Sony Camcorder F35 User Manual

DIGITAL CINEMATOGRAPHY CAMERA  
F35  
OPERATION MANUAL [English]  
1st Edition (Revised 1)  
AVERTISSEMENT  
WARNUNG  
Afin de réduire les risques d’incendie ou  
d’électrocution, ne pas exposer cet  
appareil à la pluie ou à l’humidité.  
Um die Gefahr von Bränden oder  
elektrischen Schlägen zu verringern, darf  
dieses Gerät nicht Regen oder Feuchtigkeit  
ausgesetzt werden.  
Afin d’écarter tout risque d’électrocution,  
garder le coffret fermé. Ne confier  
l’entretien de l’appareil qu’à un personnel  
qualifié.  
Um einen elektrischen Schlag zu  
vermeiden, darf das Gehäuse nicht  
geöffnet werden. Überlassen Sie  
Wartungsarbeiten stets nur qualifiziertem  
Fachpersonal.  
Pour les clients en Europe  
Ce produit portant la marque CE est conforme à la Directive  
sur la compatibilité électromagnétique (EMC) émise par la  
Commission de la Communauté européenne.  
La conformité à cette directive implique la conformité aux  
normes européennes suivantes :  
• EN55103-1 : Interférences électromagnétiques (émission)  
• EN55103-2 : Sensibilité électromagnétique (immunité)  
Ce produit est prévu pour être utilisé dans les environnements  
électromagnétiques suivants : E1 (résidentiel), E2  
(commercial et industrie légère), E3 (urbain extérieur) et E4  
(environnement EMC contrôlé, ex. studio de télévision).  
Für Kunden in Europa  
Dieses Produkt besitzt die CE-Kennzeichnung und erfüllt die  
EMV-Richtlinie der EG-Kommission.  
Angewandte Normen:  
• EN55103-1: Elektromagnetische Verträglichkeit  
(Störaussendung)  
• EN55103-2: Elektromagnetische Verträglichkeit  
(Störfestigkeit), für die folgenden elektromagnetischen  
Umgebungen: E1 (Wohnbereich), E2 (kommerzieller und in  
beschränktem Maße industrieller Bereich), E3 (Stadtbereich  
im Freien) und E4 (kontrollierter EMV-Bereich, z.B.  
Fernsehstudio).  
Le fabricant de ce produit est Sony Corporation, 1-7-1 Konan,  
Minato-ku, Tokyo, Japon.  
Le représentant autorisé pour EMC et la sécurité des produits  
est Sony Deutschland GmbH, Hedelfinger Strasse 61, 70327  
Stuttgart, Allemagne. Pour toute question concernant le  
service ou lagarantie, veuillez consulter les adresses  
indiquées dans les documents de service ou de garantie  
séparés.  
Der Hersteller dieses Produkts ist Sony Corporation, 1-7-1  
Konan, Minato-ku, Tokyo, Japan.  
Der autorisierte Repräsentant für EMV und Produktsicherheit  
ist Sony Deutschland GmbH, Hedelfinger Strasse 61, 70327  
Stuttgart, Deutschland. Bei jeglichen Angelegenheiten in  
Bezug auf Kundendienst oder Garantie wenden Sie sich bitte  
an die in den separaten Kundendienst- oder  
Garantiedokumenten aufgeführten Anschriften.  
3
Table of Contents  
3-2-5 Selection of the Gain, Color Temperature, and White  
Balance Memory ............................................................33  
Table of Contents  
4
3-2-10 Allocation of Functions to the Assignable Buttons and  
Switch ............................................................................35  
3-6-3 Viewing the FUNCTION (Format/Switch Function)  
Display ...........................................................................44  
Table of Contents  
5
Table of Contents  
6
1
Overview  
Chapter  
“overcranking” or “undercranking” a cinematic film  
camera.  
1-1 Features  
Frame-rate settings for this function are variable from 1 to  
50 FPS.  
The F35 is a 1CCD digital cinematography camera  
equipped with Super 35-mm type IT progressive CCD  
array with a total of 6,600,000 picture elements (effective  
pixel count of 1920 [H] × 1080 [V] RGB).  
The camera is incorporated with newly developed imagers  
and a digital signal-processing LSI that yield images of a  
high quality for cinematic, commercial, and dramatic  
production applications. The camera also supports the  
features of a “production camera” up to details in its shape,  
button and indicator layout, and materials of the parts.  
Multiple frame formats  
The camera covers the1080 formats of different types to  
allow it to be used for high-end content creation, including  
commercial and broadcasting program production as well  
as movie making.  
• Progressive mode: 1080/23.98P, 1080/24P, 1080/25P,  
1080/29.97P, 1080/50P  
• Progressive mode (variable): 1080/S23.98P, 1080/S24P,  
1080/S29.97P, 1080/S50P, 1080/S59.94P (MAX50),  
1080/S60P (MAX50)  
• Interlace mode: 1080/50i, 1080/59.94i  
Superior Picture Quality and High  
Performance  
Imaging characteristics with wide color space  
Sony’s unique technology allows the camera to capture  
images in natural-looking colors closer to those of the  
actual scene than with conventional cameras.  
Super 35-mm type CCD and PL Mount  
With the F35’s Super 35-mm-type CCD imagers and PL  
Mount, most movie lenses designed for conventional 35-  
mm film cameras can be mounted without a converter.  
S-LOG and Hyper gammas  
S-LOG and Hyper gammas, field-proven in Sony’s F23  
digital cinematography camera and HDW-F900R HD  
digital camcorder, are included among the standard  
selections with the F35.  
Wide dynamic range and high-quality digital  
pictures  
With its newly developed imagers, 14-bit A/D converter,  
and unique digital LSI, the camera achieves significant  
extension of the dynamic range and picture quality of  
optimal grade, minimizing noises.  
User Gamma  
The F35 allows you to customize gamma curves according  
1)  
to your creative needs, using the CvpFileEditor  
application software.  
RGB 4:4:4 image capturing  
The RGB 4:4:4 image-capturing capability, having high  
affinity with computer graphics, yields significant results,  
especially in chroma-keying and color-correction  
1) You can download the software from the “eCSite,” the site for  
downloading business and professional software from Sony Corporation.  
processes where highly exacting special-effects sequences  
and elaborate finishes are required in demanding movie-  
making, commercial, and television applications.  
Design and Shape  
New compact design  
For a high level of mobility in consideration of various  
shooting situations, such as inside a car, the camera is  
housed in as compact a body as possible. In addition,  
buttons and indicators are laid out to provide a familiar and  
intuitive user interface to users of conventional cinema  
film cameras.  
Variable-speed recording  
When used with a Sony SRW-1 HD Portable Digital  
Recorder, the number of frames per second (FPS) for  
shooting/recording is selectable in single-frame  
increments. This allows users to create slow- or fast-  
motion effects equivalent to those obtained by  
Features  
7
   
Dockable system of the SRW-1 HD Portable  
Digital Recorder  
Monitor output selection  
For monitor outputs, the user can select flexibly whether to  
mix character information and markers, whether to apply  
alternative monitor gamma other than that applied to the  
camera signal, or how to mix the playback picture.  
A dockable interface system is employed to conform to  
versatile shooting conditions and on-site demands.  
1)  
The SRW-1 can be docked directly on the top or rear of  
the camera, as required for shooting conditions.  
The camera and SRW-1 recorder can also be tethered via  
cables to take advantage of the compactness of the camera  
for higher mobility.  
Image inversion function  
The image inversion function, field-proven in Sony’s F23  
digital cinematography camera and HDW-F900R HD  
digital camcorder, is included among the standard  
functions with the F35.  
1) The firmware of the SRW-1 may be required to be updated for use with the  
camera. For details, consult your local Sony representative.  
The delay of video relative to audio may vary according to  
the ON/OFF setting of this function (see page 118).  
Compatible with film-camera accessories  
The F35 is designed to be compatible with a variety of  
film-camera accessories, giving users a broad array of  
choices. These include ARRIFLEX-made bridge plates,  
matte boxes, follow focus units, lens focus/zoom/iris servo  
control units, and more. These film-camera accessories  
can be attached to the F35 without modification, enabling  
users who principally work with film to fully utilize their  
assets.  
Other Features  
Assistant panel  
The supplied assistant panel has an identical button and  
indicator layout to that of the on-camera control panel and  
provides intuitive remote control of basic camera  
operations, such as control of frame rate (fps), shutter  
(indication in angles enabled), gain, color temperature  
(switching between Tungsten and Daylight enabled),  
timecode/tape remaining check, character indications, and  
function assignment to the assignable buttons.  
Having one 12 V DC output connector and another 24 V  
1)  
DC output connector, the F35 can supply power to such  
compatible accessories attached to it through these  
connectors.  
1) To feed 24 V DC power in synchronization with the power switch of the  
camera, an independent power supply of 24V DC is required in addition to  
the 12 V power.  
Down-conversion output  
The down-converter built into the camera as standard  
equipment enables camera pictures as well as VTR  
playback pictures to be monitored using a conventional SD  
monitor.  
Assignable switches  
Functions frequently used in the field, such as optical filter  
switching, can be assigned to three push buttons and one  
switch located on the side panel of the camera, allowing  
the operator to make rapid changes when working in the  
field.  
Twin-viewfinder operation  
Two viewfinders can be attached to the F35 for  
simultaneous monitoring with different settings of  
character information and marker indications.  
Saving/retrieving settings with a “Memory  
Stick”1)  
Using a “Memory Stick,” you can save menu settings for  
particular shooting conditions for retrieval when required.  
1) Memory Stick and  
Corporation.  
are trademarks of Sony  
Operational Versatility  
Two operation modes: Cine and Custom  
The F35 offers two operation modes; “Cine Mode” for  
movie-making applications, where image tone is normally  
adjusted in post production, and “Custom Mode,” which is  
suitable for users who wish to fine-tune camera parameters  
to produce their desired look in on-set grading.  
Shutter control  
When using the electronic shutter, the setting indication  
can be switched between the shutter angle (degree) and  
shutter speed (second).  
Features  
8
1-2 Example of System Configuration  
The diagram below shows a system configuration example  
to use of this camera.  
In this manual, an optional HDVF-C35W HD Electronic  
Viewfinder is used to instruct how to operate the unit.  
For more information about the fittings, connections, or  
use of additional equipment and accessories, see “Chapter  
2 Installation and Preparations” as well as the operation  
manuals for the connected equipment.  
Viewfinders  
HDVF-20A HD Electronic Viewfinder  
HDVF-C35W HD Electronic Viewfinder  
Products for battery operation  
Product  
Model name  
BP-GL95  
Rechargeable Battery Pack  
Battery Adaptor  
Viewfinder-related equipment  
BKP-L551  
Name / Purpose Magnification  
Part No.  
Fog-proof filter  
Lens assembly  
Lens assembly  
Lens assembly  
1-547-341-11  
A-8262-537-A  
A-8262-538-A  
A-8267-737-A  
A-8314-798-A  
Product for AC power supply  
Product  
–2.8 D to +2.0 D  
–3.6 D to –0.8 D  
–3.6 D to +0.4 D  
–2.4 D to +0.5 D  
Model name  
AC Adaptor  
AC-DN2B  
Lens assembly  
(3 × magnification)  
F35  
Product Configuration  
Center handle  
Assistant panel  
L handle  
Camera head  
Riser plate  
Interface box  
Video recorder  
Remote control devices  
SRW-1 HD Portable Digital Recorder  
RM-B750 Remote Control Unit  
MSU-900/950 Master Setup Unit  
Data storage media  
“Memory Stick PRO”  
“Memory Stick PRO Duo”  
Products for tripod mounting  
Name  
Model name  
Bridge Plate  
Shoulder Set  
BP-5 (ARRIFLEX made)  
S-1 (ARRIFLEX made)  
Example of System Configuration  
9
 
1-3 Locations and Functions of Parts  
1-3-1 Camera Head  
Front panel  
a VF1 connector  
e Viewfinder shoe  
b CONTROL PANEL connector  
f Flange focal length adjustment screw  
Lens mount  
g Lens fixing lever  
h Lens mount cap  
c Accessory receptacles  
i Shutter emergency open screw  
d VF2 connector  
a VF1 (viewfinder 1) connector (20-pin)  
Connect a viewfinder (optional).  
f Flange focal length adjustment screw  
You can adjust the flange focal length with the screw  
behind the cover.  
b CONTROL PANEL connector  
Connect with the CAMERA connector of the supplied  
assistant panel (page 15).  
20).  
c Accessory receptacles  
g Lens fixing lever  
Using these screw holes in combination with the accessory  
pockets (page 11) on the left side, you can fix a certain  
accessory to the left side of the camera.  
Turn the lever clockwise to secure the lens in the lens  
mount. To remove the lens, turn the lever  
counterclockwise.  
d VF2 (viewfinder 2) connector (20-pin)  
Connect a second viewfinder (optional), e.g. for an  
assistant.  
h Lens mount cap  
Cover the lens mount with this cap when a lens is not  
attached. The cover may be removed by rotating the lens  
fixing lever counterclockwise.  
Note  
When two viewfinders are connected at the same time (via  
the VF1 and VF2 connectors), if an HDVF-C950W is  
connected to either connector, use an HDVF-C35W as the  
other viewfinder. Because of a limitation of current  
capacity, two HDVF-C950W viewfinders cannot be used  
simultaneously.  
i Shutter emergency opening screw  
You can forcibly open the shutter in an emergency.  
e Viewfinder shoe  
Attach an optional viewfinder.  
The height of the attaching position can be adjusted.  
Locations and Functions of Parts  
10  
                         
Left panel  
a Level vial  
k Measure hook/focus  
reference mark  
b L handle  
c Accessory pockets  
d DC IN connector  
j DC OUT 24V connector  
i DC OUT 12V connector  
h
(network) connector  
g EXT I/O connector  
f CAM POWER switch  
e Power indicators  
a Level vial  
c Accessory pockets  
Used as a reference to check that the camera stands  
horizontally. It can be fine-adjusted when required.  
If fine-adjustment is required, remove the cover and adjust  
it by rotating the three slotted-head screws.  
Using these accessory pockets in combination with the  
accessory receptacles (page 10) on the front panel, you can  
fix a certain accessory to the left side of the camera.  
d DC IN connector (LEMO 8-pin)  
Power is supplied by using a specified power cord.  
e Power indicators  
Either of the indicators lights according to the voltage of  
the power being supplied.  
f CAM POWER switch  
CA: The camera is turned on using the power being  
supplied via the interface box (page 15).  
OFF: The power is cut off.  
ON: The camera is turned on using the power being  
supplied from the DC IN connector of the camera head.  
Note  
If you move the switch setting from ON to CA in one  
stroke, the power may not be cut off. To turn off the power,  
be sure to set the switch to the OFF position.  
b L handle  
The L handle is attached to the top of the camera head at  
the factory.  
It has three screw holes ( / ") for accessories on the upper  
3
g EXT I/O (external control) connector (5-pin)  
8
side. The assistant panel (page 15) can be mounted on the  
outside of the handle by attaching the supplied assistant  
panel hanger.  
For control via RS-232C.  
h
(network) connector (RJ-45 type, 10BASE-T,  
100BASE-TX)  
For control from the MSU-900/950 Master Setup Unit, etc.  
via a network cable.  
Locations and Functions of Parts  
11  
                   
The necessary settings are made using the NETWORK  
menu displayed on the viewfinder or monitor screen.  
Buchse haben könnte. Folgen Sie den Anweisungen für  
diese Buchse.  
CAUTION  
i DC OUT 12V (DC 12V power output) connector  
DC 12V power can be fed to an accessory.  
For safety, do not connect the connector for peripheral  
device wiring that might have excessive voltage to this  
port. Follow the instructions for this port.  
j DC OUT 24V (DC 24V power output) connector  
DC 24 V power can be fed to an accessory.  
ATTENTION  
k Measure hook/focus reference mark  
Par mesure de sécurité, ne raccordez pas le connecteur  
pour le câblage de périphériques pouvant avoir une tension  
excessive à ce port. Suivez les instructions pour ce port.  
Use as reference for focusing. The same reference mark is  
also provided at the right of the riser plate (page 13).  
For actual measurement of the distance from a subject, you  
can fix the end of a tape measure to the hook.  
ACHTUNG  
Aus Sicherheitsgründen nicht mit einem Peripheriegerät-  
Anschluss verbinden, der zu starke Spannung für diese  
Right panel  
e Safety release tab  
f Accessory clamp lever  
g Lock release knob  
h Accessory mount lever  
a Assignable buttons 1, 2, 3  
1
2
3
b LOCK switch  
Display/menu operation block  
c RUN button and indicator  
d 4/AUTO BLK BAL switch  
i Memory stick section  
j Focus reference mark  
k Tripod receptacles (bottom)  
Riser plate  
a Assignable buttons 1, 2, 3  
You can make a setting to allow the RUN button to be  
activated even when the LOCK switch is set to ON on the  
<SUBDISPLAY 2> page on the USER (OPERATION)  
menu.  
You can assign various functions to these buttons, using  
the subdisplay on the left panel or on the assistant panel or  
the menu displayed on the viewfinder or monitor screen.  
The ND filter selection function is assigned to button 1 and  
the CC filter selection function to button 2 at the factory.  
(No function is assigned to button 3.)  
c RUN button and indicator  
To start/stop recording on the SRW-1 HD Portable Digital  
Recorder docked on the camera. The indicator is lit while  
the recorder is in Recording mode.  
The indicator flashes as a warning in some cases.  
For details on warning indication, see “Warning/Error  
b LOCK switch  
To disable operations on the panel.  
Locations and Functions of Parts  
12  
             
The firmware of the SRW-1 may be required to be updated  
for use with this camera. For details, consult your local  
Sony representative.  
Display/menu operation block  
Used to operate displays on the subdisplay and the  
viewfinder/monitor screen.  
d Assignable 4/AUTO BLK BAL (auto black balance)  
switch  
Push the switch downward to the AUTO BLK BAL side to  
For details on menu operations, see “3-2-1 Basic  
start the auto black balance adjustment.  
The function activated by pressing the switch upward to  
the 4 side can be selected using the subdisplay on the left  
panel or on the assistant panel or the menu displayed on the  
viewfinder or monitor screen.  
a Subdisplay  
b VF MENU/DISPLAY button  
c CANCEL/STATUS button  
LOCK  
VF MENU/DISPLAY CANCEL/STATUS  
e Safety release tab  
f Accessory clamp lever  
g Lock release knob  
h Accessory mount lever  
RUN  
4
AUTO  
BLK  
BAL  
PAGE  
SET  
For mounting/unmounting an SRW-1 HD Portable Digital  
Recorder or the supplied interface box to the top of the  
camera head.  
The mounting/unmounting mechanism is the same as that  
on the rear panel (page 14).  
f MENU SEL/ENTER  
dial  
e SET button  
d PAGE button  
a Subdisplay  
For basic settings of this camera.  
i Memory Stick section  
A slot to accommodate a “Memory Stick” is provided  
behind the rubber cap.  
The access lamp is lit in red while writing or reading data  
to/from a “Memory Stick.”  
When an SRW-1 HD Portable Digital Recorder has been  
docked, some statuses of the recorder can also be  
displayed.  
When the supplied assistant panel is connected, the same  
information will be displayed on the assistant panel.  
You can use the “Memory Stick PRO” or “Memory Stick  
PRO Duo” with this camera. The “Memory Stick PRO  
Duo” media can be used without any adaptor.  
b VF (viewfinder) MENU/DISPLAY button  
Press this button to select the display mode of the  
subdisplay and the viewfinder (monitor) screen.  
Note  
c CANCEL/STATUS button  
In Menu Operation mode, press this button to cancel your  
entry or to resume the previous status.  
When the access lamp is lit in red, do not insert/remove the  
“Memory Stick” or turn off the camera.  
90).  
If you press this button when the menu is not displayed on  
the viewfinder (monitor) screen, the status information of  
the camera will be displayed.  
j Focus reference mark  
Used as a reference for focusing.  
For the information displayed, see “3-6 Viewing and  
k Tripod receptacles (bottom)  
3
d PAGE button  
Two screw holes (for / " camera screws) for tripod  
8
Press this button to flip the pages or register the setting on  
mounting are provided.  
the subdisplay.  
e SET button  
The subdisplay enters Data Change mode if you hold this  
button pressed for more than 1 second. Use this button also  
to flip to the previous page on the subdisplay.  
Locations and Functions of Parts  
13  
                         
f MENU SEL (selection) /ENTER dial  
Used to select or set the items on the subdisplay or the  
menu items on the viewfinder (monitor) screen.  
Rear panel  
f RUN indicator and ON/OFF switch  
OFF ON  
a Safety release tab  
b Accessory clamp lever  
g GENLOCK IN connector  
h TEST OUT connector  
i MONITOR OUT HD SDI connectors 1/2  
c Lock release knob  
d Accessory mount lever  
REMOTE  
j REMOTE connector  
e Recorder/interface box  
receptacles  
DC IN connector (see page 11)  
k Wrench box  
a Safety release tab  
b Accessory clamp lever  
g GENLOCK IN (external sync signal input)  
connector (BNC type)  
c Lock release knob  
d Accessory mount lever  
Used for input of an external gen-lock signal (HD 3-level  
sync).  
For mounting/unmounting an SRW-1 HD Portable Digital  
Recorder or the interface box to/from the rear of the  
camera head.  
The mounting/unmounting mechanism is the same as that  
on the top (page 13).  
h TEST OUT connector (BNC type)  
An analog test signal is fed from the connector.  
The type of output signal can be set using a menu on the  
viewfinder or monitor screen.  
i MONITOR OUT HD SDI connectors 1/2 (BNC  
type)  
An HD SDI signal for monitoring is fed from the  
e Recorder/interface box receptacles  
connectors.  
Signals and power are sent/received to/from an SRW-1 HD  
Portable Digital Recorder or the supplied interface box  
(page 15) mounted on the rear.  
The type of output signal can be set using a menu on the  
viewfinder or monitor screen.  
The same signal is output from connector 1 and 2.  
The same receptacles are provided on the top to send/  
receive signals and power to/from the recorder or the  
interface box mounted on the top.  
j REMOTE connector (8-pin)  
Connect an external control device, such as the RM-B150/  
B750 Remote Control Unit.  
When using a rechargeable battery  
k Wrench box  
Use the receptacles on the rear panel. By attaching the  
BKP-L551 to the rear of the interface box, the camera can  
be operated on a battery. Note, however, that power will be  
fed only to the camera head and viewfinder. Provide  
another power source for the recorder.  
A 3-mm wrench for attaching/detaching the handle and a  
2.5-mm wrench for attaching/detaching the viewfinder  
shoe are accommodated.  
f RUN indicator and ON/OFF switch  
When the switch is set to ON, the indicator will be lit while  
the recorder mounted on the camera is in Recording mode.  
Locations and Functions of Parts  
14  
               
1-3-2 Assistant Panel (Supplied)  
1-3-3 Interface Box (Supplied)  
The most parts are common to those on the right panel of  
the camera head. Connecting the panel to the CONTROL  
PANEL connector (page 10) of the camera head permits  
the camera and recorder to be operated at hand.  
Being attached to the top or the rear of the camera head, it  
transfers signals and power to/from the camera head.  
a AUDIO IN CH-1/CH-2 connectors  
b Audio input selection switches  
a CAMERA connector  
LOCK switch  
LINE  
CH-1  
MIC  
VF MENU/DISPLAY button  
Assignable buttons 1, 2, 3  
+48V ON  
LINE  
CH-2  
MIC  
CANCEL/STATUS button  
+48V ON  
b AUX connector  
e Camera connector 1  
LOCK  
VF MENU/DISPLAY CANCEL/STATUS  
MENU SEL/  
ENTER  
A
B
RUN  
4
AUTO  
BLK BAL  
PAGE  
SET  
f Camera connector 2  
MENU SEL/ENTER  
dial  
d DC IN connector (bottom)  
c HD-SDI A/B connectors  
Subdisplay  
SET button  
PAGE button  
4/AUTO BLK BAL switch  
a AUDIO IN CH-1/CH-2 connectors (XLR 3-pin,  
female)  
Connect audio signals. Each connector is equipped with an  
RUN button and indicator  
input selection switch.  
b Audio input selection switches  
Set to the appropriate position according to the equipment  
connected to the corresponding AUDIO IN connector.  
LINE: When a line-level (+4 dBu) signal source is  
connected  
a CAMERA connector  
Using the supplied assistant panel cable, connect to the  
CONTROL PANEL connector of the camera head.  
b AUX (auxiliary) connector  
Connect to an external device as required.  
MIC: When an external microphone is connected (No  
power is supplied.)  
+48 V ON: To supply power of +48 V to the connected  
microphone  
The other parts function the same as those on the right side  
panel of the camera head.  
c HD-SDI A/B connectors  
For Dual Link outputs of an HD-SDI signal.  
Note  
If the assistant panel cable is disconnected/connected  
while you are operating the subdisplay or a menu on the  
viewfinder/monitor screen, the cursor/pointer on the  
subdisplay or on the menu page may inadvertently be  
moved. If a ? symbol is shown on the display, first register  
the setting, then disconnect/connect the cable.  
d DC IN connector (XLR 4-pin)  
Connecting the BKP-L551 Battery Adaptor or a specified  
power cable, supply power to the interface box. The power  
is also fed to the camera head, viewfinder, and lens.  
Note  
Power is not fed to an SRW-1 recorder.  
Locations and Functions of Parts  
15  
                 
e Camera connector 1  
When the interface box is mounted on the top or rear of the  
camera head, video/audio and control signals are sent/  
received to/from the camera head.  
f Camera connector 2  
When the interface box is mounted on rear of the camera  
head, power is sent/received to/from the camera head.  
Locations and Functions of Parts  
16  
Installation and  
Preparations  
2
Chapter  
3
Release the lock by sliding the lock-release knob in the  
direction of the arrow (1 in the figure below) then pull  
up the accessory mount lever (pull it toward the lens  
when mounting on the top) (2 in the figure below).  
2-1 Mounting the  
Interface Box  
The supplied interface box can be attached to the top or  
rear of the camera head.  
Connection between the camera head and the interface box  
is achieved by mounting, eliminating additional cable  
connections.  
• The same attaching/detaching system is used both on the  
top and the rear.  
• The following instructions use the illustrations of  
attaching to the rear as examples.  
• Although the illustrations show the statuses where the L  
handle has been detached, the interface box can be  
mounted/unmounted with the L handle attached.  
Lock-release knob  
Accessory mount lever  
To attach  
4
Aligning the matching line on the interface box with  
that on the camera head, fit the interface box into the  
camera head then push down on the box (slide it in the  
opposite direction of the lens when attaching to the  
top) so that the connectors engage.  
1
2
Place the camera head on a stable, flat surface.  
Rotate the accessory clamp lever upward (toward the  
lens when attaching to the top).  
Accessory clamp lever  
Matching line on  
the interface box  
Matching line on  
the camera head  
Mounting the Interface Box  
17  
           
5
6
7
Rotate the accessory mount lever downward (pull it in  
the opposite direction of the lens when attaching to the  
top).  
To detach  
1
Rotate the accessory clamp lever upward (toward the  
lens when attaching to the top) (1 in the figure  
below).  
2
Release the lock by sliding the lock-release knob in the  
direction of the arrow (2 in the figure below) then pull  
up on the accessory mount lever (3 in the figure  
below) (pull it toward the lens when mounting on the  
top).  
Accessory clamp lever  
While holding the lock-release knob in the direction of  
the arrow, fold the accessory mount lever into its home  
position.  
Lock-release knob  
Accessory mount lever  
3
While holding the safety release tab pressed inward,  
pull up on the interface box to disengage the  
connectors, then pull out the box horizontally.  
(When attaching to the top, hold the safety release tab  
pressed downward, slide the interface box toward the  
lens to disengage the connectors, then pull out the box  
vertically).  
Rotate the accessory clamp lever downward (toward  
the opposite direction of the lens when attaching to the  
top).  
Safety release tab  
4
Return the accessory mount lever and accessory clamp  
lever to their home positions.  
Mounting the Interface Box  
18  
 
Mounting to the rear  
2-2 Mounting the SRW-1  
Recorder  
SRW-1  
In the same manner as the interface box, the SRW-1 HD  
Portable Digital Recorder can be mounted on the top or  
rear of the camera head.  
N
O
OFF  
1
3
O
C
L/ST  
A
TUS  
For handling of the SRW-1 Recorder, refer to the Operation  
Manual of the recorder.  
E
T
O
M
E
R
E
Notes  
T
2
• The firmware of the SRW-1 may be required to be  
updated for use with the camera.  
For details, consult your Sony representative.  
• When mounting the recorder, fix the camera head on a  
tripod in advance to keep the camera head stable.  
For tripod mounting, see “2-5 Mounting the Camera to  
When connecting the SRW-1 recorder  
using cables  
• When the camera is to be used with the recorder  
mounted, make sure that the camera is securely fixed and  
stable so that it will not topple over or fall.  
Attach the SRPC-1 HD Video Processor to the recorder to  
permit cable connections to the interface box mounted on  
the camera.  
Use two coaxial cables for connections. The cable length  
can be extended up to 100 m when 5C-FB cables are used.  
The camera and recorder must be controlled independently  
when connected via cables.  
Mounting to the top  
SRW-1  
SRW-1  
HD SDI B  
HD SDI A  
HD SDI IN A  
Coaxial cables  
HD SDI IN B  
SRPC-1  
Mounting the SRW-1 Recorder  
19  
     
2-3 Attaching a Lens  
Attach an appropriate optional lens that conforms to the PL  
lens mount.  
T
1.6  
2
Note  
ff  
2.8  
4
oo  
60  
5.6  
0
3
8
Always use a lens whose projection from the flange (A in  
the figure) is less than 30 mm. Use of any lens that  
protrudes more tha 30 mm will damage the internal filter.  
0
2
11  
15  
6
1
12  
L
C
0
1
8
7
6
5.6  
5
Notch  
Selecting a lens file  
With this camera, values, such as the compensation values,  
which are specific to the mounted lens can be registered in  
a lens file. You can perform necessary adjustments upon  
replacement of lenses by merely invoking the registered  
file.  
Select the file using the subdisplay.  
For information on handling lenses, refer to the lens’  
operation manual.  
For lens file selection on the subdisplay, see “3-2-6  
1
Rotate the lens fixing lever counterclockwise and  
remove the lens mount cap from the lens mount.  
For details on the lens files, see “5-1 File Configuration”  
Adjusting the flange focal length  
Adjustment of the flange focal length (distance between  
the lens mount attachment plane and the imaging plane) is  
necessary in the following situations:  
• The first time a lens is attached  
• When changing lenses  
• If the focus is not sharp at both telephoto and wide angle  
when zooming  
The flange focal length for this camera can be adjusted by  
rotating the adjustment screw on the front panel.  
Use an Allen wrench (7/64” diagonal):  
Lens fixing lever  
Cover  
2
3
Align the lens’ alignment pin with the notch in the  
upper part of the lens mount and insert the lens (sold  
separately) into the mount.  
While supporting the lens, rotate the lens fixing lever  
clockwise to secure the lens.  
T
1.6  
2
ff  
2.8  
4
oo  
.6  
5
60  
8
30  
11  
16  
20  
5
1
2
1
L
C
10  
8
Allen wrench  
Attaching a Lens  
20  
       
1
2
Loosen the fixing screw using a screwdriver, then open  
the cover.  
2-4 Attaching a  
Viewfinder  
Rotate the adjustment screw using an Allen wrench.  
Clockwise rotation lengthens the flange focal length,  
and counterclockwise rotation shortens it.  
Remember as a guide that 3 turns of the screw  
correspond to variation of the flange focal length of  
0.15 mm.  
Caution  
When the viewfinder is attached, do not leave the camera  
with the eyepiece facing the sun. Direct sunlight can enter  
through the eyepiece, be focused in the viewfinder and  
cause fire.  
When the adjustment is finished, close the cover and  
tighten the fixing screw.  
For details on the viewfinder, refer to the instruction  
manual of the viewfinder.  
If the viewfinder must be attached lower  
Loosen the two screws, using the 2.5-mm wrench stored in  
the wrench box (page 14) to detach the viewfinder shoe,  
and attach it to the lower position using the lower screw  
holes.  
Attaching procedure  
1
Fit the viewfinder to the viewfinder shoe and slide the  
viewfinder horizontally.  
The viewfinder stopper automatically pops down.  
Stopper  
2
Set the viewfinder to the most convenient position,  
tighten the viewfinder positioning ring (1 in the  
figure below), and connect the viewfinder cable to the  
VF1 connector of the camera (2 in the figure below).  
Attaching a Viewfinder  
21  
   
2-5 Mounting the Camera  
to a Tripod  
1
3
Two tripod receptacles (for / ” camera screws) are  
8
provided on the bottom of the camera head.  
1
F
V
2
T
C
When the supplied center handle is attached to the top of  
the camera head, you can attach the viewfinder to the  
viewfinder shoe of the center handle. In this case, first  
remove the viewfinder shoe from the camera head.  
For details on the center handle, see “2-6-2 Center Handle  
Tripod receptacles  
Note  
When the L handle is attached to the camera head, the  
attaching condition may be limited, owing to the  
viewfinder position and the rotating position of the hood.  
Notes  
• Select an appropriate hole, considering the balance of the  
weight of the camera. If an inappropriate hole is selected,  
the camera may fall over.  
When the second viewfinder is required  
• Check that the size of the selected hole matches that of  
the screw of the tripod. If they do not match, the camera  
cannot be attached to the tripod securely.  
Connect it to the VF2 connector.  
Using the menus, you can specify the display condition  
independently of the viewfinder connected to the VF1  
connector.  
Note  
When two viewfinders are connected at the same time (via  
the VF1 and VF2 connectors), if an HDVF-C950W is  
connected to either connector, use an HDVF-C35W as the  
other viewfinder. Because of a limitation of current  
capacity, two HDVF-C950W viewfinders cannot be used  
simultaneously.  
To detach the viewfinder  
Loosen the viewfinder positioning ring, pull on the  
viewfinder stopper, then pull out the viewfinder by sliding  
it in the direction opposite that when attaching.  
Mounting the Camera to a Tripod  
22  
   
2-6 Attaching/Detaching  
Handles  
2
3
R
U
O
N
N
O
F
F
IN  
K
C
O
L
N
E
G
2-6-1 L Handle  
2
T
U
O
T
S
E
T
The L handle is attached to the top of the camera head at  
Hex-head screws  
the factory.  
3
Three screw holes (for / ” camera screws for a tripod) on  
8
the upper side of the L handle can be used for fixing  
various accessories.  
To attach the handle in the original position, reverse the  
procedure for detaching.  
Mounting the assistant panel  
2-6-2 Center Handle (Supplied)  
By attaching the supplied assistant panel hanger, you can  
mount the assistant panel on the outside of the handle.  
The supplied center handle can be attached to the top or  
rear of the camera head.  
Attach it so that the slanting side faces the back (or  
bottom).  
The screw holes on the upper side of the handle can be used  
for fixing various accessories.  
Assistant panel  
hanger (supplied)  
Attaching the handle directly to the camera  
head  
The handle can be attached/detached in the same manner  
four +B4×8 screws (supplied)  
as the interface box (see page 17).  
Attaching the handle to the interface box  
mounted on the camera head  
First remove the base plate from the handle by loosening  
the four screws, then attach it to the interface box.  
2
3
Assistant panel  
O
N
N
F
F
IN  
K
C
O
L
N
E
G
1
2
2
T
U
O
T
S
E
T
Detaching the L handle  
If the L handle is not necessary or to be replaced with the  
supplied center handle, remove it by loosening the two  
screws, using the 3-mm wrench stored in the wrench box  
Base plate  
Interface box  
Attaching/Detaching Handles  
23  
         
Attaching a viewfinder  
When the supplied center handle is attached to the top of  
the camera head, you can attach the viewfinder to the  
viewfinder shoe of the center handle after removing the  
viewfinder shoe from the camera head.  
2-7 Preparing the Power  
Supply  
The procedure for attaching the viewfinder is the same as  
when attaching it to the viewfinder shoe of the camera head  
This camera operates on DC 12 V (10.5 to 17 V).  
Supplying power directly to the camera  
head  
Connect a power supply to the DC IN connector of the  
camera head.  
Use a commercially available shielded cable by attaching  
the supplied 8-pin connector for a power cable.  
For details on the connection, consult your local Sony  
representative.  
To turn on the camera  
Set the CAM POWER switch of the camera head to the ON  
side, and the camera is turned on.  
Power is also supplied to the viewfinder and lens mounted  
on the camera head.  
Power of 12 V or 24 V can be fed to accessories via the DC  
OUT connectors.  
Supplying power via the interface box  
To supply power via the interface box, mount the interface  
box to the rear of the camera head. If the interface box is  
mounted on the top, the power is not fed to the camera  
head.  
Connect a power supply to the DC IN connector (XLR 4-  
pin) of the interface box.  
To turn on the camera  
Set the CAM POWER switch of the camera head to the CA  
side, and the camera is turned on.  
The power is also supplied to the viewfinder and lens  
mounted on the camera head.  
To use an AC power source  
An AC power source can be connected, by using the AC-  
DN2B AC Adaptor.  
1
2
Attach the AC-DN2B to the interface box.  
Connect the DC power cord supplied with the AC-  
DN2B to the DC IN connector of the interface box.  
3
Connect the AC-DN2B to an AC power source.  
To use a battery pack  
The BP-GL95 Lithium-ion Battery Pack can be used.  
By attaching the BKP-L551 Battery Adaptor to the  
interface box, connect the BP-GL95 Lithium-ion Battery  
Preparing the Power Supply  
24  
     
Pack to the interface box.  
2-8 Setting the Built-in  
Clock  
Notes  
• Remove the battery pack if the camera will be out of use  
for an extended period.  
• Charge the battery, using the specified battery charger,  
before use.  
When using the camera for the first time, set the built-in  
clock to the local time, using the <DATE> page of the  
MAINTENANCE menu displayed on the viewfinder  
screen.  
For charging, refer to the instructions for the battery  
charger.  
To set the menu on monitor screen, connect a monitor to  
either of the MONITOR OUT HD SDI connectors.  
1
Attach the BKP-L551 Battery Adaptor to the interface  
box.  
Setting procedure  
1
2
Turn on the camera.  
BKP-L551  
While holding the MENU SEL/ENTER dial pressed,  
press the VF MENU/DISPLAY button.  
The camera enters Menu Operation mode, and “TOP”  
is displayed at the upper-right corner of the screen.  
LO  
C
K
3
4
Rotate the MENU SEL/ENTER dial to set the pointer  
to “TOP” and push on the MENU SEL/ENTER dial.  
V
7
-1  
V
.5  
0
1
IN  
C
D
Interface box  
The TOP MENU screen is displayed.  
<TOP MENU>  
2
3
Aligning the groove on the BP-GL95 with the  
projection on the BKP-L551, slide the BP-GL95 so  
that the connectors engage.  
BUSER  
USER MENU CUSTOMIZE  
ALL  
z
OPERATION  
PAINT  
z
z
Connect the DC cable of the BKP-L551 to the DC IN  
connector of the interface box.  
MAINTENANCE  
NETWORK  
z
z
FILE  
DIAGNOSIS  
z
When the battery is connected to the DC IN connector of  
the interface box, power is fed to the camera head,  
viewfinder, and lens.  
Rotate the MENU SEL/ENTER dial to position the  
pointer to MAINTENANCE and push on the MENU  
SEL/ENTER dial.  
Note  
Power is not supplied to the recorder mounted on the  
camera head. To supply power to the recorder, connect a  
power supply to the DC IN connector on the camera head.  
The CONTENTS page of the MAINTENANCE menu  
is displayed.  
(The following display examples are those in Custom  
mode. They include some items not displayed in Cine  
mode.)  
CONTENTS  
M00  
xx  
B01.<BASE SETTING>  
02.<AUTO SETUP>  
03.<WHITE SHADING>  
04.<BLACK SHADING>  
05.<OHB MATRIX>  
06.<AUDIO>  
07.<OUTPUT FORMAT>  
08.<DOWN CONVERTER>  
09.<POWER SAVE>  
10.<BATTERY ALARM SET>  
5
Turn the MENU SEL/ENTER dial to scroll the page  
and position the pointer to <DATE>.  
Setting the Built-in Clock  
25  
           
CONTENTS  
02.<AUTO SETUP>  
M00  
xx  
03.<WHITE SHADING>  
04.<BLACK SHADING>  
05.<OHB MATRIX>  
06.<AUDIO>  
07.<OUTPUT FORMAT>  
08.<DOWN CONVERTER>  
09.<POWER SAVE>  
10.<BATTERY ALARM SET>  
B11.<DATE>  
6
Push on the MENU SEL/ENTER dial.  
The <DATE> page is displayed.  
<DATE>  
M12 TOP  
DAxTE/TIME  
2008/3/22  
16:53  
7
8
Turn the MENU SEL/ENTER dial and set the date and  
time.  
Push on the MENU SEL/ENTER dial to shift to the  
next digit.  
When the date/time setting is completed, press the VF  
MENU/DISPLAY button to exit Menu Operation  
mode.  
For details on menu operations, see “4-2 Basic Menu  
Setting the Built-in Clock  
26  
Basic Adjustments and  
Settings  
3
Chapter  
Custom mode  
• This mode is designed for shooting with detailed settings  
on the menus or with operations from the remote control  
unit.  
• The reference file, which stores the values to be used as  
reference for adjustments, and the scene files, which  
store the adjustment values specific to a particular scene,  
are available in this mode.  
3-1 Selection oftheBasic  
Operation Modes  
3-1-1 Overview of the Basic  
Operation Modes  
• User Gamma can be installed.  
• Modification and storage of the lens files are possible.  
With this camera, Cine mode and Custom mode can be  
switched. Cine mode is designed for shooting the materials  
that will undergo post-production editing and that do not  
need on-set grading, as with shooting with a film camera.  
Custom mode is designed for shooting with all the setting  
items of the camera set as you wish.  
The items that can be set and the selectable values on the  
menus and from the remote control unit are different in  
Cine mode and Custom mode.  
Note  
The settings for the file items adjusted in Custom mode are  
maintained when the camera is switched back to Cine  
mode. However, the video adjustment values that are  
temporarily changed and not stored in any file will be  
cleared upon mode switching.  
For details on different items and values that can be set in  
Cine mode (default mode)  
• The subdisplay and the USER menu are mainly used.  
• The items related to image creation are fixed at the  
factory-set values, and menu displays are simplified.  
• Only auto black balance (ABB) can be activated as auto  
setup.  
3-1-2 Switching of the Basic  
Operation Modes  
At shipment, Cine mode is selected.  
The white balance level is fixed at the preset value  
(3200K), and auto white balance (AWB) and WHITE R/  
G/B settings are not operative.  
• On a remote control unit connected to the REMOTE  
connector of the camera, the values for the adjustment  
items whose settings fixed in Cine mode are not  
displayed. However, data for the ON/OFF setting items  
and selectable items are displayed although they are  
fixed in Cine mode.  
To switch to Custom mode  
Referring to the procedures described in “2-8 Setting the  
Built-in Clock” (page 25), call up the <BASE SETTING>  
page of the MAINTENANCE menu on the viewfinder  
screen or the monitor screen and switch the modes.  
On the same page, making settings for dynamic range and  
color space is also possible.  
• Reading/writing of files from/to a “Memory Stick” and  
data presetting are enabled only for the operator file that  
is included in the USER menu.  
• Only retrieval by specifying a file number is allowed  
among the lens file operations.  
• The reference file items are fixed to the default values set  
at the factory even if you have changed the values in  
Custom mode.  
Selection of the Basic Operation Modes  
27  
               
<BASE SETTING> page of the MAINTENANCE  
menu  
If a video production is to be displayed on a device that  
complies with the DCI standards, shooting in this mode  
will minimize the necessity for postproduction  
processes, such as color correction.  
<BASE SETTING>  
M01 TOP  
SHOOT MODE :BCUSTOM  
D-RANGE : EXTEND  
COLOR SPACE: S-GAMUT  
For details on menu operations, see “4-2 Basic Menu  
SHOOT MODE  
Switch between CINE and CUSTOM on this line.  
D-RANGE  
With EXTEND, the dynamic range and sensitivity are  
improved. The S/N ratio is improved with NORMAL.  
COLOR SPACE  
Select color reproducibility:  
S-GAMUT: This mode enables you to record with wider  
color space than with the conventional cameras (HDC-  
F950, HDW-F900R, etc.) whose color space is  
equivalent to that available with film cameras.  
With postproduction processes, color expression can be  
substantially extended.  
For details on reproducible gamuts, see “Color Space  
Note  
Images shot with the S-GAMUT setting will be seen in  
somewhat pale colors if they are reproduced on a  
conventional narrow color-space display, such as a  
CRT display.  
F900: This mode enables you to shoot with color space  
equivalent to that available with conventional cameras.  
This facilitates color matching with conventional  
cameras. Furthermore, as wider color-space data  
available with this camera can be used without  
restriction, distinguishability of images with higher  
color saturation will be improved over that with  
conventional cameras.  
F900R: This mode enables you to shoot with color space  
as close as possible to that of the HDW-F900R, by  
limiting the color space to that of the HDW-F900R.  
When using this camera in combination with the HDW-  
F900R, use this mode for easy color matching.  
Note  
This mode can be selected only when “COLOR  
F900R” is set to “ENABLE” on the <OTHERS 2> page  
of the MAINTENANCE menu.  
DCDM REF PJ: This mode enables color reproducibility  
that is recommended by the Digital Cinema Initiatives  
(DCI). The camera can output signals for display  
devices that can reproduce this color space, such as a  
DLP projector.  
Selection of the Basic Operation Modes  
28  
       
However, the LOCK switches disable the buttons and dial  
on their own sides. To inhibit operations on either side, set  
the LOCK switch on the side to be inhibited to ON.  
3-2 Basic Settings with  
the Subdisplay  
Turning the MENU SEL/ENTER dial can change a setting,  
and pressing on it can register (ENTER) a setting.  
Basic settings of the camera can be easily performed, using  
the subdisplay located on the side of the camera or that of  
the assistant panel if connected via the CONTROL PANEL  
connector of the camera.  
To display the Setting pages  
After the camera is turned on, the selected operation mode  
(CINE or CUSTOM) is displayed on the subdisplay for  
several seconds, after which the Setting page that was  
operated last time is displayed.  
3-2-1 Basic Operation of the  
Subdisplay  
To advance to the next page  
Press the PAGE button.  
For operation of the subdisplay, the buttons and dial shown  
in the figures below are used:  
To go back to the previous page  
Press the SET button (press and release the button within 1  
second).  
Side panel of the camera head  
VF MENU/DISPLAY button CANCEL/STATUS button  
(For registering a setting)  
(For canceling of a setting)  
To change a setting  
Press and hold the SET button for more than 1 second.  
Data Change mode is entered, the cursor ( | ) starts  
flashing, and the question mark (? symbol) appears at the  
rightmost position on the first line.  
MENU SEL/ENTER dial  
LOCK  
VF MENU/DISPLAY CANCEL/STATUS  
Turn  
(For changing  
a setting)  
Cursor (flashing)  
RUN  
Questionmark  
SC 360.0  
ON ?  
4
AUTO  
BLK  
BAL  
24FPS CMP:OFF  
Press  
PAGE  
SET  
(For determining a setting)  
On a page with two or more setting items, each time the  
SET button is pressed, the cursor moves to the next item.  
SET button  
PAGE button  
(For advancing  
pages/registering a  
setting)  
(For reversing pages/entering  
Data Change mode by holding  
the button pressed for 1 sec)  
Cursor  
Assistant panel  
SC 360.0  
ON ?  
24FPS CMP:OFF  
VF MENU/DISPLAY button CANCEL/STATUS button  
Move the cursor to the item you wish to modify then  
change the setting by turning the MENU SEL/ENTER  
dial.  
MENU SEL/  
ENTER dial  
LOCK  
VF MENU/DISPLAY CANCEL/STATUS  
Note  
MENU SEL/  
ENTER  
While the subdisplay is in Data Change mode, menu  
operations on the viewfinder cannot be performed.  
Press  
RUN  
4
Turn.  
AUTO  
BLK BAL  
To determine a changed setting  
PAGE  
SET  
Perform one of the following:  
• Press the PAGE button.  
PAGE button  
SET button  
• Exit Data Change mode by pressing the MENU SEL/  
ENTER dial (the cursor and question mark disappear).  
• Terminate the subdisplay operation by pressing the VF  
MENU/DISPLAY button.  
Operations of the subdisplay are possible with the buttons  
and dial both sides of the camera and assistant panel.  
Basic Settings with the Subdisplay  
29  
                     
the remote control unit correctly, upgrading of the version  
is required.  
To cancel a change on a setting  
Without registering a change of a setting, press the  
CANCEL/STATUS button. The question mark disappears,  
and the original setting is restored.  
For details, consult your local Sony representative.  
Shutter setting page  
To terminate subdisplay operation  
Press the VF MENU/DISPLAY button.  
1
2
3
SC 360.0  
ON  
24FPS  
CMP:OFF  
3-2-2 Shutter Settings  
4
5
The electronic shutter of this camera can be adjusted, with  
settings displayed in shutter angles, as with a film camera,  
in addition to exposure time.  
Two operation methods are available for the adjustment:  
stepwise and continuous.  
To select a shutter value step by step  
In Step mode, one of the registered shutter values (8 values  
at maximum) can be selected, as follows:  
1
Move the cursor to the left of “S” at 1.  
(Immediately after the shutter setting page is switched  
to Setting Change mode, the cursor is always  
displayed at the left of “S”.)  
Step mode  
Your frequently used shutter values (8 values at maximum)  
can be registered, enabling stepwise selection of the  
shutter values.  
2
Display the shutter angle you wish to use at 2 by  
turning the MENU SEL/ENTER dial.  
At shipment, the following values are registered:  
STEP No. Shutter angle  
The eight registered values for shutter angle will be  
displayed one after another as the MENU SEL/  
ENTER dial is turned.  
1
2
3
4
5
6
7
8
216.0º  
180.0º  
172.8º  
150.0º  
144.0º  
90.0º  
To select an arbitrary shutter value  
To use a shutter value that is not registered as a step shutter  
value, use Continuous mode.  
45.0º  
1
2
Press the SET button to move the cursor to the left of  
C” at 1.  
22.5º  
The corresponding shutter speeds vary according to the  
frame frequency and frame rate of the selected video  
format. The step shutter values can be changed and re-  
registered on the <SHUTTER ASSIGN> page of the  
USER (OPERATION) menu or the <SHUTTER/FPS>  
page of the USER (PAINT) menu.  
Display the shutter angle you wish to use at 2 by  
turning the MENU SEL/ENTER dial.  
The shutter value changes continuously as the MENU  
SEL/ENTER dial is turned.  
To change the units  
Continuous mode (ECS)  
The shutter values can be continuously changed in a range  
from 360.0 to 4.3 degrees.  
To obtain your desired shutter value quickly, assign a value  
nearest your desired one in Step mode, switch to  
Continuous mode, then adjust the shutter value.  
You can change the displayed units for the shutter values  
from shutter angle (deg) to speed (sec).  
1
2
Move the cursor to the left of  
at 2.  
Turn the MENU SEL/ENTER dial.  
The display at 2 changes to the corresponding speed  
value.  
Note  
In a case where a remote control unit connected to the  
REMOTE connector of the camera is used, adjustment in  
Step mode is enabled with SHUTTER and adjustment in  
Continuous mode is enabled with ECS (there is no need to  
set to ECS ON). However, to display the shutter values on  
SC 1/24.00 ON?  
24FPS  
CMP:OFF  
Basic Settings with the Subdisplay  
30  
     
The speed value for the shutter angle varies depending on  
the selected video format and frame rate.  
<SHUTTER ASSIGN> page  
<SHUTTER ASSIGN> 10 TOP  
STEP [deg] [sec]  
To select the frame rate (number of frames  
per second)  
When a video format of “Select FPS” is selected, the frame  
rate (number of frames per second) can be selected.  
1: 216.0 (1/39.97)  
2: 180.0 (1/48.00)  
3: 172.8 (1/50.05)  
4: 150.0 (1/57.63)  
5: 144.0 (1/60.07)  
6: 90.0 (1/95.92)  
7: 45.0 (1/192.2)  
8: 22.5 (1/383.0)  
ADD:B---.- DEL PRESET  
1
2
Move the cursor to 4.  
Display the frame rate (number of frames per second)  
you wish to use by turning the MENU SEL/ENTER  
dial.  
STEP 1-8  
In the [deg] column on each line, the registered shutter  
angle is indicated. In the [sec] column, the shutter speed  
value converted according to the currently selected frame  
rate is displayed.  
If a format other than those of “Select FPS” is selected, the  
frame rate cannot be changed.  
ADD  
To use Compensation mode  
This camera enables you to compensate for changes in the  
video level when the FPS value is changed.  
Two compensation modes are provided: one that depends  
on shutter angles and another that depends on electric gain.  
For newly registering a step shutter value.  
Display a shutter angle you wish to register then push on  
the MENU SEL/ENTER dial. The selectable angle values  
are from 360.0 to 4.3 degrees. The Step shutter values are  
automatically sorted in descending order.  
If eight values have been already registered, the message  
“STEPS FULL” is displayed, and a new value will not be  
added. In such a case, delete an unneeded value  
beforehand, using DEL.  
1
2
Move the cursor to 5.  
Select the compensation mode you wish to use by  
turning the MENU SEL/ENTER dial.  
DEL  
AC: Angle Compensation mode  
For deleting registered step shutter values.  
When the pointer is positioned at DEL, an asterisk (*) is  
displayed at the left of STEP 1.  
When you change the frame rate, the shutter angle is  
automatically corrected, retaining the video level.  
Move the asterisk to the left of the value you wish to delete  
then push on the MENU SEL/ENTER dial. That value is  
deleted, and the items after the deleted one will be  
automatically renumbered.  
GC: Gain Compensation mode  
When you change the frame rate, the electric gain is  
automatically corrected, retaining the video level.  
The current shutter angle setting is maintained.  
Example: When deleting 90.0  
For details on switching of the compensation modes with  
3: 172.8 (1/50.05)  
4: 150.0 (1/57.63)  
5: 144.0 (1/60.07)  
*6: 90.0 (1/95.92)  
7: 45.0 (1/192.2)  
8: 22.5 (1/383.0)  
When shutter is not used  
Select OFF at 3.  
B
ADD: ---.- DEL PRESET  
The shutter value indication at 2 becomes “----”.  
v
3: 172.8 (1/50.05)  
4: 150.0 (1/57.63)  
5: 144.0 (1/60.07)  
6: 45.0 (1/192.2)  
7: 22.5 (1/383.0)  
8: ---.- (-/---.-)  
To change the registered values for the  
step shutter  
Call up the <SHUTTER ASSIGN> page of the USER  
(OPERATION) menu on the viewfinder.  
B
ADD: ---.- DEL PRESET  
As the numbers for which no value is registered are  
skipped during a selection operation, deleting step shutter  
values with lower frequency of use will improve the  
operation speed.  
For details on how to operate the menu, see “4-2 Basic  
At maximum, numbers 2 to 8 can be left unregistered.  
Basic Settings with the Subdisplay  
31  
         
PRESET  
2
3
Move the cursor to the left of “M” and turn the MENU  
SEL/ENTER dial.  
For resetting all step shutter values to default.  
The selectable formats are displayed in sequence as  
you turn the dial.  
Addition and deletion of step shutter values can be  
performed on the <SHUTTER/FPS> page of the USER  
(PAINT) menu.  
When the format you wish to register is displayed,  
press the MENU SEL/ENTER dial.  
For information on the <SHUTTER/FPS> page, see “3-9  
The registration is updated, and the camera starts to  
operate with the selected format.  
3-2-3 Selection of Video Formats  
To change the registered formats using the menu  
The registered formats can also be changed on the  
<SUBDISPLAY 1> page of the USER (OPERATION)  
menu.  
On the subdisplay, the video format can be selected from  
among the eight registered formats.  
At shipment, the following four formats are registered, and  
numbers 5 to 8 are not used:  
For details on how to operate the menu, see “4-2 Basic  
No.  
Registered format  
Indication on the  
subdisplay  
<SUBDISPLAY 1> page  
1 (default)  
23.98P 4:4:4  
S23.98P 4:4:4  
S59.94P 4:2:2  
23.98P 4:2:2  
_23.98P 444  
S23.98P 444  
S59.94P 422  
_23.98P 422  
<SUBDISPLAY 1>  
11  
2
3
4
FORMAT MEMORY  
1:B_23.98P 444  
2: S29.97P 444  
3: S59.94P 422  
4: _23.98P 422  
5: NO ASSIGN  
6: NO ASSIGN  
7: NO ASSIGN  
8: NO ASSIGN  
Video-format selection page  
_23.98P 444  
Position the pointer on the line you wish to change and  
push on the MENU SEL/ENTER dial. The <FORMAT  
MEMORY> subpage for format selection will be  
displayed.  
On the first line, the currently selected format is displayed.  
Data-set mode enables you to select the desired format  
from among the registered formats.  
<FORMAT MEMORY> page  
_23.98P 444 ?  
1:_23.98P 444 M  
<FORMAT MEMORY>  
xx  
ESC  
B00:NO ASSIGN  
01:_23.98P 444  
02:S23.98P 444  
03:_29.97P 444  
04:S29.97P 444  
05:S59.94P 444  
06:_23.98P 422  
07:S23.98P 422  
08:_29.97P 422  
09:S29.97P 422  
Turn the MENU SEL/ENTER dial until the desired format  
is displayed on the second line.  
The unused numbers are skipped.  
You can select unregistered video formats from among  
available ones, using the <OUTPUT FORMAT> page of  
the MAINTENANCE menu.  
Position the pointer to the format you wish to select and  
push on the MENU SEL/ENTER dial. The registered  
format will be changed.  
For details on how to select a video format, see “3-14  
If NO ASSIGN is selected, selection with that number  
becomes invalid.  
Changing the registered formats  
The registered formats (eight at maximum) can be changed  
with the following procedure:  
3-2-4 Retrieving the ND Offset  
1
Display the number of the registered format you wish  
to change on the second line.  
If an ND filter is attached to the matte box, etc., the white  
balance may be in variance. In such a case, you can retrieve  
Basic Settings with the Subdisplay  
32  
         
an appropriate ND offset value from a previous adjustment  
you made. Use the ND filter selection page on the  
subdisplay.  
In Custom mode: Selecting the gain, color  
temperature, and white balance memory  
The offset values ND: 2 to 5 are stored with respect to the  
white balance stored for ND: 1 as the reference.  
Gain setting page  
For the ND offset adjustment, see “5-3-7 Storage of the  
0dB(450) 800%  
5600K-ON W:P  
3
4
ND filter selection page  
The first line is in common with Cine mode.  
At 3 on the second line, electrical gain of 5600K can be  
switched ON or OFF.  
ND:1  
At 4 on the second line, the white balance adjustment  
value can be selected.  
3-2-5 Selection of the Gain, Color  
Temperature, and White Balance  
Memory  
Setting Adjustment value  
W:P  
W:A  
W:B  
Preset value (3200K)  
The value stored in memory A  
The value stored in memory B  
The setting items and values in Cine mode and Custom  
mode are different.  
At shipment, the gain is set to 0 dB, color temperature is  
set to 5600K-OFF, and the white balance memory is set to  
W:P.  
In Cine mode: Selecting the gain and color  
temperature  
For details on white balance adjustment, see “3-4 White  
Gain setting page  
1
2
Indications of the ISO sensitivity and  
dynamic range  
The ISO sensitivity value displayed on the Gain setting  
page is defined as “the value with which the video input  
becomes 20% when shooting a gray-scale chart of 18%  
reflection rate.”  
Note that the video output value with respect to this input  
will vary depending on the selected gamma.  
Either dynamic range or latitude can be selected for the  
indication.  
The value displayed with % as a dynamic range shows the  
limit on the high-luminance side in percentage (100%=  
input level) in a case where the white of the gray scale  
provides 100% (700 mV) output with the ITU-R709  
gamma (standard gamma).  
0dB(450) 800%  
TUNGSTEN  
At 1 on the first line, the gain value is selected from  
among the following: –6 dB, –3 dB, 0 dB, 3 dB, 6 dB, 9  
dB, and 12 dB. The corresponding ISO sensitivity is  
displayed in parentheses. For 2 on the first line, you can  
select either dynamic range or latitude for the indication  
range” mentioned later).  
On the second line, the color temperature is selected from  
TUNGSTEN or DAYLIGHT.  
With DAYLIGHT, electrical gain of 5600K is ON.  
The value displayed with E as a latitude shows the latitude  
on the high-luminance side by an f-stop value, using a  
gray-scale chart of 18% reflection rate as the key light.  
The latitude at the low-luminance side can be reproduced  
up to approx. –6.5 stop at 0 dB.  
At shipment, the gain is set to 0 dB, and the color  
temperature is set to TUNGSTEN.  
The white balance adjustment value is fixed at the preset  
value (3200K).  
Note  
As the dynamic range indication shows a value for the  
input video, the dynamic range of the output video is  
limited by the output settings as follows:  
Basic Settings with the Subdisplay  
33  
                 
• If a gamma other than S-LOG is selected  
The upper limit is clipped according to the output video  
limitation specified by the gamma setting.  
Note  
All the lens files are named “No Offset,” with all zero  
settings at shipment. File registration and modification of  
data in a lens file must be performed in Custom mode.  
When you select a curve as Hyper Gamma No. 4, which  
compresses 460% input to 109%, the output video is fed  
within the range up to 460% of input video even if 800%  
is displayed on the subdisplay as the dynamic range as the  
output video is limited to 109%.  
For details on the lens files, see “Chapter 5 Storage and  
Using CvpFileEditor V4.0, you can change the dynamic  
range of Hyper Gamma and create a user gamma curve  
having no dynamic range limitation.  
3-2-7 Confirmation of the Time Code  
and Tape Remaining  
If the white clip function is in use  
When the SRW-1 HD Portable Digital Recorder is attached  
to this camera, the time code of the recorder and  
approximate tape remaining (unit: minutes) can be  
confirmed on the subdisplay.  
As the white clip function limits the level of output video,  
the dynamic range specified for the input video may not be  
obtained for video output.  
If “Select FPS” is ON and Compensation is in Gain  
mode  
Time code/tape remaining display page  
The value of the dynamic range may decrease by up to half  
at maximum, depending on the FPS settings.  
TCR 00:00:00:00  
20min  
Memo  
The time code is displayed on the first line, and the  
approximate tape remaining is displayed on the second  
line, in the range of 1 to 99 min.  
Why the ISO sensitivity is defined for 20% input  
Defining the level of gray scale of 18% reflection rate for  
the ISO sensitivity on the linear curve (defining with input  
signal) permits you to use the values as the absolute  
reference for proper gamma conversion in postproduction.  
In addition, defining the output for 20% input with ITU-  
R709 so that it becomes the reference code for Cineon  
curve allows high compatibility.  
Time code that is displayed on the first line  
Indication  
Meaning  
TCR 00:00:00:00 Time code data of the LTC reader  
TCR 00:00.00:00 Time code data of the LTC reader (DF)  
TCR.00:00:00:00 Time code data of the VITC reader  
UBR 00 00 00 00 User bit data of the LTC reader  
UBR.00 00 00 00 User bit data of the VITC reader  
3-2-6 Selection of a Lens File  
With this camera, the compensation data for the mounted  
lens can be adjusted in Custom mode and registered in the  
built-in memory in lens files (max. 32 files).  
TCG 00:00:00:00 Time code data of the time code  
generator  
You can invoke the compensation data for the mounted  
lens by merely selecting the corresponding file.  
TCG 00:00:00.00 Time code data of the time code  
generator (DF)  
UBG 00 00 00 00 User bit data of the time code  
generator  
Lens file selection page  
CTL -0:00:00:00 Data of the CTL counter  
LENS:1  
T*R 00:00:00:00 Time code cannot be read with the  
LTC reader.  
No Offset  
U*R 00 00 00 00 User bit cannot be read with the LTC  
On the first line, select the number of the lens file.  
On the second line, the lens-file name corresponding to the  
selected file is displayed.  
reader.  
T*R.00:00:00:00 Time code cannot be read with the  
VITC reader.  
U*R.00 00 00 00 User bit cannot be read with the VITC  
The selected lens file will be retained until a new lens file  
is selected. As long as the same lens is used, further  
selection of the lens file is not required.  
reader.  
The type of the displayed time code data is linked with the  
SRW-1. Select the type of the displayed time code data on  
the SRW-1.  
Basic Settings with the Subdisplay  
34  
           
Character indication setting page  
3-2-8 Confirmation of the Power  
Voltage and Selection of Fan  
Operation Mode  
VF1:ON VF2:ON  
MON:ON VBS:ON  
The values in voltage of the power sources connected to  
the camera can be confirmed on the subdisplay.  
On the same page, the operation mode of the built-in fans  
can also be selected.  
VF1  
Viewfinder connected via the VF1 connector (default: ON)  
VF2  
Viewfinder connected via the VF2 connector (default: ON)  
Voltage confirmation/Fan Operation mode select  
page  
MON  
Monitors connected via the MONITOR OUT HD SDI  
connectors (default: ON)  
1
2
11.4V 24.1V  
FAN:AUTO1  
VBS  
Monitors connected via the TEST OUT and REMOTE  
connectors (default: ON)  
At 1 and 2 on the first line, the values in voltage of the  
12-V and 24-V power systems are displayed, respectively.  
If power is not supplied, “- -” is displayed.  
3-2-10 Allocation of Functions to  
the Assignable Buttons and Switch  
If the voltage falls to the NEAR END level, the indication  
starts flashing. If the voltage falls further down to the END  
level, the indication flashes rapidly.  
Various functions can be allocated to assignable buttons 1  
to 3 and assignable switch 4 (the upper position of the 4/  
AUTO BLK BAL switch) that are located on the side of the  
camera and on the assistant panel.  
The NEAR END and END levels can be set on the <BATT  
ALARM SET> page of the MAINTENANCE menu.  
On the second line, Fan Operation mode can be changed.  
At shipment, no function is allocated to these buttons.  
Setting  
Operation of the fans  
AUTO1 (default)  
The fans are automatically controlled  
according to the internal temperature.  
Normally use this mode.  
Functions that can be allocated to assignable  
buttons 1 to 3  
AUTO2  
In synchronization with recording, the  
fans are controlled for the quietest  
condition.  
As the rotation speed will increase if the  
internal temperature rises, use other  
modes for recording that may continue  
several tens of minutes.  
Menu  
Function  
indication  
ND  
Selection of the ND filter  
REC REVIEW  
With REC REVIEW set to NORM on the  
SRW-1, the last part of the recorded tape  
is normally rewound for 3 seconds  
(maximum: 10 seconds) then played  
back.  
MIN  
The quietest fan operation is  
maintained.  
Use this mode for long recording at  
ordinary temperatures.  
With REC REVIEW set to ALL on the  
SRW-1, the tape is rewound to the  
recording start position then played back.  
MAX  
The fans rotate at the maximum speed  
to lower the internal temperature.  
PB(VF)  
The video signals being played back on  
the SRW-1 are output to the viewfinder.  
VF709GAM  
MONI709GAM  
FAN MODE  
ON/OFF of the fixed ITU-R709 gamma of  
the viewfinder  
3-2-9 ON/OFF of the Character  
Indication  
ON/OFF of the fixed ITU-R709 gamma of  
the monitor  
Switching of Fan Operation mode  
Superimposition of character data onto camera images can  
be activated or deactivated by output destination.  
Basic Settings with the Subdisplay  
35  
             
Subdisplay brightness adjustment page  
Menu  
indication  
Function  
BRIGHT:1  
GAIN –9/–18 dB If the picture becomes too bright when  
you set the lens iris to its open end to  
assist the focus adjustment, the electric  
gain can be temporarily decreased to  
resume the proper picture level by using  
this function.  
The higher the value, the brighter the display.  
Each push on the assignable button  
changes the setting in the sequence of  
OFF, 9 dB, –18 dB, OFF, and so on.  
3-2-12 Selection of Gamma Tables  
Notes  
The gamma curves can be selected on the gamma table  
selection page of the subdisplay.  
• The gain-decreased condition is  
automatically released in approx. 1  
minute.  
• Do not perform recording in the  
condtion where the gain is decreased  
with this function.  
Gamma table selection page  
GAMMA:STANDARD  
5 ITU-R709  
OFF  
None  
Functions that can be allocated to assignable  
switch 4  
Select the gamma table on the first line (STANDARD,  
HYPER, SPECIAL, or USER) and the gamma curve on  
the second line.  
Menu  
indication  
Function  
For details on the available gamma curves, see “3-11  
AWB  
Automatic white balance adjustment  
Color-bar indication  
Test signal output  
BARS  
TEST1  
OFF  
3-2-13 Selection of Color Spaces  
None  
Color reproducibility can be selected on the color space  
selection page of the subdisplay.  
Note  
Even if AWB is allocated to assignable switch 4, AWB  
does not function in Cine mode.  
Color space selection page  
Assignable buttons 1/2 setting page  
COLOR SPACE  
F900  
AS1:OFF  
AS2:OFF  
Select the color space mode (S-GAMUT, F900, F900R, or  
DCDM REF PJ) on the second line.  
The functions of buttons 1 and 2 can be assigned on the  
first and second line, respectively.  
For information on color space modes, see “3-1-2  
Assignable button 3/switch 4 setting page  
AS3:OFF  
AS4:OFF  
3-2-14 Limiting Pages that are  
Displayed on the Subdisplay  
The functions of button 3 and switch 4 can be assigned on  
the first and second line, respectively.  
You can limit pages that are displayed on the subdisplay,  
using the <PAGE SELECT> subpage that can be accessed  
from the <SUBDISPLAY 2> page of the USER  
(OPERATION) menu.  
3-2-11 Brightness Adjustment of the  
Subdisplay  
For details on how to operate the menu, see “4-2 Basic  
The brightness of the subdisplay can be adjusted, in eight  
levels.  
Basic Settings with the Subdisplay  
36  
         
<SUBDISPLAY 2> page  
3-3 Black Balance  
Adjustment  
<SUBDISPLAY 2>  
12  
LOCK SW MODE  
CAMERA : -RUN  
PANEL  
: FULL  
BPAGE SELECT  
In order to maintain high picture quality when using the  
camera, it is necessary to set the black balance  
appropriately. After turning on the camera, apply power to  
the camera for several minutes, then be sure to perform the  
black balance adjustment before starting any picture  
adjustment.  
Move the pointer to PAGE SELECT then push on the  
MENU SEL/ENTER dial to jump to the <PAGE  
SELECT> subpage, where limitation of display pages can  
be assigned.  
Automatic black balance adjustment  
Push the assignable switch 4/AUTO BLK BAL switch on  
the side of the camera or on the assistant panel down to the  
position AUTO BLK BAL then release it.  
<PAGE SELECT> page  
<PAGE SELECT>  
xx  
ESC  
:BON  
: ON  
: ON  
: ON  
: ON  
: ON  
: ON  
: ON  
Automatic black balance adjustment is performed.  
SHUTTER  
FORMAT  
ND  
LOCK  
VF MENU/DISPLAY CANCEL/STATUS  
GAIN/WHITE/5600K  
LENS FILE  
TIME CODE  
VOLTAGE/FAN MODE  
CHARACTER MIX  
ASSIGNABLE SW1/SW2 : ON  
ASSIGNABLE SW3/SW4 : ON  
RUN  
4
AUTO  
BLK  
To switch ON/OFF, move the pointer to an item whose  
setting you wish to change and push on the MENU SEL/  
ENTER dial. Any page with an OFF setting will not be  
displayed on the subdisplay.  
PAGE  
SET  
BAL  
AUTO BLK BAL switch  
During adjustment, “ABB: EXECUTING” is displayed on  
the viewfinder screen. When the adjustment process is  
completed successfully, the message “ABB: OK” is  
displayed.  
Menu  
Target page  
indication  
SHUTTER  
FORMAT  
ND  
Shutter setting page  
Video-format selection page  
Optical filter selection page  
Notes  
• During black balance adjustment, ND is automatically  
set to 5 (CAP), and the iris is closed.  
GAIN/WHITE/ Gain setting page  
5600K  
• During black balance adjustment, the gain switching  
circuit will work automatically, and the viewfinder  
screen will flicker several times. This is not a  
malfunction.  
LENS FILE  
Lens file selection page  
TIME CODE  
Time code/tape remaining display page  
VOLTAGE/FAN Voltage confirmation/Fan Operation mode  
MODE select page  
When automatic black balance adjustment fails  
CHARACTER Character indication setting page  
MIX  
If the automatic black balance adjustment process does not  
end successfully, the error message “ABB: NG” will be  
displayed on the viewfinder screen for approximately three  
seconds.  
If this error message is displayed, try black balance  
adjustment again.  
ASSIGNABLE Assignable buttons 1/2 setting page  
SW1/SW2  
ASSIGNABLE Assignable button 3/switch 4 setting page  
SW3/SW4  
BRIGHT  
Subdisplay brightness adjustment page  
Gamma table selection page  
If the error message continues to be displayed after several  
attempts, the camera requires internal inspection.  
GAMMA  
TABLE  
COLOR  
SPACE  
Color space selection page  
Black Balance Adjustment  
37  
           
Note  
3-4 White Balance  
Adjustment (in Custom  
mode)  
Be careful not to have any spots of high illumination in  
the rectangle.  
4
5
Adjust the lens iris opening or set the shutter to ON.  
With a manually adjusted lens: Set the opening to an  
appropriate value.  
With a lens that has automatic iris control: Set the  
lens' automatic/manual iris control switch to  
automatic.  
When the camera is used in Custom mode, if the lighting  
conditions change, readjust the white balance.  
When adjusting the white balance, select the white balance  
memory. The adjustment value is fixed to 3200K when the  
preset memory is selected.  
The selected memory can be confirmed with the status  
display on the viewfinder screen (page 43).  
The memory selection can be made on the subdisplay or  
from a connected RM-B750 Remote Control Unit.  
Or, set the video level to an appropriate value, using  
the shutter setting.  
Perform automatic white balance adjustment.  
To perform adjustment on the <AUTO SETUP>  
page of the MAINTENANCE menu  
Referring to the procedure mentioned in “2-8 Setting the  
Built-in Clock” (page 25), select MAINTENANCE menu  
on the TOP MENU screen and call up the <AUTO  
SETUP> page.  
Automatic white balance adjustment  
1
Select the memory A or B, using the subdisplay or the  
remote control unit (default: preset memory).  
For details on how to select on the subdisplay, see “3-  
<AUTO SETUP>  
M02 TOP  
AUTO BLACK  
cAUTO WHITE  
AUTO LEVEL  
2
3
Select the appropriate filter according to the lighting  
conditions, using the subdisplay or the assignable  
buttons.  
AUTO WHITE SHADING  
AUTO BLACK SHADING  
TEST  
:
OFF  
Place a white pattern in the same lighting conditions as  
the subject and zoom in on it so that a white area is  
obtained in the screen.  
Position the pointer to AUTO WHITE then push on the  
MENU SEL/ENTER dial.  
Select “EXEC” when a confirmation message is displayed.  
A white object (white cloth, a white wall, etc.) near the  
subject may be used in place of a white pattern.  
The minimum white area required for adjustment is as  
illustrated below:  
For details on the menu operations, see “4-2 Basic Menu  
To perform adjustment with the assignable  
switch  
A rectangle centered in  
the screen. The length of  
the sides must be at least  
70% of the height and  
width of the screen.  
If AWB is allocated to assignable switch 4, push the switch  
up toward “4” then release it.  
For the procedure for assigning a function to the switch,  
Within this rectangle,  
there must be an area  
of white greater than  
10% of the entire  
screen.  
To perform adjustment from the remote control  
unit  
When the RM-B750 or RM-B150 remote control unit that  
is connected to the REMOTE connector is used, press the  
AWB button.  
White Balance Adjustment (in Custom mode)  
38  
       
During adjustment  
The message “AWB EXECUTING” is displayed on the  
viewfinder screen. When the adjustment process is  
completed successfully, the message “AWB: OK” is  
displayed.  
3-5 Setting the Camera  
Outputs  
When automatic white balance adjustment fails  
If the automatic white balance adjustment process does not  
end successfully, the error message “AWB: NG” will be  
displayed on the viewfinder screen for approximately three  
seconds.  
If this error message is displayed, try white balance  
adjustment again.  
If the subject has a higher color temperature, use an optical  
filter or set 5600K to ON, then try white balance  
adjustment again.  
If the error message continues to be displayed after several  
attempts, the camera requires internal inspection.  
3-5-1 Selecting a Video Output  
Signal for Each Connector  
The type of video signals to be output to the MONITOR  
OUT HD SDI 1/2, TEST OUT, and REMOTE connectors  
can be selected.  
For selection, use the <MONITOR OUTPUT> page of the  
USER (OPERATION) menu that is displayed on the  
viewfinder screen.  
<MONITOR OUTPUT> page  
Note  
If the automatic white balance adjustment is performed on  
a system where the Select FPS function (see page 55) is  
available, set a value that is greater than half the maximum  
FPS value as the FPS value. If you do not, the error  
message “AWB: LOW FPS” will be displayed, and  
automatic white balance adjustment will not be available.  
Example: With S23.98PsF, as the maximum FPS value is  
24 FPS, set it to 13 FPS or greater before the automatic  
white balance adjustment is to be performed. Although  
the maximum FPS value is 50 FPS with S59.94PsF, set  
it to 31 FPS or greater.  
<MONITOR OUTPUT> 07  
COLOR  
:BCOLOR  
OUTPUT  
MONI HD-SDI: MONI  
TEST OUT : VBS  
RM VIDEO : VBS  
COLOR  
With COLOR, all R, G, and B channels will be output.  
Single-channel output of R, G, or B is also possible.  
MONI HD-SDI  
The signals to be monitored with video monitors  
connected to the MONITOR OUT HD SDI 1/ 2 connectors  
can be selected.  
Setting  
Signal  
MONI  
Regardless of the VF1/VF2 settings,  
characters or the marker can be added  
independently to the video output signals.  
(Default)  
VF1  
Video signals that are output to the VF1  
connector (camera images with character data  
for the setting menus and status display)  
VF2  
Video signals that are output to the VF2  
connector  
TEST OUT  
The signals to be output to a video monitor or waveform  
monitor connected via the TEST OUT connector can be  
selected.  
Setting the Camera Outputs  
39  
           
To apply monitor gamma to the monitor  
picture  
Setting  
VBS  
Signal  
The VBS signals are output. (Default)  
The HD-Y signals are output.  
VF2  
MONI GAMMA ENABLE  
REF-THRU The reference signal that is input to the  
GENLOCK IN connector is output as-is.  
If this is set to ON, the monitor gamma (ITU-R709)  
appropriate for monitoring is applied to the video signals  
1)  
FRAME  
A pulse is output per frame (in a case of  
1 FPS, one pulse per second).  
output from the VF1, VF2, MONITOR OUT HD SDI 1/2,  
or REMOTE connector. The video output signals from  
those connectors are selected on the <MONITOR  
OUTPUT> page.  
Timing of the pulse signal  
This setting is effective when S-LOG gamma is applied to  
the video output signals for recording intended for post-  
production editing.  
Example 1: SHUTTER OFF  
1 frame  
1) The VBS output signal always becomes the camera image to which ITU-  
R709 gamma is applied.  
CCD exposure  
Frame pulse  
Exposure  
Exposure  
Notes  
• If the monitor gamma is activated with 23.98PsF/  
S23.98PsF, the output for viewfinders and monitors is  
switched to 59.94i. In the case of 24PsF/S24PsF, the  
output is switched to 50i. To eliminate this phenomena,  
change the DOWN CONVERTER setting on the  
<POWER SAVE> page of the MAINTENANCE menu  
from ACTIVE to PWR SAVE.  
• Some of the paint settings (such as black gamma, knee,  
detail, matrix, etc.) for the main line are not applied to  
monitor gamma.  
Example 2: SHUTTER ON, shutter angle 180º  
1 frame  
CCD exposure  
Frame pulse  
Exposure  
Exposure  
RM VIDEO  
To monitor the playback picture  
The video signals to be output to equipment connected via  
the REMOTE connector can be selected.  
The playback picture of the recorder can be confirmed with  
a monitor connected to the camera or on the viewfinder  
2)  
screen.  
Setting  
VBS  
Signal  
2) When MONI GAMMA ENABLE is set to OFF, the same gamma as that  
applied to the main line is applied to all the outputs. However, the PB and  
PB MIX modes can be independently selected for the VF, MONI, and VBS  
signals.  
The VBS signals are output. (Default)  
The HD-Y signals are output.  
VF2  
PB  
3-5-2 Setting the Monitor Picture  
The playback-signal output mode can be selected for each  
VF, MONI, or VBS signal.  
Using the <PB/MONI GAMMA> page of the USER  
(OPERATION) menu displayed on the viewfinder screen,  
the gamma setting of the monitor picture and the playback-  
picture monitor mode can be selected.  
Setting  
Signal  
ON  
The playback picture of the recorder is always  
output.  
AUTO  
Normally, the camera image is output. When  
the recorder enters playback mode (PLAY, FF,  
REW, or REC REVIEW,) the playback picture  
is automatically selected.  
<PB/MONI GAMMA> page  
<PB/MONI GAMMA>  
08  
OFF  
The camera image is always output. (Default)  
MONI GAMMA ENABLE: OFF  
VF MONI VBS  
:B OFF OFF OFF  
OFF  
PB  
PB MIX: OFF OFF  
Note  
MONITOR GAMMA  
VF : OFF  
MONI : OFF  
If the recorder is turned off with PB ON, the picture on the  
viewfinder/monitor screen is distorted. The normal picture  
is restored by turning the recorder on or setting PB to  
AUTO or OFF.  
VBS : R709  
GAMMA MARK SETTING  
Setting the Camera Outputs  
40  
           
WIPE  
To compare the playback picture and  
camera image  
The playback picture and camera image can be displayed  
on the same screen when the playback-signal output mode  
is set to ON or AUTO for the item PB on the <PB/MONI  
GAMMA> page and if PB MIX is set to ON.  
When MIX TYPE is set to WIPE, how pictures are to be  
wiped can be selected.  
Item  
Setting  
HOR  
Content  
LAYOUT  
Horizontally split (Default)  
Vertically split  
VERT  
RIGHT  
PB MIX  
PB  
POSITION  
With HOR, the playback picture  
is displayed on the right and the  
camera image on the left.  
The playback-signal mix mode can be independently set to  
ON or OFF for each VF, MONI, or VBS signal. When set  
to ON, the playback picture and camera image are mixed.  
(Default when HOR is selected)  
LEFT  
With HOR, the playback picture  
is displayed on the left and the  
camera image on the right.  
How this is to be displayed can be set on the <PB MIX  
SETTING> page of the USER (OPERATION) menu.  
BOTTOM  
With VERT, the playback picture  
is displayed in the lower part  
and the camera image in the  
upper part. (Default when VERT  
is selected)  
<PB MIX SETTING> page  
<PB MIX SETTING> U08  
MIX TYPE  
:BMIX  
TOP  
With VERT, the playback picture  
is displayed in the upper part  
and the camera image in the  
lower part.  
MIX  
DIRECTION  
MODE  
LEVEL  
WIPE  
LAYOUT  
PB POSITION : RIGHT  
BOUNDARY : 960  
: PB  
: Y-MIX  
:
80%  
BOUNDARY With HOR: The boundary position can be  
0-1920 changed. (Default: with HOR:  
: HOR  
With VERT: 960, with VERT: 540)  
0-1080  
MIX TYPE  
How the picture is to be displayed can be selected.  
To display the gamma mark  
GAMMA MARK SETTING  
Setting  
How to display  
When monitor gamma (ITU-R709) is applied to the SDI  
output at the MONITOR OUT connectors and the  
viewfinder images, you can set the camera to display the  
gamma mark (709 ) to indicate that gamma that is  
different from that used for recording is applied. (The mark  
is not recorded with the docked recorder.)  
MIX  
The playback picture and camera image are  
overlapped. (Default)  
WIPE  
The screen is horizontally or vertically split in  
two, and two pictures are displayed  
simultaneously.  
Select GAMMA MARK SETTING on the <PB/MONI  
GAMMA> page to jump to the subpage for setting the  
gamma mark.  
MIX  
When MIX TYPE is set to MIX, how to mix the pictures  
can be selected.  
<GAMMA MARK> page  
Item  
Setting  
Content  
DIRECTION CAM  
The playback picture is gradually  
mixed into the camera image.  
(Default)  
<GAMMA MARK>  
MONI GAMMA MARK: ON  
ESC  
B
: 3  
MARK LEVEL  
H POSITION  
V POSITION  
PB  
The camera image is gradually  
mixed into the playback picture.  
: 0  
: 0  
MODE  
LEVEL  
Y-MIX  
The Y signals are mixed. (Default)  
WIRE(W) Only the outline components are  
mixed and displayed with white  
lines.  
WIRE(B) Only the outline components are  
mixed and displayed with black  
lines.  
Set MONI GAMMA MARK to ON then set the brightness  
and position of the indication.  
0 to 80% The mix level can be adjusted.  
(Default: 80%)  
Setting the Camera Outputs  
41  
             
Item  
Function  
Item  
Selectable color-bar formats  
MARK LEVEL For selecting the brightness of the gamma  
mark among 1–4 (4 for the maximum  
brightness)  
HD-BAR (VF/ BAR 16:9 (100%), BAR 16:9 (75%),  
MONI)  
SMPTE 16:9 (BLACK), SMPTE 16:9 (–I/Q),  
BAR 4:3 (100%), BAR 4:3 (75%), SMPTE  
4:3 (BLACK), SMPTE 4:3 (–I/Q), MF-ARIB  
(75%), MF-ARIB (100%), MF-ARIB (+I),  
MF-SMPTE (–I, Q), MF-SMPTE (75%, Q),  
MF-SMPTE (100%, Q), MF-SMPTE (+I, Q),  
HD-CUSTOM, HD-CUSTOM2  
H POSITION For setting the horizontal position of the  
indication in the range of 0–99 (0 for the  
leftmost)  
V POSITION  
For setting the vertical position of the  
indication in the range of 0–99 (0 for the  
uppermost)  
SD-BAR  
SMPTE, EIA, FULL (EBU), 95%,  
NTSC100% (PAL100%)  
Note  
3-5-3 Outputting Color Bars  
The color-bar signal is not output with the video output  
from the VF1, VF2, MONITOR OUT HD SDI 1/2, and  
REMOTE connectors if the monitor gamma (R709) is  
selected for MONITOR GAMMA of the respective output  
on the <PB/MONI GAMMA> page (except when a VBS  
signal is output).  
The color-bar signal can be output by setting the color-bar  
generator built in the camera to ON.  
The color-bar generator can be turned ON or OFF on the  
<OTHERS 1> page of the USER (MAINTENANCE)  
menu.  
<OTHERS 1> page  
<OTHERS 1>  
U20  
FAN MODE  
CAM BARS  
HD-BAR(VF/MONI)  
: AUTO1  
:BON  
BAR 16:9(100%)  
SD-BAR  
SMPTE  
IMAGE INVERT  
: OFF  
When CAM BARS is set to ON, the color-bar generator is  
turned ON, and the color-bar signal is output.  
As the HD and SD (VBS) outputs for the viewfinders and  
monitors, the format of the color-bar signals can be  
independently selected.  
The color-bar signal format for the camera output of the  
main line is fixed at 16:9 (100%), regardless of the settings  
of the above outputs.  
HD-BAR (VF MONI)  
The format of the color-bar signals sent to the VF1, VF2,  
and MONITOR OUT HD-SDI connectors can be selected  
from among the 17 types.  
SD-BAR  
The format of the color-bar signals to the TEST OUT and  
REMOTE connectors can be selected from among the 5  
types.  
Setting the Camera Outputs  
42  
         
The set NEAR END and END values can be checked on  
the <BATTERY ALARM> page of the USER  
(OPERATION) menu.  
3-6 Viewing and Setting  
the Viewfinder Displays  
c White balance memory  
Displays the currently selected white balance memory.  
W:A: Memory A  
W:B: Memory B  
W:P: Preset memory  
The setting is fixed at W:P in Cine mode.  
In Custom mode, you can change the setting using the  
subdisplay or from a remote control unit.  
Besides the video image, the viewfinder can display text  
and messages showing the camera settings and operation  
status.  
The same information can be displayed on monitors  
connected to the MONITOR OUT HD SDI connectors.  
Note  
d Color temperature filter mode  
Indicates the condition of the electrical filter.  
In Cine mode, “5600” is displayed when the daylight filter  
is selected. When the tungsten filter is selected, this  
column becomes blank.  
This information is not displayed when the camera is in  
Menu Operation mode. Exit Menu Operation mode to  
view the information.  
In Custom mode, “5600” is displayed when 5600K is set  
to ON.  
3-6-1 Viewing the Basic Status  
Indications  
e Optical filters  
Displays the types of filters currently selected.  
The following status indications can be superimposed on  
the camera picture when you press the VF MENU/  
DISPLAY button.  
f Gain value  
Displays the video gain value (dB) of the video amplifier.  
The display conditions can be specified on the <VF  
DISPLAY> page of the USER (OPERATION) menu.  
g Shutter  
The shutter setting is displayed with the shutter angle or  
frequency. For a shutter angle,  
is displayed at the left.  
The type of the display, angle (deg) or speed (sec), can also  
be switched on the <VF DISPLAY> page of the USER  
(OPERATION) menu (default: deg).  
1
2
24FPS  
12.8V 24.8V  
CAM?  
q;  
h Tape remaining  
The remaining time of the tape of the recorder docked on  
the camera is roughly indicated in minutes.  
qa  
qs  
3
4
i Recording mode  
“REC” is displayed when the recorder docked on the  
5600 W:  
1 0  
A TCR 00:00:00:00  
dB 172.5 99M REC  
camera is in REC mode.  
5
6
7
8
9
j Self-diagnosis information  
“CAM?” is displayed if an error is generated, e.g., on an  
internal board, and an error message appears in the  
message area.  
a Frame rate  
The frame rate selected is displayed.  
(This indication is not available if the Select FPS function  
is not active.)  
This indication cannot be set to OFF.  
For the error messages, see “Warning/Error Messages”  
b Battery indications  
The conditions of output power are indicated. The left  
column is for DC 12V OUT power and the right column is  
for DC 24 V OUT power.  
k Message area  
Displays the status of auto setup, error messages, etc.  
Each indication begins to flash if the corresponding input  
voltage decreases to the NEAR END value specified on the  
<BATT ALARM SET> page of the MAINTENANCE  
menu.  
Flashing becomes quicker as the voltage decreases further  
toward the END value.  
l Time code area  
Displays the same time codes as those on the subdisplay.  
Viewing and Setting the Viewfinder Displays  
43  
         
The display conditions can be set using the < ' ! ' IND>  
page of the USER (OPERATION) menu.  
Setting the basic status indications  
The conditions for displaying the basic status indications  
can be set on the <VF DISPLAY> page of the USER  
(OPERATION) menu.  
ABNORMAL<!>  
!ND  
:1  
:A  
!WHITE  
!5600K  
!SHUTT  
!FAN  
<VF DISPLAY> page  
:OFF  
:360.0deg  
: MAX  
<VF DISPLAY>  
U01  
!G-COMP :ON  
FPS :B ON GAIN : ON  
ND : ON SHUTT : ON  
5600K : ON UNIT : deg  
WHITE : OFF BATT12: OFF  
BATT24: OFF  
REC : OFF  
TAPE : OFF  
TC : OFF  
MESSAG: ALL  
Setting the ABNORMAL<!> indications  
Set the conditions for the abnormal indications on the  
< ' ! ' IND> page of the USER (OPERATION) menu.  
<' ! ' IND> page  
Item  
Setting  
FPS  
Set to ON to obtain the frame rate indication  
1.  
<'!'IND>  
U02  
[IND] [NORMAL]  
:B ON  
ND  
Set to ON to obtain the optical filter  
indications 5.  
ND  
1----  
P--  
OFF  
OFF  
AUTO1  
WHITE : ON  
5600K : ON  
SHUTT : ON  
FAN : ON  
G-COMP: ON  
5600K  
Set to ON to obtain the 5600 indication 4.  
WHITE  
Set to ON to obtain the white balance  
memory indication 3.  
GAIN  
Set to ON to obtain the gain value indication  
6.  
SHUTT  
UNIT  
Set to ON to obtain the shutter indication 7.  
Indication of each item on the ABNORMAL< ! > display  
is turned on or off in the [IND] column.  
Set the normal condition for each item in the [NORMAL]  
column.  
If an item for which [IND] is set to ON becomes a  
condition other than that specified in the [NORMAL]  
column, the condition is indicated on the < ' ! ' IND> page.  
Select the unit for the shutter indication.  
deg: Shutter angle (Default)  
sec: Shutter speed  
BATT12  
BATT24  
REC  
Set to ON to obtain the battery indications 2.  
Set to ON to obtain the recording mode  
indication 9.  
TAPE  
TC  
Set to ON to obtain the tape remaining  
indication 8.  
Item  
Setting  
ND  
ND filter selection:  
Set to ON to obtain the time code indication  
1, 2, 3, 4, 5 (combination allowed)  
qs.  
WHITE  
5600K  
White balance memory selection:  
P, A, B (combination allowed)  
MESSAG  
Select the type of messages to be displayed  
in the message area qa.  
ALL: To display all messages  
AT: To display Auto Setup information and  
higher  
WRN: To display warning messages and  
higher  
OFF: To display warning messages of the  
highest level only  
Custom mode: 5600K ON/OFF  
Cine mode: ON for Daylight, OFF for Tungsten  
SHUTT  
FAN  
Shutter mode ON/OFF  
Fan rotation mode selection:  
AUTO1, AUTO2, MIN or MAX  
G-COMP  
Gain compensation mode (normal: OFF)  
3-6-2 Viewing the ABNORMAL <!>  
Display  
3-6-3 Viewing the FUNCTION  
(Format/Switch Function) Display  
Pressing the CANCEL/STATUS button calls the following  
ABNORMAL< ! > display, permitting you to check the  
items for which the setting is not in the normal condition.  
If you press the CANCEL/STATUS button with the  
ABNORMAL< ! > display on the screen, the display  
changes to the following FUNCTION display:  
Viewing and Setting the Viewfinder Displays  
44  
           
<CHAR/MARK MIX> page  
<CHAR/MARK MIX> U09  
VF1 VF2 MON1 VBS  
FUNCTION  
1
2
FORMAT: 23.98PsF  
(24)FPS  
AS1:OFF  
AS2:OFF  
AS3:OFF  
AS4:OFF  
4:4:4  
CHAR  
: ON ON ON ON  
MARKER :BON ON ON ON  
CURSOR : OFF OFF OFF  
ZEBRA : OFF OFF OFF OFF  
VF GATE MARKER: OFF  
a Format indication  
The current video format is displayed.  
The MARKER indications are activated for all the outputs  
at the factory.  
For details on the formats, see “3-14 Detailed Setting of  
Item  
Setting  
VF1  
Turn all the markers on or off on the  
viewfinder connected to the VF1 connector.  
b Assignable switch indication  
The functions assigned to the assignable buttons and  
switch are indicated.  
VF2  
Turn all the markers on or off on the  
viewfinder connected to the VF2 connector.  
MONITOR  
Turn all the markers on or off on the monitors  
connected via the MONITOR OUT  
connectors.  
For functions that can be assigned, see “3-2-10 Allocation  
35).  
VBS  
Turn all the markers on or off on the monitors  
connected via the TEST OUT and REMOTE  
connectors.  
3-6-4 Setting the Marker Indications  
Specifying the markers to be displayed  
The various markers, such as the center marker and safety  
zone marker, can be displayed on the viewfinder and  
monitor screens.  
For the outputs for the total marker indication is activated  
on the <CHAR/MARK MIX> page, select and adjust the  
marker(s) to be displayed on the next <MARKER  
SETTING> page.  
Example: Center marker (entire cross)  
<MARKER SETTING> page  
<MARKER SETTING> U03  
CENTER  
SAFETY  
EFFECTIVE : OFF  
ASPECT : OFF 4:3  
VARIABLE : --  
:BOFF 1  
: OFF 90.0%  
SAFETY  
MASK  
CURSOR  
: OFF 90.0%  
: OFF 12  
: BOX  
Example: Safety zone marker (90%)  
POSI H/V :  
SIZE W/H : 960  
0
0
540  
All the markers have been set to OFF at the factory.  
Item  
Setting  
CENTER  
Set to ON to display the center marker and  
select the type of the center marker.  
1: Entire cross  
2: Entire cross with a hole  
3: Center  
The <CHAR/MARK MIX> page and <MARKER  
SETTING> page of the USER (OPERATION) menu allow  
you to switch the display of the markers on or off and to set  
the display conditions of the markers.  
4: Center with a hole  
SAFETY  
Set to ON to display the safety zone marker  
and specify the range (80%, 90%, 92.5%, or  
95%).  
Activating/deactivating all the marker  
indications for each output  
The <CHAR/MARK MIX> page permits you to activate  
and deactivate the marker indications for each output.  
EFFECTIVE Set to ON to display the effective pixel area.  
Viewing and Setting the Viewfinder Displays  
45  
         
Zebra (default settings)  
Item  
Setting  
1 (70%)  
2 (100%)  
ASPECT  
Set to ON to display the aspect marker and  
specify the aspect:  
2.40:1, 2.35:1, 1.85:1, 1.66:1, 16:9, 15:9,  
14:9, 13:9, 4:3, VAR H, VAR V  
VARIABLE  
If you select VAR H or VAR V for ASPECT,  
set the H or V value.  
VAR H: 12 to 1920  
VAR V: 12 to 1080  
Setting the zebra indication is performed on the <ZEBRA>  
page of the USER (OPERATION) menu.  
SAFETY  
MASK  
Set to ON to display the safety zone for the  
selected aspect marker, and specify the  
range.  
<ZEBRA> page  
Set to ON to make the areas outside the  
selected aspect marker dimmer, and select  
the mask level (0 to 15).  
<ZEBRA>  
U05  
:B OFF  
: OFF  
: OFF  
: OFF  
VF1  
VF2  
MONITOR  
VBS  
3-6-5 Adjusting the Viewfinder  
Details  
ZEBRA TYPE :  
ZEBRA1 LEVEL:  
WIDTH:  
1
70%  
10%  
100%  
ZEBRA2  
:
You can adjust the image on the viewfinder screen to  
obtain a clearer view, using the <VF DETAIL> page of the  
USER (OPERATION) menu. This adjustment does not  
affect the image being recorded.  
Item  
Function  
1)  
Turn the zebra indication on the  
viewfinder connected to the VF1  
connector on/off.  
VF1  
<VF DETAIL> page  
<VF DETAIL>  
VF 1 :B OFF  
VF 2 : OFF  
U04  
1)  
Turn the zebra indication on the  
viewfinder connected to the VF2  
connector on/off.  
VF2  
1)  
Turn the zebra indication on the monitors  
connected to the MONITOR OUT  
connectors on/off.  
LEVEL : 25%  
0
MONITOR  
CRISP  
:
1)  
Turn the zebra indication on a device  
connected via the REMOTE connector  
on/off.  
VBS  
ZEBRA TYPE  
Select the zebra(s) to be displayed:  
1, 2, or 1&2  
Item  
Function  
ZEBRA1 LEVEL Adjust the level (0 to 109%) of the zebra  
1 indication (factory setting: 70%).  
VF1  
Turn the VF detail adjustment function on or  
off for the viewfinder connected to the VF1  
connector.  
WIDTH  
Adjust the width (0 to 30%) of the zebra 1  
indication (factory setting: 10%).  
VF2  
Turn the VF detail adjustment function on or  
off for the viewfinder connected to the VF2  
connector.  
ZEBRA2  
Adjust the level (50 to 109%) of the zebra  
2 indication (factory setting: 100%).  
LEVEL  
CRISP  
Set the level (0 to 100%) of the VF detail  
adjustment function.  
1) These items can also be set on the <CHAR/MARK MIX> page.  
Set the noise crispening level (–99 to 99).  
3-6-7 Setting the Cursor Indication  
3-6-6 Setting the Zebra Indication  
You can display a cursor on the viewfinder and monitor  
screen.  
You can display a zebra pattern(s) on the viewfinder and  
monitor screen.  
Viewing and Setting the Viewfinder Displays  
46  
         
Example: Box cursor  
Menu item  
Function  
CURSOR  
Select the type (BOX/CROSS) of the cursor  
to be displayed.  
POSI H/V  
SIZE W/H  
Adjust the H (horizontal) position (–958 to  
956) and the V (vertical) position (–538 to  
536) of the center.  
Adjust the width (from the center to right or  
left side) (16 to 1920) and the height (from  
the center to top or bottom) (16 to 1080) of  
the cursor.  
Activating/deactivating the cursor  
indication  
The <CHAR/MARK MIX> page of the USER  
(OPERATION) menu permits you to activate/deactivate  
the cursor indication for each output.  
3-6-8 Checking the Power Voltage  
The settings of the NEAR END and END values to warn  
of low voltage of a power supply can be checked on the  
<BATTERY ALARM> page of the USER (OPERATION)  
menu.  
<CHAR/MARK MIX> page  
<CHAR/MARK MIX> U09  
VF1 VF2 MON1 VBS  
CHAR  
: ON ON ON ON  
MARKER : ON ON ON ON  
CURSOR :BOFF OFF OFF  
ZEBRA : OFF OFF OFF OFF  
<BATTERY ALARM> page  
<BATTERY ALARM> U15  
VF GATE MARKER: OFF  
DC IN (24V) 24.2V  
TYPE:BAC ADP  
NEAR END : (22.2)  
END  
: (21.6)  
The CURSOR indication is deactivated for all the outputs  
at the factory.  
DC IN (12V) 12.8V  
TYPE: AC ADP  
NEAR END : (11.1)  
END  
: (10.8)  
Menu item  
Function  
VF1  
Turn the cursor indication on the viewfinder  
connected to the VF1 connector on/off.  
Menu item  
Indication  
VF2  
Turn the cursor indication on the viewfinder  
connected to the VF2 connector on/off.  
DC IN (24V)  
TYPE  
Voltage of the 24-V power  
Select the type of the 24-V power source.  
MONITOR  
Turn the cursor indication on the monitors  
connected to the MONITOR OUT  
connectors on/off.  
NEAR END  
NEAR END value specified for the 24-V  
power source of the selected type  
END  
END value specified for the 24-V power  
source of the selected type  
Setting the type and size of the cursor  
DC IN (12V)  
TYPE  
Voltage of the 12-V power  
For the outputs for which you activate the cursor indication  
on the <CHAR/MARK MIX> page, select and adjust the  
cursor to be displayed on the next <MARKER SETTING>  
page.  
Select the type of the 12-V power source.  
NEAR END  
NEAR END value specified for the 12-V  
power source of the selected type  
END  
END value specified for the 12-V power  
source of the selected type  
<MARKER SETTING> page  
<MARKER SETTING> U03  
This page is intended for display only. You can only switch  
the type. If you want to change the values, use the <BATT  
ALARM SET> page of the MAINTENANCE menu.  
CENTER  
SAFETY  
EFFECTIVE : OFF  
ASPECT : OFF 4:3  
VARIABLE : --  
: OFF 1  
: OFF 90.0%  
SAFETY  
MASK  
CURSOR  
: OFF 90.0%  
: OFF 12  
:BBOX  
POSI H/V :  
SIZE W/H : 960  
0
0
540  
Viewing and Setting the Viewfinder Displays  
47  
         
Setting subpage for assignable switch 4  
ASSIGN SW4 ESC  
3-7 Detailed Settings of  
the Switch Functions  
BOFF  
AWB  
BARS  
TEST1  
By using the <SWITCH ASSIGN> page of the USER  
(OPERATION) menu displayed on the viewfinder/monitor  
screen, the operation mode of the MENU SEL/ENTER  
dial in addition to function assignment to the assignable  
buttons/switch that can also be made on the subdisplay.  
Position the pointer to the function to be assigned and push  
on the MENU SEL/ENTER dial.  
<SWITCH ASSIGN> page  
<SWITCH ASSIGN> U13  
Setting the operation mode of the MENU  
SEL/ENTER dial  
You can reverse the operation corresponding to the  
directions of rotation of the MENU SEL/ENTER dial on  
the camera head and that on the assistant panel.  
ASSIGN SW1 :BOFF  
ASSIGN SW2 : OFF  
ASSIGN SW3 : OFF  
ASSIGN SW4 : OFF  
RE_ROTATION: STD  
Setting  
Operation  
STD (default) Clockwise rotation moves the pointer/  
cursor down or increases values on a  
menu/subdisplay page.  
Assigning functions to the assignable  
buttons/switch  
When you position the pointer to any of the ASSIGN SW1  
to ASSIGN SW4 lines and push on the MENU SEL/  
ENTER dial, the subpage to set the corresponding button/  
switch is displayed.  
RVS  
Clockwise rotation moves the pointer/  
cursor up or decreases values on a menu/  
subdisplay page.  
You can assign the same functions as those when you  
operate the subdisplay.  
For the assignable functions, see “3-2-10 Allocation of  
35).  
Setting subpage for assignable button 1  
ASSIGN SW1  
ESC  
BOFF  
ND  
REC REVIEW  
PB(VF)  
VF709GAM  
MONI709GAM  
FAN MODE  
GAIN -9/-18dB  
The setting subpages for button 2 and 3 have the same  
layout as that for button 1.  
Detailed Settings of the Switch Functions  
48  
     
3-8 Setting the Gain  
3-9 Detailed Shutter  
Settings  
If the gain of the video amplifier of this camera is to be  
switched using the gain switch of the RM-B150 Remote  
Control Unit, the gain values for the corresponding switch  
positions must be specified in advance.  
Use the <GAIN ASSIGN> page of the USER  
(OPERATION) menu.  
The Electronic Shutter function of this camera enables  
shooting with various shutter angles and shutter speeds  
(sec).  
While the basic settings of the shutter can be made on the  
subdisplay, the <SHUTTER/FPS> page of the USER  
(PAINT) menu permits you to set the shutter while  
observing the shutter angle, the shutter speed (sec), and the  
frame rates at a glance.  
<GAIN ASSIGN> page  
<GAIN ASSIGN>  
U14  
GAIN [L]:B 0 dB  
[M]: 6 dB  
[H]: 12 dB  
<SHUTTER/FPS> page  
<SHUTTER/FPS>  
U19  
SHUTTER :B ON  
[deg]  
[sec]  
180.0 (1/47.96)  
STEP  
CONTINUOUS  
STEP ASSIGN  
ADD DELETE  
Menu item  
Setting  
FRAME RATE: (24)FPS  
COMP MODE : OFF  
GAIN [L]  
GAIN [M]  
GAIN [H]  
Gain value corresponding to the L position  
of the gain switch  
SHUTTER  
Gain value corresponding to the M position  
of the gain switch  
To activate the electronic shutter, set this to ON.  
The currently selected shutter angle is displayed in the  
[deg] column. In the [sec] column, the speed (sec)  
converted according to the selected frame rate is displayed.  
Gain value corresponding to the H position  
of the gain switch  
Any of –6, –3, 0, 3, 6, 9, or 12 dB can be set for each of the  
L, M, and H positions, in any sequence.  
STEP (Step mode)  
To select a value registered as a step shutter, move the  
cursor on this line.  
Turn the MENU SEL/ENTER dial to display a registered  
shutter value in the [deg] and [sec] columns one after  
another in order.  
CONTINUOUS (Continuous mode)  
To fine-adjust the selected step shutter value or use a value  
that has not been registered as a step shutter, move the  
cursor on this line.  
The values in the [deg] and [sec] columns will change  
continuously when the MENU SEL/ENTER dial is turned.  
STEP ASSIGN  
Addition and deletion of step shutter values can be  
performed in the same way as with the SHUTTER  
ASSIGN page (see page 31) of the USER (OPERATION)  
menu.  
• ADD  
For registering a shutter value displayed in the [deg]  
column in Continuous mode as a new step shutter value. If  
eight step shutter values have been already registered,  
Setting the Gain / Detailed Shutter Settings  
49  
                 
“STEPS FULL” will be displayed, and the value will not  
be added. In such a case, delete an unneeded step shutter  
value beforehand, using DELETE.  
function (see page 55) is limited. With COMP MODE  
set to OFF or ANGLE, frame frequencies of 8 FPS or  
less are not available to minimize picture degradation.  
Usage under FPS will increase noise on the picture.  
To lift this limitation, change the FPS LIMITER setting  
on the <OTHERS 2> page of the MAINTENANCE  
menu from LIMIT to FREE.  
• DELETE  
For deleting the step shutter value displayed in the [deg]  
column in Step mode.  
If the setting is changed from FREE to LIMIT, COMP  
MODE will be forcibly set to OFF.  
For additional information of the step shutter, see “3-2-2  
FRAME RATE  
Select the frame rate (number of frames per second) if a  
format of “Select FPS” is selected.  
The selecting range depends on the formats, as follows:  
Selected format  
S23.98PsF/S24PsF  
S25PsF  
Selectable frame rates  
1 to 24 FPS (frames per second)  
1 to 25 FPS  
S29.97PsF/S30PsF  
1 to 30 FPS  
S50P/S59.94P/S60P 1 to 50 FPS  
If a format other than formats of “Select FPS” has been  
selected, the value is indicated in parentheses and cannot  
be changed.  
COMP MODE  
This camera enables you to compensate for changes in the  
video level when the FPS value is changed.  
Two compensation modes are provided: one that depends  
on shutter angles and another that depends on electric gain.  
• ANGLE: Angle Compensation mode  
When you change the frame rate, the shutter angle is  
automatically corrected, retaining the video level.  
Notes  
• In Angle Compensation mode, the frame rate cannot be  
changed to a lower value if the shutter angle comes to  
near 0º, and it cannot be changed to a higher value if the  
shutter angle comes to near 360º.  
• When you activate Angle Compensation mode, the  
shutter setting is automatically set to ON.  
• GAIN: Gain Compensation mode  
When you change the frame rate, the electric gain is  
automatically corrected, retaining the video level.  
The current shutter angle setting is maintained.  
Notes  
• Care must be taken when shooting a high-contrast  
subject, as the dynamic range (latitude) may be degraded  
1
to / at maximum, depending on the selected video  
2
format or FPS.  
• With the default settings, the range of the frame  
frequencies that can be selected with the Select FPS  
Detailed Shutter Settings  
50  
           
3-10 Resuming the  
Standard Conditions  
3-11 Selecting the  
Gamma  
The <OPERATOR FILE> page of the USER  
(OPERATION) menu permits you to return the operation  
items (those contained on pages U02 to U14 of the factory-  
preset USER menu) you changed to the factory-set  
statuses.  
You can use User gamma you create in addition to the  
built-in Standard gamma and Hyper gamma.  
Use the <GAMMA> page of the USER (PAINT) menu for  
gamma operations.  
<GAMMA> page  
<OPERATOR FILE> page  
<GAMMA>  
TABLE  
U18  
<OPERATOR FILE> U16  
:BUSER  
: 1 S-LOG A  
t
READ (MS CAM)  
WRITE (CAMtMS )  
TEST  
: OFF  
BPRESET  
FILE ID:  
CAM CODE  
DATE  
Gamma selection is also possible on the gamma-table  
selection page of the subdisplay.  
Position the pointer to PRESET and push on the MENU  
SEL/ENTER dial. The operation items return to the  
statuses stored in the operator file.  
3-11-1 Using the Standard Gamma  
For details on the operator file, see “Chapter 5 Storage  
Standard Gamma is for video and intended to be used  
mainly for creating broadcast contents. It is used in  
combination with the Knee function that adjusts the  
dynamic range of high-luminance areas.  
When STANDARD is selected on the first line of TABLE  
of the <GAMMA> page, you can select from among the  
following standard gamma curves:  
Gamma table No. Gamma curve  
1
2
3
4
5
6
equivalent to SD ENG camcorder  
equivalent to 4.5-times gain  
equivalent to 3.5-times gain  
equivalent to SMPTE-240M  
equivalent to ITU-R709  
equivalent to 5.0-times gain  
It is recommended to use the No. 5 (ITU-R709) curve in  
normal use.  
As ITU-R709 provides 4.5-times gain around the black,  
select the No. 6 (×5) curve when you need higher contrast  
around the black.  
Resuming the Standard Conditions  
51  
               
2
Call the <WHITE CLIP> page of the PAINT menu and  
adjust the white clip level to fit the selected hyper  
gamma.  
3-11-2 Using the Hyper Gamma  
Hyper Gamma enables the wide dynamic range of the  
CCD sensors to be reproduced in smooth contrast without  
using the knee function.  
You can easily adjust whether to widely reproduce high  
contrast or to brightly reproduce the luminance of the  
intermediate tones by selecting an appropriate curve.  
Settings assuming usage of postproduction devices having  
a white limit of 100% are also provided.  
3-11-3 Using the S-LOG  
When SPECIAL is selected on the first line of TABLE on  
the <GAMMA> page, the second line indicates S-LOG  
(Sony Log).  
Sony Log (S-LOG in subsequent texts) is a gamma which  
assumes use in the DI workflow (capturing filmed negative  
images and creating a digital master through digital  
processing for screening) in cinema production.  
S-LOG enables you to monitor the latitude close to  
negative film and perform the timing (color correction)  
with a Sony digital cinema camera, achieving “Digital  
Negative” that is the optimum negative film work flow for  
digital processing.  
1
Select HYPER on the first line of TABLE on the  
<GAMMA> page, and select the hyper gamma table  
most suitable to the shooting conditions and purpose.  
Effective for shooting for  
brighter tonal reproduction high-contrast subject  
around the skin of the  
subject  
Effective for shooting a  
With this “Digital Negative” you can have the conventional  
shooting style, using ISO sensitivity, luminometer and the  
wide latitude of negative film, enabling smooth transition  
from film production to digital cinema production.  
Hyper Gamma 3 (HG3)  
Compressing 325% to 109% Compressing 460% to 109%  
Hyper Gamma 4 (HG4)  
Hyper Gamma 1 (HG1) Hyper Gamma 2 (HG2)  
Compressing 325% to 100% Compressing 460% to 100%  
Detailed information of S-LOG is described in the “SONY-  
LOG Whitepaper.”  
For the “SONY-LOG Whitepaper,” consult your local Sony  
representative.  
ITU-R709  
HG3  
HG4  
109  
100  
80  
60  
40  
20  
3-11-4 Using the User Gamma  
You can also create a desired gamma table, using a  
personal computer on which software CvpFileEditor™  
has been installed and load the table into the camera via a  
“Memory Stick.”  
When a user gamma table is selected, control of gamma  
(LEVEL or ON/OFF) may become disabled, depending on  
data of the table. This is because the gamma and knee are  
compulsorily fixed when creating the gamma curve.  
User gamma curves are initialized with S-LOG at the  
factory. (The characteristic data of S-LOG can be output in  
files, using the CvpFileEditor.)  
1)  
800  
100  
200  
300  
400  
500  
600  
Video Input [%]  
109  
100  
HG1  
HG2  
S-LOG  
1) CvpFileEditor is a trademark of Sony Corporation.  
80  
60  
40  
20  
To select the user gamma  
1
To use the gamma table you have created, load it into  
the camera.  
Load the gamma table data via a “Memory Stick”  
using the <USER GAMMA> page of the FILE menu  
in Custom mode.  
100  
200  
300  
400  
500  
600  
800  
Video Input [%]  
These curves are equivalent to those built into the HDW-F900R HD  
Camcorder.  
Selecting the Gamma  
52  
             
<USER GAMMA> page  
3-12 Setting the Fan  
Operation Mode  
<USER GAMMA>  
F04 TOP  
t
cREAD (MS CAM)  
The operation mode of the built-in fans can be changed  
according to the ambient temperature or the operation  
mode of the recorder.  
FILE ID  
CAM CODE  
DATE  
Using the <OTHERS 1> page on the USER  
(MAINTENANCE) menu, you can select the same modes  
as those selectable on the subdisplay (page 35).  
For details on file operations, see “Chapter 5 Storage  
<OTHERS 1> page  
2
Select the user gamma.  
<OTHERS 1>  
U20  
Select USER on the first line of TABLE on the  
<GAMMA> page of the USER (PAINT) menu and  
display the desired user gamma.  
FAN MODE  
CAM BARS  
HD-BAR(VF/MONI)  
:BAUTO1  
: OFF  
BAR 16:9(100%)  
SD-BAR  
SMPTE  
A user gamma for which the black level has been set to “0”  
using CvpFileEditor V4.0, the master black (BLACK [M])  
setting is fixed to “0” (factory setting), and “- -” is  
displayed.  
IMAGE INVERT  
: OFF  
CvpFileEditor  
Select the FAN MODE setting.  
The F35 supports CvpFileEditor Version 3.0 or later.  
If the version of your CvpFileEditor is an earlier version,  
you can download the software from the “eCSite,” the site  
for downloading business and professional software from  
Sony Corporation.  
Setting  
Operation of the fans  
AUTO1 (default)  
The fans are automatically controlled  
according to the internal temperature.  
Normally use this mode.  
AUTO2  
In synchronization with recording, the  
fans are controlled for the quietest  
condition.  
As the rotation speed will increase if the  
internal temperature rises, use other  
modes for recording that may continue  
several tens of minutes.  
If you have not registered at “eCSite,” access the following  
URL and register.  
https://www.ecspert.sony.biz/ecsite/center/  
registUserInfo?action=regulationsDirect  
For detailed information on how to install the software,  
refer to the manual for CvpFileEditor, available from the  
above site.  
MIN  
The quietest fan operation is  
maintained.  
Use this mode for long recording at  
ordinary temperatures.  
MAX  
The fans rotate at the maximum speed  
to lower the internal temperature.  
Setting the Fan Operation Mode  
53  
         
3-13 Inverting the  
Camera Picture  
3-14 Detailed Setting of  
the Video Format  
The image-inversion function allows you to cancel the  
image inversion phenomena that occurs when a cine-lens  
converter is used.  
You can select various video formats according to that of  
the video recorder used in combination.  
Use the <OTHERS 1> page on the USER  
(MAINTENANCE) menu to access to this function.  
Available formats  
Frame rate  
Signal  
format  
Frame rate  
Signal  
format  
<OTHERS 1> page  
23.98PsF  
4:2:2 YCbCr S29.97PsF  
4:4:4 RGB  
4:2:2 YCbCr  
4:4:4 RGB  
<OTHERS 1>  
U20  
FAN MODE  
CAM BARS  
HD-BAR(VF/MONI)  
BAR 16:9(100%)  
SD-BAR  
SMPTE  
IMAGE INVERT  
: AUTO1  
: OFF  
S23.98PsF  
24PsF  
4:2:2 YCbCr 50P  
4:2:2 YCbCr  
4:2:2 YCbCr  
4:4:4 RGB  
S50P  
1)  
4:2:2 YCbCr  
4:4:4 RGB  
:BOFF  
4:4:4 RGB  
S59.94P  
59.94I  
4:2:2 YCbCr  
1)  
S24PsF  
4:2:2 YCbCr  
4:4:4 RGB  
4:4:4 RGB  
4:2:2 YCbCr  
4:4:4 RGB  
Set IMAGE INVERT to ON to activate the image-  
inversion function. The upside of the picture comes down,  
swapping the right and left.  
25PsF  
4:2:2 YCbCr  
4:4:4 RGB  
50I  
4:2:2 YCbCr  
4:4:4 RGB  
S25PsF  
S30PsF  
4:2:2 YCbCr  
4:4:4 RGB  
S60P  
4:2:2 YCbCr  
1)  
4:2:2 YCbCr  
4:4:4 RGB  
4:4:4 RGB  
4:2:2 YCbCr  
4:4:4 RGB  
29.97PsF  
1) Selectable only when the HKSR-102 Picture Cache Board and the HKSR-  
103 RGB 60P Processor Board are mounted in the SRW-1. Outputs from  
the HD-SDI A/B connectors of the interface box are turned off.  
You can confirm the format being selected on the  
FUNCTION display (page 44).  
Any eight of above formats of highest need can be  
registered to be selected on the subdisplay.  
For format selection on the subdisplay, see “3-2-3  
Using the <OUTPUT FORMAT> page of the  
MAINTENANCE menu enables selection of the mainly  
used format in interface with the SRW-1 HD Portable  
Digital Recorder.  
Frame frequency of 23.98PsF and signal format of 4:4:4  
RGB have been selected at the factory.  
Changing the format  
Referring to the procedure mentioned in “2-8 Setting the  
Built-in Clock” (page 25), select MAINTENANCE menu  
Inverting the Camera Picture / Detailed Setting of the Video Format  
54  
             
on the TOP MENU screen and call up the <OUTPUT  
FORMAT> page.  
For details on menu operations, see “4-2 Basic Menu  
<OUTPUT FORMAT> page of MAINTENANCE  
menu  
<OUTPUT FORMAT> M07 TOP  
CURRENT 23.98PsF 4:4:4  
NEXT  
SCAN  
FRAME  
SIGNAL  
:cPROGRESSIVE  
: 23.98  
: 4:4:4 RGB  
SELECT FPS: OFF  
SET RORMAT  
CURRENT  
The current format is displayed.  
Specify the desired format, using the lines under NEXT.  
SCAN  
Select the scan mode: PROGRESSIVE or INTERLACE.  
FRAME  
Select the frame rate. When you select INTERLACE for  
the scan mode, select 29.97 to specify 59.94I or select 25  
to specify 50I.  
SIGNAL  
Select the signal format.  
SELECT FPS  
Set to ON to use the Select FPS function.  
For details on the Select FPS function, refer to the  
Operation Manual of the SRW-1 HD Portable Digital  
Recorder.  
When the settings are completed, position the pointer at  
SET FORMAT and push on the MENU SEL/ENTER dial.  
The format is changed, and the new format is displayed on  
the CURRENT line.  
Notes  
• If you select the format in invalid combination (e.g., 60P  
and 4:4:4), SET FORMAT is displayed in parentheses,  
and the format cannot be changed.  
• If the recorder refuses the format change by the above  
procedure, the message “UNSUPPORTED FORMAT”  
is displayed for three seconds.  
Detailed Setting of the Video Format  
55  
           
Menu Configuration and  
Detailed Settings  
4
Chapter  
Menu page title  
USER Source menu/Page No.  
menu  
No.  
4-1 Menu Configuration  
1)  
<SHUTTER/FPS>  
<OTHERS 1>  
1) in Cine mode  
U19 PAINT  
P13 [P03]  
1)  
In addition to the subdisplay pages, the menus displayed  
on the viewfinder enable various detailed settings of the  
camera.  
U20 MAINTENANCE M14 [M10]  
For the items on each page, see the corresponding source  
menu page in the table in “4-3 Menu List” (page 60).  
The available menus are:  
USER MENU CUSTOMIZE menu  
USER menu  
This menu allows you to edit the USER menu.  
This menu can include menu pages selected from among  
the OPERATION, PAINT, MAINTENANCE,  
NETWORK, FILE, and DIAGNOSIS menus, for your  
convenience. Changing, adding, and deleting pages can be  
performed with the USER MENU CUSTOMIZE menu.  
The following pages are included on the factory-set USER  
menu:  
ALL menu  
This menu permits you to control all items of the  
OPERATION, PAINT, MAINTENANCE, NETWORK,  
FILE, and DIAGNOSIS menus as a single menu.  
Menu page title  
USER Source menu/Page No.  
menu  
No.  
OPERATION menu  
This menu contains items for camera operators to operate  
the camera. It mainly permits viewfinder and switch  
settings.  
<VF DISPLAY>  
<'!' IND>  
U01 OPERATION 01  
U02 OPERATION 02  
<MARKER SETTING> U03 OPERATION 04  
<VF DETAIL>  
<ZEBRA>  
U04 OPERATION 05  
U05 OPERATION 06  
For the pages and included items of the OPERATION  
<MONITOR OUTPUT> U06 OPERATION 07  
PAINT menu  
This menu contains items for making detailed image  
adjustments while using a waveform monitor to monitor  
the waveforms output from the camera.  
<PB MONI GAMMA>  
<PB MIX SETTING>  
<CHAR/MARK MIX>  
<SHUTTER ASSIGN>  
<SUBDISPLAY 1>  
<SUBDISPLAY 2>  
<SWITCH ASSIGN>  
<GAIN ASSIGN>  
U07 OPERATION 08  
U08 OPERATION 09  
U09 OPERATION 03  
U10 OPERATION 10  
U11 OPERATION 11  
U12 OPERATION 12  
U13 OPERATION 13  
U14 OPERATION 14  
U15 OPERATION 15  
U16 OPERATION 16  
U17 OPERATION 17  
For the pages and included items of the PAINT menu, see  
MAINTENANCE menu  
This menu contains items for performing camera  
maintenance operations, such as changing the system or  
setting infrequently used “paint” items.  
<BATTERY ALARM>  
<OPERATOR FILE>  
<LENS FILE>  
For the pages and included items of the MAINTENANCE  
1)  
<GAMMA>  
U18 PAINT  
P03 [P02]  
Menu Configuration  
56  
                 
NETWORK menu  
This menu is for enabling the camera to be operated from  
a distance via a network cable, e.g., using the MSU-900/  
950 Master Setup Unit.  
4-2 Basic Menu  
Operations  
For the pages and included items of the NETWORK menu,  
For menu operations, use the VF MENU/DISPLAY  
button, MENU SEL/ENTER dial, and CANCEL/STATUS  
button on the side panel of the camera head or those on the  
assistant panel connected to the CONTROL PANEL  
connector.  
For the settings to use the MSU-900/950, see “Using the  
FILE menu  
This menu is for performing file operations, such as  
storing/retrieving various menu setting data.  
Turn the MENU SEL/ENTER dials for MENU SEL, or  
push on it for ENTER.  
Operations are possible both on the side panel of the  
camera head and on the assistant panel.  
However, the LOCK switches are active only on the  
corresponding panels. If you wish to inhibit operations  
from either panel, set the LOCK switch of that panel to  
ON.  
For the pages and included items of the FILE menu, see  
For details on files and file operations, see “Chapter 5  
DIAGNOSIS menu  
This menu enables you to confirm the self-diagnostic  
information.  
Side panel of the camera head  
VF MENU/  
CANCEL/STATUS  
button  
DISPLAY button  
For the pages and included items of the DIAGNOSIS menu,  
MENU SEL/ENTER  
dial  
LOCK  
VF MENU/DISPLAY CANCEL/STATUS  
Turn  
RUN  
4
AUTO  
BLK  
BAL  
Press  
PAGE  
SET  
Assistant panel  
VF MENU/  
DISPLAY button  
CANCEL/STATUS  
button  
MENU SEL/ENTER  
dial  
LOCK  
VF MENU/DISPLAY CANCEL/STATUS  
MENU SEL/  
ENTER  
Press  
RUN  
4
Turn  
AUTO  
BLK BAL  
PAGE  
SET  
Note  
When the subdisplay is in Data Change mode (? symbol  
shown at the right corner), menu operations on the  
viewfinder or monitor screen are disabled.  
Basic Menu Operations  
57  
         
For settings on the subdisplay, see“3-2 Basic Settings with  
To disable the “TOP” indication  
Turn the power once off then on again, or push on the  
MENU SEL/ENTER dial while holding the CANCEL/  
STATUS button pressed. This disables the TOP selection.  
Each time you turn the power off, the TOP selection is  
disabled, setting the camera to a state where only the  
USER menu (page 56) can be accessed.  
4-2-1 Displaying Setting Pages  
Press the VF MENU/DISPLAYbutton.  
You can arrange the USER menu so that it includes pages  
and items you use most frequently.  
The last operated menu page is displayed. (If this is your  
first menu operation, the CONTENTS page of the USER  
menu is displayed.)  
The pointer on the menu screen is B in Cine mode and c  
in Custom mode.  
Selecting a page from a CONTENTS page  
CONTENTS page (e.g.: USER menu)  
Selecting menu pages from the TOP MENU  
screen  
Pointer  
If you press the VF MENU/DISPLAY button while  
holding the MENU SEL/ENTER dial pressed, “TOP” is  
displayed at the upper right corner of the screen.  
If the screen can be scrolled, arrows  
will indicate the direction of scrolling.  
CONTENTS  
01.<VF DISPLAY>  
02.<'!' IND>  
U00  
xx  
Example  
<VF DETAIL>  
VF 1 : OFF  
05cTOP  
03.<MARKER SETTING>  
04.<VF DETAIL>  
c05.<ZEBRA>  
VF 2  
: OFF  
06.<MONITOR OUTPUT>  
07.<PB/MONI GAMMA>  
08.<PB MIX SETTING>  
09.<CHAR/MARK MIX>  
10.<SHUTTER ASSIGN>  
LEVEL  
: 25%  
Press the CANCEL/STATUS button, or move the pointer  
to “TOP” and push on the MENU SEL/ENTER dial. This  
displays the TOP MENU screen, which lists the available  
menus, and you can select the menus on this screen.  
Turn the MENU SEL/ENTER dial to align the pointer with  
the desired page indication then push on the MENU SEL/  
ENTER dial.  
TOP MENU screen  
<TOP MENU>  
The selected page is displayed.  
BUSER  
USER MENU CUSTOMIZE  
ALL  
Page number  
z
<VF DETAIL>  
VF 1 : OFF  
c04  
OPERATION  
PAINT  
MAINTENANCE  
NETWORK  
z
z
z
VF 2  
: OFF  
z
FILE  
DIAGNOSIS  
z
LEVEL  
CRISP  
: 25%  
:
0
1
2
Turn the MENU SEL/ENTER dial to align the pointer  
with the desired menu indication.  
Push on the MENU SEL/ENTER dial.  
Changing the displayed page  
The CONTENTS page or the last operated page of the  
selected menu is displayed.  
1
Check that the pointer is located at the left of the page  
number then push on the MENU SEL/ENTER dial.  
To return to the TOP MENU screen  
Press the CANCEL/STATUS button, or move the pointer  
to “TOP” and press the MENU SEL/ENTER dial.  
The TOP MENU screen is restored.  
The pointer changes to a flashing question mark (?  
symbol).  
Basic Menu Operations  
58  
     
The “?” symbol will change back to the pointer (c or  
B), and the new setting will be registered.  
flash  
<VF DETAIL>  
VF 1 : OFF  
?04  
5
To change other setting items on the same menu page,  
repeat steps 1 through 4.  
VF 2  
: OFF  
LEVEL  
CRISP  
: 25%  
0
:
Specifying a character string  
When you push on the MENU SEL/ENTER dial with the  
pointer pointing to an item for which a character string,  
such as a file ID, is to be specified, a cursor and the list of  
selectable characters are displayed.  
The displayed cursor can be moved by rotating the MENU  
SEL/ENTER dial.  
2
3
Turn the MENU SEL/ENTER dial to flip through the  
pages.  
When the desired page is displayed, push on the  
MENU SEL/ENTER dial.  
1
Move the cursor to the position where you wish enter  
a character then push on the MENU SEL/ENTER dial.  
The “?” symbol will change back to the pointer (c or  
B), and operations with the displayed page will be  
enabled.  
Another cursor appears on the character list.  
2
Position the cursor to the character to be entered and  
push on the MENU SEL/ENTER dial.  
Repeat steps 1 and 2.  
4-2-2 Setting the Menu Items  
By selecting INS on the line below the character list,  
you can enter a space at the cursor position.  
If a “?” symbol is flashing at the left of the page number,  
push on the MENU SEL/ENTER dial to change it to the  
pointer (c or B). Making settings on the displayed page is  
then enabled.  
Selecting DEL deletes the character at the cursor  
position.  
Changing the setting  
You can return to step 1 without changing the  
character by selecting RET.  
1
2
Turn the MENU SEL/ENTER dial to align the pointer  
with the desired item.  
If you enter the permitted maximum number of  
characters (up to the stop mark at the right end of the  
line), the cursor moves to ESC on the line below the  
character list.  
Push on the MENU SEL/ENTER dial.  
The pointer will change to a flashing “?” symbol.  
To register the new string you have set, select END and  
push on the MENU SEL/ENTER dial.  
3
Turn the MENU SEL/ENTER dial to change the  
setting value.  
To restore the previous string, select ESC and push on  
the MENU SEL/ENTER dial.  
When the knob is rotated quickly, the values will  
change quickly; when rotated slowly, the values will  
change slowly.  
Ending menu operations  
Press the VF MENU/DISPLAY button.  
To reset a changed value  
If you press the CANCEL/STATUS button before  
pushing on the MENU SEL/ENTER dial, the setting  
will be returned to its previous value.  
To interrupt settings  
Press the VF MENU/DISPLAY button to turn off the  
menu screen display.  
The setting operation can be restarted by setting the  
VF MENU/DISPLAY button again.  
4
Push on the MENU SEL/ENTER dial.  
Basic Menu Operations  
59  
     
4-3 Menu List  
This section shows the menus to be displayed on the  
viewfinder in tables.  
• A CONTENTS page (numbered 00) is also provided for  
each menu.  
• For the pages that have been registered in the USER  
menu at the factory, the USER menu page numbers are  
indicated in parentheses in the No. column of the tables.  
4-3-1 OPERATION Menu  
The OPERATION menu items can be set in both Cine and Custom modes.  
Execute by ENTER. : Execute by pushing on the MENU SEL/ENTER dial.  
OPERATION menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<VF DISPLAY>  
01 FPS  
ON  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
deg, sec  
(U01)  
Setting the basic  
status indications  
ND  
ON  
5600K  
OFF  
OFF  
ON  
WHITE  
GAIN  
SHUTT  
UNIT  
ON  
deg  
ON  
BATT12  
BATT24  
REC  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ALL, AT, WRN, OFF  
OFF  
ON  
TAPE  
OFF  
OFF  
ALL  
TC  
MESSAG  
ALL: To display all messages  
AT: To display Auto Setup  
information and higher  
WRN: To display warning  
messages and higher  
OFF: To display warning  
messages of the highest  
level only  
Menu List  
60  
         
OPERATION menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<‘!’ IND>  
02 ND  
(U02)  
[IND] ON  
ON, OFF  
[IND]: Set whether to be  
included in the ‘!’  
Setting the  
ABNORMAL < ! >  
display  
[NORMAL] 1 – – – – 1, 2, 3, 4, 5  
(combination allowed)  
indications on the  
ABNORMAL < ! > display  
[NORMAL]: Specify the  
conditions under which the  
‘!’ indication is not to be  
displayed even if [IND] is  
ON. (By specifying the  
standard or normal  
WHITE  
[IND] ON  
ON, OFF  
[NORMAL] P – –  
P, A, B (combination  
allowed)  
5600K  
SHUTT  
FAN  
[IND] ON  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
[NORMAL] OFF  
[IND] ON  
conditions here, non-  
standard or abnormal  
conditions can be found  
with the ‘!’ indication.)  
[NORMAL] OFF  
[IND] ON  
e.g.: With the default setting of  
ND, the ‘!’ indication is  
displayed when an ND  
filter other than 1 is  
selected.  
[NORMAL] AUTO1 AUTO1, AUTO2, MIN,  
MAX  
G-COMP  
[IND] ON  
ON, OFF  
The normal condition is  
fixed to OFF.  
<CHAR/MARK  
MIX>  
03 CHAR  
(U09)  
VF1  
VF2  
ON  
ON  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
Character superimposing ON/  
OFF  
Turning the  
character/marker  
ON/OFF  
MONI ON  
VBS  
VF1  
VF2  
OFF  
ON  
MARKER  
Markers ON/OFF  
ON  
MONI ON  
VBS  
VF1  
VF2  
ON  
CURSOR  
ZEBRA  
OFF  
OFF  
Cursor ON/OFF  
Zebra ON/OFF  
MONI OFF  
VF1  
VF2  
OFF  
OFF  
MONI OFF  
VBS  
OFF  
OFF  
VF GATE  
MARKER  
For SKIN GATE and MULTI  
MATRIX GATE on the  
viewfinder  
Menu List  
61  
   
OPERATION menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<MARKER  
SETTING>  
04 CENTER  
(U03)  
OFF  
1
ON, OFF  
1, 2, 3, 4  
1: Entire cross  
Specifying markers  
2: Entire cross with a hole  
3: Center  
4: Center with a hole  
SAFETY  
OFF  
ON, OFF  
90.0%  
80.0%, 90.0%, 92.5%,  
95.0%  
EFFECTIVE  
OFF  
OFF  
4:3  
ON, OFF  
ASPECT  
ON, OFF  
2.40:1, 2.35:1, 1.85:1,  
1.66:1 : VISTA1 equivalent  
1.66:1, 16:9, 15:9, 14:9, 1.85:1 : VISTA2 equivalent  
13:9, 4:3, VAR H, VAR V  
VARIABLE  
SAFETY  
1440  
1016  
OFF  
12 to 1920  
12 to 1080  
ON, OFF  
For the safety marker in  
Aspect mode  
90.0%  
80.0%, 90.0%, 92.5%,  
95.0%  
MASK  
OFF  
12  
ON, OFF  
0 to 15  
Set the level to darken the  
areas outside the aspect  
marker.  
CURSOR  
POSI H/V  
SIZE W/H  
BOX  
0/0  
BOX, CROSS  
958 to 956/538 to 536  
16 to 1920/16 to 1080  
ON, OFF  
960/540  
ON  
<VF DETAIL>  
05 VF1  
(U04)  
Adjusting the detail  
on the viewfinders  
VF2  
LEVEL  
CRISP  
06 VF1  
(U05)  
ON  
ON, OFF  
25%  
0
0 to 100%  
99 to +99  
<ZEBRA>  
OFF  
OFF  
OFF  
OFF  
1
ON, OFF  
Setting the zebra  
VF2  
ON, OFF  
MONITOR  
VBS  
ON, OFF  
ON, OFF  
ZEBRA TYPE  
ZEBRA1 LEVEL  
WIDTH  
1, 2, 1&2  
70%  
10%  
100%  
COLOR  
0 to 109%  
0 to 30%  
ZEBRA2  
50 to 109%  
COLOR, R, G, B  
<MONITOR  
OUTPUT>  
07 COLOR  
(U06)  
OUTPUT  
Setting the monitor  
output  
MONI HD-SDI  
TEST OUT  
MONI  
VBS  
MONI, VF1, VF2  
VBS, VF2, REF-THRU,  
FRAME  
RM VIDEO  
VBS  
VBS, VF2  
Menu List  
62  
       
OPERATION menu  
Page title &  
purpose  
No. Item  
Default  
OFF  
Settings  
Remarks  
<PB/MONI  
GAMMA>  
08 MONI GAMMA  
(U07) ENABLE  
ON, OFF  
Setting the gamma  
of the playback  
picture/monitor  
picture  
PB  
VF  
OFF  
OFF, ON, AUTO  
OFF, ON, AUTO  
MONI OFF  
VBS  
OFF  
OFF, ON, AUTO, (OFF) (OFF): If either VF or MONI or  
both is/are R709 (cannot  
be changed)  
PB MIX  
VF  
OFF  
OFF, ON,  
OFF, ON,  
MONI OFF  
VBS  
OFF  
OFF, ON, (OFF)  
(OFF): If either VF or MONI or  
both is/are R709 (cannot  
be changed)  
MONITOR  
GAMMA  
VF  
OFF  
OFF, R709, (OFF)  
OFF, R709, (OFF)  
OFF, (R709), (OFF)  
OFF: The same gamma as the  
main line  
R709: ITU-R709  
(OFF): If MONI GAMMA  
ENABLE OFF (cannot be  
changed)  
MONI OFF  
VBS  
OFF  
(R709): If MONI GAMMA  
ENABLE ON (cannot be  
changed)  
GAMMA MARK  
SETTING  
To jump to the subpage  
<GAMMA MARK>  
subpage  
MONI GAMMA  
MARK  
ON  
1
ON, OFF  
1, 2, 3, 4  
To turn the monitor gamma  
mark (709 ) on or off  
Setting for the  
monitor gamma  
mark  
MARK LEVEL  
To set the luminance of the  
gamma mark  
H POSITION  
V POSITION  
0
0
0 to 99  
0 to 99  
To set the display position of  
the mark (0 for the leftmost or  
uppermost)  
<PB MIX  
SETTING>  
09 MIX TYPE  
MIX  
MIX, WIPE  
(U08)  
MIX  
Setting for mixing  
the playback picture  
DIRECTION  
MODE  
CAM  
CAM, PB  
Y-MIX  
Y-MIX, WIRE(W),  
WIRE(B)  
LEVEL  
WIPE  
80%  
0 to 80%  
LAYOUT  
HOR  
HOR, VERT  
PB POSITION  
HOR: RIGHT  
VERT: BOTTOM  
HOR: RIGHT, LEFT  
VERT: BOTTOM, TOP  
BOUNDARY  
HOR: 960  
VERT: 540  
HOR: 0 to 1920  
VERT: 0 to 1080  
Menu List  
63  
   
OPERATION menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<SHUTTER  
ASSIGN>  
10 STEP  
[deg] column: Shutter angle  
value settings  
[sec] column: The converted  
speed values depending  
on the selected FPS value  
are displayed.  
(U10)  
1
216.0  
180.0  
172.8  
150.0  
144.0  
90.0  
360.0 to 4.3  
Setting the step  
shutter values  
2
3
360.0 to 4.3  
360.0 to 4.3  
4
360.0 to 4.3  
5
360.0 to 4.3  
6
360.0 to 4.3  
7
45.0  
360.0 to 4.3  
8
22.5  
360.0 to 4.3  
ADD  
DEL  
Execute by ENTER.  
Execute by ENTER.  
Execute by ENTER.  
To add a step shutter value  
To delete a step shutter value  
PRESET  
To resume the factory- set  
step shutter settings  
<SUBDISPLAY 1>  
11 FORMAT  
(U11) MEMORY  
Register the formats to be  
selected on the subdisplay.  
Select from among the  
formats displayed on the  
corresponding <FORMAT  
MEMORY> subpage.  
Registering the  
formats to be  
selected on the  
assistant panel  
1
23.98P 444  
NO ASSIGN,  
23.98P 444, S23.98P  
444, 29.97P 444,  
S29.97P 444, S59.94P  
444, 23.98P 422,  
S23.98P 422, 29.97P  
422, S29.97P 422,  
S59.94P 422, 24P 444,  
S24P 444, 25P 444,  
S25P 444, S30P 444,  
S50P 444, S60P 444,  
24P 422, S24P 422,  
25P 422, S25P 422,  
S30P 422, 50P 422,  
S50P 422, S60P 422,  
50I 444, 50I 422, 59.94I  
444, 59.94I 422  
2
S23.97P 444  
S59.94P 422  
23.98P 422  
NO ASSIGN  
NO ASSIGN  
NO ASSIGN  
NO ASSIGN  
Same as above  
Same as above  
Same as above  
Same as above  
Same as above  
Same as above  
Same as above  
3
4
5
6
7
8
<SUBDISPLAY 2>  
12 LOCK SW MODE  
(U12)  
Setting the LOCK  
switch mode and  
subdisplay  
CAMERA  
FULL  
FULL, –RUN  
Set the mode of the LOCK  
switch on the camera.  
–RUN: To enable the RUN  
button even when the  
LOCK switch is set to ON  
PANEL  
FULL  
FULL, –RUN  
Set the mode of the LOCK  
switch on the assistant panel.  
–RUN: To enable the RUN  
button even when the  
LOCK switch is set to ON  
PAGE SELECT  
Execute by ENTER.  
To jump to the subpage  
Menu List  
64  
     
OPERATION menu  
Page title &  
purpose  
No. Item  
SHUTTER  
Default  
Settings  
Remarks  
<PAGE SELECT>  
subpage  
ON  
ON  
ON  
ON  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
FORMAT  
ND  
Selecting pages to  
be displayed on the  
subdisplay  
GAIN/WHITE/  
5600K  
LENS FILE  
ON  
ON, OFF  
ON, OFF  
TIME CODE/TAPE ON  
REM  
VOLTAGE/FAN  
MODE  
ON  
ON, OFF  
CHARACTER MIX ON  
ON, OFF  
ON, OFF  
ASSIGNABLE  
SW1/SW2  
ON  
ASSIGNABLE  
SW3/SW4  
ON  
ON, OFF  
BRIGHT  
ON  
ON, OFF  
ON, OFF  
ON, OFF  
GAMMA TABLE  
COLOR SPACE  
13 ASSIGN SW1  
ON  
ON  
<SWITCH  
ASSIGN>  
OFF  
OFF  
OFF  
OFF  
OFF, ND, REC REVIEW, Select from among the  
(U13)  
PB(VF), VF709GAM,  
MONI709GAM, FAN  
MODE, GAIN –9/–18 dB  
functions displayed on the  
corresponding subpage.  
ASSIGN SW2  
ASSIGN SW3  
ASSIGN SW4  
Setting the  
functions of the  
assignable buttons  
and switch  
OFF, AWB, BARS,  
TEST1  
RE - ROTATION  
STD  
STD, RVS  
Specify operation mode of the  
MENU SEL/ENTER dial.  
STD: Clockwise rotation  
advances the pointer/  
cursor or increases values  
on the menu screen.  
RVS: Counterclockwise  
rotation advances the  
pointer/cursor or increases  
values on the menu  
screen.  
<GAIN ASSIGN>  
14 GAIN  
(U14)  
[L] 0 dB  
[M] 6 dB  
[H] 12 dB  
6, 3, 0, 3, 6, 9, 12 dB Assign the values for the gain  
switch of the RM-B150.  
Specifying the gain  
switch settings  
6, 3, 0, 3, 6, 9, 12 dB  
6, 3, 0, 3, 6, 9, 12 dB  
Menu List  
65  
     
OPERATION menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<BATTERY  
ALARM>  
15 DC IN (24V)  
(U15)  
TYPE  
AC ADP  
(22.2)  
BATT1, BATT2, AC ADP  
Confirming the  
operating power  
voltage  
NEAR END  
END  
display only (Setting is  
achieved using the  
MAINTENANCE menu.)  
(21.6)  
display only (Setting is  
achieved using the  
MAINTENANCE menu.)  
DC IN (12 V)  
TYPE  
AC ADP  
(11.1)  
BATT1, BATT2, AC ADP  
NEAR END  
display only (Setting is  
achieved using the  
MAINTENANCE menu.)  
END  
(10.8)  
display only (Setting is  
achieved using the  
MAINTENANCE menu.)  
<OPERATOR  
FILE>  
16 READ  
(U16) (MStCAM)  
Execute by ENTER.  
Execute by ENTER.  
To read the operator file from  
a “Memory Stick”  
Operating the  
Operator file  
WRITE  
(CAMtMS)  
To write the current settings of  
the operator file items to a  
“Memory Stick”  
PRESET  
FILE ID  
Execute by ENTER.  
To set the operator file items  
to the preset values in internal  
memory  
alphanumerics (max.14 Enter a comment for the  
characters)  
operator file to be written to a  
“Memory Stick.”  
CAM CODE  
DATE  
Camera code  
display only  
display only  
<LENS FILE>  
17 FILE  
(U17)  
1
1 to 32  
Operating the lens  
files  
No Offset  
Lens file name  
display only  
CENTER  
MARKER  
To set and store the center  
marker position:  
H POS: Increasing the value  
moves it to the right.  
V POS: Increasing the value  
moves it downwards.  
H POS  
V POS  
STORE  
0
0
96 to 95  
54 to 53  
Execute by ENTER.  
Note  
This item is not displayed in  
Cine mode.  
WHITE R/B  
ON  
ON, OFF  
To turn the WHITE R/B  
compensation by the lens file  
on or off  
Menu List  
66  
     
4-3-2 PAINT Menu  
: Valid in Custom mode only (Switch settings, such as ON/OFF, are fixed to the default statuses in Cine mode.)  
: Valid in both Cine and Custom modes  
Execute by ENTER. : Execute by pushing on the MENU SEL/ENTER dial.  
Notes  
• When the setting is in the fixed status, it is displayed in parentheses.  
Example: (OFF)  
• The markings [P01] to [P03] in the No. column indicate the page numbers in Cine mode.  
The pages marked with [ - - ] in the No. column are not displayed in Cine mode.  
PAINT menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<SW STATUS>  
P01 FLARE  
(OFF)  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
ON, OFF  
Fixed to OFF in Cine mode  
Fixed to ON in Cine mode  
Fixed to OFF in Cine mode  
Fixed to OFF in Cine mode  
Fixed to OFF in Cine mode  
Fixed to OFF in Cine mode  
Fixed to OFF in Cine mode  
Fixed to OFF in Cine mode  
Fixed to OFF in Cine mode  
[P01]  
Glancing and  
switching the paint  
functions on/off  
GAMMA  
(ON)  
BLK GAM  
KNEE  
(OFF)  
(OFF)  
WHT CLIP  
DETAIL  
(OFF)  
(OFF)  
LVL DEP  
SKIN DTL  
MATRIX  
5600K  
(OFF)  
(OFF)  
(OFF)  
OFF  
<VIDEO LEVEL>  
P02  
[ - - ] WHITE  
[R] [G] [B] [M]  
R, G, B, and M (master)  
values can be independently  
set.(M cannot be set for  
WHITE or FLARE.)  
0
0
0
0
0
0
0
0
0
99 to +99  
Adjusting the  
various video  
balance  
BLACK  
FLARE  
GAMMA  
FLARE  
TEST  
0
0
0
99 to +99  
0
99 to +99  
0
99 to +99  
OFF  
OFF  
ON, OFF  
Fixed to OFF in Cine mode  
OFF, TEST1, TEST2  
Menu List  
67  
       
PAINT menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<GAMMA>  
P03  
[P02] LEVEL  
(U18)  
[R] [G] [B] [M]  
R, G, B, and M (master)  
values can be independently  
set.  
0
0
0
0
99 to +99  
Adjusting the  
gamma  
BLACK  
0
99 to +99  
M (master) value only  
COARSE  
0.45  
0.35 to 0.90 (0.05 steps)  
Fixed to 0.45 when HYPER  
GAMMA SPECIAL or USER  
is selected  
TABLE  
USER  
1
STANDARD, HYPER  
GAMMA, SPECIAL, USER  
STANDARD  
1: CAMCORDER  
2: × 4.5  
For details, see “3-11  
51).  
3: × 3.5  
4: SMPTE-240M  
5: ITU-R709  
6: × 5.0  
HYPER GAMMA  
1: 325% to 100%  
2: 460% to 100%  
3: 325% to 109%  
4: 460% to 109%  
SPECIAL  
1: S-LOG A  
USER  
1: S-LOG A  
2: S-LOG A  
3: S-LOG A  
4: S-LOG A  
5: S-LOG A  
GAMMA  
KNEE  
ON  
ON, OFF  
Fixed to ON in Cine mode  
(OFF)  
ON, OFF, (OFF)  
(OFF): Fixed to OFF with the  
gamma setting other than  
STANDARD  
TEST  
OFF  
OFF, TEST1, TEST2  
<BLACK GAMMA> P04  
[R] [G] [B] [M]  
R, G, B, and M (master)  
values can be independently  
set.  
[ - - ] LEVEL  
0
0
0
0
99 to +99  
Adjusting the  
contrast near black  
RANGE  
HIGH  
OFF  
OFF  
0
LOW, L.MID, H.MID, HIGH  
ON, OFF  
TEST  
OFF, TEST1, TEST2  
99 to +99  
<SATURATION>  
P05 SATURATION  
[ - - ]  
Adjusting the color  
saturation  
OFF  
0
ON, OFF  
LOW KEY SAT  
RANGE  
99 to +99  
HIGH  
OFF  
OFF  
LOW, L.MID, H.MID, HIGH  
ON, OFF  
TEST  
OFF, TEST1, TEST2  
Menu List  
68  
     
PAINT menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<KNEE>  
P06  
[ - - ] K POINT  
[R] [G] [B] [M]  
R, G, B, and M (master)  
values can be independently  
set.  
K POINT: To adjust the point  
to apply the change  
K SLOPE: To adjust the slope  
of compression  
0
0
0
0
99 to +99  
Adjusting the  
compression for  
high-luminance  
areas  
K SLOPE  
0
0
0
0
99 to +99  
Absolute values are displayed  
in ABS mode except for M  
(master).  
KNEE  
OFF  
OFF  
0
ON, OFF  
ON, OFF  
99 to +99  
ON, OFF  
OFF, AUTO  
99 to +99  
KNEE MAX  
KNEE SAT  
To adjust the color saturation  
at high-luminance areas  
OFF  
OFF  
0
AUTO KNEE  
POINT LIMIT  
Absolute value is displayed in  
ABS mode.  
SLOPE  
ABS  
0
99 to +99  
Absolute value is displayed in  
ABS mode.  
Highlighted: ABS (Absolute)  
mode  
<WHITE CLIP>  
P07  
[ - - ] W CLIP  
[R] [G] [B] [M]  
R, G, B, and M (master)  
values can be independently  
set.  
Absolute values are displayed  
in ABS mode except for M  
(master).  
0
0
0
0
99 to +99  
Adjusting the level  
to white-clip the  
high-luminance  
areas  
OFF  
ON, OFF  
Fixed to OFF in Cine mode  
ABS  
Highlighted: ABS (Absolute)  
mode  
<DETAIL 1>  
P08 DETAIL  
OFF  
0
ON, OFF  
Fixed to OFF in Cine mode  
[ - - ]  
Adjusting the  
emphasis of the  
contours in video  
LEVEL  
99 to +99  
Absolute value is displayed in  
ABS mode.  
LIMITER  
[M]  
0
99 to +99  
99 to +99  
99 to +99  
To adjust the level to clip the  
maximum value of the  
emphasis signal  
Absolute values are displayed  
in ABS mode except for M  
(master).  
[WHT]  
[BLK]  
0
0
CRISP  
0
0
99 to +99  
To adjust the level for noise  
suppression (Absolute values  
are displayed in ABS mode)  
LVL DEP  
99 to +99  
To adjust the emphasis  
elements suppressed by  
gamma (Absolute values are  
displayed in ABS mode.)  
OFF  
ON, OFF  
ABS  
Highlighted: ABS (Absolute)  
mode  
Menu List  
69  
     
PAINT menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<DETAIL 2>  
P09 H/V RATIO  
[ - - ]  
0
99 to +99  
To specify the vertical factor of  
the contour emphasis  
(Absolute values are  
Adjusting the  
emphasis of the  
contours in video  
displayed in ABS mode.)  
FREQ  
0
99 to +99  
To adjust the video frequency  
components to be  
emphasized (Absolute values  
are displayed in ABS mode.)  
MIX RATIO  
KNEE APT  
0
0
99 to +99  
Absolute value is displayed in  
ABS mode.  
99 to +99  
For contour emphasis in high-  
luminance areas compressed  
by the KNEE function  
(Absolute values are  
displayed in ABS mode.)  
OFF  
ON, OFF  
ABS  
Highlighted: ABS (Absolute)  
mode  
<SKIN DETAIL>  
P10 SKIN DTL  
OFF  
OFF  
ON, OFF  
Fixed to OFF in Cine mode  
[ - - ]  
Emphasizing the  
contours of the  
specific color  
components  
SKIN GATE  
OFF, 1, 2, 3  
1, 2, 3: Skin gate can be set to  
ON for the specified  
channel only.  
With the ON setting, a zebra  
pattern is displayed for the  
color component affected by  
the DETAIL function.  
ABS  
Highlighted: ABS (Absolute)  
mode  
[1]  
[2]  
[3]  
The skin tone detail function  
can be independently set for  
each channel (channel 1 is  
always ON).  
CH SW  
HUE  
(ON) OFF OFF ON, OFF  
EXEC EXEC EXEC Execute by ENTER.  
PHASE  
WIDTH  
SAT  
0
0
0
0 to 359  
HUE: For automatic detection  
of the target color  
29  
29  
29 0 to 90  
89 89 89 99 to +99  
99 to +99  
Absolute values are indicated  
for LEVEL only in ABS mode.  
LEVEL  
0
0
0
Menu List  
70  
   
PAINT menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<USER MATRIX>  
P11 R-G  
0
99 to +99  
99 to +99  
99 to +99  
99 to +99  
99 to +99  
99 to +99  
ON, OFF  
[ - - ]  
Adjusting the color  
componentswithout  
affecting the black  
and white  
R-B  
0
G-R  
G-B  
B-R  
B-G  
0
0
components  
0
0
MATRIX  
PRESET  
OFF  
- -  
ON, OFF, (OFF), - -  
Invalid when MATRIX is OFF  
(- - indication)  
(OFF): Fixed to OFF when  
MATRIX is ON with  
COLOR SPACE set to S-  
GAMUT or DCDM REF PJ  
- -  
SMPTE-240M, ITU-709,  
SMPTE-WIDE, NTSC,  
EBU, - -  
Invalid when MATRIX is OFF  
(- - indication)  
USER  
MULTI  
- -  
- -  
0
ON, OFF, - -  
Invalid when MATRIX is OFF  
(- - indication)  
ON, OFF, - -  
Invalid when MATRIX is OFF  
(- - indication)  
<MULTI MATRIX>  
P12 PHASE  
[ - - ]  
0, 23, 45, 68, 90, 113, 135, Select an axis (angle) at  
158, 180, 203, 225, 248,  
270, 293, 315, 338  
PHASE for which the  
multimatrix adjustment is to  
be made, and set HUE and  
SAT. (HUE and SAT can be  
adjusted independently for 16  
axes.)  
Adjusting the color  
components  
independently by  
dividing into 16  
axes  
B, B+, MG, MG, MG+, R,  
R+, YL, YL, YL+, G–, G,  
G+, CY, CY+, B–  
HUE  
SAT  
0
0
99 to +99  
99 to +99  
ALL CLEAR  
Execute by ENTER.  
ON, OFF  
GATE  
OFF  
OFF  
- -  
MATRIX  
ON, OFF  
PRESET  
ON, OFF, (OFF), - -  
Invalid when MATRIX is OFF  
(- - indication)  
(OFF): Fixed to OFF when  
MATRIX is ON with  
COLOR SPACE set to S-  
GAMUT or DCDM REF PJ  
- -  
SMPTE-240M, ITU-709,  
SMPTE-WIDE, NTSC,  
EBU, - -  
Invalid when MATRIX is OFF  
(- - indication)  
USER  
MULTI  
- -  
- -  
ON, OFF, - -  
Invalid when MATRIX is OFF  
(- - indication)  
ON, OFF, - -  
Invalid when MATRIX is OFF  
(- - indication)  
Menu List  
71  
   
PAINT menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<SHUTTER/FPS>  
P13 SHUTTER  
[P03]  
(U19)  
OFF  
ON, OFF  
Setting to ON displays the  
current shutter values in the  
[deg] and [sec] columns.  
[deg]: Shutter angle (360.0 to  
4.3)  
[sec]: Shutter speed obtained  
according to the angle in  
[deg] and the FRAME  
RATE value  
Adjusting the  
shutter while  
observing the  
shutter angles and  
speeds  
STEP  
To change the shutter value in  
Step mode  
CONTINUOUS  
To change the shutter value in  
Continuous mode  
STEP ASSIGN  
ADD  
Execute by ENTER.  
Execute by ENTER.  
To add a step shutter value  
To delete a step shutter value  
DELETE  
FRAME RATE  
- -  
For S23.98PsF/S24PsF:  
1 to 24  
For S25PsF: 1 to 25  
For S29.97PsF/S30PsF:  
1 to 30  
When the video format is  
fixed, the value is indicated in  
parentheses.  
For S50P/S59.94P/S60P:  
1 to 50  
COMP MODE  
OFF  
OFF, ANGLE, GAIN  
To select Compensation  
mode  
<SCENE FILE>  
P14  
[ - - ]  
1
2
3
4
5
When storing a file in camera  
memory, specify the number  
before executing STORE.  
When reading, only specify  
the number.  
Storing and  
retrieving scene  
files (data set by the  
PAINT menu)  
01  
01 to 32  
To specify the scene file  
number 01 to 32 when 32  
SCENE FILE of <OTHERS 2>  
of the MAINTENANCE menu  
is ON.  
STORE  
Execute by ENTER.  
Execute by ENTER.  
STANDARD  
To read the standard paint  
data  
READ (MStCAM)  
Execute by ENTER.  
Execute by ENTER.  
Max.14 characters  
Camera code  
To load scene files from a  
“Memory Stick” to internal  
memory  
WRITE  
(CAMtMS)  
To write scene files in the  
camera’s memory to a  
“Memory Stick”  
FILE ID  
Enter a comment for the  
scene files to be written to a  
“Memory Stick.”  
CAM CODE  
DATE  
display only (When files made  
on are detected, “F35” is  
displayed.)  
Date of file creation  
display only  
Menu List  
72  
   
4-3-3 MAINTENANCE Menu  
: Valid in Custom mode only  
: Valid in both Cine and Custom modes  
Execute by ENTER. : Execute by pushing on the MENU SEL/ENTER dial.  
Note  
The markings [M01] to [M11] in the No. column indicate the page numbers in Cine mode.  
The pages marked with [ - - ] in the No. column are not displayed in Cine mode.  
MAINTENANCE menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<BASE SETTING>  
M01 SHOOT MODE  
CINE  
CINE, CUSTOM  
[M01]  
Setting the basic  
operation mode  
D-RANGE  
EXTEND  
EXTEND, NORMAL  
EXTEND: To improve the  
dynamic range and  
sensitivity  
Fixed to EXTEND in Cine  
mode  
COLOR SPACE  
S-GAMUT  
S-GAMUT, F900, F900R, S-GAMUT: Wide color  
DCDM REF PJ  
space designed for this  
camera  
F900: Color space  
equivalent to other HD  
cameras  
F900R: Color space  
equivalent to HDW-  
F900R (only with  
<OTHERS 2> COLOR  
F900R ENABLED  
DCDM REF PJ: COLOR  
space of the reference  
projector specified by  
DC  
<AUTO SETUP>  
M02 AUTO BLACK  
Execute by ENTER.  
Execute by ENTER.  
Execute by ENTER.  
Execute by ENTER.  
[ - - ]  
Various auto  
balance adjustments  
AUTO WHITE  
AUTO LEVEL  
AUTO WHITE  
SHADING  
Do not execute if a flat  
white subject is not  
available.  
AUTO BLACK  
SHADING  
Execute by ENTER.  
OFF, TEST1, TEST2  
TEST  
OFF  
Menu List  
73  
       
MAINTENANCE menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<WHITE SHADING> M03  
[R] [G] [B]  
R, G, and B values can be  
independently set.  
V SAW, H SAW: To  
vertically or horizontally  
adjust the slope of  
shading compensation  
V PARA, H PARA: To  
vertically or horizontally  
adjust the irregularity of  
shading compensation  
[ - - ] V SAW  
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
99 to +99  
99 to +99  
99 to +99  
99 to +99  
99 to +99  
Adjusting the  
shading of white  
level  
V PARA  
H SAW  
H PARA  
WHITE  
AUTO WHITE  
SHADING  
Execute by ENTER.  
RGB, RB  
WHITE SHAD MODE RB  
RGB: To adjust the shading  
independently for R, G,  
and B  
RB: To adjust R and B  
according to G  
<BLACK  
SHADING>  
M04  
[ - - ] V SAW  
[R] [G] [B] [M]  
R, G, and B values can be  
independently set.  
M (master) value can also  
be set for BLACK.  
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
99 to +99  
99 to +99  
99 to +99  
99 to +99  
99 to +99  
99 to +99  
Adjusting the  
shading of black  
level  
V PARA  
H SAW  
V SAW, H SAW: To  
vertically or horizontally  
adjust the slope of  
shading compensation  
V PARA, H PARA: To  
vertically or horizontally  
adjust the irregularity of  
shading compensation  
H PARA  
BLK SET  
BLACK  
0
MASTER GAIN  
0 dB  
0
6, 3, 0, 3, 6, 9, 12 dB  
AUTO BLACK  
SHADING  
Execute by ENTER.  
<OHB MATRIX>  
M05 PHASE  
[ - - ]  
0, 23, 45, 68, 90, 113,  
135, 158, 180, 203, 225, PHASE for which the OHB  
248, 270, 293, 315, 338 matrix adjustment is to be  
To select an axis (angle) at  
Adjusting the colors  
at the CCD block  
(OHB) to match the  
colors among  
multiple cameras  
(can be stored in the  
OHB file)  
made, and set HUE and  
SAT (HUE and SAT can be  
adjusted independently for  
16 axes).  
HUE  
SAT  
0
0
99 to +99  
99 to +99  
ALL CLEAR  
Execute by ENTER.  
To clear the HUE and SAT  
values for all PHASE  
settings  
OHB MATRIX  
MATRIX  
ON  
ON, OFF  
Always ON in Cine mode  
Always OFF in Cine mode  
OFF  
ON, OFF  
<AUDIO>  
M06 CAMERA MIC CH  
[M02] SELECT  
IF BOX/CA  
CH5/6  
CH1/2, CH5,6  
Selecting the SDI  
channels to which  
the microphone  
inputs are added  
Menu List  
74  
     
MAINTENANCE menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<OUTPUT  
FORMAT>  
M07 CURRENT  
[M03]  
23.98PsF 4:4:4  
The current format is  
displayed.  
Setting the output  
video format  
SCAN  
PROGRESSIVE PROGRESSIVE,  
INTERLACE  
When INTERLACE is  
selected for SCAN, select  
half the value of the field  
frequency in FRAME.  
FRAME  
23.98  
23.98, 24, 25, 29.97, 30,  
50, 59.94, 60  
SIGNAL  
4:4:4 RGB  
OFF  
4:4:4 RGB, 4:2:2 YCbCr  
ON, OFF  
SELECT FPS  
SET FORMAT  
Execute by ENTER.  
SQ, LB, EC  
<DOWN  
CONVERTER>  
M08 ASPECT  
[M04]  
LB  
SQ: Squeeze  
LB: Letter Box  
EC: Edge Crop  
Setting the aspect  
ratio for VBS output  
<POWER SAVE>  
M09 MONITOR OUT  
[M05]  
ACTIVE  
PWR SAVE, ACTIVE  
PWR SAVE, ACTIVE  
Selecting the output  
power save mode  
DOWN CONVERTER ACTIVE  
<BATT ALARM  
SET>  
M10 DC IN (24 V)  
[M06]  
TYPE  
AC ADP  
22.2 V  
21.6 V  
BATT1, BATT2, AC ADP BATT1/BATT2: Batteries  
AC ADP: AC adaptor  
Setting the voltage  
values to trigger  
alarm indications  
NEAR END  
END  
0.1 to 30.0 V  
Fixed to the default value  
for AC ADP  
0 to 29.9 V  
Fixed to the default value  
for AC ADP  
DC IN (12 V)  
TYPE  
AC ADP  
11.1 V  
10.8 V  
BATT1, BATT2, AC ADP BATT1/BATT2: Batteries  
AC ADP: AC adaptor  
NEAR END  
END  
11.0 to 17.0 V  
Fixed to the default value  
for AC ADP  
10.5 to 14.0 V  
Fixed to the default value  
for AC ADP  
<GENLOCK>  
M11 REFERENCE  
[M07]  
INTERNAL, GENLOCK display only  
IN  
Adjusting Genlock  
with status  
indications  
STATUS  
OK, NG, NO SIGNAL  
–511 to 511  
display only  
H PHASE  
0
To adjust the H phase for  
genlock  
<DATE>  
M12 DATE/TIME  
[M08]  
yyyy/mm/dd  
hh : mm  
Setting the built-in  
clock  
Menu List  
75  
         
MAINTENANCE menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<METADATA>  
M13 EMBEDDED  
[M09]  
OFF  
ON, OFF  
To turn the function to  
embed metadata on tapes  
and SDI signals on or off  
Recording/  
reproducing  
metadata  
ANC LINE  
TYPE  
9
(9)  
SDI V ANC LINE number  
(currently fixed to 9)  
USER1  
(USER1)  
Format of items in  
metadata (currently fixed to  
USER 1)  
REC MS WRITE  
OFF  
ON, OFF  
ON, OFF  
To turn the function to  
simultaneously write  
metadata to a “Memory  
Stick” while embedding  
them to SDI output in  
recording on or off  
PLAY MS WRITE  
OFF  
To turn the function to read  
embedded metadata and  
write them to a “Memory  
Stick” in playback on or off  
<OTHERS 1>  
M14 FAN MODE  
[M10]  
(U20)  
AUTO1  
AUTO1, AUTO2, MIN,  
MAX  
To select the operation  
modes of the fans  
AUTO1: Normal  
AUTO2: MIN in REC mode,  
AUTO1 in other  
Setting various  
subsidiary functions  
conditions  
CAM BARS  
OFF  
ON, OFF  
To turn the built-in color  
generator on or off  
HD-BAR (VF/MONI) BAR 16:9  
(100%)  
BAR 16:9 (100%), BAR To select the color bar  
16:9 (75%), SMPTE 16:9 format for HD outputs  
(BLACK), SMPTE 16:9  
(–I/Q), BAR 4:3 (100%),  
BAR 4:3 (75%), SMPTE  
4:3 (BLACK), SMPTE 4:3  
(–I/Q), MF-ARIB (75%),  
MF-ARIB (100%), MF-  
ARIB (+I), MF-SMPTE  
(–I, Q), MF-SMPTE  
(75%, Q), MF-SMPTE  
(100%, Q), MF-SMPTE  
(+I, Q), HD-CUSTOM,  
HD-CUSTOM2  
SD-BAR  
SMPTE  
OFF  
SMPTE, EIA, FULL  
(EBU), 95%, NTSC100% format for SD outputs  
(PAL100%)  
ON, OFF  
To select the color bar  
EBU, PAL100%: With 1.000  
formats  
IMAGE INVERT  
IRIS CLOSE  
To turn the image-inversion  
function on or off (ON to set  
the camera picture upside-  
down)  
OFF  
ON, OFF  
Menu List  
76  
 
MAINTENANCE menu  
Page title &  
purpose  
No. Item  
Default  
Settings  
Remarks  
<OTHERS 2>  
M15 DATE TYPE  
[M11]  
5 M/D/Y  
1 Y/Mn/D  
2 Mn/D  
3 D/M/Y  
4 D/M  
5 M/D/Y  
6 M/D  
To select the date display  
mode  
Y: Year  
Mn: Month (numeric)  
M: Month (character string)  
D: Day  
Setting various  
subsidiary functions  
1)  
Y
NAM, G, R+G, Y  
To specify from which  
signal the vertical detail  
volume is to be created  
NAM: The highest signal  
among R, G, and B  
G: G signal  
V DTL CREATION  
R+G: Additional value of  
the R signal and G  
signal  
Y: Y signal  
1)  
H/V  
H/V, V ONLY  
H/V: To change the H detail  
at the same time when  
adjusting the V detail  
V ONLY: To adjust V detail  
while maintaining the H  
detail  
DTL H/V MODE  
TEST2 MODE  
20% STEP  
A.LVL  
20% STEP, 10STEP  
AWB, A.LVL  
20% STEP: 20%-steps up  
to full scale when  
gamma is OFF  
10STEP: 10%-steps up to  
100% when gamma is  
OFF  
WHITE SETUP  
A.LVL: To return the white  
value to “0” when  
STANDARD is executed  
AWB: To return the white  
value to the AWB value  
when STANDARD is  
executed  
1)  
MODE  
FPS LIMITER  
LIMIT  
LIMIT, FREE  
LIMIT: To limit the variable  
range of the FPS  
setting  
FREE: To release the range  
limitation of the FPS  
setting  
EXT I/O MODE  
ARRI RMT  
ARRI RMT, LSI,  
TERMINAL  
To select EXT I/O mode  
ARRI RMT: When an ARRI  
Remote Control is  
connected  
LSI: When a jig application  
is connected (for  
adjustments)  
TERMINAL: When a  
terminal is connected  
(for adjustments)  
COLOR F900R  
32 SCENE FILE  
ENABLE  
OFF (5)  
ENABLE, DISABLE  
ON, OFF (5)  
To enable/disable selection  
of F900R COLOR SPACE  
mode  
To turn the function to  
expand the number of  
scene files to be registered  
to 32 on or off  
1) Not displayed in Cine mode  
Menu List  
77  
 
4-3-4 NETWORK Menu  
The NETWORK menu items can be set in both Cine and  
Custom modes.  
Execute by ENTER. Execute by pushing on the MENU SEL/ENTER dial.  
NETWORK menu  
Page title  
No. Item  
Default  
Settings  
Remarks  
<IP ADDR SET>  
N01 HOST IP ADDRESS  
SUBNET MASK  
DEFAULT GATEWAY  
SET  
0.0.0.0  
0.0.0.0 to 255.255.255.255  
255.255.255.0 0.0.0.0 to 255.255.255.255  
0.0.0.0  
0.0.0.0 to 255.255.255.255  
Execute by ENTER.  
Power must be turned off  
then on again to activate  
the execution.  
<ETHER I/F CONF> N02 AUTO NEGOTIATION ON  
CONNECT CONFIGURATION  
CONNECT SPEED 100M  
10M, 100M  
DUPLEX MODE  
SET  
FULL  
HALF, FULL  
Execute by ENTER.  
Power must be turned off  
then on again to activate  
the execution.  
<700PTP  
SETTING>  
N03 NS MODE  
MCS MODE  
LEGACY  
(CLIENT)  
0
LEGACY, BRIDGE, MCS  
0 to 24  
fixed  
CAMERA NO.  
Select a number other than  
0 when connected.  
MASTER IP ADDRESS 0.0.0.0  
0.0.0.0 to 255.255.255.255  
Execute by ENTER.  
SET  
<NETWORK  
RESET>  
N04 ALL RESET  
Execute by ENTER.  
To initialize all the  
NETWORK menu settings  
Menu List  
78  
           
4-3-5 FILE Menu  
: Valid in Custom mode only  
: Valid in both Cine and Custom modes  
Execute by ENTER. : Execute by pushing on the MENU SEL/ENTER dial.  
Note  
The markings [F01] to [F04] in the No. column indicate the page numbers in Cine mode.  
The pages marked with [ - - ] in the No. column are not displayed in Cine mode.  
FILE menu  
Page title  
No. Item  
Default  
Settings  
Remarks  
<OPERATOR FILE> F01 READ (MStCAM)  
Execute by ENTER.  
To read the operator file from  
a “Memory Stick”  
[F01]  
WRITE (CAMtMS)  
PRESET  
Execute by ENTER.  
Execute by ENTER.  
max.14 characters  
To write the current settings  
of the operator file items to a  
“Memory Stick”  
To set the operator file items  
to the preset values in  
internal memory  
FILE ID  
Enter a comment for the  
operator file to be written to  
a “Memory Stick.”  
CAM CODE  
DATE  
F35  
Camera code  
display only  
display only  
Menu List  
79  
     
FILE menu  
Page title  
No. Item  
Default  
Settings  
Remarks  
<SCENE FILE>  
F02 1  
To store and load scene files  
(paint data): When storing a  
file in the camera’s memory,  
specify the number before  
executing STORE.  
When reading, only specify  
the number.  
[ - - ]  
2
3
4
5
01  
01 to 32  
To specify the scene file  
number 01 to 32 when 32  
SCENE FILE of <OTHERS  
2> of the MAINTENANCE  
menu is ON.  
STORE  
Execute by ENTER.  
Execute by ENTER.  
STANDARD  
To read the standard paint  
data stored in the reference  
file  
READ (MStCAM)  
WRITE (CAMtMS)  
FILE ID  
Execute by ENTER.  
Execute by ENTER.  
Max.14 characters  
To load scene files from a  
“Memory Stick” to the  
camera’s memory  
To write scene files in the  
camera’s memory to a  
“Memory Stick”  
Enter a comment for the  
scene files to be written to a  
“Memory Stick.”  
CAM CODE  
DATE  
F35  
Camera code  
display only  
display only  
<REFERENCE>  
F03 STORE FILE  
[ - - ]  
Execute by ENTER.  
To store the current settings  
of the reference file items in  
the reference file in the  
camera’s memory  
STANDARD  
Execute by ENTER.  
To read the standard values  
in the reference file in the  
camera’s memory  
READ (MStCAM)  
Execute by ENTER.  
Execute by ENTER.  
To load a reference file from  
a “Memory Stick”  
WRITE (CAMtMS)  
To write the current settings  
of the reference file items as  
a reference file to a “Memory  
Stick”  
FILE ID  
Max.14 characters  
Enter a comment for the  
reference file to be written to  
a “Memory Stick.”  
CAM CODE  
DATE  
F35  
F35  
Camera code  
display only  
display only  
<USER GAMMA>  
F04 READ (MStCAM)  
Execute by ENTER.  
To load user gamma tables  
from a “Memory Stick”  
[F02]  
FILE ID  
Max.14 characters  
Camera code  
display only  
display only  
display only  
CAM CODE  
DATE  
Menu List  
80  
     
FILE menu  
Page title  
No. Item  
Default  
Settings  
Remarks  
1)  
<LENS FILE>  
F05  
[F03]  
Execute by ENTER.  
STORE FILE  
No.  
1
1 to 32  
NAME  
No Offset  
1)  
To set and store the center  
marker position:  
H: Increasing the value  
moves it to the right.  
V: Increasing the value  
moves it downwards.  
CENTER  
1)  
0
0
96 to 95  
H
1)  
54 to 53  
V
1)  
Execute by ENTER.  
ON, OFF  
STORE  
WHITE R/B  
ON  
To turn the WHITE R/B  
compensation by the lens  
file ON/OFF  
LENS MS READ/  
WRITE  
Execute by ENTER.  
Execute by ENTER.  
To jump to the subpage  
<LENS FILE>  
subpage  
READ (MStCAM)  
WRITE (CAMtMS)  
FILE ID  
To load a lens file from a  
“Memory Stick” (max. 32  
files)  
Execute by ENTER.  
Max.14 characters  
To write the current settings  
of the lens file items as a  
lens file to a “Memory Stick”  
Enter a comment for the lens  
file to be written to a  
“Memory Stick.”  
CAM CODE  
DATE  
F35  
Camera code  
display only  
display only  
<OHB FILE>  
F06 STORE FILE  
[ - - ]  
Execute by ENTER.  
To store the offset values of  
the items specific to the  
CCD (No repeated store  
operation is necessary even  
if the CCD is reattached.)  
Menu List  
81  
   
FILE menu  
Page title  
No. Item  
Default  
Settings  
Remarks  
<FILE PRESET>  
F07 OPERATOR FILE  
[F04]  
Execute by ENTER.  
To resume the factory-set  
status  
USER GAMMA FILE  
Execute by ENTER.  
Execute by ENTER.  
To resume the factory-set  
status  
1)  
To resume the factory-set  
status for all lens files  
LENS FILE (ALL)  
1)  
1 to 32  
To resume the factory-set  
status for a selected lens file  
No.  
1)  
Execute by ENTER.  
Execute by ENTER.  
CLEAR  
1)  
To resume the factory-set  
status  
REFERENCE FILE  
1)  
OFF  
ON, OFF  
ON: To return a specific item  
in the reference file to  
the factory-set value.  
For details, see “5-3-8  
10 SEC CLEAR  
1)  
Execute by ENTER.  
Execute by ENTER.  
Execute by ENTER.  
To jump to the <OHB FILE>  
subpage  
OHB FILE  
USER MENU  
To resume the factory-set  
status  
M. S. FORMAT  
To initialize a “Memory Stick”  
1)  
To return all files except the  
OHB file to their factory-set  
statuses  
FILE PRESET (OHB)  
<OHB FILE>  
(<FILE PRESET>  
subpage)  
[ - - ] OHB WHITE SHADE  
(ALL)  
Execute by ENTER.  
To return all the WHITE  
SHADING data in the OHB  
file to their factory-set  
statuses.  
3D WHITE SHADING  
BLACK SHADING  
BLACK SET  
Execute by ENTER.  
Execute by ENTER.  
Execute by ENTER.  
Execute by ENTER.  
Execute by ENTER.  
To return only the 3D WHITE  
SHADING setting to its  
factory-set status  
To return only the BLACK  
SHADING setting to its  
factory-set status  
To return only the BLACK  
SET setting to its factory-set  
status  
ND OFFSET  
To return only the ND  
OFFSET setting to its  
factory-set status  
MATRIX  
To return only the MATRIX  
setting to its factory-set  
status  
1) Not displayed in Cine mode  
Menu List  
82  
   
4-3-6 DIAGNOSIS Menu  
This menu is only for viewing and no setting is made using  
this menu.  
Page title  
No. Item  
Indication  
Remarks  
<BOARD STATUS> D01 OHB  
OK, NG  
display only (If NG is displayed, consult  
your local Sony representative.)  
AD  
OK, NG  
DPR  
VDA  
TR  
OK, NG  
OK, NG  
OK, NG  
AT  
OK, NG  
<DOCK STATUS>  
<PLD VERSION>  
D02 TOP  
REAR  
NONE, IF BOX, VTR, OTHERS  
display only  
display only  
display only  
display only  
display only  
display only  
display only  
display only  
display only  
display only  
display only  
display only  
NONE, IF BOX, VTR, OTHERS  
D03 TG  
AD  
Vx.xxx  
Vx.xxx  
Vx.xxx  
Vx.xxx  
Vx.xxx  
Vx.xxx  
Vx.xxx  
Vx.xxx  
x.xx  
PRE  
POST  
TX  
RX  
VDA  
AT  
<ROM VERSION>  
D04 MAIN  
NET  
x.xx  
Menu List  
83  
           
If a different page is displayed, turn the MENU SEL/  
ENTER dial until the desired page appears, then push  
on the MENU SEL/ENTER dial to select the page.  
4-4 Editing the USER  
Menu  
Example: When you select the USER 2 EDIT page  
USER 2 EDIT E03 TOP  
You can select desired pages and items from the  
c
OPERATION, PAINT, MAINTENANCE, NETWORK,  
FILE, and DIAGNOSIS menus and register them to the  
USER menu. If you specify pages or items frequently used  
for the USER menu, you can easily call and use them.  
The USER MENU CUSTOMIZE menu allows you to  
configure a USER menu that consists only of pages and  
items that you need, by your adding, deleting or replacing  
pages.  
4
Move the pointer to the item to be added (this  
operation is unnecessary if no item exists on the page,  
as shown in the figure for step 3) then push on the  
MENU SEL/ENTER dial.  
Creating a new page  
The USER MENU CUSTOMIZE menu allows you to add  
a new page to the USER menu.  
The EDIT FUNCTION screen appears.  
While the EDIT page contains factory-preset items, the  
USER 1 EDIT to USER 19 EDIT pages are all blank in  
their initial state. You can register up to 10 items, including  
blank lines, on each of these pages.  
EDIT FUNCTION  
cINSERT  
MOVE  
DELETE  
BLANK  
ESC  
To create a new page, proceed as follows.  
1
2
While holding the CANCEL/STATUS button pressed,  
press the VF MENU/DISPLAY button.  
The TOP MENU screen appears.  
5
6
Move the pointer to “INSERT” and push on the  
MENU SEL/ENTER dial.  
Turn the MENU SEL/ENTER dial to move the pointer  
to “USER MENU CUSTOMIZE,” then push on the  
MENU SEL/ENTER dial.  
The page with the last item added appears.  
<SW STATUS>  
FLARE :c ON  
P22 ESC  
If this is the first time the USER MENU CUSTOMIZE  
menu has been displayed, the CONTENTS page of the  
menu appears.  
GAMMA : ON  
BLK GAM : OFF  
KNEE : ON  
WHT CLIP: ON  
DETAIL : ON  
LVL DEP : ON  
SKIN DTL: OFF  
MATRIX : OFF  
CONTENTS  
E00 TOP  
xx  
01.EDIT PAGE  
02.USER 1 EDIT  
c03.USER 2 EDIT  
04.USER 3 EDIT  
05.USER 4 EDIT  
06.USER 5 EDIT  
07.USER 6 EDIT  
08.USER 7 EDIT  
09.USER 8 EDIT  
10.USER 9 EDIT  
5600K  
: OFF  
Add the items.  
1 Turn the MENU SEL/ENTER dial until the page  
that has the desired items appears, then push on the  
MENU SEL/ENTER dial.  
If the USER MENU CUSTOMIZE menu has been  
used before, the page last accessed appears.  
2 Turn the MENU SEL/ENTER dial to move the  
pointer to the desired item, then push on the MENU  
SEL/ENTER dial.  
3
If the CONTENTS page is displayed, turn the MENU  
SEL/ENTER dial to move the pointer to any of USER  
1 EDIT to USER 19 EDIT then push on the MENU  
SEL/ENTER dial to display the page.  
The USER 2 EDIT page appears again, displaying the  
newly added item.  
Editing the USER Menu  
84  
       
7
Add the remaining items by repeating steps 4 to 6.  
1
2
Turn the MENU SEL/ENTER dial to move the pointer  
to the item above which you wish to insert a blank line.  
You can add up to 10 items on one page.  
The EDIT FUNCTION screen appears.  
To delete items from a page  
Proceed as follows:  
Select “BLANK” then push on the MENU SEL/  
ENTER dial.  
1
2
Move the pointer to the item to be deleted, and push on  
the MENU SEL/ENTER dial.  
The previously displayed page appears again, and a  
blank line is inserted above the specified item.  
The EDIT FUNCTION screen appears.  
Note  
You cannot insert a blank line on a page where 10 items  
have already been registered.  
Select “DELETE,” and push on the MENU SEL/  
ENTER dial.  
The previously displayed page appears again, and the  
message “DELETE OK? Yes cNo” appears at the  
upper right.  
Adding/deleting/replacing pages  
You can add a new page to the USER menu, delete a page  
from the USER menu or replace pages, using the EDIT  
PAGE of the USER MENU CUSTOMIZE menu.  
3
To delete, turn the MENU SEL/ENTER dial to move  
the pointer to “YES,” and push on the MENU SEL/  
ENTER dial.  
To add a page  
Proceed as follows:  
To change the order of items on a page  
1
Select “USER MENU CUSTOMIZE” on the TOP  
MENU screen.  
Proceed as follows:  
1
Turn the MENU SEL/ENTER dial to move the pointer  
to the item to be moved, then push on the MENU SEL/  
ENTER dial.  
If this is the first time the USER MENU CUSTOMIZE  
menu has been displayed, the CONTENTS page of the  
menu appears. If the menu has been used before, the  
last accessed page appears.  
The EDIT FUNCTION screen appears.  
2
If the CONTENTS page is displayed, turn the MENU  
SEL/ENTER dial to move the pointer to “EDIT  
PAGE”, then push on the MENU SEL/ENTER dial to  
display the EDIT PAGE screen.  
If a different page is displayed, turn the MENU SEL/  
ENTER dial until the EDIT PAGE screen appears,  
then push on the MENU SEL/ENTER dial to select the  
page.  
2
3
Select MOVE, then push on the MENU SEL/ENTER  
dial.  
The previously displayed page appears again.  
Turn the MENU SEL/ENTER dial to move the pointer  
to the position where you wish to move the item, then  
push on the MENU SEL/ENTER dial.  
ITEM MOVE  
ESC  
xx  
EDIT PAGE  
c01.<VF DISPLAY>  
02.<'!' IND>  
E01 ESC  
cVF OUT  
: COLOR  
: OFF  
xx  
VF DETAIL  
03.<MARKER SETTING>  
04.<VF DETAIL>  
05.<ZEBRA>  
06.<MONITOR OUTPUT>  
07.<PB MONI GAMMA>  
08.<PB MIX SETTING>  
09.<CHAR/MARK MIX>  
10.<SHUTTER ASSIGN>  
MARKER  
CURSOR  
ZEBRA SW  
: ON  
: OFF  
: OFF  
:
: OFF  
1
zAS1  
The item selected in step 1 moves to the position that  
you selected in step 3.  
In the above example, “AS1” is moved to the top and  
the other items are moved down one line.  
3
Turn the MENU SEL/ENTER dial to move the pointer  
to where you wish to add the page, then push on the  
MENU SEL/ENTER dial.  
The EDIT FUNCTION screen appears.  
To insert a blank line  
Proceed as follows:  
Editing the USER Menu  
85  
EDIT FUNCTION  
cINSERT  
MOVE  
DELETE  
ESC  
ITEM DELETE  
DELETE OK? cYES NO  
01.<VF DISPLAY>  
02.<'!' IND>  
ESC  
z03.<MARKER SETTING>  
04.<VF DETAIL>  
05.<ZEBRA>  
06.<MONITOR OUTPUT>  
07.<PB MONI GAMMA>  
08.<PB MIX SETTING>  
09.<CHAR/MARK MIX>  
10.<SHUTTER ASSIGN>  
4
5
Select INSERT then push on the MENU SEL/ENTER  
dial.  
3
To delete, turn the MENU SEL/ENTER dial to move  
the pointer to “YES,” then push on the MENU SEL/  
ENTER dial.  
The selection screen appears.  
To move a page  
Proceed as follows:  
CONTENTS  
ESC  
xx  
c01.USER 1  
02.USER 2  
03.USER 3  
04.USER 4  
05.USER 5  
06.USER 6  
07.USER 7  
08.USER 8  
09.USER 9  
10.USER 10  
1
Display the EDIT PAGE screen of the USER MENU  
CUSTOMIZE menu. Turn the MENU SEL/ENTER  
dial to move the pointer to the page that you wish to  
move.  
The EDIT FUNCTION screen appears.  
Turn the MENU SEL/ENTER dial to move the pointer  
to the desired page, then push on the MENU SEL/  
ENTER dial.  
2
3
Select “MOVE” then push on the MENU SEL/ENTER  
dial.  
The EDIT PAGE screen appears again.  
This adds the number and name of the selected page  
above the item selected in step 3.  
Turn MENU SEL/ENTER dial to move the pointer to  
the position to which you wish to move the page  
selected in step 1.  
To cancel addition of a page  
Before pushing the MENU SEL/ENTER dial in step 5,  
turn the MENU SEL/ENTER dial to move the pointer to  
“ESC” at the top right of the screen, then push on the  
MENU SEL/ENTER dial.  
ITEM MOVE  
ESC  
xx  
01.<VF DISPLAY>  
02.<'!' IND>  
c03.<MARKER SETTING>  
04.<VF DETAIL>  
05.<ZEBRA>  
The EDIT PAGE screen appears again.  
06.<MONITOR OUTPUT>  
07.<PB MONI GAMMA>  
z08.<PB MIX SETTING>  
09.<CHAR/MARK MIX>  
10.<SHUTTER ASSIGN>  
To delete a page  
Proceed as follows:  
1
On the EDIT PAGE screen of the USER MENU  
CUSTOMIZE menu, move the pointer to the page to  
be deleted, and push on the MENU SEL/ENTER dial.  
4
Push on the MENU SEL/ENTER dial.  
The page selected in step 1 is moved to the position  
selected in step 3.  
The EDIT FUNCTION screen appears.  
In the above example, <PB MIX SETTING> moves to  
the “03” position, and the <MARKER SETTING> and  
following pages move down one line.  
2
Select “DELETE” then push on the MENU SEL/  
ENTER dial.  
The previously displayed page appears again, and the  
message “DELETE OK?” appears at the upper right.  
Returning the USER menu to the factory-  
set status  
Use the <FILE PRESET> page of the FILE menu.  
Editing the USER Menu  
86  
Storage and Retrieval of  
User Setting Data  
5
Chapter  
the <LENS FILE> page of the FILE menu or using the  
MSU-900/950.  
You can back up the lens files in a “Memory Stick.”  
5-1 File Configuration  
Note  
This system permits various settings and adjustment data  
to be stored as data files in built-in memory or a “Memory  
Stick” in order to facilitate later operations or adjustments.  
A stored data file can be retrieved, as required, to  
reproduce the stored setting statuses.  
In Cine mode, only retrieval of lens files is possible.  
Modification of file data or file creation is not possible.  
Items stored  
The items that are stored in lens files are marked with “a”  
in the “L” column of the table in “5-2 List of Items Stored  
Note  
In Cine mode, some file operations will be limited.  
Scene files  
Scene files store data adjusted on the PAINT menu for  
specific scenes.  
The following six kinds of files are designed for the  
system:  
For example, if you store data prepared in rehearsal for a  
particular scene in a scene file, the data can be retrieved to  
reproduce the same camera settings for the actual take.  
For file operation, use the <SCENE FILE> page of the  
PAINT or FILE menu. You can also use the MSU-900/950  
Master Setup Unit for the file operation.  
Operator file  
This file stores operational settings not related to picture  
quality. At shipment, the operator file with the default  
settings has been stored in built-in memory.  
After the default settings are changed, those changed  
setting data can be stored as the operator file in a “Memory  
Stick” for later use.  
For file operation, use the <OPERATOR FILE> page of  
the USER (OPERATION) menu or that of the FILE menu.  
Scene files are stored in built-in memory. You can also  
back up the scene files in a “Memory Stick.”  
Note  
In Cine mode, scene file operation is disabled.  
Items stored  
The setting items in the OPERATION menu (page 60) and  
the customized USER menu (page 84) can be stored.  
To use 32 scene files  
Set 32 SCENE FILE to ON on the <OTHERS 2> page of  
the MAINTENANCE menu.  
Lens files  
Note  
Names of different lenses and standard values for these  
lenses can be registered in lens files in built-in memory of  
the camera.  
When you remount the lens after using another lens, the  
appropriate compensation for the lens can be achieved  
easily by reading the file corresponding to the lens.  
If you return 32 SCENE FILE” to OFF, all scene files No.  
6 to 32 are initialized when you next set it to ON. (Scene  
files No. 1 to 5 are maintained.)  
Items stored  
The items that are stored in scene files are marked with  
a” in the “S” column of the table in “5-2 List of Items  
Creation and modification of lens files are made in Custom  
mode.  
Adjust necessary items, using the PAINT and  
MAINTENANCE menus or using the MSU-900/950  
Master Setup Unit, then store the adjustment data, using  
File Configuration  
87  
             
Reference file  
Note  
This file stores the standard settings of the camera that can  
be used as a reference when adjusting the camera.  
If STANDARD is executed on the <SCENE FILE> page of  
the PAINT menu or the <REFERENCE> page of the FILE  
menu, or with the MSU-900/950 Master Setup Unit,  
manually adjusted values of the camera will be reset to the  
reference values that have been stored in the reference file.  
At shipment, the reference file with the initial settings is  
stored in built-in memory.  
In Cine mode, the OHB file can be retrieved automatically,  
but the data in the OHB file cannot be modified.  
Items stored  
The items that are stored in the OHB file are marked with  
a” in the “O” column of the table in “5-2 List of Items  
The initial settings can be modified, as required, then  
stored as the new reference file.  
For file operation, use the <REFERENCE> page of the  
FILE menu. You can also use the MSU-900/950 Master  
Setup Unit for file operation.  
You can back up the reference file in a “Memory Stick.”  
Notes  
• In Cine mode, the reference file data are fixed as those at  
shipment and cannot be modified.  
• As relative adjustment values with regard to the  
reference file data are stored in a scene file, if data of the  
reference file are modified, the scene files also need  
modification.  
Items stored  
The items that are stored in the reference file are marked  
with “a” in the “R” column of the table in “5-2 List of  
User-Gamma file  
The gamma-curve data (User Gamma) created using  
CvpFileEditor application software can be loaded to the  
camera via a “Memory Stick.” This enables reproduction  
of images closer to those that individual users wish to  
reproduce.  
For file operation, use the <USER GAMMA> page of the  
FILE menu.  
The User-Gamma file is stored in built-in memory. Backup  
of the User-Gamma file in a “Memory Stick” is not  
possible.  
Note  
In Cine mode, operation of the User-Gamma file via a  
“Memory Stick” is not possible.  
OHB file  
The OHB file stores the offset values of items specific to  
the CCD unit.  
For file operation, use the <OHB FILE> page of the FILE  
menu. You can also use the MSU-900/950 Master Setup  
Unit for this operation.  
File Configuration  
88  
     
Menu page  
(No. in Custom  
mode)  
Item  
S
R
L
O
5-2 List of Items Stored  
in Files  
<DETAIL 1>  
(P08)  
DETAIL ON/OFF  
LEVEL  
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
LIMITER M  
LIMITER WHT  
LIMITER BLK  
CRISP  
The items that are stored in scene files, the reference file,  
the lens files, and the OHB file are listed in the table below.  
For details on setting values, see the corresponding items  
in the table in “4-3 Menu List” (page 60).  
LVL DEP  
LVL DEP ON/OFF  
H/V RATIO  
S: Scene file  
R: Reference file  
L: Lens file  
<DETAIL 2>  
(P09)  
FREQ  
O: OHB file  
MIX RATIO  
KNEE APT  
KNEE APT ON/OFF  
Menu page  
(No. in Custom  
mode)  
Item  
S
R
L
O
<VIDEO LEVEL> WHITE [R] [G] [B]  
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
<SKIN DETAIL> SKIN DTL ON/OFF  
(P10)  
(P02)  
WHITE [R] [B]  
a
a
PHASE  
BLACK [R] [G] [B] [M]  
FLARE [R] [G] [B]  
FLARE ON/OFF  
WIDTH  
SAT  
LEVEL  
<GAMMA>  
(P03)  
LEVEL [R] [G] [B] [M]  
BLACK [M]  
<USER  
MATRIX>  
(P11)  
R-G  
R-B  
COARSE  
G-R  
TABLE  
G-B  
GAMMA ON/OFF  
LEVEL [R] [G] [B] [M]  
RANGE  
B-R  
<BLACK  
GAMMA>  
(P04)  
B-G  
MATRIX ON/OFF  
RANGE ON/OFF  
USER MATRIX ON/  
OFF  
a
a
a
a
BLACK GAMMA  
ON/OFF  
a
a
a
a
a
a
MULTI MATRIX ON/  
OFF  
<SATURATION> SATURATION  
(P05)  
<MULTI  
MATRIX>  
(P12)  
HUE  
SAT  
a
a
a
a
a
a
a
a
SATURATION ON/  
OFF  
LOW KEY SAT  
RANGE  
a
a
a
a
<SHUTTER/  
FPS>  
(P13)  
SHUTTER  
VAR  
<KNEE>  
(P06)  
K POINT  
[R] [G] [B] [M]  
a
a
a
a
<WHITE  
SHADING>  
(M03)  
V SAW [R] [G] [B]  
V PARA [R] [G] [B]  
H SAW [R] [G] [B]  
H PARA [R] [G] [B]  
V SAW [R] [G] [B]  
V PARA [R] [G] [B]  
H SAW [R] [G] [B]  
H PARA [R] [G] [B]  
BLK SET [R] [G] [B]  
MASTER GAIN  
a
a
a
a
a
a
a
a
a
a
a
a
a
K SLOPE  
[R] [G] [B] [M]  
KNEE ON/OFF  
KNEE SAT  
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
a
<BLACK  
SHADING>  
(M04)  
KNEE SAT ON/OFF  
AUTO KNEE  
POINT LIMIT  
SLOPE  
<WHITE CLIP>  
(P07)  
W CLIP [R] [G] [B] [M]  
W CLIP ON/OFF  
a
a
List of Items Stored in Files  
89  
 
Menu page  
(No. in Custom  
mode)  
Item  
S
R
L
O
5-3 File Operations  
<OHB MATRIX> HUE  
(M05)  
a
a
a
SAT  
5-3-1 Using a “Memory Stick”  
OHB MATRIX  
ND filter selection  
ND offset  
a
You can use “Memory Stick PRO” media with this camera.  
“Memory Stick PRO Duo” can also be used without using  
a Memory Stick Duo adaptor.  
a
The camera operations have been checked using “Memory  
Stick PRO” media up to 8GB.  
Operations checked with:  
MSH-128  
MSX-512S  
MSX-M2GS  
MSX-M4GS  
MSX-M8GS  
For details on “Memory Stick” media, see“About a  
Inserting a “Memory Stick”  
Insert a “Memory Stick” with the label side up into the  
“Memory Stick” slot until it clicks and the access lamp  
lights in red. When the “Memory Stick” is properly set, the  
lamp illumination changes to green.  
Access lamp  
Label side  
Memory Stick  
If it does not fit into the slot properly or if there is some  
resistance when you insert it, the “Memory Stick” may be  
turned around or upside-down. Do not force the “Memory  
Stick” into the slot. Confirm the direction of the notch and  
arrow on the “Memory Stick” before inserting the  
“Memory Stick,” and then try inserting it again.  
Removing the “Memory Stick”  
Confirm that the access lamp is not lit in red, then lightly  
push in the “Memory Stick” to release the lock.  
Note  
If the access lamp is lit in red, data are being read from or  
written to the “Memory Stick” At this time, do not shake  
File Operations  
90  
     
the product or subject it to shock. Do not turn off the power  
to the product or remove the “Memory Stick.” This may  
damage the data.  
<FILE PRESET>  
OPERATOR FILE  
F07 TOP  
USER GAMMA FILE  
LENS FILE  
REFERENCE FILE  
10 SEC CLEAR: OFF  
OHB FILE  
USER MENU  
cM.S. FORMAT  
Protecting saved data  
To prevent accidental erasure of important setup data, use  
the LOCK switch on the “Memory Stick.”  
Slide the switch right to the write protect position. This  
ensures that you cannot inadvertently overwrite data on the  
“Memory Stick.”  
FILE PRESET (-0HB)  
During formatting, “MEMORY STICK ACCESS” is  
displayed.  
When formatting is completed, “COMPLETE” is  
displayed.  
LOCK switch  
5-3-2 Storage and Retrieval of the  
Operator File  
Use the <OPERATOR FILE> page of the FILE menu.  
Notes on using and storing the “Memory  
Stick”  
<OPERATOR FILE> F01 TOP  
t
READ (MS CAM)  
WRITE (CAMtMS )  
• Avoid touching the connector of the “Memory Stick” or  
contacting it with a metal object.  
• When attaching a label to the “Memory Stick,” use only  
the label supplied for the “Memory Stick.”  
• Do not drop, bend, or submit the “Memory Stick” to  
external shock.  
PRESET  
FILE ID:  
CAM CODE  
DATE  
• Do not disassemble or modify the “Memory Stick.”  
• Avoid getting liquids on the “Memory Stick.”  
• Avoid using or storing the “Memory Stick” in a location  
subject to:  
The <OPERATOR FILE> page is also included in the  
USER (OPERATION) menu (see page 51).  
extremely high temperature such as the hot inside of a  
car or the outdoors exposed to a burning sun, or a  
place near a heater  
To store the operator file in a “Memory  
Stick”  
direct sunlight  
• When storing and carrying the “Memory Stick,” keep it  
in its original case to ensure protection of important data.  
• Do not format the “Memory Stick” using a PC.  
Formatting of the “Memory Stick” can be performed on  
the <FILE PRESET> page of the FILE menu.  
Perform necessary settings for the operation items and the  
customized USER menu for the operator file you wish to  
store.  
1
2
Insert a “Memory Stick” into the “Memory Stick” slot  
of the camera.  
To format a “Memory Stick”  
Use the <FILE PRESET> page of the FILE menu.  
Position the pointer to WRITE (CAM t MS) and  
push on the MENU SEL/ENTER dial.  
You can add a comment (maximum: 14 characters) to the  
operator file to be stored in the “Memory Stick” by  
specifying it on the FILE ID line.  
1
Insert a “Memory Stick” you wish to format into the  
“Memory Stick” slot of the camera.  
2
3
Call up the <FILE PRESET> page of the FILE menu.  
For details on how to enter a comment, see “Specifying a  
Position the pointer to M.S. FORMAT and push on the  
MENU SEL/ENTER dial.  
To retrieve the operator file stored in a  
“Memory Stick”  
The operator file stored in the “Memory Stick” can be read  
out into built-in memory of the camera.  
File Operations  
91  
   
1
2
Insert the “Memory Stick” into the “Memory Stick”  
slot of the camera.  
Note  
The WHITE R/B item is provided only for confirming the  
effect of compensation (comparison between when the file  
is used and not used). The file cannot be stored with  
WHITE R/B set to OFF.  
Position the pointer to READ (MS t CAM) and push  
on the MENU SEL/ENTER dial.  
The camera will be set according to the data loaded from  
the operator file.  
To store in or retrieve from a “Memory  
Stick”  
Position the pointer to LENS MS READ/WRITE and push  
on the MENU SEL/ENTER dial. The subpage will be  
displayed.  
To return the operator file items to the  
factory-set values  
Position the pointer to PRESET and push on the MENU  
SEL/ENTER dial.  
<LENS FILE>  
ESC  
You can also use the <FILE PRESET> page (page 95) of  
the FILE menu for this purpose.  
t
READ (MS CAM)  
WRITE (CAMtMS )  
5-3-3 Registration and Retrieval of  
the Lens Files  
FILE ID:  
CAM CODE  
DATE  
The registered lens files can be retrieved via the subdisplay  
or the <LENS FILE> page of the OPERATION menu.  
To register the data you adjusted for the mounted lens as a  
lens file, or to use a “Memory Stick,” the <LENS FILE>  
page of the FILE menu is used.  
To store  
Position the pointer to WRITE (CAM t MS) then push  
on the MENU SEL/ENTER dial.  
You can add a comment (maximum: 14 characters) to the  
lens file to be stored in the “Memory Stick” by specifying  
it on the FILE ID line.  
<LENS FILE>  
cSTORE FILE  
F05 TOP  
No. : 1  
NAME: No Offset  
For details on how to enter a comment, see “Specifying a  
CENTER H :  
V :  
WHITE R/B: ON  
0
0
STORE  
To retrieve  
LENS MS READ/WRITE  
Position the pointer to READ (MS t CAM) then push on  
the MENU SEL/ENTER dial.  
To store the data as a lens file in built-in  
memory  
Perform necessary settings for the items marked with “a”  
in the L column of the table in “5-2 List of Items Stored in  
Files” for the lens file you wish to store.  
5-3-4 Storage and Retrieval of the  
Scene Files  
Use the <SCENE FILE> page of the FILE menu. The  
<SCENE FILE> page is also included in the PAINT menu.  
The operation method is the same.  
1
Select the file number, and set the file name.  
<SCENE FILE>  
1 2 3 4 5  
F02 TOP  
STORE  
--  
STANDARD  
READ (MS pCAM)  
WRITE (CAMpMS )  
2
Position the pointer to STORE FILE and push on the  
MENU SEL/ENTER dial.  
Storage of the position settings for the center marker can  
be independently performed.  
FILE ID:  
CAM CODE  
DATE  
You can confirm the effect of the WHITE R/B  
compensation that has been set in the file, by changing the  
setting for WHITE R/B to OFF.  
File Operations  
92  
       
2
Position the pointer to READ (MS t CAM) and push  
on the MENU SEL/ENTER dial.  
To store a scene file in built-in memory  
Perform necessary settings for the items for the scene file  
you wish to store.  
5-3-5 Storage and Retrieval of the  
Reference File  
1
2
Position the pointer to STORE and push on the MENU  
SEL/ENTER dial.  
Position the pointer to the number of the file in which  
you wish to store your settings and push on the MENU  
SEL/ENTER dial.  
Use the <REFERENCE> page of the FILE menu.  
<REFERENCE>  
F03 TOP  
STORE FILE  
STANDARD  
During the storage process, “MEMORY STICK  
ACCESS” is displayed.  
When storage is completed, “COMPLETE” is displayed.  
t
READ (MS CAM)  
WRITE (CAMtMS )  
FILE ID:  
CAM CODE  
DATE  
To retrieve a scene file stored in built-in  
memory  
Position the pointer to the number of the file that you wish  
to retrieve and push on the MENU SEL/ENTER dial.  
The statuses specified in the retrieved file will be  
reproduced.  
Setting 32 SCENE FILE to ON on the <OTHERS 2> page  
of the MAINTENANCE menu expands the number of  
usable scene files to 32.  
To retrieve the reference file (standard  
settings) stored in built-in memory  
Position the pointer to STANDARD and push on the  
MENU SEL/ENTER dial.  
To store the reference file in built-in  
memory  
Perform necessary settings for the reference-file items you  
wish to store.  
Position the pointer to STORE FILE and push on the  
MENU SEL/ENTER dial.  
Note  
If you return 32 SCENE FILE to OFF, all scene files No. 6  
to 32 are initialized when you next set it to ON. (Scene files  
No. 1 to 5 are maintained.)  
To store the scene files in a “Memory  
Stick”  
Scene files stored in built-in memory of the camera can be  
read out to a “Memory Stick.”  
To store the reference file in a “Memory  
Stick”  
1
2
Insert a “Memory Stick” into the “Memory Stick” slot  
of the camera.  
1
2
Insert a “Memory Stick” into the “Memory Stick” slot  
of the camera.  
Position the pointer to WRITE (CAM t MS) and  
push on the MENU SEL/ENTER dial.  
Position the pointer to WRITE (CAM t MS) and  
push on the MENU SEL/ENTER dial.  
You can add a comment (maximum: 14 characters) to the  
reference file to be stored in the “Memory Stick” by  
specifying it on the FILE ID line.  
You can add a comment (maximum: 14 characters) to the  
scene files to be stored in the “Memory Stick” by  
specifying it on the FILE ID line.  
For details on how to enter a comment, see “Specifying a  
For details on how to enter a comment, see “Specifying a  
To retrieve the reference file stored in the  
“Memory Stick”  
The reference file stored in the “Memory Stick” can be  
read out into built-in memory of the camera.  
To retrieve scene files stored in a “Memory  
Stick”  
Scene files stored in the “Memory Stick” can be read out  
into built-in memory of the camera.  
1
Insert the “Memory Stick” into the “Memory Stick”  
slot of the camera.  
1
Insert the “Memory Stick” into the “Memory Stick”  
slot of the camera.  
File Operations  
93  
     
2
Position the pointer to READ (MS t CAM) and push  
Adjusting the ND offset values  
on the MENU SEL/ENTER dial.  
If an ND filter is attached to the matte box, etc., the white  
balance may be in variance. In such a case, adjust the ND  
offset so that you can retrieve the white balance  
compensation value using the ND filter selection page on  
the subdisplay.  
The camera will be adjusted according to the data of the  
reference file.  
The offset values ND: 2 to 5 are stored with respect to the  
white balance stored for ND: 1 as the reference.  
5-3-6 Reading of the User Gamma  
To read out gamma-curve (User Gamma) data that have  
been created using CvpFileEditor application software  
from the “Memory Stick,” use the <USER GAMMA>  
page of the FILE menu.  
Adjustment procedure  
1
2
3
4
5
Switch the camera to Custom mode, referring to “3-1-  
<USER GAMMA>  
F04 TOP  
Execute STANDARD on the <REFERENCE> page of  
the FILE menu.  
t
cREAD (MS CAM)  
Execute AUTO BLACK on the <AUTO SETUP> page  
of the MAINTENANCE menu.  
FILE ID  
CAM CODE  
DATE  
Connect a waveform monitor via the MONITOR OUT  
HD SDI connector 1 or 2 of the camera.  
Insert the “Memory Stick” into the “Memory Stick” slot of  
the camera. Position the pointer to READ (MS t CAM)  
and push on the MENU SEL/ENTER dial.  
Attach the ND filter having the lowest permeability  
among the ND filters to be used with this camera, and  
shoot a gray-scale chart.  
For details on how to use the User Gamma, see “3-11-4  
Check that the lighting condition permits a video level  
in the range of 560 to 630 mV to be obtained and write  
down the current video level.  
Note  
5-3-7 Storage of the OHB File  
If a video level in the range of 560 to 630 mV cannot  
be obtained, do not adjust the ND offsets.  
Use the <OHB FILE> page of the FILE menu.  
1
2
Execute STANDARD on the <REFERENCE> page of  
the FILE menu.  
6
7
Attach the ND filter to be used as the reference for  
white balance adjustment and select ND: 1.  
Using the MAINTENANCE menu, perform necessary  
settings for the items marked with “a” in the “O”  
column of the table in “5-2 List of Items Stored in  
Files” for the file you wish to store.  
Adjust the iris of the lens so that the video level you  
wrote down in step 5 is obtained.  
8
9
Perform the auto white balance adjustment.  
3
Call up the <OHB FILE page of the FILE menu,  
position the pointer to STORE FILE then push on the  
MENU SEL/ENTER dial.  
Replace the ND filter, change to ND: 2, and repeat  
steps 7 and 8.  
10Replace the ND filter, change to ND: 3 and repeat  
<OHB FILE>  
cSTORE FILE  
F06 TOP  
steps 7 and 8.  
11Replace the ND filter, change to ND: 4 and repeat  
steps 7 and 8.  
12Replace the ND filter, change to ND: 5 and repeat  
steps 7 and 8.  
File Operations  
94  
           
13Store the ND offset values in the OHB file, by  
executing STORE FILE on the <OHB FILE> page of  
the FILE menu.  
To reset the data of the OHB file  
In a case of the OHB file, resetting can be performed by  
item.  
Position the pointer to OHB FILE then push on the MENU  
SEL/ENTER dial. The <OHB FILE PRESET> page will  
be displayed.  
Note  
Be sure to accurately adjust to the video level you noted in  
step 5. If the level is not obtained through the iris  
adjustment of the lens, use the shutter function or the  
master gain adjustment.  
<OHB FILE PRESET>  
ESC  
cWHITE SHADING(ALL)  
3D WHITE SHADING  
BLACK SHADING  
BLACK SET  
NO OFFSET  
MATRIX  
To use the ND offset values  
An appropriate offset value is automatically retrieved  
when you change the ND filter setting.  
To initialize the ND offset values  
Perform ND OFFSET on the <OHB FILE> page (subpage  
of the <FILE PRESET> page of the FILE menu).  
Position the pointer to the item you wish to reset then push  
on the MENU SEL/ENTER dial.  
To reset a specific item in the reference file  
to the initial setting  
The items in the reference file can be reset individually.  
5-3-8 Resetting to the Initial  
Settings  
With the <FILE PRESET> page of the FILE menu, data in  
the modified files or the configuration of the edited USER  
menu can be reset to the initial settings, by type of files or  
collectively.  
1
2
On the <FILE PRESET> page, set 10 SEC CLEAR to  
ON.  
Shift to the menu page on which the item you wish to  
reset is located. Position the pointer to the item you  
wish to reset then hold the MENU SEL/ENTER dial  
pressed.  
<FILE PRESET>  
cOPERATOR FILE  
F07 TOP  
USER GAMMA FILE  
LENS FILE(ALL)  
No.: 1 CLEAR: EXEC  
REFERENCE FILE  
10 SEC CLEAR: OFF  
OHB FILE  
USER MENU  
M.S. FORMAT  
FILE PRESET (-OHB)  
Continue to hold the MENU SEL/ENTER dial pressed  
after the pointer changes to a question mark (?).  
After about 3 seconds, the current setting of the  
corresponding item will be reset to the initial setting,  
and “CLEARED” will be displayed.  
If the dial is continuously held pressed, after about  
additional 7 seconds, the setting of the corresponding  
item that is stored in the reference file will be reset to  
the initial setting, and “REF CLEARED” will be  
displayed.  
To reset data of files by type of files  
To reset data of the operator file, User-Gamma  
file, and reference file  
Position the pointer to the corresponding line then push on  
the MENU SEL/ENTER dial.  
The data in the corresponding file in built-in memory will  
be reset to the initial settings.  
The configuration of the USER menu can be reset in the  
same manner.  
To reset the files and settings collectively  
All files except the OHB file can be reset simultaneously.  
Position the pointer to FILE PRESET (–OHB) on the  
<FILE PRESET> page then push on the MENU SEL/  
ENTER dial. The message “POWER OFF TO SET” will  
be displayed. Set the POWER switch of the camera to OFF.  
To reset data of the lens files  
• To reset data of all lens files, position the pointer to  
LENS FILE (ALL) and push on the MENU SEL/  
ENTER dial.  
• To reset data of a specific lens file, assign the file number  
in the No. column and push on the MENU SEL/ENTER  
dial to position the pointer to the CLEAR column. Then  
push on the MENU SEL/ENTER dial again.  
File Operations  
95  
     
Appendixes  
Settings on the RM-B750  
Using the RM-B750  
MONITOR button  
When the RM-B750 Remote Control Unit (optional) is  
connected, you can control the menu settings of this  
camera and monitor the camera images on the display of  
the RM-B750.  
MONITOR  
Maintenance Menu  
Auto  
Camera  
Config  
Adjusting  
File  
FUNCTION  
VF DISP  
Setup  
Super  
Motion  
MAINTENANCE  
VF MENU  
RM  
Config  
Memory  
Stick  
LCD  
Connection  
SCENE  
CANCEL  
PAINT  
ENTER  
Using the remote control cable supplied with the RM-  
B750, connect the CAMERA connector of the RM-B750  
and the REMOTE connector of the camera.  
MENU SELECT  
BRIGHT  
CONTRAST  
MAINTENANCE menu [RM Config]  
RM-B750  
MAINTENANCE/VF MENU button  
P
ANEL STANDARD MONITOR TEST  
BARS  
CLOSE  
VTR  
START/STOP  
ACTIVE  
MEMORY  
STICK  
5600K  
AUTO  
KNEE  
SKIN  
BLACK  
KNEE  
DETAIL GAMMA SATURATION  
AWB  
ABB  
WHITE  
FUNCTION  
REMOTE  
CAMERA  
ABS  
BLACK  
MAINTE  
NANCE  
SCENE  
AUTO IRIS/MB  
MASTER  
ACTIVE  
BLACK  
IRIS  
PAINT  
EXT  
1
2
Press the MAINTENANCE/VF MENU button to  
display the maintenance menu on the LCD/touch  
panel.  
IRIS  
ALARM  
REMOTE CONTROL UNIT  
Press [RM Config] on the touch panel to display the RM  
configuration menu.  
Operating the Menu of This Camera  
3
4
Press [Security] to set the unit to Engineering Mode.  
The menu of this camera can be displayed on the display  
of the RM-B750 and be set from the RM-B750.  
Press [SW Setting] to change to the SW Setting display  
and set the VF Menu to Control Enable.  
Settings on this camera  
• Set RM VIDEO to VBS on the <MONITOR OUTPUT>  
page of the USER (OPERATION) menu.  
• Set VBS of CHAR to ON on the <CHAR/MARK MIX>  
page of the USER (OPERATION) menu.  
• Set NS MODE to LEGACY on the <700PTP  
SETTING> page of the NETWORK menu.  
5
Press [Exit] to cancel the menu mode.  
If you press the MONITOR button, a menu page of this  
camera will be displayed on the display of the RM-B750.  
Pressing the MAINTENANCE/VF MENU button enables  
the menus of this camera to be set from the RM-B750.  
For details on the operations, refer to the Operation  
Manual of the RM-B750.  
Using the RM-B750  
96  
           
Monitoring the Camera Image  
Using the MSU-900/950  
Settings on this camera  
Set RM VIDEO to VBS on the <MONITOR OUTPUT>  
page of the USER (OPERATION) menu.  
You can adjust this camera from the MSU-900/950 Master  
Setup Unit via an Ethernet cable.  
You can use either Bridge mode to control a camera from  
an exclusive MSU-900/950 or Multi mode to control  
multiple cameras from one MSU-900/950 or from multiple  
remote controllers, including the MSU-900/950 via a  
HUB.  
Settings on the RM-B750  
Press the MONITOR button. The camera image will be  
displayed on the display of the RM-B750.  
VBS signals are fed to an external monitor if connected via  
the MONITOR connector of the RM-B750.  
Connections  
Bridge mode  
For using one camera on an Ethernet network.  
Using an Ethernet cable, connect the MSU-900/950 to the  
(network) connector of this camera.  
You may use the remote cable connection simultaneously.  
Example  
MSU-900/950  
REMOTE  
REMOTE  
P
ANEL STANDARD MONITOR TEST  
BARS  
CLOSE  
VTR  
START/STOP  
ACTIVE  
MEMORY  
STICK  
5600K  
AUTO  
KNEE  
SKIN  
BLACK  
KNEE  
DETAIL GAMMA SATURATION  
AWB  
ABB  
WHITE  
FUNCTION  
ABS  
BLACK  
MAINTE  
NANCE  
SCENE  
AUTO IRIS/MB  
MASTER  
ACTIVE  
BLACK  
IRIS  
PAINT  
EXT  
IRIS  
ALARM  
REMOTE CONTROL UNIT  
RM-B750  
Multi (MCS) mode  
Connect the Ethernet cable connected to the  
connector of this camera to the HUB.  
(network)  
You may use the remote cable connections simultaneously.  
Notes  
• Remote cable connections will be invalid if the master  
unit is not connected to the same network.  
• If the master-specified MSU-900/950 is off, all the  
network/remote communications are disabled.  
• Do not connect devices having the same IP address to the  
network.  
• Do not connect cameras having the same ID number to  
the network. Communications would be disabled on  
both cameras.  
Using the MSU-900/950  
97  
             
Example  
MSU-900/950  
REMOTE  
REMOTE  
P
ANEL STANDARD MONITOR TEST  
BARS  
KNEE  
CLOSE  
VTR  
START/STOP  
ACTIVE  
MEMORY  
STICK  
5600K  
AUTO  
KNEE  
SKIN  
BLACK  
DETAIL GAMMA SATURATION  
AWB  
ABB  
WHITE  
FUNCTION  
ABS  
BLACK  
MAINTE  
NANCE  
SCENE  
AUTO IRIS/MB  
MASTER  
ACTIVE  
BLACK  
IRIS  
PAINT  
EXT  
IRIS  
ALARM  
REMOTE CONTROL UNIT  
HUB  
RM-B750  
REMOTE  
REMOTE  
P
ANEL STANDARD MONITOR TEST  
BARS  
KNEE  
CLOSE  
VTR  
START/STOP  
ACTIVE  
MEMORY  
STICK  
5600K  
AUTO  
KNEE  
SKIN  
BLACK  
DETAIL GAMMA SATURATION  
AWB  
ABB  
WHITE  
FUNCTION  
ABS  
BLACK  
MAINTE  
NANCE  
SCENE  
AUTO IRIS/MB  
MASTER  
ACTIVE  
BLACK  
IRIS  
PAINT  
EXT  
IRIS  
ALARM  
REMOTE CONTROL UNIT  
RM-B750  
REMOTE  
REMOTE  
P
ANEL STANDARD MONITOR TEST  
BARS  
KNEE  
CLOSE  
VTR  
START/STOP  
ACTIVE  
MEMORY  
STICK  
5600K  
AUTO  
KNEE  
SKIN  
BLACK  
DETAIL GAMMA SATURATION  
AWB  
ABB  
WHITE  
FUNCTION  
ABS  
BLACK  
MAINTE  
NANCE  
SCENE  
AUTO IRIS/MB  
MASTER  
ACTIVE  
BLACK  
IRIS  
PAINT  
EXT  
IRIS  
ALARM  
REMOTE CONTROL UNIT  
RM-B750  
Parameter Settings  
Settings on the camera  
Set the communication parameters using the NETWORK menu.  
page  
Item  
Setting in Bridge mode  
Setting in Multi mode  
<IP ADDR SET>  
HOST IP ADDRESS  
SUBNET MASK  
IP address specific to the camera  
T
Value corresponding to the network  
environments in use  
T
DEFAULT GATEWAY  
Value corresponding to the network  
environments in use  
T
T
1)  
<ETHER I/F CONF> AUTO NEGOTIATION  
CONNECT SPEED  
ON or OFF  
No setting required if AUTO  
NEGOTIATION is set to ON. For the  
OFF setting, select 10M or 100M.  
T
DUPLEX MODE  
<700PTP SETTING> NS MODE  
CAMERA NO.  
Select HALF or FULL.  
BRIDGE  
T
MCS  
No setting required  
ID number specific to the camera  
MASTER IP ADDRESS  
Set the IP address of the MSU-900/ Set the IP address of the master  
950 connected. MSU-900/950.  
1) While the connection may be steady with the ON setting, the performances  
are improved with an OFF setting for the collateral condition.  
Using the MSU-900/950  
98  
             
Settings on the MSU-900/950  
Set the unit to Engineer mode and set the communication  
parameters, using the Ethernet Configuration menu.  
For details on operations, refer to the Operation Manual of  
the MSU-900/950.  
Menu  
Item  
Setting in Bridge mode  
Setting in Multi mode  
Master unit  
MCS  
Subordinate unit(s)  
Connection  
Mode selection Bridge  
Target IP SET  
IP addresses of the connected  
cameras  
No setting required  
Master IP SET  
No setting required  
IP address of the master  
unit  
Master/Client  
selection  
No setting required  
Client  
T
MSU No.  
Negotiation  
Speed  
No setting required  
AUTO or OFF  
1
2
Negotiation  
T
T
No setting required if Negotiation  
is AUTO.  
For the OFF setting, select 10M or  
100M.  
T
T
T
T
Duplex  
No setting required if Negotiation  
is AUTO.  
For the OFF setting, select HALF  
or FULL.  
IP Address  
Setting  
IP Address  
Net Mask  
IP address specific to the MSU  
T
T
T
T
Value corresponding to the  
network environments in use  
Gateway  
Address  
Value corresponding to the  
network environments in use  
T
T
Notes on Ethernet connection  
• For stable operations of the connected devices, use the  
system in a local network, without connecting to the  
Internet.  
• Do not connect any device to the local network other  
than the system units for this camera.  
Recommended remote control devices for  
which operation tests have been made  
Sony made  
• MSU-900/950  
• RM-B750  
Equipment from other vendors  
HUB CentreCOM FS909M-PS  
Using the MSU-900/950  
99  
Using the ARRI Remote  
Control  
You can set the shutter angle, FPS and start/stop recording/  
playback from the ARRI-made WRC-2 (Wireless Remote  
Control 2).  
FPS can be continuously changed even while operation is  
in progress (manual Ramp or programmable Ramp).  
The system format, input voltage to the camera, and tape  
remaining of the recorder can be observed on the WRC-2.  
Connection and preparations  
Two types of connection are permitted: direct wiring to the  
EXT I/O connector of the camera and wireless connection  
via the UMC-3 (Universal Motor Controller).  
In either case, a special cable is required.  
Version updating and modification for 12 V power are also  
required on the WRC-2 and UMC-3.  
For details on ARRI products, contact ARNOLD &  
RICHTER CINE TECHNIK.  
Using the ARRI Remote Control  
100  
 
About Metadata  
Metadata that can be embedded in recording and can be read in playback are shown below:  
USER 1  
Data types  
U-Hex: unsigned hexadecimal S-Hex: signed hexadecimal ASCII: ASCII code BCD: binary-coded decimal  
Data  
size  
(byte)  
Recorded  
data  
(HEX)  
Sample  
No.  
Relative Data  
address type  
Bit  
Name  
Contents  
0
1
2
3
4
5
6
000h  
3FFh  
3FFh  
51h  
3
Ancillary Data Flag  
1
1
1
1
DID  
SDID  
DC  
01h  
42h  
Data Count (from “Key” to “CRC”)  
USER1  
0
1
00  
01  
Key  
F0h  
Data Length (from next to “Length” to before  
“CRC”)  
7
1
2
Length  
3Eh  
8
2
3
4
5
6
7
8
9
02  
03  
04  
U-Hex  
Model Name  
2022h  
9
10  
11  
12  
13  
14  
15  
16  
17  
18  
19  
20  
21  
22  
23  
24  
25  
26  
27  
28  
29  
30  
31  
32  
33  
3
4
05 U-Hex  
Serial No  
Serial number (6 digits)  
Frame counter  
06  
07  
08  
U-Hex  
09  
Frame Number  
10 0A  
1
1
11 0B U-Hex  
12 0C U-Hex  
13 0D  
System Format  
FPS  
1 to 60 (frame/sec)  
14 0E  
4.3 to 360.0  
(For a value with fewer than 5 digits, the unused  
leading digits are padded with spaces.  
Example. _ _4.3)  
5
15 0F ASCII  
16 10  
Shutter Angle  
17 11  
18 12  
19 13  
1.000 to 5600 (1/sec)  
(For a value with fewer than 5 digits, the unused  
leading digits are padded with spaces.)  
5
2
20 14 ASCII  
21 15  
Shutter Speed  
ISO  
22 16  
23 17  
U-Hex  
220 to 2300  
24 18  
25 19  
U-Hex  
2
1
D-Range %  
Master Gain  
250 to 800 (%)  
26 1A  
27 1B U-Hex  
About Metadata  
101  
 
Data  
size  
(byte)  
Recorded  
data  
(HEX)  
Sample  
No.  
Relative Data  
address type  
Bit  
Name  
Contents  
34  
35  
36  
37  
1
1
1
1
28 1C U-Hex  
29 1D U-Hex  
30 1E U-Hex  
31 1F U-Hex  
ND  
1: ND_1, 2: ND_2, 3: ND_3, 4: ND_4, 5: ND_5  
(reserved)  
Color Space  
0: S-GAMUT, 1: F900, 2: DCDM REF PJ, 3: F900R  
0: OFF, 1: GAIN, 2: ANGLE  
Compensation Mode  
Gamma Table  
Category  
38  
1
32 20 U-Hex  
0: STANDARD, 1: SPECIAL, 2: HYPER, 3: USER  
39  
40  
1
1
33 21 U-Hex  
34 23 U-Hex  
Gamma Table No  
Lens File No  
(reserved)  
1 to 5 (Current No. of gamma table category)  
1 to 32  
7
6
5
4
3
2
1
0
(reserved)  
(reserved)  
Shoot mode CINE  
D-Range EXTEND  
IMAGE INVERT ON  
5600K ON  
0: CUSTOM MODE, 1: CINE MODE  
0: NORMAL, 1: EXTEND  
0: OFF, 1: INVERT ON  
0: OFF, 1: 5600K ON  
0: OFF, 1: SHUTTER ON  
00 to 99  
41  
1
35 25  
Shutter ON  
42  
43  
44  
45  
46  
47  
1
1
1
36 23 U-Hex  
37 25 U-Hex  
38 26 U-Hex  
39 27 U-Hex  
40 28 U-Hex  
41 29 U-Hex  
Data Year Upper  
Date Month  
1 to 12  
Date Day  
1 to 31  
Time Hour  
0 to 23  
3
Time Minute  
Time Second  
0 to 59  
0 to 59  
About Metadata  
102  
Data  
size  
(byte)  
Recorded  
data  
(HEX)  
Sample  
No.  
Relative Data  
address type  
Bit  
Name  
Contents  
31  
30  
29  
28  
27  
26  
25  
24  
23  
22  
21  
20  
19  
18  
17  
16  
15  
14  
13  
12  
11  
10  
9
48  
49  
50  
51  
42 2A  
(reserved)  
POWER OFF ON  
VTR WARN  
BCS COM NG  
BCS BSY NG  
BCS OPR NG  
BCS CSM NG  
BCS PWR NG  
VTR NG  
4
43 2B  
U-Hex  
Camera Warning  
IFBOX NG  
VTR AT NG  
TR NG  
44 2C  
VDA NG  
8
DPR NG  
7
AD NG  
6
OHB NG  
5
FAN2 NG  
4
FAN1 NG  
45 2D  
3
TEMP CARE  
TEMP WARN  
TEMP NG  
2
1
0
OHB KIND NG  
52  
53  
46 2E  
U-Hex  
2
VTR Warning  
47 2F  
Camera Main CPU  
Version No.1  
54  
55  
56  
57  
58  
1
1
1
1
1
48 30 ASCII  
49 31 ASCII  
50 32 ASCII  
51 33 ASCII  
52 34 ASCII  
Version X. xx  
Camera Main CPU  
Version No.2  
Version x. Xx  
Camera Main CPU  
Version No.3  
Version x. xX  
Camera Main CPU  
Suffix 1  
Version x. xxXxxx  
Version x. xxxXxx  
Camera Main CPU  
Suffix 2  
About Metadata  
103  
Data  
size  
(byte)  
Recorded  
data  
(HEX)  
Sample  
No.  
Relative Data  
address type  
Bit  
Name  
Contents  
Camera Main CPU  
Suffix 3  
59  
1
53 35 ASCII  
Version x. xxxxXx  
Version x. xxxxxX  
Camera Main CPU  
Suffix 4  
60  
61  
1
1
54 36 ASCII  
55 37 U-Hex  
Audio Delay  
(reserved)  
7
6
5
4
3
2
1
0
7
6
5
4
3
2
1
0
(reserved)  
00: TCR, 01: TCG  
62  
1
56 38 U-Hex  
Timecode Type 0  
00: LTC, 01: VITC  
00: TC, 01: UB, 10: CTL  
(reserved)  
(reserved)  
CTL 0:24H, 1: 12H  
(reserved)  
63  
1
57 39 U-Hex  
Timecode Type 1  
TCR interpolation 0: OFF, 1: ON  
(reserved)  
TCR DF/NDF 01: DF, 10: NDF  
1) 2) 3)  
64  
65  
66  
1
1
1
1
58 3A BCD  
59 3B BCD  
60 3C BCD  
61 3D BCD  
Timecode Hour  
Timecode Minute  
Timecode Second  
Timecode Frame  
–11 to 11 or 0 to 23  
4)  
00 to 59  
4)  
00 to 59  
1)  
67  
68  
69  
70  
71  
72  
00 to 59  
62 3E  
U-Hex  
2
Dummy  
CRC  
(reserved)  
63 3F  
1
1
1
CKSUM  
73  
Total Size  
Total size (from “ADF” to “CKSUM”)  
1) When the timecode type is UB (user bits), the entire byte is used. With other timecode types, 6 bits (b5 to b0) are used. Ignore b7 and b6.  
2) When 12H CTL display is selected, the tens digit of the hours value is dropped for values less than 10.  
3) When the timecode type is CTL, b7 is used for the sign.  
4) When the timecode type is UB (user bits), the entire byte is used. With other timecode types, 7 bits (b6 to b0) are used. Ignore b7.  
About Metadata  
104  
1. System Formats  
Sample No. 17 System Format  
Sample No. 17 System Format  
Code  
Code  
VIdeo format  
HEX  
VIdeo format  
DEC  
19  
DEC  
HEX  
13  
14  
15  
16  
17  
18  
19  
1A  
1B  
1C  
1D  
1E  
1F  
20  
21  
22  
23  
24  
25  
26  
(reserved)  
0
1
2
3
4
5
6
7
8
9
00  
01  
02  
03  
04  
05  
06  
07  
08  
09  
0A  
0B  
0C  
0D  
0E  
0F  
10  
11  
12  
No Assign  
1080/23.98PsF  
1080/S23.98PsF 4:4:4  
4:4:4  
20  
21  
22  
23  
24  
25  
26  
27  
28  
29  
30  
31  
32  
33  
34  
35  
36  
37  
38  
1080/23.98PsF  
4:2:2  
4:4:4  
1080/S23.98PsF 4:2:2  
1080/24PsF  
4:2:2  
4:2:2  
4:2:2  
4:2:2  
4:2:2  
1080/24PsF  
4:4:4  
4:4:4  
4:4:4  
4:4:4  
4:4:4  
1080/S24PsF  
1080/25PsF  
1080/S24PsF  
1080/25PsF  
1080/S25PsF  
1080/29.97PsF  
1080/S25PsF  
1080/29.97PsF  
1080/S29.97PsF 4:2:2  
(reserved)  
1080/S29.97PsF 4:4:4  
(reserved)  
1080/S30PsF  
1080/50P  
4:2:2  
4:2:2  
4:2:2  
10  
11  
12  
13  
14  
15  
16  
17  
18  
1080/S30PsF  
(reserved)  
4:4:4  
4:4:4  
4:4:4  
1080/S50P  
(reserved)  
1080/S60P  
(reserved)  
1080/S59.94P  
1080/50I  
1080/S50P  
(reserved)  
4:2:2  
1080/S60P  
(reserved)  
4:2:2  
4:2:2  
4:2:2  
1080/S59.94P  
1080/50I  
4:4:4  
4:4:4  
4:4:4  
1080/59.94I  
(reserved)  
1080/59.94I  
2. Master Gain  
Sample No. 33 Master gain  
Code Master gain  
–6 dB  
0
1
2
3
4
5
6
7
8
–3 dB  
0 dB  
3 dB  
6 dB  
9 dB  
12 dB  
15 dB  
18 dB  
3. VTR Warning  
Sample No. 52 and 53 VTR Warning  
VTR message  
PB FREQ MISMATCH  
Code  
Meaning  
0001  
System frequency of this system does not match system  
frequency on the tape.  
0004  
NO PB LTC  
Playback LTC cannot be detected.  
About Metadata  
105  
     
Sample No. 52 and 53 VTR Warning  
VTR message  
Code  
0005  
Meaning  
NO PB VITC  
Playback VITC cannot be detected.  
0007  
REC INHIBIT MODE  
The system cannot record because of a record inhibit menu  
setting. Or the tape is not formatted for recording.  
0008  
0009  
000C  
000E  
000F  
0010  
INVALID FMT CONV  
TEMPERATURE LOW  
DC VOLTAGE LOW  
TEMPERATURE HIGH  
VA MISSING  
Format conversion is not possible with the current settings.  
The temperature inside the unit is lower than the specified value.  
DC voltage has fallen below the specified level.  
The temperature inside the unit has risen.  
SRPC-1 is not connected.  
TELEFILE FULL  
Telefile memory is almost full. The next recording will erase  
existing data, beginning with oldest.  
0011  
0013  
0014  
0015  
0016  
0017  
0022  
0030  
TELEFILE NO ROOM  
TELEFILE FMT NG  
TELEFILE RD FAIL  
TELEFILE WR FAIL  
TELEFILE WR INHI  
NO TELEFILE LABE  
AUDIO PLL UNLOCK  
NO SDI INPUT  
Free memory in a Telefile has been completely exhausted.  
Telefile format is invalid in 1 or more locations.  
Telefile read failure occurred.  
Telefile write failure occurred.  
Attempt to record was made when entire Telefile is write inhibited.  
Telefile could not be recognized.  
Audio clock generator PLL is not locked to reference video signal.  
When the optional HKSR-101 is installed, there is no valid input to  
the selected VIDEO I/O connector.  
0032  
0034  
0036  
INVALID SDI DATA  
SDI A-B PHASE NG  
SDI FMT MISMATCH  
SDI input signal data are invalid.  
Signals input to HD SDI IN A and B connectors are out of phase.  
Format of signals input to HD SDI IN A and B connectors does not  
match system setting.  
0037  
SDI I/P MISMATCH  
I/P of signals input to HD SDI IN A and B connectors do not match  
system setting.  
004F  
0050  
0051  
0060  
0067  
AUDIO DSP UNLOCK  
NO PB RF  
Audio signal processing circuitry is not operating.  
Playback head is not reading digital data from tape.  
Playback signal quality is bad.  
BAD CH CONDITION  
LOST LOCK  
Capstan servo lock was lost during playback or recording.  
The cassette is record-protected.  
CASSETTE REC INHI  
4. Audio Delay  
To synchronize an audio signal externally recorded  
together with video signal output from the camera,  
appropriate delay shown in the table below is required for  
phase alignment between video and audio.  
The values shown in the Code column are recorded as  
Metadata.  
Sample No. 61 Audio Delay  
IMAGE INVERT  
OFF  
ON  
Video format  
Number  
of frames  
Code  
(HEX)  
Number  
of frames  
Code  
(HEX)  
2
3
2
3
2
20  
30  
20  
30  
20  
3
3
3
3
3
30  
40  
30  
40  
30  
1080/23.98PsF  
4:4:4  
1080/23.98PsF  
4:2:2  
1080/S23.98PsF 4:4:4  
1080/S23.98PsF 4:2:2  
1080/24PsF  
1080/S24PsF  
1080/25PsF  
4:4:4  
4:4:4  
4:4:4  
1080/24PsF  
1080/S24PsF  
1080/25PsF  
4:2:2  
4:2:2  
4:2:2  
About Metadata  
106  
 
Sample No. 61 Audio Delay  
IMAGE INVERT  
OFF  
ON  
Video format  
Number  
of frames  
Code  
(HEX)  
Number  
of frames  
Code  
(HEX)  
3
2
30  
20  
30  
30  
10  
20  
20  
20  
05  
05  
3
3
3
3
2
2
2
2
1
1
40  
30  
40  
40  
20  
30  
30  
30  
10  
10  
1080/S25PsF  
4:4:4  
4:4:4  
1080/S25PsF  
1080/29.97PsF  
4:2:2  
4:2:2  
1080/29.97PsF  
3
1080/S29.97PsF 4:4:4  
1080/S29.97PsF 4:2:2  
3
1080/S30PsF  
4:4:4  
1080/S30PsF  
1080/50P  
4:2:2  
4:2:2  
4:2:2  
4:2:2  
4:2:2  
4:2:2  
4:2:2  
1
2
1080/S50P  
1080/S60P  
1080/S59.94P  
1080/50I  
4:4:4  
4:4:4  
4:4:4  
4:4:4  
4:4:4  
1080/S50P  
1080/S60P  
1080/S59.94P  
1080/50I  
2
2
0.5  
0.5  
1080/S59.94I  
1080/59.94I  
The delay amount (from shot untill output) of video varies depending on the  
video format. For more information, see “Lip Sync Compensation” on page  
118.  
When audio is directly connected to the interface box of the camera, the  
phase is automatically adjusted and embedded in the SDI signal output.  
About Metadata  
107  
Warning/Error Messages  
If battery power is low or a problem occurs at power on or  
during operation, a warning is given by an indicator  
flashing or various alarm indications.  
Viewfinder screen  
Subdisplay  
RUN  
indicator  
Meaning  
Basic status  
display (page 43)  
Message  
BATT 12 V flashing  
BATT 12 V flashing Flashing  
Voltage of the 12 V power becomes low,  
reaching the specified NEAR END value.  
BATT 12 V quick  
flashing  
BATT 12 V quick  
flashing  
Quick  
flashing  
Voltage of the 12 V power becomes too  
low, reaching the specified END value.  
BATT 24 V flashing  
BATT 24 V flashing Flashing  
Voltage of the 24 V power becomes low,  
reaching the specified NEAR END value.  
BATT 24 V quick  
flashing  
BATT 24 V quick  
flashing  
Quick  
flashing  
Voltage of the 24 V power becomes too  
low, reaching the specified END value.  
TEMPERATURE CARE  
Temperature inside the camera raises.  
TEMPERATURE  
WARNING  
Temperature inside the camera raises to  
the limit.  
SHUTDOWN CAMERA  
OHB/SIDE FAN NG!  
The camera must be turned off for safety.  
The fan near the CCD or the fan near the  
side panel stops.  
PS FAN NG!  
The fan near the power unit stops.  
Abnormality of the CCD unit  
Abnormality of the AD board  
Abnormality of the DPR board  
Abnormality of the VDA board  
Abnormality of the TR board  
Abnormality of the AT board  
CAM?  
CAM?  
CAM?  
CAM?  
CAM?  
CAM?  
OHB NG!  
AD BOARD NG!  
DPR BOARD NG!  
VDA BOARD NG!  
TR BOARD NG!  
AT BOARD NG!  
I/F BOX NG!  
Quick  
An unknown interface box is connected.  
flashing  
UNKNOWN RECORDER  
Quick  
flashing  
An unknown recorder is connected.  
VTR ALARM  
Alarm occurs at the SRW-1.  
Warning occurs at the SRW-1.  
VTR WARNING  
Warning/Error Messages  
108  
     
White flecks  
Although the CCD image sensors are produced with high-  
precision technologies, fine white flecks may be generated  
on the screen in rare cases, caused by cosmic rays.  
This is related to the principle of CCD image sensors and  
is not a malfunction.  
Precautions  
Use and Storage  
Do not subject the unit to severe shocks  
The internal mechanism may be damaged or the body  
warped.  
The white flecks especially tend to be seen  
• when operating at a high environmental temperature  
• when you have raised the master gain (sensitivity)  
After use  
Always turn off the power.  
This product has a compensation function and the problem  
may be alleviated by automatic black balance adjustment  
Before storing the unit for a long period  
Remove the battery pack.  
Smear  
When an extremely bright object, such as a strong spotlight  
or flashlight, is being shot, vertical tails may be produced  
on the screen, or the image may be distorted.  
Use and storage locations  
Store in a level, ventilated place. Avoid using or storing the  
unit in the following places:  
• Places subject to temperature extremes  
Very damp places  
Vertical tails shown on  
Monitor screen  
the image.  
• Places subject to severe vibration  
• Near strong magnetic fields  
• In direct sunlight or close to heaters for extended periods  
Bright object (e.g. strong  
spotlight, strong reflected  
light, flashlight, the sun)  
To prevent electromagnetic interference from  
portable communications devices  
The use of portable telephones and other communications  
devices near this unit can result in malfunctions and  
interference with audio and video signals.  
Aliasing  
It is recommended that the portable communications  
devices near this unit be powered off.  
When fine patterns, stripes, or lines are shot, they may  
appear jagged or flicker.  
Note on laser beams  
To forcibly open the shutter  
Laser beams may damage the CCDs. If you shoot a scene  
that includes a laser beam, be careful not to let the laser  
beam be directed into the lens of the camera.  
Should the shutter to control incoming light to the CCDs  
not open, immediately call Sony service personel.  
If you wish to continue shooting for an emergnecy, you  
may open the shutter forcibly with the following operation:  
Use a flat-head screwdriver with external diameter of 3  
mm or less and shaft length of 28 mm or greater.  
Condensation  
If you move the camera from a very cold place to a warm  
place, or use it in a damp location, condensation may form  
on the lens or inside the camera.  
The camera has no built-in condensation indicator. If you  
find condensation on the body or lens, switch the camera  
off and wait for the condensation to disappear for about  
one hour.  
1
2
Rotate the cap of the emergency shutter opening screw  
(see page 10) counterclockwise to remove.  
Insert the screwdriver into the hole, align the top blade  
with the slot of the screw head, then turn the screw  
clockwise until it clicks.  
Phenomena Specific to CCD Image  
Sensors  
The shutter opens.  
The following phenomena that may appear in images are  
specific to CCD (Charge Coupled Device) image sensors.  
They do not indicate malfunctions.  
Precautions  
109  
             
“Memory Stick” (with Memory Select Function)  
Composed of multiple 128 MB memory units.  
The mechanical switch at the back of the “Memory Stick”  
allows you to select the memory unit to be used depending  
on usage.  
The memory units cannot be used simultaneously and  
continuously.  
About a “Memory Stick”  
What is “Memory Stick”?  
“Memory Stick” is a new compact, portable and versatile  
IC (Integrated Circuit) recording medium with a data  
capacity that exceeds a floppy disk. “Memory Stick” is  
specially designed for exchanging and sharing digital data  
among “Memory Stick” compatible products. Because it is  
removable, “Memory Stick” can also be used for external  
data storage.  
“Memory Stick PRO”  
“Memory Stick” with “MagicGate” copyright protection  
technology, exclusive for “Memory Stick PRO”-compliant  
products.  
“Memory Stick” media are available in three sizes:  
standard size, compact “Memory Stick Duo” size, and the  
smallest “Memory Stick Micro” (“M2” ) size. Once  
attached to a Memory Stick Duo adapter, a “Memory Stick  
Duo” is the same size as a standard “Memory Stick,” and  
as a result can be used with products requiring a standard  
“Memory Stick.” Also, once attached to a standard-size  
M2 adaptor, a “Memory Stick Micro” is the same size as a  
standard “Memory Stick,” and as a result can be used with  
products requiring a standard “Memory Stick.”  
Usable type of “Memory Stick”  
You can use a “Memory Stick PRO” with this camera. The  
“Memory Stick PRO Duo” can also be used without using  
the Memory Stick Duo adaptor.  
This camera is not compliant with Parallel mode of  
“Memory Stick.”  
The camera operations have been checked using “Memory  
Stick PRO” media up to 8GB.  
1)  
Operations checked with:  
1) “M2” is an abbreviation for “Micro Memory Stick.”  
MSH-128  
MSX-512S  
MSX-M2GS  
MSX-M4GS  
MSX-M8GS  
Types of “Memory Stick”  
“Memory Stick” is available in the following six types to  
meet various requirements in functions.  
“Memory Stick”  
Note on data read/write speed  
Stores any type of data except copyright-protected data  
that requires the “MagicGate” copyright protection  
technology.  
Data read/write speed may vary depending on the  
combination of the “Memory Stick” and “Memory Stick”  
compliant product you use.  
“MagicGate Memory Stick”  
What is “MagicGate”?  
Equipped with the “MagicGate” copyright protection  
technology.  
“MagicGate” is copyright protection technology that uses  
encryption technology.  
“Memory Stick” (“MagicGate”/High-Speed  
Transfer Compatible)  
Before using a “Memory Stick”  
Equipped with “MagicGate” copyright protection  
technology and allows high-speed data transfer.  
Terminal  
This type of “Memory Stick” can be used with products  
requiring a “Memory Stick,” “MagicGate Memory Stick,”  
1)  
Write-protect tab  
and “Memory Stick PRO.”  
1) Operation is not guaranteed for all of the compliant products. (Some  
products may not accept this type of “Memory Stick.”)  
Labelling position  
This camera is not compliant with high-speed data transfer  
with this type of “Memory Stick.”  
“Memory Stick-ROM”  
Stores pre-recorded, read-only data. You cannot record on  
“Memory Stick-ROM” or erase the pre-recorded data.  
• When you set the “Memory Stick” erasure prevention  
switch to “LOCK,” data cannot be recorded, edited, or  
erased.  
• Data may be damaged if:  
About a “Memory Stick”  
110  
   
You remove the “Memory Stick” or turn off the unit  
while it is reading or writing data.  
• “Memory Stick”,  
and “MagicGate Memory  
Stick” are trademarks of Sony Corporation.  
You use the “Memory Stick” in a location subject to  
the effects of static electricity or electric noise.  
• We recommend that you make a backup copy of  
important data that you record on the “Memory Stick”.  
• “Memory Stick Duo” and  
are  
are  
trademarks of Sony Corporation.  
• “Memory Stick PRO” and  
trademarks of Sony Corporation.  
• “Memory Stick PRO Duo” and  
trademarks of Sony Corporation.  
• “Memory Stick-ROM” and  
trademarks of Sony Corporation.  
are  
Notes  
• Do not attach anything other than the supplied label to  
the “Memory Stick” labeling position.  
• Attach the label so that it does not stick out beyond the  
labeling position.  
are  
• “MagicGate Memory Stick” is trademark of Sony  
Corporation.  
• Carry and store the “Memory Stick” in its case.  
• Do not touch the connector of the “Memory Stick” with  
anything, including your finger or metallic objects.  
• Do not strike, bend, or drop the “Memory Stick”.  
• Do not disassemble or modify the “Memory Stick”.  
• Do not allow the “Memory Stick” to get wet.  
• Do not use or store the “Memory Stick” in a location that  
is:  
• “MagicGate” and  
Corporation.  
are trademarks of Sony  
Extremely hot, such as in a car parked in the sun  
—Under direct sunlight  
Very humid or subject to corrosive substances  
If the access indicator is lit in red  
Data is being read from or written to the “Memory Stick”.  
At this time, do not shake the product or subject it to shock.  
Do not turn off the power of the product or remove the  
“Memory Stick.” This may damage the data.  
Precautions  
• To prevent data loss, make backups of data frequently. In  
no event will Sony be liable for any loss of data.  
• Unauthorized recording may be contrary to the  
provisions of copyright law. When you use a “Memory  
Stick” that has been pre-recorded, be sure that the  
material has been recorded in accordance with copyright  
and other applicable laws.  
• The “Memory Stick” application software may be  
modified or changed by Sony without prior notice.  
• Note that there are certain restrictions on recording stage  
performances and other entertainment events, even if  
they are recorded for personal use only.  
About a “Memory Stick”  
111  
Input/output connectors  
DC IN  
LEMO 8-pin male (1), DC 10.5 to 17 V,  
20 to 30 V  
Specifications  
DC OUT  
12 V: 11-pin (1), DC 12 V, 4 A  
maximum  
Camera Head  
24 V: 3-pin (1), DC 24 V, 5.5 A  
maximum  
(The usable current may be limited  
depending on the load and input  
conditions.)  
20-pin (1 each)  
BNC type (1), VBS/HD Y  
75 ohms, 1.0 Vp-p  
General  
Power requirements  
DC 10.5 to 17 V  
VF1, VF2  
TEST OUT  
Power consumption  
Approx. 56 W with 23.98 PsF (not  
including lens, viewfinder)  
Operating temperature  
0°C to +40°C (32°F to 104°F)  
Storage temperature  
MONITOR OUT HD SDI  
4:2:2, BNC type (2), HD-SDI signal,  
BTA-S004A-compliant, 75 ohms,  
0.8 Vp-p, 1.485 Gbps  
GENLOCK IN BNC type (1),75 ohms, SMPTE 274M  
HD 3-level sync, 0.6 Vp-p  
–20°C to +60°C (–4°F to +140°F)  
Approx. 5 kg (11 lb) (camera head only)  
Mass  
REMOTE  
EXT I/O  
8-pin (1)  
LEMO 5-pin, female (1)  
Imagers  
Imagers  
Method  
Aspect ratio  
(network) RJ-45 type (1), 10BASE-T, 100BASE-  
TX  
Super 35-mm RGB color CCD array  
1CCD  
16:9  
Effective resolution  
R, G, B individualy  
1920 (horizontal) × 1080 (vertical)  
Supplied accessories  
Interface box (1)  
Assistant panel (1)  
Assistant panel cable (1)  
Assistant panel hanger (1)  
+B4×8 screws (4)  
Center handle (1)  
L handle (1)  
Riser plate (1)  
Power cable connector (LEMO 8-pin) (1)  
Operation manual (1)  
Electrical characteristics  
Sensitivity (at 2000 lx with 89.9% reflectivity)  
T9 with 29.97 PsF (with <BASE  
SETTING>D-RANGE: NORMAL)  
T10 with 29.97 PsF (with <BASE  
SETTING>D-RANGE: EXTEND)  
ISO sensitivity ISO 340 (with <BASE SETTING>  
D-RANGE: NORMAL)  
ISO 450 (with <BASE SETTING>  
D-RANGE: EXTEND)  
Registration  
0.02% for total area (not including lens  
distortion)  
Geometric distortion  
Negligible (not including lens  
distortion)  
Horizontal resolution  
1000 TV lines (at center of screen)  
5% or higher modulation  
Optical system specifications  
Lens mount  
Flange focal length  
52.00 mm ( 0.15 mm adjustable)  
54-mm PL Mount  
Specifications  
112  
         
Dimensions  
With the L handle attached  
Unit: mm (inches)  
355.5 (14)  
120 (43/4)  
OFF ON  
REMOTE  
52 (2 1/8)  
46.5  
(1 7/8)  
111.5 (4 1/2)  
199.3 (7 7/8)  
170 (6 3/4)  
196 (7 3/4)  
122.6 (4 7/8) 76.7  
(3 1/8)  
33 (1 5/16) 50 2  
( )  
3/8"-16UNC  
Specifications  
113  
Interface Box (Supplied)  
Note  
Always verify that the unit is operating properly before  
use. SONY WILL NOT BE LIABLE FOR DAMAGES  
OF ANY KIND INCLUDING, BUT NOT LIMITED  
TO, COMPENSATION OR REIMBURSEMENT ON  
ACCOUNT OF THE LOSS OF PRESENT OR  
PROSPECTIVE PROFITS DUE TO FAILURE OF  
THIS UNIT, EITHER DURING THE WARRANTY  
PERIOD OR AFTER EXPIRATION OF THE  
WARRANTY, OR FOR ANY OTHER REASON  
WHATSOEVER.  
General  
Power requirements  
DC 10.5 to 17 V  
Operating temperature  
0°C to +40°C (32°F to 104°F)  
Storage temperature  
20°C to +60°C (4°F to +140°F)  
138 × 104 × 79 mm  
Dimensions  
Mass  
1
1
1
(5 / × 4 / × 3 / inches)  
2
8
8
Approx. 560 g (1 lb 4 oz)  
Input/output connectors  
AUDIO IN CH1, CH2  
XLR 3-pin, female (1 each)  
AUDIO switch in MIC: 44 dBu,  
balanced  
AUDIO switch in LINE: +4 dBu,  
balanced  
Phantom +48V  
DC IN  
XLR type, 4-pin, male (1)  
HD SDI OUT A/B  
BNC type (1 each), Dual Link, HD-SDI  
signal, BTA-S004A-compliant,  
75 ohms, 0.8 Vp-p, 1.485 Gbps  
Optional Accessories  
HD Electronic Viewfinder  
HDVF-20A (2-inch type, monochrome)  
HDVF-C35W (3.5-inch type, color)  
HDVF-C730W (6.3-inch type, color)  
HDVF-C950W (9-inch type, color)  
Remote Control Unit  
RM-B750  
Master Setup Unit  
MSU-900/950  
“Memory Stick”  
Design and specifications are subject to change without  
notice.  
Specifications  
114  
   
VF 1/VF 2 (20-pin female)  
Connector Pin  
Assignments  
3
7
2
6
1
5
8
4
9
12 11 10  
17 16 15 14 13  
20 19 18  
REMOTE (8-pin female)  
(External View)  
1
2
7
No. Signal  
I/O  
Specifications  
8
3
6
4
5
1
2
3
4
5
6
7
8
S-DATA  
NC  
IN/OUT TTL level  
No connection  
(External View)  
NC  
No connection  
TTL level  
SCK  
NC  
OUT  
OUT  
No. Signal  
I/O  
Specifications  
No connection  
No connection  
No connection  
1
2
3
4
5
6
TX (+)  
OUT  
OUT  
IN  
SERIAL Data out  
SERIAL Data in  
GND for TX  
NC  
TX ()  
NC  
RX (+)  
RX ()  
G TALLY  
ON: 5 V  
IN  
OFF: GND  
TX-GND  
UNREG  
9
NC  
No connection  
OUT  
+10.5 to +17 V dc, 200mA  
(max)  
10 NC  
No connection  
11 NC  
No connection  
7
8
UNREG-GND  
VIDEO  
GND for UNREG  
75Ω, 1.0 Vp-p  
12 Y VIDEO  
13 VIDEO GND  
14 Pb VIDEO  
15 Pr VIDEO  
16 NC  
OUT  
1.0 Vp-p, Zo=75Ω  
GND for VIDEO  
0.35 Vp-p, Zo=75Ω  
0.35 Vp-p, Zo=75Ω  
No connection  
OUT  
CHASSIS GND —  
CHASSIS GND  
OUT  
OUT  
AUDIO IN CH-1/CH-2 (3-pin female)  
17 R TALLY  
OUT  
ON: 5 V  
OFF: GND  
1
2
3
18 NC  
No connection  
(External View)  
19 UNREG GND  
20 UNREG  
GND for UNREG  
+10.5 V to +17 V  
OUT  
No. Signal  
I/O  
Specifications  
1
2
3
AUDIO 1/2 (G)  
44 dBu (for MIC)/  
+4 dBu (for LINE)  
CTRL PANEL (14-pin female)  
AUDIO 1/2 (X) IN  
AUDIO 1/2 (Y) IN  
10  
1
2
4
9
7
11  
3
12  
14  
6
8
(0 dBu=0.775 Vrms)  
13  
5
DC IN 10.5-17 V (4-pin male)  
(External View)  
1
4
No. Signal  
I/O  
OUT  
IN  
Specifications  
2
3
1
2
3
4
5
6
7
8
SIN  
VFD_I/F  
VFD_I/F  
VFD_I/F  
SBUSY  
XRESET  
RE_B  
(External View)  
OUT  
IN  
No. Signal  
I/O  
Specifications  
GND for DC (+)  
1
2
3
4
GND  
NC  
RE_A  
IN  
No connection  
No connection  
+10.5 to 17 V dc  
IIC_DATA  
IIC_CLK  
POWER  
IN/OUT TTL level  
NC  
OUT  
OUT  
TTL level  
DC (+)  
IN  
+7 V, 500 mA (MAX)  
Connector Pin Assignments  
115  
 
ETHERNET (Modular jack)  
Conforming to IEEE 802.3u (100BASE-TX), IEEE802.3  
(10BASE-T)  
No. Signal  
GND  
I/O  
Specifications  
9
10 NC  
1
8
11 AUX1  
IN  
IN  
IN  
OPEN or +5 V: Normal  
GND: Active  
12 AUX2  
13 AUX3  
14 NC  
OPEN or +5 V: Normal  
GND: Active  
(External View)  
OPEN or +5 V: Normal  
GND: Active  
No. Signal  
I/O  
OUT  
OUT  
IN  
Specifications  
1
2
3
4
5
6
7
8
TXD (+)  
TXD ()  
RXD (+)  
NC  
DC IN (8-pin male)  
1
5
8
6
2
NC  
3
7
4
RXD ()  
NC  
IN  
(External View)  
NC  
No. Signal  
I/O  
Specifications  
GND for +12 V  
GND for +12 V  
GND for +24 V  
DC OUT 12 V (11-pin female)  
1
2
3
UNREG_GND  
UNREG_GND  
UNREG_GND(24 —  
V)  
10  
11  
9
2
3
4
8
1
6
4
5
6
7
8
UNREG_24 V_IN IN  
UNREG_12 V_IN IN  
UNREG_12 V_IN IN  
UNREG_12 V_IN IN  
+20 to +30 V  
5
7
+10.5 to +17 V  
+10.5 to +17 V  
+10.5 to +17 V  
GND for +12 V  
(External View)  
UNREG_GND  
No. Signal  
I/O  
Specifications  
1
2
3
4
5
6
7
8
9
NC  
EXT I/O (5-pin female)  
NC  
NC  
1
NC  
2
5
NC  
3
4
NC  
NC  
(External View)  
NC  
No. Signal  
I/O  
Specifications  
UNREG_GND  
1
2
3
4
5
EXT_CMD1_OUT OUT  
EXT_CMD0_OUT OUT  
RS-232C  
10 NC  
11 UNREG_12  
V_OUT  
OUT  
+10.5 to +17 V dc  
5.0 A (MAX)  
EXT_CMD1_IN  
EXT_CMD0_IN  
GND  
IN  
IN  
Connector Pin Assignments  
116  
DC OUT 24 V (3-pin female)  
Color Space According to  
the COLOR SPACE  
Settings  
1
2
3
Colorimetry  
(External View)  
1
No. Signal  
I/O  
Specifications  
1
2
3
UNREG_GND(24 —  
V)  
S-GAMUT  
Film  
DCDM REF PJ  
CRT  
0.8  
UNREG_24  
V_OUT  
OUT  
IN  
+20 to +30 V dc  
5.0 A (MAX)  
0.6  
0.4  
0.2  
REC trigger  
OPEN or +5 V: Normal  
GND: Active  
-
0.2  
0.2  
0.4  
0.6  
0.8  
1
x
- 0.2  
1. Virtual chromaticity points at S-GAMUT  
The virtual color space at S-GAMUT is shown in the above  
chart. The virtual chromaticity points are as follows:  
x
y
R
G
B
0.73  
0.14  
0.1  
0.28  
0.855  
–0.05  
When converting the color space of a video source shot  
with this camera in S-GAMUT mode, use these virtual  
chromaticity points.  
These chromaticity points are "virtual" because they do not  
represent the actual, accurate color space but are the  
calculated values for calculation of color space conversion.  
These virtual chromaticity points have been introduced  
because the actual color space cannot be represented as a  
triangle in this colorimetry.  
A simple formula for conversion from the color space for  
S-GAMUT to that for conventional cameras (HDC-F950,  
HDW-F900R, etc.) is shown below:  
Color Space According to the COLOR SPACE Settings  
117  
     
(Rw, Gw, Bw): RGB values for the original color space for S-GAMUT  
(R, G, B): Values after being converted to the color space for  
conventional cameras  
Lip Sync Compensation  
2. Color space for film  
Compensation (Lip Sync compensation) for the delay of  
video relative to audio may be necessary, depending on the  
video format and system configuration.  
The color space for film shown in the above chart  
represents measurements from VISION Premier Film EK  
2393.  
3. Color space for F900 mode  
Amount of delay of video relative to audio  
The color space for conventional cameras (HDC-F950,  
HDW-F900R, etc.) is wider than that for DCDM REF PJ  
but narrower than that for film.  
The amount of delay of video relative to audio depends the  
video format and the status of the image-inversion  
(IMAGE INVERT) function (see page 54) as follows:  
Unit: frames per second  
IMAGE INVERT  
Video format  
OFF  
0.5  
0.5  
1
ON  
1
59.94i  
50i  
1
50P  
2
29.97PsF  
25PsF  
23.98PsF  
2
3
2
3
2
3
System in which automatic compensation  
is made  
When a microphone(s) connected via the AUDIO IN  
connector(s) on the interface box mounted on the camera  
is used, the camera automatically performs the necessary  
compensation.  
AUDIO IN  
Systems for which manual compensation  
is required  
For the following systems, Lip Sync compensation must be  
performed manually.  
The compensation is to be adjusted according to the  
amount of delay shown above.  
When using a microphone(s) connected via the  
AUDIO INPUT connector(s) on the SRW-1  
mounted on the camera body  
Adjust the amount of compensation on the SRW-1.  
Lip Sync Compensation  
118  
     
SRW-1  
AUDIO INPUT  
When using a microphone(s) connected via the  
AUDIO INPUT connector(s) on the SRW-1 with the  
SRPC-1 connected to the camera body via cables  
Adjust the amoung of compensation on the SRW-1.  
AUDIO INPUT  
HD SDI  
SRW-1+SRPC-1  
For timecode-synchronized audio recording on a  
separate digital audio recorder  
Connect a delay box to the digital audio recorder and  
adjust the amount of compensation on the box.  
HD SDI  
SRW-1+SRPC-1  
Delay box  
DAT  
Lip Sync Compensation  
119  
H
Index  
A
ABNORMAL display 44  
I
D
K
L
E
B
F
M
Flange focal length adjustment screw  
10  
MONITOR OUT HD SDI connectors  
14  
C
G
N
Index  
120  
 
O
Symbols  
Numerics  
P
Phenomena Specific to CCD Image  
Sensors 109  
T
U
R
reset a specificitemofthe reference file  
95  
V
S
W
Z
Index  
121  
Index  
122  
The material contained in this manual consists of information  
that is the property of Sony Corporation and is intended solely  
for use by the purchasers of the equipment described in this  
manual.  
Sony Corporation expressly prohibits the duplication of any  
portion of this manual or the use thereof for any purpose other  
than the operation or maintenance of the equipment described  
in this manual without the express written permission of Sony  
Corporation.  
Sony Corporation  
Printed in Japan  
2008.07.13  
© 2008  
F35 (SY)  
4-000-998-02(1)  

Viking VUWC144 User Manual
Viking TMC 148 User Manual
Teac CD Receiver CR H238i User Manual
Star Manufacturing Peristaltic Heated Condiment Dispenser S257 User Manual
Sony WM GX410 User Manual
Sony WM EX372 User Manual
Sony Stereo System TC W285 User Manual
Sony HDR FX1000 User Manual
Sony Car Stereo System CDX GT500 User Manual
Samsung NX1000 User Manual