angle, measured from the front of

the lens barrel) to

The camcorder focuses on the subject in the center

of the screen.

PUSH AF

button

Focus ring

Follow the procedure below to change the autofocus mode.

CAMERA SETUP

AF MODE ••• INSTANT AF

Open the menu and select [CAMERA SETUP]. Select [AF MODE], select a setting option

and close the menu.

[INSTANT AF]: The focus is adjusted at the highest speed. This mode is useful even when recording in very

bright or low-light surroundings. The TTL system and the external sensor are both used for

focusing.

[NORMAL AF]: The autofocus adjustment is made at a stable speed. Only the TTL system is used in this

mode making it appropriate for use also with the optional Wide Converter attached.

Temporary Focus Override

Even while in autofocus mode, turn the focus ring to temporarily focus manually.

The camcorder will return to autofocus as soon as you release the focus ring.

Push AF

During manual focus or Normal AF, press the PUSH AF button and hold it pressed down.

The autofocus (Instant AF) is activated as long as you hold the PUSH AF button pressed down.

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When recording under bright conditions, the camcorder closes down the aperture. When the

aperture value used is too large, the picture may appear blurred. Turn the built-in ND filter on/off

according to the screen display ( 41).

When you attach the optional Wide Converter to the camcorder, set the camcorder to a recording

mode other than

Easy Recording and set the autofocus mode to Normal AF. Also, avoid using

the Push AF function.

In 30F and 24F mode, autofocus takes longer than in 60i mode.

When recording under dark conditions, the focusing range narrows and the picture may appear

blurred.

Autofocus may not work well on the following subjects. In that case, focus manually.

- Reflective surfaces

- Subjects with low contrast or without vertical lines

- Fast moving subjects

- Through dirty or wet windows

- Night scenes

Manual focus

1. Set the focus mode switch to M.

“MF” appears.

2. Zoom in to telephoto.

3. Turn the focus ring to adjust the focus.

With the customized functions ( 97) you can

change the direction and response sensitivity of

adjustment when the focus ring is used.

4. Operate the zoom to reframe the subject.

If you focus manually and then leave the camcorder

with the power turned on, the focus on the subject

may be lost after a while. This possible slight shift in

focus is a result of the internal temperature rising in

the camcorder and lens. Check the focus before

resuming shooting.

Focus mode

switch

Focus ring

Manual focus cannot be selected in

Easy Recording mode. Even if you set the focus mode

switch to M, the autofocus (Instant AF) will still be activated.

The focusing distance to the subject will be displayed for approx. 3 seconds when you switch

from autofocus to manual focus or when you operate the focus ring in manual focus mode. It will

also be displayed with the focus preset. With the custom function [OBJ DST UNIT] ( 97) you can

change the units for the distance display (meters or feet) and with the custom display ( 103) you

can select when to display this information (always, never, or only upon the operation of the focus

ring).

- Use the focusing distance display as an estimate; when the distance reading is not considered

very precise it will be displayed in gray.

: Infinity focus

-: Over infinity focus.

- The correct distance will not be displayed when the optional Wide Converter is attached.

You can simultaneously zoom and focus manually. If the camcorder is in AF mode, the autofocus

will be reactivated when you finish the operation.

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Using the Focus Assist Functions (Peaking and Magnifying)

In order to make manual focusing easier, you can use

two assist functions: Peaking emphasizes the

outlines of the subject creating a clearer contrast, and

Magnifying enlarges the image on the screen. You

can also combine both for greater effect.

With the custom function [F.AST BW-MOD] ( 97)

you can set the display to change automatically to

black & white while using the focus assist functions.

The screen of an external monitor connected to the

VIEWFINDER COMPONENT OUT terminal will show

the exact same picture as displayed on the

camcorder’s viewfinder screen.

Peaking

While recording or in record pause, press the PEAKING button.

•

appears and the outlines of the subject will be emphasized.

• Press the button again to change the Peaking level to

; press once more to cancel the function.

The Peaking function will not affect your recordings.

The gain and frequency of peak levels

and

can be set independently with the

[DISPLAY SETUP/ [PEAKING SETUP] setting.

]

Magnifying

In record pause, press the MAGN. button.

• “MAGN.” appears and the central part of the screen will be magnified approximately 2x.

• Press the button again to cancel the function.

The magnified picture will be output as is to the HD/SD SDI terminal (

only) and the

HDV/DV terminal.

With the custom function [CUSTOM REC] ( 97) you can select to have the magnified picture

recorded on the tape ( mode only) as it is, or to cancel the Magnifying function when you

start recording video or record a still image on the memory card. In

mode, the

Magnifying function will always be canceled when you press the PHOTO button.

You can use the custom keys ( 73) or the [SYSTEM SETUP/

]

[MAGN.B.LOCK] setting to

prevent the accidental operation of the MAGN. button. With the custom function [BUTTONS

OPER.1] ( 97) you can also change the operation of the MAGN. button (normal or long press).

With the custom function [PHOTO BUTTON] ( 97) you can assign the magnifying function also

to the PHOTO/MAGN. buttons.

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Focus Preset

This function enables a focus position to be

memorized. Later, you can return to the preset focus

position instantly. You can also select the speed at

which the camcorder returns to the preset focus

position.

Focus mode

switch

Focus ring

Presetting the Focus

1. Set the focus mode switch to M.

“MF” appears.

2. Set the POSITION PRESET switch to FOCUS.

The focus preset speed currently selected appears.

3. Adjust the focus with the focus ring.

4. Move the POSITION PRESET ON/SET switch to SET.

“MF” and the focus preset speed display turn yellow.

Setting the Focus Preset Speed

CAMERA SETUP

F SPEED PSET

•

Open the menu and select [CAMERA SETUP]. Select [F SPEED PSET], select a setting

option and close the menu.

4 is the fastest speed; 1 is the slowest.

Returning to the Preset Focus position

Move the POSITION PRESET ON/SET switch to ON.

The camcorder returns to the preset focus position.

Focus Limit and Macro Shooting

Usually the camcorder’s focus range allows macro shooting. You can activate the focus limit to restrict

the focus range. The focus range 2 cm -

entire zoom range).

(at full wide-angle) is limited to 1 m -

(throughout the

CAMERA SETUP

FOCUS LIMIT•••OFF

Open the menu and select [CAMERA SETUP]. Select [FOCUS LIMIT], set it to [ON

]

and close the menu.

appears.

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Using the ND Filter

When recording under bright conditions, the

camcorder closes down the aperture. When the

aperture value used is too large, the picture may

appear blurred. Turn the built-in ND filter on/off

according to the screen display.

AGC switch

ND FILTER switch

When using a recording program other than M Manual and if the AGC switch is set to ON, the following

displays appear:

Screen display

No display

What it means

ND filter is not activated

ND filter is activated

ND filter required

What you should do

–

“ND”

“ND

” flashes

Turn on the ND filter

ND “ ” flashes

Higher density setting or external ND filter

required.

Set the ND filter to a higher density setting or

attach an external ND filter to the lens*

ND “

” flashes

Built-in ND filter not required

Turn off the ND filter

“ND” flashes in red

Incorrect setting of the built-in ND filter

Set the ND filter to an appropriate density

* If you have no external ND filter available, use the Tv mode and set a faster shutter speed, or use the Av mode and set

a smaller aperture.

Depending on the scene, the color may change when turning the ND filter on/off. Setting a custom

white balance may be effective in such case ( 66).

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Selecting the Frame Rate

You can select from the following frame rates depending on the recording mode:

60i, 30F, 24F (2:3 pulldown-converted)

60i, 30F, 24F (2:3 pulldown-converted or 2:3:3:2 pulldown-converted)

60i Mode

Records 60 interlaced fields per second, the same as standard-definition TV signals.

30F Mode

Records 30 frames per second according to HDV

native 1080/30p specifications. For playback, the

signal is converted to 60i but video output from the

HDV/DV terminal will be 30p.

30F (camera)

30p (tape)

The picture captured by the camera at 30 frames

60i (playback)

a a b b c c d d e e

f g g h h

per second is converted and recorded on the tape as

60i.

30F (camera)

a a b b c c d d e e

f g g h h

60i (tape/playback)

24F Mode

Records 24 frames per second according to HDV native

1080/24p specifications, creating a true cinematic feel

to the picture.

24F (camera)

24p (tape)

Video output from the HDV/DV terminal will be 24p.

For playback and video output from the HD/SD SDI

terminal ( only) and the HD/SD COMPONENT

60i (playback)

a a b b b c c d d d e e

f g g h h h

OUT terminal, the signal will be down-converted to 60i

using the 2:3 pulldown method.

24F (2:3) Mode

Signals are down-converted to 60i using the 2:3

pulldown method. This 24F mode is suited for

playback on a TV screen but may require the

extension/compression of some frames while editing.

24F (camera)

a a b b b c c d d d e e

f g g h h h

60i

(tape/playback)

24F (2:3:3:2) Mode

Signals are down-converted to 60i using the 2:3:3:2

pulldown method. This 24F mode is ideal for

extracting true 24 frames per second in order to

transfer to film simply by discarding the 3:3 adjacent

frames (bc and fg in the figure).

24F (camera)

a a b b b c c c d d e e

f g g g h h

60i

(tape/playback)

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Selecting the Frame Rate

SIGNAL SETUP

FRAME RATE•••60i

Open the menu and select [SIGNAL SETUP]. Select [FRAME RATE], select a setting

option and select [YES] to confirm the selection and close the menu.

The selected frame rate appears on-screen.

Selecting the 24F Pulldown Mode

CAMERA SETUP

24F MODE SEL•2:3

Open the menu and select [CAMERA SETUP]. Select [24F MODE SEL], select a setting

option and close the menu.

• [2:3]:

“24F” appears in white.

• [2:3:3:2]: “24F” appears in orange.

If you are using an editing system that does not support the 2:3:3:2 pulldown method, make sure

to record in 24F 2:3 pulldown mode.

Video recorded in 24F or 30F can only be played back with compatible devices and can only be

edited with software that supports these frame rates. For software and hardware compatibility

consult the relevant customer support center.

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Setting the Time Code

Selecting the Frame Setting

When recording in a mode other than SD at a frame rate of 24F, you can select between drop frame or

non-drop frame time code.

SIGNAL SETUP

TIME CODE

FRAME SETTNG•DROP

Open the menu and select [SIGNAL SETUP]. Select the [TIME CODE] submenu and then

[FRAME SETTNG]. Select a setting option and close the menu.

When you select the [NON-DROP] setting or when you set the frame rate to 24F in SD mode, “NDF” will

appear on the side panel.

Selecting the Running Mode

You can select the running mode of the camcorder’s time code. You can enter the initial value for the

[FREE-RUN] and the [REC-RUN PS.] settings.

[REC-RUN]:

The time code runs only when recording.

[REC-RUN PS.]: The time code runs only when recording, starting from a preset value.

[FREE-RUN]:

The time code runs regardless of the operation of the camcorder. (Cannot be selected

when recording in standard definition (SD) with the frame rate set to 24F.)

SIGNAL SETUP

TIME CODE

COUNT-UP•••••REC-RUN

1. Open the menu and select [SIGNAL SETUP]. Select the [TIME CODE] submenu and

then [COUNT-UP]. Select a setting option and close the menu.

[REC-RUN]: Close the menu.

[REC-RUN PS.], [FREE-RUN]: Continue the procedure to set the initial value.

2. Select [SET].

The hours display flashes.

3. Set the time code’s initial value.

Turn the SELECT/SET dial to set the value for the hours and press the dial. Set the value for the minutes,

seconds and frames in the same way.

4. Close the menu.

About the time code display

- [REC-RUN]:

The time code will be displayed with an next to it.

- [REC-RUN PS.]:

- [FREE-RUN]:

The time code will be displayed in blue with a next to it.

The time code will be displayed in blue with an next to it.

- External Time Code: The time code will be displayed in blue with an next to it.

- Time Code Hold:

- Playback:

The time code will be displayed with an next to it.

No time code display.

When you select [FREE-RUN], the time code starts to run the moment you press the MENU button

in the middle of the setting, or when you press the SELECT/SET dial after setting the value for

frames (F) in step 3.

To reset the time code to [00:00:00:00], select [RESET] in step 2.

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In SD mode with the frame rate set to 24F, the frames value of the time code can be set only in

multiples of 5. When you change the frame rate from 60i/30F to 24F, the frames value of the time

code will automatically become a multiple of 5.

When you mix drop frame and non-drop frame time codes (including 24F frame rate in SD mode),

there might be a discontinuity in the time code at the point where the recording starts.

When recording over existing scenes: When a time code discontinuity occurred near the recording

start point, the time code at the point where the recording starts may be discontinuous as well.

As long as the built-in rechargeable lithium battery is charged, the free-run time code continues to

run even if you disconnect all other power sources.

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Synchronizing the Camcorder’s Time Code

You can synchronize this camcorder’s time code to an external time code generator. You can also

include in the recording the user bit signal received from the TIME CODE terminal ( 48). The

camcorder offers the following synchronization options.

Genlock

When a reference sync signal (analog blackburst or tri-level signal) is input through the GENLOCK terminal,

the V and H phases of the camcorder’s time code will automatically be synchronized to it.

Time Code IN

Set the TIME CODE switch to IN to start the Time Code IN mode. An external SMPTE-standard LTC timing

signal received from the TIME CODE terminal will be recorded as the time code on the tape. The user bit of

the external timing signal can also be recorded on tape.

Time Code OUT

Set the TIME CODE switch to OUT to start the Time Code OUT mode. The camcorder’s internal time code is

sent out from the TIME CODE terminal as a standard LTC timing signal.

When [SIGNAL SETUP] [SDI OUTPUT] is set to [ON(OSD)] or [ON], the time code signal will be output also

through the HD/SD SDI terminal.

When [SIGNAL SETUP] [UB OUT] is set to [HD 24P 2:3], the user bit of the time code signal will be 2:3

pulldown data (when recording in 24F mode or playing back movies that are HDV 1080/24p). In other words,

when recording in 24F mode or playing back movies that are HDV 1080/24p, the signal is converted to 60i

using the 2:3 pulldown method and output from the HD/SD SDI terminal. An external device can receive the

data used in this conversion (2:3 pulldown data) to convert the signal to 1080/24p specifications.

Genlock

Time Code/User bit IN

Time Code OUT

–

* In SD mode, Time Code IN is not available if you select the 24F frame rate (the mode will be canceled and the

“TC-(IN OUT)” display on the side panel will disappear).

Connection Diagram

When synchronizing the camcorder to an external signal, input a reference video signal through the

GENLOCK terminal or a time code signal through the TIME CODE terminal. To input a time code signal

through the TIME CODE terminal, set the TIME CODE switch to IN. To output a time code signal, set the

switch to OUT.

TIME CODE switch

SMPTE-standard

LTC timing signal

Reference video

signal*

TIME CODE

GENLOCK

* As a reference video signal input you can use either an HD Y signal or an NTSC composite video signal when recording

in HD.

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While a time code signal is being received, the [FRAME SETTNG] and [COUNT-UP] settings of the

camcorder will be ignored and the external time code’s drop-frame bit will be used instead (if the

external time code is non-drop frame, “NDF” will appear on the side panel).

The Genlock synchronization stabilizes after approx. 10 seconds. After that, the synchronization

will be maintained even if you disconnect the cable from the GENLOCK terminal.

When an external time code signal is received, the camcorder's own time code will be

synchronized to it and the synchronization will be maintained even if you disconnect the cable

from the TIME CODE terminal. However, performing any of the following actions while the cable is

not connected will cause the time code to lag slightly; the correct time code will be restored once

you reconnect the cable.

- Turning the camcorder off/on.

- Changing the position of the

dial to or from

(card/tape) switch.

- Changing the [SIGNAL STD] or [FRAME RATE] setting.

If the external time code signal is incorrect or there is no input signal, the internal time code

(according to the [TIME CODE]/[COUNT-UP] settings) will be recorded on the tape instead.

If the external Genlock signal is incorrect or there is no input signal, the external time code being

recorded on tape may be incorrect.

When recording in SD mode, Time Code IN is not available if you select the 24F frame rate (the

mode will be canceled and the “TC-(IN OUT)” display on the side panel will disappear).

When the camcorder is set to HD standard, Genlock synchronization is possible even if the

external Genlock signal is in SD standard. However, Genlock synchronization will not be possible

if the external Genlock signal is in HD standard but the camcorder is set to SD standard.

The phase difference between the external Genlock signal and the camcorder is initially set to 0; it

can be adjusted within the range of approx. 0.4H (-1023 to +1023) with the [SIGNAL SETUP]

[GENLCK ADJST] setting ( 126).

Genlock synchronization is not possible when [SIGNAL STD] is set to [HD] and [SDI SPEC.] is set

to [SD LOCKED].

About the Side Panel Indications

- “GENLOCK” will flash until the synchronization stabilizes and will stay on once the phase

synchronization has stabilized.

- “TC-(IN OUT)” indicates that the Time Code IN or Time Code OUT synchronization is available

with the TIME CODE switch.

- “EXT- LOCK” indicates that the camcorder has locked on to an external time code signal.

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Setting the User Bit

The user bit display can be selected from the date or the time of recording, or an identification code

consisting of 8 characters in the hexadecimal system that is useful for labeling tapes. There are sixteen

possible characters: the numbers 0 to 9 and the letters A to F.

If user bit information is being received along with an external time code, you can also record

the external user bit on the tape.

RECORDING SETUP

UB SELECT•••00 00 00 00

1. Open the menu and select [RECORDING SETUP]. Select [UB SELECT], select a

setting option and press the SELECT/SET dial.

If you selected [00 00 00 00], the user bit set/reset options appear; continue with the procedure below.

Otherwise, close the menu.

If you selected [00 00 00 00]:

2. Select [SET].

The first character of the user bit flashes.

3. Turn the SELECT/SET dial to select a number or letter and press the dial.

The next character of the user bit starts flashing. Set the rest of the user bit in the same way.

4. Close the menu.

To reset the user bit to [00 00 00 00], select [CLEAR] in step 2.

The user bit can be recorded when recording with the camcorder or from analog devices. The user

bit set in the camcorder cannot be recorded when recording from digital devices (HDV or DV).

Displaying the User Bit

DISPLAY SETUP/

UB DISPLAY•OFF

Open the menu and select [DISPLAY SETUP/ ]. Select [UB DISPLAY], set it to [ON] and

close the menu.

Recording an External User Bit

RECORDING SETUP

UB REC•••INT.USR-BIT

Open the menu and select [RECORDING SETUP]. Select [UB REC], select [EXT.USR-BIT]

and close the menu.

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Audio Recording

When recording on the tape in either HDV or DV standard, audio is recorded on two channels.

HDV

The audio transfer rate is 384 kbps and the sampling frequency is 48 kHz.

You can record audio in 16-bit mode (sampling frequency 48 kHz), or 12-bit mode (sampling

frequency 32 kHz).

• Audio is recorded on channels 1 and 2, leaving the other channels unused.

• Audio cannot be dubbed using this camcorder.

• Audio recorded with this camcorder is locked audio except for audio recorded from an analog input, or

from a digital input if you select the Unlock mode.

•

While recording, the sampling frequency of the output signal from the HD/SD SDI terminal will be

48 kHz regardless of the audio input.

Selecting the DV Audio Mode

AUDIO SETUP

DV AUDIO•••16bit

Open the menu and select [AUDIO SETUP]. Select [DV AUDIO], select a setting option

and close the menu.

Selecting the Microphone’s Audio Recording Mode

You can select the most appropriate setting, given your recording conditions, for recording audio with

the built-in microphone.

AUDIO SETUP

LOW CUT•••OFF

Open the menu and select [AUDIO SETUP]. Select [LOW CUT], select a setting option

and close the menu.

[OFF]: To record audio under usual conditions.

[LC1]: To record mainly people’s voices.

[LC2]: To reduce the background sound of wind when recording outdoors in windy surroundings (for

example, on a beach or close to buildings). Note that when you use this setting some low-frequency

sounds may be suppressed along with the sound of wind.

Selecting the Sensitivity of the Built-in Microphone

You can change the sensitivity of the built-in microphone to [NORMAL] or [HIGH] (+6 dB) to match the

recording conditions.

[NORMAL]:

[HIGH]:

To record audio under usual conditions.

To record audio at a higher volume.

AUDIO SETUP

MIC SENSIT.•••NORMAL

Open the menu and select [AUDIO SETUP]. Select [MIC SENSIT.], select a setting option

and close the menu.

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Recording Audio

Select the audio input from the built-in microphone or external microphone (MIC terminal), XLR MIC

(XLR terminals) or XLR LINE (XLR terminals). You can select the audio input independently for channel 1

and channel 2.

Selecting the Audio Channel

AUDIO SETUP

CH1 INPUT•••INT/EXT MIC

CH2 INPUT•••INT/EXT MIC

Open the menu and select [AUDIO SETUP]. Select [CH1 INPUT] or [CH2 INPUT], select a

setting option and close the menu.

Using an External Microphone

MIC (external microphone) terminal

CH1 input terminal

CH2 input terminal

When you connect an external microphone to the MIC terminal, the built-in microphone will

automatically be turned off. If necessary, you can use the microphone holder.

External Microphones that can be Connected

Microphone Type:

Type of Plug:

Condenser microphones with independent power supply.

∅ 3.5 mm

Input Impedance:

Sensitivity:

600 ohms

-66 dBV (manual volume center)

Maximum microphone diameter: ∅ 25 mm

Use commercially available microphones.

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Using the XLR terminals

1. Connect a microphone to one of the XLR

terminals.

switches

To supply a microphone with phantom power, set the

corresponding

switch to ON. Make sure to

connect the microphone first, before turning the

phantom power on. Keep the microphone connected

when turning off the phantom power.

2. Open the menu and select [AUDIO SETUP].

Select [CH1 INPUT] or [CH2 INPUT], and

select a setting option.

• Select [XLR MIC] or [XLR LINE] for channel 1 or

channel 2.

• When using the XLR terminal to record to only one

channel, use the CH1 input terminal and set [CH1

INPUT] to [XLR MIC] or [XLR LINE].

3. From the [AUDIO SETUP] menu, select [XLR REC CH], select a setting option and

close the menu.

Select [CH1] to record on channel 1 the audio from the CH1 input terminal or [CH1/CH2] to record the

audio on both channels.

4. If necessary, turn on the microphone attenuator (20 dB) by setting the corresponding

switch to ATT.

The microphone attenuator will only be effective when the input is set to [XLR MIC].

5. If necessary, adjust the gain of the input signal. Open the menu and select [AUDIO

SETUP]. Select [XLR 1 TRIM] or [XLR 2 TRIM], depending on the audio input you want

to adjust. Select a setting option and close the menu.

The gain adjustment will only be effective when the input is set to [XLR MIC].

When connecting a microphone that does not support phantom power, make sure to set the

corresponding

switch to OFF. Otherwise the microphone may be damaged.

When [XLR REC CH] is set to [CH1/CH2], audio from the CH2 input terminal will not be recorded.

Adjusting the Audio Recording Level

If the audio level is too high and the sound sounds

distorted, activate the microphone attenuator (12 dB for

the built-in microphone, 20 dB for an external

switches

microphone), by setting the MIC ATT. switch (built-in

microphone/external microphone connected to the MIC

terminal) or the corresponding

switch (external

microphone connected to the XLR terminal) to ATT.

MIC ATT.

switch

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Hiding/Displaying the Audio Level Indicator

DISPLAY SETUP/

AUDIO LEVEL••ON

Open the menu and select [DISPLAY SETUP/ ]. Select [AUDIO LEVEL], select a setting

option and close the menu.

The audio level indicator can also be turned on/off with a custom key ( 73).

Automatic Audio Adjustment

Set the corresponding

switch to A.

When [CH1 INPUT] and [CH2 INPUT] are set

to [INT/EXT MIC], if the switch for

CH1 is set to A, the automatic audio

adjustment setting will automatically apply to

CH2 as well.

switches

When [CH1 INPUT] and [CH2 INPUT] are set

to [XLR MIC] or [XLR LINE], you can select if

the audio adjustment setting for CH2 will be

linked to that of CH1 ([LINK]), or if the settings

will be separated ([SEP]).

Open the menu and select [AUDIO SETUP].

Select [XLR ALC LINK], select a setting option

and close the menu.

Manual Audio Adjustment

1. Set the corresponding

switch to

2. Turn the corresponding

dial (CH1 or

switches

CH2) to adjust each channel’s audio level.

Adjust the audio recording level so that the audio

level meter will go to the right of the

mark on the

side panel’s audio level meter (or the larger dot on

the level meter displayed on the screen) only

occasionally.

We recommend using headphones when

adjusting the audio level. If the input level is

too high, audio may become distorted even if

the audio level indicator shows an

appropriate level. Use commercially available

headphones.

When [CH1 INPUT] and [CH2 INPUT] are set to [INT/EXT MIC], if the

switch for CH1 is

set to M, the audio level adjusted with the CH1 dial will automatically apply to CH2 as well.

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You can activate the audio peak limiter to prevent audio distortions. When activated, the audio

peak limiter will limit the amplitude of audio input signals when they exceed -4 dBFS. The audio

peak limiter can be activated if at least one of the channels is set to manual audio adjustment.

Open the menu and select [AUDIO SETUP]. Select [AUD.LIMITER], set it to [ON] and close the

menu.

You can select to synchronize the audio signal with the video signal by adding an equal amount of

delay to the audio. Open the menu and select [AUDIO SETUP]. Select [MONITOR SEL.], set it to

[LINE OUT] and close the menu. If you wish to monitor audio in real time, select [NORMAL]

instead. With either setting, the audio and video signals recorded on the tape will be synchronized.

Easy Recording mode, even if one or both

switches are set to M, audio

adjustment occurs automatically and cannot be set manually.

Embedded Audio

Embedded audio refers to the superimposing of the audio signal along with the video signal being

output from the HD/SD SDI terminal.

[ON]:

To embed the audio.

[ON(OSD)]: To embed the audio and on-screen displays.

SIGNAL SETUP

SDI OUTPUT••OFF

Open the menu and select [SIGNAL SETUP]. Select [SDI OUTPUT], select a setting

option and close the menu.

: The embedded audio output depends on the signal standard and the sampling frequency settings.

Signal standard

Sampling frequency

48 kHz

Locked/unlocked audio

Embedded audio output

Locked

32 kHz (12bit)

48 kHz (16bit)

: Embedded audio output from a tape that was originally recorded with unlocked audio is not

guaranteed.

^3/4or

^1/2will appear on the screen.

Signal standard

Sampling frequency

Locked/unlocked audio

Embedded audio output

48 kHz

Locked

Unlocked

Locked

32 kHz (12bit)

48 kHz (16bit)

–

Unlocked

–

* The sampling rate will be 48 kHz.

When [SDI OUTPUT] is set to [ON(OSD)],

will appear on the screen and on-screen displays will

be included in the video signal output from the SDI terminal.

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Image Stabilizer

You can select to activate the image stabilizer or turn it off depending on the recording conditions.

CAMERA SETUP

IMG STAB•••ON

Open the menu and select [CAMERA SETUP]. Select [IMG STAB], select a setting option

and close the menu.

The image stabilizer cannot be turned off in the

Easy Recording mode.

We recommend turning off the image stabilizer when the camcorder is mounted on a tripod.

The image stabilizer is designed to compensate for a normal degree of camcorder shake.

: The image stabilizer will have increased effectiveness while half-pressing the

PHOTO button to lock the autofocus.

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Using the Programmed AE Modes

Programmed auto exposure modes provide advanced automated recording techniques ensuring

professional results in various shooting conditions.

Manual ( 58)

This mode offers the creative freedom of a complete range of manual controls. In

Manual mode, you have the option to set the exposure at any combination of

shutter speed and aperture levels.

Auto

Like the Easy Recording mode, the camcorder automatically controls camera

adjustments allowing you to simply point and film. However, in Auto mode you

have the option of adjusting the settings manually.

Shutter-Priority ( 60)

Use this mode to select the shutter speed. The camcorder automatically sets the

appropriate aperture value.

Aperture-Priority ( 61)

Use this mode to select the aperture value from F/1.6 to F/9.5 (or full iris close) and

let the camcorder automatically set the appropriate shutter speed. This mode

allows for the best control of depth of field.

Spotlight

The Spotlight mode automatically adjusts the exposure to effectively record

images and/or subjects lit by a spotlight or other concentrated light source.

Night

This mode allows you to continue recording even when light levels begin to fall.

The camcorder uses slower shutter speeds (60i, 30F: 1/4–1/500; 24F: 1/3–1/500)

to deliver proper exposure.

Moving subjects may leave a trailing afterimage.

Picture quality may not be as good as in other modes.

White points may appear on the screen.

Autofocus may not work as well as in other modes. In such case, adjust the focus manually.

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Easy Recording

The camcorder automatically controls the focus, shutter speed, aperture, gain,

white balance, and AE Shift allowing you to simply point and film. This mode locks

all of these features and options, making them fixed and unadjustable.

Selecting the Programmed AE Modes

Press the lock button and turn the

dial.

The symbol of the selected mode appears.

Do not change the position of the

dial while recording as the brightness of the image may

change abruptly.

The

Easy Recording,

Spotlight and Night modes are all-automatic modes. In the

Auto, Tv Shutter-Priority, Av Aperture-Priority and M Manual modes you can change some

settings manually according to the recording conditions.

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Available controls/functions by programmed AE mode

EXP. LOCK button

PUSH AE button

Iris ring

–

SHUTTER dial

–

(0)

AE shift adjustment

–

GAIN adjustment

(0 dB)

(AGC ON)

–

WHITE BALANCE adjustment

(auto)

Custom preset adjustments

CUSTOM PRESET SELECT button

CUSTOM PRESET ON/OFF button

Skin detail

–

Selective NR

Color correction

Clear scan

–

Frequency selection for clear scan

¹Available during exposure lock.

²Available during clear scan.

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Recording in Manual Mode

You can set the exposure at any combination of shutter speed and aperture. The aperture value can be

adjusted in 1/8 EV stops; however, the aperture value displayed on the screen will change only in 1/4 EV

stops.

dial

Iris ring

SHUTTER dial

Available settings

Shutter speed

1/4, 1/8, 1/15, 1/30, 1/60, 1/75, 1/90, 1/100, 1/120, 1/150, 1/180, 1/210, 1/250, 1/300,

1/360, 1/420, 1/500, 1/600, 1/720, 1/840, 1/1000, 1/1200, 1/1400, 1/1700, 1/2000,

1/2300, 1/2600, 1/3000, 1/4000, 1/8000, 1/15000, CS (clear scan)

1/3, 1/6, 1/12, 1/24, 1/48, 1/60, 1/75, 1/90, 1/100, 1/120, 1/150, 1/180, 1/210, 1/250,

1/300, 1/360, 1/420, 1/500, 1/600, 1/720, 1/840, 1/1000, 1/1200, 1/1400, 1/1700, 1/2000,

1/2300, 1/2600, 1/3000, 1/4000, 1/8000,1/15000, CS (clear scan)

(60i/30F)

(24F)

1/4, 1/8, 1/15, 1/30, 1/60, 1/75, 1/90, 1/100, 1/120, 1/150, 1/180, 1/210, 1/250, 1/300,

1/360, 1/420, 1/500

Aperture

F1.6, F1.8, F2.0, F2.2, F2.4, F2.6, F2.8, F3.2, F3.4, F3.7, F4.0, F4.4, F4.8, F5.2, F5.6, F6.2,

F6.7, F7.3, F8.0, F8.7, F9.5, F10*, F11*, F12*, F14*, F15*, F16*, F17*, F19*, F21*, F22*,

CLOSE*

* Can only be selected if the custom function [IRIS LIMIT] is set to [OFF].

1. Set the

dial to M.

• The exposure indicator appears. Use the exposure indicator as an estimate.

• The mark above the indicator indicates the standard exposure (calculated by the camcorder). The

mark of the indicator indicates the current exposure level within 2 EV stops of the standard exposure

(beyond 2 stops, the marker will blink).

2. Select the aperture using the iris ring.

With the custom function [RINGS DIRECTION] ( 97) you can change the direction of the adjustment

when you turn the iris ring.

3. Select the shutter speed with the SHUTTER dial.

With the custom function [OPER.DIRECTION] ( 97) you can change the direction of the adjustment

when you operate the SHUTTER dial.

You can use the custom keys ( 73) or the [SYSTEM SETUP/

]

[SHTR D.LOCK] setting

(

130) to prevent the accidental operation of the SHUTTER dial.

With the custom function [IRIS LIMIT] ( 97) you can activate the iris limit to prevent the aperture

from closing below the diffraction limit of the lens. If the iris limit is not activated, aperture values

that exceed the diffraction limit will appear in gray when selecting the aperture. Using aperture

values displayed in gray will cause diffraction blur.

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With the custom function [LANC AE SHIFT] ( 97), you can change the function of the AE SHIFT

dial on the optional ZR-2000 Zoom Remote Controller and use it to change the aperture value.

Push AE

In M Manual mode you can use the Push AE function

when you want the camcorder to re-establish optimal

exposure settings by automatically adjusting the

aperture and gain (if the AGC switch is set to ON).

PUSH AE

button

Press the PUSH AE button and hold it pressed

down.

• The camcorder will adjust the aperture value and gain

to achieve optimal exposure ( mark above the

exposure indicator).

• After you release the button, the aperture value and gain (if the AGC switch is set to ON) set by the

camcorder will override the previous settings made in M Manual mode.

You can use the custom keys ( 73) or the [SYSTEM SETUP/

prevent the accidental operation of the PUSH AE button.

]

[E.LCK B.LCK] setting to

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Recording in Shutter-Priority (Tv) Mode

Available shutter speeds when recording movies depend on the selected frame rate:

60i/30F

24F

1/4, 1/8, 1/15, 1/30, 1/60, 1/100, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/15000,

CS (clear scan)

1/3, 1/6, 1/12, 1/24, 1/48, 1/60, 1/100, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/8000, 1/15000,

CS (clear scan)

Available shutter speeds when recording still images:

1/4, 1/8, 1/15, 1/30, 1/60, 1/100, 1/250, 1/500

1. Set the

dial to Tv.

2. Select the shutter speed with the

SHUTTER dial.

With the custom function [OPER.DIRECTION] ( 97)

you can change the direction of the adjustment when

you use the SHUTTER dial.

SHUTTER dial

Settings other than the shutter speed (aperture, etc.) are adjusted automatically.

Using exposure lock to adjust the exposure manually will change the shutter speed, overriding the

shutter speed selected in Tv mode.

When the AGC switch is set to ON, the numeric value on the screen flashes if the selected shutter

speed is not suitable for the recording conditions. In such case, readjust the shutter speed. If you

are using an ND filter, turn it off first and readjust the shutter speed.

Image quality may decrease to some extent when using slow shutter speeds.

When recording under artificial light sources such as fluorescent, mercury or halogen lamps, the

screen may flicker depending on the shutter speed. To avoid the flicker, set the shutter speed to

1/100.

You can use the custom keys ( 73) or the [SYSTEM SETUP/

]

[SHTR D.LOCK] setting

(

130) to prevent the accidental operation of the SHUTTER dial.

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Recording in Aperture-Priority (Av) Mode

The aperture value can be adjusted in 1/8 EV stops; however, the aperture value displayed on the

screen will change only in 1/4 EV stops.

Available aperture values

F1.6, F1.8, F2.0, F2.2, F2.4, F2.6, F2.8, F3.2, F3.4, F3.7, F4.0, F4.4, F4.8, F5.2, F5.6, F6.2, F6.7, F7.3, F8.0,

F8.7, F9.5, F10*, F11*, F12*, F14*, F15*, F16*, F17*, F19*, F21*, F22*, CLOSE*

* Can only be selected if the custom function [IRIS LIMIT] is set to [OFF].

1. Set the

dial to Av.

2. Select the aperture with the iris ring.

With the custom function [RINGS DIRECTION]

(

97) you can change the direction of the

adjustment when you turn the iris ring.

Iris ring

Settings other than the aperture value (shutter speed, etc.) are adjusted automatically.

Using exposure lock to adjust the exposure manually will change the aperture, overriding the value

selected in Av mode.

When the AGC switch is set to ON, the numeric value on the screen flashes when the selected

aperture is not appropriate for the recording condition. In such case, readjust the aperture.

When the built-in ND filter is activated, the picture may become dark when you set a high aperture

value. In such case, turn off the ND Filter first and readjust the aperture.

With the custom function [IRIS LIMIT] ( 97) you can activate the iris limit to prevent the aperture

from closing below the diffraction limit (F9.5) of the lens. If the iris limit is not activated, aperture

values that exceed the diffraction limit will appear in gray when selecting the aperture. Using

aperture values displayed in gray will cause diffraction blur.

With the custom function [LANC AE SHIFT] ( 97), you can change the function of the AE SHIFT

dial on the optional ZR-2000 Zoom Remote Controller and use it to change the aperture value.

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Adjusting the Exposure

Exposure Lock

1. Set the

dial to

, Tv or Av.

2. Press the EXP. LOCK button.

• The exposure indicator appears. Use the exposure

indicator as an estimate.

EXP. LOCK

button

• The

standard exposure (calculated by the camcorder).

The mark of the indicator indicates the current

mark above the indicator indicates the

exposure level within 2 EV stops of the standard

exposure (beyond 2 stops, the marker will blink).

• You can use the custom keys ( 73) or the

[SYSTEM SETUP/

button.

]

[E.LCK B.LCK] setting to prevent the accidental operation of the EXP. LOCK

AE Shift

You can use the AE Shift control to manually override the automatic exposure system in order to darken

or lighten the image. Select from 15 AE levels (+2.0, +1.5, +1.25, +1.0, +0.75, +0.5, +0.25, 0, -0.25,

-0.5, -0.75, -1.0, -1.25, -1.5, -2.0).

CAMERA SETUP

AE SHIFT•••±0

1. Set the

dial to

, Tv or Av.

2. Open the menu and select [CAMERA SETUP]. Select [AE SHIFT], select a setting

option and close the menu.

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Gain

The gain control adjusts the level of the video signal generated depending on the lighting and shooting

conditions. You can select from automatic gain control or one of 3 preset gain levels (L: low, M: middle,

H: high) to which you can independently assign gain values from -3 dB to +36 dB (

). You can also fine-tune the gain in 0.5 dB increments.

) or +18 dB

(

AGC switch set to ON: Automatic gain control.

AGC switch set to OFF: Manual gain level selection (L, M or H) with the GAIN switch.

Available gain levels that can be assigned to each GAIN switch position

Gain level

Use

-3 dB

0 dB

For the lowest noise recording for indoor, low light or low contrast scenes.

For lifelike night scenes or scenes under artificial lighting.

3 dB/6 dB/12 dB/18 dB/36 dB*

TUNE (0 db – 18 db)

Increases the brightness in indoor or low-light scenes. Increases the depth of field.

Gain fine tuning.

only.

Assigning Gain Values to the GAIN Switch Positions

CAMERA SETUP

GAIN SETTING

GAIN L•••±0dB

GAIN M•••6dB

GAIN H•••12dB

1. Set the

dial to M,

, Tv or Av.

2. Open the menu and select [CAMERA SETUP]. Select the [GAIN SETTING] submenu

and then one of the GAIN switch options.

3. Select a setting option and press the SELECT/SET dial.

• After the adjustment you will return to the [GAIN SETTING] submenu. Assign the gain values to the

other GAIN switch options in the same way.

• [36dB] is available only in

mode.

4. Close the menu.

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Gain Fine Tuning

CAMERA SETUP

GAIN SETTING

GAIN L•••±0dB

GAIN M•••6dB

GAIN H•••12dB

TUNE•••0.0dB

1. Set the

dial to M,

, Tv or Av.

2. Open the menu and select [CAMERA SETUP]. Select the [GAIN SETTING] submenu

and then one of the GAIN switch options.

3. Select [TUNE 0.0dB] and press the SELECT/SET dial.

4. Turn the SELECT/SET dial to select the desired gain level and press the dial.

After the setting, you will return to the [GAIN SETTING] submenu. Assign the gain values to the other

GAIN switch options in the same way.

5. Close the menu.

Selecting the Gain Level

1. Set the

dial to M,

, Tv or Av.

2. Set the AGC switch to OFF.

3. Set the GAIN switch to the desired gain

position.

AGC switch

GAIN switch

When you select high gain levels, the picture may flicker slightly. The 36.0 dB gain level in

particular, allows you to shoot video with a higher sensitivity but is more prone to the appearance

of noise and artifacts (white dots, vertical streaks or blocking).

When the AGC switch is set to ON you can activate the gain limit to prevent the camcorder from

setting a level higher than a preset limit between 3 dB and 15 dB.

Open the menu and select [CAMERA SETUP]. Select [AGC LIMIT], set the maximum gain level

and close the menu.

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White Balance

The camcorder uses an electronic white balance process to calibrate the picture for accurate color

display under different lighting conditions. In addition to the fully automated mode, white balance

modes include an indoor mode, an outdoor mode, a color temperature setting and two user-defined

custom preset values.

White balance setting

AWB

Use

Automatic adjustment of white balance.

Bright sunlight (5,600 K).

(outdoor)

(indoor)

Incandescent light (3,200 K).

(color temperature)

Custom Preset A, B

Setting depending on the hue of a specific lighting (2,000 - 15,000 K in 100 K increments).

Custom preset (3,200 - 5,600 K).

Selecting the Automatic White Balance

Set the AWB switch to ON.

AWB switch

Selecting One of the Preset Modes

1. Set the

dial to a recording mode

other than

AWB switch

WHITE BAL.

PRESET switch

2. Set the AWB switch to OFF and the WHITE

BAL. switch to PRE.

3. Set the WHITE BAL. PRESET switch to

You can also fine-tune the preset

Press the WHITE BAL. button so the preset icon

starts flashing and the neutral value 0 appears next

to it. Adjust the white balance with the dial to a

settings.

value between -9 and +9 and press the WHITE BAL.

button again.

WHITE BAL.

button

WHITE BAL. switch

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Setting the Color Temperature

1. Set the

dial to a recording program

dial

other than

WHITE BAL.

PRESET switch

2. Set the AWB switch to OFF and the WHITE

BAL. switch to PRE.

3. Set the WHITE BAL. PRESET switch to

The color temperature currently set will be displayed.

4. Press the WHITE BAL.

button.

The color temperature display will start flashing.

5. Turn the

dial to set the desired color

temperature.

6. Press the WHITE BAL.

button again.

AWB switch

WHITE BAL.

The color temperature display stops flashing and

stays on.

button

WHITE BAL. switch

Setting a Custom White Balance

1. Set the

dial to a recording program other than

2. Set the AWB switch to OFF and the WHITE BAL. switch to one of the custom presets,

A or B.

and the corresponding letter will flash on the screen.

3. Point the camcorder at a white object and zoom in until it fills the whole screen.

Keep the camcorder zoomed at the white object until step 4 is completed.

4. Press the WHITE BAL.

button.

and the corresponding letter will stop flashing and stay on when the setting is completed.

When you set the custom white balance: Very rarely and depending on the light source,

may

keep flashing. The result will still be better than with automatic white balance.

As long as the built-in rechargeable lithium battery is charged, the camcorder retains the custom

white balance setting even if you turn it off.

The following custom preset settings take precedence, and will override the white balance set

with the procedure above: The color matrix [CMX] setting, the 3 R/G/B gain settings, and the 6

R/G/B matrix settings ( 95).

The custom white balance may provide better results in the following cases:

-Changing lighting conditions

-Close-ups

-Subjects in a single color (sky, sea or forest)

-Under mercury lamps or certain types of fluorescent lights

Perform the custom white balance setting procedure in a sufficiently well lit place.

Readjust the custom white balance if you turn the ND filter on/off or when the light source has

changed.

Recording with a Custom White Balance Previously Set

1. Set the

dial to a recording program other than

2. Set the AWB switch to OFF and the WHITE BAL. switch to the desired custom preset,

A or B.

The custom white balance is activated.

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Zebra Pattern

This camcorder has a zebra pattern feature that shows black and white diagonal stripes over the areas

that are overexposed. The zebra pattern is only displayed on the screen and will not affect your

recordings. The zebra pattern will not be displayed while the Peaking function is activated ( 39).

Available zebra pattern settings: 70 IRE, 75 IRE, 80 IRE, 85 IRE, 90 IRE, 95 IRE, and 100 IRE.

Selecting the Zebra Pattern Level

DISPLAY SETUP/

ZEBRA LEVEL••85

Open the menu and select [DISPLAY SETUP/ ]. Select [ZEBRA LEVEL], select a setting

option and close the menu.

Activating the Zebra Pattern

DISPLAY SETUP/

ZEBRA••••••••OFF

Open the menu and select [DISPLAY SETUP/ ]. Select [ZEBRA], set it to [ON] and close

the menu.

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Color Correction

With the color correction function you can set the camcorder to detect the characteristics of a certain

color or pattern (color phase, chroma, area and Y level) and correct them automatically when recording.

You can set the color correction for up to two different colors (A and B).

When determining the color to be corrected, targeted areas will be identified on the screen by zebra

pattern alternating with the normal picture. On a connected monitor or computer, targeted areas will be

identified by white areas alternating with the normal picture.

Determining the Color to be Corrected

CAMERA SETUP

COLOR CORR.

····

····

A AREA SEL.

B AREA SEL.

COLOR PHASE••••••

CHROMA•••••••••••

AREA•••••••••••••

Y LEVEL••••••••••

1. Open the menu and select [CAMERA SETUP]. Select the [COLOR CORR.] submenu

and then select [A AREA SEL.] or [B AREA SEL.].

2. Select each setting option, adjust the levels as necessary and close the menu.

[COLOR PHASE]: Select the basic color phase (0-15) of the color to be detected. Use the following

values as an approximate reference: 0=purple, 3=red, 6=orange, 9=green, 12=blue.

[CHROMA]:

Adjust the color saturation for the color to be detected. 13 levels (-6 to 6) are available;

set higher levels to detect areas with richer colors.

[AREA]:

Adjust the color range for the color to be detected. 4 levels (1 to 4) are available; set

higher levels to detect a wider color range.

[Y LEVEL]:

Adjust the brightness for the color to be detected. 13 levels (-6 to 6) are available; set

higher levels to detect brighter areas.

Adjusting the Color Correction

CAMERA SETUP

COLOR CORR.

····

····

A AREA REV.

B AREA REV.

R GAIN•••••••••••

B GAIN•••••••••••

1. Open the menu and select [CAMERA SETUP]. Select the [COLOR CORR.] submenu

and then select [A AREA REV.] or [B AREA REV.].

2. Select the color gain options, adjust the levels as necessary and close the menu.

[R GAIN]: Adjust the red gain of the detected area. 13 levels (-6 to 6) are available; set [+] values to

increase red tones or [-] values to increase cyan tones.

[B GAIN]: Adjust the blue gain of the detected area. 13 levels (-6 to 6) are available; set [+] values to

increase blue tones or [-] values to increase yellow tones.

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Activating the Color Correction

CAMERA SETUP

COLOR CORR.

CORRECT•••••••OFF

1. Open the menu and select [CAMERA SETUP] and select the [COLOR CORR.]

submenu.

2. Select [CORRECT], select a correction mode and close the menu.

• You can correct only the predefined A area, only the predefined B area or both.

•

appears.

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Skin Detail Function

With the skin detail function you can set the camcorder to detect the characteristics of a certain color or

tone. Detail in the targeted areas will be softened in order to conceal skin imperfections. Targeted areas

will be identified on the screen by a zebra pattern alternating with the normal picture. On a connected

monitor or computer, targeted areas will be identified by white areas alternating with the normal picture.

You can adjust the hue, chroma, area and Y level as required, to determine the areas that will be

detected as skin areas.

Determining the Tone to be Detected as Skin Area

1. Open the menu, select [CAMERA SETUP] and then select the [SKIN DETAIL]

Selective Noise Reduction

With the selective noise reduction function you can set the camcorder to detect the characteristics of a

certain color or tone and automatically reduce noise in the targeted areas. This is particularly useful for

chroma keying, as targeting the selective noise reduction to the color of the background green or blue

screen will result in a smoother composite picture.

Targeted areas will be identified on the screen by a zebra pattern alternating with the normal picture. On

a connected monitor or computer, targeted areas will be identified by white areas alternating with the

normal picture.

Determining the Area to be Corrected

CAMERA SETUP

SELECTIVE NR

HUE••••••••••••••

CHROMA•••••••••••

AREA•••••••••••••

Y LEVEL••••••••••

1. Open the menu, select [CAMERA SETUP] and then select the [SELECTIVE NR]

submenu.

2. Select each setting option, adjust the levels as necessary and close the menu.

• [HUE]:

Select the base hue (-6 to 6) of the color to be detected. Use the following values as an

approximate reference: -6=blue-violet, 0=cyan, 6=yellowish green.

• [CHROMA]: Adjust the color saturation for the color to be detected. 13 levels (-6 to 6) are available; set

higher levels to detect areas with richer colors.

• [AREA]:

Adjust the color range for the color to be detected. 13 levels (-6 to 6) are available; set

higher levels to detect a wider color range.

• [Y LEVEL]: Adjust the brightness for the color to be detected. 13 levels (-6 to 6) are available; set

higher levels to detect brighter areas.

Activating the Selective Noise Reduction

CAMERA SETUP

SELECTIVE NR

EFFECT LEVEL••OFF

1. Open the menu and select [CAMERA SETUP]. Select the [SELECTIVE NR] submenu

and then select [EFFECT LEVEL].

2. Select a setting option and close the menu.

• You can select the strength of the effect from low, middle or high.

•

appears.

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Clear Scan

This feature allows you to record a computer’s CRT screen or other equipment without displaying black

band or flicker on the screen. You can adjust the frequency from 60.1 Hz to 203.9 Hz.

CAMERA SETUP

CLEAR SCAN•••60.1Hz

1. Set the

dial to M or Tv.

2. Turn the SHUTTER dial to set the shutter

speed to “CS”.

3. Open the menu and select [CAMERA

SETUP]. Select [CLEAR SCAN], adjust the

frequency and close the menu.

Adjust the frequency so that the black band does not

appear.

SHUTTER dial

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Custom Keys

You can assign frequently used functions to the custom keys. The custom keys can have different

functions assigned to them in each of the operating modes.

Default settings:

CUSTOM KEY 1

CUSTOM KEY 2

TIME CODE

INDEX WRITE

TV SCREEN

DATA CODE

ZEBRA

TV SCREEN

CVF+LCD BW

To check the current custom key settings:

In a recording mode: Open the menu and select [DISPLAY SETUP/ ]. Select [GUIDE INFO], set it to [CUSTOM KEYS] and close the

menu.

In a playback mode: Open the menu and select [DISPLAY SETUP/ ]. Select [CUSTOM KEY], set it to [ON] and close the menu.

The following functions can be assigned to the custom keys:

Time code

Index write

MAGN. button lock

SHUTTER dial lock

EXP. LOCK button lock

Time code

TV screen

Data code

Audio level

Time code hold

Viewfinder and LCD B&W mode

Zebra pattern

1,2

VCR stop

CP backward key

TV screen

Time code hold

Audio level

SDI output

Focus limit

Image stabilizer

SDI output

Viewfinder and LCD B&W mode Output channel

Output channel

1,2

Zebra pattern

TV screen

Viewfinder and LCD B&W mode Focus limit

CP backward key

SDI output

TV screen

Viewfinder and LCD B&W mode

SDI output

MAGN. button lock

SHUTTER dial lock

EXP. LOCK button lock

Image stabilizer

Output channel

Can only be assigned to Custom Key 2.

This function can only be operated with a custom key. (Index write can also be operated with the wireless controller.)

only.

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Changing the Custom Keys Setting

SYSTEM SETUP/

CUSTOM KEY 1•TIME CODE*

* Default value in

mode.

Open the menu and select [SYSTEM SETUP/

]. Select [CUSTOM KEY 1] or [CUSTOM

KEY 2], select the function you wish to assign to the custom key and close the menu.

When you do not wish to use the custom keys, select [(NONE)].

Activating the Functions with the Custom Key

[TIME CODE] Time Code ( 44)

Press the CUSTOM KEY (1 or 2) button.

The time code setting menu appears.

[INDEX WRITE] Index Write

You can add an index signal to your recording for easy search in

mode ( 109).

Press the CUSTOM KEY (1 or 2) button.

will appear while the index signal is being recorded (approx. 6.5 seconds).

When the camcorder is in record pause mode, the inxdesignal will be written when you start recording.

An index signal cannot be added or erased later.

[ZEBRA] Zebra Pattern ( 67)

Press the CUSTOM KEY (1 or 2) button.

The zebra pattern is activated. Press the button again to cancel it.

[VCR STOP] VCR Stop ( 31)

When the camcorder is in record pause mode, you can turn off the recorder section. Even if [SYSTEM

SETUP/

]

[POWER SAVE] is set to [OFF], you can take your time adjusting the camera settings, while the

recorder section of the camcorder is powered off so you do not need to worry about the tape or the video

heads.

VCR Stop can only be operated with the custom keys.

Press the CUSTOM KEY (1 or 2) button.

The VCR Stop mode is activated. Press the button again to return to record pause mode. You can also start

recording by pressing the START/STOP button directly in VCR Stop mode.

[TV SCREEN] TV Screen

You can show the camcorder’s displays on a connected external monitor or TV.

Press the CUSTOM KEY (1 or 2) button.

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[DATA CODE] Data Code ( 110)

Press the CUSTOM KEY (1 or 2) button.

The data code appears. Press the button again to hide the data code.

[TC HOLD] Time Code Hold

You can press the custom key button to freeze the display of the time code. The time code will continue

running normally even while the time code display is on hold.

Time code hold can only be operated with the custom keys.

Press the CUSTOM KEY (1 or 2) button.

• Pressing the custom key button again will reactivate the normal display of the time code.

• While on hold, the time code will be displayed with an next to it and “HOLD” will appear on the side

panel.

• The time code being output from the TIME CODE*, HD/SD SDI*,

be put on hold. The time code superimposed on the video signal output from the A/V1 and VIDEO 2

terminals will be put on hold. (* only.)

• The time code hold will be canceled when you turn the camcorder on/off, change the operating mode

(LANC) and HDV/DV terminals will not

between recording and playback or change the position of the

(card/tape) switch.

[AUDIO LEVEL] Audio Level Indicator ( 52)

Press the CUSTOM KEY (1 or 2) button.

The audio level indicator appears. Press the button again to hide the audio level indicator.

[CVF+LCD BW] Viewfinder and LCD Screen’s Black & White Display

Press the CUSTOM KEY (1 or 2) button.

The image on the screen will be shown in black & white (on-screen displays and indicators will still be

displayed in color). Press the button again to return to color display.

[MAGN.B.LOCK] MAGN. Button Lock

Press the CUSTOM KEY (1 or 2) button.

Pressing the button will lock the MAGN. button to prevent its accidental operation. Press the button again to

reactivate the MAGN. button.

[SHTR D.LOCK] SHUTTER Dial Lock

Press the CUSTOM KEY (1 or 2) button.

Pressing the button will lock the SHUTTER dial to prevent its accidental operation. Press the button again to

reactivate the SHUTTER dial.

[E.LCK B.LCK] EXP. LOCK Button Lock

Press the CUSTOM KEY (1 or 2) button.

Pressing the button will lock the EXP. LOCK button to prevent its accidental operation. Press the custom key

button again to reactivate the EXP. LOCK button.

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[CP BKWD KEY] Custom Preset Backward Key

Press the CUSTOM KEY 2 button.

Usually, pressing the CUSTOM PRESET SELECT button will cycle forwards to the following custom preset

file. Pressing the custom key button instead will cycle backwards to the preceding custom preset file.

CP backward key can only be operated with the custom keys.

[SDI OUTPUT] SDI Output

Press the CUSTOM KEY (1 or 2) button.

The SDI output setup menu appears.

[FOCUS LIMIT] Focus Limit ( 40)

Press the CUSTOM KEY (1 or 2) button.

The focus limit is activated. Press the button again to cancel it.

[IMAGE STAB] Image Stabilizer ( 54)

Press the CUSTOM KEY (1 or 2) button.

The image stabilizer is activated. Press the button again to cancel it.

[OUTPUT CH] Output Channel ( 83)

Press the CUSTOM KEY (1 or 2) button.

The audio channel being output (A/V1 terminal, headphone terminal) will change each time the button is

pressed.

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Color Bars/Audio Reference Signal

You can generate and record color bars signals and a 1 kHz audio reference signal.

With the customized functions ( 97) you can choose between SMPTE standard-definition color bars

([TYPE 1]) and ARIB multiformat HDTV color bars ([TYPE 2]) and you can also select the strength of the

audio signal (-12 dB, -18 dB, or -20 dB).

1. Select the standard of the color bars signal

[COLOR BARS] and the strength of the

audio reference signal [1kHz TONE] with

the customized functions ( 97).

2. Set the OUTPUT switch to BARS.

• The color bars appear and the audio reference

signal is emitted (if activated). Press the START/

STOP button to record the signal.

• If you set [1kHz TONE] to [OFF] the current audio

input (microphone, line in, etc.) will be recorded as

the audio signal.

OUTPUT switch

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External Connections

Video Signal Output Standards

The standard of the video signal output from the HD/SD SDI (

only), HD/SD COMPONENT OUT

and HDV/DV terminals depends on the standard used for recording (or the standard of the recording on

the tape being played back) and on various menu settings. Video output from the VIEWFINDER

COMPONENT OUT, A/V1, or VIDEO 2 terminal will always be in 480/60i standard.

Standard of Video Output while Recording

While recording in high definition, video output from the HD/SD SDI terminal will be an

uncompressed HD, YPbPr signal. You can down-convert the video output with the respective menu settings.

HD/SD SDI terminal

HD/SD COMPONENT OUT terminal

Down-

Recordingstandard

and frame rate

HDV/DV terminal

Down-

Unchanged

2, 5, 6

3, 5

converted

480/60i

converted

HD 60i

HD 30F

HD 24F

1080/60i

480/60i

1080/60i

1080/30p

1080/24p

480/60i

9,10

SD (60i, 30F , 24F

)

480/60i

Standard of Video Output during Playback

When playing back a tape recorded in HDV standard, video output from the HD/SD SDI terminal will

be a signal modified from the HDV video. You can down-convert the video output with the respective menu

settings.

HD/SD SDI terminal

Down-

HD/SD COMPONENT OUT terminal

Down-

HDV/DV terminal

Standard of [LETTERBOX]

Down-

the tape

setting

Unchanged

2, 5

3, 5

4, 7

converted

Converted

[OFF]

[ON]

1080/60i

480/60i

1080/60i

480/60i

HDV

1080/60i

480/60i

[OFF]

[ON]

1080/60i

480/60i

1080/60i

480/60i

HDV

1080/30p

480/60i

9,10

[OFF]

[ON]

1080/60i

480/60i

HDV

1080/24p

480/60i

[OFF]/[ON]

480/60i

only.

[SIGNAL SETUP] [SDI SPEC.] set to [SD LOCKED].

[SIGNAL SETUP] [COMP.OUT] set to [480i].

[SIGNAL SETUP] [HD DOWN-CONV] set to [ON].

16:9 picture is horizontally squeezed to a 4:3 aspect ratio.

On-screen displays will not be embedded in the video output even if [SIGNAL SETUP] [SDI OUTPUT] is set to

[ON(OSD)].

On-screen displays will not be embedded in the video output even if [DISPLAY SETUP/

]

[TV SCREEN] is set to

[ON].

Converted to 60i.

Converted to 60i using the 2:3 pulldown method.

¹⁰When a time code signal is output from the TIME CODE or HD/SD SDI terminal, the user bit for this signal can be set to

2:3 pulldown data (

42).

¹¹Converted to 60i using the method selected in [CAMERA SETUP] [24F MODE SEL].

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Connecting to a Monitor/TV

The different recording modes and the corresponding output terminals are given in the table below:

HD/SD COMPONENT

OUT and VIEWFINDER

COMPONENT OUT

Terminals

HDV/DV

Terminal

A/V1 and VIDEO 2

Terminals

HD/SD SDI Terminal

[LETTERBOX] 1920x1080

D3 (1440x1080)

MPEG TS

set to [OFF]

[LETTERBOX] SD SDI

set to [ON]

D1 (SD)

MPEG TS

DV (SD)

SD 16:9

[LETTERBOX] 640x480

set to [OFF]

D1 (SD)

[LETTERBOX] SD SDI

set to [ON]

D1 (SD)

SD 4:3

640x480

D1 (SD) Normal

only.

The VIEWFINDER COMPONENT OUT terminal is output as 480i.

Connection to a High Definition Monitor or HDTV

Using the HD/SD SDI Terminal

INPUT

Yellow

STV-290N Stereo

Video Cable* (supplied)

VIDEO

White

Red

AUDIO

Open the terminal cover

Signal flow

BNC Cable (commercially available)

Signal flow

* If [SDI OUTPUT] is set to [OFF] (no embedded audio), the audio signal is separate from the SDI video

output signal

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Activate the HD/SD SDI output and select the appropriate video output option (HD or SD).

1. Set the

dial to

2. Open the menu and select [SIGNAL SETUP]. Select [SDI OUTPUT] and set it to [ON] or

[ON(OSD)].

3. From the same [SIGNAL SETUP] submenu select [SDI SPEC.]. Select [AUTO] or

[SD LOCKED] to match the video output you wish to use.

4. Close the menu.

When [SDI OUTPUT] is set to [ON(OSD)],

will appear on the screen and on-screen displays will

be included in the video signal output from the SDI terminal.

When [SDI OUTPUT] is set to [ON(OSD)]:

The on-screen displays included in the video output signal are determined by the display level

selected with the DISP. button ( 33). Markers (safety zone guide, level/grid markers, etc.) are

never included in the video signal output.

The [SIGNAL SETUP] [COMP.OUT] setting is not available.

Using the HD/SD COMPONENT OUT or VIEWFINDER COMPONENT OUT Terminal

Use the HD/SD COMPONENT OUT terminal to monitor the video that the camcorder is recording and use

the VIEWFINDER COMPONENT OUT terminal to monitor the picture on the viewfinder screen.

Open the terminal cover

INPUT

Yellow

VIDEO

White

STV-290N Stereo

Video Cable* (supplied)

AUDIO

Red

Signal flow

Green

Blue

Red

HD/SD

DTC-1000 Component Video Cable (supplied)

Signal flow

* The audio signal is separate from the component video signal

When using the HD/SD COMPONENT OUT terminal, select the appropriate component video signal

depending on the TV or monitor you connect.

Open the menu and select [SIGNAL SETUP]. Select [COMP.OUT], select a setting option

and close the menu.

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3 Using the HDV/DV Terminal

Open the terminal cover

CV-250F

DV Cable (optional) or

commercially available

6 pin-6 pin DV cable

4-pin

6-pin

• When connecting the camcorder to a monitor or TV that supports DV input, you may need to carry out a

procedure on the monitor or TV to recognize the camera.

• If necessary, turn on the DV conversion and select whether to convert a tape recorded in HD to SD with the

following procedure (

mode only).

Open the menu and select [SIGNAL SETUP]. Select [HD DOWN-CONV], select a setting

option and close the menu.

4 Using the A/V1 or VIDEO 2 Terminal

VIDEO 2 terminal*

INPUT

Open the terminal cover

Yellow

STV-290N Stereo Video Cable

VIDEO

(supplied)

White

Red

AUDIO

Signal flow

* To use the VIDEO 2 terminal, connect the camcorder and TV using a BNC cable (commercially available).

We recommend powering the camcorder from a household power outlet.

TV sets equipped with the Video ID-1 System: Recordings made with a 16:9 aspect ratio ( 34)

will be played automatically in widescreen mode whether you connect the camcorder to the TV

using the A/V1 terminal or the VIDEO 2 terminal.

During fast forward playback, rewind playback and reverse playback of a tape recorded in HDV

standard, the picture may be distorted.

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Connection to a Standard Definition TV or Monitor

Using the HD/SD COMPONENT OUT or VIEWFINDER COMPONENT OUT Terminal

• Refer to the connection diagram in the previous section ( 80).

• Select the appropriate component video signal depending on the TV or monitor you connect.

Open the menu and select [SIGNAL SETUP]. Select [COMP.OUT], select a setting

option and close the menu.

2 Using the A/V1 or VIDEO 2 Terminal

• Refer to the connection diagram in the previous section ( 81).

• If connecting to a TV set with a 4:3 aspect ratio, change the [LETTERBOX] setting appropriately.

Open the menu and select [SIGNAL SETUP]. Select [LETTERBOX], set it to [ON] and

close the menu.

We recommend powering the camcorder from a household power outlet.

TV sets equipped with the Video ID-1 System: Recordings made with a 16:9 aspect ratio ( 34)

will be played automatically in widescreen mode whether you connect the camcorder to the TV

using the A/V1 terminal or VIDEO 2 terminal.

During fast forward playback, rewind playback and reverse playback of a tape recorded in HDV

standard, the picture may be distorted.

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Audio Output

Selecting the Audio Channel

You can select the channel for audio signal output from the A/V1 terminal.

AUDIO SETUP

OUTPUT CH•••CH /CH *

* Default value in

mode.

Open the menu and select [AUDIO SETUP]. Select [OUTPUT CH], select a setting option

and close the menu.

While recording external video with 4-channel audio from the HDV/DV terminal, the available options will be

[CH /CH ], [CH /CH ], [CH /CH ], and [ALL CH/ALL CH]. During playback, the audio output differs

according to the setting option and audio input.

Setting Option →

Audio Input ↓

HDV/DV input

[CH

/CH

CH1/CH2

]

[CH

/CH

]

[CH

/CH

]

[ALL CH/ALL CH]

ALL CH/ALL CH

2 channels

4 channels¹

CH1/CH1

CH2/CH2

Operates according to the [AUD.M.SET] setting (

83).

Analog input

CH1/CH1 CH2/CH2

¹Playback of a tape recorded with 4-channel audio (using another device)

Selecting the Audio Output Level

You can boost the level of the audio output signal from the A/V1 terminal from 1 Vrms to 2 Vrms (+6 dB).

AUDIO SETUP

OUTPUT LEVEL•••1Vrms

Open the menu and select [AUDIO SETUP]. Select [OUTPUT LEVEL], select a setting

option and close the menu.

The output level from the headphone terminal does not change.

Selecting the Audio Monitor

AUDIO SETUP

AUD.M.SET•••CH

Open the menu and select [AUDIO SETUP]. Select [AUD.M.SET], select a setting option

and close the menu.

• You can also select the audio monitor using the wireless controller.

• If you selected [MIX/VAR.], adjust the mix balance with the [MIX BALANCE] setting or using the MIX

BALANCE buttons on the wireless controller.

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Audio Monitor

[AUD.M.SET]

Audio Output

Selected

Output Signal

Audio Recordings on 4 Channels

Audio Recordings

on 2 Channels

Left

Right

Left Output

Right Output

Mix

Output

Balance

/CH

CH1

CH2

CH1

CH2

CH1+CH2

CH3

CH2

CH1

CH2

CH1+CH2

CH4

–

CH1

CH2

CH1+CH2

CH1

CH2

CH1+CH2

ALL CH/ALL CH

/CH

–

CH3

CH4

CH3

CH4

ALL CH/ALL CH

CH3+CH4

CH1+CH3

CH2+CH4

CH1+CH2+CH3+CH4

CH1+CH3

CH2+CH4

CH1+CH2+CH3+CH4

CH3+CH4

CH2+CH4

CH1+CH3

CH2+CH4

CH1+CH2+CH3+CH4

CH2+CH4

CH1+CH3

CH2+CH4

CH1+CH2+CH3+CH4

MIX/FIXED

MIX/VAR.

/CH

Fixed

(1:1)

ALL CH/ALL CH

/CH

Variable

ALL CH/ALL CH

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Digital Video Control

This feature enables the camcorder to control the record and stop functions of an external digital device

connected to the camcorder through the HDV/DV terminal. The device must comply with the IEEE1394

AV/C protocol. Use the optional CV-250F (4 pin-6 pin) DV cable or a commercially available 6 pin-6 pin

DV cable to connect the external device.

SYSTEM SETUP/

DV CONTROL•••OFF

of Connecting to a Monitor/TV

1. Open the menu and select [SYSTEM SETUP/

[ON ] and close the menu.

2. Press the START/STOP button.

]. Select [DV CONTROL], set it to

If the button was pressed while the camcorder was in record pause mode:

Camcorder and external device: start recording.

If the button was pressed while the camcorder was recording:

Camcorder and external device: stop recording (record pause mode).

If the button was pressed while the camcorder was not ready to start recording:

Camcorder: no change; External device: starts/stops recording following the camcorder’s control. If you

press the START/STOP button again after solving the problem on the camcorder (inserting a cassette,

etc.), the camcorder will start recording as the external device continues recording.

While both this camcorder and a connected device are recording, if this camcorder stops

recording because of a condition other than pressing the START/STOP button (e.g., if the tape has

reached its end), the connected device will continue recording.

When this camcorder stops recording you may notice a brief interruption of the audio on the

connected device.

The status of the connected device is indicated as follows.

Connected device is recording

Connected device is in record pause or stop mode

– – –

Connected device is in a mode other than record pause or stop

[DV CONTROL] is set to [ON ], but no external device is connected

As long as the built-in rechargeable lithium battery is charged, the camcorder retains the DV

control setting even if you turn the power off. Make sure to check the setting after using the DV

control function, as the tape in the connected device may be overwritten.

When connecting two DV Control-compatible Canon camcorders with a DV cable, make sure to

set [DV CONTROL] on the other connected camcorder to [OFF].

Up to 2 other devices can be connected to this camcorder for DV control.

With some non-Canon devices the DV control may not work properly depending on the connected

device.

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Recording an External Video Signal

(HDV/DV In, Analog Line-In)

You can record on the tape an external video signal, either from the HDV/DV input (SD or HD standard)

or from the analog video input (SD standard).

HDV/DV In

When recording from an external digital device you can select the time code to be used for the

recording made with this camcorder. Select [COPY] to keep the original time code of the video source,

or [REGEN.] to use instead this camcorder’s internal time code.

1. Open the menu, select [SIGNAL SETUP] and then select the [TIME CODE] submenu.

2. Select [HDV/DV IN], select a setting option and close the menu.

3. Connect the camcorder to the external video device.

For the connection diagram to a digital device refer to Section

of Connecting to a Monitor/TV ( 81).

4. Press the

and

buttons (or the REC PAUSE button on the wireless controller).

• The camcorder enters the record pause mode. In this mode you can monitor the picture on the screen.

• If you press only the button, recording will start immediately.

5. Press the button (or the PAUSE button on the wireless controller) when the scene

you wish to record appears.

Recording starts.

6. Press the

button to stop recording.

Analog Line-In

1. Open the menu and select [AUDIO SETUP]. Select [DV AUDIO], select a setting option

and close the menu.

2. Connect the camcorder to the output terminals of the analog video device.

For the connection diagram to an analog device refer to Section

(

81).

3. Press the

and

buttons (or the REC PAUSE button on the wireless controller).

• The camcorder enters the record pause mode. In this mode you can monitor the picture on the screen.

• If you press only the button, recording will start immediately.

4. Press the button (or the PAUSE button on the wireless controller) when the scene

you wish to record appears.

Recording starts.

5. Press the

button to stop recording.

Certain software tapes are copyright protected. If you attempt to play back such tape, “COPYRIGHT

PROTECTED PLAYBACK IS RESTRICTED” appears and you will not be able to view the contents of the

tape. If you attempt to record from such tape via the DV terminal, “COPYRIGHT PROTECTED

DUBBING RESTRICTED” appears and you will not be able to record the contents of the tape.

We recommend powering the camcorder from a household power outlet.

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Converting Analog Signals into Digital Signals

(Analog-Digital Converter)

Using the camcorder you can convert analog video input signals to a digital video signal (SD standard)

and output it through the HDV/DV terminal.

SIGNAL SETUP

AV DV••••••••OFF

Open the menu and select [SIGNAL SETUP]. Select [AV DV], set it to [ON] and close the

menu.

Depending on the signal sent from the connected device, the conversion from analog to digital

signals might not work properly (e.g., signals that include copyright protection signals or

anomalous signals such as ghost signals).

For normal use, set [AV DV] to [OFF]. If it is set to [ON], digital signals cannot be input via the

camcorder’s HDV/DV terminal.

Depending on the software and the specifications of your computer, you may not be able to

transfer converted signals via the HDV/DV terminal.

We recommend powering the camcorder from a household power outlet.

You can also press the AV DV button on the wireless controller. Pressing the button will toggle

the AV DV conversion on and off.

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Connecting to a Computer

To connect the camcorder to a computer you will need a computer equipped with an IEEE1394 (DV)

terminal and video editing software with video capturing capability installed. Use the optional CV-250F

(4 pin-6 pin) DV cable or a commercially available 6 pin-6 pin DV cable. For the minimum system

requirements for video editing, refer to the instruction manual of the video editing software.

CV-250F

DV Cable (optional)

IEEE1394 (DV) terminal

or commercially

Operation may not work correctly depending on the software and the specifications/settings of

your computer.

If the computer freezes while the camcorder is connected, disconnect and reconnect the DV

cable. Should the problem persist, disconnect the cable, turn both the camcorder and the

computer off and then on again and reconnect them.

Make sure that the computer’s video capturing system is compatible with the video signal

standard you are using. If the computer is not compatible with the camcorder’s video output

signal, the camcorder may not be correctly detected or may not operate properly.

Refer also to the instruction manual of the computer and the editing software.

Adjust the [SIGNAL SETUP] [PLAYBACK STD] and [HD DOWN-CONV] settings in accordance

with the video signal standards of the connected computer.

For video output from the camcorder to the computer:

output: Set [PLAYBACK STD] to [HDV] and [HD DOWN-CONV] to [OFF].

output: Set [PLAYBACK STD] to [DV].

output of a recording originally made in HDV standard: Set [PLAYBACK STD] to [HDV] and

[HD DOWN-CONV] to [ON].

For video input from the computer to the camcorder:

input: Set [PLAYBACK STD] to [HDV] and [HD DOWN-CONV] to [OFF].

input: Set [PLAYBACK STD] to [DV].

Customization

Custom Preset Settings

You can select preset level for a number of picture-related parameters (23 parameters when recording

movies, 17 when recording still images). A list of the parameters is given in the following table and you

can find more detailed descriptions on page 94. After changing individual parameters to your

preference, you can save the whole set as a custom preset file. You can also embed the data of the

custom preset parameters currently in use within a still image recorded on the memory card.

Up to 9 different custom preset files can be saved on the camcorder* and up to 20 custom preset files

can be saved on a memory card. Custom preset files can be copied between the camcorder and

memory card.

Custom preset files saved with a Canon XL H1S, XL H1A, XH G1 or XH A1 can be used with this

camcorder. Custom preset files saved with this camcorder can be used on a Canon XL H1S, XL H1A,

XH G1 or XH A1.

* Custom preset files 7 to 9 on the camcorder are predefined custom preset files, especially designed for specific scenes.

Custom Preset Parameters

GAM

KNE

BLK

Gamma curve**

Knee point

Black stretch/Black press

Master pedestal**

Setup level**

Group 1

Parameters related to light and gradation

PED

SET

SHP

HDF

DHV

COR

NR1

NR2

CMX

CGN

CPH

RGN

GGN

BGN

RGM

RBM

GRM

GBM

BRM

BGM

Sharpness

Group 2

Parameters related to noise and definition of outlines

Horizontal detail frequency

Horizontal/vertical detail frequency

Coring

Noise reduction 1**

Noise reduction 2**

Color matrix**

Color gain

Group 3

Parameters related to color direction and intensity

Color phase

Red gain

Green gain

Blue gain

R-G matrix

Group 4

Parameters related to change in color

R-B matrix

G-R matrix

G-B matrix

B-R matrix

B-G matrix

** Available only when recording movies.

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Enter the custom preset

editing screen

File name of the currently

selected custom preset file

Save the custom preset file

to the memory card

Read a custom preset file

from the memory card

Overview of the content of the

custom preset file

Back to the [CUSTOMIZE]

submenu

Select the custom preset file

Back to the options on the left side bar

Reset the custom preset to default values

Change the custom preset settings

Rename the custom preset file

Protect the custom preset file

Changing Custom Preset Parameters

CUSTOMIZE

CUSTOM PRESET

EDIT

····

····

SELECT CP

TUNE

1. Open the menu, select [CUSTOMIZE] and then select the [CUSTOM PRESET]

submenu.

The custom preset submenu appears.

2. Select [

EDIT] from the column on the left.

The cursor will move to the bottom bar of the custom preset editing screen. To return one level back to

the options on the column on the left, select [ RETURN] and press the SELECT/SET dial.

3. From the bottom bar, select [

preset file you want to change.

SELECT CP] and then select the name of the custom

The overview display shows in shortened form the current settings of the parameters of the custom

preset file selected.

4. From the bottom bar, select [

TUNE].

The first parameter ([GAM]) of the custom preset file will be highlighted in blue.

5. Turn the SELECT/SET dial to select a parameter you want to adjust and press the dial.

Make the adjustment or the selection as necessary and press the dial.

• During the adjustment you can verify the effect on the screen.

• Repeat this step to adjust all the parameters you want to change.

6. When you finish adjusting all the parameters you want to change in the custom preset

file, select [ RETURN], press the dial and close the menu.

The custom preset parameters appear in one screen as 3-letter abbreviations followed by the

current setting value. As you move between the items with the SELECT/SET dial, the full name of

the currently selected item and its current value will be displayed at the bottom of the screen.

Protected custom preset files cannot be changed. If you attempt to change a protected file,

will start flashing.

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Renaming a Custom Preset File

Follow steps 1-3 in Changing Custom Preset Parameters ( 90) to select the custom preset file you

want to rename.

1. From the bottom bar, select [

RENAME].

The first character of the custom preset file name will start flashing.

2. Turn the SELECT/SET dial to select a number, letter or punctuation mark and press

the dial.

• The next character of the custom preset file name will start flashing.

• Set the rest of the custom preset file name in the same way.

3. When you finish renaming the custom preset file, press the dial.

You will return to the custom preset editing screen.

4. Close the menu.

Protecting a Custom Preset File

Follow steps 1-3 in Changing Custom Preset Parameters ( 90) to select the custom preset file you

want to protect.

1. From the bottom bar, select [

PROTECT].

• The protection mark

will appear next to the custom preset file name.

• To cancel the protection, repeat the procedure for a custom preset file with the

mark.

Resetting a Custom Preset File

Follow steps 1-3 in Changing Custom Preset Parameters ( 90) to select the custom preset file you

want to reset to default values.

1. From the bottom bar, select [

RESET].

A confirmation screen will appear.

2. Select [EXECUTE] and press the SELECT/SET dial.

You will return to the custom preset editing screen.

3. Close the menu.

Protected custom preset files cannot be reset. If you attempt to reset a protected file,

flashing.

will start

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Activating the Custom Preset Settings

1. Press the CUSTOM PRESET SELECT

button.

• Repeatedly pressing the button will cycle through

the available custom preset files. You can also set

a custom key as [CP BKWD KEY] to cycle through

the custom preset files in reverse order (from last

to first) ( 73).

• When you are not using the custom preset

settings, set the camcorder to

•

and the name of the selected custom preset

file will flash on the screen. After 4 seconds, the

file name will be replaced by the custom preset

file number.

2. Press the CUSTOM PRESET ON/OFF

button.

and the name of the selected custom preset file will stay on and the custom settings will be activated.

After 4 seconds, the file name will be replaced by the custom preset file number.

Copying a Custom Preset File to the Memory Card

1. Open the menu, select [CUSTOMIZE] and then select the [CUSTOM PRESET]

submenu.

2. Select [

3. From the bottom bar, select [

preset file you want to copy to the card.

4. Select [ SAVE POSITION] and select the file name under which you want to store

CAMERA

CARD] from the column on the left.

SELECT CP] and then select the name of the custom

the file on the memory card.

• Up to 20 custom preset files can be stored on the memory card. If you try to save more than 20 custom

preset filed one of the files on the card will be overwritten (you can select which file to overwrite).

• If there are no custom preset files saved on the memory card, the default file name will be “NEW_FILE”.

5. Select [

file.

EXECUTE] and in the confirmation screen select [EXECUTE] to copy the

6. Close the menu.

Reading a Custom Preset File from the Memory Card

1. Open the menu, select [CUSTOMIZE] and then select the [CUSTOM PRESET]

submenu.

2. Select [

3. From the bottom bar, select [

preset file you want to read to the camcorder.

4. Select [ SELECT POSITION] and select the preset number under which you want to

store the file in the camcorder.

CARD

CAMERA] from the column on the left.

IMPORT] and then select the name of the custom

5. Select [

file.

EXECUTE] and in the confirmation screen select [EXECUTE] to load the

6. Close the menu.

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Reading a Custom Preset File from a Still Image

With the custom function [PHOTO BUTTON] ( 97) you can select to save the custom preset settings

currently in use along with a still image recorded in

mode (simultaneous recording,

115).

This is very useful when you want to load the custom preset file later by selecting the still image taken

at a specific scene.

1. Select the still image that contains the custom preset file you want to read.

Use the

+ / – buttons to move between the still images. If a still image contains a custom preset

file,

appears.

2. Open the menu, select [CUSTOMIZE] and then select [META DATA CP].

3. Select [ CARD CAMERA] from the column on the left.

4. From the bottom bar, select [ SELECT POSITION] and select the preset number

under which you want to store the file on the camcorder.

5. Select [ EXECUTE] and in the confirmation screen select [EXECUTE] to load the

file.

6. Close the menu.

Custom preset files 7 to 9 are predefined settings designed for specific scenes.

- These 3 custom preset files are protected and, as long as the protection is not removed, cannot be

overwritten.

- Even if you deleted or changed the sample custom preset files, you can reset them to the original

values by resetting all the camcorder’s settings. Open the menu and select [SYSTEM SETUP/

Select [RESET ALL] and select [YES] in the confirmation screen.

- After resetting custom preset files 1 to 6 with the [

default settings.

RESET] option, they will all contain the same

Custom Preset [7 VIDEO.C]

For playback on a consumer-level monitor.

[BLK] = [PRESS], [PED] = -2, [SET] = -2

Custom Preset [8 CINE.V]

For playback on a monitor TV with a film-like feel.

[GAM] = [CINE1], [KNE] = [LOW], [BLK] = [STRETCH], [SHP] = -4,

[CMX] = [CINE1], [CGN] = -20, [CPH] = 5, [RBM] = -5, [GRM] = -5

[GBM] = -5, [BRM] = 5, [BGM] = 12

Custom Preset [9 CINE.F]

For video transfer to film.

[GAM] = [CINE2], [KNE] = [LOW], [BLK] = [STRETCH], [SHP] = 6,

[CMX] = [CINE2], [RGN] = -8

*All other settings are left at their neutral values.

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[GAM] Gamma Curve

The gamma curve changes the overall look of the image.

You can select from [NORMAL], [CINE1] or [CINE2].

[NORMAL]: standard gamma setting suitable for video.

[CINE1]: appropriate for video telecined from film.

[CINE2]: appropriate for transfer to film.

Output

[NORMAL]

[CINE1]

[CINE2]

Input

Representation of the setting

[KNE] Knee Point Adjustment

Adjust the dynamic range (knee point) in the highlight

area of the image to prevent overexposure. You can

select from [AUTO], [HIGH], [MIDDLE] or [LOW].

Output

[HIGH]

[MIDDLE]

[LOW]

[BLK] Black Stretch/Black Press

[STRETCH]

Adjust the dynamic range in the shadow area of the

image. You can select from [STRETCH], [MIDDLE] or

[PRESS].

[STRETCH]: emphasizes contrast in the dark area.

[PRESS]: enhances or deepens darkness.

[MIDDLE]

[PRESS]

Representation of the setting

Input

[PED] Master Pedestal

Adjust the master pedestal level in the range -9 to +9. The master pedestal lowers or raises the baseline of

the luminance signal affecting only the shadow areas. Set [-] values to subdue the dark areas, or set [+]

values to get more detail in the shadows.

[SET] Setup Level

Adjust the setup level in the range -9 to +9. The setup level lowers or raises the whole gamma curve

controlling the darkest level of black in the image. Set [-] values to get a darker image, or set [+] values to get

a brighter image.

• Depending on the value set for the master pedestal [PED], the setup level may not be able to take a

negative value. As a result, adjusting the setup value within a certain value range will have no effect.

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[SHP] Sharpness

Adjust the sharpness level in the range -9 to +9. Noise artifacts caused by too-high sharpness settings can

be reduced using the coring setting.

[HDF] Horizontal Detail Frequency

Select the horizontal definition of the image from [HIGH], [MIDDLE] or [LOW].

[DHV] Horizontal/Vertical Detail Balance

Adjust the balance between horizontal and vertical definition of the image in the range -9 (only horizontal) to

+9 (only vertical).

[COR] Coring

Adjust the coring level in the range -9 to +9. Set higher coring values to help reduce the noise artifacts

caused by high sharpness levels.

[NR1] Noise Reduction 1

You can select from [OFF], [HIGH], [MIDDLE] or [LOW] to reduce the noise caused by shooting in dark

places or by increasing the gain too much.

• When picture noise is already low due to the gain settings, the noise reduction function may not be

noticeable.

When activated (settings other than [OFF]), moving subjects may leave a trailing afterimage.

[NR2] Noise Reduction 2

You can select from [OFF], [HIGH], [MIDDLE] or [LOW] to reduce the noise caused by shooting fast

moving objects. Results in an effect similar to applying the skin detail function over the whole picture.

• Unlike with the [NR1] setting, a trailing afterimage will not appear.

[CMX] Color Matrix

Color mix affects the fundamental color settings and affects the feel of the whole image. You can select from

[NORMAL], [CINE1] or [CINE2].

[CGN] Color Gain

Adjust the color intensity in the range -50 to +50.

[CPH] Color Phase

Adjust the color phase in the range -9 to +9. Color phase affects the overall balance of the colors in the

picture. Set [-] values to adjust the colors toward violet/red tones, or set [+] values to adjust the colors toward

green/blue tones.

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[RGN] R Gain

Adjust the intensity of red tones in the range -50 to +50.

[GGN] G Gain

Adjust the intensity of green tones in the range -50 to +50.

[BGN] B Gain

Adjust the intensity of blue tones in the range -50 to +50.

[RGM] R-G Matrix

The R-G matrix changes the tint of the picture along the cyan/green and red/magenta gradations without

affecting blues. Adjust the level in the range -50 to +50.

[RBM] R-B Matrix

The R-B matrix changes the tint of the picture along the cyan/blue and red/yellow gradations without

affecting greens. Adjust the level in the range -50 to +50.

[GRM] G-R Matrix

The G-R matrix changes the tint of the picture along the magenta/red and green/cyan gradations without

affecting blues. Adjust the level in the range -50 to +50.

[GBM] G-B Matrix

The G-B matrix changes the tint of the picture along the magenta/blue and green/yellow gradations without

affecting reds. Adjust the level in the range -50 to +50.

[BRM] B-R Matrix

Customized Functions

You can customize to your personal preferences many aspects of the operation of the camcorder, most

of them governing how the camcorder operates in

mode. You can adjust up to 3 different

custom function files and save them on the camcorder or to a memory card. By just reading the custom

function file saved on the memory card with another XH G1S / XH A1S, you will instantly get a

camcorder configured to operate in the same familiar manner you prefer.

Overview of the content of

Selected custom function file

the custom function file

(highlighted in blue)

Function number

(black background)

Code of the current setting

option

Activate the currently selected

custom function file

Back to the selection of custom

function files on the left side bar

Change the custom function settings

Reset the custom function file to default

values

Save the custom function file to the memory card

Read a custom function file from the memory card

Changing the Custom Function Settings

CUSTOMIZE

CUSTOM FUNCTION

C.Fn1