RHDM-1701
16.5" - LCD Broadcast Monitor
User manual
K5960051-01
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Introduction
1 Introduction
1.1 Customer notice
Thank you for buying Barco!
Barco is a world leader in display and visualization solutions. We are convinced that you will enjoy
our products.
1.2 Change record
Revision
00
01
Date
Description
April 2010
July 2010
Initial release
Update for software V3.04
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3
Introduction
1.3 Contents of the user manual
1.3.1 Introductory notes on the content
The user manual is divided in different sections. The sections that are relevant to the reader may
depend on the readers’ experience level.
Get an image on the screen in 5 minutes: After reading the important notices and safety
introduction in the chapter “Introduction”, the information provided in the chapter “First operation”
will guide the user through the process of switching on and viewing an input signal on the display
unit.
First reconnaissance with the display unit: A chronological reading of the user manual is
probably the most satisfying way for users who have not used the display unit before. Especially the
chapter “First operation” and the chapter “How to” will give the user a good feel for the basic
operations and the capabilities of the display unit.
Finding out “how to” perform a frequently used operation: A dedicated chapter “How to” is
made for the most frequent operations the user would like to execute. It will help the user to solve
the question quickly, since it is built up as a non chronological guide.
Basic knowledge of the display unit, expert question: The chapter “full functionality
description” contains all there is to know about the display unit. The information is ordered in a
chronological way.
Technical details: Check the “Addendum” for detailed and technical information on the display
unit.
Trough-out the manual, the reader may wonder about the use of a specific term. The frequently
used terms are gathered in the chapter “Terminology” for the readers’ convenience.
1.3.2 Structure of the user manual
Chapter 1: Introduction
The introduction contains all general information related to the product, including “About the
product”, “Important notices” and “Safety precautions”.
Chapter 2: First operation
The basic operations of the display unit are explained in this chapter.
Chapter 3: How to
Frequently used procedures and/or features are described in this chapter. This is a good place to
start for users who want to learn how the basic controls work.
Chapter 4: Full functionality description
4
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Introduction
All options and possibilities are listed in this chapter. This is an extensive and complete list of all
features.
Chapter 5: Video signal processing
Describes details related to the video signal processing of the display unit.
Chapter 6: Terminology
The terminology used in this manual is explained in detail in this chapter. This allows the beginner
and the expert to fall back on a consistent naming convention used throughout this manual.
Chapter 7: Addendum
The Addendum is quite extensive and includes the more technical parts of information that are
useful for system integrators and people who want to know more about the technical specifications
of the display unit.
Chapter 8: List of abbreviations
Chapter 9: Table of contents, list of figures and list of tables
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5
Introduction
1.4 About the product
The RHDM-1701 is a reliable grade-1 reference monitor for color critical applications in the
broadcast and post-production markets, such as:
• camera control
• program and distribution monitoring
• signal QA (Quality Assurance)
• technical room
• color grading
• DI (Digital Intermediate)
The RHDM-1701 reference monitor brings value of trusted reference colors, no calibration
maintenance for a long period, and image quality comparable to CRT.
On top of that, the user-friendly interface and ease of use are unparalleled in similar LCD monitors.
On the feature level, the color accuracy and stability with time and temperature, perfect grey scale
representation, deep and correct blacks, motion handling with scanning backlights and a myriad of
other features give large benefits to professionals active in these markets.
The Key features of the display unit are:
LCD panel
• 16.5” (41,9cm) diagonal
• 1920x1080
• 10 bit panel
• Typical contrast 1000:1
• Barco guarantees the delivery of a RHDM-1701 monitor equipped with an LCD panel selected
zero dot defects at sparkle mode. Sparkle mode is when the brightness of a dot is more than
16% at black.
Optical properties
• Wide gamut LED backlight
Processing of input signals
• 48 bit color processing (16 bit per color)
• 96-120 Hz native LCD driving
• Genlock and frame sync
• Quantified latency
• Scanning backlight functionality
6
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Introduction
Calibration and stability
• Compliant with following color standards:
ꢀ
ꢀ
ꢀ
ꢀ
ꢀ
ꢀ
ꢀ
EBU 3213
SMPTE C
ITU BT.709
xvYCC
sRGB
Adobe
DCI
• Selection of different opto-electric transfer functions (‘gamma’)
ꢀ
ꢀ
ꢀ
ꢀ
ꢀ
ꢀ
Rec.709
xvYCC
Pure gamma
Extended gamma
sRGB
SMPTE 240M
• Factory cross-talk calibration
• Thermal sensor circuit for LED stabilization with temperature
• Embedded spectrometer for overall color stabilization over time
• Embedded special sensors for LED uniformity and color stabilization over time
Modular input configuration (4 slots)
• Slot 1 - 1 SDI input board (standard)
• Slot 2 – 1 SDI input board (optional)
• Slot 3 – future option (DVI)
• Slot 4 – future option (DVI)
SDI module specifications
• Possible inputs:
ꢀ
ꢀ
ꢀ
ꢀ
ꢀ
2 x SDSDI
2 x HDSDI
2 x 3Gb/s (option)
Combination of 2 signals out of: SDSDI, HDSDI or 3Gb/s (option)
1 Dual Link (option)
• Outputs: 2 loop-through outputs
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Introduction
Control
• Control panel with main functions and hot keys
• Ethernet interface with web server
• RS485 serial and parallel control or Tally/UMD
• USB: host, peripheral and support of mass storage devices, mouse, etc…
Feature packs and options
• The RHDM-1701 comes in different flavors. Depending on the specific applications that are tar-
geted by the user, different feature packs can be selected. Depending on the feature pack, addi-
tional options can be available.
• Broadcast – RHDM-1701/B: standard feature pack
ꢀ
ꢀ
ꢀ
ꢀ
Accepts SD and HD-SDI timings (2 inputs with loop-through outputs)
Selectable color space (EBU, SMPTE C, Rec.709 and Native), color temperature and gamma
Configurable aspect ratio and safe area markers
Standard controls (picture, background, saturation, hue, color channel selection, mono-
chrome, input selection, aspect ratio and picture size, interlace mode)
• Post production – RHDM-1701/P has all features of the B version plus:
ꢀ
ꢀ
ꢀ
Custom R, G, B primaries (in x,y)
Accepts Dual Link HD-SDI timings
Accepts 3Gb/s SDI timings
8
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Introduction
1.5 Read carefully
IMPORTANT:
Please read the important notices and safety precautions, mentioned in the following paragraphs, carefully. They
provide essential juridical and technical information about the purchased product.
1.6 Important notice
1.6.1 Notation convention
Following notations are applicable to this manual and should be respected throughout the manual.
WARNING:
Warnings – presented in this manual, provide information, which if not adhered to, may result in personal injury or
death.
CAUTION:
Cautions – presented in this manual, provide information, which if not adhered to, may result in damage to the
equipment.
NOTE:
Notes – presented in this manual, provide information, which emphasize points, significant to understand and
operate the unit.
IMPORTANT:
Important – presented in this manual, provide information, which is important to highlight.
1.6.2 Copyright
© Barco n.v., All rights reserved.
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Introduction
The information contained herein is Barco confidential information. No part of the information
contained herein may be disclosed outside of the organization of the recipient, its sub-contractors,
and customers in any form or by any means and/or stored in a database or retrieval system without
the prior written consent of Barco.
1.6.3 Technical accuracy notice
Although every attempt has been made to achieve technical accuracy in this document, we assume
no responsibility for errors that may be found. Our goal is to provide you with the most accurate
and usable documentation possible; if you discover errors, please let us know.
1.6.4 Technical specifications notice
The technical specifications mentioned in this manual shall under no circumstances be used as
proof or item of evidence.
Only the technical specifications defined in the Barco technical specifications document (which is
not part of this manual) can be used as a base for contract negotiations.
1.6.5 Federal Communication Commission (FCC) notice
This equipment has been tested and found to comply with the limits of an FCC class (refer to the
technical specifications of the specific unit for more details about the corresponding class). These
limits are designed to provide reasonable protection against harmful interference when the
equipment is operated in a commercial environment. This equipment generates, uses and can
radiate radio frequency energy and, if not installed and used in accordance with the instruction
manual, may cause harmful interference to radio communications. Operation of this equipment in a
residential area is likely to cause harmful interference in which case the user will be required to
correct the interference at his own expense.
1.6.6 Warranty
During the warranty period, Barco n.v. will do all repairs free of charge (material and
labor). The faulty parts or units have to be shipped freight prepaid to a Barco n.v.
regional service center. Barco n.v. will pay the freight charges when the repaired
parts are shipped back to the customer's site.
Damage of equipment due to improper use or negligence of the safety precautions
incorporated in this manual are not covered by this warranty.
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Introduction
IMPORTANT:
Opening the cover of the display unit voids the warranty.
The warranty does not include the following:
• Any hardware or software item procured from a source other than Barco n.v. or their official
agent or distributor and integrated by Customer or a third party into Barco n.v. supplied equip-
ment.
• Any host or system configuration not explicitly supported by Barco n.v..
• Consumables such as projector lamps, dust filters, ...
• All software installed on the system, whether they are acquired from Barco n.v. or a third party.
An exception is made for software delivered by Barco n.v. that would prove to be a cause for the
malfunctioning of the hardware covered under this Agreement.
• If any payment remains outstanding from the Purchaser to the Seller.
• Normal wear and tear, use under circumstances exceeding specifications, abuse, unauthorized
repair or alteration, lack of proper maintenance.
• In the particular case of LCD displays, to the case of image retention phenomena (shadows, dark
lines and other image artifacts), that may result from a usage outside of the specification.
• Any failures resulting from an accident, negligence (such as but not limited to removing or delet-
ing system files & licensed software product files), misuse, circuit failure or any change, damage
due to fire, water, thunder or lightning, power failure or fluctuation, disruption of communication
lines or due to force majeure, or any reason foreign to the equipment.
• Any specific services or procedures, asked for by the Customer, related to verification of repaired
equipment.
• If several failures occur which are excluded from warranty due to circumstances such as fire and
if Barco n.v.’s understanding that these circumstances may result in damage to other hardware
under agreement, then Barco n.v. is entitled to terminate the contract. No fees will be paid back
by Barco n.v. in this case. Inspection of equipment will be required prior to the continuation of
this Agreement; the same terms and conditions as for the inspection prior to the contract apply.
1.6.7 Trademarks
Brand and product names mentioned in this manual may be trademarks, registered trademarks or
copyrights of their respective holders. All brand and product names mentioned in this manual serve
as comments or examples and are not to be understood as advertising for the products or their
manufactures.
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Introduction
1.6.8 Open source license
This product contains software components released under an Open Source license. A copy of the
source code is available on request by contacting your sales representative.
See appendix A for details.
1.6.9 WEEE
In order to avoid dissemination of toxic substances in the environment and to diminish the pressure
on natural resources, we encourage you to use the appropriate take-back systems. Those systems
will reuse or recycle most of the materials of your end-of-life equipment in a sound way.
The crossed-out wheeled bin symbol invites you to use those systems. If you need more
information about the collection, reuse and recycling systems, please contact your local or regional
waste administrator or Barco (www.barco.com).
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Introduction
1.7 Safety precautions
1.7.1 Earthing
WARNING:
The display unit must be earthed correctly. Verify that the power cable is plugged into a standard 3-pin power
outlet which is effectively earthed. When using extension cords, make sure that they contain a grounded
connection. If in doubt, contact a qualified electrician. Ignoring this warning may lead to personal injury or death.
1.7.2 Electrical warnings and cautions
• Do not power the unit with other input sources as specified in the technical specifications.
• Always power-down the unit before disconnecting the power cable.
• Unplug the display unit from the power source when not in use.
IMPORTANT:
Immediately unplug if:
• the power supply cord is damaged.
• the unit has been dropped or the cabinet is damaged.
• the unit does not operate normally by following the operation instructions.
WARNING:
Do not remove the cover without authorization. Removal of the cover by non-qualified personnel can cause
personal injury.
1.7.3 Environmental cautions
• Do not use the display unit in a dusty or damp room.
• Do not submit the display unit to heavy shocks and/or vibrations.
• Do not cover the display unit while in operation to avoid overheating.
• Do not expose to direct sunlight.
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Introduction
• Do not use the display at extreme limits of temperature and humidity range. Storage and oper-
ating limits are specified in the technical specifications of the unit.
1.7.4 Requirement for dusty environments
The room in which the display unit is installed and operational must be dust-free. The room must
comply with a dust class of 8 or better according to ISO14644-1. If the room in which the display
unit is installed does not comply with the dust class stated above, please contact Barco to discuss
possibilities to protect the display unit against dust.
NOTE:
All construction, reconstruction, decoration activities must be completed before the installation and operation of the
product.
1.7.5 LCD screen
• Do not apply pressure on the surface of the screen. If ‘waves’ are visible on the screen below the
pressing object (e.g. finger), the pressure is already too high and the LCD may already break
under these circumstances.
• Do not hit the LCD screen with hard objects.
• Do not rub the LCD screen with rough materials.
• Do not touch the LCD screen with hard materials. Hard materials can cause scratches on the sur-
face of the LCD screen. Examples of hard material are: fingernails, pencils, pens and styluses,
wooden, plastic or metal objects.
• While moving the display unit manually, hold the LCD screen away from your body to avoid
scratching the LCD screen.
• Do not paste or stick objects with glues and/or adhesive tapes on the LCD screen.
• Wipe off water droplets or oil immediately. Ignoring this precaution could lead to staining and/or
discoloration of the LCD screen.
• Do not expose the LCD screen to direct sunlight.
1.7.6 Cover
• Do not place objects on the cover.
• Do not spill fluids over the cover or the LCD screen.
• Do not push objects into ventilation openings of the display unit.
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Introduction
1.7.7 Hazardous materials
WARNING:
The LCD panel is composed of multiple layers of glass and protective glass with a small amount of liquid in
between. Rough handling or dropping can cause the LCD panel to break. If any part of the skin or body comes in
direct contact with the liquid, immediately wash the affected areas with plenty of water for at least 15 minutes. If
any symptoms are present after washing, get medical care.
1.7.8 Specific handling precautions
• Do not power the unit with other input sources as specified in the technical specifications:
ꢀ
AC power source: 90-264 Vac, 47-63 Hz
• Do not push objects into ventilation openings of the display unit.
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First operation
2 First operation
2.1 Unpacking, installation and cabling
For unpacking, installation and cabling please refer to:
• The quick installation sheet
• The section “Installation” in the Addendum
2.2 Overview locations for operation
1
2
3
4
5
6
Figure 1: Overview of operational controls, indicators and OSD functionalities
Different operation interfaces:
1) Status bar
2) OSD menu
3) Toolbox
4) Under Monitor Display bar / Picture Adjustment bar
5) Control panel
6) Indicator lights
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First operation
2.3 Switch on the display unit
This section is intended for a user who has no experience with the display unit and describes the
standard settings that are necessary to get the display unit up and running. Please check the
chapter with the “full functionality description” to find detailed information on each part and each
function of the display unit.
2
1
3
1
2
3
Standby/Power LED (green or orange)
Fault LED (red)
Calibration LED (orange or red)
Figure 2: Overview indicator lights
NOTE:
The display unit has a certain delay time between powering up and displaying an image on the screen (20
seconds). The delay time originates from several internal checks and calibrations that are performed to guarantee
the correct display of the image. When in doubt about the status of the display unit, please read the
troubleshooting in the addendum.
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First operation
• Check the indicator lights to verify the status of the display unit. When no indicator lights
are lit, check the installation instructions in the addendum to power up the display unit (check if
the power switch at the back is switched on).
ꢀ
ꢀ
Standby/Power LED = green: Display unit is switched on – no further actions are necessary.
Standby/Power LED = orange: Display unit is switched on (soft standby) – the panel and
backlights are switched off. Press (
ꢀ
) ꢁon the control panel to activate the panel and
backlights.
ꢀ
Standby/Power LED = white: Display unit is switched off (hard standby) – press (
ꢀ
)
ꢁon
the control panel to switch the display unit on. The Standby/Power LED will light up green.
1
2
1
2
Power button
Track ball
Figure 3: Control panel – power button
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First operation
2.4 How to register the display unit
During the first 200 hours of operation, all features on the display are enabled, so you are able to
use your display straight out of the box.
In order to continue using your product after that initial grace period, you need to install a valid
license file (which enables the software configuration you have purchased). The license file can be
obtained from our website (as explained in this document). Of course you can install a license file
before the grace period has passed, which will immediately limit the features to the ones you have
purchased.
In the box of each display unit there is an envelope with a license sheet for the product flavor you
have purchased (B or P). If you have purchased any optional ‘feature packs’, there are also
envelopes with license information for each feature pack.
The product, the license sheets for the basic flavor (B or P) and any additional license sheet, all
have their own unique pincodes that have to be registered on our website, before activating your
product.
Overview of the basic steps:
1. Switch on the display unit. Consult the installation section of this manual to install the display
unit. What happens after start-up depends on the license grace period.
• If the license grace period is still in effect, you are able to use the monitor and all its features.
The remaining grace period is shown in the top right corner.
To register the unit on the website, you will need the current pincode. To obtain it, press Menu
and scroll down to the License submenu. The current pincode is displayed there.
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First operation
• If the grace period has expired, you will see the “Welcome message” with instructions on the
screen. Write down the pincode of the display unit that is displayed on the screen, you will need
to register it on the website.
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First operation
2. Collect the envelope(s) containing a software license sheet with a pincode from the box
of the display unit.
3. Register your products and licenses by entering their pincodes on the personalized
In case my.barco.com is not available, please contact Barco service (see contact info mentioned
in the above screenshot)
4. Download the license file from the product registration website and upload it to your
product using a USB key
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First operation
display
PINcode
USB
Register at
my.barco.com
Registered
monitor
license
file
License
PINcode
Figure 4: Schematic overview of the registration process
Step-by-step procedure:
1
Login
• If you already have an existing my.barco.com account, please click ‘Login’ and enter your exist-
ing user name and password to proceed with the login.
• Otherwise if you are a new customer, please sign up to open a my.barco.com account. (This step
is done only once)
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First operation
• The welcome screen appears. Click on the left tab ‘Register Pincodes’.
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First operation
5. Register Pincodes
• Add all pincodes of the new products and licenses to be registered
• When adding codes, the pincode appears in the list at the bottom of the window
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First operation
• When done entering, click on ‘Register’.
• A new page (“Show Products”) will open with a list of all entered pincodes at the top:
6. Assign licenses to products
• In the middle of the “Show Products” page, you have the possibility to assign a license (feature
pack) to the monitor of your choice. Select the license you would like to assign to that monitor
and click ‘Add Feature Pack”.
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First operation
• There is an overview of the assigned licenses at the bottom of the page.
7. Get License File
• If you agree with this assignation, click on ‘Get License File’
• Following page with a link appears. Click the link ‘here’ and save the file on location of your
choice.
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First operation
8. Upload license file to monitors
• Copy the obtained license file to an USB stick, but make sure that the file name is ‘barcoLicense’
(no extension, case sensitive)
• There is only one license file for all monitors that have been registered with this procedure. Plug
the USB stick in each monitor that has been registered and wait 1-2s. until it becomes activated.
• The display unit will recognize the license file automatically. The following message appears
when the update is successful. The display unit should function immediately.
IMPORTANT:
Important note: Only license files with a filename “barcoLicense” (case sensitive, no extensions) will be recognized
by the RHDM. If you obtain a file that has additional information in its name (such as customer reference, serial
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First operation
number etc), then rename the file to barcoLicense for purposes of license upload, and keep a copy of the original
file for your records.
IMPORTANT:
Important note: Verify that the USB stick used to install the license file does not contain a RHDM software package
(xxx.deb) or a 3D LUT file (3d.lut) in its root. Software updates always have priority and will prevent the license
from being installed.
9. Troubleshooting
• If the registration process produces an error, check if the license codes were entered correctly. If
the problem persists, contact Barco.
• You might by mistake assign the wrong license to a monitor with a particular S/N. (e.g. a moni-
tor that is installed at a certain position). This can be corrected.
ꢀ
ꢀ
ꢀ
ꢀ
First, upload the wrong license file to the monitor.
Generate a new pincode via the monitor’s OSD (see following section).
Register this pincode on the website, as explained previously.
The website will ‘release’ that particular monitor and the (wrong) license previously associ-
ated with it
ꢀ
Assign that license to the correct monitor.
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First operation
How to change the license assigned to your display unit:
• Activate the “Admin mode” that you can find in the main menu
Press (“Menu”)
ꢂto open the OSD menu
Provide the administrator password:
Administrator password is “313329”
• Click on “Generate new Pincode” in the “License” OSD menu:
IMPORTANT:
Important note: Do not generate a new pincode unless you plan to install new licenses on your product. Generating
a new pincode will disable the feature packs on your product!
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First operation
License OSD menu
Confirming this dialog will remove all feature packs from the display unit and generate a new
pincode.
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First operation
• The following message is shown on the screen if “generate new pincode” is confirmed:
It is recommended to deactivate the admin mode after removing the feature packs from the display
unit.
• With the newly generated pincode, you can assign new/other licenses to the product on the
Barco website (https://my.barco.com/productregistration ).
• Generate a new license file. Place the license file on a USB stick and connect the USB stick to all
display units that need to be updated with the new licenses.
• The following message appears when the update is successful and the display unit will function
immediately:
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First operation
2.5 Concepts of operation
In this introductory section the concepts of the operation of the display unit will be explained.
Details about the operation of the display unit can be found in the chapter “Full functionality
description”.
Control panel
The operation of the display unit is facilitated by the control panel. The control panel contains
different sections of buttons and knobs that allow the user to interact with the display unit in a fast
and easy way.
Buttons
Some of the buttons (especially the functions keys) have a double functionality and can be used as
follows:
Short press
Instantaneous effect
ꢀ
ꢃ
Long press (press longer
than 2 seconds)
Open a toolbox with advanced settings
The function keys contain most of the settings of the display unit. It is important to understand the
division of the function keys based on the effect that they have on the processing of the video
signal.
2
1
3
4
Figure 5: Function keys divided into categories
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First operation
Categories of
function keys
Description
The video signals to be viewed on the screen are selected by the user
via a window. There are 2 windows that can be selected by pressing
1
2
Select input
(ꢀ
)
ꢄ
for window 1 and
ꢅ
for window 2. Once a window is se-
lected, pressing (
ꢀ) the same button will toggle between the inputs
that are available for that window.
Enables the user to select the way the windows should be viewed on
the screen (e.g. only window 1, only window 2 or both windows
shown next to each other).
View mode
These settings have an effect on the full display and affect the video
signal viewed and processed in both windows.
3
4
Display settings
Input settings
These settings have an effect on each window separately. The set-
tings applied to a window are stored in the memory. Selecting anoth-
er window to be viewed will not result in loss of the previously defined
input settings of the other window.
Rotary knobs
4
2
1
3
Figure 6: Location of the image adjustment rotary knobs on the control panel
The image adjustment knobs control the settings of Background (1), Picture (2), Saturation (3) and
Hue (4). Changing these settings will result in the display unit working out of the calibrated range.
Background (1), Saturation (3) and Hue (4) apply to the each window separately.
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First operation
Figure 7: Picture adjustment bar
When one of the rotary knobs is pressed or turned, the picture adjustment bar is shown at the
bottom of the screen. This information bar shows the actual value of all the rotary knobs.
Trackball
The trackball enables the user to navigate through the menus, change the value of a selected item
and to move the pointer (only in pan&zoom mode).
The
The
ꢆ
ꢆ
button enables the user to edit and confirm a value or setting in the toolbox or OSD menu.
button also acts as a “left” mouse button for drag and zoom operations in the pan&zoom
mode.
Status bar
The status bar is shown at the top of the screen and contains relevant information related to the
settings of the input signal settings and the setting of the display unit. The line highlighted in white
indicates the active window.
Calibrated settings
The display unit is a calibrated instrument that continuously monitors several parameters to ensure
correct representation of colors and luminance levels.
The user can decide to run the display unit in a non-calibrated mode by adjusting the settings
defined by the image adjustment knobs (picture, background, saturation and hue). When the
values of the image adjustment knobs deviate from the calibrated values, the orange light above
the knob will light up. Press (
ꢀ) the knob to return to the calibrated (default) setting (when the
picture adjustment bar is visible).
The user can also decide to show only one of the 3 color channels or to convert the video signal to
monochrome.
In all these cases also the
ꢇbutton will light up orange. Press (ꢀ) the ꢇbutton to go back to
the calibrated status of the display unit.
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First operation
2.6 How to setup the display unit
In this section a number of settings are discussed which are primarily preference settings that can
be set by the user.
• Set the Picture (!) to the required luminance. The default value is 100 cd/m2. The display
remains calibrated in the allowed picture range (45-150 cd/m2). The picture of the display unit
can thus be adjusted according to the preference of the customer.
• The display unit is a digital display, so the signal black level is always mapped correctly to the
LCD black. Depending on the ambient light illumination and reflection from the screen it might be
necessary to align (lift) the black level using a “Pluge” test pattern and adjusting the Back-
ground ( ) of the display unit.
• Toggle the
ꢈbutton until the required color working space is selected (e.g. SMPTE RP145).
The color working space determines the color primaries (comparable to the CRT phosphors) that
are used to display the image on the screen. This setting is a geographic region preference set-
ting.
• Enter the color working space toolbox by pressing
ꢈ(ꢃ- long press). Set the required white
point (default D65). Store the setting under a “Custom” preset.
• Enter the input window menu by pressing or - long press). Set the signal input
ꢄ
ꢅ(ꢃ
range to be visualized on the screen (default 64-1019). Select the OETF (opto-electric transfer
function – ‘gamma’) (default is ITU.709).
• Input signals which have an identifier packet describing the type of input signal are processed
automatically by the display unit. When the input signal does not have an identifier packet,
it may be that the display unit is not able to display the input signal correctly. In this case it is
necessary to set the input signal properties manually:
ꢀ
ꢀ
ꢀ
ꢀ
Press ꢂto enter the OSD menu.
Use the trackball to move the submenu “Input settings”.
Select the type of input that is connected to the input board (Single or Dual link).
When the signal description in this submenu is not correct, override the signal detection and
set the input signal properties manually. E.g. for Dual Link: RGB, 4:4:4, 10 bit and Seg-
mented frame.
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How to
3 How to
3.1 Legend
Short press
Instantaneous effect
ꢀ
ꢃ
Long press (press longer
than 2 seconds)
Open a toolbox with advanced settings
3.2 How to change the license installed on the display unit
Activate the “Admin mode” that you can find in the main menu
• Press (
ꢀ
) ꢂto open the OSD menu
• Provide the administrator password:
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How to
Administrator password is “313329”
• Activate the “Generate new Pincode” in the license OSD menu:
IMPORTANT:
Do not generate a new pincode unless you plan to install new licenses on your product. Generating a new pincode
will disable the license and the feature packs on your product! When you have generated a new pincode by acci-
dent, follow the instructions below to reinstall the license and the feature packs on the display unit.
Figure 8: License OSD menu
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How to
Confirming this dialog will remove the license and all feature packs from the display unit and
generate a new pincode.
The following message is shown on the screen if “generate new pincode” is confirmed:
It is recommended to deactivate the admin mode after removing the feature packs from the display
unit.
With the newly generated pincode, you can assign new/other licenses to the product on the Barco
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How to
• Generate a new license file on my.barco.com.
• Place the license file on a USB stick and connect the USB stick to all display units that need to be
updated with the new licenses.
• The following message appears when the update is successful and the display unit will operate
normally immediately:
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How to
3.3 How to view signals connected to the SDI input board
INPUT 1
INPUT 2
B1
A1
IN
OUT
IN
OUT
Figure 9: Input connectors SDI input board
The standard input board that is mounted in slot 1 is a SDI input board. The SDI input board has
two inputs that are separately connected with a loop-through output connector.
NOTE:
The input signals are not available at the loop-through output connectors when the display unit is in hard standby
Up to 2 inputs can be applied to the SDI board simultaneously. In the table below the possible
combinations are shown:
Input SDI board
Input 1
Input 2
SDI
SDI
Possible inputs
HDSDI
HDSDI
3Gb/s (optional)
3Gb/s (optional)
Dual link (optional)
To select a valid signal, open the input selection toolbox by pressing long (ꢃ) on the button of
the window in which the input signal has to be shown or
ꢄ
ꢅ.
The concept of selection and viewing of the valid signals is summarized in the figure below:
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How to
ACTIVE WINDOW
is shown on screen
press
INPUT 1
INPUT 2
WINDOW 1
press
press
INPUT 1
INPUT 2
press
WINDOW 2
Figure 10: Selection of inputs window 1 & 2
To toggle between the input options for the active window, press (
ꢀ
) the same button to toggle
between the input options. The selected input is shown instantaneously. To change the active
window, press (
instantaneously.
ꢀ) the button of the other window. The other window will be activated
In the example shown in the figure above, window 1 is active and shows the signal applied to input
1 on the screen. Pressing ( will toggle between the available inputs (input 1 and input 2).
Pressing ( will select window 2. When window 2 is active, its selected input (in this example
ꢃ
) ꢄ
ꢃ
) ꢅ
this would be input 2) is shown on the screen.
NOTE:
When no valid input is present for a certain input option, the screen will blank and show the “Invalid input“ icon.
When the display unit was powered off, this is the standard setting for both windows.
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How to
IMPORTANT:
It is possible to select the same input signal for both windows.
The active window is highlighted in white in the status bar at the top of the screen. When the status
bar is hidden, move the track ball or press a button to show/reveal the status bar. The status bar
hides automatically after the timeout time set in the “OSD settings” menu in the OSD menu.
Figure 11: Zoom in of the status bar at the top of the screen
NOTE:
Input settings are connected to the window. When input settings are changed for a specific window, they are stored
instantaneously.
3.4 How to change the color working space
Figure 12: Location of buttons to change color working space
• Press (ꢀ
) ꢈto cycle through the available color working spaces. The current color working
space is shown at the top of the screen in the status bar.
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How to
OR
• Press (
ꢃ
) ꢈto open the color working space toolbox.
• Navigate with the trackball to the top of the toolbox “color space”.
• Press ( or ( to change the color working space.
• Use the trackball to cycle through the defined color working spaces.
ꢀ
)
ꢆ
ꢀ
) ꢉ
• Press (
ꢀ
)
ꢆ
or (ꢀ
) ꢉto confirm the color working space.
NOTE:
The newly selected color working space is applied instantaneously to the output on the screen and always applies
to both windows. The color working space which is currently used to display the image on the screen, is shown in
the status bar.
3.5 How to visualize the dark levels
The dark levels are accessible with the background control
on the image adjustments knobs.
The background control can be changed between -127 and 128 and is set to 0 by default. The unit
of the values of the background control is expressed as a number of levels (in 8-bit steps).
Figure 13: Location of the background adjustment control
By increasing the value of the background, the information in the footroom of the video signal
(below 0% video signal) becomes visible.
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How to
clipping
bright levels
100 %
+
-
Visualize
super bright
Visualize
super dark
Black
offset
Black
0 %
White
100 %
Video signal
clipping
dark levels
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How to
3.6 How to maximize contrast
To maximize the contrast of the display unit, the following settings can be applied:
Black correction
• When the correctness of the colors at the dark grey levels is of lower importance than the con-
trast, the contrast can be enhanced by setting the black correction to 0%.
• Go to the OSD menu by pressing (
ꢀ
)
ꢂ
• Move with the trackball to select the “Input settings” in the main menu.
• Press (ꢀ
)
ꢆ
or (ꢀ
) ꢉ, or move with the trackball to the right to open the “Input settings”
menu
• Move with the trackball down to the “Black correction” setting of the appropriate window
• When black correction is set at a value different from 0%,
ꢀ
ꢀ
ꢀ
press (
move with the trackball down or type “0” on the numeric keypad to set the value to 0%
press ( or ( to confirm the value
ꢀ
)
ꢆ
or (
ꢀ
)
ꢉto select the value
ꢀ
)
ꢆ
ꢀ
) ꢉ
• Move with the trackball down to the “Uniformity” and uncheck the box by pressing (
ꢀ
) ꢆor
(
ꢀ
) ꢉ.
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How to
Set the signal range of the input signal
If there are no colors in the headroom and/or the footroom, the contrast can be enhanced by
clipping the headroom and/or the footroom. When clipping occurs, a certain portion of the input
range of the video signal is mapped to the maximum light output of the LCD.
• Press (
ꢃ
)
ꢄ
ꢅ
/
ꢅ
to open the “select input” toolbox (
ꢄif the input signal is shown on win-
dow 1 and
if the input signal is shown on window 2)
• Move with the trackball to select the “signal range” setting
• Press ( or ( to select the signal range 64-940.
• Move with the trackball up/down to set the new signal range
• Press ( or ( to confirm the selection
ꢀ
)
ꢆ
ꢀ
) ꢉ
ꢀ
)
ꢆ
ꢀ
) ꢉ
3.7 How to correct the black level
In some cases the correctness of the colors at the dark grey levels are of higher importance than
the contrast. The black correction in the “Input settings” OSD menu can be set for each window
separately.
To optimize the color correctness of the dark grey levels, the black correction should be set to
100%. As a tradeoff for the optimized color correctness of the dark grey levels, the contrast is
reduced.
When the black correction is set to 0%, the contrast is maximized.
• Go to the OSD menu by pressing (
• Move with the trackball to select the “Input settings” in the main menu.
• Press ( or ( to open the “Input settings” menu
ꢀ
)
ꢂ
ꢀ
)
ꢆ
ꢀ
) ꢉ
• Move with the trackball down to the “Black correction” setting of the appropriate window
• When black correction is set at a value different from 100%,
ꢀ
ꢀ
ꢀ
press (
move with the trackball up or type “100” on the numeric keypad to set the value to 100%
press ( or ( to confirm the value
ꢀ
)
ꢆ
or (
ꢀ
)
ꢉto select the value
ꢀ
)
ꢆ
ꢀ
) ꢉ
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How to
3.8 How to enable native interlaced mode (black line inser-
tion)
Set the Deinterlace mode to “black line insertion”:
• Go to the OSD menu by pressing (
• Move with the trackball to highlight the “Input settings” in the main menu
• Press ( or ( to open the “Input settings menu”
• Move with the trackball to the “Deinterlace mode” setting of the appropriate window
• Press ( or ( to select the mode
• Move with the trackball (up or down) to select “black line insertion” mode
• Press ( or ( to confirm the “black line insertion” mode
ꢀ
)
ꢂ
ꢀ
)
ꢆ
ꢀ
) ꢉ
ꢀ
)
ꢆ
ꢀ
) ꢉ
ꢀ
)
ꢆ
ꢀ
) ꢉ
3.9 How to change the aspect ratio
Track ball
Figure 14: Location of the button to change the aspect ratio
• Press (ꢀ
)
ꢊto toggle between all possible aspect ratios. The aspect ratio is applied instanta-
neously to the window.
or
• Press (
• Select the aspect ratio using the trackball.
• Press ( or ( to confirm the selection.
ꢃ
) ꢊto open the aspect ratio mode selection toolbox.
ꢀ
)
ꢆ
ꢀ
) ꢉ
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How to
NOTE:
The aspect ratio can be set for each window separately.
3.10 How to select a color channel
Track ball
Figure 15: Location of buttons to select a color channel
1. Set the color channel
• Press (
ꢃ
)
ꢋ
• Select “Channel selection”
ꢀ
Move with the trackball to highlight “Channel selection”
Press ( or ( to activate the “Channel selection” option. The setting is applied
immediately to the selected window.
• Select the color channel
ꢀ
ꢀ
)
ꢆ
ꢀ
) ꢉ
ꢀ
ꢀ
Move with the trackball to highlight a color channel
Press ( or ( to select a color channel. The setting is applied immediately to
the selected window.
ꢀ
)
ꢆ
ꢀ
) ꢉ
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How to
• When “Show in monochrome” is selected, the selected color channel will be shown in mono-
chrome.
• Press (
ꢀ
)
ꢌto exit the color adjustments toolbox.
2. Toggle between full color and the selected setting
• Press (
ꢀ
) ꢋ. The setting is applied immediately to the selected window.
NOTE:
•
•
The color channel selection toolbox shows the selected color channel for the active window only.
When only one color channel is selected, the cal/err indicator light will light-up orange to alert the user the display
unit is working out of the calibrated range.
3.11 How to show two input signals next to each other
• Press (
ꢀ)
WINDOW 1
WINDOW 1 WINDOW 2
WINDOW 2
SINGLE INPUT
PAN&ZOOM
DUAL VIEW
Figure 16: View mode functionality
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How to
pointer
double arrow
The inputs selected for window 1 and window 2 are shown together on the screen. When the
display is showing the inputs in Pan&Zoom or dual view mode, the input settings can still be
changed by pressing
ꢄ
or
ꢅ
to activate the respective window and/or cycle through the
available inputs for that window. The changes will be shown instantaneously.
In the Pan&Zoom mode the two inputs are shown in full format (cropped) on the screen. In this
mode it is possible to pan the image and to zoom in on the image. These functions can be
performed for window 1 and window 2 separately.
To change the relative size of the two parts of the screen in the Pan&Zoom mode:
• Move with the pointer to the separating line in the middle of the screen using the trackball
• When the double arrow appears while hovering with the pointer above the separating line, press
ꢆ
(continuously) and drag the separating line to the left or the right using the trackball
• Release to leave the separating line at the obtained position
ꢆ
In the dual view mode, the two inputs are scaled to fit the new window size. The aspect ratio
remains unchanged while up- or downscaling.
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3.12 How to pan the image
Track ball
Figure 17: Location of buttons to pan the image
Pointer – can be used for panning
• Press (
to each other.
• Move the “pointer” (using the trackball) to the window where the video signal has to be panned.
ꢀ
)
until the Pan&Zoom setting is selected. Window 1 and window 2 are shown next
• Press (continuously) to grab the image and use the track ball to pan the image. When is
ꢆ
ꢆ
released, the “pointer” can be moved to pan the other window or to perform a new pan on the
same window.
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How to
3.13 How to zoom in on the image
Track ball
Figure 18: Location of buttons to zoom in on an image
pointer
magnifying glass
• Press (
to each other.
• Pan the image to the appropriate position on the screen.
ꢀ
)
until the Pan&Zoom setting is selected. Window 1 and window 2 are shown next
• Press to select the magnifying glass.
ꢍ
• Move the magnifying glass (using the trackball) to the location where the video signal has to be
zoomed in.
• Press
ꢆcontinuously to lock the place and use the trackball to zoom in/out. When ꢆis
released, the magnifying glass can be moved to another window or another spot on the screen.
IMPORTANT:
When an image is zoomed, pixel repetition is used to display the image on the screen. This means that the image
is magnified according to an integer amount. No scaling artifacts are introduced.
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How to
3.14 How to work with presets
3.14.1 Use case
User settings can be stored in a so-called preset. There are up to 6 possible presets. The first one is
the factory preset and contains the default user settings, the next five can be used by the user to
store settings.
New settings can be loaded from one of the defined presets, which involves overwriting the current
user settings with the values defined in the preset.
Presets can be transfered from one RHDM monitor to another via USB.
3.14.2 Restoring the active preset
A short press on the calibration button loads/restores the current active preset.
Use case example:
Suppose preset 1 was loaded and is thus the current active preset.
A user changes on purpose or by accident some of the critical user settings. As a result the CAL
button will light up orange to indicate this. As explained in the LED’s subparagraph of the Control
panel paragraph.
A short press on the button
that all critical user settings are as defined in the preset again.
Basically it allows you to return to current active / last loaded preset.
ꢇ
will reload preset 1, the
ꢇ
button will light up white to indicate
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How to
3.14.3 Loading/Storing & Erasing presets
Via OSD “Presets”
• Go to the OSD menu by pressing (
• Move with the trackball to select the “Presets” in the main menu.
• Press ( or ( , or move with the trackball to the right to open the “Presets” menu
• Move with the trackball to “Load”, “Store” or “Erase”, depending on the desired action and press
or ( to open the submenu.
ꢀ
)
ꢂ
ꢀ
)
ꢆ
ꢀ
) ꢉ
(
ꢀ
)
ꢆ
ꢀ
) ꢉ
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How to
• Move with the trackball to the desired preset
ꢀ
ꢀ
Press (
ꢀ
ꢀ
)
ꢉ
ꢆ
to “Load” or “Erase” the selected preset.
to “Store” to open the Store submenu where the name of the preset to be
Press (
)
stored can be changed (optionally) and the preset can be stored.
Via web interface page “Preset management”
• Select “Preset management” from the selection menu on the left hand side of the webpage.
• Go to “Preset to load” to load either the factory preset or one of the 5 user presets.
• Go to “Store Current Settings as” to store the current settings to one of the 5 user presets.
• Go to “Preset to remove” to remove a selected preset.
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3.14.4 Preset names and filenames
The preset names as shown in the Load and Store submenu's of the OSD represent the names of
the preset files.
Following filename syntax is used:
<preset number>-<name>.pre
ꢀ
ꢀ
<preset number>: The preset number, 1 for preset 1, 2 for preset 2, ...
<name>: The name of the preset as shown in the Load/Store submenu or when defining
the name in the Store submenu.
Example:
So preset 1 with name 'Test 1' will be represented by a file with name '1-Test 1.pre'.
3.14.5 Transferring presets over USB
Via OSD
User presets created on one RHDM monitor can be transferred to another monitor by using an USB
stick.
Upon plugging in an USB stick a popup menu will appear on the OSD with the option to copy
Presets from USB stick to display or vice-versa:
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How to
NOTE:
The popup window will not appear if both display and USB stick do not contain any presets.
The presence of an upload package might also prevent the popup window from appearing.
Depending of the availibility of presets on either USB stick or monitor, the popup menu might
provide 2 or 3 options. Those 3 options are:
•
Install presets from USB drive: This will copy presets from the USB stick to the display. This
option is only available if the USB stick has presets in the root of the USB stick. The presets are
represented as files on the root of the USB stick and must be named '1-....pre' ... '5-.....pre',
representing presets 1 ... 5. If for example the USB stick contains two preset files in its root '1-
name1.pre' and '4-some_name.pre' then by invoking this option, presets 1 and 4 on the display
will be replaced by those on the USB stick. Note that installing presets from a USB stick also
reloads the current active preset.
•
Copy preset to USB drive: Copies presets from the display to the USB stick. This option is only
available if the display has presets. The presets will be located in the root of the USB stick and
named 1-....pre ... 5-....pre.
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How to
•
Cancel: Quits the popup menu without any action.
Via web interface page “Preset management”
• Select “Preset management” from the selection menu on the left hand side of the webpage.
• Go to “Download presets” to download presets from the monitor into your PC.
• Go to “Preset to upload” to upload a preset file from your PC to the monitor.
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3.15 How to use the 3D-LUT feature
3.15.1 Use case
Post-production professionals must deal with different type of source content that must be
conformed, edited, color-graded and finished before the final deliverable is produced. The different
types of content have different properties in terms of gamma, color gamut, white point, contrast
etc. The used preview display devices also have different properties than the intended deliverable
or target medium.
So a level of color consistency is needed, not only making different types of content look correct on
the preview device, but also making the preview device look like the intended target medium.
This color consistency is achieved by using color/gamut mapping. A practical way of gamut
mapping is to use look-up tables, that transform a given signal value to a new value. The used tool
for gamut mapping is a three-dimensional look-up table (3D-LUT).
Currently the monitor supports three types of user 3D-LUT files: Truelight, Cinespace and
Autodesk.
A user 3D-LUT file can be uploaded to the monitor either via the web interface or via a USB stick.
The activation of the 3D-LUT can be done via the “User 3D LUT” web interface or via OSD menu
“Input settings”.
3.15.2 3D-LUT upload via USB stick
• Prepare data on USB stick
ꢀ
Copy your 3D-LUT file to the root of your USB stick and set its name to 3d.lut. This name is
hardcoded and case-sensitive.
NOTE:
Make sure that there are no RHDM software or license files in the root of the USB, as they have precedence.
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How to
• 3D-LUT upload
ꢀ
Plug in the USB stick in the USB port of the display unit. The file is automatically uploaded
into the unit. Give the monitor 15s time to copy the file before removing the USB stick
To use the new user 3D-LUT file, the file should be activated via the “Input settings” OSD
menu or via the web interface.
ꢀ
3.15.3 3D-LUT upload via web interface
• Connect the display unit to the local network
ꢀ
Plug an ethernet cable in ethernet port 0 or ethernet port 1.
• Connect with the pc to the display unit
ꢀ
ꢀ
Check the IP address that is assigned to the ethernet port. Press (
ꢃ
) ꢎto open the “Dis-
play Information” toolbox. Write down the IP address of the corresponding ethernet port.
Open a browser window and type in the Address bar: “http://” + the IP address + “/” (e.g.
“http://150.158.200.140”). The web interface of the display unit will open.
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How to
• 3D-LUT file upload
ꢀ
ꢀ
Select “User 3D LUT” from the selection menu on the left hand side of the webpage.
Click on Upload file... to go to the “Upload Custom 3D LUT” page.
ꢀ
Browse for a User 3D-LUT file by clicking on the Browse... button. Note that the file can
have any name and doesn't have to be name 3d.lut.
ꢀ
Hit the upload button to upload the file to the monitor.
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How to
3.15.4 3D-LUT activation
Via OSD “Input settings menu”
• Go to the OSD menu by pressing (
ꢀ
) ꢂ
• Move with the trackball to select the “Input settings” in the main menu.
• Press (ꢀ
)
ꢆ
or (ꢀ
) ꢉ, or move with the trackball to the right to open the “Input settings”
menu
• Move with the trackball down to “User 3D LUT” and press (
ꢀ
)
ꢆ
or (ꢀ
) ꢉto open the sub-
menu.
• Check the box “Enable” by pressing (
ꢀ
)
ꢆ
or (ꢀ
)
ꢉ
to activate the 3D-LUT file that was
loaded in the display unit.
Via web interface page “User 3D LUT”
• Select “User 3D LUT” from the selection menu on the left hand side of the webpage.
• Check “LUT active on window 1” to activate the 3D-LUT file on window 1
• Check “LUT active on window 2” to activate the 3D-LUT file on window 2
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3.16 How to upload new software
3.16.1 Important notice
Major and minor software updates exist for the display unit. A major software update is marked by
a change in the first order digits (e.g. from 1.xx to 2.xx) while a minor software update is marked
by a change in the second order digits (e.g. from 1.00 to 1.01).
IMPORTANT:
It is not possible to downgrade the software version of the display unit with a major software revision.
3.16.2 Software upload via ethernet
1. Connect the display unit to the local network
• Plug an ethernet cable in ethernet port 0 or ethernet port 1.
2. Connect with the pc to the display unit
• Check the IP address that is assigned to the ethernet port. Press (
ꢃ
)
ꢎto open the “Display
Information” toolbox. Write down the IP address of the corresponding ethernet port.
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How to
• Open a browser window and type in the Address bar: “http://” + the IP address + “/” (e.g.
“http://150.158.200.140”). The web interface of the display unit will open.
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How to
3. The software upload
• Select “Admin…” from the selection menu on the left hand side of the webpage.
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How to
• An authentification will be requested. To enter the Admin section:
ꢀ
ꢀ
User name: “admin”
Password: “admin117234”
• When the valid user name and password are entered, the Admin section will be opened in the
webpage.
• Click on “Upgrade firmware”
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How to
• Click on “Browse” and select the debian software upload package (xxx.deb) that needs to be
uploaded into the display unit.
• Start the upload of the software by pressing “Update”. The upload of new software will start
immediately. The pc will show the progress of the software upload while the display unit will
show the following warning message on the screen:
• After the software upload, the display unit will reboot automatically and will start-up using the
newly uploaded software.
IMPORTANT:
If the upload of the new software would fail or would be interrupted, the display unit will reboot into the failsafe
mode. The software version of the failsafe mode is the most recent software version that was uploaded success-
fully.
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How to
3.16.3 Software upload via USB
1. Prepare data on USB stick
• Save the new software upload package (xxx.deb) on a USB stick. Place the file in the root and
not in a folder.
IMPORTANT:
Make sure that the filename starts with ‘rhdm’ written in lower cases.
2. Software upload
• Place the USB stick in a USB port of the display unit at the back of the display unit.
• The display unit will search for the latest software upload file. The following warning window
appears on the screen
• The display unit will automatically start the software upload after 10 seconds unless the display
unit is powered off or the USB stick is removed. When the display unit is busy with the upload of
the new software, the following warning is shown on the screen:
• When software update has started (“Software update busy”) the USB stick can be removed (all
data is already transferred).
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• The display unit automatically reboots after finishing the software upload.
IMPORTANT:
If the upload of the new software would fail or would be interrupted, the display unit will reboot into the failsafe
mode. The software version of the failsafe mode is the most recent software version that was uploaded success-
fully.
NOTE:
It is advisable to remove the USB stick after software update since the display unit will automatically recognize the
firmware on the USB stick at each power up or activation from hard standby. The display unit will then start the
automated firmware update process. This does not happen after the reboot resulting from the software update!
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Full functionality description
4 Full functionality description
4.1 Operation
4.1.1 Overview of operation functionalities
1
2
3
4
5
6
Figure 19: Overview of operational controls, indicators and OSD functionalities
Different operation interfaces:
1) Status bar
2) OSD menu
3) Toolbox
4) Under Monitor Display bar / Picture Adjustment bar
5) Control panel
6) Indicator lights
4.1.2 Operational mode overview
The operational status of the display unit can be summarized in the figure below:
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4.1.3 Indicator lights
2
1
3
1
2
3
Standby/Power LED (green or orange)
Fault LED (red)
Calibration LED (orange)
Figure 21: Location of indicator lights
The indicator lights give information about the status of the display unit.
Standby/Power LED:
• Orange: The display unit is in soft standby. All signals at the input boards are processed. The
backlights and panel are turned off.
• Green: The display unit is powered. All signals at the input boards are processed.
• LED is not lit: The display is in hard standby or the power connector is disconnected.
Fault LED:
• Red: A Fault has occurred.
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IMPORTANT:
When an error occurs, consult in the OSD menu the OSD submenu “Faults and warnings” to read the warning and/
or fault messages.
Calibration LED:
• Orange: The display unit is operating out of the calibrated range.
4.1.4 Control panel
4.1.4.1 Overview operation control panel
Figure 22: Drawing of the control panel
The control panel allows the user to change a wide variety of settings in a clear and easy way. To
apply the desired settings, the control panel is equipped with:
• a USB port
• press buttons
• press and rotary knobs
• a trackball
4.1.4.2 USB port
A USB storage device with the latest firmware will immediately be recognized and the display unit
will initiate a firmware upload automatically. It is also possible to connect a mouse as a replacement
of the trackball and the
ꢆ(left button) and ꢍ(right button) buttons.
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4.1.4.3 Press buttons
The press buttons have a “short press” and a “long press” functionality. In this manual the action of
a short or long press is indicated by the following icons:
Short press
Instantaneous effect
ꢀ
ꢃ
Long press (press longer
than 2 seconds)
Open a toolbox with advanced settings
When the buttons are pressed shortly, the function is immediately applied to the image.
Most of the buttons have an advanced function when the button is pressed for a long time (longer
than 2 seconds). In the latter case, a toolbox appears on the left hand side of the screen.
Some buttons on the numeric keypad can be used as a function key
.
4.1.4.4 Press and rotary knobs
The rotary knobs are used for easy adjustments of basic settings.
Turning the rotary knob:
• Image adjustment bar not visible: image adjustment bar is shown
• Image adjustment bar visible: value that corresponds to the rotary knob is changed
ꢀ
ꢀ
Turning clockwise = increasing value
Turning counterclockwise = decreasing value
Pressing the rotary knob:
• Image adjustment bar not visible: image adjustment bar is shown
• Image adjustment bar visible: value that corresponds to the rotary knob is set to its default and
calibrated value.
4.1.4.5 Trackball
The trackball allows the operator to move the pointer or navigate in the menus.
4.1.4.6 LEDs
Power on and input calibrated:
• The power button is lit green.
• All other buttons are lit white.
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Standby:
• The power button is lit orange.
• All other buttons are lit white.
Power on and input not calibrated:
• The power button is lit green.
• The calibration button is lit orange.
• The LED above the image adjustment knob is lit orange when the setting is out of the calibrated
range for the selected input. When the calibration is performed, by pressing the calibration but-
ton, the orange lights disappear and the calibration button is lit green.
• All other buttons are lit white.
Calibration button illumination (presets):
• Calibration button is lit orange: indication that a critical user setting differs from the last loaded
preset.
• Calibration button is lit white: indication that all critical user settings are as defined in the active
preset, when loading a preset.
The user settings that are judged critical are:
Background, Picture, Saturation, Hue, Gain, OETF setting, Gamma setting, Gamma
signal range, Gamma headroom level, Gamma footroom level, Monochrome setting,
Any setting related to the R-G-B button (Color Channel Selection), Color work space
selection, Deinterlace mode, Black correction, User 3D lut enable
IMPORTANT:
To see which setting causes the CAL button to light up amber check the OSD submenu “Faults and warnings”.
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NOTE:
The lights behind the buttons go out 10 seconds after all activity on the control panel has stopped. The buttons
remain active when the lights after the buttons are out. Pressing a darkened button will execute the function
represented by the button immediately. Only the power button is functional when the display unit is in hard
standby.
4.1.5 Status bar
The status bar is shown at the top of the screen and contains information related to the selected
signals for window 1 and window 2.
Figure 23: Screenshot status bar (upper part – left side, lower part – right side)
The following information is shown:
• Window for which the information is valid
• Input board that is used to process the selected input signal
• Input detection overrule indicator
• Input signal description
• OETF
• Color subsampling
• Encoding
• Scale mode
• Aspect ratio
• Backlight scan mode
• Light output
• Color working space
• Latency of the input signal selected by the active window (0 ms when no signal is connected)
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The information of the active window (displayed on the screen) is highlighted in white.
NOTE:
In dual view or pan&zoom mode, both input signals selected by the windows are shown on the screen. The active
window is still highlighted in white in the status bar and refers to the fact that certain settings can be changed for
the active window only (e.g. toggle between color and monochrome by pressing (
active window).
ꢀ) ꢏwill only be applied to the
4.1.6 Invalid signal indicator
Figure 24: “Invalid signal” indicator
When the signal selected by the active window is not valid, or when there are no signals available,
then the “Invalid signal” indicator is shown on a black screen.
4.1.7 Under monitor display bar (optional)
Figure 25: Screenshot UMD bar with two tally lights
The Under Monitor Display (UMD) bar is shown at the bottom of the screen and has two tally lights.
4.1.8 Picture adjustment bar
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Figure 26: Screenshot Picture adjustment bar
The picture adjustment bar appears at the bottom of the screen (over the UMD) when the setting of
Background, Picture, Saturation or Hue is changed.
4.1.9 Pointer functionality
Icon Description
Action
Pointer
pan the image
Pointer out of active zone
none
Magnifying glass
double arrow
zoom in/out
Resize windows
The pointer is activated when the display unit is in the “pan&zoom” mode. When the pointer is in
the active zone (where the video is displayed), the “hand” is shown. When the pointer in out the
active zone (status bar or picture adjustment bar), the “arrow” is shown. The following actions can
be done:
• Pressing (
• Pressing (
ꢀ
ꢃ
)
)
ꢍ
ꢆ
toggles between the pointer and the magnifying glass.
activates the “action” property. Use the trackball to execute the action.
4.1.10 Toolbox
The toolbox of a particular setting appears on the screen when a button is pressed for a long time
(
ꢃ
). The toolbox appears on the left side of the screen and reveals additional settings. A
screenshot of the Color Channel Selection toolbox is shown below as an example:
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The trackball can be used to navigate in the toolbox and to select a setting. Settings can be
activated and deactivated by pressing (
ꢀ
) the select button
ꢆ
or by pressing (
ꢀ
) ꢉ.
The value of the setting can be changed when “up” and “down” arrows appear right after the value
(see picture above). Press ( ) again or to confirm the new value.
ꢀ
ꢆ
ꢉ
The timeout of the toolbox can be set in the OSD menu. The toolbox can be closed by pressing (
ꢀ)
the exit button on the control panel or by selecting the cross in the top right corner.
ꢌ
4.1.11 On screen display menu
The On Screen Display (OSD) menu contains the settings that are not frequently used. The OSD
menu can be accessed by pressing ( on the control panel.
ꢀ) ꢂ
The trackball can be used to navigate in the menu and to select an option and/or setting. Moving
up/down with the track ball will allow scrolling through the different options. Moving the track ball
to the left will close the OSD submenu. Moving the track ball to the right will open a deeper OSD
submenu.
Settings can be activated and deactivated by pressing (
The timeout of the OSD menu can be set in the OSD menu “OSD settings”. The OSD menu can be
closed by pressing (
ꢀ
)
ꢆ
or by pressing (
ꢀ
)
ꢉ.
ꢀ
) ꢌ.
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Full functionality description
4.1.12 Web interface
The display unit has a web interface. When a pc is connected via the local network or directly to one
of the ethernet ports of the display unit, the settings of the display unit can be monitored and/or
changed via the pc.
The web interface can be loaded via a standard web browser by browsing to the IP address of the
ethernet port of the display unit that is connected to the local network.
4.2 Settings control panel and toolbox
4.2.1 Overview buttons control panel
The display unit can be operated with the control panel. The control panel is divided in different
functional blocks. The functionality of the buttons in each block will be discussed in detail in the
following sections.
3
4
5
1
2
6
7
Figure 27: Control panel
The buttons on the control panel can perform an instantaneous operation or open a toolbox,
depending on whether the button is pressed short (ꢀ) or long (ꢃ).
Short press
Instantaneous effect
ꢀ
ꢃ
Long press (press longer
than 2 seconds)
Open a toolbox with advanced settings
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The control panel consists of the following functions:
Block
Functionality
Access to the display unit to upload new display firmware in an
automated way.
1
2
USB connector
Allows the operator to switch the display unit on/off and set the
display unit to preset and calibrated values.
Control buttons
Fault LED
Lights up when a “fault” is detected by the display unit.
3
4
Adjusts the Background, Picture, Hue and Saturation of the dis-
played video signal.
Image adjustment
knobs
Groups all basic functions that can be used to display the input
signal.
5
Function keys
Keypad to enter numeric values.
6
7
Numeric keypad
Navigation pad
Buttons to access the On Screen Display (OSD), to select items
and to call possible options. A trackball for easy pointer move-
ment.
4.2.2 Control buttons
4.2.2.1 Overview control buttons
Figure 28: Control buttons
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4.2.2.2 Power button
Function
Description
Display unit is switched off:
Power button
ꢁ
•
ꢀ
switches display unit on
Display unit is switched on:
sets the display unit into soft standby mode. The panel and
backlight are disabled.
sets the display unit into hard standby mode. The panel,
•
ꢀ
•
ꢃ
backlight and electronics are disabled. Only the
mains functional.
ꢁbutton re-
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4.2.2.3 Screen select button
Function
Description
Opens the Display information toolbox:
ꢀ
Screen select
ꢎ
•
•
•
Display name: Name of the display unit
Serial number: Serial number of the display unit
Software version: Version of the currently active
software
Network information:
•
eth0/ eth1
DHCP: switches the DHCP protocol on/off
IP Address: current IP address assigned to the display
unit
IP Netmask: current netmask address
Gateway: current gateway address
MAC: MAC address of the ethernet port
•
•
•
Apply: confirm the changes of the settings
Cancel: cancel the changes of the settings
Refresh: refresh the IP address, IP netmask, Gateway
and MAC address.
Note: To change a value, select the item that has to be
changed using the trackball. Press (
edit the value with the trackball. The value can also be
edited by typing the numbers using the numeric keypad
ꢀ
) ꢆorꢉand
on the control panel (use
ꢌto cancel erroneous in-
puts). When the desired value is reached, Press (
ꢀ
) ꢆ
or
ꢉto confirm.
4.2.2.4 Calibration button
Function
Description
ꢀ
Resets Background, Picture, Hue and Saturation and RGB/
Mono select to the preset values. The button is connected with
the button. The last selected/saved preset in the color working
space toolbox will be selected by pressing (
Calibration
ꢇ
ꢇ
ꢈ
ꢀ
) ꢇ.
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4.2.3 Fault LED
Figure 29: Fault LED
The Fault LED lights up when a hardware failure is detected by the display unit. The Fault LED does
not refer to the display unit operating in non-calibrated mode. When the Fault LED lights up red, the
Cal/Err indicator LED on the bezel will also light up red.
IMPORTANT:
When an error occurs, consult the OSD submenu “Status controller” to check the warning and/or fault messages.
NOTE:
When the display unit starts-up from a hard standby status, the Fault LED lights up during the initialization. When
the control panel is fully operational and when the display unit did not detect problems during start-up, the Fault
LED will go out.
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4.2.4 Image adjustment knobs
Figure 30: Image adjustment knobs
Function
Description
Background
Adjusts the background (from -127 to +128). The background is equiv-
alent to video offset and is expressed in 8-bit steps.
Calibrated value: 0 (default)
2
Picture
Adjusts the picture (from 45 to 200). The picture is expressed in cd/m
(nit).
!
Calibrated value: 100 (default)
The calibration of the color gamut, white point and gamma is main-
2
2
tained when the picture is between 45 cd/m and 150 cd/m .
Saturation
Hue
Adjusts the saturation (from 0 to 250). The saturation is expressed in
percentage (%).
Calibrated value: 100 (default)
#
Adjusts the hue (from -90 to +90). The hue is expressed in degrees (°).
Calibrated value: 0 (default)
$
Pressing the knob (ꢀ) sets the value back to the calibrated (preset) value.
NOTE:
•
When the value of the image adjustment knobs deviates from the calibrated value, the display unit operates out
of the calibrated range. The LED above the knob will light up orange.
The image adjustments knobs Background, Saturation and Hue act only on the active window. The Picture
•
knob acts on the entire screen.
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4.2.5 Function keys
4.2.5.1 Overview function buttons
Figure 31: Function buttons
Input range settings
The figure above illustrates the influence of the selected input range on the conversion of
the input signal to the image which is shown on the screen. For SDI signals the range can
be set to 4-1019 (maximal). For DVI signals the input range can be extended to 0-1023
(maximal).
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4.2.5.2 Select input button
Function
Description
ꢀ
Toggle between input selections for Window 1 (2).
Select input
ꢄ
Each input is instantly displayed on the screen. When
window 1 (2) is valid/active, pressing
tivate the other window 2 (1).
ꢅ(ꢄ) will ac-
ꢃ
Input configuration toolbox appears. The available
inputs for window 1 (2) are listed. Move with the track-
ꢅ
ball to select an input and press
lected input.
ꢆto confirm the se-
For all available input signals, the timing, color sub-sam-
pling and frequency is shown.
If 2 windows are shown next to each other, the left win-
dow is window 1.
The input signals applied to the display unit are automat-
ically detected and placed in the input selection list (au-
tomatic input detection).
Gamma Settings: these settings apply to the selected
window only.
•
OETF: Setting of the opto-electrical transfer function.
Possible settings are: xvYCC, Rec.709, Pure Gamma, Ex-
tended Gamma, SMPTE 240M or sRGB.
•
•
Gamma: Custom setting of the gamma exponent.
Signal range: Setting of the signal range. Possible
settings are 0-1023, 4-1019, 4-940, 54-1019 or 64-940.
Headroom level: custom setting of the headroom lev-
el.
Footroom level: custom setting of the footroom level.
•
•
IMPORTANT:
The Gamma settings apply to the selected window only. All signals processed by that window (
subjected to the gamma settings defined by the customer.
ꢄor ꢅ) will be
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4.2.5.3 View mode button
Function
Description
ꢀ
Toggle between different modes.
Pan&Zoom: Window 1 and window 2 are shown next
View mode
•
to each other (split screen mode). The signals are
cropped (no up scaling or down scaling of the image). It
is possible to pan (select the area of the image that is
viewed) and zoom on the two windows separately. It is
also possible to show the same signal in both windows
(see navigation pad for more info on the pan & zoom
functionality).
On the left side window 1 is shown. The trackball can be
used to move a pointer over the screen. Use
choose between pan and zoom.
ꢍto
•
Dual view: Window 1 and window 2 are shown next
to each other (split screen mode). The images are ad-
justed to fit the new window borders. The aspect ratio is
maintained during this upscaling or downscaling.
•
Single input: The input of the active window is shown.
4.2.5.4 Display and backlight scan mode button
Function
Description
ꢀ
Toggles between the scan modes (applies to both
Display and backlight scan
mode
ꢐ
windows). The scan mode is shown in the status bar.
ꢃ
Scan mode selection toolbox appears:
The possible selection of scan modes are:
Non-scanning backlight: The scanning backlight
mode is switched off.
Scanning backlight: The scanning backlight mode is
activated.
•
•
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NOTE:
The “black line insertion” mode cannot be combined with the “scanning backlight” mode. When the “scanning
backlight” mode is selected, the “black line insertion” mode will automatically be changed to the “deinterlace” mode
until the “scanning backlight” mode is switched back to the “non-scanning backlight” mode.
4.2.5.5 Color working space button
Function
Description
ꢀ
Toggles between different color working spaces.
The color working space applied to the display unit is
shown in the status bar.
Color working space
ꢈ
ꢃ
Color workspace toolbox appears:
Color space: Selection of the color space for the dis-
play unit.
•
•
•
Primaries: The primaries of the color working space.
White point: Coordinates of the white point of the
color working space. Range of white points.
Store: The user can define a custom color working
•
space. When the value of gamma, the primaries or the
white point is changed, an asterisk will appear behind
the name of the selected color working space. By
pressing Store, the values will be saved into a new color
working space. The name of this color space will be
“custom”, followed by an incremental number.
•
Remove: Removes the selected color space. Only
custom defined color working spaces can be removed.
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NOTE:
To change a value, select the item that has to be changed using the trackball. Press (
ꢀ)
ꢆ
or
ꢉ
and edit the
value with the trackball. The value can also be edited by typing the numbers using the numeric keypad on the
control panel (use
confirm.
ꢌ
to cancel erroneous inputs). When the desired value is reached, Press (
ꢀ)
ꢆ
or
ꢉ
to
IMPORTANT:
The color working space is always selected for both windows simultaneously. After selecting a color working space,
this color working space is maintained, even when other input signals are selected for window 1 and/or window 2.
IMPORTANT:
The primaries can only be adjusted with the “Post production” license of the display unit (RHDM/P).
Track ball
Figure 32: Location of buttons to customize the color working space
Customize color working space:
• Press (
• Navigate with the trackball to the top of the toolbox “Select color space”.
• Press ( or ( to change the color working space.
ꢃ
)
ꢈto open the color working space toolbox.
ꢀ
)
ꢆ
ꢀ
) ꢉ
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• Use the trackball to cycle through the defined color working spaces.
• Press ( or ( to confirm the color working space to be customized.
• Change the value of an item
ꢀ
)
ꢆ
ꢀ
) ꢉ
ꢀ
ꢀ
ꢀ
Navigate with the trackball to highlight the setting that needs to be customized.
Press ( or ( to select the highlighted item.
Use the numeric keypad to enter a new value. The values are entered from left to right.
Press ( to reset the value to the previous input. The trackball can also be used to
change the value of the highlighted item.
Press ( or ( to confirm the new value.
ꢀ
)
ꢆ
ꢀ
) ꢉ
ꢀ
) ꢌ
ꢀ
ꢀ
)
ꢆ
ꢀ) ꢉ
NOTE:
When a color working space has been changed but not yet stored, an asterisk (*) will appear after the name of the
color working space. When the display unit is switched off or placed in hard standby, all changes will be lost.
Store the customized color working space:
• Navigate with the trackball to highlight the item “store”.
• Press (
ꢀ
)
ꢆ
or (ꢀ
) ꢉto store the customized color working space.
• The new color working space is saved according to the format - “custom” followed by a number
– if the original color working space was a predefined color working space. If the original color
working space was a “custom” color working space, then this “custom” color working space is
overwritten with the new settings.
Remove stored color working spaces:
• Navigate with the trackball to the top of the toolbox “Select color space”.
• Press (
• Use the trackball to cycle through all defined color working spaces.
• Press ( or ( to confirm the color working space to be removed.
• Navigate with the trackball to highlight the item “remove”.
• Press ( or ( to remove the selected color working space.
ꢀ
)
ꢆ
or (ꢀ
)
ꢉto change the color working space.
ꢀ
)
ꢆ
ꢀ
) ꢉ
ꢀ
)
ꢆ
ꢀ
) ꢉ
The standard defined color working spaces cannot be removed. When the selected custom color
working space is removed, the next color working space in the list will be applied to the display
unit.
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Undo the changes in a color working space that was not stored:
In this case the color working space appears with an asterisk (*) in the status bar on the top of the
screen. Select and press the “remove” option (as described above) in the color working space
toolbox for the color working space that has an asterisk (*). The color working space is not
removed but the settings are restored to the original settings.
4.2.5.6 Scale mode button
Function
Description
ꢀ
Toggles between the scale mode for the selected win-
dow. The scale mode is shown in the status bar for each
window.
Scale mode
ꢑ
Note: When the View mode is set to “maximized”, press-
ing the
ꢑbutton will not change the appearance of the
signal or change the settings in the status bar. Neverthe-
less, the actions are stored in the memory. When return-
ing to single mode or the pan&zoom mode, this setting
will be updated.
ꢃ
Scale mode selection toolbox appears: The scale
modes that can be selected are:
Native: Image is displayed on the screen with its na-
tive vertical resolution. The horizontal size depends on
the selection of the aspect ratio ( ).
Maximize: Image is maximized on the screen. The as-
•
ꢊ
•
pect ratio as chosen by the aspect ratio toolbox (
ꢊ) is
maintained.
•
OverScan: The inner 96% of the image is shown on
the screen.
ViewPort: Allows the user to maximize a 16:9 central
•
portion of a video signal full screen (e.g. to maximize a
letter box content).
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The scale mode can be chosen dependent on the view mode (
).
Composition mode Native
Overscan
Maximized Viewport Pan&zoom
X
X
X
X
Single input
Pan&zoom
Dual view
X
X
4.2.5.7 Aspect ratio button
Function
Description
ꢀ
Toggle between possible aspect ratios. The actual as-
Aspect ratio
ꢊ
pect ratio is shown in the status bar for each window.
ꢃ
Aspect mode selection toolbox appears: The aspect
ratios that can be selected are:
Auto: 4:3 aspect ratio is selected for SD signals and
16:9 aspect ratio is selected for HD signals.
16:9: Display the image with an aspect ratio of 16:9 on
the screen.
4:3: Display the image with an aspect ratio of 4:3 on
the screen.
Pixel Map: Display the image in the native pixel aspect
•
•
•
•
ratio. For SD signals this is different than 4:3 (e.g.
720:576, 720:480, …)
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4.2.5.8 Safe area marker settings button
Function
Description
ꢀ
Toggle area markers on/off. The area markers indi-
cate the safe area on the screen.
Safe area settings toolbox appears:
Input graphics settings
ꢒ
ꢃ
•
•
Safe Areas Enabled: enable/disable all settings
Crosshairs Enabled: enable crosshair centered on the
screen
Aspect Ratio Marker (ARM)
•
Radio buttons (16:9, 4:3, 14:9 and custom): select
the aspect ratio marker according to a standard or cus-
tom ratio.
•
Aspect ratio: Define a custom aspect ratio marker
Action Safe Area
Relative to (ARM/Image borders): define the action
•
safe area relative to the aspect ratio markers or the im-
age borders
•
Standard (EBU, SMPTE, ITU and custom): select the
action safe area according to a standard or custom de-
fined ratio.
•
Hor. and Ver. define the action safe area relative to the
aspect ratio markers or image borders as a decrease ex-
pressed in percent.
Graphics Safe Area
•
Relative to (ARM/Image borders): define the graphics
safe area relative to the aspect ratio markers or the im-
age borders
•
Standard (EBU, SMPTE, ITU and custom): select the
graphics safe area according to a standard or custom de-
fined ratio.
•
Hor. and Ver. define the graphics safe area relative to
the aspect ratio markers or image borders as a decrease
expressed in percent.
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Settings of the hairlines and shaded areas
HairLine: enable/disable hairlines to define safe area
•
•
Width of the hairline, expressed in number of pixels
Color of the hairline
Shadow: enable/ disable shadows to define safe area
Color of the shadow
•
NOTE:
The values shown at “Hor” and “Ver” indicate the amount of percent that the area is reduced with respect to the
ARM or image borders at one side of the screen. In total, the horizontal and the vertical size of the image is
reduced by 2 times the value shown at “Hor” and “Ver” respectively.
4.2.5.9 Settings of the safe area markers
How to use safe area markers
Track ball
Figure 33: Location of buttons to set/change safe area markers
• Press (
ꢀ
) ꢒto enable/disable the safe area markers
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• Press (ꢃ
) ꢒto open the safe area settings toolbox and select which aspect ratio markers,
action safe area or graphics safe area need to be defined.
NOTE:
The settings of safe area markers are set separately for window 1 and window 2.
How to set crosshairs
• Press (
• Move with the trackball to highlight the “Crosshairs Enabled”
• Press ( or ( to enable the crosshairs if necessary
ꢃ
)
ꢒto open the safe area settings toolbox
ꢀ
)
ꢆ
ꢀ
) ꢉ
• If only the crosshairs need to appear on the screen, uncheck all check boxes under the aspect
ratio markers, action safe area and graphics safe area sections in the toolbox
• Press (
• Press (
ꢀ
ꢀ
)
)
ꢌ
ꢒ
to exit the toolbox
enable/disable the cross hairs
How to set aspect ratio markers
• Press ( to open the safe area settings toolbox
• To select the aspect ratio:
ꢃ
) ꢒ
ꢀ
ꢀ
Move with the trackball to highlight the wanted aspect ratio marker
Press ( or ( to confirm the highlighted aspect ratio marker
ꢀ
)
ꢆ
ꢀ) ꢉ
• To change the custom aspect ratio:
ꢀ
ꢀ
ꢀ
ꢀ
Move with the trackball to highlight one of the numbers at the “Aspect Ratio” option
Press ( or ( to select the highlighted number
To change the number, move with the trackball or type a number with the numeric keypad
Press ( or ( to confirm the new value or press ( to restore to the pre-
viously selected number
ꢀ
)
ꢆ
ꢀ
) ꢉ
ꢀ
)
ꢆ
ꢀ
)
ꢉ
ꢀ
) ꢌ
• The aspect ratio markers are set relative to the image borders, except when the scale mode is
“viewport”. In the latter case the aspect ratio markers are defined as if the input signal has an
aspect ratio of 16:9.
How to set action safe area
• Press (
ꢃ
) ꢒto open the safe area settings toolbox
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• Choose if the action safe area needs to be defined relative to the ARM (Aspect Ratio Markers)
defined above, or the relative to the original image borders:
ꢀ
ꢀ
Move with the trackball to highlight the wanted option
Press ( or ( to confirm the highlighted option
ꢀ
)
ꢆ
ꢀ
) ꢉ
• Choose by which standard the action safe area is defined. For more information about these
standard settings, please check the tables in the addendum. To select the wanted standard:
ꢀ
ꢀ
Move with the trackball to highlight the wanted option
Press ( or ( to confirm the highlighted option
ꢀ
)
ꢆ
ꢀ
) ꢉ
• To change the custom action safe area:
ꢀ
ꢀ
ꢀ
ꢀ
Move with the trackball to highlight one of the numbers behind “Hor” or “Ver”
Press ( or ( to select the highlighted number
To change the number, move with the trackball or type a number with the numeric keypad
Press ( or ( to confirm the new value or press ( to restore to the pre-
viously selected number
ꢀ
)
ꢆ
ꢀ
) ꢉ
ꢀ
)
ꢆ
ꢀ
)
ꢉ
ꢃ
) ꢌ
NOTE:
The values depicted at “Hor” and “Ver” indicate the amount of percent that the area is reduced with respect to the
ARM or image borders.
How to set graphics safe area
• Press (
ꢃ
) ꢒto open the safe area settings toolbox
• Choose if the graphics safe are needs to be defined relative to the ARM (Aspect Ratio Markers)
defined above, or the relative to the original image borders:
ꢀ
ꢀ
Move with the trackball to highlight the wanted option
Press ( or ( to confirm the highlighted option
ꢀ
)
ꢆ
ꢀ
) ꢉ
• Choose by which standard the graphics safe area is defined. For more information about these
standard settings, please check the tables in the addendum. To select the wanted standard:
ꢀ
ꢀ
Move with the trackball to highlight the wanted option
Press ( or ( to confirm the highlighted option
ꢀ
)
ꢆ
ꢀ
) ꢉ
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• To change the custom graphics safe area:
ꢀ
ꢀ
ꢀ
ꢀ
Move with the trackball to highlight one of the numbers behind “Hor” or “Ver”
Press ( or ( to select the highlighted number
To change the number, move with the trackball or type a number with the numeric keypad
Press ( or ( to confirm the new value or press ( to restore to the pre-
viously selected number
ꢀ
)
ꢆ
ꢀ
) ꢉ
ꢀ
)
ꢆ
ꢀ
)
ꢉ
ꢃ
) ꢌ
NOTE:
The values depicted at “Hor” and “Ver” indicate the amount of percent that the area is reduced with respect to the
ARM or image borders.
How to change the look of the safe area markers
In the safe area settings toolbox, different settings can be applied to the safe area markers.
• Hairline: Allows the user to set a hairline to indicate the position of the markers. To select the
hairline:
ꢀ
ꢀ
Move with the trackball and highlight the “HairLine” checkbox
Press ( or ( to enable/disable the hair line option
ꢀ
)
ꢆ
ꢀ
) ꢉ
• Shadow: Allows the user to set a shadow on the area that is excluded from the selection defined
by the markers. To select the shadow:
ꢀ
ꢀ
Move with the trackball and highlight the “Shadow” checkbox
Press ( or ( to enable/disable the shadow option
ꢀ
)
ꢆ
ꢀ
) ꢉ
• To change the thickness of the hairline:
ꢀ
ꢀ
ꢀ
Move with the trackball and highlight the “Width” option under the HairLine checkbox
Press ( or ( to change the width of the hair line
To change the value, move with the trackball or press a number on the numeric keypad. The
width is expressed in the number of pixels.
ꢀ
)
ꢆ
ꢀ) ꢉ
ꢀ
Press (
ꢀ
)
ꢆ
or (ꢀ
)
ꢉ
to confirm the new value or press (
ꢀ
) ꢌto restore the previ-
ously selected value.
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• To change the color of the hairline:
ꢀ
ꢀ
ꢀ
ꢀ
Move with the trackball and highlight the “Color” option under the HairLine checkbox
Press ( or ( to change the color of the hair line
To change the color, move with the trackball.
Press ( or ( to confirm the new color or press (
the previously selected color.
• To change the color of the shadow:
ꢀ
)
ꢆ
ꢀ
) ꢉ
ꢀ
)
ꢆ
ꢀ
)
ꢉ
ꢀ
) ꢌto undo the restore
ꢀ
ꢀ
ꢀ
ꢀ
Move with the trackball and highlight the “Color” option under the shadow checkbox
Press ( or ( to change the color of the shadow
To change the color, move with the trackball.
Press ( or ( to confirm the new color or press (
the previously selected color.
ꢀ
)
ꢆ
ꢀ
) ꢉ
ꢀ
)
ꢆ
ꢀ
)
ꢉ
ꢀ
) ꢌto undo the restore
4.2.5.10 Color channel selection button
Function
Description
ꢀ
•
Toggle between two states:
Normal operation: all color channels (Red, Blue and
Green) are selected and used to display the image.
Selected color operation: only the selected color
channels are used to display the image.
Signal settings toolbox appears:
Show all channels: Select all color channels, indepen-
dent of the color selection done for Red, Green and Blue.
Channel selection: Allows the user to select the color
channel (Red, Green or Blue) to be viewed.
Color Channel Selection
ꢋ
•
ꢃ
•
•
•
•
•
Red: Select the Red channel
Blue: Select the Blue channel
Green: Select the Green channel
The selected color channel is shown in its own color. (e.g.
the blue color channel is shown in blue)
•
Monochrome: Displays the selected color channel in
grayscale.
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4.2.6 Numeric keypad
4.2.6.1 Overview numeric keypad buttons
Figure 34: Numeric keypad buttons
4.2.6.2 Numeric keypad functionality
Description
Numeric keys from 0 till 9.
ꢓ
…
ꢔ
Exit button. Exit OSD menu and toolbox. Restore value/setting to original value/setting
ꢌ
ꢉ
when a value/setting is selected.
Enter button. Select an option in OSD menu and toolbox. Confirm a selection in OSD
menu and toolbox
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4.2.6.3 Special function key assignment
Function key assignment
Switch on/off black line insertion mode (Deinterlace mode in OSD menu)
ꢄ
ꢕ
ꢖ
Swap field dominance of input channel 1 of the SDI input board
Swap field dominance of input channel 2 of the SDI input board
The function keys assigned to the buttons of the numeric keypad are connected to the settings that
are available in the OSD menu. Via the numeric keypad, a fast shortcut is enabled for frequent use
of specific functions.
4.2.7 Navigation pad
4.2.7.1 Overview navigation pad buttons
Figure 35: Navigation pad buttons
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4.2.7.2 Navigation pad functionality
The trackball is used to navigate through the menu and to move the pointer on the screen (when
present).
Description
Sel button. Behaves like the left mouse button. This button selects items and confirms
ꢆ
changes of an item. It can also be used to drag or pan (together with the trackball).
Menu button. The OSD menu is opened by pressing the menu button.
ꢂ
Option button. Behaves like the right mouse button. This button calls for the options.
E.g. choose between pan and zoom when working in Pan&Zoom-mode.
ꢍ
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4.3 Settings OSD menu
4.3.1 Main menu
To enter the OSD main menu: Press (
ꢀ
)
ꢂ
. To exit the OSD main menu: Press (
ꢀ
) ꢌ. The
OSD menus close after a timeout of “x” seconds when the timeout functionality has been activated.
Navigation through the OSD menu structure:
• to highlight a menu section: move the trackball up/down
• to enter the deeper levels in the menu tree: press (
• to return to an upper level: press ( or move to the left with the track ball.
• to select/change a value or an option: Press (
through the available options. Press again (
ꢀ
)
ꢆ
or (
ꢀ
)
ꢉ.
ꢀ
) ꢌ
ꢀ
)
ꢆ
or (
ꢀ
)
ꢉ. Use the trackball to cycle
ꢀ
)
ꢆ
or (
ꢀ
) ꢉto confirm the new setting.
•
•
•
•
•
•
OSD settings: General settings related to toolboxes, OSD menus and the status bar
UMD: Settings related to the Under Monitor Display bar.
Input settings: Settings related to input signals shown in window 1 and window 2.
Input detection: Settings related to the detection of the input signals.
Display settings: Shows information related to the calibration settings of the monitor.
Presets: Settings related to the storage of user settings in so-called presets
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•
Operation time: Information on the operation time of the different components of the display
unit.
•
•
•
•
Temperature: Temperature reading of different components of the display unit.
Faults and warnings: Fault & Warning list
License: Information related to the license and feature packs installed on the display unit.
Activate Admin Mode: Activates the admin mode. When the admin mode is activated, a new
pincode can be generated. Please consult the section “How to change the license connected to
your display unit” for more detailed information.
4.3.2 OSD settings menu
•
•
Hide after timeout: When checked, the toolboxes and OSD menus will hide/close after a cer-
tain period of inactivity.
Timeout: Sets the time (expressed in seconds, minimal 10 s, maximal 120 s) of inactivity dur-
ing which the toolboxes and OSD menus stay visible/open.
IMPORTANT:
The status bar is considered to be an OSD menu and hides after the same time of inactivity if “hide after timeout”
is checked. Wiggling the track ball activates the status bar.
4.3.3 UMD menu
4.3.3.1 UMD Main menu
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•
Visible: Setting to define the visibility mode for the UMD bar.
ꢀ
ꢀ
ꢀ
ꢀ
Disabled: the UMD bar is not visible at the bottom of the screen and not visible in OSD.
On screen: UMD is only visible in OSD.
Lamps: UMD is visible at the bottom of the screen.
Both: UMD is visible at the bottom of the screen and in OSD.
•
UMD Controlled by: Selects how the UMD bar is controlled:
ꢀ
Manual: settings of the UMD bar are defined by the settings in the manual settings sub-
menu.
ꢀ
GPI: settings of the UMD bar are defined by the settings in the GPI settings submenu and
controlled by a closed contact GPI. Please consult the addendum for the pinning of the GPI
tally control port.
•
•
Manual Settings: Settings to define the UMD bar manually.
GPI Settings: Settings that define the control of the UMD bar by the signal at the GPI Tally par-
allel port.
4.3.3.2 Manual settings
•
•
Brightness: Sets the brightness to the specified value. The possible values are: Full, Half, 1/7,
Dark.
Left lamp: Sets the color of the left lamp to the specified value. The possible values are: Red,
Green, Amber, Off
•
•
Right lamp: Explanation of the setting are the same as for the Left lamp
Text: Explanation of the setting are the same as for the Left lamp
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4.3.3.3 GPI settings menu
• Brightness
ꢀ
ꢀ
ꢀ
Controlled by: Selects the pin of the connector that controls the brightness. The possible
settings are: GPI 1, GPI 2, GPI 3 and GPI 4.
When control is low: Sets the brightness to the specified value when the input signal at the
control pin is low. The possible values are: Full, Half, 1/7, Dark.
When control is high: Sets the brightness to the specified value when the input signal at the
control pin is high. The possible values are: Full, Half, 1/7, Dark.
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• Left lamp
ꢀ
ꢀ
ꢀ
Controlled by: Selects the pin of the connector that controls the left lamp. The possible set-
tings are: GPI 1, GPI 2, GPI 3 and GPI 4.
When control is low: Sets the color of the left lamp to the specified value when the input sig-
nal at the control pin is low. The possible values are: Red, Green, Amber, Off
When control is high: Sets the color of the left lamp to the specified value when the input
signal at the control pin is high. The possible values are: Red, Green, Amber, Off
•
•
Right lamp: explanation of the setting are the same as for the Left lamp
Text: explanation of the setting are the same as for the Left lamp
4.3.4 Input settings
4.3.4.1 Input settings main menu
Input settings menu contains advanced settings that can influence the visualization of the selected
input signals for window 1 and window 2. The settings that can be changed for the selected input
signals are:
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General: Those settings apply for the 2 windows simultaneously
•
Deinterlace mode:
ꢀ
Deinterlaced: sets the display unit in a mode that the video images are shown as a
sequence of deinterlaced frames.
ꢀ
Black line insertion: sets the display unit in a mode that the video images are shown as a
sequence of interlaced frames.
IMPORTANT:
Disclaimer: In Black line insertion mode the actual gamma and luminance of the image might be different. This
mode is primarily to be used for evaluating motion in the input signal. Further software releases will improve this.
•
Black correction: At dark levels and at low luminance, the grey tracking can have difficulties in
showing correct grey.
ꢀ
ꢀ
ꢀ
At 0%: The color correction of the dark grey levels is not implemented. Contrast is maxi-
mized.
At 100%: At the expense of contrast, a color correction is performed to ensure correct color
representation at the dark grey levels.
Between 0% and 100%: The user can balance the importance of both settings for custom-
ized video processing.
•
Uniformity: The color uniformity is guaranteed via internal calibration processes. This unifor-
mity correction is always done. When this box is checked, the luminance uniformity correction is
applied. The luminance uniformity correction can lead to a slight loss in contrast.
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Figure 36: Example of out of gamut indication (red squares have been replaced by yellow squares
for black&white reproducability)
•
Out of gamut indication: Option to verify if parts of the image displayed on the screen are out
of gamut of the selected color working space.
The display unit has a larger color gamut than the broadcast standards. The image/video which
is shown on the screen is in accordance with the primaries and the white point of the selected
color working space. However, if the input signal contains information which is out of gamut of
the selected color working space, or when certain adjustments have been done which drive the
shown image out the selected color working space, the display unit will show the image informa-
tion faithfully as long as it is within the gamut of the display unit.
When “out of gamut indication” is checked, the display unit will mark the image data which is out
of the selected color working space by displaying a checkerboard pattern. The fields of the
checkerboard pattern change to the other color with a frequency of 1 Hz. When R, G or B is
above 100%, a Red&Black checkerboard pattern is displayed. If R, G or B is negative, a
Blue&Black checkerboard pattern is shown. It is possible that on a specific part of the image
data, one of the primaries is above 100% while another primary is negative. In this case both
checkerboard patterns are shown on top of each other in anti-phase.
First window: These settings apply to window 1 only.
•
Gain: The gain is a multiplication factor that acts directly on the input signal. Please refer to the
chapter “Terminology” and read the section on the Electro Optical Transfer Function to under-
stand the impact of this setting on the shown image.
•
Resizer settings: Determines the algorithm that is used to display the luminance information of
the image on a different number of pixels on the screen. See “Resizer filter menu” for more
details.
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•
Swap field dominance: The display unit automatically detects the correct field dominance for
interlaced fields. When an error in video transformation would occur, and the field dominance is
not set according to the definition of the detected standard, the field dominance can be swapped
manually.
User 3D LUT: A user 3D-LUT file can be uploaded to the monitor either via the web interface or via
a USB stick. Currently the monitor supports three types of user 3D-LUT files: Truelight, Cinespace
and Autodesk. If such a 3D-LUT file is loaded into the monitor, the 3D-LUT can be enabled or
disabled here.
Second window: the explanations of the settings is the same as for window 1.
4.3.4.2 Resizer settings menu
Preset: sets the sharpness, anti-aliasing, pixel shape and steepness for some dedicated
applications.
•
•
Video: Settings which are ideal for displaying Video content.
Classic: Settings which represent the settings of the OMNITEC generator and the previous soft-
ware version of the RHDM.
•
•
•
Data: Settings which are ideal for displaying pc content.
CGI: Settings which are ideal for displaying Computer Generated Images.
Custom: The settings of the resizer are defined by the customer.
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In the table below, the settings for each preset are summarized:
Preset
Video
Sharp
Classic
Normal
Balanced
Point
Data
Normal
Balanced
Point
CGI
Sharp
Sharpness
Anti-aliasing
Pixel Shape
Steepness
Preset
Conservative
Square
Linear
Conservative
Diamond
Linear
Linear
Nearest
Data
Video
Classic
CGI
Table 1: Resizer settings - presets
Sharpness: Sets the sharpness of the displayed image. Sharp images may introduce unwanted
ringing in the image. The sharpness is thus always a compromise between “sharpness” of the
image and reducing the presence of “ringing”.
•
•
•
Sharp (see figure below-d): This setting applies a cut off of the unwanted higher frequencies in
the input signal as much as possible.
Normal (see figure below-e): This setting is applied by most display units and applying this set-
ting results in a moderate cut off of the unwanted higher frequencies.
Smooth (see figure below-f): This setting introduces a gradual cut off of the higher frequencies
in the input signal.
Anti-aliasing: Selection of algorithms designed to reduce the aliasing effect in processed images.
The filter template for Y’ and R’G’B’ components is used as guideline to meet with the requirements
for the broadcasting community. This setting is a compromise between “sharpness” of the image
and reducing unwanted anti-aliasing effects.
•
•
•
Boost (see figure below-a): Anti-aliasing is set to an extreme value. This setting is not advised
to display video content.
Balanced (see figure below-b): This type of anti-aliasing is applied by most display units and
results in a moderate setting.
Conservative (see figure below-c): This setting is preferred for video signals and results in a
strong reduction of anti-aliasing effects while preserving good sharpness of the image.
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Figure 37: “anti-aliasing”(a-c) and “Sharpness”(d-f) settings in the OSD submenu “Resizer set-
tings”
Pixel shape:
•
•
Point: No corrections for the pixel shape are applied.
Square: A correction for the square form of the pixels of the LCD panel is taken into account.
This leads to a sharper image.
•
Diamond: A correction for the square form of the pixels of the LCD panel is taken into account
combined with a correction for the case a surface integration has been done at the side of the
camera.
Steepness: Sets the type of interpolation which is used for determining the values at the pixels of
the resized image.
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•
•
Linear (see figure below-a): The value of the intermittent pixels is determined by a linear inter-
polation of the sampling points.
Super (see figure below-b): The area between two sampling points is divided in 3 equidistant
parts. The value at the sub-pixels situated in the middle area is determined by linear interpola-
tion while the value of the sub-pixels situated in the outer 2 areas is equal to the value of the
nearest sampling point.
•
Nearest (see figure below-c): No interpolation is applied. Down to sub-pixel level, the value of a
sub-pixel is equal to the value of the nearest sampling point.
Figure 38: “Steepness” settings in the OSD submenu “Resizer settings”
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4.3.4.3 User 3D-LUT menu
•
Enable: Enables or disables the user 3D-LUT . When Enable is checked the user 3D-LUT file is
loaded and activated. When Enable is unchecked the user 3D-LUT hardware in the monitor is dis-
abled.
Notes:
ꢀ
ꢀ
The Enable setting is disabled if the monitor does not contain a user 3D-LUT file
If upon loading the user 3D-LUT file cannot be parsed, for example because the file is cor-
rupt or is not supported by the monitor then the user 3D-LUT is automatically disabled
again.
•
Status: A text message that informs the user about the state of the user 3D-LUT functionality.
Possible messages:
ꢀ
'
3Dlut disabled'. The user 3D-LUT functionality is disabled. This might be because the user
either disabled it or an invalid file was loaded.
Truelight file loaded. Invalid outside CAL state.' : A Truelight 3D-LUT file was recog-
ꢀ
'
nized and activated. The second part of the message is a warning to keep the monitor in a
CAL state when a user 3D-LUT file is loaded. If not in a CAL state the results might not be as
expected.
ꢀ
ꢀ
'
Cinespace file loaded. Invalid outside CAL state.' : Similar to previous except that a
Cinespace 3D-LUT file was recognized and activated.
Autodesk file loaded. Invalid outside CAL state.' : Similar to previous except that a
Autodesk 3D-LUT file was recognized and activated.
'
NOTE:
Examples of valid user 3D-LUT files can be found in Appendix B of this manual.
•
Interpolation Tetrahedral: The 3D-LUT files only define a limited number of discrete points of
a 3D-LUT cube. This setting determines how these discrete points are interpolated in hardware.
There are two possible settings: Tetrahedral or Trilinear. The tetrahedral interpolations will
keep the colour tints across luminosity. It is similar to a hardware / GPU alike rendering of 3D-
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LUT cube. Trilinear interpolations interpolates independently for R, G and B and is more similar to
a software / CPU alike rendering.
4.3.5 Input detection
4.3.5.1 Input detection main menu
•
Sync response: Sets the response time of the sync detection mechanism on a loss of “sync-
locking”.
ꢀ
ꢀ
Fast: immediate response on a loss of sync locking by blanking the screen.
Slow: this setting allows a number of frames to be displayed on the screen without the
requirement for sync locking. This setting is especially useful when different input signals
are toggled in a fast way at one of the inputs of the display unit. Blanking of the screen is
avoided with this setting.
•
•
•
Single link 1-A: Submenu which allows verification of the input signal and adjustment of the
input detection settings for SDI input 1-A.
Single link 1-B: Submenu which allows verification of the input signal and adjustment of the
input detection settings for SDI input 1-B.
Dual link 1-AB: Submenu which allows verification of the input signal and adjustment of the
input detection settings in case of a dual link SDI input on 1-AB.
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4.3.5.2 Single link 1-A & 1-B
•
•
Measured standard: the standard measured by the display unit on the input.
Identifier packet: the packet with standard information identified by the display unit on the
input.
To display the video information on the screen, the display unit gives priority to the standard it
detects by analyzing the input signal. If the identifier packet does not correspond to the measured
standard, or if the video signal is not displayed properly due to a wrong measurement of the
standard, it is possible to force the display unit to show the video signal according to manual
settings by checking the “Override signal detection” option.
automatic detection of the input signal
input signal is set manual: override signal detection is checked
•
Override signal detection: When checked, the display unit will ignore the measured standard
and will display the video signal according to the manual settings.
•
•
Encoding: sets the encoding of the video signal. This can be RGB or YCbCr.
Chroma sampling: sets the sampling of the video signal. Possible sampling options are: 4:2:2,
4:4:4 and 4:4:4:4.
•
•
Bit depth: sets the bit depth of the video signal. Possible settings are: 8, 10 or 12.
Video framing: sets the video framing of the video signal: Possible options are: Interlaced, Pro-
gressive or Segmented.
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4.3.5.3 Dual link 1-AB menu
•
•
Measured standard link A: the standard measured by the display unit on link A.
Identifier packet link A: the packet with standard information identified by the display unit on
link A.
•
•
Measured standard link B: the standard measured by the display unit on link B.
Identifier packet link B: the packet with standard information identified by the display unit on
link B.
To display the video information on the screen, the display unit gives priority to the standard it
detects by analyzing the input signal. If the identifier packet does not correspond to the measured
standard, or if the video signal is not displayed properly due to a wrong measurement of the
standard, it is possible to force the display unit to show the video signal according to manual
settings by checking the “Override signal detection” option.
automatic detection of the input signal
input signal is set manual: override signal detection is checked
•
•
Override signal detection: when checked, the display unit will ignore the measured standard
and will display the video signal according to the manual settings.
Encoding: sets the encoding of the video signal. This can be RGB or YCbCr.
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•
Chroma sampling: sets the sampling of the video signal. Possible sampling options are: 4:2:2,
4:4:4 and 4:4:4:4.
•
•
Bit depth: sets the bit depth of the video signal. Possible settings are: 8, 10 or 12.
Video framing: sets the video framing of the video signal: Possible options are: Interlaced, Pro-
gressive or Segmented.
•
Swap channels: when checked, the input channels are swapped, i.e. channel A becomes B and
vice versa.
4.3.6 Display settings
4.3.6.1 Display settings
In this menu a choice can be made on which colorimetric system is used in the RHDM display.
• CIE 1931 (default)
• Barco CVM
Each RHDM display is calibrated in the Barco factory according to the CIE1931 colorimetry, and
complies with the grade-1 specs and tight tolerances as written down in the RHDM technical
specification document.
The grade-1 monitor specs (e.g. color temperature, chromaticity of primary colors etc.) have been
established for a CRT, and it is assumed that an LCD calibrated to the same specs will also look the
same. However, calibrating the RHDM and a CRT to the exact same specs with the exact same
tolerances, will still yield perceptual color differences between the two monitors. The reason is that
the CIE1931 color measurement system is not adequate for narrow-spectrum light sources like the
LED backlights used in the RHDM monitor.
As a consequence, an RHDM and a CRT that look the same will produce different optical
measurements, and if they produce the same optical measurements, they will look differently.
This is a big problem in the current color industry but unfortunately it's not solved yet in a
standardized way. In the lack of a better color system, Barco has done a perceptual matching to a
Barco CRT (CVM model) and implemented this as a preset.
• When the 'Barco CVM' setting is chosen, the complete RHDM color space is changed so as to
look perceptually alike a well-calibrated CVM monitor. In this mode we don't guarantee compli-
ance to a technical specification.
• In the 'CIE1931' mode (factory default) we comply with the technical specification, but there
might be differences to a CRT.
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4.3.7 Presets
4.3.7.1 Presets main menu
•
Load: Gives access to a submenu that allows you to load data from a preset. Loading involves
overwriting of the current user settings with values defined in the preset.
•
•
•
Store: Gives access to a submenu that allows you to store the current settings in to a preset.
Erase: Gives access to a submenu that allows you to erase presets.
Active preset: Indicates which preset was last loaded and is considered to be the active preset.
NOTE:
A Load or Store action makes the preset that was loaded from or stored to, the active preset.
4.3.7.2 Load presets
The load submenu has 6 actions:
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•
•
Factory: The first named 'Factory' load and applies the factory preset. It basically restores all
settings to their factory defaults. The factory preset is unique compared to the others because it
cannot be modified.
Presets list: The 5 other actions load and apply one out of 5 user definable presets. The name
represents the file name of the preset. When the corresponding file does not exists it is named
'none'. The name can be defined when creating/storing the preset.
Upon invoking one of the 6 actions, feedback is provided to the user at the bottom of the load
submenu. In the example above the feedback/status is <blank> which is default.
Possible values are:
ꢀ
ꢀ
'Preset loaded': Indicates the preset was loaded.
'Load failed, no such preset file': The loading of the preset failed because the preset file was
not found.
ꢀ
'Load failed, invalid preset file': The loading of the preset failed because the preset file was
not valid. This means that a file was found with that name but that it isn't a preset file.
'Load failed': The loading failed because of another reason
<blank>: The feedback/status field is by default blank and is also again blank after 15s.
This means that its information is only shown for about 15s.
ꢀ
ꢀ
4.3.7.3 Store presets
The store submenu is used to store the current user settings into a preset.
• The store submenu has 5 entries, numbered 1 to 5 corresponding with preset 1...5. Next to the
number is the name of preset which represents the filename of the preset file.
Upon selecting one of the 5 entries another submenu is opened.
This submenu has a field to optionally change the name of the preset to be stored. Secondly it has
the command to store the preset.
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•
•
None: Note that changing the name is optional, if you don't change it, you will be using the orig-
inal name (none).
Store: Pressing
ꢆ
or
ꢉ
on the Store command stores the current settings to the preset
with the giving name.
When the store is finished, feedback is provided to the user at the bottom of the submenu. In the
example above the feedback/status is >blank> Possible values are:
ꢀ
ꢀ
ꢀ
'Preset stored’: Indicates the preset was stored.
'Store failed': The storing failed.
<blank>: The feedback/status field is by default blank and is also again blank after 15s.
This means that its information is only shown for about 15s.
4.3.7.4 Erase presets
The erase submenu has 5 actions, number 1 up to 5 corresponding with preset 1 upto 5. Invoking
the action erase the corresponding preset. If that preset is the current active preset, the factory
preset is made active instead.
4.3.8 Operation time menu
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The operation time of the different components are shown in this menu. No warning or fault is
generated when the operation time of one of the components exceeds a certain value. This menu is
mainly for maintenance purposes.
4.3.9 Temperature menu
In this OSD menu, the temperature of different components is shown.
4.3.10 Faults and warnings
This menu lists all faults and warnings which have occurred. When a fault occurs, the “FAULT” LED
on the control panel will light up red.
To solve a fault or warning, please consult the troubleshooting section in the addendum.
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4.3.11 License menu
•
•
Product serial number: serial number of the product. This number identifies the display unit
unambiguously and is necessary to install the license and feature packs.
Current pincode: pincode which activates the license and feature packs assigned by the user to
the display unit.
•
•
Features: lists the features currently activated on the display unit.
Generate new Pincode: menu item to generate a new pincode. Please read the instructions in
the section “how to change the license connected to your display unit” carefully. This item can
only be unlocked by entering the “Admin mode” of the OSD menu.
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IMPORTANT:
When a new Pincode is generated, all license and feature packs currently activated on the display unit
will become inactive. As a result, you will not be able to use the display unit until you have generated a
new pincode on my.barco.com. Please follow the instructions in the section “how to change the license
connected to your display unit” to install the new pincode on your display unit.
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4.4 Settings web interface
4.4.1 Home page of the display unit
Figure 39: Web interface – home page
Open a browser window and type in the Address bar: “http://” + the IP address + “/” to connect to
the display unit via the web interface.
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Via the web interface, the following settings are available:
• Input selection
• Color processing
• User 3D LUT
• Scan mode
• UMD and Tally
• Preset Management
• System info
• Power management
• Documentation
• Support
• Admin…
4.4.2 Input selection page
Figure 40: Input selection page
The input selection page allows the setting of the input selection for window 1 and window 2, in
analogy with the “Input selection” toolbox. The current setting is shown when the page is opened or
refreshed. Press “Apply” to send changes on the web page to the display unit.
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Figure 41: Color processing page
The color processing page allows the settings of several parameters that act on the input signal
selected by window 1 and window 2.
•
•
•
Background: Same setting as the “Background
Gain: Same setting as in the “Input settings” OSD menu.
Saturation: Same setting as the “Saturation ” image adjustment knob.
Hue: Same setting as the “Hue ” image adjustment knob.
Use RGB Channel selection: Activates the RGB color selection functionality. Same setting as in
the “Color channel selection” toolbox ( )).
RGB Color selection: Select the color to be displayed. Same setting as in the “Color channel
selection” toolbox ( )).
” image adjustment knob.
#
•
•
$
ꢋ
(ꢃ
•
•
•
ꢋ
(ꢃ
Show RGB Color selection in monochrome: Same setting as in the “Color channel selection”
toolbox.
YCbCr Channel selection – Monochrome: Same setting as applied by pressing (
ꢀ) the ꢏ
button.
The current setting is shown when the page is opened or refreshed. Press “Apply” to send the
changes on the web page to the display unit.
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4.4.4 User 3D LUT page
Figure 42: User 3D LUT page
Upload file
• This webpage allows the user to upload a custom 3D-LUT file on the unit. Click on Upload file...
to go to the “Upload Custom 3D LUT” page.
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Figure 43: Upload Custom 3D LUT page
• Browse for a User 3D-LUT file by clicking on the Browse... button. Note that the file can have any
name and doesn't have to be name 3d.lut.
• Hit the upload button to upload the file to the monitor.
Activation
LUT active on window 1: activates the 3D-LUT file on window 1
LUT active on window 2: activates the 3D-LUT file on window 2
Interpolation
Interpolation: There are two possible settings: Tetrahedral or Trilinear. The tetrahedral
interpolations will keep the colour tints across luminosity. It is similar to a hardware / GPU alike
rendering of 3D-LUT cube. Trilinear interpolations interpolates independently for R, G and B and is
more similar to a software / CPU alike rendering.
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4.4.5 Scan mode page
Figure 44: Backlight scanning web page
Activate or deactivate the scanning backlight option. This setting is applied to window 1 and window
2 simultaneously. The current setting is shown when the page is opened or refreshed. Press “Apply”
to send changes on the web page to the display unit.
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This web page controls the settings of the UMD bar.
Under Monitor Display
•
•
Visible: Visualize or hide the UMD bar
Controlled by: Control the UMD bar manually or via the Tally port (GPI settings).
Manual settings: These settings only apply when “manual” control has been selected.
•
•
•
•
•
UMD text: Type the text you want to display on the UMD bar
Brightness: Select the brightness of the UMD bar (Full, Half, 1/7 or Dark)
Text color: Select the color of the text (Red, Green, Amber, Off)
Left Tally lamp: Select the color of the left Tally lamp (Red, Green, Amber, Off)
Right Tally lamp: Select the color of the right Tally lamp (Red, Green, Amber, Off)
GPI
Brightness
•
Controlled by: Select the pin to control the brightness of the UMD bar (GPI1, GPI2, GPI3 or
GPI4)
•
•
Signal low: Select the brightness if the signal at the selected pin is low (Full, Half, 1/7 or Dark)
Signal high: Select the brightness if the signal at the selected pin is high (Full, Half, 1/7 or
Dark)
Left tally lamp
•
•
•
Controlled by: Select the pin to control the color of the left lamp on the UMD bar (GPI1, GPI2,
GPI3 or GPI4)
Signal low: Select the color of the left lamp if the signal at the selected pin is low (Red, Green,
Amber, Off)
Signal high: Select the color of the left lamp if the signal at the selected pin is high (Red, Green,
Amber, Off)
Right tally lamp
•
•
•
Controlled by: Select the pin to control the color of the right lamp on the UMD bar (GPI1, GPI2,
GPI3 or GPI4)
Signal low: Select the color of the right lamp if the signal at the selected pin is low (Red, Green,
Amber, Off)
Signal high: Select the color of the right lamp if the signal at the selected pin is high (Red,
Green, Amber, Off)
UMD text
Controlled by: Select the pin to control the color of the text on the UMD bar (GPI1, GPI2, GPI3
or GPI4)
•
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•
•
Signal low: Select the color of the text if the signal at the selected pin is low (Red, Green,
Amber, Off)
Signal high: Select the color of the text if the signal at the selected pin is high (Red, Green,
Amber, Off)
Press “Apply” to send the new settings to the display unit.
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The Preset Management page combines all preset functionality accesible via the Preset OSD menu’s
(Load, Store, Erase) and the preset tranfer via USB in one interface.
• “Preset to load” to load either the factory preset or one of the 5 user presets.
• “Store Current Settings as” to store the current settings to one of the 5 user presets and to
change the name of the stored preset.
• “Download Presets” to download presets from the monitor into your PC. The list of the current
installed presets on the monitor is given.
• “Preset to upload” to upload a preset file from your PC to the monitor. You can choose in which
Preset (1 to 5) the file needs to be stored. Also the name of the preset can be given here.
• “Preset to remove” to remove a selected preset.
4.4.8 System info page
Figure 47: System info web page
The following information is shown on this web page:
• Display name
• Serial number
• Version of the software
• Build – date of the release of the software version
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The current setting is shown when the page is opened or refreshed and cannot be changed.
4.4.9 Power management page
Figure 48: Power management web page
Activates or deactivates the standby functionality (soft standby). Press “Apply” to send changes on
the web page to the display unit.
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4.4.10 Documentation page
Figure 49: Documentation web page
This web page contains the weblink to the documentation explorer at my.barco.com. You can use
the same ID and password as for the licensing of the display unit to access the documentation
online.
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4.4.11 Support page
Figure 50: Support web page
On this web page, the contact details of the Barco support teams in EMEA (Europe, Middle East &
Asia) and the United States are given. Do not hesitate to contact them for technical assistance
when necessary.
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Full functionality description
4.4.12 Admin... page
Figure 51: Admin… web page – software update
The Admin… web page is only accessible with a valid user name and password.
• User name: admin
• Password: admin117234
• This web page allows the user to update the software via the ethernet port. Please consult the
“how to upload new software” for more details about this functionality.
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Video signal processing
5 Video signal processing
5.1 General
The general way of encoding light captured from a scene (with a camera) to a video signal, which
serves as input for a display unit, can be described by the following steps:
•
•
•
Step 1: Light from the scene is captured and transferred to linear RGB. This conversion occurs
with a given color gamut and white point.
Step 2: The linear RGB signal is transferred to a perceptual uniform R’G’B’ video signal. This is
called the gamma correction.
Step 3: The color channels can be encoded. The encoding transforms the R’G’B’ video signal to
an Y’C C video signal to optimize stream capacity. Often a 4:2:2 chroma subsampling is per-
b r
formed. This conversion is not always performed and unencoded R’G’B’ 4:4:4 can be transmitted
as e.g. Dual link HDSDI or 3Gb/s SDI.
Each step is defined by a standard (e.g. Rec.709) The different standards used in the different
steps are listed in the table below:
SD signals
480i, 576i
HD signals
720p, 1080i,
1080p
HD 1035i
480i: SMPTE RP145
576i: EBU 3213
Rec.709
Rec.709
SMPTE RP145
SMPTE 240M
SMPTE 240M
Step 1
L to RGB
Rec.709
Step 2
RGB to R’B’G’
ITU-R BT.601 (Rec. 601) Rec.709
Step 3
R’G’B’ to Y’C C
b
r
Table 2: Standards used for video signal generation
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Video signal processing
Figure 52: From captured light on the scene to the image on the screen
On the side of the display, the video signal is converted back to light. The following steps are done
in the RHDM:
•
Undo step 3: When the color channels have been encoded, chroma upsampling and color chan-
nel decoding (Y’C C to R’G’B’) is necessary.
b r
ꢀ
The color channel encoding is done automatically (Rec.601 matrix for SD and Rec.709
matrix for HD). The user only needs to select the type of input signal (Y'C C /R'G'B’, bit
b r
depth, chroma subsampling or field/frame/segment type).
ꢀ
User video settings such as background gain, saturation and hue are also calculated in
,
this matrix.
NOTE:
The Picture setting does not have any influence on the conversion of the video signal to the image on the screen.
The Picture setting only drives the power of the backlight, and consequently, the brightness of the image.
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Video signal processing
•
Undo step 2: The video signal needs to be converted to the linear light domain by using an
Opto-Electrical Transfer Function (OETF). More details about this step will be given in the
following sections. The OETF can be defined by the user:
ꢀ
ꢀ
ꢀ
gamma exponent: from 1.0 to 3.0 in steps 0.05.
gamma shape: Rec.709, xvYCC, SMPTE 240M, Pure gamma, Extended gamma, sRGB.
input footroom and headroom levels.
•
Undo step 1: The linear RGB signal is presented on the screen and must be shown in a given
color space (primaries and white point). Because the display typically has a wider gamut than
the intended gamut, a display color space conversion is needed. The color space can also be
defined by the user.
ꢀ
ꢀ
white point selection: D55, D65, D75, D93, custom in x,y.
color gamut selection: EBU 3213, Rec.709, SMPTE RP 145, xvYCC, Native, and Custom - R,
G and B primaries in x,y (Option for P-version).
NOTE:
The fundamentals of the information presented in this chapter can be found in the following references:
•
•
•
Charles Poynton, Digital Video and HDTV, Algorithms and Interfaces, Morgan Kaufmann Publishers, 2007
EBU-Tech 3320, User requirements for Video Monitors in Television Production, Version 1.1, Geneva, May 2008
Alan Roberts: Methods of measuring and calculating display transfer characteristics (gamma), BBC RD 1991/6.
5.2 General definition OETF
In a video camera, linear light (L) can be encoded into video levels (V) in different ways. In most
a
cases, light is encoded using a power function (something like V’~L ). The exponent “a” (0<a<1) is
chosen to guarantee a conversion to perceptual uniform space. The signal is “gamma encoded”, and
this is made clear by writing V’ instead of V. In reality, a pure power function, as presented in the
form above, is not used because analog electronics can not cope with an infinite slope at L=0. A
more detailed encoding function is used which includes a linear “tail” at low luminance levels,
followed by a scaled and offset power function for higher luminance levels.
There are several L-V’ encoding standards, such as ITU-R BT.709 (Rec.709), SMPTE 240M, sRGB,
xvYCC (based on ITU 1361). They all have the form of the transfer function described below.
To characterize the encoding function, the following parameters are used:
•
•
•
br (the voltage up to which the transfer curve is linear)
bs (the slope of the linear part: bs=V/L
gs (the gamma correction or exponent of the power function)
)
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Video signal processing
In general, we can write any of these encoding standards with the formula:
br
0 ≤ L <
bsL
1+ K)L1/ g − K
⎧
⎨
⎩
bs
1/ gs
V'=
(
br − (br / bs
)
)
s
br
(
K =
≤ L ≤ 1
1/ gs
bs
((br / bs
)
− 1
)
where
5.3 Video encoding functions
5.3.1 Rec.709
Figure 53: L-V’ for Rec.709
4.5L
0 ≤ L < 0.018
⎧
⎨
V '709
=
1.099L0.45 − 0.099 0.018 ≤ L ≤ 1
⎩
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Video signal processing
5.3.2 SMPTE 240M
4.0L
0 ≤ L < 0.0228
⎧
⎨
V '240
=
1.1115L0.45 − 0.1115 0.0228 ≤ L ≤ 1
⎩
5.3.3 sRGB
12.92L
⎧
⎪
0 ≤ L < 0.0031308
0.0031308 ≤ L ≤ 1
− 0.055
1
⎛
⎞
⎟
V 'sRGB
=
⎜
⎨
2.4
⎝
⎠
⎪
1.055L
⎩
5.3.4 xvYCC
Figure 54: L-V’ for xvYCC
xvYCC (based on ITU1361) is identical with Rec.709 in the legal range of Rec.709 (here the interval
[0..1], but it extends the Rec.709 curve also outside the legal range:
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Video signal processing
1.099(−4L)0.45 − 0.099
4
4.5L
1.099L0.45 − 0.099
⎧
−
− 0.25 ≤ L < −0.004
− 0.004 ≤ L < 0.018
0.018 ≤ L ≤ 1.33
⎪
⎪
⎨
V '1361
=
⎪
⎪
⎩
5.4 Effective gamma
The Rec.709 encoding equation assumes a linear tail and a power function with an exponent 0.45.
However, because of the linear offset and scaling, it is not correct to state that the Rec.709
encoding equation is described by a gamma of 0.45. The Rec.709 encoding equation is best fitted
with a pure power function with an exponent 0.52 (see figure below). We call this “best fit” the
“
effective gamma”.
Figure 55: The Rec.709 encoding equation fitted with a power function
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Video signal processing
5.5 Rendering intent
It is important to realize that the following statement is wrong:
“The video signal must be decoded at the display side in such a way to guarantee a linear system
transfer (a linear relation between the scene luminance and display luminance, called ‘scene-to-
screen’ or ‘end-to-end’ transfer)”
The mathematical inversion of the Rec.709 encoding equation that guarantees a linear end-to-end
luminance transfer is:
V '709
⎧
⎪
⎪
⎨
4.5
0 ≤ V '709 < 0.018
0.018 ≤ V '709 ≤ 1
1
L =
0.45
V ' +0.099
⎛
⎞
⎟
709
⎪
⎜
⎪
1.099
⎝
⎠
⎩
However, because of the linear offset, this inverse does not correspond to an effective gamma of
2.2, but rather to an “effective gamma” of around 2.0 (as discussed in the section “effective
gamma” and illustrated in the figure below).
Figure 56: The inverse of the Rec.709 encoding function fitted with a power function
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Video signal processing
But a gamma of 2.0 sounds very strange in the broadcast world! All these years, video looked good
on CRTs, where people are used to values of gamma of 2.2, 2.5, or even 2.8, but never 2.0. Thus
this mean that we have been looking at non-linear end-to-end transfer?
Indeed, according to CRT physics, the cathode ray tube transfer characteristic has a gamma of 2.5.
An early EBU specification actually uses a number of 2.8. However, a later in-depth characterization
of the gamma of a CRT (Alan Roberts: Methods of measuring and calculating display transfer
characteristics (gamma); BBC RD 1991/6) yields values closer to 2.2-2.3.
So yes, in fact the scene-to-screen transfer has not been linear from the start. With an effective
encoding gamma of 0.52, and an effective display gamma of 2.2-2.5, the system transfer is
somewhere in between 1.1-1.3. A recent EBU recommendation (EBU.Tech.3320) actually specifies
the value of 2.35 for new reference (grade 1) monitors.
Why does this non-linear scene-to-screen transfer give such good results?
The scene and the display have very different viewing conditions. Video monitors are typically
2
calibrated at a luminance of about 100 cd/m , and viewed in dim environments. A scene can have a
luminance which is 100-1000 times larger (the sun!) than the luminance which can be produced by
the display. These different conditions give rise to perceptual differences: a video shown on a
display with a linear end-to-end transfer function will look very pale and unsaturated. Therefore a
“transfer gamma” (end-to-end) with an exponent higher than 1 is desired (around 1.2). This
situation is referred to as “rendering intent”: the video is encoded in such a way (exponent 0.45,
effective gamma 0.52), that when a CRT decodes it (with a gamma of 2.2-2.5), the end result has
an end-to-end transfer gamma of around 1.2.
5.6 Selection of OETFs in the RHDM
OETF means “Opto-Electric Transfer Function”. An OETF defines the way the input signal (electric) is
transferred to luminance at the display side. The video encoding functions explained above are
examples of OETFs.
The following OETFs can be selected by the user:
• Rec.709
• SMPTE 240M
• sRGB
•
xvYCC: The xvYCC function is identical to Rec.709 in the legal range of values. However, xvYCC
can encode headrooms and footrooms that give rise to out-of-gamut colors. With the wide gamut
of the display unit, these colors are displayed correctly on screen.
•
Pure Gamma
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Video signal processing
•
Extended Gamma: This option is an extension of the “pure gamma” OETF to headroom and
footroom, with the same intent as xvYCC.
In addition to these possible OETFs, the user can also select the gamma exponent
γ
(ranging from
1.0 to 3.0, with a default value of 2.35 as per EBU Tech.3320). This gamma exponent can be
understood as the resulting “effective gamma” of the display.
γ
The simplest function is the “pure gamma”, where L-L ~V . But because of differences between CRT
0
and LCD technology, using a pure gamma function in LCDs will result in crushed blacks. The users
would need to increase the background offset (black level) in order to set up the monitor according
to the Pluge pattern. But this increases the black level and decreases the available contrast range of
the display.
Therefore the RHDM uses the following OETF concept:
• Invert the encoding equations (Rec.709, xvYCC, sRGB or SMPTE240M) exactly, preserving the
“linear toe”.
• Make sure that the “rendering intent” is preserved, which means that the resulting effective
gamma is equal to the gamma selected by the user (default 2.35 as per EBU 3320 recommenda-
tion).
• Take the limited LCD contrast into account so that the dark levels are perceptually discernable.
This implementation avoids crushing of blacks that would be exhibited by using a pure gamma
function and eliminates the need to set the video offset. The rendering intent used in the display
2
unit ensures that at a luminance level of 100 cd/m the lowest step in the Pluge pattern are just
noticeable.
Detailed example: Pure gamma
The OETF shown below describes the translation of the electric signal to the video drive level. This
formula applies for each color.
i
The light output (luminance) Y for each color (i=R,G,B) of an ideal screen is related to the
i
maximum light output Y
(for each color) multiplied by the gamma corrected color factor. The
max
i
i
i
color factor is the input voltage V (or Y ’) weighted by the reference white voltage V
. The LCD
inrw
in
screen is not able to suppress all the light coming from the backlight trays. There is still some light
i
i
(Y ) emitted by the LCD screen when V = 0. This remnant emission of light is called display black
0
in
level. The video gain G is a way to enhance the light output of the image, without influencing the
black level of the image. The gain is expressed in the formula in %. Background B is the user
control that allows the user to shift the black level (e.g. to see the content in dark regions of the
image better) of the image. Picture P is the user control that drives the power of the backlights.
From this equation you can readily see that Picture has an influence on the black level that is set by
the Background and the dark offset of the LCD panel.
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Video signal processing
γ
G V i
⎡
⎢
⎣
⎤
⎥
⎦
⎛
⎞
in
Y i = P Y i + (Y i −Y i )
+ B
⎜
⎜
⎟
⎟
0
max
0
i
100
V
inrw
⎝
⎠
, i = R,G,B
NOTE:
Increasing G or B will result in clipping of the highlights.
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Terminology
6 Terminology
The terminology used throughout the manual is described in detail in this chapter. More information
related to the operation and settings of the display unit can be found and is in most cases extended
with background information that can be relevant for the user to understand the capabilities of the
display unit.
Aliasing
Aliasing of a displayed image occurs when frequencies higher than half of the sample frequency are
used in the image (Nyquist theorem).
Background
The background setting is similar to the brightness setting on a CRT display unit. Background
adjusts the black level of the display unit. Setting the background too low, information in the dark
parts of the image is lost and possible information in the headroom of the video signal can become
visible. Setting the background too high will lead to the whole image resting on a grey pedestal and
the bright levels being clipped. The dark levels becoming visible in the foot room of the video
signal. The value of the background control is expressed in number of bits. The actual light output
at the 100% drive level depends on the setting of the picture control. The value of the background
is equivalent to video offset and is expressed in 8-bit steps.
clipping
bright levels
100 %
+
Visualize
super bright
-
Visualize
super dark
Black
offset
Black
0 %
White
100 %
Video signal
clipping
dark levels
Figure 57: Background control
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Terminology
Black body locus
Line in the x,y color space that determines the color of the light that is produced by a perfect black
body radiator at different temperatures.
Black level
The black level is the amount of light that is emitted by the LCD panel when it displays code 0. The
black level is the minimal achievable light output technically possible by the LCD panel.
Clipping
Clipping occurs when a transformation pushes the video signal out of the available driving range of
the LCD or the backlights. Clipping can occur in the highlights when the background is set too high.
Clipping in the lowlights can occur when the background is set too low.
Color working space
The color space is the full range of all different colors that are observable by humans. The color
space is determined by the tristimulus variables X, Y and Z or with corresponding R, G and B
values. The color space is often represented in a CIE[x,y] 2-dimensional chromaticity diagram.
Color sub-sampling (chroma sub-sampling)
Color sub-sampling refers to the number of bits that are available to represent the Luma and the
Chroma of each pixel in 2x2 array. The notation 4:2:2 means that of the 2x2 pixels, each has a
different Luma sample (4 samples), and that C (C ) samples are the same two by two (the C and
b
r
b
C value changes every two pixels).
r
Gamut
The gamut is a set of colors in the X,Y,Z color space that can be generated by the display unit. In
the 2-dimensional x,y section, the gamut consists of all colors within a triangle defined by the three
primaries (red, green and blue).
Headroom
The headroom is defined as the region of the signal input code that exceeds the value of reference
white. For 10 bit signals, the headroom is defined between level 940 and level 1019.
Hue
$
The hue control is similar to the hue setting on a CRT display unit. Hue affects the C and C
B
R
components of the Y’C C according to the following formula:
B R
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Terminology
Y'
1
0
0
Y'
⎡
⎢
⎢
⎤
⎥
⎡
⎢
⎤⎡
⎥⎢
⎤
⎥
⎥
CB = 0 cos(α) − sin(α) CB
⎥
⎢
⎥⎢
⎢
⎥
⎦
⎢
⎣
⎥⎢
0 sin(α) cos(α) CR
⎥
⎦
CR
⎣
⎦⎣
2
1
The value of the hue control is expressed in degrees.
Y'
CR
CB
Hue
Saturation
Figure 58: Hue and saturation control
Input signal description
The names of the input signals that are shown in the status bar or in the “select input” toolbox are
composed in the following way:
Nr of active lines + Scanning format + Vertical frequency
e.g.: 720p23.98 can be translated to a format that has a resolution of 1280x720, a progressive
scan format with a vertical frequency of 23.98
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Terminology
Latency of the display unit
The latency is a specification of the time that is needed to convert the input signal into light emitted
from the LCD panel, expressed in milliseconds (ms). The latency shown in the status bar is
determined by the time difference between the receipt of the middle line of the frame and the
output on the screen of the middle line of the same frame. This time already includes the latency of
the LCD panel.
Lightness
Lightness (CIE L*) is the standard approximation to the perceptual response to luminance.
Lightness is obtained from a non linear transformation of luminance.
Y
Y
⎧
903.3
;
≤ 0.008856
⎪
⎪
⎨
Yn
1
Yn
L* =
3
⎛
⎞
Y
Y
⎪
⎜
⎜
⎟
⎟
116
−16; 0.008856 <
⎪
Yn
Yn
⎝
⎠
⎩
Light output
The luminance that is emitted by the display unit expressed in cd/m .
2
Luma
Luma (Y’) is an engineering term that describes the non linear transformation of luminance to a
perceptual uniform space (not to be confused with lightness). Luma as a weighted sum of the
gamma corrected R’, G’ and B’ components.
Luminance
Luminance (Y) is a measure for the amount of light that is emitted from the LCD panel. The units
2
2
are cd/m , or lm/sr.m and is briefly called “nit”.
LUT (3D)
In the film industry, 3D-LUTs (lookup tables) are used to calculate preview colors for a monitor. A
3D-LUT is a 3D lattice of output color values. Each axis is one of the 3 input color components and
the input color thus defines a point inside the lattice. Since the point may not be on a lattice point,
the lattice values must be interpolated.
Cubes may be of various sizes and bit depths. Often 17x17x17 cubes are used as 3D-LUTs.
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Terminology
Monochrome
The function monochrome allows the user to exclude the components C and C from the Y’C C
B R
B
R
signal that is displayed on the LCD panel. Only the luma (Y’) information is used to display the
image on the screen. The image is displayed in grey scale.
Opto-Electric Transfer Function (OETF)
The opto-electric transfer function is a power function that defines the display luminance as
function of the input signal level.
On Screen Display (OSD) menu
Menu which appears on the screen by pressing the button
settings of the display unit.
ꢂthat allows additional administrative
Overscan
The size of the image is cropped to 96% compared to the native image and subsequently stretched
to be displayed on the same screen area.
Pan & Zoom
Viewing setting of the display that shows both video signals selected by window 1 and window 2
next to each other in native format. The video signal is (in most cases) cropped. It is possible to
pan the image and to zoom in on the image.
Picture
!
The picture control is similar to the contrast setting on a CRT display unit. Picture drives the power
of the backlights in the display unit. It acts as a multiplication factor of the luminance at each grey
level, and is thus similar to gain or contrast. Not only the white level, but also the black level is
2
affected when the picture is adjusted. The value of the picture is expressed in cd/m for 100%
video signal.
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Terminology
Luminance
100 cd/m²
+ 20
- 30
80 cd/m²
50 cd/m²
Black
offset
Black
0 %
White
100 %
Video signal
Figure 59: Picture control
Pixel Map
The input signal is mapped to the LCD screen 1:1.
Pixel shape (resizer setting)
LCD panel pixels are square. To represent an image on an LCD panel, the original image needs to
be sampled with a certain spatial resolution. This results in a collection of values which are taken
from a ”point” in the image, and mapped to the LCD panel pixels. The square form of the LCD panel
pixel can introduce pixel shape artefacts in the image. A setting in the “resizer settings” OSD menu
is available to correct these type of artefacts.
Primaries
Primaries, or primary colors, are the basic and most pure colors (red, green and blue are commonly
used for display units) that are used to generate all the colors in a display gamut.
RGB or R’G’B’
The RGB notation is used when the signals are proportional to the tristimulus values X, Y and Z. The
R’G’B’ notation is used whenever we describe the gamma-corrected RGB components (using a
power function such as e.g. ITU.709).
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Terminology
Saturation
#
Similar to the saturation setting on CRT display units. Saturation multiplies C and C
B
R
with the same factor. The ratio C / C is constant. The value of the saturation control is expressed
B
R
in %.
Safe area
The safe area is the part of the image that is shown on a display for the defined settings of the area
markers.
Scanning Backlight
The LED backlight illuminates portions of the LCD at a time, thereby decreasing the “hold effect”
and masking the LCD response time. Using the scanning backlight option results in a much better
performance of the LCD screen when motion is displayed.
Status bar
The status bar is displayed at the top of the screen and contains all relevant information related to
the selected inputs for window 1 and window 2. Also the display settings are shown in this status
bar.
Toolbox
The Toolbox is a type of OSD menu that appears on the left side of the screen. The Toolbox is called
by a long press (
ꢃ) on one of the control buttons or one of the fixed function buttons on the
control panel. Not all of those buttons are related to a Toolbox. The Toolbox allows the user to
change advanced settings.
Under Monitor Display (UMD) bar
The UMD bar is a dedicated space at the bottom of the screen that shows TSL protocol coded
information sent through the RS485 Tally serial connector or through the GPI Tally parallel port. The
UMD bar also shows two Tally lights.
Video gain G
The video gain (expressed in dB) is similar to picture and is only accessible to the user at deeper
levels in the OSD menus. The main difference is that Picture drives the power of the backlights,
i
while Video gain is a multiplication factor applied on the value of the video signal V . Increasing
in
gain results in clipping of the highlights.
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Terminology
Viewport
The viewport setting will cut out the area inside the video that is related to the selected viewport
aspect ratio. This can be used to cut black borders from the input signal.
White point
The white point is situated on/or very close to the black body locus in the color space. The white
point determines the color temperature of the displayed image. D65 (close to 6504 K) is the EBU
and SMPTE broadcast standard. Color temperatures of 5400-5600 K are used in film post
production and color temperatures of 9300 K are used in Asia (ARIB recommendation).
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Addendum
7 Addendum
7.1 Technical specifications
7.1.1 Electro-optical specifications
7.1.1.1 Panel specifications
7.1.1.1.1
Panel
Active Matrix Liquid Crystal Display (AMLCD)
7.1.1.1.2
Screen dimensions
• Aspect ratio 16:10
• Active screen dimensions:
ꢀ
ꢀ
ꢀ
Width: 365.8 mm
Height: 205.7 mm
16.5” diagonal
7.1.1.1.3
Panel surface
• Surface treatment: antiglare coating
• Pencil hardness: 2 Hb
7.1.1.1.4
Colors & Grayscale
• Without dithering
ꢀ
ꢀ
Color depth: 10 bit
Grayscales: 1024
• With dithering
ꢀ
ꢀ
Color depth: 12 bit
Grayscales: 4096
7.1.1.1.5
Viewing angle
• For contrast > 10:1
• Horizontal: 85°
• Vertical: 85°
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Addendum
• The maximum deviations of the chromaticity coordinates u’, v’ for 100% white at 25°C are
ꢀ
ꢀ
ꢀ
u’
v’
≤
≤
0.010
0.010
within an angle of ±45° horizontally and ±20° vertically from the perpendicular viewing
direction.
7.1.1.1.6
Light output (at normal viewing angle 0°)
• Luminance value
2
ꢀ
ꢀ
ꢀ
ꢀ
Maximum output: Without scanning backlight - 200 cd/m
2
Maximum output: With scanning backlight – at least 175 cd/m
2
Minimum output: 45 cd/m
2
Light output in calibrated mode: 100 cd/m (see table color spaces for detailed information)
7.1.1.1.7
Contrast ratio (at normal viewing angle 0°)
• Native panel contrast ratio in dark environment: typical 1000:1
• Effective contrast ratio for 100% HDSDI signal drive (level 940)
ꢀ
When overshoot to level 1019 is allowed and gamma=2.35, the contrast ratio is typical
660:1.
ꢀ
When no headroom is allowed (HDSDI level 940 at maximum), the contrast ratio is typical
1000:1.
NOTE:
When the luminance uniformity correction is active, the effective contrast ratio may decrease.
7.1.1.1.8
Black level
2
• For HDSDI level 1019 calibrated at 100 cd/m , gamma=2.35, the black level is typical: 0.12 cd/
2
m .
7.1.1.1.9
Resolution
• 1920 x 1080 pixels
• Active video window: 1920 x 1080 (or less depending on picture format)
• Pixel dimension: 0.1905 x 0.1905 mm
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Addendum
7.1.1.1.10 Pixel defects and cosmetic specs
Definitions terms:
Figure 60: Pixel and subpixel definition
• Subpixel: 1/3 of the area of a pixel. Consists of an R, G or B filter.
• Bright pixel/subpixel: Number of always-lit pixels/subpixel
• Dark pixel/subpixel: Number of always-unlit pixels/subpixel
• Bright defect subpixel: bright defect area is 25% of subpixel brightness at black
• Black defect subpixel: bright defect area is 75% of subpixel brightness at white
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Addendum
Specifications:
• Following table summarizes these conditions:
Item
Max. acceptable
number
Unit
A-zone
Dot defect
Sparkle
mode
1-dot
0
Pcs
2-dots
3-dots
4-dots
Density
Total
0
0
0
0
0
7
3
0
0
2
7
7
Units
Pcs/ø20mm
Pcs
Black
mode
1-dot
Pcs
2-dots
3-dots
4-dots
Density
Total
Units
Pcs/ø20mm
Pcs
Pcs
Total
Line defect
Serious one is not al-
lowed.
Uneven brightness
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• Following table summarizes the cosmetic specification (dust, impurities, scratches etc):
Item
Max. Acceptable
number
Unit
A-zone
Stain inclusion
Line shape
W: width (mm)
L: length (mm)
W 0.1
L < 1.0
L 1.0
4
Pcs
0
Stain inclusion
Dot shape
D: ave. dia. (mm)
D 0.22
Ignore
Pcs
D 0.4
5
4
0
0.4 < D 0.5
D > 0.5
Scratch to polarizer W 0.02
Line shape
L: Ignore Ignore
PCs
W 0.04
W 0.08
W > 0.08
L 40
L > 40
L 20
L > 20
-
10
0
W: width (mm)
L: length (mm)
10
0
0
Scratch to polarizer D 0.2
Dot shape
D: ave. dia. (mm)
Ignore
Pcs
D 0.6
10
0
D > 0.6
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Bubbles, peeling in D 0.3
polarizer
Ignore
Pcs
D: ave. dia. (mm)
D 0.5
D 1.0
D > 1.0
10
5
0
Wrinkles on polarizer
Serious one is not al-
lowed.
7.1.1.2 Image specifications
7.1.1.2.1 Response time
• Typical rise time: 8 ms
• Typical fall time: 8 ms
7.1.1.2.2
Tolerances
Tolerance test colors
The display unit complies with the following tolerances for the test colors specified in the EBU Tech
3325:
∆u'v'≤ 0.0045
Maximal:
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Addendum
In the table below, the Luminance Y is expressed in %. 100% is reference white.
Test color
Description
Y (%)
9.6
u’
v’
.5015
EBU 1
EBU 2
EBU 3
EBU 4
EBU 5
EBU 6
EBU 7
EBU 8
EBU 9
EBU 10
EBU 11
EBU 12
EBU 13
EBU 14
EBU 15
Dark Skin
0
.
.
.
.
.
.
.
.
.
.
.
.
253
0
Light Skin
37.7
29.8
0
0
0
0
0
0
0
0
0
0
0
2366
2364
1807
1629
2087
1813
3248
1505
1791
3046
1462
0
0
0
0
0
0
0
0
0
0
0
.
.
.
.
.
.
.
.
.
.
.
4931
4848
5452
4552
4157
5207
4974
5329
3706
4895
5321
Light Greyish Red
Light Yellow Green
Light Bluish Green
Light Violet
29
.9
29.8
30.1
Foliage
13
19.4
43
17.2
.4
Medium Red
Medium Green
Medium Blue
Dark Red
.6
6
.5
Dark Green
19
.9
Dark Blue
6.0
0.1825
0.3422
Medium Yellow Red
Medium Purple
43.5
20.0
0
0
.
2726
2349
0
0
.
5273
4034
.
.
The tolerances are shown for 25°C.
Tolerances white point and luminance
White point chromaticity and luminance is calibrated at the center of the display for x=0.3127,
2
y=0.3290 and Y=100 cd/m (at level 1019) with the following tolerance requirement:
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Addendum
∆u'≤ 0.001
∆v'≤ 0.0015
∆Y ≤ 2%
The tolerances apply for a temperature of 25°C.
Spatial uniformity
Spatial uniformity - measuring points
The spatial luminance uniformity is measured at the points as defined in the EBU Tech 3325.
Measuring point
Coordinates
(Relative to screen centre)
W
H
1 (screen centre)
2 and 5
9 and 12
3, 4, 6 and 7
8, 10, 11 and 13
0
0
0
± 0.4H
0
± 0.2H
± 0.4H
± 0.4H
± 0.35H
± 0.4W
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Addendum
The area of measurement is not greater than a circle of diameter 0.1H.
Luminance uniformity on white
White point chromaticity and luminance is calibrated at the center of the display for x=0.3127,
2
y=0.3290 and Y=100 cd/m (at level 1019).
The least bright point has a luminance which is equal to or larger than 88% of the luminance
measured in the center of the screen.
Color uniformity on white
White point chromaticity and luminance is calibrated at the center of the display for x=0.3127,
2
y=0.3290 and Y=100 cd/m (at level 1019).
For all points the following tolerance requirement applies:
∆u'v'≤ 0.003
Maximal:
The tolerances apply for a temperature of 25°C.
Luminance uniformity on black
For all points, the measured luminance value deviates less than 50% from the luminance value
measured at the center point.
7.1.1.3 Power supply specification
7.1.1.3.1
Power inputs
• AC input voltage:
ꢀ
ꢀ
ꢀ
ꢀ
90 - 264 Vac
47 - 63 Hz
Input current: 3.6 A at 115 Vac and 1.8 A at 230 Vac
Inrush current: maximum 14 A at 230 Vac (cold start) / maximum 7 A at 120 Vac (@ 25 °C)
7.1.1.3.2
Power consumption
• Nominal power consumption: 100 W
• Maximum power consumption: 115 W
• Power consumption in hard standby mode: lower than 3 W
• Power consumption in soft standby mode: typical 65 W
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Addendum
7.1.1.3.3
Power factor
• > 0.9 harmonics compliant with EN61000-3-2 Class A
7.1.1.3.4
Earth / ground
• Protective Earth = mechanical ground = chassis ground
• Secondary electrical ground is connected to the chassis ground.
7.1.1.3.5
Input protection
• T6.3 A / 250V internal line fuse
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Addendum
7.1.1.4 Connectors
7.1.1.4.1
Input and output options
1
11 12
13
2
3
4
5
6
10
1
2
1
2
14
7
8
9
1
2
3
4
5
6
SDI input board
8
9
RJ12 (service port)
SDI input board (optional)
Optional slot
Audio out – SPDIF (optional)
Ethernet RJ45 (2 ports)
Earth stud
10
Optional slot
11
12
13
GPI Tally parallel
RS485
100 – 240 Vac in
Power switch
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Addendum
7
USB (2 ports)
14
Kensington lock
Figure 61: Location of connectors
The following input connections are available:
Signal inputs
• Modular concept
•
ꢀ
ꢀ
2 slots dedicated to SDI input boards
2 slots dedicated to future optional inputs
• SDI input board (Standard)
ꢀ
ꢀ
ꢀ
ꢀ
4 BNC connectors
2 inputs and 2 corresponding loop-through outputs
Standard inputs supported: 2 x SDSDI, 2 x HDSDI
Optional support for the inputs: 2 x 3Gb/s and Dual link HDSDI
Control inputs
• RS485 input for UMD and Tally monitoring systems (future functionality)
• GPI connector for Tally parallel
• 2 USB ports (hosts)
• 2 Ethernet (RJ 45) connectors
Audio
• First audio stereo pair out
Power supply inputs
• AC Power connector (IEC): 100-240 Vac
Others
• Kensington lock
IMPORTANT:
In order to meet the EMI/EMC specifications as described in the environmental specifications paragraph, shielded
network cables (Ethernet, Tally) should be used.
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Addendum
GPI Tally parallel connector
• RJ45
Pinning
8
1
Pin
Signal
1
2
3
4
5
6
7
8
GND
GND
GPI 1
GPI 2
GPI 3
GPI 4
NC
NC
USB connector
• Type A: host
• Data rate: USB 2.0 – High speed
Ethernet connector
• RJ45
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Addendum
7.1.1.4.4
Power
AC Power connector
• IEC Power connector
7.1.1.4.5
Control panel
USB connector
• Type A: host
• Data rate: USB 1.1 – Full speed
7.1.2 Mechanical specifications
7.1.2.1 Dimensions
Dimension
(mm)
Width
430
Width (with bracket)
Height
480
310,3
310,3
182,95
182,95
Height (with bracket)
Depth
Depth (with bracket)
7.1.2.2 Weight
• 15,5 kg
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Addendum
Figure 68: RHDM-1701 3D rear view
7.1.2.4 Finishing
Front
• Priming coat: Beltical filler P1F6
• Top coat: 2-component purethane paint.
• Color: Graphite grey RAL7024
• Screening: Silkscreening (ALU RAL 9006)
Back
• Priming coat: 2-component epoxy primer
• Top coat: 2-component purethane paint
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Addendum
• Color: Black RAL9005
• Screening: Silkscreening (white)
7.1.3 Environmental specifications
7.1.3.1 Random vibration
• Barco Truck simulation procedure for random vibrations - 2gRMS / 3V / 10-500Hz for all three
axes
7.1.3.2 Functional shock
Operating:
• 25 g – 6 ms
• 3 axes – 1000 shocks per axes
Test: Unit is under power during shock; shocks do not damage the unit
7.1.3.3 Temperature
7.1.3.3.1
Storage temperature
• High temp.: +70°C (+158°F)
• Low temp.: -30°C (-22°F)
7.1.3.3.2
Operating temperature
• High temp.: 40°C (104°F)
• Low temp.: 0°C (32°F)
NOTE:
When the unit is mounted in a rack, an air space of minimum 1 inch at the top and the bottom of the monitor
should be foreseen for cooling. If no cooling is foreseen, the maximum operating temperature should be reduced to
30°C.
7.1.3.4 EMI/EMC
7.1.3.4.1 EMI/EMC notice
The unit meets the following specifications when mounted in test console (to reflect the real
application). Internally in the console, a sealed power supply cable is used to connect the unit to
the console connector. Also internally in the console, the signal cables will be unshielded.
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Addendum
Externally, the power cable will be unshielded and the signal cables shielded.
Network cables (ethernet, tally) should be shielded to meet the specifications.
7.1.3.4.2
EN norms
• The unit is targeted to meet following EN specifications:
Performance Level
Reference
Test Description
Compliant
EN 55022
Conducted Emission
Radiated Emission
A
A
YES
YES
YES
EN 55022
EN 61000-3-2
Conducted Emission Har- According to Class D
monic Currents
EN 61000-3-3
Voltage Changes Fluctua- Not applicable
tion
YES
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Addendum
• EN55024 – Susceptibility specifications
Performance Level
Reference
Test Description
Compliant
EN 61000-4-2 ESD
ESD
4kV contact
8 kV air
YES
Level 3
EN 61000-4-3
EN 61000-4-4
Electro Magnetic Field
Burst
3 V/m
Level 2
YES
0.5 kV Signal ports if ca- YES
ble > 3m
1 kV on lines & earth
Level 3
EN 61000-4-5
Surges
1.5 kV Signal ports if out- YES
door
1 kV line to line
2 kV line to earth
Level 3
EN 61000-4-6
Conducted Common Mode 3 V
level 2
YES
EN 61000-4-8
EN 61000-4-11
Power Frequency Magnetic Not Applicable
Field
YES
YES
Voltage Dips
Dip 95% for 0,5 period
Dip 30% for 25 periods
Interrupt: 95% for 250
periods
Cannot be compared to
generic test level
7.1.3.4.3
FCC norms
• Unit meets FCC part 15 level A
7.1.3.4.4
ICES norms
• Unit meets ICES-003 level A
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Addendum
7.1.3.5 Humidity
• Operating & storage: max 95% @ 35°C (95°F)
7.1.3.6 Altitude/Low pressure
• Operating nom. 701 m
• Storage nom. 264 m
7.1.3.7 Acoustic noise
Location of measurements: at 1m of the display unit.
Figure 69: Setup to measure noise levels
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Addendum
Location
Noise level
Maximum
Noise level
Worst case
(dBA)
Front
Back
NR30
NR30
30,4
29,4
Left
NR20
NR10
NR40
30,7
28,2
31,7
Right
Top
Table 3: Noise level measurement results
7.1.3.8 Dust class
• Operational: dust class 8 according to ISO14644-1
7.1.4 Other specifications
7.1.4.1 MTBF
• Electronics calculated using MIL-HDBK-217F Ground Benign @ 25°C.
• 43300 hr
7.1.4.2 Safety
Unit meets following safety requirements and is labeled accordingly:
• CE / EN 60950-1
• DEMKO / EN 60950-1
• IEC60950-1
• UL 60950-1
• C-UL CSA C22.2 No 60950-1 (pending)
7.1.4.3 Workmanship
• According to ANSI/IPC A-610A level II
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Addendum
7.1.4.4 Compliancy
• RoHS compliant
7.2 Timings
7.2.1 SDI input board
7.2.1.1 Signal input
• 4 BNC connectors
ꢀ
ꢀ
2 Inputs
2 Loop-through outputs
• Accepts the input signals:
ꢀ
ꢀ
ꢀ
ꢀ
2 x SDI
2 x HDSDI
2 x 3Gb/s (optional)
1 x Dual link (optional)
• Automatic input detection
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Addendum
7.2.1.3 Dual link HDSDI timings (optional)
Table 5: Dual link HDSDI timings
NOTE:
SMPTE 372M Dual link HDSDI timings are supported by the RHDM/P. 1280x720 4:4:4 timings are not defined by
any standard, and thus not supported.
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7.2.1.4 3Gb/s timings (optional)
Table 6: 3Gb/s timings
NOTE:
The SMPTE 425M 3Gb/s timings are supported by the RHDM/P.
All level-A and level-B dual link timings are supported by the RHDM/P.
The level-B dual stream timings are not supported by the RHDM/P.
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Addendum
7.3 Latency
Table 7: Latency (expressed in ms) for different signals as a function of the Scale mode and the
Display and backlight scan mode.
The latency is measured in the middle of the screen according to EBU Tech 3325. The values
presented in the table are typical values that can change with subsequent software updates.
7.4 OETF (Opto-Electrical Transfer Function)
The OETF defines how each input signal level (V) is transferred to light (L) at the display side. It is
defined by the OETF shape, the effective gamma (γ) and the displayed video range
.
OETF shapes:
• xvYCC
• Rec.709
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Addendum
• Pure Gamma
• Extended Gamma
• SMPTE 240M
• sRGB
Gamma:
• Range: 1.0-3.0
• Step: 0.05
• Default setting: 2.35
Video range:
• 64-940 (legal Y’C C )
b r
• 64-1019 (Y’C C with headroom)
b r
• 4-940 (Y’C C with footroom)
b r
• 4-1019 (Y’C C full range, R’G’B’ full range)
b r
• 0-1023 (DVI RGB)
• Custom
The following table summarizes the recommended settings. However the actual OETF choice is
ultimately with the user. “R” stands for recommended and “a” stands for alternative.
Table 8: OETF shapes
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Addendum
The OETF is a ‘window’ setting. A different OETF can be assigned to Window 1 and Window 2. Any
display input can be routed to each window.
7.5 Color spaces
The color space can be chosen independently of OETF.
Selectable white points are:
• D55 – 5500 K
• D65 – 6503 K (default)
• D75 – 7500 K
• D93 – 9300 K
• Custom in [x, y]
The calibrated luminance (picture setting) is 100 cd/m2. This is the luminance of the maximum
allowed video level in the selected video range.
Selectable color spaces (primaries):
• Rec.709
• EBU 3123
• SMPTE RP145 (SMPTE C)
• Native
• Custom in [x, y] for red, green and blue (optional, only for RHDM/P)
The following table summarizes the primaries of the basic color spaces. The native color space is
slightly different for each RHDM and is not mentioned here.
Table 9: Color space primaries
The following table summarizes the recommended color space and white point for different signals.
“R” stands for recommended and “a” stands for alternative.
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Addendum
Table 10: Recommended color spaces
7.6 Mutual effects of scaling and aspect ratio settings
The setting of the scaling mode limits in certain cases the setting of the aspect ratio. “H res” and “V
res” correspond to the horizontal and vertical resolution respectively.
Table 11: Mutual effects of scaling and aspect ratio settings
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Addendum
7.7 Safe area marker settings
The safe areas are defined in EBU Technical Recommendation R95-2000, ITU Recommendation ITU-
R BT.1379-2 and SMPTE Recommended Practice RP218-2002.
The following safe area marker settings are defined:
• For 16:9 signal formats and when the safe area markers are defined relative to the aspect ratio
markers (1920x1080, 1280x720 and Wide SD):
Table 12: Safe area markers defined for 16:9 formats and relative to ARM
• For 16:9 signal formats and when the safe area markers are defined relative to the image bor-
ders (1920x1080, 1280x720 and Wide SD):
Table 13: Safe area markers defined for 16:9 formats and relative to image borders
• For 4:3 signal formats and when the safe area markers are defined relative to the image borders
(standard definition 480i and 576i):
Table 14: Safe area markers defined for 4:3 formats and relative to image borders
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NOTE:
The percentages define the reduction of the image on one side of the screen. The reduction takes place at both
sides of the screen and thus the total reduction is defined as twice the percentage tabulated for both horizontal and
vertical.
Overscan note:
The EBU and ITU recommendations work under different assumptions: EBU reduces the image by
18 pixels (2.5% of 720) of a SD signal to compensate for overscan, while ITU starts from the full
720 pixel width. The display unit always uses the full width of the signal, even when calculating EBU
standard safe area markers.
SMPTE note:
SMPTE only defines standards for safe area markers relative to image borders. The display unit
uses the percentages recommended by SMPTE for safe area markers relative to the aspect ratio
marker.
4:3 signal safe area markers note:
The standards only define safe areas for 4:3 signals for retention of the 14:9 central zone. The
display unit will place the safe area markers relative to the aspect ratio markers as well and the
same percentage is used, as if it were relative to the image borders.
Custom aspect ratio marker note:
When a custom aspect ratio marker has been specified, the standards mentioned above do not
define the safe area and the standard selection will be locked on custom.
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Addendum
7.8 Installation
7.8.1 Installation precautions
• Keep the original packaging. It is designed for this unit and is the ideal protection during trans-
port.
• Allow adequate ventilation in case the configuration is built in a rack or a console, so that the
heat can dissipate properly.
• For units where the power cable or connector is the primary means of detaching the system from
the power supply. One of the cable ends (or power connector) should be easily accessible.
• Make sure the unit is disconnected from mains before connecting the signals.
• The display unit must be earthed correctly, as described in the safety precautions paragraph.
• Before connecting the unit to mains, check if the power source voltage corresponds to the mains
voltage marked on the identification label on the display.
7.8.2 Package & storage
7.8.2.1 General
A safe transport of the units can only be guaranteed if the original undamaged package is used for
shipping. Handle with care when transporting.
Keep your original packaging. It is designed for this unit and is the ideal protection during
transportation.
7.8.2.2 Procedure in case of damages
All shipments should be opened and inspected for concealed damage or pilferage as soon as
possible after the arrival at destination. The shipping cartons should be retained for the surveyor’s
inspection and full and accurate reserves must be made by a letter or a fax message.
Depending upon the used means of transport, the written protest is subject to different time-rules:
• by sea: the protest has to be issued against the captain and/or ship within 3 days of the delivery
of the goods.
• by road: the protest has to be issued against the last road-carrier within 7 days after delivery of
the goods.
• by air: the protest has to be issued against the air-carrier within 14 days after delivery of the
goods.
In all cases, a claim or potential claim should be reported as soon as possible whether or not full
documentation is immediately available.
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After completion of all required steps, the claim should normally be finalized within one month. For
more information about the claims handling procedure, contact Barco n.v.
7.8.2.3 Storage
It is best to store the display unit in its original packaging in a room that does not exceed the
storage conditions mentioned in the technical specification.
7.8.2.4 Packaging
• Packaging corresponds to standards for international transport by air / sea / ground.
• Dimensions:
ꢀ
ꢀ
ꢀ
Height: 550 mm
Width: 675 mm
Depth: 400 mm
• An optional flight case is available for flexible demo purposes: contact Barco for more details.
7.8.2.5 Repack instructions
CAUTION:
To repack the display unit, please use the original packaging material.
• Place the box with the backside on a stable and flat surface.
• Make sure the rack brackets are mounted to the display unit and the stand, if there was one
used, is removed.
• Place the display unit in the plastic bag and seal the plastic bag.
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• Place the 2 protective covers one on the left side of the display and one on the right side of the
display. Note that the left and right side are slightly different and should be used correctly.
• Place the display unit gently in the box. The bottom side of the display facing down. Include all
original items provided with the display unit, including cables, User manual and guiding sheets.
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• Seal the box with tape.
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7.8.3 Mounting instructions
7.8.3.1 Rack mounting
1
M6 pan head screw (4x)
Figure 70: Rack mounting of the display unit
1
The display unit can be mounted in a standard 19 inch rack by using the 4 M6 pan head screws.
7.8.3.2 Barco stand (option)
7.8.3.2.1
Barco stand
The display unit can be mounted on a tiltable stand. The stand can be mounted on the VESA
compatible mounting positions at the back side. The mounting positions are spaced by 100mm
horizontally and 100mm vertically.
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1
4
2
3
4
tiltable stand
1
2
3
4
screw positioning for tilting angle variations between -5° and +15°
screw can be positioned in lower hole (tilting limited from 0° to 10°)
VESA mounting positions (4 knurled screws)
Figure 71: Display unit mounted on tiltable stand
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The tiltable stand allows the user to mount the display unit under an angle with respect to the
horizontal plane that can vary between minimum -5°C to maximum +15°C
-5°
0°
15°
10°
Figure 72: Variation of angles that can be reached via tiltable stand
7.8.3.2.2
Install the Barco stand
Remove the brackets
The display unit is delivered with brackets for rack mounting.
First remove the 2 rack brackets with handles by unscrewing (2x) 3 torx head screws T20.
1
Figure 73: Removal of rack brackets
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Mount the Barco stand
Place the display unit with the front side on a horizontal, flat and stable table, covered with bubble
wrap or a similar protective material and unscrew the 4 knurled screws provided on the 4 VESA
mounting positions.
2
Figure 74: Removal 4 knurled screws
Use the 4 knurled screws to mount the stand on the bottom 4 VESA mounting positions. Place the
display unit up-right and verify that the display unit is placed on a flat and horizontal surface at all
times.
3
Figure 75: VESA mounting with the 4 knurled screws
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7.8.3.2.3
Remove the Barco stand
Instructions to remove the Barco stand from the display unit:
• Place the display unit with the front side on a horizontal, flat and stable table, covered with bub-
ble wrap or a similar protective material.
• Unscrew the 4 knurled screws and remove the tiltable stand. Mount the 4 knurled screws again
on the VESA mounting positions.
7.8.4 Connecting signals and power to the display unit
7.8.4.1 Instructions to power up the display unit
1
2
3
1
2
3
Earth stud
100-240 Vac in
Power switch
Figure 76: Power connection
The display unit should be powered with the 100-240Vac power input within the operational
tolerances. The display unit communicates the status of the power supply via the indicator lights.
Please check the section that deals with the indicator lights in the chapter “Full functionality
description” for more information.
CAUTION:
Before connecting the display unit to mains, check if the power source voltage corresponds to the mains voltage
marked on the identification label on the display.
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NOTE:
Power voltage specifications are available in the Technical specifications section.
To power-up the display unit:
• Place the display unit up-right (on a Barco stand) or mount the display unit safely into a rack.
• Connect the power cord of the appropriate power supply to the power connector at the back of
the display unit.
• Power up the display unit by switching the power switch on.
• The display unit will start-up (you should hear the ventilators spin) and perform some checks
before displaying an image on the screen. The status of the start-up checks can be followed by
the flashing of the indicator lights. The start-up can take up to 20 seconds. Please check the sec-
tion that deals with the indicator lights for more information.
7.9 Cleaning instructions
Before cleaning:
• Switch off the display unit.
• Remove the power cord from the mains.
Cleaning the LCD screen:
• Wipe the screen surface with a soft cleaning cloth.
• To remove stains, use a damp cloth with non-aggressive cleaning products:
ꢀ
ꢀ
ꢀ
Do NOT use abrasive cleaning agents, glass cleaner or tissue paper.
Do NOT use alcohol/solvents at higher concentration > 5%.
Use non-aggressive cleaning products (water or a solution of distilled water and IsoPropyl
Alcohol).
• Do not rub or push on the LCD screen. Rubbing with tissue can degrade the performance of the
LCD screen.
Cleaning the cover:
• Use a soft cloth to remove dust. If necessary, a vacuum cleaner can be used to clean the venti-
lation openings.
• Use a damp cloth (if necessary with some mild detergent) to remove stains.
• Do not use a scouring pad, or other tools that my scratch and damage the cover.
• Do not use strong detergents such as alcohol and thinner.
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7.10 Troubleshooting
7.10.1 How to use the troubleshooting
When the display unit is not working properly or the operation instructions do not solve the
problem, the troubleshooting may allow the user to identify the source of the problem.
The fault finding trees are divided into three structures. They should be checked according to the
problem observed by the user:
• “No power” fault finding tree: The display unit does not seem to be powered. No LEDs are burn-
ing and nothing is observed on the screen.
• “Nothing observed on the screen” fault finding tree: The display unit is powered but no image is
shown on the screen.
• “Verify input signal” fault finding tree: The display unit works correctly, but the applied input sig-
nal is not recognized or not displayed on the screen.
• Image displayed on the screen is distorted, shows bands or stripes. In this case something is
wrong with the display unit. Contact Barco or your sales representative.
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7.10.2 Fault and warning list
All faults and warnings are shown in the “Faults and warnings” OSD submenu. The number of faults
and warnings are generated with respect to a node. The root node is “0” and will always show when
an error or warning occurs. In the table below, all nodes and error codes which are relevant to the
user are shown.
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Error Warning/ Name
code
Description
Fault
0
Display status
Calibration
Background
Gain
When a fault or warning occurs for one of the nodes listed
below, the error code “0” is generated.
1
Node related to calibration warnings due to operation of
the display unit
101
102
103
104
105
106
151
152
153
154
155
W
Background of window 1 is set to a value out of the cali-
brated range
W
W
W
W
W
W
W
W
W
W
The gain of window 1 is set to a value out of the calibrat-
ed range
Saturation
Hue
The saturation of window 1 is set to a value out of the cal-
ibrated range
The hue of window 1 is set to a value out of the calibrated
range
RGB channels
Monochrome
Background
Gain
Not all color channels (R,G,B) are used for the output on
the screen for window 1
The output to the screen is set to monochrome for win-
dow 1
Background of window 2 is set to a value out of the cali-
brated range
The gain of window 2 is set to a value out of the calibrat-
ed range
Saturation
Hue
The saturation of window 2 is set to a value out of the cal-
ibrated range
The hue of window 2 is set to a value out of the calibrated
range
RGB channels
Not all color channels (R,G,B) are used for the output on
the screen for window 2
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156
2
W
Monochrome
Licensing
The output to the screen is set to monochrome for win-
dow 2
Node related to Faults and warnings related to the licens-
ing. More details can be found in the maintenance man-
ual.
3
Spectrometer
Node related to spectrometer faults
301
F
Spectrometer sta- Hardware fault
tus: Error
302
303
F
No spectrometer
found
Hardware fault
W
Spectrometer re- After error 301, the spectrometer will be resetting. In the
setting…
meantime, this error code is shown. When resetting is
not successful, error code 301 is displayed again.
4
Calibration data
Node related to internal calibration faults
Internal calibration data file is corrupt
401
F
F
F
Calibration data
error
402
403
No calibration data Internal calibration data file is not present
found
Spectrometer data Spectrometer data file is missing or corrupt
error
Table 15: Fault and warning list
The warnings under node “1” can easily be solved by the user. These warning are related to the
operation of the display unit out of the calibrated range. These warnings are considered as normal
operation of the display unit. Please consult the section “Full functionality description” for more
information.
The faults and warnings under node “2” are related to licensing issues. These error codes can only
be visualized via the service port and are meant for special maintenance purposes.
The faults and warnings under node “3” and “4” cannot be solved by the customer. Please contact
Barco customer service or your local sales representative for help.
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7.10.3 "No power" fault finding tree
Check power
yes
Power LED
No further action
required
on?
no
yes
Apply a power source
that is conform to the
technical specifications
Power
LED on?
No further action
required
no
no
yes
yes
AC
Power
switch on?
power source conform
to technical
Contact Barco
specifications?
no
AC
yes
power source
applied to display
unit?
Swith power switch on
no
yes
Power
LED on?
No further action
required
no
Contact Barco
Figure 77: “No power” fault finding tree
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7.10.4 "Nothing observed on the screen" fault finding tree
Nothing
observed on
screen
Wait until the display
unit reaches a steady
state (wait 40 seconds)
yes
yes
Power LED
blinking?
Steady state
reached?
No further action
required
no
no
Power source
comform to the
technical speci-
fications?
Apply a power source
that is conform to the
technical specifications
no
yes
Contact Barco
Contact Barco
yes
no
Steady state
reached?
yes
yes
Unit in hard standby
No further action
required
Power LED
off?
Power LED
blinking?
Press
ꢁ
no
no
yes
Unit in soft standby
Power LED
orange?
Press
ꢁ
no
yes
no
Power LED
green?
Contact Barco
Contact Barco
no
OSD menu
visible?
Press
ꢂ
yes
yes
Input applied to
the display unit?
“Verify the input signal”
fault finding tree
LEDs not lighted
Check the “No
Power” fault
no
Apply an input signal to
the display unit
finding tree
Figure 78: “Nothing observed on the screen” fault finding tree
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7.10.5 "Verify input signal" fault finding tree
Verify input
signal
Apply a valid signal to the
“Invalid
signal” icon
shown on the
screen?
display unit. Check if the
signal is applied to the input
on the SDI board and not to
a loop-through output
Input signal is
displayed on the
screen?
yes
yes
No further action
required
no
no
Verify that the window to be
viewed is highlighted on the
yes
Status bar
shown on the
screen?
Input signal is
displayed on the
screen?
status bar. Press
ꢄor ꢅ
yes
No further action
required
to select window. Verify that
the wanted input signal is
selected by the hightlighted
window.
no
no
Contact Barco
Set the status bar to
“Always visible” in
the OSD menu
Figure 79: “Verify input signal” fault finding tree
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7.11 List of spare parts
The display unit is build up with different modules which can be replaced at the factory or at the
customers’ site.
Line Replaceable Unit
Part number
RHDM Power Supply
B563073
RHDM Power Interface Board
RHDM HDSDI Input Board
RHDM Communication Board
RHDM Control Box
K5831235
K5831223
K5831234
K5031227
The following spare part kits can be ordered:
• RHDM Starter Spare kit – K5031254
ꢀ
ꢀ
ꢀ
ꢀ
ꢀ
ꢀ
RHDM Power Supply
RHDM Power Interface Board
RHDM HDSDI Input Board
RHDM Communication Board
RHDM Control box
RHDM Accessory kit
• RHDM Accessory kit – K5031253
ꢀ
ꢀ
ꢀ
Knobs
VESA screws
User manual
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7.12 Contact information
Belgium
Email: [email protected]
Phone: +32 56 262 350
Fax: + 32 56 233 013
United States
Email: [email protected]
Phone: +1 866 992 2726
Fax: + 1 678 475 8124
Web sites
Public Web site: http://www.barco.com
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7.13 Appendix A - Software License
7.13.1 Introduction
The software running on the internal processor uses software modules licensed under the following
open source licenses.
7.13.2 eCos license
eCos is free software; you can redistribute it and/or modify it under the terms of the GNU General
Public License as published by the Free Software Foundation; either version 2 or (at your option)
any later version.
eCos is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even
the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU
General Public License for more details.
You should have received a copy of the GNU General Public License along with eCos; if not, write to
the Free Software Foundation, Inc., 59 Temple Place, Suite 330, Boston, MA 02111-1307 USA.
As a special exception, if other files instantiate templates or use macros or inline functions from this
file, or you compile this file and link it with other works to produce a work based on this file, this file
does not by itself cause the resulting work to be covered by the GNU General Public License.
However the source code for this file must still be made available in accordance with section (3) of
the GNU General Public License.
This exception does not invalidate any other reasons why a work based on this file might be
covered by the GNU General Public License.
7.13.3 GNU general public license
Version 2, June 1991
Copyright (C) 1989, 1991 Free Software Foundation, Inc.
51 Franklin St, Fifth Floor, Boston, MA 02110-1301 USA
Everyone is permitted to copy and distribute verbatim copies of this license document, but
changing it is not allowed.
Preamble
The licenses for most software are designed to take away your freedom to share and change it. By
contrast, the GNU General Public License is intended to guarantee your freedom to share and
change free software--to make sure the software is free for all its users. This General Public
License applies to most of the Free Software Foundation's software and to any other program
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whose authors commit to using it. (Some other Free Software Foundation software is covered by
the GNU Library General Public License instead.) You can apply it to your programs, too.
When we speak of free software, we are referring to freedom, not price. Our General Public
Licenses are designed to make sure that you have the freedom to distribute copies of free software
(and charge for this service if you wish), that you receive source code or can get it if you want it,
that you can change the software or use pieces of it in new free programs; and that you know you
can do these things.
To protect your rights, we need to make restrictions that forbid anyone to deny you these rights or
to ask you to surrender the rights. These restrictions translate to certain responsibilities for you if
you distribute copies of the software, or if you modify it.
For example, if you distribute copies of such a program, whether gratis or for a fee, you must give
the recipients all the rights that you have. You must make sure that they, too, receive or can get
the source code. And you must show them these terms so they know their rights.
We protect your rights with two steps: (1) copyright the software, and (2) offer you this license
which gives you legal permission to copy, distribute and/or modify the software.
Also, for each author's protection and ours, we want to make certain that everyone understands
that there is no warranty for this free software. If the software is modified by someone else and
passed on, we want its recipients to know that what they have is not the original, so that any
problems introduced by others will not reflect on the original authors' reputations.
Finally, any free program is threatened constantly by software patents. We wish to avoid the
danger that redistributors of a free program will individually obtain patent licenses, in effect making
the program proprietary. To prevent this, we have made it clear that any patent must be licensed
for everyone's free use or not licensed at all.
The precise terms and conditions for copying, distribution and modification follow.
GNU GENERAL PUBLIC LICENSE
TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
0. This License applies to any program or other work which contains a notice placed by the
copyright holder saying it may be distributed under the terms of this General Public License. The
"Program", below, refers to any such program or work, and a "work based on the Program" means
either the Program or any derivative work under copyright law: that is to say, a work containing the
Program or a portion of it, either verbatim or with modifications and/or translated into another
language. (Hereinafter, translation is included without limitation in the term "modification".) Each
licensee is addressed as "you".
Activities other than copying, distribution and modification are not covered by this License; they are
outside its scope. The act of running the Program is not restricted, and the output from the
Program is covered only if its contents constitute a work based on the Program (independent of
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having been made by running the Program). Whether that is true depends on what the Program
does.
1. You may copy and distribute verbatim copies of the Program's source code as you receive it, in
any medium, provided that you conspicuously and appropriately publish on each copy an
appropriate copyright notice and disclaimer of warranty; keep intact all the notices that refer to this
License and to the absence of any warranty; and give any other recipients of the Program a copy of
this License along with the Program.
You may charge a fee for the physical act of transferring a copy, and you may at your option offer
warranty protection in exchange for a fee.
2. You may modify your copy or copies of the Program or any portion of it, thus forming a work
based on the Program, and copy and distribute such modifications or work under the terms of
Section 1 above, provided that you also meet all of these conditions:
a) You must cause the modified files to carry prominent notices stating that you changed the files
and the date of any change.
b) You must cause any work that you distribute or publish, that in whole or in part contains or is
derived from the Program or any part thereof, to be licensed as a whole at no charge to all third
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c) If the modified program normally reads commands interactively when run, you must cause it,
when started running for such interactive use in the most ordinary way, to print or display an
announcement including an appropriate copyright notice and a notice that there is no warranty (or
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Program is not required to print an announcement.)
These requirements apply to the modified work as a whole. If identifiable sections of that work are
not derived from the Program, and can be reasonably considered independent and separate works
in themselves, then this License, and its terms, do not apply to those sections when you distribute
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work based on the Program, the distribution of the whole must be on the terms of this License,
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regardless of who wrote it.
Thus, it is not the intent of this section to claim rights or contest your rights to work written entirely
by you; rather, the intent is to exercise the right to control the distribution of derivative or collective
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In addition, mere aggregation of another work not based on the Program with the Program (or with
a work based on the Program) on a volume of a storage or distribution medium does not bring the
other work under the scope of this License.
3. You may copy and distribute the Program (or a work based on it, under Section 2) in object code
or executable form under the terms of Sections 1 and 2 above provided that you also do one of the
following:
a) Accompany it with the complete corresponding machine-readable source code, which must be
distributed under the terms of Sections 1 and 2 above on a medium customarily used for software
interchange; or,
b) Accompany it with a written offer, valid for at least three years, to give any third party, for a
charge no more than your cost of physically performing source distribution, a complete machine-
readable copy of the corresponding source code, to be distributed under the terms of Sections 1
and 2 above on a medium customarily used for software interchange; or,
c) Accompany it with the information you received as to the offer to distribute corresponding source
code. (This alternative is allowed only for noncommercial distribution and only if you received the
program in object code or executable form with such an offer, in accord with Subsection b above.)
The source code for a work means the preferred form of the work for making modifications to it.
For an executable work, complete source code means all the source code for all modules it
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If distribution of executable or object code is made by offering access to copy from a designated
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along with the object code.
4. You may not copy, modify, sublicense, or distribute the Program except as expressly provided
under this License. Any attempt otherwise to copy, modify, sublicense or distribute the Program is
void, and will automatically terminate your rights under this License.
However, parties who have received copies, or rights, from you under this License will not have
their licenses terminated so long as such parties remain in full compliance.
5. You are not required to accept this License, since you have not signed it. However, nothing else
grants you permission to modify or distribute the Program or its derivative works. These actions
are prohibited by law if you do not accept this License. Therefore, by modifying or distributing the
Program (or any work based on the Program), you indicate your acceptance of this License to do so,
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and all its terms and conditions for copying, distributing or modifying the Program or works based
on it.
6. Each time you redistribute the Program (or any work based on the Program), the recipient
automatically receives a license from the original licensor to copy, distribute or modify the Program
subject to these terms and conditions. You may not impose any further restrictions on the
recipients' exercise of the rights granted herein. You are not responsible for enforcing compliance
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7. If, as a consequence of a court judgment or allegation of patent infringement or for any other
reason (not limited to patent issues), conditions are imposed on you (whether by court order,
agreement or otherwise) that contradict the conditions of this License, they do not excuse you from
the conditions of this License. If you cannot distribute so as to satisfy simultaneously your
obligations under this License and any other pertinent obligations, then as a consequence you may
not distribute the Program at all. For example, if a patent license would not permit royalty-free
redistribution of the Program by all those who receive copies directly or indirectly through you, then
the only way you could satisfy both it and this License would be to refrain entirely from distribution
of the Program.
If any portion of this section is held invalid or unenforceable under any particular circumstance, the
balance of the section is intended to apply and the section as a whole is intended to apply in other
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It is not the purpose of this section to induce you to infringe any patents or other property right
claims or to contest validity of any such claims; this section has the sole purpose of protecting the
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Many people have made generous contributions to the wide range of software distributed through
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decide if he or she is willing to distribute software through any other system and a licensee cannot
impose that choice.
This section is intended to make thoroughly clear what is believed to be a consequence of the rest
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8. If the distribution and/or use of the Program is restricted in certain countries either by patents or
by copyrighted interfaces, the original copyright holder who places the Program under this License
may add an explicit geographical distribution limitation excluding those countries, so that
distribution is permitted only in or among countries not thus excluded. In such case, this License
incorporates the limitation as if written in the body of this License.
9. The Free Software Foundation may publish revised and/or new versions of the General Public
License from time to time. Such new versions will be similar in spirit to the present version, but
may differ in detail to address new problems or concerns.
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Each version is given a distinguishing version number. If the Program specifies a version number of
this License which applies to it and "any later version", you have the option of following the terms
and conditions either of that version or of any later version published by the Free Software
Foundation. If the Program does not specify a version number of this License, you may choose any
version ever published by the Free Software Foundation.
10. If you wish to incorporate parts of the Program into other free programs whose distribution
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END OF TERMS AND CONDITIONS
7.13.4 GNU library general public license
Version 2, June 1991
Copyright (C) 1991 Free Software Foundation, Inc.
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7.14 Appendix B - 3D-LUT file examples
Currently the monitor supports three types of user 3D-LUT files: Truelight, Cinespace and
Autodesk. Below you can find a sample of a valid file for each of the supported types:
Truelight sample
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Cinespace sample
Autodesk sample
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Abbreviations and acronyms
8 Abbreviations and acronyms
°C
°F
A
Degrees Celsius
Degrees Fahrenheit
ActEv
Actions + Events (name of a Barco software product)
AGC
Automatic Gain Control
ALC
Automatic Light Control
AMLCD
ANSI
APA
Active Matrix Liquid Crystal Display
American National Standards Institute
Automatic Phase Adjustment
Anti Reflective
AR
a-Si TFT
AWG
Amorphous Silicone Thin-Film Transistor
American Wire Gauge
B
BARCO
BCM
Belgian-American Radio Corporation
Barco wall Control Manager
C
CAN
CCFL
CCIR
cd
Controller Area Network
Cold Cathode Fluorescent Lamp
Consulting Committee International
candela
CE
Conducted Emissions, Conformity European (safety)
Commission International de l’Éclairage (Illumination)
Console Mount
CIE
CM
cm
centimeter
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Abbreviations and acronyms
CMS
CoG
CR
Control room Management Software
Combined sync on Green
Contrast Ratio
CS
Combined Sync
CS
Conducted Susceptibility
Composite Video Blanking Sync
CVBS
D
DAC
DC
Digital to Analog Converter
Direct Current
DDC
DM
Display Data Channel
Display Module
E
EBU
EDID
EIA
European Broadcast Union
Extended Display Identification Data
Electronic Industries Association
EMI / EMC
Electromagnetic Interference / Electromagnetic Compatibility
EN
European Norms
EOTF
ESD
Electro Optical Transfer Function
Electrostatic Discharge
F
FD
Full Duplex
FLIR
FPDM
G
Forward Looking Infrared
Flat Panel Display Measurements
GPI
General Purpose Interface
Half Duplex
H
HD
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Abbreviations and acronyms
HDMI
HDSDI
HE
High Definition Multimedia Interface
High Definition Serial Digital Interface
Highly Efficient
HEA
HID
High Efficiency Antireflective
Human Interface Device
HMI
Human-Machine Interface
I
ICD
IEC
IP
Interface Control Document
International Electrotechnical Commission
Ingress Protection
ISO
ITO
ITU
International Standard Organization
Indium Tin Oxide
International Telecommunications Union
K
kg
kilogram
L
L
Luminance
LCD
LFC
LRU
LUT
Lux
Liquid Crystal Display
LCD Flicker Compensation
Line Replaceable Unit
Look Up Table
Measure of illumination (lumens per meter squared)
M
mm
ms
millimeter
milliseconds
MTBF
MTTR
Mean-Time-Between-Failures
Mean-Time-To-Repair
N
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Abbreviations and acronyms
NEMA
NSL
National Electronics Manufacturers Association
Near Seamless LCD
NTSC
National Television Systems Committee
O
OSD
On-Screen Display
P
PAL
ppi
PVA
PVC
Phase Alternating Lines
pixels per inch
Patterned Vertical Alignment
polyvinyl chloride
R
RE
RFU
Radiated Emissions
Reserved for Future Use
Red, Green, Blue (letters/colors also referenced separately)
Relative Humidity
RGB
RH
RHDM
RM
Reference High Definition Monitor
Rack Mount
ROT
RoHS
RS
Rotator
Restrictions of Hazardous Substances
Radiated Susceptibility
S
SDI
Serial Digital Interface
SDSDI
SG
Standard Definition Serial Digital Interface
Symbol Generator
SMPTE
SS
Society of Motion Picture and Television Engineers
Separate Sync
STANAG
Standardization Agreement
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Abbreviations and acronyms
SVGA
SXGA
Super Video Graphics Array
Super eXtended Graphics Array
T
TBC
TBD
TBM
TBT
TTL
U
To Be Confirmed
To Be Defined
To be Measured
To Be Tested
Transistor Transistor Logic
UMD
Under Monitor Display
V
VDC
VESA
VM
Volts Direct Current
Video Electronics Standards Association
VESA Mount
W
W
Watt
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1 Introduction ..................................................................................... 3
1.1 Customer notice ............................................................................... 3
1.2 Change record.................................................................................. 3
1.4 About the product ............................................................................. 6
1.5 Read carefully .................................................................................. 9
1.6 Important notice............................................................................... 9
1.6.1 Notation convention............................................................................9
1.6.2 Copyright..........................................................................................9
1.6.3 Technical accuracy notice .................................................................. 10
1.6.4 Technical specifications notice............................................................ 10
1.6.6 Warranty......................................................................................... 10
1.6.7 Trademarks..................................................................................... 11
1.6.8 Open source license.......................................................................... 12
1.6.9 WEEE ............................................................................................. 12
1.7 Safety precautions .......................................................................... 13
1.7.1 Earthing.......................................................................................... 13
1.7.3 Environmental cautions..................................................................... 13
1.7.5 LCD screen...................................................................................... 14
1.7.6 Cover ............................................................................................. 14
1.7.7 Hazardous materials......................................................................... 15
1.7.8 Specific handling precautions............................................................. 15
2 First operation ................................................................................ 16
2.1 Unpacking, installation and cabling.................................................... 16
2.2 Overview locations for operation ....................................................... 16
2.3 Switch on the display unit ................................................................ 17
2.4 How to register the display unit......................................................... 19
2.5 Concepts of operation...................................................................... 32
2.6 How to setup the display unit............................................................ 35
3 How to .......................................................................................... 36
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3.1 Legend .......................................................................................... 36
3.14.1 Use case (Presets).......................................................................... 53
3.14.2 Restoring the active preset .............................................................. 53
3.15.1 Use case ....................................................................................... 61
3.15.4 3D-LUT activation........................................................................... 64
3.16.1 Important notice ............................................................................ 65
4.1 Operation....................................................................................... 72
4.1.1 Overview of operation functionalities................................................... 72
4.1.2 Operational mode overview ............................................................... 72
4.1.3 Indicator lights................................................................................. 74
4.1.4 Control panel................................................................................... 75
4.1.4.1 Overview operation control panel............................................ 75
4.1.4.2 USB port ............................................................................. 75
4.1.4.3 Press buttons ....................................................................... 76
4.1.4.4 Press and rotary knobs.......................................................... 76
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4.1.5 Status bar....................................................................................... 78
4.1.6 Invalid signal indicator...................................................................... 79
4.1.8 Picture adjustment bar...................................................................... 79
4.1.9 Pointer functionality.......................................................................... 80
4.1.10 Toolbox......................................................................................... 80
4.1.12 Web interface................................................................................. 82
4.2.2 Control buttons................................................................................ 83
4.2.3 Fault LED ........................................................................................ 86
4.2.5 Function keys .................................................................................. 88
4.2.5.10 Color channel selection button ............................................. 101
4.2.5.11 Monochrome adjustment button........................................... 102
4.2.5.12 Function keys tree.............................................................. 103
4.2.6 Numeric keypad..............................................................................107
4.2.6.1 Overview numeric keypad buttons.......................................... 107
4.2.6.2 Numeric keypad functionality ................................................ 107
4.2.6.3 Special function key assignment ............................................ 108
4.2.7 Navigation pad................................................................................108
4.2.7.1 Overview navigation pad buttons ........................................... 108
4.2.7.2 Navigation pad functionality .................................................. 109
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4.3.1 Main menu .....................................................................................110
4.3.2 OSD settings menu..........................................................................111
4.3.3 UMD menu .....................................................................................111
4.3.4 Input settings .................................................................................114
4.3.5 Input detection ...............................................................................122
4.3.6 Display settings ..............................................................................125
4.3.7 Presets ..........................................................................................126
4.3.10 Faults and warnings.......................................................................129
4.3.11 License menu................................................................................130
4.3.12 OSD menu tree .............................................................................132
4.4.2 Input selection page ........................................................................137
4.4.3 Color processing page......................................................................138
4.4.4 User 3D LUT page ...........................................................................140
4.4.5 Scan mode page .............................................................................142
4.4.6 UMD page ......................................................................................143
4.4.7 Preset Management page .................................................................146
4.4.8 System info page ............................................................................147
4.4.9 Power management page .................................................................148
4.4.10 Documentation page......................................................................149
4.4.11 Support page................................................................................150
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4.4.12 Admin... page ...............................................................................151
5.1 General ....................................................................................... 152
5.3.1 Rec.709 .........................................................................................155
5.3.2 SMPTE 240M...................................................................................156
5.3.3 sRGB.............................................................................................156
5.5 Rendering intent ........................................................................... 158
7.1.1 Electro-optical specifications .............................................................170
7.1.1.2.1 Response time.............................................................. 175
7.1.1.2.2 Tolerances ................................................................... 175
7.1.1.3 Power supply specification..................................................... 178
7.1.1.3.1 Power inputs ................................................................ 178
7.1.1.3.2 Power consumption ....................................................... 178
7.1.1.3.3 Power factor................................................................. 179
7.1.1.3.4 Earth / ground.............................................................. 179
7.1.1.3.5 Input protection............................................................ 179
7.1.1.4 Connectors ......................................................................... 180
7.1.1.4.1 Input and output options................................................ 180
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7.1.2 Mechanical specifications..................................................................184
7.1.4 Other specifications .........................................................................195
7.2 Timings ....................................................................................... 196
7.2.1 SDI input board ..............................................................................196
7.2.1.1 Signal input ........................................................................ 196
7.2.1.2 Single link SD and HD timings ............................................... 197
7.2.1.3 Dual link HDSDI timings (optional)......................................... 198
7.2.1.4 3Gb/s timings (optional)....................................................... 199
7.3 Latency ....................................................................................... 200
7.4 OETF (Opto-Electrical Transfer Function).......................................... 200
7.5 Color spaces................................................................................. 202
7.6 Mutual effects of scaling and aspect ratio settings.............................. 203
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7.8.1 Installation precautions....................................................................206
7.8.2 Package & storage...........................................................................206
7.8.3 Mounting instructions.......................................................................210
7.10.2 Fault and warning list.....................................................................217
7.11 List of spare parts ....................................................................... 223
7.12 Contact information..................................................................... 224
7.13 Appendix A - Software License ...................................................... 225
7.13.1 Introduction..................................................................................225
7.13.2 eCos license..................................................................................225
7.13.3 GNU general public license..............................................................225
7.13.4 GNU library general public license....................................................230
7.14 Appendix B - 3D-LUT file examples................................................ 239
8 Abbreviations and acronyms........................................................... 241
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Figure 2: Overview indicator lights ............................................................................ 17
Figure 3: Control panel – power button ...................................................................... 18
Figure 5: Function keys divided into categories ........................................................... 32
Figure 9: Input connectors SDI input board ................................................................ 40
Figure 12: Location of buttons to change color working space ....................................... 42
Figure 13: Location of the background adjustment control ............................................ 43
Figure 14: Location of the button to change the aspect ratio ......................................... 47
Figure 21: Location of indicator lights ........................................................................ 74
Figure 24: “Invalid signal” indicator ........................................................................... 79
Figure 27: Control panel .......................................................................................... 82
Figure 28: Control buttons ........................................................................................ 83
Figure 29: Fault LED ................................................................................................ 86
Figure 30: Image adjustment knobs .......................................................................... 87
Figure 31: Function buttons ...................................................................................... 88
Figure 32: Location of buttons to customize the color working space .............................. 92
Figure 33: Location of buttons to set/change safe area markers .................................... 97
Figure 34: Numeric keypad buttons ..........................................................................107
Figure 35: Navigation pad buttons ............................................................................108
Figure 36: Example of out of gamut indication (red squares have been replaced by yellow
squares for black&white reproducability) ....................................................................116
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Figure 41: Color processing page .............................................................................139
Figure 43: Upload Custom 3D LUT page ....................................................................141
Figure 45: UMD web page .......................................................................................143
Figure 47: System info web page .............................................................................147
Figure 48: Power management web page ..................................................................148
Figure 57: Background control .................................................................................162
Figure 60: Pixel and subpixel definition .....................................................................172
Figure 65: RHDM-1701 Rear view .............................................................................187
Figure 66: RHDM-1701 Side view .............................................................................188
Figure 67: RHDM-1701 3D front view ........................................................................189
Figure 68: RHDM-1701 3D rear view .........................................................................190
Figure 69: Setup to measure noise levels ..................................................................194
Figure 70: Rack mounting of the display unit .............................................................210
Figure 71: Display unit mounted on tiltable stand .......................................................211
Figure 72: Variation of angles that can be reached via tiltable stand .............................212
Figure 73: Removal of rack brackets .........................................................................212
Figure 74: Removal 4 knurled screws ........................................................................213
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Figure 77: “No power” fault finding tree ....................................................................220
Figure 78: “Nothing observed on the screen” fault finding tree .....................................221
Figure 79: “Verify input signal” fault finding tree ........................................................222
Table 2:Standards used for video signal generation ....................................................152
Table 4:Single link SD and HD timings ......................................................................197
Table 5:Dual link HDSDI timings ..............................................................................198
Table 6:3Gb/s timings ............................................................................................199
Table 7:Latency (expressed in ms) for different signals as a function of the Scale mode and the
Display and backlight scan mode. ..............................................................................200
Table 8:OETF shapes ..............................................................................................201
Table 9:Color space primaries ..................................................................................202
Table 10:Recommended color spaces ........................................................................203
Table 11:Mutual effects of scaling and aspect ratio settings .........................................203
Table 12:Safe area markers defined for 16:9 formats and relative to ARM .....................204
Table 13:Safe area markers defined for 16:9 formats and relative to image borders ........204
Table 14:Safe area markers defined for 4:3 formats and relative to image borders .........204
Table 15:Fault and warning list ................................................................................219
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Table of contents
End of document
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