Yamaha Music Mixer M7CL V45 User Manual

M7CL StageMix V4.5 User Guide  
Welcome:  
Thank you for downloading the “M7CL StageMix” iPad app for the Yamaha M7CL  
digital mixing consoles. This version of StageMix is for use with M7CL firmware V3.5  
and higher.  
The latest firmware version for M7CL can be downloaded from  
StageMix is an application for the Apple iPad that provides remote control of Yamaha  
M7CL digital mixing console functions via a simple, intuitive graphical interface from  
anywhere within wireless range. The software has been specifically designed to  
allow engineers to adjust monitor mixes from the performers’ positions on stage,  
directly controlling mix parameters via the iPad rather than having to rely on verbal  
directions to a second engineer. The result is better mixes in less time; a huge  
advantage during high-pressure pre-show setup. Although StageMix is focused on  
the requirements for adjusting monitor mixes on stage, its range of features is  
continually expanding, allowing it to be used for a wider variety of remote control  
functions.  
Note: iOS applications may not be supported in your area. Please check with your  
Yamaha dealer.  
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1.0 System Requirements  
Apple iPad (any model including iPad mini)  
Yamaha M7CL digital mixing console with V3.5 firmware or higher  
Wi-Fi access point (preferably with 802.11n, 5GHz capability, though 2.4GHz  
and 802.11g will also work)  
CAT5 cable (to connect the console to a Wi-Fi access point)  
iOS: iOS 5.0 - 7.x  
2.0 Wi-Fi Settings  
Configure the Wi-Fi access point, following the manufacturer’s instructions. No  
special settings are needed, but using security such as WPA is highly recommended,  
to prevent unwanted devices from joining the network. Here are some suggested  
settings to assist less experienced Wi-Fi users:  
1. Give the wireless network a name (this is the “SSID”).  
2. Choose a security mode (such as WPA) and password.  
3. Select the wireless mode (802.11g or n).  
4. In the case of “n”, select the wireless band (2.4 or 5GHz).  
5. If available, enable “Auto Channel Selection” so the wireless channel with the  
least interference will be selected.  
802.11n networks at 5GHz are preferred because they allow faster communication  
between the iPad and the Wi-Fi access point. Practically, this could result in more  
accurate level metering with the StageMix app. Also, with 802.11n being a newer  
standard, it is less prone to interference from other wireless networks. Using a Wi-Fi  
access point with 2 or more external aerials is recommended to increase potential  
signal range. Booster aerials could be connected for a further increase in  
performance.  
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3.0 Getting Started  
3.1  
M7CL Network Setup  
Connect the Wi-Fi access point to the M7CL console’s network port via a  
CAT5 cable. Note that a cross-over cable will be needed with older access  
points that don’t have the “auto MDIX” function. Most recent devices will  
support “auto MDIX”, in which case a straight CAT5 cable can be used.  
Make sure your Ethernet cable is connected to a LAN port on your Wi-Fi  
device and not the WAN port.  
Note the IP address and MAC address of the M7CL console - they will need to  
be entered into the iPad later. They can be found in the console as follows:  
a. Press the [SETUP] button on the M7CL touchscreen  
b. Press [NETWORK] on the M7CL touchscreen  
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3.2  
iPad Wi-Fi Settings  
The iPad can be configured using either DHCP or a Static IP address.  
3.2.1  
Using DHCP  
Dynamic Host Configuration Protocol (DHCP) is a network protocol that  
enables a server to automatically assign an IP address to a device.  
Use the following steps to configure your iPad using DHCP.  
a) Open the iPad “Settings” menu  
b) Select “Wi-Fi”, and choose the correct network  
c) Press the blue circle with the white arrow to the right of the selected  
network to edit the IP address.  
d) Select [DHCP] and ensure that your iPad receives data for the IP  
Address, Subnet Mask, Router and DNS.  
e) Select [Renew Lease] if this data is not applied.  
f) If the settings are successfully applied, press the iPad’s Home  
button to exit the Settings menu.  
Note:  
Make sure that the subnet of the IP address is the same as that of  
the M7CL console.  
If DHCP settings are not applied after step (e), please check your  
DHCP server settings (refer to 10.4 for further advice). Alternatively,  
setup your iPad using a Static IP Address.  
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3.2.2 Using a Static IP Address  
a) Open the iPad “Settings” menu  
b) Select “Wi-Fi”, and choose the correct network  
c) Press the blue circle with the white arrow to the right of the selected  
network to edit the IP address.  
d) Select [Static]  
e) IP Address: enter an IP Address similar to the one for the M7CL  
console, but with just the last number different. (For example, if  
M7CL is 192.168.0.128, give an address to the iPad such as  
192.168.0.127).  
f) Subnet Mask: enter “255.255.255.0”.  
g) Router: enter the IP Address of your Wi-Fi Access Point (printed on  
the bottom of the device or in the user’s manual)  
h) DNS: enter the IP Address of your Wi-Fi Access Point (as in step g)  
i) Press the iPad’s Home button to exit the Settings menu.  
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3.3  
StageMix Setup  
Launch the “M7CL StageMix” App  
The “Select Mixer” screen will appear. From this screen, you can do any of  
the following things:  
Access the OFFLINE DEMO mode to explore the features and user  
interface of M7CL StageMix.  
Configure StageMix to work with an M7CL console.  
Select an M7CL console that has already been configured to work with  
your iPad and begin using StageMix.  
3.3.1 OFFLINE DEMO  
If [OFFLINE DEMO] is pressed in the “Select Mixer” screen, the  
functions of StageMix will operate independently of any mixing console.  
It is a useful way to demonstrate and learn how to use the app without  
the need for a mixer. Level meters and most Scene Memory functions  
do not work in this mode.  
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3.3.2 Configure StageMix to Work with an M7CL Console  
i. Press [ADD MIXER] to open the following screen:  
ii. Tap on the blank Name field and enter a name for your M7CL console  
using the iPad’s onscreen keyboard.  
iii. Enter the M7CL console’s IP address noted in 3.1. The default IP  
Address may not need to be changed but confirm this in the Network  
Setup screen of the M7CL console (refer to 3.1). If you need to modify  
the IP Address in StageMix, make sure you include the dots between  
the sets of numbers (as shown above).  
iv. Enter the M7CL console’s MAC address noted in 3.1. When entering  
the MAC Address, the colons between sets of characters will be  
automatically added by StageMix.  
v. Select the Model of M7CL console.  
vi. Press the [ADD MIXER] button at the bottom of the screen.  
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3.3.3 Select a Mixer and Begin Working  
If your iPad has been configured to work with an M7CL console, select  
the mixer from the list and press [CONNECT]. (The model of mixer  
(M7CL-48 or M7CL-32) will appear in smaller text below the mixer’s  
name.)  
The message “Syncing With M7CL…” will appear while StageMix is  
obtaining parameters from the console. After this process is complete,  
the Mixer window will appear and StageMix is ready to be used.  
If StageMix cannot connect with your M7CL console, refer to the  
Troubleshooting section (10.0) at the end of this document for possible  
solutions.  
3.3.4 Edit Mixer Configurations  
The parameters of a saved Mixer Configuration can be viewed and  
edited by tapping the right arrow button next to a mixer’s name. This  
will open the Edit Mixer screen which allows the Name, IP Address and  
MAC Address to be verified and edited using the procedures described  
in section 3.3.2. After editing, press [SAVE MIXER] to save any  
changes.  
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4.0 Mixer Window  
The main page of the StageMix is called the “Mixer” window. It shows the EQ  
curves, Pan positions, Dynamics status, CUE and ON buttons, faders, level  
meters, and channel names and colors for eight adjacent channels.  
Across the top of the screen, level meters and faders are displayed in blocks  
of channels for mono Input Channels 1-48, Stereo Input Channels 1-4, Mix  
and Matrix busses, and the Master Stereo and Mono busses. This is the  
“Navigation/Meter Bridge”.  
4.1  
4.2  
Channel Bank Navigation  
Press any of the “Navigation/Meter Bridge” blocks to select the bank of  
channels to be viewed and controlled in the channel strips below.  
Channel Names and Colors  
The name of each channel appears in StageMix as it does in the M7CL  
console. The names are dimmed if the channel is switched off. A bar above  
each channel name displays the color based on the channel type.  
Double-tap on the channel name in the Mixer window to edit the name (colors  
cannot be edited). Type in a name and press [return]. Alternatively, navigate  
to another channel using the left/right cursor buttons above the keyboard.  
This allows multiple channels to be named before closing the keyboard.  
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4.3 Faders  
M7CL StageMix V4.5 User Guide  
Each fader has its channel number displayed on its cap. The fader cap must  
be touched to allow the level to be adjusted. When a fader cap is touched, its  
background will lighten and its current dB value will be displayed. Using the  
iPad’s multi-touch facility, up to eight faders can be moved simultaneously.  
Note: “Multitasking Gestures” must be turned Off in the iPad in order to allow  
four or more faders to be adjusted simultaneously (refer to 10.8 for details).  
4.3.1 Long Faders  
Press the [LONG FADERS] button at the bottom-left corner of the Mixer  
window to allow more accurate adjustment of fader levels. In this view,  
EQ, Pan, Dynamics and the “Navigation/Meter Bridge” are not visible.  
4.3.2 Navigation in Long Faders Mode  
Although the “Navigation/Meter Bridge” is not visible in Long Faders  
mode, it is possible to navigate up or down in banks of 8 channels  
using the left/right arrow buttons in the upper left area of the Mixer  
window.  
Press the [LONG FADERS] button in the bottom-left corner again to  
return to the Mixer Overview.  
4.4  
Channel ON  
Press [ON] to change the on/off status of the channel. The button is green  
when the channel is on. When a channel is off, its name and level meter will  
dim and its fader position shown in the “Navigation/Meter Bridge” will also dim.  
If a channel is muted as part of a Mute Group, the ON button will blink.  
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4.5 CUE  
M7CL StageMix V4.5 User Guide  
The [CUE] buttons for each channel control the mixer’s Cue functions. Their  
operation mode corresponds to the status of the Cue Mode in the Setup  
screen (refer to 9.2).  
When [LAST CUE] mode is active, only one channel can be cued at a time.  
When [MIX CUE] mode is selected, multiple channels can be cued  
simultaneously.  
The [CUE CLEAR] button will cancel any cues that have been activated. This  
is useful when there are multiple cues to cancel, and when some are hidden in  
other layers.  
4.6  
Master Bank  
Pressing the [Master] block in the “Navigation/Meter Bridge” will cause  
channels from the master section to appear in the fader strips. Included in this  
block are the Stereo Master channel, Mono Master channel and the Monitor  
Level and On control.  
Note: there are two EQ thumbnails above the Stereo Master channel.  
Parametric EQ is always linked for the left and right sides of the Stereo Master  
channel. However it is possible to have independent GEQs assigned to the  
left and right side of the Stereo Master.  
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4.7 HA GAIN  
M7CL StageMix V4.5 User Guide  
The gain for each input channel can be controlled using the faders in  
StageMix. Press the [HA GAIN] button in the lower left area of the Mixer  
window to enter HA GAIN mode. This button will turn red and the background  
behind the channel faders will become red to indicate that StageMix is in HA  
Gain control mode.  
Note: the [HA GAIN] button will only appear when a bank of Input Channels  
are selected since there are no Gain parameters for Output Channels.  
Faders can be moved to change the HA Gain for each channel. The gain  
value of each head amp will be displayed above the fader while any fader cap  
is being touched. Up to 8 faders can be adjusted simultaneously.  
Faders will only appear for channels that have a head amp available.  
4.7.1 Input Port  
When HA GAIN mode is active, the input port assigned to each channel  
will be displayed at the top of each channel strip (EQ, Pan and  
Dynamics are not displayed when HA GAIN mode is active). Input Port  
is a display-only parameter and cannot be edited from StageMix.  
4.7.2 Phantom Power  
The 48V phantom power status for each input channel is also displayed  
at the top of each channel strip when HA GAIN mode is active. The  
48V indicator will appear in red when phantom power is active.  
Phantom Power for each channel can be switched On or Off from  
StageMix if the relevant preference is ON in the SETUP screen (refer to  
9.6). Tap on the [48V] button and a confirmation popup will appear.  
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By default, the 48V phantom power indicators are display-only and  
cannot be edited from StageMix.  
4.7.3 Phase  
The Phase setting for each input channel appears near the top of the  
channel strips when HA GAIN mode is active. The Phase setting can  
be edited from StageMix by pressing this button. The button will have a  
grey background when the Phase setting is normal and will change to  
an orange background when Phase is reversed.  
4.8  
SENDS ON FADERS  
Press the [SENDS ON FADERS] button in the left column of the Mixer screen  
to access sends to Mix Busses. In “SENDS ON FADERS” mode, each fader  
controls the send level from its channel to the currently selected Mix. The  
fader level indicators in the “Navigation/Meter Bridge” will show the positions  
of all the Mix Send Levels if the appropriate Preference is On in the Setup  
screen (refer to 9.5).  
The large [MIX ON FADERS] button displays the currently selected Mix Bus  
number and its name. The color of this button matches those used in the  
M7CL console.  
[CUE] and [ON] buttons appear below the [SENDS ON FADERS] button,  
allowing the currently active Mix Bus to be Cued and turned On/Off.  
There are two ways to select a target Mix Bus:  
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a)  
b)  
Use a swipe gesture on the [MIX ON FADERS] button to  
increment/decrement through the Mix and Matrix Busses.  
Press the [MIX ON FADERS] button to access a popup screen which  
allows direct selection of any Mix or Matrix Bus.  
Choose the “Target Mix Bus” from Mix 1-16 and Matrix 1-8. The currently  
selected Mix will appear as a white button with a check mark. Stereo pairs  
appear as single large buttons.  
When a Mix, Matrix or Master block is selected in the “Navigation/Meter  
Bridge”, the [SENDS ON FADERS] button is not available.  
4.8.1 Mix Send Levels  
When in “SENDS ON FADERS” mode, the fader in each channel strip  
controls the level being sent from that channel to the currently selected  
Mix Bus.  
Note: if a Mix Bus is set to “Fixed” mode, send levels to that Mix Bus  
are fixed at 0dB and cannot be adjusted. Mix Send faders will not  
appear when a Mix Bus set to “Fixed” mode is selected.  
4.8.2 Mix Sends ON  
In “SENDS ON FADERS” mode, the [ON] button in each channel strip  
is used to turn On/Off the Mix Send from each channel to the currently  
selected target Mix bus.  
4.8.3 Mix Send PRE/POST  
The send from each channel can be assigned to be Pre or Post fader.  
A button above the meter in each channel strip displays the Pre/Post  
state and can be pressed to change the state. The [PRE] button  
appears yellow when On and grey when Off.  
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4.8.4 Global PRE/POST  
Press and hold a [PRE] button to make global Pre or Post fader  
assignments. A popup will appear providing the following options:  
ALL MIX/MATRIX BUSSES PRE FOR THIS CHANNEL  
ALL MIX/MATRIX BUSSES POST FOR THIS CHANNEL  
CURRENT MIX/MATRIX BUS PRE FOR ALL CHANNELS  
CURRENT MIX/MATRIX BUS POST FOR ALL CHANNELS  
4.8.5 Stereo Mix Pan  
When a Stereo Mix Bus is active as the “Target Mix Bus”, a Pan slider  
will be available at the top of each channel strip in “SENDS ON  
FADERS” mode. Adjusting this slider will change the Pan position for  
that channel’s send to the currently active Stereo Mix Bus. The Pan  
position’s numerical value appears above the slider.  
If the Pan Link function is active for the currently active Stereo Mix Bus,  
a link icon will appear below the Pan slider. When Pan Link is active,  
adjusting a channel’s Pan slider will affect the Pan parameter for that  
channel to the Master Stereo Bus and all other linked Stereo Mix  
Busses.  
Note: Pan Link mode for each Stereo Mix Bus can only be activated in  
the console, not from StageMix.  
To exit “SENDS ON FADERS” mode, press the [SENDS ON FADERS] button  
in the left column.  
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4.9 DCA FADERS  
M7CL StageMix V4.5 User Guide  
Press the [DCA] button to access the console’s 8 DCAs. A green LED will  
appear next to each DCA fader when it is set to exactly 0dB. DCA faders can  
be quickly set to exactly 0dB by double-tapping on the fader if the relevant  
Preference is On in the Setup screen (refer to 9.8).  
Press the [DCA] button again to exit the DCA fader bank and return to the  
previously selected bank. Alternatively, press any bank in the  
“Navigation/Meter Bridge” to directly access that fader bank.  
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5.0 EQ / PAN / DYNAMICS  
The thumbnail area at the top of each channel strip displays an EQ curve, the  
Pan position, or Dynamics status for that channel.  
The buttons to the left of the thumbnails are used to select between EQ, PAN  
and Dynamics mode by tapping on the left or right cursor button.  
5.1  
EQ  
Every channel in the M7CL console has a dedicated Parametric EQ (PEQ).  
M7CL consoles also have Graphic EQs (GEQs) that can be assigned  
(inserted) on input or output channels.  
Note: assignment of GEQs to channels must be done on the console and  
cannot be done in StageMix.  
5.1.1 EQ Curve in Mixer Window  
The EQ curve section on the Mixer Window will show the user whether  
a GEQ is available on any channel. If a GEQ is available on a channel  
in addition to PEQ, the user will be able to view the curve for either of  
these EQs and access the editing screen for either type of EQ.  
Green and blue dots below each EQ curve indicate the types of EQ  
available on that channel, and the type of EQ (PEQ or GEQ) that is  
currently displayed for that channel. A green dot indicates PEQ and a  
blue dot indicates GEQ. When only PEQ is currently available on a  
channel, no dots will appear below the curve. (In Demo mode, GEQs  
appear on Mix busses1, 7 and 8).  
In the example above:  
Mix Bus 1 has both PEQ and GEQ available, and GEQ is currently being  
displayed (the blue dot is solid and the curve is blue).  
Mix Bus 2 has both PEQ and GEQ available, and PEQ is currently being  
displayed (the green dot is solid and the curve is green).  
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Mix Busses 3-8 have only PEQ available so no dots are displayed below  
their EQ curves.  
5.1.2 Selecting PEQ or GEQ  
On any channel displaying both a green and a blue dot below the EQ  
curve, the user can select either of those EQ types to be displayed by  
using a swipe gesture in the EQ curve area.  
If a PEQ curve is currently displayed, swiping from right to left will cause  
the GEQ curve to be displayed.  
If a GEQ curve is currently displayed, swiping from left to right will  
cause the PEQ curve to be displayed.  
5.1.3 Accessing the EQ Editing Screens  
To access PEQ or GEQ editing, tap on the EQ curve to open the  
appropriate EQ Editing Screen.  
If a PEQ curve is displayed, the PEQ editing screen will be accessed.  
If a GEQ curve is displayed, the GEQ editing screen will be accessed.  
Note: the EQ editing screen will be accessed when the finger is  
removed from the curve. Swipe gestures will not cause the Editing  
screen to be accessed.  
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5.2 PARAMETRIC EQ EDITING  
M7CL StageMix V4.5 User Guide  
The current channel’s Name, Color, Fader, Level Meters, [ON] and [CUE]  
buttons are shown in the left column. At the bottom-left, there are “previous”  
and “next” arrow buttons for navigating to different channels.  
Tap and release on either of these buttons to navigate up or down to the  
next available channel.  
Press and hold either button to access an array of buttons that provide  
direct navigation to any available input or output channel in the console.  
Buttons above the channel strip section provide direct access to the Dynamics  
editing screen for the currently selected channel. If a GEQ is assigned to that  
channel, these buttons will also provide direct access to the GEQ editing  
screen. Navigation between these screens follows this pattern:  
PEQ <-> GEQ <-> DYN <-> PEQ <-> GEQ etc..  
Note: the In/Out meters display the levels going In and Out of the EQ section.  
One band of Parametric EQ can be adjusted at a time. Press one of the green  
circles to select the band, and it will be highlighted yellow. EQ bands in  
StageMix are labelled as follows:  
HP = HPF (input channels only)  
1 = Low Band  
2 = Low-Mid Band  
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3 = High-Mid Band  
4 = High Band  
The current values for Freq, Gain and Q will be displayed for the currently  
selected EQ band.  
Gain and Frequency can be adjusted by dragging the circle around the graph.  
Q is adjusted by using the iPad’s “pinch” gesture: hold one finger (or thumb)  
on the screen while moving another finger closer or further away from the first.  
TIP___________________________________________________________  
The most comfortable and accurate way of adjusting Q is to use a vertical  
pinch movement with the thumb and forefinger.  
______________________________________________________________  
While an EQ band is being moved, the  
parameter value will turn yellow to  
indicate that it has changed. The little  
arrows show which direction the band  
should be moved to return to its  
previous position.  
In some cases, it may be necessary to adjust the gain without altering the  
frequency. Or to adjust the frequency without changing the gain. In this case,  
the “Gain Lock” or “Frequency Lock” functions can be used. These buttons  
are located at the top of the EQ graph.  
The “Lock” buttons affect all 4 bands (but not the HPF). When a band is  
adjusted, the locked parameter value becomes red. The lock function is  
automatically turned off when you navigate to a different channel or select a  
different EQ band.  
5.2.1 HPF  
When any input channel is selected in the EQ Editing Screen, an [HPF]  
button appears at the top of the EQ graph. Press this button to switch  
the HPF on/off. When the button is green, the HPF is On. HPF has no  
Gain or Q parameter: only frequency.  
When an output channel is selected in the EQ Editing Screen, the  
[HPF] button will only appear if band 1 is assigned to the HPF function.  
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5.2.2 EQ Bands 1 & 4  
EQ bands 1 & 4 have additional choices of band-type. Both these  
bands can be assigned to function as a shelf or a bell, and band 4 can  
also function as a Low Pass Filter. Band 1 can also be a HPF for Mix,  
Matrix and Stereo/Mono Master channels. When one of these bands is  
selected, the relevant additional buttons are shown above the EQ graph.  
5.2.3 EQ ON  
The channel EQ can be switched on/off with the [EQ ON] button  
towards the top-right of the EQ screen. It is green when the EQ is on.  
When the EQ is switched off, the EQ curve will be grey.  
5.2.4 EQ RESET  
The [RESET] button above the EQ curve allows the EQ to be reset to  
either its Default values or to Flat. After pressing [RESET], an “Are You  
Sure?” popup will be displayed before the action is executed.  
Selecting “Default EQ” will reset all EQ parameters for the selected  
channel back to their default values, including HPF.  
Selecting “Flatten EQ” will set the Gain of bands 1-4 to 0dB, but will  
not change the Q and Frequency values.  
Select “No” to cancel and exit this function.  
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5.2.5 EQ TYPE  
The default EQ Type for every PEQ is Type I. This can be changed to  
Type II by pressing the [II] button at the top of the EQ editing screen.  
To exit from the EQ window and return to the Mixer window, press the  
[MIXER] button at the top-right of the display.  
5.2.6 PEQ COPY/PASTE  
Parametric EQ parameter settings can be copied and pasted from one  
PEQ to another. Press the [COPY] button to capture the parameter  
settings of the current PEQ. Navigate to another channel and press  
[PASTE].  
Note: the [PASTE] button will only be available when a suitable channel  
has been selected. PEQs for Input Channels can only be copied to  
other Input Channels, and PEQs for Output Channels can only be  
copied to other Output Channels.  
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5.3  
GRAPHIC EQ EDITING  
GEQ Overview  
In the upper portion of the GEQ Editing Screen, the complete GEQ curve is  
displayed along with the gain positions for all 31 bands. White dots represent  
the position for each of the 31 bands. (These dots change to yellow and  
become larger when they are being touched in the Editing section below.)  
The current channel’s Name, Color, Fader, Level Meters, [ON] and [CUE]  
buttons are shown in the left column. At the bottom-left, there are “previous”  
and “next” arrow buttons for navigating to different channels. Pressing these  
buttons will only access other channels that have GEQs assigned to them.  
Note: the In/Out meters display the levels going In and Out of the EQ section.  
5.3.1 Navigation in the GEQ Overview Section  
Tapping anywhere in the GEQ Overview will cause the GEQ sliders in  
the Editing section to jump to that range of the GEQ (represented by a  
light grey area in the overview). Touching the selected range in the  
Overview and dragging it left / right will scroll the range of GEQ sliders.  
5.3.2 Rack Position  
In the upper-left area of the GEQ screen, the Rack position of the  
channel’s GEQ will be displayed. In the screenshot above, this GEQ is  
located in rack position FX4.  
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5.3.3 GEQ Type  
Next to the Rack position, the type of GEQ is identified as either “31  
Band” or “Flex 15”. In the case of a Flex 15 GEQ, a larger-sized  
number indicates the remaining number of available bands for that  
GEQ. As each band is adjusted away from 0dB, the number of  
available bands will decrease. This number will turn red when no  
further bands are available to be edited.  
5.3.4 Editing GEQ Bands  
Sliders in the lower portion of the GEQ screen allow each band of EQ  
to be edited. Multiple bands can be edited simultaneously with up to 10  
bands appearing at any one time. Touch the silver sliders for one or  
more bands and move them vertically to adjust the gain for each band.  
The gain parameter value will appear in a floating display above any  
GEQ slider while it is being touched.  
Note: sliders will become transparent and cannot be operated  
when there are no remaining bands available for a Flex 15 GEQ.  
5.3.5 Navigation in the GEQ Editing Section  
In addition to navigation in the upper GEQ Overview section, swipe  
gestures can be used to navigate through the GEQ bands in the lower  
editing section.  
5.3.6 GEQ ON  
The [GEQ ON] button in the upper-right part of this screen turns the  
GEQ On or Off. The button appears blue when GEQ is On and turns  
grey when GEQ is Off. When Off, the GEQ display curve will also turn  
light grey.  
5.3.7 GEQ FLAT  
The [FLAT] button will reset all GEQ bands to 0dB. A confirmation  
dialog will appear before this function is executed.  
5.3.8 GEQ Copy/Paste  
GEQ parameter settings can be copied and pasted from one GEQ to  
another. Press the [COPY] button to capture the parameter settings of  
the current GEQ. Navigate to another channel that has a GEQ  
assigned and press [PASTE].  
Note: the [PASTE] button will only be available when a suitable  
GEQ has been selected. Only 31 Band GEQs that use up to 15  
bands can be copied to a Flex 15 GEQ. Settings copied in the M7CL  
console cannot be pasted in StageMix.  
To exit from the GEQ window and return to the Mixer window, press the  
[MIXER] button at the top-right of the display.  
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5.4 PAN TO STEREO BUSSES  
M7CL StageMix V4.5 User Guide  
When PAN mode is selected using the buttons described in section 5.0, all 8  
thumbnail images will display a slider showing the position of the Pan to the  
Stereo Busses for each channel. A numeric Pan position value appears  
above each slider.  
Double-tap on the slider to set the Pan position to Center.  
Text shows whether each channel is assigned to the ST, Mono or the LCR  
busses.  
ST is displayed in red if the channel is assigned to the Stereo bus.  
M is displayed in yellow if the channel is assigned to the Mono bus.  
LCR is displayed in white if the channel is assigned to LCR.  
These text indicators are display-only and these assignments cannot be edited  
from StageMix.  
5.4.1 Balance  
“BAL” will be displayed below the pan slider for Stereo Input channels.  
The pan slider is used to adjust the Balance.  
Mix and Matrix Busses provide a Balance control when they are configured as  
stereo pairs. “BAL” will be displayed below the pan slider when a Mix or  
Matrix Bus is configured as a stereo pair.  
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5.5 DYNAMICS PROCESSORS  
M7CL StageMix V4.5 User Guide  
When DYN mode is selected using the buttons described in section 5.0, the  
status of both of the channel’s dynamics processors can be seen:  
Dynamics 1 is displayed at the top of the thumbnail with Dynamics 2 at the  
bottom. (Output channels have only Dynamics 1.)  
The threshold parameter value for each Dynamics is displayed numerically  
and also graphically via a white vertical line.  
A horizontal meter bar displays the input level to each Dynamics processor  
moving from left to right. This bar is dimmed if the Dynamics processor is Off.  
Alternatively, this horizontal meter bar can display the level of the Key-In  
signal going to a dynamics processor. This can be selected for all channels  
globally using a Preference on the SETUP screen: Display Key Input for  
Dynamics Meters (refer to 9.13).  
For all dynamics types except Gates, an orange horizontal meter bar displays  
the amount of Gain Reduction, moving from right to left. This bar is not visible  
when the Dynamics processor is Off.  
For Gates, three colour bars in green, yellow and red indicate the state of the  
Gate. Only one of these bars will be lit at any time depending on the  
opened/closed status of the Gate.  
Dynamics Processor Type  
When either Dynamics section is assigned to a Dynamics Type other than a  
Gate or Compressor, text will be displayed to indicate the Dynamics Type.  
The text labels are as follows:  
DUCK = DUCKING  
EXP = EXPANDER  
DeES = DE-ESSER  
CMPND = COMPANDER  
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5.6 DYNAMICS PROCESSOR EDITING  
M7CL StageMix V4.5 User Guide  
Tap on any of the Dynamics thumbnails in the Mixer Window to access the  
Dynamics Editing screen.  
The left side of this screen (Channel Strip) is identical to the EQ Editing screen  
with channel fader, On button, Cue button, input and output meters, channel  
name, colour and navigation buttons.  
Both Dynamics 1 and 2 can be viewed and edited simultaneously in the  
Dynamics Editing screen. A graphical curve for each dynamics processor  
displays the affect of non time-based parameters on the dynamics processor’s  
behaviour. A gain reduction meter appears below each curve.  
5.6.1 Default  
The [DEFAULT] button resets the dynamics parameters to the default  
settings for the current type of dynamics processor.  
5.6.2 Copy/Paste  
The [COPY] button copies the dynamics processor settings. This  
includes the type of dynamics processor and its parameter values. The  
[PASTE] button pastes the settings to a dynamics processor in any  
channel.  
Note: it is not possible to paste the dynamics processor settings to a  
dynamics processor that does not allow that type of processor to be  
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assigned (e.g. a Gate cannot be assigned to Dynamics Processor 2).  
In this case, the [PASTE] button will be greyed out and inactive.  
5.6.3 Dynamics On  
The [DYN ON] button turns the Dynamics On/Off. This button is purple  
when On and grey when it is Off.  
5.6.4 Dynamics Type  
A button above each Dynamics curve display allows the Dynamics  
Type to be selected.  
Press this button then select the Processor Type from the drop-down  
menu.  
5.6.5 Threshold  
All Dynamics processors have a Threshold parameter. This parameter  
value is set using a vertical slider to the left of the Dynamics curve  
display. Next to the Threshold slider is a meter which displays the level  
of the Key In signal. By default, the Key In signal is the channel’s own  
signal (Self), post EQ. But if the Key In is changed to any other signal,  
this meter will display that signal’s level.  
5.6.6 Range and Ratio  
Depending on the Dynamics Processor type, a Range or Ratio  
parameter will be adjustable using a vertical slider to the right of the  
dynamics curve.  
In and Out meters appear to the right of this vertical slider. The In  
meter displays the signal level going into each dynamics processor and  
the Out meter displays the signal level after dynamics processing.  
5.6.7 Other Dynamics Parameters  
All other dynamics processing parameters are adjusted using horizontal  
sliders below each dynamics curve.  
For Compressor and Expander processors, the value for the Knee  
parameter is selected using a range of buttons ranging from Hard to 5.  
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5.6.8 Key In  
The Key In source is displayed at the bottom of each Dynamics section.  
For Gate and Ducking processors, a Key In Filter is available. Tap the  
[EDIT] button to edit the Key In Filter parameters.  
[CUE]:Tap this button to Cue the Key In signal  
[HPF]/[BPF]/[LPF]: Select the Key In Filter type among these choices.  
[ON]: This button is used to activate the Key In Filter.  
Press the [ASSIGN] button to access a pop-up that allows the Key In  
Source to be selected.  
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6.0 OUTPORTS  
The OUTPORTS button provides access to the following functions:  
Output Port Delays  
Output Port Phase  
Output Port Gain  
Press the [OUTPORTS] button on the left side of the Mixer window to enter  
this mode. Press the [OUTPORTS] button again to exit this mode.  
6.1  
Navigation  
When the [OUTPORTS] button is active (highlighted in dark pink), the  
Navigation/Meter Bridge changes to display banks of output ports. Press any  
of the “Navigation/Meter Bridge” blocks to select the bank of channels to be  
viewed and controlled in the channel strips below.  
Buttons on the right or left of the Navigation/Meter Bridge provide access to  
another set of output port banks if available.  
6.2  
Output Port Identification  
At the bottom of each channel strip, the physical Output Port name is  
displayed. This is display-only and cannot be edited. An abbreviation of the  
Output Port name is also displayed on the fader knob.  
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The Output Bus number (e.g. Matrix 1) assigned to each Output Port is  
displayed at the top of each channel strip. The name of each Output Bus is  
displayed below its number.  
6.3  
6.4  
Delay On  
Press [DELAY ON] in each channel strip to change the On/Off status of the  
Delay for each Output Port. The button is yellow when the Delay is On  
(active).  
Delay Time Display  
The current delay time value for each Output Port is displayed in a button.  
The top value is always displayed in milliseconds.  
Below the ms value, the delay value is also displayed in Meters, Feet or  
Samples. The choice depends on the currently selected delay scale.  
Note: if ms is selected as the Delay Scale, then only the ms value is displayed.  
Tap on this button to edit the Delay Time value (refer to 6.7)  
6.5  
6.6  
Output Port Phase  
A Phase button is available in each Output Port channel strip. The Phase  
setting can be edited by pressing this button. The button will have a grey  
background when the Phase setting is normal and will change to an orange  
background when Phase is reversed.  
Output Port Gain  
A fader in each channel strip allows the Output Port Gain to be adjusted in  
1dB steps. The gain value is always displayed above each fader. Fine  
adjustments can be made by tapping on the dB value. This will cause a  
popup to appear that allows the gain value to be adjusted in 0.1dB steps by  
tapping the up or down arrows.  
6.7  
Delay Time Editor  
Tap on any of the Delay Time Display buttons to access the Delay Time Editor.  
The button for the Output Port channel being edited will be highlighted in dark  
pink.  
The currently selected Output Port, and the Output Bus and its name are  
displayed.  
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6.7.1 Delay Scale  
The currently selected Delay Scale is displayed next to the Output Port  
label. Press the downward arrow button to access a popup which allows  
the Delay Scale to be selected from the following options:  
Meters  
Feet  
Samples  
ms  
6.7.2 Numeric Keypad  
Tap on numbers in the keypad and they will appear in the format  
specified by the Delay Scale. The value will appear in red while  
numbers are being typed. Press [SET] to send the value to the  
currently selected Output Port.  
6.7.3 Nudge Delay Time Values  
Tap the Up and Down arrow buttons to increase/decrease the currently  
selected Delay Time value by one unit at a time. Press and hold either  
of these buttons to continuously adjust these values.  
6.7.4 Copy Delay Time Value  
Tap the [COPY] button to copy the current delay time value into a buffer.  
Note: the value cannot be copied while numbers are being entered from  
the numeric keypad (i.e. while they are appearing in red).  
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6.7.5 Paste Delay Time Value  
Tap the [PASTE] button and the value currently in the Delay Time Copy  
buffer will be pasted to the currently selected channel.  
Note: if the Delay Scale has been changed since the delay time value  
was copied, it will no longer be available to be pasted.  
6.7.6 Close the Delay Time Editor  
Tap the [CLOSE] button to close the delay time editor and return to the  
Output Port Gain fader screen.  
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7.0 UTILITY  
Press the [UTILITY] button on the left side of the Mixer window to enter this  
mode.  
Tabs at the bottom of the UTILITY screen provide access to the following  
functions:  
[MUTE/TAP]  
MUTE GROUP MASTERS  
TAP TEMPO  
[OSCILLATOR]  
OSCILLATOR  
To exit from the UTILITY mode, press the [UTILITY] button, another mode  
button, or any bank in the “Navigation/Meter Bridge”.  
7.1  
MUTE GROUP MASTERS  
8 buttons are provided to function as Master switches for the console’s Mute  
Groups. Press [MUTE GROUP X] to mute channels assigned to that Mute  
Group. The button will appear red when a group is muted.  
The channel [ON] buttons in the Mixer Window will blink to indicate that a  
channel has been muted as part of a Mute Group.  
Note: assignment of channels to Mute Groups must be done in the console.  
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7.2 TAP TEMPO  
M7CL StageMix V4.5 User Guide  
The Tap Tempo section in the UTILITY mode allows you to tap BPM values  
into effects in the console that include BPM parameters.  
Select the relevant effect from the list of 4 effects in the left side of this section.  
Effects which do not have a BPM parameter will be greyed out and cannot be  
selected.  
Tap on the large button on the right side of the Tap Tempo section. The BPM  
value will be calculated by StageMix and transmitted to the selected effects in  
the console.  
7.2.1 Multi-Select  
Multiple effects can be selected allowing the BPM parameters to be set for all  
selected effects simultaneously. Set the MULTI-SELECT function to ON to  
enable selection of more than one effect simultaneously. The currently  
selected effects will be highlighted with white text on a blue background. Tap  
a highlighted effect to de-select it.  
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7.3 OSCILLATOR  
M7CL StageMix V4.5 User Guide  
The OSCILLATOR screen in the UTILITY mode allows you control all aspects  
of the Oscillator in the M7CL console.  
7.3.1 Oscillator Assign  
In the top part of the screen, an array of buttons allow you to assign the  
Oscillator output to any bus in the console. Each bus button displays the  
channel’s number and name. Assignment to multiple channels simultaneously  
is allowed.  
The [CLEAR ALL] button allows all Oscillator assignments to be cleared.  
7.3.2 Oscillator Output  
The large [OUTPUT] button turns the Oscillator On or Off. A meter alongside  
this button displays the Oscillator’s output level.  
7.3.3 Oscillator Level Control  
The horizontal LEVEL slider allows the Oscillator’s level to be adjusted.  
7.3.4 Oscillator Frequency  
The horizontal FREQ slider allows the Oscillator’s frequency to be adjusted.  
Note: this parameter is only available when SINE mode is active.  
7.3.5 Oscillator Mode  
Three buttons allow the Oscillator mode to be selected:  
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SINE  
PINK NOISE  
BURST NOISE  
When either PINK or BURST NOISE mode is active, additional parameters  
are available to be edited. Press the [EDIT] button to access a popup which  
allows these related parameters to be edited. Refer to the console’s reference  
manual for more details about those parameters.  
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8.0 SCENE MEMORY  
The Current Scene Memory number and title (name) are displayed in the  
upper-left corner of the StageMix Mixer window. An “E” indicator will be  
displayed if the Scene has been edited since it was last stored or recalled.  
The Scene Memory area in the Mixer window also functions as a button which  
can be pressed to access the Scene Memory window.  
8.1  
CURRENT SCENE  
The Current Scene Memory number and title also appear in the upper part of  
the Scene Memory window. The Scene Comment also appears in this area.  
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8.2 DECREMENT / INCREMENT SCENE  
M7CL StageMix V4.5 User Guide  
Buttons in the upper right part of the Scene window allow instant recall of the  
Previous and Next Scene relative to the current Scene. For example, if the  
Current Scene is 005, pressing the [INC SCENE] button will recall Scene 006  
in the console. However, if Scene 006 is empty, the next highest Scene  
containing data will be recalled.  
Note: the [DEC SCENE] and [INC SCENE] buttons will only appear in the  
Scene window if the related preference has been enabled in the Setup window  
(refer to 9.4).  
8.3  
SCENE LIST  
When the Scene Memory window is accessed for the first time after launching  
StageMix, the Scene List will be sent from the console to StageMix.  
Note: if StageMix loses its Wi-Fi connection to the console, the Scene List will  
need to be sent from the console again after the connection is re-established.  
12 Scenes can be viewed simultaneously in the Scene List. Drag up and  
down in the list to access other Scenes.  
The Current Scene will be indicated by a check mark to the right of the Scene  
Title (the current scene is also displayed in the upper left portion of the Scene  
screen). Empty Scene Memories locations will be displayed with a grey  
background. Scene titles that have not been sent from the console to  
StageMix will be indicated by a question mark.  
8.4  
SCENE RANGE  
If the console contains a large number of Scenes, it may take some time for  
the complete Scene List to be transmitted to StageMix. To minimize the time  
required to update the Scene List in StageMix, a Scene Range can be set so  
that only necessary Scenes are sent from the console to StageMix.  
By default, the Scene Range is set to the full range from Scene 0 to 300. By  
pressing the [SCENE RANGE] button, the user can define the range of  
Scenes that will be updated in the Scene List. This range will be remembered  
by StageMix and will continue to be used until it is changed.  
To update the Scene Range, tap the [SCENE RANGE] button on the right side  
of the Scene Memory window. A small popup will appear. Tap the [FIRST] or  
[LAST] button to access the iPad’s onscreen keyboard. Enter a number for  
the First and/or Last Scenes in the Range and press Return. Then press the  
[UPDATE RANGE] button in this popup to update the Scene List based on the  
currently active range.  
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8.5 SELECTED SCENE  
M7CL StageMix V4.5 User Guide  
Selecting a Scene in the Scene List will cause it to be displayed in white text  
with a blue background. Further details about this selected Scene will be  
displayed to the right of the Scene List. These details include the following:  
SCENE TITLE  
The scene title can be edited by tapping on the title. The iPad’s keyboard will  
appear. Tap the X button next to the title to clear the current title before typing  
in a new title. Then press Return.  
SCENE COMMENT  
The Scene Comment is displayed and can be edited using the same  
procedure described for the Scene Title.  
TIME STAMP  
This shows the time and date that the Scene was last stored. The Time  
Stamp is display-only.  
SCENE STATUS (FOCUS and FADING)  
This section displays the status of Focus and Fade Time functions for the  
selected Scene Memory.  
8.6  
STORE SCENE  
Pressing the [STORE] button will cause the current console parameter  
settings to be stored to the currently selected Scene Memory (highlighted in  
the Scene List).  
a)  
b)  
Press [STORE] and the iPad’s onscreen keyboard will appear.  
To enter a new title for this Scene, tap the X button next to the Scene  
Title to clear the current title.  
c)  
d)  
Type in a new title and press the [STORE] button or Return on the  
keyboard.  
A confirmation popup will appear if the STORE CONFIRMATION  
preference is ON in the console.  
8.7  
8.8  
UNDO STORE  
Pressing the [UNDO STORE] button will cancel the most recent Scene Store  
operation.  
RECALL SCENE  
Pressing the [RECALL] button will cause the currently selected Scene Memory  
(highlighted in the Scene List) to be recalled by the console. A confirmation  
popup will appear if the RECALL CONFIRMATION preference is ON in the  
console.  
When a Scene Memory is recalled by the console, StageMix must synchronize  
itself with the current console parameter data. The status of this  
synchronization will be indicated by a progress bar which appears below the  
Current Scene number in the upper left section of the Scene Memory screen.  
You can exit the Scene Memory screen while synchronization is occurring but  
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you will not be able to edit any parameters in StageMix until synchronization  
has been completed.  
8.9  
UNDO RECALL  
Pressing the [UNDO RECALL] button will cause the most recent Scene Recall  
to be cancelled. StageMix will need to synchronize with the console after  
executing a Scene Recall UNDO.  
Press the [MIXER] button in the top-right corner of the Scene Memory window  
to return to the Mixer window.  
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9.0 SETUP  
Press the [SETUP] button in the upper left area of the Mixer window to open a  
new window which allows user preferences to be selected.  
iPad Status Bar  
The iPad’s Status Bar is visible in this screen, allowing the Wi-Fi signal  
strength and the battery charge status to be viewed.  
Press [Done] in the top-right corner to return to the Mixer window.  
9.1  
9.2  
Fader Delay  
This is a safety function to avoid accidental fader movements. The value set  
here is the time needed to wait between touching a fader and being able to  
move it.  
Cue Mode  
When the [LAST CUE] button is highlighted yellow, only one channel can be  
cued at a time. When [MIX CUE] is highlighted, multiple channels can be  
cued simultaneously.  
9.3  
9.4  
Filled EQ Graph  
When this preference is ON, the EQ graph will be filled in, as it is on the M7CL  
screen. When it is off, only the outline of the graph will be shown.  
Enable Inc/Dec Scene Recall  
When this preference is ON, buttons will appear in the Scene Memory screen  
that allow instant recall of the Next or Previous Scene Memory. Refer to  
section 8.2 for more details.  
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9.5  
Show Send Levels in Meter Bridge  
When this preference is ON, the send levels for the currently selected “MIX  
ON FADERS” will appear in the “Navigation/Meter Bridge” in “SENDS ON  
FADERS” mode. If this preference is OFF, the input levels will be displayed.  
9.6  
Enable Phantom Power Switching  
When this preference is ON, phantom power for each input channel can be  
turned On or Off while in GAIN mode in the Mixer window. If this preference is  
OFF, phantom power indicators will be display-only.  
9.7  
9.8  
9.9  
Set EQ band to 0dB with Double-Tap  
When this preference is ON, Parametric and Graphic EQ Gains can be set to  
0dB by double-tapping on the EQ band.  
Set DCA to 0dB with Double-Tap  
When this preference is ON, a DCA fader can be set to exactly 0dB by double-  
tapping on the fader.  
Channel Select – StageMix Follows Console  
When this preference is ON, the currently selected channel in the StageMix  
Parametric and Graphic EQ screens will follow the Selected Channel in the  
M7CL console.  
9.10 Channel Select – Console Follows StageMix  
When this preference is ON, the Selected Channel in the M7CL console will  
follow the currently selected channel in the EQ screens of StageMix.  
9.11 Input Meter Point  
Metering for Input Channels in StageMix can be taken from one of three points  
in the signal path:  
Pre HPF  
Pre Fader  
Post On  
9.12 Output Meter Point  
Metering for Output Channels in StageMix can be taken from one of three  
points in the signal path:  
Pre EQ  
Pre Fader  
Post On  
9.13 Display Key Input for Dynamics Meters  
When this preference is ON, the input meters displayed in the Dynamics  
Processor thumbnails in the Mixer window will show the level of the Key Input  
signal for every Dynamics Processor. If this preference is Off, the input signal  
going into the Dynamics Processors will be displayed.  
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10.0 Troubleshooting  
10.1 No Wi-Fi Available  
If this message appears after launching StageMix, this indicates that the iPad  
is not connected to a Wi-Fi access point or that Wi-Fi may be switched off in  
the iPad. Refer to sections 2.0 and 3.2 for details about Wi-Fi hardware  
configuration and iPad Wi-Fi settings.  
10.2 Connection Error  
If this message appears after selecting a mixer and pressing [CONNECT], this  
indicates that StageMix cannot connect to the console. This may be due to  
incorrect IP Address or MAC Address settings in either the console or  
StageMix. Verify that the settings in the console match the settings in  
StageMix. Refer to 3.1 and 3.3.2 for details about these settings. This  
problem will also occur if the console is not turned On.  
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10.3 Connection Lost  
If StageMix loses its connection to the console, the following message will  
appear. Operation of StageMix is not possible while this message box is  
onscreen. StageMix will automatically attempt to reconnect to the console. If  
this is successful, StageMix will re-synchronize with the console data and  
operation will become available again.  
10.4 DHCP Server Setup on WAP/Router  
a) Log onto the web control page of your Wireless Access Point or Router  
using a web browser.  
b) Enable the DHCP server.  
c) Set the upper and lower limits of the IP addresses the DHCP server can  
assign.  
d) Ensure your console’s IP address is outside this range, or reverse its IP  
address (e.g. DHCP range 192.168.1.3 to 192.168.1.128 when the  
console’s IP address is 192.168.1.2)  
Note: not all Wireless Access Points will feature a DHCP Server. In those  
cases, please setup your iPad using a Static IP Address.  
10.5 “Redirect to Internet” Problem with iOS 6 or higher  
Since the release of iOS 6 or higher, your iPad may try to access the Internet  
at the time of selecting a Wi-Fi network. Depending on the set-up or model of  
your Wi-Fi device (Router or Access Point), the message "cannot connect with  
the Internet" may appear on your iPad screen and StageMix might be unable  
to connect with a console.  
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Internet access is unnecessary for the connection between StageMix and  
console and it is recommended that you should not have an internet  
connection when using StageMix. So if you experience this problem, you can  
prevent this message from appearing by disabling the "Redirect Function for  
Internet connection" in your Wi-Fi device. Please ask the Wi-Fi device  
manufacturer about the way to disable "Redirect Function for Internet  
connection".  
10.6 Graphic EQ Doesn’t Affect the Sound  
If a Graphic EQ is assigned to an input channel or Mix/Matrix bus but it doesn’t  
seem to be affecting the sound on that channel, it could be that the Insert for  
that channel has been switched Off. Check the state of the Insert ON switch  
in the console.  
10.7 Problems Moving Multiple Faders  
If Multitasking Gestures is ON, it may not be possible to move more than  
three faders simultaneously in StageMix. When using StageMix, it is  
recommended that Multitasking Gestures be turned OFF.  
a. Open the iPad “General” menu  
b. Set the button for “Multitasking Gestures” to OFF  
If the "Zoom" function in the "Accessibility" menu is ON, it may not be  
possible to move more than two faders simultaneously in StageMix. When  
using StageMix, it is recommended that "Zoom" be turned OFF.  
a. Open the iPad "General" menu.  
b. Select "Accessibility,” and then set the button for “Zoom” to OFF.  
10.8 StageMix Facebook Page  
To exchange information and tips with other StageMix users, please visit our  
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Special Notices  
• The software and this User Guide are the exclusive copyrights of Yamaha  
Corporation.  
• Copying of the software or reproduction of this manual in whole or in part by any  
means is expressly forbidden without the written consent of the manufacturer.  
• Yamaha makes no representations or warranties with regard to the use of the  
software and documentation and cannot be held responsible for the results of the  
use of this manual and the software.  
• The screen displays as illustrated in this User Guide are for instructional  
purposes, and may appear somewhat different from the screens which appear on  
your computer.  
• Future upgrades of application and system software and any changes in  
specifications and functions will be announced separately.  
• Apple, the Apple logo, iPad, and iOS are trademarks of Apple Inc., registered in  
the U.S. and other countries.  
• The company names and product names in this User Guide are the trademarks  
or registered trademarks of their respective companies.  
Yamaha Pro Audio global web site  
Yamaha Manual Library  
C.S.G., PA Development Division  
© 2014 Yamaha Corporation  
405YJ-A0  
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