Yamaha Stereo Receiver HTR 5170 User Manual

U C A T  
HTR-5170  
Natural Sound AV Receiver  
Ampli-tuner audio vidéo  
OWNER’S MANUAL  
MODE D’EMPLOI  
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Congratulations!  
You are the proud owner of a Yamaha Digital Sound Field Processing (DSP)  
System—an extremely sophisticated audio component. The DSP system takes full  
advantage of Yamahas undisputed leadership in the field of digital audio processing  
to bring you a whole new world of listening experiences. Follow the instructions in this  
manual carefully when setting up your system, and the DSP system will sonically  
transform your room into a wide range of listening environments—anything from a  
famous concert hall to a cozy jazz club. In addition, you get incredible realism from  
most of surround-sound encoded video sources available in the market using the built-  
in Dolby Pro Logic Decoder, Dolby Digital Decoder and DTS Decoder.  
Five built-in channels of amplification on this model mean that no additional  
amplifiers are required to enjoy advanced digital sound field processing.  
Rather than tell you about the wonders of digital sound field processing, however,  
lets get right down to the business of setting up the system and trying out its many  
capabilities. Please read this operation manual carefully and store it in a safe place for  
later reference.  
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CONTENTS  
CAUTION .................................................................. 2  
BASIC OPERATION ............................................... 33  
Playing a source .................................................... 33  
INTRODUCTION ....................................................... 3  
Recording a source to tape (or MD) or dubbing  
from tape (or MD) to tape (or MD)......................... 37  
Features .................................................................... 3  
What’s DSP?............................................................. 4  
Sound control......................................................... 38  
Tuning ..................................................................... 39  
Basic operation ................................................... 39  
Preset tuning........................................................ 40  
Using digital sound field processor (DSP) ......... 43  
GETTING STARTED ................................................ 7  
Getting started.......................................................... 7  
Unpacking .............................................................. 7  
Installing batteries in the remote controller ........... 8  
Notes about the remote controller.......................... 8  
Controls and their functions................................... 9  
Front panel............................................................. 9  
Display panel........................................................ 11  
Playing a source with an effect of the digital  
sound field processor (DSP) ................................ 43  
Adjusting output level of the center, right rear,  
left rear speakers and subwoofer......................... 46  
Brief overview of digital sound field programs...... 48  
ADVANCED FEATURES ....................................... 51  
PREPARATION ...................................................... 12  
“SET MENU” mode ............................................... 51  
Creating your own sound fields .......................... 55  
Setting the SLEEP timer ....................................... 60  
Speaker setup......................................................... 12  
Connections ........................................................... 14  
Audio/video source equipment ............................ 14  
Speakers ............................................................. 20  
Antennas ............................................................. 23  
Plugging in this unit ............................................. 25  
On screen display .................................................. 26  
REMOTE CONTROLLER ....................................... 61  
Basic operation ..................................................... 61  
Key name and function ......................................... 62  
Entering manufacturer codes .............................. 67  
Restoring the default codes ................................. 68  
Selecting the output modes  
(“SET MENU” mode) ............................................. 27  
Speaker balance adjustment ................................ 30  
TROUBLESHOOTING ............................................ 69  
SPECIFICATIONS .................................................. 72  
LIST OF MANUFACTURE’S CODE  
.............................................. The end of this manual  
1
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CAUTION : Read this before operating your unit.  
1. To assure the finest performance, please read this manual  
IMPORTANT  
carefully. Keep it in a safe place for future reference.  
Please record the serial number of your unit in the space  
2. Install this unit in a cool, dry, clean place – away from  
windows, heat sources, sources of excessive vibration,  
dust, moisture and cold. Avoid sources of humming  
(transformers, motors). To prevent fire or electrical shock,  
do not expose the unit to rain or water.  
below.  
Model:  
Serial No.:  
3. Never remove the unit cover. Contact your dealer if an  
The serial number is located on the rear of the unit.  
Retain this Owner’s Manual in a safe place for future  
reference.  
object falls inside the unit.  
4. Do not use force on switches, controls or connection wires.  
When moving the unit, first disconnect the power plug and  
the wires connected to other equipment. Never pull on the  
wires themselves.  
WARNING  
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,  
DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.  
5. The openings on the unit cover assure proper ventilation of  
the unit. If these openings are obstructed, the temperature  
inside the unit will rise rapidly. Therefore, avoid placing  
objects against these openings, and install the unit in a  
well-ventilated area to prevent fire and damage.  
This unit is not disconnected from the AC power source as  
long as it is connected to the wall outlet, even if this unit  
itself is turned off. This state is called the standby mode.  
In this mode, this unit is designed to consume a small  
amount of power.  
<Singapore model only>  
Be sure to allow a space of at least 20 cm behind, 20 cm  
on the both sides and 30 cm above the top panel of the  
unit to prevent fire and damage.  
6. The voltage used must be the same as that specified on  
this unit. Using this unit with a higher voltage than  
specified is dangerous and may result in fire or other  
accidents. YAMAHA will not be held responsible for any  
damage resulting from use of this unit with a voltage other  
than specified.  
FREQUENCY STEP switch (China and General Models  
only)  
Because the interstation frequency spacing differs in  
different areas, set the FREQUENCY STEP switch (located  
at the rear) according to the frequency spacing in your  
area.  
7. Digital signals generated by this unit may interfere with  
other equipment such as tuners, receivers or TVs. Move  
this unit farther away from such equipment if interference  
is observed.  
Before setting this switch, disconnect the AC power plug of  
this unit from the AC outlet.  
8. Always set the VOLUME control to “– ” before starting  
the audio source play. Increase the volume gradually to an  
appropriate level after playback has been started.  
WARNING  
Do not change the IMPEDANCE SELECTOR switch  
setting while the power to this unit is on, otherwise this  
unit may be damaged.  
9. Do not attempt to clean the unit with chemical solvents;  
this might damage the finish. Use a clean, dry cloth.  
10. Be sure to read the “TROUBLESHOOTING” section  
regarding common operating errors before concluding that  
the unit is faulty.  
If this unit fails to turn on when the STANDBY/ON switch is  
pressed;  
The IMPEDANCE SELECTOR switch may not be set to  
either end. If so, set the switch to either end when this unit  
is in the standby mode.  
11. When not planning to use this unit for long periods of time,  
disconnect the AC power plug from the wall outlet.  
12. To prevent lightning damage, disconnect the AC power  
IMPEDANCE SELECTOR  
plug and antenna cable when there is an electrical storm.  
13. Grounding or polarization – Precautions should be taken  
so that the grounding or polarization of an appliance is not  
defeated.  
AR  
SUND)  
IMPEDANCE SELECTOR  
SET BEFORE POWER ON  
REAR  
:
:
6
MIN. /SPEAKER  
MIN. /SPEAKER  
CENTER  
MAIN  
6
14. Do not connect an audio unit to the AC outlet on the rear  
panel if the equipment requires more power than the outlet  
is rated to provide.  
A
A
OR B: 8MIN. /SPEAKER  
B: 4MIN. /SPEAKER  
A
REAR  
:
:
8
MIN. /SPEAKER  
MIN. /SPEAKER  
CENTER  
MAIN  
8
OR BB::I6MIN. /SPEAKER  
A
8MIN. /SPEAKER  
AC OUTLETS  
SWITCHED  
15. Voltage Selector (China and General Models only)  
The voltage selector on the rear panel of this unit must  
be set for your local main voltage BEFORE plugging  
into the AC main supply.  
I20V  
60Hz  
I00W MAX.TOTAL  
ION SEE INSTRUCTION  
L FOR CORRECT SETTING.  
Voltages are 110/120/220/240 V AC, 50/60 Hz.  
(U.S.A. model)  
2
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INTRODUCTION  
Features  
5 Channel Power Amplification  
Sophisticated FM/AM Tuner  
Main:  
85W + 85W (8) RMS Output  
Power, 0.04% THD, 20–20,000 Hz  
85W (8) RMS Output Power,  
0.04% THD, 20–20,000 Hz  
85W + 85W (8) RMS Output  
Power, 0.04% THD, 20–20,000 Hz  
40-Station Random Access Preset Tuning  
Automatic Preset Tuning  
Center:  
Rear:  
Preset Station Shifting Capability (Preset  
Editing)  
IF Count Direct PLL Synthesizer Tuning  
System  
Multi-Mode Digital Sound Field  
Processing  
Others  
Digital Sound Field Processor (DSP)  
Dolby Digital Decoder  
“SET MENU” Mode which ProvidesYou  
with 13 Titles of Setting Changes and  
Adjustments for Optimizing This Unit for  
Your Audio/Video System  
Dolby Pro Logic Decoder  
DTS Decoder  
BASS EXTENSION Button for Reinforcing  
CINEMA DSP:Theater-like Sound  
Experience by the Combination of  
YAMAHA DSP Technology and Dolby  
Digital, Dolby Pro Logic or DTS  
Bass Response  
On Screen Display Function Helpful in  
Controlling This Unit  
Automatic Input Balance Control for  
Dolby Pro Logic Decoding  
SLEEP Timer  
OPTICAL and COAXIAL Digital Audio  
Signal Terminals  
Test Tone Generator for Easier Speaker  
Balance Adjustment  
6 Channel External Decoder Input for  
Speaker Output Mode Selection  
Capability for the Most Suitable  
Use ofYour Speaker System  
Other Future Formats  
Video Signal Input/Output Capability  
(Including S Video Connections)  
Universal Remote Controller with Preset  
Manufacturer Codes  
3
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INTRODUCTION  
What’s DSP?  
Introduction  
Welcome to the exciting world of digital home entertainment.  
This unit is one of the most complete and advanced AV  
receiver available. Some of the more advanced features may  
not be familiar to you, but they are easy to use. State-of-the-art  
technologies such as Dolby Digital and Digital Theater  
Systems (DTS) may be new to your home, but you have  
probably experienced the amazing realism they bring to feature  
films in theaters around the world.  
To make the listening experience even more enjoyable, this  
unit includes a number of exclusive, digitally created listening  
environments known as digital sound fields. Choosing a sound  
field program is like transporting yourself to such venues as an  
outdoor arena, a European church, or a cozy jazz club. Take  
some time now to read more about these features and enjoy  
the new experiences this unit brings to your home theater.  
Digital Sound Field Processing  
Technological advances in sound reproduction over the last 30  
years have enhanced the listening experience with improved  
clarity, precision and power. However, something has still been  
missing: The atmosphere and acoustic ambiance of the public  
venue. Our Yamaha engineers have extensively researched  
the nature of sound acoustics and the way sound reflects  
inside a room. We sent these engineers to famous theaters  
and concert halls around the world to measure the acoustics of  
those venues with sophisticated microphones. The data they  
collected is used to recreate these environments in digital  
sound fields. Some of these digital sound fields are created  
using data measured directly at the original venue; others are  
created from combinations of data to form unique  
Of course, that only solves half of the problem. These  
engineers have no way of knowing the acoustics of your  
listening room, so we’ve made it possible for you to adjust the  
various parameters of this data to tailor each virtual venue to  
your taste. You can use these sound fields to enhance any  
source and in combination with any of the following surround  
sound technologies. Some are designed especially for music,  
and some especially for movies.  
environments for specific purposes.  
Dolby Pro Logic  
Dolby Surround has been used in movie theaters since the  
mid-seventies. It has also been available in home  
Most video tapes and laser discs include Dolby Surround  
encoding as do many TV and cable broadcasts. The Dolby Pro  
Logic decoder built into this unit employs a digital signal  
processing system that stabilizes each channel for even more  
accurate sound positioning than is available with standard  
analog processors.  
entertainment systems since the late eighties and continues to  
be a popular format for home theater systems. It uses four  
discrete channels and five speakers to reproduce realistic and  
dynamic sound effects: two main channels (left and right), a  
center channel for dialog, and a rear channel for special sound  
effects. The rear channel reproduces sound within a narrow  
frequency range.  
4
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INTRODUCTION  
Dolby Digital  
Dolby Digital is the next level of Dolby Surround sound system  
developed for 35 mm film-movies by employing low bit-rate  
audio coding.  
Dolby Digital forms 5.1 channels as mentioned left, and  
moreover, it can also form fewer channels, for example 2  
channel stereo and monaural. You may be able to find some 2  
channel stereo and/or monaural sources encoded with Dolby  
Digital in the market.  
Dolby Digital is a digital surround sound system that provides  
completely independent multi-channel audio to you. Dolby  
Digital provides five full range channels in what is sometimes  
referred to as a “3/2” configuration: three front channels (left,  
center and right), and two surround channels. A sixth bass-only  
effect channel is also provided for output of LFE (low frequency  
effect), or low bass effects that are independent of other  
channels. (This is called the “LFE channel”.) This channel is  
counted as 0.1, thus giving rise to the term 5.1 channels in  
total.  
Laserdisc and DVD are home audio formats that could benefit  
from Dolby Digital. In the near future, Dolby Digital will also be  
applied to DBS, CATV and HDTV. The ongoing release of  
Dolby Digital theatrical films now underway will provide an  
immediate source of Dolby Digital encoded video software.  
Manufactured under license from Dolby Laboratories. “Dolby”,  
“Pro Logic” and the double-D symbol are trademarks of Dolby  
Laboratories.  
Compared to Dolby Surround that is referred to a “3/1” system  
(left front, center, right front and just one surround channel),  
Dolby Digital features two surround channels, called stereo or  
split surrounds, each offering the same full range fidelity as the  
three front channels.  
By using the built-in Dolby Digital decoder, you can experience  
the dramatic realism and impact of Dolby Digital theater sound  
in your home.  
Wide dynamic range of sound reproduced by the five full range  
channels and precise sound orientation by the digital sound  
processing presents listeners much excitement and realism  
that has never been experienced before.  
DTS Digital Surround  
DTS (Digital Theater Systems) system was developed to  
replace analog soundtracks of movies with six discrete  
channels of digital soundtracks, and now, it is installed in many  
theaters around the world. The DTS digital playback system  
changed the way we experienced movies in theaters with six  
discrete channels of superb digital audio.  
By using the DTS decoder built into this unit, you can  
experience the dramatic realism and impact of the DTS  
installed theater’s high quality sound in your home.  
Laserdisc, compact disc and DVD are home audio format  
within which DTS can represent its high quality multi-channel  
audio. (In addition to movies on laserdiscs, many exciting new  
multi-channel music recordings will also become available in  
the form of DTS-encoded compact discs.)  
The DTS technology, through intense research and  
development, made it possible to deliver a similar  
encode/decode discrete technology to home audio surround-  
sound entertainment.  
The DTS Digital Surround is an encode/decode system which  
delivers six channels of master-quality, 20-bit audio; technically  
5.1 channels, which means 5 full-range (left, center, right and  
two surround) channels, plus a subwoofer (LFE) channel (as  
“0.1”). It is compatible with the 5.1 speaker configurations that  
are currently available for home theater systems  
Manufactured under license from Digital Theater Systems, Inc.  
US Pat. No. 5,451,942 and other world-wide patents issued  
and pending. “DTS”, “DTS Digital Surround”, are trademarks of  
Digital Theater Systems, Inc. Copyright 1996 Digital Theater  
Systems, Inc. All Rights Reserved.  
The DTS Digital Surround algorithm is designed to encode the  
six channels of 20-bit audio onto some laserdiscs, compact  
discs and DVDs with considerably less data-compression.  
5
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INTRODUCTION  
CINEMA DSP: Dolby Surround + DSP / DTS + DSP  
The Dolby Surround sound and DTS systems show their full  
ability in a large movie theater, because movie sounds are  
originally designed to be reproduced in a large movie theater  
that uses a multitude of speakers. Trying to create a sound  
environment similar to that of a movie theater in your home is  
difficult because of the room size, material inside the walls, the  
number of speakers, and so on. In other words, your listening  
room is very different from a movie theater.  
However, Yamaha DSP technology allows you to create nearly  
the same sound experience as that of a large movie theater in  
your home by compensating for the lack of presence and  
dynamics in the listening room with original digital sound fields  
combined with Dolby Surround or DTS Digital Surround  
sounds.  
CINEMA DSP  
The YAMAHA “CINEMA DSP” logo indicates those programs  
that are created by the combination of YAMAHA DSP  
technology and Dolby Surround or DTS.  
Dolby Pro Logic + 2 Digital Sound Fields  
Dolby Digital or DTS + 3 Digital Sound Fields  
Digital sound fields are created on the presence side and  
the rear surround side of the Dolby Pro Logic decoded  
sound field respectively. They create a wide acoustic  
environment and emphasize surround-effect in the room,  
letting you feel much presence as if you were watching a  
movie in a popular Dolby Surround theater.  
Digital sound fields are created on the presence side and  
the independent left and right surround sides of the Dolby  
Digital-decoded or the DTS-decoded sound field  
respectively. They create a wide acoustic environment and  
much surround effect in the room without losing high  
channel separation. With wide dynamic range of Dolby  
Digital or DTS sound, this sound field combination lets you  
feel as if you were watching a movie in the newest Dolby  
Digital theater or DTS installed theater. This is the most  
ideal home theater sound at the present time.  
For details, refer to pages 48 to 49.  
For details, refer to pages 48 to 49.  
6
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GETTING STARTED  
Getting started  
Unpacking  
Carefully remove this unit and accessories from the box. You should find the unit itself and the following accessories.  
Remote controller  
Indoor FM Antenna  
POWER  
STANDBY  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
TUNER  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
4
6
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
CLEAR  
0
ENTER  
A/B/C/D/E  
DSP  
EFCT  
DISC SKIP  
PRESET  
ON/OFF  
AM Loop Antenna  
CH  
CH  
TV  
CODE SET  
MUTE  
VOLUME  
INDEX  
DISP  
SLEEP  
POWER  
TV  
ON SCREEN  
VCR REC  
/
TV INPUT  
A/B  
DIR  
A
DIR  
B
SELECT  
SET UP  
RETURN  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
TITLE  
MENU  
LEVEL  
SET MENU  
Antenna adapter (U.S.A. and Canada models only)  
Batteries (size AA, R6, UM-3)  
7
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GETTING STARTED  
Installing batteries in the remote  
controller  
Notes about the remote controller  
Battery replacement  
Since the remote controller will be used for many of this unit’s  
control operations, you should begin by installing the supplied  
batteries.  
If you find that the remote controller must be used closer to the  
main unit, the batteries are weak. Replace both batteries with  
new ones.  
Notes  
1. Turn the remote controller over and slide the battery  
Use AA, R6, UM-3 batteries.  
compartment cover in the direction of the arrow.  
Be sure the polarities are correct. (See the illustration inside  
the battery compartment.)  
Remove the batteries if the remote controller is not used for  
an extended period of time.  
2. Insert the batteries (AA, R6, UM-3 type) according to the  
polarity markings on the inside of the battery compartment.  
If batteries leak, dispose of them immediately. Avoid  
3. Close the battery compartment cover.  
touching the leaked material and contact with clothing, etc.  
Clean the battery compartment thoroughly before installing  
new batteries.  
Be sure to insert the new batteries within 2 minutes after  
you remove the old batteries from the remote controller. If  
the remote controller is left for more than 2 minutes without  
batteries, all of the codes you entered will be cleared and  
the remote controller will return to the factory preset  
condition.  
2
1
3
Remote controller operation range  
Remote control  
sensor  
Within approximately  
6 m (19.7 feet)  
Notes  
The area between the remote controller and the main unit  
must be clear of large obstacles.  
Do not expose the remote control sensor to strong lighting,  
in particular, an inverter type fluorescent lamp. Otherwise,  
the remote controller may not work properly. If necessary,  
position the main unit away from direct lighting.  
8
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GETTING STARTED  
Controls and their functions  
Front panel  
1
2
3
4
5
6
CINEMA DSP  
NATURAL SOUND AV RECEIVER RX V795aRDS  
VOLUME  
l6  
INPUT SELECTOR  
20  
l2  
28  
60  
8
4
40  
STANDBY/ON  
TAPE/MDEDCOMDEORN  
/EXT.  
2
0
–dB  
TUNING  
MODE  
A/  
B/  
C/  
D/  
E
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
EXTENSION BYPASS  
l
l
l
l
l
l
A
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
7
9
8
0 A B C D  
E
G I J K  
H
N
O
P
M
F
L
For the remote controller, refer to pages 61 to 68.  
1 STANDBY/ON switch  
5 INPUT SELECTOR  
Turn this knob to select the input source.  
The selected source will be shown on the display.  
Press this switch to turn on the power. Press this switch again  
to set this unit in the standby mode.  
* A click from the switch and the initial rotation of the built-in  
fan will be heard when the power is turned on.  
6 Master VOLUME control  
Simultaneously controls volume for all output sounds; main,  
rear, center and subwoofer. (The REC OUT level is not  
affected.)  
* The indicator on the master VOLUME control will flash when  
the volume is decreased by pressing the MUTE key on the  
remote controller.  
Standby mode  
This unit is still using a small amount of power in this mode  
in order to be ready to receive infrared-signals from the  
remote controller.  
2 Remote control sensor  
7 PHONES jack  
Receives signals from the remote controller.  
Headphones can be plugged into this jack for private listening.  
You can listen to the sound to be output from the main  
speakers through headphones. When listening with  
headphones privately, set both SPEAKERS A and B switches  
to the OFF position and turn off the digital sound field  
processor by pressing the EFFECT button so that no DSP  
program name is illuminated on the display panel.  
3 Display panel  
Displays a variety of information. (Refer to page 11 for details.)  
4 TAPE/MD MON/EXT. DECODER button  
Press this button repeatedly until the “TAPE/MD MONITOR  
indicator is illuminated on the display. Sound source played or  
recorded on the unit connected to the TAPE/MD IN  
(PLAY)/OUT (REC) AUDIO SIGNAL terminals on the rear of  
this unit is selected as the input source taking priority of the  
INPUT SELECTOR’s setting.  
PHONES  
Press this button repeatedly until the “EXT. DECODER”  
appears on the display. Sound signals input to the EXTERNAL  
DECODER INPUT terminals on the rear of this unit is selected  
as the input source taking priority of the INPUT SELECTOR’s  
setting.  
Press this button repeatedly until the original display mode is  
restored to cancel the above input sources.  
9
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GETTING STARTED  
8 A/B/C/D/E button  
H FM/AM button  
Press this button to select a group (A–E) of preset stations.  
Press this button to switch the reception band between FM and  
AM.  
9 SPEAKERS switches  
Press the switch A or B (or both) for the main speakers you will  
use inward (ON). Press and release the switch for the main  
speakers you do not use outward (OFF).  
I LEVEL button  
This button is used to adjust the output level of the center and  
rear speakers, and subwoofer. First, press this button (several  
times) to select the speaker(s). The name appears on the  
0 Preset station number selector buttons  
display. Then press the + or button ( ) to change the output  
level.  
J
Select a preset station number (1 to 8).  
A BASS EXTENSION button  
J –/+ button  
Press this button inward (ON) to boost the bass frequency  
response at the main left and right channels while maintaining  
overall tonal balance. This function is effective for reinforcing  
the bass frequencies when a subwoofer is not used.  
Adjusts the level of the speaker(s) selected by pressing the  
LEVEL button. Moreover, performs setting changes and  
adjustments for functions selected by pressing the SET MENU  
button (K).  
B TONE BYPASS button  
K SET MENU button  
Press this button inward (ON) to bypass the tone (BASS and  
TREBLE) control circuitry. This function is used for outputting  
pure sound and checking the tone control settings. The tone  
control circuitry can be used when this button is released  
outward (OFF).  
Press this button once or more to select the desired function in  
the SET MENU mode.  
L TUNING DOWN/UP button  
Used for tuning. Press the “UP” side to tune in to a higher  
frequency, and press the “DOWN” side to tune in to a lower  
frequency.  
C BASS and TREBLE controls  
Rotate these knobs to adjust the low and high frequency  
response for the left and right main channels only.  
M PROGRAM selector button  
Press this button in the  
or  
direction to select a digital  
D BALANCE control  
sound field processing program.  
This knob controls the sound from the main speakers only.  
The balance of the output volume to the left and right main  
speakers can be adjusted to compensate for sound imbalances  
caused by the speaker location or listening room conditions.  
N EFFECT button  
Press this button to turn on and off the output from the center  
and rear speakers. The sound becomes normal 2-channel  
when this function is turned off.  
E MEMORY (MAN’L/AUTO FM) button  
However, this does not apply to Dolby Digital or DTS. The  
signals at all channels will be distributed to the main channels  
and output from the main speakers, even if the output from the  
center and rear speakers are turned off, when Dolby Digital or  
DTS is decoded.  
Use this button to enter a station to memory. Refer to the  
section “Manual preset tuning” on page 40 for details.  
Hold down this button for more than 3 seconds to start  
automatic preset tuning. Refer to page 41 for details.  
F EDIT button  
O VIDEO AUX terminals  
This button is used to exchange the places of two preset  
stations with each other.  
Connect an auxiliary video or audio input source unit such as a  
camcorder to these terminals. A video unit with a S video  
output terminal can be connected to the S VIDEO terminal to  
obtain a high resolution picture. The source can be selected  
with the INPUT SELECTOR.  
G TUNING MODE (AUTO/MAN’L MONO) button  
Press this button to switch the tuning mode between automatic  
and manual. To select the automatic tuning mode, press this  
button so that the “AUTO” indicator is illuminated on the  
display. To select the manual tuning mode, press this button so  
that the “AUTO” indicator is not illuminated.  
P INPUT MODE button  
Press this button to select how input signals are received from  
sources that output two or more types of signals. The “AUTO”,  
“DTS” and “ANALOG” modes are available. Refer to page 36  
for details.  
10  
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GETTING STARTED  
Display panel  
1
2
3
DVD/LD  
TV/DBS  
V-AUX  
CD  
TUNER  
PHONO  
DIGITAL  
PRO LOGIC  
DSP  
ENHANCED MOVIE THEATER 12 TV SPORTS  
STEREO  
VCR  
TAPE/MD  
MONITOR  
MONO MOVIE  
DISCO JAZZ CLUB  
ROCK CONCERT CHURCH CONCERT HALL  
AUTO  
MEMORY  
0
20  
100  
SLEEP  
4 5  
7
8 9  
0
A
B
6
6 MEMORY indicator  
1
indicators  
A flashing MEMORY indicator means a station can be saved,  
as explained in the following:  
Either “dts” indicators will be illuminated when the built-in DTS  
decoder is turned on.  
Press the MEMORY button. The MEMORY indicator will flash  
about 5 seconds. While the indicator is flashing, program the  
displayed station to memory by using the A/B/C/D/E and the  
preset station number selector buttons.  
A red “dts” indicator will be illuminated when playing a compact  
disc or laserdisc encoded with DTS.  
An orange “dts” indicator will be illuminated when playing a  
DVD encoded with DTS.  
An orange “dts” indicator may be illuminated when playing a  
laserdisc encoded with DTS after a video-CD or DVD on a  
DVD/LD combi-player.  
7 DSP program indicators  
The name of the selected DSP program will be illuminated in  
the following cases.  
When the tuner is selected as the input source  
When a DSP program parameter is selected or adjusted.  
When the DSP program No. 2, 3 or the subprogram  
“Enhanced” of No. 1 is selected.  
There is no illumination here when no DSP program is  
selected  
2 Multi-information display  
This display shows the current DSP program and the status of  
adjustments and setting changes. Several statuses can be  
viewed at one time. The current station frequency and band  
(AM or FM) will also appear when the tuner source input mode  
is selected.  
8 AUTO indicator  
3 Input source indicators  
This indicator will be illuminated during the automatic tuning  
mode.  
One of the arrows for these indicators will be illuminated  
depending on which source is selected.  
9 STEREO indicator  
4
The  
DIGITAL and  
DIGITAL indicator will be illuminated when the built-in  
PRO LOGIC indicators  
This indicator will be illuminated when an FM stereo broadcast  
with sufficient signal strength is received.  
Dolby Digital decoder is on and the signals of the source  
encoded with Dolby Digital are not 2-channels.  
The  
0 Signal-level indicator  
PRO LOGIC indicator will be illuminated when the  
This indicator shows the signal level of the received station. If  
multipath interference is detected, the indication decreases.  
built-in Dolby Pro Logic decoder is on.  
5 DSP indicator  
A TAPE/MD MONITOR indicator  
This indicator will be illuminated when the built-in digital sound  
field processor is on.  
This indicator will be illuminated when the tape deck (or MD  
recorder etc.) connected to the TAPE/MD IN and OUT  
terminals on the rear of this unit is selected as the input source  
by pressing the TAPE/MD MON/EXT. DECODER button.  
B SLEEP indicator  
This indicator will be illuminated when the built-in SLEEP timer  
is on.  
11  
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PREPARATION  
Speaker setup  
Setting up your speaker system  
This unit has been designed to provide the best sound field  
quality with a full five-speaker system setup, using a pair of  
main speakers to output main source sounds, a pair of effect  
speakers to generate the sound field plus one center speaker  
for dialog. We therefore recommend that you use a five-  
speaker setup. A four-speaker system using only one pair of  
effect speakers for the sound field will still provide impressive  
ambience and effects, however, and may be a good way to  
begin with this unit. You can always upgrade to the five-  
speaker system later.  
If, for some reason, it is not practical to use a center speaker, it  
is possible to enjoy the movie without it. Best results, however,  
are obtained with the full system.  
Use of a subwoofer expands your sound  
field  
It is also possible to further expand your system with the  
addition of a subwoofer and amplifier. The use of a subwoofer  
is effective not only for reinforcing bass frequencies from any  
or all channels, but also for reproducing signals at the  
subwoofer channel with high fidelity during playing back a  
source with Dolby Digital or DTS decoded. You may wish to  
choose the convenience of a Yamaha Active Servo Processing  
Subwoofer System, which has its own built-in power amplifier.  
Use of the center dialog speaker is  
recommended  
When playing back a source with Dolby Pro Logic decoded, or  
playing back a source which contains center-channel signals  
with Dolby Digital or DTS decoded, dialog, vocals etc. are  
output from the center channel. Therefore, if you want to  
maximize the performance of your Audio/Video home theater  
system, it is recommended that you use a center channel  
speaker.  
Speakers and speaker placement  
Your full five-speaker system will require two speaker pairs:  
the MAIN SPEAKERS (your normal stereo speakers) and the  
REAR SPEAKERS, plus the CENTER SPEAKER. You may  
also be using a SUBWOOFER.  
The MAIN SPEAKERS should be high performance models  
and have enough power handling capacity to accept the  
maximum output of your audio system.  
Other speakers do not have to be equal to the MAIN  
SPEAKERS. For precise sound localization, however, it is  
ideal to use high performance models that can reproduce  
sounds in full range for the CENTER SPEAKER and REAR  
SPEAKERS.  
Place the MAIN SPEAKERS in the ordinary position.  
Place the REAR SPEAKERS behind your listening position.  
They should be nearly 1.8m above the floor.  
Place the CENTER SPEAKER precisely between the two  
MAIN SPEAKERS. (To avoid interference, keep the speaker  
above or below the television monitor, or use a magnetically  
shielded speaker.)  
If using a SUBWOOFER, such as a Yamaha Active Servo  
Processing Subwoofer System, the position of the speaker is  
not so critical because low bass tones are not highly  
directional.  
Main speaker  
Subwoofer  
Center speaker  
Rear speaker  
12  
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PREPARATION  
Speaker system configurations  
4 Speaker System  
5 Speaker System  
Basic system.  
The recommended system for enjoying Audio/Video  
sources.  
You can enjoy widely diffused sound by only adding a pair of  
rear speakers to a basic stereo speaker system.  
However, center channel sounds must be output from the left  
and right main speakers.  
By the use of a center speaker, center channel sounds (dialog,  
vocals etc.) are precisely localized.  
1. CENTER SPEAKER—Set to “NONE”. (See page 27.)  
1. CENTER SPEAKER—Set to “LRG” or “SML”.  
(See page 27.)  
13  
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PREPARATION  
Connections  
Caution: Plug in this unit and other components after all connections are completed.  
All connections must be correct, that is to say L (left) to L, R (right) to R, “+” to “+” and “” to “”. Also refer to the owner’s manual for  
each of your components.  
Audio/video source equipment  
Use RCA type pin plug cables for audio/video units with the exception described later.  
The output (or input) terminals of YAMAHA audio/video units numbered as 1, 3, 4, etc. on the rear panel must be connected to  
the same-numbered terminals of this unit.  
Basic connections  
TV monitor  
Turntable  
LD player, DVD player, etc.  
(*1)  
(U.S.A. model)  
EXTERNAL DECODER INPUT  
GND  
MAIN  
CENTER  
SURROUND  
75Ω  
UNBAL.  
CD  
DVD/LD  
DVD/LD  
TV/DBS  
OPTICAL  
CDOAIGXIIATLAL SIGNALOPTICAL  
FM  
ANT  
IN  
OUT  
SUB  
S
VIDEO VIDEO  
REMOTE  
WOOFER  
ON SCREEN SELECTOR  
CONTROL  
GND  
AM  
ANT  
IN  
OUT  
IN  
OUT  
MONITOR  
OUT  
MONITOR  
DVD/LD  
VCR  
OUT  
DVD/LD  
TV/DBS  
VCR  
S
VIDEO SIGNAL  
VIDEO SIGNAL  
IN (PLAY) OUT (REC)  
IN  
OUT  
TAPE  
/
MD  
DVD/LD  
TV/DBS  
VCR  
PHONO  
CD  
1
3
4
AUDIO SIGNAL  
MD recorder,  
Tape deck, etc.  
Video cassette  
recorder  
CD player  
(*1): GND terminal (For turntable use)  
TV/Satellite tuner  
: Indicates the direction of signals.  
Connecting the ground wire of the turntable to the GND  
terminal will normally minimize hum, but in some cases  
better results may be obtained with the ground wire  
disconnected.  
14  
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PREPARATION  
VIDEO AUX terminals (on the front panel)  
PAL/NTSC switch (China and General  
models only)  
These terminals are used to connect a video input source such  
as a camcorder.  
EXTERNAL DEC  
GND  
MAIN  
CENTER  
VIDEO AUX  
UNBAL.  
CD  
DVD/LD  
DVD/LD  
TV/DBS  
OPTICAL  
CDOAIGXIAITLAL SIGNALOPTICAL  
S VIDEO  
VIDEO  
L
AUDIO  
R
SUB  
PAL NTSC  
S
VIDEO VIDEO  
WOOFER  
ON SCREEN SELECTOR  
This unit is designed for use with the NTSC and PAL television  
formats. Set this switch to the position for the format your TV  
monitor employs.  
AUDIO OUT R  
AUDIO OUT L  
R
L
PAL: Set to this position if your TV monitor employs the PAL  
format.  
VIDEO OUT  
VIDEO  
Outputs signals in the PAL format no matter which  
format (PAL or NTSC) of video signal is sent from an  
external video unit to this unit.  
S VIDEO OUT  
S
VIDEO  
NTSC: Set to this position if your TV monitor employs the  
NTSC format.  
Outputs signals in the NTSC format no matter which  
format (PAL or NTSC) of video signal is sent from an  
external video unit to this unit.  
Camcorder  
: S-video cable  
(Refer to page 18 for details about the S  
VIDEO terminal.)  
Note  
Be sure to input a video signal which employs the same format  
that your TV monitor employs, otherwise a picture will not be  
played back normally.  
For Custom Installer (For U.S.A., Canada and Australia models only)  
REMOTE CONTROL (IN, OUT) terminals  
(U.S.A. model)  
These terminals are used for custom installation system.  
When this unit is connected to the components for custom  
installation system, you can operate this unit with the system  
remote control.  
Connect the REMOTE CONTROL IN terminal of this unit to  
the output terminal of the central controller for custom  
installation system.  
By connecting the REMOTE CONTROL OUT terminal of this  
unit to the REMOTE CONTROL IN terminal of the other  
component, you can also operate it with the system remote  
control. In this way, up to 6 components can be connected in  
series.  
EXTERNAL DECODER INPUT  
GND  
MAIN  
CENTER  
SURROUND  
CD  
DVD/LD  
COAXIAL  
DVD/LD  
TV/DBS  
OPTICAL  
DIGITAL SIGNALOPTICAL  
IN  
OUT  
SUB  
S
VIDEO VIDEO  
REMOTE  
WOOFER  
ON SCREEN SELECTOR  
CONTROL  
15  
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PREPARATION  
Connecting to digital (OPTICAL and COAXIAL) terminals  
If your CD player, LD player, DVD player, TV/satellite tuner,  
etc. are equipped with coaxial or optical digital audio signal  
output terminals, they can be connected to this unit’s COAXIAL  
or OPTICAL, or both terminals.  
To make an optical digital connection between this unit and an  
external unit, remove the cover from each optical terminal, and  
then connect them by using a commercially available optical  
fiber cable that conforms to EIAJ standards. Other cables  
might not function correctly.  
Digital audio signals are transmitted with less loss than analog  
audio signals. In addition, digital audio signal connections are  
necessary, especially for an LD player, a DVD player or a CD  
player to send signals encoded with Dolby Digital or DTS to  
this unit.  
Even if you connect an audio/video unit to the OPTICAL (or  
COAXIAL) terminal of this unit, you must keep the unit  
connected with the same named analog audio signal terminals  
of this unit, because digital signal cannot be recorded by a tape  
deck or VCR connected to this unit. You can switch the  
selection of input signals between “digital” and “analog” easily.  
(See page 36 for details.)  
LD player, DVD player, etc.  
TV/Satellite tuner  
COAXIAL  
DIGITAL OUT  
OPTICAL  
DIGITAL OUT  
OPTICAL  
DIGITAL  
OUT  
EXTERNAL DECODER INPUT  
GND  
MAIN  
CENTER  
SURROUND  
75Ω  
UNBAL.  
CD  
DVD/LD  
COAXIAL  
DVD/LD  
TV/DBS  
OPTICAL  
DIGITAL SIGNALOPTICAL  
FM  
ANT  
OPTICAL  
DIGITAL  
OUT  
IN  
OUT  
SUB  
S
VIDEO VIDEO  
REMOTE  
WOOFER  
ON SCREEN SELECTOR  
CONTROL  
GND  
AM  
ANT  
IN  
OUT  
IN  
OUT  
MONITOR  
OUT  
MONITOR  
DVD/LD  
VCR  
OUT  
DVD/LD  
TV/DBS  
VCR  
S
VIDEO SIGNAL  
VIDEO SIGNAL  
CD player  
IN (PLAY) OUT (REC)  
IN  
OUT  
TAPE  
/
MD  
DVD/LD  
TV/DBS  
VCR  
PHONO  
CD  
1
3
4
AUDIO SIGNAL  
: Optical fiber cable  
: Coaxial cable  
(U.S.A. model)  
Notes  
In order to make this unit perform successful DTS-decoding,  
the DTS bitstream must not be altered, manipulated or  
corrupted in the process of sending the DTS bitstream from  
the DIGITAL OUT terminal of an external unit to a digital  
signal input terminal of this unit.  
When you connect an audio/video unit to both of the digital  
and analog terminals of this unit, make sure to connect to  
both terminals of the same name.  
Be sure to attach the covers when the OPTICAL terminals  
are not being used, in order to protect the terminals from  
dust.  
The DOLBY DIGITAL RF signal output terminal of your  
DVD/LD/CD combi-player, etc. cannot be connected directly  
to this unit’s DVD/LD COAXIAL terminal.  
All digital audio signal input terminals are applicable to the  
sampling frequency of 32 kHz, 44.1 kHz and 48 kHz.  
See page 17 for proper connections to reproduce an LD  
source encoded with Dolby Digital.  
16  
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PREPARATION  
Connecting to DOLBY DIGITAL RF output of the DVD/LD/CD combi-player  
If your DVD/LD/CD combi-player has a DOLBY DIGITAL RF  
signal output terminal, it can be connected to this unit by using  
an RF demodulator (separate purchase).  
You must also connect the optical digital signal output terminal  
of the DVD/LD/CD combi-player to the OPTICAL DVD/LD  
digital signal input terminal of this unit.  
First, connect the DOLBY DIGITAL RF signal output terminal of  
the DVD/LD/CD combi-player to the DOLBY DIGITAL RF  
signal input terminal of the RF demodulator. Next, connect the  
coaxial digital signal output terminal of the RF demodulator to  
the COAXIAL digital signal input terminal of this unit.  
This connection is necessary for sending audio signals of an  
LD source encoded with Dolby Digital to this unit.  
This connection is necessary for playing back a DVD source  
with Dolby Digital or DTS decoded, and playing back an LD  
source with DTS decoded.  
When these connections are completed, set the input mode of  
the DVD/LD source to “AUTO”, and you will hear sounds  
decoded with Dolby Digital even if signals are input to both  
COAXIAL and OPTICAL digital signal input terminals of this  
unit. This is because signals input to the COAXIAL terminal  
take priority over signals input to the OPTICAL terminal.  
Refer to page 36 for details about switching the input mode.  
It is also necessary to connect the DVD/LD/CD combi-player to  
this unit’s analog audio signal input terminals regardless of the  
DOLBY DIGITAL RF signal connection.  
Notes  
If, for example, you play a CD on the DVD/LD/CD combi-  
player, there is no input to the COAXIAL terminal, so the  
signals input to the OPTICAL terminal take priority. In this  
case, switch off the RF demodulator to listen to CD sound  
without interference. However, if your RF demodulator is the  
Yamaha model APD-1, you do not have to switch it off.  
When you want to play an LD source encoded with Dolby  
Digital without decoding Dolby Digital, you must switch off  
the power of the RF demodulator.  
COAXIAL  
DIGITAL OUT  
RF demodulator  
(U.S.A. model)  
DOLBY DIGITAL  
RF IN  
EXTERNAL DECODE
GND  
MAIN  
CENTER  
SURR
75Ω  
UNBAL.  
CD  
DVD/LD  
DVD/LD  
TV/DBS  
OPTICAL  
CDOAIXGIAITLAL SIGNALOPTICAL  
DVD/LD/CD combi-  
player, etc.  
FM  
ANT  
DOLBY DIGITAL  
RF OUT  
IN  
OUT  
SUB  
S
VIDEO VIDEO  
REMOTE  
WOOFER  
ON SCREEN SELECTOR  
CONTROL  
GND  
AM  
ANT  
IN  
OUT  
IN  
O
MONITOR  
OPTICAL  
DIGITAL OUT  
ANALOG  
OUT  
DVD/LD  
VCR  
DVD/LD  
TV/DBS  
VCR  
OUT  
S
VIDEO SIGNAL  
VIDEO SIGNAL  
IN (PLAY) OUT (RE
IN  
O
TAPE  
/
MD  
DVD/LD  
TV/DBS  
VCR  
PHONO  
CD  
1
3
4
AUDIO SIGNAL  
17  
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PREPARATION  
Connecting to S VIDEO terminals  
Note  
If your monitor has an “S” video input terminal and your video  
cassette recorder, LD player, DVD player, etc. also have “S”  
video terminals, connect them to this unit’s S VIDEO SIGNAL  
terminals as illustrated below. In addition, a video unit which  
has an “S” video output can be connected to the VIDEO AUX  
S VIDEO terminal on the front of this unit.  
If video signals are sent to both S VIDEO input and VIDEO  
input terminals, the signals will be sent to their respective  
output terminals.  
S VIDEO terminals  
This unit provides you with S VIDEO terminals in addition  
to standard type VIDEO terminals.  
S VIDEO terminals transmit video signals separated into  
luminance (Y) signals and color (C) signals. In comparison  
with S VIDEO terminals, standard type VIDEO terminals  
transmit “composite” video signals.  
With these connections, you can play back or record high  
quality pictures. Otherwise, connect the “composite” video  
terminals of your monitor, video cassette recorder, LD player,  
DVD player, etc. to the “composite” VIDEO SIGNAL terminals  
of this unit.  
TV monitor  
(U.S.A. model)  
(*1)  
EXTERNAL DECODER INPUT  
GND  
MAIN  
CENTER  
SURROUND  
75Ω  
UNBAL.  
CD  
DVD/LD  
COAXIAL  
DVD/LD  
TV/DBS  
OPTICAL  
DIGITAL SIGNALOPTICAL  
FM  
ANT  
IN  
OUT  
SUB  
S
VIDEO VIDEO  
REMOTE  
WOOFER  
ON SCREEN SELECTOR  
CONTROL  
GND  
AM  
ANT  
IN  
OUT  
IN  
OUT  
MONITOR  
OUT  
MONITOR  
DVD/LD  
VCR  
OUT  
DVD/LD  
TV/DBS  
VCR  
S
VIDEO SIGNAL  
VIDEO SIGNAL  
IN (PLAY) OUT (REC)  
IN  
OUT  
TAPE  
/
MD  
DVD/LD  
TV/DBS  
VCR  
PHONO  
CD  
1
3
4
AUDIO SIGNAL  
Video cassette recorder  
: S-video cable  
LD player, DVD player, etc.  
(*1): ON SCREEN SELECTOR S VIDEO/VIDEO switch  
Set this switch to either position to select the TV monitor on  
which you want to display the on-screen information.  
S VIDEO: The on-screen information is displayed on the TV  
monitor connected to the S VIDEO SIGNAL  
MONITOR OUT terminal.  
VIDEO:  
The on-screen information is displayed on the TV  
monitor connected to the composite VIDEO  
SIGNAL MONITOR OUT terminal.  
18  
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PREPARATION  
Connecting an external decoder of a future format to this unit  
This unit is equipped with additional 6-channel audio signal  
input terminals (for left main, right main, center, left rear  
surround, right rear surround and subwoofer channels) for  
inputting signals from an external decoder of a future format to  
this unit.  
To listen to a sound by reproducing signals input to these  
terminals, press the TAPE/MD MON/EXT. DECODER button  
on the front panel repeatedly until “EXT. DECODER” appears  
on the display. By doing so, the signals input to these terminals  
are sent to the corresponding SPEAKERS terminals and  
OUTPUT terminals of this unit.  
Notes  
When signals input to these terminals are selected, the  
digital sound field processor cannot be used.  
The settings of “1. CENTER SPEAKER,” “2. REAR  
SPEAKER”, “3. MAIN SPEAKER” and “4. LFE/BASS OUT”  
in the SET MENU mode have no effect on the signals input  
to these terminals. The setting of “5. MAIN LEVEL” is  
effective. (Refer to pages 27 to 28 for details.)  
The adjustments of the output level of the center speakers,  
rear speakers and subwoofer are effective when the signals  
input to these terminals are selected as the input source.  
(Refer to pages 46 to 47 for details.)  
(U.S.A. model)  
EXTERNAL DECODER INPUT  
GND  
MAIN  
CENTER  
SURROUND  
75Ω  
UNBAL.  
CD  
DVD/LD  
DVD/LD  
TV/DBS  
OPTICAL  
CDOAIGXIIATLAL SIGNALOPTICAL  
FM  
ANT  
IN  
OUT  
SUB  
S
VIDEO VIDEO  
REMOTE  
WOOFER  
ON SCREEN SELECTOR  
CONTROL  
GND  
AM  
ANT  
IN  
OUT  
IN  
OUT  
MONITOR  
OUT  
MONITOR  
DVD/LD  
VCR  
OUT  
DVD/LD  
TV/DBS  
VCR  
S
VIDEO SIGNAL  
VIDEO SIGNAL  
IN (PLAY) OUT (REC)  
IN  
OUT  
TAPE  
/
MD  
DVD/LD  
TV/DBS  
VCR  
PHONO  
CD  
1
3
4
AUDIO SIGNAL  
External decoder  
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PREPARATION  
Speakers  
Use speakers with the specified impedance shown on the rear of this unit.  
Rear speakers  
Center speaker  
Right  
Left  
Subwoofer system  
CENTER  
OUTPUT  
REAR  
(SURROUND)  
MAIN  
CENTER  
REAR  
(SURROUND)  
SUB  
WOOFER  
MAIN  
Main speakers B  
A
B
A
B
CAUTION SEE INSTRUCTION  
MANUAL FOR CORRECT SETTING.  
Right  
Left  
SPEAKERS  
Right  
Left  
Main speakers A  
How to Connect:  
Connect the SPEAKERS terminals to your speakers with the wire of the proper gauge (keep as short as possible). If the  
connections are faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct. That is  
the + and – markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.  
Caution  
Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit or the  
speakers, or both.  
Red: positive (+)  
Black: negative (–)  
<U.S.A., Canada, China, Australia and General models  
only>  
Banana Plug connections are also possible. Simply insert the  
Banana Plug connector into the corresponding terminal.  
Loosen the knob.  
Insert the bare wire.  
[Remove approx. 5mm  
(1/4”) insulation from  
the speaker wires.]  
Tighten the knob and  
secure the wire.  
2
1
3
20  
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PREPARATION  
Note on main speaker connections:  
One or two speaker systems can be connected to this unit. If you  
use only one speaker system, connect it to either the  
SPEAKERS A or B terminals.  
Note on a subwoofer connection:  
You may wish to add a subwoofer to reinforce low frequencies or  
to output low bass sound from the subwoofer channel when  
reproducing discrete signals.  
When using a subwoofer, connect the SUBWOOFER terminal of  
this unit to the INPUT terminal of the subwoofer amplifier, and  
connect the speaker terminals of the subwoofer amplifier to the  
subwoofer.  
With some subwoofers, including the Yamaha Active Servo  
Processing Subwoofer System, the amplifier and subwoofer are  
in the same unit. Such a subwoofer needs only the connection  
between the SUBWOOFER terminal of this unit and the INPUT  
terminal of the subwoofer.  
(Refer to page 22 for details about the SUBWOOFER terminal.)  
IMPEDANCE SELECTOR switch  
Select the position whose requirements your speaker system  
meets.  
WARNING  
Do not change the IMPEDANCE SELECTOR switch  
setting while the power to this unit is on, otherwise this  
unit may be damaged.  
(Upper position)  
If this unit fails to turn on when the STANDBY/ON switch is  
pressed:  
Rear: The impedance of each speaker must be 6or  
higher.  
The IMPEDANCE SELECTOR switch may not be set to  
either end. If so, set the switch to either end when this unit  
is in the standby mode.  
Center: The impedance of the speaker must be 6or higher.  
Main: If you use one pair of main speakers, the impedance  
of each speaker must be 4or higher.  
If you use two pairs of main speakers, the impedance  
of each speaker must be 8or higher.  
IMPEDANCE SELECTOR  
AR  
UND)  
IMPEDANCE SELECTOR  
SET BEFORE POWER ON  
REAR  
:
:
6
MIN. /SPEAKER  
MIN. /SPEAKER  
(Lower position)  
CENTER  
MAIN  
6
A
A
OR B: 8MIN. /SPEAKER  
B: 4MIN. /SPEAKER  
A
REAR  
:
:
8
MIN. /SPEAKER  
MIN. /SPEAKER  
CENTER  
MAIN  
8
Rear: The impedance of each speaker must be 8or  
OR BB::I6MIN. /SPEAKER  
A
8MIN. /SPEAKER  
higher.  
AC OUTLETS  
SWITCHED  
I20V  
60Hz  
I00W MAX.TOTAL  
Center: The impedance of the speaker must be 8or higher.  
ION SEE INSTRUCTION  
L FOR CORRECT SETTING.  
Main: <Except Canada model>  
If you use one pair of main speakers, the impedance  
of each speaker must be 8or higher.  
If you use two pairs of main speakers, the  
impedance of each speaker must be 16or higher.  
<For Canada model only>  
(U.S.A. model)  
The impedance of each speaker must be 8or  
higher.  
21  
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PREPARATION  
To drive main, center and/or rear speakers with external amplifiers  
The speaker connections described on page 20 are fine for  
most applications. If for some reason, however, you wish to  
3 CENTER terminal  
This terminal is for center channel line output.  
drive main, center and/or rear speakers with your existing  
If you drive a center speaker with an external power  
amplifier, etc., the following terminals are available for  
amplifier, connect the input terminal of the external  
connecting external amplifier(s) to this unit.  
amplifier to this terminal.  
There is no connection to this terminal when you use the  
built-in amplifier.  
OUTPUT  
MAIN  
CENTER  
REAR  
(SURROUND)  
4 REAR (SURROUND) terminals  
These terminals are for rear channel line output.  
If you drive rear speakers with an external stereo power  
amplifier, connect the input terminals of the external  
amplifier (MAIN IN or AUX terminals of an amplifier or a  
receiver) to these terminals.  
SUB  
WOOFER  
There is no connection to these terminals when you use  
the built-in amplifier.  
1 2 3 4  
Notes  
1 MAIN terminals  
Output level of signals from all of these terminals are  
adjusted by the use of VOLUME control on the front panel  
or VOLUME keys on the remote controller.  
If an external power amplifier is connected to the MAIN,  
CENTER, or REAR output terminals, do not use the  
corresponding SPEAKERS terminals (MAIN, CENTER, or  
REAR).  
These terminals are for main channel line output.  
If you drive main speakers with an external stereo power  
amplifier, connect the input terminals of the external  
amplifier (MAIN IN or AUX terminals of an amplifier or a  
receiver) to these terminals.  
There is no connection to these terminals when you use  
the built-in amplifier.  
* Output signals from the MAIN terminals are affected by  
the use of BASS, TREBLE, BALANCE controls, BASS  
EXTENSION button and the TONE BYPASS button.  
2 SUBWOOFER terminal  
When using a subwoofer, connect its amplifier input to  
this terminal. Low frequencies distributed from the main,  
center and/or rear channels are output from this terminal.  
(The cut-off frequency of this terminal is 90 Hz.) Signals  
of LFE (low frequency effect) generated when Dolby  
Digital or DTS is decoded are also output if they are  
assigned to this terminal.  
22  
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PREPARATION  
Antennas  
Each antenna should be connected to the designated terminals correctly, as shown in the following figure.  
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal  
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor  
reception quality only with the indoor antennas, the use of an outdoor antenna may result in improvement.  
Outdoor AM antenna  
Indoor FM  
Outdoor FM antenna  
antenna  
(included)  
AM loop  
antenna  
(included)  
(U.S.A. model)  
GND  
75Ω  
UNBAL.  
CD  
DVD/LD  
COAXIAL  
OPTICAL  
DIGITAL
FM  
ANT  
S
VIDEO VIDEO  
ON SCREEN SELECTOR  
GND  
75-ohm/300-ohm  
antenna adapter  
AM  
ANT  
IN  
OUT  
DVD/LD  
VCR  
S
VIDEO SIGNAL  
75-ohm coaxial cable  
IN (PLAY
TAP
PHONO  
CD  
1
3
75-ohm/300-ohm  
antenna adapter  
300-ohm flat  
ribbon cable  
Ground  
Connecting the AM loop antenna  
1.Press the tab and unlock the terminal hole.  
4.Attach the loop antenna to the antenna stand.  
Loop antenna  
2.Connect the AM loop antenna lead wires to the AM ANT and  
GND terminals.  
3.Return the tab back to the original position to lock the lead  
wires. Lightly pull on the lead wires to confirm a good  
connection.  
Antenna stand  
1
3
5.Orient the AM loop antenna so that the best reception is  
obtained.  
2
Notes  
The AM loop antenna should be placed apart from the main  
unit. The antenna may be hung on a wall.  
The AM loop antenna should be kept connected, even if an  
outdoor AM antenna is connected to this unit.  
23  
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PREPARATION  
Connecting the indoor FM antenna  
GND terminal  
Connect the included indoor antenna to the 75UNBAL. FM  
ANT terminal.  
For maximum safety and minimum interference, connect  
the GND terminal to a good ground. A good ground is a  
metal stake driven into moist earth.  
Note  
Do not use an outdoor FM antenna and the indoor FM  
antenna at the same time.  
Optional outdoor AM antenna  
If this unit is placed in steel buildings or an area far from  
broadcasting stations, it may be necessary to install an outside  
long wire antenna.  
Optional outdoor FM antenna  
* Use a 75-ohm/300-ohm antenna adapter (not included) or a  
75-ohm antenna adapter (not included) for connections.  
Consult your dealer or authorized service center about the best  
method of selecting and erecting an outdoor FM antenna.  
The choice of the flat ribbon cable is also important. Flat ribbon  
cable performs well electrically, and is cheaper and somewhat  
easier to handle when routing it through windows and around  
rooms. Coaxial cable is more expensive, does a much better  
job of minimizing interference, is less prone to the effects of  
weather and close-by metal objects, and is nearly as good a  
signal conductor as flat ribbon cable. Coaxial cable is  
300-ohm flat ribbon cable  
75-ohm coaxial cable  
75-ohm/300-ohm antenna adapter  
somewhat more difficult to install at the point where the cable  
enters the building. If coaxial cable is selected, make sure the  
antenna is designed to be used with this type of cable.  
75-ohm antenna  
adapter  
75-ohm coaxial  
cable  
300-ohm flat  
ribbon cable  
Notes for FM antenna installation  
75-ohm coaxial  
cable  
To minimize the influence of automobile ignition noise,  
locate the antenna as far from heavy traffic as possible.  
Keep the flat ribbon cable or coaxial cable as short as  
possible. Do not bundle or roll up an excess of the cable.  
The antenna should be at least two meters (6.6 feet) from  
reinforced concrete walls or metal structures.  
24  
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PREPARATION  
Plugging in this unit  
After completing all connections, plug the AC power cord  
into an AC outlet.  
Unplug the AC power cord from the AC outlet if this unit is  
not to be used for a long period of time.  
(General model)  
AR  
OUND)  
IMPEDANCE SELECTOR  
VOLTAGE SELECTOR  
SET BEFORE POWER ON  
REAR  
:
:
6
MIN. /SPEAKER  
CENTER  
MAIN  
6
MIN. /SPEAKER  
A
A
OR B: 8MIN. /SPEAKER  
B: 4MIN. /SPEAKER  
A
REAR  
:
:
8
MIN. /SPEAKER  
MIN. /SPEAKER  
CENTER  
MAIN  
8
OR BB::I6MIN. /SPEAKER  
A
8MIN. /SPEAKER  
(*2)  
AC OUTLETS  
SWITCHED  
I00W MAX.TOTAL  
ION SEE INSTRUCTION  
L FOR CORRECT SETTING.  
(*1)  
To AC outlet  
(*1):  
(*2):  
AC OUTLET(S)  
Voltage Selector (China and General Models  
only)  
(U.S.A., Canada, China, Singapore and General models)  
.......................................................... 2 SWITCHED OUTLETS  
(Australia model).................................. 1 SWITCHED OUTLET  
The voltage selector on the rear panel of this unit must be  
set for your local main voltage BEFORE plugging into the  
AC main supply.  
Use these to connect the power cords of your components to  
this unit.  
Voltages are 110/120/220/240 V AC, 50/60 Hz.  
The power to the SWITCHED outlets is controlled by this unit’s  
STANDBY/ON switch or the remote controller’s POWER and  
STANDBY keys. These outlets will supply power to any  
connected unit whenever this unit is turned on.  
The maximum power (total power consumption of components)  
that can be connected to the SWITCHED AC OUTLET(S) is  
100W.  
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PREPARATION  
On screen display  
If you connect your VCR, LD player, video monitor, etc. to this  
unit, you can take advantage of this unit’s capability to display  
program titles, parameter data and information for various  
setting changes and adjustments on your video monitor  
screen. This information will be superimposed over the video  
image.  
Selecting a type of display  
You can change the type of display showing various  
information on the monitor screen by pressing the ON  
SCREEN display key on the remote controller.  
Press this key to change the screen to a full or simple display,  
or no display at all.  
If there is no video source connected or it is turned off, the  
information will be displayed over a blue colored background.  
INDEX  
DISP  
ON SCREEN  
(Example)  
Full display  
Note: The program titles, parameter data and other  
information are also displayed on the display panel of this unit.  
Simple display  
Goes off after being displayed for  
several seconds.  
Notes  
When making a setting change or adjustment in the SET  
MENU mode, or adjusting the speaker balance by using the  
test tone, information is fully displayed on the monitor  
screen even if another type of display is currently selected.  
Information displayed on the monitor screen in this way  
cannot be recorded by a VCR.  
26  
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PREPARATION  
Selecting the output modes (“SET MENU” mode)  
The following functions control the output signals to the speakers in your audio system. When speaker connections are all  
completed, select a proper position on each function to maximize the performance of your speaker system.  
* For details about the SET MENU mode, refer to pages 51 to 54.  
1. CENTER SPEAKER  
2. REAR SPEAKER  
3. MAIN SPEAKER  
4. LFE/BASS OUT  
5. MAIN LEVEL  
Function description  
1. CENTER SPEAKER  
2. REAR SPEAKER  
Choices: LARGE (LRG)/SMALL (SML)/NONE  
Preset position: LRG  
Choices: LARGE/SMALL  
Preset position: LARGE  
LRG:  
When your center speaker is approximately the same  
size as the main speakers.  
LARGE: If your rear speakers have a high ability for bass  
reproduction, or a subwoofer is connected to the rear  
speaker in parallel.  
SML:  
When you use a center speaker that is smaller than  
the main speakers.  
In this position, full range signals are output from the  
rear speakers.  
In this position, low bass signals (below 90 Hz) at the  
center channel are output from the SUBWOOFER  
terminals (or the main speakers if the MAIN position  
is selected on “4. LFE/BASS OUT”).  
SMALL: If your rear speakers do not have a high ability for  
bass reproduction.  
In this position, low bass signals (below 90 Hz) at the  
rear channels are output from the SUBWOOFER  
terminals (or the main speakers if the MAIN position  
is selected on “4. LFE/BASS OUT”).  
NONE: When you do not have a center speaker.  
The center channel sound will be output from the left  
and right main speakers.  
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PREPARATION  
3. MAIN SPEAKER  
5. MAIN LEVEL  
Choices: LARGE/SMALL  
Preset position: LARGE  
Choices: Normal (Nrml)/–10dB  
Preset position: Nrml  
LARGE: If your main speakers have a high ability for bass  
reproduction.  
Normal: Normally, select this position.  
In this position, full range signals present at the main  
channels are output from the main speakers.  
–10dB: If the volume levels to the center and/or rear  
speakers are lower than the level to the main  
speakers even though they are adjusted to  
maximum.  
SMALL: If your main speakers do not have a high ability for  
bass reproduction. However, if your system does not  
include a subwoofer, do not select this position.  
In this position, low bass signals (below 90 Hz) at the  
main channels are output from the SUBWOOFER  
terminals (if the SW or BOTH position is selected on  
“4. LFE/BASS OUT”).  
The volume level to the main speakers are  
decreased by 10 dB, so you can adjust the speaker  
output level balance properly.  
4. LFE/BASS OUT  
Choices: SW/MAIN/BOTH  
Preset position: SW  
MAIN:  
If your system does not include a subwoofer.  
In this position, full range signals present at the main  
channels, signals from the LFE channel and other  
low bass signals that are selected on “1. CENTER  
SPEAKER” to “3. MAIN SPEAKER” to be distributed  
from other channels are output from the main  
speakers.  
SW/BOTH:  
Select either the SW or BOTH position if your system  
includes a subwoofer.  
In either position, signals at LFE channel and other  
low bass signals that are selected on “1. CENTER  
SPEAKER” to “3. MAIN SPEAKER” to be distributed  
from other channels are output from the  
SUBWOOFER terminals.  
When the LARGE position is selected on “3. MAIN  
SPEAKER”, in the SW position, no signal is  
distributed from the main channels to the  
SUBWOOFER terminals, however in the BOTH  
position, low bass signals from the main channels  
are output to both of the main speakers and the  
SUBWOOFER terminals.  
Note  
The settings of “1. CENTER SPEAKER”, “2. REAR  
SPEAKER”, “3. MAIN SPEAKER” and “4. LFE/BASS OUT”  
have no effect on the signals input to the EXTERNAL  
DECODER INPUT terminals on the rear of this unit.  
28  
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PREPARATION  
Changing selections  
Refer to the display panel or the monitor screen when changing the selections.  
EFCT  
DISC SKIP  
PRESET  
ON/OFF  
CH  
1
2
CH  
TV  
POWER  
STANDBY  
1
CODE SET  
MUTE  
VOLUME  
CINEMA DSP  
NATURAL SOUND AV RECEIVER  
VOLUME  
l6  
INDEX  
DISP  
INPUT SELECTOR  
20  
l2  
SLEEP  
28  
60  
8
POWER  
TV  
E
ON SCREEN  
40  
4
STANDBY/ON  
I
VCR REC  
/
TV INPUT  
A/B  
TAPE/MDEDCOMDEORN  
l
/EXT.  
2
0
/DTS  
MOVIE  
THEATER  
TAPE/MD  
–dB  
TUNING  
MODE  
A/  
B
/C  
/D  
/
E
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
TUNER  
2
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
1
BASS  
TONE  
3
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
EXTENSION BYPASS  
l
l
l
l
l
l
A
B
2
2
2
2
2
2
2
3
3
3
3
3
3
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
PROGRAM  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
TV  
TVS/PDORBTSS  
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
DIR  
A
DIR  
B
4
6
SELECT  
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
SET UP  
RETURN  
7
9
8
3
2
TEST  
HALL  
EXT. DEC  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
.
+100  
3
+10  
CLEAR  
0
ENTER  
MENU  
TITLE  
LEVEL  
SET MENU  
A/B/C/D/E  
When using the remote controller, the selector dial must be  
set at “AMP/TUN”.  
3
Use one of the buttons figured below to select the  
desired position.  
Remote control  
POWER  
STANDBY  
Front panel  
Remote control  
/
SET  
AMP/TUN  
LEVEL  
MENU  
DIR  
A
DIR  
B
or  
SELECT  
1
2
Turn on the power of this unit. (If necessary, turn on the  
power of the monitor to display information.)  
Front panel  
Remote control  
DVD/LD  
CD  
TV/DBS  
V-AUX  
VCR  
TUNER  
PHONO  
POWER  
STANDBY/ON  
or  
Changes.  
4
Follow the same procedure for “2. REAR SPEAKER”,  
“3. MAIN SPEAKER”, “4. LFE/BASS OUT” and/or  
“5. MAIN LEVEL”.  
First select the function by following step 2, and then  
select the proper position by following step 3.  
Select the function “1. CENTER SPEAKER” by using  
one of the following methods.  
Front panel  
Remote control  
AUDIO  
SET  
LEVEL  
MENU  
MENU  
SET MENU  
AUDIO  
MENU  
Press once.  
SET MENU  
or  
Press once  
or more.  
Press once or  
more.  
DIR  
A
D
B
SELECT  
Press once or  
more.  
DVD/LD  
TV/DBS  
V-AUX  
CD  
TUNER  
PHONO  
VCR  
29  
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PREPARATION  
Speaker balance adjustment  
This procedure lets you adjust the sound output level balance between the main, center and rear speakers using the built-in test  
tone generator. After the adjustments, the sound output level heard at the listening position will be the same from each speaker.  
This is important for the best performance of the digital sound field processor, the Dolby Digital decoder, the Dolby Pro Logic  
decoder and the DTS decoder.  
The adjustment of each speaker output level should be done at your listening position with the remote controller.  
2
4
POWER  
STANDBY  
4
CINEMA DSP  
NATURAL SOUND AV RECEIVER  
VOLUME  
INPUT SELECTOR  
l6  
20  
l2  
1
7
28  
60  
8
40  
4
STANDBY/ON  
I
TAPE/MDEDCOMDEORN  
/EXT.  
l
2
/DTS  
MOVIE  
THEATER  
TAPE/MD  
0
–dB  
TUNING  
MODE  
SURROUND  
2
MOVIE  
A
/
B
/
C
/
D
/
E
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
CD  
THEATER  
1
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
TUNER  
1
3
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
A
EXTENSION BYPASS  
l
l
l
l
l
l
2
B
2
2
2
2
2
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
3
3
3
3
3
3
PROGRAM  
ON  
OFF  
ON  
OFF  
TV  
TVS/PDORBTSS  
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
4
6
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
CLEAR  
0
ENTER  
3 6 5  
A/B/C/D/E  
1
2
Set the selector dial of the remote controller to  
AMP/TUN”.  
4
5
6
Turn on the power.  
Front panel  
Remote control  
POWER  
STANDBY  
POWER  
STANDBY/ON  
or  
/
AMP/TUN  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
TUNER  
1
3
2
MONO MOVIE  
DISCO  
Front panel  
BASS  
0
TREBLE  
0
BALANCE  
0
l
l
l
l
l
l
2
2
2
2
2
2
3
3
3
3
3
3
Front panel  
4
4
4
4
4
4
VOLUME  
5
5
5
5
L
5
5
R
l6  
20  
l2  
Set to the “0” position.  
28  
60  
8
Front panel  
4
40  
BASS  
TONE  
EXTENSION BYPASS  
2
0
–dB  
ON  
OFF  
Set to the “ ” position.  
Set to the “OFF ( )”.  
3
Select main speakers A or B.  
Front panel  
7
Press the TEST key on the remote controller to enter  
the test mode.  
SPEAKERS  
A
B
Remote control  
ON  
OFF  
TEST  
+100  
CLEAR  
*
Both speakers A and B can be selected.  
CONTINUED  
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PREPARATION  
CH  
CH  
TV  
CODE SET  
MUTE  
CINEMA DSP  
NATURAL SOUND AV RECEIVER  
VOLUME  
l6  
INPUT SELECTOR  
8
20  
l2  
VOLUME  
28  
60  
8
E
40  
4
STANDBY/ON  
INDEX  
DISP  
I
I
TAPE/MDEDCOMDEORN  
/EXT.  
2
SLEEP  
POWER  
TV  
0
–dB  
ON SCREEN  
TUNING  
MODE  
A
/
B
/
C
/
D
/
E
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
VCR REC  
/
TV INPUT  
A/B  
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
A
EXTENSION BYPASS  
l
l
l
l
l
l
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
DIR  
A
DIR  
B
10  
SELECT  
SET UP  
RETURN  
9
8
Turn up the volume.  
9
Adjust the BALANCE control so that the effect sound  
output level of the left main speaker and the right main  
speaker are the same.  
Remote control  
TV  
Front panel  
CODE SET  
MUTE  
BALANCE  
0
l
l
VOLUME  
2
2
3
3
4
4
L
5
5
R
You will hear a test tone (like pink noise) from the left main  
speaker, then the center speaker, then the right main  
speaker, then the right rear speaker, and then the left rear  
speaker, for about 2.5 seconds each. The display changes  
as shown below.  
10  
Adjust the sound output levels of the center speaker  
and the rear speakers so that they become almost  
the same as the main speakers.  
How to adjust:  
Pressing the  
or  
key adjusts the level to the  
Main (L)  
Center  
speaker (except the main speakers) currently  
outputting the test tone.  
* Pressing the  
the level.  
key raises and the  
key lowers  
* While adjusting, the test tone is fixed on the selected  
speaker.  
Main (R)  
Rear (R)  
Rear (L)  
Remote control  
DIR  
A
DIR  
B
SELECT  
*
The state of the test tone output is also shown on the  
monitor screen by an image of the audio listening room.  
This is convenient for adjusting each speaker level.  
If desired, you can select a speaker to output the test  
tone by pressing the or key once or more so  
that “CENTER”, “R SUR.” or “L SUR.” appears on the  
display.  
TEST DOLBY SUR.  
* While holding the  
or  
key pressed, the test  
tone is fixed on the selected speaker.  
* “CENTER” shows the center speaker is selected,  
“R SUR.” shows the right rear speaker, and “L SUR.”  
shows the left rear speaker.  
* The output level of the selected speaker can be  
adjusted by the  
or  
key.  
EFFECT LEVEL  
+
CENTER  
2dB  
Remote control  
*
If the function “1. CENTER SPEAKER” in the SET MENU  
mode is set in the “NONE” position, you will hear the  
center channel test tone from the left and right main  
speakers.  
DIR  
A
D
B
SELECT  
CONTINUED  
31  
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PREPARATION  
ROCK  
CHURCH  
PHONO  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
CLEAR  
0
ENTER  
11  
A/B/C/D/E  
DSP  
EFCT  
DISC SKIP  
PRESET  
ON/OFF  
CH  
CH  
TV  
CODE SET  
MUTE  
VOLUME  
INDEX  
DISP  
SLEEP  
POWER  
TV  
ON SCREEN  
VCR REC  
/
TV INPUT  
A/B  
Notes  
Once you have completed these adjustments, you can  
adjust the sound level on your audio system by using the  
VOLUME control (or the VOLUME keys on the remote  
controller) only.  
11  
When the adjustment is finished, press the TEST  
key once again to cancel the test tone.  
Remote control  
If you use external power amplifiers, you may also use  
their volume controls to obtain proper balance.  
If the function “1. CENTER SPEAKER” in the SET MENU  
mode is set in the “NONE” position, in step 10, the sound  
output level of the center speaker cannot be adjusted.  
This is because in this mode, the center sound is  
automatically output from the left and right main speakers.  
If there is insufficient sound output from the center and  
rear speakers, you may decrease the main speaker  
output level by setting the function “5. MAIN LEVEL” in  
the SET MENU mode in the “–10dB” position.  
TEST  
+100  
CLEAR  
Disappears  
32  
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BASIC OPERATION  
Playing a source  
4
1
3
POWER  
STANDBY  
3
CINEMA DSP  
NATURAL SOUND AV RECEIVER  
VOLUME  
INPUT SELECTOR  
l6  
20  
l2  
28  
60  
8
40  
4
STANDBY/ON  
I
I
EE
TAPE/MDEDCOMDEORN  
/EXT.  
2
0
–dB  
TUNING  
MODE  
A/  
B
/C  
/D  
/
E
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
SURROUND  
2
MOVIE  
SET  
VIDEO AUX  
CD  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
THEATER  
1
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
EXTENSION BYPASS  
l
l
l
l
l
l
A
B
TUNER  
2
2
2
2
2
2
1
3
3
3
3
3
3
3
PROGRAM  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
2
5
5
5
5
L
5
5
R
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
S
VIDEO  
VIDEO  
L
AUDIO  
R
TV  
TVS/PDORBTSS  
4
6
5
4
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
HALL  
EXT. DEC  
.
+100  
2
+10  
CLEAR  
0
ENTER  
A/B/C/D/E  
When using the remote controller, the selector dial must be  
set at “AMP/TUN”.  
3
4
Turn on the power.  
Front panel  
Remote control  
Remote control  
POWER  
STANDBY  
POWER  
STANDBY/ON  
/
AMP/TUN  
or  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
TUNER  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
Select an input source.  
4
6
(For video sources, turn on the TV/monitor.)  
The selected source is shown on the display panel and  
the monitor screen.  
Front panel  
Front panel  
1
2
*
Remote control  
/DTS  
MOVIE  
VOLUME  
l6  
SURROUND  
THEATER  
2
MOVIE  
CD  
TAPE/MD  
THEATER  
1
TUNER  
1
3
20  
l2  
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
or  
TV  
TVS/PDORBTSS  
4
6
28  
60  
8
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
HALL  
4
40  
EXT. DEC  
.
+100  
+10  
CLEAR  
0
ENTER  
A/B/C/D/E  
2
0
–dB  
DVD/LD  
CD  
TV/DBS  
V-AUX  
VCR  
TUNER  
PHONO  
Set to the “ ” position.  
Select main speakers A or B.  
Name of the selected input source  
To select the tape deck connected to this unit’s  
TAPE/MD terminals or the source connected to this  
unit’s EXTERNAL DECODER INPUT terminals, use one  
of the buttons figured below. (Refer to page 35 for  
details.)  
Front panel  
SPEAKERS  
A
B
Front panel  
Remote control  
ON  
OFF  
MOVIE  
THEATER 2  
HALL  
TAPE/MD  
EXT. DEC  
.
0
or  
3
TAPE/MDEDCOMDEORN  
/EXT.  
Both speakers A and B can be selected.  
CONTINUED  
33  
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BASIC OPERATION  
/DTS  
MOVIE  
SURROUND  
THEATER  
2
MOVIE  
CD  
TAPE/MD  
THEATER  
1
TUNER  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
5 7  
TV  
TVS/PDORBTSS  
4
6
5
8
7
5
ROCK  
PHONO  
8
CHURCH  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
HALL  
CINEMA DSP  
+100  
NATURAL SOUND AV RECEIVER  
EXT. DEC  
.
VOLUME  
+10  
INPUT SELECTOR  
CLEAR  
0
l6  
20  
l2  
ENTER  
28  
8
A/B/C/D/E  
40  
4
STANDBY/ON  
I
DSP  
EFCT  
TAPE/MDEDCOMDEORN  
/EXT.  
60  
2
DISC SKIP  
PRESET  
ON/OFF  
0
–dB  
TUNING  
MODE  
A
/B  
/
C
/D  
/
E
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
CH  
CH  
TV  
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
EXTENSION BYPASS  
l
l
l
l
l
l
A
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM  
CODE SET  
MUTE  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
VOLUME  
INDEX  
DISP  
SLEEP  
POWER  
TV  
8
8
ON SCREEN  
VCR REC  
/
TV INPUT  
A/B  
5
The current input mode is also shown for a source that  
inputs two or more types of signals to this unit.  
6
7
Play the source. (Refer to page 39 for details on  
tuning.)  
To change the input mode, press the INPUT MODE button  
on the front panel or the input selector key for the currently  
selected source on the remote controller. (Refer to page 36  
for details on switching the input mode.)  
Front panel  
Remote control  
VOLUME  
l6  
Front panel  
Remote control  
20  
l2  
TV  
INPUT MODE  
MONO  
DVDM/OLVDIE  
28  
60  
8
CODE SET  
MUTE  
or  
4
or  
4
40  
VOLUME  
2
0
–dB  
Adjust the output level.  
DVD/LD  
TV/DBS  
V-AUX  
CD  
TUNER  
PHONO  
VCR  
8
Adjust the BASS, TREBLE, BALANCE controls, etc.  
(refer to page 38) and use the digital sound field  
processor. (Refer to pages 43 to 45.)  
Input mode  
When you finish using this unit  
Press the STANDBY/ON switch on the front panel or the  
STANDBY key on the remote controller to enter the standby  
mode.  
Front panel  
Remote control  
STANDBY  
STANDBY/ON  
or  
34  
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BASIC OPERATION  
Notes on input source selection  
To select the tape deck connected to this  
unit’s TAPE/MD terminals or the source  
connected to this unit’s EXTERNAL  
DECODER INPUT terminals as the input  
source.  
Note that selecting an input source means that the source  
which is connected to the corresponding input terminals on  
the rear panel is selected.  
* To select the source connected to the VIDEO AUX  
terminals on the front panel, select “V-AUX”.  
If you select a video input source without canceling the  
source already selected in the way described on the left,  
you will see the picture of the video input source and hear  
the sound of the source already selected.  
Use one of the buttons figured below to make the  
corresponding indicator illuminated on the display.  
Front panel  
If a different audio source is selected with the input selector  
keys on the remote controller while enjoying a video source,  
the sound from the newly selected audio source is heard,  
but the picture from the video source can still be seen.  
When you select an input source, the DSP program (or the  
state of no DSP program is used) which was used when the  
same input source was last selected will be automatically  
recalled.  
TAPE/MDEDCOMDEORN  
/EXT.  
Press once or more.  
TAPE/MD  
MONITOR  
If a nonstandardized source is played back, or the unit  
playing back a source is not operating correctly, “INPUT  
DATA ERR” appears on the display.  
or  
Remote control  
MOVIE  
HALL  
EXT. DEC  
THEATER 2  
.
TAPE/MD  
or  
0
3
TAPE/MD  
MONITOR  
“TAPE MONITOR”:  
“EXT. DECODER”:  
Lights up for a few seconds just  
after you select the tape deck  
connected to the TAPE/MD  
terminals.  
Lights up when the source  
connected to the EXTERNAL  
DECODER INPUT terminals is  
selected.  
Note  
The input source selected in this way has priority over any  
other input source already selected. To select another input  
source, cancel both of the sources connected to the TAPE/MD  
and EXTERNAL DECODER INPUT terminals.  
To cancel both of the sources connected to the TAPE/MD  
and EXTERNAL DECODER INPUT terminals.  
Use one of the buttons figured above to make neither “EXT.  
DECODER” nor “TAPE/MD MONITOR” are illuminated on the  
display.  
35  
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BASIC OPERATION  
Switching the input mode for the CD, DVD/LD and TV/DBS sources  
This unit allows you to switch the input mode for sources that  
send two or more types of signals to this unit.  
Notes on input mode selection  
The input mode for a TV/DBS source is selected with  
The following three input modes are provided.  
function “12. TV/DBS INPUT” in the SET MENU mode.  
This unit will be automatically set to the selected input mode  
when the power is turned on.  
AUTO  
This mode is automatically selected when you turn on the  
Set the input mode to the AUTO mode to play a DVD/LD  
power of this unit.  
In this mode, input signal is automatically selected by the  
following order of priority.  
source encoded with Dolby Digital.  
Select the ANALOG mode to play a normal 2-channel  
source with Dolby Surround decoded.  
The sound output may be interrupted in some LD and DVD  
1. Digital signal encoded with Dolby Digital or DTS, or normal  
digital input signals (PCM)  
2. Analog input signal (ANALOG)  
players in the following situation:  
The input mode is set to AUTO. A search is made while  
playing the disc encoded with Dolby Digital or DTS, then  
disc playing is restored. The sound output is interrupted for  
a moment because the digital input signal was selected  
again.  
*
For a DVD/LD source, if digital signals are input from both  
of the OPTICAL and COAXIAL terminals, the digital signal  
from the COAXIAL terminal is selected.  
The input mode cannot be changed for PHONO, TUNER,  
TAPE/MD, VCR and VIDEO AUX sources because only  
analog signals are used.  
The present input mode appears on the front display and  
DTS  
In this mode, only digital input signals encoded with DTS is  
selected even though other signals are input at the same time.  
monitor screen when the input source is changed to  
DVD/LD, CD or TV/DBS, or the input mode is changed.  
The present input signal is also shown on the monitor  
screen when the input mode is changed to AUTO, as shown  
below.  
ANALOG  
In this mode, only analog input signals are selected even  
though digital signals are input at the same time.  
Select this mode when you want to use analog input signals  
instead of digital input signals.  
*
However, the present input signal will not be shown when  
the input mode is switched during the speaker test mode.  
Only AUTO will be displayed.  
Notes on playing a source encoded with DTS  
Select the DTS mode when playing an LD or CD source  
encoded with DTS. (Red “dts” indicator is illuminated on  
the display panel.) If the “AUTO” mode is selected, a  
noise may be heard just after playback begins.  
Do not play these sources in the ANALOG mode  
because only background noise will be output from the  
speakers.  
This unit is automatically locked in the DTS decoding  
mode when playing a CD or LD source encoded with  
DTS in the AUTO mode to prevent background noise in  
future operation. The red “dts” indicator will be flashing.  
In this mode, no sound will be heard if a disc with normal  
digital signals (PCM) is played from a CD or LD source.  
To play back the disc normally, press the INPUT MODE  
button on the front panel, or, the input selector key for the  
current source on the remote controller.  
36  
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BASIC OPERATION  
Recording a source to tape (or MD) or dubbing from tape (or MD)  
to tape (or MD)  
Recording the playing source to tape (or MD)  
/DTS  
MOVIE  
SURROUND  
THEATER  
2
MOVIE  
CD  
TAPE/MD  
THEATER  
1
TUNER  
1
3
4 1 2  
2
1
4
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
4
6
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
CLEAR  
CINEMA DSP  
0
NATURAL SOUND AV RECEIVER  
ENTER  
VOLUME  
INPUT SELECTOR  
l6  
20  
l2  
A/B/C/D/E  
28  
60  
8
DSP  
EFCT  
40  
4
DISC SKIP  
PRESET  
STANDBY/ON  
I
ON/OFF  
TAPE/MDEDCOMDEORN  
/EXT.  
l
2
0
CH  
CH  
–dB  
TV  
TUNING  
MODE  
A/  
B
/C  
/
D
/E  
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
EXTENSION BYPASS  
l
l
l
l
l
l
A
B
CODE SET  
MUTE  
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
2
VOLUME  
INDEX  
Notes on recording  
1
2
Select the source you want to record.  
The VOLUME, BASS, TREBLE, BALANCE controls, the  
BASS EXTENSION button and the settings of DSP have  
no effect on the material being recorded.  
Front panel  
Remote control  
Turn off the “TAPE/MD MONITOR” indicator when the  
recording is finished by pressing the TAPE/MD MON/EXT.  
DECODER button once or more. Also, do not make “EXT.  
DECODER” appear on the display.  
Composite video and S video signals pass independently  
through this unit’s video circuits. Therefore, when recording or  
dubbing video signals, if your video source unit is connected  
to provide only a S video (or only a composite video) signal,  
you can record only a S video (or only a composite video)  
signal on your VCR.  
/DTS  
SURROUND  
CD  
or  
1
Play the source and then turn the VOLUME control up  
to confirm the input source. (Refer to page 39 for  
details on tuning.)  
Front panel  
Remote control  
A source that is connected to this unit between optical or  
coaxial digital terminals only cannot be recorded by a tape  
deck or VCR connected to this unit.  
VOLUME  
l6  
20  
l2  
TV  
A source of signals input to the EXTERNAL DECODER  
INPUT terminals of this unit cannot be recorded.  
Please check the copyright laws in your country to record  
from records, compact discs, radio, etc. Recording of  
copyright material may infringe on copyright laws.  
28  
8
CODE SET  
MUTE  
4
40  
or  
VOLUME  
2
60  
0
–dB  
If you play back a video source that uses scramble or  
encoded signals to prevent it from being dubbed, there may  
be a case that display information superimposed on the  
picture and/or the picture itself is disturbed due to those  
signals.  
3
4
Begin recording to the tape deck (or MD recorder etc.)  
or VCR connected to this unit.  
If the tape deck (or MD recorder etc.) is used for  
recording, you can monitor the sound of recording.  
To monitor the sound of recording, light up the  
“TAPE/MD MONITOR” indicator on the display by  
pressing the TAPE/MD MON/EXT. DECODER button  
or TAPE/MD key.  
Front panel  
Remote control  
MOVIE  
THEATER 2  
TAPE/MD  
or  
3
TAPE/MDEDCOMDEORN  
/EXT.  
TAPE/MD  
MONITOR  
37  
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BASIC OPERATION  
Sound control  
Adjusting the BALANCE control  
Adjusting the BASS and TREBLE  
controls  
Adjust the balance of the output volume to the left and right  
speakers to compensate for sound imbalance caused by  
speaker location or listening room conditions.  
BASS  
0
TREBLE  
0
l
l
l
l
2
2
2
2
3
3
3
3
BALANCE  
0
4
4
4
4
l
l
5
5
5
5
2
2
3
3
BASS  
: Turn this knob clockwise to increase (or counter-  
clockwise to decrease) the low frequency  
response.  
4
4
L
5
5
R
Note  
This control is effective only for the sound from the main  
speakers.  
TREBLE : Turn this knob clockwise to increase (or counter  
clockwise to decrease) the high frequency response.  
Note  
These controls are effective only for the sound from the main  
speakers.  
Using the BASS EXTENSION  
button  
Press this button inward (ON) to boost the bass frequency  
response at the main left and right channels while maintaining  
overall tonal balance. This function is effective for reinforcing  
the bass frequencies when a subwoofer is not used.  
Using the TONE BYPASS button  
Press this button inward (ON) to bypass the tone (BASS and  
TREBLE) control circuitry. This function is used for outputting  
pure sound and checking the tone control settings. The tone  
control circuitry can be used when this button is released  
outward (OFF).  
BASS  
TONE  
EXTENSION BYPASS  
ON  
OFF  
BASS  
TONE  
EXTENSION BYPASS  
ON  
OFF  
38  
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BASIC OPERATION  
Tuning  
Basic operation  
Quick automatic-search tuning (automatic tuning) is effective when the station signals are strong with no interference. However,  
manual tuning can be used during less-than-ideal conditions.  
2 1  
CINEMA DSP  
NATURAL SOUND AV RECEIVER  
VOLUME  
INPUT SELECTOR  
l6  
20  
l2  
28  
60  
8
40  
4
STANDBY/ON  
I
TAPE/MDEDCOMDEORN  
/EXT.  
2
0
–dB  
TUNING  
MODE  
A/  
B
/C  
/D  
/
E
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
EXTENSION BYPASS  
l
l
l
l
l
l
A
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
3 4  
Manual tuning  
Automatic tuning  
1
Select “TUNER” as the input source.  
1
Select “TUNER” as the input source.  
2
Select the reception band. “FM” or “AM” will be  
illuminated.  
2
Select the reception band. “FM” or “AM” will be  
illuminated.  
FM/AM  
FM/AM  
or  
or  
TUNING  
MODE  
TUNING  
MODE  
3
4
3
4
Turn the “AUTO”  
indicator off.  
AUTO  
/MNO  
AUTO  
/MONO  
AUTO  
Press the “UP” side once to tune in to a higher  
frequency.  
Press the “DOWN” side once to tune in to a lower  
frequency.  
Tune to the desired station manually.  
DOWN TUNING  
UP  
DOWN TUNING  
UP  
* Hold down the button to continue the tuning search.  
* Press the button again if the tuning search does not stop at  
the correct station.  
* Use manual tuning if the tuning search does not stop at the  
correct station because the signals are weak.  
Note  
Manually selecting an FM station will automatically change the  
reception to monaural to increase the signal quality.  
39  
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BASIC OPERATION  
Preset tuning  
Manual preset tuning  
This unit can store station frequencies selected by the tuning operation. With this function, you can recall any desired station only by  
selecting the preset station number. Up to 40 stations (8 stations x 5 groups) can be stored.  
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TVS/PDORBTSS  
TV  
4
6
Select “AMP/TUN”  
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
CINEMA DSP  
NATURAL SOUND AV RECEIVER  
8
VOLUME  
l6  
TEST  
HALL  
EXT. DEC  
INPUT SELECTOR  
20  
l2  
+100  
.
+10  
28  
60  
8
CLEAR  
0
ENTER  
40  
4
STANDBY/ON  
I
POWER  
STANDBY  
E
2, 1  
2
TAPE/MDEDCOMDEORN  
/EXT.  
A/B/C/D/E  
2
0
DSP  
EFCT  
–dB  
TUNING  
MODE  
A
/
B
/
C
/
D
/
E
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
DISC SKIP  
PRESET  
ON/OFF  
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
A
EXTENSION BYPASS  
l
l
l
l
l
l
CH  
CH  
B
TV  
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
CODE SET  
MUTE  
VOLUME  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
INDEX  
DISP  
SURROUND  
2
MOVIE  
4, 2  
2, 1  
3
CD  
SLEEP  
THEATER  
1
POWER  
TUNER  
1
ON SCREEN  
3
To store stations  
To recall a preset station  
1
2
Tune to a station.  
(Refer to the previous page for the tuning procedure.)  
1
Select the group of preset stations.  
Remote control  
Front panel  
Select a group (A – E) of preset stations.  
A
/B/C/D/E  
+10  
ENTER  
or  
A/B/C/D
A/B/C/D/E  
2
Select the preset station number.  
Front panel  
Remote control  
3
4
MEMORY  
DISC SKIP  
PRESET  
1
2
3
4
MEMORY  
CH  
CH  
MAN’L/  
O FM  
or  
Flashes on and off  
for about 5 seconds.  
Notes  
Select a preset station number (1 to 8) where you want  
to program the station before the “MEMORY” indicator  
goes off from the display.  
A new setting can be programmed in place of the former  
one.  
For presets, the setting of the reception mode (stereo or  
monaural) is stored along with the station frequency.  
1
2
3
4
5
6
7
8
Memory back-up  
The memory back-up circuit prevents the programmed data  
from being lost even if this unit is set to the standby mode or  
the power plug is disconnected from the AC outlet or the  
power is cut due to a temporary power failure. If, however, the  
power is cut for more than one week, the memory may be  
deleted. If so, it can be re-programmed by simply following  
the Preset tuning steps.  
DVD/LD  
TV/DBS  
V-AUX  
CD  
TUNER  
PHONO  
STEREO  
VCR  
AUTO  
0
20  
100  
Shows the displayed station has been programmed to A1.  
* In the same way, program other stations to A2, A3 ... A8.  
* You can program more stations to the preset station  
numbers on other groups in the same way by selecting  
other groups in step 2.  
40  
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BASIC OPERATION  
Automatic preset tuning  
You can make use of an automatic preset tuning function for FM stations. With this function, this unit performs automatic tuning and  
stores FM stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the manual  
preset tuning method on page 40.  
CINEMA DSP  
NATURAL SOUND AV RECEIVER  
VOLUME  
INPUT SELECTOR  
l6  
20  
l2  
28  
8
40  
4
STANDBY/ON  
I
TAPE/MDEDCOMDEORN  
/EXT.  
l
60  
2
0
–dB  
TUNING  
MODE  
A/  
B
/C  
/
D
/E  
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
EXTENSION BYPASS  
l
l
l
l
l
l
A
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
2 1 3  
To store stations  
If you want to store the first received station to the  
desired preset station number.  
1
FM/AM  
If, for example, you want to store the first received station to  
C5, select “C5” by using the A/B/C/D/E button and the preset  
station number selector buttons after pressing the MEMORY  
button in step 2. Then press the TUNING button. The first  
received station is stored to C5, and next stations to C6, C7 ...  
sequentially.  
If stations are stored up to E8, the automatic preset tuning is  
finished automatically.  
2
3
Press and hold for more than 3 seconds  
MEMORY  
When the automatic preset tuning is finished  
The display shows the frequency of the last preset station.  
Check the contents and the number of preset stations by  
following the procedure of the section “To recall a preset  
station” on page 40.  
MAN’L/  
O FM  
To recall a preset station  
Simply follow the procedure of the section “To recall a preset  
station” on page 40.  
DVD/LD  
TV/DBS  
V-AUX  
CD  
TUNER  
PHONO  
A recalled station is shown by the frequency on the display.  
STEREO  
VCR  
MEMORY  
AUTO  
0
20  
100  
Notes  
Flashes  
You can replace a preset station by another FM or AM  
station manually by simply following the procedure of the  
section “To store stations” on page 40.  
If the number of received stations is not enough to be stored  
up to E8, the search will be finished automatically after  
searching all frequencies.  
With this function, only FM stations with sufficient signal  
DOWN TUNING  
UP  
strength are stored automatically. If the station you want to  
program is weak in signal strength, tune to it in monaural  
manually and program it by following the procedure of the  
section “To store stations” on page 40.  
To tune to higher frequencies, press the “UP” side once.  
To tune to lower frequencies, press the “DOWN” side once.  
* If the TUNING button is not pressed, in a while, the  
automatic preset tuning begins automatically toward higher  
frequencies.  
The automatic preset tuning begins from the frequency  
currently displayed. Received stations are programmed to  
A1, A2 ... A8 sequentially.  
* If more than 8 stations are received, they are also  
programmed to the preset station numbers on other groups  
(B, C, D and E) in that order.  
41  
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BASIC OPERATION  
Exchanging preset stations  
You can exchange the places of two preset stations with each other as shown below.  
CINEMA DSP  
NATURAL SOUND AV RECEIVER  
VOLUME  
l6  
INPUT SELECTOR  
20  
l2  
28  
60  
8
40  
4
STANDBY/ON  
I
TAPE/MDEDCOMDEORN  
/EXT.  
l
2
0
–dB  
TUNING  
MODE  
A
/B  
/C  
/
D
/E  
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
EXTENSION BYPASS  
l
l
l
l
l
l
A
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
2, 4  
Example)  
If you want to exchange the preset stations on E1 and A5 with  
each other.  
1
2
Recall the preset station on E1 (by following the  
method of “To recall a preset station” on page 40).  
4
EDIT  
EDIT  
MEMORY  
Flashes.  
3
Recall the preset station on A5 by following the same  
method with step 1.  
DVD/LD  
TV/DBS  
V-AUX  
CD  
TUNER  
PHONO  
VCR  
MEMORY  
0
20  
100  
MEMORY  
Shows the exchange of stations is completed.  
Flashes.  
42  
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BASIC OPERATION  
Using digital sound field processor (DSP)  
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand  
and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your  
listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend  
on what you will be listening to), and adding desired adjustments.  
In addition, this unit incorporates a Dolby Digital decoder and a Dolby Pro Logic decoder for multi-channel sound reproduction of  
sources encoded with Dolby Surround, and a DTS decoder for multi-channel sound reproduction of sources encoded with DTS. The  
operation of these decoders can be controlled by selecting a corresponding DSP program including a combined operation of  
YAMAHA DSP and the Dolby Digital, Dolby Pro Logic or DTS decoder.  
This unit has 10 programs for digital sound field processing; 5 programs for Audio sources and 5 programs for Audio/Video sources.  
In addition, some programs have two subprograms. All programs contain parameters that can be adjusted to the listener’s taste.  
For details about digital sound field programs, refer to pages 48 to 50.  
Playing a source with an effect of the digital sound field processor (DSP)  
MOVIE  
CD  
TAPE/MD  
THEATER  
1
TUNER  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
4
6
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
CINEMA DSP  
NATURAL SOUND AV RECEIVER  
7
9
VOLUME  
l6  
INPUT SELECTOR  
8
20  
l2  
TEST  
HALL  
+100  
28  
8
EXT. DEC  
.
+10  
CLEAR  
0
40  
4
STANDBY/ON  
I
EE
ENTER  
TAPE/MDEDCOMDEORN  
/EXT.  
60  
2
A/B/C/D/E  
0
–dB  
TUNING  
MODE  
A
/B  
/C  
/
D
/E  
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
DSP  
EFCT  
DISC SKIP  
PRESET  
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
2
ON/OFF  
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
EXTENSION BYPASS  
l
l
l
l
l
l
A
B
2
2
2
2
2
2
CH  
CH  
3
3
3
3
3
3
PROGRAM  
TV  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
CODE SET  
MUTE  
VOLUME  
INDEX  
DISP  
SLEEP  
2
POWER  
ON SCREEN  
1
2
Follow steps 1 to 7 shown in “Playing a source” on pages 33 to 34.  
When operating on the front panel:  
When operating on the remote controller:  
If no program name is illuminated on  
the display panel, press the EFFECT  
button to turn on the digital sound field  
processor so that a name of a DSP  
program appears on the display panel  
and the monitor screen.  
When the selector dial is set at a position other  
than DSP:  
When the selector dial is set  
at DSP:  
Go on to the next step.  
The indicator lights up for  
about 3 seconds.  
DSP  
POWER  
STANDBY  
POWER  
STANDBY  
DSP  
/
S
EFFECT  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
MOVIE  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
CD  
THEATER  
1
* Do the next operation while the indicator is  
illuminated. If the indicator goes off before you  
do the next operation, press the DSP key  
again.  
DVD/LD  
TV/DBS  
V-AUX  
VCR  
CONTINUED  
43  
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BASIC OPERATION  
/DTS  
MOVIE  
SURROUND  
THEATER  
2
MOVIE  
CD  
TAPE/MD  
THEATER  
1
TUNER  
1
3
2
CINEMA DSP  
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
NATURAL SOUND AV RECEIVER  
TV  
TVS/PDORBTSS  
VOLUME  
l6  
INPUT SELECTOR  
20  
l2  
4
6
28  
60  
8
5
ROCK  
PHONO  
3
CHURCH  
40  
4
STANDBY/ON  
JAZZ  
V-ACULUXB  
I
E
TAPE/MDEDCOMDEORN  
/EXT.  
2
9
7
0
8
–dB  
TEST  
TUNING  
MODE  
HALL  
A/  
B
/C  
/
D
/E  
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
EXT. DEC  
.
+100  
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
+10  
CLEAR  
0
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
EXTENSION BYPASS  
ENTER  
l
l
l
l
l
l
A
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM  
A/B/C/D/E  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
DSP  
EFCT  
DISC SKIP  
PRESET  
ON/OFF  
CH  
CH  
TV  
CODE SET  
MUTE  
3
VOLUME  
3
Select a program that is suitable for the source.  
When operating on the front panel:  
When operating on the remote controller:  
a)  
/DTS  
MOVIE  
SURROUND  
THEATER  
2
MOVIE  
CD  
TAPE/MD  
THEATER  
1
TUNER  
1
3
PROGRAM  
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
4
6
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
CLEAR  
0
ENTER  
A/B/C/D/E  
Press once or more.  
* Press “0” to select the program No. 10.  
b) For the programs No. 1, 2 and 3 only, you can select  
the desired subprogram by pressing the  
corresponding DSP program selector key once or  
more.  
The name of the selected program appears on the display panel and the monitor screen.  
DVD/LD  
TV/DBS  
V-AUX  
CD  
DVD/LD  
TV/DBS  
V-AUX  
CD  
TUNER  
PHONO  
TUNER  
PHONO  
MOVIE THEATER  
1
VCR  
VCR  
DSP  
DSP  
Program name  
Subprogram name  
Program name  
4
A
djust the output level of each speaker. (For details, refer to the corresponding descriptions on pages 46 and 47.)  
You can create your own sound field taste. (For details, refer to pages 55 to 59.)  
Notes  
Program selection can be made to individual input sources. Once you select a program, it is linked with the input source selected  
at this time. So, when you select the same input source the next time, the same program will be automatically recalled.  
If you prefer to cancel the DSP, press the EFFECT button. The sound will be the normal 2-channel stereo without surround  
sound effect.  
When a monaural sound source is played with the program PRO LOGIC (Normal/Enhanced), a proper effect will not be  
obtained. Moreover, sound may become unnatural depending on the settings of the speaker output modes (1. CENTER  
SPEAKER to 4. LFE/BASS OUT) in the SET MENU mode.  
When this unit’s Dolby Pro Logic decoder, Dolby Digital decoder or DTS decoder is used, if the main-source sound is  
considerably altered by overadjustment of the BASS or TREBLE control, the relationship between the center and rear channels  
may produce an unnatural effect.  
When a source of signals input to the EXTERNAL DECODER INPUT terminals of this unit is selected, the DSP cannot be used  
and the EFFECT button also will not function.  
44  
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BASIC OPERATION  
To enjoy a video source encoded  
with Dolby Surround, Dolby Digital  
or DTS  
Note  
If you change the LD (or CD) being played back with DTS  
decoded to another disc not encoded with DTS when the red  
“dts” indicator is illuminated, playing back the newly selected  
disc will output no sound. In this state, the red “dts” indicator  
flashes to show that this unit is locked in the DTS-decoding  
mode.  
To play back the disc normally, change the current DTS-  
decoding mode to another mode by pressing an input selector  
key on the remote controller or the INPUT MODE button on  
the front panel so that the red “dts” indicator turns off.  
When you select the program No. 1, 2 or 3, and the input  
signal of the source is 2-channel stereo, Dolby Surround is  
decoded. When some program is selected and the input signal of  
the source is encoded with Dolby Digital, Dolby Digital is  
automatically decoded.  
When some program is selected and the input signal of the  
source is encoded with DTS, DTS is automatically decoded.  
The following indicators on the display panel show you what  
sound processing is being made.  
To cancel the effect sound  
1
2
The EFFECT button on the front panel or the EFCT ON/OFF key  
on the remote controller make it simple to compare the normal  
stereo sound with the fully processed effect sound.  
3
4
5
DIGITAL  
To cancel the effect sound and monitor only the main sound,  
press the EFCT ON/OFF key or the EFFECT button. Press the  
EFCT ON/OFF key or the EFFECT button a second time to  
restore the effect sound.  
PRO LOGIC  
DSP  
DIGITAL SOURCE  
AC  
3
DTS PCM  
Front panel  
Remote control  
1Lights up when a DVD source encoded with DTS is played  
back and DTS is decoded.  
EFFECT  
EFCT  
2Lights up when an LD source or a CD source encoded with  
DTS is played back and DTS is decoded.  
3Lights up when Dolby Digital is being decoded and the  
signals of selected source encoded with Dolby Digital is  
not in 2-channels.  
ON/OFF  
or  
Notes  
4Lights up when Dolby Surround is being decoded.  
5Lights up when Digital Sound Field Processor is turned  
on.  
If the effect sound is canceled when signals encoded with  
Dolby Digital or DTS are input to this unit, signals of all  
channels are mixed and are output from the main speakers.  
If the EFFECT button or the EFCT ON/OFF key is pressed to  
turn effect sounds off when Dolby Digital or DTS is decoded, it  
may happen that sound is output faintly or not output normally  
depending on a source. In that case, press the EFFECT  
button or the EFCT ON/OFF key to turn effect sounds ON, or  
use input signals not encoded with Dolby Digital or DTS.  
The display panel or the monitor screen will show the selected  
subprogram according to the type of the decoding.  
Notes  
Dolby Digital will not be decoded if the source that is not  
encoded with Dolby Digital.  
DTS will not be decoded if the source that is not encoded  
with DTS.  
If the input signals of source encoded with Dolby Digital  
are in 2-channels only, the sound processing for them is  
similar to that for analog or PCM audio signals.  
45  
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BASIC OPERATION  
Adjusting output level of the center, right rear, left rear speakers and  
subwoofer  
You can adjust the sound output level of the each speaker  
even if the output level is already set in “Speaker balance  
adjustment” on pages 30 to 32.  
(Center speaker output level)  
C E N T E R  
(Right rear speaker output level)  
R S U R .  
(Left rear speaker output level)  
L S U R .  
(Subwoofer output level)  
S W F R  
Speakers  
Control range (dB)  
Preset value  
CENTER  
MIN, –20 to +10  
MIN, –20 to +10  
MIN, –20 to +10  
MIN, –20 to 0  
0
0
0
0
RIGHT SURROUND (R SUR.)  
LEFT SURROUND (L SUR.)  
SUBWOOFER (SWFR)  
46  
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BASIC OPERATION  
Method of adjustment  
Select “AMP/TUN.”  
POWER  
ON SCREEN  
TV  
CINEMA DSP  
NATURAL SOUND AV RECEIVER  
VCR REC  
/
TV INPUT  
A/B  
VOLUME  
l6  
INPUT SELECTOR  
POWER  
STANDBY  
20  
l2  
28  
60  
8
2
1
40  
4
STANDBY/ON  
/
EE
TAPE/MDEDCOMDEORN  
/EXT.  
l
2
0
–dB  
TUNING  
MODE  
A
/
B
/
C
/
D
/
E
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
DIR  
A
DIR  
B
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
SELECT  
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
A
EXTENSION BYPASS  
l
l
l
l
l
l
B
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM  
SET UP  
RETURN  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
TUNER  
1
3
MENU  
TITLE  
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
1
LEVEL  
SET MENU  
TV SPORTS  
1 2  
1
Select the speaker(s) whose level you want to adjust by using one of the following methods.  
When operating on the front panel: When operating on the Remote controller:  
ON/OFF  
TITLE  
SET  
ON/OFF  
TITLE  
LEVEL  
MENU  
Press once.  
LEVEL  
LEVEL  
Press once  
or more.  
Press once  
or more.  
Press once  
or more.  
DIR  
A
D
B
SELECT  
Press a button repeatedly until the name of the desired speaker(s) appears on the display.  
2
Adjust the level on the selected speaker(s).  
SET  
LEVEL  
MENU  
DIR  
A
DIR  
B
SELECT  
3
Repeat steps 1 and 2 to make adjustments on the other speaker(s).  
Notes  
If the function “1. CENTER SPEAKER” in the SET MENU  
mode is set in the “NONE” position, the sound output level  
of the center speaker cannot be adjusted. This is because  
in this mode, the center sound is automatically output from  
the left and right main speakers.  
The value of each speaker output level you set the last time  
will remain memorized even when this unit is in the standby  
mode.  
However, if the power cord is disconnected for more than  
one week, these values will be automatically changed to the  
factory default settings.  
Once the output level is adjusted, the level value will be the  
same in all the digital sound field programs.  
47  
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BASIC OPERATION  
Brief overview of digital sound field programs  
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of  
these are precise digital recreations of actual acoustic environments. The data for these sound fields were recorded at actual  
locations using sophisticated sound field measurement equipment.  
Note  
The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are  
listening in. This is due to the fact that most of these sound field recreations are actual acoustic environments.  
Program No. 1 to 5: CINEMA-DSP programs (for Audio/Video sources)  
These programs use the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder.  
Speaker output: main, center, rear  
Note: If the “NONE” position is selected on “1. CENTER SPEAKER” in the SET MENU mode, no sound is output from  
the center speaker(s).  
Program No. 1 is for reproducing video discs, video tapes and similar sources which are encoded with Dolby Surround (bearing  
the “DOLBY SURROUND” or “DOLBY DIGITAL” logo) or encoded with DTS (bearing the “dts” logo).  
No.  
1
PROGRAM  
SUBPROGRAM (TYPE)  
FEATURE  
PRO LOGIC  
/DTS  
SURROUND  
PRO LOGIC/Normal (  
)
The built-in Dolby Pro Logic decoder, the Dolby Digital  
decoder or the DTS decoder precisely reproduces sounds  
and sound effects of a source encoded with Dolby  
Surround or DTS. The realization of a highly efficient  
decoding process improves crosstalk and channel  
separation and makes sound positioning smoother and  
more precise.  
Functions when the input signal is analog  
or PCM audio or encoded with Dolby  
Digital in 2 channels.  
DIGITAL  
DOLBY DIGITAL/Normal (  
)
Functions when the input signal is encoded  
with Dolby Digital not in 2 channels.  
DTS DIGITAL SUR/Normal (  
)
Functions when the input signal is encoded  
with DTS.  
PRO LOGIC/Enhanced  
Ideally simulates the multi-surround speaker systems of  
the newest film theater. The digital sound field processing  
and the Dolby Surround decoding or the DTS decoding  
are precisely performed without altering the originally  
designed sound orientation. The surround effects  
PRO LOGIC  
DSP  
(
)
Functions when the input signal is analog  
or PCM audio or encoded with Dolby  
Digital in 2 channels.  
produced by this sound field fold the viewer naturally from  
the rear to the left and right and toward the screen.  
DOLBY DIGITAL/Enhanced  
DIGITAL  
DSP  
(
)
Functions when the input signal is encoded  
with Dolby Digital not in 2 channels.  
DTS DIGITAL SUR/Enhanced  
DSP  
(
)
Functions when the input signal is encoded  
with DTS.  
48  
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BASIC OPERATION  
Program No. 2 to 3 are suitable for reproducing video discs, video tapes and similar sources which are encoded with Dolby  
Surround (bearing the “DOLBY SURROUND” or “DOLBY DIGITAL” logo) or encoded with DTS (bearing the “dts” logo).  
No.  
2
PROGRAM  
MOVIE  
SUBPROGRAM (TYPE)  
70 mm Spectacle  
FEATURE  
Creates the extremely wide sound field of a movie  
theater. It precisely reproduces the source sound in  
detail, giving both the video and the sound field  
incredible reality. Any kind of video sources encoded  
with Dolby Surround or DTS (especially large-scale  
movie productions) are ideal for use with this program.  
PRO LOGIC  
DSP  
THEATER 1  
(
)
Functions when the input signal is analog  
or PCM audio or encoded with Dolby  
Digital in 2 channels.  
DGTL Spectacle  
(
DIGITAL  
DSP  
)
Functions when the input signal is encoded  
with Dolby Digital not in 2 channels.  
DTS Spectacle  
(
DSP  
)
Functions when the input signal is encoded  
with DTS.  
70 mm Sci-Fi  
Clearly reproduces dialog and sound effects in the latest  
sound design of science fiction films, thus creating a  
broad and expansive cinematic space amid the silence.  
You can enjoy science fiction films in a virtual-space  
sound field that includes Dolby Surround, Dolby Digital  
and DTS-encoded software employing the most  
advanced techniques.  
PRO LOGIC  
DSP  
(
)
Functions when the input signal is analog  
or PCM audio or encoded with Dolby  
Digital in 2 channels.  
DGTL Sci-Fi  
DIGITAL  
DSP  
(
)
Functions when the input signal is encoded  
with Dolby Digital not in 2 channels.  
DTS Sci-Fi  
(
DSP  
)
Functions when the input signal is encoded  
with DTS.  
Ideal for precisely reproducing the sound design of the  
newest multi-track films. The sound field is made to be  
similar to that of the newest movie theaters, so the  
reverberations of the sound field itself are restrained as  
much as possible. The data of the sound field of an  
opera house are used for the front presence side, so the  
three dimensional feeling of the sound field is  
emphasized, and dialog is precisely oriented on the  
screen. By using the data of the sound field of a concert  
hall on the rear surround side, powerful reverberations  
are generated. You can enjoy watching action, adventure  
movies, etc. with much presence.  
3
MOVIE  
THEATER 2  
70 mm Adventure  
PRO LOGIC  
DSP  
(
)
Functions when the input signal is analog  
or PCM audio or encoded with Dolby  
Digital in 2 channels.  
DGTL Adventure  
DIGITAL  
DSP  
(
)
Functions when the input signal is encoded  
with Dolby Digital not in 2 channels.  
DTS Adventure  
DSP  
(
)
Functions when the input signal is encoded  
with DTS.  
This program is for reproducing sounds on a multi-track  
film, and characterized by a soft and extensive sound  
field. The front presence side of the sound field is  
relatively narrow. It spatially spreads all around and  
toward the screen, restraining echo effect of  
conversations without losing clarity. For the surround  
side, the harmony of music or chorus sounds beautifully  
in a wide space at the rear of the sound field.  
70 mm General  
PRO LOGIC  
DSP  
(
)
Functions when the input signal is analog  
or PCM audio or encoded with Dolby  
Digital in 2 channels.  
DGTL General  
DIGITAL  
DSP  
(
)
Functions when the input signal is encoded  
with Dolby Digital not in 2 channels.  
DTS General  
(
DSP  
)
Functions when the input signal is encoded  
with DTS.  
49  
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BASIC OPERATION  
For program No. 4 and 5 only, indicators light up as follows.  
DSP  
When the input signal is analog or PCM audio: (  
)
DIGITAL  
DSP  
When the input signal is encoded with the Dolby Digital (not in 2 channels): (  
)
DSP  
When the input signal is encoded with the DTS: (  
)
No.  
PROGRAM  
FEATURE  
4
5
MONO MOVIE  
TV SPORTS  
This program is designed specifically to enhance mono  
source programs. Compared to a strictly mono setting, the  
sound image created in this mode is wider and slightly  
forward of the speaker pair, lending an immediacy to the  
overall sound. It is particularly effective when used with old  
mono movies, news broadcasts and dialog.  
This program is furnished with a tight sound field in which the  
sound will not spread excessively on the front side, but the rear  
surround side produces a dynamic sound expansion. This  
program is the most suitable for sports programs.  
Program No. 6 to 10: Hi-Fi DSP programs (for audio sources)  
DSP  
Speaker output: main, rear (  
)
No.  
PROGRAM  
FEATURE  
6
DISCO  
This program recreates the acoustic environment of a lively  
disco in the heart of a very lively city. The sound is dense and  
highly concentrated. It is also characterized by a high-energy,  
“immediate” sound.  
7
8
9
ROCK CONCERT  
JAZZ CLUB  
CHURCH  
This program is ideally suited for rock music. You will  
experience a very dynamic or lively sound field.  
This is a small, cozy jazz club with a low ceiling. The sound is  
very close and intimate.  
This program recreates the acoustic environment of a big  
church with a high pointed dome and columns along the sides.  
This interior produces very long reverberations.  
10 CONCERT HALL  
In this program, the center will appear to be deep behind the  
main speakers, creating an expansive large hall ambience.  
Orchestra and opera music are suited for this sound field.  
50  
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ADVANCED FEATURES  
“SET MENU” mode  
The following 13 functions maximize the performance of your system and increase the enjoyment of audio listening and video watching.  
1. CENTER SPEAKER  
2. REAR SPEAKER  
3. MAIN SPEAKER  
4. LFE/BASS OUT  
5. MAIN LEVEL  
6. DOLBY DGTL SET  
LFE LEVEL  
19. CENTER DELAY  
10. PARAMETER INI  
11. MEMORY GUARD  
12.TV/DBS INPUT  
13. DIMMER  
7. DOLBY DGTL SET  
DYNAMIC RANGE  
8. DTS SET  
LFE LEVEL  
Changes and adjustments  
Select “AMP/TUN” or “DSP”.  
POWER  
TV  
ON SCREEN  
CINEMA DSP  
NATURAL SOUND AV RECEIVER  
VCR REC  
/
TV INPUT  
A/B  
VOLUME  
INPUT SELECTOR  
l6  
20  
l2  
POWER  
STANDBY  
28  
60  
8
40  
4
STANDBY/ON  
I
EE
TAPE/MDEDCOMDEORN  
/EXT.  
l
/
2
0
–dB  
TUNING  
MODE  
A/  
B
/C  
/
D
/E  
1
2
3
4
5
6
7
8
MEMORY  
EDIT  
FM/AM  
DOWN TUNING  
UP  
INPUT MODE  
DIR  
A
DIR  
B
MAN’L/AUTO FM  
AUTO/MAN’L MONO  
SELECT  
SET  
VIDEO AUX  
BASS  
0
TREBLE  
0
BALANCE  
0
BASS  
TONE  
LEVEL  
MENU  
EFFECT  
PHONES  
SPEAKERS  
EXTENSION BYPASS  
l
l
l
l
l
l
A
B
2
2
2
2
2
2
2
3
3
3
3
3
3
PROGRAM  
ON  
OFF  
ON  
OFF  
4
4
4
4
4
4
SET UP  
RETURN  
1
1
5
5
5
5
L
5
5
R
S
VIDEO  
VIDEO  
L
AUDIO  
R
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
TUNER  
1
3
MENU  
TITLE  
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
LEVEL  
SET MENU  
TV SPORTS  
2 1  
Refer to the information in the display panel or monitor screen during operation. The monitor power must be turned on to display  
information on the monitor.  
When using the remote controller, the selector dial must be set at “AMP/TUN” or “DSP”.  
1
To make changes, select the applicable function by using one of the following methods.  
When operating on the front panel:  
When operating on the Remote controller:  
AUDIO  
MENU  
AUDIO  
SET  
Press once.  
SET MENU  
LEVEL  
MENU  
MENU  
SET MENU  
Press once  
or more.  
Press once or more.  
Press once  
or more.  
DIR  
A
D
B
SELECT  
2
3
Select the desired position or edit parameter for the function by using the following keys.  
SET  
LEVEL  
MENU  
DIR  
A
DIR  
B
SELECT  
Repeat steps 1 and 2 to change a setting or adjust for another function.  
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ADVANCED FEATURES  
Function description  
1. CENTER SPEAKER  
2. REAR SPEAKER  
3. MAIN SPEAKER  
4. LFE/BASS OUT  
5. MAIN LEVEL  
(Selecting the output modes suitable for your speaker system)  
Refer to pages 27 to 29 for details. (Once you have selected proper modes, you do not have to make a setting change, unless your  
speaker system is modified.)  
6. DOLBY DGTL SET  
LFE LEVEL [Adjusting the output level at the LFE (low frequency effect) channel]  
Control range: –20 dB to 0 dB  
Preset value: 0 dB  
Adjusts the output level at the LFE (low frequency effect)  
channel. If the LFE signals are mixed with signals of other  
channels and they are output from the same speakers, the ratio  
of LFE signals to other signals can be adjusted. (Refer to page 5  
for details about the LFE channel.)  
This adjustment is effective only when Dolby Digital is  
decoded and the signals of the selected source encoded  
with Dolby Digital contain LFE signals.  
7. DOLBY DGTL SET  
DYNAMIC RANGE (Adjusting dynamic range)  
Choices: MAX/STD/MIN  
Preset position: MAX  
MAX:  
In this position, a source encoded with Dolby Digital  
is reproduced in the original sound track’s wide  
dynamic range providing you with powerful sounds  
like a movie theater.  
Selecting this position will be more ideal if you can  
listen to a source in a high output level in a room  
specially soundproofed for audio/video enjoyment.  
This adjustment is effective only when Dolby Digital is  
decoded.  
“Dynamic range” is the difference between the maximum level  
and the minimum level of sounds. Sounds on a movie  
originally designed for movie theaters feature very wide  
dynamic range.  
Dolby Digital technology can bring the original sound track into  
a home audio format with this wide dynamic range unchanged.  
Powerful sounds of extremely wide dynamic range are not  
always suitable for home use. Depending upon the condition of  
your listening environment, it may not be possible to increase  
the sound output level as high as a movie theater. However, in  
a level suitable for listening in your room, the low level parts of  
source sound cannot be heard well because they will be lost  
among noises in your environment.  
STD (Standard):  
In this position, a source encoded with Dolby Digital  
is reproduced in the “compressed” dynamic range of  
the source suitable for low level listening.  
MIN:  
In this position, dynamic range is more reduced than  
in the STD position. Selecting this position will be  
effective when you must listen to a source in an  
extremely low level.  
* In this position, it may happen that sound is output  
faintly or not output normally depending on a  
source. In that case, select the MAX or STD  
position.  
Dolby Digital technology also made it possible to reduce an  
original sound track’s dynamic range for a home audio format  
by “compressing” the data of sound.  
52  
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ADVANCED FEATURES  
8. DTS SET  
LFE LEVEL [Adjusting the output level at the LFE (low frequency effect) channel]  
Control range: –10 dB to 10 dB  
Preset value: 0 dB  
Adjusts the output level at the LFE (low frequency effect)  
channel. If the LFE signals are mixed with signals of other  
channels and they are output from the same speakers, the ratio  
of LFE signals to other signals can be adjusted. (Refer to page 5  
for details about the LFE channel.)  
This adjustment is effective only when DTS is decoded and  
the signals of the selected source encoded with DTS  
contain LFE signals.  
9. CENTER DELAY [Adjusting the delay of center sounds (dialog etc.)]  
Control range: 0 ms to 5 ms (in 1 ms step)  
Preset value: 0 ms  
Adjusts the delay between the main sounds (at the main  
channels) and dialog etc. (at the center channel).  
The larger the value, the later the dialog etc. is generated.  
In your audio system, the distance from the center speaker to  
your listening position may be shorter than the distance from  
the left or right main speaker to your listening position. In that  
case, sounds from the left main, center and right main  
speakers can reach your listening position at the same time by  
delaying the sound from the center speaker.  
This adjustment is effective only when Dolby Digital or  
DTS is decoded and the signals of the selected source  
encoded with Dolby Digital or DTS contain center  
channel signals.  
10. PARAMETER INI (Initializing parameters on a DSP program)  
You can initialize all parameter settings on a DSP program.  
Note that some DSP programs have two subprograms; all  
parameters on both subprograms are initialized by this  
operation.  
Initializing method  
Use the remote controller for the operation.  
A program number whose parameters has been changed is  
marked with “ ”. First press the DSP key, and then press a  
*
DSP program selector key which corresponds to the program  
number whose parameters you want to initialize. When  
initialized, the “ ” mark will disappear.  
*
Note  
When the selector dial of the remote controller is set at “DSP”,  
simply press the corresponding DSP program selector key.  
53  
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ADVANCED FEATURES  
11. MEMORY GUARD (Locking DSP parameters and other adjustments)  
If you wish to prevent accidental alteration to DSP parameters  
and other adjustments on this unit, select “ON”. In this position,  
they are locked and cannot be changed. The following  
functions on this unit can be locked by this operation.  
DSP parameters  
Other functions in the “SET MENU” mode  
ON SCREEN display key  
LEVEL key  
TEST key  
12. TV/DBS INPUT (Selecting the initial input mode of the source connected to the  
TV/DBS input terminals)  
For the source connected to the TV/DBS input terminals of this  
unit, you can designate the input mode that is automatically  
selected when the power of this unit is switched on.  
AUTO: In this position, the AUTO input mode is always  
selected when the power of this unit is switched on.  
LAST: In this position, the input mode you have selected the  
last time is memorized and will not be changed even if  
the power of this unit is switched off.  
*
Refer to page 36 for details about switching the input mode.  
13. DIMMER (Changing brightness of the display panel)  
You can adjust the brightness of the display panel in five  
degree increments.  
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ADVANCED FEATURES  
Creating your own sound fields  
DSP programs consist of some parameters to determine  
What is a sound field?  
apparent room size, reverberation time, distance from you to  
the performer, etc. In each program, these parameters are  
preset with values precisely calculated by Yamaha to create  
the sound field unique for the program. It is recommended to  
use DSP programs without changing values of parameters,  
however, this unit also allows you to create your own sound  
fields. Starting with one of the built-in programs, you can adjust  
those parameters. Even if the power cord of this unit is  
disconnected from the AC outlet, your custom sound fields will  
remain in the DSP’s memory for about one week. The  
following page details how to make your own sound fields.  
In order to explain the impressive functions of the DSP, we  
need to first understand what a sound field really is.  
What really creates the rich, full tones of a live instrument are  
the multiple reflections from the walls of the room. In addition  
to making the sound “live”, these reflections enable us to tell  
where the player is situated, and the size and shape of the  
room in which we are sitting. We can even tell whether it is  
highly reflective with steel and glass surfaces, or more  
absorbent with wood panels, carpeting and curtains.  
Each DSP program has a set of parameters that allow you to  
change the characteristics of the acoustic environment to  
precisely create the effect you want. For the programs which  
have subprograms, each subprogram has a set of parameters.  
These parameters correspond to the many natural acoustic  
factors that create the sound field you experience in an actual  
concert hall or other listening environment. The size of the  
room, for example, affects the length of time between the  
“early reflections”—that is, the first few widely spaced  
reflections you hear after the direct sound. The “ROOM SIZE”  
parameter provided in many of the DSP programs alters the  
timing between these reflections, thus changing the shape of  
the “room” you hear. In addition to room size, the shape of the  
room and the characteristics of its surfaces have a significant  
effect on the final sound. Surfaces that absorb sound, for  
example, cause the reflections and reverberations to die out  
quicker, while highly reflective surfaces allow the reflections to  
carry on for a longer period of time. The DSP parameters allow  
you to control these and many other factors that contribute to  
your personal sound field, allowing you to essentially  
“redesign” the concert halls, theaters, etc. provided to create  
custom-tailored listening environments that ideally match your  
mood and music.  
The elements of a sound field  
In any environment, in addition to the direct sound coming  
straight to our ears from the player’s instrument, there are two  
distinct types of sound reflections that combine to make up the  
sound field:  
(1) Early Reflections.  
Reflected sounds reach our ears extremely rapidly  
(50 ms — 100 ms after the direct sound), after reflecting  
from one surface only—for example, from the ceiling or a  
wall. These reflections fall into specific patterns as shown  
in the diagram on page 57 for any particular environment,  
and provide vital information to our ears. Early reflections  
actually add clarity to the direct sound.  
(2) Reverberations.  
These are caused by reflections from more than one  
surface—walls, ceiling, the back of the room—so  
numerous that they merge together to form a continuous  
sonic “afterglow”. They are non-directional, and lessen the  
clarity of the direct sound.  
Refer to “Descriptions of the digital sound field parameters” on  
pages 57 to 59 for a description of what each parameter does,  
how it effects the sound, and its control range.  
Direct sound, early reflections and subsequent reverberation  
taken together help us to determine the subjective size and  
shape of the room, and it is this information that the DSP  
reproduces in order to create sound fields.  
If you could create the appropriate early reflections and  
subsequent reverberations in your listening room, you would  
be able to create your own listening environment. The  
acoustics in your room could be changed to those of a concert  
hall, a dance floor, or virtually any size room at all. This ability  
to create sound fields at will is exactly what Yamaha has done  
with the DSP.  
55  
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ADVANCED FEATURES  
Selecting and editing program parameters  
This adjustment can be made only by using the remote controller  
and watching the monitor screen or the display panel.  
INDEX  
DISP  
SLEEP  
/DTS  
MOVIE  
POWER  
TV  
2
SURROUND  
CD  
THEATER  
2
ON SCREEN  
MOVIE  
TAPE/MD  
THEATER  
1
VCR REC  
/
TV INPUT  
A/B  
TUNER  
1
3
2
3
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
Note  
TV  
TVS/PDORBTSS  
4
6
Information on the monitor screen would be  
easier to see than the display panel.  
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
DIR  
A
DIR  
B
4, 5  
7
9
8
SELECT  
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
SET UP  
RETURN  
CLEAR  
0
ENTER  
A/B/C/D/E  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
DSP  
EFCT  
3
DISC SKIP  
PRESET  
ON/OFF  
MENU  
TITLE  
LEVEL  
SET MENU  
1
Set the selector dial of the remote controller to “DSP” or  
AMP/TUN”.  
4
Select the parameter which you want to edit.  
POWER  
STANDBY  
/
DSP or AMP/TUN  
DIR  
A
D
B
SELECT  
2
3
Turn on your monitor. If the currently selected type of  
display is not the full display, press the ON SCREEN  
display key and select the full display.  
5
Change the value on the selected parameter to create  
the effect you want.  
INDEX  
DISP  
ON SCREEN  
DIR  
A
DIR  
B
SELECT  
Select the desired program (or subprogram) by following  
the steps 2 and 3 of “Playing a source with an effect  
of the digital sound field processor (DSP)” on pages  
43 and 44.  
” increases the value of the selected parameter, and  
” decreases the value of the selected parameter. In both  
cases you can hold the key down to quickly move to the  
desired value.  
S
/
The display will pause for a moment at the initial set value of  
the parameter as a reminder. (On the monitor screen, the  
mark at the head of the parameter name will disappear upon  
DSP  
/DTS  
MOVIE  
SURROUND  
THEATER  
2
*
MOVIE  
CD  
TAPE/MD  
THEATER  
1
TUNER  
1
3
2
reaching the initial set value of the parameter.)  
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
4
6
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
Notes  
HALL  
EXT. DEC  
.
+100  
+10  
/DTS  
MOVIE  
CLEAR  
0
SURROUND  
THEATER  
2
MOVIE  
For details about parameters, refer to pages 57 to 59.  
Parameter edits made in this way will remain in effect even  
ENTER  
CD  
TAPE/MD  
THEATER  
1
TUNER  
A/B/C/D/E  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
4
6
if power is lost due to a power failure or the power plug is  
disconnected from the AC outlet for up to about one week,  
after which all parameters, as well as other adjustments or  
setting changes on this unit, will return to their initial values  
or conditions.  
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
CLEAR  
0
ENTER  
A/B/C/D/E  
The selected program name and its parameters will be  
displayed on the monitor screen. The arrow-shaped  
cursor points to the first parameter or subprogram name.  
56  
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ADVANCED FEATURES  
Descriptions of the digital sound field parameters  
Not all of the following parameters are found in every program.  
ROOM SIZE  
P. ROOM SIZE (Presence Room Size)  
How it Affects the Sound:  
Changes the apparent size of the music venue. The larger  
the value, the larger the simulated room will sound.  
Adjusts the apparent space size of the front presence sound  
field. The larger the value, the longer the interval between  
reflections becomes, which increases the depth of the sound  
source.  
What it Does:  
Adjusts the timing between the early reflections. Early  
reflections are the first group of reflections you hear before  
the subsequent, dense reverberation begins.  
S. ROOM SIZE (Surround Room Size)  
Adjusts the apparent space size of the rear surround sound field.  
The larger the value, the larger the surround sound field  
becomes.  
Control Range:  
0.1 – 2.0  
Standard setting is 1.0.  
Changing this parameter from 1 to 2 increases the apparent  
volume of the room eight times (length, width, and height all  
doubled).  
Level  
Level  
Level  
Direct sound  
Direct sound  
Early reflections  
Direct sound  
Early reflections  
Early reflections  
Small  
Large  
Time  
Time  
Time  
Small space  
Large space  
INIT. DELAY (Initial Delay)  
P. INIT. DLY (Presence Initial Delay)  
How it Affects the Sound:  
Changes the apparent distance from the source sound.  
Adjusts the delay between the direct sound and the first reflection  
on the presence side of the sound field. The larger the value, the  
later the first reflection begins.  
Since the distance between a sound source and a reflective  
surface determines the delay between the direct sound and  
the first reflection, this parameter changes the location of the  
sound source within the acoustic environment.  
Control Range:  
1 – 99 milliseconds  
What it Does:  
Adjusts the delay between the direct sound and the first  
reflection heard by the listener.  
S. INIT. DLY (Surround Initial Delay)  
Adjusts the delay between the direct sound and the first reflection  
on the rear surround side of the sound field. The larger the value,  
the later the first reflection begins.  
Control Range:  
1 – 99 milliseconds  
Control Range:  
For a small living room this parameter would be set for a small  
value. Large values for a big room. Larger values produce an  
echo effect.  
1 – 49 milliseconds  
Level  
Level  
Level  
Direct sound  
Early reflections  
Small  
Large  
Time  
Time  
Time  
INIT. DLY  
INIT. DLY  
INIT. DLY  
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ADVANCED FEATURES  
LIVENESS  
LIVENESS (Presence Liveness)  
How it Affects the Sound:  
This parameter changes the apparent reflectivity of the walls  
in the hall.  
Adjusts the apparent reflectivity of the walls on the front presence  
sound field. The larger the value, the more reflective the front  
presence sound field becomes.  
The early reflections from a sound source will lose intensity  
(decay) much faster in a room with acoustically absorbent  
wall surfaces than in one which has mostly reflective  
surfaces. A room with highly reflective surfaces in which the  
early reflections decay slowly is termed “live”, while a room  
with absorbent characteristics in which the reflections decay  
rapidly is termed “dead”. The LIVENESS parameter lets you  
adjust the early reflection decay rate, and thus the “liveness”  
of the room.  
S. LIVENESS (Surround Liveness)  
Adjusts the apparent reflectivity of the walls on the rear surround  
sound field. The larger the value, the more reflective the rear  
surround sound field becomes.  
What it Does:  
Changes the rate at which the early reflections decay.  
Control Range:  
0 – 10.  
Level  
Level  
Level  
Direct sound  
Small  
Large  
Time  
Time  
Time  
Dead  
Live  
REV.TIME (Reverberation Time)  
How it Affects the Sound:  
Control Range:  
1.0 – 5.0 seconds.  
The natural reverberation time of a room depends primarily  
on its size and the characteristics of its inner surfaces. This  
parameter, therefore, changes the apparent size of the  
acoustic environment over an extremely wide range.  
The reverb time in a small-to-medium size hall would be  
between 1 and 2, and in a large hall it is normally between 2  
and 3.  
What it Does:  
Adjusts the amount of time it takes for the level of the dense,  
subsequent reverberation sound to decay by 60 dB (1 kHz).  
Direct sound  
Early reflections  
Level  
Level  
Level  
60 dB  
60 dB  
60 dB  
Small  
Large  
Time  
Time  
Time  
REV. TIME  
REV. TIME  
REV. TIME  
Reverberations  
Reverberations  
Reverberations  
58  
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ADVANCED FEATURES  
REV. LEVEL (Reverberation Level)  
This parameter adjusts the volume of the reverberation sound.  
The larger the value, the stronger the reverberation becomes.  
Control Range:  
0 – 100%  
Level  
Direct sound  
REV. LEVEL  
Time  
S. DELAY (Surround Delay)  
Adjusts the delay between the direct sound and the first reflection  
on the rear surround side sound field. The larger the value, the  
later the surround sound field is generated.  
Control Range:  
When Dolby Surround is decoded:  
15 – 30 milliseconds  
When Dolby Digital or DTS is decoded:  
0 – 15 milliseconds  
When a program without Dolby Surround or DTS  
encoded is used:  
15 – 49 milliseconds  
59  
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ADVANCED FEATURES  
Setting the SLEEP timer  
Use the built-in SLEEP timer to automatically turn this unit into the standby mode after the time you set elapses. The SLEEP timer is  
useful when you plan to fall asleep while this unit is playing back or recording a source. The SLEEP timer also automatically turns off  
external units connected to the SWITCHED AC OUTLET(S) on the rear of this unit. The SLEEP timer can only be set using the  
remote controller.  
To set the SLEEP time  
To cancel the SLEEP timer  
Press the SLEEP key repeatedly until “SLEEP OFF” appears  
on the display. (After a while, the display returns to the original  
indication.)  
1
2
Select the source using the INPUT SELECTOR and  
start playback (or select a broadcast station) on the  
source unit.  
Press the SLEEP key repeatedly until the desired  
SLEEP time appears on the display.  
* “SLEEP time” is the time that elapses before this unit  
is automatically turned into the standby mode.  
SLEEP  
Note  
SLEEP  
The SLEEP timer setting can also be canceled by setting this  
unit into the standby mode with the STANDBY/ON switch on  
the front panel (or the STANDBY key on the remote controller)  
or disconnecting the power plug of this unit from the AC outlet.  
Indicates the SLEEP time.  
DVD/LD  
TV/DBS  
V-AUX  
CD  
TUNER  
PHONO  
VCR  
SLEEP  
Flashes.  
Each time you press the SLEEP key, the SLEEP time  
changes as follows.  
(Minutes)  
120  
90  
60  
30  
SLEEP OFF  
(The SLEEP timer is off.)  
After a while, the display returns to the original indication.  
60  
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REMOTE CONTROLLER  
The remote controller is designed to control the most commonly used functions. If you have other Yamaha audio and video  
components with remote control capability, this remote controller will also control various functions of them.  
In addition, this remote controller can control other manufacturers’ audio and video components by programming the remote  
controller with the codes for other manufacturers.  
Basic operation  
1
Select the position for the component that you want to  
control by turning the selector dial.  
Note: Turn the selector dial unitl it stops with a click.  
2
Press an operation key.  
Note: Press a key with the remote controller aimed at the  
front panel.  
POWER  
STANDBY  
Selected position  
is shown.  
/
The indicator will flash  
when a key is pressed.  
Components which can be controlled  
The selector dial can be turned to select nine positions. The components which can be controlled with the remote controller differs  
depending on the selected position. Refer to the diagram below to know what components can be controlled for each position.  
AMP/TUN  
/
This unit can be controlled. Normally set to this position  
POWER  
STANDBY  
/
TAPE/MD  
Tape decks and MD recorders can be controlled.  
*
Keys are originally preset to control Yamaha tape decks. To control a Yamaha MD  
recorder, enter the code for Yamaha MD recorders.  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
CD  
TUNER  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
CD players can be controlled.  
TVS/PDORBTSS  
4
6
5
*
Keys are originally preset to control Yamaha CD players.  
DSP  
S
This unit can be controlled and DSP programs can be selected directly.  
DVD/LD  
D
DVD players and LD players can be controlled.  
*
To control the Yamaha model DVD-1000 or DVD-S700, enter the code number “4490”.  
DVD MENU  
M
DVD players can be controlled.  
* A code for a DVD player cannot be entered in this position.  
VCR  
C
/
VCRs can be controlled.  
CBL/DBS  
Cable TVs or DBS tuners can be controlled.  
TV  
TVs can be controlled.  
Notes  
You can program the remote controller with the codes for  
other manufactures for all positions (except AMP/TUN and  
DSP) respectively.  
For the DVD/LD and DVD MENU positions:  
If you enter a code for a DVD player in the DVD/LD position,  
the keys in the DVD MENU position become also available  
for controlling the DVD player. You cannot enter a code for  
a DVD player when the DVD MENU is selected.  
For example, if your CD player is not a Yamaha model,  
enter the code for the manufacture of the CD player when  
the CD position is selected. You can control your CD player  
with the remote controller when the CD position is selected.  
You can enter one code for one position.  
You can enter the code for your second (or third) VCR in the  
CBL/DBS position if you do not use a cable TV, DBS tuner, etc.  
You can also enter the code for your second (or third) VCR in  
the DVD MENU position if you do not use a DVD player. In this  
case, however, you must enter a code for an LD player in the  
DVD/LD position even if you do not use an LD player.  
Refer to page 67 for details.  
Refer to page 67 for details about entering codes.  
Some Yamaha CD players and tape decks cannot be  
controlled with the default codes. To control such a model,  
enter the code for the model in the corresponding position.  
61  
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REMOTE CONTROLLER  
Key name and function  
The key functions differ depending on the position selected by the selector dial as shown below.  
/
AMP/TUN  
*
The keys drawn in a light tone do not function.  
1 POWER  
Press this key to turn on the power of this unit.  
POWER  
STANDBY  
2 Input selector keys  
B
C
1
Press a key to select the input source.  
P
/
3 EXT. DEC.  
Press this key to select the input signals from the EXTERNAL  
DECODER INPUT terminals as the input source. This function  
takes priority over the input selector key setting. “EXT.  
DECODER” will be illuminated on the display panel.  
The source selected with the input selector keys becomes the  
current input source when “EXT. DECODER” is not illuminated  
on the display panel.  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
TUNER  
1
3
2
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
4
6
5
ROCK  
PHONO  
CHURCH  
*
If the DSP key (5) is pressed, you can select the HALL  
program by pressing this key while the indicator (C) is  
illuminated.  
JAZZ  
V-ACULUXB  
9
7
D
E
F
8
TEST  
HALL  
EXT. DEC  
.
+100  
3
5
+10  
CLEAR  
0
ENTER  
4
6
A/B/C/D/E  
4 A/B/C/D/E  
DSP  
EFCT  
DISC SKIP  
PRESET  
ON/OFF  
Press this key to select a group of preset stations.  
CH  
CH  
TV  
(TV VOLUME)  
5 DSP  
CODE SET  
MUTE  
Press this key. While the indicator (C) is illuminated for about  
three seconds, select a DSP program using the keys  
(2, 3, D). No DSP program can be selected after the  
indicator goes off.  
7
9
8
VOLUME  
INDEX  
DISP  
SLEEP  
G
POWER  
TV  
ON SCREEN  
VCR REC  
/
TV INPUT  
A/B  
6 PRESET +/–  
+: Press this key to select the next preset station number.  
–: Press this key to select the previous preset station  
number.  
(TV POWER)  
0
DIR  
A
DIR  
B
SELECT  
7 VOLUME  
(up)/  
(down)  
SET UP  
RETURN  
Press these keys to increase or decrease the volume.  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
8 MUTE  
MENU  
TITLE  
H
A
LEVEL  
SET MENU  
Press this key to mute the volume. The volume can be  
returned to the original level by pressing any remote controller  
key which controls this unit.  
The indicator on the VOLUME control flashes during the mute  
mode.  
9 SLEEP  
Press this key to turn the built-in SLEEP timer on and off, and  
set the SLEEP time. (Refer to page 60.)  
0
/
/
/
The  
or select speaker(s) or functions according to the mode  
selected by the LEVEL or SET MENU key. The and  
(up) and  
(down) keys select the DSP parameters,  
keys adjust or make changes in the selected parameter,  
speaker(s) or function.  
Note  
TV POWER and TV VOLUME function if you have entered the  
code for your TV.  
62  
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REMOTE CONTROLLER  
A LEVEL  
F EFCT ON/OFF  
This key is used to adjust the output level of the center  
speaker, rear speakers and subwoofer. First, press this key.  
Then select the speaker(s) by pressing this key repeatedly or  
by using the or key (0). The name will be illuminated on  
Press this key to turn on/off the digital sound field processor,  
which includes the Dolby Pro Logic decoder, Dolby Digital  
decoder and DTS decoder.  
the display. Then press the  
output level.  
or  
key (0) to change the  
G ON SCREEN  
Press this key to change the type of display on the monitor  
screen. Three types of displays are available.  
Each time the key is pressed, the information can be changed  
to a full, simple and no display.  
B STANDBY  
Press this key to set this unit in the standby mode.  
C Indicator  
H SET MENU  
This indicator flashes when a key is pressed on the remote  
controller. (Transmitting infrared signals.)  
Press this key to turn the unit into the SET MENU mode.  
Select a function by pressing this key repeatedly or by using  
the or key (0). The function name will be illuminated on  
D CHURCH  
the display. Then press the  
make settings in the function.  
or  
key (0) to adjust or  
If the DSP key (5) is pressed, you can select the CHURCH  
program by pressing this key while the indicator (C) is  
illuminated.  
E TEST  
This key is used when adjusting the speaker balance. (Refer to  
pages 30 to 32.)  
S
DSP  
The functions of all keys are the same with the AMP/TUN  
position except the DSP program selector keys figured on  
the left.  
POWER  
STANDBY  
S
DSP program selector keys  
Press a key corresponding to the DSP program you want to  
select. The program is directly selected.  
Note: Press “0” to select the program No. 10.  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
TUNER  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
DSP program  
selector keys  
TV  
TVS/PDORBTSS  
4
6
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
9
7
8
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
CLEAR  
0
ENTER  
63  
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REMOTE CONTROLLER  
The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 62. For details,  
refer to the instruction manual for each of your components.  
TAPE/MD  
For tape decks  
1 POWER  
POWER  
STANDBY  
This key turns on this unit when the default code is used.  
If another code is entered and your tape deck’s remote  
controller has a power key, this key will turn on the tape deck.  
1
2
REC/PAUSE  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
MOVIE  
CD  
Press this key to set the tape deck in the recording pause  
mode.  
THEATER  
1
TUNER  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
INPUT  
4
6
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
3 DIR A  
8
TEST  
HALL  
EXT. DEC  
.
+100  
Press this key to select the playing direction of DECK A.  
+10  
CLEAR  
0
ENTER  
A/B/C/D/E  
DSP  
EFCT  
DISC SKIP  
PRESET  
ON/OFF  
4
PLAY  
CH  
CH  
TV  
Press this key to play a tape.  
(TV VOLUME)  
CODE SET  
MUTE  
5
REWIND  
Press this key to rewind a tape.  
VOLUME  
INDEX  
DISP  
(TV POWER)  
SLEEP  
POWER  
TV  
6
7
8
9
ON SCREEN  
VCR REC  
/
TV INPUT  
A/B  
2
7 DECK A/B  
Press this key to select A or B on a double cassette tape deck.  
3
4
5
DIR  
A
DIR  
B
SELECT  
9 DIR B  
SET UP  
RETURN  
0
Press this key to select the playing direction of DECK B.  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
TITLE  
MENU  
A
LEVEL  
SET MENU  
0
STOP  
Press this key to stop a tape.  
A
FAST FORWARD  
Press this key to fast forward a tape.  
Note  
For MD recorders  
TV POWER and TV VOLUME function if you have entered the  
code for your TV.  
Enter the proper code for your MD recorder.  
1 POWER  
This key turns on this unit if a code for a Yamaha MD recorder  
is entered. If another manufactuer’s code is entered and your  
MD recorder’s remote controller has a power key, this key will  
turn on the MD recorder.  
2
3
4
5
REC/PAUSE  
SKIP  
PLAY  
BACKWARD  
6 DISPLAY  
8
9
0
A
PAUSE  
SKIP  
STOP  
FAST FORWARD  
64  
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REMOTE CONTROLLER  
The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 62. For details,  
refer to the instruction manual for each of your components.  
CD  
Note  
TV POWER, TV VOLUME and TV INPUT function if you have entered the  
code for your TV.  
POWER  
STANDBY  
1
1 POWER  
6
PAUSE  
This key turns on this unit when the  
default code is used. If another code  
is entered and your CD player’s  
remote controller has a power key,  
this key will turn on the CD player.  
Press this key to pause playback.  
This key functions as PAUSE/STOP  
for operating Yamaha CD players  
under default settings.  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
TUNER  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
INPUT  
4
6
5
7
STOP  
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
2 DISC SKIP  
Press this key to stop playback.  
This key functions as PAUSE/STOP  
for operating Yamaha CD players  
under default settings.  
8
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
Press these keys to skip to the next  
or previous CD.  
CLEAR  
0
ENTER  
A/B/C/D/E  
DSP  
EFCT  
DISC SKIP  
PRESET  
ON/OFF  
CH  
CH  
2
TV  
3
Press  
,
SKIP  
(TV VOLUME)  
(TV INPUT)  
6
8
FAST FORWARD  
CODE SET  
MUTE  
to skip to the beginning of  
Press this key to advance playback  
rapidly.  
the next track.  
VOLUME  
INDEX  
DISP  
Press  
to skip to the beginning of  
SLEEP  
POWER  
TV  
(TV POWER)  
ON SCREEN  
the current or previous track.  
VCR REC  
/
TV INPUT  
A/B  
3
4
5
4
PLAY  
DIR  
A
DIR  
B
Press this key to play a CD.  
SELECT  
7
8
SET UP  
RETURN  
5
BACKWARD  
Press this key to reverse playback  
rapidly.  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
TITLE  
MENU  
LEVEL  
SET MENU  
M
DVD/LD  
DVD MENU  
(*1): For a DVD player:  
(*1)  
This key turns on this unit when  
the default code is used.  
POWER  
STANDBY  
POWER  
STANDBY  
POWER  
POWER  
M
For an CD player:  
This key turns on this unit if a  
code for a Yamaha LD player is  
entered.  
/DTS  
MOVIE  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
THEATER  
2
SURROUND  
2
MOVIE  
MOVIE  
CD  
TAPE/MD  
CD  
THEATER  
1
THEATER  
1
TUNER  
TUNER  
1
3
1
3
2
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TV  
TVS/PDORBTSS  
TVS/PDORBTSS  
INPUT  
Numeric  
keys  
4
6
4
6
5
5
ROCK  
PHONO  
ROCK  
PHONO  
CHURCH  
CHURCH  
JAZZ  
V-ACULUXB  
JAZZ  
V-ACULUXB  
7
9
7
9
8
8
TEST  
TEST  
HALL  
HALL  
EXT. DEC  
.
+100  
EXT. DEC  
.
+100  
+10  
+10  
CLEAR  
CLEAR  
0
0
CLEAR  
ENTER  
ENTER  
A/B/C/D/E  
A/B/C/D/E  
DSP  
EFCT  
DSP  
EFCT  
+10  
DISC SKIP  
PRESET  
DISC SKIP  
PRESET  
ON/OFF  
ON/OFF  
CH  
CH  
CH  
CH  
TV  
TV  
DISC SKIP  
DISC SKIP  
(TV VOLUME)  
(TV VOLUME)  
CODE SET  
MUTE  
CODE SET  
MUTE  
VOLUME  
VOLUME  
TITLE/INDEX  
(TV INPUT)  
DISPLAY  
(TV INPUT)  
PAUSE  
INDEX  
DISP  
INDEX  
DISP  
SLEEP  
SLEEP  
POWER  
TV  
POWER  
TV  
ON SCREEN  
ON SCREEN  
(TV POWER)  
(TV POWER)  
VCR REC  
/
TV INPUT  
A/B  
VCR REC  
/
TV INPUT  
A/B  
MENU UP  
MENU RIGHT  
MENU DOWN  
SKIP/SEARCH  
MENU LEFT  
MENU SELECT  
SET UP  
DIR  
A
DIR  
B
DIR  
A
DIR  
B
SELECT  
SELECT  
PLAY  
SUBTITLE (DVD)/  
BACKWARD (LD)  
STOP  
SET UP  
RETURN  
SET UP  
RETURN  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
ANGLE (DVD)  
AUDIO (DVD)  
RETURN  
MENU  
TITLE  
MENU  
TITLE  
MENU  
TITLE  
LEVEL  
SET MENU  
LEVEL  
SET MENU  
SUBTITLE  
ON/OFF (DVD)  
Note  
Note  
TV POWER, TV VOLUME and TV INPUT function if  
TV POWER, TV VOLUME and TV INPUT function if  
you have entered the code for your TV.  
you have entered the code for your TV.  
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REMOTE CONTROLLER  
The keys drawn in a light tone do not function. For the keys which are not described here, see “AMP/TUN” on page 62. For details,  
refer to the instruction manual for each of your components.  
C
VCR  
TV  
Note  
Note  
TV POWER, TV VOLUME and TV INPUT function if you have  
You can control your VCR if you have entered the code for it.  
entered the code for your TV.  
POWER  
STANDBY  
POWER  
STANDBY  
POWER  
C
/DTS  
MOVIE  
THEATER  
TAPE/MD  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
SURROUND  
2
MOVIE  
MOVIE  
CD  
CD  
THEATER  
1
THEATER  
1
TUNER  
TUNER  
1
3
1
3
2
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TV  
TVS/PDORBTSS  
TVS/PDORBTSS  
CHANNEL  
CHANNEL  
4
6
4
6
5
5
ROCK  
PHONO  
ROCK  
PHONO  
CHURCH  
CHURCH  
JAZZ  
V-ACULUXB  
JAZZ  
V-ACULUXB  
7
9
7
9
8
8
TEST  
TEST  
HALL  
HALL  
EXT. DEC  
.
+100  
EXT. DEC  
.
+100  
+10  
+10  
CLEAR  
CLEAR  
0
0
TV EFFECT  
ON/OFF  
CHANNEL  
ENTER  
CHANNEL  
ENTER  
ENTER  
ENTER  
A/B/C/D/E  
A/B/C/D/E  
DSP  
EFCT  
DSP  
EFCT  
DISC SKIP  
PRESET  
DISC SKIP  
PRESET  
ON/OFF  
ON/OFF  
CH  
CH  
CH  
CH  
TV  
TV  
CHANNEL  
+(UP)/–(DOWN)  
CHANNEL  
+(UP)/–(DOWN)  
TV VOLUME  
(TV VOLUME)  
CODE SET  
MUTE  
CODE SET  
MUTE  
TV MUTE  
VOLUME  
VOLUME  
INDEX  
DISP  
INDEX  
DISP  
TV SLEEP  
(TV POWER)  
VCR REC (*1)  
SLEEP  
SLEEP  
DISPLAY  
DISPLAY  
TV INPUT  
POWER  
TV  
POWER  
TV  
ON SCREEN  
ON SCREEN  
TV POWER  
VCR REC  
/
TV INPUT  
A/B  
VCR REC  
/
TV INPUT  
A/B  
(TV INPUT)  
PAUSE  
STOP  
PLAY  
DIR  
A
DIR  
B
DIR  
A
DIR  
B
SELECT  
SELECT  
SET UP  
RETURN  
SET UP  
RETURN  
REWIND  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
FAST  
FORWARD  
(VCR)  
TITLE  
MENU  
TITLE  
MENU  
LEVEL  
SET MENU  
LEVEL  
SET MENU  
(*1) Press this key twice to start recording.  
/
CBL/DBS  
POWER  
STANDBY  
POWER  
/
Note  
TV POWER, TV VOLUME and TV INPUT function if you  
have entered the code for your TV.  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
TUNER  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
CHANNEL  
4
6
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
CLEAR  
0
CHANNEL  
ENTER  
+100  
ENTER  
A/B/C/D/E  
DSP  
EFCT  
DISC SKIP  
PRESET  
ON/OFF  
CH  
CH  
TV  
CHANNEL  
(TV VOLUME)  
DISPLAY  
+(UP)/–(DOWN)  
CODE SET  
MUTE  
VOLUME  
INDEX  
DISP  
SLEEP  
POWER  
TV  
ON SCREEN  
(TV POWER)  
MENU SELECT  
VCR REC  
/
TV INPUT  
A/B  
(TV INPUT)  
MENU UP  
MENU RIGHT  
MENU LEFT  
DIR  
A
DIR  
B
SELECT  
SET UP  
RETURN  
MENU DOWN  
RECALL  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
TITLE  
MENU  
LEVEL  
SET MENU  
MENU  
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REMOTE CONTROLLER  
Entering manufacturer codes  
If you have a component which is not a Yamaha model, you can enter the code for the manufacturer of the component in the  
corresponding position of the selector dial. By doing so, you can control the component with the remote controller.  
Refer to the code list at the end of this manual for the code numbers you need.  
Notes  
Some Yamaha CD players and tape decks cannot be controlled with the default codes. To control such a model, enter the code  
for the model in the corresponding position.  
If there is no code applicable for your component in the code list, you must use the remote controller provided for the component.  
Entering a code  
Entering a code for a second (or third) VCR  
You can use the CBL/DBS or DVD MENU position, or both of  
them to control a second (and/or third) VCR if you do not use a  
cable TV, DBS tuner, DVD player etc.  
1
Set the selector dial to the position for controlling the  
component. (For example, set to “VCR” for a VCR.)  
*
If you will use the DVD MENU position for a second (or third)  
VCR, you must enter the code for an LD player in the DVD/LD  
position.  
POWER  
STANDBY  
C
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
1
Set the selector dial to the CBL/DBS or DVD MENU  
position.  
2
Press both of the VOLUME  
same time and hold them until the indicator flashes  
and  
keys at the  
POWER  
STANDBY  
M
twice.  
TV  
POWER  
STANDBY  
CODE SET  
MUTE  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
C
SURROUND  
2
MOVIE  
CD  
Flashes  
twice.  
VOLUME  
2
Press both of the VOLUME  
same time and hold them until the indicator flashes  
and  
keys at the  
twice.  
TV  
3
Use the numeric keys to enter the four-digit  
manufacturer code for the component to be used.  
Make sure that the indicator flashes twice.  
POWER  
STANDBY  
CODE SET  
MUTE  
M
Flashes  
twice.  
VOLUME  
/DTS  
MOVIE  
SURROUND  
THEATER  
2
MOVIE  
CD  
TAPE/MD  
THEATER  
1
POWER  
STANDBY  
TUNER  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
C
4
6
5
Flashes  
twice.  
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
TV  
8
TEST  
HALL  
EXT. DEC  
.
+100  
3
4
Press the MUTE key.  
+10  
CLEAR  
0
ENTER  
CODE SET  
MUTE  
A/B/C/D/E  
VOLUME  
*
If the indicator does not flash, repeat step 3 and enter  
the code again.  
Use the numeric keys to enter the four-digit  
manufacturer code for the second (or third) VCR. Make  
sure that the indicator flashes twice.  
4
Try operating the component with the remote controller  
to check the code entering is successful.  
/DTS  
MOVIE  
SURROUND  
THEATER  
2
MOVIE  
CD  
TAPE/MD  
THEATER  
1
POWER  
STANDBY  
TUNER  
1
3
2
Note  
MONO  
DISCO  
VCR  
DVDM/OLVDIE  
TV  
TVS/PDORBTSS  
M
4
6
If the component cannot be controlled, enter another code for  
the same manufacturer.  
5
Flashes  
twice.  
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
CLEAR  
0
ENTER  
A/B/C/D/E  
*
If the indicator does not flash, repeat step 4 and enter  
the code again.  
5
Try operating the component with the remote controller  
to check the code entering is successful.  
Note  
If the component cannot be controlled, enter another code for  
the same manufacturer.  
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REMOTE CONTROLLER  
Restoring the default codes  
To restore the default codes for the all  
positions.  
To restore the default code for each  
position  
1
Press both of the VOLUME  
same time and hold them until the indicator flashes  
and  
keys at the  
1
Set the selector dial to the position for which you want to  
restore the default code.  
twice.  
POWER  
STANDBY  
TV  
Flashes  
twice.  
M
CODE SET  
MUTE  
POWER  
STANDBY  
M
VOLUME  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
MOVIE  
CD  
2
Press both of the VOLUME  
same time and hold them until the indicator flashes  
twice.  
and  
keys at the  
2
Enter the code number “9987”.  
*
Make sure that the indicator flashes twice.  
TV  
/DTS  
MOVIE  
SURROUND  
THEATER  
2
MOVIE  
CD  
TAPE/MD  
THEATER  
1
CODE SET  
POWER  
STANDBY  
POWER  
STANDBY  
TUNER  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
MUTE  
TV  
TVS/PDORBTSS  
M
M
4
6
5
VOLUME  
Flashes  
twice.  
ROCK  
PHONO  
Flashes  
twice.  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
CLEAR  
0
ENTER  
A/B/C/D/E  
3
Enter the code number “9999”.  
*
Make sure that the indicator flashes twice.  
/DTS  
SURROUND  
CD  
MOVIE  
THEATER  
2
MOVIE  
TAPE/MD  
THEATER  
1
POWER  
STANDBY  
TUNER  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
M
4
6
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
Flashes  
twice.  
7
9
8
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
CLEAR  
0
ENTER  
A/B/C/D/E  
Default codes  
The following codes are preset as the default code.  
<U.S.A., Canada, China, Singapore and General models>  
Position Component Code  
TV  
<Australia model>  
Position  
TV  
Component  
TV  
Code  
TV  
0047  
2566  
3060  
0037  
2455  
3072  
CBL/DBS  
VCR  
DBS tuner  
VCR  
CBL/DBS  
VCR  
DBS tuner  
VCR  
DVD/LD  
CD  
DVD player  
CD player  
Tape deck  
4545 YAMAHA  
6187 YAMAHA  
8524 YAMAHA  
DVD/LD  
CD  
DVD player  
CD player  
Tape deck  
4545 YAMAHA  
6187 YAMAHA  
8524 YAMAHA  
TAPE/MD  
TAPE/MD  
We recommend that you write all code numbers you have entered on the “Quick Reference Card”.  
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TROUBLESHOOTING  
Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below or if the  
instruction below does not help, disconnect the power cord and contact your authorized YAMAHA dealer or service center.  
General  
What to Do  
Problem  
Cause  
Firmly plug in the power cord.  
The unit fails to turn on when the  
STANDBY/ON switch is pressed, or turns  
into the standby mode suddenly soon after  
the power is turned on.  
Power cord is not plugged in or is not  
completely inserted.  
Set the switch to either end when this unit is  
in the standby mode.  
The IMPEDANCE SELECTOR switch on the  
rear panel is not set to either end.  
Turn this unit into the standby mode and  
disconnect the AC power cord from the AC  
outlet. After about 30 seconds have passed,  
connect the power and operate this unit  
again.  
This unit does not work normally.  
There is an influence of strong external  
noise (lightning, excessive static electricity,  
etc.) or a misoperation on this unit while  
using this unit.  
Connect the cords properly. If the problem  
persists, the cords may be defective.  
No sound or no picture.  
Incorrect output cord connections.  
Select the appropriate input source with the  
INPUT SELECTOR or the TAPE/MD  
MON/EXT. DECODER button.  
Appropriate input source is not selected.  
Secure the connections.  
Speaker connections are not secure.  
Play a source whose signals this unit can  
reproduce.  
Digital signals other than PCM audio and  
Dolby Digital (or DTS) encoded signals  
which this unit cannot reproduce are input to  
this unit by playing a CD-ROM etc.  
Connect this unit’s S VIDEO MONITOR OUT  
terminal to the TV’s S video input terminal.  
No picture  
There is no S video terminal connection  
between this unit and the TV, though S  
video signals are input to this unit.  
Turn this unit into the standby mode, and  
then turn on to reset the protection circuit.  
The sound suddenly goes off.  
The protection circuit has been activated  
because of short circuit etc.  
Cancel the SLEEP timer function.  
Adjust it to the appropriate position.  
The SLEEP timer came on.  
Only one side speaker outputs the sound.  
No sound from the effect speakers.  
Incorrect setting of the BALANCE control.  
Incorrect cord connections.  
Connect the cords properly. If the problem  
persists, the cords may be defective.  
Press the EFFECT button to turn it on.  
Use a different sound field program.  
The EFFECT button is set off.  
A Dolby Surround (or DTS) decoding  
program is being used with material not  
encoded with Dolby Surround (or DTS).  
Select the appropriate position.  
Select another program.  
No sound from the center speaker.  
The function “1. CENTER SPEAKER” in the  
SET MENU mode is set to the “NONE” position.  
One of the DSP programs No. 6 to No. 10 is  
selected when the input signal of source is  
2-channel stereo (analog/PCM).  
Refer to the instructions for the source  
currently played.  
The input signals of source encoded with  
Dolby Digital or DTS do not have center  
channel signals.  
Select the MAIN position.  
Poor bass reproduction.  
Sound “hums”.  
The function “4. LFE/BASS OUT” in the SET  
MENU mode is set in the SW or BOTH  
position, though your system does not  
include a subwoofer.  
Make output mode selections suitable for  
your speaker system.  
Output mode selection for each channel  
(MAIN, CENTER or REAR) is improper.  
Firmly connect the audio plugs. If the  
Incorrect cord connections.  
problem persists, the cords may be defective.  
Make the GND connection between the  
turntable and this unit.  
No connection from the turntable to the  
GND terminal.  
The player should be connected to the unit  
through the MC head amplifier.  
The volume level is low while playing a  
record.  
The record is being played on a turntable  
with an MC cartridge.  
Turn on the power to the component.  
The volume level cannot be increased, or  
sound is distorted.  
The component connected to the TAPE/MD  
OUT terminals of this unit is turned off.  
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TROUBLESHOOTING  
What to Do  
Set to the “OFF” position.  
Problem  
Cause  
DSP parameters and some other settings  
on this unit cannot be changed.  
The function “11. MEMORY GUARD” in the  
SET MENU mode is set to the “ON” position.  
Check the source, or turn off the unit playing  
back the source and then turn on again.  
“INPUT DATA ERR” appears on the display  
and no sound is heard.  
A nonstandardized source is played back, or  
the unit playing back a source is  
misoperating.  
The sound field cannot be recorded.  
This unit does not operate properly.  
It is not possible to record the sound field on  
a tape deck connected to this unit’s  
TAPE/MD OUT terminals.  
Unplug the AC power cord from the wall AC  
outlet, and then plug in again after about one  
minute.  
The internal microcomputer has been frozen  
by an external electric shock (lightning,  
excessive static electricity, etc.) or power  
supply with low voltage.  
Make additional connection between analog  
terminals.  
A source cannot be recorded by a tape  
deck or VCR connected to this unit.  
The source unit is connected to this unit  
between digital terminals only.  
Move the unit further away from the affected  
equipment.  
Noise from nearby TV or tuner.  
This unit is too close to the affected  
equipment.  
Turn the power to this unit on.  
The sound is degraded when listening with  
the headphones connected to the compact  
disc player or tape deck that is connected  
with this unit.  
This unit is in the standby mode.  
Remote controller  
What to Do  
Problem  
Cause  
Replace the batteries with new ones.  
The remote controller does not work.  
The batteries of this remote controller are  
weak.  
The remote controller will function from a  
maximum range of 6 meters, no more than 30  
degrees off-axis from the front panel.  
The remote controller does not function  
properly.  
Wrong distance or angle.  
Change position of the main unit.  
Direct sunlight or lighting (of an inverter type  
of fluorescent lamp etc.) is striking the remote  
control sensor of the main unit.  
Set the selector dial to the proper position.  
This unit or another component cannot be  
controlled with the remote controller.  
The selector dial of the remote controller is  
not set at the proper position.  
Enter the code for controlling the component  
in the corresponding position of the remote  
controller.  
The code for controlling the component is not  
preset to the remote controller.  
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TROUBLESHOOTING  
Tuner  
Problem  
Cause  
What to Do  
FM stereo reception is noisy.  
Because of the characteristics of FM stereo  
broadcasts, this is limited to cases where  
the transmitter is too far away or the  
antenna input is poor.  
Check the antenna connections.  
Try using a high quality directional FM  
antenna.  
Set the TUNING MODE button to the manual  
tuning mode.  
There is distortion and clear reception  
cannot be obtained even with a good  
FM antenna.  
There is multipath interference.  
The station is too weak.  
Adjust antenna placement to eliminate  
multipath interference.  
A desired station cannot be tuned in  
with the automatic tuning method.  
Use the manual tuning method.  
Use a high quality directional FM antenna.  
Previously preset stations can no  
longer be tuned in.  
This unit has been unplugged for a long  
period.  
Repeat the presetting procedure.  
A desired station cannot be tuned in  
with the automatic tuning method.  
Weak signal or loose antenna connections.  
Tighten the AM loop antenna connections  
and rotate it for best reception.  
Use the manual tuning method.  
There are continuous crackling and  
hissing noises.  
Noises result from lightning, fluorescent  
lamps, motors, thermostats and other  
electrical equipment.  
Use an outdoor antenna and a ground wire.  
This will help somewhat but it is difficult to  
eliminate all the noises.  
There are buzzing and whining noises  
(especially in the evening).  
A television set is being used nearby.  
Relocate this unit away from the TV.  
<For China and General models only>  
Repeat storing stations by following the  
preset tuning procedure.  
Although you make the operation for  
recalling a preset station, the station  
cannot be tuned in, or a station other than  
the preset one is tuned in.  
Some memory of the preset stations was  
modified because the setting of the  
FREQUENCY STEP switch was changed  
after storing stations.  
When playing back a source encoded with DTS:  
What to Do  
Problem  
Cause  
The player must be connected to a digital  
audio signal input terminal of this unit besides  
analog audio signal terminal connections.  
A loud hissing noise is heard when you  
play back a source encoded with DTS.  
The player which plays back the source is  
not connected to a digital audio signal input  
terminal of this unit.  
Select a proper input mode on this unit to turn  
on the DTS decoder built into this unit.  
The “ANALOG” input mode is selected on  
this unit.  
Set the input mode of the currently selected  
input source to “DTS”.  
A percussive noise is heard when you  
begin playing back a source encoded with  
DTS.  
If the “AUTO” input mode is selected,  
depending on some sources, there may be a  
case that a noise is heard while this unit is  
identifying the format of input signal.  
Set the player’s digital volume control at the  
maximum, neutral or ineffective position.  
No sound is heard when you play back a  
source encoded with DTS, even though the  
“AUTO” or “DTS” input mode is selected  
on this unit.  
The DTS decoder built into this unit does not  
function because the player has a digital  
volume control and it is set at a position  
other than “maximum”, “neutral” or  
“ineffective”.  
No sound is heard when you play back an  
MD onto which you have recorded a  
source encoded with DTS.  
A source encoded with DTS cannot be  
recorded onto an MD.  
No sound is heard when you play back a  
DAT onto which you have recorded a  
source encoded with DTS.  
Depending on a DAT deck, a source  
encoded with DTS cannot be recorded onto  
a DAT.  
Press the INPUT MODE button on the front  
panel or the input selector button (for the  
currently selected source) on the remote  
controller so that “PCM” appears on the  
monitor screen.  
No sound is heard when you play back a  
source (CD etc.) even though the currently  
selected input mode is “AUTO”.  
In the “AUTO” mode, DTS-decoding mode  
cannot be changed to the normal (PCM)  
digital signal input mode automatically.  
Notes  
It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back a source must be  
connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a  
D-to-A converter is used without using a DTS decoder, when you play back a source, only a loud hiss noise will be heard.  
If you make a search (or skip etc.) operation while playing back a source encoded with DTS, the “dts” indicator goes out from the  
display. This is because this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode  
to prevent a noise from being output.  
A source encoded with DTS cannot be recorded onto analog audio and video tapes, and also, an analog tape recorded with a  
source encoded with DTS cannot be played back.  
The same result is obtained for MDs and DATs (depending on a DAT deck used for recording and/or playback).  
71  
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SPECIFICATIONS  
Output Level/Impedance  
Gain Tracking Error (0 to –60 dB)  
MAIN L/R ....................................3 dB or less  
AUDIO SECTION  
REC OUT....................... 150 mV/1.0 k-ohms  
PRE OUT............................ 2.6V/1.1 k-ohms  
SUBWOOFER (MAIN SP: SMALL)  
Minimum RMS Output Power Per Channel  
(Power Amp. Section)  
(When both channels are driven)  
MAIN L/R  
20 Hz to 20 kHz, 0.04% THD, 8 ohms  
................................................ 85W+85W  
1 kHz, 0.07% THD, 8 ohms  
............................................ 100W+100W  
CENTER  
20 Hz to 20 kHz, 0.04% THD, 8 ohms  
.......................................................... 85W  
1 kHz, 0.07% THD, 8 ohms ............ 100W  
REAR L/R  
20 Hz to 20 kHz, 0.04% THD, 8 ohms  
.................................................85W+85W  
1 kHz, 0.07% THD, 8 ohms  
............................................ 4.0V/1.2 k-ohms  
VIDEO SECTION  
Headphone Jack Rated Output/Impedance  
Output Level  
CD/TAPEMD/DVDLD/TVDBS/VCR  
/VIDEO AUX Input: 1 kHz,  
150 mV, RL=8 ohms ........................ 0.55V  
Impedance .................................... 390 ohms  
Video Signal Type  
[U.S.A. and Canada models]................NTSC  
[Europe, U.K., Australia and Singapore  
models] .................................................. PAL  
[China and General models] ....... NTSC/PAL  
Video Signal Level ................. 1 Vp-p/75 ohms  
Frequency Response (20 Hz to 20 kHz)  
CD/TAPEMD/DVDLD/TVDBS/VCR  
/VIDEO AUX to MAIN L/R SP OUT  
S-Video Signal Level  
Y ......................................... 1 Vp-p/75 ohms  
C .................................. 0.286 Vp-p/75 ohms  
........................................................ 0±0.5 dB  
RIAA Equalization Deviation  
PHONO MM ....................................0±0.5 dB  
Maximum Input Level ........... 1.5 Vp-p or more  
Signal-to-Noise Ratio ............... 50 dB or more  
.............................................100W+100W  
Maximum Power (EIAJ) [China and General  
models only]  
1 kHz, 10% THD, 8 ohms  
(When both channels are driven)  
MAIN L/R ................................125W+125W  
CENTER.............................................125W  
REAR L/R ...............................125W+125W  
Total Harmonic Distortion (20 Hz to 20 kHz)  
CD/TAPEMD/DVDLD/TVDBS/VCR/VIDEO  
AUX to MAIN SP OUT, 40W/8 ohms  
.............................................. 0.025% or less  
PHONO MM to REC OUT, 1V  
Monitor Out Frequency Response  
..................................... 5 Hz to 10 MHz, –3 dB  
................................................ 0.02% or less  
FM SECTION  
Signal-to-Noise Ratio (IHF-A Network)  
CD/TAPEMD/DVDLD/TVDBS/VCR/VIDEO  
AUX to SP OUT (Input Shorted 150 mV)  
(EFFECT OFF) ...................... 96 dB or more  
PHONO MM to REC OUT  
Tuning Range  
[U.S.A. and Canada models]  
..........................................87.5 to 107.9 MHz  
[Europe, U.K., Australia, China, Singapore  
and General models] ........87.5 to 108.0 MHz  
Dynamic Power Per Channel  
(by IHF Dynamic Headroom Measuring Method)  
MAIN L/R (8 ohms/6 ohms/4 ohms/2 ohms)  
(When both channels are driven)  
..................................115W/140W/170W/200W  
(Input Shorted 5 mV)  
[U.S.A., Canada, China and General  
models] .................................86 dB or more  
[Europe, U.K., Australia and Singapore  
models] .................................82 dB or more  
50 dB Quieting Sensitivity (IHF, 75 ohms,  
100% mod., 1 kHz)  
[U.S.A., Canada, China and General  
models only]  
Dynamic Headroom  
[U.S.A. and Canada models only]  
MAIN L/R (8 ohms) .......................... 1.31 dB  
Mono.................................1.6 µV (15.3 dBf)  
Stereo................................23 µV (38.5 dBf)  
DIN Standard Output Power Per Channel  
[Europe, U.K. and Singapore models only]  
MAIN L/R (1 kHz, 0.7% THD, 4 ohms)  
(When both channels are driven) ..... 130W  
Residual Noise (IHF-A Network)  
MAIN L/R SP OUT ................. 170 µV or less  
Usable Sensitivity (75 ohms)  
[Europe, U.K., Australia and Singapore  
models only]  
DIN, Mono (S/N 26 dB) .....................0.9 µV  
DIN, Stereo (S/N 46 dB).....................28 µV  
Channel Separation (Vol. –30 dB, EFFECT  
OFF)  
CD/TAPEMD/DVDLD/TVDBS/VCR/VIDEO  
AUX Input 5.1 k-ohms Shorted  
1 kHz/10 kHz  
........................................ 60/45 dB or more  
PHONO MM Input Shorted  
1 kHz/10 kHz  
IEC Power  
[Europe, U.K. and Singapore models only]  
MAIN L/R (1 kHz, 0.04% THD, 8 ohms)  
(When both channels are driven) ....... 95W  
Alternate Channel Selectivity (±400 kHz)  
[U.S.A., Canada, China and General  
models only]..........................................75 dB  
Power Band Width  
8 ohms, 40W, 0.09% THD  
(When both channels are driven)  
MAIN L/R .........................10 Hz to 50 kHz  
.........................................60/55 dB or more  
Selectivity (two signals, 40 kHz Dev. ±300  
kHz)  
[Europe, U.K., Australia and Singapore  
models only] .........................................55 dB  
Tone Control Characteristics  
Bass  
Boost/Cut ........................... ±10 dB (50 Hz)  
Turnover frequency ........................ 350 Hz  
Treble  
Damping Factor (SPEAKER A)  
MAIN L/R (20 Hz to 20 kHz, 8 ohms)  
..................................................... 80 or more  
Signal-to-Noise Ratio  
Boost/Cut ......................... ±10 dB (20 kHz)  
Turnover frequency ....................... 3.5 kHz  
(IHF) Mono/Stereo  
Input Sensitivity/Impedance  
[U.S.A., Canada, China and General  
models]..........................................81/75 dB  
(DIN-Weighted, 40 kHz Dev.) Mono/Stereo  
[Europe, U.K., Australia and Singapore  
models]..........................................75/69 dB  
CD/TAPEMD/DVDLD/TVDBS/VCR  
/VIDEO AUX ................... 150 mV/47 k-ohms  
PHONO MM......................2.5 mV/47 k-ohms  
Bass Extension (MAIN L/R) .......+6 dB (50 Hz)  
Filter Characteristics  
Maximum Input Signal  
MAIN L/R, CENTER, REAR L/R  
(MAIN, CENTER, REAR SP: SMALL)  
(H.P.F.) .......................fc = 90 Hz, 12 dB/oct.  
SUBWOOFER (L.P.F.)  
CD/TAPEMD/DVDLD/TVDBS/VCR  
/VIDEO AUX (EFFECT ON)  
(1 kHz, 0.5% THD) ................... 2.2V or more  
PHONO MM (1 kHz, 0.04% THD)  
............................................ 110 mV or more  
.................................... fc = 90 Hz, 18 dB/oct.  
72  
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SPECIFICATIONS  
Harmonic Distortion (1 kHz)  
Mono/Stereo ....................................0.1/0.2%  
Usable Sensitivity..............................300 µV/m  
Signal-to-Noise Ratio ..............................52 dB  
Output Level (30% mod., 1 kHz) .........150 mV  
Maximum Power Consumption  
[General model only] ...........................690W  
Stereo Separation (1 kHz).......................48 dB  
AC Outlets  
2 SWITCHED OUTLETS  
Frequency Response  
20 Hz to 15 kHz ..................................0±1 dB  
[U.S.A., Europe, Canada, China, Singapore  
and General models] ....... 100W max. total  
1 SWITCHED OUTLET  
GENERAL  
Output Level (100% mod., 1 kHz)  
[U.K. and Australia models] ..... 100W max.  
[U.S.A., Canada, China and General models]  
...........................................................550 mV  
[Europe, U.K., Australia and Singapore  
models (40 kHz Dev.)] ......................550 mV  
Power Supply  
[U.S.A. and Canada models]  
Dimensions (W x H x D)  
........................................ 435 x 151 x 391 mm  
(17-1/8” x 5-15/16” x 15-3/8”)  
............................................. AC 120V/60 Hz  
[Europe, U.K. and Singapore models]  
............................................. AC 230V/50 Hz  
[Australia model] .................. AC 240V/50 Hz  
[China and General models]  
Weight ......................... 13.0 kg (28 lbs. 10 oz)  
AM SECTION  
.................. AC 110/120/220/240V, 50/60 Hz  
Accessories..........................Remote controller  
Batteries  
Tuning Range  
[U.S.A., Canada, China and General models]  
........................................... 530 to 1,710 kHz  
[Europe, U.K., Australia and Singapore  
models] ...............................531 to 1,611 kHz  
Power Consumption  
AM loop antenna  
Indoor FM antenna  
[U.S.A. model] ..................................... 310W  
[Europe, U.K., Australia, China, Singapore  
and General models] ............................350W  
[Canada model]........................350W/440 VA  
Antenna adapter  
(U.S.A. and Canada models only)  
* Specifications are subject to change without  
notice.  
73  
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LIST OF MANUFACTURER’S CODES  
LISTE DES CODES FABRICANTS  
For U.S.A., Canada and China models  
Modèles pour les Etats-Unis, le Canada et la Chine  
Clarivox  
Concerto  
0037  
0056  
Harvard  
Hinari  
0180, 0068  
0179, 0009, 0037, 0283  
SETUP CODES FOR TV  
Contec  
Craig  
0180, 0009, 0185, 0216  
0180, 0161  
Hisawa  
Hitachi  
0282  
0145, 0056, 0032,  
Manufacturer  
Code  
Crosley  
Crown  
0054  
0109, 0151, 0576  
0216  
0282, 0037, 0264  
A-Mark  
AOC  
Abex  
Acura  
Admiral  
Adventura  
Adyson  
Aiko  
0003  
0180, 0039, 0009, 0037, 0418  
Huanyu  
Hypson  
ICE  
0030, 0019, 0003, 0052, 0185  
Curtis Mathes 0047, 0054, 0154, 0051,  
0451, 0093, 0060, 0030,  
0032  
0009  
0093  
0046  
0032  
0264  
0283  
0418  
0037  
0054  
0017  
0068  
0145, 0056, 0016, 0039, 0166  
ITT  
Daewoo  
0451, 0019, 0039, 0009,  
Imperial  
Indiana  
Infinity  
Inteq  
Interbuy  
Interfunk  
Intervision  
JBL  
JCB  
JEC  
JVC  
Janeil  
KEC  
0037, 0066, 0092  
Dansai  
Dayton  
Daytron  
De Graaf  
Decca  
Denon  
Dixi  
Dumont  
Ectec  
Electroband  
Elin  
0037  
0009  
0019  
0208  
0037  
0145  
0092  
Akai  
0030, 0208  
0264  
0179, 0216  
0009, 0037  
Akura  
Alaron  
Alba  
Ambassador  
Amstrad  
Anam  
Anam National  
Anitech  
Arcam  
0037, 0512  
0037, 0068, 0264  
0054  
0000  
0502  
0177  
0009, 0171, 0177  
0180, 0004, 0009, 0068  
0004, 0009, 0037  
0017, 0019  
0391  
0000, 0185  
0053, 0069, 0160  
0161  
0009, 0068  
0046  
0180  
0037  
0216  
Elta  
0009  
KTV  
0180, 0030, 0039, 0185, 0280  
Archer  
0003  
Emerson  
0154, 0236, 0463, 0180,  
0282, 0178, 0019, 0179,  
0039, 0177, 0185, 0280  
0030  
Kaisui  
Kamp  
Kawasho  
Kaypani  
Kendo  
Kenwood  
Kingsley  
Kloss  
Korpel  
Koyoda  
LG  
LXI  
Leyco  
0282, 0009, 0216  
Audinac  
Audiosonic  
Audiovox  
BPL  
Basic Line  
Baur  
Baysonic  
Belcor  
Bell & Howell  
Beon  
Blaupunkt  
Blue Star  
Bradford  
Brandt  
Britannia  
Brockwood  
Broksonic  
Bush  
CCE  
CS Electronics  
CXC  
Candle  
Carnivale  
Carver  
Cascade  
Cathay  
Celebrity  
Centurion  
Cimline  
0391  
0037, 0109  
0451, 0180, 0003, 0092  
0216  
0216  
0052  
0037  
Envision  
Erres  
Ferguson  
Fidelity  
Finlandia  
Finlux  
Firstline  
Fisher  
Formenti  
Frontech  
Fujitsu  
0282  
0009  
0037  
0037, 0109, 0287, 0560  
0216  
0030, 0019  
0037, 0512, 0535, 0554  
0216  
0046  
0037  
0009  
0056  
0180  
0019  
0154, 0016  
0037  
0535, 0554  
0208  
0179, 0037  
0009, 0216  
0154, 0159, 0208  
0037  
0047, 0054, 0154, 0156, 0178  
0037, 0264  
0282  
0180  
0109  
0216  
0264  
0179  
Liesenk & Tter  
Lloytron  
Loewe  
Logik  
Luxman  
0037  
0032  
0512  
Funai  
Futuretech  
GE  
0180, 0179, 0171, 0264  
0180  
0047, 0051, 0451, 0093,  
0282, 0178, 0021, 0135  
0037  
0019  
0016, 0001  
0236, 0463, 0003, 0426  
0056  
0009, 0037, 0068,  
0109, 0287  
0282, 0009, 0037  
GEC  
M Electronic  
0037  
0216  
0180  
Geloso  
Gibralter  
GoldStar  
0009  
0017, 0030, 0019  
0030, 0178, 0019, 0056,  
0001, 0002, 0032, 0037, 0109  
MEI  
MGA  
MTC  
0185  
0150, 0030, 0178, 0019  
0060, 0030, 0019, 0056,  
0185, 0216, 0512  
0054, 0030, 0179,  
0186, 0187  
0030, 0056, 0046, 0186  
0030  
0054, 0170  
Goodmans  
0179, 0037  
0053, 0056, 0170  
0037, 0208, 0339, 0502  
0282  
Gradiente  
Granada  
Grandin  
Grundig  
Grunpy  
Magnavox  
0009  
0037  
0000  
0037  
0009  
Majestic  
Manesth  
Marantz  
Mark  
0016  
0264  
0054, 0030, 0037  
0037  
0037, 0535, 0554  
0180, 0179  
HCM  
0282, 0009  
Cineral  
0451, 0092  
Hallmark  
Hanseatic  
Harley Davidson  
0178  
0037  
0179  
Matsui  
Matsushita  
Mediator  
0009, 0035, 0037, 0177, 0208  
Citizen  
0060, 0030, 0056, 0039,  
0046, 0092, 0186, 0280  
0185  
0250  
0037  
Clairtone  
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Megatron  
Memorex  
0178, 0145, 0003  
0154, 0250, 0150, 0178,  
0056, 0016, 0009  
0535  
Radiola  
Realistic  
0037  
Techwood  
Teknika  
0051, 0056, 0003  
0054, 0180, 0150, 0060,  
0019, 0179, 0056, 0016,  
0039, 0092, 0186  
0056, 0109, 0252  
0009  
0154, 0165, 0180, 0030,  
0178, 0019, 0056, 0039, 0032  
Metz  
Midland  
Revox  
Rex  
Rhapsody  
Roadstar  
Runco  
SBR  
SEG  
SEI  
SSS  
Saba  
0037  
0264  
0185, 0216  
0009, 0264, 0418  
0047, 0017, 0051,  
0039, 0032, 0135  
0535, 0554  
Telefunken  
Teletech  
Teleton  
Texet  
Thomson  
Thorn  
Minerva  
Minutz  
Mitsubishi  
0186  
0216  
0021  
0017, 0030  
0093, 0150, 0178,  
0019, 0512, 0535  
0216  
0037  
0264  
0177  
0180, 0019  
0109, 0287  
0109, 0287  
0035, 0037, 0512, 0535  
0282  
Mivar  
Tomashi  
Toshiba  
Motorola  
Multitech  
NAD  
NEC  
NEI  
NTC  
Neckermann  
Nesco  
Nikkai  
Nikko  
Nisato  
Nordmende  
Noshi  
Onwa  
Optimus  
Optonica  
Orion  
Osaki  
Osume  
Otto Versand 0037, 0512, 0535, 0554  
Palladium  
Panama  
Panasonic  
Pathe Cinema  
Pausa  
Penney 0047, 0156, 0051, 0060, 0030,  
0178, 0021, 0019, 0018, 0056,  
0039, 0002, 0003,  
0093  
0154, 0156, 0060,  
0035, 0149, 0502  
0185  
0180, 0009, 0216  
0156, 0178, 0166  
0030, 0019, 0056, 0170  
0037  
Saisho  
Sampo  
Samsung  
0009, 0177, 0264  
0030, 0039, 0032, 0052  
0060, 0030, 0178, 0019,  
0056, 0039, 0009, 0032,  
0037, 0090, 0264, 0427  
0039  
Tosonic  
Totevision  
Triumph  
Ultra  
Universum  
Vector Research  
Vestel  
Victor  
Vidikron  
Vidtech  
0039  
0177  
0391  
0092  
0037, 0554  
0037, 0264, 0535  
0179  
Samsux  
Sandra  
Sansei  
Sansui  
Sanyo  
Schneider  
Scimitsu  
Scotch  
Scott  
0030  
0037  
0053  
0032, 0035, 0037, 0216, 0264  
0030, 0178, 0092  
0391  
0216  
0451  
0463  
0054  
0109, 0287, 0560  
0018  
0180  
0154, 0250, 0166  
0093, 0165  
0154, 0159, 0208, 0339  
0037  
0178, 0019  
0046  
Viking  
0019  
0178  
Wards 0054, 0165, 0030, 0178, 0021,  
0019, 0179, 0056, 0016, 0080  
Watson  
White Westinghouse  
Yamaha  
Yoko  
0236, 0180, 0178, 0019, 0179  
0047, 0054, 0154, 0156, 0178,  
0179, 0056, 0149, 0159, 0171  
0037  
0037, 0216  
0030, 0019  
0037, 0264  
0017, 0016, 0092  
0003  
0236, 0463, 0179, 0037, 0177  
Sears  
0032, 0264  
0032  
Semivox  
Semp  
Sentra  
0180  
0156  
0035, 0283  
0093, 0165, 0039  
0019  
Zenith  
Zonda  
0418  
0264  
0051, 0250, 0226  
0216  
Sharp  
Shogun  
Siemens  
Signature  
Simpson  
Sinudyne  
Solavox  
Sonitron  
Sonoko  
Sonolor  
Sontec  
Sony  
Soundesign  
Soundwave  
Spectricon  
Squareview  
Standard  
Starlite  
0037, 0535, 0554  
0016  
0009  
0186, 0187  
0177  
0032  
0208  
0009, 0037  
0208  
SETUP CODES FOR CABLE  
Manufacturer  
Code  
0032, 0135, 0149  
Phase  
Philco  
Philips  
Phonola  
Pilot  
Pioneer  
Portland  
Prism  
Profex  
Proscan  
Protech  
Proton  
Pulsar  
Quasar  
Quelle  
R-Line  
RCA  
0032  
0054, 0463, 0030, 0145, 0019  
0054, 0037, 0554  
0037  
ABC  
Allegro  
Archer  
BBT  
1003, 1008, 1014, 1011  
1315  
1797  
1267  
1056  
1003  
1056  
1315  
1031  
1040  
0037  
0000, 0080  
0030, 0019, 0039  
0109, 0166, 0287  
0019, 0039, 0092  
0051  
0180, 0178, 0179, 0186  
0037, 0418  
0003  
Belcor  
British Telecom  
Cable Star  
Citizen  
Colour Voice  
Comtronics  
Contec  
Emerson  
Everquest  
Focus  
GC Electronics  
Gemini  
General Instrument  
GoldStar  
Goodmind  
Hamlin  
Hitachi  
0171  
0009  
0180  
0056  
0046  
0000  
0009  
0047  
0009, 0037, 0264, 0418  
0178, 0003, 0052  
0017, 0019  
Supra  
1019  
1797  
Supre-Macy  
Supreme  
Sylvania  
Symphonic  
Sysline  
TMK  
Tandy  
Tatung  
Technics  
Technol Ace  
1015, 1040  
1400  
0051, 0250, 0165  
0037, 0252, 0512, 0535, 0554  
0037  
0054, 0030  
0171  
0037  
0178, 0056, 0177  
0093  
1056  
1015  
1476, 1011  
1144, 1040  
1797  
0047, 0051, 0093, 0019,  
0018, 0090, 0135  
Radio Shack 0047, 0154, 0165, 0180,  
0030, 0178, 0019, 0056,  
0039, 0032  
0003, 0037  
0051, 0250  
0179  
1020, 1259, 1009, 1034  
1011  
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Jasco  
Jerrold  
1315  
SETUP CODES  
FOR DBS TUNER  
SETUP CODES  
FOR VCR  
1003, 1012, 1476, 1014,  
1015, 1011, 1024  
1019  
MNet  
Manufacturer  
Code  
Manufacturer  
Code  
Magnavox  
Memorex  
Movie Time  
NSC  
Novaplex  
Oak  
1027  
1000  
1063  
1063  
1618  
1019  
1021  
AST  
Audio Ton  
Avalon  
Chaparral  
Connexions  
DNT  
2321  
2364  
2396  
ASA  
3037, 3081  
3048  
Admiral  
Adventura  
Aiko  
Aiwa  
Akai  
3000  
3278  
2053, 2209  
2396  
3037, 3000  
3041, 3061, 3281, 3288  
Optimus  
2396  
PVP Stereo Visual Matrix  
1003  
Echostar  
Elta  
Expressvu  
Fuba  
Galaxis  
Galaxisat  
General Instrument  
Huth  
2396  
2364  
2775  
2396  
2364  
2321  
2361  
2364  
Akiba  
Akura  
Alba  
Ambassador  
American High  
Amstrad  
3072  
3271  
Panasonic  
Paragon  
Philips  
1000, 1107, 1021  
1000  
3209, 3072, 3278, 3020, 3295  
1027, 1031  
1144, 1533  
1400  
3020  
3035  
3000, 3278  
3072  
Pioneer  
Popular Mechanics  
Prelude  
1770  
1000  
Anitech  
Asha  
Pulsar  
3240  
RCA  
1021  
JSR  
2364  
Asuka  
3037  
Radio Shack  
Recoton  
Regal  
Rembrandt  
Runco  
SL Marx  
Samsung  
Scientific Atlanta  
Signal  
Signature  
Sprucer  
StarSight  
Starcom  
Stargate  
Starquest  
TV86  
TeleCaption  
Teleview  
Timeless  
Tocom  
Toshiba  
Tusa  
1015, 1315  
1400  
1020, 1259  
1011  
1000  
1040  
1144, 1040  
1008, 1477  
1015, 1040  
1011  
JVC  
Jerrold  
Lemon  
NEC  
Neusat  
Next-Wave  
Primestar  
Radix  
2775  
2361  
2692  
2507  
2692  
2732  
2361  
2396  
2321  
2692  
2396  
2321  
Audiovox  
Baird  
Basic Line  
Beaumark  
Bell & Howell  
Blaupunkt  
3037  
3000, 3104, 3041  
3072, 3278, 3020  
3240  
3104  
3162, 3034, 3195,  
3226, 3227  
3187, 3320  
3041  
Brandt  
Brandt Electronic  
Broksonic  
SAT  
SatPartner  
Seemann  
Triad  
Wisi  
Zehnder  
3184, 3121, 3209, 3002,  
1021  
1422  
3295, 3361, 3479  
3209, 3072, 3278  
Bush  
CCE  
CGE  
Calix  
Canon  
Capehart  
Carver  
Catron  
Cimline  
Cineral  
Citizen  
Clatronic  
Colt  
1003, 1015  
1015, 1040, 1770, 1797  
2321, 2396  
2321  
3072, 3278  
3000  
3037  
3035  
3020  
3081  
3020  
3072  
3278  
1015  
1063  
1221  
1040  
1418  
1012  
1000  
1015  
1003  
(DSS)  
AlphaStar  
Echostar  
General Instrument  
HTS  
Hitachi  
Hughes Network System  
Jerrold  
Magnavox  
Memorex  
Panasonic  
Philips  
Primestar  
RCA  
Sony  
Star Choice  
Toshiba  
2772  
2775  
2869  
2775  
2819  
2749  
2627  
2724  
2724  
2701  
2724  
2627  
2566  
2639  
2869  
2790  
2724  
3037, 3278  
United Cable  
Universal  
Viewstar  
Zenith  
3020  
3072  
3020  
1056, 1191  
1063, 1027  
1000, 1054, 1525  
1400  
Condor  
Craig  
Crown  
3037, 3047, 3240, 3072, 3271  
3072, 3278, 3020  
Zentek  
Curtis Mathes 3060, 3035, 3041, 3162  
Cybernex  
Cyrus  
Daewoo  
Dansai  
Daytron  
De Graaf  
Decca  
3240  
3081  
3045, 3278, 3020  
3072  
3020  
Uniden  
3042, 3166  
3081, 3000  
3042  
Denon  
Dual  
3041  
Dumont  
Dynatech  
ESC  
3081, 3000, 3104  
3000  
3240, 3278  
3038  
Elbe  
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Elcatech  
3072  
3037  
3037  
M Electronic  
MEI  
MGA  
MGN Technology  
MTC  
Magnasonic  
Magnavox  
Magnin  
Manesth  
Marantz  
Marta  
Matsui  
Matsushita  
Memorex  
3000  
3035  
3240, 3043, 3061  
3240  
Pye  
3081  
3046  
3046  
Electrohome  
Electrophonic  
Emerex  
Quarter  
Quartz  
Quasar  
Quelle  
RCA  
3032  
3035, 3162  
3081  
3060, 3035, 3048,  
3240, 3042, 3202  
3037, 3000  
3081  
Emerson  
3037, 3184, 3000, 3121,  
3043, 3209, 3002, 3278,  
3036, 3061, 3068, 3208,  
3212, 3295, 3361, 3479  
3041, 3320  
3000  
3081, 3104  
3081, 3000, 3042, 3104  
3240, 3000  
3278  
3035, 3039, 3081, 3000  
3240  
3045, 3072  
3035, 3081, 3062, 3295  
3037  
3209, 3036, 3208, 3295  
3035, 3162  
3035, 3037, 3048, 3039,  
3047, 3240, 3000, 3104,  
3162, 3046  
Radio Shack  
Radiola  
Radix  
Randex  
Realistic  
Ferguson  
Fidelity  
Finlandia  
Finlux  
3037  
3037  
3035, 3037, 3048, 3047,  
3000, 3104, 3062, 3046, 3066  
Firstline 3037, 3045, 3043, 3209, 3072  
Fisher  
Frontech  
Fuji  
Funai  
GE  
3047, 3104, 3046, 3054, 3066  
Rex  
3041, 3384  
3034  
3037, 3240, 3072, 3278  
3039  
3020  
3035, 3033  
Ricoh  
Roadstar  
Runco  
SBR  
SEG  
SEI  
STS  
Saba  
Saisho  
Salora  
Samsung  
Sanky  
3000  
Memphis  
Metz  
Minerva  
Minolta  
Mitsubishi  
3072  
3162, 3195, 3227  
3195  
3060, 3035, 3048, 3240, 3202  
3081  
3240  
3081  
3042  
GEC  
3081  
3000  
3020  
3072  
Garrard  
General  
GoldHand  
GoldStar  
3042  
3048, 3081, 3067, 3043,  
3061, 3173, 3196  
3035, 3048  
3041, 3320, 3384  
3209, 3036, 3208  
3043, 3046  
3240, 3045  
3048, 3039  
3037, 3038, 3225, 3471  
Motorola  
Multitech  
Murphy  
Goodmans  
3037, 3000, 3072, 3278,  
3062, 3020  
3000, 3008  
3240, 3104, 3041  
3081, 3104, 3046  
3037, 3000, 3072  
3081, 3072, 3195, 3226  
3072  
3000, 3072  
3000  
Gradiente  
Graetz  
Granada  
Grandin  
Grundig  
HCM  
NEC  
3104, 3067, 3041, 3038, 3040  
Neckermann  
Nesco  
Nikko  
Nikon  
Noblex  
3081  
3072  
3037  
3034  
3240  
Sansui 3000, 3067, 3041, 3271, 3479  
Sanyo  
Schaub Lorenz  
Schneider  
Scott  
3047, 3240, 3104, 3046  
3000, 3104, 3041  
3081, 3000, 3072  
3184, 3045, 3121, 3043, 3212  
HI-Q  
3047  
3037  
3000  
3038  
Nokia  
3240, 3104, 3041, 3046  
3041, 3320, 3384  
3000, 3041  
3035, 3226  
3037, 3048, 3104, 3162  
3062  
3184, 3121, 3209, 3002,  
3036, 3208, 3295, 3479  
3037, 3000, 3072  
3081  
Sears  
3035, 3037, 3047, 3000, 3042,  
Hanseatic  
Harley Davidson  
Harman/Kardon  
Harwood  
Headquarter  
Hinari  
Nordmende  
Oceanic  
Olympus  
Optimus  
Optonica  
Orion  
3104, 3046, 3054, 3066  
Seleco  
Semp  
Sentra  
Sharp  
Shintom  
Shogun  
3041  
3045  
3020  
3072, 3068  
3046  
3240, 3072, 3208  
3240, 3000, 3042,  
3041, 3166, 3235  
3072  
3048, 3062  
3104, 3072  
3240  
Hitachi  
Osaki  
Siemens 3037, 3081, 3104, 3054, 3195  
Silva  
Singer  
Hypson  
ITT  
ITV  
Imperial  
Interfunk  
JVC  
Jensen  
KEC  
Otto Versand  
Palladium  
Panasonic  
3037  
3045, 3072  
3240, 3104, 3041, 3046, 3384  
3037, 3041, 3072  
3035, 3162, 3225,  
3226, 3227  
3037, 3278  
Sinudyne  
Solavox  
Sonolor  
Sontec  
Sony  
Sunstar  
Suntronic  
Sylvania  
Symphonic  
TMK  
Tashiko  
Tatung  
Teac  
3081  
3020  
3046  
3000  
3081  
Pathe Cinema  
Pathe Marconi  
Penney  
3036  
3041  
3067, 3041, 3008, 3384  
3037  
3035, 3032, 3000, 3033, 3034  
3000  
3041  
3037, 3278  
3035, 3037, 3240, 3042,  
3038, 3040, 3054  
3042  
KLH  
3072  
3072  
3209  
Pentax  
Perdio  
Philco  
3000  
Kaisui  
Kendo  
Kenwood  
Kodak  
Korpel  
LXI  
Lenco  
Leyco  
LIoyd’s  
Loewe  
Logik  
3000  
3035, 3081, 3000, 3043  
3035, 3209, 3038, 3479  
3035, 3081, 3062, 3384  
3081  
3000  
3240, 3036, 3208  
3000  
3081, 3000, 3041  
3000, 3041  
3067, 3041, 3038, 3384  
Philips  
Phonola  
Pilot  
Pioneer  
Portland  
Profitronic  
Proline  
Proscan  
Protec  
3035, 3037  
3072  
3037  
3278  
3072  
3037  
3081, 3067, 3162, 3235  
3020  
Tec  
3020  
3240  
3000  
3060, 3202  
Technics  
Teknika  
Teleavia  
Telefunken  
Tenosal  
3035, 3162, 3226  
3035, 3037, 3000  
3041  
3000, 3208  
3037, 3081  
3240, 3072  
3072  
3039  
3041, 3187, 3320, 3384  
3072  
Luxor  
3048, 3104, 3043, 3062, 3046  
Pulsar  
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Tensai  
3000  
3000  
Elektra  
Emerson  
Fisher  
6393, 6437  
6305, 6155, 6164  
6179, 6048, 6088, 6342  
SETUP CODES  
FOR LD PLAYER  
Thomas  
Thomson  
Thorn  
3041, 3320, 3384  
3104, 3041, 3036  
3081, 3045, 3043, 3041,  
3066, 3212, 3366, 3384  
3037, 3240  
Garrard 6420, 6393, 6245, 6280, 6425  
Manufacturer  
Code  
Toshiba  
Genexxa  
Goodmans  
Grundig  
Harman/Kardon  
Hitachi  
JVC  
Kenwood  
Kodak  
Krell  
Kyocera  
LXI  
Linn  
Luxman  
MCS  
6032, 6305, 6164, 6426  
6305, 6245, 6280  
Aiwa  
Carver  
Denon  
Disco Vision  
Funai  
5203  
5064, 5194, 5323  
5059, 5172  
5023  
Totevision  
Triumph  
Uher  
Unitech  
Universum  
6157  
6426  
6032, 6155  
3208  
3240  
3240  
6072  
5203  
5023  
5194, 5217  
5064, 5194  
5059  
5059  
5204  
5064, 5194  
5059, 5023  
5204  
3037, 3081, 3240,  
3000, 3195  
6028, 6037, 6190, 6048  
Hitachi  
6287  
6157  
6018  
6305  
6157  
6093  
Magnavox  
Marantz  
Mitsubishi  
NAD  
Panasonic  
Philips  
Pioneer  
Quasar  
Realistic  
Salora  
Samsung  
Sega  
Vector  
3045  
Vector Research  
Video Concepts  
Videosonic  
3038, 3040  
3045, 3040, 3061  
3240  
Wards  
3060, 3035, 3048, 3047,  
3081, 3240, 3000, 3042,  
3072, 3062, 3212  
6029, 6043  
6420  
6157, 6305  
MTC  
White Westinghouse  
XR-1000  
Yamaha  
Yamishi  
Yokan  
3278  
3035, 3000, 3072  
3038  
Magnavox  
Marantz  
Matsui  
Mclntosh  
Memorex  
5203  
5064  
5323  
5023  
6029, 6157, 6180  
6157  
6287  
6032, 6305, 6155,  
3072  
3072  
Sony  
5193, 5201  
5204  
Yoko  
Zenith  
3240, 3020  
3039, 3000, 3033, 3034  
6164, 6180  
Technics  
Telefunken  
Theta Digital  
Yamaha  
Meridian  
Micromega  
Mission  
Mitsubishi  
NAD  
6157  
6157  
6157  
6156  
5059  
5194  
5217  
6000  
SETUP CODES  
FOR DVD PLAYER  
NEC  
NSM  
6043  
6157  
Nagaoka  
Naim  
Nakamichi  
Nikko  
Onkyo  
Optimus  
6018  
6157  
6147  
6164, 6170  
SETUP CODES  
FOR CD PLAYER  
Manufacturer  
Code  
JVC  
4558  
4534  
4503  
4521  
4503  
Manufacturer  
Code  
Kenwood  
Magnavox  
Mitsubishi  
Onkyo  
Panasonic  
Philips  
Pioneer  
Proscan  
RCA  
6101  
6000, 6032, 6179, 6305,  
6037, 6420, 6048, 6145,  
6468, 6087, 6280, 6342,  
6426, 6437  
ADC  
Acoustic Research  
Adcom  
Aiwa  
Akai  
6018  
6420  
6155  
4490  
6157, 6012, 6124  
6156  
4503, 4539  
4525  
Panasonic  
Parasound  
Philips  
Pioneer  
Poppy  
Proton  
QED  
Quad  
6029, 6303  
6420  
6157, 6287  
Arcam  
6157  
6437  
6157  
6170  
6157  
6157  
6157  
6245  
4522  
4522  
4533  
4490  
Audio Pro  
Audio Research  
Audio-Technica  
Audio Ton  
Audiolab  
Audiomeca  
BSR  
6032, 6305, 6468, 6244  
6164  
Sony  
Technics  
Toshiba  
Yamaha  
Zenith  
6157  
6157  
6157  
6029  
4503  
4490, 4545  
4503  
Quasar  
RCA  
6179, 6305, 6053, 6155  
Bestar  
6164  
Realistic 6179, 6420, 6155, 6164, 6180  
Burmester  
Bush  
California Audio Lab  
Carver  
Condor  
Crown  
6420  
6245  
6029  
Revox  
Roadstar  
Rotel  
6157  
6461  
6157, 6420  
6157, 6179, 6437  
6164  
Royal  
SAE  
6420  
6157  
6122  
STS  
6018  
Cyrus  
6157  
Sansui  
Sanyo  
Scott  
6157, 6305, 6202  
6179, 6048, 6087, 6342  
6305, 6155, 6164  
DAK  
DKK  
Denon  
6245  
6000  
6003, 6034  
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Sears  
Sharp  
Sherwood  
Shure  
6305  
6037, 6180, 6261  
6114, 6180, 6426  
6043  
SETUP CODES  
FOR TAPE DECK  
Manufacturer  
Code  
Sony  
6000, 6185  
6145, 6425  
6420  
Soundesign  
Tascam  
Teac  
Technics  
Universum  
Victor  
ADC  
Aiwa  
Akai  
8171  
8029, 8197  
8283  
6420, 6393, 6180  
6029, 6303  
6157, 6437  
6072  
Arcam  
Carver  
Denon  
Fisher  
Garrard  
GoldStar  
Grundig  
8076  
8029  
8076  
8074  
Wards  
6157, 6053  
Yamaha 6036, 6187, 6261, 6082, 6712  
Yorx  
8308, 8309, 8375  
8375  
6461  
8029, 8375  
JVC  
8244, 8274, 8303, 8304, 8310  
Kenwood  
Kyocera  
Magnavox  
Marantz  
Memorex  
Mitsubishi  
Onkyo  
Optimus  
Panasonic  
Philips  
8071, 8092, 8233, 8234  
8171  
8029  
8029, 8009  
8099  
SETUP CODES  
FOR MD RECORDER  
Manufacturer  
Code  
8283  
8136, 8282  
8027, 8220, 8337  
8229  
Kenwood  
Sony  
Yamaha  
7826  
7490  
7888, 7490  
8029  
Phonotrend  
Pioneer  
Revox  
8337  
8027, 8220, 8099  
8029, 8190  
Sansui  
Sanyo  
8029, 8009  
8074  
Sharp  
8231  
Sherwood  
Sonic  
Sony  
8337  
8375  
8243, 8170, 8291  
8280, 8289, 8308, 8309  
8229  
Teac  
Technics  
Universum  
Victor  
8375  
8274  
Wards  
8027  
Yamaha  
8097, 8094, 8478, 8524  
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For Australia model  
Modèle pour l’Austrarie  
Harvard  
Hinari  
Hisawa  
0068  
0037, 0218, 0009, 0036  
0282, 0455  
SETUP CODES FOR TV  
Continental Edison  
0196, 0198,  
0205, 0333  
Manufacturer  
Code  
Crosley  
Crown  
Crystal  
0074, 0076, 0084, 0213  
0037, 0370, 0418, 0009, 0076  
0431  
Hitachi 0217, 0036, 0109, 0032, 0043,  
0044, 0105, 0163, 0196,  
Abex  
0032  
0009  
0198, 0225, 0306, 0349  
Acura  
Admiral  
Adyson  
Akai  
Akura  
Alaron  
Alba  
Curtis Mathes  
Cybertron  
Daewoo  
Dainichi  
Dansai  
Dayton  
De Graaf  
Decca  
Dixi  
Dual  
Dual Tec  
Dumont  
Elbe  
0093  
0218  
0037, 0374, 0009  
0218, 0215  
0037  
Huanyu  
Hypson  
ICE  
0216, 0374  
0037, 0282, 0264  
0217, 0371, 0264  
0093, 0163, 0213  
0217, 0032  
0208, 0361  
0218, 0264, 0369  
0216  
ICeS  
0218  
ITS  
0371  
0009  
0208  
0037, 0072  
0037, 0009  
0336, 0352  
0217  
ITT  
0163, 0361  
0037, 0218, 0371, 0009,  
0036, 0235  
0294  
Imperial  
0370, 0418, 0074, 0076,  
0084, 0247  
Allorgan  
Amplivision  
Amstrad  
Anam  
Anitech  
Arcam  
Asberg  
Asuka  
Atlantic  
Audiosonic  
Autovox  
BPL  
Indiana  
0037  
0217  
Ingelen  
0163  
0371, 0009, 0362, 0369  
0009, 0068  
0009, 0068, 0076  
0216, 0217  
0076  
Inno Hit  
Interbuy  
Interfunk  
Intervision  
0072  
0068  
0070  
0259  
0037  
0037, 0163, 0247, 0361  
Elin  
Elite  
Elta  
Emerson  
Erres  
0037, 0217, 0264,  
0218, 0320  
0009  
0282, 0213, 0361  
0037, 0012  
0206  
0102, 0068  
0218  
0206  
0037, 0109  
0206, 0076, 0336  
0282  
Isukai  
0218  
JVC  
0371, 0036, 0053, 0190, 0192  
KTV  
0217  
Expert  
Ferguson  
Kaisui  
Kamp  
0216, 0217, 0218, 0009, 0282  
0037, 0109, 0005, 0073,  
0216  
BSR  
0294  
0190, 0238, 0287, 0335, 0343  
0216, 0361  
0208, 0346, 0359  
0037, 0072, 0070, 0105, 0346  
0216, 0217, 0294, 0009,  
0321, 0247  
Kapsch  
Kawasho  
Kendo  
Kingsley  
Kneissel  
Korpel  
Koyoda  
Leyco  
0206, 0163  
0216  
0037, 0235, 0362  
BTC  
Baird  
Basic Line  
Baur  
Beko  
Beon  
Binatone  
Blaupunkt  
0218  
0343  
Fidelity  
Finlandia  
Finlux  
0218, 0009  
0037, 0010, 0554, 0349, 0361  
0216  
0259  
0037  
0009  
Firstline  
0370  
0037  
0217  
Fisher  
Flint  
0370, 0217, 0208, 0303  
0455  
0037, 0294, 0072, 0264  
0554, 0191, 0195, 0200,  
Formenti  
Frontech  
Fujitsu  
Funai  
0037, 0320, 0213  
0264, 0431, 0163, 0247  
0072, 0206  
Liesenk & Tter  
Lloytron  
Loewe  
Luma  
Luxor  
0037  
0032  
0075  
0213, 0327, 0328  
Blue Sky  
Blue Star  
Bondstec  
Boots  
0218  
0282  
0247  
0294, 0264, 0303  
0282, 0093  
0206  
GE  
0349, 0361  
0217  
GEC  
GPM  
Geloso  
Genexxa  
GoldStar  
0037, 0217, 0072, 0043, 0205  
0218  
M Electronic  
0037, 0217, 0374, 0009,  
0109, 0068, 0105, 0163,  
0287, 0346  
Brandt  
0109, 0196, 0198,  
0205, 0333, 0335  
0362  
0009, 0213  
0218, 0163  
0037, 0217, 0109,  
0032, 0290  
0037, 0217, 0374, 0371,  
Brionvega  
Britannia  
Bush  
MGA  
MTC  
0150  
0216, 0349  
0102, 0247  
0216  
0037, 0218, 0374, 0371, 0294,  
0009, 0282, 0036, 0349  
0037, 0217  
Magnadyne  
Magnafon  
Magnavox  
Manesth  
Marantz  
Mark  
Goodmans  
0102, 0076, 0213  
0036  
0217, 0320, 0264, 0235  
0037  
CCE  
CGE  
CS Electronics  
CTC  
Carrefour  
Cascade  
Cathay  
Centurion  
Century  
Cimline  
0072, 0036, 0235, 0317, 0343  
0074, 0076, 0084, 0247, 0306  
Gorenje  
Gradiente  
Graetz  
0370  
0053  
0163, 0361  
0216  
0247  
0036  
0009  
0037  
0037  
0213  
0009  
0037  
0037  
Granada  
0037, 0217, 0072, 0146,  
Matsui  
0037, 0217, 0371, 0294,  
0009, 0072, 0036, 0035,  
0011, 0208, 0235  
0250  
0208, 0339, 0359  
Grandin  
Grundig  
0282  
Matsushita  
McMichael  
Mediator  
Memorex  
Memphis  
Metz  
0037, 0554, 0070, 0191,  
0195, 0205  
0043  
0037, 0012  
0009, 0250, 0150  
0337  
Clarivox  
Clatronic  
Condor  
HCM  
Hanseatic  
Harley Davidson  
0009, 0282  
0037, 0320, 0361  
0043  
0370, 0076, 0247  
0370, 0320  
0216, 0009, 0036, 0157  
0213, 0367  
Contec  
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Midland  
Minerva  
Minoka  
Mitsubishi  
Mivar  
0032  
0554, 0070  
Revox  
Rex  
Rhapsody  
Roadstar  
SBR  
SEG  
SEI  
Saba  
0037  
0206, 0264, 0163, 0259  
0216  
0218, 0418, 0009, 0264  
0037, 0012, 0043  
Thorn  
0037, 0072, 0035, 0074,  
0084, 0190, 0192, 0361  
0369  
Thorn-Ferguson  
Tomashi  
Toshiba  
Trical  
Triumph  
Uher  
Ultra  
Ultravox  
Universum  
0343  
0282  
0036, 0093, 0108, 0150  
0216, 0290, 0291, 0292  
0076  
0036, 0035, 0070, 0243  
Motion  
Motorola  
0217, 0264, 0036, 0076  
0294, 0102, 0213  
0157  
0243  
0206, 0320, 0303  
0192  
0093  
Multitech 0216, 0217, 0009, 0102, 0076  
NEC  
NEI  
Neckermann  
0109, 0075, 0163, 0196, 0198,  
0205, 0213, 0287, 0335, 0343  
0238  
0455, 0036  
0037, 0431, 0337  
0037, 0554, 0191,  
0213, 0349  
Saccs  
0102  
Saisho 0009, 0264, 0431, 0011, 0235  
Salora  
Sambers  
Sampo  
Samsung  
0037, 0370, 0264,  
0105, 0346  
0037  
0163, 0349, 0359, 0361  
0102, 0076, 0213  
0032  
0037, 0370, 0217, 0009,  
0264, 0032, 0090, 0290  
0216  
Nikkai  
0037, 0216, 0218, 0072,  
0264, 0035, 0032, 0337  
0317  
Vestel  
Victor  
0053  
0247  
0217  
0036  
0320  
0163  
0217  
Nikko  
Nobliko  
Nokia  
Videosat  
Videotechnic  
Vidtech  
Vision  
Voxson  
Waltham  
Watson  
Watt Radio  
Wega  
0102, 0076  
0361  
Sandra  
Nordmende  
0109, 0196, 0198,  
0213, 0287, 0343  
0163, 0215, 0361  
0250  
Sanyo 0072, 0036, 0011, 0146, 0157,  
0208, 0213, 0339  
Schaub Lorenz  
Schneider  
Oceanic  
Optimus  
Optonica  
Orion  
Osaki  
Oso  
0361  
0037, 0218, 0371, 0247,  
0303, 0323, 0336, 0352  
0146  
0037, 0320  
0102  
0093  
0037, 0294, 0320, 0321, 0235  
0217, 0218, 0072, 0264, 0032  
0218  
Sears  
Sei-Sinudyne  
Seleco  
Sentra  
Sharp  
Shorai  
Siarem  
Siemens  
0036  
0010  
White Westinghouse 0037, 0216, 0320  
Yoko  
Zanussi  
0206, 0163, 0259, 0362  
0035  
0036, 0093, 0157  
0294  
0102, 0213  
0037, 0554, 0157, 0191,  
0037, 0217, 0264, 0431  
0206  
Osume  
Otake  
0072, 0032, 0157  
0317  
Otto Versand 0037, 0217, 0320, 0036,  
0010, 0554, 0191, 0213,  
0343, 0349  
Palladium  
Panama  
0370, 0418  
0217, 0264  
0195, 0200, 0213, 0327, 0328  
0036  
Silver  
Panasonic  
0250, 0163, 0213, 0214,  
0226, 0367  
Sinudyne  
Solavox  
Sonitron  
Sonoko  
Sonolor  
Sontec  
Sony  
Soundwave  
Standard  
Stern  
0294, 0102, 0213, 0235  
0032, 0163  
Pathe Cinema 0216, 0320, 0213, 0238  
Pathe Marconi 0196, 0198, 0205, 0333  
0208  
0037, 0009  
0163, 0208, 0215  
0037  
0036, 0010, 0011  
0037, 0418  
0217, 0218, 0009  
0206, 0163, 0259  
0294, 0321  
0218  
Pausa  
Penney  
Perdio  
Phase  
Philco  
Philips  
0009  
0032  
0320  
0032  
0074, 0076, 0084, 0213, 0247  
0037, 0374, 0554, 0012,  
0043, 0323  
Sunkai  
Susumu  
Sysline  
Phonola  
Pioneer  
Profex  
0037, 0012  
0109, 0163, 0287  
0009, 0076, 0361  
0321  
0037  
Tandy  
0217, 0218, 0072, 0093, 0163  
0217, 0036, 0043, 0359  
0037, 0217, 0072  
0217, 0247  
Proline  
Protech  
Tashiko  
Tatung  
Tec  
Technema  
Technics  
Teknika  
Teleavia  
0037, 0217, 0418, 0009,  
0264, 0102, 0431, 0247, 0337  
0012  
Pye  
0320  
0250  
0150  
Quasar  
Quelle  
0250  
0037, 0010, 0554, 0011,  
0070, 0074, 0084, 0200,  
0213, 0306, 0327, 0328, 0361  
0036  
0205, 0333, 0343  
Telefunken  
0109, 0005, 0074, 0084,  
0101, 0213, 0262, 0306,  
0335, 0343  
Questa  
R-Line  
RBM  
0037  
0070  
0090, 0093  
Telemeister  
Teletech  
Teleton  
Tensai  
Texet  
0320  
0009  
RCA  
Radio Shack  
Radiola  
Rank Arena  
Realistic  
Rediffusion  
0032  
0037, 0012, 0323  
0036  
0217, 0206, 0349  
0218, 0294, 0320, 0317  
0216, 0218  
0109, 0196, 0198, 0205,  
0287, 0333, 0343, 0349  
0032  
0361  
Thomson  
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Hitachi  
Houston  
Huth  
2455  
2668  
SETUP CODES FOR CABLE  
SETUP CODES  
FOR DBS TUNER  
2243, 2288, 2220, 2346  
Manufacturer  
Code  
ITT  
2108  
Manufacturer  
Code  
InVideo  
Intervision  
JVC  
Johansson  
Kathrein  
2871  
2592  
2571  
2332  
ABC  
1003, 1008, 1014, 1017  
Birgmingham Cable Communications  
1276  
British Telecom  
Cabletime  
Clyde  
AST  
Alba  
Aldes  
Allantide  
2321, 2351  
2455, 2421, 2362, 2613  
1003, 1105  
1161, 1271, 1377  
1086  
2288  
2333  
2173, 2200, 2092, 2331,  
2358, 2394, 2442, 2480, 2504  
2331, 2335  
Amstrad 2080, 2252, 2345, 2461, 2501  
Ankaro 2369, 2288, 2220, 2519, 2217  
Kosmos  
Contec  
1019  
Kreiselmeyer  
Kyostar  
La Sat  
2173  
2421  
2520, 2513, 2464  
2692  
Decsat  
Filmnet  
France Telecom  
GEC  
1423  
1443  
1451  
1086  
Anttron  
Arcon  
Armstrong  
Astra  
2421, 2183  
2368  
2243  
2108, 2539  
Lemon  
Lenco  
Lennox  
Lupus  
Luxor  
Manhattan  
Marantz  
Maspro  
2421, 2335  
2592  
General Instrument  
GoldStar  
Jerrold  
1276  
1144  
1003, 1276, 1014  
1443, 1019  
1032  
Astro  
Avalon  
Axis  
BT  
Barcom  
Beko  
Best  
Blaupunkt  
Boca  
Brain Wave  
Bush  
CNT  
Cambridge  
Channel Master  
Chaparral  
CityCom  
Commlink  
Connexions  
Crown  
2520, 2173, 2358, 2501  
2396  
2369, 2530  
2369  
2573, 2108  
2455, 2592, 2520  
2200  
2092, 2328, 2336  
2571, 2344  
2243  
MNet  
2668  
2217  
2189  
Magnavox  
Memorex  
Movie Time  
NSC  
1000  
1156  
1156  
1019  
1003  
1000  
1000  
2369, 2217  
2173  
2243, 2513  
Matsui  
Mediamarkt  
Micro Technology  
Minerva  
Morgan’s  
Multistar  
Muratto  
Navex  
Neuhaus  
Neusat  
Newhaus  
Nikko  
Oak  
2333, 2539  
2571  
2243, 2513  
2331, 2464  
2335  
2332  
2501  
2692, 2834  
2220  
PVP Stereo Visual Matrix  
Panasonic  
Paragon  
Pioneer  
Pulsar  
Runco  
STS  
Salora  
Samsung  
Satbox  
2332  
2067  
2520  
2344  
1144, 1260  
1000  
2362  
1000  
1156  
1382  
1144  
2053, 2209  
2394  
2288  
2396  
2243  
2360  
1375  
Nokia  
2455, 2573, 2108, 2328,  
Scientific Atlanta  
Starcom  
1008, 1277, 1017  
1003  
Cyrus  
D-box  
2200  
2723  
2397, 2873  
Nordmende  
Orbitech  
Oxford  
2362  
2501  
2344  
Tele+1  
Teleservice  
Toshiba  
1443  
1281  
1000  
1286  
DDC  
DNT  
Diskxpress  
Drake  
2362  
2396, 2200  
2217  
2268  
Pace  
2455, 2183, 2067, 2328,  
Tudi  
2336, 2791  
2297  
United Cable  
Videoway  
Westminster  
Zenith  
1003  
1250  
1105  
1000  
EIF  
2417  
2396, 2871  
Palcom  
Palladium  
Palsat  
Echostar  
Emanon  
FTE  
2571  
2501  
2421  
2331  
Panda  
Philips  
2455  
Ferguson  
Fidelity  
Finlux  
Fracarro  
Freecom  
Fuba  
2183, 2067, 2189, 2336  
2455, 2571, 2200, 2292, 2328  
2252  
Phonotrend  
Planet  
Plasmatic  
Polytron  
Promax  
Prosat  
Quadral  
RFT  
Radiola  
Radix  
SAT  
SEG  
STVI  
2288, 2592  
2871  
2455, 2108, 2344, 2397  
2871  
2421, 2335  
2421, 2369, 2396, 2217,  
2442  
2394  
2455  
2288  
2297, 2417  
2183  
2288, 2834, 2863  
G-Sat  
Galaxis  
2362, 2519  
2288, 2220, 2200  
2200  
2396, 2882  
2321, 2351, 2461  
2421, 2369, 2539  
2417  
Galaxisat  
GoldStar  
Gooding  
Goodmans  
Grothusen  
Grundig  
2321  
2335  
2571  
2189  
2335  
2571, 2173, 2189, 2328  
Saba  
Sabre  
2520, 2336  
2455  
Harting und Helling  
Hinari  
2333  
2183  
Sagem  
Salora  
2820  
2108  
Hirschmann  
2502, 2173, 2573,  
2287, 2333, 2397, 2398  
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Samsung  
SatPartner  
2287  
Emerson  
3000, 3037, 3278, 3209,  
3036, 3043, 3088  
3320, 3041, 3107, 3321  
3000  
3081, 3104  
3000, 3081, 3042, 3104  
3072, 3037, 3209,  
3045, 3043  
3046, 3047, 3054, 3104  
3020  
SETUP CODES FOR VCR  
2421, 2332, 2520, 2502,  
2335, 2692  
2605, 2346  
2183, 2328  
2346  
Ferguson  
Fidelity  
Finlandia  
Finlux  
Manufacturer  
Code  
Satcom  
Satec  
ASA  
3037, 3081  
Satmaster  
Schwaiger  
Seemann  
Siemens  
Skymaster  
Star Trak  
Strong  
Sunstar  
TPS  
Tantec  
TechniSat  
Techniland  
Telefunken  
Teleka  
Telesat  
Thomson  
Tonna  
Admiral  
Adventura  
Aiko  
3048  
3000  
3278  
2183, 2394, 2504  
2396, 2530  
2173  
2288, 2605, 2519  
2421  
Firstline  
Fisher  
Frontech  
Fuji  
Funai  
GE  
Aiwa  
Akai  
Akiba  
Alba  
3000, 3037, 3307, 3348, 3352  
3315, 3106, 3041, 3053  
3072  
3033  
3000  
3048, 3240  
3081  
2421  
2513  
2820  
3072, 3020, 3278, 3209,  
3315, 3352  
GEC  
Ambassador  
Amstrad  
Anitech  
3020  
2455, 2297, 2336  
2262, 2501  
2346  
Garrard  
General  
Go Video  
GoldHand  
GoldStar  
Goodmans  
3000  
3020  
3432  
3072  
3000, 3278, 3325, 3332  
3072  
3240  
3037  
3037  
Asha  
Asuka  
2421  
2243, 2613  
2605  
3037, 3038, 3225  
3072, 3000, 3020,  
Audiovox  
Baird  
3000, 3041, 3104, 3107  
2455  
Basic Line  
Beaumark  
Bell & Howell  
Blaupunkt  
3072, 3020, 3278  
2668, 2346  
2321, 2333, 2335, 2351  
2501  
3037, 3278, 3403  
Gradiente  
Graetz  
3240  
3104  
Triad  
Triasat  
3000, 3008  
3005, 3041, 3104, 3240  
3034, 3226, 3195,  
Unitor  
Universum  
Vector  
2332, 2217  
2571, 2173  
2333  
Granada  
Grandin  
Grundig  
3081, 3046, 3104  
3072, 3000, 3037  
3072, 3081, 3347, 3226,  
3003, 3006, 3154,  
3162, 3227, 3403  
3320, 3187, 3321  
Brandt  
Ventana  
Vortec  
Vtech  
2200  
2421  
2351  
3195, 3003, 3006, 3007,  
Brandt Electronic  
Broksonic  
Bush  
3041  
3209  
3207, 3349, 3403  
HCM  
3072  
3072, 3278, 3209, 3352  
Wevasat  
Winersat  
Wisi  
2333  
2332  
HI-Q  
3047  
3037  
3000  
3038  
CCE  
CGE  
Calix  
Capehart  
Carver  
3072, 3278  
Hanseatic  
Harley Davidson  
Harman/Kardon  
Harwood  
Headquarter  
Hinari  
3000  
3037  
3020  
3081  
3020  
3072  
3278  
2455, 2396, 2173, 2321,  
2351, 2372, 2406, 2407  
2889  
XSat  
Xcom Multimedia  
Zehnder  
3072  
2889  
2520, 2321, 2331  
3046  
3072, 3004, 3240, 3352  
3000, 3004, 3042, 3041,  
3166, 3235, 3240  
3072  
3106, 3046, 3384, 3005,  
3041, 3104, 3240  
3037, 3278  
Catron  
Cimline  
Cineral  
Citizen  
Clatronic  
Colt  
Combitech  
Condor  
Craig  
Hitachi  
3037, 3278  
Hypson  
ITT  
3020  
3072  
3352  
3020  
ITV  
Imperial  
Ingersol  
Interfunk  
JVC  
3000  
3004  
3081  
3072, 3037, 3047, 3240  
3072, 3020, 3278  
3041, 3162  
3240  
Crown  
Curtis Mathes  
Cybernex  
Cyrus  
Daewoo  
Dansai  
3067, 3384, 3008, 3041,  
3206, 3207, 3486  
3041  
3081  
3020, 3278, 3045  
3072  
Jensen  
KEC  
3037, 3278  
KLH  
3072  
3072  
Daytron  
De Graaf  
Decca  
Denon  
Dual  
Dumont  
Dynatech  
ESC  
3020  
Kaisui  
Kendo  
Kenwood  
Kodak  
Korpel  
LXI  
Lenco  
Leyco  
LIoyd’s  
Loewe  
Logik  
3042, 3166  
3000, 3081  
3042  
3209, 3106  
3067, 3384, 3038, 3041  
3037  
3041  
3000, 3081, 3104  
3000  
3072  
3037  
3278  
3072  
3278, 3240  
3038  
Elbe  
3000  
Elcatech  
Electrohome  
Electrophonic  
Emerex  
3072  
3037  
3037  
3032  
3037, 3004, 3081, 3006  
3072, 3004, 3240  
3106, 3048, 3046, 3043, 3104  
Luxor  
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M Electronic  
MGA  
MGN Technology  
MTC  
Magnasonic  
Magnavox  
Magnin  
Manesth  
Marantz  
3000  
3043, 3240  
3240  
3000, 3240  
3278  
Quelle  
RCA  
RFT  
Radio Shack  
Radiola  
Radix  
Randex  
Realistic  
3081  
3106, 3042, 3048, 3240  
3403  
Tensai  
3322, 3000  
3000  
3320, 3384, 3041  
3036, 3041, 3104  
3081, 3045, 3384,  
3041, 3043  
Thomas  
Thomson  
Thorn  
3000, 3037  
3081  
Toshiba  
3000, 3081  
3240  
3037  
3037  
3000, 3037, 3048,  
3046, 3047, 3104  
3384, 3041  
3034  
Totevision  
Towada  
Uher  
Unitech  
Universum  
3037, 3240  
3072, 3045  
3081, 3003, 3006  
3037  
3209, 3004, 3036,  
3088, 3348, 3352  
3162  
3000, 3037, 3048,  
3046, 3047, 3104,  
3162, 3240, 3307  
3072  
3347, 3195, 3003,  
3006, 3162, 3227  
3195, 3006  
3042  
3322  
3240  
3240  
Marta  
Matsui  
Rex  
Ricoh  
Roadstar  
SBR  
SEG  
SEI  
3000, 3037, 3081, 3106,  
3195, 3006, 3240, 3325  
3045  
3072, 3037, 3278, 3240  
3081  
Matsushita  
Memorex  
Vector  
3322, 3240  
3004, 3081  
3042  
Vector Research  
Video Concepts  
Videosonic  
3038  
3045  
3240  
STS  
Saba  
Memphis  
Metz  
3320, 3384, 3041, 3206,  
3207, 3297, 3321  
3209, 3004, 3036, 3088  
3106, 3046, 3043  
3432, 3045, 3053, 3240  
3048  
3000, 3067, 3041  
3046, 3047, 3104, 3240  
3352  
3000, 3005,  
3041, 3104  
3072, 3000, 3081  
3045, 3043  
3000, 3037, 3042, 3046,  
3047, 3054, 3104  
3041  
Wards  
3072, 3000, 3081, 3042,  
3048, 3047, 3240  
Saisho  
Salora  
Samsung  
Sanky  
Sansui  
Sanyo  
Saville  
Schaub Lorenz  
White Westinghouse  
XR-1000  
Yamaha  
Yamishi  
Yokan  
Yoko  
3278  
3072, 3000  
3038  
Minerva  
Minolta  
Mitsubishi  
Motorola  
Multitech  
Murphy  
NEC  
Neckermann  
Nesco  
Nikko  
3081, 3067, 3048, 3043  
3072  
3072  
3020, 3240  
3000, 3033, 3034  
3048  
3072, 3000  
3000  
Zenith  
3067, 3038, 3041, 3104  
3081  
3072  
3037  
3034  
3240  
Schneider  
Scott  
Sears  
Nikon  
Noblex  
SETUP CODES  
FOR DVD PLAYER  
Nokia  
3106, 3046, 3041, 3104, 3240  
Seleco  
Semp  
Sentra  
Sharp  
Shintom  
Shogun  
Shorai  
Siemens  
Nordmende  
3320, 3384, 3041,  
3297, 3321  
3000, 3041  
3315, 3348  
3226  
3045  
3020  
3048  
Manufacturer  
Code  
Oceanic  
Okano  
Olympus  
Kenwood  
Magnavox  
Onkyo  
Panasonic  
Philips  
4534  
4503  
4503  
3072, 3104  
3240  
Optimus 3037, 3432, 3048, 3104, 3162  
Orion  
3004  
4490  
3209, 3004, 3036,  
3088, 3348, 3352  
3072, 3000, 3037  
3081  
3037, 3081, 3195, 3003,  
3006, 3054, 3104  
3037  
4539, 4503  
4525  
Pioneer  
Sony  
Osaki  
Otto Versand  
Palladium  
Panasonic  
Pathe Cinema  
Pathe Marconi  
Silva  
Singer  
Sinudyne  
Solavox  
Sonolor  
Sontec  
4533  
4490  
4551  
4503  
3072, 3045  
3004, 3081  
3020  
Technics  
Thomson  
Toshiba  
Yamaha  
Zenith  
3072, 3037, 3006, 3041  
3226, 3162, 3225, 3227  
3036  
3046  
3037  
4490, 4545  
4503  
3041  
Penney 3037, 3042, 3038, 3054, 3240  
Sony  
3000, 3032, 3033, 3034, 3011  
Pentax  
Perdio  
Philco  
Philips  
Phonola  
Pilot  
Pioneer  
Portland  
Profex  
Profitronic  
Proline  
Protec  
Pye  
Quarter  
Quartz  
Quasar  
3042  
3000  
3209, 3038  
3081, 3384, 3403  
Sunkai  
Sunstar  
Suntronic  
Sylvania  
Symphonic  
TMK  
Tashiko  
Tatung  
Teac  
3348  
3000  
3000  
3000, 3081, 3043  
3081  
3037  
3000  
3036, 3240  
3000  
3081, 3067, 3162, 3235  
3020  
3322  
3240  
3000  
3072  
3081  
3046  
3046  
3162  
3000, 3081, 3041  
3000, 3041  
3020  
Tec  
Technics  
Teknika  
Teleavia  
Telefunken  
3226, 3162  
3000, 3037  
3041  
3320, 3384, 3041,  
3187, 3321  
3072  
Tenosal  
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Goodmans  
Grundig  
Harman/Kardon  
Hitachi  
6536  
6157  
6108, 6173  
6032, 6291  
6072  
SETUP CODES  
SETUP CODES  
FOR LD PLAYER  
FOR MD RECORDER  
Manufacturer  
Code  
Manufacturer  
Code  
JVC  
Kenwood  
6037, 6523, 6028,  
6048, 6190  
6287  
Aiwa  
Carver  
Cyrus  
5203  
5064, 5194  
5388  
Kenwood  
Sony  
Yamaha  
7826  
7490  
7888, 7490  
Kodak  
Krell  
Linn  
6157  
6157  
6328  
6525  
Denon  
Disco Vision  
Funai  
5059, 5172  
5023  
Luxman  
M Electronic  
MCS  
Magnavox  
Marantz  
Matsui  
Mclntosh  
Memorex  
Meridian  
Micromega  
Mission  
Mitsubishi  
NAD  
5203  
5023  
5194, 5217  
5064, 5194  
5059  
Hitachi  
6029  
Magnavox  
Marantz  
Mitsubishi  
NAD  
Panasonic  
Philips  
Pioneer  
Quasar  
Radiola  
Realistic  
Salora  
SETUP CODES  
FOR TAPE DECK  
6157, 6038, 6129  
6157, 6029, 6038, 6129  
6157, 6288, 6307  
6287  
5059  
Manufacturer  
Code  
5204, 5496  
5064, 5388, 5194  
5023, 5059  
5204  
6032, 6164  
6157  
6157  
6157  
6108, 6156  
6000  
Aiwa  
Akai  
Arcam  
8029, 8197, 8200  
8188, 8189  
8076  
5388  
5203  
5064  
Carver  
Denon  
Fisher  
8029  
8076, 8412  
8074  
NSM  
Naim  
Nikko  
Onkyo  
6157  
6157  
Sega  
Sharp  
Sony  
Technics  
Telefunken  
Theta Digital  
Thorn  
5023  
5001  
5193, 5201  
5204, 5496  
5059  
Grundig  
Harman/Kardon  
JVC  
8029  
8182  
8244, 8273, 8274  
8070, 8071, 8092,  
8205, 8233, 8234  
8029  
6525, 6164  
6101, 6102  
6000, 6032, 6037, 6536,  
6048, 6179, 6196, 6342  
6303, 6029, 6367  
6157, 6274, 6287  
6032  
Kenwood  
Optimus  
5194  
5014  
5217  
Magnavox  
Marantz  
Memorex  
Mitsubishi  
Onkyo  
Optimus  
Panasonic  
Philips  
Panasonic  
Philips  
Pioneer  
Poppy  
Proton  
QED  
Quad  
Quasar  
RCA  
8029, 8009  
8099, 8101  
8189  
8136, 8135  
8027, 8220  
8229  
Yamaha  
6164  
6157  
6157  
6157  
6029  
6179  
SETUP CODES  
FOR CD PLAYER  
8029  
Pioneer  
Revox  
8027, 8099, 8101, 8220  
8029  
Realistic  
Revox  
Roadstar  
Rotel  
SAE  
Sansui  
Sanyo  
Schneider  
Scott  
Sharp  
Sherwood  
Siemens  
Signature  
Sony  
6164, 6179  
6157, 6113  
6461, 6525, 6527  
6157  
Manufacturer  
Code  
Sansui  
Sanyo  
Sharp  
Sony  
Technics  
Victor  
Wards  
8029, 8009  
8074  
8205  
8170, 8243  
8229  
Aiwa  
Akai  
Alba  
Arcam  
Audio Research  
Audio Ton  
Audiolab  
Audiomeca  
BSR  
6124, 6157, 6419  
6108, 6156, 6199  
6536, 6288, 6334  
6157  
6157  
6157, 6202, 6513  
6048, 6179, 6342  
6134  
8273, 8274  
8027  
6157  
6157  
6157  
6157  
6134  
6164  
6452  
6029  
Yamaha 8094, 8097, 8205, 8478, 8524  
6164  
6037, 6262, 6265  
6114, 6196  
6516  
Bestar  
6108  
6000, 6490  
6378  
Binatone  
California Audio Lab  
Carver  
Condor  
Cyrus  
DKK  
Denon  
Dual  
Emerson  
Fisher  
Teac  
6157, 6179  
6134, 6164  
6157  
6000  
6003, 6034  
6196  
Technics  
Toshiba  
Universum  
Victor  
Wards  
Yamaha  
Yorx  
6207, 6303, 6029  
6481  
6157  
6072  
6157, 6108  
6036, 6082, 6187, 6712  
6461  
6164  
6048, 6179, 6342  
6334  
GE  
Genexxa  
GoldStar  
6032, 6164  
6525, 6383  
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Quick Reference Card  
/
AMP/TUN  
TAPE/MD  
CD  
DVD/LD  
POWER  
STANDBY  
POWER  
STANDBY  
POWER  
STANDBY  
POWER  
STANDBY  
POWER  
POWER  
STANDBY  
POWER  
POWER  
P
/
/DTS  
MOVIE  
THEATER  
TAPE/MD  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
SURROUND  
2
SURROUND  
2
SURROUND  
2
MOVIE  
MOVIE  
MOVIE  
MOVIE  
CD  
CD  
THEATER  
1
CD  
THEATER  
1
CD  
THEATER  
1
THEATER  
1
TUNER  
TUNER  
TUNER  
TUNER  
1
1
3
3
1
1
3
3
2
2
2
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TVS/PDORBTSS  
TVS/PDORBTSS  
TV  
TV  
TVS/PDORBTSS  
TVS/PDORBTSS  
TV  
TV  
INPUT  
INPUT  
INPUT  
INPUT  
4
6
4
6
4
6
4
6
5
5
5
5
ROCK  
PHONO  
ROCK  
PHONO  
ROCK  
PHONO  
ROCK  
PHONO  
CHURCH  
CHURCH  
CHURCH  
CHURCH  
JAZZ  
V-ACULUXB  
JAZZ  
V-ACULUXB  
JAZZ  
V-ACULUXB  
JAZZ  
V-ACULUXB  
9
7
9
7
7
9
7
9
8
8
8
8
TEST  
TEST  
HALL  
EXT. DEC  
TEST  
HALL  
EXT. DEC  
TEST  
HALL  
EXT. DEC  
HALL  
EXT. DEC  
EXT. DEC.  
.
+100  
.
+100  
.
+100  
.
+100  
+10  
+10  
+10  
+10  
CLEAR  
CLEAR  
0
CLEAR  
0
CLEAR  
0
0
TEST  
ENTER  
ENTER  
ENTER  
ENTER  
A/B/C/D/E  
A/B/C/D/E  
A/B/C/D/E  
A/B/C/D/E  
A/B/C/D/E  
DSP  
DSP  
EFCT  
DSP  
EFCT  
DSP  
EFCT  
DSP  
EFCT  
EFFECT ON/OFF  
PRESET +/–  
DISC SKIP  
PRESET  
DISC SKIP  
PRESET  
DISC SKIP  
PRESET  
DISC SKIP  
PRESET  
ON/OFF  
ON/OFF  
ON/OFF  
ON/OFF  
DISC SKIP  
CH  
CH  
CH  
CH  
CH  
CH  
TV  
CH  
CH  
TV  
TV  
TV  
DISC SKIP  
(TV VOLUME)  
(TV VOLUME)  
DISPLAY (MD)  
(TV VOLUME)  
CODE SET  
MUTE  
CODE SET  
MUTE  
CODE SET  
MUTE  
CODE SET  
MUTE  
VOLUME  
UP/DOWN  
(TV VOLUME)  
ON SCREEN  
VOLUME  
VOLUME  
VOLUME  
VOLUME  
DISPLAY  
INDEX  
DISP  
INDEX  
DISP  
INDEX  
DISP  
INDEX  
DISP  
DISPLAY  
(TV POWER)  
REC/PAUSE  
MUTE  
SLEEP  
SLEEP  
SLEEP  
SLEEP  
POWER  
TV  
POWER  
TV  
POWER  
TV  
POWER  
TV  
(TV POWER)  
SKIP  
ON SCREEN  
ON SCREEN  
ON SCREEN  
ON SCREEN  
(TV INPUT)  
(TV POWER)  
VCR REC  
/
TV INPUT  
A/B  
VCR REC  
/
TV INPUT  
A/B  
(TV INPUT)  
(TV POWER)  
VCR REC  
/
TV INPUT  
A/B  
VCR REC  
/
TV INPUT  
A/B  
SLEEP  
DECK A/B  
PAUSE  
PAUSE  
PAUSE  
SKIP/SEARCH  
PLAY  
DIR A  
DIR B  
DIR  
A
DIR  
B
DIR  
A
DIR  
B
DIR  
A
DIR  
B
DIR  
A
DIR  
B
SKIP (MD)  
SELECT  
SELECT  
SELECT  
SKIP (MD)  
SELECT  
PLAY  
STOP  
SET UP  
RETURN  
SET UP  
RETURN  
STOP  
SET UP  
RETURN  
SET UP  
RETURN  
STOP  
PLAY  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
BACKWARD  
ANGLE (DVD)/  
FAST  
FORWARD (LD)  
FAST  
FORWARD  
REWIND  
BACKWARD  
(MD)  
FAST  
FORWARD  
SUBTITLE (DVD)/  
BACKWARD (LD)  
MENU  
TITLE  
MENU  
TITLE  
MENU  
TITLE  
MENU  
TITLE  
LEVEL  
SET MENU  
LEVEL  
SET MENU  
LEVEL  
SET MENU  
LEVEL  
SET MENU  
LEVEL  
SET MENU  
SUBTITLE  
ON/OFF (DVD)  
AUDIO (DVD)  
S
POWER  
STANDBY  
DSP  
S
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
MOVIE  
CD  
THEATER  
1
TUNER  
1
3
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TVS/PDORBTSS  
DSP program  
4
6
5
ROCK  
PHONO  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
8
TEST  
HALL  
EXT. DEC  
.
+100  
+10  
CLEAR  
0
ENTER  
A/B/C/D/E  
V296070  
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Quick Reference Card  
/
M
C
DVD MENU  
VCR  
CBL/DBS  
TV  
POWER  
STANDBY  
POWER  
STANDBY  
POWER  
STANDBY  
POWER  
STANDBY  
POWER  
POWER  
POWER  
C
/
M
/DTS  
MOVIE  
THEATER  
TAPE/MD  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
/DTS  
MOVIE  
THEATER  
TAPE/MD  
SURROUND  
2
SURROUND  
MOVIE  
2
SURROUND  
2
/DTS  
MOVIE  
MOVIE  
MOVIE  
CD  
CD  
CD  
SURROUND  
THEATER  
2
THEATER  
1
THEATER  
1
THEATER  
1
MOVIE  
CD  
TAPE/MD  
THEATER  
1
TUNER  
TUNER  
TUNER  
1
1
1
3
3
3
TUNER  
1
3
2
2
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
2
MONO  
DVDM/OLVDIE  
DISCO  
VCR  
TV  
TV  
TV  
TVS/PDORBTSS  
TVS/PDORBTSS  
TVS/PDORBTSS  
CHANNEL  
CHANNEL  
CHANNEL  
TV  
TVS/PDORBTSS  
4
6
4
6
4
6
Numeric  
keys  
4
6
5
5
5
ROCK  
PHONO  
ROCK  
PHONO  
ROCK  
PHONO  
5
CHURCH  
CHURCH  
CHURCH  
ROCK  
PHONO  
JAZZ  
V-ACULUXB  
JAZZ  
V-ACULUXB  
JAZZ  
V-ACULUXB  
CHURCH  
JAZZ  
V-ACULUXB  
7
9
7
9
7
9
7
9
8
8
8
TEST  
TEST  
TEST  
HALL  
EXT. DEC  
HALL  
EXT. DEC  
HALL  
EXT. DEC  
8
+100  
.
+100  
.
+100  
TEST  
.
HALL  
EXT. DEC  
.
+100  
+10  
+10  
+10  
CLEAR  
CLEAR  
CLEAR  
CHANNEL  
ENTER  
0
0
0
CHANNEL  
ENTER  
CHANNEL  
ENTER  
+10  
+100  
TV EFFECT  
ON/OFF  
CLEAR  
0
ENTER  
ENTER  
ENTER  
CLEAR  
ENTER  
A/B/C/D/E  
A/B/C/D/E  
A/B/C/D/E  
A/B/C/D/E  
DSP  
EFCT  
DSP  
EFCT  
DSP  
EFCT  
+10  
DSP  
EFCT  
DISC SKIP  
PRESET  
DISC SKIP  
PRESET  
DISC SKIP  
PRESET  
ON/OFF  
ON/OFF  
ON/OFF  
DISC SKIP  
PRESET  
ON/OFF  
CH  
CH  
CH  
CH  
CHANNEL  
(TV VOLUME) +(UP)/–(DOWN)  
CH  
CH  
TV  
TV  
TV  
CHANNEL  
+(UP)/–(DOWN)  
CHANNEL  
+(UP)/–(DOWN)  
CH  
CH  
TV  
DISC SKIP  
TV VOLUME  
(TV VOLUME)  
(TV VOLUME)  
CODE SET  
MUTE  
CODE SET  
MUTE  
CODE SET  
MUTE  
CODE SET  
MUTE  
TV MUTE  
VOLUME  
VOLUME  
VOLUME  
VOLUME  
TITLE/INDEX  
(TV INPUT)  
INDEX  
DISP  
INDEX  
DISP  
INDEX  
DISP  
DISPLAY  
INDEX  
DISP  
SLEEP  
SLEEP  
SLEEP  
DISPLAY  
DISPLAY  
TV INPUT  
POWER  
TV  
POWER  
TV  
POWER  
TV  
SLEEP  
(TV POWER)  
VCR REC (*1)  
TV SLEEP  
ON SCREEN  
ON SCREEN  
ON SCREEN  
POWER  
TV  
ON SCREEN  
(TV POWER)  
MENU SELECT  
VCR REC  
/
TV INPUT  
A/B  
VCR REC  
/
TV INPUT  
A/B  
VCR REC  
/
TV INPUT  
A/B  
(TV POWER)  
VCR REC  
/
TV INPUT  
A/B  
(TV INPUT)  
(TV INPUT)  
(VCR)  
MENU UP  
MENU RIGHT  
MENU UP  
TV POWER  
PAUSE  
STOP  
PLAY  
DIR  
A
DIR  
B
MENU LEFT  
DIR  
A
DIR  
B
DIR  
A
DIR  
B
MENU LEFT  
DIR  
A
DIR  
B
MENU RIGHT  
MENU DOWN  
SELECT  
SELECT  
SELECT  
SELECT  
SET UP  
RETURN  
SET UP  
RETURN  
MENU DOWN  
RECALL  
SET UP  
RETURN  
MENU SELECT  
SET UP  
RETURN  
REWIND  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
SUBTITLE  
ON/OFF  
ANGLE  
AUDIO  
FAST  
FORWARD  
(VCR)  
SET UP  
TITLE  
TITLE  
MENU  
TITLE  
MENU  
TITLE  
MENU  
RETURN  
MENU  
TITLE  
MENU  
LEVEL  
SET MENU  
LEVEL  
SET MENU  
LEVEL  
SET MENU  
LEVEL  
SET MENU  
MENU  
*1: Press this key twice to start recording.  
Premere due volte questo tasto per iniziare la registrazione.  
Oprima dos veces esta tecla para empezar a grabar.  
Druk tweemaal op deze toets om met opnemen te beginnen.  
Appuyer deux fois sur cette touche pour démarrer l’enregistrement.  
Diese Taste zweimal drücken, um die Aufnahme zu starten.  
Tryck två gånger på denna knapp för att starta inspelningen.  
V296070  
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