HD DIGITAL VIDEOCASSETTE RECORDER
HDW-2000
HDW-M2000
HDW-M2000P
[English]
OPERATION MANUAL
1st Edition (Revised 5)
Serial No. 16001 and Higher (HDW-2000/M2000)
Serial No. 46001 and Higher (HDW-M2000P)
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WARNING: THIS WARNING IS APPLICABLE FOR
OTHER COUNTRIES.
Pour les clients européens
Ce produit portant la marque CE est conforme à la fois à la
Directive sur la compatibilité électromagnétique (EMC) (89/
336/CEE) et à la Directive sur les basses tensions (73/23/
CEE) émises par la Commission de la Communauté
européenne.
La conformité à ces directives implique la conformité aux
normes européennes suivantes:
• EN60950: Sécurité des produits
1.Use the approved Power Cord (3-core mains)/Appliance
Connector/Plug with earthing-contacts that conforms to
the safety regulations of each country if applicable.
2. Use the Power Cord (3-core mains lead)/Plug
conforming to the following ratings, which meets power
supply voltage of each country.
Rating: 10A or more
• EN55103-1: Interférences électromagnétiques (émission)
• EN55103-2: Sensibilité électromagnétique (immunité)
Ce produit est prévu pour être utilisé dans les
environnements électromagnétiques suivants:
E1 (résidentiel), E2 (commercial et industrie légère), E3
(urbain extérieur) et E4 (environnement EMC contrôlé ex.
studio de télévision).
AVERTISSEMENT: CET AVERTISSEMENT EST
VALABLE POUR LES AUTRES
PAYS.
1.Utilisez le cordon (conducteur 3 âmes)/connecteur
d’appareil et la fiche d’alimentation avec prise de terre,
approuvés et conformes à la réglementation relative à la
sécurité, adoptée par chaque pays.
2.Utilisez le cordon (conducteur 3 âmes) et la fiche
d’alimentation correspondant aux caractéristiques
suivantes, en fonction de la tension d’alimentation
secteur de chaque pays.
Für Kunden in Europa
Dieses Produkt besitzt die CE-Kennzeichnung und erfüllt
die EMV-Direktive (89/336/EMG) der EG-Kommission als
auch die Direktive Niederspannung (73/23/EMG).
Angewandte Normen:
• EN60950: Produktsicherheit
• EN55103-1: Elektromagnetische Verträglichkeit
(Störaussendung)
Ampérage: 10A ou plus
• EN55103-2: Elektromagnetische Verträglichkeit
(Störfestigkeit)
WARNUNG: Die folgenden Warnungsangaben gelten
für das Modell für andere Länder.
für die folgenden elektromagnetischen Umgebungen:
E1 (Wohnbereich), E2 (kommerzieller und in beschränktem
maße industrieller Bereich), E3 (Stadtbereich im Freien)
und E4 (kontrollierter EMV-Bereich, z.B. Fernsehstudio).
1.Das Nezkabel (dreiadrig)/der Gerätestecker/der
Netzstecker muß einen Erdungskontakt besitzen und
den Sicherheitsbestimmungen lhres Landes genügen.
2.Das Netzkabel (dreiadrig) muß je nach der
Netzspannung lhres Landes für folgende Spannungen
und Ströme ausgelegt sein.
Stromstärke 10A oder mehr
For the customers in Europe
This product with the CE marking complies with both the
EMC Directive (89/336/EEC) and the Low Voltage Directive
(73/23/EEC) issued by the Commission of the European
Community.
Compliance with these directives implies conformity to the
following European standards:
• EN60950: Product Safety
• EN55103-1: Electromagnetic Interference (Emission)
• EN55103-2: Electromagnetic Susceptibility (Immunity)
This product is intended for use in the following
Electromagnetic Environment(s):
E1 (residential), E2 (commercial and light industrial), E3
(urban outdoors) and E4 (controlled EMC environment, ex.
TV studio).
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Table of Contents
1-1 Features ........................................................................................... 1-1
1-2 Example System Configuration .................................................... 1-4
Chapter 1 Overview
2-1 Control Panels ................................................................................ 2-1
2-1-1 Upper Control Panel .............................................................. 2-2
2-1-2 Lower Control Panel.............................................................. 2-3
2-1-3 Switch Panel ........................................................................ 2-14
2-2 Connector Panel ........................................................................... 2-15
Chapter 2 Location and
Function of Parts
3-1 Connections to External Devices................................................... 3-1
3-1-1 Connections to Digital Devices ............................................. 3-1
3-2 Reference Sync Signals .................................................................. 3-2
3-2-1 Selecting Reference Signal Depending on
Chapter 3 Preparations
Operational Status .................................................................. 3-2
3-2-2 Connecting Reference Signals ............................................... 3-3
3-3 Setup ................................................................................................ 3-5
3-4 Superimposed Character Information ......................................... 3-6
3-5 Cassettes .......................................................................................... 3-8
3-5-1 Cassette Types........................................................................ 3-8
3-5-2 Inserting and Ejecting Cassettes ............................................ 3-8
3-5-3 Preventing Accidental Erasure of Recordings ....................... 3-9
3-6 Using a Memory Stick.................................................................. 3-10
3-6-1 Notes on Memory Stick ....................................................... 3-10
4-1 Recording ........................................................................................ 4-1
4-1-1 Preparations for Recording .................................................... 4-1
4-1-2 Recording Time Code and User Bit Values ........................... 4-2
4-1-3 Recording Procedure ............................................................. 4-4
4-2 Playback .......................................................................................... 4-5
4-2-1 Preparations for Playback ...................................................... 4-5
4-2-2 Playback Procedures .............................................................. 4-6
4-2-3 Dynamic Motion Control (DMC) Playback ........................ 4-10
Chapter 4 Recording and
Playback
5-1 Automatic Editing .......................................................................... 5-1
5-1-1 Overview ............................................................................... 5-1
5-1-2 Switch and Menu Settings ..................................................... 5-2
5-1-3 Selecting the Editing Mode ................................................... 5-3
5-1-4 Setting Edit Points ................................................................. 5-3
5-1-5 Modifying and Deleting Edit Points ...................................... 5-6
5-1-6 Cue-up to Edit Points and Preroll .......................................... 5-7
5-1-7 Preview .................................................................................. 5-7
5-1-8 Carrying Out Automatic Editing............................................ 5-8
5-2 DMC Editing................................................................................. 5-11
5-2-1 Overview of DMC Editing .................................................. 5-11
5-2-2 Carrying Out DMC Editing ................................................. 5-12
5-3 Special Automatic Editing Methods ........................................... 5-13
5-3-1 Quick Editing....................................................................... 5-13
5-3-2 Continuous Editing .............................................................. 5-13
5-3-3 Standalone Editing............................................................... 5-14
5-3-4 Manual Editing .................................................................... 5-14
5-3-5 Preread Editing .................................................................... 5-14
Chapter 5 Editing
Table of Contents
1
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Table of Contents
6-1 Overview ......................................................................................... 6-1
6-2 Shot Mark Operation Menu.......................................................... 6-2
6-3 Shot Mark Operations ................................................................... 6-3
6-3-1 Reading Shot Marks .............................................................. 6-3
6-3-2 Writing Shot Marks................................................................ 6-3
6-3-3 Shot Mark List Operations .................................................... 6-4
6-3-4 Cuing Up to Shot Marks ........................................................ 6-6
6-3-5 Reading In Shot Data............................................................. 6-7
6-3-6 Sorting Shot Marks ................................................................ 6-8
Chapter 6 Shot Mark
Function
7-1 Overview of Tele-File Functions ................................................... 7-1
7-2 Opening the Tele-File Menu .......................................................... 7-2
7-3 Tele-File Menu ................................................................................ 7-3
7-3-1 Clip Data Display .................................................................. 7-3
7-3-2 Preroll and Cue Up Using Clip Data ..................................... 7-6
7-3-3 Modifying Clip Data.............................................................. 7-7
7-3-4 Undo/Resume Functions...................................................... 7-10
7-3-5 Displaying and Modifying Attribute Data ........................... 7-11
Chapter 7 Tele-File
8-1 Overview of UMID Functions ....................................................... 8-1
8-2 Recording UMIDs .......................................................................... 8-2
8-3 UMID Output and Display ............................................................ 8-4
8-3-1 UMID Output Settings........................................................... 8-4
8-3-2 UMID Display ....................................................................... 8-4
Chapter 8 UMID
Functions
9-1 Overview ......................................................................................... 9-1
9-1-1 Function Menu Configuration ............................................... 9-1
9-1-2 Using the Function Menu ...................................................... 9-2
9-2 Function Menu Item List ............................................................... 9-3
Chapter 9 Function Menu
Chapter 10 Setup Menus
10-1 Setup Menu Configuration ........................................................ 10-1
10-2 Setup Menu Operations ............................................................. 10-2
10-3 Items in the Basic Setup Menu.................................................. 10-7
10-4 Items in the Extended Setup Menu......................................... 10-10
11-1 Removing a Cassette When Tape Slack Occurs....................... 11-1
11-2 Head Cleaning............................................................................. 11-1
11-3 Error Messages ........................................................................... 11-2
11-4 Moisture Condensation .............................................................. 11-4
11-5 Regular Checks........................................................................... 11-5
11-5-1 Digital Hours Meter ........................................................... 11-5
11-5-2 Maintenance Timings ........................................................ 11-6
Chapter 11 Maintenance
and Inspection
Specifications......................................................................................... A-1
Index ....................................................................................................... I-1
Appendix
2
Table of Contents
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1-1 Features
The HDW-2000/M2000/M2000P is a high-definition
(HD) digital videocassette recorder based on the
HDCAM format.
High-precision digital signal processing
and range of interfaces
This unit uses large scale integrated circuits for signal
processing, and has a simple internal construction,
allowing it to provide functionality at least equivalent
to a conventional VTR in a compact (4U size),
lightweight, and low power consumption design.
In addition to HDCAM format recording and
playback, the HDW-M2000/M2000P can also play
back tapes recorded in the digital Betacam, MPEG
IMX, Betacam SX, and analog Betacam formats.
The digital signal processing uses HD 4:2:2
component video signals complying with SMPTE
292M, which are converted into parallel data and then
compressed into HDCAM format.
The audio signals are based on AES/EBU format, and
are subjected to digital signal processing without being
compressed.
The unit is equipped with a high definition to standard
definition (HD to SD) downward converter, and has
the following interfaces as standard equipment, for
ease of connection to different external devices.
• SD analog composite signal output
• SD analog component signal output
• Analog audio signal input/output (4 channels)
• HDSDI SMPTE 292M input/output (HD digital
video/audio, 4 channels)
• SDI SMPTE 259M output (component digital video/
audio, 4 channels)
• AES/EBU serial digital audio input/output (4
channels)
HDCAM format
The HDCAM format uses the same 12.65-mm width
tape as the conventional Betacam series. It provides
high definition images, offering up to two hours of
recording. For video signal compression, prefiltration
and coefficient recording technologies are used.
CUE track
Direction of tape travel
Direction of head
• SDTI SMPTE 305M input/output (HDCAM video/
audio data) (Option)
• Time code input/output
motion
Video
Audio
Video
SATa)
• CUE audio input/output
High quality four-channel audio
High quality 20 bit/48 kHz AES/EBU digital audio is
supported. There are four digital audio input/output
channels, and four analog audio input/output channels.
Control (CTL) track
Time code track
a) Supplemental Automatic Tracking signal
Recording and playback of SDTI
compressed data (optional)
High-performance heads and compatibility
functions
This unit can be fitted with SDTI input/output
complying with SMPTE 305M, and can therefore be
used for transferring HDCAM data, audio data,
metadata, and so on to a VTR or nonlinear device via
an SDTI interface.
The newly developed high-performance heads and
dynamic tracking (DT) technology provide high-
density recording and playback in narrow tracks with
high reliability. In addition to HDCAM recording and
playback heads, the unit is equipped with Betacam SX
playback heads and analog Betacam DT heads, for
compatibility with existing recording formats. The
VTR automatically detects the recording format of
tapes when they are loaded, so that no menu settings
need to be made when changing formats.
Multifunction control panel
While built in a compact 4U size, this unit has a front
panel which provides a wide range of functions while
maintaining existing operability.
Chapter 1 Overview
1-1
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1-1 Features
Basic operation buttons and jog/shuttle
dial
DMC editing
This allows automatic editing with a varying playback
speed memorized beforehand for an edit segment.
The basic buttons and jog/shuttle dial for VTR and
editing operations are provided in the conventional
VTR layout, ensuring continuity with conventional
operating panels.
Split editing
In insert editing, this allows editing with the audio IN
and OUT points to be displaced from the video edit
points.
Time data display
This can be selected to display a CTL counter value,
time code value, or time code user bits. It can also
display edit points and edit durations.
Preread editing
This allows you to play back prerecorded video and
audio material, edit it by applying effects with an
external device, and then rerecord in real time on the
same tape.
Menu-based control interface
The time data/menu display shows not only various
values and settings, but also the pages of a menu
system for commonly used functions. You can use the
function keys and MULTI CONTROL knob to easily
change settings.
Other operation settings, including interfacing with
external devices, can be set from the control panel by
the same type of setup menu system as on a
conventional VTR.
Cross-fade editing
In audio editing, to avoid unnatural effects at edit
points, you can fade the audio track. You can select
cut-in, fade-in, fade-out, or cross-fade.
Downward converter function
High quality variable speed playback and
digital jog sound function
The unit has an HD-to-SD downward converter
function, and can output standard definition SDI,
analog component and analog composite signals even
while playing back an HDCAM format tape.
In HDCAM format playback, the dedicated playback
DT heads allow smooth, noiseless playback. During
Betacam SX playback, noiseless playback is achieved
through unique multihead playback technology.
In slow motion operation, the digital jog sound
function provides the same ease of operation as for a
conventional analog VTR.
Upward converter function (HDW-M2000/
M2000P only)
The HDW-M2000/M2000P features a standard
definition to high definition (SD-to-HD) upward
converter as standard equipment. This allows high-
quality HD signals to be output even when playing
back tapes recorded in formats other than HDCAM.
Wide range of editing functions
By combining two units, you can carry out both
assemble editing and insert editing automatically. All
of the necessary editing functions are provided to set
and amend edit points, to preview and review results of
editing, and so on.
Tele-File functions
Tele-File enables data writing/reading between
cassettes with memory labels and VTRs. It increases
the efficiency of operations such as recording,
playback and editing, and source data management.
1-2
Chapter 1 Overview
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Remote control function
This unit can be controlled from an external remote
controller or editor through an interface complying
with RS-422A (serial 9-pin). Since two remote control
connectors are provided, you can also control a
number of VTRs simultaneously.
Additionally, a parallel (50-pin) interface is also fitted
as standard, supporting easy external control through
the parallel interface.
Rack mounting
Using the optional RMM-131 Rack Mount Adaptor,
you can mount the unit in a standard EIA 19-inch rack.
For details of rack mounting, refer to the Installation
Manual.
Chapter 1 Overview
1-3
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1-2 Example System Configuration
The following conceptual diagram shows an example of use.
BVE-series editor
Tape control
SDTI (optional)
HDSDI
Audio/video
server system
Digital cassette
HDW-2000/M2000/M2000P
HDSDI/Analog
composite
HDSDI
SDTI (optional)
Video monitor
HD VTR
Analog composite/component
SDI
Analog audio
Audio monitor
SD VTR
1-4
Chapter 1 Overview
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2-1 Control Panels
There are three control panels, as follows:
• Upper control panel
• Lower control panel
• Switch panel
Z
Upper control panel (see page 2-2)
Lower control panel (see page 2-3)
59.94
VID. IN PB/EE CONFI CTL/TCMENU TCGSET
EE
SDI DISABL TC
CONTROL PANEL
Switch panel (access by opening the lower control panel) (see page 2-14)
KEY INHI
PANEL SEL
ON OFF
REAR FRONT
To open the lower control panel
To close the lower control panel
Push up the folding levers on both sides at the same
time allowing the lower control panel to close.
Push in the lower control panel unlock buttons to open
the lower control panel. You can fix the lower control
panel in any of five positions between vertical and
horizontal.
Note
When closing the lower control panel, be careful not to
catch your fingers in the panel.
Lower control panel unlock buttons
Chapter 2 Location and Function of Parts
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2-1
2-1 Control Panels
2-1-1 Upper Control Panel
1 POWER switch
2 REMOTE buttons and RS-232C indicator
3 EJECT button
4 Format indicators
Cassette compartment
BETACAM/SP BETACAM SX
EJECT
MPEG IMX
Digital BETACAM
HDCAM
REMOTE
POWER
PHONES
1(9P)
2(50P) RS-232C
Z
5 PHONES jack and control
1 POWER switch
4 Format indicators
Pressing the ‘ ) ’ side of the switch powers the unit on.
When the unit is powered on, the audio setting display
section (see page 2-4) and the time data/menu display
section (see page 2-7) light.
The indicator (BETACAM/SP, BETACAM SX,
MPEG IMX, Digital BETACAM, or HDCAM)
corresponding to the current recrding or playback
format lights. The BETACAM/SP lights when the
format is Betacam or Betacam SP.
2 REMOTE buttons and RS-232C indicator
Press the 1 (9P) button or 2 (50P) button to select the
device controlling this unit.
1(9P): This unit is controlled by the device connected
to the REMOTE 1-IN(9P) or REMOTE
1-OUT(9P) connector. The button lights when
pressed.
2(50P): This unit is controlled by the device
connected to the REMOTE 2 PARALLEL
I/O(50P) connector. The button lights when
pressed.
5 PHONES jack and control
Connect stereo headphones with an impedance of
8 ohms, to monitor the sound during recording,
playback and editing.
The control knob adjusts the volume.
It is possible to set an internal board switch so that the
output volume from the MONITOR OUTPUT L and R
connectors is controlled simultaneously.
For details, refer to the Installation Manual.
RS-232C indicator: This indicator lights when this
unit is controlled through the RS-232C connector.
3 EJECT button
To eject the cassette, press this button. While the
cassette is being ejected, this button lights.
When using the lower control panel as remote control
panel, press the DELETE button and STOP button at
the same time to eject the cassette.
Note
Ejecting with the EJECT button is a local operation. It
is not possible to eject a cassette in another unit by
remote control.
2-2
Chapter 2 Location and Function of Parts
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2-1-2 Lower Control Panel
4 Time data/menu display section (see page 2-7)
2 CHANNEL CONDITION
5 MULTI CONTROL knob and PUSH/
indicator (see page 2-6)
SHIFT indicator (see page 2-8)
1 Audio control section
6 RESET button (see page 2-8)
3 Menu control buttons
(see page 2-4)
(see page 2-6)
59.94
VID. IN PB/EE CONFI CTL/TCMENU TCGSET
SDI EE DISABL TC
7 Search control section (see page 2-8)
8 REC INHI indicator (see page 2-10)
9 Tape transport control section (see page 2-10)
qa ALARM indicator and KEY INHI
indicator (see page 2-12)
qs PLAYER button and RECORDER
q; Editing mode setting
button (see page 2-12)
section (see page 2-11)
59.94
VID. IN PB/EE CONFI CTL/TCMENU TCGSET
SDI DISABL TC
EE
qd Editing control section (see page 2-12)
qf Shot mark section (see page 2-13)
Chapter 2 Location and Function of Parts
2-3
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2-1 Control Panels
2 DISPLAY FULL/FINE button
1 Audio control section
Pressing this button toggles the display mode of the
level meters in the audio setting display section
between FULL and FINE.
FULL: The display covers the range –60 dB to 0 dB
or –40 dB to +20 dB as selected using setup menu
item 806. In this mode the segment of the display
corresponding to the current audio level and all
lower segments light.
1 Audio selection function selector buttons
2 DISPLAY FULL/FINE button
3 Audio setting display section
4 Audio monitor
signal selection
buttons
FINE: The display is enlarged, with a step of
0.25 dB. A segment indicating the reference level
lights. In this mode only the segment of the
display corresponding to the current audio level
lights. If the audio level exceeds the maximum
display level, the top segment flashes, and if the
audio level goes below the minimum display
level, the bottom segment flashes.
3 Audio setting display section
Input signal indicator
6 PB controls
HDSDI SDTI
DATA indicator
AES/EBU/ANA
DATA
5 REC controls
MIX 1 2 3 4
dB OVER dB
Input channel
indicator
MIX indicator
1 Audio selection function selector buttons
INPUT (input signal selection mode) button:
Pressing this button puts the unit into input signal
selection mode. In the audio setting display
section, indicators flash to indicate the currently
selected signal for each channel (HDSDI, SDTI,
AES/EBU, or ANA). In this state, you can use the
audio signal selection buttons to select the signal
to input to each channel.
20
0
-10
-20
OVER indicator
2
10
1
Level meter
0
-1
-10
-20
-2
-30
-40
-40
-60
L
EMPH
R
Monitor channel L
and R indicators
Pressing this button again takes the unit out of
input signal selection mode and puts it into
monitor signal selection mode.
EMPH indicator
MIXING (mixing setting mode) button: Pressing
this button puts the unit into mixing setting mode.
In the audio setting display section, the MIX
indicator flashes. In this state, you can use the
audio signal selection buttons to specify which
input channel signal will be recorded on which
audio track on the tape.
Input signal indicator: Indicates the currently
selected input signal (HDSDI, SDTI, AES/EBU,
or ANA for analog) for the corresponding audio
input channel.
MIX (mixing) indicator: Flashes when a mixing
setting operation is enabled for the corresponding
audio track. The indicator showing the number of
the selected input channel lights.
Pressing this button again takes the unit out of
mixing setting mode and puts it into monitor
signal selection mode.
For information about how to operate in input signal
selection mode, mixing setting mode, and monitor signal
selection mode, see the descriptions of the audio monitor
signal selection buttons 4 on page 2-5.
2-4
Chapter 2 Location and Function of Parts
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the MIX indicator for the corresponding track
flashes. The buttons in the upper row (EXT row)
select the input channel signals to record on the
corresponding track. By pressing two buttons at
the same time, you can specify that the signals of
two input channels be mixed for recording.
For example, if you want to record the mixed
signals of input channels 1 and 4 on track 3, press
the CH3 button in the lower row (REC row), and
then simultaneously press the CH1 and CH4
buttons in the upper row (EXT row). The settings
for signal mixing become valid when the MIXING
button is pressd.
DATA indicator: Lights when the audio output
signals are recognized as data with the unit in
recording,
E-E1), or playback mode.
OVER indicator: While the unit is in recording or
playback mode, this lights when the level of the
audio signal on the corresponding channel exceeds
the maximum level that can be indicated on the
level meter.
Level meter: Displays the audio signal level when
the unit is in recording or playback mode. You can
use the setup menu to switch the display mode
between PEAK.0 (0 dB is maximum level) and
REF.0 (0 dB is the reference level). You can also
use the DISPLAY FULL/FINE button 2 to
enlarge the display only near the reference level.
Input channel indicator: Indicates the input channel
from which audio signals are recorded on the
audio track. Two numbers light to indicate that
signals from the corresponding input channels are
mixed for recording.
Monitor channel L and R indicators: Indicate
whether or not the signals of the track are output
to the MONITOR OUTPUT L/R connectors and
PHONES jack. ‘L’ lights to indicate output to the
left monitor channel, and ‘R’ lights to indicate
output to the right monitor channel.
EMPH (emphasis) indicator: While the unit is in
recording or playback mode, this lights when the
emphasis setting is on for the audio signal on the
corresponding track.
Note
Before selecting signals from two input channels
for recording in one recorder channel, check to be
sure that the emphasis settings (ON or OFF) of the
two input channels are the same. Recording and
playback of mixed signals cannot be carried out
correctly if the emphasis settings are different.
The EMPH indicator in the audio setting display
section lights for channels with the emphasis
setting on.
Monitor signal selection mode (the input signal
indicator and the MIX indicator do not flash):
The buttons in the upper and lower rows select
tracks to be output to the MONITOR OUTPUT L
and R connectors on the connector panel or the
PHONES jack on the upper control panel. The
buttons in the upper row (L row) select tracks for
output to the MONITOR OUTPUT L connector,
and the buttons on the lower row (R row) select
tracks for output to the MONITOR OUTPUT R
connector. You can obtain the mixed output of
multiple tracks by simultaneously pressing
multiple buttons in the upper or lower rows. For
example, simultaneously press the CH1, CH2, and
CH3 buttons in the upper row to mix the signals of
audio tracks 1, 2, and 3 for output to the
4 Audio monitor signal selection buttons (CH1 to
CH4, and CUE)
The function of these buttons depends on the signal
selection mode set with the audio selection function
selector buttons (INPUT, MIXING) 1 as follows.
Input signal selection mode (the input signal
indicator flashes): The buttons in the upper row
select signals for each audio input channel.
When the CH1 to CH4 buttons are pressed, the
selected signal cycles between HDSDI t AES/
EBU t ANA(LOG) t HDSDI.
Mixing setting mode (the MIX indicator flashes):
The buttons in the lower row (REC row) select the
tracks (audio channels on the tape) to contain the
mixed signals. In the audio setting display section,
MONITOR OUTPUT L connector.
To monitor CH5 to CH8 in MPEG IMX playback,
press the CUE button to switch between CH1 to
CH4 and CH5 to CH8, and then select the desired
channels.
..........................................................................................................................................................................................................
but not through magnetic conversion circuits such as
heads and tapes. This can be used to check input signals
and for adjusting input signal levels.
1) E-E mode: Abbreviation of “Electric-to-Electric mode”.
In this mode, video and audio signals input to the VTR
are output after passing through internal electric circuits,
Chapter 2 Location and Function of Parts
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2-5
2-1 Control Panels
5 REC (recording) controls
These individually adjust the recording levels on
channels 1 to 4, and cue audio.
To set the recording level, put the unit into E-E mode,
press to protrude the control knobs and adjust the level
while watching the level meters.
When the control knobs are pushed in, the recording
levels return to the preset levels and cannot be
adjusted.
3 Menu control buttons
These buttons are used for function menu (see the
following section “Overview of the function menu”)
and setup menu (see Chapter 10) operations. The page
buttons (V, v, and HOME) select menu pages, and the
function buttons (F1 to F6) make function settings.
V: Selects the next page in the order HOME t 1 t
2 t 3 t 4 t HOME.
v: Selects the next page in the order HOME t 4 t
3 t 2 t 1 t HOME.
HOME: Selects the function menu HOME page.
When at least one user-defined function key is set
in the HOME2 page, pressing the HOME button
toggles the menu page display between HOME
and HOME2.
F1 to F6: Make settings for the items displayed in the
upper line of the menu display (the menu item
display line). Pressing one of these buttons
changes the setting for the corresponding item and
displays the setting in the lower line of the menu
display.
For details about selecting the E-E mode, see the
description of the REC button in the tape transport control
section (see page 2-10) and function menu HOME page (see
page 9-3).
6 PB (playback) controls
These adjust individually the playback levels on
channels 1 to 4, and cue audio.
During playback, press to protrude the control knobs
and adjust the level while monitoring the audio level
indication on the level meters in the audio setting
display section.
When the control knobs are pushed in, the playback
levels return to the preset levels, and cannot be
adjusted.
If there is no setting displayed in the lower line of
the menu display, even though a menu item is
displayed in the upper line, pressing the
corresponding function button moves to a lower
menu level.
2 CHANNEL CONDITION indicator
Overview of the function menu
A three-color indicator shows the state of the playback
signal.
The function menu provides convenient access to
frequently used function settings, such as input video
signal selection and time code settings.
Green: The state of the playback signal is good.
Yellow: The playback signal is somewhat
deteriorated, but playback is possible.
Red: The playback signal is deteriorated.
When this indicator remains on, head cleaning or
an internal inspection is necessary.
For details on the function menu, see Chapter 9.
2-6
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Time data type indicator
This indicates the type of data displayed in the time
data display area 1.
LTC (longitudinal time code): Time code recorded
on a longitudinal track on the tape
LUB: LTC user bit values
4 Time data/menu display section
1 Time data display
59.94
VITC (vertical interval time code): Time code
recorded in the vertical blanking interval
VIUB: VITC user bit value
1
VID. IN PB/EE CONFI CTL/TCMENU TCGSET
TC
EE
SDI
DISABL
2 Menu display
DF (drop-frame) indicator (for 59.94i, 29.97PsF
mode only)
1 Time data display
This displays indicators relating to time data and other
indicators.
This lights when values of drop-frame mode time code
are displayed.
LTC indicator
Time data display area 1
Regardless of the display in the time data display
area 1, this indicator lights when LTC values are being
read or recorded.
Time data type indicator
DF indicator
LTC indicator
VITC indicator
VITC indicator
Regardless of the display in time data display
area 1, this indicator lights when VITC values are
being read or recorded.
Capstan lock mode indicator
System frequency indicator
Tape format/line standard indicator
Capstan lock mode indicator
This indicates the capstan lock mode (2F or 4F) set in
function menu page 4 or in setup menu item 106.
CONFI (ON)/PREREAD
indicators
59.94
System frequency indicator
This indicator shows the current system frequency.
Speed indication
area
Time data display area 2
Tape format/line standard indicator
This shows information about the tape format and the
line standard conversion status.
Following are some examples and their meanings.
IMX 1080: Signals recorded in MPEG IMX format
are output after conversion to 1080 line standard
format signals.
Time data display area 1
Normally this displays a CTL count, time code value,
or user bit value according to the setting in function
menu HOME page for F4 (CTL/TC).
DB 1035: Signals recorded in digital Betacam format
are output after conversion to 1035 line standard
format signals.
1035t1080: HDCAM signals recorded in 1035 line
standard format are output after conversion to
1080 line standard signals.
HD 1080: HDCAM signals recorded in 1080 line
standard format are output with no change.
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2-7
2-1 Control Panels
CONFI (ON)/PREREAD indicators
2 Menu display
These indicate the state of the VTR CONFI playback1)
function. When the CONFI playback function is
enabled, the CONFI indicator appears, and when
CONFI playback is actually being carried out the ON
indicator also appears.
This displays the function menu and setup menu.
For details on the function menu, see Chapter 9 and for
details on the setup menu, see Chapter 10.
When F6 (PREREAD) is set to ON in function menu
page 4, the CONFI playback function is disabled and
one of the following is displayed.
5 MULTI CONTROL knob and PUSH/
SHIFT indicator
PREREAD: Preread of both audio and video
A-PREAD: Preread of audio only
V-PREAD: Preread of video only
In function menu operations, rotate the MULTI
CONTROL knob to change settings that flash in the
menu display section. In setup menu operations, rotate
this knob to select menu items.
The PUSH/SHIFT indicator lights when you press this
knob in. In this state, the value of the setting changes
by a greater amount when you rotate the knob.
Time data display area 2
Displays data types and time data such as the time
code of edit points and the total time of that tape.
The following data types are shown.
TOTL: Total time of the tape.
REM: Remaining time on the tape.
Depending on the setting of F5 (T INFO) on function
menu page 3, either TOTL (TOTAL) or REM
(REMAIN) is displayed.
The values displayed are approximate values
calculated on the basis of the detected tape diameter.
They are not precise to units of seconds.
The following appear when the top or end of the tape
is reached.
6 RESET button
To reset a CTL, time code (TC) or user bit (UB) value
displayed in time data display area 1, hold this button
down.
Resetting the CTL value erases all edit points.
7 Search control section
BOT: Returned to top of tape.
EOT: Reached end of tape.
1 SHUTTLE button
IN: video IN point
2 JOG button
OUT: video OUT point
AIN: audio IN point
3 VAR button
AOUT: audio OUT point
DUR: duration value
TCG (time code generator): time code generated by
the internal time code generator
SHUTTLE/VAR
RECORDER
JOG
4 SHUTTLE/VAR
and JOG
indicators
JOG
Speed indication area
5 Search dial
This indicates the speed of a DMC playback.
During a DMC playback, “DMC SPD” is displayed in
time data display area 2. However, CONFI playback is
not possible during editing.
..........................................................................................................................................................................................................
and purposes simultaneously with recording. This is used
to check recording.
1) CONFI playback: This refers to playback of the audio
and video signals immediately after recording, using the
confidence heads, the signal being output to all intents
2-8
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1 SHUTTLE button
Playback modes using the search dial
Playback mode
Operations and functions
To use the search dial for playback in shuttle mode,
press this button, turning it on.
Press the SHUTTLE button or the
search dial so that the SHUTTLE
button lights, then turn the search dial.
Playback is carried out at a speed
determined by the position of the
search dial. Playback speed ranges
are as follows.
Shuttle
For details of playback in shuttle mode, see the description
of the search dial 5.
2 JOG button
To use the search dial for playback in jog mode, press
this button, turning it on.
• HDCAM tape: –50 to +50 times
normal speed (59.94i, 29.97PsF
mode), –58 to +58 times normal
speed (50i, 25PsF mode), 60
times normal speed (24PsF,
23.98PsF mode)
For details of playback in jog mode, see the description of
the search dial 5.
• Digital Betacam tape: –50 to +50
times normal speed
3 VAR (variable) button
To use the search dial for playback in variable speed
mode, press this button, turning it on.
• MPEG IMX tape: –60 to +60 times
normal speed
• Betacam SX tape: –60 to +60 times
normal speed
For details of playback in variable speed mode, see the
description of the search dial 5.
• Analog Betacam tape: –35 to +35
times normal speed (525/59.94
mode), –42 to +42 times normal
speed (625/50 mode)
4 SHUTTLE/VAR and JOG indicators
Either of the indicators is lit to show the current search
mode or the mode used last.
When the SHUTTLE/VAR indicator is lit: Shuttle
or variable speed mode
When the JOG indicator is lit: Jog mode
When the unit is turned on, the SHUTTLE/VAR
indicator lights.
The search dial has detents at the still
position and at 5 times normal
speed.
The maximum shuttle mode playback
speed can be changed by changing
the setting of setup menu item 102
(see page 10-10).
Jog
Press the JOG button or the search
dial so that the JOG button lights, then
turn the search dial. Playback is
carried out at a speed determined by
the speed of rotation of the search
dial. The playback speed range is –1
to +1 time normal speed.
5 Search dial
Turn this to carry out playback in the modes shown in
the following table. Turning the dial clockwise lights
the H indicator and plays back in the forward
direction. Turning the dial counterclockwise lights the
h indicator and plays back in the reverse direction.
When the tape is stopped or the unit is turned on, the
s indicator lights. Pressing the dial toggles between
shuttle and jog modes or between variable speed and
jog modes.
The search dial has no detents.
Variable speed
Press the VAR button, turning it on,
then turn the search dial. You can
control the playback speed finely (a
maximum of 51 steps) in the range in
which noiseless playback is possible.
• HDCAM, Betacam SX: Maximum 51
steps
Depending on the tape format, noiseless playback is
possible in the following ranges.
HDCAM: –1 to +2 times normal speed
• Digital Betacam , MPEG IMX, analog
Betacam: Maximum 54 steps
Digital Betacam: –1 to +3 times normal speed
MPEG IMX: –1 to +3 times normal speed
Betacam SX: –1 to +2 times normal speed
Betacam/Betacam SP: –1 to +3 times normal speed
The search dial has detents at the still
position and at the normal speed
position.
Capstan override
For details on operation, see page 4-
8.
Setting setup menu item 101 (see page 10-10) to KEY
enables you to use only the SHUTTLE, JOG, and VAR
buttons to select shuttle/jog/variable speed modes.
Chapter 2 Location and Function of Parts
2-9
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2-1 Control Panels
Cuing up edit points
8 REC INHI (recording inhibit) indicator
Hold down the IN, OUT, AUDIO IN, or AUDIO OUT
button while pressing this button to cue up to the
corresponding edit point.
This indicator is on or off according to the
combination of the F5 (RECINH) setting on function
menu page 4 and the record inhibit plug on the
cassette, as shown in the following table. When this
indicator is on, recording on tape is prohibited.
2 REC (record) button
To start recording, press this button together with the
PLAY button, turning it on.
REC INHI indicator indications
Monitoring in E-E mode
State of the record
inhibit plug on the
cassette
REC INHI
indicator state
RECINH setting
When the unit is in stop mode, pressing the REC
button lights the button and allows you to monitor the
video and audio in E-E mode. To return to the original
state, press the STOP button.
ON
Record inhibit/permit
Record inhibit
Lit
Lita)
OFF
During playback, search, fast forward, or rewind,
holding down the REC button allows you to monitor
the video and audio in E-E mode. In this case the
button does not light.
Record permit
Off
a) It is possible to make a setting (setup menu item 107) so
that in this case the indicator flashes.
9 Tape transport control section
3 EDIT button
To carry out manual editing, press this button
simultaneously with the PLAY button.
1 PREROLL button
2 REC button
Monitoring in E-E mode
REC
When the unit is in stop mode, pressing the EDIT
button lights the button and allows you to monitor the
input signal selected with the ASSEMBLE button or
INSERT buttons in E-E mode. To return to the original
state, press the STOP button.
3 EDIT button
PREROLL
REW
EDIT
STANDBY
STOP
4 STANDBY button
F FWD
PLAY
5 STOP button
During playback, search, fast forward, or rewind,
holding down the EDIT button allows you to monitor
the video and audio input signals in E-E mode.
6 F FWD button
7 PLAY button
8 SERVO indicator
9 REW button
4 STANDBY button
When this button is off with a cassette inserted in the
unit, to put the unit in standby mode, press the button,
turning it on.
In standby mode, the drum is rotating and the tape is in
contact with the drum. As a result, recording or
playback can start immediately.
1 PREROLL button
Press this button to cue up to the preroll point (before
the IN point by the time set as the preroll time) on the
tape. You can change or select the preroll time and the
state of the unit at the end of preroll (“stop mode”1) or
still playback mode) using setup menu item 001 or
401.
To end standby mode, press the STANDBY button,
turning it off.
If 8 minutes (value can be varied using setup menu
item 501) elapse in standby mode, the unit
automatically switches out of standby mode to protect
the tape.
..........................................................................................................................................................................................................
1) Stop mode: The state in which the device currently the
subject of operation is stopped, and the STOP button is
lit.
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5 STOP button
To stop recording or playback, press this button,
q; Editing mode setting section
turning it on.
When you stop playback, the unit switches either to
still playback or to E-E mode according to the setting
on function menu HOME page for F2 (PB/EE) and the
setting of setup menu item 108.
1 ASSEMBLE button
ASSEMBLE
INSERT
VIDEO
TC
CH1
CH2
CH3
CH4
CUE
Fault display function
The STOP button flashes in the following cases related
to reference signals:
2 INSERT buttons
• When F2 (OUTREF) is set to INPUT on function
menu page 4, and there is no input video signal.
• When F2 (OUTREF) is set to REF in function menu
page 4, and there is no external reference signal input
or the input external reference signal is not
synchronized to the input video signal.
1 ASSEMBLE button
Press this button, turning it on, to carry out assemble
editing1).
All signals (video signals, audio signals, time code
signals, and so on) are recorded together.
Press the button again, turning it off, to exit from
assemble editing mode.
6 F FWD (fast forward) button
To fast forward the tape, press this button, turning it
on.
7 PLAY button
Note
To start playback, press this button, turning it on.
When even one of the INSERT buttons is lit, the
ASSEMBLE button does not work. To use the
ASSEMBLE button, turn off all the lit INSERT
buttons.
To operate in capstan override mode
Hold down this button, and turn the search dial.
For details of capstan override mode, see page 4-8.
2 INSERT buttons
Press the corresponding button, turning it on, to select
a signal for insert editing2). Press the button again,
turning it off, to cancel the selection.
VIDEO button: Selects the video signal.
TC (time code) button: Selects time code.
CH1 to CH4 (audio channels 1 to 4) buttons:
Select the signals on audio channels 1 to 8.
CUE button: Selects the cue audio signal.
8 SERVO indicator
Lights when the drum servo and capstan servo are
locked.
9 REW (rewind) button
To rewind the tape, press this button, turning it on.
Note
When the ASSEMBLE button is lit, none of the
INSERT buttons work. To use INSERT buttons, press
the ASSEMBLE button, turning it off.
..........................................................................................................................................................................................................
2)Insert editing: Editing in which new video/audio is added
to an intermediate position of existing recorded video/
audio.
1)Assemble editing: Editing in which new video/audio is
added in sequence to the end of existing recorded video/
audio.
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2-11
2-1 Control Panels
qa ALARM indicator and KEY INHI
qd Editing control section
indicator
1 DMC EDIT button
ALARM indicator
This lights when a hardware error is detected on the
unit, and goes off when the error is resolved.
When this indicator is lit, an error message appears in
the time data/menu display section. If you are using
the HDSDI OUTPUT 3 (SUPER), SDI OUTPUT 3
(SUPER) or COMPOSITE VIDEO OUTPUT 3
(SUPER) connector, then when the setting of F4
(CHARA) in function menu page 4 is ON, the error
message also appears on the monitor screen.
2 MEMORY indicator
3 DELETE button
4 TRIM buttons
5 Edit point setting buttons
TRIM
AUDIO
IN
OUT
DMC EDIT
DELETE
ENTRY
MEMORY
PREVIEW
AUTO EDIT
REVIEW
For details on error messages, refer to Section 1-24 in the
Maintenance Manual Volume 1.
IN
OUT
KEY INHI (inhibit) indicator
This indicator lights when the KEY INHIBIT switch
on the switch panel (see page 2-14) is set to ON.
6 REVIEW button
7 AUTO EDIT button
8 PREVIEW button
qs PLAYER button and RECORDER
button
1 DMC EDIT button
Use this button to memorize the playback speed varied
between –1 and +2 times normal speed, and carry out
automatic playback or automatic editing using the
memorized playback speed.
When you carry out editing using a VTR connected to
the REMOTE 1-IN(9P) or REMOTE 1-OUT(9P)
connector (see page 2-18) as the player and this unit as
the recorder, these buttons select which VTR the
editing control buttons and tape transport buttons on
this unit control.
PLAYER: The editing control buttons and tape
transport buttons on this unit control the external
player VTR.
2 MEMORY indicator
When memorizing the playback speed using the DMC
EDIT button, this indicator flashes as the playback
speed is captured to memory, and lights continuously
once the speed is captured.
RECORDER: The editing control buttons and tape
transport buttons on this unit control the recorder
(this unit).
3 DELETE button
This deletes an existing edit point.
Hold down this button and press the IN, OUT, AUDIO
IN, or AUDIO OUT button which is lit, indicating an
existing edit point, to delete the corresponding edit
point. The button either goes off or flashes. When the
button flashes, it is necessary to set the deleted edit
point again.
When this unit is being used in standalone mode,
neither button functions.
To cancel the DMC mode, hold down the DMC EDIT
button and press the DELETE button.
2-12
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4 TRIM buttons
7 AUTO (automatic) EDIT button
Use these buttons to trim an edit point to single-frame
precision.
After edit point setting, to carry out automatic editing
(recording), press this button, turning it on.
If the IN point is not set, the automatic editing is
carried out with the point where you pressed this
button as the IN point.
Hold down the IN, OUT, AUDIO IN, or AUDIO OUT
button, and press one of these buttons. The ‘+’ button
advances the corresponding edit point by one frame,
and the ‘–’ button sets it back by one frame.
Pressing one of these buttons while holding down the
PLAY button adjusts the tape speed by +8% or –8%
correspondingly. (Capstan override function)
If you pressed the PREVIEW button to carry out a
preview, when the preview ends this button flashes.
8 PREVIEW button
After edit point setting, to preview the editing results
on the monitor before recording, press this button,
turning it on.
5 Edit point setting buttons
IN button and OUT button
To set a video IN point or OUT point, hold down the
IN button or OUT button and press the ENTRY
button.
If the IN point is not set, the preview is carried out
with the point where you pressed this button as the IN
point.
After you have made the setting, pressing the IN
button or OUT button displays the video IN point or
video OUT point set in time data display area 2.
During the preview it is lit, and when the preview ends
it flashes.
qf Shot mark section
AUDIO IN button and AUDIO OUT button
In insert editing, to set an audio IN point or audio OUT
point separate from the corresponding video edit point,
hold down the AUDIO IN button or AUDIO OUT
button, and press the ENTRY button.
After you have made the setting, pressing the AUDIO
IN button or AUDIO OUT button displays the audio
IN point or audio OUT point set in time data display
area 2.
1 LIST button
2 REC/ERASE indicator
LIST GOOD SHOT MARK
REC/
ERASE
3 MARK button
1 LIST button
ENTRY button
Use this button to read in and list shot marks.
Use this for setting edit points and so on.
• To set a video IN point or OUT point: Hold down
the IN button or OUT button, and press this button.
• To set an audio IN point or OUT point: Hold down
the AUDIO IN button or AUDIO OUT button, and
press this button.
2 REC/ERASE indicator
This lights in the state in which writing, amending, and
deleting of shot marks is enabled and flashes while a
shot mark is actually being written, amended or
deleted.
6 REVIEW button
Use this button to review the editing results after
carrying out automatic editing.
3 MARK button
Hold this button down for 2 seconds or more, to enable
writing, amending, and deleting of shot marks.
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2-13
2-1 Control Panels
2-1-3 Switch Panel
On how to open the lower control panel, see the figure on
page 2-1.
To access the switch panel, open the lower control
panel.
1 Memory card slot
2 Memory card ejection button
3 CONTROL PANEL connector
CONTROL PANEL
KEY INHI
PANEL SEL
OFF
REAR FRONT
ON
4 PANEL SELECT switch
5 KEY INHIBIT switch
6 Memory stick slot
1 Memory card slot
REAR: Enables the control panel connected to the
CONTROL PANEL connector on the connector
panel. When setup menu item 117 is set to PARA,
this switch position also enables the control panel
connected to the CONTROL PANEL connector
on the switch panel.
Insert a memory card to update this unit’s firmware.
You can save or load setup menu settings onto the
memory card.
For details on firmware update and setup menu reading/
storing, refer to the Maintenance Manual Volume 1.
5 KEY INHIBIT switch
2 Memory card ejection button
Press to eject a memory card from the memory card
slot.
Moving this switch to the ON position disables the
controls on the upper and lower control panels.
You can specify which buttons and knobs are disabled
in setup menu item 118.
3 CONTROL PANEL connector (10-pin, round
type)
Plug in the lower control panel connection cable.
6 Memory stick slot
Use this to update the firmware. You can also save or
load setup menu settings onto the memory stick.
4 PANEL SELECT switch
In addition to the lower control panel, you can connect
a similar control panel to this unit. When two control
panels are connected to the unit, the PANEL SELECT
switch is used to specify which panel be enabled to
control the unit.
FRONT: Enables the control panel connected to the
CONTROL PANEL connector on the switch
panel.
Note
After inserting a memory stick or memory card, allow
at least five seconds to elapse before removing it.
For details on firmware update and save or load setup menu
settings, refer to the Maintenance Manual Volume 1.
2-14
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2-2 Connector Panel
Cooling fan
2 Analog video input/output section (see page 2-16)
3 Digital audio input/output section (see page 2-16)
1 Analog audio input/output
section
75Ω
4 Digital signal input/
output section (see
page 2-17)
Cooling fan
5 Power supply section
(see page 2-17)
7 Time code input/output
section (see page 2-18)
6 External device connectors (see page 2-17)
8 Audio monitor signal output section
(see page 2-18)
2 AUDIO INPUT CH1 to CH4 (channels 1 to 4)
LEVEL switches
1 Analog audio input/output section
Set these for each channel as shown in the following
table, according to the audio input levels to the
AUDIO INPUT CH1 to CH4 connectors and the
impedance.
1 AUDIO INPUT CH1 to CH4 connectors
2 AUDIO INPUT CH1 to CH4 LEVEL switches
AUDIO INPUT
CH3
CUE
AUDIO INPUT CH1 to CH4 LEVEL switch settings
CH1
CH2
CH4
IN
LEVEL
LEVEL
LEVEL
HIGH LOW
LEVEL
LEVEL
LOW
OFF
HIGH LOW
HIGH LOW
HIGH
LOW
OFF
HIGH
Audio input level and impedance
Switch setting
ON
ON
ON
ON
ON
OFF
OFF
OFF
600Ω
600Ω
600Ω
600Ω
600Ω
Level
Impedance
–60 dBu
High impedance
LOW-OFF
(left position)
(microphone input) (approx. 20 kΩ)
HIGH-OFF
(center position)
+4 dBu
(line audio input)
High impedance
(approx. 20 kΩ)
AUDIO OUTPUT
CH3
CUE
CH1
CH2
CH4
OUT
+4 dBm
(line audio input)
600Ω
HIGH-ON 600Ω
(right position)
3 AUDIO OUTPUT CH1 to CH4 (channels 1 to 4)
connectors (XLR 3-pin, male)
These connectors output analog audio signals for
channels 1 to 4.
4 CUE IN/OUT connectors
3 AUDIO OUTPUT CH1 to CH4 connectors
1 AUDIO INPUT CH1 to CH4 (channels 1 to 4)
connectors (XLR 3-pin, female)
Input analog audio signals to channels 1 to 4.
You can record analog audio signals input to these
connectors to any audio track on the tape.
4 CUE IN/OUT (cue audio input/output)
connectors (XLR 3-pin, female/male)
The IN connector inputs and the OUT connector
outputs the cue audio signals.
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2-15
2-2 Connector Panel
2 Analog video input/output section
3 Digital audio input/output section
1 AUDIO INPUT (AES/EBU) connectors
REF INPUT
INPUT 1125/525
OFF
ON
AUDIO INPUT(AES/EBU)
75Ω
CH1/2
CH3/4
1 REF.VIDEO INPUT connectors
and 75 Ω termination switch
AUDIO OUTPUT(AES/EBU)
CH1/2
CH3/4
CH5/6
CH7/8
VIDEO OUTPUT
COMPOSITE COMPONENT
2 AUDIO OUTPUT (AES/EBU) connectors
1
Y
2
R-Y
B-Y
2 COMPONENT VIDEO
1 AUDIO INPUT (AES/EBU) connectors (BNC
type)
3
OUTPUT connectors
(SUPER)
Input two sets (4 channels: channels 1/2 and 3/4) of
AES/EBU format digital audio signals.
3 COMPOSITE VIDEO
OUTPUT connectors
2 AUDIO OUTPUT (AES/EBU) connectors (BNC
type)
Output a maximum of 4 sets (8 channels: CH1/2, CH3/
4, CH5/6, CH7/8) of AES/EBU format digital audio
signals.
However, the HDW-2000 supports 2 sets only (4
channels: CH1/2, CH3/4).
1 REF. (reference) VIDEO INPUT connectors
(BNC type) and 75 Ω termination switch
Input a reference video signal. Input a three-valued
(positive and negative) sync signal, a video signal with
chroma burst (VBS) or a monochrome video signal
(VS). When using the loop-through connection set the
switch to the OFF position, and otherwise to the ON
position.
2 COMPONENT VIDEO OUTPUT connectors
(BNC type)
These connectors output analog component video
signals (Y/R–Y/B–Y).
3 COMPOSITE VIDEO OUTPUT connectors
(BNC type)
These connectors output analog composite video
signals.
When the setting of F4 (CHARA) in function menu
page 4 is ON, connector 3 (SUPER) outputs a signal
with superimposed time code, menu settings, alarm
messages, and other text information.
2-16
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5 SDI (Serial Digital Interface) OUTPUT
connectors (BNC type)
4 Digital signal input/output section
These connectors output D1 format video/audio
signals.
1 HDSDI INPUT connectors
When the setting of F4 (CHARA) in function menu
page 4 is ON, connector 3 (SUPER) outputs a signal
with superimposed time code, menu settings, alarm
messages, and other text information.
HDSDI
INPUT OUTPUT
1
INPUT MONITOR
2
2 HDSDI OUTPUT connectors
3(SUPER
)
5 Power supply section
SDI
OUTPUT
1
SDTI
INPUT
3 SDTI INPUT connector
4 SDTI OUTPUT connectors
5 SDI OUTPUT connectors
OUTPUT
1
1 AC IN connector
2
3(SUPER
)
2
2 Ground terminal
1 AC IN connector
Use the optional power cord to connect this to an AC
outlet.
1 HDSDI (HD Serial Digital Interface) INPUT
connectors (BNC type)
The upper of these two connectors inputs HD format
video/audio signals. The lower one outputs the input
signals for monitoring.
2 Ground terminal
Connect this to ground.
6 External device connectors
2 HDSDI (HD Serial Digital Interface) OUTPUT
connectors (BNC type)
REMOTE 2 PARALLEL I/O(50P)
These connectors output HD format video/audio
signals. When the setting of F4 (CHARA) in function
menu page 4 is ON, connector 3 (SUPER) outputs a
signal with superimposed time code, menu settings,
alarm messages, and other text information.
1 REMOTE 2 PARALLEL
I/O(50P) connector
CONTROL PANEL
REMOTE 1-IN(9P)
2 CONTROL PANEL
connector
REMOTE 1-OUT(9P)
RS232C
VIDEO CONTROL (15P)
VIDEO CONTROL (9P)
3 VIDEO CONTROL(15P)
3 SDTI (Serial Data Transport Interface) INPUT
connector (BNC type)
connector
Inputs SDTI format video and audio signals.
4 VIDEO CONTROL(9P)
connector
4 SDTI (Serial Data Transport Interface)
OUTPUT connectors (BNC type)
Output SDTI format video and audio signals.
5 REMOTE 1-IN(9P)
connector
6 REMOTE 1-OUT(9P)
connector
7 RS-232C connector
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2-17
2-2 Connector Panel
1 REMOTE 2 PARALLEL I/O(50P) connector
(D-sub 50-pin)
Connect remote control signals from an external
device.
7 RS-232C connector (D-sub 9-pin)
Use this for monitoring and diagnosis of the state of
this unit from an external computer, using the ISR
(Interactive Status Reporting) function.
For details, refer to the Installation Manual.
7 Time code input/output section
2 CONTROL PANEL connector (round type, 10-
pin)
In addition to the lower control panel, a similar control
panel can be connected to this unit. To connect such a
second control panel, use this connector. When two
control panels are connected, use the PANEL SELECT
switch on the switch panel (see page 2-14) to specify
which control panel will control this unit.
1 TIME CODE IN connector
TIME CODE
IN
OUT
2 TIME CODE OUT connector
3 VIDEO CONTROL(15P) connector (D-sub 15-
pin)
For remote control of the internal digital video
processor, connect an optional BVR-50/50P Video
Remote Control Unit.
1 TIME CODE IN connector (XLR 3-pin, female)
To record time code from an external device, input a
time code signal from the time code output connector
of the other device.
Always power off this unit before connecting the
remote control unit.
2 TIME CODE OUT connector (XLR 3-pin, male)
This outputs a time code according to the operating
state of the unit, as follows:
• During playback: the playback time code
By setting setup menu item 606, you can also output
the time code from the internal time code generator
locked to the playback time code.
• During recording: the time code generated by the
internal time code generator or the time code input to
the TIME CODE IN connector.
4 VIDEO CONTROL(9P) connector (D-sub 9-pin)
For remote control of the internal digital video
processor, connect an optional HKDV-900 Video
Remote Control Unit.
Always power off this unit before connecting the
remote control unit.
5 REMOTE 1-IN(9P) connector (D-sub 9-pin)
When using this unit together with another HDCAM
VTR, and a BVE-series BVE-700/900/910/2000/9000/
9000P/9100/9100P or other editor, connect the
optional 9-pin remote control cable from the other unit
to this connector.
8 Audio monitor signal output section
Depending on the setting of setup menu item 211, you
can use this connector alone, or in a loop-through
configuration with the REMOTE 1-OUT(9P)
connector.
1 MONITOR OUTPUT R
connector
MONITOR OUTPUT
R
L
2 MONITOR OUTPUT L
connector
6 REMOTE 1-OUT(9P) connector (D-sub 9-pin)
This provides the loop-through output for remote
control signals from the REMOTE 1-IN(9P)
connector.
Depending on the setting of setup menu item 211, you
can use this connector alone, or in a loop-through
configuration with the REMOTE 1-IN(9P) connector.
2-18
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1 MONITOR OUTPUT R connector (XLR 3-pin,
male)
This outputs the audio signals whose output
destination was set to ‘R’ with the audio signal
selection buttons in the audio control section. If
multiple tracks have been set to ‘R’, the signals of
those tracks are mixed for output.
2 MONITOR OUTPUT L connector (XLR 3-pin,
male)
This outputs the audio signals whose output
destination was set to ‘L’ with the audio signal
selection buttons in the audio control section. If
multiple tracks have been set to ‘L’, the signals of
those tracks are mixed for output.
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2-19
3-1 Connections to External Devices
3-1-1 Connections to Digital Devices
This unit can input serial digital signals (video and
audio) from another digital VTR such as the HDW-
500/F500/2100/M2100/M2100P. The following
example shows the connections with another HDW-
2000/M2000/M2000P unit as a player, with this unit
used as recorder.
Reference signal
75 Ω termination
switch: OFF
REF. VIDEO INPUT
HDSDI OUTPUT
75Ω
REF. VIDEO
INPUT
HDW-M2100/M2100P (player)
REMOTE 1-IN(9P)
REMOTE
75Ω termination
switch: ON
1-OUT(9P)
REF. VIDEO INPUT
HDSDI INPUT
75Ω
SDI OUTPUT 3
(SUPER)
HDW-2000/M2000/M2000P (recorder)
BVM-D24 series video
monitor
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3-2 Reference Sync Signals
This section describes how reference signals for the
video output signals and servo system are selected.
The output from the internal reference video signal
generator is supplied to the output video signal and
servo circuits as a reference signal.
3-2-1 Selecting Reference Signal Depending on Operational Status
The reference signal selction switches automatically
between REF and INPUT depending on the men
settings and the operating status of the unit, as shown
in the following table.
Menu item 309 setting
F2 (OUTREF) setting
Menu item 334 setting Unit’s operational
Reference signal
setting
status a)
—
EXT
—
EE
REF
PB
EDIT
REC
EE
INPUT
NORMAL
INPUT
—
INPUT
REF
PB
EDIT
REC
EE
REF
AUTO1
PB
EDIT
REC
EE
INPUT
REF
PB
EDIT
REC
EE
INPUT
INPUT
REF
PB
EDIT
REC
EE
AUTO2
NORMAL
INPUT
—
REF
PB
EDIT
REC
EE
INPUT
PB
REF
EDIT
REC
EE
INPUT
INPUT
PB
EDIT
REC
a) EE: In E-E mode
PB: Playing back (normal playback, job mode, shuttle mode, variable-speed mode, and also stop mode)
EDIT: Edit preset enabled
REC: Recording
3-2
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• When there is no reference video signal input
whereas REF is selected for OUTREF, no external
reference signal is used. In this case, the unit
synchronizes to the internally generated reference
signal.
Notes
• When there are no HD-SDI signal or SDTI signal
(option) input whereas INPUT is selected for
OUTREF, the unit synchronizes to the input
reference video signal.
3-2-2 Connecting Reference Signals
Connect reference signals as shown below, according
to the way in which the unit is to be used.
•Connections for recording from a switcher or signal generator
Reference signal
Switcher or signal generator
HDSDI INPUT
75 Ω termination switch: ON
REF. VIDEO
INPUT
75Ω
HDW-2000/M2000/M2000P
•Connections for recording from an external VTR (player)
Reference signal
75 Ω termination switch: ON
75 Ω termination switch: OFF
REF. VIDEO
INPUT
REF. VIDEO
INPUT
HDSDI INPUT
HDSDI OUTPUT
HDW-2000/M2000/M2000P (recorder)
HDW-M2100/M2100P (player)
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3-2 Reference Sync Signals
•Connections for playback
SD video monitor
HD video monitor
• SDI OUTPUT
• COMPOSITE
• COMPONENT
75 Ω termination switch: ON
HDSDI OUTPUT
75Ω
REF. VIDEO INPUT
HDW-2000/M2000/M2000P
Reference signal
3-4
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3-3 Setup
The principal setup operations before operating this
unit can be carried out using setup menus.
The setup menus of this unit comprise a basic setup
menu and an extended setup menu. The contents of
these menus are as follows.
Basic setup menu:
• Items relating to the hours meter
• Items relating to operation
• Items relating to menu banks
Extended setup menu:
• Items relating to control panels
• Items relating to the remote control interface
• Items relating to editing operations
• Items relating to preroll
• Items relating to tape protection
• Items relating to the time code generator
• Items relating to video control
• Items relating to audio control
• Items relating to digital processing
For detailed information about the items, except for the
basic setup menu items relating to the hours meter, of these
menus and how to use them, see Chapter 10 “Setup Menus”.
For detailed information about menu operations relating to
the hours meter, see Section 11-5-1 “Digital Hours
Meter”(page 11-5).
This unit allows menu settings to be saved in what are
termed “menu banks”. Saved sets of menu settings
can be recalled for use as required.
For more information about the menu banks, see the section
“Menu bank operations (menu items B01 to B13)” (page
10-5) .
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3-4 Superimposed Character Information
When the function menu item CHARA is set to ON,
the video signal output from the HDSDI OUTPUT 3
Adjusting the character display
(SUPER) connector, SDI OUTPUT 3 (SUPER)
connector, or COMPOSITE VIDEO OUTPUT 3
You can adjust the position, size and type of the
superimposed characters using setup menu items 002,
(SUPER) connector contains superimposed character
003, 005, 009, and 011.
information, including time code, menu settings, and
alarm messages.
For details, see Section 10-3 “Items in the Basic Setup
Menu” (page 10-7).
Information displayed
2 Time code reader drop frame mark
(for 59.94i, 29.97PsF mode only)
1 Type of time data
3 Time code generator drop frame mark
(for 59.94i, 29.97PsF mode only)
Time data
4 VITC field mark
T C R . 2 3 : 5 9 . 4 0 . 1 8 *
P
S H U T T L E
S T I L L
6 Operation mode
5 Recorder/player selection
Note
1 Type of time data
The display shown above corresponds to the factory
default settings of the unit.
Changing the setting of setup menu item 005 allows
different time data to be displayed in the lower line of
the display.
Display
CTL
TCR
UBR
TCR.
UBR.
TCG
UBG
IN
Meaning
CTL counter data
LTC reader time code
LTC reader user’s bits
VITC reader time code
VITC reader user’s bits
Time code generator time code
Time code generator user’s bits
IN point
For details, see Section 10-3 “Items in the Basic Setup
Menu” (page 10-7).
OUT
AI
OUT point
Audio IN point
AO
Audio OUT point
DUR
Duration between any two of the four edit
points (IN, OUT, audio IN, audio OUT)
Note
If the time data or user’s bits cannot be read correctly,
they will be displayed with an asterisk. For example,
“T*R”, “U*R”, “T*R.” or “U*R.”.
3-6
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2 Time code reader drop frame mark (for 59.94i,
29.97PsF mode only)
“.”: Indicates drop frame mode
Display
Block A
Operation mode
Block B
TAPE UNTHREAD
STANDBY OFF
T.RELEASE
STOP
Cassette is not loaded.
Standby off mode
Tape tension released
Stop mode
“:”: Indicates non-drop-frame mode
3 Time code generator drop frame mark (for
59.94i, 29.97PsF mode only)
“.”: Indicates drop frame mode (factory preset)
“:”: Indicates non-drop-frame mode
F.FWD
Fast forward mode
Rewind mode
REW
PREROLL
PLAY
Preroll mode
Playback mode (servo
unlocked)
4 VITC field mark
“ ” (blank): Fields 1 and 3 (for 59.94i, 29.97PsF
mode) or fields 1, 3, 5 and 7 (for 50i, 25PsF
mode)
“ * ”: Fields 2 and 4 (for 59.94i, 29.97PsF mode) or
fields 2, 4, 6 and 8 (for 50i, 25PsF mode)
PLAY
PLAY
LOCK
Playback mode (servo locked)
Variation
Capstan override mode (see
from normal page 4-8)
speed (%)
REC
Record mode (servo unocked)
REC
LOCK
Record mode (servo locked)
Edit mode (servo unlocked)
Edit mode (servo locked)
A still picture in jog mode
Jog mode in forward direction
Jog mode in reverse direction
Shuttle mode
5 Recorder/player selection
EDIT
The indication changes as follows, according to the
state of the RECORDER/PLAYER buttons on the
control panel.
No display: Neither the RECORDER or PLAYER
button is lit.
EDIT
LOCK
STILL
FWD
JOG
JOG
JOG
REV
P: The PLAYER button is lit.
R: The RECORDER button is lit.
SHUTTLE
VAR
(Speed)
(Speed)
Variable speed mode
Automatic editing mode
Preview mode
AUTO EDIT
PREVIEW
REVIEW
DMC
6 Operation mode
The field is divided into three blocks, A, B and C.
• Block A displays the operation mode.
• Block B displays the servo lock status or tape speed.
• Block C displays a mark to indicate an edit section
during automatic editing.
Review mode
(Speed)a)
(Speed)a)
(Speed)a)
(Speed)
DMC playback speed
DMC editing preview mode
DMC editing mode
D-PREV
D-EDIT
DMC-SPD
PLY-SPD
DMC initial speed setting
Variation
Tape speed override mode
from normal (when “TSO” is selected in
speed setup menu item 111)
a) Initial speed settings or stored speed settings
B
C
A
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3-5 Cassettes
1 Turn the POWER switch on.
3-5-1 Cassette Types
2 Check the following points, then insert the cassette
This unit uses the following HDCAM cassettes for
both recording and playback.
in the orientation shown in the figure.
• Check that message “ERR-10” is not shown in
the time data/menu display section.
• Check that there is no slack in the tape.
HDCAM cassettes
Small cassettes BCT-6HD/12HD/22HD/32HD/40HD
Large cassettes BCT-34HDL/64HDL/94HDL/124HDL
The cassette is drawn into the unit, and the
STANDBY and STOP buttons light.
The HDW-M2000/M2000P can also play back the
following cassettes.
Removing slack from the tape
Press in one of the reels with a finger, and turn gently
in the direction shown by the arrows until there is no
slack in the tape.
• Digital Betacam cassettes
• MPEG IMX cassettes
• Betacam SX cassettes
• Betacam SP cassettes (metal tape)
• Betacam cassettes (oxide tape)
3-5-2 Inserting and Ejecting
Cassettes
It is not possible to insert or eject a cassette unless the
unit is powered on.
Ejecting a cassette
Inserting a cassette
Press the EJECT button.
Note
EJECT button
Ejecting is a local operation. It is not possible to eject a
cassette in another unit by remote control.
1
2
If the tape slacks inside the unit, pressing the EJECT button
may not eject the cassette. For information about how to
remove the cassette in such a case, refer to Section 1-17 in
the Installation Manual.
Small cassette
Large cassette
STANDBY
STANDBY button
REW
F FWD STOP
PLAY
STOP button
3-8
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3-5-3 Preventing Accidental
Erasure of Recordings
To prevent a tape from being inadvertently erased,
press in the red record inhibit plug on the cassette.
Large cassette
Small cassette
Press in the red record inhibit plug. (“ON”)
Return this plug to its original position to enable recording on the
tape again. (“OFF”)
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3-6 Using a Memory Stick
When a Memory Stick is inserted in the VTR, the file
data can be stored on the Memory Stick, which
enables
Types of Memory Stick
There are two types of Memory Stick: MagicGate
Memory Stick that are equipped with the MagicGate
copyright protection technology and general Memory
Stick. Use the general type Memory Stick (8MB,
16MB, 32MB, 64MB, 128MB) with your camera.
you to share data among cameras.
Note
Use a Memory Stick formatted with this VTR. It
cannot be shared with other devices.
For more details, refer to the Maintenance Manual.
On MagicGate
MagicGate is copyright-protection technology that
uses encryption technology.
Inserting a Memory Stick
Insert a Memory Stick with the label side up into the
Memory Stick slot until it clicks.
Before using a Memory Stick
Terminal
Label side
Write-protect tab
Memory Stick
Note
Labeling position
Never insert/remove a Memory Stick during access to
data.
• You cannot record or erase data when the write-
protect tab on the Memory Stick is set to LOCK.
• We recommend backing up important data.
• Image data may be damaged in the following cases:
– If you remove the Memory Stick, or turn the
power off during access to data
To remove a Memory Stick
If you push the inserted Memory Stick, the Memory
Stick will pop out a little. Then pull the Memory
Stick out.
– If you use a Memory Stick near static electricity or
a magnetic field
3-6-1 Notes on Memory Stick
On Memory Stick
Memory Stick is a new compact, portable and
versatile IC recording medium with a data capacity
that exceeds that of a floppy disk. Memory Stick is
specially designed for exchanging and sharing digital
data among Memory Stick compatible products.
Because it is removable, Memory Stick can also be
used for external data storage.
3-10
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Notes
• Prevent metallic objects or your finger from coming
into contact with the terminal of the connecting
section.
• Do not attach any material other than the supplied
label to the label space.
• Attach the label at the prescribed labeling position.
Make sure the label is attached at the labeling
position properly.
• Do not bend, drop, or apply strong shock to a
Memory Stick.
• Do not disassemble or modify a Memory Stick.
• Do not let the Memory Stick get wet.
• Do not use or keep a Memory Stick in locations that
are:
– Extremely hot such as in a car parked in the sun
– Under direct sunlight
– Very humid or subject to corrosive gases
• When you carry or store a Memory Stick, keep it in
its case.
During access to data
While data are being read from or written to the
Memory Stick, do not shake the camera or subject it
to shock. Do not turn off the power of the camera or
remove the Memory Stick. This may damage the data.
For details, refer to the Maintenance Manual.
Memory Stick and
are the trademarks of
Sony Corporation.
MagicGate Memory Stick and
are the
trademarks of Sony Corporation.
Chapter 3 Preparations
3-11
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4-1 Recording
This section describes video and audio recording on
the unit.
4-1-1 Preparations for Recording
For details on each setting, see the pages indicated in
parenthesis.
Switch and menu settings
Before beginning recording, make necessary switch
and menu settings.
POWER switch: ‘I’ side (on)
REMOTE buttons (see page 2-2): off
Audio monitor signal selection buttons (see page 2-5):
Select the audio channel to be monitored.
CONFI (ON)/PREREAD indicators (see page 2-8): lit
Z
VID.IN setting (see page 9-3):
Select the input video signal.
PREREAD setting
(see page 9-7): OFF
59.94
CONFI setting (see page 9-3):
ENABLE
VID. IN PB/EE CONFI CTL/TCMENU TCGSET
EE
SDI
DISABL TC
PB/EE setting (see page 9-3): PB
CTL/TC setting (see page 9-3):
Select the time data to be
displayed.
RECINH setting (see page 9-7):
OFF
REC controls (see page 2-6):
Adjust the audio recording levels.
Audio selection function selector buttons
(see page 2-4): Select the input audio signal.
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4-1
4-1 Recording
Adjusting the audio recording levels
To use the emphasis function
When carrying out audio recording at a
reference level
Leave the REC controls pressed in. The audio signals
will be recorded at a preset reference level (a reference
–20 dB indication for an input of +4 dBm).
To add emphasis to the analog input audio signal or
analog playback audio signal, set the EMPHSS to ON
(see page 9-6).
When the signal to which emphasis has been applied is
played back, it is automatically subjected to
deemphasis processing.
Manually adjusting the recording levels
For each channel, press to protrude the REC control in
the upper control panel, and adjust so that the audio
level indication is 0 dB for an average volume. Carry
out the adjustment in E-E mode.
Using the emphasis-deemphasis processing enables the
dynamic range to be improved by reducing high-
frequency noise.
4-1-2 Recording Time Code and
User Bit Values
For details of selecting the E-E mode, see the description of
the REC button in the tape transport control section (page
2-10) and the PB/EE setting in function menu HOME page
(page 9-3).
There are three ways of recording time code, as
follows:
• Setting an initial value, then recording the output of
the internal time code generator
• Recording the output of the internal time code
generator synchronized to an external time code
generator
To change the display range of the audio
level indications
Press the DISPLAY FULL/FINE button (see page 2-
4).
To set an initial value then record the time
code
To monitor the simultaneous playback of
the recorded video and audio signals
If necessary, change the settings in function menu page
1 (see page 9-4).
Set the TCG (F1) to INT, and the PR/RGN (F2) to
PRESET.
Set the CONFI to ENABLE (see page 9-3) to light the
CONFI indicator. It is now possible to simultaneously
monitor the video and audio signals being recorded.
4-2
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Setting an initial time code value
Use the following procedure.
Setting the time code value to the real time
With the settings in function menu page 1 set as
follows, carry out the foregoing procedure under the
heading “Setting an initial time code value”. In steps 3
and 4, set the value slightly after the current time, then
carry out step 6 at the instant the real time catches up
with the setting.
RESET button
Z
TCG (F1): INT
PR/RGN (F2): PRESET
RUN: FREE
DF: DF (59.94i, 29.97PsF mode only)
Setting a user bit value
The user bit values recorded on the time code track
provide for eight hexadecimal digits, which can be
used to hold the date, time, or other information.
Use the following procedure.
1,2,3,4,5,6
1 Set the CTL/TC to UB.
1 Set the CTL/TC to TC.
2 Carry out the procedure in steps 2 to 6 under the
heading above, “Setting an initial time code
value”.
2 Press the F6 (TCGSET) button.
The function menu display changes as follows.
You can set each digit to any hexadecimal value,
represented by 0 to 9, and A to F.
00 : 00 : 00 : 00
TCG
SET
SET
EXIT
The first digit of the time code value (8 digits:
hours, minutes, seconds, and frames) flashes.
Note
If any of the settings in item G03 of the shot mark
operation menu is set to ON (to write a recording start
mark), then the user bits are overwritten with the shot
mark data for 20 frames from the start of recording in
crash record mode, assemble edit mode, or insert edit
mode.
To set all digits to zero
Press the RESET button.
3 Press the F1 (T) or F2 (t) button to select the
digit to be changed.
Pressing the F2 (t) button moves the flashing
digit position to the right, and pressing the F1 (T)
button moves the flashing digit position to the left.
4 Turn the MULTI CONTROL knob or press the F3
(+)/F4 (–) button to change the value in the
flashing digit position.
5 Until all the digits are set as required, repeat steps
3 and 4.
6 Press the F5 (SET) button.
When the RUN is set to FREE in function menu
page 1, the time code value immediately starts
advancing.
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4-3
4-1 Recording
• To synchronize to LTC data contained in the
HDSDI signal input to this unit:
TCG (F1): SDI
To synchronize the internal time code
generator to an external signal
PR/RGN (F2): LTC
Use this method to synchronize the time code
generators of a number of VTRs, or to record the
playback time code signal from an external VTR
without deterioration of the signal waveform.
In this case the RUN and DF settings are ignored.
You can synchronize the internal time code generator
to either of the following external time codes.
• The time code output (LTC) of an external time code
generator or external VTR connected to the TIME
CODE IN connector of the unit
• To synchronize to VITC data contained in the
HDSDI signal input to this unit:
TCG (F1): SDI
PR/RGN (F2): VITC
This starts the internal time code generator running
in synchronization with the external time code
generator.
Once the internal time code generator is
synchronized with the external time code
generator, even if the external time code generator
connection is removed, the internal time code
generator continues to run.
• The time code (LTC and VITC) present in the
HDSDI signal input to the unit
To synchronize the internal time code generator to an
external signal, use the following procedure.
Setting PR/RGN (F2) to PRESET when TCG (F1)
is set to EXT or SDI has the effect as setting PR/
RGN (F2) to LTC.
Z
4-1-3 Recording Procedure
To record, use the following procedure.
Z
TIME CODE
OUT
1,2
IN
1
TIME CODE IN connector
1 2 3
1 • When synchronizing to an external time code
output (LTC):
Connect the time code output of the external time
code generator or external VTR to the TIME
CODE IN connector.
• When synchronizing to the time code (VITC) in
an input video signal:
1 Insert a cassette.
For details, see the section “Inserting a cassette” (page
3-8).
With the VID.IN in function menu HOME page,
select the HDSDI signal.
2 Hold down the REC button, and press the PLAY
button.
2 Make the following settings in function menu page
1.
Recording starts, the servo locks, and the SERVO
indicator lights.
• To synchronize to the external time code signal
input to this unit’s TIME CODE IN connector:
TCG (F1): EXT
3 To stop recording, press the STOP button.
PR/RGN (F2): LTC
If you record to the end of the tape
The tape is automatically rewound, and stops.
4-4
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4-2 Playback
This section describes playback of video and audio.
4-2-1 Preparations for Playback
For details on each setting, see the pages indicated in
parenthesis.
Switch and menu settings
Before beginning playback, make necessary switch
and menu settings.
POWER switch: ‘I’ side (on)
REMOTE buttons (see page 2-2): off
Audio monitor signal selection buttons (see page 2-5):
Select the audio channel(s) to be monitored.
Z
59.94
VID. IN PB/EE CONFI CTL/TCMENU TCGSET
EE
SDI
DISABL TC
PB controls (see page 2-6):
Adjust the audio playback levels.
TCR setting (see page 9-4): Select the time code to be displayed.
PB/EE setting (see page 9-3): PB
CTL/TC setting (see page 9-3): Select the time data to be displayed.
Chapter 4 Recording and Playback
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4-2 Playback
Time data selection
Normal playback
Displayed time data
First insert a cassette.
Use the CTL/TC setting in function menu HOME page
to select one of CTL (control), time code, and user bit
values. When you select time code, the data displayed
is determined by the F6 (TCR) setting (LTC/AUTO/
VITC) in function menu page 1 as follows.
For details of how to insert a cassette, see Section 3-5-2
“Inserting and Ejecting Cassettes” (page 3-8).
Cassette compartment
TCR setting
LTC
Displayed data
Z
LTC recorded on tape
LTC or VITC (automatically switched)
VITC recorded on tape
AUTO
VITC
Output time code
The PR/RGN (F2) setting and setup menu item 606
determine whether the time code output from the
TIME CODE OUT connector is the time code
generated by the internal time code generator
(REGEN), or the playback time code (TAPE).
STOP button
PLAY button
For details of the PR/RGN (F2) settings, see page 9-4.
To start playback
Press the PLAY button.
Playback starts, the servo locks, and the SERVO
indicator lights.
4-2-2 Playback Procedures
To stop playback
Press the STOP button.
This section describes the following types of playback
which the unit can carry out:
• Normal playback
Playback at normal (×1) speed
• Playback in jog mode
If you play back to the end of the tape
The tape is automatically rewound, and stops.
Variable speed playback, with the speed determined
by the speed of turning the search dial
• Playback in shuttle mode
It is possible to disable the automatic rewind function by
changing the setting of setup menu item 125.
Variable speed playback, with the speed determined
by the angular position of the search dial
• Playback in variable speed mode
Variable speed playback, with the speed finely
determined by the angular position of the search dial
• Playback using the capstan override function
The playback speed is adjusted temporarily according
to the angular position of the search dial, to align the
playback phase with that of another VTR.
• DMC Playback
Playback carried out at memorized varying speed.
4-6
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Playback in jog mode
Playback in shuttle mode
In jog mode, you can control the speed of playback by
the speed of turning the search dial. The playback
speed range is 1 times normal speed.
In shuttle mode, you can control the speed of playback
by the angular position of the search dial. The range of
playback speed is as follows.
• HDCAM tape: 50 times normal speed (59.94i,
29.97PsF mode), 58 times normal speed (50i, 25PsF
mode), 60 times normal speed (24PsF, 23.98PsF
mode)
• Digital Betacam tape: 50 times normal speed
• MPEG IMX tape: 78 times normal speed
• Betacam SX tape: 78 times normal speed
• Analog Betacam tape: 35 times normal speed (525/
59.94 mode), 42 times normal speed (625/50 mode)
There are detents on the search dial at the still position
and at 5 times normal speed.
The playback speed range can be 3 times normal speed by
changing the setting of setup menu item 116.
To carry out playback in jog mode, use the following
procedure.
Z
To carry out playback in shuttle mode, use the
following procedure.
Z
1 1,2,3
1 Press the JOG button or search dial so that the JOG
button is lit.
Pressing the search dial toggles between jog mode
and shuttle mode.
1 3 1,2,3
1 Press the SHUTTLE button or search dial so that
2 Turn the search dial in the desired direction, at the
the SHUTTLE button is lit.
speed corresponding to the desired playback speed.
Pressing the search dial toggles between jog mode
and shuttle mode.
Playback in jog mode starts.
3 To stop playback in jog mode, stop turning the
2 Turn the search dial to the desired angle
search dial.
corresponding to the desired playback speed.
The function to toggle between jog mode and shuttle
mode each time the search dial is pressed can be
disabled by changing the setting of setup menu item
101.
Playback in shuttle mode starts.
3 To stop playback in shuttle mode, return the search
dial to the center position, or press the STOP
button.
The function to toggle between jog mode and shuttle
mode each time the search dial is pressed can be
disabled by changing the setting of setup menu item
101.
To return to normal-speed playback
Press the PLAY button.
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4-7
4-2 Playback
To alternate between normal-speed playback
and shuttle mode playback
To alternate between normal-speed playback
and variable speed mode playback
Set the search dial to the position corresponding to the
desired shuttle playback speed, then switch between
normal-speed playback and shuttle playback by
pressing the PLAY and SHUTTLE buttons alternately.
For intermittent shuttle mode playback, press the
STOP and SHUTTLE buttons alternately.
Set the search dial to the position corresponding to the
desired variable playback speed, then switch between
normal-speed playback and variable speed playback by
pressing the PLAY and VAR buttons alternately.
For intermittent variable speed mode playback, press
the STOP and VAR buttons alternately.
Playback in variable speed mode
Playback using the capstan override
function
In variable speed mode, you can finely control
playback speed within the following ranges:
• HDCAM: –1 to +2 times normal speed
• Digital Betacam : –1 to +3 times normal speed
• MPEG IMX: –1 to +3 times normal speed
• Betacam SX: –1 to +2 times normal speed
• Betacam/Betacam SP: –1 to +3 times normal speed
There are detents on the search dial at the still position
and at 1 times normal speed.
You can use the capstan override function to adjust the
playback speed temporarily. This function is
convenient for playback phase synchronization with
another VTR playing back the same program.
Z
To carry out playback in variable speed mode, use the
following procedure.
Z
1(B) 2
1(A)
1 (A) Hold down the PLAY button, and turn the
search dial in the desired direction to adjust the
playback speed.
1 3 2,3
The range of speed adjustment is 15% in
steps of 1%.
(B) Hold down the PLAY button, and press the
TRIM buttons to adjust the playback speed.
The playback speed can be adjusted to 8%
only.
1 Press the VAR button, turning it on.
2 Turn the search dial to the desired angle
corresponding to the desired playback speed.
The SERVO indicator goes off.
Playback in variable speed mode starts.
2 When the adjustment is completed, release the
3 To stop playback in variable speed mode, return
the search dial to the center position, or press the
STOP button.
PLAY button.
The tape transport returns to normal speed, and the
SERVO indicator comes on again.
To return to normal-speed playback
Press the PLAY button.
4-8
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To perform continuous capstan override
playback
Z
3
2
1 Set setup menu item 111 (TSO PLAY) to TSO.
2 Hold down the DMC EDIT button and turn the
MULTI CONTROL knob to select the playback
speed.
The selected playback speed is displayed in time
data display area 2 on the lower control
panel of this unit as well as in the character
information display on the monitor screen.
3 Press the PLAY button while holding down the
DMC EDIT button.
4 Press the PLAY button or perform any other
operation to exit the tape speed override mode.
See Section 10-2 “Setup Menu Operations” (page 10-2) for
details of setup menu operations.
For details of character information displayed on the video
monitor screen, see the descriptions of F4 (CHARA) in
function menu page 4 (page 9-7) and setup menu item 005
(page 10-7).
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4-9
4-2 Playback
4-2-3 Dynamic Motion Control (DMC) Playback
Overview
DMC playback allows you to vary the playback speed
for a certain section of a tape, in variable speed mode
(from –1 to +2 times normal speed) and store the
varying speed in memory for later playback at the
same varying speed.
For example, during a live broadcast of a sporting
event you can set the start and end points of highlights
while recording, and then provide immediate DMC
playback of those highlights.
During DMC playback the tape moves as shown in the
following figure.
On-air start point Preroll point
Waiting for the on-air cue
Speed variation start point
Speed variation end point
On-air end point
Stop
before starting DMC
playback
Press the REVIEW button.
Normal speed
playback
Press the REVIEW button again
at the on-air cue.
DMC playback
Normal speed playback
Stop
Starting DMC playback
immediately after preroll
Press the PREVIEW button.
Normal speed
playback
DMC playback
Normal speed playback
1 Press the DMC EDIT button, turning it on.
Storing a varying playback speed in
memory
2 Either while playing back the recorded tape, or
during recording, press the ENTRY button and one
of the following buttons simultaneously, to set the
start and end points.
To store the playback speed for DMC playback, use
the following procedure.
• On-air start point: AUDIO IN button
• Speed variation start point: IN button
• Speed variation end point: OUT button
• On-air end point: AUDIO OUT button
Z
Each press turns the corresponding button on.
1,4 5 2 7 3 3,4,6
4-10
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Setting the initial speed to normal speed
In step 4, press the PLAY button.
3 Press the search dial or the SHUTTLE button or
VAR button to enter shuttle/variable speed mode.
The SHUTTLE/VAR indicator lights.
Executing DMC Playback
Note
There are two methods of starting DMC playback.
• Starting playback at the on-air cue from the on-air
start point
Make sure that setup menu item 111 (TSO PLAY)
is set to DIS.
• Starting playback immediately after preroll
4 Holding down the DMC EDIT button, turn the
search dial, to set the initial speed at the playback
start point.
Notes
• To avoid operating mistakes we recommend that you
use the VTR in standalone mode when carrying out
DMC playback.
• When using two VTRs connected for editing, you can
only use the recorder VTR for DMC playback, and
only when neither the RECORDER nor PLAYER
button is lit.
The speed you set appears in the speed indication
area. During this period the tape does not move.
When the initial speed setting is complete, release
the DMC EDIT button.
5 Press the PREVIEW button.
The tape is prerolled and played back at normal
speed from the on-air start point to the speed
variation start point. On passing the speed variation
start point, the MEMORY indicator begins to
flash, and playback begins at the speed set in step
4.
Z
6 Turn the search dial to vary the playback speed.
While the MEMORY indicator is flashing, the
speed variations are stored in memory. On passing
the speed variation end point, the MEMORY
indicator changes from flashing to continuously lit,
and the variable speed storing ends.
1,2
To start playback at the on-air cue from the
on-air start point
Use the following procedure.
7 Press the STOP button to stop the tape.
1 Press the REVIEW button.
If the MEMORY indicator lights continuously
before the speed variation end point
This indicates that the memory became full at that
point. It is therefore not possible to memorize more
speed variation. The maximum capacity is a duration
of 120 seconds.
The REVIEW button lights, and the tape is cued up
to the on-air start point. After the tape is cued up,
the REVIEW button flashes.
2 At the moment the on-air cue is given, press the
REVIEW button once more.
To amend the stored speed variation
Press the PREVIEW button.
The interval between the speed variation start and end
points is automatically played back at the stored speed.
Operate the search dial as required, to adjust the
playback speed.
The REVIEW button lights, and playback starts at
standard speed.
Between the speed variation start and end points,
DMC playback is carried out at the stored speed,
and then playback continues at normal speed and
the tape stops at the on-air end point.
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4-11
4-2 Playback
To start playback immediately after preroll
Press the PREVIEW button.
The PREVIEW button lights, and after preroll, DMC
playback is carried out for the section from the speed
variation start point, then playback continues at normal
speed from the speed variation end point.
To stop the tape during DMC playback
Press the STOP button.
To exit DMC playback mode
Press the DMC EDIT button and the DELETE button
simultaneously.
4-12
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5-1 Automatic Editing
This section describes how to carry out automatic
editing with this unit and another VTR connected to
the REMOTE1-IN(9P) connector.
Sequence of editing operations
The following flowchart outlines the sequence of
operations in automatic editing with two VTRs.
Selecting the editing mode (page 5-3)
Setting the recorder and player edit points (page 5-3)
Previewing the edit segments (page 5-7)
5-1-1 Overview
Editing mode
With this unit, you can use the following two edit
modes for automatic editing.
• Assemble editing
This is the editing mode in which successive portions
of the edited result are recorded on the end of the
already completed section.
The CTL signal, video signal, audio signal, and time
code are all newly recorded on the tape.
• Insert editing
Amending edit points as necessary (page 5-6)
Carrying out automatic editing (page 5-8)
In this mode, new material is recorded at an
intermediate point of an existing recording.
The CTL signal is not recorded. The video signal,
audio signal, and time code signal can all be
independently recorded.
Checking the editing results as necessary (page 5-9)
Using an editing control unit
When controlling this unit with an editing control unit,
set an edit delay on the editing control unit so that cut
in and cut out instructions are output 5 frames before
the actual edit point.
You can carry out DMC editing in both editing modes.
In insert editing, split editing is also possible.
Using CTL to interpolate time code values
When you are using time code values as edit point
addresses, the time code must be recorded on the tape
in correct time sequence (i.e. the sections must be in
strictly ascending time order).
If the time code values are all in correct time sequence,
then if there are any discontinuities in the time code,
the unit allows them to be interpolated using the CTL
counter.
Recording time code
For automatic editing, regardless of the TCG (F1) and
PR/RGN (F2) settings, time code is recorded
continuously from the previous time code recorded on
the tape.
Using setup menu item 610, it is also possible to record time
code according to the settings in the function menu.
Chapter 5 Editing
5-1
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5-1 Automatic Editing
5-1-2 Switch and Menu Settings
Before beginning editing, make necessary switch and
menu settings.
Recorder settings
POWER switch: ‘I’ side (on)
REMOTE buttons (see page 2-2): 1(9P)
ASSEMBLE button (see page 2-11): lit
Z
VID.IN setting (see page 9-3):
Select the input video signal.
59.94
VID. IN PB/EE CONFI CTL/TCMENU TCGSET
EE
SDI
DISABL TC
RECINH setting (see page 9-7):
OFF
CTL/TC setting (see page 9-3):
TC or CTL
Audio selection function selector buttons (see page 2-4):
Select the input audio signal.
REC controls (see page 2-6): Adjust the
audio recording levels.
Player settings
POWER switch: ‘I’ side (on)
REMOTE buttons (see page 2-2): 1(9P)
Z
59.94
VID. IN PB/EE CONFI CTL/TCMENU TCGSET
EE
SDI
DISABL TC
PB controls (see page 2-6):
Adjust the audio playback levels.
CTL/TC setting (see page 9-3): TC or CTL
5-2
Chapter 5 Editing
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1 Press the RECORDER button or PLAYER button
to select the VTR on which you will set the edit
point.
5-1-3 Selecting the Editing Mode
To select the editing mode
Select assemble editing or insert editing.
The button which you have pressed lights.
ASSEMBLE button
INSERT buttons
2 Turn the search dial in jog or shuttle mode, and
position the tape at the required edit point.
For details of playback in jog or shuttle mode, see the
sections “Playback in jog mode” and “Playback in
shuttle mode” (page 4-7).
Z
3 At the point at which you wish to set the IN point
or OUT point, hold down the ENTRY button and
press the IN button or OUT button.
When the IN point or OUT point is set, the IN
button or OUT button respectively lights.
IN/OUT buttons
4 Repeat steps 1 to 3 until all the necessary edit
Depending on the editing mode, press the following
button or buttons.
points are set.
• For assemble editing: ASSEMBLE button
• For insert editing: the desired INSERT buttons
(VIDEO, CH1 to CH4, CUE, and TC)
When the IN points on both the recorder and
player are set, the PREVIEW button and AUTO
EDIT button flash, and it becomes possible to
carry out a preview or editing operation.
When you select the editing mode, the IN/OUT
buttons begin to flash, indicating that the edit points
require setting.
Automatic setting of edit points
Editing requires four edit points: the IN and OUT
points on both the recorder and player. However, once
any three of these points are defined, the last point is
set automatically. For example, if you set the recorder
IN and OUT points, and the player IN point, the player
OUT point is set automatically.
5-1-4 Setting Edit Points
Set the edit points (IN and OUT points). To use split
editing in insert mode, you can set the audio and video
edit points separately.
Note
In the following cases, the DELETE button begins to
flash and you cannot carry out automatic editing.
• The OUT point is before the IN point.
To set an edit point
• All four of the recorder IN and OUT points and the
player IN and OUT points have been set.
Z
Use the DELETE button to delete a redundant edit
point, or set the edit points correctly.
For details of deleting edit points, see the section “Deleting
an edit point” (page 5-6).
3
1 2
Chapter 5 Editing
5-3
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5-1 Automatic Editing
Note
Setting split edit points
During split editing, if you set six or more edit points
for the recorder and player, the DELETE button starts
to flash to indicate that such a setup is impossible.
Delete all unnecessary edit points, using the DELETE
button.
In split editing, you can set the edit points for audio
and video independently. Set the audio edit points with
the AUDIO IN/OUT buttons, and the video edit points
with the IN/OUT buttons.
Note that split editing is only possible when the
recording mode is insert editing.
For details of how to delete edit points, see the section
“Deleting an edit point” (page 5-6).
Automatic setting of edit points in split editing
Split editing requires a total of eight edit points: four
video edit points (player IN and OUT and recorder IN
and OUT) and four audio edit points (player audio IN
and OUT and recorder audio IN and OUT). However,
as soon as you set five points, the system automatically
calculates and sets the remaining three points.
Z
Specifically, once you have set three of the four video
edit points and two audio edit points, the remaining
three edit points are set automatically, regardless of
whether these points are for the recorder or player.
4 1 2 3
In the figure below, the edit points shown within boxes
are already set. The other edit points (recorder audio
OUT point, and player audio IN and video OUT
points) are set automatically.
1 Press the desired INSERT button (VIDEO, CH1 to
CH4, CUE, or TC).
The IN/OUT buttons flash.
Note that any edit point can be deleted or corrected
later regardless of whether it was set manually or
automatically.
2 Press the RECORDER or PLAYER button to
select the VTR for which edit points are to be set.
The button you have pressed lights.
OUT point
Audio IN point
Recorder
IN point Audio OUT point
3 To find the edit point, rotate the search dial in jog
or shuttle mode.
Player
For details of jog/shuttle mode playback, see the
sections “Playback in jog mode” and “Playback in
shuttle mode” (page 4-7).
OUT point
IN point Audio OUT point
Audio IN point
4 Press the ENTRY button together with one of the
IN, OUT, AUDIO IN, and AUDIO OUT buttons,
to set the edit point.
You can set audio cut in, crossfade, fade in, and fade out
effects, including their durations, by menu selection.
For details, refer to the Installation Manual.
Once an edit point is set, the corresponding button
changes from flashing to continuously lit.
5 Repeat steps 2 through 4 to set the required edit
points.
As each edit point is set, the corresponding button
changes from flashing to continuously lit.
5-4
Chapter 5 Editing
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When the audio IN point is not set for insert
editing of audio only
To display the duration of an edit segment
As long as the audio OUT point is set, the VTR is
ready for preview or editing. If the audio IN point has
not been set, the current tape position is automatically
used as the audio IN point.
You can display the duration between two edit points
in the following three cases, in the time data/menu
display section (see page 2-7).
• When two edit points are set: the duration of the
segment between the two points
• When only one edit point is set: the duration of the
segment between the point which is set and the
current tape position
• When no edit point is set: the duration of the
previous edit segment
Using a VTR without a split editing function as
the player
When it is not possible to set separate audio and video
edit points on the VTR you are using as the player, you
can carry out split editing by setting the audio IN and
OUT points and three video edit points on the recorder
(this unit).
The duration is displayed in time data display area 2,
thus: “DURATION 0:01:10:00”.
To display a duration, use the following procedure.
To display the time value for an edit point
1 Press the RECORDER button or PLAYER button
to select the VTR on which you wish to check the
duration.
You can display the time value for an edit point in the
time data/menu display section (see page 2-7).
The edit point appears in time data display area 2.
The button you have pressed lights.
Time data display area 1
Time data display area 2
2 Hold down both of the IN and OUT buttons, or
AUDIO IN and AUDIO OUT buttons.
Z
While you hold down the buttons, the duration is
displayed in time data display area 2.
2 1
1 Press the RECORDER button or PLAYER button
to select the VTR on which you wish to check the
edit point.
The button you have pressed lights.
2 Hold down the IN, OUT, AUDIO IN or AUDIO
OUT button according to the edit point you wish to
check.
While you hold down the button, the
corresponding indicator lights in the upper line of
time data display area 2, and the time value of the
edit point is displayed.
Chapter 5 Editing
5-5
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5-1 Automatic Editing
Deleting an edit point
5-1-5 Modifying and Deleting
Edit Points
To delete an edit point, use the following procedure.
You can use the same procedure whether or not the
DELETE button is flashing.
If the edit points are not set correctly, for example if an
OUT point is before a corresponding IN point, the
DELETE button flashes, and it is not possible to carry
out a preview or editing operation. In this case, either
modify the erroneous edit point, or first delete it and
then enter it correctly.
Z
Modifying an edit point
To modify an edit point, use the following procedure.
2
1
Time data display area 2
Z
1 Press the RECORDER button or PLAYER button
to select the VTR on which you wish to delete the
edit point.
The button you have pressed lights.
2 Hold down the DELETE button and press the IN,
OUT, AUDIO IN or AUDIO OUT button
2 1
according to the edit point you wish to delete.
The edit point is deleted according to which button
you pressed, and the DELETE button goes off.
1 Press the RECORDER button or PLAYER button
to select the VTR on which you wish to modify the
edit point.
The button you have pressed lights.
2 Hold down the IN, OUT, AUDIO IN, or AUDIO
OUT button corresponding to the edit point you
wish to modify, and press the TRIM buttons
(+ or –).
While you hold down the button, the time value for
the edit point appears in time data display area 2;
pressing the + button increases the value by one
frame, and pressing the – button decreases it by
one frame.
5-6
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5-1-6 Cue-up to Edit Points and
Preroll
5-1-7 Preview
When you have set the edit points, the PREVIEW
button flashes, indicating that you can carry out a
preview.
To preroll for the edit IN point or to cue up to any edit
point, use the following procedure.
To carry out a preview, use the following procedure.
Z
Z
2
1
2 1
1 Press the RECORDER button or PLAYER button
1 Press the RECORDER button, turning it on.
to select the VTR on which you wish to operate.
2 Press the PREVIEW button.
The button you have pressed lights.
The PREVIEW button changes from flashing to
continuously lit, and the preview is carried out.
At the end of the preview, the PREVIEW button
flashes again.
2 • To cue up to an edit point
Hold down the IN/OUT button or AUDIO IN/
OUT button according to the edit point to which
you wish to cue up, and press the PREROLL
button.
To stop the preview
Press the STOP button.
This cues up to the edit point you have selected.
The tape stops at the position where you pressed
the button.
• To preroll
Press the PREROLL button.
To return the tape to the preroll point
Press the PREROLL button.
The tape is wound back to a position 5 seconds
before the edit IN point, and stops.
To return the tape to the IN point or OUT point
Press the PREROLL button and the IN button or OUT
button simultaneously.
To change the preroll time
The factory default setting for the preroll time is 5
seconds, but you can use menu item 001 to change this
to any value from 0 to 30 seconds. If you change the
preroll time, make sure that the setting is not longer
than the recording length before the edit IN point.
Note that for automatic editing, the preroll time setting
on the recorder takes precedence.
After the preview, make any necessary adjustments to
the edit points, then repeat the preview.
For details of how to modify or delete edit points, see
Section 5-1-5 “Modifying and Deleting Edit Points” (page
5-6).
For details of menu item 001, see Section 10-3 “Items in the
Basic Setup Menu” (page 10-7).
Chapter 5 Editing
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5-1 Automatic Editing
• From the OUT point to the postroll point, you can
monitor the playback from the recorder.
Monitor output
During a preview, on a monitor connected to the
recorder you can monitor the following video and
audio.
The following figure illustrates this.
IN point
OUT point
• From the preroll point to the IN point, you can
monitor the playback from the recorder.
• From the IN point to the OUT point, you can monitor
the playback from the player through the recorder in
E-E mode.
Playback
(recorder)
Playback
(recorder)
E-E mode
(player)
5-1-8 Carrying Out Automatic Editing
Tape transport
Preroll point
Postroll point
OUT point
IN point
Recorder
Preroll
Postroll
Edit segment
Recording overlap
(in case of assemble
editing)
Stop
Player
Time flow
Playback
Stop
Monitor output
Overview
During execution of an automatic edit, as during a
preview, on a monitor connected to the recorder you
can monitor the following video and audio.
• From the preroll point to the IN point, you can
monitor the playback from the recorder.
• From the IN point to the OUT point, you can monitor
the playback from the player through the recorder in
E-E mode.
When you carry out automatic editing, the recorder
and player operate as shown in the figure above, to
copy the video and audio signals between the IN and
OUT points on the player to the segment between the
IN and OUT points on the recorder.
• From the OUT point to the postroll point, you can
monitor the playback from the recorder.
5-8
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The following figure illustrates this.
Z
IN point
OUT point
Playback
(recorder)
Playback
(recorder)
E-E mode
(player)
Using a single monitor for video and audio
on both player and recorder
OUT button
ENTRY button
REVIEW button
AUTO EDIT button
PREVIEW button
For efficient editing if only one monitor is available,
use the following method.
1 Connect the monitor to the recorder.
To change the OUT point after starting
automatic editing operation
2 In the basic setup menu, set item 008 to AUTO.
3 Press the PLAYER button on the recorder.
After starting the automatic editing operation, to end
the operation before the preset OUT point, hold down
the ENTRY button and press the OUT button.
The position where you pressed the button becomes
the OUT point, and editing ends.
This forces the recorder to E-E mode, in which the
player video and audio signals are output to the
monitor.
To abandon automatic editing
Press the STOP button.
Note
The automatic editing operation is abandoned. At the
same time, the PREVIEW button and AUTO EDIT
button start flashing, and the state before the editing
was started is restored.
In this case, the IN and OUT points already set are
preserved so that you can carry out a preview or
automatic editing operation again by pressing the
PREVIEW button or AUTO EDIT button.
In insert editing to tape, it is necessary for audio,
video, and CTL signals to be recorded in advance
throughout the insert editing section on the tape. If you
execute an insert edit over a section where these
signals are not present, noise or breakup can occur in
the audio and video when that section is played back.
Starting automatic editing
Reviewing the editing results
After carrying out an editing operation, you can carry
out a review, to check the editing results on the
monitor.
To carry out a review, after carrying out the edit, and
before you set any new edit points or make other
settings, press the REVIEW button.
The REVIEW button lights, and the review is carried
out.
When you have set the edit points, press the flashing
AUTO EDIT button.
The AUTO EDIT button changes from flashing to
continuously lit, and the automatic editing operation
begins.
At the end of the editing operation, the AUTO EDIT
button goes off.
At the end of the review the REVIEW button goes off,
and the tape returns to the OUT point.
Chapter 5 Editing
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5-1 Automatic Editing
After automatic editing, to adjust the edit
points and reexecute the edit
Hold down the DELETE button and press the ENTRY
button to recall the edit points. After adjusting the edit
points, press the AUTO EDIT button to carry out the
edit again.
For details of how to adjust edit points, see Section 5-1-5
“Modifying and Deleting Edit Points” (page 5-6).
5-10
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5-2 DMC Editing
By controlling the player playback speed from the
recorder, you can achieve variable speed editing.
5-2-1 Overview of DMC Editing
Conditions for DMC editing
DMC editing can be used for insert or assemble
Tape movement during DMC editing
The following figure illustrates how the tapes move on
editing, but not for audio split editing.
the player and recorder during DMC editing.
Tape transport
IN point
OUT point
Postroll
Preroll
Recorder
DMC editing
Playback
Playback
Stop
Preroll time x
initial speed
Postroll time x
final speed
IN point
Player
Time flow
Stop
Tape moves at
initial speed
Playback at stored
varying speed
Tape moves at
final speed
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5-2 DMC Editing
7 When the initial speed setting is complete, release
5-2-2 Carrying Out DMC Editing
the DMC EDIT button.
8 Press the PREVIEW button.
Setting the edit points and player speed
The tape is prerolled and then the recorder starts
operating at normal speed and the player at the set
initial speed.
Use the following procedure.
Z
9 On passing the IN point, the MEMORY indicator
begins to flash: turn the search dial to vary the
playback speed.
While the MEMORY indicator is flashing, the
speed variations are stored in memory. On passing
the OUT point, the MEMORY indicator changes
from flashing to continuously lit, and the variable
speed storing ends.
2,6,7 8 4 1 5 3 6,9
If the MEMORY indicator lights continuously
before the OUT point
This indicates that the memory became full at that
point. Thus even before the OUT point is reached, it is
not possible to record more speed variation.
The maximum capacity is a duration of 120 seconds.
1 Press the ASSEMBLE button or the desired
INSERT button to select the editing mode.
2 Press the DMC EDIT button.
This unit switches to the DMC editing mode, and
the DMC EDIT button lights.
Quitting the DMC edit mode
3 Press the RECORDER button.
Press the DELETE button and DMC EDIT button
simultaneously.
4 Holding down the ENTRY button, press the IN or
OUT button to set an edit point.
Executing the DMC edit
5 Press the PLAYER button, to set the player IN
point.
Press the AUTO EDIT button.
DMC editing is carried out at the stored varying speed.
Once the editing is carried out, the stored speed
variation is lost from memory.
Note
It is not possible to set the player OUT point.
6 Holding down the DMC EDIT button, turn the
search dial, to set the initial speed.
To select normal speed as the initial speed, press
the PLAY button.
To check the editing results
Press the REVIEW button.
The speed you set appears in the speed indication
area.
5-12
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5-3 Special Automatic Editing Methods
This section describes the following automatic editing
methods:
5-3-2 Continuous Editing
• Quick editing
• Continuous editing
• Standalone editing
• Manual editing
• Preread editing
After an automatic editing operation, the recorder
automatically returns to the OUT point. For the
second and subsequent editing operations, you can
continue editing by simply specifying the IN and OUT
points on the player. In this case the current OUT
point on the recorder becomes the new IN point.
5-3-1 Quick Editing
OUT point of preceding edit =
IN point of current edit
After selecting the edit mode, you can save on editing
time by setting the edit points and executing the edit at
the same time.
Recorder
Preceding edit segment
Current edit segment
For quick editing, use the following procedure.
Player
OUT point
IN point
Z
After automatic editing of one edit segment, to carry
out continuous editing use the following procedure.
1 Set the player IN and OUT points.
2 3
1
On the recorder the OUT point for the previous
edit becomes the new IN point.
1 When operating the player, press the PLAYER
button, turning it on, and when operating the
recorder, press the RECORDER button, turning it
on, then stop the tapes on both the player and the
recorder at the positions you wish to make the
respective IN points.
2 Press the PREVIEW button to carry out a preview.
3 Press the AUTO EDIT button.
This executes the edit.
When the editing operation is completed, the
recorder stops at the OUT point, and the player
stops 2 seconds after the OUT point.
2 Press the AUTO EDIT button.
Editing starts.
By repeating this process, you can carry out
continuous editing.
3 Watching the editing on the monitor, at the
position you wish to make the OUT point, hold
down the ENTRY button and press the OUT
button.
By setting setup menu item 326, you can make the preceding
OUT point automatically become the new IN point.
Editing ends.
The point at which you started the editing becomes
the IN point, and the point at which you ended the
editing becomes the OUT point.
If you want to preview
In step 1, after setting the recorder or player IN point,
press the PREVIEW button.
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5-3 Special Automatic Editing Methods
5-3-3 Standalone Editing
6 At the editing end point (the recorder OUT point),
press the PLAY button.
This refers to editing using as the player an external
device which cannot be controlled remotely through
the REMOTE1-IN(9P) connector. For example, you
can record a color bar signal from a signal generator in
the joints between the scenes of an already completed
tape.
Editing ends, and the recorder continues with
playback.
7 Press the STOP button to stop the recorder
playback.
Carrying out standalone editing
Set the IN point with neither the PLAYER button or
RECORDER button lit.
5-3-5 Preread Editing
The AUTO EDIT button flashes, and it is now possible
to carry out automatic editing.
If necessary, you can also first set the OUT point.
Video and digital audio signals already recorded on the
tape can be used as an edit source for insert editing.
This type of editing is called “preread editing”, as this
unit uses the preread heads to read the signals in
advance from the tape.
The signals read out can be send to a mixer for mixing,
and can be recorded either on the original channels or
on other digital audio channels.
For preread editing, set the PREREAD to ON (see
page 9-7).
5-3-4 Manual Editing
Use the following procedure to carry out manual
editing.
1 Press the RECORDER button, turning it on.
2 Use the search dial in jog or shuttle mode to find
the editing start point (the recorder IN point), and
stop the tape just before this point.
Audio source
Digital or analog
audio output
Audio mixer
Note
Digital or analog
audio input
If the recorder is in stop mode, then when editing
starts this section of the video will break up.
3 Select the editing mode.
4 Press the PLAY button.
The recorder begins playback.
Note
Digital or analog
video output
Digital or analog
video input
It takes about two seconds until the playback video
stabilizes. For this reason, start the playback from
before the segment of video you wish to use.
Video switcher
5 At the editing start point (the recorder IN point),
press the EDIT button and PLAY button
simultaneously.
Video source
Editing starts.
5-14
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Notes
• In preread editing, if an input video signal is used as
the reference signal for the output video signal, this
forms a feedback loop. To prevent the occurrence of
feedback, set the F2 (OUTREF)(see page 9-7) in
function menu page 4 to REF, and set item 309 in the
extended setup menu to AUTO1 (see page 10-15) so
as to use an external reference signal.
• When the preread mode is selected, to prevent
feedback due to the loop connection, whatever the
editing mode of this unit, no E-E video output is
available.
When the PREREAD is set to OFF after preread
editing, however, if the loop connection remains and
an E-E signal is output, feedback will occur.
To prevent this, select PB mode for the video and
digital audio channels in all the modes before the
preread editing, as follows.
1 Set F2 (PB/EE) in function menu HOME page to
PB.
2 Set the F6 (PREREAD)(see page 9-7) in function
menu page 4 to ON.
3 Make the necessary connections for the preread
editing.
4 After selecting the desired insert editing mode,
carry out the preread editing.
5 When the preread editing is completed, remove the
connections.
6 Set the PREREAD to OFF.
7 Check that no loop connection remains.
Chapter 5 Editing
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6-1 Overview
This unit can record shot marks or use shot marks
recorded on HDCAM tape. Shot marks are indications
at desired points on a tape which enable faster cuing.
post marks, treating them as varieties of shot marks.
Types of shot mark
This unit supports the following three types of shot
mark. This chapter describes recording start marks and
Writing on this unit
Shot mark type
Writing on a camcorder,
etc.
Modifying and
deleting on this unit
Recording start mark Automatically written at the Written or not according to a separate menu
Possible
start of recording.
setting for each recording mode (crash recording,
assemble editing, insert editing).
For each mode for which the setting is “ON”, the
mark is written automatically at the start of
recording.
Shot mark 1 and
shot mark 2
Written by a manual shot
mark operation during
recording or editing.
Written by a button operation during crash
recording or assemble editing. A menu setting
determines which of three types of mark is
written: shot mark 1, shot mark 2, or post mark.
Post mark
Not written
(Written only by this unit)
Written by a button operation during playback,
while stopped, during a search, or during
recording (crash recording or assemble editing).
First, the shot mark functions of this unit are described
in simple terms.
Cuing up to shot marks
By selecting a desired shot mark from the shot mark
list, you can cue up immediately to that position. By
means of a button operation, you can also cue up to the
shot marks adjacent to the current tape position (index
function).
Reading shot marks
This unit reads in shot marks written on a tape and
stores them in memory (to a maximum of 200).
Once this data is stored in this unit, it is preserved even
when the power is turned off.
Shot data display
When the tape includes shot data (camera, time, and
other information captured at the time of shooting),
you can read this in, and display the details on a
monitor. It is also possible to display the shot mark list
and shot data simultaneously.
Writing and erasing shot marks
For recording start marks, a menu setting determines
whether or not they are written each time recording
starts. Shot mark 1, shot mark 2, and post mark types
can be written at any point on a tape, and also erased
or rewritten.
Sorting shot marks by cassette
When the tape includes shot data, this unit recognizes
which cassette each shot mark comes from. You can
therefore sort the read-in shot marks by cassette in
time code order.
Shot mark list operations
On the monitor, you can display a list of the shot
marks read in by this unit, select required shot marks,
delete shot marks, and so on. You can also add a
memo mark (#) to a shot mark in the list.
During tape playback, you can add virtual shot marks
to the list. This is not written on the tape itself.
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6-1
6-2 Shot Mark Operation Menu
This section describes the settings in the shot mark
operation menu.
Details of the shot mark operation menu
The shot mark operation menu comprises four items,
G01 to G04. The detailed contents appear in the
following table.
Displaying the shot mark operation menu
Item
Item name
Settings
With the function menu HOME page showing in the
menu display, hold down the MARK button, and press
the F5 (MENU) button.
number
G01
Select which shot mark type the
index function searches for, from
the following possibilities:
all
SEARCH
TYPE
rec start mark
Z
shot mark 1
shot mark 2
post mark
G02
LISTING
TYPE
For each type of shot mark,
select whether to read into the
list (ON) or not read (OFF):
rec start mark
shot mark 1
shot mark 2
post mark
F5 (MENU) button
MARK button
G03
G04
RS.MARK
MODE
For each type of recording,
select whether to write recording
start marks (ON) or not write
them (OFF):
crash rec: crash recording
assemble: assemble editing
insert: insert editing
The following menu appears on the monitor.
SHOT MARKER
GO1:SEARCH TYPE - all
GO2:LISTING TYPE
GO3:RS.MARK MODE
MARK IN REC Select the type of shot mark to
write during recording and
assemble editing.
GO4:MARK IN REC shot1
shot mark 1
shot mark 2
post mark
Changing the menu settings
The basic procedure for accessing menu items and
changing settings is the same as for the setup menus.
Note, however, the operations in “To change the
settings of menu items with sub-items” (page 10-3) for
items G02 and G03.
For details of the setup menu operations, see Section 10-2
“Setup Menu Operations”(page 10-2).
6-2
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6-3 Shot Mark Operations
This section describes the operations concerning
reading and writing shot marks. Note that the
following operations cannot be carried out by remote
control.
Reading shot marks from more than one
cassette
After changing the cassettes, carry out the reading
operation again.
Data written in the new cassette will be added as long
as the total does not exceed 200 shot marks. For
example, if 190 shot marks have already read in, only
10 shot marks will be read from the new tape.
In the shot mark list (see page 6-5) the data from
different cassettes is separated by a row of dashes.
6-3-1 Reading Shot Marks
To read in shot marks
With a cassette loaded, hold down the LIST button and
press the F FWD or REW button.
6-3-2 Writing Shot Marks
Z
Writing recording start marks during
recording
In item G03 of the shot mark operation menu (page 6-
2), for each of the three recording modes (crash
recording, assemble editing, and insert editing), select
whether or not to write recording start mark.
When you set a particular mode to “ON”, a recording
start mark is written on the tape each time you start
recording in that mode.
F FWD button
REW button
LIST button
Note
While the shot marks are being read in, the F FWD or
REW button flashes.
The unit searches to the end of the tape, then rewinds
automatically.
When using insert mode, press the TC button to turn
the indicator on.
Writing shot mark 1, shot mark 2, or post
marks
For the procedure for listing the shot marks read in, see
page 6-4.
Selecting the type of shot mark written
In item G04 of the shot mark operation menu (page 6-
2), select one of shot mark 1, shot mark 2, and post
mark.
Note
It is only possible to read in a maximum of 200 shot
marks.
When 200 shot marks have been read in, the control
panel display shows the message “SHOT LIST
FULL”, and the reading stops.
Note
If any of the settings in item G03 of the shot mark
operation menu is set to ON (to write a recording start
mark), then the user bits are overwritten with the shot
mark data for 20 frames from the start of recording in
crash record mode, assemble edit mode, or insert edit
mode.
To cancel the message, press one of the tape transport
buttons.
To stop reading
Press the STOP button.
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6-3
6-3 Shot Mark Operations
To write in crash recording or assemble
editing
Erasing a shot mark
Select the shot mark from the shot mark list, and then
carry out the deletion operation.
1 Hold the MARK button down for at least 2
seconds.
For details of the procedure, see page 6-6.
2 At the position you wish to write the mark, hold
down the ENTRY button, and press the MARK
button.
6-3-3 Shot Mark List Operations
A mark of the type selected in item G04 of the shot
mark operation menu is written.
Displaying the shot mark list
Hold down the ENTRY button and press the LIST
button.
Z
Z
ENTRY button
MARK button
REC/ERASE indicator
ENTRY button
LIST button
Writing during playback, while stopped, or
during a search
When this unit is in any of the playback, stop, or
search modes, you can write a post mark only.
All of the shot mark types for which item G02 in the
shot mark operation menu is set to “ON” appear in the
list. If you do the same operation again, the list display
disappears.
1 Hold the MARK button down for at least 2
seconds.
While the shot mark list is displayed, the function
menu display changes as follows.
The REC/ERASE indicator lights.
SHT
2 At the position you wish to write the mark, hold
down the ENTRY button and press the MARK
button.
MRK MEMO SELECT DELETE
SETING
EXIT
A post mark is written the instant you pressed the
MARK button.
While the mark is being written, the message
“RECORD SHOT MARK” appears on the
monitor, and the REC/ERASE indicator flashes.
6-4
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A virtual shot mark appears on the monitor as “V-
MARK xxx” (xxx is the number). This is not written to
the tape.
Example of list display
The following figure shows how the list is organized.
Adding a memo mark (#)
Shot mark number of current cursor
position / total number of stored shot
marks
Select the shot mark to which you wish to add the
memo mark, then press the F1 (MEMO) button.
Repeat this operation to remove a memo mark.
Separator
between read-in
groups of shot
marks
SHOT MARKER
(011/180)
NO.
----------------------------
*011 S1 10:04:05:11
012 R 10:05:35:24
013 V 10:07:05:02
----------------------------
014 R 10:08:35:04
015 S2 10:09:05:11
016 R 10:10:35:24
TIME CODE
Cursor (current
shot mark position)
Selecting the types of shot mark to be
read in the list
Position in list
For each of the types of shot mark (recording start
mark, shot mark 1, shot mark 2, and post mark) you
can specify whether it is read in.
017 #R 10:10:36:00
Time code
In item G02 of the shot mark operation menu, set the
required types to “ON”.
Shot mark type
R: recording start mark
S1: shot mark 1
S2: shot mark 2
V: virtual shot mark
P: post mark
For details of the menu, see page 6-2.
#: memo mark
You can also use the following procedure to specify
whether shot marks that have been read are displayed
or not.
Selecting a shot mark
1 With the shot mark list displayed, press the F5
Turn the MULTI CONTROL knob to align the asterisk
cursor with the desired shot mark.
(SETING) button.
You can now select the shot mark types.
The function menu display changes as follows.
SHT
Entering virtual shot marks
MRK PREV
NEXT
OFF
ON
EXIT
When the unit is stopped, performing playback, or
searching with the REC/ERASE indicator off, hold
down the ENTRY button and press the MARK button.
2 Press the F1 (PREV) or F2 (NEXT) button to
select a shot mark type.
3 Press the F4 (ON) or F3 (OFF) button to switch
between ON (displayed) and OFF (not displayed).
Z
4 To return to the shot mark list, press the F6 (EXIT)
button.
Deleting a shot mark from the list
To delete a shot mark or the shot mark list, you can use
the F2 (SELECT) button instead of the MARK button,
and the F3 (DELETE) button instead of the DELETE
button.
ENTRY button
MARK button
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6-5
6-3 Shot Mark Operations
1 With no shot mark list displayed, hold the MARK
To delete an individual shot mark
Use the following procedure.
button down for at least 2 seconds.
The REC/ERASE indicator lights, indicating that
you can rewrite or erase shot marks.
Z
2 Display the shot mark list.
3 Turn the MULTI CONTROL knob to select on the
list the shot mark you wish to erase.
4 Press the DELETE button and MARK button
simultaneously.
3
2 1
During the erasure process the message “ERASE
SHOT MARK” appears, and the REC/ERASE
indicator flashes.
1 With the shot mark list displayed, select the shot
mark to be deleted using the MULTI CONTROL
knob.
5 When the shot mark has been erased, close the shot
mark list.
2 Hold the MARK button down.
6 Hold down the MARK button for at least 2
While you hold down the button, an “X” appears
after the selected shot mark number, indicating that
it will be deleted.
seconds, to turn off the REC/ERASE indicator.
To delete more than one shot mark, while holding
down the MARK button turn the MULTI
CONTROL knob to select all of the shot marks.
6-3-4 Cuing Up to Shot Marks
3 With the MARK button held down, press the
Cuing up to a selected shot mark
DELETE button.
Use the following procedure.
This deletes the shot marks which were marked by
an “X”.
Z
To delete the entire list
Hold down the DELETE button and press the LIST
button.
This deletes all shot marks from the list. This does not
erase marks from the tape.
Erasing shot marks from the tape
MARK button
2
1
To erase a shot mark, use the following procedure.
F FWD button
Note
REW button
Once you erase a shot mark from the tape, it cannot be
read back in.
1 Turn the MULTI CONTROL knob to select the
desired shot mark from the shot mark list.
2 Press the PREROLL button.
6-6
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The tape is played back, and the shot data displayed.
Cuing up to shot marks adjacent to the
current tape position (index function)
To delete the shot data
Once again hold down the ENTRY button, and press
the PLAY button.
1 In item G01 of the shot mark operation menu
(page 6-2), select one of recording start mark, shot
mark 1, shot mark 2, and post mark, or select all.
Example of shot data display
2 Holding down the MARK button, press the F FWD
button or REW button.
The shot data display appears as shown below.
While the tape is moving, the F FWD button or
REW button flashes.
MODEL NAME DNW 0090
SERIAL NUMBER 010001
DATE
TIME
CASSETTE NUMBER 0095
SHOT NUMBER 0052
1998.05.11
12.55.10
When the shot mark is detected, its type is displayed in
time data display area 2 (page 2-8) on the lower
control panel and in the character information display
on the monitor screen.
ID1
ID2
ID3
ID4
AAAAAAAAAAAA
BBBBBBBBBBBB
CCCCCCCCCCCC
DDDDDDDDDDDD
Camera IDs
For details of character information display on the monitor
screen, see F4 (CHARA) in function menu page 4 (page 9-7)
and setup menu item 005 (page 10-7).
Recording
time code
TCR 23:59:59:29
The details in the shot data depend on the shooting
conditions. If because of the devices used there is no
shot data on a part of the tape, it appears as blank.
Note
You cannot use the above procedure to cue up to a
virtual shot mark.
Displaying the shot data on the shot mark
list
6-3-5 Reading In Shot Data
When there is shot data (time, device, and other
information about the shooting) written on the tape,
you can read it in and display it on the monitor.
Turn the MULTI CONTROL knob to position the
cursor on a separator in the shot mark list.
If there is shot data recorded when the immediately
following shot mark was written, it appears in the
display as shown below.
Displaying the shot data
Model name (4 characters)
Model number (4 digits)
Holding down the ENTRY button, press the PLAY
button.
Serial number (6 digits)
Cassette number (4 digits)
SHOT MARK
(---/180)
NO. TIME CODE
Z
Shot data
*012345-DNW_-0123-4567-
011 S1 10:04:05:11
012 R 10:05:35:24
013 V 10:07:05:02
----------------------------
014 R 10:08:35:04
015 S2 10:09:05:11
016 R 10:10:35:24
017 R 10:10:36:00
First shot
mark in the
group
PLAY button
ENTRY button
You can sort the shot marks in the list, based on the shot
data. For details, see the next section.
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6-7
6-3 Shot Mark Operations
6-3-6 Sorting Shot Marks
Based on shot data recorded on the tape, you can
separate the shot marks by cassette, and sort them in
time code sequence.
1 With the shot mark list displayed, press the F5
(SETING) button.
2 Press the F2 (NEXT) button, and select SORTING
To sort the shot marks
Use the following procedure.
LIST.
3 Press the F4 (ON) button to change the setting to
ON.
Z
Sorting starts. When it ends, the setting indication
returns to OFF.
For example, if shot marks have been read in twice
from the same cassette, these can be collated as shown
in the following figure.
2 3
1
After sorting
Before sorting
SHOT MARKER
(---/180)
TIME CODE
SHOT MARKER
(---/180)
TIME CODE
NO.
NO.
*012345-DNW_-0123-4567-
011 S1 10:04:05:11
*012345-DNW_-0123-4567-
011 S1 10:04:05:11
Cassette 1
Cassette 1
Cassette 3
----------------------------
----------------------------
012 S2 10:09:05:11
012 V
013 R
----------------------------
014 S2 10:09:05:11
015 R 10:10:35:24
016 R 10:10:36:00
----------------------------
017 R 10:05:35:24
10:07:05:02
Cassette 2 (first time)
10:08:35:04
013 R
014 R
----------------------------
10:10:35:24
10:10:36:00
Cassette 3
015 R
016 V
017 R
10:05:35:24
10:07:05:02
10:08:35:04
Cassette 2 (first and second
times)
Cassette 2 (second time)
Shot marks from the cassette 2 read in twice are
collated, and arranged in time code sequence.
6-8
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7-1 Overview of Tele-File Functions
Tele-File is a non-contact data carrier system.
Data management in clip units
Tele-File enables data writing/reading between
cassettes with memory labels and VTRs. It increases
the efficiency of operations such as recording,
playback and editing, and source data management.
In Tele-File, data is managed in units called “clips.” A
clip consists of the following data items, whose
settings can be displayed and changed.
• Cue point
• Write protect
• Mark
• Recording start point
• IN point
• OUT point
• Take number
• Cut number
• Scene number
• Comment
Memory label
Data library management with handy
reader/writer
Newly developed IC
An optional handy reader/writer (supporting Memory
Stick) is available to facilitate data library
management.
The Tele-File system employs a newly developed
memory IC with the following features.
• Thin design: With a thickness of 0.5 mm, the IC can
be attached to cassettes as a memory label.
• Memory capacity: 1 KB (user area, rewritable)
• Data transfer speed: 100 kbps
• Security functions: Reading and writing authorization
can be controlled through multiple passwords and
permission settings.
Chapter 7 Tele-File
7-1
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7-2 Opening the Tele-File Menu
Opening from the function menu
Configuration of the Tele-File menu
Display page 5 of the function menu in the menu
display section, and then press the F1 (TELE-F)
button.
The Tele-File menu has a tree structure, as illustrated
below.
When the menu first opens, the menu operation mode
is clip data display mode.
The Tele-File menu opens.
[Tele-File menu]
For details about the function menu, see Chapter 9
“Function Menu” (page 9-1).
Clip data display mode
Attribute data display/
modify mode
Opening automatically
Clip data modify mode
When setup menu item 134 is set to ON, and when the
current function menu page is HOME, HOME2, or
page 1 to page 5, the Tele-File menu opens
automatically whenever a Tele-File label is detected on
a cassette loaded into the VTR.
Undo check mode
For details about setup menu item 134, see Section 10-4
“Items in the Extended Setup Menu” (page 10-10).
7-2
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7-3 Tele-File Menu
7-3-1 Clip Data Display
For more information about how to display menus on the
monitor, see the section “To display menus on the monitor”
(page 10-2).
How to read the display
Shown below are examples of the default menu
displays in the menu display section and the monitor
display.
Menu display section
Tele-File menu indicator
Data type indicator
Setting display area
TEL Cue
E-F ATTRIB SELECT
UNDO WR/EXT
HOME
F1
F2
F3
F4
F5
F6
Menu items (functions)
Monitor display
Title
Number of selected clip
Final data recording date
TELE-FILE : TEST 01
2001/07/21
Cue Point
No. 0001 48%
WP Mark R
Remaining memory
percentagea)
Data type
*00:00:02:10 ON KEEP
00:00:31:10
00:00:57:10
@
Clip No. 0001
Clip No. 0002
Clip No. 0003
.
.
.
a) The Tele-File memory always contains the attribute data so that this indication never shows “100%.”
Menu display section
Cue: Cue point
Protct: Write protected
Mark: Mark
R-Strt: Recording start point
IN: IN point
Tele-File menu indicator
Indicates that the menu display section is currently
displaying the Tele-File menu.
OUT: OUT point
Take: Take number
Cut: Cut number
Scene: Scene number
Comnt: Comment
Data type indicator
Indicates the type of data selected with the clip data
display mode. There are the following types.
Chapter 7 Tele-File
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7-3 Tele-File Menu
Setting display area
Menu items (functions)
Displays the setting of the currently selected data type,
Display menu items (functions).
and a cursor (“*” or “>”).
These are common for all of the data items in clip data
display mode. The function assignments for each item
are as follows.
The meaning of the cursor symbols is as follows:
*: Indicates that the mode is clip data display mode
or attribute data display/modify mode, and that
data is selected.
>: Indicates that the mode is clip data modify mode
or attribute data display/modify mode, and
prompts for data entry or modification.
Clip data display mode menu items
Item name
Setting
F1 (ATTRIB)
Selects attribute data display/modify mode.
For details about attribute data display/modify mode, see Section 7-3-5 “Displaying and Modifying Attribute
Data” (page 7-11).
F2 (SELECT)
Selects a data modification mode for the data selected in the clip. The cursor changes from “*” to “>”.
Note
In the following cases, the SELECT item does not appear, and it is not possible to select a data
modification mode.
• When setup menu item 133 is set to REMOTE
• When the memory label itself is write protected
For more information about clip data modifications, see Section 7-3-3 “Modifying Clip Data” (page 7-7).
F3 (T)
Selects data in a clip.
With each press, the “*” cursor moves to select the previous data item. The display scrolls to the left when
the cursor moves to data that is not currently displayed.
F4 (t)
Selects data in a clip.
With each press, the “*” cursor moves to select the next data item. The display scrolls to the right when the
cursor moves to data that is not currently displayed.
F5 (UNDO)
Selects undo check mode. This button appears and is enabled when data has been modified after being
read from the Tele-File label.
For more information about undo check mode, see Section 7-3-4 “Undo/Resume Functions” (page 7-10).
Writes data and exits from the Tele-File menu (return to function menu page 5).
F6 (WR/EXT)
Note
If you attempt to change clip data that is write-
protected, the message “PROTECTED CLIP!”
appears, and it is not possible to change the data.
Remove the write-protect setting (see page 7-9).
7-4
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Monitor display
To select clips
Title
Rotate the MULTI CONTROL knob in clip data
display mode.
The data for the selected clip appears in the menu
display section, where it is selected.
In the monitor display, the “*” cursor moves up and
down as clips are selected.
The title (maximum 14 characters) set in attribute data
display/modify mode.
Selected clip number
A 4-digit number representing the number of the
selected clip (with the “*” cursor).
Data which is not visible is selected and displayed
after scrolling.
Remaining memory percentage
The percentage of remaining memory (user area)
available for use.
If there is not sufficient free memory, the message
<<MEMORY FULL!!>> appears (stays lit for three
seconds) in time data display area 2 when you attempt
to add data.
TELE-FILE : TEST 01
2001/07/21
Cue Point
No. 0001 48%
WP Mark R
00:00:02:10 ON KEEP
*00:00:31:10
00:00:57:10
@
Cursor
Final data recording date
The data (year/month/day) on which data was most
recently recorded.
Data type
To select data in a clip
The data type. The displayed data is the same as the
data displayed in the menu display section, but some
of the captions are different. There are the following
types.
In clip data display mode, press the F3 (T) or F4 (t)
button.
Cue Point: Cue point
WP: Write protected
Mark: Mark
The “*” cursor moves and data is selected. Data which
is not visible is selected and displayed after scrolling.
R: Recording start point
IN Point: IN point
OUT Point: OUT point
Tk: Take number
TELE-FILE : TEST 01
2001/07/21
Cue Point
No. 0001 48%
WP Mark R
(Scrolling)
00:00:02:10 *ON KEEP
00:00:31:10
00:00:57:10
@
Cut: Cut number
Scn: Scene number
Cursor
Comment: Comment
Clip data No. 0001...
Data is displayed for 1 clip per line.
Clips are assigned consecutive numbers, beginning
with No. 0001 for the clip on the top line.
Chapter 7 Tele-File
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7-3 Tele-File Menu
Moving the cursor directly
To cue up the cue point, IN point, or OUT
point
Regardless of the cursor’s current position, pressing
one of the following buttons moves the cursor directly
to the specified position in the same clip and displays
the data.
IN (video IN point) button: IN point data
OUT (video OUT point) button: OUT point data
MARK button: Cue point data
1 Select a clip.
2 Press the PREROLL button while holding down
the IN (video IN point), OUT (video OUT point),
or MARK button.
The unit exits from the Tele-File menu and cues up
the position of the data selected in step 2 (the cue
point position if the MARK button was pressed).
To display the duration
Press the IN (video IN point) and OUT (video OUT
point) buttons simultaneously. The cursor moves to the
IN point data of the same clip, and the duration
appears while the buttons are held down. If there is no
IN point or OUT point data, the duration is displayed
as 0:00:00:00.
Note
The unit does not preroll if there is no data for the
selected point.
7-3-2 Preroll and Cue Up Using
Clip Data
In clip data display mode, you can use clip data to
preroll and cue up.
To preroll to the cue point, IN point, or
OUT point
1 Select a clip.
2 Select the cue point, the IN point, or the OUT
point.
3 Press the PREROLL button.
The unit exits from the Tele-File menu and prerolls
to the position of the selected data.
The preroll time is according to the setting of setup
menu item 001.
Note
The unit does not preroll if there is no data for the
selected point.
7-6
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7-3-3 Modifying Clip Data
To modify clip data, put the unit into clip data display
mode and then press the F2 (SELECT) button to put it
into clip data modification mode (the cursor changes to
“>”).
The function assignments for menu items in clip data
modification mode are as follows.
Clip data modification mode menu items
Item name
Setting
F1 (RETURN)
F2 (MODIFY)
Returns to clip data display mode.
Changes the setting of the selected data, or makes a new setting.
The function button changes according to the data type.
See the following for more information about how to set the various data types.
• Cue point, IN point, OUT point: “To set time code data” (page 7-8)
• Write protect, mark, recording start point: “To make write protect, mark, and recording start point settings”
(page 7-9)
• Take number, cut number, scene number: “To make take number, cut number, and scene number
settings” (page 7-9)
• Comment: “To make comment settings” (page 7-10)
F3 (DELETE)
Deletes the data setting value. Enabled when cue point, IN point, OUT point, take number, cut number,
scene number, or comment data is selected.
A confirmation message appears. Press one of the following buttons to confirm or cancel the operation.
• F1 (CANCEL): Cancels the deletion and returns to clip data display mode.
• F2 (OK): Executes the deletion and returns to clip data display mode.
F4 (DEL LN)
F5 (INS LN)
Deletes the selected clip.
A confirmation message appears. Press one of the following buttons to confirm or cancel the operation.
• F1 (CANCEL): Cancels the deletion and returns to clip data display mode.
• F2 (OK): Executes the deletion and returns to clip data display mode.
Inserts a clip at the cursor position.
A confirmation message appears. Press one of the following buttons to confirm or cancel the operation.
• F1 (CANCEL): Cancels the insertion and returns to clip data display mode.
• F2 (OK): Executes the insertion and returns to clip data display mode.
HOME + F4
Deletes all clips.
(DELETE ALL)
A confirmation message appears. Press one of the following buttons to confirm or cancel the operation.
• F1 (CANCEL): Cancels the deletion and returns to clip data display mode.
• F2 (OK): Executes the deletion and returns to clip data display mode.
Note
If you attempt to change clip data that is write-
protected, the message “PROTECTED CLIP!”
appears, and it is not possible to change the data.
Remove the write-protect setting (see page 7-9).
Chapter 7 Tele-File
7-7
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7-3 Tele-File Menu
To add and delete clips
To add clips
To set time code data
Proceed as follows to make or change settings for cue
point, IN point, and OUT point data.
1 Rotate the MULTI CONTROL knob to move the
“*” cursor to the position where you want to insert
the clip.
1 Select a clip.
2 Select cue point, IN point, or OUT point.
3 Press the F2 (SELECT) button.
The unit enters clip data modification mode.
4 Press the F2 (MODIFY) button.
2 Press the F2 (SELECT) button.
The unit enters clip data modification mode.
3 Press the F5 (INS LN) button.
A confirmation message “INSERT CLIP OK?”
appears.
The two most significant digits begin to flash, and
the data can be set or modified.
4 Press the F2 (OK) button.
5 Press the F3 (T) or F4 (t) button until the digit
The clip is added at the position to which you
that you want to set starts flashing.
moved the cursor in step 1.
6 Rotate the MULTI CONTROL knob to make the
To delete clips
setting.
1 Select the clip to delete.
To display the offset from the previous setting
value
2 Press the F2 (SELECT) button.
The unit enters clip data modification mode.
3 Press the F4 (DEL LN) button.
The offset is displayed as long as you hold down
the F2 (OFFSET) button.
7 Repeat steps 5 and 6 until you have set all the
required digits.
A confirmation message “DELETE THIS CLIP
OK?” appears.
8 Press the F5 (SET) button.
The setting is confirmed and the unit returns to clip
data display mode.
4 Press the F2 (OK) button.
The clip selected in step 1 is deleted.
To cancel the setting or modification and return
to clip data display mode
Press the F1 (CANCEL) button.
7-8
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To set the set or modified data as other time
data
To make take number, cut number, and
scene number settings
Press the F6 (SET TO) button and select the time
data (cue point, IN point, or OUT point), and then
press the F5 (SET) or F6 (SET NL) button. The
position where the data is set differs as follows,
depending on the button pressed.
• F5 (SET): The data is set in the selected time
data position.
• F6 (SET NL): A new clip is added at the lowest
line and the time data is set at the selected data
position in the new clip.
Proceed as follows to make take number, cut number,
and scene number settings.
1 Select a clip.
2 Select take number, cut number, or scene number.
3 Press the F2 (SELECT) button.
The unit enters clip data modification mode.
4 Press the F2 (MODIFY) button.
To make write protect, mark, and
recording start point settings
The most significant digit begins to flash, and the
data can be set.
Proceed as follows to make write protect, mark, and
recording start point settings.
5 Press the F3 (T) or F4 (t) button until the digit
1 Select a clip.
that you want to set starts flashing.
2 Select write protect, mark, or recording start point.
3 Press the F2 (SELECT) button.
The unit enters clip data modification mode.
4 Press the F2 (MODIFY) button.
6 Rotate the MULTI CONTROL knob to make the
setting.
7 Repeat steps 5 and 6 until you have set all the
required digits.
8 Press the F2 (SET) button.
The data entry area begins to flash, and the data
can be set.
The setting is confirmed and the unit returns to clip
data display mode.
5 Select the data by pressing the F3 (+) or F4 (–)
button or rotating the MULTI CONTROL knob.
6 Press the F2 (SET) button.
The data setting is confirmed and the unit returns
to clip data display mode.
Chapter 7 Tele-File
7-9
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7-3 Tele-File Menu
To make comment settings
Proceed as follows to make comment settings.
1 Select a clip.
7-3-4 Undo/Resume Functions
Undo function
The undo function cancels all modifications and
returns the data to the state it was in when first read.
Press the F5 (UNDO) button in clip data display mode.
A confirmation message appears. Press the F2 (OK)
button to execute the undo and cancel all modifications
to the data.
2 Select comment.
3 Press the F2 (SELECT) button.
The unit enters clip data modification mode.
4 Press the F2 (MODIFY) button.
Resume function
If you have not modified any data since the last
execution of the undo function, you can press the F5
(UNDO) button again. The button functions as a
resume button, which cancels the immediately
preceding undo.
The data entry area begins to flash, and the data
can be set.
Press the F5 (UNDO) button in clip data display mode.
A confirmation message appears. Press the F2 (OK)
button to execute the resume and cancel the
immediately preceding undo.
5 Enter a character by rotating the MULTI
CONTROL knob.
6 Press F4 (t) button to move to the next character
place.
7 Repeat steps 5 and 6 until you have entered the
entire comment.
To delete characters
Press the F3 (T) or F4 (t) button until the
character that you want to delete starts flashing,
and then press the F5 (DELETE) button.
To insert characters
Press the F3 (T) or F4 (t) button until the
character place after the place where you want to
insert starts flashing, and then press the F6
(INSERT) button.
8 Press the F2 (OK) button.
The comment is confirmed and the unit returns to
clip data display mode.
7-10
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7-3-5 Displaying and Modifying Attribute Data
You can display and modify attribute data. The
example below shows attribute data displayed on the
monitor.
TELE-FILE INFORMATION
*REC DATE 2001/07/21
Video final recording date
TITLE TEST 01
ID
ADMIN
Administrator data
MODEL
SERIAL 00000
WRITE INHIBIT OFF
THREAD COUNT 00012
Number of cue points
CUE POINT No. 0003
CONTROL MODE panel
SIZE 01024 USED 0270
Memory size
Amount of memory used
Video final recording date
Write inhibit setting
The most recent date (year/month/day) on which video
was recorded on the tape.
Whether the entire Tele-File is write inhibited.
The write inhibit setting can be modified.
Title
Thread count
The title (name assigned to Tele-File, etc., maximum
24 characters).
The thread count value recorded on the tape.
The title can be modified.
Number of cue points
The number of cue points recorded in the Tele-File.
You can check the cue point values in clip data display
mode.
ID
The ID (unique number assigned to Tele-File,
maximum 24 characters).
The ID can be modified.
Control mode
The setting of menu item 133.
Administrator data
For more information about menu item 133, see page 10-12.
Data about the administrator of the cassette or tape
material (maximum 16 characters).
The administrator data can be modified.
Memory size
The size of the memory in the Tele-File (unit: bytes).
Model name
The model name of the VTR that recorded most
recently to the tape.
Amount of memory used
The amount of memory currently being used (unit:
bytes).
Serial number
The serial number of the VTR that recorded most
recently to the tape.
Chapter 7 Tele-File
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7-3 Tele-File Menu
To modify attribute data
To format the Tele-File memory
You can modify the title, ID, administrator data, and
write inhibit setting attributes.
You can format the Tele-File memory (erase all
modifiable data). However, the memory cannot be
formatted in the following cases.
• When the write inhibit setting is ON
• When the control mode is “remote”
However, the attributes cannot be modified when the
control mode is “remote.” The modification is not
possible when the write inhibit setting is ON, either.
Proceed as follows after setting the write inhibit setting
to OFF.
To format Tele-File memory, proceed as follows.
1 Press the F4 (FORMAT) button.
A confirmation message appears.
1 Rotate the MULTI CONTROL knob to select the
item.
The F2 (SELECT) button is enabled when you
select an item that can be modified (title, ID,
administrator data, and write inhibit setting).
2 Press the F2 (OK) button.
All modifiable data is erased.
2 Press the F2 (SELECT) button.
Note
The data can be set or modified.
In the following cases, the FORMAT item does not
appear, and it is not possible to select a data
modification mode.
• When setup menu item 133 is set to REMOTE
• When the memory label itself is write protected
3 Rotate the MULTI CONTROL knob to set or
modify the data..
4 Press the F2 (SET) button.
The change to the setting is confirmed.
Note
In the following cases, the SELECT item does not
appear, and it is not possible to select a data
modification mode.
• When setup menu item 133 is set to REMOTE
• When the memory label itself is write protected
7-12
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8-1 Overview of UMID Functions
The UMID (Unique Material Identifier) is a type of
meta-data in video and audio materials. It has been
internationally standardized in SMPTE Standard
330M. This unit supports recording and generation of
UMIDs.
The UMID is made up of a section called the “Basic”
section and a section called the “Source Pack” section.
The Basic section contains information such as the
device that recorded the material and whether the
material is the original or a copy. The Source Pack
section contains information about when/where/who
recorded the material.
A UMID with a Basic section only is called a Basic
UMID. A UMID with both Basic and Source Pack
sections is called an Extended UMID. The following
figure shows a general overview of the information
contained in a UMID.
UMID
Basic
Instance Number
Copy or original
Material Number
Which device recorded the original
Source Pack
Date/Time
When was it recorded
Spatial Co-ordinates
Where was it recorded
Stored Ownership
Who recorded it
Note
UMID functions are available on units with serial
number 36001 or higher.
Chapter 8 UMID Functions
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8-2 Recording UMIDs
UMIDs can be recorded when recording video signals
with this unit. You can select whether to inherit (copy)
the UMID contained in input signals, or automatically
or forcibly generate a new UMID.
Selecting the SDI VANC line to inset the
UMID
You can select the VANC1) line into which the
generated UMID should be inserted. Make this
selection by using setup menu item 653 UMID SDI
VANC LINE.
Selecting the type of UMID to record
Select whether to record a Basic UMID or an Extended
UMID by using setup menu item 655 UMID
RECORDING.
See page 10-18 for more information about setup menu item
653.
See page 10-18 for more information about setup menu item
655.
To set Stored Ownership
If you wish to set Stored Ownership (data in the
Source Pack which indicates “who”) when generating
a UMID, call up item 029 STORED OWNERSHIP in
the setup menu and proceed as follows.
Selecting whether to inherit or generate
the UMID
When recording a UMID, you can select whether to
inherit (copy) the UMID contained in input signals, or
generate a new UMID. Make this selection by using
setup menu item 656 MATERIAL NO.
See Section 10-2 “Setup Menu Operations” (page 10-2) for
more information about basic setup menu operations.
1 Set setup menu item 029 to “on” and press the F5
(SET) button.
See page 10-19 for more information about setup menu item
656.
The Stored Ownership setting screen appears. (The
following figure shows the monitor screen.)
Selecting the Instance Number generation
method when inheriting UMIDs
ITEM-029
If you choose to inherit the UMID contained in input
signals, almost all of the information in the UMID is
copied without change, but the Instance Number
changes to a value which indicates that “this UMID is
a copy”. The new value can be generated from a 16-bit
pseudo-random number with the addition of the
number of copies (1 byte), or it can be generated from
a 24-bit pseudo-random number. Select the method
used to generate the Instance Number by using setup
menu item 654 UMID GENERATE METHOD.
STORED OWNERSHIP
COUNTRY
ORGANIZATION
*USER
- XXXX
- YYYY
- ABCD
2 Press the F3 (PREV) and F4 (NEXT) buttons to
select the item you want to set (COUNTRY,
ORGANIZATION, or USER).
See page 10-18 for more information about setup menu item
654.
The selected item (example: USER) is shown in
F2.
SET 029:USER
- ABCD
PREV
UP
ITEM
USER
F2
NEXT
F4
SET
F5
EXIT
F6
HOME
F1
F3
..........................................................................................................................................................................................................
1)VANC: Vertical ancillary (data)
8-2
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3 Press the F2 (USER) button.
2 Press the F5 (SET) button.
4 The content of the setting is a character string (in
this example “ABCD”). Select any character to
change in the string by pressing the F3 (PREV)
and F4 (NEXT) buttons.
The OFFSET TO UTC item appears.
ERR OFFSET TO UTC
+09:00
–
LOG PREV
NEXT
+
SET
F5
EXIT
F6
HOME
F1
F2
F3
F4
The selected character flashes.
ERROR LOGGER
(014/023)
5 Rotate the MULTI CONTROL knob to display the
desired character in the position of the flashing
character.
014 REFERENCE MISSING
015 A PB DATA ERROR
016 V PB DATA ERROR
TAPE ERROR
WARNING
CONDITION
ON
ON
ON
6 Repeat steps 4 and 5 for all of the characters that
*OFFSET TO UTC
Push SET button
2001 12 24 23:59:59
+09:00
you want to change.
7 • If you do not want to change the other items
(COUNTRY and ORGANIZATION), proceed to
step 8.
3 Press the F1 (PREV) and F2 (NEXT) button to
select the OFFSET TO UTC item, and use the
MULTI CONTROL knob or the F3 (–) and F4 (+)
buttons to set the offset to UTC time.
• If you want to change the other items, press the
F1 (ITEM) button and proceed as in steps 2 to 6.
For example, if the local time is 9 hours in advance
of UTC, set to “+9:00”.
8 Press the F5 (SET) button.
4 Press the F5 (SET) button.
The changed settings are confirmed.
This makes the setting effective.
To cancel changes and exit the setup menu
Press the F6 (EXIT) button.
Time zone settings
The UMID uses the UTC (Coordinated Universal
Time) time standard. Setting this unit’s built-in
calendar clock to the local time, and then setting a time
zone to indicate the difference from global UTC
standard time allows correct UMIDs to be generated.
To set the time zone, display the HOME page of the
function menu and proceed as follows.
See Section 9-1-2 “Using the Function Menu” (page 9-2)
for more information about function menu operations.
1 With the ENTRY button in the editing control
section held down, press the F5 (MENU) button.
The error logger screen appears.
Refer to the Maintenance Manual Volume 1 for more
information about the error logger.
Chapter 8 UMID Functions
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8-3 UMID Output and Display
This section explains how to output and display
UMIDs.
UMID display on the video monitor
The video monitor connected to the COMPOSITE
VIDEO OUTPUT 3 (SUPER) connector or the SDI
OUTPUT 3 (SUPER) connector on the connector
panel displays all UMID items at once. The display of
each line is explained below.
8-3-1 UMID Output Settings
You can choose to output UMIDs or not, and select
either Basic UMID or Extended UMID when you
choose to output UMIDs. Make these settings using
setup menu item 651 UMID OUTPUT.
UMID INFORMATION
INSTANCE 24PRS XX-XX-XX
MATERIAL SMPTE
1
2
See page 10-18 for more information about setup menu item
651.
XX-XX-XX-XX-XX-XX-XX-XX
XX-XX-XX-XX-XX-XX-XX-XX
DATE/TIME 20XX/XX/XX
XX:XX:XX:XX +XX:XX
3
4
8-3-2 UMID Display
5
6
7
8
9
ALTITUDE XXXXXXXXm
LONGITUDE EXXX XX'XX.XX
LATITUDE SXXX XX'XX.XX
ORGANIZATION XXXX
During recording and playback, UMID data appears in
the menu display section of the control panel and on
the video monitor.
USER XXXX COUNTRY XXXX
1 Instance Number generation method and
Instance Number
To display the UMID
The generation method is displayed as follows.
CP+16: “16-bit PRS (pseudo-random sequence)
+Copy No.” method
In function menu page 5, press the F2 (UMID) button.
See Section 9-1-2 “Using the Function Menu” (page 9-2)
for more information about function menu operations.
24PRS: 24-bit PRS method
others: Other than the above
The UMID appears in the menu display section of the
control panel and on the video monitor.
2 Material Number generation method
SMPTE: SMPTE method
IEEE 1394 ZONE: IEEE 1394 ZONE method
IEEE 1394 RND: IEEE 1394 RND method
others: Other than the above
First item in UMID displayed in menu display section
When menu item 656 MATERIAL NO. is set to
NEW, the SMPTE method is used.
INSTANCE 24PRS XX-XX-XX
UMI
D
EXIT
F6
HOME
F1
F2
F3
F4
F5
3 Material Number
The material number is displayed in hexadecimal
across two lines.
See the next section “UMID display on the video monitor”
for examples of the UMID displayed on the video monitor.
The following items, 4 through 9, are contained in
the Source Pack.
To switch the displayed UMID item in the
menu display section
Rotate the MULTI CONTROL knob.
4 Date/Time
Date/Time data is displayed across two lines.
The upper line shows the MJD (Modified Julian Date)
contained in the Source Pack, converted to UTC.
The lower line shows the data in unit count format
(hours : minutes : seconds : frame) converted to UTC.
To exit from UMID display
Press the F6 (EXIT) button.
8-4
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Note
The function for converting unit count to UTC works
only when the unit rate is 2 (24 frames), 3 (24/1.001
frames), 4 (25 frames), 6 (30 frames), or 7 (30/1.001
frames). For other unit rates, the unit rate number and
unit rate are displayed in hexadecimal.
5 Altitude
XXXXXXXXm: Altitude data indicating the distance
from the center of the earth is displayed in this
format.
S+XXXXXXXm Y+D: Altitude data indicating the
distance from sea level is displayed in this format.
The meaning of the characters and strings shown
is as follows.
• “S” (1st character): Indicates data from a Sensor.
“R” is shown for position data from the
recording device (Recorder), and “T” is shown
for Target position data.
• “+” (2nd character): Indicates higher than sea
level. “–” indicates lower than sea level.
• “XXXXXXXm” : Altitude data (unit meters).
• “Y”: The number of satellites used to calculate
position data (hexadecimal).
• “D”: DOP (dilution of precision) value.
• “+” (between Y and D): Displayed when a
supportive apparatus was used. A space (blank)
is displayed when no supportive apparatus was
used.
6 Longitude
Following “W” to indicate west longitude or “E” to
indicate east longitude, the longitude is displayed in
degrees, minutes, and seconds (seconds are shown up
to 2 decimal places).
Example: “E134 59’23.00” for “East longitude 134
degrees 59 minutes 23.00 seconds”
7 Latitude
Following “N” to indicate north latitude or “S” to
indicate south latitude, the latitude is displayed in
degrees, minutes, and seconds (seconds are shown up
to 2 decimal places).
Example: “N34 59’23.32” for “North latitude 34
degrees 59 minutes 23.32 seconds”
Chapter 8 UMID Functions
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9-1 Overview
The function menu allows you to make frequently
made settings, such as selection of input video signals
and time code settings.
HOME2 page (user-defined function keys)
Up to six function keys can be defined (i.e. six
functions can be assigned to the F1 to F6 buttons in the
HOME2 page).
You can select and define the following function keys:
• Functions selected from the function menu items in
the HOME page and menu pages 1 to 4
• Function key to display the setting for setup menu
item 211 (REMOTE 1-PORT) and to carry out the
operation when the menu item setting is “panel”.
9-1-1 Function Menu
Configuration
The function menu consists of six pages by factory
default: the HOME page and five pages numbered 1 to
5. You can also display the HOME2 page by setting
user-defined function keys. The following icons appear
at the left edge of the menu display section to denote
the current page.
Note
By factory default, no function keys are defined in the
HOME2 page.
It is not possible to display the HOME2 page unless
you have defined at least one function key in that page.
: HOME page
: Page 1
1
1
2
3
4
5
6
2
: Page 2
For details of defining user-defined function keys in the
HOME2 page, refer to the Maintenance Manual Volume 1.
: Page 3
: Page 4
: Page 5
Page 6
: Page 6
: HOME 2 page
You can define up to six setup menu items (assign six
setup menu items to the F1 to F6 buttons) and register
them on page 6.
Each page has a menu display section made up of an
upper and lower part. The upper part displays the
menu items (functions) in the page, and the lower part
displays the menu item settings. The figure below
shows the menu display section in the HOME page.
Note
There is nothing defined on page 6 when the unit is
shipped from the factory.
For more information about defining setup menu items for
page 6, refer to the Maintenance Manual Volume 1.
Menu items (functions)
VID. IN PB/EE CONFI CTL/TCMENU TCGSET
EE
SDI
DISABL TC
HOME
F1
F2
F3
F4
F5
F6
Settings (values)
In the figure above, SDI (HD Serial Digital Interface
signal) is selected as the setting for VID.IN (imput
video signal selection), the menu item for button F1.
This manual refers to this as “F1 (VID.IN) in function
menu HOME page is set to SDI.”
Chapter 9 Function Menu
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9-1 Overview
9-1-2 Using the Function Menu
To change a menu item setting
To change a menu item setting, press the
corresponding function button (F1 to F6) to display the
desired setting in the lower part of the menu display.
Each press of the button displays the next setting.
When a menu item setting flashes
Menu item settings flash to inform you that you can
change the setting value by rotating the MULTI
CONTROL knob.
To change the function menu page
Press either of the page buttons (V, v).
• The V button selects the next page in the order
HOMEt1t2t3t4t5tHOME...
• The v button selects the next page in the order
HOME5t4t3t2t1tHOME...
Settings which do not appear in the menu
display section
In the HOME page (see the figure in Section 9-1-
1 “Function Menu Configuration”), the settings for
F5 (MENU) and F6 (TCGSET) do not appear in the
menu display.When you press the F5 or F6 button, the
whole menu page changes to allow you to set these
items.
9-2
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9-2 Function Menu Item List
The function menu has the following items.
HOME page
Item
Setting
F1 (VID.IN)
Selects the input video signal.
SDI: HDSDI signal
SDTI: SDTI signal (only when option is installed)
SG (normally not displayed): Test signal from the internal test signal generator (For details, see setup
menu item 710 on page 10-23.)
F2 (PB/EE)
F3 (CONFI)
F4 (CTL/TC)
Selects the video and audio signals output during fast forward, rewind, stop, and standby.
PB: Playback signals
EE: E-E mode signals
Selects whether or not to use the CONFI playback function when recording.a)
ENABLE: Use the CONFI playback function.
DISABL: Do not use the CONFI playback function.
Selects the time data to display in time data display area 1 (see page 2-7).
TC: Playback time code read by the internal time code reader, or recording time code. The LTC or VITC
time data type indicator (see page 2-7) lights.b)
UB: User bits data of playback time code or recording time code. The LUB or VIUB time data type indicator
lights, depending on whether the time code is LTC or VITC.b)
CTL: The running time of the tape being played back or recorded, as calculated from a count of CTL
signals recorded on the tape. The time is displayed in Hours:Minutes:Seconds:Frames format.
F5 (MENU)
Puts the system into setup menu mode (see Chapter 10).
When the current setup menu settings are the same as the contents of any of menu banks 1 to 3, or the
factory defaults, the corresponding indication (1), (2), (3), (4) or (dflt) appears.
(1): Same as menu bank 1.
(2): Same as menu bank 2.
(3): Same as menu bank 3.
(4): Same as menu bank 4.
(dflt): Same as factory defaults.
F6 (TCGSET)
• When F4 (CTL/TC) is set to TC, a screen appears that allows you to set the initial value of the time code
generated by the internal time code generator (see page 4-3).c)
• When F4 (CTL/TC) is set to UB, a screen appears that allows you to set the time code user bits (see
page 4-3).c)
a) When an editing operation is carried out, CONFI
playback is disabled.
b) The selection of LTC or VITC depends on the setting of
F6 (TCR) in function menu page 1 .
c) Not displayed when F1 (TCG) is set to INT and F2 (PR/
RGN) is set to PRESET on function menu page 1.
Chapter 9 Function Menu
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9-2 Function Menu Item List
Page 1
Item
Setting
F1 (TCG)
Selects the signal source to which the internal time code generator synchronizes.
INT: Synchronize according to the initial preset value set by control panel operation or by remote control
from the device connected to the REMOTE1-IN (9P) connector, or synchronize to the time code of the
playback tape.
EXT: Synchronize to the time code signal input to the TIME CODE IN connector.
SDI: Synchronize to the time code data superimposed on the HDSDI signal input to the HDSDI INPUT
connector.
SDTI: Synchronize to the time code data superimposed on the SDTI signal input to the SDTI connector.
(only when option is installed)
F2 (PR/RGN)
Selects one of the following for time code generated by the internal time code generator.
PRESET: Presets the initial value of time code generated by the internal time code generator, as specified
by control panel operation or by remote control from the device connected to the REMOTE1-IN (9P)
connector. This operation is enabled when F1 (TCG) is set to INT. At other times, the operation is the
same as when LTC is selected.
LTC: Regenerate by synchronizing to the LTC time code value read by the internal time code reader.
VITC: Regenerate by synchronizing to the VITC time code value read by the internal time code reader.
Selects one of the following running modes for the internal time code generator.
F3 (RUN)
FREE: The time code continues to increase as long as the unit is powered on, regardless of the unit’s
operating mode.
REC: Time code increases during recording only. If you select this mode, you should also set F1 (TCG) to
INT, and set F2 (PR/RGN) to PRESET.
F4 (DF)
In 59.94i, 29.97PsF mode, selects either drop-frame mode or non-drop frame mode for the time code
generator and the CTL counter.
DF: Drop-frame mode
NDF: Non-drop frame mode
F6 (TCR)
Selects the type of time code to display in the time data display.
LTC: Display LTC.
AUTO: Display VITC when tape speed is 1/2 or less of normal speed, and LTC otherwise.
VITC: Display VITC.
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Page 2
Item
Setting
F1 (V.PROC)
Selects the control method for the internal digital video processor.
LOCAL: Change the settings of the internal digital video processor by using this function menu.
REMOTE: Use the optional BVR-50/50P Remote Control Unit to control the internal digital video
processor.
MENU: Change the settings of the internal digital video processor by using F5 (MENU) of the HOME page.
Notes
When controlling the unit from the HKDV-503/900, set this item to MENU.
Sets the HD/SD video signal output level (–∞ to +3 dB).
F2 (VIDEO)
PRESET: Regardless of manually set values, the video signal is set to the standard level.
Manual setting: With the displayed setting flashing, you can rotate the MULTI CONTROL knob to adjust
the value for the video signal output level.
F3 (CHROMA)
Sets the HD/SD chroma signal output level (–∞ to +3 dB).
PRESET: Regardless of manually set values, the chroma signal is set to the standard level.
Manual setting: With the displayed setting flashing, you can rotate the MULTI CONTROL knob to adjust
the value for the chroma signal output level.
Sets the color phase (phase relative to burst)
F4 (HUE)
(59.94i, 29.97PsF
mode)/(C PHAS)
(50i, 25PsF
mode)
PRESET: Regardless of manually set values, sets the color phase to the standard value.
Manual setting: With the displayed setting flashing, you can rotate the MULTI CONTROL knob to adjust
the value across the range 30°.
F5 (SETUP)
(59.94i, 29.97PsF
mode)/(BLACK)
(50i, 25PsF
Sets the setup level (59.94i, 29.97PsF mode) or black level (50i, 25PsF mode)
PRESET: Regardless of manually set values, the level is set to the standard value.
Manual setting: With the displayed setting flashing, you can rotate the MULTI CONTROL knob to adjust
the setup level across the range 30 IRE (59.94i, 29.97PsF mode) or to adjust the black level across
the range 210 mV (50i, 25PsF mode).
mode)
F6 (YC DLY)
Sets amount of Y/C delay for playback of analog Betacam tapes.
PRESET : Regardless of manually set values, the Y/C delay is set to the standard value.
Manual setting: With the displayed setting flashing, you can rotate the MULTI CONTROL knob to adjust
the Y/C delay across the range 100 ns.
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9-2 Function Menu Item List
Page 3
Setting
Item
F1 (SYNC)
Sets the HD output signal sync phase.
Setting method
With the displayed setting flashing, you can rotate the MULTI CONTROL knob to adjust the output signal
sync phase across the range 15 µs relative to this unit’s input reference signal.
Adjust this item when you want to adjust the output signal sync phase precisely to match a reference
signal, or when connecting this unit and other VTRs to a device such as a switcher to perform operations
such as special effects editing.
F2 (SC)
Sets the HD output signal subcarrier phase.
Setting method
With the displayed setting flashing, you can rotate the MULTI CONTROL knob to adjust the output signal
subcarrier phase across the range 200 ns relative to this unit’s input reference signal.
Adjust this item when you are using composite signals in editing and want to adjust the output signal
subcarrier phase precisely to match a reference signal. Even when this value is adjusted, the output SCH
(subcarrier to sync) phase is maintained.
F4 (EMPHSS)
F5 (T INFO)
Specifies whether to add audio emphasis to analog audio input signals and Betacam/Betacam SP format
playback audio signals.
ON: Add audio emphasis.
OFF: Do not add audio emphasis.
Selects the type of time data to display in time data display area 2.
TOTAL: Display total time.
REMAIN: Display remaining time.
9-6
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Page 4
Item
Setting
F1 (CAPSTN)
Selects the number of fields for capstan lock in playback and editing.
In 59.94i, 29.97PsF mode
2F: The capstan servo locks in units of 2 fields.
• For tape output, color framing may not match the reference signal selected with the F2 (OUTREF).
• In assemble editing, color framing may be non-continuous at edit points.
4F: The capstan servo locks in units of 4 fields.
• For tape output, color framing matches the reference signal selected with the F2 (OUTREF).
• In assemble editing, color framing is continuous at edit points.
In 50i, 25PsF mode
2F: The capstan servo locks in units of 2 fields.
• For tape output, color framing may not match the reference signal selected with the F2 (OUTREF).
• In assemble editing, color framing may be non-continuous at edit points.
4F: The capstan servo locks in units of 4 fields.
• For tape output, color framing may not match the reference signal selected with the F2 (OUTREF).
• In assemble editing, color framing may be non-continuous at edit points.
8F: The capstan servo locks in units of 8 fields.
• For tape output, color framing matches the reference signal selected with the F2 (OUTREF).
• In assemble editing, color framing is continuous at edit points.
F2 (OUTREF)
F3 (DOLBY)
Selects the reference signal of this unit, according to the settings of setup menu items 309 and 334, and
this unit’s operating state.
REF: Use the signal input to the REF.VIDEO INPUT connector as the reference signal. During recording,
input digital audio signals and video signals must be synchronized with this signal.
INPUT: Use the input video signal as the reference signal.
When using oxide tapes, specifies whether or not to use the Dolby type C low-frequency noise reduction
(NR) system.
NR ON: Use the Dolby NR system when playing back analog Betacam oxide tapes.
NR OFF: Do not use the Dolby NR system when playing back analog Betacam oxide tapes.
Note
This menu is HDW-M2000/M2000P only.
F4 (CHARA)
Specifies whether or not to superimpose time code, menu settings, error messages, and so on over the
video signals output to the HDSDI OUTPUT3 (SUPER) connector, SDI OUTPUT3 (SUPER) connector and
COMPOSITE VIDEO OUTPUT3 (SUPER) connector.
ON: Superimpose.
OFF: Do not superimpose.
F5 (RECINH)
Specifies whether or not to inhibit recording to tape.
ON: Inhibit recording to tape depending on the setting of setup menu item 310.
OFF: Do not inhibit recording to tape.
F6 (PREREAD)
Specifies whether or not to preread (read before write) in insert editing.
ON: Preread depending on the setting of setup menu item 319.
OFF: Do not preread.
Chapter 9 Function Menu
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9-2 Function Menu Item List
Page 5
Item
Setting
F1 (TELE-F)
Displays the Tele-File menu.
For details of the Tele-File menu, see Section 7-3 “Tele-File Menu” (page 7-3).
Displays UMID information during recording/playback.
F2 (UMID)
For details of UMID, see Chapter 8.
9-8
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10-1 Setup Menu Configuration
Configuration of the extended setup menu
The extended setup menu comprises the following
This unit has the following setup menus.
• Basic setup menu
groups of items.
• Extended setup menu
To access the extended setup menu, a setting on the
internal SS-89 board is required.
Item group Function
Refer to
Items
Settings relating to control
panels
Page 10-10
100 to 199
For details, refer to the Installation Manual.
Items
200 to 299
Settings relating to the remote
control interface
Page 10-13
Page 10-14
Page 10-17
Page 10-18
Page 10-18
In this manual, both the basic setup menu items and
extended setup menu items are also referred to simply
as setup menu items or menu items.
Items
300 to 399
Settings relating to editing
operations
Items
400 to 499
Settings relating to preroll
Items
500 to 599
Settings relating to tape
protection
Configuration of the basic setup menu
The basic setup menu comprises the following groups
of items.
Items
600 to 699
Settings relating to the time
code generator
Item group Function
Refer to
Items
700 to 799
Settings relating to video control Page 10-22
Settings relating to audio control Page 10-26
Items
Display of the total number of
Page 11-5
H01 to H14 hours the unit has been
powered on, and other
information collected by the
digital hours meter
Items
800 to 899
Items
900 to 999
Settings relating to digital
processing
Page 10-29
Items
001 to 019
Settings relating to the preroll
time, superimposed text
information, system frequency,
etc.
Page 10-7
Page 10-9
Items
Settings relating to the menu
B01 to B20 banks for saving menu settings
Chapter 10 Setup Menus
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10-2 Setup Menu Operations
To display menus on the monitor
To display setup menus
Setting F4 (CHARA) to ON in function menu page 4
allows you to display setup menus on the monitor
connected to the COMPOSITE VIDEO OUTPUT 3
(SUPER) connector, HDSDI OUTPUT 3 (SUPER)
connector or SDI OUTPUT 3 (SUPER) connector of
this unit. When a setup menu appears on the monitor, a
cursor indicates the currently selected menu item.
MULTI
ASSEMBLE
RECORDER
CONTROL
VIDEO
TC
CH1
CH2
CH3
CH4
CUE
2F 59.94
PUSH/
SHIFT
PLAYER
ALARM
KEY INHI
CHANNEL
CONDITION
VID. IN PB/EE CONFI CTL/TCMENU TCGSET
SDI
EE
DISABL TC
RESET
F1
F2
F3
F4
F5
F6
HOME
Group name for the
currently selected item
HOME button
Function menu HOME page
F5 (MENU) button
Cursor indicating
the currently
selected item
With the function menu HOME page showing in the
menu display, press the F5 (MENU) button.
The currently selected setup menu item is displayed in
the menu display, with the menu item number flashing.
For basic operations in the menu display, see page 2-7.
Displaying a desired menu item
2F
59.94
SET
UP
H01 : OPE HOURS
SELECT
O
SET
EXIT
MULTI
CONTROL
ASSEMBLE
RECORDER
VIDEO
TC
CH1
CH2
CH3
CH4
CUE
Setup menu item H01 displayed
2F 59.94
PUSH/
SHIFT
PLAYER
ALARM
KEY INHI
CHANNEL
CONDITION
TIME
–
SET 001:P–ROLL
5S
UP
SELECT
SET
F5
EXIT
F6
RESET
F1
F2
F3
F4
HOME
v and V buttons
MULTI
CONTROL knob
When the menu item number displayed in the menu
display is flashing, you can change the menu item by
turning the MULTI CONTROL knob.
To skip from one item group to the next, press the v
button or V button.
10-2
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To display a desired sub-item
For a menu item having sub-items, you can select a
desired sub-item as follows.
To change the settings of menu items with
sub-items
When a selected menu item has sub-items, select a
desired sub-item using the procedure described in the
section “To display a desired sub-item” on this page
making the sub-item name flash, then proceed as
follows.
1 With a desired menu item selected, press the F2
(SELECT) button.
The currently selected sub-item name flashes.
1 Press the F2 (SELECT) button.
2 Turn the MULTI CONTROL knob to select a
The current setting of the sub-item flashes.
desired sub-item.
2 Press the F3 (–) button or F4 (+) button, or turn the
MULTI CONTROL knob to select a desired
setting value.
Changing menu item setting values
The procedures for changing menu item setting values
or sub-item setting values are described below.
To select another sub-item and change its
setting value
Press the F1 (RETURN) button making the current
sub-item name flash, then perform the procedures
for selecting a desired sub-item and changing its
setting value.
To change the settings of menu items without
sub-items
After selecting a desired menu item using the
procedure described in the section “Displaying a
desired menu item” on page 10-2 and with the menu
item number flashing, proceed as follows.
To select another menu item and change its
setting value
Press the F1 (RETURN) button twice in succession
making the current menu item number flash, then
perform the procedures for selecting a desired
menu item and changing its setting value.
1 Press the F2 (SELECT) button.
The current setting of the menu item flashes.
2 Press the F3 (–) button or F4 (+) button, or turn the
MULTI CONTROL knob to select a desired
setting value.
3 When all required changes have been made, press
the F5 (SET) button.
To select another menu item and change its
setting value
This makes the new settings effective.
Press the F1 (RETURN) button making the current
menu item number flash, then perform the
procedures for selecting a desired menu item and
changing its setting value.
To abandon making changes and exit from the
setup menu display
Press the F6 (EXIT) button.
3 When all required changes have been made, press
the F5 (SET) button.
This makes the new settings effective.
To abandon making changes and exit from the
setup menu display
Press the F6 (EXIT) button.
Chapter 10 Setup Menus
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10-2 Setup Menu Operations
Resetting the menu settings to their
factory default values (menu item B20)
Switching the line conversion function
(menu item 018)
To reset the current active menu settings to their
factory default values, proceed as follows.
This operation is valid in 59.94i and 29.97PsF mode
only. It is not available in other mode.
To change the line conversion (OFF TAPE/1035/
1080), use the following procedure.
1 Perform steps 1 to 3 of the procedure described in
the section “To change the settings of menu items
without sub-items” on page 10-3 to set menu item
B20 RESET SETUP to ON.
Notes
• Consult with the administrator responsible for system
installation before carrying out the following
procedure.
• For the setting of the line conversion (see next item,
“Line conversion mode”), setup menu item 916
ACTIVE LINE 1035 CONVERT MODE is valid in
1035-line mode, and setup menu item 917 ACTIVE
LINE 1080 CONVERT MODE is valid in 1080-line
mode.
The current active menu settings are reset to their
factory default settings.
2 Press the F5 (SET) button again.
This saves the menu settings.
Switching the syetem frequency (menu
item 013)
1 Perform steps 1 to 3 of the procedure described in
the section “To change the settings of menu items
without sub-items” on page 10-3, to set setup menu
item 018 ACTIVE LINE SELECT to ON.
To switch the system frequency between 59.94i, 50i,
29.97PsF, 25PsF, 24PsF and 23.98PsF, proceed as
follows.
The menu display changes to allow switching of
the setting for line conversion between OFF TAPE,
1035, and 1080.
Notes
• Before carrying out this operation, consult the person
responsible for system installation.
• When the unit is used in 50i, 25PsF mode, analog
tape can only be played back in the simple playback
mode.
• When this unit is put into 24PsF or 23PsF mode, SDI
(D1), component, and composite signals are not
output.
2 Select OFF TAPE, 1035, or 1080, then press the
F5 (SET) button.
3 Turn the unit off.
The next time the unit is turned on, it will operate in
the new mode.
1 Perform steps 1 to 3 of the procedure described in
the section “To change the settings of menu items
without sub-items” on page 10-3 to set menu item
013 SYSTEM FREQUENCY SELECT to ON.
The menu display changes to allow switching of
the system frequency between 59.94i, 50i,
29.97PsF, 25PsF, 24PsF and 23.98PsF.
2 Switch the setting, then press the F5 (SET) button.
3 Turn the unit off.
The next time the unit is turned on, it will operate in
the new mode.
10-4
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1035 k 1080 (PANEL): Convert the active scan
lines from 1035 to 1080. Insert the 1035 lines into
1080 lines, then compress horizontally.
Line conversion mode
Use the following procedure
When setup menu item 018 ACTIVE LINE
SELECT is set to 1035
Select the conversion mode in setup menu item 916
ACTIVE LINE 1035 CONVERT MODE.
1080 k 1035 (CONV): Convert the active scan
lines from 1080 to 1035, without changing the
aspect ratio.
1035
1080
1035
Menu bank operations (menu items B01 to
B13)
1080
1035
This unit allows menu settings to be saved in what are
termed “menu banks”. Saved sets of menu settings can
be recalled for use as required.
To save the current active menu settings
Set one of menu items B11 SAVE BANK 1 to B13
SAVE BANK 3 to ON, depending on which of the
menu banks you wish to save in, then press the F5
(SET) button.
1080 k 1035 (CROP): Convert the active scan lines
from 1080 to 1035. Crop the top, bottom, left, and
right, then stretch the image horizontally.
1080
1035
1035
1920
1920
When setup menu item 018 ACTIVE LINE
SELECT is set to 1080
Select the conversion mode in setup menu item 917
ACTIVE LINE 1080 CONVERT MODE.
1035 k 1080 (CONV): Convert the active scan
lines from 1035 to 1080, without changing the
aspect ratio.
1035
1080
Chapter 10 Setup Menus
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10-2 Setup Menu Operations
To recall settings from a menu bank
When recalling the settings saved in one of menu
banks 1 to 3, set the corresponding one of menu items
B01 RECALL BANK 1 to B03 RECALL BANK 3 to
ON, then press F5 (SET) button.
When you wish to recall the settings saved in menu
bank 4, select bank-4 with menu item B20 PRESET
SETUP.
For details about menu bank 4, refer to the Maintenance
Manual.
Recall (B01)
Current active
menu settings
Menu bank 1
Menu bank 2
Menu bank 3
Menu bank 4
Save (B11)
a)
Recall (B02)
Save (B12)
a)
Recall (B03)
Save (B13)
a)
Recall (B20)
Save
a)
a) Use maintenance menu item 122.
The current active setup menu settings as well as
settings saved in menu banks are stored in separate
storage areas for 525-line and 625-line modes.
10-6
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10-3 Items in the Basic Setup Menu
The basic setup menu contains the following items.
In the “Settings” column of the table, the factory
default settings are indicated by an enclosing box.
Item number Item name
Settings
001
PREROLL TIME
0S ... 5S ... 30S: Set the preroll time to between 0 and 30 seconds. A preroll time
of at least 5 seconds is recommended when using this unit for editing.
002a)
CHARACTER H-
POSITION
Adjust the horizontal screen position of the character information output from the
COMPOSITE VIDEO OUTPUT 3 (SUPER) connector, HDSDI OUTPUT 3
(SUPER) connector, and SDI OUTPUT 3 (SUPER) connector for superimposed
display on the monitor.
00 ... 1E ... 3C (59.94i, 29.97PsF, 23.98PsF mode)/00 ... 1B ... 36 (50i, 25PsF,
24PsF mode): The hexadecimal value 00 is for the far left of the screen and
increasing the value moves the position of the characters to the right.
003a), b)
CHARACTER V-
POSITION
Adjust the vertical screen position of the first line of the character information
output from the COMPOSITE VIDEO OUTPUT 3 (SUPER) connector, HDSDI
OUTPUT 3 (SUPER) connector, and SDI OUTPUT 3 (SUPER) connector for
superimposed display on the monitor.
00 ... 57 ... 6C (59.94i, 29.97PsF, 23.98PsF mode)/00 ... 70 ... 88 (50i, 25PsF,
24PsF mode): The hexadecimal value 00 is for the top of the screen and
increasing the value lowers the position of the characters.
004
005
SYNCHRONIZE
When editing using this unit as a controller and an external VTR connected to this
unit via a 9-pin remote control cable, this item determines whether or not to
operate the two units in phase synchronization.
OFF: Do not operate in phase synchronization.
ON : Operate in phase synchronization.
DISPLAY INFORMATION Determines the kind of character information to be output from the COMPOSITE
SELECT
VIDEO OUTPUT 3 (SUPER) connector, HDSDI OUTPUT 3 (SUPER) connector,
and SDI OUTPUT 3 (SUPER) connector when the function menu item CHARA is
set to ON.
T&STA : Time data display information and the unit’s status
T&UB: Time data display information and the user’s bits
T&CTL: Time data display information and CTL
T&T: Time data display information and time code (LTC or VITC)
TIME: Time code (LTC or VITC) only
If there is an overlap between the setting of this item and the setting of the control
panel, it is automatically avoided. For example, if CTL is selected on the control
panel and this menu item setting is T&CTL, then CTL and LTC are output.
006
LOCAL FUNCTION
ENABLE
Determines which buttons on the control panel are enabled when this unit is
controlled from external equipment.
DIS: All buttons and switches are disabled.
S&E&F : Only the STOP button, EJECT button, and F1 to F6 buttons are
enabled.
ENA: All buttons and switches except the RECORDER button and PLAYER
button are enabled.
MAP: Follow the LOCAL KEY MAP setting.
For information about setting the LOCAL KEY MAP, see menu item 023 (LOCAL
KEY MAP) (page 10-9).
007
008
TAPE TIMER DISPLAY
Determines whether to display the CTL count in 12-hour mode or 24-hour mode.
+ –12H : 12-hour mode
24H: 24-hour mode
MONITORING
SELECTION FOR VTR-
TO-VTR EDIT
For recorder-player editing with only one monitor connected to the recorder,
determines whether the recorder is forced into E-E mode when the recorder’s
PLAYER button is pressed to view the player’s playback signals on the monitor.
MANU : Do not force the recorder into E-E mode.
AUTO: Force the recorder into E-E mode.
a)When setting items 002 and 003, watch the monitor
screen, and adjust to the required state.
Note
b)When displaying time code values, there is a slight time
delay. Therefore, when creating a tape for off-line
editing, the information inserted in the upper half of the
screen may be delayed by one frame.
(Continued)
Chapter 10 Setup Menus
10-7
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Item number Item name
Settings
009a)
CHARACTER TYPE
Determines the type of characters such as time code output from the
COMPOSITE VIDEO OUTPUT 3 (SUPER) connector, HDSDI OUTPUT 3
(SUPER) connector, and SDI OUTPUT 3 (SUPER) connector for superimposed
display on the monitor.
WHITE : White letters on a black background
BLACK: Black letters on a white background
W/OUT: White letters with black outline
B/OUT: Black letters with white outline
011a)
CHARACTER V-SIZE
Determines the vertical size of characters such as time code output from the
COMPOSITE VIDEO OUTPUT 3 (SUPER) connector, HDSDI OUTPUT 3
(SUPER) connector, and SDI OUTPUT 3 (SUPER) connector for superimposed
display on the monitor.
×1 : Standard size
×2: 2 times standard size
013
SYSTEM FREQUENCY
SELECT
Specify whether to enable switching of the system frequency between 59.94i, 50i,
29.97PsF, 25PsF, 24PsF and 23.98PsF.
OFF : Disable switching.
ON: Enable switching.
When ON is selected, the menu display changes to allow switching of the setting
between 59.94i, 50i, 29.97PsF, 25PsF, 24PsF and 23.98PsF.
For the procedure for switching the system frequency, see page 10-4.
Notes
• For the basic and extended setup menus, separate settings are saved for
59.94i, 29.97PsF, 23.98PsF and 50i, 25PsF, 24PsF modes. When you switch
systems, all menu items change to the settings established in the new system.
(These are different from the settings for the mode before switching.)
• When the unit is used in 50i, 25PsF mode, analog tape can only be played back
in the simple playback mode.
018
ACTIVE LINE SELECT
(Valid only in 59.94i,
29.97PsF mode)
Enable or disable switching of the number of active scan lines for HDSDI output
(OFF TAPE/1035/1080).
OFF : Disable switching.
ON : Enable switching.
When ON is selected, the menu display changes to allow switching of the setting
between OFF TAPE, 1035, and 1080.
For the procedure for switching the number of active scan lines, see page 10-4.
a)When setting items 009 and 011, watch the monitor
screen, and adjust to the required state.
(Continued)
10-8
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Item number Item name
023 LOCAL KEY MAP
Settings
When MAP is selected in menu item 006, the buttons that can be operated on the
control panel of this unit when it is being controlled by remote control from
another device can be selected from the following sub-items.
The settings of each sub-item are as follows.
DIS : Do not function.
ENA: Function.
Sub-item
1
STOP
Select whether the STOP button functions.
Select whether the PLAY button functions.
Select whether the REC and EDIT buttons function.
Select whether the STANDBY button functions.
Select whether the EJECT button functions.
Select whether the JOG button functions.
2
PLAY
3
REC/EDIT
STANDBY
EJECT
4
5
6
JOG
7
SHUTTLE
VAR
Select whether the SHUTTLE button functions.
Select whether the VAR button functions.
8
9
FF/REW
PREROLL
Select whether the F FWD and REW buttons function.
Select whether the PREROLL button functions.
10
11
12
13
14
15
AUTO/PRE/REVIEW Select whether the AUTO EDIT, PREVIEW, REVIEW buttons function.
F-KEY Select whether the F1 to F6 buttons function.
AUDIO/MONITOR Select whether the audio signal buttons function.
EDIT PRESET
OTHERS
Select whether the EDIT PRESET button functions.
Select whether the ENTRY, IN, OUT, AUDIO IN, AUDIO OUT, TRIM+, TRIM-,
GS-MARK, GS-LIST, DELETE, and DMC EDIT buttons function.
029
STORED OWNERSHIP
Select whether or not to set the Stored Ownership UMID item.
off: Do not set.
on: Set.
To set Stored Ownership, display this item in the menu display section, and press
the F5 (SET) button to move to the Stored Ownership setting screen.
For details, see the section “To set Stored Ownership” (page 8-2).
Set to ON to recall menu settings from menu bank 1.
B01
B02
B03
B11
B12
B13
B20
RECALL BANK 1
RECALL BANK 2
RECALL BANK 3
SAVE BANK 1
SAVE BANK 2
SAVE BANK 3
RESET SETUP
Set to ON to recall menu settings from menu bank 2.
Set to ON to recall menu settings from menu bank 3.
Set to ON to save current active menu settings to menu bank 1.
Set to ON to save current active menu settings to menu bank 2.
Set to ON to save current active menu settings to menu bank 3.
Set to ON to reset current active menu settings to factory default values.
Chapter 10 Setup Menus
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10-4 Items in the Extended Setup Menu
In the “Settings” column of the table, the factory
default settings are indicated by an enclosing box.
The extended setup menu contains the following
items.
Menu items in the range 100 to 199, relating to the control panels
Settings
Item number
Item name
101
SELECTION FOR
SEARCH DIAL ENABLE
Select how the unit enters the search mode.
DIAL : Turning the search dial switches to search mode at all times except during
recording/editing.
KEY: One of the JOG, SHUTTLE, and VAR buttons must be pressed to switch to
search mode.
Select the fast forward and rewind tape speed and also search mode speed
during tape playback.
102
MAXIMUM SPEED
MAX : Perform fast forward, rewind, and search mode playback at the maximum
speeds.
MX/24: Perform fast forward and rewind at the maximum speeds, and search
mode playback at up to 24 times normal speed.
MX/35: Perform fast forward and rewind at the maximum speeds, and search
mode playback at up to 35 times normal speed.
×24: Perform fast forward and rewind at 24 times normal speed, and search
mode playback at up to 24 times normal speed.
×35: Perform fast forward and rewind at 35 times normal speed, and search
mode playback at up to 35 times normal speed.
Maximum fast forward and rewind speeds
HDCAM cassette: 50 times normal speed
Maximum search mode speeds
HDCAM cassette: 50 times normal speed
103
AUDIO SELECTED LINE Select the output signal to the MONITOR OUTPUT connectors.
OUT
MANU : Output the signals selected by the audio signal selection buttons on the
lower control panel.
AUTO1: Output stereo, using the AFM channels (3 and 4) for playback from metal
tape, and the LNG channels (1 and 2) for playback from oxide tape.
AUTO2: Output the signals selected by the audio signal selection buttons on the
lower control panel, but during variable speed playback, if AFM is selected,
automatically switch to LNG.
104
105
106
AUDIO MUTING TIME
Select the length of time for which audio muting occurs when the unit switches to
playback either from stopped or from still playback in the search mode.
OFF : Set the audio muting time to zero (i.e. no muting).
0.1S to 1.0S: Set the audio muting time from 0.1 second to 1.0 second, in 0.1-
second increments.
REFERENCE SYSTEM
ALARM
Select whether or not to display a warning when the video/audio reference signal
selected by the function menu item OUTREF, is not supplied or is out of phase
with the input video signal.
OFF: No warning.
ON : Flash the STOP button as a warning.
CAPSTAN LOCK
Select the capstan servo lock mode.
PANEL : The capstan servo lock mode is determined by the function menu item
CAPSTN.
2F: The capstan servo locks every two fields regardless of the setting of the
function menu item CAPSTN.
4F: The capstan servo locks every four fields regardless of the setting of the
function menu item CAPSTN.
8F (For 50i, 25PsF mode only): The capstan servo locks every eight fields
regardless of the setting of the function menu item CAPSTN.
107
REC INHIBIT LAMP
FLASHING
Select whether or not to flash the REC INHI indicator when the function menu
item RECINH is set to OFF and the record inhibit plug on the cassette is pressed
in.
OFF : Do not flash the REC INHI indicator.
ON: Flash the REC INHI indicator.
(Continued)
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Menu items in the range 100 to 199, relating to the control panels (Continued)
Item number Item name
Settings
108
AUTO EE SELECT
When a cassette is inserted and the function menu item PB/EE is set to EE,
select the VTR modes in which input video and audio signals are automatically
handled in E-E mode.
S/F/R : In STOP/EJECT/F.FWD/REW modes
STOP: In STOP/EJECT modes
109
FORCED EE WHEN
TAPE UNTHREAD
During tape threading and unthreading, and when no cassette is inserted, select
whether the setting of the function menu item PB/EE controls the PB/EE setting
for output signals.
OFF : Control by the function menu item PB/EE
ON : No control (always E-E signal)
111
116
TSO PLAY
Select whether or not to enable tape speed override mode.
DIS : Disable tape speed override mode.
TSO: Enable tape speed override mode.
JOG DIAL RESPONSE
Select the tape speed characteristics for the search dial rotation rate (VTR
commands).
TYPE1 : Tape speed varies linearly over the range –1 to +1.
TYPE2: Tape speed varies stepwise as shown in figurea) below over the range –3
to +3. (Characterized by a zone around –1 and +1 where the tape speed is
independent of the search dial rotation rate. When playing back an HDCAM
tape, however, tape speed characteristic TYPE 4 applies.)
TYPE3: Tape speed varies linearly over the range –3 to +3, as shown in figureb)
below.
TYPE4: Tape speed varies stepwise as shown in figurec) below over the range –2
to +2. (Characterized by a zone around –1 and +1 where the tape speed is
independent of the search dial rotation rate)
117
CONTROL PANEL
SELECTION
Select the control panel function when the PANEL SELECT switch on the switch
panel is set to REAR.
SW : Only the control panel connected to the CONTROL PANEL connector on
the connector panel functions.
PARA : The control panels connected to the CONTROL PANEL connectors on
the switch panel and connector panel both function.
a)
b)
c)
Speed
FWD
Speed
FWD
Speed
FWD
TYPE 2
TYPE 3
TYPE 4
RVS
+3
+1
+3
+2
+1
(reverse)
RVS
Rotation rate
Rotation rate
Rotation rate
FWD
FWD
-1
(forward)
-3
RVS
FWD
-1
-2
-3
RVS
RVS
RVS
(Continued)
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10-11
10-4 Items in the Extended Setup Menu
Menu items in the range 100 to 199, relating to the control panels (Continued)
Item number Item name
Settings
118
Select which switches and buttons can be operated when the KEY INHIBIT
switch on the switch panel is set to ON. The following sub-items control different
sets of switches and buttons independently.
KEY INHIBIT SWITCH
EFFECTIVE AREA
Sub-item
1
REMOTE
SELECT
Select whether the REMOTE 1(9P) and 2(50P) buttons in the upper control panel
are enabled.
DIS : Disabled
ENA: Enabled
2
AUDIO/F-KEY
Select whether the audio signal selection buttons and F1 to F6 buttons in the
lower control panel are enabled.
DIS : Disabled
ENA: Enabled
AUDIO: Audio signal selection, audio mixing setting, and monitor signal selection
are disabled.
F-KEY: The function keys (including HOME) are disabled.
IN/MX: Audio signal selection and audio mixing setting are disabled.
3
CONTROL
PANEL
Select which switch and button operations can be carried out from the lower
control panel of this unit or an external control panel connected to this unit.
DIS : All switches and buttons are disabled.
DMC: All switches and buttons for editing operations other than the audio signal
selection buttons and F1 to F6 buttons are disabled.
ENA: All switches and buttons other than the audio signal selection buttons and
F1 to F6 buttons are enabled.
119
120
VARIABLE SPEED LIMIT Select the playback speed range when carrying out playback in variable speed
IN KEY PANEL CONTROL mode from the control panel of this unit.
OFF : –1 to +2 times normal speed
ON: 0 to 1 times normal speed
CTL LOCK IN VAR/SHTL Select whether the tape transport should be phase-locked to the CTL signal
during playback in variable speed or shuttle mode.
OFF : Not phase-locked.
ON: Phase-locked at the following speeds: –1, –0.5, 0.5, 1.0 and 2.0 times
normal.
DT MODE
Select field or frame mode for variable speed playback.
FIELD : Always field playback
121
FRAME: Frame playback in the noiseless playback speed range; otherwise field
playback.
Frame playback provides higher-density still pictures than field playback.
Notes
• For analog Betacam playback, field playback is always used. For digital
Betacam playback, the frame playback is valid only in the forward direction.
• In the case of HDCAM tapes recorded in PsF mode, playback is automatically
performed in frame mode.
125
AUTO REWIND
Select whether to rewind the tape automatically when recording or playback
reaches the end of a tape.
DIS: Do not rewind the tape automatically.
ENA : Rewind the tape automatically.
130
133
TIMER DISPLAY
DIMMER CONTROL
Set the brightness of the time data/menu display panel.
0 to 7 : Set in this range. 0 is the brightest, and 7 the dimmest.
TELE-FILE CONTROL
MODE
Select the device used for data modification operations in the Tele-File menu.
CONTROL PANEL : Operate with the control panel of this unit.
REMOTE: Operate with remote devices connected to connectors such as
REMOTE1, REMOTE2, and RS-232C.
134
TELE-FILE MENU AUTO Select whether to open the Tele-File menu automatically when a cassette with a
POPUP
Tele-File label is loaded. However, this is valid only when the function menu is
HOME, HOME2, or page 1 to 5.
OFF : Do not open the Tele-File menu automatically.
ON: Open the Tele-File menu automatically.
(Continued)
10-12
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Menu items in the range 100 to 199, relating to the control panels (Continued)
Item name
Item number
Settings
135
TELE-FILE THREAD
COUNTER CLEAR MODE
Select whether to clear the thread counter when formatting a Tele-File.
NOT CLEAR : Do not clear the thread counter.
WHEN FORMAT: Clear the thread counter.
136
139
TELE-FILE IN OUT INPUT Select whether to continuously input log (IN and OUT point) data in the Tele-File
CONTINUE
menu screen.
OFF : Do not continuously input log (IN and OUT point) data.
ON: Continuously input log (IN and OUT point) data.
LOST LOCK DISPLAY ON Select whether or not to display a “LOST LOCK” indication on the control panel
CONTROL PANEL
when the lock is lost.
OFF : No display on control panel for LOST LOCK.
ON: Display on control panel for LOST LOCK.
Menu items in the range 200 to 299, relating to the remote control interface
Item name
Item number
Settings
Select whether or not to use synchronized operation for two or more VTRs.
DIS : No synchronized operation
ENA: Use synchronized operation
PARA RUN
201
Note
To use synchronized operation for two or more VTRs, set item 201 to “ENA” on
all of the VTRs.
202
211
Select the mode for locking to the color framing sent from the remote controller.
8F : Eight-field locking mode
CF FLAG (valid only in
50i, 25PsF mode)
4F/8F: Four- or eight-field locking mode
REMOTE 1-PORT
Select how to use the REMOTE 1-IN(9P) and REMOTE 1-OUT(9P) connectors
on the connector panel.
I&O : Both the IN and OUT connectors are effective whether in local or remote
mode.
IN: Only the IN connector is effective whether in local or remote mode.
OUT: Only the OUT connector is effective whether in local or remote mode.
PANEL: Allows you to select i&o, in, or out using the function menu.
Note
When selecting “panel”, first define user-defined function key RMT1 in the
HOME2 page.
On how to define user-defined function keys in the HOME2 page, refer to
the Maintenance Manual Volume 1.
212
VIDEO REMOTE
CONTROL SELECT
Make settings for control from HKDV-900/503 via the VIDEO CONTROL (15P)
connector.
Sub-item
1
IMAGE
Select whether to control the up-converter or down-converter whether controlling
the image enhancer.
down : Control the down-converter.
up: Control the up-converter.
u&d : Control both the up-converter and down-converter.
ENHANCER
(HDW-M2000/
M2000P only)
2
D2 SETUP
Select the menu item to be controlled by the SETUP dial on the HKDV-900/503
with the D2 button pressed.
setup : Sub-item (OUTPUT LEVEL) of menu item 713 (VIDEO SETUP
REFERENCE LEVEL)
black : Menu item 718 (SETUP LEVEL)
For details, see the description of menu item718.
Note
After changing the setting for this item, power off this unit or HKDV-900/503 and
power it on again.
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10-13
10-4 Items in the Extended Setup Menu
Menu items in the range 300 to 399, relating to editing operations
Settings
VAR SPEED RANGE FOR Select the playback speed range when carrying out playback in variable speed
Item name
Item number
301
SYNCHRONIZATION
mode from a remote control unit connected to the REMOTE-1 IN(9P) connector
or REMOTE-1 OUT (9P) connector.
–1~+2 : –1 to +2 times normal speed for HDCAM and Betacam SX tapes. –1 to
+3 times normal speed for digital Betacam, MPEG IMX, and analog tapes.
~+2.45 : –1.5 to +2.45 times normal speed for HDCAM and Betacam SX tapes.
–1.5 to +3.45 times normal speed for digital Betacam, MPEG IMX, and analog
tapes.
302
CAPSTAN RE-LOCKING In 59.94i, 29.97PsFmode
DIRECTION
When the function menu item CAPSTN is set to 4F, select whether the capstan
servo should lock by accelerating or decelerating.
DECEL : Lock by decelerating.
ACCEL: Lock by accelerating.
In 50i, 25PsF mode
When the function menu item CAPSTN is set to 4F or 8F, select whether the
capstan servo should lock by accelerating or decelerating.
DECEL: Lock by decelerating.
ACCEL : Lock by accelerating.
304
EDIT FIELD SELECT
Select with which fields to start and end editing using tape.
1F : Start editing with field 1 and end with field 2.
2F: Start editing with field 2 and end with field 1.
1F/2F: Start and end editing depending on the timing of command reception.
Note
If SDTI (option) is selected, the setting is always 1F.
305
306
SYNC GRADE
When editing in phase-synchronized mode with menu item 004 set to ON, select
the target phase synchronization accuracy.
ACCUR : 0 frame accuracy
ROUGH: 1 frame accuracy
DMC INITIAL SPEED
Select the initial speed automatically set when carrying out DMC editing.
MANU : The speed determined by the rotation of the search dial
PLAY: Normal playback speed
STILL: Stationary
0.03 to 1, +2: Speed set in the range 0.03 to +2 (select from +2, 1, 0.5,
0.2, 0.1, 0.03)
Select what happens when an erroneous edit point is set.
MANU : A warning is given by flashing the DELETE button on the lower control
panel.
307
AUTO-DELETION FOR
INCONSISTENT DATA
The operator must manually delete the unnecessary edit points or correct the
erroneous edit point.
NEG&E: When inconsistent edit points are set, such as when an OUT point is
before an IN point, or an audio OUT point is before an audio IN point, or when
too many edit points are specified, the previously set edit point is deleted.
NEG: When inconsistent edit points are set, such as when an OUT point is before
an IN point, or an audio OUT point is before an audio IN point, the previously
set edit point is deleted. When more edit points than necessary are specified,
the DELETE button on the control panel flashes to give a warning.
Note
Pressing the button corresponding to an edit point to be deleted and the DELETE
button simultaneously deletes the edit point. If an erroneous edit point is set (the
DELETE button is flashing), editing is not executed.
(Continued)
10-14
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Menu items in the range 300 to 399, relating to editing operations (Continued)
Item number Item name
Settings
309
SERVO/AV REFERENCE Select the servo reference signal.
SEL
AUTO1 : During recording, the input video signal is used as the servo reference
signal. During playback, the signal selected by the function menu item
OUTREF is used as the servo reference signal. If the signal selected by the
OUTREF setting is not connected, an internal reference signal is used.
AUTO2: When the function menu item OUTREF is set to REF, and any of the
ASSEMBLE, VIDEO, AUDIO CH1 to CH4, CUE and TC buttons is lit, the
reference signal for video/audio signal processing is locked to the input video
signal.
EXT: The servo reference signal is forced to be “EXT” (an external reference
video input signal is used).
310
REC INHIBIT
Select the conditions under which recording is inhibited when F5 (RECINH) is set
to ON in function menu page 4.
ALL : All tape recording is inhibited.
CRASH: Normal tape recording is inhibited. Select this setting when you wish to
carry out assemble editing.
VIDEO : Inhibit recording of video and CTL signals.
AUDIO : Inhibit recording of audio and CTL signals.
Note
When F5 (RECINH) is set to ON in function menu page 4, the REC INHI indicator
on the lower control panel lights. If an operation inhibited by this item is
attempted, the REC INHI indicator flashes.
311
312
313
314
315
ANALOG AUDIO EDIT
When using an editor (PVE-500, BVE-600, etc.) or a remote controller which
PRESET REPLACE FOR cannot control digital audio edit preset, select how to activate edit preset of each
CH1
digital audio channel (channels 1 to 4, and cue) on this unit using the analog
audio edit preset function of the editor or remote controller.
Set edit preset of each digital audio channel of this unit on or off according to the
analog audio preset specified by the remote controller or editor.
NODEF: No definiton.
CH1: Follow edit preset of analog channel 1.
CH2: Follow edit preset of analog channel 2.
CH1+2: Follow edit preset of analog channel 1 or 2.
The default settings for each item are as follows:
ANALOG AUDIO EDIT
PRESET REPLACE FOR
CH2
ANALOG AUDIO EDIT
PRESET REPLACE FOR
CH3
ANALOG AUDIO EDIT
PRESET REPLACE FOR
CH4
311 : CH1
312 : CH2
ANALOG AUDIO EDIT
PRESET REPLACE FOR
CUE
313 : NODEF
314 : NODEF
315 : NODEF
(Continued)
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10-15
10-4 Items in the Extended Setup Menu
Menu items in the range 300 to 399, relating to editing operations (Continued)
Item number Item name
Settings
317
AUDIO EDIT MODE
Select the type of audio transition used for digital audio editing.
CUT: Cut editing (audio discontinuity at transition point, and possible noise during
playback).
IN/OUT
CROSS : Cross-fade
t
IN/OUT
FI/FO: Fade in and out
t
t: Time set by item 803 DIGITAL AUDIO FADE TIME
318
319
EDIT RETRY
For two-VTR editing, set when this unit is used as the recorder. Selects the
operation if the recorder was not synchronized in time.
OFF: Editing is not carried out, and the unit stops.
ON : The editing is automatically retried (up to twice).
PREREAD SELECT
Specify the preread operation.
A/V : Preread for both audio and video.
AUDIO: Preread for audio only.
VIDEO: Preread for video only.
The preread operation is enabled when the function menu item PREREAD is set
to ON or with a command from the 9-pin remote control interface.
DIGITAL AUDIO PB
PROCESS ON EDIT
POINT
Select the treatment of audio playback at edit points.
CUT : Carry out a cut (possibly resulting in audio discontinuities at the edit point).
FADE: Fade out and fade in.
320
326
AUTOMATIC IN ENTRY
AFTER AUTO EDIT
Select whether or not to automatically set the OUT point of the previous edit as
the next IN point at the end of an automatic edit.
OFF : No automatic setting
R: Set recorder IN point automatically.
R & P: Set recorder IN point automatically, and also player IN point in two-VTR
editing.
(Continued)
10-16
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Menu items in the range 300 to 399, relating to editing operations (Continued)
Item number Item name
Settings
334
EE REFERENCE
CONTROL
Specify how to select the reference video signal in E-E mode.
NORMAL : Select according to the table in Section 3-2-1 “Selecting Reference
Signal Depending on Operational Status” (page 3-2).
INPUT: In E-E mode select the input video signal. When not in E-E mode, select
according to the table in Section 3-2-1 “Selecting Reference Signal Depending
on Operational Status” (page 3-2).
EDIT PRESET INHIBIT IN Specify which buttons are disabled in the editing mode setting section on the
336
337
KEY PANEL CONTROL
lower control panel.
OFF : Disable no buttons.
TC: Disable the TC button.
Select the signal used when this unit is set up by setup menu item 309 and
F2(OUTREF) in function menu page 4 to use an external reference video signal.
HD : Use a high definition reference video signal. Input a three-valued (positive
and negative) sync signal to the REF.VIDEO INPUT connector.
EXTERNAL REFERENCE
SELECT
SD : Use a reference video signal. Input a video signal with chroma burst (VBS)
or a monochrome video signal (VS) to the REF.VIDEO INPUT connector.
338
Set the audio (AES/EBU and analog) and time code output phase.
HD : Sync with HDSDI output phase.
SD : Sync with SD output phase.
OUTPUT AUDIO/TC
PHASE
Menu items in the range 400 to 499, relating to preroll
Item number Item name
Settings
401
FUNCTION MODE
AFTER CUEUP
Select the state that the unit goes into after a cuing-up operation.
STOP : Stop (the “stop mode”)
STILL: Still playback (in search mode)
Note
When controlling this unit from an editor with the standard constants set, select
“STOP”.
402
403
TIME REFERENCE FOR When prerolling a tape with time code discontinuities, select whether or not to use
PREROLL
CTL pulses to count time code from before a discontinuity.
CTL : Use CTL pulses to count time code.
TC: Do not use CTL pulses to count time code.
AUTOMATIC PREROLL
REFERENCE ENTRY
Select whether or not the edit IN point is automatically set by pressing the
PREROLL button, when the IN point is not set before starting preroll.
DIS : IN point is not set automatically.
ENA: IN point is set automatically.
405
CUEUP BY CTL
Select the tape transport mode when cuing. This setting is valid only when the
function menu item CTL/TC is set to CTL.
CAP. : During cuing up, the tape transport is in the “pinch ON” state (maximum
tape speed 10 times normal).
REEL : During cuing up, the tape transport is in the “pinch OFF” state. As the
tape approaches the cue up point and the tape speed drops, the tape transport
switches to the “pinch ON” state.a)
To give priority to editing accuracy, select “CAP”.
a) When controlled from an editor (BVE-2000/9100 etc.),
selecting “REEL” allows high-speed cuing up.
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10-17
10-4 Items in the Extended Setup Menu
Menu items in the range 500 to 599, relating to tape protection
Settings
Item number Item name
Select the time delay from the tape transport stopping (either the “stop mode” or
the still playback mode in search mode) until the unit automatically switches to
the tape protection mode, in order to protect the video heads and the tape.
0.5S to 8M to 30M: Set the value in the range 0.5 seconds to 30 minutes.
STILL TIMER
501
502
TAPE PROTECTION
MODE FROM SEARCH
Select the operation of the protection mode to protect the video heads and tape
when in the still playback mode in search mode (jog/shuttle).
STEP : Step forward at 1/30 normal speed every 2 seconds.
STDBY: Switch to “Standby OFF mode” (the unit not on standby).
T.REL: Switch to tension release mode (the tape tension slackened).
503
TAPE PROTECTION
MODE FROM STOP
Select the operation of the protection mode to protect the video heads and tape
when stopped (the “stop mode”).
STDBY : Switch to “Standby OFF mode” (the unit not on standby).
T.REL: Switch to tension release mode (the tape tension slackened).
STEP: Step forward at 1/30 normal speed every 2 seconds.
504
505
DRUM ROTATION IN
STANDBY OFF
Select whether the drum rotates in “Standby OFF mode”.
OFF : Drum does not rotate.
ON: Drum rotates.
STILL TENSION
Select the tape tension state in the still playback mode.
NORML : Normal tape tension is maintained during still playback mode, ready for
playback.
LOOSE: Reduce the tape tension further from the NORML setting. (Select
“LOOSE” when the unit is on standby for a long period of still playback, for
example, in a library management system (LMS).)
Note
When LOOSE is selected and the tape tension is reduced, playback cannot be
guaranteed.
Menu items in the range 600 to 699, relating to the time code generator
Settings
Item name
Item number
601
VITC POSITION SEL-1
In 59.94i, 29.97PsF mode
Select a line to insert the VITC in. (For SD output)
12H to 16H to 20H: Select any line from 12 to 20.
Note
You can insert the VITC signal in two places. To insert it in two places, set both
items 601 and 602.
In 50i, 25PsF mode
Select a line to insert the VITC in. (For SD output)
9H to 19H to 22H: Select any line from 9 to 22.
Note
You can insert the VITC signal in two places. To insert it in two places, set both
items 601 and 602.
(Continued)
10-18
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Menu items in the range 600 to 699, relating to the time code generator (Continued)
Item number Item name
602
Settings
VITC POSITION SEL-2
In 59.94i, 29.97PsF mode
Select a line to insert the VITC in. (For SD output)
12H to 18H to 20H: Select any line from 12 to 20.
Note
You can insert the VITC signal in two places. To insert it in two places, set both
items 601 and 602.
In 50i, 25PsF mode
Select a line to insert the VITC in. (For SD output)
9H to 21H to 22H: Select any line from 9 to 22.
Note
You can insert the VITC signal in two places. To insert it in two places, set both
items 601 and 602.
603
ID CODE PRESET
Select whether or not to set the ID code.
OFF : Do not set the ID code.
ON: Set the ID code.
To set the ID code:
Press the F5 (SET) button with this menu item displayed in the menu display, to
enter the ID code setting mode. You can then set the user ID digit by digit using
the T and t buttons for digit selection. When all required digits have been set
correctly, press the F5 (SET) button again to save the ID code and exit from the
ID code setting mode.
604
605
ID CODE SW
Select whether or not to record the ID code set using menu item 603 in the user
bits.
OFF : Record the normal data in the user bits.
ON: Record the ID code in the user bits.
TCG REGEN MODE
Select the signals to be regenerated when the time code generator is in the
regeneration mode (i.e., when the function menu item PR/RGN (F2) is set to LTC
or VITC, or the unit is in automatic edit mode).
TC&UB : Both the time code and user bit signals are regenerated.
TC: Only the time code signal is regenerated.
UB: Only the user bit signal is regenerated.
606
607
TC OUTPUT SIGNAL IN
REGEN MODE
Select the signal output from the TIME CODE OUT connector during normal (×1)
speed playback:
TAPE : During tape playback, the playback time code signal is output without
regeneration.
REGEN : The playback time code is output after regeneration.
U-BIT BINARY GROUP
FLAG
Select whether to generate time code automatically.
000 : Character set not specified
001: 8-bit characters compliant with ISO 646 and ISO 2022
010: Undefined
011: Undefined
100: Undefined
101: SMPTE 262M page/line multiplex system
110: Undefined
111: Undefined
(Continued)
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10-19
10-4 Items in the Extended Setup Menu
Menu items in the range 600 to 699, relating to the time code generator (Continued)
Item number Item name
Settings
Select whether or not to carry out phase correction control on the LTC generated
608
PHASE CORRECTION
by the time code generator.
OFF : No control
ON: Carry out control.
609
TCG CF FLAG
Select whether or not the color framing flag is set in the blank bit of the time code
data.
OFF : Color framing flag is not set.
ON: Color framing flag is set.
AUTO: Color framing flag is set or not depending upon the color framing phase
relationship between the recorded video signal and the time code signal.
When AUTO is selected, color framing is controlled as follows according to the
operating mode of the time code generator.
• In INT PRESET mode (F1 (TCG) is set to INT and F2 (PR/RGN) set to PRESET
in function menu page 1, and in modes other than the automatic editing mode):
the time code signal is generated with color framing locked to the video signal,
and the color framing flag is set.
• In INT REGEN mode (F1 (TCG) is set to INT and F2 (PR/RGN) set to LTC or
VITC in function menu page 1, and in the automatic editing mode), and also in
EXT mode (F2 (PR/RGN) is set to EXT): the time code signal is generated
without color framing locked to the video signal, and the color framing flag is not
set.
610
REGEN CONTROL
MODE
Select whether or not the time code is automatically regenerated.
AS&IN : In automatic editing carried out in either assemble mode or insert mode
with this unit as the recorder, regardless of the settings of F1 (TCG) and F2
(PR/RGN) in function menu page 1, the time code generator regenerates
according to the time code on the tape.
ASSEM: In automatic editing carried out in assemble mode with this unit as the
recorder, regardless of the settings of F1 (TCG) and F2 (PR/RGN) in function
menu page 1, the time code generator regenerates according to the time code
on the tape.
MANU: Regardless of whether this unit is the recorder or player, the time code
generator operates in accordance with the settings of F1 (TCG) and F2 (PR/
RGN) in function menu page 1.
FULL: Whether local or remote and regardless of the settings of F1 (TCG) and
F2 (PR/RGN) in function menu page 1, when any of the ASSEMBLE, VIDEO,
CH1 to CH4, CUE and TC buttons is lit, the time code generator regenerates
according to the time code played back from the tape.
617
618
LTC OUTPUT PHASE
SELECT
Set the output phase of time code signals (LTC).
TCG/R : Output the playback time code signal during playback.
When the edit preset function is on, and when recording, output the time code
signal generated by the internal time code generator.
INPUT: Use the same phase as the input video.
OUTPUT: Use the same phase as the output video.
AUTO: Use the same phase as the input video when editing, and use the same
phase as the output video at other times (playback, recording, etc.)
UPCONV EMBEDDED
VITC (HDW-M2000 only) subjected to up-conversion during playback of SD-format tape.
when
Select the source time code for HD-SDI embedded VITC which is output after
VITC : Select VITC recorded on SD-format tape.
LTC : Select LTC recorded on SD-format tape.
10-20
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Menu items in the range 600 to 699, relating to the time code generator (Continued)
Item number Item name
Settings
620
TC CONVERT 24F t
Select whether to convert playback time code to 25F time code during playback
25F (in 50i or 25PsF mode of tape recorded in 24PsF or 23.98PsF mode.
only)
OFF : Do not convert time code.
ON: Convert time code.
TC CONVERT 25F t
24F (in 24PsF or
Select whether to convert playback time code to 24F time code during playback
of tape recorded in 50i or 25PsF mode.
23.98PsF mode only)
OFF : Do not convert time code.
ON: Convert time code.
621
24F STARTING TC SEL
(in 50i or 25PsF mode
only)
Select one of the following setting for time code conversion from 24F to 25F.
OFF : Do not set the starting TC
ON: Set the starting TC
To set the 24F starting TC
Press the F5 (SET) button with this menu item displayed in the menu display, to
enter the starting TC setting mode. You can then set the user starting TC digit by
digit using the F1 (PREV) button and F2 (NEXT) buttons for digit selection. When
all required digits have been set correctly, press the F5 (SET) button again to
save the starting TC and exit from the ID code setting mode.
25F STARTING TC SEL
(in 24PsF or 23.98PsF
mode only)
Select one of the following setting for time code conversion from 25F to 24F.
OFF : Do not set the starting TC
ON: Set the starting TC
To set the 25F starting TC
Press the F5 (SET) button with this menu item displayed in the menu display, to
enter the starting TC setting mode. You can then set the user starting TC digit by
digit using the F1 (PREV) button and F2 (NEXT) buttons for digit selection. When
all required digits have been set correctly, press the F5 (SET) button again to
save the starting TC and exit from the ID code setting mode.
622
24F JUMPING TC SEL (in Select one of the following setting for time code conversion from 24F to 25F.
50i or 25PsF mode only)
–3H : Set JUMPING TC to “STARTING TC –3H”.
–2H : Set JUMPING TC to “(STARTING TC –2H”.
–1H : Set JUMPING TC to “(STARTING TC –1H”.
+1H : Set JUMPING TC to “(STARTING TC +1H”.
+2H : Set JUMPING TC to “(STARTING TC +2H”.
+3H : Set JUMPING TC to “(STARTING TC +3H”.
0H : Set JUMPING TC to STARTING TC”.
25F JUMPING TC SEL (in Select one of the following setting for time code conversion from 25F to 24F.
24PsF+A23.98PsF mode
only)
–3H : Set JUMPING TC to “STARTING TC –3H”.
–2H : Set JUMPING TC to “(STARTING TC –2H”.
–1H : Set JUMPING TC to “(STARTING TC –1H”.
+1H : Set JUMPING TC to “(STARTING TC +1H”.
+2H : Set JUMPING TC to “(STARTING TC +2H”.
+3H : Set JUMPING TC to “(STARTING TC +3H”.
0H : Set JUMPING TC to STARTING TC”.
651
UMID OUTPUT
Select UMID output and the UMID type.
off : Do not output UMID.
BASIC: Output Basic UMID.
EXTENDED: Output Extended UMID.
Note
Evin if EXTENDED is selected, Basic UMID is output if Basic UMID is recorded
on the tape being played back.
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10-21
10-4 Items in the Extended Setup Menu
Menu items in the range 600 to 699, relating to the time code generator (Continued)
Item number Item name Settings
Specify the HDSDI signal VANC line into which the UMID should be inserted.
653
UMID HD VANC LINE
9, 572 14,577 19,582
10,573 15,578 20,583
11,574 16,579
12,575 17,580
13,576 18,581
Note
The output VANC line during playback follows the setting for recording.
654
UMID GENERATE
METHOD
Select the Instance No. generation method when the UMID is inherited.
copy No. + 16bit PRS : Copy No. + 16-bit random number
24bit PRS: 24-bit random number
Note
When menu item 656 is set to NEW (an Instance Number indicating that this is
the original is generated), the same value (all zeros) is generated regardless of
which of the above methods is selected.
655
656
UMID RECORDING
MATERIAL NO.
Select the UMID type to be recorded to tape.
off : Do not record UMID.
BASIC: Record Basic UMID.
EXTENDED: Record Extended UMID.
Select whether to inherit the UMID in the input signal when recording a UMID.
INPUT : Inherit the UMID in the input signal, if it is present.
• Even when INPUT is selected, a new UMID is generated if the input signal
does not contain UMID data (the same behavior as when NEW is selected).
• When recording with inherited data, the Instance Number is newly generated
according to menu item 654, changing to a value that indicates that “this is a
copy”.
• When the UMID in the input signal is a Basic UMID, a Basic UMID is
recorded, even if menu item 655 is set to EXTENDED.
• When the UMID in the input signal is an Extended UMID, the recorded UMID
follows the setting of menu item 655.
NEW: Generate a new UMID, regardless of whether or not the input signal
contains a UMID.
• The Basic section does not change during recording.
• An Instance Number indicating that “this is the original” is generated.
• The Source Pack Date/Time (when) changes with each frame.
• The Source Pack Spatial Co-ordinates (where) are not recorded.
• The Source Pack Stored Ownership (who) can be set. (See the section “To
set Stored Ownership” (page 8-2)).
10-22
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Menu items in the range 700 to 799, relating to video control
Item number Item name
Settings
703
BLANK LINE SELECT
Switch blanking on or off for individual lines in the vertical blanking interval of the
SD video signal. The Y/C signal and odd/even fields are blanked simultaneously.
Sub-Item
0
ALL LINE
- - - : Specify the blanking for each line separately.
BLANK: Regardless of the setting of other sub-items, blank all lines which can be
specified in this menu item.
THROU: Regardless of the setting of other sub-items, switch off blanking for all
lines which can be specified in this menu item.
In 59.94i,
29.97PsF
mode
12 ...
20
LINE 12 ... LINE
20
Specify blanking for lines 12 to 20.
BLANK : Carry out blanking.
THROU: Switch off blanking.
21
LINE 21
Specify blanking for lines 21.
BLANK : Carry out blanking.
HALF: Carry out half-blanking.
THROU: Switch off blanking.
9 ...
22
LINE 9 ... LINE 22 Specify blanking for lines 9 to 22.
BLANK : Carry out blanking.
In 50i, 25PsF
mode
THROU: Switch off blanking.
During recording and playback of a composite signal, in the playback circuit the
edge subcarrier reducer (ESR) is automatically switched on or off according to
the VTR operation. When recording a “Non-Standard” signal, for example, if the
color edges are not as good as with a proper signal, the ESR can be forced on.
705
EDGE SUBCARRIER
REDUCER MODE
This item makes this selection.
AUTO : ESR is switched on and off automatically.
ON: ESR operation is forced on.
707
709
FORCED VERTICAL
INTERPOLATION OFF
The “Y-add”a) function is normally switched on automatically during jog or variable
speed playback. This item selects whether or not to force the “Y-add” function
off.
AUTO : Automatically switch the “Y-add” function on.
OFF: Force the “Y-add” function off.
CAV LEVEL FORMAT
Select whether the analog component output should be D-1 or Betacam.
(Selectable only in 59.94i, 29.97PsF mode)
Format
Color bars
Y video
Y sync
300 mV
286 mV
R–Y/B–Y
700 mV
700 mV
D-1 CAV 100/0/100/0
700 mV
Betacam 100/7.5/77/7.5 714 mV
Sub-Item
0
OUTPUT CAV
LEVEL
Select the analog component output format.
B-CAM : Betacam
D1: D-1
710
INTERNAL VIDEO
SIGNAL GENERATOR
Select the test signal to be output from the VTR’s internal test signal generator.
OFF: No test signal is generated. (The VTR operates normally.)
CB : Color bar signal
MLTBS: Multi-burst signal
10STEP: 10-step signal
PLSBR: Pulse and bar signal
RAMP: Ramp signal
BLACK: Black signal
To turn on the internal test signal generator, hold the F1 (VID.IN) button in
function menu HOME page for three seconds or more with this menu item set to
other than OFF. When the test signal generator is turned on, the display of the
VID.IN setting changes to SG. To turn off the test signal generator, press the F1
(VID.IN) button in function menu HOME page again.
a) The “Y-add” function is a circuit operation to interpolate
the video signal vertically during jog or variable speed
playback for the purpose of reducing the vertical
movement of the playback picture.
(Continued)
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10-23
10-4 Items in the Extended Setup Menu
Menu items in the range 700 to 799, relating to video control (Continued)
Item name
Item number
Settings
712
VIDEO PROCESS ON
CAP LOCK 2FIELD
When the function menu item CAPSTN or setup menu item 106 is set to 2F for 2-
field playback, select whether or not to carry out a “picture shift”.
OFF : No picture shift
ON: Carry out picture shift.
Note
To eliminate the adverse effect of the residual chrominance subcarrier component
in the Y signal that is the result of the Y/C separation, this unit automatically
applies a shift to the playback image in the H direction, so that even in 2-field
playback a satisfactory image can be obtained.
713
VIDEO SETUP
Set the video setup amount to be added to the composite output signal.
REFERENCE LEVEL
(When operating in 59.94i,
29.97PsF mode)
Note
The setup amount specified in this menu item has no connection with the setting
of F5 (SETUP/BLACK) in function menu page 2.
Sub-Item
0
MASTER LEVEL When the Betacam playback signal and output signal settings are “MSTER”
(master), the setup amount specified for this sub-item is removed from the
Betacam playback signal and is added to the output signal.
0.0% to 7.5% to 10.0%: Setting in this range, in 0.5% increments.
1
2
BETACAM PB
LEVEL
MSTER : Set the Betacam playback signal to the master setting.
0.0% to 7.5% to 10.0%: Set the setup amount to be removed from the Betacam
playback signal in this range, in 0.5% increments.
OUTPUT LEVEL MSTER : Set the output signal to the master setting.
0.0% to 7.5% to 10.0%: Set the setup amount to be added to the output signal in
this range, in 0.5% increments.
10-24
Chapter 10 Setup Menus
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Menu items in the range 700 to 799, relating to video control (Continued)
(Items 715 to 720: Settings for controlling the SD video processing system according to the menu settings.)
Item number
Settings
Item name
715
VIDEO GAIN CONTROL
Adjust the video output level.
0 to 800H to B50H
Note
This item is valid for both HD and SD outputs.
716
717
CHROMA GAIN
CONTROL
Adjust the chroma output level.
0 to 800H to B50H
Note
This item is valid for both HD and SD outputs.
Adjust the SD chroma phase.
0 to 80H to FFH
CHROMA PHASE
CONTROL
Note
This item is valid for both HD and SD outputs.
718
SETUP LEVEL (59.94i,
29.97PsF mode)/BLACK
LEVEL (50i, 25PsF mode)
Adjust the SD setup level (black level).
0 to 110H to 220H
Note
This item is valid for both HD and SD outputs when sub-item (D2 SETUP) of
menu item 212 (VIDEO REMOTE CONTROL SELECT) is set to “black”.
719
720
721
SYSTEM PHASE SYNC
SYSTEM PHASE SC
Y/C DELAY
Adjust the SD output signal sync phase.
0 to 80H to FFH
Adjust the SD output signal subcarrier phase.
0 to 3FFH
For playback from an analog Betacam cassette, adjust the Y/C delay.
0 to 800H to FFFH
Notes
• When menu item 337 is set to SD, changing the
settings of menu items 719 and 720 changes the
phase of HD output signals as well as that of SD.
After changing the settings, use the F1 (SYNC) and
F2 (SC) items or menu items 745 and 746 on function
menu page 3 to readjust the phase of HD output
signals.
• When you make settings for menu items 715 to 718
or 740 tp 747, set the function menu item V.PROC to
MENU. When it is set to MENU, all controls for
video output processing on the control panel are
disabled.
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10-25
10-4 Items in the Extended Setup Menu
Menu items in the range 700 to 799, relating to video control (Continued)
Item number Item name Settings
726
H BLANKING WIDTH
Select the horizontal blanking width of the video output signal.
NAROW : Digital blanking (narrow)
WIDE: Analog blanking (wide)
When WIDE is selected, the horizontal blanking width complies with RS170A, and
normally the blanking is widened and the image becomes narrower. It is
recommended to select NAROW at the editing stage, then later, for broadcast
transmission to select WIDE, to output a signal conforming to the standard.
727
VIDEO EDIT PREVIEW
SWITCHER
Set the output phase for the video playback signal when any of the ASSEMBLE,
VIDEO, AUDIO CH1 to CH4, CUE and TC buttons is lit.
INT : The video playback signal output phase is the same as the output phase in
E-E mode. Use this setting when editing with a single VTR, or when
previewing while watching the VTR output signal.
EXT: The video playback signal output phase is the same as the phase of an
input video signal or external reference signal.
728
732
OUTPUT SCH PHASE
COMPOSITE MODE
Set the subcarrier H phase.
0 to 800H to FFFH
Select the chroma filter through which the composite video output signals pass.
WIDE : Output via SMPTE wide
STD: Output via SMPTE standard (narrow)
MASTER LEVEL (HD)
Y LEVEL (HD)
Adjust the high-definition video signal output from the HDSDI OUITPUT
connector.
This adjusts the Y, PB, and PR levels simultaneously.
0.0%(0H) to 100%(800H) to 141.3% (B4EH)
740
Adjust the Y level of the high-definition video signal output from the HDSDI
OUITPUT connector.
0.0% (0H) to 100% (800H) to 141.3% (B4EH)
741
742
P
B
R
LEVEL (HD)
LEVEL (HD)
Adjust the PB level of the high-definition video signal output from the HDSDI
OUTPUT connector.
0.0% (0H) to 100% (800H) to 141.3% (B4EH)
743
745
746
747
P
Adjust the PR level of the high-definition video signal output from the HDSDI
OUTPUT connector.
0.0% (0H) to 100% (800H) to 141.3% (B4EH)
SETUP LEVEL (HD)
SYNC PHASE (HD)
FINE (HD)
Adjust the setup level (59.94i, 29.97PsF mode)/black level (50i, 25PsF mode) of
the high-definition video signal output from the HDSDI OUTPUT connector.
0 to 110H to 220H
Control the H sync phase of the high-definition video signal output from the
HDSDI OUTPUT connector according to the menu.
0 to 80H to FFH
Fine control the H sync phase of the high-definition video signal output from the
HDSDI OUTPUT connector according to the menu.
0 to 3FFH
10-26
Chapter 10 Setup Menus
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Menu items in the range 800 to 899, relating to audio control
Item number
Item name
DIGITAL JOG SOUND
Settings
801
Turns the digital jog sound on and off.
OFF: Digital jog sound is turned off.
Audio of digital channels not subjected to speed correction is output. When the
tape stops, after one second the audio is muted.
ON : Digital jog sound is turned on.
When the tape speed is in the range ×–1 to ×1 (for Betacam SX playback, in the
range ×–1 to ×2), speed correction is carried out, and the same jog sound as a
conventional analog VTR is output.
802
803
DIGITAL AUDIO MUTE IN Set the digital audio muting conditions during shuttle playback.
SHUTTLE MODE
OFF : Not muted.
CUEUP: Muted during cue-up or preroll operations.
FULL: Muted in shuttle mode.
DIGITAL AUDIO FADE
TIME
Specify the time for cross-fade or fade in/out editing of audio signals.
5 ms, 10 ms , 15 ms, 20 ms, 25 msa), 50 msb), 85 ms, 115 msc)
Note
The cross-fade or fade in/out operation means that the recording is rewritten from
the OUT point for the length specified by this setting. Even at the minimum 5 ms
setting, a length of recording corresponding to a field is rewritten.
To avoid rewriting, set menu item 317 AUDIO EDIT MODE to CUT. In this case
there is an audio discontinuity at the edit point. There is no effect on the recorded
video signal.
805
806
AUDIO MONITOR
OUTPUT MIXING
Select the audio mixing method used for digital audio signals and Betacam
playback analog audio signals supplied to the MONITOR OUTPUT connector.
ADD: Simple addition
RMS : Root-mean-square
AVE: Simple average
Select the mode in which digital audio levels are displayed.
PEAK 0 : Displays the audio level as negative values with the maximum level set
to 0 dB.
LEVEL METER SCALE
REF.0: Displays the audio level as positive and negative values with the
reference level set to 0 dB.
(Continued)
a) Cross-fade time is 24 ms.
b) Actual value is 49 ms.
c) Actual value is 114 ms.
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10-27
10-4 Items in the Extended Setup Menu
Menu items in the range 800 to 899, relating to audio control (Continued)
Settings
Item number Item name
807
808
AUDIO OUTPUT PHASE Select the output timing of digital audio playback signals (HDSDI, SDI, and AES/
EBU only). The reference position corresponds to a setting of 80H; when the
setting is less than 80H, the output timing is advanced, and when it is higher than
80H, the output timing is delayed. (at 80H, 128 samples = approx. 2.7 ms, and 1
sample=approx. 20 µs)
0 to 80 to FF : Setting in this range
INTERNAL AUDIO
SIGNAL GENERATOR
Select the operation of the internal audio test signal generator.
OFF : No operation
SILNC: Silent signal
1KHZ: At 1 kHz, –20 dB FS sine wave is supplied to all audio input channels.
To turn on the internal audio test signal generator, set this menu item to other
than OFF, then hold the audio signal selection button for CH1 (channel 1) for
three seconds or more. When the test signal generator is turned on, the input
signal indicator in the audio setting display section turns off. To turn off the test
signal generator, press the audio signal selection button for any of CH1 to CH4
(channels 1 to 4).
809
810
AUDIO LEVEL METER
DIMMER CONTROL
Set the brightness of the audio level meters.
0 to 7: Set in this range. 0 is the brightest, and 7 the dimmest.
AUDIO EDIT PREVIEW
SWITCHER
Set the output phase for the audio playback signal when any of the ASSEMBLE,
VIDEO, CH1 to CH4, CUE and TC buttons is lit.
INT : The audio playback signal output phase is the same as the output phase in
the EE mode. Use this setting when editing with a single VTR, or when
previewing while watching the VTR output signal.
EXT: The audio playback signal output phase is the same as the phase of an
input video signal or external reference video signal.
823
NAU FLG PB
Sub-item
Controls the non-audio flag when the playback format is Digital Betacam or
Betacam SX.
1
CH1/CH2
During playback (except E-E mode), sets the digital audio non-audio flag as
follows.
OFF : OFF (the data is audio)
ON: ON (the data is non-audio)
AUTO: As follows, depending on whether tape data has been confirmed.
• Tape data has been read and confirmed: ON or OFF, according to the data.
• Tape data has not been confirmed: Current state is maintained.
2
CH3/CH4
Notes
• In the Betacam SX format, audio signals only are recorded. Therefore, the non-
audio flag is OFF.
• During playback of analog tapes, the non-audio flag is OFF regardless of the
setting of this item.
• In the HDCAM format, the non-audio flag follows the setting of maintenance
menu item M372 during recording and E-E mode.
For more information about the maintenance menu item M372, refer to the
Maintenance Manual.
(Continued)
10-28
Chapter 10 Setup Menus
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Menu items in the range 800 to 899, relating to audio control (Continued)
Settings
Item number Item name
824
ANALOG OUTPUT
Select the analog audio signals (tracks 1 to 8) to be assigned to audio output
channels 1 to 4.
SELECT
Sub-item
1
tr1/2 : Tracks 1 and 2 assigned to audio output channels 1 and 2.
tr3/4: Tracks 3 and 4 assigned to audio output channels 1 and 2.
tr5/6: Tracks 5 and 6 assigned to audio output channels 1 and 2.
tr7/8: Tracks 7 and 8 assigned to audio output channels 1 and 2.
CH1/CH2
2
tr1/2: Tracks 1 and 2 assigned to audio output channels 3 and 4.
tr3/4 : Tracks 3 and 4 assigned to audio output channels 3 and 4.
tr5/6: Tracks 5 and 6 assigned to audio output channels 3 and 4.
tr7/8: Tracks 7 and 8 assigned to audio output channels 3 and 4.
CH3/CH4
825
826
AUDIO ADVANCE MODE
Set the audio output phase.
OFF : Same as the video output phase
ON: One frame ahead of the video output phase
Selects which PB control knobs are assigned to control playback of digital audio
channels.
AUDIO PB VOLUME
SELECT
Sub-item
0
ALL CH
DEFAULT : Use the following settings.
CH1: Control knob 1
CH2: Control knob 2
CH3: Control knob 3
CH4: Control knob 4
CH5: Unity
CH6: Unity
CH7: Unity
CH8: Unity
UNITY: Set all channels to unity, and disable the control knobs.
MENU: Use the following menu settings.
1
2
3
4
5
6
7
8
CH1
CH2
CH3
CH4
CH5
CH6
CH7
CH8
UNITY: Set playback level to unity.
VOL1: Assign playback level control to control knob 1.
VOL2: Assign playback level control to control knob 2
VOL3: Assign playback level control to control knob 3.
VOL4: Assign playback level control to control knob 4.
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10-29
10-4 Items in the Extended Setup Menu
Menu items in the range 900 to 999, relating to digital processing
Settings
Item number Item name
903
FREEZE MODE
Select the freeze mode and timing.
FIELD : Freeze a video field. Field may be odd or even, according to the timing.
FLD1: Freeze an odd field.
FLD2: Freeze an even field.
FRM1+2: Freeze a frame consisting of an odd field and following even field.
FRM2+1: Freeze a frame consisting of an even field and following odd field.
Odd and even fields are distinguished by the reference video signal.
Changing the menu setting during a freeze does not affect the freeze image.
The setting is reflected the next time a freeze is carried out.
You can freeze an image using the DELETE button and TRIM+ button.
For details, see menu item 904.
904
FREEZE CONTROL
FROM KEY PANEL
Determine how the buttons used to freeze an image function.
MOMNT : Holding the DELETE button and pressing the TRIM+ button carries out
a freeze. The freeze ends when the buttons are released.
LATCH: Holding the DELETE button and pressing the TRIM+ button carries out a
freeze. The freeze continues even after the buttons are released.
• To update the freeze image
Hold the DELETE button and press the TRIM+ button again.
• To end the freeze
Hold the DELETE button and press the TRIM– button.
905
AUTO FREEZE
CONTROL
Set the auto freeze function operation (conditions for ending a freeze, etc.).
In dynamic tracking playback (so-called variable speed, jog, shuttle, or normal
play), if there is a sudden worsening of the channel condition (entry into
unrecorded area), this function freezes the image.
DIS : Disable the auto freeze function.
MODE1: End the freeze when signals which can be recorded normally are
restored.
MODE2: End freeze automatically on playback after stopping.
• The automatic freeze mode is determined by menu item 903.
• The freeze is ended immediately, regardless of the above conditions, when this
unit is switched to any of the following modes:
EDIT preset on
Cue up
Recording
906
916
STOP FREEZE
CONTROL
Select whether or not the STOP FREEZE function should operate.
DIS : Does not operate.
ENA: Operates.
ACTIVE LINE 1035
CONVERT MODE
(Valid only in 59.94i,
29.97PsF mode)
Select the conversion mode for the number of active scan lines.
1080t1035 (CONV) : Convert the active scan lines from 1080 to 1035, without
changing the aspect ratio.
1080t1035 (CROP): Convert the active scan lines from 1080 to 1035. Crop the
top, bottom, left, and right, then stretch the image horizontally.
Note
This item is valid only when menu item 018 is set to 1035.
917
ACTIVE LINE 1080
CONVERT MODE
(Valid only in 59.94i,
29.97PsF mode)
Select the conversion mode for the number of active scan lines.
1035t1080 (CONV) : Convert the active scan lines from 1035 to 1080, without
changing the aspect ratio.
1035t1080 (PANEL): Convert the active scan lines from 1035 to 1080. Insert
the 1035 lines into 1080 lines, then compress horizontally.
Note
This item is valid only when menu item 018 is set to 1080.
(Continued)
10-30
Chapter 10 Setup Menus
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Menu items in the range 900 to 999, relating to digital processing (continued)
Item number Item name
Settings
918
930
931
SLOW PROCESS MODE Switch the filter for increasing the vertical resolution during slow-motion playback
on or off.
ON: Increase the vertical resolution in slow-motion playback.
OFF : Do not increase the vertical resolution in slow-motion playback.
CONVERTER MODE (DC) Select the down-converter mode.
EDGE-CROP : Select the edge-crop mode.
LETTER BOX: Select the letter box mode.
SQUEEZE: Select the squeeze mode.
LETTER BOX MODE (DC) Select the aspect ratio of the down-converter output when menu item 930 is set to
LETTER BOX.
16:9 : Set the aspect ratio of the HD-SD converter output to 16:9.
14:9: Set the aspect ratio of the HD-SD converter output to 14:9.
13:9: Set the aspect ratio of the HD-SD converter output to 13:9.
932
H CROP POSITION (DC) Adjust the “H-crop” (the horizontal position when cropping in the edge crop mode)
of the up/down converter output when menu item 930 is set to EDGE-CROP.
–120 to 0 to 120
934
935
Carry out the down-converter cross color adjustment.
0 to 8 to 15
CROSS COLOR (DC)
DETAIL GAIN (DC)
Carry out the down-converter image enhancer adjustment. Adjust the sharpness
of edge emphasis.
0 to 20H to 7FH
936
937
938
939
LIMITER (DC)
Carry out the down-converter image enhancer adjustment.
Adjust the maximum detail level added to emphasize the original signal.
0 to 20H to 3FH
CRISP THRESHOLD (DC) Carry out the down-converter image enhancer adjustment. Set the threshold
amplitude at which low amplitude signals are not emphasized.
0 to FH
LEVEL DEPEND
THRESHOLD (DC)
Carry out the down-converter image enhancer adjustment. Set the luminance
range for edge enhancement.
0 to 8 to FH
H DETAIL FREQUENCY
(DC)
Carry out the down-converter image enhancer adjustment. Set the central
frequency for edge enhancement.
2.6MHz to 3.4MHz to 3.9MHz to 4.6MHz
Carry out the down-converter image enhancer adjustment. Set the horizontal/
vertical ratio for edge enhancement.
0 to 3 to 7
940
941
H/V RATIO (DC)
GAMMA LEVEL (DC)
Carry out the down-converter image enhancer adjustment. Adjust the slope of the
correction curve.
0 to 80H to 100H
(Continued)
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10-31
10-4 Items in the Extended Setup Menu
Menu items in the range 900 to 999, relating to digital processing (continued)
Item number Item name Settings
942
V FILTER SELECT
Set the vertical interpolation filter coefficient for HD-SD converter output.
The vertical resolution increases as the setting grows larger.
1 to 3
943
950
CROSS COLOR CRISP
Set the cross color crisp level for HD-SD converter output.
0 to 4 to FH
CONVERTER MODE (UC) Select the up-converter mode.
EDGE-CROP : Select the edge-crop mode.
LETTER BOX: Select the letter box mode.
SQUEEZE: Select the squeeze mode.
951
952
953
H CROP POSITION (UC) Adjust the “H-crop” (the horizontal position when inserting in the edge crop mode)
of the up/down converter output when menu item 950 is set to EDGE-CROP.
–120 to 0 to 120
LETTER BOX POSITION Adjust the vertical position of the letter box mode cutout in up-converter output
when LETTER BOX is selected in menu item 950.
–120 to 0 to 120
UP CONVERTER
PROCESS
Select the original picture to use when converting SD to HD.
FIELD: Use field picture.
FRAME: Use frame picture.
ADAPTIVE (standard mode): Set the ratio of converting from frames or fields to
the standard ratio when up-converting.
ADAPTIVE-2 (still picture priority mode): Set the ratio of converting from
frames higher when up-converting.
ADAPTIVE-3 (motion priority mode): Set the ratio of converting from fields
higher when up-converting.
954
955
DETAIL GAIN (UC)
LIMITER (UC)
Carry out the up-converter image enhancer adjustment. Adjust the sharpness of
edge emphasis.
0 to 40H to 7FH
Carry out the up-converter image enhancer adjustment.
Adjust the maximum detail level added to emphasize the original signal.
0 to 20H to 3FH
956
957
958
CRISP THRESHOLD (UC) Carry out the up-converter image enhancer adjustment. Set the threshold
amplitude at which low amplitude signals are not emphasized.
0 to 8 to FH
LEVEL DEPEND
THRESHOLD (UC)
Carry out the up-converter image enhancer adjustment. Set the luminance range
for edge enhancement.
0 to 8 to FH
H DETAIL FREQUENCY
(UC)
Carry out the up-converter image enhancer adjustment. Set the central frequency
and frequency characteristic for edge enhancement.
3.2MHz: 3.2 MHz 1.1 MHz
4.5MHz: 4.5 MHz 1.4 MHz
5.0MHz : 5.0 MHz 0.7 MHz
4.0MHz: 4.0 MHz 2.0 MHz
Carry out the up-converter image enhancer adjustment. Set the horizontal/vertical
ratio for edge enhancement.
0 to 3 to 7
959
960
H/V RATIO (UC)
GAMMA LEVEL (UC)
Carry out the up-converter image enhancer adjustment. Adjust the slope of the
correction curve.
0 to 80H to 100H
(Continued)
10-32
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Menu items in the range 900 to 999, relating to digital processing (continued)
Item number Item name
Settings
961
BACKGROUND COLOR
(UC)
Set the color of the part where no material exists (background) for up-converting.
BACK GROUND COLOR: Set the color.
BLACK : Black
GRAY: Gray
BLUE: Blue
TABLE: Set with the following Y/PB/PR tables.
Y TABLE: Adjust the background Y level.
0 to FFH
B-Y TABLE: Adjust the background B-Y level.
0 to 80 to FFH
R-Y TABLE: Adjust the background R-Y level.
0 to 80 to FFH
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10-33
11-1 Removing a Cassette When Tape Slack
Occurs
For details, refer to Section 1-17 in the Installation Manual.
If tape slack occurs in the unit, it is necessary to
remove the upper lid and sound baffle. This job
should always be entrusted to a technician who has
undergone service training.
11-2 Head Cleaning
To clean the video heads and audio heads, always use
the special-purpose Sony BCT-HD12CL cleaning
cassette.
Note
You cannot use the BCT-5CLN cleaning cassette.
If you insert the cleaning cassette, it is automatically
ejected after a head cleaning operation which lasts for
10 seconds.
Follow the instructions with the cleaning cassette
carefully, as inappropriate use of the cleaning cassette
can damage the heads.
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11-1
11-3 Error Messages
This unit is equipped with a self-diagnosis function,
and if a problem is detected, displays an error message
in the time data display and on the monitor.
If an error message appears, contact your Sony service
representative.
Error message displays
• To display error messages and codes superimposed
on the monitor, set the CHARA in function menu
page 4 to ON.
• Some error messages have no associated error codes.
In this case, they appear in the time data display.
• Error messages with error codes are saved in non-
volatile memory as an error log.
• In some cases the error message is slightly different
on the monitor and in the time data display.
Indications in the time data display
If a problem is detected, the ALARM indicator in the
lower control panel lights, and an error message and
error code appear in time data display area 1.
Z
ALARM indicator
Time data display area 1
Indications on the monitor
The error message and code also appear superimposed
on a monitor connected to the COMPOSITE VIDEO
OUTPUT 3 (SUPER) connector, HDSDI OUTPUT 3
(SUPER) connector, or SDI OUTPUT 3 (SUPER)
connector. Depending on the error code, an indication
of the source of the problem may appear as a
secondary error message.
ERROR-01
REEL TROUBLE-1
11-2
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Error Message List
Code
Message
Description
–
NO COMMUNICATION
Abnormality in the interface between the lower control panel (KY-464/465 board)
and SYS CPU (SS-89 board) has been detected on the lower control panel side.
01
02
REEL TROUBLE
REEL TROUBLE
Tape slacking has been detected in the threading or unthreading operation.
Tape slacking or tape breaking has been detected in the SEARCH, FF,or REW
mode.
03
REEL TROUBLE
Tape slacking,tape breaking,or supply or take-up reel locking has been detected
in the REC or PLAY mode.
04
05
REEL TROUBLE
REEL TROUBLE
A malfunctional tape transport speed has been detected in the FF or REW mode.
A malfunctional operation of the supply or take-up reel has been detected during
cassette insertion.
06
07
08
09
0A
10
11
12
13
14
20
21
TAPE TENSION
CAPSTAN TROUBLE
DRUM TROUBLE
TH/UNTH MOTOR
THREADING
Excessive tape tension has been detected in the REC or PLAY mode.
Malfunction of capstan motor has been detected.
Malfunction of drum motor has been detected.
Malfunction of threading or unthreading operation has been detected.
The tape top processing has not been completed in the threading mode.
Dew condensation has been detected.
HUMID
TAPE T/E SENSOR
TAPE TOP SENSOR
TAPE END SENSOR
FAN MOTOR
The tape top and tape end have been detected simultaneously.
Malfunction of tape top sensor has been detected.
Malfunction of tape end sensor has been detected.
Malfunction of cooling fan motor has been detected.
CASS COMP MOTOR
REEL SFT MOTOR
Malfunction of cassette compartment-up or down operation has been detected.
Malfunction of movement of the reel table corresponding to the cassette size has
been detected.
22
23
92
93
REEL POS SENSOR
THRED RING SENS
INTERNAL I/F1
The L-cassette and S-cassette positions of the reel table have been detected
simultaneously.
The thread end and unthread end states of the threading ring have been
detected simultaneously.
Abnormality in the interface between SYS CPU (on SS-89 board) and other
CPU/MPU has been detected.
CPU INITIALIZE ERROR
Abnormality in the interface between SV CPU (on SS-89 board) and DRUM CPU
(on DR-414 board) has been detected.
95
96
OTHERS NV-RAM ERROR
SY NV-RAM ERROR
Abnormality has been detected in the operation of an NV-RAM on FP-119 board.
Abnormality has been detected in the operation of an NV-RAM (on SS-89 board)
for the system control system.
97
98
99
SV NV-RAM
Abnormality has been detected in the operation of an NV-RAM (on DR-414
board) for the servo system.
RF NV-RAM ERROR
INTERNAL I/F 2
Abnormality has been detected in the operation of an NV-RAM (on EQ-84 board)
for the RF system.
Abnormality in the interface between SYS CPU (on SS-89 board) and SERVO
CPU (on SS-89 board) or (on EQ-84, DM-123, HIF-1, VPR-64, APR-52, DPR-
195 and DPR-155 board) has been detected.
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11-3
11-4 Moisture Condensation
When the unit is suddenly moved from a cold to a
warm location, or used in a very humid place, moisture
from the air can condense on the head-drum. This is
called moisture condensation. If the tape is run in this
state, it can adhere to the drum. To prevent such a
condition from occurring, the unit is provided with a
moisture detecting function.
If this happens, the drum and capstan motors stop and
the cassette is automatically ejected. Then, the durm
starts to rotate again to dry its surface. In this state, the
unit is not operable. When the moisture has
evaporated, the error message disappears and the
ALARM indicator goes off.
If moisture condenses on the head-drum while the unit
is in use, the ALARM indicator lights and “ERR-10”
is displayed in time data display area 1.
If “ERR-10” appears and the ALARM indicator
lights immediately after powering the unit on
Leave the unit powered on and wait until the error
message disappears and the indicator goes off.
While the indicator is lit, you cannot insert a cassette.
When the indicator goes off and the error message
disappears, you can use the unit.
Z
If you move the unit from a cold to a warm
location
Leave the unit powered off for about 10 minutes, in
order to give the unit time to detect moisture
condensation.
ALARM indicator
If moisture condensation occurs, “ERR-10”
appears in time data display area 1.
11-4
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11-5 Regular Checks
Displaying the digital hours meter
11-5-1 Digital Hours Meter
The digital hours meter can display seven items of
information, in corresponding display modes, about the
operational history of the unit. Use it as a guide in
scheduling periodic maintenance.
MULTI CONTROL knob
Z
Display modes of the hours meter
H01: OPERATION mode
Displays the total number of hours the unit has been
powered on in units of 1 hour.
F6 (EXIT) button
F5 (MENU) button
H02: DRUM RUNNING mode
Displays the total number of hours the drum has run
with tape threaded in units of 1 hour.
To display the digital hours meter
Press the F5 (MENU) button, then turn the MULTI
CONTROL knob to display the required item in the
time data display.
H03: TAPE RUNNING mode
Displays the total number of hours the unit has been in
fast forward, rewind, playback, search, recording or
editing (except for stop and still) mode in units of 1
hour.
To exit from the hours meter
Press the F6 (EXIT) button.
H04: THREADING mode
Displays the total number of times tape has been
threaded in the unit.
H12: DRUM RUNNING mode (resettable)
Same as H02 except that the count is resettable.
This can be used as a guide in determining when to
replace the drum.
H13: TAPE RUNNING mode (resettable)
Same as H03 except that the count is resettable.
This can be used as a guide in determining when to
replace such components as fixed heads and pinch
rollers.
H14: THREADING mode (resettable)
Same as H04 except that the count is resettable.
This can be used as a guide in determining when to
replace, for example, the threading motor.
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11-5
11-5 Regular Checks
11-5-2 Maintenance Timings
Use the following table as a timing guide for checking
and replacing components of the unit.
Note that an arrow in the table means that the
component to be replaced is part of the assembly the
arrow points to, which must be replaced as a whole.
These intervals are not guaranteed lifetimes; the timing
for replacing components depends on the particular
conditions of use. In particular, depending on the
degree of dirt contamination and abrasion, pinch
rollers and cleaners may require replacement earlier
than suggested by this table.
For information on severe conditions (frequent threading/
unthreading) or how to replace components, refer to the
Maintenance Manual Volume 1.
Guideline replacement intervals
Digital hours meter indication
Component
R: Replace
C: Check, and replace if necessary
(menu number in parenthesis)
1000 hrs 2000 hrs 3000 hrs 4000 hrs 5000 hrs 6000 hrs
Drum running time (H02)
Upper drum
C
R
C
C
C(↓)
C
Drum assembly
R(↑)
Brush slip ring assembly
Video head cleaner (roller)
Pinch roller assembly
Reel table assembly
R
R
R
R
Tape running time (H03)
R (Replace at interval of
4000 hours.)
R
Pinch application
assembly
Tape running time (H03)
Operation time (H01)
Fan motor (card)
Replace after 40,000 hours
Replace after 40,000 hours
Replace after 40,000 hours
Fan motor (MD)
Fan motor (power supply)
Note
Contact a Sony service or marketing representative
regarding the replacement and checking of
components.
11-6
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Specifications
General
Tape transport system
Recording format HDCAM
Power requirements
100 to 240 VAC, 50/60 Hz
Power consumption
Tape speed
HDCAM:
96.7 mm/s (59.94i, 29.97PsF)
80.6 mm/s (50i, 25PsF),
77.4 mm/s (24PsF, 23.98PsF)
Digital Betacam:
2.2 A (220 W), when used without
optional devices
96.7 mm/s
MPEG IMX:
Peak inrush current
64.5 mm/s (525/59.94)
53.8 mm/s (625/50)
Betacam SX: 59.6 mm/s
Analog Betacam:
118.6 mm/s (525/59.94)
101.5 mm/s (625/50)
(1)Power ON, current probe method:
HDW-2000 40 A (240 V), 20 A (100 V)
HDW-M2000/M2000P
50 A (240 V), 14 A (100 V)
(2)Hot switching inrush current, measured in
accordance with European standard EN55103-1:
HDW-2000 15 A (230 V)
HDW-M2000/M2000P
HDCAM record/playback time
124 minutes with BCT-124 HDL
18 A (230 V)
(59.94i, 29.97PsF)
149 minutes with BCT-124 HDL
(50i, 25PsF)
Appel de courant de crête
(1)Mise sous tension (ON), méthode de sondage du
courant:
HDCAM playback time
HDW-2000 40 A (240 V), 20 A (100 V)
HDW-M2000/M2000P
155 minutes with BCT-124 HDL
(24PsF, 23.98PsF)
50 A (240 V), 14 A (100 V)
(2)Mesuré conformément à la norme européenne
EN55103-1:
Digital Betacam playback time
124 minutes with BCT-124L
MPEG IMX record/playback time
HDW-2000 15 A (230 V)
HDW-M2000/M2000P
184 minutes with BCT-184MXL
(525/59.94)
18 A (230 V)
220 minutes with BCT-184MXL
(625/50)
Spitzenstrom
(1)Einschaltstrom, Stromsonde:
HDW-2000 40 A (240 V), 20 A (100 V)
HDW-M2000/M2000P
Betacam SX playback time
194 minutes with BCT-194SXLA
Analog Betacam playback time
50 A (240 V), 14 A (100 V)
(2)Gemessen in EN55103-1:
HDW-2000 15 A (230 V)
HDW-M2000/M2000P
90 minutes with BCT-90MLA
(525/59.94)
108 minutes with BCT-90MLA
(625/50)
18 A (230 V)
Fast forward/ rewind time
Operating temperature
5°C to 40°C (41°F to 104°F)
Storage temperature
Approx. 3 minutes with BCT-
124HDL
Search speed
Shuttle mode HDCAM playback:
Still to approx. 50 times normal
–20°C to +60°C (–4°F to +140°F)
Humidity
20 to 90%
Mass
Dimensions (w/h/d)
23 kg (50 lb 11 oz)
playback speed (59.94i,
29.97PsF)
427 × 194 × 544 mm
Still to approx. 58 times normal
playback speed (50i, 25PsF)
Still to approx. 60 times normal
playback speed (24PsF,
23.98PsF)
(16 7/8 × 7 3/4 × 21 1/2 inches)
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Specifications
Digital Betacam playback: Still to
approx. 50 times normal
playback speed
MPEG IMX/Betacam SX playback:
Still to approx. 78 times normal
playback speed
Quantization
Compression
Channel coding S-I-NRZI PR-IV
Error correction Reed-Solomon code
8 bits/sample
Coefficient recording system
Analog component output
Analog Betacam playback:
Still to 35 times normal
playback speed (525/59.94)
Still to 42 times normal
playback speed (625/50)
Bandwidth
Y
0 to 5.75 MHz +0.5 dB/–2.0 dB
0 to 2.75 MHz +0.5 dB/–2.0 dB
56 dB or more
R–Y/ B–Y
S/N ratio
K factor (2T pulse)
Variable speed mode
1% or less
HDCAM playback: –1 to +2 times
normal playback speed
Digital audio system
Digital Betacam playback: –1 to +3
times normal playback speed
MPEG IMX playback: –1 to +3
times normal playback speed
Betacam SX playback: –1 to +2
times normal playback speed
Analog Betacam playback: –1 to +3
times normal playback speed
Still to 1 times normal playback
speed
Digital audio (CH1 to CH4) signal format
Sampling frequency
48 kHz (synchronized with video)
Quantization
20 bits/sample
Wow and flutter Below measurable level
Headroom
Emphasis
20 dB (or 18 dB, selectable)
T1= 50 µs, T2=15 µs (on/off
selectable in recording mode)
Jog mode
Servo lock time 0.6 (59.94i, 29.97PsF)/0.7 (50i,
25PsF, 24PsF, 23.98PsF) second
or less (from standby on)
Load/unload time 6 seconds or less
Recommended tapes
Analog input/output (CH1 to CH4)
A/D, D/A quantization
20 bits/sample
Frequency response
HDCAM cassettes (S, L):
BCT-6HD/12HD/22HD/32HD/
40HD
BCT-34HDL/64HDL/94HDL/
124HDL
MPEG IMX cassettes (S, L):
Digital Betacam cassettes (S, L)
(for playback only)
20 Hz to 20 kHz +0.5 dB/ –1.0 dB
(0 dB at 1 kHz)
Dynamic range
Distortion
95 dB or more (at 1 kHz, emphasis
on)
0.05% or less (at 1 kHz, emphasis
on, reference level (+4 dBm))
–80 dB or less (at 1 kHz, between
any two channels)
Crosstalk
Betacam SX cassettes (S, L) (for
playback only)
Betacam SP cassettes (S, L) (for
playback only)
Analog audio (CUE)
Frequency response
Betacam cassettes (S, L) (for
playback only)
100 Hz to 12 kHz 3 dB
S/N ratio
45 dB or more (THD, 1 kHz,
reference level)
Digital video system
Distortion
2 % or less (THD, 1 kHz reference
level)
Digital video signal system
Sampling frequency
Wow and flutter 0.2 % rms or less
Y: 74.25 MHz
R–Y/B–Y: 37.125 MHz
A-2
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Digital Betacam playback
Video
Bandwidth
Y
0 to 5.75 MHz +0.5 dB/–0.5 dB
0 to 2.75 MHz +0.5 dB/–0.5dB
62 dB or more
R–Y/B–Y
S/N ratio
K factor
1 % or less
Digital Audio (CH1 to CH4)
20 Hz to 20 kHz +0.5 dB/–1.0 dB
95 dB (at 1 kHz, emphasis on)
Frequency response
Dynamic range
Distortion (T.H.D at 1 kHz reference level) 0.05 % rms (emphasis on)
Wow and flutter
Below measurable level
Analog Audio (cue track)
100 Hz to 12 kHz + 3 dB/–3 dB
Frequency response
S/N ratio
45 dB or more (at 3 % distortion level)
2 % or less (THD 1 kHz, reference level)
Less than 0.2 % rms
Distortion (T.H.D at 1 kHz reference level)
Wow and flutter
MPEG IMX playback
Video
0 to 5.75 MHz +0.5 dB/–3.0 dB
to 2.75 MHz +0.5 dB/–2.0 dB
56 dB or more
Y
Frequency
response
R–Y/B–Y
S/N ratio
K factor (2T pulse)
1 % or less
Digital Audio (CH1 to CH4)
Frequency response
Dynamic range
Distortion
20 Hz to 20 kHz +0.5 dB/–1.0 dB(0 dB at 1 kHz)
90 dB or more (1 kHz, emphasis on, 16 bits/48 kHz)
0.05 or less (1 kHz, emphasis on, reference level (+4 dBm))
Betacam SX playback
Video
0 to 4.5 MHz +0.5 dB/–3.0 dB
0 to 2.0 MHz +0.5 dB/–3.0 dB
56 dB or more
Y
Bandwidth
R–Y/B–Y
S/N ratio
K factor (2T pulse)
1 % or less
Digital Audio (CH1 to CH4)
Frequency response
Dynamic range
20 Hz to 20 kHz +0.5 dB/–1.0 dB (0 dB at 1 kHz)
90 dB or more (at 1kHz, emphasis on)
0.05 % or less (at 1 kHz, emphasis on, reference level (+4 dBm))
Distortion
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A-3
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Specifications
Analog Betacam playback
Video
Metal tape
Oxide tape
Bandwidth
S/N ratio
Y
30 Hz to 4.5 MHz +0.5 dB/ –4.0 dB
30 Hz to 1.5 MHz +0.5 dB/–3.0dB
51 dB or more
30 Hz to 4.1 MHz +0.5 dB/ –6.0 dB
30 Hz to 1.5 MHz +0.5 dB/–3.0 dB
48 dB or more
R–Y/ B–Y
Y
R–Y/ B–Y
48 dB or more
45 dB or more
2% or less
K factor (2T pulse)
LF non-linearity
3% or less
Y
3% or less
4% or less
20 ns or less
R–Y/ B–Y
Y/C delay
Audio
Metal tape
Oxide tape
Frequency response (at 10 dB
below reference levela))
50 Hz to 15 kHz +1.5 dB/ –3.0 dB
50 Hz to 15 kHz +3.0 dB
LNG
S/N ratio (at 3% distortion level)
72 dB or more
50 dB or more (Dolby NR off)
2% or less
Distortion (THD at 1 kHz reference 1% or less
levela))
Wow and flutter
0.1% rms or less
0.1% rms or less
AFM Frequency response (at reference
levela))
20 Hz to 20 kHz +0.5 dB/–2.0 dB
–
–
85 dB or more
S/N ratio (at 3% distortion level)
Distortion (THD at 1 kHz reference 0.5% or less
levela))
–
a) Reference level: +4 dBm
REF. VIDEO INPUT
Processor adjustment range
BNC (2 in loop through
connection)
Black burst or composite sync
0.3 Vp-p, 75 Ω, sync negative
Video level
Chroma level
Setup level (59.94i, 29.97PsF mode)
30 IRE
Black level (50i, 25PsF mode)
210 mV
3 dB/ –∞ to +3 dB selectable
3 dB/ –∞ to +3 dB selectable
AUDIO INPUT CH1/2/3/4
XLR 3-pin, female (4)
LOW OFF: –60 dBu, high
impedance, balanced
HIGH OFF: +4 dBu, high
impedance, balanced
HIGH ON: +4 dBm, 600 Ω
termination, balanced
XLR 3-pin, female (1)
LOW OFF: –60 dBu, high
impedance, balanced
Chroma phase
System phase
30°
Sync: 15 µs
SC: 200 ns
CUE IN
Input connectors
HDSDI INPUT BNC (1 each for input and for
through output to a monitor)
Serial digital (1.485 Gbits/s)
SMPTE 292M
HIGH OFF: +4 dBu, high
impedance, balanced
HIGH ON: +4 dBm, 600 Ω
termination, balanced
SDTI INPUT
BNC (1) (optional)
SMPTE 305M (SDTI)
A-4
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AUDIO INPUT(AES/EBU) CH1/2, 3/4
BNC (2)
Remote connectors
Complies with AES-3id-1995
TIME CODE IN XLR 3-pin, female (1)
0.5 to 18 Vp-p, 10 kΩ, balanced
CONTROL PANEL
10-pin (2), female
Front/rear selectable
REMOTE 1-IN(9P)
D-sub 9-pin, female
Output connectors
REMOTE 1-OUT(9P)
D-sub 9-pin, female
D-sub 9-pin, male
VIDEO CONTROL(15P)
D-sub 15-pin, male (for optional
BVR-50/50P)
VIDEO CONTROL(9P)
D-sub 9-pin, female (for optional
HKDV-900)
REMOTE 2 PARALLEL I/O(50P)
HDSDI OUTPUT
RS-232C
BNC (3 including 1 for character
superimposition)
Serial digital (1.485 Gbits/s)
SMPTE 292M
SDTI OUTPUT BNC (2) (optional)
SMPTE 305M (SDTI)
COMPONENT VIDEO OUTPUT
BNC (3 for 1 set)
50-pin, female
Y: 1.0 Vp-p, Sync negative
R–Y/B–Y: 0.7 Vp-p, 75 Ω, with
100% or 75% color bar selectable
Memory card insertion slot
COMPOSITE VIDEO OUTPUT
BNC (3 including 1 for character
superimposition)
PCMCIA
1.0 Vp-p, 75 Ω, Sync negative
BNC (3 including 1 for character
superimpositon)
SDI OUTPUT
Memory stick slot
Serial digital (270 Mbits/s)
SMPTE 259 M
Memory stick (8 to 128MB)
AUDIO OUTPUT CH1/2/3/4
XLR 3-pin, male (4)
Accessories supplied
+4 dBm at 600 Ω load, low
impedance, balanced
XLR 3-pin, male (1)
+4 dBm at 600 Ω load, low
impedance, balanced
PSW 4 × 16 screws for rack mounting (4)
Operation Manual (1)
Installation Manual (1)
CUE OUT
AUDIO OUTPUT (AES/EBU) CH1/2, 3/4, 5/6, 7/8
BNC (4)
Complies with AES-3id-1995
(CH1/2 and CH3/4 only for HDW-
2000)
MONITOR OUTPUT (L/R)
XLR 3-pin, male (2)
+4 dBm at 600 Ω load, low
impedance, balanced
TIME CODE OUT
XLR 3-pin, male (1)
2.2 Vp-p, low impedance, balanced
PHONES
JM-60 stereo phone jack
–∞ to –12 dBu at 8 Ω load,
unbalanced
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Specifications
Optional accessories
HKDW-101 Control Panel
HKDW-102 SDTI Interface Board
BKMW-102 Remote Control Unit
BKMW-103 Control Panel Extension Kit
RCC-5G 9-pin remote control cable (1)
BVR-50/50P Video Remote Control Unit
HKDV-900 Video Remote Control Unit
RMM-131 Rack Mount Adaptor
BCT-HD12CL Cleaning Cassette Tape
AC power cord
• For customers in the U.S.A. and Canada
Part No. 1-557-377-11
Plug holder 3-613-640-01
• For customers in the United Kingdom
Part No. 1-782-165-11
Plug holder 3-613-640-01
• For customers in European countries other than the
United Kingdom
Part No. 1-782-164-11
Plug holder 3-613-640-01
Design and specifications are subject to change
without notice.
To prevent electromagnetic interference
from portable communications devices
The use of portable telephones and other
communications devices near this unit can result in
misoperations and interference with audio and video
signals.
It is recommended that portable communications
devices near this unit be powered off.
A-6
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Relation between HKDV-900/503 setting items and setup menu of this unit
HKDV-900/503 setting items Setup menu items of this unit
HD Master
HD Y
740: MASTER LEVEL (HD) a)
741: Y LEVEL (HD) a)
HD Pb
742: Pb LEVEL (HD) a)
HD Pr
743: Pr LEVEL (HD) a)
HD Setup
HD Sync Phase
HD Fine
D1 Master
D1 Y
745: SETUP LEVEL (HD) a)
746: SYNC PHASE (HD/UC) a)
747: FINE (HD/UC) a)
No corresponding menu item
No corresponding menu item
D1 B-Y
No corresponding menu item
D1 R-Y
No corresponding menu item
D2 VIDEO
D2 CHROMA
D2 HUE
SETUP
715: VIDEO GAIN CONTROL (HD/DC/SD/UC) a)
716: CHROMA GAIN CONTROL (HD/DC/SD/UC) a)
717: CHROMA PHASE CONTROL (HD/DC/SD/UC) a)
713: VIDEO SETUP REFERENCE LEVEL: OUTPUT LEVEL (DC/SD) a), c)
718: SETUP LEVEL (BLACK LEVEL) (HD/DC/SD/UC) a), c)
719: SYSTEM PHASE SYNC (DC/SD)
SD Sync Phase
SD Fine
720: SYSTEM PHASE SC (DC/SD)
CROSS COLOR
H CROP POSITION
DETAIL GAIN
LIMITTER
934: CROSS COLOR (DC)
932: H CROP POSITION (DC)/951: H CROP POSITION (UC) b)
935: DETAIL GAIN (DC)/954: DETAIL GAIN (UC)b)
936: LIMITER (DC)/955: LIMITER (UC) b)
CRISP
937: CRISP THRESHOLD (DC)/956: CRISP THRESHOLD (UC) b)
938: LEVEL DEPEND THRESHOLD (DC)/957: LEVEL DEPEND THRESHOLD (UC) b)
939: H DETAIL FREQUENCY (DC)/958: H DETAIL FREQUENCY (UC) b)
940: H/V RATIO (DC)/959: H/V RATIO (UC) b)
941: GAMMA LEVEL (DC)/960: GAMMA LEVEL (UC) b)
930: CONVERTER MODE (DC)/950: CONVERTER MODE (UC) b)
930: CONVERTER MODE (DC)/950: CONVERTER MODE (UC) b)
930: CONVERTER MODE (DC)/950: CONVERTER MODE (UC) b)
DEPEND
FREQUENCY
H/V RATIO
GAMMA
CROP
LETTER BOX
SQUEEZE
a) Valid for output only when F1 (V.PROC) in function menu page 2 is set to MENU.
b) Select whether to set DC or UC with menu item 212 (VIDEO REMOTE CONTROL SELECT). When both are selected
(menu item 212 is U&D), both of the corresponding menu settings are made, but this unit's answer values and unity values
are the DC values.
c) Use the submenu of menu item 212 (VIDEO REMOTE CONTROL SELECT) to select whether to set menu item 713 or
718.
HD: HDSDI output during HDCAM playback
DC: Down-converted SD (D1 SDI/composite) output during HDCAM playback
SD: SD (D1 SDI/COMPOSITE) output during SD format playback
UC: Upconverted HDSDI output during SD format playback
Appendix
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Specifications
HD/SD video output phase settings
For the HD/SD video output phase setting, you can use
the maintenance menu.
For details, refer to the Installation Manual.
Settings
Item number Item name
M3
M3A:
M3A0:
Select the HD video output signal phase with respect to the reference signal: 0H
OUTPUT
PHASE
SELECT
HD PHASE or -90H (HD) advanced.
SEL
0H : Output in sync with the reference signal.
–90H: Output with the phase delayed by –90H (HD) with respect to the reference
signal.
M3A1:
Select the SD video output signal phase with respect to the reference signal: 0H
SD PHASE or –2H (SD) advanced.
SEL
0H : Output in sync with the reference signal.
–2H: Output with the phase delayed by –2H (SD) with respect to the reference
signal.
M3A2:
Select whether the SD video output signal phase in SD tape playback should be
SD UPCNV in sync or one frame delayed.
SEL (HDW-
M2000/
M2000P
only)
noml : Output the SD video with the phase unchanged. (The HD video output is
delayed by one frame with respect to the reference signal.)
HD: Output the SD video with the phase delayed by one frame. (The HD video
output and SD video output are in phase the the reference signal.)
Notes
• The SDSDI (D1) output and component/composite
outputs have the same phase.
• For item M3A2 is HDW-M2000/M2000P only.
For details of the audio/timecode output phase, see Setup
menu item 338.
A-8
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Index
A
D
H
AC IN connector 2-17
ALARM indicator 2-12
Analog
DELETE button 2-12
DF (function menu) 9-4
DF indicator 2-7
Digital
HDCAM 1-1
cassettes 3-8
HDSDI INPUT connectors 2-17
HDSDI OUTPUT connectors 2-17
Head cleaning 11-1
Headphones 2-2
HOME button 2-6
HUE (function menu) 9-5
audio input/output section 2-15
video input/output section 2-16
ASSEMBLE button 2-11
Audio
audio input/output section 2-16
device connection 3-1
hours meter 11-5
signal input/output section 2-17
DISPLAY FULL/FINE button 2-4
DMC
EDIT button 2-12
editing 5-11
playback 4-10
control section 2-4
monitor signal output section 2-18
monitor signal selection buttons 2-5
selection function selector buttons 2-4
setting display section 2-4
AUDIO IN/OUT buttons 2-13
AUDIO INPUT (AES/EBU) connectors
2-16
AUDIO INPUT CH1 to CH4 connectors
2-15
AUDIO INPUT CH1 to CH4 LEVEL
switches 2-15
I
IN/OUT buttons 2-13
INPUT button 2-4
INSERT buttons 2-11
Drop frame
mark 3-7
mode 9-4
J
JOG
button 2-9
indicator 2-9
Jog mode 4-7
E
EDIT button 2-10
AUDIO OUTPUT (AES/EBU) connectors
2-16
AUDIO OUTPUT CH1 to CH4 connectors
2-15
Edit point 5-3
cue-up and preroll 5-7
modifying and deleting 5-6
setting buttons 2-13
Editing
K
KEY INHI indicator 2-12
KEY INHIBIT switch 2-14
AUTO EDIT button 2-13
automatic editing 5-1
carrying out 5-8
B
L
Basic setup menu items 10-7
BLACK (function menu) 9-5
continuous editing 5-13
control section 2-12
cross-fade editing 10-16
manual editing 5-14
mode setting section 2-11
preread editing 5-14
quick editing 5-13
selecting the editing mode 5-3
special methods 5-13
split editing 5-4
standalone editing 5-14
switch/menu settings 5-2
E-E mode 2-5, 2-10
EJECT button 2-2
EMPHSS (function menu) 9-6
ENTRY button 2-13
Error messages 11-2
Extended setup menu items 10-10
External device connectors 2-17
Level meter 2-5
Line standard indicator 2-7
LIST button 2-13
Location and function of parts
connector panel 2-15
lower control panel 2-3
switch panel 2-14
upper control panel 2-2
LTC
C
C PHAS (function menu) 9-5
Capstan
lock mode indicator 2-7
override function 4-8
CAPSTN (function menu) 9-7
Cassettes 3-8
CHANNEL CONDITION indicator 2-6
CHARA (function menu) 9-7
CH1 to CH4 buttons 2-11
CHROMA (function menu) 9-5
COMPONENT VIDEO OUTPUT
connectors 2-16
COMPOSITE VIDEO OUTPUT
connectors 2-16
CONFI (ON)/PREREAD indicators 2-7
CONFI (function menu) 9-3
CONFI playback 2-8
Connections to digital devices 3-1
Connector panel 2-15
Continuous editing 5-13
CONTROL PANEL connector
connector panel 2-18
external sync 4-4
indicator 2-7
M
Manual editing 5-14
MARK button 2-13
Memory card
ejection button 2-14
slot 2-14
Memory stick 3-10
MEMORY indicator 2-12
MENU (function menu) 9-3
Menu
control buttons 2-6
function menu 9-1
setup menus 10-1
display section 2-7
shot mark operation menu 6-2
MIXING button 2-4
Moisture condensation 11-4
MONITOR OUTPUT R/L connector
2-19
F
F FWD button 2-11
Features 1-1
PHONES jack/control 2-2
F1 to F6 buttons 2-6
Format indicators 2-2
Function menu
configuration 9-1
item 9-2
operation 2-6, 9-1
switch panel 2-14
Control panels 2-1
CTL/TC (function menu) 9-3
CUE button 2-11
CUE IN/OUT connectors 2-15
MULTI CONTROL knob 2-8
G
Ground terminal 2-17
Index
I-1
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Index
REMOTE 1-IN(9P) connector 2-18
REMOTE 1-OUT(9P) connector 2-18
REMOTE 2 PARALLEL I/O(50P)
connector 2-18
RESET button 2-8
REVIEW button 2-13
REW button 2-11
RS-232C
connector 2-18
indicator 2-2
RUN (function menu) 9-4
N
T
Non-drop frame
mark 3-7
mode 9-4
T INFO (function menu) 9-6
Tape format indicator 2-7
Tape transport control section 2-10
TC button 2-11
TCG (function menu) 9-4
TCGSET (function menu) 9-3
TCR (function menu) 9-4
Tele-File
O
Operation mode 3-7
OUTREF (function menu) 9-7
attribute data 7-11
clip data 7-3
format 7-12
memory label 7-1
overview 7-1
resume 7-10
P
PANEL SELECT switch 2-14
Parts replacement 11-6
PB controls 2-6
S
SC (function menu) 9-6
SDI OUTPUT connectors 2-17
SDTI INPUT connector 2-17
SDTI OUTPUT connectors 2-17
Search control section 2-8
Search dial 2-9
PB/EE (function menu) 9-3
PHONES jack/control 2-2
PLAY button 2-11
Playback
capstan override 4-8
dynamic motion control (DMC) 4-10
jog mode 4-7
undo 7-10
Time code 4-2
TIME CODE IN/OUT connector 2-18
Time code input/output section 2-18
Time data 3-6
SERVO indicator 2-11
Setup 3-5
SETUP (function menu) 9-5
Setup menu
display 2-7
normal 4-6
shuttle mode 4-7
TRIM buttons 2-13
speed indication 2-8
variable speed mode 4-8
PLAYER button 2-12
Power supply section 2-17
POWER switch 2-2
Preparations
basic menu items 10-7
configuration 10-1
extended menu items 10-10
menu bank operations 10-5
operations 10-2
Shot data 6-7
Shot mark function
cuing up 6-6
list operations 6-4
operation menu 6-2
operations 6-3
overview 6-1
reading 6-3
sorting 6-8
U
UMID
display 8-4
output 8-4
overview 8-1
recording 8-2
Upper control panel 2-2
User bit values 4-2
for playback 4-5
for recording 4-1
PREREAD (function menu) 9-7
Preread editing 5-14
PREROLL button 2-10
PRESET/REGEN 9-4
Preview 5-7
V
VAR button 2-9
Variable speed mode 4-8
VIDEO (function menu) 9-5
VIDEO button 2-11
VIDEO CONTROL(15P) connector 2-18
VIDEO CONTROL(9P) connector 2-18
Video test signal (setup menu item 710)
10-23
VID.IN (function menu) 9-3
VITC
external sync 4-4
PREVIEW button 2-13
PUSH/SHIFT indicator 2-8
writing 6-3
Shot mark section 2-13
SHUTTLE button 2-9
Shuttle mode 4-7
SHUTTLE/VAR indicator 2-9
Specifications A-1
Speed indication area 2-8
Standalone editing 5-14
STANDBY button 2-10
STOP button 2-11
Superimposed character information 3-6
Switch panel 2-14
Q
Quick Editing 5-13
R
REC
button 2-10
controls 2-6
REC INHI indicator 2-10
RECINH (function menu) 9-7
REC/ERASE indicator 2-13
RECORDER button 2-12
Recording
field 3-7
indicator 2-7
V.PROC (function menu) 9-5
SYNC (function menu) 9-6
Sync signal 3-2
System configurations 1-4
System frequency indicator 2-7
preparations 4-1
procedure 4-4
time code 4-2
REF. VIDEO INPUT connectors 2-16
Reference signal connection 3-3
Reference sync signal 3-2
Regular checks 11-5
REMOTE buttons 2-2
I-2
Index
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The material contained in this manual consists of
information that is the property of Sony Corporation and is
intended solely for use by the purchasers of the equipment
described in this manual.
Sony Corporation expressly prohibits the duplication of any
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other than the operation or maintenance of the equipment
described in this manual without the express written
permission of Sony Corporation.
Le matériel contenu dans ce manuel consiste en
informations qui sont la propriété de Sony Corporation et
sont destinées exclusivement à l’usage des acquéreurs de
l’équipement décrit dans ce manuel.
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und ausschließlich zum Gebrauch durch den Käufer der in
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Sony Corporation
HDW-2000/M2000/M2000P
(SYL,
3-205-317-14(1)
B & P Company
)
2001
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