Yamaha Music Mixer LSP User Manual

LS9 Editor  
Owner’s Manual  
Special Notices  
Contents  
• The software and this owner’s manual are the exclu-  
sive copyrights of Yamaha Corporation.  
Overview window ................................... 13  
• Copying of the software or reproduction of this  
manual in whole or in part by any means is expressly  
forbidden without the written consent of the manu-  
facturer.  
• Copying of the commercially available music  
sequence data and/or digital audio files is strictly  
prohibited except for your personal use.  
Yamaha makes no representations or warranties  
with regard to the use of the software and documen-  
tation and cannot be held responsible for the results  
of the use of this manual and the software.  
• The screen displays as illustrated in this owner’s  
manual are for instructional purposes, and may  
appear somewhat different from the screens which  
appear on your computer.  
• Future upgrades of application and system software  
and any changes in specifications and functions will  
be announced separately.  
• Windows is a registered trademark of Microsoft  
Corporation in the U.S. and other countries.  
• Apple, Mac and Macintosh are trademarks of Apple  
Inc., registered in the U.S. and other countries.  
• The company names and product names in this  
Owner’s Manual are the trademarks or registered  
trademarks of their respective companies.  
* Specifications and descriptions in this owner’s manual are  
for information purposes only. Yamaha Corp. reserves the  
right to change or modify products or specifications at any  
time without prior notice.  
Yamaha Pro Audio Global Site  
Description of menus and buttons  
In the event that menu and button names on a Windows  
system are different from those on a Mac, this manual  
uses the Windows menu and button names followed by the  
Mac menu and button names in parentheses.  
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Mixer Setup  
To open the Mixer Setup window, choose [Mixer Setup] from the [File] menu.  
1
2
3
AModelSelect  
Here you can specify the model of LS9 console. This is set automatically when the Editor synchronizes with the  
LS9 console.  
BMix Bus Setup  
Here you can make settings relating to the MIX buses.  
Signal Type: This specifies whether each two adjacent odd-numbered/even-numbered MIX buses will be used  
as MONO x2 or STEREO.  
Bus Type/Pre Fader Send Point: Specifies whether the Send Point of each two adjacent odd-numbered/  
even-numbered MIX buses will be VARI (PRE EQ), VARI (PRE FADER), or FIXED.  
Pan Link: This is valid only when the Signal Type is STEREO and the BUS TYPE is VARI; when enabled, the  
PAN setting sent to the stereo MIX bus will be linked with the PAN to the STEREO bus.  
CMatrix Bus Setup  
Here you can make settings relating to the MATRIX buses.  
Signal Type: This specifies whether each two adjacent odd-numbered/even-numbered MATRIX buses will be  
used as MONO x2 or STEREO.  
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Creating a user key  
To open the Create User Key window, choose [Create User Key] from the [File] menu.  
This creates a user key (with .L9U” file name extension) that can be read from a USB storage device by the LS9  
console to automatically set user-specific parameters.  
1
3
2
4
5 6  
7
8
L
9
M
N
J
K
O
P
AUser Name  
Specify the name of the user. You can enter up to eight single-byte characters of alphabet and numerals.  
BComment  
Enter a comment for each user. You can enter up to thirty-two single-byte alphanumeric characters.  
CPassword  
Enter a password that will be used when this user key is read by the LS9 console. You can enter up to eight single-  
byte alphanumeric characters. Uppercase and lowercase are distinguished.  
DRe-Enter Password  
Enter the password once again as a safeguard against mistaken entry.  
EPOWER USER  
Specify whether this user is a power user. Power users can use the LS9 console to create or edit a user authentica-  
tion key with a specified user level.  
FAdministrator Password  
Enter the Administrator password that was specified on the LS9 console. This is not required if no Administrator  
password has been specified on the LS9 console, but if this password is incorrect you will be asked to enter it when  
the user key is read.  
GACCESS PERMISSION  
In this area, specify the parameters that this user will be allowed to operate.  
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HCH OPERATION  
INPUT, ST IN, MIX, MATRIX, ST/MONO: Select the channels whose parameters will be operable.  
HA: Change the operating privileges for the head amp gain and phantom power of the selected channels.  
PROCESSING: Change the operating privileges for overall signal processing parameters (except for fader  
and [ON] key) of the selected channel. For the specific parameters included in PROCESSING, refer to the  
appendix of the LS9 owner’s manual.  
FADER/ON: Change the operating privileges for the pan/balance, fader, channel on, send on/off, and send  
level of the selected channels.  
Set All: Turn on HA, PROCESSING, and FADER/ON for all channels.  
Clear All: Turn off HA, PROCESSING, and FADER/ON for all channels.  
Set by One Click: If this button is on, HA, PROCESSING, and FADER/ON will all be turned on when you  
select a channel. If all are already on, all will be turned off.  
ISCENE LIST  
STORE/SORT: Change the operating privileges for scene store and sort operations.  
RECALL: Change the operating privileges for scene recall operations.  
JLIBRARY LIST  
STORE/CLEAR: Change the operating privileges for library store and clear operations.  
RECALL: Change the operating privileges for library recall operations.  
KFILE LOAD  
USER SETUP: Change the operating privileges for loading user-defined keys and preferences when loading a  
file.  
SYSTEM SETUP MONITOR SETUP: Change the operating privileges for loading system setup and moni-  
tor setup settings when loading a file.  
CURRENT SCENE: Change the operating privileges for loading the current scene when loading a file.  
SCENE LIST: Change the operating privileges for loading the scene list when loading a file.  
LIBRARY LIST: Change the operating privileges for loading the library list when loading a file.  
LCURRENT SCENE  
INPUT PATCH: Change the operating privileges for input patch operations.  
INPUT NAME: Change the privileges for editing the input names.  
OUTPUT PATCH: Change the operating privileges for output patching.  
OUTPUT NAME: Change the privileges for editing the output names.  
BUS SETUP: Change the operating privileges for buses.  
RACK: Change the operating privileges for rack operations.  
MUTE GROUP ASSIGN: Change the privileges for assigning mute groups.  
MUTE GROUP MASTER: Change the operating privileges for enabling/disabling mute groups.  
MMONITOR SETUP  
OSCILLATOR: Change the operating privileges for oscillator settings.  
TALKBACK: Change the operating privileges for talkback settings.  
NSYSTEM SETUP  
MIXER SETUP: Change the privileges for making mixer setup settings.  
OUTPORT SETUP: Change the privileges for making outport setup settings.  
MIDI: Change the privileges for making MIDI settings.  
OCreate  
Creates the user key.  
PCancel  
Closes the window.  
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Working with Sessions  
All of your console’s mix settings in LS9 Editor, including Scene and library data, are called Sessions.  
The following table describes how to handle Sessions.  
Creating a new Session  
Choose [New Session] from the [File] menu.  
Choose [Open Session] from the [File] menu.  
Choose [Save Session] from the [File] menu.  
Choose [Save Session As...] from the [File] menu.  
Opening a previously saved Session  
Saving the current Session  
Saving the current Session with a new name  
When you save a session in the window of an editor, the settings of only that editor will be saved in a file. Session files  
saved by LS9 Editor have a filename extension of .YSE. Files in which only the LS9 console data is saved (filename  
extension .L9A) can also be handled, allowing you to use a USB storage device to exchange data with the LS9 con-  
sole.  
If you save a Session in the Studio Manager window, all selected Editor settings are saved in a file with a file extension  
of .YSM.”  
Undo/Redo Function  
In LS9 Editor, you can cancel the latest operation (Undo) and also cancel the cancellation of the latest operation  
(Redo). If you perform an Undo operation twice in a row, you can cancel the two most-recent operations. If you per-  
form an Undo operation three times in a row, you can cancel the three most-recent operations. In this way, you can  
cancel multiple recent operations. The following table describes how to use the Undo/Redo function.  
Undo  
Redo  
Choose [Undo] from the [Edit] menu.  
Choose [Redo] from the [Edit] menu.  
Please note, however, that after you perform one of the following operations, you cannot successfully undo or redo  
any previous operation:  
• Operations on the LS9 console  
• Quitting Studio Manager  
• Synchronizing with the LS9 console  
• Session operations  
You cannot Undo or Redo the following operations:  
• Edits in the Setup window  
NOTE  
• Synchronization  
• Opening and closing the windows  
• Resizing or moving the windows  
There are certain other operations that cannot be undone, depending on the function.  
For library or scene operations, Undo/Redo applies only to the single most recent operation.You cannot  
undo any operations prior to this. Undo/Redo in these windows is available only using the [UNDO] button  
within the respective window. Even if you perform a scene recall from the Master window, you cannot use  
a shortcut or menu operation to undo the recall.  
NOTE  
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Window operations  
You can select and open each window from the [Win-  
dows] menu. For the Overview window and Rack win-  
dow, use the sub-menu to select the channels or library  
you want to see.  
You can choose Tile or Cascade to arrange the windows within the editor.  
Tile  
Cascade  
In the Library window or Scene window, click the tabs  
located at the top of the window to switch between  
pages.  
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Synchronizing LS9 Editor  
When LS9 Editor starts up, the parameter settings on the console and the parameter settings in LS9 Editor may be  
different. Therefore, you must first match the parameter settings on the console with those in LS9 Editor. This oper-  
ation is called “synchronization.Follow the steps below to synchronize LS9 Editor.  
1 Select [Synchronization], then [Re-synchronize].  
The following window opens.  
2 Select whether you want to transfer your settings to LS9 Edi-  
tor, or vice versa.  
At this time, the All Libs option determines whether or not Scene and  
Library data is synchronized.  
PC Console: Transfers the current parameter settings in LS9 Editor to your console.  
Console PC: Transfers the current parameter settings of your console to the LS9 Editor.  
3 Click [OK].  
Do not operate the console while synchronization is in progress.  
NOTE  
• If you use the “Total Recall” function in Studio Manager, all selected Editors in Studio Manager are synchronized  
with the corresponding devices.  
• If you synchronize using PC -> Console, and the console contains data that is set to “read-only,” a dialog box will ask  
you whether you want to copy the read-only data to LS9 Editor.  
If this data is not copied, console data that is set to read-only status will not be synchronized.  
Offline Edit Function  
If you do not want to synchronize your console with LS9 Editor, select [Offline Edit] from the [Synchronization]  
menu. To apply your off-line edits to your console, select [Re-Synchronize] from the [Synchronization] with the PC  
-> Console option to synchronize the console with LS9 Editor.  
The Offline Edit function is also activated when you click the [ONLINE]/[OFFLINE] button in the Sync window.  
Some effect parameters in the console change their displayed values depending on the sampling fre-  
quency. If you switch LS9 Editor from OFFLINE to ONLINE, displayed parameter values may change  
because LS9 Editor loads the sampling frequency from the console and updates the display.  
NOTE  
Basic operation of controllers  
You can operate the controllers in the following ways.  
Knobs  
• Drag  
• Click, and then use the up/down/left/right cursor keys  
• Click, and then use the PageUp/PageDown keys (greater change than the cursor keys)  
• Click, and then Home sets to far left  
• Click, and then End sets to far right  
• <Ctrl>(< >)+click sets to default value  
For send knobs etc., sets to –regardless of the default value.  
• <Ctrl>(< >)+<Shift>+click sets to nominal  
For send knobs etc., sets to nominal regardless of the default value.  
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Faders  
• Drag  
• Click, and then use the up/down cursor keys (or left/right cursor keys for horizontal faders)  
• Click, and then use the PageUp/PageDown keys (greater change than the cursor keys)  
• Click, and then Home sets to maximum value  
• Click, and then End sets to minimum value  
• <Ctrl>(< >)+click sets to default value  
For channel faders etc., sets to –regardless of the default value.  
• <Ctrl>(< >)+<Shift>+click sets to nominal  
For channel faders etc.,sets to nominal regardless of the default value.  
Numerical displays only  
• Click and drag up/down  
• Click, and then use the up/down cursor keys  
• Click, and then use the PageUp/PageDown keys (greater change than the cursor keys)  
• Click, and then Home sets to maximum value  
• Click, and then End sets to minimum value  
• <Ctrl>(< >)+click sets to default value  
Bar graphs  
• Drag  
• <Ctrl>(< >)+click sets to –∞  
• <Ctrl>(< >)+<Shift>+click sets to nominal  
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Master window  
In the Master window you can synchronize settings with the LS9 console, recall scenes, and access the Overview win-  
dow. To open this window, choose [Master] from the [Windows] menu, or assign [LS9 EDITOR CONTROL]-[MAS-  
TER] to a USER DEFINED KEY on the LS9 console, and execute that function.  
CHANNEL SELECT  
This indicates the number and name of the channel to which your operations will apply. To  
switch channels, you can either click the [SELECT] button and choose from the list that  
appears, or you can click the left/right arrow-shaped channel select buttons. You can use  
the channel name text box to edit the name.  
This is linked with the [SEL] keys on the LS9 itself.  
You can change the icon by right-clicking (<control> key + clicking) it, or change the back-  
ground color by left-clicking.  
The background color you specify here will also be the background color for the channel  
name in the Overview window.  
SYNC  
This indicates the status of connection and synchronization between LS9 Editor and the LS9.  
1 2  
A[ONLINE]/[OFFLINE] button  
The ONLINE/OFFLINE status will alternate each time you click this button.  
This has the same function as [Synchronization] menu [Offline Edit]. (p.8)  
This indicator is shown when LS9 Editor is correctly connected  
to the LS9 itself. In this state, the parameters of LS9 Editor and  
the LS9 itself are linked.  
This indicator is shown when LS9 Editor and the LS9 itself are  
not connected, or when there is a problem with the connection,  
or when Offline Edit is selected. In this state, the parameters of  
LS9 Editor and the LS9 itself are not linked.  
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B[RE SYNC] button  
Clicking this button opens the Synchronization dialog box.  
This has the same function as [Synchronization] menu [Re-Synchronize]. (p.8)  
SCENE MEMORY  
Here you can view the currently-recalled scene, and recall or store scenes.  
AScene number display  
1
2
3
Indicates the number of the scene that is selected for store or recall.  
BProtect indicator  
A lock icon is shown for scene memories that are protected. Read-only scene memories  
are indicated by “R” displayed.  
4
5
6
CEdit indicator  
The edit indicator will light when you edit the parameters after recalling a scene.  
D[STORE] button  
This button stores the current scene into the number shown by the scene number dis-  
play (1).  
E[]/[] buttons  
These buttons increment or decrement the number shown in the scene number display  
(1). The scene number display (1) will blink until you actually store or recall, and  
while blinking will not match the scene number indicated on the LS9.  
F[RECALL] button  
This button recalls the scene of the number shown in the scene number display (1).  
Layer Keys  
These keys open the respective Overview window.  
374  
These are not linked with the layer section on the LS9’s panel.  
NOTE  
A[1-16] button  
1
2
5
Opens the INPUT CH 1–16 window.  
B[17-32] button  
Opens the INPUT CH 17–32 window.  
6
C[33-48] button  
Opens the INPUT CH 33–48 window.  
9
This is available only if you’re editing offline and have selected LS9-32 in the Model  
Select field of the Mixer Setup screen, or if you’re editing online with the LS9-32 con-  
nected.  
J K8  
D[49-64] button  
Opens the INPUT CH 49–64 window.  
This is available only if you’re editing offline and have selected LS9-32 in the Model  
Select field of the Mixer Setup screen, or if you’re editing online with the LS9-32 con-  
nected.  
E[MIX] button  
Opens the MIX window.  
F[MATRIX] button  
Opens the MATRIX window.  
G[STEREO] button  
Opens the STEREO/MONO window.  
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H[ST IN] button  
Opens the STEREO IN window.  
I[1-16] button  
Opens the Custom Fader Layer (INPUT CH) CH 1–16 window.  
J[17-32] button  
Opens the Custom Fader Layer (INPUT CH) CH 17–32 window.  
This is available only if you’re editing offline and have selected LS9-32 in the Model  
Select field of the Mixer Setup screen, or if you’e editing online with the LS9-32 con-  
nected.  
K[ST IN] button  
Opens the Custom Fader Layer (ST IN) window.  
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Overview window  
INPUT CH window  
(*),  
(*).  
This window displays the mix parameters of INPUT CH 1–16, 17–32, 33–48 or 49–64 The parameters shown  
in the window can be selected from the [View] menu or the menu that appears when you right-click (<control> key  
+ click) in the window.  
You can access this window in the following ways.  
(*)  
(*)  
From the [Windows] menu, choose [Overview] and select CH1-16/CH17-32/33-48 /49-64  
Use the layer keys in the Master window to turn on the [1-16] button / [17-32] button / [33-48] button / [49-64] button  
(*)  
(*)  
(*)  
(*)  
On the LS9 itself, assign one of the USER DEFINED KEYS to [CH1-16]/[CH17-32]/[CH33-48] /[CH49-64] in  
[OVERVIEW] of [LS9 EDITOR CONTROL], and execute the function  
(*)  
INPUT CH 33-48, 49-64 can be viewed only if LS9-32 is selected in the Model Select field of the Mixer Setup window when editing  
offline, or when editing online with the LS9-32.  
AInput patch  
1
Click here to select the input source that will be assigned to the INPUT CH, from the  
following choices.  
2
3
NONE  
No assignment  
(*)  
(*)  
INPUT jacks 1–32  
IN 1–IN32  
SLOT1-1...SLOT1-16,  
SLOT2-1 ...SLOT2-16  
Input channels of an I/O card installed in a slot  
(*)  
(*)  
2TR IN L, 2TR IN R  
PB OUT L, PB OUT R  
RACK1A, RACK1B...  
L/R channels of the 2TR DIN jack  
L/R channels of USB memory recorder output  
L/R outputs of Rack 1–8  
RACK5L(A)...RACK8R(B)  
(*)  
INPUT jacks 17-32 and slot 2 can be viewed only if you’re editing offline and have selected LS9-32 in  
the Model Select field of the Mixer Setup screen, or if you’re editing online with the LS9-32.  
BHA GAIN  
Drag the knob in the screen to adjust the gain of the internal head amp or of the exter-  
nal head amp (AD8HR) patched to the INPUT CH.  
C48V  
Switches on/off the phantom power (+48V) of the internal head amp or of the external  
head amp (AD8HR) patched to the INPUT CH.  
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DØ (Phase)  
Inverts the phase of the signal after AD conversion.  
4
5
EHPF (High Pass Filter)  
Switches the high pass filter on/off. You can drag the numeric value up or down to edit  
the cutoff frequency.  
FINS (Insert)  
6
7
Enables/disables the insert-in. (INPUT CH 1–32 only)  
GD. OUT (Direct out)  
8
Enables/disables the direct output.  
HEQ (Equalizer)  
Switches the EQ on/off. The graph immediately below the button shows the approxi-  
mate response of the EQ. You can drag within the graph to edit the response of the EQ.  
To reset the EQ to flat response, hold down the <Ctrl>(< >) key of your computer  
keyboard and click the graph (The HPF setting will remain).  
9
J
IDYN1/DYN2 (Dynamics 1/Dynamics 2)  
Turns the two dynamics processors on/off.  
If Gate is assigned (Dynamics 1 only), the status of the gate is shown immediately below  
the button.  
Gate status  
indication  
On/off status  
On  
On  
On  
Open  
Off  
Open/closed  
status  
Closed  
Open  
Gain reduction amount Gain reduction  
is 30 dB or more  
Gain reduction  
amount is 0–30 dB amount is 0 dB  
Remarks  
If something other than Gate is assigned, a GR meter is shown immediately below the  
button, and the amount of gain reduction is shown while this is on.  
K
The type for each dynamics processor can be selected in the Selected Channel window.  
JMIX SEND  
L
M
The bar graphs located immediately below the button  
show the send level of the signals sent from the INPUT  
CH to VARI type MIX buses. You can also drag the bar  
graph to left or right to set the send level. While you  
drag the bar graph, the send level is shown in the  
numerical display area for PAN/TO STEREO MONO  
(K).  
N
O
You can set the minimum value (–dB) by holding  
down the <Ctrl>(< >) key of your computer key-  
board and clicking the bar graph, or set the nominal  
value (0.00 dB) by holding down the <Ctrl>(< >)  
• Pre/on (green)  
key and <Shift> key and clicking the bar graph.  
The bar graph display will change according to the  
send position (pre/post) and on/off status of the signal  
sent from the INPUT CH to the MIX buses.  
• Pre/off (green)  
• Post/on (yellow)  
• Post/off (yellow)  
P
Q
To switch a send on/off, click the channel number  
located at the left of the bar graph.  
For FIXED-type MIX buses, the bar graph is  
fixed at nominal level (0 dB), and only the on/  
off status is shown.  
NOTE  
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KPAN/TO STEREO MONO  
The PAN knob adjusts the panning of the signal that is sent from the INPUT CH to the  
STEREO bus L/R channels (or the L/C/R channels). You can set this to the center value  
by holding down the <Ctrl>(< >) key of your computer keyboard and clicking this  
knob.  
The [ST] button is an on/off switch for the signal that is sent from the INPUT CH to  
K
the STEREO bus.  
The [M(C)] button is an on/off switch for the signal that is sent from the INPUT CH to  
the MONO bus.  
L
M
If LCR MODE is selected in the Selected Channel window, the [LCR] button will appear  
instead of the [ST] button and [M(C)] button, and the [LCR] button will be an on/off  
switch for the signal that is sent from the INPUT CH to the LCR bus.  
N
LSEL (Select)  
Selects the INPUT CH for which you want to perform operations. This is linked with  
the INPUT section [SEL] keys on the LS9’s panel.  
O
MCUE  
This button cue-monitors the signal of the INPUT CH. This is linked with the INPUT  
section [CUE] keys on the LS9’s panel.  
NON  
Switches the INPUT CH on/off. This is linked with the INPUT section [ON] keys on  
the LS9’s panel.  
P
Q
OFader  
Adjusts the input level of the INPUT CH. When the LS9 itself is in other than SENDS  
ON FADER mode, this is linked with the INPUT section faders of the LS9’s panel.  
The current fader value is shown in the numerical box located immediately below the  
fader.  
You can set this to the minimum value (–dB) by holding down the <Ctrl>(< >) key  
of your computer keyboard and clicking the fader knob, or set it to the nominal value  
(0.00 dB) by holding down the <Ctrl>(< >) key and <Shift> key and clicking the  
fader knob.  
The numbers of mute groups to which this  
channel belongs are shown in red.  
The numbers and alpha-  
betical letters at the right  
of the fader indicate the  
mute groups to which  
that channel belongs, and  
show the Recall Safe and  
If this channel is set to Recall Safe, the R  
Mute Safe status of the  
channel.  
character is shown in green.  
If this channel is set to Mute Safe, the M char-  
acter is shown in green.  
PChannel number  
This is the number of the INPUT CH. You can open the Selected Channel window for  
this channel by double-clicking this number. If you hold down the <Ctrl>(< >) key  
of your computer keyboard and double-click this, the Selected Channel window will  
open as an additional view.  
QChannel name  
This is a text box that displays the channel name. You can also edit the channel name in  
this text box.  
The background color will be the same as the background color of the icon in the chan-  
nel select area of the Selected Channel window.  
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ST IN window  
In this window you can view and edit the mix parameters of ST IN CH 1–4. The parameters shown in the window  
can be selected from the [View] menu or the menu that appears when you right-click (<control> key + click) in the  
window.  
You can access this window in the following ways.  
From the [Windows] menu, choose [Overview] and then choose “ST IN”  
Use the layer keys in the Master window to turn on the [ST IN] button  
On the LS9 console, assign a USER DEFINED KEY to [LS9 EDITOR CONTROL]-[OVERVIEW]-[ST IN], and execute it  
AINPUT PATCH  
1
2
3
This selects the input source assigned to the ST IN CH. The input sources that can be  
selected are the same as the INPUT CH.  
4
5
BHA GAIN  
Drag the knob in the screen to adjust the gain of the internal head amp or of the exter-  
nal head amp (AD8HR) patched to the ST IN CH.  
6
C48V  
Switches on/off the phantom power (+48V) of the internal head amp or of the external  
head amp (AD8HR) patched to the ST IN CH.  
DØ (Phase)  
Inverts the phase of the signal after AD conversion.  
EHPF (High Pass Filter)  
Switches the high pass filter on/off. You can drag the numeric value up or down to edit  
the cutoff frequency.  
FEQ (Equalizer)  
Switches the EQ on/off (the L/R settings are linked). This is the same as the equalizer for  
INPUT CH (p.14).  
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GDYN1/DYN2 (Dynamics 1//Dynamics 2)  
These buttons switch the two dynamics processors on/off. This is the same as the  
dynamics 1/dynamics 2 for INPUT CH (p.14).  
7
8
HMIX SEND  
This is the same as the mix send for INPUT CH (p.14).  
IBALANCE  
The BALANCE knob adjusts the balance of the signal that is sent from the ST IN CH to  
the STEREO bus L/R channels (or the L/C/R channels). Other than the BALANCE  
knob, this is the same as PAN/TO STEREO MONO for an INPUT CH (p.15).  
JSEL (Select)  
Selects the ST IN CH for which you want to perform operations. (L and R can be  
selected separately.) This is linked with the ST IN section [SEL] keys on the LS9’s panel.  
9
KCUE  
J
K
L
This button cue-monitors the signal of the ST IN CH (L/R are linked). This is linked  
with the ST IN section [CUE] keys on the LS9’s panel.  
LON  
Switches the ST IN CH on/off (the L/R settings are linked). This is linked with the ST  
IN section CH [ON] keys on the LS9’s panel.  
M
MFader  
Adjusts the input level of the ST IN CH. When the LS9 itself is in other than SENDS ON  
FADER mode, this is linked with the INPUT section faders of the LS9’s panel.  
N
O
The current fader value is shown in the numerical box located immediately below the  
fader. This is the same as the fader for INPUT CH (p.15).  
NChannel number  
This is the number of the ST IN CH. You can double-click this number to open the  
Selected Channel window for this channel. If you hold down the <Ctrl>(< >) key of  
your computer keyboard and double-click this, the Selected Channel window will open  
as an additional view.  
OChannel name  
This is a text box that displays the channel name. You can also edit the channel name in  
this text box.  
The background color will be the same as the background color of the icon in the chan-  
nel select area of the Selected Channel window.  
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MIX window  
In this window you can view and edit the parameters of MIX channels 1–16. The parameters shown in the window  
can be selected from the [View] menu or the menu that appears when you right-click (<control> key + click) in the  
window.  
You can access this window in the following ways.  
From the [Windows] menu, choose [Overview] and then choose “MIX”  
Use the layer keys in the Master window to turn on the [MIX] button  
On the LS9 console, assign a USER DEFINED KEY to [LS9 EDITOR CONTROL]-[OVERVIEW]-[MIX], and execute it  
AOUTPUT PATCH  
1
2
Click here to select the output port that will be assigned to the MIX channel, from the  
following choices.  
(*)  
(*)  
OMNI jacks 1–16  
OMNI1–OMNI16  
SLOT1-1...SLOT1-16,  
SLOT2-1 ...SLOT2-16  
Output channels of an I/O card installed in a slot  
L/R outputs of Rack 1–8  
3
4
(*)  
(*)  
RACK1A, RACK1B...  
RACK5L(A)...RACK8R(B)  
2TR OUT L, 2TR OUT R  
REC IN L, REC IN R  
L/R channels of the 2TR OUT DIGITAL jack  
L/R channels of the USB memory recorder input  
(*) OMNI jacks 9–16 and SLOT2 can be viewed only if you’re editing offline and have selected LS9-32 in  
the Model Select field of the Mixer Setup screen, or if you’re editing online with the LS9-32 connected.  
If multiple patches have been made, only the first port is shown.  
If you change the patching in this window, the port that had been assigned until then  
will be cancelled, and only the newly selected port will be assigned.  
BEQ (Equalizer)  
Switches the EQ on/off. This is the same as the equalizer for INPUT CH (p.14).  
CDYN1(Dynamics 1)  
Switches the dynamics processor on/off. This is the same as the dynamics 2 for INPUT  
CH (p.14).  
DINS (Insert)  
Enables/disables the insert-in.  
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EMATRIX SEND  
5
These bar graphs indicate the send levels of the signals sent from the  
MIX channel to MATRIX 1–8 bus. You can also adjust the send lev-  
els by dragging a bar graph to left or right. While you drag the bar  
graph, the send level is shown in the numerical display area for  
PAN/BALANCE (6).  
• Pre/on (green))  
• Pre/off (green)  
• Post/on (yellow)  
• Post/off (yellow)  
You can set the minimum value (–dB) by holding down the  
<Ctrl>(< >) key of your computer keyboard and clicking the bar  
graph, or set the nominal value (0.00 dB) by holding down the  
<Ctrl>(< >) key and <Shift> key and clicking the bar graph.  
6
The bar graph display will change as follows according to the send position (pre/post)  
and on/off status of the signal sent from the MIX channel to the MATRIX buses.  
To switch a send on/off, click the channel number located at the left of the bar graph.  
7
8
9
FPAN/BALANCE  
The PAN knob adjusts the panning of the signal that is sent from the mix channel to the  
STEREO bus L/R channels (or the L/C/R channels). You can set this to the center value  
by holding down the <Ctrl>(< >) key of your computer keyboard and clicking this  
knob. If assigned as a stereo bus, this adjusts the balance of the odd-numbered channel  
and even-numbered channel. The stereo bus setting can be made in Mix Bus Setup of  
the Mixer Setup screen.  
J
K
The [ST] button is an on/off switch for the signal that is sent from the mix channel to  
the STEREO bus.  
The [MONO] button is an on/off switch for the signal that is sent from the mix channel  
to the MONO bus.  
If LCR MODE is selected in the Selected Channel window, the [LCR] button will  
appear instead of the [ST] button and [MONO] button, and the [LCR] button will be  
an on/off switch for the signal that is sent from the mix channel to the LCR bus.  
L
M
GVARI/FIXED  
Indicates the type (VARI or FIXED) of the currently selected MIX bus. This parameter  
can be switched in Mix Bus Setup of the Mixer Setup screen.  
HSEL (Select)  
Selects the MIX channel for which you want to make settings.  
ICUE  
This button cue-monitors the signal of the MIX channel.  
JON  
Switches the MIX channel on/off.  
The numbers of mute groups to  
which this channel belongs are  
shown in red.  
KFader  
Adjusts the output level of the  
MIX channel. The current fader  
value is shown in the numeric box  
immediately below the fader. You  
can set this to the minimum value  
(–dB) by holding down the  
If this channel is set to Recall Safe,  
<Ctrl>(< >) key of your com-  
the R character is shown in green.  
puter keyboard and clicking the  
fader knob, or set it to the nominal  
value (0.00 dB) by holding down  
the <Ctrl>(< >) key and <Shift>  
key and clicking the fader knob.  
If this channel is set to Mute Safe,  
the M character is shown in green.  
The numbers and alphabetical letters at the right of the fader indicate the mute groups to  
which that channel belongs, and show the Recall Safe and Mute Safe status of the channel.  
LChannel number  
Indicates the number of the MIX channel. You can double-click this number to open  
the Selected Channel window for this channel. If you hold down the <Ctrl>(< >) key  
of your computer keyboard and double-click this, the Selected Channel window will  
open as an additional view.  
MChannel name  
This is a text box that displays the channel name. You can also edit the channel name in  
this text box.  
The background color will be the same as the background color of the icon in the chan-  
nel select area of the Selected Channel window.  
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MATRIX window  
In this window you can view and edit the parameters of MATRIX channels 1–8. The parameters shown in the win-  
dow can be selected from the [View] menu or the menu that appears when you right-click (<control> key + click) in  
the window.  
You can access this window in the following ways.  
From the [Windows] menu, choose [Overview] and then choose “MATRIX”  
Use the layer keys in the Master window to turn on the [MTRX] button  
On the LS9 console, assign a USER DEFINED KEY to [LS9 EDITOR CONTROL]-[OVERVIEW]-[MATRIX], and execute  
it  
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AOUTPUT PATCH  
1
2
This selects the output port assigned to the MATRIX channel. The output ports that  
can be selected are the same as for MIX (p.18).  
BMIX (send levels from MIX channels)  
Here you can view and edit the send levels of the signals sent from the MIX channels to  
the MATRIX bus. The method of operation and the meaning of the display are the same  
as in (5) MATRIX SEND in the MIX window (p.19).  
CSTEREO (Send levels from the STEREO channels to the MATRIX  
bus)  
Here you can view and edit the send levels of the signals sent from the STEREO chan-  
nels to the MATRIX bus. While you drag the bar graph, the send level is shown in the  
numerical display area immediately below. The method of operation and the meaning  
of the display are the same as for (5) MATRIX SEND in the MIX window (p.19).  
DEQ (Equalizer)  
Switches the EQ on/off. The graph immediately below the button shows the approxi-  
mate response of the EQ. This is the same as the equalizer for INPUT CH (p.14).  
3
4
EDYN1(Dynamics 1)  
Switches the dynamics processor on/off. This is the same as the dynamics 2 for INPUT  
CH (p.14).  
FINS (Insert)  
Enables/disables the insert-in.  
5
6
GSEL (Select)  
Selects the MATRIX channel for which you want to make settings.  
HCUE  
This button cue-monitors the signal of the MATRIX channel.  
7
8
ION  
This switches the MATRIX channel on/off.  
9
JFader  
This adjusts the output level of the MATRIX channel. The current fader value is shown  
in the numeric box immediately below the fader.  
J
The numbers and alphabetical letters at the right of the fader indicate the mute groups  
to which that channel belongs, and show the Recall Safe and Mute Safe status of the  
channel. (For the significance of the numbers and alphabetical letters, see p.19).  
KChannel number  
Indicates the number of the MATRIX channel. You can double-click this number to  
open the Selected Channel window for this channel. If you hold down the  
<Ctrl>(< >) key of your computer keyboard and double-click this, the Selected  
Channel window will open as an additional view.  
K
L
LChannel name  
This text box shows the channel name. You can edit the channel name within this text  
box.  
The background color will be the same as the background color of the icon in the chan-  
nel select area of the Selected Channel window.  
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STEREO/MONO window  
In this window you can view and edit the parameters of the STEREO and MONO channels. The parameters shown  
in the window can be selected from the [View] menu or the menu that appears when you right-click (<control> key  
+ click) in the window.  
You can access this window in the following ways.  
From the [Windows] menu, choose [Overview] and then choose “STEREO/MONO”  
Use the layer keys in the Master window to turn on the [STEREO] button  
On the LS9 console, assign a USER DEFINED KEY to [LS9 EDITOR CONTROL]-[OVERVIEW]-[ST/MONO], and exe-  
cute it  
AOUTPUT PATCH  
1
2
This selects the output port assigned to the STEREO/MONO channel. The output  
ports that can be selected are the same as for MIX (p.18).  
BEQ (Equalizer)  
3
Switches the EQ on/off (the L/R settings are linked). This is the same as the equalizer for  
INPUT CH (p.14).  
4
5
CDYN1(Dynamics 1)  
Switches the dynamics processor on/off. This is the same as the dynamics 2 for INPUT  
CH (p.14).  
DINS (Insert)  
Enables/disables the insert-in. (The L/R settings are linked.)  
EMATRIX SEND  
Here you can view and edit the send levels of the signals sent from the STEREO/MONO  
channel to MATRIX 1–8 bus. The method of operation and the meaning of the display  
are the same as for MATRIX in the MIX window (p.19).  
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FBALANCE  
6
Adjusts the left/right balance of the STEREO channel.  
7
8
9
GSEL (Select)  
Selects the channel for which you want to make settings. (You can specify L and R inde-  
pendently.) This is linked with the STEREO/MONO MASTER section [SEL] keys on  
the LS9’s panel.  
J
HCUE  
This button cue-monitors the signal of the STEREO/MONO channel. This is linked  
with the STEREO/MONO MASTER section [CUE] keys on the LS9’s panel.  
ION  
This switches the STEREO/MONO channel on/off. This is linked with the STEREO/  
MONO MASTER section [ON] keys on the LS9’s panel.  
K
L
JFader  
Adjusts the output level of the STEREO/MONO channel. This is linked with the STE-  
REO/MONO MASTER section faders of the LS9’s panel.  
The current fader value is shown in the numeric box immediately below the fader.  
The numbers and alphabetical letters at the right of the fader indicate the mute groups  
to which that channel belongs, and show the Recall Safe and Mute Safe status of the  
channel. (For the significance of the numbers and alphabetical letters, see p.19).  
KChannel number  
This is the channel number (ST or M). You can double-click this number to open the  
Selected Channel window for this channel. If you hold down the <Ctrl>(< >) key of  
your computer keyboard and double-click this, the Selected Channel window will open  
as an additional view.  
LChannel name  
This text box shows the channel name. You can edit the channel name within this text  
box.  
The background color will be the same as the background color of the icon in the chan-  
nel select area of the Selected Channel window.  
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Custom Fader Layer window  
The Custom Fader Layer allows you to create a freely selected combination of the LS9’s internal channels for each  
user key. For details on operating each type of channel, refer to the Overview window for that channel.  
In the initial state when the Editor has never been synchronized with the LS9 console, this window will  
show the Administrator settings. However when you synchronize, this window will be displayed according  
to the user level of the console.  
NOTE  
Custom Fader Layer window  
(*)  
This window lets you view and edit the mix parameters for Custom Fader Layer CH 1–16 and 17–32 . The parame-  
ters shown in this window can be selected from the [View] menu or from the menu that appears when you right-  
click in the window.  
You can display this window in either of the following ways.  
From the [Windows] menu, choose [Overview] and then choose “Custom Fader Layer (CH1-16)”/“Custom Fader Layer  
(*)  
(CH17-32)”  
(*)  
In the Master window, turn the Layer Keys CUSTOM [1-16] button/[17-32] button on  
(*)  
Custom Fader Layer CH 17-32 can be displayed only if you’re editing offline and have selected LS9-32 in the Model Select field of the  
Mixer Setup window, or if you are editing online with the LS9-32 connected.  
Select the channels that you want to assign to the Custom Fader Layer (INPUT CH). You can also  
make these settings in the “Custom Fader Layer Setup window.”  
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Custom Fader Layer ST IN window  
(*)  
This window lets you view and edit the mix parameters for Custom Fader Layer ST IN CH 1–4 . The parameters  
shown in this window can be selected from the [View] menu or from the menu that appears when you right-click  
(<control> key + click) in the window.  
Yo can display this window in either of the following ways.  
From the [Windows] menu, choose [Overview] and then choose “Custom Fader Layer ST IN”  
In the Master window, turn the Layer Keys STEREO IN [CUSTOM] button on  
(*)  
Custom Fader Layer ST IN 3/4 can be displayed only if you’re editing offline and have selected LS9-32 in the Model Select field of the  
Mixer Setup window, or if you’re editing online with the LS9-32 connected.  
Select the ST IN CH that you want to assign to the Custom Fader Layer (ST IN). You  
can also make these settings in the “Custom Fader Layer Setup window.”  
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Selected Channel window  
Here you can set the parameters of the currently selected input channel (INPUT CH 1–64, ST IN CH 1–4) or output  
channel (MIX channels 1–16, MATRIX channels 1–8, STEREO/MONO channels).  
You can access this window in the following ways.  
From the [Windows] menu, choose [Selected Channel] and select “MAIN VIEW”  
Double-click the channel number in one of the Overview windows  
On the LS9 console, assign a USER DEFINED KEY to [LS9 EDITOR CONTROL]-[SELECTED CHANNEL], and execute  
it  
By choosing [Selected Channel] from the [Windows] menu and then selecting “ADDITIONAL VIEW,” you  
can view a window for a channel that is not selected.This ADDITIONAL VIEW is not linked with [SEL] key  
operations on the panel of the LS9.  
NOTE  
The type of parameters that can be edited in this window depends on the type of the currently selected channel. The  
parameters of the Selected Channel window are explained below, in the order of input channels (input channels 1–  
64, ST IN CH 1–4), MIX channels, MATRIX channels, and STEREO/MONO channels.  
If an input channel is selected  
INPUT CH window  
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ST IN CH window  
Unless otherwise specified, the parameters explained below are common to INPUT CH 1–48 and ST IN  
CH 1–4.  
NOTE  
CHANNEL SELECT (Channel selection)  
1
2
ASELECT (Channel selection)  
This shows the ID and name of the channel selected for operations. To switch channels, use the SELECT button  
or the triangle buttons at left and right. The channel selected in the Main View is linked with the [SEL] keys in the  
INPUT section of the LS9’s panel. You can right-click (<control> key + click) the icon and select a different icon,  
or left-click it and select the background color. You can also edit the channel name in the text box.  
BINPUT PATCH  
Selects the input source assigned to the input channel (for the selectable input sources, p.13).  
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MIX SEND  
2
1
3
AMIX send level  
This adjusts the send level of the signal sent from the input channel to VARI-type MIX bus. The current value is  
shown in the numerical box immediately below.  
BPRE (Pre/Post)  
This selects PRE or POST as the point from which the signal is sent from the input channel to the MIX bus. The  
point will be PRE POINT when this is on, and POST FADER when this is off. The PRE POINT setting can be  
specified in the Mixer Setup screen.  
CON (MIX send on/off)  
This is an on/off switch for the signal sent from the input channel to the MIX bus.  
HINT  
• If MIX buses are being used in stereo, the odd-numbered knob will be PAN.  
Knob of odd-num-  
bered side  
• If the FIXED type is selected for the MIX bus, only the ON button is valid.  
• The stereo/mono setting and the VARI type / FIXED type setting can be made in the  
Mixer Setup screen.  
HA GAIN/Ø/HPF  
1
2
3
AHA (HA Gain)  
Adjusts the gain of the internal head amp or of the external head amp (AD8HR) patched to the input channel.  
The current value is shown in the numerical box below the knob. You can set this to the default value (+10 dB) by  
holding down the <Ctrl>(< >) key and clicking the knob. You can also use the [48V] button to switch phantom  
power on/off.  
BØ (Phase)  
Inverts the phase of the signal after AD conversion.  
CHPF (High Pass Filter)  
Use the [ON] button at the right to switch the high-pass filter on/off. You can use the knob at left to adjust the  
cutoff frequency. The current value is shown in the numerical box below the knob. An indication of “H” will  
appear on the EQ graph of the equalizer.  
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TO STEREO/MONO  
Here you can specify how the signal will be sent from the input channel to the STEREO bus / MONO bus.  
MODE  
• ST/MONO button  
When this button is on, the signal will be sent to the STEREO L/R bus and independently to the MONO bus.  
[INPUT CH 1–48]  
[ST IN CH 1–4]  
Adjusts the panning of the signal sent from the input channel to the STEREO bus L/R  
channels.You can set this to the center position by holding down the <Ctrl>(< >) key  
of the computer keyboard and clicking the knob.This is linked with the [PAN] encoder in  
the SELECTED CHANNEL section of the LS9 panel.  
PAN (BALANCE for ST IN)  
ST  
Switches the signal sent from the input channel to the STEREO bus on/off.  
Switches the signal sent from the input channel to the MONO bus on/off.  
M(C)  
• LCR button  
When this button is on, the signal will be sent to the L/C/R buses which work in conjunction with each other.  
[INPUT CH 1–48]  
[ST IN CH 1–4]  
Adjusts the panning of the signal that is sent from the input channel to each of the L/C/  
R channels.You can set this to the center position by holding down the <Ctrl>(< >)  
key of the computer keyboard and clicking the knob. This is linked with the [PAN]  
encoder in the SELECTED CHANNEL section of the LS9 panel.  
PAN (BALANCE for ST IN)  
LCR  
Switches the signal sent from the input channel to the L/C/R bus on/off.  
Adjusts the proportion of the CENTER channel level relative to the STEREO bus L/R in  
a range of 0–100%.  
CSR (Center Side Ratio)  
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EQUALIZER  
1
2
3
5
6
4
7
8
9
J
K
ALIBRARY  
Accesses the INPUT EQ page of the LIBRARY window.  
BON  
Switches the EQ on/off.  
CEQ graph  
Indicates the response for the EQ of the currently selected channel. To reset the EQ to flat response, hold down  
the <Ctrl>(< >) key of your computer keyboard and click the graph (The HPF setting will remain).  
DQ  
EFREQUENCY  
FGAIN  
These knobs adjust the Q, center frequency, and boost/cut amount for the four bands LOW, LO-MID, HI-MID,  
and HIGH.  
G
H
I
HIGH shelving  
If this button is on, the HIGH EQ will be switched to a shelving type (the Q knob of the HIGH EQ will disap-  
pear).  
LPF (Low Pass Filter)  
If this button is on, the HIGH EQ will function as a low pass filter. The Q knob of the HIGH EQ will disappear,  
and the GAIN knob will act as the low pass filter on/off switch.  
LOW shelving  
If this button is on, the LOW EQ will be switched to a shelving type (the Q knob of the LOW EQ will disappear).  
JTYPE I/TYPE II (EQ type)  
Selects either TYPE I (the same algorithm as on previous Yamaha digital mixers) or TYPE II (a newly developed  
algorithm) as the EQ type.  
KATT (Attenuation)  
Adjusts the amount of attenuation/gain.  
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DYNAMICS1/2  
You can select one of the following types for each of the two dynamics processors.  
DYNAMICS1:  
DYNAMICS2:  
GATE, DUCKING, EXPANDER, COMPRESSOR  
COMPRESSOR, COMPANDER-H, COMPANDER-S, DE-ESSER  
If GATE/DUCKING is selected  
5 1  
2
3
6
7
8
4
9
J
K
L
M
ATYPE  
Indicates the type of the currently selected gate. You can click here to select the type.  
BLIBRARY  
This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the LIBRARY  
window.  
CON  
This button switches the gate on/off.  
DResponse curve  
Indicates the response for the gate of the currently selected channel.  
EGR meter  
This meter indicates the amount of gain reduction.  
FTHRESHOLD (Threshold level)  
Specifies the level at which the gate will open and close. The gate will open when the key-in signal exceeds this  
level, and will close when the signal falls below this level.  
GRANGE  
Specifies the amount by which the signal is attenuated while the gate is closed.  
HDECAY  
Specifies the time over which the gate will close after the hold time has elapsed.  
IATTACK  
Specifies the time from when the key-in signal exceeds the threshold level until the gate opens.  
JHOLD  
Specifies the time that the gate will remain open after the key-in signal falls below the threshold.  
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KKEY IN SOURCE  
Click this to select one of the following signals to use as the key-in source.  
SELF PRE EQ  
The pre-EQ signal of the currently selected input channel  
The post-EQ signal of the currently selected input channel  
SELF POST EQ  
The output signal of the corresponding MIX channel immediately before the output  
attenuation  
MIX OUT 13–16  
CH 1–64 POST EQ  
STIN1L–STIN4R POST EQ  
The post-EQ signal of the corresponding input channel (however, you can only choose  
channels belonging to the same group, within the nine groups CH1–8, CH9–16, CH17–  
24, CH25–32, CH33–40, CH41–48, CH49–56, CH57–64 and STIN1L–STIN4R).  
LCUE  
This button cue-monitors the currently selected key-in signal. This is not shown in the ADDITIONAL VIEW.  
MKEY IN FILTER  
Select the type of filter applied to the selected key-in signal; HPF (high pass filter), BPF (band pass filter), or LPF  
(low pass filter). The ON/OFF button switches the filter on/off.  
If you’ve selected BPF, use the two knobs to adjust the band pass frequency and Q. If you’ve selected HPF or LPF,  
use the knob to adjust the cutoff frequency.  
If COMPRESSOR is selected  
1
2
3
5
6
7
8
4
9
J
K
L
ATYPE  
Indicates the type of the currently selected compressor.  
BLIBRARY  
This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the LIBRARY  
window.  
CON  
This button switches the compressor on/off.  
DResponse curve  
Indicates the response for the compressor of the currently selected channel.  
EGR meter  
This meter indicates the amount of gain reduction produced by the compressor.  
FTHRESHOLD  
Specifies the threshold level at which the compressor will operate. The input signal will start being compressed  
when the key-in signal exceeds this level; compression will be removed when the signal falls below this level.  
GRATIO  
Specifies the ratio at which the input signal will be compressed when the key-in signal exceeds the threshold.  
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HKNEE  
Specifies the sharpness at which the output level will change. You can select from HARD or 1–5.  
IATTACK  
Specifies the time from when the key-in signal exceeds the threshold level until the signal starts being compressed.  
JGAIN  
Adjusts the gain of the signal after it has passed through the compressor.  
KRELEASE  
Specifies the time from when the key-in signal falls below the threshold level until compression is removed.  
LKEY IN SOURCE  
Click this to select the key-in signal that you want to use.  
The choices are the same as for GATE.  
If COMPANDER-H, COMPANDER-S is selected  
5 1  
2
3
6
7
8
4
9
J
K
L
ATYPE  
Indicates the type of the currently selected compressor. You can click here to select the type.  
BLIBRARY  
This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the LIBRARY  
window.  
CON  
This button switches the compressor on/off.  
DResponse curve  
Indicates the response for the compander of the currently selected channel.  
EGR meter  
This meter indicates the amount of gain reduction produced by the compressor.  
FTHRESHOLD  
Specifies the threshold level at which the compressor will operate. The input signal will start being compressed  
when the key-in signal exceeds this level; compression will be removed when the signal falls below this level.  
GRATIO  
Specifies the ratio at which the input signal will be compressed when the key-in signal exceeds the threshold.  
HWIDTH  
Specifies the width between the threshold level of the compressor (THRESHOLD) and the threshold level of the  
expander. The expander effect will apply to levels below THRESHOLD + WIDTH.  
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IATTACK  
Specifies the time from when the key-in signal exceeds the threshold level until the signal starts being compressed.  
JGAIN  
Adjusts the gain of the signal after it has passed through the compressor.  
KRELEASE  
Specifies the time from when the key-in signal falls below the threshold level until compression is removed.  
LKEY IN SOURCE  
Click this to select the key-in signal that you want to use.  
The choices are the same as for GATE.  
If DE-ESSER is selected  
5 1  
2
3
6
7
4
8
ATYPE  
This indicates that De-Esser is the currently selected type.  
BLIBRARY  
This button accesses the dynamics library. Clicking this button will open the DYNAMICS page of the LIBRARY  
window.  
CON  
This button switches the de-esser on/off.  
DResponse curve  
Indicates the response for the de-esser of the currently selected channel.  
EGR meter  
This meter indicates the amount of gain reduction produced by the de-esser.  
FTHRESHOLD  
Specifies the threshold level at which the de-esser will operate. The input signal will start being compressed when  
the key-in signal exceeds this level; compression will be removed when the signal falls below this level.  
GFREQ. (Minimum frequency)  
Specifies the minimum frequency at which the key-in signal will activate the de-esser.  
HKEY IN SOURCE  
This indicates the key-in signal that will be used. It is fixed at SELF POST EQ.  
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INSERT (INPUT CH 1–32 only)  
1
2
3
4
AON  
Enables/disables insert-in/out.  
BOUT (Insert out)  
Click this to select the output port that will be assigned to insert-out, from the following choices.  
NONE  
SLOT1-1...SLOT1-16, SLOT2-1 ...SLOT2-16  
No assignment  
(*)  
(*)  
Output channels of an I/O card installed in a slot  
L/R inputs of Rack 1–8  
RACK1A, RACK1B...RACK5L(A)...RACK8R(B)  
(*)  
SLOT2 can be displayed only if you’re editing offline and have selected LS9-32 in the Model Select field of the Mixer Setup window,  
or if you are editing online with the LS9-32 connected.  
CIN (Insert in)  
Click this to select the input port that will be assigned to insert-in, from the following choices.  
NONE  
SLOT1-1...SLOT1-16, SLOT2-1 ...SLOT2-16  
No assignment  
(*)  
(*)  
Input channels of an I/O card installed in a slot  
L/R outputs of Rack 1–8  
RACK1A, RACK1B...RACK5L(A)...RACK8R(B)  
(*)  
SLOT2 can be displayed only if you’re editing offline and have selected LS9-32 in the Model Select field of the Mixer Setup window,  
or if you are editing online with the LS9-32 connected.  
DPOINT (Insert point)  
Selects the position at which insert-in/out will be patched. Choose from PRE EQ, PRE FADER, or POST ON.  
DIRECT OUT (except for ST IN CH)  
1
2
3
4
AON  
Turns the direct output on/off.  
BDIRECT OUT GAIN  
Adjusts the gain of the direct output. The current value is shown in the numerical box below the knob. You can set  
this to the nominal value (0.0 dB) by holding down the <Ctrl>(< >) key and clicking the knob.  
CDIRECT OUT PORT  
Click this to select one of the following output ports as the one used for direct out.  
NONE  
No assignment  
(*)  
(*)  
OMNI jacks 1–16  
OMINI1–OMNI16  
(*)  
(*)  
Output channels of an I/O card installed in a slot  
L/R channels of the 2 TR OUT DIGITAL jack  
SLOT1-1...SLOT1-16, SLOT2-1 ...SLOT2-16  
2TR DOUT L, 2TR DOUT R  
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REC IN L, REC IN R  
L/R channels of the USB memory recorder input  
(*)  
OMNI jacks 9–16 and SLOT2 can be displayed only if you’re editing offline and have selected LS9-32 in the Model Select field of the  
Mixer Setup window, or if you are editing online with the LS9-32 connected.  
DDIRECT OUT POINT  
Select either PRE HPF, PRE EQ, or PRE FADER as the location at which direct out will be patched.  
RECALL SAFE/MUTE SAFE  
These enable/disable Recall Safe and Mute Safe for the channel.  
MUTE GROUP  
AMUTE GROUP  
1
Selects the mute group (1–8) to which that channel belongs.  
Fader  
AON  
1
Switches the input channel on/off. This is linked with the INPUT section CH [ON] keys  
on the LS9’s panel.  
BFader  
Adjusts the input level of the input channel. This is linked with the INPUT section fad-  
ers of the LS9’s panel. A meter indicating the signal level is shown at the right of the  
fader, and the current value is shown in the numerical box immediately below. You can  
set this to the minimum value (–dB) by holding down the <Ctrl>(< >) key of your  
computer keyboard and clicking the fader knob, or set it to the nominal value (0.00 dB)  
by holding down the <Ctrl>(< >) key and <Shift> key and clicking the fader knob.  
2
CCUE  
This button cue-monitors the signal of the input channel. This is linked with the  
INPUT section [CUE] keys on the LS9’s panel.  
3
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If a MIX channel is selected  
CHANNEL SELECT (Channel selection)  
1
2
ASELECT (Channel selection)  
Except for the fact that your editing applies to a MIX channel, this is  
the same as the channel selection for an input channel (p.27).  
BOUTPUT PATCH  
This selects the output port that will be assigned to the MIX chan-  
nel. (For the output ports that can be selected (p.18).  
If multiple patches have been made, only the first port is shown.  
If you change the patching in this window, the port that had been  
assigned until then will be cancelled, and only the newly selected  
port will be assigned.  
TO MATRIX  
AMATRIX send level  
This adjusts the send level of the signal sent from the MIX channel to the MATRIX  
buses.  
1
2
3
BON (MATRIX send on/off)  
This is an on/off switch for the signal sent from the MIX channel to the MATRIX bus.  
CPOINT (Send point)  
Select either PRE or POST as the position from which the signal is sent from the MIX  
channel to the MATRIX bus. PRE POINT is selected if this is on, or POST FADER is  
selected if this is off. The PRE POINT setting can be made in the Mixer Setup screen.  
HINT  
Knob of odd-  
numbered side  
• If you are using MATRIX buses in stereo, the knob for the  
odd-numbered bus will be PAN.  
• The stereo/mono status can be specified in the Mixer  
Setup screen.  
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TO STEREO/MONO  
Here you can specify how the signal will be sent from the MIX channel to the STEREO bus / MONO bus.  
MODE  
• ST/MONO button  
When this button is on, the signal will be sent to the STEREO bus and independently to the MONO bus.  
Adjusts the panning of the signal sent from the MIX channel to the STEREO bus L/R chan-  
nels.You can set this to the center position by holding down the <Ctrl>(< >) key of the  
computer keyboard and clicking the knob. This is linked with the [PAN] encoder in the  
SELECTED CHANNEL section of the LS9 panel. If the selected MIX bus is used as a ste-  
PAN  
reo bus, the odd-numbered channel is fixed at L63 and the even-numbered channel fixed at  
R63.  
ST  
Switches the signal sent from the MIX channel to the STEREO bus on/off.  
Switches the signal sent from the MIX channel to the MONO bus on/off.  
MONO  
This is shown only if the selected MIX bus is assigned as a stereo bus. It adjusts the left/  
right volume balance of the stereo bus.You can set this to the center position by holding  
down the <Ctrl>(< >) key of the computer keyboard and clicking the knob.  
BALANCE  
• LCR button  
When this button is on, the signal will be sent to the L/C/R buses which work in conjunction with each other.  
Adjusts the panning of the signal that is sent from the MIX channel to each of the L/C/R  
channels.You can set this to the center position by holding down the <Ctrl>(< >) key of  
the computer keyboard and clicking the knob. This is linked with the [PAN] encoder in the  
SELECTED CHANNEL section of the LS9 panel. If the selected MIX bus is used as a ste-  
PAN  
reo bus, the odd-numbered channel is fixed at L63 and the even-numbered channel fixed at  
R63.  
This is shown only if the selected MIX bus is assigned as a stereo bus. It adjusts the left/  
BALANCE  
right volume balance of the stereo bus.You can set this to the center position by holding  
down the <Ctrl>(< >) key of the computer keyboard and clicking the knob.  
Adjusts the proportion of the CENTER channel level relative to the STEREO bus L/R in a  
range of 0–100%.  
CSR (Center Side Ratio)  
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EQUALIZER  
1
2
3
4
5
6
7
8
9
J
K
L
ALIBRARY  
Accesses the OUTPUT EQ page of the LIBRARY window.  
BON  
Switches the EQ on/off.  
CEQ graph  
Indicates the response for the EQ of the currently selected channel. To reset the EQ to flat response, hold down  
the <Ctrl>(< >) key of your computer keyboard and click the graph.  
DQ  
EFREQUENCY  
FGAIN  
These knobs adjust the Q, center frequency, and boost/cut amount for the four bands LOW, LO-MID, HI-MID,  
and HIGH.  
G
H
HIGH shelving  
If this button is on, the HIGH EQ will be switched to a shelving type (the Q knob of the HIGH EQ will disappear).  
LPF (Low Pass Filter)  
If this button is on, the HIGH EQ will function as a low pass filter. The Q knob of the HIGH EQ will disappear,  
and the GAIN knob will act as the low pass filter on/off switch.  
I
J
(LOW shelving)  
If this button is on, the LOW EQ will be switched to a shelving type (the Q knob of the LOW EQ will disappear).  
HPF (High Pass Filter)  
If this button is on, the LOW EQ will function as a high pass filter EQ. The Q knob of the LOW EQ will disappear,  
and the GAIN knob will act as the high pass filter on/off switch.  
KTYPE I/TYPE II (EQ type)  
Selects either TYPE I (the algorithm used by previous digital mixers) or TYPE II (a newly developed algorithm) as  
the EQ type.  
LATT (Attenuation)  
Adjusts the amount of attenuation/gain.  
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DYNAMICS1  
Except for the fact that the available types are COMPRESSOR, EXPANDER, COMPAND H and COMPAND S,  
and that you can select more than one signal as the key-in signal, this is the same as the dynamics for input chan-  
nels (p.32).  
INSERT  
Except for the fact that the insert points that can be selected are different, this is the same as for the insert settings  
of an input channel (p.35).  
RECALL SAFE/MUTE SAFE  
These are the same as the Recall Safe and Mute Safe functions for input channels.  
MUTE GROUP  
Selects the mute group (1–8) to which the MIX channel belongs.  
Pan/Fader  
AON  
1
Switches the MIX channel on/off.  
BFader  
Adjusts the output level of the MIX channel. A meter indicating the signal level is  
shown at the right of the fader, and the current value is shown in the numerical box  
immediately below. You can set this to the minimum value (–dB) by holding down  
the <Ctrl>(< >) key of your computer keyboard and clicking the fader knob, or set it  
to the nominal value (0.00 dB) by holding down the <Ctrl>(< >) key and <Shift> key  
and clicking the fader knob.  
2
CCUE  
This button cue-monitors the signal of the MIX channel.  
3
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If a MATRIX channel is selected  
CHANNEL SELECT (Channel selection)  
Except for the fact that your editing applies to a MATRIX channel, this is the same as the channel selection for a  
MIX channel (p.37).  
FROM MIX, ST/MONO  
AFROM MIX, ST/MONO send level  
These adjust the send levels of the signals sent from the VARI type MIX buses or STEREO/MONO buses to the  
MATRIX bus. The current value is shown in the numerical box immediately below.  
• PRE/POST  
These select either PRE or POST as the position from which the signal is sent from the MIX buses or STEREO/  
MONO buses to the MATRIX bus. PRE POINT is selected if this is on, or POST FADER is selected if this is off.  
BON(FROM MIX, ST/MONO send on/off)  
These are on/off switches for the signal sent from the MIX buses or STEREO/MONO buses to the MATRIX bus.  
HINT  
• If MIX buses and MATRIX buses are being used in stereo, the  
odd-numbered knob will be PAN.  
PAN (odd-numbered side)  
• If the FIXED type is selected for the MIX bus, only the ON but-  
ton is valid.  
• The stereo/mono setting and the VARI type / FIXED type setting can be made in the Mixer Setup screen.  
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BALANCE  
This is shown only if the selected MATRIX bus is being used as stereo. It adjusts the left/right volume balance of  
the stereo signal. You can set this to the center value by holding down the <Ctrl>(< >) key of your computer  
keyboard and clicking this knob.  
EQUALIZER  
This is the same as for the equalizer of a MIX channel (p.39).  
DYNAMICS1  
Except for the fact that the available types are COMPRESSOR, EXPANDER, COMPAND H and COMPAND S,  
and that you can select more than one signal as the key-in signal, this is the same as the dynamics for input chan-  
nels (p.31).  
INSERT  
Except for the fact that the insert points that can be selected are different, this is the same as for the insert settings  
of an input channel (p.35).  
RECALL SAFE/MUTE SAFE  
These are the same as the RECALL SAFE/MUTE SAFE of a MIX channel (p.40).  
MUTE GROUP  
These are the same as the MUTE GROUP of a MIX channel (p.40).  
Fader  
AON  
1
This switches the MATRIX channel on/off.  
BFader  
This adjusts the output level of the MATRIX channel. A meter indicating the signal level  
is shown at the right of the fader, and the current value is shown in the numerical box  
immediately below. You can set this to the minimum value (–dB) by holding down  
the <Ctrl>(< >) key of your computer keyboard and clicking the fader knob, or set it  
to the nominal value (0.00 dB) by holding down the <Ctrl>(< >) key and <Shift> key  
and clicking the fader knob.  
2
CCUE  
This button cue-monitors the signal of the MATRIX channel.  
3
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If a STEREO/MONO channel is selected  
STEREO channel window  
MONO channel window  
CHANNEL SELECT (Channel selection)  
Except for the fact that your editing applies to a STEREO/MONO channel, this is the same as the channel selec-  
tion for a MIX channel (p.37).  
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TO MATRIX  
These are the same as the TO MATRIX of a MIX channel (p.37).  
BALANCE (except for MONO channel)  
This adjusts the left/right volume balance in the STEREO bus. You can set this to the center value by holding  
down the <Ctrl>(< >) key of your computer keyboard and clicking this knob.  
EQUALIZER  
This is the same as the equalizer settings of a MIX channel (p.39).  
DYNAMICS1  
Except for the fact that the available types are COMPRESSOR, EXPANDER, COMPAND H and COMPAND S,  
and that you can select more than one signal as the key-in signal, this is the same as the dynamics for input chan-  
nels (p.31).  
INSERT  
Except for the fact that the insert points that can be selected are different, this is the same as for the insert settings  
of an input channel (p.35).  
RECALL SAFE/MUTE SAFE  
These are the same as the RECALL SAFE/MUTE SAFE of a MIX channel (p.40).  
MUTE GROUP  
These are the same as the MUTE GROUP of a MIX channel (p.40).  
Fader  
STEREO  
MONO  
AON  
This switches the STEREO/MONO channel on/off. This is  
linked with the STEREO/MONO MASTER section [ON]  
keys on the LS9’s panel.  
1
2
1
BFader  
Adjusts the output level of the STEREO/MONO channel.  
This is linked with the STEREO/MONO MASTER section  
faders of the LS9’s panel. A meter indicating the signal level is  
shown at the right of the fader, and the current value is  
shown in the numerical box immediately below.  
2
CCUE  
This button cue-monitors the signal of the STEREO/MONO  
channel. This is linked with the STEREO/MONO MASTER  
section [CUE] keys on the LS9’s panel.  
3
3
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Library window  
Here you can edit the LS9’s various libraries. You can also load library files that were saved on a drive of your com-  
puter, edit the order or title of library items, recall the desired library data, or copy desired library data to a library  
within the LS9.  
This window is divided into DYNAMICS, INPUT EQ, OUTPUT EQ, EFFECT, and GEQ pages; to switch pages, click  
the tabs located at the top of the window.  
To display this window, choose [LIBRARY] from the [Windows] menu, and select either “DYNAMICS,INPUT  
EQ,OUTPUT EQ,EFFECT,or “GEQ.”  
1 2 3 4  
5
AOPEN (Open a file)  
Opens a library file located on a drive of your computer. Use this when you want to edit library data that you’ve  
saved on a USB storage device.  
BCLOSE (Close a file)  
Closes the currently-open library file.  
CSAVE  
Saves the currently-open library file on a drive of your computer. Use this to re-save an edited library on a USB  
storage device, or to create a backup on the hard disk of your computer.  
DSAVE AS (Save under a different name)  
Saves the currently-open library file under a different name on a drive of your computer.  
EFile name  
Indicates the file name of the currently-open library.  
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L
K
(Effect/GEQ page only)  
(DYNAMICS page only)  
7
8
J
9
M
6
N
O
P
Q
FFILE  
This list shows the contents of the data in the library file you opened using the OPEN button (1). The list  
includes the following items.  
GNo. (Number)  
This column indicates the number of each item in the library.  
HTITLE  
This column indicates the title assigned to each library item. You can also double-click this area and edit the title.  
IREAD ONLY  
Read-only data is indicated by an “R” in this column. It cannot be overwritten, nor can its title be edited.  
JTYPE  
This column indicates the effect type.  
In the case of dynamics, there is also an indication of the dynamics processor(s) of this channel into which each  
library item can be recalled. Only library items with an indication of “1” can be recalled to DYNAMICS 1, and  
only library items with an indication of “2” can be recalled to DYNAMICS 2. Data for which neither “1” or “2” is  
shown cannot be recalled to that channel.  
For EQ, this indicates TYPEI or TYPEII.  
KDYNAMICS (DYNAMICS page only)  
Select which of the two dynamics processors will be subject to the Store or Recall operation.  
LRACK No. (Rack selection) (Effect/GEQ page only)  
Select which rack will be subject to the Store or Recall operation.  
NOTE  
HQ Pitch and Freeze cannot be recalled to an effect module mounted in Rack 6 or Rack 8.  
MINTERNAL DATA  
This area shows the LS9’s scene memory contents. The items displayed are the same as in the FILE list (6).  
As desired, you can copy single or multiple data between the FILE list and the INTERNAL DATA list, and copy or  
move them to a different location within a list.  
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To do this, use the following methods to select the data that you want to copy or move.  
• To select the single data  
Click the line containing the desired data.  
• To select multiple consecutive data  
Click the first data to select it; then hold down the <Shift> key and  
click the last data.  
• To select multiple non-consecutive data  
Click the first data; then hold down the <Ctrl>(< >) key and click  
each of the remaining data.  
When you have selected the data that you want to move or copy, drag them to the desired location in the other list  
(if you’re copying between lists) or in the same list (if you’re copying/moving within the same list).  
• To copy data (overwriting the destination)  
Drag the copy-source data to the desired line in the other list or to  
another line in the same list. At this time, a ® symbol will appear at  
the right of the data number.  
When you drop the data in this state, a dialog box will appear, asking  
you to confirm the Save operation. If you click the OK button, the  
copy-source data will be overwritten onto the copy-destination data,  
and the copy-source data will remain unchanged. (If the copy-source  
selection contains multiple data, the data will be overwritten onto  
consecutive data starting at that data.)  
• To move data  
Within the same list, you can move the selected data to another loca-  
tion to rearrange the order of the data in the list. To do this, drag the  
selected data to a location between two other lines in the same list. At  
this time, a  
symbol will appear between the lines.  
When you release the mouse button in this state, the selected data will  
move to that location, and the data numbers will also change accord-  
ingly. (If the move-source selection contains multiple data, those data  
will be inserted consecutively at the location you specify.)  
NOTE  
You cannot copy the InitialData of the GEQ library.  
• Read-only data cannot be moved.  
NSTORE  
Stores the current settings to the data item that is selected in the list.  
ORECALL  
Recalls the data item that is selected in the list.  
PCLEAR  
Clears the data item(s) selected in the list. (when data is deleted, the title field will be blank)  
QUNDO  
Cancels the last-performed library recall, store, copy, or move operation.  
You can click this repeatedly to repeat Undo and Redo.  
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Patch Editor window  
Here you can assign the input/output port for each channel, its direct output, and its insert-in/out.  
This window is divided into INPUT PATCH, OUTPUT PATCH, INPUT INSERT PATCH, OUTPUT INSERT PATCH,  
DIRECT OUT PATCH, and PATCH LIST pages. To switch pages, click the tabs shown in the upper part of the window.  
To display this window, choose [PATCH Editor] from the [Windows] menu, and select either “INPUT PATCH,”  
“OUTPUT PATCH,INPUT INSERT PATCH,OUTPUT INSERT PATCH,DIRECT OUT PATCH,or “PATCH  
LIST.”  
INPUT PATCH page  
Here you can select the input port that is assigned to the input of each input channel.  
PRESET  
Initializes the patching in this page.  
CLEAR ALL  
Clears all patching in this page.  
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OUTPUT PATCH page  
Here you can select the input port that is assigned to the output of each output channel.  
INPUT INSERT PATCH page  
Output port selection  
Input port selection  
Here you can assign input/output ports to the insert-in/out of each input channel. Select the output port in the left  
side of the screen, and the input port in the right side of the screen.  
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OUTPUT INSERT PATCH page  
Output port selection  
Input port selection  
Here you can assign input/output ports to the insert-in/out of each output channel. Select the output port in the left  
side of the screen, and the input port in the right side of the screen.  
DIRECT OUTPUT PATCH page  
Here you can select the output port that will directly output each input channel.  
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PATCH LIST page  
Here you can view and edit the input patch and output patch settings.  
1 2  
3
4 5  
6
AInput channel number  
BInput channel name  
This is the number and name of the input channel. You can click the channel name box to edit the name in this  
page.  
CInput port  
This shows the input port assigned to the input channel. You can click this box and choose the input port from  
the popup menu that appears.  
DOutput channel number  
EOutput channel name  
This is the number and name of the output channel. You can click the channel name box to edit the name in this  
page.  
FOutput port  
This shows the output port assigned to the output channel. You can click this box and choose the output port  
from the popup menu that appears.  
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Rack window  
Here you can make settings for GEQ, effects, and external head amps.  
This window is divided into GEQ/EFFECT and EXTERNAL HA pages; to switch pages, click the tabs located at the  
top of the window.  
GEQ/EFFECT page  
1
2
3
4
5
6
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AMount  
Select a GEQ module or effect module for mounting in the rack, from the following choices.  
BLANK  
No assignment  
31 Band GEQ  
31-band 1-in/1-out graphic equalizer  
2-in/2-out graphic equalizer that allows any fifteen of the 31  
bands to be controlled  
Flex15GEQ  
EFFECT  
Internal effect (only for RACK 5–8)  
BInput patch  
Select the input port(s) that will be assigned to the rack, from the following choices.  
NONE  
No assignment  
(*)  
MIX channel 1–16  
MIX1–16  
(*)  
MATRIX channel 1–8  
MATRIX1-8  
(*)  
STEREO channel L/R, MONO channel  
INPUT CH 1–32 insert out  
MIX channel 1–16 insert out  
MATRIX channel 1–8 insert out  
ST L, ST R, MONO(C)  
INS CH 1–32  
INS MIX 1–16  
INS MATRIX1–8  
INS ST L, INS ST R, INS  
MONO(C)  
Insert-out of STEREO channel L/R or the MONO channel  
(*)  
Selectable only for effect modules.  
This is not shown if nothing is mounted in the rack.  
CModule graphic  
This area shows a graphic of the GEQ module or effect module that is currently assigned to the rack, and the  
parameters of that module. You cannot edit the parameters in this screen.  
Double-click this to open the module editor for that rack unit.  
By holding down the <Ctrl>(< >) key of your computer keyboard and double-clicking this, you can open mul-  
tiple rack module editors. For these additional editors, the rack select buttons are not linked with the RACK  
popup window of the LS9-32 itself.  
DInput meter/Output meter  
These indicate the level of the signals being input and output from the rack.  
EOutput patch  
Select the output port(s) that will be assigned to the rack, from the following choices.  
NONE  
No assignment  
(*1)  
(*1)(*2)  
IN CH 1–64  
INPUT jacks 1–64  
(*2)  
L/R channels of ST IN jacks 1–4  
INPUT CH 1–32 insert in  
STIN1L-STIN4R  
INS CH 1–32  
INS MIX 1–16  
MIX channel 1–16 insert in  
MATRIX channel 1–8 insert in  
INS MTRX1–INS MTRX8  
INS ST L, INS ST R, INS  
MONO(C)  
Insert-in of STEREO channel L/R or the MONO channel  
(*1)  
INPUT CH 33–64 can be displayed only if you’re editing offline and have selected LS9-32 in the Model Select field of the Mixer Setup  
window, or if you are editing online with the LS9-32 connected.  
(*2)  
Selectable only for effect modules.  
FON, BYPASS  
This switches the GEQ module or effect module between active and bypassed states.  
A GEQ module is active when the ON button is lit.  
An effect module is active when the BYPASS button is dark.  
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Rack module editor — GEQ window  
31 Band GEQ  
Flex15GEQ  
In this window you can select the insertion destination of GEQ, and edit the parameters.  
ARack No. (Rack selection)  
Select the rack module that you want to control.  
1
2
BLIBRARY  
This button accesses the GEQ library. Clicking this button  
will open the GEQ page of the LIBRARY window.  
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CInput patch  
3 4  
Click the CHANNEL field, and choose one of the following as the signal route that will  
be patched to the input channel(s) of the currently selected GEQ module. This is linked  
with 5Output Patch  
NONE  
No assignment  
(*)  
MIX channel 1–16  
MIX1–16  
(*)  
MATRIX channel 1–8  
MATRIX1-–8  
(*)  
STEREO channel L/R, MONO channel  
INPUT CH 1–32 insert out  
MIX channel 1–16 insert out  
MATRIX channel 1–8 insert out  
ST L, ST R, MONO(C)  
INS CH 1–32  
INS MIX 1–16  
INS MATRIX1–8  
Insert-out of STEREO channel L/R or the MONO chan-  
nel  
INS ST L, INS ST R, INS MONO(C)  
(*)  
Displayed only, and cannot be selected.  
The channel name is shown in the boxes immediately below.  
DInput meter  
This indicates the level of the signal that is being input to the currently selected GEQ  
module.  
EOutput patch  
5
6
Click the CHANNEL field, and choose one of the following as the signal route that will  
be patched to the output channel(s) of the currently selected GEQ module. This is  
linked with 3Input Patch.  
NONE  
No assignment  
(*1)  
(*1)(*2)  
IN CH 1–64  
INPUT jacks 1-64  
(*2)  
L/R channels of ST IN jacks 1–4  
INPUTCH 1–32 insert in  
STIN1L-STIN4R  
INS CH 1–32  
INS MIX 1–16  
MIX channel 1–16 insert in  
MATRIX channel 1–8 insert in  
MATRIX INSERT1–8  
INS ST L, INS ST R, INS MONO(C) Insert-in of STEREO channel L/R or the MONO channel  
(*1)  
INPUT CH 33–64 can be displayed only if you’re editing offline and have selected LS9-32 in the Model  
Select field of the Mixer Setup window, or if you are editing online with the LS9-32 connected.  
Displayed only, and cannot be selected.  
(*2)  
The channel name is shown in the boxes immediately below.  
FOutput meter  
This indicates the level of the signal that is being output to the currently selected GEQ  
module.  
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31 Band GEQ  
8
9
7
J
K
Flex15GEQ  
8
L
7
J
K
GON (GEQ on/off)  
Switches the currently selected GEQ module on/off.  
HLINK  
This button links the settings of two adjacent odd-numbered/even-numbered 31-band GEQ modules, or the  
group A and group B settings of a Flex 15 GEQ. When you click this button, a window will ask you for confirma-  
tion. Click the buttons for the modules you want to use as the parameter copy-source and copy-destination. If  
you click the RESET BOTH button, the parameters of both modules will be reset to the default state.  
IGEQ graph  
This graph shows the response of the currently selected GEQ module.  
JGEQ faders  
These faders cut/boost the frequency bands of the GEQ module. The value of each fader is shown in the numeri-  
cal box below it. Hold down the <Ctrl>(< >) key and click to set the value to 0.00 dB.  
KEQ FLAT  
This button resets all GEQ faders to the 0 dB position.  
LAVAILABLE BANDS (number of operable bands) (Flex 15 GEQ only  
For a Flex 15 GEQ, you can operate any fifteen of the thirty-one bands. This numerical display box shows the  
remaining number of bands that can be operated. If you have operated fifteen bands, this number will be zero,  
and you won’t be able to operate any additional bands. If you want to operate another band in this state, you’ll  
need to return a previously-operated band back to the 0 dB position.  
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Rack module editor — Effect window  
For details on the dedicated GUI screen, refer to the appendix.  
NOTE  
Here you can select the effect type for an internal effect, edit the parameters, and specify the input/output patching.  
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ARack No. (Rack selection)  
Here you can select the rack that you want to operate. Only  
5–8 can be used with effect modules; 1–4 are only for GEQ  
modules.  
1
2 3  
BBYPASS  
This button temporarily bypasses the effect. Inactive when  
using a GEQ module.  
CCUE  
This button cue-monitors the output of the currently selected  
effect. Inactive when using a GEQ module.  
6
4 5  
DEFFECT NAME  
Indicates the title of the currently selected effect.  
EEFFECT TYPE  
Indicates the currently selected effect type. You can also switch the effect type from this window. To do so, click  
the text box, and select the desired effect type from the popup menu that appears.  
FLIBRARY  
This button accesses the effect library. Clicking this button will open the EFFECT page of the LIBRARY window.  
GInput patch  
Click the L CHANNEL or R CHANNEL area, and choose one of the  
following as the signal route that will be patched to the L/R input chan-  
nels of the internal effect.  
NONE  
No assignment  
8
7
(*)  
MIX channel 1–16  
MIX 1–16  
(*)  
MATRIX channel 1–8  
MATRIX1–8  
(*)  
STEREO channel L/R, MONO channel  
INPUT CH 1–32 insert in  
MIX channel 1–16 insert in  
MATRIX channel 1–8 insert in  
ST L, ST R, MONO(C)  
INS CH 1–32  
INS MIX 1–16  
INS MATRIX1–8  
INS ST L, INS ST R, INS Insert-in of STEREO channel L/R or the MONO  
MONO(C) channel  
J
K
9
(*)  
Selectable only for effect modules.  
The channel name is shown in the boxes immediately below.  
HInput meter  
Indicates the level of the signal being input to the internal effect.  
IOutput patch  
Click the L CHANNEL or R CHANNEL area, and choose one of the following as the signal route that will be  
patched to the L/R output channels of the internal effect.  
NONE  
No assignment  
INPUT CH 1–64  
(*1)  
(*1)(*2)  
CH 1–64  
(*2)  
ST IN CH 1–4 (L/R)  
STIN1L–STIN4R  
INS CH 1–32  
INPUT CH 1–32 insert out  
INS MIX 1–16  
MIX channel 1–16 insert out  
MATRIX INSERT1–8  
MATRIX channel 1–8 insert out  
Insert-out of STEREO channel L/R or the MONO channel  
INS ST L, INS ST R, INS MONO(C)  
(*1)  
INPUT CH 33–64 can be displayed only if you’re editing offline and have selected LS9-32 in the Model Select field of the Mixer Setup  
window, or if you are editing online with the LS9-32 connected.  
(*2)  
Selectable only for effect modules.  
The channel name is shown in the boxes immediately below.  
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JOutput meter  
Indicates the level of the signal being output from the internal effect.  
KParameter display select button  
If “046 REV-X HALLor any subsequent effect is selected as the effect type, this switches between the standard  
parameter screen and the dedicated GUI screen.  
For details on the dedicated GUI screens, refer to the appendix.  
LMIX BALANCE  
Adjusts the balance of the effect sound relative to the original sound. 0 (%) outputs  
only the original sound, and 100 (%) outputs only the effect sound.  
L
MTEMPO  
If a tempo-type or modulation-type effect is selected, this allows you to adjust time-  
related parameters such as DELAY (delay time) and FREQ. (modulation speed).  
To set the value of the TEMPO parameter, you can either input the BPM (Beats Per  
Minute) in the numerical box, or repeatedly click the TAP TEMPO button at the  
desired tempo.  
If the MIDI CLK button is on, the TEMPO parameter value will synchronize to the  
MIDI timing clock being received from the MIDI port.  
M
NSOLO  
If “044 M.BAND DYNAor “045 M.BAND COMP” are selected as the effect type, these  
buttons allow you to monitor only the specified band from the three bands HIGH,  
MID, and LOW.  
N
OGR meter  
If “044 M.BAND DYNAor “045 M.BAND COMP” are selected as the effect type, this  
indicates the gain reduction amount for the H (HIGH), M (MID), and L (LOW) bands.  
O
P
Q
PPLAY/REC (Play/Record) buttons  
If “042 FREEZE” is selected as the effect type, you can use these buttons to record and play back the signal being  
input to the effect.  
QEffect parameters  
This area shows the effect parameters and knobs for the currently selected effect type.  
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EXTERNAL HA page  
A maximum of two head amp devices can be connected to the LS9-16, and a maximum of four can be  
NOTE  
connected to the LS9-32. #3 and #4 are displayed only if you’re editing offline and have selected LS9-32 in  
the Model Select field of the Mixer Setup window, or if you are editing online with the LS9-32 connected.  
1
2 3 4  
5
6
AExternal HA name  
This shows the model name and ID number of the currently connected external head amp device.  
BGAIN  
This specifies the gain for each channel. The current value is shown in the box below.  
C48V  
This switches the phantom power (+48V) on/off for each channel.  
DHPF (High Pass Filter)  
This switches the HPF on/off for each channel.  
E+48V MASTER  
If an AD8HR is connected, this indicates the on/off status of the master phantom power supply.  
FSlots/Channels  
Here you can select the slots/channels to which the audio outputs of the external head amp device are connected.  
NONE  
SLOT1 1-8  
SLOT1 9-16  
(*)  
SLOT2 1-8  
(*)  
SLOT2 9-16  
(*)  
SLOT2 is displayed only if you’re editing offline and have selected LS9-32 in the Model Select field of the Mixer Setup window, or if  
you are editing online with the LS9-32 connected.  
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Meter window  
This window shows the signal levels of each section in the LS9, letting you check for the presence of signals and  
whether an overload is occurring.  
This window is divided into INPUT METER, OUTPUT METER and Custom Fader Layer Meter; to switch pages,  
click the tabs located at the top of the window.  
In order to view the LS9’s signal levels in the Meter window, make sure that LS9 Editor and the LS9 itself  
are synchronized.  
NOTE  
INPUT METER page  
1
2
3
AMETERING POINT  
Select one of the following as the point where metering will occur.  
PRE HPF, PRE FADER, POST ON  
BPEAK HOLD  
Switches peak hold on/off.  
CMeters  
These peak level meters show the input level of each channel. The current fader value is shown in the box below.  
If clipping occurs at any one of the detection points in the channel, the segment will light.  
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OUTPUT METER page  
1
2
3
AMETERING POINT  
Select one of the following as the point where metering will occur.  
PRE EQ, PRE FADER, POST ON  
BPEAK HOLD  
This is the same as in the INPUT METER page.  
CMeters  
This is the same as in the INPUT METER page.  
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CUSTOM FADER LAYER METER page  
1
2
3
AMETERING POINT  
This selects the point at which the signal levels will be displayed. You can choose from the following metering  
points for input channels and for output channels.  
IN: PRE HPF, PRE FADER, POST ON  
OUT: PRE EQ, PRE FADER, POST ON  
BPEAK HOLD  
This is the same function as in the INPUT METER page.  
CMeters  
These are peak level meters that show the input level of each channel. The box below shows the current fader  
value, and the box below that shows the ID of the assigned channel.  
If clipping occurs at even one of the multiple detection points in each channel, the segment will light.  
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Group/Link window  
In this window you can select the channels that will be assigned to each mute group. This window is divided into two  
pages; the MUTE GROUP ASSIGN page and CHANNEL LINK page.  
MUTE GROUP ASSIGN page  
Here you can specify the channels that will be assigned to mute groups 1–8. The upper part of the screen lets you  
assign input channels to mute groups, and the lower part of the screen lets you assign output channels to mute  
groups.  
12  
3 4  
5
AMute group  
This area shows the mute group number.  
BMUTE MASTER  
These buttons enable/disable each input channel or output channel mute group.  
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CGrid  
This grid lets you assign channels (horizontal rows) to mute groups (vertical columns). Currently-patched grids  
are indicated by a symbol. To enable or disable an assignment, click the desired grid.  
DMUTE SAFE ON  
These buttons switch Mute Safe on/off for each channel. Channels for which this button is on will be excluded  
from mute groups.  
ECLEAR  
These buttons clear all input channels and output channels assigned to the corresponding mute group. When you  
click one of these buttons a window will appear, asking you to confirm the operation. To execute the Clear opera-  
tion, click the OK button.  
CHANNEL LINK page  
By linking two or more input channels, you can control the parameters of these channels simultaneously.  
1
2
3
4
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ALink buttons  
Here you can select the link group (A–Z, a–h) to which each input channel will be assigned. If you don’t want an  
(*)  
input channel to be linked, select NONE. You can assign up to 32 groups for INPUT CH 1–64, and up to two  
groups for ST IN CH.  
(*)  
During offline editing when LS9-16 is selected in the Model Select field of the Mixer Setup window, or during online editing with  
the LS9-16 connected, up to sixteen groups can be assigned for INPUT CH 1–32, and you’ll be able to choose from link groups A–R.  
BCLEAR ALL  
Clears the link settings for all channels.  
CLINK PARAMETER  
Here you can select the parameters that will be linked for operation.  
HA  
Head amp gain and phantom power settings  
Equalizer settings  
EQ  
DYNAMICS1  
DYNAMICS2  
MIX ON  
MIX SEND  
FADER  
CH ON  
Dynamics 1 settings  
Dynamics 2 settings  
MIX SEND on/off  
Send amount from input channel to MIX bus  
Fader level value  
Input channel module output on/off  
DSEND PARAMETER  
Specify the link status for each MIX SEND bus.  
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Scene window  
Here you can manage scene memories, and make various settings related to scene recall operations.  
This window is divided into SCENE MEMORY, RECALL SAFE, and FADE TIME pages. To switch pages, click the  
tabs shown in the upper part of the window.  
SCENE MEMORY page  
Here you can edit the LS9’s scene memories. You can also load scene library files from a USB storage device or from a  
drive of your computer, and edit them. In this case, you can re-save all scenes to a file after editing, recall just a  
desired scene, or copy a desired scene to the scene memory of the LS9 itself.  
1
2 3 4 5  
AFile name  
Indicates the file name of the currently-open  
scene library.  
BOPEN (Open a file)  
Opens a scene library file located on a drive of  
your computer.  
CCLOSE (Close a file)  
Closes the currently-open scene library file.  
DSAVE  
Saves the currently-open scene library file on a  
drive of your computer.  
6
ESAVE AS (Save as a different  
name)  
Saves the currently-open scene library file under  
a different name on a drive of your computer.  
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FFILE  
This area lists the scenes in the file you opened using the OPEN button (2). The list includes the following items.  
To view items that are not currently shown, scroll the list to the right.  
HINT  
7
8
9
J
K
L
M
GNo.  
This is the scene number.  
HTITLE  
This is the scene title. You can also double-click this area and edit the title.  
IPROTECT  
This indicates whether protect is on or off for each scene. This area displays a lock icon for protected scenes; these  
scenes cannot be overwritten, nor their title edited. Read-only scenes are indicated by “R” displayed in this col-  
umn.  
JCOMMENT  
This column shows the comment assigned to each scene. You can also double-click this column and edit the com-  
ment.  
KFOCUS  
From the following list, choose the parameters that will be recalled by a Scene Recall. If you select ALL, the other  
buttons will be unavailable. Multiple selections are allowed for buttons other than ALL.  
ALL  
All the settings of the scene will be recalled  
GEQ and internal effect settings will be recalled  
Internal head amp and external head amp settings will be recalled  
Input patch settings will be recalled  
RACK  
HA  
IN PATCH  
OUT PATCH  
Output patch settings will be recalled  
Input channels (INPUT, ST IN, DCA) settings will be recalled except for head  
amp settings  
IN  
OUT  
Output channel (MIX, MATRIX, STEREO/MONO) settings will be recalled  
Send settings to the output channels will be recalled  
(*)  
WITH SEND  
(*)  
Can be selected only if OUT is selected  
LTIME STAMP  
Indicates the time at which the scene was last stored, in the format of month/day/year/hours/minutes/seconds.  
This column is only for display, and cannot be edited.  
MFADING  
This switches the Fade function on/off for each scene.  
For more about Fade function settings, refer to the FADE TIME page.  
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N
O
P
Q
R
S
NINTERNAL DATA  
This area shows the LS9’s scene memory contents. The items displayed are the same as in the FILE list (6).  
As desired, you can copy single or multiple scenes between the FILE list and the INTERNAL DATA list, and copy  
or move them to a different location within a list.  
OSTORE  
Stores the current settings to the scene that is selected in the list.  
PRECALL  
Recalls the settings of the scene selected in the list.  
QCLEAR  
Clears the scene(s) selected in the list. (the title of the cleared scene will revert to a blank)  
RUNDO  
Cancels the last-performed scene recall, store, copy, or move operation.  
SPROTECT  
Turns on the Protect setting for the scene(s) selected in the list.  
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RECALL SAFE page  
Here you can make settings for the Recall Safe function that excludes only specific channels from recall operations of  
all scenes.  
AINPUT SAFE PARAMETERS  
1
2
3
In this area you can view and edit the Recall Safe settings for all  
input channels and ST IN CH. This area contains the following  
items.  
BSAFE ON/OFF  
These are on/off buttons that select the channels to be excluded  
from recall operations.  
CParameter matrix grid  
Here you can select the parameters to be excluded from recall oper-  
ations. If the ALL button is on, all parameters will be excluded.  
DSET ALL  
These buttons turn on all buttons for all input channels or ST IN  
CH, or for the corresponding parameter.  
ECLEAR ALL  
These buttons turn off all buttons for all input channels or ST IN  
CH, or for the corresponding parameter.  
5 4  
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6
7
8
9
J
K
L
M
N
FOUTPUT SAFE PARAMETERS  
In this area you can view and edit the Recall Safe settings for all output channels. The items in this area are the  
same as in the Input Safe Parameters area (1).  
GGLOBAL RECALL SAFE  
In this area you can view and edit the Recall Safe settings for patching, and racks.  
HINPUT PATCH  
This on/off button specifies whether INPUT PATCH settings will be excluded from recall operations.  
IINPUT NAME  
This on/off button specifies whether the channel names of input channels will be excluded from recall operations.  
JOUTPUT NAME  
This on/off button specifies whether the channel names of output channels will be excluded from recall opera-  
tions.  
KOUTPUT PATCH  
This on/off button specifies whether OUTPUT PATCH settings will be excluded from recall operations.  
LRACK  
This on/off button specifies whether RACK settings will be excluded from recall operations.  
MSET ALL  
This button switches on all buttons for parameters 8–12.  
NCLEAR ALL  
This button switches off all buttons for parameters 8–12.  
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FADE TIME page  
1
2
3
Here you can make settings for the Fade Time function which adjusts the time over which fader and pan will reach  
their new values when a scene is recalled. Since the Fade function settings are independent for each scene, you must  
recall the desired scene before you make these settings.  
AINPUT CHANNEL FADING ENABLE  
These on/off buttons select the input channels that will be excluded from recall operations.  
BSET ALL  
This button switches on the buttons of all input channels.  
CCLEAR ALL  
This button switches off the buttons of all input channels.  
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4
5
6
7
8
DOUTPUT CHANNEL FADING ENABLE  
These are on/off buttons that select the output channels that will be excluded from recall operations.  
ESET ALL  
This button switches on the buttons of all output channels.  
FCLEAR ALL  
This button switches off the buttons of all output channels.  
GFADING ENABLE  
This button enables/disables the Fade function for the faders of the current scene.  
HFADE TIME  
Drag this knob in the screen to adjust the fade time. The current value is shown in the numerical box immediately  
below.  
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Custom Fader Layer Setup window  
The Custom Fader Layer allows you to freely combine the LS9’s internal channels in a custom layer for each user  
level. The Custom Fader Layer Setup window lets you edit these Custom Fader Layer settings.  
CH 17–32 and ST IN 3/4 are displayed only if you’re editing offline and have selected LS9-32 in the Model  
Select field of the Mixer Setup window, or if you are editing online with the LS9-32 connected.  
NOTE  
Current User  
This shows the name of the current user of the LS9 console. In the initial state in which the Editor has never been  
synchronized with the LS9 console, this will be Administrator. In LS9 Editor, operations can always be performed  
with Administrator privileges, and the Administrator's settings will always be saved in the user authentication key.  
Edit User Select  
Select the user level that will be displayed and edited in the Custom Fader Layer Setup window.  
In the initial state, you can select either Administrator or Guest.  
If the Editor is synchronized with an LS9 console that is authenticated with a user authentication key saved on a USB  
storage device, then you can select either Administrator, Guest, or Ext.User.  
The Overview window shows the settings of the current user.  
NOTE  
NOTE  
Only the settings for Administrator and Guest are saved in the session file.  
Channel ID  
Here you can select the channels that will be assigned to the channel strip of the Custom Fader Layer.  
CLEAR ALL  
This returns the settings to an initialized state in which nothing has been assigned.  
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User Defined Keys Setup window  
INPUT CH 33–64 are displayed only if you’re editing offline and have selected LS9-32 in the Model Select  
field of the Mixer Setup window, or if you are editing online with the LS9-32 connected.  
NOTE  
Current User  
This shows the name of the current user of the LS9 console. In the initial state in which the Editor has never been  
synchronized with the LS9 console, this will be Administrator. In LS9 Editor, operations can always be performed  
with Administrator privileges, and the Administrator's settings will always be saved in the user authentication key.  
Edit User Select  
Select the user level that will be displayed and edited in the User Defined Keys Setup window.  
In the initial state, you can select either Administrator or Guest.  
If the Editor is synchronized with an LS9 console that is authenticated with a user authentication key saved on a USB  
storage device, then you can select either Administrator, Guest, or Ext.User.  
Only the settings for Administrator and Guest are saved in the session file.  
NOTE  
Function name  
Here you can select the function or parameters that will be assigned to each user-defined key.  
When you click the button, the Parameter List dialog box will appear.  
For details on the parameters you can assign, refer to the “LS9-16/32 Owner’s Manual.”  
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Keyboard Shortcuts  
Key operation  
Windows  
Menu  
Action  
Mac  
Creates a new Session  
Ctrl+N  
+N  
+O  
+S  
+Z  
File menu  
Opens a previously saved Session  
Saves the current Session  
Undo  
Ctrl+O  
Ctrl+S  
Ctrl+Z  
Edit menu  
Redo  
Ctrl+Y  
+Y  
+W  
Closes the active window  
Closes all windows  
Ctrl+W  
Ctrl+Alt+W  
Ctrl+T  
+Option+W  
+T  
Tiles all windows  
Cascades all windows  
Ctrl+Alt+T  
Ctrl+1  
+Option+T  
+1  
Opens the Master window  
Opens the INPUT CH (CH1-16) window  
Opens the INPUT CH (CH17-32) window  
Opens the INPUT CH (CH33-48) window  
Opens the INPUT CH (CH49-64) window  
Opens the ST IN window  
Ctrl+Alt+1  
Ctrl+Alt+2  
Ctrl+Alt+3  
Ctrl+Alt+4  
Ctrl+Alt+5  
Ctrl+Alt+6  
Ctrl+Alt+7  
Ctrl+Alt+8  
Ctrl+3  
+Option+1  
+Option+2  
+Option+3  
+Option+4  
+Option+5  
+Option+6  
+Option+7  
(*)  
(*)  
Windows menu  
Opens the MIX window  
Opens the MATRIX window  
Opens the STEREO/MONO window  
Opens the Selected Channel window  
Opens the Library window  
Opens the Patch Editor window  
Opens the Rack window  
(**)  
+Option+8  
+3  
+4  
Ctrl+4  
Ctrl+5  
+5  
Ctrl+6  
+6  
Opens the Meter window  
Ctrl+7  
+7  
Opens the Group/Link window  
Opens the Scene window  
Opens the Re-Synchronize window  
Ctrl+8  
+8  
Ctrl+9  
+9  
Synchronization menu  
Ctrl+0  
+0  
Selects consecutive multiple items (memories)  
Selects non-consecutive multiple items (memories)  
Selects all memories in a section  
Shift+click  
Ctrl+click  
Ctrl+A  
Shift+click  
+click  
+A  
Library window or  
SCENE MEMORY page  
of the Scene window  
(*)  
Displayed only if you’re editing off-line with LS9-32 selected for Model Select in the Mixer Setup screen, or if you’re editing on-line  
with the LS9-32 connected.  
(**) Modify or cancel the shortcut assignment for the Universal Access Zoom function, or use the number key <8>.  
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Appendix  
REV-X HALL/REV-X ROOM/REV-X PLATE  
Part Names and Functions  
1
2
3
4
5
6
7
8
9
J
K
L
9
J
O
K
8
M
7
N
N
N
L
4
3
6
P
5
Q
RS  
T
U
AEFFECT NAME  
The effects name appears here.  
B[OPEN/CLOSE]  
Click here to open or close the parameter window.  
C[Reverb Time]  
Duration of time until the reverberation attenuates and stops. Higher values extend the reverberation.  
Drag the icon to change the value.  
The range is from 0.3s through 30.0s. However, the range varies depending on the Room Size setting.  
NOTE  
D[Initial Delay]  
Duration of time between sound input and the start of reverberation. Higher values delay the start of reverbera-  
tion.  
Drag the icon to change the value.  
The range is from 0.0ms through 125.0ms.  
NOTE  
E[Decay]  
Shape of reverberation envelope. Reverberation characteristics are determined by the value.  
Drag the icon to change the value.  
The range is from 0 through 53.  
NOTE  
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2
3
4
5
6
7
8
9
J
K
L
F[Room Size]  
Size of space. Higher values simulate larger spaces.  
This value is linked with the Reverb Time value. When you change this value, the Reverb Time value changes.  
Drag the icon to change the value.  
The range is from 0 through 28.  
NOTE  
G[Diffusion]  
Density and spread of reverberation. Higher values increase the density and enhance the spread.  
Drag the icon to change the value.  
The range is from 0 through 10.  
NOTE  
H[HPF]  
This filter cuts the low frequency range of the reverberation. The range below the frequency specified by this value  
is cut. This filter does not affect the original source sound.  
Drag the icon to change the value.  
The range is Thru to 8.00kHz.  
NOTE  
I[LPF]  
This filter cuts the high frequency range of the reverberation. The range above the frequency specified by this  
value is cut. This filter does not affect the original source sound.  
Drag the icon to change the value.  
The range is 1.00kHz to Thru.  
NOTE  
J[Hi Ratio]  
Length of reverberation in the high frequency range. The reverberation duration of the high frequency range is  
expressed as a ratio relative to Reverb Time.  
Drag the icon to change the value.  
The range is from 0.1 through 1.0.  
NOTE  
K[Lo Ratio]  
Length of reverberation in the low frequency range. The reverberation duration of the low frequency range is  
expressed as a ratio relative to Reverb Time.  
Drag the icon to change the value.  
The range is from 0.1 through 1.4.  
NOTE  
L[Low Freq]  
Frequency value that serves as the basis for the Lo Ratio value. The frequency band below this value is affected by  
the Lo Ratio parameter setting.  
Drag the icon to change the value.  
The range is from 22.0Hz through 18.0kHz.  
NOTE  
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J
O
K
8
M
7
N
N
N
L
MFilter Frequency Response Curve  
The curve changes depending on the HPF and LPF values.  
NReverberation images  
These images represent the high-range (10kHz), mid-range (1kHz), and low-range (100Hz) reverberation. These  
images change shape depending on the parameter values. The vertical axis represents the level; the horizontal axis  
represents reverb time; the shape represents the envelope.  
OReverb time curve  
This curve represents the high-range (10kHz), mid-range (1kHz), and low-range (100Hz) reverb time.  
The curve changes depending on the Reverb Time, Hi Ratio, and Lo Ratio parameter values.  
P
Q
R S  
P[Auto Zoom] button  
Click the button to automatically adjust the time axis (horizontal axis).  
QTime Axis Set button  
Use this button to specify the time duration (in seconds) as displayed by the time axis (horizontal axis).  
R[ ] (Zoom Out) button  
Click this button to increase the time value (in seconds) as displayed by the time axis (horizontal axis).  
As a result, the display zooms out on the horizontal axis.  
S[ ] (Zoom In) button  
Click this button to decrease the time value (in seconds) as displayed by the time axis (horizontal axis).  
As a result, the display zooms in on the horizontal axis.  
6
T
T[OUTPUT] meter  
This indicates the output level of the effect.  
R S  
U
U[MIX] slider  
These controls enable you to adjust the mix balance of the dry and wet (effect) sounds.  
When the balance is 0%, only the dry sound is output. When the balance is 100%, only the wet sound is output.  
The range is from 0 through 100%.  
NOTE  
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Index  
B
L
S
Save as a different name ...........67  
Save under a different name ....45  
SCENE MEMORY page .................67  
RECALL SAFE page .................70  
SCENE MEMORY page ...........67  
Selected Channel window ..............26  
Channel selection .....................27  
FROM MIX, ST/MONO ..........41  
RECALL SAFE/MUTE SAFE ... 36  
STEREO/MONO channel ........43  
TO STEREO/MONO .........29, 38  
STEREO/MONO window .............22  
C
M
CHANNEL LINK page .................. 65  
CLEAR ALL .......48, 70, 71, 72, 73, 74  
CUSTOM FADER LAYER METER  
CUSTOM FADER LAYER  
INPUT METER page ............... 61  
OUTPUT METER page ........... 62  
MUTE GROUP ASSIGN page ...... 64  
Custom Fader Layer  
Custom Fader Layer window ........ 24  
Custom Fader Layer ST IN  
O
OUTPUT CHANNEL FADING  
D
DIRECT OUTPUT PATCH  
OUTPUT INSERT PATCH  
OUTPUT METER page ................ 62  
OUTPUT PATCH page ................ 49  
OUTPUT SAFE PARAMETERS .... 71  
E
EXTERNAL HA page .................... 60  
F
P
Patch Editor window ..................... 48  
DIRECT OUTPUT PATCH  
INPUT INSERT PATCH  
INPUT PATCH page ............... 48  
OUTPUT INSERT PATCH  
G
GLOBAL RECALL SAFE ............... 71  
CHANNEL LINK page ............ 65  
MUTE GROUP ASSIGN  
OUTPUT PATCH page ........... 49  
R
T
EXTERNAL HA page .............. 60  
GEQ/EFFECT page .................. 52  
Rack module editor —  
I
INPUT CHANNEL FADING  
U
User Defined Keys  
Effect window .............. 57  
Rack module editor —  
INPUT INSERT PATCH page ...... 49  
INPUT SAFE PARAMETERS ....... 70  
K
Keyboard Shortcuts ....................... 76  
C.S.G., Pro Audio Division  
© 2006-2011 Yamaha Corporation  
110IP-C0  
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