Yamaha Musical Instrument CLP 295GP User Manual

C L P - 2 9 5 G P  
OWNER'S MANUAL  
Before using the Clavinova, be sure to read “PRECAUTIONS„ on pages 3-4.  
IMPORTANT  
—Check your power supply—  
Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas  
a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the  
voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change  
the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel.  
For information on assembling the keyboard stand, refer to the instructions at the end of this manual.  
EN  
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PRECAUTIONS  
PLEASE READ CAREFULLY BEFORE PROCEEDING  
* Please keep this manual in a safe place for future reference.  
WARNING  
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical  
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:  
Power supply/Power cord  
Water warning  
• Only use the voltage specified as correct for the instrument. The required  
voltage is printed on the name plate of the instrument.  
• Do not expose the instrument to rain, use it near water or in damp or wet  
conditions, or place containers on it containing liquids which might spill into  
any openings.  
• Check the electric plug periodically and remove any dirt or dust which may  
have accumulated on it.  
• Never insert or remove an electric plug with wet hands.  
• Use only the supplied power cord/plug.  
Fire warning  
• Do not place the power cord near heat sources such as heaters or radiators,  
and do not excessively bend or otherwise damage the cord, place heavy objects  
on it, or place it in a position where anyone could walk on, trip over, or roll  
anything over it.  
• Do not put burning items, such as candles, on the unit.  
A burning item may fall over and cause a fire.  
If you notice any abnormality  
Do not open  
• If the power cord or plug becomes frayed or damaged, or if there is a sudden  
loss of sound during use of the instrument, or if any unusual smells or smoke  
should appear to be caused by it, immediately turn off the power switch,  
disconnect the electric plug from the outlet, and have the instrument inspected  
by qualified Yamaha service personnel.  
• Do not open the instrument or attempt to disassemble the internal parts or  
modify them in any way. The instrument contains no user-serviceable parts. If it  
should appear to be malfunctioning, discontinue use immediately and have it  
inspected by qualified Yamaha service personnel.  
CAUTION  
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage  
to the instrument or other property. These precautions include, but are not limited to, the following:  
Power supply/Power cord  
Location  
• When removing the electric plug from the instrument or an outlet, always hold  
the plug itself and not the cord. Pulling by the cord can damage it.  
• Do not expose the instrument to excessive dust or vibrations, or extreme cold  
or heat (such as in direct sunlight, near a heater, or in a car during the day) to  
prevent the possibility of panel disfiguration or damage to the internal  
components.  
• Remove the electric plug from the outlet when the instrument is not to be used  
for extended periods of time, or during electrical storms.  
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment,  
mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio  
may generate noise.  
• Do not connect the instrument to an electrical outlet using a multiple-  
connector. Doing so can result in lower sound quality, or possibly cause  
overheating in the outlet.  
• Do not place the instrument in an unstable position where it might accidentally  
fall over.  
Assembly  
• Before moving the instrument, remove all connected cables.  
• Read carefully the attached documentation explaining the assembly process.  
Failure to assemble the instrument in the proper sequence might result in  
damage to the instrument or even injury.  
• When setting up the product, make sure that the AC outlet you are using is  
easily accessible. If some trouble or malfunction occurs, immediately turn off  
the power switch and disconnect the plug from the outlet. Even when the power  
switch is turned off, electricity is still flowing to the product at the minimum  
level. When you are not using the product for a long time, make sure to unplug  
the power cord from the wall AC outlet.  
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CLP-295GP Owner’s Manual  
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Connections  
Using the bench (If included)  
• Before connecting the instrument to other electronic components, turn off the  
power for all components. Before turning the power on or off for all  
• Do not place the bench in an unstable position where it might accidentally fall  
over.  
components, set all volume levels to minimum. Also, be sure to set the  
volumes of all components at their minimum levels and gradually raise the  
volume controls while playing the instrument to set the desired listening level.  
• Do not play carelessly with or stand on the bench. Using it as a tool or step-  
ladder or for any other purpose might result in accident or injury.  
• Only one person should sit on the bench at a time, in order to prevent the  
possibility of accident or injury.  
Maintenance  
• If the bench screws become loose due to extensive long-term use, tighten them  
periodically using the included tool.  
• In the case of a model with a polished finish, gently remove dust and dirt with a  
soft cloth. Do not wipe too hard since small particles of dirt can scratch the  
instrument's finish.  
Saving data  
• When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not  
use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping  
cloths.  
Saving and backing up your data  
before saving. Save the data to a USB storage device/external device such as a  
computer.  
Handling caution  
Saved data may be lost due to malfunction or incorrect operation. Save  
important data to a USB storage device/external device such as a computer.  
• Take care that the key cover does not pinch your fingers, and do not insert a  
finger or hand in any gaps on the key cover or instrument.  
• Never insert or drop paper, metallic, or other objects into the gaps on the key  
cover, panel or keyboard. If this happens, turn off the power immediately and  
unplug the power cord from the AC outlet. Then have the instrument inspected  
by qualified Yamaha service personnel.  
• Do not place vinyl, plastic or rubber objects on the instrument, since this might  
discolor the panel or keyboard.  
• In the case of a model with a polished finish, bumping the surface of the  
instrument with metal, porcelain, or other hard objects can cause the finish to  
crack or peel. Use caution.  
• Do not rest your weight on, or place heavy objects on the instrument, and do  
not use excessive force on the buttons, switches or connectors.  
• Do not use the instrument/device or headphones for a long period of time at a  
high or uncomfortable volume level, since this can cause permanent hearing  
loss. If you experience any hearing loss or ringing in the ears, consult a  
physician.  
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.  
Always turn the power off when the instrument is not in use.  
(1)B-11 2/2  
CLP-295GP Owner’s Manual  
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Thank you for choosing the Yamaha Clavinova CLP-295GP.  
In order to make the most of your Clavinova’s performance potential and features, please read this Owner’s Manual  
thoroughly, and keep it in a safe place for later reference.  
About this Owner’s Manual and Data List  
This manual consists of four main sections: “Introduction,Basic Operation,Detailed Settings,and Appendix.”  
Also, a separate “Data List” is provided.  
Introduction:  
Please read this section first. In the Application Index” section on page 8 and “Features” on page 10,  
you can learn how to use the Clavinova and its functions in particular situations.  
Basic Operation: This main section explains how to use the basic functions. Refer to this section while you play the  
Clavinova. If you have questions or come across the words you do not know, refer to the section enti-  
tled “Questions about Operations and Functions” on page 101, or the “Index” on page 117.  
Detailed Settings: This section explains how to make detailed settings for the Clavinova’s various functions. Refer to  
this section as necessary.  
Appendix:  
Data List:  
This section introduces troubleshooting, a description of preset voices, and other reference material.  
XG Voice List, MIDI Data Format, etc.  
• The models CLP-295GP will be referred to as the CLP/Clavinova in this Owner’s Manual.  
• The illustrations and LCD screens as shown in this Owner’s Manual are for instructional purposes only, and may appear somewhat  
different from those on your instrument.  
• Copying of commercially available software or music data for purposes other than your personal use is strictly prohibited.  
COPYRIGHT NOTICE  
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has  
license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software and MIDI files, etc. Any  
unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright  
has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES. This device is capable of using various types/formats of  
music data by optimizing them to the proper format music data for use with the device in advance. As a result, this device may not play  
them back precisely as their producers or composers originally intended.  
Trademarks  
• Apple and Macintosh are trademarks of Apple Computer, Inc., registered in the U.S. and other countries.  
®
• Windows is the registered trademark of Microsoft Corporation.  
• SmartMedia is a trademark of Toshiba Corporation.  
• All other trademarks are the property of their respective holders.  
Tuning  
Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune.  
Transporting  
If you move to another location, you can transport the Clavinova along with your other belongings. You can move the  
unit as it is (assembled) or you can disassemble the unit.  
Transport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the instru-  
ment to excessive vibration or shock.  
After transporting the instrument, do the following to ensure optimum performance of the iAFC function (page 83):  
• Do not block the speaker located on the bottom face of the Clavinova.  
• Perform the automatic adjustment of the iAFC function (page 84).  
Included Accessories  
• “50 greats for the Piano” Score Collection  
• Owner’s Manual  
• Accessory CD-ROM for Windows  
• Accessory CD-ROM for Windows Installation Guide  
• Data List  
• Bench (included or optional depending on locale)  
CLP-295GP Owner’s Manual  
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Table of contents  
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Application Index  
Use this index to find reference pages that may be helpful for your application and situation.  
Listening  
Listening to demo songs...............................................“Listening to the Demonstration Tunes” on page 20  
“Playing the 50 Piano Preset Songs” on page 22  
Listening to demo songs with different voices ............“Listening to the Demonstration Tunes” on page 20  
Listening to songs from “50 greats for the Piano” ............. “Playing the 50 Piano Preset Songs” on page 22  
Listening to my recorded performance  
Listening to songs in the USB storage device..................“Connecting to a USB storage device” on page 62  
Playing  
Using three pedals.............................................................................................“Using the pedals” on page 28  
Playing an accompaniment that matches pitch ....................... “Changing the key [Transpose]” on page 85  
Changing tonal color  
Viewing the list of voices................................................................................ “Preset Voice List” on page 108  
Simulating a concert hall...........................................................................................“[REVERB]” on page 30  
Combining two voices..................................................... “Combining two voices (Dual mode)” on page 31  
Playing different sounds with left and right hands  
Making a voice brighter and sharper, or softer and smoother ........................“[BRILLIANCE]” on page 29  
Adding spread to the sound .................................................................................... “[CHORUS]” on page 30  
Making the sound three-dimensional .............. “Detailed settings for iAFC [iAFC SETTING]” on page 83  
Practicing  
Muting the right- or left-hand part ........... “Practicing a one-hand part using 50 preset songs” on page 24  
Practicing using your recorded song ..........................................“Recording Your Performance” on page 36  
Recording  
Recording your performance ......................................................“Recording Your Performance” on page 36  
Deleting or copying the recorded songs  
8
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Application Index  
Use this index to find reference pages that may be helpful for your application and situation.  
Settings  
Making detailed settings for recording and playback  
Making detailed settings for the metronome  
Making detailed settings for the voices  
................................................................. “Detailed settings for the voices [VOICE SETTING]” on page 77  
Making detailed settings for the Clavinova............................... “Other settings [FUNCTION]” on page 85  
Connecting the Clavinova to other devices  
What is MIDI?......................................................................................................... About MIDI” on page 60  
Making detailed settings for MIDI  
“Setting the MIDI transmit channel” – “Selecting a type of data transmitted via MIDI” on pages 91 – 92  
Recording your performance ....................................................... AUX OUT [L] [R] Pin jacks” on page 61  
Raising the volume ........................................................................ AUX OUT [L] [R] Pin jacks” on page 61  
Outputting other instruments’ sound from the Clavinova.......... AUX IN [L/L+R], [R] jacks” on page 61  
Connecting to a USB storage device................................“Connecting to a USB storage device” on page 62  
Connecting a computer........................................................ “Connecting a personal computer” on page 65  
Assembling  
Assemble/disassemble the Clavinova....................... “CLP-295GP: Keyboard Stand Assembly” on page 111  
Quick solution  
What the Clavinova offers............................................................................... Application Index” on page 8  
Returning to the main screen.................................................................................EXIT button” on page 13  
Resetting the Clavinova to the default setting  
................................................................“Restoring the normal (default) settings [FactorySet]” on page 93  
Meaning of the messages........................................................................................ “Message List” on page 95  
If you have questions about operations and functions  
............................................................................ “Questions about Operations and Functions” on page 101  
Troubleshooting............................................................................................. Troubleshooting” on page 104  
CLP-295GP Owner’s Manual  
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Panel Controls and Terminals  
The Yamaha CLP-295GP Clavinova offers unmatched sonic realism and exceptionally natural grand-piano type play-  
ability, and features Yamaha’s original AWM Dynamic Stereo Sampling technology for rich, authentic, musical  
voices.  
The special Natural Wood keyboard uses real wood white keys, to reproduce as closely as possible the experience of  
playing an actual acoustic grand piano.  
Thanks to these two keyboard types, you can use performance techniques previously possible only on grand  
pianos—such as playing the same note successively and having sounds blend smoothly even without use of the  
damper pedal, or playing the same key quickly and having perfect articulation without the sound cutting off unnatu-  
rally. The remarkably authentic Grand Piano 1 voice on both instruments also features:  
• Dynamic Sampling, using velocity-switched samples for extra realism;  
• String Resonance (page 90), which recreates the rich resonance of piano strings;  
• Sustain Sampling (page 90), which uses samples of the resonance of an acoustic grand piano’s soundboard and  
strings made when the damper pedal is pressed; and  
• Keyoff Samples, which add the subtle, characteristic sounds produced when keys are released.  
2
3
4
6
9
!
#
METRONOME  
EXTRA  
PARTS  
SONG  
SELECT  
A
LEFT  
RIGHT  
SETTING  
ON/OFF  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
NEW SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
MASTER VOLUME  
SONG BALANCE  
DEMO  
SONG  
5
7
)
8
@
#
$
(
&
¡
iAFC  
SETTING  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
B
PIANO 1  
PIANO 2  
1
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
D
VOICE  
%
^
*
º
Top panel  
£
1
SELECT  
USB TO DEVICE  
¢
ª
Jacks & Terminals  
£
§
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Panel Controls and Terminals  
1 [POWER] switch . . . . . . . . . . . . . . . page 16  
º BRILLIANCE [MELLOW][BRIGHT] buttons  
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . page 29  
For adjusting the brightness of the sound.  
2 [MASTER VOLUME] dial . . . . . . . . . page 17  
Adjust the volume level using this dial.  
¡ [iAFC SETTING] button . . . . . . pages 69, 83  
When iAFC is engaged, the Clavinova will sound deeper,  
more resonant, and more similar to the sound of an  
actual acoustic instrument. You can turn the iAFC func-  
tion on or off or make detailed settings for the iAFC.  
3 [SONG BALANCE] slider . . . . . . . . . page 44  
This lets you adjust the volume balance between the song  
playback and the sound you are playing on the keyboard.  
4 [DEMO] button . . . . . . . . . . . . . . . . page 20  
Demonstration playback is available for each voice.  
In order to obtain the optimal results from iAFC, we rec-  
ommend that you do the following.  
• Do not block the speaker located on the bottom face of  
the Clavinova.  
• Perform the automatic adjustment after you turn on  
the power of the Clavinova for the first time, and after  
each time you move the Clavinova (page 84).  
5 [REPEAT] button . . . . . . . . . . . . . . . page 25  
For repeatedly playing back a single song or specifying a  
range (in beats) within a song for repeated playback.  
6 [RIGHT], [LEFT], [EXTRA PARTS] buttons  
. . . . . . . . . . . . . . . . . . . . . . .pages 24, 36, 41  
For turning the left- and right-hand parts on or off as  
required so you can practice the corresponding part (the  
part that is turned off) on the keyboard.  
[FUNCTION] button. . . . . . . . . pages 70, 85  
This lets you make detailed settings, such as adjusting the  
keyboard touch, making fine adjustments to the pitch or  
MIDI settings.  
7 [REC] button . . . . . . . . . . . . . . . . . . page 36  
For recording your keyboard performance.  
8 [PLAY/PAUSE], [STOP] buttons  
. . . . . . . . . . . . . . . . . . . . . . . . . .pages 22, 56  
For playing back the preset songs, your recorded material  
or commercially available music data, etc.  
£ USB [TO DEVICE] terminals . . . . . . page 60  
For connecting the instrument to a USB storage device,  
allowing saving/loading of data to and from the con-  
nected device. The instrument has two [TO DEVICE]  
terminals, A and B, which can be specified using the  
[SELECT] switch.  
9 [SONG SELECT] button. . . . . . .pages 22, 56  
For selecting a song to play back or edit.  
)
[FILE/SONG SETTING] button . . . pages 45, 73  
For saving recorded songs and managing song files. Also  
lets you make detailed settings for song recording and  
playback.  
¢ Soft pedal (left), Sostenuto pedal (center),  
Damper pedal (right) . . . . . . . . . . . page 28  
For producing a range of expressive effects similar to  
those produced by the pedals on an acoustic piano.  
These pedals can also be assigned to various functions.  
! METRONOME [ON/OFF], METRONOME  
[SETTING] buttons . . . . . . .pages 35, 68, 76  
For using the metronome functions.  
[PHONES] jacks . . . . . . . . . . . . . . . . page 17  
For connecting a set of standard stereo headphones,  
allowing private practice.  
@ TEMPO [UP][DOWN] buttons. . . . . page 35  
For changing the tempo (speed) of the song and metro-  
nome.  
§ USB [TO HOST] terminal . . . . . . . . . page 60  
For connecting the instrument to your computer, allow-  
ing you to transfer MIDI data between the Clavinova and  
the computer.  
# A – D [–][+] buttons, Display. . . . . . page 12  
$ [CONTRAST] knob. . . . . . . . . . . . . . page 17  
For adjusting the display contrast.  
MIDI [IN][OUT][THRU] terminals . . page 60  
For connecting external MIDI devices, allowing the use  
of various MIDI functions.  
% [EXIT] button . . . . . . . . . . . . . . . . . page 13  
Pressing this button returns to the main operation dis-  
play (the one shown when the power is turned on).  
[AUX PEDAL] jack. . . . . . . . . . . . . . . page 60  
For connecting an optional pedal, allowing convenient  
foot control over one of a variety of assignable functions.  
^ Voice group buttons . . . . . . . . . . . . page 27  
For choosing voice groups. Sixteen groups of voices,  
including grand piano, are available. You can also com-  
bine two voices and use them together.  
ª AUX IN [L/L+R] [R] jacks . . . . . . . . . page 61  
For connecting an external tone generator, allowing you  
to play the sound of that device via the Clavinova’s inter-  
nal sound system and speakers.  
& [VOICE SETTING] button . . . . .pages 69, 77  
For making detailed changes to the voice sound and  
effects.  
AUX OUT [L][R] jacks . . . . . . . . . . . . page 61  
For outputting the sound of the Clavinova to an external  
audio system, or connecting it to another device (cassette  
tape recorder, etc.) to record your performance.  
* [SPLIT] button. . . . . . . . . . . . . . . . . page 33  
For playing different voices on the left- and right-hand  
sections of the keyboard.  
( [REVERB], [CHORUS] buttons . . . . . page 30  
For adding reverb and chorus effects to the sound.  
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Introduction to the Controls  
This instrument has many buttons and controls—so many that you may feel overwhelmed at first. However,  
once you understand the basic operations, you’ll find the instrument is very easy to use.  
Press the button corresponding to the function you want to use.  
The buttons are the means of entrance to the functions.  
For example, when you want to change a voice, you simply press one of the voice group buttons on the right  
of the panel, or when you want to listen to a preset song, press the [SONG SELECT] button on the left of the  
panel.  
For the functions that are assigned to each button, see “Panel Controls and Terminals” on page 10.  
GRAND  
PIANO 1  
GRAND  
PIANO 2  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
GUITAR  
CHUR
ORGA
JAZZ  
GAN  
SYNTH.  
PAD  
WOOD  
BASS  
STRINGS  
CHOIR  
E.BASS  
XG  
VOICE  
When you press a button, related content or parameter is shown in the display. For example, when you press  
a voice button, the voice name is shown, or when you press the [SONG SELECT] button, a song name is  
shown on the display. After pressing a button, check the display for the indication.  
A
B
NO  
YES  
Grand Piano 1  
C
D
Selecting items/parameters with the buttons on the side of the display.  
Each function may have many items or parameters from which you can choose. To select an item or parame-  
ter, press one of the A [–][+] – D [–][+] buttons. Each parameter in the display corresponds to the A [–][+]  
– D [–][+] button next to it.  
A
B
NO  
YES  
GrandPiano1  
Vibraphone  
Harpsi.8'  
WoodBass  
C
D
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To reset the values or parameters, press the [–][+] buttons simultaneously.  
If you’ve changed the parameter values or settings, you may wan to reset them to their normal condition. To do this,  
simply press the [–][+] buttons simultaneously.  
A
B
NO  
YES  
MetronomeVolume  
100  
C
D
The TEMPO and BRILLIANCE buttons are the same shape as the A [–][+] – D [–][+] buttons. You can reset the  
related values or parameters by simultaneously pressing buttons of this shape.  
To execute or cancel the operation, press the B [– (NO)] [+ (YES)] button.  
When a prompt is shown on the upper right of the display, press the B [– (NO)][+ (YES)] button to execute or can-  
cel the operation.  
NO: cancel  
YES: execute  
A
B
NO  
YES  
Save  
Overwrite?-->  
M-001:NewSong001.MID  
C
D
Press the [EXIT] button to exit from a function.  
The [EXIT] button is the means to “leave” a function.  
After you’ve used a function and want to exit from it, press the [EXIT] button.  
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
[EXIT] button  
CONTRAST  
B
NO  
YES  
EXIT  
D
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Before Using the Clavinova  
About the key cover  
To open the key cover:  
Lift the cover slightly, then push and slide it open.  
To close the key cover:  
Slide the cover toward you and gently lower the  
cover over the keys.  
CAUTION  
Be careful to avoid catching  
your fingers when opening or  
closing the cover.  
CAUTION  
Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be  
careful to avoid catching fingers (yours or others, especially children’s) between the cover and the unit.  
Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key  
cover may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could  
cause electric shock, short circuit, fire or other serious damage to the instrument.  
About the music rest  
To raise the music rest:  
1. Pull the music rest up and toward yourself as far as it will go.  
2. Flip down the two metal supports at the left and right on the rear of  
the music rest.  
3. Lower the music rest so that it rests on the metal supports.  
To lower the music rest:  
1. Pull the music rest toward yourself as far as it will go.  
2. Raise the two metal supports (at the rear of the music rest).  
3. Gently lower the music rest backward until it is all the way down.  
CAUTION  
Do not try to use the music rest in a half-raised position.  
When lowering the music rest, do not release your hands from the music  
rest until it is all the way down.  
About the music braces  
These braces are for holding the pages of music books in place.  
To close  
To open  
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About the Lid  
One long stay and one short stay are provided on the lid. Use one of them to  
open the lid to the desired angle.  
Longer stay  
Shorter stay  
NOTE  
For the longer stay, use the  
inner recess, and for the  
shorter stay, use the outer  
recess to support the lid.  
To open the lid:  
1. Raise and hold the right side of the lid (viewed from the  
keyboard end of the instrument).  
2. Raise the lid stay and carefully lower the lid so that the end  
of the stay fits into the recess in the lid.  
1
2
To turn on the iAFC (page 83), open the lid with the longer  
stay using the inner recess.  
When the lid is closed or open with the shorter stay, the  
iAFC will not be turned on.  
To close the lid:  
1
1. Hold the lid stay and carefully raise the lid.  
2. Hold the lid in its raised position and lower the lid stay.  
3. Carefully lower the lid.  
3
2
CAUTION  
• Make sure that the end of the stay fits securely in the lid recess. If the stay is not properly seated in the recess, the  
lid may fall, causing damage or injury.  
• Be careful that you or others do not bump the stay while the lid is raised. The stay may be bumped out of the lid  
recess causing the lid to fall.  
• Be careful to avoid catching fingers (yours or others, especially children's) when raising or lowering the lid.  
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Before Using the Clavinova  
Turning the power on  
1. Connect the power cable.  
First insert the plug of the power cable into the AC connector on the Clavinova, then plug the other end of the cable  
into the proper AC outlet on the wall.  
In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.  
1-1  
1-2  
(The shape of plug differs  
depending on locale.)  
(bottom surface)  
WARNING!  
Make sure your CLP-295GP is rated for the AC voltage supplied in the area in which it is to be used (voltage rating appears on  
the name plate on the bottom panel). In some areas, a voltage selector may be provided on the bottom panel of the main key-  
board unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. Connecting the unit to the  
wrong AC supply can cause serious damage to the internal circuitry and may even pose a shock hazard!  
Use only the AC power cord supplied with the CLP-295GP. If the supplied cord is lost or damaged and needs to be replaced,  
contact your Yamaha dealer. The use of an inappropriate replacement can pose a fire and shock hazard!  
The type of AC power cord provided with the CLP-295GP may be different depending on the country in which it is purchased.  
(In some areas a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.) Do NOT mod-  
ify the plug provided with the CLP-295GP. If the plug will not fit the outlet, have a proper outlet installed by a qualified electrician.  
2. Turn on the power to the Clavinova.  
Press the [POWER] switch located on the right of the keyboard to turn the power on.  
• The screen located in the center of the front panel and the power indicator located below the left end of the key-  
board lights up.  
TIP  
Power indicator  
If you close the key cover  
without turning the power  
off, the power indicator  
remains lit, indicating that  
the power is still on.  
POWER  
A
B
NO  
YES  
Grand Piano 1  
C
D
When you turn on the power to the Clavinova,  
a voice name appears on the screen.  
Press the [POWER] switch again to turn off the power to the Clavinova.  
• The screen and the power indicator turn off.  
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Before Using the Clavinova  
Adjusting the display contrast  
You can adjust the contrast of the display by turning the [CONTRAST] knob located to the right of the LCD.  
CONTRAST  
A
B
TERMINOLOGY  
Use this knob.  
CONTRAST:  
NO  
YES  
difference between  
EXIT  
brightness and darkness  
C
D
Setting the volume  
To adjust the volume, use the [MASTER VOLUME] dial located at the left of the panel. Play the keyboard to  
actually produce sound while you adjust the volume.  
TERMINOLOGY  
The level  
The level  
CAUTION  
decreases.  
increases.  
MASTER VOLUME:  
The volume level of the entire keyboard sound  
Do not use the Clavinova at  
a high volume level for a  
long period of time, or your  
hearing may be damaged.  
TIP  
You can also adjust the [PHONES] output level, AUX [IN]  
input level and the AUX [OUT] output level (when “Vari-  
[MASTER VOLUME] dial.  
MIN  
MAX  
MASTER VOLUME  
Using headphones  
Connect a pair of headphones to one of the [PHONES] jacks.  
When the headphones are plugged into either of the [PHONES]  
jacks, the internal speaker system is automatically shut off.  
Two [PHONES] jacks are provided. Two sets of standard stereo  
headphones can be plugged in. (If you are using only one pair of  
headphones, you can plug them into either of these jacks.)  
CAUTION  
Do not use headphones at a high volume for an extended period of time.  
Doing so may cause hearing loss.  
TIP  
Optional headphones  
HPE-160 Yamaha headphones.  
Using the Headphone Hanger  
A headphone hanger is included in the CLP-295GP package so that  
you can hang the headphones on the Clavinova. Install the head-  
phone hanger using included two screws (4 × 10mm) as shown in  
the figure.  
CAUTION  
Do not hang anything other than the headphones on the hanger. Oth-  
erwise, the Clavinova or the hanger may be damaged.  
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Performing the iAFC automatic adjustment  
The CLP-295GP features an iAFC (Instrumental Active Field Control) effect. This produces sound from the  
speaker located on the bottom face of the Clavinova, enhancing the reverberation and spaciousness of the sound  
when you open the lid with the longer stay. (page 15)  
In order to optimize the iAFC effect, perform the automatic adjustment. (page 83)  
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.
Basic Operation  
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Listening to the Demonstration  
Tunes  
For each voice group, the Clavinova contains one demo song that shows off the character of the voices.  
This section explains how to listen to the demo songs for the voice groups listed below.  
Demonstration tunes  
Voice group  
Tunes  
Composer  
GRAND PIANO1  
HARPSICHORD  
“Eintritt” Waldszenen Op. 82  
Gavotte  
R.Schumann  
J.S.Bach  
The demonstration pieces listed above are short rearranged excerpts the original  
compositions.  
All other songs are original (©2005 Yamaha Corporation).  
2
1 3  
Voice group buttons  
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
SELECT  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
SETTING  
A
B
LEFT  
RIGHT  
PIANO  
1
PIANO  
2
GUITAR  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
XG  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
Procedure  
TERMINOLOGY  
1.  
Engage the demo mode.  
Press the [DEMO] button to engage the demo mode.  
Mode:  
A mode is a status under which  
you can execute a certain func-  
tion. In demo mode, you can  
play back demonstration tunes.  
The indicators of the voice group buttons will blink in succession.  
A
B
NO  
YES  
VoiceDemo  
SelectVoiceButton  
C
D
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TIP  
2.  
3.  
Select a tune and start playback.  
Press the voice group button for the demo song that you want  
to hear.  
To adjust the volume level of the  
demo songs, use the [MASTER  
VOLUME] dial.  
The indicator of the voice group button you pressed will light, and the  
demo song will begin playing. Subsequently, the demo songs will play  
back consecutively from the upper left voice group button until you  
stop the playback.  
TIP  
To adjust the volume balance  
between the song playback  
and the sound you are playing  
on the keyboard, use the  
[SONG BALANCE] slider  
Stop the playback and exit from demo mode.  
Press the [DEMO] button.  
TIP  
You can also exit from demo  
mode by pressing the [EXIT] or  
[STOP] button.  
By holding down the [DEMO] button and pressing the A [+] but-  
ton to get the “Piano Demo” display, you can hear the piano demo/  
iAFC demo. The piano demo lets you compare the result of  
enabling/disabling each sampling technology.  
The iAFC demo lets you compare the result of turning iAFC on/off.  
The demo songs are assigned to the voice group buttons as follows.  
GRAND PIANO1.....Stereo Piano (stereo sampling)  
GRAND PIANO2.....Mono Piano (mono sampling)  
E.PIANO1...............mezzo piano (dynamic sampling, mezzo piano)  
E.PIANO2...............mezzo forte (dynamic sampling, mezzo forte)  
HARPSICHORD......forte (dynamic sampling, forte)  
E.CLAVICHORD .....with Sustain (with sustain sampling)  
VIBRAPHONE.........no Sustain (without sustain sampling)  
GUITAR ..................with KeyOff (with key-off sampling)  
CHURCH ORGAN..no KeyOff (without key-off sampling)  
JAZZ ORGAN.........with StringRes (with string resonance)  
STRINGS................no StringRes (without string resonance)  
CHOIR....................with iAFC  
SYNTH.PAD............no iAFC  
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Listening to 50 Piano Preset Songs  
The Clavinova provides performance data of 50 piano songs. You can just listen to these songs (page 22) or  
use them for practice (page 24). You can also refer to the included “50 greats for the Piano” booklet that con-  
tains the scores for 50 piano preset songs.  
Playing the 50 piano preset songs  
1
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
TEMPO [DOWN] [UP] button  
3
2
4
Procedure  
TERMINOLOGY  
1.  
Select a song.  
Song:  
If “PRESET” does not appear, press the [SONG SELECT] button  
to call up “PRESET.” Press the C [–][+] buttons to select the  
desired piano song from P-001 to P-050.  
On the Clavinova, performance  
data is called a “Song.” This  
includes demonstration tunes  
and piano preset tunes.  
Song select screen  
A
B
NO  
YES  
PRESET  
P-001:Invention 1  
BAR 001  
TIP  
C
D
• [-----: NewSong] is a blank  
song provided for you to  
record your performance  
The song number appears on the display.  
You can repeatedly play  
back a single song or spec-  
ify a range (in beats) within  
a song for repeated play-  
back by using the [REPEAT]  
“SongRepeat” parameter in  
the [FILE/SONG SETTING]  
menu to repeat playback of  
2.  
Play a preset song.  
Press the [PLAY/PAUSE] button to start playback.  
the number of measures  
A
B
NO  
YES  
PRESET  
P-001:Invention 1  
BAR 015  
C
D
TIP  
You can play the keyboard  
along with the preset song  
playback. You can change the  
voice playing on the keyboard.  
TIP  
Use the D [–][+] buttons to  
scroll through the song name,  
if the name does not fit in the  
display.  
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Adjusting the tempo  
TIP  
You can use the TEMPO [DOWN][UP] buttons to adjust the playback tempo  
as required. The default tempo (the song’s original tempo) is set when you  
press the [DOWN] and [UP] buttons simultaneously.  
You can also use the D [–][+]  
buttons to change the tempo.  
Press either of the [SONG SELECT] button to return to the song select screen.  
TIP  
Resetting the tempo  
A
B
Whenever you select a new  
preset song, the tempo is auto-  
matically reset to the song’s  
original value.  
NO  
YES  
Tempo  
86  
C
D
3.  
Stop the song playback.  
When playback is complete, it automatically stops and the Clavinova  
locates the top of the song. To stop playback in the middle of a song,  
press the [STOP] button. You can also pause playback by pressing the  
[PLAY/PAUSE] button. Playback stops when you press the button.  
Fast forward and rewind  
You can perform the following operations in the song select screen:  
• Use the B [–][+] buttons to move back and forth (rewind and fast forward)  
through the song while the song is played or stopped.  
• Press the C [–] button during playback to start playback from the previous  
song.  
• Press the C [+] button during playback to start playback from the next  
song.  
• Press the [STOP] button or simultaneously press the B [–][+] buttons dur-  
ing playback or while playback is stopped in the middle of the song to  
locate the top of the song.  
TERMINOLOGY  
Default screen:  
The default screen is a voice  
appears when you turn on the  
power to the Clavinova.  
4.  
Return to the default screen.  
Press the [EXIT] button.  
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Practicing a one-hand part using 50 preset songs  
The 50 preset songs have separate left- and right-hand parts on individual parts. You can turn the left- and  
right-hand parts on or off as required so you can practice the corresponding part (the part that is turned off)  
on the keyboard. The right-hand part is played by [RIGHT] and the left-hand part is played by [LEFT].  
1
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
3
2
procedure  
TIP  
1.  
Turn off the playback part you wish to practice.  
After you select a song to practice, press the [RIGHT] or [LEFT]  
button to turn off the corresponding part.  
You can turn parts on or off,  
even during playback.  
When you first select a song, both [RIGHT] and [LEFT] indicators  
light up, indicating that you can play back both parts. When you press  
one of the buttons to turn off playback, the corresponding button  
indicator turns off and the corresponding part playback is muted.  
Pressing the buttons repeatedly toggles between playback on and off.  
2.  
Start playback and playing.  
Press the [PLAY/PAUSE] button to start playback. Play the part  
you just turned off.  
TERMINOLOGY  
Starting playback automatically as you start playing the key-  
board (Sync Start)  
Sync:  
Synchronous; occurring at the  
same time  
You can cause playback to begin when you play the keyboard (Sync  
Start).  
Hold down the [STOP] button and press the [PLAY/PAUSE] button.  
The [PLAY/PAUSE] indicator will blink, and the Clavinova will wait  
for Sync Start.  
Now when you play the keyboard, playback will begin at the same  
moment.  
If you press the [STOP] button while waiting, Sync Start will be can-  
celled.  
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3.  
Stop playback.  
TIP  
When playback is complete, it automatically stops and the Clavinova  
locates the top of the song. If you wish to stop playback in the middle  
of a song, press the [STOP] button. You can also pause playback by  
pressing the [PLAY/PAUSE] button. Playback stops when you press  
the button.  
Resetting the part playback  
Both parts are automatically  
turned ON whenever you select  
a new song.  
Practicing with the Repeat Playback function and  
the preset songs  
The Song Repeat functions can be used to repeatedly play back a song or a specific range of measures in a  
song. This is useful for repeated practicing of difficult-to-play phrases.  
Playing back a song repeatedly  
procedure  
TIP  
1.  
2.  
3.  
Enter the Repeat mode.  
Select a song to practice, then press the [REPEAT] button.  
You can repeatedly play back  
all songs from the 50 preset  
songs or from the USB storage  
Start Repeat playback.  
Press the [PLAY/PAUSE] button to start playback.  
Exit the Repeat mode and return to the normal play  
mode.  
Press the [STOP] button to stop playback, then press the  
[REPEAT] button.  
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Specifying a range of measures and playing them back repeatedly (A-B repeat)  
Procedure  
1.  
2.  
Select the desired song for practicing and play it.  
Press the [PLAY/PAUSE] button to start playback.  
TIP  
Specify the repeat range.  
Specifying the repeat range  
between point A and the end of  
the song. Specifying only point  
A results in repeat playback  
between point A and the end of  
the song.  
Press the [REPEAT] button at the starting point (A) of the range  
to be repeated. Press the [REPEAT] button again at the ending  
point (B).  
After an automatic lead-in (to help guide you into the phrase), the  
range from point A to point B is played back repeatedly,  
TIP  
When you select another song,  
the specified range is automati-  
cally cancelled and the repeat  
function is turned off.  
3.  
Cancel the specified range and return to the normal  
play mode.  
Press the [REPEAT] button.  
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Selecting and Playing Voices  
Selecting Voices  
Voice group buttons  
1
2
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
Procedure  
TERMINOLOGY  
1.  
2.  
Select a voice group.  
Press a voice group button.  
Voice  
On the Clavinova, a voice  
means “tone” or “tonal color.”  
Select a voice.  
Use A [–][+] buttons to select a voice.  
TIP  
You can also switch between  
voices in the same group by  
pressing a voice group button  
repeatedly.  
Voice group  
Voice name  
Voice group  
Voice name  
GrandPiano1  
MellowPiano  
RockPiano  
PipeOrganPrincipal  
PipeOrganTutti  
PipeOrganFlute 1  
PipeOrganFlute 2  
JazzOrgan  
GRANDPIANO1  
CHURCHORGAN  
TIP  
To learn characteristics of the  
voices, listen to demo songs for  
each voice group (page 20).  
Refer to “Preset Voice List” on  
page 108 for more information  
on characteristics of each pre-  
set voice.  
HonkyTonkPiano  
GrandPiano2  
BrightPiano  
E.Piano1  
GRANDPIANO2  
E.PIANO1  
JAZZORGAN  
STRINGS  
CHOIR  
RotaryOrgan  
MellowOrgan  
Strings  
SynthPiano  
E.Piano2  
SynthStrings  
SlowStrings  
Choir  
E.PIANO2  
Vintage E.Piano  
Harpsichord8'  
Harpsichord8'+4'  
E.Clavichord  
Wah Clavi.  
TIP  
HARPSICHORD  
E.CLAVICHORD  
You can control the loudness of  
a voice by how hard you play  
the keyboard, although different  
playing styles (touch sensitivi-  
ties) have little or no effect with  
the sound of certain musical  
instruments. Refer to “Preset  
SlowChoir  
Scat  
SynthPad 1  
SynthPad 2  
WoodBass  
SYNTH.PAD  
WOOD BASS  
Vibraphone  
Marimba  
VIBRAPHONE  
GUITAR  
Celesta  
Bass&Cymbal  
ElectricBass  
FretlessBass  
XGVoice  
NylonGuitar  
SteelGuitar  
E.BASS  
XG  
TIP  
XG is a major enhancement of  
the GM System level 1 format,  
and was developed by Yamaha  
specially to provide more  
• For details on XG voices, refer to “XG voice list” (the separate data list booklet).  
If you select XG  
voices and variations, as well  
as greater expressive control  
over voices and effects, and to  
ensure compatibility of data  
well into the future.  
XG voices are categorized and included in separate folders. You can select the  
XG voice group first, then select the desired voice.  
2-1. Simultaneously press the [–][+] screen buttons located  
beside the XG voice name display, to access a screen where  
you can select XG voices.  
2-2. Use A [–][+] buttons to select the voice group.  
2-3. Use C [–][+] buttons to select the desired voice.  
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Using the pedals  
The Clavinova has three foot pedals: damper pedal (right), sostenuto  
pedal (center), and soft pedal (left) that produce a range of expressive  
effects similar to those produced by the pedals on an acoustic piano.  
TIP  
Damper (right) pedal  
If the damper pedal doesn’t  
work, or notes are sustained  
even when the pedal is not  
pressed, make sure that the  
pedal cord is properly plugged  
into the [PEDAL] jack on the  
Also, make sure that the RPed-  
alFunc parameter in the  
When you press the damper pedal, the notes  
you play have a longer sustain.  
When you select Grand Piano 1, pressing the  
damper pedal activates the instrument’s special  
“Sustain Samples” to accurately recreate the  
When you press the damper  
unique resonance of an acoustic grand piano’s  
pedal here, the notes you play  
soundboard and strings. A “half-pedal” effect  
before you release the pedal  
have a longer sustain.  
“FUNCTION” menu is set to ON  
lets you use the damper pedal to create partial  
sustain effects, depending on how far down  
you press the pedal.  
TIP  
The threshold at which the Half  
Pedal effect starts can be set  
from the Half Pedal Point  
parameter inthe Function menu  
Sostenuto (center) pedal  
If you play a note or chord on the keyboard  
and press the sostenuto pedal while holding  
the note(s), the notes will sustain as long as the  
pedal is held. All subsequent notes will not  
sustain.  
TIP  
You can adjust the depth of the  
resonance produced by the  
“Sustain Samples” using the  
Sustain Sampling Depth  
parameter in the “FUNCTION”  
When you press the sostenuto  
pedal here while holding the  
note(s), the notes will sustain  
as long as you hold the pedal.  
TIP  
Soft pedal (left)  
You can assign a function to  
each pedal via the “RPedal-  
Func”, “CPedalFunc”, and  
“LPedalFunc” parameters in the  
“FUNCTION” menu.  
The soft pedal reduces the volume and slightly changes the timbre of notes  
played while the pedal is pressed. (The soft pedal will not affect notes that are  
already playing when it is pressed. Press the pedal immediately before you  
play the target notes.)  
TIP  
With the Vibraphone, Jazz Organ and Mellow Organ voices, this pedal turns  
vibrato on and off or toggles the speed of vibrato. (See page 89.)  
The center and left pedals can  
also be assigned to song start/  
stop operation (PLAY/PAUSE  
function) via the “PedalPlay/  
Pause” parameter in the  
“FUNCTION” menu (on  
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Adding variation to the sound  
[BRILLIANCE]/[REVERB]/[CHORUS]  
The Effect function enables you to add expression to the sound. The Clavinova effects include Brilliance,  
Reverb, and Chorus.  
[CHORUS] button  
[REVERB] button  
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
SELECT  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
SETTING  
A
B
LEFT  
RIGHT  
PIANO  
1
PIANO  
2
GUITAR  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
XG  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
BRILLIANCE [MELLOW] [BRIGHT] button  
[BRILLIANCE]  
You can use this control to adjust the brilliance of the tone and change the tonality to suit your preference.  
Procedure  
TIP  
Press one of the BRILLIANCE [MELLOW]/ [BRIGHT] buttons to  
select the desired tonality.  
You can press BRILLIANCE  
[MELLOW] [BRIGHT] buttons,  
A
B
and then use D [–][+] buttons  
to select the desired tonality.  
NO  
YES  
Brilliance  
Normal  
TIP  
C
D
Normal setting = Normal  
TERMINOLOGY  
Normal setting:  
The “Normal setting” refers to  
the default setting (factory set-  
ting) obtained when you first  
turn on the power to the Clavi-  
nova.  
Mellow3  
Mellow2  
Mellow1  
Soft and mellow tone.  
The sound becomes more mellow and rounder as the  
number increases.  
Normal...........Standard tone  
TIP  
Bright1  
If you select [Bright1], [Bright2]  
or [Bright3] as the type of bril-  
liance, the volume level will  
increase slightly. Under this  
condition, if you raise the [MAS-  
TER VOLUME] dial setting, the  
sound may become distorted.  
In this case, lower the volume  
accordingly.  
Bright tone.  
Bright2  
The sound becomes brighter as the number increases.  
Bright3  
Press the [EXIT] button to return to the main screen.  
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[REVERB]  
This control adds reverberation to the sound by simulating the natural reverberation of a concert hall.  
Procedure  
TIP  
Pressing the [REVERB] button repeatedly toggles the reverb on  
and off.  
You can select a reverb type via  
the Reverb Type parameter in  
Even if the reverb effect is turned off, a “soundboard reverb” effect  
will be applied when the GrandPiano1 or GrandPiano2 voice is  
selected.  
the “VOICE SETTING” menu,  
and adjust the reverb depth for  
the selected voice via the  
Reverb Send parameter.  
TIP  
Normal setting = ON  
[CHORUS]  
This control adds spread and spaciousness to the sound.  
Procedure  
TIP  
Pressing the [CHORUS] button repeatedly toggles the chorus on  
and off.  
You can select a chorus type  
via the Chorus Type parameter  
in the “VOICE SETTING” menu,  
and adjust the chorus depth for  
the selected voice via the Cho-  
rus Send parameter. You can  
also turn chorus on or off via the  
Chorus On Off parameter.  
You can turn the chorus effect on and off by pressing the [CHORUS]  
ON/OFF buttons on the panel and by setting the Chorus On Off  
parameter in the VOICE SETTING menu (see page 80). The [CHO-  
RUS] ON/OFF button setting on the panel is temporary. That is, if  
you select another voice, the chorus setting for the previous voice is  
cancelled. The Chorus On Off parameter setting is saved for each  
voice. That is, if you select a given voice, the chorus setting is auto-  
matically turned on or off according to the saved chorus setting.  
TIP  
Normal Setting:  
The normal chorus on/off set-  
ting is different for each voice.  
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Combining two voices (Dual mode)  
You can play two voices simultaneously across the entire range of the keyboard. In this way, you can simulate  
a melody duet or combine two similar voices to create a thicker sound. Refer to “Voice Combination Exam-  
ples (Dual and Split)” on page 110 for examples of effective voice combinations.  
The numbers on the upper row indicate the steps  
in Dual mode using voices from different group.  
2
2
1 3 Voice group buttons  
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
SELECT  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
SETTING  
A
B
LEFT  
RIGHT  
PIANO  
1
PIANO  
2
GUITAR  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
XG  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
The numbers on the bottom row indicate the steps 2  
Voice group buttons  
3
1 4  
in Dual mode using voices from the same group.  
Dual mode using voices in different voice groups  
Procedure  
1.  
Enter Dual mode.  
TIP  
Press two voice group buttons simultaneously.  
If you want to select Dual mode  
for the left-hand area when the  
entire keyboard is divided into  
left and right areas (page 33),  
hold down [SPLIT] button and  
simultaneously press two voice  
group buttons.  
Voice 1  
Voice 2  
A
B
NO  
YES  
GrandPiano1  
Vibraphone  
C
D
TIP  
how to select XG voices.  
2.  
3.  
Select a voice.  
Use the A [–][+] buttons and B [–][+] buttons to select a voice.  
The voices listed in the upper row in “Preset Voice List” on page 108  
are called voice 1, and those listed in the bottom row are called  
voice 2.  
Exit Dual mode and return to normal play mode.  
Press any voice group button.  
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Dual mode using voices in the same voice group  
Procedure  
1.  
2.  
3.  
Select a voice group.  
In normal play mode, press the desired voice group button.  
Select a voice.  
Use the A [–][+] buttons to select a voice.  
TIP  
Select another voice.  
Use the B [–][+] buttons to select another voice in the same  
voice group.  
If you want to select Dual mode  
for the left-hand area when the  
entire keyboard is divided into  
left and right areas (page 33),  
press D [–] [+] buttons.  
To use the identical voices, press the B [–][+] buttons once. To use dif-  
ferent voices within the same voice group, press the B [–][+] buttons  
repeatedly.  
A
B
NO  
YES  
E.Piano1  
SynthPiano  
C
D
4.  
Exit Dual mode and return to normal play mode.  
Press any voice group button.  
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Splitting the keyboard range and playing two differ-  
ent voices (Split mode)  
Split mode enables you to play two different voices on the keyboard — one with the left hand and another  
with the right hand. For example, you can play a bass part using the [WOOD BASS] or [E. BASS] voice with  
the left hand, and a melody with the right hand. Refer to “Voice Combination Examples (Dual and Split)” on  
page 110 for examples of effective voice combinations.  
2 3 Voice group buttons  
2
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
SELECT  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
SETTING  
A
B
LEFT  
RIGHT  
PIANO  
1
PIANO  
2
GUITAR  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
XG  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
3
4
1 3 4 5  
Procedure  
1.  
2.  
Enter Split mode.  
Press the [SPLIT] button.  
Select a voice for the right hand.  
Use the voice group buttons and the A [–] [+] buttons to select  
the voice for the right-hand area.  
TIP  
3.  
Select a voice for the left hand.  
Hold down the [SPLIT] button, and press a voice group button  
to select the voice group for the left-hand area.  
how to select XG voice.  
Use the C [–][+] buttons to select a voice.  
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TIP  
4.  
Specify the split point (the border between the right-  
A specified “split point” key is  
included in the left-hand range.  
and left-hand range).  
The normal setting of the split point is “F 2.”  
TIP  
The split point can also be set  
by the [FUNCTION] parameter  
#
F 2  
Center “C”  
To change the split point setting:  
Hold down the [SPLIT] button, then use the D [–] [+] buttons to specify  
the split point.  
(Optional) Press and hold down the [SPLIT] button and play the key  
you wish to assign as the split point.  
A
B
NO  
YES  
SplitPoint  
F#2  
C
D
Release the [SPLIT] button to return to the main screen.  
5.  
Exit Split mode and return to normal play mode.  
Press the [SPLIT] button.  
You can use Dual (see page 31) in each area (right-hand and left-hand) of Split  
mode.  
A
B
NO  
YES  
GrandPiano1  
Vibraphone  
Harpsi.8'  
WoodBass  
C
D
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Using the metronome  
The Clavinova is built-in metronome (a device that keeps an accurate tempo) is a convenient feature for  
practice.  
1 2  
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
TEMPO [DOWN] [UP] buttons  
Procedure  
1.  
Start the metronome.  
Press the METRONOME [ON/OFF] button.  
Adjusting the tempo  
TIP  
Press the TEMPO [DOWN] or [UP] button.  
The default tempo is 120.  
(If a song has been selected,  
the song tempo is used.)  
A
B
NO  
YES  
Tempo  
120  
C
D
TIP  
To adjust the tempo (number of beats per minute: 5–500), use the TEMPO  
[DOWN][UP] or the D [–][+] buttons. To reset the tempo to the normal  
(default) setting, press the [DOWN] and [UP] buttons or the D [–] and [+]  
buttons simultaneously.  
You can set the time signature,  
metronome volume, and metro-  
nome tone using the METRO-  
NOME [SETTING] button.  
Press the [EXIT] button to return to the normal screen.  
2.  
Stop the metronome.  
Press the METRONOME [ON/OFF] button.  
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Recording Your Performance  
TIP  
This chapter explains how to record your performance using the Clavinova  
You can record your perfor-  
mance (audio data) to a cas-  
sette tape recorder or other  
recording devices via the AUX  
OUT connector. (see page 61.)  
recording function.  
You can, for example, play back what you have played on the Clavinova key-  
board for an effective practice aid. You can also record just the left-hand part,  
then practice the right-hand part while playing back the recorded left-hand  
part.  
Since you can record up to sixteen parts separately, you could record the left-  
and right-hand parts separately, or record each part of a four-handed perfor-  
mance or ensemble song one by one to build a song.  
TERMINOLOGY  
Recording vs. Saving:  
The format of performance data recorded on a cassette tape differs from that of data recorded on the Clavinova. A cas-  
sette tape records audio signals. On the other hand, the Clavinova “saves” information regarding note timing, voices, and  
a tempo value, but not audio signals. When you play back recorded songs, the Clavinova produces sound based on the  
saved information. Therefore, recording on the Clavinova may be more accurately called “saving information.However,  
this book often uses the word “recording” because it seems to make more sense.  
A message (information or confirmation dialog) sometimes appears on the screen to facilitate operation.  
Refer to the “Message List” on page 95 for an explanation of each message, appropriate actions to take, and  
troubleshooting information.  
Recording a New Song  
There are two ways to record your performance: recording it quickly without specifying a recording part, or  
recording several different parts to multiple parts. You can select whichever way best suits your purpose.  
This convenient and simple recording method lets you quickly record your performance without specifying  
the recording parts—useful, for example, in recording solo piano pieces.  
In this way, the performance is automatically recorded to part 1 (right part).  
This lets you record the right, left and extra parts separately. Since you can record the left part while playing  
back the right, this is useful for recording both parts of a duet. Since you can record up to sixteen parts sepa-  
rately, record the performance of each instrument part one by one and create fully orchestrated composi-  
tions.  
EXTRA  
PARTS  
LEFT  
RIGHT  
TIP  
Appropriate channels (parts) in  
the song will automatically be  
assigned to [RIGHT] and  
[LEFT]. Therefore, [RIGHT] may  
be assigned to a part other  
than Part 1, or [LEFT] to a part  
other than Part 2.  
[RIGHT] corresponds to part 1.  
Record the right-hand part to [RIGHT].  
Part 1  
Part 2  
Part 3  
Part 4  
[LEFT] corresponds to part 2.  
Record the left-hand part to [LEFT].  
[EXTRA PARTS] corresponds to part 3-16.  
Record parts 3-16 in addition to part 1 and 2  
when you are recording a song which has  
many parts, such as a symphony orchestra.  
Part 16  
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Recording a performance without specifying the  
recording part  
2
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
PARTS  
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
2
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
4 5  
1 3  
Procedure  
TIP  
1.  
Select “NewSong” for recording.  
Press the [REC] and [STOP] buttons simultaneously.  
If you select a song other than “-  
----:NewSong” and record on a  
part that already has data, the  
existing data on the part will be  
lost.  
“NewSong” screen  
A
B
NO  
YES  
-------------  
-----:NewSong  
BAR 001  
C
D
TIP  
2.  
Select a voice.  
Select a voice (or voices) for recording (see page 27).  
Set the tempo in Step 3.  
TIP  
Set the other parameters, such as reverb, chorus and Song Balance.  
Adjust the [MASTER VOLUME] dial to set the volume level to suit  
your preference. You can also use the dial to adjust the level during  
playback.  
See page 44 for more informa-  
tion on recording in Dual/Split  
mode.  
After you set the tempo or if the record standby screen does not  
appear, press the [SONG SELECT] button once to return to the  
“NewSong” screen.  
3.  
Engage the record mode.  
Press the [REC] button.  
The [REC] and [RIGHT] indicators flash in red.  
(To stop recording, press the [REC] button again or press the [STOP]  
button.)  
Record standby screen  
A
B
NO  
YES  
SongRecording  
-----:NewSong  
BAR 001  
C
D
Set the tempo, if necessary.  
If this record standby screen does not appear, press the [SONG  
SELECT] button once.  
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TIP  
4.  
Start and stop recording.  
Recording begins automatically as soon as you play a note on  
the keyboard.  
Using the metronome  
You can record data while  
using the metronome. To do  
this, turn the metronome on  
before step 4. The metronome  
is not recorded.  
(Optional) Press the [PLAY/PAUSE] button to start recording.  
The recording screen displays the current measure number.  
Record screen  
TIP  
A
B
To stop recording in the middle  
of a song, press the [PLAY/  
PAUSE] button. To resume  
recording, press the [PLAY/  
PAUSE] button again or play a  
note on the keyboard.  
NO  
YES  
SongRecording  
-----:NewSong  
BAR 012  
C
D
Measure number in recording  
TIP  
To stop recording, press the [STOP] button. The Clavinova  
locates the top of the song.  
When you press the [REC] but-  
ton, recording pauses. To return  
the location to the start of the  
song, press the [REC] button,  
again.  
As soon as recording is stopped, the song is automatically saved to  
Storage memory (page 45). When saving is completed, the Storage  
memory screen appears.  
A
B
TIP  
Rename songs  
NO  
YES  
SAVE  
Executing  
The recorded songs are named  
automatically, but you can  
rename songs as you like  
-----:NewSong001.MID  
C
D
5.  
Play back the recorded performance.  
Press the [PLAY/PAUSE] button to play back the recorded per-  
formance.  
When playback is complete, it automatically stops and the Clavinova  
locates the top of the song. To stop playback in the middle of a song,  
press the [STOP] button. You can also pause playback by pressing the  
[PLAY/PAUSE] button.  
38 CLP-295GP Owner’s Manual  
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Re-recording a song partially  
This section explains how to record part of a song again.  
Procedure  
1.  
1-1  
1-2  
1-3  
Select a recording method.  
Press the [FILE/SONG SETTING] button.  
Press the A [–][+] buttons to display “RecStart” or “RecEnd.”  
Press the D [–][+] buttons to specify how the recording should  
start and end.  
Starting methods:  
Normal: The existing data will be erased after re-recording starts.  
FirstKeyOn: Data that exists prior to the point where you start playing a note  
will not be erased.  
Ending methods:  
Replace: The data after the point you stop recording will also be erased.  
PunchOut: The data after the point you stop recording will remain.  
2.  
3.  
Pause the song at the beginning of the part you wish  
to re-record.  
Use the B [–][+] buttons while the playback screen is displayed  
to move through the measures or play back the recording and  
press the [PLAY/PAUSE] button to locate a point slightly prior to  
the beginning of the part you wish to re-record.  
If the playback screen is not displayed, press the [SONG SELECT]  
button once.  
A
B
NO  
YES  
MEMORY  
BAR 009  
M-001:NewSong001.MID  
C
D
Select a voice or voices for recording, if necessary.  
settings.  
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4.  
Engage record mode.  
Press the [REC] button.  
To stop recording, press the [REC] button again or press the [STOP]  
button. After pressing the [REC] button again or the [STOP] button  
when “RecStart” is set to “Normal” (page 39), “Overwrite?” is shown  
in the display. To cancel this and not overwrite, press the B [– (NO)]  
button.  
5.  
6.  
Start and stop recording.  
Recording begins automatically as soon as you play a note on  
the keyboard.  
(Optional) Press the [PLAY/PAUSE] button to start recording.  
To stop recording, press the [STOP] button. The Clavinova locates the  
top of the song.  
Save the recorded songs.  
When you stop recording, the display prompts you whether you  
want to overwrite the song or not. Press the B [+ (YES)] button  
to overwrite the song.  
To cancel overwriting, press the B [– (NO)] button.  
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Recording a performance of several different parts  
2 3 2  
1
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
PARTS  
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
2
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
1 2  
4
Procedure  
TIP  
1.  
Select “New Song” and a voice for recording.  
Set the tempo in Step 2.  
Follow the same operation steps as in “Recording a performance with-  
out specifying the recording part” above. Refer to steps 1-2 on  
TIP  
See page 44 for more informa-  
tion on recording in Dual/Split  
mode.  
2.  
Specify the recording parts and engage the record  
mode.  
Record to the right (part 1) or left (part 2) part:  
Press and hold down the [REC] button and press the [RIGHT]/[LEFT] but-  
ton.  
Record to the extra parts (part 3-16):  
Press the [FILE/SONG SETTING] button and press the A [–][+] button to  
display “RecExtraPartsCh.Press the D [–][+] buttons to specify a recording  
part. The specified part is assigned to the [EXTRA PARTS] button.  
After specifying the recorded part to the [EXTRA PARTS] button, press and  
hold down the [REC] button and press the [EXTRA PARTS] button.  
The [REC] and specified part indicators flash in red.  
(To stop recording, press the [REC] button again or press the [STOP] but-  
ton.)  
Record standby screen  
A
B
NO  
YES  
SongRecording  
-----:NewSong  
BAR 001  
C
D
Set the tempo, if necessary.  
If this record standby screen does not appear, press the [SONG SELECT]  
button once.  
If you don’t want to hear the right/left part while you record, press the  
[RIGHT]/[LEFT] button so that its indicator is turned off.  
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3.  
Start and stop recording.  
Recording begins automatically as soon as you play a note on  
the keyboard.  
(Optional) Press the [PLAY/PAUSE] button to start recording.  
To stop recording, press the [STOP] button. The Clavinova locates the  
top of the song.  
To stop recording, press the [STOP] button. The Clavinova  
locates the top of the song.  
As soon as recording is stopped, the song is automatically saved to  
Storage memory (page 45). When saving is completed, the Storage  
memory screen appears.  
Other recording techniques  
Adding data to or recording over an existing song  
The previous section explains how to record your performance from the beginning by selecting a blank  
“-----: NewSong.You can also add your performance to or overwrite existing songs (such as 50 preset songs  
[P-001—P-050], commercially-available music data <see page 59>, or your old recorded performances <see  
Procedure  
TIP  
1.  
Select a song to be recorded over.  
If you record on a part that  
already has data, the existing  
data on the part will be lost.  
To select a preset song, press the [SONG SELECT] button, then press  
the A [–][+] buttons to display “PRESET.” To select a song, press the C  
[–][+] buttons.  
To select a song from commercially available music data or from  
already-recorded data, press the A [–][+] buttons to display “MEM-  
ORY” or “USB1” in the Song Select screen and press the C [–][+] but-  
tons.  
To continue recording, follow the procedure described in “Recording  
to 36.  
When you record over a preset song, the song is automatically saved  
to Storage memory (page 45) when the recording stopped.  
When you record over a song of commercially available music data or  
of already-recorded data, the display prompts you whether you want  
to overwrite the song or not (when recording is stopped). Press the B  
[+ (YES)] button to overwrite the song.  
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Changing a voice or tempo after recording  
You can change the voice and tempo after recording to change a song’s feel or to set a more suitable tempo.  
You can also change these elements in the middle of a song.  
Procedure  
TIP  
1.  
2.  
Before changing a voice or  
tempo, set the starting method  
When the starting method is set  
to “FirstKeyOn,” you cannot  
change a voice or tempo.  
To change the voice or tempo in the middle of the  
song, specify the measure to change by using the  
B [–][+] buttons while the playback screen is displayed  
or by pressing the [PLAY/PAUSE] button to locate a  
point slightly prior to the beginning of the part you  
wish to re-record.  
TIP  
Refer to “Questions about  
Operations and Functions” on  
page 101 for information on the  
settings that can be changed  
here.  
3.  
4.  
Change the settings (voice, reverb, etc.).  
For example, if you wish to change the recorded E.Piano1 voice to  
E. Piano2, use the voice group buttons and the A [–][+] buttons to  
select E.Piano2.  
When the setting is complete, press the [SONG SELECT] button once  
to return to the song select screen.  
TIP  
Change the tempo in Step 4.  
CAUTION  
The panel settings on Step 3  
will be saved in memory and  
you will not be able to restore  
the previous settings. Proceed  
with caution.  
Press and hold down the [REC] button and select the  
part to change.  
The indicator for the selected part lights up in red.  
Change the tempo setting now, if necessary.  
At this point, do not play the keyboard or press the [PLAY/PAUSE]  
button. Otherwise, recording will start, erasing the recorded data.  
5.  
Press the [STOP] or [REC] button to exit record mode.  
When you exit record mode, the display prompts you whether you  
want to overwrite the song or not. Press the B [+ (YES)] button to  
overwrite the song.  
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Adjusting the volume balance between playback and your performance  
[SONG BALANCE]  
While recording multiple parts one by one, you can adjust the volume balance between the playback of the  
recorded parts and your current performance.  
Procedure  
TIP  
1.  
Move the [SONG BALANCE] slider to the left or right  
to make adjustments.  
Some commercially-available  
music data contains extremely  
high volumes. When using such  
data, please adjust the song  
balance.  
SONG  
KEYBOARD  
SONG BALANCE  
The song playback  
volume will be lower.  
Your playing volume  
will be lower.  
Recording in Dual or Split mode  
When you record in Dual or Split mode, the Clavinova records each voice onto a separate part. The following  
table shows how parts are assigned to each voice.  
CAUTION  
When you record multiple parts one by one, or when you record new data over an existing song (see page 42), the  
existing data will be erased. Proceed with caution.  
In the following example, RIGHT, LEFT, and EXTRA PARTS n have been selected for recording.  
Dual  
Split  
Split+Dual  
Parts assigned for  
recording  
RIGHT  
LEFT  
EXTRA  
PART n  
RIGHT  
LEFT  
EXTRA  
PART n  
RIGHT  
LEFT  
EXTRA  
PART n  
MAIN  
(voice 1)  
Part 1  
Part 2  
Part n  
Part 1  
Part n  
Part 1  
Part n  
LEFT  
(voice 1)  
Parts  
used for  
record-  
ing  
Part 4  
Part 2  
Part n+1  
Part 2  
Part 3  
Part 4  
Part n+1  
Part n+2  
Part n+3  
MAIN  
(voice 2)  
Part 3  
Part n+2  
LEFT  
(voice 2)  
Note: Part n = Part 3 – Part 16  
If “n+1,n+2,and “n+3” exceed 16, Parts 1, 2, and 3 are used.  
TIP  
Switching between Dual and Split mode in a song is not recorded.  
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Handling files such as deleting song  
files ... [FILE/SONG SETTING]  
TERMINOLOGY  
File screens (accessed via the [FILE/SONG SETTING] button) enables you to  
handle files (e.g., save, delete and rename recorded songs), copy and format  
medias and change characters on the screen.  
File  
A file contains a group of data.  
On the Clavinova, a song file  
includes song data and a song  
number.  
The following parameters are provided for these operations:  
Parameter  
name  
Reference  
page  
Memory  
Settings  
Memory is a location inside the  
Clavinova in which you can  
save and edit data.  
Saving recorded songs to a USB storage device  
Save  
Deleting a song from the Clavinova’s Storage  
memory or from a USB storage device  
Delete  
Character code  
Renaming files  
Copying files  
Moving files  
Rename  
Copy  
Type of characters  
TIP  
Move  
Please note that the copy fea-  
tures are intended for your per-  
sonal use only.  
Making folders (directories) in the USB storage  
device  
MakeDir  
Formatting a USB storage device  
Format  
Automatically selecting a song in storage media  
Changing the type of characters on screen  
SongAutoOpen  
CharacterCode  
Clavinova memory  
The Clavinova has the following three types of memory:  
Current memory:  
This is a temporary memory area where you can temporarily place and edit  
the currently-selected song before playback or recording.  
Preset song memory:  
This read-only memory area saves 50 piano preset songs.  
Storage memory:  
This memory area enables you to save recorded songs or song data loaded  
from USB storage device.  
When you select a song in the song select screen, it is loaded from Preset song  
memory, Storage memory, or USB storage device, into Current memory.  
You will use Current memory to play back and record songs. When you turn  
off the power to the Clavinova, songs saved in Preset song memory and Stor-  
age memory are not erased. On the other hand, songs in Current memory are  
lost. However, recorded songs are automatically saved to Storage memory  
from Current memory.  
In this manual, a song located in a song recorded in Current memory, is  
referred to as a “Current song,” a song in Storage memory is a “Memory  
song,and a song on a USB storage device is an “External song.”  
Preset song  
memory  
Storage memory  
Current memory  
USB storage device  
Clavinova  
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Song types  
This instrument handles various types of songs. Letters and song numbers are  
displayed to the left of the song name. The letters indicate the different song  
types as follows:  
P ..................Preset songs  
M.................Memory songs  
MP...............Protected songs such as preset songs saved to Storage memory, or  
Disk Orchestra Collection (DOC) songs, and Disklavier Piano Soft  
songs in the Storage memory.  
MS, Ms........Yamaha-protection-formatted songs in the Storage memory.  
U1................External song  
U1P .............External songs such as Disk Orchestra Collection (DOC) songs or  
Disklavier Piano Soft songs in a USB storage device.  
U1S, U1s .....Yamaha-protection-formatted songs in a USB storage device.  
TIP  
Limitation of file operations  
U1 song with the “.SME” exten-  
sion can only be deleted —  
cannot execute other file opera-  
tions at left.  
Ø: Yes ˛: No  
Song types  
MS, Ms, U1S,  
P
M, U1  
MP, U1P  
U1s  
*1  
*1  
Save  
Ø
Ø
Ø
Ø
Ø
Ø
Ø
˛
*2  
Delete  
Rename  
Copy  
˛
˛
Ø
Ø
*2  
Ø
Ø
*1  
*1  
Ø
˛
Ø
˛
*3  
Move  
˛
Ø
*1 Only to Storage memory  
*2 Only MP songs  
*3 Only between Storage memory and USB storage memory  
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Basic file operation  
A message (information or confirmation dialog) sometimes appears on the screen to facilitate operation.  
Refer to the “Message List” on page 95 for an explanation of each message, appropriate actions to take.  
1
3
4
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
2 3  
4
4 5  
Procedure  
1.  
Prepare for handling file(s).  
TIP  
Prepare for handling files as follows.  
If a folder is displayed for an  
External song, the[ / ] indica-  
tor is displayed in the lower  
right of the screen. In this case,  
you can use the D [+] button to  
open the folder. Press the D [–]  
button to return to the previous  
(upper) level.  
To use “Save,“Rename,Copy” or “Move”:  
Select a song via the [SONG SELECT] button.  
To use “MakeDir”:  
Select the USB storage device via the [SONG SELECT] button.  
To use “Delete,“Format,“SongAutoOpen” or “CharacterCode”:  
No need to perform any operations in this step.  
CAUTION  
Avoid frequently turning the  
power on/off to the USB storage  
device, or connecting/discon-  
necting the cable too often.  
Doing so may result in the oper-  
ation of the instrument “freez-  
ing” or hanging up. While the  
instrument is accessing data  
(such as in the Save, Copy and  
Delete operations), do NOT  
unplug the USB cable, do NOT  
remove the media from the  
device, and do NOT turn the  
power off to either device.  
2.  
Access the File/Song Setting menu.  
Press the [FILE/SONG SETTING] button.  
A
B
NO  
YES  
Save  
Selected?-->  
M-002:NewSong002.MID /-  
C
D
To close the File/Song Setting menu, press the [EXIT] button once or  
twice.  
3.  
4.  
Select the desired parameter.  
Press the [FILE/SONG SETTING] or A [–][+] buttons repeatedly to  
display the desired item.  
Doing so may corrupt the data  
on either or both devices.  
Set the parameter or execute the command.  
Use the B [– (NO)][+ (YES)], C [–][+], D [–][+] buttons.  
For more information regarding this procedure, refer to the corre-  
sponding section below.  
TERMINOLOGY  
“Overwrite?”: Do you wish to  
overwrite the song?  
“Execute?”: Do you wish to  
execute the operation?  
“Sure?”: Are you sure?  
“Executing”: The Clavinova is  
executing the operation.  
“Completed”: The operation is  
complete.  
5.  
Close the File/Song Setting menu.  
Press the [EXIT] button.  
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Saving recorded songs to a USB storage device ... [Save]  
Recorded songs are automatically saved to Storage memory from Current memory, so normally you won’t  
need to save songs using this function. However, if a “MemoryFull” message or “SystemLimit” message  
appear, save the song to another device using this function.  
A
B
NO  
YES  
Save  
Selected?-->  
M-001:NewSong001.MID /-  
C
D
CAUTION  
Do not turn off the power before the save operation is completed. If you turn off the power to the Clavinova before the save operation  
is completed, the recorded song will be lost.  
Procedure  
See page 47 for information on basic operations.  
The following is a detailed procedure of Step 4.  
TIP  
If a folder is displayed for an  
External song, the[ / ] indica-  
tor is displayed in the lower  
right of the screen. In this case,  
you can use the D [+] button to  
4-1 Select a save destination.  
Press the D [–] button to display “DriveSelected?” and press the C  
[–][+] buttons to select a save destination (Storage memory or USB  
storage device). After selecting a save destination, press the B [+  
(YES)] button to fix it. Then press the B [+ (YES)] button to display  
“Execute?.”  
open the folder. Press the D [–]  
button to return to the previous  
(upper) level.  
4-2 Name the song.  
To move the cursor (small underline), use the C [–][+] buttons.  
To insert a space, press the C [–][+] buttons simultaneously.  
To select a character at the cursor, use the D [–][+] buttons.  
To delete a character, press the D [–][+] buttons simultaneously.  
You can use up to 46 one-byte or 23 two-byte characters for a song  
name. If the name is longer than the screen, use the C [–][+] buttons  
to move the cursor and scroll the name.  
TIP  
You can change the type of  
characters on the screen using  
the “CharacterCode” parame-  
ter.  
CAUTION  
Do not turn off the power or  
eject the media while “Execut-  
ing” is shown in the display.  
4-3 Execute the operation.  
Press the B [+ (YES)] button located next to “Execute?.”  
Follow the instructions on screen.  
The song is automatically numbered.  
TIP  
If Storage memory contains one or more songs, and you save a new song, the Clavi-  
nova automatically sorts the songs alphabetically and renumbers them.  
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Deleting a song from the Clavinova’s Storage memory  
or from a USB storage device ... [Delete]  
This deletes a song from Storage memory or from a USB storage device. It is  
not possible to delete a preset song or current song.  
A
B
NO  
YES  
Delete  
Execute?-->  
/-  
U1-001:NewSong001  
C
D
Procedure  
TIP  
See page 47 for information on basic operations.  
The following is a detailed procedure of Step 4.  
After you delete a song, the  
Clavinova automatically  
updates the song numbers.  
4-1 Press the C [–][+] buttons to select a song to delete.  
TIP  
When you delete a folder, all files  
within that folder will be deleted.  
To select Storage memory or USB storage device:  
Press the D [–] button to display “DriveSelected?” and press the C  
[–][+] buttons to select Storage memory or USB storage device. Then,  
press the B [+ (YES)] button or D [+] button to display the content of  
the Storage memory or USB storage device and select a song by press-  
ing the C [–][+] buttons.  
TIP  
If a folder is displayed for an  
External song, the[ / ] indica-  
tor is displayed in the lower  
right of the screen. In this case,  
you can use the D [+] button to  
open the folder. Press the D [–]  
button to return to the previous  
(upper) level.  
4-2 Press the B [+ (YES)] button located next to “Exe-  
cute?.”  
CAUTION  
Follow the instructions on screen.  
Do not turn off the power or  
eject the media while “Execut-  
ing” is shown in the display.  
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Renaming files ... [Rename]  
You can change a song’s title except for the preset songs and [-----: NewSong].  
Procedure  
CAUTION  
See page 47 for information on basic operations.  
The following is a detailed procedure for Step 4.  
Do not turn off the power or  
eject the media while “Execut-  
ing” is shown in the display.  
A
B
NO  
YES  
Rename  
Execute?-->  
TIP  
M-001:NewSong001  
To rename folders  
To rename a folder, select  
“Rename” then select the folder  
by pressing the [SONG  
C
D
4.  
Name the song as described in the “Save” section  
SELECT] button and the C [–]  
[+] buttons. (The folder name is  
shown after “DIR:.”) To select  
another level in this display,  
press the D [–][+] buttons.  
(Other levels can be selected  
when “ / ” is shown in the dis-  
play.) After that, select  
“Rename” again and rename  
the folder.  
TIP  
After you rename a song, the  
Clavinova sorts songs alpha-  
betically and renumbers them.  
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Copying files ... [Copy]  
TIP  
You can copy songs. However, you cannot copy files to the same root direc-  
tory or same folder.  
Please note that the copy fea-  
tures are intended for your per-  
sonal use only.  
A
B
NO  
YES  
Copy  
Execute?-->  
/-  
TERMINOLOGY  
U1-001:NewaSong001  
Root:  
The highest level of a hierarchi-  
cal structure. This indicates an  
area which does not belong to  
a folder.  
C
D
Copy operation  
You can copy files to other memory location.  
Can be copied.  
File A  
File A  
Can be copied.  
File B  
File B  
Storage memory  
USB storage device  
You can copy files to a folder but not on the same root directory.  
Can be copied.  
File A  
File A  
Folder  
Cannot be copied.  
File B  
USB storage device  
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Procedure  
TIP  
See page 47 for information on basic operations.  
The following is a detailed procedure for Step 4.  
Protected songs cannot be  
copied.  
TIP  
Please note that the copy fea-  
tures are intended for your per-  
sonal use only.  
4-1 When you copy a song to/from a USB storage device,  
make sure that a USB storage device is connected to  
the instrument.  
TIP  
You cannot copy a folder.  
TIP  
4-2 Press the D [–] button to display “DriveSelected?”  
and press the C [–][+] buttons to select a copy destina-  
tion (Storage memory or USB storage device). After  
selecting a copy destination, press the B [+ (YES)] but-  
ton to fix it.  
If a folder is displayed for an  
External song, the [ / ] indi-  
cator is displayed in the lower  
right of the screen. In this  
case, you can use the D [+]  
button to open the folder.  
Press the D [–] button to return  
to the previous (upper) level.  
4-3 Press the B [+ (YES)] button located next to “Exe-  
cute?.”  
CAUTION  
Do not turn off the power or  
eject the media while “Execut-  
ing” is shown in the display.  
Follow the instructions on screen.  
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Moving files ... [Move]  
You can move (cut and paste) songs.  
A
B
NO  
YES  
Move  
Execute?-->  
/-  
U1-001:NewSong001  
C
D
Procedure  
See page 47 for information on basic operations.  
The following is a detailed procedure for step 4.  
TIP  
Preset songs and some pro-  
tected songs cannot be  
moved.  
4-1 When you move a song to/from a USB storage device,  
make sure that a USB storage device is connected to  
the instrument.  
TIP  
You cannot move a folder.  
TIP  
If a folder is displayed for an  
External song, the [ / ] indi-  
cator is displayed in the lower  
right of the screen. In this  
case, you can use the D [+]  
button to open the folder.  
4-2 Press the D [–] button to display “DriveSelected?”  
and press the C [–][+] buttons to select a move desti-  
nation (Storage memory or USB storage device). After  
selecting a move destination, press the B [+ (YES)]  
button to fix it.  
Press the D [–] button to return  
to the previous (upper) level.  
CAUTION  
4-3 Press the B [+ (YES)] button located next to “Exe-  
cute?.”  
Do not turn off the power or  
eject the media while “Execut-  
ing” is shown in the display.  
Follow the instructions on screen.  
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Making folders in the USB storage device ... [MakeDir]  
You can create folders (directories) on the USB storage device to organize songs. This instrument enables you  
to create folders only in the USB storage device—not in the Preset song memory and Storage memory.  
A
B
CAUTION  
Do not turn off the power or eject  
the media while “Executing” is  
shown in the display.  
NO  
YES  
MakeDir  
U1 :NewDir_  
Execute?-->  
C
D
TIP  
To make a folder for the  
selected drive or level  
Procedure  
To make a folder for the selected  
drive or level, select “MakeDir”  
then select “USB” by pressing  
the [SONG SELECT] button. In  
this display, press the A [–][+]  
button to select another drive.  
Press the D [–][+] button to  
select another level. After that,  
select “MakeDir” again and  
make a folder, following step 4 at  
left.  
See page 47 for information on basic operations.  
The following is a detailed procedure for step 4.  
4-1 Follow the steps “Saving recorded songs to a USB stor-  
4-2 Press the B [+ (YES)] button located next to “Exe-  
cute?.”  
TERMINOLOGY  
Follow the instructions on screen.  
Root:  
The highest level of a hierarchi-  
cal structure. This indicates an  
area which does not belong to a  
folder.  
The folder is created in the root directory in the USB1 (indicated by  
“U1” in this display) device.  
Formatting a USB storage device ... [Format]  
You can format media so that it can be used with the Clavinova.  
A
B
NO  
YES  
Format  
USB1  
Execute?-->  
C
D
Procedure  
CAUTION  
See page 47 for information on basic operations. The following is a detailed  
procedure for step 4.  
Do not turn off the power or  
eject the media while “Execut-  
ing” is shown in the display.  
4-1 If some USB storage devices are recognized by the  
instrument, press the C [–][+] buttons to select a  
device.  
TIP  
For a list of devices whose  
compatibility has been con-  
firmed by Yamaha, visit the fol-  
lowing web page:  
http://music.yamaha.com/CLP-  
4-2 Press the B [+ (YES)] button located next to “Exe-  
cute?.”  
Follow the instructions on screen.  
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Automatically selecting a song in storage media ...  
[SongAutoOpen]  
Specify whether a song (not contain in a folder) which does not contain to a  
TIP  
folder will automatically be opened when you insert the media.  
When a USB storage device is  
connected to the instrument, a  
song in the device will not  
automatically open. A song is  
automatically opened only  
when media is inserted to a  
drive. Therefore, this function  
cannot be used for devices  
which do not use removable  
media — such as USB flash  
memory or hard disk drive.  
A
B
NO  
YES  
SongAutoOpen  
On  
C
D
Procedure  
See page 47 for information on basic operations.  
The following is a detailed procedure for step 4.  
4
Use D [–][+] button to select ON or OFF.  
Changing the type of characters on screen  
... [CharacterCode]  
You can change the type of characters that appear on screen.  
The default setting is “International.” To input katakana, change this setting to “Japanese.”  
A
B
NO  
YES  
CharacterCode  
Japanese  
C
D
Options: International, Japanese  
Character list  
International  
Japanese  
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Playing Back Recorded Songs and  
Commercially-available Music Data  
TIP  
You can play back songs recorded using the Record function (page 36) as well  
as commercially-available music data. You can also play the keyboard along  
with the playback.  
the types of song data that can  
be played on the Clavinova.  
TIP  
TIP  
Songs containing a large amount of data may not be able to be read properly by the instrument,  
and as such you may not be able to select them. The maximum capacity is about 200–300KB,  
however this may differ depending on the data contents of each song.  
Change the Clavinova’s char-  
acter type ([CharacterCode])  
as appropriate for the selected  
Playing back a song  
If you want to play back an External song on this instrument, connect the USB storage device and insert the  
appropriate media into the device.  
1
2
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
4 3  
2
5
Procedure  
TIP  
You can enjoy ensemble perfor-  
mance by yourself. Record the  
parts for a four-handed song or a  
piano duet, then play the recorded  
part while playing the other part on  
the keyboard.  
1.  
Display the song select screen.  
Press the [SONG SELECT] button.  
Song select screen  
A
B
TIP  
You can repeat playback a single  
song via the [Repeat] button  
(page 25) or repeat playback all  
songs by using the “SongRepeat”  
NO  
YES  
PRESET  
P-001:Invention 1  
Bar 001  
C
D
TIP  
2.  
Select the desired song.  
If a folder is displayed for an Exter-  
nal song, the [ / ] indicator is dis-  
played in the lower right of the  
screen. In this case, you can use  
the D [+] button to open the folder.  
Press the D [–] button to return to  
the previous (upper) level.  
TIP  
If the song name extends beyond  
what can be displayed in the  
screen, you can press the D [+]  
button to move toward the right in  
steps of one character. Press the  
D [–] button to move back to the  
left in steps of one character.  
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2-1 Use the A [–][+] buttons to select the song type:  
“PRESET,” “MEMORY,” or “USB1.”  
PRESET ......Stands for Preset song memory. This memory contains 50  
piano preset songs.  
MEMORY...Stands for Storage memory. This memory contains recorded  
songs or copied songs. “MEMORY” is not displayed when this  
memory does not contain any songs.  
USB1...........Stands for USB storage device. This device contains commer-  
cially available song data, etc. “USB1” is not displayed when  
the USB storage device is not connected to the instrument.  
When several USB storage devices are recognized to the instru-  
ment, numbers are added after “USB,like “USB1,USB2...  
The numbers are not fixed and may change according to the  
order in which the devices are connected and disconnected.  
2-2 Use the C [–][+] or [SONG SELECT] button to select a  
song.  
Letters (page 46) and song numbers are displayed on the left of the  
song names.  
3.  
Start playback.  
Press the [PLAY/PAUSE] button.  
Starting playback automatically as you start playing the  
keyboard (Sync Start)  
You can start playback as soon as you start playing the keyboard. This is  
called the “Sync Start” function.  
To enter Sync Start standby mode, press and hold down the [STOP] button  
and press the [PLAY/PAUSE] button. The [PLAY/PAUSE] indicator flashes.  
Now play the keyboard. Playback starts simultaneously.  
To cancel the Sync Start function, press the [STOP] button while the Clavi-  
nova is in Sync Start standby mode.  
TERMINOLOGY  
Bar: measure  
You can move back and forth (rewind and fast forward) through the bars by  
using the B [–][+] buttons in the song select screen while the Clavinova is  
playing or stopped.  
TIP  
The bar number in playback  
You can play the metronome  
along with the song playback.  
When you stop playback, the  
metronome is also stopped.  
A
B
NO  
YES  
USB1  
Bar 005  
U1-001:Song001.MID  
TIP  
C
D
Press the C [+] button during  
playback to start playback  
from the next song. Press the  
C [–] button during playback to  
start playback from the previ-  
ous song.  
You can play the keyboard while the Clavinova is playing back a song. You  
can also play the notes in a voice different from the playback voice by select-  
ing the voice from the panel, and adjusting the volume balance between the  
playback parts and your current performance using the [SONG BALANCE]  
Press the [SONG SELECT] button to return to the song select screen.  
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Adjusting the tempo  
You can use the TEMPO [DOWN][UP] buttons to adjust the playback  
tempo as required before or during playback. The default tempo (the song’s  
original tempo) is set when you press the [DOWN] and [UP] buttons simul-  
taneously.  
Press the [SONG SELECT] button to return to the song select screen.  
4.  
5.  
Stop playback.  
When playback is complete, the Clavinova automatically stops and  
locates the top of the song. To stop playback in the middle of a song,  
press the [STOP] button. You can also pause playback by pressing the  
[PLAY/PAUSE] button. Playback pauses when you press the button.  
Return to the main screen.  
Press the [EXIT] button.  
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Turning part playback on and off  
TIP  
While the Clavinova is playing or stopped, pressing these part buttons turn  
off the indicators, and the data on those parts will not be played. Pressing the  
part buttons toggles part playback on and off. You can play the part that is  
turned off.  
You can practice a part or  
phrase using the “SongRepeat  
“FILE/SONG SETTING” menu.  
TIP  
Appropriate channels (parts) in  
the song will automatically be  
assigned to [RIGHT] and  
[LEFT]. Therefore, [RIGHT] may  
be assigned to a part other  
than Part 1, or [LEFT] to a part  
other than Part 2.  
Supported song data type  
Data formats that can be played on the CLP-295GP  
The Clavinova CLP-295GP plays song data in the following formats:  
TERMINOLOGY  
Sequence format:  
A structured method for record-  
ing performance data.  
Sequence format  
SMF (Standard MIDI File) formats 0 and 1  
ESEQ  
Performance data recorded on the CLP-295GP is saved as SMF format  
0.  
TERMINOLOGY  
Voice arrangement format  
Voice arrangement format:  
A structured method for num-  
bering the voices for assign-  
ment.  
XG voice arrangement  
GM system level 1 voice arrangement  
GM system level 2 voice arrangement  
DOC voice arrangement  
TIP  
Performance data recorded with preset XG voices on the CLP-295GP  
can be played on other XG-compatible instruments.  
See the separate “Data List” for the XG voice list.  
This instrument can play GS  
format songs. However, the  
voices may not be completely  
the same as used in the origi-  
nal.  
TERMINOLOGY  
Disk format:  
A structured method for writing  
data to disk.  
Floppy disk format  
3.5-inch 2DD disks in the MS-DOS 720KB format  
3.5-inch 2HD disks in the MS-DOS 1.44MB format  
Refer to “Data compatibility” on page 106 for more information on formats.  
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Connections  
Connectors  
CAUTION  
Before connecting the Clavinova to other electronic components, turn off the power to all the components. Before  
turning the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or  
damage to the components may occur.  
at front  
on the left of the panel  
R
L
R
L/L+R  
AUX OUT  
AUX IN  
USB  
SELECT  
USB TO DEVICE  
IN  
OUT  
MIDI  
THRU  
TO DEVICE  
B
TO HOST  
AUX PEDAL  
1 USB [TO DEVICE] terminal (A/B)  
This terminal allows connection to USB storage devices.  
TIP  
There are two different types of  
USB terminals on the instru-  
ment: USB [TO DEVICE] and  
USB [TO HOST]. Take care not  
to confuse the two terminals  
and the corresponding cable  
connectors. Be careful to con-  
nect the proper plug in the  
proper direction.  
2 USB [TO HOST] terminal  
This terminal allows direct connection to a personal computer. Refer to “Con-  
3 MIDI [IN], [OUT], [THRU] terminals  
Use MIDI cables to connect external MIDI devices to these connectors.  
MIDI [IN]: Receives MIDI data.  
MIDI [OUT]: Transmits MIDI data.  
MIDI [THRU]: Transmits data received at the MIDI [IN] terminal as it is.  
TIP  
MIDI performance data and  
commands are transferred in  
the form of numeric values.  
TIP  
About MIDI  
Since MIDI data that can be  
transmitted or received varies  
depending on the type of MIDI  
device, check the “MIDI Imple-  
mentation Chart” to find out  
what MIDI data and commands  
your devices can transmit or  
receive. The Clavinova’s MIDI  
Implementation Chart appears  
on the separate Data List.  
MIDI (Musical Instrument Digital Interface) is a standard format for data trans-  
mission/reception. It enables the transfer of performance data and commands  
between MIDI devices and personal computers. Using MIDI, you can control a  
connected MIDI device from the Clavinova, or control the Clavinova from a con-  
nected MIDI device or computer.  
4 [AUX PEDAL] jack  
A separately sold FC7 foot controller or FC4/FC5 foot switch can be con-  
nected to this jack. By using an FC7 you can control the volume while playing  
to add expression to your performance, or control various other functions. By  
using an FC4/FC5, you can switch various selected functions on/off. To select  
the function that will be controlled, use the [FUNCTION] parameter [Aux-  
Pedal] (page 88). The [PLAY/PAUSE] function can also be assigned to a foot  
CAUTION  
Connect or disconnect the  
pedal when the power is off.  
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TIP  
5 AUX IN [L/L+R], [R] jacks  
The Clavinova’s [MASTER VOL-  
UME] dial setting affects the  
input signal from the AUX IN  
jacks, but the [REVERB], [CHO-  
RUS], and BRILLIANCE [MEL-  
settings do not.  
The stereo outputs from another instrument can be connected to these jacks,  
allowing the sound of an external instrument to be reproduced via the Clavi-  
nova’s speakers. Refer to the diagram below and use audio cables for connec-  
tion.  
CAUTION  
When the Clavinova’s AUX IN jacks are connected to an external device, first  
turn on the power to the external device, then to the Clavinova. Reverse this  
order when you turn the power off.  
TIP  
If you connect the Clavinova to  
a monaural device, use only the  
AUX IN [L/L+R] jack.  
Clavinova  
TIP  
R
L
L+R  
AUX IN  
Use audio cables and adaptor  
plugs with no resistance.  
AUX IN  
phone plug  
(standard)  
audio cable  
Plug shape depends on the device.  
AUX OUT  
Tone Generator  
6 AUX OUT [L] [R] Pin jacks  
TIP  
These jacks let you connect the Clavinova to your stereo system etc. to play at  
higher volumes, or connect a cassette recorder etc. to record your playing. Use  
audio cables to make connections as shown in the diagram.  
When the sound from the AUX  
OUT jacks is routed to the AUX  
IN jacks, the input sound will be  
output from the speaker of the  
CLP. The output sound may be  
excessively loud and may  
cause noise.  
CAUTION  
When the Clavinova’s AUX OUT jacks are connected to an external audio sys-  
tem, first turn on the power to the Clavinova, then to the external audio system.  
Reverse this order when you turn the power off.  
Clavinova  
Stereo  
R
L
AUX OUT  
AUX OUT  
AUX IN  
RCA pin plug  
RCA pin plug  
audio cable  
When AuxOutLevel (page 91)” is set to “Fixed,the sound is output to the  
external device at a fixed level and the Clavinova’s [MASTER VOLUME] set-  
ting will not affect the sound.  
When AuxOutLevel (page 91)” is set to “Variable,the Clavinova’s [MASTER  
VOLUME] setting will affect the sound that is output from AUX OUT.  
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Connecting to a USB storage device  
By connecting the instrument to a USB storage device with a standard USB cable, you can save data you’ve  
created to the connected device, as well as read data from the connected device.  
Compatible USB storage devices  
TIP  
CD-ROM drive  
Although CD-R/RW drives can  
be used to read data to the  
instrument, they cannot be  
used for saving data.  
Up to two USB storage devices, such as a floppy disk drive, hard disk drive,  
CD-ROM drive, flash memory reader/writer, etc., can be connected to the  
USB [TO DEVICE] terminal. (If necessary, use a USB hub.) Other USB  
devices such as a computer keyboard or mouse cannot be used.  
The instrument does not necessarily support all commercially available  
USB storage devices. Yamaha cannot guarantee operation of USB storage  
devices that you purchase. Before purchasing USB storage devices, please  
consult your Yamaha dealer, or an authorized Yamaha distributor (see list  
at end of the Owner’s Manual) for advice, or visit the following web page:  
TIP  
Do not use a non-ID SmartMe-  
dia card.  
TIP  
Number of USB storage  
devices  
Two USB storage devices can  
be connected to one USB [TO  
DEVICE] terminal using a hub  
device. This instrument can  
recognize up to four drives in  
one USB storage device.  
CAUTION  
Avoid frequently turning the power on/off to the USB storage device, or connect-  
ing/disconnecting the cable too often. Doing so may result in the operation of the  
instrument “freezing” or hanging up. While the instrument is accessing data  
(such as in the Save, Copy and Delete operations), do NOT unplug the USB  
cable, do NOT remove the media from the device, and do NOT turn the power  
off to either device. Doing so may corrupt the data on either or both devices.  
TIP  
About USB hub  
If you are connecting two  
devices at the same time, use a  
USB hub device. The USB hub  
must be self-powered (with its  
own power source) and the  
power must be on. Only one  
USB hub can be used. If an  
error message appears while  
using the USB hub, disconnect  
the hub from the instrument,  
then turn on the power of the  
instrument and re-connect the  
USB hub.  
TIP  
Optional Floppy Disk Drive  
Yamaha UD-FD01  
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Connection to a USB storage device  
TIP  
This instrument has two USB [TO DEVICE] terminals; one on the left of the  
panel and one on the terminal at the front.  
If you connect USB storage  
devices to both USB [TO  
DEVICE] terminals, the devices  
may not operate properly.  
USB [TO DEVICE] terminal A  
Select the desired terminal  
SELECT  
USB TO DEVICE  
USB [TO DEVICE] terminal B  
Both are the same terminal; however, both cannot be used at the same time.  
Use the [SELECT] switch to select the desired terminal. Switching to A”  
selects the terminal on the left of the panel, while switching to “B” selects the  
terminal panel at the front.  
CAUTION  
While the instrument is accessing data (such as in the Save, Copy and Delete operations),  
do NOT use the [SELECT] switch. Doing so may corrupt the media or data.  
Formatting USB storage media  
When you execute a file-related operation with a connected USB storage  
device, a message may appear indicating the device/media is unformatted.  
If so, execute the Format operation (page 54).  
CAUTION  
The format operation overwrites any previously existing data. Proceed with caution.  
To protect your data (write-protect):  
To prevent important data from being inadvertently erased, apply the write-pro-  
tect provided with each storage device or media. If you are saving data to the USB  
storage device, make sure to disable write-protect.  
To display the data in the USB storage device  
TIP  
To view the data of the USB storage device on the CLP display, press the  
[SONG SELECT] button to engage song selection mode or press the [FILE/  
SONG SETTING] button to engage file/song setting mode. If you try to  
engage these modes before connecting the USB storage device, press the  
[EXIT] button to exit the mode and re-engage the mode.  
Though the instrument supports  
the USB 1.1 standard, you can  
connect and use a USB 2.0  
storage device with the instru-  
ment. However, note that the  
transfer speed is that of USB  
1.1.  
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Backing up your data to a computer  
Backing up the instrument data to a computer  
Once you’ve saved data to a USB storage device, you can copy the data to the hard  
disk of your computer, then archive and organize the files as desired. Simply  
reconnect the device as shown below.  
Saves internal data to a USB storage device.  
USB [TO DEVICE] terminal  
Instrument  
USB storage  
device  
Disconnect the USB storage device from the instrument and connect it  
to the computer.  
Backing up data to a computer and organizing files/folders.  
USB storage device  
Computer  
Copying files from a computer hard disk to a USB storage  
device  
Files contained on the hard disk of a computer can be transferred to the instru-  
ment by first copying them to the storage media, then connecting/inserting the  
media to the instrument.  
Not only files created on the instrument itself but also Standard MIDI files created  
on other devices can be copied to a USB storage device from the hard disk of the  
computer. Once you’ve copied the data, connect the device to the USB [TO  
DEVICE] terminal of the instrument, and play back the data on the instrument.  
Copying the files of the hard disk of the computer to the  
USB storage device.  
USB storage device  
Computer  
Disconnect the USB storage device from the computer and connect it  
to the instrument.  
Reading files on the USB storage device from the instrument.  
USB [TO DEVICE] terminal  
Instrument  
USB storage  
device  
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Connecting a personal computer  
By connecting a computer to the USB [TO HOST] or MIDI terminals, you can transfer data between the  
instrument and the computer via MIDI, and take advantage of sophisticated computer music software. Keep  
in mind that you also need to install an appropriate USB MIDI driver.  
TERMINOLOGY  
Driver:  
There are the two methods by which to connect the Clavinova to a personal  
computer:  
A driver is software that pro-  
vides a data-transfer interface  
between the computer’s operat-  
ing system and a connected  
hardware device. You need to  
install a USB MIDI driver to con-  
nect the computer and the  
instrument.  
1. Connecting the USB port on the computer to the Clavinova’s USB [TO  
HOST] terminal (see below)  
2. Using a MIDI interface and the Clavinova’s MIDI terminals (page 66)  
If you are using a computer that has a USB interface, we recommend that you  
connect the computer and the instrument by USB, rather than by MIDI.  
For more information, refer to the following pages.  
CAUTION  
When connecting the Clavinova to a personal computer, first turn off the power of the  
Clavinova and quit any application software that is open on the computer before con-  
necting any cables. After making connections, turn on the power to the Clavinova.  
CAUTION  
If you are not using the connection between the Clavinova and your computer, you  
must disconnect the cable from the USB [TO HOST] terminal. The Clavinova may not  
operate correctly if a cable is left connected.  
Connecting the USB port on the computer to the  
Clavinova’s USB [TO HOST] terminal  
Use a USB cable to connect the USB port on your computer to the USB [TO  
HOST] terminal on the Clavinova.  
TIP  
• The instrument will begin  
transmission a short time after  
the USB connection is made.  
Instrument  
USB  
• When using a USB cable to  
connect the instrument to your  
computer, make the connec-  
tion directly without passing  
through a USB hub.  
TO DEVICE  
TO HOST  
USB [TO HOST] terminal  
• For information on setting up  
your sequence software, refer  
to the owner’s manual of the  
relevant software.  
USB cable  
Computer  
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CAUTION  
Precautions when using the USB [TO HOST] terminal  
When connecting the computer to the USB [TO HOST] terminal, make sure to  
observe the following points. Failing to do so risks freezing the computer and cor-  
rupting or losing data. If the computer or the instrument freezes, turn the power to  
the instrument off and restart the computer.  
Before connecting the computer to the USB [TO HOST] terminal, exit from any  
power-saving mode of the computer (such as suspended, sleep, standby), and  
quit any open application software, also turns off the power to the instrument.  
Execute the following before turning the power to the instrument off or  
unplugging the USB cable to/from the instrument/computer.  
- Quit any open application software on the computer.  
- Make sure that data is not being transmitted from the instrument. (Data is  
transmitted only by playing notes on the keyboard or playing back a song.)  
• While a USB device is connected to the instrument, you should wait for six  
seconds or more between these operations: When turning the power of  
the instrument off then on again, or when alternately connecting/discon-  
necting the USB cable.  
Using a MIDI interface and the Clavinova’s MIDI terminals  
Use a MIDI interface device to connect a computer to the Clavinova using  
special MIDI cables.  
USB port or serial port  
(modem or printer terminal)  
Instrument  
MIDI cable  
MIDI [IN] terminal  
MIDI [OUT]  
terminal  
Computer  
MIDI interface  
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Detailed Settings  
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Detailed Settings  
You can set various parameters to make the best use of Clavinova functions, such as fine tuning the pitch,  
selecting a voice for the metronome, repeating playback, etc. For the basic procedure to make these settings,  
refer to page 93.  
Parameter List  
Recording and playback [FILE/SONG SETTING]  
Settings  
Parameter name  
Reference page  
Saving recorded songs to a USB storage device  
Save  
Deleting a song from the Clavinova’s Storage memory or from  
a USB storage device  
Delete  
Renaming files  
Rename  
Copying files  
Copy  
Moving files  
Move  
Making folders in the USB storage device  
Formatting a USB storage device  
Automatically selecting a song in storage media  
Changing the type of characters on screen  
Playing back a song/all songs repeatedly  
Playing back the phrase specified by the phrase number  
Correcting note timing  
MakeDir  
Format  
SongAutoOpen  
CharacterCode  
SongRepeat  
PhraseMark  
Quantize  
Specifying whether playback starts immediately along with  
the first voicing  
QuickPlay  
Auditioning the channels  
ChannelListen  
ChannelClear  
RecStart  
Deleting data from each channel  
Selecting a record starting method  
Selecting a record ending method  
Recording parts 3-16 (Extra Parts)  
RecEnd  
RecExtraPartsCh  
Metronome [METRONOME SETTING]  
Settings  
Parameter name  
Reference page  
Setting the metronome time signature  
Setting the metronome volume level  
Setting the metronome voice  
TimeSignature  
MetronomeVolume  
MetronomeSound  
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Voices [VOICE SETTING]  
In Dual mode, parameters with the “ ” mark are set for Voice 1 and Voice 2 individually.  
*
Settings  
Parameter name  
Octave  
Reference page  
Setting the octave*  
Setting the volume level*  
Volume  
Setting the position of right and left channels*  
Make fine adjustments to the pitch (only in Dual mode)  
Selecting the reverb type  
Pan  
Detune  
ReverbType  
ReverbSend  
ChorusType  
ChorusSend  
ChorusOnOff  
DSP Type (DSP)  
VibeRotorSpeed  
Setting the reverb depth*  
Selecting the chorus type  
Setting the chorus depth*  
Setting the chorus on/off  
Selecting the DSP type*  
Setting the speed of the vibraphone vibrato effect*  
VibeRotorOnOff  
(RotorOnOff)  
Turning the vibraphone vibrato effect on/off*  
Setting the rotation speed of the rotary speaker*  
Adjusting the depth of the DSP effect*  
Adjusting the brightness of the sound*  
RotarySpeed (Rot.Speed)  
DSPDepth  
Brightness  
HarmonicContent  
(Harmonic)  
Adjusting the resonance effect*  
Adjusting the low-range frequency of the equalizer*  
EQ LowFreq. (EQ L.Freq)  
Adjusting the low-range gain (amount of boost/cut) of the  
equalizer*  
EQ LowGain  
Adjusting the high-range frequency of the equalizer*  
EQ HighFreq. (EQ H.Freq)  
EQ HighGain  
Adjusting the high-range gain (amount of boost/cut) of the  
equalizer*  
Setting the touch sensitivity*  
TouchSense  
iAFC [iAFC SETTING]  
Settings  
Parameter name  
Reference page  
Turning iAFC on/off  
iAFC  
Adjusting the Dynamic Damper Effect depth  
Adjusting the Spatial Effect depth  
Calibration (automatic adjustment)  
Restoring the default calibration setting  
DynDmpFX Depth  
SpatialFX Depth  
Calibration  
iAFC Default  
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Other settings [FUNCTION]  
Settings  
Parameter name  
Reference page  
Changing the key  
Transpose  
Selecting a touch response  
TouchResponse  
Tune  
Fine tuning the pitch  
Selecting a tuning curve for a piano voice  
Selecting a scale  
PianoTuningCurve  
Scale  
Specifying the Split Point  
SplitPoint  
Setting the right pedal function  
Setting the center pedal function  
Setting the left pedal function  
RPedalFunc  
CPedalFunc  
LPedalFunc  
AuxPedalFunc  
RPedalOnOff  
CPedalOnOff  
LPedalOnOff  
AuxPedalOnOff  
PedalPlay/Pause  
AuxPedalType  
Setting the auxiliary pedal function  
Turning the right pedal function on/off  
Turning the center pedal function on/off  
Turning the left pedal function on/off  
Turning the auxiliary pedal function on/off  
Assigning the SONG [PLAY/PAUSE] function to the pedal  
Selecting a type of auxiliary pedal  
Setting the point at which the damper pedal starts to affect  
the sound  
HalfPedalPoint  
Adjusting the depth of the Soft pedal  
Setting the depth of string resonance  
SoftPedalDepth  
StringResonanceDepth  
Setting the depth of sustain sampling for the damper pedal SustainSamplingDepth  
Specifying the volume of the key-off sound  
Setting the range of pitch bend  
KeyOffSamplingDepth  
PitchBendRange  
Speaker  
Switching the speaker on/off  
Selecting the AUX OUT level (Fixed/Variable)  
Setting the MIDI transmit channel  
Setting the MIDI receive channel  
Turning local control on/off  
AuxOutLevel  
MidiOutChannel  
MidiInChannel  
LocalControl  
Selecting performance from the keyboard or song data for  
MIDI transmission  
MidiOutSelect  
Selecting a type of data received via MIDI  
Selecting a type of data transmitted via MIDI  
Transmitting the initial settings on the panel  
Selecting items saved at shutdown  
ReceiveParameter  
TransmitParameter  
InitialSetup  
MemoryBackup  
FactorySet  
Restoring the normal (default) settings  
Backing up the Clavinova’s internal data  
FullBackup  
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Making detailed settings  
1 2  
3 4  
1
1
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
3 5  
1
2 3  
1
Procedure  
1.  
Access a setting menu.  
Press the desired setting button ([FILE/SONG SETTING], MET-  
RONOME [SETTING], [VOICE SETTING], [iAFC SETTING], or  
[FUNCTION]) to access the corresponding setting menu.  
Press the [EXIT] button any time to close the setting menu.  
2.  
3.  
Select the desired parameter or part.  
Press the setting button, A [–][+], and/or C [–][+] buttons  
repeatedly as required.  
Set the parameter or part.  
Some parameters or parts lead you to more options. Use the B  
[– (NO)][+ (YES)], C [–][+], and D [–][+] buttons to select or set  
the option.  
To restore the normal parameter value, press the [–] and [+] buttons  
simultaneously.  
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4.  
Write, execute, or save the data.  
There are two ways to respond to the messages.  
If “Execute?” or “Start?” appears:  
Press the B [+(YES)] button to display confirmation (“Sure?”). To  
proceed, press the B [+(YES)] button again. The Clavinova displays  
“Executing” and writes the data. When the operation is complete, it  
displays “Completed” for three seconds, then returns to the previous  
screen.  
To cancel the operation, press the B [–(NO)] button instead of the B  
[+(YES)] button.  
When “Overwrite?” appears after the “Completed” message, press  
the B [+(YES)] button.  
A
B
NO  
YES  
Quantize  
Strength=100%  
Execute?-->  
1/4  
C
D
If “Set?” appears:  
Press the B [+ (YES)] button to execute the setting. The Clavinova  
displays “Executing” and saves the data. When the operation is com-  
plete, it displays “Completed” for three seconds, then returns to the  
previous screen.  
A
B
NO  
YES  
Main  
Octave  
Set?-->  
0
C
D
5.  
Close the setting menu.  
Press the [EXIT] button.  
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Detailed settings for recording and  
playback [FILE/SONG SETTING]  
You can make detailed settings for the selected song. First, select the desired song from preset songs (“PRE-  
SET”), memory songs (“MEMORY”), or External songs (“USB1”) (see page 56).  
Procedure  
Select the desired song and press the [FILE/SONG SETTING] button to access the “File/Song  
Setting” menu.  
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
SELECT  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
SETTING  
A
B
LEFT  
RIGHT  
PIANO  
1
PIANO  
2
GUITAR  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
XG  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
[FILE/SONG SETTING] button  
Playing back a song/all songs repeat-  
edly [SongRepeat]  
Playing back the phrase specified by  
the phrase number [PhraseMark]  
You can repeatedly play back all songs or a single  
song selected from the 50 preset songs or from the  
USB storage devices.  
• When you start playback, the Clavinova plays the  
song you selected using the front panel, then  
starts repeat playback of the specified songs until  
you press the [STOP] button.  
If you select a song from an ensemble collection  
disk, such as the “Disk Orchestra Collection” or  
one of the “XG for Piano” disks, you can specify  
phrase numbers in the score to play back from the  
score from the mark point, or to play back the  
phrase repeatedly.  
• If you start playing back a song with “Repeat On”  
selected, the count down starts, followed by the  
repeated playback of the specified phrase until  
you press the [STOP] button.  
See the procedure on page 71.  
Select on or off.  
A
B
• If you select “Repeat Off,normal playback starts  
without repeat.  
See the procedure on page 71.  
NO  
YES  
SongRepeat  
Off  
USBSongs  
C
D
Select repeat on or off.  
Specify the repeated songs.  
A
B
Setting range:  
[USBSongs]  
NO  
YES  
PhraseMark  
001  
RepeatOff  
All songs in the media inserted in  
the USB storage device  
C
D
[MemorySongs] All songs in the Clavinova’s memory  
[USB+Memory] All songs from “USBSongs” and  
“MemorySongs”  
Specify the phrase number.  
Setting range of the phrase number:  
--- (not specified)  
0 - the last phrase number of the song  
If you select any song other than those from the “Disk  
Orchestra Collection” or one of the “XG for Piano”  
disks, you can select only “Off.”  
[PresetSongs]  
[ALL]  
All 50 preset songs  
All songs from “USBSongs,Mem-  
orySongs,and “PresetSongs”  
One song selected from the front  
panel  
[OneSong]  
TIP  
When several USB storage devices are connected, the device  
which contains the previously selected song is the destination  
device.  
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From this display, you can determine how strongly  
Correcting note timing [Quantize]  
the notes will be quantized. A setting of 100% pro-  
duces exact timing. If a value less than 100% is  
selected, notes will be moved toward the specified  
quantization beats according to the specified per-  
centage. Applying less than 100% quantization lets  
you preserve some of the “human” feel in the  
recording.  
You can correct the timing of notes. For example,  
you can adjust recorded notes to precise eighth or  
sixteenth notes.  
• Changes are made by song.  
See the procedure on page 71.  
Stores the changed value.  
A
B
Quarter-note length  
Original data  
NO  
YES  
Quantize  
Strength= 50%  
Execute?-->  
1/8  
C
D
Quantizing  
strength=100  
Specifies the type of note.  
Quantizing  
strength=50  
Notes for which you can adjust the timing:  
1/4.................  
1/6.................  
quarter note  
Setting range:  
0% – 100%  
quarter note triplet  
eighth note  
1/8.................  
1/12...............  
1/16...............  
1/24...............  
eighth note triplet  
Specifying whether playback starts  
immediately along with the first voic-  
ing [QuickPlay]  
sixteenth note  
sixteenth note triplet  
thirty-second note  
This parameter enables you to specify whether a  
song that starts from the middle of a bar, or a song  
with a silence prior to the first note, should be  
played from the first note or from the top of the bar  
(rest or blank).  
1/32...............  
1/8+1/12...........  
1/16+1/12.........  
1/16+1/24.........  
eighth note + eighth note triplet*  
sixteenth note + eighth note triplet*  
sixteenth note + sixteenth triplet*  
See the procedure on page 71.  
The three Quantize settings marked with asterisks (*) are  
exceptionally convenient, since they allow you to quantize two  
different note values at the same time. For example, when the  
straight eighth notes and eighth notes triplet are contained in  
the same part, if you quantize by the straight eighth notes, all  
notes in the part are quantized to straight eighth notes—com-  
pletely eliminating any triplet feel. However, if you use the  
eighth note + eighth note triplet setting, both the straight and  
triplet notes will be quantized correctly.  
A
B
NO  
YES  
QuickPlay  
On  
C
D
Setting range:  
[On] Playing from the first note  
[Off] Playing from the top of the bar (including a rest  
or blank)  
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Auditioning the channels  
[ChannelListen]  
Deleting data from each channel  
[ChannelClear]  
You can select a single channel to listen to its con-  
tents. Playback starts from the first note.  
See the procedure on page 71.  
You can delete data from each of 16 channels.  
See the procedure on page 71.  
Delete data.  
Playback continues as long as you press  
and hold down this button.  
A
B
NO  
YES  
ChannelClear Execute?-->  
Ch1  
A
B
NO  
YES  
ChannelListen Start?-->  
Ch1  
C
D
C
D
Select the desired channel for deletion.  
Select the desired channel for playback.  
Setting range:  
Ch1 - Ch16, ALL (all channels)  
Setting range:  
Ch1 - Ch16  
TIP  
The song data consists of 16 channels. A channel is assigned  
to a part, so in this instrument, channel means the same as  
part.  
TIP  
The song data consists of 16 channels. A channel is assigned  
to a part, so in this instrument, channel means the same as  
part.  
TIP  
Even channels that contain no data are displayed.  
TIP  
Even channels that contain no data are displayed.  
TIP  
When you clear all channels using the “ALL” parameter, you  
can overwrite the song. In this case, the file which contains  
song settings with no channel data is saved.  
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Detailed settings for the metronome  
METRONOME [SETTING]  
You can set the time signature, volume level, and voice of the Clavinova metronome.  
Procedure  
Press the METRONOME [SETTING] button to access the Metronome Setting menu.  
METRONOME [SETTING] button  
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
Setting the metronome time signa-  
ture [TimeSignature]  
Selecting the metronome voice  
[MetronomeSound]  
See the procedure on page 71.  
See the procedure on page 71.  
A
B
A
B
NO  
YES  
NO  
YES  
TimeSignature  
4/ 4  
MetronomeSound  
BellOff  
C
D
C
D
Set the numerator of  
the time signature.  
Set the denominator  
of the time signature.  
Setting range:  
[BellOff]  
Click (standard metronome  
sound)  
For example, to specify “3/4,use the C [–][+] but-  
tons to select “3” and the D [–][+] buttons to select  
“4.”  
[EnglishVoice]  
[GermanVoice]  
[JapaneseVoice]  
[FrenchVoice]  
[SpanishVoice]  
[BellOn]  
Click and “1, 2, 3, 4” in English  
Click and “1, 2, 3, 4” in German  
Click and “1, 2, 3, 4” in Japanese  
Click and “1, 2, 3, 4” in French  
Click and “1, 2, 3, 4” in Spanish  
Click and bell  
Setting range for the numerator:  
1 - 16  
Setting options for the denominator:  
2, 4, and 8  
TIP  
To mute the beat count, select “BellOff.”  
Setting the metronome volume level  
[MetronomeVolume]  
See the procedure on page 71.  
A
B
NO  
YES  
MetronomeVolume  
100  
C
D
Setting range:  
0 - 127  
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Detailed settings for the voices  
[VOICE SETTING]  
This menu enables you to make various detailed settings for the voices in Dual or Split mode and the effects.  
You can make these settings for each voice (or each combination of voices) individually. You can listen to the  
notes you play on the keyboard while changing the settings.  
Procedure  
1.  
Select a voice and press the [VOICE SETTING] button to access the “Voice Set-  
ting” menu.  
[VOICE SETTING] button  
1
2
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
1
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
2.  
Press the A [–][+] buttons to select the part for which you wish to change the  
voice.  
The range of the displayed part varies depending on the selected voice.  
[Main]  
[Main × Layer] MAIN Voice 1 and Voice 2 (displayed when the MAIN side is in Dual mode)  
[Left] LEFT voice (displayed in Split mode)  
[Left × Layer] LEFT Voice 1 and Voice 2 (displayed when the LEFT side is in Dual mode)  
MAIN voices (displayed with a single voice or in Split mode)  
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TIP  
Setting the position of right and left  
channels [Pan]*  
In Dual mode, parameters with the “*” mark are set for Voice 1  
and Voice 2 individually.  
TIP  
You can specify the position in the stereo image  
from which you hear the sound.  
See the procedure on page 71.  
Parameter names enclosed in parentheses ( ) are displayed in  
Dual mode.  
A
B
Setting the octave [Octave]*  
NO  
YES  
Main  
Pan  
Set?-->  
C
The pitch of a note can be shifted upward or down-  
ward in steps of an octave.  
See the procedure on page 71.  
C
D
B
In Dual mode:  
A
A
B
NO  
YES  
MainxLayer  
Pan(GrndPno1)  
Set?-->  
C
NO  
YES  
Main  
Octave  
Set?-->  
0
C
D
C
D
B
In Dual mode:  
Voice for editing (Voice 1 or Voice 2)  
A
Setting range:  
L64 (hard left) - C (center) - R63 (hard right)  
NO  
YES  
MainxLayer  
Octave(GrndPno1)  
Set?-->  
0
C
D
Voice for editing (Voice 1 or Voice 2)  
Make fine adjustments to the pitch  
(only in Dual mode) [Detune]  
Setting range:  
–2 (two octaves lower) - 0 (no pitch shift) - +2 (two  
octaves higher)  
The pitch of the two sounds selected in Dual mode  
can be “skewed” slightly away from each other.  
See the procedure on page 71.  
Setting the volume level [Volume]*  
A
B
NO  
YES  
MainxLayer  
Detune  
Set?-->  
+ 3  
You can set the volume level for each voice part.  
See the procedure on page 71.  
C
D
A
B
Setting range:  
NO  
YES  
Main  
Volume  
Set?-->  
100  
–20 - +20 (Positive (+) settings will raise the pitch of the  
first sound and lower the pitch of the second sound.  
Negative (–) settings will do the opposite.)  
C
D
B
In Dual mode:  
A
NO  
YES  
MainxLayer  
Volume(GrndPno1)  
Set?-->  
100  
C
D
Voice for editing (Voice 1 or Voice 2)  
Setting range:  
0 - 127  
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Setting the reverb type  
[ReverbType]  
Selecting the chorus type  
[Chorus Type]  
TIP  
TIP  
You cannot set this parameter for the voice parts “Left” and  
“LeftXLayer.”  
You cannot set this parameter for the voice parts “Left” and  
“Left × Layer.”  
See the procedure on page 71.  
See the procedure on page 71.  
A
B
A
B
NO  
YES  
Main  
ReverbType  
Set?-->  
Hall1  
NO  
YES  
Main  
ChorusType  
Set?-->  
Chorus  
C
D
C
D
Setting range:  
Room Simulates reverberation in a room.  
Hall1 Simulates reverberation in a concert hall.  
Setting range:  
Chorus  
Celeste  
Flanger  
Adds a rich, spacious sound.  
Adds swell and a spacious sound.  
Adds swell effects of an ascending or  
descending jet plane.  
Hall2 Reverberation is slightly longer than that of  
“Hall1.”  
Stage Reverberation suitable for a solo instrument  
sound.  
Plate Reverberation from the vibration of a metal  
plate.  
Setting the chorus depth  
[ChorusSend]*  
See the procedure on page 71.  
Setting the reverb depth  
[ReverbSend]*  
A
B
NO  
YES  
Main  
ChorusSend  
Set?-->  
TIP  
48  
The reverb effect is not applied if the ReverbSend parameter is  
set to “0.”  
C
D
In Dual mode:  
See the procedure on page 71.  
A
B
A
B
NO  
YES  
MainxLayer  
Set?-->  
ChorusSend(E.Piano1) 72  
NO  
YES  
Main  
ReverbSend  
Set?-->  
14  
C
D
C
D
B
Voice for editing (Voice 1 or Voice 2)  
In Dual mode:  
Setting range:  
A
0 - 127  
NO  
YES  
MainxLayer  
Set?-->  
ReverbSend(E.Piano1) 26  
C
D
Voice for editing (Voice 1 or Voice 2)  
Setting range:  
0 - 127  
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SoundBoard  
Off  
Simulates the reverberation of a  
piano soundboard.  
No effect.  
Setting the chorus on/off  
[ChorusOnOff]  
You can set the [CHORUS] button on or off for  
each voice. When you select a voice, the chorus on/  
off setting for the voice automatically changes  
according to this parameter.  
Setting the speed of the vibraphone  
vibrato effect* [VibeRotorSpeed]  
TERMINOLOGY  
TIP  
Rotor= The rotating portion of an electrical device etc.  
Even if this parameter is turned on, the chorus effect is dis-  
abled if the ChorusSend parameter is set to 0.  
This will be displayed only if VibeRotor is selected  
for the DSP Type parameter explained above.  
This sets the speed of the vibrato effect that is  
applied when you have selected Vibraphone and  
are using the VibeRotor pedal.  
See the procedure on page 71.  
A
B
NO  
YES  
Main  
ChorusOnOff  
Set?-->  
Off  
See the procedure on page 71.  
C
D
A
B
Setting range:  
On/Off  
NO  
YES  
Main  
VibeRotorSpeed  
Set?-->  
6
C
D
Setting range:  
1 - 10  
Selecting the DSP type*  
[DSP Type (DSP)]  
You can select other effects (than reverb and cho-  
rus).  
Turning the vibraphone vibrato effect  
on/off*  
[VibeRotorOnOff (RotorOnOff)]  
See the procedure on page 71.  
A
B
NO  
YES  
Main  
DSP Type  
Set?-->  
DelayLCR  
This will be displayed only if VibeRotor is selected  
for the DSP Type parameter explained above.  
It turns on/off the vibrato effect that is applied  
when you use the VibeRotor pedal.  
C
D
Setting range:  
DelayLCR  
Delay applied at left, center, and  
right positions.  
See the procedure on page 71.  
A
B
DelayLR  
Delay applied at left and right posi-  
tions.  
NO  
YES  
Main  
VibeRotorOnOff  
Set?-->  
On  
Echo  
Echo-like delay  
C
D
CrossDelay  
Symphonic  
Rotary  
Left and right delays are crossed.  
Adds a rich and deep acoustic effect.  
Adds the vibrato effect of a rotary  
speaker.  
Setting range:  
On/Off  
Tremolo  
The volume level changes in rapid  
cycles.  
VibeRotor  
AutoPan  
The vibrato effect of a vibraphone.  
The sound pans left to right and  
back and forth.  
Phaser  
The phase changes periodically,  
swelling the sound.  
AutoWah  
The center frequency of the wah fil-  
ter changes periodically.  
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Setting the rotation speed of the  
rotary speaker*  
Adjusting the resonance effect*  
[HarmonicContent (Harmonic)]  
[RotarySpeed (Rot.Speed)]  
See the procedure on page 71.  
This will be displayed only if Rotary is selected for the  
DSP Type parameter explained above.  
It sets the rotation speed of the rotary speaker effect.  
See the procedure on page 71.  
A
B
NO  
YES  
Main  
HarmonicContent  
Set?-->  
0
C
D
A
B
Setting range:  
–64 - +63  
NO  
YES  
Main  
RotarySpeed  
Set?-->  
Slow  
TIP  
C
D
Resonance can produce a distinctive “peaky” tone, making the  
sound brighter and harder.  
Setting range:  
Slow/Fast  
Adjusting the low-range frequency of  
the equalizer*  
[EQ LowFreq. (EQ L.Freq)]  
Adjusting the depth of the DSP  
effect* [DSPDepth]  
This sets the depth of the DSP effect (page 80).  
Some DSP Type settings do not allow you to set the  
DSPDepth.  
TERMINOLOGY  
Equalizer:  
An audio equalizer divides the frequency spectrum into multi-  
ple regions and enables the user to adjust the relative ampli-  
tude of each region.  
See the procedure on page 71.  
A
B
NO  
YES  
Main  
DSPDepth  
Set?-->  
127  
C
D
High Gain  
Low Gain  
Setting range:  
1 (output only the original sound with almost no effect  
applied) - 127 (output only the sound processed by the  
effect)  
Adjusting the brightness of the  
sound* [Brightness]  
Low Freq.  
High Freq.  
See the procedure on page 71.  
See the procedure on page 71.  
A
B
A
B
NO  
YES  
Main  
EQ LowFreq.  
Set?-->  
32  
NO  
YES  
Main  
Brightness  
Set?-->  
0
C
D
C
D
Setting range:  
32 Hz - 2.0 kHz  
Setting range:  
–64 - +63  
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Adjusting the low-range gain  
(amount of boost/cut) of the equal-  
izer* [EQ LowGain]  
Setting the touch sensitivity  
[TouchSense]*  
This parameter enables determines the manner  
and degree to which the volume level changes in  
response to your touch on the keyboard (how hard  
you play). Since the volume level of the harpsi-  
chords and pipe organs do not change regardless of  
how you play the keyboard, the normal setting for  
these voices is 127. (See the setting range below.)  
See the procedure on page 71.  
See the procedure on page 71.  
A
B
NO  
YES  
Main  
EQ LowGain  
Set?-->  
0
C
D
Setting range:  
–12 - +12 dB  
A
B
NO  
YES  
Main  
TouchSense  
Set?-->  
64  
C
D
B
Adjusting the high-range frequency  
of the equalizer*  
[EQ HighFreq. (EQ H.Freq)]  
In Dual mode:  
A
NO  
YES  
MainxLayer  
Set?-->  
See the procedure on page 71.  
TouchSense(GrndPno1) 64  
A
B
C
D
NO  
YES  
Main  
EQ HighFreq.  
Set?-->  
500  
Voice for editing (Voice 1 or Voice 2)  
C
D
Setting range:  
0 (softest) - 64 (largest changes in the level) - 127 (loud-  
est and fixed)  
Setting range:  
500 Hz - 16.0 kHz  
Adjusting the high-range gain  
(amount of boost/cut) of the equal-  
izer* [EQ HighGain]  
See the procedure on page 71.  
A
B
NO  
YES  
Main  
EQ HighGain  
Set?-->  
0
C
D
Setting range:  
–12 - +12 dB  
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Detailed settings for iAFC  
[iAFC SETTING]  
When iAFC is engaged, the Clavinova will sound deeper and more resonant, similar to an acoustic musical  
instruments. This lets you experience the ambience and reverberation that are characteristic of performing  
on stage or simulates the sustain sound that occur when you press the damper pedal of a grand piano.  
This section describes how to make various settings for the iAFC function. You can also perform an auto-  
matic adjustment in order to obtain the optimal iAFC effect.  
Procedure  
Press [iAFC SETTING] button to enter iAFC Setting mode.  
[iAFC SETTING] button  
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
Perform the automatic adjustment after you turn on the power of the Clavinova for the first time,  
When the [iAFC SETTING] button is pressed before performing the automatic adjustment, the “Calibration” screen  
will be displayed.  
TIP  
iAFC cannot be used in the following cases.  
When the lid is closed or open with the shorter stay.  
When the Speaker setting is Normal, and headphones are connected.  
When the Speaker setting is off.  
TIP  
When using iAFC, do not block the speaker located on the rear panel of the Clavinova. The optimal iAFC effect cannot be obtained if  
this speaker is blocked.  
TIP  
iAFC uses Yamaha’s EMR (Electronic Microphone Rotator) technology to ensure stability against acoustic feedback.  
Turning iAFC on/off [iAFC]  
Adjusting the Dynamic Damper Effect  
depth [DynDmpFX Depth]  
See the procedure on page 71.  
Dynamic Damper Effect is one type of the iAFC  
effect. Dynamic Damper Effect simulates the sus-  
tain sound that occurs when you press the damper  
pedal of a grand piano. The internal microphones  
are not used, but the sound produced within the  
Clavinova is processed to create a spacious sensa-  
tion, as you press the damper pedal and play the  
keyboard.  
A
B
NO  
YES  
iAFC  
On  
C
D
Setting range:  
On/Off  
See the procedure on page 71.  
A
B
NO  
YES  
DynDmpFX Depth  
98  
C
D
Setting range:  
0 - 127  
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Adjusting the Spatial Effect depth  
[SpatialFX Depth]  
Restoring the default calibration set-  
ting [iAFC Default]  
Spatial Effect is one type of the iAFC effect. Spatial  
Effect creates a sense of reverberation and spa-  
ciousness by picking up the output sound using  
internal microphones and output the sound from  
the speaker on the rear of the instrument. The  
spread and spaciousness of the sound is different  
depending on the depth. For lower depth settings,  
this creates the resonance and enhances the acous-  
tic realism of the sound that is characteristic of  
acoustic instruments by creating a virtual sound-  
board. For deeper depth settings, the sound of the  
instrument itself and the sound of singing and  
other instruments played nearby is picked up by  
internal microphones, and processed to simulate  
the spatial characteristics of performing together  
on stage.  
This sets the calibration function to the default set-  
ting.  
See the procedure on page 71.  
A
B
NO  
YES  
iAFC Default  
Set?-->  
C
D
See the procedure on page 71.  
A
B
NO  
YES  
SpatialFX Depth  
10  
C
D
Setting range:  
0 - 127  
Calibration (automatic adjustment)  
[Calibration]  
This automatically adjusts the sensitivity and  
response of iAFC so that the optimal iAFC effect  
will be obtained.  
When automatic adjust begins, a test sound (noise)  
will sound for about five seconds.  
While automatic adjustment is being performed,  
do not make audible noises in the vicinity of the  
Clavinova.  
See the procedure on page 71.  
A
B
NO  
YES  
Calibration  
Sure?-->  
Test sound is output.  
C
D
TIP  
The keyboard will not produce sound while automatic adjust-  
ment is being performed. Nor is it possible to adjust the vol-  
ume of the Clavinova.  
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Other settings [FUNCTION]  
You can make detailed settings for touch, tuning, scale, etc.  
Procedure  
Press the [FUNCTION] button to enter Function mode.  
METRONOME  
ON/OFF  
SETTING  
iAFC  
SETTING  
EXTRA  
PARTS  
SONG  
CONTRAST  
GRAND  
GRAND  
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
A
B
LEFT  
RIGHT  
SELECT  
PIANO  
1
PIANO  
2
GUITAR  
XG  
SETTING  
REVERB  
CHORUS  
NO  
YES  
REC  
STOP  
PLAY/PAUSE  
FILE/SONG  
SETTING  
CHURCH  
ORGAN  
JAZZ  
ORGAN  
SYNTH.  
PAD  
WOOD  
BASS  
BRILLIANCE  
MELLOW BRIGHT  
SONG  
KEYBOARD  
REPEAT  
DOWN  
UP  
STRINGS  
CHOIR  
E.BASS  
SPLIT  
FUNCTION  
EXIT  
NEW SONG  
SONG  
SYNC START  
MIN  
MAX  
TEMPO  
C
D
MASTER VOLUME  
SONG BALANCE  
DEMO  
VOICE  
[FUNCTION] button  
Changing the key [Transpose]  
Selecting a touch response  
[TouchResponse]  
TIP  
TRANSPOSE= To change the key  
(Changing the key: To raise or lower the overall pitch of the  
entire song.)  
You can specify a touch response (how the sound  
responds to the way you play the keys).  
See the procedure on page 71.  
The Clavinova’s Transpose function makes it possible to shift  
the pitch of the entire keyboard up or down in semitone inter-  
vals to facilitate playing in difficult key signatures, and to let  
you easily match the pitch of the keyboard to the range of a  
singer or other instruments. For example, if you set the trans-  
position amount to “5,” playing key C produces pitch F. In this  
way, you can play the song as if it were in C major, and the  
Clavinova will transpose it to the key of F.  
A
B
NO  
YES  
TouchResponse  
Vel= 64  
Fixed  
C
D
Setting range:  
Light  
A
B
With a soft touch, the Clavinova produces a  
loud sound. The volume level of tones tends  
to be consistent.  
NO  
YES  
Transpose  
Master  
0
C
D
Medium Standard touch response.  
Heavy  
You must hit the key very hard to generate a  
Setting for:  
Master  
loud volume. This allows for versatile expres-  
sion, from pianissimo to fortissimo tones.  
No touch response. The volume level will be  
the same regardless of how hard you play the  
keys. Use the B [–][+] buttons to set the vol-  
ume level.  
The sound of the entire instrument (the  
manually-played sound and the song  
playback)  
The manually-played sound  
The song playback  
Fixed  
Keyboard  
Song  
Setting range:  
–12 (–1 octave) - 0 (normal pitch) - +12 (+1 octave)  
Setting range of the “Fixed” volume level:  
1 - 127  
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Fine tuning the pitch [Tune]  
Selecting a scale [Scale]  
You can fine tune the pitch of the entire instru-  
ment. This function is useful when you play the  
Clavinova along with other instruments or CD  
music.  
You can select various scales.  
Equal Temperament is the most common contem-  
porary piano tuning scale. However, history has  
known numerous other scales, many of which  
serve as the basis for certain genres of music. You  
can experience the tunings of these genres.  
See the procedure on page 71.  
See the procedure on page 71.  
A
B
NO  
YES  
Tune  
A3=440.0Hz  
A
B
C
D
NO  
YES  
Scale  
BaseNote=C  
PureMajor  
Setting range:  
A3 = 414.8 Hz - 466.8 Hz (0.2 Hz steps)  
C
D
Setting range:  
Equal One octave is divided into twelve equal inter-  
vals. Currently most popular piano tuning  
scale.  
Selecting a tuning curve for a piano  
voice [PianoTuningCurve]  
PureMajor/PureMinor  
Based on natural overtones, three major chords  
using these scales produce a beautiful, pure  
sound.  
You can select a tuning curve from “GrandPiano1”  
and “GrandPiano2.Select “Flat” if you feel the  
tuning curve of the piano voice does not quite  
match that of other instruments voices.  
See the procedure on page 71.  
Pythagorean  
This scale, designed by Pythagoras, a Greek phi-  
losopher, is based on the interval of a perfect  
5th. The 3rd produces swells, but the 4th and  
5th are beautiful and suitable for some leads.  
MeanTone  
A
B
NO  
YES  
PianoTuningCurve  
This scale is an improvement of the  
Pythagorean in that the swell of the 3rd has  
been eliminated. It spread during the late 16th  
century through the late 18th century. Handel  
used this scale.  
Stretch  
C
D
Setting range:  
Stretch Tuning curve particularly for pianos  
Werckmeister/Kirnberger  
Flat  
Tuning curve in which the frequency is octave  
doubled over the entire keyboard range  
These scales combine Mean Tone and  
Pythagorean in different ways. With these  
scales, modulation changes the impression and  
feel of the songs. They were often used in the  
era of Bach and Beethoven. They are also often  
used now to reproduce the music of that era on  
harpsichords.  
Normal setting:  
Equal  
If you select a scale other than Equal, you need to specify  
the root note using the B [–][+] buttons.  
A
B
NO  
YES  
Scale  
BaseNote=C  
PureMajor  
C
D
Setting range:  
C, C , D, E , E, F, F , G, A , A, B , B  
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Specifying the Split Point [Split Point]  
Setting the center pedal function  
[CPedalFunc]  
You can specify the split point (the boundary between  
the right-hand and left-hand keyboard areas).  
See the procedure on page 71.  
See the procedure on page 71.  
A
B
A
B
NO  
YES  
CPedalFunc  
Set?-->  
Sostenuto  
NO  
YES  
SplitPoint  
F#2  
C
D
C
D
Setting range:  
Same as “Setting the right pedal function” above, except  
for the following parameters.  
• SustainCont  
• Expression  
• PitchBend Up  
Setting range:  
A-1 - C7  
TIP  
• PitchBend Down  
Normal Setting:  
Sostenuto  
Setting the right pedal function  
[RPedalFunc]  
See the procedure on page 71.  
Setting the left pedal function  
[LPedalFunc]  
A
B
NO  
YES  
RPedalFunc  
Set?-->  
SustainCont  
See the procedure on page 71.  
C
D
A
B
Setting range:  
Sustain  
SustainCont  
NO  
YES  
LPedalFunc  
Set?-->  
Soft  
ON/OFF switch type damper  
C
D
Damper that sustains the sound pro-  
portionately to how deeply you press  
the pedal  
Setting range:  
Sostenuto  
Soft  
Expression  
A function that lets you create  
changes in dynamics (volume) as  
you play  
Same as “Setting the right pedal function” above, except  
for the following parameters.  
• SustainCont  
• Expression  
• PitchBend Up  
PitchBend Up  
A function that smoothly raises the  
pitch  
• PitchBend Down  
Normal Setting:  
PitchBend Down A function that smoothly lowers the  
pitch  
RotarySpeed  
Soft (for all voices other than JazzOrgan, MellowOrgan  
and VibraPhone), Rotary Speed (JazzOrgan and Mel-  
lowOrgan), Vibraphone (VibeRotor)  
Change the rotational speed of the  
JazzOrgan rotary speaker (switch  
between fast/slow each time you  
press the pedal)  
VibeRotor  
Switch the vibraphone vibrato on/off  
(switch on/off each time you press  
the pedal)  
Normal setting:  
SustainCont  
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Setting the auxiliary pedal function  
[AuxPedalFunc]  
Turning the center pedal function  
on/off [CPedalOnOff]  
You can assign a function to the pedal connected to  
the Clavinova’s AUX PEDAL jack.  
See the procedure on page 71.  
This turns the center pedal function on or off for  
the relevant voice part. In other words, you can  
select the desired voice part (Main, MainLayer,  
Left, LeftLayer) and determine whether the center  
pedal function (set on page 87) will affect that part  
or not.  
A
B
NO  
YES  
AuxPedalFunc  
Set?-->  
Expression  
See the procedure on page 71.  
C
D
A
B
Setting range:  
Same as “Right pedal function assignment” (page 87).  
NO  
YES  
CPedalOnOff  
Main  
Set?-->  
On  
C
D
Normal setting:  
Expression  
Select on or off.  
Select the voice part for which  
the center pedal on/off setting  
is to be changed.  
TIP  
YAMAHA FC7 foot controller  
This foot controller is suitable for controlling Expression, Sus-  
tainCont, or PitchBend Up/Down.  
Setting for:  
Main, MLayer (MainLayer), Left, LLayer (LeftLayer)  
YAMAHA FC4 foot switch  
Setting range:  
YAMAHA FC5 foot switch  
These foot switches are suitable for controlling Sustain, Soste-  
nuto, Soft, RotarySpeed, or VibeRotor.  
On/Off  
Normal Setting:  
Different for each voice.  
Turning the right pedal function on/  
off [RPedalOnOff]  
Turning the left pedal function on/off  
[LPedalOnOff]  
This turns the right pedal function on or off for the  
relevant voice part. In other words, you can select  
the desired voice part (Main, MainLayer, Left, Left-  
Layer) and determine whether the right pedal  
function (set on page 87) will affect that part or  
not.  
This turns the left pedal function on or off for the  
relevant voice part. In other words, you can select  
the desired voice part (Main, MainLayer, Left, Left-  
Layer) and determine whether the left pedal func-  
tion (set on page 87) will affect that part or not.  
See the procedure on page 71.  
See the procedure on page 71.  
A
B
A
B
NO  
YES  
RPedalOnOff  
Main  
Set?-->  
On  
NO  
YES  
LPedalOnOff  
Main  
Set?-->  
On  
C
D
C
D
Select the voice part for which  
the right pedal on/off setting is  
to be changed.  
Select on or off.  
Select the voice part for which  
the left pedal on/off setting is  
to be changed.  
Select on or off.  
Setting for:  
Main, MLayer (MainLayer), Left, LLayer (LeftLayer)  
Setting for:  
Main, MLayer (MainLayer), Left, LLayer (LeftLayer)  
Setting range:  
On/Off  
Setting range:  
On/Off  
Normal Setting:  
Different for each voice.  
Normal Setting:  
Different for each voice.  
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Turning the auxiliary pedal function  
on/off [AuxPedalOnOff]  
Selecting a type of auxiliary pedal  
[AuxPedalType]  
This turns the auxiliary pedal function on or off  
for the relevant voice part. In other words, you can  
select the desired voice part (Main, MainLayer,  
Left, LeftLayer) and determine whether the auxil-  
part or not.  
A pedal connected to the [AUX PEDAL] jack may  
switch on and off differently. For example, some  
pedals turn on the effects and others turn them off  
when you press them.  
Use this parameter to reverse this mechanism.  
See the procedure on page 71.  
See the procedure on page 71.  
A
B
A
B
NO  
YES  
AuxPedalType  
Make  
NO  
YES  
AuxPedalOnOff  
Main  
Set?-->  
On  
C
D
C
D
Setting range:  
Make, Break  
Select on or off.  
Select the voice part for which  
the AUX pedal on/off setting is  
to be changed.  
Setting for:  
Main, MLayer (MainLayer), Left, LLayer (LeftLayer)  
Setting the point at which the  
damper pedal starts to affect the  
sound [HalfPedalPoint]  
Setting range:  
On/Off  
Here you can specify the point to which you must  
depress the pedal (right and AUX) before the  
assigned effect begins to be applied.This setting  
applies only to the “SustainCont” effect (page 87)  
that is assigned to the right or AUX pedal.  
Normal Setting:  
Different for each voice.  
Assigning the SONG [PLAY/PAUSE]  
function to the pedal  
A
B
[PedalPlay/Pause]  
NO  
YES  
HalfPedalPoint  
0
TIP  
C
D
If you assign the SONG PLAY/PAUSE function to a pedal and  
turn the function On, the pedal function assigned to the pedal  
Setting range:  
–2 (effective with the shallowest press) - 0 - +2 (effective  
with the deepest press)  
See the procedure on page 71.  
A
B
NO  
YES  
PedalPlay/Pause  
Center  
Off  
Adjusting the depth of the Soft pedal  
[SoftPedalDepth]  
C
D
Select a pedal to assign  
the function  
Select on or off.  
See the procedure on page 71.  
A
B
Setting for:  
Left, Center, AUX  
NO  
YES  
SoftPedalDepth  
5
Setting range:  
C
D
On/Off  
Normal setting:  
Off for all pedals  
Setting range:  
1 - 10  
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Setting the depth of string resonance  
[StringResonanceDepth]  
Setting the range of pitch bend  
[PitchBendRange]  
This parameter is effective on the voices, such as  
“Grand Piano 1.”  
See the procedure on page 71.  
This specifies the amount of change that can be  
produced by the pitch bend function which  
smoothly varies the pitch.  
• This setting applies only to the manually-played  
sound.  
• This setting can be made in semitone steps.  
ify whether the pitch will be raised or lowered.  
See the procedure on page 71.  
A
B
NO  
YES  
StringResonanceDepth  
5
C
D
Setting range:  
Off, 1 - 10  
A
B
NO  
YES  
PitchBendRange  
2
Setting the depth of sustain sampling  
for the damper pedal  
C
D
[SustainSamplingDepth]  
Setting range:  
0 - +12 (Pressing the pedal will raise/lower the pitch by  
12 semitones [1 octave])  
This parameter is effective only on the voice group  
“GRANDPIANO1.”  
See the procedure on page 71.  
Normal setting:  
–2  
A
B
NO  
YES  
SustainSamplingDepth  
5
Switching the speaker on/off  
[Speaker]  
C
D
Setting range:  
Off, 1 - 10  
This setting lets you switch the speaker on/off.  
See the procedure on page 71.  
A
B
NO  
YES  
Speaker  
Normal(HeadphoneSW)  
Specifying the volume of the key-off  
sound [KeyOffSamplingDepth]  
C
D
You can adjust the volume of the key-off sound (the  
subtle sound that occurs when you release a key)  
This is effective on the voice groups “Grand  
Piano1,Harpsichord,and “E.Clavichord” and  
on the voice “E.Piano2.”  
Normal (HeadphoneSW)  
The speaker will sound only if headphones  
are not connected.  
On  
Off  
The speaker will always sound.  
The speaker will not sound.  
See the procedure on page 71.  
A
B
NO  
YES  
KeyOffSamplingDepth  
5
C
D
Setting range:  
Off, 1 - 10  
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Selecting the AUX OUT level  
[AuxOutLevel]  
Setting the MIDI receive channel  
[MidiInChannel]  
Select the volume level of the signal output from  
the AUX OUT jacks. When “Fixed” is selected, the  
level cannot be controlled by using the [MASTER  
VOLUME] control. When “Variable” is selected,  
the level can be controlled by using the [MASTER  
VOLUME] control.  
You can specify whether each channel of data from  
MIDI [IN] and USB [TO HOST] will be received.  
See the procedure on page 71.  
A
B
NO  
YES  
MidiInChannel  
Midi/Usb1Ch1  
Song  
See the procedure on page 71.  
C
D
A
B
Select a channel  
Setting for:  
Select a MIDI receive part  
NO  
YES  
AuxOutLevel  
Fixed  
Midi/Usb1 Ch1 - Ch16  
Usb2 Ch1 - 16  
C
D
Setting range:  
Fixed/Variable  
Setting range:  
Song, Main, Left, Layer, LeftLayer, Keyboard, Off  
Normal Setting:  
Fixed  
Normal setting:  
Midi/Usb1 Ch1- Ch16 — Song  
Usb2 Ch1  
Usb2 Ch2  
Usb2 Ch3  
Usb2 Ch4  
Usb2 Ch5  
Others  
— Keyboard  
— Main  
— Left  
— Layer  
— LeftLayer  
— Off  
Setting the MIDI transmit channel  
[MidiOutChannel]  
This parameter enables you to specify the channel  
on which the Clavinova transmits MIDI data.  
See the procedure on page 71.  
MIDI IN  
USB TO HOST  
A
B
NO  
YES  
MidiOutChannel  
Main Midi/Usb1Ch1  
C
D
Midi/Usb1  
Ch1 - Ch16  
Usb2  
Ch1 - Ch16  
Select a voice part.  
Specify the channel.  
Setting for:  
Main, Left, Layer, Left Layer  
Keyboard  
– LeftLayer  
Song  
Setting range:  
Midi/Usb1 Ch1 - Ch16, Off (Not transmitted.)  
Normal setting:  
Main  
Left  
Layer  
— Midi/Usb1 Ch1  
— Midi/Usb1 Ch2  
— Midi/Usb1 Ch3  
Left Layer — Midi/Usb1 Ch4  
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Turning Local control on/off  
[LocalControl]  
Selecting a type of data received via  
MIDI [ReceiveParameter]  
“Local Control On” is a state in which the Clavi-  
nova produces the sound from its tone generator  
when you play the keyboard. In “Local Control  
Offstate, the keyboard and the tone generator are  
cut off from each other. This means that even if  
you play the keyboard, the Clavinova will not pro-  
duce the sound. Instead, the keyboard data can be  
transmitted via MIDI to a connected MIDI device,  
which can produce the sound. The “Local Control  
Offsetting is useful when you wish to play an  
external sound source while playing the keys on the  
Clavinova.  
This parameter enables you to specify which MIDI  
data the Clavinova can receive.  
See the procedure on page 71.  
A
B
NO  
YES  
ReceiveParameter  
Note  
On  
C
D
Select a type of data.  
Select on or off.  
Type of data:  
Note, Control, Program, Pitch Bend, SysEx (System  
Exclusive)  
See the procedure on page 71.  
Setting range:  
On/Off  
A
B
Normal setting:  
On for all types of data  
NO  
YES  
LocalControl  
On  
C
D
Setting range:  
On/Off  
Selecting a type of data transmitted  
via MIDI [TransmitParameter]  
Normal setting:  
This parameter enables you to specify which MIDI  
data the Clavinova can transmit.  
On  
See the procedure on page 71.  
A
B
Selecting performance from the  
keyboard or song data for MIDI  
transmission [MidiOutSelect]  
NO  
YES  
TransmitParameter  
Note  
On  
C
D
You can select whether your performance data or  
song playback data is sent via MIDI.  
See the procedure on page 71.  
Select a type of data.  
Select on or off.  
Type of data:  
Note, Control, Program, Pitch Bend, SystemRealTime,  
SysEx (System Exclusive)  
A
B
NO  
YES  
MidiOutSelect  
Keyboard  
Setting range:  
On/Off  
C
D
Normal setting:  
On for all types of data  
Setting range:  
Keyboard performance data played on the keyboard  
Song song playback data  
Normal setting:  
Keyboard  
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Setting range:  
On/Off  
Transmitting the initial settings on  
the panel [InitialSetup]  
Normal setting:  
You can transmit the panel data, such as voice  
selection, to a connected sequencer. Before you  
record performance data to a sequencer, it is useful  
if you first send and record (at the beginning of the  
performance data) the panel setup data for your  
performance during playback.  
The Transpose, Main/LeftVoice, MetronomeSetting, and  
Function (except for Transpose and SplitPoint setting)  
parameters are set to Off. Other parameters are set to  
On.  
See the procedure on page 71.  
Restoring the normal (default) set-  
tings [FactorySet]  
A
B
NO  
YES  
InitialSetup  
Start?-->  
You can reset the Clavinova to its normal (factory  
default) settings.  
C
D
• The CharacterCode parameter setting (page 55)  
does not change.  
• The MemoryBackup parameter setting (On/Off)  
(left column) is reset to the normal setting.  
You can specify whether the memory songs are  
erased or kept.  
Selecting items saved at shutdown  
[MemoryBackup]  
You can back up some settings, such as voice selec-  
tion and metronome setting, so that they will not  
be lost after you turn off the power to the Clavi-  
nova.  
• Memory songs (saved in the Clavinova’s mem-  
ory), the backup on/off setting (this parameter  
setting), and the “CharacterCode” parameter set-  
ting (page 55) are always backed up.  
See the procedure on page 71.  
CAUTION  
Do not turn off the power during factory set. Doing so could  
result in damage to the data.  
Reset the Clavinova.  
A
B
NO  
YES  
FactorySet  
Execute?-->  
See the procedure on page 71.  
MemorySongExcluded  
A
B
C
D
NO  
YES  
MemoryBackup  
Transpose  
Select whether the memory songs  
are erased or kept.  
Off  
C
D
Selecting for “MemorySong”:  
Select the desired item.  
Select on or off.  
MemorySongExcluded  
MemorySongIncluded  
Memory songs are kept.  
Memory songs are erased.  
Setting for:  
Transpose  
Brilliance  
ReverbOnOff  
iAfc  
SplitPoint  
Main/LeftVoice  
MetronomeSetting  
File/SongSetting  
MidiSetting (“MidiOutChannel” – “TransmitParame-  
ter” in the Function settings)  
Function (except for Transpose, SplitPoint and Midi set-  
tings).  
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Backing up the Clavinova's internal  
data [FullBackup]  
Other method for restoring the normal  
settings  
For maximum data security Yamaha recommends  
that you copy or save your important data to a USB  
storage device. This provides a convenient backup  
if the internal memory is damaged. Perform the  
operation after connecting the USB storage device.  
See the procedure on page 71.  
Press and hold down the white key on the right end  
(C7) and press the [POWER] switch to turn on the  
power to the Clavinova. In this case, the Memory  
songs saved in the storage memory are not erased.  
ND  
2
E.PIANO  
1
E.PIANO  
2
HARPSI-  
CHORD  
E.CLAVI-  
CHORD  
VIBRA-  
PHONE  
VOICE  
SETTING  
AFC  
ONOFF  
MIDI  
SETTING  
O
GUITAR  
XG  
SPLIT  
REVERB  
CHORUS  
BRILLIANCE  
MELLOW BRIGHT  
AFC  
SETTING  
OTHER  
SETTING  
ZZ  
AN  
SYNTH.  
WOOD  
BASS  
VARIATION  
STRINGS  
CHOIR  
P
AD  
E.BASS  
VOICE  
EFFECT  
POWER  
Perform backup.  
A
B
NO  
YES  
FullBackup  
Save  
Execute?-->  
C
D
C7  
Select “Save” or “Load.”  
[POWER] switch  
TIP  
It's best not to connect several USB storage devices when back-  
ing up your data. When several devices are connected, a specific  
device cannot be identified for saving data.  
CAUTION  
Do not execute “FullBackup” during file operations such as  
loading songs. Doing so could result in damage to the data.  
TIP  
It may take 1 – 2 minutes to complete the backup.  
CAUTION  
Do not turn off the power during full backup. Doing so could  
result in damage to the data.  
TIP  
Protected songs (indicated by MS/Ms in the display) cannot be  
saved. Move the songs to the USB storage device before exe-  
cuting Full Backup. If you do not move the protected songs  
and keep the data only in the internal memory, the data will be  
deleted when you load the backup settings to the instrument.  
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Message List  
The messages are listed in alphabetical order.  
Message  
Meaning  
• This message appears when data has failed to be written or loaded  
to the Storage memory or USB storage device. When you write or  
load data via USB storage device, check the USB cable connection  
and try again. If you still see this message, the Storage memory/  
media/device may have malfunctioned or may be damaged.  
AccessError  
AccessError  
• This message appears when a Read-Only file is selected to be over-  
written. The file cannot to be overwritten.  
When you delete a folder, this message asks you whether you want to  
delete all of the files in that folder. To delete all files in the folder,  
press the D [+ (YES)] button. To cancel, press the D [– (NO)] but-  
ton.  
AllFiles?-->  
This message will appear when there is insufficient empty space in  
backup memory. Turn the power switch off and turn it on again to  
delete unnecessary backup data.  
BackupMemoryFull  
This message means that automatic adjustment of iAFC is not possi-  
ble and the settings reset to their default values. In this case, perform  
the automatic adjustment once again.  
CalibrationError  
DefaultReset  
This message means that automatic adjustment of iAFC is not possi-  
ble because the lid is closed or open with the shorter stay.  
Calibration  
Lid is closed. Open Lid.  
In this case, open the lid with the longer stay using the inner recess.  
This message means that automatic adjustment of iAFC is not possi-  
ble because no sound is output from the rear speaker. In this case if  
the “Speaker” setting is Off, turn “Speaker” On. If “Speaker” is set to  
Normal and headphones are connected, unplug the headphones.  
Calibration  
Speaker sound is off  
This message will appear to confirm start of the iAFC calibration.  
When calibrating, a test tone will sound from the instrument.  
Calibration  
Sure?-->  
Test sound is output.  
This message confirms that the operation has been cancelled.  
Canceled  
This message appears when you do the following operation to a pro-  
tected song:  
Caution ProtectedSong  
• Overwrite (protected songs cannot be overwritten)  
• Save with a new name (protected songs cannot be used with  
“Save as” function)  
• Delete (this message confirms that the protected song will be  
deleted)  
• Rename (renamed protected songs may not be played back)  
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Message  
Meaning  
This message is displayed following the message “Executing.The  
Clavinova’s internal processing is complete. You may proceed to the  
next step.  
Completed  
This message appears when a communication error occurred  
between the instrument and drive. Check the USB cable connection  
and try again. If you still see this message, use a drive whose compat-  
ibility has been confirmed by Yamaha (page 62).  
DriveError  
The number of drives exceeds the limitation. Two USB storage  
devices can be connected to one USB [TO DEVICE] terminal using a  
hub device. This instrument can recognize up to four drives in one  
USB storage device.  
DriveNumLimitOver  
DrivePowerError  
The connection has been cut off because of an abnormal power  
surge to the drive. To recover from this, turn the power switch of the  
hub off and on again, or disconnect the USB storage device from the  
instrument and turn the power switch of the instrument off and on  
again.  
This message appears when the USB storage device is removed from  
the instrument.  
DriveRemoved  
When you attempted to rename a song and save it in “Rename”  
(page 50), this message will appear if an identically-named song  
already exists. Three seconds after this message is displayed, you will  
return to the previous screen. Please specify a different name.  
DuplicateName  
This message prompts you to execute a file-related operation. Press  
the B [+ (YES)] button to proceed, or press the [EXIT] button to  
cancel.  
Execute?-->  
The Clavinova is processing the data internally. Wait until the mes-  
sage disappears, then proceed to the next step.  
Executing  
Completed  
Executing  
This message appears when factory set is completed. The instrument  
is then restarted.  
FactorySet  
Restart  
The normal (factory default) settings (including the memory song  
setting) (“FactorySet” on page 93) have been restored. This message  
also appears if you press and hold down the C7 and turn on the  
power to the Clavinova (page 94).  
FactorySet  
MemorySongExcluded  
The normal (factory default) settings (except for the memory song  
setting) (“FactorySet” on page 93) have been restored.  
FactorySet  
Executing  
MemorySongIncluded  
This message will appear when loading of the backup file is com-  
pleted. The instrument is then restarted.  
FullBackup  
Restart  
Completed  
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Message  
Meaning  
There is a problem with the USB [TO HOST] terminal  
HostError  
• When using the CLP-295GP connected to your personal com-  
puter:  
The driver or MIDI application on your computer is not function-  
ing correctly, perhaps because the computer is turned off, the cable  
is not connected correctly. In this case, turn off the power of the  
CLP-295GP and your computer, and check the cable connections.  
Then turn on the power in the order of your computer CLP-  
295GP, and check that the driver and MIDI application on your  
computer are functioning correctly.  
• When using the CLP-295GP by itself:  
This message may appear if a cable is left connected to the USB  
[TO HOST] terminal of the CLP-295GP. In this case, turn off the  
power of the CLP-295GP, disconnect the cable, and then turn on  
the power again. If the cable is left connected, the CLP-295GP may  
not function correctly.  
This message will appear when the power is turned on after turning  
off the power while saving a song or internal settings. The internal  
memory is being checked while this message appears. If the internal  
settings are damaged, they will be reset to the initial settings. If  
Memory songs are damaged, they will be deleted.  
LastPowerOffIllegal  
MemoryChecking  
This message appears when you attempt to create a folder to a USB  
storage device that cannot be accessed. Check that the USB storage  
device is connected to the instrument and that the [SELECT] switch  
specifies the appropriate device, then try again.  
MakeDir  
---:Select USB Drive  
There is not enough memory space left and you cannot save any  
more songs. Save songs to an external device (page 48) or delete  
some songs in the storage memory, then save new data to memory.  
MemoryFull  
A USB storage device was not connected to the instrument when  
you attempted to perform a drive-related function. Connect the  
device and continue.  
NoDrive  
• This message will appear when there is no file to load from the  
media, even if the file name is displayed. Securely insert the media.  
NoFile  
• This message will appear when two-byte letters are included in the  
file name.  
You tried to copy a song that does not exist in the Storage memory  
or on USB storage device. Select a Memory song or External song via  
the [SONG SELECT] button.  
NoSongToCopy  
NoSongToMove  
You tried to move a song that does not exist in the Storage memory  
or on USB storage device. Select a Memory song or External song via  
the [SONG SELECT] button.  
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Message  
Meaning  
You tried to rename a song that does not exist in the Storage mem-  
ory or on USB storage device. Select a Memory song or External  
song via the [SONG SELECT] button.  
NoSongToRename  
This message prompts you to select whether you wish to overwrite  
the existing data with new data. Press the B [+ (YES)] button to  
allow overwriting. Press the B [– (NO)] button to cancel.  
Overwrite?-->  
This message appears when Musicsoft Downloader is started on a  
computer connected to the instrument. When this message appears,  
you cannot operate the instrument.  
PC<->CLP  
InCommunication  
You tried to start playing a song or perform another operation right  
after you select the song. Wait until the message disappears.  
PleaseWait  
This message appears when you try to write (save), copy, or delete  
data on a protected drive/media. Set protect to off and try again. If  
you still see this message, the disk is internally protected (such as  
commercially available music data). You cannot write or copy to  
such a disk.  
ProtectedDrive  
This message appears when a protected song and the drive are not  
compatible. Use a drive whose compatibility has been confirmed by  
ProtectedDriveError  
You tried to copy or delete data in internally-protected files (such as  
commercially available music data). You cannot write to, copy, or  
delete such files.  
ProtectedFile  
This message appears when you play back a protected song which  
has a file format error.  
ProtectedFileFormatError  
ProtectedSong  
After you load an internally-protected song into the Clavinova’s  
Current memory or storage memory, you tried to save the song to a  
USB storage device. You cannot save such a song to another disk. You  
cannot write or copy to such a disk.  
This message appears when you copy a protected song. Protected  
songs cannot be copied. However, you can move the song (page 53).  
ProtectedSong:UseMove  
This message appears when you attempt to save a protected song  
(security song). Protected songs cannot be saved.  
SecuritySongIsProtected  
CannotSave  
This message prompts you to select whether you wish to save the  
edited settings. Press the B [+(YES)] button to save the settings.  
Press the [EXIT] button to cancel.  
Set?-->  
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Message  
Meaning  
This message appears when you record or edit the protected song  
and select another song. The recorded/edited protected song cannot  
be saved. The song will be deleted when you select another song.  
SongChanged Clear?  
You tried to perform another operation before saving the recorded  
song to storage memory or an external device. If you continue the  
operation, the recorded song will be lost. To delete the new record-  
ing, press the B [– (NO)] button. To keep the recording, press the B  
[+ (YES)] button. The Clavinova displays the “Save” parameter  
screen. Save the recorded song and proceed to another operation.  
SongChanged Save?  
This message will appear if a problem is found with the song data  
when you select a song or while the song is playing. In this case, rese-  
lect the song, and try once again to play it back. If the message still  
appears, the song data may have been damaged.  
SongError  
1. This message will be displayed if current memory fills up during  
recording. Recording will stop automatically at this point. The  
data that had been recorded up to that point will remain. This  
message will also be displayed when you attempt to enter Record  
mode for additional recording if that song already occupies all of  
current memory. In this case, additional recording will not be pos-  
sible. If there is an already-recorded part that you do not need to  
keep, you can use “ChannelClear” (page 75) to delete the  
unneeded part, so that you will then be able to record the equiva-  
lent amount of additional material.  
SongTooBig  
2. This message will be displayed when you select a song if that song  
is larger than the capacity of the current memory (page 102). This  
song cannot be loaded into the CLP-295GP, and cannot be played  
back. Please select a different song.  
This message prompts you to start the operation. To start, press the  
B [+ (YES)] button. Press the [EXIT] button to cancel the operation.  
Start?-->  
Sure?-->  
This message prompts you to confirm the execution. Press the B [+  
(YES)] button to continue. Press the B [– (NO)] button to cancel.  
This message appears when the number of files and folders exceeds  
the system limit. The maximum number of files/folders which can  
be stored in a folder is 250. Try again after deleting/moving the  
unnecessary file(s).  
SystemLimit  
You tried to perform a file- or drive-related operation using an  
unformatted media. Eject the media, format it using the “Format”  
parameter (page 54), then try again.  
UnformattedDrive  
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Message  
Meaning  
You tried to perform a file- or drive-related operation using an  
unformatted media. To cancel the operation, press the B [– (NO)]  
button. To format the disk and try again, press the B [+ (YES)] but-  
ton to display the format parameter (page 54).  
UnformattedDrive Format?  
This message appears when you connect an unsupported drive. Use  
a drive whose compatibility has been confirmed by Yamaha  
UnsupportedDrive  
• The connected drive does not support use of protected songs. Use  
only drives whose compatibility has been confirmed by Yamaha  
WrongDrive  
• This message appears when the connected USB storage device is  
damaged and cannot be accessed.  
You used a period or space at the beginning of a song name or you  
tried to change a song name that includes a character (or characters)  
not supported by the CLP-295GP, and the CLP-295GP could not  
process the name. The Clavinova displays the previous screen in  
three seconds. Rename the song correctly.  
WrongName  
This message appears when, in copying a song, the same folder has  
been selected for both the source and destination. You cannot select  
the same folder for both the source and destination. Select the differ-  
ent folder as the destination folder.  
WrongSelection  
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Questions about Operations and  
Functions  
The buttons do not respond.  
Performance in Dual or Split mode is not  
recorded.  
While you are using a function, some buttons not  
used for the function are disabled. If the song is play-  
ing, stop the playback. Otherwise, press the [EXIT]  
button to return to the main screen. Then, perform  
the desired operation.  
Part data is lost unexpectedly.  
For Dual or Split mode recording, the recording part  
for the second voice (that is, the voice for the left-  
hand part) is automatically assigned (page 31).  
Therefore, if the part already has data, the data will  
be overwritten during recording. Also, switching to  
Dual mode or Split mode in the middle of the song  
is not recorded. Therefore, the notes you played with  
the second voice (or the notes lower than the Split  
point) are not recorded.  
The sound sustains indefinitely and does not  
decay when I press the sostenuto pedal.  
With the voices in the CHURCH ORGAN, JAZZ  
ORGAN, STRINGS, CHOIR group, or some voices  
in the XG group, the sound continues sustaining  
while you are holding down the sostenuto pedal.  
What type of data is recorded?  
Higher or lower notes does not sound cor-  
rectly when the transpose or octave setting  
is made.  
Data recorded in the parts:  
• Note data (notes you play)  
Voice selection  
• Clavinova pedals and external pedal on/off  
• Reverb depth [ReverbSend]  
The setting range for the transposition and octave  
setting is C-2 - G8. (With the normal setting, the  
Clavinova’s 88 keys covers the range of A-1 - C7.) If  
the lowest key is set to a note lower than C-2, it will  
produce a sound one octave higher. If the highest key  
is set to a note higher than G8, it will produce a  
sound one octave lower.  
• Chorus depth [ChorusSend]  
• DSP effect depth [DSPDepth]  
• Sound brightness [Brightness]  
• Resonance effect setting [HarmonicContent]  
• Equalizer’s low-range frequency setting [EQLow-  
Freq.]  
• Equalizer’s low-range gain setting [EQLowGain]  
• Equalizer’s high-range frequency setting  
[EQHighFreq.]  
• Equalizer’s high-range gain setting [EQHighGain]  
• Octave setting of the voice [Octave]  
Volume setting of each voice [Volume]  
• Left/right position of each sound [Pan]  
• Fine pitch adjustment between two voices (Dual  
only) [Detune]  
How can I return to the recording or song  
select screen during song recording or play-  
back?  
Press the [SONG SELECT] button once.  
The tempo does not change even though I  
recorded with tempo changes.  
Depending on the timing of tempo changes, the  
changed tempo may not be recorded. In this case,  
the recording will be played back at the original  
tempo.  
Volume change in response to playing strength for  
each voice [TouchSense]  
Make tempo changes when the recording part is  
selected and a red part indicator is flashing. The  
same trick applies to editing the tempo after record-  
ing.  
Data recorded globally in all parts:  
Tempo  
• Time signature  
• Reverb type  
• Chorus type  
• DSP effect type  
You can change all data except for note data, Octave  
setting or Time Signature after recording.  
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How much data can I record?  
• Current memory (page 48): About 300KB  
• Storage memory (page 48): About 1,750KB  
The on/off setting of the pedal connected to  
the AUX PEDAL jack is reversed.  
Some types of pedals may turn on and off in oppo-  
site fashion. Use the AuxPedalType” parameter  
(page 88) in the “FUNCTION” menu to change the  
external pedal setting.  
The song title is not correct.  
The “CharacterCode” setting may be different than  
that used when you named the song. Also, if the song  
was recorded on another instrument, the title might  
be displayed incorrectly. Use the “CharacterCode”  
menu to change the setting. However, if the song was  
recorded on another instrument, changing the  
“CharacterCode” parameter setting may not resolve  
the problem.  
What is the difference between “Touch-  
Sense” and “TouchResponse” MIDI data?  
TouchSense” determines the manner and degree to  
which the volume level changes in response to your  
touch on the keyboard. The MIDI note-on velocity  
data is not changed. It changes the volume level at  
the same velocity data.  
TouchResponsedetermines the touch sensitivity of  
an instrument. The MIDI note-on velocity data is  
changed when you play the keyboard with a consis-  
tent touch.  
Only “PhraseMark” can be selected via the  
[FILE/SONG SETTING] button during song  
playback.  
The “PhraseMark” parameter can only be set via the  
[FILE/SONG SETTING] button during song play-  
back. If you desired to select other parameters, stop  
the song and try once again.  
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Appendix  
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Troubleshooting  
Problem  
Cause  
Solution  
The power of the Clavinova does not The power cable is not plugged in  
Insert the power cable plug firmly  
into the Clavinova and into the elec-  
trical outlet of the correct voltage.  
turn on.  
(check at the Clavinova and at the  
electrical outlet).  
There is a clicking noise when you  
press the [POWER] button to turn  
the power on or off.  
This is caused by the electrical  
power within the instrument.  
This is not a malfunction.  
Noise is heard from the Clavinova.  
A portable telephone is being used  
Turn off the power of the portable  
near the Clavinova (or the ring tone telephone located near the Clavi-  
is sounding).  
nova. Noise may be heard if a porta-  
ble telephone is used near the  
Clavinova or if the ring tone occurs.  
The overall volume is too low.  
Or, there is no sound at all.  
The [MASTER VOLUME] dial is low- Raise the [MASTER VOLUME] dial.  
ered.  
The volume level for the keyboard  
performance is set too low.  
Move the [SONG BALANCE] slider  
toward the keyboard to increase the  
keyboard volume.  
Headphones are connected (only if Disconnect the headphone plug.  
the Speaker setting is “Normal  
HeadphoneSW”). (page 90)  
Speaker setting is off.  
Set [Speaker] to “Normal” or “ON”.  
Local Control is turned off.  
Set Local control ON. (page 92)  
“Expression” is assigned to the right Assign any function other than  
pedal or the AUX pedal.  
“Expression” to the pedal.  
The keyboard volume is lower than  
the song playback volume.  
The volume level for the keyboard  
performance is set too low.  
Move the [SONG BALANCE] slider  
toward the keyboard to increase the  
keyboard volume.  
Sound is still heard from the speak- Speaker setting is On.  
ers even though headphones are  
plugged in.  
Set the speaker setting to “Normal  
(HeadphoneSW)”. (page 90)  
iAFC cannot be turned ON.  
The lid is closed or open with the  
shorter stay.  
Open the lid with the longer stay  
using the inner recess.  
Feedback occurs when you turn  
iAFC on.  
iAFC was not automatically adjusted Turn iAFC OFF, and perform the  
correctly.  
Damper pedal does not function, or The plug of the pedal cable is not  
notes are sustained even though the inserted into the [PEDAL] jack.  
damper pedal is not pressed.  
Plug the pedal cable firmly into the  
[PEDAL] jack. (Refer to “CLP-  
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Problem  
Cause  
Solution  
The USB storage device is not rec-  
ognized by the instrument.  
The USB storage device may not be Disconnect the USB storage device  
recognized by the instrument  
depending on the timing of the  
device connection or the setting of  
the [SELECT] switch.  
and connect it again and select a  
device using the [SELECT] switch.  
To view the data of the USB storage  
device on the CLP display, press the  
[SONG SELECT] button to engage  
song selection mode or press the  
[FILE/SONG SETTING] button to  
engage file/song setting mode. If  
you try to engage these modes  
before connecting the USB storage  
device, press the [EXIT] button to  
exit the mode and re-engage the  
mode. If the device is still not recog-  
nized, it may not be supported by  
Yamaha. Only use devices sup-  
The USB storage device has hung  
up (stopped).  
The USB storage device is not com- Only use devices whose compatibil-  
patible with the instrument.  
ity has been confirmed by Yamaha  
The USB storage device does not  
operate properly.  
Disconnect the device and connect  
it to the instrument again.  
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Data Compatibility  
This section covers basic information on data compatibility: whether or not other MIDI devices can playback the  
data recorded by CLP-295GP, and whether or not the CLP-295GP can playback commercially available song data or  
song data created for other instruments or on a computer.  
Depending on the MIDI device or data characteristics, you may be able to play back the data without any problem,  
or you may have to perform some special operations before the data can be played back. If you run into problems  
playing back data, please refer to the information below.  
Basic Check Points  
Voice Allocation Format  
The data and the MIDI device must match in regards  
to the items below.  
• Sequence format  
With MIDI, voices are assigned to specific numbers,  
called “program numbers.The numbering standard  
(order of voice allocation) is referred to as the “voice  
allocation format.”  
Voice allocation format  
• Disk Format (floppy disk drive is optional)  
Voices may not play back as expected unless the voice  
allocation format of the song data matches that of the  
compatible MIDI device used for playback.  
The CLP-295GP is compatible with the following for-  
mats.  
Sequence Format  
The system which records song data is called “sequence  
format.”  
Playback is only possible when the sequence format of  
the disk matches that of the MIDI device.  
GM System Level 1  
This is one of the most common voice allocation for-  
mats.  
Many MIDI devices are compatible with GM System  
Level 1, as is most commercially available software.  
The CLP-295GP is compatible with the following for-  
mats.  
GM System Level 2  
SMF (Standard MIDI File)  
“GM System Level 2” is a standard specification hat  
enhances the originalGM System Level 1” and improves  
song data compatibility. It provides for increased  
polyphony, greater voice selection, expanded voice  
parameters, and integrated effect processing.  
This is the most common sequence format.  
• Standard MIDI Files are generally available as one  
of two types: Format 0 or Format 1.  
• Many MIDI devices are compatible with Format  
0, and most commercially available software is  
recorded as Format 0.  
XG  
• The CLP-295GP is compatible with both Format  
0 and Format 1.  
• Performance data recorded on the CLP-295GP is  
saved in the SMF format 0.  
XG is a major enhancement of the GM System Level 1  
format, and was developed by Yamaha specifically to pro-  
vide more voices and variations, as well as greater expres-  
sive control over voices and effects, and to ensure  
compatibility of data well into the future.  
Song data recorded on the CLP-295GP using voices in  
the XG category is XG-compatible.  
ESEQ  
This sequence format is compatible with many of  
Yamaha’s MIDI devices, including the Clavinova series  
instruments. This is a common format used with various  
Yamaha software.  
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DOC (Disk Orchestra Collection)  
This voice allocation format is compatible with many of  
Yamaha’s MIDI devices, including the Clavinova series  
instruments.  
This is also common format used with various Yamaha  
software.  
GS  
GS was developed by the Roland Corporation.  
In the same way as Yamaha XG, GS is a major enhance-  
ment of the GM specifically to provide more voices and  
drum kits and their variations, as well as greater expres-  
sive control over voices and effects.  
Even if the devices and data used satisfy all the condi-  
tions above, the data may still not be completely com-  
patible, depending on the specifications of the devices  
and particular data recording methods.  
Disk format  
It is necessary to first configure the floppy disk to the  
system of the device being used. This operation is  
called “formatting.”  
• There are two types of floppy disks: MF2DD (dou-  
ble sided, double density) and MF2HD (double  
sided, high density), and each type has different for-  
matting systems.  
• Playback is only possible when the MIDI device to  
be used is compatible with the format of the disk.  
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Preset Voice List  
: Yes ×: No  
Voice  
group  
Stereo Touch  
sampling Sense  
Dynamic Key-off  
sampling samples resonance  
String  
Voice name  
Voice description  
This sound was sampled from a full concert grand  
piano. Three stages of dynamics were sampled,  
and no effort has been spared in making the sound  
virtually identical to that of an acoustic piano. Even  
the tonal changes produced by the damper pedal  
and the subtle sounds of releasing a key are repro-  
duced. The sympathetic vibration (string reso-  
nance) that occurs between the strings of an  
acoustic piano has also been simulated. Suitable  
not only for classical compositions but also for piano  
pieces of any style.  
GrandPiano1  
GRAND  
PIANO1  
A warm and mellow piano sound. Ideal for classical  
music.  
MellowPiano  
RockPiano  
A bright-sounding piano. Ideal for rock styles.  
HonkyTonk  
Piano  
A honky-tonk style piano. Enjoy a tonal character  
that is quite different than a grand piano.  
×
A spacious and clear piano sound with a bright res-  
onance. Ideal for popular music.  
GrandPiano2  
BrightPiano  
×
×
×
×
×
×
GRAND  
PIANO2  
A spacious and bright piano sound. Ideal for popu-  
lar and rock music.  
An electronic piano sound produced by an FM syn-  
thesizer. The tone will change as you vary your  
playing touch. Ideal for popular music.  
E.Piano1  
SynthPiano  
E.Piano2  
×
×
×
×
×
×
E.PIANO1  
E.PIANO2  
This voice simulates the electric piano sound pro-  
duced by synthesizers in popular music. It also  
goes well with the acoustic piano sound.  
×
The sound of an electric piano using hammer-  
struck metallic “tines.Soft tone when played lightly,  
and an aggressive tone when played hard.  
×
×
×
×
Vintage  
E.Piano  
A different type of electric piano sound.Widely used  
in rock and popular music.  
×
The sound of the instrument frequently used in  
baroque music. Variations in playing touch will not  
affect the volume, and a characteristic sound will be  
heard when you release the key.  
Harpsichord  
8'  
×
×
×
×
×
×
HARPSI  
CHORD  
Harpsichord  
8'+4'  
A harpsichord with an added upper octave. Pro-  
duces a more brilliant sound.  
This is the voice of a keyboard that produces sound  
by striking the strings with magnetic pickups. This  
funky sound is popular in black contemporary music.  
Because of its unique structure, the instrument pro-  
duces a peculiar sound when you release the keys.  
E.Clavichord  
×
×
×
×
×
E.CLAVI  
CHORD  
A distinctive effect is preset.  
Wah Clavi.  
Vibraphone  
×
×
Vibraphone played with relatively soft mallets. The  
tone becomes more metallic the harder you play.  
×
×
A marimba sound, sampled in stereo for spacious-  
ness and realism.  
Marimba  
×
×
VIBRA-  
PHONE  
The sound of a celesta (a percussion instrument in  
which hammers strike metallic bars to produce  
sound). This instrument is well-known for its  
appearance in “Dance of the Sugar-plum Fairies”  
from Tchaikovsky’s “Nutcracker Suite.”  
Celesta  
×
×
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Stereo Touch  
sampling Sense  
Dynamic Key-off  
sampling samples resonance  
String  
Voice group  
Voice name  
Voice description  
A warm and natural nylon-string guitar sound.  
Enjoy the atmosphere it adds to a quiet song.  
NylonGuitar  
SteelGuitar  
×
×
×
×
GUITAR  
A bright steel guitar sound. Ideal for popular  
music.  
×
×
×
This voice features the combination of pipes  
(8'+4'+2') of a principal (brass instrument)  
organ. It is suitable for Baroque church music.  
PipeOrgan  
Principal  
×
×
×
×
×
This voice features a full coupler of a pipe  
organ, famous for the sound used in Toccatta  
and Fugue by Bach.  
PipeOrgan  
Tutti  
×
×
×
×
CHURCH  
ORGAN  
A pipe organ sound that combines flute-type  
(woodwind type) stops of different pitches  
(8' + 4').This is a gentle sound that is ideal for  
accompanying hymns.  
PipeOrgan  
Flute1  
×
×
×
×
A pipe organ sound that combines flute-type  
(woodwind type) stops of different pitches  
(8' + 4' + 1-1/3'). This is brighter than  
PipeOrgan  
Flute2  
×
×
PipeOrganFlute1, and is suitable for solos.  
The sound of a “tonewheel” type electric  
organ. Often heard in jazz and rock idioms.  
JazzOrgan  
×
×
×
×
×
×
×
×
×
×
×
×
×
×
×
A bright electric organ sound.  
JAZZORGAN  
STRINGS  
RotaryOrgan  
MellowOrgan  
A mellow electric organ sound. Ideal for  
calmer songs.  
Stereo-sampled, large-scale strings ensem-  
ble with realistic reverb. Try combining this  
voice with piano in the Dual mode.  
Strings  
×
×
×
×
×
×
A bright and spacious strings sound. Suitable  
for sustained parts in the background of an  
ensemble.  
SynthStrings  
×
The sound of a string ensemble, with a slow  
attack. Suitable for use in Dual mode with  
GRAND PIANO or E.PIANO.  
SlowStrings  
Choir  
×
×
×
×
×
×
×
×
×
A big, spacious choir voice. Perfect for creat-  
ing rich harmonies in slow pieces.  
×
×
The sound of a choir with a slow attack. Suit-  
able for use in Dual mode with GRAND  
PIANO or E.PIANO.  
SlowChoir  
CHOIR  
You can enjoy jazz “scatting” with this voice.  
Depending on how hard and what note range  
you play, different sounds will be produced.  
Scat  
×
×
×
×
×
×
A warm, mellow, and spacious synth sound.  
Ideal for sustained parts in the background of  
an ensemble.  
SynthPad1  
×
×
SYNTH.PAD  
A clear and spacious synth sound. Ideal for  
sustained parts in the background of an  
ensemble.  
SynthPad2  
WoodBass  
×
×
×
×
×
×
×
×
×
The sound of a finger-plucked upright bass.  
Frequently used in jazz and Latin music.  
WOOD BASS  
E.BASS  
The sound of a cymbal has been layered onto  
the bass. Effective when used for jazz walk-  
ing-bass lines.  
Bass&Cymbal  
The sound of an electric bass. Frequently  
used in jazz, rock, and popular music.  
ElectricBass  
FretlessBass  
×
×
×
×
×
×
×
×
The sound of a fretless bass. Suitable for  
styles such as jazz and fusion.  
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Voice Combination Examples  
(Dual and Split)  
Dual  
MAIN + MAIN  
GrandPiano1 + E.Piano1  
GrandPiano1 + E.Piano2  
This combination is often used in popular music.  
This produces a fantasy, spacious piano sound.  
MAIN + MAIN  
MAIN + MAIN  
GrandPiano1 + SynthPiano  
GrandPiano2 + GrandPiano2  
This combination sounds as if you are playing  
two notes that are one octave apart. It is suitable  
for the accompaniment of Salsa music.  
MAIN + MAIN  
MAIN + MAIN  
E.Piano1 + SlowChoir  
This is suitable for romantic ballads.  
E.Piano2 + E.Clavichord  
This is suitable for funk, rhythm & blues, and soul  
music.  
MAIN + MAIN  
MAIN + MAIN  
Harpsichord8' + Strings  
Celesta + SynthStirngs  
This combination is very suitable for Baroque  
music.  
This combination adds strings and bell sound. A  
delay effect is automatically applied.  
Split  
MAIN / LEFT  
GrandPiano1 / WoodBass  
or Bass&Cymbal  
This is recommended for light Jazz music. The  
damper pedal is effective on the voice assigned  
to the right-hand range.  
MAIN / LEFT  
MAIN / LEFT  
Celesta / Choir  
This is suitable for a peaceful, somewhat cute  
song.  
Choir / GrandPiano1  
Play these voices elegantly along with piano  
arpeggio. Playing the Choir voice in chords  
would be more effective.  
MAIN / LEFT  
MAIN / LEFT  
Scat / WoodBass  
E.Piano2 / Scat  
This combination features a cool (stylish) jazz  
chorus.The Scat voice is touch sensitive, adding  
a variety of expressions.  
Playing the Scat voice for a bass part may create  
an interesting sound.  
Dual + Split  
MAIN + MAIN / LEFT  
GrandPiano1 + SynthString /  
GrandPiano1  
This combination creates the thick sound of a  
layered piano and strings.  
MAIN + MAIN / LEFT  
GrandPiano2 + E.Piano1 /  
ElectricBass  
This sound is suitable for fusion. Deeper reverb  
and chorus (page 79) will improve the groove.  
The damper pedal is effective on the voice  
assigned to the right-hand range.  
MAIN + MAIN / LEFT + LEFT Harpsichord8' + 4' + Strings /  
Harpsichord8' + Strings  
This combination makes a very brilliant sound.  
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CLP-295GP: Keyboard Stand Assembly  
How to position the main unit  
CAUTION  
• Be careful not to confuse parts, and be sure to install  
CAUTION  
Be careful not to pinch your fingers.  
all parts in the correct orientation. Please assemble  
in accordance with the sequence given below.  
• Assembly should be carried out by at least two per-  
sons.  
• Be sure to use the correct screw size, as indicated  
below. Use of incorrect screws can damage the  
stand.  
• Be sure to tighten all screws upon completing the  
assembly of each unit.  
To disassemble, reverse the assembly sequence given  
below.  
Be sure to position the keyboard side on the bottom.  
Spread a large soft cloth, such as a blanket, on the floor.  
Place the unit on the cloth with the key cover closed  
and the keyboard side on the bottom and lean the unit  
against the wall so that the unit will not fall or slip.  
Place a soft cloth against the wall to protect the instru-  
ment and the wall from scratches.  
Have a Phillips-head (+) screwdriver ready.  
TIP  
The CLP-295GP features an iAFC (Instrumental Active Field  
Control) effect. This produces sound from the speaker  
located on the bottom face of the Clavinova, enhancing the  
reverberation and spaciousness of the sound when you open  
the lid with the longer stay (page 15).  
CAUTION  
Do not place the main unit with  
the rear side facing down.  
In order to optimize the iAFC effect, please observe the fol-  
lowing:  
Perform the automatic adjustment after you turn on the  
power of the Clavinova for the first time, and after each  
time you re-locate the Clavinova. (page 84)  
Do not block the speaker located on the bottom face of the  
Clavinova.  
CAUTION  
Do not lay the main unit upside  
down on the floor.  
1.  
Remove all parts from the box. Con-  
firm that all parts shown in the illus-  
tration are included.  
CAUTION  
Do not position the main unit so  
that its bottom is in contact with  
floor.  
Main unit  
Lean the unit against the  
wall as shown at right.  
Legs  
Pedal box  
6 × 40 mm fixing screws  
× 12  
6 × 20 mm fixing screws  
× 4  
AC power cord  
Cord holder  
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3 Insert the pedal cord plug into the pedal  
connector. Insert the plug so the arrow side  
faces front (toward the keyboard).  
If the plug will not go in easily, do not  
force it. Double-check the orientation of  
the plug, then try again.  
2.  
Attach two front legs and a rear leg.  
Refer to the diagram below to verify the orientation of  
the legs.  
Rear leg  
4 Attach the cord holder on the unit as shown  
in the illustration below, then use the cord  
holder to affix the pedal cord.  
Front leg  
Front leg  
3
Install and tighten four 6 x 40 mm screws on each leg,  
starting with one of the front legs.  
4
3.  
Install the pedal box.  
1 Remove the twist tie that affixes the pedal  
4.  
Raising the unit to the standing posi-  
tion.  
cord to the upper portion of the pedal box.  
Use the front legs as support to raise the unit.  
CAUTION  
• Be careful not to pinch your fingers.  
• When you raise the unit, do not hold the key  
cover.  
Twist tie  
2 Align the cord with the groove on the unit,  
and attach the pedal box using four 6 x 20 mm  
screws.  
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• Are there any parts left over?  
Review the assembly procedure and correct  
any errors.  
5.  
Connect the power cord.  
Insert the AC power cord plug into the [AC INLET].  
• Is the Clavinova clear of doors and other mov-  
able fixtures?  
Move the Clavinova to an appropriate loca-  
2 4 0  
For models that feature  
a voltage selector:  
tion.  
Set the voltage selector to an  
appropriate voltage.  
127  
• Does the Clavinova make a rattling noise when  
you shake it?  
Tighten all screws.  
• Does the pedal box rattle or give way when you  
step on the pedals?  
Turn the adjuster so that it is set firmly  
against the floor.  
• Are the pedal and power cords inserted  
securely into the sockets?  
Check the connection.  
Right leg on the bottom of the main unit, when  
viewed from front  
• If the main unit creaks or is otherwise unsteady  
when you play on the keyboard, refer to the  
assembly diagrams and retighten all screws.  
Voltage Selector  
Before connecting the AC power cord, check the setting  
of the voltage selector which is provided in some areas. To  
set the selector for 110V, 127V, 220V or 240V main volt-  
ages, use a “minus” screwdriver to rotate the selector dial  
so that the correct voltage for your region appears next to  
the pointer on the panel. The voltage selector is set at  
240V when the unit is initially shipped.  
After the proper voltage has been selected, connect the  
AC power cord to the [AC INLET] and an AC wall outlet.  
A plug adaptor may be also provided in some areas to  
match the pin configuration of the AC wall outlets in  
your area.  
When moving the instrument after assembly,  
always hold the bottom of the main unit.  
CAUTION  
Do not hold the key cover or top portion.  
Improper handling can result in damage to the  
instrument or personal injury.  
Top portion  
WARNING  
Key cover  
An improper voltage setting can cause serious damage to  
the Clavinova or result in improper operation.  
6.  
Set the adjuster.  
Rotate the adjuster until it comes in firm contact with  
the floor surface.  
After completing the assembly, please check the following.  
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Handling the Floppy Disk Drive (FDD) and  
Floppy Disks (Optional)  
An optional floppy disk drive can be installed to this  
instrument. For instructions on installing the floppy disk  
CAUTION  
Do not remove the floppy disk or turn off the instrument itself  
while the disk is being accessed.  
The floppy disk drive lets you save original data you’ve cre-  
ated on the instrument to floppy disk, and allows you to load  
data from floppy disk to the instrument.  
Be sure to handle floppy disks and treat the disk drive with  
care. Follow the important precautions below.  
Doing so may result not only in loss of data on the disk but also  
damage to the floppy disk drive.  
Be sure to remove the floppy disk from the disk drive  
before turning off the power. A floppy disk left in the  
drive for extended periods can easily pick up dust and dirt  
that can cause data-read and -write errors.  
Floppy Disk Compatibility  
Cleaning the Disk Drive Read/Write Head  
3.5" 2DD and 2HD type floppy disks can be used.  
Clean the read/write head regularly. This instrument  
employs a precision magnetic read/write head which,  
after an extended period of use, will pick up a layer of  
magnetic particles from the disks used that will eventually  
cause read and write errors.  
To maintain the disk drive in optimum working order  
Yamaha recommends that you use a commercially-avail-  
able dry-type head cleaning disk to clean the head about  
once a month. Ask your Yamaha dealer about the avail-  
ability of proper head cleaning disks.  
Formatting a Floppy Disk  
If you find that you are unable to use new, blank disks or  
old disks that have been used with other devices, you may  
need to format them. For details on how to format a disk,  
see page 54. Keep in mind that all data on the disk will be  
lost after formatting. Make sure to check beforehand  
whether or not the disk contains important data.  
n
Floppy disks formatted on this device may or may not be use-  
able as is on other devices.  
About Floppy Disks  
Inserting/Removing Floppy Disks  
Handle floppy disks with care, and follow  
these precautions:  
Inserting a Floppy Disk into the Disk Drive:  
Hold the disk so that the label of the disk is facing upward and  
the sliding shutter is facing forward, towards the disk slot.  
Carefully insert the disk into the slot, slowly pushing it all the  
way in until it clicks into place and the eject button pops out.  
Do not place heavy objects on a disk or bend or apply  
pressure to the disk in any way. Always keep floppy disks  
in their protective cases when they are not in use.  
Do not expose the disk to direct sunlight, extremely high  
or low temperatures, or excessive humidity, dust or liq-  
uids.  
Do not open the sliding shutter and touch the exposed  
surface of the floppy disk inside.  
Do not expose the disk to magnetic fields, such as those  
produced by televisions, speakers, motors, etc., since  
magnetic fields can partially or completely erase data on  
the disk, rendering it unreadable.  
n
Never insert anything but floppy disks into the disk drive.  
Other objects may cause damage to the disk drive or floppy  
disks.  
Removing a Floppy Disk  
After checking that the instrument is not accessing* the  
floppy disk (checking that the use lamp on the floppy disk  
drive is off), firmly press the eject button at the upper  
right of the disk slot all the way in.  
Never use a floppy disk with a deformed shutter or housing.  
Do not attach anything other than the provided labels to  
a floppy disk. Also make sure that labels are attached in  
the proper location.  
When the floppy disk is ejected, pull it out of the drive. If  
the floppy disk cannot be removed because it is stuck, do  
not try to force it, but instead try pressing the eject button  
again, or try re-inserting the disk and attempt to eject it  
again.  
To Protect Your Data (Write-protect Tab):  
To prevent accidental erasure of important data, slide the  
disk's write-protect tab to the “protect” position (tab open).  
When saving data, make sure that the disk’s write-protect  
tab is set to the “overwrite” position (tab closed).  
*Access of the disk indicates an active operation, such as  
recording, playback, or deletion of data.  
If a floppy disk is inserted while the power is on, the disk  
is automatically accessed, since the instrument checks  
whether the disk has data.  
write-protect tab open  
(protect position)  
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Installing the Floppy Disk Drive (Optional)  
The optional UD-FD01 floppy disk drive can be installed to the bottom of the instrument by using the included  
floppy disk drive case and screws.  
Have a Phillips-head (+) screwdriver ready.  
1.  
Remove the three backing papers  
from the adhesive tape in the case,  
and fit the floppy disk drive into the  
case.  
3.  
4.  
Attach the drive and case assembly  
to the left underside of the instru-  
ment, using the included four screws  
(4mm x 10mm).  
Insert the drive to the case, with the side  
having the rubber stoppers facing the case.  
Connect the USB cable to the USB  
[TO DEVICE] terminal.  
Dual-sided adhesive tape  
2.  
Fold the USB cable inside the case as  
shown.  
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Specifications  
Item  
CLP-295GP  
Natural Wood keyboard  
(real wood on white keys only)  
Keyboard  
AWM Dynamic Stereo Sampling  
128  
Sound Source  
Polyphony (max)  
Voice Selection  
Panel preset for manual performance: 38 voices,  
XG voices: 480 voices + 12 drum kits,  
GM2 and GS voices for GM2/GS song playback  
Reverb, Chorus, Brilliance, Variation effect, Insertion effect x 3, iAFC  
Effect  
Dual, Split  
Controls  
LCD  
Display  
16-track recording/playback, tempo adjustment  
Recording/Playback  
Memory Device  
Optional USB storage device (via USB TO DEVICE terminal)  
Flash memory (internal): 1.7 MB  
Damper (with half-pedal effect), Sostenuto, Soft  
16 voice demo songs, 50 preset songs  
Pedal  
Demo Songs  
MIDI (IN/OUT/THRU), PHONES x 2, AUX IN (L/L+R, R), AUX OUT (L, R),  
USB TO HOST, USB TO DEVICE, AUX PEDAL  
Jacks/Terminals  
60W x 2 + 20W x 2  
Main Amplfiers  
Speakers  
16cm x 2, 5cm x 2, 3cm (DOME) x 2, 10cm x 2  
1,434 mm x 1,146 mm x 931 mm  
[56 1/2" x 45 1/8" x 36 2/3"]  
Dimensions (W x D x H)  
(Lid up)  
With music rest:  
(1,434 mm x 1,146 mm x 1,581 mm)  
[56 1/2" x 45 1/8" x 62 1/4"]  
108kg [238 lbs., 2 oz]  
Weight  
“50 greats for the Piano” Score Collection, Owner’s Manual, Data List,  
Bench (included or optional depending on locale), Accessory CD-ROM  
for Windows, Accessory CD-ROM for Windows Installation Guide  
Accessories  
* Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change  
or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same  
in every locale, please check with your Yamaha dealer.  
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Index  
You can search the desired section using not only the terminology in this manual but also commonly-used words.  
The * mark indicates that the corresponding page includes the terminology explanation in the right column.  
Numerics  
J
DOWN (TEMPO)  
Dual  
Jacks  
A
K
Adding variation to the sound Effect  
L
LCD Screen  
Assigning the SONG [PLAY/PAUSE]  
List  
E
B
BRILLIANCE [MELLOW]/[BRIGHT]  
M
C
F
combining two voices Dual mode...... 31  
Connection  
G
H
D
I
N
iAFC  
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Index  
Terminals  
O
S
Select  
P
Song  
SONG SELECT  
Sound  
Split  
Pedal Function  
PLAY/PAUSE  
Playback  
playing two voices Split mode ............ 33  
U
UP (TEMPO)  
V
Volume  
Practicing a one-hand part (50 preset songs)  
Splitting the keyboard range and playing  
R
X
STOP  
Recording  
Sync Start  
RIGHT/LEFT  
T
TEMPO  
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IMPORTANT SAFETY INSTRUCTIONS  
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,  
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.  
WARNING- When using any electrical or electronic product,  
8. This product was NOT designed for use in wet/damp loca-  
basic precautions should always be followed. These precautions  
tions and should not be used near water or exposed to rain.  
include, but are not limited to, the following:  
Examples of wet/damp locations are; near a swimming pool,  
spa, tub, sink, or wet basement.  
1. Read all Safety Instructions, Installation Instructions, Spe-  
cial Message Section items, and any Assembly Instructions  
9. This product should be used only with the components  
found in this manual BEFORE making any connections, includ-  
ing connection to the main supply.  
supplied or; a cart, rack, or stand that is recommended by the  
manufacturer. If a cart, rack, or stand is used, please observe all  
safety markings and instructions that accompany the accessory  
product.  
2. Main Power Supply Verification: Yamaha products are  
manufactured specifically for the supply voltage in the area  
where they are to be sold. If you should move, or if any doubt  
exists about the supply voltage in your area, please contact your  
10. The power supply cord (plug) should be disconnected  
from the outlet when electronic products are to be left unused for  
dealer for supply voltage verification and (if applicable) instruc-  
extended periods of time. Cords should also be disconnected  
tions. The required supply voltage is printed on the name plate.  
when there is a high probability of lightning and/or electrical  
For name plate location, please refer to the graphic found in the  
storm activity.  
Special Message Section of this manual.  
11. Care should be taken that objects do not fall and liquids are  
3. This product may be equipped with a polarized plug (one  
not spilled into the enclosure through any openings that may exist.  
blade wider than the other). If you are unable to insert the plug  
into the outlet, turn the plug over and try again. If the problem  
persists, contact an electrician to have the obsolete outlet  
replaced. Do NOT defeat the safety purpose of the plug.  
12. Electrical/electronic products should be serviced by a  
qualified service person when:  
a. The power supply cord has been damaged; or  
b. Objects have fallen, been inserted, or liquids have been  
spilled into the enclosure through openings; or  
c. The product has been exposed to rain: or  
d. The product dose not operate, exhibits a marked change  
in performance; or  
4. Some electronic products utilize external power supplies  
or adapters. Do NOT connect this type of product to any power  
supply or adapter other than one described in the owners manual,  
on the name plate, or specifically recommended by Yamaha.  
e. The product has been dropped, or the enclosure of the  
product has been damaged.  
5. WARNING: Do not place this product or any other  
objects on the power cord or place it in a position where anyone  
could walk on, trip over, or roll anything over power or connect-  
ing cords of any kind. The use of an extension cord is not recom-  
mended! If you must use an extension cord, the minimum wire  
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the  
AWG number, the larger the current handling capacity. For  
longer extension cords, consult a local electrician.  
13. Do not attempt to service this product beyond that  
described in the user-maintenance instructions. All other servic-  
ing should be referred to qualified service personnel.  
14. This product, either alone or in combination with an  
amplifier and headphones or speaker/s, may be capable of pro-  
ducing sound levels that could cause permanent hearing loss.  
DO NOT operate for a long period of time at a high volume level  
or at a level that is uncomfortable. If you experience any hearing  
loss or ringing in the ears, you should consult an audiologist.  
IMPORTANT: The louder the sound, the shorter the time period  
before damage occurs.  
6. Ventilation: Electronic products, unless specifically  
designed for enclosed installations, should be placed in locations  
that do not interfere with proper ventilation. If instructions for  
enclosed installations are not provided, it must be assumed that  
unobstructed ventilation is required.  
7. Temperature considerations: Electronic products should  
15. SomeYamaha products may have benches and/or accessory  
be installed in locations that do not significantly contribute to  
their operating temperature. Placement of this product close to  
heat sources such as; radiators, heat registers and other devices  
that produce heat should be avoided.  
mounting fixtures that are either supplied as a part of the product  
or as optional accessories. Some of these items are designed to be  
dealer assembled or installed. Please make sure that benches are  
stable and any optional fixtures (where applicable) are well  
secured BEFORE using. Benches supplied by Yamaha are  
designed for seating only. No other uses are recommended.  
PLEASE KEEP THIS MANUAL  
92-469-2  
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FCC INFORMATION (U.S.A.)  
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!  
other electronic devices. Compliance with FCC regula-  
tions does not guarantee that interference will not occur  
in all installations. If this product is found to be the  
source of interference, which can be determined by  
turning the unit “OFF” and “ON”, please try to eliminate  
the problem by using one of the following measures:  
This product, when installed as indicated in the instruc-  
tions contained in this manual, meets FCC require-  
ments. Modifications not expressly approved by  
Yamaha may void your authority, granted by the FCC, to  
use the product.  
Relocate either this product or the device that is being  
affected by the interference.  
2. IMPORTANT: When connecting this product to acces-  
sories and/or another product use only high quality  
shielded cables. Cable/s supplied with this product  
MUST be used. Follow all installation instructions. Fail-  
ure to follow instructions could void your FCC authori-  
zation to use this product in the USA.  
Utilize power outlets that are on different branch (circuit  
breaker or fuse) circuits or install AC line filter/s.  
In the case of radio or TV interference, relocate/reorient  
the antenna. If the antenna lead-in is 300 ohm ribbon  
lead, change the lead-in to co-axial type cable.  
3. NOTE: This product has been tested and found to com-  
ply with the requirements listed in FCC Regulations,  
Part 15 for Class “B” digital devices. Compliance with  
these requirements provides a reasonable level of  
assurance that your use of this product in a residential  
environment will not result in harmful interference with  
other electronic devices. This equipment generates/  
uses radio frequencies and, if not installed and used  
according to the instructions found in the users manual,  
may cause interference harmful to the operation of  
If these corrective measures do not produce satisfac-  
tory results, please contact the local retailer authorized  
to distribute this type of product. If you can not locate  
the appropriate retailer, please contact Yamaha Corpo-  
ration of America, Electronic Service Division, 6600  
Orangethorpe Ave, Buena Park, CA90620  
The above statements apply ONLY to those products  
distributed by Yamaha Corporation of America or its  
subsidiaries.  
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.  
(class B)  
COMPLIANCE INFORMATION STATEMENT  
(DECLARATION OF CONFORMITY PROCEDURE)  
IMPORTANT NOTICE FOR THE UNITED KINGDOM  
Connecting the Plug and Cord  
IMPORTANT. The wires in this mains lead are coloured in  
accordance with the following code:  
Responsible Party : Yamaha Corporation of America  
Address : 6600 Orangethorpe Ave., Buena Park,  
Calif. 90620  
Telephone : 714-522-9011  
Type of Equipment : Electronic Piano  
Model Name : CLP-295GP  
BLUE  
: NEUTRAL  
BROWN : LIVE  
As the colours of the wires in the mains lead of this appa-  
ratus may not correspond with the coloured makings iden-  
tifying the terminals in your plug proceed as follows:  
The wire which is coloured BLUE must be connected to  
the terminal which is marked with the letter N or coloured  
BLACK.  
The wire which is coloured BROWN must be connected to  
the terminal which is marked with the letter L or coloured  
RED.  
This device complies with Part 15 of the FCC Rules.  
Operation is subject to the following conditions:  
1) this device may not cause harmful interference, and  
2) this device must accept any interference received including  
interference that may cause undesired operation.  
See user manual instructions if interference to radio reception  
is suspected.  
Making sure that neither core is connected to the earth ter-  
minal of the three pin plug.  
(2 wires)  
• This applies only to products distributed by Yamaha-Kemble Music  
(U.K.) Ltd.  
* This applies only to products distributed by  
YAMAHA CORPORATION OF AMERICA.  
(FCC DoC)  
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH  
WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.  
ATTENTION: POUR ÉVITER LES CHOCS ÉLEC-  
TRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE  
LA FICHE DANS LA BORNE CORRESPONDANTE DE LA  
PRISE ET POUSSER JUSQU’AU FOND.  
(polarity)  
• This applies only to products distributed by Yamaha Canada Music  
Ltd.  
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada  
Musique Ltée.  
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MEMO  
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MEMO  
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For details of products, please contact your nearest Yamaha  
representative or the authorized distributor listed below.  
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten  
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen  
Bestimmungsländern erhältlich.  
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou  
au distributeur le plus proche de vous figurant dans la liste suivante.  
Para detalles sobre productos, contacte su tiendaYamaha más cercana  
o el distribuidor autorizado que se lista debajo.  
THE NETHERLANDS/  
NORTH AMERICA  
ASIA  
BELGIUM/LUXEMBOURG  
CANADA  
THE PEOPLE’S REPUBLIC OF CHINA  
Yamaha Music & Electronics (China) Co.,Ltd.  
25/F., United Plaza, 1468 Nanjing Road (West),  
Jingan, Shanghai, China  
Yamaha Music Central Europe GmbH,  
Branch Benelux  
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands  
Tel: 0347-358 040  
Yamaha Canada Music Ltd.  
135 Milner Avenue, Scarborough, Ontario,  
M1S 3R1, Canada  
Tel: 416-298-1311  
Tel: 021-6247-2211  
FRANCE  
U.S.A.  
HONG KONG  
Yamaha Musique France  
Yamaha Corporation of America  
6600 Orangethorpe Ave., Buena Park, Calif. 90620,  
U.S.A.  
Tom Lee Music Co., Ltd.  
BP 70-77312 Marne-la-Vallée Cedex 2, France  
Tel: 01-64-61-4000  
11/F., Silvercord Tower 1, 30 Canton Road,  
Tsimshatsui, Kowloon, Hong Kong  
Tel: 2737-7688  
Tel: 714-522-9011  
ITALY  
Yamaha Musica Italia S.P.A.  
Viale Italia 88, 20020 Lainate (Milano), Italy  
Tel: 02-935-771  
INDONESIA  
PT. Yamaha Music Indonesia (Distributor)  
PT. Nusantik  
Gedung Yamaha Music Center, Jalan Jend. Gatot  
Subroto Kav. 4, Jakarta 12930, Indonesia  
Tel: 21-520-2577  
CENTRAL & SOUTH AMERICA  
MEXICO  
Yamaha de México S.A. de C.V.  
Calz. Javier Rojo Gómez #1149,  
Col. Guadalupe del Moral  
C.P. 09300, México, D.F., México  
Tel: 55-5804-0600  
SPAIN/PORTUGAL  
Yamaha-Hazen Música, S.A.  
Ctra. de la Coruna km. 17, 200, 28230  
Las Rozas (Madrid), Spain  
Tel: 91-639-8888  
KOREA  
Yamaha Music Korea Ltd.  
Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong,  
Youngdungpo-ku, Seoul, Korea  
Tel: 02-3770-0660  
GREECE  
Philippos Nakas S.A. The Music House  
147 Skiathou Street, 112-55 Athens, Greece  
Tel: 01-228 2160  
BRAZIL  
Yamaha Musical do Brasil Ltda.  
Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi,  
CEP 04534-013 Sao Paulo, SP. BRAZIL  
Tel: 011-3704-1377  
MALAYSIA  
Yamaha Music Malaysia, Sdn., Bhd.  
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,  
Petaling Jaya, Selangor, Malaysia  
Tel: 3-78030900  
SWEDEN  
Yamaha Scandinavia AB  
J. A. Wettergrens Gata 1  
Box 30053  
S-400 43 Göteborg, Sweden  
Tel: 031 89 34 00  
ARGENTINA  
Yamaha Music Latin America, S.A.  
Sucursal de Argentina  
Viamonte 1145 Piso2-B 1053,  
Buenos Aires, Argentina  
Tel: 1-4371-7021  
PHILIPPINES  
Yupangco Music Corporation  
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,  
Makati, Metro Manila, Philippines  
Tel: 819-7551  
DENMARK  
YS Copenhagen Liaison Office  
Generatorvej 6A  
DK-2730 Herlev, Denmark  
Tel: 44 92 49 00  
PANAMA AND OTHER LATIN  
AMERICAN COUNTRIES/  
CARIBBEAN COUNTRIES  
Yamaha Music Latin America, S.A.  
Torre Banco General, Piso 7, Urbanización Marbella,  
Calle 47 y Aquilino de la Guardia,  
Ciudad de Panamá, Panamá  
SINGAPORE  
Yamaha Music Asia Pte., Ltd.  
#03-11 A-Z Building  
140 Paya Lebor Road, Singapore 409015  
Tel: 747-4374  
FINLAND  
F-Musiikki Oy  
Kluuvikatu 6, P.O. Box 260,  
SF-00101 Helsinki, Finland  
Tel: 09 618511  
Tel: +507-269-5311  
TAIWAN  
Yamaha KHS Music Co., Ltd.  
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.  
Taiwan 104, R.O.C.  
NORWAY  
Norsk filial av Yamaha Scandinavia AB  
Grini Næringspark 1  
N-1345 Østerås, Norway  
Tel: 67 16 77 70  
EUROPE  
THE UNITED KINGDOM  
Yamaha-Kemble Music (U.K.) Ltd.  
Sherbourne Drive, Tilbrook, Milton Keynes,  
MK7 8BL, England  
Tel: 02-2511-8688  
THAILAND  
Siam Music Yamaha Co., Ltd.  
891/1 Siam Motors Building, 15-16 floor  
Rama 1 road, Wangmai, Pathumwan  
Bangkok 10330, Thailand  
ICELAND  
Skifan HF  
Skeifan 17 P.O. Box 8120  
IS-128 Reykjavik, Iceland  
Tel: 525 5000  
Tel: 01908-366700  
IRELAND  
Danfay Ltd.  
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin  
Tel: 01-2859177  
Tel: 02-215-2626  
OTHER ASIAN COUNTRIES  
Yamaha Corporation,  
Asia-Pacific Music Marketing Group  
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650  
Tel: +81-53-460-2317  
OTHER EUROPEAN COUNTRIES  
Yamaha Music Central Europe GmbH  
Siemensstraße 22-34, 25462 Rellingen, Germany  
Tel: +49-4101-3030  
GERMANY  
Yamaha Music Central Europe GmbH  
Siemensstraße 22-34, 25462 Rellingen, Germany  
Tel: 04101-3030  
SWITZERLAND/LIECHTENSTEIN  
Yamaha Music Central Europe GmbH,  
Branch Switzerland  
Seefeldstrasse 94, 8008 Zürich, Switzerland  
Tel: 01-383 3990  
OCEANIA  
AFRICA  
AUSTRALIA  
Yamaha Corporation,  
Yamaha Music Australia Pty. Ltd.  
Level 1, 99 Queensbridge Street, Southbank,  
Victoria 3006, Australia  
Asia-Pacific Music Marketing Group  
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650  
Tel: +81-53-460-2312  
AUSTRIA  
Tel: 3-9693-5111  
Yamaha Music Central Europe GmbH,  
Branch Austria  
Schleiergasse 20, A-1100 Wien, Austria  
Tel: 01-60203900  
NEW ZEALAND  
Music Houses of N.Z. Ltd.  
146/148 Captain Springs Road, Te Papapa,  
Auckland, New Zealand  
MIDDLE EAST  
TURKEY/CYPRUS  
Yamaha Music Central Europe GmbH  
Siemensstraße 22-34, 25462 Rellingen, Germany  
Tel: 04101-3030  
CZECH REPUBLIC/SLOVAKIA/  
HUNGARY/SLOVENIA  
Yamaha Music Central Europe GmbH,  
Branch Austria, CEE Department  
Schleiergasse 20, A-1100 Wien, Austria  
Tel: 01-602039025  
Tel: 9-634-0099  
COUNTRIES AND TRUST  
OTHER COUNTRIES  
TERRITORIES IN PACIFIC OCEAN  
Yamaha Music Gulf FZE  
LB21-128 Jebel Ali Freezone  
P.O.Box 17328, Dubai, U.A.E.  
Tel: +971-4-881-5868  
Yamaha Corporation,  
Asia-Pacific Music Marketing Group  
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650  
Tel: +81-53-460-2312  
POLAND  
Yamaha Music Central Europe GmbH  
Sp.z. o.o. Oddzial w Polsce  
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland  
Tel: 022-868-07-57  
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division  
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650  
Tel: +81-53-460-3273  
[CL] 38  
Download from Www.Somanuals.com. All Manuals Search And Download.  
Clavinova Web site (English only)  
http://www.yamahaclavinova.com/  
Yamaha Manual Library  
http://www.yamaha.co.jp/manual/  
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation  
© 2006 Yamaha Corporation  
WH31750 607MWAP?.?-01A0  
Printed in Indonesia  
Download from Www.Somanuals.com. All Manuals Search And Download.  

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