User Manual
STUDIO CONDENSER
MICROPHONES C-2
2 Matched Studio Condenser Microphones
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19 STUDIO CONDENSER MICROPHONES C-2 User Manual
LIMITED WARRANTY
Please register your new BEHRINGER
equipment right after your purchase by visiting
behringer.com and read the terms and conditions
of our warranty carefully.
LEGAL DISCLAIMER
TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER IS
PART OF THE MUSIC GROUP (MUSIC-GROUP.COM).
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSIC GROUP ACCEPTS
NO LIABILITY FOR ANY LOSS WHICH MAY BE
SUFFERED BY ANY PERSON WHO RELIES EITHER
WHOLLY OR IN PART UPON ANY DESCRIPTION,
PHOTOGRAPH OR STATEMENT CONTAINED HEREIN.
COLORS AND SPECIFICATIONS MAY VARY FROM
ACTUAL PRODUCT. MUSIC GROUP PRODUCTS
ARE SOLD THROUGH AUTHORIZED FULLFILLERS
AND RESELLERS ONLY. FULLFILLERS AND
RESELLERS ARE NOT AGENTS OF MUSIC GROUP
AND HAVE ABSOLUTELY NO AUTHORITY TO BIND
MUSIC GROUP BY ANY EXPRESS OR IMPLIED
UNDERTAKING OR REPRESENTATION. THIS MANUAL
IS COPYRIGHTED. NO PART OF THIS MANUAL
MAY BE REPRODUCED OR TRANSMITTED IN
ANY FORM OR BY ANY MEANS, ELECTRONIC OR
MECHANICAL, INCLUDING PHOTOCOPYING AND
RECORDING OF ANY KIND, FOR ANY PURPOSE,
WITHOUT THE EXPRESS WRITTEN PERMISSION OF
MUSIC GROUP IP LTD.
ALL RIGHTS RESERVED.
© 2012 MUSIC Group IP Ltd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands
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20 STUDIO CONDENSER MICROPHONES C-2 User Manual
1. Introduction
Congratulations! By purchasing the BEHRINGER C-2, you have obtained 2 condenser
microphones that offer the highest quality standards and the best audio characteristics.
Both microphones have been matched to one another (matched pair), and are
therefore particularly well-suited for stereo recordings. Of course, you can also use
the microphones individually.
Their outstanding characteristics make these microphones a valuable tool in the studio and
on the stage.
2. Power Supply
Phantom power (+48 V) is required to operate your microphone. We assume no liability
for damage caused to your C-2 through deffective phantom power. Before activating
phantom power, mute your playback system and connect the C-2 to the microphone input
of your mixing console. After activating phantom power, the C-2 requires several seconds to
stabilize itself.
3. Pickup Patterns
Both microphones feature a capsule with a cardioid pickup pattern. Microphones with this
polar pattern are most sensitive to sound coming from in front of the microphone, and also
to a lesser extent from the sides. Sound coming from behind the microphone will be greatly
attenuated. This makes the caqrdioid polar pattern most suitable for recording individual
instruments or vocals within a group.
The so-called proximity effect is typical for microphones with the cardioid pickup pattern.
Depending on the distance between the microphone and the sound source, a slight increase
in the lower frequency range occurs. The shorter the distance, the more pronounced
this effect. By cleverly selecting the position and the angle of your microphone, you can
effectively manipulate the proximity effect and thus affect how your recording sounds.
Experiment with various positions in order to gain more experience.
4. Possible Applications
Both microphones have been matched to one another (matched pair). Therefore, they are
particularly well-suited for stereo recordings. Regardless of whether you are miking an
entire ensemble or a single sound source (e.g. drums, piano or background vocals), this pair
of condenser microphones lets you achieve outstanding spatial impressions in every
recording session.
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21 STUDIO CONDENSER MICROPHONES C-2 User Manual
Of course, you can use your microphones individually as well. A cardioid pattern capsule
is often used in recording situations in which several sound sources are present. Since this
capsule selectively tones down the pickup of sounds located to the side of the microphone,
this way you can achieve good separation of sound sources, thus easily avoiding feedback.
5. Low Cut-Filter and Signal Level
Attenuation (-10 dB)
The C-2 studio microphones feature a switchable low-cut filter that lets you eliminate
low-frequency disturbances such as subsonic noise. Set the switch to its middle position to
activate the low-cut filter.
A switchable level attenuation is provided on your C-2s for applications in which the
microphones are exposed to extremely high sound pressures. When the switch is in its
“−10 dB” position, the level attenuation is activated.
When the switch is in its top-most position, the signal is not influenced in any way.
6. Microphone Installation
To attach the microphones to the microphone stands, two clamps are included with the
delivery. First screw a clamp onto the stand before attacting the microphone itself.
7. Audio Connection
Use a balanced XLR microphone cable with the following pin assignment: pin 1 = shielding;
pin 2 = +; pin 3 = -. Since your C-2 features gold-plated contact points throughout,
we recommend that you use only microphone cables with gold-plated connectors.
8. Level Setting/Adjusting the Basic Sound
Adjust the gain control in the microphone channel of your mixing console so that the peak
LED lights up only occasionally or never at all. The EQ controls in the microphone channel
should be set to mid-travel position to start with; low-cut filter and signal level attenunation
should be switched off. To get the sound you want, try changing the mic position relative to
the sound source or even move the microphone around in the recording room of your studio.
Adjusting the angle at which walls face the sound source can also be helpful. Only when
the desired basic sound has been achieved, should you start to use equalizers and signal
processors, if any at all. Remember: less is often more!
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22 STUDIO CONDENSER MICROPHONES C-2 User Manual
0ꢀ
0ꢀ
30ꢀ
30ꢀ
60ꢀ
60ꢀ
90ꢀ
90ꢀ
dB
-30
-20
120ꢀ
120ꢀ
-10
0
150ꢀ
150ꢀ
180ꢀ
180ꢀ
250 Hz
500 Hz
1 kHz
2 kHz
4 kHz
8 kHz
16 kHz
Polar pattern
20
10
0
-10
-20
20
50 100 200
500 1k
2k
5k 10k 20k
Frequency response
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23 STUDIO CONDENSER MICROPHONES C-2 User Manual
9. Specifications
Transducer type
condenser, 16 mm (0.63'')
Operating principle
Polar pattern
pressure gradient
cardioid
Connector
gold-plated balanced XLR connector
−41 dBV (0 dBV = 1 V/Pa)
20 Hz to 20 kHz
Open circuit sensitivity (@ 1 kHz)
Frequency response
level attenuation
−10 dB, switchable
6 dB/oct. @ 120 Hz (switchable)
140 dB (0 dB), 150 dB (−10 dB)
19 dBA
Low-cut filter
Max. SPL (≤ 1% THD @ 1 kHz)
Equivalent noise level (IEC 651)
Signal-to-noise ratio
Nominal impedance
Load impedance
75 dB
75 Ω
> 1 kΩ
Mains Voltage/Fuse
Supply voltage
Supply current
+48 V
3 mA
Physical/Weight
Dimensions
0 shaft: 0.8" / 20 mm
length: 3.7" / length: 94 mm
Weight
approx. 0.2 lbs / 0.09 kg
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