DIGITAL CINEMATOGRAPHY CAMERA
F35
OPERATION MANUAL [English]
1st Edition (Revised 1)
AVERTISSEMENT
WARNUNG
Afin de réduire les risques d’incendie ou
d’électrocution, ne pas exposer cet
appareil à la pluie ou à l’humidité.
Um die Gefahr von Bränden oder
elektrischen Schlägen zu verringern, darf
dieses Gerät nicht Regen oder Feuchtigkeit
ausgesetzt werden.
Afin d’écarter tout risque d’électrocution,
garder le coffret fermé. Ne confier
l’entretien de l’appareil qu’à un personnel
qualifié.
Um einen elektrischen Schlag zu
vermeiden, darf das Gehäuse nicht
geöffnet werden. Überlassen Sie
Wartungsarbeiten stets nur qualifiziertem
Fachpersonal.
Pour les clients en Europe
Ce produit portant la marque CE est conforme à la Directive
sur la compatibilité électromagnétique (EMC) émise par la
Commission de la Communauté européenne.
La conformité à cette directive implique la conformité aux
normes européennes suivantes :
• EN55103-1 : Interférences électromagnétiques (émission)
• EN55103-2 : Sensibilité électromagnétique (immunité)
Ce produit est prévu pour être utilisé dans les environnements
électromagnétiques suivants : E1 (résidentiel), E2
(commercial et industrie légère), E3 (urbain extérieur) et E4
(environnement EMC contrôlé, ex. studio de télévision).
Für Kunden in Europa
Dieses Produkt besitzt die CE-Kennzeichnung und erfüllt die
EMV-Richtlinie der EG-Kommission.
Angewandte Normen:
• EN55103-1: Elektromagnetische Verträglichkeit
(Störaussendung)
• EN55103-2: Elektromagnetische Verträglichkeit
(Störfestigkeit), für die folgenden elektromagnetischen
Umgebungen: E1 (Wohnbereich), E2 (kommerzieller und in
beschränktem Maße industrieller Bereich), E3 (Stadtbereich
im Freien) und E4 (kontrollierter EMV-Bereich, z.B.
Fernsehstudio).
Le fabricant de ce produit est Sony Corporation, 1-7-1 Konan,
Minato-ku, Tokyo, Japon.
Le représentant autorisé pour EMC et la sécurité des produits
est Sony Deutschland GmbH, Hedelfinger Strasse 61, 70327
Stuttgart, Allemagne. Pour toute question concernant le
service ou lagarantie, veuillez consulter les adresses
indiquées dans les documents de service ou de garantie
séparés.
Der Hersteller dieses Produkts ist Sony Corporation, 1-7-1
Konan, Minato-ku, Tokyo, Japan.
Der autorisierte Repräsentant für EMV und Produktsicherheit
ist Sony Deutschland GmbH, Hedelfinger Strasse 61, 70327
Stuttgart, Deutschland. Bei jeglichen Angelegenheiten in
Bezug auf Kundendienst oder Garantie wenden Sie sich bitte
an die in den separaten Kundendienst- oder
Garantiedokumenten aufgeführten Anschriften.
3
Table of Contents
3-2-5 Selection of the Gain, Color Temperature, and White
Balance Memory ............................................................33
Table of Contents
4
3-2-10 Allocation of Functions to the Assignable Buttons and
Switch ............................................................................35
3-6-3 Viewing the FUNCTION (Format/Switch Function)
Display ...........................................................................44
Table of Contents
5
Table of Contents
6
1
Overview
Chapter
“overcranking” or “undercranking” a cinematic film
camera.
1-1 Features
Frame-rate settings for this function are variable from 1 to
50 FPS.
The F35 is a 1CCD digital cinematography camera
equipped with Super 35-mm type IT progressive CCD
array with a total of 6,600,000 picture elements (effective
pixel count of 1920 [H] × 1080 [V] RGB).
The camera is incorporated with newly developed imagers
and a digital signal-processing LSI that yield images of a
high quality for cinematic, commercial, and dramatic
production applications. The camera also supports the
features of a “production camera” up to details in its shape,
button and indicator layout, and materials of the parts.
Multiple frame formats
The camera covers the1080 formats of different types to
allow it to be used for high-end content creation, including
commercial and broadcasting program production as well
as movie making.
• Progressive mode: 1080/23.98P, 1080/24P, 1080/25P,
1080/29.97P, 1080/50P
• Progressive mode (variable): 1080/S23.98P, 1080/S24P,
1080/S29.97P, 1080/S50P, 1080/S59.94P (MAX50),
1080/S60P (MAX50)
• Interlace mode: 1080/50i, 1080/59.94i
Superior Picture Quality and High
Performance
Imaging characteristics with wide color space
Sony’s unique technology allows the camera to capture
images in natural-looking colors closer to those of the
actual scene than with conventional cameras.
Super 35-mm type CCD and PL Mount
With the F35’s Super 35-mm-type CCD imagers and PL
Mount, most movie lenses designed for conventional 35-
mm film cameras can be mounted without a converter.
S-LOG and Hyper gammas
S-LOG and Hyper gammas, field-proven in Sony’s F23
digital cinematography camera and HDW-F900R HD
digital camcorder, are included among the standard
selections with the F35.
Wide dynamic range and high-quality digital
pictures
With its newly developed imagers, 14-bit A/D converter,
and unique digital LSI, the camera achieves significant
extension of the dynamic range and picture quality of
optimal grade, minimizing noises.
User Gamma
The F35 allows you to customize gamma curves according
1)
to your creative needs, using the CvpFileEditor
application software.
RGB 4:4:4 image capturing
The RGB 4:4:4 image-capturing capability, having high
affinity with computer graphics, yields significant results,
especially in chroma-keying and color-correction
1) You can download the software from the “eCSite,” the site for
downloading business and professional software from Sony Corporation.
processes where highly exacting special-effects sequences
and elaborate finishes are required in demanding movie-
making, commercial, and television applications.
Design and Shape
New compact design
For a high level of mobility in consideration of various
shooting situations, such as inside a car, the camera is
housed in as compact a body as possible. In addition,
buttons and indicators are laid out to provide a familiar and
intuitive user interface to users of conventional cinema
film cameras.
Variable-speed recording
When used with a Sony SRW-1 HD Portable Digital
Recorder, the number of frames per second (FPS) for
shooting/recording is selectable in single-frame
increments. This allows users to create slow- or fast-
motion effects equivalent to those obtained by
Features
7
Dockable system of the SRW-1 HD Portable
Digital Recorder
Monitor output selection
For monitor outputs, the user can select flexibly whether to
mix character information and markers, whether to apply
alternative monitor gamma other than that applied to the
camera signal, or how to mix the playback picture.
A dockable interface system is employed to conform to
versatile shooting conditions and on-site demands.
1)
The SRW-1 can be docked directly on the top or rear of
the camera, as required for shooting conditions.
The camera and SRW-1 recorder can also be tethered via
cables to take advantage of the compactness of the camera
for higher mobility.
Image inversion function
The image inversion function, field-proven in Sony’s F23
digital cinematography camera and HDW-F900R HD
digital camcorder, is included among the standard
functions with the F35.
1) The firmware of the SRW-1 may be required to be updated for use with the
camera. For details, consult your local Sony representative.
The delay of video relative to audio may vary according to
Compatible with film-camera accessories
The F35 is designed to be compatible with a variety of
film-camera accessories, giving users a broad array of
choices. These include ARRIFLEX-made bridge plates,
matte boxes, follow focus units, lens focus/zoom/iris servo
control units, and more. These film-camera accessories
can be attached to the F35 without modification, enabling
users who principally work with film to fully utilize their
assets.
Other Features
Assistant panel
The supplied assistant panel has an identical button and
indicator layout to that of the on-camera control panel and
provides intuitive remote control of basic camera
operations, such as control of frame rate (fps), shutter
(indication in angles enabled), gain, color temperature
(switching between Tungsten and Daylight enabled),
timecode/tape remaining check, character indications, and
function assignment to the assignable buttons.
Having one 12 V DC output connector and another 24 V
1)
DC output connector, the F35 can supply power to such
compatible accessories attached to it through these
connectors.
1) To feed 24 V DC power in synchronization with the power switch of the
camera, an independent power supply of 24V DC is required in addition to
the 12 V power.
Down-conversion output
The down-converter built into the camera as standard
equipment enables camera pictures as well as VTR
playback pictures to be monitored using a conventional SD
monitor.
Assignable switches
Functions frequently used in the field, such as optical filter
switching, can be assigned to three push buttons and one
switch located on the side panel of the camera, allowing
the operator to make rapid changes when working in the
field.
Twin-viewfinder operation
Two viewfinders can be attached to the F35 for
simultaneous monitoring with different settings of
character information and marker indications.
Saving/retrieving settings with a “Memory
Stick”1)
Using a “Memory Stick,” you can save menu settings for
particular shooting conditions for retrieval when required.
1) Memory Stick and
Corporation.
are trademarks of Sony
Operational Versatility
Two operation modes: Cine and Custom
The F35 offers two operation modes; “Cine Mode” for
movie-making applications, where image tone is normally
adjusted in post production, and “Custom Mode,” which is
suitable for users who wish to fine-tune camera parameters
to produce their desired look in on-set grading.
Shutter control
When using the electronic shutter, the setting indication
can be switched between the shutter angle (degree) and
shutter speed (second).
Features
8
1-2 Example of System Configuration
The diagram below shows a system configuration example
to use of this camera.
In this manual, an optional HDVF-C35W HD Electronic
Viewfinder is used to instruct how to operate the unit.
For more information about the fittings, connections, or
use of additional equipment and accessories, see “Chapter
2 Installation and Preparations” as well as the operation
manuals for the connected equipment.
Viewfinders
HDVF-20A HD Electronic Viewfinder
HDVF-C35W HD Electronic Viewfinder
Products for battery operation
Product
Model name
BP-GL95
Rechargeable Battery Pack
Battery Adaptor
Viewfinder-related equipment
BKP-L551
Name / Purpose Magnification
Part No.
Fog-proof filter
Lens assembly
Lens assembly
Lens assembly
—
1-547-341-11
A-8262-537-A
A-8262-538-A
A-8267-737-A
A-8314-798-A
Product for AC power supply
Product
–2.8 D to +2.0 D
–3.6 D to –0.8 D
–3.6 D to +0.4 D
–2.4 D to +0.5 D
Model name
AC Adaptor
AC-DN2B
Lens assembly
(3 × magnification)
F35
Product Configuration
Center handle
Assistant panel
L handle
Camera head
Riser plate
Interface box
Video recorder
Remote control devices
SRW-1 HD Portable Digital Recorder
RM-B750 Remote Control Unit
MSU-900/950 Master Setup Unit
Data storage media
“Memory Stick PRO”
“Memory Stick PRO Duo”
Products for tripod mounting
Name
Model name
Bridge Plate
Shoulder Set
BP-5 (ARRIFLEX made)
S-1 (ARRIFLEX made)
Example of System Configuration
9
1-3 Locations and Functions of Parts
1-3-1 Camera Head
Front panel
a VF1 connector
e Viewfinder shoe
b CONTROL PANEL connector
f Flange focal length adjustment screw
Lens mount
g Lens fixing lever
h Lens mount cap
c Accessory receptacles
i Shutter emergency open screw
d VF2 connector
a VF1 (viewfinder 1) connector (20-pin)
Connect a viewfinder (optional).
f Flange focal length adjustment screw
You can adjust the flange focal length with the screw
behind the cover.
b CONTROL PANEL connector
Connect with the CAMERA connector of the supplied
20).
c Accessory receptacles
g Lens fixing lever
Using these screw holes in combination with the accessory
accessory to the left side of the camera.
Turn the lever clockwise to secure the lens in the lens
mount. To remove the lens, turn the lever
counterclockwise.
d VF2 (viewfinder 2) connector (20-pin)
Connect a second viewfinder (optional), e.g. for an
assistant.
h Lens mount cap
Cover the lens mount with this cap when a lens is not
attached. The cover may be removed by rotating the lens
fixing lever counterclockwise.
Note
When two viewfinders are connected at the same time (via
the VF1 and VF2 connectors), if an HDVF-C950W is
connected to either connector, use an HDVF-C35W as the
other viewfinder. Because of a limitation of current
capacity, two HDVF-C950W viewfinders cannot be used
simultaneously.
i Shutter emergency opening screw
You can forcibly open the shutter in an emergency.
e Viewfinder shoe
Attach an optional viewfinder.
The height of the attaching position can be adjusted.
Locations and Functions of Parts
10
Left panel
a Level vial
k Measure hook/focus
reference mark
b L handle
c Accessory pockets
d DC IN connector
j DC OUT 24V connector
i DC OUT 12V connector
h
(network) connector
g EXT I/O connector
f CAM POWER switch
e Power indicators
a Level vial
c Accessory pockets
Used as a reference to check that the camera stands
horizontally. It can be fine-adjusted when required.
If fine-adjustment is required, remove the cover and adjust
it by rotating the three slotted-head screws.
Using these accessory pockets in combination with the
fix a certain accessory to the left side of the camera.
d DC IN connector (LEMO 8-pin)
Power is supplied by using a specified power cord.
e Power indicators
Either of the indicators lights according to the voltage of
the power being supplied.
f CAM POWER switch
CA: The camera is turned on using the power being
OFF: The power is cut off.
ON: The camera is turned on using the power being
supplied from the DC IN connector of the camera head.
Note
If you move the switch setting from ON to CA in one
stroke, the power may not be cut off. To turn off the power,
be sure to set the switch to the OFF position.
b L handle
The L handle is attached to the top of the camera head at
the factory.
It has three screw holes ( / ") for accessories on the upper
3
g EXT I/O (external control) connector (5-pin)
8
outside of the handle by attaching the supplied assistant
panel hanger.
For control via RS-232C.
h
(network) connector (RJ-45 type, 10BASE-T,
100BASE-TX)
For control from the MSU-900/950 Master Setup Unit, etc.
via a network cable.
Locations and Functions of Parts
11
The necessary settings are made using the NETWORK
menu displayed on the viewfinder or monitor screen.
Buchse haben könnte. Folgen Sie den Anweisungen für
diese Buchse.
CAUTION
i DC OUT 12V (DC 12V power output) connector
DC 12V power can be fed to an accessory.
For safety, do not connect the connector for peripheral
device wiring that might have excessive voltage to this
port. Follow the instructions for this port.
j DC OUT 24V (DC 24V power output) connector
DC 24 V power can be fed to an accessory.
ATTENTION
k Measure hook/focus reference mark
Par mesure de sécurité, ne raccordez pas le connecteur
pour le câblage de périphériques pouvant avoir une tension
excessive à ce port. Suivez les instructions pour ce port.
Use as reference for focusing. The same reference mark is
For actual measurement of the distance from a subject, you
can fix the end of a tape measure to the hook.
ACHTUNG
Aus Sicherheitsgründen nicht mit einem Peripheriegerät-
Anschluss verbinden, der zu starke Spannung für diese
Right panel
e Safety release tab
f Accessory clamp lever
g Lock release knob
h Accessory mount lever
a Assignable buttons 1, 2, 3
1
2
3
b LOCK switch
Display/menu operation block
c RUN button and indicator
d 4/AUTO BLK BAL switch
i Memory stick section
j Focus reference mark
k Tripod receptacles (bottom)
Riser plate
a Assignable buttons 1, 2, 3
You can make a setting to allow the RUN button to be
activated even when the LOCK switch is set to ON on the
<SUBDISPLAY 2> page on the USER (OPERATION)
menu.
You can assign various functions to these buttons, using
the subdisplay on the left panel or on the assistant panel or
the menu displayed on the viewfinder or monitor screen.
The ND filter selection function is assigned to button 1 and
the CC filter selection function to button 2 at the factory.
(No function is assigned to button 3.)
c RUN button and indicator
To start/stop recording on the SRW-1 HD Portable Digital
Recorder docked on the camera. The indicator is lit while
the recorder is in Recording mode.
The indicator flashes as a warning in some cases.
b LOCK switch
To disable operations on the panel.
Locations and Functions of Parts
12
The firmware of the SRW-1 may be required to be updated
for use with this camera. For details, consult your local
Sony representative.
Display/menu operation block
Used to operate displays on the subdisplay and the
viewfinder/monitor screen.
d Assignable 4/AUTO BLK BAL (auto black balance)
switch
Push the switch downward to the AUTO BLK BAL side to
start the auto black balance adjustment.
The function activated by pressing the switch upward to
the 4 side can be selected using the subdisplay on the left
panel or on the assistant panel or the menu displayed on the
viewfinder or monitor screen.
a Subdisplay
b VF MENU/DISPLAY button
c CANCEL/STATUS button
LOCK
VF MENU/DISPLAY CANCEL/STATUS
e Safety release tab
f Accessory clamp lever
g Lock release knob
h Accessory mount lever
RUN
4
AUTO
BLK
BAL
PAGE
SET
For mounting/unmounting an SRW-1 HD Portable Digital
Recorder or the supplied interface box to the top of the
camera head.
The mounting/unmounting mechanism is the same as that
f MENU SEL/ENTER
dial
e SET button
d PAGE button
a Subdisplay
For basic settings of this camera.
i Memory Stick section
A slot to accommodate a “Memory Stick” is provided
behind the rubber cap.
The access lamp is lit in red while writing or reading data
to/from a “Memory Stick.”
When an SRW-1 HD Portable Digital Recorder has been
docked, some statuses of the recorder can also be
displayed.
When the supplied assistant panel is connected, the same
information will be displayed on the assistant panel.
You can use the “Memory Stick PRO” or “Memory Stick
PRO Duo” with this camera. The “Memory Stick PRO
Duo” media can be used without any adaptor.
b VF (viewfinder) MENU/DISPLAY button
Press this button to select the display mode of the
subdisplay and the viewfinder (monitor) screen.
Note
c CANCEL/STATUS button
In Menu Operation mode, press this button to cancel your
entry or to resume the previous status.
When the access lamp is lit in red, do not insert/remove the
“Memory Stick” or turn off the camera.
90).
If you press this button when the menu is not displayed on
the viewfinder (monitor) screen, the status information of
the camera will be displayed.
j Focus reference mark
Used as a reference for focusing.
k Tripod receptacles (bottom)
3
d PAGE button
Two screw holes (for / " camera screws) for tripod
8
Press this button to flip the pages or register the setting on
mounting are provided.
the subdisplay.
e SET button
The subdisplay enters Data Change mode if you hold this
button pressed for more than 1 second. Use this button also
to flip to the previous page on the subdisplay.
Locations and Functions of Parts
13
f MENU SEL (selection) /ENTER dial
Used to select or set the items on the subdisplay or the
menu items on the viewfinder (monitor) screen.
Rear panel
f RUN indicator and ON/OFF switch
OFF ON
a Safety release tab
b Accessory clamp lever
g GENLOCK IN connector
h TEST OUT connector
i MONITOR OUT HD SDI connectors 1/2
c Lock release knob
d Accessory mount lever
REMOTE
j REMOTE connector
e Recorder/interface box
receptacles
DC IN connector (see page 11)
k Wrench box
a Safety release tab
b Accessory clamp lever
g GENLOCK IN (external sync signal input)
connector (BNC type)
c Lock release knob
d Accessory mount lever
Used for input of an external gen-lock signal (HD 3-level
sync).
For mounting/unmounting an SRW-1 HD Portable Digital
Recorder or the interface box to/from the rear of the
camera head.
The mounting/unmounting mechanism is the same as that
h TEST OUT connector (BNC type)
An analog test signal is fed from the connector.
The type of output signal can be set using a menu on the
viewfinder or monitor screen.
i MONITOR OUT HD SDI connectors 1/2 (BNC
type)
An HD SDI signal for monitoring is fed from the
e Recorder/interface box receptacles
connectors.
Signals and power are sent/received to/from an SRW-1 HD
Portable Digital Recorder or the supplied interface box
(page 15) mounted on the rear.
The type of output signal can be set using a menu on the
viewfinder or monitor screen.
The same signal is output from connector 1 and 2.
The same receptacles are provided on the top to send/
receive signals and power to/from the recorder or the
interface box mounted on the top.
j REMOTE connector (8-pin)
Connect an external control device, such as the RM-B150/
B750 Remote Control Unit.
When using a rechargeable battery
k Wrench box
Use the receptacles on the rear panel. By attaching the
BKP-L551 to the rear of the interface box, the camera can
be operated on a battery. Note, however, that power will be
fed only to the camera head and viewfinder. Provide
another power source for the recorder.
A 3-mm wrench for attaching/detaching the handle and a
2.5-mm wrench for attaching/detaching the viewfinder
shoe are accommodated.
f RUN indicator and ON/OFF switch
When the switch is set to ON, the indicator will be lit while
the recorder mounted on the camera is in Recording mode.
Locations and Functions of Parts
14
1-3-2 Assistant Panel (Supplied)
1-3-3 Interface Box (Supplied)
The most parts are common to those on the right panel of
the camera head. Connecting the panel to the CONTROL
the camera and recorder to be operated at hand.
Being attached to the top or the rear of the camera head, it
transfers signals and power to/from the camera head.
a AUDIO IN CH-1/CH-2 connectors
b Audio input selection switches
a CAMERA connector
LOCK switch
LINE
CH-1
MIC
VF MENU/DISPLAY button
Assignable buttons 1, 2, 3
+48V ON
LINE
CH-2
MIC
CANCEL/STATUS button
+48V ON
b AUX connector
e Camera connector 1
LOCK
VF MENU/DISPLAY CANCEL/STATUS
MENU SEL/
ENTER
A
B
RUN
4
AUTO
BLK BAL
PAGE
SET
f Camera connector 2
MENU SEL/ENTER
dial
d DC IN connector (bottom)
c HD-SDI A/B connectors
Subdisplay
SET button
PAGE button
4/AUTO BLK BAL switch
a AUDIO IN CH-1/CH-2 connectors (XLR 3-pin,
female)
Connect audio signals. Each connector is equipped with an
RUN button and indicator
input selection switch.
b Audio input selection switches
Set to the appropriate position according to the equipment
connected to the corresponding AUDIO IN connector.
LINE: When a line-level (+4 dBu) signal source is
connected
a CAMERA connector
Using the supplied assistant panel cable, connect to the
CONTROL PANEL connector of the camera head.
b AUX (auxiliary) connector
Connect to an external device as required.
MIC: When an external microphone is connected (No
power is supplied.)
+48 V ON: To supply power of +48 V to the connected
microphone
The other parts function the same as those on the right side
panel of the camera head.
c HD-SDI A/B connectors
For Dual Link outputs of an HD-SDI signal.
Note
If the assistant panel cable is disconnected/connected
while you are operating the subdisplay or a menu on the
viewfinder/monitor screen, the cursor/pointer on the
subdisplay or on the menu page may inadvertently be
moved. If a ? symbol is shown on the display, first register
the setting, then disconnect/connect the cable.
d DC IN connector (XLR 4-pin)
Connecting the BKP-L551 Battery Adaptor or a specified
power cable, supply power to the interface box. The power
is also fed to the camera head, viewfinder, and lens.
Note
Power is not fed to an SRW-1 recorder.
Locations and Functions of Parts
15
e Camera connector 1
When the interface box is mounted on the top or rear of the
camera head, video/audio and control signals are sent/
received to/from the camera head.
f Camera connector 2
When the interface box is mounted on rear of the camera
head, power is sent/received to/from the camera head.
Locations and Functions of Parts
16
Installation and
Preparations
2
Chapter
3
Release the lock by sliding the lock-release knob in the
direction of the arrow (1 in the figure below) then pull
up the accessory mount lever (pull it toward the lens
when mounting on the top) (2 in the figure below).
2-1 Mounting the
Interface Box
The supplied interface box can be attached to the top or
rear of the camera head.
Connection between the camera head and the interface box
is achieved by mounting, eliminating additional cable
connections.
• The same attaching/detaching system is used both on the
top and the rear.
• The following instructions use the illustrations of
attaching to the rear as examples.
• Although the illustrations show the statuses where the L
handle has been detached, the interface box can be
mounted/unmounted with the L handle attached.
Lock-release knob
Accessory mount lever
To attach
4
Aligning the matching line on the interface box with
that on the camera head, fit the interface box into the
camera head then push down on the box (slide it in the
opposite direction of the lens when attaching to the
top) so that the connectors engage.
1
2
Place the camera head on a stable, flat surface.
Rotate the accessory clamp lever upward (toward the
lens when attaching to the top).
Accessory clamp lever
Matching line on
the interface box
Matching line on
the camera head
Mounting the Interface Box
17
5
6
7
Rotate the accessory mount lever downward (pull it in
the opposite direction of the lens when attaching to the
top).
To detach
1
Rotate the accessory clamp lever upward (toward the
lens when attaching to the top) (1 in the figure
below).
2
Release the lock by sliding the lock-release knob in the
direction of the arrow (2 in the figure below) then pull
up on the accessory mount lever (3 in the figure
below) (pull it toward the lens when mounting on the
top).
Accessory clamp lever
While holding the lock-release knob in the direction of
the arrow, fold the accessory mount lever into its home
position.
Lock-release knob
Accessory mount lever
3
While holding the safety release tab pressed inward,
pull up on the interface box to disengage the
connectors, then pull out the box horizontally.
(When attaching to the top, hold the safety release tab
pressed downward, slide the interface box toward the
lens to disengage the connectors, then pull out the box
vertically).
Rotate the accessory clamp lever downward (toward
the opposite direction of the lens when attaching to the
top).
Safety release tab
4
Return the accessory mount lever and accessory clamp
lever to their home positions.
Mounting the Interface Box
18
Mounting to the rear
2-2 Mounting the SRW-1
Recorder
SRW-1
In the same manner as the interface box, the SRW-1 HD
Portable Digital Recorder can be mounted on the top or
rear of the camera head.
N
O
OFF
1
3
O
C
L/ST
A
TUS
For handling of the SRW-1 Recorder, refer to the Operation
Manual of the recorder.
E
T
O
M
E
R
E
Notes
T
2
• The firmware of the SRW-1 may be required to be
updated for use with the camera.
For details, consult your Sony representative.
• When mounting the recorder, fix the camera head on a
tripod in advance to keep the camera head stable.
For tripod mounting, see “2-5 Mounting the Camera to
When connecting the SRW-1 recorder
using cables
• When the camera is to be used with the recorder
mounted, make sure that the camera is securely fixed and
stable so that it will not topple over or fall.
Attach the SRPC-1 HD Video Processor to the recorder to
permit cable connections to the interface box mounted on
the camera.
Use two coaxial cables for connections. The cable length
can be extended up to 100 m when 5C-FB cables are used.
The camera and recorder must be controlled independently
when connected via cables.
Mounting to the top
SRW-1
SRW-1
HD SDI B
HD SDI A
HD SDI IN A
Coaxial cables
HD SDI IN B
SRPC-1
Mounting the SRW-1 Recorder
19
2-3 Attaching a Lens
Attach an appropriate optional lens that conforms to the PL
lens mount.
T
1.6
2
Note
ff
2.8
4
oo
60
5.6
0
3
8
Always use a lens whose projection from the flange (A in
the figure) is less than 30 mm. Use of any lens that
protrudes more tha 30 mm will damage the internal filter.
0
2
11
15
6
1
12
L
C
0
1
8
7
6
5.6
5
Notch
Selecting a lens file
With this camera, values, such as the compensation values,
which are specific to the mounted lens can be registered in
a lens file. You can perform necessary adjustments upon
replacement of lenses by merely invoking the registered
file.
Select the file using the subdisplay.
For information on handling lenses, refer to the lens’
operation manual.
1
Rotate the lens fixing lever counterclockwise and
remove the lens mount cap from the lens mount.
Adjusting the flange focal length
Adjustment of the flange focal length (distance between
the lens mount attachment plane and the imaging plane) is
necessary in the following situations:
• The first time a lens is attached
• When changing lenses
• If the focus is not sharp at both telephoto and wide angle
when zooming
The flange focal length for this camera can be adjusted by
rotating the adjustment screw on the front panel.
Use an Allen wrench (7/64” diagonal):
Lens fixing lever
Cover
2
3
Align the lens’ alignment pin with the notch in the
upper part of the lens mount and insert the lens (sold
separately) into the mount.
While supporting the lens, rotate the lens fixing lever
clockwise to secure the lens.
T
1.6
2
ff
2.8
4
oo
.6
5
60
8
30
11
16
20
5
1
2
1
L
C
10
8
Allen wrench
Attaching a Lens
20
1
2
Loosen the fixing screw using a screwdriver, then open
the cover.
2-4 Attaching a
Viewfinder
Rotate the adjustment screw using an Allen wrench.
Clockwise rotation lengthens the flange focal length,
and counterclockwise rotation shortens it.
Remember as a guide that 3 turns of the screw
correspond to variation of the flange focal length of
0.15 mm.
Caution
When the viewfinder is attached, do not leave the camera
with the eyepiece facing the sun. Direct sunlight can enter
through the eyepiece, be focused in the viewfinder and
cause fire.
When the adjustment is finished, close the cover and
tighten the fixing screw.
For details on the viewfinder, refer to the instruction
manual of the viewfinder.
If the viewfinder must be attached lower
Loosen the two screws, using the 2.5-mm wrench stored in
and attach it to the lower position using the lower screw
holes.
Attaching procedure
1
Fit the viewfinder to the viewfinder shoe and slide the
viewfinder horizontally.
The viewfinder stopper automatically pops down.
Stopper
2
Set the viewfinder to the most convenient position,
tighten the viewfinder positioning ring (1 in the
figure below), and connect the viewfinder cable to the
VF1 connector of the camera (2 in the figure below).
Attaching a Viewfinder
21
2-5 Mounting the Camera
to a Tripod
1
3
Two tripod receptacles (for / ” camera screws) are
8
provided on the bottom of the camera head.
1
F
V
2
T
C
When the supplied center handle is attached to the top of
the camera head, you can attach the viewfinder to the
viewfinder shoe of the center handle. In this case, first
remove the viewfinder shoe from the camera head.
Tripod receptacles
Note
When the L handle is attached to the camera head, the
attaching condition may be limited, owing to the
viewfinder position and the rotating position of the hood.
Notes
• Select an appropriate hole, considering the balance of the
weight of the camera. If an inappropriate hole is selected,
the camera may fall over.
When the second viewfinder is required
• Check that the size of the selected hole matches that of
the screw of the tripod. If they do not match, the camera
cannot be attached to the tripod securely.
Connect it to the VF2 connector.
Using the menus, you can specify the display condition
independently of the viewfinder connected to the VF1
connector.
Note
When two viewfinders are connected at the same time (via
the VF1 and VF2 connectors), if an HDVF-C950W is
connected to either connector, use an HDVF-C35W as the
other viewfinder. Because of a limitation of current
capacity, two HDVF-C950W viewfinders cannot be used
simultaneously.
To detach the viewfinder
Loosen the viewfinder positioning ring, pull on the
viewfinder stopper, then pull out the viewfinder by sliding
it in the direction opposite that when attaching.
Mounting the Camera to a Tripod
22
2-6 Attaching/Detaching
Handles
2
3
R
U
O
N
N
O
F
F
IN
K
C
O
L
N
E
G
2-6-1 L Handle
2
T
U
O
T
S
E
T
The L handle is attached to the top of the camera head at
Hex-head screws
the factory.
3
Three screw holes (for / ” camera screws for a tripod) on
8
the upper side of the L handle can be used for fixing
various accessories.
To attach the handle in the original position, reverse the
procedure for detaching.
Mounting the assistant panel
2-6-2 Center Handle (Supplied)
By attaching the supplied assistant panel hanger, you can
mount the assistant panel on the outside of the handle.
The supplied center handle can be attached to the top or
rear of the camera head.
Attach it so that the slanting side faces the back (or
bottom).
The screw holes on the upper side of the handle can be used
for fixing various accessories.
Assistant panel
hanger (supplied)
Attaching the handle directly to the camera
head
The handle can be attached/detached in the same manner
four +B4×8 screws (supplied)
Attaching the handle to the interface box
mounted on the camera head
First remove the base plate from the handle by loosening
the four screws, then attach it to the interface box.
2
3
Assistant panel
O
N
N
F
F
IN
K
C
O
L
N
E
G
1
2
2
T
U
O
T
S
E
T
Detaching the L handle
If the L handle is not necessary or to be replaced with the
supplied center handle, remove it by loosening the two
screws, using the 3-mm wrench stored in the wrench box
Base plate
Interface box
Attaching/Detaching Handles
23
Attaching a viewfinder
When the supplied center handle is attached to the top of
the camera head, you can attach the viewfinder to the
viewfinder shoe of the center handle after removing the
viewfinder shoe from the camera head.
2-7 Preparing the Power
Supply
The procedure for attaching the viewfinder is the same as
when attaching it to the viewfinder shoe of the camera head
This camera operates on DC 12 V (10.5 to 17 V).
Supplying power directly to the camera
head
Connect a power supply to the DC IN connector of the
camera head.
Use a commercially available shielded cable by attaching
the supplied 8-pin connector for a power cable.
For details on the connection, consult your local Sony
representative.
To turn on the camera
Set the CAM POWER switch of the camera head to the ON
side, and the camera is turned on.
Power is also supplied to the viewfinder and lens mounted
on the camera head.
Power of 12 V or 24 V can be fed to accessories via the DC
OUT connectors.
Supplying power via the interface box
To supply power via the interface box, mount the interface
box to the rear of the camera head. If the interface box is
mounted on the top, the power is not fed to the camera
head.
Connect a power supply to the DC IN connector (XLR 4-
pin) of the interface box.
To turn on the camera
Set the CAM POWER switch of the camera head to the CA
side, and the camera is turned on.
The power is also supplied to the viewfinder and lens
mounted on the camera head.
To use an AC power source
An AC power source can be connected, by using the AC-
DN2B AC Adaptor.
1
2
Attach the AC-DN2B to the interface box.
Connect the DC power cord supplied with the AC-
DN2B to the DC IN connector of the interface box.
3
Connect the AC-DN2B to an AC power source.
To use a battery pack
The BP-GL95 Lithium-ion Battery Pack can be used.
By attaching the BKP-L551 Battery Adaptor to the
interface box, connect the BP-GL95 Lithium-ion Battery
Preparing the Power Supply
24
Pack to the interface box.
2-8 Setting the Built-in
Clock
Notes
• Remove the battery pack if the camera will be out of use
for an extended period.
• Charge the battery, using the specified battery charger,
before use.
When using the camera for the first time, set the built-in
clock to the local time, using the <DATE> page of the
MAINTENANCE menu displayed on the viewfinder
screen.
For charging, refer to the instructions for the battery
charger.
To set the menu on monitor screen, connect a monitor to
either of the MONITOR OUT HD SDI connectors.
1
Attach the BKP-L551 Battery Adaptor to the interface
box.
Setting procedure
1
2
Turn on the camera.
BKP-L551
While holding the MENU SEL/ENTER dial pressed,
press the VF MENU/DISPLAY button.
The camera enters Menu Operation mode, and “TOP”
is displayed at the upper-right corner of the screen.
LO
C
K
3
4
Rotate the MENU SEL/ENTER dial to set the pointer
to “TOP” and push on the MENU SEL/ENTER dial.
V
7
-1
V
.5
0
1
IN
C
D
Interface box
The TOP MENU screen is displayed.
<TOP MENU>
2
3
Aligning the groove on the BP-GL95 with the
projection on the BKP-L551, slide the BP-GL95 so
that the connectors engage.
BUSER
USER MENU CUSTOMIZE
ALL
z
OPERATION
PAINT
z
z
Connect the DC cable of the BKP-L551 to the DC IN
connector of the interface box.
MAINTENANCE
NETWORK
z
z
FILE
DIAGNOSIS
z
When the battery is connected to the DC IN connector of
the interface box, power is fed to the camera head,
viewfinder, and lens.
Rotate the MENU SEL/ENTER dial to position the
pointer to MAINTENANCE and push on the MENU
SEL/ENTER dial.
Note
Power is not supplied to the recorder mounted on the
camera head. To supply power to the recorder, connect a
power supply to the DC IN connector on the camera head.
The CONTENTS page of the MAINTENANCE menu
is displayed.
(The following display examples are those in Custom
mode. They include some items not displayed in Cine
mode.)
CONTENTS
M00
xx
B01.<BASE SETTING>
02.<AUTO SETUP>
03.<WHITE SHADING>
04.<BLACK SHADING>
05.<OHB MATRIX>
06.<AUDIO>
07.<OUTPUT FORMAT>
08.<DOWN CONVERTER>
09.<POWER SAVE>
10.<BATTERY ALARM SET>
5
Turn the MENU SEL/ENTER dial to scroll the page
and position the pointer to <DATE>.
Setting the Built-in Clock
25
CONTENTS
02.<AUTO SETUP>
M00
xx
03.<WHITE SHADING>
04.<BLACK SHADING>
05.<OHB MATRIX>
06.<AUDIO>
07.<OUTPUT FORMAT>
08.<DOWN CONVERTER>
09.<POWER SAVE>
10.<BATTERY ALARM SET>
B11.<DATE>
6
Push on the MENU SEL/ENTER dial.
The <DATE> page is displayed.
<DATE>
M12 TOP
DAxTE/TIME
2008/3/22
16:53
7
8
Turn the MENU SEL/ENTER dial and set the date and
time.
Push on the MENU SEL/ENTER dial to shift to the
next digit.
When the date/time setting is completed, press the VF
MENU/DISPLAY button to exit Menu Operation
mode.
Setting the Built-in Clock
26
Basic Adjustments and
Settings
3
Chapter
Custom mode
• This mode is designed for shooting with detailed settings
on the menus or with operations from the remote control
unit.
• The reference file, which stores the values to be used as
reference for adjustments, and the scene files, which
store the adjustment values specific to a particular scene,
are available in this mode.
3-1 Selection oftheBasic
Operation Modes
3-1-1 Overview of the Basic
Operation Modes
• User Gamma can be installed.
• Modification and storage of the lens files are possible.
With this camera, Cine mode and Custom mode can be
switched. Cine mode is designed for shooting the materials
that will undergo post-production editing and that do not
need on-set grading, as with shooting with a film camera.
Custom mode is designed for shooting with all the setting
items of the camera set as you wish.
The items that can be set and the selectable values on the
menus and from the remote control unit are different in
Cine mode and Custom mode.
Note
The settings for the file items adjusted in Custom mode are
maintained when the camera is switched back to Cine
mode. However, the video adjustment values that are
temporarily changed and not stored in any file will be
cleared upon mode switching.
For details on different items and values that can be set in
Cine mode (default mode)
• The subdisplay and the USER menu are mainly used.
• The items related to image creation are fixed at the
factory-set values, and menu displays are simplified.
• Only auto black balance (ABB) can be activated as auto
setup.
3-1-2 Switching of the Basic
Operation Modes
At shipment, Cine mode is selected.
The white balance level is fixed at the preset value
(3200K), and auto white balance (AWB) and WHITE R/
G/B settings are not operative.
• On a remote control unit connected to the REMOTE
connector of the camera, the values for the adjustment
items whose settings fixed in Cine mode are not
displayed. However, data for the ON/OFF setting items
and selectable items are displayed although they are
fixed in Cine mode.
To switch to Custom mode
Referring to the procedures described in “2-8 Setting the
Built-in Clock” (page 25), call up the <BASE SETTING>
page of the MAINTENANCE menu on the viewfinder
screen or the monitor screen and switch the modes.
On the same page, making settings for dynamic range and
color space is also possible.
• Reading/writing of files from/to a “Memory Stick” and
data presetting are enabled only for the operator file that
is included in the USER menu.
• Only retrieval by specifying a file number is allowed
among the lens file operations.
• The reference file items are fixed to the default values set
at the factory even if you have changed the values in
Custom mode.
Selection of the Basic Operation Modes
27
<BASE SETTING> page of the MAINTENANCE
menu
If a video production is to be displayed on a device that
complies with the DCI standards, shooting in this mode
will minimize the necessity for postproduction
processes, such as color correction.
<BASE SETTING>
M01 TOP
SHOOT MODE :BCUSTOM
D-RANGE : EXTEND
COLOR SPACE: S-GAMUT
SHOOT MODE
Switch between CINE and CUSTOM on this line.
D-RANGE
With EXTEND, the dynamic range and sensitivity are
improved. The S/N ratio is improved with NORMAL.
COLOR SPACE
Select color reproducibility:
S-GAMUT: This mode enables you to record with wider
color space than with the conventional cameras (HDC-
F950, HDW-F900R, etc.) whose color space is
equivalent to that available with film cameras.
With postproduction processes, color expression can be
substantially extended.
Note
Images shot with the S-GAMUT setting will be seen in
somewhat pale colors if they are reproduced on a
conventional narrow color-space display, such as a
CRT display.
F900: This mode enables you to shoot with color space
equivalent to that available with conventional cameras.
This facilitates color matching with conventional
cameras. Furthermore, as wider color-space data
available with this camera can be used without
restriction, distinguishability of images with higher
color saturation will be improved over that with
conventional cameras.
F900R: This mode enables you to shoot with color space
as close as possible to that of the HDW-F900R, by
limiting the color space to that of the HDW-F900R.
When using this camera in combination with the HDW-
F900R, use this mode for easy color matching.
Note
This mode can be selected only when “COLOR
F900R” is set to “ENABLE” on the <OTHERS 2> page
of the MAINTENANCE menu.
DCDM REF PJ: This mode enables color reproducibility
that is recommended by the Digital Cinema Initiatives
(DCI). The camera can output signals for display
devices that can reproduce this color space, such as a
DLP projector.
Selection of the Basic Operation Modes
28
However, the LOCK switches disable the buttons and dial
on their own sides. To inhibit operations on either side, set
the LOCK switch on the side to be inhibited to ON.
3-2 Basic Settings with
the Subdisplay
Turning the MENU SEL/ENTER dial can change a setting,
and pressing on it can register (ENTER) a setting.
Basic settings of the camera can be easily performed, using
the subdisplay located on the side of the camera or that of
the assistant panel if connected via the CONTROL PANEL
connector of the camera.
To display the Setting pages
After the camera is turned on, the selected operation mode
(CINE or CUSTOM) is displayed on the subdisplay for
several seconds, after which the Setting page that was
operated last time is displayed.
3-2-1 Basic Operation of the
Subdisplay
To advance to the next page
Press the PAGE button.
For operation of the subdisplay, the buttons and dial shown
in the figures below are used:
To go back to the previous page
Press the SET button (press and release the button within 1
second).
Side panel of the camera head
VF MENU/DISPLAY button CANCEL/STATUS button
(For registering a setting)
(For canceling of a setting)
To change a setting
Press and hold the SET button for more than 1 second.
Data Change mode is entered, the cursor ( | ) starts
flashing, and the question mark (? symbol) appears at the
rightmost position on the first line.
MENU SEL/ENTER dial
LOCK
VF MENU/DISPLAY CANCEL/STATUS
Turn
(For changing
a setting)
Cursor (flashing)
RUN
Questionmark
SC 360.0
ON ?
4
AUTO
BLK
BAL
24FPS CMP:OFF
Press
PAGE
SET
(For determining a setting)
On a page with two or more setting items, each time the
SET button is pressed, the cursor moves to the next item.
SET button
PAGE button
(For advancing
pages/registering a
setting)
(For reversing pages/entering
Data Change mode by holding
the button pressed for 1 sec)
Cursor
Assistant panel
SC 360.0
ON ?
24FPS CMP:OFF
VF MENU/DISPLAY button CANCEL/STATUS button
Move the cursor to the item you wish to modify then
change the setting by turning the MENU SEL/ENTER
dial.
MENU SEL/
ENTER dial
LOCK
VF MENU/DISPLAY CANCEL/STATUS
Note
MENU SEL/
ENTER
While the subdisplay is in Data Change mode, menu
operations on the viewfinder cannot be performed.
Press
RUN
4
Turn.
AUTO
BLK BAL
To determine a changed setting
PAGE
SET
Perform one of the following:
• Press the PAGE button.
PAGE button
SET button
• Exit Data Change mode by pressing the MENU SEL/
ENTER dial (the cursor and question mark disappear).
• Terminate the subdisplay operation by pressing the VF
MENU/DISPLAY button.
Operations of the subdisplay are possible with the buttons
and dial both sides of the camera and assistant panel.
Basic Settings with the Subdisplay
29
the remote control unit correctly, upgrading of the version
is required.
To cancel a change on a setting
Without registering a change of a setting, press the
CANCEL/STATUS button. The question mark disappears,
and the original setting is restored.
For details, consult your local Sony representative.
Shutter setting page
To terminate subdisplay operation
Press the VF MENU/DISPLAY button.
1
2
3
SC 360.0
ON
24FPS
CMP:OFF
3-2-2 Shutter Settings
4
5
The electronic shutter of this camera can be adjusted, with
settings displayed in shutter angles, as with a film camera,
in addition to exposure time.
Two operation methods are available for the adjustment:
stepwise and continuous.
To select a shutter value step by step
In Step mode, one of the registered shutter values (8 values
at maximum) can be selected, as follows:
1
Move the cursor to the left of “S” at 1.
(Immediately after the shutter setting page is switched
to Setting Change mode, the cursor is always
displayed at the left of “S”.)
Step mode
Your frequently used shutter values (8 values at maximum)
can be registered, enabling stepwise selection of the
shutter values.
2
Display the shutter angle you wish to use at 2 by
turning the MENU SEL/ENTER dial.
At shipment, the following values are registered:
STEP No. Shutter angle
The eight registered values for shutter angle will be
displayed one after another as the MENU SEL/
ENTER dial is turned.
1
2
3
4
5
6
7
8
216.0º
180.0º
172.8º
150.0º
144.0º
90.0º
To select an arbitrary shutter value
To use a shutter value that is not registered as a step shutter
value, use Continuous mode.
45.0º
1
2
Press the SET button to move the cursor to the left of
“C” at 1.
22.5º
The corresponding shutter speeds vary according to the
frame frequency and frame rate of the selected video
format. The step shutter values can be changed and re-
registered on the <SHUTTER ASSIGN> page of the
USER (OPERATION) menu or the <SHUTTER/FPS>
page of the USER (PAINT) menu.
Display the shutter angle you wish to use at 2 by
turning the MENU SEL/ENTER dial.
The shutter value changes continuously as the MENU
SEL/ENTER dial is turned.
To change the units
Continuous mode (ECS)
The shutter values can be continuously changed in a range
from 360.0 to 4.3 degrees.
To obtain your desired shutter value quickly, assign a value
nearest your desired one in Step mode, switch to
Continuous mode, then adjust the shutter value.
You can change the displayed units for the shutter values
from shutter angle (deg) to speed (sec).
1
2
Move the cursor to the left of
at 2.
Turn the MENU SEL/ENTER dial.
The display at 2 changes to the corresponding speed
value.
Note
In a case where a remote control unit connected to the
REMOTE connector of the camera is used, adjustment in
Step mode is enabled with SHUTTER and adjustment in
Continuous mode is enabled with ECS (there is no need to
set to ECS ON). However, to display the shutter values on
SC 1/24.00 ON?
24FPS
CMP:OFF
Basic Settings with the Subdisplay
30
The speed value for the shutter angle varies depending on
the selected video format and frame rate.
<SHUTTER ASSIGN> page
<SHUTTER ASSIGN> 10 TOP
STEP [deg] [sec]
To select the frame rate (number of frames
per second)
When a video format of “Select FPS” is selected, the frame
rate (number of frames per second) can be selected.
1: 216.0 (1/39.97)
2: 180.0 (1/48.00)
3: 172.8 (1/50.05)
4: 150.0 (1/57.63)
5: 144.0 (1/60.07)
6: 90.0 (1/95.92)
7: 45.0 (1/192.2)
8: 22.5 (1/383.0)
ADD:B---.- DEL PRESET
1
2
Move the cursor to 4.
Display the frame rate (number of frames per second)
you wish to use by turning the MENU SEL/ENTER
dial.
STEP 1-8
In the [deg] column on each line, the registered shutter
angle is indicated. In the [sec] column, the shutter speed
value converted according to the currently selected frame
rate is displayed.
If a format other than those of “Select FPS” is selected, the
frame rate cannot be changed.
ADD
To use Compensation mode
This camera enables you to compensate for changes in the
video level when the FPS value is changed.
Two compensation modes are provided: one that depends
on shutter angles and another that depends on electric gain.
For newly registering a step shutter value.
Display a shutter angle you wish to register then push on
the MENU SEL/ENTER dial. The selectable angle values
are from 360.0 to 4.3 degrees. The Step shutter values are
automatically sorted in descending order.
If eight values have been already registered, the message
“STEPS FULL” is displayed, and a new value will not be
added. In such a case, delete an unneeded value
beforehand, using DEL.
1
2
Move the cursor to 5.
Select the compensation mode you wish to use by
turning the MENU SEL/ENTER dial.
DEL
AC: Angle Compensation mode
For deleting registered step shutter values.
When the pointer is positioned at DEL, an asterisk (*) is
displayed at the left of STEP 1.
When you change the frame rate, the shutter angle is
automatically corrected, retaining the video level.
Move the asterisk to the left of the value you wish to delete
then push on the MENU SEL/ENTER dial. That value is
deleted, and the items after the deleted one will be
automatically renumbered.
GC: Gain Compensation mode
When you change the frame rate, the electric gain is
automatically corrected, retaining the video level.
The current shutter angle setting is maintained.
Example: When deleting 90.0
For details on switching of the compensation modes with
3: 172.8 (1/50.05)
4: 150.0 (1/57.63)
5: 144.0 (1/60.07)
*6: 90.0 (1/95.92)
7: 45.0 (1/192.2)
8: 22.5 (1/383.0)
When shutter is not used
Select OFF at 3.
B
ADD: ---.- DEL PRESET
The shutter value indication at 2 becomes “----”.
v
3: 172.8 (1/50.05)
4: 150.0 (1/57.63)
5: 144.0 (1/60.07)
6: 45.0 (1/192.2)
7: 22.5 (1/383.0)
8: ---.- (-/---.-)
To change the registered values for the
step shutter
Call up the <SHUTTER ASSIGN> page of the USER
(OPERATION) menu on the viewfinder.
B
ADD: ---.- DEL PRESET
As the numbers for which no value is registered are
skipped during a selection operation, deleting step shutter
values with lower frequency of use will improve the
operation speed.
At maximum, numbers 2 to 8 can be left unregistered.
Basic Settings with the Subdisplay
31
PRESET
2
3
Move the cursor to the left of “M” and turn the MENU
SEL/ENTER dial.
For resetting all step shutter values to default.
The selectable formats are displayed in sequence as
you turn the dial.
Addition and deletion of step shutter values can be
performed on the <SHUTTER/FPS> page of the USER
(PAINT) menu.
When the format you wish to register is displayed,
press the MENU SEL/ENTER dial.
The registration is updated, and the camera starts to
operate with the selected format.
3-2-3 Selection of Video Formats
To change the registered formats using the menu
The registered formats can also be changed on the
<SUBDISPLAY 1> page of the USER (OPERATION)
menu.
On the subdisplay, the video format can be selected from
among the eight registered formats.
At shipment, the following four formats are registered, and
numbers 5 to 8 are not used:
No.
Registered format
Indication on the
subdisplay
<SUBDISPLAY 1> page
1 (default)
23.98P 4:4:4
S23.98P 4:4:4
S59.94P 4:2:2
23.98P 4:2:2
_23.98P 444
S23.98P 444
S59.94P 422
_23.98P 422
<SUBDISPLAY 1>
11
2
3
4
FORMAT MEMORY
1:B_23.98P 444
2: S29.97P 444
3: S59.94P 422
4: _23.98P 422
5: NO ASSIGN
6: NO ASSIGN
7: NO ASSIGN
8: NO ASSIGN
Video-format selection page
_23.98P 444
Position the pointer on the line you wish to change and
push on the MENU SEL/ENTER dial. The <FORMAT
MEMORY> subpage for format selection will be
displayed.
On the first line, the currently selected format is displayed.
Data-set mode enables you to select the desired format
from among the registered formats.
<FORMAT MEMORY> page
_23.98P 444 ?
1:_23.98P 444 M
<FORMAT MEMORY>
xx
ESC
B00:NO ASSIGN
01:_23.98P 444
02:S23.98P 444
03:_29.97P 444
04:S29.97P 444
05:S59.94P 444
06:_23.98P 422
07:S23.98P 422
08:_29.97P 422
09:S29.97P 422
Turn the MENU SEL/ENTER dial until the desired format
is displayed on the second line.
The unused numbers are skipped.
You can select unregistered video formats from among
available ones, using the <OUTPUT FORMAT> page of
the MAINTENANCE menu.
Position the pointer to the format you wish to select and
push on the MENU SEL/ENTER dial. The registered
format will be changed.
If NO ASSIGN is selected, selection with that number
becomes invalid.
Changing the registered formats
The registered formats (eight at maximum) can be changed
with the following procedure:
3-2-4 Retrieving the ND Offset
1
Display the number of the registered format you wish
to change on the second line.
If an ND filter is attached to the matte box, etc., the white
balance may be in variance. In such a case, you can retrieve
Basic Settings with the Subdisplay
32
an appropriate ND offset value from a previous adjustment
you made. Use the ND filter selection page on the
subdisplay.
In Custom mode: Selecting the gain, color
temperature, and white balance memory
The offset values ND: 2 to 5 are stored with respect to the
white balance stored for ND: 1 as the reference.
Gain setting page
0dB(450) 800%
5600K-ON W:P
3
4
ND filter selection page
The first line is in common with Cine mode.
At 3 on the second line, electrical gain of 5600K can be
switched ON or OFF.
ND:1
At 4 on the second line, the white balance adjustment
value can be selected.
3-2-5 Selection of the Gain, Color
Temperature, and White Balance
Memory
Setting Adjustment value
W:P
W:A
W:B
Preset value (3200K)
The value stored in memory A
The value stored in memory B
The setting items and values in Cine mode and Custom
mode are different.
At shipment, the gain is set to 0 dB, color temperature is
set to 5600K-OFF, and the white balance memory is set to
W:P.
In Cine mode: Selecting the gain and color
temperature
Gain setting page
1
2
Indications of the ISO sensitivity and
dynamic range
The ISO sensitivity value displayed on the Gain setting
page is defined as “the value with which the video input
becomes 20% when shooting a gray-scale chart of 18%
reflection rate.”
Note that the video output value with respect to this input
will vary depending on the selected gamma.
Either dynamic range or latitude can be selected for the
indication.
The value displayed with % as a dynamic range shows the
limit on the high-luminance side in percentage (100%=
input level) in a case where the white of the gray scale
provides 100% (700 mV) output with the ITU-R709
gamma (standard gamma).
0dB(450) 800%
TUNGSTEN
At 1 on the first line, the gain value is selected from
among the following: –6 dB, –3 dB, 0 dB, 3 dB, 6 dB, 9
dB, and 12 dB. The corresponding ISO sensitivity is
displayed in parentheses. For 2 on the first line, you can
select either dynamic range or latitude for the indication
range” mentioned later).
On the second line, the color temperature is selected from
TUNGSTEN or DAYLIGHT.
With DAYLIGHT, electrical gain of 5600K is ON.
The value displayed with E as a latitude shows the latitude
on the high-luminance side by an f-stop value, using a
gray-scale chart of 18% reflection rate as the key light.
The latitude at the low-luminance side can be reproduced
up to approx. –6.5 stop at 0 dB.
At shipment, the gain is set to 0 dB, and the color
temperature is set to TUNGSTEN.
The white balance adjustment value is fixed at the preset
value (3200K).
Note
As the dynamic range indication shows a value for the
input video, the dynamic range of the output video is
limited by the output settings as follows:
Basic Settings with the Subdisplay
33
• If a gamma other than S-LOG is selected
The upper limit is clipped according to the output video
limitation specified by the gamma setting.
Note
All the lens files are named “No Offset,” with all zero
settings at shipment. File registration and modification of
data in a lens file must be performed in Custom mode.
When you select a curve as Hyper Gamma No. 4, which
compresses 460% input to 109%, the output video is fed
within the range up to 460% of input video even if 800%
is displayed on the subdisplay as the dynamic range as the
output video is limited to 109%.
Using CvpFileEditor V4.0, you can change the dynamic
range of Hyper Gamma and create a user gamma curve
having no dynamic range limitation.
3-2-7 Confirmation of the Time Code
and Tape Remaining
• If the white clip function is in use
When the SRW-1 HD Portable Digital Recorder is attached
to this camera, the time code of the recorder and
approximate tape remaining (unit: minutes) can be
confirmed on the subdisplay.
As the white clip function limits the level of output video,
the dynamic range specified for the input video may not be
obtained for video output.
• If “Select FPS” is ON and Compensation is in Gain
mode
Time code/tape remaining display page
The value of the dynamic range may decrease by up to half
at maximum, depending on the FPS settings.
TCR 00:00:00:00
20min
Memo
The time code is displayed on the first line, and the
approximate tape remaining is displayed on the second
line, in the range of 1 to 99 min.
Why the ISO sensitivity is defined for 20% input
Defining the level of gray scale of 18% reflection rate for
the ISO sensitivity on the linear curve (defining with input
signal) permits you to use the values as the absolute
reference for proper gamma conversion in postproduction.
In addition, defining the output for 20% input with ITU-
R709 so that it becomes the reference code for Cineon
curve allows high compatibility.
Time code that is displayed on the first line
Indication
Meaning
TCR 00:00:00:00 Time code data of the LTC reader
TCR 00:00.00:00 Time code data of the LTC reader (DF)
TCR.00:00:00:00 Time code data of the VITC reader
UBR 00 00 00 00 User bit data of the LTC reader
UBR.00 00 00 00 User bit data of the VITC reader
3-2-6 Selection of a Lens File
With this camera, the compensation data for the mounted
lens can be adjusted in Custom mode and registered in the
built-in memory in lens files (max. 32 files).
TCG 00:00:00:00 Time code data of the time code
generator
You can invoke the compensation data for the mounted
lens by merely selecting the corresponding file.
TCG 00:00:00.00 Time code data of the time code
generator (DF)
UBG 00 00 00 00 User bit data of the time code
generator
Lens file selection page
CTL -0:00:00:00 Data of the CTL counter
LENS:1
T*R 00:00:00:00 Time code cannot be read with the
LTC reader.
No Offset
U*R 00 00 00 00 User bit cannot be read with the LTC
On the first line, select the number of the lens file.
On the second line, the lens-file name corresponding to the
selected file is displayed.
reader.
T*R.00:00:00:00 Time code cannot be read with the
VITC reader.
U*R.00 00 00 00 User bit cannot be read with the VITC
The selected lens file will be retained until a new lens file
is selected. As long as the same lens is used, further
selection of the lens file is not required.
reader.
The type of the displayed time code data is linked with the
SRW-1. Select the type of the displayed time code data on
the SRW-1.
Basic Settings with the Subdisplay
34
Character indication setting page
3-2-8 Confirmation of the Power
Voltage and Selection of Fan
Operation Mode
VF1:ON VF2:ON
MON:ON VBS:ON
The values in voltage of the power sources connected to
the camera can be confirmed on the subdisplay.
On the same page, the operation mode of the built-in fans
can also be selected.
VF1
Viewfinder connected via the VF1 connector (default: ON)
VF2
Viewfinder connected via the VF2 connector (default: ON)
Voltage confirmation/Fan Operation mode select
page
MON
Monitors connected via the MONITOR OUT HD SDI
connectors (default: ON)
1
2
11.4V 24.1V
FAN:AUTO1
VBS
Monitors connected via the TEST OUT and REMOTE
connectors (default: ON)
At 1 and 2 on the first line, the values in voltage of the
12-V and 24-V power systems are displayed, respectively.
If power is not supplied, “- -” is displayed.
3-2-10 Allocation of Functions to
the Assignable Buttons and Switch
If the voltage falls to the NEAR END level, the indication
starts flashing. If the voltage falls further down to the END
level, the indication flashes rapidly.
Various functions can be allocated to assignable buttons 1
to 3 and assignable switch 4 (the upper position of the 4/
AUTO BLK BAL switch) that are located on the side of the
camera and on the assistant panel.
The NEAR END and END levels can be set on the <BATT
ALARM SET> page of the MAINTENANCE menu.
On the second line, Fan Operation mode can be changed.
At shipment, no function is allocated to these buttons.
Setting
Operation of the fans
AUTO1 (default)
The fans are automatically controlled
according to the internal temperature.
Normally use this mode.
Functions that can be allocated to assignable
buttons 1 to 3
AUTO2
In synchronization with recording, the
fans are controlled for the quietest
condition.
As the rotation speed will increase if the
internal temperature rises, use other
modes for recording that may continue
several tens of minutes.
Menu
Function
indication
ND
Selection of the ND filter
REC REVIEW
With REC REVIEW set to NORM on the
SRW-1, the last part of the recorded tape
is normally rewound for 3 seconds
(maximum: 10 seconds) then played
back.
MIN
The quietest fan operation is
maintained.
Use this mode for long recording at
ordinary temperatures.
With REC REVIEW set to ALL on the
SRW-1, the tape is rewound to the
recording start position then played back.
MAX
The fans rotate at the maximum speed
to lower the internal temperature.
PB(VF)
The video signals being played back on
the SRW-1 are output to the viewfinder.
VF709GAM
MONI709GAM
FAN MODE
ON/OFF of the fixed ITU-R709 gamma of
the viewfinder
3-2-9 ON/OFF of the Character
Indication
ON/OFF of the fixed ITU-R709 gamma of
the monitor
Switching of Fan Operation mode
Superimposition of character data onto camera images can
be activated or deactivated by output destination.
Basic Settings with the Subdisplay
35
Subdisplay brightness adjustment page
Menu
indication
Function
BRIGHT:1
GAIN –9/–18 dB If the picture becomes too bright when
you set the lens iris to its open end to
assist the focus adjustment, the electric
gain can be temporarily decreased to
resume the proper picture level by using
this function.
The higher the value, the brighter the display.
Each push on the assignable button
changes the setting in the sequence of
OFF, –9 dB, –18 dB, OFF, and so on.
3-2-12 Selection of Gamma Tables
Notes
The gamma curves can be selected on the gamma table
selection page of the subdisplay.
• The gain-decreased condition is
automatically released in approx. 1
minute.
• Do not perform recording in the
condtion where the gain is decreased
with this function.
Gamma table selection page
GAMMA:STANDARD
5 ITU-R709
OFF
None
Functions that can be allocated to assignable
switch 4
Select the gamma table on the first line (STANDARD,
HYPER, SPECIAL, or USER) and the gamma curve on
the second line.
Menu
indication
Function
AWB
Automatic white balance adjustment
Color-bar indication
Test signal output
BARS
TEST1
OFF
3-2-13 Selection of Color Spaces
None
Color reproducibility can be selected on the color space
selection page of the subdisplay.
Note
Even if AWB is allocated to assignable switch 4, AWB
does not function in Cine mode.
Color space selection page
Assignable buttons 1/2 setting page
COLOR SPACE
F900
AS1:OFF
AS2:OFF
Select the color space mode (S-GAMUT, F900, F900R, or
DCDM REF PJ) on the second line.
The functions of buttons 1 and 2 can be assigned on the
first and second line, respectively.
Assignable button 3/switch 4 setting page
AS3:OFF
AS4:OFF
3-2-14 Limiting Pages that are
Displayed on the Subdisplay
The functions of button 3 and switch 4 can be assigned on
the first and second line, respectively.
You can limit pages that are displayed on the subdisplay,
using the <PAGE SELECT> subpage that can be accessed
from the <SUBDISPLAY 2> page of the USER
(OPERATION) menu.
3-2-11 Brightness Adjustment of the
Subdisplay
The brightness of the subdisplay can be adjusted, in eight
levels.
Basic Settings with the Subdisplay
36
<SUBDISPLAY 2> page
3-3 Black Balance
Adjustment
<SUBDISPLAY 2>
12
LOCK SW MODE
CAMERA : -RUN
PANEL
: FULL
BPAGE SELECT
In order to maintain high picture quality when using the
camera, it is necessary to set the black balance
appropriately. After turning on the camera, apply power to
the camera for several minutes, then be sure to perform the
black balance adjustment before starting any picture
adjustment.
Move the pointer to PAGE SELECT then push on the
MENU SEL/ENTER dial to jump to the <PAGE
SELECT> subpage, where limitation of display pages can
be assigned.
Automatic black balance adjustment
Push the assignable switch 4/AUTO BLK BAL switch on
the side of the camera or on the assistant panel down to the
position AUTO BLK BAL then release it.
<PAGE SELECT> page
<PAGE SELECT>
xx
ESC
:BON
: ON
: ON
: ON
: ON
: ON
: ON
: ON
Automatic black balance adjustment is performed.
SHUTTER
FORMAT
ND
LOCK
VF MENU/DISPLAY CANCEL/STATUS
GAIN/WHITE/5600K
LENS FILE
TIME CODE
VOLTAGE/FAN MODE
CHARACTER MIX
ASSIGNABLE SW1/SW2 : ON
ASSIGNABLE SW3/SW4 : ON
RUN
4
AUTO
BLK
To switch ON/OFF, move the pointer to an item whose
setting you wish to change and push on the MENU SEL/
ENTER dial. Any page with an OFF setting will not be
displayed on the subdisplay.
PAGE
SET
BAL
AUTO BLK BAL switch
During adjustment, “ABB: EXECUTING” is displayed on
the viewfinder screen. When the adjustment process is
completed successfully, the message “ABB: OK” is
displayed.
Menu
Target page
indication
SHUTTER
FORMAT
ND
Shutter setting page
Video-format selection page
Optical filter selection page
Notes
• During black balance adjustment, ND is automatically
set to 5 (CAP), and the iris is closed.
GAIN/WHITE/ Gain setting page
5600K
• During black balance adjustment, the gain switching
circuit will work automatically, and the viewfinder
screen will flicker several times. This is not a
malfunction.
LENS FILE
Lens file selection page
TIME CODE
Time code/tape remaining display page
VOLTAGE/FAN Voltage confirmation/Fan Operation mode
MODE select page
When automatic black balance adjustment fails
CHARACTER Character indication setting page
MIX
If the automatic black balance adjustment process does not
end successfully, the error message “ABB: NG” will be
displayed on the viewfinder screen for approximately three
seconds.
If this error message is displayed, try black balance
adjustment again.
ASSIGNABLE Assignable buttons 1/2 setting page
SW1/SW2
ASSIGNABLE Assignable button 3/switch 4 setting page
SW3/SW4
BRIGHT
Subdisplay brightness adjustment page
Gamma table selection page
If the error message continues to be displayed after several
attempts, the camera requires internal inspection.
GAMMA
TABLE
COLOR
SPACE
Color space selection page
Black Balance Adjustment
37
Note
3-4 White Balance
Adjustment (in Custom
mode)
Be careful not to have any spots of high illumination in
the rectangle.
4
5
Adjust the lens iris opening or set the shutter to ON.
With a manually adjusted lens: Set the opening to an
appropriate value.
With a lens that has automatic iris control: Set the
lens' automatic/manual iris control switch to
automatic.
When the camera is used in Custom mode, if the lighting
conditions change, readjust the white balance.
When adjusting the white balance, select the white balance
memory. The adjustment value is fixed to 3200K when the
preset memory is selected.
The selected memory can be confirmed with the status
The memory selection can be made on the subdisplay or
from a connected RM-B750 Remote Control Unit.
Or, set the video level to an appropriate value, using
the shutter setting.
Perform automatic white balance adjustment.
To perform adjustment on the <AUTO SETUP>
page of the MAINTENANCE menu
Referring to the procedure mentioned in “2-8 Setting the
Built-in Clock” (page 25), select MAINTENANCE menu
on the TOP MENU screen and call up the <AUTO
SETUP> page.
Automatic white balance adjustment
1
Select the memory A or B, using the subdisplay or the
remote control unit (default: preset memory).
<AUTO SETUP>
M02 TOP
AUTO BLACK
cAUTO WHITE
AUTO LEVEL
2
3
Select the appropriate filter according to the lighting
conditions, using the subdisplay or the assignable
buttons.
AUTO WHITE SHADING
AUTO BLACK SHADING
TEST
:
OFF
Place a white pattern in the same lighting conditions as
the subject and zoom in on it so that a white area is
obtained in the screen.
Position the pointer to AUTO WHITE then push on the
MENU SEL/ENTER dial.
Select “EXEC” when a confirmation message is displayed.
A white object (white cloth, a white wall, etc.) near the
subject may be used in place of a white pattern.
The minimum white area required for adjustment is as
illustrated below:
To perform adjustment with the assignable
switch
A rectangle centered in
the screen. The length of
the sides must be at least
70% of the height and
width of the screen.
If AWB is allocated to assignable switch 4, push the switch
up toward “4” then release it.
For the procedure for assigning a function to the switch,
Within this rectangle,
there must be an area
of white greater than
10% of the entire
screen.
To perform adjustment from the remote control
unit
When the RM-B750 or RM-B150 remote control unit that
is connected to the REMOTE connector is used, press the
AWB button.
White Balance Adjustment (in Custom mode)
38
During adjustment
The message “AWB EXECUTING” is displayed on the
viewfinder screen. When the adjustment process is
completed successfully, the message “AWB: OK” is
displayed.
3-5 Setting the Camera
Outputs
When automatic white balance adjustment fails
If the automatic white balance adjustment process does not
end successfully, the error message “AWB: NG” will be
displayed on the viewfinder screen for approximately three
seconds.
If this error message is displayed, try white balance
adjustment again.
If the subject has a higher color temperature, use an optical
filter or set 5600K to ON, then try white balance
adjustment again.
If the error message continues to be displayed after several
attempts, the camera requires internal inspection.
3-5-1 Selecting a Video Output
Signal for Each Connector
The type of video signals to be output to the MONITOR
OUT HD SDI 1/2, TEST OUT, and REMOTE connectors
can be selected.
For selection, use the <MONITOR OUTPUT> page of the
USER (OPERATION) menu that is displayed on the
viewfinder screen.
<MONITOR OUTPUT> page
Note
If the automatic white balance adjustment is performed on
available, set a value that is greater than half the maximum
FPS value as the FPS value. If you do not, the error
message “AWB: LOW FPS” will be displayed, and
automatic white balance adjustment will not be available.
Example: With S23.98PsF, as the maximum FPS value is
24 FPS, set it to 13 FPS or greater before the automatic
white balance adjustment is to be performed. Although
the maximum FPS value is 50 FPS with S59.94PsF, set
it to 31 FPS or greater.
<MONITOR OUTPUT> 07
COLOR
:BCOLOR
OUTPUT
MONI HD-SDI: MONI
TEST OUT : VBS
RM VIDEO : VBS
COLOR
With COLOR, all R, G, and B channels will be output.
Single-channel output of R, G, or B is also possible.
MONI HD-SDI
The signals to be monitored with video monitors
connected to the MONITOR OUT HD SDI 1/ 2 connectors
can be selected.
Setting
Signal
MONI
Regardless of the VF1/VF2 settings,
characters or the marker can be added
independently to the video output signals.
(Default)
VF1
Video signals that are output to the VF1
connector (camera images with character data
for the setting menus and status display)
VF2
Video signals that are output to the VF2
connector
TEST OUT
The signals to be output to a video monitor or waveform
monitor connected via the TEST OUT connector can be
selected.
Setting the Camera Outputs
39
To apply monitor gamma to the monitor
picture
Setting
VBS
Signal
The VBS signals are output. (Default)
The HD-Y signals are output.
VF2
MONI GAMMA ENABLE
REF-THRU The reference signal that is input to the
GENLOCK IN connector is output as-is.
If this is set to ON, the monitor gamma (ITU-R709)
appropriate for monitoring is applied to the video signals
1)
FRAME
A pulse is output per frame (in a case of
1 FPS, one pulse per second).
output from the VF1, VF2, MONITOR OUT HD SDI 1/2,
or REMOTE connector. The video output signals from
those connectors are selected on the <MONITOR
OUTPUT> page.
Timing of the pulse signal
This setting is effective when S-LOG gamma is applied to
the video output signals for recording intended for post-
production editing.
Example 1: SHUTTER OFF
1 frame
1) The VBS output signal always becomes the camera image to which ITU-
R709 gamma is applied.
CCD exposure
Frame pulse
Exposure
Exposure
Notes
• If the monitor gamma is activated with 23.98PsF/
S23.98PsF, the output for viewfinders and monitors is
switched to 59.94i. In the case of 24PsF/S24PsF, the
output is switched to 50i. To eliminate this phenomena,
change the DOWN CONVERTER setting on the
<POWER SAVE> page of the MAINTENANCE menu
from ACTIVE to PWR SAVE.
• Some of the paint settings (such as black gamma, knee,
detail, matrix, etc.) for the main line are not applied to
monitor gamma.
Example 2: SHUTTER ON, shutter angle 180º
1 frame
CCD exposure
Frame pulse
Exposure
Exposure
RM VIDEO
To monitor the playback picture
The video signals to be output to equipment connected via
the REMOTE connector can be selected.
The playback picture of the recorder can be confirmed with
a monitor connected to the camera or on the viewfinder
2)
screen.
Setting
VBS
Signal
2) When MONI GAMMA ENABLE is set to OFF, the same gamma as that
applied to the main line is applied to all the outputs. However, the PB and
PB MIX modes can be independently selected for the VF, MONI, and VBS
signals.
The VBS signals are output. (Default)
The HD-Y signals are output.
VF2
PB
3-5-2 Setting the Monitor Picture
The playback-signal output mode can be selected for each
VF, MONI, or VBS signal.
Using the <PB/MONI GAMMA> page of the USER
(OPERATION) menu displayed on the viewfinder screen,
the gamma setting of the monitor picture and the playback-
picture monitor mode can be selected.
Setting
Signal
ON
The playback picture of the recorder is always
output.
AUTO
Normally, the camera image is output. When
the recorder enters playback mode (PLAY, FF,
REW, or REC REVIEW,) the playback picture
is automatically selected.
<PB/MONI GAMMA> page
<PB/MONI GAMMA>
08
OFF
The camera image is always output. (Default)
MONI GAMMA ENABLE: OFF
VF MONI VBS
:B OFF OFF OFF
OFF
PB
PB MIX: OFF OFF
Note
MONITOR GAMMA
VF : OFF
MONI : OFF
If the recorder is turned off with PB ON, the picture on the
viewfinder/monitor screen is distorted. The normal picture
is restored by turning the recorder on or setting PB to
AUTO or OFF.
VBS : R709
GAMMA MARK SETTING
Setting the Camera Outputs
40
WIPE
To compare the playback picture and
camera image
The playback picture and camera image can be displayed
on the same screen when the playback-signal output mode
is set to ON or AUTO for the item PB on the <PB/MONI
GAMMA> page and if PB MIX is set to ON.
When MIX TYPE is set to WIPE, how pictures are to be
wiped can be selected.
Item
Setting
HOR
Content
LAYOUT
Horizontally split (Default)
Vertically split
VERT
RIGHT
PB MIX
PB
POSITION
With HOR, the playback picture
is displayed on the right and the
camera image on the left.
The playback-signal mix mode can be independently set to
ON or OFF for each VF, MONI, or VBS signal. When set
to ON, the playback picture and camera image are mixed.
(Default when HOR is selected)
LEFT
With HOR, the playback picture
is displayed on the left and the
camera image on the right.
How this is to be displayed can be set on the <PB MIX
SETTING> page of the USER (OPERATION) menu.
BOTTOM
With VERT, the playback picture
is displayed in the lower part
and the camera image in the
upper part. (Default when VERT
is selected)
<PB MIX SETTING> page
<PB MIX SETTING> U08
MIX TYPE
:BMIX
TOP
With VERT, the playback picture
is displayed in the upper part
and the camera image in the
lower part.
MIX
DIRECTION
MODE
LEVEL
WIPE
LAYOUT
PB POSITION : RIGHT
BOUNDARY : 960
: PB
: Y-MIX
:
80%
BOUNDARY With HOR: The boundary position can be
0-1920 changed. (Default: with HOR:
: HOR
With VERT: 960, with VERT: 540)
0-1080
MIX TYPE
How the picture is to be displayed can be selected.
To display the gamma mark
GAMMA MARK SETTING
Setting
How to display
When monitor gamma (ITU-R709) is applied to the SDI
output at the MONITOR OUT connectors and the
viewfinder images, you can set the camera to display the
gamma mark (709 ) to indicate that gamma that is
different from that used for recording is applied. (The mark
is not recorded with the docked recorder.)
MIX
The playback picture and camera image are
overlapped. (Default)
WIPE
The screen is horizontally or vertically split in
two, and two pictures are displayed
simultaneously.
Select GAMMA MARK SETTING on the <PB/MONI
GAMMA> page to jump to the subpage for setting the
gamma mark.
MIX
When MIX TYPE is set to MIX, how to mix the pictures
can be selected.
<GAMMA MARK> page
Item
Setting
Content
DIRECTION CAM
The playback picture is gradually
mixed into the camera image.
(Default)
<GAMMA MARK>
MONI GAMMA MARK: ON
ESC
B
: 3
MARK LEVEL
H POSITION
V POSITION
PB
The camera image is gradually
mixed into the playback picture.
: 0
: 0
MODE
LEVEL
Y-MIX
The Y signals are mixed. (Default)
WIRE(W) Only the outline components are
mixed and displayed with white
lines.
WIRE(B) Only the outline components are
mixed and displayed with black
lines.
Set MONI GAMMA MARK to ON then set the brightness
and position of the indication.
0 to 80% The mix level can be adjusted.
(Default: 80%)
Setting the Camera Outputs
41
Item
Function
Item
Selectable color-bar formats
MARK LEVEL For selecting the brightness of the gamma
mark among 1–4 (4 for the maximum
brightness)
HD-BAR (VF/ BAR 16:9 (100%), BAR 16:9 (75%),
MONI)
SMPTE 16:9 (BLACK), SMPTE 16:9 (–I/Q),
BAR 4:3 (100%), BAR 4:3 (75%), SMPTE
4:3 (BLACK), SMPTE 4:3 (–I/Q), MF-ARIB
(75%), MF-ARIB (100%), MF-ARIB (+I),
MF-SMPTE (–I, Q), MF-SMPTE (75%, Q),
MF-SMPTE (100%, Q), MF-SMPTE (+I, Q),
HD-CUSTOM, HD-CUSTOM2
H POSITION For setting the horizontal position of the
indication in the range of 0–99 (0 for the
leftmost)
V POSITION
For setting the vertical position of the
indication in the range of 0–99 (0 for the
uppermost)
SD-BAR
SMPTE, EIA, FULL (EBU), 95%,
NTSC100% (PAL100%)
Note
3-5-3 Outputting Color Bars
The color-bar signal is not output with the video output
from the VF1, VF2, MONITOR OUT HD SDI 1/2, and
REMOTE connectors if the monitor gamma (R709) is
selected for MONITOR GAMMA of the respective output
on the <PB/MONI GAMMA> page (except when a VBS
signal is output).
The color-bar signal can be output by setting the color-bar
generator built in the camera to ON.
The color-bar generator can be turned ON or OFF on the
<OTHERS 1> page of the USER (MAINTENANCE)
menu.
<OTHERS 1> page
<OTHERS 1>
U20
FAN MODE
CAM BARS
HD-BAR(VF/MONI)
: AUTO1
:BON
BAR 16:9(100%)
SD-BAR
SMPTE
IMAGE INVERT
: OFF
When CAM BARS is set to ON, the color-bar generator is
turned ON, and the color-bar signal is output.
As the HD and SD (VBS) outputs for the viewfinders and
monitors, the format of the color-bar signals can be
independently selected.
The color-bar signal format for the camera output of the
main line is fixed at 16:9 (100%), regardless of the settings
of the above outputs.
HD-BAR (VF MONI)
The format of the color-bar signals sent to the VF1, VF2,
and MONITOR OUT HD-SDI connectors can be selected
from among the 17 types.
SD-BAR
The format of the color-bar signals to the TEST OUT and
REMOTE connectors can be selected from among the 5
types.
Setting the Camera Outputs
42
The set NEAR END and END values can be checked on
the <BATTERY ALARM> page of the USER
(OPERATION) menu.
3-6 Viewing and Setting
the Viewfinder Displays
c White balance memory
Displays the currently selected white balance memory.
W:A: Memory A
W:B: Memory B
W:P: Preset memory
The setting is fixed at W:P in Cine mode.
In Custom mode, you can change the setting using the
subdisplay or from a remote control unit.
Besides the video image, the viewfinder can display text
and messages showing the camera settings and operation
status.
The same information can be displayed on monitors
connected to the MONITOR OUT HD SDI connectors.
Note
d Color temperature filter mode
Indicates the condition of the electrical filter.
In Cine mode, “5600” is displayed when the daylight filter
is selected. When the tungsten filter is selected, this
column becomes blank.
This information is not displayed when the camera is in
Menu Operation mode. Exit Menu Operation mode to
view the information.
In Custom mode, “5600” is displayed when 5600K is set
to ON.
3-6-1 Viewing the Basic Status
Indications
e Optical filters
Displays the types of filters currently selected.
The following status indications can be superimposed on
the camera picture when you press the VF MENU/
DISPLAY button.
f Gain value
Displays the video gain value (dB) of the video amplifier.
The display conditions can be specified on the <VF
DISPLAY> page of the USER (OPERATION) menu.
g Shutter
The shutter setting is displayed with the shutter angle or
frequency. For a shutter angle,
is displayed at the left.
The type of the display, angle (deg) or speed (sec), can also
be switched on the <VF DISPLAY> page of the USER
(OPERATION) menu (default: deg).
1
2
24FPS
12.8V 24.8V
CAM?
q;
h Tape remaining
The remaining time of the tape of the recorder docked on
the camera is roughly indicated in minutes.
qa
qs
3
4
i Recording mode
“REC” is displayed when the recorder docked on the
5600 W:
1 0
A TCR 00:00:00:00
dB 172.5 99M REC
camera is in REC mode.
5
6
7
8
9
j Self-diagnosis information
“CAM?” is displayed if an error is generated, e.g., on an
internal board, and an error message appears in the
message area.
a Frame rate
The frame rate selected is displayed.
(This indication is not available if the Select FPS function
is not active.)
This indication cannot be set to OFF.
b Battery indications
The conditions of output power are indicated. The left
column is for DC 12V OUT power and the right column is
for DC 24 V OUT power.
k Message area
Displays the status of auto setup, error messages, etc.
Each indication begins to flash if the corresponding input
voltage decreases to the NEAR END value specified on the
<BATT ALARM SET> page of the MAINTENANCE
menu.
Flashing becomes quicker as the voltage decreases further
toward the END value.
l Time code area
Displays the same time codes as those on the subdisplay.
Viewing and Setting the Viewfinder Displays
43
The display conditions can be set using the < ' ! ' IND>
page of the USER (OPERATION) menu.
Setting the basic status indications
The conditions for displaying the basic status indications
can be set on the <VF DISPLAY> page of the USER
(OPERATION) menu.
ABNORMAL<!>
!ND
:1
:A
!WHITE
!5600K
!SHUTT
!FAN
<VF DISPLAY> page
:OFF
:360.0deg
: MAX
<VF DISPLAY>
U01
!G-COMP :ON
FPS :B ON GAIN : ON
ND : ON SHUTT : ON
5600K : ON UNIT : deg
WHITE : OFF BATT12: OFF
BATT24: OFF
REC : OFF
TAPE : OFF
TC : OFF
MESSAG: ALL
Setting the ABNORMAL<!> indications
Set the conditions for the abnormal indications on the
< ' ! ' IND> page of the USER (OPERATION) menu.
<' ! ' IND> page
Item
Setting
FPS
Set to ON to obtain the frame rate indication
1.
<'!'IND>
U02
[IND] [NORMAL]
:B ON
ND
Set to ON to obtain the optical filter
indications 5.
ND
1----
P--
OFF
OFF
AUTO1
WHITE : ON
5600K : ON
SHUTT : ON
FAN : ON
G-COMP: ON
5600K
Set to ON to obtain the 5600 indication 4.
WHITE
Set to ON to obtain the white balance
memory indication 3.
GAIN
Set to ON to obtain the gain value indication
6.
SHUTT
UNIT
Set to ON to obtain the shutter indication 7.
Indication of each item on the ABNORMAL< ! > display
is turned on or off in the [IND] column.
Set the normal condition for each item in the [NORMAL]
column.
If an item for which [IND] is set to ON becomes a
condition other than that specified in the [NORMAL]
column, the condition is indicated on the < ' ! ' IND> page.
Select the unit for the shutter indication.
deg: Shutter angle (Default)
sec: Shutter speed
BATT12
BATT24
REC
Set to ON to obtain the battery indications 2.
Set to ON to obtain the recording mode
indication 9.
TAPE
TC
Set to ON to obtain the tape remaining
indication 8.
Item
Setting
ND
ND filter selection:
Set to ON to obtain the time code indication
1, 2, 3, 4, 5 (combination allowed)
qs.
WHITE
5600K
White balance memory selection:
P, A, B (combination allowed)
MESSAG
Select the type of messages to be displayed
in the message area qa.
ALL: To display all messages
AT: To display Auto Setup information and
higher
WRN: To display warning messages and
higher
OFF: To display warning messages of the
highest level only
Custom mode: 5600K ON/OFF
Cine mode: ON for Daylight, OFF for Tungsten
SHUTT
FAN
Shutter mode ON/OFF
Fan rotation mode selection:
AUTO1, AUTO2, MIN or MAX
G-COMP
Gain compensation mode (normal: OFF)
3-6-2 Viewing the ABNORMAL <!>
Display
3-6-3 Viewing the FUNCTION
(Format/Switch Function) Display
Pressing the CANCEL/STATUS button calls the following
ABNORMAL< ! > display, permitting you to check the
items for which the setting is not in the normal condition.
If you press the CANCEL/STATUS button with the
ABNORMAL< ! > display on the screen, the display
changes to the following FUNCTION display:
Viewing and Setting the Viewfinder Displays
44
<CHAR/MARK MIX> page
<CHAR/MARK MIX> U09
VF1 VF2 MON1 VBS
FUNCTION
1
2
FORMAT: 23.98PsF
(24)FPS
AS1:OFF
AS2:OFF
AS3:OFF
AS4:OFF
4:4:4
CHAR
: ON ON ON ON
MARKER :BON ON ON ON
CURSOR : OFF OFF OFF
ZEBRA : OFF OFF OFF OFF
VF GATE MARKER: OFF
a Format indication
The current video format is displayed.
The MARKER indications are activated for all the outputs
at the factory.
Item
Setting
VF1
Turn all the markers on or off on the
viewfinder connected to the VF1 connector.
b Assignable switch indication
The functions assigned to the assignable buttons and
switch are indicated.
VF2
Turn all the markers on or off on the
viewfinder connected to the VF2 connector.
MONITOR
Turn all the markers on or off on the monitors
connected via the MONITOR OUT
connectors.
35).
VBS
Turn all the markers on or off on the monitors
connected via the TEST OUT and REMOTE
connectors.
3-6-4 Setting the Marker Indications
Specifying the markers to be displayed
The various markers, such as the center marker and safety
zone marker, can be displayed on the viewfinder and
monitor screens.
For the outputs for the total marker indication is activated
on the <CHAR/MARK MIX> page, select and adjust the
marker(s) to be displayed on the next <MARKER
SETTING> page.
Example: Center marker (entire cross)
<MARKER SETTING> page
<MARKER SETTING> U03
CENTER
SAFETY
EFFECTIVE : OFF
ASPECT : OFF 4:3
VARIABLE : --
:BOFF 1
: OFF 90.0%
SAFETY
MASK
CURSOR
: OFF 90.0%
: OFF 12
: BOX
Example: Safety zone marker (90%)
POSI H/V :
SIZE W/H : 960
0
0
540
All the markers have been set to OFF at the factory.
Item
Setting
CENTER
Set to ON to display the center marker and
select the type of the center marker.
1: Entire cross
2: Entire cross with a hole
3: Center
The <CHAR/MARK MIX> page and <MARKER
SETTING> page of the USER (OPERATION) menu allow
you to switch the display of the markers on or off and to set
the display conditions of the markers.
4: Center with a hole
SAFETY
Set to ON to display the safety zone marker
and specify the range (80%, 90%, 92.5%, or
95%).
Activating/deactivating all the marker
indications for each output
The <CHAR/MARK MIX> page permits you to activate
and deactivate the marker indications for each output.
EFFECTIVE Set to ON to display the effective pixel area.
Viewing and Setting the Viewfinder Displays
45
Zebra (default settings)
Item
Setting
1 (70%)
2 (100%)
ASPECT
Set to ON to display the aspect marker and
specify the aspect:
2.40:1, 2.35:1, 1.85:1, 1.66:1, 16:9, 15:9,
14:9, 13:9, 4:3, VAR H, VAR V
VARIABLE
If you select VAR H or VAR V for ASPECT,
set the H or V value.
VAR H: 12 to 1920
VAR V: 12 to 1080
Setting the zebra indication is performed on the <ZEBRA>
page of the USER (OPERATION) menu.
SAFETY
MASK
Set to ON to display the safety zone for the
selected aspect marker, and specify the
range.
<ZEBRA> page
Set to ON to make the areas outside the
selected aspect marker dimmer, and select
the mask level (0 to 15).
<ZEBRA>
U05
:B OFF
: OFF
: OFF
: OFF
VF1
VF2
MONITOR
VBS
3-6-5 Adjusting the Viewfinder
Details
ZEBRA TYPE :
ZEBRA1 LEVEL:
WIDTH:
1
70%
10%
100%
ZEBRA2
:
You can adjust the image on the viewfinder screen to
obtain a clearer view, using the <VF DETAIL> page of the
USER (OPERATION) menu. This adjustment does not
affect the image being recorded.
Item
Function
1)
Turn the zebra indication on the
viewfinder connected to the VF1
connector on/off.
VF1
<VF DETAIL> page
<VF DETAIL>
VF 1 :B OFF
VF 2 : OFF
U04
1)
Turn the zebra indication on the
viewfinder connected to the VF2
connector on/off.
VF2
1)
Turn the zebra indication on the monitors
connected to the MONITOR OUT
connectors on/off.
LEVEL : 25%
0
MONITOR
CRISP
:
1)
Turn the zebra indication on a device
connected via the REMOTE connector
on/off.
VBS
ZEBRA TYPE
Select the zebra(s) to be displayed:
1, 2, or 1&2
Item
Function
ZEBRA1 LEVEL Adjust the level (0 to 109%) of the zebra
1 indication (factory setting: 70%).
VF1
Turn the VF detail adjustment function on or
off for the viewfinder connected to the VF1
connector.
WIDTH
Adjust the width (0 to 30%) of the zebra 1
indication (factory setting: 10%).
VF2
Turn the VF detail adjustment function on or
off for the viewfinder connected to the VF2
connector.
ZEBRA2
Adjust the level (50 to 109%) of the zebra
2 indication (factory setting: 100%).
LEVEL
CRISP
Set the level (0 to 100%) of the VF detail
adjustment function.
1) These items can also be set on the <CHAR/MARK MIX> page.
Set the noise crispening level (–99 to 99).
3-6-7 Setting the Cursor Indication
3-6-6 Setting the Zebra Indication
You can display a cursor on the viewfinder and monitor
screen.
You can display a zebra pattern(s) on the viewfinder and
monitor screen.
Viewing and Setting the Viewfinder Displays
46
Example: Box cursor
Menu item
Function
CURSOR
Select the type (BOX/CROSS) of the cursor
to be displayed.
POSI H/V
SIZE W/H
Adjust the H (horizontal) position (–958 to
956) and the V (vertical) position (–538 to
536) of the center.
Adjust the width (from the center to right or
left side) (16 to 1920) and the height (from
the center to top or bottom) (16 to 1080) of
the cursor.
Activating/deactivating the cursor
indication
The <CHAR/MARK MIX> page of the USER
(OPERATION) menu permits you to activate/deactivate
the cursor indication for each output.
3-6-8 Checking the Power Voltage
The settings of the NEAR END and END values to warn
of low voltage of a power supply can be checked on the
<BATTERY ALARM> page of the USER (OPERATION)
menu.
<CHAR/MARK MIX> page
<CHAR/MARK MIX> U09
VF1 VF2 MON1 VBS
CHAR
: ON ON ON ON
MARKER : ON ON ON ON
CURSOR :BOFF OFF OFF
ZEBRA : OFF OFF OFF OFF
<BATTERY ALARM> page
<BATTERY ALARM> U15
VF GATE MARKER: OFF
DC IN (24V) 24.2V
TYPE:BAC ADP
NEAR END : (22.2)
END
: (21.6)
The CURSOR indication is deactivated for all the outputs
at the factory.
DC IN (12V) 12.8V
TYPE: AC ADP
NEAR END : (11.1)
END
: (10.8)
Menu item
Function
VF1
Turn the cursor indication on the viewfinder
connected to the VF1 connector on/off.
Menu item
Indication
VF2
Turn the cursor indication on the viewfinder
connected to the VF2 connector on/off.
DC IN (24V)
TYPE
Voltage of the 24-V power
Select the type of the 24-V power source.
MONITOR
Turn the cursor indication on the monitors
connected to the MONITOR OUT
connectors on/off.
NEAR END
NEAR END value specified for the 24-V
power source of the selected type
END
END value specified for the 24-V power
source of the selected type
Setting the type and size of the cursor
DC IN (12V)
TYPE
Voltage of the 12-V power
For the outputs for which you activate the cursor indication
on the <CHAR/MARK MIX> page, select and adjust the
cursor to be displayed on the next <MARKER SETTING>
page.
Select the type of the 12-V power source.
NEAR END
NEAR END value specified for the 12-V
power source of the selected type
END
END value specified for the 12-V power
source of the selected type
<MARKER SETTING> page
<MARKER SETTING> U03
This page is intended for display only. You can only switch
the type. If you want to change the values, use the <BATT
ALARM SET> page of the MAINTENANCE menu.
CENTER
SAFETY
EFFECTIVE : OFF
ASPECT : OFF 4:3
VARIABLE : --
: OFF 1
: OFF 90.0%
SAFETY
MASK
CURSOR
: OFF 90.0%
: OFF 12
:BBOX
POSI H/V :
SIZE W/H : 960
0
0
540
Viewing and Setting the Viewfinder Displays
47
Setting subpage for assignable switch 4
ASSIGN SW4 ESC
3-7 Detailed Settings of
the Switch Functions
BOFF
AWB
BARS
TEST1
By using the <SWITCH ASSIGN> page of the USER
(OPERATION) menu displayed on the viewfinder/monitor
screen, the operation mode of the MENU SEL/ENTER
dial in addition to function assignment to the assignable
buttons/switch that can also be made on the subdisplay.
Position the pointer to the function to be assigned and push
on the MENU SEL/ENTER dial.
<SWITCH ASSIGN> page
<SWITCH ASSIGN> U13
Setting the operation mode of the MENU
SEL/ENTER dial
You can reverse the operation corresponding to the
directions of rotation of the MENU SEL/ENTER dial on
the camera head and that on the assistant panel.
ASSIGN SW1 :BOFF
ASSIGN SW2 : OFF
ASSIGN SW3 : OFF
ASSIGN SW4 : OFF
RE_ROTATION: STD
Setting
Operation
STD (default) Clockwise rotation moves the pointer/
cursor down or increases values on a
menu/subdisplay page.
Assigning functions to the assignable
buttons/switch
When you position the pointer to any of the ASSIGN SW1
to ASSIGN SW4 lines and push on the MENU SEL/
ENTER dial, the subpage to set the corresponding button/
switch is displayed.
RVS
Clockwise rotation moves the pointer/
cursor up or decreases values on a menu/
subdisplay page.
You can assign the same functions as those when you
operate the subdisplay.
35).
Setting subpage for assignable button 1
ASSIGN SW1
ESC
BOFF
ND
REC REVIEW
PB(VF)
VF709GAM
MONI709GAM
FAN MODE
GAIN -9/-18dB
The setting subpages for button 2 and 3 have the same
layout as that for button 1.
Detailed Settings of the Switch Functions
48
3-8 Setting the Gain
3-9 Detailed Shutter
Settings
If the gain of the video amplifier of this camera is to be
switched using the gain switch of the RM-B150 Remote
Control Unit, the gain values for the corresponding switch
positions must be specified in advance.
Use the <GAIN ASSIGN> page of the USER
(OPERATION) menu.
The Electronic Shutter function of this camera enables
shooting with various shutter angles and shutter speeds
(sec).
While the basic settings of the shutter can be made on the
subdisplay, the <SHUTTER/FPS> page of the USER
(PAINT) menu permits you to set the shutter while
observing the shutter angle, the shutter speed (sec), and the
frame rates at a glance.
<GAIN ASSIGN> page
<GAIN ASSIGN>
U14
GAIN [L]:B 0 dB
[M]: 6 dB
[H]: 12 dB
<SHUTTER/FPS> page
<SHUTTER/FPS>
U19
SHUTTER :B ON
[deg]
[sec]
180.0 (1/47.96)
STEP
CONTINUOUS
STEP ASSIGN
ADD DELETE
Menu item
Setting
FRAME RATE: (24)FPS
COMP MODE : OFF
GAIN [L]
GAIN [M]
GAIN [H]
Gain value corresponding to the L position
of the gain switch
SHUTTER
Gain value corresponding to the M position
of the gain switch
To activate the electronic shutter, set this to ON.
The currently selected shutter angle is displayed in the
[deg] column. In the [sec] column, the speed (sec)
converted according to the selected frame rate is displayed.
Gain value corresponding to the H position
of the gain switch
Any of –6, –3, 0, 3, 6, 9, or 12 dB can be set for each of the
L, M, and H positions, in any sequence.
STEP (Step mode)
To select a value registered as a step shutter, move the
cursor on this line.
Turn the MENU SEL/ENTER dial to display a registered
shutter value in the [deg] and [sec] columns one after
another in order.
CONTINUOUS (Continuous mode)
To fine-adjust the selected step shutter value or use a value
that has not been registered as a step shutter, move the
cursor on this line.
The values in the [deg] and [sec] columns will change
continuously when the MENU SEL/ENTER dial is turned.
STEP ASSIGN
Addition and deletion of step shutter values can be
performed in the same way as with the SHUTTER
menu.
• ADD
For registering a shutter value displayed in the [deg]
column in Continuous mode as a new step shutter value. If
eight step shutter values have been already registered,
Setting the Gain / Detailed Shutter Settings
49
“STEPS FULL” will be displayed, and the value will not
be added. In such a case, delete an unneeded step shutter
value beforehand, using DELETE.
set to OFF or ANGLE, frame frequencies of 8 FPS or
less are not available to minimize picture degradation.
Usage under FPS will increase noise on the picture.
To lift this limitation, change the FPS LIMITER setting
on the <OTHERS 2> page of the MAINTENANCE
menu from LIMIT to FREE.
• DELETE
For deleting the step shutter value displayed in the [deg]
column in Step mode.
If the setting is changed from FREE to LIMIT, COMP
MODE will be forcibly set to OFF.
FRAME RATE
Select the frame rate (number of frames per second) if a
format of “Select FPS” is selected.
The selecting range depends on the formats, as follows:
Selected format
S23.98PsF/S24PsF
S25PsF
Selectable frame rates
1 to 24 FPS (frames per second)
1 to 25 FPS
S29.97PsF/S30PsF
1 to 30 FPS
S50P/S59.94P/S60P 1 to 50 FPS
If a format other than formats of “Select FPS” has been
selected, the value is indicated in parentheses and cannot
be changed.
COMP MODE
This camera enables you to compensate for changes in the
video level when the FPS value is changed.
Two compensation modes are provided: one that depends
on shutter angles and another that depends on electric gain.
• ANGLE: Angle Compensation mode
When you change the frame rate, the shutter angle is
automatically corrected, retaining the video level.
Notes
• In Angle Compensation mode, the frame rate cannot be
changed to a lower value if the shutter angle comes to
near 0º, and it cannot be changed to a higher value if the
shutter angle comes to near 360º.
• When you activate Angle Compensation mode, the
shutter setting is automatically set to ON.
• GAIN: Gain Compensation mode
When you change the frame rate, the electric gain is
automatically corrected, retaining the video level.
The current shutter angle setting is maintained.
Notes
• Care must be taken when shooting a high-contrast
subject, as the dynamic range (latitude) may be degraded
1
to / at maximum, depending on the selected video
2
format or FPS.
• With the default settings, the range of the frame
frequencies that can be selected with the Select FPS
Detailed Shutter Settings
50
3-10 Resuming the
Standard Conditions
3-11 Selecting the
Gamma
The <OPERATOR FILE> page of the USER
(OPERATION) menu permits you to return the operation
items (those contained on pages U02 to U14 of the factory-
preset USER menu) you changed to the factory-set
statuses.
You can use User gamma you create in addition to the
built-in Standard gamma and Hyper gamma.
Use the <GAMMA> page of the USER (PAINT) menu for
gamma operations.
<GAMMA> page
<OPERATOR FILE> page
<GAMMA>
TABLE
U18
<OPERATOR FILE> U16
:BUSER
: 1 S-LOG A
t
READ (MS CAM)
WRITE (CAMtMS )
TEST
: OFF
BPRESET
FILE ID:
CAM CODE
DATE
Gamma selection is also possible on the gamma-table
selection page of the subdisplay.
Position the pointer to PRESET and push on the MENU
SEL/ENTER dial. The operation items return to the
statuses stored in the operator file.
3-11-1 Using the Standard Gamma
Standard Gamma is for video and intended to be used
mainly for creating broadcast contents. It is used in
combination with the Knee function that adjusts the
dynamic range of high-luminance areas.
When STANDARD is selected on the first line of TABLE
of the <GAMMA> page, you can select from among the
following standard gamma curves:
Gamma table No. Gamma curve
1
2
3
4
5
6
equivalent to SD ENG camcorder
equivalent to 4.5-times gain
equivalent to 3.5-times gain
equivalent to SMPTE-240M
equivalent to ITU-R709
equivalent to 5.0-times gain
It is recommended to use the No. 5 (ITU-R709) curve in
normal use.
As ITU-R709 provides 4.5-times gain around the black,
select the No. 6 (×5) curve when you need higher contrast
around the black.
Resuming the Standard Conditions
51
2
Call the <WHITE CLIP> page of the PAINT menu and
adjust the white clip level to fit the selected hyper
gamma.
3-11-2 Using the Hyper Gamma
Hyper Gamma enables the wide dynamic range of the
CCD sensors to be reproduced in smooth contrast without
using the knee function.
You can easily adjust whether to widely reproduce high
contrast or to brightly reproduce the luminance of the
intermediate tones by selecting an appropriate curve.
Settings assuming usage of postproduction devices having
a white limit of 100% are also provided.
3-11-3 Using the S-LOG
When SPECIAL is selected on the first line of TABLE on
the <GAMMA> page, the second line indicates S-LOG
(Sony Log).
Sony Log (S-LOG in subsequent texts) is a gamma which
assumes use in the DI workflow (capturing filmed negative
images and creating a digital master through digital
processing for screening) in cinema production.
S-LOG enables you to monitor the latitude close to
negative film and perform the timing (color correction)
with a Sony digital cinema camera, achieving “Digital
Negative” that is the optimum negative film work flow for
digital processing.
1
Select HYPER on the first line of TABLE on the
<GAMMA> page, and select the hyper gamma table
most suitable to the shooting conditions and purpose.
Effective for shooting for
brighter tonal reproduction high-contrast subject
around the skin of the
subject
Effective for shooting a
With this “Digital Negative” you can have the conventional
shooting style, using ISO sensitivity, luminometer and the
wide latitude of negative film, enabling smooth transition
from film production to digital cinema production.
Hyper Gamma 3 (HG3)
Compressing 325% to 109% Compressing 460% to 109%
Hyper Gamma 4 (HG4)
Hyper Gamma 1 (HG1) Hyper Gamma 2 (HG2)
Compressing 325% to 100% Compressing 460% to 100%
Detailed information of S-LOG is described in the “SONY-
LOG Whitepaper.”
For the “SONY-LOG Whitepaper,” consult your local Sony
representative.
ITU-R709
HG3
HG4
109
100
80
60
40
20
3-11-4 Using the User Gamma
You can also create a desired gamma table, using a
personal computer on which software CvpFileEditor™
has been installed and load the table into the camera via a
“Memory Stick.”
When a user gamma table is selected, control of gamma
(LEVEL or ON/OFF) may become disabled, depending on
data of the table. This is because the gamma and knee are
compulsorily fixed when creating the gamma curve.
User gamma curves are initialized with S-LOG at the
factory. (The characteristic data of S-LOG can be output in
files, using the CvpFileEditor.)
1)
800
100
200
300
400
500
600
Video Input [%]
109
100
HG1
HG2
S-LOG
1) CvpFileEditor is a trademark of Sony Corporation.
80
60
40
20
To select the user gamma
1
To use the gamma table you have created, load it into
the camera.
Load the gamma table data via a “Memory Stick”
using the <USER GAMMA> page of the FILE menu
in Custom mode.
100
200
300
400
500
600
800
Video Input [%]
These curves are equivalent to those built into the HDW-F900R HD
Camcorder.
Selecting the Gamma
52
<USER GAMMA> page
3-12 Setting the Fan
Operation Mode
<USER GAMMA>
F04 TOP
t
cREAD (MS CAM)
The operation mode of the built-in fans can be changed
according to the ambient temperature or the operation
mode of the recorder.
FILE ID
CAM CODE
DATE
Using the <OTHERS 1> page on the USER
(MAINTENANCE) menu, you can select the same modes
<OTHERS 1> page
2
Select the user gamma.
<OTHERS 1>
U20
Select USER on the first line of TABLE on the
<GAMMA> page of the USER (PAINT) menu and
display the desired user gamma.
FAN MODE
CAM BARS
HD-BAR(VF/MONI)
:BAUTO1
: OFF
BAR 16:9(100%)
SD-BAR
SMPTE
A user gamma for which the black level has been set to “0”
using CvpFileEditor V4.0, the master black (BLACK [M])
setting is fixed to “0” (factory setting), and “- -” is
displayed.
IMAGE INVERT
: OFF
CvpFileEditor
Select the FAN MODE setting.
The F35 supports CvpFileEditor Version 3.0 or later.
If the version of your CvpFileEditor is an earlier version,
you can download the software from the “eCSite,” the site
for downloading business and professional software from
Sony Corporation.
Setting
Operation of the fans
AUTO1 (default)
The fans are automatically controlled
according to the internal temperature.
Normally use this mode.
AUTO2
In synchronization with recording, the
fans are controlled for the quietest
condition.
As the rotation speed will increase if the
internal temperature rises, use other
modes for recording that may continue
several tens of minutes.
If you have not registered at “eCSite,” access the following
URL and register.
https://www.ecspert.sony.biz/ecsite/center/
registUserInfo?action=regulationsDirect
For detailed information on how to install the software,
refer to the manual for CvpFileEditor, available from the
above site.
MIN
The quietest fan operation is
maintained.
Use this mode for long recording at
ordinary temperatures.
MAX
The fans rotate at the maximum speed
to lower the internal temperature.
Setting the Fan Operation Mode
53
3-13 Inverting the
Camera Picture
3-14 Detailed Setting of
the Video Format
The image-inversion function allows you to cancel the
image inversion phenomena that occurs when a cine-lens
converter is used.
You can select various video formats according to that of
the video recorder used in combination.
Use the <OTHERS 1> page on the USER
(MAINTENANCE) menu to access to this function.
Available formats
Frame rate
Signal
format
Frame rate
Signal
format
<OTHERS 1> page
23.98PsF
4:2:2 YCbCr S29.97PsF
4:4:4 RGB
4:2:2 YCbCr
4:4:4 RGB
<OTHERS 1>
U20
FAN MODE
CAM BARS
HD-BAR(VF/MONI)
BAR 16:9(100%)
SD-BAR
SMPTE
IMAGE INVERT
: AUTO1
: OFF
S23.98PsF
24PsF
4:2:2 YCbCr 50P
4:2:2 YCbCr
4:2:2 YCbCr
4:4:4 RGB
S50P
1)
4:2:2 YCbCr
4:4:4 RGB
:BOFF
4:4:4 RGB
S59.94P
59.94I
4:2:2 YCbCr
1)
S24PsF
4:2:2 YCbCr
4:4:4 RGB
4:4:4 RGB
4:2:2 YCbCr
4:4:4 RGB
Set IMAGE INVERT to ON to activate the image-
inversion function. The upside of the picture comes down,
swapping the right and left.
25PsF
4:2:2 YCbCr
4:4:4 RGB
50I
4:2:2 YCbCr
4:4:4 RGB
S25PsF
S30PsF
4:2:2 YCbCr
4:4:4 RGB
S60P
4:2:2 YCbCr
1)
4:2:2 YCbCr
4:4:4 RGB
4:4:4 RGB
4:2:2 YCbCr
4:4:4 RGB
29.97PsF
1) Selectable only when the HKSR-102 Picture Cache Board and the HKSR-
103 RGB 60P Processor Board are mounted in the SRW-1. Outputs from
the HD-SDI A/B connectors of the interface box are turned off.
You can confirm the format being selected on the
Any eight of above formats of highest need can be
registered to be selected on the subdisplay.
Using the <OUTPUT FORMAT> page of the
MAINTENANCE menu enables selection of the mainly
used format in interface with the SRW-1 HD Portable
Digital Recorder.
Frame frequency of 23.98PsF and signal format of 4:4:4
RGB have been selected at the factory.
Changing the format
Referring to the procedure mentioned in “2-8 Setting the
Built-in Clock” (page 25), select MAINTENANCE menu
Inverting the Camera Picture / Detailed Setting of the Video Format
54
on the TOP MENU screen and call up the <OUTPUT
FORMAT> page.
<OUTPUT FORMAT> page of MAINTENANCE
menu
<OUTPUT FORMAT> M07 TOP
CURRENT 23.98PsF 4:4:4
NEXT
SCAN
FRAME
SIGNAL
:cPROGRESSIVE
: 23.98
: 4:4:4 RGB
SELECT FPS: OFF
SET RORMAT
CURRENT
The current format is displayed.
Specify the desired format, using the lines under NEXT.
SCAN
Select the scan mode: PROGRESSIVE or INTERLACE.
FRAME
Select the frame rate. When you select INTERLACE for
the scan mode, select 29.97 to specify 59.94I or select 25
to specify 50I.
SIGNAL
Select the signal format.
SELECT FPS
Set to ON to use the Select FPS function.
For details on the Select FPS function, refer to the
Operation Manual of the SRW-1 HD Portable Digital
Recorder.
When the settings are completed, position the pointer at
SET FORMAT and push on the MENU SEL/ENTER dial.
The format is changed, and the new format is displayed on
the CURRENT line.
Notes
• If you select the format in invalid combination (e.g., 60P
and 4:4:4), SET FORMAT is displayed in parentheses,
and the format cannot be changed.
• If the recorder refuses the format change by the above
procedure, the message “UNSUPPORTED FORMAT”
is displayed for three seconds.
Detailed Setting of the Video Format
55
Menu Configuration and
Detailed Settings
4
Chapter
Menu page title
USER Source menu/Page No.
menu
No.
4-1 Menu Configuration
1)
<SHUTTER/FPS>
<OTHERS 1>
1) in Cine mode
U19 PAINT
P13 [P03]
1)
In addition to the subdisplay pages, the menus displayed
on the viewfinder enable various detailed settings of the
camera.
U20 MAINTENANCE M14 [M10]
For the items on each page, see the corresponding source
The available menus are:
USER MENU CUSTOMIZE menu
USER menu
This menu allows you to edit the USER menu.
This menu can include menu pages selected from among
the OPERATION, PAINT, MAINTENANCE,
NETWORK, FILE, and DIAGNOSIS menus, for your
convenience. Changing, adding, and deleting pages can be
performed with the USER MENU CUSTOMIZE menu.
The following pages are included on the factory-set USER
menu:
ALL menu
This menu permits you to control all items of the
OPERATION, PAINT, MAINTENANCE, NETWORK,
FILE, and DIAGNOSIS menus as a single menu.
Menu page title
USER Source menu/Page No.
menu
No.
OPERATION menu
This menu contains items for camera operators to operate
the camera. It mainly permits viewfinder and switch
settings.
<VF DISPLAY>
<'!' IND>
U01 OPERATION 01
U02 OPERATION 02
<MARKER SETTING> U03 OPERATION 04
<VF DETAIL>
<ZEBRA>
U04 OPERATION 05
U05 OPERATION 06
For the pages and included items of the OPERATION
<MONITOR OUTPUT> U06 OPERATION 07
PAINT menu
This menu contains items for making detailed image
adjustments while using a waveform monitor to monitor
the waveforms output from the camera.
<PB MONI GAMMA>
<PB MIX SETTING>
<CHAR/MARK MIX>
<SHUTTER ASSIGN>
<SUBDISPLAY 1>
<SUBDISPLAY 2>
<SWITCH ASSIGN>
<GAIN ASSIGN>
U07 OPERATION 08
U08 OPERATION 09
U09 OPERATION 03
U10 OPERATION 10
U11 OPERATION 11
U12 OPERATION 12
U13 OPERATION 13
U14 OPERATION 14
U15 OPERATION 15
U16 OPERATION 16
U17 OPERATION 17
For the pages and included items of the PAINT menu, see
MAINTENANCE menu
This menu contains items for performing camera
maintenance operations, such as changing the system or
setting infrequently used “paint” items.
<BATTERY ALARM>
<OPERATOR FILE>
<LENS FILE>
For the pages and included items of the MAINTENANCE
1)
<GAMMA>
U18 PAINT
P03 [P02]
Menu Configuration
56
NETWORK menu
This menu is for enabling the camera to be operated from
a distance via a network cable, e.g., using the MSU-900/
950 Master Setup Unit.
4-2 Basic Menu
Operations
For the pages and included items of the NETWORK menu,
For menu operations, use the VF MENU/DISPLAY
button, MENU SEL/ENTER dial, and CANCEL/STATUS
button on the side panel of the camera head or those on the
assistant panel connected to the CONTROL PANEL
connector.
FILE menu
This menu is for performing file operations, such as
storing/retrieving various menu setting data.
Turn the MENU SEL/ENTER dials for MENU SEL, or
push on it for ENTER.
Operations are possible both on the side panel of the
camera head and on the assistant panel.
However, the LOCK switches are active only on the
corresponding panels. If you wish to inhibit operations
from either panel, set the LOCK switch of that panel to
ON.
For the pages and included items of the FILE menu, see
DIAGNOSIS menu
This menu enables you to confirm the self-diagnostic
information.
Side panel of the camera head
VF MENU/
CANCEL/STATUS
button
DISPLAY button
For the pages and included items of the DIAGNOSIS menu,
MENU SEL/ENTER
dial
LOCK
VF MENU/DISPLAY CANCEL/STATUS
Turn
RUN
4
AUTO
BLK
BAL
Press
PAGE
SET
Assistant panel
VF MENU/
DISPLAY button
CANCEL/STATUS
button
MENU SEL/ENTER
dial
LOCK
VF MENU/DISPLAY CANCEL/STATUS
MENU SEL/
ENTER
Press
RUN
4
Turn
AUTO
BLK BAL
PAGE
SET
Note
When the subdisplay is in Data Change mode (? symbol
shown at the right corner), menu operations on the
viewfinder or monitor screen are disabled.
Basic Menu Operations
57
To disable the “TOP” indication
Turn the power once off then on again, or push on the
MENU SEL/ENTER dial while holding the CANCEL/
STATUS button pressed. This disables the TOP selection.
Each time you turn the power off, the TOP selection is
disabled, setting the camera to a state where only the
4-2-1 Displaying Setting Pages
Press the VF MENU/DISPLAYbutton.
You can arrange the USER menu so that it includes pages
and items you use most frequently.
The last operated menu page is displayed. (If this is your
first menu operation, the CONTENTS page of the USER
menu is displayed.)
The pointer on the menu screen is B in Cine mode and c
in Custom mode.
Selecting a page from a CONTENTS page
CONTENTS page (e.g.: USER menu)
Selecting menu pages from the TOP MENU
screen
Pointer
If you press the VF MENU/DISPLAY button while
holding the MENU SEL/ENTER dial pressed, “TOP” is
displayed at the upper right corner of the screen.
If the screen can be scrolled, arrows
will indicate the direction of scrolling.
CONTENTS
01.<VF DISPLAY>
02.<'!' IND>
U00
xx
Example
<VF DETAIL>
VF 1 : OFF
05cTOP
03.<MARKER SETTING>
04.<VF DETAIL>
c05.<ZEBRA>
VF 2
: OFF
06.<MONITOR OUTPUT>
07.<PB/MONI GAMMA>
08.<PB MIX SETTING>
09.<CHAR/MARK MIX>
10.<SHUTTER ASSIGN>
LEVEL
: 25%
Press the CANCEL/STATUS button, or move the pointer
to “TOP” and push on the MENU SEL/ENTER dial. This
displays the TOP MENU screen, which lists the available
menus, and you can select the menus on this screen.
Turn the MENU SEL/ENTER dial to align the pointer with
the desired page indication then push on the MENU SEL/
ENTER dial.
TOP MENU screen
<TOP MENU>
The selected page is displayed.
BUSER
USER MENU CUSTOMIZE
ALL
Page number
z
<VF DETAIL>
VF 1 : OFF
c04
OPERATION
PAINT
MAINTENANCE
NETWORK
z
z
z
VF 2
: OFF
z
FILE
DIAGNOSIS
z
LEVEL
CRISP
: 25%
:
0
1
2
Turn the MENU SEL/ENTER dial to align the pointer
with the desired menu indication.
Push on the MENU SEL/ENTER dial.
Changing the displayed page
The CONTENTS page or the last operated page of the
selected menu is displayed.
1
Check that the pointer is located at the left of the page
number then push on the MENU SEL/ENTER dial.
To return to the TOP MENU screen
Press the CANCEL/STATUS button, or move the pointer
to “TOP” and press the MENU SEL/ENTER dial.
The TOP MENU screen is restored.
The pointer changes to a flashing question mark (?
symbol).
Basic Menu Operations
58
The “?” symbol will change back to the pointer (c or
B), and the new setting will be registered.
flash
<VF DETAIL>
VF 1 : OFF
?04
5
To change other setting items on the same menu page,
repeat steps 1 through 4.
VF 2
: OFF
LEVEL
CRISP
: 25%
0
:
Specifying a character string
When you push on the MENU SEL/ENTER dial with the
pointer pointing to an item for which a character string,
such as a file ID, is to be specified, a cursor and the list of
selectable characters are displayed.
The displayed cursor can be moved by rotating the MENU
SEL/ENTER dial.
2
3
Turn the MENU SEL/ENTER dial to flip through the
pages.
When the desired page is displayed, push on the
MENU SEL/ENTER dial.
1
Move the cursor to the position where you wish enter
a character then push on the MENU SEL/ENTER dial.
The “?” symbol will change back to the pointer (c or
B), and operations with the displayed page will be
enabled.
Another cursor appears on the character list.
2
Position the cursor to the character to be entered and
push on the MENU SEL/ENTER dial.
Repeat steps 1 and 2.
4-2-2 Setting the Menu Items
By selecting INS on the line below the character list,
you can enter a space at the cursor position.
If a “?” symbol is flashing at the left of the page number,
push on the MENU SEL/ENTER dial to change it to the
pointer (c or B). Making settings on the displayed page is
then enabled.
Selecting DEL deletes the character at the cursor
position.
Changing the setting
You can return to step 1 without changing the
character by selecting RET.
1
2
Turn the MENU SEL/ENTER dial to align the pointer
with the desired item.
If you enter the permitted maximum number of
characters (up to the stop mark at the right end of the
line), the cursor moves to ESC on the line below the
character list.
Push on the MENU SEL/ENTER dial.
The pointer will change to a flashing “?” symbol.
To register the new string you have set, select END and
push on the MENU SEL/ENTER dial.
3
Turn the MENU SEL/ENTER dial to change the
setting value.
To restore the previous string, select ESC and push on
the MENU SEL/ENTER dial.
When the knob is rotated quickly, the values will
change quickly; when rotated slowly, the values will
change slowly.
Ending menu operations
Press the VF MENU/DISPLAY button.
To reset a changed value
If you press the CANCEL/STATUS button before
pushing on the MENU SEL/ENTER dial, the setting
will be returned to its previous value.
To interrupt settings
Press the VF MENU/DISPLAY button to turn off the
menu screen display.
The setting operation can be restarted by setting the
VF MENU/DISPLAY button again.
4
Push on the MENU SEL/ENTER dial.
Basic Menu Operations
59
4-3 Menu List
This section shows the menus to be displayed on the
viewfinder in tables.
• A CONTENTS page (numbered 00) is also provided for
each menu.
• For the pages that have been registered in the USER
menu at the factory, the USER menu page numbers are
indicated in parentheses in the No. column of the tables.
4-3-1 OPERATION Menu
The OPERATION menu items can be set in both Cine and Custom modes.
Execute by ENTER. : Execute by pushing on the MENU SEL/ENTER dial.
OPERATION menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<VF DISPLAY>
01 FPS
ON
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
deg, sec
(U01)
Setting the basic
status indications
ND
ON
5600K
OFF
OFF
ON
WHITE
GAIN
SHUTT
UNIT
ON
deg
ON
BATT12
BATT24
REC
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ALL, AT, WRN, OFF
OFF
ON
TAPE
OFF
OFF
ALL
TC
MESSAG
ALL: To display all messages
AT: To display Auto Setup
information and higher
WRN: To display warning
messages and higher
OFF: To display warning
messages of the highest
level only
Menu List
60
OPERATION menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<‘!’ IND>
02 ND
(U02)
[IND] ON
ON, OFF
[IND]: Set whether to be
included in the ‘!’
Setting the
ABNORMAL < ! >
display
[NORMAL] 1 – – – – 1, 2, 3, 4, 5
(combination allowed)
indications on the
ABNORMAL < ! > display
[NORMAL]: Specify the
conditions under which the
‘!’ indication is not to be
displayed even if [IND] is
ON. (By specifying the
standard or normal
WHITE
[IND] ON
ON, OFF
[NORMAL] P – –
P, A, B (combination
allowed)
5600K
SHUTT
FAN
[IND] ON
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
[NORMAL] OFF
[IND] ON
conditions here, non-
standard or abnormal
conditions can be found
with the ‘!’ indication.)
[NORMAL] OFF
[IND] ON
e.g.: With the default setting of
ND, the ‘!’ indication is
displayed when an ND
filter other than 1 is
selected.
[NORMAL] AUTO1 AUTO1, AUTO2, MIN,
MAX
G-COMP
[IND] ON
ON, OFF
The normal condition is
fixed to OFF.
<CHAR/MARK
MIX>
03 CHAR
(U09)
VF1
VF2
ON
ON
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
Character superimposing ON/
OFF
Turning the
character/marker
ON/OFF
MONI ON
VBS
VF1
VF2
OFF
ON
MARKER
Markers ON/OFF
ON
MONI ON
VBS
VF1
VF2
ON
CURSOR
ZEBRA
OFF
OFF
Cursor ON/OFF
Zebra ON/OFF
MONI OFF
VF1
VF2
OFF
OFF
MONI OFF
VBS
OFF
OFF
VF GATE
MARKER
For SKIN GATE and MULTI
MATRIX GATE on the
viewfinder
Menu List
61
OPERATION menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<MARKER
SETTING>
04 CENTER
(U03)
OFF
1
ON, OFF
1, 2, 3, 4
1: Entire cross
Specifying markers
2: Entire cross with a hole
3: Center
4: Center with a hole
SAFETY
OFF
ON, OFF
90.0%
80.0%, 90.0%, 92.5%,
95.0%
EFFECTIVE
OFF
OFF
4:3
ON, OFF
ASPECT
ON, OFF
2.40:1, 2.35:1, 1.85:1,
1.66:1 : VISTA1 equivalent
1.66:1, 16:9, 15:9, 14:9, 1.85:1 : VISTA2 equivalent
13:9, 4:3, VAR H, VAR V
VARIABLE
SAFETY
1440
1016
OFF
12 to 1920
12 to 1080
ON, OFF
For the safety marker in
Aspect mode
90.0%
80.0%, 90.0%, 92.5%,
95.0%
MASK
OFF
12
ON, OFF
0 to 15
Set the level to darken the
areas outside the aspect
marker.
CURSOR
POSI H/V
SIZE W/H
BOX
0/0
BOX, CROSS
–958 to 956/–538 to 536
16 to 1920/16 to 1080
ON, OFF
960/540
ON
<VF DETAIL>
05 VF1
(U04)
Adjusting the detail
on the viewfinders
VF2
LEVEL
CRISP
06 VF1
(U05)
ON
ON, OFF
25%
0
0 to 100%
–99 to +99
<ZEBRA>
OFF
OFF
OFF
OFF
1
ON, OFF
Setting the zebra
VF2
ON, OFF
MONITOR
VBS
ON, OFF
ON, OFF
ZEBRA TYPE
ZEBRA1 LEVEL
WIDTH
1, 2, 1&2
70%
10%
100%
COLOR
0 to 109%
0 to 30%
ZEBRA2
50 to 109%
COLOR, R, G, B
<MONITOR
OUTPUT>
07 COLOR
(U06)
OUTPUT
Setting the monitor
output
MONI HD-SDI
TEST OUT
MONI
VBS
MONI, VF1, VF2
VBS, VF2, REF-THRU,
FRAME
RM VIDEO
VBS
VBS, VF2
Menu List
62
OPERATION menu
Page title &
purpose
No. Item
Default
OFF
Settings
Remarks
<PB/MONI
GAMMA>
08 MONI GAMMA
(U07) ENABLE
ON, OFF
Setting the gamma
of the playback
picture/monitor
picture
PB
VF
OFF
OFF, ON, AUTO
OFF, ON, AUTO
MONI OFF
VBS
OFF
OFF, ON, AUTO, (OFF) (OFF): If either VF or MONI or
both is/are R709 (cannot
be changed)
PB MIX
VF
OFF
OFF, ON,
OFF, ON,
MONI OFF
VBS
OFF
OFF, ON, (OFF)
(OFF): If either VF or MONI or
both is/are R709 (cannot
be changed)
MONITOR
GAMMA
VF
OFF
OFF, R709, (OFF)
OFF, R709, (OFF)
OFF, (R709), (OFF)
OFF: The same gamma as the
main line
R709: ITU-R709
(OFF): If MONI GAMMA
ENABLE OFF (cannot be
changed)
MONI OFF
VBS
OFF
(R709): If MONI GAMMA
ENABLE ON (cannot be
changed)
GAMMA MARK
SETTING
To jump to the subpage
<GAMMA MARK>
subpage
MONI GAMMA
MARK
ON
1
ON, OFF
1, 2, 3, 4
To turn the monitor gamma
mark (709 ) on or off
Setting for the
monitor gamma
mark
MARK LEVEL
To set the luminance of the
gamma mark
H POSITION
V POSITION
0
0
0 to 99
0 to 99
To set the display position of
the mark (0 for the leftmost or
uppermost)
<PB MIX
SETTING>
09 MIX TYPE
MIX
MIX, WIPE
(U08)
MIX
Setting for mixing
the playback picture
DIRECTION
MODE
CAM
CAM, PB
Y-MIX
Y-MIX, WIRE(W),
WIRE(B)
LEVEL
WIPE
80%
0 to 80%
LAYOUT
HOR
HOR, VERT
PB POSITION
HOR: RIGHT
VERT: BOTTOM
HOR: RIGHT, LEFT
VERT: BOTTOM, TOP
BOUNDARY
HOR: 960
VERT: 540
HOR: 0 to 1920
VERT: 0 to 1080
Menu List
63
OPERATION menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<SHUTTER
ASSIGN>
10 STEP
[deg] column: Shutter angle
value settings
[sec] column: The converted
speed values depending
on the selected FPS value
are displayed.
(U10)
1
216.0
180.0
172.8
150.0
144.0
90.0
360.0 to 4.3
Setting the step
shutter values
2
3
360.0 to 4.3
360.0 to 4.3
4
360.0 to 4.3
5
360.0 to 4.3
6
360.0 to 4.3
7
45.0
360.0 to 4.3
8
22.5
360.0 to 4.3
ADD
DEL
Execute by ENTER.
Execute by ENTER.
Execute by ENTER.
To add a step shutter value
To delete a step shutter value
PRESET
To resume the factory- set
step shutter settings
<SUBDISPLAY 1>
11 FORMAT
(U11) MEMORY
Register the formats to be
selected on the subdisplay.
Select from among the
formats displayed on the
corresponding <FORMAT
MEMORY> subpage.
Registering the
formats to be
selected on the
assistant panel
1
23.98P 444
NO ASSIGN,
23.98P 444, S23.98P
444, 29.97P 444,
S29.97P 444, S59.94P
444, 23.98P 422,
S23.98P 422, 29.97P
422, S29.97P 422,
S59.94P 422, 24P 444,
S24P 444, 25P 444,
S25P 444, S30P 444,
S50P 444, S60P 444,
24P 422, S24P 422,
25P 422, S25P 422,
S30P 422, 50P 422,
S50P 422, S60P 422,
50I 444, 50I 422, 59.94I
444, 59.94I 422
2
S23.97P 444
S59.94P 422
23.98P 422
NO ASSIGN
NO ASSIGN
NO ASSIGN
NO ASSIGN
Same as above
Same as above
Same as above
Same as above
Same as above
Same as above
Same as above
3
4
5
6
7
8
<SUBDISPLAY 2>
12 LOCK SW MODE
(U12)
Setting the LOCK
switch mode and
subdisplay
CAMERA
FULL
FULL, –RUN
Set the mode of the LOCK
switch on the camera.
–RUN: To enable the RUN
button even when the
LOCK switch is set to ON
PANEL
FULL
FULL, –RUN
Set the mode of the LOCK
switch on the assistant panel.
–RUN: To enable the RUN
button even when the
LOCK switch is set to ON
PAGE SELECT
Execute by ENTER.
To jump to the subpage
Menu List
64
OPERATION menu
Page title &
purpose
No. Item
SHUTTER
Default
Settings
Remarks
<PAGE SELECT>
subpage
ON
ON
ON
ON
ON, OFF
ON, OFF
ON, OFF
ON, OFF
FORMAT
ND
Selecting pages to
be displayed on the
subdisplay
GAIN/WHITE/
5600K
LENS FILE
ON
ON, OFF
ON, OFF
TIME CODE/TAPE ON
REM
VOLTAGE/FAN
MODE
ON
ON, OFF
CHARACTER MIX ON
ON, OFF
ON, OFF
ASSIGNABLE
SW1/SW2
ON
ASSIGNABLE
SW3/SW4
ON
ON, OFF
BRIGHT
ON
ON, OFF
ON, OFF
ON, OFF
GAMMA TABLE
COLOR SPACE
13 ASSIGN SW1
ON
ON
<SWITCH
ASSIGN>
OFF
OFF
OFF
OFF
OFF, ND, REC REVIEW, Select from among the
(U13)
PB(VF), VF709GAM,
MONI709GAM, FAN
MODE, GAIN –9/–18 dB
functions displayed on the
corresponding subpage.
ASSIGN SW2
ASSIGN SW3
ASSIGN SW4
Setting the
functions of the
assignable buttons
and switch
OFF, AWB, BARS,
TEST1
RE - ROTATION
STD
STD, RVS
Specify operation mode of the
MENU SEL/ENTER dial.
STD: Clockwise rotation
advances the pointer/
cursor or increases values
on the menu screen.
RVS: Counterclockwise
rotation advances the
pointer/cursor or increases
values on the menu
screen.
<GAIN ASSIGN>
14 GAIN
(U14)
[L] 0 dB
[M] 6 dB
[H] 12 dB
–6, –3, 0, 3, 6, 9, 12 dB Assign the values for the gain
switch of the RM-B150.
Specifying the gain
switch settings
–6, –3, 0, 3, 6, 9, 12 dB
–6, –3, 0, 3, 6, 9, 12 dB
Menu List
65
OPERATION menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<BATTERY
ALARM>
15 DC IN (24V)
(U15)
TYPE
AC ADP
(22.2)
BATT1, BATT2, AC ADP
Confirming the
operating power
voltage
NEAR END
END
display only (Setting is
achieved using the
MAINTENANCE menu.)
(21.6)
display only (Setting is
achieved using the
MAINTENANCE menu.)
DC IN (12 V)
TYPE
AC ADP
(11.1)
BATT1, BATT2, AC ADP
NEAR END
display only (Setting is
achieved using the
MAINTENANCE menu.)
END
(10.8)
display only (Setting is
achieved using the
MAINTENANCE menu.)
<OPERATOR
FILE>
16 READ
(U16) (MStCAM)
Execute by ENTER.
Execute by ENTER.
To read the operator file from
a “Memory Stick”
Operating the
Operator file
WRITE
(CAMtMS)
To write the current settings of
the operator file items to a
“Memory Stick”
PRESET
FILE ID
Execute by ENTER.
To set the operator file items
to the preset values in internal
memory
alphanumerics (max.14 Enter a comment for the
characters)
operator file to be written to a
“Memory Stick.”
CAM CODE
DATE
Camera code
display only
display only
<LENS FILE>
17 FILE
(U17)
1
1 to 32
Operating the lens
files
No Offset
Lens file name
display only
CENTER
MARKER
To set and store the center
marker position:
H POS: Increasing the value
moves it to the right.
V POS: Increasing the value
moves it downwards.
H POS
V POS
STORE
0
0
–96 to 95
–54 to 53
Execute by ENTER.
Note
This item is not displayed in
Cine mode.
WHITE R/B
ON
ON, OFF
To turn the WHITE R/B
compensation by the lens file
on or off
Menu List
66
4-3-2 PAINT Menu
: Valid in Custom mode only (Switch settings, such as ON/OFF, are fixed to the default statuses in Cine mode.)
: Valid in both Cine and Custom modes
Execute by ENTER. : Execute by pushing on the MENU SEL/ENTER dial.
Notes
• When the setting is in the fixed status, it is displayed in parentheses.
Example: (OFF)
• The markings [P01] to [P03] in the No. column indicate the page numbers in Cine mode.
The pages marked with [ - - ] in the No. column are not displayed in Cine mode.
PAINT menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<SW STATUS>
P01 FLARE
(OFF)
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
ON, OFF
Fixed to OFF in Cine mode
Fixed to ON in Cine mode
Fixed to OFF in Cine mode
Fixed to OFF in Cine mode
Fixed to OFF in Cine mode
Fixed to OFF in Cine mode
Fixed to OFF in Cine mode
Fixed to OFF in Cine mode
Fixed to OFF in Cine mode
[P01]
Glancing and
switching the paint
functions on/off
GAMMA
(ON)
BLK GAM
KNEE
(OFF)
(OFF)
WHT CLIP
DETAIL
(OFF)
(OFF)
LVL DEP
SKIN DTL
MATRIX
5600K
(OFF)
(OFF)
(OFF)
OFF
<VIDEO LEVEL>
P02
[ - - ] WHITE
[R] [G] [B] [M]
R, G, B, and M (master)
values can be independently
set.(M cannot be set for
WHITE or FLARE.)
0
0
0
0
0
0
0
0
0
–99 to +99
Adjusting the
various video
balance
BLACK
FLARE
GAMMA
FLARE
TEST
0
0
0
–99 to +99
0
–99 to +99
0
–99 to +99
OFF
OFF
ON, OFF
Fixed to OFF in Cine mode
OFF, TEST1, TEST2
Menu List
67
PAINT menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<GAMMA>
P03
[P02] LEVEL
(U18)
[R] [G] [B] [M]
R, G, B, and M (master)
values can be independently
set.
0
0
0
0
–99 to +99
Adjusting the
gamma
BLACK
0
–99 to +99
M (master) value only
COARSE
0.45
0.35 to 0.90 (0.05 steps)
Fixed to 0.45 when HYPER
GAMMA SPECIAL or USER
is selected
TABLE
USER
1
STANDARD, HYPER
GAMMA, SPECIAL, USER
STANDARD
1: CAMCORDER
2: × 4.5
For details, see “3-11
51).
3: × 3.5
4: SMPTE-240M
5: ITU-R709
6: × 5.0
HYPER GAMMA
1: 325% to 100%
2: 460% to 100%
3: 325% to 109%
4: 460% to 109%
SPECIAL
1: S-LOG A
USER
1: S-LOG A
2: S-LOG A
3: S-LOG A
4: S-LOG A
5: S-LOG A
GAMMA
KNEE
ON
ON, OFF
Fixed to ON in Cine mode
(OFF)
ON, OFF, (OFF)
(OFF): Fixed to OFF with the
gamma setting other than
STANDARD
TEST
OFF
OFF, TEST1, TEST2
<BLACK GAMMA> P04
[R] [G] [B] [M]
R, G, B, and M (master)
values can be independently
set.
[ - - ] LEVEL
0
0
0
0
–99 to +99
Adjusting the
contrast near black
RANGE
HIGH
OFF
OFF
0
LOW, L.MID, H.MID, HIGH
ON, OFF
TEST
OFF, TEST1, TEST2
–99 to +99
<SATURATION>
P05 SATURATION
[ - - ]
Adjusting the color
saturation
OFF
0
ON, OFF
LOW KEY SAT
RANGE
–99 to +99
HIGH
OFF
OFF
LOW, L.MID, H.MID, HIGH
ON, OFF
TEST
OFF, TEST1, TEST2
Menu List
68
PAINT menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<KNEE>
P06
[ - - ] K POINT
[R] [G] [B] [M]
R, G, B, and M (master)
values can be independently
set.
K POINT: To adjust the point
to apply the change
K SLOPE: To adjust the slope
of compression
0
0
0
0
–99 to +99
Adjusting the
compression for
high-luminance
areas
K SLOPE
0
0
0
0
–99 to +99
Absolute values are displayed
in ABS mode except for M
(master).
KNEE
OFF
OFF
0
ON, OFF
ON, OFF
–99 to +99
ON, OFF
OFF, AUTO
–99 to +99
KNEE MAX
KNEE SAT
To adjust the color saturation
at high-luminance areas
OFF
OFF
0
AUTO KNEE
POINT LIMIT
Absolute value is displayed in
ABS mode.
SLOPE
ABS
0
–99 to +99
Absolute value is displayed in
ABS mode.
Highlighted: ABS (Absolute)
mode
<WHITE CLIP>
P07
[ - - ] W CLIP
[R] [G] [B] [M]
R, G, B, and M (master)
values can be independently
set.
Absolute values are displayed
in ABS mode except for M
(master).
0
0
0
0
–99 to +99
Adjusting the level
to white-clip the
high-luminance
areas
OFF
ON, OFF
Fixed to OFF in Cine mode
ABS
Highlighted: ABS (Absolute)
mode
<DETAIL 1>
P08 DETAIL
OFF
0
ON, OFF
Fixed to OFF in Cine mode
[ - - ]
Adjusting the
emphasis of the
contours in video
LEVEL
–99 to +99
Absolute value is displayed in
ABS mode.
LIMITER
[M]
0
–99 to +99
–99 to +99
–99 to +99
To adjust the level to clip the
maximum value of the
emphasis signal
Absolute values are displayed
in ABS mode except for M
(master).
[WHT]
[BLK]
0
0
CRISP
0
0
–99 to +99
To adjust the level for noise
suppression (Absolute values
are displayed in ABS mode)
LVL DEP
–99 to +99
To adjust the emphasis
elements suppressed by
gamma (Absolute values are
displayed in ABS mode.)
OFF
ON, OFF
ABS
Highlighted: ABS (Absolute)
mode
Menu List
69
PAINT menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<DETAIL 2>
P09 H/V RATIO
[ - - ]
0
–99 to +99
To specify the vertical factor of
the contour emphasis
(Absolute values are
Adjusting the
emphasis of the
contours in video
displayed in ABS mode.)
FREQ
0
–99 to +99
To adjust the video frequency
components to be
emphasized (Absolute values
are displayed in ABS mode.)
MIX RATIO
KNEE APT
0
0
–99 to +99
Absolute value is displayed in
ABS mode.
–99 to +99
For contour emphasis in high-
luminance areas compressed
by the KNEE function
(Absolute values are
displayed in ABS mode.)
OFF
ON, OFF
ABS
Highlighted: ABS (Absolute)
mode
<SKIN DETAIL>
P10 SKIN DTL
OFF
OFF
ON, OFF
Fixed to OFF in Cine mode
[ - - ]
Emphasizing the
contours of the
specific color
components
SKIN GATE
OFF, 1, 2, 3
1, 2, 3: Skin gate can be set to
ON for the specified
channel only.
With the ON setting, a zebra
pattern is displayed for the
color component affected by
the DETAIL function.
ABS
Highlighted: ABS (Absolute)
mode
[1]
[2]
[3]
The skin tone detail function
can be independently set for
each channel (channel 1 is
always ON).
CH SW
HUE
(ON) OFF OFF ON, OFF
EXEC EXEC EXEC Execute by ENTER.
PHASE
WIDTH
SAT
0
0
0
0 to 359
HUE: For automatic detection
of the target color
29
29
29 0 to 90
–89 –89 –89 –99 to +99
–99 to +99
Absolute values are indicated
for LEVEL only in ABS mode.
LEVEL
0
0
0
Menu List
70
PAINT menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<USER MATRIX>
P11 R-G
0
–99 to +99
–99 to +99
–99 to +99
–99 to +99
–99 to +99
–99 to +99
ON, OFF
[ - - ]
Adjusting the color
componentswithout
affecting the black
and white
R-B
0
G-R
G-B
B-R
B-G
0
0
components
0
0
MATRIX
PRESET
OFF
- -
ON, OFF, (OFF), - -
Invalid when MATRIX is OFF
(- - indication)
(OFF): Fixed to OFF when
MATRIX is ON with
COLOR SPACE set to S-
GAMUT or DCDM REF PJ
- -
SMPTE-240M, ITU-709,
SMPTE-WIDE, NTSC,
EBU, - -
Invalid when MATRIX is OFF
(- - indication)
USER
MULTI
- -
- -
0
ON, OFF, - -
Invalid when MATRIX is OFF
(- - indication)
ON, OFF, - -
Invalid when MATRIX is OFF
(- - indication)
<MULTI MATRIX>
P12 PHASE
[ - - ]
0, 23, 45, 68, 90, 113, 135, Select an axis (angle) at
158, 180, 203, 225, 248,
270, 293, 315, 338
PHASE for which the
multimatrix adjustment is to
be made, and set HUE and
SAT. (HUE and SAT can be
adjusted independently for 16
axes.)
Adjusting the color
components
independently by
dividing into 16
axes
B, B+, MG–, MG, MG+, R,
R+, YL–, YL, YL+, G–, G,
G+, CY, CY+, B–
HUE
SAT
0
0
–99 to +99
–99 to +99
ALL CLEAR
Execute by ENTER.
ON, OFF
GATE
OFF
OFF
- -
MATRIX
ON, OFF
PRESET
ON, OFF, (OFF), - -
Invalid when MATRIX is OFF
(- - indication)
(OFF): Fixed to OFF when
MATRIX is ON with
COLOR SPACE set to S-
GAMUT or DCDM REF PJ
- -
SMPTE-240M, ITU-709,
SMPTE-WIDE, NTSC,
EBU, - -
Invalid when MATRIX is OFF
(- - indication)
USER
MULTI
- -
- -
ON, OFF, - -
Invalid when MATRIX is OFF
(- - indication)
ON, OFF, - -
Invalid when MATRIX is OFF
(- - indication)
Menu List
71
PAINT menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<SHUTTER/FPS>
P13 SHUTTER
[P03]
(U19)
OFF
ON, OFF
Setting to ON displays the
current shutter values in the
[deg] and [sec] columns.
[deg]: Shutter angle (360.0 to
4.3)
[sec]: Shutter speed obtained
according to the angle in
[deg] and the FRAME
RATE value
Adjusting the
shutter while
observing the
shutter angles and
speeds
STEP
To change the shutter value in
Step mode
CONTINUOUS
To change the shutter value in
Continuous mode
STEP ASSIGN
ADD
Execute by ENTER.
Execute by ENTER.
To add a step shutter value
To delete a step shutter value
DELETE
FRAME RATE
- -
For S23.98PsF/S24PsF:
1 to 24
For S25PsF: 1 to 25
For S29.97PsF/S30PsF:
1 to 30
When the video format is
fixed, the value is indicated in
parentheses.
For S50P/S59.94P/S60P:
1 to 50
COMP MODE
OFF
OFF, ANGLE, GAIN
To select Compensation
mode
<SCENE FILE>
P14
[ - - ]
1
2
3
4
5
When storing a file in camera
memory, specify the number
before executing STORE.
When reading, only specify
the number.
Storing and
retrieving scene
files (data set by the
PAINT menu)
01
01 to 32
To specify the scene file
number 01 to 32 when 32
SCENE FILE of <OTHERS 2>
of the MAINTENANCE menu
is ON.
STORE
Execute by ENTER.
Execute by ENTER.
STANDARD
To read the standard paint
data
READ (MStCAM)
Execute by ENTER.
Execute by ENTER.
Max.14 characters
Camera code
To load scene files from a
“Memory Stick” to internal
memory
WRITE
(CAMtMS)
To write scene files in the
camera’s memory to a
“Memory Stick”
FILE ID
Enter a comment for the
scene files to be written to a
“Memory Stick.”
CAM CODE
DATE
display only (When files made
on are detected, “F35” is
displayed.)
Date of file creation
display only
Menu List
72
4-3-3 MAINTENANCE Menu
: Valid in Custom mode only
: Valid in both Cine and Custom modes
Execute by ENTER. : Execute by pushing on the MENU SEL/ENTER dial.
Note
The markings [M01] to [M11] in the No. column indicate the page numbers in Cine mode.
The pages marked with [ - - ] in the No. column are not displayed in Cine mode.
MAINTENANCE menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<BASE SETTING>
M01 SHOOT MODE
CINE
CINE, CUSTOM
[M01]
Setting the basic
operation mode
D-RANGE
EXTEND
EXTEND, NORMAL
EXTEND: To improve the
dynamic range and
sensitivity
Fixed to EXTEND in Cine
mode
COLOR SPACE
S-GAMUT
S-GAMUT, F900, F900R, S-GAMUT: Wide color
DCDM REF PJ
space designed for this
camera
F900: Color space
equivalent to other HD
cameras
F900R: Color space
equivalent to HDW-
F900R (only with
<OTHERS 2> COLOR
F900R ENABLED
DCDM REF PJ: COLOR
space of the reference
projector specified by
DC
<AUTO SETUP>
M02 AUTO BLACK
Execute by ENTER.
Execute by ENTER.
Execute by ENTER.
Execute by ENTER.
[ - - ]
Various auto
balance adjustments
AUTO WHITE
AUTO LEVEL
AUTO WHITE
SHADING
Do not execute if a flat
white subject is not
available.
AUTO BLACK
SHADING
Execute by ENTER.
OFF, TEST1, TEST2
TEST
OFF
Menu List
73
MAINTENANCE menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<WHITE SHADING> M03
[R] [G] [B]
R, G, and B values can be
independently set.
V SAW, H SAW: To
vertically or horizontally
adjust the slope of
shading compensation
V PARA, H PARA: To
vertically or horizontally
adjust the irregularity of
shading compensation
[ - - ] V SAW
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
–99 to +99
–99 to +99
–99 to +99
–99 to +99
–99 to +99
Adjusting the
shading of white
level
V PARA
H SAW
H PARA
WHITE
AUTO WHITE
SHADING
Execute by ENTER.
RGB, RB
WHITE SHAD MODE RB
RGB: To adjust the shading
independently for R, G,
and B
RB: To adjust R and B
according to G
<BLACK
SHADING>
M04
[ - - ] V SAW
[R] [G] [B] [M]
R, G, and B values can be
independently set.
M (master) value can also
be set for BLACK.
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
–99 to +99
–99 to +99
–99 to +99
–99 to +99
–99 to +99
–99 to +99
Adjusting the
shading of black
level
V PARA
H SAW
V SAW, H SAW: To
vertically or horizontally
adjust the slope of
shading compensation
V PARA, H PARA: To
vertically or horizontally
adjust the irregularity of
shading compensation
H PARA
BLK SET
BLACK
0
MASTER GAIN
0 dB
0
−6, −3, 0, 3, 6, 9, 12 dB
AUTO BLACK
SHADING
Execute by ENTER.
<OHB MATRIX>
M05 PHASE
[ - - ]
0, 23, 45, 68, 90, 113,
135, 158, 180, 203, 225, PHASE for which the OHB
248, 270, 293, 315, 338 matrix adjustment is to be
To select an axis (angle) at
Adjusting the colors
at the CCD block
(OHB) to match the
colors among
multiple cameras
(can be stored in the
OHB file)
made, and set HUE and
SAT (HUE and SAT can be
adjusted independently for
16 axes).
HUE
SAT
0
0
–99 to +99
–99 to +99
ALL CLEAR
Execute by ENTER.
To clear the HUE and SAT
values for all PHASE
settings
OHB MATRIX
MATRIX
ON
ON, OFF
Always ON in Cine mode
Always OFF in Cine mode
OFF
ON, OFF
<AUDIO>
M06 CAMERA MIC CH
[M02] SELECT
IF BOX/CA
CH5/6
CH1/2, CH5,6
Selecting the SDI
channels to which
the microphone
inputs are added
Menu List
74
MAINTENANCE menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<OUTPUT
FORMAT>
M07 CURRENT
[M03]
23.98PsF 4:4:4
The current format is
displayed.
Setting the output
video format
SCAN
PROGRESSIVE PROGRESSIVE,
INTERLACE
When INTERLACE is
selected for SCAN, select
half the value of the field
frequency in FRAME.
FRAME
23.98
23.98, 24, 25, 29.97, 30,
50, 59.94, 60
SIGNAL
4:4:4 RGB
OFF
4:4:4 RGB, 4:2:2 YCbCr
ON, OFF
SELECT FPS
SET FORMAT
Execute by ENTER.
SQ, LB, EC
<DOWN
CONVERTER>
M08 ASPECT
[M04]
LB
SQ: Squeeze
LB: Letter Box
EC: Edge Crop
Setting the aspect
ratio for VBS output
<POWER SAVE>
M09 MONITOR OUT
[M05]
ACTIVE
PWR SAVE, ACTIVE
PWR SAVE, ACTIVE
Selecting the output
power save mode
DOWN CONVERTER ACTIVE
<BATT ALARM
SET>
M10 DC IN (24 V)
[M06]
TYPE
AC ADP
22.2 V
21.6 V
BATT1, BATT2, AC ADP BATT1/BATT2: Batteries
AC ADP: AC adaptor
Setting the voltage
values to trigger
alarm indications
NEAR END
END
0.1 to 30.0 V
Fixed to the default value
for AC ADP
0 to 29.9 V
Fixed to the default value
for AC ADP
DC IN (12 V)
TYPE
AC ADP
11.1 V
10.8 V
BATT1, BATT2, AC ADP BATT1/BATT2: Batteries
AC ADP: AC adaptor
NEAR END
END
11.0 to 17.0 V
Fixed to the default value
for AC ADP
10.5 to 14.0 V
Fixed to the default value
for AC ADP
<GENLOCK>
M11 REFERENCE
[M07]
INTERNAL, GENLOCK display only
IN
Adjusting Genlock
with status
indications
STATUS
OK, NG, NO SIGNAL
–511 to 511
display only
H PHASE
0
To adjust the H phase for
genlock
<DATE>
M12 DATE/TIME
[M08]
yyyy/mm/dd
hh : mm
Setting the built-in
clock
Menu List
75
MAINTENANCE menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<METADATA>
M13 EMBEDDED
[M09]
OFF
ON, OFF
To turn the function to
embed metadata on tapes
and SDI signals on or off
Recording/
reproducing
metadata
ANC LINE
TYPE
9
(9)
SDI V ANC LINE number
(currently fixed to 9)
USER1
(USER1)
Format of items in
metadata (currently fixed to
USER 1)
REC MS WRITE
OFF
ON, OFF
ON, OFF
To turn the function to
simultaneously write
metadata to a “Memory
Stick” while embedding
them to SDI output in
recording on or off
PLAY MS WRITE
OFF
To turn the function to read
embedded metadata and
write them to a “Memory
Stick” in playback on or off
<OTHERS 1>
M14 FAN MODE
[M10]
(U20)
AUTO1
AUTO1, AUTO2, MIN,
MAX
To select the operation
modes of the fans
AUTO1: Normal
AUTO2: MIN in REC mode,
AUTO1 in other
Setting various
subsidiary functions
conditions
CAM BARS
OFF
ON, OFF
To turn the built-in color
generator on or off
HD-BAR (VF/MONI) BAR 16:9
(100%)
BAR 16:9 (100%), BAR To select the color bar
16:9 (75%), SMPTE 16:9 format for HD outputs
(BLACK), SMPTE 16:9
(–I/Q), BAR 4:3 (100%),
BAR 4:3 (75%), SMPTE
4:3 (BLACK), SMPTE 4:3
(–I/Q), MF-ARIB (75%),
MF-ARIB (100%), MF-
ARIB (+I), MF-SMPTE
(–I, Q), MF-SMPTE
(75%, Q), MF-SMPTE
(100%, Q), MF-SMPTE
(+I, Q), HD-CUSTOM,
HD-CUSTOM2
SD-BAR
SMPTE
OFF
SMPTE, EIA, FULL
(EBU), 95%, NTSC100% format for SD outputs
(PAL100%)
ON, OFF
To select the color bar
EBU, PAL100%: With 1.000
formats
IMAGE INVERT
IRIS CLOSE
To turn the image-inversion
function on or off (ON to set
the camera picture upside-
down)
OFF
ON, OFF
Menu List
76
MAINTENANCE menu
Page title &
purpose
No. Item
Default
Settings
Remarks
<OTHERS 2>
M15 DATE TYPE
[M11]
5 M/D/Y
1 Y/Mn/D
2 Mn/D
3 D/M/Y
4 D/M
5 M/D/Y
6 M/D
To select the date display
mode
Y: Year
Mn: Month (numeric)
M: Month (character string)
D: Day
Setting various
subsidiary functions
1)
Y
NAM, G, R+G, Y
To specify from which
signal the vertical detail
volume is to be created
NAM: The highest signal
among R, G, and B
G: G signal
V DTL CREATION
R+G: Additional value of
the R signal and G
signal
Y: Y signal
1)
H/V
H/V, V ONLY
H/V: To change the H detail
at the same time when
adjusting the V detail
V ONLY: To adjust V detail
while maintaining the H
detail
DTL H/V MODE
TEST2 MODE
20% STEP
A.LVL
20% STEP, 10STEP
AWB, A.LVL
20% STEP: 20%-steps up
to full scale when
gamma is OFF
10STEP: 10%-steps up to
100% when gamma is
OFF
WHITE SETUP
A.LVL: To return the white
value to “0” when
STANDARD is executed
AWB: To return the white
value to the AWB value
when STANDARD is
executed
1)
MODE
FPS LIMITER
LIMIT
LIMIT, FREE
LIMIT: To limit the variable
range of the FPS
setting
FREE: To release the range
limitation of the FPS
setting
EXT I/O MODE
ARRI RMT
ARRI RMT, LSI,
TERMINAL
To select EXT I/O mode
ARRI RMT: When an ARRI
Remote Control is
connected
LSI: When a jig application
is connected (for
adjustments)
TERMINAL: When a
terminal is connected
(for adjustments)
COLOR F900R
32 SCENE FILE
ENABLE
OFF (5)
ENABLE, DISABLE
ON, OFF (5)
To enable/disable selection
of F900R COLOR SPACE
mode
To turn the function to
expand the number of
scene files to be registered
to 32 on or off
1) Not displayed in Cine mode
Menu List
77
4-3-4 NETWORK Menu
The NETWORK menu items can be set in both Cine and
Custom modes.
Execute by ENTER. Execute by pushing on the MENU SEL/ENTER dial.
NETWORK menu
Page title
No. Item
Default
Settings
Remarks
<IP ADDR SET>
N01 HOST IP ADDRESS
SUBNET MASK
DEFAULT GATEWAY
SET
0.0.0.0
0.0.0.0 to 255.255.255.255
255.255.255.0 0.0.0.0 to 255.255.255.255
0.0.0.0
0.0.0.0 to 255.255.255.255
Execute by ENTER.
Power must be turned off
then on again to activate
the execution.
<ETHER I/F CONF> N02 AUTO NEGOTIATION ON
CONNECT CONFIGURATION
CONNECT SPEED 100M
10M, 100M
DUPLEX MODE
SET
FULL
HALF, FULL
Execute by ENTER.
Power must be turned off
then on again to activate
the execution.
<700PTP
SETTING>
N03 NS MODE
MCS MODE
LEGACY
(CLIENT)
0
LEGACY, BRIDGE, MCS
0 to 24
fixed
CAMERA NO.
Select a number other than
0 when connected.
MASTER IP ADDRESS 0.0.0.0
0.0.0.0 to 255.255.255.255
Execute by ENTER.
SET
<NETWORK
RESET>
N04 ALL RESET
Execute by ENTER.
To initialize all the
NETWORK menu settings
Menu List
78
4-3-5 FILE Menu
: Valid in Custom mode only
: Valid in both Cine and Custom modes
Execute by ENTER. : Execute by pushing on the MENU SEL/ENTER dial.
Note
The markings [F01] to [F04] in the No. column indicate the page numbers in Cine mode.
The pages marked with [ - - ] in the No. column are not displayed in Cine mode.
FILE menu
Page title
No. Item
Default
Settings
Remarks
<OPERATOR FILE> F01 READ (MStCAM)
Execute by ENTER.
To read the operator file from
a “Memory Stick”
[F01]
WRITE (CAMtMS)
PRESET
Execute by ENTER.
Execute by ENTER.
max.14 characters
To write the current settings
of the operator file items to a
“Memory Stick”
To set the operator file items
to the preset values in
internal memory
FILE ID
Enter a comment for the
operator file to be written to
a “Memory Stick.”
CAM CODE
DATE
F35
Camera code
display only
display only
Menu List
79
FILE menu
Page title
No. Item
Default
Settings
Remarks
<SCENE FILE>
F02 1
To store and load scene files
(paint data): When storing a
file in the camera’s memory,
specify the number before
executing STORE.
When reading, only specify
the number.
[ - - ]
2
3
4
5
01
01 to 32
To specify the scene file
number 01 to 32 when 32
SCENE FILE of <OTHERS
2> of the MAINTENANCE
menu is ON.
STORE
Execute by ENTER.
Execute by ENTER.
STANDARD
To read the standard paint
data stored in the reference
file
READ (MStCAM)
WRITE (CAMtMS)
FILE ID
Execute by ENTER.
Execute by ENTER.
Max.14 characters
To load scene files from a
“Memory Stick” to the
camera’s memory
To write scene files in the
camera’s memory to a
“Memory Stick”
Enter a comment for the
scene files to be written to a
“Memory Stick.”
CAM CODE
DATE
F35
Camera code
display only
display only
<REFERENCE>
F03 STORE FILE
[ - - ]
Execute by ENTER.
To store the current settings
of the reference file items in
the reference file in the
camera’s memory
STANDARD
Execute by ENTER.
To read the standard values
in the reference file in the
camera’s memory
READ (MStCAM)
Execute by ENTER.
Execute by ENTER.
To load a reference file from
a “Memory Stick”
WRITE (CAMtMS)
To write the current settings
of the reference file items as
a reference file to a “Memory
Stick”
FILE ID
Max.14 characters
Enter a comment for the
reference file to be written to
a “Memory Stick.”
CAM CODE
DATE
F35
F35
Camera code
display only
display only
<USER GAMMA>
F04 READ (MStCAM)
Execute by ENTER.
To load user gamma tables
from a “Memory Stick”
[F02]
FILE ID
Max.14 characters
Camera code
display only
display only
display only
CAM CODE
DATE
Menu List
80
FILE menu
Page title
No. Item
Default
Settings
Remarks
1)
<LENS FILE>
F05
[F03]
Execute by ENTER.
STORE FILE
No.
1
1 to 32
NAME
No Offset
1)
To set and store the center
marker position:
H: Increasing the value
moves it to the right.
V: Increasing the value
moves it downwards.
CENTER
1)
0
0
–96 to 95
H
1)
–54 to 53
V
1)
Execute by ENTER.
ON, OFF
STORE
WHITE R/B
ON
To turn the WHITE R/B
compensation by the lens
file ON/OFF
LENS MS READ/
WRITE
Execute by ENTER.
Execute by ENTER.
To jump to the subpage
<LENS FILE>
subpage
READ (MStCAM)
WRITE (CAMtMS)
FILE ID
To load a lens file from a
“Memory Stick” (max. 32
files)
Execute by ENTER.
Max.14 characters
To write the current settings
of the lens file items as a
lens file to a “Memory Stick”
Enter a comment for the lens
file to be written to a
“Memory Stick.”
CAM CODE
DATE
F35
Camera code
display only
display only
<OHB FILE>
F06 STORE FILE
[ - - ]
Execute by ENTER.
To store the offset values of
the items specific to the
CCD (No repeated store
operation is necessary even
if the CCD is reattached.)
Menu List
81
FILE menu
Page title
No. Item
Default
Settings
Remarks
<FILE PRESET>
F07 OPERATOR FILE
[F04]
Execute by ENTER.
To resume the factory-set
status
USER GAMMA FILE
Execute by ENTER.
Execute by ENTER.
To resume the factory-set
status
1)
To resume the factory-set
status for all lens files
LENS FILE (ALL)
1)
1 to 32
To resume the factory-set
status for a selected lens file
No.
1)
Execute by ENTER.
Execute by ENTER.
CLEAR
1)
To resume the factory-set
status
REFERENCE FILE
1)
OFF
ON, OFF
ON: To return a specific item
in the reference file to
the factory-set value.
For details, see “5-3-8
10 SEC CLEAR
1)
Execute by ENTER.
Execute by ENTER.
Execute by ENTER.
To jump to the <OHB FILE>
subpage
OHB FILE
USER MENU
To resume the factory-set
status
M. S. FORMAT
To initialize a “Memory Stick”
1)
To return all files except the
OHB file to their factory-set
statuses
FILE PRESET (–OHB)
<OHB FILE>
(<FILE PRESET>
subpage)
[ - - ] OHB WHITE SHADE
(ALL)
Execute by ENTER.
To return all the WHITE
SHADING data in the OHB
file to their factory-set
statuses.
3D WHITE SHADING
BLACK SHADING
BLACK SET
Execute by ENTER.
Execute by ENTER.
Execute by ENTER.
Execute by ENTER.
Execute by ENTER.
To return only the 3D WHITE
SHADING setting to its
factory-set status
To return only the BLACK
SHADING setting to its
factory-set status
To return only the BLACK
SET setting to its factory-set
status
ND OFFSET
To return only the ND
OFFSET setting to its
factory-set status
MATRIX
To return only the MATRIX
setting to its factory-set
status
1) Not displayed in Cine mode
Menu List
82
4-3-6 DIAGNOSIS Menu
This menu is only for viewing and no setting is made using
this menu.
Page title
No. Item
Indication
Remarks
<BOARD STATUS> D01 OHB
OK, NG
display only (If NG is displayed, consult
your local Sony representative.)
AD
OK, NG
DPR
VDA
TR
OK, NG
OK, NG
OK, NG
AT
OK, NG
<DOCK STATUS>
<PLD VERSION>
D02 TOP
REAR
NONE, IF BOX, VTR, OTHERS
display only
display only
display only
display only
display only
display only
display only
display only
display only
display only
display only
display only
NONE, IF BOX, VTR, OTHERS
D03 TG
AD
Vx.xxx
Vx.xxx
Vx.xxx
Vx.xxx
Vx.xxx
Vx.xxx
Vx.xxx
Vx.xxx
x.xx
PRE
POST
TX
RX
VDA
AT
<ROM VERSION>
D04 MAIN
NET
x.xx
Menu List
83
If a different page is displayed, turn the MENU SEL/
ENTER dial until the desired page appears, then push
on the MENU SEL/ENTER dial to select the page.
4-4 Editing the USER
Menu
Example: When you select the USER 2 EDIT page
USER 2 EDIT E03 TOP
You can select desired pages and items from the
c
OPERATION, PAINT, MAINTENANCE, NETWORK,
FILE, and DIAGNOSIS menus and register them to the
USER menu. If you specify pages or items frequently used
for the USER menu, you can easily call and use them.
The USER MENU CUSTOMIZE menu allows you to
configure a USER menu that consists only of pages and
items that you need, by your adding, deleting or replacing
pages.
4
Move the pointer to the item to be added (this
operation is unnecessary if no item exists on the page,
as shown in the figure for step 3) then push on the
MENU SEL/ENTER dial.
Creating a new page
The USER MENU CUSTOMIZE menu allows you to add
a new page to the USER menu.
The EDIT FUNCTION screen appears.
While the EDIT page contains factory-preset items, the
USER 1 EDIT to USER 19 EDIT pages are all blank in
their initial state. You can register up to 10 items, including
blank lines, on each of these pages.
EDIT FUNCTION
cINSERT
MOVE
DELETE
BLANK
ESC
To create a new page, proceed as follows.
1
2
While holding the CANCEL/STATUS button pressed,
press the VF MENU/DISPLAY button.
The TOP MENU screen appears.
5
6
Move the pointer to “INSERT” and push on the
MENU SEL/ENTER dial.
Turn the MENU SEL/ENTER dial to move the pointer
to “USER MENU CUSTOMIZE,” then push on the
MENU SEL/ENTER dial.
The page with the last item added appears.
<SW STATUS>
FLARE :c ON
P22 ESC
If this is the first time the USER MENU CUSTOMIZE
menu has been displayed, the CONTENTS page of the
menu appears.
GAMMA : ON
BLK GAM : OFF
KNEE : ON
WHT CLIP: ON
DETAIL : ON
LVL DEP : ON
SKIN DTL: OFF
MATRIX : OFF
CONTENTS
E00 TOP
xx
01.EDIT PAGE
02.USER 1 EDIT
c03.USER 2 EDIT
04.USER 3 EDIT
05.USER 4 EDIT
06.USER 5 EDIT
07.USER 6 EDIT
08.USER 7 EDIT
09.USER 8 EDIT
10.USER 9 EDIT
5600K
: OFF
Add the items.
1 Turn the MENU SEL/ENTER dial until the page
that has the desired items appears, then push on the
MENU SEL/ENTER dial.
If the USER MENU CUSTOMIZE menu has been
used before, the page last accessed appears.
2 Turn the MENU SEL/ENTER dial to move the
pointer to the desired item, then push on the MENU
SEL/ENTER dial.
3
If the CONTENTS page is displayed, turn the MENU
SEL/ENTER dial to move the pointer to any of USER
1 EDIT to USER 19 EDIT then push on the MENU
SEL/ENTER dial to display the page.
The USER 2 EDIT page appears again, displaying the
newly added item.
Editing the USER Menu
84
7
Add the remaining items by repeating steps 4 to 6.
1
2
Turn the MENU SEL/ENTER dial to move the pointer
to the item above which you wish to insert a blank line.
You can add up to 10 items on one page.
The EDIT FUNCTION screen appears.
To delete items from a page
Proceed as follows:
Select “BLANK” then push on the MENU SEL/
ENTER dial.
1
2
Move the pointer to the item to be deleted, and push on
the MENU SEL/ENTER dial.
The previously displayed page appears again, and a
blank line is inserted above the specified item.
The EDIT FUNCTION screen appears.
Note
You cannot insert a blank line on a page where 10 items
have already been registered.
Select “DELETE,” and push on the MENU SEL/
ENTER dial.
The previously displayed page appears again, and the
message “DELETE OK? Yes cNo” appears at the
upper right.
Adding/deleting/replacing pages
You can add a new page to the USER menu, delete a page
from the USER menu or replace pages, using the EDIT
PAGE of the USER MENU CUSTOMIZE menu.
3
To delete, turn the MENU SEL/ENTER dial to move
the pointer to “YES,” and push on the MENU SEL/
ENTER dial.
To add a page
Proceed as follows:
To change the order of items on a page
1
Select “USER MENU CUSTOMIZE” on the TOP
MENU screen.
Proceed as follows:
1
Turn the MENU SEL/ENTER dial to move the pointer
to the item to be moved, then push on the MENU SEL/
ENTER dial.
If this is the first time the USER MENU CUSTOMIZE
menu has been displayed, the CONTENTS page of the
menu appears. If the menu has been used before, the
last accessed page appears.
The EDIT FUNCTION screen appears.
2
If the CONTENTS page is displayed, turn the MENU
SEL/ENTER dial to move the pointer to “EDIT
PAGE”, then push on the MENU SEL/ENTER dial to
display the EDIT PAGE screen.
If a different page is displayed, turn the MENU SEL/
ENTER dial until the EDIT PAGE screen appears,
then push on the MENU SEL/ENTER dial to select the
page.
2
3
Select MOVE, then push on the MENU SEL/ENTER
dial.
The previously displayed page appears again.
Turn the MENU SEL/ENTER dial to move the pointer
to the position where you wish to move the item, then
push on the MENU SEL/ENTER dial.
ITEM MOVE
ESC
xx
EDIT PAGE
c01.<VF DISPLAY>
02.<'!' IND>
E01 ESC
cVF OUT
: COLOR
: OFF
xx
VF DETAIL
03.<MARKER SETTING>
04.<VF DETAIL>
05.<ZEBRA>
06.<MONITOR OUTPUT>
07.<PB MONI GAMMA>
08.<PB MIX SETTING>
09.<CHAR/MARK MIX>
10.<SHUTTER ASSIGN>
MARKER
CURSOR
ZEBRA SW
: ON
: OFF
: OFF
:
: OFF
1
zAS1
The item selected in step 1 moves to the position that
you selected in step 3.
In the above example, “AS1” is moved to the top and
the other items are moved down one line.
3
Turn the MENU SEL/ENTER dial to move the pointer
to where you wish to add the page, then push on the
MENU SEL/ENTER dial.
The EDIT FUNCTION screen appears.
To insert a blank line
Proceed as follows:
Editing the USER Menu
85
EDIT FUNCTION
cINSERT
MOVE
DELETE
ESC
ITEM DELETE
DELETE OK? cYES NO
01.<VF DISPLAY>
02.<'!' IND>
ESC
z03.<MARKER SETTING>
04.<VF DETAIL>
05.<ZEBRA>
06.<MONITOR OUTPUT>
07.<PB MONI GAMMA>
08.<PB MIX SETTING>
09.<CHAR/MARK MIX>
10.<SHUTTER ASSIGN>
4
5
Select INSERT then push on the MENU SEL/ENTER
dial.
3
To delete, turn the MENU SEL/ENTER dial to move
the pointer to “YES,” then push on the MENU SEL/
ENTER dial.
The selection screen appears.
To move a page
Proceed as follows:
CONTENTS
ESC
xx
c01.USER 1
02.USER 2
03.USER 3
04.USER 4
05.USER 5
06.USER 6
07.USER 7
08.USER 8
09.USER 9
10.USER 10
1
Display the EDIT PAGE screen of the USER MENU
CUSTOMIZE menu. Turn the MENU SEL/ENTER
dial to move the pointer to the page that you wish to
move.
The EDIT FUNCTION screen appears.
Turn the MENU SEL/ENTER dial to move the pointer
to the desired page, then push on the MENU SEL/
ENTER dial.
2
3
Select “MOVE” then push on the MENU SEL/ENTER
dial.
The EDIT PAGE screen appears again.
This adds the number and name of the selected page
above the item selected in step 3.
Turn MENU SEL/ENTER dial to move the pointer to
the position to which you wish to move the page
selected in step 1.
To cancel addition of a page
Before pushing the MENU SEL/ENTER dial in step 5,
turn the MENU SEL/ENTER dial to move the pointer to
“ESC” at the top right of the screen, then push on the
MENU SEL/ENTER dial.
ITEM MOVE
ESC
xx
01.<VF DISPLAY>
02.<'!' IND>
c03.<MARKER SETTING>
04.<VF DETAIL>
05.<ZEBRA>
The EDIT PAGE screen appears again.
06.<MONITOR OUTPUT>
07.<PB MONI GAMMA>
z08.<PB MIX SETTING>
09.<CHAR/MARK MIX>
10.<SHUTTER ASSIGN>
To delete a page
Proceed as follows:
1
On the EDIT PAGE screen of the USER MENU
CUSTOMIZE menu, move the pointer to the page to
be deleted, and push on the MENU SEL/ENTER dial.
4
Push on the MENU SEL/ENTER dial.
The page selected in step 1 is moved to the position
selected in step 3.
The EDIT FUNCTION screen appears.
In the above example, <PB MIX SETTING> moves to
the “03” position, and the <MARKER SETTING> and
following pages move down one line.
2
Select “DELETE” then push on the MENU SEL/
ENTER dial.
The previously displayed page appears again, and the
message “DELETE OK?” appears at the upper right.
Returning the USER menu to the factory-
set status
Use the <FILE PRESET> page of the FILE menu.
Editing the USER Menu
86
Storage and Retrieval of
User Setting Data
5
Chapter
the <LENS FILE> page of the FILE menu or using the
MSU-900/950.
You can back up the lens files in a “Memory Stick.”
5-1 File Configuration
Note
This system permits various settings and adjustment data
to be stored as data files in built-in memory or a “Memory
Stick” in order to facilitate later operations or adjustments.
A stored data file can be retrieved, as required, to
reproduce the stored setting statuses.
In Cine mode, only retrieval of lens files is possible.
Modification of file data or file creation is not possible.
Items stored
The items that are stored in lens files are marked with “a”
in the “L” column of the table in “5-2 List of Items Stored
Note
In Cine mode, some file operations will be limited.
Scene files
Scene files store data adjusted on the PAINT menu for
specific scenes.
The following six kinds of files are designed for the
system:
For example, if you store data prepared in rehearsal for a
particular scene in a scene file, the data can be retrieved to
reproduce the same camera settings for the actual take.
For file operation, use the <SCENE FILE> page of the
PAINT or FILE menu. You can also use the MSU-900/950
Master Setup Unit for the file operation.
Operator file
This file stores operational settings not related to picture
quality. At shipment, the operator file with the default
settings has been stored in built-in memory.
After the default settings are changed, those changed
setting data can be stored as the operator file in a “Memory
Stick” for later use.
For file operation, use the <OPERATOR FILE> page of
the USER (OPERATION) menu or that of the FILE menu.
Scene files are stored in built-in memory. You can also
back up the scene files in a “Memory Stick.”
Note
In Cine mode, scene file operation is disabled.
Items stored
To use 32 scene files
Set 32 SCENE FILE to ON on the <OTHERS 2> page of
the MAINTENANCE menu.
Lens files
Note
Names of different lenses and standard values for these
lenses can be registered in lens files in built-in memory of
the camera.
When you remount the lens after using another lens, the
appropriate compensation for the lens can be achieved
easily by reading the file corresponding to the lens.
If you return 32 SCENE FILE” to OFF, all scene files No.
6 to 32 are initialized when you next set it to ON. (Scene
files No. 1 to 5 are maintained.)
Items stored
The items that are stored in scene files are marked with
Creation and modification of lens files are made in Custom
mode.
Adjust necessary items, using the PAINT and
MAINTENANCE menus or using the MSU-900/950
Master Setup Unit, then store the adjustment data, using
File Configuration
87
Reference file
Note
This file stores the standard settings of the camera that can
be used as a reference when adjusting the camera.
If STANDARD is executed on the <SCENE FILE> page of
the PAINT menu or the <REFERENCE> page of the FILE
menu, or with the MSU-900/950 Master Setup Unit,
manually adjusted values of the camera will be reset to the
reference values that have been stored in the reference file.
At shipment, the reference file with the initial settings is
stored in built-in memory.
In Cine mode, the OHB file can be retrieved automatically,
but the data in the OHB file cannot be modified.
Items stored
The items that are stored in the OHB file are marked with
The initial settings can be modified, as required, then
stored as the new reference file.
For file operation, use the <REFERENCE> page of the
FILE menu. You can also use the MSU-900/950 Master
Setup Unit for file operation.
You can back up the reference file in a “Memory Stick.”
Notes
• In Cine mode, the reference file data are fixed as those at
shipment and cannot be modified.
• As relative adjustment values with regard to the
reference file data are stored in a scene file, if data of the
reference file are modified, the scene files also need
modification.
Items stored
The items that are stored in the reference file are marked
User-Gamma file
The gamma-curve data (User Gamma) created using
CvpFileEditor application software can be loaded to the
camera via a “Memory Stick.” This enables reproduction
of images closer to those that individual users wish to
reproduce.
For file operation, use the <USER GAMMA> page of the
FILE menu.
The User-Gamma file is stored in built-in memory. Backup
of the User-Gamma file in a “Memory Stick” is not
possible.
Note
In Cine mode, operation of the User-Gamma file via a
“Memory Stick” is not possible.
OHB file
The OHB file stores the offset values of items specific to
the CCD unit.
For file operation, use the <OHB FILE> page of the FILE
menu. You can also use the MSU-900/950 Master Setup
Unit for this operation.
File Configuration
88
Menu page
(No. in Custom
mode)
Item
S
R
L
O
5-2 List of Items Stored
in Files
<DETAIL 1>
(P08)
DETAIL ON/OFF
LEVEL
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
LIMITER M
LIMITER WHT
LIMITER BLK
CRISP
The items that are stored in scene files, the reference file,
the lens files, and the OHB file are listed in the table below.
For details on setting values, see the corresponding items
LVL DEP
LVL DEP ON/OFF
H/V RATIO
S: Scene file
R: Reference file
L: Lens file
<DETAIL 2>
(P09)
FREQ
O: OHB file
MIX RATIO
KNEE APT
KNEE APT ON/OFF
Menu page
(No. in Custom
mode)
Item
S
R
L
O
<VIDEO LEVEL> WHITE [R] [G] [B]
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
<SKIN DETAIL> SKIN DTL ON/OFF
(P10)
(P02)
WHITE [R] [B]
a
a
PHASE
BLACK [R] [G] [B] [M]
FLARE [R] [G] [B]
FLARE ON/OFF
WIDTH
SAT
LEVEL
<GAMMA>
(P03)
LEVEL [R] [G] [B] [M]
BLACK [M]
<USER
MATRIX>
(P11)
R-G
R-B
COARSE
G-R
TABLE
G-B
GAMMA ON/OFF
LEVEL [R] [G] [B] [M]
RANGE
B-R
<BLACK
GAMMA>
(P04)
B-G
MATRIX ON/OFF
RANGE ON/OFF
USER MATRIX ON/
OFF
a
a
a
a
BLACK GAMMA
ON/OFF
a
a
a
a
a
a
MULTI MATRIX ON/
OFF
<SATURATION> SATURATION
(P05)
<MULTI
MATRIX>
(P12)
HUE
SAT
a
a
a
a
a
a
a
a
SATURATION ON/
OFF
LOW KEY SAT
RANGE
a
a
a
a
<SHUTTER/
FPS>
(P13)
SHUTTER
VAR
<KNEE>
(P06)
K POINT
[R] [G] [B] [M]
a
a
a
a
<WHITE
SHADING>
(M03)
V SAW [R] [G] [B]
V PARA [R] [G] [B]
H SAW [R] [G] [B]
H PARA [R] [G] [B]
V SAW [R] [G] [B]
V PARA [R] [G] [B]
H SAW [R] [G] [B]
H PARA [R] [G] [B]
BLK SET [R] [G] [B]
MASTER GAIN
a
a
a
a
a
a
a
a
a
a
a
a
a
K SLOPE
[R] [G] [B] [M]
KNEE ON/OFF
KNEE SAT
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
<BLACK
SHADING>
(M04)
KNEE SAT ON/OFF
AUTO KNEE
POINT LIMIT
SLOPE
<WHITE CLIP>
(P07)
W CLIP [R] [G] [B] [M]
W CLIP ON/OFF
a
a
List of Items Stored in Files
89
Menu page
(No. in Custom
mode)
Item
S
R
L
O
5-3 File Operations
<OHB MATRIX> HUE
(M05)
a
a
a
SAT
5-3-1 Using a “Memory Stick”
OHB MATRIX
ND filter selection
ND offset
a
You can use “Memory Stick PRO” media with this camera.
“Memory Stick PRO Duo” can also be used without using
a Memory Stick Duo adaptor.
a
The camera operations have been checked using “Memory
Stick PRO” media up to 8GB.
Operations checked with:
MSH-128
MSX-512S
MSX-M2GS
MSX-M4GS
MSX-M8GS
Inserting a “Memory Stick”
Insert a “Memory Stick” with the label side up into the
“Memory Stick” slot until it clicks and the access lamp
lights in red. When the “Memory Stick” is properly set, the
lamp illumination changes to green.
Access lamp
Label side
Memory Stick
If it does not fit into the slot properly or if there is some
resistance when you insert it, the “Memory Stick” may be
turned around or upside-down. Do not force the “Memory
Stick” into the slot. Confirm the direction of the notch and
arrow on the “Memory Stick” before inserting the
“Memory Stick,” and then try inserting it again.
Removing the “Memory Stick”
Confirm that the access lamp is not lit in red, then lightly
push in the “Memory Stick” to release the lock.
Note
If the access lamp is lit in red, data are being read from or
written to the “Memory Stick” At this time, do not shake
File Operations
90
the product or subject it to shock. Do not turn off the power
to the product or remove the “Memory Stick.” This may
damage the data.
<FILE PRESET>
OPERATOR FILE
F07 TOP
USER GAMMA FILE
LENS FILE
REFERENCE FILE
10 SEC CLEAR: OFF
OHB FILE
USER MENU
cM.S. FORMAT
Protecting saved data
To prevent accidental erasure of important setup data, use
the LOCK switch on the “Memory Stick.”
Slide the switch right to the write protect position. This
ensures that you cannot inadvertently overwrite data on the
“Memory Stick.”
FILE PRESET (-0HB)
During formatting, “MEMORY STICK ACCESS” is
displayed.
When formatting is completed, “COMPLETE” is
displayed.
LOCK switch
5-3-2 Storage and Retrieval of the
Operator File
Use the <OPERATOR FILE> page of the FILE menu.
Notes on using and storing the “Memory
Stick”
<OPERATOR FILE> F01 TOP
t
READ (MS CAM)
WRITE (CAMtMS )
• Avoid touching the connector of the “Memory Stick” or
contacting it with a metal object.
• When attaching a label to the “Memory Stick,” use only
the label supplied for the “Memory Stick.”
• Do not drop, bend, or submit the “Memory Stick” to
external shock.
PRESET
FILE ID:
CAM CODE
DATE
• Do not disassemble or modify the “Memory Stick.”
• Avoid getting liquids on the “Memory Stick.”
• Avoid using or storing the “Memory Stick” in a location
subject to:
The <OPERATOR FILE> page is also included in the
—extremely high temperature such as the hot inside of a
car or the outdoors exposed to a burning sun, or a
place near a heater
To store the operator file in a “Memory
Stick”
—direct sunlight
• When storing and carrying the “Memory Stick,” keep it
in its original case to ensure protection of important data.
• Do not format the “Memory Stick” using a PC.
Formatting of the “Memory Stick” can be performed on
the <FILE PRESET> page of the FILE menu.
Perform necessary settings for the operation items and the
customized USER menu for the operator file you wish to
store.
1
2
Insert a “Memory Stick” into the “Memory Stick” slot
of the camera.
To format a “Memory Stick”
Use the <FILE PRESET> page of the FILE menu.
Position the pointer to WRITE (CAM t MS) and
push on the MENU SEL/ENTER dial.
You can add a comment (maximum: 14 characters) to the
operator file to be stored in the “Memory Stick” by
specifying it on the FILE ID line.
1
Insert a “Memory Stick” you wish to format into the
“Memory Stick” slot of the camera.
2
3
Call up the <FILE PRESET> page of the FILE menu.
Position the pointer to M.S. FORMAT and push on the
MENU SEL/ENTER dial.
To retrieve the operator file stored in a
“Memory Stick”
The operator file stored in the “Memory Stick” can be read
out into built-in memory of the camera.
File Operations
91
1
2
Insert the “Memory Stick” into the “Memory Stick”
slot of the camera.
Note
The WHITE R/B item is provided only for confirming the
effect of compensation (comparison between when the file
is used and not used). The file cannot be stored with
WHITE R/B set to OFF.
Position the pointer to READ (MS t CAM) and push
on the MENU SEL/ENTER dial.
The camera will be set according to the data loaded from
the operator file.
To store in or retrieve from a “Memory
Stick”
Position the pointer to LENS MS READ/WRITE and push
on the MENU SEL/ENTER dial. The subpage will be
displayed.
To return the operator file items to the
factory-set values
Position the pointer to PRESET and push on the MENU
SEL/ENTER dial.
<LENS FILE>
ESC
the FILE menu for this purpose.
t
READ (MS CAM)
WRITE (CAMtMS )
5-3-3 Registration and Retrieval of
the Lens Files
FILE ID:
CAM CODE
DATE
The registered lens files can be retrieved via the subdisplay
or the <LENS FILE> page of the OPERATION menu.
To register the data you adjusted for the mounted lens as a
lens file, or to use a “Memory Stick,” the <LENS FILE>
page of the FILE menu is used.
To store
Position the pointer to WRITE (CAM t MS) then push
on the MENU SEL/ENTER dial.
You can add a comment (maximum: 14 characters) to the
lens file to be stored in the “Memory Stick” by specifying
it on the FILE ID line.
<LENS FILE>
cSTORE FILE
F05 TOP
No. : 1
NAME: No Offset
CENTER H :
V :
WHITE R/B: ON
0
0
STORE
To retrieve
LENS MS READ/WRITE
Position the pointer to READ (MS t CAM) then push on
the MENU SEL/ENTER dial.
To store the data as a lens file in built-in
memory
Perform necessary settings for the items marked with “a”
in the L column of the table in “5-2 List of Items Stored in
Files” for the lens file you wish to store.
5-3-4 Storage and Retrieval of the
Scene Files
Use the <SCENE FILE> page of the FILE menu. The
<SCENE FILE> page is also included in the PAINT menu.
The operation method is the same.
1
Select the file number, and set the file name.
<SCENE FILE>
1 2 3 4 5
F02 TOP
STORE
--
STANDARD
READ (MS pCAM)
WRITE (CAMpMS )
2
Position the pointer to STORE FILE and push on the
MENU SEL/ENTER dial.
Storage of the position settings for the center marker can
be independently performed.
FILE ID:
CAM CODE
DATE
You can confirm the effect of the WHITE R/B
compensation that has been set in the file, by changing the
setting for WHITE R/B to OFF.
File Operations
92
2
Position the pointer to READ (MS t CAM) and push
on the MENU SEL/ENTER dial.
To store a scene file in built-in memory
Perform necessary settings for the items for the scene file
you wish to store.
5-3-5 Storage and Retrieval of the
Reference File
1
2
Position the pointer to STORE and push on the MENU
SEL/ENTER dial.
Position the pointer to the number of the file in which
you wish to store your settings and push on the MENU
SEL/ENTER dial.
Use the <REFERENCE> page of the FILE menu.
<REFERENCE>
F03 TOP
STORE FILE
STANDARD
During the storage process, “MEMORY STICK
ACCESS” is displayed.
When storage is completed, “COMPLETE” is displayed.
t
READ (MS CAM)
WRITE (CAMtMS )
FILE ID:
CAM CODE
DATE
To retrieve a scene file stored in built-in
memory
Position the pointer to the number of the file that you wish
to retrieve and push on the MENU SEL/ENTER dial.
The statuses specified in the retrieved file will be
reproduced.
Setting 32 SCENE FILE to ON on the <OTHERS 2> page
of the MAINTENANCE menu expands the number of
usable scene files to 32.
To retrieve the reference file (standard
settings) stored in built-in memory
Position the pointer to STANDARD and push on the
MENU SEL/ENTER dial.
To store the reference file in built-in
memory
Perform necessary settings for the reference-file items you
wish to store.
Position the pointer to STORE FILE and push on the
MENU SEL/ENTER dial.
Note
If you return 32 SCENE FILE to OFF, all scene files No. 6
to 32 are initialized when you next set it to ON. (Scene files
No. 1 to 5 are maintained.)
To store the scene files in a “Memory
Stick”
Scene files stored in built-in memory of the camera can be
read out to a “Memory Stick.”
To store the reference file in a “Memory
Stick”
1
2
Insert a “Memory Stick” into the “Memory Stick” slot
of the camera.
1
2
Insert a “Memory Stick” into the “Memory Stick” slot
of the camera.
Position the pointer to WRITE (CAM t MS) and
push on the MENU SEL/ENTER dial.
Position the pointer to WRITE (CAM t MS) and
push on the MENU SEL/ENTER dial.
You can add a comment (maximum: 14 characters) to the
reference file to be stored in the “Memory Stick” by
specifying it on the FILE ID line.
You can add a comment (maximum: 14 characters) to the
scene files to be stored in the “Memory Stick” by
specifying it on the FILE ID line.
To retrieve the reference file stored in the
“Memory Stick”
The reference file stored in the “Memory Stick” can be
read out into built-in memory of the camera.
To retrieve scene files stored in a “Memory
Stick”
Scene files stored in the “Memory Stick” can be read out
into built-in memory of the camera.
1
Insert the “Memory Stick” into the “Memory Stick”
slot of the camera.
1
Insert the “Memory Stick” into the “Memory Stick”
slot of the camera.
File Operations
93
2
Position the pointer to READ (MS t CAM) and push
Adjusting the ND offset values
on the MENU SEL/ENTER dial.
If an ND filter is attached to the matte box, etc., the white
balance may be in variance. In such a case, adjust the ND
offset so that you can retrieve the white balance
compensation value using the ND filter selection page on
the subdisplay.
The camera will be adjusted according to the data of the
reference file.
The offset values ND: 2 to 5 are stored with respect to the
white balance stored for ND: 1 as the reference.
5-3-6 Reading of the User Gamma
To read out gamma-curve (User Gamma) data that have
been created using CvpFileEditor application software
from the “Memory Stick,” use the <USER GAMMA>
page of the FILE menu.
Adjustment procedure
1
2
3
4
5
Switch the camera to Custom mode, referring to “3-1-
<USER GAMMA>
F04 TOP
Execute STANDARD on the <REFERENCE> page of
the FILE menu.
t
cREAD (MS CAM)
Execute AUTO BLACK on the <AUTO SETUP> page
of the MAINTENANCE menu.
FILE ID
CAM CODE
DATE
Connect a waveform monitor via the MONITOR OUT
HD SDI connector 1 or 2 of the camera.
Insert the “Memory Stick” into the “Memory Stick” slot of
the camera. Position the pointer to READ (MS t CAM)
and push on the MENU SEL/ENTER dial.
Attach the ND filter having the lowest permeability
among the ND filters to be used with this camera, and
shoot a gray-scale chart.
Check that the lighting condition permits a video level
in the range of 560 to 630 mV to be obtained and write
down the current video level.
Note
5-3-7 Storage of the OHB File
If a video level in the range of 560 to 630 mV cannot
be obtained, do not adjust the ND offsets.
Use the <OHB FILE> page of the FILE menu.
1
2
Execute STANDARD on the <REFERENCE> page of
the FILE menu.
6
7
Attach the ND filter to be used as the reference for
white balance adjustment and select ND: 1.
Using the MAINTENANCE menu, perform necessary
settings for the items marked with “a” in the “O”
column of the table in “5-2 List of Items Stored in
Files” for the file you wish to store.
Adjust the iris of the lens so that the video level you
wrote down in step 5 is obtained.
8
9
Perform the auto white balance adjustment.
3
Call up the <OHB FILE page of the FILE menu,
position the pointer to STORE FILE then push on the
MENU SEL/ENTER dial.
Replace the ND filter, change to ND: 2, and repeat
steps 7 and 8.
10Replace the ND filter, change to ND: 3 and repeat
<OHB FILE>
cSTORE FILE
F06 TOP
steps 7 and 8.
11Replace the ND filter, change to ND: 4 and repeat
steps 7 and 8.
12Replace the ND filter, change to ND: 5 and repeat
steps 7 and 8.
File Operations
94
13Store the ND offset values in the OHB file, by
executing STORE FILE on the <OHB FILE> page of
the FILE menu.
To reset the data of the OHB file
In a case of the OHB file, resetting can be performed by
item.
Position the pointer to OHB FILE then push on the MENU
SEL/ENTER dial. The <OHB FILE PRESET> page will
be displayed.
Note
Be sure to accurately adjust to the video level you noted in
step 5. If the level is not obtained through the iris
adjustment of the lens, use the shutter function or the
master gain adjustment.
<OHB FILE PRESET>
ESC
cWHITE SHADING(ALL)
3D WHITE SHADING
BLACK SHADING
BLACK SET
NO OFFSET
MATRIX
To use the ND offset values
An appropriate offset value is automatically retrieved
when you change the ND filter setting.
To initialize the ND offset values
Perform ND OFFSET on the <OHB FILE> page (subpage
of the <FILE PRESET> page of the FILE menu).
Position the pointer to the item you wish to reset then push
on the MENU SEL/ENTER dial.
To reset a specific item in the reference file
to the initial setting
The items in the reference file can be reset individually.
5-3-8 Resetting to the Initial
Settings
With the <FILE PRESET> page of the FILE menu, data in
the modified files or the configuration of the edited USER
menu can be reset to the initial settings, by type of files or
collectively.
1
2
On the <FILE PRESET> page, set 10 SEC CLEAR to
ON.
Shift to the menu page on which the item you wish to
reset is located. Position the pointer to the item you
wish to reset then hold the MENU SEL/ENTER dial
pressed.
<FILE PRESET>
cOPERATOR FILE
F07 TOP
USER GAMMA FILE
LENS FILE(ALL)
No.: 1 CLEAR: EXEC
REFERENCE FILE
10 SEC CLEAR: OFF
OHB FILE
USER MENU
M.S. FORMAT
FILE PRESET (-OHB)
Continue to hold the MENU SEL/ENTER dial pressed
after the pointer changes to a question mark (?).
After about 3 seconds, the current setting of the
corresponding item will be reset to the initial setting,
and “CLEARED” will be displayed.
If the dial is continuously held pressed, after about
additional 7 seconds, the setting of the corresponding
item that is stored in the reference file will be reset to
the initial setting, and “REF CLEARED” will be
displayed.
To reset data of files by type of files
To reset data of the operator file, User-Gamma
file, and reference file
Position the pointer to the corresponding line then push on
the MENU SEL/ENTER dial.
The data in the corresponding file in built-in memory will
be reset to the initial settings.
The configuration of the USER menu can be reset in the
same manner.
To reset the files and settings collectively
All files except the OHB file can be reset simultaneously.
Position the pointer to FILE PRESET (–OHB) on the
<FILE PRESET> page then push on the MENU SEL/
ENTER dial. The message “POWER OFF TO SET” will
be displayed. Set the POWER switch of the camera to OFF.
To reset data of the lens files
• To reset data of all lens files, position the pointer to
LENS FILE (ALL) and push on the MENU SEL/
ENTER dial.
• To reset data of a specific lens file, assign the file number
in the No. column and push on the MENU SEL/ENTER
dial to position the pointer to the CLEAR column. Then
push on the MENU SEL/ENTER dial again.
File Operations
95
Appendixes
Settings on the RM-B750
Using the RM-B750
MONITOR button
When the RM-B750 Remote Control Unit (optional) is
connected, you can control the menu settings of this
camera and monitor the camera images on the display of
the RM-B750.
MONITOR
Maintenance Menu
Auto
Camera
Config
Adjusting
File
FUNCTION
VF DISP
Setup
Super
Motion
MAINTENANCE
VF MENU
RM
Config
Memory
Stick
LCD
Connection
SCENE
CANCEL
PAINT
ENTER
Using the remote control cable supplied with the RM-
B750, connect the CAMERA connector of the RM-B750
and the REMOTE connector of the camera.
MENU SELECT
BRIGHT
CONTRAST
MAINTENANCE menu [RM Config]
RM-B750
MAINTENANCE/VF MENU button
P
ANEL STANDARD MONITOR TEST
BARS
CLOSE
VTR
START/STOP
ACTIVE
MEMORY
STICK
5600K
AUTO
KNEE
SKIN
BLACK
KNEE
DETAIL GAMMA SATURATION
AWB
ABB
WHITE
FUNCTION
REMOTE
CAMERA
ABS
BLACK
MAINTE
NANCE
SCENE
AUTO IRIS/MB
MASTER
ACTIVE
BLACK
IRIS
PAINT
EXT
1
2
Press the MAINTENANCE/VF MENU button to
display the maintenance menu on the LCD/touch
panel.
IRIS
ALARM
REMOTE CONTROL UNIT
Press [RM Config] on the touch panel to display the RM
configuration menu.
Operating the Menu of This Camera
3
4
Press [Security] to set the unit to Engineering Mode.
The menu of this camera can be displayed on the display
of the RM-B750 and be set from the RM-B750.
Press [SW Setting] to change to the SW Setting display
and set the VF Menu to Control Enable.
Settings on this camera
• Set RM VIDEO to VBS on the <MONITOR OUTPUT>
page of the USER (OPERATION) menu.
• Set VBS of CHAR to ON on the <CHAR/MARK MIX>
page of the USER (OPERATION) menu.
• Set NS MODE to LEGACY on the <700PTP
SETTING> page of the NETWORK menu.
5
Press [Exit] to cancel the menu mode.
If you press the MONITOR button, a menu page of this
camera will be displayed on the display of the RM-B750.
Pressing the MAINTENANCE/VF MENU button enables
the menus of this camera to be set from the RM-B750.
For details on the operations, refer to the Operation
Manual of the RM-B750.
Using the RM-B750
96
Monitoring the Camera Image
Using the MSU-900/950
Settings on this camera
Set RM VIDEO to VBS on the <MONITOR OUTPUT>
page of the USER (OPERATION) menu.
You can adjust this camera from the MSU-900/950 Master
Setup Unit via an Ethernet cable.
You can use either Bridge mode to control a camera from
an exclusive MSU-900/950 or Multi mode to control
multiple cameras from one MSU-900/950 or from multiple
remote controllers, including the MSU-900/950 via a
HUB.
Settings on the RM-B750
Press the MONITOR button. The camera image will be
displayed on the display of the RM-B750.
VBS signals are fed to an external monitor if connected via
the MONITOR connector of the RM-B750.
Connections
Bridge mode
For using one camera on an Ethernet network.
Using an Ethernet cable, connect the MSU-900/950 to the
(network) connector of this camera.
You may use the remote cable connection simultaneously.
Example
MSU-900/950
REMOTE
REMOTE
P
ANEL STANDARD MONITOR TEST
BARS
CLOSE
VTR
START/STOP
ACTIVE
MEMORY
STICK
5600K
AUTO
KNEE
SKIN
BLACK
KNEE
DETAIL GAMMA SATURATION
AWB
ABB
WHITE
FUNCTION
ABS
BLACK
MAINTE
NANCE
SCENE
AUTO IRIS/MB
MASTER
ACTIVE
BLACK
IRIS
PAINT
EXT
IRIS
ALARM
REMOTE CONTROL UNIT
RM-B750
Multi (MCS) mode
Connect the Ethernet cable connected to the
connector of this camera to the HUB.
(network)
You may use the remote cable connections simultaneously.
Notes
• Remote cable connections will be invalid if the master
unit is not connected to the same network.
• If the master-specified MSU-900/950 is off, all the
network/remote communications are disabled.
• Do not connect devices having the same IP address to the
network.
• Do not connect cameras having the same ID number to
the network. Communications would be disabled on
both cameras.
Using the MSU-900/950
97
Example
MSU-900/950
REMOTE
REMOTE
P
ANEL STANDARD MONITOR TEST
BARS
KNEE
CLOSE
VTR
START/STOP
ACTIVE
MEMORY
STICK
5600K
AUTO
KNEE
SKIN
BLACK
DETAIL GAMMA SATURATION
AWB
ABB
WHITE
FUNCTION
ABS
BLACK
MAINTE
NANCE
SCENE
AUTO IRIS/MB
MASTER
ACTIVE
BLACK
IRIS
PAINT
EXT
IRIS
ALARM
REMOTE CONTROL UNIT
HUB
RM-B750
REMOTE
REMOTE
P
ANEL STANDARD MONITOR TEST
BARS
KNEE
CLOSE
VTR
START/STOP
ACTIVE
MEMORY
STICK
5600K
AUTO
KNEE
SKIN
BLACK
DETAIL GAMMA SATURATION
AWB
ABB
WHITE
FUNCTION
ABS
BLACK
MAINTE
NANCE
SCENE
AUTO IRIS/MB
MASTER
ACTIVE
BLACK
IRIS
PAINT
EXT
IRIS
ALARM
REMOTE CONTROL UNIT
RM-B750
REMOTE
REMOTE
P
ANEL STANDARD MONITOR TEST
BARS
KNEE
CLOSE
VTR
START/STOP
ACTIVE
MEMORY
STICK
5600K
AUTO
KNEE
SKIN
BLACK
DETAIL GAMMA SATURATION
AWB
ABB
WHITE
FUNCTION
ABS
BLACK
MAINTE
NANCE
SCENE
AUTO IRIS/MB
MASTER
ACTIVE
BLACK
IRIS
PAINT
EXT
IRIS
ALARM
REMOTE CONTROL UNIT
RM-B750
Parameter Settings
Settings on the camera
Set the communication parameters using the NETWORK menu.
page
Item
Setting in Bridge mode
Setting in Multi mode
<IP ADDR SET>
HOST IP ADDRESS
SUBNET MASK
IP address specific to the camera
T
Value corresponding to the network
environments in use
T
DEFAULT GATEWAY
Value corresponding to the network
environments in use
T
T
1)
<ETHER I/F CONF> AUTO NEGOTIATION
CONNECT SPEED
ON or OFF
No setting required if AUTO
NEGOTIATION is set to ON. For the
OFF setting, select 10M or 100M.
T
DUPLEX MODE
<700PTP SETTING> NS MODE
CAMERA NO.
Select HALF or FULL.
BRIDGE
T
MCS
No setting required
ID number specific to the camera
MASTER IP ADDRESS
Set the IP address of the MSU-900/ Set the IP address of the master
950 connected. MSU-900/950.
1) While the connection may be steady with the ON setting, the performances
are improved with an OFF setting for the collateral condition.
Using the MSU-900/950
98
Settings on the MSU-900/950
Set the unit to Engineer mode and set the communication
parameters, using the Ethernet Configuration menu.
For details on operations, refer to the Operation Manual of
the MSU-900/950.
Menu
Item
Setting in Bridge mode
Setting in Multi mode
Master unit
MCS
Subordinate unit(s)
Connection
Mode selection Bridge
Target IP SET
IP addresses of the connected
cameras
No setting required
Master IP SET
No setting required
IP address of the master
unit
Master/Client
selection
No setting required
Client
T
MSU No.
Negotiation
Speed
No setting required
AUTO or OFF
1
2
Negotiation
T
T
No setting required if Negotiation
is AUTO.
For the OFF setting, select 10M or
100M.
T
T
T
T
Duplex
No setting required if Negotiation
is AUTO.
For the OFF setting, select HALF
or FULL.
IP Address
Setting
IP Address
Net Mask
IP address specific to the MSU
T
T
T
T
Value corresponding to the
network environments in use
Gateway
Address
Value corresponding to the
network environments in use
T
T
Notes on Ethernet connection
• For stable operations of the connected devices, use the
system in a local network, without connecting to the
Internet.
• Do not connect any device to the local network other
than the system units for this camera.
Recommended remote control devices for
which operation tests have been made
Sony made
• MSU-900/950
• RM-B750
Equipment from other vendors
HUB CentreCOM FS909M-PS
Using the MSU-900/950
99
Using the ARRI Remote
Control
You can set the shutter angle, FPS and start/stop recording/
playback from the ARRI-made WRC-2 (Wireless Remote
Control 2).
FPS can be continuously changed even while operation is
in progress (manual Ramp or programmable Ramp).
The system format, input voltage to the camera, and tape
remaining of the recorder can be observed on the WRC-2.
Connection and preparations
Two types of connection are permitted: direct wiring to the
EXT I/O connector of the camera and wireless connection
via the UMC-3 (Universal Motor Controller).
In either case, a special cable is required.
Version updating and modification for 12 V power are also
required on the WRC-2 and UMC-3.
For details on ARRI products, contact ARNOLD &
RICHTER CINE TECHNIK.
Using the ARRI Remote Control
100
About Metadata
Metadata that can be embedded in recording and can be read in playback are shown below:
USER 1
Data types
U-Hex: unsigned hexadecimal S-Hex: signed hexadecimal ASCII: ASCII code BCD: binary-coded decimal
Data
size
(byte)
Recorded
data
(HEX)
Sample
No.
Relative Data
address type
Bit
Name
Contents
0
1
2
3
4
5
6
000h
3FFh
3FFh
51h
3
Ancillary Data Flag
1
1
1
1
DID
SDID
DC
01h
42h
Data Count (from “Key” to “CRC”)
USER1
0
1
00
01
Key
F0h
Data Length (from next to “Length” to before
“CRC”)
7
1
2
Length
3Eh
8
2
3
4
5
6
7
8
9
02
03
04
U-Hex
Model Name
2022h
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
3
4
05 U-Hex
Serial No
Serial number (6 digits)
Frame counter
06
07
08
U-Hex
09
Frame Number
10 0A
1
1
11 0B U-Hex
12 0C U-Hex
13 0D
System Format
FPS
Subtable 1 (see page 105)
1 to 60 (frame/sec)
14 0E
4.3 to 360.0
(For a value with fewer than 5 digits, the unused
leading digits are padded with spaces.
Example. _ _4.3)
5
15 0F ASCII
16 10
Shutter Angle
17 11
18 12
19 13
1.000 to 5600 (1/sec)
(For a value with fewer than 5 digits, the unused
leading digits are padded with spaces.)
5
2
20 14 ASCII
21 15
Shutter Speed
ISO
22 16
23 17
U-Hex
220 to 2300
24 18
25 19
U-Hex
2
1
D-Range %
Master Gain
250 to 800 (%)
26 1A
27 1B U-Hex
Subtable 2 (see page 105)
About Metadata
101
Data
size
(byte)
Recorded
data
(HEX)
Sample
No.
Relative Data
address type
Bit
Name
Contents
34
35
36
37
1
1
1
1
28 1C U-Hex
29 1D U-Hex
30 1E U-Hex
31 1F U-Hex
ND
1: ND_1, 2: ND_2, 3: ND_3, 4: ND_4, 5: ND_5
(reserved)
Color Space
0: S-GAMUT, 1: F900, 2: DCDM REF PJ, 3: F900R
0: OFF, 1: GAIN, 2: ANGLE
Compensation Mode
Gamma Table
Category
38
1
32 20 U-Hex
0: STANDARD, 1: SPECIAL, 2: HYPER, 3: USER
39
40
1
1
33 21 U-Hex
34 23 U-Hex
Gamma Table No
Lens File No
(reserved)
1 to 5 (Current No. of gamma table category)
1 to 32
7
6
5
4
3
2
1
0
(reserved)
(reserved)
Shoot mode CINE
D-Range EXTEND
IMAGE INVERT ON
5600K ON
0: CUSTOM MODE, 1: CINE MODE
0: NORMAL, 1: EXTEND
0: OFF, 1: INVERT ON
0: OFF, 1: 5600K ON
0: OFF, 1: SHUTTER ON
00 to 99
41
1
35 25
Shutter ON
42
43
44
45
46
47
1
1
1
36 23 U-Hex
37 25 U-Hex
38 26 U-Hex
39 27 U-Hex
40 28 U-Hex
41 29 U-Hex
Data Year Upper
Date Month
1 to 12
Date Day
1 to 31
Time Hour
0 to 23
3
Time Minute
Time Second
0 to 59
0 to 59
About Metadata
102
Data
size
(byte)
Recorded
data
(HEX)
Sample
No.
Relative Data
address type
Bit
Name
Contents
31
30
29
28
27
26
25
24
23
22
21
20
19
18
17
16
15
14
13
12
11
10
9
48
49
50
51
42 2A
(reserved)
POWER OFF ON
VTR WARN
BCS COM NG
BCS BSY NG
BCS OPR NG
BCS CSM NG
BCS PWR NG
VTR NG
4
43 2B
U-Hex
Camera Warning
IFBOX NG
VTR AT NG
TR NG
44 2C
VDA NG
8
DPR NG
7
AD NG
6
OHB NG
5
FAN2 NG
4
FAN1 NG
45 2D
3
TEMP CARE
TEMP WARN
TEMP NG
2
1
0
OHB KIND NG
52
53
46 2E
U-Hex
2
VTR Warning
Subtable 3 (see page 105)
47 2F
Camera Main CPU
Version No.1
54
55
56
57
58
1
1
1
1
1
48 30 ASCII
49 31 ASCII
50 32 ASCII
51 33 ASCII
52 34 ASCII
Version X. xx
Camera Main CPU
Version No.2
Version x. Xx
Camera Main CPU
Version No.3
Version x. xX
Camera Main CPU
Suffix 1
Version x. xxXxxx
Version x. xxxXxx
Camera Main CPU
Suffix 2
About Metadata
103
Data
size
(byte)
Recorded
data
(HEX)
Sample
No.
Relative Data
address type
Bit
Name
Contents
Camera Main CPU
Suffix 3
59
1
53 35 ASCII
Version x. xxxxXx
Version x. xxxxxX
Camera Main CPU
Suffix 4
60
61
1
1
54 36 ASCII
55 37 U-Hex
Audio Delay
Subtable 4 (see page 106)
(reserved)
7
6
5
4
3
2
1
0
7
6
5
4
3
2
1
0
(reserved)
00: TCR, 01: TCG
62
1
56 38 U-Hex
Timecode Type 0
00: LTC, 01: VITC
00: TC, 01: UB, 10: CTL
(reserved)
(reserved)
CTL 0:24H, 1: 12H
(reserved)
63
1
57 39 U-Hex
Timecode Type 1
TCR interpolation 0: OFF, 1: ON
(reserved)
TCR DF/NDF 01: DF, 10: NDF
1) 2) 3)
64
65
66
1
1
1
1
58 3A BCD
59 3B BCD
60 3C BCD
61 3D BCD
Timecode Hour
Timecode Minute
Timecode Second
Timecode Frame
–11 to 11 or 0 to 23
4)
00 to 59
4)
00 to 59
1)
67
68
69
70
71
72
00 to 59
62 3E
U-Hex
2
Dummy
CRC
(reserved)
63 3F
1
1
1
CKSUM
73
Total Size
Total size (from “ADF” to “CKSUM”)
1) When the timecode type is UB (user bits), the entire byte is used. With other timecode types, 6 bits (b5 to b0) are used. Ignore b7 and b6.
2) When 12H CTL display is selected, the tens digit of the hours value is dropped for values less than 10.
3) When the timecode type is CTL, b7 is used for the sign.
4) When the timecode type is UB (user bits), the entire byte is used. With other timecode types, 7 bits (b6 to b0) are used. Ignore b7.
About Metadata
104
1. System Formats
Sample No. 17 System Format
Sample No. 17 System Format
Code
Code
VIdeo format
HEX
VIdeo format
DEC
19
DEC
HEX
13
14
15
16
17
18
19
1A
1B
1C
1D
1E
1F
20
21
22
23
24
25
26
(reserved)
0
1
2
3
4
5
6
7
8
9
00
01
02
03
04
05
06
07
08
09
0A
0B
0C
0D
0E
0F
10
11
12
No Assign
1080/23.98PsF
1080/S23.98PsF 4:4:4
4:4:4
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
1080/23.98PsF
4:2:2
4:4:4
1080/S23.98PsF 4:2:2
1080/24PsF
4:2:2
4:2:2
4:2:2
4:2:2
4:2:2
1080/24PsF
4:4:4
4:4:4
4:4:4
4:4:4
4:4:4
1080/S24PsF
1080/25PsF
1080/S24PsF
1080/25PsF
1080/S25PsF
1080/29.97PsF
1080/S25PsF
1080/29.97PsF
1080/S29.97PsF 4:2:2
(reserved)
1080/S29.97PsF 4:4:4
(reserved)
1080/S30PsF
1080/50P
4:2:2
4:2:2
4:2:2
10
11
12
13
14
15
16
17
18
1080/S30PsF
(reserved)
4:4:4
4:4:4
4:4:4
1080/S50P
(reserved)
1080/S60P
(reserved)
1080/S59.94P
1080/50I
1080/S50P
(reserved)
4:2:2
1080/S60P
(reserved)
4:2:2
4:2:2
4:2:2
1080/S59.94P
1080/50I
4:4:4
4:4:4
4:4:4
1080/59.94I
(reserved)
1080/59.94I
2. Master Gain
Sample No. 33 Master gain
Code Master gain
–6 dB
0
1
2
3
4
5
6
7
8
–3 dB
0 dB
3 dB
6 dB
9 dB
12 dB
15 dB
18 dB
3. VTR Warning
Sample No. 52 and 53 VTR Warning
VTR message
PB FREQ MISMATCH
Code
Meaning
0001
System frequency of this system does not match system
frequency on the tape.
0004
NO PB LTC
Playback LTC cannot be detected.
About Metadata
105
Sample No. 52 and 53 VTR Warning
VTR message
Code
0005
Meaning
NO PB VITC
Playback VITC cannot be detected.
0007
REC INHIBIT MODE
The system cannot record because of a record inhibit menu
setting. Or the tape is not formatted for recording.
0008
0009
000C
000E
000F
0010
INVALID FMT CONV
TEMPERATURE LOW
DC VOLTAGE LOW
TEMPERATURE HIGH
VA MISSING
Format conversion is not possible with the current settings.
The temperature inside the unit is lower than the specified value.
DC voltage has fallen below the specified level.
The temperature inside the unit has risen.
SRPC-1 is not connected.
TELEFILE FULL
Telefile memory is almost full. The next recording will erase
existing data, beginning with oldest.
0011
0013
0014
0015
0016
0017
0022
0030
TELEFILE NO ROOM
TELEFILE FMT NG
TELEFILE RD FAIL
TELEFILE WR FAIL
TELEFILE WR INHI
NO TELEFILE LABE
AUDIO PLL UNLOCK
NO SDI INPUT
Free memory in a Telefile has been completely exhausted.
Telefile format is invalid in 1 or more locations.
Telefile read failure occurred.
Telefile write failure occurred.
Attempt to record was made when entire Telefile is write inhibited.
Telefile could not be recognized.
Audio clock generator PLL is not locked to reference video signal.
When the optional HKSR-101 is installed, there is no valid input to
the selected VIDEO I/O connector.
0032
0034
0036
INVALID SDI DATA
SDI A-B PHASE NG
SDI FMT MISMATCH
SDI input signal data are invalid.
Signals input to HD SDI IN A and B connectors are out of phase.
Format of signals input to HD SDI IN A and B connectors does not
match system setting.
0037
SDI I/P MISMATCH
I/P of signals input to HD SDI IN A and B connectors do not match
system setting.
004F
0050
0051
0060
0067
AUDIO DSP UNLOCK
NO PB RF
Audio signal processing circuitry is not operating.
Playback head is not reading digital data from tape.
Playback signal quality is bad.
BAD CH CONDITION
LOST LOCK
Capstan servo lock was lost during playback or recording.
The cassette is record-protected.
CASSETTE REC INHI
4. Audio Delay
To synchronize an audio signal externally recorded
together with video signal output from the camera,
appropriate delay shown in the table below is required for
phase alignment between video and audio.
The values shown in the Code column are recorded as
Metadata.
Sample No. 61 Audio Delay
IMAGE INVERT
OFF
ON
Video format
Number
of frames
Code
(HEX)
Number
of frames
Code
(HEX)
2
3
2
3
2
20
30
20
30
20
3
3
3
3
3
30
40
30
40
30
1080/23.98PsF
4:4:4
1080/23.98PsF
4:2:2
1080/S23.98PsF 4:4:4
1080/S23.98PsF 4:2:2
1080/24PsF
1080/S24PsF
1080/25PsF
4:4:4
4:4:4
4:4:4
1080/24PsF
1080/S24PsF
1080/25PsF
4:2:2
4:2:2
4:2:2
About Metadata
106
Sample No. 61 Audio Delay
IMAGE INVERT
OFF
ON
Video format
Number
of frames
Code
(HEX)
Number
of frames
Code
(HEX)
3
2
30
20
30
30
10
20
20
20
05
05
3
3
3
3
2
2
2
2
1
1
40
30
40
40
20
30
30
30
10
10
1080/S25PsF
4:4:4
4:4:4
1080/S25PsF
1080/29.97PsF
4:2:2
4:2:2
1080/29.97PsF
3
1080/S29.97PsF 4:4:4
1080/S29.97PsF 4:2:2
3
1080/S30PsF
4:4:4
1080/S30PsF
1080/50P
4:2:2
4:2:2
4:2:2
4:2:2
4:2:2
4:2:2
4:2:2
1
–
2
1080/S50P
1080/S60P
1080/S59.94P
1080/50I
4:4:4
4:4:4
4:4:4
4:4:4
4:4:4
1080/S50P
1080/S60P
1080/S59.94P
1080/50I
2
2
0.5
0.5
1080/S59.94I
1080/59.94I
The delay amount (from shot untill output) of video varies depending on the
video format. For more information, see “Lip Sync Compensation” on page
118.
When audio is directly connected to the interface box of the camera, the
phase is automatically adjusted and embedded in the SDI signal output.
About Metadata
107
Warning/Error Messages
If battery power is low or a problem occurs at power on or
during operation, a warning is given by an indicator
flashing or various alarm indications.
Viewfinder screen
Subdisplay
RUN
indicator
Meaning
Basic status
display (page 43)
Message
BATT 12 V flashing
BATT 12 V flashing Flashing
Voltage of the 12 V power becomes low,
reaching the specified NEAR END value.
BATT 12 V quick
flashing
BATT 12 V quick
flashing
Quick
flashing
Voltage of the 12 V power becomes too
low, reaching the specified END value.
BATT 24 V flashing
BATT 24 V flashing Flashing
Voltage of the 24 V power becomes low,
reaching the specified NEAR END value.
BATT 24 V quick
flashing
BATT 24 V quick
flashing
Quick
flashing
Voltage of the 24 V power becomes too
low, reaching the specified END value.
TEMPERATURE CARE
Temperature inside the camera raises.
TEMPERATURE
WARNING
Temperature inside the camera raises to
the limit.
SHUTDOWN CAMERA
OHB/SIDE FAN NG!
The camera must be turned off for safety.
The fan near the CCD or the fan near the
side panel stops.
PS FAN NG!
The fan near the power unit stops.
Abnormality of the CCD unit
Abnormality of the AD board
Abnormality of the DPR board
Abnormality of the VDA board
Abnormality of the TR board
Abnormality of the AT board
CAM?
CAM?
CAM?
CAM?
CAM?
CAM?
OHB NG!
AD BOARD NG!
DPR BOARD NG!
VDA BOARD NG!
TR BOARD NG!
AT BOARD NG!
I/F BOX NG!
Quick
An unknown interface box is connected.
flashing
UNKNOWN RECORDER
Quick
flashing
An unknown recorder is connected.
VTR ALARM
Alarm occurs at the SRW-1.
Warning occurs at the SRW-1.
VTR WARNING
Warning/Error Messages
108
White flecks
Although the CCD image sensors are produced with high-
precision technologies, fine white flecks may be generated
on the screen in rare cases, caused by cosmic rays.
This is related to the principle of CCD image sensors and
is not a malfunction.
Precautions
Use and Storage
Do not subject the unit to severe shocks
The internal mechanism may be damaged or the body
warped.
The white flecks especially tend to be seen
• when operating at a high environmental temperature
• when you have raised the master gain (sensitivity)
After use
Always turn off the power.
This product has a compensation function and the problem
may be alleviated by automatic black balance adjustment
Before storing the unit for a long period
Remove the battery pack.
Smear
When an extremely bright object, such as a strong spotlight
or flashlight, is being shot, vertical tails may be produced
on the screen, or the image may be distorted.
Use and storage locations
Store in a level, ventilated place. Avoid using or storing the
unit in the following places:
• Places subject to temperature extremes
• Very damp places
Vertical tails shown on
Monitor screen
the image.
• Places subject to severe vibration
• Near strong magnetic fields
• In direct sunlight or close to heaters for extended periods
Bright object (e.g. strong
spotlight, strong reflected
light, flashlight, the sun)
To prevent electromagnetic interference from
portable communications devices
The use of portable telephones and other communications
devices near this unit can result in malfunctions and
interference with audio and video signals.
Aliasing
It is recommended that the portable communications
devices near this unit be powered off.
When fine patterns, stripes, or lines are shot, they may
appear jagged or flicker.
Note on laser beams
To forcibly open the shutter
Laser beams may damage the CCDs. If you shoot a scene
that includes a laser beam, be careful not to let the laser
beam be directed into the lens of the camera.
Should the shutter to control incoming light to the CCDs
not open, immediately call Sony service personel.
If you wish to continue shooting for an emergnecy, you
may open the shutter forcibly with the following operation:
Use a flat-head screwdriver with external diameter of 3
mm or less and shaft length of 28 mm or greater.
Condensation
If you move the camera from a very cold place to a warm
place, or use it in a damp location, condensation may form
on the lens or inside the camera.
The camera has no built-in condensation indicator. If you
find condensation on the body or lens, switch the camera
off and wait for the condensation to disappear for about
one hour.
1
2
Rotate the cap of the emergency shutter opening screw
(see page 10) counterclockwise to remove.
Insert the screwdriver into the hole, align the top blade
with the slot of the screw head, then turn the screw
clockwise until it clicks.
Phenomena Specific to CCD Image
Sensors
The shutter opens.
The following phenomena that may appear in images are
specific to CCD (Charge Coupled Device) image sensors.
They do not indicate malfunctions.
Precautions
109
“Memory Stick” (with Memory Select Function)
Composed of multiple 128 MB memory units.
The mechanical switch at the back of the “Memory Stick”
allows you to select the memory unit to be used depending
on usage.
The memory units cannot be used simultaneously and
continuously.
About a “Memory Stick”
What is “Memory Stick”?
“Memory Stick” is a new compact, portable and versatile
IC (Integrated Circuit) recording medium with a data
capacity that exceeds a floppy disk. “Memory Stick” is
specially designed for exchanging and sharing digital data
among “Memory Stick” compatible products. Because it is
removable, “Memory Stick” can also be used for external
data storage.
“Memory Stick PRO”
“Memory Stick” with “MagicGate” copyright protection
technology, exclusive for “Memory Stick PRO”-compliant
products.
“Memory Stick” media are available in three sizes:
standard size, compact “Memory Stick Duo” size, and the
smallest “Memory Stick Micro” (“M2” ) size. Once
attached to a Memory Stick Duo adapter, a “Memory Stick
Duo” is the same size as a standard “Memory Stick,” and
as a result can be used with products requiring a standard
“Memory Stick.” Also, once attached to a standard-size
M2 adaptor, a “Memory Stick Micro” is the same size as a
standard “Memory Stick,” and as a result can be used with
products requiring a standard “Memory Stick.”
Usable type of “Memory Stick”
You can use a “Memory Stick PRO” with this camera. The
“Memory Stick PRO Duo” can also be used without using
the Memory Stick Duo adaptor.
This camera is not compliant with Parallel mode of
“Memory Stick.”
The camera operations have been checked using “Memory
Stick PRO” media up to 8GB.
1)
Operations checked with:
1) “M2” is an abbreviation for “Micro Memory Stick.”
MSH-128
MSX-512S
MSX-M2GS
MSX-M4GS
MSX-M8GS
Types of “Memory Stick”
“Memory Stick” is available in the following six types to
meet various requirements in functions.
“Memory Stick”
Note on data read/write speed
Stores any type of data except copyright-protected data
that requires the “MagicGate” copyright protection
technology.
Data read/write speed may vary depending on the
combination of the “Memory Stick” and “Memory Stick”
compliant product you use.
“MagicGate Memory Stick”
What is “MagicGate”?
Equipped with the “MagicGate” copyright protection
technology.
“MagicGate” is copyright protection technology that uses
encryption technology.
“Memory Stick” (“MagicGate”/High-Speed
Transfer Compatible)
Before using a “Memory Stick”
Equipped with “MagicGate” copyright protection
technology and allows high-speed data transfer.
Terminal
This type of “Memory Stick” can be used with products
requiring a “Memory Stick,” “MagicGate Memory Stick,”
1)
Write-protect tab
and “Memory Stick PRO.”
1) Operation is not guaranteed for all of the compliant products. (Some
products may not accept this type of “Memory Stick.”)
Labelling position
This camera is not compliant with high-speed data transfer
with this type of “Memory Stick.”
“Memory Stick-ROM”
Stores pre-recorded, read-only data. You cannot record on
“Memory Stick-ROM” or erase the pre-recorded data.
• When you set the “Memory Stick” erasure prevention
switch to “LOCK,” data cannot be recorded, edited, or
erased.
• Data may be damaged if:
About a “Memory Stick”
110
—You remove the “Memory Stick” or turn off the unit
while it is reading or writing data.
• “Memory Stick”,
and “MagicGate Memory
Stick” are trademarks of Sony Corporation.
—You use the “Memory Stick” in a location subject to
the effects of static electricity or electric noise.
• We recommend that you make a backup copy of
important data that you record on the “Memory Stick”.
• “Memory Stick Duo” and
are
are
trademarks of Sony Corporation.
• “Memory Stick PRO” and
trademarks of Sony Corporation.
• “Memory Stick PRO Duo” and
trademarks of Sony Corporation.
• “Memory Stick-ROM” and
trademarks of Sony Corporation.
are
Notes
• Do not attach anything other than the supplied label to
the “Memory Stick” labeling position.
• Attach the label so that it does not stick out beyond the
labeling position.
are
• “MagicGate Memory Stick” is trademark of Sony
Corporation.
• Carry and store the “Memory Stick” in its case.
• Do not touch the connector of the “Memory Stick” with
anything, including your finger or metallic objects.
• Do not strike, bend, or drop the “Memory Stick”.
• Do not disassemble or modify the “Memory Stick”.
• Do not allow the “Memory Stick” to get wet.
• Do not use or store the “Memory Stick” in a location that
is:
• “MagicGate” and
Corporation.
are trademarks of Sony
—Extremely hot, such as in a car parked in the sun
—Under direct sunlight
—Very humid or subject to corrosive substances
If the access indicator is lit in red
Data is being read from or written to the “Memory Stick”.
At this time, do not shake the product or subject it to shock.
Do not turn off the power of the product or remove the
“Memory Stick.” This may damage the data.
Precautions
• To prevent data loss, make backups of data frequently. In
no event will Sony be liable for any loss of data.
• Unauthorized recording may be contrary to the
provisions of copyright law. When you use a “Memory
Stick” that has been pre-recorded, be sure that the
material has been recorded in accordance with copyright
and other applicable laws.
• The “Memory Stick” application software may be
modified or changed by Sony without prior notice.
• Note that there are certain restrictions on recording stage
performances and other entertainment events, even if
they are recorded for personal use only.
About a “Memory Stick”
111
Input/output connectors
DC IN
LEMO 8-pin male (1), DC 10.5 to 17 V,
20 to 30 V
Specifications
DC OUT
12 V: 11-pin (1), DC 12 V, 4 A
maximum
Camera Head
24 V: 3-pin (1), DC 24 V, 5.5 A
maximum
(The usable current may be limited
depending on the load and input
conditions.)
20-pin (1 each)
BNC type (1), VBS/HD Y
75 ohms, 1.0 Vp-p
General
Power requirements
DC 10.5 to 17 V
VF1, VF2
TEST OUT
Power consumption
Approx. 56 W with 23.98 PsF (not
including lens, viewfinder)
Operating temperature
0°C to +40°C (32°F to 104°F)
Storage temperature
MONITOR OUT HD SDI
4:2:2, BNC type (2), HD-SDI signal,
BTA-S004A-compliant, 75 ohms,
0.8 Vp-p, 1.485 Gbps
GENLOCK IN BNC type (1),75 ohms, SMPTE 274M
HD 3-level sync, 0.6 Vp-p
–20°C to +60°C (–4°F to +140°F)
Approx. 5 kg (11 lb) (camera head only)
Mass
REMOTE
EXT I/O
8-pin (1)
LEMO 5-pin, female (1)
Imagers
Imagers
Method
Aspect ratio
(network) RJ-45 type (1), 10BASE-T, 100BASE-
TX
Super 35-mm RGB color CCD array
1CCD
16:9
Effective resolution
R, G, B individualy
1920 (horizontal) × 1080 (vertical)
Supplied accessories
Interface box (1)
Assistant panel (1)
Assistant panel cable (1)
Assistant panel hanger (1)
+B4×8 screws (4)
Center handle (1)
L handle (1)
Riser plate (1)
Power cable connector (LEMO 8-pin) (1)
Operation manual (1)
Electrical characteristics
Sensitivity (at 2000 lx with 89.9% reflectivity)
T9 with 29.97 PsF (with <BASE
SETTING>D-RANGE: NORMAL)
T10 with 29.97 PsF (with <BASE
SETTING>D-RANGE: EXTEND)
ISO sensitivity ISO 340 (with <BASE SETTING>
D-RANGE: NORMAL)
ISO 450 (with <BASE SETTING>
D-RANGE: EXTEND)
Registration
0.02% for total area (not including lens
distortion)
Geometric distortion
Negligible (not including lens
distortion)
Horizontal resolution
1000 TV lines (at center of screen)
5% or higher modulation
Optical system specifications
Lens mount
Flange focal length
52.00 mm ( 0.15 mm adjustable)
54-mm PL Mount
Specifications
112
Dimensions
With the L handle attached
Unit: mm (inches)
355.5 (14)
120 (43/4)
OFF ON
REMOTE
52 (2 1/8)
46.5
(1 7/8)
111.5 (4 1/2)
199.3 (7 7/8)
170 (6 3/4)
196 (7 3/4)
122.6 (4 7/8) 76.7
(3 1/8)
33 (1 5/16) 50 2
( )
3/8"-16UNC
Specifications
113
Interface Box (Supplied)
Note
Always verify that the unit is operating properly before
use. SONY WILL NOT BE LIABLE FOR DAMAGES
OF ANY KIND INCLUDING, BUT NOT LIMITED
TO, COMPENSATION OR REIMBURSEMENT ON
ACCOUNT OF THE LOSS OF PRESENT OR
PROSPECTIVE PROFITS DUE TO FAILURE OF
THIS UNIT, EITHER DURING THE WARRANTY
PERIOD OR AFTER EXPIRATION OF THE
WARRANTY, OR FOR ANY OTHER REASON
WHATSOEVER.
General
Power requirements
DC 10.5 to 17 V
Operating temperature
0°C to +40°C (32°F to 104°F)
Storage temperature
−20°C to +60°C (−4°F to +140°F)
138 × 104 × 79 mm
Dimensions
Mass
1
1
1
(5 / × 4 / × 3 / inches)
2
8
8
Approx. 560 g (1 lb 4 oz)
Input/output connectors
AUDIO IN CH1, CH2
XLR 3-pin, female (1 each)
AUDIO switch in MIC: −44 dBu,
balanced
AUDIO switch in LINE: +4 dBu,
balanced
Phantom +48V
DC IN
XLR type, 4-pin, male (1)
HD SDI OUT A/B
BNC type (1 each), Dual Link, HD-SDI
signal, BTA-S004A-compliant,
75 ohms, 0.8 Vp-p, 1.485 Gbps
Optional Accessories
HD Electronic Viewfinder
HDVF-20A (2-inch type, monochrome)
HDVF-C35W (3.5-inch type, color)
HDVF-C730W (6.3-inch type, color)
HDVF-C950W (9-inch type, color)
Remote Control Unit
RM-B750
Master Setup Unit
MSU-900/950
“Memory Stick”
Design and specifications are subject to change without
notice.
Specifications
114
VF 1/VF 2 (20-pin female)
Connector Pin
Assignments
3
7
2
6
1
5
8
4
9
12 11 10
17 16 15 14 13
20 19 18
REMOTE (8-pin female)
(External View)
1
2
7
No. Signal
I/O
Specifications
8
3
6
4
5
1
2
3
4
5
6
7
8
S-DATA
NC
IN/OUT TTL level
No connection
(External View)
NC
No connection
TTL level
SCK
NC
OUT
OUT
No. Signal
I/O
Specifications
No connection
No connection
No connection
1
2
3
4
5
6
TX (+)
OUT
OUT
IN
SERIAL Data out
SERIAL Data in
GND for TX
NC
TX (–)
NC
RX (+)
RX (–)
G TALLY
ON: 5 V
IN
OFF: GND
TX-GND
UNREG
—
9
NC
No connection
OUT
+10.5 to +17 V dc, 200mA
(max)
10 NC
No connection
11 NC
No connection
7
8
UNREG-GND
VIDEO
—
GND for UNREG
75Ω, 1.0 Vp-p
12 Y VIDEO
13 VIDEO GND
14 Pb VIDEO
15 Pr VIDEO
16 NC
OUT
—
1.0 Vp-p, Zo=75Ω
GND for VIDEO
0.35 Vp-p, Zo=75Ω
0.35 Vp-p, Zo=75Ω
No connection
OUT
CHASSIS GND —
CHASSIS GND
OUT
OUT
AUDIO IN CH-1/CH-2 (3-pin female)
17 R TALLY
OUT
ON: 5 V
OFF: GND
1
2
3
18 NC
No connection
(External View)
19 UNREG GND
20 UNREG
—
GND for UNREG
+10.5 V to +17 V
OUT
No. Signal
I/O
Specifications
1
2
3
AUDIO 1/2 (G)
—
–44 dBu (for MIC)/
+4 dBu (for LINE)
CTRL PANEL (14-pin female)
AUDIO 1/2 (X) IN
AUDIO 1/2 (Y) IN
10
1
2
4
9
7
11
3
12
14
6
8
(0 dBu=0.775 Vrms)
13
5
DC IN 10.5-17 V (4-pin male)
(External View)
1
4
No. Signal
I/O
OUT
IN
Specifications
2
3
1
2
3
4
5
6
7
8
SIN
VFD_I/F
VFD_I/F
VFD_I/F
SBUSY
XRESET
RE_B
(External View)
OUT
IN
No. Signal
I/O
Specifications
GND for DC (+)
1
2
3
4
GND
NC
—
RE_A
IN
No connection
No connection
+10.5 to 17 V dc
IIC_DATA
IIC_CLK
POWER
IN/OUT TTL level
NC
OUT
OUT
TTL level
DC (+)
IN
+7 V, 500 mA (MAX)
Connector Pin Assignments
115
ETHERNET (Modular jack)
Conforming to IEEE 802.3u (100BASE-TX), IEEE802.3
(10BASE-T)
No. Signal
GND
I/O
Specifications
9
—
10 NC
1
8
11 AUX1
IN
IN
IN
OPEN or +5 V: Normal
GND: Active
12 AUX2
13 AUX3
14 NC
OPEN or +5 V: Normal
GND: Active
(External View)
OPEN or +5 V: Normal
GND: Active
No. Signal
I/O
OUT
OUT
IN
Specifications
1
2
3
4
5
6
7
8
TXD (+)
TXD (–)
RXD (+)
NC
DC IN (8-pin male)
1
5
—
8
6
2
NC
—
3
7
4
RXD (–)
NC
IN
—
(External View)
NC
—
No. Signal
I/O
—
Specifications
GND for +12 V
GND for +12 V
GND for +24 V
DC OUT 12 V (11-pin female)
1
2
3
UNREG_GND
UNREG_GND
—
UNREG_GND(24 —
V)
10
11
9
2
3
4
8
1
6
4
5
6
7
8
UNREG_24 V_IN IN
UNREG_12 V_IN IN
UNREG_12 V_IN IN
UNREG_12 V_IN IN
+20 to +30 V
5
7
+10.5 to +17 V
+10.5 to +17 V
+10.5 to +17 V
GND for +12 V
(External View)
UNREG_GND
—
No. Signal
I/O
Specifications
1
2
3
4
5
6
7
8
9
NC
EXT I/O (5-pin female)
NC
NC
1
NC
2
5
NC
3
4
NC
NC
(External View)
NC
No. Signal
I/O
Specifications
UNREG_GND
—
1
2
3
4
5
EXT_CMD1_OUT OUT
EXT_CMD0_OUT OUT
RS-232C
10 NC
11 UNREG_12
V_OUT
OUT
+10.5 to +17 V dc
5.0 A (MAX)
EXT_CMD1_IN
EXT_CMD0_IN
GND
IN
IN
—
Connector Pin Assignments
116
DC OUT 24 V (3-pin female)
Color Space According to
the COLOR SPACE
Settings
1
2
3
Colorimetry
(External View)
1
No. Signal
I/O
Specifications
1
2
3
UNREG_GND(24 —
V)
S-GAMUT
Film
DCDM REF PJ
CRT
0.8
UNREG_24
V_OUT
OUT
IN
+20 to +30 V dc
5.0 A (MAX)
0.6
0.4
0.2
REC trigger
OPEN or +5 V: Normal
GND: Active
-
0.2
0.2
0.4
0.6
0.8
1
x
- 0.2
1. Virtual chromaticity points at S-GAMUT
The virtual color space at S-GAMUT is shown in the above
chart. The virtual chromaticity points are as follows:
x
y
R
G
B
0.73
0.14
0.1
0.28
0.855
–0.05
When converting the color space of a video source shot
with this camera in S-GAMUT mode, use these virtual
chromaticity points.
These chromaticity points are "virtual" because they do not
represent the actual, accurate color space but are the
calculated values for calculation of color space conversion.
These virtual chromaticity points have been introduced
because the actual color space cannot be represented as a
triangle in this colorimetry.
A simple formula for conversion from the color space for
S-GAMUT to that for conventional cameras (HDC-F950,
HDW-F900R, etc.) is shown below:
Color Space According to the COLOR SPACE Settings
117
(Rw, Gw, Bw): RGB values for the original color space for S-GAMUT
(R, G, B): Values after being converted to the color space for
conventional cameras
Lip Sync Compensation
2. Color space for film
Compensation (Lip Sync compensation) for the delay of
video relative to audio may be necessary, depending on the
video format and system configuration.
The color space for film shown in the above chart
represents measurements from VISION Premier Film EK
2393.
3. Color space for F900 mode
Amount of delay of video relative to audio
The color space for conventional cameras (HDC-F950,
HDW-F900R, etc.) is wider than that for DCDM REF PJ
but narrower than that for film.
The amount of delay of video relative to audio depends the
video format and the status of the image-inversion
Unit: frames per second
IMAGE INVERT
Video format
OFF
0.5
0.5
1
ON
1
59.94i
50i
1
50P
2
29.97PsF
25PsF
23.98PsF
2
3
2
3
2
3
System in which automatic compensation
is made
When a microphone(s) connected via the AUDIO IN
connector(s) on the interface box mounted on the camera
is used, the camera automatically performs the necessary
compensation.
AUDIO IN
Systems for which manual compensation
is required
For the following systems, Lip Sync compensation must be
performed manually.
The compensation is to be adjusted according to the
amount of delay shown above.
When using a microphone(s) connected via the
AUDIO INPUT connector(s) on the SRW-1
mounted on the camera body
Adjust the amount of compensation on the SRW-1.
Lip Sync Compensation
118
SRW-1
AUDIO INPUT
When using a microphone(s) connected via the
AUDIO INPUT connector(s) on the SRW-1 with the
SRPC-1 connected to the camera body via cables
Adjust the amoung of compensation on the SRW-1.
AUDIO INPUT
HD SDI
SRW-1+SRPC-1
For timecode-synchronized audio recording on a
separate digital audio recorder
Connect a delay box to the digital audio recorder and
adjust the amount of compensation on the box.
HD SDI
SRW-1+SRPC-1
Delay box
DAT
Lip Sync Compensation
119
O
Symbols
Numerics
P
Phenomena Specific to CCD Image
Sensors 109
T
U
R
reset a specificitemofthe reference file
95
V
S
W
Z
Index
121
Index
122
The material contained in this manual consists of information
that is the property of Sony Corporation and is intended solely
for use by the purchasers of the equipment described in this
manual.
Sony Corporation expressly prohibits the duplication of any
portion of this manual or the use thereof for any purpose other
than the operation or maintenance of the equipment described
in this manual without the express written permission of Sony
Corporation.
Sony Corporation
Printed in Japan
2008.07.13
© 2008
F35 (SY)
4-000-998-02(1)
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