AJ-HDC27H
Variable Frame-Rate HD Camera-Recorder
3
Offers Advanced Speed Effects and
Produces All Types of Content – Only the Panasonic
Variable Frame Rate
The Panasonic AJ-HDC27H is the video camera able to
emulate the "undercranking" and "overcranking" technique
of film cameras to slow down or speed up images. By
varying the frame rate from 4 to 60 fps and adjusting the
shutter speed from 3.0º to 350.0º (0.8% to 97.2%) of the
frame rate, you can create a wide range of cinematic
effects. And since the VTR section records at a constant
60 fps, you can edit offline with a conventional DVCPRO
HD VTR.
4-fps
12-fps
Undercranking
24-fps
36-fps
48-fps
Overcranking
60-fps
Normal
Recording
Playback
Quick Motion
Normal Speed
Slow Motion
6X
2X
1X
0.67X
0.5X
0.4X
4
Lower-speed Shooting at 4 to 23* fps
For example, shooting at 12 fps lets you attain a 2x fast-
motion effect with playback at the cinema speed of 24 fps.
This technique can be combined with zooming to create a
warp-speed effect, such as for giving special emphasis to
flowing water, fast-moving clouds, or a person standing still
amid a bustling crowd. Decrease the shutter speed for a strobe
effect, or increase it for a ghost effect. The expressive
possibilities are endless.
Normal Shooting at 24 fps (for Film) or 25 fps
(for TV programme)
Normal cinematic shooting is done at true 24 fps, the same
rate as in film cameras, or at the 25 fps used for TV
programmes and commercials. Discrete
720p images and a specially
developed film gamma curve create
images with the same tonal
*When the standard speed is 24 fps. For a standard speed of 25 fps, anything under 24 fps
will be undercranked.
characteristics as film.
Higher-speed Shooting at 25* to 60 fps
For example, shoot at 48 fps to attain a 1/2x slow-motion
effect with playback at the cinema speed of 24 fps. This is
especially effective for high-action scenes such as car chases
or spectacular crashes, or for scenes with great dramatic
impact. Unlike the slow motion captured at playback speed by
ordinary video cameras, the AJ-HDC27H captures highly dense
frames to provide a smooth, naturally flowing slow-motion
effect with vivid picture quality.
*When the standard speed is 24 fps. For a standard speed of 25 fps, anything over 26 fps
will be overcranked.
5
Video with the Same Latitude as Film – Only Panasonic
Film Gamma Selection
The extremely wide reproductive range of film is the key to
its lush expression. Panasonic's new gamma curves —
developed specifically to allow a CCD camera to produce
the tonal qualities of film — now bring film's natural
shading and rich coloration to the video camera.
The AJ-HDC27H also lets you switch between video and
film gamma modes. Film modes include "Cine Gamma" for
film using ARRI laser recorder, High End TV Production, for
monitoring and CRT base film recorders. Select the mode
that suits your production. The ISO640-equivalent
sensitivity — which surpasses even film cameras —
combines with the brightness and superior picture quality
to produce an essentially "grainless, high-sensitivity film"
effect.
6
100%
80%
60%
40%
20%
0%
Video
Cine (V. Rec)
Cine (F. Rec)
Video Ganmma Image
Film Ganmma Image
0%
100%
200%
300%
Input
400%
500%
600%
Ganmma Curve
Three Gamma Curves
• Video gamma: The conventional gamma curve
used for broadcast video cameras. Includes a
low setting for clipping.
• Cine gamma (V.REC): Designed for creating
film-like TV programmes or videos, with
virtually the same recording style that you
currently use.
• Cine gamma (F.REC): Designed for movie-
making or creating film-like commercial or
episodic TV programmes. Takes full advantage
of cine gamma capabilities to let you shoot in
the same way as when using a film camera.
Film User Menu
The AJ-HDC27H is like a film camera not only in
functions and performance, but in operation as
well. The settings you need are conveniently
grouped in a single-page menu. Use this menu
to select or adjust gamma, scan reverse
ON/OFF, hardness/softness, shadow gradation,
Y-Get , and latitude. Just as with a film camera,
you can also select tungsten or daylight type
lighting.
Film User Menu Screen
7
A Total HD Production System – For Producing All Types of Image Content
The optional HD gamma corrector and frame rate converter
give you total operating ease with the AJ-HDC27H two key
features – the cine gamma curves and variable frame rate.
Add a DVCPRO HD VTR with the HD/SD multi-format
function and IEEE 1394 and HD-SDI digital interfaces, and a
nonlinear editing system that supports DVCPRO HD, and
you're fully equipped to use AJ-HDC27H-recorded content in
a wide variety of productions – movies, HD theater, HD/SD
TV broadcasts and more.
AJ-FRC27
Frame Rate Converter
8
Film Theater
AJ-FRC27
Frame rate Converter
AJ-HDC27H
HD Camera-Recorder
AJ-HD1200AE
DVCPRO HD VTR
NLE
HD Theater
AJ-GBX27
HD Gamma
Corrector
HD Production System
HD TV
Speed Effects Achieved with Frame Rate Conversion
You can create a variety of speed effects by running sources recorded with the variable
frame rate function through the frame rate converter. The AJ-FRC27 Frame Rate Converter
extracts the effective frames from the input source, then outputs the data at the desired
frame rate. It also includes a built-in line conversion function for converting to 1080/24p
images.
Gamma Corrector for Easier Recording and Editing
Images recorded in cine gamma (F.REC) mode are flat and low in contrast, similar to a
direct negative-to-positive reversal. This produces an excellent film-like quality, but it's
difficult to check the images on a TV monitor. The AJ-GBX27 HD Gamma Corrector
greatly improves acquisition and editing ease by giving F.REC images a telecine look for
monitor use. The AJ-GBX27 also makes it easier to produce TV broadcast clips from
movie content.
Variable Frame Rate Content for a Host of Uses
By freely combining the variable frame rates 24/25-fps frame rate, gamma curves, and
variable frame rate functions, you can create virtually any type of image content.
• Movie film use: Post-edited images can be printed onto film for cinema viewing. The
resulting images have almost the same tonal quality and undercranking or overcranking
speed effects as footage from a film camera, but with higher sensitivity and lower cost.
• HD theater use: variable frame rate sources are ideal for use in HD theaters that use a
high-brightness, high-resolution HD projector. Because it does not use film, variable
frame rates footage offers greater flexibility in programme changes and inserts. It also
offers low-cost production and use.
• Commercial and music clip use: The combination of variable frame rate and a nonlinear
editing system offers many advantages, including film-like images, easy content
changes, and low overall costs.
• TV programme use: The 25-fps frame rate and conventional video gamma curve also let
you create video-based TV programmes.
PT-D7700
AJ-GBX27
BT-LH1700W
AJ-HD1700
AJ-HD3700B
HD-D5 VTR
PT-DW7000
HD Gamma Corrector
BT-LH900
AJ-HD1200A
DVCPRO HD VTR
Large-Venue DLP Projector
HD/SD LCD Video Monitor
9
Combining Advanced Digital Recording
and Cinema Know-How — Only Panasonic
• Up to 10 gain values ranging from –3 dB (–6 dB in video
Camera section: Captures a wide range of
images for use in cinematic or broadcast
productions.
menu) to +30 dB; 3 values can be saved as presets. Super
Gain instantly increases gain to +36 dB.
• 7 shutter speeds (1/60, 1/100, 1/120, 1/250, 1/500, 1/1000,
1/2000 sec), plus 3˚-350˚ (0.8%-97.2%) variable
• Auto Black Balance (ABB) and Auto White Balance (AWB).
AWB stores two values for each set of four CC filter
positions.
• Newly developed 3CCD system provide F12 (2,000-lux)
sensitivity, minimum illumination of 0.7 lux
• 12-bit A/D converter improves gradation
• Selectable frame frequency (60.0 Hz for PAL area/59.94 Hz
for NTSC area)
• “Y Get” makes spot meter function realized on EVF
• Digital setup for numeric image control. Easy jog dial and
menu-driven operation.
• Same tungsten/daylight selection as in film cameras. Also
comes standard with two ND and CC optical filter wheels
• Picture-enhancing circuits: Auto knee, detailing, shading
compensation, 12-pole colour correction, matrix
• New high-resolution emulation mode (switchable with
normal mode)
• Simple cinematic settings via the Film User Menu
Front view
Side view
DVCPRO HD Cassette tape
Extension control unit
Side view
Rear view
10
Specifications
• Variable frame rate from 4 to 60 fps, including the
traditional "film look" rate of 24 fps
General
Power Supply
DC 11V to 17V
36 W
• Up to 8 setup data files can be stored on an SD Memory
Card (Panasonic)
Power Consumption
conditions
Operating Temperature 0˚ C to 40˚ C
• Up to 64 lens files can be written to an SD Memory Card
(Panasonic)
Operating Humidity
Weight
Less than 85%
About 4.7 kg, About 7.6 kg in operation
Dimensions (W x H x D) 132 x 204 x 313mm
• The following functions can be assigned to the
USER1/USER2 buttons: Rec SW, Y-GET, Frame Rate,
Super Iris, Super Gain, Super Black, Black Stretch, and
Front/Rear Mic input
Camera Section
CCD Elements
2/3" IT 3-CCD (RGB)
Picture Elements
1,019,280 pixels (total, 1,370 x 744)
921,600 pixels (effective, 1,280 x 720)
CC: Cross, 3200K, 4300K, 6300K
ND: CLEAR, 1/4ND, 1/16ND, 1/64ND
12 bits
Optical Filters
• ECU menu On/Off selectable on EVF
• 2-level zebra pattern and spot zebra
• State, alert display on EVF screen
Quantization
Processing
74.25MHz (60Hz), 74.1758MHz (59.94Hz)
–6/–3/0/+3/+6/+9/+12/+18/+24/+30 dB (–6dB in video menu)
+18/+24/+30/+36dB
Programmable Gain
Super Gain
Shutter Speed
1/60, 1/100, 1/120, 1/250, 1/500, 1/1000 and 1/2000sec.
VTR section: High-quality recording
of progressive scan images.
Syncro Scan Shutter 0.8 % to 97.2 % (3°to 350°)
Frame Rate
Sensitivity
4 fps to 60 fps (in single increments)
2000 Lux at F12 (89.9% reflection, 23.98 p, 50% shutter)
• Records up to 32 minutes on a compact DVCPRO HD
Minimum Illumination 0.7 lux (F1.4, +36 dB gain 59.94 p)
Video S/N 54 dB (typical)
Horizontal Resolution 700 TV lines at center
cassette
• Recorded results can be checked on location via the
viewfinder (black & white) or monitored in colour through
the HD SDI out terminal
Registration Error
Less than 0.03 % (whole zone, without lens distortion)
Geometric Distortion Below measurable limit
Lens Mount
Viewfinder
2/3" Bayonet type
AJ-HVF27BP (Option)
• Two channels of 16-bit/48-kHz digital audio
• Two audio A/V timing modes (select conventional timing or
just-before timing)
VTR Section
Recording Format
Tape
DVCPRO HD (720p, 60Hz/720 p, 59.94Hz)
1/4" DVCPRO HD cassette tape
Tape Speed
135.42 mm/s (60Hz), 135.28 mm/s (59.94Hz)
Max. 32 minutes using AJ-HP64ELG
About 2.5 minutes using AJ-HP64ELG
• Audio input selectable from the front mic or rear panel
line input
Recording Time
FF/REW Time
• NEWS REC function prevents start/stop mistakes
• RETAKE function simplifies retakes of NG cuts
• REC REVIEW allows instant checking of recorded end
• Interval recording, with intervals from 2 seconds to 24
hours
VTR Section-Video
Sampling Frequency
Y: 74.25MHz, Pb/Pr: 37.125MHz (60Hz)
Y: 74.1758MHz, Pb/Pr: 37.088MHz (59.94Hz)
Quantization
Error Correction
Compression Ratio
Bit Rate
8 bits
Reed-Solomon product code
6.7:1
100Mbps
Video Band
Y: 20MHz, Pb/Pr: 10MHz
• One-Shot recording for making animation
• Users Bit Data for post-process
Audio
Sampling Frequency
48.048kHz (60Hz) /48kHz (59.94Hz)
16 bits/sample
*The videotape recorded in DVCPRO HD EX format cannot be played back on this
camera-recorder.
Quantization
Frequency response* 20Hz to 20kHz, ±1.0dB (reference level)
Dynamic range*
Distortion*
More than 85dB (1 kHz, AWTD)
Within 0.1% (1 kHz, reference level)
Below measurable limit
18 dB
The functions that professionals need, in a
compact, lightweight unit with low power
consumption.
Wow & Flutter*
Headroom*
Input
• Scan Reverse function for cinematic lens adapter
• Two isolated HD-SDI outputs. For monitor (super, status
display switch) and for camera output (fixation).
• Handheld control of camera settings and VTR section
remote control using the AJ-EC3E Extension Control Unit
• High-resolution 2-inch HD viewfinder
(optional AJ-HVF27BP). New, sturdier 2-point locking
viewfinder mount.
Audio IN
XLR x 2 (CH1/CH2), MIC/LINE/MIC+48V switchable
LINE: 0 dBu, MIC: –60 dBu
MIC IN
XLR x 1, balanced, –40 dBu)
Phantom +48V (On/Off)
Genlock IN
TC IN
BNC x 1, 1.0Vp-p 75Ω
BNC x 1, 0.5 to 7Vp-p, High-impedance
Output
HD SDI OUT
Audio OUT
TC OUT
BNC x 2, 0.8Vp-p 75Ω
XLR-5pin x 1, 0dBu
BNC x 1, 2.0Vp-p low-impedance
Stereo mini-jack x 1
Phones
• Built-in colour bar, reference audio signal generator
• Accommodates super-directional mic with phantom
power supply
Others
DC IN
DC OUT
Lens
XLR-4pin x 1 DC11V to 17V
4P x 1, DC11V to 17V, 1.5 A
12P x 1
6P x 1
ECU
• Compact size, light weight – approx. 4.7 kg (7.6 kg in
operating condition)
EVF
20P x 1
• Consumes only 36 W to minimize battery drain
• Built-in monitor speaker
• Reinforced lens hood
11
Auto REC Function (in Recording)
AJ-FRC27
Fram e Rate Converter
Camera
Action
Cut 1
Cut 2
Cut 3
Cut 4
STRAT MARK
END MARK
Recording
Action
Cut 1
Clip1
Cut 2
Clip 2
Cut 3
Clip 3
Cut 4
Clip 4
FRC Recording
(to HDD)
Pre-Roll Image Insertion (in Playback)
Pre-Roll Image (0 to 10 sec, by 2 sec step)
FRC Playback
(from HDD)
Clip1
Clip 2
Clip 3
Clip 4
Seamless Time Code
During playback, a pre-roll image of up to 10 seconds in length can be
automatically inserted and output with a continuous time code. This helps
to speed up shooting by letting you use the leading/trailing parts of each
cut as editing material, something that was difficult to do in conventional
HD cinema production.
The AJ-FRC27's compact, half-rack size and 5U profile makes it good fit
for applications ranging from studio use to EFP or relay use.
AJ-FRC27 Specifications
Power Source:
AC 220-230V, 50-60Hz
0.5A
Power Consumption:
Operating Temperature/Humidity: 5°C to 35°C/10% to 80%
Dimensions:
Weight:
210 (W) x 222 (H) x 492 (D)mm
15.0 kg
Check Variable Frame Rate Effects
On-Site, Line-Convert from 720p to
1080p, and Down-Convert to SD
The AJ-FRC27 converts the frame rates of images recorded using
the AJ-HDC27H. It extracts the frames you designate, records them to an
internal HDD, and plays them back. This lets you play fast-motion or
slow-motion effects in their actual, intended timeframes.
Recording Format:
HDD:
DVCPRO HD (720/60p)
36GB, 68-pin connector
40 min (at 720/60p), 100 min (at 720/24p)
BNC x 1 (throughout x 1)
BNC x 1, with Enbeded Audio in EE mode
BNC x 1
Recording Time:
HD-SDI Input:
HD-SDI Output:
Monitor Output:
Remote Input:
Option Board:
RS-422A (D-sub 9P)
You can select the playback frame rate from 24-, 25- or 60-fps, up-
convert to 1080/24psF or 1080/50i, down-convert to SDTV (576/50i),
working either on-line or off. If frame rate conversion is not required, you
can also directly convert the input signal into EE-through for output.
AJ-YA27G SD Output Interface Board
Playback Image Signal
AJ-YA27G
PAL (60p) sauce:
720xp over 60p(x= 24, 25, 30, 60)
1080/24psF, 1080/25psF, 1080/50i,
1080/60i (24p), 576/50i
SD O utput Interface Board
Plugging this board into the AJ-FRC27 lets
NTSC (59.94p) sauce:
720xp over 59.94p(x= 24, 25, 30, 60)
1080/23.98psF, 1080/59.94i (23.98p), 480/59.94i
you convert playback or input HD signals
into SD signals and output them (see table below). Select from five aspect
ratio conversion modes: Crop, Letterbox, Squeeze, 14:9, and 13:9. You
can also choose either wide or standard frequency characteristics
settings. The AJ-FRC27 includes an edge emphasis function for
outputting SD images, with settings of 0, +1, +1.5, and +2 dB.
Data can be automatically recorded by connecting to the AJ-HDC27H via
HD-SDI, and clip files of cuts that you designate by linking to the
camera's REC/STOP control can be stored to an HDD for backup. These
functions are also supported during studio editing, and the resulting tapes
can be played on a DVCPRO HD VTR, making it possible to automatically
create a clip of each cut by simple frame rate converter recording.
Management of OK/NG cuts is fast and easy.
Playback or Input HD Images
720/60p, 1080/24p, 1080/60i
1080/25p, 1080/50i
SD Converted Output Images
480/60i
576/50i
12
Field mode corrects underexposed and low-contrast F.REC gamma
images, and outputs monitor images with full film texture that can be
used to check the lighting. There's a setting for ordinary daylight and one
for nighttime shooting.
AJ-GBX27
HD Gam m a Corrector
Telecine mode is a post-processing mode that uses movie footage to
produce TV content with a film-like texture (a telecine look). This mode
preserves the high image quality by correcting intermediate gradation
while maintaining highlights and shadows.
The Video Rec and Video modes convert images with F.REC gamma
characteristics to V.REC gamma or video gamma characteristics.
CG mode is a film production mode that reverse-converts images into
F.REC images after they were previously converted to telecine mode and
CG-processed for production ease. Also provided is a user mode that lets
you install any desired conversion table from a PC.
Use Monitor and Movie Content for TV
Production by Giving F.REC Mode
Images a Telecine Look
The AJ-GBX27 corrects images recorded in cine gamma (F.REC mode) for
converting monitor and content data, and for a variety of other uses.
The AJ-GBX27 is extremely easy to use -- simply choose the desired
correction mode.
In addition to 720p (59.94/60 Hz), the AJ-GBX27 is compatible with 1080i
(59.94/60/50 Hz) and 1080p (23.97/24/25 Hz) HD formats.* This makes it
ideal for AJ-HDC27H recording and for editing, package production, and
a host of other applications. The 12-VDC power supply (XLR 4-pin
terminal) lets you take the AJ-GBX27 into the field. One HD-SDI input,
two HD-SDI outputs, and an analogue HD (Y/Pb/Pr) output are provided
for convenient monitor connection. Make contacts let you control
conversion ON/OFF from a switcher.
*This is not a format conversion function. It allows input/output of the same format only.
Video
100%
80%
60%
40%
20%
0%
Tele (V. Rec)
Specifications
Cine (F. Rec)
Telecine
Power Source:
Power Consumption:
Dimensions:
DC11 to 17V (EXT DC Input)
25W
213 (W) x 43.5 (H) x 330 (D)mm
Approx. 3 kg
Weight:
0%
100%
200%
300%
Input
400%
500%
600%
Video Format:
720/59.94p, 720/60p, 1080/24psF, 1080/23.97psF,
1080/59.94i, 1080/60i, 1080/50i, 1080/25psF
Gamma Table:
Input:
R.G.B. each x 16 set (preset:12/user:4)
HD SDI Input (BNC x 1)
HD SDI Input (BNC x 2)
Y/Pb/Pr (BNC x 3)
Output:
Analogue HD Output:
Data Input:
Remote:
RS-232C (D-sub 9P)
Control (make-connector)
CG Mode
Field Mode
Telecine Mode
STEP 1
AJ-HD1700
STEP 2
AJ-HDC27H
F.REC Gamma
Mix
AJ-GBX27
(Telecine Mode)
BT-LH1700W
BT-LH900
HD/SD LCD Monitor
BT-LH1700W
HD/SD LCDMonitor
RAW Data
Film Recording
Gamma Correction built-in
Work with
Telecine Look
F.REC Gamma
Work Station
HD-D5 VTR
(DVCPRO HD)
TV Broadcast
Footage
package
Reverse-Convert
Mix
Telecine Look
Telecine Look
AJ-GBX27
(CG Mode)
Film Recording
AJ-GBX27
HD Gammma Corrector
AJ-GBX27
HD Gamma Corrector
HD Monitor
AJ-HD1700
RAW Data
13
The AJ-HD1700 is a DVCPRO HD high-end studio master VTR that answers
today’s most advanced needs in high-definition production and broadcasting.
AJ-HD1700
Full-Featured Studio VTR
Featuring the new DVCPRO HD-LP format, the AJ-HD1700 records and plays
up to 126 minutes with an XL cassette. It can record three types of HD images
— 1080/60i, 720/60p, and 1080/50i — and is equipped with eight digital audio
channels for 5.1-channel surround sound.
The AJ-HD1700 plays all DVCPRO HD, DVCPRO50, DVCPRO P, DVCPRO, DV,
and DVCAM tapes. It has an advanced HD-SD conversion function that
provides simultaneous output of HD/SD signals from a wide variety of sources.
The AJ-HD1700 can even output a 1080/24p signal from a 720/24p over 60
source tape for convenient editing in 1080/24p such as mastering to D-5 HD on
the AJ-HD3700B VTR.
The AJ-HD1700 can also output a 1080/25p signal directly from a 720/25p
over 60p source tape.
AJ-HD1700
Plays/Records 720p and 1080i
Playback all DV-based formats 2-hour rec. time
1080/25p output from 720/25p over 60 8-ch audio
The compact, AC/DC-powered AJ-HD1200A is ready for a host of active
uses. This versatile HD VTR plays all DVCPRO formats (both PAL and
NTSC), including DVCPRO HD-LP, and can down-convert HD signals for
output as SD signals, allowing its use as both an HD and SD viewer. With
its 1080/24p (25p) conversion and output function for variable frame rate
sources, the AJ-HD1200A also meets needs in HD cinema production.
AJ-HD1200A
Full-Featured Studio VTR
Mount an optional board, and the AJ-HD1200A can serve as a recorder in
a space-saving, low-cost HD production system. Choose either an SDI
type optional board (HD-SDI in/out, SDI out) or an IEEE 1394 type board.
With the IEEE 1394 board, the AJ-HD1200A HD becomes the world's first
VTR to offer HD input and output via an IEEE 1394 digital interface. This
allows the AJ-HD1200A to connect to next generation NLE (Non-Linear
Editing) systems, or IEEE 1394 equipped Video Servers.
AJ-HD1200A Plays/Records 720p and 1080i
Playback all DV-based formats IEEE 1394 I/F
1080/25p output from 720/25p over 60 Compact Size
The AJ-HD3700B VTR meets all high quality HD and SD production
requirements in one VTR. HD studio quality is assured by full band width
(1920 x 1080) in 1080i, and 4:2:2 digital 10-bit component recording, plus
1080/24p, 1080/25p, as well as standard definition non-compressed 480i.
Metadata recording and playback is built in without sacrificing audio
channels and conversion between formats is as simple as an optional
converter card set. With an easy-to-use front panel operation and full
editing capability, the AJ-HD3700B is designed for integration into today's
modern post and production facilities.
AJ-HD3700B
Multi-Form at/Multi-Standard Mastering VTR
The AJ-HD3700B provides the flexibility of having a single machine
function in both HD and SD, plus the popular 1080/24p and 1080/24psF.
With the optional built-in format converter card, SD to HD and HD to SD
conversions are handled internally - without the need for outboard gear.
AJ-HD3700B HD-D5 Plays/Records ATSC formats
Supports multiple frame rates 10-bit recording
Format Conversion Metadata
8-Ch audio
14
Equipped with an F.REC gamma corrector, these 16:9, HD-ready monitors
convert images recorded with AJ-HDC27H in F.REC mode into the
appropriate gamma curves for viewing. This simplifies F.REC acquisition,
eliminating the need for a separate HD gamma corrector.
BT-LH1700W
17" HD/SD LCD Video Monitor
The BT-LH1700W offers the superior image quality and advanced
functions needed for HD production. It features the industry's first non-
delay IP circuit to assure natural viewing, plus a diagonal line processing
circuit that smoothes out jaggies. Its fast response with intermediate
gradations helps provide clear, blur-free images. The BT-LH1700W also
offers a 176° viewing angle both vertically and horizontally – one of the
best in the industry among LCDs. It features SDI input with automatic
HD/SD switching, component input, and composite input. The BT-
LH1700W body is designed for rack mounting using the optional adapter.
BT-LH900
8.4" HD/SD LCD Video Monitor
The BT-LH900P takes full advantage of the LCD panel's space-saving
design to offer a slim 65-mm profile and light weight of only 4.4 pounds
(2.0kg). With DC drive, low 22.8-watt power consumption and a separate
control panel that can be mounted on the monitor's top, side or bottom,
the BT-LH900P can serve as a camera-top EVF. The BT-LH900P also has
among the industry's widest viewing angles, 170° both vertically and
horizontally. It offers SDI input with automatic HD/SD switching,
component input and composite input, and it's designed for side-by-side
rack mounting using the optional adapter.
BT-LH1700W 1,280 x 768 WXGA display
AC100V/DC12V operation Light weight 6.6 kg
430 (W) x 309 (H) x 79 (D) mm compact size
BT-LH900
1,024 x 768 XGA display
DC12V (11-17V) operation Light weight 2.0 kg
218 (W) x 176 (H) x 65 (D) mm compact size
Each of these projectors features a 3-chip DLP™ (Digital Light
Processing) system for superior brightness, image quality and reliability.
An original Panasonic optical system with dual-lamp technology
combines with Dynamic Iris to deliver brightness of 7,000 ANSI lumens
(6,000 for the
PT-D7700
PT-DW7000
Large-Venue DLP™ Projector
PT-DW7000) and outstanding 4,000:1 contrast. A number of unique
picture-enhancing circuits also helps assure superior image reproduction.
Each model has a 2:2 pulldown mode for reproducing high-quality 25p
(480i) images. Each is equipped with video, S-Video and RGB inputs, and
an HD/SD SDI input is available as an option. Remote control via a PC is
possible over a LAN network. Several projectors can be combined for use
in a multi-screen system.
The PT-D7700 has native SXGA+ (1400 x 1050) resolution for projecting
sharp, detailed images onto a 4:3 screen. The PT-DW7000 has native
WXGA (1366 x 768) resolution for projecting bright, high-quality wide
images onto a 16:9 screen.
PT-D7700
1,400 x 1,050 SXGA+ display
7,000 ANSI lumens 70" to 600" of screen size
4,000:1 contlast ratio
HD/SD multi-format
PT-DW 7000
1,366 x 768 WXGA display
6,000 ANSI lumens 70" to 600" of screen size
4,000:1 contlast ratio HD/SD multi-format
15
24P System Flow
1. Shooting and On-Site Previewing
2. Variable Frema Rate-Compatible
Non-Linear Editing
3.Film Recording
LAN (FTP)
LASER
AJ-FRC27
BT-LH1700W
BT-LH900
Film Printer
HD-SD LCD Monitor
720/60p
1080/24p
AJ-HD1700
HD-D5 VTR
AJ-FRC27
AJ-GBX27
HD Monitor
Variable Frema Rate-Compatible
Non Linear Editor
Package
All Materials
5. 24 fps Non-linear Editing
4.TV Broadcast Footage
720/24p over 60p Materials
Gamma Correction
Off-Line Editing (Standard Definition)
Variable Frame
Rate Materials
24p Materials
Frame-Rate Conversion
HD-D5 VTR
AJ-GBX27
DVCPRO
Active Frame
Record 24p over 60p
DVCPRO HD VTR
Non Linear Editor
Downconvert
DVCPRO HD VTR
DVCPRO HD VTR
AJ-FRC27
On-Line Editing
Upconvert to 1080/24p
EDL (24fps)
1080/24p
1080/24p
AJ-HD1700
HD-D5 VTR
Package
Non Linear Editor
25P System Flow
6.25 fps Non-linear Editing
Shooting
Field Slow Check
Frame Rate Conversion
AJ-FRC27
Frame Rate Converter
Off Speed Materials
720/xp
HD SDI
AJ-HD1200A
DVCPRO HD VTR
+Option Board
AJ-YAD120AG
AJ-FRC27
Frame Rate Converter
Off-Line Editing
Down Convert
AJ-HDC27H
25P Materials
PA
AJ-HD1200A
DVCPRO HD VTR
720/25p over 60p
EDL 25fps
On-Line Editing
Cross Convert
1080/25psf
HD SDI
1080/25psf
HD SDI
AJ-HD1200A
DVCPRO HD VTR
+Option Board
AJ-YAD120AG
AJ-HD3700B
1080/25p Editing
16
1.On-site Previewing
6. 25 fps Non-linear Editing
Use the AJ-FRC27 Frame Rate Converter to check the
results of fast-motion or slow-motion effects right after
recording. Combine it with the BT-LH900 HD LCD Monitor
(which features gamma correction) or the AJ-GBX27 HD
Gamma Corrector, and you can view images with gradation
that closely approximates that of the finished
images.2.Variable Frame Rate Compatible
Non-linear Editing
The AJ-FRC27 lets you play the tapes recorded at 60 fps
directly on a DVCPRO HD VTR. Using a variable frame rate
compatible nonlinear editing system with an effective frame
extraction function, you can directly upload undercranked or
overcranked footage for use in 1080/24p or 720/60p (24p
over 60p).
First, convert ‘off-speed’ material to 25p material by using
Frame rate converter. Second, down convert to PAL signal
and make EDL by off line edit. Third, cross convert from
720/25p to 1080/25psf and online edit by using EDL. Fourth,
Mastering finished piece to D5-HD or DVCPROHD. In case
of F.Rec mode, it would be better to use GBX27 when
capture into NLE.
7. Multi-Format Output
The down-converter integrated into the AJ-HD1200A lets
you down-convert and output SD footage from an HD
package. Plugging in the optional AJ-YA120AG board also
enables 720/1080 line converting as well as conversion and
output of 1080/25psf footage from a 720/25p over 60p
source. This function allows multi-format output for HD
broadcasting, cinema, and SD broadcasting.
*Applicable nonlinear editing systems (as of July 2005 ):
Apple Final Cut Pro 5, Interactivefx Piranha HD, Quantel iQ/eQ
3.Film recording
DVCPROHD and IEEE1394
Supported Non-Linear Editing system.
By printing onto film using the conversion table, you can
produce a gradation that's appropriate for screen projection.
The gradation characteristics of F.REC gamma materials are
equivalent to digital scanning. Those of V.REC are equivalent
to telecine.
4.Conversion to TV Broadcast Footage
Compared with telecine systems, the AJ-GBX27 HD Gamma
Corrector offers a cheaper and easier way to convert movie
content into high-quality TV content with a film-like texture.
Apple Final Cut Pro 5 (Power Mac G5)
5. 24 fps Non-linear Editing
First, use off-line editing to convert the frame rate of
undercranked or overcranked footage, then down-convert to
the Standard Definition (576/50i) format through AJ-FRC27.
Next, use the EDL from the off-line editing for 1080/24p
online editing. The AJ-HD1700 or AJ-HD1200A DVCPRO HD
VTR lets you play back a 720/24p over 60p source and
directly convert it to 1080/24p output.
Avid M edia Com poser Adrenaline HD
Frame Rate Conversion (Ex. 40-fps)
★=Active Frame Frag
AJ-HDC27F
Camera-Recorder
1
1
2
2
2
3
3
4
4
5
4
6
5
7
6
8
6
9
7
8
8
9
Canopus EDIUS HD/SD/SP/NX
AJ-FRC27
(HDD Recording)
DVCPRO HD
(720/60p)
1
1
2
2
2
3
3
4
4
4
5
5
6
HD-D5
(1080/24p)
1
2
3
4
5
6
17
AJ-HVF27BP
2.0" HD EVF
AJ-MC700P
Microphone Kit
AJ-MH800G
Microphone Holder
ABUL2S
AntonBauer Ultra Light
Anton Bauer Battery
AJ-EC3E
Extension Control Unit
AJ-HP64ELG
DVCPRO HD Cassette Tape
AJ-B95/AJ-B75
AC Adapter
ABUL2S
Microphone
Anton/Bauer
AJ-MH800G
Microphone
Holder
Ultra light
BT-LH1700W
HD LCD Monitor
BT-LH900P
HD LCD Monitor
AJ-MC700P
Microphone Kit
DC Cable (XLR)
AJ-B75E
AC Adaptor
AJ-HVF27BP
2.0" HD VF
DVC-822 (Miranda Technologies Inc.)
Full Quality Downconverter and DV Encoder
for HD Cameras
2/3" HDTV Lens
HD Cine Lens
Anton/Bauer
Gold Mount Plate
Anton/Bauer
Batteries
Anton/Bauer
Battery Charger
For more information, please vist at
AJ-HDC27H
Camera/Recorder
<www.miranda.com>
6-Pin Remote Cable
35mm Cinema Lens
CLA35HD
Cine Lens Adaptor
AJ-EC3E
Extension
Control Unit
SHAN-TM700
Tripod Adaptor
Cinema Accessories
Multi Media Card
SD Memory Card
• Optical Filter and Mat Box
• Lens Control System
• Follow Focus System
• EVF Extender
• Bridge Plate and Adaptor Plate
• CIne Style Tripod System
Tripod
Shoulder Strap
SHAN-RC700
Rain Cover
AJ-SC900
AJ-HT901G
Standard Accessories
Soft Carrying Case Hard Carrying Case
18
19
[Countries and Regions]
Argentina
Australia
Austria
Bahrain
Belgium
Bulgaria
China
+54 1 308 1610
Kuwait
Lebanon
Malaysia
+965 481 2123
+961 1 216827
+60 3 5549 5422 (PSE)
+60 3 5546 7000 (PM)
Sweden
Switzerland
Thailand
Turkey
U.A.E.
Ukraine
+46 (8) 680 26 41
+41 (0)41 259 96 32
+66 2 731 8888
+90 216 578 3700
+971 4 282201
+380 44 4903437
+380 44 4903438
[ext. 112]
+61 2 9887 6222
+43 (0)1 610 80 773
+973 252292
+32 (0)2 481 04 57
+359 2 946 0786
+86 10 6515 8828
+852 2313 0888)
Matsushita Electric Industrial Co., Ltd.
Systems Business Group
2-15 Matsuba-cho, Kadoma, Osaka 571-8503
Japan
Phone +81 6 6905 4650 Fax +81 6 6908 5969
Montenegro, Serbia
+41 (0)26 466 25 20
Netherlands
New Zealand
Norway
Pakistan
Philippines
Poland
+31 73 64 02 577
+64 9 272 0100
+47 67 91 78 00
+92 5370320 21
+63 2 633 6162
+48 (22)338 1100
+351 21 425 77 04
+40 21 211 4855
+7 095 980 42 06
+966 1 465 0709
+65 6270 0110
(Hong Kong
Czech Republic +420 236 032 552/511
Denmark
Egypt
Finland, Latvia, Lithuania, Estonia
+358 (9)521 52 53
U.K
+44 (0) 1344 70 69 20
+45 43 20 08 57
+20 2 3938151
Portugal
Romania
France
+33 (0)1 55 93 66 67
+49 (0)611 235 401
+30 210 96 92 300
+36 (1)382 60 60
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+98 21 2271463
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Germany
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Hungary
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Italy
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Russia & CIS
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Slovenia, Croatia, Bosnia, Macedonia
+44 (0)20 76 63 36 57
South Africa
Spain
+27 11 313 1400
+34 (93) 425 93 00
Kazakhstan
SP-HDC27HE1
16K507ZM-1 Printed in Japan
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