BG
DSP-E800
AV PROCESSOR/AMPLIFIER
AMPLIFICATEUR D’EFFETS AUDIO-VIDEO
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
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CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.
1. To assure the finest performance, please read this
manual carefully. Keep it in a safe place for future
reference.
12. To prevent lightning damage, disconnect the AC
power cord when there is an electrical storm.
13. Grounding or polarization — Precautions should be
taken so that the grounding or polarization of the unit
is not defeated.
2. Install this unit in a cool, dry, clean place — away
from windows, heat sources, sources of excessive
vibration, dust, moisture and cold. Avoid sources of
humming (transformers, motors).To prevent fire or
electrical shock, do not expose the unit to rain or
water.
14. AC outlet — Do not connect audio component to the
AC outlet on the rear panel if that component
requires more power than the outlet is rated to
provide.
3. Never open the cabinet. If something drops into the
unit, contact your dealer.
This unit is not disconnected from the AC power source
as long as it is connected to the wall outlet, even if this
unit itself is turned off. This state is called the standby
mode. In this state, this unit is designed to consume a
very small quantity of power.
4. Do not use force on switches, controls or connection
wires. When moving the unit, first disconnect the
power cord and then the wires connected to other
component. Never pull the wires themselves.
5. The openings on the cover assure proper ventilation
of the unit. If these openings are obstructed, the
temperature inside the unit will rise rapidly.
Therefore, avoid placing objects against these
openings, and install the unit in a well-ventilated area
to prevent fire and damage.
■ For U.K. customers
If the socket outlets in the home are not suitable for the plug
supplied with this appliance, it should be cut off and an
appropriate 3 pin plug fitted. For details, refer to the
instructions described below.
Be sure to allow a space of at least 20 cm behind,
20 cm on both sides and 30 cm above the top panel
of the unit to prevent fire and damage.
Note
• The plug severed from the mains lead must be destroyed, as a
plug with bared flexible cord is hazardous if engaged in a live
socket outlet.
6. The voltage used must be the same as that specified
on this unit. Using this unit with a higher voltage than
specified is dangerous and may result in fire or other
accidents.YAMAHA will not be held responsible for
any damage resulting from the use of this unit with a
voltage other than that specified.
■ Special Instructions for U.K. Model
IMPORTANT
THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
7. Digital signals generated by this unit may interfere
with other component such as tuners, receivers and
TVs. Move this unit farther away from such
component if interference is observed.
Blue: NEUTRAL
Brown: LIVE
As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured
markings identifying the terminals in your plug, proceed
as follows:
8. Always set VOLUME to the “m” position before
starting the audio source play. Increase the volume
gradually to an appropriate level after playback has
been started.
The wire which is coloured BLUE must be connected to
the terminal which is marked with the letter N or
coloured BLACK. The wire which is coloured BROWN
must be connected to the terminal which is marked with
the letter L or coloured RED.
9. Do not attempt to clean the unit with chemical
solvents; this might damage the finish. Use a clean,
dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before
concluding that the unit is faulty.
Making sure that neither core is connected to the earth
terminal of the three pin plug.
11. When not planning to use this unit for a long period
of time (e.g., a vacation), disconnect the AC power
cord from the wall outlet.
CAUTION
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INTRODUCTION
FEATURES
CONTENTS
The DSP-E800 makes it possible for you to enjoy advanced
surround sound with a 5.1 channel system by connecting it
to your present main amplifier.
INTRODUCTION
FEATURES .................................................................. 1
CONTENTS ................................................................. 1
GETTING STARTED ................................................. 2
CONTROLS AND FUNCTIONS ............................... 4
Built-in 3-Channel Power Amplification
◆ Minimum RMS Output
(0.06% THD, 20 Hz – 20 kHz)
Center:
Rear:
70 W (8 Ω)
70 W + 70 W (8 Ω)
Multi-Mode Digital Sound Field
Processing
◆ Digital Sound Field Processor (DSP)
◆ Dolby Pro Logic Decoder
◆ Dolby Digital Decoder
PREPARATION
SPEAKER SETUP....................................................... 7
CONNECTIONS.......................................................... 8
ADJUSTING THE SPEAKER BALANCE ............ 14
◆ DTS Decoder
◆ CINEMA DSP: Combination of YAMAHA DSP
Technology and Dolby Pro Logic, Dolby Digital or
DTS
Other Features
BASIC OPERATION
◆ 96-kHz/24-bit D/A Converter
◆ “SET MENU” which Provides You with 12 Items
for Optimizing This Unit for Your Audio/Video
System
◆ Test Tone Generator for Easier Speaker Balance
Adjustment
PLAYING A SOURCE .............................................. 16
DIGITAL SOUND FIELD PROCESSOR (DSP)
EFFECT .................................................................. 20
RECORDING A SOURCE ON TAPE, MD OR
VIDEO CASSETTE ............................................... 21
◆ 6-Channel External Decoder Input for Other Future
Formats
◆ S Video Signal Input/Output Capability
◆ 3 Optical/2 Coaxial Digital Signal Input Terminals
◆ SLEEP Timer
ADVANCED OPERATION
SOUND FIELD PROGRAM .................................... 22
SET MENU ................................................................. 25
DELAY TIME AND SPEAKER
◆ Remote Control
OUTPUT LEVELS ................................................. 29
SLEEP TIMER .......................................................... 31
Manufactured under license from Dolby
Laboratories. “Dolby”, “Pro Logic” and the
double-D symbol are trademarks of Dolby
Laboratories. Confidential Unpublished Works.
©1992 – 1997 Dolby Laboratories, Inc. All
rights reserved.
APPENDIX
TROUBLESHOOTING ............................................ 32
SPECIFICATIONS .................................................... 35
Manufactured under license from Digital Theater Systems,
Inc. US Pat. No. 5,451,942 and other world-wide patents
issued and pending. “DTS”, “DTS Digital Surround”, are
trademarks of Digital Theater Systems, Inc. Copyright 1996
Digital Theater Systems, Inc. All Rights Reserved.
y indicates a tip for your operation.
•
When buttons on this unit and the remote control are
noted together in this Owner’s Manual, these button
names are in principle noted in the order of “button name
(remote control button name)”.
E-1
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GETTING STARTED
Checking the Package Contents
Check that the following items are included in your
package.
Battery Installation in the Remote
Control
1
Remote control
Batteries (R6 type)
3
POWER
PROGRAM
2
/DTS MOVIE
SUR. THTR
MOVIE
THTR
1
2
1
2
3
6
MONO MOVIE TV SPORTS
DISCO
EFFECT
SET MENU
4
5
8
ROCK
TEST
HALL
7
DSP
TIME/
LEVEL
6CH INPUT
CD
TUNER TAPE/MD
1 Turn the remote control over and slide the
battery compartment cover in the direction of
the arrow.
–
DVD
/
LD
D
TV
VCR
CBL/SAT
SLEEP
–
MUTING
+
VOLUME
2 Insert the batteries (R6 type) according the
polarity markings on the inside of the battery
compartment.
3 Close the battery compartment cover.
Battery Replacement
If the remote control operates only when it is close to the
unit, the batteries are weak. Replace all the batteries with
new ones.
Notes
• Use only R6 batteries for replacement.
• Be sure the battery polarity is correct. (See the illustration inside
the battery compartment.)
• Remove the batteries if the remote control will not be used for an
extended period of time.
• If the batteries have leaked, dispose of them immediately. Avoid
touching the leaked material or letting it come into contact with
clothing, etc. Clean the battery compartment thoroughly before
installing new batteries.
E-2
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GETTING STARTED
Using the Remote Control
D
I
G
I
T
A
L
DOLBY
NATURAL SOUND AV PROCESSOR/AMPLIFIER DSP–E800
CINEMA DSP
D
I
G
I
T
A
L
S
U
VOLUME
16
INPUT SELECTOR
20
12
28
8
STANDBY/ON
40
4
INPUT MODE
60
2
00
0
–dB
–
SET ENU
+
NEXT
TAPE/MD MON
/6CH INPUT
EFFECT
PROGRAM
Remote control
sensor
Within approximately 6 m
(20 feet)
The remote control transmits a directional infrared beam. Be
sure to aim the remote control directly at the infrared sensor
during operation. When the sensor is covered or there is a
large object between the remote control and the sensor, the
sensor cannot receive signals. The sensor may not be able to
receive signals properly when it is exposed to direct sunlight
or a strong artificial light (such as a fluorescent or strobe
light). In this case, change the direction of the light or
reposition the unit to avoid direct lighting.
Notes
• Handle the remote control with care.
• Do not spill water, tea or other liquids on the remote control.
• Do not drop the remote control.
• Do not leave or store the remote control in the following
conditions:
– high humidity or temperature such as near a heater, stove or
bath;
– dusty places; or
– extremely low temperature.
E-3
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CONTROLS AND FUNCTIONS
Front Panel
1
2
3
4
5
6
D
I
G
I
T
A
L
DOLBY
CINEMA DSP
NATURAL SOUND AV PROCESSOR/AMPLIFIER DSP–E800
D
I
G
I
T
A
L
SURROUND
VOLUME
INPUT SELECTOR
16
20
12
28
8
40
4
STANDBY/ON
INPUT MODE
2
60
00
0
–dB
–
SET MENU
+
NEXT
TAPE/MD MON
/6CH INPUT
EFFECT
PROGRAM
7
8
9
0
q
1 STANDBY/ON
Press this switch to turn on the power of this unit or to set
7 SET MENU +/–
Press these buttons to adjust the setting on the SET MENU.
this unit in the standby mode. Before turning the power on,
set VOLUME to the “m” position.
8 NEXT
Press this button to select the item on the SET MENU. This
button functions like on the remote control when using
the SET MENU.
Standby mode
In this mode, this unit consumes a very small quantity of
power to receive infrared-signals from the remote
control.
9 TAPE/MD MON / 6CH INPUT
Press this button to select a tape or an MD source. The
“TAPE/MD MONITOR” indicator lights up on the display.
When you press the button again, the “TAPE/MD
MONITOR” indicator goes off, “6CH INPUT” appears on
the display and you can listen to a source connected to the
6CH INPUT terminals.
2 Remote control sensor
This receives signals from the remote control.
3 Display
This shows various information. (Refer to page 5 for
details.)
0 EFFECT
Press this button to turn on or off the effect speakers (center
and rear). If you turn them off, the signals of the center and
rear channels are directed to the right and left main speakers
when playing a source encoded with Dolby Digital and
DTS. In this case, the output levels of the right and left
speakers may not match.
4 INPUT MODE
Press this button to select the input mode among AUTO,
DTS and ANALOG for the DVD/LD, D-TV and CBL/SAT
sources.
5 INPUT SELECTOR
Turn this selector to select the input source (TUNER, CD,
VCR, CBL/SAT, D-TV, DVD/LD) that you want to listen to
or watch. The arrow for the selected input source indicator
lights up on the display.
q PROGRAM selector
Press l or h to select a DSP program when the effect
speakers (center and rear) are turned on. The name of the
selected program appears on the display.
6 VOLUME
Turn this control to turn up or down the volume.
E-4
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CONTROLS AND FUNCTIONS
Display
1
2
3
4
DVD/LD
D–TV
TUNER
CD
CBL/SAT
TAPE/MD
MONITOR
dB
ms
DIGITAL
PRO LOGIC
DSP
VCR
ENHANCED MOVIE THEATER 12
SLEEP
5
6
7
8
1 t indicator
The “t” indicator lights up when the built-in DTS
decoder is on.
5 g and o indicators
“ g ” lights up when the built-in Dolby Digital
decoder is on. “ o ” lights up when the built-in
Dolby Pro Logic decoder is on.
2 Multi-information display
This display shows various information: for example the
name of the selected DSP program and the various settings
during adjustment with the SET MENU.
6 x indicator
“ x ” lights up when the built-in digital sound
field processor is on.
3 Input source indicators
7 DSP program indicators
One of the arrows for these indicators lights up depending
on which source is selected.
These indicators light up when DSP program No. 2, 3 or the
subprogram “ENHANCED” of No. 1 is selected.
4 TAPE/MD MONITOR indicator
8 SLEEP indicator
This lights up when the tape deck or MD recorder, etc. is
selected as the input source by pressing TAPE/MD MON /
6CH INPUT (or TAPE/MD).
This lights up while the built-in SLEEP timer is on.
E-5
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CONTROLS AND FUNCTIONS
Remote Control
5 6CH INPUT
POWER
Press this button to select the source connected to the 6CH
INPUT terminals.
1
PROGRAM
/DTS MOVIE
MOVIE
SUR.
THTR 1 THTR 2
7
6 SLEEP
1
2
3
Press this button to set the SLEEP timer.
MONO MOVIE TV SPORTS
DISCO
EFFECT
SET MENU
4
5
8
6
7 PROGRAM selector buttons
These buttons select a DSP program.
ROCK
TEST
HALL
7
2
8
9
8 EFFECT
Press this button to turn on or off the effect speakers (center
and rear).
DSP
3
4
TIME/LEVEL
0
9
(next), (back)
6CH INPUT
CD
5
These buttons are used to advance or go back one selection
on the SET MENU and TIME/LEVEL mode.
TUNER TAPE/MD
q
–
DVD/LD
D TV
VCR
0 SET MENU
CBL/SAT
Press this button to select the items on the SET MENU.
SLEEP
–
MUTING
+
q Input selector buttons
These buttons select the input source.
w
e
6
VOLUME
CD:
To play a CD
TUNER:
TAPE/MD:
DVD/LD:
D-TV:
To listen to an FM or AM broadcast
To play a tape or MD
To play a DVD or LD
To watch a TV
VCR:
CBL/SAT:
To play a video cassette
To watch cable TV or satellite broadcast
w MUTING
Press this button to mute the sound. To cancel mute, press
this button again.
e VOLUME +/–
These buttons are used to adjust the volume level.
+: To turn up the volume
–: To turn down the volume
1 POWER
Each time you press this button, the unit switches between
the power on and standby mode.
2 TEST
Press this button to output the test tone for each speaker.
3 l (left), h (right)
These buttons adjust the setting of the SET MENU and
TIME/LEVEL mode.
4 TIME/LEVEL
Press this button to select the items in the TIME/LEVEL
mode.
E-6
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PREPARATION
SPEAKER SETUP
Speakers to Be Used
Speaker Placement
This unit is designed to provide the best sound-field quality
with a 5-speaker system, using main speakers, rear speakers
and a center speaker. If you use different brands of speakers
(with different tonal qualities) in your system, the tone of a
moving human voice and other types of sound may not shift
smoothly. We recommend that you use speakers from the
same manufacture or speakers with the same tonal quality.
Refer to the following diagram when you place the
speakers.
Main speaker (R)
Rear speaker (R)
Subwoofer
Main
speaker (L)
1.8 m
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it
is not practical to use a center speaker, you can do without
it. Best results, however, are obtained with the full system.
Center speaker
Rear speaker (L)
■ Main speakers
Place the right and left main speakers an equal distance
from the ideal listening position. The distance of each
speaker from each side of the TV monitor should be the
same.
The main speakers should be high-performance models and
have enough power-handling capacity to accept the
maximum output of your audio system. The other speakers
do not have to be equal to the main speakers. For precise
sound localization, however, it is ideal to use high-
performance models that can reproduce sounds over the full
range for the center speaker and the rear speakers.
■ Rear speakers
Place these speakers behind your listening position, facing
slightly inwards, nearly 1.8 m (approx. 6 feet) above the
floor.
■ Use of a subwoofer expands your
sound field
■ Center speaker
It is also possible to further expand your system with the
addition of a subwoofer. The use of a subwoofer is effective
not only for reinforcing bass frequencies from any or all
channels, but also for reproducing the LFE (low frequency
effect) channel with high fidelity when playing back a
source encoded with Dolby Digital or DTS. The YAMAHA
Active Servo Processing Subwoofer System is ideal for
natural and lively bass reproduction.
Align the front face of the center speaker with the front face
of your TV monitor. Place the speaker as close to the
monitor as possible, such as directly over or under the
monitor and centrally between the main speakers.
Note
• If the center speaker is not used, the center channel sound will be
heard from the right and left main speakers. In that case,
“CENTER SP” on the SET MENU is set to the NONE position.
(Refer to page 26 for details.)
■ Subwoofer
The position of the subwoofer is not so critical, because low
bass sounds are not highly directional. But it is better to
place the subwoofer near the main speakers. Turn it slightly
toward the center of the room to reduce the wall reflections.
CAUTION
Some types of speakers interfere with a TV monitor. If
this problem occurs, move the speakers away from the
monitor. If you cannot avoid installing the center speaker
or subwoofer near the TV monitor, use magnetically
shielded speakers.
E-7
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CONNECTIONS
Before Connecting Components
CAUTION
Never connect this unit and other components to mains power until all connections between components have been
completed.
Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some
components require different connection methods and have different terminal names. Refer to the instructions for each
component to be connected to this unit.
When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect
it to the terminals with the same number labels as !, @, #, $ etc. YAMAHA applies this labeling system to all its
products.
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.
The input and output terminals for pin plugs can be distinguished as follows:
V
V
Yellow
White
Red
video signals (composite)
analog audio signals for the left channel
analog audio signals for the right channel
coaxial digital signals
L
L
R
R
C
C
After completing all connections, check them again to make sure they are correct.
Connecting to an External
Decoder (page 9)
Digital signal input
terminals (page 10)
Connecting the
Speakers (page 11)
Connecting the External
Amplifier (page 11)
(Europe model)
To AC outlet
MAIN
SURROUND
CENTER
6CH
INPUT
DIGITAL SIGNAL
CBL/SAT DVD/LD CBL/SAT
SPEAKERS
DVD/LD
D–TV
L
CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
EXTERNAL
DECODER
SUB
WOOFER
R
CENTER
REAR
(SURROUND)
MAIN IN
OPTICAL
COAXIAL
R
L
AUDIO SIGNAL
IMPEDANCE SELECTOR
SET BEFORE POWER ON
AC OUTLET
L
L
SWITCHED
100W MAX.
+
–
OUTPUT
REAR
CENTER
:
:
4ΩMIN./SPEAKER
4ΩMIN./SPEAKER
MAIN
REAR
(SURROUND)
CENTER
R
R
REAR
CENTER
:
:
8ΩMIN./SPEAKER
8ΩMIN./SPEAKER
L
IN (PLAY) OUT (REC)
IN
OUT
CD
TUNER
TAPE/MD
DVD/LD
DVD/LD
D–TV
D–TV
CBL/SAT
CBL/SAT
VCR
VCR
1
2
3
4
R
SUB
WOOFER
IN
OUT
VCR
MONITOR
OUT
IN
OUT
MONITOR
OUT
DVD/LD
D–TV
CBL/SAT
S VIDEO SIGNAL
VIDEO SIGNAL
Connecting the Power
Supply Cords (page 13)
Connecting an Audio
Component (page 9)
Connecting a Video
Component (pages 10 and 11)
IMPEDANCE SELECTOR
switch (page 13)
E-8
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CONNECTIONS
Connecting an Audio Component
Be sure to connect the right channel (R), left channel (L),
input (IN) and output (OUT) properly.
CD player
L
Analog signal
R
OUTPUT
L
R
Signal flow
MAIN
SURROUND
CENTER
6CH
INPUT
DIGITAL SIGNAL
CBL/SAT DVD/LD CBL/SAT
DVD/LD
D–TV
L
EXTERNAL
DECODER
SUB
WOOFER
R
MAIN IN
OPTICAL
COAXIAL
AUDIO SIGNAL
L
L
R
R
IN (PLAY) OUT (REC)
IN
OUT
CD
TUNER
TAPE/MD
DVD/LD
DVD/LD
D–TV
D–TV
CBL/SAT
CBL/SAT
VCR
VCR
1
2
3
4
IN
OUT
VCR
MONITOR
OUT
IN
OUT
MONITOR
OUT
DVD/LD
D–TV
CBL/SAT
S VIDEO SIGNAL
VIDEO SIGNAL
L
R
L
R
L
R
OUTPUT
LINE OUT
LINE IN
Tuner
Tape deck or
MD recorder
Connecting to an External Decoder
This unit has additional 6-channel audio signal input
terminals for connecting an external decoder to this unit. Set
the EXTERNAL DECODER/MAIN IN switch to the
EXTERNAL DECODER position. Connect the 6-channel
audio signal output terminals of the decoder to the 6CH
INPUT terminals of this unit.
External decoder
MAIN
OUT
SURROUND
OUT
L
R
L
R
CENTER
OUT
SUBWOOFER
OUT
MAIN
SURROUND
CENTER
CAUTION
6CH
INPUT
DIGITAL SIGNAL
CBL/SAT DVD/LD CBL/SA
DVD/LD
D–TV
L
EXTERNAL
DECODER
Be sure to move the EXTERNAL DECODER/MAIN IN
switch only when this unit is in the standby mode.
SUB
WOOFER
R
MAIN IN
OPTICAL
COAXIAL
AUDIO SIGNAL
L
Notes
R
• When a source connected to these terminals is selected, the digital
sound field processor cannot be used.
• The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” on the SET MENU have no effect on a source
connected to these terminals. The setting of “MAIN LVL” is
effective. (Refer to pages 26 and 27 for details.)
IN (PLAY) OUT (REC)
IN
OUT
CD
TUNER
TAPE/MD
DVD/LD
DVD/LD
D–TV
D–TV
CBL/SAT
CBL/SAT
VCR
VCR
1
2
3
4
IN
OUT
VCR
MONITOR
OUT
IN
OUT
DVD/
D–TV
CBL/SAT
S VIDEO SIGNAL
VIDEO SIGNAL
EXTERNAL
DECODER
• Adjustment of the output level of the center speaker, rear speakers
and subwoofer is effective when a source connected to these
terminals is selected as the input source. (Refer to page 29 for
details.)
MAIN IN
EXTERNAL DECODER/MAIN IN switch
E-9
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CONNECTIONS
Connecting a Video Component
Notes
Cable TV/
DIGITAL SIGNAL
DVD/LD player
• Be sure to attach the covers when the OPTICAL terminals are not
being used in order to protect them from dust.
satellite tuner
(COAXIAL)
• If your LD player has a Dolby Digital RF signal output terminal,
be sure to use the RF demodulator (separately purchased).
• No sound will be heard when connecting your LD player’s Dolby
Digital RF signal output terminal directly to this unit’s COAXIAL
DVD/LD digital signal input terminal.
DIGITAL
SIGNAL
DIGITAL
SIGNAL
DIGITAL
SIGNAL
(OPTICAL)
(OPTICAL)
(COAXIAL)
L
R
C
O
O
C
ANALOG
AUDIO
OUT
ANALOG
AUDIO
OUT
y
• The input signal from the DVD/LD or CBL/SAT input terminals
is selected in the following order of priority with the input mode
set to AUTO: COAXIAL terminal → OPTICAL terminal →
Analog terminal. Refer to page 18 for details.
MAIN
SURROUND
CENTER
L
R
DIGITAL SIGNAL
DVD/LD
DVD/LD
D–TV
CBL/SAT
CBL/SAT
L
SUB
WOOFER
R
IN
OPTICAL
COAXIAL
AUDIO SIGNAL
• All digital signal input terminals are applicable to sampling
frequencies of 32 kHz, 44.1 kHz, 48 kHz and 96 kHz. (Refer to
page 19 about 96-kHz sampling 24-bit digital signals.)
L
L
R
R
IN (PLAY) OUT (REC)
TAPE/MD
IN
OUT
CD
TUNER
DVD/LD
D–TV
CBL/SAT
VCR
1
2
3
4
■ Video signal terminals (composite)
If your video components do not have “S” video terminals,
they can be connected to this unit’s VIDEO terminals. Be
sure to connect the input (IN) and output (OUT) properly.
DIGITAL
SIGNAL
(OPTICAL)
O
L
R
L
R
L
R
AUDIO
OUT
AUDIO
IN
TV monitor
TV/Digital TV
ANALOG
AUDIO OUT
VCR
TV/Digital TV
DVD/LD player
L
C
Digital signal
(coaxial)
Analog signal
R
VIDEO
OUT
VIDEO OUT
VIDEO IN
O
Digital signal
(optical)
Signal flow
V
V
V
DVD/LD
DVD/LD
D–TV
D–TV
CBL/SAT
CBL/SAT
VCR
VCR
■ Audio signal terminals
Be sure to connect the right channel (R), left channel (L),
R
IN
OUT
MONITOR
OUT
VIDEO SIGNAL
input (IN) and output (OUT) properly.
Note
V
V
V
• Be sure to make the video connections as well.
VIDEO
OUT
VIDEO
OUT
VIDEO
IN
■ Digital audio signal terminals
If your DVD/LD player, TV/digital TV or cable TV/satellite
tuner, etc. has coaxial or optical digital signal output
terminals, they can be connected to this unit’s COAXIAL
and/or OPTICAL digital signal input terminals. To make a
connection between the optical digital signal terminals,
remove the cover from each terminal, and then connect
them by using a commercially available optical fiber cable
that conforms to EIA standards. Other cables might not
function correctly.
Cable TV/
satellite tuner
VCR
Signal flow
V
Video signal
Notes
• Be sure to make the audio connections as well.
• If video signals are input from both the S VIDEO input and
composite input terminals, the signals will be directed to their
respective output terminals.
When making connections between the digital signal
terminals, you should connect the components to the same-
named analog audio signal terminals of this unit, because a
digital signal cannot be recorded by a tape deck, MD
recorder or VCR connected to this unit.
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CONNECTIONS
■ S VIDEO terminals
If your video components have “S” (high-resolution) video
terminals, they can be connected to this unit’s S VIDEO
terminals. Be sure to connect the input (IN) and output
(OUT) properly.
TV Monitor
Cable TV/
satellite tuner
TV/Digital TV
S VIDEO
OUT
S VIDEO
OUT
Notes
S VIDEO IN
S
S
• Use a special S VIDEO cable (commercially available) for the S
VIDEO connection.
S
• If video signals are input from both the S VIDEO input and
composite input terminals, the signals will be directed to their
respective output terminals.
IN
OUT
MONITOR
OUT
DVD/LD
D–TV
CBL/SAT
S VIDEO SIGNAL
VCR
DV
S Video signal
Signal flow
S
S
S
S VIDEO S VIDEO
S VIDEO
IN
OUT
OUT
DVD/LD player
VCR
Connecting the Speakers and the External Amplifier
Subwoofer
system
Basic connection
Rear speakers
Right
Left
It is necessary to connect a 2-channel amplifier to this unit
in order to drive main speakers.
Center speaker
Be sure to connect the right channel (R), left channel (L),
“+” (red) and “–” (black) properly. If the connections are
faulty, no sound will be heard from the speakers, and if the
polarity of the speaker connections is incorrect, the sound
will be unnatural and lack bass.
SPEAKERS
CAUTION SEE INSTRUCTION MANUAL FOR CORRECT SETTING.
CENTER
REAR
(SURROUND)
R
L
■ Connecting 2-channel amplifier
IMPEDANCE
SET BEFORE
+
–
OUTPUT
REAR
CENTER
:
:
4ΩM
4ΩM
Connect the input terminals of a 2-ch power amplifier to the
MAIN OUTPUT terminals of this unit. If you connect the
AUX input terminals of the external amplifier to the MAIN
OUTPUT terminals of this unit, be sure to set the volume of
the external amplifier around –16 dB to –18 dB.
MAIN
REAR
(SURROUND)
CENTER
REAR
CENTER
:
:
8ΩM
8ΩM
L
R
SUB
WOOFER
Main speaker
Right
Main speaker
Left
L
R
■ Connecting a rear speaker system
Connect a rear speaker system to the REAR SPEAKER
(SURROUND) output terminals of this unit.
MAIN
IN
R
L
■ Connecting a center speaker
Connect a center speaker to the CENTER SPEAKER output
2-ch power amplifier
terminals of this unit.
CAUTIONS
■ Connecting a subwoofer system
Connect the input terminal of a subwoofer system to the
SUBWOOFER OUTPUT terminal of this unit.
• Use speakers with the specified impedance shown on
the rear panel of this unit.
• Do not let the bare speaker wires touch each other and
do not let them touch any metal part of this unit. This
could damage the unit and/or speakers.
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CONNECTIONS
■ Speaker cables
Other connections
10 mm (3/8”)
■ Using this unit as a Dolby Digital
or DTS decoder
1
2
Connect the OUTPUT terminals (MAIN, REAR, CENTER
and SUBWOOFER) of this unit to the EXTERNAL
DECODER or 6 CHANNEL input terminals of the external
amplifier.
1 Remove approx. 10 mm (3/8”) of insulation
from each of the speaker cables.
■ Receiving the multi-channel signal
2 Twist the exposed wires of the cable together
to prevent short circuits.
from other equipment
1 Be sure to move the EXTERNAL DECODER/
MAIN IN switch to the EXTERNAL DECODER
position before you turn on this unit.
■ Connecting to the REAR and
CENTER SPEAKERS terminals
2 Connect the OUTPUT terminal of the external
amplifier to the 6CH INPUT terminals of this
unit.
Red: positive (+)
Black: negative (–)
2
1
3 Press TAPE/MD MON / 6CH INPUT repeatedly
(or 6CH INPUT once) until “6CH INPUT”
appears on the display.
3
• The signal on the main channel will be output to the
MAIN OUTPUT terminals.
1 Unscrew the knob.
• The overall volume level will be controlled by DSP-
E800.
2 Insert one bare wire into the hole in the side of
each terminal.
3 Tighten the knob to secure the wire.
■ Using this unit as a power
amplifier
1 Be sure to move the EXTERNAL DECODER/
MAIN IN switch to the MAIN IN position before
you turn on this unit.
2 Press TAPE/MD MON / 6CH INPUT repeatedly
(or 6CH INPUT once) until “6CH INPUT”
appears on the display.
• DSP-E800 is regarded as 3-channel power amplifier.
The REAR L, the REAR R, and the CENTER
terminals can be used for the connection.
• The volume control of this unit will be bypassed.
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CONNECTIONS
IMPEDANCE SELECTOR Switch
WARNING
Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise the unit may be
damaged.
If this unit fails to turn on when STANDBY/ON (POWER) is pressed, the IMPEDANCE SELECTOR switch may not be
fully slide to either position. If so, slide the switch to either position fully when this unit is in the standby mode.
Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only
when this unit is in the standby mode.
(Europe model)
Switch potision Speakers
Impedance level
IMPEDANCE
SELECTOR
Left
Rear
The impedance of each speaker must be
4 Ω or higher.
Center
Rear
The impedance must be 4 Ω or higher.
IMPEDANCE SELECTOR
SET BEFORE POWER ON
AC OUTLET
SWITCHED
100W MAX.
Right
The impedance of each speaker must be
REAR
CENTER
:
:
4ΩMIN./SPEAKER
4ΩMIN./SPEAKER
8 Ω or higher.
REAR
CENTER
:
:
8ΩMIN./SPEAKER
8ΩMIN./SPEAKER
Center
The impedance must be 8 Ω or higher.
Connecting the Power Supply Cords
After completing all connections, connect the AC power
cord to an AC power outlet. Disconnect the AC power cord
if you will not use this unit for a long period of time.
■ AC OUTLET (SWITCHED)
U.K. and Europe models .................................... 1 OUTLET
Use this outlet to connect the power cords from your
components to this unit. The power to the AC OUTLET is
controlled by this unit’s STANDBY/ON (or POWER). This
outlet will supply power to any connected component
whenever this unit is turned on. The maximum power (total
power consumption of components) that can be connected
to the AC OUTLET is 100 W.
To AC outlet
(Europe model)
IMPEDANCE SELECTOR
SET BEFORE POWER ON
AC OUTLET
SWITCHED
100W MAX.
REAR
CENTER
:
:
4ΩMIN./SPEAKER
4ΩMIN./SPEAKER
REAR
CENTER
:
:
8ΩMIN./SPEAKER
8ΩMIN./SPEAKER
SWITCHED
E-13
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ADJUSTING THE SPEAKER BALANCE
This procedure lets you adjust the sound output level
VOLUME
16
1 Set VOLUME to the “m”
20
12
balance between the main, center and rear speakers by using
the built-in test tone generator. When this adjustment is
performed, the sound output level heard at the listening
position will be the same from each speaker. This is
important for the best performance of the digital sound field
processor, the Dolby Pro Logic decoder, Dolby Digital
decoder and DTS decoder.
28
8
position.
40
4
60
2
00
0
–dB
Front panel
2 Turn the power on.
POWER
STANDBY/ON
or
The adjustment of each speaker sound output level should
be performed at your listening position with the remote
control. After completing the adjustments, use VOLUME
+/– at your listening position to check if the adjustments are
satisfactory.
Front panel
Remote control
3 Press TEST.
“TEST LEFT” appears on the display.
TEST
2
1
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DOLBY
CINEMA DSP
NATURAL SOUND AV PROCESSOR/AMPLIFIER DSP–E800
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VOLUME
16
4 Turn up the volume.
INPUT SELECTOR
20
12
28
8
You will hear a test tone (like pink noise) from each
speaker for about two seconds in the following order:
left main speaker, center speaker, right main speaker,
right rear speaker and left rear speaker. The display
changes as shown below.
40
4
STANDBY/ON
INPUT MODE
60
2
00
0
–dB
–
SET MENU
+
NEXT
TAPE/MD MON
/6CH INPUT
EFFECT
PROGRAM
POWER
CD
TUNER TAPE/MD
TEST
LEFT
TEST
RIGHT
2
PROGRAM
/DTS MOVIE
SUR. THTR
MOVIE
–
DVD/
LD
D
TV
VCR
1
THTR
2
1
2
3
MONO MOVIE TV SPORTS
DISCO
CBL/SAT
TEST CENTER
4
5
8
6
SLEEP
–
MUTING
+
ROCK
TEST
HALL
7
–
VOLUME
+
EFFECT
SET MENU
VOLUME
3,7
5
4
DSP
TIME/
LEVEL
6
6CH INPUT
CD
TUNER TAPE/MD
TEST L SUR.
TEST R SUR.
Notes
• If the test tone cannot be heard, turn down the volume, set the unit
in the standby mode and check the speaker connections.
• If the test tone cannot be heard from the center speaker, check the
setting of “CENTER SP” on the SET MENU.
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ADJUSTING THE SPEAKER BALANCE
TIME/LEVEL
5 Press TIME/LEVEL
repeatedly to select the
speaker to be adjusted.
“CENTER”, “R SUR.” or
“L SUR.” appears on the
display.
6 Press h to raise and l to
lower the level.
• Adjust the sound output
levels of the center speaker
and the rear speakers so that
they become almost the same
as that of the main speakers.
• While adjusting, the test tone
is heard from the selected
speaker.
DSP
7 When the adjustment is complete, press TEST.
“TEST OFF” appears on the display and the test tone
stops.
TEST
Note
• If “CENTER SP” on the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted in
step 6. The center channel sound is automatically output from the
right and left main speakers.
y
• Once you have completed the adjustments, you can only adjust
the overall volume level of your audio system by using VOLUME
(or VOLUME +/–).
• If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level by
setting “MAIN LVL” on the SET MENU to “–10 dB”. (Refer to
page 27 for details.)
E-15
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BASIC OPERATION
PLAYING A SOURCE
a. To select a tape or an MD source
1,5
2
3
Press TAPE/MD MON / 6CH INPUT (or TAPE/MD)
so that the “TAPE/MD MONITOR” indicator lights up
D
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CINEMA DSP
NATURAL SOUND AV PROCESSOR/AMPLIFIER DSP–E800
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VOLUME
16
INPUT SELECTOR
20
12
28
8
4
2
40
STANDBY/ON
on the display.
INPUT MODE
60
00
0
TAPE/MD MON
TAPE/MD
–dB
–
SET MENU
+
NEXT
TAPE/MD MON
/6CH INPUT
EFFECT
PROGRAM
or
/6CH INPU
Front panel
Remote control
6
DVD/LD
D–TV
TUNER
CD
POWER
VCR
CBL/SAT
TAPE/MD
MONITOR
CD
TUNER TAPE/MD
2
3
PROGRAM
/DTS MOVIE
SUR. THTR
MOVIE
THTR
–
DVD
/
LD
D
TV
VCR
1
2
1
2
3
6
6
Lights up
MONO MOVIE TV SPORTS
DISCO
CBL/SAT
4
5
8
SLEEP
–
MUTING
+
ROCK
TEST
HALL
b. To select a source connected to the 6CH
INPUT terminals
7
EFFECT
SET MENU
VOLUME
5
DSP
Press TAPE/MD MON / 6CH INPUT repeatedly (or
6CH INPUT) until “6CH INPUT” appears on the
display.
TIME
/
LEVEL
6CH INPUT
CD
3
TUNER TAPE/MD
TAPE/MD MON
6CH INPUT
or
/6CH INPU
Front panel
Remote control
DVD/LD
D–TV
VCR
TUNER
CD
CBL/SAT
VOLUME
16
1 Set VOLUME to the “m”
20
12
28
8
4
2
position.
40
60
00
0
–dB
Notes
Front panel
• If the “TAPE/MD MONITOR” indicator lights up or “6CH
INPUT” is shown on the display, no other audio source except a
tape/MD source and a source connected to the 6CH INPUT
terminals can be played. To select another input source with
INPUT SELECTOR (or the input selector buttons):
2 Turn the power on.
POWER
or
STANDBY/ON
Front panel
Remote control
– Press TAPE/MD MON / 6CH INPUT twice (or TAPE/MD
once) to turn off the “TAPE/MD MONITOR” indicator.
– Press TAPE/MD MON / 6CH INPUT once (or 6CH INPUT) to
turn off “6CH INPUT”.
INPUT SELECTOR
3 Select the desired input
source with INPUT
• If you select and play a video source when the “TAPE/MD
MONITOR” indicator lights up, the play back result will be a
video image from the video source and the sound from the audio
source connected to the TAPE/MD IN (PLAY) terminals.
• A video source cannot be selected when “6CH INPUT” is shown
on the display. If you want to enjoy an audio source connected to
the 6CH INPUT terminals together with a video source, first
select the video source and then select the source connected to the
6CH INPUT terminals.
SELECTOR (or the input
selector buttons). (Turn on
the TV monitor for video
sources.)
The name of the selected input
source appears for a moment
and the arrow for the selected
input source indicator lights up
on the display.
Front panel
or
CD
TUNER TAPE/MD
–
DVD
/
LD
D TV
VCR
CBL/SAT
y
Remote control
For the DVD/LD, D-TV and CBL/SAT sources, the current input
mode is also shown. Refer to page 18 for details about the input
mode.
DVD/LD
D–TV
TUNER
CD
VCR
CBL/SAT
Input source
E-16
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PLAYING A SOURCE
■ To mute the sound
4 Play the source.
Refer to the instructions for the source component.
MUTING
Press MUTING on the
remote control so that
“MUTE ON” appears on the
display.
5 Adjust the volume to the desired output level.
VOLUME
16
20
12
28
8
–
VOLUME
+
40
4
or
60
2
To cancel mute, press MUTING again so that
00
0
–dB
“MUTE OFF” appears for a moment on the display.
Front panel
Remote control
■ When you have finished using this
6 Use the digital sound field processor.
unit
Refer to page 20.
PROGRAM
/DTS MOVIE
MOVIE
Press STANDBY/ON (or POWER) to set this
unit in the standby mode.
SUR. THTR 1 THTR 2
PROGRAM
1
2
3
6
or
MONO MOVIE TV SPORTS
DISCO
4
5
■ BGV (background video) function
ROCK
HALL
7
8
The BGV function allows you to combine a video image
from a video source with a sound from an audio source.
(For example, you can listen to classical music while you
are watching a video.) This function can only be controlled
with the remote control.
Front panel
Remote control
Play a video source, and then select an audio source with
the input selector buttons on the remote control. The BGV
function does not work if you select the audio source with
INPUT SELECTOR on the front panel.
E-17
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PLAYING A SOURCE
■ Switching the input mode
Input Mode (for the DVD/LD, D-TV
and CBL/SAT sources)
This unit allows you to switch the input mode for sources
that send both digital and analog signals to this unit. The
AUTO, DTS and ANALOG input modes are provided.
Press INPUT MODE (or the input selector
button that you have pressed to select the
input source on the remote control) repeatedly
until the desired input mode is shown on the
display.
CD
TUNER TAPE/MD
When you turn on the power of this unit, the input mode for
the DVD/LD source is always set to AUTO and for D-TV or
CBL/SAT source is set according to “TV INPUT” and
“CBL INPUT” on the SET MENU. (Refer to page 28 for
details.)
or
–
DVD/LD
D TV
VCR
INPUT MODE
CBL/SAT
Front panel
Remote control
■ AUTO
DVD/LD
D–TV
VCR
TUNER
CD
CBL/SAT
In this mode, the input signal is selected in the following
order of priority:
1. Digital signal encoded with Dolby Digital or DTS
2. Normal digital signal (PCM)
Input mode
3. Analog signal (ANALOG)
Notes
Note
• Set the input mode to AUTO to play a DVD/LD source encoded
with Dolby Digital.
• If digital signals are input from both the OPTICAL and
COAXIAL terminals, the digital signal from the COAXIAL
terminal is selected.
• If the input mode is set to AUTO for the source, this unit
automatically determines which type of signal the source
contains. If this unit detects a Dolby Digital or DTS signal, the
decoder automatically switches to the appropriate setting and
reproduces 5.1 channel sound.
• The sound output may be interrupted for some LD and DVD
players in the following situation: The input mode is set to AUTO.
A search is performed while playing the disc encoded with Dolby
Digital or DTS, and then disc playing is restored. The sound
output is interrupted for a moment because the digital signal was
selected again.
• The input mode cannot be changed for the CD, TUNER, TAPE/
MD and VCR sources because only analog signals are used for
these.
• The current input mode appears on the display when the DVD/
LD, D-TV or CBL/SAT source is selected or the input mode is
changed.
■ DTS
In this mode, only a digital signal encoded with DTS is
selected, even if other signals are being input at the same
time.
■ ANALOG
In this mode, only an analog signal is selected, even if a
digital signal is being input at the same time. Select this
mode when you want to use an analog signal instead of a
digital signal.
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PLAYING A SOURCE
■ Notes on playing a source
■ Notes on playing an LD source
• Some audio/video component, such as LD player, output different
audio signals through their analog and digital terminals. Change
the input mode as necessary.
encoded with DTS
• If “DATA ERROR” appears on the display while playing an LD
source encoded with DTS, stop playback and turn the player off
and then on again.
• If the LD player is transmitting signals by a non-normal method,
this unit cannot detect the Dolby Digital or DTS signal. In this
case, the decoder automatically switches to PCM or analog.
• If the LD source does not contain a digital soundtrack, connect
the LD player to the analog terminals and set the input mode to
AUTO or ANALOG.
• While you are operating the LD player and playing a disc encoded
with Dolby Digital, if you switch from the pause or chapter
forwarding function to normal playback, you may hear the PCM
or analog sound an instant before the Dolby Digital sound is
played.
• If the digital output data of the player has been processed in any
way, you may not be able to perform DTS decoding even if you
make a digital connection between this unit and the player.
• If you play an LD source encoded with DTS and set the input
mode to ANALOG, there will be the noise of an unprocessed
DTS signal. When you want to play a DTS source, be sure to
connect the source to the digital input terminal and set the input
mode to AUTO or DTS.
• If you play a source encoded with DTS and set the input mode to
AUTO, there will be a short noise at first while the unit
recognizes the DTS signal and turns on the DTS decoder. This is
not a malfunction, and can be avoided by setting the input mode
to DTS beforehand. In addition, if you continue to play a source
encoded with DTS with the input mode setting left to AUTO, this
unit automatically switches to the “DTS-decoding” mode to
prevent noise from being generated during subsequent operation.
(The “t” indicator lights up on the display.) The “t”
indicator will flash immediately after playback of a source
encoded with DTS has finished. Only a source encoded with DTS
can be played back while this indicator is flashing. If you want to
play a normal PCM source soon, set the input mode back to
AUTO.
■ Notes on the digital signal
The digital input terminal of this unit can also handle
96-kHz sampling 24-bit digital signals. (To utilize this, use a
source that supports 96-kHz sampling 24-bit digital signals
and set the player for digital output. Refer to the instructions
for the player.) Note the following when a 96-kHz sampling
24-bit digital signal is input to this unit.
1. The following indicator will appear on the display.
DVD/LD
D–TV
TUNER
CD
VCR
CBL/SAT
2. DSP programs cannot be selected. Sound will be output
as normal 2-channel stereo sound using only the right
and left main speakers.
3. Delay time and speaker output level cannot be adjusted.
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DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT
Notes
Selecting a DSP Program
• You can select a DSP program for each of the input sources. Once
you select a program, it is linked with the input source selected at
that time. So, when you select the input source next time, the
same program is automatically selected.
• When a monaural source is being played with PRO LOGIC/
Normal or PRO LOGIC/ENHANCED, no sound will be heard
from the main speakers and the rear speakers. Sound can only be
heard from the center speaker. However, if “CENTER SP” on the
SET MENU is set to the NONE position, the center channel
sound is output from the main speakers.
You can enhance your listening experience by selecting a
DSP program. Refer to pages 22 to 24 for details about each
program.
D
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CINEMA DSP
NATURAL SOUND AV PROCESSOR/AMPLIFIER DSP–E800
D
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VOLUME
16
INPUT SELECTOR
20
12
28
8
40
4
STANDBY/ON
INPUT MODE
60
2
00
0
–dB
–
SET MENU
+
NEXT
TAPE/MD MON
/6CH INPUT
EFFECT
PROGRAM
• When a source connected to the 6CH INPUT terminals of this
unit is selected, the digital sound field processor cannot be used.
• When high-rate 96-kHz sampling 24-bit digital signals are input
to this unit, no DSP program can be selected and the sound is only
output from right and left main speakers as a normal 2-channel
stereo sound.
2
POWER
PROGRAM
/DTS MOVIE
MOVIE
SUR.
THTR 1 THTR 2
1
2
3
Canceling the Sound Effect (turning
off the effect speakers)
2
MONO MOVIE TV SPORTS
DISCO
EFFECT
SET MENU
4
5
8
6
ROCK
TEST
HALL
7
Press EFFECT to cancel the sound effect and
monitor only the main sound.
Press EFFECT again to turn the sound effect back on.
DSP
TIME/LEVEL
6CH INPUT
CD
EFFECT
EFFECT
or
TUNER TAPE MD
1 Make sure that the effect speakers (center and
Front panel
Remote control
rear) and subwoofer are turned on.
Notes
2 Press PROGRAM l or h repeatedly (or one of
the PROGRAM selector buttons) to select the
desired program.
• If you turn off the sound effect when Dolby Digital or DTS is
decoding, the sounds of the center and rear channels are mixed
and output from the main speakers.
• If you turn off the sound effect when Dolby Digital or DTS is
decoding, it may happen that the sound is output faintly or not
output normally, depending on the source. In this case, turn sound
effect back on.
The name of the selected program appears on the
display.
PROGRAM
/DTS MOVIE
MOVIE
SUR.
THTR 1 THTR 2
1
2
3
PROGRAM
MONO MOVIE TV SPORTS
DISCO
or
4
5
6
ROCK
HALL
7
8
Front panel
Remote control
DVD/LD
D–TV
TUNER
CD
PRO LOGIC
DSP
VCR
CBL/SAT
MOVIE THEATER
2
DSP program name
y
If desired, adjust the delay time and the sound output level of each
speaker. (Refer to pages 29 and 30 for details.)
E-20
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RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE
Recording adjustments and other operations are performed
y
If a tape deck or MD recorder is being used for recording, you can
monitor the sounds being recorded by pressing TAPE/MD MON /
6CH INPUT (or TAPE/MD).
from the tape deck, MD recorder or VCR. Refer to the
instructions for these components.
2
1,4
Notes
D
S
I
G
I
T
A
N
L
DOLBY
CINEMA DSP
NATURAL SOUND AV PROCESSOR/AMPLIFIER DSP–E800
D
I
G
I
T
A
L
U
R
R
O
U
D
VOLUME
16
INPUT SELECTOR
20
12
• The DSP program and the setting of VOLUME have no effect on
the material being recorded.
28
8
4
2
40
STANDBY/ON
INPUT MODE
60
00
0
• Composite video and S video signals pass independently through
this unit’s video circuits. Therefore, when recording or dubbing
video signals, if your video source component is connected to
provide only an S video (or only a composite video) signal, you
can record only an S video (or only a composite video) signal by
your VCR.
–dB
–
SET MENU
+
NEXT
TAPE/MD MON
/6CH INPUT
EFFECT
PROGRAM
6CH INPUT
CD
TUNER TAPE/MD
• A source connected to this unit only through the digital terminals
cannot be recorded by the tape deck, MD recorder or VCR
connected to this unit.
• A source connected to the 6CH INPUT terminals of this unit
cannot be recorded.
• Check the copyright laws in your country to record from records,
CDs, radio, etc. Recording of copyrighted material may infringe
copyright laws.
–
DVD
/
LD
D
TV
VCR
2
4
CBL/SAT
SLEEP
–
MUTING
+
VOLUME
If you play back a video source that uses scrambled or
encoded signals to prevent it from being dubbed, the
picture itself may be disturbed due to those signals.
VOLUME
16
1 Set VOLUME to the “m”
20
12
28
8
4
2
position.
40
60
00
0
–dB
Front panel
2 Select the source you want to record.
INPUT SELECTOR
CD
TUNER
–
DVD/LD
D TV
VCR
or
CBL/SAT
Front panel
Remote control
3 Begin recording by the tape deck, MD recorder
or VCR connected to this unit.
4 Play the source and then turn up the volume to
confirm the input source.
VOLUME
16
20
12
28
8
–
VOLUME
+
40
4
or
60
2
00
0
–dB
Front panel
Remote control
E-21
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ADVANCED OPERATION
TEST
EFFECT
DSP
TIME/LEVEL
SET MENU
SOUND FIELD PROGRAM
This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to
electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-
like experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this
will, of course, depend on what you are listening to).
When you select a CINEMA DSP program, one of the built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) is turned
on according to which type of signals the source being played contains.
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that
most of these are precise digital re-creations of actual acoustic environments.
• The input source given in the following table for programs 4 through 8 indicates that input source which each program
is best suited for.
• Select the DSP program that you feel sounds best regardless of the name and description given for it below.
■ For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP
programs)
No.
1
PROGRAM
q/DTS
SURROUND
SUBPROGRAM
FEATURES
[1] PRO LOGIC/Normal ( o )
The built-in Dolby Pro Logic decoder, Dolby
Digital decoder or DTS decoder precisely
reproduces the sound and effect of a source
encoded with Dolby Surround, Dolby Digital
or DTS.
• Input source:
Dolby Surround
2-ch Dolby Digital
4 channels
• Output channel:
• DSP:
—
[2] DOLBY DIGITAL/Normal ( g )
The realization of a highly efficient decoding
process improves cross talk and channel
separation, and makes sound positioning
smoother and more precise.
• Input source:
• Output channel:
• DSP:
Dolby Digital
5.1 channels
—
[3] DTS DGTL SUR/Normal ( t )
In this program, the digital sound field
processor is not turned on.
• Input source:
• Output channel:
• DSP:
DTS
5.1 channels
—
This program ideally simulates the multi-
surround speaker systems of the 35 mm-film
movie theater. Dolby Pro Logic decoding,
Dolby Digital decoding or DTS decoding and
digital sound field processing are precisely
performed without altering the original sound
orientation.
[4] PRO LOGIC/ENHANCED
( o x )
• Input source:
Dolby Surround
2-ch Dolby Digital
4 channels
1 (surround)
• Output channel:
• DSP:
[5] DOLBY DIGITAL/ENHANCED
The surround effect produced by the sound
field folds around the viewer naturally from
the rear to the right and left and toward the
screen.
( g x )
• Input source:
• Output channel:
• DSP:
Dolby Digital
5.1 channels
2 (surround L, R)
[6] DTS DGTL SUR/ENHANCED
( t x )
• Input source:
• Output channel:
• DSP:
DTS
5.1 channels
2 (surround L, R)
E-22
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SOUND FIELD PROGRAM
No.
2
PROGRAM
MOVIE
SUBPROGRAM
[1] 70 mm SPECTACLE
( o x )
FEATURES
This program creates the extremely wide sound
field of a movie theater. It precisely reproduces
the source sound in detail, giving both the video
and the sound field incredible reality. It is ideal
for any kind of video source encoded with
Dolby Surround, Dolby Digital or DTS
THEATER 1
• Input source:
Dolby Surround
2-ch Dolby Digital
3 channels
2 (presence & surround)
• Output channel:
• DSP:
[2] DGTL SPECTACLE
(especially large-scale movie productions).
( g x )
• Input source:
• Output channel:
• DSP:
Dolby Digital
5.1 channels
3 (presence & surround L, R)
[3] DTS SPECTACLE ( t x )
• Input source:
• Output channel:
• DSP:
DTS
5.1 channels
3 (presence & surround L, R)
Clearly reproduces dialog and sound effects in
the latest sound form of science fiction films,
thus creating a broad and expansive cinematic
space amid the silence. You can enjoy science
fiction films in a virtual-space sound field that
includes Dolby Surround, Dolby Digital and
DTS-encoded software employing the most
advanced techniques.
[4] 70 mm SCI-FI ( o x )
• Input source:
Dolby Surround
2-ch Dolby Digital
3 channels
• Output channel:
• DSP:
2 (presence & surround)
[5] DGTL SCI-FI ( g x )
• Input source:
• Output channel:
• DSP:
Dolby Digital
5.1 channels
3 (presence & surround L, R)
[6] DTS SCI-FI ( t x )
• Input source:
• Output channel:
• DSP:
DTS
5.1 channels
3 (presence & surround L, R)
3
MOVIE
THEATER 2
Ideal for precisely reproducing the sound of the
newest multi-track films. The sound field is
made to be similar to that of the newest movie
theaters, so the reverberations of the sound field
itself are restrained as much as possible. The
data for the sound field of an opera house are
used for the front presence, so the three-
dimensional feeling of the sound field is
emphasized, and dialog is precisely oriented on
the screen. By using the data for the sound field
of a concert hall on the surround sound field,
powerful reverberations are generated. You can
enjoy watching action, adventure movies, etc.
with strong presence.
[1] 70 mm ADVENTURE
( o x )
• Input source:
Dolby Surround
2-ch Dolby Digital
3 channels
2 (presence & surround)
• Output channel:
• DSP:
[2] DGTL ADVENTURE
( g x )
• Input source:
• Output channel:
• DSP:
Dolby Digital
5.1 channels
3 (presence & surround L, R)
[3] DTS ADVENTURE ( t x )
• Input source:
• Output channel:
• DSP:
DTS
5.1 channels
3 (presence & surround L, R)
This program is for reproducing sounds on a
multi-track film, and is characterized by a soft
and extensive sound field. The front presence of
the sound field is relatively narrow. It spatially
spreads all around and toward the screen,
[4] 70 mm GENERAL ( o x )
• Input source:
Dolby Surround
2-ch Dolby Digital
3 channels
• Output channel:
• DSP:
2 (presence & surround)
restraining echo effect of conversations without
losing clarity. For the surround sound field, the
harmony of music or chorus sounds beautifully
in a wide space at the rear of the sound field.
[5] DGTL GENERAL ( g x )
• Input source:
• Output channel:
• DSP:
Dolby Digital
5.1 channels
3 (presence & surround L, R)
[6] DTS GENERAL ( t x )
• Input source:
• Output channel:
• DSP:
DTS
5.1 channels
3 (presence & surround L, R)
E-23
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SOUND FIELD PROGRAM
No.
PROGRAM
FEATURES
4
MONO MOVIE ( x )
This program is designed specifically to enhance monaural
sources. Compared to a strictly mono setting, the sound image
is wider and slightly forward of the speaker pair, lending an
immediacy to the overall sound. It is particularly effective for
old mono movie, news broadcasts and dialog.
• Input source:
• Output channel:
• DSP:
Monaural
1 channel
1
5
TV SPORTS ( x )
This program is furnished with a tight sound field in which the
sound will not spread excessively at the front, but the rear
surround produces dynamic sound expansion. It is the most
suitable for sports programs.
• Input source:
• Output channel:
• DSP:
Audio/Video
2 to 5.1 channels
2 to 3 (presence & surround)
■ For Hi-Fi audio sources
No.
6
PROGRAM
FEATURES
DISCO ( x )
• Input source:
• Output channel:
• DSP:
This program simulates the acoustic environment of a disco in
the heart of a lively city. The sound is dense and highly
concentrated.
2-ch PCM/Analog audio
2 channels
1
This program is ideally suited for rock music. You will
experience a dynamic and lively sound field.
7
8
ROCK CONCERT ( x )
• Input source:
• Output channel:
• DSP:
2-ch PCM/Analog audio
2 channels
1
This program creates the expansive ambience of a large concert
hall. It is suited for orchestra and opera music.
CONCERT HALL ( x )
• Input source:
• Output channel:
• DSP:
2-ch PCM/Analog audio
2 channels
1
CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP/DTS + DSP
■ Dolby Pro Logic + 2 digital sound fields
Digital sound fields are created in both the presence and
rear surround zones of the Dolby Pro Logic-decoded sound
field. They create a wide acoustic environment and
emphasize the surround effect in the room, letting you feel
as much presence as if you were watching a movie in a
popular Dolby Stereo theater.
■ Dolby Digital or DTS + 3 digital sound fields
Digital sound fields are created in the presence zone and
independently on the left and right surround zones of the
Dolby Digital-decoded or DTS-decoded sound field. They
create a wide acoustic environment and strong surround
effect in the room without losing high channel separation.
With the wide dynamic range of Dolby Digital or DTS
sound, this sound field combination lets you feel as if you
were watching a movie in the newest Dolby Digital theater
or DTS-installed theater. This is the most ideal home theater
sound at the present time.
E-24
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TEST
EFFECT
SET MENU
DSP
TIME/LEVEL
SET MENU
This unit provides you with the following items on the SET
MENU to maximize the performance of your system and
expand your enjoyment for audio listening and video
watching.
1 Press NEXT (or SET MENU) repeatedly to
select the item you want to adjust.
The selected item appears on the display.
SET MENU
NEXT
or
1. CENTER SP
2. REAR SP
3. MAIN SP
Front panel
Remote control
DVD/LD
D–TV
VCR
TUNER
CD
CBL/SAT
4. BASS OUT
5. MAIN LVL
6. D.D. LFE
7. D-RANGE
8. DTS LFE
y
After pressing NEXT (or SET MENU) once, you can also select the
item by pressing . (Pressing goes back one selection.)
2 Press SET MENU +/– (or l or h) repeatedly to
9. CNTR DELAY
10.MEM. GUARD
11.TV INPUT
12.CBL INPUT
adjust the setting.
–
SET MENU
+
or
DSP
Adjusting Items in the SET MENU
Front panel
Remote control
Adjustments should be performed while watching the
information on the display.
DVD/LD
D–TV
TUNER
CD
VCR
CBL/SAT
D
I
G
I
T
A
N
L
DOLBY
CINEMA DSP
NATURAL SOUND AV PROCESSOR/AMPLIFIER DSP–E800
D
I
G
I
T
A
L
S
U
R
R
O
U
D
VOLUME
16
INPUT SELECTOR
20
12
28
8
40
4
STANDBY/ON
INPUT MODE
60
2
00
0
–dB
3 Repeat steps 1 and 2 to adjust the setting of
–
SET MENU
+
NEXT
TAPE/MD MON
/6CH INPUT
EFFECT
PROGRAM
any other item in the same way.
2
1
Memory back-up
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the settings of the SET MENU will automatically return
to the preset positions and values. If so, adjust the
settings of the SET MENU again.
POWER
PROGRAM
/DTS MOVIE
MOVIE
SUR.
THTR 1 THTR 2
1
2
3
MONO MOVIE TV SPORTS
DISCO
EFFECT
SET MENU
4
5
8
6
ROCK
TEST
HALL
7
DSP
2
TIME/
LEVEL
1
6CH INPUT
E-25
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SET MENU
3. MAIN SP
Choices: LARGE/SMALL
Description of Each Item
Preset position: LARGE
1. CENTER SP
Choices: LRG (Large)/SML (Small)/NONE
Preset position: LRG (Large)
LARGE
Select this position if your main speakers have high ability
for bass reproduction. In this position, full-range signals on
the main channels are directed to the right and left main
speakers.
LRG (Large)
Select this position if your center speaker is approximately
the same size as the main speakers. In this position, full-
range signals on the center channel are directed to the center
speaker.
SMALL
Select this position if your main speakers do not have high
ability for bass reproduction. However, if your system does
not include a subwoofer, do not select this position. In this
position, low bass signals (below 90 Hz) on the main
channels are distributed to the SUBWOOFER OUTPUT
terminal if “BASS OUT” is set to the SW position.
SML (Small)
Select this position if you use a center speaker that is
smaller than the main speakers. In this position, low bass
signals (below 90 Hz) on the center channel are distributed
to the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
4. BASS OUT
Choices: SW/MAIN/BOTH
Preset position: BOTH
NONE
Select this position if you do not have a center speaker
(4-speaker system). In this position, full-range signals on
the center channel are directed to the right and left main
speakers.
SW/BOTH
Select either the SW or BOTH position if your system
includes a subwoofer. In either position, signals on the LFE
channel and low bass signals (below 90 Hz) on the center
and rear channels are directed to the SUBWOOFER
OUTPUT terminal if “CENTER SP” is set to the SML or
NONE position and “REAR SP” is set to the SMALL
position. In the SW position, low bass signals on the main
channels are directed to the SUBWOOFER OUTPUT
terminal if “MAIN SP” is set to the SMALL position. In the
BOTH position, low bass signals on the main channels are
directed to both the main speakers and the SUBWOOFER
OUTPUT terminal.
2. REAR SP
Choices: LARGE/SMALL
Preset position: LARGE
LARGE
Select this position if your rear speakers have high ability
for bass reproduction, or if a subwoofer is connected in
parallel to the rear speaker. In this position, full-range
signals on the rear channels are directed to the rear speakers.
SMALL
Note
Select this position if your rear speakers do not have high
ability for bass reproduction. In this position, low bass
signals (below 90 Hz) on the rear channels are distributed to
the SUBWOOFER OUTPUT terminal (or to the right and
left main speakers if “BASS OUT” is set to the MAIN
position).
• When playing a 2-channel source (tape, MD, CD, video
cassette etc.), select the BOTH position to direct low bass signals
(below 90 Hz) to the SUBWOOFER OUTPUT terminal.
MAIN
Select this position if your system does not include a
subwoofer. In this position, besides full-range signals on the
main channels, signals on the LFE channel and other low
bass signals (below 90 Hz) that are distributed from other
channels are directed to the right and left main speakers.
E-26
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SET MENU
5. MAIN LVL
Choices: NORM (Normal)/–10 dB
Preset position: NORM (Normal)
7. D-RANGE (Adjusting the dynamic
range)
Choices: MAX/STD (Standard)/MIN
Preset position: MAX
NORM (Normal)
Normally select this position.
Note
–10 dB
• This adjustment is only effective when Dolby Digital is being
decoded.
Select this position if the sound output from the main
speakers is too loud and cannot be balanced with the sound
output from the center and rear speakers. In this position,
the sound output from the main speakers is attenuated.
“Dynamic range” is the difference between the maximum
level and the minimum level of sounds. Sounds on a movie
originally designed for movie theaters feature a very wide
dynamic range. Dolby Digital technology can modify the
original sound track into a home audio format with this
wide dynamic range unchanged. Powerful sounds of
extremely wide dynamic range are not always suitable for
home use. Depending on the condition of your listening
environment, it may not be possible to increase the sound
output to a level as high as that in a movie theater. However,
at the normal level suitable for listening in your room, the
low-level parts of source sound often cannot be heard well
because they will be lost among noise in your environment.
Dolby Digital technology has also made it possible to
reduce an original sound track’s dynamic range for a home
audio format by “compressing” the sound data.
Notes
• The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and
“BASS OUT” have no effect on a source connected to the 6CH
INPUT terminals on the rear of this unit.
• Once you have adjusted appropriately for “CENTER SP”, “REAR
SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not
have to change any settings unless your speaker system is
modified.
6. D.D. LFE (Adjusting the output
level of the LFE channel for Dolby
Digital)
Control range: –20 dB to 0 dB (in 1 dB steps)
Preset value: 0 dB
MAX
In this position, a source encoded with Dolby Digital is
reproduced in the original sound track’s wide dynamic
range to provide you with powerful sounds just like those in
a movie theater. Selecting this position will be even better if
you can listen to a source at a high output level in a room
specially soundproofed for audio/video enjoyment.
Note
• This adjustment is only effective when Dolby Digital is being
decoded and the selected source encoded with Dolby Digital
contains LFE signals.
STD (Standard)
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they
are directed to the same speakers, the ratio of the LFE signal
level to the level of the other signals can be adjusted.
In this position, a source encoded with Dolby Digital is
reproduced in the “compressed” dynamic range of the
source that is suitable for low-level listening.
MIN
In this position, the dynamic range is more reduced than in
the STD position. Selecting this position will be effective
when you must listen to a source at a low level.
Note
• It may happen that sound is output faintly or not output normally
depending on the source. In that case, select the MAX or STD
position.
E-27
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SET MENU
8. DTS LFE (Adjusting the output
level of the LFE channel for DTS)
10.MEM. GUARD (Locking the
settings)
Control range: –10 dB to +10 dB (in 1 dB steps)
Choices: ON/OFF
Preset value: 0 dB
Preset position: OFF
If you wish to prevent accidental alterations to the settings
of the SET MENU and other adjustments on this unit, select
the ON position. The following settings on this unit can be
locked:
Note
• This adjustment is effective only when DTS is being decoded and
the selected source encoded with DTS contains LFE signals.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels and they
are directed to the same speakers, the ratio of the LFE signal
level to the level of the other signals can be adjusted.
•
•
•
Settings of other items on the SET MENU
Settings in the TIME/LEVEL mode
Settings when using TEST
11.TV INPUT (Selecting the initial
input mode for a source connected
to the D-TV input terminals)
9. CNTR DELAY (Adjusting the delay
of the sound from the center
sound)
Choices: AUTO/LAST
Control range: 0 ms to 5 ms (in 1 ms steps)
Preset position: AUTO
Preset value: 0 ms
The input mode for a source connected to the D-TV input
terminals of this unit can be automatically set when the
power of this unit is turned on. Refer to page 18 for details
about the input mode.
This adjusts the delay between the main sound (on the main
channels) and dialog, etc. (on the center channel). The larger
the value, the later the dialog, etc. is generated.
AUTO
In this position, the input mode is always set to AUTO.
This makes sounds from the left main, center and right main
speakers reach your listening position at the same time. This
is achieved by delaying the sound from the center speaker if
the distance from the center speaker to your listening
position is shorter than the distance from the right and left
main speaker to your listening position.
LAST
In this position, the input mode is automatically set to that
selected the last time when the power of this unit was turned
on.
12.CBL INPUT (Selecting the initial
input mode for a source connected
to the CBL/SAT input terminals)
Choices: AUTO/LAST
Preset position: AUTO
The input mode for a source connected to the CBL/SAT
input terminals of this unit can be automatically set when
the power of this unit is turned on. Refer to page 18 for
details about the input mode.
AUTO
In this position, the input mode is always set to AUTO.
LAST
In this position, the input mode is automatically set to that
selected the last time when the power of this unit was turned
on.
E-28
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TEST
EFFECT
SET MENU
DSP
TIME/LEVEL
DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor with the Dolby
Pro Logic decoder, Dolby Digital decoder or DTS decoder,
you can adjust the delay time between the main sound and
sound effect, and each speaker’s output level as you wish.
Sound Output Level of the Center,
Right Rear and Left Rear Speakers,
and Subwoofer
If desired, you can adjust the sound output level of each
speaker even if it has already been adjusted in
“ADJUSTING THE SPEAKER BALANCE” on pages 14
and 15.
Note
• When high-rate 96-kHz sampling 24-bit digital signals are input
to this unit, the delay time and speaker output levels cannot be
adjusted.
Notes
Delay Time
• The sound output level of the center speaker cannot be adjusted
when the input signal is analog, PCM audio, or encoded with
Dolby Digital in 2-channel.
• If “CENTER SP” on the SET MENU is set to the NONE position,
the sound output level of the center speaker cannot be adjusted.
This is because the center channel sound is automatically output
from the right and left main speakers.
You can adjust the time difference between the beginning of
the sound from the main speakers and the beginning of the
sound effect from the rear speakers. The larger the value,
the later the sound effect is generated. The delay time can be
individually adjusted to all DSP programs.
• Once the sound output level has been adjusted, the level will be
the same for all DSP programs.
Notes
• Adding too much delay will cause an unnatural effect with some
sources.
• The sound is momentarily interrupted while adjusting the delay
time.
Speaker
Control range (dB)
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to 0
Preset value
Center
0
0
0
0
Right rear
Left rear
Subwoofer
Preset
value
Control
range (ms)
Program
1. PRO LOGIC/Normal
DOLBY DIGITAL/Normal
DTS DGTL SUR/Normal
PRO LOGIC/ENHANCED
DOLBY DIGITAL/ENHANCED
DTS DGTL SUR/ENHANCED
2. 70 mm SPECTACLE
DGTL SPECTACLE
DTS SPECTACLE
15 to 30
0 to 15
0 to 15
15 to 30
0 to 15
0 to 15
15 to 30
1 to 99
1 to 99
15 to 30
1 to 99
1 to 99
15 to 30
1 to 99
1 to 99
15 to 30
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
1 to 99
20
5
5
20
5
5
23
15
15
20
16
16
20
15
15
20
15
15
49
9
70 mm SCI-FI
DGTL SCI-FI
DTS SCI-FI
3. 70 mm ADVENTURE
DGTL ADVENTURE
DTS ADVENTURE
70 mm GENERAL
DGTL GENERAL
DTS GENERAL
4. MONO MOVIE
5. TV SPORTS
6. DISCO
40
16
44
7. ROCK CONCERT
8. CONCERT HALL
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DELAY TIME AND SPEAKER OUTPUT LEVELS
Memory back-up
Adjusting Method
The memory back-up circuit prevents the stored data
from being lost when this unit is set in the standby mode.
If, however, the power cord is disconnected from the AC
power outlet or the power is cut for more than one week,
the latest values for the delay time and the center/rear/
subwoofer output levels that were set will automatically
return to the preset values. If so, adjust the delay time
and output levels again.
Adjustments should be performed with the remote control
while watching the information on the display.
POWER
PROGRAM
/DTS MOVIE
MOVIE
SUR.
THTR 1 THTR 2
1
2
3
MONO MOVIE TV SPORTS
DISCO
EFFECT
SET MENU
4
5
8
6
ROCK
TEST
HALL
7
DSP
2
TIME/LEVEL
1
6CH INPUT
1 Press TIME/LEVEL repeatedly to select the
item you want to adjust.
Each time you press TIME/LEVEL, the selected item
changes and appears on the display as shown below.
TIME/LEVEL
D E L A Y
Delay time
C E N T E R
Center speaker output level
Right rear speaker output level
Left rear speaker output level
R
L
S U R .
S U R .
S W F R
Subwoofer output level
Note
• Depending on the setting of the SET MENU, you may not be able
to select all these items.
2 Press l or h to adjust the
delay time or speaker
output levels.
DSP
3 Repeat steps 1 and 2 to adjust the settings of
any other item.
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TEST
EFFECT
SET MENU
DSP
TIME/LEVEL
SLEEP TIMER
The SLEEP timer can be used to automatically set this unit
in the standby mode. This timer is useful when you are
going to sleep while enjoying the desired input source. The
SLEEP timer can only be set with the remote control.
Canceling the Selected SLEEP
Timer
Press SLEEP repeatedly until “SLEEP OFF”
appears on the display.
It will soon disappear and the “SLEEP” indicator will
Note
• The SLEEP timer is effective for the components connected to the
AC OUTLET on the rear panel of this unit.
go off.
SLEEP
Setting the SLEEP Timer
1 Play a source you want to enjoy when you are
Note
going to sleep.
• The SLEEP timer can also be canceled by setting the unit in the
standby mode by using POWER on the remote control (or
STANDBY/ON on the front panel), or by disconnecting the AC
power cord from the AC power outlet.
2 Press SLEEP repeatedly to
SLEEP
select the desired SLEEP
time.
Each time you press SLEEP, the
SLEEP time will change as
below:
120
90
60
30
The SLEEP timer is off
(SLEEP OFF).
(This is the state before
SLEEP is pressed.)
DVD/LD
D–TV
TUNER
CD
VCR
CBL/SAT
SLEEP
Flashes
3 The “SLEEP” indicator soon lights up on the
display after the SLEEP timer has been set.
The display returns to the previous indication.
DVD/LD
D–TV
TUNER
CD
VCR
CBL/SAT
SLEEP
Lights up
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APPENDIX
TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power
cord and contact your authorized YAMAHA dealer or service center.
■ General
Refer to
page
SYMPTOM
CAUSE
REMEDY
The unit fails to turn on
when STANDBY/ON
(POWER) is pressed, or
enters in the standby
mode soon after the
power has been turned
on.
The power cord is not connected or the plug is
not completely inserted.
Firmly connect the power cord.
13
The IMPEDANCE SELECTOR switch on the
rear panel is not fully set to the right or left
position.
Set the switch fully to the right or left position
when the unit is in the standby mode.
13
—
The unit does not work
normally.
The internal microcomputer has been frozen by
an external electric shock (lightning, excessive
static electricity, etc.) or by a power supply with
low voltage.
Set the unit in the standby mode and disconnect
the AC power cord from the AC power outlet.
After about 30 seconds have passed, connect the
power and operate the unit again.
No sound and/or no
picture.
Incorrect input or output cable connections.
Connect the cables properly. If the problem
persists, the cables may be defective.
9, 10
16
An appropriate input source has not been
selected.
Select an appropriate input source with INPUT
SELECTOR or TAPE/MD MON / 6CH INPUT
(or the input selector buttons).
The speaker connections are not secure.
The sound is muted.
Secure the connections.
11
17
Set VOLUME to the “m” position, press
MUTING to cancel a mute and adjust the
volume.
Digital signals other than PCM audio and the
signals encoded with Dolby Digital or DTS
which this unit cannot reproduce are being input
to this unit by a CD-ROM, etc.
Play a source whose signals this unit can
reproduce.
—
No picture.
There is no S VIDEO connection between this
unit and the TV monitor, although S video
signals are being input to this unit.
Connect the monitor’s “S” video input terminal
to this unit’s S VIDEO MONITOR OUT
terminal.
11
—
The sound suddenly
goes off.
The protection circuit has been activated because Set the unit in the standby mode and then turn
of a short circuit, etc.
on to reset the protection circuit.
The SLEEP timer has functioned.
Incorrect cable connections.
Turn on the power, and play the source again.
31
11
Only the speaker on one
side can be heard.
Connect the cables properly. If the problem
persists, the cables may be defective.
No sound from the effect The sound effect is off.
Press EFFECT to turn it on.
Select another DSP program.
20
24
speakers.
A Dolby Surround, Dolby Digital or DTS
decoding DSP program is being used with
material not encoded with Dolby Surround,
Dolby Digital or DTS.
The 96-kHz sampling 24-bit digital signals are
input to this unit.
19
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TROUBLESHOOTING
Refer to
page
SYMPTOM
CAUSE
REMEDY
No sound from the main
speakers.
Incorrect output connection to the external
amplifier.
Connect the external amplifier correctly.
11, 12
The external amplifier connected to this unit is
turned off.
Turn on the power to the external amplifier.
Raise the level of the center speaker.
Select the LRG or SML position.
Select the appropriate program.
11, 12
29
No sound from the
center speaker.
The sound output level of the center speaker is
set to minimum.
“CENTER SP” on the SET MENU is set to the
NONE position.
26
Incorrect DSP program is selected.
22, 23, 24
—
The source encoded with Dolby Digital or DTS
does not have a center channel signal.
No sound from the rear
speakers.
The output level of the rear speakers is set to
minimum.
Raise the output level of the rear speakers.
29
24
A monaural source is being played with the PRO Select another DSP program suitable for the
LOGIC/Normal or PRO LOGIC/ENHANCED
program.
monaural source.
No sound from the
subwoofer.
“BASS OUT” on the SET MENU is set to the
SW or MAIN position when playing a 2-channel
source.
Select the BOTH position.
26
The source does not contain low bass signals
(below 90 Hz).
—
9, 10
—
A “humming” sound can
be heard.
Incorrect cable connections.
Firmly connect the audio plugs. If the problem
persists, the cables may be defective.
The volume level cannot
be increased, or the
sound is distorted.
The component connected to the TAPE/MD
OUT (REC) terminals of this unit is in the
standby mode.
Turn on the power to the component.
The sound effect cannot
be recorded.
It is not possible to record the sound effect by a
tape deck or MD recorder connected to the
TAPE/MD OUT (REC) terminals of this unit.
21
10
The DVD/LD, D-TV or
CBL/SAT source cannot
be recorded by tape
deck, MD recorder or
VCR connected to this
unit.
The DVD/LD player, TV/digital TV or cable
TV/satellite tuner is connected to the unit only
through the digital terminals.
Make additional connections between the analog
terminals.
Adjusting this unit by
using SET MENU,TIME/
LEVEL or TEST cannot
be performed.
“MEM. GUARD” on the SET MENU is set to
the ON position.
Set “MEM. GUARD” to the OFF position.
28
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TROUBLESHOOTING
■ Remote control
SYMPTOM
Refer to
page
CAUSE
REMEDY
The remote control does
not work.
Direct sunlight or lighting (from an inverter type Reposition the unit.
of fluorescent lamp, etc.) is striking the remote
control sensor of this unit.
3
The batteries are weak.
Replace all batteries with new ones.
2
■ Others
Refer to
page
SYMPTOM
CAUSE
REMEDY
The sound is degraded
when listening with
headphones to a tape
deck or CD player
This unit is in the standby mode.
Turn on the power of the unit.
—
connected to this unit.
There is noise
The unit is too close to the digital or high-
frequency equipment.
Move the unit further away from such
equipment.
—
interference from digital
or high-frequency
equipment, or the unit.
■ When playing back a source encoded with DTS
Refer to
page
SYMPTOM
CAUSE
REMEDY
A loud hissing noise is
The player which plays back the source is not
The player must be connected to a digital audio
10
heard when playing back connected to a digital audio signal input terminal signal input terminal of this unit besides the
a source encoded with
DTS.
of this unit.
analog audio signal terminal connections.
The input mode is set to ANALOG on this unit.
Set a proper input mode to turn on the built-in
DTS decoder.
18
18
A percussive noise is
heard when playing back some sources, there may be a noise heard while
If the input mode is set to AUTO, depending on
Set the input mode of the currently selected
input source to DTS.
a source encoded with
DTS.
this unit is identifying the format of the input
signal.
No sound is heard when
playing back a source
encoded with DTS, even
if the input mode is set
to AUTO on this unit.
The built-in DTS decoder does not function
because the player has a digital volume control
and it is set at a position other than “maximum,”
“neutral” or “ineffective.”
Set the player’s digital volume control at the
maximum, neutral or ineffective position.
—
—
19
No sound is heard when
playing back an MD or
DAT on which has been
recorded a source
A source encoded with DTS cannot be recorded
on an MD or DAT.
encoded with DTS.
No sound is heard when
playing back a source
(CD, etc.) even if the
currently selected input
mode is AUTO.
In the AUTO mode, the DTS-decoding mode
cannot be automatically changed to the normal
(PCM) digital signal input mode.
Set the input mode to AUTO again.
Notes
• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected
to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is
being used without using a DTS decoder, only a loud hissing noise will be heard when you play back the source.
• The “t” indicator will flash when the input mode is set to AUTO and a search or skip operation is performed while playing back a
source encoded with DTS. If this status continues for 30 or more seconds, the unit will automatically switch from DTS-decoding mode to
PCM digital signal input mode and the “t” indicator will go out.
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YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
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YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
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YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B.
J
A
WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Malaysia
V584180-1
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