V2.00 MANUAL ADDENDUM
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MANUAL ADDENDUM
Version 2.00
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Improvements to MAIN Mode ................................................................................................. 1
Track Lock...................................................................................................................................1
MIDI Receive Indicator...............................................................................................................1
Navigation Improvements ..........................................................................................................1
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Quick Sequence and Track Select .....................................................................................................................................1
Track Select with [SHIFT] + Pad ......................................................................................................................................1
Metronome Improvements..........................................................................................................2
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Volume...............................................................................................................................................................................2
Out......................................................................................................................................................................................2
Track and Pad Mute Quantization................................................................................................2
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TRACK MUTE..................................................................................................................................................................2
PAD MUTE .......................................................................................................................................................................3
Changing the Timing Correct for Pad / Track Mute Quantization....................................................................................3
Change Sequences in Track Mute Mode.......................................................................................3
Next Sequence for next bar.........................................................................................................4
Improvements to STEP EDIT Mode........................................................................................ 5
Track Lock...................................................................................................................................5
Insert System Exclusive Events ..................................................................................................5
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Editing the exclusive data ..................................................................................................................................................5
Improvements to GRID EDIT Mode ........................................................................................ 6
Track Lock...................................................................................................................................6
Controller View ...........................................................................................................................6
Improvements to SONG Mode................................................................................................ 8
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LOCATE............................................................................................................................................................................8
Improvements to REC SAMPLE Mode................................................................................... 9
Improvements to HD RECORD Mode................................................................................... 10
Track Mix Access in HD RECORD Mode ......................................................................................10
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Selecting Track Mix.........................................................................................................................................................10
Returning to HD MIX......................................................................................................................................................10
Erasing HD Track Automation ...................................................................................................10
Improvements to MIXER Mode............................................................................................. 11
Take Over Mode ........................................................................................................................11
Track Mute Options Available in MIXER Mode ...........................................................................11
Improvements to TRIM Mode................................................................................................ 12
Popup List for Samples .............................................................................................................12
Improvements to Chop Shop.....................................................................................................12
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Zoom ................................................................................................................................................................................12
Convert Patched Phrases to Sliced Samples....................................................................................................................12
Other Improvements ................................................................................................................13
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Assigns a sample to a pad directly in TRIM Mode.........................................................................................................13
Selecting a Pad’s Sample to Edit.....................................................................................................................................13
Setting the Root Note of a Sample...................................................................................................................................13
New Sample Edit Tools..............................................................................................................13
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Gain ..................................................................................................................................................................................13
Bit Reduce........................................................................................................................................................................14
Fade In..............................................................................................................................................................................14
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„
Fade Out...........................................................................................................................................................................15
Improvements to PROGRAM Mode...................................................................................... 16
KEYGROUP Type Program .........................................................................................................16
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Creating a Keygroup Program .........................................................................................................................................16
Adding Keygroups to a Keygroup Program....................................................................................................................17
Sample Layer Crossfade ..................................................................................................................................................17
Panning Individual Samples ............................................................................................................................................18
Tuning and Root Note......................................................................................................................................................18
Keytracking......................................................................................................................................................................18
Keygroup Tune and Transpose........................................................................................................................................18
Pitchbend / Modwheel / Aftertouch.................................................................................................................................19
Improvements to Sample Programs..........................................................................................19
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Per-Sample Panning.........................................................................................................................................................19
Multi Pad Edit ..................................................................................................................................................................19
Program Tune...................................................................................................................................................................20
Envelope Quick Access..............................................................................................................20
Additional Improvements .........................................................................................................20
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Sample assignment...........................................................................................................................................................20
Improvements to EFFECT Mode .......................................................................................... 21
Copy / Paste / Swap Effect Settings .........................................................................................21
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[F2] COPY .......................................................................................................................................................................21
[F3] PASTE......................................................................................................................................................................21
[F5] SWAP.......................................................................................................................................................................21
Easy Effect List Navigation.............................................................................................................................................21
Improvements to DISK Mode................................................................................................ 22
Automatically Create Programs from a Folder...........................................................................22
Create A New Program When Loading A Sample.......................................................................22
Other Improvements ................................................................................................................23
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Sample Loading ...............................................................................................................................................................23
Auditioning Synth Programs............................................................................................................................................23
Quick File Browser Movements......................................................................................................................................23
Improvements to Q-LINK Mode............................................................................................ 24
FX Q-Links.................................................................................................................................24
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Configuring the FX Q-LINK Sliders & Knobs ..............................................................................................................24
Default Q-LINK Mode ................................................................................................................25
Bypassing Default Q-LINK .............................................................................................................................................25
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Improvements to MIDI/SYNC Mode...................................................................................... 26
Select Active Track with a Program Change..............................................................................26
Improvements to OTHER Mode............................................................................................ 27
Program Audition Note .............................................................................................................27
New Footswitch Options: ..........................................................................................................27
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NEXT TRACK ................................................................................................................................................................27
PREV TRACK.................................................................................................................................................................27
NEXT SEQUENCE.........................................................................................................................................................27
PREV SEQUENCE..........................................................................................................................................................27
INC...................................................................................................................................................................................27
DEC..................................................................................................................................................................................27
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1
Improvements to MAIN Mode
Track Lock
Individual tracks in a sequence can now be locked for editing. This will
allow data on that track to be protected when performing global
functions, and protects from accidental adding, deleting or changing
the sequence data on the track. All data, including MIDI notes,
controller changes, Q-LINK events etc will be preserved.
Programs
can be changed to allow you to audition different sounds on the locked
track while preserving the data from editing.
A Track's LOCK Status is indicated by the padlock icon to the left of the
TRACK field as indicated on the right. To lock or unlock a track, do the
following:
01. Select the TRACK LOCK icon
The TRACK LOCK icon appears as a padlock to the left of the TRACK field as shown on the right.
02. Turn the [DATA] Wheel, or press the [+] button to toggle the TRACK LOCK icon.
This will toggle the TRACK LOCK Icon. The icon will indicate the track status as shown below:
Track is unlocked.
Track is locked.
MIDI Receive Indicator
A MIDI Receive indicator has been added to MAIN page.
When
Incoming MIDI is detected at MIDI IN 1 or B, the indicator will light as
shown on the right.
Navigation Improvements
While in MAIN Mode, the following key shortcuts are available:
„ Quick Sequence and Track Select
[SHIFT] + [UP ARROW] buttons will always move the cursor to the 'Sequence' field.
[SHIFT] + [DOWN ARROW] buttons will always move the cursor to the 'Track' field.
„ Track Select with [SHIFT] + Pad
While on the MAIN Page, press the [SHIFT] button and hit a pad to select the corresponding Track. Tracks are selected by
number as follows:
Pad Number
Track Number
Pads A01-A16
Pads B01-B16
Tracks 1-16
Tracks 17-32
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Pads C01-C16
Pads D01-D16
Tracks 33-48
Tracks 49-64
Metronome Improvements
The Metronome has been updated to now include the following parameters:
„ Volume
Controls the overall level of the Metronome.
„ Out
Selects the output that the Metronome signal will be sent. The following outputs
are available:
LR
The Metronome will be output to the stereo out.
1/2
The Metronome will be output stereo to [ASSIGNABLE MIX OUT] 1/2.
3/4
The Metronome will be output stereo to [ASSIGNABLE MIX OUT] 3/4.
5/6
The Metronome will be output stereo to [ASSIGNABLE MIX OUT] 5/6.
7/8
The Metronome will be output stereo to [ASSIGNABLE MIX OUT] 7/8.
1-8
The Metronome will be output in MONO to the corresponding [ASSIGNABLE MIX OUT] output.
Tip: for more information on the Metronome, see the section titled "Click/Metronome" on page 25 of the MPC5000
Reference Manual.
Track and Pad Mute Quantization
Track and Pad Mutes can now be quantized. This will allow Mutes to occur in time with the sequence.
„ TRACK MUTE
To turn on Track Mute Quantization, do the following:
01. Press the [TRACK MUTE] Button
This will open the TRACK MUTE Page as shown on the right.
02. Press the [F1] (TkMUTE) button to select the TRACK MUTE Tab.
03. Press the [F5] (T.C.) button.
The [F5] button will darken to indicate it is active as shown to the right.
04. Press a pad corresponding to the Track you would like to mute.
The MPC5000 will mute the selected track on the next division of the T.C.
setting. For more information on setting the TC Value for Track and Pad
Mutes, see the next section.
Tip: For more information on Track Mute, see page 78 of the MPC5000 Reference Manual.
For more information on Timing Correct, see page 24 of the MPC5000 Reference Manual.
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„ PAD MUTE
To turn on Pad Mute Quantization, do the following:
01. Press the [TRACK MUTE] Button
This will open the TRACK MUTE Page.
02. Press the [F3] (PdMUTE) button to select the PAD MUTE Tab.
03. Press the [F5] (T.C.) button.
The [F5] button will darken to indicate it is active as shown on the right.
04. Press a pad you would like to mute.
The MPC5000 will mute the selected pad on the next division of the T.C. setting.
Tip: For more information on Pad Mute, see page 81 of the MPC5000 Reference Manual.
For more information on Timing Correct, see page 24 of the MPC5000 Reference Manual.
„ Changing the Timing Correct for Pad / Track Mute Quantization
To change the Timing Correct value while in TRACK or PAD MUTE Mode,
press the [WINDOW] Button. This is separate from the MAIN Timing
Correct, and is used exclusively for Pad / Track Mute. The following
divisions are available:
2 Bar
1 Bar
1/4
1/4(3)
1/8
1/8(3)
1/16
Change Sequences in Track Mute Mode
The ability to change sequences when in TRACK MUTE Mode has been added. To change Sequences in TRACK MUTE Mode,
do the following:
05. Press the [TRACK MUTE] Button
This will open the TRACK MUTE Page as shown on the right.
06. Press the [F1] (TkMUTE) button to select the TRACK MUTE Tab.
07. Select the 'SQ' field.
08. Press the [+] / [-] buttons or turn the [DATA] wheel to select the
next sequence.
The next sequence to be played will be indicated with an '>' as shown on the
right. The Sequence will change to the selected sequence at the end of the
current sequence.
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4
Next Sequence for next bar
Sequences can now be changed at the end of the current measure that is playing using the NXTBAR option.
In NEXT SEQUENCE Mode, switch to the next sequence on the next bar by doing the following:
01. While the MPC is playing, hit the pad corresponding to the Sequence you would like to switch to.
The Sequence Selected will be indicated in the lower left of the screen as shown to the right.
02. Press the [F3] (NXTBAR) button.
The [NXTBAR] Button will darken to indicate that it is active. The MPC5000 will change sequences at the top of the next bar.
Tip: For more information on NEXT SEQUENCE Mode, see page 82 of the MPC5000 Reference Manual.
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5
Improvements to STEP EDIT Mode
Track Lock
Individual tracks in a sequence can now be locked for editing. This will
allow data on that track to be protected when performing global
functions, and protects from accidental adding, deleting or changing
the information on the track.
A Track's LOCK Status is indicated by the padlock icon in the upper
right corner of the display. To lock or unlock a track, do the following:
03. Select the TRACK LOCK icon
04. Turn the [DATA] Wheel, or press the [+] button to toggle the
TRACK LOCK icon.
This will toggle the TRACK LOCK Icon. The icon will indicate the track
status as shown below:
Track is unlocked.
Track is locked.
Insert System Exclusive Events
System Exclusive events are used by different manufactures to control a specific devices non-standard functions such as
different program parameters, or to send preset editing data, tuning information, and so forth. These commands are most
typically device specific, and not able to be edited using standard MIDI CC#s. The MPC5000 can now edit exclusive data in
addition to record and play them back. To learn what data is required for each of your devices, please consult the devices
user manual
„ Editing the exclusive data
Exclusive data can be edited in STEP EDIT Mode.
To Edit an
EXCLUSIVE Event, select the device as shown on the right and press
the [WINDOW] button.
The data of each byte will be displayed. You can scroll through the
display with right/left cursor buttons. Select the byte that needs
change, and change the setting with the DATA wheel.
To change the length of the exclusive data, press the [F2] (F7 EOX)
key. Pressing the [F2] (F7 EOX) key enters “F7”, which indicates the
end of the exclusive data, to the selected byte. Pressing the [F5]
(SEND) key sends out the currently set exclusive data. When you finish
editing, press the [F4] (CLOSE) key and close the window.
To send the Exclusive data to your device, press the [F5] (SEND)
button.
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6
Improvements to GRID EDIT Mode
Track Lock
Individual tracks in a sequence can now be locked for editing. This will
allow data on that track to be protected when performing global
functions, and protects from accidental adding, deleting or changing
the information on the track.
A Track's LOCK Status is indicated by the padlock icon in the upper
right corner of the display. To lock or unlock a track, do the following:
01. Select the TRACK LOCK icon
02. Turn the [DATA] Wheel, or press the [+] button to toggle the
TRACK LOCK icon.
This will toggle the TRACK LOCK Icon. The icon will indicate the track
status as shown below:
Track is unlocked.
Track is locked.
Controller View
Individual Q-LINK Controllers, Pitchbend, FX Automation Events and
MIDI CCs can now be viewed in GRID EDIT Mode in a linear graph view.
To open Controller View, do the following:
01. In GRID EDIT Mode, select the 'View' field, select the type of
parameter you wish to view.
The following events are available:
PITCH
Displays Pitchbend events on the selected track.
CONTROL
This selection displays the MIDI continuous controllers on the track. When this parameter is selected, an additional field will be displayed,
which allows you to choose individual MIDI CC#s, or to view all.
CH PRES
Displays Channel Pressure on the selected track.
PY PRES
Displays all Poly Pressure events on the selected track.
REALTIM
This field displays realtime Q-LINK Events on the selected track. When this parameter is selected, additional fields will be displayed which
allows you to select the particular pad and event type you are viewing.
FX AUTO
This field displays FX Automation Events on the selected track. When this parameter is selected, additional fields will be displayed which
allows you to select the particular Effect Bus and parameter number (1-12).
02. To edit individual events in Controller View, use the [DATA] Wheel, or the [CURSOR] LEFT/RIGHT buttons to select the
event.
you can choose to DELETE this event by pressing the [F4] (DELETE) button. You can also COPY/PASTE and MOVE Events by pressing and
holding [F3] (EDIT) and selecting the corresponding edit button.
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7
03. To edit an individual event with more detail, select the event and
press the [WINDOW] button.
This will display the EVENTS Window. Here, events can be individually
edited with more detail, or deleted by pressing the [F5] (DELETE) button.
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8
Improvements to SONG Mode
„ LOCATE
Locate is now available in SONG Mode, as well as MAIN Mode. To
access Locate in SONG Mode, press the [LOCATE] button.
Tip: For more information on Locate, see page 26 of the MPC5000
Reference Manual.
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9
Improvements to REC SAMPLE Mode
When recording samples, it is now possible to set the Root Note. This
parameter determines at what key the sample will play at it's true pitch
when loaded into a Keygroup.
To set the Root Note, you can scroll in this field with the [DATA] wheel,
or by pressing a MIDI Note.
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10
Improvements to HD RECORD Mode
Track Mix Access in HD RECORD Mode
When in HD RECORD Mode, it is now possible to access the Sequence Track Mixer. This will allow the mixing of Sequence
tracks while recording HD tracks.
„ Selecting Track Mix
To access the Track Mixer from HD RECORD Mode and on the HD MIX
page, press the [F5] (TrkMIX) button.
„ Returning to HD MIX
To return to the HD Mixer from the Track Mixer, press [F3] (HD MIX).
Erasing HD Track Automation
It is now possible to cut or copy Automation, Audio Only, or both from a
Track in HD VIEW. To do so, do the following:
„ In HD RECORD Mode, press the [F4] (HDVIEW) button to
open the HD VIEW Page.
01. Select the track you wish to edit by placing a check in the EDIT box.
02. Press [F6] (EDIT) to open the AUDIO EDIT page.
03. In the 'Edit' field, select either CUT or COPY
04. In the 'Type' field, select one of the following:
AUDIO+AUTOMATION
Both Audio and Automation will be copied or cut.
AUDIO ONLY
Only audio will be cut / copied.
AUTOMATION ONLY
Only Automation will be cut / copied.
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11
Improvements to MIXER Mode
Take Over Mode
When 'Take Over Mode' is active, when on the TrkMIX, PrgMIX, HD MIX,
SYNTH, and EFFECTS EDIT pages, moving a Q-LINK will only update when the
current value of the control is crossed.
For example, if a HD MIX Channel is set to a volume of 70, and the
corresponding Q-LINK is set to its minimum position, if 'Take Over Mode' is
active, the channel's volume wouldn’t change until the Q-LINK moves past 70,
allowing for a smooth volume adjustment. If 'Take Over Mode' is off, the
control will change to follow the Q-LINK immediately.
To activate 'Take Over Mode', do the following:
01. In MIXER Mode, press [F3] (SETUP)
This will open the SETUP Tab.
02. Select the 'Knob / Slider Take Over Mode' field and select 'YES'
Take Over Mode will now be enabled.
Tip: 'Take Over Mode' applies to the TrkMIX, PrgMIX, HD MIX, SYNTH pages, and EFFECTS EDIT page. Q-LINKs set in Q-
LINK mode always work as immediate access, regardless of Take Over Mode setting.
Track Mute Options Available in MIXER Mode
In addition to accessing Record / Play Track Mute Events and Instant Track
Mute options from MAIN Mode, these are also available on the SETUP Tab in
MIXER Mode.
Tip: for more information on Track Mute Options, see page 2 of this document.
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12
Improvements to TRIM Mode
Popup List for Samples
When selecting Samples to edit in TRIM Mode, all samples in memory
are displayed in a scrollable list.
Press any pad to audition the
highlighted sample. To close this window, press the [F4] (CLOSE)
button.
TIP: You can easily navigate to the beginning or the end of this list by
holding the [SHIFT] button and pressing the [UP] or [DOWN] arrows,
and pressing a letter using the [NUMERIC] keypad will jump to the first
item alphabetically corresponding to that letter. .
Improvements to Chop Shop
„ Zoom
With the Chop Fine window, you can zoom in to a Chop Point and edit it
in detail. While Chopping a sample, select the region you would like to
edit, place the cursor in either in the 'St' (Start) or 'End' field, and press
the [WINDOW] button. The Chop Fine window will be displayed.
In the Chop Fine window, the waveform display varies depending on the
location of the cursor. When you select the 'St' (Start) field with the
cursor, it displays the start point in the center of the window. When you
select the 'End' field, it displays the end point in the center.
If you press the [F2] (ZOOM-) button the waveform will be zoomed out,
if you press the [F3] (ZOOM+) button, it will be zoomed in.
LINEAR and LOGARITHMIC displays
The vertical axis indicates the sample’s level. Normally, the waveform display is set to LINEAR, which displays the sample level as it is.
However, some parts (fade out part etc…) may not be displayed in the waveform if the level is too low. In this case, you can switch to the
LOG (logarithmic) display by pressing the [F5] (LOG) button and you can see the parts whose level is low. When you switch to the LOG
mode, the display in the [F5] button will change to LINEAR. To switch back to the LINEAR mode, press the [F5] button again.
„ Convert Patched Phrases to Sliced Samples
Patched phrases can now be converted directly to Sliced Samples. To
slice a patched phrase into its individual sections, do the following:
01. Select the Patched Phrase you wish to slice and press the [F4]
(CONVRT) button.
Create New Program
If you set this to YES, the MPC5000 makes a Program where each
region is assigned to pads, from PAD A01 – A16, in order.
02. Press [F5] (DO IT).
The MPC5000 will process the SLICED SAMPLES and then the 'TRIM'
page, with the divided sample, will be displayed.
The new sample name of the divided sample will be the original sample
name and a number.
For Example:
Sample01 >
Sample01-01
Sample01-02
Sample01-03
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13
Other Improvements
„ Assigns a sample to a pad directly in TRIM Mode
The MPC5000 can now directly assign samples to a pad. To do so, do
the following:
01. Press and hold the [SHIFT] button.
The screen on the right will be displayed.
02. Hit the pad you wish to assign the sample to.
The Sample will be assigned to the selected pad in the current program.
„ Selecting a Pad’s Sample to Edit.
The MPC5000 can now easily jump to a sample from the current program from within TRIM Mode. To do so, do the
following:
01. Press and hold the [LOCATE] button.
The screen on the right will be displayed.
02. Hit the pads
You can audition the samples assigned to the current program while holding
the [LOCATE] button.
03. When you've found the sample you wish to edit, release the
[LOCATE] button.
The Sample will be automatically selected in TRIM Mode.
„ Setting the Root Note of a Sample
With a sample selected in TRIM mode, pressing the [WINDOW] button
will open the SAMPLE page. Here, a sample's Root Note can be edited.
This Root Note parameter selects at what note the sample will play at
true pitch when in a Keygroup Program.
This field can be edited by using the [DATA] wheel, or by pressing a
note on your MIDI Keyboard.
New Sample Edit Tools
„ Gain
This function allows the volume of a sample to be raised or lowered by
up to 18dB. Note that this function is different than Normalization in
that it will allow volume to be boosted beyond the point of clipping.
This may be a desired effect, but be sure to watch your output levels!
Gain Amount
This field sets how much the volume is to be boosted. This parameter
can be set to a maximum of +/- 18dB.
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14
[F4] (CANCEL) / [F5] (DO IT)
Press [F4] (CANCEL) to abort the GAIN operation. Press [F5] (DO IT) to apply the change.
„ Bit Reduce
The Bit Reducer removes bits from a sample.
can be effective at achieving a "dirty" sound on drum loops, without the
harshness of distortion. This is similar in sound to the Resampler
Using the Bit Reducer
effect, but permanently applies the change to the sample.
Bit Depth
This field sets the amount that the Bit Reducer will reduce the source
material to. This ranges in sound from a Vintage Sampler sound (12
bits), to an aliased, dirty sound associated with some popular vintage
home computers (8 bit), to a full on digital sound, akin to some very
popular 80s game consoles (4 bit).
[F4] (CANCEL) / [F5] (DO IT)
Press [F4] (CANCEL) to abort the Bit Reduce operation. Press [F5] (DO IT) to apply the change.
„ Fade In
This function sets an automatic fade in between the in and out point of
the selected section. The following fade types are available:
Linear Fade In
This selection fades in the audio with a linear
curve. A linear curve will go from start to end with
no curve, creating a straight line.
Logarithmic Fade In
This selection fades in the audio with
a
Logarithmic curve. A logarithmic curve will quickly
rise, and then even out for the middle section,
surging quickly again as it nears the end.
Exponential Fade In
This selection fades the audio with an Exponential
curve. An exponential curve will slowly rise in the
beginning, and then quickly rise for the middle
section, and then slowing again as it nears the
end.
[F4] (CANCEL) / [F5] (DO IT)
Press [F4] (CANCEL) to abort the Fade In operation. Press [F5] (DO IT) to apply the change.
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„ Fade Out
This function sets an automatic fade Out between the in and out point
of the selected section. The following fade types are available:
Linear Fade Out
This selection fades out the audio with a linear
curve. A linear curve will go from start to end with
no curve, creating a straight line.
Logarithmic Fade Out
This selection fades out the audio with
a
Logarithmic curve. A logarithmic curve will quickly
loer, and then even out for the middle section,
lowering quickly again as it nears the end.
Exponential Fade Out
This selection fades out the audio with an
Exponential curve. An exponential curve will
slowly lower in the beginning, and then quickly
lower for the middle section, and then slowing
again as it nears the end.
[F4] (CANCEL) / [F5] (DO IT)
Press [F4] (CANCEL) to abort the Fade In operation. Press [F5] (DO IT) to apply the change.
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16
Improvements to PROGRAM Mode
KEYGROUP Type Program
New to the MPC5000 is a program type called KEYGROUP. A Keygroup
program is a keymapped, multisampled program, which allows several
samples to be played chromatically across a standard keyboard.
Keygroups use velocity switching, crossfading, and key ranges to yield a
very realistic sound across the entire keybed. Up to 128 keygroups,
each with up to 4 samples can be used, to a total of 512 samples.
„ Creating a Keygroup Program
To create a Keygroup program, do the following:
01. In PROGRAM Mode, select the 'PGM' field.
02. Press the [WINDOW] key.
The NEW PROGRAM Window will be displayed.
03. In the 'Program Type' field, select KEYGROUP
You can also name the program using the 'New Name' field.
04. Press [F5] (DO IT) to create a new Keygroup.
The screen will be displayed as shown on the right. This page is similar to
the SAMPLE page, with the following new parameters:
Total Keygroups
This field shows the total number of keygroups in the program.
KgLvl
This field sets the overall volume of the Keygroup. Like SAMPLE
programs, Individual sample levels can also be controlled in the LVL
field.
KgTune
This field sets the overall tuning for the selected Keygroup.
KgPan
This field sets the overall panning for the selected Keygroup.
KRange
This field is a two-part field that sets the high and low key ranges in which the selected Keygroup will play.
Tip: While in these fields, you can select the key range by pressing a note on a MIDI Keyboard.
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17
„ Adding Keygroups to a Keygroup Program
When creating a new Keygroup program, a new program is created with
one Keygroup by default, but you can add more keygroups. Up to 128
keygroups can be added.
samples.
Each Keygroup can contain up to four
To change the number of keygroups in your program, do the following:
01. In PROGRAM Mode, select the 'Total Keygroups' field.
02. Using the [DATA] wheel, scroll to select a new number.
The PROGRAM KEYGROUPS Window will be displayed. Here, you can
add or subtract keygroups from your Program.
03. Using the [DATA] wheel. Select the desired number of keygroups.
04. press [F5] (DO IT) to apply the setting.
05. To select different keygroups, select the number field to the left of
the sample list as indicated on the right and scroll with the [DATA]
wheel.
you can also select MULTI, to allow for editing all keygroups at once.
Tip: you can also select keygroups two convenient ways. Select a Keygroup directly by pressing and holding the [SHIFT]
button and striking a pad. Keygroups will be selected by number. In other words, striking pad 16 will select keygroup
#16. Striking a pad a second time will select keygroups beyond 64 (IE striking pad #1 2x will select keygroup #65).
To select a keygroup you are currently playing, press and hold [LOCATE] while pressing a pad or pressing a MIDI note on an
external keyboard. Additional presses of the same key will cycle through all of the keygroups that the particular note
belongs to.
„ Sample Layer Crossfade
Samples can be crossfaded to add realism to a velocity switch. This can
yield smoother transitions between samples in a particular Keygroup.
Turn on Crossfading for a Keygroup, do the following:
01. Select one of the Sample Slots.
02. Press the [WINDOW] button
the PLAY MODE window will be displayed.
03. Select the 'Crossfade' field and set this field to 'ON'
Tip: Crossfading between two samples will use two voices, so if this feature is not required, turning off Crossfading will yield
better performance.
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„ Panning Individual Samples
While in the PLAY MODE Window, samples can individually panned. To
pan samples, select and edit the 'PAN' field for each of the 4 sample
layers.
„ Tuning and Root Note
Samples in Keygroups can individually be tuned like in a sample
program, and additionally, the root note can be set, or the keygroup can
automatically be set to look to the sample for its root note if the original
note data was stored in the sample you are mapping.
To change a sample's root note setting, do the following:
01. Select the TUNE Field on the PROGRAM Page.
02. Press the [WINDOW] key.
The PITCH FUNCTION Window will be displayed.
03. In the 'Root' Column, set the root note of the sample.
Any note can be set here, or select 'AS SAMPLE' to use the samples default pitch. You can also set the root note by hitting a key on a MIDI
keyboard.
„ Keytracking
Samples can be individually set to ignore their keygrouping, and play in the pitch of their Root across the entire keygroup
range. This is helpful for percussive sounds, or for particular effects.
To turn off keytracking for individual samples, do the following:
01. Select the TUNE Field on the PROGRAM Page.
02. Press the [WINDOW] key.
The PITCH FUNCTION Window will be displayed.
03. In the KeyTrk Column, remove the check mark for each sample you wish to turn Keytracking off.
„ Keygroup Tune and Transpose
Entire Keygroup type programs can be transposed and Tuned as a
whole. Tuning and Transpose can have different affect on the sound,
depending on the source material.
When pressing a key and
adjusting the tuning, the sample assigned to that key will be pitched
down. When pressing a key and adjusting the transpose, the note
being played will change. To change the keygroup or tune, do the
following:
„ in PROGRAM Mode, press the [F3] (PGM) button
01. Select the 'Transpose'
02. Each Keygroup Program can be transposed by up to +/- 36
Semitones (3 octaves).
03. Select 'Tune' and adjust the tuning of the keygroup as desired.
Each Keygroup can be tuned by up to +/- 36 Semitones (3 octaves).
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„ Pitchbend / Modwheel / Aftertouch
The Pitchbend Range, Modwheel Depth and Aftertouch amount can be
set in the PGM page.
To access the PGM page, press [F3] (PGM) in
Program Mode.
Pitchbend
Pitchbend responds to MIDI Pitchbend, and can be set to have a range
of 0-12 semitones
Modwheel>LFO
The Modwheel controls the LFO Depth, and can be set from 0-100%
effect.
Aftertouch>Filter
Aftertouch can be set to control filter cutoff, and can be set from 0-100% effect.
Improvements to Sample Programs
The following section details improvements to Sample Programs, most often used for Drums, Loops and Slices.
„ Per-Sample Panning
Samples slots can be individually panned. To adjust the panning of a
sample, do the following:
01. Select the sample slot you wish to pan.
02. Press the [WINDOW] button.
The PLAY MODE window will be displayed.
represented by the corresponding number.
Each sample slot is
03. Adjust the 'Pan' Field to change the stereo position of the sample
within the selected sample slot.
„ Multi Pad Edit
The MPC5000 now has the ability to edit multiple pads at the same
time, setting all pads to the same setting. When Multi Pad Edit is
active, any change made to a pad will be made to all pads. To activate
Multi Pad Edit, do the following:
01. In PROGRAM Mode, Select the 'Pad Number' field as indicated on
the right.
02. Scroll with the [DATA] wheel to the left, or press the [-] button.
The 'Pad Number' field will change to 'MULTI' as indicated on the Right.
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03. When 'MULTI' is selected, all changes made to the selected pad will
be applied to all other pads. You can further specify what pads are
edited by doing the following:
04. With the 'Pad Number' field set to 'MULTI', press the [WINDOW]
Button.
The MULTIPLE PAD SELECT Window will be displayed as shown on the
right.
05. Press the pads that you wish to exclude from editing.
The pads will be deselected as indicated.
„ Program Tune
An Entire Sample Program can be tuned up to +/-36.00 Semitones. To
Transpose a Sample program, do the following:
01. In PROGRAM Mode, select the 'Pgm Tune' field as indicated on the
right.
02. Turn the [DATA] wheel, or use the [+]/[-] or Numeric Keypad to
adjust the program tuning.
Envelope Quick Access
Envelope Quick Access buttons have been added for the Amp Envelope
and Filter Envelopes.
•
•
To quickly access the Amp Envelope, press the [F5] (AmpEnv)
button while on the SAMPLE page.
To quickly access the Filter Envelope, press the [F5] (FltEnv)
button while on the FltLFO page.
Additional Improvements
„ Sample assignment
When assigning samples to pads, the sample list now will remember the last sample selected, rather than starting from the beginning of the
list each time.
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Improvements to EFFECT Mode
Copy / Paste / Swap Effect Settings
Newly added to the MPC5000 is the ability to Copy / Paste and Swap Effect Types and settings. This will allow you to copy
and paste effects across buses, and move effects to different slots easily.
„ [F2] COPY
This button copies the effect type, and all the effect settings into
memory to be PASTED or SWAPPED.
„ [F3] PASTE
This button will replace the currently selected effect with the effect that
was copied into memory.
„ [F5] SWAP
This button will exchange the current effect with the effect in memory.
Pressing SWAP again will toggle between the previous effect and the
current effect.
„ Easy Effect List Navigation
You can easily navigate to the beginning or the end of the effect list popup by holding the [SHIFT] button and pressing the
[UP] or [DOWN] arrows, and pressing a letter using the [NUMERIC] keypad will jump to the first item alphabetically
corresponding to that letter.
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Improvements to DISK Mode
Automatically Create Programs from a Folder
When loading a folder, the MPC5000 now has the ability to load only samples, and create a new program. The Samples will
automatically be assigned to each pad of the new program. If more than 64 samples are in the folder, an additional
program will be created. These programs will be named "Program" followed by a unique number starting at 001.
To load all samples in a folder into a new program, do the following:
„ In DISK Mode, select a folder to load.
01. Press [DO IT] to load the folder.
The LOAD A FOLDER window will appear as shown on the right.
02. In the 'LOAD' field, choose "SAMPLES INTO NEW PROGRAMS".
Note that you can also CLEAR or REPLACE same files as well.
03. Press [DO IT]
The Samples contained in the selected folder will be loaded into a new
Program. If there are more than 64 samples in the folder, additional
Programs will be created to accommodate them.
Tip: For more information on DISK Mode, see page 149 of the MPC5000 Reference Manual.
Create A New Program When Loading A Sample
When loading a sample, the MPC5000 now has the option to create a
new program at load time. To create a new program when loading a
sample, do the following:
01. In DISK Mode, select a sample to load.
The LOAD A SAMPLE window will open as shown on the right.
02. Press the [F3] (NewPgm) Button.
This will open the NEW SAMPLE PROGRAM Window as shown on the right.
Here, the program's name can also be set.
03. Press [DO IT].
A new program will be created.
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Other Improvements
„ Sample Loading
When loading a Sample, all other samples assigned to the selected pad are shown.
„ Auditioning Synth Programs
To audition a SYNTH Program, select the program in DISK Mode and press [F5] (PLAY) . The note played when auditioning samples can
be set in OTHER Mode.
„ Quick File Browser Movements
While browsing files, you can now jump through the list by typing a letter using the Numeric Keypad. Pressing a key will jump you to the
first sample in the list with the corresponding letter as its first character. Additional presses will cycle through the letters on the selected
key. This also works in most other pages where there is a long list.
SHIFT + UP CURSOR now brings you to the top of the list
SHIFT + DOWN CURSOR now brings you to the bottom of the list
SHIFT + LEFT CURSOR brings you to the top of you file directory to browse your drives.
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Improvements to Q-LINK Mode
FX Q-Links
New to the MPC5000 is the ability to automate individual Effects
Parameters. To access FX Q-LINKS, press [F2] (FX Q) in Q-LINK Mode.
To access standard Program Q-LINKS, press [F1] (Prg Q).
„ Configuring the FX Q-LINK Sliders & Knobs
01. Press [MODE] + [PAD 1] to enter Q-LINK mode, and press [F2]
(FX Q) to open the FX Q-LINK page.
The Screen shown to the right will be displayed. Each of the following
settings for each Q-LINK is quickly displayed here.
FX Name
Displays the name of the effect being automated.
Bus (Bus)
Displays which FX Bus the Q-LINK Controller is set to.
Parameter
Displays which effect parameter is to be edited with the selected Q-LINK
02. Select one of the Q-LINK controls.
When you move a Q-LINK controller, that controller will be highlighted. You
can also select a Q-LINK Control with the [CURSOR].
03. Press the [WINDOW] button.
This will open the FX Q-LINK EDIT window as shown on the right.
04. Select the 'Effect Bus' field and select the bus containing the effect
you wish to assign the selected Q-LINK to.
You can select the bus containing the effect you wish to edit by scrolling with
the [DATA] wheel. If you do not wish to use the Q-LINK function for any
effect, select OFF by turning the [DATA] wheel.
05. In the 'Effect' field, select the effect you wish to edit.
You can select either of the effects contained in the Bus selected in the 'Effect Bus' field.
06. In the 'Parameter' field, select the parameter you wish to control.
You can select any of the parameters available in the effect selected in the 'Effect' field.
07. In the 'Range Lo and Hi' field, set the upper and lower limit of the slider or knobs.
The value of the controlled parameter is determined by the value set here. The value depends on the type of the parameter selected in the
Parameter' field.
08. Press [F4] (CLOSE) to return to the FX Q-LINK page.
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Default Q-LINK Mode
In Q-LINK Mode, the Q-LINK Controllers always work as PROGRAM Q-
LINKs or FX Q-LINKs, depending on which page is selected. When
outside of Q-LINK mode, you can determine which type of Q-LINKS are
used by default. To set the default Q-LINK Mode, do the following:
01. In Q-LINK mode, press [F3] (SETUP)
02. Set the 'Default Q-LINK Mode' to the desired setting
PROGRAM
Outside of Q-LINK mode, a Q-LINK will control the corresponding
Program Q-LINK
EFFECT
Outside of Q-LINK mode, a Q-LINK will control the corresponding EFFECT Q-LINK
Tip: when in the PGM Q page, the Q-LINKS will always affect the program, and while in FX Q, the Q-LINKS will always affect
the effects regardless of this setting.
„ Bypassing Default Q-LINK
The Default Q-LINK Mode can be bypassed temporarily by moving a Q-LINK Controller while holding the [SHIFT] key.
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Improvements to MIDI/SYNC Mode
Select Active Track with a Program Change
The Sequencer's Active Track can now be selected by sending a
Program Change message from an external MIDI source. To turn on
this option, set the 'MIDI Program Change' Field to 'TRACK' as shown on
the right.
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Improvements to OTHER Mode
Program Audition Note
The note played when auditioning SYNTH Programs when pressing the
PLAY button in DISK Mode can be selected in OTHER mode. Select the
'Program Audition Note' as shown on the right and select the desired
note.
New Footswitch Options:
The Following selections have been added to the FOOTSW page.
„ NEXT TRACK
Pressing the Footswitch will set the next track as the Active Track.
„ PREV TRACK
Pressing the Footswitch will set the previous track as the Active Track.
„ NEXT SEQUENCE
Pressing the Footswitch will select the next sequence to be played at the end of the current sequence.
„ PREV SEQUENCE
Pressing the Footswitch will select the previous sequence to be played at the end of the current sequence.
„ INC
Pressing the Footswitch will act as if the [+] button had been pressed.
„ DEC
Pressing the Footswitch will act as if the [-] button had been pressed.
Tips: For more information on Footswitches, see page 176 of the MPC5000 Reference Manual.
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