Panasonic AJ HDC27HE User Manual

AJ-HDC27H  
Variable Frame-Rate HD Camera-Recorder  
3
Offers Advanced Speed Effects and  
Produces All Types of Content – Only the Panasonic  
Variable Frame Rate  
The Panasonic AJ-HDC27H is the video camera able to  
emulate the "undercranking" and "overcranking" technique  
of film cameras to slow down or speed up images. By  
varying the frame rate from 4 to 60 fps and adjusting the  
shutter speed from 3.0º to 350.0º (0.8% to 97.2%) of the  
frame rate, you can create a wide range of cinematic  
effects. And since the VTR section records at a constant  
60 fps, you can edit offline with a conventional DVCPRO  
HD VTR.  
4-fps  
12-fps  
Undercranking  
24-fps  
36-fps  
48-fps  
Overcranking  
60-fps  
Normal  
Recording  
Playback  
Quick Motion  
Normal Speed  
Slow Motion  
6X  
2X  
1X  
0.67X  
0.5X  
0.4X  
4
Lower-speed Shooting at 4 to 23* fps  
For example, shooting at 12 fps lets you attain a 2x fast-  
motion effect with playback at the cinema speed of 24 fps.  
This technique can be combined with zooming to create a  
warp-speed effect, such as for giving special emphasis to  
flowing water, fast-moving clouds, or a person standing still  
amid a bustling crowd. Decrease the shutter speed for a strobe  
effect, or increase it for a ghost effect. The expressive  
possibilities are endless.  
Normal Shooting at 24 fps (for Film) or 25 fps  
(for TV programme)  
Normal cinematic shooting is done at true 24 fps, the same  
rate as in film cameras, or at the 25 fps used for TV  
programmes and commercials. Discrete  
720p images and a specially  
developed film gamma curve create  
images with the same tonal  
*When the standard speed is 24 fps. For a standard speed of 25 fps, anything under 24 fps  
will be undercranked.  
characteristics as film.  
Higher-speed Shooting at 25* to 60 fps  
For example, shoot at 48 fps to attain a 1/2x slow-motion  
effect with playback at the cinema speed of 24 fps. This is  
especially effective for high-action scenes such as car chases  
or spectacular crashes, or for scenes with great dramatic  
impact. Unlike the slow motion captured at playback speed by  
ordinary video cameras, the AJ-HDC27H captures highly dense  
frames to provide a smooth, naturally flowing slow-motion  
effect with vivid picture quality.  
*When the standard speed is 24 fps. For a standard speed of 25 fps, anything over 26 fps  
will be overcranked.  
5
Video with the Same Latitude as Film – Only Panasonic  
Film Gamma Selection  
The extremely wide reproductive range of film is the key to  
its lush expression. Panasonic's new gamma curves —  
developed specifically to allow a CCD camera to produce  
the tonal qualities of film — now bring film's natural  
shading and rich coloration to the video camera.  
The AJ-HDC27H also lets you switch between video and  
film gamma modes. Film modes include "Cine Gamma" for  
film using ARRI laser recorder, High End TV Production, for  
monitoring and CRT base film recorders. Select the mode  
that suits your production. The ISO640-equivalent  
sensitivity — which surpasses even film cameras —  
combines with the brightness and superior picture quality  
to produce an essentially "grainless, high-sensitivity film"  
effect.  
6
100%  
80%  
60%  
40%  
20%  
0%  
Video  
Cine (V. Rec)  
Cine (F. Rec)  
Video Ganmma Image  
Film Ganmma Image  
0%  
100%  
200%  
300%  
Input  
400%  
500%  
600%  
Ganmma Curve  
Three Gamma Curves  
Video gamma: The conventional gamma curve  
used for broadcast video cameras. Includes a  
low setting for clipping.  
Cine gamma (V.REC): Designed for creating  
film-like TV programmes or videos, with  
virtually the same recording style that you  
currently use.  
Cine gamma (F.REC): Designed for movie-  
making or creating film-like commercial or  
episodic TV programmes. Takes full advantage  
of cine gamma capabilities to let you shoot in  
the same way as when using a film camera.  
Film User Menu  
The AJ-HDC27H is like a film camera not only in  
functions and performance, but in operation as  
well. The settings you need are conveniently  
grouped in a single-page menu. Use this menu  
to select or adjust gamma, scan reverse  
ON/OFF, hardness/softness, shadow gradation,  
Y-Get , and latitude. Just as with a film camera,  
you can also select tungsten or daylight type  
lighting.  
Film User Menu Screen  
7
A Total HD Production System – For Producing All Types of Image Content  
The optional HD gamma corrector and frame rate converter  
give you total operating ease with the AJ-HDC27H two key  
features – the cine gamma curves and variable frame rate.  
Add a DVCPRO HD VTR with the HD/SD multi-format  
function and IEEE 1394 and HD-SDI digital interfaces, and a  
nonlinear editing system that supports DVCPRO HD, and  
you're fully equipped to use AJ-HDC27H-recorded content in  
a wide variety of productions – movies, HD theater, HD/SD  
TV broadcasts and more.  
AJ-FRC27  
Frame Rate Converter  
8
Film Theater  
AJ-FRC27  
Frame rate Converter  
AJ-HDC27H  
HD Camera-Recorder  
AJ-HD1200AE  
DVCPRO HD VTR  
NLE  
HD Theater  
AJ-GBX27  
HD Gamma  
Corrector  
HD Production System  
HD TV  
Speed Effects Achieved with Frame Rate Conversion  
You can create a variety of speed effects by running sources recorded with the variable  
frame rate function through the frame rate converter. The AJ-FRC27 Frame Rate Converter  
extracts the effective frames from the input source, then outputs the data at the desired  
frame rate. It also includes a built-in line conversion function for converting to 1080/24p  
images.  
Gamma Corrector for Easier Recording and Editing  
Images recorded in cine gamma (F.REC) mode are flat and low in contrast, similar to a  
direct negative-to-positive reversal. This produces an excellent film-like quality, but it's  
difficult to check the images on a TV monitor. The AJ-GBX27 HD Gamma Corrector  
greatly improves acquisition and editing ease by giving F.REC images a telecine look for  
monitor use. The AJ-GBX27 also makes it easier to produce TV broadcast clips from  
movie content.  
Variable Frame Rate Content for a Host of Uses  
By freely combining the variable frame rates 24/25-fps frame rate, gamma curves, and  
variable frame rate functions, you can create virtually any type of image content.  
Movie film use: Post-edited images can be printed onto film for cinema viewing. The  
resulting images have almost the same tonal quality and undercranking or overcranking  
speed effects as footage from a film camera, but with higher sensitivity and lower cost.  
HD theater use: variable frame rate sources are ideal for use in HD theaters that use a  
high-brightness, high-resolution HD projector. Because it does not use film, variable  
frame rates footage offers greater flexibility in programme changes and inserts. It also  
offers low-cost production and use.  
Commercial and music clip use: The combination of variable frame rate and a nonlinear  
editing system offers many advantages, including film-like images, easy content  
changes, and low overall costs.  
TV programme use: The 25-fps frame rate and conventional video gamma curve also let  
you create video-based TV programmes.  
PT-D7700  
AJ-GBX27  
BT-LH1700W  
AJ-HD1700  
AJ-HD3700B  
HD-D5 VTR  
PT-DW7000  
HD Gamma Corrector  
BT-LH900  
AJ-HD1200A  
DVCPRO HD VTR  
Large-Venue DLP Projector  
HD/SD LCD Video Monitor  
9
Combining Advanced Digital Recording  
and Cinema Know-How — Only Panasonic  
• Up to 10 gain values ranging from –3 dB (–6 dB in video  
Camera section: Captures a wide range of  
images for use in cinematic or broadcast  
productions.  
menu) to +30 dB; 3 values can be saved as presets. Super  
Gain instantly increases gain to +36 dB.  
• 7 shutter speeds (1/60, 1/100, 1/120, 1/250, 1/500, 1/1000,  
1/2000 sec), plus 3˚-350˚ (0.8%-97.2%) variable  
• Auto Black Balance (ABB) and Auto White Balance (AWB).  
AWB stores two values for each set of four CC filter  
positions.  
• Newly developed 3CCD system provide F12 (2,000-lux)  
sensitivity, minimum illumination of 0.7 lux  
• 12-bit A/D converter improves gradation  
• Selectable frame frequency (60.0 Hz for PAL area/59.94 Hz  
for NTSC area)  
Y Get” makes spot meter function realized on EVF  
• Digital setup for numeric image control. Easy jog dial and  
menu-driven operation.  
• Same tungsten/daylight selection as in film cameras. Also  
comes standard with two ND and CC optical filter wheels  
• Picture-enhancing circuits: Auto knee, detailing, shading  
compensation, 12-pole colour correction, matrix  
• New high-resolution emulation mode (switchable with  
normal mode)  
• Simple cinematic settings via the Film User Menu  
Front view  
Side view  
DVCPRO HD Cassette tape  
Extension control unit  
Side view  
Rear view  
10  
Specifications  
Variable frame rate from 4 to 60 fps, including the  
traditional "film look" rate of 24 fps  
General  
Power Supply  
DC 11V to 17V  
36 W  
• Up to 8 setup data files can be stored on an SD Memory  
Card (Panasonic)  
Power Consumption  
conditions  
Operating Temperature 0˚ C to 40˚ C  
• Up to 64 lens files can be written to an SD Memory Card  
(Panasonic)  
Operating Humidity  
Weight  
Less than 85%  
About 4.7 kg, About 7.6 kg in operation  
Dimensions (W x H x D) 132 x 204 x 313mm  
• The following functions can be assigned to the  
USER1/USER2 buttons: Rec SW, Y-GET, Frame Rate,  
Super Iris, Super Gain, Super Black, Black Stretch, and  
Front/Rear Mic input  
Camera Section  
CCD Elements  
2/3" IT 3-CCD (RGB)  
Picture Elements  
1,019,280 pixels (total, 1,370 x 744)  
921,600 pixels (effective, 1,280 x 720)  
CC: Cross, 3200K, 4300K, 6300K  
ND: CLEAR, 1/4ND, 1/16ND, 1/64ND  
12 bits  
Optical Filters  
• ECU menu On/Off selectable on EVF  
• 2-level zebra pattern and spot zebra  
• State, alert display on EVF screen  
Quantization  
Processing  
74.25MHz (60Hz), 74.1758MHz (59.94Hz)  
–6/–3/0/+3/+6/+9/+12/+18/+24/+30 dB (–6dB in video menu)  
+18/+24/+30/+36dB  
Programmable Gain  
Super Gain  
Shutter Speed  
1/60, 1/100, 1/120, 1/250, 1/500, 1/1000 and 1/2000sec.  
VTR section: High-quality recording  
of progressive scan images.  
Syncro Scan Shutter 0.8 % to 97.2 % (3°to 350°)  
Frame Rate  
Sensitivity  
4 fps to 60 fps (in single increments)  
2000 Lux at F12 (89.9% reflection, 23.98 p, 50% shutter)  
• Records up to 32 minutes on a compact DVCPRO HD  
Minimum Illumination 0.7 lux (F1.4, +36 dB gain 59.94 p)  
Video S/N 54 dB (typical)  
Horizontal Resolution 700 TV lines at center  
cassette  
• Recorded results can be checked on location via the  
viewfinder (black & white) or monitored in colour through  
the HD SDI out terminal  
Registration Error  
Less than 0.03 % (whole zone, without lens distortion)  
Geometric Distortion Below measurable limit  
Lens Mount  
Viewfinder  
2/3" Bayonet type  
AJ-HVF27BP (Option)  
Two channels of 16-bit/48-kHz digital audio  
Two audio A/V timing modes (select conventional timing or  
just-before timing)  
VTR Section  
Recording Format  
Tape  
DVCPRO HD (720p, 60Hz/720 p, 59.94Hz)  
1/4" DVCPRO HD cassette tape  
Tape Speed  
135.42 mm/s (60Hz), 135.28 mm/s (59.94Hz)  
Max. 32 minutes using AJ-HP64ELG  
About 2.5 minutes using AJ-HP64ELG  
• Audio input selectable from the front mic or rear panel  
line input  
Recording Time  
FF/REW Time  
• NEWS REC function prevents start/stop mistakes  
• RETAKE function simplifies retakes of NG cuts  
• REC REVIEW allows instant checking of recorded end  
• Interval recording, with intervals from 2 seconds to 24  
hours  
VTR Section-Video  
Sampling Frequency  
Y: 74.25MHz, Pb/Pr: 37.125MHz (60Hz)  
Y: 74.1758MHz, Pb/Pr: 37.088MHz (59.94Hz)  
Quantization  
Error Correction  
Compression Ratio  
Bit Rate  
8 bits  
Reed-Solomon product code  
6.7:1  
100Mbps  
Video Band  
Y: 20MHz, Pb/Pr: 10MHz  
• One-Shot recording for making animation  
• Users Bit Data for post-process  
Audio  
Sampling Frequency  
48.048kHz (60Hz) /48kHz (59.94Hz)  
16 bits/sample  
*The videotape recorded in DVCPRO HD EX format cannot be played back on this  
camera-recorder.  
Quantization  
Frequency response* 20Hz to 20kHz, ±1.0dB (reference level)  
Dynamic range*  
Distortion*  
More than 85dB (1 kHz, AWTD)  
Within 0.1% (1 kHz, reference level)  
Below measurable limit  
18 dB  
The functions that professionals need, in a  
compact, lightweight unit with low power  
consumption.  
Wow & Flutter*  
Headroom*  
Input  
• Scan Reverse function for cinematic lens adapter  
Two isolated HD-SDI outputs. For monitor (super, status  
display switch) and for camera output (fixation).  
• Handheld control of camera settings and VTR section  
remote control using the AJ-EC3E Extension Control Unit  
• High-resolution 2-inch HD viewfinder  
(optional AJ-HVF27BP). New, sturdier 2-point locking  
viewfinder mount.  
Audio IN  
XLR x 2 (CH1/CH2), MIC/LINE/MIC+48V switchable  
LINE: 0 dBu, MIC: –60 dBu  
MIC IN  
XLR x 1, balanced, –40 dBu)  
Phantom +48V (On/Off)  
Genlock IN  
TC IN  
BNC x 1, 1.0Vp-p 75  
BNC x 1, 0.5 to 7Vp-p, High-impedance  
Output  
HD SDI OUT  
Audio OUT  
TC OUT  
BNC x 2, 0.8Vp-p 75Ω  
XLR-5pin x 1, 0dBu  
BNC x 1, 2.0Vp-p low-impedance  
Stereo mini-jack x 1  
Phones  
• Built-in colour bar, reference audio signal generator  
• Accommodates super-directional mic with phantom  
power supply  
Others  
DC IN  
DC OUT  
Lens  
XLR-4pin x 1 DC11V to 17V  
4P x 1, DC11V to 17V, 1.5 A  
12P x 1  
6P x 1  
ECU  
• Compact size, light weight – approx. 4.7 kg (7.6 kg in  
operating condition)  
EVF  
20P x 1  
• Consumes only 36 W to minimize battery drain  
• Built-in monitor speaker  
• Reinforced lens hood  
11  
Auto REC Function (in Recording)  
AJ-FRC27  
Fram e Rate Converter  
Camera  
Action  
Cut 1  
Cut 2  
Cut 3  
Cut 4  
STRAT MARK  
END MARK  
Recording  
Action  
Cut 1  
Clip1  
Cut 2  
Clip 2  
Cut 3  
Clip 3  
Cut 4  
Clip 4  
FRC Recording  
(to HDD)  
Pre-Roll Image Insertion (in Playback)  
Pre-Roll Image (0 to 10 sec, by 2 sec step  
FRC Playback  
(from HDD)  
Clip1  
Clip 2  
Clip 3  
Clip 4  
Seamless Time Code  
During playback, a pre-roll image of up to 10 seconds in length can be  
automatically inserted and output with a continuous time code. This helps  
to speed up shooting by letting you use the leading/trailing parts of each  
cut as editing material, something that was difficult to do in conventional  
HD cinema production.  
The AJ-FRC27's compact, half-rack size and 5U profile makes it good fit  
for applications ranging from studio use to EFP or relay use.  
AJ-FRC27 Specifications  
Power Source:  
AC 220-230V, 50-60Hz  
0.5A  
Power Consumption:  
Operating Temperature/Humidity: 5°C to 35°C/10% to 80%  
Dimensions:  
Weight:  
210 (W) x 222 (H) x 492 (D)mm  
15.0 kg  
Check Variable Frame Rate Effects  
On-Site, Line-Convert from 720p to  
1080p, and Down-Convert to SD  
The AJ-FRC27 converts the frame rates of images recorded using  
the AJ-HDC27H. It extracts the frames you designate, records them to an  
internal HDD, and plays them back. This lets you play fast-motion or  
slow-motion effects in their actual, intended timeframes.  
Recording Format:  
HDD:  
DVCPRO HD (720/60p)  
36GB, 68-pin connector  
40 min (at 720/60p), 100 min (at 720/24p)  
BNC x 1 (throughout x 1)  
BNC x 1, with Enbeded Audio in EE mode  
BNC x 1  
Recording Time:  
HD-SDI Input:  
HD-SDI Output:  
Monitor Output:  
Remote Input:  
Option Board:  
RS-422A (D-sub 9P)  
You can select the playback frame rate from 24-, 25- or 60-fps, up-  
convert to 1080/24psF or 1080/50i, down-convert to SDTV (576/50i),  
working either on-line or off. If frame rate conversion is not required, you  
can also directly convert the input signal into EE-through for output.  
AJ-YA27G SD Output Interface Board  
Playback Image Signal  
AJ-YA27G  
PAL (60p) sauce:  
720xp over 60p(= 24, 25, 30, 60)  
1080/24psF, 1080/25psF, 1080/50i,  
1080/60i (24p), 576/50i  
SD O utput Interface Board  
Plugging this board into the AJ-FRC27 lets  
NTSC (59.94p) sauce:  
720xp over 59.94p(= 24, 25, 30, 60)  
1080/23.98psF, 1080/59.94i (23.98p), 480/59.94i  
you convert playback or input HD signals  
into SD signals and output them (see table below). Select from five aspect  
ratio conversion modes: Crop, Letterbox, Squeeze, 14:9, and 13:9. You  
can also choose either wide or standard frequency characteristics  
settings. The AJ-FRC27 includes an edge emphasis function for  
outputting SD images, with settings of 0, +1, +1.5, and +2 dB.  
Data can be automatically recorded by connecting to the AJ-HDC27H via  
HD-SDI, and clip files of cuts that you designate by linking to the  
camera's REC/STOP control can be stored to an HDD for backup. These  
functions are also supported during studio editing, and the resulting tapes  
can be played on a DVCPRO HD VTR, making it possible to automatically  
create a clip of each cut by simple frame rate converter recording.  
Management of OK/NG cuts is fast and easy.  
Playback or Input HD Images  
720/60p, 1080/24p, 1080/60i  
1080/25p, 1080/50i  
SD Converted Output Images  
480/60i  
576/50i  
12  
Field mode corrects underexposed and low-contrast F.REC gamma  
images, and outputs monitor images with full film texture that can be  
used to check the lighting. There's a setting for ordinary daylight and one  
for nighttime shooting.  
AJ-GBX27  
HD Gam m a Corrector  
Telecine mode is a post-processing mode that uses movie footage to  
produce TV content with a film-like texture (a telecine look). This mode  
preserves the high image quality by correcting intermediate gradation  
while maintaining highlights and shadows.  
The Video Rec and Video modes convert images with F.REC gamma  
characteristics to V.REC gamma or video gamma characteristics.  
CG mode is a film production mode that reverse-converts images into  
F.REC images after they were previously converted to telecine mode and  
CG-processed for production ease. Also provided is a user mode that lets  
you install any desired conversion table from a PC.  
Use Monitor and Movie Content for TV  
Production by Giving F.REC Mode  
Images a Telecine Look  
The AJ-GBX27 corrects images recorded in cine gamma (F.REC mode) for  
converting monitor and content data, and for a variety of other uses.  
The AJ-GBX27 is extremely easy to use -- simply choose the desired  
correction mode.  
In addition to 720p (59.94/60 Hz), the AJ-GBX27 is compatible with 1080i  
(59.94/60/50 Hz) and 1080p (23.97/24/25 Hz) HD formats.* This makes it  
ideal for AJ-HDC27H recording and for editing, package production, and  
a host of other applications. The 12-VDC power supply (XLR 4-pin  
terminal) lets you take the AJ-GBX27 into the field. One HD-SDI input,  
two HD-SDI outputs, and an analogue HD (Y/Pb/Pr) output are provided  
for convenient monitor connection. Make contacts let you control  
conversion ON/OFF from a switcher.  
*This is not a format conversion function. It allows input/output of the same format only.  
Video  
100%  
80%  
60%  
40%  
20%  
0%  
Tele (V. Rec)  
Specifications  
Cine (F. Rec)  
Telecine  
Power Source:  
Power Consumption:  
Dimensions:  
DC11 to 17V (EXT DC Input)  
25W  
213 (W) x 43.5 (H) x 330 (D)mm  
Approx. 3 kg  
Weight:  
0%  
100%  
200%  
300%  
Input  
400%  
500%  
600%  
Video Format:  
720/59.94p, 720/60p, 1080/24psF, 1080/23.97psF,  
1080/59.94i, 1080/60i, 1080/50i, 1080/25psF  
Gamma Table:  
Input:  
R.G.B. each x 16 set (preset:12/user:4)  
HD SDI Input (BNC x 1)  
HD SDI Input (BNC x 2)  
Y/Pb/Pr (BNC x 3)  
Output:  
Analogue HD Output:  
Data Input:  
Remote:  
RS-232C (D-sub 9P)  
Control (make-connector)  
CG Mode  
Field Mode  
Telecine Mode  
STEP 1  
AJ-HD1700  
STEP 2  
AJ-HDC27H  
F.REC Gamma  
Mix  
AJ-GBX27  
Telecine Mode)  
BT-LH1700W  
BT-LH900  
HD/SD LCD Monitor  
BT-LH1700W  
HD/SD LCDMonitor  
RAW Data  
Film Recording  
Gamma Correction built-in  
Work with  
Telecine Look  
F.REC Gamma  
Work Station  
HD-D5 VTR  
(DVCPRO HD)  
TV Broadcast  
Footage  
package  
Reverse-Convert  
Mix  
Telecine Look  
Telecine Look  
AJ-GBX27  
(CG Mode)  
Film Recording  
AJ-GBX27  
HD Gammma Corrector  
AJ-GBX27  
HD Gamma Corrector  
HD Monitor  
AJ-HD1700  
RAW Data  
13  
The AJ-HD1700 is a DVCPRO HD high-end studio master VTR that answers  
today’s most advanced needs in high-definition production and broadcasting.  
AJ-HD1700  
Full-Featured Studio VTR  
Featuring the new DVCPRO HD-LP format, the AJ-HD1700 records and plays  
up to 126 minutes with an XL cassette. It can record three types of HD images  
— 1080/60i, 720/60p, and 1080/50i — and is equipped with eight digital audio  
channels for 5.1-channel surround sound.  
The AJ-HD1700 plays all DVCPRO HD, DVCPRO50, DVCPRO P, DVCPRO, DV,  
and DVCAM tapes. It has an advanced HD-SD conversion function that  
provides simultaneous output of HD/SD signals from a wide variety of sources.  
The AJ-HD1700 can even output a 1080/24p signal from a 720/24p over 60  
source tape for convenient editing in 1080/24p such as mastering to D-5 HD on  
the AJ-HD3700B VTR.  
The AJ-HD1700 can also output a 1080/25p signal directly from a 720/25p  
over 60p source tape.  
AJ-HD1700  
Plays/Records 720p and 1080i  
Playback all DV-based formats 2-hour rec. time  
1080/25p output from 720/25p over 60 8-ch audio  
The compact, AC/DC-powered AJ-HD1200A is ready for a host of active  
uses. This versatile HD VTR plays all DVCPRO formats (both PAL and  
NTSC), including DVCPRO HD-LP, and can down-convert HD signals for  
output as SD signals, allowing its use as both an HD and SD viewer. With  
its 1080/24p (25p) conversion and output function for variable frame rate  
sources, the AJ-HD1200A also meets needs in HD cinema production.  
AJ-HD1200A  
Full-Featured Studio VTR  
Mount an optional board, and the AJ-HD1200A can serve as a recorder in  
a space-saving, low-cost HD production system. Choose either an SDI  
type optional board (HD-SDI in/out, SDI out) or an IEEE 1394 type board.  
With the IEEE 1394 board, the AJ-HD1200A HD becomes the world's first  
VTR to offer HD input and output via an IEEE 1394 digital interface. This  
allows the AJ-HD1200A to connect to next generation NLE (Non-Linear  
Editing) systems, or IEEE 1394 equipped Video Servers.  
AJ-HD1200A Plays/Records 720p and 1080i  
Playback all DV-based formats IEEE 1394 I/F  
1080/25p output from 720/25p over 60 Compact Size  
The AJ-HD3700B VTR meets all high quality HD and SD production  
requirements in one VTR. HD studio quality is assured by full band width  
(1920 x 1080) in 1080i, and 4:2:2 digital 10-bit component recording, plus  
1080/24p, 1080/25p, as well as standard definition non-compressed 480i.  
Metadata recording and playback is built in without sacrificing audio  
channels and conversion between formats is as simple as an optional  
converter card set. With an easy-to-use front panel operation and full  
editing capability, the AJ-HD3700B is designed for integration into today's  
modern post and production facilities.  
AJ-HD3700B  
Multi-Form at/Multi-Standard Mastering VTR  
The AJ-HD3700B provides the flexibility of having a single machine  
function in both HD and SD, plus the popular 1080/24p and 1080/24psF.  
With the optional built-in format converter card, SD to HD and HD to SD  
conversions are handled internally - without the need for outboard gear.  
AJ-HD3700B HD-D5 Plays/Records ATSC formats  
Supports multiple frame rates 10-bit recording  
Format Conversion Metadata  
8-Ch audio  
14  
Equipped with an F.REC gamma corrector, these 16:9, HD-ready monitors  
convert images recorded with AJ-HDC27H in F.REC mode into the  
appropriate gamma curves for viewing. This simplifies F.REC acquisition,  
eliminating the need for a separate HD gamma corrector.  
BT-LH1700W  
17" HD/SD LCD Video Monitor  
The BT-LH1700W offers the superior image quality and advanced  
functions needed for HD production. It features the industry's first non-  
delay IP circuit to assure natural viewing, plus a diagonal line processing  
circuit that smoothes out jaggies. Its fast response with intermediate  
gradations helps provide clear, blur-free images. The BT-LH1700W also  
offers a 176° viewing angle both vertically and horizontally – one of the  
best in the industry among LCDs. It features SDI input with automatic  
HD/SD switching, component input, and composite input. The BT-  
LH1700W body is designed for rack mounting using the optional adapter.  
BT-LH900  
8.4" HD/SD LCD Video Monitor  
The BT-LH900P takes full advantage of the LCD panel's space-saving  
design to offer a slim 65-mm profile and light weight of only 4.4 pounds  
(2.0kg). With DC drive, low 22.8-watt power consumption and a separate  
control panel that can be mounted on the monitor's top, side or bottom,  
the BT-LH900P can serve as a camera-top EVF. The BT-LH900P also has  
among the industry's widest viewing angles, 170° both vertically and  
horizontally. It offers SDI input with automatic HD/SD switching,  
component input and composite input, and it's designed for side-by-side  
rack mounting using the optional adapter.  
BT-LH1700W 1,280 x 768 WXGA display  
AC100V/DC12V operation Light weight 6.6 kg  
430 (W) x 309 (H) x 79 (D) mm compact size  
BT-LH900  
1,024 x 768 XGA display  
DC12V (11-17V) operation Light weight 2.0 kg  
218 (W) x 176 (H) x 65 (D) mm compact size  
Each of these projectors features a 3-chip DLP™ (Digital Light  
Processing) system for superior brightness, image quality and reliability.  
An original Panasonic optical system with dual-lamp technology  
combines with Dynamic Iris to deliver brightness of 7,000 ANSI lumens  
(6,000 for the  
PT-D7700  
PT-DW7000  
Large-Venue DLP™ Projector  
PT-DW7000) and outstanding 4,000:1 contrast. A number of unique  
picture-enhancing circuits also helps assure superior image reproduction.  
Each model has a 2:2 pulldown mode for reproducing high-quality 25p  
(480i) images. Each is equipped with video, S-Video and RGB inputs, and  
an HD/SD SDI input is available as an option. Remote control via a PC is  
possible over a LAN network. Several projectors can be combined for use  
in a multi-screen system.  
The PT-D7700 has native SXGA+ (1400 x 1050) resolution for projecting  
sharp, detailed images onto a 4:3 screen. The PT-DW7000 has native  
WXGA (1366 x 768) resolution for projecting bright, high-quality wide  
images onto a 16:9 screen.  
PT-D7700  
1,400 x 1,050 SXGA+ display  
7,000 ANSI lumens 70" to 600" of screen size  
4,000:1 contlast ratio  
HD/SD multi-format  
PT-DW 7000  
1,366 x 768 WXGA display  
6,000 ANSI lumens 70" to 600" of screen size  
4,000:1 contlast ratio HD/SD multi-format  
15  
24P System Flow  
1. Shooting and On-Site Previewing  
2. Variable Frema Rate-Compatible  
Non-Linear Editing  
3.Film Recording  
LAN (FTP)  
LASER  
AJ-FRC27  
BT-LH1700W  
BT-LH900  
Film Printer  
HD-SD LCD Monitor  
720/60p  
1080/24p  
AJ-HD1700  
HD-D5 VTR  
AJ-FRC27  
AJ-GBX27  
HD Monitor  
Variable Frema Rate-Compatible  
Non Linear Editor  
Package  
All Materials  
5. 24 fps Non-linear Editing  
4.TV Broadcast Footage  
720/24p over 60p Materials  
Gamma Correction  
Off-Line Editing (Standard Definition)  
Variable Frame  
Rate Materials  
24p Materials  
Frame-Rate Conversion  
HD-D5 VTR  
AJ-GBX27  
DVCPRO  
Active Frame  
Record 24p over 60p  
DVCPRO HD VTR  
Non Linear Editor  
Downconvert  
DVCPRO HD VTR  
DVCPRO HD VTR  
AJ-FRC27  
On-Line Editing  
Upconvert to 1080/24p  
EDL (24fps)  
1080/24p  
1080/24p  
AJ-HD1700  
HD-D5 VTR  
Package  
Non Linear Editor  
25P System Flow  
6.25 fps Non-linear Editing  
Shooting  
Field Slow Check  
Frame Rate Conversion  
AJ-FRC27  
Frame Rate Converter  
Off Speed Materials  
720/xp  
HD SDI  
AJ-HD1200A  
DVCPRO HD VTR  
+Option Board  
AJ-YAD120AG  
AJ-FRC27  
Frame Rate Converter  
Off-Line Editing  
Down Convert  
AJ-HDC27H  
25P Materials  
PA  
AJ-HD1200A  
DVCPRO HD VTR  
720/25p over 60p  
EDL 25fps  
On-Line Editing  
Cross Convert  
1080/25psf  
HD SDI  
1080/25psf  
HD SDI  
AJ-HD1200A  
DVCPRO HD VTR  
+Option Board  
AJ-YAD120AG  
AJ-HD3700B  
1080/25p Editing  
16  
1.On-site Previewing  
6. 25 fps Non-linear Editing  
Use the AJ-FRC27 Frame Rate Converter to check the  
results of fast-motion or slow-motion effects right after  
recording. Combine it with the BT-LH900 HD LCD Monitor  
(which features gamma correction) or the AJ-GBX27 HD  
Gamma Corrector, and you can view images with gradation  
that closely approximates that of the finished  
images.2.Variable Frame Rate Compatible  
Non-linear Editing  
The AJ-FRC27 lets you play the tapes recorded at 60 fps  
directly on a DVCPRO HD VTR. Using a variable frame rate  
compatible nonlinear editing system with an effective frame  
extraction function, you can directly upload undercranked or  
overcranked footage for use in 1080/24p or 720/60p (24p  
over 60p).  
First, convert ‘off-speed’ material to 25p material by using  
Frame rate converter. Second, down convert to PAL signal  
and make EDL by off line edit. Third, cross convert from  
720/25p to 1080/25psf and online edit by using EDL. Fourth,  
Mastering finished piece to D5-HD or DVCPROHD. In case  
of F.Rec mode, it would be better to use GBX27 when  
capture into NLE.  
7. Multi-Format Output  
The down-converter integrated into the AJ-HD1200A lets  
you down-convert and output SD footage from an HD  
package. Plugging in the optional AJ-YA120AG board also  
enables 720/1080 line converting as well as conversion and  
output of 1080/25psf footage from a 720/25p over 60p  
source. This function allows multi-format output for HD  
broadcasting, cinema, and SD broadcasting.  
*Applicable nonlinear editing systems (as of July 2005 ):  
Apple Final Cut Pro 5, Interactivefx Piranha HD, Quantel iQ/eQ  
3.Film recording  
DVCPROHD and IEEE1394  
Supported Non-Linear Editing system.  
By printing onto film using the conversion table, you can  
produce a gradation that's appropriate for screen projection.  
The gradation characteristics of F.REC gamma materials are  
equivalent to digital scanning. Those of V.REC are equivalent  
to telecine.  
4.Conversion to TV Broadcast Footage  
Compared with telecine systems, the AJ-GBX27 HD Gamma  
Corrector offers a cheaper and easier way to convert movie  
content into high-quality TV content with a film-like texture.  
Apple Final Cut Pro 5 (Power Mac G5)  
5. 24 fps Non-linear Editing  
First, use off-line editing to convert the frame rate of  
undercranked or overcranked footage, then down-convert to  
the Standard Definition (576/50i) format through AJ-FRC27.  
Next, use the EDL from the off-line editing for 1080/24p  
online editing. The AJ-HD1700 or AJ-HD1200A DVCPRO HD  
VTR lets you play back a 720/24p over 60p source and  
directly convert it to 1080/24p output.  
Avid M edia Com poser Adrenaline HD  
Frame Rate Conversion (Ex. 40-fps)  
Active Frame Frag  
AJ-HDC27F  
Camera-Recorder  
1
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5
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7
6
8
6
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8
8
9
Canopus EDIUS HD/SD/SP/NX  
AJ-FRC27  
(HDD Recording)  
DVCPRO HD  
(720/60p)  
1
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2
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HD-D5  
1080/24p)  
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17  
AJ-HVF27BP  
2.0" HD EVF  
AJ-MC700P  
Microphone Kit  
AJ-MH800G  
Microphone Holder  
ABUL2S  
AntonBauer Ultra Light  
Anton Bauer Battery  
AJ-EC3E  
Extension Control Unit  
AJ-HP64ELG  
DVCPRO HD Cassette Tape  
AJ-B95/AJ-B75  
AC Adapter  
ABUL2S  
Microphone  
Anton/Bauer  
AJ-MH800G  
Microphone  
Holder  
Ultra light  
BT-LH1700W  
HD LCD Monitor  
BT-LH900P  
HD LCD Monitor  
AJ-MC700P  
Microphone Kit  
DC Cable (XLR)  
AJ-B75E  
AC Adaptor  
AJ-HVF27BP  
2.0" HD VF  
DVC-822 (Miranda Technologies Inc.)  
Full Quality Downconverter and DV Encoder  
for HD Cameras  
2/3" HDTV Lens  
HD Cine Lens  
Anton/Bauer  
Gold Mount Plate  
Anton/Bauer  
Batteries  
Anton/Bauer  
Battery Charger  
For more information, please vist at  
AJ-HDC27H  
Camera/Recorder  
<www.miranda.com>  
6-Pin Remote Cable  
35mm Cinema Lens  
CLA35HD  
Cine Lens Adaptor  
AJ-EC3E  
Extension  
Control Unit  
SHAN-TM700  
Tripod Adaptor  
Cinema Accessories  
Multi Media Card  
SD Memory Card  
• Optical Filter and Mat Box  
• Lens Control System  
• Follow Focus System  
• EVF Extender  
• Bridge Plate and Adaptor Plate  
• CIne Style Tripod System  
Tripod  
Shoulder Strap  
SHAN-RC700  
Rain Cover  
AJ-SC900  
AJ-HT901G  
Standard Accessories  
Soft Carrying Case Hard Carrying Case  
18  
19  
[Countries and Regions]  
Argentina  
Australia  
Austria  
Bahrain  
Belgium  
Bulgaria  
China  
+54 1 308 1610  
Kuwait  
Lebanon  
Malaysia  
+965 481 2123  
+961 1 216827  
+60 3 5549 5422 (PSE)  
+60 3 5546 7000 (PM)  
Sweden  
Switzerland  
Thailand  
Turkey  
U.A.E.  
Ukraine  
+46 (8) 680 26 41  
+41 (0)41 259 96 32  
+66 2 731 8888  
+90 216 578 3700  
+971 4 282201  
+380 44 4903437  
+380 44 4903438  
[ext. 112]  
+61 2 9887 6222  
+43 (0)1 610 80 773  
+973 252292  
+32 (0)2 481 04 57  
+359 2 946 0786  
+86 10 6515 8828  
+852 2313 0888)  
Matsushita Electric Industrial Co., Ltd.  
Systems Business Group  
2-15 Matsuba-cho, Kadoma, Osaka 571-8503  
Japan  
Phone +81 6 6905 4650 Fax +81 6 6908 5969  
Montenegro, Serbia  
+41 (0)26 466 25 20  
Netherlands  
New Zealand  
Norway  
Pakistan  
Philippines  
Poland  
+31 73 64 02 577  
+64 9 272 0100  
+47 67 91 78 00  
+92 5370320 21  
+63 2 633 6162  
+48 (22)338 1100  
+351 21 425 77 04  
+40 21 211 4855  
+7 095 980 42 06  
+966 1 465 0709  
+65 6270 0110  
(Hong Kong  
Czech Republic +420 236 032 552/511  
Denmark  
Egypt  
Finland, Latvia, Lithuania, Estonia  
+358 (9)521 52 53  
U.K  
+44 (0) 1344 70 69 20  
+45 43 20 08 57  
+20 2 3938151  
Portugal  
Romania  
France  
+33 (0)1 55 93 66 67  
+49 (0)611 235 401  
+30 210 96 92 300  
+36 (1)382 60 60  
+62 21 385 9449  
+98 21 2271463  
+39 02 67 88 449  
+961 6 586 1914  
+7 3272 504 777  
Germany  
Greece  
Hungary  
Indonesia  
Iran  
Italy  
Jordan  
Russia & CIS  
Saudi Arabia  
Singapore  
Slovak Republic +421 (0)2 52 92 14 23  
Slovenia, Croatia, Bosnia, Macedonia  
+44 (0)20 76 63 36 57  
South Africa  
Spain  
+27 11 313 1400  
+34 (93) 425 93 00  
Kazakhstan  
SP-HDC27HE1  
16K507ZM-1 Printed in Japan  

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