V R M -1 0
P r o f e s s io n a l V a lv e D J m ix e r
O W N E R ’S M A N U A L
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U
BOOTH
NOTE: To achieve the optimum sound performance and
The output value of the BOOTH is set at 0dBu. It can be lowest signal-to-noise ratio it is essential in the digital out-
adjusted via the control knob BOOTH (49)
put section to set the output impedance of the mixer to the
highest possible level (control 52) and if necessary to lower
NOTE : BOOTH output is not affected by any balance/pan the volume of the digital equipment connected to the
setting (50).
VRM10 receiving signal.
V
MASTER 2
The output MASTER 2 is identical to MASTER 1. It has an
output impedance of +6dBu, which can be adjusted by the
MASTER 2 control.
W
DIGITAL OUTPUT
The digital output of the VRM10 is equipped in the S/P DIF
standard. The signal path is switched parallel with MASTER
2 and can be controlled via the MASTER 2 (52) knob.
CONTROL INTERFACE (Front Panel)
1
2
Power On/Off
LED Power
LED will light up right away. The valves in the signal path of
the VRM10 will light up fully after a warm up period of 1-2
After pressing the VRM10’s power switch, the blue power minutes.
2
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MICROPHONE CHANNEL
the level for the preamplification of the microphones.
3
4
DJ MIC 2
DJ MIC 1
9
10
TREBLE
MIDDLE
BASS
Both mic inputs can be used as symmetrical or non- sym- 11
metrical (balanced or non-balanced) channels with either The 3 band EQ adjusts the equalization level for both
XLR or 1/4” jacks, with the provided combo connectors
microphone inputs.
THE XLR jack are set as follows:
12 VOLUME
1
2
3
GND
+SIGNAL
-SIGNAL
The volume control adjusts the equalization level for both
microphone inputs.
The Microphone channel is routed directly to the MASTER
section in the output (please also see block diagram).
This means:
- The microphone channel will not be influenced by the
external effect send
THE 1/4” Jacks are set as follows:
TIP
+SIGNAL
-SIGNAL
GND
RING
SHAFT
- The microphone channel can not be heard through
headphones
- The microphone channel will not be shown through the
indicator tubes in the master section
5
6
7
8
GAIN 2
CLIP LED for MIC 2
GAIN 1
CLIP LED for MIC 1
NOTE : The signal and clip led’s will be affected by the
With the GAIN controls for both MIC channels you can set microphone channel.
14
EFFECT LEVEL
16
SPEED
This controls the volume of the effect signal
With this control you can adjust the frequency of the LFO
(0.1-20 Hz). The LFO will affect all effects, depending on the
setting of the DEPTH control.
15 FEEDBACK
With this control you can set the feedback of your selected
effect. This function only works with the CHORUS/ 17
FLANGE and STEREO DELAY effects.
FACTOR
With this control you can adjust the Time factor of each
3
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effect individually. The middle position of this control will 27
BASS
have the value of the individual selected effect preset indi- 28
MIDDLE
MID FREQ
cated in the diagram above.
29
With the EQ you can set the level of each frequency.
Furthermore the EQ can be used to isolate certain frequen-
cies. This is very easy and effective with the high quality
and very strong filter-type parametric EQ on your VRM10.
18
DEPTH
With this control you can adjust the intensity of the LFO
19
SELECT
With this switch you can choose the channel on which the NOTE : As the VRM-10’s EQ is so powerful, you may have
effect should work. The following 6 positions are available: to carefully adjust the GAIN (23) while using the EQ (26-29)
MIC
CH1
CH2
CH3
CH4
MA
Microphone channel
PGM1
PGM2
PGM3
PGM4
30
CHANNEL FADER
With the fader you can set the volume of the input channel
Master section
20
ON / OFF / FLASH
With this switch you can turn the effect on or off. In the
FLASH position you can temporarily trigger the effect.
INPUT CHANNELS 1-4
Input channels 1-4 are identical. Therefore we will only
describe PGM1:
31
PFL
In the headphones you will hear the signal of the master
output if none of these buttons are activated: PFL (31),
EFFECT (57) and FILTER (56). If you press any PFL switch
you will here the selected audio signal before the master
output signal.
21
SELECT
With this switch you can select one of the three inputs:
TT
L1
L2
PHONO
LINE 1
LINE 2
(M)
(I)
(H)
NOTE : It is possible to select more than one channel with
the PFL option.
22
CROSSFADER
This switch will select to which side of the crossfader the CROSSFADER
the signal of the selected channel should be routed. The
blue LED’s to the left and right of the crossfader will indi- 32
Crossfader
cate the chosen selection:
With the crossfader you can control and mix the various
audio channels. You must have selected which channel
A
The signal comes through the left side of the cross runs through the crossfader, though. This selection can be
fader
POST The signal bypasses the crossfader
made with the CROSSFADE switch (22).
B
The signal comes through the right side of the
crossfader
23
24
GAIN
LED Clip
With this control you can set the volume of the incoming
signal of your selected input (SELECT 21). When setting
this control in the right position, the CLIP-LED will only light
up occasionally during really loud peaks of audio signals.
33/34 TRIGGER
25
AUX
With both these buttons you can punch-in the audio signal
With this control you can set the volume and intensity of the on whichever side of the crossfader you would like to hear
auxiliary output.
it, no matter in which position the crossfader is. By press-
ing both buttons you will hear both audio signals on either
side of the crossfader.
26 TREBLE
4
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35/36 CROSSFADE LED’s
45
TUBE INDICATOR (MAGIC EYES)
The LED’s located left and right of the crossfader indicate, Both indicator tubes for the left and the right channel will
which input channel lies on which side of the crossfader indicate the output volume of the mixer, except the
according to the crossfader assign switch (22).
MIC channels. When the tube lines meet in the middle you
have the ideal output peak. Additionally, the maximum peak
will be indicated by the master clip LED’s (46).
37 CROSSFADE CURVE
With this control you adjust the crossfade curve. When the
knob is set completely to the left, the crossfader curve is 46
SIGNAL/ CLIP LED’s
set to a sharp on/off cut on both sides. If the knob is set The green LED’s will indicate a well balanced output signal.
completely to the right, the crossfader will fade smoothly To achieve the optimum peak level at maximum perform-
from side to side.
ance, the green LED’s should always light up, as soon as
any signal runs through your VRM10. The red LED’s will
indicate if the peak is too high. These red LED’s should only
peak occasionally within high volume passages from the
DJ FILTER
The DJ Filter consists of two 24dB/Octave analog filters, audio source fed through the mixer. If this is not possible
which can be combined by setting the FILTER SELECT you may need to adjust the volume within the individual
switch (38).
channel faders.
38
FILTER SELECT
47 SEND
These positions are available:
With this you control the SEND volume of the external
effect path (max level is set at 0dBu).
BAND
OFF
The filter works as bandpass
The filter is switched off
48
RETURN
NOTCH
The filter works as a notch filter
With this you control the volume of the external effect sig-
nal returned to the mixer.
39
CUT OFF HIGH
In the BAND position, this is used as a lowpass frequency NOTE : When the internal effect (19) is turned on and set to
control. In the NOTCH position, it works as a highpass MASTER (20), the external effect will be automatically
frequency control.
switched off.
40
This creates a gradual increase of up to 6dB of resonance With this you control the volume of the BOOTH output (max
of the CUTOFF frequency is as it turned to the right. level is set at 0dBu).
50 BALANCE
With this knob you can control the balance (pan) for the
RESONANCE HIGH
49 BOOTH
41
CUT OFF LOW
In the BAND position, this will act as highpass frequency MASTER outputs.
control. In the NOTCH position, it will act as lowpass
frequency control.
51
MASTER 1
With this knob you can control the MASTER 1 output vol-
ume [max level is set at 0dBu, or +6dBu according to the
42 RESONANCE LOW
This creates a gradual increase of up to 6dB of resonance attenuation switch located on the back panel (R)]
of the CUTOFF frequency is as it turned to the right.
52
MASTER 2
43
FLASH
With this knob you can control the MASTER 2 output vol-
The Flash function temporarily disables the filter while the ume (max level is set at +6dBu)
button is pressed.
MONITOR
NOTE : In BAND mode it may be possible to eliminate the
output signal totally if the controls are used heavily. The fre- 53
MONITOR
quency controls (39 and 41) act as high torque kill switch- With this knob you can control the volume of the
es.
headphones
MASTER SECTION
54
55
HEADPHONE JACK 3,5mm / 1/8”
HEADPHONE JACK 6,3mm / 1/4”
44
TUBE
Both jacks are switched parallel. You can connect two pairs
of phones at the same time with an impedance of 30-400
This switch turns the tube-preamplifier on or off.
5
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Ohm. You will hear the master signal in your headphones if (off), the master signal is set to post-filter.
you haven’t selected any of these options: PFL (31),
EFFECT (57) and FILTER (56).
57
EFFECT
By pressing the EFFECT switch you can pre-listen to the
internal effect signal.
56
FILTER
When the FILTER switch (56) is selected, you will hear the
mixed master signal before the activated DJ filter or NOTE : The PFL and EFFECT monitor switches must be off
master effect. When the FILTER switch is in its up position monitor the filter from the headphone output.
TECHNICAL CHARACTERISTICS
Mic Inputs
Sensitivity
Impedance
S/N Ratio
THD+Noise
EQ High
(Mic1 + Mic2)
-46dBu
10kOhm
>80dB
<0,1%
+/-15dB, 10kHz
+/-15dB, 1,1kHz
+/-15dB, 50Hz
Internal Effects
Frequency Range
THD+Noise
S/N Ratio
20Hz-15kHz
0,025%
86db
8 x Reverberation
4 x Delay
4 x Flanging
Effects
EQ Mic
EQ Low
Filter
Input 1-4
Mode
Band/Notch
Sensitivity
-20dBu (Line1+2)
-60dBu (Phono/RIAA-Filter)
100kOhm (Line1+2)
50kOhm (Phono)
>85dB
Frequency Range
Resonance
50Hz-15kHz, 24dB/Octave
+6dB
Impedance
Headphones
Impedance
Frequency Range
S/N Ratio
THD+Noise
EQ High
30-200Ohms
20Hz-20kHz
<0,1%
+/-15dB
EQ Low
+/-15dB
Mains
Parametric EQ
AUX-Level
+/-25dB (100Hz-10kHz)
0dBu
Power Consumption
Voltage Selector/Fuse
50VA
230V/500mA
115V/1A
100V/1A
Master
Effect-Loop
Booth
Master1
Master2
0dBu
0dBu
0/+6dBu switchable
+6dBu
Dimensions
Front
Chassis
Weight
483mmx355mm (19"x8)
436mmx352mmx100mm
approximately 10kg
WARRANTY
This unit has been designed and manufactured using qual- • Faders, specified durability: 15,000 cycles
ity components. Therefore, it is warranted to be free from • Rotary potentiometers, specified durability: 10,000 cycles
defects in materials (limited as specified below), and work- • Switches, specified durability: 10,000 cycles
manship for a period of twelve (12) months from the origi-
Consequently, the parts listed above are warranted to be
nal purchase date. During this period, all service and parts
free from defects in materials and workmanship for a peri-
necessary to repair a defect will be free of charge. This lim-
od of thirty days (30) days from the original purchase date.
ited warranty applies to mechanical parts which are subject
to wear and tear as specified:
FOR THE WARRANTY TO BE VALID, PLEASE COMPLETE THE
ONLINE WARRANTY REGISTRATION FORM FOUND AT
WWW.STANTONMAGNETICS.COM
Stanton Magnetics, LLC, 2821 Evans Street • Hollywood, FL 33020 (954) 929-8999 Fax: (954) 929-0333
© 2000, Stanton Magnetics, LLC
6
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